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Did she tour during this time?

Did Lee Ann Womack tour during the release of her self-titled album?

Lee Ann Womack

Womack released her self-titled debut album in May 1997, produced by Mark Wright. The album consisted of self-penned material as well as songs written by other artists, including Mark Chesnutt, Ricky Skaggs, and Sharon White. The first single, "Never Again, Again" made the country charts and playlists by March 1997, which led to the release of the album's second single, "The Fool" shortly afterward. More successful than her first single, "The Fool" reached the Top 5 on the Billboard Country chart that year. That year she won major awards from the country music community; Top New Female Vocalist from the Academy of Country Music Awards, Top Artist of the Year from Billboard Magazine, and was nominated for the Horizon award by the Country Music Association. Decca Nashville decided to close its doors in 1998, moving Womack to MCA Nashville Records that year. In 1998, Womack released her second studio album, Some Things I Know, which was also produced by Wright. The album's first two singles, "A Little Past Little Rock" and "I'll Think of a Reason Later" both went to No. 2 on the Billboard Country Chart. Two additional singles, "(Now You See Me) Now You Don't" and "Don't Tell Me" were released in 1999, and the album was certified Gold by the RIAA soon after. That year, she also won Favorite Country New Artist from the American Music Awards. Womack also contributed her vocals to the songs "If You're Ever Down in Dallas" and "The Man Who Made Mama Cry" in collaboration with her ex-husband and musician, Jason Sellers. The material was promoted through shows through October to November before the birth of Womack's second child in January 1999. CANNOTANSWER

CANNOTANSWER

Lee Ann Womack (; born August 19, 1966) is an American country music singer, songwriter, and musician. Her 2000 single, "I Hope You Dance" was a major crossover music hit, reaching No. 1 on the Billboard Country Chart and the Top 15 of the Billboard Hot 100, becoming her signature song. When Womack emerged as a contemporary country artist in 1997, her material resembled that of Dolly Parton and Tammy Wynette, except for the way Womack's music mixed an old-fashioned style with contemporary elements. Her 2000 album I Hope You Dance had an entirely different sound, using pop music elements instead of traditional country. It was not until the release of There's More Where That Came From in 2005 that Womack returned to recording traditional country music. After a hiatus in 2008, Womack returned in 2014 with a new album (The Way I'm Livin') and a new sound which blended country and Americana. Womack has released a total of nine studio albums and two compilations. Four of her studio albums have received a Gold certification or higher by the Recording Industry Association of America. Additionally, she has received five Academy of Country Music Awards, six Country Music Association Awards, and a Grammy Award. She has sold over 6 million albums worldwide. Womack is married to record producer Frank Liddell, and was previously married to songwriter and musician Jason Sellers; her daughter with the latter, Aubrie Sellers, is also a country music artist. Early life Womack was born and raised in Jacksonville, Texas. At an early age she was interested in country music. Her father, a disc jockey, often took his daughter to work with him to help choose records to play on the air. Womack was the second of two daughters. Her mother was a schoolteacher and her father was also a high school principal. As a child, Womack studied the piano and later graduated from Jacksonville High School in 1984. After graduating, Womack attended South Plains Junior College in Levelland, Texas. The college was one of the first in the nation to offer country music degrees, and soon she became a member of the college band, Country Caravan. A year later, she left the college and after an agreement with her parents, Womack enrolled at Belmont University in Nashville, Tennessee, where she studied the commercial aspect of the music business. In Nashville, she interned at the A&R department of MCA Records. She studied at the college until 1990, leaving the school a year before graduation. Womack spent a few years raising her children before reentering the music business in the mid 1990s. In 1995 she began performing her music in songwriting demos and at showcase concerts. At one of these showcase concerts, she was spotted by Tree Publishing, who signed her after listening to one of her original demo recordings. Womack wrote songs with some popular Nashville songwriters, including Bill Anderson and Ricky Skaggs, who recorded her composition, "I Don't Remember Forgetting" for one of his albums. After divorcing her first husband around that time, Womack decided to pursue a career as a country music artist. She auditioned for MCA chairman, Bruce Hinton, who praised her talents. Shortly afterward, she accepted a contract from MCA's sister record company, Decca Nashville in 1996. Music career Country music stardom: 1997–1999 Womack released her self-titled debut album in May 1997, produced by Mark Wright. The album consisted of self-penned material as well as songs written by other artists, including Mark Chesnutt, Ricky Skaggs, and Sharon White. The first single, "Never Again, Again" made the country charts and playlists by March 1997, which led to the release of the album's second single, "The Fool" shortly afterward. More successful than her first single, "The Fool" reached the Top 5 on the Billboard Country chart that year. That year she won major awards from the country music community; Top New Female Vocalist from the Academy of Country Music Awards, Top Artist of the Year from Billboard Magazine, and was nominated for the Horizon award by the Country Music Association. Decca Nashville decided to close its doors in 1998, moving Womack to MCA Nashville Records that year. In 1998, Womack released her second studio album, Some Things I Know, which was also produced by Wright. The album's first two singles, "A Little Past Little Rock" and "I'll Think of a Reason Later" both went to No. 2 on the Billboard Country Chart. Two additional singles, "(Now You See Me) Now You Don't" and "Don't Tell Me" were released in 1999, and the album was certified Gold by the RIAA soon after. That year, she also won Favorite Country New Artist from the American Music Awards. Womack also contributed her vocals to the songs "If You're Ever Down in Dallas" and "The Man Who Made Mama Cry" in collaboration with her ex-husband and musician, Jason Sellers. The material was promoted through shows through October to November before the birth of Womack's second child in January 1999. Pop crossover success: 2000–2004 Womack released her third studio album in 2000 entitled I Hope You Dance which met with major success. The title track (which was released as the lead single), reached No. 1 on the Billboard Country chart for five weeks and crossed over to the Billboard Hot 100, becoming a major crossover Pop hit, reaching No. 14. It also peaked at the top spot on the adult contemporary chart and even reached the UK Singles Charts, peaking at No. 40. Both of Womack's daughters appeared in the song's accompanying video. Towards the end of 2000, "I Hope You Dance" won the Country Music Association's "Song of the Year" and "Single of the Year" awards. With the Pop success of "I Hope You Dance," Womack drew the attention of the magazines People and Time, both of which praised the single, calling it "one of her best." The song later won awards in 2001 from the Grammy and Academy of Country music awards. The album of the same name has sold 3 million copies in the United States to date. The album's follow-up single, a cover of Rodney Crowell's "Ashes by Now" peaked at No. 4 on the Billboard Country Chart. The third single, "Why They Call it Falling" was also successful, reaching the country Top 15. On December 11, 2000, Womack performed "I Hope You Dance" at the annual Nobel Peace Prize concert. In 2002, Womack's fourth studio album, Something Worth Leaving Behind was released. The album made a stronger attempt at a pop-flavored style, however it did not react well, leading to poor record sales and only one major hit. Following its release, Womack's career stalled. Later that year, she released a Christmas album, The Season for Romance and also collaborated with Willie Nelson on his single, "Mendocino County Line," which won a Grammy and Country Music award in 2002. In early 2003, she got a small recurring role on the popular CBS drama The District. Womack sang the theme song for the 2003 series The Berenstain Bears. In 2004, Womack performed "I Hope You Dance" at the Republican National Convention, in which George W. Bush was nominated for his second term as President of the United States. The other performers that night included Sara Evans and Larry Gatlin. She also collaborated with Red Dirt Music band Cross Canadian Ragweed on their hit "Sick and Tired" in 2004. Also that year, she also released her first Greatest Hits album, which included two new songs; "The Wrong Girl" (the only song from the album released as a single) and "Time for Me to Go." There's More Where That Came From and hiatus: 2005–2008 In 2005, she released her fifth studio album aimed at traditional country music entitled There's More Where That Came From. Many people in the music industry called the album, "a return to tradition," featuring songs about drinking and cheating with a distinctive older country twang, mixing strings and steel guitar. The album won the Country Music Association's "Album of the Year" award in 2005.<ref name="book">{{cite book|title=Will the Circle Be Unbroken: Country Music in America|editor=Alanna Nash and Paul Kingsbury|publisher=DK Publishing, Inc|location=New York, NY|year=2006|page=349|chapter=Ch. 12: Pocketful of Gold}}</ref> Womack took inspiration from the records of the 1960s and 1970s, and according to Allmusic, the album sounded like albums by Loretta Lynn, Barbara Mandrell, and Dolly Parton from the 1970s. They also called it one of her best records. The lead single, "I May Hate Myself in the Morning" was a Top 10 hit in 2005, and also won "Single of the Year" by the CMA awards later that year. Two additional singles were released from the album in 2005 that became minor hits, "He Oughta Know That by Now" and "Twenty Years and Two Husbands Ago." The album was released on vinyl LP as well as CD. Womack can be heard on the track "If I Could Only Fly" from Joe Nichols' album Real Things. Womack has also appeared on specials on the CMT network, including their "100 Greatest Duets", which featured Womack singing a duet with Kenny Rogers, "Every Time Two Fools Collide". The song had been originally recorded by Rogers and Dottie West in 1978 and was a No. 1 Country hit that year. Womack took the place of West during that show since West had died in a serious car accident in September 1991. Womack's other honors includes being listed at No. 17 on CMT's 2002 special of their countdown of the 40 Greatest Women of Country Music. In 2006, Womack announced plans of a sixth studio album off of Mercury Nashville Records. The lead single, "Finding My Way Back Home" was released in the late summer of that year and debuted at No. 46 on the Billboard Country Chart. The single later peaked at No. 37 and was rescheduled into 2007, because Womack found more songs that she wanted to record, however it was never released and Womack left Mercury. In 2008, Womack announced plans for a new single for the first time in three years, once again on MCA Nashville. "Last Call" was released on June 30, 2008. It served as the lead-off single to Womack's seventh studio album, Call Me Crazy, which was released on October 21, 2008. The album, released on vinyl and CD, was produced by Tony Brown, has been described as a dark album with plenty of songs about drinking and losing love. It featured a duet with George Strait titled "Everything But Quits," a re-recording of the Strait song "The King of Broken Hearts," which first appeared on the Pure Country soundtrack. One track, "The Bees," features vocals from Keith Urban. In October 2009, Womack released "There Is a God", as the lead-off single to her upcoming seventh studio album which never surfaced. The song debuted at No. 60 on the Billboard Hot Country Songs chart for the week of November 14, 2009, eventually peaking at No. 32 in early 2010. Womack has revealed a few of the tracks that she has recorded for the album, including: "Talking Behind Your Back", as well as "You Do Until You Don't". In October 2010, Womack contributed the new track "Liars Lie" to the soundtrack for the film Country Strong. Womack also contributed guest vocals to Alan Jackson's cover of the song "Ring of Fire", which was released in December 2010 as a single from his compilation album, 34 Number Ones. His version of the song was a minor hit, charting to number 45 on the Hot Country Songs charts. Though Womack is featured on the song, she was not given credit on the charts. In August 2012, Womack parted ways with MCA Nashville. Americana transition, return to music, and subsequent material loss: 2014–present In April 2014, Womack signed with Sugar Hill Records. Her first album for the label, The Way I'm Livin', was released September 23, 2014. Critics cheered the progressive traditionalist's return. In addition to a four out of four star review in USA Today, Rolling Stone proclaimed Livin' "feels like something Merle Haggard or Waylon Jennings would have crafted back in the Seventies," Spin deemed it "the best of her career" and Garden & Gun offered, "Nashville is filled with artists making 'the record they were born to make.' With Livin', Womack is one of the few who actually deliver." "Livin'" was the only country album to make Esquire magazine's Top Albums of 2014 list. It was nominated for two 2015 Grammy Awards for Best Country Album and for Best Engineered Album, Non-Classical. Womack also received two Americana Music Awards nominations for Album of the Year and Artist of the Year and her first CMA Female Vocalist of the Year nomination in ten years. On September 26, 2014, Womack collaborated with American R&B singer John Legend for an episode of CMT Crossroads. Ahead of her 2015 tour in support of The Way I'm Livin', Womack appeared at the C2C: Country to Country festival in the UK. On August 15, 2017, Womack announced her new album The Lonely, the Lonesome & the Gone due on October 27 on ATO Records. Lee Ann Womack was among hundreds of artists whose material was destroyed in the 2008 Universal fire. Personal life At Belmont University, Womack met and married singer-songwriter Jason Sellers in 1990; they divorced in 1996. Together they had a daughter named Aubrie Sellers (b. February 1991). Womack gave birth to her second daughter, Anna Lise Liddell, in January 1999 after marrying record producer Frank Liddell. Discography Studio albums Lee Ann Womack (1997) Some Things I Know (1998) I Hope You Dance (2000) Something Worth Leaving Behind (2002) The Season for Romance (2002) There's More Where That Came From (2005) Call Me Crazy (2008) The Way I'm Livin' (2014) The Lonely, the Lonesome & the Gone'' (2017) Awards and nominations To date, Lee Ann Womack has won 6 CMA Awards (from 17 nominations), 5 ACM Awards (from 16 nominations) and 1 Grammy (from 14 nominations). Television appearances Filmography References External links 1966 births 20th-century American guitarists 20th-century American singers 20th-century American women guitarists 20th-century American women singers 21st-century American singers 21st-century American women singers American country singer-songwriters American country guitarists American women country singers American women guitarists ATO Records artists Belmont University alumni Country musicians from Tennessee Country musicians from Texas Decca Records artists Grammy Award winners Living people MCA Records artists Mercury Records artists People from Jacksonville, Texas Sugar Hill Records artists Singers from Nashville, Tennessee Singer-songwriters from Texas South Plains College alumni Tennessee Republicans Texas Republicans Singer-songwriters from Tennessee

C_16b1c11efc9144a0b7d487e3b8ea4159_1

What is another single she produced?

In addition to The Fool, what is another single that Lee Ann Womack produced?

Lee Ann Womack

Womack released her self-titled debut album in May 1997, produced by Mark Wright. The album consisted of self-penned material as well as songs written by other artists, including Mark Chesnutt, Ricky Skaggs, and Sharon White. The first single, "Never Again, Again" made the country charts and playlists by March 1997, which led to the release of the album's second single, "The Fool" shortly afterward. More successful than her first single, "The Fool" reached the Top 5 on the Billboard Country chart that year. That year she won major awards from the country music community; Top New Female Vocalist from the Academy of Country Music Awards, Top Artist of the Year from Billboard Magazine, and was nominated for the Horizon award by the Country Music Association. Decca Nashville decided to close its doors in 1998, moving Womack to MCA Nashville Records that year. In 1998, Womack released her second studio album, Some Things I Know, which was also produced by Wright. The album's first two singles, "A Little Past Little Rock" and "I'll Think of a Reason Later" both went to No. 2 on the Billboard Country Chart. Two additional singles, "(Now You See Me) Now You Don't" and "Don't Tell Me" were released in 1999, and the album was certified Gold by the RIAA soon after. That year, she also won Favorite Country New Artist from the American Music Awards. Womack also contributed her vocals to the songs "If You're Ever Down in Dallas" and "The Man Who Made Mama Cry" in collaboration with her ex-husband and musician, Jason Sellers. The material was promoted through shows through October to November before the birth of Womack's second child in January 1999. CANNOTANSWER

"A Little Past Little Rock

Lee Ann Womack (; born August 19, 1966) is an American country music singer, songwriter, and musician. Her 2000 single, "I Hope You Dance" was a major crossover music hit, reaching No. 1 on the Billboard Country Chart and the Top 15 of the Billboard Hot 100, becoming her signature song. When Womack emerged as a contemporary country artist in 1997, her material resembled that of Dolly Parton and Tammy Wynette, except for the way Womack's music mixed an old-fashioned style with contemporary elements. Her 2000 album I Hope You Dance had an entirely different sound, using pop music elements instead of traditional country. It was not until the release of There's More Where That Came From in 2005 that Womack returned to recording traditional country music. After a hiatus in 2008, Womack returned in 2014 with a new album (The Way I'm Livin') and a new sound which blended country and Americana. Womack has released a total of nine studio albums and two compilations. Four of her studio albums have received a Gold certification or higher by the Recording Industry Association of America. Additionally, she has received five Academy of Country Music Awards, six Country Music Association Awards, and a Grammy Award. She has sold over 6 million albums worldwide. Womack is married to record producer Frank Liddell, and was previously married to songwriter and musician Jason Sellers; her daughter with the latter, Aubrie Sellers, is also a country music artist. Early life Womack was born and raised in Jacksonville, Texas. At an early age she was interested in country music. Her father, a disc jockey, often took his daughter to work with him to help choose records to play on the air. Womack was the second of two daughters. Her mother was a schoolteacher and her father was also a high school principal. As a child, Womack studied the piano and later graduated from Jacksonville High School in 1984. After graduating, Womack attended South Plains Junior College in Levelland, Texas. The college was one of the first in the nation to offer country music degrees, and soon she became a member of the college band, Country Caravan. A year later, she left the college and after an agreement with her parents, Womack enrolled at Belmont University in Nashville, Tennessee, where she studied the commercial aspect of the music business. In Nashville, she interned at the A&R department of MCA Records. She studied at the college until 1990, leaving the school a year before graduation. Womack spent a few years raising her children before reentering the music business in the mid 1990s. In 1995 she began performing her music in songwriting demos and at showcase concerts. At one of these showcase concerts, she was spotted by Tree Publishing, who signed her after listening to one of her original demo recordings. Womack wrote songs with some popular Nashville songwriters, including Bill Anderson and Ricky Skaggs, who recorded her composition, "I Don't Remember Forgetting" for one of his albums. After divorcing her first husband around that time, Womack decided to pursue a career as a country music artist. She auditioned for MCA chairman, Bruce Hinton, who praised her talents. Shortly afterward, she accepted a contract from MCA's sister record company, Decca Nashville in 1996. Music career Country music stardom: 1997–1999 Womack released her self-titled debut album in May 1997, produced by Mark Wright. The album consisted of self-penned material as well as songs written by other artists, including Mark Chesnutt, Ricky Skaggs, and Sharon White. The first single, "Never Again, Again" made the country charts and playlists by March 1997, which led to the release of the album's second single, "The Fool" shortly afterward. More successful than her first single, "The Fool" reached the Top 5 on the Billboard Country chart that year. That year she won major awards from the country music community; Top New Female Vocalist from the Academy of Country Music Awards, Top Artist of the Year from Billboard Magazine, and was nominated for the Horizon award by the Country Music Association. Decca Nashville decided to close its doors in 1998, moving Womack to MCA Nashville Records that year. In 1998, Womack released her second studio album, Some Things I Know, which was also produced by Wright. The album's first two singles, "A Little Past Little Rock" and "I'll Think of a Reason Later" both went to No. 2 on the Billboard Country Chart. Two additional singles, "(Now You See Me) Now You Don't" and "Don't Tell Me" were released in 1999, and the album was certified Gold by the RIAA soon after. That year, she also won Favorite Country New Artist from the American Music Awards. Womack also contributed her vocals to the songs "If You're Ever Down in Dallas" and "The Man Who Made Mama Cry" in collaboration with her ex-husband and musician, Jason Sellers. The material was promoted through shows through October to November before the birth of Womack's second child in January 1999. Pop crossover success: 2000–2004 Womack released her third studio album in 2000 entitled I Hope You Dance which met with major success. The title track (which was released as the lead single), reached No. 1 on the Billboard Country chart for five weeks and crossed over to the Billboard Hot 100, becoming a major crossover Pop hit, reaching No. 14. It also peaked at the top spot on the adult contemporary chart and even reached the UK Singles Charts, peaking at No. 40. Both of Womack's daughters appeared in the song's accompanying video. Towards the end of 2000, "I Hope You Dance" won the Country Music Association's "Song of the Year" and "Single of the Year" awards. With the Pop success of "I Hope You Dance," Womack drew the attention of the magazines People and Time, both of which praised the single, calling it "one of her best." The song later won awards in 2001 from the Grammy and Academy of Country music awards. The album of the same name has sold 3 million copies in the United States to date. The album's follow-up single, a cover of Rodney Crowell's "Ashes by Now" peaked at No. 4 on the Billboard Country Chart. The third single, "Why They Call it Falling" was also successful, reaching the country Top 15. On December 11, 2000, Womack performed "I Hope You Dance" at the annual Nobel Peace Prize concert. In 2002, Womack's fourth studio album, Something Worth Leaving Behind was released. The album made a stronger attempt at a pop-flavored style, however it did not react well, leading to poor record sales and only one major hit. Following its release, Womack's career stalled. Later that year, she released a Christmas album, The Season for Romance and also collaborated with Willie Nelson on his single, "Mendocino County Line," which won a Grammy and Country Music award in 2002. In early 2003, she got a small recurring role on the popular CBS drama The District. Womack sang the theme song for the 2003 series The Berenstain Bears. In 2004, Womack performed "I Hope You Dance" at the Republican National Convention, in which George W. Bush was nominated for his second term as President of the United States. The other performers that night included Sara Evans and Larry Gatlin. She also collaborated with Red Dirt Music band Cross Canadian Ragweed on their hit "Sick and Tired" in 2004. Also that year, she also released her first Greatest Hits album, which included two new songs; "The Wrong Girl" (the only song from the album released as a single) and "Time for Me to Go." There's More Where That Came From and hiatus: 2005–2008 In 2005, she released her fifth studio album aimed at traditional country music entitled There's More Where That Came From. Many people in the music industry called the album, "a return to tradition," featuring songs about drinking and cheating with a distinctive older country twang, mixing strings and steel guitar. The album won the Country Music Association's "Album of the Year" award in 2005.<ref name="book">{{cite book|title=Will the Circle Be Unbroken: Country Music in America|editor=Alanna Nash and Paul Kingsbury|publisher=DK Publishing, Inc|location=New York, NY|year=2006|page=349|chapter=Ch. 12: Pocketful of Gold}}</ref> Womack took inspiration from the records of the 1960s and 1970s, and according to Allmusic, the album sounded like albums by Loretta Lynn, Barbara Mandrell, and Dolly Parton from the 1970s. They also called it one of her best records. The lead single, "I May Hate Myself in the Morning" was a Top 10 hit in 2005, and also won "Single of the Year" by the CMA awards later that year. Two additional singles were released from the album in 2005 that became minor hits, "He Oughta Know That by Now" and "Twenty Years and Two Husbands Ago." The album was released on vinyl LP as well as CD. Womack can be heard on the track "If I Could Only Fly" from Joe Nichols' album Real Things. Womack has also appeared on specials on the CMT network, including their "100 Greatest Duets", which featured Womack singing a duet with Kenny Rogers, "Every Time Two Fools Collide". The song had been originally recorded by Rogers and Dottie West in 1978 and was a No. 1 Country hit that year. Womack took the place of West during that show since West had died in a serious car accident in September 1991. Womack's other honors includes being listed at No. 17 on CMT's 2002 special of their countdown of the 40 Greatest Women of Country Music. In 2006, Womack announced plans of a sixth studio album off of Mercury Nashville Records. The lead single, "Finding My Way Back Home" was released in the late summer of that year and debuted at No. 46 on the Billboard Country Chart. The single later peaked at No. 37 and was rescheduled into 2007, because Womack found more songs that she wanted to record, however it was never released and Womack left Mercury. In 2008, Womack announced plans for a new single for the first time in three years, once again on MCA Nashville. "Last Call" was released on June 30, 2008. It served as the lead-off single to Womack's seventh studio album, Call Me Crazy, which was released on October 21, 2008. The album, released on vinyl and CD, was produced by Tony Brown, has been described as a dark album with plenty of songs about drinking and losing love. It featured a duet with George Strait titled "Everything But Quits," a re-recording of the Strait song "The King of Broken Hearts," which first appeared on the Pure Country soundtrack. One track, "The Bees," features vocals from Keith Urban. In October 2009, Womack released "There Is a God", as the lead-off single to her upcoming seventh studio album which never surfaced. The song debuted at No. 60 on the Billboard Hot Country Songs chart for the week of November 14, 2009, eventually peaking at No. 32 in early 2010. Womack has revealed a few of the tracks that she has recorded for the album, including: "Talking Behind Your Back", as well as "You Do Until You Don't". In October 2010, Womack contributed the new track "Liars Lie" to the soundtrack for the film Country Strong. Womack also contributed guest vocals to Alan Jackson's cover of the song "Ring of Fire", which was released in December 2010 as a single from his compilation album, 34 Number Ones. His version of the song was a minor hit, charting to number 45 on the Hot Country Songs charts. Though Womack is featured on the song, she was not given credit on the charts. In August 2012, Womack parted ways with MCA Nashville. Americana transition, return to music, and subsequent material loss: 2014–present In April 2014, Womack signed with Sugar Hill Records. Her first album for the label, The Way I'm Livin', was released September 23, 2014. Critics cheered the progressive traditionalist's return. In addition to a four out of four star review in USA Today, Rolling Stone proclaimed Livin' "feels like something Merle Haggard or Waylon Jennings would have crafted back in the Seventies," Spin deemed it "the best of her career" and Garden & Gun offered, "Nashville is filled with artists making 'the record they were born to make.' With Livin', Womack is one of the few who actually deliver." "Livin'" was the only country album to make Esquire magazine's Top Albums of 2014 list. It was nominated for two 2015 Grammy Awards for Best Country Album and for Best Engineered Album, Non-Classical. Womack also received two Americana Music Awards nominations for Album of the Year and Artist of the Year and her first CMA Female Vocalist of the Year nomination in ten years. On September 26, 2014, Womack collaborated with American R&B singer John Legend for an episode of CMT Crossroads. Ahead of her 2015 tour in support of The Way I'm Livin', Womack appeared at the C2C: Country to Country festival in the UK. On August 15, 2017, Womack announced her new album The Lonely, the Lonesome & the Gone due on October 27 on ATO Records. Lee Ann Womack was among hundreds of artists whose material was destroyed in the 2008 Universal fire. Personal life At Belmont University, Womack met and married singer-songwriter Jason Sellers in 1990; they divorced in 1996. Together they had a daughter named Aubrie Sellers (b. February 1991). Womack gave birth to her second daughter, Anna Lise Liddell, in January 1999 after marrying record producer Frank Liddell. Discography Studio albums Lee Ann Womack (1997) Some Things I Know (1998) I Hope You Dance (2000) Something Worth Leaving Behind (2002) The Season for Romance (2002) There's More Where That Came From (2005) Call Me Crazy (2008) The Way I'm Livin' (2014) The Lonely, the Lonesome & the Gone'' (2017) Awards and nominations To date, Lee Ann Womack has won 6 CMA Awards (from 17 nominations), 5 ACM Awards (from 16 nominations) and 1 Grammy (from 14 nominations). Television appearances Filmography References External links 1966 births 20th-century American guitarists 20th-century American singers 20th-century American women guitarists 20th-century American women singers 21st-century American singers 21st-century American women singers American country singer-songwriters American country guitarists American women country singers American women guitarists ATO Records artists Belmont University alumni Country musicians from Tennessee Country musicians from Texas Decca Records artists Grammy Award winners Living people MCA Records artists Mercury Records artists People from Jacksonville, Texas Sugar Hill Records artists Singers from Nashville, Tennessee Singer-songwriters from Texas South Plains College alumni Tennessee Republicans Texas Republicans Singer-songwriters from Tennessee

C_16b1c11efc9144a0b7d487e3b8ea4159_1

Was this song well received?

Was the song A Little Past Rock well received?

Lee Ann Womack

Womack released her self-titled debut album in May 1997, produced by Mark Wright. The album consisted of self-penned material as well as songs written by other artists, including Mark Chesnutt, Ricky Skaggs, and Sharon White. The first single, "Never Again, Again" made the country charts and playlists by March 1997, which led to the release of the album's second single, "The Fool" shortly afterward. More successful than her first single, "The Fool" reached the Top 5 on the Billboard Country chart that year. That year she won major awards from the country music community; Top New Female Vocalist from the Academy of Country Music Awards, Top Artist of the Year from Billboard Magazine, and was nominated for the Horizon award by the Country Music Association. Decca Nashville decided to close its doors in 1998, moving Womack to MCA Nashville Records that year. In 1998, Womack released her second studio album, Some Things I Know, which was also produced by Wright. The album's first two singles, "A Little Past Little Rock" and "I'll Think of a Reason Later" both went to No. 2 on the Billboard Country Chart. Two additional singles, "(Now You See Me) Now You Don't" and "Don't Tell Me" were released in 1999, and the album was certified Gold by the RIAA soon after. That year, she also won Favorite Country New Artist from the American Music Awards. Womack also contributed her vocals to the songs "If You're Ever Down in Dallas" and "The Man Who Made Mama Cry" in collaboration with her ex-husband and musician, Jason Sellers. The material was promoted through shows through October to November before the birth of Womack's second child in January 1999. CANNOTANSWER

both went to No. 2 on the Billboard Country Chart.

Lee Ann Womack (; born August 19, 1966) is an American country music singer, songwriter, and musician. Her 2000 single, "I Hope You Dance" was a major crossover music hit, reaching No. 1 on the Billboard Country Chart and the Top 15 of the Billboard Hot 100, becoming her signature song. When Womack emerged as a contemporary country artist in 1997, her material resembled that of Dolly Parton and Tammy Wynette, except for the way Womack's music mixed an old-fashioned style with contemporary elements. Her 2000 album I Hope You Dance had an entirely different sound, using pop music elements instead of traditional country. It was not until the release of There's More Where That Came From in 2005 that Womack returned to recording traditional country music. After a hiatus in 2008, Womack returned in 2014 with a new album (The Way I'm Livin') and a new sound which blended country and Americana. Womack has released a total of nine studio albums and two compilations. Four of her studio albums have received a Gold certification or higher by the Recording Industry Association of America. Additionally, she has received five Academy of Country Music Awards, six Country Music Association Awards, and a Grammy Award. She has sold over 6 million albums worldwide. Womack is married to record producer Frank Liddell, and was previously married to songwriter and musician Jason Sellers; her daughter with the latter, Aubrie Sellers, is also a country music artist. Early life Womack was born and raised in Jacksonville, Texas. At an early age she was interested in country music. Her father, a disc jockey, often took his daughter to work with him to help choose records to play on the air. Womack was the second of two daughters. Her mother was a schoolteacher and her father was also a high school principal. As a child, Womack studied the piano and later graduated from Jacksonville High School in 1984. After graduating, Womack attended South Plains Junior College in Levelland, Texas. The college was one of the first in the nation to offer country music degrees, and soon she became a member of the college band, Country Caravan. A year later, she left the college and after an agreement with her parents, Womack enrolled at Belmont University in Nashville, Tennessee, where she studied the commercial aspect of the music business. In Nashville, she interned at the A&R department of MCA Records. She studied at the college until 1990, leaving the school a year before graduation. Womack spent a few years raising her children before reentering the music business in the mid 1990s. In 1995 she began performing her music in songwriting demos and at showcase concerts. At one of these showcase concerts, she was spotted by Tree Publishing, who signed her after listening to one of her original demo recordings. Womack wrote songs with some popular Nashville songwriters, including Bill Anderson and Ricky Skaggs, who recorded her composition, "I Don't Remember Forgetting" for one of his albums. After divorcing her first husband around that time, Womack decided to pursue a career as a country music artist. She auditioned for MCA chairman, Bruce Hinton, who praised her talents. Shortly afterward, she accepted a contract from MCA's sister record company, Decca Nashville in 1996. Music career Country music stardom: 1997–1999 Womack released her self-titled debut album in May 1997, produced by Mark Wright. The album consisted of self-penned material as well as songs written by other artists, including Mark Chesnutt, Ricky Skaggs, and Sharon White. The first single, "Never Again, Again" made the country charts and playlists by March 1997, which led to the release of the album's second single, "The Fool" shortly afterward. More successful than her first single, "The Fool" reached the Top 5 on the Billboard Country chart that year. That year she won major awards from the country music community; Top New Female Vocalist from the Academy of Country Music Awards, Top Artist of the Year from Billboard Magazine, and was nominated for the Horizon award by the Country Music Association. Decca Nashville decided to close its doors in 1998, moving Womack to MCA Nashville Records that year. In 1998, Womack released her second studio album, Some Things I Know, which was also produced by Wright. The album's first two singles, "A Little Past Little Rock" and "I'll Think of a Reason Later" both went to No. 2 on the Billboard Country Chart. Two additional singles, "(Now You See Me) Now You Don't" and "Don't Tell Me" were released in 1999, and the album was certified Gold by the RIAA soon after. That year, she also won Favorite Country New Artist from the American Music Awards. Womack also contributed her vocals to the songs "If You're Ever Down in Dallas" and "The Man Who Made Mama Cry" in collaboration with her ex-husband and musician, Jason Sellers. The material was promoted through shows through October to November before the birth of Womack's second child in January 1999. Pop crossover success: 2000–2004 Womack released her third studio album in 2000 entitled I Hope You Dance which met with major success. The title track (which was released as the lead single), reached No. 1 on the Billboard Country chart for five weeks and crossed over to the Billboard Hot 100, becoming a major crossover Pop hit, reaching No. 14. It also peaked at the top spot on the adult contemporary chart and even reached the UK Singles Charts, peaking at No. 40. Both of Womack's daughters appeared in the song's accompanying video. Towards the end of 2000, "I Hope You Dance" won the Country Music Association's "Song of the Year" and "Single of the Year" awards. With the Pop success of "I Hope You Dance," Womack drew the attention of the magazines People and Time, both of which praised the single, calling it "one of her best." The song later won awards in 2001 from the Grammy and Academy of Country music awards. The album of the same name has sold 3 million copies in the United States to date. The album's follow-up single, a cover of Rodney Crowell's "Ashes by Now" peaked at No. 4 on the Billboard Country Chart. The third single, "Why They Call it Falling" was also successful, reaching the country Top 15. On December 11, 2000, Womack performed "I Hope You Dance" at the annual Nobel Peace Prize concert. In 2002, Womack's fourth studio album, Something Worth Leaving Behind was released. The album made a stronger attempt at a pop-flavored style, however it did not react well, leading to poor record sales and only one major hit. Following its release, Womack's career stalled. Later that year, she released a Christmas album, The Season for Romance and also collaborated with Willie Nelson on his single, "Mendocino County Line," which won a Grammy and Country Music award in 2002. In early 2003, she got a small recurring role on the popular CBS drama The District. Womack sang the theme song for the 2003 series The Berenstain Bears. In 2004, Womack performed "I Hope You Dance" at the Republican National Convention, in which George W. Bush was nominated for his second term as President of the United States. The other performers that night included Sara Evans and Larry Gatlin. She also collaborated with Red Dirt Music band Cross Canadian Ragweed on their hit "Sick and Tired" in 2004. Also that year, she also released her first Greatest Hits album, which included two new songs; "The Wrong Girl" (the only song from the album released as a single) and "Time for Me to Go." There's More Where That Came From and hiatus: 2005–2008 In 2005, she released her fifth studio album aimed at traditional country music entitled There's More Where That Came From. Many people in the music industry called the album, "a return to tradition," featuring songs about drinking and cheating with a distinctive older country twang, mixing strings and steel guitar. The album won the Country Music Association's "Album of the Year" award in 2005.<ref name="book">{{cite book|title=Will the Circle Be Unbroken: Country Music in America|editor=Alanna Nash and Paul Kingsbury|publisher=DK Publishing, Inc|location=New York, NY|year=2006|page=349|chapter=Ch. 12: Pocketful of Gold}}</ref> Womack took inspiration from the records of the 1960s and 1970s, and according to Allmusic, the album sounded like albums by Loretta Lynn, Barbara Mandrell, and Dolly Parton from the 1970s. They also called it one of her best records. The lead single, "I May Hate Myself in the Morning" was a Top 10 hit in 2005, and also won "Single of the Year" by the CMA awards later that year. Two additional singles were released from the album in 2005 that became minor hits, "He Oughta Know That by Now" and "Twenty Years and Two Husbands Ago." The album was released on vinyl LP as well as CD. Womack can be heard on the track "If I Could Only Fly" from Joe Nichols' album Real Things. Womack has also appeared on specials on the CMT network, including their "100 Greatest Duets", which featured Womack singing a duet with Kenny Rogers, "Every Time Two Fools Collide". The song had been originally recorded by Rogers and Dottie West in 1978 and was a No. 1 Country hit that year. Womack took the place of West during that show since West had died in a serious car accident in September 1991. Womack's other honors includes being listed at No. 17 on CMT's 2002 special of their countdown of the 40 Greatest Women of Country Music. In 2006, Womack announced plans of a sixth studio album off of Mercury Nashville Records. The lead single, "Finding My Way Back Home" was released in the late summer of that year and debuted at No. 46 on the Billboard Country Chart. The single later peaked at No. 37 and was rescheduled into 2007, because Womack found more songs that she wanted to record, however it was never released and Womack left Mercury. In 2008, Womack announced plans for a new single for the first time in three years, once again on MCA Nashville. "Last Call" was released on June 30, 2008. It served as the lead-off single to Womack's seventh studio album, Call Me Crazy, which was released on October 21, 2008. The album, released on vinyl and CD, was produced by Tony Brown, has been described as a dark album with plenty of songs about drinking and losing love. It featured a duet with George Strait titled "Everything But Quits," a re-recording of the Strait song "The King of Broken Hearts," which first appeared on the Pure Country soundtrack. One track, "The Bees," features vocals from Keith Urban. In October 2009, Womack released "There Is a God", as the lead-off single to her upcoming seventh studio album which never surfaced. The song debuted at No. 60 on the Billboard Hot Country Songs chart for the week of November 14, 2009, eventually peaking at No. 32 in early 2010. Womack has revealed a few of the tracks that she has recorded for the album, including: "Talking Behind Your Back", as well as "You Do Until You Don't". In October 2010, Womack contributed the new track "Liars Lie" to the soundtrack for the film Country Strong. Womack also contributed guest vocals to Alan Jackson's cover of the song "Ring of Fire", which was released in December 2010 as a single from his compilation album, 34 Number Ones. His version of the song was a minor hit, charting to number 45 on the Hot Country Songs charts. Though Womack is featured on the song, she was not given credit on the charts. In August 2012, Womack parted ways with MCA Nashville. Americana transition, return to music, and subsequent material loss: 2014–present In April 2014, Womack signed with Sugar Hill Records. Her first album for the label, The Way I'm Livin', was released September 23, 2014. Critics cheered the progressive traditionalist's return. In addition to a four out of four star review in USA Today, Rolling Stone proclaimed Livin' "feels like something Merle Haggard or Waylon Jennings would have crafted back in the Seventies," Spin deemed it "the best of her career" and Garden & Gun offered, "Nashville is filled with artists making 'the record they were born to make.' With Livin', Womack is one of the few who actually deliver." "Livin'" was the only country album to make Esquire magazine's Top Albums of 2014 list. It was nominated for two 2015 Grammy Awards for Best Country Album and for Best Engineered Album, Non-Classical. Womack also received two Americana Music Awards nominations for Album of the Year and Artist of the Year and her first CMA Female Vocalist of the Year nomination in ten years. On September 26, 2014, Womack collaborated with American R&B singer John Legend for an episode of CMT Crossroads. Ahead of her 2015 tour in support of The Way I'm Livin', Womack appeared at the C2C: Country to Country festival in the UK. On August 15, 2017, Womack announced her new album The Lonely, the Lonesome & the Gone due on October 27 on ATO Records. Lee Ann Womack was among hundreds of artists whose material was destroyed in the 2008 Universal fire. Personal life At Belmont University, Womack met and married singer-songwriter Jason Sellers in 1990; they divorced in 1996. Together they had a daughter named Aubrie Sellers (b. February 1991). Womack gave birth to her second daughter, Anna Lise Liddell, in January 1999 after marrying record producer Frank Liddell. Discography Studio albums Lee Ann Womack (1997) Some Things I Know (1998) I Hope You Dance (2000) Something Worth Leaving Behind (2002) The Season for Romance (2002) There's More Where That Came From (2005) Call Me Crazy (2008) The Way I'm Livin' (2014) The Lonely, the Lonesome & the Gone'' (2017) Awards and nominations To date, Lee Ann Womack has won 6 CMA Awards (from 17 nominations), 5 ACM Awards (from 16 nominations) and 1 Grammy (from 14 nominations). Television appearances Filmography References External links 1966 births 20th-century American guitarists 20th-century American singers 20th-century American women guitarists 20th-century American women singers 21st-century American singers 21st-century American women singers American country singer-songwriters American country guitarists American women country singers American women guitarists ATO Records artists Belmont University alumni Country musicians from Tennessee Country musicians from Texas Decca Records artists Grammy Award winners Living people MCA Records artists Mercury Records artists People from Jacksonville, Texas Sugar Hill Records artists Singers from Nashville, Tennessee Singer-songwriters from Texas South Plains College alumni Tennessee Republicans Texas Republicans Singer-songwriters from Tennessee

C_16b1c11efc9144a0b7d487e3b8ea4159_1

Did she perform any of these songs for the public?

Did Lee Ann Womack perform any of her singles for the public?

Lee Ann Womack

Womack released her self-titled debut album in May 1997, produced by Mark Wright. The album consisted of self-penned material as well as songs written by other artists, including Mark Chesnutt, Ricky Skaggs, and Sharon White. The first single, "Never Again, Again" made the country charts and playlists by March 1997, which led to the release of the album's second single, "The Fool" shortly afterward. More successful than her first single, "The Fool" reached the Top 5 on the Billboard Country chart that year. That year she won major awards from the country music community; Top New Female Vocalist from the Academy of Country Music Awards, Top Artist of the Year from Billboard Magazine, and was nominated for the Horizon award by the Country Music Association. Decca Nashville decided to close its doors in 1998, moving Womack to MCA Nashville Records that year. In 1998, Womack released her second studio album, Some Things I Know, which was also produced by Wright. The album's first two singles, "A Little Past Little Rock" and "I'll Think of a Reason Later" both went to No. 2 on the Billboard Country Chart. Two additional singles, "(Now You See Me) Now You Don't" and "Don't Tell Me" were released in 1999, and the album was certified Gold by the RIAA soon after. That year, she also won Favorite Country New Artist from the American Music Awards. Womack also contributed her vocals to the songs "If You're Ever Down in Dallas" and "The Man Who Made Mama Cry" in collaboration with her ex-husband and musician, Jason Sellers. The material was promoted through shows through October to November before the birth of Womack's second child in January 1999. CANNOTANSWER

The material was promoted through shows

Lee Ann Womack (; born August 19, 1966) is an American country music singer, songwriter, and musician. Her 2000 single, "I Hope You Dance" was a major crossover music hit, reaching No. 1 on the Billboard Country Chart and the Top 15 of the Billboard Hot 100, becoming her signature song. When Womack emerged as a contemporary country artist in 1997, her material resembled that of Dolly Parton and Tammy Wynette, except for the way Womack's music mixed an old-fashioned style with contemporary elements. Her 2000 album I Hope You Dance had an entirely different sound, using pop music elements instead of traditional country. It was not until the release of There's More Where That Came From in 2005 that Womack returned to recording traditional country music. After a hiatus in 2008, Womack returned in 2014 with a new album (The Way I'm Livin') and a new sound which blended country and Americana. Womack has released a total of nine studio albums and two compilations. Four of her studio albums have received a Gold certification or higher by the Recording Industry Association of America. Additionally, she has received five Academy of Country Music Awards, six Country Music Association Awards, and a Grammy Award. She has sold over 6 million albums worldwide. Womack is married to record producer Frank Liddell, and was previously married to songwriter and musician Jason Sellers; her daughter with the latter, Aubrie Sellers, is also a country music artist. Early life Womack was born and raised in Jacksonville, Texas. At an early age she was interested in country music. Her father, a disc jockey, often took his daughter to work with him to help choose records to play on the air. Womack was the second of two daughters. Her mother was a schoolteacher and her father was also a high school principal. As a child, Womack studied the piano and later graduated from Jacksonville High School in 1984. After graduating, Womack attended South Plains Junior College in Levelland, Texas. The college was one of the first in the nation to offer country music degrees, and soon she became a member of the college band, Country Caravan. A year later, she left the college and after an agreement with her parents, Womack enrolled at Belmont University in Nashville, Tennessee, where she studied the commercial aspect of the music business. In Nashville, she interned at the A&R department of MCA Records. She studied at the college until 1990, leaving the school a year before graduation. Womack spent a few years raising her children before reentering the music business in the mid 1990s. In 1995 she began performing her music in songwriting demos and at showcase concerts. At one of these showcase concerts, she was spotted by Tree Publishing, who signed her after listening to one of her original demo recordings. Womack wrote songs with some popular Nashville songwriters, including Bill Anderson and Ricky Skaggs, who recorded her composition, "I Don't Remember Forgetting" for one of his albums. After divorcing her first husband around that time, Womack decided to pursue a career as a country music artist. She auditioned for MCA chairman, Bruce Hinton, who praised her talents. Shortly afterward, she accepted a contract from MCA's sister record company, Decca Nashville in 1996. Music career Country music stardom: 1997–1999 Womack released her self-titled debut album in May 1997, produced by Mark Wright. The album consisted of self-penned material as well as songs written by other artists, including Mark Chesnutt, Ricky Skaggs, and Sharon White. The first single, "Never Again, Again" made the country charts and playlists by March 1997, which led to the release of the album's second single, "The Fool" shortly afterward. More successful than her first single, "The Fool" reached the Top 5 on the Billboard Country chart that year. That year she won major awards from the country music community; Top New Female Vocalist from the Academy of Country Music Awards, Top Artist of the Year from Billboard Magazine, and was nominated for the Horizon award by the Country Music Association. Decca Nashville decided to close its doors in 1998, moving Womack to MCA Nashville Records that year. In 1998, Womack released her second studio album, Some Things I Know, which was also produced by Wright. The album's first two singles, "A Little Past Little Rock" and "I'll Think of a Reason Later" both went to No. 2 on the Billboard Country Chart. Two additional singles, "(Now You See Me) Now You Don't" and "Don't Tell Me" were released in 1999, and the album was certified Gold by the RIAA soon after. That year, she also won Favorite Country New Artist from the American Music Awards. Womack also contributed her vocals to the songs "If You're Ever Down in Dallas" and "The Man Who Made Mama Cry" in collaboration with her ex-husband and musician, Jason Sellers. The material was promoted through shows through October to November before the birth of Womack's second child in January 1999. Pop crossover success: 2000–2004 Womack released her third studio album in 2000 entitled I Hope You Dance which met with major success. The title track (which was released as the lead single), reached No. 1 on the Billboard Country chart for five weeks and crossed over to the Billboard Hot 100, becoming a major crossover Pop hit, reaching No. 14. It also peaked at the top spot on the adult contemporary chart and even reached the UK Singles Charts, peaking at No. 40. Both of Womack's daughters appeared in the song's accompanying video. Towards the end of 2000, "I Hope You Dance" won the Country Music Association's "Song of the Year" and "Single of the Year" awards. With the Pop success of "I Hope You Dance," Womack drew the attention of the magazines People and Time, both of which praised the single, calling it "one of her best." The song later won awards in 2001 from the Grammy and Academy of Country music awards. The album of the same name has sold 3 million copies in the United States to date. The album's follow-up single, a cover of Rodney Crowell's "Ashes by Now" peaked at No. 4 on the Billboard Country Chart. The third single, "Why They Call it Falling" was also successful, reaching the country Top 15. On December 11, 2000, Womack performed "I Hope You Dance" at the annual Nobel Peace Prize concert. In 2002, Womack's fourth studio album, Something Worth Leaving Behind was released. The album made a stronger attempt at a pop-flavored style, however it did not react well, leading to poor record sales and only one major hit. Following its release, Womack's career stalled. Later that year, she released a Christmas album, The Season for Romance and also collaborated with Willie Nelson on his single, "Mendocino County Line," which won a Grammy and Country Music award in 2002. In early 2003, she got a small recurring role on the popular CBS drama The District. Womack sang the theme song for the 2003 series The Berenstain Bears. In 2004, Womack performed "I Hope You Dance" at the Republican National Convention, in which George W. Bush was nominated for his second term as President of the United States. The other performers that night included Sara Evans and Larry Gatlin. She also collaborated with Red Dirt Music band Cross Canadian Ragweed on their hit "Sick and Tired" in 2004. Also that year, she also released her first Greatest Hits album, which included two new songs; "The Wrong Girl" (the only song from the album released as a single) and "Time for Me to Go." There's More Where That Came From and hiatus: 2005–2008 In 2005, she released her fifth studio album aimed at traditional country music entitled There's More Where That Came From. Many people in the music industry called the album, "a return to tradition," featuring songs about drinking and cheating with a distinctive older country twang, mixing strings and steel guitar. The album won the Country Music Association's "Album of the Year" award in 2005.<ref name="book">{{cite book|title=Will the Circle Be Unbroken: Country Music in America|editor=Alanna Nash and Paul Kingsbury|publisher=DK Publishing, Inc|location=New York, NY|year=2006|page=349|chapter=Ch. 12: Pocketful of Gold}}</ref> Womack took inspiration from the records of the 1960s and 1970s, and according to Allmusic, the album sounded like albums by Loretta Lynn, Barbara Mandrell, and Dolly Parton from the 1970s. They also called it one of her best records. The lead single, "I May Hate Myself in the Morning" was a Top 10 hit in 2005, and also won "Single of the Year" by the CMA awards later that year. Two additional singles were released from the album in 2005 that became minor hits, "He Oughta Know That by Now" and "Twenty Years and Two Husbands Ago." The album was released on vinyl LP as well as CD. Womack can be heard on the track "If I Could Only Fly" from Joe Nichols' album Real Things. Womack has also appeared on specials on the CMT network, including their "100 Greatest Duets", which featured Womack singing a duet with Kenny Rogers, "Every Time Two Fools Collide". The song had been originally recorded by Rogers and Dottie West in 1978 and was a No. 1 Country hit that year. Womack took the place of West during that show since West had died in a serious car accident in September 1991. Womack's other honors includes being listed at No. 17 on CMT's 2002 special of their countdown of the 40 Greatest Women of Country Music. In 2006, Womack announced plans of a sixth studio album off of Mercury Nashville Records. The lead single, "Finding My Way Back Home" was released in the late summer of that year and debuted at No. 46 on the Billboard Country Chart. The single later peaked at No. 37 and was rescheduled into 2007, because Womack found more songs that she wanted to record, however it was never released and Womack left Mercury. In 2008, Womack announced plans for a new single for the first time in three years, once again on MCA Nashville. "Last Call" was released on June 30, 2008. It served as the lead-off single to Womack's seventh studio album, Call Me Crazy, which was released on October 21, 2008. The album, released on vinyl and CD, was produced by Tony Brown, has been described as a dark album with plenty of songs about drinking and losing love. It featured a duet with George Strait titled "Everything But Quits," a re-recording of the Strait song "The King of Broken Hearts," which first appeared on the Pure Country soundtrack. One track, "The Bees," features vocals from Keith Urban. In October 2009, Womack released "There Is a God", as the lead-off single to her upcoming seventh studio album which never surfaced. The song debuted at No. 60 on the Billboard Hot Country Songs chart for the week of November 14, 2009, eventually peaking at No. 32 in early 2010. Womack has revealed a few of the tracks that she has recorded for the album, including: "Talking Behind Your Back", as well as "You Do Until You Don't". In October 2010, Womack contributed the new track "Liars Lie" to the soundtrack for the film Country Strong. Womack also contributed guest vocals to Alan Jackson's cover of the song "Ring of Fire", which was released in December 2010 as a single from his compilation album, 34 Number Ones. His version of the song was a minor hit, charting to number 45 on the Hot Country Songs charts. Though Womack is featured on the song, she was not given credit on the charts. In August 2012, Womack parted ways with MCA Nashville. Americana transition, return to music, and subsequent material loss: 2014–present In April 2014, Womack signed with Sugar Hill Records. Her first album for the label, The Way I'm Livin', was released September 23, 2014. Critics cheered the progressive traditionalist's return. In addition to a four out of four star review in USA Today, Rolling Stone proclaimed Livin' "feels like something Merle Haggard or Waylon Jennings would have crafted back in the Seventies," Spin deemed it "the best of her career" and Garden & Gun offered, "Nashville is filled with artists making 'the record they were born to make.' With Livin', Womack is one of the few who actually deliver." "Livin'" was the only country album to make Esquire magazine's Top Albums of 2014 list. It was nominated for two 2015 Grammy Awards for Best Country Album and for Best Engineered Album, Non-Classical. Womack also received two Americana Music Awards nominations for Album of the Year and Artist of the Year and her first CMA Female Vocalist of the Year nomination in ten years. On September 26, 2014, Womack collaborated with American R&B singer John Legend for an episode of CMT Crossroads. Ahead of her 2015 tour in support of The Way I'm Livin', Womack appeared at the C2C: Country to Country festival in the UK. On August 15, 2017, Womack announced her new album The Lonely, the Lonesome & the Gone due on October 27 on ATO Records. Lee Ann Womack was among hundreds of artists whose material was destroyed in the 2008 Universal fire. Personal life At Belmont University, Womack met and married singer-songwriter Jason Sellers in 1990; they divorced in 1996. Together they had a daughter named Aubrie Sellers (b. February 1991). Womack gave birth to her second daughter, Anna Lise Liddell, in January 1999 after marrying record producer Frank Liddell. Discography Studio albums Lee Ann Womack (1997) Some Things I Know (1998) I Hope You Dance (2000) Something Worth Leaving Behind (2002) The Season for Romance (2002) There's More Where That Came From (2005) Call Me Crazy (2008) The Way I'm Livin' (2014) The Lonely, the Lonesome & the Gone'' (2017) Awards and nominations To date, Lee Ann Womack has won 6 CMA Awards (from 17 nominations), 5 ACM Awards (from 16 nominations) and 1 Grammy (from 14 nominations). Television appearances Filmography References External links 1966 births 20th-century American guitarists 20th-century American singers 20th-century American women guitarists 20th-century American women singers 21st-century American singers 21st-century American women singers American country singer-songwriters American country guitarists American women country singers American women guitarists ATO Records artists Belmont University alumni Country musicians from Tennessee Country musicians from Texas Decca Records artists Grammy Award winners Living people MCA Records artists Mercury Records artists People from Jacksonville, Texas Sugar Hill Records artists Singers from Nashville, Tennessee Singer-songwriters from Texas South Plains College alumni Tennessee Republicans Texas Republicans Singer-songwriters from Tennessee

C_16b1c11efc9144a0b7d487e3b8ea4159_1

What shows were these?

What shows did Lee Ann Womack perform?

Lee Ann Womack

Womack released her self-titled debut album in May 1997, produced by Mark Wright. The album consisted of self-penned material as well as songs written by other artists, including Mark Chesnutt, Ricky Skaggs, and Sharon White. The first single, "Never Again, Again" made the country charts and playlists by March 1997, which led to the release of the album's second single, "The Fool" shortly afterward. More successful than her first single, "The Fool" reached the Top 5 on the Billboard Country chart that year. That year she won major awards from the country music community; Top New Female Vocalist from the Academy of Country Music Awards, Top Artist of the Year from Billboard Magazine, and was nominated for the Horizon award by the Country Music Association. Decca Nashville decided to close its doors in 1998, moving Womack to MCA Nashville Records that year. In 1998, Womack released her second studio album, Some Things I Know, which was also produced by Wright. The album's first two singles, "A Little Past Little Rock" and "I'll Think of a Reason Later" both went to No. 2 on the Billboard Country Chart. Two additional singles, "(Now You See Me) Now You Don't" and "Don't Tell Me" were released in 1999, and the album was certified Gold by the RIAA soon after. That year, she also won Favorite Country New Artist from the American Music Awards. Womack also contributed her vocals to the songs "If You're Ever Down in Dallas" and "The Man Who Made Mama Cry" in collaboration with her ex-husband and musician, Jason Sellers. The material was promoted through shows through October to November before the birth of Womack's second child in January 1999. CANNOTANSWER

through October to November

Lee Ann Womack (; born August 19, 1966) is an American country music singer, songwriter, and musician. Her 2000 single, "I Hope You Dance" was a major crossover music hit, reaching No. 1 on the Billboard Country Chart and the Top 15 of the Billboard Hot 100, becoming her signature song. When Womack emerged as a contemporary country artist in 1997, her material resembled that of Dolly Parton and Tammy Wynette, except for the way Womack's music mixed an old-fashioned style with contemporary elements. Her 2000 album I Hope You Dance had an entirely different sound, using pop music elements instead of traditional country. It was not until the release of There's More Where That Came From in 2005 that Womack returned to recording traditional country music. After a hiatus in 2008, Womack returned in 2014 with a new album (The Way I'm Livin') and a new sound which blended country and Americana. Womack has released a total of nine studio albums and two compilations. Four of her studio albums have received a Gold certification or higher by the Recording Industry Association of America. Additionally, she has received five Academy of Country Music Awards, six Country Music Association Awards, and a Grammy Award. She has sold over 6 million albums worldwide. Womack is married to record producer Frank Liddell, and was previously married to songwriter and musician Jason Sellers; her daughter with the latter, Aubrie Sellers, is also a country music artist. Early life Womack was born and raised in Jacksonville, Texas. At an early age she was interested in country music. Her father, a disc jockey, often took his daughter to work with him to help choose records to play on the air. Womack was the second of two daughters. Her mother was a schoolteacher and her father was also a high school principal. As a child, Womack studied the piano and later graduated from Jacksonville High School in 1984. After graduating, Womack attended South Plains Junior College in Levelland, Texas. The college was one of the first in the nation to offer country music degrees, and soon she became a member of the college band, Country Caravan. A year later, she left the college and after an agreement with her parents, Womack enrolled at Belmont University in Nashville, Tennessee, where she studied the commercial aspect of the music business. In Nashville, she interned at the A&R department of MCA Records. She studied at the college until 1990, leaving the school a year before graduation. Womack spent a few years raising her children before reentering the music business in the mid 1990s. In 1995 she began performing her music in songwriting demos and at showcase concerts. At one of these showcase concerts, she was spotted by Tree Publishing, who signed her after listening to one of her original demo recordings. Womack wrote songs with some popular Nashville songwriters, including Bill Anderson and Ricky Skaggs, who recorded her composition, "I Don't Remember Forgetting" for one of his albums. After divorcing her first husband around that time, Womack decided to pursue a career as a country music artist. She auditioned for MCA chairman, Bruce Hinton, who praised her talents. Shortly afterward, she accepted a contract from MCA's sister record company, Decca Nashville in 1996. Music career Country music stardom: 1997–1999 Womack released her self-titled debut album in May 1997, produced by Mark Wright. The album consisted of self-penned material as well as songs written by other artists, including Mark Chesnutt, Ricky Skaggs, and Sharon White. The first single, "Never Again, Again" made the country charts and playlists by March 1997, which led to the release of the album's second single, "The Fool" shortly afterward. More successful than her first single, "The Fool" reached the Top 5 on the Billboard Country chart that year. That year she won major awards from the country music community; Top New Female Vocalist from the Academy of Country Music Awards, Top Artist of the Year from Billboard Magazine, and was nominated for the Horizon award by the Country Music Association. Decca Nashville decided to close its doors in 1998, moving Womack to MCA Nashville Records that year. In 1998, Womack released her second studio album, Some Things I Know, which was also produced by Wright. The album's first two singles, "A Little Past Little Rock" and "I'll Think of a Reason Later" both went to No. 2 on the Billboard Country Chart. Two additional singles, "(Now You See Me) Now You Don't" and "Don't Tell Me" were released in 1999, and the album was certified Gold by the RIAA soon after. That year, she also won Favorite Country New Artist from the American Music Awards. Womack also contributed her vocals to the songs "If You're Ever Down in Dallas" and "The Man Who Made Mama Cry" in collaboration with her ex-husband and musician, Jason Sellers. The material was promoted through shows through October to November before the birth of Womack's second child in January 1999. Pop crossover success: 2000–2004 Womack released her third studio album in 2000 entitled I Hope You Dance which met with major success. The title track (which was released as the lead single), reached No. 1 on the Billboard Country chart for five weeks and crossed over to the Billboard Hot 100, becoming a major crossover Pop hit, reaching No. 14. It also peaked at the top spot on the adult contemporary chart and even reached the UK Singles Charts, peaking at No. 40. Both of Womack's daughters appeared in the song's accompanying video. Towards the end of 2000, "I Hope You Dance" won the Country Music Association's "Song of the Year" and "Single of the Year" awards. With the Pop success of "I Hope You Dance," Womack drew the attention of the magazines People and Time, both of which praised the single, calling it "one of her best." The song later won awards in 2001 from the Grammy and Academy of Country music awards. The album of the same name has sold 3 million copies in the United States to date. The album's follow-up single, a cover of Rodney Crowell's "Ashes by Now" peaked at No. 4 on the Billboard Country Chart. The third single, "Why They Call it Falling" was also successful, reaching the country Top 15. On December 11, 2000, Womack performed "I Hope You Dance" at the annual Nobel Peace Prize concert. In 2002, Womack's fourth studio album, Something Worth Leaving Behind was released. The album made a stronger attempt at a pop-flavored style, however it did not react well, leading to poor record sales and only one major hit. Following its release, Womack's career stalled. Later that year, she released a Christmas album, The Season for Romance and also collaborated with Willie Nelson on his single, "Mendocino County Line," which won a Grammy and Country Music award in 2002. In early 2003, she got a small recurring role on the popular CBS drama The District. Womack sang the theme song for the 2003 series The Berenstain Bears. In 2004, Womack performed "I Hope You Dance" at the Republican National Convention, in which George W. Bush was nominated for his second term as President of the United States. The other performers that night included Sara Evans and Larry Gatlin. She also collaborated with Red Dirt Music band Cross Canadian Ragweed on their hit "Sick and Tired" in 2004. Also that year, she also released her first Greatest Hits album, which included two new songs; "The Wrong Girl" (the only song from the album released as a single) and "Time for Me to Go." There's More Where That Came From and hiatus: 2005–2008 In 2005, she released her fifth studio album aimed at traditional country music entitled There's More Where That Came From. Many people in the music industry called the album, "a return to tradition," featuring songs about drinking and cheating with a distinctive older country twang, mixing strings and steel guitar. The album won the Country Music Association's "Album of the Year" award in 2005.<ref name="book">{{cite book|title=Will the Circle Be Unbroken: Country Music in America|editor=Alanna Nash and Paul Kingsbury|publisher=DK Publishing, Inc|location=New York, NY|year=2006|page=349|chapter=Ch. 12: Pocketful of Gold}}</ref> Womack took inspiration from the records of the 1960s and 1970s, and according to Allmusic, the album sounded like albums by Loretta Lynn, Barbara Mandrell, and Dolly Parton from the 1970s. They also called it one of her best records. The lead single, "I May Hate Myself in the Morning" was a Top 10 hit in 2005, and also won "Single of the Year" by the CMA awards later that year. Two additional singles were released from the album in 2005 that became minor hits, "He Oughta Know That by Now" and "Twenty Years and Two Husbands Ago." The album was released on vinyl LP as well as CD. Womack can be heard on the track "If I Could Only Fly" from Joe Nichols' album Real Things. Womack has also appeared on specials on the CMT network, including their "100 Greatest Duets", which featured Womack singing a duet with Kenny Rogers, "Every Time Two Fools Collide". The song had been originally recorded by Rogers and Dottie West in 1978 and was a No. 1 Country hit that year. Womack took the place of West during that show since West had died in a serious car accident in September 1991. Womack's other honors includes being listed at No. 17 on CMT's 2002 special of their countdown of the 40 Greatest Women of Country Music. In 2006, Womack announced plans of a sixth studio album off of Mercury Nashville Records. The lead single, "Finding My Way Back Home" was released in the late summer of that year and debuted at No. 46 on the Billboard Country Chart. The single later peaked at No. 37 and was rescheduled into 2007, because Womack found more songs that she wanted to record, however it was never released and Womack left Mercury. In 2008, Womack announced plans for a new single for the first time in three years, once again on MCA Nashville. "Last Call" was released on June 30, 2008. It served as the lead-off single to Womack's seventh studio album, Call Me Crazy, which was released on October 21, 2008. The album, released on vinyl and CD, was produced by Tony Brown, has been described as a dark album with plenty of songs about drinking and losing love. It featured a duet with George Strait titled "Everything But Quits," a re-recording of the Strait song "The King of Broken Hearts," which first appeared on the Pure Country soundtrack. One track, "The Bees," features vocals from Keith Urban. In October 2009, Womack released "There Is a God", as the lead-off single to her upcoming seventh studio album which never surfaced. The song debuted at No. 60 on the Billboard Hot Country Songs chart for the week of November 14, 2009, eventually peaking at No. 32 in early 2010. Womack has revealed a few of the tracks that she has recorded for the album, including: "Talking Behind Your Back", as well as "You Do Until You Don't". In October 2010, Womack contributed the new track "Liars Lie" to the soundtrack for the film Country Strong. Womack also contributed guest vocals to Alan Jackson's cover of the song "Ring of Fire", which was released in December 2010 as a single from his compilation album, 34 Number Ones. His version of the song was a minor hit, charting to number 45 on the Hot Country Songs charts. Though Womack is featured on the song, she was not given credit on the charts. In August 2012, Womack parted ways with MCA Nashville. Americana transition, return to music, and subsequent material loss: 2014–present In April 2014, Womack signed with Sugar Hill Records. Her first album for the label, The Way I'm Livin', was released September 23, 2014. Critics cheered the progressive traditionalist's return. In addition to a four out of four star review in USA Today, Rolling Stone proclaimed Livin' "feels like something Merle Haggard or Waylon Jennings would have crafted back in the Seventies," Spin deemed it "the best of her career" and Garden & Gun offered, "Nashville is filled with artists making 'the record they were born to make.' With Livin', Womack is one of the few who actually deliver." "Livin'" was the only country album to make Esquire magazine's Top Albums of 2014 list. It was nominated for two 2015 Grammy Awards for Best Country Album and for Best Engineered Album, Non-Classical. Womack also received two Americana Music Awards nominations for Album of the Year and Artist of the Year and her first CMA Female Vocalist of the Year nomination in ten years. On September 26, 2014, Womack collaborated with American R&B singer John Legend for an episode of CMT Crossroads. Ahead of her 2015 tour in support of The Way I'm Livin', Womack appeared at the C2C: Country to Country festival in the UK. On August 15, 2017, Womack announced her new album The Lonely, the Lonesome & the Gone due on October 27 on ATO Records. Lee Ann Womack was among hundreds of artists whose material was destroyed in the 2008 Universal fire. Personal life At Belmont University, Womack met and married singer-songwriter Jason Sellers in 1990; they divorced in 1996. Together they had a daughter named Aubrie Sellers (b. February 1991). Womack gave birth to her second daughter, Anna Lise Liddell, in January 1999 after marrying record producer Frank Liddell. Discography Studio albums Lee Ann Womack (1997) Some Things I Know (1998) I Hope You Dance (2000) Something Worth Leaving Behind (2002) The Season for Romance (2002) There's More Where That Came From (2005) Call Me Crazy (2008) The Way I'm Livin' (2014) The Lonely, the Lonesome & the Gone'' (2017) Awards and nominations To date, Lee Ann Womack has won 6 CMA Awards (from 17 nominations), 5 ACM Awards (from 16 nominations) and 1 Grammy (from 14 nominations). Television appearances Filmography References External links 1966 births 20th-century American guitarists 20th-century American singers 20th-century American women guitarists 20th-century American women singers 21st-century American singers 21st-century American women singers American country singer-songwriters American country guitarists American women country singers American women guitarists ATO Records artists Belmont University alumni Country musicians from Tennessee Country musicians from Texas Decca Records artists Grammy Award winners Living people MCA Records artists Mercury Records artists People from Jacksonville, Texas Sugar Hill Records artists Singers from Nashville, Tennessee Singer-songwriters from Texas South Plains College alumni Tennessee Republicans Texas Republicans Singer-songwriters from Tennessee

C_16b1c11efc9144a0b7d487e3b8ea4159_1

Did she release any other albums during this time?

Along with her self-titled album, did Lee Ann Womack release any other albums during October to November?

Lee Ann Womack

Womack released her self-titled debut album in May 1997, produced by Mark Wright. The album consisted of self-penned material as well as songs written by other artists, including Mark Chesnutt, Ricky Skaggs, and Sharon White. The first single, "Never Again, Again" made the country charts and playlists by March 1997, which led to the release of the album's second single, "The Fool" shortly afterward. More successful than her first single, "The Fool" reached the Top 5 on the Billboard Country chart that year. That year she won major awards from the country music community; Top New Female Vocalist from the Academy of Country Music Awards, Top Artist of the Year from Billboard Magazine, and was nominated for the Horizon award by the Country Music Association. Decca Nashville decided to close its doors in 1998, moving Womack to MCA Nashville Records that year. In 1998, Womack released her second studio album, Some Things I Know, which was also produced by Wright. The album's first two singles, "A Little Past Little Rock" and "I'll Think of a Reason Later" both went to No. 2 on the Billboard Country Chart. Two additional singles, "(Now You See Me) Now You Don't" and "Don't Tell Me" were released in 1999, and the album was certified Gold by the RIAA soon after. That year, she also won Favorite Country New Artist from the American Music Awards. Womack also contributed her vocals to the songs "If You're Ever Down in Dallas" and "The Man Who Made Mama Cry" in collaboration with her ex-husband and musician, Jason Sellers. The material was promoted through shows through October to November before the birth of Womack's second child in January 1999. CANNOTANSWER

CANNOTANSWER

Lee Ann Womack (; born August 19, 1966) is an American country music singer, songwriter, and musician. Her 2000 single, "I Hope You Dance" was a major crossover music hit, reaching No. 1 on the Billboard Country Chart and the Top 15 of the Billboard Hot 100, becoming her signature song. When Womack emerged as a contemporary country artist in 1997, her material resembled that of Dolly Parton and Tammy Wynette, except for the way Womack's music mixed an old-fashioned style with contemporary elements. Her 2000 album I Hope You Dance had an entirely different sound, using pop music elements instead of traditional country. It was not until the release of There's More Where That Came From in 2005 that Womack returned to recording traditional country music. After a hiatus in 2008, Womack returned in 2014 with a new album (The Way I'm Livin') and a new sound which blended country and Americana. Womack has released a total of nine studio albums and two compilations. Four of her studio albums have received a Gold certification or higher by the Recording Industry Association of America. Additionally, she has received five Academy of Country Music Awards, six Country Music Association Awards, and a Grammy Award. She has sold over 6 million albums worldwide. Womack is married to record producer Frank Liddell, and was previously married to songwriter and musician Jason Sellers; her daughter with the latter, Aubrie Sellers, is also a country music artist. Early life Womack was born and raised in Jacksonville, Texas. At an early age she was interested in country music. Her father, a disc jockey, often took his daughter to work with him to help choose records to play on the air. Womack was the second of two daughters. Her mother was a schoolteacher and her father was also a high school principal. As a child, Womack studied the piano and later graduated from Jacksonville High School in 1984. After graduating, Womack attended South Plains Junior College in Levelland, Texas. The college was one of the first in the nation to offer country music degrees, and soon she became a member of the college band, Country Caravan. A year later, she left the college and after an agreement with her parents, Womack enrolled at Belmont University in Nashville, Tennessee, where she studied the commercial aspect of the music business. In Nashville, she interned at the A&R department of MCA Records. She studied at the college until 1990, leaving the school a year before graduation. Womack spent a few years raising her children before reentering the music business in the mid 1990s. In 1995 she began performing her music in songwriting demos and at showcase concerts. At one of these showcase concerts, she was spotted by Tree Publishing, who signed her after listening to one of her original demo recordings. Womack wrote songs with some popular Nashville songwriters, including Bill Anderson and Ricky Skaggs, who recorded her composition, "I Don't Remember Forgetting" for one of his albums. After divorcing her first husband around that time, Womack decided to pursue a career as a country music artist. She auditioned for MCA chairman, Bruce Hinton, who praised her talents. Shortly afterward, she accepted a contract from MCA's sister record company, Decca Nashville in 1996. Music career Country music stardom: 1997–1999 Womack released her self-titled debut album in May 1997, produced by Mark Wright. The album consisted of self-penned material as well as songs written by other artists, including Mark Chesnutt, Ricky Skaggs, and Sharon White. The first single, "Never Again, Again" made the country charts and playlists by March 1997, which led to the release of the album's second single, "The Fool" shortly afterward. More successful than her first single, "The Fool" reached the Top 5 on the Billboard Country chart that year. That year she won major awards from the country music community; Top New Female Vocalist from the Academy of Country Music Awards, Top Artist of the Year from Billboard Magazine, and was nominated for the Horizon award by the Country Music Association. Decca Nashville decided to close its doors in 1998, moving Womack to MCA Nashville Records that year. In 1998, Womack released her second studio album, Some Things I Know, which was also produced by Wright. The album's first two singles, "A Little Past Little Rock" and "I'll Think of a Reason Later" both went to No. 2 on the Billboard Country Chart. Two additional singles, "(Now You See Me) Now You Don't" and "Don't Tell Me" were released in 1999, and the album was certified Gold by the RIAA soon after. That year, she also won Favorite Country New Artist from the American Music Awards. Womack also contributed her vocals to the songs "If You're Ever Down in Dallas" and "The Man Who Made Mama Cry" in collaboration with her ex-husband and musician, Jason Sellers. The material was promoted through shows through October to November before the birth of Womack's second child in January 1999. Pop crossover success: 2000–2004 Womack released her third studio album in 2000 entitled I Hope You Dance which met with major success. The title track (which was released as the lead single), reached No. 1 on the Billboard Country chart for five weeks and crossed over to the Billboard Hot 100, becoming a major crossover Pop hit, reaching No. 14. It also peaked at the top spot on the adult contemporary chart and even reached the UK Singles Charts, peaking at No. 40. Both of Womack's daughters appeared in the song's accompanying video. Towards the end of 2000, "I Hope You Dance" won the Country Music Association's "Song of the Year" and "Single of the Year" awards. With the Pop success of "I Hope You Dance," Womack drew the attention of the magazines People and Time, both of which praised the single, calling it "one of her best." The song later won awards in 2001 from the Grammy and Academy of Country music awards. The album of the same name has sold 3 million copies in the United States to date. The album's follow-up single, a cover of Rodney Crowell's "Ashes by Now" peaked at No. 4 on the Billboard Country Chart. The third single, "Why They Call it Falling" was also successful, reaching the country Top 15. On December 11, 2000, Womack performed "I Hope You Dance" at the annual Nobel Peace Prize concert. In 2002, Womack's fourth studio album, Something Worth Leaving Behind was released. The album made a stronger attempt at a pop-flavored style, however it did not react well, leading to poor record sales and only one major hit. Following its release, Womack's career stalled. Later that year, she released a Christmas album, The Season for Romance and also collaborated with Willie Nelson on his single, "Mendocino County Line," which won a Grammy and Country Music award in 2002. In early 2003, she got a small recurring role on the popular CBS drama The District. Womack sang the theme song for the 2003 series The Berenstain Bears. In 2004, Womack performed "I Hope You Dance" at the Republican National Convention, in which George W. Bush was nominated for his second term as President of the United States. The other performers that night included Sara Evans and Larry Gatlin. She also collaborated with Red Dirt Music band Cross Canadian Ragweed on their hit "Sick and Tired" in 2004. Also that year, she also released her first Greatest Hits album, which included two new songs; "The Wrong Girl" (the only song from the album released as a single) and "Time for Me to Go." There's More Where That Came From and hiatus: 2005–2008 In 2005, she released her fifth studio album aimed at traditional country music entitled There's More Where That Came From. Many people in the music industry called the album, "a return to tradition," featuring songs about drinking and cheating with a distinctive older country twang, mixing strings and steel guitar. The album won the Country Music Association's "Album of the Year" award in 2005.<ref name="book">{{cite book|title=Will the Circle Be Unbroken: Country Music in America|editor=Alanna Nash and Paul Kingsbury|publisher=DK Publishing, Inc|location=New York, NY|year=2006|page=349|chapter=Ch. 12: Pocketful of Gold}}</ref> Womack took inspiration from the records of the 1960s and 1970s, and according to Allmusic, the album sounded like albums by Loretta Lynn, Barbara Mandrell, and Dolly Parton from the 1970s. They also called it one of her best records. The lead single, "I May Hate Myself in the Morning" was a Top 10 hit in 2005, and also won "Single of the Year" by the CMA awards later that year. Two additional singles were released from the album in 2005 that became minor hits, "He Oughta Know That by Now" and "Twenty Years and Two Husbands Ago." The album was released on vinyl LP as well as CD. Womack can be heard on the track "If I Could Only Fly" from Joe Nichols' album Real Things. Womack has also appeared on specials on the CMT network, including their "100 Greatest Duets", which featured Womack singing a duet with Kenny Rogers, "Every Time Two Fools Collide". The song had been originally recorded by Rogers and Dottie West in 1978 and was a No. 1 Country hit that year. Womack took the place of West during that show since West had died in a serious car accident in September 1991. Womack's other honors includes being listed at No. 17 on CMT's 2002 special of their countdown of the 40 Greatest Women of Country Music. In 2006, Womack announced plans of a sixth studio album off of Mercury Nashville Records. The lead single, "Finding My Way Back Home" was released in the late summer of that year and debuted at No. 46 on the Billboard Country Chart. The single later peaked at No. 37 and was rescheduled into 2007, because Womack found more songs that she wanted to record, however it was never released and Womack left Mercury. In 2008, Womack announced plans for a new single for the first time in three years, once again on MCA Nashville. "Last Call" was released on June 30, 2008. It served as the lead-off single to Womack's seventh studio album, Call Me Crazy, which was released on October 21, 2008. The album, released on vinyl and CD, was produced by Tony Brown, has been described as a dark album with plenty of songs about drinking and losing love. It featured a duet with George Strait titled "Everything But Quits," a re-recording of the Strait song "The King of Broken Hearts," which first appeared on the Pure Country soundtrack. One track, "The Bees," features vocals from Keith Urban. In October 2009, Womack released "There Is a God", as the lead-off single to her upcoming seventh studio album which never surfaced. The song debuted at No. 60 on the Billboard Hot Country Songs chart for the week of November 14, 2009, eventually peaking at No. 32 in early 2010. Womack has revealed a few of the tracks that she has recorded for the album, including: "Talking Behind Your Back", as well as "You Do Until You Don't". In October 2010, Womack contributed the new track "Liars Lie" to the soundtrack for the film Country Strong. Womack also contributed guest vocals to Alan Jackson's cover of the song "Ring of Fire", which was released in December 2010 as a single from his compilation album, 34 Number Ones. His version of the song was a minor hit, charting to number 45 on the Hot Country Songs charts. Though Womack is featured on the song, she was not given credit on the charts. In August 2012, Womack parted ways with MCA Nashville. Americana transition, return to music, and subsequent material loss: 2014–present In April 2014, Womack signed with Sugar Hill Records. Her first album for the label, The Way I'm Livin', was released September 23, 2014. Critics cheered the progressive traditionalist's return. In addition to a four out of four star review in USA Today, Rolling Stone proclaimed Livin' "feels like something Merle Haggard or Waylon Jennings would have crafted back in the Seventies," Spin deemed it "the best of her career" and Garden & Gun offered, "Nashville is filled with artists making 'the record they were born to make.' With Livin', Womack is one of the few who actually deliver." "Livin'" was the only country album to make Esquire magazine's Top Albums of 2014 list. It was nominated for two 2015 Grammy Awards for Best Country Album and for Best Engineered Album, Non-Classical. Womack also received two Americana Music Awards nominations for Album of the Year and Artist of the Year and her first CMA Female Vocalist of the Year nomination in ten years. On September 26, 2014, Womack collaborated with American R&B singer John Legend for an episode of CMT Crossroads. Ahead of her 2015 tour in support of The Way I'm Livin', Womack appeared at the C2C: Country to Country festival in the UK. On August 15, 2017, Womack announced her new album The Lonely, the Lonesome & the Gone due on October 27 on ATO Records. Lee Ann Womack was among hundreds of artists whose material was destroyed in the 2008 Universal fire. Personal life At Belmont University, Womack met and married singer-songwriter Jason Sellers in 1990; they divorced in 1996. Together they had a daughter named Aubrie Sellers (b. February 1991). Womack gave birth to her second daughter, Anna Lise Liddell, in January 1999 after marrying record producer Frank Liddell. Discography Studio albums Lee Ann Womack (1997) Some Things I Know (1998) I Hope You Dance (2000) Something Worth Leaving Behind (2002) The Season for Romance (2002) There's More Where That Came From (2005) Call Me Crazy (2008) The Way I'm Livin' (2014) The Lonely, the Lonesome & the Gone'' (2017) Awards and nominations To date, Lee Ann Womack has won 6 CMA Awards (from 17 nominations), 5 ACM Awards (from 16 nominations) and 1 Grammy (from 14 nominations). Television appearances Filmography References External links 1966 births 20th-century American guitarists 20th-century American singers 20th-century American women guitarists 20th-century American women singers 21st-century American singers 21st-century American women singers American country singer-songwriters American country guitarists American women country singers American women guitarists ATO Records artists Belmont University alumni Country musicians from Tennessee Country musicians from Texas Decca Records artists Grammy Award winners Living people MCA Records artists Mercury Records artists People from Jacksonville, Texas Sugar Hill Records artists Singers from Nashville, Tennessee Singer-songwriters from Texas South Plains College alumni Tennessee Republicans Texas Republicans Singer-songwriters from Tennessee

C_3759e67296364e89b6179b47f8e29247_1

when was it formed

When was The Colbert Report formed?

The Colbert Report

The Colbert Report satirized conservative personality-driven political pundit programs, and focused on a fictional anchorman character named Stephen Colbert, played by his real-life namesake. The character first made appearances on the short-lived sketch comedy series The Dana Carvey Show in 1996, described as "a self-important, trench-coated reporter who does on-location stories in a way that suggests his own presence is the real scoop." Colbert joined Comedy Central's The Daily Show in 1997, a year following its launch, then hosted by Craig Kilborn. When Jon Stewart became the program's host in 1999, The Daily Show developed a markedly different style, bringing a sharper political focus to the humor than the show previously exhibited. Colbert recalled that Stewart specifically asked him to have a political viewpoint, and to allow his passion for issues to carry through into his comedy. Colbert became a fixture on The Daily Show, occasionally hosting in Stewart's absence. In 2003, the program began running advertisements for a fictional program titled The Colbert Report, starring Colbert as a parody of cable news pundits. When fellow Daily Show star Steve Carell left to pursue a film and television career, Comedy Central made attempts to keep Colbert at the network. He pitched The Colbert Report to the channel in 2004. Stewart pushed Comedy Central to pick up the show, and Colbert was given an eight-week tryout. Following the show's immediate success, the show "quickly became a fixture in the late-night lineup." At its peak, the show averaged 1.5 million viewers each evening. The fictional Colbert anchorman character became gradually toned down over the course of the show's run, as the host believed he would eventually need to move beyond it. He began to regard it as an act of discipline to perform as the character; he later remarked, "to model behavior, you have to consume that behavior on a regular basis. It became very hard to watch punditry of any kind, of whatever political stripe." With his contract set to end in December 2014, he had already decided to leave the show when he was contacted by CBS to replace David Letterman as the host of its Late Show franchise. The show's ending was announced concurrently with Colbert's jump to CBS in April 2014. The last episode aired on December 18, 2014. The show was replaced on Comedy Central's late-night lineup by The Nightly Show with Larry Wilmore, another spinoff of The Daily Show. CANNOTANSWER

Colbert joined Comedy Central's The Daily Show in 1997, a year following its launch,

The Colbert Report ( ) is an American late-night talk and news satire television program hosted by Stephen Colbert that aired four days a week on Comedy Central from October 17, 2005, to December 18, 2014, for 1,447 episodes. The show focused on a fictional anchorman character named Stephen Colbert, played by his real-life namesake. The character, described by Colbert as a "well-intentioned, poorly informed, high-status idiot", is a caricature of televised political pundits. Furthermore, the show satirized conservative personality-driven political talk programs, particularly Fox News's The O'Reilly Factor. The Colbert Report is a spin-off of Comedy Central's The Daily Show, in which Colbert acted as a correspondent for the program for several years while developing the character. The program was created by Colbert, Jon Stewart, and Ben Karlin. The show's writing was grounded in improvisation, and often lampooned current events stories. The show's structure also included a guest interview, in which the Colbert character attempts to deconstruct his opponent's argument. The show was taped in New York City's Hell's Kitchen neighborhood, and the program's set is "hyper-American", epitomizing the character's ego. The show was taped and broadcast Monday through Thursday, with weeks taken off at multiple points in a given year for breaks. The Colbert Report saw immediate critical and ratings successes, leading to various awards, including two Peabody Awards. The show's cultural influence—which occasionally would require a fair degree of participation from the show's audience, dubbed the Colbert Nation—extended beyond the program a number of times. This impact included the character running for U.S. President twice, co-hosting a rally at the National Mall, presenting a controversial performance at the White House Correspondents' Dinner, and establishing a real Super PAC that raised a million dollars. In addition, the show inspired various forms of multimedia, including music and multiple best-selling books. Background The Colbert Report satirized conservative personality-driven political pundit programs, and focused on a fictional anchorman character named Stephen Colbert, played by his real-life namesake. The character first made appearances on the short-lived sketch comedy series The Dana Carvey Show in 1996, described as "a self-important, trench-coated reporter who does on-location stories in a way that suggests his own presence is the real scoop." Colbert joined Comedy Central's The Daily Show in 1997, a year following its launch, then hosted by Craig Kilborn. When Jon Stewart became the program's host in 1999, The Daily Show developed a markedly different style, bringing a sharper political focus to the humor than the show previously exhibited. Colbert recalled that Stewart specifically asked him to have a political viewpoint, and to allow his passion for issues to carry through into his comedy. Colbert became a fixture on The Daily Show, occasionally hosting in Stewart's absence. In 2003, the program began running advertisements for a fictional program titled The Colbert Réport, starring Colbert as a parody of cable news pundits. When fellow Daily Show star Steve Carell left to pursue a film and television career, Comedy Central made attempts to keep Colbert at the network. He pitched The Colbert Report to the channel in 2004. Stewart pushed Comedy Central to pick up the show, and Colbert was given an eight-week tryout. Following the show's immediate success, the show "quickly became a fixture in the late-night lineup." At its peak, the show averaged 1.5 million viewers each evening. The fictional Colbert anchorman character became gradually toned down over the course of the show's run, as the host believed he would eventually need to move beyond it. He began to regard it as an act of discipline to perform as the character; he later remarked, "to model behavior, you have to consume that behavior on a regular basis. It became very hard to watch punditry of any kind, of whatever political stripe." With his contract set to end in December 2014, he had already decided to leave the show when he was contacted by CBS to replace David Letterman as the host of its Late Show franchise. The show's ending was announced concurrently with Colbert's jump to CBS in April 2014. The last episode aired on December 18, 2014. The show was replaced on Comedy Central's late-night lineup by The Nightly Show with Larry Wilmore, another spinoff of The Daily Show. History Development The character first made appearances on the short-lived sketch comedy series The Dana Carvey Show in 1996, described as "a self-important, trench-coated reporter who does on-location stories in a way that suggests his own presence is the real scoop." When The Daily Show ran short on time, a short piece starring Colbert, advertising a fictional program titled The Colbert Réport, was added into the program. In these sketches, Colbert began to amplify his character to parody news pundits. Colbert anchored many sketches in his persona, including "Even Stepvhen", in which he debated current issues with fellow correspondent Steve Carell, often devolving into petty name-calling and insults. Colbert and Carell were viewed as potential breakout stars by staff, and when Carell left the series in 2004 to start a US version of The Office, Comedy Central made attempts to keep Colbert at the network. Stewart and Karlin were already looking to expand the Daily Show franchise and their production company, Busboy. The duo supposedly came up with the idea for The Colbert Report after watching coverage of the sexual harassment lawsuit filed against Bill O'Reilly. Colbert met with network president Doug Herzog the day following the 2004 Emmy Awards to first discuss the concept. The one-line pitch Colbert, Karlin and Stewart developed was "Our version of the O'Reilly Factor with Stephen Colbert." Herzog committed to an eight-week tryout period without a pilot. By the time of the 2004 election, the character was fully developed. In creating the character, which is designed to be repellant but entertaining, Colbert conferred with Stewart and Karlin. In expressing his hope that his character not be "an asshole," Stewart remarked, "You're not an asshole. You're an idiot. There's a difference." Head writer Allison Silverman reiterated this trait in a later interview, commenting, "There is an essential innocence to his character." Colbert initially felt the character might not be sustainable in a longer format. Despite this, The Colbert Report was designed as an extension of the satiric goals of The Daily Show, combining it with general silliness and character-driven humor. To make sure there was no overlap in subject matter with The Daily Show, Karlin made trips between the studios during the show's early days to supervise scripts. For the first several years of the program, Colbert made an appearance at the end of each Daily Show in split-screen, having a short discussion with Stewart preceding his show. Production The show's writing was grounded in improv, employing a "yes to everything" mentality. Much of the humor derived from extended improv games with the show's studio and at-home audience, such as Colbert's poll to name a bridge in Hungary after himself. Many of the writers had improv training and at one point put together "improv evenings" at the Upright Citizens Brigade Theatre once a month. Writers on The Colbert Report were predominantly male and white; Colbert acknowledged this lack of diversity, but he contended he had hired writers based solely on the quality of their material and had never looked at the names on writing packets submitted for employment. Subjects considered too dark were not even considered for comedic material; for example, the show would poke fun at press coverage of a tragedy, rather than the tragedy itself. Issues discussed on the show were later reported on actual newscasts, in turn allowing the show to comment on its own impact, creating an echo chamber of sorts. This led Colbert to describe his show, "at its purest expression, [as] a pebble that we throw into the puddle of the news, and then we report on our own ripples." Ideas for each show were considered in the morning pitch meeting, which could range from "harrowing" to smooth. Described as having "demanding standards", Colbert is quoted as remarking, "Let's make it perfect and then cut it." Although dozens of ideas were either chosen for the show or deleted, other ideas, saved for a later date, were often forgotten because of the pace of news. Ideas with considerable potential were put in the "hopper" to be developed and rewritten, while more fully formed ideas were placed in the "pantry." Good jokes would still be sacrificed if they did not fit the character's specific point of view, which was deemed the inverse of what "any logical person" feels. At least one writer has described the job as "all-consuming", leaving no time for outside activities. Colbert himself eventually became withdrawn from morning meetings as the show continued on and he mulled a decision to leave. Usually by 11 a.m., a rough outline for the show was completed and writers sent off in pairs to create scripts that would be polished throughout the day. First, writers would scan news articles for ideas and partner together in pairs, with one "keeping track of possible jokes." During an appearance at the New York Comedy Festival in 2013, some writers admitted to procrastinating until the last hour before rehearsal to complete their sections; Colbert confirmed that, in the program's early days, segments such as "The Word" were scripted entirely during the rewrite before rehearsal. Both writers read their dialogue aloud to see whether they thought the Colbert character would say it. As writers were working on their respective scripts, the show's production and graphics team compiled music, footage, and props needed for the show. To collect video clips, the show cross-referenced transcripts of hours and hours of archived TiVo recordings of news programs. In 2011, the show switched to Snapstream software, which streamlined the TV clip search and compilation process, allowing for searching closed captioning for select words. In addition, a group of staff coders and independent contractors developed Scripto software to collaborate on scripts in real time. By 1 p.m., the show held a second production meeting to go over scripts and determine which pieces to edit. Scripts were "hopefully" completed around 4 p.m., and a rehearsal with the entire staff would begin at 5:30 p.m. or occasionally earlier. Afterward, final changes were made to the script. The final rewrite would take place in a "small, red, poorly ventilated room" until 6:45 p.m. Before interviewing his guests, Colbert met with them in the green room and acknowledged that he was playing a character, noting that the persona is "willfully ignorant of what you know and care about" and urging the guest to "honestly disabuse me of what you see as my ignorance." Emily Lazar, a producer for the interview segments, advised guests to talk with Colbert as though he were a "harmless drunk at the next bar stool." Guests would typically take their seats around 7 p.m., when a warm-up comedian (perhaps Jared Logan or Paul Mercurio) delivered jokes. Colbert, out of character, held a brief question and answer session with the audience prior to taping. Taping lasted as long as three hours but usually ended around 9 p.m., at which point the show was edited and sent to Comedy Central for broadcast. As the show was being edited, the staff met one last time to work through details for the next show. Set The Colbert Report was taped and broadcast four nights a week, Monday–Thursday. The show's taping studio, at 513 W. 54th Street in New York City's Hell's Kitchen neighborhood, was used for The Daily Show until July 2005, and has a capacity of 150. NEP Studio 54 on 54th Street is owned by NEP Broadcasting which is New York City's largest production facility and also owns The Daily Show set at NEP Studio 52 two blocks south on 52nd Street. Aside from the set, the show's production offices have been described as "loft-like" and "all overhead pipes and exposed brick." Following the show's conclusion, the building was used for The Nightly Show with Larry Wilmore. The set for The Colbert Report was called "The Eagle's Nest" and reflects and facilitates Colbert's self-aggrandizing style. It was designed by Jim Fenhagen, and was intended to both capture the character's ego and be "hyper-American." Elements incorporated into the set included architectural lines converged to Colbert's desk, and radial beams coming out from behind his chair. Colbert's main influence for the set was Leonardo da Vinci's The Last Supper, with the Colbert character as Jesus Christ. In the set, "virtually every inch emblazoned with Colbert's name or the initial C"; his name, initials and the name of the show appear on the desk's plasma screen, on the rafters above the desk, and the desk itself is shaped like a giant "C". The background includes faux artifacts from the character's backstory, which are seldom seen by viewers. "I kept saying, 'People might not really notice this.' But when you're working with a comedy team, they really get into it. They couldn't help themselves," said Fenhagen. Among these touches are the United States Constitution, a miniature Ten Commandments, and a CliffsNotes guide to American government. The set was described as "part Riefenstahlesque homage to the star, part symbologic gallery — where alert viewers are rewarded with snarky jokes at every turn." Above a fireplace is a portrait of Colbert; it originally showed Colbert standing in front of the same mantel with another portrait of himself. On the show's first anniversary, the portrait was replaced by one of Colbert standing in front of the mantel with the first portrait above it, and with each successive year, it became Colbert standing in front of the previous year's painting. The graphics used throughout the show and the studio itself are saturated with American flags, bald eagles, Captain America's shield, and other patriotic imagery. Format Typically, Colbert starts with the audience cheering and teasers regarding the show's topics and guest; each headline is structured to be a deliberate pun. The series of puns are followed by a verbal metaphor that promotes the show and is almost always finished with, "This is the Colbert Report." The show's original opening title sequence began with an eagle diving past the host, following by images of Americana, stock footage of Colbert, and words describing Colbert flying by (some of which have been used as The Word). The first word used was "Grippy", and has changed to include, among others, "Megamerican", "Lincolnish", "Superstantial", "Flagaphile", and "Factose Intolerant". The May 4 episode in 2009 featured hints planted by J. J. Abrams about when and where Colbert would be in the Persian Gulf, and "Farewellison" for the final episode of former producer Allison Silverman. The show's opening credits depict the Colbert character clutching an American flag. On January 4, 2010, a new opening debuted. The opening begins and ends with an eagle as before, but features new background renderings, new shots of Stephen Colbert, and is now colored in an American, red white and blue motif. The show's theme music is "Baby Mumbles" by Cheap Trick. Colbert phoned guitarist Rick Nielsen during development of the show to discuss the theme, noting that he loved the band's song "I Want You to Want Me"; the show's theme music is largely that song's melody backwards. Following the opening sequence, Colbert most often proceeds with a run-through of recent headlines in a manner parodying traditional news broadcasts; this is similar to The Daily Show but with a faux-right-wing spin. The program typically continues with Colbert addressing a specific topic. Colbert often calls to "Jimmy", a reference to program director Jim Hoskinson, to roll video clips. That topic will often lead into a "The Word" segment, which juxtaposes Colbert's commentary with satirical bullet points on-screen, a parody of The O'Reilly Factors "Talking Points Memo". On occasion he will conduct a short interview with someone having to do with the topic. The format of the middle segment varies, but it is normally a visual presentation or skit. Often, these skits are parts of recurring segments, which may include "Better Know a District", in which Colbert interviews a U.S. Representative from a certain district of the United States; "Tip of the Hat/Wag of the Finger", in which Colbert voices his approval or disapproval of prominent people and news items; "Cheating Death with Dr. Stephen T. Colbert, D.F.A.", a health segment; "The Sport Report" with the "t" in both Sport and Report silent, a sports segment; and "The ThreatDown", in which Colbert lists the five greatest threats to America, and others. His newest segment, "Thought for Food" deals with the consumption of specific foods across the world. Sometimes, there is a "Colbert Report Special Repor-t" (the final 't' pronounced with special emphasis), or even a "Colbert Report, Sport Report, Special Repor-t", in which Colbert devotes a section of an episode, and sometimes the entire episode to a special subject. The third segment is almost always an interview with a celebrity guest, often an author or government official. Unlike the late night talk show standard of the guest walking out to the host's desk, Colbert instead runs to a separate area of the set to interview his guest, basking in the applause and glory meant for the guest. On the interview segment of the show, Colbert frequently attempts to nail his guest by using various rhetorical devices and fallacies to prove them wrong. The real-life Colbert once remarked that his personal favorite segment of the program were the interviews, which involved more listening on his end in order for the character to "ignorantly deconstruct" his opponent's argument. The third segment of the show is on occasion a musical guest. Prominent musical guests have included Metallica, Paul McCartney, Rush, Green Day, Paul Simon, Crosby Stills & Nash, Pavement, Cat Stevens, Yo-Yo Ma, Radiohead and Black Star. Afterwards, Colbert ends the show by giving some parting words to the audience or, if short for time, a simple "that's it for the report everybody, good night". Character The host of The Colbert Report is Stephen Colbert, a "self-important right-wing commentator", portrayed by his real-life namesake. The character incorporates aspects of Colbert's real life, but is primarily a parody of cable news pundits, particularly Bill O'Reilly of Fox News' The O'Reilly Factor, whom he refers to as "Papa Bear". To this end, the character even incorporates O'Reilly's mannerisms, described as his "pen-wielding, hand-stabbing gestures." O'Reilly's use of "talking points" — illustrated onscreen graphics reflecting the host's opinions — are parodied on The Colbert Report with the segment "The Word". He initially incorporated long-winded, verbose metaphors to parody CNN correspondent Aaron Brown. In addition, the character was also heavily inspired by Stone Phillips, Bill Kurtis and "especially" Geraldo Rivera. "I loved the way Geraldo made reporting a story seem like an act of courage," Colbert told a reporter in 2012. The core principle of The Colbert Report is that Colbert is a "well-intentioned, poorly informed, high-status idiot." The character believes that he himself is the news: rather than a vessel to deliver the news to the audience, or a general member of the media, the character sees himself as more important than the news. He is veracious in his approach, while often ridiculously overblown in his statements. The character is egomaniacal, fact-averse ("factose intolerant"), God-fearing, and hyper-patriotic. He claims to be an independent who is often mistaken for a Republican, but uniformly despises liberals and generally agrees with the actions and decisions of the Republican Party. Colbert's character has been described as a "caustic right-wing bully". The character exists not in opposition to political leaders, but to common ignorances; for example, his insistence that then-presidential candidate Barack Obama had Socialist leanings was based on public misconceptions. In parodying the cult of personality, the Colbert character also developed a real-life equivalent, creating what was dubbed the "Colbert Nation". While giving the character a certain mythos was part of the show's inception, show producers did not set out to create a loyal following; the joke was that the character thought he had an influence, but that was a figment of his ego-riddled imagination. Despite his appearance of always being in charge, Colbert is vulnerable: he feels deeply threatened by those wielding more power than he, and he suffers from "arctophobia", the fear of bears, which he refers to as "giant, marauding, godless killing machines". He will alert the audience to what he perceives as the latest national threat (the subject of a recurring bit, "ThreatDown"), only to justify his own fears and impose those onto his audience. As the show progressed, Colbert gradually began to tone down the character, allowing guests in interviews to "get his or her own message across." The show's longevity created what The New York Times described as "a winking quality to the act, a sense that we’re all in on the joke." Colbert himself acknowledged that he "rarely hit it as hard as I used to," noting that "You have to be vigilant to stay ignorant." He noted that his own personal opinions can occasionally align with his character's, when liberal guests' agendas appeared based on dislike rather than logical argument. Politician and former vice president Al Gore accidentally referred to the persona as a "character" in a 2011 interview on the show, and in 2013, Colbert further blurred lines when he spoke regarding the death of his mother on the program. In doing so, many commentators referred the show's longevity and the development of a "third" Colbert — one a faux pundit and one informed by the performer's own life. In the show's credits, Colbert was credited with a title, which deliberately became increasingly cumbersome as the show progressed: Her Excellency The Rev. Sir Doctor Stephen Tyrone Mos Def Colbert, D.F.A., Heavyweight Champion of the World✱✱ featuring Flo Rida La Premiere Dame De France. When O'Reilly appeared on The Daily Show before the second episode of The Colbert Report aired, he commented, "Before we get started, somebody told me walking in here, you got some French guy on after you making fun of me?", and made several references in the following interview to 'the French Guy'. In a subsequent Newsweek interview, O'Reilly said that he "feels it's a compliment" to have Colbert parody him because Colbert "isn't mean-spirited" and does not "use [his] platform to injure people". Later, Colbert replied on-air, "I like you too. In fact, if it wasn't for you, this show wouldn't exist." Themes Colbert disagreed that the show's emphasis on politics represented a liberal bias, noting that he himself was uninterested in modern politics. He believed that political issues reflect basic human behavior, which he viewed as his satirical specialty, noting, "If I thought I had a political point, I'd be in big trouble." In another interview, Colbert remarked, "I'm not someone with a particular political ax to grind. I'm a comedian. I love hypocrisy." Episodes Notable episodes Early years The Colbert Report premiered in October 2005. The first guest was Stone Phillips, a partial influence on the character. In the debut episode, Colbert coined the word truthiness, defined as "a quality characterizing a 'truth' that a person making an argument or assertion claims to know intuitively 'from the gut' or because it 'feels right' without regard to evidence, logic, intellectual examination, or facts." Truthiness was named Word of the Year for 2005 by the American Dialect Society and for 2006 by Merriam-Webster. The character's forceful nature confused some in the program's early days. During an appearance on the segment "Better Know a District" in the show's first season, a frustrated Barney Frank declined to continue, deeming the conversation too dumb. In one early episode, the Colbert character purported to be a former member of a 1980s new wave group, Stephen & the Colberts, and released a fictional music video from the band for the song "Charlene (I'm Right Behind You)". The show's popularity resulted in Colbert headlining the 2006 White House Correspondents' Dinner, which he performed in character. The controversial, searing routine targeted President George W. Bush and the media, and was greeted with chilly reception from the audience. Although President Bush shook Colbert's hand after his presentation, several of Bush's aides and supporters walked out during Colbert's speech, and one former aide commented that the President had "that look that he's ready to blow". Colbert's performance quickly became an Internet and media sensation. According to Vanity Fair, the speech transformed Colbert as a "folk hero" for liberals, and was later described by Frank Rich as the "defining moment" of the 2006 midterm elections. Adam Sternbergh of New York, a year after the show's debut, deemed the character "something very close to what he's parodying, a kind of Bill O'Reilly for the angry left." In 2006, Colbert encouraged fans to vote for his name to be the new name of a bridge in Hungary, which was being decided via an online poll; he beat the runner-up by more than 14 million votes. He was, however, disqualified, as the name of the bridge was intended to be a memoriam. Later that year, he began a mock feud with indie rock group the Decemberists over the subject of who was the first to challenge fans to create a green screen video; the fake conflict culminated in a guitar solo competition on the show's final episode of the year, featuring guest appearances from guitarist Peter Frampton and Dr. Henry Kissinger. Colbert later recalled it as the show's "craziest" moment, changing the way the staff viewed the program: "Because you realize the character believes anything he thinks, says, [or] cares about is important, anything fits on the show. [...] That is the show where we said, oh, there is unlimited open field running." In February 2007, Ben & Jerry's unveiled a new ice cream flavor in honor of Stephen Colbert, named Stephen Colbert's AmeriCone Dream. All proceeds were donated to charity through the Stephen Colbert AmeriCone Dream Fund, which distributed the money to various causes. In June 2007, Colbert broke his left wrist while performing his warm-up for the show. It was the subject of an extended bit on the program, including the creation of the "Wriststrong" wrist band, based on Lance Armstrong's "Livestrong" wrist band, which donated all proceeds to the Yellow Ribbon Fund. Colbert remained on the air without writers during the Writers Guild of America strike in 2007–08. Colbert modified the pronunciation of the show's name, pronouncing both of the formerly elided final "t"s (); a similar move was made by The Daily Show which returned to air as A Daily Show. During this period, he staged a mock feud between himself, Jon Stewart, and Late Night host Conan O'Brien over who made Republican Presidential candidate Mike Huckabee. In 2008, Colbert made a series of jokes directed at various towns in the United States named "Canton", with many attracting negative responses from each respective area's local government and residents. The same year, the show filmed a tongue-in-cheek Christmas special titled A Colbert Christmas: The Greatest Gift of All!. In 2009, Colbert filmed a series of four episodes for the troops in Baghdad, Iraq. He had a suit tailored for him in the Army Combat Uniform pattern and went through an abbreviated version of the Army's basic training regimen. On the first of the four episodes, Colbert had his head shaved on stage by General Ray Odierno who was jokingly "ordered" to do so by President Barack Obama, who appeared on the episode via a pre-recorded segment from the White House. Later years In 2010, while in character, Colbert appeared before judiciary subcommittee hearing on the issue of farm workers and immigration. The New Yorker used Colbert's testimony before Congress as an example of the "third" Colbert: "Colbert was thoughtful and sincere—and had ruined the whole thing. By speaking honestly, he had become the very thing he was mocking, a celebrity testifying before Congress." Beginning in June 2011, the show created a long-running gag that involved Colbert starting his own actual super PAC, Americans for a Better Tomorrow, Tomorrow, described by the character as "100 percent legal and at least 10 percent ethical." In 2012, Colbert interviewed illustrator/author Maurice Sendak, who managed to get him to break character; show staff and Colbert himself retrospectively labeled the segment one of the show's more memorable moments. The Los Angeles Times called the September 2013 interview with intelligence official Philip Mudd his "most awkward interview", stating Mudd "could barely disguise his contempt" for Colbert. President Barack Obama guested during the show's final month, in a show taped from George Washington University in Washington, D.C.; Obama sat in Colbert's seat and presided over "The Wørd" segment. The final episode aired on December 18, 2014. In the episode Stephen becomes immortal after accidentally killing "Grimmy" during the opening of the segment of "Cheating Death with Dr. Stephen T. Colbert, D.F.A.". This leads to Stephen singing "We'll Meet Again" in its entirety along with a large group of famous friends including Jon Stewart, Jeff Daniels, Sam Waterston, Big Bird, Charlie Rose, Terry Gross, Keith Olbermann, Tom Brokaw, Alan Alda, Yo Yo Ma, Ken Burns, Cyndi Lauper, Patrick Stewart, Randy Newman, Doris Kearns Goodwin, Henry Kissinger, Alex Trebek, Mandy Patinkin, Lesley Stahl, George Lucas, Kareem Abdul-Jabbar, Gloria Steinem, Elijah Wood, Jake Tapper, Bob Costas, Smaug and Cookie Monster. Reception Critical response Initial reviews Reviews of The Colbert Report upon its 2005 premiere were positive, although critics were generally skeptical that the character could extend beyond one season without growing tiresome. While positively reviewing the program as a whole, Maureen Ryan of the Chicago Tribune echoed these sentiments: "The biggest question hanging over The Colbert Report is whether the show’s sendup of the pomposity and fear-mongering of cable news blowhards will be as appealing in the long term." Melanie McFarland of the Seattle Post-Intelligencer summarized the show's early reaction: "Critics and bloggers either loved the premiere or declared themselves to be unmoved, but that's the standard reaction after any late-night program's debut. A truer measure will be seen in coming weeks, after the hype wears off and the ratings lose their exuberance." Gilbert Cruz of Entertainment Weekly noted that "Colbert proves that the line between serious TV journalism and utter nonsense is a very thin one indeed." Heather Havrilesky of Salon was effusive, remarking, "Not only does Colbert maintain his persona without skipping a beat throughout the entire show, but he’s got great comic timing, the show’s writers are brilliant, and the whole thing is pure foolish, bizarre, idiotic fun." Barry Garron of The Hollywood Reporter dubbed it an "auspicious debut", writing, "The new show dovetails nicely with its lead-in to present a solid hour of skewered news and punctured pomposity." Variety Brian Lowry commented that the show had an "impressive start with a topnotch premiere followed by a respectable second outing." Paul Brownfield of the Los Angeles Times wrote, "In the run-up to the show it all sounded a bit hard to get your head around, but in the flesh the show zinged, at least this first week." The Boston Globe Matthew Gilbert praised the show's wordplay, summarizing, "Colbert's a clever creation, and a necessary one, and he deserves an opportunity to offend as many people as possible with his pompous blather." Alessandra Stanley of The New York Times commented that the show was a welcome addition to the Comedy Central lineup, remarking, "What puts Mr. Colbert over the top is that he is not just impersonating well known television personalities, he also uses parody to score larger points about politics and the press." Nevertheless, there were more negative reviews: USA Today Robert Bianco opined that the show "tried too hard", writing, "Unfortunately, in just two weeks on the air, this half-hour spoof of a no-spin-zone type show has already stretched Colbert's character and the artifice that supports it past its natural breaking point." Later reviews The New Yorker remarked that the show remained funny throughout its entire run. The Colbert Report currently scores favorable reviews, with 65/100 on Metacritic (first season), while its viewers' ranking on the site is higher at 8.7/10. In a 2009 academic analysis of the show's popularity, Temple University researcher, Heather LaMarre found that the show appealed to both liberals and conservatives, concluding, "there was no significant difference between the groups in thinking Colbert was funny, but conservatives were more likely to report that Colbert only pretends to be joking and genuinely meant what he said while liberals were more likely to report that Colbert used satire and was not serious when offering political statements". Malcolm Gladwell discussed LaMarre's findings in his Revisionist History podcast, "The Satire Paradox" (2016). Ratings The ratings of The Colbert Report, from its premiere, benefited from the lead-in The Daily Show provides, which at the time of the show's debut averaged 1.3 million viewers per night. Comedy Central had previously struggled to produce a hit program on par with The Daily Show, and were counting on Colbert after a string of failures. The Colbert Report drew 1.13 million viewers for its premiere episode, 47 percent greater than the average for that time slot over the previous four weeks, and 98 percent of the viewership of The Daily Show, which had Comedy Central's second-largest viewership. Averaged over its opening week, The Report had 1.2 million viewers per episode, more than double the average for the same time the previous year, when the time slot was occupied by Too Late with Adam Carolla. The show regularly began attracting over one million viewers with near immediacy. The show also drew more young men, a powerful demographic, than other late-night hosts (at that time, Jay Leno, David Letterman, and Conan O'Brien). Within a year, The Colbert Report began averaging 1.5 million viewers per night. In early 2008, in the midst of the writer's strike, Colbert posted an eleven-percent gain over its averages from the following fall. From 2012 to 2013, viewership decreased from 1.2 million to 1.1 million. In 2013, The Colbert Report was the second most-watched late-night talk show (behind The Daily Show) among the demographic of adults 18–49, beating competition The Tonight Show with Jay Leno in that demographic for the first time. That year, The Colbert Report attracted $52.1 million in advertising for an audience whose median age was 39.4, about a year younger than The Daily Show. In 2014, the final year of the show's run, ratings were down three percent (coinciding with a general ratings slide for cable television). The series finale on December 18, 2014 was watched by 2.4 million viewers, making it the most watched episode ever in the show's history. The finale was the most watched cable program of the night in its time slot, beating The Daily Show which was seen by two million viewers. Awards The Colbert Report received numerous awards and accolades throughout its run. The show was nominated for four Emmy Awards in its inaugural year, but lost to The Daily Show. The show was nominated each year for the rest of its run for Outstanding Variety, Music, or Comedy Series, but lost each time to The Daily Show until 2013, when it broke the latter program's winning streak, dubbed the longest in Emmy history. Colbert subsequently referenced his win on his program as the conclusion of Stewart's "reign of terror." It also won the award the following year, and was nominated in the same category in 2015. The show received two Peabody Awards, recognizing its excellence in news and entertainment. It also won two Grammy Awards, one for Best Comedy Album for the soundtrack to the special A Colbert Christmas, and later for Best Spoken Word Album for the audiobook to America Again. Colbert and Stewart's Rally to Restore Sanity and/or Fear was nominated for four Daytime Emmy awards in 2011, including the Outstanding Special Class Special category and the Outstanding Special Class Writing category. Racism controversy In March 2014, the show attracted controversy when Colbert used a "fatuously fake parody stereotype character, 'Ching-Chong Ding-Dong,'" to "satirize knee-jerk mockery" of Asian dialect. The name had been used before without incident, but the show's official Twitter account — run by an unknown individual — tweeted the remarks without context, leading to wide outrage over social media, including a hashtag campaign, "#CancelColbert", that was a worldwide trending topic for over 24 hours, thanks in-part by Colbert himself helping make it go viral for his show. Legacy The New Yorker wrote that "Colbert has made vital observations about the American political system, particularly about the sordid role that money plays within it. The Colbert Report and the Daily Show [...] have changed the way that young liberals of a certain class think and talk about civic culture." The show also coined another word, wikiality, that means "reality as decided on majority rule." Viewers of the show also coined a word, freem, based on its inclusion in the show's opening sequence; the word refers to "'freedom' without having to 'do' anything — without any responsibility or action." In response to the "Better Know a District" segment, Rahm Emanuel, then the Democratic Caucus chair, instructed incoming freshmen not to do appearances on the show in 2007. In 2008, East Carolina University associate professor Jason Bond named a species of trapdoor spider Aptostichus stephencolberti in honor of Stephen Colbert. The "Colbert Bump" is defined, connotatively by the Report, as an increase in popularity of a person (author, musician, politician, etc.) or thing (website, etc.) as a result of appearing as a guest on or (in the case of a thing) being mentioned on the show. For example, if a politician appears on The Colbert Report, they may become more popular with certain voters and thus are more likely to be elected. According to the American Political Science Association, contributions to Democratic politicians rose 40% for 30 days after an appearance on the show. Magazines such as GQ, Newsweek, and Sports Illustrated have all had sales spikes when Colbert appeared on their covers. Viewers of The Colbert Report were on numerous occasions cited as being more knowledgeable about current events than traditional news viewers. In April 2007, a Pew Research Center report cited both Colbert and The Daily Show viewers as more well-informed than those who gathered their information via newspapers, television news and radio. Colbert's Super PAC coverage was widely lauded, and studies later found that this coverage was more effective than traditional news programs at educating the audience on campaign finance. He was awarded a Peabody Award for the parody, which was described as an "innovative means of teaching American viewers about the landmark court decision". The Annenberg Public Policy Center reported in 2014 that the Colbert Super PAC segments increased viewers' knowledge of PAC and 501(c)(4) campaign finance regulation more successfully than other types of news media. International distribution Outside the United States, The Colbert Report was shown in Canada on the cable service The Comedy Network, simultaneously with its original U.S. broadcast (beginning a few weeks after the series debuted). Episodes would also air in Canada on traditional over-the-air broadcaster CTV, one hour after their appearance on The Comedy Network. On September 22, 2014, due to The Comedy Network's acquisition of Canadian rights to Jimmy Kimmel Live!, the program began airing on M3 and did so for the remainder of the show's run. It airs on The Comedy Channel in Australia, Comedy Central in New Zealand, and on Maxxx in the Philippines. , The Colbert Report has also been broadcast in Africa on DSTV's version of Comedy Central. It aired on FX in the United Kingdom until they decided not to renew their contract in May 2009. In Portugal, it airs on Sic Radical. Beginning June 3, 2008, The Colbert Report also aired on the ShowComedy channel of Showtime Arabia (Currently OSN First HD), a channel which broadcasts in the Middle East and North Africa. The show is transmitted on a one-day delay from original transmission in the US. The show was shown during prime time on Australia's free-to-air ABC2 in 2010, however the channel was outbid for rights for 2011. The show was available directly on the colbernation.com website for part of 2011, with Australian advertisements; however, Australian access is now blocked. Several international markets also air The Colbert Report Global Edition, which shows highlights from the previous week's shows and includes a special introduction by Stephen Colbert at the start of the program. This means a new or newly repackaged episode can be screened every weekday. In addition, most recent episodes (usually 3 weeks back) would be available in full length on colbertnation.com. Some international audiences could not see such way. By the end of the series's run, the colbernation.com website was integrated into Comedy Central's website. As of 2021, almost seven years after the show ended, many episodes are presented in individual clips there. Related multimedia The show spawned various merchandise and multimedia related to the show. Three books were released to accompany the show's humor, the first being I Am America (And So Can You!), released both in print and as an audiobook in 2007. In 2012, two spinoff books of the show were released. America Again is a sequel to the show's first book, and addresses topics including Wall Street, campaign finance, energy policy, healthcare, eating on the campaign trail, and the United States Constitution. Another book, I Am a Pole (And So Can You!), was released the same year and purports to be a children's book telling the story of a fictional pole finding its purpose in life. Segments from the show were also released on DVD during its run. The Best of The Colbert Report, released in 2007, contains several of the show's most memorable early moments. The show's Christmas special, A Colbert Christmas: The Greatest Gift of All!, was also released on DVD the following year. The soundtrack of that special also saw a digital release on the iTunes Store after its broadcast, and contains music from Feist, John Legend, Willie Nelson, Toby Keith, Jon Stewart, Elvis Costello, and Colbert himself. In 2011, Jack White's record label Third Man Records released a 7" vinyl single of Stephen Colbert and The Black Belles performing "Charlene II (I'm Over You)", which they also performed together on the show. See also List of late-night American network TV programs CNNNN The Daily Show Newstopia Rick Mercer Report This Hour Has 22 Minutes The Beaverton Hot Seat Real Time with Bill Maher Inside Washington Washington Week References External links The Colbert Report Web site 2005 American television series debuts 2014 American television series endings 2000s American late-night television series 2000s American political comedy television series 2000s American satirical television series 2000s American television news shows 2010s American late-night television series 2010s American political comedy television series 2010s American satirical television series 2010s American television news shows Comedy Central original programming Criticism of journalism English-language television shows American news parodies Peabody Award-winning television programs Primetime Emmy Award for Outstanding Variety Series winners Primetime Emmy Award-winning television series Television series by Busboy Productions Television shows filmed in New York City American television spin-offs The Daily Show Comedy Central late-night programming Political satirical television series

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Who did The Colbert Report perform with?

The Colbert Report

The Colbert Report satirized conservative personality-driven political pundit programs, and focused on a fictional anchorman character named Stephen Colbert, played by his real-life namesake. The character first made appearances on the short-lived sketch comedy series The Dana Carvey Show in 1996, described as "a self-important, trench-coated reporter who does on-location stories in a way that suggests his own presence is the real scoop." Colbert joined Comedy Central's The Daily Show in 1997, a year following its launch, then hosted by Craig Kilborn. When Jon Stewart became the program's host in 1999, The Daily Show developed a markedly different style, bringing a sharper political focus to the humor than the show previously exhibited. Colbert recalled that Stewart specifically asked him to have a political viewpoint, and to allow his passion for issues to carry through into his comedy. Colbert became a fixture on The Daily Show, occasionally hosting in Stewart's absence. In 2003, the program began running advertisements for a fictional program titled The Colbert Report, starring Colbert as a parody of cable news pundits. When fellow Daily Show star Steve Carell left to pursue a film and television career, Comedy Central made attempts to keep Colbert at the network. He pitched The Colbert Report to the channel in 2004. Stewart pushed Comedy Central to pick up the show, and Colbert was given an eight-week tryout. Following the show's immediate success, the show "quickly became a fixture in the late-night lineup." At its peak, the show averaged 1.5 million viewers each evening. The fictional Colbert anchorman character became gradually toned down over the course of the show's run, as the host believed he would eventually need to move beyond it. He began to regard it as an act of discipline to perform as the character; he later remarked, "to model behavior, you have to consume that behavior on a regular basis. It became very hard to watch punditry of any kind, of whatever political stripe." With his contract set to end in December 2014, he had already decided to leave the show when he was contacted by CBS to replace David Letterman as the host of its Late Show franchise. The show's ending was announced concurrently with Colbert's jump to CBS in April 2014. The last episode aired on December 18, 2014. The show was replaced on Comedy Central's late-night lineup by The Nightly Show with Larry Wilmore, another spinoff of The Daily Show. CANNOTANSWER

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The Colbert Report ( ) is an American late-night talk and news satire television program hosted by Stephen Colbert that aired four days a week on Comedy Central from October 17, 2005, to December 18, 2014, for 1,447 episodes. The show focused on a fictional anchorman character named Stephen Colbert, played by his real-life namesake. The character, described by Colbert as a "well-intentioned, poorly informed, high-status idiot", is a caricature of televised political pundits. Furthermore, the show satirized conservative personality-driven political talk programs, particularly Fox News's The O'Reilly Factor. The Colbert Report is a spin-off of Comedy Central's The Daily Show, in which Colbert acted as a correspondent for the program for several years while developing the character. The program was created by Colbert, Jon Stewart, and Ben Karlin. The show's writing was grounded in improvisation, and often lampooned current events stories. The show's structure also included a guest interview, in which the Colbert character attempts to deconstruct his opponent's argument. The show was taped in New York City's Hell's Kitchen neighborhood, and the program's set is "hyper-American", epitomizing the character's ego. The show was taped and broadcast Monday through Thursday, with weeks taken off at multiple points in a given year for breaks. The Colbert Report saw immediate critical and ratings successes, leading to various awards, including two Peabody Awards. The show's cultural influence—which occasionally would require a fair degree of participation from the show's audience, dubbed the Colbert Nation—extended beyond the program a number of times. This impact included the character running for U.S. President twice, co-hosting a rally at the National Mall, presenting a controversial performance at the White House Correspondents' Dinner, and establishing a real Super PAC that raised a million dollars. In addition, the show inspired various forms of multimedia, including music and multiple best-selling books. Background The Colbert Report satirized conservative personality-driven political pundit programs, and focused on a fictional anchorman character named Stephen Colbert, played by his real-life namesake. The character first made appearances on the short-lived sketch comedy series The Dana Carvey Show in 1996, described as "a self-important, trench-coated reporter who does on-location stories in a way that suggests his own presence is the real scoop." Colbert joined Comedy Central's The Daily Show in 1997, a year following its launch, then hosted by Craig Kilborn. When Jon Stewart became the program's host in 1999, The Daily Show developed a markedly different style, bringing a sharper political focus to the humor than the show previously exhibited. Colbert recalled that Stewart specifically asked him to have a political viewpoint, and to allow his passion for issues to carry through into his comedy. Colbert became a fixture on The Daily Show, occasionally hosting in Stewart's absence. In 2003, the program began running advertisements for a fictional program titled The Colbert Réport, starring Colbert as a parody of cable news pundits. When fellow Daily Show star Steve Carell left to pursue a film and television career, Comedy Central made attempts to keep Colbert at the network. He pitched The Colbert Report to the channel in 2004. Stewart pushed Comedy Central to pick up the show, and Colbert was given an eight-week tryout. Following the show's immediate success, the show "quickly became a fixture in the late-night lineup." At its peak, the show averaged 1.5 million viewers each evening. The fictional Colbert anchorman character became gradually toned down over the course of the show's run, as the host believed he would eventually need to move beyond it. He began to regard it as an act of discipline to perform as the character; he later remarked, "to model behavior, you have to consume that behavior on a regular basis. It became very hard to watch punditry of any kind, of whatever political stripe." With his contract set to end in December 2014, he had already decided to leave the show when he was contacted by CBS to replace David Letterman as the host of its Late Show franchise. The show's ending was announced concurrently with Colbert's jump to CBS in April 2014. The last episode aired on December 18, 2014. The show was replaced on Comedy Central's late-night lineup by The Nightly Show with Larry Wilmore, another spinoff of The Daily Show. History Development The character first made appearances on the short-lived sketch comedy series The Dana Carvey Show in 1996, described as "a self-important, trench-coated reporter who does on-location stories in a way that suggests his own presence is the real scoop." When The Daily Show ran short on time, a short piece starring Colbert, advertising a fictional program titled The Colbert Réport, was added into the program. In these sketches, Colbert began to amplify his character to parody news pundits. Colbert anchored many sketches in his persona, including "Even Stepvhen", in which he debated current issues with fellow correspondent Steve Carell, often devolving into petty name-calling and insults. Colbert and Carell were viewed as potential breakout stars by staff, and when Carell left the series in 2004 to start a US version of The Office, Comedy Central made attempts to keep Colbert at the network. Stewart and Karlin were already looking to expand the Daily Show franchise and their production company, Busboy. The duo supposedly came up with the idea for The Colbert Report after watching coverage of the sexual harassment lawsuit filed against Bill O'Reilly. Colbert met with network president Doug Herzog the day following the 2004 Emmy Awards to first discuss the concept. The one-line pitch Colbert, Karlin and Stewart developed was "Our version of the O'Reilly Factor with Stephen Colbert." Herzog committed to an eight-week tryout period without a pilot. By the time of the 2004 election, the character was fully developed. In creating the character, which is designed to be repellant but entertaining, Colbert conferred with Stewart and Karlin. In expressing his hope that his character not be "an asshole," Stewart remarked, "You're not an asshole. You're an idiot. There's a difference." Head writer Allison Silverman reiterated this trait in a later interview, commenting, "There is an essential innocence to his character." Colbert initially felt the character might not be sustainable in a longer format. Despite this, The Colbert Report was designed as an extension of the satiric goals of The Daily Show, combining it with general silliness and character-driven humor. To make sure there was no overlap in subject matter with The Daily Show, Karlin made trips between the studios during the show's early days to supervise scripts. For the first several years of the program, Colbert made an appearance at the end of each Daily Show in split-screen, having a short discussion with Stewart preceding his show. Production The show's writing was grounded in improv, employing a "yes to everything" mentality. Much of the humor derived from extended improv games with the show's studio and at-home audience, such as Colbert's poll to name a bridge in Hungary after himself. Many of the writers had improv training and at one point put together "improv evenings" at the Upright Citizens Brigade Theatre once a month. Writers on The Colbert Report were predominantly male and white; Colbert acknowledged this lack of diversity, but he contended he had hired writers based solely on the quality of their material and had never looked at the names on writing packets submitted for employment. Subjects considered too dark were not even considered for comedic material; for example, the show would poke fun at press coverage of a tragedy, rather than the tragedy itself. Issues discussed on the show were later reported on actual newscasts, in turn allowing the show to comment on its own impact, creating an echo chamber of sorts. This led Colbert to describe his show, "at its purest expression, [as] a pebble that we throw into the puddle of the news, and then we report on our own ripples." Ideas for each show were considered in the morning pitch meeting, which could range from "harrowing" to smooth. Described as having "demanding standards", Colbert is quoted as remarking, "Let's make it perfect and then cut it." Although dozens of ideas were either chosen for the show or deleted, other ideas, saved for a later date, were often forgotten because of the pace of news. Ideas with considerable potential were put in the "hopper" to be developed and rewritten, while more fully formed ideas were placed in the "pantry." Good jokes would still be sacrificed if they did not fit the character's specific point of view, which was deemed the inverse of what "any logical person" feels. At least one writer has described the job as "all-consuming", leaving no time for outside activities. Colbert himself eventually became withdrawn from morning meetings as the show continued on and he mulled a decision to leave. Usually by 11 a.m., a rough outline for the show was completed and writers sent off in pairs to create scripts that would be polished throughout the day. First, writers would scan news articles for ideas and partner together in pairs, with one "keeping track of possible jokes." During an appearance at the New York Comedy Festival in 2013, some writers admitted to procrastinating until the last hour before rehearsal to complete their sections; Colbert confirmed that, in the program's early days, segments such as "The Word" were scripted entirely during the rewrite before rehearsal. Both writers read their dialogue aloud to see whether they thought the Colbert character would say it. As writers were working on their respective scripts, the show's production and graphics team compiled music, footage, and props needed for the show. To collect video clips, the show cross-referenced transcripts of hours and hours of archived TiVo recordings of news programs. In 2011, the show switched to Snapstream software, which streamlined the TV clip search and compilation process, allowing for searching closed captioning for select words. In addition, a group of staff coders and independent contractors developed Scripto software to collaborate on scripts in real time. By 1 p.m., the show held a second production meeting to go over scripts and determine which pieces to edit. Scripts were "hopefully" completed around 4 p.m., and a rehearsal with the entire staff would begin at 5:30 p.m. or occasionally earlier. Afterward, final changes were made to the script. The final rewrite would take place in a "small, red, poorly ventilated room" until 6:45 p.m. Before interviewing his guests, Colbert met with them in the green room and acknowledged that he was playing a character, noting that the persona is "willfully ignorant of what you know and care about" and urging the guest to "honestly disabuse me of what you see as my ignorance." Emily Lazar, a producer for the interview segments, advised guests to talk with Colbert as though he were a "harmless drunk at the next bar stool." Guests would typically take their seats around 7 p.m., when a warm-up comedian (perhaps Jared Logan or Paul Mercurio) delivered jokes. Colbert, out of character, held a brief question and answer session with the audience prior to taping. Taping lasted as long as three hours but usually ended around 9 p.m., at which point the show was edited and sent to Comedy Central for broadcast. As the show was being edited, the staff met one last time to work through details for the next show. Set The Colbert Report was taped and broadcast four nights a week, Monday–Thursday. The show's taping studio, at 513 W. 54th Street in New York City's Hell's Kitchen neighborhood, was used for The Daily Show until July 2005, and has a capacity of 150. NEP Studio 54 on 54th Street is owned by NEP Broadcasting which is New York City's largest production facility and also owns The Daily Show set at NEP Studio 52 two blocks south on 52nd Street. Aside from the set, the show's production offices have been described as "loft-like" and "all overhead pipes and exposed brick." Following the show's conclusion, the building was used for The Nightly Show with Larry Wilmore. The set for The Colbert Report was called "The Eagle's Nest" and reflects and facilitates Colbert's self-aggrandizing style. It was designed by Jim Fenhagen, and was intended to both capture the character's ego and be "hyper-American." Elements incorporated into the set included architectural lines converged to Colbert's desk, and radial beams coming out from behind his chair. Colbert's main influence for the set was Leonardo da Vinci's The Last Supper, with the Colbert character as Jesus Christ. In the set, "virtually every inch emblazoned with Colbert's name or the initial C"; his name, initials and the name of the show appear on the desk's plasma screen, on the rafters above the desk, and the desk itself is shaped like a giant "C". The background includes faux artifacts from the character's backstory, which are seldom seen by viewers. "I kept saying, 'People might not really notice this.' But when you're working with a comedy team, they really get into it. They couldn't help themselves," said Fenhagen. Among these touches are the United States Constitution, a miniature Ten Commandments, and a CliffsNotes guide to American government. The set was described as "part Riefenstahlesque homage to the star, part symbologic gallery — where alert viewers are rewarded with snarky jokes at every turn." Above a fireplace is a portrait of Colbert; it originally showed Colbert standing in front of the same mantel with another portrait of himself. On the show's first anniversary, the portrait was replaced by one of Colbert standing in front of the mantel with the first portrait above it, and with each successive year, it became Colbert standing in front of the previous year's painting. The graphics used throughout the show and the studio itself are saturated with American flags, bald eagles, Captain America's shield, and other patriotic imagery. Format Typically, Colbert starts with the audience cheering and teasers regarding the show's topics and guest; each headline is structured to be a deliberate pun. The series of puns are followed by a verbal metaphor that promotes the show and is almost always finished with, "This is the Colbert Report." The show's original opening title sequence began with an eagle diving past the host, following by images of Americana, stock footage of Colbert, and words describing Colbert flying by (some of which have been used as The Word). The first word used was "Grippy", and has changed to include, among others, "Megamerican", "Lincolnish", "Superstantial", "Flagaphile", and "Factose Intolerant". The May 4 episode in 2009 featured hints planted by J. J. Abrams about when and where Colbert would be in the Persian Gulf, and "Farewellison" for the final episode of former producer Allison Silverman. The show's opening credits depict the Colbert character clutching an American flag. On January 4, 2010, a new opening debuted. The opening begins and ends with an eagle as before, but features new background renderings, new shots of Stephen Colbert, and is now colored in an American, red white and blue motif. The show's theme music is "Baby Mumbles" by Cheap Trick. Colbert phoned guitarist Rick Nielsen during development of the show to discuss the theme, noting that he loved the band's song "I Want You to Want Me"; the show's theme music is largely that song's melody backwards. Following the opening sequence, Colbert most often proceeds with a run-through of recent headlines in a manner parodying traditional news broadcasts; this is similar to The Daily Show but with a faux-right-wing spin. The program typically continues with Colbert addressing a specific topic. Colbert often calls to "Jimmy", a reference to program director Jim Hoskinson, to roll video clips. That topic will often lead into a "The Word" segment, which juxtaposes Colbert's commentary with satirical bullet points on-screen, a parody of The O'Reilly Factors "Talking Points Memo". On occasion he will conduct a short interview with someone having to do with the topic. The format of the middle segment varies, but it is normally a visual presentation or skit. Often, these skits are parts of recurring segments, which may include "Better Know a District", in which Colbert interviews a U.S. Representative from a certain district of the United States; "Tip of the Hat/Wag of the Finger", in which Colbert voices his approval or disapproval of prominent people and news items; "Cheating Death with Dr. Stephen T. Colbert, D.F.A.", a health segment; "The Sport Report" with the "t" in both Sport and Report silent, a sports segment; and "The ThreatDown", in which Colbert lists the five greatest threats to America, and others. His newest segment, "Thought for Food" deals with the consumption of specific foods across the world. Sometimes, there is a "Colbert Report Special Repor-t" (the final 't' pronounced with special emphasis), or even a "Colbert Report, Sport Report, Special Repor-t", in which Colbert devotes a section of an episode, and sometimes the entire episode to a special subject. The third segment is almost always an interview with a celebrity guest, often an author or government official. Unlike the late night talk show standard of the guest walking out to the host's desk, Colbert instead runs to a separate area of the set to interview his guest, basking in the applause and glory meant for the guest. On the interview segment of the show, Colbert frequently attempts to nail his guest by using various rhetorical devices and fallacies to prove them wrong. The real-life Colbert once remarked that his personal favorite segment of the program were the interviews, which involved more listening on his end in order for the character to "ignorantly deconstruct" his opponent's argument. The third segment of the show is on occasion a musical guest. Prominent musical guests have included Metallica, Paul McCartney, Rush, Green Day, Paul Simon, Crosby Stills & Nash, Pavement, Cat Stevens, Yo-Yo Ma, Radiohead and Black Star. Afterwards, Colbert ends the show by giving some parting words to the audience or, if short for time, a simple "that's it for the report everybody, good night". Character The host of The Colbert Report is Stephen Colbert, a "self-important right-wing commentator", portrayed by his real-life namesake. The character incorporates aspects of Colbert's real life, but is primarily a parody of cable news pundits, particularly Bill O'Reilly of Fox News' The O'Reilly Factor, whom he refers to as "Papa Bear". To this end, the character even incorporates O'Reilly's mannerisms, described as his "pen-wielding, hand-stabbing gestures." O'Reilly's use of "talking points" — illustrated onscreen graphics reflecting the host's opinions — are parodied on The Colbert Report with the segment "The Word". He initially incorporated long-winded, verbose metaphors to parody CNN correspondent Aaron Brown. In addition, the character was also heavily inspired by Stone Phillips, Bill Kurtis and "especially" Geraldo Rivera. "I loved the way Geraldo made reporting a story seem like an act of courage," Colbert told a reporter in 2012. The core principle of The Colbert Report is that Colbert is a "well-intentioned, poorly informed, high-status idiot." The character believes that he himself is the news: rather than a vessel to deliver the news to the audience, or a general member of the media, the character sees himself as more important than the news. He is veracious in his approach, while often ridiculously overblown in his statements. The character is egomaniacal, fact-averse ("factose intolerant"), God-fearing, and hyper-patriotic. He claims to be an independent who is often mistaken for a Republican, but uniformly despises liberals and generally agrees with the actions and decisions of the Republican Party. Colbert's character has been described as a "caustic right-wing bully". The character exists not in opposition to political leaders, but to common ignorances; for example, his insistence that then-presidential candidate Barack Obama had Socialist leanings was based on public misconceptions. In parodying the cult of personality, the Colbert character also developed a real-life equivalent, creating what was dubbed the "Colbert Nation". While giving the character a certain mythos was part of the show's inception, show producers did not set out to create a loyal following; the joke was that the character thought he had an influence, but that was a figment of his ego-riddled imagination. Despite his appearance of always being in charge, Colbert is vulnerable: he feels deeply threatened by those wielding more power than he, and he suffers from "arctophobia", the fear of bears, which he refers to as "giant, marauding, godless killing machines". He will alert the audience to what he perceives as the latest national threat (the subject of a recurring bit, "ThreatDown"), only to justify his own fears and impose those onto his audience. As the show progressed, Colbert gradually began to tone down the character, allowing guests in interviews to "get his or her own message across." The show's longevity created what The New York Times described as "a winking quality to the act, a sense that we’re all in on the joke." Colbert himself acknowledged that he "rarely hit it as hard as I used to," noting that "You have to be vigilant to stay ignorant." He noted that his own personal opinions can occasionally align with his character's, when liberal guests' agendas appeared based on dislike rather than logical argument. Politician and former vice president Al Gore accidentally referred to the persona as a "character" in a 2011 interview on the show, and in 2013, Colbert further blurred lines when he spoke regarding the death of his mother on the program. In doing so, many commentators referred the show's longevity and the development of a "third" Colbert — one a faux pundit and one informed by the performer's own life. In the show's credits, Colbert was credited with a title, which deliberately became increasingly cumbersome as the show progressed: Her Excellency The Rev. Sir Doctor Stephen Tyrone Mos Def Colbert, D.F.A., Heavyweight Champion of the World✱✱ featuring Flo Rida La Premiere Dame De France. When O'Reilly appeared on The Daily Show before the second episode of The Colbert Report aired, he commented, "Before we get started, somebody told me walking in here, you got some French guy on after you making fun of me?", and made several references in the following interview to 'the French Guy'. In a subsequent Newsweek interview, O'Reilly said that he "feels it's a compliment" to have Colbert parody him because Colbert "isn't mean-spirited" and does not "use [his] platform to injure people". Later, Colbert replied on-air, "I like you too. In fact, if it wasn't for you, this show wouldn't exist." Themes Colbert disagreed that the show's emphasis on politics represented a liberal bias, noting that he himself was uninterested in modern politics. He believed that political issues reflect basic human behavior, which he viewed as his satirical specialty, noting, "If I thought I had a political point, I'd be in big trouble." In another interview, Colbert remarked, "I'm not someone with a particular political ax to grind. I'm a comedian. I love hypocrisy." Episodes Notable episodes Early years The Colbert Report premiered in October 2005. The first guest was Stone Phillips, a partial influence on the character. In the debut episode, Colbert coined the word truthiness, defined as "a quality characterizing a 'truth' that a person making an argument or assertion claims to know intuitively 'from the gut' or because it 'feels right' without regard to evidence, logic, intellectual examination, or facts." Truthiness was named Word of the Year for 2005 by the American Dialect Society and for 2006 by Merriam-Webster. The character's forceful nature confused some in the program's early days. During an appearance on the segment "Better Know a District" in the show's first season, a frustrated Barney Frank declined to continue, deeming the conversation too dumb. In one early episode, the Colbert character purported to be a former member of a 1980s new wave group, Stephen & the Colberts, and released a fictional music video from the band for the song "Charlene (I'm Right Behind You)". The show's popularity resulted in Colbert headlining the 2006 White House Correspondents' Dinner, which he performed in character. The controversial, searing routine targeted President George W. Bush and the media, and was greeted with chilly reception from the audience. Although President Bush shook Colbert's hand after his presentation, several of Bush's aides and supporters walked out during Colbert's speech, and one former aide commented that the President had "that look that he's ready to blow". Colbert's performance quickly became an Internet and media sensation. According to Vanity Fair, the speech transformed Colbert as a "folk hero" for liberals, and was later described by Frank Rich as the "defining moment" of the 2006 midterm elections. Adam Sternbergh of New York, a year after the show's debut, deemed the character "something very close to what he's parodying, a kind of Bill O'Reilly for the angry left." In 2006, Colbert encouraged fans to vote for his name to be the new name of a bridge in Hungary, which was being decided via an online poll; he beat the runner-up by more than 14 million votes. He was, however, disqualified, as the name of the bridge was intended to be a memoriam. Later that year, he began a mock feud with indie rock group the Decemberists over the subject of who was the first to challenge fans to create a green screen video; the fake conflict culminated in a guitar solo competition on the show's final episode of the year, featuring guest appearances from guitarist Peter Frampton and Dr. Henry Kissinger. Colbert later recalled it as the show's "craziest" moment, changing the way the staff viewed the program: "Because you realize the character believes anything he thinks, says, [or] cares about is important, anything fits on the show. [...] That is the show where we said, oh, there is unlimited open field running." In February 2007, Ben & Jerry's unveiled a new ice cream flavor in honor of Stephen Colbert, named Stephen Colbert's AmeriCone Dream. All proceeds were donated to charity through the Stephen Colbert AmeriCone Dream Fund, which distributed the money to various causes. In June 2007, Colbert broke his left wrist while performing his warm-up for the show. It was the subject of an extended bit on the program, including the creation of the "Wriststrong" wrist band, based on Lance Armstrong's "Livestrong" wrist band, which donated all proceeds to the Yellow Ribbon Fund. Colbert remained on the air without writers during the Writers Guild of America strike in 2007–08. Colbert modified the pronunciation of the show's name, pronouncing both of the formerly elided final "t"s (); a similar move was made by The Daily Show which returned to air as A Daily Show. During this period, he staged a mock feud between himself, Jon Stewart, and Late Night host Conan O'Brien over who made Republican Presidential candidate Mike Huckabee. In 2008, Colbert made a series of jokes directed at various towns in the United States named "Canton", with many attracting negative responses from each respective area's local government and residents. The same year, the show filmed a tongue-in-cheek Christmas special titled A Colbert Christmas: The Greatest Gift of All!. In 2009, Colbert filmed a series of four episodes for the troops in Baghdad, Iraq. He had a suit tailored for him in the Army Combat Uniform pattern and went through an abbreviated version of the Army's basic training regimen. On the first of the four episodes, Colbert had his head shaved on stage by General Ray Odierno who was jokingly "ordered" to do so by President Barack Obama, who appeared on the episode via a pre-recorded segment from the White House. Later years In 2010, while in character, Colbert appeared before judiciary subcommittee hearing on the issue of farm workers and immigration. The New Yorker used Colbert's testimony before Congress as an example of the "third" Colbert: "Colbert was thoughtful and sincere—and had ruined the whole thing. By speaking honestly, he had become the very thing he was mocking, a celebrity testifying before Congress." Beginning in June 2011, the show created a long-running gag that involved Colbert starting his own actual super PAC, Americans for a Better Tomorrow, Tomorrow, described by the character as "100 percent legal and at least 10 percent ethical." In 2012, Colbert interviewed illustrator/author Maurice Sendak, who managed to get him to break character; show staff and Colbert himself retrospectively labeled the segment one of the show's more memorable moments. The Los Angeles Times called the September 2013 interview with intelligence official Philip Mudd his "most awkward interview", stating Mudd "could barely disguise his contempt" for Colbert. President Barack Obama guested during the show's final month, in a show taped from George Washington University in Washington, D.C.; Obama sat in Colbert's seat and presided over "The Wørd" segment. The final episode aired on December 18, 2014. In the episode Stephen becomes immortal after accidentally killing "Grimmy" during the opening of the segment of "Cheating Death with Dr. Stephen T. Colbert, D.F.A.". This leads to Stephen singing "We'll Meet Again" in its entirety along with a large group of famous friends including Jon Stewart, Jeff Daniels, Sam Waterston, Big Bird, Charlie Rose, Terry Gross, Keith Olbermann, Tom Brokaw, Alan Alda, Yo Yo Ma, Ken Burns, Cyndi Lauper, Patrick Stewart, Randy Newman, Doris Kearns Goodwin, Henry Kissinger, Alex Trebek, Mandy Patinkin, Lesley Stahl, George Lucas, Kareem Abdul-Jabbar, Gloria Steinem, Elijah Wood, Jake Tapper, Bob Costas, Smaug and Cookie Monster. Reception Critical response Initial reviews Reviews of The Colbert Report upon its 2005 premiere were positive, although critics were generally skeptical that the character could extend beyond one season without growing tiresome. While positively reviewing the program as a whole, Maureen Ryan of the Chicago Tribune echoed these sentiments: "The biggest question hanging over The Colbert Report is whether the show’s sendup of the pomposity and fear-mongering of cable news blowhards will be as appealing in the long term." Melanie McFarland of the Seattle Post-Intelligencer summarized the show's early reaction: "Critics and bloggers either loved the premiere or declared themselves to be unmoved, but that's the standard reaction after any late-night program's debut. A truer measure will be seen in coming weeks, after the hype wears off and the ratings lose their exuberance." Gilbert Cruz of Entertainment Weekly noted that "Colbert proves that the line between serious TV journalism and utter nonsense is a very thin one indeed." Heather Havrilesky of Salon was effusive, remarking, "Not only does Colbert maintain his persona without skipping a beat throughout the entire show, but he’s got great comic timing, the show’s writers are brilliant, and the whole thing is pure foolish, bizarre, idiotic fun." Barry Garron of The Hollywood Reporter dubbed it an "auspicious debut", writing, "The new show dovetails nicely with its lead-in to present a solid hour of skewered news and punctured pomposity." Variety Brian Lowry commented that the show had an "impressive start with a topnotch premiere followed by a respectable second outing." Paul Brownfield of the Los Angeles Times wrote, "In the run-up to the show it all sounded a bit hard to get your head around, but in the flesh the show zinged, at least this first week." The Boston Globe Matthew Gilbert praised the show's wordplay, summarizing, "Colbert's a clever creation, and a necessary one, and he deserves an opportunity to offend as many people as possible with his pompous blather." Alessandra Stanley of The New York Times commented that the show was a welcome addition to the Comedy Central lineup, remarking, "What puts Mr. Colbert over the top is that he is not just impersonating well known television personalities, he also uses parody to score larger points about politics and the press." Nevertheless, there were more negative reviews: USA Today Robert Bianco opined that the show "tried too hard", writing, "Unfortunately, in just two weeks on the air, this half-hour spoof of a no-spin-zone type show has already stretched Colbert's character and the artifice that supports it past its natural breaking point." Later reviews The New Yorker remarked that the show remained funny throughout its entire run. The Colbert Report currently scores favorable reviews, with 65/100 on Metacritic (first season), while its viewers' ranking on the site is higher at 8.7/10. In a 2009 academic analysis of the show's popularity, Temple University researcher, Heather LaMarre found that the show appealed to both liberals and conservatives, concluding, "there was no significant difference between the groups in thinking Colbert was funny, but conservatives were more likely to report that Colbert only pretends to be joking and genuinely meant what he said while liberals were more likely to report that Colbert used satire and was not serious when offering political statements". Malcolm Gladwell discussed LaMarre's findings in his Revisionist History podcast, "The Satire Paradox" (2016). Ratings The ratings of The Colbert Report, from its premiere, benefited from the lead-in The Daily Show provides, which at the time of the show's debut averaged 1.3 million viewers per night. Comedy Central had previously struggled to produce a hit program on par with The Daily Show, and were counting on Colbert after a string of failures. The Colbert Report drew 1.13 million viewers for its premiere episode, 47 percent greater than the average for that time slot over the previous four weeks, and 98 percent of the viewership of The Daily Show, which had Comedy Central's second-largest viewership. Averaged over its opening week, The Report had 1.2 million viewers per episode, more than double the average for the same time the previous year, when the time slot was occupied by Too Late with Adam Carolla. The show regularly began attracting over one million viewers with near immediacy. The show also drew more young men, a powerful demographic, than other late-night hosts (at that time, Jay Leno, David Letterman, and Conan O'Brien). Within a year, The Colbert Report began averaging 1.5 million viewers per night. In early 2008, in the midst of the writer's strike, Colbert posted an eleven-percent gain over its averages from the following fall. From 2012 to 2013, viewership decreased from 1.2 million to 1.1 million. In 2013, The Colbert Report was the second most-watched late-night talk show (behind The Daily Show) among the demographic of adults 18–49, beating competition The Tonight Show with Jay Leno in that demographic for the first time. That year, The Colbert Report attracted $52.1 million in advertising for an audience whose median age was 39.4, about a year younger than The Daily Show. In 2014, the final year of the show's run, ratings were down three percent (coinciding with a general ratings slide for cable television). The series finale on December 18, 2014 was watched by 2.4 million viewers, making it the most watched episode ever in the show's history. The finale was the most watched cable program of the night in its time slot, beating The Daily Show which was seen by two million viewers. Awards The Colbert Report received numerous awards and accolades throughout its run. The show was nominated for four Emmy Awards in its inaugural year, but lost to The Daily Show. The show was nominated each year for the rest of its run for Outstanding Variety, Music, or Comedy Series, but lost each time to The Daily Show until 2013, when it broke the latter program's winning streak, dubbed the longest in Emmy history. Colbert subsequently referenced his win on his program as the conclusion of Stewart's "reign of terror." It also won the award the following year, and was nominated in the same category in 2015. The show received two Peabody Awards, recognizing its excellence in news and entertainment. It also won two Grammy Awards, one for Best Comedy Album for the soundtrack to the special A Colbert Christmas, and later for Best Spoken Word Album for the audiobook to America Again. Colbert and Stewart's Rally to Restore Sanity and/or Fear was nominated for four Daytime Emmy awards in 2011, including the Outstanding Special Class Special category and the Outstanding Special Class Writing category. Racism controversy In March 2014, the show attracted controversy when Colbert used a "fatuously fake parody stereotype character, 'Ching-Chong Ding-Dong,'" to "satirize knee-jerk mockery" of Asian dialect. The name had been used before without incident, but the show's official Twitter account — run by an unknown individual — tweeted the remarks without context, leading to wide outrage over social media, including a hashtag campaign, "#CancelColbert", that was a worldwide trending topic for over 24 hours, thanks in-part by Colbert himself helping make it go viral for his show. Legacy The New Yorker wrote that "Colbert has made vital observations about the American political system, particularly about the sordid role that money plays within it. The Colbert Report and the Daily Show [...] have changed the way that young liberals of a certain class think and talk about civic culture." The show also coined another word, wikiality, that means "reality as decided on majority rule." Viewers of the show also coined a word, freem, based on its inclusion in the show's opening sequence; the word refers to "'freedom' without having to 'do' anything — without any responsibility or action." In response to the "Better Know a District" segment, Rahm Emanuel, then the Democratic Caucus chair, instructed incoming freshmen not to do appearances on the show in 2007. In 2008, East Carolina University associate professor Jason Bond named a species of trapdoor spider Aptostichus stephencolberti in honor of Stephen Colbert. The "Colbert Bump" is defined, connotatively by the Report, as an increase in popularity of a person (author, musician, politician, etc.) or thing (website, etc.) as a result of appearing as a guest on or (in the case of a thing) being mentioned on the show. For example, if a politician appears on The Colbert Report, they may become more popular with certain voters and thus are more likely to be elected. According to the American Political Science Association, contributions to Democratic politicians rose 40% for 30 days after an appearance on the show. Magazines such as GQ, Newsweek, and Sports Illustrated have all had sales spikes when Colbert appeared on their covers. Viewers of The Colbert Report were on numerous occasions cited as being more knowledgeable about current events than traditional news viewers. In April 2007, a Pew Research Center report cited both Colbert and The Daily Show viewers as more well-informed than those who gathered their information via newspapers, television news and radio. Colbert's Super PAC coverage was widely lauded, and studies later found that this coverage was more effective than traditional news programs at educating the audience on campaign finance. He was awarded a Peabody Award for the parody, which was described as an "innovative means of teaching American viewers about the landmark court decision". The Annenberg Public Policy Center reported in 2014 that the Colbert Super PAC segments increased viewers' knowledge of PAC and 501(c)(4) campaign finance regulation more successfully than other types of news media. International distribution Outside the United States, The Colbert Report was shown in Canada on the cable service The Comedy Network, simultaneously with its original U.S. broadcast (beginning a few weeks after the series debuted). Episodes would also air in Canada on traditional over-the-air broadcaster CTV, one hour after their appearance on The Comedy Network. On September 22, 2014, due to The Comedy Network's acquisition of Canadian rights to Jimmy Kimmel Live!, the program began airing on M3 and did so for the remainder of the show's run. It airs on The Comedy Channel in Australia, Comedy Central in New Zealand, and on Maxxx in the Philippines. , The Colbert Report has also been broadcast in Africa on DSTV's version of Comedy Central. It aired on FX in the United Kingdom until they decided not to renew their contract in May 2009. In Portugal, it airs on Sic Radical. Beginning June 3, 2008, The Colbert Report also aired on the ShowComedy channel of Showtime Arabia (Currently OSN First HD), a channel which broadcasts in the Middle East and North Africa. The show is transmitted on a one-day delay from original transmission in the US. The show was shown during prime time on Australia's free-to-air ABC2 in 2010, however the channel was outbid for rights for 2011. The show was available directly on the colbernation.com website for part of 2011, with Australian advertisements; however, Australian access is now blocked. Several international markets also air The Colbert Report Global Edition, which shows highlights from the previous week's shows and includes a special introduction by Stephen Colbert at the start of the program. This means a new or newly repackaged episode can be screened every weekday. In addition, most recent episodes (usually 3 weeks back) would be available in full length on colbertnation.com. Some international audiences could not see such way. By the end of the series's run, the colbernation.com website was integrated into Comedy Central's website. As of 2021, almost seven years after the show ended, many episodes are presented in individual clips there. Related multimedia The show spawned various merchandise and multimedia related to the show. Three books were released to accompany the show's humor, the first being I Am America (And So Can You!), released both in print and as an audiobook in 2007. In 2012, two spinoff books of the show were released. America Again is a sequel to the show's first book, and addresses topics including Wall Street, campaign finance, energy policy, healthcare, eating on the campaign trail, and the United States Constitution. Another book, I Am a Pole (And So Can You!), was released the same year and purports to be a children's book telling the story of a fictional pole finding its purpose in life. Segments from the show were also released on DVD during its run. The Best of The Colbert Report, released in 2007, contains several of the show's most memorable early moments. The show's Christmas special, A Colbert Christmas: The Greatest Gift of All!, was also released on DVD the following year. The soundtrack of that special also saw a digital release on the iTunes Store after its broadcast, and contains music from Feist, John Legend, Willie Nelson, Toby Keith, Jon Stewart, Elvis Costello, and Colbert himself. In 2011, Jack White's record label Third Man Records released a 7" vinyl single of Stephen Colbert and The Black Belles performing "Charlene II (I'm Over You)", which they also performed together on the show. See also List of late-night American network TV programs CNNNN The Daily Show Newstopia Rick Mercer Report This Hour Has 22 Minutes The Beaverton Hot Seat Real Time with Bill Maher Inside Washington Washington Week References External links The Colbert Report Web site 2005 American television series debuts 2014 American television series endings 2000s American late-night television series 2000s American political comedy television series 2000s American satirical television series 2000s American television news shows 2010s American late-night television series 2010s American political comedy television series 2010s American satirical television series 2010s American television news shows Comedy Central original programming Criticism of journalism English-language television shows American news parodies Peabody Award-winning television programs Primetime Emmy Award for Outstanding Variety Series winners Primetime Emmy Award-winning television series Television series by Busboy Productions Television shows filmed in New York City American television spin-offs The Daily Show Comedy Central late-night programming Political satirical television series

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In what program is The Colbert Report in?

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The Colbert Report satirized conservative personality-driven political pundit programs, and focused on a fictional anchorman character named Stephen Colbert, played by his real-life namesake. The character first made appearances on the short-lived sketch comedy series The Dana Carvey Show in 1996, described as "a self-important, trench-coated reporter who does on-location stories in a way that suggests his own presence is the real scoop." Colbert joined Comedy Central's The Daily Show in 1997, a year following its launch, then hosted by Craig Kilborn. When Jon Stewart became the program's host in 1999, The Daily Show developed a markedly different style, bringing a sharper political focus to the humor than the show previously exhibited. Colbert recalled that Stewart specifically asked him to have a political viewpoint, and to allow his passion for issues to carry through into his comedy. Colbert became a fixture on The Daily Show, occasionally hosting in Stewart's absence. In 2003, the program began running advertisements for a fictional program titled The Colbert Report, starring Colbert as a parody of cable news pundits. When fellow Daily Show star Steve Carell left to pursue a film and television career, Comedy Central made attempts to keep Colbert at the network. He pitched The Colbert Report to the channel in 2004. Stewart pushed Comedy Central to pick up the show, and Colbert was given an eight-week tryout. Following the show's immediate success, the show "quickly became a fixture in the late-night lineup." At its peak, the show averaged 1.5 million viewers each evening. The fictional Colbert anchorman character became gradually toned down over the course of the show's run, as the host believed he would eventually need to move beyond it. He began to regard it as an act of discipline to perform as the character; he later remarked, "to model behavior, you have to consume that behavior on a regular basis. It became very hard to watch punditry of any kind, of whatever political stripe." With his contract set to end in December 2014, he had already decided to leave the show when he was contacted by CBS to replace David Letterman as the host of its Late Show franchise. The show's ending was announced concurrently with Colbert's jump to CBS in April 2014. The last episode aired on December 18, 2014. The show was replaced on Comedy Central's late-night lineup by The Nightly Show with Larry Wilmore, another spinoff of The Daily Show. CANNOTANSWER

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The Colbert Report ( ) is an American late-night talk and news satire television program hosted by Stephen Colbert that aired four days a week on Comedy Central from October 17, 2005, to December 18, 2014, for 1,447 episodes. The show focused on a fictional anchorman character named Stephen Colbert, played by his real-life namesake. The character, described by Colbert as a "well-intentioned, poorly informed, high-status idiot", is a caricature of televised political pundits. Furthermore, the show satirized conservative personality-driven political talk programs, particularly Fox News's The O'Reilly Factor. The Colbert Report is a spin-off of Comedy Central's The Daily Show, in which Colbert acted as a correspondent for the program for several years while developing the character. The program was created by Colbert, Jon Stewart, and Ben Karlin. The show's writing was grounded in improvisation, and often lampooned current events stories. The show's structure also included a guest interview, in which the Colbert character attempts to deconstruct his opponent's argument. The show was taped in New York City's Hell's Kitchen neighborhood, and the program's set is "hyper-American", epitomizing the character's ego. The show was taped and broadcast Monday through Thursday, with weeks taken off at multiple points in a given year for breaks. The Colbert Report saw immediate critical and ratings successes, leading to various awards, including two Peabody Awards. The show's cultural influence—which occasionally would require a fair degree of participation from the show's audience, dubbed the Colbert Nation—extended beyond the program a number of times. This impact included the character running for U.S. President twice, co-hosting a rally at the National Mall, presenting a controversial performance at the White House Correspondents' Dinner, and establishing a real Super PAC that raised a million dollars. In addition, the show inspired various forms of multimedia, including music and multiple best-selling books. Background The Colbert Report satirized conservative personality-driven political pundit programs, and focused on a fictional anchorman character named Stephen Colbert, played by his real-life namesake. The character first made appearances on the short-lived sketch comedy series The Dana Carvey Show in 1996, described as "a self-important, trench-coated reporter who does on-location stories in a way that suggests his own presence is the real scoop." Colbert joined Comedy Central's The Daily Show in 1997, a year following its launch, then hosted by Craig Kilborn. When Jon Stewart became the program's host in 1999, The Daily Show developed a markedly different style, bringing a sharper political focus to the humor than the show previously exhibited. Colbert recalled that Stewart specifically asked him to have a political viewpoint, and to allow his passion for issues to carry through into his comedy. Colbert became a fixture on The Daily Show, occasionally hosting in Stewart's absence. In 2003, the program began running advertisements for a fictional program titled The Colbert Réport, starring Colbert as a parody of cable news pundits. When fellow Daily Show star Steve Carell left to pursue a film and television career, Comedy Central made attempts to keep Colbert at the network. He pitched The Colbert Report to the channel in 2004. Stewart pushed Comedy Central to pick up the show, and Colbert was given an eight-week tryout. Following the show's immediate success, the show "quickly became a fixture in the late-night lineup." At its peak, the show averaged 1.5 million viewers each evening. The fictional Colbert anchorman character became gradually toned down over the course of the show's run, as the host believed he would eventually need to move beyond it. He began to regard it as an act of discipline to perform as the character; he later remarked, "to model behavior, you have to consume that behavior on a regular basis. It became very hard to watch punditry of any kind, of whatever political stripe." With his contract set to end in December 2014, he had already decided to leave the show when he was contacted by CBS to replace David Letterman as the host of its Late Show franchise. The show's ending was announced concurrently with Colbert's jump to CBS in April 2014. The last episode aired on December 18, 2014. The show was replaced on Comedy Central's late-night lineup by The Nightly Show with Larry Wilmore, another spinoff of The Daily Show. History Development The character first made appearances on the short-lived sketch comedy series The Dana Carvey Show in 1996, described as "a self-important, trench-coated reporter who does on-location stories in a way that suggests his own presence is the real scoop." When The Daily Show ran short on time, a short piece starring Colbert, advertising a fictional program titled The Colbert Réport, was added into the program. In these sketches, Colbert began to amplify his character to parody news pundits. Colbert anchored many sketches in his persona, including "Even Stepvhen", in which he debated current issues with fellow correspondent Steve Carell, often devolving into petty name-calling and insults. Colbert and Carell were viewed as potential breakout stars by staff, and when Carell left the series in 2004 to start a US version of The Office, Comedy Central made attempts to keep Colbert at the network. Stewart and Karlin were already looking to expand the Daily Show franchise and their production company, Busboy. The duo supposedly came up with the idea for The Colbert Report after watching coverage of the sexual harassment lawsuit filed against Bill O'Reilly. Colbert met with network president Doug Herzog the day following the 2004 Emmy Awards to first discuss the concept. The one-line pitch Colbert, Karlin and Stewart developed was "Our version of the O'Reilly Factor with Stephen Colbert." Herzog committed to an eight-week tryout period without a pilot. By the time of the 2004 election, the character was fully developed. In creating the character, which is designed to be repellant but entertaining, Colbert conferred with Stewart and Karlin. In expressing his hope that his character not be "an asshole," Stewart remarked, "You're not an asshole. You're an idiot. There's a difference." Head writer Allison Silverman reiterated this trait in a later interview, commenting, "There is an essential innocence to his character." Colbert initially felt the character might not be sustainable in a longer format. Despite this, The Colbert Report was designed as an extension of the satiric goals of The Daily Show, combining it with general silliness and character-driven humor. To make sure there was no overlap in subject matter with The Daily Show, Karlin made trips between the studios during the show's early days to supervise scripts. For the first several years of the program, Colbert made an appearance at the end of each Daily Show in split-screen, having a short discussion with Stewart preceding his show. Production The show's writing was grounded in improv, employing a "yes to everything" mentality. Much of the humor derived from extended improv games with the show's studio and at-home audience, such as Colbert's poll to name a bridge in Hungary after himself. Many of the writers had improv training and at one point put together "improv evenings" at the Upright Citizens Brigade Theatre once a month. Writers on The Colbert Report were predominantly male and white; Colbert acknowledged this lack of diversity, but he contended he had hired writers based solely on the quality of their material and had never looked at the names on writing packets submitted for employment. Subjects considered too dark were not even considered for comedic material; for example, the show would poke fun at press coverage of a tragedy, rather than the tragedy itself. Issues discussed on the show were later reported on actual newscasts, in turn allowing the show to comment on its own impact, creating an echo chamber of sorts. This led Colbert to describe his show, "at its purest expression, [as] a pebble that we throw into the puddle of the news, and then we report on our own ripples." Ideas for each show were considered in the morning pitch meeting, which could range from "harrowing" to smooth. Described as having "demanding standards", Colbert is quoted as remarking, "Let's make it perfect and then cut it." Although dozens of ideas were either chosen for the show or deleted, other ideas, saved for a later date, were often forgotten because of the pace of news. Ideas with considerable potential were put in the "hopper" to be developed and rewritten, while more fully formed ideas were placed in the "pantry." Good jokes would still be sacrificed if they did not fit the character's specific point of view, which was deemed the inverse of what "any logical person" feels. At least one writer has described the job as "all-consuming", leaving no time for outside activities. Colbert himself eventually became withdrawn from morning meetings as the show continued on and he mulled a decision to leave. Usually by 11 a.m., a rough outline for the show was completed and writers sent off in pairs to create scripts that would be polished throughout the day. First, writers would scan news articles for ideas and partner together in pairs, with one "keeping track of possible jokes." During an appearance at the New York Comedy Festival in 2013, some writers admitted to procrastinating until the last hour before rehearsal to complete their sections; Colbert confirmed that, in the program's early days, segments such as "The Word" were scripted entirely during the rewrite before rehearsal. Both writers read their dialogue aloud to see whether they thought the Colbert character would say it. As writers were working on their respective scripts, the show's production and graphics team compiled music, footage, and props needed for the show. To collect video clips, the show cross-referenced transcripts of hours and hours of archived TiVo recordings of news programs. In 2011, the show switched to Snapstream software, which streamlined the TV clip search and compilation process, allowing for searching closed captioning for select words. In addition, a group of staff coders and independent contractors developed Scripto software to collaborate on scripts in real time. By 1 p.m., the show held a second production meeting to go over scripts and determine which pieces to edit. Scripts were "hopefully" completed around 4 p.m., and a rehearsal with the entire staff would begin at 5:30 p.m. or occasionally earlier. Afterward, final changes were made to the script. The final rewrite would take place in a "small, red, poorly ventilated room" until 6:45 p.m. Before interviewing his guests, Colbert met with them in the green room and acknowledged that he was playing a character, noting that the persona is "willfully ignorant of what you know and care about" and urging the guest to "honestly disabuse me of what you see as my ignorance." Emily Lazar, a producer for the interview segments, advised guests to talk with Colbert as though he were a "harmless drunk at the next bar stool." Guests would typically take their seats around 7 p.m., when a warm-up comedian (perhaps Jared Logan or Paul Mercurio) delivered jokes. Colbert, out of character, held a brief question and answer session with the audience prior to taping. Taping lasted as long as three hours but usually ended around 9 p.m., at which point the show was edited and sent to Comedy Central for broadcast. As the show was being edited, the staff met one last time to work through details for the next show. Set The Colbert Report was taped and broadcast four nights a week, Monday–Thursday. The show's taping studio, at 513 W. 54th Street in New York City's Hell's Kitchen neighborhood, was used for The Daily Show until July 2005, and has a capacity of 150. NEP Studio 54 on 54th Street is owned by NEP Broadcasting which is New York City's largest production facility and also owns The Daily Show set at NEP Studio 52 two blocks south on 52nd Street. Aside from the set, the show's production offices have been described as "loft-like" and "all overhead pipes and exposed brick." Following the show's conclusion, the building was used for The Nightly Show with Larry Wilmore. The set for The Colbert Report was called "The Eagle's Nest" and reflects and facilitates Colbert's self-aggrandizing style. It was designed by Jim Fenhagen, and was intended to both capture the character's ego and be "hyper-American." Elements incorporated into the set included architectural lines converged to Colbert's desk, and radial beams coming out from behind his chair. Colbert's main influence for the set was Leonardo da Vinci's The Last Supper, with the Colbert character as Jesus Christ. In the set, "virtually every inch emblazoned with Colbert's name or the initial C"; his name, initials and the name of the show appear on the desk's plasma screen, on the rafters above the desk, and the desk itself is shaped like a giant "C". The background includes faux artifacts from the character's backstory, which are seldom seen by viewers. "I kept saying, 'People might not really notice this.' But when you're working with a comedy team, they really get into it. They couldn't help themselves," said Fenhagen. Among these touches are the United States Constitution, a miniature Ten Commandments, and a CliffsNotes guide to American government. The set was described as "part Riefenstahlesque homage to the star, part symbologic gallery — where alert viewers are rewarded with snarky jokes at every turn." Above a fireplace is a portrait of Colbert; it originally showed Colbert standing in front of the same mantel with another portrait of himself. On the show's first anniversary, the portrait was replaced by one of Colbert standing in front of the mantel with the first portrait above it, and with each successive year, it became Colbert standing in front of the previous year's painting. The graphics used throughout the show and the studio itself are saturated with American flags, bald eagles, Captain America's shield, and other patriotic imagery. Format Typically, Colbert starts with the audience cheering and teasers regarding the show's topics and guest; each headline is structured to be a deliberate pun. The series of puns are followed by a verbal metaphor that promotes the show and is almost always finished with, "This is the Colbert Report." The show's original opening title sequence began with an eagle diving past the host, following by images of Americana, stock footage of Colbert, and words describing Colbert flying by (some of which have been used as The Word). The first word used was "Grippy", and has changed to include, among others, "Megamerican", "Lincolnish", "Superstantial", "Flagaphile", and "Factose Intolerant". The May 4 episode in 2009 featured hints planted by J. J. Abrams about when and where Colbert would be in the Persian Gulf, and "Farewellison" for the final episode of former producer Allison Silverman. The show's opening credits depict the Colbert character clutching an American flag. On January 4, 2010, a new opening debuted. The opening begins and ends with an eagle as before, but features new background renderings, new shots of Stephen Colbert, and is now colored in an American, red white and blue motif. The show's theme music is "Baby Mumbles" by Cheap Trick. Colbert phoned guitarist Rick Nielsen during development of the show to discuss the theme, noting that he loved the band's song "I Want You to Want Me"; the show's theme music is largely that song's melody backwards. Following the opening sequence, Colbert most often proceeds with a run-through of recent headlines in a manner parodying traditional news broadcasts; this is similar to The Daily Show but with a faux-right-wing spin. The program typically continues with Colbert addressing a specific topic. Colbert often calls to "Jimmy", a reference to program director Jim Hoskinson, to roll video clips. That topic will often lead into a "The Word" segment, which juxtaposes Colbert's commentary with satirical bullet points on-screen, a parody of The O'Reilly Factors "Talking Points Memo". On occasion he will conduct a short interview with someone having to do with the topic. The format of the middle segment varies, but it is normally a visual presentation or skit. Often, these skits are parts of recurring segments, which may include "Better Know a District", in which Colbert interviews a U.S. Representative from a certain district of the United States; "Tip of the Hat/Wag of the Finger", in which Colbert voices his approval or disapproval of prominent people and news items; "Cheating Death with Dr. Stephen T. Colbert, D.F.A.", a health segment; "The Sport Report" with the "t" in both Sport and Report silent, a sports segment; and "The ThreatDown", in which Colbert lists the five greatest threats to America, and others. His newest segment, "Thought for Food" deals with the consumption of specific foods across the world. Sometimes, there is a "Colbert Report Special Repor-t" (the final 't' pronounced with special emphasis), or even a "Colbert Report, Sport Report, Special Repor-t", in which Colbert devotes a section of an episode, and sometimes the entire episode to a special subject. The third segment is almost always an interview with a celebrity guest, often an author or government official. Unlike the late night talk show standard of the guest walking out to the host's desk, Colbert instead runs to a separate area of the set to interview his guest, basking in the applause and glory meant for the guest. On the interview segment of the show, Colbert frequently attempts to nail his guest by using various rhetorical devices and fallacies to prove them wrong. The real-life Colbert once remarked that his personal favorite segment of the program were the interviews, which involved more listening on his end in order for the character to "ignorantly deconstruct" his opponent's argument. The third segment of the show is on occasion a musical guest. Prominent musical guests have included Metallica, Paul McCartney, Rush, Green Day, Paul Simon, Crosby Stills & Nash, Pavement, Cat Stevens, Yo-Yo Ma, Radiohead and Black Star. Afterwards, Colbert ends the show by giving some parting words to the audience or, if short for time, a simple "that's it for the report everybody, good night". Character The host of The Colbert Report is Stephen Colbert, a "self-important right-wing commentator", portrayed by his real-life namesake. The character incorporates aspects of Colbert's real life, but is primarily a parody of cable news pundits, particularly Bill O'Reilly of Fox News' The O'Reilly Factor, whom he refers to as "Papa Bear". To this end, the character even incorporates O'Reilly's mannerisms, described as his "pen-wielding, hand-stabbing gestures." O'Reilly's use of "talking points" — illustrated onscreen graphics reflecting the host's opinions — are parodied on The Colbert Report with the segment "The Word". He initially incorporated long-winded, verbose metaphors to parody CNN correspondent Aaron Brown. In addition, the character was also heavily inspired by Stone Phillips, Bill Kurtis and "especially" Geraldo Rivera. "I loved the way Geraldo made reporting a story seem like an act of courage," Colbert told a reporter in 2012. The core principle of The Colbert Report is that Colbert is a "well-intentioned, poorly informed, high-status idiot." The character believes that he himself is the news: rather than a vessel to deliver the news to the audience, or a general member of the media, the character sees himself as more important than the news. He is veracious in his approach, while often ridiculously overblown in his statements. The character is egomaniacal, fact-averse ("factose intolerant"), God-fearing, and hyper-patriotic. He claims to be an independent who is often mistaken for a Republican, but uniformly despises liberals and generally agrees with the actions and decisions of the Republican Party. Colbert's character has been described as a "caustic right-wing bully". The character exists not in opposition to political leaders, but to common ignorances; for example, his insistence that then-presidential candidate Barack Obama had Socialist leanings was based on public misconceptions. In parodying the cult of personality, the Colbert character also developed a real-life equivalent, creating what was dubbed the "Colbert Nation". While giving the character a certain mythos was part of the show's inception, show producers did not set out to create a loyal following; the joke was that the character thought he had an influence, but that was a figment of his ego-riddled imagination. Despite his appearance of always being in charge, Colbert is vulnerable: he feels deeply threatened by those wielding more power than he, and he suffers from "arctophobia", the fear of bears, which he refers to as "giant, marauding, godless killing machines". He will alert the audience to what he perceives as the latest national threat (the subject of a recurring bit, "ThreatDown"), only to justify his own fears and impose those onto his audience. As the show progressed, Colbert gradually began to tone down the character, allowing guests in interviews to "get his or her own message across." The show's longevity created what The New York Times described as "a winking quality to the act, a sense that we’re all in on the joke." Colbert himself acknowledged that he "rarely hit it as hard as I used to," noting that "You have to be vigilant to stay ignorant." He noted that his own personal opinions can occasionally align with his character's, when liberal guests' agendas appeared based on dislike rather than logical argument. Politician and former vice president Al Gore accidentally referred to the persona as a "character" in a 2011 interview on the show, and in 2013, Colbert further blurred lines when he spoke regarding the death of his mother on the program. In doing so, many commentators referred the show's longevity and the development of a "third" Colbert — one a faux pundit and one informed by the performer's own life. In the show's credits, Colbert was credited with a title, which deliberately became increasingly cumbersome as the show progressed: Her Excellency The Rev. Sir Doctor Stephen Tyrone Mos Def Colbert, D.F.A., Heavyweight Champion of the World✱✱ featuring Flo Rida La Premiere Dame De France. When O'Reilly appeared on The Daily Show before the second episode of The Colbert Report aired, he commented, "Before we get started, somebody told me walking in here, you got some French guy on after you making fun of me?", and made several references in the following interview to 'the French Guy'. In a subsequent Newsweek interview, O'Reilly said that he "feels it's a compliment" to have Colbert parody him because Colbert "isn't mean-spirited" and does not "use [his] platform to injure people". Later, Colbert replied on-air, "I like you too. In fact, if it wasn't for you, this show wouldn't exist." Themes Colbert disagreed that the show's emphasis on politics represented a liberal bias, noting that he himself was uninterested in modern politics. He believed that political issues reflect basic human behavior, which he viewed as his satirical specialty, noting, "If I thought I had a political point, I'd be in big trouble." In another interview, Colbert remarked, "I'm not someone with a particular political ax to grind. I'm a comedian. I love hypocrisy." Episodes Notable episodes Early years The Colbert Report premiered in October 2005. The first guest was Stone Phillips, a partial influence on the character. In the debut episode, Colbert coined the word truthiness, defined as "a quality characterizing a 'truth' that a person making an argument or assertion claims to know intuitively 'from the gut' or because it 'feels right' without regard to evidence, logic, intellectual examination, or facts." Truthiness was named Word of the Year for 2005 by the American Dialect Society and for 2006 by Merriam-Webster. The character's forceful nature confused some in the program's early days. During an appearance on the segment "Better Know a District" in the show's first season, a frustrated Barney Frank declined to continue, deeming the conversation too dumb. In one early episode, the Colbert character purported to be a former member of a 1980s new wave group, Stephen & the Colberts, and released a fictional music video from the band for the song "Charlene (I'm Right Behind You)". The show's popularity resulted in Colbert headlining the 2006 White House Correspondents' Dinner, which he performed in character. The controversial, searing routine targeted President George W. Bush and the media, and was greeted with chilly reception from the audience. Although President Bush shook Colbert's hand after his presentation, several of Bush's aides and supporters walked out during Colbert's speech, and one former aide commented that the President had "that look that he's ready to blow". Colbert's performance quickly became an Internet and media sensation. According to Vanity Fair, the speech transformed Colbert as a "folk hero" for liberals, and was later described by Frank Rich as the "defining moment" of the 2006 midterm elections. Adam Sternbergh of New York, a year after the show's debut, deemed the character "something very close to what he's parodying, a kind of Bill O'Reilly for the angry left." In 2006, Colbert encouraged fans to vote for his name to be the new name of a bridge in Hungary, which was being decided via an online poll; he beat the runner-up by more than 14 million votes. He was, however, disqualified, as the name of the bridge was intended to be a memoriam. Later that year, he began a mock feud with indie rock group the Decemberists over the subject of who was the first to challenge fans to create a green screen video; the fake conflict culminated in a guitar solo competition on the show's final episode of the year, featuring guest appearances from guitarist Peter Frampton and Dr. Henry Kissinger. Colbert later recalled it as the show's "craziest" moment, changing the way the staff viewed the program: "Because you realize the character believes anything he thinks, says, [or] cares about is important, anything fits on the show. [...] That is the show where we said, oh, there is unlimited open field running." In February 2007, Ben & Jerry's unveiled a new ice cream flavor in honor of Stephen Colbert, named Stephen Colbert's AmeriCone Dream. All proceeds were donated to charity through the Stephen Colbert AmeriCone Dream Fund, which distributed the money to various causes. In June 2007, Colbert broke his left wrist while performing his warm-up for the show. It was the subject of an extended bit on the program, including the creation of the "Wriststrong" wrist band, based on Lance Armstrong's "Livestrong" wrist band, which donated all proceeds to the Yellow Ribbon Fund. Colbert remained on the air without writers during the Writers Guild of America strike in 2007–08. Colbert modified the pronunciation of the show's name, pronouncing both of the formerly elided final "t"s (); a similar move was made by The Daily Show which returned to air as A Daily Show. During this period, he staged a mock feud between himself, Jon Stewart, and Late Night host Conan O'Brien over who made Republican Presidential candidate Mike Huckabee. In 2008, Colbert made a series of jokes directed at various towns in the United States named "Canton", with many attracting negative responses from each respective area's local government and residents. The same year, the show filmed a tongue-in-cheek Christmas special titled A Colbert Christmas: The Greatest Gift of All!. In 2009, Colbert filmed a series of four episodes for the troops in Baghdad, Iraq. He had a suit tailored for him in the Army Combat Uniform pattern and went through an abbreviated version of the Army's basic training regimen. On the first of the four episodes, Colbert had his head shaved on stage by General Ray Odierno who was jokingly "ordered" to do so by President Barack Obama, who appeared on the episode via a pre-recorded segment from the White House. Later years In 2010, while in character, Colbert appeared before judiciary subcommittee hearing on the issue of farm workers and immigration. The New Yorker used Colbert's testimony before Congress as an example of the "third" Colbert: "Colbert was thoughtful and sincere—and had ruined the whole thing. By speaking honestly, he had become the very thing he was mocking, a celebrity testifying before Congress." Beginning in June 2011, the show created a long-running gag that involved Colbert starting his own actual super PAC, Americans for a Better Tomorrow, Tomorrow, described by the character as "100 percent legal and at least 10 percent ethical." In 2012, Colbert interviewed illustrator/author Maurice Sendak, who managed to get him to break character; show staff and Colbert himself retrospectively labeled the segment one of the show's more memorable moments. The Los Angeles Times called the September 2013 interview with intelligence official Philip Mudd his "most awkward interview", stating Mudd "could barely disguise his contempt" for Colbert. President Barack Obama guested during the show's final month, in a show taped from George Washington University in Washington, D.C.; Obama sat in Colbert's seat and presided over "The Wørd" segment. The final episode aired on December 18, 2014. In the episode Stephen becomes immortal after accidentally killing "Grimmy" during the opening of the segment of "Cheating Death with Dr. Stephen T. Colbert, D.F.A.". This leads to Stephen singing "We'll Meet Again" in its entirety along with a large group of famous friends including Jon Stewart, Jeff Daniels, Sam Waterston, Big Bird, Charlie Rose, Terry Gross, Keith Olbermann, Tom Brokaw, Alan Alda, Yo Yo Ma, Ken Burns, Cyndi Lauper, Patrick Stewart, Randy Newman, Doris Kearns Goodwin, Henry Kissinger, Alex Trebek, Mandy Patinkin, Lesley Stahl, George Lucas, Kareem Abdul-Jabbar, Gloria Steinem, Elijah Wood, Jake Tapper, Bob Costas, Smaug and Cookie Monster. Reception Critical response Initial reviews Reviews of The Colbert Report upon its 2005 premiere were positive, although critics were generally skeptical that the character could extend beyond one season without growing tiresome. While positively reviewing the program as a whole, Maureen Ryan of the Chicago Tribune echoed these sentiments: "The biggest question hanging over The Colbert Report is whether the show’s sendup of the pomposity and fear-mongering of cable news blowhards will be as appealing in the long term." Melanie McFarland of the Seattle Post-Intelligencer summarized the show's early reaction: "Critics and bloggers either loved the premiere or declared themselves to be unmoved, but that's the standard reaction after any late-night program's debut. A truer measure will be seen in coming weeks, after the hype wears off and the ratings lose their exuberance." Gilbert Cruz of Entertainment Weekly noted that "Colbert proves that the line between serious TV journalism and utter nonsense is a very thin one indeed." Heather Havrilesky of Salon was effusive, remarking, "Not only does Colbert maintain his persona without skipping a beat throughout the entire show, but he’s got great comic timing, the show’s writers are brilliant, and the whole thing is pure foolish, bizarre, idiotic fun." Barry Garron of The Hollywood Reporter dubbed it an "auspicious debut", writing, "The new show dovetails nicely with its lead-in to present a solid hour of skewered news and punctured pomposity." Variety Brian Lowry commented that the show had an "impressive start with a topnotch premiere followed by a respectable second outing." Paul Brownfield of the Los Angeles Times wrote, "In the run-up to the show it all sounded a bit hard to get your head around, but in the flesh the show zinged, at least this first week." The Boston Globe Matthew Gilbert praised the show's wordplay, summarizing, "Colbert's a clever creation, and a necessary one, and he deserves an opportunity to offend as many people as possible with his pompous blather." Alessandra Stanley of The New York Times commented that the show was a welcome addition to the Comedy Central lineup, remarking, "What puts Mr. Colbert over the top is that he is not just impersonating well known television personalities, he also uses parody to score larger points about politics and the press." Nevertheless, there were more negative reviews: USA Today Robert Bianco opined that the show "tried too hard", writing, "Unfortunately, in just two weeks on the air, this half-hour spoof of a no-spin-zone type show has already stretched Colbert's character and the artifice that supports it past its natural breaking point." Later reviews The New Yorker remarked that the show remained funny throughout its entire run. The Colbert Report currently scores favorable reviews, with 65/100 on Metacritic (first season), while its viewers' ranking on the site is higher at 8.7/10. In a 2009 academic analysis of the show's popularity, Temple University researcher, Heather LaMarre found that the show appealed to both liberals and conservatives, concluding, "there was no significant difference between the groups in thinking Colbert was funny, but conservatives were more likely to report that Colbert only pretends to be joking and genuinely meant what he said while liberals were more likely to report that Colbert used satire and was not serious when offering political statements". Malcolm Gladwell discussed LaMarre's findings in his Revisionist History podcast, "The Satire Paradox" (2016). Ratings The ratings of The Colbert Report, from its premiere, benefited from the lead-in The Daily Show provides, which at the time of the show's debut averaged 1.3 million viewers per night. Comedy Central had previously struggled to produce a hit program on par with The Daily Show, and were counting on Colbert after a string of failures. The Colbert Report drew 1.13 million viewers for its premiere episode, 47 percent greater than the average for that time slot over the previous four weeks, and 98 percent of the viewership of The Daily Show, which had Comedy Central's second-largest viewership. Averaged over its opening week, The Report had 1.2 million viewers per episode, more than double the average for the same time the previous year, when the time slot was occupied by Too Late with Adam Carolla. The show regularly began attracting over one million viewers with near immediacy. The show also drew more young men, a powerful demographic, than other late-night hosts (at that time, Jay Leno, David Letterman, and Conan O'Brien). Within a year, The Colbert Report began averaging 1.5 million viewers per night. In early 2008, in the midst of the writer's strike, Colbert posted an eleven-percent gain over its averages from the following fall. From 2012 to 2013, viewership decreased from 1.2 million to 1.1 million. In 2013, The Colbert Report was the second most-watched late-night talk show (behind The Daily Show) among the demographic of adults 18–49, beating competition The Tonight Show with Jay Leno in that demographic for the first time. That year, The Colbert Report attracted $52.1 million in advertising for an audience whose median age was 39.4, about a year younger than The Daily Show. In 2014, the final year of the show's run, ratings were down three percent (coinciding with a general ratings slide for cable television). The series finale on December 18, 2014 was watched by 2.4 million viewers, making it the most watched episode ever in the show's history. The finale was the most watched cable program of the night in its time slot, beating The Daily Show which was seen by two million viewers. Awards The Colbert Report received numerous awards and accolades throughout its run. The show was nominated for four Emmy Awards in its inaugural year, but lost to The Daily Show. The show was nominated each year for the rest of its run for Outstanding Variety, Music, or Comedy Series, but lost each time to The Daily Show until 2013, when it broke the latter program's winning streak, dubbed the longest in Emmy history. Colbert subsequently referenced his win on his program as the conclusion of Stewart's "reign of terror." It also won the award the following year, and was nominated in the same category in 2015. The show received two Peabody Awards, recognizing its excellence in news and entertainment. It also won two Grammy Awards, one for Best Comedy Album for the soundtrack to the special A Colbert Christmas, and later for Best Spoken Word Album for the audiobook to America Again. Colbert and Stewart's Rally to Restore Sanity and/or Fear was nominated for four Daytime Emmy awards in 2011, including the Outstanding Special Class Special category and the Outstanding Special Class Writing category. Racism controversy In March 2014, the show attracted controversy when Colbert used a "fatuously fake parody stereotype character, 'Ching-Chong Ding-Dong,'" to "satirize knee-jerk mockery" of Asian dialect. The name had been used before without incident, but the show's official Twitter account — run by an unknown individual — tweeted the remarks without context, leading to wide outrage over social media, including a hashtag campaign, "#CancelColbert", that was a worldwide trending topic for over 24 hours, thanks in-part by Colbert himself helping make it go viral for his show. Legacy The New Yorker wrote that "Colbert has made vital observations about the American political system, particularly about the sordid role that money plays within it. The Colbert Report and the Daily Show [...] have changed the way that young liberals of a certain class think and talk about civic culture." The show also coined another word, wikiality, that means "reality as decided on majority rule." Viewers of the show also coined a word, freem, based on its inclusion in the show's opening sequence; the word refers to "'freedom' without having to 'do' anything — without any responsibility or action." In response to the "Better Know a District" segment, Rahm Emanuel, then the Democratic Caucus chair, instructed incoming freshmen not to do appearances on the show in 2007. In 2008, East Carolina University associate professor Jason Bond named a species of trapdoor spider Aptostichus stephencolberti in honor of Stephen Colbert. The "Colbert Bump" is defined, connotatively by the Report, as an increase in popularity of a person (author, musician, politician, etc.) or thing (website, etc.) as a result of appearing as a guest on or (in the case of a thing) being mentioned on the show. For example, if a politician appears on The Colbert Report, they may become more popular with certain voters and thus are more likely to be elected. According to the American Political Science Association, contributions to Democratic politicians rose 40% for 30 days after an appearance on the show. Magazines such as GQ, Newsweek, and Sports Illustrated have all had sales spikes when Colbert appeared on their covers. Viewers of The Colbert Report were on numerous occasions cited as being more knowledgeable about current events than traditional news viewers. In April 2007, a Pew Research Center report cited both Colbert and The Daily Show viewers as more well-informed than those who gathered their information via newspapers, television news and radio. Colbert's Super PAC coverage was widely lauded, and studies later found that this coverage was more effective than traditional news programs at educating the audience on campaign finance. He was awarded a Peabody Award for the parody, which was described as an "innovative means of teaching American viewers about the landmark court decision". The Annenberg Public Policy Center reported in 2014 that the Colbert Super PAC segments increased viewers' knowledge of PAC and 501(c)(4) campaign finance regulation more successfully than other types of news media. International distribution Outside the United States, The Colbert Report was shown in Canada on the cable service The Comedy Network, simultaneously with its original U.S. broadcast (beginning a few weeks after the series debuted). Episodes would also air in Canada on traditional over-the-air broadcaster CTV, one hour after their appearance on The Comedy Network. On September 22, 2014, due to The Comedy Network's acquisition of Canadian rights to Jimmy Kimmel Live!, the program began airing on M3 and did so for the remainder of the show's run. It airs on The Comedy Channel in Australia, Comedy Central in New Zealand, and on Maxxx in the Philippines. , The Colbert Report has also been broadcast in Africa on DSTV's version of Comedy Central. It aired on FX in the United Kingdom until they decided not to renew their contract in May 2009. In Portugal, it airs on Sic Radical. Beginning June 3, 2008, The Colbert Report also aired on the ShowComedy channel of Showtime Arabia (Currently OSN First HD), a channel which broadcasts in the Middle East and North Africa. The show is transmitted on a one-day delay from original transmission in the US. The show was shown during prime time on Australia's free-to-air ABC2 in 2010, however the channel was outbid for rights for 2011. The show was available directly on the colbernation.com website for part of 2011, with Australian advertisements; however, Australian access is now blocked. Several international markets also air The Colbert Report Global Edition, which shows highlights from the previous week's shows and includes a special introduction by Stephen Colbert at the start of the program. This means a new or newly repackaged episode can be screened every weekday. In addition, most recent episodes (usually 3 weeks back) would be available in full length on colbertnation.com. Some international audiences could not see such way. By the end of the series's run, the colbernation.com website was integrated into Comedy Central's website. As of 2021, almost seven years after the show ended, many episodes are presented in individual clips there. Related multimedia The show spawned various merchandise and multimedia related to the show. Three books were released to accompany the show's humor, the first being I Am America (And So Can You!), released both in print and as an audiobook in 2007. In 2012, two spinoff books of the show were released. America Again is a sequel to the show's first book, and addresses topics including Wall Street, campaign finance, energy policy, healthcare, eating on the campaign trail, and the United States Constitution. Another book, I Am a Pole (And So Can You!), was released the same year and purports to be a children's book telling the story of a fictional pole finding its purpose in life. Segments from the show were also released on DVD during its run. The Best of The Colbert Report, released in 2007, contains several of the show's most memorable early moments. The show's Christmas special, A Colbert Christmas: The Greatest Gift of All!, was also released on DVD the following year. The soundtrack of that special also saw a digital release on the iTunes Store after its broadcast, and contains music from Feist, John Legend, Willie Nelson, Toby Keith, Jon Stewart, Elvis Costello, and Colbert himself. In 2011, Jack White's record label Third Man Records released a 7" vinyl single of Stephen Colbert and The Black Belles performing "Charlene II (I'm Over You)", which they also performed together on the show. See also List of late-night American network TV programs CNNNN The Daily Show Newstopia Rick Mercer Report This Hour Has 22 Minutes The Beaverton Hot Seat Real Time with Bill Maher Inside Washington Washington Week References External links The Colbert Report Web site 2005 American television series debuts 2014 American television series endings 2000s American late-night television series 2000s American political comedy television series 2000s American satirical television series 2000s American television news shows 2010s American late-night television series 2010s American political comedy television series 2010s American satirical television series 2010s American television news shows Comedy Central original programming Criticism of journalism English-language television shows American news parodies Peabody Award-winning television programs Primetime Emmy Award for Outstanding Variety Series winners Primetime Emmy Award-winning television series Television series by Busboy Productions Television shows filmed in New York City American television spin-offs The Daily Show Comedy Central late-night programming Political satirical television series

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Is The Colbert Report latter popular?

The Colbert Report

The Colbert Report satirized conservative personality-driven political pundit programs, and focused on a fictional anchorman character named Stephen Colbert, played by his real-life namesake. The character first made appearances on the short-lived sketch comedy series The Dana Carvey Show in 1996, described as "a self-important, trench-coated reporter who does on-location stories in a way that suggests his own presence is the real scoop." Colbert joined Comedy Central's The Daily Show in 1997, a year following its launch, then hosted by Craig Kilborn. When Jon Stewart became the program's host in 1999, The Daily Show developed a markedly different style, bringing a sharper political focus to the humor than the show previously exhibited. Colbert recalled that Stewart specifically asked him to have a political viewpoint, and to allow his passion for issues to carry through into his comedy. Colbert became a fixture on The Daily Show, occasionally hosting in Stewart's absence. In 2003, the program began running advertisements for a fictional program titled The Colbert Report, starring Colbert as a parody of cable news pundits. When fellow Daily Show star Steve Carell left to pursue a film and television career, Comedy Central made attempts to keep Colbert at the network. He pitched The Colbert Report to the channel in 2004. Stewart pushed Comedy Central to pick up the show, and Colbert was given an eight-week tryout. Following the show's immediate success, the show "quickly became a fixture in the late-night lineup." At its peak, the show averaged 1.5 million viewers each evening. The fictional Colbert anchorman character became gradually toned down over the course of the show's run, as the host believed he would eventually need to move beyond it. He began to regard it as an act of discipline to perform as the character; he later remarked, "to model behavior, you have to consume that behavior on a regular basis. It became very hard to watch punditry of any kind, of whatever political stripe." With his contract set to end in December 2014, he had already decided to leave the show when he was contacted by CBS to replace David Letterman as the host of its Late Show franchise. The show's ending was announced concurrently with Colbert's jump to CBS in April 2014. The last episode aired on December 18, 2014. The show was replaced on Comedy Central's late-night lineup by The Nightly Show with Larry Wilmore, another spinoff of The Daily Show. CANNOTANSWER

Following the show's immediate success, the show "quickly became a fixture in the late-night lineup." At its peak, the show averaged 1.5 million viewers each evening.

The Colbert Report ( ) is an American late-night talk and news satire television program hosted by Stephen Colbert that aired four days a week on Comedy Central from October 17, 2005, to December 18, 2014, for 1,447 episodes. The show focused on a fictional anchorman character named Stephen Colbert, played by his real-life namesake. The character, described by Colbert as a "well-intentioned, poorly informed, high-status idiot", is a caricature of televised political pundits. Furthermore, the show satirized conservative personality-driven political talk programs, particularly Fox News's The O'Reilly Factor. The Colbert Report is a spin-off of Comedy Central's The Daily Show, in which Colbert acted as a correspondent for the program for several years while developing the character. The program was created by Colbert, Jon Stewart, and Ben Karlin. The show's writing was grounded in improvisation, and often lampooned current events stories. The show's structure also included a guest interview, in which the Colbert character attempts to deconstruct his opponent's argument. The show was taped in New York City's Hell's Kitchen neighborhood, and the program's set is "hyper-American", epitomizing the character's ego. The show was taped and broadcast Monday through Thursday, with weeks taken off at multiple points in a given year for breaks. The Colbert Report saw immediate critical and ratings successes, leading to various awards, including two Peabody Awards. The show's cultural influence—which occasionally would require a fair degree of participation from the show's audience, dubbed the Colbert Nation—extended beyond the program a number of times. This impact included the character running for U.S. President twice, co-hosting a rally at the National Mall, presenting a controversial performance at the White House Correspondents' Dinner, and establishing a real Super PAC that raised a million dollars. In addition, the show inspired various forms of multimedia, including music and multiple best-selling books. Background The Colbert Report satirized conservative personality-driven political pundit programs, and focused on a fictional anchorman character named Stephen Colbert, played by his real-life namesake. The character first made appearances on the short-lived sketch comedy series The Dana Carvey Show in 1996, described as "a self-important, trench-coated reporter who does on-location stories in a way that suggests his own presence is the real scoop." Colbert joined Comedy Central's The Daily Show in 1997, a year following its launch, then hosted by Craig Kilborn. When Jon Stewart became the program's host in 1999, The Daily Show developed a markedly different style, bringing a sharper political focus to the humor than the show previously exhibited. Colbert recalled that Stewart specifically asked him to have a political viewpoint, and to allow his passion for issues to carry through into his comedy. Colbert became a fixture on The Daily Show, occasionally hosting in Stewart's absence. In 2003, the program began running advertisements for a fictional program titled The Colbert Réport, starring Colbert as a parody of cable news pundits. When fellow Daily Show star Steve Carell left to pursue a film and television career, Comedy Central made attempts to keep Colbert at the network. He pitched The Colbert Report to the channel in 2004. Stewart pushed Comedy Central to pick up the show, and Colbert was given an eight-week tryout. Following the show's immediate success, the show "quickly became a fixture in the late-night lineup." At its peak, the show averaged 1.5 million viewers each evening. The fictional Colbert anchorman character became gradually toned down over the course of the show's run, as the host believed he would eventually need to move beyond it. He began to regard it as an act of discipline to perform as the character; he later remarked, "to model behavior, you have to consume that behavior on a regular basis. It became very hard to watch punditry of any kind, of whatever political stripe." With his contract set to end in December 2014, he had already decided to leave the show when he was contacted by CBS to replace David Letterman as the host of its Late Show franchise. The show's ending was announced concurrently with Colbert's jump to CBS in April 2014. The last episode aired on December 18, 2014. The show was replaced on Comedy Central's late-night lineup by The Nightly Show with Larry Wilmore, another spinoff of The Daily Show. History Development The character first made appearances on the short-lived sketch comedy series The Dana Carvey Show in 1996, described as "a self-important, trench-coated reporter who does on-location stories in a way that suggests his own presence is the real scoop." When The Daily Show ran short on time, a short piece starring Colbert, advertising a fictional program titled The Colbert Réport, was added into the program. In these sketches, Colbert began to amplify his character to parody news pundits. Colbert anchored many sketches in his persona, including "Even Stepvhen", in which he debated current issues with fellow correspondent Steve Carell, often devolving into petty name-calling and insults. Colbert and Carell were viewed as potential breakout stars by staff, and when Carell left the series in 2004 to start a US version of The Office, Comedy Central made attempts to keep Colbert at the network. Stewart and Karlin were already looking to expand the Daily Show franchise and their production company, Busboy. The duo supposedly came up with the idea for The Colbert Report after watching coverage of the sexual harassment lawsuit filed against Bill O'Reilly. Colbert met with network president Doug Herzog the day following the 2004 Emmy Awards to first discuss the concept. The one-line pitch Colbert, Karlin and Stewart developed was "Our version of the O'Reilly Factor with Stephen Colbert." Herzog committed to an eight-week tryout period without a pilot. By the time of the 2004 election, the character was fully developed. In creating the character, which is designed to be repellant but entertaining, Colbert conferred with Stewart and Karlin. In expressing his hope that his character not be "an asshole," Stewart remarked, "You're not an asshole. You're an idiot. There's a difference." Head writer Allison Silverman reiterated this trait in a later interview, commenting, "There is an essential innocence to his character." Colbert initially felt the character might not be sustainable in a longer format. Despite this, The Colbert Report was designed as an extension of the satiric goals of The Daily Show, combining it with general silliness and character-driven humor. To make sure there was no overlap in subject matter with The Daily Show, Karlin made trips between the studios during the show's early days to supervise scripts. For the first several years of the program, Colbert made an appearance at the end of each Daily Show in split-screen, having a short discussion with Stewart preceding his show. Production The show's writing was grounded in improv, employing a "yes to everything" mentality. Much of the humor derived from extended improv games with the show's studio and at-home audience, such as Colbert's poll to name a bridge in Hungary after himself. Many of the writers had improv training and at one point put together "improv evenings" at the Upright Citizens Brigade Theatre once a month. Writers on The Colbert Report were predominantly male and white; Colbert acknowledged this lack of diversity, but he contended he had hired writers based solely on the quality of their material and had never looked at the names on writing packets submitted for employment. Subjects considered too dark were not even considered for comedic material; for example, the show would poke fun at press coverage of a tragedy, rather than the tragedy itself. Issues discussed on the show were later reported on actual newscasts, in turn allowing the show to comment on its own impact, creating an echo chamber of sorts. This led Colbert to describe his show, "at its purest expression, [as] a pebble that we throw into the puddle of the news, and then we report on our own ripples." Ideas for each show were considered in the morning pitch meeting, which could range from "harrowing" to smooth. Described as having "demanding standards", Colbert is quoted as remarking, "Let's make it perfect and then cut it." Although dozens of ideas were either chosen for the show or deleted, other ideas, saved for a later date, were often forgotten because of the pace of news. Ideas with considerable potential were put in the "hopper" to be developed and rewritten, while more fully formed ideas were placed in the "pantry." Good jokes would still be sacrificed if they did not fit the character's specific point of view, which was deemed the inverse of what "any logical person" feels. At least one writer has described the job as "all-consuming", leaving no time for outside activities. Colbert himself eventually became withdrawn from morning meetings as the show continued on and he mulled a decision to leave. Usually by 11 a.m., a rough outline for the show was completed and writers sent off in pairs to create scripts that would be polished throughout the day. First, writers would scan news articles for ideas and partner together in pairs, with one "keeping track of possible jokes." During an appearance at the New York Comedy Festival in 2013, some writers admitted to procrastinating until the last hour before rehearsal to complete their sections; Colbert confirmed that, in the program's early days, segments such as "The Word" were scripted entirely during the rewrite before rehearsal. Both writers read their dialogue aloud to see whether they thought the Colbert character would say it. As writers were working on their respective scripts, the show's production and graphics team compiled music, footage, and props needed for the show. To collect video clips, the show cross-referenced transcripts of hours and hours of archived TiVo recordings of news programs. In 2011, the show switched to Snapstream software, which streamlined the TV clip search and compilation process, allowing for searching closed captioning for select words. In addition, a group of staff coders and independent contractors developed Scripto software to collaborate on scripts in real time. By 1 p.m., the show held a second production meeting to go over scripts and determine which pieces to edit. Scripts were "hopefully" completed around 4 p.m., and a rehearsal with the entire staff would begin at 5:30 p.m. or occasionally earlier. Afterward, final changes were made to the script. The final rewrite would take place in a "small, red, poorly ventilated room" until 6:45 p.m. Before interviewing his guests, Colbert met with them in the green room and acknowledged that he was playing a character, noting that the persona is "willfully ignorant of what you know and care about" and urging the guest to "honestly disabuse me of what you see as my ignorance." Emily Lazar, a producer for the interview segments, advised guests to talk with Colbert as though he were a "harmless drunk at the next bar stool." Guests would typically take their seats around 7 p.m., when a warm-up comedian (perhaps Jared Logan or Paul Mercurio) delivered jokes. Colbert, out of character, held a brief question and answer session with the audience prior to taping. Taping lasted as long as three hours but usually ended around 9 p.m., at which point the show was edited and sent to Comedy Central for broadcast. As the show was being edited, the staff met one last time to work through details for the next show. Set The Colbert Report was taped and broadcast four nights a week, Monday–Thursday. The show's taping studio, at 513 W. 54th Street in New York City's Hell's Kitchen neighborhood, was used for The Daily Show until July 2005, and has a capacity of 150. NEP Studio 54 on 54th Street is owned by NEP Broadcasting which is New York City's largest production facility and also owns The Daily Show set at NEP Studio 52 two blocks south on 52nd Street. Aside from the set, the show's production offices have been described as "loft-like" and "all overhead pipes and exposed brick." Following the show's conclusion, the building was used for The Nightly Show with Larry Wilmore. The set for The Colbert Report was called "The Eagle's Nest" and reflects and facilitates Colbert's self-aggrandizing style. It was designed by Jim Fenhagen, and was intended to both capture the character's ego and be "hyper-American." Elements incorporated into the set included architectural lines converged to Colbert's desk, and radial beams coming out from behind his chair. Colbert's main influence for the set was Leonardo da Vinci's The Last Supper, with the Colbert character as Jesus Christ. In the set, "virtually every inch emblazoned with Colbert's name or the initial C"; his name, initials and the name of the show appear on the desk's plasma screen, on the rafters above the desk, and the desk itself is shaped like a giant "C". The background includes faux artifacts from the character's backstory, which are seldom seen by viewers. "I kept saying, 'People might not really notice this.' But when you're working with a comedy team, they really get into it. They couldn't help themselves," said Fenhagen. Among these touches are the United States Constitution, a miniature Ten Commandments, and a CliffsNotes guide to American government. The set was described as "part Riefenstahlesque homage to the star, part symbologic gallery — where alert viewers are rewarded with snarky jokes at every turn." Above a fireplace is a portrait of Colbert; it originally showed Colbert standing in front of the same mantel with another portrait of himself. On the show's first anniversary, the portrait was replaced by one of Colbert standing in front of the mantel with the first portrait above it, and with each successive year, it became Colbert standing in front of the previous year's painting. The graphics used throughout the show and the studio itself are saturated with American flags, bald eagles, Captain America's shield, and other patriotic imagery. Format Typically, Colbert starts with the audience cheering and teasers regarding the show's topics and guest; each headline is structured to be a deliberate pun. The series of puns are followed by a verbal metaphor that promotes the show and is almost always finished with, "This is the Colbert Report." The show's original opening title sequence began with an eagle diving past the host, following by images of Americana, stock footage of Colbert, and words describing Colbert flying by (some of which have been used as The Word). The first word used was "Grippy", and has changed to include, among others, "Megamerican", "Lincolnish", "Superstantial", "Flagaphile", and "Factose Intolerant". The May 4 episode in 2009 featured hints planted by J. J. Abrams about when and where Colbert would be in the Persian Gulf, and "Farewellison" for the final episode of former producer Allison Silverman. The show's opening credits depict the Colbert character clutching an American flag. On January 4, 2010, a new opening debuted. The opening begins and ends with an eagle as before, but features new background renderings, new shots of Stephen Colbert, and is now colored in an American, red white and blue motif. The show's theme music is "Baby Mumbles" by Cheap Trick. Colbert phoned guitarist Rick Nielsen during development of the show to discuss the theme, noting that he loved the band's song "I Want You to Want Me"; the show's theme music is largely that song's melody backwards. Following the opening sequence, Colbert most often proceeds with a run-through of recent headlines in a manner parodying traditional news broadcasts; this is similar to The Daily Show but with a faux-right-wing spin. The program typically continues with Colbert addressing a specific topic. Colbert often calls to "Jimmy", a reference to program director Jim Hoskinson, to roll video clips. That topic will often lead into a "The Word" segment, which juxtaposes Colbert's commentary with satirical bullet points on-screen, a parody of The O'Reilly Factors "Talking Points Memo". On occasion he will conduct a short interview with someone having to do with the topic. The format of the middle segment varies, but it is normally a visual presentation or skit. Often, these skits are parts of recurring segments, which may include "Better Know a District", in which Colbert interviews a U.S. Representative from a certain district of the United States; "Tip of the Hat/Wag of the Finger", in which Colbert voices his approval or disapproval of prominent people and news items; "Cheating Death with Dr. Stephen T. Colbert, D.F.A.", a health segment; "The Sport Report" with the "t" in both Sport and Report silent, a sports segment; and "The ThreatDown", in which Colbert lists the five greatest threats to America, and others. His newest segment, "Thought for Food" deals with the consumption of specific foods across the world. Sometimes, there is a "Colbert Report Special Repor-t" (the final 't' pronounced with special emphasis), or even a "Colbert Report, Sport Report, Special Repor-t", in which Colbert devotes a section of an episode, and sometimes the entire episode to a special subject. The third segment is almost always an interview with a celebrity guest, often an author or government official. Unlike the late night talk show standard of the guest walking out to the host's desk, Colbert instead runs to a separate area of the set to interview his guest, basking in the applause and glory meant for the guest. On the interview segment of the show, Colbert frequently attempts to nail his guest by using various rhetorical devices and fallacies to prove them wrong. The real-life Colbert once remarked that his personal favorite segment of the program were the interviews, which involved more listening on his end in order for the character to "ignorantly deconstruct" his opponent's argument. The third segment of the show is on occasion a musical guest. Prominent musical guests have included Metallica, Paul McCartney, Rush, Green Day, Paul Simon, Crosby Stills & Nash, Pavement, Cat Stevens, Yo-Yo Ma, Radiohead and Black Star. Afterwards, Colbert ends the show by giving some parting words to the audience or, if short for time, a simple "that's it for the report everybody, good night". Character The host of The Colbert Report is Stephen Colbert, a "self-important right-wing commentator", portrayed by his real-life namesake. The character incorporates aspects of Colbert's real life, but is primarily a parody of cable news pundits, particularly Bill O'Reilly of Fox News' The O'Reilly Factor, whom he refers to as "Papa Bear". To this end, the character even incorporates O'Reilly's mannerisms, described as his "pen-wielding, hand-stabbing gestures." O'Reilly's use of "talking points" — illustrated onscreen graphics reflecting the host's opinions — are parodied on The Colbert Report with the segment "The Word". He initially incorporated long-winded, verbose metaphors to parody CNN correspondent Aaron Brown. In addition, the character was also heavily inspired by Stone Phillips, Bill Kurtis and "especially" Geraldo Rivera. "I loved the way Geraldo made reporting a story seem like an act of courage," Colbert told a reporter in 2012. The core principle of The Colbert Report is that Colbert is a "well-intentioned, poorly informed, high-status idiot." The character believes that he himself is the news: rather than a vessel to deliver the news to the audience, or a general member of the media, the character sees himself as more important than the news. He is veracious in his approach, while often ridiculously overblown in his statements. The character is egomaniacal, fact-averse ("factose intolerant"), God-fearing, and hyper-patriotic. He claims to be an independent who is often mistaken for a Republican, but uniformly despises liberals and generally agrees with the actions and decisions of the Republican Party. Colbert's character has been described as a "caustic right-wing bully". The character exists not in opposition to political leaders, but to common ignorances; for example, his insistence that then-presidential candidate Barack Obama had Socialist leanings was based on public misconceptions. In parodying the cult of personality, the Colbert character also developed a real-life equivalent, creating what was dubbed the "Colbert Nation". While giving the character a certain mythos was part of the show's inception, show producers did not set out to create a loyal following; the joke was that the character thought he had an influence, but that was a figment of his ego-riddled imagination. Despite his appearance of always being in charge, Colbert is vulnerable: he feels deeply threatened by those wielding more power than he, and he suffers from "arctophobia", the fear of bears, which he refers to as "giant, marauding, godless killing machines". He will alert the audience to what he perceives as the latest national threat (the subject of a recurring bit, "ThreatDown"), only to justify his own fears and impose those onto his audience. As the show progressed, Colbert gradually began to tone down the character, allowing guests in interviews to "get his or her own message across." The show's longevity created what The New York Times described as "a winking quality to the act, a sense that we’re all in on the joke." Colbert himself acknowledged that he "rarely hit it as hard as I used to," noting that "You have to be vigilant to stay ignorant." He noted that his own personal opinions can occasionally align with his character's, when liberal guests' agendas appeared based on dislike rather than logical argument. Politician and former vice president Al Gore accidentally referred to the persona as a "character" in a 2011 interview on the show, and in 2013, Colbert further blurred lines when he spoke regarding the death of his mother on the program. In doing so, many commentators referred the show's longevity and the development of a "third" Colbert — one a faux pundit and one informed by the performer's own life. In the show's credits, Colbert was credited with a title, which deliberately became increasingly cumbersome as the show progressed: Her Excellency The Rev. Sir Doctor Stephen Tyrone Mos Def Colbert, D.F.A., Heavyweight Champion of the World✱✱ featuring Flo Rida La Premiere Dame De France. When O'Reilly appeared on The Daily Show before the second episode of The Colbert Report aired, he commented, "Before we get started, somebody told me walking in here, you got some French guy on after you making fun of me?", and made several references in the following interview to 'the French Guy'. In a subsequent Newsweek interview, O'Reilly said that he "feels it's a compliment" to have Colbert parody him because Colbert "isn't mean-spirited" and does not "use [his] platform to injure people". Later, Colbert replied on-air, "I like you too. In fact, if it wasn't for you, this show wouldn't exist." Themes Colbert disagreed that the show's emphasis on politics represented a liberal bias, noting that he himself was uninterested in modern politics. He believed that political issues reflect basic human behavior, which he viewed as his satirical specialty, noting, "If I thought I had a political point, I'd be in big trouble." In another interview, Colbert remarked, "I'm not someone with a particular political ax to grind. I'm a comedian. I love hypocrisy." Episodes Notable episodes Early years The Colbert Report premiered in October 2005. The first guest was Stone Phillips, a partial influence on the character. In the debut episode, Colbert coined the word truthiness, defined as "a quality characterizing a 'truth' that a person making an argument or assertion claims to know intuitively 'from the gut' or because it 'feels right' without regard to evidence, logic, intellectual examination, or facts." Truthiness was named Word of the Year for 2005 by the American Dialect Society and for 2006 by Merriam-Webster. The character's forceful nature confused some in the program's early days. During an appearance on the segment "Better Know a District" in the show's first season, a frustrated Barney Frank declined to continue, deeming the conversation too dumb. In one early episode, the Colbert character purported to be a former member of a 1980s new wave group, Stephen & the Colberts, and released a fictional music video from the band for the song "Charlene (I'm Right Behind You)". The show's popularity resulted in Colbert headlining the 2006 White House Correspondents' Dinner, which he performed in character. The controversial, searing routine targeted President George W. Bush and the media, and was greeted with chilly reception from the audience. Although President Bush shook Colbert's hand after his presentation, several of Bush's aides and supporters walked out during Colbert's speech, and one former aide commented that the President had "that look that he's ready to blow". Colbert's performance quickly became an Internet and media sensation. According to Vanity Fair, the speech transformed Colbert as a "folk hero" for liberals, and was later described by Frank Rich as the "defining moment" of the 2006 midterm elections. Adam Sternbergh of New York, a year after the show's debut, deemed the character "something very close to what he's parodying, a kind of Bill O'Reilly for the angry left." In 2006, Colbert encouraged fans to vote for his name to be the new name of a bridge in Hungary, which was being decided via an online poll; he beat the runner-up by more than 14 million votes. He was, however, disqualified, as the name of the bridge was intended to be a memoriam. Later that year, he began a mock feud with indie rock group the Decemberists over the subject of who was the first to challenge fans to create a green screen video; the fake conflict culminated in a guitar solo competition on the show's final episode of the year, featuring guest appearances from guitarist Peter Frampton and Dr. Henry Kissinger. Colbert later recalled it as the show's "craziest" moment, changing the way the staff viewed the program: "Because you realize the character believes anything he thinks, says, [or] cares about is important, anything fits on the show. [...] That is the show where we said, oh, there is unlimited open field running." In February 2007, Ben & Jerry's unveiled a new ice cream flavor in honor of Stephen Colbert, named Stephen Colbert's AmeriCone Dream. All proceeds were donated to charity through the Stephen Colbert AmeriCone Dream Fund, which distributed the money to various causes. In June 2007, Colbert broke his left wrist while performing his warm-up for the show. It was the subject of an extended bit on the program, including the creation of the "Wriststrong" wrist band, based on Lance Armstrong's "Livestrong" wrist band, which donated all proceeds to the Yellow Ribbon Fund. Colbert remained on the air without writers during the Writers Guild of America strike in 2007–08. Colbert modified the pronunciation of the show's name, pronouncing both of the formerly elided final "t"s (); a similar move was made by The Daily Show which returned to air as A Daily Show. During this period, he staged a mock feud between himself, Jon Stewart, and Late Night host Conan O'Brien over who made Republican Presidential candidate Mike Huckabee. In 2008, Colbert made a series of jokes directed at various towns in the United States named "Canton", with many attracting negative responses from each respective area's local government and residents. The same year, the show filmed a tongue-in-cheek Christmas special titled A Colbert Christmas: The Greatest Gift of All!. In 2009, Colbert filmed a series of four episodes for the troops in Baghdad, Iraq. He had a suit tailored for him in the Army Combat Uniform pattern and went through an abbreviated version of the Army's basic training regimen. On the first of the four episodes, Colbert had his head shaved on stage by General Ray Odierno who was jokingly "ordered" to do so by President Barack Obama, who appeared on the episode via a pre-recorded segment from the White House. Later years In 2010, while in character, Colbert appeared before judiciary subcommittee hearing on the issue of farm workers and immigration. The New Yorker used Colbert's testimony before Congress as an example of the "third" Colbert: "Colbert was thoughtful and sincere—and had ruined the whole thing. By speaking honestly, he had become the very thing he was mocking, a celebrity testifying before Congress." Beginning in June 2011, the show created a long-running gag that involved Colbert starting his own actual super PAC, Americans for a Better Tomorrow, Tomorrow, described by the character as "100 percent legal and at least 10 percent ethical." In 2012, Colbert interviewed illustrator/author Maurice Sendak, who managed to get him to break character; show staff and Colbert himself retrospectively labeled the segment one of the show's more memorable moments. The Los Angeles Times called the September 2013 interview with intelligence official Philip Mudd his "most awkward interview", stating Mudd "could barely disguise his contempt" for Colbert. President Barack Obama guested during the show's final month, in a show taped from George Washington University in Washington, D.C.; Obama sat in Colbert's seat and presided over "The Wørd" segment. The final episode aired on December 18, 2014. In the episode Stephen becomes immortal after accidentally killing "Grimmy" during the opening of the segment of "Cheating Death with Dr. Stephen T. Colbert, D.F.A.". This leads to Stephen singing "We'll Meet Again" in its entirety along with a large group of famous friends including Jon Stewart, Jeff Daniels, Sam Waterston, Big Bird, Charlie Rose, Terry Gross, Keith Olbermann, Tom Brokaw, Alan Alda, Yo Yo Ma, Ken Burns, Cyndi Lauper, Patrick Stewart, Randy Newman, Doris Kearns Goodwin, Henry Kissinger, Alex Trebek, Mandy Patinkin, Lesley Stahl, George Lucas, Kareem Abdul-Jabbar, Gloria Steinem, Elijah Wood, Jake Tapper, Bob Costas, Smaug and Cookie Monster. Reception Critical response Initial reviews Reviews of The Colbert Report upon its 2005 premiere were positive, although critics were generally skeptical that the character could extend beyond one season without growing tiresome. While positively reviewing the program as a whole, Maureen Ryan of the Chicago Tribune echoed these sentiments: "The biggest question hanging over The Colbert Report is whether the show’s sendup of the pomposity and fear-mongering of cable news blowhards will be as appealing in the long term." Melanie McFarland of the Seattle Post-Intelligencer summarized the show's early reaction: "Critics and bloggers either loved the premiere or declared themselves to be unmoved, but that's the standard reaction after any late-night program's debut. A truer measure will be seen in coming weeks, after the hype wears off and the ratings lose their exuberance." Gilbert Cruz of Entertainment Weekly noted that "Colbert proves that the line between serious TV journalism and utter nonsense is a very thin one indeed." Heather Havrilesky of Salon was effusive, remarking, "Not only does Colbert maintain his persona without skipping a beat throughout the entire show, but he’s got great comic timing, the show’s writers are brilliant, and the whole thing is pure foolish, bizarre, idiotic fun." Barry Garron of The Hollywood Reporter dubbed it an "auspicious debut", writing, "The new show dovetails nicely with its lead-in to present a solid hour of skewered news and punctured pomposity." Variety Brian Lowry commented that the show had an "impressive start with a topnotch premiere followed by a respectable second outing." Paul Brownfield of the Los Angeles Times wrote, "In the run-up to the show it all sounded a bit hard to get your head around, but in the flesh the show zinged, at least this first week." The Boston Globe Matthew Gilbert praised the show's wordplay, summarizing, "Colbert's a clever creation, and a necessary one, and he deserves an opportunity to offend as many people as possible with his pompous blather." Alessandra Stanley of The New York Times commented that the show was a welcome addition to the Comedy Central lineup, remarking, "What puts Mr. Colbert over the top is that he is not just impersonating well known television personalities, he also uses parody to score larger points about politics and the press." Nevertheless, there were more negative reviews: USA Today Robert Bianco opined that the show "tried too hard", writing, "Unfortunately, in just two weeks on the air, this half-hour spoof of a no-spin-zone type show has already stretched Colbert's character and the artifice that supports it past its natural breaking point." Later reviews The New Yorker remarked that the show remained funny throughout its entire run. The Colbert Report currently scores favorable reviews, with 65/100 on Metacritic (first season), while its viewers' ranking on the site is higher at 8.7/10. In a 2009 academic analysis of the show's popularity, Temple University researcher, Heather LaMarre found that the show appealed to both liberals and conservatives, concluding, "there was no significant difference between the groups in thinking Colbert was funny, but conservatives were more likely to report that Colbert only pretends to be joking and genuinely meant what he said while liberals were more likely to report that Colbert used satire and was not serious when offering political statements". Malcolm Gladwell discussed LaMarre's findings in his Revisionist History podcast, "The Satire Paradox" (2016). Ratings The ratings of The Colbert Report, from its premiere, benefited from the lead-in The Daily Show provides, which at the time of the show's debut averaged 1.3 million viewers per night. Comedy Central had previously struggled to produce a hit program on par with The Daily Show, and were counting on Colbert after a string of failures. The Colbert Report drew 1.13 million viewers for its premiere episode, 47 percent greater than the average for that time slot over the previous four weeks, and 98 percent of the viewership of The Daily Show, which had Comedy Central's second-largest viewership. Averaged over its opening week, The Report had 1.2 million viewers per episode, more than double the average for the same time the previous year, when the time slot was occupied by Too Late with Adam Carolla. The show regularly began attracting over one million viewers with near immediacy. The show also drew more young men, a powerful demographic, than other late-night hosts (at that time, Jay Leno, David Letterman, and Conan O'Brien). Within a year, The Colbert Report began averaging 1.5 million viewers per night. In early 2008, in the midst of the writer's strike, Colbert posted an eleven-percent gain over its averages from the following fall. From 2012 to 2013, viewership decreased from 1.2 million to 1.1 million. In 2013, The Colbert Report was the second most-watched late-night talk show (behind The Daily Show) among the demographic of adults 18–49, beating competition The Tonight Show with Jay Leno in that demographic for the first time. That year, The Colbert Report attracted $52.1 million in advertising for an audience whose median age was 39.4, about a year younger than The Daily Show. In 2014, the final year of the show's run, ratings were down three percent (coinciding with a general ratings slide for cable television). The series finale on December 18, 2014 was watched by 2.4 million viewers, making it the most watched episode ever in the show's history. The finale was the most watched cable program of the night in its time slot, beating The Daily Show which was seen by two million viewers. Awards The Colbert Report received numerous awards and accolades throughout its run. The show was nominated for four Emmy Awards in its inaugural year, but lost to The Daily Show. The show was nominated each year for the rest of its run for Outstanding Variety, Music, or Comedy Series, but lost each time to The Daily Show until 2013, when it broke the latter program's winning streak, dubbed the longest in Emmy history. Colbert subsequently referenced his win on his program as the conclusion of Stewart's "reign of terror." It also won the award the following year, and was nominated in the same category in 2015. The show received two Peabody Awards, recognizing its excellence in news and entertainment. It also won two Grammy Awards, one for Best Comedy Album for the soundtrack to the special A Colbert Christmas, and later for Best Spoken Word Album for the audiobook to America Again. Colbert and Stewart's Rally to Restore Sanity and/or Fear was nominated for four Daytime Emmy awards in 2011, including the Outstanding Special Class Special category and the Outstanding Special Class Writing category. Racism controversy In March 2014, the show attracted controversy when Colbert used a "fatuously fake parody stereotype character, 'Ching-Chong Ding-Dong,'" to "satirize knee-jerk mockery" of Asian dialect. The name had been used before without incident, but the show's official Twitter account — run by an unknown individual — tweeted the remarks without context, leading to wide outrage over social media, including a hashtag campaign, "#CancelColbert", that was a worldwide trending topic for over 24 hours, thanks in-part by Colbert himself helping make it go viral for his show. Legacy The New Yorker wrote that "Colbert has made vital observations about the American political system, particularly about the sordid role that money plays within it. The Colbert Report and the Daily Show [...] have changed the way that young liberals of a certain class think and talk about civic culture." The show also coined another word, wikiality, that means "reality as decided on majority rule." Viewers of the show also coined a word, freem, based on its inclusion in the show's opening sequence; the word refers to "'freedom' without having to 'do' anything — without any responsibility or action." In response to the "Better Know a District" segment, Rahm Emanuel, then the Democratic Caucus chair, instructed incoming freshmen not to do appearances on the show in 2007. In 2008, East Carolina University associate professor Jason Bond named a species of trapdoor spider Aptostichus stephencolberti in honor of Stephen Colbert. The "Colbert Bump" is defined, connotatively by the Report, as an increase in popularity of a person (author, musician, politician, etc.) or thing (website, etc.) as a result of appearing as a guest on or (in the case of a thing) being mentioned on the show. For example, if a politician appears on The Colbert Report, they may become more popular with certain voters and thus are more likely to be elected. According to the American Political Science Association, contributions to Democratic politicians rose 40% for 30 days after an appearance on the show. Magazines such as GQ, Newsweek, and Sports Illustrated have all had sales spikes when Colbert appeared on their covers. Viewers of The Colbert Report were on numerous occasions cited as being more knowledgeable about current events than traditional news viewers. In April 2007, a Pew Research Center report cited both Colbert and The Daily Show viewers as more well-informed than those who gathered their information via newspapers, television news and radio. Colbert's Super PAC coverage was widely lauded, and studies later found that this coverage was more effective than traditional news programs at educating the audience on campaign finance. He was awarded a Peabody Award for the parody, which was described as an "innovative means of teaching American viewers about the landmark court decision". The Annenberg Public Policy Center reported in 2014 that the Colbert Super PAC segments increased viewers' knowledge of PAC and 501(c)(4) campaign finance regulation more successfully than other types of news media. International distribution Outside the United States, The Colbert Report was shown in Canada on the cable service The Comedy Network, simultaneously with its original U.S. broadcast (beginning a few weeks after the series debuted). Episodes would also air in Canada on traditional over-the-air broadcaster CTV, one hour after their appearance on The Comedy Network. On September 22, 2014, due to The Comedy Network's acquisition of Canadian rights to Jimmy Kimmel Live!, the program began airing on M3 and did so for the remainder of the show's run. It airs on The Comedy Channel in Australia, Comedy Central in New Zealand, and on Maxxx in the Philippines. , The Colbert Report has also been broadcast in Africa on DSTV's version of Comedy Central. It aired on FX in the United Kingdom until they decided not to renew their contract in May 2009. In Portugal, it airs on Sic Radical. Beginning June 3, 2008, The Colbert Report also aired on the ShowComedy channel of Showtime Arabia (Currently OSN First HD), a channel which broadcasts in the Middle East and North Africa. The show is transmitted on a one-day delay from original transmission in the US. The show was shown during prime time on Australia's free-to-air ABC2 in 2010, however the channel was outbid for rights for 2011. The show was available directly on the colbernation.com website for part of 2011, with Australian advertisements; however, Australian access is now blocked. Several international markets also air The Colbert Report Global Edition, which shows highlights from the previous week's shows and includes a special introduction by Stephen Colbert at the start of the program. This means a new or newly repackaged episode can be screened every weekday. In addition, most recent episodes (usually 3 weeks back) would be available in full length on colbertnation.com. Some international audiences could not see such way. By the end of the series's run, the colbernation.com website was integrated into Comedy Central's website. As of 2021, almost seven years after the show ended, many episodes are presented in individual clips there. Related multimedia The show spawned various merchandise and multimedia related to the show. Three books were released to accompany the show's humor, the first being I Am America (And So Can You!), released both in print and as an audiobook in 2007. In 2012, two spinoff books of the show were released. America Again is a sequel to the show's first book, and addresses topics including Wall Street, campaign finance, energy policy, healthcare, eating on the campaign trail, and the United States Constitution. Another book, I Am a Pole (And So Can You!), was released the same year and purports to be a children's book telling the story of a fictional pole finding its purpose in life. Segments from the show were also released on DVD during its run. The Best of The Colbert Report, released in 2007, contains several of the show's most memorable early moments. The show's Christmas special, A Colbert Christmas: The Greatest Gift of All!, was also released on DVD the following year. The soundtrack of that special also saw a digital release on the iTunes Store after its broadcast, and contains music from Feist, John Legend, Willie Nelson, Toby Keith, Jon Stewart, Elvis Costello, and Colbert himself. In 2011, Jack White's record label Third Man Records released a 7" vinyl single of Stephen Colbert and The Black Belles performing "Charlene II (I'm Over You)", which they also performed together on the show. See also List of late-night American network TV programs CNNNN The Daily Show Newstopia Rick Mercer Report This Hour Has 22 Minutes The Beaverton Hot Seat Real Time with Bill Maher Inside Washington Washington Week References External links The Colbert Report Web site 2005 American television series debuts 2014 American television series endings 2000s American late-night television series 2000s American political comedy television series 2000s American satirical television series 2000s American television news shows 2010s American late-night television series 2010s American political comedy television series 2010s American satirical television series 2010s American television news shows Comedy Central original programming Criticism of journalism English-language television shows American news parodies Peabody Award-winning television programs Primetime Emmy Award for Outstanding Variety Series winners Primetime Emmy Award-winning television series Television series by Busboy Productions Television shows filmed in New York City American television spin-offs The Daily Show Comedy Central late-night programming Political satirical television series

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any intresting thing about the article

Any interesting thing about The Colbert Report other than who The Colbert Report performed with, when The Colbert Report was formed, if The Colbert Report was popular, and what program The Colbert Report was in

The Colbert Report

The Colbert Report satirized conservative personality-driven political pundit programs, and focused on a fictional anchorman character named Stephen Colbert, played by his real-life namesake. The character first made appearances on the short-lived sketch comedy series The Dana Carvey Show in 1996, described as "a self-important, trench-coated reporter who does on-location stories in a way that suggests his own presence is the real scoop." Colbert joined Comedy Central's The Daily Show in 1997, a year following its launch, then hosted by Craig Kilborn. When Jon Stewart became the program's host in 1999, The Daily Show developed a markedly different style, bringing a sharper political focus to the humor than the show previously exhibited. Colbert recalled that Stewart specifically asked him to have a political viewpoint, and to allow his passion for issues to carry through into his comedy. Colbert became a fixture on The Daily Show, occasionally hosting in Stewart's absence. In 2003, the program began running advertisements for a fictional program titled The Colbert Report, starring Colbert as a parody of cable news pundits. When fellow Daily Show star Steve Carell left to pursue a film and television career, Comedy Central made attempts to keep Colbert at the network. He pitched The Colbert Report to the channel in 2004. Stewart pushed Comedy Central to pick up the show, and Colbert was given an eight-week tryout. Following the show's immediate success, the show "quickly became a fixture in the late-night lineup." At its peak, the show averaged 1.5 million viewers each evening. The fictional Colbert anchorman character became gradually toned down over the course of the show's run, as the host believed he would eventually need to move beyond it. He began to regard it as an act of discipline to perform as the character; he later remarked, "to model behavior, you have to consume that behavior on a regular basis. It became very hard to watch punditry of any kind, of whatever political stripe." With his contract set to end in December 2014, he had already decided to leave the show when he was contacted by CBS to replace David Letterman as the host of its Late Show franchise. The show's ending was announced concurrently with Colbert's jump to CBS in April 2014. The last episode aired on December 18, 2014. The show was replaced on Comedy Central's late-night lineup by The Nightly Show with Larry Wilmore, another spinoff of The Daily Show. CANNOTANSWER

The last episode aired on December 18, 2014. The show was replaced on Comedy Central's late-night lineup by The Nightly Show with Larry Wilmore, another spinoff of The Daily Show.

The Colbert Report ( ) is an American late-night talk and news satire television program hosted by Stephen Colbert that aired four days a week on Comedy Central from October 17, 2005, to December 18, 2014, for 1,447 episodes. The show focused on a fictional anchorman character named Stephen Colbert, played by his real-life namesake. The character, described by Colbert as a "well-intentioned, poorly informed, high-status idiot", is a caricature of televised political pundits. Furthermore, the show satirized conservative personality-driven political talk programs, particularly Fox News's The O'Reilly Factor. The Colbert Report is a spin-off of Comedy Central's The Daily Show, in which Colbert acted as a correspondent for the program for several years while developing the character. The program was created by Colbert, Jon Stewart, and Ben Karlin. The show's writing was grounded in improvisation, and often lampooned current events stories. The show's structure also included a guest interview, in which the Colbert character attempts to deconstruct his opponent's argument. The show was taped in New York City's Hell's Kitchen neighborhood, and the program's set is "hyper-American", epitomizing the character's ego. The show was taped and broadcast Monday through Thursday, with weeks taken off at multiple points in a given year for breaks. The Colbert Report saw immediate critical and ratings successes, leading to various awards, including two Peabody Awards. The show's cultural influence—which occasionally would require a fair degree of participation from the show's audience, dubbed the Colbert Nation—extended beyond the program a number of times. This impact included the character running for U.S. President twice, co-hosting a rally at the National Mall, presenting a controversial performance at the White House Correspondents' Dinner, and establishing a real Super PAC that raised a million dollars. In addition, the show inspired various forms of multimedia, including music and multiple best-selling books. Background The Colbert Report satirized conservative personality-driven political pundit programs, and focused on a fictional anchorman character named Stephen Colbert, played by his real-life namesake. The character first made appearances on the short-lived sketch comedy series The Dana Carvey Show in 1996, described as "a self-important, trench-coated reporter who does on-location stories in a way that suggests his own presence is the real scoop." Colbert joined Comedy Central's The Daily Show in 1997, a year following its launch, then hosted by Craig Kilborn. When Jon Stewart became the program's host in 1999, The Daily Show developed a markedly different style, bringing a sharper political focus to the humor than the show previously exhibited. Colbert recalled that Stewart specifically asked him to have a political viewpoint, and to allow his passion for issues to carry through into his comedy. Colbert became a fixture on The Daily Show, occasionally hosting in Stewart's absence. In 2003, the program began running advertisements for a fictional program titled The Colbert Réport, starring Colbert as a parody of cable news pundits. When fellow Daily Show star Steve Carell left to pursue a film and television career, Comedy Central made attempts to keep Colbert at the network. He pitched The Colbert Report to the channel in 2004. Stewart pushed Comedy Central to pick up the show, and Colbert was given an eight-week tryout. Following the show's immediate success, the show "quickly became a fixture in the late-night lineup." At its peak, the show averaged 1.5 million viewers each evening. The fictional Colbert anchorman character became gradually toned down over the course of the show's run, as the host believed he would eventually need to move beyond it. He began to regard it as an act of discipline to perform as the character; he later remarked, "to model behavior, you have to consume that behavior on a regular basis. It became very hard to watch punditry of any kind, of whatever political stripe." With his contract set to end in December 2014, he had already decided to leave the show when he was contacted by CBS to replace David Letterman as the host of its Late Show franchise. The show's ending was announced concurrently with Colbert's jump to CBS in April 2014. The last episode aired on December 18, 2014. The show was replaced on Comedy Central's late-night lineup by The Nightly Show with Larry Wilmore, another spinoff of The Daily Show. History Development The character first made appearances on the short-lived sketch comedy series The Dana Carvey Show in 1996, described as "a self-important, trench-coated reporter who does on-location stories in a way that suggests his own presence is the real scoop." When The Daily Show ran short on time, a short piece starring Colbert, advertising a fictional program titled The Colbert Réport, was added into the program. In these sketches, Colbert began to amplify his character to parody news pundits. Colbert anchored many sketches in his persona, including "Even Stepvhen", in which he debated current issues with fellow correspondent Steve Carell, often devolving into petty name-calling and insults. Colbert and Carell were viewed as potential breakout stars by staff, and when Carell left the series in 2004 to start a US version of The Office, Comedy Central made attempts to keep Colbert at the network. Stewart and Karlin were already looking to expand the Daily Show franchise and their production company, Busboy. The duo supposedly came up with the idea for The Colbert Report after watching coverage of the sexual harassment lawsuit filed against Bill O'Reilly. Colbert met with network president Doug Herzog the day following the 2004 Emmy Awards to first discuss the concept. The one-line pitch Colbert, Karlin and Stewart developed was "Our version of the O'Reilly Factor with Stephen Colbert." Herzog committed to an eight-week tryout period without a pilot. By the time of the 2004 election, the character was fully developed. In creating the character, which is designed to be repellant but entertaining, Colbert conferred with Stewart and Karlin. In expressing his hope that his character not be "an asshole," Stewart remarked, "You're not an asshole. You're an idiot. There's a difference." Head writer Allison Silverman reiterated this trait in a later interview, commenting, "There is an essential innocence to his character." Colbert initially felt the character might not be sustainable in a longer format. Despite this, The Colbert Report was designed as an extension of the satiric goals of The Daily Show, combining it with general silliness and character-driven humor. To make sure there was no overlap in subject matter with The Daily Show, Karlin made trips between the studios during the show's early days to supervise scripts. For the first several years of the program, Colbert made an appearance at the end of each Daily Show in split-screen, having a short discussion with Stewart preceding his show. Production The show's writing was grounded in improv, employing a "yes to everything" mentality. Much of the humor derived from extended improv games with the show's studio and at-home audience, such as Colbert's poll to name a bridge in Hungary after himself. Many of the writers had improv training and at one point put together "improv evenings" at the Upright Citizens Brigade Theatre once a month. Writers on The Colbert Report were predominantly male and white; Colbert acknowledged this lack of diversity, but he contended he had hired writers based solely on the quality of their material and had never looked at the names on writing packets submitted for employment. Subjects considered too dark were not even considered for comedic material; for example, the show would poke fun at press coverage of a tragedy, rather than the tragedy itself. Issues discussed on the show were later reported on actual newscasts, in turn allowing the show to comment on its own impact, creating an echo chamber of sorts. This led Colbert to describe his show, "at its purest expression, [as] a pebble that we throw into the puddle of the news, and then we report on our own ripples." Ideas for each show were considered in the morning pitch meeting, which could range from "harrowing" to smooth. Described as having "demanding standards", Colbert is quoted as remarking, "Let's make it perfect and then cut it." Although dozens of ideas were either chosen for the show or deleted, other ideas, saved for a later date, were often forgotten because of the pace of news. Ideas with considerable potential were put in the "hopper" to be developed and rewritten, while more fully formed ideas were placed in the "pantry." Good jokes would still be sacrificed if they did not fit the character's specific point of view, which was deemed the inverse of what "any logical person" feels. At least one writer has described the job as "all-consuming", leaving no time for outside activities. Colbert himself eventually became withdrawn from morning meetings as the show continued on and he mulled a decision to leave. Usually by 11 a.m., a rough outline for the show was completed and writers sent off in pairs to create scripts that would be polished throughout the day. First, writers would scan news articles for ideas and partner together in pairs, with one "keeping track of possible jokes." During an appearance at the New York Comedy Festival in 2013, some writers admitted to procrastinating until the last hour before rehearsal to complete their sections; Colbert confirmed that, in the program's early days, segments such as "The Word" were scripted entirely during the rewrite before rehearsal. Both writers read their dialogue aloud to see whether they thought the Colbert character would say it. As writers were working on their respective scripts, the show's production and graphics team compiled music, footage, and props needed for the show. To collect video clips, the show cross-referenced transcripts of hours and hours of archived TiVo recordings of news programs. In 2011, the show switched to Snapstream software, which streamlined the TV clip search and compilation process, allowing for searching closed captioning for select words. In addition, a group of staff coders and independent contractors developed Scripto software to collaborate on scripts in real time. By 1 p.m., the show held a second production meeting to go over scripts and determine which pieces to edit. Scripts were "hopefully" completed around 4 p.m., and a rehearsal with the entire staff would begin at 5:30 p.m. or occasionally earlier. Afterward, final changes were made to the script. The final rewrite would take place in a "small, red, poorly ventilated room" until 6:45 p.m. Before interviewing his guests, Colbert met with them in the green room and acknowledged that he was playing a character, noting that the persona is "willfully ignorant of what you know and care about" and urging the guest to "honestly disabuse me of what you see as my ignorance." Emily Lazar, a producer for the interview segments, advised guests to talk with Colbert as though he were a "harmless drunk at the next bar stool." Guests would typically take their seats around 7 p.m., when a warm-up comedian (perhaps Jared Logan or Paul Mercurio) delivered jokes. Colbert, out of character, held a brief question and answer session with the audience prior to taping. Taping lasted as long as three hours but usually ended around 9 p.m., at which point the show was edited and sent to Comedy Central for broadcast. As the show was being edited, the staff met one last time to work through details for the next show. Set The Colbert Report was taped and broadcast four nights a week, Monday–Thursday. The show's taping studio, at 513 W. 54th Street in New York City's Hell's Kitchen neighborhood, was used for The Daily Show until July 2005, and has a capacity of 150. NEP Studio 54 on 54th Street is owned by NEP Broadcasting which is New York City's largest production facility and also owns The Daily Show set at NEP Studio 52 two blocks south on 52nd Street. Aside from the set, the show's production offices have been described as "loft-like" and "all overhead pipes and exposed brick." Following the show's conclusion, the building was used for The Nightly Show with Larry Wilmore. The set for The Colbert Report was called "The Eagle's Nest" and reflects and facilitates Colbert's self-aggrandizing style. It was designed by Jim Fenhagen, and was intended to both capture the character's ego and be "hyper-American." Elements incorporated into the set included architectural lines converged to Colbert's desk, and radial beams coming out from behind his chair. Colbert's main influence for the set was Leonardo da Vinci's The Last Supper, with the Colbert character as Jesus Christ. In the set, "virtually every inch emblazoned with Colbert's name or the initial C"; his name, initials and the name of the show appear on the desk's plasma screen, on the rafters above the desk, and the desk itself is shaped like a giant "C". The background includes faux artifacts from the character's backstory, which are seldom seen by viewers. "I kept saying, 'People might not really notice this.' But when you're working with a comedy team, they really get into it. They couldn't help themselves," said Fenhagen. Among these touches are the United States Constitution, a miniature Ten Commandments, and a CliffsNotes guide to American government. The set was described as "part Riefenstahlesque homage to the star, part symbologic gallery — where alert viewers are rewarded with snarky jokes at every turn." Above a fireplace is a portrait of Colbert; it originally showed Colbert standing in front of the same mantel with another portrait of himself. On the show's first anniversary, the portrait was replaced by one of Colbert standing in front of the mantel with the first portrait above it, and with each successive year, it became Colbert standing in front of the previous year's painting. The graphics used throughout the show and the studio itself are saturated with American flags, bald eagles, Captain America's shield, and other patriotic imagery. Format Typically, Colbert starts with the audience cheering and teasers regarding the show's topics and guest; each headline is structured to be a deliberate pun. The series of puns are followed by a verbal metaphor that promotes the show and is almost always finished with, "This is the Colbert Report." The show's original opening title sequence began with an eagle diving past the host, following by images of Americana, stock footage of Colbert, and words describing Colbert flying by (some of which have been used as The Word). The first word used was "Grippy", and has changed to include, among others, "Megamerican", "Lincolnish", "Superstantial", "Flagaphile", and "Factose Intolerant". The May 4 episode in 2009 featured hints planted by J. J. Abrams about when and where Colbert would be in the Persian Gulf, and "Farewellison" for the final episode of former producer Allison Silverman. The show's opening credits depict the Colbert character clutching an American flag. On January 4, 2010, a new opening debuted. The opening begins and ends with an eagle as before, but features new background renderings, new shots of Stephen Colbert, and is now colored in an American, red white and blue motif. The show's theme music is "Baby Mumbles" by Cheap Trick. Colbert phoned guitarist Rick Nielsen during development of the show to discuss the theme, noting that he loved the band's song "I Want You to Want Me"; the show's theme music is largely that song's melody backwards. Following the opening sequence, Colbert most often proceeds with a run-through of recent headlines in a manner parodying traditional news broadcasts; this is similar to The Daily Show but with a faux-right-wing spin. The program typically continues with Colbert addressing a specific topic. Colbert often calls to "Jimmy", a reference to program director Jim Hoskinson, to roll video clips. That topic will often lead into a "The Word" segment, which juxtaposes Colbert's commentary with satirical bullet points on-screen, a parody of The O'Reilly Factors "Talking Points Memo". On occasion he will conduct a short interview with someone having to do with the topic. The format of the middle segment varies, but it is normally a visual presentation or skit. Often, these skits are parts of recurring segments, which may include "Better Know a District", in which Colbert interviews a U.S. Representative from a certain district of the United States; "Tip of the Hat/Wag of the Finger", in which Colbert voices his approval or disapproval of prominent people and news items; "Cheating Death with Dr. Stephen T. Colbert, D.F.A.", a health segment; "The Sport Report" with the "t" in both Sport and Report silent, a sports segment; and "The ThreatDown", in which Colbert lists the five greatest threats to America, and others. His newest segment, "Thought for Food" deals with the consumption of specific foods across the world. Sometimes, there is a "Colbert Report Special Repor-t" (the final 't' pronounced with special emphasis), or even a "Colbert Report, Sport Report, Special Repor-t", in which Colbert devotes a section of an episode, and sometimes the entire episode to a special subject. The third segment is almost always an interview with a celebrity guest, often an author or government official. Unlike the late night talk show standard of the guest walking out to the host's desk, Colbert instead runs to a separate area of the set to interview his guest, basking in the applause and glory meant for the guest. On the interview segment of the show, Colbert frequently attempts to nail his guest by using various rhetorical devices and fallacies to prove them wrong. The real-life Colbert once remarked that his personal favorite segment of the program were the interviews, which involved more listening on his end in order for the character to "ignorantly deconstruct" his opponent's argument. The third segment of the show is on occasion a musical guest. Prominent musical guests have included Metallica, Paul McCartney, Rush, Green Day, Paul Simon, Crosby Stills & Nash, Pavement, Cat Stevens, Yo-Yo Ma, Radiohead and Black Star. Afterwards, Colbert ends the show by giving some parting words to the audience or, if short for time, a simple "that's it for the report everybody, good night". Character The host of The Colbert Report is Stephen Colbert, a "self-important right-wing commentator", portrayed by his real-life namesake. The character incorporates aspects of Colbert's real life, but is primarily a parody of cable news pundits, particularly Bill O'Reilly of Fox News' The O'Reilly Factor, whom he refers to as "Papa Bear". To this end, the character even incorporates O'Reilly's mannerisms, described as his "pen-wielding, hand-stabbing gestures." O'Reilly's use of "talking points" — illustrated onscreen graphics reflecting the host's opinions — are parodied on The Colbert Report with the segment "The Word". He initially incorporated long-winded, verbose metaphors to parody CNN correspondent Aaron Brown. In addition, the character was also heavily inspired by Stone Phillips, Bill Kurtis and "especially" Geraldo Rivera. "I loved the way Geraldo made reporting a story seem like an act of courage," Colbert told a reporter in 2012. The core principle of The Colbert Report is that Colbert is a "well-intentioned, poorly informed, high-status idiot." The character believes that he himself is the news: rather than a vessel to deliver the news to the audience, or a general member of the media, the character sees himself as more important than the news. He is veracious in his approach, while often ridiculously overblown in his statements. The character is egomaniacal, fact-averse ("factose intolerant"), God-fearing, and hyper-patriotic. He claims to be an independent who is often mistaken for a Republican, but uniformly despises liberals and generally agrees with the actions and decisions of the Republican Party. Colbert's character has been described as a "caustic right-wing bully". The character exists not in opposition to political leaders, but to common ignorances; for example, his insistence that then-presidential candidate Barack Obama had Socialist leanings was based on public misconceptions. In parodying the cult of personality, the Colbert character also developed a real-life equivalent, creating what was dubbed the "Colbert Nation". While giving the character a certain mythos was part of the show's inception, show producers did not set out to create a loyal following; the joke was that the character thought he had an influence, but that was a figment of his ego-riddled imagination. Despite his appearance of always being in charge, Colbert is vulnerable: he feels deeply threatened by those wielding more power than he, and he suffers from "arctophobia", the fear of bears, which he refers to as "giant, marauding, godless killing machines". He will alert the audience to what he perceives as the latest national threat (the subject of a recurring bit, "ThreatDown"), only to justify his own fears and impose those onto his audience. As the show progressed, Colbert gradually began to tone down the character, allowing guests in interviews to "get his or her own message across." The show's longevity created what The New York Times described as "a winking quality to the act, a sense that we’re all in on the joke." Colbert himself acknowledged that he "rarely hit it as hard as I used to," noting that "You have to be vigilant to stay ignorant." He noted that his own personal opinions can occasionally align with his character's, when liberal guests' agendas appeared based on dislike rather than logical argument. Politician and former vice president Al Gore accidentally referred to the persona as a "character" in a 2011 interview on the show, and in 2013, Colbert further blurred lines when he spoke regarding the death of his mother on the program. In doing so, many commentators referred the show's longevity and the development of a "third" Colbert — one a faux pundit and one informed by the performer's own life. In the show's credits, Colbert was credited with a title, which deliberately became increasingly cumbersome as the show progressed: Her Excellency The Rev. Sir Doctor Stephen Tyrone Mos Def Colbert, D.F.A., Heavyweight Champion of the World✱✱ featuring Flo Rida La Premiere Dame De France. When O'Reilly appeared on The Daily Show before the second episode of The Colbert Report aired, he commented, "Before we get started, somebody told me walking in here, you got some French guy on after you making fun of me?", and made several references in the following interview to 'the French Guy'. In a subsequent Newsweek interview, O'Reilly said that he "feels it's a compliment" to have Colbert parody him because Colbert "isn't mean-spirited" and does not "use [his] platform to injure people". Later, Colbert replied on-air, "I like you too. In fact, if it wasn't for you, this show wouldn't exist." Themes Colbert disagreed that the show's emphasis on politics represented a liberal bias, noting that he himself was uninterested in modern politics. He believed that political issues reflect basic human behavior, which he viewed as his satirical specialty, noting, "If I thought I had a political point, I'd be in big trouble." In another interview, Colbert remarked, "I'm not someone with a particular political ax to grind. I'm a comedian. I love hypocrisy." Episodes Notable episodes Early years The Colbert Report premiered in October 2005. The first guest was Stone Phillips, a partial influence on the character. In the debut episode, Colbert coined the word truthiness, defined as "a quality characterizing a 'truth' that a person making an argument or assertion claims to know intuitively 'from the gut' or because it 'feels right' without regard to evidence, logic, intellectual examination, or facts." Truthiness was named Word of the Year for 2005 by the American Dialect Society and for 2006 by Merriam-Webster. The character's forceful nature confused some in the program's early days. During an appearance on the segment "Better Know a District" in the show's first season, a frustrated Barney Frank declined to continue, deeming the conversation too dumb. In one early episode, the Colbert character purported to be a former member of a 1980s new wave group, Stephen & the Colberts, and released a fictional music video from the band for the song "Charlene (I'm Right Behind You)". The show's popularity resulted in Colbert headlining the 2006 White House Correspondents' Dinner, which he performed in character. The controversial, searing routine targeted President George W. Bush and the media, and was greeted with chilly reception from the audience. Although President Bush shook Colbert's hand after his presentation, several of Bush's aides and supporters walked out during Colbert's speech, and one former aide commented that the President had "that look that he's ready to blow". Colbert's performance quickly became an Internet and media sensation. According to Vanity Fair, the speech transformed Colbert as a "folk hero" for liberals, and was later described by Frank Rich as the "defining moment" of the 2006 midterm elections. Adam Sternbergh of New York, a year after the show's debut, deemed the character "something very close to what he's parodying, a kind of Bill O'Reilly for the angry left." In 2006, Colbert encouraged fans to vote for his name to be the new name of a bridge in Hungary, which was being decided via an online poll; he beat the runner-up by more than 14 million votes. He was, however, disqualified, as the name of the bridge was intended to be a memoriam. Later that year, he began a mock feud with indie rock group the Decemberists over the subject of who was the first to challenge fans to create a green screen video; the fake conflict culminated in a guitar solo competition on the show's final episode of the year, featuring guest appearances from guitarist Peter Frampton and Dr. Henry Kissinger. Colbert later recalled it as the show's "craziest" moment, changing the way the staff viewed the program: "Because you realize the character believes anything he thinks, says, [or] cares about is important, anything fits on the show. [...] That is the show where we said, oh, there is unlimited open field running." In February 2007, Ben & Jerry's unveiled a new ice cream flavor in honor of Stephen Colbert, named Stephen Colbert's AmeriCone Dream. All proceeds were donated to charity through the Stephen Colbert AmeriCone Dream Fund, which distributed the money to various causes. In June 2007, Colbert broke his left wrist while performing his warm-up for the show. It was the subject of an extended bit on the program, including the creation of the "Wriststrong" wrist band, based on Lance Armstrong's "Livestrong" wrist band, which donated all proceeds to the Yellow Ribbon Fund. Colbert remained on the air without writers during the Writers Guild of America strike in 2007–08. Colbert modified the pronunciation of the show's name, pronouncing both of the formerly elided final "t"s (); a similar move was made by The Daily Show which returned to air as A Daily Show. During this period, he staged a mock feud between himself, Jon Stewart, and Late Night host Conan O'Brien over who made Republican Presidential candidate Mike Huckabee. In 2008, Colbert made a series of jokes directed at various towns in the United States named "Canton", with many attracting negative responses from each respective area's local government and residents. The same year, the show filmed a tongue-in-cheek Christmas special titled A Colbert Christmas: The Greatest Gift of All!. In 2009, Colbert filmed a series of four episodes for the troops in Baghdad, Iraq. He had a suit tailored for him in the Army Combat Uniform pattern and went through an abbreviated version of the Army's basic training regimen. On the first of the four episodes, Colbert had his head shaved on stage by General Ray Odierno who was jokingly "ordered" to do so by President Barack Obama, who appeared on the episode via a pre-recorded segment from the White House. Later years In 2010, while in character, Colbert appeared before judiciary subcommittee hearing on the issue of farm workers and immigration. The New Yorker used Colbert's testimony before Congress as an example of the "third" Colbert: "Colbert was thoughtful and sincere—and had ruined the whole thing. By speaking honestly, he had become the very thing he was mocking, a celebrity testifying before Congress." Beginning in June 2011, the show created a long-running gag that involved Colbert starting his own actual super PAC, Americans for a Better Tomorrow, Tomorrow, described by the character as "100 percent legal and at least 10 percent ethical." In 2012, Colbert interviewed illustrator/author Maurice Sendak, who managed to get him to break character; show staff and Colbert himself retrospectively labeled the segment one of the show's more memorable moments. The Los Angeles Times called the September 2013 interview with intelligence official Philip Mudd his "most awkward interview", stating Mudd "could barely disguise his contempt" for Colbert. President Barack Obama guested during the show's final month, in a show taped from George Washington University in Washington, D.C.; Obama sat in Colbert's seat and presided over "The Wørd" segment. The final episode aired on December 18, 2014. In the episode Stephen becomes immortal after accidentally killing "Grimmy" during the opening of the segment of "Cheating Death with Dr. Stephen T. Colbert, D.F.A.". This leads to Stephen singing "We'll Meet Again" in its entirety along with a large group of famous friends including Jon Stewart, Jeff Daniels, Sam Waterston, Big Bird, Charlie Rose, Terry Gross, Keith Olbermann, Tom Brokaw, Alan Alda, Yo Yo Ma, Ken Burns, Cyndi Lauper, Patrick Stewart, Randy Newman, Doris Kearns Goodwin, Henry Kissinger, Alex Trebek, Mandy Patinkin, Lesley Stahl, George Lucas, Kareem Abdul-Jabbar, Gloria Steinem, Elijah Wood, Jake Tapper, Bob Costas, Smaug and Cookie Monster. Reception Critical response Initial reviews Reviews of The Colbert Report upon its 2005 premiere were positive, although critics were generally skeptical that the character could extend beyond one season without growing tiresome. While positively reviewing the program as a whole, Maureen Ryan of the Chicago Tribune echoed these sentiments: "The biggest question hanging over The Colbert Report is whether the show’s sendup of the pomposity and fear-mongering of cable news blowhards will be as appealing in the long term." Melanie McFarland of the Seattle Post-Intelligencer summarized the show's early reaction: "Critics and bloggers either loved the premiere or declared themselves to be unmoved, but that's the standard reaction after any late-night program's debut. A truer measure will be seen in coming weeks, after the hype wears off and the ratings lose their exuberance." Gilbert Cruz of Entertainment Weekly noted that "Colbert proves that the line between serious TV journalism and utter nonsense is a very thin one indeed." Heather Havrilesky of Salon was effusive, remarking, "Not only does Colbert maintain his persona without skipping a beat throughout the entire show, but he’s got great comic timing, the show’s writers are brilliant, and the whole thing is pure foolish, bizarre, idiotic fun." Barry Garron of The Hollywood Reporter dubbed it an "auspicious debut", writing, "The new show dovetails nicely with its lead-in to present a solid hour of skewered news and punctured pomposity." Variety Brian Lowry commented that the show had an "impressive start with a topnotch premiere followed by a respectable second outing." Paul Brownfield of the Los Angeles Times wrote, "In the run-up to the show it all sounded a bit hard to get your head around, but in the flesh the show zinged, at least this first week." The Boston Globe Matthew Gilbert praised the show's wordplay, summarizing, "Colbert's a clever creation, and a necessary one, and he deserves an opportunity to offend as many people as possible with his pompous blather." Alessandra Stanley of The New York Times commented that the show was a welcome addition to the Comedy Central lineup, remarking, "What puts Mr. Colbert over the top is that he is not just impersonating well known television personalities, he also uses parody to score larger points about politics and the press." Nevertheless, there were more negative reviews: USA Today Robert Bianco opined that the show "tried too hard", writing, "Unfortunately, in just two weeks on the air, this half-hour spoof of a no-spin-zone type show has already stretched Colbert's character and the artifice that supports it past its natural breaking point." Later reviews The New Yorker remarked that the show remained funny throughout its entire run. The Colbert Report currently scores favorable reviews, with 65/100 on Metacritic (first season), while its viewers' ranking on the site is higher at 8.7/10. In a 2009 academic analysis of the show's popularity, Temple University researcher, Heather LaMarre found that the show appealed to both liberals and conservatives, concluding, "there was no significant difference between the groups in thinking Colbert was funny, but conservatives were more likely to report that Colbert only pretends to be joking and genuinely meant what he said while liberals were more likely to report that Colbert used satire and was not serious when offering political statements". Malcolm Gladwell discussed LaMarre's findings in his Revisionist History podcast, "The Satire Paradox" (2016). Ratings The ratings of The Colbert Report, from its premiere, benefited from the lead-in The Daily Show provides, which at the time of the show's debut averaged 1.3 million viewers per night. Comedy Central had previously struggled to produce a hit program on par with The Daily Show, and were counting on Colbert after a string of failures. The Colbert Report drew 1.13 million viewers for its premiere episode, 47 percent greater than the average for that time slot over the previous four weeks, and 98 percent of the viewership of The Daily Show, which had Comedy Central's second-largest viewership. Averaged over its opening week, The Report had 1.2 million viewers per episode, more than double the average for the same time the previous year, when the time slot was occupied by Too Late with Adam Carolla. The show regularly began attracting over one million viewers with near immediacy. The show also drew more young men, a powerful demographic, than other late-night hosts (at that time, Jay Leno, David Letterman, and Conan O'Brien). Within a year, The Colbert Report began averaging 1.5 million viewers per night. In early 2008, in the midst of the writer's strike, Colbert posted an eleven-percent gain over its averages from the following fall. From 2012 to 2013, viewership decreased from 1.2 million to 1.1 million. In 2013, The Colbert Report was the second most-watched late-night talk show (behind The Daily Show) among the demographic of adults 18–49, beating competition The Tonight Show with Jay Leno in that demographic for the first time. That year, The Colbert Report attracted $52.1 million in advertising for an audience whose median age was 39.4, about a year younger than The Daily Show. In 2014, the final year of the show's run, ratings were down three percent (coinciding with a general ratings slide for cable television). The series finale on December 18, 2014 was watched by 2.4 million viewers, making it the most watched episode ever in the show's history. The finale was the most watched cable program of the night in its time slot, beating The Daily Show which was seen by two million viewers. Awards The Colbert Report received numerous awards and accolades throughout its run. The show was nominated for four Emmy Awards in its inaugural year, but lost to The Daily Show. The show was nominated each year for the rest of its run for Outstanding Variety, Music, or Comedy Series, but lost each time to The Daily Show until 2013, when it broke the latter program's winning streak, dubbed the longest in Emmy history. Colbert subsequently referenced his win on his program as the conclusion of Stewart's "reign of terror." It also won the award the following year, and was nominated in the same category in 2015. The show received two Peabody Awards, recognizing its excellence in news and entertainment. It also won two Grammy Awards, one for Best Comedy Album for the soundtrack to the special A Colbert Christmas, and later for Best Spoken Word Album for the audiobook to America Again. Colbert and Stewart's Rally to Restore Sanity and/or Fear was nominated for four Daytime Emmy awards in 2011, including the Outstanding Special Class Special category and the Outstanding Special Class Writing category. Racism controversy In March 2014, the show attracted controversy when Colbert used a "fatuously fake parody stereotype character, 'Ching-Chong Ding-Dong,'" to "satirize knee-jerk mockery" of Asian dialect. The name had been used before without incident, but the show's official Twitter account — run by an unknown individual — tweeted the remarks without context, leading to wide outrage over social media, including a hashtag campaign, "#CancelColbert", that was a worldwide trending topic for over 24 hours, thanks in-part by Colbert himself helping make it go viral for his show. Legacy The New Yorker wrote that "Colbert has made vital observations about the American political system, particularly about the sordid role that money plays within it. The Colbert Report and the Daily Show [...] have changed the way that young liberals of a certain class think and talk about civic culture." The show also coined another word, wikiality, that means "reality as decided on majority rule." Viewers of the show also coined a word, freem, based on its inclusion in the show's opening sequence; the word refers to "'freedom' without having to 'do' anything — without any responsibility or action." In response to the "Better Know a District" segment, Rahm Emanuel, then the Democratic Caucus chair, instructed incoming freshmen not to do appearances on the show in 2007. In 2008, East Carolina University associate professor Jason Bond named a species of trapdoor spider Aptostichus stephencolberti in honor of Stephen Colbert. The "Colbert Bump" is defined, connotatively by the Report, as an increase in popularity of a person (author, musician, politician, etc.) or thing (website, etc.) as a result of appearing as a guest on or (in the case of a thing) being mentioned on the show. For example, if a politician appears on The Colbert Report, they may become more popular with certain voters and thus are more likely to be elected. According to the American Political Science Association, contributions to Democratic politicians rose 40% for 30 days after an appearance on the show. Magazines such as GQ, Newsweek, and Sports Illustrated have all had sales spikes when Colbert appeared on their covers. Viewers of The Colbert Report were on numerous occasions cited as being more knowledgeable about current events than traditional news viewers. In April 2007, a Pew Research Center report cited both Colbert and The Daily Show viewers as more well-informed than those who gathered their information via newspapers, television news and radio. Colbert's Super PAC coverage was widely lauded, and studies later found that this coverage was more effective than traditional news programs at educating the audience on campaign finance. He was awarded a Peabody Award for the parody, which was described as an "innovative means of teaching American viewers about the landmark court decision". The Annenberg Public Policy Center reported in 2014 that the Colbert Super PAC segments increased viewers' knowledge of PAC and 501(c)(4) campaign finance regulation more successfully than other types of news media. International distribution Outside the United States, The Colbert Report was shown in Canada on the cable service The Comedy Network, simultaneously with its original U.S. broadcast (beginning a few weeks after the series debuted). Episodes would also air in Canada on traditional over-the-air broadcaster CTV, one hour after their appearance on The Comedy Network. On September 22, 2014, due to The Comedy Network's acquisition of Canadian rights to Jimmy Kimmel Live!, the program began airing on M3 and did so for the remainder of the show's run. It airs on The Comedy Channel in Australia, Comedy Central in New Zealand, and on Maxxx in the Philippines. , The Colbert Report has also been broadcast in Africa on DSTV's version of Comedy Central. It aired on FX in the United Kingdom until they decided not to renew their contract in May 2009. In Portugal, it airs on Sic Radical. Beginning June 3, 2008, The Colbert Report also aired on the ShowComedy channel of Showtime Arabia (Currently OSN First HD), a channel which broadcasts in the Middle East and North Africa. The show is transmitted on a one-day delay from original transmission in the US. The show was shown during prime time on Australia's free-to-air ABC2 in 2010, however the channel was outbid for rights for 2011. The show was available directly on the colbernation.com website for part of 2011, with Australian advertisements; however, Australian access is now blocked. Several international markets also air The Colbert Report Global Edition, which shows highlights from the previous week's shows and includes a special introduction by Stephen Colbert at the start of the program. This means a new or newly repackaged episode can be screened every weekday. In addition, most recent episodes (usually 3 weeks back) would be available in full length on colbertnation.com. Some international audiences could not see such way. By the end of the series's run, the colbernation.com website was integrated into Comedy Central's website. As of 2021, almost seven years after the show ended, many episodes are presented in individual clips there. Related multimedia The show spawned various merchandise and multimedia related to the show. Three books were released to accompany the show's humor, the first being I Am America (And So Can You!), released both in print and as an audiobook in 2007. In 2012, two spinoff books of the show were released. America Again is a sequel to the show's first book, and addresses topics including Wall Street, campaign finance, energy policy, healthcare, eating on the campaign trail, and the United States Constitution. Another book, I Am a Pole (And So Can You!), was released the same year and purports to be a children's book telling the story of a fictional pole finding its purpose in life. Segments from the show were also released on DVD during its run. The Best of The Colbert Report, released in 2007, contains several of the show's most memorable early moments. The show's Christmas special, A Colbert Christmas: The Greatest Gift of All!, was also released on DVD the following year. The soundtrack of that special also saw a digital release on the iTunes Store after its broadcast, and contains music from Feist, John Legend, Willie Nelson, Toby Keith, Jon Stewart, Elvis Costello, and Colbert himself. In 2011, Jack White's record label Third Man Records released a 7" vinyl single of Stephen Colbert and The Black Belles performing "Charlene II (I'm Over You)", which they also performed together on the show. See also List of late-night American network TV programs CNNNN The Daily Show Newstopia Rick Mercer Report This Hour Has 22 Minutes The Beaverton Hot Seat Real Time with Bill Maher Inside Washington Washington Week References External links The Colbert Report Web site 2005 American television series debuts 2014 American television series endings 2000s American late-night television series 2000s American political comedy television series 2000s American satirical television series 2000s American television news shows 2010s American late-night television series 2010s American political comedy television series 2010s American satirical television series 2010s American television news shows Comedy Central original programming Criticism of journalism English-language television shows American news parodies Peabody Award-winning television programs Primetime Emmy Award for Outstanding Variety Series winners Primetime Emmy Award-winning television series Television series by Busboy Productions Television shows filmed in New York City American television spin-offs The Daily Show Comedy Central late-night programming Political satirical television series

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What was donnie's cruisers' peak years?

What were Donnie Iris and the Cruisers' peak years?

Donnie Iris

Iris' first album, Back on the Streets, was released in July 1980 on the small Cleveland, Ohio-based Midwest Records. With the track "Ah! Leah!" receiving airplay in Boston, Cleveland and Pittsburgh, MCA Records took notice and quickly signed Iris to a five-album deal and re-released the album nationally in October. The first single "Ah! Leah!" peaked at #29 on the Billboard Hot 100 (and #34 in Australia) in February 1981 and became one of the most frequently played AOR tracks of the year, and the album reached #57 on the Billboard 200. In addition, the band launched a national tour to promote the album and its follow-up during the summer of 1981. The follow-up album, King Cool, credited to Donnie Iris and the Cruisers, was released in August 1981 and garnered the band more AOR success, with "Love Is Like a Rock" reaching #9 on Billboard's Top Tracks chart. Two other songs from the album received significant AOR airplay; "My Girl" at #25 and "Sweet Merilee" at #31, charted on the Rock Tracks chart. In addition, he gained the nickname King Cool from this album in the later part of his career. However, the album itself charted less successfully, at #84. After the long tour promoting their two previous albums, the band continued songwriting and in the fall of 1982 released The High and the Mighty. The album contained the single "Tough World," but only charted at #180, marking a decline in his success, but the band still was determined to release new material. Their next album one year later, Fortune 410, contained the hit single "Do You Compute?" which was used by their label MCA and the computer company Atari to form a cross-marketing promotion. Because the promotional partnership was secured prior to release of the album, it was possible to use the Atari 1200 XL Home Computer in poster photography, as well as in the video clip for "Do You Compute?", which aired on MTV. The title of the album is a reference to the trademark glasses Iris wears, Fortune 410's. The combination of marketing and the promotion for its hit single allowed the album to chart higher than its predecessor. Despite Fortune 410 charting higher than The High and the Mighty, MCA was displeased that both albums didn't chart as high as Back on the Streets and King Cool had. The label suggested that the band allow them to bring in a new producer, displacing Mark Avsec, as well bring in new songwriters. Iris and the Cruisers, wanting to keep as much of their creative freedom and sound as they could, said no. As a result, MCA dropped the band in 1984. Shortly after being let go from MCA, the band signed with the small HME Records label. Their next album, No Muss...No Fuss, released in 1985, continued the trend set by Fortune 410 by charting at #115 with the single "Injured in the Game of Love". Both of the aforementioned albums ended up being more critically acclaimed than The High and the Mighty. CANNOTANSWER

1981 and garnered the band more AOR success, with "Love Is Like a Rock" reaching #9 on Billboard's Top Tracks chart.

Donnie Iris (born Dominic Ierace, February 28, 1943) is an American rock musician known for his work with the Jaggerz and Wild Cherry during the 1970s, and for his solo career beginning in the 1980s with his band, the Cruisers. He wrote the #2 Billboard hit, "The Rapper", with the Jaggerz in 1970 and was a member of Wild Cherry after the group had a #1 hit with "Play That Funky Music." He also achieved fame as a solo artist in the early 1980s with the #29 hit "Ah! Leah!" and the #37 hit "Love Is Like a Rock." In addition to performing on the first three Jaggerz albums and the fourth and final Wild Cherry album, Iris with his solo band has released eleven studio albums, one EP, two live albums, and two compilation albums. He continues to intermittently release new material and tour throughout the greater Pittsburgh, Pennsylvania, and Youngstown and Cleveland, Ohio areas. Biography Early life and early career (1943–63) Dominic Ierace was born in New Castle, Pennsylvania, but grew up in Ellwood City, Pennsylvania. The son of Samuel and Carrie Ierace, young Dominic began to learn how to sing at an early age from his mother, who had sung in Curly Venezie's orchestra. He practiced earlier on by singing along with his mother's favorite singers, Frank Sinatra and Tony Bennett. Per his mother's encouragement, Ierace began singing at weddings at age five, and by eight was performing on local television and entering talent contests. Over time, Ierace began to develop his own interests in music with the advent of rock music, drawing inspiration from Elvis Presley and Buddy Holly and later from the Beatles, the Rolling Stones and even R&B and soul artists Marvin Gaye and Ray Charles in addition to other Motown acts. The popularity of rock and roll inspired Ierace to become a self-taught guitarist. When his voice changed around age 12, he gave up singing and took up the drums. About the time he was a senior in high school (circa 1961), Ierace's voice changed again, and he got back into singing. He formed a vocal doo-wop group called the Fabutons with Johnny Roth, Anthony Matteo, Lou Delessandro and Chuckie Hasson and performed gigs around Beaver and Lawrence counties in Pennsylvania. However, the group only performed a few times before they disbanded and Ierace went to college. While attending Slippery Rock State College, Ierace formed a band called the Tri-Vels with guitarist Jim Evans and drummer Dave Amodie, two fellow students at Slippery Rock. With the addition of bassist Dave Reiser, they renamed themselves Donnie and the Donnells. This band in both incarnations played R&B and pop rock covers at fraternity parties and lasted from about 1961 to 1964. The Jaggerz and Wild Cherry (1964–79) Around 1964, Ierace left Donnie and the Donnells to form the Jaggerz (originally the "Jaggers") with Benny Faiella of Gary and the Jewel Tones. After a few changes in line-up early on (including acquiring Jimmie Ross and Jim Pugliano from the Bell Boys), the group became popular playing R&B covers throughout western Pennsylvania and northeastern Ohio. Eventually, Ierace and the Jaggerz began to write their own material and secured a contract with Gamble Records. Their first album, Introducing the Jaggerz, was released in 1969. The album was only a minor success, mainly receiving airplay in Iris' native Beaver County and the rest of the greater Pittsburgh area. Perhaps most importantly, it was the first album Ierace recorded on. Ierace and the Jaggerz first came to national prominence in 1970 for the #2 hit "The Rapper," written by Ierace and included on their second album, We Went to Different Schools Together, released on the Kama Sutra label. The album itself reached #69 on the charts. The Jaggerz would go on to release one more album, Come Again, in 1975 when they were signed with Wooden Nickel Records. However, it failed to produce any more hits for the group. Between 1975 and 1976, most of the Jaggerz' longtime members left the group, including Ierace in 1976. The Jaggerz eventually broke up around 1977, but reunited in 1989 without Ierace, who by that point was well into his solo career. After his departure from the Jaggerz, Ierace began to learn engineering at Jeree Recording in New Brighton, Pennsylvania. Also, he did about a two-year stint (1976-1978) playing shows with B. E. Taylor. While working at Jeree, the band Wild Cherry (a hot commodity because of their 1976 hit "Play That Funky Music," which had been recorded there), was booked for a recording session. Ierace helped to engineer their third album, I Love My Music. The band was also looking for a new guitarist, and upon learning of Ierace and his association with "The Rapper," he was recruited by frontman Rob Parissi. Ierace went on the road with the group for about the next year and was featured on their 1979 album Only the Wild Survive. Throughout the 1970s, Ierace was credited by various names on Jaggerz and Wild Cherry albums: by his birth name, Dominic Ierace; Don Ierace; and a stage name he had adopted to make it easier for people to remember his name, Don Iris. By the end of the decade, as far as his music/public life went, he went by the name of Donnie Iris. It was during this period that he became acquainted with Mark Avsec, then playing keyboards for Wild Cherry. Wild Cherry was unable to duplicate the success of "Play That Funky Music" and disbanded by the end of the decade. Becoming good friends, Donnie and Mark decided to form a project together after Wild Cherry's breakup and the two began writing songs. Their first release saw the disco-influenced single "Bring on the Eighties" backed by a cover of "Because of You" in 1979; however it failed to garner attention. Iris and Avsec decided to go in a harder direction for their next release and returned to the studio with guitarist Marty Lee Hoenes, bassist Albritton McClain and drummer Kevin Valentine, who at the time was in the band Breathless with Avsec, to record his first full-length album. This line-up would form to what would become known as Donnie Iris and the Cruisers. Donnie Iris and the Cruisers' peak years (1980–85) Iris' first album, Back on the Streets, was released in July 1980 on the small Cleveland, Ohio-based Midwest Records. With the track "Ah! Leah!" receiving airplay in Boston, Cleveland and Pittsburgh, MCA Records took notice and quickly signed Iris to a five-album deal and re-released the album nationally in October. The first single "Ah! Leah!" peaked at #29 on the Billboard Hot 100 (and #34 in Australia) in February 1981 and became one of the most frequently played AOR tracks of the year, and the album reached #57 on the Billboard 200. In addition, the band launched a national tour to promote the album and its follow-up during the summer of 1981. The follow-up album, King Cool, credited to Donnie Iris and the Cruisers, was released in August 1981 and garnered the band more AOR success, with "Love Is Like a Rock" reaching #9 on Billboard's Top Tracks chart. Two other songs from the album received significant AOR airplay; "My Girl" at #25 and "Sweet Merilee" at #31, charted on the Rock Tracks chart. In addition, he gained the nickname King Cool from this album in the later part of his career. However, the album itself charted less successfully, at #84. After the long tour promoting their two previous albums, the band continued songwriting and in the fall of 1982 released The High and the Mighty. The album contained the single "Tough World," but only charted at #180, marking a decline in his success, but the band still was determined to release new material. Their next album one year later, Fortune 410, contained the hit single "Do You Compute?" which was used by their label MCA and the computer company Atari to form a cross-marketing promotion. Because the promotional partnership was secured prior to release of the album, it was possible to use the Atari 1200 XL Home Computer in poster photography, as well as in the video clip for "Do You Compute?", which aired on MTV. The title of the album is a reference to the trademark glasses Iris wears, Fortune 410's. The combination of marketing and the promotion for its hit single allowed the album to chart higher than its predecessor. Despite Fortune 410 charting higher than The High and the Mighty, MCA was displeased that both albums didn't chart as high as Back on the Streets and King Cool had. The label suggested that the band allow them to bring in a new producer, displacing Mark Avsec, as well bring in new songwriters. Iris and the Cruisers, wanting to keep as much of their creative freedom and sound as they could, said no. As a result, MCA dropped the band in 1984. Shortly after being let go from MCA, the band signed with the small HME Records label. Their next album, No Muss...No Fuss, released in 1985, continued the trend set by Fortune 410 by charting at #115 with the single "Injured in the Game of Love". Both of the aforementioned albums ended up being more critically acclaimed than The High and the Mighty. New Cruisers lineups and different projects (1986–93) Just prior to the release of No Muss...No Fuss, the band began to split into different directions. Drummer Kevin Valentine and bassist Albritton McClain left to join a new group, the Innocent, whose members included future Nine Inch Nails main man Trent Reznor. The two were replaced by Scott Alan Williamson on bass and Tommy Rich on drums. That same year, keyboardist Mark Avsec released a solo project under the moniker Cellarful of Noise. Even after releasing the eponymous debut album that same year, Cellarful of Noise, Avsec and Iris maintained that Donnie Iris and the Cruisers was still their main focus, and that they wanted to continue to release new albums with the band and its new line-up. The band returned to the studio in 1986 and recorded a new album titled Cruise Control; however, a lawsuit with the band's former label MCA resulted in the shelving of that album pending the resolution of the lawsuit. The album itself has still not been released as of 2020, although six tracks from it appeared on 1992's Out of the Blue and a cover of "Reach Out" recorded during the Cruise Control sessions appeared on the 1989 compilation WDVE Pittsburgh Rock & Roll '89. Also around this time, the HME label that the band had signed with to record No Muss...No Fuss went out of business, leaving Donnie Iris and the Cruisers an unsigned act. Since the band seemed to have hit a road block, Iris partnered with Avsec on the second Cellarful of Noise album, Magnificent Obsession, which was released in 1988. The album produced a moderately successful single, "Samantha (What You Gonna Do)." In the early 1990s, Iris set up a mortgage company, SIMCorp, with partners Lynn Shelley and Priscilla Micinko, as a side business from the band. SIMCorp, located in Aliquippa, Pennsylvania, remained under Iris's ownership for nearly twenty years. Donnie Iris and the Cruisers returned to the studio in 1992 to release their first album containing new material since 1985. Titled Out of the Blue, the album was a compilation album containing older hits and new material. It failed to have any impact on the charts, however. Still, the band toured throughout the rest of the year around Pennsylvania and Ohio, and attracted newer and younger fans from the area. The band released another album in 1993, Footsoldier in the Moonlight. At this point, the band underwent yet another line-up change as drummer Tommy Rich departed the group. His replacement, Steve McConnell, auditioned & was hired-on in the summer of 1992, long enough to record on and tour behind Footsoldier in the Moonlight and can be heard on live recordings from 1992 & 1993. Later in 1994, Rich rejoined the group. Later endeavors and new albums (1994–2009) In the summer of 1994, original members Albritton McClain and Kevin Valentine temporarily reunited with Iris, Avsec and Hoenes to record the first album of all new material by the original line-up in nearly 10 years. During recording, the band performed one reunion show together at Conneaut Lake. The album Poletown was released in 1997. In 1998, the band released their first live album. A collection of tracks played at Nick's Fat City, a popular Pittsburgh nightclub, Live! At Nick's Fat City was the first release to feature bass guitarist Paul Goll, who had been touring with the band since 1993, along with drummer Tommy Rich. 1999 saw the release of an Iris collaborative project entitled Together Alone, featuring contributions from other regionally popular artists like Michael Stanley, Scott Blasey, B. E. Taylor and Joe Grushecky. After Alone, which featured a softer side of Iris's vocals, the band took a break from releasing new material but continued to perform regularly through the decade. The first true compilation album from the band was released in 2001 by their former label at MCA: 20th Century Masters: The Millennium Collection: The Best of Donnie Iris, featuring material from the band's four MCA-released albums from the early 1980s. In 2004, the band celebrated its 25th anniversary with a new compilation album featuring their rarer material, 25 Years, and performed live at the Chevrolet Amphitheatre in Pittsburgh, Pennsylvania for 4,000 people. This concert was known for featuring a four drummer lineup of current and previous drummers for the band; Kevin Valentine, Tommy Rich, Brice Foster and Mark Avsec's daughter Danna Avsec, who was the guest drummer. Since then, the band has used a three drummer line-up for several concerts. The band's 2006 album, Ellwood City, was a tribute to Iris's hometown, Ellwood City, Pennsylvania. June 17, 2006 was recognized throughout Lawrence County, Pennsylvania as Donnie Iris Day by Ellwood City Executive Council President Glenn Jones and Mayor Roy P. Meehan. Iris also received special commendations and awards from United States Congresswoman Melissa Hart and Pennsylvania state representative Frank LaGrotta. In 2008 and 2009, King Cool Light was developed after Mark Avsec realized that "King Cool" sounded like the name of a refreshing beer. He later approached Iris and Marty Lee Hoenes who both immediately liked the idea, giving birth to King Cool Limited. King Cool Light was unveiled on November 20, 2009, at Club Diesel in Pittsburgh during the band's 30th anniversary concert. Every case was sold out, but 25 more cases were brought in, which were also sold out. The band's first EP, You Can't Really Miss Me If I Never Go Away, was released in 2008. It was followed in 2009 with their second live album, Ah! Live!, recorded at shows in Erie and Kittanning, Pennsylvania. Recent years (2010–present) In an interview with Cleveland Scene published on February 3, 2010, Mark Avsec announced that the band's next project would be a Christmas album. Ah! Leluiah! was released on November 18, 2010. Additionally, King Cool Light was released in the Youngstown, Ohio market in July of that same year. Also that year, Iris retired from the mortgage banking business and sold SIMCorp. Avsec announced in a March 2012 interview that the band had begun working on their twelfth studio album, due out in 2013 to commemorate Iris's seventieth birthday. However, this project has turned into a special release to celebrate the thirty-fifth anniversary of the formation of Donnie Iris and the Cruisers, which was expected to be released in 2014. On June 17, 2014, Iris and the Cruisers leaked a new song, "Sing the Songs of Summer (All Night Long)," the first track to be released from the band's intermittent time in the studio in the previous two years. This was followed by "Pittsburgh Made," released on Spotify and for free download in October 2016. On the April 2, 2015 episode of Jim Krenn's No Restrictions podcast, Iris mentioned that he and the band hoped to have the often-delayed album out by the end of 2015. As of November 2018, there is still no release date known for the new album. In February 2015, Iris was nominated for a Pittsburgh Rock 'N Roll Legends Award in the modern era category (artists with 20-plus years in music business). The awards, begun in 2014, honor those who have made significant contributions to the Pittsburgh rock scene. In his category, Iris went up against Joe Grushecky, Billy Price and Rusted Root. On March 19, it was announced that Iris had won the public voting process to be inducted for the Rock 'N Roll Legends in his category, along with Lou Christie (Legacy Legends category, 40-plus years in the business) and Porky Chedwick (non-performer/musical professional category, 20-plus years active). Iris was enshrined with a plaque at Pittsburgh's Hard Rock Cafe on April 23, 2015 and he performed a set with an all-star Pittsburgh band. In July 2021, Iris's first four studio albums were reissued in remastered CD form by Rock Candy Records. Each album contains one or more live bonus tracks taken from the 1981 Live at the Paradise, Boston promotional EP. Discography As a member of the Jaggerz (1964–1976) As a member of Wild Cherry (1978–1979) Donnie Iris and the Cruisers (1979–present) Studio albums Live albums Live! At Nick's Fat City, 1998 (Primary) Ah! Live!, 2009 (Primary) Live Bootleg, 2014 (Primary) Compilation albums 20th Century Masters: The Millennium Collection: The Best of Donnie Iris, 2001 (MCA) Donnie: 25 Years, 2004 (Primary) EP Live at the Paradise, Boston, 1981 (MCA) You Can't Really Miss Me If I Never Go Away, 2008 (Primary) Other appearances WDVE Pittsburgh Rock 'n Roll '89, 1989 (WDVE-FM) on the song "Reach Out" Singles Videography Live at Blossom, 1981 King Cool: Ah! History of Donnie Iris and the Cruisers, 2004 (documentary) Guest appearances Cellarful of Noise's album, Magnificent Obsession, 1988 "Baby, It's Cold Outside" (Nina Sainato) on the album Holly and Ivory, 2011 Other credits I Love My Music, 1978 (Epic, peaked at no. 84 on Billboard 200), engineering credit (Wild Cherry) Innermission, 1982 (MCA), producer (B. E. Taylor Group) Donnie Iris and the Cruisers members Current members Donnie Iris, lead vocals (1979–present) Mark Avsec, keyboards and background vocals (1979–present) Marty Lee Hoenes, guitar and background vocals (1979–present) Paul Goll, bass and background vocals (1993–present) Kevin Valentine, drums (1979–1985, 1994 reunion, 2003–present) Former members Albritton McClain, bass and background vocals (1979–1985, 1994 reunion) Scott Alan Williamson, bass and background vocals (1985–1993) Tommy Rich, drums (1985–1990, 1994–2003) Steve McConnell, drums (1990–1994) Brice Foster, drums (2004–2007) Touring member Mark Tirabassi, drums (2007–present) (fill-in when Kevin Valentine can't travel) Joe Vitale Jr, drums (2021–present) (fill-in when Kevin Valentine can't travel) Session musicians Kenny Blake, saxophone (1980–1981, 1993/Back on the Streets, King Cool and Footsoldier in the Moonlight) Robert Peckman, bass (1980/Back on the Streets) Rick Bell, saxophone (1983/Fortune 410) Dan McCarthy, horns (1983–1984/Fortune 410 and No Muss…No Fuss) Rodney Psyka, percussion (1985/No Muss…No Fuss) Pete Tokar, percussion (1993/Footsoldier in the Moonlight) Alan Green, guitar (2008/You Can't Really Miss Me If I Never Go Away) Further reading Ferris, D.X., The Story of Donnie Iris and the Cruisers, (2017) References External links Official Website Living people People from Ellwood City, Pennsylvania American rock singers Musicians from Pittsburgh Donnie Iris and the Cruisers members The Jaggerz members Slippery Rock University of Pennsylvania alumni Wild Cherry (band) members Singers from Pennsylvania Power pop musicians People from New Castle, Pennsylvania 1943 births MCA Records artists

C_9f689f121ae649b584b736aaa4ce249b_0

What other singles topped the charts?

Besides Love Is Like a Rock,what other singles by Donnie Iris and the Cruisers topped the charts?

Donnie Iris

Iris' first album, Back on the Streets, was released in July 1980 on the small Cleveland, Ohio-based Midwest Records. With the track "Ah! Leah!" receiving airplay in Boston, Cleveland and Pittsburgh, MCA Records took notice and quickly signed Iris to a five-album deal and re-released the album nationally in October. The first single "Ah! Leah!" peaked at #29 on the Billboard Hot 100 (and #34 in Australia) in February 1981 and became one of the most frequently played AOR tracks of the year, and the album reached #57 on the Billboard 200. In addition, the band launched a national tour to promote the album and its follow-up during the summer of 1981. The follow-up album, King Cool, credited to Donnie Iris and the Cruisers, was released in August 1981 and garnered the band more AOR success, with "Love Is Like a Rock" reaching #9 on Billboard's Top Tracks chart. Two other songs from the album received significant AOR airplay; "My Girl" at #25 and "Sweet Merilee" at #31, charted on the Rock Tracks chart. In addition, he gained the nickname King Cool from this album in the later part of his career. However, the album itself charted less successfully, at #84. After the long tour promoting their two previous albums, the band continued songwriting and in the fall of 1982 released The High and the Mighty. The album contained the single "Tough World," but only charted at #180, marking a decline in his success, but the band still was determined to release new material. Their next album one year later, Fortune 410, contained the hit single "Do You Compute?" which was used by their label MCA and the computer company Atari to form a cross-marketing promotion. Because the promotional partnership was secured prior to release of the album, it was possible to use the Atari 1200 XL Home Computer in poster photography, as well as in the video clip for "Do You Compute?", which aired on MTV. The title of the album is a reference to the trademark glasses Iris wears, Fortune 410's. The combination of marketing and the promotion for its hit single allowed the album to chart higher than its predecessor. Despite Fortune 410 charting higher than The High and the Mighty, MCA was displeased that both albums didn't chart as high as Back on the Streets and King Cool had. The label suggested that the band allow them to bring in a new producer, displacing Mark Avsec, as well bring in new songwriters. Iris and the Cruisers, wanting to keep as much of their creative freedom and sound as they could, said no. As a result, MCA dropped the band in 1984. Shortly after being let go from MCA, the band signed with the small HME Records label. Their next album, No Muss...No Fuss, released in 1985, continued the trend set by Fortune 410 by charting at #115 with the single "Injured in the Game of Love". Both of the aforementioned albums ended up being more critically acclaimed than The High and the Mighty. CANNOTANSWER

"My Girl" at #25 and "Sweet Merilee" at #31, charted on the Rock Tracks chart.

Donnie Iris (born Dominic Ierace, February 28, 1943) is an American rock musician known for his work with the Jaggerz and Wild Cherry during the 1970s, and for his solo career beginning in the 1980s with his band, the Cruisers. He wrote the #2 Billboard hit, "The Rapper", with the Jaggerz in 1970 and was a member of Wild Cherry after the group had a #1 hit with "Play That Funky Music." He also achieved fame as a solo artist in the early 1980s with the #29 hit "Ah! Leah!" and the #37 hit "Love Is Like a Rock." In addition to performing on the first three Jaggerz albums and the fourth and final Wild Cherry album, Iris with his solo band has released eleven studio albums, one EP, two live albums, and two compilation albums. He continues to intermittently release new material and tour throughout the greater Pittsburgh, Pennsylvania, and Youngstown and Cleveland, Ohio areas. Biography Early life and early career (1943–63) Dominic Ierace was born in New Castle, Pennsylvania, but grew up in Ellwood City, Pennsylvania. The son of Samuel and Carrie Ierace, young Dominic began to learn how to sing at an early age from his mother, who had sung in Curly Venezie's orchestra. He practiced earlier on by singing along with his mother's favorite singers, Frank Sinatra and Tony Bennett. Per his mother's encouragement, Ierace began singing at weddings at age five, and by eight was performing on local television and entering talent contests. Over time, Ierace began to develop his own interests in music with the advent of rock music, drawing inspiration from Elvis Presley and Buddy Holly and later from the Beatles, the Rolling Stones and even R&B and soul artists Marvin Gaye and Ray Charles in addition to other Motown acts. The popularity of rock and roll inspired Ierace to become a self-taught guitarist. When his voice changed around age 12, he gave up singing and took up the drums. About the time he was a senior in high school (circa 1961), Ierace's voice changed again, and he got back into singing. He formed a vocal doo-wop group called the Fabutons with Johnny Roth, Anthony Matteo, Lou Delessandro and Chuckie Hasson and performed gigs around Beaver and Lawrence counties in Pennsylvania. However, the group only performed a few times before they disbanded and Ierace went to college. While attending Slippery Rock State College, Ierace formed a band called the Tri-Vels with guitarist Jim Evans and drummer Dave Amodie, two fellow students at Slippery Rock. With the addition of bassist Dave Reiser, they renamed themselves Donnie and the Donnells. This band in both incarnations played R&B and pop rock covers at fraternity parties and lasted from about 1961 to 1964. The Jaggerz and Wild Cherry (1964–79) Around 1964, Ierace left Donnie and the Donnells to form the Jaggerz (originally the "Jaggers") with Benny Faiella of Gary and the Jewel Tones. After a few changes in line-up early on (including acquiring Jimmie Ross and Jim Pugliano from the Bell Boys), the group became popular playing R&B covers throughout western Pennsylvania and northeastern Ohio. Eventually, Ierace and the Jaggerz began to write their own material and secured a contract with Gamble Records. Their first album, Introducing the Jaggerz, was released in 1969. The album was only a minor success, mainly receiving airplay in Iris' native Beaver County and the rest of the greater Pittsburgh area. Perhaps most importantly, it was the first album Ierace recorded on. Ierace and the Jaggerz first came to national prominence in 1970 for the #2 hit "The Rapper," written by Ierace and included on their second album, We Went to Different Schools Together, released on the Kama Sutra label. The album itself reached #69 on the charts. The Jaggerz would go on to release one more album, Come Again, in 1975 when they were signed with Wooden Nickel Records. However, it failed to produce any more hits for the group. Between 1975 and 1976, most of the Jaggerz' longtime members left the group, including Ierace in 1976. The Jaggerz eventually broke up around 1977, but reunited in 1989 without Ierace, who by that point was well into his solo career. After his departure from the Jaggerz, Ierace began to learn engineering at Jeree Recording in New Brighton, Pennsylvania. Also, he did about a two-year stint (1976-1978) playing shows with B. E. Taylor. While working at Jeree, the band Wild Cherry (a hot commodity because of their 1976 hit "Play That Funky Music," which had been recorded there), was booked for a recording session. Ierace helped to engineer their third album, I Love My Music. The band was also looking for a new guitarist, and upon learning of Ierace and his association with "The Rapper," he was recruited by frontman Rob Parissi. Ierace went on the road with the group for about the next year and was featured on their 1979 album Only the Wild Survive. Throughout the 1970s, Ierace was credited by various names on Jaggerz and Wild Cherry albums: by his birth name, Dominic Ierace; Don Ierace; and a stage name he had adopted to make it easier for people to remember his name, Don Iris. By the end of the decade, as far as his music/public life went, he went by the name of Donnie Iris. It was during this period that he became acquainted with Mark Avsec, then playing keyboards for Wild Cherry. Wild Cherry was unable to duplicate the success of "Play That Funky Music" and disbanded by the end of the decade. Becoming good friends, Donnie and Mark decided to form a project together after Wild Cherry's breakup and the two began writing songs. Their first release saw the disco-influenced single "Bring on the Eighties" backed by a cover of "Because of You" in 1979; however it failed to garner attention. Iris and Avsec decided to go in a harder direction for their next release and returned to the studio with guitarist Marty Lee Hoenes, bassist Albritton McClain and drummer Kevin Valentine, who at the time was in the band Breathless with Avsec, to record his first full-length album. This line-up would form to what would become known as Donnie Iris and the Cruisers. Donnie Iris and the Cruisers' peak years (1980–85) Iris' first album, Back on the Streets, was released in July 1980 on the small Cleveland, Ohio-based Midwest Records. With the track "Ah! Leah!" receiving airplay in Boston, Cleveland and Pittsburgh, MCA Records took notice and quickly signed Iris to a five-album deal and re-released the album nationally in October. The first single "Ah! Leah!" peaked at #29 on the Billboard Hot 100 (and #34 in Australia) in February 1981 and became one of the most frequently played AOR tracks of the year, and the album reached #57 on the Billboard 200. In addition, the band launched a national tour to promote the album and its follow-up during the summer of 1981. The follow-up album, King Cool, credited to Donnie Iris and the Cruisers, was released in August 1981 and garnered the band more AOR success, with "Love Is Like a Rock" reaching #9 on Billboard's Top Tracks chart. Two other songs from the album received significant AOR airplay; "My Girl" at #25 and "Sweet Merilee" at #31, charted on the Rock Tracks chart. In addition, he gained the nickname King Cool from this album in the later part of his career. However, the album itself charted less successfully, at #84. After the long tour promoting their two previous albums, the band continued songwriting and in the fall of 1982 released The High and the Mighty. The album contained the single "Tough World," but only charted at #180, marking a decline in his success, but the band still was determined to release new material. Their next album one year later, Fortune 410, contained the hit single "Do You Compute?" which was used by their label MCA and the computer company Atari to form a cross-marketing promotion. Because the promotional partnership was secured prior to release of the album, it was possible to use the Atari 1200 XL Home Computer in poster photography, as well as in the video clip for "Do You Compute?", which aired on MTV. The title of the album is a reference to the trademark glasses Iris wears, Fortune 410's. The combination of marketing and the promotion for its hit single allowed the album to chart higher than its predecessor. Despite Fortune 410 charting higher than The High and the Mighty, MCA was displeased that both albums didn't chart as high as Back on the Streets and King Cool had. The label suggested that the band allow them to bring in a new producer, displacing Mark Avsec, as well bring in new songwriters. Iris and the Cruisers, wanting to keep as much of their creative freedom and sound as they could, said no. As a result, MCA dropped the band in 1984. Shortly after being let go from MCA, the band signed with the small HME Records label. Their next album, No Muss...No Fuss, released in 1985, continued the trend set by Fortune 410 by charting at #115 with the single "Injured in the Game of Love". Both of the aforementioned albums ended up being more critically acclaimed than The High and the Mighty. New Cruisers lineups and different projects (1986–93) Just prior to the release of No Muss...No Fuss, the band began to split into different directions. Drummer Kevin Valentine and bassist Albritton McClain left to join a new group, the Innocent, whose members included future Nine Inch Nails main man Trent Reznor. The two were replaced by Scott Alan Williamson on bass and Tommy Rich on drums. That same year, keyboardist Mark Avsec released a solo project under the moniker Cellarful of Noise. Even after releasing the eponymous debut album that same year, Cellarful of Noise, Avsec and Iris maintained that Donnie Iris and the Cruisers was still their main focus, and that they wanted to continue to release new albums with the band and its new line-up. The band returned to the studio in 1986 and recorded a new album titled Cruise Control; however, a lawsuit with the band's former label MCA resulted in the shelving of that album pending the resolution of the lawsuit. The album itself has still not been released as of 2020, although six tracks from it appeared on 1992's Out of the Blue and a cover of "Reach Out" recorded during the Cruise Control sessions appeared on the 1989 compilation WDVE Pittsburgh Rock & Roll '89. Also around this time, the HME label that the band had signed with to record No Muss...No Fuss went out of business, leaving Donnie Iris and the Cruisers an unsigned act. Since the band seemed to have hit a road block, Iris partnered with Avsec on the second Cellarful of Noise album, Magnificent Obsession, which was released in 1988. The album produced a moderately successful single, "Samantha (What You Gonna Do)." In the early 1990s, Iris set up a mortgage company, SIMCorp, with partners Lynn Shelley and Priscilla Micinko, as a side business from the band. SIMCorp, located in Aliquippa, Pennsylvania, remained under Iris's ownership for nearly twenty years. Donnie Iris and the Cruisers returned to the studio in 1992 to release their first album containing new material since 1985. Titled Out of the Blue, the album was a compilation album containing older hits and new material. It failed to have any impact on the charts, however. Still, the band toured throughout the rest of the year around Pennsylvania and Ohio, and attracted newer and younger fans from the area. The band released another album in 1993, Footsoldier in the Moonlight. At this point, the band underwent yet another line-up change as drummer Tommy Rich departed the group. His replacement, Steve McConnell, auditioned & was hired-on in the summer of 1992, long enough to record on and tour behind Footsoldier in the Moonlight and can be heard on live recordings from 1992 & 1993. Later in 1994, Rich rejoined the group. Later endeavors and new albums (1994–2009) In the summer of 1994, original members Albritton McClain and Kevin Valentine temporarily reunited with Iris, Avsec and Hoenes to record the first album of all new material by the original line-up in nearly 10 years. During recording, the band performed one reunion show together at Conneaut Lake. The album Poletown was released in 1997. In 1998, the band released their first live album. A collection of tracks played at Nick's Fat City, a popular Pittsburgh nightclub, Live! At Nick's Fat City was the first release to feature bass guitarist Paul Goll, who had been touring with the band since 1993, along with drummer Tommy Rich. 1999 saw the release of an Iris collaborative project entitled Together Alone, featuring contributions from other regionally popular artists like Michael Stanley, Scott Blasey, B. E. Taylor and Joe Grushecky. After Alone, which featured a softer side of Iris's vocals, the band took a break from releasing new material but continued to perform regularly through the decade. The first true compilation album from the band was released in 2001 by their former label at MCA: 20th Century Masters: The Millennium Collection: The Best of Donnie Iris, featuring material from the band's four MCA-released albums from the early 1980s. In 2004, the band celebrated its 25th anniversary with a new compilation album featuring their rarer material, 25 Years, and performed live at the Chevrolet Amphitheatre in Pittsburgh, Pennsylvania for 4,000 people. This concert was known for featuring a four drummer lineup of current and previous drummers for the band; Kevin Valentine, Tommy Rich, Brice Foster and Mark Avsec's daughter Danna Avsec, who was the guest drummer. Since then, the band has used a three drummer line-up for several concerts. The band's 2006 album, Ellwood City, was a tribute to Iris's hometown, Ellwood City, Pennsylvania. June 17, 2006 was recognized throughout Lawrence County, Pennsylvania as Donnie Iris Day by Ellwood City Executive Council President Glenn Jones and Mayor Roy P. Meehan. Iris also received special commendations and awards from United States Congresswoman Melissa Hart and Pennsylvania state representative Frank LaGrotta. In 2008 and 2009, King Cool Light was developed after Mark Avsec realized that "King Cool" sounded like the name of a refreshing beer. He later approached Iris and Marty Lee Hoenes who both immediately liked the idea, giving birth to King Cool Limited. King Cool Light was unveiled on November 20, 2009, at Club Diesel in Pittsburgh during the band's 30th anniversary concert. Every case was sold out, but 25 more cases were brought in, which were also sold out. The band's first EP, You Can't Really Miss Me If I Never Go Away, was released in 2008. It was followed in 2009 with their second live album, Ah! Live!, recorded at shows in Erie and Kittanning, Pennsylvania. Recent years (2010–present) In an interview with Cleveland Scene published on February 3, 2010, Mark Avsec announced that the band's next project would be a Christmas album. Ah! Leluiah! was released on November 18, 2010. Additionally, King Cool Light was released in the Youngstown, Ohio market in July of that same year. Also that year, Iris retired from the mortgage banking business and sold SIMCorp. Avsec announced in a March 2012 interview that the band had begun working on their twelfth studio album, due out in 2013 to commemorate Iris's seventieth birthday. However, this project has turned into a special release to celebrate the thirty-fifth anniversary of the formation of Donnie Iris and the Cruisers, which was expected to be released in 2014. On June 17, 2014, Iris and the Cruisers leaked a new song, "Sing the Songs of Summer (All Night Long)," the first track to be released from the band's intermittent time in the studio in the previous two years. This was followed by "Pittsburgh Made," released on Spotify and for free download in October 2016. On the April 2, 2015 episode of Jim Krenn's No Restrictions podcast, Iris mentioned that he and the band hoped to have the often-delayed album out by the end of 2015. As of November 2018, there is still no release date known for the new album. In February 2015, Iris was nominated for a Pittsburgh Rock 'N Roll Legends Award in the modern era category (artists with 20-plus years in music business). The awards, begun in 2014, honor those who have made significant contributions to the Pittsburgh rock scene. In his category, Iris went up against Joe Grushecky, Billy Price and Rusted Root. On March 19, it was announced that Iris had won the public voting process to be inducted for the Rock 'N Roll Legends in his category, along with Lou Christie (Legacy Legends category, 40-plus years in the business) and Porky Chedwick (non-performer/musical professional category, 20-plus years active). Iris was enshrined with a plaque at Pittsburgh's Hard Rock Cafe on April 23, 2015 and he performed a set with an all-star Pittsburgh band. In July 2021, Iris's first four studio albums were reissued in remastered CD form by Rock Candy Records. Each album contains one or more live bonus tracks taken from the 1981 Live at the Paradise, Boston promotional EP. Discography As a member of the Jaggerz (1964–1976) As a member of Wild Cherry (1978–1979) Donnie Iris and the Cruisers (1979–present) Studio albums Live albums Live! At Nick's Fat City, 1998 (Primary) Ah! Live!, 2009 (Primary) Live Bootleg, 2014 (Primary) Compilation albums 20th Century Masters: The Millennium Collection: The Best of Donnie Iris, 2001 (MCA) Donnie: 25 Years, 2004 (Primary) EP Live at the Paradise, Boston, 1981 (MCA) You Can't Really Miss Me If I Never Go Away, 2008 (Primary) Other appearances WDVE Pittsburgh Rock 'n Roll '89, 1989 (WDVE-FM) on the song "Reach Out" Singles Videography Live at Blossom, 1981 King Cool: Ah! History of Donnie Iris and the Cruisers, 2004 (documentary) Guest appearances Cellarful of Noise's album, Magnificent Obsession, 1988 "Baby, It's Cold Outside" (Nina Sainato) on the album Holly and Ivory, 2011 Other credits I Love My Music, 1978 (Epic, peaked at no. 84 on Billboard 200), engineering credit (Wild Cherry) Innermission, 1982 (MCA), producer (B. E. Taylor Group) Donnie Iris and the Cruisers members Current members Donnie Iris, lead vocals (1979–present) Mark Avsec, keyboards and background vocals (1979–present) Marty Lee Hoenes, guitar and background vocals (1979–present) Paul Goll, bass and background vocals (1993–present) Kevin Valentine, drums (1979–1985, 1994 reunion, 2003–present) Former members Albritton McClain, bass and background vocals (1979–1985, 1994 reunion) Scott Alan Williamson, bass and background vocals (1985–1993) Tommy Rich, drums (1985–1990, 1994–2003) Steve McConnell, drums (1990–1994) Brice Foster, drums (2004–2007) Touring member Mark Tirabassi, drums (2007–present) (fill-in when Kevin Valentine can't travel) Joe Vitale Jr, drums (2021–present) (fill-in when Kevin Valentine can't travel) Session musicians Kenny Blake, saxophone (1980–1981, 1993/Back on the Streets, King Cool and Footsoldier in the Moonlight) Robert Peckman, bass (1980/Back on the Streets) Rick Bell, saxophone (1983/Fortune 410) Dan McCarthy, horns (1983–1984/Fortune 410 and No Muss…No Fuss) Rodney Psyka, percussion (1985/No Muss…No Fuss) Pete Tokar, percussion (1993/Footsoldier in the Moonlight) Alan Green, guitar (2008/You Can't Really Miss Me If I Never Go Away) Further reading Ferris, D.X., The Story of Donnie Iris and the Cruisers, (2017) References External links Official Website Living people People from Ellwood City, Pennsylvania American rock singers Musicians from Pittsburgh Donnie Iris and the Cruisers members The Jaggerz members Slippery Rock University of Pennsylvania alumni Wild Cherry (band) members Singers from Pennsylvania Power pop musicians People from New Castle, Pennsylvania 1943 births MCA Records artists

C_9f689f121ae649b584b736aaa4ce249b_0

Did he perform any shows?

Did Donnie Iris and the Cruisers perform any shows?

Donnie Iris

Iris' first album, Back on the Streets, was released in July 1980 on the small Cleveland, Ohio-based Midwest Records. With the track "Ah! Leah!" receiving airplay in Boston, Cleveland and Pittsburgh, MCA Records took notice and quickly signed Iris to a five-album deal and re-released the album nationally in October. The first single "Ah! Leah!" peaked at #29 on the Billboard Hot 100 (and #34 in Australia) in February 1981 and became one of the most frequently played AOR tracks of the year, and the album reached #57 on the Billboard 200. In addition, the band launched a national tour to promote the album and its follow-up during the summer of 1981. The follow-up album, King Cool, credited to Donnie Iris and the Cruisers, was released in August 1981 and garnered the band more AOR success, with "Love Is Like a Rock" reaching #9 on Billboard's Top Tracks chart. Two other songs from the album received significant AOR airplay; "My Girl" at #25 and "Sweet Merilee" at #31, charted on the Rock Tracks chart. In addition, he gained the nickname King Cool from this album in the later part of his career. However, the album itself charted less successfully, at #84. After the long tour promoting their two previous albums, the band continued songwriting and in the fall of 1982 released The High and the Mighty. The album contained the single "Tough World," but only charted at #180, marking a decline in his success, but the band still was determined to release new material. Their next album one year later, Fortune 410, contained the hit single "Do You Compute?" which was used by their label MCA and the computer company Atari to form a cross-marketing promotion. Because the promotional partnership was secured prior to release of the album, it was possible to use the Atari 1200 XL Home Computer in poster photography, as well as in the video clip for "Do You Compute?", which aired on MTV. The title of the album is a reference to the trademark glasses Iris wears, Fortune 410's. The combination of marketing and the promotion for its hit single allowed the album to chart higher than its predecessor. Despite Fortune 410 charting higher than The High and the Mighty, MCA was displeased that both albums didn't chart as high as Back on the Streets and King Cool had. The label suggested that the band allow them to bring in a new producer, displacing Mark Avsec, as well bring in new songwriters. Iris and the Cruisers, wanting to keep as much of their creative freedom and sound as they could, said no. As a result, MCA dropped the band in 1984. Shortly after being let go from MCA, the band signed with the small HME Records label. Their next album, No Muss...No Fuss, released in 1985, continued the trend set by Fortune 410 by charting at #115 with the single "Injured in the Game of Love". Both of the aforementioned albums ended up being more critically acclaimed than The High and the Mighty. CANNOTANSWER

the band launched a national tour to promote the album and its follow-up during the summer of 1981.

Donnie Iris (born Dominic Ierace, February 28, 1943) is an American rock musician known for his work with the Jaggerz and Wild Cherry during the 1970s, and for his solo career beginning in the 1980s with his band, the Cruisers. He wrote the #2 Billboard hit, "The Rapper", with the Jaggerz in 1970 and was a member of Wild Cherry after the group had a #1 hit with "Play That Funky Music." He also achieved fame as a solo artist in the early 1980s with the #29 hit "Ah! Leah!" and the #37 hit "Love Is Like a Rock." In addition to performing on the first three Jaggerz albums and the fourth and final Wild Cherry album, Iris with his solo band has released eleven studio albums, one EP, two live albums, and two compilation albums. He continues to intermittently release new material and tour throughout the greater Pittsburgh, Pennsylvania, and Youngstown and Cleveland, Ohio areas. Biography Early life and early career (1943–63) Dominic Ierace was born in New Castle, Pennsylvania, but grew up in Ellwood City, Pennsylvania. The son of Samuel and Carrie Ierace, young Dominic began to learn how to sing at an early age from his mother, who had sung in Curly Venezie's orchestra. He practiced earlier on by singing along with his mother's favorite singers, Frank Sinatra and Tony Bennett. Per his mother's encouragement, Ierace began singing at weddings at age five, and by eight was performing on local television and entering talent contests. Over time, Ierace began to develop his own interests in music with the advent of rock music, drawing inspiration from Elvis Presley and Buddy Holly and later from the Beatles, the Rolling Stones and even R&B and soul artists Marvin Gaye and Ray Charles in addition to other Motown acts. The popularity of rock and roll inspired Ierace to become a self-taught guitarist. When his voice changed around age 12, he gave up singing and took up the drums. About the time he was a senior in high school (circa 1961), Ierace's voice changed again, and he got back into singing. He formed a vocal doo-wop group called the Fabutons with Johnny Roth, Anthony Matteo, Lou Delessandro and Chuckie Hasson and performed gigs around Beaver and Lawrence counties in Pennsylvania. However, the group only performed a few times before they disbanded and Ierace went to college. While attending Slippery Rock State College, Ierace formed a band called the Tri-Vels with guitarist Jim Evans and drummer Dave Amodie, two fellow students at Slippery Rock. With the addition of bassist Dave Reiser, they renamed themselves Donnie and the Donnells. This band in both incarnations played R&B and pop rock covers at fraternity parties and lasted from about 1961 to 1964. The Jaggerz and Wild Cherry (1964–79) Around 1964, Ierace left Donnie and the Donnells to form the Jaggerz (originally the "Jaggers") with Benny Faiella of Gary and the Jewel Tones. After a few changes in line-up early on (including acquiring Jimmie Ross and Jim Pugliano from the Bell Boys), the group became popular playing R&B covers throughout western Pennsylvania and northeastern Ohio. Eventually, Ierace and the Jaggerz began to write their own material and secured a contract with Gamble Records. Their first album, Introducing the Jaggerz, was released in 1969. The album was only a minor success, mainly receiving airplay in Iris' native Beaver County and the rest of the greater Pittsburgh area. Perhaps most importantly, it was the first album Ierace recorded on. Ierace and the Jaggerz first came to national prominence in 1970 for the #2 hit "The Rapper," written by Ierace and included on their second album, We Went to Different Schools Together, released on the Kama Sutra label. The album itself reached #69 on the charts. The Jaggerz would go on to release one more album, Come Again, in 1975 when they were signed with Wooden Nickel Records. However, it failed to produce any more hits for the group. Between 1975 and 1976, most of the Jaggerz' longtime members left the group, including Ierace in 1976. The Jaggerz eventually broke up around 1977, but reunited in 1989 without Ierace, who by that point was well into his solo career. After his departure from the Jaggerz, Ierace began to learn engineering at Jeree Recording in New Brighton, Pennsylvania. Also, he did about a two-year stint (1976-1978) playing shows with B. E. Taylor. While working at Jeree, the band Wild Cherry (a hot commodity because of their 1976 hit "Play That Funky Music," which had been recorded there), was booked for a recording session. Ierace helped to engineer their third album, I Love My Music. The band was also looking for a new guitarist, and upon learning of Ierace and his association with "The Rapper," he was recruited by frontman Rob Parissi. Ierace went on the road with the group for about the next year and was featured on their 1979 album Only the Wild Survive. Throughout the 1970s, Ierace was credited by various names on Jaggerz and Wild Cherry albums: by his birth name, Dominic Ierace; Don Ierace; and a stage name he had adopted to make it easier for people to remember his name, Don Iris. By the end of the decade, as far as his music/public life went, he went by the name of Donnie Iris. It was during this period that he became acquainted with Mark Avsec, then playing keyboards for Wild Cherry. Wild Cherry was unable to duplicate the success of "Play That Funky Music" and disbanded by the end of the decade. Becoming good friends, Donnie and Mark decided to form a project together after Wild Cherry's breakup and the two began writing songs. Their first release saw the disco-influenced single "Bring on the Eighties" backed by a cover of "Because of You" in 1979; however it failed to garner attention. Iris and Avsec decided to go in a harder direction for their next release and returned to the studio with guitarist Marty Lee Hoenes, bassist Albritton McClain and drummer Kevin Valentine, who at the time was in the band Breathless with Avsec, to record his first full-length album. This line-up would form to what would become known as Donnie Iris and the Cruisers. Donnie Iris and the Cruisers' peak years (1980–85) Iris' first album, Back on the Streets, was released in July 1980 on the small Cleveland, Ohio-based Midwest Records. With the track "Ah! Leah!" receiving airplay in Boston, Cleveland and Pittsburgh, MCA Records took notice and quickly signed Iris to a five-album deal and re-released the album nationally in October. The first single "Ah! Leah!" peaked at #29 on the Billboard Hot 100 (and #34 in Australia) in February 1981 and became one of the most frequently played AOR tracks of the year, and the album reached #57 on the Billboard 200. In addition, the band launched a national tour to promote the album and its follow-up during the summer of 1981. The follow-up album, King Cool, credited to Donnie Iris and the Cruisers, was released in August 1981 and garnered the band more AOR success, with "Love Is Like a Rock" reaching #9 on Billboard's Top Tracks chart. Two other songs from the album received significant AOR airplay; "My Girl" at #25 and "Sweet Merilee" at #31, charted on the Rock Tracks chart. In addition, he gained the nickname King Cool from this album in the later part of his career. However, the album itself charted less successfully, at #84. After the long tour promoting their two previous albums, the band continued songwriting and in the fall of 1982 released The High and the Mighty. The album contained the single "Tough World," but only charted at #180, marking a decline in his success, but the band still was determined to release new material. Their next album one year later, Fortune 410, contained the hit single "Do You Compute?" which was used by their label MCA and the computer company Atari to form a cross-marketing promotion. Because the promotional partnership was secured prior to release of the album, it was possible to use the Atari 1200 XL Home Computer in poster photography, as well as in the video clip for "Do You Compute?", which aired on MTV. The title of the album is a reference to the trademark glasses Iris wears, Fortune 410's. The combination of marketing and the promotion for its hit single allowed the album to chart higher than its predecessor. Despite Fortune 410 charting higher than The High and the Mighty, MCA was displeased that both albums didn't chart as high as Back on the Streets and King Cool had. The label suggested that the band allow them to bring in a new producer, displacing Mark Avsec, as well bring in new songwriters. Iris and the Cruisers, wanting to keep as much of their creative freedom and sound as they could, said no. As a result, MCA dropped the band in 1984. Shortly after being let go from MCA, the band signed with the small HME Records label. Their next album, No Muss...No Fuss, released in 1985, continued the trend set by Fortune 410 by charting at #115 with the single "Injured in the Game of Love". Both of the aforementioned albums ended up being more critically acclaimed than The High and the Mighty. New Cruisers lineups and different projects (1986–93) Just prior to the release of No Muss...No Fuss, the band began to split into different directions. Drummer Kevin Valentine and bassist Albritton McClain left to join a new group, the Innocent, whose members included future Nine Inch Nails main man Trent Reznor. The two were replaced by Scott Alan Williamson on bass and Tommy Rich on drums. That same year, keyboardist Mark Avsec released a solo project under the moniker Cellarful of Noise. Even after releasing the eponymous debut album that same year, Cellarful of Noise, Avsec and Iris maintained that Donnie Iris and the Cruisers was still their main focus, and that they wanted to continue to release new albums with the band and its new line-up. The band returned to the studio in 1986 and recorded a new album titled Cruise Control; however, a lawsuit with the band's former label MCA resulted in the shelving of that album pending the resolution of the lawsuit. The album itself has still not been released as of 2020, although six tracks from it appeared on 1992's Out of the Blue and a cover of "Reach Out" recorded during the Cruise Control sessions appeared on the 1989 compilation WDVE Pittsburgh Rock & Roll '89. Also around this time, the HME label that the band had signed with to record No Muss...No Fuss went out of business, leaving Donnie Iris and the Cruisers an unsigned act. Since the band seemed to have hit a road block, Iris partnered with Avsec on the second Cellarful of Noise album, Magnificent Obsession, which was released in 1988. The album produced a moderately successful single, "Samantha (What You Gonna Do)." In the early 1990s, Iris set up a mortgage company, SIMCorp, with partners Lynn Shelley and Priscilla Micinko, as a side business from the band. SIMCorp, located in Aliquippa, Pennsylvania, remained under Iris's ownership for nearly twenty years. Donnie Iris and the Cruisers returned to the studio in 1992 to release their first album containing new material since 1985. Titled Out of the Blue, the album was a compilation album containing older hits and new material. It failed to have any impact on the charts, however. Still, the band toured throughout the rest of the year around Pennsylvania and Ohio, and attracted newer and younger fans from the area. The band released another album in 1993, Footsoldier in the Moonlight. At this point, the band underwent yet another line-up change as drummer Tommy Rich departed the group. His replacement, Steve McConnell, auditioned & was hired-on in the summer of 1992, long enough to record on and tour behind Footsoldier in the Moonlight and can be heard on live recordings from 1992 & 1993. Later in 1994, Rich rejoined the group. Later endeavors and new albums (1994–2009) In the summer of 1994, original members Albritton McClain and Kevin Valentine temporarily reunited with Iris, Avsec and Hoenes to record the first album of all new material by the original line-up in nearly 10 years. During recording, the band performed one reunion show together at Conneaut Lake. The album Poletown was released in 1997. In 1998, the band released their first live album. A collection of tracks played at Nick's Fat City, a popular Pittsburgh nightclub, Live! At Nick's Fat City was the first release to feature bass guitarist Paul Goll, who had been touring with the band since 1993, along with drummer Tommy Rich. 1999 saw the release of an Iris collaborative project entitled Together Alone, featuring contributions from other regionally popular artists like Michael Stanley, Scott Blasey, B. E. Taylor and Joe Grushecky. After Alone, which featured a softer side of Iris's vocals, the band took a break from releasing new material but continued to perform regularly through the decade. The first true compilation album from the band was released in 2001 by their former label at MCA: 20th Century Masters: The Millennium Collection: The Best of Donnie Iris, featuring material from the band's four MCA-released albums from the early 1980s. In 2004, the band celebrated its 25th anniversary with a new compilation album featuring their rarer material, 25 Years, and performed live at the Chevrolet Amphitheatre in Pittsburgh, Pennsylvania for 4,000 people. This concert was known for featuring a four drummer lineup of current and previous drummers for the band; Kevin Valentine, Tommy Rich, Brice Foster and Mark Avsec's daughter Danna Avsec, who was the guest drummer. Since then, the band has used a three drummer line-up for several concerts. The band's 2006 album, Ellwood City, was a tribute to Iris's hometown, Ellwood City, Pennsylvania. June 17, 2006 was recognized throughout Lawrence County, Pennsylvania as Donnie Iris Day by Ellwood City Executive Council President Glenn Jones and Mayor Roy P. Meehan. Iris also received special commendations and awards from United States Congresswoman Melissa Hart and Pennsylvania state representative Frank LaGrotta. In 2008 and 2009, King Cool Light was developed after Mark Avsec realized that "King Cool" sounded like the name of a refreshing beer. He later approached Iris and Marty Lee Hoenes who both immediately liked the idea, giving birth to King Cool Limited. King Cool Light was unveiled on November 20, 2009, at Club Diesel in Pittsburgh during the band's 30th anniversary concert. Every case was sold out, but 25 more cases were brought in, which were also sold out. The band's first EP, You Can't Really Miss Me If I Never Go Away, was released in 2008. It was followed in 2009 with their second live album, Ah! Live!, recorded at shows in Erie and Kittanning, Pennsylvania. Recent years (2010–present) In an interview with Cleveland Scene published on February 3, 2010, Mark Avsec announced that the band's next project would be a Christmas album. Ah! Leluiah! was released on November 18, 2010. Additionally, King Cool Light was released in the Youngstown, Ohio market in July of that same year. Also that year, Iris retired from the mortgage banking business and sold SIMCorp. Avsec announced in a March 2012 interview that the band had begun working on their twelfth studio album, due out in 2013 to commemorate Iris's seventieth birthday. However, this project has turned into a special release to celebrate the thirty-fifth anniversary of the formation of Donnie Iris and the Cruisers, which was expected to be released in 2014. On June 17, 2014, Iris and the Cruisers leaked a new song, "Sing the Songs of Summer (All Night Long)," the first track to be released from the band's intermittent time in the studio in the previous two years. This was followed by "Pittsburgh Made," released on Spotify and for free download in October 2016. On the April 2, 2015 episode of Jim Krenn's No Restrictions podcast, Iris mentioned that he and the band hoped to have the often-delayed album out by the end of 2015. As of November 2018, there is still no release date known for the new album. In February 2015, Iris was nominated for a Pittsburgh Rock 'N Roll Legends Award in the modern era category (artists with 20-plus years in music business). The awards, begun in 2014, honor those who have made significant contributions to the Pittsburgh rock scene. In his category, Iris went up against Joe Grushecky, Billy Price and Rusted Root. On March 19, it was announced that Iris had won the public voting process to be inducted for the Rock 'N Roll Legends in his category, along with Lou Christie (Legacy Legends category, 40-plus years in the business) and Porky Chedwick (non-performer/musical professional category, 20-plus years active). Iris was enshrined with a plaque at Pittsburgh's Hard Rock Cafe on April 23, 2015 and he performed a set with an all-star Pittsburgh band. In July 2021, Iris's first four studio albums were reissued in remastered CD form by Rock Candy Records. Each album contains one or more live bonus tracks taken from the 1981 Live at the Paradise, Boston promotional EP. Discography As a member of the Jaggerz (1964–1976) As a member of Wild Cherry (1978–1979) Donnie Iris and the Cruisers (1979–present) Studio albums Live albums Live! At Nick's Fat City, 1998 (Primary) Ah! Live!, 2009 (Primary) Live Bootleg, 2014 (Primary) Compilation albums 20th Century Masters: The Millennium Collection: The Best of Donnie Iris, 2001 (MCA) Donnie: 25 Years, 2004 (Primary) EP Live at the Paradise, Boston, 1981 (MCA) You Can't Really Miss Me If I Never Go Away, 2008 (Primary) Other appearances WDVE Pittsburgh Rock 'n Roll '89, 1989 (WDVE-FM) on the song "Reach Out" Singles Videography Live at Blossom, 1981 King Cool: Ah! History of Donnie Iris and the Cruisers, 2004 (documentary) Guest appearances Cellarful of Noise's album, Magnificent Obsession, 1988 "Baby, It's Cold Outside" (Nina Sainato) on the album Holly and Ivory, 2011 Other credits I Love My Music, 1978 (Epic, peaked at no. 84 on Billboard 200), engineering credit (Wild Cherry) Innermission, 1982 (MCA), producer (B. E. Taylor Group) Donnie Iris and the Cruisers members Current members Donnie Iris, lead vocals (1979–present) Mark Avsec, keyboards and background vocals (1979–present) Marty Lee Hoenes, guitar and background vocals (1979–present) Paul Goll, bass and background vocals (1993–present) Kevin Valentine, drums (1979–1985, 1994 reunion, 2003–present) Former members Albritton McClain, bass and background vocals (1979–1985, 1994 reunion) Scott Alan Williamson, bass and background vocals (1985–1993) Tommy Rich, drums (1985–1990, 1994–2003) Steve McConnell, drums (1990–1994) Brice Foster, drums (2004–2007) Touring member Mark Tirabassi, drums (2007–present) (fill-in when Kevin Valentine can't travel) Joe Vitale Jr, drums (2021–present) (fill-in when Kevin Valentine can't travel) Session musicians Kenny Blake, saxophone (1980–1981, 1993/Back on the Streets, King Cool and Footsoldier in the Moonlight) Robert Peckman, bass (1980/Back on the Streets) Rick Bell, saxophone (1983/Fortune 410) Dan McCarthy, horns (1983–1984/Fortune 410 and No Muss…No Fuss) Rodney Psyka, percussion (1985/No Muss…No Fuss) Pete Tokar, percussion (1993/Footsoldier in the Moonlight) Alan Green, guitar (2008/You Can't Really Miss Me If I Never Go Away) Further reading Ferris, D.X., The Story of Donnie Iris and the Cruisers, (2017) References External links Official Website Living people People from Ellwood City, Pennsylvania American rock singers Musicians from Pittsburgh Donnie Iris and the Cruisers members The Jaggerz members Slippery Rock University of Pennsylvania alumni Wild Cherry (band) members Singers from Pennsylvania Power pop musicians People from New Castle, Pennsylvania 1943 births MCA Records artists

C_9f689f121ae649b584b736aaa4ce249b_0

How popular were they?

How popular were Donnie Iris and the Cruisers?

Donnie Iris

Iris' first album, Back on the Streets, was released in July 1980 on the small Cleveland, Ohio-based Midwest Records. With the track "Ah! Leah!" receiving airplay in Boston, Cleveland and Pittsburgh, MCA Records took notice and quickly signed Iris to a five-album deal and re-released the album nationally in October. The first single "Ah! Leah!" peaked at #29 on the Billboard Hot 100 (and #34 in Australia) in February 1981 and became one of the most frequently played AOR tracks of the year, and the album reached #57 on the Billboard 200. In addition, the band launched a national tour to promote the album and its follow-up during the summer of 1981. The follow-up album, King Cool, credited to Donnie Iris and the Cruisers, was released in August 1981 and garnered the band more AOR success, with "Love Is Like a Rock" reaching #9 on Billboard's Top Tracks chart. Two other songs from the album received significant AOR airplay; "My Girl" at #25 and "Sweet Merilee" at #31, charted on the Rock Tracks chart. In addition, he gained the nickname King Cool from this album in the later part of his career. However, the album itself charted less successfully, at #84. After the long tour promoting their two previous albums, the band continued songwriting and in the fall of 1982 released The High and the Mighty. The album contained the single "Tough World," but only charted at #180, marking a decline in his success, but the band still was determined to release new material. Their next album one year later, Fortune 410, contained the hit single "Do You Compute?" which was used by their label MCA and the computer company Atari to form a cross-marketing promotion. Because the promotional partnership was secured prior to release of the album, it was possible to use the Atari 1200 XL Home Computer in poster photography, as well as in the video clip for "Do You Compute?", which aired on MTV. The title of the album is a reference to the trademark glasses Iris wears, Fortune 410's. The combination of marketing and the promotion for its hit single allowed the album to chart higher than its predecessor. Despite Fortune 410 charting higher than The High and the Mighty, MCA was displeased that both albums didn't chart as high as Back on the Streets and King Cool had. The label suggested that the band allow them to bring in a new producer, displacing Mark Avsec, as well bring in new songwriters. Iris and the Cruisers, wanting to keep as much of their creative freedom and sound as they could, said no. As a result, MCA dropped the band in 1984. Shortly after being let go from MCA, the band signed with the small HME Records label. Their next album, No Muss...No Fuss, released in 1985, continued the trend set by Fortune 410 by charting at #115 with the single "Injured in the Game of Love". Both of the aforementioned albums ended up being more critically acclaimed than The High and the Mighty. CANNOTANSWER

CANNOTANSWER

Donnie Iris (born Dominic Ierace, February 28, 1943) is an American rock musician known for his work with the Jaggerz and Wild Cherry during the 1970s, and for his solo career beginning in the 1980s with his band, the Cruisers. He wrote the #2 Billboard hit, "The Rapper", with the Jaggerz in 1970 and was a member of Wild Cherry after the group had a #1 hit with "Play That Funky Music." He also achieved fame as a solo artist in the early 1980s with the #29 hit "Ah! Leah!" and the #37 hit "Love Is Like a Rock." In addition to performing on the first three Jaggerz albums and the fourth and final Wild Cherry album, Iris with his solo band has released eleven studio albums, one EP, two live albums, and two compilation albums. He continues to intermittently release new material and tour throughout the greater Pittsburgh, Pennsylvania, and Youngstown and Cleveland, Ohio areas. Biography Early life and early career (1943–63) Dominic Ierace was born in New Castle, Pennsylvania, but grew up in Ellwood City, Pennsylvania. The son of Samuel and Carrie Ierace, young Dominic began to learn how to sing at an early age from his mother, who had sung in Curly Venezie's orchestra. He practiced earlier on by singing along with his mother's favorite singers, Frank Sinatra and Tony Bennett. Per his mother's encouragement, Ierace began singing at weddings at age five, and by eight was performing on local television and entering talent contests. Over time, Ierace began to develop his own interests in music with the advent of rock music, drawing inspiration from Elvis Presley and Buddy Holly and later from the Beatles, the Rolling Stones and even R&B and soul artists Marvin Gaye and Ray Charles in addition to other Motown acts. The popularity of rock and roll inspired Ierace to become a self-taught guitarist. When his voice changed around age 12, he gave up singing and took up the drums. About the time he was a senior in high school (circa 1961), Ierace's voice changed again, and he got back into singing. He formed a vocal doo-wop group called the Fabutons with Johnny Roth, Anthony Matteo, Lou Delessandro and Chuckie Hasson and performed gigs around Beaver and Lawrence counties in Pennsylvania. However, the group only performed a few times before they disbanded and Ierace went to college. While attending Slippery Rock State College, Ierace formed a band called the Tri-Vels with guitarist Jim Evans and drummer Dave Amodie, two fellow students at Slippery Rock. With the addition of bassist Dave Reiser, they renamed themselves Donnie and the Donnells. This band in both incarnations played R&B and pop rock covers at fraternity parties and lasted from about 1961 to 1964. The Jaggerz and Wild Cherry (1964–79) Around 1964, Ierace left Donnie and the Donnells to form the Jaggerz (originally the "Jaggers") with Benny Faiella of Gary and the Jewel Tones. After a few changes in line-up early on (including acquiring Jimmie Ross and Jim Pugliano from the Bell Boys), the group became popular playing R&B covers throughout western Pennsylvania and northeastern Ohio. Eventually, Ierace and the Jaggerz began to write their own material and secured a contract with Gamble Records. Their first album, Introducing the Jaggerz, was released in 1969. The album was only a minor success, mainly receiving airplay in Iris' native Beaver County and the rest of the greater Pittsburgh area. Perhaps most importantly, it was the first album Ierace recorded on. Ierace and the Jaggerz first came to national prominence in 1970 for the #2 hit "The Rapper," written by Ierace and included on their second album, We Went to Different Schools Together, released on the Kama Sutra label. The album itself reached #69 on the charts. The Jaggerz would go on to release one more album, Come Again, in 1975 when they were signed with Wooden Nickel Records. However, it failed to produce any more hits for the group. Between 1975 and 1976, most of the Jaggerz' longtime members left the group, including Ierace in 1976. The Jaggerz eventually broke up around 1977, but reunited in 1989 without Ierace, who by that point was well into his solo career. After his departure from the Jaggerz, Ierace began to learn engineering at Jeree Recording in New Brighton, Pennsylvania. Also, he did about a two-year stint (1976-1978) playing shows with B. E. Taylor. While working at Jeree, the band Wild Cherry (a hot commodity because of their 1976 hit "Play That Funky Music," which had been recorded there), was booked for a recording session. Ierace helped to engineer their third album, I Love My Music. The band was also looking for a new guitarist, and upon learning of Ierace and his association with "The Rapper," he was recruited by frontman Rob Parissi. Ierace went on the road with the group for about the next year and was featured on their 1979 album Only the Wild Survive. Throughout the 1970s, Ierace was credited by various names on Jaggerz and Wild Cherry albums: by his birth name, Dominic Ierace; Don Ierace; and a stage name he had adopted to make it easier for people to remember his name, Don Iris. By the end of the decade, as far as his music/public life went, he went by the name of Donnie Iris. It was during this period that he became acquainted with Mark Avsec, then playing keyboards for Wild Cherry. Wild Cherry was unable to duplicate the success of "Play That Funky Music" and disbanded by the end of the decade. Becoming good friends, Donnie and Mark decided to form a project together after Wild Cherry's breakup and the two began writing songs. Their first release saw the disco-influenced single "Bring on the Eighties" backed by a cover of "Because of You" in 1979; however it failed to garner attention. Iris and Avsec decided to go in a harder direction for their next release and returned to the studio with guitarist Marty Lee Hoenes, bassist Albritton McClain and drummer Kevin Valentine, who at the time was in the band Breathless with Avsec, to record his first full-length album. This line-up would form to what would become known as Donnie Iris and the Cruisers. Donnie Iris and the Cruisers' peak years (1980–85) Iris' first album, Back on the Streets, was released in July 1980 on the small Cleveland, Ohio-based Midwest Records. With the track "Ah! Leah!" receiving airplay in Boston, Cleveland and Pittsburgh, MCA Records took notice and quickly signed Iris to a five-album deal and re-released the album nationally in October. The first single "Ah! Leah!" peaked at #29 on the Billboard Hot 100 (and #34 in Australia) in February 1981 and became one of the most frequently played AOR tracks of the year, and the album reached #57 on the Billboard 200. In addition, the band launched a national tour to promote the album and its follow-up during the summer of 1981. The follow-up album, King Cool, credited to Donnie Iris and the Cruisers, was released in August 1981 and garnered the band more AOR success, with "Love Is Like a Rock" reaching #9 on Billboard's Top Tracks chart. Two other songs from the album received significant AOR airplay; "My Girl" at #25 and "Sweet Merilee" at #31, charted on the Rock Tracks chart. In addition, he gained the nickname King Cool from this album in the later part of his career. However, the album itself charted less successfully, at #84. After the long tour promoting their two previous albums, the band continued songwriting and in the fall of 1982 released The High and the Mighty. The album contained the single "Tough World," but only charted at #180, marking a decline in his success, but the band still was determined to release new material. Their next album one year later, Fortune 410, contained the hit single "Do You Compute?" which was used by their label MCA and the computer company Atari to form a cross-marketing promotion. Because the promotional partnership was secured prior to release of the album, it was possible to use the Atari 1200 XL Home Computer in poster photography, as well as in the video clip for "Do You Compute?", which aired on MTV. The title of the album is a reference to the trademark glasses Iris wears, Fortune 410's. The combination of marketing and the promotion for its hit single allowed the album to chart higher than its predecessor. Despite Fortune 410 charting higher than The High and the Mighty, MCA was displeased that both albums didn't chart as high as Back on the Streets and King Cool had. The label suggested that the band allow them to bring in a new producer, displacing Mark Avsec, as well bring in new songwriters. Iris and the Cruisers, wanting to keep as much of their creative freedom and sound as they could, said no. As a result, MCA dropped the band in 1984. Shortly after being let go from MCA, the band signed with the small HME Records label. Their next album, No Muss...No Fuss, released in 1985, continued the trend set by Fortune 410 by charting at #115 with the single "Injured in the Game of Love". Both of the aforementioned albums ended up being more critically acclaimed than The High and the Mighty. New Cruisers lineups and different projects (1986–93) Just prior to the release of No Muss...No Fuss, the band began to split into different directions. Drummer Kevin Valentine and bassist Albritton McClain left to join a new group, the Innocent, whose members included future Nine Inch Nails main man Trent Reznor. The two were replaced by Scott Alan Williamson on bass and Tommy Rich on drums. That same year, keyboardist Mark Avsec released a solo project under the moniker Cellarful of Noise. Even after releasing the eponymous debut album that same year, Cellarful of Noise, Avsec and Iris maintained that Donnie Iris and the Cruisers was still their main focus, and that they wanted to continue to release new albums with the band and its new line-up. The band returned to the studio in 1986 and recorded a new album titled Cruise Control; however, a lawsuit with the band's former label MCA resulted in the shelving of that album pending the resolution of the lawsuit. The album itself has still not been released as of 2020, although six tracks from it appeared on 1992's Out of the Blue and a cover of "Reach Out" recorded during the Cruise Control sessions appeared on the 1989 compilation WDVE Pittsburgh Rock & Roll '89. Also around this time, the HME label that the band had signed with to record No Muss...No Fuss went out of business, leaving Donnie Iris and the Cruisers an unsigned act. Since the band seemed to have hit a road block, Iris partnered with Avsec on the second Cellarful of Noise album, Magnificent Obsession, which was released in 1988. The album produced a moderately successful single, "Samantha (What You Gonna Do)." In the early 1990s, Iris set up a mortgage company, SIMCorp, with partners Lynn Shelley and Priscilla Micinko, as a side business from the band. SIMCorp, located in Aliquippa, Pennsylvania, remained under Iris's ownership for nearly twenty years. Donnie Iris and the Cruisers returned to the studio in 1992 to release their first album containing new material since 1985. Titled Out of the Blue, the album was a compilation album containing older hits and new material. It failed to have any impact on the charts, however. Still, the band toured throughout the rest of the year around Pennsylvania and Ohio, and attracted newer and younger fans from the area. The band released another album in 1993, Footsoldier in the Moonlight. At this point, the band underwent yet another line-up change as drummer Tommy Rich departed the group. His replacement, Steve McConnell, auditioned & was hired-on in the summer of 1992, long enough to record on and tour behind Footsoldier in the Moonlight and can be heard on live recordings from 1992 & 1993. Later in 1994, Rich rejoined the group. Later endeavors and new albums (1994–2009) In the summer of 1994, original members Albritton McClain and Kevin Valentine temporarily reunited with Iris, Avsec and Hoenes to record the first album of all new material by the original line-up in nearly 10 years. During recording, the band performed one reunion show together at Conneaut Lake. The album Poletown was released in 1997. In 1998, the band released their first live album. A collection of tracks played at Nick's Fat City, a popular Pittsburgh nightclub, Live! At Nick's Fat City was the first release to feature bass guitarist Paul Goll, who had been touring with the band since 1993, along with drummer Tommy Rich. 1999 saw the release of an Iris collaborative project entitled Together Alone, featuring contributions from other regionally popular artists like Michael Stanley, Scott Blasey, B. E. Taylor and Joe Grushecky. After Alone, which featured a softer side of Iris's vocals, the band took a break from releasing new material but continued to perform regularly through the decade. The first true compilation album from the band was released in 2001 by their former label at MCA: 20th Century Masters: The Millennium Collection: The Best of Donnie Iris, featuring material from the band's four MCA-released albums from the early 1980s. In 2004, the band celebrated its 25th anniversary with a new compilation album featuring their rarer material, 25 Years, and performed live at the Chevrolet Amphitheatre in Pittsburgh, Pennsylvania for 4,000 people. This concert was known for featuring a four drummer lineup of current and previous drummers for the band; Kevin Valentine, Tommy Rich, Brice Foster and Mark Avsec's daughter Danna Avsec, who was the guest drummer. Since then, the band has used a three drummer line-up for several concerts. The band's 2006 album, Ellwood City, was a tribute to Iris's hometown, Ellwood City, Pennsylvania. June 17, 2006 was recognized throughout Lawrence County, Pennsylvania as Donnie Iris Day by Ellwood City Executive Council President Glenn Jones and Mayor Roy P. Meehan. Iris also received special commendations and awards from United States Congresswoman Melissa Hart and Pennsylvania state representative Frank LaGrotta. In 2008 and 2009, King Cool Light was developed after Mark Avsec realized that "King Cool" sounded like the name of a refreshing beer. He later approached Iris and Marty Lee Hoenes who both immediately liked the idea, giving birth to King Cool Limited. King Cool Light was unveiled on November 20, 2009, at Club Diesel in Pittsburgh during the band's 30th anniversary concert. Every case was sold out, but 25 more cases were brought in, which were also sold out. The band's first EP, You Can't Really Miss Me If I Never Go Away, was released in 2008. It was followed in 2009 with their second live album, Ah! Live!, recorded at shows in Erie and Kittanning, Pennsylvania. Recent years (2010–present) In an interview with Cleveland Scene published on February 3, 2010, Mark Avsec announced that the band's next project would be a Christmas album. Ah! Leluiah! was released on November 18, 2010. Additionally, King Cool Light was released in the Youngstown, Ohio market in July of that same year. Also that year, Iris retired from the mortgage banking business and sold SIMCorp. Avsec announced in a March 2012 interview that the band had begun working on their twelfth studio album, due out in 2013 to commemorate Iris's seventieth birthday. However, this project has turned into a special release to celebrate the thirty-fifth anniversary of the formation of Donnie Iris and the Cruisers, which was expected to be released in 2014. On June 17, 2014, Iris and the Cruisers leaked a new song, "Sing the Songs of Summer (All Night Long)," the first track to be released from the band's intermittent time in the studio in the previous two years. This was followed by "Pittsburgh Made," released on Spotify and for free download in October 2016. On the April 2, 2015 episode of Jim Krenn's No Restrictions podcast, Iris mentioned that he and the band hoped to have the often-delayed album out by the end of 2015. As of November 2018, there is still no release date known for the new album. In February 2015, Iris was nominated for a Pittsburgh Rock 'N Roll Legends Award in the modern era category (artists with 20-plus years in music business). The awards, begun in 2014, honor those who have made significant contributions to the Pittsburgh rock scene. In his category, Iris went up against Joe Grushecky, Billy Price and Rusted Root. On March 19, it was announced that Iris had won the public voting process to be inducted for the Rock 'N Roll Legends in his category, along with Lou Christie (Legacy Legends category, 40-plus years in the business) and Porky Chedwick (non-performer/musical professional category, 20-plus years active). Iris was enshrined with a plaque at Pittsburgh's Hard Rock Cafe on April 23, 2015 and he performed a set with an all-star Pittsburgh band. In July 2021, Iris's first four studio albums were reissued in remastered CD form by Rock Candy Records. Each album contains one or more live bonus tracks taken from the 1981 Live at the Paradise, Boston promotional EP. Discography As a member of the Jaggerz (1964–1976) As a member of Wild Cherry (1978–1979) Donnie Iris and the Cruisers (1979–present) Studio albums Live albums Live! At Nick's Fat City, 1998 (Primary) Ah! Live!, 2009 (Primary) Live Bootleg, 2014 (Primary) Compilation albums 20th Century Masters: The Millennium Collection: The Best of Donnie Iris, 2001 (MCA) Donnie: 25 Years, 2004 (Primary) EP Live at the Paradise, Boston, 1981 (MCA) You Can't Really Miss Me If I Never Go Away, 2008 (Primary) Other appearances WDVE Pittsburgh Rock 'n Roll '89, 1989 (WDVE-FM) on the song "Reach Out" Singles Videography Live at Blossom, 1981 King Cool: Ah! History of Donnie Iris and the Cruisers, 2004 (documentary) Guest appearances Cellarful of Noise's album, Magnificent Obsession, 1988 "Baby, It's Cold Outside" (Nina Sainato) on the album Holly and Ivory, 2011 Other credits I Love My Music, 1978 (Epic, peaked at no. 84 on Billboard 200), engineering credit (Wild Cherry) Innermission, 1982 (MCA), producer (B. E. Taylor Group) Donnie Iris and the Cruisers members Current members Donnie Iris, lead vocals (1979–present) Mark Avsec, keyboards and background vocals (1979–present) Marty Lee Hoenes, guitar and background vocals (1979–present) Paul Goll, bass and background vocals (1993–present) Kevin Valentine, drums (1979–1985, 1994 reunion, 2003–present) Former members Albritton McClain, bass and background vocals (1979–1985, 1994 reunion) Scott Alan Williamson, bass and background vocals (1985–1993) Tommy Rich, drums (1985–1990, 1994–2003) Steve McConnell, drums (1990–1994) Brice Foster, drums (2004–2007) Touring member Mark Tirabassi, drums (2007–present) (fill-in when Kevin Valentine can't travel) Joe Vitale Jr, drums (2021–present) (fill-in when Kevin Valentine can't travel) Session musicians Kenny Blake, saxophone (1980–1981, 1993/Back on the Streets, King Cool and Footsoldier in the Moonlight) Robert Peckman, bass (1980/Back on the Streets) Rick Bell, saxophone (1983/Fortune 410) Dan McCarthy, horns (1983–1984/Fortune 410 and No Muss…No Fuss) Rodney Psyka, percussion (1985/No Muss…No Fuss) Pete Tokar, percussion (1993/Footsoldier in the Moonlight) Alan Green, guitar (2008/You Can't Really Miss Me If I Never Go Away) Further reading Ferris, D.X., The Story of Donnie Iris and the Cruisers, (2017) References External links Official Website Living people People from Ellwood City, Pennsylvania American rock singers Musicians from Pittsburgh Donnie Iris and the Cruisers members The Jaggerz members Slippery Rock University of Pennsylvania alumni Wild Cherry (band) members Singers from Pennsylvania Power pop musicians People from New Castle, Pennsylvania 1943 births MCA Records artists

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What albums did they release?

What albums did Donnie Iris and the Cruisers release?

Donnie Iris

Iris' first album, Back on the Streets, was released in July 1980 on the small Cleveland, Ohio-based Midwest Records. With the track "Ah! Leah!" receiving airplay in Boston, Cleveland and Pittsburgh, MCA Records took notice and quickly signed Iris to a five-album deal and re-released the album nationally in October. The first single "Ah! Leah!" peaked at #29 on the Billboard Hot 100 (and #34 in Australia) in February 1981 and became one of the most frequently played AOR tracks of the year, and the album reached #57 on the Billboard 200. In addition, the band launched a national tour to promote the album and its follow-up during the summer of 1981. The follow-up album, King Cool, credited to Donnie Iris and the Cruisers, was released in August 1981 and garnered the band more AOR success, with "Love Is Like a Rock" reaching #9 on Billboard's Top Tracks chart. Two other songs from the album received significant AOR airplay; "My Girl" at #25 and "Sweet Merilee" at #31, charted on the Rock Tracks chart. In addition, he gained the nickname King Cool from this album in the later part of his career. However, the album itself charted less successfully, at #84. After the long tour promoting their two previous albums, the band continued songwriting and in the fall of 1982 released The High and the Mighty. The album contained the single "Tough World," but only charted at #180, marking a decline in his success, but the band still was determined to release new material. Their next album one year later, Fortune 410, contained the hit single "Do You Compute?" which was used by their label MCA and the computer company Atari to form a cross-marketing promotion. Because the promotional partnership was secured prior to release of the album, it was possible to use the Atari 1200 XL Home Computer in poster photography, as well as in the video clip for "Do You Compute?", which aired on MTV. The title of the album is a reference to the trademark glasses Iris wears, Fortune 410's. The combination of marketing and the promotion for its hit single allowed the album to chart higher than its predecessor. Despite Fortune 410 charting higher than The High and the Mighty, MCA was displeased that both albums didn't chart as high as Back on the Streets and King Cool had. The label suggested that the band allow them to bring in a new producer, displacing Mark Avsec, as well bring in new songwriters. Iris and the Cruisers, wanting to keep as much of their creative freedom and sound as they could, said no. As a result, MCA dropped the band in 1984. Shortly after being let go from MCA, the band signed with the small HME Records label. Their next album, No Muss...No Fuss, released in 1985, continued the trend set by Fortune 410 by charting at #115 with the single "Injured in the Game of Love". Both of the aforementioned albums ended up being more critically acclaimed than The High and the Mighty. CANNOTANSWER

Fortune 410 charting higher than The High and the Mighty, MCA was displeased that both albums didn't chart as high

Donnie Iris (born Dominic Ierace, February 28, 1943) is an American rock musician known for his work with the Jaggerz and Wild Cherry during the 1970s, and for his solo career beginning in the 1980s with his band, the Cruisers. He wrote the #2 Billboard hit, "The Rapper", with the Jaggerz in 1970 and was a member of Wild Cherry after the group had a #1 hit with "Play That Funky Music." He also achieved fame as a solo artist in the early 1980s with the #29 hit "Ah! Leah!" and the #37 hit "Love Is Like a Rock." In addition to performing on the first three Jaggerz albums and the fourth and final Wild Cherry album, Iris with his solo band has released eleven studio albums, one EP, two live albums, and two compilation albums. He continues to intermittently release new material and tour throughout the greater Pittsburgh, Pennsylvania, and Youngstown and Cleveland, Ohio areas. Biography Early life and early career (1943–63) Dominic Ierace was born in New Castle, Pennsylvania, but grew up in Ellwood City, Pennsylvania. The son of Samuel and Carrie Ierace, young Dominic began to learn how to sing at an early age from his mother, who had sung in Curly Venezie's orchestra. He practiced earlier on by singing along with his mother's favorite singers, Frank Sinatra and Tony Bennett. Per his mother's encouragement, Ierace began singing at weddings at age five, and by eight was performing on local television and entering talent contests. Over time, Ierace began to develop his own interests in music with the advent of rock music, drawing inspiration from Elvis Presley and Buddy Holly and later from the Beatles, the Rolling Stones and even R&B and soul artists Marvin Gaye and Ray Charles in addition to other Motown acts. The popularity of rock and roll inspired Ierace to become a self-taught guitarist. When his voice changed around age 12, he gave up singing and took up the drums. About the time he was a senior in high school (circa 1961), Ierace's voice changed again, and he got back into singing. He formed a vocal doo-wop group called the Fabutons with Johnny Roth, Anthony Matteo, Lou Delessandro and Chuckie Hasson and performed gigs around Beaver and Lawrence counties in Pennsylvania. However, the group only performed a few times before they disbanded and Ierace went to college. While attending Slippery Rock State College, Ierace formed a band called the Tri-Vels with guitarist Jim Evans and drummer Dave Amodie, two fellow students at Slippery Rock. With the addition of bassist Dave Reiser, they renamed themselves Donnie and the Donnells. This band in both incarnations played R&B and pop rock covers at fraternity parties and lasted from about 1961 to 1964. The Jaggerz and Wild Cherry (1964–79) Around 1964, Ierace left Donnie and the Donnells to form the Jaggerz (originally the "Jaggers") with Benny Faiella of Gary and the Jewel Tones. After a few changes in line-up early on (including acquiring Jimmie Ross and Jim Pugliano from the Bell Boys), the group became popular playing R&B covers throughout western Pennsylvania and northeastern Ohio. Eventually, Ierace and the Jaggerz began to write their own material and secured a contract with Gamble Records. Their first album, Introducing the Jaggerz, was released in 1969. The album was only a minor success, mainly receiving airplay in Iris' native Beaver County and the rest of the greater Pittsburgh area. Perhaps most importantly, it was the first album Ierace recorded on. Ierace and the Jaggerz first came to national prominence in 1970 for the #2 hit "The Rapper," written by Ierace and included on their second album, We Went to Different Schools Together, released on the Kama Sutra label. The album itself reached #69 on the charts. The Jaggerz would go on to release one more album, Come Again, in 1975 when they were signed with Wooden Nickel Records. However, it failed to produce any more hits for the group. Between 1975 and 1976, most of the Jaggerz' longtime members left the group, including Ierace in 1976. The Jaggerz eventually broke up around 1977, but reunited in 1989 without Ierace, who by that point was well into his solo career. After his departure from the Jaggerz, Ierace began to learn engineering at Jeree Recording in New Brighton, Pennsylvania. Also, he did about a two-year stint (1976-1978) playing shows with B. E. Taylor. While working at Jeree, the band Wild Cherry (a hot commodity because of their 1976 hit "Play That Funky Music," which had been recorded there), was booked for a recording session. Ierace helped to engineer their third album, I Love My Music. The band was also looking for a new guitarist, and upon learning of Ierace and his association with "The Rapper," he was recruited by frontman Rob Parissi. Ierace went on the road with the group for about the next year and was featured on their 1979 album Only the Wild Survive. Throughout the 1970s, Ierace was credited by various names on Jaggerz and Wild Cherry albums: by his birth name, Dominic Ierace; Don Ierace; and a stage name he had adopted to make it easier for people to remember his name, Don Iris. By the end of the decade, as far as his music/public life went, he went by the name of Donnie Iris. It was during this period that he became acquainted with Mark Avsec, then playing keyboards for Wild Cherry. Wild Cherry was unable to duplicate the success of "Play That Funky Music" and disbanded by the end of the decade. Becoming good friends, Donnie and Mark decided to form a project together after Wild Cherry's breakup and the two began writing songs. Their first release saw the disco-influenced single "Bring on the Eighties" backed by a cover of "Because of You" in 1979; however it failed to garner attention. Iris and Avsec decided to go in a harder direction for their next release and returned to the studio with guitarist Marty Lee Hoenes, bassist Albritton McClain and drummer Kevin Valentine, who at the time was in the band Breathless with Avsec, to record his first full-length album. This line-up would form to what would become known as Donnie Iris and the Cruisers. Donnie Iris and the Cruisers' peak years (1980–85) Iris' first album, Back on the Streets, was released in July 1980 on the small Cleveland, Ohio-based Midwest Records. With the track "Ah! Leah!" receiving airplay in Boston, Cleveland and Pittsburgh, MCA Records took notice and quickly signed Iris to a five-album deal and re-released the album nationally in October. The first single "Ah! Leah!" peaked at #29 on the Billboard Hot 100 (and #34 in Australia) in February 1981 and became one of the most frequently played AOR tracks of the year, and the album reached #57 on the Billboard 200. In addition, the band launched a national tour to promote the album and its follow-up during the summer of 1981. The follow-up album, King Cool, credited to Donnie Iris and the Cruisers, was released in August 1981 and garnered the band more AOR success, with "Love Is Like a Rock" reaching #9 on Billboard's Top Tracks chart. Two other songs from the album received significant AOR airplay; "My Girl" at #25 and "Sweet Merilee" at #31, charted on the Rock Tracks chart. In addition, he gained the nickname King Cool from this album in the later part of his career. However, the album itself charted less successfully, at #84. After the long tour promoting their two previous albums, the band continued songwriting and in the fall of 1982 released The High and the Mighty. The album contained the single "Tough World," but only charted at #180, marking a decline in his success, but the band still was determined to release new material. Their next album one year later, Fortune 410, contained the hit single "Do You Compute?" which was used by their label MCA and the computer company Atari to form a cross-marketing promotion. Because the promotional partnership was secured prior to release of the album, it was possible to use the Atari 1200 XL Home Computer in poster photography, as well as in the video clip for "Do You Compute?", which aired on MTV. The title of the album is a reference to the trademark glasses Iris wears, Fortune 410's. The combination of marketing and the promotion for its hit single allowed the album to chart higher than its predecessor. Despite Fortune 410 charting higher than The High and the Mighty, MCA was displeased that both albums didn't chart as high as Back on the Streets and King Cool had. The label suggested that the band allow them to bring in a new producer, displacing Mark Avsec, as well bring in new songwriters. Iris and the Cruisers, wanting to keep as much of their creative freedom and sound as they could, said no. As a result, MCA dropped the band in 1984. Shortly after being let go from MCA, the band signed with the small HME Records label. Their next album, No Muss...No Fuss, released in 1985, continued the trend set by Fortune 410 by charting at #115 with the single "Injured in the Game of Love". Both of the aforementioned albums ended up being more critically acclaimed than The High and the Mighty. New Cruisers lineups and different projects (1986–93) Just prior to the release of No Muss...No Fuss, the band began to split into different directions. Drummer Kevin Valentine and bassist Albritton McClain left to join a new group, the Innocent, whose members included future Nine Inch Nails main man Trent Reznor. The two were replaced by Scott Alan Williamson on bass and Tommy Rich on drums. That same year, keyboardist Mark Avsec released a solo project under the moniker Cellarful of Noise. Even after releasing the eponymous debut album that same year, Cellarful of Noise, Avsec and Iris maintained that Donnie Iris and the Cruisers was still their main focus, and that they wanted to continue to release new albums with the band and its new line-up. The band returned to the studio in 1986 and recorded a new album titled Cruise Control; however, a lawsuit with the band's former label MCA resulted in the shelving of that album pending the resolution of the lawsuit. The album itself has still not been released as of 2020, although six tracks from it appeared on 1992's Out of the Blue and a cover of "Reach Out" recorded during the Cruise Control sessions appeared on the 1989 compilation WDVE Pittsburgh Rock & Roll '89. Also around this time, the HME label that the band had signed with to record No Muss...No Fuss went out of business, leaving Donnie Iris and the Cruisers an unsigned act. Since the band seemed to have hit a road block, Iris partnered with Avsec on the second Cellarful of Noise album, Magnificent Obsession, which was released in 1988. The album produced a moderately successful single, "Samantha (What You Gonna Do)." In the early 1990s, Iris set up a mortgage company, SIMCorp, with partners Lynn Shelley and Priscilla Micinko, as a side business from the band. SIMCorp, located in Aliquippa, Pennsylvania, remained under Iris's ownership for nearly twenty years. Donnie Iris and the Cruisers returned to the studio in 1992 to release their first album containing new material since 1985. Titled Out of the Blue, the album was a compilation album containing older hits and new material. It failed to have any impact on the charts, however. Still, the band toured throughout the rest of the year around Pennsylvania and Ohio, and attracted newer and younger fans from the area. The band released another album in 1993, Footsoldier in the Moonlight. At this point, the band underwent yet another line-up change as drummer Tommy Rich departed the group. His replacement, Steve McConnell, auditioned & was hired-on in the summer of 1992, long enough to record on and tour behind Footsoldier in the Moonlight and can be heard on live recordings from 1992 & 1993. Later in 1994, Rich rejoined the group. Later endeavors and new albums (1994–2009) In the summer of 1994, original members Albritton McClain and Kevin Valentine temporarily reunited with Iris, Avsec and Hoenes to record the first album of all new material by the original line-up in nearly 10 years. During recording, the band performed one reunion show together at Conneaut Lake. The album Poletown was released in 1997. In 1998, the band released their first live album. A collection of tracks played at Nick's Fat City, a popular Pittsburgh nightclub, Live! At Nick's Fat City was the first release to feature bass guitarist Paul Goll, who had been touring with the band since 1993, along with drummer Tommy Rich. 1999 saw the release of an Iris collaborative project entitled Together Alone, featuring contributions from other regionally popular artists like Michael Stanley, Scott Blasey, B. E. Taylor and Joe Grushecky. After Alone, which featured a softer side of Iris's vocals, the band took a break from releasing new material but continued to perform regularly through the decade. The first true compilation album from the band was released in 2001 by their former label at MCA: 20th Century Masters: The Millennium Collection: The Best of Donnie Iris, featuring material from the band's four MCA-released albums from the early 1980s. In 2004, the band celebrated its 25th anniversary with a new compilation album featuring their rarer material, 25 Years, and performed live at the Chevrolet Amphitheatre in Pittsburgh, Pennsylvania for 4,000 people. This concert was known for featuring a four drummer lineup of current and previous drummers for the band; Kevin Valentine, Tommy Rich, Brice Foster and Mark Avsec's daughter Danna Avsec, who was the guest drummer. Since then, the band has used a three drummer line-up for several concerts. The band's 2006 album, Ellwood City, was a tribute to Iris's hometown, Ellwood City, Pennsylvania. June 17, 2006 was recognized throughout Lawrence County, Pennsylvania as Donnie Iris Day by Ellwood City Executive Council President Glenn Jones and Mayor Roy P. Meehan. Iris also received special commendations and awards from United States Congresswoman Melissa Hart and Pennsylvania state representative Frank LaGrotta. In 2008 and 2009, King Cool Light was developed after Mark Avsec realized that "King Cool" sounded like the name of a refreshing beer. He later approached Iris and Marty Lee Hoenes who both immediately liked the idea, giving birth to King Cool Limited. King Cool Light was unveiled on November 20, 2009, at Club Diesel in Pittsburgh during the band's 30th anniversary concert. Every case was sold out, but 25 more cases were brought in, which were also sold out. The band's first EP, You Can't Really Miss Me If I Never Go Away, was released in 2008. It was followed in 2009 with their second live album, Ah! Live!, recorded at shows in Erie and Kittanning, Pennsylvania. Recent years (2010–present) In an interview with Cleveland Scene published on February 3, 2010, Mark Avsec announced that the band's next project would be a Christmas album. Ah! Leluiah! was released on November 18, 2010. Additionally, King Cool Light was released in the Youngstown, Ohio market in July of that same year. Also that year, Iris retired from the mortgage banking business and sold SIMCorp. Avsec announced in a March 2012 interview that the band had begun working on their twelfth studio album, due out in 2013 to commemorate Iris's seventieth birthday. However, this project has turned into a special release to celebrate the thirty-fifth anniversary of the formation of Donnie Iris and the Cruisers, which was expected to be released in 2014. On June 17, 2014, Iris and the Cruisers leaked a new song, "Sing the Songs of Summer (All Night Long)," the first track to be released from the band's intermittent time in the studio in the previous two years. This was followed by "Pittsburgh Made," released on Spotify and for free download in October 2016. On the April 2, 2015 episode of Jim Krenn's No Restrictions podcast, Iris mentioned that he and the band hoped to have the often-delayed album out by the end of 2015. As of November 2018, there is still no release date known for the new album. In February 2015, Iris was nominated for a Pittsburgh Rock 'N Roll Legends Award in the modern era category (artists with 20-plus years in music business). The awards, begun in 2014, honor those who have made significant contributions to the Pittsburgh rock scene. In his category, Iris went up against Joe Grushecky, Billy Price and Rusted Root. On March 19, it was announced that Iris had won the public voting process to be inducted for the Rock 'N Roll Legends in his category, along with Lou Christie (Legacy Legends category, 40-plus years in the business) and Porky Chedwick (non-performer/musical professional category, 20-plus years active). Iris was enshrined with a plaque at Pittsburgh's Hard Rock Cafe on April 23, 2015 and he performed a set with an all-star Pittsburgh band. In July 2021, Iris's first four studio albums were reissued in remastered CD form by Rock Candy Records. Each album contains one or more live bonus tracks taken from the 1981 Live at the Paradise, Boston promotional EP. Discography As a member of the Jaggerz (1964–1976) As a member of Wild Cherry (1978–1979) Donnie Iris and the Cruisers (1979–present) Studio albums Live albums Live! At Nick's Fat City, 1998 (Primary) Ah! Live!, 2009 (Primary) Live Bootleg, 2014 (Primary) Compilation albums 20th Century Masters: The Millennium Collection: The Best of Donnie Iris, 2001 (MCA) Donnie: 25 Years, 2004 (Primary) EP Live at the Paradise, Boston, 1981 (MCA) You Can't Really Miss Me If I Never Go Away, 2008 (Primary) Other appearances WDVE Pittsburgh Rock 'n Roll '89, 1989 (WDVE-FM) on the song "Reach Out" Singles Videography Live at Blossom, 1981 King Cool: Ah! History of Donnie Iris and the Cruisers, 2004 (documentary) Guest appearances Cellarful of Noise's album, Magnificent Obsession, 1988 "Baby, It's Cold Outside" (Nina Sainato) on the album Holly and Ivory, 2011 Other credits I Love My Music, 1978 (Epic, peaked at no. 84 on Billboard 200), engineering credit (Wild Cherry) Innermission, 1982 (MCA), producer (B. E. Taylor Group) Donnie Iris and the Cruisers members Current members Donnie Iris, lead vocals (1979–present) Mark Avsec, keyboards and background vocals (1979–present) Marty Lee Hoenes, guitar and background vocals (1979–present) Paul Goll, bass and background vocals (1993–present) Kevin Valentine, drums (1979–1985, 1994 reunion, 2003–present) Former members Albritton McClain, bass and background vocals (1979–1985, 1994 reunion) Scott Alan Williamson, bass and background vocals (1985–1993) Tommy Rich, drums (1985–1990, 1994–2003) Steve McConnell, drums (1990–1994) Brice Foster, drums (2004–2007) Touring member Mark Tirabassi, drums (2007–present) (fill-in when Kevin Valentine can't travel) Joe Vitale Jr, drums (2021–present) (fill-in when Kevin Valentine can't travel) Session musicians Kenny Blake, saxophone (1980–1981, 1993/Back on the Streets, King Cool and Footsoldier in the Moonlight) Robert Peckman, bass (1980/Back on the Streets) Rick Bell, saxophone (1983/Fortune 410) Dan McCarthy, horns (1983–1984/Fortune 410 and No Muss…No Fuss) Rodney Psyka, percussion (1985/No Muss…No Fuss) Pete Tokar, percussion (1993/Footsoldier in the Moonlight) Alan Green, guitar (2008/You Can't Really Miss Me If I Never Go Away) Further reading Ferris, D.X., The Story of Donnie Iris and the Cruisers, (2017) References External links Official Website Living people People from Ellwood City, Pennsylvania American rock singers Musicians from Pittsburgh Donnie Iris and the Cruisers members The Jaggerz members Slippery Rock University of Pennsylvania alumni Wild Cherry (band) members Singers from Pennsylvania Power pop musicians People from New Castle, Pennsylvania 1943 births MCA Records artists

C_9f689f121ae649b584b736aaa4ce249b_0

/what are some other interesting aspects of this article?

Aside from MCA's displeasure with Donnie Iris and the Cruisers, what are some other interesting aspects of this article?

Donnie Iris

Iris' first album, Back on the Streets, was released in July 1980 on the small Cleveland, Ohio-based Midwest Records. With the track "Ah! Leah!" receiving airplay in Boston, Cleveland and Pittsburgh, MCA Records took notice and quickly signed Iris to a five-album deal and re-released the album nationally in October. The first single "Ah! Leah!" peaked at #29 on the Billboard Hot 100 (and #34 in Australia) in February 1981 and became one of the most frequently played AOR tracks of the year, and the album reached #57 on the Billboard 200. In addition, the band launched a national tour to promote the album and its follow-up during the summer of 1981. The follow-up album, King Cool, credited to Donnie Iris and the Cruisers, was released in August 1981 and garnered the band more AOR success, with "Love Is Like a Rock" reaching #9 on Billboard's Top Tracks chart. Two other songs from the album received significant AOR airplay; "My Girl" at #25 and "Sweet Merilee" at #31, charted on the Rock Tracks chart. In addition, he gained the nickname King Cool from this album in the later part of his career. However, the album itself charted less successfully, at #84. After the long tour promoting their two previous albums, the band continued songwriting and in the fall of 1982 released The High and the Mighty. The album contained the single "Tough World," but only charted at #180, marking a decline in his success, but the band still was determined to release new material. Their next album one year later, Fortune 410, contained the hit single "Do You Compute?" which was used by their label MCA and the computer company Atari to form a cross-marketing promotion. Because the promotional partnership was secured prior to release of the album, it was possible to use the Atari 1200 XL Home Computer in poster photography, as well as in the video clip for "Do You Compute?", which aired on MTV. The title of the album is a reference to the trademark glasses Iris wears, Fortune 410's. The combination of marketing and the promotion for its hit single allowed the album to chart higher than its predecessor. Despite Fortune 410 charting higher than The High and the Mighty, MCA was displeased that both albums didn't chart as high as Back on the Streets and King Cool had. The label suggested that the band allow them to bring in a new producer, displacing Mark Avsec, as well bring in new songwriters. Iris and the Cruisers, wanting to keep as much of their creative freedom and sound as they could, said no. As a result, MCA dropped the band in 1984. Shortly after being let go from MCA, the band signed with the small HME Records label. Their next album, No Muss...No Fuss, released in 1985, continued the trend set by Fortune 410 by charting at #115 with the single "Injured in the Game of Love". Both of the aforementioned albums ended up being more critically acclaimed than The High and the Mighty. CANNOTANSWER

MCA dropped the band in 1984.

Donnie Iris (born Dominic Ierace, February 28, 1943) is an American rock musician known for his work with the Jaggerz and Wild Cherry during the 1970s, and for his solo career beginning in the 1980s with his band, the Cruisers. He wrote the #2 Billboard hit, "The Rapper", with the Jaggerz in 1970 and was a member of Wild Cherry after the group had a #1 hit with "Play That Funky Music." He also achieved fame as a solo artist in the early 1980s with the #29 hit "Ah! Leah!" and the #37 hit "Love Is Like a Rock." In addition to performing on the first three Jaggerz albums and the fourth and final Wild Cherry album, Iris with his solo band has released eleven studio albums, one EP, two live albums, and two compilation albums. He continues to intermittently release new material and tour throughout the greater Pittsburgh, Pennsylvania, and Youngstown and Cleveland, Ohio areas. Biography Early life and early career (1943–63) Dominic Ierace was born in New Castle, Pennsylvania, but grew up in Ellwood City, Pennsylvania. The son of Samuel and Carrie Ierace, young Dominic began to learn how to sing at an early age from his mother, who had sung in Curly Venezie's orchestra. He practiced earlier on by singing along with his mother's favorite singers, Frank Sinatra and Tony Bennett. Per his mother's encouragement, Ierace began singing at weddings at age five, and by eight was performing on local television and entering talent contests. Over time, Ierace began to develop his own interests in music with the advent of rock music, drawing inspiration from Elvis Presley and Buddy Holly and later from the Beatles, the Rolling Stones and even R&B and soul artists Marvin Gaye and Ray Charles in addition to other Motown acts. The popularity of rock and roll inspired Ierace to become a self-taught guitarist. When his voice changed around age 12, he gave up singing and took up the drums. About the time he was a senior in high school (circa 1961), Ierace's voice changed again, and he got back into singing. He formed a vocal doo-wop group called the Fabutons with Johnny Roth, Anthony Matteo, Lou Delessandro and Chuckie Hasson and performed gigs around Beaver and Lawrence counties in Pennsylvania. However, the group only performed a few times before they disbanded and Ierace went to college. While attending Slippery Rock State College, Ierace formed a band called the Tri-Vels with guitarist Jim Evans and drummer Dave Amodie, two fellow students at Slippery Rock. With the addition of bassist Dave Reiser, they renamed themselves Donnie and the Donnells. This band in both incarnations played R&B and pop rock covers at fraternity parties and lasted from about 1961 to 1964. The Jaggerz and Wild Cherry (1964–79) Around 1964, Ierace left Donnie and the Donnells to form the Jaggerz (originally the "Jaggers") with Benny Faiella of Gary and the Jewel Tones. After a few changes in line-up early on (including acquiring Jimmie Ross and Jim Pugliano from the Bell Boys), the group became popular playing R&B covers throughout western Pennsylvania and northeastern Ohio. Eventually, Ierace and the Jaggerz began to write their own material and secured a contract with Gamble Records. Their first album, Introducing the Jaggerz, was released in 1969. The album was only a minor success, mainly receiving airplay in Iris' native Beaver County and the rest of the greater Pittsburgh area. Perhaps most importantly, it was the first album Ierace recorded on. Ierace and the Jaggerz first came to national prominence in 1970 for the #2 hit "The Rapper," written by Ierace and included on their second album, We Went to Different Schools Together, released on the Kama Sutra label. The album itself reached #69 on the charts. The Jaggerz would go on to release one more album, Come Again, in 1975 when they were signed with Wooden Nickel Records. However, it failed to produce any more hits for the group. Between 1975 and 1976, most of the Jaggerz' longtime members left the group, including Ierace in 1976. The Jaggerz eventually broke up around 1977, but reunited in 1989 without Ierace, who by that point was well into his solo career. After his departure from the Jaggerz, Ierace began to learn engineering at Jeree Recording in New Brighton, Pennsylvania. Also, he did about a two-year stint (1976-1978) playing shows with B. E. Taylor. While working at Jeree, the band Wild Cherry (a hot commodity because of their 1976 hit "Play That Funky Music," which had been recorded there), was booked for a recording session. Ierace helped to engineer their third album, I Love My Music. The band was also looking for a new guitarist, and upon learning of Ierace and his association with "The Rapper," he was recruited by frontman Rob Parissi. Ierace went on the road with the group for about the next year and was featured on their 1979 album Only the Wild Survive. Throughout the 1970s, Ierace was credited by various names on Jaggerz and Wild Cherry albums: by his birth name, Dominic Ierace; Don Ierace; and a stage name he had adopted to make it easier for people to remember his name, Don Iris. By the end of the decade, as far as his music/public life went, he went by the name of Donnie Iris. It was during this period that he became acquainted with Mark Avsec, then playing keyboards for Wild Cherry. Wild Cherry was unable to duplicate the success of "Play That Funky Music" and disbanded by the end of the decade. Becoming good friends, Donnie and Mark decided to form a project together after Wild Cherry's breakup and the two began writing songs. Their first release saw the disco-influenced single "Bring on the Eighties" backed by a cover of "Because of You" in 1979; however it failed to garner attention. Iris and Avsec decided to go in a harder direction for their next release and returned to the studio with guitarist Marty Lee Hoenes, bassist Albritton McClain and drummer Kevin Valentine, who at the time was in the band Breathless with Avsec, to record his first full-length album. This line-up would form to what would become known as Donnie Iris and the Cruisers. Donnie Iris and the Cruisers' peak years (1980–85) Iris' first album, Back on the Streets, was released in July 1980 on the small Cleveland, Ohio-based Midwest Records. With the track "Ah! Leah!" receiving airplay in Boston, Cleveland and Pittsburgh, MCA Records took notice and quickly signed Iris to a five-album deal and re-released the album nationally in October. The first single "Ah! Leah!" peaked at #29 on the Billboard Hot 100 (and #34 in Australia) in February 1981 and became one of the most frequently played AOR tracks of the year, and the album reached #57 on the Billboard 200. In addition, the band launched a national tour to promote the album and its follow-up during the summer of 1981. The follow-up album, King Cool, credited to Donnie Iris and the Cruisers, was released in August 1981 and garnered the band more AOR success, with "Love Is Like a Rock" reaching #9 on Billboard's Top Tracks chart. Two other songs from the album received significant AOR airplay; "My Girl" at #25 and "Sweet Merilee" at #31, charted on the Rock Tracks chart. In addition, he gained the nickname King Cool from this album in the later part of his career. However, the album itself charted less successfully, at #84. After the long tour promoting their two previous albums, the band continued songwriting and in the fall of 1982 released The High and the Mighty. The album contained the single "Tough World," but only charted at #180, marking a decline in his success, but the band still was determined to release new material. Their next album one year later, Fortune 410, contained the hit single "Do You Compute?" which was used by their label MCA and the computer company Atari to form a cross-marketing promotion. Because the promotional partnership was secured prior to release of the album, it was possible to use the Atari 1200 XL Home Computer in poster photography, as well as in the video clip for "Do You Compute?", which aired on MTV. The title of the album is a reference to the trademark glasses Iris wears, Fortune 410's. The combination of marketing and the promotion for its hit single allowed the album to chart higher than its predecessor. Despite Fortune 410 charting higher than The High and the Mighty, MCA was displeased that both albums didn't chart as high as Back on the Streets and King Cool had. The label suggested that the band allow them to bring in a new producer, displacing Mark Avsec, as well bring in new songwriters. Iris and the Cruisers, wanting to keep as much of their creative freedom and sound as they could, said no. As a result, MCA dropped the band in 1984. Shortly after being let go from MCA, the band signed with the small HME Records label. Their next album, No Muss...No Fuss, released in 1985, continued the trend set by Fortune 410 by charting at #115 with the single "Injured in the Game of Love". Both of the aforementioned albums ended up being more critically acclaimed than The High and the Mighty. New Cruisers lineups and different projects (1986–93) Just prior to the release of No Muss...No Fuss, the band began to split into different directions. Drummer Kevin Valentine and bassist Albritton McClain left to join a new group, the Innocent, whose members included future Nine Inch Nails main man Trent Reznor. The two were replaced by Scott Alan Williamson on bass and Tommy Rich on drums. That same year, keyboardist Mark Avsec released a solo project under the moniker Cellarful of Noise. Even after releasing the eponymous debut album that same year, Cellarful of Noise, Avsec and Iris maintained that Donnie Iris and the Cruisers was still their main focus, and that they wanted to continue to release new albums with the band and its new line-up. The band returned to the studio in 1986 and recorded a new album titled Cruise Control; however, a lawsuit with the band's former label MCA resulted in the shelving of that album pending the resolution of the lawsuit. The album itself has still not been released as of 2020, although six tracks from it appeared on 1992's Out of the Blue and a cover of "Reach Out" recorded during the Cruise Control sessions appeared on the 1989 compilation WDVE Pittsburgh Rock & Roll '89. Also around this time, the HME label that the band had signed with to record No Muss...No Fuss went out of business, leaving Donnie Iris and the Cruisers an unsigned act. Since the band seemed to have hit a road block, Iris partnered with Avsec on the second Cellarful of Noise album, Magnificent Obsession, which was released in 1988. The album produced a moderately successful single, "Samantha (What You Gonna Do)." In the early 1990s, Iris set up a mortgage company, SIMCorp, with partners Lynn Shelley and Priscilla Micinko, as a side business from the band. SIMCorp, located in Aliquippa, Pennsylvania, remained under Iris's ownership for nearly twenty years. Donnie Iris and the Cruisers returned to the studio in 1992 to release their first album containing new material since 1985. Titled Out of the Blue, the album was a compilation album containing older hits and new material. It failed to have any impact on the charts, however. Still, the band toured throughout the rest of the year around Pennsylvania and Ohio, and attracted newer and younger fans from the area. The band released another album in 1993, Footsoldier in the Moonlight. At this point, the band underwent yet another line-up change as drummer Tommy Rich departed the group. His replacement, Steve McConnell, auditioned & was hired-on in the summer of 1992, long enough to record on and tour behind Footsoldier in the Moonlight and can be heard on live recordings from 1992 & 1993. Later in 1994, Rich rejoined the group. Later endeavors and new albums (1994–2009) In the summer of 1994, original members Albritton McClain and Kevin Valentine temporarily reunited with Iris, Avsec and Hoenes to record the first album of all new material by the original line-up in nearly 10 years. During recording, the band performed one reunion show together at Conneaut Lake. The album Poletown was released in 1997. In 1998, the band released their first live album. A collection of tracks played at Nick's Fat City, a popular Pittsburgh nightclub, Live! At Nick's Fat City was the first release to feature bass guitarist Paul Goll, who had been touring with the band since 1993, along with drummer Tommy Rich. 1999 saw the release of an Iris collaborative project entitled Together Alone, featuring contributions from other regionally popular artists like Michael Stanley, Scott Blasey, B. E. Taylor and Joe Grushecky. After Alone, which featured a softer side of Iris's vocals, the band took a break from releasing new material but continued to perform regularly through the decade. The first true compilation album from the band was released in 2001 by their former label at MCA: 20th Century Masters: The Millennium Collection: The Best of Donnie Iris, featuring material from the band's four MCA-released albums from the early 1980s. In 2004, the band celebrated its 25th anniversary with a new compilation album featuring their rarer material, 25 Years, and performed live at the Chevrolet Amphitheatre in Pittsburgh, Pennsylvania for 4,000 people. This concert was known for featuring a four drummer lineup of current and previous drummers for the band; Kevin Valentine, Tommy Rich, Brice Foster and Mark Avsec's daughter Danna Avsec, who was the guest drummer. Since then, the band has used a three drummer line-up for several concerts. The band's 2006 album, Ellwood City, was a tribute to Iris's hometown, Ellwood City, Pennsylvania. June 17, 2006 was recognized throughout Lawrence County, Pennsylvania as Donnie Iris Day by Ellwood City Executive Council President Glenn Jones and Mayor Roy P. Meehan. Iris also received special commendations and awards from United States Congresswoman Melissa Hart and Pennsylvania state representative Frank LaGrotta. In 2008 and 2009, King Cool Light was developed after Mark Avsec realized that "King Cool" sounded like the name of a refreshing beer. He later approached Iris and Marty Lee Hoenes who both immediately liked the idea, giving birth to King Cool Limited. King Cool Light was unveiled on November 20, 2009, at Club Diesel in Pittsburgh during the band's 30th anniversary concert. Every case was sold out, but 25 more cases were brought in, which were also sold out. The band's first EP, You Can't Really Miss Me If I Never Go Away, was released in 2008. It was followed in 2009 with their second live album, Ah! Live!, recorded at shows in Erie and Kittanning, Pennsylvania. Recent years (2010–present) In an interview with Cleveland Scene published on February 3, 2010, Mark Avsec announced that the band's next project would be a Christmas album. Ah! Leluiah! was released on November 18, 2010. Additionally, King Cool Light was released in the Youngstown, Ohio market in July of that same year. Also that year, Iris retired from the mortgage banking business and sold SIMCorp. Avsec announced in a March 2012 interview that the band had begun working on their twelfth studio album, due out in 2013 to commemorate Iris's seventieth birthday. However, this project has turned into a special release to celebrate the thirty-fifth anniversary of the formation of Donnie Iris and the Cruisers, which was expected to be released in 2014. On June 17, 2014, Iris and the Cruisers leaked a new song, "Sing the Songs of Summer (All Night Long)," the first track to be released from the band's intermittent time in the studio in the previous two years. This was followed by "Pittsburgh Made," released on Spotify and for free download in October 2016. On the April 2, 2015 episode of Jim Krenn's No Restrictions podcast, Iris mentioned that he and the band hoped to have the often-delayed album out by the end of 2015. As of November 2018, there is still no release date known for the new album. In February 2015, Iris was nominated for a Pittsburgh Rock 'N Roll Legends Award in the modern era category (artists with 20-plus years in music business). The awards, begun in 2014, honor those who have made significant contributions to the Pittsburgh rock scene. In his category, Iris went up against Joe Grushecky, Billy Price and Rusted Root. On March 19, it was announced that Iris had won the public voting process to be inducted for the Rock 'N Roll Legends in his category, along with Lou Christie (Legacy Legends category, 40-plus years in the business) and Porky Chedwick (non-performer/musical professional category, 20-plus years active). Iris was enshrined with a plaque at Pittsburgh's Hard Rock Cafe on April 23, 2015 and he performed a set with an all-star Pittsburgh band. In July 2021, Iris's first four studio albums were reissued in remastered CD form by Rock Candy Records. Each album contains one or more live bonus tracks taken from the 1981 Live at the Paradise, Boston promotional EP. Discography As a member of the Jaggerz (1964–1976) As a member of Wild Cherry (1978–1979) Donnie Iris and the Cruisers (1979–present) Studio albums Live albums Live! At Nick's Fat City, 1998 (Primary) Ah! Live!, 2009 (Primary) Live Bootleg, 2014 (Primary) Compilation albums 20th Century Masters: The Millennium Collection: The Best of Donnie Iris, 2001 (MCA) Donnie: 25 Years, 2004 (Primary) EP Live at the Paradise, Boston, 1981 (MCA) You Can't Really Miss Me If I Never Go Away, 2008 (Primary) Other appearances WDVE Pittsburgh Rock 'n Roll '89, 1989 (WDVE-FM) on the song "Reach Out" Singles Videography Live at Blossom, 1981 King Cool: Ah! History of Donnie Iris and the Cruisers, 2004 (documentary) Guest appearances Cellarful of Noise's album, Magnificent Obsession, 1988 "Baby, It's Cold Outside" (Nina Sainato) on the album Holly and Ivory, 2011 Other credits I Love My Music, 1978 (Epic, peaked at no. 84 on Billboard 200), engineering credit (Wild Cherry) Innermission, 1982 (MCA), producer (B. E. Taylor Group) Donnie Iris and the Cruisers members Current members Donnie Iris, lead vocals (1979–present) Mark Avsec, keyboards and background vocals (1979–present) Marty Lee Hoenes, guitar and background vocals (1979–present) Paul Goll, bass and background vocals (1993–present) Kevin Valentine, drums (1979–1985, 1994 reunion, 2003–present) Former members Albritton McClain, bass and background vocals (1979–1985, 1994 reunion) Scott Alan Williamson, bass and background vocals (1985–1993) Tommy Rich, drums (1985–1990, 1994–2003) Steve McConnell, drums (1990–1994) Brice Foster, drums (2004–2007) Touring member Mark Tirabassi, drums (2007–present) (fill-in when Kevin Valentine can't travel) Joe Vitale Jr, drums (2021–present) (fill-in when Kevin Valentine can't travel) Session musicians Kenny Blake, saxophone (1980–1981, 1993/Back on the Streets, King Cool and Footsoldier in the Moonlight) Robert Peckman, bass (1980/Back on the Streets) Rick Bell, saxophone (1983/Fortune 410) Dan McCarthy, horns (1983–1984/Fortune 410 and No Muss…No Fuss) Rodney Psyka, percussion (1985/No Muss…No Fuss) Pete Tokar, percussion (1993/Footsoldier in the Moonlight) Alan Green, guitar (2008/You Can't Really Miss Me If I Never Go Away) Further reading Ferris, D.X., The Story of Donnie Iris and the Cruisers, (2017) References External links Official Website Living people People from Ellwood City, Pennsylvania American rock singers Musicians from Pittsburgh Donnie Iris and the Cruisers members The Jaggerz members Slippery Rock University of Pennsylvania alumni Wild Cherry (band) members Singers from Pennsylvania Power pop musicians People from New Castle, Pennsylvania 1943 births MCA Records artists

C_9f689f121ae649b584b736aaa4ce249b_0

Why did MCA drop the band?

Why did MCA drop Donnie Iris and the Cruisers?

Donnie Iris

Iris' first album, Back on the Streets, was released in July 1980 on the small Cleveland, Ohio-based Midwest Records. With the track "Ah! Leah!" receiving airplay in Boston, Cleveland and Pittsburgh, MCA Records took notice and quickly signed Iris to a five-album deal and re-released the album nationally in October. The first single "Ah! Leah!" peaked at #29 on the Billboard Hot 100 (and #34 in Australia) in February 1981 and became one of the most frequently played AOR tracks of the year, and the album reached #57 on the Billboard 200. In addition, the band launched a national tour to promote the album and its follow-up during the summer of 1981. The follow-up album, King Cool, credited to Donnie Iris and the Cruisers, was released in August 1981 and garnered the band more AOR success, with "Love Is Like a Rock" reaching #9 on Billboard's Top Tracks chart. Two other songs from the album received significant AOR airplay; "My Girl" at #25 and "Sweet Merilee" at #31, charted on the Rock Tracks chart. In addition, he gained the nickname King Cool from this album in the later part of his career. However, the album itself charted less successfully, at #84. After the long tour promoting their two previous albums, the band continued songwriting and in the fall of 1982 released The High and the Mighty. The album contained the single "Tough World," but only charted at #180, marking a decline in his success, but the band still was determined to release new material. Their next album one year later, Fortune 410, contained the hit single "Do You Compute?" which was used by their label MCA and the computer company Atari to form a cross-marketing promotion. Because the promotional partnership was secured prior to release of the album, it was possible to use the Atari 1200 XL Home Computer in poster photography, as well as in the video clip for "Do You Compute?", which aired on MTV. The title of the album is a reference to the trademark glasses Iris wears, Fortune 410's. The combination of marketing and the promotion for its hit single allowed the album to chart higher than its predecessor. Despite Fortune 410 charting higher than The High and the Mighty, MCA was displeased that both albums didn't chart as high as Back on the Streets and King Cool had. The label suggested that the band allow them to bring in a new producer, displacing Mark Avsec, as well bring in new songwriters. Iris and the Cruisers, wanting to keep as much of their creative freedom and sound as they could, said no. As a result, MCA dropped the band in 1984. Shortly after being let go from MCA, the band signed with the small HME Records label. Their next album, No Muss...No Fuss, released in 1985, continued the trend set by Fortune 410 by charting at #115 with the single "Injured in the Game of Love". Both of the aforementioned albums ended up being more critically acclaimed than The High and the Mighty. CANNOTANSWER

Iris and the Cruisers, wanting to keep as much of their creative freedom and sound as they could, said no.

Donnie Iris (born Dominic Ierace, February 28, 1943) is an American rock musician known for his work with the Jaggerz and Wild Cherry during the 1970s, and for his solo career beginning in the 1980s with his band, the Cruisers. He wrote the #2 Billboard hit, "The Rapper", with the Jaggerz in 1970 and was a member of Wild Cherry after the group had a #1 hit with "Play That Funky Music." He also achieved fame as a solo artist in the early 1980s with the #29 hit "Ah! Leah!" and the #37 hit "Love Is Like a Rock." In addition to performing on the first three Jaggerz albums and the fourth and final Wild Cherry album, Iris with his solo band has released eleven studio albums, one EP, two live albums, and two compilation albums. He continues to intermittently release new material and tour throughout the greater Pittsburgh, Pennsylvania, and Youngstown and Cleveland, Ohio areas. Biography Early life and early career (1943–63) Dominic Ierace was born in New Castle, Pennsylvania, but grew up in Ellwood City, Pennsylvania. The son of Samuel and Carrie Ierace, young Dominic began to learn how to sing at an early age from his mother, who had sung in Curly Venezie's orchestra. He practiced earlier on by singing along with his mother's favorite singers, Frank Sinatra and Tony Bennett. Per his mother's encouragement, Ierace began singing at weddings at age five, and by eight was performing on local television and entering talent contests. Over time, Ierace began to develop his own interests in music with the advent of rock music, drawing inspiration from Elvis Presley and Buddy Holly and later from the Beatles, the Rolling Stones and even R&B and soul artists Marvin Gaye and Ray Charles in addition to other Motown acts. The popularity of rock and roll inspired Ierace to become a self-taught guitarist. When his voice changed around age 12, he gave up singing and took up the drums. About the time he was a senior in high school (circa 1961), Ierace's voice changed again, and he got back into singing. He formed a vocal doo-wop group called the Fabutons with Johnny Roth, Anthony Matteo, Lou Delessandro and Chuckie Hasson and performed gigs around Beaver and Lawrence counties in Pennsylvania. However, the group only performed a few times before they disbanded and Ierace went to college. While attending Slippery Rock State College, Ierace formed a band called the Tri-Vels with guitarist Jim Evans and drummer Dave Amodie, two fellow students at Slippery Rock. With the addition of bassist Dave Reiser, they renamed themselves Donnie and the Donnells. This band in both incarnations played R&B and pop rock covers at fraternity parties and lasted from about 1961 to 1964. The Jaggerz and Wild Cherry (1964–79) Around 1964, Ierace left Donnie and the Donnells to form the Jaggerz (originally the "Jaggers") with Benny Faiella of Gary and the Jewel Tones. After a few changes in line-up early on (including acquiring Jimmie Ross and Jim Pugliano from the Bell Boys), the group became popular playing R&B covers throughout western Pennsylvania and northeastern Ohio. Eventually, Ierace and the Jaggerz began to write their own material and secured a contract with Gamble Records. Their first album, Introducing the Jaggerz, was released in 1969. The album was only a minor success, mainly receiving airplay in Iris' native Beaver County and the rest of the greater Pittsburgh area. Perhaps most importantly, it was the first album Ierace recorded on. Ierace and the Jaggerz first came to national prominence in 1970 for the #2 hit "The Rapper," written by Ierace and included on their second album, We Went to Different Schools Together, released on the Kama Sutra label. The album itself reached #69 on the charts. The Jaggerz would go on to release one more album, Come Again, in 1975 when they were signed with Wooden Nickel Records. However, it failed to produce any more hits for the group. Between 1975 and 1976, most of the Jaggerz' longtime members left the group, including Ierace in 1976. The Jaggerz eventually broke up around 1977, but reunited in 1989 without Ierace, who by that point was well into his solo career. After his departure from the Jaggerz, Ierace began to learn engineering at Jeree Recording in New Brighton, Pennsylvania. Also, he did about a two-year stint (1976-1978) playing shows with B. E. Taylor. While working at Jeree, the band Wild Cherry (a hot commodity because of their 1976 hit "Play That Funky Music," which had been recorded there), was booked for a recording session. Ierace helped to engineer their third album, I Love My Music. The band was also looking for a new guitarist, and upon learning of Ierace and his association with "The Rapper," he was recruited by frontman Rob Parissi. Ierace went on the road with the group for about the next year and was featured on their 1979 album Only the Wild Survive. Throughout the 1970s, Ierace was credited by various names on Jaggerz and Wild Cherry albums: by his birth name, Dominic Ierace; Don Ierace; and a stage name he had adopted to make it easier for people to remember his name, Don Iris. By the end of the decade, as far as his music/public life went, he went by the name of Donnie Iris. It was during this period that he became acquainted with Mark Avsec, then playing keyboards for Wild Cherry. Wild Cherry was unable to duplicate the success of "Play That Funky Music" and disbanded by the end of the decade. Becoming good friends, Donnie and Mark decided to form a project together after Wild Cherry's breakup and the two began writing songs. Their first release saw the disco-influenced single "Bring on the Eighties" backed by a cover of "Because of You" in 1979; however it failed to garner attention. Iris and Avsec decided to go in a harder direction for their next release and returned to the studio with guitarist Marty Lee Hoenes, bassist Albritton McClain and drummer Kevin Valentine, who at the time was in the band Breathless with Avsec, to record his first full-length album. This line-up would form to what would become known as Donnie Iris and the Cruisers. Donnie Iris and the Cruisers' peak years (1980–85) Iris' first album, Back on the Streets, was released in July 1980 on the small Cleveland, Ohio-based Midwest Records. With the track "Ah! Leah!" receiving airplay in Boston, Cleveland and Pittsburgh, MCA Records took notice and quickly signed Iris to a five-album deal and re-released the album nationally in October. The first single "Ah! Leah!" peaked at #29 on the Billboard Hot 100 (and #34 in Australia) in February 1981 and became one of the most frequently played AOR tracks of the year, and the album reached #57 on the Billboard 200. In addition, the band launched a national tour to promote the album and its follow-up during the summer of 1981. The follow-up album, King Cool, credited to Donnie Iris and the Cruisers, was released in August 1981 and garnered the band more AOR success, with "Love Is Like a Rock" reaching #9 on Billboard's Top Tracks chart. Two other songs from the album received significant AOR airplay; "My Girl" at #25 and "Sweet Merilee" at #31, charted on the Rock Tracks chart. In addition, he gained the nickname King Cool from this album in the later part of his career. However, the album itself charted less successfully, at #84. After the long tour promoting their two previous albums, the band continued songwriting and in the fall of 1982 released The High and the Mighty. The album contained the single "Tough World," but only charted at #180, marking a decline in his success, but the band still was determined to release new material. Their next album one year later, Fortune 410, contained the hit single "Do You Compute?" which was used by their label MCA and the computer company Atari to form a cross-marketing promotion. Because the promotional partnership was secured prior to release of the album, it was possible to use the Atari 1200 XL Home Computer in poster photography, as well as in the video clip for "Do You Compute?", which aired on MTV. The title of the album is a reference to the trademark glasses Iris wears, Fortune 410's. The combination of marketing and the promotion for its hit single allowed the album to chart higher than its predecessor. Despite Fortune 410 charting higher than The High and the Mighty, MCA was displeased that both albums didn't chart as high as Back on the Streets and King Cool had. The label suggested that the band allow them to bring in a new producer, displacing Mark Avsec, as well bring in new songwriters. Iris and the Cruisers, wanting to keep as much of their creative freedom and sound as they could, said no. As a result, MCA dropped the band in 1984. Shortly after being let go from MCA, the band signed with the small HME Records label. Their next album, No Muss...No Fuss, released in 1985, continued the trend set by Fortune 410 by charting at #115 with the single "Injured in the Game of Love". Both of the aforementioned albums ended up being more critically acclaimed than The High and the Mighty. New Cruisers lineups and different projects (1986–93) Just prior to the release of No Muss...No Fuss, the band began to split into different directions. Drummer Kevin Valentine and bassist Albritton McClain left to join a new group, the Innocent, whose members included future Nine Inch Nails main man Trent Reznor. The two were replaced by Scott Alan Williamson on bass and Tommy Rich on drums. That same year, keyboardist Mark Avsec released a solo project under the moniker Cellarful of Noise. Even after releasing the eponymous debut album that same year, Cellarful of Noise, Avsec and Iris maintained that Donnie Iris and the Cruisers was still their main focus, and that they wanted to continue to release new albums with the band and its new line-up. The band returned to the studio in 1986 and recorded a new album titled Cruise Control; however, a lawsuit with the band's former label MCA resulted in the shelving of that album pending the resolution of the lawsuit. The album itself has still not been released as of 2020, although six tracks from it appeared on 1992's Out of the Blue and a cover of "Reach Out" recorded during the Cruise Control sessions appeared on the 1989 compilation WDVE Pittsburgh Rock & Roll '89. Also around this time, the HME label that the band had signed with to record No Muss...No Fuss went out of business, leaving Donnie Iris and the Cruisers an unsigned act. Since the band seemed to have hit a road block, Iris partnered with Avsec on the second Cellarful of Noise album, Magnificent Obsession, which was released in 1988. The album produced a moderately successful single, "Samantha (What You Gonna Do)." In the early 1990s, Iris set up a mortgage company, SIMCorp, with partners Lynn Shelley and Priscilla Micinko, as a side business from the band. SIMCorp, located in Aliquippa, Pennsylvania, remained under Iris's ownership for nearly twenty years. Donnie Iris and the Cruisers returned to the studio in 1992 to release their first album containing new material since 1985. Titled Out of the Blue, the album was a compilation album containing older hits and new material. It failed to have any impact on the charts, however. Still, the band toured throughout the rest of the year around Pennsylvania and Ohio, and attracted newer and younger fans from the area. The band released another album in 1993, Footsoldier in the Moonlight. At this point, the band underwent yet another line-up change as drummer Tommy Rich departed the group. His replacement, Steve McConnell, auditioned & was hired-on in the summer of 1992, long enough to record on and tour behind Footsoldier in the Moonlight and can be heard on live recordings from 1992 & 1993. Later in 1994, Rich rejoined the group. Later endeavors and new albums (1994–2009) In the summer of 1994, original members Albritton McClain and Kevin Valentine temporarily reunited with Iris, Avsec and Hoenes to record the first album of all new material by the original line-up in nearly 10 years. During recording, the band performed one reunion show together at Conneaut Lake. The album Poletown was released in 1997. In 1998, the band released their first live album. A collection of tracks played at Nick's Fat City, a popular Pittsburgh nightclub, Live! At Nick's Fat City was the first release to feature bass guitarist Paul Goll, who had been touring with the band since 1993, along with drummer Tommy Rich. 1999 saw the release of an Iris collaborative project entitled Together Alone, featuring contributions from other regionally popular artists like Michael Stanley, Scott Blasey, B. E. Taylor and Joe Grushecky. After Alone, which featured a softer side of Iris's vocals, the band took a break from releasing new material but continued to perform regularly through the decade. The first true compilation album from the band was released in 2001 by their former label at MCA: 20th Century Masters: The Millennium Collection: The Best of Donnie Iris, featuring material from the band's four MCA-released albums from the early 1980s. In 2004, the band celebrated its 25th anniversary with a new compilation album featuring their rarer material, 25 Years, and performed live at the Chevrolet Amphitheatre in Pittsburgh, Pennsylvania for 4,000 people. This concert was known for featuring a four drummer lineup of current and previous drummers for the band; Kevin Valentine, Tommy Rich, Brice Foster and Mark Avsec's daughter Danna Avsec, who was the guest drummer. Since then, the band has used a three drummer line-up for several concerts. The band's 2006 album, Ellwood City, was a tribute to Iris's hometown, Ellwood City, Pennsylvania. June 17, 2006 was recognized throughout Lawrence County, Pennsylvania as Donnie Iris Day by Ellwood City Executive Council President Glenn Jones and Mayor Roy P. Meehan. Iris also received special commendations and awards from United States Congresswoman Melissa Hart and Pennsylvania state representative Frank LaGrotta. In 2008 and 2009, King Cool Light was developed after Mark Avsec realized that "King Cool" sounded like the name of a refreshing beer. He later approached Iris and Marty Lee Hoenes who both immediately liked the idea, giving birth to King Cool Limited. King Cool Light was unveiled on November 20, 2009, at Club Diesel in Pittsburgh during the band's 30th anniversary concert. Every case was sold out, but 25 more cases were brought in, which were also sold out. The band's first EP, You Can't Really Miss Me If I Never Go Away, was released in 2008. It was followed in 2009 with their second live album, Ah! Live!, recorded at shows in Erie and Kittanning, Pennsylvania. Recent years (2010–present) In an interview with Cleveland Scene published on February 3, 2010, Mark Avsec announced that the band's next project would be a Christmas album. Ah! Leluiah! was released on November 18, 2010. Additionally, King Cool Light was released in the Youngstown, Ohio market in July of that same year. Also that year, Iris retired from the mortgage banking business and sold SIMCorp. Avsec announced in a March 2012 interview that the band had begun working on their twelfth studio album, due out in 2013 to commemorate Iris's seventieth birthday. However, this project has turned into a special release to celebrate the thirty-fifth anniversary of the formation of Donnie Iris and the Cruisers, which was expected to be released in 2014. On June 17, 2014, Iris and the Cruisers leaked a new song, "Sing the Songs of Summer (All Night Long)," the first track to be released from the band's intermittent time in the studio in the previous two years. This was followed by "Pittsburgh Made," released on Spotify and for free download in October 2016. On the April 2, 2015 episode of Jim Krenn's No Restrictions podcast, Iris mentioned that he and the band hoped to have the often-delayed album out by the end of 2015. As of November 2018, there is still no release date known for the new album. In February 2015, Iris was nominated for a Pittsburgh Rock 'N Roll Legends Award in the modern era category (artists with 20-plus years in music business). The awards, begun in 2014, honor those who have made significant contributions to the Pittsburgh rock scene. In his category, Iris went up against Joe Grushecky, Billy Price and Rusted Root. On March 19, it was announced that Iris had won the public voting process to be inducted for the Rock 'N Roll Legends in his category, along with Lou Christie (Legacy Legends category, 40-plus years in the business) and Porky Chedwick (non-performer/musical professional category, 20-plus years active). Iris was enshrined with a plaque at Pittsburgh's Hard Rock Cafe on April 23, 2015 and he performed a set with an all-star Pittsburgh band. In July 2021, Iris's first four studio albums were reissued in remastered CD form by Rock Candy Records. Each album contains one or more live bonus tracks taken from the 1981 Live at the Paradise, Boston promotional EP. Discography As a member of the Jaggerz (1964–1976) As a member of Wild Cherry (1978–1979) Donnie Iris and the Cruisers (1979–present) Studio albums Live albums Live! At Nick's Fat City, 1998 (Primary) Ah! Live!, 2009 (Primary) Live Bootleg, 2014 (Primary) Compilation albums 20th Century Masters: The Millennium Collection: The Best of Donnie Iris, 2001 (MCA) Donnie: 25 Years, 2004 (Primary) EP Live at the Paradise, Boston, 1981 (MCA) You Can't Really Miss Me If I Never Go Away, 2008 (Primary) Other appearances WDVE Pittsburgh Rock 'n Roll '89, 1989 (WDVE-FM) on the song "Reach Out" Singles Videography Live at Blossom, 1981 King Cool: Ah! History of Donnie Iris and the Cruisers, 2004 (documentary) Guest appearances Cellarful of Noise's album, Magnificent Obsession, 1988 "Baby, It's Cold Outside" (Nina Sainato) on the album Holly and Ivory, 2011 Other credits I Love My Music, 1978 (Epic, peaked at no. 84 on Billboard 200), engineering credit (Wild Cherry) Innermission, 1982 (MCA), producer (B. E. Taylor Group) Donnie Iris and the Cruisers members Current members Donnie Iris, lead vocals (1979–present) Mark Avsec, keyboards and background vocals (1979–present) Marty Lee Hoenes, guitar and background vocals (1979–present) Paul Goll, bass and background vocals (1993–present) Kevin Valentine, drums (1979–1985, 1994 reunion, 2003–present) Former members Albritton McClain, bass and background vocals (1979–1985, 1994 reunion) Scott Alan Williamson, bass and background vocals (1985–1993) Tommy Rich, drums (1985–1990, 1994–2003) Steve McConnell, drums (1990–1994) Brice Foster, drums (2004–2007) Touring member Mark Tirabassi, drums (2007–present) (fill-in when Kevin Valentine can't travel) Joe Vitale Jr, drums (2021–present) (fill-in when Kevin Valentine can't travel) Session musicians Kenny Blake, saxophone (1980–1981, 1993/Back on the Streets, King Cool and Footsoldier in the Moonlight) Robert Peckman, bass (1980/Back on the Streets) Rick Bell, saxophone (1983/Fortune 410) Dan McCarthy, horns (1983–1984/Fortune 410 and No Muss…No Fuss) Rodney Psyka, percussion (1985/No Muss…No Fuss) Pete Tokar, percussion (1993/Footsoldier in the Moonlight) Alan Green, guitar (2008/You Can't Really Miss Me If I Never Go Away) Further reading Ferris, D.X., The Story of Donnie Iris and the Cruisers, (2017) References External links Official Website Living people People from Ellwood City, Pennsylvania American rock singers Musicians from Pittsburgh Donnie Iris and the Cruisers members The Jaggerz members Slippery Rock University of Pennsylvania alumni Wild Cherry (band) members Singers from Pennsylvania Power pop musicians People from New Castle, Pennsylvania 1943 births MCA Records artists

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What health problems did Remis had?

What health problems did Harold Ramis had?

Harold Ramis

In May 2010, Ramis contracted an infection that resulted in complications from autoimmune inflammatory vasculitis and lost the ability to walk. After relearning to walk he suffered a relapse of the disease in late 2011. He died of complications of the disease on February 24, 2014 at his home on Chicago's North Shore, at age 69. A private funeral was held for him two days later with family, friends, and several collaborators in attendance including Dan Aykroyd, Chevy Chase, Eugene Levy, Dave Thomas, David Pasquesi, Andrew Alexander, and the widows of John Belushi and Bernard Sahlins. He is buried at Shalom Memorial Park in Arlington Heights. Upon Ramis' death, President Barack Obama released a statement, saying: "when we watched his movies--from Animal House and Caddyshack to Ghostbusters and Groundhog Day--we didn't just laugh until it hurt. We questioned authority. We identified with the outsider. We rooted for the underdog. And through it all, we never lost our faith in happy endings." He ended his statement by saying he hoped Ramis "received total consciousness", in reference to a line from Caddyshack. Ramis and longtime collaborator Bill Murray had a falling out during the filming of Groundhog Day. Shortly before Ramis' death Murray visited him, and the two spoke for the first time in 21 years. Murray gave tribute to Ramis at the 86th Academy Awards. Ramis was paid tribute by Stephen Colbert on an episode of his show The Colbert Report. Colbert said that "as a young, bookish man with glasses looking for a role model, I might have picked Harold Ramis". He ended the show by thanking Ramis. CANNOTANSWER

In May 2010, Ramis contracted an infection that resulted in complications from autoimmune inflammatory vasculitis and lost the ability to walk.

Harold Allen Ramis (; November 21, 1944 – February 24, 2014) was an American actor, comedian, director and writer. His best-known film acting roles were as Egon Spengler in Ghostbusters (1984) and Ghostbusters II (1989), and as Russell Ziskey in Stripes (1981); he also co-wrote those films. As a director, his films include the comedies Caddyshack (1980), National Lampoon's Vacation (1983), Groundhog Day (1993), Analyze This (1999) and Analyze That (2002). Ramis was the original head writer of the television series SCTV, on which he also performed, as well as a co-writer of Groundhog Day and National Lampoon's Animal House (1978). The final film that he wrote, produced, directed, and acted in was Year One (2009). Ramis's films influenced subsequent generations of comedians, comedy writers and actors. Filmmakers and actors including Jay Roach, Jake Kasdan, Adam Sandler, and Peter and Bobby Farrelly have cited his films as among their favorites. Along with Danny Rubin, he won the BAFTA Award for Best Original Screenplay for Groundhog Day. Early life Ramis was born on November 21, 1944, in Chicago, Illinois, the son of Ruth (née Cokee) (1919-2001) and Nathan Ramis (1915-2009), who owned the Ace Food & Liquor Mart on the city's far North Side. Ramis had a Jewish upbringing. In his adult life, he did not practice any religion. He graduated from Stephen K. Hayt Elementary School in June 1958 and Nicholas Senn High School in 1962, both Chicago public schools, and in 1966 from Washington University in St. Louis, Missouri, where he was a member of the Alpha Xi chapter of Zeta Beta Tau fraternity. Afterward, Ramis worked in a mental institution in St. Louis for seven months. He later said of his time working there that it: Career Early years Ramis began writing parodic plays in college, saying years later, "In my heart, I felt I was a combination of Groucho and Harpo Marx, of Groucho using his wit as a weapon against the upper classes, and of Harpo's antic charm and the fact that he was oddly sexy—he grabs women, pulls their skirts off, and gets away with it." He avoided the Vietnam War military draft by taking methamphetamine to fail his draft physical. Following his work in St. Louis, Ramis returned to Chicago, where by 1968, he was a substitute teacher at schools serving the inner-city Robert Taylor Homes. He also became associated with the guerrilla television collective TVTV, headed by his college friend Michael Shamberg, and wrote freelance for the Chicago Daily News. "Michael Shamberg, right out of college, had started freelancing for newspapers and got on as a stringer for a local paper, and I thought, 'Well, if Michael can do that, I can do that.' I wrote a spec piece and submitted it to the Chicago Daily News, the Arts & Leisure section, and they started giving me assignments [for] entertainment features." Additionally, Ramis had begun studying and performing with Chicago's Second City improvisational comedy troupe. Ramis's newspaper writing led to him becoming joke editor at Playboy magazine. "I called…just cold and said I had written several pieces freelance and did they have any openings. And they happened to have their entry-level job, party jokes editor, open. He liked my stuff and he gave me a stack of jokes that readers had sent in and asked me to rewrite them. I had been in Second City in the workshops already and Michael Shamberg and I had written comedy shows in college." Ramis was eventually promoted to associate editor. National Lampoon, SCTV, and The Top After leaving Second City for a time and returning in 1972, having been replaced in the main cast by John Belushi, Ramis worked his way back as Belushi's deadpan foil. In 1974, Belushi brought Ramis and other Second City performers, including Ramis's frequent future collaborator Bill Murray, to New York City to work on The National Lampoon Radio Hour. During this time, Ramis, Belushi, Murray, Joe Flaherty, Christopher Guest, and Gilda Radner starred in the revue The National Lampoon Show, the successor to National Lampoon's Lemmings. Later, Ramis became a performer on, and head writer of, the late-night sketch-comedy television series SCTV during its first three years (1976–1979). He was soon offered work as a writer at Saturday Night Live but chose to continue with SCTV. Characterizations by Ramis on SCTV include corrupt Dialing for Dollars host/SCTV station manager Maurice "Moe" Green, amiable cop Officer Friendly, exercise guru Swami Bananananda, board chairman Allan "Crazy Legs" Hirschman and home dentist Mort Finkel. His celebrity impressions on SCTV included Kenneth Clark and Leonard Nimoy. In 1984, Ramis executive produced a music/comedy/variety television show called The Top. The producer was Paul Flattery and the director was David Jove. Ramis got involved after the mysterious death of his friend Peter Ivers who had hosted Jove's underground show "New Wave Theater." He called Jove and offered to help. Flattery and Jove pitched him the idea for The Top, and Ramis was instrumental in getting it on the air. The show was a mixture of live music, videos, and humor. Performers on the show included Cyndi Lauper, who performed "Girls Just Want to Have Fun" and "True Colors"; the Hollies, who performed "Stop in the Name of Love"; and the Romantics, who performed their two hits at the time, "Talking in Your Sleep" and "What I Like About You." Guest stars included Rodney Dangerfield, Chevy Chase, and Dan Aykroyd. Ramis got Bill Murray to host but, because Ghostbusters filming ran late, he did not make it to the taping. Chase came out dressed as a "punk" of the time and somehow got into a physical altercation with an audience member (also a punk) during the opening monologue. He immediately left the taping. Flattery and Jove carried on with the show. Ramis then got Andy Kaufman to fill in for Chase and recorded the host segments at a separate, later, session; it would be Kaufman's final professional appearance. The Top aired on Friday, January 27, 1984, at 7 p.m. It scored a 7.7% rating and a 14% share. This represented a 28% rating increase and a 27% share increase over KTLA's regularly scheduled Happy Days/Laverne and Shirley. Film career Ramis left SCTV to pursue a film career and wrote a script with National Lampoon magazine's Douglas Kenney, which eventually became National Lampoon's Animal House. They were later joined by a third collaborator, Chris Miller. The 1978 film followed the struggle between a rowdy college fraternity house and the college dean. The film's humor was raunchy for its time. Animal House "broke all box-office records for comedies" and earned $141 million. He also had a voice part as Zeke in the "So Beautiful & So Dangerous" segment of Heavy Metal in 1981. Ramis next co-wrote the comedy Meatballs, starring Bill Murray. The movie was a commercial success and became the first of six film collaborations between Murray and Ramis. His third film and his directorial debut was Caddyshack, which he wrote with Kenney and Brian Doyle-Murray. It starred Chevy Chase, Rodney Dangerfield, Ted Knight, and Bill Murray. Like Ramis's previous two films, Caddyshack was a commercial success. In 1982, Ramis was attached to direct the film adaptation of the Pulitzer Prize-winning book A Confederacy of Dunces by John Kennedy Toole. The film was to star John Belushi and Richard Pryor, but the project was aborted. In 1984, Ramis collaborated with Dan Aykroyd on the screenplay for Ghostbusters, which became one of the biggest comedy hits of all time, in which he also starred as Dr. Egon Spengler. He reprised the role for the 1989 sequel, Ghostbusters II (which he also co-wrote with Aykroyd). His later film Groundhog Day has been called his "masterpiece." His films have been noted for attacking "the smugness of institutional life…with an impish good [will] that is unmistakably American." They are also noted for "Ramis's signature tongue-in-cheek pep talks." Sloppiness and improv were also important aspects of his work. Ramis frequently depicted the qualities of "anger, curiosity, laziness, and woolly idealism" in "a hyper-articulate voice." Ramis also occasionally acted in supporting roles in acclaimed films that he did not write or direct, such as James L. Brooks's Academy Award-winning As Good as It Gets (1997) and Judd Apatow's hit comedy Knocked Up (2007). In 2004, Ramis turned down the opportunity to direct the Bernie Mac-Ashton Kutcher film Guess Who, then under the working title "The Dinner Party," because he considered it poorly written. That same year, he began filming the low-budget The Ice Harvest, "his first attempt to make a comic film noir." Ramis spent six weeks trying to get the film greenlit because he had difficulty reaching an agreement about stars John Cusack's and Billy Bob Thornton's salaries. The film received mixed reviews. In 2004, Ramis's typical directing fee was $5 million. In an interview in the documentary American Storytellers, Ramis said he hoped to make a film about Emma Goldman (even pitching Disney with the idea of having Bette Midler star) but that none of the film studios were interested and that it would have been difficult to raise the funding. Ramis said in 2009 that he planned to make a third Ghostbusters film for release either in mid-2011 or for Christmas 2012. A reboot to the franchise, also called Ghostbusters, was eventually made and released in 2016, directed and co-written by Paul Feig. In this film, a bronze bust of Ramis can be seen when Erin Gilbert leaves her office at Columbia University. Personal life Ramis was married twice and had four children. On July 2, 1967, he married San Francisco artist Anne Plotkin, with whom he had a daughter, Violet Ramis Stiel. Actor and Ghostbusters co-star Bill Murray is Violet's godfather. Ramis and Plotkin separated in 1984 and later divorced. Ramis' daughter Mollie Heckerling was born in 1985 and Mollie Heckerling's mother is Amy Heckerling, a director. In 1989, Ramis married Erica Mann, daughter of director Daniel Mann and actress Mary Kathleen Williams. Together they had two sons, Julian Arthur and Daniel Hayes in 1990 and 1994. Although Ramis maintained humanist beliefs, Erica's Buddhist upbringing greatly influenced his philosophies for the rest of his life, and he became friends with the Dalai Lama. Ramis was a Chicago Cubs fan and attended games every year to conduct the seventh-inning stretch at Wrigley Field. His pastimes included fencing, ritual drumming, acoustic guitar, and making hats from felted fleece; additionally, he taught himself to ski by watching skiers on television. Illness and death In May 2010, Ramis contracted an infection that resulted in complications from autoimmune inflammatory vasculitis and lost the ability to walk. After relearning to walk he suffered a relapse of the disease in late 2011. He died of complications of the disease on February 24, 2014, at his home on Chicago's North Shore, at age 69. A private funeral was held for him two days later with family, friends, and several collaborators in attendance, including Dan Aykroyd, Chevy Chase, Eugene Levy, Dave Thomas, David Pasquesi, Andrew Alexander, and the widows of John Belushi and Bernard Sahlins. He is buried at Shalom Memorial Park in Arlington Heights. Upon Ramis's death, President Barack Obama released a statement, saying, "When we watched his movies—from Animal House and Caddyshack to Ghostbusters and Groundhog Day—we didn't just laugh until it hurt. We questioned authority. We identified with the outsider. We rooted for the underdog. And through it all, we never lost our faith in happy endings." He ended his statement by saying he hoped Ramis "received total consciousness," in reference to a line from Caddyshack. Ramis and longtime collaborator Bill Murray had a falling out during the filming of Groundhog Day, which Ramis attributed to problems that Murray had in his own life at the time. They did not speak for more than 20 years. Shortly before Ramis's death, Murray, encouraged by his brother Brian Doyle-Murray, visited him to make amends with a box of donuts and a police escort, according to Ramis's daughter Violet. At that point, Ramis had lost most of his ability to speak, so Murray did most of the talking over several hours. Murray gave a tribute to Ramis at the 86th Academy Awards. Stephen Colbert paid tribute to Ramis on an episode of his show The Colbert Report. Colbert said that "as a young, bookish man with glasses looking for a role model, I might have picked Harold Ramis." He ended the show by thanking him. Awards and honors In 2004, Ramis was inducted into the St. Louis Walk of Fame. In 2005, he received the Austin Film Festival's Distinguished Screenwriter Award. In 2010, he received a lifetime achievement award from the Chicago Improv Festival. In 2015, the Writers Guild of America posthumously honored him with their lifetime achievement award, the Laurel Award for Screenwriting Achievement. In 2016, two years after his death, The Second City founded the Harold Ramis Film School, the first film school to focus solely on film comedy, in his honor. The 2016 film Ghostbusters, a reboot of the series Ramis co-created and starred in, was posthumously dedicated to him. A bust of Ramis appears in the film. In the 2021 movie Ghostbusters: Afterlife, the age-progressed image of Ramis appears as the ghost of Egon Spengler; a dedication before the end credits also reads "for Harold." Collaborations Ramis frequently collaborated with Ivan Reitman. He co-wrote National Lampoon's Animal House, which Reitman produced, then co-wrote the Reitman-directed comedy Meatballs; he co-wrote and appeared in the Reitman-directed films Stripes, Ghostbusters, and Ghostbusters II. Filmography Films Television Acting roles Video games Archival appearances References Further reading External links Henkel, Guido. "Anatomy of a Comedian: Harold Ramis", DVD Review, August 6, 1999 Garfinkel, Perry. "And If He Sees His Shadow...", Lion's Roar, July 2009 Meatballs Movie Website The films of Harold Ramis, Hell Is For Hyphenates, April 30, 2014 1944 births 2014 deaths 20th-century American male actors 21st-century American male actors 20th-century American screenwriters 21st-century American screenwriters American people of Jewish descent American male comedians American male film actors American male screenwriters American male television actors American television writers Best Original Screenplay BAFTA Award winners Comedy film directors Deaths from vasculitis Jewish American male actors Male actors from Chicago Washington University in St. Louis alumni Jewish American writers Film directors from Illinois American male television writers Comedians from Illinois Writers from Chicago Screenwriters from Illinois Jewish American male comedians 20th-century American male writers 21st-century American male writers

C_8b48ff8bc3404ccda0cc4ffc5aaf4a39_0

What happened after he lost the ability to walk?

What happened after Harold Ramis lost the ability to walk?

Harold Ramis

In May 2010, Ramis contracted an infection that resulted in complications from autoimmune inflammatory vasculitis and lost the ability to walk. After relearning to walk he suffered a relapse of the disease in late 2011. He died of complications of the disease on February 24, 2014 at his home on Chicago's North Shore, at age 69. A private funeral was held for him two days later with family, friends, and several collaborators in attendance including Dan Aykroyd, Chevy Chase, Eugene Levy, Dave Thomas, David Pasquesi, Andrew Alexander, and the widows of John Belushi and Bernard Sahlins. He is buried at Shalom Memorial Park in Arlington Heights. Upon Ramis' death, President Barack Obama released a statement, saying: "when we watched his movies--from Animal House and Caddyshack to Ghostbusters and Groundhog Day--we didn't just laugh until it hurt. We questioned authority. We identified with the outsider. We rooted for the underdog. And through it all, we never lost our faith in happy endings." He ended his statement by saying he hoped Ramis "received total consciousness", in reference to a line from Caddyshack. Ramis and longtime collaborator Bill Murray had a falling out during the filming of Groundhog Day. Shortly before Ramis' death Murray visited him, and the two spoke for the first time in 21 years. Murray gave tribute to Ramis at the 86th Academy Awards. Ramis was paid tribute by Stephen Colbert on an episode of his show The Colbert Report. Colbert said that "as a young, bookish man with glasses looking for a role model, I might have picked Harold Ramis". He ended the show by thanking Ramis. CANNOTANSWER

After relearning to walk he suffered a relapse of the disease in late 2011.

Harold Allen Ramis (; November 21, 1944 – February 24, 2014) was an American actor, comedian, director and writer. His best-known film acting roles were as Egon Spengler in Ghostbusters (1984) and Ghostbusters II (1989), and as Russell Ziskey in Stripes (1981); he also co-wrote those films. As a director, his films include the comedies Caddyshack (1980), National Lampoon's Vacation (1983), Groundhog Day (1993), Analyze This (1999) and Analyze That (2002). Ramis was the original head writer of the television series SCTV, on which he also performed, as well as a co-writer of Groundhog Day and National Lampoon's Animal House (1978). The final film that he wrote, produced, directed, and acted in was Year One (2009). Ramis's films influenced subsequent generations of comedians, comedy writers and actors. Filmmakers and actors including Jay Roach, Jake Kasdan, Adam Sandler, and Peter and Bobby Farrelly have cited his films as among their favorites. Along with Danny Rubin, he won the BAFTA Award for Best Original Screenplay for Groundhog Day. Early life Ramis was born on November 21, 1944, in Chicago, Illinois, the son of Ruth (née Cokee) (1919-2001) and Nathan Ramis (1915-2009), who owned the Ace Food & Liquor Mart on the city's far North Side. Ramis had a Jewish upbringing. In his adult life, he did not practice any religion. He graduated from Stephen K. Hayt Elementary School in June 1958 and Nicholas Senn High School in 1962, both Chicago public schools, and in 1966 from Washington University in St. Louis, Missouri, where he was a member of the Alpha Xi chapter of Zeta Beta Tau fraternity. Afterward, Ramis worked in a mental institution in St. Louis for seven months. He later said of his time working there that it: Career Early years Ramis began writing parodic plays in college, saying years later, "In my heart, I felt I was a combination of Groucho and Harpo Marx, of Groucho using his wit as a weapon against the upper classes, and of Harpo's antic charm and the fact that he was oddly sexy—he grabs women, pulls their skirts off, and gets away with it." He avoided the Vietnam War military draft by taking methamphetamine to fail his draft physical. Following his work in St. Louis, Ramis returned to Chicago, where by 1968, he was a substitute teacher at schools serving the inner-city Robert Taylor Homes. He also became associated with the guerrilla television collective TVTV, headed by his college friend Michael Shamberg, and wrote freelance for the Chicago Daily News. "Michael Shamberg, right out of college, had started freelancing for newspapers and got on as a stringer for a local paper, and I thought, 'Well, if Michael can do that, I can do that.' I wrote a spec piece and submitted it to the Chicago Daily News, the Arts & Leisure section, and they started giving me assignments [for] entertainment features." Additionally, Ramis had begun studying and performing with Chicago's Second City improvisational comedy troupe. Ramis's newspaper writing led to him becoming joke editor at Playboy magazine. "I called…just cold and said I had written several pieces freelance and did they have any openings. And they happened to have their entry-level job, party jokes editor, open. He liked my stuff and he gave me a stack of jokes that readers had sent in and asked me to rewrite them. I had been in Second City in the workshops already and Michael Shamberg and I had written comedy shows in college." Ramis was eventually promoted to associate editor. National Lampoon, SCTV, and The Top After leaving Second City for a time and returning in 1972, having been replaced in the main cast by John Belushi, Ramis worked his way back as Belushi's deadpan foil. In 1974, Belushi brought Ramis and other Second City performers, including Ramis's frequent future collaborator Bill Murray, to New York City to work on The National Lampoon Radio Hour. During this time, Ramis, Belushi, Murray, Joe Flaherty, Christopher Guest, and Gilda Radner starred in the revue The National Lampoon Show, the successor to National Lampoon's Lemmings. Later, Ramis became a performer on, and head writer of, the late-night sketch-comedy television series SCTV during its first three years (1976–1979). He was soon offered work as a writer at Saturday Night Live but chose to continue with SCTV. Characterizations by Ramis on SCTV include corrupt Dialing for Dollars host/SCTV station manager Maurice "Moe" Green, amiable cop Officer Friendly, exercise guru Swami Bananananda, board chairman Allan "Crazy Legs" Hirschman and home dentist Mort Finkel. His celebrity impressions on SCTV included Kenneth Clark and Leonard Nimoy. In 1984, Ramis executive produced a music/comedy/variety television show called The Top. The producer was Paul Flattery and the director was David Jove. Ramis got involved after the mysterious death of his friend Peter Ivers who had hosted Jove's underground show "New Wave Theater." He called Jove and offered to help. Flattery and Jove pitched him the idea for The Top, and Ramis was instrumental in getting it on the air. The show was a mixture of live music, videos, and humor. Performers on the show included Cyndi Lauper, who performed "Girls Just Want to Have Fun" and "True Colors"; the Hollies, who performed "Stop in the Name of Love"; and the Romantics, who performed their two hits at the time, "Talking in Your Sleep" and "What I Like About You." Guest stars included Rodney Dangerfield, Chevy Chase, and Dan Aykroyd. Ramis got Bill Murray to host but, because Ghostbusters filming ran late, he did not make it to the taping. Chase came out dressed as a "punk" of the time and somehow got into a physical altercation with an audience member (also a punk) during the opening monologue. He immediately left the taping. Flattery and Jove carried on with the show. Ramis then got Andy Kaufman to fill in for Chase and recorded the host segments at a separate, later, session; it would be Kaufman's final professional appearance. The Top aired on Friday, January 27, 1984, at 7 p.m. It scored a 7.7% rating and a 14% share. This represented a 28% rating increase and a 27% share increase over KTLA's regularly scheduled Happy Days/Laverne and Shirley. Film career Ramis left SCTV to pursue a film career and wrote a script with National Lampoon magazine's Douglas Kenney, which eventually became National Lampoon's Animal House. They were later joined by a third collaborator, Chris Miller. The 1978 film followed the struggle between a rowdy college fraternity house and the college dean. The film's humor was raunchy for its time. Animal House "broke all box-office records for comedies" and earned $141 million. He also had a voice part as Zeke in the "So Beautiful & So Dangerous" segment of Heavy Metal in 1981. Ramis next co-wrote the comedy Meatballs, starring Bill Murray. The movie was a commercial success and became the first of six film collaborations between Murray and Ramis. His third film and his directorial debut was Caddyshack, which he wrote with Kenney and Brian Doyle-Murray. It starred Chevy Chase, Rodney Dangerfield, Ted Knight, and Bill Murray. Like Ramis's previous two films, Caddyshack was a commercial success. In 1982, Ramis was attached to direct the film adaptation of the Pulitzer Prize-winning book A Confederacy of Dunces by John Kennedy Toole. The film was to star John Belushi and Richard Pryor, but the project was aborted. In 1984, Ramis collaborated with Dan Aykroyd on the screenplay for Ghostbusters, which became one of the biggest comedy hits of all time, in which he also starred as Dr. Egon Spengler. He reprised the role for the 1989 sequel, Ghostbusters II (which he also co-wrote with Aykroyd). His later film Groundhog Day has been called his "masterpiece." His films have been noted for attacking "the smugness of institutional life…with an impish good [will] that is unmistakably American." They are also noted for "Ramis's signature tongue-in-cheek pep talks." Sloppiness and improv were also important aspects of his work. Ramis frequently depicted the qualities of "anger, curiosity, laziness, and woolly idealism" in "a hyper-articulate voice." Ramis also occasionally acted in supporting roles in acclaimed films that he did not write or direct, such as James L. Brooks's Academy Award-winning As Good as It Gets (1997) and Judd Apatow's hit comedy Knocked Up (2007). In 2004, Ramis turned down the opportunity to direct the Bernie Mac-Ashton Kutcher film Guess Who, then under the working title "The Dinner Party," because he considered it poorly written. That same year, he began filming the low-budget The Ice Harvest, "his first attempt to make a comic film noir." Ramis spent six weeks trying to get the film greenlit because he had difficulty reaching an agreement about stars John Cusack's and Billy Bob Thornton's salaries. The film received mixed reviews. In 2004, Ramis's typical directing fee was $5 million. In an interview in the documentary American Storytellers, Ramis said he hoped to make a film about Emma Goldman (even pitching Disney with the idea of having Bette Midler star) but that none of the film studios were interested and that it would have been difficult to raise the funding. Ramis said in 2009 that he planned to make a third Ghostbusters film for release either in mid-2011 or for Christmas 2012. A reboot to the franchise, also called Ghostbusters, was eventually made and released in 2016, directed and co-written by Paul Feig. In this film, a bronze bust of Ramis can be seen when Erin Gilbert leaves her office at Columbia University. Personal life Ramis was married twice and had four children. On July 2, 1967, he married San Francisco artist Anne Plotkin, with whom he had a daughter, Violet Ramis Stiel. Actor and Ghostbusters co-star Bill Murray is Violet's godfather. Ramis and Plotkin separated in 1984 and later divorced. Ramis' daughter Mollie Heckerling was born in 1985 and Mollie Heckerling's mother is Amy Heckerling, a director. In 1989, Ramis married Erica Mann, daughter of director Daniel Mann and actress Mary Kathleen Williams. Together they had two sons, Julian Arthur and Daniel Hayes in 1990 and 1994. Although Ramis maintained humanist beliefs, Erica's Buddhist upbringing greatly influenced his philosophies for the rest of his life, and he became friends with the Dalai Lama. Ramis was a Chicago Cubs fan and attended games every year to conduct the seventh-inning stretch at Wrigley Field. His pastimes included fencing, ritual drumming, acoustic guitar, and making hats from felted fleece; additionally, he taught himself to ski by watching skiers on television. Illness and death In May 2010, Ramis contracted an infection that resulted in complications from autoimmune inflammatory vasculitis and lost the ability to walk. After relearning to walk he suffered a relapse of the disease in late 2011. He died of complications of the disease on February 24, 2014, at his home on Chicago's North Shore, at age 69. A private funeral was held for him two days later with family, friends, and several collaborators in attendance, including Dan Aykroyd, Chevy Chase, Eugene Levy, Dave Thomas, David Pasquesi, Andrew Alexander, and the widows of John Belushi and Bernard Sahlins. He is buried at Shalom Memorial Park in Arlington Heights. Upon Ramis's death, President Barack Obama released a statement, saying, "When we watched his movies—from Animal House and Caddyshack to Ghostbusters and Groundhog Day—we didn't just laugh until it hurt. We questioned authority. We identified with the outsider. We rooted for the underdog. And through it all, we never lost our faith in happy endings." He ended his statement by saying he hoped Ramis "received total consciousness," in reference to a line from Caddyshack. Ramis and longtime collaborator Bill Murray had a falling out during the filming of Groundhog Day, which Ramis attributed to problems that Murray had in his own life at the time. They did not speak for more than 20 years. Shortly before Ramis's death, Murray, encouraged by his brother Brian Doyle-Murray, visited him to make amends with a box of donuts and a police escort, according to Ramis's daughter Violet. At that point, Ramis had lost most of his ability to speak, so Murray did most of the talking over several hours. Murray gave a tribute to Ramis at the 86th Academy Awards. Stephen Colbert paid tribute to Ramis on an episode of his show The Colbert Report. Colbert said that "as a young, bookish man with glasses looking for a role model, I might have picked Harold Ramis." He ended the show by thanking him. Awards and honors In 2004, Ramis was inducted into the St. Louis Walk of Fame. In 2005, he received the Austin Film Festival's Distinguished Screenwriter Award. In 2010, he received a lifetime achievement award from the Chicago Improv Festival. In 2015, the Writers Guild of America posthumously honored him with their lifetime achievement award, the Laurel Award for Screenwriting Achievement. In 2016, two years after his death, The Second City founded the Harold Ramis Film School, the first film school to focus solely on film comedy, in his honor. The 2016 film Ghostbusters, a reboot of the series Ramis co-created and starred in, was posthumously dedicated to him. A bust of Ramis appears in the film. In the 2021 movie Ghostbusters: Afterlife, the age-progressed image of Ramis appears as the ghost of Egon Spengler; a dedication before the end credits also reads "for Harold." Collaborations Ramis frequently collaborated with Ivan Reitman. He co-wrote National Lampoon's Animal House, which Reitman produced, then co-wrote the Reitman-directed comedy Meatballs; he co-wrote and appeared in the Reitman-directed films Stripes, Ghostbusters, and Ghostbusters II. Filmography Films Television Acting roles Video games Archival appearances References Further reading External links Henkel, Guido. "Anatomy of a Comedian: Harold Ramis", DVD Review, August 6, 1999 Garfinkel, Perry. "And If He Sees His Shadow...", Lion's Roar, July 2009 Meatballs Movie Website The films of Harold Ramis, Hell Is For Hyphenates, April 30, 2014 1944 births 2014 deaths 20th-century American male actors 21st-century American male actors 20th-century American screenwriters 21st-century American screenwriters American people of Jewish descent American male comedians American male film actors American male screenwriters American male television actors American television writers Best Original Screenplay BAFTA Award winners Comedy film directors Deaths from vasculitis Jewish American male actors Male actors from Chicago Washington University in St. Louis alumni Jewish American writers Film directors from Illinois American male television writers Comedians from Illinois Writers from Chicago Screenwriters from Illinois Jewish American male comedians 20th-century American male writers 21st-century American male writers

C_8b48ff8bc3404ccda0cc4ffc5aaf4a39_0

Was this relapse worse than the original time he faced the illness?

Was Harold Ramis' relapse of autoimmune inflammatory vasculitis in late 2011 worse than the original time Ramis faced the illness?

Harold Ramis

In May 2010, Ramis contracted an infection that resulted in complications from autoimmune inflammatory vasculitis and lost the ability to walk. After relearning to walk he suffered a relapse of the disease in late 2011. He died of complications of the disease on February 24, 2014 at his home on Chicago's North Shore, at age 69. A private funeral was held for him two days later with family, friends, and several collaborators in attendance including Dan Aykroyd, Chevy Chase, Eugene Levy, Dave Thomas, David Pasquesi, Andrew Alexander, and the widows of John Belushi and Bernard Sahlins. He is buried at Shalom Memorial Park in Arlington Heights. Upon Ramis' death, President Barack Obama released a statement, saying: "when we watched his movies--from Animal House and Caddyshack to Ghostbusters and Groundhog Day--we didn't just laugh until it hurt. We questioned authority. We identified with the outsider. We rooted for the underdog. And through it all, we never lost our faith in happy endings." He ended his statement by saying he hoped Ramis "received total consciousness", in reference to a line from Caddyshack. Ramis and longtime collaborator Bill Murray had a falling out during the filming of Groundhog Day. Shortly before Ramis' death Murray visited him, and the two spoke for the first time in 21 years. Murray gave tribute to Ramis at the 86th Academy Awards. Ramis was paid tribute by Stephen Colbert on an episode of his show The Colbert Report. Colbert said that "as a young, bookish man with glasses looking for a role model, I might have picked Harold Ramis". He ended the show by thanking Ramis. CANNOTANSWER

He died of complications of the disease on February 24, 2014

Harold Allen Ramis (; November 21, 1944 – February 24, 2014) was an American actor, comedian, director and writer. His best-known film acting roles were as Egon Spengler in Ghostbusters (1984) and Ghostbusters II (1989), and as Russell Ziskey in Stripes (1981); he also co-wrote those films. As a director, his films include the comedies Caddyshack (1980), National Lampoon's Vacation (1983), Groundhog Day (1993), Analyze This (1999) and Analyze That (2002). Ramis was the original head writer of the television series SCTV, on which he also performed, as well as a co-writer of Groundhog Day and National Lampoon's Animal House (1978). The final film that he wrote, produced, directed, and acted in was Year One (2009). Ramis's films influenced subsequent generations of comedians, comedy writers and actors. Filmmakers and actors including Jay Roach, Jake Kasdan, Adam Sandler, and Peter and Bobby Farrelly have cited his films as among their favorites. Along with Danny Rubin, he won the BAFTA Award for Best Original Screenplay for Groundhog Day. Early life Ramis was born on November 21, 1944, in Chicago, Illinois, the son of Ruth (née Cokee) (1919-2001) and Nathan Ramis (1915-2009), who owned the Ace Food & Liquor Mart on the city's far North Side. Ramis had a Jewish upbringing. In his adult life, he did not practice any religion. He graduated from Stephen K. Hayt Elementary School in June 1958 and Nicholas Senn High School in 1962, both Chicago public schools, and in 1966 from Washington University in St. Louis, Missouri, where he was a member of the Alpha Xi chapter of Zeta Beta Tau fraternity. Afterward, Ramis worked in a mental institution in St. Louis for seven months. He later said of his time working there that it: Career Early years Ramis began writing parodic plays in college, saying years later, "In my heart, I felt I was a combination of Groucho and Harpo Marx, of Groucho using his wit as a weapon against the upper classes, and of Harpo's antic charm and the fact that he was oddly sexy—he grabs women, pulls their skirts off, and gets away with it." He avoided the Vietnam War military draft by taking methamphetamine to fail his draft physical. Following his work in St. Louis, Ramis returned to Chicago, where by 1968, he was a substitute teacher at schools serving the inner-city Robert Taylor Homes. He also became associated with the guerrilla television collective TVTV, headed by his college friend Michael Shamberg, and wrote freelance for the Chicago Daily News. "Michael Shamberg, right out of college, had started freelancing for newspapers and got on as a stringer for a local paper, and I thought, 'Well, if Michael can do that, I can do that.' I wrote a spec piece and submitted it to the Chicago Daily News, the Arts & Leisure section, and they started giving me assignments [for] entertainment features." Additionally, Ramis had begun studying and performing with Chicago's Second City improvisational comedy troupe. Ramis's newspaper writing led to him becoming joke editor at Playboy magazine. "I called…just cold and said I had written several pieces freelance and did they have any openings. And they happened to have their entry-level job, party jokes editor, open. He liked my stuff and he gave me a stack of jokes that readers had sent in and asked me to rewrite them. I had been in Second City in the workshops already and Michael Shamberg and I had written comedy shows in college." Ramis was eventually promoted to associate editor. National Lampoon, SCTV, and The Top After leaving Second City for a time and returning in 1972, having been replaced in the main cast by John Belushi, Ramis worked his way back as Belushi's deadpan foil. In 1974, Belushi brought Ramis and other Second City performers, including Ramis's frequent future collaborator Bill Murray, to New York City to work on The National Lampoon Radio Hour. During this time, Ramis, Belushi, Murray, Joe Flaherty, Christopher Guest, and Gilda Radner starred in the revue The National Lampoon Show, the successor to National Lampoon's Lemmings. Later, Ramis became a performer on, and head writer of, the late-night sketch-comedy television series SCTV during its first three years (1976–1979). He was soon offered work as a writer at Saturday Night Live but chose to continue with SCTV. Characterizations by Ramis on SCTV include corrupt Dialing for Dollars host/SCTV station manager Maurice "Moe" Green, amiable cop Officer Friendly, exercise guru Swami Bananananda, board chairman Allan "Crazy Legs" Hirschman and home dentist Mort Finkel. His celebrity impressions on SCTV included Kenneth Clark and Leonard Nimoy. In 1984, Ramis executive produced a music/comedy/variety television show called The Top. The producer was Paul Flattery and the director was David Jove. Ramis got involved after the mysterious death of his friend Peter Ivers who had hosted Jove's underground show "New Wave Theater." He called Jove and offered to help. Flattery and Jove pitched him the idea for The Top, and Ramis was instrumental in getting it on the air. The show was a mixture of live music, videos, and humor. Performers on the show included Cyndi Lauper, who performed "Girls Just Want to Have Fun" and "True Colors"; the Hollies, who performed "Stop in the Name of Love"; and the Romantics, who performed their two hits at the time, "Talking in Your Sleep" and "What I Like About You." Guest stars included Rodney Dangerfield, Chevy Chase, and Dan Aykroyd. Ramis got Bill Murray to host but, because Ghostbusters filming ran late, he did not make it to the taping. Chase came out dressed as a "punk" of the time and somehow got into a physical altercation with an audience member (also a punk) during the opening monologue. He immediately left the taping. Flattery and Jove carried on with the show. Ramis then got Andy Kaufman to fill in for Chase and recorded the host segments at a separate, later, session; it would be Kaufman's final professional appearance. The Top aired on Friday, January 27, 1984, at 7 p.m. It scored a 7.7% rating and a 14% share. This represented a 28% rating increase and a 27% share increase over KTLA's regularly scheduled Happy Days/Laverne and Shirley. Film career Ramis left SCTV to pursue a film career and wrote a script with National Lampoon magazine's Douglas Kenney, which eventually became National Lampoon's Animal House. They were later joined by a third collaborator, Chris Miller. The 1978 film followed the struggle between a rowdy college fraternity house and the college dean. The film's humor was raunchy for its time. Animal House "broke all box-office records for comedies" and earned $141 million. He also had a voice part as Zeke in the "So Beautiful & So Dangerous" segment of Heavy Metal in 1981. Ramis next co-wrote the comedy Meatballs, starring Bill Murray. The movie was a commercial success and became the first of six film collaborations between Murray and Ramis. His third film and his directorial debut was Caddyshack, which he wrote with Kenney and Brian Doyle-Murray. It starred Chevy Chase, Rodney Dangerfield, Ted Knight, and Bill Murray. Like Ramis's previous two films, Caddyshack was a commercial success. In 1982, Ramis was attached to direct the film adaptation of the Pulitzer Prize-winning book A Confederacy of Dunces by John Kennedy Toole. The film was to star John Belushi and Richard Pryor, but the project was aborted. In 1984, Ramis collaborated with Dan Aykroyd on the screenplay for Ghostbusters, which became one of the biggest comedy hits of all time, in which he also starred as Dr. Egon Spengler. He reprised the role for the 1989 sequel, Ghostbusters II (which he also co-wrote with Aykroyd). His later film Groundhog Day has been called his "masterpiece." His films have been noted for attacking "the smugness of institutional life…with an impish good [will] that is unmistakably American." They are also noted for "Ramis's signature tongue-in-cheek pep talks." Sloppiness and improv were also important aspects of his work. Ramis frequently depicted the qualities of "anger, curiosity, laziness, and woolly idealism" in "a hyper-articulate voice." Ramis also occasionally acted in supporting roles in acclaimed films that he did not write or direct, such as James L. Brooks's Academy Award-winning As Good as It Gets (1997) and Judd Apatow's hit comedy Knocked Up (2007). In 2004, Ramis turned down the opportunity to direct the Bernie Mac-Ashton Kutcher film Guess Who, then under the working title "The Dinner Party," because he considered it poorly written. That same year, he began filming the low-budget The Ice Harvest, "his first attempt to make a comic film noir." Ramis spent six weeks trying to get the film greenlit because he had difficulty reaching an agreement about stars John Cusack's and Billy Bob Thornton's salaries. The film received mixed reviews. In 2004, Ramis's typical directing fee was $5 million. In an interview in the documentary American Storytellers, Ramis said he hoped to make a film about Emma Goldman (even pitching Disney with the idea of having Bette Midler star) but that none of the film studios were interested and that it would have been difficult to raise the funding. Ramis said in 2009 that he planned to make a third Ghostbusters film for release either in mid-2011 or for Christmas 2012. A reboot to the franchise, also called Ghostbusters, was eventually made and released in 2016, directed and co-written by Paul Feig. In this film, a bronze bust of Ramis can be seen when Erin Gilbert leaves her office at Columbia University. Personal life Ramis was married twice and had four children. On July 2, 1967, he married San Francisco artist Anne Plotkin, with whom he had a daughter, Violet Ramis Stiel. Actor and Ghostbusters co-star Bill Murray is Violet's godfather. Ramis and Plotkin separated in 1984 and later divorced. Ramis' daughter Mollie Heckerling was born in 1985 and Mollie Heckerling's mother is Amy Heckerling, a director. In 1989, Ramis married Erica Mann, daughter of director Daniel Mann and actress Mary Kathleen Williams. Together they had two sons, Julian Arthur and Daniel Hayes in 1990 and 1994. Although Ramis maintained humanist beliefs, Erica's Buddhist upbringing greatly influenced his philosophies for the rest of his life, and he became friends with the Dalai Lama. Ramis was a Chicago Cubs fan and attended games every year to conduct the seventh-inning stretch at Wrigley Field. His pastimes included fencing, ritual drumming, acoustic guitar, and making hats from felted fleece; additionally, he taught himself to ski by watching skiers on television. Illness and death In May 2010, Ramis contracted an infection that resulted in complications from autoimmune inflammatory vasculitis and lost the ability to walk. After relearning to walk he suffered a relapse of the disease in late 2011. He died of complications of the disease on February 24, 2014, at his home on Chicago's North Shore, at age 69. A private funeral was held for him two days later with family, friends, and several collaborators in attendance, including Dan Aykroyd, Chevy Chase, Eugene Levy, Dave Thomas, David Pasquesi, Andrew Alexander, and the widows of John Belushi and Bernard Sahlins. He is buried at Shalom Memorial Park in Arlington Heights. Upon Ramis's death, President Barack Obama released a statement, saying, "When we watched his movies—from Animal House and Caddyshack to Ghostbusters and Groundhog Day—we didn't just laugh until it hurt. We questioned authority. We identified with the outsider. We rooted for the underdog. And through it all, we never lost our faith in happy endings." He ended his statement by saying he hoped Ramis "received total consciousness," in reference to a line from Caddyshack. Ramis and longtime collaborator Bill Murray had a falling out during the filming of Groundhog Day, which Ramis attributed to problems that Murray had in his own life at the time. They did not speak for more than 20 years. Shortly before Ramis's death, Murray, encouraged by his brother Brian Doyle-Murray, visited him to make amends with a box of donuts and a police escort, according to Ramis's daughter Violet. At that point, Ramis had lost most of his ability to speak, so Murray did most of the talking over several hours. Murray gave a tribute to Ramis at the 86th Academy Awards. Stephen Colbert paid tribute to Ramis on an episode of his show The Colbert Report. Colbert said that "as a young, bookish man with glasses looking for a role model, I might have picked Harold Ramis." He ended the show by thanking him. Awards and honors In 2004, Ramis was inducted into the St. Louis Walk of Fame. In 2005, he received the Austin Film Festival's Distinguished Screenwriter Award. In 2010, he received a lifetime achievement award from the Chicago Improv Festival. In 2015, the Writers Guild of America posthumously honored him with their lifetime achievement award, the Laurel Award for Screenwriting Achievement. In 2016, two years after his death, The Second City founded the Harold Ramis Film School, the first film school to focus solely on film comedy, in his honor. The 2016 film Ghostbusters, a reboot of the series Ramis co-created and starred in, was posthumously dedicated to him. A bust of Ramis appears in the film. In the 2021 movie Ghostbusters: Afterlife, the age-progressed image of Ramis appears as the ghost of Egon Spengler; a dedication before the end credits also reads "for Harold." Collaborations Ramis frequently collaborated with Ivan Reitman. He co-wrote National Lampoon's Animal House, which Reitman produced, then co-wrote the Reitman-directed comedy Meatballs; he co-wrote and appeared in the Reitman-directed films Stripes, Ghostbusters, and Ghostbusters II. Filmography Films Television Acting roles Video games Archival appearances References Further reading External links Henkel, Guido. "Anatomy of a Comedian: Harold Ramis", DVD Review, August 6, 1999 Garfinkel, Perry. "And If He Sees His Shadow...", Lion's Roar, July 2009 Meatballs Movie Website The films of Harold Ramis, Hell Is For Hyphenates, April 30, 2014 1944 births 2014 deaths 20th-century American male actors 21st-century American male actors 20th-century American screenwriters 21st-century American screenwriters American people of Jewish descent American male comedians American male film actors American male screenwriters American male television actors American television writers Best Original Screenplay BAFTA Award winners Comedy film directors Deaths from vasculitis Jewish American male actors Male actors from Chicago Washington University in St. Louis alumni Jewish American writers Film directors from Illinois American male television writers Comedians from Illinois Writers from Chicago Screenwriters from Illinois Jewish American male comedians 20th-century American male writers 21st-century American male writers

C_8b48ff8bc3404ccda0cc4ffc5aaf4a39_0

What happened after he died?

What happened after Harold Ramis died?

Harold Ramis

In May 2010, Ramis contracted an infection that resulted in complications from autoimmune inflammatory vasculitis and lost the ability to walk. After relearning to walk he suffered a relapse of the disease in late 2011. He died of complications of the disease on February 24, 2014 at his home on Chicago's North Shore, at age 69. A private funeral was held for him two days later with family, friends, and several collaborators in attendance including Dan Aykroyd, Chevy Chase, Eugene Levy, Dave Thomas, David Pasquesi, Andrew Alexander, and the widows of John Belushi and Bernard Sahlins. He is buried at Shalom Memorial Park in Arlington Heights. Upon Ramis' death, President Barack Obama released a statement, saying: "when we watched his movies--from Animal House and Caddyshack to Ghostbusters and Groundhog Day--we didn't just laugh until it hurt. We questioned authority. We identified with the outsider. We rooted for the underdog. And through it all, we never lost our faith in happy endings." He ended his statement by saying he hoped Ramis "received total consciousness", in reference to a line from Caddyshack. Ramis and longtime collaborator Bill Murray had a falling out during the filming of Groundhog Day. Shortly before Ramis' death Murray visited him, and the two spoke for the first time in 21 years. Murray gave tribute to Ramis at the 86th Academy Awards. Ramis was paid tribute by Stephen Colbert on an episode of his show The Colbert Report. Colbert said that "as a young, bookish man with glasses looking for a role model, I might have picked Harold Ramis". He ended the show by thanking Ramis. CANNOTANSWER

A private funeral was held for him two days later with family, friends, and several collaborators in attendance

Harold Allen Ramis (; November 21, 1944 – February 24, 2014) was an American actor, comedian, director and writer. His best-known film acting roles were as Egon Spengler in Ghostbusters (1984) and Ghostbusters II (1989), and as Russell Ziskey in Stripes (1981); he also co-wrote those films. As a director, his films include the comedies Caddyshack (1980), National Lampoon's Vacation (1983), Groundhog Day (1993), Analyze This (1999) and Analyze That (2002). Ramis was the original head writer of the television series SCTV, on which he also performed, as well as a co-writer of Groundhog Day and National Lampoon's Animal House (1978). The final film that he wrote, produced, directed, and acted in was Year One (2009). Ramis's films influenced subsequent generations of comedians, comedy writers and actors. Filmmakers and actors including Jay Roach, Jake Kasdan, Adam Sandler, and Peter and Bobby Farrelly have cited his films as among their favorites. Along with Danny Rubin, he won the BAFTA Award for Best Original Screenplay for Groundhog Day. Early life Ramis was born on November 21, 1944, in Chicago, Illinois, the son of Ruth (née Cokee) (1919-2001) and Nathan Ramis (1915-2009), who owned the Ace Food & Liquor Mart on the city's far North Side. Ramis had a Jewish upbringing. In his adult life, he did not practice any religion. He graduated from Stephen K. Hayt Elementary School in June 1958 and Nicholas Senn High School in 1962, both Chicago public schools, and in 1966 from Washington University in St. Louis, Missouri, where he was a member of the Alpha Xi chapter of Zeta Beta Tau fraternity. Afterward, Ramis worked in a mental institution in St. Louis for seven months. He later said of his time working there that it: Career Early years Ramis began writing parodic plays in college, saying years later, "In my heart, I felt I was a combination of Groucho and Harpo Marx, of Groucho using his wit as a weapon against the upper classes, and of Harpo's antic charm and the fact that he was oddly sexy—he grabs women, pulls their skirts off, and gets away with it." He avoided the Vietnam War military draft by taking methamphetamine to fail his draft physical. Following his work in St. Louis, Ramis returned to Chicago, where by 1968, he was a substitute teacher at schools serving the inner-city Robert Taylor Homes. He also became associated with the guerrilla television collective TVTV, headed by his college friend Michael Shamberg, and wrote freelance for the Chicago Daily News. "Michael Shamberg, right out of college, had started freelancing for newspapers and got on as a stringer for a local paper, and I thought, 'Well, if Michael can do that, I can do that.' I wrote a spec piece and submitted it to the Chicago Daily News, the Arts & Leisure section, and they started giving me assignments [for] entertainment features." Additionally, Ramis had begun studying and performing with Chicago's Second City improvisational comedy troupe. Ramis's newspaper writing led to him becoming joke editor at Playboy magazine. "I called…just cold and said I had written several pieces freelance and did they have any openings. And they happened to have their entry-level job, party jokes editor, open. He liked my stuff and he gave me a stack of jokes that readers had sent in and asked me to rewrite them. I had been in Second City in the workshops already and Michael Shamberg and I had written comedy shows in college." Ramis was eventually promoted to associate editor. National Lampoon, SCTV, and The Top After leaving Second City for a time and returning in 1972, having been replaced in the main cast by John Belushi, Ramis worked his way back as Belushi's deadpan foil. In 1974, Belushi brought Ramis and other Second City performers, including Ramis's frequent future collaborator Bill Murray, to New York City to work on The National Lampoon Radio Hour. During this time, Ramis, Belushi, Murray, Joe Flaherty, Christopher Guest, and Gilda Radner starred in the revue The National Lampoon Show, the successor to National Lampoon's Lemmings. Later, Ramis became a performer on, and head writer of, the late-night sketch-comedy television series SCTV during its first three years (1976–1979). He was soon offered work as a writer at Saturday Night Live but chose to continue with SCTV. Characterizations by Ramis on SCTV include corrupt Dialing for Dollars host/SCTV station manager Maurice "Moe" Green, amiable cop Officer Friendly, exercise guru Swami Bananananda, board chairman Allan "Crazy Legs" Hirschman and home dentist Mort Finkel. His celebrity impressions on SCTV included Kenneth Clark and Leonard Nimoy. In 1984, Ramis executive produced a music/comedy/variety television show called The Top. The producer was Paul Flattery and the director was David Jove. Ramis got involved after the mysterious death of his friend Peter Ivers who had hosted Jove's underground show "New Wave Theater." He called Jove and offered to help. Flattery and Jove pitched him the idea for The Top, and Ramis was instrumental in getting it on the air. The show was a mixture of live music, videos, and humor. Performers on the show included Cyndi Lauper, who performed "Girls Just Want to Have Fun" and "True Colors"; the Hollies, who performed "Stop in the Name of Love"; and the Romantics, who performed their two hits at the time, "Talking in Your Sleep" and "What I Like About You." Guest stars included Rodney Dangerfield, Chevy Chase, and Dan Aykroyd. Ramis got Bill Murray to host but, because Ghostbusters filming ran late, he did not make it to the taping. Chase came out dressed as a "punk" of the time and somehow got into a physical altercation with an audience member (also a punk) during the opening monologue. He immediately left the taping. Flattery and Jove carried on with the show. Ramis then got Andy Kaufman to fill in for Chase and recorded the host segments at a separate, later, session; it would be Kaufman's final professional appearance. The Top aired on Friday, January 27, 1984, at 7 p.m. It scored a 7.7% rating and a 14% share. This represented a 28% rating increase and a 27% share increase over KTLA's regularly scheduled Happy Days/Laverne and Shirley. Film career Ramis left SCTV to pursue a film career and wrote a script with National Lampoon magazine's Douglas Kenney, which eventually became National Lampoon's Animal House. They were later joined by a third collaborator, Chris Miller. The 1978 film followed the struggle between a rowdy college fraternity house and the college dean. The film's humor was raunchy for its time. Animal House "broke all box-office records for comedies" and earned $141 million. He also had a voice part as Zeke in the "So Beautiful & So Dangerous" segment of Heavy Metal in 1981. Ramis next co-wrote the comedy Meatballs, starring Bill Murray. The movie was a commercial success and became the first of six film collaborations between Murray and Ramis. His third film and his directorial debut was Caddyshack, which he wrote with Kenney and Brian Doyle-Murray. It starred Chevy Chase, Rodney Dangerfield, Ted Knight, and Bill Murray. Like Ramis's previous two films, Caddyshack was a commercial success. In 1982, Ramis was attached to direct the film adaptation of the Pulitzer Prize-winning book A Confederacy of Dunces by John Kennedy Toole. The film was to star John Belushi and Richard Pryor, but the project was aborted. In 1984, Ramis collaborated with Dan Aykroyd on the screenplay for Ghostbusters, which became one of the biggest comedy hits of all time, in which he also starred as Dr. Egon Spengler. He reprised the role for the 1989 sequel, Ghostbusters II (which he also co-wrote with Aykroyd). His later film Groundhog Day has been called his "masterpiece." His films have been noted for attacking "the smugness of institutional life…with an impish good [will] that is unmistakably American." They are also noted for "Ramis's signature tongue-in-cheek pep talks." Sloppiness and improv were also important aspects of his work. Ramis frequently depicted the qualities of "anger, curiosity, laziness, and woolly idealism" in "a hyper-articulate voice." Ramis also occasionally acted in supporting roles in acclaimed films that he did not write or direct, such as James L. Brooks's Academy Award-winning As Good as It Gets (1997) and Judd Apatow's hit comedy Knocked Up (2007). In 2004, Ramis turned down the opportunity to direct the Bernie Mac-Ashton Kutcher film Guess Who, then under the working title "The Dinner Party," because he considered it poorly written. That same year, he began filming the low-budget The Ice Harvest, "his first attempt to make a comic film noir." Ramis spent six weeks trying to get the film greenlit because he had difficulty reaching an agreement about stars John Cusack's and Billy Bob Thornton's salaries. The film received mixed reviews. In 2004, Ramis's typical directing fee was $5 million. In an interview in the documentary American Storytellers, Ramis said he hoped to make a film about Emma Goldman (even pitching Disney with the idea of having Bette Midler star) but that none of the film studios were interested and that it would have been difficult to raise the funding. Ramis said in 2009 that he planned to make a third Ghostbusters film for release either in mid-2011 or for Christmas 2012. A reboot to the franchise, also called Ghostbusters, was eventually made and released in 2016, directed and co-written by Paul Feig. In this film, a bronze bust of Ramis can be seen when Erin Gilbert leaves her office at Columbia University. Personal life Ramis was married twice and had four children. On July 2, 1967, he married San Francisco artist Anne Plotkin, with whom he had a daughter, Violet Ramis Stiel. Actor and Ghostbusters co-star Bill Murray is Violet's godfather. Ramis and Plotkin separated in 1984 and later divorced. Ramis' daughter Mollie Heckerling was born in 1985 and Mollie Heckerling's mother is Amy Heckerling, a director. In 1989, Ramis married Erica Mann, daughter of director Daniel Mann and actress Mary Kathleen Williams. Together they had two sons, Julian Arthur and Daniel Hayes in 1990 and 1994. Although Ramis maintained humanist beliefs, Erica's Buddhist upbringing greatly influenced his philosophies for the rest of his life, and he became friends with the Dalai Lama. Ramis was a Chicago Cubs fan and attended games every year to conduct the seventh-inning stretch at Wrigley Field. His pastimes included fencing, ritual drumming, acoustic guitar, and making hats from felted fleece; additionally, he taught himself to ski by watching skiers on television. Illness and death In May 2010, Ramis contracted an infection that resulted in complications from autoimmune inflammatory vasculitis and lost the ability to walk. After relearning to walk he suffered a relapse of the disease in late 2011. He died of complications of the disease on February 24, 2014, at his home on Chicago's North Shore, at age 69. A private funeral was held for him two days later with family, friends, and several collaborators in attendance, including Dan Aykroyd, Chevy Chase, Eugene Levy, Dave Thomas, David Pasquesi, Andrew Alexander, and the widows of John Belushi and Bernard Sahlins. He is buried at Shalom Memorial Park in Arlington Heights. Upon Ramis's death, President Barack Obama released a statement, saying, "When we watched his movies—from Animal House and Caddyshack to Ghostbusters and Groundhog Day—we didn't just laugh until it hurt. We questioned authority. We identified with the outsider. We rooted for the underdog. And through it all, we never lost our faith in happy endings." He ended his statement by saying he hoped Ramis "received total consciousness," in reference to a line from Caddyshack. Ramis and longtime collaborator Bill Murray had a falling out during the filming of Groundhog Day, which Ramis attributed to problems that Murray had in his own life at the time. They did not speak for more than 20 years. Shortly before Ramis's death, Murray, encouraged by his brother Brian Doyle-Murray, visited him to make amends with a box of donuts and a police escort, according to Ramis's daughter Violet. At that point, Ramis had lost most of his ability to speak, so Murray did most of the talking over several hours. Murray gave a tribute to Ramis at the 86th Academy Awards. Stephen Colbert paid tribute to Ramis on an episode of his show The Colbert Report. Colbert said that "as a young, bookish man with glasses looking for a role model, I might have picked Harold Ramis." He ended the show by thanking him. Awards and honors In 2004, Ramis was inducted into the St. Louis Walk of Fame. In 2005, he received the Austin Film Festival's Distinguished Screenwriter Award. In 2010, he received a lifetime achievement award from the Chicago Improv Festival. In 2015, the Writers Guild of America posthumously honored him with their lifetime achievement award, the Laurel Award for Screenwriting Achievement. In 2016, two years after his death, The Second City founded the Harold Ramis Film School, the first film school to focus solely on film comedy, in his honor. The 2016 film Ghostbusters, a reboot of the series Ramis co-created and starred in, was posthumously dedicated to him. A bust of Ramis appears in the film. In the 2021 movie Ghostbusters: Afterlife, the age-progressed image of Ramis appears as the ghost of Egon Spengler; a dedication before the end credits also reads "for Harold." Collaborations Ramis frequently collaborated with Ivan Reitman. He co-wrote National Lampoon's Animal House, which Reitman produced, then co-wrote the Reitman-directed comedy Meatballs; he co-wrote and appeared in the Reitman-directed films Stripes, Ghostbusters, and Ghostbusters II. Filmography Films Television Acting roles Video games Archival appearances References Further reading External links Henkel, Guido. "Anatomy of a Comedian: Harold Ramis", DVD Review, August 6, 1999 Garfinkel, Perry. "And If He Sees His Shadow...", Lion's Roar, July 2009 Meatballs Movie Website The films of Harold Ramis, Hell Is For Hyphenates, April 30, 2014 1944 births 2014 deaths 20th-century American male actors 21st-century American male actors 20th-century American screenwriters 21st-century American screenwriters American people of Jewish descent American male comedians American male film actors American male screenwriters American male television actors American television writers Best Original Screenplay BAFTA Award winners Comedy film directors Deaths from vasculitis Jewish American male actors Male actors from Chicago Washington University in St. Louis alumni Jewish American writers Film directors from Illinois American male television writers Comedians from Illinois Writers from Chicago Screenwriters from Illinois Jewish American male comedians 20th-century American male writers 21st-century American male writers

C_8b48ff8bc3404ccda0cc4ffc5aaf4a39_0

Are there any other interesting aspects about this article?

Are there any other interesting aspects about this article other than Harold Ramis' fight with autoimmune inflammatory vasculitis?

Harold Ramis

In May 2010, Ramis contracted an infection that resulted in complications from autoimmune inflammatory vasculitis and lost the ability to walk. After relearning to walk he suffered a relapse of the disease in late 2011. He died of complications of the disease on February 24, 2014 at his home on Chicago's North Shore, at age 69. A private funeral was held for him two days later with family, friends, and several collaborators in attendance including Dan Aykroyd, Chevy Chase, Eugene Levy, Dave Thomas, David Pasquesi, Andrew Alexander, and the widows of John Belushi and Bernard Sahlins. He is buried at Shalom Memorial Park in Arlington Heights. Upon Ramis' death, President Barack Obama released a statement, saying: "when we watched his movies--from Animal House and Caddyshack to Ghostbusters and Groundhog Day--we didn't just laugh until it hurt. We questioned authority. We identified with the outsider. We rooted for the underdog. And through it all, we never lost our faith in happy endings." He ended his statement by saying he hoped Ramis "received total consciousness", in reference to a line from Caddyshack. Ramis and longtime collaborator Bill Murray had a falling out during the filming of Groundhog Day. Shortly before Ramis' death Murray visited him, and the two spoke for the first time in 21 years. Murray gave tribute to Ramis at the 86th Academy Awards. Ramis was paid tribute by Stephen Colbert on an episode of his show The Colbert Report. Colbert said that "as a young, bookish man with glasses looking for a role model, I might have picked Harold Ramis". He ended the show by thanking Ramis. CANNOTANSWER

Upon Ramis' death, President Barack Obama released a statement, saying: "when we watched his movies--from Animal House and Caddyshack to Ghostbusters and Groundhog Day

Harold Allen Ramis (; November 21, 1944 – February 24, 2014) was an American actor, comedian, director and writer. His best-known film acting roles were as Egon Spengler in Ghostbusters (1984) and Ghostbusters II (1989), and as Russell Ziskey in Stripes (1981); he also co-wrote those films. As a director, his films include the comedies Caddyshack (1980), National Lampoon's Vacation (1983), Groundhog Day (1993), Analyze This (1999) and Analyze That (2002). Ramis was the original head writer of the television series SCTV, on which he also performed, as well as a co-writer of Groundhog Day and National Lampoon's Animal House (1978). The final film that he wrote, produced, directed, and acted in was Year One (2009). Ramis's films influenced subsequent generations of comedians, comedy writers and actors. Filmmakers and actors including Jay Roach, Jake Kasdan, Adam Sandler, and Peter and Bobby Farrelly have cited his films as among their favorites. Along with Danny Rubin, he won the BAFTA Award for Best Original Screenplay for Groundhog Day. Early life Ramis was born on November 21, 1944, in Chicago, Illinois, the son of Ruth (née Cokee) (1919-2001) and Nathan Ramis (1915-2009), who owned the Ace Food & Liquor Mart on the city's far North Side. Ramis had a Jewish upbringing. In his adult life, he did not practice any religion. He graduated from Stephen K. Hayt Elementary School in June 1958 and Nicholas Senn High School in 1962, both Chicago public schools, and in 1966 from Washington University in St. Louis, Missouri, where he was a member of the Alpha Xi chapter of Zeta Beta Tau fraternity. Afterward, Ramis worked in a mental institution in St. Louis for seven months. He later said of his time working there that it: Career Early years Ramis began writing parodic plays in college, saying years later, "In my heart, I felt I was a combination of Groucho and Harpo Marx, of Groucho using his wit as a weapon against the upper classes, and of Harpo's antic charm and the fact that he was oddly sexy—he grabs women, pulls their skirts off, and gets away with it." He avoided the Vietnam War military draft by taking methamphetamine to fail his draft physical. Following his work in St. Louis, Ramis returned to Chicago, where by 1968, he was a substitute teacher at schools serving the inner-city Robert Taylor Homes. He also became associated with the guerrilla television collective TVTV, headed by his college friend Michael Shamberg, and wrote freelance for the Chicago Daily News. "Michael Shamberg, right out of college, had started freelancing for newspapers and got on as a stringer for a local paper, and I thought, 'Well, if Michael can do that, I can do that.' I wrote a spec piece and submitted it to the Chicago Daily News, the Arts & Leisure section, and they started giving me assignments [for] entertainment features." Additionally, Ramis had begun studying and performing with Chicago's Second City improvisational comedy troupe. Ramis's newspaper writing led to him becoming joke editor at Playboy magazine. "I called…just cold and said I had written several pieces freelance and did they have any openings. And they happened to have their entry-level job, party jokes editor, open. He liked my stuff and he gave me a stack of jokes that readers had sent in and asked me to rewrite them. I had been in Second City in the workshops already and Michael Shamberg and I had written comedy shows in college." Ramis was eventually promoted to associate editor. National Lampoon, SCTV, and The Top After leaving Second City for a time and returning in 1972, having been replaced in the main cast by John Belushi, Ramis worked his way back as Belushi's deadpan foil. In 1974, Belushi brought Ramis and other Second City performers, including Ramis's frequent future collaborator Bill Murray, to New York City to work on The National Lampoon Radio Hour. During this time, Ramis, Belushi, Murray, Joe Flaherty, Christopher Guest, and Gilda Radner starred in the revue The National Lampoon Show, the successor to National Lampoon's Lemmings. Later, Ramis became a performer on, and head writer of, the late-night sketch-comedy television series SCTV during its first three years (1976–1979). He was soon offered work as a writer at Saturday Night Live but chose to continue with SCTV. Characterizations by Ramis on SCTV include corrupt Dialing for Dollars host/SCTV station manager Maurice "Moe" Green, amiable cop Officer Friendly, exercise guru Swami Bananananda, board chairman Allan "Crazy Legs" Hirschman and home dentist Mort Finkel. His celebrity impressions on SCTV included Kenneth Clark and Leonard Nimoy. In 1984, Ramis executive produced a music/comedy/variety television show called The Top. The producer was Paul Flattery and the director was David Jove. Ramis got involved after the mysterious death of his friend Peter Ivers who had hosted Jove's underground show "New Wave Theater." He called Jove and offered to help. Flattery and Jove pitched him the idea for The Top, and Ramis was instrumental in getting it on the air. The show was a mixture of live music, videos, and humor. Performers on the show included Cyndi Lauper, who performed "Girls Just Want to Have Fun" and "True Colors"; the Hollies, who performed "Stop in the Name of Love"; and the Romantics, who performed their two hits at the time, "Talking in Your Sleep" and "What I Like About You." Guest stars included Rodney Dangerfield, Chevy Chase, and Dan Aykroyd. Ramis got Bill Murray to host but, because Ghostbusters filming ran late, he did not make it to the taping. Chase came out dressed as a "punk" of the time and somehow got into a physical altercation with an audience member (also a punk) during the opening monologue. He immediately left the taping. Flattery and Jove carried on with the show. Ramis then got Andy Kaufman to fill in for Chase and recorded the host segments at a separate, later, session; it would be Kaufman's final professional appearance. The Top aired on Friday, January 27, 1984, at 7 p.m. It scored a 7.7% rating and a 14% share. This represented a 28% rating increase and a 27% share increase over KTLA's regularly scheduled Happy Days/Laverne and Shirley. Film career Ramis left SCTV to pursue a film career and wrote a script with National Lampoon magazine's Douglas Kenney, which eventually became National Lampoon's Animal House. They were later joined by a third collaborator, Chris Miller. The 1978 film followed the struggle between a rowdy college fraternity house and the college dean. The film's humor was raunchy for its time. Animal House "broke all box-office records for comedies" and earned $141 million. He also had a voice part as Zeke in the "So Beautiful & So Dangerous" segment of Heavy Metal in 1981. Ramis next co-wrote the comedy Meatballs, starring Bill Murray. The movie was a commercial success and became the first of six film collaborations between Murray and Ramis. His third film and his directorial debut was Caddyshack, which he wrote with Kenney and Brian Doyle-Murray. It starred Chevy Chase, Rodney Dangerfield, Ted Knight, and Bill Murray. Like Ramis's previous two films, Caddyshack was a commercial success. In 1982, Ramis was attached to direct the film adaptation of the Pulitzer Prize-winning book A Confederacy of Dunces by John Kennedy Toole. The film was to star John Belushi and Richard Pryor, but the project was aborted. In 1984, Ramis collaborated with Dan Aykroyd on the screenplay for Ghostbusters, which became one of the biggest comedy hits of all time, in which he also starred as Dr. Egon Spengler. He reprised the role for the 1989 sequel, Ghostbusters II (which he also co-wrote with Aykroyd). His later film Groundhog Day has been called his "masterpiece." His films have been noted for attacking "the smugness of institutional life…with an impish good [will] that is unmistakably American." They are also noted for "Ramis's signature tongue-in-cheek pep talks." Sloppiness and improv were also important aspects of his work. Ramis frequently depicted the qualities of "anger, curiosity, laziness, and woolly idealism" in "a hyper-articulate voice." Ramis also occasionally acted in supporting roles in acclaimed films that he did not write or direct, such as James L. Brooks's Academy Award-winning As Good as It Gets (1997) and Judd Apatow's hit comedy Knocked Up (2007). In 2004, Ramis turned down the opportunity to direct the Bernie Mac-Ashton Kutcher film Guess Who, then under the working title "The Dinner Party," because he considered it poorly written. That same year, he began filming the low-budget The Ice Harvest, "his first attempt to make a comic film noir." Ramis spent six weeks trying to get the film greenlit because he had difficulty reaching an agreement about stars John Cusack's and Billy Bob Thornton's salaries. The film received mixed reviews. In 2004, Ramis's typical directing fee was $5 million. In an interview in the documentary American Storytellers, Ramis said he hoped to make a film about Emma Goldman (even pitching Disney with the idea of having Bette Midler star) but that none of the film studios were interested and that it would have been difficult to raise the funding. Ramis said in 2009 that he planned to make a third Ghostbusters film for release either in mid-2011 or for Christmas 2012. A reboot to the franchise, also called Ghostbusters, was eventually made and released in 2016, directed and co-written by Paul Feig. In this film, a bronze bust of Ramis can be seen when Erin Gilbert leaves her office at Columbia University. Personal life Ramis was married twice and had four children. On July 2, 1967, he married San Francisco artist Anne Plotkin, with whom he had a daughter, Violet Ramis Stiel. Actor and Ghostbusters co-star Bill Murray is Violet's godfather. Ramis and Plotkin separated in 1984 and later divorced. Ramis' daughter Mollie Heckerling was born in 1985 and Mollie Heckerling's mother is Amy Heckerling, a director. In 1989, Ramis married Erica Mann, daughter of director Daniel Mann and actress Mary Kathleen Williams. Together they had two sons, Julian Arthur and Daniel Hayes in 1990 and 1994. Although Ramis maintained humanist beliefs, Erica's Buddhist upbringing greatly influenced his philosophies for the rest of his life, and he became friends with the Dalai Lama. Ramis was a Chicago Cubs fan and attended games every year to conduct the seventh-inning stretch at Wrigley Field. His pastimes included fencing, ritual drumming, acoustic guitar, and making hats from felted fleece; additionally, he taught himself to ski by watching skiers on television. Illness and death In May 2010, Ramis contracted an infection that resulted in complications from autoimmune inflammatory vasculitis and lost the ability to walk. After relearning to walk he suffered a relapse of the disease in late 2011. He died of complications of the disease on February 24, 2014, at his home on Chicago's North Shore, at age 69. A private funeral was held for him two days later with family, friends, and several collaborators in attendance, including Dan Aykroyd, Chevy Chase, Eugene Levy, Dave Thomas, David Pasquesi, Andrew Alexander, and the widows of John Belushi and Bernard Sahlins. He is buried at Shalom Memorial Park in Arlington Heights. Upon Ramis's death, President Barack Obama released a statement, saying, "When we watched his movies—from Animal House and Caddyshack to Ghostbusters and Groundhog Day—we didn't just laugh until it hurt. We questioned authority. We identified with the outsider. We rooted for the underdog. And through it all, we never lost our faith in happy endings." He ended his statement by saying he hoped Ramis "received total consciousness," in reference to a line from Caddyshack. Ramis and longtime collaborator Bill Murray had a falling out during the filming of Groundhog Day, which Ramis attributed to problems that Murray had in his own life at the time. They did not speak for more than 20 years. Shortly before Ramis's death, Murray, encouraged by his brother Brian Doyle-Murray, visited him to make amends with a box of donuts and a police escort, according to Ramis's daughter Violet. At that point, Ramis had lost most of his ability to speak, so Murray did most of the talking over several hours. Murray gave a tribute to Ramis at the 86th Academy Awards. Stephen Colbert paid tribute to Ramis on an episode of his show The Colbert Report. Colbert said that "as a young, bookish man with glasses looking for a role model, I might have picked Harold Ramis." He ended the show by thanking him. Awards and honors In 2004, Ramis was inducted into the St. Louis Walk of Fame. In 2005, he received the Austin Film Festival's Distinguished Screenwriter Award. In 2010, he received a lifetime achievement award from the Chicago Improv Festival. In 2015, the Writers Guild of America posthumously honored him with their lifetime achievement award, the Laurel Award for Screenwriting Achievement. In 2016, two years after his death, The Second City founded the Harold Ramis Film School, the first film school to focus solely on film comedy, in his honor. The 2016 film Ghostbusters, a reboot of the series Ramis co-created and starred in, was posthumously dedicated to him. A bust of Ramis appears in the film. In the 2021 movie Ghostbusters: Afterlife, the age-progressed image of Ramis appears as the ghost of Egon Spengler; a dedication before the end credits also reads "for Harold." Collaborations Ramis frequently collaborated with Ivan Reitman. He co-wrote National Lampoon's Animal House, which Reitman produced, then co-wrote the Reitman-directed comedy Meatballs; he co-wrote and appeared in the Reitman-directed films Stripes, Ghostbusters, and Ghostbusters II. Filmography Films Television Acting roles Video games Archival appearances References Further reading External links Henkel, Guido. "Anatomy of a Comedian: Harold Ramis", DVD Review, August 6, 1999 Garfinkel, Perry. "And If He Sees His Shadow...", Lion's Roar, July 2009 Meatballs Movie Website The films of Harold Ramis, Hell Is For Hyphenates, April 30, 2014 1944 births 2014 deaths 20th-century American male actors 21st-century American male actors 20th-century American screenwriters 21st-century American screenwriters American people of Jewish descent American male comedians American male film actors American male screenwriters American male television actors American television writers Best Original Screenplay BAFTA Award winners Comedy film directors Deaths from vasculitis Jewish American male actors Male actors from Chicago Washington University in St. Louis alumni Jewish American writers Film directors from Illinois American male television writers Comedians from Illinois Writers from Chicago Screenwriters from Illinois Jewish American male comedians 20th-century American male writers 21st-century American male writers

C_8b48ff8bc3404ccda0cc4ffc5aaf4a39_0

How did his fans react to his death?

How did his fans react to Harold Ramis' death?

Harold Ramis

In May 2010, Ramis contracted an infection that resulted in complications from autoimmune inflammatory vasculitis and lost the ability to walk. After relearning to walk he suffered a relapse of the disease in late 2011. He died of complications of the disease on February 24, 2014 at his home on Chicago's North Shore, at age 69. A private funeral was held for him two days later with family, friends, and several collaborators in attendance including Dan Aykroyd, Chevy Chase, Eugene Levy, Dave Thomas, David Pasquesi, Andrew Alexander, and the widows of John Belushi and Bernard Sahlins. He is buried at Shalom Memorial Park in Arlington Heights. Upon Ramis' death, President Barack Obama released a statement, saying: "when we watched his movies--from Animal House and Caddyshack to Ghostbusters and Groundhog Day--we didn't just laugh until it hurt. We questioned authority. We identified with the outsider. We rooted for the underdog. And through it all, we never lost our faith in happy endings." He ended his statement by saying he hoped Ramis "received total consciousness", in reference to a line from Caddyshack. Ramis and longtime collaborator Bill Murray had a falling out during the filming of Groundhog Day. Shortly before Ramis' death Murray visited him, and the two spoke for the first time in 21 years. Murray gave tribute to Ramis at the 86th Academy Awards. Ramis was paid tribute by Stephen Colbert on an episode of his show The Colbert Report. Colbert said that "as a young, bookish man with glasses looking for a role model, I might have picked Harold Ramis". He ended the show by thanking Ramis. CANNOTANSWER

Murray gave tribute to Ramis at the 86th Academy Awards.

Harold Allen Ramis (; November 21, 1944 – February 24, 2014) was an American actor, comedian, director and writer. His best-known film acting roles were as Egon Spengler in Ghostbusters (1984) and Ghostbusters II (1989), and as Russell Ziskey in Stripes (1981); he also co-wrote those films. As a director, his films include the comedies Caddyshack (1980), National Lampoon's Vacation (1983), Groundhog Day (1993), Analyze This (1999) and Analyze That (2002). Ramis was the original head writer of the television series SCTV, on which he also performed, as well as a co-writer of Groundhog Day and National Lampoon's Animal House (1978). The final film that he wrote, produced, directed, and acted in was Year One (2009). Ramis's films influenced subsequent generations of comedians, comedy writers and actors. Filmmakers and actors including Jay Roach, Jake Kasdan, Adam Sandler, and Peter and Bobby Farrelly have cited his films as among their favorites. Along with Danny Rubin, he won the BAFTA Award for Best Original Screenplay for Groundhog Day. Early life Ramis was born on November 21, 1944, in Chicago, Illinois, the son of Ruth (née Cokee) (1919-2001) and Nathan Ramis (1915-2009), who owned the Ace Food & Liquor Mart on the city's far North Side. Ramis had a Jewish upbringing. In his adult life, he did not practice any religion. He graduated from Stephen K. Hayt Elementary School in June 1958 and Nicholas Senn High School in 1962, both Chicago public schools, and in 1966 from Washington University in St. Louis, Missouri, where he was a member of the Alpha Xi chapter of Zeta Beta Tau fraternity. Afterward, Ramis worked in a mental institution in St. Louis for seven months. He later said of his time working there that it: Career Early years Ramis began writing parodic plays in college, saying years later, "In my heart, I felt I was a combination of Groucho and Harpo Marx, of Groucho using his wit as a weapon against the upper classes, and of Harpo's antic charm and the fact that he was oddly sexy—he grabs women, pulls their skirts off, and gets away with it." He avoided the Vietnam War military draft by taking methamphetamine to fail his draft physical. Following his work in St. Louis, Ramis returned to Chicago, where by 1968, he was a substitute teacher at schools serving the inner-city Robert Taylor Homes. He also became associated with the guerrilla television collective TVTV, headed by his college friend Michael Shamberg, and wrote freelance for the Chicago Daily News. "Michael Shamberg, right out of college, had started freelancing for newspapers and got on as a stringer for a local paper, and I thought, 'Well, if Michael can do that, I can do that.' I wrote a spec piece and submitted it to the Chicago Daily News, the Arts & Leisure section, and they started giving me assignments [for] entertainment features." Additionally, Ramis had begun studying and performing with Chicago's Second City improvisational comedy troupe. Ramis's newspaper writing led to him becoming joke editor at Playboy magazine. "I called…just cold and said I had written several pieces freelance and did they have any openings. And they happened to have their entry-level job, party jokes editor, open. He liked my stuff and he gave me a stack of jokes that readers had sent in and asked me to rewrite them. I had been in Second City in the workshops already and Michael Shamberg and I had written comedy shows in college." Ramis was eventually promoted to associate editor. National Lampoon, SCTV, and The Top After leaving Second City for a time and returning in 1972, having been replaced in the main cast by John Belushi, Ramis worked his way back as Belushi's deadpan foil. In 1974, Belushi brought Ramis and other Second City performers, including Ramis's frequent future collaborator Bill Murray, to New York City to work on The National Lampoon Radio Hour. During this time, Ramis, Belushi, Murray, Joe Flaherty, Christopher Guest, and Gilda Radner starred in the revue The National Lampoon Show, the successor to National Lampoon's Lemmings. Later, Ramis became a performer on, and head writer of, the late-night sketch-comedy television series SCTV during its first three years (1976–1979). He was soon offered work as a writer at Saturday Night Live but chose to continue with SCTV. Characterizations by Ramis on SCTV include corrupt Dialing for Dollars host/SCTV station manager Maurice "Moe" Green, amiable cop Officer Friendly, exercise guru Swami Bananananda, board chairman Allan "Crazy Legs" Hirschman and home dentist Mort Finkel. His celebrity impressions on SCTV included Kenneth Clark and Leonard Nimoy. In 1984, Ramis executive produced a music/comedy/variety television show called The Top. The producer was Paul Flattery and the director was David Jove. Ramis got involved after the mysterious death of his friend Peter Ivers who had hosted Jove's underground show "New Wave Theater." He called Jove and offered to help. Flattery and Jove pitched him the idea for The Top, and Ramis was instrumental in getting it on the air. The show was a mixture of live music, videos, and humor. Performers on the show included Cyndi Lauper, who performed "Girls Just Want to Have Fun" and "True Colors"; the Hollies, who performed "Stop in the Name of Love"; and the Romantics, who performed their two hits at the time, "Talking in Your Sleep" and "What I Like About You." Guest stars included Rodney Dangerfield, Chevy Chase, and Dan Aykroyd. Ramis got Bill Murray to host but, because Ghostbusters filming ran late, he did not make it to the taping. Chase came out dressed as a "punk" of the time and somehow got into a physical altercation with an audience member (also a punk) during the opening monologue. He immediately left the taping. Flattery and Jove carried on with the show. Ramis then got Andy Kaufman to fill in for Chase and recorded the host segments at a separate, later, session; it would be Kaufman's final professional appearance. The Top aired on Friday, January 27, 1984, at 7 p.m. It scored a 7.7% rating and a 14% share. This represented a 28% rating increase and a 27% share increase over KTLA's regularly scheduled Happy Days/Laverne and Shirley. Film career Ramis left SCTV to pursue a film career and wrote a script with National Lampoon magazine's Douglas Kenney, which eventually became National Lampoon's Animal House. They were later joined by a third collaborator, Chris Miller. The 1978 film followed the struggle between a rowdy college fraternity house and the college dean. The film's humor was raunchy for its time. Animal House "broke all box-office records for comedies" and earned $141 million. He also had a voice part as Zeke in the "So Beautiful & So Dangerous" segment of Heavy Metal in 1981. Ramis next co-wrote the comedy Meatballs, starring Bill Murray. The movie was a commercial success and became the first of six film collaborations between Murray and Ramis. His third film and his directorial debut was Caddyshack, which he wrote with Kenney and Brian Doyle-Murray. It starred Chevy Chase, Rodney Dangerfield, Ted Knight, and Bill Murray. Like Ramis's previous two films, Caddyshack was a commercial success. In 1982, Ramis was attached to direct the film adaptation of the Pulitzer Prize-winning book A Confederacy of Dunces by John Kennedy Toole. The film was to star John Belushi and Richard Pryor, but the project was aborted. In 1984, Ramis collaborated with Dan Aykroyd on the screenplay for Ghostbusters, which became one of the biggest comedy hits of all time, in which he also starred as Dr. Egon Spengler. He reprised the role for the 1989 sequel, Ghostbusters II (which he also co-wrote with Aykroyd). His later film Groundhog Day has been called his "masterpiece." His films have been noted for attacking "the smugness of institutional life…with an impish good [will] that is unmistakably American." They are also noted for "Ramis's signature tongue-in-cheek pep talks." Sloppiness and improv were also important aspects of his work. Ramis frequently depicted the qualities of "anger, curiosity, laziness, and woolly idealism" in "a hyper-articulate voice." Ramis also occasionally acted in supporting roles in acclaimed films that he did not write or direct, such as James L. Brooks's Academy Award-winning As Good as It Gets (1997) and Judd Apatow's hit comedy Knocked Up (2007). In 2004, Ramis turned down the opportunity to direct the Bernie Mac-Ashton Kutcher film Guess Who, then under the working title "The Dinner Party," because he considered it poorly written. That same year, he began filming the low-budget The Ice Harvest, "his first attempt to make a comic film noir." Ramis spent six weeks trying to get the film greenlit because he had difficulty reaching an agreement about stars John Cusack's and Billy Bob Thornton's salaries. The film received mixed reviews. In 2004, Ramis's typical directing fee was $5 million. In an interview in the documentary American Storytellers, Ramis said he hoped to make a film about Emma Goldman (even pitching Disney with the idea of having Bette Midler star) but that none of the film studios were interested and that it would have been difficult to raise the funding. Ramis said in 2009 that he planned to make a third Ghostbusters film for release either in mid-2011 or for Christmas 2012. A reboot to the franchise, also called Ghostbusters, was eventually made and released in 2016, directed and co-written by Paul Feig. In this film, a bronze bust of Ramis can be seen when Erin Gilbert leaves her office at Columbia University. Personal life Ramis was married twice and had four children. On July 2, 1967, he married San Francisco artist Anne Plotkin, with whom he had a daughter, Violet Ramis Stiel. Actor and Ghostbusters co-star Bill Murray is Violet's godfather. Ramis and Plotkin separated in 1984 and later divorced. Ramis' daughter Mollie Heckerling was born in 1985 and Mollie Heckerling's mother is Amy Heckerling, a director. In 1989, Ramis married Erica Mann, daughter of director Daniel Mann and actress Mary Kathleen Williams. Together they had two sons, Julian Arthur and Daniel Hayes in 1990 and 1994. Although Ramis maintained humanist beliefs, Erica's Buddhist upbringing greatly influenced his philosophies for the rest of his life, and he became friends with the Dalai Lama. Ramis was a Chicago Cubs fan and attended games every year to conduct the seventh-inning stretch at Wrigley Field. His pastimes included fencing, ritual drumming, acoustic guitar, and making hats from felted fleece; additionally, he taught himself to ski by watching skiers on television. Illness and death In May 2010, Ramis contracted an infection that resulted in complications from autoimmune inflammatory vasculitis and lost the ability to walk. After relearning to walk he suffered a relapse of the disease in late 2011. He died of complications of the disease on February 24, 2014, at his home on Chicago's North Shore, at age 69. A private funeral was held for him two days later with family, friends, and several collaborators in attendance, including Dan Aykroyd, Chevy Chase, Eugene Levy, Dave Thomas, David Pasquesi, Andrew Alexander, and the widows of John Belushi and Bernard Sahlins. He is buried at Shalom Memorial Park in Arlington Heights. Upon Ramis's death, President Barack Obama released a statement, saying, "When we watched his movies—from Animal House and Caddyshack to Ghostbusters and Groundhog Day—we didn't just laugh until it hurt. We questioned authority. We identified with the outsider. We rooted for the underdog. And through it all, we never lost our faith in happy endings." He ended his statement by saying he hoped Ramis "received total consciousness," in reference to a line from Caddyshack. Ramis and longtime collaborator Bill Murray had a falling out during the filming of Groundhog Day, which Ramis attributed to problems that Murray had in his own life at the time. They did not speak for more than 20 years. Shortly before Ramis's death, Murray, encouraged by his brother Brian Doyle-Murray, visited him to make amends with a box of donuts and a police escort, according to Ramis's daughter Violet. At that point, Ramis had lost most of his ability to speak, so Murray did most of the talking over several hours. Murray gave a tribute to Ramis at the 86th Academy Awards. Stephen Colbert paid tribute to Ramis on an episode of his show The Colbert Report. Colbert said that "as a young, bookish man with glasses looking for a role model, I might have picked Harold Ramis." He ended the show by thanking him. Awards and honors In 2004, Ramis was inducted into the St. Louis Walk of Fame. In 2005, he received the Austin Film Festival's Distinguished Screenwriter Award. In 2010, he received a lifetime achievement award from the Chicago Improv Festival. In 2015, the Writers Guild of America posthumously honored him with their lifetime achievement award, the Laurel Award for Screenwriting Achievement. In 2016, two years after his death, The Second City founded the Harold Ramis Film School, the first film school to focus solely on film comedy, in his honor. The 2016 film Ghostbusters, a reboot of the series Ramis co-created and starred in, was posthumously dedicated to him. A bust of Ramis appears in the film. In the 2021 movie Ghostbusters: Afterlife, the age-progressed image of Ramis appears as the ghost of Egon Spengler; a dedication before the end credits also reads "for Harold." Collaborations Ramis frequently collaborated with Ivan Reitman. He co-wrote National Lampoon's Animal House, which Reitman produced, then co-wrote the Reitman-directed comedy Meatballs; he co-wrote and appeared in the Reitman-directed films Stripes, Ghostbusters, and Ghostbusters II. Filmography Films Television Acting roles Video games Archival appearances References Further reading External links Henkel, Guido. "Anatomy of a Comedian: Harold Ramis", DVD Review, August 6, 1999 Garfinkel, Perry. "And If He Sees His Shadow...", Lion's Roar, July 2009 Meatballs Movie Website The films of Harold Ramis, Hell Is For Hyphenates, April 30, 2014 1944 births 2014 deaths 20th-century American male actors 21st-century American male actors 20th-century American screenwriters 21st-century American screenwriters American people of Jewish descent American male comedians American male film actors American male screenwriters American male television actors American television writers Best Original Screenplay BAFTA Award winners Comedy film directors Deaths from vasculitis Jewish American male actors Male actors from Chicago Washington University in St. Louis alumni Jewish American writers Film directors from Illinois American male television writers Comedians from Illinois Writers from Chicago Screenwriters from Illinois Jewish American male comedians 20th-century American male writers 21st-century American male writers

C_8b48ff8bc3404ccda0cc4ffc5aaf4a39_0

What are some highlights of Rami's carreer?

What are some highlights of Harold Ramis' carreer?

Harold Ramis

In May 2010, Ramis contracted an infection that resulted in complications from autoimmune inflammatory vasculitis and lost the ability to walk. After relearning to walk he suffered a relapse of the disease in late 2011. He died of complications of the disease on February 24, 2014 at his home on Chicago's North Shore, at age 69. A private funeral was held for him two days later with family, friends, and several collaborators in attendance including Dan Aykroyd, Chevy Chase, Eugene Levy, Dave Thomas, David Pasquesi, Andrew Alexander, and the widows of John Belushi and Bernard Sahlins. He is buried at Shalom Memorial Park in Arlington Heights. Upon Ramis' death, President Barack Obama released a statement, saying: "when we watched his movies--from Animal House and Caddyshack to Ghostbusters and Groundhog Day--we didn't just laugh until it hurt. We questioned authority. We identified with the outsider. We rooted for the underdog. And through it all, we never lost our faith in happy endings." He ended his statement by saying he hoped Ramis "received total consciousness", in reference to a line from Caddyshack. Ramis and longtime collaborator Bill Murray had a falling out during the filming of Groundhog Day. Shortly before Ramis' death Murray visited him, and the two spoke for the first time in 21 years. Murray gave tribute to Ramis at the 86th Academy Awards. Ramis was paid tribute by Stephen Colbert on an episode of his show The Colbert Report. Colbert said that "as a young, bookish man with glasses looking for a role model, I might have picked Harold Ramis". He ended the show by thanking Ramis. CANNOTANSWER

Animal House and Caddyshack to Ghostbusters and Groundhog Day

Harold Allen Ramis (; November 21, 1944 – February 24, 2014) was an American actor, comedian, director and writer. His best-known film acting roles were as Egon Spengler in Ghostbusters (1984) and Ghostbusters II (1989), and as Russell Ziskey in Stripes (1981); he also co-wrote those films. As a director, his films include the comedies Caddyshack (1980), National Lampoon's Vacation (1983), Groundhog Day (1993), Analyze This (1999) and Analyze That (2002). Ramis was the original head writer of the television series SCTV, on which he also performed, as well as a co-writer of Groundhog Day and National Lampoon's Animal House (1978). The final film that he wrote, produced, directed, and acted in was Year One (2009). Ramis's films influenced subsequent generations of comedians, comedy writers and actors. Filmmakers and actors including Jay Roach, Jake Kasdan, Adam Sandler, and Peter and Bobby Farrelly have cited his films as among their favorites. Along with Danny Rubin, he won the BAFTA Award for Best Original Screenplay for Groundhog Day. Early life Ramis was born on November 21, 1944, in Chicago, Illinois, the son of Ruth (née Cokee) (1919-2001) and Nathan Ramis (1915-2009), who owned the Ace Food & Liquor Mart on the city's far North Side. Ramis had a Jewish upbringing. In his adult life, he did not practice any religion. He graduated from Stephen K. Hayt Elementary School in June 1958 and Nicholas Senn High School in 1962, both Chicago public schools, and in 1966 from Washington University in St. Louis, Missouri, where he was a member of the Alpha Xi chapter of Zeta Beta Tau fraternity. Afterward, Ramis worked in a mental institution in St. Louis for seven months. He later said of his time working there that it: Career Early years Ramis began writing parodic plays in college, saying years later, "In my heart, I felt I was a combination of Groucho and Harpo Marx, of Groucho using his wit as a weapon against the upper classes, and of Harpo's antic charm and the fact that he was oddly sexy—he grabs women, pulls their skirts off, and gets away with it." He avoided the Vietnam War military draft by taking methamphetamine to fail his draft physical. Following his work in St. Louis, Ramis returned to Chicago, where by 1968, he was a substitute teacher at schools serving the inner-city Robert Taylor Homes. He also became associated with the guerrilla television collective TVTV, headed by his college friend Michael Shamberg, and wrote freelance for the Chicago Daily News. "Michael Shamberg, right out of college, had started freelancing for newspapers and got on as a stringer for a local paper, and I thought, 'Well, if Michael can do that, I can do that.' I wrote a spec piece and submitted it to the Chicago Daily News, the Arts & Leisure section, and they started giving me assignments [for] entertainment features." Additionally, Ramis had begun studying and performing with Chicago's Second City improvisational comedy troupe. Ramis's newspaper writing led to him becoming joke editor at Playboy magazine. "I called…just cold and said I had written several pieces freelance and did they have any openings. And they happened to have their entry-level job, party jokes editor, open. He liked my stuff and he gave me a stack of jokes that readers had sent in and asked me to rewrite them. I had been in Second City in the workshops already and Michael Shamberg and I had written comedy shows in college." Ramis was eventually promoted to associate editor. National Lampoon, SCTV, and The Top After leaving Second City for a time and returning in 1972, having been replaced in the main cast by John Belushi, Ramis worked his way back as Belushi's deadpan foil. In 1974, Belushi brought Ramis and other Second City performers, including Ramis's frequent future collaborator Bill Murray, to New York City to work on The National Lampoon Radio Hour. During this time, Ramis, Belushi, Murray, Joe Flaherty, Christopher Guest, and Gilda Radner starred in the revue The National Lampoon Show, the successor to National Lampoon's Lemmings. Later, Ramis became a performer on, and head writer of, the late-night sketch-comedy television series SCTV during its first three years (1976–1979). He was soon offered work as a writer at Saturday Night Live but chose to continue with SCTV. Characterizations by Ramis on SCTV include corrupt Dialing for Dollars host/SCTV station manager Maurice "Moe" Green, amiable cop Officer Friendly, exercise guru Swami Bananananda, board chairman Allan "Crazy Legs" Hirschman and home dentist Mort Finkel. His celebrity impressions on SCTV included Kenneth Clark and Leonard Nimoy. In 1984, Ramis executive produced a music/comedy/variety television show called The Top. The producer was Paul Flattery and the director was David Jove. Ramis got involved after the mysterious death of his friend Peter Ivers who had hosted Jove's underground show "New Wave Theater." He called Jove and offered to help. Flattery and Jove pitched him the idea for The Top, and Ramis was instrumental in getting it on the air. The show was a mixture of live music, videos, and humor. Performers on the show included Cyndi Lauper, who performed "Girls Just Want to Have Fun" and "True Colors"; the Hollies, who performed "Stop in the Name of Love"; and the Romantics, who performed their two hits at the time, "Talking in Your Sleep" and "What I Like About You." Guest stars included Rodney Dangerfield, Chevy Chase, and Dan Aykroyd. Ramis got Bill Murray to host but, because Ghostbusters filming ran late, he did not make it to the taping. Chase came out dressed as a "punk" of the time and somehow got into a physical altercation with an audience member (also a punk) during the opening monologue. He immediately left the taping. Flattery and Jove carried on with the show. Ramis then got Andy Kaufman to fill in for Chase and recorded the host segments at a separate, later, session; it would be Kaufman's final professional appearance. The Top aired on Friday, January 27, 1984, at 7 p.m. It scored a 7.7% rating and a 14% share. This represented a 28% rating increase and a 27% share increase over KTLA's regularly scheduled Happy Days/Laverne and Shirley. Film career Ramis left SCTV to pursue a film career and wrote a script with National Lampoon magazine's Douglas Kenney, which eventually became National Lampoon's Animal House. They were later joined by a third collaborator, Chris Miller. The 1978 film followed the struggle between a rowdy college fraternity house and the college dean. The film's humor was raunchy for its time. Animal House "broke all box-office records for comedies" and earned $141 million. He also had a voice part as Zeke in the "So Beautiful & So Dangerous" segment of Heavy Metal in 1981. Ramis next co-wrote the comedy Meatballs, starring Bill Murray. The movie was a commercial success and became the first of six film collaborations between Murray and Ramis. His third film and his directorial debut was Caddyshack, which he wrote with Kenney and Brian Doyle-Murray. It starred Chevy Chase, Rodney Dangerfield, Ted Knight, and Bill Murray. Like Ramis's previous two films, Caddyshack was a commercial success. In 1982, Ramis was attached to direct the film adaptation of the Pulitzer Prize-winning book A Confederacy of Dunces by John Kennedy Toole. The film was to star John Belushi and Richard Pryor, but the project was aborted. In 1984, Ramis collaborated with Dan Aykroyd on the screenplay for Ghostbusters, which became one of the biggest comedy hits of all time, in which he also starred as Dr. Egon Spengler. He reprised the role for the 1989 sequel, Ghostbusters II (which he also co-wrote with Aykroyd). His later film Groundhog Day has been called his "masterpiece." His films have been noted for attacking "the smugness of institutional life…with an impish good [will] that is unmistakably American." They are also noted for "Ramis's signature tongue-in-cheek pep talks." Sloppiness and improv were also important aspects of his work. Ramis frequently depicted the qualities of "anger, curiosity, laziness, and woolly idealism" in "a hyper-articulate voice." Ramis also occasionally acted in supporting roles in acclaimed films that he did not write or direct, such as James L. Brooks's Academy Award-winning As Good as It Gets (1997) and Judd Apatow's hit comedy Knocked Up (2007). In 2004, Ramis turned down the opportunity to direct the Bernie Mac-Ashton Kutcher film Guess Who, then under the working title "The Dinner Party," because he considered it poorly written. That same year, he began filming the low-budget The Ice Harvest, "his first attempt to make a comic film noir." Ramis spent six weeks trying to get the film greenlit because he had difficulty reaching an agreement about stars John Cusack's and Billy Bob Thornton's salaries. The film received mixed reviews. In 2004, Ramis's typical directing fee was $5 million. In an interview in the documentary American Storytellers, Ramis said he hoped to make a film about Emma Goldman (even pitching Disney with the idea of having Bette Midler star) but that none of the film studios were interested and that it would have been difficult to raise the funding. Ramis said in 2009 that he planned to make a third Ghostbusters film for release either in mid-2011 or for Christmas 2012. A reboot to the franchise, also called Ghostbusters, was eventually made and released in 2016, directed and co-written by Paul Feig. In this film, a bronze bust of Ramis can be seen when Erin Gilbert leaves her office at Columbia University. Personal life Ramis was married twice and had four children. On July 2, 1967, he married San Francisco artist Anne Plotkin, with whom he had a daughter, Violet Ramis Stiel. Actor and Ghostbusters co-star Bill Murray is Violet's godfather. Ramis and Plotkin separated in 1984 and later divorced. Ramis' daughter Mollie Heckerling was born in 1985 and Mollie Heckerling's mother is Amy Heckerling, a director. In 1989, Ramis married Erica Mann, daughter of director Daniel Mann and actress Mary Kathleen Williams. Together they had two sons, Julian Arthur and Daniel Hayes in 1990 and 1994. Although Ramis maintained humanist beliefs, Erica's Buddhist upbringing greatly influenced his philosophies for the rest of his life, and he became friends with the Dalai Lama. Ramis was a Chicago Cubs fan and attended games every year to conduct the seventh-inning stretch at Wrigley Field. His pastimes included fencing, ritual drumming, acoustic guitar, and making hats from felted fleece; additionally, he taught himself to ski by watching skiers on television. Illness and death In May 2010, Ramis contracted an infection that resulted in complications from autoimmune inflammatory vasculitis and lost the ability to walk. After relearning to walk he suffered a relapse of the disease in late 2011. He died of complications of the disease on February 24, 2014, at his home on Chicago's North Shore, at age 69. A private funeral was held for him two days later with family, friends, and several collaborators in attendance, including Dan Aykroyd, Chevy Chase, Eugene Levy, Dave Thomas, David Pasquesi, Andrew Alexander, and the widows of John Belushi and Bernard Sahlins. He is buried at Shalom Memorial Park in Arlington Heights. Upon Ramis's death, President Barack Obama released a statement, saying, "When we watched his movies—from Animal House and Caddyshack to Ghostbusters and Groundhog Day—we didn't just laugh until it hurt. We questioned authority. We identified with the outsider. We rooted for the underdog. And through it all, we never lost our faith in happy endings." He ended his statement by saying he hoped Ramis "received total consciousness," in reference to a line from Caddyshack. Ramis and longtime collaborator Bill Murray had a falling out during the filming of Groundhog Day, which Ramis attributed to problems that Murray had in his own life at the time. They did not speak for more than 20 years. Shortly before Ramis's death, Murray, encouraged by his brother Brian Doyle-Murray, visited him to make amends with a box of donuts and a police escort, according to Ramis's daughter Violet. At that point, Ramis had lost most of his ability to speak, so Murray did most of the talking over several hours. Murray gave a tribute to Ramis at the 86th Academy Awards. Stephen Colbert paid tribute to Ramis on an episode of his show The Colbert Report. Colbert said that "as a young, bookish man with glasses looking for a role model, I might have picked Harold Ramis." He ended the show by thanking him. Awards and honors In 2004, Ramis was inducted into the St. Louis Walk of Fame. In 2005, he received the Austin Film Festival's Distinguished Screenwriter Award. In 2010, he received a lifetime achievement award from the Chicago Improv Festival. In 2015, the Writers Guild of America posthumously honored him with their lifetime achievement award, the Laurel Award for Screenwriting Achievement. In 2016, two years after his death, The Second City founded the Harold Ramis Film School, the first film school to focus solely on film comedy, in his honor. The 2016 film Ghostbusters, a reboot of the series Ramis co-created and starred in, was posthumously dedicated to him. A bust of Ramis appears in the film. In the 2021 movie Ghostbusters: Afterlife, the age-progressed image of Ramis appears as the ghost of Egon Spengler; a dedication before the end credits also reads "for Harold." Collaborations Ramis frequently collaborated with Ivan Reitman. He co-wrote National Lampoon's Animal House, which Reitman produced, then co-wrote the Reitman-directed comedy Meatballs; he co-wrote and appeared in the Reitman-directed films Stripes, Ghostbusters, and Ghostbusters II. Filmography Films Television Acting roles Video games Archival appearances References Further reading External links Henkel, Guido. "Anatomy of a Comedian: Harold Ramis", DVD Review, August 6, 1999 Garfinkel, Perry. "And If He Sees His Shadow...", Lion's Roar, July 2009 Meatballs Movie Website The films of Harold Ramis, Hell Is For Hyphenates, April 30, 2014 1944 births 2014 deaths 20th-century American male actors 21st-century American male actors 20th-century American screenwriters 21st-century American screenwriters American people of Jewish descent American male comedians American male film actors American male screenwriters American male television actors American television writers Best Original Screenplay BAFTA Award winners Comedy film directors Deaths from vasculitis Jewish American male actors Male actors from Chicago Washington University in St. Louis alumni Jewish American writers Film directors from Illinois American male television writers Comedians from Illinois Writers from Chicago Screenwriters from Illinois Jewish American male comedians 20th-century American male writers 21st-century American male writers

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Did he win any awards?

Did Harold Ramis win any awards for Animal House, Caddyshack, Ghostbusters, or Groundhog Day?

Harold Ramis

In May 2010, Ramis contracted an infection that resulted in complications from autoimmune inflammatory vasculitis and lost the ability to walk. After relearning to walk he suffered a relapse of the disease in late 2011. He died of complications of the disease on February 24, 2014 at his home on Chicago's North Shore, at age 69. A private funeral was held for him two days later with family, friends, and several collaborators in attendance including Dan Aykroyd, Chevy Chase, Eugene Levy, Dave Thomas, David Pasquesi, Andrew Alexander, and the widows of John Belushi and Bernard Sahlins. He is buried at Shalom Memorial Park in Arlington Heights. Upon Ramis' death, President Barack Obama released a statement, saying: "when we watched his movies--from Animal House and Caddyshack to Ghostbusters and Groundhog Day--we didn't just laugh until it hurt. We questioned authority. We identified with the outsider. We rooted for the underdog. And through it all, we never lost our faith in happy endings." He ended his statement by saying he hoped Ramis "received total consciousness", in reference to a line from Caddyshack. Ramis and longtime collaborator Bill Murray had a falling out during the filming of Groundhog Day. Shortly before Ramis' death Murray visited him, and the two spoke for the first time in 21 years. Murray gave tribute to Ramis at the 86th Academy Awards. Ramis was paid tribute by Stephen Colbert on an episode of his show The Colbert Report. Colbert said that "as a young, bookish man with glasses looking for a role model, I might have picked Harold Ramis". He ended the show by thanking Ramis. CANNOTANSWER

Colbert said that "as a young, bookish man with glasses looking for a role model, I might have picked Harold Ramis". He ended the show by thanking Ramis.

Harold Allen Ramis (; November 21, 1944 – February 24, 2014) was an American actor, comedian, director and writer. His best-known film acting roles were as Egon Spengler in Ghostbusters (1984) and Ghostbusters II (1989), and as Russell Ziskey in Stripes (1981); he also co-wrote those films. As a director, his films include the comedies Caddyshack (1980), National Lampoon's Vacation (1983), Groundhog Day (1993), Analyze This (1999) and Analyze That (2002). Ramis was the original head writer of the television series SCTV, on which he also performed, as well as a co-writer of Groundhog Day and National Lampoon's Animal House (1978). The final film that he wrote, produced, directed, and acted in was Year One (2009). Ramis's films influenced subsequent generations of comedians, comedy writers and actors. Filmmakers and actors including Jay Roach, Jake Kasdan, Adam Sandler, and Peter and Bobby Farrelly have cited his films as among their favorites. Along with Danny Rubin, he won the BAFTA Award for Best Original Screenplay for Groundhog Day. Early life Ramis was born on November 21, 1944, in Chicago, Illinois, the son of Ruth (née Cokee) (1919-2001) and Nathan Ramis (1915-2009), who owned the Ace Food & Liquor Mart on the city's far North Side. Ramis had a Jewish upbringing. In his adult life, he did not practice any religion. He graduated from Stephen K. Hayt Elementary School in June 1958 and Nicholas Senn High School in 1962, both Chicago public schools, and in 1966 from Washington University in St. Louis, Missouri, where he was a member of the Alpha Xi chapter of Zeta Beta Tau fraternity. Afterward, Ramis worked in a mental institution in St. Louis for seven months. He later said of his time working there that it: Career Early years Ramis began writing parodic plays in college, saying years later, "In my heart, I felt I was a combination of Groucho and Harpo Marx, of Groucho using his wit as a weapon against the upper classes, and of Harpo's antic charm and the fact that he was oddly sexy—he grabs women, pulls their skirts off, and gets away with it." He avoided the Vietnam War military draft by taking methamphetamine to fail his draft physical. Following his work in St. Louis, Ramis returned to Chicago, where by 1968, he was a substitute teacher at schools serving the inner-city Robert Taylor Homes. He also became associated with the guerrilla television collective TVTV, headed by his college friend Michael Shamberg, and wrote freelance for the Chicago Daily News. "Michael Shamberg, right out of college, had started freelancing for newspapers and got on as a stringer for a local paper, and I thought, 'Well, if Michael can do that, I can do that.' I wrote a spec piece and submitted it to the Chicago Daily News, the Arts & Leisure section, and they started giving me assignments [for] entertainment features." Additionally, Ramis had begun studying and performing with Chicago's Second City improvisational comedy troupe. Ramis's newspaper writing led to him becoming joke editor at Playboy magazine. "I called…just cold and said I had written several pieces freelance and did they have any openings. And they happened to have their entry-level job, party jokes editor, open. He liked my stuff and he gave me a stack of jokes that readers had sent in and asked me to rewrite them. I had been in Second City in the workshops already and Michael Shamberg and I had written comedy shows in college." Ramis was eventually promoted to associate editor. National Lampoon, SCTV, and The Top After leaving Second City for a time and returning in 1972, having been replaced in the main cast by John Belushi, Ramis worked his way back as Belushi's deadpan foil. In 1974, Belushi brought Ramis and other Second City performers, including Ramis's frequent future collaborator Bill Murray, to New York City to work on The National Lampoon Radio Hour. During this time, Ramis, Belushi, Murray, Joe Flaherty, Christopher Guest, and Gilda Radner starred in the revue The National Lampoon Show, the successor to National Lampoon's Lemmings. Later, Ramis became a performer on, and head writer of, the late-night sketch-comedy television series SCTV during its first three years (1976–1979). He was soon offered work as a writer at Saturday Night Live but chose to continue with SCTV. Characterizations by Ramis on SCTV include corrupt Dialing for Dollars host/SCTV station manager Maurice "Moe" Green, amiable cop Officer Friendly, exercise guru Swami Bananananda, board chairman Allan "Crazy Legs" Hirschman and home dentist Mort Finkel. His celebrity impressions on SCTV included Kenneth Clark and Leonard Nimoy. In 1984, Ramis executive produced a music/comedy/variety television show called The Top. The producer was Paul Flattery and the director was David Jove. Ramis got involved after the mysterious death of his friend Peter Ivers who had hosted Jove's underground show "New Wave Theater." He called Jove and offered to help. Flattery and Jove pitched him the idea for The Top, and Ramis was instrumental in getting it on the air. The show was a mixture of live music, videos, and humor. Performers on the show included Cyndi Lauper, who performed "Girls Just Want to Have Fun" and "True Colors"; the Hollies, who performed "Stop in the Name of Love"; and the Romantics, who performed their two hits at the time, "Talking in Your Sleep" and "What I Like About You." Guest stars included Rodney Dangerfield, Chevy Chase, and Dan Aykroyd. Ramis got Bill Murray to host but, because Ghostbusters filming ran late, he did not make it to the taping. Chase came out dressed as a "punk" of the time and somehow got into a physical altercation with an audience member (also a punk) during the opening monologue. He immediately left the taping. Flattery and Jove carried on with the show. Ramis then got Andy Kaufman to fill in for Chase and recorded the host segments at a separate, later, session; it would be Kaufman's final professional appearance. The Top aired on Friday, January 27, 1984, at 7 p.m. It scored a 7.7% rating and a 14% share. This represented a 28% rating increase and a 27% share increase over KTLA's regularly scheduled Happy Days/Laverne and Shirley. Film career Ramis left SCTV to pursue a film career and wrote a script with National Lampoon magazine's Douglas Kenney, which eventually became National Lampoon's Animal House. They were later joined by a third collaborator, Chris Miller. The 1978 film followed the struggle between a rowdy college fraternity house and the college dean. The film's humor was raunchy for its time. Animal House "broke all box-office records for comedies" and earned $141 million. He also had a voice part as Zeke in the "So Beautiful & So Dangerous" segment of Heavy Metal in 1981. Ramis next co-wrote the comedy Meatballs, starring Bill Murray. The movie was a commercial success and became the first of six film collaborations between Murray and Ramis. His third film and his directorial debut was Caddyshack, which he wrote with Kenney and Brian Doyle-Murray. It starred Chevy Chase, Rodney Dangerfield, Ted Knight, and Bill Murray. Like Ramis's previous two films, Caddyshack was a commercial success. In 1982, Ramis was attached to direct the film adaptation of the Pulitzer Prize-winning book A Confederacy of Dunces by John Kennedy Toole. The film was to star John Belushi and Richard Pryor, but the project was aborted. In 1984, Ramis collaborated with Dan Aykroyd on the screenplay for Ghostbusters, which became one of the biggest comedy hits of all time, in which he also starred as Dr. Egon Spengler. He reprised the role for the 1989 sequel, Ghostbusters II (which he also co-wrote with Aykroyd). His later film Groundhog Day has been called his "masterpiece." His films have been noted for attacking "the smugness of institutional life…with an impish good [will] that is unmistakably American." They are also noted for "Ramis's signature tongue-in-cheek pep talks." Sloppiness and improv were also important aspects of his work. Ramis frequently depicted the qualities of "anger, curiosity, laziness, and woolly idealism" in "a hyper-articulate voice." Ramis also occasionally acted in supporting roles in acclaimed films that he did not write or direct, such as James L. Brooks's Academy Award-winning As Good as It Gets (1997) and Judd Apatow's hit comedy Knocked Up (2007). In 2004, Ramis turned down the opportunity to direct the Bernie Mac-Ashton Kutcher film Guess Who, then under the working title "The Dinner Party," because he considered it poorly written. That same year, he began filming the low-budget The Ice Harvest, "his first attempt to make a comic film noir." Ramis spent six weeks trying to get the film greenlit because he had difficulty reaching an agreement about stars John Cusack's and Billy Bob Thornton's salaries. The film received mixed reviews. In 2004, Ramis's typical directing fee was $5 million. In an interview in the documentary American Storytellers, Ramis said he hoped to make a film about Emma Goldman (even pitching Disney with the idea of having Bette Midler star) but that none of the film studios were interested and that it would have been difficult to raise the funding. Ramis said in 2009 that he planned to make a third Ghostbusters film for release either in mid-2011 or for Christmas 2012. A reboot to the franchise, also called Ghostbusters, was eventually made and released in 2016, directed and co-written by Paul Feig. In this film, a bronze bust of Ramis can be seen when Erin Gilbert leaves her office at Columbia University. Personal life Ramis was married twice and had four children. On July 2, 1967, he married San Francisco artist Anne Plotkin, with whom he had a daughter, Violet Ramis Stiel. Actor and Ghostbusters co-star Bill Murray is Violet's godfather. Ramis and Plotkin separated in 1984 and later divorced. Ramis' daughter Mollie Heckerling was born in 1985 and Mollie Heckerling's mother is Amy Heckerling, a director. In 1989, Ramis married Erica Mann, daughter of director Daniel Mann and actress Mary Kathleen Williams. Together they had two sons, Julian Arthur and Daniel Hayes in 1990 and 1994. Although Ramis maintained humanist beliefs, Erica's Buddhist upbringing greatly influenced his philosophies for the rest of his life, and he became friends with the Dalai Lama. Ramis was a Chicago Cubs fan and attended games every year to conduct the seventh-inning stretch at Wrigley Field. His pastimes included fencing, ritual drumming, acoustic guitar, and making hats from felted fleece; additionally, he taught himself to ski by watching skiers on television. Illness and death In May 2010, Ramis contracted an infection that resulted in complications from autoimmune inflammatory vasculitis and lost the ability to walk. After relearning to walk he suffered a relapse of the disease in late 2011. He died of complications of the disease on February 24, 2014, at his home on Chicago's North Shore, at age 69. A private funeral was held for him two days later with family, friends, and several collaborators in attendance, including Dan Aykroyd, Chevy Chase, Eugene Levy, Dave Thomas, David Pasquesi, Andrew Alexander, and the widows of John Belushi and Bernard Sahlins. He is buried at Shalom Memorial Park in Arlington Heights. Upon Ramis's death, President Barack Obama released a statement, saying, "When we watched his movies—from Animal House and Caddyshack to Ghostbusters and Groundhog Day—we didn't just laugh until it hurt. We questioned authority. We identified with the outsider. We rooted for the underdog. And through it all, we never lost our faith in happy endings." He ended his statement by saying he hoped Ramis "received total consciousness," in reference to a line from Caddyshack. Ramis and longtime collaborator Bill Murray had a falling out during the filming of Groundhog Day, which Ramis attributed to problems that Murray had in his own life at the time. They did not speak for more than 20 years. Shortly before Ramis's death, Murray, encouraged by his brother Brian Doyle-Murray, visited him to make amends with a box of donuts and a police escort, according to Ramis's daughter Violet. At that point, Ramis had lost most of his ability to speak, so Murray did most of the talking over several hours. Murray gave a tribute to Ramis at the 86th Academy Awards. Stephen Colbert paid tribute to Ramis on an episode of his show The Colbert Report. Colbert said that "as a young, bookish man with glasses looking for a role model, I might have picked Harold Ramis." He ended the show by thanking him. Awards and honors In 2004, Ramis was inducted into the St. Louis Walk of Fame. In 2005, he received the Austin Film Festival's Distinguished Screenwriter Award. In 2010, he received a lifetime achievement award from the Chicago Improv Festival. In 2015, the Writers Guild of America posthumously honored him with their lifetime achievement award, the Laurel Award for Screenwriting Achievement. In 2016, two years after his death, The Second City founded the Harold Ramis Film School, the first film school to focus solely on film comedy, in his honor. The 2016 film Ghostbusters, a reboot of the series Ramis co-created and starred in, was posthumously dedicated to him. A bust of Ramis appears in the film. In the 2021 movie Ghostbusters: Afterlife, the age-progressed image of Ramis appears as the ghost of Egon Spengler; a dedication before the end credits also reads "for Harold." Collaborations Ramis frequently collaborated with Ivan Reitman. He co-wrote National Lampoon's Animal House, which Reitman produced, then co-wrote the Reitman-directed comedy Meatballs; he co-wrote and appeared in the Reitman-directed films Stripes, Ghostbusters, and Ghostbusters II. Filmography Films Television Acting roles Video games Archival appearances References Further reading External links Henkel, Guido. "Anatomy of a Comedian: Harold Ramis", DVD Review, August 6, 1999 Garfinkel, Perry. "And If He Sees His Shadow...", Lion's Roar, July 2009 Meatballs Movie Website The films of Harold Ramis, Hell Is For Hyphenates, April 30, 2014 1944 births 2014 deaths 20th-century American male actors 21st-century American male actors 20th-century American screenwriters 21st-century American screenwriters American people of Jewish descent American male comedians American male film actors American male screenwriters American male television actors American television writers Best Original Screenplay BAFTA Award winners Comedy film directors Deaths from vasculitis Jewish American male actors Male actors from Chicago Washington University in St. Louis alumni Jewish American writers Film directors from Illinois American male television writers Comedians from Illinois Writers from Chicago Screenwriters from Illinois Jewish American male comedians 20th-century American male writers 21st-century American male writers

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What are the names of some of the songs from Dreamgirls?

What are the names of some of the songs from the film Dreamgirls?

Dreamgirls (film)

Dreamgirls musical supervisors Randy Spendlove and Matt Sullivan hired R&B production team The Underdogs -- Harvey Mason, Jr. and Damon Thomas -- to restructure and rearrange the Henry Krieger/Tom Eyen Dreamgirls score so that it better reflected its proper time period, yet also reflected then-modern R&B/pop sensibilities. During post-production, composer Stephen Trask was contracted to provide additional score material for the film. Several musical numbers from the Broadway score were not included in the film version, in particular Lorrell's solo "Ain't No Party". Four new songs were added for the film: "Love You I Do", "Patience", "Perfect World," and "Listen." All of the new songs feature music composed by original Dreamgirls stage composer Henry Krieger. With Tom Eyen having died in 1991, various lyricists were brought in by Krieger to co-author the new songs. "Love You I Do," with lyrics by Siedah Garrett, is performed in the film by Effie during a rehearsal at the Rainbow Records studio. Willie Reale wrote the lyrics for "Patience," a song performed in the film by Jimmy, Lorrell, C.C., and a gospel choir, as the characters attempt to record a message song for Jimmy. "Perfect World," also featuring lyrics by Garrett, is performed during the Rainbow 10th anniversary special sequence by Jackson 5 doppelgangers The Campbell Connection. "Listen", with additional music by Scott Cutler and Beyonce Knowles, and lyrics by Anne Preven, is presented as a defining moment for Deena's character late in the film. After preview screenings during the summer of 2006, several minutes worth of musical footage were deleted from the film due to negative audience reactions to the amount of music. Among this footage was one whole musical number, C.C. and Effie's sung reunion "Effie, Sing My Song", which was replaced with an alternative spoken version. The Dreamgirls: Music from the Motion Picture soundtrack album was released on December 5 by Music World Entertainment/Columbia Records, in both a single-disc version containing highlights and a double-disc "Deluxe Version" containing all of the film's songs. The single-disc version of the soundtrack peaked at number-one on the Billboard 200 during a slow sales week in early January 2007. "Listen" was the first official single from the soundtrack, supported by a music video featuring Beyonce. "And I Am Telling You I'm Not Going" was the Dreamgirls soundtrack's second single. Though a music video with all-original footage was once planned, the video eventually released for "And I Am Telling You" comprised the entire corresponding scene in the actual film. CANNOTANSWER

Four new songs were added for the film: "Love You I Do", "Patience", "Perfect World," and "Listen."

Dreamgirls is a 2006 American musical drama film written and directed by Bill Condon and jointly produced and released by DreamWorks Pictures and Paramount Pictures. Adapted from the 1981 Broadway musical of the same name, Dreamgirls is a film à clef, a work of fiction taking strong inspiration from the history of the Motown record label and one of its acts, The Supremes. The story follows the history and evolution of American R&B music during the 1960s and 1970s through the eyes of a Detroit girl group known as "The Dreams" and their manipulative record executive. The film adaptation stars Jamie Foxx, Beyoncé Knowles and Eddie Murphy, and also features Jennifer Hudson, Danny Glover, Anika Noni Rose and Keith Robinson. In addition to the original compositions by composer Henry Krieger and lyricist/librettist Tom Eyen, four new songs, composed by Krieger with various lyricists, were added for the film. The film marks the acting debut of Hudson, a former American Idol contestant. Dreamgirls debuted in four special road show engagements starting on December 15, 2006, before its nationwide release on December 25, 2006. With a production budget of $80 million, Dreamgirls is one of the most expensive films to feature a predominant African-American starring cast in American film history. Upon its release, the film garnered positive reviews from critics, who particularly praised Condon's direction, the soundtrack, costume design, production design, and performances of the cast (in particular of Hudson, which many deemed a standout performance). The film was a commercial success, grossing over $155 million at the international box office. At the 79th Academy Awards, the film received a leading eight nominations, winning Best Supporting Actress (for Hudson), and Best Sound Mixing. At the 64th Golden Globe Awards, it won three awards, including for the Best Motion Picture – Musical or Comedy. Plot In 1962 Detroit, Michigan, young car salesman Curtis Taylor Jr. meets a Black girl group known as "The Dreamettes", which consists of lead singer Effie White and backup singers Deena Jones and Lorrell Robinson, at an R&B amateur talent show at the Detroit Theatre. Presenting himself as their new manager, he hires the girls as backup singers for Chitlin' Circuit R&B star Jimmy "Thunder" Early. Curtis soon starts his own record label, Rainbow Records, out of his Detroit car dealership, and appoints Effie's brother, C.C., as his head songwriter. When their first single "Cadillac Car" fails after a white pop group named Dave and the Sweethearts releases a cover version, Curtis, C.C., and their producer Wayne turn to payola to make "Jimmy Early & The Dreamettes" mainstream pop stars. Offstage, Effie falls in love with Curtis while the married Jimmy does likewise with Lorrell. Jimmy's manager, Marty Madison, grows weary of Curtis' plans to make his client more pop-friendly and walks out. When Jimmy bombs in front of an all-white Miami Beach supper club audience, Curtis sends Jimmy out on the road alone, keeping The Dreamettes behind to headline in his place. Feeling that Effie's figure and distinctive, soulful voice will not attract white audiences, Curtis appoints the slimmer, more conventionally attractive Deena (who has a more basic, generic, and marketable voice) as the new lead singer, renaming the group "The Dreams". Aided by new songs and a new image, Curtis and C.C. transform The Dreams into a top-selling mainstream pop group. By 1965, however, Effie begins acting out, particularly when Curtis' affections also turn towards Deena. Curtis eventually drops Effie, hiring his secretary Michelle Morris to replace her beginning with their 1966 New Year's Eve debut in Las Vegas as "Deena Jones & the Dreams." Though Effie defiantly and desperately appeals to Curtis, he, C.C., and The Dreams abandon her, forging ahead to stardom. By 1973, Effie has become an impoverished welfare mother living in Detroit with her daughter Magic. To restart her music career, she hires Marty as her manager and begins performing at a local club. Meanwhile, with The Dreams superstars and Rainbow, having moved to Los Angeles, now the biggest pop business in the country, Curtis attempts to produce a film about Cleopatra starring an unwilling Deena, now his wife. The following year, Jimmy, who has descended into drug addiction due to Curtis' preoccupation with Deena, along with the rejection of the charity single he recorded, does an improvised rap and drops his pants during Rainbow Records' tenth-anniversary television special. Curtis promptly drops him from the label and Lorrell ends their affair. Sometime later, C.C., who feels Curtis is undermining the artistic merit of his songs by making them into disco music, quits the label, only for everyone to then learn of Jimmy's unexpected death from a heroin overdose, which greatly upsets Lorrell. Disillusioned by Jimmy's death and Curtis' cold reaction to the news, C.C. travels to Detroit and reconciles with Effie, for whom he writes and produces a comeback single, "One Night Only". Just as it begins gaining local radio play, Curtis uses payola to force radio stations to play The Dreams' disco cover of the song. The plan falls apart, however, when Deena, angry over how Curtis controls her career, discovers his schemes and contacts Effie, who arrives in Los Angeles with C.C., Marty, and a lawyer. Deena and Effie reconcile, with Effie telling Deena that Curtis is Magic's father, while Curtis agrees to nationally distribute Effie's record to avoid being reported to the FBI. Inspired by Effie's victory and realizing Curtis' true character, Deena leaves him. By 1975, The Dreams give a farewell performance at the Detroit Theater, inviting Effie for the final song. Towards the end, Curtis notices Magic in the front row, realizing she is his daughter. Cast Jennifer Hudson as Effie White; inspired by Supremes member Florence Ballard, Effie is a talented yet temperamental singer who suffers when Curtis, the man she loves, replaces her as lead singer of the Dreams and his love interest, and later drops her altogether. With the help of Jimmy's old manager Marty, Effie begins to resurrect her career a decade later, while raising her daughter Magic, the offspring of her union with Curtis. Jamie Foxx as Curtis Taylor, Jr.; based upon Motown founder Berry Gordy, Jr., Curtis is a slick Cadillac dealer-turned-record executive who founds the Rainbow Records label and shows ruthless ambition in his quest to make his black artists household names with white audiences. At first romantically involved with Effie, Curtis takes a professional and personal interest in Deena after appointing her lead singer of the Dreams in Effie's place. Beyoncé Knowles-Carter as Deena Jones; based upon Motown star and lead Supremes member Diana Ross and two former Supremes members Jean Terrell and Scherrie Payne, Deena is a very shy young woman who becomes a star after Curtis makes her lead singer of the Dreams. This, as well as her romantic involvement and later marriage to Curtis, draw Effie's ire, though Deena realizes over time she is a puppet for her controlling husband. Anika Noni Rose as Lorrell Robinson; inspired by Supremes member Mary Wilson, is a good-natured background singer with the Dreams who falls deeply in love with the married Jimmy Early and becomes his mistress. Keith Robinson as Clarence Conrad (C.C.) White; inspired by Motown vice president, artist, producer, and songwriter Smokey Robinson, Effie's soft-spoken younger brother serves as the main songwriter for first the Dreams and later the entire Rainbow roster. Eddie Murphy as James (Jimmy) "Thunder" Early; inspired by R&B/soul singers such as James Brown, Jackie Wilson and Marvin Gaye, is a raucous performer on the Rainbow label engaged in an adulterous affair with Dreams member Lorrell. Curtis attempts to repackage Early as a pop-friendly balladeer. Jimmy's stardom fades as the Dreams' stardom rises, and as a result – he falls into depression (which he copes with through drug abuse). Danny Glover as Marty Madison, Jimmy's original manager before Curtis steps into the picture; Marty serves as both counsel and confidant to Jimmy, and later to Effie as well. Sharon Leal as Michelle Morris; based upon Supremes members Cindy Birdsong and Susaye Greene, Curtis' secretary who replaces Effie in the Dreams and begins dating C.C. Hinton Battle as Wayne, a salesman at Curtis' Cadillac dealership who becomes Rainbow's first record producer and Curtis' henchman. Yvette Cason as May, Deena's mother Loretta Devine as Jazz Singer. Devine originated the role of Lorrell in the 1981 stage production. Dawnn Lewis as Melba Early, James' wife John Lithgow as Jerry Harris, a film producer looking to cast Deena John Krasinski as Sam Walsh, Jerry Harris' screenwriter/film director Jaleel White as Talent Booker at the Detroit Theatre talent show Cleo King as Janice Robert Cicchini as Nicky Cassaro Yvette Nicole Brown as Curtis' Secretary Mariah I. Wilson as Magic White, Effie's daughter Paul Kirby as Promo Film Narrator (voice) Musical numbers Production Pre-production In the 1980s and 1990s, several attempts were made to produce a film adaptation of Dreamgirls, a Broadway musical loosely based upon the story of The Supremes and Motown Records, which won six Tony Awards in 1982. David Geffen, the stage musical's co-financier, retained the film rights to Dreamgirls and turned down many offers to adapt the story for the screen. He cited a need to preserve the integrity of Dreamgirls stage director Michael Bennett's work after his death in 1987. That same year, Geffen, who ran his Warner Bros.-associated Geffen Pictures film production company at the time, began talks with Broadway lyricist and producer Howard Ashman to adapt it as a star vehicle for Whitney Houston, who was to portray Deena. The production ran into problems when Houston wanted to sing both Deena and Effie's songs (particularly "And I Am Telling You I'm Not Going"), and the film was eventually abandoned. When Geffen co-founded DreamWorks in 1994 and dissolved Geffen Pictures, the rights to Dreamgirls remained with Warner Bros. Warner planned to go ahead with the film with director Joel Schumacher and screenwriter Tina Andrews in the late 1990s, following the success of Touchstone Pictures's Tina Turner biopic What's Love Got to Do with It. Schumacher planned to have Lauryn Hill portray Deena and Kelly Price play Effie. After Warner's Frankie Lymon biopic Why Do Fools Fall in Love failed at the box office, the studio shut down development on Dreamgirls. DreamWorks' Dreamgirls adaptation came about after the film version of the Broadway musical Chicago was a success at both the box office and the Academy Awards. Screenwriter and director Bill Condon, who wrote Chicagos screenplay, met producer Laurence Mark at a Hollywood holiday party in late 2002, where the two discussed a long-held "dream project" of Condon's – adapting Dreamgirls for the screen. The two had dinner with Geffen and successfully convinced him to allow Condon to write a screenplay for Dreamgirls. Condon did not start work on the Dreamgirls script until after making the Alfred Kinsey biographical film Kinsey (2004). After sending Geffen the first draft of his screenplay in January 2005, Condon's adaptation of Dreamgirls was greenlit. Stage to script changes While much of the stage musical's story remains intact, a number of significant changes were made. The Dreams' hometown—the setting for much of the action—was moved from Chicago to Detroit, the real-life hometown of The Supremes and Motown Records. The roles of many of the characters were related more closely to their real-life inspirations, following a suggestion by Geffen. Warner Bros. had retained the film rights to Dreamgirls, and agreed to co-produce with DreamWorks. However, after casting was completed, the film was budgeted at $73 million and Warner backed out of the production. Geffen, taking the role of co-producer, brought Paramount Pictures in to co-finance and release Dreamgirls. During the course of production, Paramount's parent company, Viacom, would purchase DreamWorks, aligning the two studios under one umbrella (and giving the senior studio US distribution rights on behalf of DreamWorks). The completed film had a production budget of $75 million, making Dreamgirls the most expensive film with an all-black starring cast in cinema history. Casting and rehearsal Mark and Condon began pre-production with the intentions of casting Jamie Foxx and Eddie Murphy, both actors with record industry experience, as Curtis Taylor, Jr. and James "Thunder" Early, respectively. When offered the part of Curtis, Foxx initially declined because DreamWorks could not meet his salary demands. Denzel Washington, Will Smith, and Terrence Howard were among the other actors also approached to play Curtis. Murphy, on the other hand, accepted the role of Jimmy Early after being convinced to do so by DreamWorks co-founder Jeffrey Katzenberg. While Condon had intended to cast relatively unknown actresses as all three Dreams, R&B singer Beyoncé Knowles lobbied for the part of Deena Jones, and was cast after a successful screen test. Upon learning that Knowles and Murphy had signed on, Foxx rethought his original decision and accepted the Curtis role at DreamWorks' lower salary. R&B star Usher was to have been cast as C.C. White, but contract negotiations failed; Usher was unable to dedicate half a year to the project. André 3000 of Outkast was also offered the role, but declined. After briefly considering R&B singer Omarion, singer/actor Keith Robinson was eventually cast in the role. Anika Noni Rose, a Broadway veteran and a Tony Award winner, won the part of Lorrell Robinson after an extensive auditioning process. Rose, significantly shorter than most of her co-stars at five feet and two inches (157 cm), was required to wear (and dance in) four and five-inch (127 mm) heels for much of the picture, which she later stated caused her discomfort. The most crucial casting decision involved the role of Effie White, the emotional center of the story. The filmmakers insisted on casting a relative unknown in the role, paralleling the casting of then-21-year-old Jennifer Holliday in that role for the original Broadway production. A total of 783 singing actresses auditioned for the role of Effie White, among them American Idol alumnae Fantasia Barrino and Jennifer Hudson, former Disney star Raven-Symoné, and Broadway stars Capathia Jenkins and Patina Miller. Though Barrino emerged as an early frontrunner for the part, Hudson was eventually selected to play Effie, leading Barrino to telephone Hudson and jokingly complain that Hudson "stole [Barrino's] part." Hudson was required to gain twenty pounds for the role, which marked her debut film performance. In casting Hudson, Condon recalled that he initially was not confident he'd made the right decision, but instinctively cast Hudson after she'd auditioned several times because he "just didn't believe any of the others." After Hudson was cast in November 2005, the Dreamgirls cast began extensive rehearsals with Condon and choreographers Fatima Robinson and Aakomon "AJ" Jones, veterans of the music video industry. Meanwhile, the music production crew began work with the actors and studio musicians recording the songs for the film. Although rehearsals ended just before Christmas 2005, Condon called Hudson back for a week of one-on-one rehearsals, to help her more fully become the "diva" character of Effie. Hudson was required to be rude and come in late both on set and off, and she and Condon went over Effie's lines and scenes throughout the week. Loretta Devine, who played Lorrell in the original Broadway production, has a cameo as a jazz singer who performs the song "I Miss You Old Friend." Another Dreamgirls veteran present in the film is Hinton Battle, who was a summer replacement for James "Thunder" Early onstage and here portrays Curtis' aide-de-camp Wayne. Principal photography Principal photography began January 6, 2006 with the filming of dance footage for the first half of "Steppin' to the Bad Side," footage later deleted from the film. The film was primarily shot on soundstages at the Los Angeles Center Studios and on location in the Los Angeles area, with some second unit footage shot in Detroit, Miami, and New York City. The award-winning Broadway lighting team of Jules Fisher and Peggy Eisenhauer were brought in to create theatrical lighting techniques for the film's musical numbers. Beyoncé Knowles elected to lose weight to give the mature Deena Jones of the 1970s a different look than the younger version of the character. By sticking to a highly publicized diet of water, lemons, maple syrup, and cayenne pepper (also known as the Master Cleanse), Knowles rapidly lost twenty pounds, which she gained back once production ended. Shooting was completed in the early-morning hours of April 8, 2006, after four days were spent shooting Jennifer Hudson's musical number "And I Am Telling You I'm Not Going", which had purposefully been saved until the end of the shoot. Originally scheduled to be shot in one day, Condon was forced to ask for extra time and money to finish shooting the "And I Am Telling You" scene, as Hudson's voice would give out after four hours of shooting the musical number, and she was unable to plausibly lip-sync while hoarse. The scene was felt by everyone involved to be pivotal to the film, as "And I Am Telling You" was Jennifer Holliday's show-stopping number in the original Broadway musical. Music Dreamgirls musical supervisors Randy Spendlove and Matt Sullivan hired R&B production team The Underdogs — Harvey Mason, Jr. and Damon Thomas — to restructure and rearrange the Henry Krieger/Tom Eyen Dreamgirls score so that it better reflected its proper time period, yet also reflected then-modern R&B/pop sensibilities. During post-production, composer Stephen Trask was contracted to provide additional score material for the film. Several musical numbers from the Broadway score were not included in the film version, in particular Lorrell's solo "Ain't No Party". Four new songs were added for the film: "Love You I Do", "Patience", "Perfect World," and "Listen." All of the new songs feature music composed by original Dreamgirls stage composer Henry Krieger. With Tom Eyen having died in 1991, various lyricists were brought in by Krieger to co-author the new songs. "Love You I Do," with lyrics by Siedah Garrett, is performed in the film by Effie during a rehearsal at the Rainbow Records studio. Willie Reale wrote the lyrics for "Patience," a song performed in the film by Jimmy, Lorrell, C.C., and a gospel choir, as the characters attempt to record a message song for Jimmy. "Perfect World," also featuring lyrics by Garrett, is performed during the Rainbow 10th anniversary special sequence by Jackson 5 doppelgängers The Campbell Connection. "Listen", with additional music by Scott Cutler and Beyoncé, and lyrics by Anne Preven, is presented as a defining moment for Deena's character late in the film. After preview screenings during the summer of 2006, several minutes worth of musical footage were deleted from the film due to negative audience reactions to the amount of music. Among this footage was one whole musical number, C.C. and Effie's sung reunion "Effie, Sing My Song", which was replaced with an alternative spoken version. The Dreamgirls: Music from the Motion Picture soundtrack album was released on December 5 by Music World Entertainment/Columbia Records, in both a single-disc version containing highlights and a double-disc "Deluxe Version" containing all of the film's songs. The single-disc version of the soundtrack peaked at number-one on the Billboard 200 during a slow sales week in early January 2007. "Listen" was the first official single from the soundtrack, supported by a music video featuring Beyoncé. "And I Am Telling You I'm Not Going" was the Dreamgirls soundtrack's second single. Though a music video with all-original footage was once planned, the video eventually released for "And I Am Telling You" comprised the entire corresponding scene in the actual film. Release Dreamgirls premiered on December 4, 2006 at the Ziegfeld Theatre in New York City, where it received a standing ovation. The film's Los Angeles premiere was held on December 11 at the Wilshire Theater in Beverly Hills. Similar to the releases of older Hollywood musicals such as The Sound of Music, My Fair Lady, and West Side Story, Dreamgirls debuted with three special ten-day roadshow engagements beginning on December 15, 2006 at the Ziegfeld Theatre in New York City, the Cinerama Dome in Los Angeles, and the AMC Metreon 15 in San Francisco. Tickets for the reserved seats were $25 each; the premium price included a forty-eight page full-color program and a limited-print lithograph. This release made Dreamgirls the first American feature film to have a roadshow release since Man of La Mancha in 1972. Dreamgirls earned a total of $851,664 from the roadshow engagements, playing to sold-out houses on the weekends. The film's national release, at regular prices, began on December 25. Outside of the U.S., Dreamgirls opened in Australia on January 18, and in the United Kingdom on February 2. Releases in other countries began on various dates between January and early March. Dreamgirls eventually grossed $103 million in North America, and almost $155 million worldwide. DreamWorks Home Entertainment released Dreamgirls to home video on May 1, 2007 in DVD, HD DVD, and Blu-ray formats. The DVD version was issued in two editions: a one-disc standard version and a two-disc "Showstopper Edition". The two-disc version also included a feature-length production documentary, production featurettes, screen tests, animatics, and other previsualization materials and artwork. Both DVD versions featured alternative and extended versions of the musical numbers from the film as extras, including the "Effie, Sing My Song" scene deleted during previews. Both the Blu-ray and HD DVD versions were issued in two-disc formats. Dreamgirls was the first DreamWorks film to be issued in a high definition home entertainment format. , total domestic video sales to date are at $95.1 million. A "Director's Extended Edition" of Dreamgirls was released on Blu-ray and Digital HD on October 10, 2017 by Paramount Home Media Distribution. This version, based on edits done for preview screenings before the film's release, runs ten minutes longer than the theatrical version and features longer musical numbers (including songs and verses cut during previews) and additional scenes. Reception Critical response On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 78% based on 208 reviews, with an average rating of 7.24/10. The site's critics consensus states: "Dreamgirls simple characters and plot hardly detract from the movie's real feats: the electrifying performances and the dazzling musical numbers." Metacritic reports a weighted average score of 76 out of 100 rating, based on 37 critics, indicating "generally favorable reviews". Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale. Rolling Stone's Peter Travers gave the film three and a half stars (out of four) and the number-two position on his "best of 2006" list, stating that "despite transitional bumps, Condon does Dreamgirls proud". David Rooney of Variety reported that the film featured "tremendously exciting musical sequences" and that "after The Phantom of the Opera, Rent and The Producers botched the transfer from stage to screen, Dreamgirls gets it right." On the December 10, 2006 episode of the television show Ebert & Roeper, Richard Roeper and guest critic Aisha Tyler (filling in for Roger Ebert, who was recovering from cancer-related surgery) gave the film "two thumbs up", with Roeper's reservations that it was "a little short on heart and soul" and "deeply conventional". Roeper still enjoyed the film, noting that Jennifer Hudson's rendition of "And I Am Telling You I'm Not Going" as the "show-stopping moment of any film of 2006" and very much enjoyed Murphy's performance as well, remarking that "people are going to love this film." Kirk Honeycutt of The Hollywood Reporter was less enthusiastic, stating that while the film was "a damn good commercial movie, it is not the film that will revive the musical or win over the world". Ed Gonzales of Slant magazine found the entire picture too glossy, and declared that "the film doesn't care to articulate the emotions that haunt its characters". University of Sydney academic Timothy Laurie was critical of the film's social message, noting that "the worthy receive just deserts by working even harder for the industries that marginalise them". Many reviews, regardless of their overall opinion of the film, cited Hudson's and Murphy's performances as standouts, with Travers proclaiming Murphy's performance of "Jimmy's Rap" as "his finest screen moment." Television host Oprah Winfrey saw the film during a November 15 press screening, and telephoned Hudson on the Oprah episode airing the next day, praising her performance as "a religious experience" and "a transcendent performance". A review for The Celebrity Cafe echoes that Hudson's voice "is like nothing we’ve heard in a long time, and her acting is a great match for that power-house sound." Jennifer Holliday, who originated the role of Effie onstage, expressed her disappointment at not being involved in the film project in several TV, radio, and print interviews. Holliday in particular objected to the fact that her 1982 recording of "And I Am Telling You I'm Not Going" was used in an early Dreamgirls film teaser trailer created before production began. Many of the other original Dreamgirls Broadway cast members, among them Obba Babatundé, Vondie Curtis-Hall, and Cleavant Derricks, were interviewed for a Jet magazine article in which they discussed their varying opinions of both the Dreamgirls film's script and production. Awards and nominations DreamWorks and Paramount began a significant awards campaign for Dreamgirls while the film was still in production. In February 2006, the press was invited on set to a special live event showcasing the making of the film, including a live performance of "Steppin' to the Bad Side" by the cast. Three months later, twenty minutes of the film — specifically, the musical sequences "Fake Your Way to the Top", "Family", "When I First Saw You", and "Dreamgirls" – were screened at the 2006 Cannes Film Festival, with most of the cast and crew in attendance. The resulting positive buzz earned Dreamgirls the status of "front-runner" for the 2006 Academy Award for Best Picture and several of the other Oscars as well. Following the success of the Cannes screening, DreamWorks and Paramount began a widespread "For Your Consideration" advertisement campaign, raising several eyebrows by demoting Jennifer Hudson to consideration for Best Supporting Actress and presenting Beyoncé Knowles as the sole Best Actress candidate, as opposed to having both compete for Best Actress awards. By contrast, the actresses who originated Hudson's and Knowles' roles on Broadway, Jennifer Holliday and Sheryl Lee Ralph, respectively, were both nominated for the Tony Award for Best Leading Actress, with Holliday winning the award. The presentation of Knowles over Hudson as the sole Best Actress candidate had interesting parallels with the film itself. Dreamgirls received eight 2007 Academy Award nominations covering six categories, the most of any film for the year, although it was not nominated for Best Picture, Best Director, or either of the lead acting categories. The film's nominations included Best Supporting Actor (Eddie Murphy), Best Supporting Actress (Jennifer Hudson), Best Achievement in Costume Design, Best Achievement in Art Direction, Best Achievement in Sound Mixing, and three nominations for Best Song ("Listen", "Love You I Do", and "Patience"). Dreamgirls is the first live-action film to receive three nominations for Best Song; previously the Disney animated features Beauty and the Beast (1991) and The Lion King (1994) had each received three Academy Award nominations for Best Song; Enchanted (2007) has since repeated the feat. In addition, Dreamgirls was the first film in Academy Award history to receive the highest number of nominations for the year, yet not be nominated for Best Picture. The film's failure to gain a Best Picture or Best Director nod was widely viewed by the entertainment press as a "snub" by the Academy. Some journalists registered shock, while others cited a "backlash".<ref>Felton, Robert (Feb. 28, 2007). "[http://austinweeklynews.1upsoftware.com/main.asp?SectionID=1&SubSectionID=1&ArticleID=1101&TM=82934.76 Dreamgirls' Best Picture snub and Oscar night thud] ". Austin Weekly News. Retrieved March 11, 2007.</ref> On the other hand, director Bill Condon stated that "I think academy members just liked the other movies better" and that he believed that "we were never going to win even if we were nominated." Reports emerged of significant behind-the-scenes in-fighting between the DreamWorks and Paramount camps, in particular between DreamWorks' David Geffen and Paramount CEO Brad Grey, over decision making and credit-claiming during the Dreamgirls awards campaign. At the Academy Awards ceremony on February 25, 2007, Dreamgirls won Academy Award for Best Actress in a Supporting Role and Best Sound Mixing. As such, Hudson became one of the few actresses ever to win an Oscar for a film debut performance. In what was considered an upset, Murphy lost the Best Supporting Actor award to Alan Arkin for Little Miss Sunshine. Knowles, Hudson, Rose, and Robinson performed a medley of the three Dreamgirls songs nominated for Best Original Song, although all three songs lost the award to "I Need to Wake Up" from An Inconvenient Truth. For the 2007 Golden Globe Awards, Dreamgirls was nominated in five categories: Best Picture – Comedy or Musical, Best Actress in a Comedy or Musical (Beyoncé Knowles), Best Supporting Actor (Eddie Murphy), Best Supporting Actress (Jennifer Hudson), and Best Original Song ("Listen"). The film won the awards for Best Picture — Comedy or Musical, Best Supporting Actor, and Best Supporting Actress. Dreamgirls received eight NAACP Image Award nominations, winning for Best Supporting Actress (Jennifer Hudson) and Outstanding Album (the soundtrack LP). It was also named as one of the American Film Institute's top ten films of 2006.Dreamgirls also garnered Screen Actors Guild Awards for Supporting Actress (Jennifer Hudson) and Supporting Actor (Eddie Murphy), as well as a nomination for its ensemble cast. The film was also nominated by the Producers Guild of America for Best Picture and the Directors Guild of America for Bill Condon's directing. The British Academy of Film and Television Arts gave the film awards for Supporting Actress (Jennifer Hudson) and Music (Henry Krieger). Furthermore, Dreamgirls was nominated for eleven 2007 International Press Academy Satellite Awards, and won four of the awards: Best Picture — Comedy or Musical, Best Director (Bill Condon), Best Actress in a Supporting Role (Jennifer Hudson), and Best Sound (Mixing & Editing). Dreamgirls also received a record eleven Black Reel Award nominations, and won six of the awards, among them Best Film. At the 50th Grammy Awards ceremony, "Love You I Do" won the award for Best Song Written for a Motion Picture, Television or Other Visual Media. The Dreamgirls soundtrack was also nominated for the Grammy for Best Compilation Soundtrack Album. For the opening performance at the 2007 BET Awards on June 26 of that year, Hudson performed a duet of "And I Am Telling You I'm Not Going" with her predecessor, Jennifer Holliday. Later that night, Hudson won the BET Award for Best Actress. In February 2022, Hudson's rendition of "And I Am Telling You I'm Not Going" was named one of the five finalists for Oscars Cheer Moment as part of the Academy of Motion Picture Arts and Sciences' "Oscars Fan Favorite" contest. Accolades Related promotions and products To give the story more exposure for the upcoming film release, DreamWorks and the licenser of the original play, The Tams-Witmark Music Library, announced that they would pay the licensing fees for all non-professional stage performances of Dreamgirls for the calendar year of 2006. DreamWorks hoped to encourage amateur productions of Dreamgirls, and familiarize a wider audience with the play. As a result, more than fifty high schools, colleges, community theaters, and other non-commercial theater entities staged productions of Dreamgirls in 2006, and DreamWorks spent up to $250,000 subsidizing the licensing. The Dreamgirls novelization was written by African-American novelist Denene Millner, and adapts the film's official script in chapter form, along with fourteen pages of photographs from the film. The book was released on October 31, 2006. A scrapbook, entitled Dreamgirls: The Movie Musical, was released on March 27, 2007. The limited edition program guide accompanying the Dreamgirls road show release was made available for retail purchase in February. In addition, the Tonnor Doll Company released "The Dreamettes" collection, featuring dolls of the characters Deena, Lorrell, and Effie, to coincide with the release of the film. Allusions to actual events Aside from the overall plot of the film and elements already present in the stage musical, many direct references to The Supremes, Motown, or R&B/soul history in general are included in the film. In one scene, Effie saunters into Curtis' office and discusses Rainbow Records' latest LP, The Great March to Freedom, a spoken word album featuring speeches by Martin Luther King Jr. This LP is an authentic Motown release, issued as Gordy 906 in June 1963.Edwards, David and Callahan, Mike (1999). "Gordy Album Discography, Part 1 (1962–1981)". Retrieved Feb. 3, 2007. A later scene features Curtis and the Dreams recording in the studio, while a riot rages outside. By comparison, Motown's Hitsville U.S.A. studio remained open and active during Detroit's 12th Street Riot in July 1967.Posner, Gerald (2002). Motown: Music, Money, Sex, and Power. New York: Random House. . Pg. 173. The photo shoot montage which accompanies "When I First Saw You", as well as the subplot of Deena being forced to star in Curtis' Cleopatra film against her will, reflect both scenes from and the production of Mahogany, a 1975 Motown film starring Diana Ross and directed by Motown CEO Berry Gordy. In a snapshot, Ed Sullivan appears presenting the real Supremes on his show. Among the more direct references are the uses of adapted Supremes album cover designs for albums recorded in the film by the Dreams. Three Supremes albums – Let the Sunshine In, Cream of the Crop, and Touch – were reworked into Deena Jones & The Dreams album designs, with the only differences in the designs being the substitution of the names and images of the Supremes with those of Deena Jones & the Dreams. Another Dreams LP seen in the film, Meet the Dreams, is represented by an album cover derived from the designs for the Supremes LPs Meet The Supremes, More Hits by The Supremes and The Supremes A' Go-Go. There is also a solo album, Just In Time, recorded by Deena Jones shown in the film, the album cover for which is based on Dionne Warwick's 1970 album, Very Dionne. Diana Ross, long a critic of the Broadway version of Dreamgirls for what she saw as an appropriation of her life story, denied having seen the film version. On the other hand, Mary Wilson attended the film's Los Angeles premiere, later stating that Dreamgirls moved her to tears and that it was "closer to the truth than they even know". However, Smokey Robinson was less than pleased about the film's allusions to Motown history. In a January 25, 2007 interview with NPR, Robinson expressed offense at the film's portrayal of its Berry Gordy analogue, Curtis Taylor Jr., as a "villainous character" who deals in payola and other illegal activities. He repeated these concerns in a later interview with Access Hollywood'', adding that he felt DreamWorks and Paramount owed Gordy an apology. On February 23, a week before the Oscars ceremony, DreamWorks and Paramount issued an apology to Gordy and the other Motown alumni. Gordy issued a statement shortly afterwards expressing his acceptance of the apology. The payola scheme used in the film's script, to which Robinson took offense, is identical to the payola scheme allegedly used by Gordy and the other Motown executives, according to sworn court depositions from Motown executive Michael Lushka, offered during the litigation between the label and its chief creative team, Holland–Dozier–Holland. Several references are also made to Mafia-backed loans Curtis uses to fund Rainbow Records. Gordy was highly suspected, though never proven, to have used Mafia-backed loans to finance Motown during its later years. References External links Dreamgirls Blu-ray Disc review Dreamgirls 2000s historical romance films 2000s musical drama films 2000s romantic drama films 2000s romantic musical films 2006 films Adultery in films African-American drama films African-American musical films American films American films based on plays American historical romance films American musical drama films American romantic drama films American romantic musical films BAFTA winners (films) Best Musical or Comedy Picture Golden Globe winners DreamWorks Pictures films 2000s English-language films Films à clef Films about musical groups Films about race and ethnicity Films based on musicals Films directed by Bill Condon Films featuring a Best Supporting Actor Golden Globe winning performance Films featuring a Best Supporting Actress Academy Award-winning performance Films featuring a Best Supporting Actress Golden Globe-winning performance Films produced by Laurence Mark Films scored by Stephen Trask Films set in the 1960s Films set in the 1970s Films set in Detroit Films shot in Michigan Films that won the Best Sound Mixing Academy Award Films with screenplays by Bill Condon Paramount Pictures films 2006 drama films

C_867af2e657024cc0910e36deae8d265f_1

Was there a soundtrack released for Dreamgirls?

Was there a soundtrack released for Dreamgirls?

Dreamgirls (film)

Dreamgirls musical supervisors Randy Spendlove and Matt Sullivan hired R&B production team The Underdogs -- Harvey Mason, Jr. and Damon Thomas -- to restructure and rearrange the Henry Krieger/Tom Eyen Dreamgirls score so that it better reflected its proper time period, yet also reflected then-modern R&B/pop sensibilities. During post-production, composer Stephen Trask was contracted to provide additional score material for the film. Several musical numbers from the Broadway score were not included in the film version, in particular Lorrell's solo "Ain't No Party". Four new songs were added for the film: "Love You I Do", "Patience", "Perfect World," and "Listen." All of the new songs feature music composed by original Dreamgirls stage composer Henry Krieger. With Tom Eyen having died in 1991, various lyricists were brought in by Krieger to co-author the new songs. "Love You I Do," with lyrics by Siedah Garrett, is performed in the film by Effie during a rehearsal at the Rainbow Records studio. Willie Reale wrote the lyrics for "Patience," a song performed in the film by Jimmy, Lorrell, C.C., and a gospel choir, as the characters attempt to record a message song for Jimmy. "Perfect World," also featuring lyrics by Garrett, is performed during the Rainbow 10th anniversary special sequence by Jackson 5 doppelgangers The Campbell Connection. "Listen", with additional music by Scott Cutler and Beyonce Knowles, and lyrics by Anne Preven, is presented as a defining moment for Deena's character late in the film. After preview screenings during the summer of 2006, several minutes worth of musical footage were deleted from the film due to negative audience reactions to the amount of music. Among this footage was one whole musical number, C.C. and Effie's sung reunion "Effie, Sing My Song", which was replaced with an alternative spoken version. The Dreamgirls: Music from the Motion Picture soundtrack album was released on December 5 by Music World Entertainment/Columbia Records, in both a single-disc version containing highlights and a double-disc "Deluxe Version" containing all of the film's songs. The single-disc version of the soundtrack peaked at number-one on the Billboard 200 during a slow sales week in early January 2007. "Listen" was the first official single from the soundtrack, supported by a music video featuring Beyonce. "And I Am Telling You I'm Not Going" was the Dreamgirls soundtrack's second single. Though a music video with all-original footage was once planned, the video eventually released for "And I Am Telling You" comprised the entire corresponding scene in the actual film. CANNOTANSWER

The Dreamgirls: Music from the Motion Picture soundtrack album was released on December 5

Dreamgirls is a 2006 American musical drama film written and directed by Bill Condon and jointly produced and released by DreamWorks Pictures and Paramount Pictures. Adapted from the 1981 Broadway musical of the same name, Dreamgirls is a film à clef, a work of fiction taking strong inspiration from the history of the Motown record label and one of its acts, The Supremes. The story follows the history and evolution of American R&B music during the 1960s and 1970s through the eyes of a Detroit girl group known as "The Dreams" and their manipulative record executive. The film adaptation stars Jamie Foxx, Beyoncé Knowles and Eddie Murphy, and also features Jennifer Hudson, Danny Glover, Anika Noni Rose and Keith Robinson. In addition to the original compositions by composer Henry Krieger and lyricist/librettist Tom Eyen, four new songs, composed by Krieger with various lyricists, were added for the film. The film marks the acting debut of Hudson, a former American Idol contestant. Dreamgirls debuted in four special road show engagements starting on December 15, 2006, before its nationwide release on December 25, 2006. With a production budget of $80 million, Dreamgirls is one of the most expensive films to feature a predominant African-American starring cast in American film history. Upon its release, the film garnered positive reviews from critics, who particularly praised Condon's direction, the soundtrack, costume design, production design, and performances of the cast (in particular of Hudson, which many deemed a standout performance). The film was a commercial success, grossing over $155 million at the international box office. At the 79th Academy Awards, the film received a leading eight nominations, winning Best Supporting Actress (for Hudson), and Best Sound Mixing. At the 64th Golden Globe Awards, it won three awards, including for the Best Motion Picture – Musical or Comedy. Plot In 1962 Detroit, Michigan, young car salesman Curtis Taylor Jr. meets a Black girl group known as "The Dreamettes", which consists of lead singer Effie White and backup singers Deena Jones and Lorrell Robinson, at an R&B amateur talent show at the Detroit Theatre. Presenting himself as their new manager, he hires the girls as backup singers for Chitlin' Circuit R&B star Jimmy "Thunder" Early. Curtis soon starts his own record label, Rainbow Records, out of his Detroit car dealership, and appoints Effie's brother, C.C., as his head songwriter. When their first single "Cadillac Car" fails after a white pop group named Dave and the Sweethearts releases a cover version, Curtis, C.C., and their producer Wayne turn to payola to make "Jimmy Early & The Dreamettes" mainstream pop stars. Offstage, Effie falls in love with Curtis while the married Jimmy does likewise with Lorrell. Jimmy's manager, Marty Madison, grows weary of Curtis' plans to make his client more pop-friendly and walks out. When Jimmy bombs in front of an all-white Miami Beach supper club audience, Curtis sends Jimmy out on the road alone, keeping The Dreamettes behind to headline in his place. Feeling that Effie's figure and distinctive, soulful voice will not attract white audiences, Curtis appoints the slimmer, more conventionally attractive Deena (who has a more basic, generic, and marketable voice) as the new lead singer, renaming the group "The Dreams". Aided by new songs and a new image, Curtis and C.C. transform The Dreams into a top-selling mainstream pop group. By 1965, however, Effie begins acting out, particularly when Curtis' affections also turn towards Deena. Curtis eventually drops Effie, hiring his secretary Michelle Morris to replace her beginning with their 1966 New Year's Eve debut in Las Vegas as "Deena Jones & the Dreams." Though Effie defiantly and desperately appeals to Curtis, he, C.C., and The Dreams abandon her, forging ahead to stardom. By 1973, Effie has become an impoverished welfare mother living in Detroit with her daughter Magic. To restart her music career, she hires Marty as her manager and begins performing at a local club. Meanwhile, with The Dreams superstars and Rainbow, having moved to Los Angeles, now the biggest pop business in the country, Curtis attempts to produce a film about Cleopatra starring an unwilling Deena, now his wife. The following year, Jimmy, who has descended into drug addiction due to Curtis' preoccupation with Deena, along with the rejection of the charity single he recorded, does an improvised rap and drops his pants during Rainbow Records' tenth-anniversary television special. Curtis promptly drops him from the label and Lorrell ends their affair. Sometime later, C.C., who feels Curtis is undermining the artistic merit of his songs by making them into disco music, quits the label, only for everyone to then learn of Jimmy's unexpected death from a heroin overdose, which greatly upsets Lorrell. Disillusioned by Jimmy's death and Curtis' cold reaction to the news, C.C. travels to Detroit and reconciles with Effie, for whom he writes and produces a comeback single, "One Night Only". Just as it begins gaining local radio play, Curtis uses payola to force radio stations to play The Dreams' disco cover of the song. The plan falls apart, however, when Deena, angry over how Curtis controls her career, discovers his schemes and contacts Effie, who arrives in Los Angeles with C.C., Marty, and a lawyer. Deena and Effie reconcile, with Effie telling Deena that Curtis is Magic's father, while Curtis agrees to nationally distribute Effie's record to avoid being reported to the FBI. Inspired by Effie's victory and realizing Curtis' true character, Deena leaves him. By 1975, The Dreams give a farewell performance at the Detroit Theater, inviting Effie for the final song. Towards the end, Curtis notices Magic in the front row, realizing she is his daughter. Cast Jennifer Hudson as Effie White; inspired by Supremes member Florence Ballard, Effie is a talented yet temperamental singer who suffers when Curtis, the man she loves, replaces her as lead singer of the Dreams and his love interest, and later drops her altogether. With the help of Jimmy's old manager Marty, Effie begins to resurrect her career a decade later, while raising her daughter Magic, the offspring of her union with Curtis. Jamie Foxx as Curtis Taylor, Jr.; based upon Motown founder Berry Gordy, Jr., Curtis is a slick Cadillac dealer-turned-record executive who founds the Rainbow Records label and shows ruthless ambition in his quest to make his black artists household names with white audiences. At first romantically involved with Effie, Curtis takes a professional and personal interest in Deena after appointing her lead singer of the Dreams in Effie's place. Beyoncé Knowles-Carter as Deena Jones; based upon Motown star and lead Supremes member Diana Ross and two former Supremes members Jean Terrell and Scherrie Payne, Deena is a very shy young woman who becomes a star after Curtis makes her lead singer of the Dreams. This, as well as her romantic involvement and later marriage to Curtis, draw Effie's ire, though Deena realizes over time she is a puppet for her controlling husband. Anika Noni Rose as Lorrell Robinson; inspired by Supremes member Mary Wilson, is a good-natured background singer with the Dreams who falls deeply in love with the married Jimmy Early and becomes his mistress. Keith Robinson as Clarence Conrad (C.C.) White; inspired by Motown vice president, artist, producer, and songwriter Smokey Robinson, Effie's soft-spoken younger brother serves as the main songwriter for first the Dreams and later the entire Rainbow roster. Eddie Murphy as James (Jimmy) "Thunder" Early; inspired by R&B/soul singers such as James Brown, Jackie Wilson and Marvin Gaye, is a raucous performer on the Rainbow label engaged in an adulterous affair with Dreams member Lorrell. Curtis attempts to repackage Early as a pop-friendly balladeer. Jimmy's stardom fades as the Dreams' stardom rises, and as a result – he falls into depression (which he copes with through drug abuse). Danny Glover as Marty Madison, Jimmy's original manager before Curtis steps into the picture; Marty serves as both counsel and confidant to Jimmy, and later to Effie as well. Sharon Leal as Michelle Morris; based upon Supremes members Cindy Birdsong and Susaye Greene, Curtis' secretary who replaces Effie in the Dreams and begins dating C.C. Hinton Battle as Wayne, a salesman at Curtis' Cadillac dealership who becomes Rainbow's first record producer and Curtis' henchman. Yvette Cason as May, Deena's mother Loretta Devine as Jazz Singer. Devine originated the role of Lorrell in the 1981 stage production. Dawnn Lewis as Melba Early, James' wife John Lithgow as Jerry Harris, a film producer looking to cast Deena John Krasinski as Sam Walsh, Jerry Harris' screenwriter/film director Jaleel White as Talent Booker at the Detroit Theatre talent show Cleo King as Janice Robert Cicchini as Nicky Cassaro Yvette Nicole Brown as Curtis' Secretary Mariah I. Wilson as Magic White, Effie's daughter Paul Kirby as Promo Film Narrator (voice) Musical numbers Production Pre-production In the 1980s and 1990s, several attempts were made to produce a film adaptation of Dreamgirls, a Broadway musical loosely based upon the story of The Supremes and Motown Records, which won six Tony Awards in 1982. David Geffen, the stage musical's co-financier, retained the film rights to Dreamgirls and turned down many offers to adapt the story for the screen. He cited a need to preserve the integrity of Dreamgirls stage director Michael Bennett's work after his death in 1987. That same year, Geffen, who ran his Warner Bros.-associated Geffen Pictures film production company at the time, began talks with Broadway lyricist and producer Howard Ashman to adapt it as a star vehicle for Whitney Houston, who was to portray Deena. The production ran into problems when Houston wanted to sing both Deena and Effie's songs (particularly "And I Am Telling You I'm Not Going"), and the film was eventually abandoned. When Geffen co-founded DreamWorks in 1994 and dissolved Geffen Pictures, the rights to Dreamgirls remained with Warner Bros. Warner planned to go ahead with the film with director Joel Schumacher and screenwriter Tina Andrews in the late 1990s, following the success of Touchstone Pictures's Tina Turner biopic What's Love Got to Do with It. Schumacher planned to have Lauryn Hill portray Deena and Kelly Price play Effie. After Warner's Frankie Lymon biopic Why Do Fools Fall in Love failed at the box office, the studio shut down development on Dreamgirls. DreamWorks' Dreamgirls adaptation came about after the film version of the Broadway musical Chicago was a success at both the box office and the Academy Awards. Screenwriter and director Bill Condon, who wrote Chicagos screenplay, met producer Laurence Mark at a Hollywood holiday party in late 2002, where the two discussed a long-held "dream project" of Condon's – adapting Dreamgirls for the screen. The two had dinner with Geffen and successfully convinced him to allow Condon to write a screenplay for Dreamgirls. Condon did not start work on the Dreamgirls script until after making the Alfred Kinsey biographical film Kinsey (2004). After sending Geffen the first draft of his screenplay in January 2005, Condon's adaptation of Dreamgirls was greenlit. Stage to script changes While much of the stage musical's story remains intact, a number of significant changes were made. The Dreams' hometown—the setting for much of the action—was moved from Chicago to Detroit, the real-life hometown of The Supremes and Motown Records. The roles of many of the characters were related more closely to their real-life inspirations, following a suggestion by Geffen. Warner Bros. had retained the film rights to Dreamgirls, and agreed to co-produce with DreamWorks. However, after casting was completed, the film was budgeted at $73 million and Warner backed out of the production. Geffen, taking the role of co-producer, brought Paramount Pictures in to co-finance and release Dreamgirls. During the course of production, Paramount's parent company, Viacom, would purchase DreamWorks, aligning the two studios under one umbrella (and giving the senior studio US distribution rights on behalf of DreamWorks). The completed film had a production budget of $75 million, making Dreamgirls the most expensive film with an all-black starring cast in cinema history. Casting and rehearsal Mark and Condon began pre-production with the intentions of casting Jamie Foxx and Eddie Murphy, both actors with record industry experience, as Curtis Taylor, Jr. and James "Thunder" Early, respectively. When offered the part of Curtis, Foxx initially declined because DreamWorks could not meet his salary demands. Denzel Washington, Will Smith, and Terrence Howard were among the other actors also approached to play Curtis. Murphy, on the other hand, accepted the role of Jimmy Early after being convinced to do so by DreamWorks co-founder Jeffrey Katzenberg. While Condon had intended to cast relatively unknown actresses as all three Dreams, R&B singer Beyoncé Knowles lobbied for the part of Deena Jones, and was cast after a successful screen test. Upon learning that Knowles and Murphy had signed on, Foxx rethought his original decision and accepted the Curtis role at DreamWorks' lower salary. R&B star Usher was to have been cast as C.C. White, but contract negotiations failed; Usher was unable to dedicate half a year to the project. André 3000 of Outkast was also offered the role, but declined. After briefly considering R&B singer Omarion, singer/actor Keith Robinson was eventually cast in the role. Anika Noni Rose, a Broadway veteran and a Tony Award winner, won the part of Lorrell Robinson after an extensive auditioning process. Rose, significantly shorter than most of her co-stars at five feet and two inches (157 cm), was required to wear (and dance in) four and five-inch (127 mm) heels for much of the picture, which she later stated caused her discomfort. The most crucial casting decision involved the role of Effie White, the emotional center of the story. The filmmakers insisted on casting a relative unknown in the role, paralleling the casting of then-21-year-old Jennifer Holliday in that role for the original Broadway production. A total of 783 singing actresses auditioned for the role of Effie White, among them American Idol alumnae Fantasia Barrino and Jennifer Hudson, former Disney star Raven-Symoné, and Broadway stars Capathia Jenkins and Patina Miller. Though Barrino emerged as an early frontrunner for the part, Hudson was eventually selected to play Effie, leading Barrino to telephone Hudson and jokingly complain that Hudson "stole [Barrino's] part." Hudson was required to gain twenty pounds for the role, which marked her debut film performance. In casting Hudson, Condon recalled that he initially was not confident he'd made the right decision, but instinctively cast Hudson after she'd auditioned several times because he "just didn't believe any of the others." After Hudson was cast in November 2005, the Dreamgirls cast began extensive rehearsals with Condon and choreographers Fatima Robinson and Aakomon "AJ" Jones, veterans of the music video industry. Meanwhile, the music production crew began work with the actors and studio musicians recording the songs for the film. Although rehearsals ended just before Christmas 2005, Condon called Hudson back for a week of one-on-one rehearsals, to help her more fully become the "diva" character of Effie. Hudson was required to be rude and come in late both on set and off, and she and Condon went over Effie's lines and scenes throughout the week. Loretta Devine, who played Lorrell in the original Broadway production, has a cameo as a jazz singer who performs the song "I Miss You Old Friend." Another Dreamgirls veteran present in the film is Hinton Battle, who was a summer replacement for James "Thunder" Early onstage and here portrays Curtis' aide-de-camp Wayne. Principal photography Principal photography began January 6, 2006 with the filming of dance footage for the first half of "Steppin' to the Bad Side," footage later deleted from the film. The film was primarily shot on soundstages at the Los Angeles Center Studios and on location in the Los Angeles area, with some second unit footage shot in Detroit, Miami, and New York City. The award-winning Broadway lighting team of Jules Fisher and Peggy Eisenhauer were brought in to create theatrical lighting techniques for the film's musical numbers. Beyoncé Knowles elected to lose weight to give the mature Deena Jones of the 1970s a different look than the younger version of the character. By sticking to a highly publicized diet of water, lemons, maple syrup, and cayenne pepper (also known as the Master Cleanse), Knowles rapidly lost twenty pounds, which she gained back once production ended. Shooting was completed in the early-morning hours of April 8, 2006, after four days were spent shooting Jennifer Hudson's musical number "And I Am Telling You I'm Not Going", which had purposefully been saved until the end of the shoot. Originally scheduled to be shot in one day, Condon was forced to ask for extra time and money to finish shooting the "And I Am Telling You" scene, as Hudson's voice would give out after four hours of shooting the musical number, and she was unable to plausibly lip-sync while hoarse. The scene was felt by everyone involved to be pivotal to the film, as "And I Am Telling You" was Jennifer Holliday's show-stopping number in the original Broadway musical. Music Dreamgirls musical supervisors Randy Spendlove and Matt Sullivan hired R&B production team The Underdogs — Harvey Mason, Jr. and Damon Thomas — to restructure and rearrange the Henry Krieger/Tom Eyen Dreamgirls score so that it better reflected its proper time period, yet also reflected then-modern R&B/pop sensibilities. During post-production, composer Stephen Trask was contracted to provide additional score material for the film. Several musical numbers from the Broadway score were not included in the film version, in particular Lorrell's solo "Ain't No Party". Four new songs were added for the film: "Love You I Do", "Patience", "Perfect World," and "Listen." All of the new songs feature music composed by original Dreamgirls stage composer Henry Krieger. With Tom Eyen having died in 1991, various lyricists were brought in by Krieger to co-author the new songs. "Love You I Do," with lyrics by Siedah Garrett, is performed in the film by Effie during a rehearsal at the Rainbow Records studio. Willie Reale wrote the lyrics for "Patience," a song performed in the film by Jimmy, Lorrell, C.C., and a gospel choir, as the characters attempt to record a message song for Jimmy. "Perfect World," also featuring lyrics by Garrett, is performed during the Rainbow 10th anniversary special sequence by Jackson 5 doppelgängers The Campbell Connection. "Listen", with additional music by Scott Cutler and Beyoncé, and lyrics by Anne Preven, is presented as a defining moment for Deena's character late in the film. After preview screenings during the summer of 2006, several minutes worth of musical footage were deleted from the film due to negative audience reactions to the amount of music. Among this footage was one whole musical number, C.C. and Effie's sung reunion "Effie, Sing My Song", which was replaced with an alternative spoken version. The Dreamgirls: Music from the Motion Picture soundtrack album was released on December 5 by Music World Entertainment/Columbia Records, in both a single-disc version containing highlights and a double-disc "Deluxe Version" containing all of the film's songs. The single-disc version of the soundtrack peaked at number-one on the Billboard 200 during a slow sales week in early January 2007. "Listen" was the first official single from the soundtrack, supported by a music video featuring Beyoncé. "And I Am Telling You I'm Not Going" was the Dreamgirls soundtrack's second single. Though a music video with all-original footage was once planned, the video eventually released for "And I Am Telling You" comprised the entire corresponding scene in the actual film. Release Dreamgirls premiered on December 4, 2006 at the Ziegfeld Theatre in New York City, where it received a standing ovation. The film's Los Angeles premiere was held on December 11 at the Wilshire Theater in Beverly Hills. Similar to the releases of older Hollywood musicals such as The Sound of Music, My Fair Lady, and West Side Story, Dreamgirls debuted with three special ten-day roadshow engagements beginning on December 15, 2006 at the Ziegfeld Theatre in New York City, the Cinerama Dome in Los Angeles, and the AMC Metreon 15 in San Francisco. Tickets for the reserved seats were $25 each; the premium price included a forty-eight page full-color program and a limited-print lithograph. This release made Dreamgirls the first American feature film to have a roadshow release since Man of La Mancha in 1972. Dreamgirls earned a total of $851,664 from the roadshow engagements, playing to sold-out houses on the weekends. The film's national release, at regular prices, began on December 25. Outside of the U.S., Dreamgirls opened in Australia on January 18, and in the United Kingdom on February 2. Releases in other countries began on various dates between January and early March. Dreamgirls eventually grossed $103 million in North America, and almost $155 million worldwide. DreamWorks Home Entertainment released Dreamgirls to home video on May 1, 2007 in DVD, HD DVD, and Blu-ray formats. The DVD version was issued in two editions: a one-disc standard version and a two-disc "Showstopper Edition". The two-disc version also included a feature-length production documentary, production featurettes, screen tests, animatics, and other previsualization materials and artwork. Both DVD versions featured alternative and extended versions of the musical numbers from the film as extras, including the "Effie, Sing My Song" scene deleted during previews. Both the Blu-ray and HD DVD versions were issued in two-disc formats. Dreamgirls was the first DreamWorks film to be issued in a high definition home entertainment format. , total domestic video sales to date are at $95.1 million. A "Director's Extended Edition" of Dreamgirls was released on Blu-ray and Digital HD on October 10, 2017 by Paramount Home Media Distribution. This version, based on edits done for preview screenings before the film's release, runs ten minutes longer than the theatrical version and features longer musical numbers (including songs and verses cut during previews) and additional scenes. Reception Critical response On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 78% based on 208 reviews, with an average rating of 7.24/10. The site's critics consensus states: "Dreamgirls simple characters and plot hardly detract from the movie's real feats: the electrifying performances and the dazzling musical numbers." Metacritic reports a weighted average score of 76 out of 100 rating, based on 37 critics, indicating "generally favorable reviews". Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale. Rolling Stone's Peter Travers gave the film three and a half stars (out of four) and the number-two position on his "best of 2006" list, stating that "despite transitional bumps, Condon does Dreamgirls proud". David Rooney of Variety reported that the film featured "tremendously exciting musical sequences" and that "after The Phantom of the Opera, Rent and The Producers botched the transfer from stage to screen, Dreamgirls gets it right." On the December 10, 2006 episode of the television show Ebert & Roeper, Richard Roeper and guest critic Aisha Tyler (filling in for Roger Ebert, who was recovering from cancer-related surgery) gave the film "two thumbs up", with Roeper's reservations that it was "a little short on heart and soul" and "deeply conventional". Roeper still enjoyed the film, noting that Jennifer Hudson's rendition of "And I Am Telling You I'm Not Going" as the "show-stopping moment of any film of 2006" and very much enjoyed Murphy's performance as well, remarking that "people are going to love this film." Kirk Honeycutt of The Hollywood Reporter was less enthusiastic, stating that while the film was "a damn good commercial movie, it is not the film that will revive the musical or win over the world". Ed Gonzales of Slant magazine found the entire picture too glossy, and declared that "the film doesn't care to articulate the emotions that haunt its characters". University of Sydney academic Timothy Laurie was critical of the film's social message, noting that "the worthy receive just deserts by working even harder for the industries that marginalise them". Many reviews, regardless of their overall opinion of the film, cited Hudson's and Murphy's performances as standouts, with Travers proclaiming Murphy's performance of "Jimmy's Rap" as "his finest screen moment." Television host Oprah Winfrey saw the film during a November 15 press screening, and telephoned Hudson on the Oprah episode airing the next day, praising her performance as "a religious experience" and "a transcendent performance". A review for The Celebrity Cafe echoes that Hudson's voice "is like nothing we’ve heard in a long time, and her acting is a great match for that power-house sound." Jennifer Holliday, who originated the role of Effie onstage, expressed her disappointment at not being involved in the film project in several TV, radio, and print interviews. Holliday in particular objected to the fact that her 1982 recording of "And I Am Telling You I'm Not Going" was used in an early Dreamgirls film teaser trailer created before production began. Many of the other original Dreamgirls Broadway cast members, among them Obba Babatundé, Vondie Curtis-Hall, and Cleavant Derricks, were interviewed for a Jet magazine article in which they discussed their varying opinions of both the Dreamgirls film's script and production. Awards and nominations DreamWorks and Paramount began a significant awards campaign for Dreamgirls while the film was still in production. In February 2006, the press was invited on set to a special live event showcasing the making of the film, including a live performance of "Steppin' to the Bad Side" by the cast. Three months later, twenty minutes of the film — specifically, the musical sequences "Fake Your Way to the Top", "Family", "When I First Saw You", and "Dreamgirls" – were screened at the 2006 Cannes Film Festival, with most of the cast and crew in attendance. The resulting positive buzz earned Dreamgirls the status of "front-runner" for the 2006 Academy Award for Best Picture and several of the other Oscars as well. Following the success of the Cannes screening, DreamWorks and Paramount began a widespread "For Your Consideration" advertisement campaign, raising several eyebrows by demoting Jennifer Hudson to consideration for Best Supporting Actress and presenting Beyoncé Knowles as the sole Best Actress candidate, as opposed to having both compete for Best Actress awards. By contrast, the actresses who originated Hudson's and Knowles' roles on Broadway, Jennifer Holliday and Sheryl Lee Ralph, respectively, were both nominated for the Tony Award for Best Leading Actress, with Holliday winning the award. The presentation of Knowles over Hudson as the sole Best Actress candidate had interesting parallels with the film itself. Dreamgirls received eight 2007 Academy Award nominations covering six categories, the most of any film for the year, although it was not nominated for Best Picture, Best Director, or either of the lead acting categories. The film's nominations included Best Supporting Actor (Eddie Murphy), Best Supporting Actress (Jennifer Hudson), Best Achievement in Costume Design, Best Achievement in Art Direction, Best Achievement in Sound Mixing, and three nominations for Best Song ("Listen", "Love You I Do", and "Patience"). Dreamgirls is the first live-action film to receive three nominations for Best Song; previously the Disney animated features Beauty and the Beast (1991) and The Lion King (1994) had each received three Academy Award nominations for Best Song; Enchanted (2007) has since repeated the feat. In addition, Dreamgirls was the first film in Academy Award history to receive the highest number of nominations for the year, yet not be nominated for Best Picture. The film's failure to gain a Best Picture or Best Director nod was widely viewed by the entertainment press as a "snub" by the Academy. Some journalists registered shock, while others cited a "backlash".<ref>Felton, Robert (Feb. 28, 2007). "[http://austinweeklynews.1upsoftware.com/main.asp?SectionID=1&SubSectionID=1&ArticleID=1101&TM=82934.76 Dreamgirls' Best Picture snub and Oscar night thud] ". Austin Weekly News. Retrieved March 11, 2007.</ref> On the other hand, director Bill Condon stated that "I think academy members just liked the other movies better" and that he believed that "we were never going to win even if we were nominated." Reports emerged of significant behind-the-scenes in-fighting between the DreamWorks and Paramount camps, in particular between DreamWorks' David Geffen and Paramount CEO Brad Grey, over decision making and credit-claiming during the Dreamgirls awards campaign. At the Academy Awards ceremony on February 25, 2007, Dreamgirls won Academy Award for Best Actress in a Supporting Role and Best Sound Mixing. As such, Hudson became one of the few actresses ever to win an Oscar for a film debut performance. In what was considered an upset, Murphy lost the Best Supporting Actor award to Alan Arkin for Little Miss Sunshine. Knowles, Hudson, Rose, and Robinson performed a medley of the three Dreamgirls songs nominated for Best Original Song, although all three songs lost the award to "I Need to Wake Up" from An Inconvenient Truth. For the 2007 Golden Globe Awards, Dreamgirls was nominated in five categories: Best Picture – Comedy or Musical, Best Actress in a Comedy or Musical (Beyoncé Knowles), Best Supporting Actor (Eddie Murphy), Best Supporting Actress (Jennifer Hudson), and Best Original Song ("Listen"). The film won the awards for Best Picture — Comedy or Musical, Best Supporting Actor, and Best Supporting Actress. Dreamgirls received eight NAACP Image Award nominations, winning for Best Supporting Actress (Jennifer Hudson) and Outstanding Album (the soundtrack LP). It was also named as one of the American Film Institute's top ten films of 2006.Dreamgirls also garnered Screen Actors Guild Awards for Supporting Actress (Jennifer Hudson) and Supporting Actor (Eddie Murphy), as well as a nomination for its ensemble cast. The film was also nominated by the Producers Guild of America for Best Picture and the Directors Guild of America for Bill Condon's directing. The British Academy of Film and Television Arts gave the film awards for Supporting Actress (Jennifer Hudson) and Music (Henry Krieger). Furthermore, Dreamgirls was nominated for eleven 2007 International Press Academy Satellite Awards, and won four of the awards: Best Picture — Comedy or Musical, Best Director (Bill Condon), Best Actress in a Supporting Role (Jennifer Hudson), and Best Sound (Mixing & Editing). Dreamgirls also received a record eleven Black Reel Award nominations, and won six of the awards, among them Best Film. At the 50th Grammy Awards ceremony, "Love You I Do" won the award for Best Song Written for a Motion Picture, Television or Other Visual Media. The Dreamgirls soundtrack was also nominated for the Grammy for Best Compilation Soundtrack Album. For the opening performance at the 2007 BET Awards on June 26 of that year, Hudson performed a duet of "And I Am Telling You I'm Not Going" with her predecessor, Jennifer Holliday. Later that night, Hudson won the BET Award for Best Actress. In February 2022, Hudson's rendition of "And I Am Telling You I'm Not Going" was named one of the five finalists for Oscars Cheer Moment as part of the Academy of Motion Picture Arts and Sciences' "Oscars Fan Favorite" contest. Accolades Related promotions and products To give the story more exposure for the upcoming film release, DreamWorks and the licenser of the original play, The Tams-Witmark Music Library, announced that they would pay the licensing fees for all non-professional stage performances of Dreamgirls for the calendar year of 2006. DreamWorks hoped to encourage amateur productions of Dreamgirls, and familiarize a wider audience with the play. As a result, more than fifty high schools, colleges, community theaters, and other non-commercial theater entities staged productions of Dreamgirls in 2006, and DreamWorks spent up to $250,000 subsidizing the licensing. The Dreamgirls novelization was written by African-American novelist Denene Millner, and adapts the film's official script in chapter form, along with fourteen pages of photographs from the film. The book was released on October 31, 2006. A scrapbook, entitled Dreamgirls: The Movie Musical, was released on March 27, 2007. The limited edition program guide accompanying the Dreamgirls road show release was made available for retail purchase in February. In addition, the Tonnor Doll Company released "The Dreamettes" collection, featuring dolls of the characters Deena, Lorrell, and Effie, to coincide with the release of the film. Allusions to actual events Aside from the overall plot of the film and elements already present in the stage musical, many direct references to The Supremes, Motown, or R&B/soul history in general are included in the film. In one scene, Effie saunters into Curtis' office and discusses Rainbow Records' latest LP, The Great March to Freedom, a spoken word album featuring speeches by Martin Luther King Jr. This LP is an authentic Motown release, issued as Gordy 906 in June 1963.Edwards, David and Callahan, Mike (1999). "Gordy Album Discography, Part 1 (1962–1981)". Retrieved Feb. 3, 2007. A later scene features Curtis and the Dreams recording in the studio, while a riot rages outside. By comparison, Motown's Hitsville U.S.A. studio remained open and active during Detroit's 12th Street Riot in July 1967.Posner, Gerald (2002). Motown: Music, Money, Sex, and Power. New York: Random House. . Pg. 173. The photo shoot montage which accompanies "When I First Saw You", as well as the subplot of Deena being forced to star in Curtis' Cleopatra film against her will, reflect both scenes from and the production of Mahogany, a 1975 Motown film starring Diana Ross and directed by Motown CEO Berry Gordy. In a snapshot, Ed Sullivan appears presenting the real Supremes on his show. Among the more direct references are the uses of adapted Supremes album cover designs for albums recorded in the film by the Dreams. Three Supremes albums – Let the Sunshine In, Cream of the Crop, and Touch – were reworked into Deena Jones & The Dreams album designs, with the only differences in the designs being the substitution of the names and images of the Supremes with those of Deena Jones & the Dreams. Another Dreams LP seen in the film, Meet the Dreams, is represented by an album cover derived from the designs for the Supremes LPs Meet The Supremes, More Hits by The Supremes and The Supremes A' Go-Go. There is also a solo album, Just In Time, recorded by Deena Jones shown in the film, the album cover for which is based on Dionne Warwick's 1970 album, Very Dionne. Diana Ross, long a critic of the Broadway version of Dreamgirls for what she saw as an appropriation of her life story, denied having seen the film version. On the other hand, Mary Wilson attended the film's Los Angeles premiere, later stating that Dreamgirls moved her to tears and that it was "closer to the truth than they even know". However, Smokey Robinson was less than pleased about the film's allusions to Motown history. In a January 25, 2007 interview with NPR, Robinson expressed offense at the film's portrayal of its Berry Gordy analogue, Curtis Taylor Jr., as a "villainous character" who deals in payola and other illegal activities. He repeated these concerns in a later interview with Access Hollywood'', adding that he felt DreamWorks and Paramount owed Gordy an apology. On February 23, a week before the Oscars ceremony, DreamWorks and Paramount issued an apology to Gordy and the other Motown alumni. Gordy issued a statement shortly afterwards expressing his acceptance of the apology. The payola scheme used in the film's script, to which Robinson took offense, is identical to the payola scheme allegedly used by Gordy and the other Motown executives, according to sworn court depositions from Motown executive Michael Lushka, offered during the litigation between the label and its chief creative team, Holland–Dozier–Holland. Several references are also made to Mafia-backed loans Curtis uses to fund Rainbow Records. Gordy was highly suspected, though never proven, to have used Mafia-backed loans to finance Motown during its later years. References External links Dreamgirls Blu-ray Disc review Dreamgirls 2000s historical romance films 2000s musical drama films 2000s romantic drama films 2000s romantic musical films 2006 films Adultery in films African-American drama films African-American musical films American films American films based on plays American historical romance films American musical drama films American romantic drama films American romantic musical films BAFTA winners (films) Best Musical or Comedy Picture Golden Globe winners DreamWorks Pictures films 2000s English-language films Films à clef Films about musical groups Films about race and ethnicity Films based on musicals Films directed by Bill Condon Films featuring a Best Supporting Actor Golden Globe winning performance Films featuring a Best Supporting Actress Academy Award-winning performance Films featuring a Best Supporting Actress Golden Globe-winning performance Films produced by Laurence Mark Films scored by Stephen Trask Films set in the 1960s Films set in the 1970s Films set in Detroit Films shot in Michigan Films that won the Best Sound Mixing Academy Award Films with screenplays by Bill Condon Paramount Pictures films 2006 drama films

C_867af2e657024cc0910e36deae8d265f_1

Was the soundtrack a success?

Was the soundtrack to the film Dreamgirls success?

Dreamgirls (film)

Dreamgirls musical supervisors Randy Spendlove and Matt Sullivan hired R&B production team The Underdogs -- Harvey Mason, Jr. and Damon Thomas -- to restructure and rearrange the Henry Krieger/Tom Eyen Dreamgirls score so that it better reflected its proper time period, yet also reflected then-modern R&B/pop sensibilities. During post-production, composer Stephen Trask was contracted to provide additional score material for the film. Several musical numbers from the Broadway score were not included in the film version, in particular Lorrell's solo "Ain't No Party". Four new songs were added for the film: "Love You I Do", "Patience", "Perfect World," and "Listen." All of the new songs feature music composed by original Dreamgirls stage composer Henry Krieger. With Tom Eyen having died in 1991, various lyricists were brought in by Krieger to co-author the new songs. "Love You I Do," with lyrics by Siedah Garrett, is performed in the film by Effie during a rehearsal at the Rainbow Records studio. Willie Reale wrote the lyrics for "Patience," a song performed in the film by Jimmy, Lorrell, C.C., and a gospel choir, as the characters attempt to record a message song for Jimmy. "Perfect World," also featuring lyrics by Garrett, is performed during the Rainbow 10th anniversary special sequence by Jackson 5 doppelgangers The Campbell Connection. "Listen", with additional music by Scott Cutler and Beyonce Knowles, and lyrics by Anne Preven, is presented as a defining moment for Deena's character late in the film. After preview screenings during the summer of 2006, several minutes worth of musical footage were deleted from the film due to negative audience reactions to the amount of music. Among this footage was one whole musical number, C.C. and Effie's sung reunion "Effie, Sing My Song", which was replaced with an alternative spoken version. The Dreamgirls: Music from the Motion Picture soundtrack album was released on December 5 by Music World Entertainment/Columbia Records, in both a single-disc version containing highlights and a double-disc "Deluxe Version" containing all of the film's songs. The single-disc version of the soundtrack peaked at number-one on the Billboard 200 during a slow sales week in early January 2007. "Listen" was the first official single from the soundtrack, supported by a music video featuring Beyonce. "And I Am Telling You I'm Not Going" was the Dreamgirls soundtrack's second single. Though a music video with all-original footage was once planned, the video eventually released for "And I Am Telling You" comprised the entire corresponding scene in the actual film. CANNOTANSWER

The single-disc version of the soundtrack peaked at number-one on the Billboard 200 during a slow sales week in early January 2007.

Dreamgirls is a 2006 American musical drama film written and directed by Bill Condon and jointly produced and released by DreamWorks Pictures and Paramount Pictures. Adapted from the 1981 Broadway musical of the same name, Dreamgirls is a film à clef, a work of fiction taking strong inspiration from the history of the Motown record label and one of its acts, The Supremes. The story follows the history and evolution of American R&B music during the 1960s and 1970s through the eyes of a Detroit girl group known as "The Dreams" and their manipulative record executive. The film adaptation stars Jamie Foxx, Beyoncé Knowles and Eddie Murphy, and also features Jennifer Hudson, Danny Glover, Anika Noni Rose and Keith Robinson. In addition to the original compositions by composer Henry Krieger and lyricist/librettist Tom Eyen, four new songs, composed by Krieger with various lyricists, were added for the film. The film marks the acting debut of Hudson, a former American Idol contestant. Dreamgirls debuted in four special road show engagements starting on December 15, 2006, before its nationwide release on December 25, 2006. With a production budget of $80 million, Dreamgirls is one of the most expensive films to feature a predominant African-American starring cast in American film history. Upon its release, the film garnered positive reviews from critics, who particularly praised Condon's direction, the soundtrack, costume design, production design, and performances of the cast (in particular of Hudson, which many deemed a standout performance). The film was a commercial success, grossing over $155 million at the international box office. At the 79th Academy Awards, the film received a leading eight nominations, winning Best Supporting Actress (for Hudson), and Best Sound Mixing. At the 64th Golden Globe Awards, it won three awards, including for the Best Motion Picture – Musical or Comedy. Plot In 1962 Detroit, Michigan, young car salesman Curtis Taylor Jr. meets a Black girl group known as "The Dreamettes", which consists of lead singer Effie White and backup singers Deena Jones and Lorrell Robinson, at an R&B amateur talent show at the Detroit Theatre. Presenting himself as their new manager, he hires the girls as backup singers for Chitlin' Circuit R&B star Jimmy "Thunder" Early. Curtis soon starts his own record label, Rainbow Records, out of his Detroit car dealership, and appoints Effie's brother, C.C., as his head songwriter. When their first single "Cadillac Car" fails after a white pop group named Dave and the Sweethearts releases a cover version, Curtis, C.C., and their producer Wayne turn to payola to make "Jimmy Early & The Dreamettes" mainstream pop stars. Offstage, Effie falls in love with Curtis while the married Jimmy does likewise with Lorrell. Jimmy's manager, Marty Madison, grows weary of Curtis' plans to make his client more pop-friendly and walks out. When Jimmy bombs in front of an all-white Miami Beach supper club audience, Curtis sends Jimmy out on the road alone, keeping The Dreamettes behind to headline in his place. Feeling that Effie's figure and distinctive, soulful voice will not attract white audiences, Curtis appoints the slimmer, more conventionally attractive Deena (who has a more basic, generic, and marketable voice) as the new lead singer, renaming the group "The Dreams". Aided by new songs and a new image, Curtis and C.C. transform The Dreams into a top-selling mainstream pop group. By 1965, however, Effie begins acting out, particularly when Curtis' affections also turn towards Deena. Curtis eventually drops Effie, hiring his secretary Michelle Morris to replace her beginning with their 1966 New Year's Eve debut in Las Vegas as "Deena Jones & the Dreams." Though Effie defiantly and desperately appeals to Curtis, he, C.C., and The Dreams abandon her, forging ahead to stardom. By 1973, Effie has become an impoverished welfare mother living in Detroit with her daughter Magic. To restart her music career, she hires Marty as her manager and begins performing at a local club. Meanwhile, with The Dreams superstars and Rainbow, having moved to Los Angeles, now the biggest pop business in the country, Curtis attempts to produce a film about Cleopatra starring an unwilling Deena, now his wife. The following year, Jimmy, who has descended into drug addiction due to Curtis' preoccupation with Deena, along with the rejection of the charity single he recorded, does an improvised rap and drops his pants during Rainbow Records' tenth-anniversary television special. Curtis promptly drops him from the label and Lorrell ends their affair. Sometime later, C.C., who feels Curtis is undermining the artistic merit of his songs by making them into disco music, quits the label, only for everyone to then learn of Jimmy's unexpected death from a heroin overdose, which greatly upsets Lorrell. Disillusioned by Jimmy's death and Curtis' cold reaction to the news, C.C. travels to Detroit and reconciles with Effie, for whom he writes and produces a comeback single, "One Night Only". Just as it begins gaining local radio play, Curtis uses payola to force radio stations to play The Dreams' disco cover of the song. The plan falls apart, however, when Deena, angry over how Curtis controls her career, discovers his schemes and contacts Effie, who arrives in Los Angeles with C.C., Marty, and a lawyer. Deena and Effie reconcile, with Effie telling Deena that Curtis is Magic's father, while Curtis agrees to nationally distribute Effie's record to avoid being reported to the FBI. Inspired by Effie's victory and realizing Curtis' true character, Deena leaves him. By 1975, The Dreams give a farewell performance at the Detroit Theater, inviting Effie for the final song. Towards the end, Curtis notices Magic in the front row, realizing she is his daughter. Cast Jennifer Hudson as Effie White; inspired by Supremes member Florence Ballard, Effie is a talented yet temperamental singer who suffers when Curtis, the man she loves, replaces her as lead singer of the Dreams and his love interest, and later drops her altogether. With the help of Jimmy's old manager Marty, Effie begins to resurrect her career a decade later, while raising her daughter Magic, the offspring of her union with Curtis. Jamie Foxx as Curtis Taylor, Jr.; based upon Motown founder Berry Gordy, Jr., Curtis is a slick Cadillac dealer-turned-record executive who founds the Rainbow Records label and shows ruthless ambition in his quest to make his black artists household names with white audiences. At first romantically involved with Effie, Curtis takes a professional and personal interest in Deena after appointing her lead singer of the Dreams in Effie's place. Beyoncé Knowles-Carter as Deena Jones; based upon Motown star and lead Supremes member Diana Ross and two former Supremes members Jean Terrell and Scherrie Payne, Deena is a very shy young woman who becomes a star after Curtis makes her lead singer of the Dreams. This, as well as her romantic involvement and later marriage to Curtis, draw Effie's ire, though Deena realizes over time she is a puppet for her controlling husband. Anika Noni Rose as Lorrell Robinson; inspired by Supremes member Mary Wilson, is a good-natured background singer with the Dreams who falls deeply in love with the married Jimmy Early and becomes his mistress. Keith Robinson as Clarence Conrad (C.C.) White; inspired by Motown vice president, artist, producer, and songwriter Smokey Robinson, Effie's soft-spoken younger brother serves as the main songwriter for first the Dreams and later the entire Rainbow roster. Eddie Murphy as James (Jimmy) "Thunder" Early; inspired by R&B/soul singers such as James Brown, Jackie Wilson and Marvin Gaye, is a raucous performer on the Rainbow label engaged in an adulterous affair with Dreams member Lorrell. Curtis attempts to repackage Early as a pop-friendly balladeer. Jimmy's stardom fades as the Dreams' stardom rises, and as a result – he falls into depression (which he copes with through drug abuse). Danny Glover as Marty Madison, Jimmy's original manager before Curtis steps into the picture; Marty serves as both counsel and confidant to Jimmy, and later to Effie as well. Sharon Leal as Michelle Morris; based upon Supremes members Cindy Birdsong and Susaye Greene, Curtis' secretary who replaces Effie in the Dreams and begins dating C.C. Hinton Battle as Wayne, a salesman at Curtis' Cadillac dealership who becomes Rainbow's first record producer and Curtis' henchman. Yvette Cason as May, Deena's mother Loretta Devine as Jazz Singer. Devine originated the role of Lorrell in the 1981 stage production. Dawnn Lewis as Melba Early, James' wife John Lithgow as Jerry Harris, a film producer looking to cast Deena John Krasinski as Sam Walsh, Jerry Harris' screenwriter/film director Jaleel White as Talent Booker at the Detroit Theatre talent show Cleo King as Janice Robert Cicchini as Nicky Cassaro Yvette Nicole Brown as Curtis' Secretary Mariah I. Wilson as Magic White, Effie's daughter Paul Kirby as Promo Film Narrator (voice) Musical numbers Production Pre-production In the 1980s and 1990s, several attempts were made to produce a film adaptation of Dreamgirls, a Broadway musical loosely based upon the story of The Supremes and Motown Records, which won six Tony Awards in 1982. David Geffen, the stage musical's co-financier, retained the film rights to Dreamgirls and turned down many offers to adapt the story for the screen. He cited a need to preserve the integrity of Dreamgirls stage director Michael Bennett's work after his death in 1987. That same year, Geffen, who ran his Warner Bros.-associated Geffen Pictures film production company at the time, began talks with Broadway lyricist and producer Howard Ashman to adapt it as a star vehicle for Whitney Houston, who was to portray Deena. The production ran into problems when Houston wanted to sing both Deena and Effie's songs (particularly "And I Am Telling You I'm Not Going"), and the film was eventually abandoned. When Geffen co-founded DreamWorks in 1994 and dissolved Geffen Pictures, the rights to Dreamgirls remained with Warner Bros. Warner planned to go ahead with the film with director Joel Schumacher and screenwriter Tina Andrews in the late 1990s, following the success of Touchstone Pictures's Tina Turner biopic What's Love Got to Do with It. Schumacher planned to have Lauryn Hill portray Deena and Kelly Price play Effie. After Warner's Frankie Lymon biopic Why Do Fools Fall in Love failed at the box office, the studio shut down development on Dreamgirls. DreamWorks' Dreamgirls adaptation came about after the film version of the Broadway musical Chicago was a success at both the box office and the Academy Awards. Screenwriter and director Bill Condon, who wrote Chicagos screenplay, met producer Laurence Mark at a Hollywood holiday party in late 2002, where the two discussed a long-held "dream project" of Condon's – adapting Dreamgirls for the screen. The two had dinner with Geffen and successfully convinced him to allow Condon to write a screenplay for Dreamgirls. Condon did not start work on the Dreamgirls script until after making the Alfred Kinsey biographical film Kinsey (2004). After sending Geffen the first draft of his screenplay in January 2005, Condon's adaptation of Dreamgirls was greenlit. Stage to script changes While much of the stage musical's story remains intact, a number of significant changes were made. The Dreams' hometown—the setting for much of the action—was moved from Chicago to Detroit, the real-life hometown of The Supremes and Motown Records. The roles of many of the characters were related more closely to their real-life inspirations, following a suggestion by Geffen. Warner Bros. had retained the film rights to Dreamgirls, and agreed to co-produce with DreamWorks. However, after casting was completed, the film was budgeted at $73 million and Warner backed out of the production. Geffen, taking the role of co-producer, brought Paramount Pictures in to co-finance and release Dreamgirls. During the course of production, Paramount's parent company, Viacom, would purchase DreamWorks, aligning the two studios under one umbrella (and giving the senior studio US distribution rights on behalf of DreamWorks). The completed film had a production budget of $75 million, making Dreamgirls the most expensive film with an all-black starring cast in cinema history. Casting and rehearsal Mark and Condon began pre-production with the intentions of casting Jamie Foxx and Eddie Murphy, both actors with record industry experience, as Curtis Taylor, Jr. and James "Thunder" Early, respectively. When offered the part of Curtis, Foxx initially declined because DreamWorks could not meet his salary demands. Denzel Washington, Will Smith, and Terrence Howard were among the other actors also approached to play Curtis. Murphy, on the other hand, accepted the role of Jimmy Early after being convinced to do so by DreamWorks co-founder Jeffrey Katzenberg. While Condon had intended to cast relatively unknown actresses as all three Dreams, R&B singer Beyoncé Knowles lobbied for the part of Deena Jones, and was cast after a successful screen test. Upon learning that Knowles and Murphy had signed on, Foxx rethought his original decision and accepted the Curtis role at DreamWorks' lower salary. R&B star Usher was to have been cast as C.C. White, but contract negotiations failed; Usher was unable to dedicate half a year to the project. André 3000 of Outkast was also offered the role, but declined. After briefly considering R&B singer Omarion, singer/actor Keith Robinson was eventually cast in the role. Anika Noni Rose, a Broadway veteran and a Tony Award winner, won the part of Lorrell Robinson after an extensive auditioning process. Rose, significantly shorter than most of her co-stars at five feet and two inches (157 cm), was required to wear (and dance in) four and five-inch (127 mm) heels for much of the picture, which she later stated caused her discomfort. The most crucial casting decision involved the role of Effie White, the emotional center of the story. The filmmakers insisted on casting a relative unknown in the role, paralleling the casting of then-21-year-old Jennifer Holliday in that role for the original Broadway production. A total of 783 singing actresses auditioned for the role of Effie White, among them American Idol alumnae Fantasia Barrino and Jennifer Hudson, former Disney star Raven-Symoné, and Broadway stars Capathia Jenkins and Patina Miller. Though Barrino emerged as an early frontrunner for the part, Hudson was eventually selected to play Effie, leading Barrino to telephone Hudson and jokingly complain that Hudson "stole [Barrino's] part." Hudson was required to gain twenty pounds for the role, which marked her debut film performance. In casting Hudson, Condon recalled that he initially was not confident he'd made the right decision, but instinctively cast Hudson after she'd auditioned several times because he "just didn't believe any of the others." After Hudson was cast in November 2005, the Dreamgirls cast began extensive rehearsals with Condon and choreographers Fatima Robinson and Aakomon "AJ" Jones, veterans of the music video industry. Meanwhile, the music production crew began work with the actors and studio musicians recording the songs for the film. Although rehearsals ended just before Christmas 2005, Condon called Hudson back for a week of one-on-one rehearsals, to help her more fully become the "diva" character of Effie. Hudson was required to be rude and come in late both on set and off, and she and Condon went over Effie's lines and scenes throughout the week. Loretta Devine, who played Lorrell in the original Broadway production, has a cameo as a jazz singer who performs the song "I Miss You Old Friend." Another Dreamgirls veteran present in the film is Hinton Battle, who was a summer replacement for James "Thunder" Early onstage and here portrays Curtis' aide-de-camp Wayne. Principal photography Principal photography began January 6, 2006 with the filming of dance footage for the first half of "Steppin' to the Bad Side," footage later deleted from the film. The film was primarily shot on soundstages at the Los Angeles Center Studios and on location in the Los Angeles area, with some second unit footage shot in Detroit, Miami, and New York City. The award-winning Broadway lighting team of Jules Fisher and Peggy Eisenhauer were brought in to create theatrical lighting techniques for the film's musical numbers. Beyoncé Knowles elected to lose weight to give the mature Deena Jones of the 1970s a different look than the younger version of the character. By sticking to a highly publicized diet of water, lemons, maple syrup, and cayenne pepper (also known as the Master Cleanse), Knowles rapidly lost twenty pounds, which she gained back once production ended. Shooting was completed in the early-morning hours of April 8, 2006, after four days were spent shooting Jennifer Hudson's musical number "And I Am Telling You I'm Not Going", which had purposefully been saved until the end of the shoot. Originally scheduled to be shot in one day, Condon was forced to ask for extra time and money to finish shooting the "And I Am Telling You" scene, as Hudson's voice would give out after four hours of shooting the musical number, and she was unable to plausibly lip-sync while hoarse. The scene was felt by everyone involved to be pivotal to the film, as "And I Am Telling You" was Jennifer Holliday's show-stopping number in the original Broadway musical. Music Dreamgirls musical supervisors Randy Spendlove and Matt Sullivan hired R&B production team The Underdogs — Harvey Mason, Jr. and Damon Thomas — to restructure and rearrange the Henry Krieger/Tom Eyen Dreamgirls score so that it better reflected its proper time period, yet also reflected then-modern R&B/pop sensibilities. During post-production, composer Stephen Trask was contracted to provide additional score material for the film. Several musical numbers from the Broadway score were not included in the film version, in particular Lorrell's solo "Ain't No Party". Four new songs were added for the film: "Love You I Do", "Patience", "Perfect World," and "Listen." All of the new songs feature music composed by original Dreamgirls stage composer Henry Krieger. With Tom Eyen having died in 1991, various lyricists were brought in by Krieger to co-author the new songs. "Love You I Do," with lyrics by Siedah Garrett, is performed in the film by Effie during a rehearsal at the Rainbow Records studio. Willie Reale wrote the lyrics for "Patience," a song performed in the film by Jimmy, Lorrell, C.C., and a gospel choir, as the characters attempt to record a message song for Jimmy. "Perfect World," also featuring lyrics by Garrett, is performed during the Rainbow 10th anniversary special sequence by Jackson 5 doppelgängers The Campbell Connection. "Listen", with additional music by Scott Cutler and Beyoncé, and lyrics by Anne Preven, is presented as a defining moment for Deena's character late in the film. After preview screenings during the summer of 2006, several minutes worth of musical footage were deleted from the film due to negative audience reactions to the amount of music. Among this footage was one whole musical number, C.C. and Effie's sung reunion "Effie, Sing My Song", which was replaced with an alternative spoken version. The Dreamgirls: Music from the Motion Picture soundtrack album was released on December 5 by Music World Entertainment/Columbia Records, in both a single-disc version containing highlights and a double-disc "Deluxe Version" containing all of the film's songs. The single-disc version of the soundtrack peaked at number-one on the Billboard 200 during a slow sales week in early January 2007. "Listen" was the first official single from the soundtrack, supported by a music video featuring Beyoncé. "And I Am Telling You I'm Not Going" was the Dreamgirls soundtrack's second single. Though a music video with all-original footage was once planned, the video eventually released for "And I Am Telling You" comprised the entire corresponding scene in the actual film. Release Dreamgirls premiered on December 4, 2006 at the Ziegfeld Theatre in New York City, where it received a standing ovation. The film's Los Angeles premiere was held on December 11 at the Wilshire Theater in Beverly Hills. Similar to the releases of older Hollywood musicals such as The Sound of Music, My Fair Lady, and West Side Story, Dreamgirls debuted with three special ten-day roadshow engagements beginning on December 15, 2006 at the Ziegfeld Theatre in New York City, the Cinerama Dome in Los Angeles, and the AMC Metreon 15 in San Francisco. Tickets for the reserved seats were $25 each; the premium price included a forty-eight page full-color program and a limited-print lithograph. This release made Dreamgirls the first American feature film to have a roadshow release since Man of La Mancha in 1972. Dreamgirls earned a total of $851,664 from the roadshow engagements, playing to sold-out houses on the weekends. The film's national release, at regular prices, began on December 25. Outside of the U.S., Dreamgirls opened in Australia on January 18, and in the United Kingdom on February 2. Releases in other countries began on various dates between January and early March. Dreamgirls eventually grossed $103 million in North America, and almost $155 million worldwide. DreamWorks Home Entertainment released Dreamgirls to home video on May 1, 2007 in DVD, HD DVD, and Blu-ray formats. The DVD version was issued in two editions: a one-disc standard version and a two-disc "Showstopper Edition". The two-disc version also included a feature-length production documentary, production featurettes, screen tests, animatics, and other previsualization materials and artwork. Both DVD versions featured alternative and extended versions of the musical numbers from the film as extras, including the "Effie, Sing My Song" scene deleted during previews. Both the Blu-ray and HD DVD versions were issued in two-disc formats. Dreamgirls was the first DreamWorks film to be issued in a high definition home entertainment format. , total domestic video sales to date are at $95.1 million. A "Director's Extended Edition" of Dreamgirls was released on Blu-ray and Digital HD on October 10, 2017 by Paramount Home Media Distribution. This version, based on edits done for preview screenings before the film's release, runs ten minutes longer than the theatrical version and features longer musical numbers (including songs and verses cut during previews) and additional scenes. Reception Critical response On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 78% based on 208 reviews, with an average rating of 7.24/10. The site's critics consensus states: "Dreamgirls simple characters and plot hardly detract from the movie's real feats: the electrifying performances and the dazzling musical numbers." Metacritic reports a weighted average score of 76 out of 100 rating, based on 37 critics, indicating "generally favorable reviews". Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale. Rolling Stone's Peter Travers gave the film three and a half stars (out of four) and the number-two position on his "best of 2006" list, stating that "despite transitional bumps, Condon does Dreamgirls proud". David Rooney of Variety reported that the film featured "tremendously exciting musical sequences" and that "after The Phantom of the Opera, Rent and The Producers botched the transfer from stage to screen, Dreamgirls gets it right." On the December 10, 2006 episode of the television show Ebert & Roeper, Richard Roeper and guest critic Aisha Tyler (filling in for Roger Ebert, who was recovering from cancer-related surgery) gave the film "two thumbs up", with Roeper's reservations that it was "a little short on heart and soul" and "deeply conventional". Roeper still enjoyed the film, noting that Jennifer Hudson's rendition of "And I Am Telling You I'm Not Going" as the "show-stopping moment of any film of 2006" and very much enjoyed Murphy's performance as well, remarking that "people are going to love this film." Kirk Honeycutt of The Hollywood Reporter was less enthusiastic, stating that while the film was "a damn good commercial movie, it is not the film that will revive the musical or win over the world". Ed Gonzales of Slant magazine found the entire picture too glossy, and declared that "the film doesn't care to articulate the emotions that haunt its characters". University of Sydney academic Timothy Laurie was critical of the film's social message, noting that "the worthy receive just deserts by working even harder for the industries that marginalise them". Many reviews, regardless of their overall opinion of the film, cited Hudson's and Murphy's performances as standouts, with Travers proclaiming Murphy's performance of "Jimmy's Rap" as "his finest screen moment." Television host Oprah Winfrey saw the film during a November 15 press screening, and telephoned Hudson on the Oprah episode airing the next day, praising her performance as "a religious experience" and "a transcendent performance". A review for The Celebrity Cafe echoes that Hudson's voice "is like nothing we’ve heard in a long time, and her acting is a great match for that power-house sound." Jennifer Holliday, who originated the role of Effie onstage, expressed her disappointment at not being involved in the film project in several TV, radio, and print interviews. Holliday in particular objected to the fact that her 1982 recording of "And I Am Telling You I'm Not Going" was used in an early Dreamgirls film teaser trailer created before production began. Many of the other original Dreamgirls Broadway cast members, among them Obba Babatundé, Vondie Curtis-Hall, and Cleavant Derricks, were interviewed for a Jet magazine article in which they discussed their varying opinions of both the Dreamgirls film's script and production. Awards and nominations DreamWorks and Paramount began a significant awards campaign for Dreamgirls while the film was still in production. In February 2006, the press was invited on set to a special live event showcasing the making of the film, including a live performance of "Steppin' to the Bad Side" by the cast. Three months later, twenty minutes of the film — specifically, the musical sequences "Fake Your Way to the Top", "Family", "When I First Saw You", and "Dreamgirls" – were screened at the 2006 Cannes Film Festival, with most of the cast and crew in attendance. The resulting positive buzz earned Dreamgirls the status of "front-runner" for the 2006 Academy Award for Best Picture and several of the other Oscars as well. Following the success of the Cannes screening, DreamWorks and Paramount began a widespread "For Your Consideration" advertisement campaign, raising several eyebrows by demoting Jennifer Hudson to consideration for Best Supporting Actress and presenting Beyoncé Knowles as the sole Best Actress candidate, as opposed to having both compete for Best Actress awards. By contrast, the actresses who originated Hudson's and Knowles' roles on Broadway, Jennifer Holliday and Sheryl Lee Ralph, respectively, were both nominated for the Tony Award for Best Leading Actress, with Holliday winning the award. The presentation of Knowles over Hudson as the sole Best Actress candidate had interesting parallels with the film itself. Dreamgirls received eight 2007 Academy Award nominations covering six categories, the most of any film for the year, although it was not nominated for Best Picture, Best Director, or either of the lead acting categories. The film's nominations included Best Supporting Actor (Eddie Murphy), Best Supporting Actress (Jennifer Hudson), Best Achievement in Costume Design, Best Achievement in Art Direction, Best Achievement in Sound Mixing, and three nominations for Best Song ("Listen", "Love You I Do", and "Patience"). Dreamgirls is the first live-action film to receive three nominations for Best Song; previously the Disney animated features Beauty and the Beast (1991) and The Lion King (1994) had each received three Academy Award nominations for Best Song; Enchanted (2007) has since repeated the feat. In addition, Dreamgirls was the first film in Academy Award history to receive the highest number of nominations for the year, yet not be nominated for Best Picture. The film's failure to gain a Best Picture or Best Director nod was widely viewed by the entertainment press as a "snub" by the Academy. Some journalists registered shock, while others cited a "backlash".<ref>Felton, Robert (Feb. 28, 2007). "[http://austinweeklynews.1upsoftware.com/main.asp?SectionID=1&SubSectionID=1&ArticleID=1101&TM=82934.76 Dreamgirls' Best Picture snub and Oscar night thud] ". Austin Weekly News. Retrieved March 11, 2007.</ref> On the other hand, director Bill Condon stated that "I think academy members just liked the other movies better" and that he believed that "we were never going to win even if we were nominated." Reports emerged of significant behind-the-scenes in-fighting between the DreamWorks and Paramount camps, in particular between DreamWorks' David Geffen and Paramount CEO Brad Grey, over decision making and credit-claiming during the Dreamgirls awards campaign. At the Academy Awards ceremony on February 25, 2007, Dreamgirls won Academy Award for Best Actress in a Supporting Role and Best Sound Mixing. As such, Hudson became one of the few actresses ever to win an Oscar for a film debut performance. In what was considered an upset, Murphy lost the Best Supporting Actor award to Alan Arkin for Little Miss Sunshine. Knowles, Hudson, Rose, and Robinson performed a medley of the three Dreamgirls songs nominated for Best Original Song, although all three songs lost the award to "I Need to Wake Up" from An Inconvenient Truth. For the 2007 Golden Globe Awards, Dreamgirls was nominated in five categories: Best Picture – Comedy or Musical, Best Actress in a Comedy or Musical (Beyoncé Knowles), Best Supporting Actor (Eddie Murphy), Best Supporting Actress (Jennifer Hudson), and Best Original Song ("Listen"). The film won the awards for Best Picture — Comedy or Musical, Best Supporting Actor, and Best Supporting Actress. Dreamgirls received eight NAACP Image Award nominations, winning for Best Supporting Actress (Jennifer Hudson) and Outstanding Album (the soundtrack LP). It was also named as one of the American Film Institute's top ten films of 2006.Dreamgirls also garnered Screen Actors Guild Awards for Supporting Actress (Jennifer Hudson) and Supporting Actor (Eddie Murphy), as well as a nomination for its ensemble cast. The film was also nominated by the Producers Guild of America for Best Picture and the Directors Guild of America for Bill Condon's directing. The British Academy of Film and Television Arts gave the film awards for Supporting Actress (Jennifer Hudson) and Music (Henry Krieger). Furthermore, Dreamgirls was nominated for eleven 2007 International Press Academy Satellite Awards, and won four of the awards: Best Picture — Comedy or Musical, Best Director (Bill Condon), Best Actress in a Supporting Role (Jennifer Hudson), and Best Sound (Mixing & Editing). Dreamgirls also received a record eleven Black Reel Award nominations, and won six of the awards, among them Best Film. At the 50th Grammy Awards ceremony, "Love You I Do" won the award for Best Song Written for a Motion Picture, Television or Other Visual Media. The Dreamgirls soundtrack was also nominated for the Grammy for Best Compilation Soundtrack Album. For the opening performance at the 2007 BET Awards on June 26 of that year, Hudson performed a duet of "And I Am Telling You I'm Not Going" with her predecessor, Jennifer Holliday. Later that night, Hudson won the BET Award for Best Actress. In February 2022, Hudson's rendition of "And I Am Telling You I'm Not Going" was named one of the five finalists for Oscars Cheer Moment as part of the Academy of Motion Picture Arts and Sciences' "Oscars Fan Favorite" contest. Accolades Related promotions and products To give the story more exposure for the upcoming film release, DreamWorks and the licenser of the original play, The Tams-Witmark Music Library, announced that they would pay the licensing fees for all non-professional stage performances of Dreamgirls for the calendar year of 2006. DreamWorks hoped to encourage amateur productions of Dreamgirls, and familiarize a wider audience with the play. As a result, more than fifty high schools, colleges, community theaters, and other non-commercial theater entities staged productions of Dreamgirls in 2006, and DreamWorks spent up to $250,000 subsidizing the licensing. The Dreamgirls novelization was written by African-American novelist Denene Millner, and adapts the film's official script in chapter form, along with fourteen pages of photographs from the film. The book was released on October 31, 2006. A scrapbook, entitled Dreamgirls: The Movie Musical, was released on March 27, 2007. The limited edition program guide accompanying the Dreamgirls road show release was made available for retail purchase in February. In addition, the Tonnor Doll Company released "The Dreamettes" collection, featuring dolls of the characters Deena, Lorrell, and Effie, to coincide with the release of the film. Allusions to actual events Aside from the overall plot of the film and elements already present in the stage musical, many direct references to The Supremes, Motown, or R&B/soul history in general are included in the film. In one scene, Effie saunters into Curtis' office and discusses Rainbow Records' latest LP, The Great March to Freedom, a spoken word album featuring speeches by Martin Luther King Jr. This LP is an authentic Motown release, issued as Gordy 906 in June 1963.Edwards, David and Callahan, Mike (1999). "Gordy Album Discography, Part 1 (1962–1981)". Retrieved Feb. 3, 2007. A later scene features Curtis and the Dreams recording in the studio, while a riot rages outside. By comparison, Motown's Hitsville U.S.A. studio remained open and active during Detroit's 12th Street Riot in July 1967.Posner, Gerald (2002). Motown: Music, Money, Sex, and Power. New York: Random House. . Pg. 173. The photo shoot montage which accompanies "When I First Saw You", as well as the subplot of Deena being forced to star in Curtis' Cleopatra film against her will, reflect both scenes from and the production of Mahogany, a 1975 Motown film starring Diana Ross and directed by Motown CEO Berry Gordy. In a snapshot, Ed Sullivan appears presenting the real Supremes on his show. Among the more direct references are the uses of adapted Supremes album cover designs for albums recorded in the film by the Dreams. Three Supremes albums – Let the Sunshine In, Cream of the Crop, and Touch – were reworked into Deena Jones & The Dreams album designs, with the only differences in the designs being the substitution of the names and images of the Supremes with those of Deena Jones & the Dreams. Another Dreams LP seen in the film, Meet the Dreams, is represented by an album cover derived from the designs for the Supremes LPs Meet The Supremes, More Hits by The Supremes and The Supremes A' Go-Go. There is also a solo album, Just In Time, recorded by Deena Jones shown in the film, the album cover for which is based on Dionne Warwick's 1970 album, Very Dionne. Diana Ross, long a critic of the Broadway version of Dreamgirls for what she saw as an appropriation of her life story, denied having seen the film version. On the other hand, Mary Wilson attended the film's Los Angeles premiere, later stating that Dreamgirls moved her to tears and that it was "closer to the truth than they even know". However, Smokey Robinson was less than pleased about the film's allusions to Motown history. In a January 25, 2007 interview with NPR, Robinson expressed offense at the film's portrayal of its Berry Gordy analogue, Curtis Taylor Jr., as a "villainous character" who deals in payola and other illegal activities. He repeated these concerns in a later interview with Access Hollywood'', adding that he felt DreamWorks and Paramount owed Gordy an apology. On February 23, a week before the Oscars ceremony, DreamWorks and Paramount issued an apology to Gordy and the other Motown alumni. Gordy issued a statement shortly afterwards expressing his acceptance of the apology. The payola scheme used in the film's script, to which Robinson took offense, is identical to the payola scheme allegedly used by Gordy and the other Motown executives, according to sworn court depositions from Motown executive Michael Lushka, offered during the litigation between the label and its chief creative team, Holland–Dozier–Holland. Several references are also made to Mafia-backed loans Curtis uses to fund Rainbow Records. Gordy was highly suspected, though never proven, to have used Mafia-backed loans to finance Motown during its later years. References External links Dreamgirls Blu-ray Disc review Dreamgirls 2000s historical romance films 2000s musical drama films 2000s romantic drama films 2000s romantic musical films 2006 films Adultery in films African-American drama films African-American musical films American films American films based on plays American historical romance films American musical drama films American romantic drama films American romantic musical films BAFTA winners (films) Best Musical or Comedy Picture Golden Globe winners DreamWorks Pictures films 2000s English-language films Films à clef Films about musical groups Films about race and ethnicity Films based on musicals Films directed by Bill Condon Films featuring a Best Supporting Actor Golden Globe winning performance Films featuring a Best Supporting Actress Academy Award-winning performance Films featuring a Best Supporting Actress Golden Globe-winning performance Films produced by Laurence Mark Films scored by Stephen Trask Films set in the 1960s Films set in the 1970s Films set in Detroit Films shot in Michigan Films that won the Best Sound Mixing Academy Award Films with screenplays by Bill Condon Paramount Pictures films 2006 drama films

C_867af2e657024cc0910e36deae8d265f_1

Did Beyonce sing any of the songs on the soundtrack?

Did Beyonce sing any of the songs on the soundtrack for the film Dreamgirls?

Dreamgirls (film)

Dreamgirls musical supervisors Randy Spendlove and Matt Sullivan hired R&B production team The Underdogs -- Harvey Mason, Jr. and Damon Thomas -- to restructure and rearrange the Henry Krieger/Tom Eyen Dreamgirls score so that it better reflected its proper time period, yet also reflected then-modern R&B/pop sensibilities. During post-production, composer Stephen Trask was contracted to provide additional score material for the film. Several musical numbers from the Broadway score were not included in the film version, in particular Lorrell's solo "Ain't No Party". Four new songs were added for the film: "Love You I Do", "Patience", "Perfect World," and "Listen." All of the new songs feature music composed by original Dreamgirls stage composer Henry Krieger. With Tom Eyen having died in 1991, various lyricists were brought in by Krieger to co-author the new songs. "Love You I Do," with lyrics by Siedah Garrett, is performed in the film by Effie during a rehearsal at the Rainbow Records studio. Willie Reale wrote the lyrics for "Patience," a song performed in the film by Jimmy, Lorrell, C.C., and a gospel choir, as the characters attempt to record a message song for Jimmy. "Perfect World," also featuring lyrics by Garrett, is performed during the Rainbow 10th anniversary special sequence by Jackson 5 doppelgangers The Campbell Connection. "Listen", with additional music by Scott Cutler and Beyonce Knowles, and lyrics by Anne Preven, is presented as a defining moment for Deena's character late in the film. After preview screenings during the summer of 2006, several minutes worth of musical footage were deleted from the film due to negative audience reactions to the amount of music. Among this footage was one whole musical number, C.C. and Effie's sung reunion "Effie, Sing My Song", which was replaced with an alternative spoken version. The Dreamgirls: Music from the Motion Picture soundtrack album was released on December 5 by Music World Entertainment/Columbia Records, in both a single-disc version containing highlights and a double-disc "Deluxe Version" containing all of the film's songs. The single-disc version of the soundtrack peaked at number-one on the Billboard 200 during a slow sales week in early January 2007. "Listen" was the first official single from the soundtrack, supported by a music video featuring Beyonce. "And I Am Telling You I'm Not Going" was the Dreamgirls soundtrack's second single. Though a music video with all-original footage was once planned, the video eventually released for "And I Am Telling You" comprised the entire corresponding scene in the actual film. CANNOTANSWER

"Listen" was the first official single from the soundtrack, supported by a music video featuring Beyonce.

Dreamgirls is a 2006 American musical drama film written and directed by Bill Condon and jointly produced and released by DreamWorks Pictures and Paramount Pictures. Adapted from the 1981 Broadway musical of the same name, Dreamgirls is a film à clef, a work of fiction taking strong inspiration from the history of the Motown record label and one of its acts, The Supremes. The story follows the history and evolution of American R&B music during the 1960s and 1970s through the eyes of a Detroit girl group known as "The Dreams" and their manipulative record executive. The film adaptation stars Jamie Foxx, Beyoncé Knowles and Eddie Murphy, and also features Jennifer Hudson, Danny Glover, Anika Noni Rose and Keith Robinson. In addition to the original compositions by composer Henry Krieger and lyricist/librettist Tom Eyen, four new songs, composed by Krieger with various lyricists, were added for the film. The film marks the acting debut of Hudson, a former American Idol contestant. Dreamgirls debuted in four special road show engagements starting on December 15, 2006, before its nationwide release on December 25, 2006. With a production budget of $80 million, Dreamgirls is one of the most expensive films to feature a predominant African-American starring cast in American film history. Upon its release, the film garnered positive reviews from critics, who particularly praised Condon's direction, the soundtrack, costume design, production design, and performances of the cast (in particular of Hudson, which many deemed a standout performance). The film was a commercial success, grossing over $155 million at the international box office. At the 79th Academy Awards, the film received a leading eight nominations, winning Best Supporting Actress (for Hudson), and Best Sound Mixing. At the 64th Golden Globe Awards, it won three awards, including for the Best Motion Picture – Musical or Comedy. Plot In 1962 Detroit, Michigan, young car salesman Curtis Taylor Jr. meets a Black girl group known as "The Dreamettes", which consists of lead singer Effie White and backup singers Deena Jones and Lorrell Robinson, at an R&B amateur talent show at the Detroit Theatre. Presenting himself as their new manager, he hires the girls as backup singers for Chitlin' Circuit R&B star Jimmy "Thunder" Early. Curtis soon starts his own record label, Rainbow Records, out of his Detroit car dealership, and appoints Effie's brother, C.C., as his head songwriter. When their first single "Cadillac Car" fails after a white pop group named Dave and the Sweethearts releases a cover version, Curtis, C.C., and their producer Wayne turn to payola to make "Jimmy Early & The Dreamettes" mainstream pop stars. Offstage, Effie falls in love with Curtis while the married Jimmy does likewise with Lorrell. Jimmy's manager, Marty Madison, grows weary of Curtis' plans to make his client more pop-friendly and walks out. When Jimmy bombs in front of an all-white Miami Beach supper club audience, Curtis sends Jimmy out on the road alone, keeping The Dreamettes behind to headline in his place. Feeling that Effie's figure and distinctive, soulful voice will not attract white audiences, Curtis appoints the slimmer, more conventionally attractive Deena (who has a more basic, generic, and marketable voice) as the new lead singer, renaming the group "The Dreams". Aided by new songs and a new image, Curtis and C.C. transform The Dreams into a top-selling mainstream pop group. By 1965, however, Effie begins acting out, particularly when Curtis' affections also turn towards Deena. Curtis eventually drops Effie, hiring his secretary Michelle Morris to replace her beginning with their 1966 New Year's Eve debut in Las Vegas as "Deena Jones & the Dreams." Though Effie defiantly and desperately appeals to Curtis, he, C.C., and The Dreams abandon her, forging ahead to stardom. By 1973, Effie has become an impoverished welfare mother living in Detroit with her daughter Magic. To restart her music career, she hires Marty as her manager and begins performing at a local club. Meanwhile, with The Dreams superstars and Rainbow, having moved to Los Angeles, now the biggest pop business in the country, Curtis attempts to produce a film about Cleopatra starring an unwilling Deena, now his wife. The following year, Jimmy, who has descended into drug addiction due to Curtis' preoccupation with Deena, along with the rejection of the charity single he recorded, does an improvised rap and drops his pants during Rainbow Records' tenth-anniversary television special. Curtis promptly drops him from the label and Lorrell ends their affair. Sometime later, C.C., who feels Curtis is undermining the artistic merit of his songs by making them into disco music, quits the label, only for everyone to then learn of Jimmy's unexpected death from a heroin overdose, which greatly upsets Lorrell. Disillusioned by Jimmy's death and Curtis' cold reaction to the news, C.C. travels to Detroit and reconciles with Effie, for whom he writes and produces a comeback single, "One Night Only". Just as it begins gaining local radio play, Curtis uses payola to force radio stations to play The Dreams' disco cover of the song. The plan falls apart, however, when Deena, angry over how Curtis controls her career, discovers his schemes and contacts Effie, who arrives in Los Angeles with C.C., Marty, and a lawyer. Deena and Effie reconcile, with Effie telling Deena that Curtis is Magic's father, while Curtis agrees to nationally distribute Effie's record to avoid being reported to the FBI. Inspired by Effie's victory and realizing Curtis' true character, Deena leaves him. By 1975, The Dreams give a farewell performance at the Detroit Theater, inviting Effie for the final song. Towards the end, Curtis notices Magic in the front row, realizing she is his daughter. Cast Jennifer Hudson as Effie White; inspired by Supremes member Florence Ballard, Effie is a talented yet temperamental singer who suffers when Curtis, the man she loves, replaces her as lead singer of the Dreams and his love interest, and later drops her altogether. With the help of Jimmy's old manager Marty, Effie begins to resurrect her career a decade later, while raising her daughter Magic, the offspring of her union with Curtis. Jamie Foxx as Curtis Taylor, Jr.; based upon Motown founder Berry Gordy, Jr., Curtis is a slick Cadillac dealer-turned-record executive who founds the Rainbow Records label and shows ruthless ambition in his quest to make his black artists household names with white audiences. At first romantically involved with Effie, Curtis takes a professional and personal interest in Deena after appointing her lead singer of the Dreams in Effie's place. Beyoncé Knowles-Carter as Deena Jones; based upon Motown star and lead Supremes member Diana Ross and two former Supremes members Jean Terrell and Scherrie Payne, Deena is a very shy young woman who becomes a star after Curtis makes her lead singer of the Dreams. This, as well as her romantic involvement and later marriage to Curtis, draw Effie's ire, though Deena realizes over time she is a puppet for her controlling husband. Anika Noni Rose as Lorrell Robinson; inspired by Supremes member Mary Wilson, is a good-natured background singer with the Dreams who falls deeply in love with the married Jimmy Early and becomes his mistress. Keith Robinson as Clarence Conrad (C.C.) White; inspired by Motown vice president, artist, producer, and songwriter Smokey Robinson, Effie's soft-spoken younger brother serves as the main songwriter for first the Dreams and later the entire Rainbow roster. Eddie Murphy as James (Jimmy) "Thunder" Early; inspired by R&B/soul singers such as James Brown, Jackie Wilson and Marvin Gaye, is a raucous performer on the Rainbow label engaged in an adulterous affair with Dreams member Lorrell. Curtis attempts to repackage Early as a pop-friendly balladeer. Jimmy's stardom fades as the Dreams' stardom rises, and as a result – he falls into depression (which he copes with through drug abuse). Danny Glover as Marty Madison, Jimmy's original manager before Curtis steps into the picture; Marty serves as both counsel and confidant to Jimmy, and later to Effie as well. Sharon Leal as Michelle Morris; based upon Supremes members Cindy Birdsong and Susaye Greene, Curtis' secretary who replaces Effie in the Dreams and begins dating C.C. Hinton Battle as Wayne, a salesman at Curtis' Cadillac dealership who becomes Rainbow's first record producer and Curtis' henchman. Yvette Cason as May, Deena's mother Loretta Devine as Jazz Singer. Devine originated the role of Lorrell in the 1981 stage production. Dawnn Lewis as Melba Early, James' wife John Lithgow as Jerry Harris, a film producer looking to cast Deena John Krasinski as Sam Walsh, Jerry Harris' screenwriter/film director Jaleel White as Talent Booker at the Detroit Theatre talent show Cleo King as Janice Robert Cicchini as Nicky Cassaro Yvette Nicole Brown as Curtis' Secretary Mariah I. Wilson as Magic White, Effie's daughter Paul Kirby as Promo Film Narrator (voice) Musical numbers Production Pre-production In the 1980s and 1990s, several attempts were made to produce a film adaptation of Dreamgirls, a Broadway musical loosely based upon the story of The Supremes and Motown Records, which won six Tony Awards in 1982. David Geffen, the stage musical's co-financier, retained the film rights to Dreamgirls and turned down many offers to adapt the story for the screen. He cited a need to preserve the integrity of Dreamgirls stage director Michael Bennett's work after his death in 1987. That same year, Geffen, who ran his Warner Bros.-associated Geffen Pictures film production company at the time, began talks with Broadway lyricist and producer Howard Ashman to adapt it as a star vehicle for Whitney Houston, who was to portray Deena. The production ran into problems when Houston wanted to sing both Deena and Effie's songs (particularly "And I Am Telling You I'm Not Going"), and the film was eventually abandoned. When Geffen co-founded DreamWorks in 1994 and dissolved Geffen Pictures, the rights to Dreamgirls remained with Warner Bros. Warner planned to go ahead with the film with director Joel Schumacher and screenwriter Tina Andrews in the late 1990s, following the success of Touchstone Pictures's Tina Turner biopic What's Love Got to Do with It. Schumacher planned to have Lauryn Hill portray Deena and Kelly Price play Effie. After Warner's Frankie Lymon biopic Why Do Fools Fall in Love failed at the box office, the studio shut down development on Dreamgirls. DreamWorks' Dreamgirls adaptation came about after the film version of the Broadway musical Chicago was a success at both the box office and the Academy Awards. Screenwriter and director Bill Condon, who wrote Chicagos screenplay, met producer Laurence Mark at a Hollywood holiday party in late 2002, where the two discussed a long-held "dream project" of Condon's – adapting Dreamgirls for the screen. The two had dinner with Geffen and successfully convinced him to allow Condon to write a screenplay for Dreamgirls. Condon did not start work on the Dreamgirls script until after making the Alfred Kinsey biographical film Kinsey (2004). After sending Geffen the first draft of his screenplay in January 2005, Condon's adaptation of Dreamgirls was greenlit. Stage to script changes While much of the stage musical's story remains intact, a number of significant changes were made. The Dreams' hometown—the setting for much of the action—was moved from Chicago to Detroit, the real-life hometown of The Supremes and Motown Records. The roles of many of the characters were related more closely to their real-life inspirations, following a suggestion by Geffen. Warner Bros. had retained the film rights to Dreamgirls, and agreed to co-produce with DreamWorks. However, after casting was completed, the film was budgeted at $73 million and Warner backed out of the production. Geffen, taking the role of co-producer, brought Paramount Pictures in to co-finance and release Dreamgirls. During the course of production, Paramount's parent company, Viacom, would purchase DreamWorks, aligning the two studios under one umbrella (and giving the senior studio US distribution rights on behalf of DreamWorks). The completed film had a production budget of $75 million, making Dreamgirls the most expensive film with an all-black starring cast in cinema history. Casting and rehearsal Mark and Condon began pre-production with the intentions of casting Jamie Foxx and Eddie Murphy, both actors with record industry experience, as Curtis Taylor, Jr. and James "Thunder" Early, respectively. When offered the part of Curtis, Foxx initially declined because DreamWorks could not meet his salary demands. Denzel Washington, Will Smith, and Terrence Howard were among the other actors also approached to play Curtis. Murphy, on the other hand, accepted the role of Jimmy Early after being convinced to do so by DreamWorks co-founder Jeffrey Katzenberg. While Condon had intended to cast relatively unknown actresses as all three Dreams, R&B singer Beyoncé Knowles lobbied for the part of Deena Jones, and was cast after a successful screen test. Upon learning that Knowles and Murphy had signed on, Foxx rethought his original decision and accepted the Curtis role at DreamWorks' lower salary. R&B star Usher was to have been cast as C.C. White, but contract negotiations failed; Usher was unable to dedicate half a year to the project. André 3000 of Outkast was also offered the role, but declined. After briefly considering R&B singer Omarion, singer/actor Keith Robinson was eventually cast in the role. Anika Noni Rose, a Broadway veteran and a Tony Award winner, won the part of Lorrell Robinson after an extensive auditioning process. Rose, significantly shorter than most of her co-stars at five feet and two inches (157 cm), was required to wear (and dance in) four and five-inch (127 mm) heels for much of the picture, which she later stated caused her discomfort. The most crucial casting decision involved the role of Effie White, the emotional center of the story. The filmmakers insisted on casting a relative unknown in the role, paralleling the casting of then-21-year-old Jennifer Holliday in that role for the original Broadway production. A total of 783 singing actresses auditioned for the role of Effie White, among them American Idol alumnae Fantasia Barrino and Jennifer Hudson, former Disney star Raven-Symoné, and Broadway stars Capathia Jenkins and Patina Miller. Though Barrino emerged as an early frontrunner for the part, Hudson was eventually selected to play Effie, leading Barrino to telephone Hudson and jokingly complain that Hudson "stole [Barrino's] part." Hudson was required to gain twenty pounds for the role, which marked her debut film performance. In casting Hudson, Condon recalled that he initially was not confident he'd made the right decision, but instinctively cast Hudson after she'd auditioned several times because he "just didn't believe any of the others." After Hudson was cast in November 2005, the Dreamgirls cast began extensive rehearsals with Condon and choreographers Fatima Robinson and Aakomon "AJ" Jones, veterans of the music video industry. Meanwhile, the music production crew began work with the actors and studio musicians recording the songs for the film. Although rehearsals ended just before Christmas 2005, Condon called Hudson back for a week of one-on-one rehearsals, to help her more fully become the "diva" character of Effie. Hudson was required to be rude and come in late both on set and off, and she and Condon went over Effie's lines and scenes throughout the week. Loretta Devine, who played Lorrell in the original Broadway production, has a cameo as a jazz singer who performs the song "I Miss You Old Friend." Another Dreamgirls veteran present in the film is Hinton Battle, who was a summer replacement for James "Thunder" Early onstage and here portrays Curtis' aide-de-camp Wayne. Principal photography Principal photography began January 6, 2006 with the filming of dance footage for the first half of "Steppin' to the Bad Side," footage later deleted from the film. The film was primarily shot on soundstages at the Los Angeles Center Studios and on location in the Los Angeles area, with some second unit footage shot in Detroit, Miami, and New York City. The award-winning Broadway lighting team of Jules Fisher and Peggy Eisenhauer were brought in to create theatrical lighting techniques for the film's musical numbers. Beyoncé Knowles elected to lose weight to give the mature Deena Jones of the 1970s a different look than the younger version of the character. By sticking to a highly publicized diet of water, lemons, maple syrup, and cayenne pepper (also known as the Master Cleanse), Knowles rapidly lost twenty pounds, which she gained back once production ended. Shooting was completed in the early-morning hours of April 8, 2006, after four days were spent shooting Jennifer Hudson's musical number "And I Am Telling You I'm Not Going", which had purposefully been saved until the end of the shoot. Originally scheduled to be shot in one day, Condon was forced to ask for extra time and money to finish shooting the "And I Am Telling You" scene, as Hudson's voice would give out after four hours of shooting the musical number, and she was unable to plausibly lip-sync while hoarse. The scene was felt by everyone involved to be pivotal to the film, as "And I Am Telling You" was Jennifer Holliday's show-stopping number in the original Broadway musical. Music Dreamgirls musical supervisors Randy Spendlove and Matt Sullivan hired R&B production team The Underdogs — Harvey Mason, Jr. and Damon Thomas — to restructure and rearrange the Henry Krieger/Tom Eyen Dreamgirls score so that it better reflected its proper time period, yet also reflected then-modern R&B/pop sensibilities. During post-production, composer Stephen Trask was contracted to provide additional score material for the film. Several musical numbers from the Broadway score were not included in the film version, in particular Lorrell's solo "Ain't No Party". Four new songs were added for the film: "Love You I Do", "Patience", "Perfect World," and "Listen." All of the new songs feature music composed by original Dreamgirls stage composer Henry Krieger. With Tom Eyen having died in 1991, various lyricists were brought in by Krieger to co-author the new songs. "Love You I Do," with lyrics by Siedah Garrett, is performed in the film by Effie during a rehearsal at the Rainbow Records studio. Willie Reale wrote the lyrics for "Patience," a song performed in the film by Jimmy, Lorrell, C.C., and a gospel choir, as the characters attempt to record a message song for Jimmy. "Perfect World," also featuring lyrics by Garrett, is performed during the Rainbow 10th anniversary special sequence by Jackson 5 doppelgängers The Campbell Connection. "Listen", with additional music by Scott Cutler and Beyoncé, and lyrics by Anne Preven, is presented as a defining moment for Deena's character late in the film. After preview screenings during the summer of 2006, several minutes worth of musical footage were deleted from the film due to negative audience reactions to the amount of music. Among this footage was one whole musical number, C.C. and Effie's sung reunion "Effie, Sing My Song", which was replaced with an alternative spoken version. The Dreamgirls: Music from the Motion Picture soundtrack album was released on December 5 by Music World Entertainment/Columbia Records, in both a single-disc version containing highlights and a double-disc "Deluxe Version" containing all of the film's songs. The single-disc version of the soundtrack peaked at number-one on the Billboard 200 during a slow sales week in early January 2007. "Listen" was the first official single from the soundtrack, supported by a music video featuring Beyoncé. "And I Am Telling You I'm Not Going" was the Dreamgirls soundtrack's second single. Though a music video with all-original footage was once planned, the video eventually released for "And I Am Telling You" comprised the entire corresponding scene in the actual film. Release Dreamgirls premiered on December 4, 2006 at the Ziegfeld Theatre in New York City, where it received a standing ovation. The film's Los Angeles premiere was held on December 11 at the Wilshire Theater in Beverly Hills. Similar to the releases of older Hollywood musicals such as The Sound of Music, My Fair Lady, and West Side Story, Dreamgirls debuted with three special ten-day roadshow engagements beginning on December 15, 2006 at the Ziegfeld Theatre in New York City, the Cinerama Dome in Los Angeles, and the AMC Metreon 15 in San Francisco. Tickets for the reserved seats were $25 each; the premium price included a forty-eight page full-color program and a limited-print lithograph. This release made Dreamgirls the first American feature film to have a roadshow release since Man of La Mancha in 1972. Dreamgirls earned a total of $851,664 from the roadshow engagements, playing to sold-out houses on the weekends. The film's national release, at regular prices, began on December 25. Outside of the U.S., Dreamgirls opened in Australia on January 18, and in the United Kingdom on February 2. Releases in other countries began on various dates between January and early March. Dreamgirls eventually grossed $103 million in North America, and almost $155 million worldwide. DreamWorks Home Entertainment released Dreamgirls to home video on May 1, 2007 in DVD, HD DVD, and Blu-ray formats. The DVD version was issued in two editions: a one-disc standard version and a two-disc "Showstopper Edition". The two-disc version also included a feature-length production documentary, production featurettes, screen tests, animatics, and other previsualization materials and artwork. Both DVD versions featured alternative and extended versions of the musical numbers from the film as extras, including the "Effie, Sing My Song" scene deleted during previews. Both the Blu-ray and HD DVD versions were issued in two-disc formats. Dreamgirls was the first DreamWorks film to be issued in a high definition home entertainment format. , total domestic video sales to date are at $95.1 million. A "Director's Extended Edition" of Dreamgirls was released on Blu-ray and Digital HD on October 10, 2017 by Paramount Home Media Distribution. This version, based on edits done for preview screenings before the film's release, runs ten minutes longer than the theatrical version and features longer musical numbers (including songs and verses cut during previews) and additional scenes. Reception Critical response On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 78% based on 208 reviews, with an average rating of 7.24/10. The site's critics consensus states: "Dreamgirls simple characters and plot hardly detract from the movie's real feats: the electrifying performances and the dazzling musical numbers." Metacritic reports a weighted average score of 76 out of 100 rating, based on 37 critics, indicating "generally favorable reviews". Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale. Rolling Stone's Peter Travers gave the film three and a half stars (out of four) and the number-two position on his "best of 2006" list, stating that "despite transitional bumps, Condon does Dreamgirls proud". David Rooney of Variety reported that the film featured "tremendously exciting musical sequences" and that "after The Phantom of the Opera, Rent and The Producers botched the transfer from stage to screen, Dreamgirls gets it right." On the December 10, 2006 episode of the television show Ebert & Roeper, Richard Roeper and guest critic Aisha Tyler (filling in for Roger Ebert, who was recovering from cancer-related surgery) gave the film "two thumbs up", with Roeper's reservations that it was "a little short on heart and soul" and "deeply conventional". Roeper still enjoyed the film, noting that Jennifer Hudson's rendition of "And I Am Telling You I'm Not Going" as the "show-stopping moment of any film of 2006" and very much enjoyed Murphy's performance as well, remarking that "people are going to love this film." Kirk Honeycutt of The Hollywood Reporter was less enthusiastic, stating that while the film was "a damn good commercial movie, it is not the film that will revive the musical or win over the world". Ed Gonzales of Slant magazine found the entire picture too glossy, and declared that "the film doesn't care to articulate the emotions that haunt its characters". University of Sydney academic Timothy Laurie was critical of the film's social message, noting that "the worthy receive just deserts by working even harder for the industries that marginalise them". Many reviews, regardless of their overall opinion of the film, cited Hudson's and Murphy's performances as standouts, with Travers proclaiming Murphy's performance of "Jimmy's Rap" as "his finest screen moment." Television host Oprah Winfrey saw the film during a November 15 press screening, and telephoned Hudson on the Oprah episode airing the next day, praising her performance as "a religious experience" and "a transcendent performance". A review for The Celebrity Cafe echoes that Hudson's voice "is like nothing we’ve heard in a long time, and her acting is a great match for that power-house sound." Jennifer Holliday, who originated the role of Effie onstage, expressed her disappointment at not being involved in the film project in several TV, radio, and print interviews. Holliday in particular objected to the fact that her 1982 recording of "And I Am Telling You I'm Not Going" was used in an early Dreamgirls film teaser trailer created before production began. Many of the other original Dreamgirls Broadway cast members, among them Obba Babatundé, Vondie Curtis-Hall, and Cleavant Derricks, were interviewed for a Jet magazine article in which they discussed their varying opinions of both the Dreamgirls film's script and production. Awards and nominations DreamWorks and Paramount began a significant awards campaign for Dreamgirls while the film was still in production. In February 2006, the press was invited on set to a special live event showcasing the making of the film, including a live performance of "Steppin' to the Bad Side" by the cast. Three months later, twenty minutes of the film — specifically, the musical sequences "Fake Your Way to the Top", "Family", "When I First Saw You", and "Dreamgirls" – were screened at the 2006 Cannes Film Festival, with most of the cast and crew in attendance. The resulting positive buzz earned Dreamgirls the status of "front-runner" for the 2006 Academy Award for Best Picture and several of the other Oscars as well. Following the success of the Cannes screening, DreamWorks and Paramount began a widespread "For Your Consideration" advertisement campaign, raising several eyebrows by demoting Jennifer Hudson to consideration for Best Supporting Actress and presenting Beyoncé Knowles as the sole Best Actress candidate, as opposed to having both compete for Best Actress awards. By contrast, the actresses who originated Hudson's and Knowles' roles on Broadway, Jennifer Holliday and Sheryl Lee Ralph, respectively, were both nominated for the Tony Award for Best Leading Actress, with Holliday winning the award. The presentation of Knowles over Hudson as the sole Best Actress candidate had interesting parallels with the film itself. Dreamgirls received eight 2007 Academy Award nominations covering six categories, the most of any film for the year, although it was not nominated for Best Picture, Best Director, or either of the lead acting categories. The film's nominations included Best Supporting Actor (Eddie Murphy), Best Supporting Actress (Jennifer Hudson), Best Achievement in Costume Design, Best Achievement in Art Direction, Best Achievement in Sound Mixing, and three nominations for Best Song ("Listen", "Love You I Do", and "Patience"). Dreamgirls is the first live-action film to receive three nominations for Best Song; previously the Disney animated features Beauty and the Beast (1991) and The Lion King (1994) had each received three Academy Award nominations for Best Song; Enchanted (2007) has since repeated the feat. In addition, Dreamgirls was the first film in Academy Award history to receive the highest number of nominations for the year, yet not be nominated for Best Picture. The film's failure to gain a Best Picture or Best Director nod was widely viewed by the entertainment press as a "snub" by the Academy. Some journalists registered shock, while others cited a "backlash".<ref>Felton, Robert (Feb. 28, 2007). "[http://austinweeklynews.1upsoftware.com/main.asp?SectionID=1&SubSectionID=1&ArticleID=1101&TM=82934.76 Dreamgirls' Best Picture snub and Oscar night thud] ". Austin Weekly News. Retrieved March 11, 2007.</ref> On the other hand, director Bill Condon stated that "I think academy members just liked the other movies better" and that he believed that "we were never going to win even if we were nominated." Reports emerged of significant behind-the-scenes in-fighting between the DreamWorks and Paramount camps, in particular between DreamWorks' David Geffen and Paramount CEO Brad Grey, over decision making and credit-claiming during the Dreamgirls awards campaign. At the Academy Awards ceremony on February 25, 2007, Dreamgirls won Academy Award for Best Actress in a Supporting Role and Best Sound Mixing. As such, Hudson became one of the few actresses ever to win an Oscar for a film debut performance. In what was considered an upset, Murphy lost the Best Supporting Actor award to Alan Arkin for Little Miss Sunshine. Knowles, Hudson, Rose, and Robinson performed a medley of the three Dreamgirls songs nominated for Best Original Song, although all three songs lost the award to "I Need to Wake Up" from An Inconvenient Truth. For the 2007 Golden Globe Awards, Dreamgirls was nominated in five categories: Best Picture – Comedy or Musical, Best Actress in a Comedy or Musical (Beyoncé Knowles), Best Supporting Actor (Eddie Murphy), Best Supporting Actress (Jennifer Hudson), and Best Original Song ("Listen"). The film won the awards for Best Picture — Comedy or Musical, Best Supporting Actor, and Best Supporting Actress. Dreamgirls received eight NAACP Image Award nominations, winning for Best Supporting Actress (Jennifer Hudson) and Outstanding Album (the soundtrack LP). It was also named as one of the American Film Institute's top ten films of 2006.Dreamgirls also garnered Screen Actors Guild Awards for Supporting Actress (Jennifer Hudson) and Supporting Actor (Eddie Murphy), as well as a nomination for its ensemble cast. The film was also nominated by the Producers Guild of America for Best Picture and the Directors Guild of America for Bill Condon's directing. The British Academy of Film and Television Arts gave the film awards for Supporting Actress (Jennifer Hudson) and Music (Henry Krieger). Furthermore, Dreamgirls was nominated for eleven 2007 International Press Academy Satellite Awards, and won four of the awards: Best Picture — Comedy or Musical, Best Director (Bill Condon), Best Actress in a Supporting Role (Jennifer Hudson), and Best Sound (Mixing & Editing). Dreamgirls also received a record eleven Black Reel Award nominations, and won six of the awards, among them Best Film. At the 50th Grammy Awards ceremony, "Love You I Do" won the award for Best Song Written for a Motion Picture, Television or Other Visual Media. The Dreamgirls soundtrack was also nominated for the Grammy for Best Compilation Soundtrack Album. For the opening performance at the 2007 BET Awards on June 26 of that year, Hudson performed a duet of "And I Am Telling You I'm Not Going" with her predecessor, Jennifer Holliday. Later that night, Hudson won the BET Award for Best Actress. In February 2022, Hudson's rendition of "And I Am Telling You I'm Not Going" was named one of the five finalists for Oscars Cheer Moment as part of the Academy of Motion Picture Arts and Sciences' "Oscars Fan Favorite" contest. Accolades Related promotions and products To give the story more exposure for the upcoming film release, DreamWorks and the licenser of the original play, The Tams-Witmark Music Library, announced that they would pay the licensing fees for all non-professional stage performances of Dreamgirls for the calendar year of 2006. DreamWorks hoped to encourage amateur productions of Dreamgirls, and familiarize a wider audience with the play. As a result, more than fifty high schools, colleges, community theaters, and other non-commercial theater entities staged productions of Dreamgirls in 2006, and DreamWorks spent up to $250,000 subsidizing the licensing. The Dreamgirls novelization was written by African-American novelist Denene Millner, and adapts the film's official script in chapter form, along with fourteen pages of photographs from the film. The book was released on October 31, 2006. A scrapbook, entitled Dreamgirls: The Movie Musical, was released on March 27, 2007. The limited edition program guide accompanying the Dreamgirls road show release was made available for retail purchase in February. In addition, the Tonnor Doll Company released "The Dreamettes" collection, featuring dolls of the characters Deena, Lorrell, and Effie, to coincide with the release of the film. Allusions to actual events Aside from the overall plot of the film and elements already present in the stage musical, many direct references to The Supremes, Motown, or R&B/soul history in general are included in the film. In one scene, Effie saunters into Curtis' office and discusses Rainbow Records' latest LP, The Great March to Freedom, a spoken word album featuring speeches by Martin Luther King Jr. This LP is an authentic Motown release, issued as Gordy 906 in June 1963.Edwards, David and Callahan, Mike (1999). "Gordy Album Discography, Part 1 (1962–1981)". Retrieved Feb. 3, 2007. A later scene features Curtis and the Dreams recording in the studio, while a riot rages outside. By comparison, Motown's Hitsville U.S.A. studio remained open and active during Detroit's 12th Street Riot in July 1967.Posner, Gerald (2002). Motown: Music, Money, Sex, and Power. New York: Random House. . Pg. 173. The photo shoot montage which accompanies "When I First Saw You", as well as the subplot of Deena being forced to star in Curtis' Cleopatra film against her will, reflect both scenes from and the production of Mahogany, a 1975 Motown film starring Diana Ross and directed by Motown CEO Berry Gordy. In a snapshot, Ed Sullivan appears presenting the real Supremes on his show. Among the more direct references are the uses of adapted Supremes album cover designs for albums recorded in the film by the Dreams. Three Supremes albums – Let the Sunshine In, Cream of the Crop, and Touch – were reworked into Deena Jones & The Dreams album designs, with the only differences in the designs being the substitution of the names and images of the Supremes with those of Deena Jones & the Dreams. Another Dreams LP seen in the film, Meet the Dreams, is represented by an album cover derived from the designs for the Supremes LPs Meet The Supremes, More Hits by The Supremes and The Supremes A' Go-Go. There is also a solo album, Just In Time, recorded by Deena Jones shown in the film, the album cover for which is based on Dionne Warwick's 1970 album, Very Dionne. Diana Ross, long a critic of the Broadway version of Dreamgirls for what she saw as an appropriation of her life story, denied having seen the film version. On the other hand, Mary Wilson attended the film's Los Angeles premiere, later stating that Dreamgirls moved her to tears and that it was "closer to the truth than they even know". However, Smokey Robinson was less than pleased about the film's allusions to Motown history. In a January 25, 2007 interview with NPR, Robinson expressed offense at the film's portrayal of its Berry Gordy analogue, Curtis Taylor Jr., as a "villainous character" who deals in payola and other illegal activities. He repeated these concerns in a later interview with Access Hollywood'', adding that he felt DreamWorks and Paramount owed Gordy an apology. On February 23, a week before the Oscars ceremony, DreamWorks and Paramount issued an apology to Gordy and the other Motown alumni. Gordy issued a statement shortly afterwards expressing his acceptance of the apology. The payola scheme used in the film's script, to which Robinson took offense, is identical to the payola scheme allegedly used by Gordy and the other Motown executives, according to sworn court depositions from Motown executive Michael Lushka, offered during the litigation between the label and its chief creative team, Holland–Dozier–Holland. Several references are also made to Mafia-backed loans Curtis uses to fund Rainbow Records. Gordy was highly suspected, though never proven, to have used Mafia-backed loans to finance Motown during its later years. References External links Dreamgirls Blu-ray Disc review Dreamgirls 2000s historical romance films 2000s musical drama films 2000s romantic drama films 2000s romantic musical films 2006 films Adultery in films African-American drama films African-American musical films American films American films based on plays American historical romance films American musical drama films American romantic drama films American romantic musical films BAFTA winners (films) Best Musical or Comedy Picture Golden Globe winners DreamWorks Pictures films 2000s English-language films Films à clef Films about musical groups Films about race and ethnicity Films based on musicals Films directed by Bill Condon Films featuring a Best Supporting Actor Golden Globe winning performance Films featuring a Best Supporting Actress Academy Award-winning performance Films featuring a Best Supporting Actress Golden Globe-winning performance Films produced by Laurence Mark Films scored by Stephen Trask Films set in the 1960s Films set in the 1970s Films set in Detroit Films shot in Michigan Films that won the Best Sound Mixing Academy Award Films with screenplays by Bill Condon Paramount Pictures films 2006 drama films

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Were there any other Beyonce songs?

Besides "Listen", were there any other Beyonce songs of the film Dreamgirls?

Dreamgirls (film)

Dreamgirls musical supervisors Randy Spendlove and Matt Sullivan hired R&B production team The Underdogs -- Harvey Mason, Jr. and Damon Thomas -- to restructure and rearrange the Henry Krieger/Tom Eyen Dreamgirls score so that it better reflected its proper time period, yet also reflected then-modern R&B/pop sensibilities. During post-production, composer Stephen Trask was contracted to provide additional score material for the film. Several musical numbers from the Broadway score were not included in the film version, in particular Lorrell's solo "Ain't No Party". Four new songs were added for the film: "Love You I Do", "Patience", "Perfect World," and "Listen." All of the new songs feature music composed by original Dreamgirls stage composer Henry Krieger. With Tom Eyen having died in 1991, various lyricists were brought in by Krieger to co-author the new songs. "Love You I Do," with lyrics by Siedah Garrett, is performed in the film by Effie during a rehearsal at the Rainbow Records studio. Willie Reale wrote the lyrics for "Patience," a song performed in the film by Jimmy, Lorrell, C.C., and a gospel choir, as the characters attempt to record a message song for Jimmy. "Perfect World," also featuring lyrics by Garrett, is performed during the Rainbow 10th anniversary special sequence by Jackson 5 doppelgangers The Campbell Connection. "Listen", with additional music by Scott Cutler and Beyonce Knowles, and lyrics by Anne Preven, is presented as a defining moment for Deena's character late in the film. After preview screenings during the summer of 2006, several minutes worth of musical footage were deleted from the film due to negative audience reactions to the amount of music. Among this footage was one whole musical number, C.C. and Effie's sung reunion "Effie, Sing My Song", which was replaced with an alternative spoken version. The Dreamgirls: Music from the Motion Picture soundtrack album was released on December 5 by Music World Entertainment/Columbia Records, in both a single-disc version containing highlights and a double-disc "Deluxe Version" containing all of the film's songs. The single-disc version of the soundtrack peaked at number-one on the Billboard 200 during a slow sales week in early January 2007. "Listen" was the first official single from the soundtrack, supported by a music video featuring Beyonce. "And I Am Telling You I'm Not Going" was the Dreamgirls soundtrack's second single. Though a music video with all-original footage was once planned, the video eventually released for "And I Am Telling You" comprised the entire corresponding scene in the actual film. CANNOTANSWER

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Dreamgirls is a 2006 American musical drama film written and directed by Bill Condon and jointly produced and released by DreamWorks Pictures and Paramount Pictures. Adapted from the 1981 Broadway musical of the same name, Dreamgirls is a film à clef, a work of fiction taking strong inspiration from the history of the Motown record label and one of its acts, The Supremes. The story follows the history and evolution of American R&B music during the 1960s and 1970s through the eyes of a Detroit girl group known as "The Dreams" and their manipulative record executive. The film adaptation stars Jamie Foxx, Beyoncé Knowles and Eddie Murphy, and also features Jennifer Hudson, Danny Glover, Anika Noni Rose and Keith Robinson. In addition to the original compositions by composer Henry Krieger and lyricist/librettist Tom Eyen, four new songs, composed by Krieger with various lyricists, were added for the film. The film marks the acting debut of Hudson, a former American Idol contestant. Dreamgirls debuted in four special road show engagements starting on December 15, 2006, before its nationwide release on December 25, 2006. With a production budget of $80 million, Dreamgirls is one of the most expensive films to feature a predominant African-American starring cast in American film history. Upon its release, the film garnered positive reviews from critics, who particularly praised Condon's direction, the soundtrack, costume design, production design, and performances of the cast (in particular of Hudson, which many deemed a standout performance). The film was a commercial success, grossing over $155 million at the international box office. At the 79th Academy Awards, the film received a leading eight nominations, winning Best Supporting Actress (for Hudson), and Best Sound Mixing. At the 64th Golden Globe Awards, it won three awards, including for the Best Motion Picture – Musical or Comedy. Plot In 1962 Detroit, Michigan, young car salesman Curtis Taylor Jr. meets a Black girl group known as "The Dreamettes", which consists of lead singer Effie White and backup singers Deena Jones and Lorrell Robinson, at an R&B amateur talent show at the Detroit Theatre. Presenting himself as their new manager, he hires the girls as backup singers for Chitlin' Circuit R&B star Jimmy "Thunder" Early. Curtis soon starts his own record label, Rainbow Records, out of his Detroit car dealership, and appoints Effie's brother, C.C., as his head songwriter. When their first single "Cadillac Car" fails after a white pop group named Dave and the Sweethearts releases a cover version, Curtis, C.C., and their producer Wayne turn to payola to make "Jimmy Early & The Dreamettes" mainstream pop stars. Offstage, Effie falls in love with Curtis while the married Jimmy does likewise with Lorrell. Jimmy's manager, Marty Madison, grows weary of Curtis' plans to make his client more pop-friendly and walks out. When Jimmy bombs in front of an all-white Miami Beach supper club audience, Curtis sends Jimmy out on the road alone, keeping The Dreamettes behind to headline in his place. Feeling that Effie's figure and distinctive, soulful voice will not attract white audiences, Curtis appoints the slimmer, more conventionally attractive Deena (who has a more basic, generic, and marketable voice) as the new lead singer, renaming the group "The Dreams". Aided by new songs and a new image, Curtis and C.C. transform The Dreams into a top-selling mainstream pop group. By 1965, however, Effie begins acting out, particularly when Curtis' affections also turn towards Deena. Curtis eventually drops Effie, hiring his secretary Michelle Morris to replace her beginning with their 1966 New Year's Eve debut in Las Vegas as "Deena Jones & the Dreams." Though Effie defiantly and desperately appeals to Curtis, he, C.C., and The Dreams abandon her, forging ahead to stardom. By 1973, Effie has become an impoverished welfare mother living in Detroit with her daughter Magic. To restart her music career, she hires Marty as her manager and begins performing at a local club. Meanwhile, with The Dreams superstars and Rainbow, having moved to Los Angeles, now the biggest pop business in the country, Curtis attempts to produce a film about Cleopatra starring an unwilling Deena, now his wife. The following year, Jimmy, who has descended into drug addiction due to Curtis' preoccupation with Deena, along with the rejection of the charity single he recorded, does an improvised rap and drops his pants during Rainbow Records' tenth-anniversary television special. Curtis promptly drops him from the label and Lorrell ends their affair. Sometime later, C.C., who feels Curtis is undermining the artistic merit of his songs by making them into disco music, quits the label, only for everyone to then learn of Jimmy's unexpected death from a heroin overdose, which greatly upsets Lorrell. Disillusioned by Jimmy's death and Curtis' cold reaction to the news, C.C. travels to Detroit and reconciles with Effie, for whom he writes and produces a comeback single, "One Night Only". Just as it begins gaining local radio play, Curtis uses payola to force radio stations to play The Dreams' disco cover of the song. The plan falls apart, however, when Deena, angry over how Curtis controls her career, discovers his schemes and contacts Effie, who arrives in Los Angeles with C.C., Marty, and a lawyer. Deena and Effie reconcile, with Effie telling Deena that Curtis is Magic's father, while Curtis agrees to nationally distribute Effie's record to avoid being reported to the FBI. Inspired by Effie's victory and realizing Curtis' true character, Deena leaves him. By 1975, The Dreams give a farewell performance at the Detroit Theater, inviting Effie for the final song. Towards the end, Curtis notices Magic in the front row, realizing she is his daughter. Cast Jennifer Hudson as Effie White; inspired by Supremes member Florence Ballard, Effie is a talented yet temperamental singer who suffers when Curtis, the man she loves, replaces her as lead singer of the Dreams and his love interest, and later drops her altogether. With the help of Jimmy's old manager Marty, Effie begins to resurrect her career a decade later, while raising her daughter Magic, the offspring of her union with Curtis. Jamie Foxx as Curtis Taylor, Jr.; based upon Motown founder Berry Gordy, Jr., Curtis is a slick Cadillac dealer-turned-record executive who founds the Rainbow Records label and shows ruthless ambition in his quest to make his black artists household names with white audiences. At first romantically involved with Effie, Curtis takes a professional and personal interest in Deena after appointing her lead singer of the Dreams in Effie's place. Beyoncé Knowles-Carter as Deena Jones; based upon Motown star and lead Supremes member Diana Ross and two former Supremes members Jean Terrell and Scherrie Payne, Deena is a very shy young woman who becomes a star after Curtis makes her lead singer of the Dreams. This, as well as her romantic involvement and later marriage to Curtis, draw Effie's ire, though Deena realizes over time she is a puppet for her controlling husband. Anika Noni Rose as Lorrell Robinson; inspired by Supremes member Mary Wilson, is a good-natured background singer with the Dreams who falls deeply in love with the married Jimmy Early and becomes his mistress. Keith Robinson as Clarence Conrad (C.C.) White; inspired by Motown vice president, artist, producer, and songwriter Smokey Robinson, Effie's soft-spoken younger brother serves as the main songwriter for first the Dreams and later the entire Rainbow roster. Eddie Murphy as James (Jimmy) "Thunder" Early; inspired by R&B/soul singers such as James Brown, Jackie Wilson and Marvin Gaye, is a raucous performer on the Rainbow label engaged in an adulterous affair with Dreams member Lorrell. Curtis attempts to repackage Early as a pop-friendly balladeer. Jimmy's stardom fades as the Dreams' stardom rises, and as a result – he falls into depression (which he copes with through drug abuse). Danny Glover as Marty Madison, Jimmy's original manager before Curtis steps into the picture; Marty serves as both counsel and confidant to Jimmy, and later to Effie as well. Sharon Leal as Michelle Morris; based upon Supremes members Cindy Birdsong and Susaye Greene, Curtis' secretary who replaces Effie in the Dreams and begins dating C.C. Hinton Battle as Wayne, a salesman at Curtis' Cadillac dealership who becomes Rainbow's first record producer and Curtis' henchman. Yvette Cason as May, Deena's mother Loretta Devine as Jazz Singer. Devine originated the role of Lorrell in the 1981 stage production. Dawnn Lewis as Melba Early, James' wife John Lithgow as Jerry Harris, a film producer looking to cast Deena John Krasinski as Sam Walsh, Jerry Harris' screenwriter/film director Jaleel White as Talent Booker at the Detroit Theatre talent show Cleo King as Janice Robert Cicchini as Nicky Cassaro Yvette Nicole Brown as Curtis' Secretary Mariah I. Wilson as Magic White, Effie's daughter Paul Kirby as Promo Film Narrator (voice) Musical numbers Production Pre-production In the 1980s and 1990s, several attempts were made to produce a film adaptation of Dreamgirls, a Broadway musical loosely based upon the story of The Supremes and Motown Records, which won six Tony Awards in 1982. David Geffen, the stage musical's co-financier, retained the film rights to Dreamgirls and turned down many offers to adapt the story for the screen. He cited a need to preserve the integrity of Dreamgirls stage director Michael Bennett's work after his death in 1987. That same year, Geffen, who ran his Warner Bros.-associated Geffen Pictures film production company at the time, began talks with Broadway lyricist and producer Howard Ashman to adapt it as a star vehicle for Whitney Houston, who was to portray Deena. The production ran into problems when Houston wanted to sing both Deena and Effie's songs (particularly "And I Am Telling You I'm Not Going"), and the film was eventually abandoned. When Geffen co-founded DreamWorks in 1994 and dissolved Geffen Pictures, the rights to Dreamgirls remained with Warner Bros. Warner planned to go ahead with the film with director Joel Schumacher and screenwriter Tina Andrews in the late 1990s, following the success of Touchstone Pictures's Tina Turner biopic What's Love Got to Do with It. Schumacher planned to have Lauryn Hill portray Deena and Kelly Price play Effie. After Warner's Frankie Lymon biopic Why Do Fools Fall in Love failed at the box office, the studio shut down development on Dreamgirls. DreamWorks' Dreamgirls adaptation came about after the film version of the Broadway musical Chicago was a success at both the box office and the Academy Awards. Screenwriter and director Bill Condon, who wrote Chicagos screenplay, met producer Laurence Mark at a Hollywood holiday party in late 2002, where the two discussed a long-held "dream project" of Condon's – adapting Dreamgirls for the screen. The two had dinner with Geffen and successfully convinced him to allow Condon to write a screenplay for Dreamgirls. Condon did not start work on the Dreamgirls script until after making the Alfred Kinsey biographical film Kinsey (2004). After sending Geffen the first draft of his screenplay in January 2005, Condon's adaptation of Dreamgirls was greenlit. Stage to script changes While much of the stage musical's story remains intact, a number of significant changes were made. The Dreams' hometown—the setting for much of the action—was moved from Chicago to Detroit, the real-life hometown of The Supremes and Motown Records. The roles of many of the characters were related more closely to their real-life inspirations, following a suggestion by Geffen. Warner Bros. had retained the film rights to Dreamgirls, and agreed to co-produce with DreamWorks. However, after casting was completed, the film was budgeted at $73 million and Warner backed out of the production. Geffen, taking the role of co-producer, brought Paramount Pictures in to co-finance and release Dreamgirls. During the course of production, Paramount's parent company, Viacom, would purchase DreamWorks, aligning the two studios under one umbrella (and giving the senior studio US distribution rights on behalf of DreamWorks). The completed film had a production budget of $75 million, making Dreamgirls the most expensive film with an all-black starring cast in cinema history. Casting and rehearsal Mark and Condon began pre-production with the intentions of casting Jamie Foxx and Eddie Murphy, both actors with record industry experience, as Curtis Taylor, Jr. and James "Thunder" Early, respectively. When offered the part of Curtis, Foxx initially declined because DreamWorks could not meet his salary demands. Denzel Washington, Will Smith, and Terrence Howard were among the other actors also approached to play Curtis. Murphy, on the other hand, accepted the role of Jimmy Early after being convinced to do so by DreamWorks co-founder Jeffrey Katzenberg. While Condon had intended to cast relatively unknown actresses as all three Dreams, R&B singer Beyoncé Knowles lobbied for the part of Deena Jones, and was cast after a successful screen test. Upon learning that Knowles and Murphy had signed on, Foxx rethought his original decision and accepted the Curtis role at DreamWorks' lower salary. R&B star Usher was to have been cast as C.C. White, but contract negotiations failed; Usher was unable to dedicate half a year to the project. André 3000 of Outkast was also offered the role, but declined. After briefly considering R&B singer Omarion, singer/actor Keith Robinson was eventually cast in the role. Anika Noni Rose, a Broadway veteran and a Tony Award winner, won the part of Lorrell Robinson after an extensive auditioning process. Rose, significantly shorter than most of her co-stars at five feet and two inches (157 cm), was required to wear (and dance in) four and five-inch (127 mm) heels for much of the picture, which she later stated caused her discomfort. The most crucial casting decision involved the role of Effie White, the emotional center of the story. The filmmakers insisted on casting a relative unknown in the role, paralleling the casting of then-21-year-old Jennifer Holliday in that role for the original Broadway production. A total of 783 singing actresses auditioned for the role of Effie White, among them American Idol alumnae Fantasia Barrino and Jennifer Hudson, former Disney star Raven-Symoné, and Broadway stars Capathia Jenkins and Patina Miller. Though Barrino emerged as an early frontrunner for the part, Hudson was eventually selected to play Effie, leading Barrino to telephone Hudson and jokingly complain that Hudson "stole [Barrino's] part." Hudson was required to gain twenty pounds for the role, which marked her debut film performance. In casting Hudson, Condon recalled that he initially was not confident he'd made the right decision, but instinctively cast Hudson after she'd auditioned several times because he "just didn't believe any of the others." After Hudson was cast in November 2005, the Dreamgirls cast began extensive rehearsals with Condon and choreographers Fatima Robinson and Aakomon "AJ" Jones, veterans of the music video industry. Meanwhile, the music production crew began work with the actors and studio musicians recording the songs for the film. Although rehearsals ended just before Christmas 2005, Condon called Hudson back for a week of one-on-one rehearsals, to help her more fully become the "diva" character of Effie. Hudson was required to be rude and come in late both on set and off, and she and Condon went over Effie's lines and scenes throughout the week. Loretta Devine, who played Lorrell in the original Broadway production, has a cameo as a jazz singer who performs the song "I Miss You Old Friend." Another Dreamgirls veteran present in the film is Hinton Battle, who was a summer replacement for James "Thunder" Early onstage and here portrays Curtis' aide-de-camp Wayne. Principal photography Principal photography began January 6, 2006 with the filming of dance footage for the first half of "Steppin' to the Bad Side," footage later deleted from the film. The film was primarily shot on soundstages at the Los Angeles Center Studios and on location in the Los Angeles area, with some second unit footage shot in Detroit, Miami, and New York City. The award-winning Broadway lighting team of Jules Fisher and Peggy Eisenhauer were brought in to create theatrical lighting techniques for the film's musical numbers. Beyoncé Knowles elected to lose weight to give the mature Deena Jones of the 1970s a different look than the younger version of the character. By sticking to a highly publicized diet of water, lemons, maple syrup, and cayenne pepper (also known as the Master Cleanse), Knowles rapidly lost twenty pounds, which she gained back once production ended. Shooting was completed in the early-morning hours of April 8, 2006, after four days were spent shooting Jennifer Hudson's musical number "And I Am Telling You I'm Not Going", which had purposefully been saved until the end of the shoot. Originally scheduled to be shot in one day, Condon was forced to ask for extra time and money to finish shooting the "And I Am Telling You" scene, as Hudson's voice would give out after four hours of shooting the musical number, and she was unable to plausibly lip-sync while hoarse. The scene was felt by everyone involved to be pivotal to the film, as "And I Am Telling You" was Jennifer Holliday's show-stopping number in the original Broadway musical. Music Dreamgirls musical supervisors Randy Spendlove and Matt Sullivan hired R&B production team The Underdogs — Harvey Mason, Jr. and Damon Thomas — to restructure and rearrange the Henry Krieger/Tom Eyen Dreamgirls score so that it better reflected its proper time period, yet also reflected then-modern R&B/pop sensibilities. During post-production, composer Stephen Trask was contracted to provide additional score material for the film. Several musical numbers from the Broadway score were not included in the film version, in particular Lorrell's solo "Ain't No Party". Four new songs were added for the film: "Love You I Do", "Patience", "Perfect World," and "Listen." All of the new songs feature music composed by original Dreamgirls stage composer Henry Krieger. With Tom Eyen having died in 1991, various lyricists were brought in by Krieger to co-author the new songs. "Love You I Do," with lyrics by Siedah Garrett, is performed in the film by Effie during a rehearsal at the Rainbow Records studio. Willie Reale wrote the lyrics for "Patience," a song performed in the film by Jimmy, Lorrell, C.C., and a gospel choir, as the characters attempt to record a message song for Jimmy. "Perfect World," also featuring lyrics by Garrett, is performed during the Rainbow 10th anniversary special sequence by Jackson 5 doppelgängers The Campbell Connection. "Listen", with additional music by Scott Cutler and Beyoncé, and lyrics by Anne Preven, is presented as a defining moment for Deena's character late in the film. After preview screenings during the summer of 2006, several minutes worth of musical footage were deleted from the film due to negative audience reactions to the amount of music. Among this footage was one whole musical number, C.C. and Effie's sung reunion "Effie, Sing My Song", which was replaced with an alternative spoken version. The Dreamgirls: Music from the Motion Picture soundtrack album was released on December 5 by Music World Entertainment/Columbia Records, in both a single-disc version containing highlights and a double-disc "Deluxe Version" containing all of the film's songs. The single-disc version of the soundtrack peaked at number-one on the Billboard 200 during a slow sales week in early January 2007. "Listen" was the first official single from the soundtrack, supported by a music video featuring Beyoncé. "And I Am Telling You I'm Not Going" was the Dreamgirls soundtrack's second single. Though a music video with all-original footage was once planned, the video eventually released for "And I Am Telling You" comprised the entire corresponding scene in the actual film. Release Dreamgirls premiered on December 4, 2006 at the Ziegfeld Theatre in New York City, where it received a standing ovation. The film's Los Angeles premiere was held on December 11 at the Wilshire Theater in Beverly Hills. Similar to the releases of older Hollywood musicals such as The Sound of Music, My Fair Lady, and West Side Story, Dreamgirls debuted with three special ten-day roadshow engagements beginning on December 15, 2006 at the Ziegfeld Theatre in New York City, the Cinerama Dome in Los Angeles, and the AMC Metreon 15 in San Francisco. Tickets for the reserved seats were $25 each; the premium price included a forty-eight page full-color program and a limited-print lithograph. This release made Dreamgirls the first American feature film to have a roadshow release since Man of La Mancha in 1972. Dreamgirls earned a total of $851,664 from the roadshow engagements, playing to sold-out houses on the weekends. The film's national release, at regular prices, began on December 25. Outside of the U.S., Dreamgirls opened in Australia on January 18, and in the United Kingdom on February 2. Releases in other countries began on various dates between January and early March. Dreamgirls eventually grossed $103 million in North America, and almost $155 million worldwide. DreamWorks Home Entertainment released Dreamgirls to home video on May 1, 2007 in DVD, HD DVD, and Blu-ray formats. The DVD version was issued in two editions: a one-disc standard version and a two-disc "Showstopper Edition". The two-disc version also included a feature-length production documentary, production featurettes, screen tests, animatics, and other previsualization materials and artwork. Both DVD versions featured alternative and extended versions of the musical numbers from the film as extras, including the "Effie, Sing My Song" scene deleted during previews. Both the Blu-ray and HD DVD versions were issued in two-disc formats. Dreamgirls was the first DreamWorks film to be issued in a high definition home entertainment format. , total domestic video sales to date are at $95.1 million. A "Director's Extended Edition" of Dreamgirls was released on Blu-ray and Digital HD on October 10, 2017 by Paramount Home Media Distribution. This version, based on edits done for preview screenings before the film's release, runs ten minutes longer than the theatrical version and features longer musical numbers (including songs and verses cut during previews) and additional scenes. Reception Critical response On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 78% based on 208 reviews, with an average rating of 7.24/10. The site's critics consensus states: "Dreamgirls simple characters and plot hardly detract from the movie's real feats: the electrifying performances and the dazzling musical numbers." Metacritic reports a weighted average score of 76 out of 100 rating, based on 37 critics, indicating "generally favorable reviews". Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale. Rolling Stone's Peter Travers gave the film three and a half stars (out of four) and the number-two position on his "best of 2006" list, stating that "despite transitional bumps, Condon does Dreamgirls proud". David Rooney of Variety reported that the film featured "tremendously exciting musical sequences" and that "after The Phantom of the Opera, Rent and The Producers botched the transfer from stage to screen, Dreamgirls gets it right." On the December 10, 2006 episode of the television show Ebert & Roeper, Richard Roeper and guest critic Aisha Tyler (filling in for Roger Ebert, who was recovering from cancer-related surgery) gave the film "two thumbs up", with Roeper's reservations that it was "a little short on heart and soul" and "deeply conventional". Roeper still enjoyed the film, noting that Jennifer Hudson's rendition of "And I Am Telling You I'm Not Going" as the "show-stopping moment of any film of 2006" and very much enjoyed Murphy's performance as well, remarking that "people are going to love this film." Kirk Honeycutt of The Hollywood Reporter was less enthusiastic, stating that while the film was "a damn good commercial movie, it is not the film that will revive the musical or win over the world". Ed Gonzales of Slant magazine found the entire picture too glossy, and declared that "the film doesn't care to articulate the emotions that haunt its characters". University of Sydney academic Timothy Laurie was critical of the film's social message, noting that "the worthy receive just deserts by working even harder for the industries that marginalise them". Many reviews, regardless of their overall opinion of the film, cited Hudson's and Murphy's performances as standouts, with Travers proclaiming Murphy's performance of "Jimmy's Rap" as "his finest screen moment." Television host Oprah Winfrey saw the film during a November 15 press screening, and telephoned Hudson on the Oprah episode airing the next day, praising her performance as "a religious experience" and "a transcendent performance". A review for The Celebrity Cafe echoes that Hudson's voice "is like nothing we’ve heard in a long time, and her acting is a great match for that power-house sound." Jennifer Holliday, who originated the role of Effie onstage, expressed her disappointment at not being involved in the film project in several TV, radio, and print interviews. Holliday in particular objected to the fact that her 1982 recording of "And I Am Telling You I'm Not Going" was used in an early Dreamgirls film teaser trailer created before production began. Many of the other original Dreamgirls Broadway cast members, among them Obba Babatundé, Vondie Curtis-Hall, and Cleavant Derricks, were interviewed for a Jet magazine article in which they discussed their varying opinions of both the Dreamgirls film's script and production. Awards and nominations DreamWorks and Paramount began a significant awards campaign for Dreamgirls while the film was still in production. In February 2006, the press was invited on set to a special live event showcasing the making of the film, including a live performance of "Steppin' to the Bad Side" by the cast. Three months later, twenty minutes of the film — specifically, the musical sequences "Fake Your Way to the Top", "Family", "When I First Saw You", and "Dreamgirls" – were screened at the 2006 Cannes Film Festival, with most of the cast and crew in attendance. The resulting positive buzz earned Dreamgirls the status of "front-runner" for the 2006 Academy Award for Best Picture and several of the other Oscars as well. Following the success of the Cannes screening, DreamWorks and Paramount began a widespread "For Your Consideration" advertisement campaign, raising several eyebrows by demoting Jennifer Hudson to consideration for Best Supporting Actress and presenting Beyoncé Knowles as the sole Best Actress candidate, as opposed to having both compete for Best Actress awards. By contrast, the actresses who originated Hudson's and Knowles' roles on Broadway, Jennifer Holliday and Sheryl Lee Ralph, respectively, were both nominated for the Tony Award for Best Leading Actress, with Holliday winning the award. The presentation of Knowles over Hudson as the sole Best Actress candidate had interesting parallels with the film itself. Dreamgirls received eight 2007 Academy Award nominations covering six categories, the most of any film for the year, although it was not nominated for Best Picture, Best Director, or either of the lead acting categories. The film's nominations included Best Supporting Actor (Eddie Murphy), Best Supporting Actress (Jennifer Hudson), Best Achievement in Costume Design, Best Achievement in Art Direction, Best Achievement in Sound Mixing, and three nominations for Best Song ("Listen", "Love You I Do", and "Patience"). Dreamgirls is the first live-action film to receive three nominations for Best Song; previously the Disney animated features Beauty and the Beast (1991) and The Lion King (1994) had each received three Academy Award nominations for Best Song; Enchanted (2007) has since repeated the feat. In addition, Dreamgirls was the first film in Academy Award history to receive the highest number of nominations for the year, yet not be nominated for Best Picture. The film's failure to gain a Best Picture or Best Director nod was widely viewed by the entertainment press as a "snub" by the Academy. Some journalists registered shock, while others cited a "backlash".<ref>Felton, Robert (Feb. 28, 2007). "[http://austinweeklynews.1upsoftware.com/main.asp?SectionID=1&SubSectionID=1&ArticleID=1101&TM=82934.76 Dreamgirls' Best Picture snub and Oscar night thud] ". Austin Weekly News. Retrieved March 11, 2007.</ref> On the other hand, director Bill Condon stated that "I think academy members just liked the other movies better" and that he believed that "we were never going to win even if we were nominated." Reports emerged of significant behind-the-scenes in-fighting between the DreamWorks and Paramount camps, in particular between DreamWorks' David Geffen and Paramount CEO Brad Grey, over decision making and credit-claiming during the Dreamgirls awards campaign. At the Academy Awards ceremony on February 25, 2007, Dreamgirls won Academy Award for Best Actress in a Supporting Role and Best Sound Mixing. As such, Hudson became one of the few actresses ever to win an Oscar for a film debut performance. In what was considered an upset, Murphy lost the Best Supporting Actor award to Alan Arkin for Little Miss Sunshine. Knowles, Hudson, Rose, and Robinson performed a medley of the three Dreamgirls songs nominated for Best Original Song, although all three songs lost the award to "I Need to Wake Up" from An Inconvenient Truth. For the 2007 Golden Globe Awards, Dreamgirls was nominated in five categories: Best Picture – Comedy or Musical, Best Actress in a Comedy or Musical (Beyoncé Knowles), Best Supporting Actor (Eddie Murphy), Best Supporting Actress (Jennifer Hudson), and Best Original Song ("Listen"). The film won the awards for Best Picture — Comedy or Musical, Best Supporting Actor, and Best Supporting Actress. Dreamgirls received eight NAACP Image Award nominations, winning for Best Supporting Actress (Jennifer Hudson) and Outstanding Album (the soundtrack LP). It was also named as one of the American Film Institute's top ten films of 2006.Dreamgirls also garnered Screen Actors Guild Awards for Supporting Actress (Jennifer Hudson) and Supporting Actor (Eddie Murphy), as well as a nomination for its ensemble cast. The film was also nominated by the Producers Guild of America for Best Picture and the Directors Guild of America for Bill Condon's directing. The British Academy of Film and Television Arts gave the film awards for Supporting Actress (Jennifer Hudson) and Music (Henry Krieger). Furthermore, Dreamgirls was nominated for eleven 2007 International Press Academy Satellite Awards, and won four of the awards: Best Picture — Comedy or Musical, Best Director (Bill Condon), Best Actress in a Supporting Role (Jennifer Hudson), and Best Sound (Mixing & Editing). Dreamgirls also received a record eleven Black Reel Award nominations, and won six of the awards, among them Best Film. At the 50th Grammy Awards ceremony, "Love You I Do" won the award for Best Song Written for a Motion Picture, Television or Other Visual Media. The Dreamgirls soundtrack was also nominated for the Grammy for Best Compilation Soundtrack Album. For the opening performance at the 2007 BET Awards on June 26 of that year, Hudson performed a duet of "And I Am Telling You I'm Not Going" with her predecessor, Jennifer Holliday. Later that night, Hudson won the BET Award for Best Actress. In February 2022, Hudson's rendition of "And I Am Telling You I'm Not Going" was named one of the five finalists for Oscars Cheer Moment as part of the Academy of Motion Picture Arts and Sciences' "Oscars Fan Favorite" contest. Accolades Related promotions and products To give the story more exposure for the upcoming film release, DreamWorks and the licenser of the original play, The Tams-Witmark Music Library, announced that they would pay the licensing fees for all non-professional stage performances of Dreamgirls for the calendar year of 2006. DreamWorks hoped to encourage amateur productions of Dreamgirls, and familiarize a wider audience with the play. As a result, more than fifty high schools, colleges, community theaters, and other non-commercial theater entities staged productions of Dreamgirls in 2006, and DreamWorks spent up to $250,000 subsidizing the licensing. The Dreamgirls novelization was written by African-American novelist Denene Millner, and adapts the film's official script in chapter form, along with fourteen pages of photographs from the film. The book was released on October 31, 2006. A scrapbook, entitled Dreamgirls: The Movie Musical, was released on March 27, 2007. The limited edition program guide accompanying the Dreamgirls road show release was made available for retail purchase in February. In addition, the Tonnor Doll Company released "The Dreamettes" collection, featuring dolls of the characters Deena, Lorrell, and Effie, to coincide with the release of the film. Allusions to actual events Aside from the overall plot of the film and elements already present in the stage musical, many direct references to The Supremes, Motown, or R&B/soul history in general are included in the film. In one scene, Effie saunters into Curtis' office and discusses Rainbow Records' latest LP, The Great March to Freedom, a spoken word album featuring speeches by Martin Luther King Jr. This LP is an authentic Motown release, issued as Gordy 906 in June 1963.Edwards, David and Callahan, Mike (1999). "Gordy Album Discography, Part 1 (1962–1981)". Retrieved Feb. 3, 2007. A later scene features Curtis and the Dreams recording in the studio, while a riot rages outside. By comparison, Motown's Hitsville U.S.A. studio remained open and active during Detroit's 12th Street Riot in July 1967.Posner, Gerald (2002). Motown: Music, Money, Sex, and Power. New York: Random House. . Pg. 173. The photo shoot montage which accompanies "When I First Saw You", as well as the subplot of Deena being forced to star in Curtis' Cleopatra film against her will, reflect both scenes from and the production of Mahogany, a 1975 Motown film starring Diana Ross and directed by Motown CEO Berry Gordy. In a snapshot, Ed Sullivan appears presenting the real Supremes on his show. Among the more direct references are the uses of adapted Supremes album cover designs for albums recorded in the film by the Dreams. Three Supremes albums – Let the Sunshine In, Cream of the Crop, and Touch – were reworked into Deena Jones & The Dreams album designs, with the only differences in the designs being the substitution of the names and images of the Supremes with those of Deena Jones & the Dreams. Another Dreams LP seen in the film, Meet the Dreams, is represented by an album cover derived from the designs for the Supremes LPs Meet The Supremes, More Hits by The Supremes and The Supremes A' Go-Go. There is also a solo album, Just In Time, recorded by Deena Jones shown in the film, the album cover for which is based on Dionne Warwick's 1970 album, Very Dionne. Diana Ross, long a critic of the Broadway version of Dreamgirls for what she saw as an appropriation of her life story, denied having seen the film version. On the other hand, Mary Wilson attended the film's Los Angeles premiere, later stating that Dreamgirls moved her to tears and that it was "closer to the truth than they even know". However, Smokey Robinson was less than pleased about the film's allusions to Motown history. In a January 25, 2007 interview with NPR, Robinson expressed offense at the film's portrayal of its Berry Gordy analogue, Curtis Taylor Jr., as a "villainous character" who deals in payola and other illegal activities. He repeated these concerns in a later interview with Access Hollywood'', adding that he felt DreamWorks and Paramount owed Gordy an apology. On February 23, a week before the Oscars ceremony, DreamWorks and Paramount issued an apology to Gordy and the other Motown alumni. Gordy issued a statement shortly afterwards expressing his acceptance of the apology. The payola scheme used in the film's script, to which Robinson took offense, is identical to the payola scheme allegedly used by Gordy and the other Motown executives, according to sworn court depositions from Motown executive Michael Lushka, offered during the litigation between the label and its chief creative team, Holland–Dozier–Holland. Several references are also made to Mafia-backed loans Curtis uses to fund Rainbow Records. Gordy was highly suspected, though never proven, to have used Mafia-backed loans to finance Motown during its later years. References External links Dreamgirls Blu-ray Disc review Dreamgirls 2000s historical romance films 2000s musical drama films 2000s romantic drama films 2000s romantic musical films 2006 films Adultery in films African-American drama films African-American musical films American films American films based on plays American historical romance films American musical drama films American romantic drama films American romantic musical films BAFTA winners (films) Best Musical or Comedy Picture Golden Globe winners DreamWorks Pictures films 2000s English-language films Films à clef Films about musical groups Films about race and ethnicity Films based on musicals Films directed by Bill Condon Films featuring a Best Supporting Actor Golden Globe winning performance Films featuring a Best Supporting Actress Academy Award-winning performance Films featuring a Best Supporting Actress Golden Globe-winning performance Films produced by Laurence Mark Films scored by Stephen Trask Films set in the 1960s Films set in the 1970s Films set in Detroit Films shot in Michigan Films that won the Best Sound Mixing Academy Award Films with screenplays by Bill Condon Paramount Pictures films 2006 drama films

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How long was the soundtrack on the Billboard 200?

How long was the Dreamgirls soundtrack on the Billboard 200?

Dreamgirls (film)

Dreamgirls musical supervisors Randy Spendlove and Matt Sullivan hired R&B production team The Underdogs -- Harvey Mason, Jr. and Damon Thomas -- to restructure and rearrange the Henry Krieger/Tom Eyen Dreamgirls score so that it better reflected its proper time period, yet also reflected then-modern R&B/pop sensibilities. During post-production, composer Stephen Trask was contracted to provide additional score material for the film. Several musical numbers from the Broadway score were not included in the film version, in particular Lorrell's solo "Ain't No Party". Four new songs were added for the film: "Love You I Do", "Patience", "Perfect World," and "Listen." All of the new songs feature music composed by original Dreamgirls stage composer Henry Krieger. With Tom Eyen having died in 1991, various lyricists were brought in by Krieger to co-author the new songs. "Love You I Do," with lyrics by Siedah Garrett, is performed in the film by Effie during a rehearsal at the Rainbow Records studio. Willie Reale wrote the lyrics for "Patience," a song performed in the film by Jimmy, Lorrell, C.C., and a gospel choir, as the characters attempt to record a message song for Jimmy. "Perfect World," also featuring lyrics by Garrett, is performed during the Rainbow 10th anniversary special sequence by Jackson 5 doppelgangers The Campbell Connection. "Listen", with additional music by Scott Cutler and Beyonce Knowles, and lyrics by Anne Preven, is presented as a defining moment for Deena's character late in the film. After preview screenings during the summer of 2006, several minutes worth of musical footage were deleted from the film due to negative audience reactions to the amount of music. Among this footage was one whole musical number, C.C. and Effie's sung reunion "Effie, Sing My Song", which was replaced with an alternative spoken version. The Dreamgirls: Music from the Motion Picture soundtrack album was released on December 5 by Music World Entertainment/Columbia Records, in both a single-disc version containing highlights and a double-disc "Deluxe Version" containing all of the film's songs. The single-disc version of the soundtrack peaked at number-one on the Billboard 200 during a slow sales week in early January 2007. "Listen" was the first official single from the soundtrack, supported by a music video featuring Beyonce. "And I Am Telling You I'm Not Going" was the Dreamgirls soundtrack's second single. Though a music video with all-original footage was once planned, the video eventually released for "And I Am Telling You" comprised the entire corresponding scene in the actual film. CANNOTANSWER

CANNOTANSWER

Dreamgirls is a 2006 American musical drama film written and directed by Bill Condon and jointly produced and released by DreamWorks Pictures and Paramount Pictures. Adapted from the 1981 Broadway musical of the same name, Dreamgirls is a film à clef, a work of fiction taking strong inspiration from the history of the Motown record label and one of its acts, The Supremes. The story follows the history and evolution of American R&B music during the 1960s and 1970s through the eyes of a Detroit girl group known as "The Dreams" and their manipulative record executive. The film adaptation stars Jamie Foxx, Beyoncé Knowles and Eddie Murphy, and also features Jennifer Hudson, Danny Glover, Anika Noni Rose and Keith Robinson. In addition to the original compositions by composer Henry Krieger and lyricist/librettist Tom Eyen, four new songs, composed by Krieger with various lyricists, were added for the film. The film marks the acting debut of Hudson, a former American Idol contestant. Dreamgirls debuted in four special road show engagements starting on December 15, 2006, before its nationwide release on December 25, 2006. With a production budget of $80 million, Dreamgirls is one of the most expensive films to feature a predominant African-American starring cast in American film history. Upon its release, the film garnered positive reviews from critics, who particularly praised Condon's direction, the soundtrack, costume design, production design, and performances of the cast (in particular of Hudson, which many deemed a standout performance). The film was a commercial success, grossing over $155 million at the international box office. At the 79th Academy Awards, the film received a leading eight nominations, winning Best Supporting Actress (for Hudson), and Best Sound Mixing. At the 64th Golden Globe Awards, it won three awards, including for the Best Motion Picture – Musical or Comedy. Plot In 1962 Detroit, Michigan, young car salesman Curtis Taylor Jr. meets a Black girl group known as "The Dreamettes", which consists of lead singer Effie White and backup singers Deena Jones and Lorrell Robinson, at an R&B amateur talent show at the Detroit Theatre. Presenting himself as their new manager, he hires the girls as backup singers for Chitlin' Circuit R&B star Jimmy "Thunder" Early. Curtis soon starts his own record label, Rainbow Records, out of his Detroit car dealership, and appoints Effie's brother, C.C., as his head songwriter. When their first single "Cadillac Car" fails after a white pop group named Dave and the Sweethearts releases a cover version, Curtis, C.C., and their producer Wayne turn to payola to make "Jimmy Early & The Dreamettes" mainstream pop stars. Offstage, Effie falls in love with Curtis while the married Jimmy does likewise with Lorrell. Jimmy's manager, Marty Madison, grows weary of Curtis' plans to make his client more pop-friendly and walks out. When Jimmy bombs in front of an all-white Miami Beach supper club audience, Curtis sends Jimmy out on the road alone, keeping The Dreamettes behind to headline in his place. Feeling that Effie's figure and distinctive, soulful voice will not attract white audiences, Curtis appoints the slimmer, more conventionally attractive Deena (who has a more basic, generic, and marketable voice) as the new lead singer, renaming the group "The Dreams". Aided by new songs and a new image, Curtis and C.C. transform The Dreams into a top-selling mainstream pop group. By 1965, however, Effie begins acting out, particularly when Curtis' affections also turn towards Deena. Curtis eventually drops Effie, hiring his secretary Michelle Morris to replace her beginning with their 1966 New Year's Eve debut in Las Vegas as "Deena Jones & the Dreams." Though Effie defiantly and desperately appeals to Curtis, he, C.C., and The Dreams abandon her, forging ahead to stardom. By 1973, Effie has become an impoverished welfare mother living in Detroit with her daughter Magic. To restart her music career, she hires Marty as her manager and begins performing at a local club. Meanwhile, with The Dreams superstars and Rainbow, having moved to Los Angeles, now the biggest pop business in the country, Curtis attempts to produce a film about Cleopatra starring an unwilling Deena, now his wife. The following year, Jimmy, who has descended into drug addiction due to Curtis' preoccupation with Deena, along with the rejection of the charity single he recorded, does an improvised rap and drops his pants during Rainbow Records' tenth-anniversary television special. Curtis promptly drops him from the label and Lorrell ends their affair. Sometime later, C.C., who feels Curtis is undermining the artistic merit of his songs by making them into disco music, quits the label, only for everyone to then learn of Jimmy's unexpected death from a heroin overdose, which greatly upsets Lorrell. Disillusioned by Jimmy's death and Curtis' cold reaction to the news, C.C. travels to Detroit and reconciles with Effie, for whom he writes and produces a comeback single, "One Night Only". Just as it begins gaining local radio play, Curtis uses payola to force radio stations to play The Dreams' disco cover of the song. The plan falls apart, however, when Deena, angry over how Curtis controls her career, discovers his schemes and contacts Effie, who arrives in Los Angeles with C.C., Marty, and a lawyer. Deena and Effie reconcile, with Effie telling Deena that Curtis is Magic's father, while Curtis agrees to nationally distribute Effie's record to avoid being reported to the FBI. Inspired by Effie's victory and realizing Curtis' true character, Deena leaves him. By 1975, The Dreams give a farewell performance at the Detroit Theater, inviting Effie for the final song. Towards the end, Curtis notices Magic in the front row, realizing she is his daughter. Cast Jennifer Hudson as Effie White; inspired by Supremes member Florence Ballard, Effie is a talented yet temperamental singer who suffers when Curtis, the man she loves, replaces her as lead singer of the Dreams and his love interest, and later drops her altogether. With the help of Jimmy's old manager Marty, Effie begins to resurrect her career a decade later, while raising her daughter Magic, the offspring of her union with Curtis. Jamie Foxx as Curtis Taylor, Jr.; based upon Motown founder Berry Gordy, Jr., Curtis is a slick Cadillac dealer-turned-record executive who founds the Rainbow Records label and shows ruthless ambition in his quest to make his black artists household names with white audiences. At first romantically involved with Effie, Curtis takes a professional and personal interest in Deena after appointing her lead singer of the Dreams in Effie's place. Beyoncé Knowles-Carter as Deena Jones; based upon Motown star and lead Supremes member Diana Ross and two former Supremes members Jean Terrell and Scherrie Payne, Deena is a very shy young woman who becomes a star after Curtis makes her lead singer of the Dreams. This, as well as her romantic involvement and later marriage to Curtis, draw Effie's ire, though Deena realizes over time she is a puppet for her controlling husband. Anika Noni Rose as Lorrell Robinson; inspired by Supremes member Mary Wilson, is a good-natured background singer with the Dreams who falls deeply in love with the married Jimmy Early and becomes his mistress. Keith Robinson as Clarence Conrad (C.C.) White; inspired by Motown vice president, artist, producer, and songwriter Smokey Robinson, Effie's soft-spoken younger brother serves as the main songwriter for first the Dreams and later the entire Rainbow roster. Eddie Murphy as James (Jimmy) "Thunder" Early; inspired by R&B/soul singers such as James Brown, Jackie Wilson and Marvin Gaye, is a raucous performer on the Rainbow label engaged in an adulterous affair with Dreams member Lorrell. Curtis attempts to repackage Early as a pop-friendly balladeer. Jimmy's stardom fades as the Dreams' stardom rises, and as a result – he falls into depression (which he copes with through drug abuse). Danny Glover as Marty Madison, Jimmy's original manager before Curtis steps into the picture; Marty serves as both counsel and confidant to Jimmy, and later to Effie as well. Sharon Leal as Michelle Morris; based upon Supremes members Cindy Birdsong and Susaye Greene, Curtis' secretary who replaces Effie in the Dreams and begins dating C.C. Hinton Battle as Wayne, a salesman at Curtis' Cadillac dealership who becomes Rainbow's first record producer and Curtis' henchman. Yvette Cason as May, Deena's mother Loretta Devine as Jazz Singer. Devine originated the role of Lorrell in the 1981 stage production. Dawnn Lewis as Melba Early, James' wife John Lithgow as Jerry Harris, a film producer looking to cast Deena John Krasinski as Sam Walsh, Jerry Harris' screenwriter/film director Jaleel White as Talent Booker at the Detroit Theatre talent show Cleo King as Janice Robert Cicchini as Nicky Cassaro Yvette Nicole Brown as Curtis' Secretary Mariah I. Wilson as Magic White, Effie's daughter Paul Kirby as Promo Film Narrator (voice) Musical numbers Production Pre-production In the 1980s and 1990s, several attempts were made to produce a film adaptation of Dreamgirls, a Broadway musical loosely based upon the story of The Supremes and Motown Records, which won six Tony Awards in 1982. David Geffen, the stage musical's co-financier, retained the film rights to Dreamgirls and turned down many offers to adapt the story for the screen. He cited a need to preserve the integrity of Dreamgirls stage director Michael Bennett's work after his death in 1987. That same year, Geffen, who ran his Warner Bros.-associated Geffen Pictures film production company at the time, began talks with Broadway lyricist and producer Howard Ashman to adapt it as a star vehicle for Whitney Houston, who was to portray Deena. The production ran into problems when Houston wanted to sing both Deena and Effie's songs (particularly "And I Am Telling You I'm Not Going"), and the film was eventually abandoned. When Geffen co-founded DreamWorks in 1994 and dissolved Geffen Pictures, the rights to Dreamgirls remained with Warner Bros. Warner planned to go ahead with the film with director Joel Schumacher and screenwriter Tina Andrews in the late 1990s, following the success of Touchstone Pictures's Tina Turner biopic What's Love Got to Do with It. Schumacher planned to have Lauryn Hill portray Deena and Kelly Price play Effie. After Warner's Frankie Lymon biopic Why Do Fools Fall in Love failed at the box office, the studio shut down development on Dreamgirls. DreamWorks' Dreamgirls adaptation came about after the film version of the Broadway musical Chicago was a success at both the box office and the Academy Awards. Screenwriter and director Bill Condon, who wrote Chicagos screenplay, met producer Laurence Mark at a Hollywood holiday party in late 2002, where the two discussed a long-held "dream project" of Condon's – adapting Dreamgirls for the screen. The two had dinner with Geffen and successfully convinced him to allow Condon to write a screenplay for Dreamgirls. Condon did not start work on the Dreamgirls script until after making the Alfred Kinsey biographical film Kinsey (2004). After sending Geffen the first draft of his screenplay in January 2005, Condon's adaptation of Dreamgirls was greenlit. Stage to script changes While much of the stage musical's story remains intact, a number of significant changes were made. The Dreams' hometown—the setting for much of the action—was moved from Chicago to Detroit, the real-life hometown of The Supremes and Motown Records. The roles of many of the characters were related more closely to their real-life inspirations, following a suggestion by Geffen. Warner Bros. had retained the film rights to Dreamgirls, and agreed to co-produce with DreamWorks. However, after casting was completed, the film was budgeted at $73 million and Warner backed out of the production. Geffen, taking the role of co-producer, brought Paramount Pictures in to co-finance and release Dreamgirls. During the course of production, Paramount's parent company, Viacom, would purchase DreamWorks, aligning the two studios under one umbrella (and giving the senior studio US distribution rights on behalf of DreamWorks). The completed film had a production budget of $75 million, making Dreamgirls the most expensive film with an all-black starring cast in cinema history. Casting and rehearsal Mark and Condon began pre-production with the intentions of casting Jamie Foxx and Eddie Murphy, both actors with record industry experience, as Curtis Taylor, Jr. and James "Thunder" Early, respectively. When offered the part of Curtis, Foxx initially declined because DreamWorks could not meet his salary demands. Denzel Washington, Will Smith, and Terrence Howard were among the other actors also approached to play Curtis. Murphy, on the other hand, accepted the role of Jimmy Early after being convinced to do so by DreamWorks co-founder Jeffrey Katzenberg. While Condon had intended to cast relatively unknown actresses as all three Dreams, R&B singer Beyoncé Knowles lobbied for the part of Deena Jones, and was cast after a successful screen test. Upon learning that Knowles and Murphy had signed on, Foxx rethought his original decision and accepted the Curtis role at DreamWorks' lower salary. R&B star Usher was to have been cast as C.C. White, but contract negotiations failed; Usher was unable to dedicate half a year to the project. André 3000 of Outkast was also offered the role, but declined. After briefly considering R&B singer Omarion, singer/actor Keith Robinson was eventually cast in the role. Anika Noni Rose, a Broadway veteran and a Tony Award winner, won the part of Lorrell Robinson after an extensive auditioning process. Rose, significantly shorter than most of her co-stars at five feet and two inches (157 cm), was required to wear (and dance in) four and five-inch (127 mm) heels for much of the picture, which she later stated caused her discomfort. The most crucial casting decision involved the role of Effie White, the emotional center of the story. The filmmakers insisted on casting a relative unknown in the role, paralleling the casting of then-21-year-old Jennifer Holliday in that role for the original Broadway production. A total of 783 singing actresses auditioned for the role of Effie White, among them American Idol alumnae Fantasia Barrino and Jennifer Hudson, former Disney star Raven-Symoné, and Broadway stars Capathia Jenkins and Patina Miller. Though Barrino emerged as an early frontrunner for the part, Hudson was eventually selected to play Effie, leading Barrino to telephone Hudson and jokingly complain that Hudson "stole [Barrino's] part." Hudson was required to gain twenty pounds for the role, which marked her debut film performance. In casting Hudson, Condon recalled that he initially was not confident he'd made the right decision, but instinctively cast Hudson after she'd auditioned several times because he "just didn't believe any of the others." After Hudson was cast in November 2005, the Dreamgirls cast began extensive rehearsals with Condon and choreographers Fatima Robinson and Aakomon "AJ" Jones, veterans of the music video industry. Meanwhile, the music production crew began work with the actors and studio musicians recording the songs for the film. Although rehearsals ended just before Christmas 2005, Condon called Hudson back for a week of one-on-one rehearsals, to help her more fully become the "diva" character of Effie. Hudson was required to be rude and come in late both on set and off, and she and Condon went over Effie's lines and scenes throughout the week. Loretta Devine, who played Lorrell in the original Broadway production, has a cameo as a jazz singer who performs the song "I Miss You Old Friend." Another Dreamgirls veteran present in the film is Hinton Battle, who was a summer replacement for James "Thunder" Early onstage and here portrays Curtis' aide-de-camp Wayne. Principal photography Principal photography began January 6, 2006 with the filming of dance footage for the first half of "Steppin' to the Bad Side," footage later deleted from the film. The film was primarily shot on soundstages at the Los Angeles Center Studios and on location in the Los Angeles area, with some second unit footage shot in Detroit, Miami, and New York City. The award-winning Broadway lighting team of Jules Fisher and Peggy Eisenhauer were brought in to create theatrical lighting techniques for the film's musical numbers. Beyoncé Knowles elected to lose weight to give the mature Deena Jones of the 1970s a different look than the younger version of the character. By sticking to a highly publicized diet of water, lemons, maple syrup, and cayenne pepper (also known as the Master Cleanse), Knowles rapidly lost twenty pounds, which she gained back once production ended. Shooting was completed in the early-morning hours of April 8, 2006, after four days were spent shooting Jennifer Hudson's musical number "And I Am Telling You I'm Not Going", which had purposefully been saved until the end of the shoot. Originally scheduled to be shot in one day, Condon was forced to ask for extra time and money to finish shooting the "And I Am Telling You" scene, as Hudson's voice would give out after four hours of shooting the musical number, and she was unable to plausibly lip-sync while hoarse. The scene was felt by everyone involved to be pivotal to the film, as "And I Am Telling You" was Jennifer Holliday's show-stopping number in the original Broadway musical. Music Dreamgirls musical supervisors Randy Spendlove and Matt Sullivan hired R&B production team The Underdogs — Harvey Mason, Jr. and Damon Thomas — to restructure and rearrange the Henry Krieger/Tom Eyen Dreamgirls score so that it better reflected its proper time period, yet also reflected then-modern R&B/pop sensibilities. During post-production, composer Stephen Trask was contracted to provide additional score material for the film. Several musical numbers from the Broadway score were not included in the film version, in particular Lorrell's solo "Ain't No Party". Four new songs were added for the film: "Love You I Do", "Patience", "Perfect World," and "Listen." All of the new songs feature music composed by original Dreamgirls stage composer Henry Krieger. With Tom Eyen having died in 1991, various lyricists were brought in by Krieger to co-author the new songs. "Love You I Do," with lyrics by Siedah Garrett, is performed in the film by Effie during a rehearsal at the Rainbow Records studio. Willie Reale wrote the lyrics for "Patience," a song performed in the film by Jimmy, Lorrell, C.C., and a gospel choir, as the characters attempt to record a message song for Jimmy. "Perfect World," also featuring lyrics by Garrett, is performed during the Rainbow 10th anniversary special sequence by Jackson 5 doppelgängers The Campbell Connection. "Listen", with additional music by Scott Cutler and Beyoncé, and lyrics by Anne Preven, is presented as a defining moment for Deena's character late in the film. After preview screenings during the summer of 2006, several minutes worth of musical footage were deleted from the film due to negative audience reactions to the amount of music. Among this footage was one whole musical number, C.C. and Effie's sung reunion "Effie, Sing My Song", which was replaced with an alternative spoken version. The Dreamgirls: Music from the Motion Picture soundtrack album was released on December 5 by Music World Entertainment/Columbia Records, in both a single-disc version containing highlights and a double-disc "Deluxe Version" containing all of the film's songs. The single-disc version of the soundtrack peaked at number-one on the Billboard 200 during a slow sales week in early January 2007. "Listen" was the first official single from the soundtrack, supported by a music video featuring Beyoncé. "And I Am Telling You I'm Not Going" was the Dreamgirls soundtrack's second single. Though a music video with all-original footage was once planned, the video eventually released for "And I Am Telling You" comprised the entire corresponding scene in the actual film. Release Dreamgirls premiered on December 4, 2006 at the Ziegfeld Theatre in New York City, where it received a standing ovation. The film's Los Angeles premiere was held on December 11 at the Wilshire Theater in Beverly Hills. Similar to the releases of older Hollywood musicals such as The Sound of Music, My Fair Lady, and West Side Story, Dreamgirls debuted with three special ten-day roadshow engagements beginning on December 15, 2006 at the Ziegfeld Theatre in New York City, the Cinerama Dome in Los Angeles, and the AMC Metreon 15 in San Francisco. Tickets for the reserved seats were $25 each; the premium price included a forty-eight page full-color program and a limited-print lithograph. This release made Dreamgirls the first American feature film to have a roadshow release since Man of La Mancha in 1972. Dreamgirls earned a total of $851,664 from the roadshow engagements, playing to sold-out houses on the weekends. The film's national release, at regular prices, began on December 25. Outside of the U.S., Dreamgirls opened in Australia on January 18, and in the United Kingdom on February 2. Releases in other countries began on various dates between January and early March. Dreamgirls eventually grossed $103 million in North America, and almost $155 million worldwide. DreamWorks Home Entertainment released Dreamgirls to home video on May 1, 2007 in DVD, HD DVD, and Blu-ray formats. The DVD version was issued in two editions: a one-disc standard version and a two-disc "Showstopper Edition". The two-disc version also included a feature-length production documentary, production featurettes, screen tests, animatics, and other previsualization materials and artwork. Both DVD versions featured alternative and extended versions of the musical numbers from the film as extras, including the "Effie, Sing My Song" scene deleted during previews. Both the Blu-ray and HD DVD versions were issued in two-disc formats. Dreamgirls was the first DreamWorks film to be issued in a high definition home entertainment format. , total domestic video sales to date are at $95.1 million. A "Director's Extended Edition" of Dreamgirls was released on Blu-ray and Digital HD on October 10, 2017 by Paramount Home Media Distribution. This version, based on edits done for preview screenings before the film's release, runs ten minutes longer than the theatrical version and features longer musical numbers (including songs and verses cut during previews) and additional scenes. Reception Critical response On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 78% based on 208 reviews, with an average rating of 7.24/10. The site's critics consensus states: "Dreamgirls simple characters and plot hardly detract from the movie's real feats: the electrifying performances and the dazzling musical numbers." Metacritic reports a weighted average score of 76 out of 100 rating, based on 37 critics, indicating "generally favorable reviews". Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale. Rolling Stone's Peter Travers gave the film three and a half stars (out of four) and the number-two position on his "best of 2006" list, stating that "despite transitional bumps, Condon does Dreamgirls proud". David Rooney of Variety reported that the film featured "tremendously exciting musical sequences" and that "after The Phantom of the Opera, Rent and The Producers botched the transfer from stage to screen, Dreamgirls gets it right." On the December 10, 2006 episode of the television show Ebert & Roeper, Richard Roeper and guest critic Aisha Tyler (filling in for Roger Ebert, who was recovering from cancer-related surgery) gave the film "two thumbs up", with Roeper's reservations that it was "a little short on heart and soul" and "deeply conventional". Roeper still enjoyed the film, noting that Jennifer Hudson's rendition of "And I Am Telling You I'm Not Going" as the "show-stopping moment of any film of 2006" and very much enjoyed Murphy's performance as well, remarking that "people are going to love this film." Kirk Honeycutt of The Hollywood Reporter was less enthusiastic, stating that while the film was "a damn good commercial movie, it is not the film that will revive the musical or win over the world". Ed Gonzales of Slant magazine found the entire picture too glossy, and declared that "the film doesn't care to articulate the emotions that haunt its characters". University of Sydney academic Timothy Laurie was critical of the film's social message, noting that "the worthy receive just deserts by working even harder for the industries that marginalise them". Many reviews, regardless of their overall opinion of the film, cited Hudson's and Murphy's performances as standouts, with Travers proclaiming Murphy's performance of "Jimmy's Rap" as "his finest screen moment." Television host Oprah Winfrey saw the film during a November 15 press screening, and telephoned Hudson on the Oprah episode airing the next day, praising her performance as "a religious experience" and "a transcendent performance". A review for The Celebrity Cafe echoes that Hudson's voice "is like nothing we’ve heard in a long time, and her acting is a great match for that power-house sound." Jennifer Holliday, who originated the role of Effie onstage, expressed her disappointment at not being involved in the film project in several TV, radio, and print interviews. Holliday in particular objected to the fact that her 1982 recording of "And I Am Telling You I'm Not Going" was used in an early Dreamgirls film teaser trailer created before production began. Many of the other original Dreamgirls Broadway cast members, among them Obba Babatundé, Vondie Curtis-Hall, and Cleavant Derricks, were interviewed for a Jet magazine article in which they discussed their varying opinions of both the Dreamgirls film's script and production. Awards and nominations DreamWorks and Paramount began a significant awards campaign for Dreamgirls while the film was still in production. In February 2006, the press was invited on set to a special live event showcasing the making of the film, including a live performance of "Steppin' to the Bad Side" by the cast. Three months later, twenty minutes of the film — specifically, the musical sequences "Fake Your Way to the Top", "Family", "When I First Saw You", and "Dreamgirls" – were screened at the 2006 Cannes Film Festival, with most of the cast and crew in attendance. The resulting positive buzz earned Dreamgirls the status of "front-runner" for the 2006 Academy Award for Best Picture and several of the other Oscars as well. Following the success of the Cannes screening, DreamWorks and Paramount began a widespread "For Your Consideration" advertisement campaign, raising several eyebrows by demoting Jennifer Hudson to consideration for Best Supporting Actress and presenting Beyoncé Knowles as the sole Best Actress candidate, as opposed to having both compete for Best Actress awards. By contrast, the actresses who originated Hudson's and Knowles' roles on Broadway, Jennifer Holliday and Sheryl Lee Ralph, respectively, were both nominated for the Tony Award for Best Leading Actress, with Holliday winning the award. The presentation of Knowles over Hudson as the sole Best Actress candidate had interesting parallels with the film itself. Dreamgirls received eight 2007 Academy Award nominations covering six categories, the most of any film for the year, although it was not nominated for Best Picture, Best Director, or either of the lead acting categories. The film's nominations included Best Supporting Actor (Eddie Murphy), Best Supporting Actress (Jennifer Hudson), Best Achievement in Costume Design, Best Achievement in Art Direction, Best Achievement in Sound Mixing, and three nominations for Best Song ("Listen", "Love You I Do", and "Patience"). Dreamgirls is the first live-action film to receive three nominations for Best Song; previously the Disney animated features Beauty and the Beast (1991) and The Lion King (1994) had each received three Academy Award nominations for Best Song; Enchanted (2007) has since repeated the feat. In addition, Dreamgirls was the first film in Academy Award history to receive the highest number of nominations for the year, yet not be nominated for Best Picture. The film's failure to gain a Best Picture or Best Director nod was widely viewed by the entertainment press as a "snub" by the Academy. Some journalists registered shock, while others cited a "backlash".<ref>Felton, Robert (Feb. 28, 2007). "[http://austinweeklynews.1upsoftware.com/main.asp?SectionID=1&SubSectionID=1&ArticleID=1101&TM=82934.76 Dreamgirls' Best Picture snub and Oscar night thud] ". Austin Weekly News. Retrieved March 11, 2007.</ref> On the other hand, director Bill Condon stated that "I think academy members just liked the other movies better" and that he believed that "we were never going to win even if we were nominated." Reports emerged of significant behind-the-scenes in-fighting between the DreamWorks and Paramount camps, in particular between DreamWorks' David Geffen and Paramount CEO Brad Grey, over decision making and credit-claiming during the Dreamgirls awards campaign. At the Academy Awards ceremony on February 25, 2007, Dreamgirls won Academy Award for Best Actress in a Supporting Role and Best Sound Mixing. As such, Hudson became one of the few actresses ever to win an Oscar for a film debut performance. In what was considered an upset, Murphy lost the Best Supporting Actor award to Alan Arkin for Little Miss Sunshine. Knowles, Hudson, Rose, and Robinson performed a medley of the three Dreamgirls songs nominated for Best Original Song, although all three songs lost the award to "I Need to Wake Up" from An Inconvenient Truth. For the 2007 Golden Globe Awards, Dreamgirls was nominated in five categories: Best Picture – Comedy or Musical, Best Actress in a Comedy or Musical (Beyoncé Knowles), Best Supporting Actor (Eddie Murphy), Best Supporting Actress (Jennifer Hudson), and Best Original Song ("Listen"). The film won the awards for Best Picture — Comedy or Musical, Best Supporting Actor, and Best Supporting Actress. Dreamgirls received eight NAACP Image Award nominations, winning for Best Supporting Actress (Jennifer Hudson) and Outstanding Album (the soundtrack LP). It was also named as one of the American Film Institute's top ten films of 2006.Dreamgirls also garnered Screen Actors Guild Awards for Supporting Actress (Jennifer Hudson) and Supporting Actor (Eddie Murphy), as well as a nomination for its ensemble cast. The film was also nominated by the Producers Guild of America for Best Picture and the Directors Guild of America for Bill Condon's directing. The British Academy of Film and Television Arts gave the film awards for Supporting Actress (Jennifer Hudson) and Music (Henry Krieger). Furthermore, Dreamgirls was nominated for eleven 2007 International Press Academy Satellite Awards, and won four of the awards: Best Picture — Comedy or Musical, Best Director (Bill Condon), Best Actress in a Supporting Role (Jennifer Hudson), and Best Sound (Mixing & Editing). Dreamgirls also received a record eleven Black Reel Award nominations, and won six of the awards, among them Best Film. At the 50th Grammy Awards ceremony, "Love You I Do" won the award for Best Song Written for a Motion Picture, Television or Other Visual Media. The Dreamgirls soundtrack was also nominated for the Grammy for Best Compilation Soundtrack Album. For the opening performance at the 2007 BET Awards on June 26 of that year, Hudson performed a duet of "And I Am Telling You I'm Not Going" with her predecessor, Jennifer Holliday. Later that night, Hudson won the BET Award for Best Actress. In February 2022, Hudson's rendition of "And I Am Telling You I'm Not Going" was named one of the five finalists for Oscars Cheer Moment as part of the Academy of Motion Picture Arts and Sciences' "Oscars Fan Favorite" contest. Accolades Related promotions and products To give the story more exposure for the upcoming film release, DreamWorks and the licenser of the original play, The Tams-Witmark Music Library, announced that they would pay the licensing fees for all non-professional stage performances of Dreamgirls for the calendar year of 2006. DreamWorks hoped to encourage amateur productions of Dreamgirls, and familiarize a wider audience with the play. As a result, more than fifty high schools, colleges, community theaters, and other non-commercial theater entities staged productions of Dreamgirls in 2006, and DreamWorks spent up to $250,000 subsidizing the licensing. The Dreamgirls novelization was written by African-American novelist Denene Millner, and adapts the film's official script in chapter form, along with fourteen pages of photographs from the film. The book was released on October 31, 2006. A scrapbook, entitled Dreamgirls: The Movie Musical, was released on March 27, 2007. The limited edition program guide accompanying the Dreamgirls road show release was made available for retail purchase in February. In addition, the Tonnor Doll Company released "The Dreamettes" collection, featuring dolls of the characters Deena, Lorrell, and Effie, to coincide with the release of the film. Allusions to actual events Aside from the overall plot of the film and elements already present in the stage musical, many direct references to The Supremes, Motown, or R&B/soul history in general are included in the film. In one scene, Effie saunters into Curtis' office and discusses Rainbow Records' latest LP, The Great March to Freedom, a spoken word album featuring speeches by Martin Luther King Jr. This LP is an authentic Motown release, issued as Gordy 906 in June 1963.Edwards, David and Callahan, Mike (1999). "Gordy Album Discography, Part 1 (1962–1981)". Retrieved Feb. 3, 2007. A later scene features Curtis and the Dreams recording in the studio, while a riot rages outside. By comparison, Motown's Hitsville U.S.A. studio remained open and active during Detroit's 12th Street Riot in July 1967.Posner, Gerald (2002). Motown: Music, Money, Sex, and Power. New York: Random House. . Pg. 173. The photo shoot montage which accompanies "When I First Saw You", as well as the subplot of Deena being forced to star in Curtis' Cleopatra film against her will, reflect both scenes from and the production of Mahogany, a 1975 Motown film starring Diana Ross and directed by Motown CEO Berry Gordy. In a snapshot, Ed Sullivan appears presenting the real Supremes on his show. Among the more direct references are the uses of adapted Supremes album cover designs for albums recorded in the film by the Dreams. Three Supremes albums – Let the Sunshine In, Cream of the Crop, and Touch – were reworked into Deena Jones & The Dreams album designs, with the only differences in the designs being the substitution of the names and images of the Supremes with those of Deena Jones & the Dreams. Another Dreams LP seen in the film, Meet the Dreams, is represented by an album cover derived from the designs for the Supremes LPs Meet The Supremes, More Hits by The Supremes and The Supremes A' Go-Go. There is also a solo album, Just In Time, recorded by Deena Jones shown in the film, the album cover for which is based on Dionne Warwick's 1970 album, Very Dionne. Diana Ross, long a critic of the Broadway version of Dreamgirls for what she saw as an appropriation of her life story, denied having seen the film version. On the other hand, Mary Wilson attended the film's Los Angeles premiere, later stating that Dreamgirls moved her to tears and that it was "closer to the truth than they even know". However, Smokey Robinson was less than pleased about the film's allusions to Motown history. In a January 25, 2007 interview with NPR, Robinson expressed offense at the film's portrayal of its Berry Gordy analogue, Curtis Taylor Jr., as a "villainous character" who deals in payola and other illegal activities. He repeated these concerns in a later interview with Access Hollywood'', adding that he felt DreamWorks and Paramount owed Gordy an apology. On February 23, a week before the Oscars ceremony, DreamWorks and Paramount issued an apology to Gordy and the other Motown alumni. Gordy issued a statement shortly afterwards expressing his acceptance of the apology. The payola scheme used in the film's script, to which Robinson took offense, is identical to the payola scheme allegedly used by Gordy and the other Motown executives, according to sworn court depositions from Motown executive Michael Lushka, offered during the litigation between the label and its chief creative team, Holland–Dozier–Holland. Several references are also made to Mafia-backed loans Curtis uses to fund Rainbow Records. Gordy was highly suspected, though never proven, to have used Mafia-backed loans to finance Motown during its later years. References External links Dreamgirls Blu-ray Disc review Dreamgirls 2000s historical romance films 2000s musical drama films 2000s romantic drama films 2000s romantic musical films 2006 films Adultery in films African-American drama films African-American musical films American films American films based on plays American historical romance films American musical drama films American romantic drama films American romantic musical films BAFTA winners (films) Best Musical or Comedy Picture Golden Globe winners DreamWorks Pictures films 2000s English-language films Films à clef Films about musical groups Films about race and ethnicity Films based on musicals Films directed by Bill Condon Films featuring a Best Supporting Actor Golden Globe winning performance Films featuring a Best Supporting Actress Academy Award-winning performance Films featuring a Best Supporting Actress Golden Globe-winning performance Films produced by Laurence Mark Films scored by Stephen Trask Films set in the 1960s Films set in the 1970s Films set in Detroit Films shot in Michigan Films that won the Best Sound Mixing Academy Award Films with screenplays by Bill Condon Paramount Pictures films 2006 drama films

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Did the soundtrack chart on any other chart?

Did the Dreamgirls soundtrack chart on any other chart, aside from the Billboard 200?

Dreamgirls (film)

Dreamgirls musical supervisors Randy Spendlove and Matt Sullivan hired R&B production team The Underdogs -- Harvey Mason, Jr. and Damon Thomas -- to restructure and rearrange the Henry Krieger/Tom Eyen Dreamgirls score so that it better reflected its proper time period, yet also reflected then-modern R&B/pop sensibilities. During post-production, composer Stephen Trask was contracted to provide additional score material for the film. Several musical numbers from the Broadway score were not included in the film version, in particular Lorrell's solo "Ain't No Party". Four new songs were added for the film: "Love You I Do", "Patience", "Perfect World," and "Listen." All of the new songs feature music composed by original Dreamgirls stage composer Henry Krieger. With Tom Eyen having died in 1991, various lyricists were brought in by Krieger to co-author the new songs. "Love You I Do," with lyrics by Siedah Garrett, is performed in the film by Effie during a rehearsal at the Rainbow Records studio. Willie Reale wrote the lyrics for "Patience," a song performed in the film by Jimmy, Lorrell, C.C., and a gospel choir, as the characters attempt to record a message song for Jimmy. "Perfect World," also featuring lyrics by Garrett, is performed during the Rainbow 10th anniversary special sequence by Jackson 5 doppelgangers The Campbell Connection. "Listen", with additional music by Scott Cutler and Beyonce Knowles, and lyrics by Anne Preven, is presented as a defining moment for Deena's character late in the film. After preview screenings during the summer of 2006, several minutes worth of musical footage were deleted from the film due to negative audience reactions to the amount of music. Among this footage was one whole musical number, C.C. and Effie's sung reunion "Effie, Sing My Song", which was replaced with an alternative spoken version. The Dreamgirls: Music from the Motion Picture soundtrack album was released on December 5 by Music World Entertainment/Columbia Records, in both a single-disc version containing highlights and a double-disc "Deluxe Version" containing all of the film's songs. The single-disc version of the soundtrack peaked at number-one on the Billboard 200 during a slow sales week in early January 2007. "Listen" was the first official single from the soundtrack, supported by a music video featuring Beyonce. "And I Am Telling You I'm Not Going" was the Dreamgirls soundtrack's second single. Though a music video with all-original footage was once planned, the video eventually released for "And I Am Telling You" comprised the entire corresponding scene in the actual film. CANNOTANSWER

CANNOTANSWER

Dreamgirls is a 2006 American musical drama film written and directed by Bill Condon and jointly produced and released by DreamWorks Pictures and Paramount Pictures. Adapted from the 1981 Broadway musical of the same name, Dreamgirls is a film à clef, a work of fiction taking strong inspiration from the history of the Motown record label and one of its acts, The Supremes. The story follows the history and evolution of American R&B music during the 1960s and 1970s through the eyes of a Detroit girl group known as "The Dreams" and their manipulative record executive. The film adaptation stars Jamie Foxx, Beyoncé Knowles and Eddie Murphy, and also features Jennifer Hudson, Danny Glover, Anika Noni Rose and Keith Robinson. In addition to the original compositions by composer Henry Krieger and lyricist/librettist Tom Eyen, four new songs, composed by Krieger with various lyricists, were added for the film. The film marks the acting debut of Hudson, a former American Idol contestant. Dreamgirls debuted in four special road show engagements starting on December 15, 2006, before its nationwide release on December 25, 2006. With a production budget of $80 million, Dreamgirls is one of the most expensive films to feature a predominant African-American starring cast in American film history. Upon its release, the film garnered positive reviews from critics, who particularly praised Condon's direction, the soundtrack, costume design, production design, and performances of the cast (in particular of Hudson, which many deemed a standout performance). The film was a commercial success, grossing over $155 million at the international box office. At the 79th Academy Awards, the film received a leading eight nominations, winning Best Supporting Actress (for Hudson), and Best Sound Mixing. At the 64th Golden Globe Awards, it won three awards, including for the Best Motion Picture – Musical or Comedy. Plot In 1962 Detroit, Michigan, young car salesman Curtis Taylor Jr. meets a Black girl group known as "The Dreamettes", which consists of lead singer Effie White and backup singers Deena Jones and Lorrell Robinson, at an R&B amateur talent show at the Detroit Theatre. Presenting himself as their new manager, he hires the girls as backup singers for Chitlin' Circuit R&B star Jimmy "Thunder" Early. Curtis soon starts his own record label, Rainbow Records, out of his Detroit car dealership, and appoints Effie's brother, C.C., as his head songwriter. When their first single "Cadillac Car" fails after a white pop group named Dave and the Sweethearts releases a cover version, Curtis, C.C., and their producer Wayne turn to payola to make "Jimmy Early & The Dreamettes" mainstream pop stars. Offstage, Effie falls in love with Curtis while the married Jimmy does likewise with Lorrell. Jimmy's manager, Marty Madison, grows weary of Curtis' plans to make his client more pop-friendly and walks out. When Jimmy bombs in front of an all-white Miami Beach supper club audience, Curtis sends Jimmy out on the road alone, keeping The Dreamettes behind to headline in his place. Feeling that Effie's figure and distinctive, soulful voice will not attract white audiences, Curtis appoints the slimmer, more conventionally attractive Deena (who has a more basic, generic, and marketable voice) as the new lead singer, renaming the group "The Dreams". Aided by new songs and a new image, Curtis and C.C. transform The Dreams into a top-selling mainstream pop group. By 1965, however, Effie begins acting out, particularly when Curtis' affections also turn towards Deena. Curtis eventually drops Effie, hiring his secretary Michelle Morris to replace her beginning with their 1966 New Year's Eve debut in Las Vegas as "Deena Jones & the Dreams." Though Effie defiantly and desperately appeals to Curtis, he, C.C., and The Dreams abandon her, forging ahead to stardom. By 1973, Effie has become an impoverished welfare mother living in Detroit with her daughter Magic. To restart her music career, she hires Marty as her manager and begins performing at a local club. Meanwhile, with The Dreams superstars and Rainbow, having moved to Los Angeles, now the biggest pop business in the country, Curtis attempts to produce a film about Cleopatra starring an unwilling Deena, now his wife. The following year, Jimmy, who has descended into drug addiction due to Curtis' preoccupation with Deena, along with the rejection of the charity single he recorded, does an improvised rap and drops his pants during Rainbow Records' tenth-anniversary television special. Curtis promptly drops him from the label and Lorrell ends their affair. Sometime later, C.C., who feels Curtis is undermining the artistic merit of his songs by making them into disco music, quits the label, only for everyone to then learn of Jimmy's unexpected death from a heroin overdose, which greatly upsets Lorrell. Disillusioned by Jimmy's death and Curtis' cold reaction to the news, C.C. travels to Detroit and reconciles with Effie, for whom he writes and produces a comeback single, "One Night Only". Just as it begins gaining local radio play, Curtis uses payola to force radio stations to play The Dreams' disco cover of the song. The plan falls apart, however, when Deena, angry over how Curtis controls her career, discovers his schemes and contacts Effie, who arrives in Los Angeles with C.C., Marty, and a lawyer. Deena and Effie reconcile, with Effie telling Deena that Curtis is Magic's father, while Curtis agrees to nationally distribute Effie's record to avoid being reported to the FBI. Inspired by Effie's victory and realizing Curtis' true character, Deena leaves him. By 1975, The Dreams give a farewell performance at the Detroit Theater, inviting Effie for the final song. Towards the end, Curtis notices Magic in the front row, realizing she is his daughter. Cast Jennifer Hudson as Effie White; inspired by Supremes member Florence Ballard, Effie is a talented yet temperamental singer who suffers when Curtis, the man she loves, replaces her as lead singer of the Dreams and his love interest, and later drops her altogether. With the help of Jimmy's old manager Marty, Effie begins to resurrect her career a decade later, while raising her daughter Magic, the offspring of her union with Curtis. Jamie Foxx as Curtis Taylor, Jr.; based upon Motown founder Berry Gordy, Jr., Curtis is a slick Cadillac dealer-turned-record executive who founds the Rainbow Records label and shows ruthless ambition in his quest to make his black artists household names with white audiences. At first romantically involved with Effie, Curtis takes a professional and personal interest in Deena after appointing her lead singer of the Dreams in Effie's place. Beyoncé Knowles-Carter as Deena Jones; based upon Motown star and lead Supremes member Diana Ross and two former Supremes members Jean Terrell and Scherrie Payne, Deena is a very shy young woman who becomes a star after Curtis makes her lead singer of the Dreams. This, as well as her romantic involvement and later marriage to Curtis, draw Effie's ire, though Deena realizes over time she is a puppet for her controlling husband. Anika Noni Rose as Lorrell Robinson; inspired by Supremes member Mary Wilson, is a good-natured background singer with the Dreams who falls deeply in love with the married Jimmy Early and becomes his mistress. Keith Robinson as Clarence Conrad (C.C.) White; inspired by Motown vice president, artist, producer, and songwriter Smokey Robinson, Effie's soft-spoken younger brother serves as the main songwriter for first the Dreams and later the entire Rainbow roster. Eddie Murphy as James (Jimmy) "Thunder" Early; inspired by R&B/soul singers such as James Brown, Jackie Wilson and Marvin Gaye, is a raucous performer on the Rainbow label engaged in an adulterous affair with Dreams member Lorrell. Curtis attempts to repackage Early as a pop-friendly balladeer. Jimmy's stardom fades as the Dreams' stardom rises, and as a result – he falls into depression (which he copes with through drug abuse). Danny Glover as Marty Madison, Jimmy's original manager before Curtis steps into the picture; Marty serves as both counsel and confidant to Jimmy, and later to Effie as well. Sharon Leal as Michelle Morris; based upon Supremes members Cindy Birdsong and Susaye Greene, Curtis' secretary who replaces Effie in the Dreams and begins dating C.C. Hinton Battle as Wayne, a salesman at Curtis' Cadillac dealership who becomes Rainbow's first record producer and Curtis' henchman. Yvette Cason as May, Deena's mother Loretta Devine as Jazz Singer. Devine originated the role of Lorrell in the 1981 stage production. Dawnn Lewis as Melba Early, James' wife John Lithgow as Jerry Harris, a film producer looking to cast Deena John Krasinski as Sam Walsh, Jerry Harris' screenwriter/film director Jaleel White as Talent Booker at the Detroit Theatre talent show Cleo King as Janice Robert Cicchini as Nicky Cassaro Yvette Nicole Brown as Curtis' Secretary Mariah I. Wilson as Magic White, Effie's daughter Paul Kirby as Promo Film Narrator (voice) Musical numbers Production Pre-production In the 1980s and 1990s, several attempts were made to produce a film adaptation of Dreamgirls, a Broadway musical loosely based upon the story of The Supremes and Motown Records, which won six Tony Awards in 1982. David Geffen, the stage musical's co-financier, retained the film rights to Dreamgirls and turned down many offers to adapt the story for the screen. He cited a need to preserve the integrity of Dreamgirls stage director Michael Bennett's work after his death in 1987. That same year, Geffen, who ran his Warner Bros.-associated Geffen Pictures film production company at the time, began talks with Broadway lyricist and producer Howard Ashman to adapt it as a star vehicle for Whitney Houston, who was to portray Deena. The production ran into problems when Houston wanted to sing both Deena and Effie's songs (particularly "And I Am Telling You I'm Not Going"), and the film was eventually abandoned. When Geffen co-founded DreamWorks in 1994 and dissolved Geffen Pictures, the rights to Dreamgirls remained with Warner Bros. Warner planned to go ahead with the film with director Joel Schumacher and screenwriter Tina Andrews in the late 1990s, following the success of Touchstone Pictures's Tina Turner biopic What's Love Got to Do with It. Schumacher planned to have Lauryn Hill portray Deena and Kelly Price play Effie. After Warner's Frankie Lymon biopic Why Do Fools Fall in Love failed at the box office, the studio shut down development on Dreamgirls. DreamWorks' Dreamgirls adaptation came about after the film version of the Broadway musical Chicago was a success at both the box office and the Academy Awards. Screenwriter and director Bill Condon, who wrote Chicagos screenplay, met producer Laurence Mark at a Hollywood holiday party in late 2002, where the two discussed a long-held "dream project" of Condon's – adapting Dreamgirls for the screen. The two had dinner with Geffen and successfully convinced him to allow Condon to write a screenplay for Dreamgirls. Condon did not start work on the Dreamgirls script until after making the Alfred Kinsey biographical film Kinsey (2004). After sending Geffen the first draft of his screenplay in January 2005, Condon's adaptation of Dreamgirls was greenlit. Stage to script changes While much of the stage musical's story remains intact, a number of significant changes were made. The Dreams' hometown—the setting for much of the action—was moved from Chicago to Detroit, the real-life hometown of The Supremes and Motown Records. The roles of many of the characters were related more closely to their real-life inspirations, following a suggestion by Geffen. Warner Bros. had retained the film rights to Dreamgirls, and agreed to co-produce with DreamWorks. However, after casting was completed, the film was budgeted at $73 million and Warner backed out of the production. Geffen, taking the role of co-producer, brought Paramount Pictures in to co-finance and release Dreamgirls. During the course of production, Paramount's parent company, Viacom, would purchase DreamWorks, aligning the two studios under one umbrella (and giving the senior studio US distribution rights on behalf of DreamWorks). The completed film had a production budget of $75 million, making Dreamgirls the most expensive film with an all-black starring cast in cinema history. Casting and rehearsal Mark and Condon began pre-production with the intentions of casting Jamie Foxx and Eddie Murphy, both actors with record industry experience, as Curtis Taylor, Jr. and James "Thunder" Early, respectively. When offered the part of Curtis, Foxx initially declined because DreamWorks could not meet his salary demands. Denzel Washington, Will Smith, and Terrence Howard were among the other actors also approached to play Curtis. Murphy, on the other hand, accepted the role of Jimmy Early after being convinced to do so by DreamWorks co-founder Jeffrey Katzenberg. While Condon had intended to cast relatively unknown actresses as all three Dreams, R&B singer Beyoncé Knowles lobbied for the part of Deena Jones, and was cast after a successful screen test. Upon learning that Knowles and Murphy had signed on, Foxx rethought his original decision and accepted the Curtis role at DreamWorks' lower salary. R&B star Usher was to have been cast as C.C. White, but contract negotiations failed; Usher was unable to dedicate half a year to the project. André 3000 of Outkast was also offered the role, but declined. After briefly considering R&B singer Omarion, singer/actor Keith Robinson was eventually cast in the role. Anika Noni Rose, a Broadway veteran and a Tony Award winner, won the part of Lorrell Robinson after an extensive auditioning process. Rose, significantly shorter than most of her co-stars at five feet and two inches (157 cm), was required to wear (and dance in) four and five-inch (127 mm) heels for much of the picture, which she later stated caused her discomfort. The most crucial casting decision involved the role of Effie White, the emotional center of the story. The filmmakers insisted on casting a relative unknown in the role, paralleling the casting of then-21-year-old Jennifer Holliday in that role for the original Broadway production. A total of 783 singing actresses auditioned for the role of Effie White, among them American Idol alumnae Fantasia Barrino and Jennifer Hudson, former Disney star Raven-Symoné, and Broadway stars Capathia Jenkins and Patina Miller. Though Barrino emerged as an early frontrunner for the part, Hudson was eventually selected to play Effie, leading Barrino to telephone Hudson and jokingly complain that Hudson "stole [Barrino's] part." Hudson was required to gain twenty pounds for the role, which marked her debut film performance. In casting Hudson, Condon recalled that he initially was not confident he'd made the right decision, but instinctively cast Hudson after she'd auditioned several times because he "just didn't believe any of the others." After Hudson was cast in November 2005, the Dreamgirls cast began extensive rehearsals with Condon and choreographers Fatima Robinson and Aakomon "AJ" Jones, veterans of the music video industry. Meanwhile, the music production crew began work with the actors and studio musicians recording the songs for the film. Although rehearsals ended just before Christmas 2005, Condon called Hudson back for a week of one-on-one rehearsals, to help her more fully become the "diva" character of Effie. Hudson was required to be rude and come in late both on set and off, and she and Condon went over Effie's lines and scenes throughout the week. Loretta Devine, who played Lorrell in the original Broadway production, has a cameo as a jazz singer who performs the song "I Miss You Old Friend." Another Dreamgirls veteran present in the film is Hinton Battle, who was a summer replacement for James "Thunder" Early onstage and here portrays Curtis' aide-de-camp Wayne. Principal photography Principal photography began January 6, 2006 with the filming of dance footage for the first half of "Steppin' to the Bad Side," footage later deleted from the film. The film was primarily shot on soundstages at the Los Angeles Center Studios and on location in the Los Angeles area, with some second unit footage shot in Detroit, Miami, and New York City. The award-winning Broadway lighting team of Jules Fisher and Peggy Eisenhauer were brought in to create theatrical lighting techniques for the film's musical numbers. Beyoncé Knowles elected to lose weight to give the mature Deena Jones of the 1970s a different look than the younger version of the character. By sticking to a highly publicized diet of water, lemons, maple syrup, and cayenne pepper (also known as the Master Cleanse), Knowles rapidly lost twenty pounds, which she gained back once production ended. Shooting was completed in the early-morning hours of April 8, 2006, after four days were spent shooting Jennifer Hudson's musical number "And I Am Telling You I'm Not Going", which had purposefully been saved until the end of the shoot. Originally scheduled to be shot in one day, Condon was forced to ask for extra time and money to finish shooting the "And I Am Telling You" scene, as Hudson's voice would give out after four hours of shooting the musical number, and she was unable to plausibly lip-sync while hoarse. The scene was felt by everyone involved to be pivotal to the film, as "And I Am Telling You" was Jennifer Holliday's show-stopping number in the original Broadway musical. Music Dreamgirls musical supervisors Randy Spendlove and Matt Sullivan hired R&B production team The Underdogs — Harvey Mason, Jr. and Damon Thomas — to restructure and rearrange the Henry Krieger/Tom Eyen Dreamgirls score so that it better reflected its proper time period, yet also reflected then-modern R&B/pop sensibilities. During post-production, composer Stephen Trask was contracted to provide additional score material for the film. Several musical numbers from the Broadway score were not included in the film version, in particular Lorrell's solo "Ain't No Party". Four new songs were added for the film: "Love You I Do", "Patience", "Perfect World," and "Listen." All of the new songs feature music composed by original Dreamgirls stage composer Henry Krieger. With Tom Eyen having died in 1991, various lyricists were brought in by Krieger to co-author the new songs. "Love You I Do," with lyrics by Siedah Garrett, is performed in the film by Effie during a rehearsal at the Rainbow Records studio. Willie Reale wrote the lyrics for "Patience," a song performed in the film by Jimmy, Lorrell, C.C., and a gospel choir, as the characters attempt to record a message song for Jimmy. "Perfect World," also featuring lyrics by Garrett, is performed during the Rainbow 10th anniversary special sequence by Jackson 5 doppelgängers The Campbell Connection. "Listen", with additional music by Scott Cutler and Beyoncé, and lyrics by Anne Preven, is presented as a defining moment for Deena's character late in the film. After preview screenings during the summer of 2006, several minutes worth of musical footage were deleted from the film due to negative audience reactions to the amount of music. Among this footage was one whole musical number, C.C. and Effie's sung reunion "Effie, Sing My Song", which was replaced with an alternative spoken version. The Dreamgirls: Music from the Motion Picture soundtrack album was released on December 5 by Music World Entertainment/Columbia Records, in both a single-disc version containing highlights and a double-disc "Deluxe Version" containing all of the film's songs. The single-disc version of the soundtrack peaked at number-one on the Billboard 200 during a slow sales week in early January 2007. "Listen" was the first official single from the soundtrack, supported by a music video featuring Beyoncé. "And I Am Telling You I'm Not Going" was the Dreamgirls soundtrack's second single. Though a music video with all-original footage was once planned, the video eventually released for "And I Am Telling You" comprised the entire corresponding scene in the actual film. Release Dreamgirls premiered on December 4, 2006 at the Ziegfeld Theatre in New York City, where it received a standing ovation. The film's Los Angeles premiere was held on December 11 at the Wilshire Theater in Beverly Hills. Similar to the releases of older Hollywood musicals such as The Sound of Music, My Fair Lady, and West Side Story, Dreamgirls debuted with three special ten-day roadshow engagements beginning on December 15, 2006 at the Ziegfeld Theatre in New York City, the Cinerama Dome in Los Angeles, and the AMC Metreon 15 in San Francisco. Tickets for the reserved seats were $25 each; the premium price included a forty-eight page full-color program and a limited-print lithograph. This release made Dreamgirls the first American feature film to have a roadshow release since Man of La Mancha in 1972. Dreamgirls earned a total of $851,664 from the roadshow engagements, playing to sold-out houses on the weekends. The film's national release, at regular prices, began on December 25. Outside of the U.S., Dreamgirls opened in Australia on January 18, and in the United Kingdom on February 2. Releases in other countries began on various dates between January and early March. Dreamgirls eventually grossed $103 million in North America, and almost $155 million worldwide. DreamWorks Home Entertainment released Dreamgirls to home video on May 1, 2007 in DVD, HD DVD, and Blu-ray formats. The DVD version was issued in two editions: a one-disc standard version and a two-disc "Showstopper Edition". The two-disc version also included a feature-length production documentary, production featurettes, screen tests, animatics, and other previsualization materials and artwork. Both DVD versions featured alternative and extended versions of the musical numbers from the film as extras, including the "Effie, Sing My Song" scene deleted during previews. Both the Blu-ray and HD DVD versions were issued in two-disc formats. Dreamgirls was the first DreamWorks film to be issued in a high definition home entertainment format. , total domestic video sales to date are at $95.1 million. A "Director's Extended Edition" of Dreamgirls was released on Blu-ray and Digital HD on October 10, 2017 by Paramount Home Media Distribution. This version, based on edits done for preview screenings before the film's release, runs ten minutes longer than the theatrical version and features longer musical numbers (including songs and verses cut during previews) and additional scenes. Reception Critical response On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 78% based on 208 reviews, with an average rating of 7.24/10. The site's critics consensus states: "Dreamgirls simple characters and plot hardly detract from the movie's real feats: the electrifying performances and the dazzling musical numbers." Metacritic reports a weighted average score of 76 out of 100 rating, based on 37 critics, indicating "generally favorable reviews". Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale. Rolling Stone's Peter Travers gave the film three and a half stars (out of four) and the number-two position on his "best of 2006" list, stating that "despite transitional bumps, Condon does Dreamgirls proud". David Rooney of Variety reported that the film featured "tremendously exciting musical sequences" and that "after The Phantom of the Opera, Rent and The Producers botched the transfer from stage to screen, Dreamgirls gets it right." On the December 10, 2006 episode of the television show Ebert & Roeper, Richard Roeper and guest critic Aisha Tyler (filling in for Roger Ebert, who was recovering from cancer-related surgery) gave the film "two thumbs up", with Roeper's reservations that it was "a little short on heart and soul" and "deeply conventional". Roeper still enjoyed the film, noting that Jennifer Hudson's rendition of "And I Am Telling You I'm Not Going" as the "show-stopping moment of any film of 2006" and very much enjoyed Murphy's performance as well, remarking that "people are going to love this film." Kirk Honeycutt of The Hollywood Reporter was less enthusiastic, stating that while the film was "a damn good commercial movie, it is not the film that will revive the musical or win over the world". Ed Gonzales of Slant magazine found the entire picture too glossy, and declared that "the film doesn't care to articulate the emotions that haunt its characters". University of Sydney academic Timothy Laurie was critical of the film's social message, noting that "the worthy receive just deserts by working even harder for the industries that marginalise them". Many reviews, regardless of their overall opinion of the film, cited Hudson's and Murphy's performances as standouts, with Travers proclaiming Murphy's performance of "Jimmy's Rap" as "his finest screen moment." Television host Oprah Winfrey saw the film during a November 15 press screening, and telephoned Hudson on the Oprah episode airing the next day, praising her performance as "a religious experience" and "a transcendent performance". A review for The Celebrity Cafe echoes that Hudson's voice "is like nothing we’ve heard in a long time, and her acting is a great match for that power-house sound." Jennifer Holliday, who originated the role of Effie onstage, expressed her disappointment at not being involved in the film project in several TV, radio, and print interviews. Holliday in particular objected to the fact that her 1982 recording of "And I Am Telling You I'm Not Going" was used in an early Dreamgirls film teaser trailer created before production began. Many of the other original Dreamgirls Broadway cast members, among them Obba Babatundé, Vondie Curtis-Hall, and Cleavant Derricks, were interviewed for a Jet magazine article in which they discussed their varying opinions of both the Dreamgirls film's script and production. Awards and nominations DreamWorks and Paramount began a significant awards campaign for Dreamgirls while the film was still in production. In February 2006, the press was invited on set to a special live event showcasing the making of the film, including a live performance of "Steppin' to the Bad Side" by the cast. Three months later, twenty minutes of the film — specifically, the musical sequences "Fake Your Way to the Top", "Family", "When I First Saw You", and "Dreamgirls" – were screened at the 2006 Cannes Film Festival, with most of the cast and crew in attendance. The resulting positive buzz earned Dreamgirls the status of "front-runner" for the 2006 Academy Award for Best Picture and several of the other Oscars as well. Following the success of the Cannes screening, DreamWorks and Paramount began a widespread "For Your Consideration" advertisement campaign, raising several eyebrows by demoting Jennifer Hudson to consideration for Best Supporting Actress and presenting Beyoncé Knowles as the sole Best Actress candidate, as opposed to having both compete for Best Actress awards. By contrast, the actresses who originated Hudson's and Knowles' roles on Broadway, Jennifer Holliday and Sheryl Lee Ralph, respectively, were both nominated for the Tony Award for Best Leading Actress, with Holliday winning the award. The presentation of Knowles over Hudson as the sole Best Actress candidate had interesting parallels with the film itself. Dreamgirls received eight 2007 Academy Award nominations covering six categories, the most of any film for the year, although it was not nominated for Best Picture, Best Director, or either of the lead acting categories. The film's nominations included Best Supporting Actor (Eddie Murphy), Best Supporting Actress (Jennifer Hudson), Best Achievement in Costume Design, Best Achievement in Art Direction, Best Achievement in Sound Mixing, and three nominations for Best Song ("Listen", "Love You I Do", and "Patience"). Dreamgirls is the first live-action film to receive three nominations for Best Song; previously the Disney animated features Beauty and the Beast (1991) and The Lion King (1994) had each received three Academy Award nominations for Best Song; Enchanted (2007) has since repeated the feat. In addition, Dreamgirls was the first film in Academy Award history to receive the highest number of nominations for the year, yet not be nominated for Best Picture. The film's failure to gain a Best Picture or Best Director nod was widely viewed by the entertainment press as a "snub" by the Academy. Some journalists registered shock, while others cited a "backlash".<ref>Felton, Robert (Feb. 28, 2007). "[http://austinweeklynews.1upsoftware.com/main.asp?SectionID=1&SubSectionID=1&ArticleID=1101&TM=82934.76 Dreamgirls' Best Picture snub and Oscar night thud] ". Austin Weekly News. Retrieved March 11, 2007.</ref> On the other hand, director Bill Condon stated that "I think academy members just liked the other movies better" and that he believed that "we were never going to win even if we were nominated." Reports emerged of significant behind-the-scenes in-fighting between the DreamWorks and Paramount camps, in particular between DreamWorks' David Geffen and Paramount CEO Brad Grey, over decision making and credit-claiming during the Dreamgirls awards campaign. At the Academy Awards ceremony on February 25, 2007, Dreamgirls won Academy Award for Best Actress in a Supporting Role and Best Sound Mixing. As such, Hudson became one of the few actresses ever to win an Oscar for a film debut performance. In what was considered an upset, Murphy lost the Best Supporting Actor award to Alan Arkin for Little Miss Sunshine. Knowles, Hudson, Rose, and Robinson performed a medley of the three Dreamgirls songs nominated for Best Original Song, although all three songs lost the award to "I Need to Wake Up" from An Inconvenient Truth. For the 2007 Golden Globe Awards, Dreamgirls was nominated in five categories: Best Picture – Comedy or Musical, Best Actress in a Comedy or Musical (Beyoncé Knowles), Best Supporting Actor (Eddie Murphy), Best Supporting Actress (Jennifer Hudson), and Best Original Song ("Listen"). The film won the awards for Best Picture — Comedy or Musical, Best Supporting Actor, and Best Supporting Actress. Dreamgirls received eight NAACP Image Award nominations, winning for Best Supporting Actress (Jennifer Hudson) and Outstanding Album (the soundtrack LP). It was also named as one of the American Film Institute's top ten films of 2006.Dreamgirls also garnered Screen Actors Guild Awards for Supporting Actress (Jennifer Hudson) and Supporting Actor (Eddie Murphy), as well as a nomination for its ensemble cast. The film was also nominated by the Producers Guild of America for Best Picture and the Directors Guild of America for Bill Condon's directing. The British Academy of Film and Television Arts gave the film awards for Supporting Actress (Jennifer Hudson) and Music (Henry Krieger). Furthermore, Dreamgirls was nominated for eleven 2007 International Press Academy Satellite Awards, and won four of the awards: Best Picture — Comedy or Musical, Best Director (Bill Condon), Best Actress in a Supporting Role (Jennifer Hudson), and Best Sound (Mixing & Editing). Dreamgirls also received a record eleven Black Reel Award nominations, and won six of the awards, among them Best Film. At the 50th Grammy Awards ceremony, "Love You I Do" won the award for Best Song Written for a Motion Picture, Television or Other Visual Media. The Dreamgirls soundtrack was also nominated for the Grammy for Best Compilation Soundtrack Album. For the opening performance at the 2007 BET Awards on June 26 of that year, Hudson performed a duet of "And I Am Telling You I'm Not Going" with her predecessor, Jennifer Holliday. Later that night, Hudson won the BET Award for Best Actress. In February 2022, Hudson's rendition of "And I Am Telling You I'm Not Going" was named one of the five finalists for Oscars Cheer Moment as part of the Academy of Motion Picture Arts and Sciences' "Oscars Fan Favorite" contest. Accolades Related promotions and products To give the story more exposure for the upcoming film release, DreamWorks and the licenser of the original play, The Tams-Witmark Music Library, announced that they would pay the licensing fees for all non-professional stage performances of Dreamgirls for the calendar year of 2006. DreamWorks hoped to encourage amateur productions of Dreamgirls, and familiarize a wider audience with the play. As a result, more than fifty high schools, colleges, community theaters, and other non-commercial theater entities staged productions of Dreamgirls in 2006, and DreamWorks spent up to $250,000 subsidizing the licensing. The Dreamgirls novelization was written by African-American novelist Denene Millner, and adapts the film's official script in chapter form, along with fourteen pages of photographs from the film. The book was released on October 31, 2006. A scrapbook, entitled Dreamgirls: The Movie Musical, was released on March 27, 2007. The limited edition program guide accompanying the Dreamgirls road show release was made available for retail purchase in February. In addition, the Tonnor Doll Company released "The Dreamettes" collection, featuring dolls of the characters Deena, Lorrell, and Effie, to coincide with the release of the film. Allusions to actual events Aside from the overall plot of the film and elements already present in the stage musical, many direct references to The Supremes, Motown, or R&B/soul history in general are included in the film. In one scene, Effie saunters into Curtis' office and discusses Rainbow Records' latest LP, The Great March to Freedom, a spoken word album featuring speeches by Martin Luther King Jr. This LP is an authentic Motown release, issued as Gordy 906 in June 1963.Edwards, David and Callahan, Mike (1999). "Gordy Album Discography, Part 1 (1962–1981)". Retrieved Feb. 3, 2007. A later scene features Curtis and the Dreams recording in the studio, while a riot rages outside. By comparison, Motown's Hitsville U.S.A. studio remained open and active during Detroit's 12th Street Riot in July 1967.Posner, Gerald (2002). Motown: Music, Money, Sex, and Power. New York: Random House. . Pg. 173. The photo shoot montage which accompanies "When I First Saw You", as well as the subplot of Deena being forced to star in Curtis' Cleopatra film against her will, reflect both scenes from and the production of Mahogany, a 1975 Motown film starring Diana Ross and directed by Motown CEO Berry Gordy. In a snapshot, Ed Sullivan appears presenting the real Supremes on his show. Among the more direct references are the uses of adapted Supremes album cover designs for albums recorded in the film by the Dreams. Three Supremes albums – Let the Sunshine In, Cream of the Crop, and Touch – were reworked into Deena Jones & The Dreams album designs, with the only differences in the designs being the substitution of the names and images of the Supremes with those of Deena Jones & the Dreams. Another Dreams LP seen in the film, Meet the Dreams, is represented by an album cover derived from the designs for the Supremes LPs Meet The Supremes, More Hits by The Supremes and The Supremes A' Go-Go. There is also a solo album, Just In Time, recorded by Deena Jones shown in the film, the album cover for which is based on Dionne Warwick's 1970 album, Very Dionne. Diana Ross, long a critic of the Broadway version of Dreamgirls for what she saw as an appropriation of her life story, denied having seen the film version. On the other hand, Mary Wilson attended the film's Los Angeles premiere, later stating that Dreamgirls moved her to tears and that it was "closer to the truth than they even know". However, Smokey Robinson was less than pleased about the film's allusions to Motown history. In a January 25, 2007 interview with NPR, Robinson expressed offense at the film's portrayal of its Berry Gordy analogue, Curtis Taylor Jr., as a "villainous character" who deals in payola and other illegal activities. He repeated these concerns in a later interview with Access Hollywood'', adding that he felt DreamWorks and Paramount owed Gordy an apology. On February 23, a week before the Oscars ceremony, DreamWorks and Paramount issued an apology to Gordy and the other Motown alumni. Gordy issued a statement shortly afterwards expressing his acceptance of the apology. The payola scheme used in the film's script, to which Robinson took offense, is identical to the payola scheme allegedly used by Gordy and the other Motown executives, according to sworn court depositions from Motown executive Michael Lushka, offered during the litigation between the label and its chief creative team, Holland–Dozier–Holland. Several references are also made to Mafia-backed loans Curtis uses to fund Rainbow Records. Gordy was highly suspected, though never proven, to have used Mafia-backed loans to finance Motown during its later years. References External links Dreamgirls Blu-ray Disc review Dreamgirls 2000s historical romance films 2000s musical drama films 2000s romantic drama films 2000s romantic musical films 2006 films Adultery in films African-American drama films African-American musical films American films American films based on plays American historical romance films American musical drama films American romantic drama films American romantic musical films BAFTA winners (films) Best Musical or Comedy Picture Golden Globe winners DreamWorks Pictures films 2000s English-language films Films à clef Films about musical groups Films about race and ethnicity Films based on musicals Films directed by Bill Condon Films featuring a Best Supporting Actor Golden Globe winning performance Films featuring a Best Supporting Actress Academy Award-winning performance Films featuring a Best Supporting Actress Golden Globe-winning performance Films produced by Laurence Mark Films scored by Stephen Trask Films set in the 1960s Films set in the 1970s Films set in Detroit Films shot in Michigan Films that won the Best Sound Mixing Academy Award Films with screenplays by Bill Condon Paramount Pictures films 2006 drama films

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What happened in 1995

What happened to Todd Bertuzzi in 1995

Todd Bertuzzi

Two years after his draft, Bertuzzi and the Islanders had not yet been agreed to a contract. With Bertuzzi eligible to re-enter the draft if the Islanders did not sign him by July 7, 1995, general manager Don Maloney made it apparent that he would use the team's second overall pick in the 1995 NHL Entry Draft to select him again if a contract could not be agreed upon by the required date. Moments before the midnight deadline, the Islanders were able to sign Bertuzzi to a four-year, US$4.6 million contract. His agent, Pat Morris, had reportedly wanted a similar deal to that of fellow Islanders prospect Brett Lindros - a five-year, $6.7 million contract signed the previous summer. During training camp in September 1995, Islanders head coach Mike Milbury heralded Bertuzzi as the team's best performing forward. Making his NHL debut on October 7, 1995, he scored a wrap around goal against goaltender Blaine Lacher in a 4-4 tie with the Boston Bruins. Beginning the season on the team's top line with Zigmund Palffy and Travis Green, Bertuzzi finished his rookie year with 18 goals and 39 points over 76 games. The following season, Bertuzzi recorded 23 points in 64 games. The Islanders did not qualify for the playoffs in either of his two full seasons with the club, ranking second-last in the Eastern Conference in 1995-96 and 1996-97. Bertuzzi's playing style as a power forward resulted in comparisons to former Islander Clark Gillies. As a result, the club hired Gillies to personally mentor Bertuzzi. Failing to meet lofty expectations from the club, Gillies once said of Bertuzzi, "If you're built like a freight train, you can't drive around like a Volkswagen." Feeling burdened with the pressure of playing up to the club's expectations while his offensive production diminished, he requested to be traded away at one point during the 1996-97 season. In response, Milbury, who had also taken over general manager duties the previous season, demoted Bertuzzi to the Islanders' minor league affiliate, the Utah Grizzlies of the International Hockey League (IHL). Playing 13 games in the minors, he registered 10 points before being called back up to the NHL. During the 1997-98 campaign, he continued to score below his pace as a rookie. On February 6, 1998, he was traded along with defenceman Bryan McCabe and a third-round selection in the 1998 NHL Entry Draft (Jarkko Ruutu) to the Vancouver Canucks in exchange for veteran forward Trevor Linden. The deal was made prior to the NHL's roster freeze in preparation for the 1998 Winter Olympics. Bertuzzi and McCabe had both been widely regarded as the players of the future for New York after their respective drafts in 1993. While Milbury expressed regret at having to trade McCabe, relations between Bertuzzi and the club were strained. Welcoming the trade, Bertuzzi commented that "things weren't working out [in New York]." CANNOTANSWER

Two years after his draft, Bertuzzi and the Islanders had not yet been agreed to a contract.

Todd Bertuzzi (born February 2, 1975) is a Canadian former professional ice hockey winger of the National Hockey League (NHL). Known as a power forward, he has played in the NHL for the New York Islanders, Vancouver Canucks, Florida Panthers, Anaheim Ducks, Calgary Flames and Detroit Red Wings. He is widely known for his role in the Todd Bertuzzi–Steve Moore incident, for which he was suspended by the NHL and IIHF, and criminally charged. Selected 23rd overall by the New York Islanders in the 1993 NHL Entry Draft, he played at the junior level with the Guelph Storm of the Ontario Hockey League (OHL) for four seasons. In 1995–96, he played his rookie season with the Islanders. After two-and-a-half seasons with the Islanders, he was traded to the Vancouver Canucks. Bertuzzi enjoyed the most successful seasons of his career with the Canucks—his longest tenured team in the NHL—including NHL First Team All-Star honours in 2003. In 2006, after seven-and-a-half seasons with Vancouver, Bertuzzi was dealt to the Florida Panthers, with whom he briefly played for until being traded again to the Red Wings. He then played single seasons with the Anaheim Ducks and the Calgary Flames before returning to Detroit in 2009 and finishing his career there. Internationally, Bertuzzi has competed for Team Canada at the 2006 Winter Olympics in Turin, as well as the 1998 and 2000 World Championships. He is the uncle of Tyler Bertuzzi who currently plays for the Detroit Red Wings. Playing career Guelph Storm (1991–95) After playing for two minor hockey teams based out of Sudbury, Ontario in 1990–91, Bertuzzi was selected in the first round (fifth overall) by the Guelph Storm in the 1991 Ontario Hockey League (OHL) Priority Selection. His future coach with the Vancouver Canucks, Marc Crawford, passed on Bertuzzi during the draft while he was general manager of the Cornwall Royals; he has recalled not selecting him due to "maturity issues" and that he was "a big kid who hadn't grown into his body yet." Bertuzzi started his OHL career for Guelph in 1991–92, recording 21 points over 42 games as a rookie. He missed the last 15 games of the regular season due to suspension as a result of kicking opposing defenceman Brad Barton during a contest between the Storm and Kitchener Rangers. After improving to 58 points over 60 games in 1992–93, he was selected 23rd overall by the New York Islanders in the 1993 NHL Entry Draft. The NHL Central Scouting Bureau described Bertuzzi as a physical and strong player with good skating who checks hard and is offensively effective in close proximity to the net. Following his NHL draft, he underwent surgery for chipped bones in his left elbow in August 1993. As a result, he was unable to participate in the Islanders' training camp in September and was returned to the OHL. Playing in his third season for Guelph, he improved to 28 goals and 82 points over 61 games. Bertuzzi competed for an Islanders' roster spot at their 1994 training camp, but was sent back to his junior team after going scoreless in three exhibition games. During his last campaign with Guelph in 1994–95, he recorded 119 points – sixth overall in the league. His 54 goals established a single-season team record, beating Mike Prokopec's mark, set the previous year, by two goals. The Storm's forward tandem of Bertuzzi and Jeff O'Neill, who finished fourth in league scoring, led the club to the best regular season record in the league. He went on to add a team-leading 33 points in 14 playoff games, en route to an OHL Finals loss to the Detroit Junior Red Wings. After four seasons with Guelph, he left the club ranked third all-time in career points with 280, behind O'Neill and Martin St. Pierre. New York Islanders (1995–98) Two years after his draft, Bertuzzi and the Islanders had not yet been agreed to a contract. With Bertuzzi eligible to re-enter the draft if the Islanders did not sign him by July 7, 1995, general manager Don Maloney made it apparent that he would use the team's second overall pick in the 1995 NHL Entry Draft to select him again if a contract could not be agreed upon by the required date. Moments before the midnight deadline, the Islanders were able to sign Bertuzzi to a four-year, US$4.6 million contract. His agent, Pat Morris, had reportedly wanted a similar deal to that of fellow Islanders prospect Brett Lindros – a five-year, $6.7 million contract signed the previous summer. During training camp in September 1995, Islanders head coach Mike Milbury heralded Bertuzzi as the team's best performing forward. Making his NHL debut on October 7, 1995, he scored a wrap around goal against goaltender Blaine Lacher in a 4–4 tie with the Boston Bruins. Beginning the season on the team's top line with Žigmund Pálffy and Travis Green, Bertuzzi finished his rookie year with 18 goals and 39 points over 76 games. The following season, Bertuzzi recorded 23 points in 64 games. The Islanders did not qualify for the playoffs in either of his two full seasons with the club, ranking second-last in the Eastern Conference in 1995–96 and 1996–97. Bertuzzi's playing style as a power forward resulted in comparisons to former Islander Clark Gillies. As a result, the club hired Gillies to personally mentor Bertuzzi. Failing to meet lofty expectations from the club, Gillies once said of Bertuzzi, "If you're built like a freight train, you can't drive around like a Volkswagen." Feeling burdened with the pressure of playing up to the club's expectations while his offensive production diminished, he requested to be traded away at one point during the 1996–97 season. In response, Milbury, who had also taken over general manager duties the previous season, demoted Bertuzzi to the Islanders' minor league affiliate, the Utah Grizzlies of the International Hockey League (IHL). Playing 13 games in the minors, he registered 10 points before being called back up to the NHL. During the 1997–98 campaign, he continued to score below his pace as a rookie. On February 6, 1998, he was traded along with defenceman Bryan McCabe and a third-round selection in the 1998 NHL Entry Draft (Jarkko Ruutu) to the Vancouver Canucks in exchange for veteran forward Trevor Linden. The deal was made prior to the NHL's roster freeze in preparation for the 1998 Winter Olympics. Bertuzzi and McCabe had both been widely regarded as the players of the future for New York after their respective drafts in 1993. While Milbury expressed regret at having to trade McCabe, relations between Bertuzzi and the club were strained. Welcoming the trade, Bertuzzi commented that "things weren't working out [in New York]." Vancouver Canucks (1998–2006) Bertuzzi immediately began producing with Vancouver, tallying 15 points in 22 games after the trade. Combined with his totals from New York, he finished with 33 points over 74 games in 1997–98. Contrasting his strained relationship with Milbury in New York, Canucks head coach Mike Keenan has recalled his experience with Bertuzzi upon his arrival as positive: "He came as a young player and he was very open-minded about learning about the game." Similar to the Islanders, Bertuzzi joined a struggling club in Vancouver; the team finished last in the Western Conference in his first two seasons after the trade. After beginning the 1998–99 season on the Canucks' top line, Bertuzzi was limited to 32 games due to injuries, the first of which was a fractured tibia. He suffered the injury on November 1, 1998, after a shot by teammate Mattias Öhlund hit him in the leg. His season was later ended with a torn anterior cruciate ligament (ACL) in his left knee, suffered during a game on March 5, 1999. He recorded 8 goals and 16 points in 1998–99. In the off-season, Bertuzzi became a restricted free agent and was re-signed by the Canucks to a two-year contract in September 1999. The deal was reported by The Vancouver Sun to be worth a little over $2 million. Returning from injury the following season, Bertuzzi emerged as one of the Canucks' best offensive contributors, finishing with 25 goals (second on the team to Markus Näslund) and 50 points in 1999–2000. At the end of the season, he received the team's Most Exciting Player Award, as voted by the fans. He received the distinction three more times during his career with the Canucks from 2002 to 2004). Meanwhile, the Canucks began improving as a team, finishing four points out of a playoff spot in the West in 2000. The following season, Bertuzzi recorded his first career NHL hat trick, recording all three goals on the power play against San Jose Sharks goaltender Evgeni Nabokov in a 6–3 win on December 30, 2000. Bertuzzi recorded a second consecutive 25-goal season in 2000–01, adding 30 assists for 55 points, third in team scoring behind Näslund and Andrew Cassels. His -18 plus-minus rating, however, was a team-worst. The Canucks continued to improve, qualifying for the post-season for the first time in five years. Entering the 2001 playoffs as the final and eighth seed in the West, they were eliminated in the first round by the Colorado Avalanche. Bertuzzi scored two goals and two assists over four games in his first NHL post-season appearance. In the off-season, Bertuzzi filed for salary arbitration after initially failing to come to terms on a new contract with the Canucks. Both sides avoided arbitration by agreeing to a three-year deal on July 26, 2001. In the first month of the 2001–02 season, Bertuzzi received an automatic 10-game suspension from the league (forfeiting $118,557 in salary) after leaving the bench to help teammate Ed Jovanovski in a fight. The incident occurred during a game against the Colorado Avalanche in which opposing coach Bob Hartley sent enforcer Scott Parker onto the ice as the extra attacker during a delayed penalty. Parker proceeded to physically engage Jovanovski, at which point Bertuzzi left the bench to help his teammate. Vancouver struggled with him out of the lineup, winning 3 games during the 10-game span. Two months after returning from suspension, Bertuzzi went 15 consecutive games with at least a point, scoring 7 goals and 12 assists from January 3 – February 4, 2002. The streak tied Petr Nedvěd for the longest in Canucks history. During that span, in a game on January 9, Canucks head coach Marc Crawford replaced Andrew Cassels with Brendan Morrison, marking the beginning of what was considered by many to be the most effective line combination in the league for several seasons. Bertuzzi had emerged as an effective power forward, able to use his size and strength to position himself in front of the net, with good stickhandling ability. According to Canucks assistant coach Jack McIlhargey, Bertuzzi's skill set favourably complemented Näslund's goal-scoring and Morrison's playmaking abilities. The trio were dubbed by Vancouver media as the "West Coast Express", named after the city's commuter rail service of the same name. Late in the 2001–02 season, Bertuzzi recorded his second career hat-trick on March 19, 2002, during a win against the New York Rangers. He scored his first two goals of the game against Dan Blackburn and his third into an empty net. Despite missing ten games from his suspension, Bertuzzi finished the 2001–02 season third in league-scoring with 85 points, behind Näslund and Calgary Flames forward Jarome Iginla. His 1.18 points-per-game average ranked second in the NHL behind Mario Lemieux, who played 48 fewer games than Bertuzzi. He also improved his plus-minus rating by 39 points from the previous season, finishing a career-high +21. Although the Canucks were the league's highest scoring team, they finished with the final seed in the West for the 2002 playoffs, ranking eighth in their conference. Facing the Detroit Red Wings in the opening round, they were eliminated in six games. Bertuzzi recorded four points in the series. The following season, Bertuzzi appeared in his first NHL All-Star Game. He was joined by fellow Canucks Markus Näslund, defenceman Ed Jovanovski and head coach Marc Crawford, helping the Western Conference to a 6–5 shootout win against the East. He played on a line with Näslund and Peter Forsberg. Later in the season, he scored his third career hat-trick on March 17, 2003, scoring three goals against Ron Tugnutt in a game against the Dallas Stars. He finished the season with career-highs of 46 goals (third in the league), 51 assists and 97 points (fifth in the league). His 25 power play goals led the NHL and tied Pavel Bure for the Canucks' single-season record. Linemates Näslund and Morrison also recorded personal bests with 104 and 71 points, respectively. Meanwhile, the Canucks emerged as a top team in the West. Losing the Northwest Division title to the Avalanche by one point in the regular season, they finished as the fourth seed in their conference. After going down three-games-to-one in the opening round against the St. Louis Blues, Vancouver won three straight games to advance to the second round. Facing the Minnesota Wild, the Canucks gave up their own three-games-to-one series lead and were eliminated in seven games. During the series, Bertuzzi had reportedly walked by the Xcel Energy Center box office and told Wild fans they would not need their Game 6 tickets because Minnesota would be eliminated by then. In another on-ice incident, he skated by the opposing bench during Game 7 when the Canucks were winning 2–0, telling Wild players to "get [their] golf clubs". Despite his successful regular season, Bertuzzi struggled to score in the playoffs, recording 6 points in 14 games. In the off-season, Bertuzzi was named with Näslund to the NHL First All-Star Team. With Bertuzzi entering the final year of his contract, the Canucks began negotiating a contract extension prior to the 2003–04 season. Despite Bertuzzi's agent, Pat Morris, declaring that they would cease negotiations once the season began, Bertuzzi signed a four-year, $27.8 million deal with the Canucks on October 23, 2003. The contract took effect immediately, erasing the last year on his previous contract, and included a $3 million signing bonus ($2.5 million paid in the first year and $500,000 in the second). The deal paid him $4.3 million the first year, $6.633 million the second year and $6.933 million for the third and fourth years. In January 2004, Bertuzzi was voted by league fans to the starting lineup of the NHL All-Star Game. Representing the Western Conference alongside Näslund and Canucks head coach Marc Crawford, they were defeated by the East 6–4. Bertuzzi had two assists while playing on a line with Näslund and Joe Sakic. Nearing the end of the 2003–04 season, Bertuzzi was indefinitely suspended by the NHL for punching Colorado Avalanche forward Steve Moore from behind and driving his head into the ice during a game on March 8, 2004. His actions were a retaliation to a hit from Moore on Näslund during a previous game. Sitting out the remainder of the regular season and playoffs due to his suspension, he finished 2003–04 with 60 points over 69 games. Vancouver replaced Bertuzzi on the team's top line with Matt Cooke and went on to their first Northwest Division title, before being eliminated in the first round of the 2004 playoffs by the Calgary Flames. Inactive in 2004–05 due to the players lockout and his ongoing suspension, which had been extended internationally, Bertuzzi returned to the Canucks in 2005–06, as the league ended his playing ban. He recorded 25 goals and 71 points, including two hat tricks (November 13, 2005, against the Detroit Red Wings and January 14, 2006, against the New York Islanders). Though he ranked third in team scoring, Crawford has recalled that by the end of the season, Näslund and Bertuzzi had been eclipsed by Daniel and Henrik Sedin as the team's offensive leaders. There was speculation that the effects of the Steve Moore incident, which included assault charges and constant media coverage, were negatively affecting his play. While on the road, he was consistently heckled and booed by fans throughout the NHL. Näslund, a close friend of Bertuzzi's, later expressed sympathy for him, saying in a 2008 interview, "It still bothers me what Todd has had to go through...There's no question he was standing up for me...it all went too far." Beyond the negative impact on Bertuzzi's individual play, the media speculated that the fallout from the Moore incident had become a distraction to the organization as a whole. Compounding the situation in Vancouver, the Canucks had missed the playoffs for the first time in four years. As such, general manager Dave Nonis spent the off-season making significant changes to the Canucks lineup. On June 23, 2006, he traded Bertuzzi to the Florida Panthers, along with goaltender Alex Auld and defenceman Bryan Allen, in exchange for goaltender Roberto Luongo, defenceman Lukáš Krajíček and a sixth-round selection in the 2006 NHL Entry Draft (Sergei Shirokov). After seven-and-a-half seasons with the Canucks, Bertuzzi left the club ranked seventh all-time among franchise scoring leaders with 449 points. Florida, Detroit, and Anaheim (2006–08) Instrumental in facilitating the trade to Florida was Bertuzzi's positive relationship with Panthers general manager Mike Keenan, who was his first coach in Vancouver. Debuting with the Panthers on October 6, 2006, Bertuzzi scored a goal and three assists in an 8–3 win against the Boston Bruins. He appeared in six more games for Florida, notching seven points total, before being sidelined with back spasms. After being diagnosed with a herniated disc in early-November, Bertuzzi opted for surgery, which kept him out of the lineup for five months. While recovering, the Panthers dealt him to the Detroit Red Wings at the trade deadline in exchange for forward prospect Shawn Matthias and conditional draft picks. Bertuzzi was in the last year of his contract with no guarantee he would re-sign with Florida in the off-season. Bertuzzi returned to action on March 22, 2007, debuting with his new team in a 2–1 shootout loss to the Columbus Blue Jackets. Eight days later, he scored his first goal as a Red Wing in a 4–3 shootout loss to the Dallas Stars. On April 7, he suffered a neck injury that kept him out of the lineup for the last game of the regular season and the first two games of the 2007 playoffs. He finished the campaign with 11 points in 15 games split between Florida and Detroit. During the playoffs, the Red Wings advanced to the Western Conference Finals, where they lost in six games to the Anaheim Ducks, who went on to win the Stanley Cup. Bertuzzi recorded 7 points in 16 playoff games. Becoming an unrestricted free agent in the off-season, Bertuzzi agreed to a two-year, $8 million contract with the Anaheim Ducks on July 2, 2007. Signing him was Ducks general manager Brian Burke, who had served as the Canucks general manager during Bertuzzi's time in Vancouver. Bertuzzi had reportedly been in negotiations to re-sign with Detroit, but the club only wanted a one-year deal. Playing the Red Wings in the Ducks' first game of the regular season on October 3, 2007, he registered a goal and an assist in a 3–2 shootout loss. In the first month of the 2007–08 campaign, he suffered a concussion and was sidelined for 14 games in October and November 2007. Bertuzzi returned to the lineup in time for the Ducks' away game against the Canucks on November 27, which marked his first NHL game in Vancouver since being traded away. Bertuzzi was received warmly by Canucks fans, as the Ducks lost the game 4–0. Playing in 68 contests over the season, he registered 40 points with Anaheim. Entering the 2008 playoffs as the defending champions, the Ducks were eliminated in the first round four games to two by the Dallas Stars. In six playoff contests, Bertuzzi recorded two assists. Calgary Flames (2008–09) During the subsequent summer, several Ducks players were set to become free agents, including high-profile forward Corey Perry. Requiring additional salary cap space to make room for defenceman Scott Niedermayer, who announced he was returning for another season, Bertuzzi was placed on unconditional waivers with the intention of buying out the remaining year on his contract. Addressing Bertuzzi's buy out with the media, Burke asserted that he "believe[d] [Bertuzzi] can still play at the NHL level," and that the Ducks were merely "handcuffed by [their] salary cap situation." Bertuzzi once again became an unrestricted free agent and signed a one-year, $1.95 million contract with the Calgary Flames on July 7, 2008. Joining Calgary, he was reunited with Flames coach Mike Keenan. Before the start of the 2008–09 season, Bertuzzi switched jersey numbers from 4 to 7, in honour of his boyhood idol, Phil Esposito. The numbers 44, which Bertuzzi wore in New York, Vancouver and Detroit, and 4, which he wore in Anaheim, were already taken in Calgary. Bertuzzi scored his first goal with the Flames, deflecting a Dion Phaneuf shot, on October 11, 2008, in a 5–4 overtime loss to the Vancouver Canucks. While initial fan reaction to Bertuzzi was negative due to his previous role with the division-rival Canucks, as well as his reputation following the Steve Moore incident, he was eventually accepted in Calgary. In January 2009, he missed five games due to a back injury. Several months later, he was sidelined again with a knee injury and underwent arthroscopic surgery to repair damaged cartilage on March 3, 2009. Missing 11 games, he returned in time for the 2009 playoffs, where the Flames were eliminated by the Chicago Blackhawks in the opening round. He finished his only season in Calgary with 44 points in 66 regular season games, while adding a goal and an assist in six playoff contests. Return to Detroit (2009–2014) On August 18, 2009, Bertuzzi re-joined the Red Wings by accepting a one-year contract with the club worth $1.5 million. He recorded 44 points (18 goals and 26 assists) in 2009–10, ranking fifth in team scoring. During the second round of the 2010 playoffs, Bertuzzi recorded a career-high five-point contest (a goal and four assists) in a Game 4 victory against the San Jose Sharks. Bertuzzi finished with a playoffs career-high 11 points in 12 games. In the off-season, Bertuzzi signed a two-year, $3.875 million contract extension with the Red Wings on June 16, 2010. During the 2010–11 season, he appeared in his 1,000th NHL game on February 20, 2011, against the Minnesota Wild. Bertuzzi scored a shootout goal to help Detroit win the game 2–1. Dressing for 81 games that season, he ranked seventh in team scoring with 45 points (16 goals and 29 assists). During the 2011 playoffs, he added 6 points (2 goals and 4 assists) over 11 games as the Red Wings were eliminated in the second round by the San Jose Sharks. On February 23, 2012 Bertuzzi re-signed with the Red Wings for $4.15 million over two years. He dressed for seven games in the lockout-shortened 2012-2013 regular season due to injuries, producing three points, and was held pointless over six games in the playoffs. In the 2013–2014 season he played 59 games and produced 16 points, but was a healthy scratch 15 times; he played one playoff game without a point. During his time with Detroit, he earned praise from head coach Mike Babcock and teammates for adapting his playing style to be more defensively responsible. Bertuzzi credited the influence of teammates Pavel Datsyuk and Henrik Zetterberg, both successful two-way players in the league. Binghamton Senators tryout and retirement (2015) On January 9, 2015 he signed a professional tryout contract with the Ottawa Senators AHL affiliate the Binghamton Senators in hopes to get a contract with Ottawa. Bertuzzi was released from his professional tryout offer with Binghamton on January 21, 2015, after posting no points and a minus-3 rating in his 2 games played with the Senators. He subsequently retired that year. International play Bertuzzi debuted internationally for Team Canada at the 1998 World Championships in Switzerland. He was among the youngest players selected to the team, along with Canucks teammate Bryan McCabe and Chicago Blackhawks forward Eric Dazé, who were all born in 1975 (third-string goaltender Christian Bronsard was two years younger, but did not play in any games). In six games, he recorded three points, as Canada failed to qualify for the medal rounds. Two years later, Bertuzzi competed at the 2000 World Championships in St. Petersburg, Russia. One of five Canucks players chosen to the national team, he was joined by Adrian Aucoin, Ed Jovanovski, Brendan Morrison and Peter Schaefer. His second tournament appearance was more productive, as he scored nine points in nine games – first among Canadian players and fourth overall – while also leading the tournament in penalty minutes with 47. Canada did not medal, losing to Finland in the bronze medal game by a 2–1 score. His 63 total penalty minutes from both tournament appearances set an all-time Canadian record for World Championship competitors since 1977 (when Canada resumed competing in the tournament). In December 2005, Bertuzzi was controversially selected to play for Team Canada at the 2006 Winter Olympics in Turin, Italy. His inclusion, along with that of Dany Heatley and Shane Doan, was discussed at length by the Canadian Olympic Committee (COC). The committee had concerns stemming from the Steve Moore incident and Bertuzzi's probationary status, but subsequently approved his representation of Canada at the Olympics. According to a Canadian Press article, "[COC president] Chambers said the [unusual meeting] was prompted by some media concerns raised over the three athletes participating in the Games. The fact it took the committee so long to approve the list means there was some debate." Bertuzzi went on to post three points (all assists) at the 2006 Olympics, tying for second in team scoring with nine other players. Canada failed to advance past the quarterfinal, losing to Russia by a 2–0 score. They finished in seventh place overall after winning gold at the previous Winter Olympics in 2002. Steve Moore Incident On February 16, 2004, during a game between Vancouver and Colorado, Avalanche center Steve Moore checked Markus Näslund in the head, causing a minor concussion and a bone chip in his elbow. No penalty was assessed, and the league decided not to fine or suspend Moore, ruling the hit legal. Näslund missed three games as a result of the hit. In a rematch, with the Canucks trailing the Avalanche 8–2 in the third period, Bertuzzi began following Moore around the ice, attempting to provoke him into another fight. With Moore ignoring him, Bertuzzi grabbed Moore's jersey from behind and punched him in the side of the face from behind, with Moore's face hitting the ice as Bertuzzi pushed him, already out cold, into the ice, breaking his neck. Bertuzzi, as well as several other players from both teams, landed atop Moore as he fell to the ice. Bertuzzi was assessed a match penalty and ejected from the game. Per league rules, he was also suspended indefinitely pending a ruling from league commissioner Gary Bettman. After lying on the ice for approximately 10 minutes, Moore was removed from the playing surface on a stretcher. He was treated for three fractured vertebrae in his neck, a grade three concussion, vertebral ligament damage, stretching of the brachial plexus nerves, and facial lacerations. He was also suffering from amnesia. Bertuzzi apologized to Moore and his family, as well as to Burke, Canucks owner John McCaw, Jr., the Canucks organization, his teammates, and the fans in a press conference two days later. On March 11, 2004, the league ruled he would remain suspended for at least the remainder of the Canucks' season, which ultimately cost him the final 13 games of the regular season plus seven playoff games. The Canucks were additionally fined $250,000. While the following NHL season was suspended due to the 2004–05 lockout, Bertuzzi intended to play in Europe, but the International Ice Hockey Federation (IIHF) extended his NHL suspension to cover their jurisdiction. Bertuzzi remained professionally inactive during the 2004–05 season. The IIHF's sanction also kept him from representing Canada in the 2004 and 2005 World Championships, as well as the 2004 World Cup. Bettman scheduled a reinstatement hearing for Bertuzzi on April 26, 2005. The hearing was attended separately by Bertuzzi and Moore. Prior to the 2005–06 season, Bettman announced Bertuzzi's reinstatement on August 8, citing that "Mr. Bertuzzi had paid a very significant price for his conduct," adding that he felt Bertuzzi was "genuinely remorseful and apologetic." Bertuzzi's 17-month suspension caused him to miss a total of 20 games—the fourth-longest suspension in NHL history at the time. The suspension accounted for $501,926.39 in forfeited salary, as well as an approximate $350,000 in lost endorsements. On the day of his reinstatement, Team Canada's executive director, Wayne Gretzky, offered him a spot on the national team's summer orientation camp in preparation for the 2006 Winter Olympics. Legal actions After a four-month investigation, the criminal justice branch of the Attorney General of British Columbia announced formal charges of assault causing bodily harm against Bertuzzi on June 24, 2004. With the charge, Bertuzzi faced up to one-and-a-half years in prison. Bertuzzi pleaded guilty to the assault charge on December 22 after arranging a plea bargain with prosecutors. He was given a conditional discharge requiring 80 hours of community service and one year's probation that additionally prohibited him from playing in any hockey game Moore was competing in. Under Canadian law, Bertuzzi's successful completion of his probationary period precluded him from a criminal record. Moore expressed disappointment regarding Bertuzzi's discharge and was upset that he was unable to attend the court date, having to issue a written victim statement instead. Moore's lawyer, Tim Danson, was given one day's notice of the court date following Bertuzzi's plea bargain, which he said was insufficient time for Moore to travel to Vancouver. On February 17, 2005, Moore filed a lawsuit in a Colorado court against Bertuzzi, numerous individuals within the Canucks organization, including Brad May (Bertuzzi's teammate at the time who was quoted as saying that there would "definitely be a price on Moore's head" after Moore's hit on Näslund), Brian Burke, Marc Crawford, as well as the Canucks organization as a whole and the Orca Bay Sports and Entertainment company that owned the team. The lawsuit was thrown out in October 2005, as the Colorado judge ruled the case was better suited for Canadian courts, as Moore and all the defendants were Canadian citizens. Planning to appeal the decision, Danson stated publicly the following month that Moore had begun skating and doing regular workouts, but continued to suffer concussion-related symptoms. On February 16, 2006, Moore filed another lawsuit in the Ontario Superior Court against Bertuzzi, the Canucks, and Orca Bay, seeking CAD$15 million in pecuniary damages for loss of income, CAD$1 million for aggravated damages, and CAD$2 million for punitive damages. Moore's parents, who were watching their son on television when the attack happened, also sued, seeking CAD$1.5 million for "negligent infliction of nervous shock and mental distress". In December 2006, Bettman and top lieutenant Bill Daly facilitated a meeting between Moore's representatives and the defendants in hopes of agreeing on an out-of-court settlement. An out-of-court settlement was reached in Moore's lawsuit in October 2014. Terms of the settlement are confidential. Personal life Bertuzzi was born and raised in Sudbury, Ontario. His father, Albert Bertuzzi, is an Italian-Canadian who worked in the window-washing business. When Bertuzzi was a teenager, Albert survived a near-fatal car accident in which he was thrown from the vehicle through the windshield. His father has stated that he was proud of his own local reputation as a "dirty player" and referred to it as a "Bertuzzi trait". He has said that Bertuzzi takes after him in regards to his toughness and aggression. Bertuzzi's great-uncle, Larry Bertuzzi, is a Toronto-based lawyer who has done arbitration work for the NHL, including on the Eric Lindros trade. Growing up, Bertuzzi played minor hockey with the Nickel Centre and Sudbury Minor Hockey programs. In 1990–91, Bertuzzi played as an underaged player in the major midget ranks with the Sudbury Capitals AAA team. Physically built as a power forward throughout his youth, he stood 6 feet and 2 inches (1.88 metres) and weighed 195 pounds (88.5 kilograms) by age 15. Bertuzzi and his wife, Julie, were married in July 1996. They have two children born one-and-a-half years apart in Vancouver, a son named Tag and a daughter named Jaden. His son, Tag Bertuzzi, was drafted into the OHL by the Guelph Storm, 2nd overall in 2017. Bertuzzi is a recreational golfer and has credited the sport with allowing him to relax more as a hockey player. During his 10-game suspension from the NHL in October and November 2001, he played golf to focus his energy. Afterwards, he made it a custom to go to the driving range before every game. Bertuzzi's nephew Tyler Bertuzzi plays hockey for the Detroit Red Wings. Bertuzzi was arrested on February 27, 2021, and was detained at the Oakland County Jail in Michigan on suspicion of DUI. Career statistics Regular season and playoffs International Awards Records Guelph Storm team record; most goals, single season—54 in 1994–95 (surpassed Mike Prokopec, 52 goals in 1992–93) Vancouver Canucks team record; longest point-scoring streak—15 games (7 goals, 12 assists; January 3 – February 4, 2003) (tied with Petr Nedved; November 19 – December 27, 1992) Vancouver Canucks team record; most powerplay goals, single season—25 in 2002–03 (tied with Pavel Bure) Transactions June 26, 1993: Drafted 23rd overall by the New York Islanders July 6, 1995: Signed to a four-year, $4.6 million contract with the New York Islanders February 6, 1998: Traded to the Vancouver Canucks from the New York Islanders with Bryan McCabe and a 3rd round choice in 1998 (Jarkko Ruutu) for Trevor Linden September 1999: Re-signed to a two-year contract with the Vancouver Canucks October 27, 2003: Signed a four-year, $27.9 million contract extension with the Vancouver Canucks March 11, 2004: Suspended indefinitely by the NHL for deliberate injury to Steve Moore in a game versus the Colorado Avalanche August 8, 2005: Officially reinstated by the NHL June 23, 2006: Traded to the Florida Panthers by the Vancouver Canucks with Bryan Allen and Alex Auld for Roberto Luongo, Lukas Krajicek and a sixth-round draft choice in 2006 (Sergei Shirokov) February 27, 2007: Traded to the Detroit Red Wings by the Florida Panthers for prospect Shawn Matthias and conditional draft picks July 2, 2007: Signed a two-year, $8 million contract as an unrestricted free agent with the Anaheim Ducks June 28, 2008: Placed on waivers by the Anaheim Ducks; subsequently bought out July 7, 2008: Signed a one-year $1.95 million contract as an unrestricted free agent with the Calgary Flames August 18, 2009: Signed a one-year $1.5 million contract as an unrestricted free agent with the Detroit Red Wings May 10, 2010: Signed a two-year, $3.85 million contract extension with the Detroit Red Wings February 23, 2012: Signed a two-year, $4.15 million contract extension with the Detroit Red Wings See also List of NHL players with 1000 games played References Footnotes Citations External links 1975 births Anaheim Ducks players Binghamton Senators players Calgary Flames players Canadian ice hockey right wingers Detroit Red Wings players Florida Panthers players Guelph Storm players Ice hockey people from Ontario Ice hockey players at the 2006 Winter Olympics Living people National Hockey League All-Stars National Hockey League first round draft picks New York Islanders draft picks New York Islanders players Olympic ice hockey players of Canada Sportspeople from Greater Sudbury Utah Grizzlies (IHL) players Vancouver Canucks players Violence in sports Canadian expatriate ice hockey players in the United States Canadian people of Italian descent

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did they finaly agree?

Did Bertuzzi and the Islanders finaly agree?

Todd Bertuzzi

Two years after his draft, Bertuzzi and the Islanders had not yet been agreed to a contract. With Bertuzzi eligible to re-enter the draft if the Islanders did not sign him by July 7, 1995, general manager Don Maloney made it apparent that he would use the team's second overall pick in the 1995 NHL Entry Draft to select him again if a contract could not be agreed upon by the required date. Moments before the midnight deadline, the Islanders were able to sign Bertuzzi to a four-year, US$4.6 million contract. His agent, Pat Morris, had reportedly wanted a similar deal to that of fellow Islanders prospect Brett Lindros - a five-year, $6.7 million contract signed the previous summer. During training camp in September 1995, Islanders head coach Mike Milbury heralded Bertuzzi as the team's best performing forward. Making his NHL debut on October 7, 1995, he scored a wrap around goal against goaltender Blaine Lacher in a 4-4 tie with the Boston Bruins. Beginning the season on the team's top line with Zigmund Palffy and Travis Green, Bertuzzi finished his rookie year with 18 goals and 39 points over 76 games. The following season, Bertuzzi recorded 23 points in 64 games. The Islanders did not qualify for the playoffs in either of his two full seasons with the club, ranking second-last in the Eastern Conference in 1995-96 and 1996-97. Bertuzzi's playing style as a power forward resulted in comparisons to former Islander Clark Gillies. As a result, the club hired Gillies to personally mentor Bertuzzi. Failing to meet lofty expectations from the club, Gillies once said of Bertuzzi, "If you're built like a freight train, you can't drive around like a Volkswagen." Feeling burdened with the pressure of playing up to the club's expectations while his offensive production diminished, he requested to be traded away at one point during the 1996-97 season. In response, Milbury, who had also taken over general manager duties the previous season, demoted Bertuzzi to the Islanders' minor league affiliate, the Utah Grizzlies of the International Hockey League (IHL). Playing 13 games in the minors, he registered 10 points before being called back up to the NHL. During the 1997-98 campaign, he continued to score below his pace as a rookie. On February 6, 1998, he was traded along with defenceman Bryan McCabe and a third-round selection in the 1998 NHL Entry Draft (Jarkko Ruutu) to the Vancouver Canucks in exchange for veteran forward Trevor Linden. The deal was made prior to the NHL's roster freeze in preparation for the 1998 Winter Olympics. Bertuzzi and McCabe had both been widely regarded as the players of the future for New York after their respective drafts in 1993. While Milbury expressed regret at having to trade McCabe, relations between Bertuzzi and the club were strained. Welcoming the trade, Bertuzzi commented that "things weren't working out [in New York]." CANNOTANSWER

Moments before the midnight deadline, the Islanders were able to sign Bertuzzi to a four-year, US$4.6 million contract.

Todd Bertuzzi (born February 2, 1975) is a Canadian former professional ice hockey winger of the National Hockey League (NHL). Known as a power forward, he has played in the NHL for the New York Islanders, Vancouver Canucks, Florida Panthers, Anaheim Ducks, Calgary Flames and Detroit Red Wings. He is widely known for his role in the Todd Bertuzzi–Steve Moore incident, for which he was suspended by the NHL and IIHF, and criminally charged. Selected 23rd overall by the New York Islanders in the 1993 NHL Entry Draft, he played at the junior level with the Guelph Storm of the Ontario Hockey League (OHL) for four seasons. In 1995–96, he played his rookie season with the Islanders. After two-and-a-half seasons with the Islanders, he was traded to the Vancouver Canucks. Bertuzzi enjoyed the most successful seasons of his career with the Canucks—his longest tenured team in the NHL—including NHL First Team All-Star honours in 2003. In 2006, after seven-and-a-half seasons with Vancouver, Bertuzzi was dealt to the Florida Panthers, with whom he briefly played for until being traded again to the Red Wings. He then played single seasons with the Anaheim Ducks and the Calgary Flames before returning to Detroit in 2009 and finishing his career there. Internationally, Bertuzzi has competed for Team Canada at the 2006 Winter Olympics in Turin, as well as the 1998 and 2000 World Championships. He is the uncle of Tyler Bertuzzi who currently plays for the Detroit Red Wings. Playing career Guelph Storm (1991–95) After playing for two minor hockey teams based out of Sudbury, Ontario in 1990–91, Bertuzzi was selected in the first round (fifth overall) by the Guelph Storm in the 1991 Ontario Hockey League (OHL) Priority Selection. His future coach with the Vancouver Canucks, Marc Crawford, passed on Bertuzzi during the draft while he was general manager of the Cornwall Royals; he has recalled not selecting him due to "maturity issues" and that he was "a big kid who hadn't grown into his body yet." Bertuzzi started his OHL career for Guelph in 1991–92, recording 21 points over 42 games as a rookie. He missed the last 15 games of the regular season due to suspension as a result of kicking opposing defenceman Brad Barton during a contest between the Storm and Kitchener Rangers. After improving to 58 points over 60 games in 1992–93, he was selected 23rd overall by the New York Islanders in the 1993 NHL Entry Draft. The NHL Central Scouting Bureau described Bertuzzi as a physical and strong player with good skating who checks hard and is offensively effective in close proximity to the net. Following his NHL draft, he underwent surgery for chipped bones in his left elbow in August 1993. As a result, he was unable to participate in the Islanders' training camp in September and was returned to the OHL. Playing in his third season for Guelph, he improved to 28 goals and 82 points over 61 games. Bertuzzi competed for an Islanders' roster spot at their 1994 training camp, but was sent back to his junior team after going scoreless in three exhibition games. During his last campaign with Guelph in 1994–95, he recorded 119 points – sixth overall in the league. His 54 goals established a single-season team record, beating Mike Prokopec's mark, set the previous year, by two goals. The Storm's forward tandem of Bertuzzi and Jeff O'Neill, who finished fourth in league scoring, led the club to the best regular season record in the league. He went on to add a team-leading 33 points in 14 playoff games, en route to an OHL Finals loss to the Detroit Junior Red Wings. After four seasons with Guelph, he left the club ranked third all-time in career points with 280, behind O'Neill and Martin St. Pierre. New York Islanders (1995–98) Two years after his draft, Bertuzzi and the Islanders had not yet been agreed to a contract. With Bertuzzi eligible to re-enter the draft if the Islanders did not sign him by July 7, 1995, general manager Don Maloney made it apparent that he would use the team's second overall pick in the 1995 NHL Entry Draft to select him again if a contract could not be agreed upon by the required date. Moments before the midnight deadline, the Islanders were able to sign Bertuzzi to a four-year, US$4.6 million contract. His agent, Pat Morris, had reportedly wanted a similar deal to that of fellow Islanders prospect Brett Lindros – a five-year, $6.7 million contract signed the previous summer. During training camp in September 1995, Islanders head coach Mike Milbury heralded Bertuzzi as the team's best performing forward. Making his NHL debut on October 7, 1995, he scored a wrap around goal against goaltender Blaine Lacher in a 4–4 tie with the Boston Bruins. Beginning the season on the team's top line with Žigmund Pálffy and Travis Green, Bertuzzi finished his rookie year with 18 goals and 39 points over 76 games. The following season, Bertuzzi recorded 23 points in 64 games. The Islanders did not qualify for the playoffs in either of his two full seasons with the club, ranking second-last in the Eastern Conference in 1995–96 and 1996–97. Bertuzzi's playing style as a power forward resulted in comparisons to former Islander Clark Gillies. As a result, the club hired Gillies to personally mentor Bertuzzi. Failing to meet lofty expectations from the club, Gillies once said of Bertuzzi, "If you're built like a freight train, you can't drive around like a Volkswagen." Feeling burdened with the pressure of playing up to the club's expectations while his offensive production diminished, he requested to be traded away at one point during the 1996–97 season. In response, Milbury, who had also taken over general manager duties the previous season, demoted Bertuzzi to the Islanders' minor league affiliate, the Utah Grizzlies of the International Hockey League (IHL). Playing 13 games in the minors, he registered 10 points before being called back up to the NHL. During the 1997–98 campaign, he continued to score below his pace as a rookie. On February 6, 1998, he was traded along with defenceman Bryan McCabe and a third-round selection in the 1998 NHL Entry Draft (Jarkko Ruutu) to the Vancouver Canucks in exchange for veteran forward Trevor Linden. The deal was made prior to the NHL's roster freeze in preparation for the 1998 Winter Olympics. Bertuzzi and McCabe had both been widely regarded as the players of the future for New York after their respective drafts in 1993. While Milbury expressed regret at having to trade McCabe, relations between Bertuzzi and the club were strained. Welcoming the trade, Bertuzzi commented that "things weren't working out [in New York]." Vancouver Canucks (1998–2006) Bertuzzi immediately began producing with Vancouver, tallying 15 points in 22 games after the trade. Combined with his totals from New York, he finished with 33 points over 74 games in 1997–98. Contrasting his strained relationship with Milbury in New York, Canucks head coach Mike Keenan has recalled his experience with Bertuzzi upon his arrival as positive: "He came as a young player and he was very open-minded about learning about the game." Similar to the Islanders, Bertuzzi joined a struggling club in Vancouver; the team finished last in the Western Conference in his first two seasons after the trade. After beginning the 1998–99 season on the Canucks' top line, Bertuzzi was limited to 32 games due to injuries, the first of which was a fractured tibia. He suffered the injury on November 1, 1998, after a shot by teammate Mattias Öhlund hit him in the leg. His season was later ended with a torn anterior cruciate ligament (ACL) in his left knee, suffered during a game on March 5, 1999. He recorded 8 goals and 16 points in 1998–99. In the off-season, Bertuzzi became a restricted free agent and was re-signed by the Canucks to a two-year contract in September 1999. The deal was reported by The Vancouver Sun to be worth a little over $2 million. Returning from injury the following season, Bertuzzi emerged as one of the Canucks' best offensive contributors, finishing with 25 goals (second on the team to Markus Näslund) and 50 points in 1999–2000. At the end of the season, he received the team's Most Exciting Player Award, as voted by the fans. He received the distinction three more times during his career with the Canucks from 2002 to 2004). Meanwhile, the Canucks began improving as a team, finishing four points out of a playoff spot in the West in 2000. The following season, Bertuzzi recorded his first career NHL hat trick, recording all three goals on the power play against San Jose Sharks goaltender Evgeni Nabokov in a 6–3 win on December 30, 2000. Bertuzzi recorded a second consecutive 25-goal season in 2000–01, adding 30 assists for 55 points, third in team scoring behind Näslund and Andrew Cassels. His -18 plus-minus rating, however, was a team-worst. The Canucks continued to improve, qualifying for the post-season for the first time in five years. Entering the 2001 playoffs as the final and eighth seed in the West, they were eliminated in the first round by the Colorado Avalanche. Bertuzzi scored two goals and two assists over four games in his first NHL post-season appearance. In the off-season, Bertuzzi filed for salary arbitration after initially failing to come to terms on a new contract with the Canucks. Both sides avoided arbitration by agreeing to a three-year deal on July 26, 2001. In the first month of the 2001–02 season, Bertuzzi received an automatic 10-game suspension from the league (forfeiting $118,557 in salary) after leaving the bench to help teammate Ed Jovanovski in a fight. The incident occurred during a game against the Colorado Avalanche in which opposing coach Bob Hartley sent enforcer Scott Parker onto the ice as the extra attacker during a delayed penalty. Parker proceeded to physically engage Jovanovski, at which point Bertuzzi left the bench to help his teammate. Vancouver struggled with him out of the lineup, winning 3 games during the 10-game span. Two months after returning from suspension, Bertuzzi went 15 consecutive games with at least a point, scoring 7 goals and 12 assists from January 3 – February 4, 2002. The streak tied Petr Nedvěd for the longest in Canucks history. During that span, in a game on January 9, Canucks head coach Marc Crawford replaced Andrew Cassels with Brendan Morrison, marking the beginning of what was considered by many to be the most effective line combination in the league for several seasons. Bertuzzi had emerged as an effective power forward, able to use his size and strength to position himself in front of the net, with good stickhandling ability. According to Canucks assistant coach Jack McIlhargey, Bertuzzi's skill set favourably complemented Näslund's goal-scoring and Morrison's playmaking abilities. The trio were dubbed by Vancouver media as the "West Coast Express", named after the city's commuter rail service of the same name. Late in the 2001–02 season, Bertuzzi recorded his second career hat-trick on March 19, 2002, during a win against the New York Rangers. He scored his first two goals of the game against Dan Blackburn and his third into an empty net. Despite missing ten games from his suspension, Bertuzzi finished the 2001–02 season third in league-scoring with 85 points, behind Näslund and Calgary Flames forward Jarome Iginla. His 1.18 points-per-game average ranked second in the NHL behind Mario Lemieux, who played 48 fewer games than Bertuzzi. He also improved his plus-minus rating by 39 points from the previous season, finishing a career-high +21. Although the Canucks were the league's highest scoring team, they finished with the final seed in the West for the 2002 playoffs, ranking eighth in their conference. Facing the Detroit Red Wings in the opening round, they were eliminated in six games. Bertuzzi recorded four points in the series. The following season, Bertuzzi appeared in his first NHL All-Star Game. He was joined by fellow Canucks Markus Näslund, defenceman Ed Jovanovski and head coach Marc Crawford, helping the Western Conference to a 6–5 shootout win against the East. He played on a line with Näslund and Peter Forsberg. Later in the season, he scored his third career hat-trick on March 17, 2003, scoring three goals against Ron Tugnutt in a game against the Dallas Stars. He finished the season with career-highs of 46 goals (third in the league), 51 assists and 97 points (fifth in the league). His 25 power play goals led the NHL and tied Pavel Bure for the Canucks' single-season record. Linemates Näslund and Morrison also recorded personal bests with 104 and 71 points, respectively. Meanwhile, the Canucks emerged as a top team in the West. Losing the Northwest Division title to the Avalanche by one point in the regular season, they finished as the fourth seed in their conference. After going down three-games-to-one in the opening round against the St. Louis Blues, Vancouver won three straight games to advance to the second round. Facing the Minnesota Wild, the Canucks gave up their own three-games-to-one series lead and were eliminated in seven games. During the series, Bertuzzi had reportedly walked by the Xcel Energy Center box office and told Wild fans they would not need their Game 6 tickets because Minnesota would be eliminated by then. In another on-ice incident, he skated by the opposing bench during Game 7 when the Canucks were winning 2–0, telling Wild players to "get [their] golf clubs". Despite his successful regular season, Bertuzzi struggled to score in the playoffs, recording 6 points in 14 games. In the off-season, Bertuzzi was named with Näslund to the NHL First All-Star Team. With Bertuzzi entering the final year of his contract, the Canucks began negotiating a contract extension prior to the 2003–04 season. Despite Bertuzzi's agent, Pat Morris, declaring that they would cease negotiations once the season began, Bertuzzi signed a four-year, $27.8 million deal with the Canucks on October 23, 2003. The contract took effect immediately, erasing the last year on his previous contract, and included a $3 million signing bonus ($2.5 million paid in the first year and $500,000 in the second). The deal paid him $4.3 million the first year, $6.633 million the second year and $6.933 million for the third and fourth years. In January 2004, Bertuzzi was voted by league fans to the starting lineup of the NHL All-Star Game. Representing the Western Conference alongside Näslund and Canucks head coach Marc Crawford, they were defeated by the East 6–4. Bertuzzi had two assists while playing on a line with Näslund and Joe Sakic. Nearing the end of the 2003–04 season, Bertuzzi was indefinitely suspended by the NHL for punching Colorado Avalanche forward Steve Moore from behind and driving his head into the ice during a game on March 8, 2004. His actions were a retaliation to a hit from Moore on Näslund during a previous game. Sitting out the remainder of the regular season and playoffs due to his suspension, he finished 2003–04 with 60 points over 69 games. Vancouver replaced Bertuzzi on the team's top line with Matt Cooke and went on to their first Northwest Division title, before being eliminated in the first round of the 2004 playoffs by the Calgary Flames. Inactive in 2004–05 due to the players lockout and his ongoing suspension, which had been extended internationally, Bertuzzi returned to the Canucks in 2005–06, as the league ended his playing ban. He recorded 25 goals and 71 points, including two hat tricks (November 13, 2005, against the Detroit Red Wings and January 14, 2006, against the New York Islanders). Though he ranked third in team scoring, Crawford has recalled that by the end of the season, Näslund and Bertuzzi had been eclipsed by Daniel and Henrik Sedin as the team's offensive leaders. There was speculation that the effects of the Steve Moore incident, which included assault charges and constant media coverage, were negatively affecting his play. While on the road, he was consistently heckled and booed by fans throughout the NHL. Näslund, a close friend of Bertuzzi's, later expressed sympathy for him, saying in a 2008 interview, "It still bothers me what Todd has had to go through...There's no question he was standing up for me...it all went too far." Beyond the negative impact on Bertuzzi's individual play, the media speculated that the fallout from the Moore incident had become a distraction to the organization as a whole. Compounding the situation in Vancouver, the Canucks had missed the playoffs for the first time in four years. As such, general manager Dave Nonis spent the off-season making significant changes to the Canucks lineup. On June 23, 2006, he traded Bertuzzi to the Florida Panthers, along with goaltender Alex Auld and defenceman Bryan Allen, in exchange for goaltender Roberto Luongo, defenceman Lukáš Krajíček and a sixth-round selection in the 2006 NHL Entry Draft (Sergei Shirokov). After seven-and-a-half seasons with the Canucks, Bertuzzi left the club ranked seventh all-time among franchise scoring leaders with 449 points. Florida, Detroit, and Anaheim (2006–08) Instrumental in facilitating the trade to Florida was Bertuzzi's positive relationship with Panthers general manager Mike Keenan, who was his first coach in Vancouver. Debuting with the Panthers on October 6, 2006, Bertuzzi scored a goal and three assists in an 8–3 win against the Boston Bruins. He appeared in six more games for Florida, notching seven points total, before being sidelined with back spasms. After being diagnosed with a herniated disc in early-November, Bertuzzi opted for surgery, which kept him out of the lineup for five months. While recovering, the Panthers dealt him to the Detroit Red Wings at the trade deadline in exchange for forward prospect Shawn Matthias and conditional draft picks. Bertuzzi was in the last year of his contract with no guarantee he would re-sign with Florida in the off-season. Bertuzzi returned to action on March 22, 2007, debuting with his new team in a 2–1 shootout loss to the Columbus Blue Jackets. Eight days later, he scored his first goal as a Red Wing in a 4–3 shootout loss to the Dallas Stars. On April 7, he suffered a neck injury that kept him out of the lineup for the last game of the regular season and the first two games of the 2007 playoffs. He finished the campaign with 11 points in 15 games split between Florida and Detroit. During the playoffs, the Red Wings advanced to the Western Conference Finals, where they lost in six games to the Anaheim Ducks, who went on to win the Stanley Cup. Bertuzzi recorded 7 points in 16 playoff games. Becoming an unrestricted free agent in the off-season, Bertuzzi agreed to a two-year, $8 million contract with the Anaheim Ducks on July 2, 2007. Signing him was Ducks general manager Brian Burke, who had served as the Canucks general manager during Bertuzzi's time in Vancouver. Bertuzzi had reportedly been in negotiations to re-sign with Detroit, but the club only wanted a one-year deal. Playing the Red Wings in the Ducks' first game of the regular season on October 3, 2007, he registered a goal and an assist in a 3–2 shootout loss. In the first month of the 2007–08 campaign, he suffered a concussion and was sidelined for 14 games in October and November 2007. Bertuzzi returned to the lineup in time for the Ducks' away game against the Canucks on November 27, which marked his first NHL game in Vancouver since being traded away. Bertuzzi was received warmly by Canucks fans, as the Ducks lost the game 4–0. Playing in 68 contests over the season, he registered 40 points with Anaheim. Entering the 2008 playoffs as the defending champions, the Ducks were eliminated in the first round four games to two by the Dallas Stars. In six playoff contests, Bertuzzi recorded two assists. Calgary Flames (2008–09) During the subsequent summer, several Ducks players were set to become free agents, including high-profile forward Corey Perry. Requiring additional salary cap space to make room for defenceman Scott Niedermayer, who announced he was returning for another season, Bertuzzi was placed on unconditional waivers with the intention of buying out the remaining year on his contract. Addressing Bertuzzi's buy out with the media, Burke asserted that he "believe[d] [Bertuzzi] can still play at the NHL level," and that the Ducks were merely "handcuffed by [their] salary cap situation." Bertuzzi once again became an unrestricted free agent and signed a one-year, $1.95 million contract with the Calgary Flames on July 7, 2008. Joining Calgary, he was reunited with Flames coach Mike Keenan. Before the start of the 2008–09 season, Bertuzzi switched jersey numbers from 4 to 7, in honour of his boyhood idol, Phil Esposito. The numbers 44, which Bertuzzi wore in New York, Vancouver and Detroit, and 4, which he wore in Anaheim, were already taken in Calgary. Bertuzzi scored his first goal with the Flames, deflecting a Dion Phaneuf shot, on October 11, 2008, in a 5–4 overtime loss to the Vancouver Canucks. While initial fan reaction to Bertuzzi was negative due to his previous role with the division-rival Canucks, as well as his reputation following the Steve Moore incident, he was eventually accepted in Calgary. In January 2009, he missed five games due to a back injury. Several months later, he was sidelined again with a knee injury and underwent arthroscopic surgery to repair damaged cartilage on March 3, 2009. Missing 11 games, he returned in time for the 2009 playoffs, where the Flames were eliminated by the Chicago Blackhawks in the opening round. He finished his only season in Calgary with 44 points in 66 regular season games, while adding a goal and an assist in six playoff contests. Return to Detroit (2009–2014) On August 18, 2009, Bertuzzi re-joined the Red Wings by accepting a one-year contract with the club worth $1.5 million. He recorded 44 points (18 goals and 26 assists) in 2009–10, ranking fifth in team scoring. During the second round of the 2010 playoffs, Bertuzzi recorded a career-high five-point contest (a goal and four assists) in a Game 4 victory against the San Jose Sharks. Bertuzzi finished with a playoffs career-high 11 points in 12 games. In the off-season, Bertuzzi signed a two-year, $3.875 million contract extension with the Red Wings on June 16, 2010. During the 2010–11 season, he appeared in his 1,000th NHL game on February 20, 2011, against the Minnesota Wild. Bertuzzi scored a shootout goal to help Detroit win the game 2–1. Dressing for 81 games that season, he ranked seventh in team scoring with 45 points (16 goals and 29 assists). During the 2011 playoffs, he added 6 points (2 goals and 4 assists) over 11 games as the Red Wings were eliminated in the second round by the San Jose Sharks. On February 23, 2012 Bertuzzi re-signed with the Red Wings for $4.15 million over two years. He dressed for seven games in the lockout-shortened 2012-2013 regular season due to injuries, producing three points, and was held pointless over six games in the playoffs. In the 2013–2014 season he played 59 games and produced 16 points, but was a healthy scratch 15 times; he played one playoff game without a point. During his time with Detroit, he earned praise from head coach Mike Babcock and teammates for adapting his playing style to be more defensively responsible. Bertuzzi credited the influence of teammates Pavel Datsyuk and Henrik Zetterberg, both successful two-way players in the league. Binghamton Senators tryout and retirement (2015) On January 9, 2015 he signed a professional tryout contract with the Ottawa Senators AHL affiliate the Binghamton Senators in hopes to get a contract with Ottawa. Bertuzzi was released from his professional tryout offer with Binghamton on January 21, 2015, after posting no points and a minus-3 rating in his 2 games played with the Senators. He subsequently retired that year. International play Bertuzzi debuted internationally for Team Canada at the 1998 World Championships in Switzerland. He was among the youngest players selected to the team, along with Canucks teammate Bryan McCabe and Chicago Blackhawks forward Eric Dazé, who were all born in 1975 (third-string goaltender Christian Bronsard was two years younger, but did not play in any games). In six games, he recorded three points, as Canada failed to qualify for the medal rounds. Two years later, Bertuzzi competed at the 2000 World Championships in St. Petersburg, Russia. One of five Canucks players chosen to the national team, he was joined by Adrian Aucoin, Ed Jovanovski, Brendan Morrison and Peter Schaefer. His second tournament appearance was more productive, as he scored nine points in nine games – first among Canadian players and fourth overall – while also leading the tournament in penalty minutes with 47. Canada did not medal, losing to Finland in the bronze medal game by a 2–1 score. His 63 total penalty minutes from both tournament appearances set an all-time Canadian record for World Championship competitors since 1977 (when Canada resumed competing in the tournament). In December 2005, Bertuzzi was controversially selected to play for Team Canada at the 2006 Winter Olympics in Turin, Italy. His inclusion, along with that of Dany Heatley and Shane Doan, was discussed at length by the Canadian Olympic Committee (COC). The committee had concerns stemming from the Steve Moore incident and Bertuzzi's probationary status, but subsequently approved his representation of Canada at the Olympics. According to a Canadian Press article, "[COC president] Chambers said the [unusual meeting] was prompted by some media concerns raised over the three athletes participating in the Games. The fact it took the committee so long to approve the list means there was some debate." Bertuzzi went on to post three points (all assists) at the 2006 Olympics, tying for second in team scoring with nine other players. Canada failed to advance past the quarterfinal, losing to Russia by a 2–0 score. They finished in seventh place overall after winning gold at the previous Winter Olympics in 2002. Steve Moore Incident On February 16, 2004, during a game between Vancouver and Colorado, Avalanche center Steve Moore checked Markus Näslund in the head, causing a minor concussion and a bone chip in his elbow. No penalty was assessed, and the league decided not to fine or suspend Moore, ruling the hit legal. Näslund missed three games as a result of the hit. In a rematch, with the Canucks trailing the Avalanche 8–2 in the third period, Bertuzzi began following Moore around the ice, attempting to provoke him into another fight. With Moore ignoring him, Bertuzzi grabbed Moore's jersey from behind and punched him in the side of the face from behind, with Moore's face hitting the ice as Bertuzzi pushed him, already out cold, into the ice, breaking his neck. Bertuzzi, as well as several other players from both teams, landed atop Moore as he fell to the ice. Bertuzzi was assessed a match penalty and ejected from the game. Per league rules, he was also suspended indefinitely pending a ruling from league commissioner Gary Bettman. After lying on the ice for approximately 10 minutes, Moore was removed from the playing surface on a stretcher. He was treated for three fractured vertebrae in his neck, a grade three concussion, vertebral ligament damage, stretching of the brachial plexus nerves, and facial lacerations. He was also suffering from amnesia. Bertuzzi apologized to Moore and his family, as well as to Burke, Canucks owner John McCaw, Jr., the Canucks organization, his teammates, and the fans in a press conference two days later. On March 11, 2004, the league ruled he would remain suspended for at least the remainder of the Canucks' season, which ultimately cost him the final 13 games of the regular season plus seven playoff games. The Canucks were additionally fined $250,000. While the following NHL season was suspended due to the 2004–05 lockout, Bertuzzi intended to play in Europe, but the International Ice Hockey Federation (IIHF) extended his NHL suspension to cover their jurisdiction. Bertuzzi remained professionally inactive during the 2004–05 season. The IIHF's sanction also kept him from representing Canada in the 2004 and 2005 World Championships, as well as the 2004 World Cup. Bettman scheduled a reinstatement hearing for Bertuzzi on April 26, 2005. The hearing was attended separately by Bertuzzi and Moore. Prior to the 2005–06 season, Bettman announced Bertuzzi's reinstatement on August 8, citing that "Mr. Bertuzzi had paid a very significant price for his conduct," adding that he felt Bertuzzi was "genuinely remorseful and apologetic." Bertuzzi's 17-month suspension caused him to miss a total of 20 games—the fourth-longest suspension in NHL history at the time. The suspension accounted for $501,926.39 in forfeited salary, as well as an approximate $350,000 in lost endorsements. On the day of his reinstatement, Team Canada's executive director, Wayne Gretzky, offered him a spot on the national team's summer orientation camp in preparation for the 2006 Winter Olympics. Legal actions After a four-month investigation, the criminal justice branch of the Attorney General of British Columbia announced formal charges of assault causing bodily harm against Bertuzzi on June 24, 2004. With the charge, Bertuzzi faced up to one-and-a-half years in prison. Bertuzzi pleaded guilty to the assault charge on December 22 after arranging a plea bargain with prosecutors. He was given a conditional discharge requiring 80 hours of community service and one year's probation that additionally prohibited him from playing in any hockey game Moore was competing in. Under Canadian law, Bertuzzi's successful completion of his probationary period precluded him from a criminal record. Moore expressed disappointment regarding Bertuzzi's discharge and was upset that he was unable to attend the court date, having to issue a written victim statement instead. Moore's lawyer, Tim Danson, was given one day's notice of the court date following Bertuzzi's plea bargain, which he said was insufficient time for Moore to travel to Vancouver. On February 17, 2005, Moore filed a lawsuit in a Colorado court against Bertuzzi, numerous individuals within the Canucks organization, including Brad May (Bertuzzi's teammate at the time who was quoted as saying that there would "definitely be a price on Moore's head" after Moore's hit on Näslund), Brian Burke, Marc Crawford, as well as the Canucks organization as a whole and the Orca Bay Sports and Entertainment company that owned the team. The lawsuit was thrown out in October 2005, as the Colorado judge ruled the case was better suited for Canadian courts, as Moore and all the defendants were Canadian citizens. Planning to appeal the decision, Danson stated publicly the following month that Moore had begun skating and doing regular workouts, but continued to suffer concussion-related symptoms. On February 16, 2006, Moore filed another lawsuit in the Ontario Superior Court against Bertuzzi, the Canucks, and Orca Bay, seeking CAD$15 million in pecuniary damages for loss of income, CAD$1 million for aggravated damages, and CAD$2 million for punitive damages. Moore's parents, who were watching their son on television when the attack happened, also sued, seeking CAD$1.5 million for "negligent infliction of nervous shock and mental distress". In December 2006, Bettman and top lieutenant Bill Daly facilitated a meeting between Moore's representatives and the defendants in hopes of agreeing on an out-of-court settlement. An out-of-court settlement was reached in Moore's lawsuit in October 2014. Terms of the settlement are confidential. Personal life Bertuzzi was born and raised in Sudbury, Ontario. His father, Albert Bertuzzi, is an Italian-Canadian who worked in the window-washing business. When Bertuzzi was a teenager, Albert survived a near-fatal car accident in which he was thrown from the vehicle through the windshield. His father has stated that he was proud of his own local reputation as a "dirty player" and referred to it as a "Bertuzzi trait". He has said that Bertuzzi takes after him in regards to his toughness and aggression. Bertuzzi's great-uncle, Larry Bertuzzi, is a Toronto-based lawyer who has done arbitration work for the NHL, including on the Eric Lindros trade. Growing up, Bertuzzi played minor hockey with the Nickel Centre and Sudbury Minor Hockey programs. In 1990–91, Bertuzzi played as an underaged player in the major midget ranks with the Sudbury Capitals AAA team. Physically built as a power forward throughout his youth, he stood 6 feet and 2 inches (1.88 metres) and weighed 195 pounds (88.5 kilograms) by age 15. Bertuzzi and his wife, Julie, were married in July 1996. They have two children born one-and-a-half years apart in Vancouver, a son named Tag and a daughter named Jaden. His son, Tag Bertuzzi, was drafted into the OHL by the Guelph Storm, 2nd overall in 2017. Bertuzzi is a recreational golfer and has credited the sport with allowing him to relax more as a hockey player. During his 10-game suspension from the NHL in October and November 2001, he played golf to focus his energy. Afterwards, he made it a custom to go to the driving range before every game. Bertuzzi's nephew Tyler Bertuzzi plays hockey for the Detroit Red Wings. Bertuzzi was arrested on February 27, 2021, and was detained at the Oakland County Jail in Michigan on suspicion of DUI. Career statistics Regular season and playoffs International Awards Records Guelph Storm team record; most goals, single season—54 in 1994–95 (surpassed Mike Prokopec, 52 goals in 1992–93) Vancouver Canucks team record; longest point-scoring streak—15 games (7 goals, 12 assists; January 3 – February 4, 2003) (tied with Petr Nedved; November 19 – December 27, 1992) Vancouver Canucks team record; most powerplay goals, single season—25 in 2002–03 (tied with Pavel Bure) Transactions June 26, 1993: Drafted 23rd overall by the New York Islanders July 6, 1995: Signed to a four-year, $4.6 million contract with the New York Islanders February 6, 1998: Traded to the Vancouver Canucks from the New York Islanders with Bryan McCabe and a 3rd round choice in 1998 (Jarkko Ruutu) for Trevor Linden September 1999: Re-signed to a two-year contract with the Vancouver Canucks October 27, 2003: Signed a four-year, $27.9 million contract extension with the Vancouver Canucks March 11, 2004: Suspended indefinitely by the NHL for deliberate injury to Steve Moore in a game versus the Colorado Avalanche August 8, 2005: Officially reinstated by the NHL June 23, 2006: Traded to the Florida Panthers by the Vancouver Canucks with Bryan Allen and Alex Auld for Roberto Luongo, Lukas Krajicek and a sixth-round draft choice in 2006 (Sergei Shirokov) February 27, 2007: Traded to the Detroit Red Wings by the Florida Panthers for prospect Shawn Matthias and conditional draft picks July 2, 2007: Signed a two-year, $8 million contract as an unrestricted free agent with the Anaheim Ducks June 28, 2008: Placed on waivers by the Anaheim Ducks; subsequently bought out July 7, 2008: Signed a one-year $1.95 million contract as an unrestricted free agent with the Calgary Flames August 18, 2009: Signed a one-year $1.5 million contract as an unrestricted free agent with the Detroit Red Wings May 10, 2010: Signed a two-year, $3.85 million contract extension with the Detroit Red Wings February 23, 2012: Signed a two-year, $4.15 million contract extension with the Detroit Red Wings See also List of NHL players with 1000 games played References Footnotes Citations External links 1975 births Anaheim Ducks players Binghamton Senators players Calgary Flames players Canadian ice hockey right wingers Detroit Red Wings players Florida Panthers players Guelph Storm players Ice hockey people from Ontario Ice hockey players at the 2006 Winter Olympics Living people National Hockey League All-Stars National Hockey League first round draft picks New York Islanders draft picks New York Islanders players Olympic ice hockey players of Canada Sportspeople from Greater Sudbury Utah Grizzlies (IHL) players Vancouver Canucks players Violence in sports Canadian expatriate ice hockey players in the United States Canadian people of Italian descent

C_40acc9f3ce424ca48b13ddefa5d4c640_0

did he set any records?

Did Todd Bertuzzi set any records?

Todd Bertuzzi

Two years after his draft, Bertuzzi and the Islanders had not yet been agreed to a contract. With Bertuzzi eligible to re-enter the draft if the Islanders did not sign him by July 7, 1995, general manager Don Maloney made it apparent that he would use the team's second overall pick in the 1995 NHL Entry Draft to select him again if a contract could not be agreed upon by the required date. Moments before the midnight deadline, the Islanders were able to sign Bertuzzi to a four-year, US$4.6 million contract. His agent, Pat Morris, had reportedly wanted a similar deal to that of fellow Islanders prospect Brett Lindros - a five-year, $6.7 million contract signed the previous summer. During training camp in September 1995, Islanders head coach Mike Milbury heralded Bertuzzi as the team's best performing forward. Making his NHL debut on October 7, 1995, he scored a wrap around goal against goaltender Blaine Lacher in a 4-4 tie with the Boston Bruins. Beginning the season on the team's top line with Zigmund Palffy and Travis Green, Bertuzzi finished his rookie year with 18 goals and 39 points over 76 games. The following season, Bertuzzi recorded 23 points in 64 games. The Islanders did not qualify for the playoffs in either of his two full seasons with the club, ranking second-last in the Eastern Conference in 1995-96 and 1996-97. Bertuzzi's playing style as a power forward resulted in comparisons to former Islander Clark Gillies. As a result, the club hired Gillies to personally mentor Bertuzzi. Failing to meet lofty expectations from the club, Gillies once said of Bertuzzi, "If you're built like a freight train, you can't drive around like a Volkswagen." Feeling burdened with the pressure of playing up to the club's expectations while his offensive production diminished, he requested to be traded away at one point during the 1996-97 season. In response, Milbury, who had also taken over general manager duties the previous season, demoted Bertuzzi to the Islanders' minor league affiliate, the Utah Grizzlies of the International Hockey League (IHL). Playing 13 games in the minors, he registered 10 points before being called back up to the NHL. During the 1997-98 campaign, he continued to score below his pace as a rookie. On February 6, 1998, he was traded along with defenceman Bryan McCabe and a third-round selection in the 1998 NHL Entry Draft (Jarkko Ruutu) to the Vancouver Canucks in exchange for veteran forward Trevor Linden. The deal was made prior to the NHL's roster freeze in preparation for the 1998 Winter Olympics. Bertuzzi and McCabe had both been widely regarded as the players of the future for New York after their respective drafts in 1993. While Milbury expressed regret at having to trade McCabe, relations between Bertuzzi and the club were strained. Welcoming the trade, Bertuzzi commented that "things weren't working out [in New York]." CANNOTANSWER

CANNOTANSWER

Todd Bertuzzi (born February 2, 1975) is a Canadian former professional ice hockey winger of the National Hockey League (NHL). Known as a power forward, he has played in the NHL for the New York Islanders, Vancouver Canucks, Florida Panthers, Anaheim Ducks, Calgary Flames and Detroit Red Wings. He is widely known for his role in the Todd Bertuzzi–Steve Moore incident, for which he was suspended by the NHL and IIHF, and criminally charged. Selected 23rd overall by the New York Islanders in the 1993 NHL Entry Draft, he played at the junior level with the Guelph Storm of the Ontario Hockey League (OHL) for four seasons. In 1995–96, he played his rookie season with the Islanders. After two-and-a-half seasons with the Islanders, he was traded to the Vancouver Canucks. Bertuzzi enjoyed the most successful seasons of his career with the Canucks—his longest tenured team in the NHL—including NHL First Team All-Star honours in 2003. In 2006, after seven-and-a-half seasons with Vancouver, Bertuzzi was dealt to the Florida Panthers, with whom he briefly played for until being traded again to the Red Wings. He then played single seasons with the Anaheim Ducks and the Calgary Flames before returning to Detroit in 2009 and finishing his career there. Internationally, Bertuzzi has competed for Team Canada at the 2006 Winter Olympics in Turin, as well as the 1998 and 2000 World Championships. He is the uncle of Tyler Bertuzzi who currently plays for the Detroit Red Wings. Playing career Guelph Storm (1991–95) After playing for two minor hockey teams based out of Sudbury, Ontario in 1990–91, Bertuzzi was selected in the first round (fifth overall) by the Guelph Storm in the 1991 Ontario Hockey League (OHL) Priority Selection. His future coach with the Vancouver Canucks, Marc Crawford, passed on Bertuzzi during the draft while he was general manager of the Cornwall Royals; he has recalled not selecting him due to "maturity issues" and that he was "a big kid who hadn't grown into his body yet." Bertuzzi started his OHL career for Guelph in 1991–92, recording 21 points over 42 games as a rookie. He missed the last 15 games of the regular season due to suspension as a result of kicking opposing defenceman Brad Barton during a contest between the Storm and Kitchener Rangers. After improving to 58 points over 60 games in 1992–93, he was selected 23rd overall by the New York Islanders in the 1993 NHL Entry Draft. The NHL Central Scouting Bureau described Bertuzzi as a physical and strong player with good skating who checks hard and is offensively effective in close proximity to the net. Following his NHL draft, he underwent surgery for chipped bones in his left elbow in August 1993. As a result, he was unable to participate in the Islanders' training camp in September and was returned to the OHL. Playing in his third season for Guelph, he improved to 28 goals and 82 points over 61 games. Bertuzzi competed for an Islanders' roster spot at their 1994 training camp, but was sent back to his junior team after going scoreless in three exhibition games. During his last campaign with Guelph in 1994–95, he recorded 119 points – sixth overall in the league. His 54 goals established a single-season team record, beating Mike Prokopec's mark, set the previous year, by two goals. The Storm's forward tandem of Bertuzzi and Jeff O'Neill, who finished fourth in league scoring, led the club to the best regular season record in the league. He went on to add a team-leading 33 points in 14 playoff games, en route to an OHL Finals loss to the Detroit Junior Red Wings. After four seasons with Guelph, he left the club ranked third all-time in career points with 280, behind O'Neill and Martin St. Pierre. New York Islanders (1995–98) Two years after his draft, Bertuzzi and the Islanders had not yet been agreed to a contract. With Bertuzzi eligible to re-enter the draft if the Islanders did not sign him by July 7, 1995, general manager Don Maloney made it apparent that he would use the team's second overall pick in the 1995 NHL Entry Draft to select him again if a contract could not be agreed upon by the required date. Moments before the midnight deadline, the Islanders were able to sign Bertuzzi to a four-year, US$4.6 million contract. His agent, Pat Morris, had reportedly wanted a similar deal to that of fellow Islanders prospect Brett Lindros – a five-year, $6.7 million contract signed the previous summer. During training camp in September 1995, Islanders head coach Mike Milbury heralded Bertuzzi as the team's best performing forward. Making his NHL debut on October 7, 1995, he scored a wrap around goal against goaltender Blaine Lacher in a 4–4 tie with the Boston Bruins. Beginning the season on the team's top line with Žigmund Pálffy and Travis Green, Bertuzzi finished his rookie year with 18 goals and 39 points over 76 games. The following season, Bertuzzi recorded 23 points in 64 games. The Islanders did not qualify for the playoffs in either of his two full seasons with the club, ranking second-last in the Eastern Conference in 1995–96 and 1996–97. Bertuzzi's playing style as a power forward resulted in comparisons to former Islander Clark Gillies. As a result, the club hired Gillies to personally mentor Bertuzzi. Failing to meet lofty expectations from the club, Gillies once said of Bertuzzi, "If you're built like a freight train, you can't drive around like a Volkswagen." Feeling burdened with the pressure of playing up to the club's expectations while his offensive production diminished, he requested to be traded away at one point during the 1996–97 season. In response, Milbury, who had also taken over general manager duties the previous season, demoted Bertuzzi to the Islanders' minor league affiliate, the Utah Grizzlies of the International Hockey League (IHL). Playing 13 games in the minors, he registered 10 points before being called back up to the NHL. During the 1997–98 campaign, he continued to score below his pace as a rookie. On February 6, 1998, he was traded along with defenceman Bryan McCabe and a third-round selection in the 1998 NHL Entry Draft (Jarkko Ruutu) to the Vancouver Canucks in exchange for veteran forward Trevor Linden. The deal was made prior to the NHL's roster freeze in preparation for the 1998 Winter Olympics. Bertuzzi and McCabe had both been widely regarded as the players of the future for New York after their respective drafts in 1993. While Milbury expressed regret at having to trade McCabe, relations between Bertuzzi and the club were strained. Welcoming the trade, Bertuzzi commented that "things weren't working out [in New York]." Vancouver Canucks (1998–2006) Bertuzzi immediately began producing with Vancouver, tallying 15 points in 22 games after the trade. Combined with his totals from New York, he finished with 33 points over 74 games in 1997–98. Contrasting his strained relationship with Milbury in New York, Canucks head coach Mike Keenan has recalled his experience with Bertuzzi upon his arrival as positive: "He came as a young player and he was very open-minded about learning about the game." Similar to the Islanders, Bertuzzi joined a struggling club in Vancouver; the team finished last in the Western Conference in his first two seasons after the trade. After beginning the 1998–99 season on the Canucks' top line, Bertuzzi was limited to 32 games due to injuries, the first of which was a fractured tibia. He suffered the injury on November 1, 1998, after a shot by teammate Mattias Öhlund hit him in the leg. His season was later ended with a torn anterior cruciate ligament (ACL) in his left knee, suffered during a game on March 5, 1999. He recorded 8 goals and 16 points in 1998–99. In the off-season, Bertuzzi became a restricted free agent and was re-signed by the Canucks to a two-year contract in September 1999. The deal was reported by The Vancouver Sun to be worth a little over $2 million. Returning from injury the following season, Bertuzzi emerged as one of the Canucks' best offensive contributors, finishing with 25 goals (second on the team to Markus Näslund) and 50 points in 1999–2000. At the end of the season, he received the team's Most Exciting Player Award, as voted by the fans. He received the distinction three more times during his career with the Canucks from 2002 to 2004). Meanwhile, the Canucks began improving as a team, finishing four points out of a playoff spot in the West in 2000. The following season, Bertuzzi recorded his first career NHL hat trick, recording all three goals on the power play against San Jose Sharks goaltender Evgeni Nabokov in a 6–3 win on December 30, 2000. Bertuzzi recorded a second consecutive 25-goal season in 2000–01, adding 30 assists for 55 points, third in team scoring behind Näslund and Andrew Cassels. His -18 plus-minus rating, however, was a team-worst. The Canucks continued to improve, qualifying for the post-season for the first time in five years. Entering the 2001 playoffs as the final and eighth seed in the West, they were eliminated in the first round by the Colorado Avalanche. Bertuzzi scored two goals and two assists over four games in his first NHL post-season appearance. In the off-season, Bertuzzi filed for salary arbitration after initially failing to come to terms on a new contract with the Canucks. Both sides avoided arbitration by agreeing to a three-year deal on July 26, 2001. In the first month of the 2001–02 season, Bertuzzi received an automatic 10-game suspension from the league (forfeiting $118,557 in salary) after leaving the bench to help teammate Ed Jovanovski in a fight. The incident occurred during a game against the Colorado Avalanche in which opposing coach Bob Hartley sent enforcer Scott Parker onto the ice as the extra attacker during a delayed penalty. Parker proceeded to physically engage Jovanovski, at which point Bertuzzi left the bench to help his teammate. Vancouver struggled with him out of the lineup, winning 3 games during the 10-game span. Two months after returning from suspension, Bertuzzi went 15 consecutive games with at least a point, scoring 7 goals and 12 assists from January 3 – February 4, 2002. The streak tied Petr Nedvěd for the longest in Canucks history. During that span, in a game on January 9, Canucks head coach Marc Crawford replaced Andrew Cassels with Brendan Morrison, marking the beginning of what was considered by many to be the most effective line combination in the league for several seasons. Bertuzzi had emerged as an effective power forward, able to use his size and strength to position himself in front of the net, with good stickhandling ability. According to Canucks assistant coach Jack McIlhargey, Bertuzzi's skill set favourably complemented Näslund's goal-scoring and Morrison's playmaking abilities. The trio were dubbed by Vancouver media as the "West Coast Express", named after the city's commuter rail service of the same name. Late in the 2001–02 season, Bertuzzi recorded his second career hat-trick on March 19, 2002, during a win against the New York Rangers. He scored his first two goals of the game against Dan Blackburn and his third into an empty net. Despite missing ten games from his suspension, Bertuzzi finished the 2001–02 season third in league-scoring with 85 points, behind Näslund and Calgary Flames forward Jarome Iginla. His 1.18 points-per-game average ranked second in the NHL behind Mario Lemieux, who played 48 fewer games than Bertuzzi. He also improved his plus-minus rating by 39 points from the previous season, finishing a career-high +21. Although the Canucks were the league's highest scoring team, they finished with the final seed in the West for the 2002 playoffs, ranking eighth in their conference. Facing the Detroit Red Wings in the opening round, they were eliminated in six games. Bertuzzi recorded four points in the series. The following season, Bertuzzi appeared in his first NHL All-Star Game. He was joined by fellow Canucks Markus Näslund, defenceman Ed Jovanovski and head coach Marc Crawford, helping the Western Conference to a 6–5 shootout win against the East. He played on a line with Näslund and Peter Forsberg. Later in the season, he scored his third career hat-trick on March 17, 2003, scoring three goals against Ron Tugnutt in a game against the Dallas Stars. He finished the season with career-highs of 46 goals (third in the league), 51 assists and 97 points (fifth in the league). His 25 power play goals led the NHL and tied Pavel Bure for the Canucks' single-season record. Linemates Näslund and Morrison also recorded personal bests with 104 and 71 points, respectively. Meanwhile, the Canucks emerged as a top team in the West. Losing the Northwest Division title to the Avalanche by one point in the regular season, they finished as the fourth seed in their conference. After going down three-games-to-one in the opening round against the St. Louis Blues, Vancouver won three straight games to advance to the second round. Facing the Minnesota Wild, the Canucks gave up their own three-games-to-one series lead and were eliminated in seven games. During the series, Bertuzzi had reportedly walked by the Xcel Energy Center box office and told Wild fans they would not need their Game 6 tickets because Minnesota would be eliminated by then. In another on-ice incident, he skated by the opposing bench during Game 7 when the Canucks were winning 2–0, telling Wild players to "get [their] golf clubs". Despite his successful regular season, Bertuzzi struggled to score in the playoffs, recording 6 points in 14 games. In the off-season, Bertuzzi was named with Näslund to the NHL First All-Star Team. With Bertuzzi entering the final year of his contract, the Canucks began negotiating a contract extension prior to the 2003–04 season. Despite Bertuzzi's agent, Pat Morris, declaring that they would cease negotiations once the season began, Bertuzzi signed a four-year, $27.8 million deal with the Canucks on October 23, 2003. The contract took effect immediately, erasing the last year on his previous contract, and included a $3 million signing bonus ($2.5 million paid in the first year and $500,000 in the second). The deal paid him $4.3 million the first year, $6.633 million the second year and $6.933 million for the third and fourth years. In January 2004, Bertuzzi was voted by league fans to the starting lineup of the NHL All-Star Game. Representing the Western Conference alongside Näslund and Canucks head coach Marc Crawford, they were defeated by the East 6–4. Bertuzzi had two assists while playing on a line with Näslund and Joe Sakic. Nearing the end of the 2003–04 season, Bertuzzi was indefinitely suspended by the NHL for punching Colorado Avalanche forward Steve Moore from behind and driving his head into the ice during a game on March 8, 2004. His actions were a retaliation to a hit from Moore on Näslund during a previous game. Sitting out the remainder of the regular season and playoffs due to his suspension, he finished 2003–04 with 60 points over 69 games. Vancouver replaced Bertuzzi on the team's top line with Matt Cooke and went on to their first Northwest Division title, before being eliminated in the first round of the 2004 playoffs by the Calgary Flames. Inactive in 2004–05 due to the players lockout and his ongoing suspension, which had been extended internationally, Bertuzzi returned to the Canucks in 2005–06, as the league ended his playing ban. He recorded 25 goals and 71 points, including two hat tricks (November 13, 2005, against the Detroit Red Wings and January 14, 2006, against the New York Islanders). Though he ranked third in team scoring, Crawford has recalled that by the end of the season, Näslund and Bertuzzi had been eclipsed by Daniel and Henrik Sedin as the team's offensive leaders. There was speculation that the effects of the Steve Moore incident, which included assault charges and constant media coverage, were negatively affecting his play. While on the road, he was consistently heckled and booed by fans throughout the NHL. Näslund, a close friend of Bertuzzi's, later expressed sympathy for him, saying in a 2008 interview, "It still bothers me what Todd has had to go through...There's no question he was standing up for me...it all went too far." Beyond the negative impact on Bertuzzi's individual play, the media speculated that the fallout from the Moore incident had become a distraction to the organization as a whole. Compounding the situation in Vancouver, the Canucks had missed the playoffs for the first time in four years. As such, general manager Dave Nonis spent the off-season making significant changes to the Canucks lineup. On June 23, 2006, he traded Bertuzzi to the Florida Panthers, along with goaltender Alex Auld and defenceman Bryan Allen, in exchange for goaltender Roberto Luongo, defenceman Lukáš Krajíček and a sixth-round selection in the 2006 NHL Entry Draft (Sergei Shirokov). After seven-and-a-half seasons with the Canucks, Bertuzzi left the club ranked seventh all-time among franchise scoring leaders with 449 points. Florida, Detroit, and Anaheim (2006–08) Instrumental in facilitating the trade to Florida was Bertuzzi's positive relationship with Panthers general manager Mike Keenan, who was his first coach in Vancouver. Debuting with the Panthers on October 6, 2006, Bertuzzi scored a goal and three assists in an 8–3 win against the Boston Bruins. He appeared in six more games for Florida, notching seven points total, before being sidelined with back spasms. After being diagnosed with a herniated disc in early-November, Bertuzzi opted for surgery, which kept him out of the lineup for five months. While recovering, the Panthers dealt him to the Detroit Red Wings at the trade deadline in exchange for forward prospect Shawn Matthias and conditional draft picks. Bertuzzi was in the last year of his contract with no guarantee he would re-sign with Florida in the off-season. Bertuzzi returned to action on March 22, 2007, debuting with his new team in a 2–1 shootout loss to the Columbus Blue Jackets. Eight days later, he scored his first goal as a Red Wing in a 4–3 shootout loss to the Dallas Stars. On April 7, he suffered a neck injury that kept him out of the lineup for the last game of the regular season and the first two games of the 2007 playoffs. He finished the campaign with 11 points in 15 games split between Florida and Detroit. During the playoffs, the Red Wings advanced to the Western Conference Finals, where they lost in six games to the Anaheim Ducks, who went on to win the Stanley Cup. Bertuzzi recorded 7 points in 16 playoff games. Becoming an unrestricted free agent in the off-season, Bertuzzi agreed to a two-year, $8 million contract with the Anaheim Ducks on July 2, 2007. Signing him was Ducks general manager Brian Burke, who had served as the Canucks general manager during Bertuzzi's time in Vancouver. Bertuzzi had reportedly been in negotiations to re-sign with Detroit, but the club only wanted a one-year deal. Playing the Red Wings in the Ducks' first game of the regular season on October 3, 2007, he registered a goal and an assist in a 3–2 shootout loss. In the first month of the 2007–08 campaign, he suffered a concussion and was sidelined for 14 games in October and November 2007. Bertuzzi returned to the lineup in time for the Ducks' away game against the Canucks on November 27, which marked his first NHL game in Vancouver since being traded away. Bertuzzi was received warmly by Canucks fans, as the Ducks lost the game 4–0. Playing in 68 contests over the season, he registered 40 points with Anaheim. Entering the 2008 playoffs as the defending champions, the Ducks were eliminated in the first round four games to two by the Dallas Stars. In six playoff contests, Bertuzzi recorded two assists. Calgary Flames (2008–09) During the subsequent summer, several Ducks players were set to become free agents, including high-profile forward Corey Perry. Requiring additional salary cap space to make room for defenceman Scott Niedermayer, who announced he was returning for another season, Bertuzzi was placed on unconditional waivers with the intention of buying out the remaining year on his contract. Addressing Bertuzzi's buy out with the media, Burke asserted that he "believe[d] [Bertuzzi] can still play at the NHL level," and that the Ducks were merely "handcuffed by [their] salary cap situation." Bertuzzi once again became an unrestricted free agent and signed a one-year, $1.95 million contract with the Calgary Flames on July 7, 2008. Joining Calgary, he was reunited with Flames coach Mike Keenan. Before the start of the 2008–09 season, Bertuzzi switched jersey numbers from 4 to 7, in honour of his boyhood idol, Phil Esposito. The numbers 44, which Bertuzzi wore in New York, Vancouver and Detroit, and 4, which he wore in Anaheim, were already taken in Calgary. Bertuzzi scored his first goal with the Flames, deflecting a Dion Phaneuf shot, on October 11, 2008, in a 5–4 overtime loss to the Vancouver Canucks. While initial fan reaction to Bertuzzi was negative due to his previous role with the division-rival Canucks, as well as his reputation following the Steve Moore incident, he was eventually accepted in Calgary. In January 2009, he missed five games due to a back injury. Several months later, he was sidelined again with a knee injury and underwent arthroscopic surgery to repair damaged cartilage on March 3, 2009. Missing 11 games, he returned in time for the 2009 playoffs, where the Flames were eliminated by the Chicago Blackhawks in the opening round. He finished his only season in Calgary with 44 points in 66 regular season games, while adding a goal and an assist in six playoff contests. Return to Detroit (2009–2014) On August 18, 2009, Bertuzzi re-joined the Red Wings by accepting a one-year contract with the club worth $1.5 million. He recorded 44 points (18 goals and 26 assists) in 2009–10, ranking fifth in team scoring. During the second round of the 2010 playoffs, Bertuzzi recorded a career-high five-point contest (a goal and four assists) in a Game 4 victory against the San Jose Sharks. Bertuzzi finished with a playoffs career-high 11 points in 12 games. In the off-season, Bertuzzi signed a two-year, $3.875 million contract extension with the Red Wings on June 16, 2010. During the 2010–11 season, he appeared in his 1,000th NHL game on February 20, 2011, against the Minnesota Wild. Bertuzzi scored a shootout goal to help Detroit win the game 2–1. Dressing for 81 games that season, he ranked seventh in team scoring with 45 points (16 goals and 29 assists). During the 2011 playoffs, he added 6 points (2 goals and 4 assists) over 11 games as the Red Wings were eliminated in the second round by the San Jose Sharks. On February 23, 2012 Bertuzzi re-signed with the Red Wings for $4.15 million over two years. He dressed for seven games in the lockout-shortened 2012-2013 regular season due to injuries, producing three points, and was held pointless over six games in the playoffs. In the 2013–2014 season he played 59 games and produced 16 points, but was a healthy scratch 15 times; he played one playoff game without a point. During his time with Detroit, he earned praise from head coach Mike Babcock and teammates for adapting his playing style to be more defensively responsible. Bertuzzi credited the influence of teammates Pavel Datsyuk and Henrik Zetterberg, both successful two-way players in the league. Binghamton Senators tryout and retirement (2015) On January 9, 2015 he signed a professional tryout contract with the Ottawa Senators AHL affiliate the Binghamton Senators in hopes to get a contract with Ottawa. Bertuzzi was released from his professional tryout offer with Binghamton on January 21, 2015, after posting no points and a minus-3 rating in his 2 games played with the Senators. He subsequently retired that year. International play Bertuzzi debuted internationally for Team Canada at the 1998 World Championships in Switzerland. He was among the youngest players selected to the team, along with Canucks teammate Bryan McCabe and Chicago Blackhawks forward Eric Dazé, who were all born in 1975 (third-string goaltender Christian Bronsard was two years younger, but did not play in any games). In six games, he recorded three points, as Canada failed to qualify for the medal rounds. Two years later, Bertuzzi competed at the 2000 World Championships in St. Petersburg, Russia. One of five Canucks players chosen to the national team, he was joined by Adrian Aucoin, Ed Jovanovski, Brendan Morrison and Peter Schaefer. His second tournament appearance was more productive, as he scored nine points in nine games – first among Canadian players and fourth overall – while also leading the tournament in penalty minutes with 47. Canada did not medal, losing to Finland in the bronze medal game by a 2–1 score. His 63 total penalty minutes from both tournament appearances set an all-time Canadian record for World Championship competitors since 1977 (when Canada resumed competing in the tournament). In December 2005, Bertuzzi was controversially selected to play for Team Canada at the 2006 Winter Olympics in Turin, Italy. His inclusion, along with that of Dany Heatley and Shane Doan, was discussed at length by the Canadian Olympic Committee (COC). The committee had concerns stemming from the Steve Moore incident and Bertuzzi's probationary status, but subsequently approved his representation of Canada at the Olympics. According to a Canadian Press article, "[COC president] Chambers said the [unusual meeting] was prompted by some media concerns raised over the three athletes participating in the Games. The fact it took the committee so long to approve the list means there was some debate." Bertuzzi went on to post three points (all assists) at the 2006 Olympics, tying for second in team scoring with nine other players. Canada failed to advance past the quarterfinal, losing to Russia by a 2–0 score. They finished in seventh place overall after winning gold at the previous Winter Olympics in 2002. Steve Moore Incident On February 16, 2004, during a game between Vancouver and Colorado, Avalanche center Steve Moore checked Markus Näslund in the head, causing a minor concussion and a bone chip in his elbow. No penalty was assessed, and the league decided not to fine or suspend Moore, ruling the hit legal. Näslund missed three games as a result of the hit. In a rematch, with the Canucks trailing the Avalanche 8–2 in the third period, Bertuzzi began following Moore around the ice, attempting to provoke him into another fight. With Moore ignoring him, Bertuzzi grabbed Moore's jersey from behind and punched him in the side of the face from behind, with Moore's face hitting the ice as Bertuzzi pushed him, already out cold, into the ice, breaking his neck. Bertuzzi, as well as several other players from both teams, landed atop Moore as he fell to the ice. Bertuzzi was assessed a match penalty and ejected from the game. Per league rules, he was also suspended indefinitely pending a ruling from league commissioner Gary Bettman. After lying on the ice for approximately 10 minutes, Moore was removed from the playing surface on a stretcher. He was treated for three fractured vertebrae in his neck, a grade three concussion, vertebral ligament damage, stretching of the brachial plexus nerves, and facial lacerations. He was also suffering from amnesia. Bertuzzi apologized to Moore and his family, as well as to Burke, Canucks owner John McCaw, Jr., the Canucks organization, his teammates, and the fans in a press conference two days later. On March 11, 2004, the league ruled he would remain suspended for at least the remainder of the Canucks' season, which ultimately cost him the final 13 games of the regular season plus seven playoff games. The Canucks were additionally fined $250,000. While the following NHL season was suspended due to the 2004–05 lockout, Bertuzzi intended to play in Europe, but the International Ice Hockey Federation (IIHF) extended his NHL suspension to cover their jurisdiction. Bertuzzi remained professionally inactive during the 2004–05 season. The IIHF's sanction also kept him from representing Canada in the 2004 and 2005 World Championships, as well as the 2004 World Cup. Bettman scheduled a reinstatement hearing for Bertuzzi on April 26, 2005. The hearing was attended separately by Bertuzzi and Moore. Prior to the 2005–06 season, Bettman announced Bertuzzi's reinstatement on August 8, citing that "Mr. Bertuzzi had paid a very significant price for his conduct," adding that he felt Bertuzzi was "genuinely remorseful and apologetic." Bertuzzi's 17-month suspension caused him to miss a total of 20 games—the fourth-longest suspension in NHL history at the time. The suspension accounted for $501,926.39 in forfeited salary, as well as an approximate $350,000 in lost endorsements. On the day of his reinstatement, Team Canada's executive director, Wayne Gretzky, offered him a spot on the national team's summer orientation camp in preparation for the 2006 Winter Olympics. Legal actions After a four-month investigation, the criminal justice branch of the Attorney General of British Columbia announced formal charges of assault causing bodily harm against Bertuzzi on June 24, 2004. With the charge, Bertuzzi faced up to one-and-a-half years in prison. Bertuzzi pleaded guilty to the assault charge on December 22 after arranging a plea bargain with prosecutors. He was given a conditional discharge requiring 80 hours of community service and one year's probation that additionally prohibited him from playing in any hockey game Moore was competing in. Under Canadian law, Bertuzzi's successful completion of his probationary period precluded him from a criminal record. Moore expressed disappointment regarding Bertuzzi's discharge and was upset that he was unable to attend the court date, having to issue a written victim statement instead. Moore's lawyer, Tim Danson, was given one day's notice of the court date following Bertuzzi's plea bargain, which he said was insufficient time for Moore to travel to Vancouver. On February 17, 2005, Moore filed a lawsuit in a Colorado court against Bertuzzi, numerous individuals within the Canucks organization, including Brad May (Bertuzzi's teammate at the time who was quoted as saying that there would "definitely be a price on Moore's head" after Moore's hit on Näslund), Brian Burke, Marc Crawford, as well as the Canucks organization as a whole and the Orca Bay Sports and Entertainment company that owned the team. The lawsuit was thrown out in October 2005, as the Colorado judge ruled the case was better suited for Canadian courts, as Moore and all the defendants were Canadian citizens. Planning to appeal the decision, Danson stated publicly the following month that Moore had begun skating and doing regular workouts, but continued to suffer concussion-related symptoms. On February 16, 2006, Moore filed another lawsuit in the Ontario Superior Court against Bertuzzi, the Canucks, and Orca Bay, seeking CAD$15 million in pecuniary damages for loss of income, CAD$1 million for aggravated damages, and CAD$2 million for punitive damages. Moore's parents, who were watching their son on television when the attack happened, also sued, seeking CAD$1.5 million for "negligent infliction of nervous shock and mental distress". In December 2006, Bettman and top lieutenant Bill Daly facilitated a meeting between Moore's representatives and the defendants in hopes of agreeing on an out-of-court settlement. An out-of-court settlement was reached in Moore's lawsuit in October 2014. Terms of the settlement are confidential. Personal life Bertuzzi was born and raised in Sudbury, Ontario. His father, Albert Bertuzzi, is an Italian-Canadian who worked in the window-washing business. When Bertuzzi was a teenager, Albert survived a near-fatal car accident in which he was thrown from the vehicle through the windshield. His father has stated that he was proud of his own local reputation as a "dirty player" and referred to it as a "Bertuzzi trait". He has said that Bertuzzi takes after him in regards to his toughness and aggression. Bertuzzi's great-uncle, Larry Bertuzzi, is a Toronto-based lawyer who has done arbitration work for the NHL, including on the Eric Lindros trade. Growing up, Bertuzzi played minor hockey with the Nickel Centre and Sudbury Minor Hockey programs. In 1990–91, Bertuzzi played as an underaged player in the major midget ranks with the Sudbury Capitals AAA team. Physically built as a power forward throughout his youth, he stood 6 feet and 2 inches (1.88 metres) and weighed 195 pounds (88.5 kilograms) by age 15. Bertuzzi and his wife, Julie, were married in July 1996. They have two children born one-and-a-half years apart in Vancouver, a son named Tag and a daughter named Jaden. His son, Tag Bertuzzi, was drafted into the OHL by the Guelph Storm, 2nd overall in 2017. Bertuzzi is a recreational golfer and has credited the sport with allowing him to relax more as a hockey player. During his 10-game suspension from the NHL in October and November 2001, he played golf to focus his energy. Afterwards, he made it a custom to go to the driving range before every game. Bertuzzi's nephew Tyler Bertuzzi plays hockey for the Detroit Red Wings. Bertuzzi was arrested on February 27, 2021, and was detained at the Oakland County Jail in Michigan on suspicion of DUI. Career statistics Regular season and playoffs International Awards Records Guelph Storm team record; most goals, single season—54 in 1994–95 (surpassed Mike Prokopec, 52 goals in 1992–93) Vancouver Canucks team record; longest point-scoring streak—15 games (7 goals, 12 assists; January 3 – February 4, 2003) (tied with Petr Nedved; November 19 – December 27, 1992) Vancouver Canucks team record; most powerplay goals, single season—25 in 2002–03 (tied with Pavel Bure) Transactions June 26, 1993: Drafted 23rd overall by the New York Islanders July 6, 1995: Signed to a four-year, $4.6 million contract with the New York Islanders February 6, 1998: Traded to the Vancouver Canucks from the New York Islanders with Bryan McCabe and a 3rd round choice in 1998 (Jarkko Ruutu) for Trevor Linden September 1999: Re-signed to a two-year contract with the Vancouver Canucks October 27, 2003: Signed a four-year, $27.9 million contract extension with the Vancouver Canucks March 11, 2004: Suspended indefinitely by the NHL for deliberate injury to Steve Moore in a game versus the Colorado Avalanche August 8, 2005: Officially reinstated by the NHL June 23, 2006: Traded to the Florida Panthers by the Vancouver Canucks with Bryan Allen and Alex Auld for Roberto Luongo, Lukas Krajicek and a sixth-round draft choice in 2006 (Sergei Shirokov) February 27, 2007: Traded to the Detroit Red Wings by the Florida Panthers for prospect Shawn Matthias and conditional draft picks July 2, 2007: Signed a two-year, $8 million contract as an unrestricted free agent with the Anaheim Ducks June 28, 2008: Placed on waivers by the Anaheim Ducks; subsequently bought out July 7, 2008: Signed a one-year $1.95 million contract as an unrestricted free agent with the Calgary Flames August 18, 2009: Signed a one-year $1.5 million contract as an unrestricted free agent with the Detroit Red Wings May 10, 2010: Signed a two-year, $3.85 million contract extension with the Detroit Red Wings February 23, 2012: Signed a two-year, $4.15 million contract extension with the Detroit Red Wings See also List of NHL players with 1000 games played References Footnotes Citations External links 1975 births Anaheim Ducks players Binghamton Senators players Calgary Flames players Canadian ice hockey right wingers Detroit Red Wings players Florida Panthers players Guelph Storm players Ice hockey people from Ontario Ice hockey players at the 2006 Winter Olympics Living people National Hockey League All-Stars National Hockey League first round draft picks New York Islanders draft picks New York Islanders players Olympic ice hockey players of Canada Sportspeople from Greater Sudbury Utah Grizzlies (IHL) players Vancouver Canucks players Violence in sports Canadian expatriate ice hockey players in the United States Canadian people of Italian descent

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Besides Todd Bertuzzi are there any other interesting aspects about this article?

Todd Bertuzzi

Two years after his draft, Bertuzzi and the Islanders had not yet been agreed to a contract. With Bertuzzi eligible to re-enter the draft if the Islanders did not sign him by July 7, 1995, general manager Don Maloney made it apparent that he would use the team's second overall pick in the 1995 NHL Entry Draft to select him again if a contract could not be agreed upon by the required date. Moments before the midnight deadline, the Islanders were able to sign Bertuzzi to a four-year, US$4.6 million contract. His agent, Pat Morris, had reportedly wanted a similar deal to that of fellow Islanders prospect Brett Lindros - a five-year, $6.7 million contract signed the previous summer. During training camp in September 1995, Islanders head coach Mike Milbury heralded Bertuzzi as the team's best performing forward. Making his NHL debut on October 7, 1995, he scored a wrap around goal against goaltender Blaine Lacher in a 4-4 tie with the Boston Bruins. Beginning the season on the team's top line with Zigmund Palffy and Travis Green, Bertuzzi finished his rookie year with 18 goals and 39 points over 76 games. The following season, Bertuzzi recorded 23 points in 64 games. The Islanders did not qualify for the playoffs in either of his two full seasons with the club, ranking second-last in the Eastern Conference in 1995-96 and 1996-97. Bertuzzi's playing style as a power forward resulted in comparisons to former Islander Clark Gillies. As a result, the club hired Gillies to personally mentor Bertuzzi. Failing to meet lofty expectations from the club, Gillies once said of Bertuzzi, "If you're built like a freight train, you can't drive around like a Volkswagen." Feeling burdened with the pressure of playing up to the club's expectations while his offensive production diminished, he requested to be traded away at one point during the 1996-97 season. In response, Milbury, who had also taken over general manager duties the previous season, demoted Bertuzzi to the Islanders' minor league affiliate, the Utah Grizzlies of the International Hockey League (IHL). Playing 13 games in the minors, he registered 10 points before being called back up to the NHL. During the 1997-98 campaign, he continued to score below his pace as a rookie. On February 6, 1998, he was traded along with defenceman Bryan McCabe and a third-round selection in the 1998 NHL Entry Draft (Jarkko Ruutu) to the Vancouver Canucks in exchange for veteran forward Trevor Linden. The deal was made prior to the NHL's roster freeze in preparation for the 1998 Winter Olympics. Bertuzzi and McCabe had both been widely regarded as the players of the future for New York after their respective drafts in 1993. While Milbury expressed regret at having to trade McCabe, relations between Bertuzzi and the club were strained. Welcoming the trade, Bertuzzi commented that "things weren't working out [in New York]." CANNOTANSWER

Bertuzzi's playing style as a power forward resulted in comparisons to former Islander Clark Gillies. As a result, the club hired Gillies to personally mentor Bertuzzi.

Todd Bertuzzi (born February 2, 1975) is a Canadian former professional ice hockey winger of the National Hockey League (NHL). Known as a power forward, he has played in the NHL for the New York Islanders, Vancouver Canucks, Florida Panthers, Anaheim Ducks, Calgary Flames and Detroit Red Wings. He is widely known for his role in the Todd Bertuzzi–Steve Moore incident, for which he was suspended by the NHL and IIHF, and criminally charged. Selected 23rd overall by the New York Islanders in the 1993 NHL Entry Draft, he played at the junior level with the Guelph Storm of the Ontario Hockey League (OHL) for four seasons. In 1995–96, he played his rookie season with the Islanders. After two-and-a-half seasons with the Islanders, he was traded to the Vancouver Canucks. Bertuzzi enjoyed the most successful seasons of his career with the Canucks—his longest tenured team in the NHL—including NHL First Team All-Star honours in 2003. In 2006, after seven-and-a-half seasons with Vancouver, Bertuzzi was dealt to the Florida Panthers, with whom he briefly played for until being traded again to the Red Wings. He then played single seasons with the Anaheim Ducks and the Calgary Flames before returning to Detroit in 2009 and finishing his career there. Internationally, Bertuzzi has competed for Team Canada at the 2006 Winter Olympics in Turin, as well as the 1998 and 2000 World Championships. He is the uncle of Tyler Bertuzzi who currently plays for the Detroit Red Wings. Playing career Guelph Storm (1991–95) After playing for two minor hockey teams based out of Sudbury, Ontario in 1990–91, Bertuzzi was selected in the first round (fifth overall) by the Guelph Storm in the 1991 Ontario Hockey League (OHL) Priority Selection. His future coach with the Vancouver Canucks, Marc Crawford, passed on Bertuzzi during the draft while he was general manager of the Cornwall Royals; he has recalled not selecting him due to "maturity issues" and that he was "a big kid who hadn't grown into his body yet." Bertuzzi started his OHL career for Guelph in 1991–92, recording 21 points over 42 games as a rookie. He missed the last 15 games of the regular season due to suspension as a result of kicking opposing defenceman Brad Barton during a contest between the Storm and Kitchener Rangers. After improving to 58 points over 60 games in 1992–93, he was selected 23rd overall by the New York Islanders in the 1993 NHL Entry Draft. The NHL Central Scouting Bureau described Bertuzzi as a physical and strong player with good skating who checks hard and is offensively effective in close proximity to the net. Following his NHL draft, he underwent surgery for chipped bones in his left elbow in August 1993. As a result, he was unable to participate in the Islanders' training camp in September and was returned to the OHL. Playing in his third season for Guelph, he improved to 28 goals and 82 points over 61 games. Bertuzzi competed for an Islanders' roster spot at their 1994 training camp, but was sent back to his junior team after going scoreless in three exhibition games. During his last campaign with Guelph in 1994–95, he recorded 119 points – sixth overall in the league. His 54 goals established a single-season team record, beating Mike Prokopec's mark, set the previous year, by two goals. The Storm's forward tandem of Bertuzzi and Jeff O'Neill, who finished fourth in league scoring, led the club to the best regular season record in the league. He went on to add a team-leading 33 points in 14 playoff games, en route to an OHL Finals loss to the Detroit Junior Red Wings. After four seasons with Guelph, he left the club ranked third all-time in career points with 280, behind O'Neill and Martin St. Pierre. New York Islanders (1995–98) Two years after his draft, Bertuzzi and the Islanders had not yet been agreed to a contract. With Bertuzzi eligible to re-enter the draft if the Islanders did not sign him by July 7, 1995, general manager Don Maloney made it apparent that he would use the team's second overall pick in the 1995 NHL Entry Draft to select him again if a contract could not be agreed upon by the required date. Moments before the midnight deadline, the Islanders were able to sign Bertuzzi to a four-year, US$4.6 million contract. His agent, Pat Morris, had reportedly wanted a similar deal to that of fellow Islanders prospect Brett Lindros – a five-year, $6.7 million contract signed the previous summer. During training camp in September 1995, Islanders head coach Mike Milbury heralded Bertuzzi as the team's best performing forward. Making his NHL debut on October 7, 1995, he scored a wrap around goal against goaltender Blaine Lacher in a 4–4 tie with the Boston Bruins. Beginning the season on the team's top line with Žigmund Pálffy and Travis Green, Bertuzzi finished his rookie year with 18 goals and 39 points over 76 games. The following season, Bertuzzi recorded 23 points in 64 games. The Islanders did not qualify for the playoffs in either of his two full seasons with the club, ranking second-last in the Eastern Conference in 1995–96 and 1996–97. Bertuzzi's playing style as a power forward resulted in comparisons to former Islander Clark Gillies. As a result, the club hired Gillies to personally mentor Bertuzzi. Failing to meet lofty expectations from the club, Gillies once said of Bertuzzi, "If you're built like a freight train, you can't drive around like a Volkswagen." Feeling burdened with the pressure of playing up to the club's expectations while his offensive production diminished, he requested to be traded away at one point during the 1996–97 season. In response, Milbury, who had also taken over general manager duties the previous season, demoted Bertuzzi to the Islanders' minor league affiliate, the Utah Grizzlies of the International Hockey League (IHL). Playing 13 games in the minors, he registered 10 points before being called back up to the NHL. During the 1997–98 campaign, he continued to score below his pace as a rookie. On February 6, 1998, he was traded along with defenceman Bryan McCabe and a third-round selection in the 1998 NHL Entry Draft (Jarkko Ruutu) to the Vancouver Canucks in exchange for veteran forward Trevor Linden. The deal was made prior to the NHL's roster freeze in preparation for the 1998 Winter Olympics. Bertuzzi and McCabe had both been widely regarded as the players of the future for New York after their respective drafts in 1993. While Milbury expressed regret at having to trade McCabe, relations between Bertuzzi and the club were strained. Welcoming the trade, Bertuzzi commented that "things weren't working out [in New York]." Vancouver Canucks (1998–2006) Bertuzzi immediately began producing with Vancouver, tallying 15 points in 22 games after the trade. Combined with his totals from New York, he finished with 33 points over 74 games in 1997–98. Contrasting his strained relationship with Milbury in New York, Canucks head coach Mike Keenan has recalled his experience with Bertuzzi upon his arrival as positive: "He came as a young player and he was very open-minded about learning about the game." Similar to the Islanders, Bertuzzi joined a struggling club in Vancouver; the team finished last in the Western Conference in his first two seasons after the trade. After beginning the 1998–99 season on the Canucks' top line, Bertuzzi was limited to 32 games due to injuries, the first of which was a fractured tibia. He suffered the injury on November 1, 1998, after a shot by teammate Mattias Öhlund hit him in the leg. His season was later ended with a torn anterior cruciate ligament (ACL) in his left knee, suffered during a game on March 5, 1999. He recorded 8 goals and 16 points in 1998–99. In the off-season, Bertuzzi became a restricted free agent and was re-signed by the Canucks to a two-year contract in September 1999. The deal was reported by The Vancouver Sun to be worth a little over $2 million. Returning from injury the following season, Bertuzzi emerged as one of the Canucks' best offensive contributors, finishing with 25 goals (second on the team to Markus Näslund) and 50 points in 1999–2000. At the end of the season, he received the team's Most Exciting Player Award, as voted by the fans. He received the distinction three more times during his career with the Canucks from 2002 to 2004). Meanwhile, the Canucks began improving as a team, finishing four points out of a playoff spot in the West in 2000. The following season, Bertuzzi recorded his first career NHL hat trick, recording all three goals on the power play against San Jose Sharks goaltender Evgeni Nabokov in a 6–3 win on December 30, 2000. Bertuzzi recorded a second consecutive 25-goal season in 2000–01, adding 30 assists for 55 points, third in team scoring behind Näslund and Andrew Cassels. His -18 plus-minus rating, however, was a team-worst. The Canucks continued to improve, qualifying for the post-season for the first time in five years. Entering the 2001 playoffs as the final and eighth seed in the West, they were eliminated in the first round by the Colorado Avalanche. Bertuzzi scored two goals and two assists over four games in his first NHL post-season appearance. In the off-season, Bertuzzi filed for salary arbitration after initially failing to come to terms on a new contract with the Canucks. Both sides avoided arbitration by agreeing to a three-year deal on July 26, 2001. In the first month of the 2001–02 season, Bertuzzi received an automatic 10-game suspension from the league (forfeiting $118,557 in salary) after leaving the bench to help teammate Ed Jovanovski in a fight. The incident occurred during a game against the Colorado Avalanche in which opposing coach Bob Hartley sent enforcer Scott Parker onto the ice as the extra attacker during a delayed penalty. Parker proceeded to physically engage Jovanovski, at which point Bertuzzi left the bench to help his teammate. Vancouver struggled with him out of the lineup, winning 3 games during the 10-game span. Two months after returning from suspension, Bertuzzi went 15 consecutive games with at least a point, scoring 7 goals and 12 assists from January 3 – February 4, 2002. The streak tied Petr Nedvěd for the longest in Canucks history. During that span, in a game on January 9, Canucks head coach Marc Crawford replaced Andrew Cassels with Brendan Morrison, marking the beginning of what was considered by many to be the most effective line combination in the league for several seasons. Bertuzzi had emerged as an effective power forward, able to use his size and strength to position himself in front of the net, with good stickhandling ability. According to Canucks assistant coach Jack McIlhargey, Bertuzzi's skill set favourably complemented Näslund's goal-scoring and Morrison's playmaking abilities. The trio were dubbed by Vancouver media as the "West Coast Express", named after the city's commuter rail service of the same name. Late in the 2001–02 season, Bertuzzi recorded his second career hat-trick on March 19, 2002, during a win against the New York Rangers. He scored his first two goals of the game against Dan Blackburn and his third into an empty net. Despite missing ten games from his suspension, Bertuzzi finished the 2001–02 season third in league-scoring with 85 points, behind Näslund and Calgary Flames forward Jarome Iginla. His 1.18 points-per-game average ranked second in the NHL behind Mario Lemieux, who played 48 fewer games than Bertuzzi. He also improved his plus-minus rating by 39 points from the previous season, finishing a career-high +21. Although the Canucks were the league's highest scoring team, they finished with the final seed in the West for the 2002 playoffs, ranking eighth in their conference. Facing the Detroit Red Wings in the opening round, they were eliminated in six games. Bertuzzi recorded four points in the series. The following season, Bertuzzi appeared in his first NHL All-Star Game. He was joined by fellow Canucks Markus Näslund, defenceman Ed Jovanovski and head coach Marc Crawford, helping the Western Conference to a 6–5 shootout win against the East. He played on a line with Näslund and Peter Forsberg. Later in the season, he scored his third career hat-trick on March 17, 2003, scoring three goals against Ron Tugnutt in a game against the Dallas Stars. He finished the season with career-highs of 46 goals (third in the league), 51 assists and 97 points (fifth in the league). His 25 power play goals led the NHL and tied Pavel Bure for the Canucks' single-season record. Linemates Näslund and Morrison also recorded personal bests with 104 and 71 points, respectively. Meanwhile, the Canucks emerged as a top team in the West. Losing the Northwest Division title to the Avalanche by one point in the regular season, they finished as the fourth seed in their conference. After going down three-games-to-one in the opening round against the St. Louis Blues, Vancouver won three straight games to advance to the second round. Facing the Minnesota Wild, the Canucks gave up their own three-games-to-one series lead and were eliminated in seven games. During the series, Bertuzzi had reportedly walked by the Xcel Energy Center box office and told Wild fans they would not need their Game 6 tickets because Minnesota would be eliminated by then. In another on-ice incident, he skated by the opposing bench during Game 7 when the Canucks were winning 2–0, telling Wild players to "get [their] golf clubs". Despite his successful regular season, Bertuzzi struggled to score in the playoffs, recording 6 points in 14 games. In the off-season, Bertuzzi was named with Näslund to the NHL First All-Star Team. With Bertuzzi entering the final year of his contract, the Canucks began negotiating a contract extension prior to the 2003–04 season. Despite Bertuzzi's agent, Pat Morris, declaring that they would cease negotiations once the season began, Bertuzzi signed a four-year, $27.8 million deal with the Canucks on October 23, 2003. The contract took effect immediately, erasing the last year on his previous contract, and included a $3 million signing bonus ($2.5 million paid in the first year and $500,000 in the second). The deal paid him $4.3 million the first year, $6.633 million the second year and $6.933 million for the third and fourth years. In January 2004, Bertuzzi was voted by league fans to the starting lineup of the NHL All-Star Game. Representing the Western Conference alongside Näslund and Canucks head coach Marc Crawford, they were defeated by the East 6–4. Bertuzzi had two assists while playing on a line with Näslund and Joe Sakic. Nearing the end of the 2003–04 season, Bertuzzi was indefinitely suspended by the NHL for punching Colorado Avalanche forward Steve Moore from behind and driving his head into the ice during a game on March 8, 2004. His actions were a retaliation to a hit from Moore on Näslund during a previous game. Sitting out the remainder of the regular season and playoffs due to his suspension, he finished 2003–04 with 60 points over 69 games. Vancouver replaced Bertuzzi on the team's top line with Matt Cooke and went on to their first Northwest Division title, before being eliminated in the first round of the 2004 playoffs by the Calgary Flames. Inactive in 2004–05 due to the players lockout and his ongoing suspension, which had been extended internationally, Bertuzzi returned to the Canucks in 2005–06, as the league ended his playing ban. He recorded 25 goals and 71 points, including two hat tricks (November 13, 2005, against the Detroit Red Wings and January 14, 2006, against the New York Islanders). Though he ranked third in team scoring, Crawford has recalled that by the end of the season, Näslund and Bertuzzi had been eclipsed by Daniel and Henrik Sedin as the team's offensive leaders. There was speculation that the effects of the Steve Moore incident, which included assault charges and constant media coverage, were negatively affecting his play. While on the road, he was consistently heckled and booed by fans throughout the NHL. Näslund, a close friend of Bertuzzi's, later expressed sympathy for him, saying in a 2008 interview, "It still bothers me what Todd has had to go through...There's no question he was standing up for me...it all went too far." Beyond the negative impact on Bertuzzi's individual play, the media speculated that the fallout from the Moore incident had become a distraction to the organization as a whole. Compounding the situation in Vancouver, the Canucks had missed the playoffs for the first time in four years. As such, general manager Dave Nonis spent the off-season making significant changes to the Canucks lineup. On June 23, 2006, he traded Bertuzzi to the Florida Panthers, along with goaltender Alex Auld and defenceman Bryan Allen, in exchange for goaltender Roberto Luongo, defenceman Lukáš Krajíček and a sixth-round selection in the 2006 NHL Entry Draft (Sergei Shirokov). After seven-and-a-half seasons with the Canucks, Bertuzzi left the club ranked seventh all-time among franchise scoring leaders with 449 points. Florida, Detroit, and Anaheim (2006–08) Instrumental in facilitating the trade to Florida was Bertuzzi's positive relationship with Panthers general manager Mike Keenan, who was his first coach in Vancouver. Debuting with the Panthers on October 6, 2006, Bertuzzi scored a goal and three assists in an 8–3 win against the Boston Bruins. He appeared in six more games for Florida, notching seven points total, before being sidelined with back spasms. After being diagnosed with a herniated disc in early-November, Bertuzzi opted for surgery, which kept him out of the lineup for five months. While recovering, the Panthers dealt him to the Detroit Red Wings at the trade deadline in exchange for forward prospect Shawn Matthias and conditional draft picks. Bertuzzi was in the last year of his contract with no guarantee he would re-sign with Florida in the off-season. Bertuzzi returned to action on March 22, 2007, debuting with his new team in a 2–1 shootout loss to the Columbus Blue Jackets. Eight days later, he scored his first goal as a Red Wing in a 4–3 shootout loss to the Dallas Stars. On April 7, he suffered a neck injury that kept him out of the lineup for the last game of the regular season and the first two games of the 2007 playoffs. He finished the campaign with 11 points in 15 games split between Florida and Detroit. During the playoffs, the Red Wings advanced to the Western Conference Finals, where they lost in six games to the Anaheim Ducks, who went on to win the Stanley Cup. Bertuzzi recorded 7 points in 16 playoff games. Becoming an unrestricted free agent in the off-season, Bertuzzi agreed to a two-year, $8 million contract with the Anaheim Ducks on July 2, 2007. Signing him was Ducks general manager Brian Burke, who had served as the Canucks general manager during Bertuzzi's time in Vancouver. Bertuzzi had reportedly been in negotiations to re-sign with Detroit, but the club only wanted a one-year deal. Playing the Red Wings in the Ducks' first game of the regular season on October 3, 2007, he registered a goal and an assist in a 3–2 shootout loss. In the first month of the 2007–08 campaign, he suffered a concussion and was sidelined for 14 games in October and November 2007. Bertuzzi returned to the lineup in time for the Ducks' away game against the Canucks on November 27, which marked his first NHL game in Vancouver since being traded away. Bertuzzi was received warmly by Canucks fans, as the Ducks lost the game 4–0. Playing in 68 contests over the season, he registered 40 points with Anaheim. Entering the 2008 playoffs as the defending champions, the Ducks were eliminated in the first round four games to two by the Dallas Stars. In six playoff contests, Bertuzzi recorded two assists. Calgary Flames (2008–09) During the subsequent summer, several Ducks players were set to become free agents, including high-profile forward Corey Perry. Requiring additional salary cap space to make room for defenceman Scott Niedermayer, who announced he was returning for another season, Bertuzzi was placed on unconditional waivers with the intention of buying out the remaining year on his contract. Addressing Bertuzzi's buy out with the media, Burke asserted that he "believe[d] [Bertuzzi] can still play at the NHL level," and that the Ducks were merely "handcuffed by [their] salary cap situation." Bertuzzi once again became an unrestricted free agent and signed a one-year, $1.95 million contract with the Calgary Flames on July 7, 2008. Joining Calgary, he was reunited with Flames coach Mike Keenan. Before the start of the 2008–09 season, Bertuzzi switched jersey numbers from 4 to 7, in honour of his boyhood idol, Phil Esposito. The numbers 44, which Bertuzzi wore in New York, Vancouver and Detroit, and 4, which he wore in Anaheim, were already taken in Calgary. Bertuzzi scored his first goal with the Flames, deflecting a Dion Phaneuf shot, on October 11, 2008, in a 5–4 overtime loss to the Vancouver Canucks. While initial fan reaction to Bertuzzi was negative due to his previous role with the division-rival Canucks, as well as his reputation following the Steve Moore incident, he was eventually accepted in Calgary. In January 2009, he missed five games due to a back injury. Several months later, he was sidelined again with a knee injury and underwent arthroscopic surgery to repair damaged cartilage on March 3, 2009. Missing 11 games, he returned in time for the 2009 playoffs, where the Flames were eliminated by the Chicago Blackhawks in the opening round. He finished his only season in Calgary with 44 points in 66 regular season games, while adding a goal and an assist in six playoff contests. Return to Detroit (2009–2014) On August 18, 2009, Bertuzzi re-joined the Red Wings by accepting a one-year contract with the club worth $1.5 million. He recorded 44 points (18 goals and 26 assists) in 2009–10, ranking fifth in team scoring. During the second round of the 2010 playoffs, Bertuzzi recorded a career-high five-point contest (a goal and four assists) in a Game 4 victory against the San Jose Sharks. Bertuzzi finished with a playoffs career-high 11 points in 12 games. In the off-season, Bertuzzi signed a two-year, $3.875 million contract extension with the Red Wings on June 16, 2010. During the 2010–11 season, he appeared in his 1,000th NHL game on February 20, 2011, against the Minnesota Wild. Bertuzzi scored a shootout goal to help Detroit win the game 2–1. Dressing for 81 games that season, he ranked seventh in team scoring with 45 points (16 goals and 29 assists). During the 2011 playoffs, he added 6 points (2 goals and 4 assists) over 11 games as the Red Wings were eliminated in the second round by the San Jose Sharks. On February 23, 2012 Bertuzzi re-signed with the Red Wings for $4.15 million over two years. He dressed for seven games in the lockout-shortened 2012-2013 regular season due to injuries, producing three points, and was held pointless over six games in the playoffs. In the 2013–2014 season he played 59 games and produced 16 points, but was a healthy scratch 15 times; he played one playoff game without a point. During his time with Detroit, he earned praise from head coach Mike Babcock and teammates for adapting his playing style to be more defensively responsible. Bertuzzi credited the influence of teammates Pavel Datsyuk and Henrik Zetterberg, both successful two-way players in the league. Binghamton Senators tryout and retirement (2015) On January 9, 2015 he signed a professional tryout contract with the Ottawa Senators AHL affiliate the Binghamton Senators in hopes to get a contract with Ottawa. Bertuzzi was released from his professional tryout offer with Binghamton on January 21, 2015, after posting no points and a minus-3 rating in his 2 games played with the Senators. He subsequently retired that year. International play Bertuzzi debuted internationally for Team Canada at the 1998 World Championships in Switzerland. He was among the youngest players selected to the team, along with Canucks teammate Bryan McCabe and Chicago Blackhawks forward Eric Dazé, who were all born in 1975 (third-string goaltender Christian Bronsard was two years younger, but did not play in any games). In six games, he recorded three points, as Canada failed to qualify for the medal rounds. Two years later, Bertuzzi competed at the 2000 World Championships in St. Petersburg, Russia. One of five Canucks players chosen to the national team, he was joined by Adrian Aucoin, Ed Jovanovski, Brendan Morrison and Peter Schaefer. His second tournament appearance was more productive, as he scored nine points in nine games – first among Canadian players and fourth overall – while also leading the tournament in penalty minutes with 47. Canada did not medal, losing to Finland in the bronze medal game by a 2–1 score. His 63 total penalty minutes from both tournament appearances set an all-time Canadian record for World Championship competitors since 1977 (when Canada resumed competing in the tournament). In December 2005, Bertuzzi was controversially selected to play for Team Canada at the 2006 Winter Olympics in Turin, Italy. His inclusion, along with that of Dany Heatley and Shane Doan, was discussed at length by the Canadian Olympic Committee (COC). The committee had concerns stemming from the Steve Moore incident and Bertuzzi's probationary status, but subsequently approved his representation of Canada at the Olympics. According to a Canadian Press article, "[COC president] Chambers said the [unusual meeting] was prompted by some media concerns raised over the three athletes participating in the Games. The fact it took the committee so long to approve the list means there was some debate." Bertuzzi went on to post three points (all assists) at the 2006 Olympics, tying for second in team scoring with nine other players. Canada failed to advance past the quarterfinal, losing to Russia by a 2–0 score. They finished in seventh place overall after winning gold at the previous Winter Olympics in 2002. Steve Moore Incident On February 16, 2004, during a game between Vancouver and Colorado, Avalanche center Steve Moore checked Markus Näslund in the head, causing a minor concussion and a bone chip in his elbow. No penalty was assessed, and the league decided not to fine or suspend Moore, ruling the hit legal. Näslund missed three games as a result of the hit. In a rematch, with the Canucks trailing the Avalanche 8–2 in the third period, Bertuzzi began following Moore around the ice, attempting to provoke him into another fight. With Moore ignoring him, Bertuzzi grabbed Moore's jersey from behind and punched him in the side of the face from behind, with Moore's face hitting the ice as Bertuzzi pushed him, already out cold, into the ice, breaking his neck. Bertuzzi, as well as several other players from both teams, landed atop Moore as he fell to the ice. Bertuzzi was assessed a match penalty and ejected from the game. Per league rules, he was also suspended indefinitely pending a ruling from league commissioner Gary Bettman. After lying on the ice for approximately 10 minutes, Moore was removed from the playing surface on a stretcher. He was treated for three fractured vertebrae in his neck, a grade three concussion, vertebral ligament damage, stretching of the brachial plexus nerves, and facial lacerations. He was also suffering from amnesia. Bertuzzi apologized to Moore and his family, as well as to Burke, Canucks owner John McCaw, Jr., the Canucks organization, his teammates, and the fans in a press conference two days later. On March 11, 2004, the league ruled he would remain suspended for at least the remainder of the Canucks' season, which ultimately cost him the final 13 games of the regular season plus seven playoff games. The Canucks were additionally fined $250,000. While the following NHL season was suspended due to the 2004–05 lockout, Bertuzzi intended to play in Europe, but the International Ice Hockey Federation (IIHF) extended his NHL suspension to cover their jurisdiction. Bertuzzi remained professionally inactive during the 2004–05 season. The IIHF's sanction also kept him from representing Canada in the 2004 and 2005 World Championships, as well as the 2004 World Cup. Bettman scheduled a reinstatement hearing for Bertuzzi on April 26, 2005. The hearing was attended separately by Bertuzzi and Moore. Prior to the 2005–06 season, Bettman announced Bertuzzi's reinstatement on August 8, citing that "Mr. Bertuzzi had paid a very significant price for his conduct," adding that he felt Bertuzzi was "genuinely remorseful and apologetic." Bertuzzi's 17-month suspension caused him to miss a total of 20 games—the fourth-longest suspension in NHL history at the time. The suspension accounted for $501,926.39 in forfeited salary, as well as an approximate $350,000 in lost endorsements. On the day of his reinstatement, Team Canada's executive director, Wayne Gretzky, offered him a spot on the national team's summer orientation camp in preparation for the 2006 Winter Olympics. Legal actions After a four-month investigation, the criminal justice branch of the Attorney General of British Columbia announced formal charges of assault causing bodily harm against Bertuzzi on June 24, 2004. With the charge, Bertuzzi faced up to one-and-a-half years in prison. Bertuzzi pleaded guilty to the assault charge on December 22 after arranging a plea bargain with prosecutors. He was given a conditional discharge requiring 80 hours of community service and one year's probation that additionally prohibited him from playing in any hockey game Moore was competing in. Under Canadian law, Bertuzzi's successful completion of his probationary period precluded him from a criminal record. Moore expressed disappointment regarding Bertuzzi's discharge and was upset that he was unable to attend the court date, having to issue a written victim statement instead. Moore's lawyer, Tim Danson, was given one day's notice of the court date following Bertuzzi's plea bargain, which he said was insufficient time for Moore to travel to Vancouver. On February 17, 2005, Moore filed a lawsuit in a Colorado court against Bertuzzi, numerous individuals within the Canucks organization, including Brad May (Bertuzzi's teammate at the time who was quoted as saying that there would "definitely be a price on Moore's head" after Moore's hit on Näslund), Brian Burke, Marc Crawford, as well as the Canucks organization as a whole and the Orca Bay Sports and Entertainment company that owned the team. The lawsuit was thrown out in October 2005, as the Colorado judge ruled the case was better suited for Canadian courts, as Moore and all the defendants were Canadian citizens. Planning to appeal the decision, Danson stated publicly the following month that Moore had begun skating and doing regular workouts, but continued to suffer concussion-related symptoms. On February 16, 2006, Moore filed another lawsuit in the Ontario Superior Court against Bertuzzi, the Canucks, and Orca Bay, seeking CAD$15 million in pecuniary damages for loss of income, CAD$1 million for aggravated damages, and CAD$2 million for punitive damages. Moore's parents, who were watching their son on television when the attack happened, also sued, seeking CAD$1.5 million for "negligent infliction of nervous shock and mental distress". In December 2006, Bettman and top lieutenant Bill Daly facilitated a meeting between Moore's representatives and the defendants in hopes of agreeing on an out-of-court settlement. An out-of-court settlement was reached in Moore's lawsuit in October 2014. Terms of the settlement are confidential. Personal life Bertuzzi was born and raised in Sudbury, Ontario. His father, Albert Bertuzzi, is an Italian-Canadian who worked in the window-washing business. When Bertuzzi was a teenager, Albert survived a near-fatal car accident in which he was thrown from the vehicle through the windshield. His father has stated that he was proud of his own local reputation as a "dirty player" and referred to it as a "Bertuzzi trait". He has said that Bertuzzi takes after him in regards to his toughness and aggression. Bertuzzi's great-uncle, Larry Bertuzzi, is a Toronto-based lawyer who has done arbitration work for the NHL, including on the Eric Lindros trade. Growing up, Bertuzzi played minor hockey with the Nickel Centre and Sudbury Minor Hockey programs. In 1990–91, Bertuzzi played as an underaged player in the major midget ranks with the Sudbury Capitals AAA team. Physically built as a power forward throughout his youth, he stood 6 feet and 2 inches (1.88 metres) and weighed 195 pounds (88.5 kilograms) by age 15. Bertuzzi and his wife, Julie, were married in July 1996. They have two children born one-and-a-half years apart in Vancouver, a son named Tag and a daughter named Jaden. His son, Tag Bertuzzi, was drafted into the OHL by the Guelph Storm, 2nd overall in 2017. Bertuzzi is a recreational golfer and has credited the sport with allowing him to relax more as a hockey player. During his 10-game suspension from the NHL in October and November 2001, he played golf to focus his energy. Afterwards, he made it a custom to go to the driving range before every game. Bertuzzi's nephew Tyler Bertuzzi plays hockey for the Detroit Red Wings. Bertuzzi was arrested on February 27, 2021, and was detained at the Oakland County Jail in Michigan on suspicion of DUI. Career statistics Regular season and playoffs International Awards Records Guelph Storm team record; most goals, single season—54 in 1994–95 (surpassed Mike Prokopec, 52 goals in 1992–93) Vancouver Canucks team record; longest point-scoring streak—15 games (7 goals, 12 assists; January 3 – February 4, 2003) (tied with Petr Nedved; November 19 – December 27, 1992) Vancouver Canucks team record; most powerplay goals, single season—25 in 2002–03 (tied with Pavel Bure) Transactions June 26, 1993: Drafted 23rd overall by the New York Islanders July 6, 1995: Signed to a four-year, $4.6 million contract with the New York Islanders February 6, 1998: Traded to the Vancouver Canucks from the New York Islanders with Bryan McCabe and a 3rd round choice in 1998 (Jarkko Ruutu) for Trevor Linden September 1999: Re-signed to a two-year contract with the Vancouver Canucks October 27, 2003: Signed a four-year, $27.9 million contract extension with the Vancouver Canucks March 11, 2004: Suspended indefinitely by the NHL for deliberate injury to Steve Moore in a game versus the Colorado Avalanche August 8, 2005: Officially reinstated by the NHL June 23, 2006: Traded to the Florida Panthers by the Vancouver Canucks with Bryan Allen and Alex Auld for Roberto Luongo, Lukas Krajicek and a sixth-round draft choice in 2006 (Sergei Shirokov) February 27, 2007: Traded to the Detroit Red Wings by the Florida Panthers for prospect Shawn Matthias and conditional draft picks July 2, 2007: Signed a two-year, $8 million contract as an unrestricted free agent with the Anaheim Ducks June 28, 2008: Placed on waivers by the Anaheim Ducks; subsequently bought out July 7, 2008: Signed a one-year $1.95 million contract as an unrestricted free agent with the Calgary Flames August 18, 2009: Signed a one-year $1.5 million contract as an unrestricted free agent with the Detroit Red Wings May 10, 2010: Signed a two-year, $3.85 million contract extension with the Detroit Red Wings February 23, 2012: Signed a two-year, $4.15 million contract extension with the Detroit Red Wings See also List of NHL players with 1000 games played References Footnotes Citations External links 1975 births Anaheim Ducks players Binghamton Senators players Calgary Flames players Canadian ice hockey right wingers Detroit Red Wings players Florida Panthers players Guelph Storm players Ice hockey people from Ontario Ice hockey players at the 2006 Winter Olympics Living people National Hockey League All-Stars National Hockey League first round draft picks New York Islanders draft picks New York Islanders players Olympic ice hockey players of Canada Sportspeople from Greater Sudbury Utah Grizzlies (IHL) players Vancouver Canucks players Violence in sports Canadian expatriate ice hockey players in the United States Canadian people of Italian descent

C_40acc9f3ce424ca48b13ddefa5d4c640_0

how did he mentor him?

How did Clark Gillies mentor Todd Bertuzzi?

Todd Bertuzzi

Two years after his draft, Bertuzzi and the Islanders had not yet been agreed to a contract. With Bertuzzi eligible to re-enter the draft if the Islanders did not sign him by July 7, 1995, general manager Don Maloney made it apparent that he would use the team's second overall pick in the 1995 NHL Entry Draft to select him again if a contract could not be agreed upon by the required date. Moments before the midnight deadline, the Islanders were able to sign Bertuzzi to a four-year, US$4.6 million contract. His agent, Pat Morris, had reportedly wanted a similar deal to that of fellow Islanders prospect Brett Lindros - a five-year, $6.7 million contract signed the previous summer. During training camp in September 1995, Islanders head coach Mike Milbury heralded Bertuzzi as the team's best performing forward. Making his NHL debut on October 7, 1995, he scored a wrap around goal against goaltender Blaine Lacher in a 4-4 tie with the Boston Bruins. Beginning the season on the team's top line with Zigmund Palffy and Travis Green, Bertuzzi finished his rookie year with 18 goals and 39 points over 76 games. The following season, Bertuzzi recorded 23 points in 64 games. The Islanders did not qualify for the playoffs in either of his two full seasons with the club, ranking second-last in the Eastern Conference in 1995-96 and 1996-97. Bertuzzi's playing style as a power forward resulted in comparisons to former Islander Clark Gillies. As a result, the club hired Gillies to personally mentor Bertuzzi. Failing to meet lofty expectations from the club, Gillies once said of Bertuzzi, "If you're built like a freight train, you can't drive around like a Volkswagen." Feeling burdened with the pressure of playing up to the club's expectations while his offensive production diminished, he requested to be traded away at one point during the 1996-97 season. In response, Milbury, who had also taken over general manager duties the previous season, demoted Bertuzzi to the Islanders' minor league affiliate, the Utah Grizzlies of the International Hockey League (IHL). Playing 13 games in the minors, he registered 10 points before being called back up to the NHL. During the 1997-98 campaign, he continued to score below his pace as a rookie. On February 6, 1998, he was traded along with defenceman Bryan McCabe and a third-round selection in the 1998 NHL Entry Draft (Jarkko Ruutu) to the Vancouver Canucks in exchange for veteran forward Trevor Linden. The deal was made prior to the NHL's roster freeze in preparation for the 1998 Winter Olympics. Bertuzzi and McCabe had both been widely regarded as the players of the future for New York after their respective drafts in 1993. While Milbury expressed regret at having to trade McCabe, relations between Bertuzzi and the club were strained. Welcoming the trade, Bertuzzi commented that "things weren't working out [in New York]." CANNOTANSWER

CANNOTANSWER

Todd Bertuzzi (born February 2, 1975) is a Canadian former professional ice hockey winger of the National Hockey League (NHL). Known as a power forward, he has played in the NHL for the New York Islanders, Vancouver Canucks, Florida Panthers, Anaheim Ducks, Calgary Flames and Detroit Red Wings. He is widely known for his role in the Todd Bertuzzi–Steve Moore incident, for which he was suspended by the NHL and IIHF, and criminally charged. Selected 23rd overall by the New York Islanders in the 1993 NHL Entry Draft, he played at the junior level with the Guelph Storm of the Ontario Hockey League (OHL) for four seasons. In 1995–96, he played his rookie season with the Islanders. After two-and-a-half seasons with the Islanders, he was traded to the Vancouver Canucks. Bertuzzi enjoyed the most successful seasons of his career with the Canucks—his longest tenured team in the NHL—including NHL First Team All-Star honours in 2003. In 2006, after seven-and-a-half seasons with Vancouver, Bertuzzi was dealt to the Florida Panthers, with whom he briefly played for until being traded again to the Red Wings. He then played single seasons with the Anaheim Ducks and the Calgary Flames before returning to Detroit in 2009 and finishing his career there. Internationally, Bertuzzi has competed for Team Canada at the 2006 Winter Olympics in Turin, as well as the 1998 and 2000 World Championships. He is the uncle of Tyler Bertuzzi who currently plays for the Detroit Red Wings. Playing career Guelph Storm (1991–95) After playing for two minor hockey teams based out of Sudbury, Ontario in 1990–91, Bertuzzi was selected in the first round (fifth overall) by the Guelph Storm in the 1991 Ontario Hockey League (OHL) Priority Selection. His future coach with the Vancouver Canucks, Marc Crawford, passed on Bertuzzi during the draft while he was general manager of the Cornwall Royals; he has recalled not selecting him due to "maturity issues" and that he was "a big kid who hadn't grown into his body yet." Bertuzzi started his OHL career for Guelph in 1991–92, recording 21 points over 42 games as a rookie. He missed the last 15 games of the regular season due to suspension as a result of kicking opposing defenceman Brad Barton during a contest between the Storm and Kitchener Rangers. After improving to 58 points over 60 games in 1992–93, he was selected 23rd overall by the New York Islanders in the 1993 NHL Entry Draft. The NHL Central Scouting Bureau described Bertuzzi as a physical and strong player with good skating who checks hard and is offensively effective in close proximity to the net. Following his NHL draft, he underwent surgery for chipped bones in his left elbow in August 1993. As a result, he was unable to participate in the Islanders' training camp in September and was returned to the OHL. Playing in his third season for Guelph, he improved to 28 goals and 82 points over 61 games. Bertuzzi competed for an Islanders' roster spot at their 1994 training camp, but was sent back to his junior team after going scoreless in three exhibition games. During his last campaign with Guelph in 1994–95, he recorded 119 points – sixth overall in the league. His 54 goals established a single-season team record, beating Mike Prokopec's mark, set the previous year, by two goals. The Storm's forward tandem of Bertuzzi and Jeff O'Neill, who finished fourth in league scoring, led the club to the best regular season record in the league. He went on to add a team-leading 33 points in 14 playoff games, en route to an OHL Finals loss to the Detroit Junior Red Wings. After four seasons with Guelph, he left the club ranked third all-time in career points with 280, behind O'Neill and Martin St. Pierre. New York Islanders (1995–98) Two years after his draft, Bertuzzi and the Islanders had not yet been agreed to a contract. With Bertuzzi eligible to re-enter the draft if the Islanders did not sign him by July 7, 1995, general manager Don Maloney made it apparent that he would use the team's second overall pick in the 1995 NHL Entry Draft to select him again if a contract could not be agreed upon by the required date. Moments before the midnight deadline, the Islanders were able to sign Bertuzzi to a four-year, US$4.6 million contract. His agent, Pat Morris, had reportedly wanted a similar deal to that of fellow Islanders prospect Brett Lindros – a five-year, $6.7 million contract signed the previous summer. During training camp in September 1995, Islanders head coach Mike Milbury heralded Bertuzzi as the team's best performing forward. Making his NHL debut on October 7, 1995, he scored a wrap around goal against goaltender Blaine Lacher in a 4–4 tie with the Boston Bruins. Beginning the season on the team's top line with Žigmund Pálffy and Travis Green, Bertuzzi finished his rookie year with 18 goals and 39 points over 76 games. The following season, Bertuzzi recorded 23 points in 64 games. The Islanders did not qualify for the playoffs in either of his two full seasons with the club, ranking second-last in the Eastern Conference in 1995–96 and 1996–97. Bertuzzi's playing style as a power forward resulted in comparisons to former Islander Clark Gillies. As a result, the club hired Gillies to personally mentor Bertuzzi. Failing to meet lofty expectations from the club, Gillies once said of Bertuzzi, "If you're built like a freight train, you can't drive around like a Volkswagen." Feeling burdened with the pressure of playing up to the club's expectations while his offensive production diminished, he requested to be traded away at one point during the 1996–97 season. In response, Milbury, who had also taken over general manager duties the previous season, demoted Bertuzzi to the Islanders' minor league affiliate, the Utah Grizzlies of the International Hockey League (IHL). Playing 13 games in the minors, he registered 10 points before being called back up to the NHL. During the 1997–98 campaign, he continued to score below his pace as a rookie. On February 6, 1998, he was traded along with defenceman Bryan McCabe and a third-round selection in the 1998 NHL Entry Draft (Jarkko Ruutu) to the Vancouver Canucks in exchange for veteran forward Trevor Linden. The deal was made prior to the NHL's roster freeze in preparation for the 1998 Winter Olympics. Bertuzzi and McCabe had both been widely regarded as the players of the future for New York after their respective drafts in 1993. While Milbury expressed regret at having to trade McCabe, relations between Bertuzzi and the club were strained. Welcoming the trade, Bertuzzi commented that "things weren't working out [in New York]." Vancouver Canucks (1998–2006) Bertuzzi immediately began producing with Vancouver, tallying 15 points in 22 games after the trade. Combined with his totals from New York, he finished with 33 points over 74 games in 1997–98. Contrasting his strained relationship with Milbury in New York, Canucks head coach Mike Keenan has recalled his experience with Bertuzzi upon his arrival as positive: "He came as a young player and he was very open-minded about learning about the game." Similar to the Islanders, Bertuzzi joined a struggling club in Vancouver; the team finished last in the Western Conference in his first two seasons after the trade. After beginning the 1998–99 season on the Canucks' top line, Bertuzzi was limited to 32 games due to injuries, the first of which was a fractured tibia. He suffered the injury on November 1, 1998, after a shot by teammate Mattias Öhlund hit him in the leg. His season was later ended with a torn anterior cruciate ligament (ACL) in his left knee, suffered during a game on March 5, 1999. He recorded 8 goals and 16 points in 1998–99. In the off-season, Bertuzzi became a restricted free agent and was re-signed by the Canucks to a two-year contract in September 1999. The deal was reported by The Vancouver Sun to be worth a little over $2 million. Returning from injury the following season, Bertuzzi emerged as one of the Canucks' best offensive contributors, finishing with 25 goals (second on the team to Markus Näslund) and 50 points in 1999–2000. At the end of the season, he received the team's Most Exciting Player Award, as voted by the fans. He received the distinction three more times during his career with the Canucks from 2002 to 2004). Meanwhile, the Canucks began improving as a team, finishing four points out of a playoff spot in the West in 2000. The following season, Bertuzzi recorded his first career NHL hat trick, recording all three goals on the power play against San Jose Sharks goaltender Evgeni Nabokov in a 6–3 win on December 30, 2000. Bertuzzi recorded a second consecutive 25-goal season in 2000–01, adding 30 assists for 55 points, third in team scoring behind Näslund and Andrew Cassels. His -18 plus-minus rating, however, was a team-worst. The Canucks continued to improve, qualifying for the post-season for the first time in five years. Entering the 2001 playoffs as the final and eighth seed in the West, they were eliminated in the first round by the Colorado Avalanche. Bertuzzi scored two goals and two assists over four games in his first NHL post-season appearance. In the off-season, Bertuzzi filed for salary arbitration after initially failing to come to terms on a new contract with the Canucks. Both sides avoided arbitration by agreeing to a three-year deal on July 26, 2001. In the first month of the 2001–02 season, Bertuzzi received an automatic 10-game suspension from the league (forfeiting $118,557 in salary) after leaving the bench to help teammate Ed Jovanovski in a fight. The incident occurred during a game against the Colorado Avalanche in which opposing coach Bob Hartley sent enforcer Scott Parker onto the ice as the extra attacker during a delayed penalty. Parker proceeded to physically engage Jovanovski, at which point Bertuzzi left the bench to help his teammate. Vancouver struggled with him out of the lineup, winning 3 games during the 10-game span. Two months after returning from suspension, Bertuzzi went 15 consecutive games with at least a point, scoring 7 goals and 12 assists from January 3 – February 4, 2002. The streak tied Petr Nedvěd for the longest in Canucks history. During that span, in a game on January 9, Canucks head coach Marc Crawford replaced Andrew Cassels with Brendan Morrison, marking the beginning of what was considered by many to be the most effective line combination in the league for several seasons. Bertuzzi had emerged as an effective power forward, able to use his size and strength to position himself in front of the net, with good stickhandling ability. According to Canucks assistant coach Jack McIlhargey, Bertuzzi's skill set favourably complemented Näslund's goal-scoring and Morrison's playmaking abilities. The trio were dubbed by Vancouver media as the "West Coast Express", named after the city's commuter rail service of the same name. Late in the 2001–02 season, Bertuzzi recorded his second career hat-trick on March 19, 2002, during a win against the New York Rangers. He scored his first two goals of the game against Dan Blackburn and his third into an empty net. Despite missing ten games from his suspension, Bertuzzi finished the 2001–02 season third in league-scoring with 85 points, behind Näslund and Calgary Flames forward Jarome Iginla. His 1.18 points-per-game average ranked second in the NHL behind Mario Lemieux, who played 48 fewer games than Bertuzzi. He also improved his plus-minus rating by 39 points from the previous season, finishing a career-high +21. Although the Canucks were the league's highest scoring team, they finished with the final seed in the West for the 2002 playoffs, ranking eighth in their conference. Facing the Detroit Red Wings in the opening round, they were eliminated in six games. Bertuzzi recorded four points in the series. The following season, Bertuzzi appeared in his first NHL All-Star Game. He was joined by fellow Canucks Markus Näslund, defenceman Ed Jovanovski and head coach Marc Crawford, helping the Western Conference to a 6–5 shootout win against the East. He played on a line with Näslund and Peter Forsberg. Later in the season, he scored his third career hat-trick on March 17, 2003, scoring three goals against Ron Tugnutt in a game against the Dallas Stars. He finished the season with career-highs of 46 goals (third in the league), 51 assists and 97 points (fifth in the league). His 25 power play goals led the NHL and tied Pavel Bure for the Canucks' single-season record. Linemates Näslund and Morrison also recorded personal bests with 104 and 71 points, respectively. Meanwhile, the Canucks emerged as a top team in the West. Losing the Northwest Division title to the Avalanche by one point in the regular season, they finished as the fourth seed in their conference. After going down three-games-to-one in the opening round against the St. Louis Blues, Vancouver won three straight games to advance to the second round. Facing the Minnesota Wild, the Canucks gave up their own three-games-to-one series lead and were eliminated in seven games. During the series, Bertuzzi had reportedly walked by the Xcel Energy Center box office and told Wild fans they would not need their Game 6 tickets because Minnesota would be eliminated by then. In another on-ice incident, he skated by the opposing bench during Game 7 when the Canucks were winning 2–0, telling Wild players to "get [their] golf clubs". Despite his successful regular season, Bertuzzi struggled to score in the playoffs, recording 6 points in 14 games. In the off-season, Bertuzzi was named with Näslund to the NHL First All-Star Team. With Bertuzzi entering the final year of his contract, the Canucks began negotiating a contract extension prior to the 2003–04 season. Despite Bertuzzi's agent, Pat Morris, declaring that they would cease negotiations once the season began, Bertuzzi signed a four-year, $27.8 million deal with the Canucks on October 23, 2003. The contract took effect immediately, erasing the last year on his previous contract, and included a $3 million signing bonus ($2.5 million paid in the first year and $500,000 in the second). The deal paid him $4.3 million the first year, $6.633 million the second year and $6.933 million for the third and fourth years. In January 2004, Bertuzzi was voted by league fans to the starting lineup of the NHL All-Star Game. Representing the Western Conference alongside Näslund and Canucks head coach Marc Crawford, they were defeated by the East 6–4. Bertuzzi had two assists while playing on a line with Näslund and Joe Sakic. Nearing the end of the 2003–04 season, Bertuzzi was indefinitely suspended by the NHL for punching Colorado Avalanche forward Steve Moore from behind and driving his head into the ice during a game on March 8, 2004. His actions were a retaliation to a hit from Moore on Näslund during a previous game. Sitting out the remainder of the regular season and playoffs due to his suspension, he finished 2003–04 with 60 points over 69 games. Vancouver replaced Bertuzzi on the team's top line with Matt Cooke and went on to their first Northwest Division title, before being eliminated in the first round of the 2004 playoffs by the Calgary Flames. Inactive in 2004–05 due to the players lockout and his ongoing suspension, which had been extended internationally, Bertuzzi returned to the Canucks in 2005–06, as the league ended his playing ban. He recorded 25 goals and 71 points, including two hat tricks (November 13, 2005, against the Detroit Red Wings and January 14, 2006, against the New York Islanders). Though he ranked third in team scoring, Crawford has recalled that by the end of the season, Näslund and Bertuzzi had been eclipsed by Daniel and Henrik Sedin as the team's offensive leaders. There was speculation that the effects of the Steve Moore incident, which included assault charges and constant media coverage, were negatively affecting his play. While on the road, he was consistently heckled and booed by fans throughout the NHL. Näslund, a close friend of Bertuzzi's, later expressed sympathy for him, saying in a 2008 interview, "It still bothers me what Todd has had to go through...There's no question he was standing up for me...it all went too far." Beyond the negative impact on Bertuzzi's individual play, the media speculated that the fallout from the Moore incident had become a distraction to the organization as a whole. Compounding the situation in Vancouver, the Canucks had missed the playoffs for the first time in four years. As such, general manager Dave Nonis spent the off-season making significant changes to the Canucks lineup. On June 23, 2006, he traded Bertuzzi to the Florida Panthers, along with goaltender Alex Auld and defenceman Bryan Allen, in exchange for goaltender Roberto Luongo, defenceman Lukáš Krajíček and a sixth-round selection in the 2006 NHL Entry Draft (Sergei Shirokov). After seven-and-a-half seasons with the Canucks, Bertuzzi left the club ranked seventh all-time among franchise scoring leaders with 449 points. Florida, Detroit, and Anaheim (2006–08) Instrumental in facilitating the trade to Florida was Bertuzzi's positive relationship with Panthers general manager Mike Keenan, who was his first coach in Vancouver. Debuting with the Panthers on October 6, 2006, Bertuzzi scored a goal and three assists in an 8–3 win against the Boston Bruins. He appeared in six more games for Florida, notching seven points total, before being sidelined with back spasms. After being diagnosed with a herniated disc in early-November, Bertuzzi opted for surgery, which kept him out of the lineup for five months. While recovering, the Panthers dealt him to the Detroit Red Wings at the trade deadline in exchange for forward prospect Shawn Matthias and conditional draft picks. Bertuzzi was in the last year of his contract with no guarantee he would re-sign with Florida in the off-season. Bertuzzi returned to action on March 22, 2007, debuting with his new team in a 2–1 shootout loss to the Columbus Blue Jackets. Eight days later, he scored his first goal as a Red Wing in a 4–3 shootout loss to the Dallas Stars. On April 7, he suffered a neck injury that kept him out of the lineup for the last game of the regular season and the first two games of the 2007 playoffs. He finished the campaign with 11 points in 15 games split between Florida and Detroit. During the playoffs, the Red Wings advanced to the Western Conference Finals, where they lost in six games to the Anaheim Ducks, who went on to win the Stanley Cup. Bertuzzi recorded 7 points in 16 playoff games. Becoming an unrestricted free agent in the off-season, Bertuzzi agreed to a two-year, $8 million contract with the Anaheim Ducks on July 2, 2007. Signing him was Ducks general manager Brian Burke, who had served as the Canucks general manager during Bertuzzi's time in Vancouver. Bertuzzi had reportedly been in negotiations to re-sign with Detroit, but the club only wanted a one-year deal. Playing the Red Wings in the Ducks' first game of the regular season on October 3, 2007, he registered a goal and an assist in a 3–2 shootout loss. In the first month of the 2007–08 campaign, he suffered a concussion and was sidelined for 14 games in October and November 2007. Bertuzzi returned to the lineup in time for the Ducks' away game against the Canucks on November 27, which marked his first NHL game in Vancouver since being traded away. Bertuzzi was received warmly by Canucks fans, as the Ducks lost the game 4–0. Playing in 68 contests over the season, he registered 40 points with Anaheim. Entering the 2008 playoffs as the defending champions, the Ducks were eliminated in the first round four games to two by the Dallas Stars. In six playoff contests, Bertuzzi recorded two assists. Calgary Flames (2008–09) During the subsequent summer, several Ducks players were set to become free agents, including high-profile forward Corey Perry. Requiring additional salary cap space to make room for defenceman Scott Niedermayer, who announced he was returning for another season, Bertuzzi was placed on unconditional waivers with the intention of buying out the remaining year on his contract. Addressing Bertuzzi's buy out with the media, Burke asserted that he "believe[d] [Bertuzzi] can still play at the NHL level," and that the Ducks were merely "handcuffed by [their] salary cap situation." Bertuzzi once again became an unrestricted free agent and signed a one-year, $1.95 million contract with the Calgary Flames on July 7, 2008. Joining Calgary, he was reunited with Flames coach Mike Keenan. Before the start of the 2008–09 season, Bertuzzi switched jersey numbers from 4 to 7, in honour of his boyhood idol, Phil Esposito. The numbers 44, which Bertuzzi wore in New York, Vancouver and Detroit, and 4, which he wore in Anaheim, were already taken in Calgary. Bertuzzi scored his first goal with the Flames, deflecting a Dion Phaneuf shot, on October 11, 2008, in a 5–4 overtime loss to the Vancouver Canucks. While initial fan reaction to Bertuzzi was negative due to his previous role with the division-rival Canucks, as well as his reputation following the Steve Moore incident, he was eventually accepted in Calgary. In January 2009, he missed five games due to a back injury. Several months later, he was sidelined again with a knee injury and underwent arthroscopic surgery to repair damaged cartilage on March 3, 2009. Missing 11 games, he returned in time for the 2009 playoffs, where the Flames were eliminated by the Chicago Blackhawks in the opening round. He finished his only season in Calgary with 44 points in 66 regular season games, while adding a goal and an assist in six playoff contests. Return to Detroit (2009–2014) On August 18, 2009, Bertuzzi re-joined the Red Wings by accepting a one-year contract with the club worth $1.5 million. He recorded 44 points (18 goals and 26 assists) in 2009–10, ranking fifth in team scoring. During the second round of the 2010 playoffs, Bertuzzi recorded a career-high five-point contest (a goal and four assists) in a Game 4 victory against the San Jose Sharks. Bertuzzi finished with a playoffs career-high 11 points in 12 games. In the off-season, Bertuzzi signed a two-year, $3.875 million contract extension with the Red Wings on June 16, 2010. During the 2010–11 season, he appeared in his 1,000th NHL game on February 20, 2011, against the Minnesota Wild. Bertuzzi scored a shootout goal to help Detroit win the game 2–1. Dressing for 81 games that season, he ranked seventh in team scoring with 45 points (16 goals and 29 assists). During the 2011 playoffs, he added 6 points (2 goals and 4 assists) over 11 games as the Red Wings were eliminated in the second round by the San Jose Sharks. On February 23, 2012 Bertuzzi re-signed with the Red Wings for $4.15 million over two years. He dressed for seven games in the lockout-shortened 2012-2013 regular season due to injuries, producing three points, and was held pointless over six games in the playoffs. In the 2013–2014 season he played 59 games and produced 16 points, but was a healthy scratch 15 times; he played one playoff game without a point. During his time with Detroit, he earned praise from head coach Mike Babcock and teammates for adapting his playing style to be more defensively responsible. Bertuzzi credited the influence of teammates Pavel Datsyuk and Henrik Zetterberg, both successful two-way players in the league. Binghamton Senators tryout and retirement (2015) On January 9, 2015 he signed a professional tryout contract with the Ottawa Senators AHL affiliate the Binghamton Senators in hopes to get a contract with Ottawa. Bertuzzi was released from his professional tryout offer with Binghamton on January 21, 2015, after posting no points and a minus-3 rating in his 2 games played with the Senators. He subsequently retired that year. International play Bertuzzi debuted internationally for Team Canada at the 1998 World Championships in Switzerland. He was among the youngest players selected to the team, along with Canucks teammate Bryan McCabe and Chicago Blackhawks forward Eric Dazé, who were all born in 1975 (third-string goaltender Christian Bronsard was two years younger, but did not play in any games). In six games, he recorded three points, as Canada failed to qualify for the medal rounds. Two years later, Bertuzzi competed at the 2000 World Championships in St. Petersburg, Russia. One of five Canucks players chosen to the national team, he was joined by Adrian Aucoin, Ed Jovanovski, Brendan Morrison and Peter Schaefer. His second tournament appearance was more productive, as he scored nine points in nine games – first among Canadian players and fourth overall – while also leading the tournament in penalty minutes with 47. Canada did not medal, losing to Finland in the bronze medal game by a 2–1 score. His 63 total penalty minutes from both tournament appearances set an all-time Canadian record for World Championship competitors since 1977 (when Canada resumed competing in the tournament). In December 2005, Bertuzzi was controversially selected to play for Team Canada at the 2006 Winter Olympics in Turin, Italy. His inclusion, along with that of Dany Heatley and Shane Doan, was discussed at length by the Canadian Olympic Committee (COC). The committee had concerns stemming from the Steve Moore incident and Bertuzzi's probationary status, but subsequently approved his representation of Canada at the Olympics. According to a Canadian Press article, "[COC president] Chambers said the [unusual meeting] was prompted by some media concerns raised over the three athletes participating in the Games. The fact it took the committee so long to approve the list means there was some debate." Bertuzzi went on to post three points (all assists) at the 2006 Olympics, tying for second in team scoring with nine other players. Canada failed to advance past the quarterfinal, losing to Russia by a 2–0 score. They finished in seventh place overall after winning gold at the previous Winter Olympics in 2002. Steve Moore Incident On February 16, 2004, during a game between Vancouver and Colorado, Avalanche center Steve Moore checked Markus Näslund in the head, causing a minor concussion and a bone chip in his elbow. No penalty was assessed, and the league decided not to fine or suspend Moore, ruling the hit legal. Näslund missed three games as a result of the hit. In a rematch, with the Canucks trailing the Avalanche 8–2 in the third period, Bertuzzi began following Moore around the ice, attempting to provoke him into another fight. With Moore ignoring him, Bertuzzi grabbed Moore's jersey from behind and punched him in the side of the face from behind, with Moore's face hitting the ice as Bertuzzi pushed him, already out cold, into the ice, breaking his neck. Bertuzzi, as well as several other players from both teams, landed atop Moore as he fell to the ice. Bertuzzi was assessed a match penalty and ejected from the game. Per league rules, he was also suspended indefinitely pending a ruling from league commissioner Gary Bettman. After lying on the ice for approximately 10 minutes, Moore was removed from the playing surface on a stretcher. He was treated for three fractured vertebrae in his neck, a grade three concussion, vertebral ligament damage, stretching of the brachial plexus nerves, and facial lacerations. He was also suffering from amnesia. Bertuzzi apologized to Moore and his family, as well as to Burke, Canucks owner John McCaw, Jr., the Canucks organization, his teammates, and the fans in a press conference two days later. On March 11, 2004, the league ruled he would remain suspended for at least the remainder of the Canucks' season, which ultimately cost him the final 13 games of the regular season plus seven playoff games. The Canucks were additionally fined $250,000. While the following NHL season was suspended due to the 2004–05 lockout, Bertuzzi intended to play in Europe, but the International Ice Hockey Federation (IIHF) extended his NHL suspension to cover their jurisdiction. Bertuzzi remained professionally inactive during the 2004–05 season. The IIHF's sanction also kept him from representing Canada in the 2004 and 2005 World Championships, as well as the 2004 World Cup. Bettman scheduled a reinstatement hearing for Bertuzzi on April 26, 2005. The hearing was attended separately by Bertuzzi and Moore. Prior to the 2005–06 season, Bettman announced Bertuzzi's reinstatement on August 8, citing that "Mr. Bertuzzi had paid a very significant price for his conduct," adding that he felt Bertuzzi was "genuinely remorseful and apologetic." Bertuzzi's 17-month suspension caused him to miss a total of 20 games—the fourth-longest suspension in NHL history at the time. The suspension accounted for $501,926.39 in forfeited salary, as well as an approximate $350,000 in lost endorsements. On the day of his reinstatement, Team Canada's executive director, Wayne Gretzky, offered him a spot on the national team's summer orientation camp in preparation for the 2006 Winter Olympics. Legal actions After a four-month investigation, the criminal justice branch of the Attorney General of British Columbia announced formal charges of assault causing bodily harm against Bertuzzi on June 24, 2004. With the charge, Bertuzzi faced up to one-and-a-half years in prison. Bertuzzi pleaded guilty to the assault charge on December 22 after arranging a plea bargain with prosecutors. He was given a conditional discharge requiring 80 hours of community service and one year's probation that additionally prohibited him from playing in any hockey game Moore was competing in. Under Canadian law, Bertuzzi's successful completion of his probationary period precluded him from a criminal record. Moore expressed disappointment regarding Bertuzzi's discharge and was upset that he was unable to attend the court date, having to issue a written victim statement instead. Moore's lawyer, Tim Danson, was given one day's notice of the court date following Bertuzzi's plea bargain, which he said was insufficient time for Moore to travel to Vancouver. On February 17, 2005, Moore filed a lawsuit in a Colorado court against Bertuzzi, numerous individuals within the Canucks organization, including Brad May (Bertuzzi's teammate at the time who was quoted as saying that there would "definitely be a price on Moore's head" after Moore's hit on Näslund), Brian Burke, Marc Crawford, as well as the Canucks organization as a whole and the Orca Bay Sports and Entertainment company that owned the team. The lawsuit was thrown out in October 2005, as the Colorado judge ruled the case was better suited for Canadian courts, as Moore and all the defendants were Canadian citizens. Planning to appeal the decision, Danson stated publicly the following month that Moore had begun skating and doing regular workouts, but continued to suffer concussion-related symptoms. On February 16, 2006, Moore filed another lawsuit in the Ontario Superior Court against Bertuzzi, the Canucks, and Orca Bay, seeking CAD$15 million in pecuniary damages for loss of income, CAD$1 million for aggravated damages, and CAD$2 million for punitive damages. Moore's parents, who were watching their son on television when the attack happened, also sued, seeking CAD$1.5 million for "negligent infliction of nervous shock and mental distress". In December 2006, Bettman and top lieutenant Bill Daly facilitated a meeting between Moore's representatives and the defendants in hopes of agreeing on an out-of-court settlement. An out-of-court settlement was reached in Moore's lawsuit in October 2014. Terms of the settlement are confidential. Personal life Bertuzzi was born and raised in Sudbury, Ontario. His father, Albert Bertuzzi, is an Italian-Canadian who worked in the window-washing business. When Bertuzzi was a teenager, Albert survived a near-fatal car accident in which he was thrown from the vehicle through the windshield. His father has stated that he was proud of his own local reputation as a "dirty player" and referred to it as a "Bertuzzi trait". He has said that Bertuzzi takes after him in regards to his toughness and aggression. Bertuzzi's great-uncle, Larry Bertuzzi, is a Toronto-based lawyer who has done arbitration work for the NHL, including on the Eric Lindros trade. Growing up, Bertuzzi played minor hockey with the Nickel Centre and Sudbury Minor Hockey programs. In 1990–91, Bertuzzi played as an underaged player in the major midget ranks with the Sudbury Capitals AAA team. Physically built as a power forward throughout his youth, he stood 6 feet and 2 inches (1.88 metres) and weighed 195 pounds (88.5 kilograms) by age 15. Bertuzzi and his wife, Julie, were married in July 1996. They have two children born one-and-a-half years apart in Vancouver, a son named Tag and a daughter named Jaden. His son, Tag Bertuzzi, was drafted into the OHL by the Guelph Storm, 2nd overall in 2017. Bertuzzi is a recreational golfer and has credited the sport with allowing him to relax more as a hockey player. During his 10-game suspension from the NHL in October and November 2001, he played golf to focus his energy. Afterwards, he made it a custom to go to the driving range before every game. Bertuzzi's nephew Tyler Bertuzzi plays hockey for the Detroit Red Wings. Bertuzzi was arrested on February 27, 2021, and was detained at the Oakland County Jail in Michigan on suspicion of DUI. Career statistics Regular season and playoffs International Awards Records Guelph Storm team record; most goals, single season—54 in 1994–95 (surpassed Mike Prokopec, 52 goals in 1992–93) Vancouver Canucks team record; longest point-scoring streak—15 games (7 goals, 12 assists; January 3 – February 4, 2003) (tied with Petr Nedved; November 19 – December 27, 1992) Vancouver Canucks team record; most powerplay goals, single season—25 in 2002–03 (tied with Pavel Bure) Transactions June 26, 1993: Drafted 23rd overall by the New York Islanders July 6, 1995: Signed to a four-year, $4.6 million contract with the New York Islanders February 6, 1998: Traded to the Vancouver Canucks from the New York Islanders with Bryan McCabe and a 3rd round choice in 1998 (Jarkko Ruutu) for Trevor Linden September 1999: Re-signed to a two-year contract with the Vancouver Canucks October 27, 2003: Signed a four-year, $27.9 million contract extension with the Vancouver Canucks March 11, 2004: Suspended indefinitely by the NHL for deliberate injury to Steve Moore in a game versus the Colorado Avalanche August 8, 2005: Officially reinstated by the NHL June 23, 2006: Traded to the Florida Panthers by the Vancouver Canucks with Bryan Allen and Alex Auld for Roberto Luongo, Lukas Krajicek and a sixth-round draft choice in 2006 (Sergei Shirokov) February 27, 2007: Traded to the Detroit Red Wings by the Florida Panthers for prospect Shawn Matthias and conditional draft picks July 2, 2007: Signed a two-year, $8 million contract as an unrestricted free agent with the Anaheim Ducks June 28, 2008: Placed on waivers by the Anaheim Ducks; subsequently bought out July 7, 2008: Signed a one-year $1.95 million contract as an unrestricted free agent with the Calgary Flames August 18, 2009: Signed a one-year $1.5 million contract as an unrestricted free agent with the Detroit Red Wings May 10, 2010: Signed a two-year, $3.85 million contract extension with the Detroit Red Wings February 23, 2012: Signed a two-year, $4.15 million contract extension with the Detroit Red Wings See also List of NHL players with 1000 games played References Footnotes Citations External links 1975 births Anaheim Ducks players Binghamton Senators players Calgary Flames players Canadian ice hockey right wingers Detroit Red Wings players Florida Panthers players Guelph Storm players Ice hockey people from Ontario Ice hockey players at the 2006 Winter Olympics Living people National Hockey League All-Stars National Hockey League first round draft picks New York Islanders draft picks New York Islanders players Olympic ice hockey players of Canada Sportspeople from Greater Sudbury Utah Grizzlies (IHL) players Vancouver Canucks players Violence in sports Canadian expatriate ice hockey players in the United States Canadian people of Italian descent

C_40acc9f3ce424ca48b13ddefa5d4c640_0

What happened in 1998?

What happened to Todd Bertuzzi in 1998?

Todd Bertuzzi

Two years after his draft, Bertuzzi and the Islanders had not yet been agreed to a contract. With Bertuzzi eligible to re-enter the draft if the Islanders did not sign him by July 7, 1995, general manager Don Maloney made it apparent that he would use the team's second overall pick in the 1995 NHL Entry Draft to select him again if a contract could not be agreed upon by the required date. Moments before the midnight deadline, the Islanders were able to sign Bertuzzi to a four-year, US$4.6 million contract. His agent, Pat Morris, had reportedly wanted a similar deal to that of fellow Islanders prospect Brett Lindros - a five-year, $6.7 million contract signed the previous summer. During training camp in September 1995, Islanders head coach Mike Milbury heralded Bertuzzi as the team's best performing forward. Making his NHL debut on October 7, 1995, he scored a wrap around goal against goaltender Blaine Lacher in a 4-4 tie with the Boston Bruins. Beginning the season on the team's top line with Zigmund Palffy and Travis Green, Bertuzzi finished his rookie year with 18 goals and 39 points over 76 games. The following season, Bertuzzi recorded 23 points in 64 games. The Islanders did not qualify for the playoffs in either of his two full seasons with the club, ranking second-last in the Eastern Conference in 1995-96 and 1996-97. Bertuzzi's playing style as a power forward resulted in comparisons to former Islander Clark Gillies. As a result, the club hired Gillies to personally mentor Bertuzzi. Failing to meet lofty expectations from the club, Gillies once said of Bertuzzi, "If you're built like a freight train, you can't drive around like a Volkswagen." Feeling burdened with the pressure of playing up to the club's expectations while his offensive production diminished, he requested to be traded away at one point during the 1996-97 season. In response, Milbury, who had also taken over general manager duties the previous season, demoted Bertuzzi to the Islanders' minor league affiliate, the Utah Grizzlies of the International Hockey League (IHL). Playing 13 games in the minors, he registered 10 points before being called back up to the NHL. During the 1997-98 campaign, he continued to score below his pace as a rookie. On February 6, 1998, he was traded along with defenceman Bryan McCabe and a third-round selection in the 1998 NHL Entry Draft (Jarkko Ruutu) to the Vancouver Canucks in exchange for veteran forward Trevor Linden. The deal was made prior to the NHL's roster freeze in preparation for the 1998 Winter Olympics. Bertuzzi and McCabe had both been widely regarded as the players of the future for New York after their respective drafts in 1993. While Milbury expressed regret at having to trade McCabe, relations between Bertuzzi and the club were strained. Welcoming the trade, Bertuzzi commented that "things weren't working out [in New York]." CANNOTANSWER

On February 6, 1998, he was traded along with defenceman Bryan McCabe and a third-round selection in the 1998 NHL Entry Draft (Jarkko Ruutu) to the Vancouver Canucks

Todd Bertuzzi (born February 2, 1975) is a Canadian former professional ice hockey winger of the National Hockey League (NHL). Known as a power forward, he has played in the NHL for the New York Islanders, Vancouver Canucks, Florida Panthers, Anaheim Ducks, Calgary Flames and Detroit Red Wings. He is widely known for his role in the Todd Bertuzzi–Steve Moore incident, for which he was suspended by the NHL and IIHF, and criminally charged. Selected 23rd overall by the New York Islanders in the 1993 NHL Entry Draft, he played at the junior level with the Guelph Storm of the Ontario Hockey League (OHL) for four seasons. In 1995–96, he played his rookie season with the Islanders. After two-and-a-half seasons with the Islanders, he was traded to the Vancouver Canucks. Bertuzzi enjoyed the most successful seasons of his career with the Canucks—his longest tenured team in the NHL—including NHL First Team All-Star honours in 2003. In 2006, after seven-and-a-half seasons with Vancouver, Bertuzzi was dealt to the Florida Panthers, with whom he briefly played for until being traded again to the Red Wings. He then played single seasons with the Anaheim Ducks and the Calgary Flames before returning to Detroit in 2009 and finishing his career there. Internationally, Bertuzzi has competed for Team Canada at the 2006 Winter Olympics in Turin, as well as the 1998 and 2000 World Championships. He is the uncle of Tyler Bertuzzi who currently plays for the Detroit Red Wings. Playing career Guelph Storm (1991–95) After playing for two minor hockey teams based out of Sudbury, Ontario in 1990–91, Bertuzzi was selected in the first round (fifth overall) by the Guelph Storm in the 1991 Ontario Hockey League (OHL) Priority Selection. His future coach with the Vancouver Canucks, Marc Crawford, passed on Bertuzzi during the draft while he was general manager of the Cornwall Royals; he has recalled not selecting him due to "maturity issues" and that he was "a big kid who hadn't grown into his body yet." Bertuzzi started his OHL career for Guelph in 1991–92, recording 21 points over 42 games as a rookie. He missed the last 15 games of the regular season due to suspension as a result of kicking opposing defenceman Brad Barton during a contest between the Storm and Kitchener Rangers. After improving to 58 points over 60 games in 1992–93, he was selected 23rd overall by the New York Islanders in the 1993 NHL Entry Draft. The NHL Central Scouting Bureau described Bertuzzi as a physical and strong player with good skating who checks hard and is offensively effective in close proximity to the net. Following his NHL draft, he underwent surgery for chipped bones in his left elbow in August 1993. As a result, he was unable to participate in the Islanders' training camp in September and was returned to the OHL. Playing in his third season for Guelph, he improved to 28 goals and 82 points over 61 games. Bertuzzi competed for an Islanders' roster spot at their 1994 training camp, but was sent back to his junior team after going scoreless in three exhibition games. During his last campaign with Guelph in 1994–95, he recorded 119 points – sixth overall in the league. His 54 goals established a single-season team record, beating Mike Prokopec's mark, set the previous year, by two goals. The Storm's forward tandem of Bertuzzi and Jeff O'Neill, who finished fourth in league scoring, led the club to the best regular season record in the league. He went on to add a team-leading 33 points in 14 playoff games, en route to an OHL Finals loss to the Detroit Junior Red Wings. After four seasons with Guelph, he left the club ranked third all-time in career points with 280, behind O'Neill and Martin St. Pierre. New York Islanders (1995–98) Two years after his draft, Bertuzzi and the Islanders had not yet been agreed to a contract. With Bertuzzi eligible to re-enter the draft if the Islanders did not sign him by July 7, 1995, general manager Don Maloney made it apparent that he would use the team's second overall pick in the 1995 NHL Entry Draft to select him again if a contract could not be agreed upon by the required date. Moments before the midnight deadline, the Islanders were able to sign Bertuzzi to a four-year, US$4.6 million contract. His agent, Pat Morris, had reportedly wanted a similar deal to that of fellow Islanders prospect Brett Lindros – a five-year, $6.7 million contract signed the previous summer. During training camp in September 1995, Islanders head coach Mike Milbury heralded Bertuzzi as the team's best performing forward. Making his NHL debut on October 7, 1995, he scored a wrap around goal against goaltender Blaine Lacher in a 4–4 tie with the Boston Bruins. Beginning the season on the team's top line with Žigmund Pálffy and Travis Green, Bertuzzi finished his rookie year with 18 goals and 39 points over 76 games. The following season, Bertuzzi recorded 23 points in 64 games. The Islanders did not qualify for the playoffs in either of his two full seasons with the club, ranking second-last in the Eastern Conference in 1995–96 and 1996–97. Bertuzzi's playing style as a power forward resulted in comparisons to former Islander Clark Gillies. As a result, the club hired Gillies to personally mentor Bertuzzi. Failing to meet lofty expectations from the club, Gillies once said of Bertuzzi, "If you're built like a freight train, you can't drive around like a Volkswagen." Feeling burdened with the pressure of playing up to the club's expectations while his offensive production diminished, he requested to be traded away at one point during the 1996–97 season. In response, Milbury, who had also taken over general manager duties the previous season, demoted Bertuzzi to the Islanders' minor league affiliate, the Utah Grizzlies of the International Hockey League (IHL). Playing 13 games in the minors, he registered 10 points before being called back up to the NHL. During the 1997–98 campaign, he continued to score below his pace as a rookie. On February 6, 1998, he was traded along with defenceman Bryan McCabe and a third-round selection in the 1998 NHL Entry Draft (Jarkko Ruutu) to the Vancouver Canucks in exchange for veteran forward Trevor Linden. The deal was made prior to the NHL's roster freeze in preparation for the 1998 Winter Olympics. Bertuzzi and McCabe had both been widely regarded as the players of the future for New York after their respective drafts in 1993. While Milbury expressed regret at having to trade McCabe, relations between Bertuzzi and the club were strained. Welcoming the trade, Bertuzzi commented that "things weren't working out [in New York]." Vancouver Canucks (1998–2006) Bertuzzi immediately began producing with Vancouver, tallying 15 points in 22 games after the trade. Combined with his totals from New York, he finished with 33 points over 74 games in 1997–98. Contrasting his strained relationship with Milbury in New York, Canucks head coach Mike Keenan has recalled his experience with Bertuzzi upon his arrival as positive: "He came as a young player and he was very open-minded about learning about the game." Similar to the Islanders, Bertuzzi joined a struggling club in Vancouver; the team finished last in the Western Conference in his first two seasons after the trade. After beginning the 1998–99 season on the Canucks' top line, Bertuzzi was limited to 32 games due to injuries, the first of which was a fractured tibia. He suffered the injury on November 1, 1998, after a shot by teammate Mattias Öhlund hit him in the leg. His season was later ended with a torn anterior cruciate ligament (ACL) in his left knee, suffered during a game on March 5, 1999. He recorded 8 goals and 16 points in 1998–99. In the off-season, Bertuzzi became a restricted free agent and was re-signed by the Canucks to a two-year contract in September 1999. The deal was reported by The Vancouver Sun to be worth a little over $2 million. Returning from injury the following season, Bertuzzi emerged as one of the Canucks' best offensive contributors, finishing with 25 goals (second on the team to Markus Näslund) and 50 points in 1999–2000. At the end of the season, he received the team's Most Exciting Player Award, as voted by the fans. He received the distinction three more times during his career with the Canucks from 2002 to 2004). Meanwhile, the Canucks began improving as a team, finishing four points out of a playoff spot in the West in 2000. The following season, Bertuzzi recorded his first career NHL hat trick, recording all three goals on the power play against San Jose Sharks goaltender Evgeni Nabokov in a 6–3 win on December 30, 2000. Bertuzzi recorded a second consecutive 25-goal season in 2000–01, adding 30 assists for 55 points, third in team scoring behind Näslund and Andrew Cassels. His -18 plus-minus rating, however, was a team-worst. The Canucks continued to improve, qualifying for the post-season for the first time in five years. Entering the 2001 playoffs as the final and eighth seed in the West, they were eliminated in the first round by the Colorado Avalanche. Bertuzzi scored two goals and two assists over four games in his first NHL post-season appearance. In the off-season, Bertuzzi filed for salary arbitration after initially failing to come to terms on a new contract with the Canucks. Both sides avoided arbitration by agreeing to a three-year deal on July 26, 2001. In the first month of the 2001–02 season, Bertuzzi received an automatic 10-game suspension from the league (forfeiting $118,557 in salary) after leaving the bench to help teammate Ed Jovanovski in a fight. The incident occurred during a game against the Colorado Avalanche in which opposing coach Bob Hartley sent enforcer Scott Parker onto the ice as the extra attacker during a delayed penalty. Parker proceeded to physically engage Jovanovski, at which point Bertuzzi left the bench to help his teammate. Vancouver struggled with him out of the lineup, winning 3 games during the 10-game span. Two months after returning from suspension, Bertuzzi went 15 consecutive games with at least a point, scoring 7 goals and 12 assists from January 3 – February 4, 2002. The streak tied Petr Nedvěd for the longest in Canucks history. During that span, in a game on January 9, Canucks head coach Marc Crawford replaced Andrew Cassels with Brendan Morrison, marking the beginning of what was considered by many to be the most effective line combination in the league for several seasons. Bertuzzi had emerged as an effective power forward, able to use his size and strength to position himself in front of the net, with good stickhandling ability. According to Canucks assistant coach Jack McIlhargey, Bertuzzi's skill set favourably complemented Näslund's goal-scoring and Morrison's playmaking abilities. The trio were dubbed by Vancouver media as the "West Coast Express", named after the city's commuter rail service of the same name. Late in the 2001–02 season, Bertuzzi recorded his second career hat-trick on March 19, 2002, during a win against the New York Rangers. He scored his first two goals of the game against Dan Blackburn and his third into an empty net. Despite missing ten games from his suspension, Bertuzzi finished the 2001–02 season third in league-scoring with 85 points, behind Näslund and Calgary Flames forward Jarome Iginla. His 1.18 points-per-game average ranked second in the NHL behind Mario Lemieux, who played 48 fewer games than Bertuzzi. He also improved his plus-minus rating by 39 points from the previous season, finishing a career-high +21. Although the Canucks were the league's highest scoring team, they finished with the final seed in the West for the 2002 playoffs, ranking eighth in their conference. Facing the Detroit Red Wings in the opening round, they were eliminated in six games. Bertuzzi recorded four points in the series. The following season, Bertuzzi appeared in his first NHL All-Star Game. He was joined by fellow Canucks Markus Näslund, defenceman Ed Jovanovski and head coach Marc Crawford, helping the Western Conference to a 6–5 shootout win against the East. He played on a line with Näslund and Peter Forsberg. Later in the season, he scored his third career hat-trick on March 17, 2003, scoring three goals against Ron Tugnutt in a game against the Dallas Stars. He finished the season with career-highs of 46 goals (third in the league), 51 assists and 97 points (fifth in the league). His 25 power play goals led the NHL and tied Pavel Bure for the Canucks' single-season record. Linemates Näslund and Morrison also recorded personal bests with 104 and 71 points, respectively. Meanwhile, the Canucks emerged as a top team in the West. Losing the Northwest Division title to the Avalanche by one point in the regular season, they finished as the fourth seed in their conference. After going down three-games-to-one in the opening round against the St. Louis Blues, Vancouver won three straight games to advance to the second round. Facing the Minnesota Wild, the Canucks gave up their own three-games-to-one series lead and were eliminated in seven games. During the series, Bertuzzi had reportedly walked by the Xcel Energy Center box office and told Wild fans they would not need their Game 6 tickets because Minnesota would be eliminated by then. In another on-ice incident, he skated by the opposing bench during Game 7 when the Canucks were winning 2–0, telling Wild players to "get [their] golf clubs". Despite his successful regular season, Bertuzzi struggled to score in the playoffs, recording 6 points in 14 games. In the off-season, Bertuzzi was named with Näslund to the NHL First All-Star Team. With Bertuzzi entering the final year of his contract, the Canucks began negotiating a contract extension prior to the 2003–04 season. Despite Bertuzzi's agent, Pat Morris, declaring that they would cease negotiations once the season began, Bertuzzi signed a four-year, $27.8 million deal with the Canucks on October 23, 2003. The contract took effect immediately, erasing the last year on his previous contract, and included a $3 million signing bonus ($2.5 million paid in the first year and $500,000 in the second). The deal paid him $4.3 million the first year, $6.633 million the second year and $6.933 million for the third and fourth years. In January 2004, Bertuzzi was voted by league fans to the starting lineup of the NHL All-Star Game. Representing the Western Conference alongside Näslund and Canucks head coach Marc Crawford, they were defeated by the East 6–4. Bertuzzi had two assists while playing on a line with Näslund and Joe Sakic. Nearing the end of the 2003–04 season, Bertuzzi was indefinitely suspended by the NHL for punching Colorado Avalanche forward Steve Moore from behind and driving his head into the ice during a game on March 8, 2004. His actions were a retaliation to a hit from Moore on Näslund during a previous game. Sitting out the remainder of the regular season and playoffs due to his suspension, he finished 2003–04 with 60 points over 69 games. Vancouver replaced Bertuzzi on the team's top line with Matt Cooke and went on to their first Northwest Division title, before being eliminated in the first round of the 2004 playoffs by the Calgary Flames. Inactive in 2004–05 due to the players lockout and his ongoing suspension, which had been extended internationally, Bertuzzi returned to the Canucks in 2005–06, as the league ended his playing ban. He recorded 25 goals and 71 points, including two hat tricks (November 13, 2005, against the Detroit Red Wings and January 14, 2006, against the New York Islanders). Though he ranked third in team scoring, Crawford has recalled that by the end of the season, Näslund and Bertuzzi had been eclipsed by Daniel and Henrik Sedin as the team's offensive leaders. There was speculation that the effects of the Steve Moore incident, which included assault charges and constant media coverage, were negatively affecting his play. While on the road, he was consistently heckled and booed by fans throughout the NHL. Näslund, a close friend of Bertuzzi's, later expressed sympathy for him, saying in a 2008 interview, "It still bothers me what Todd has had to go through...There's no question he was standing up for me...it all went too far." Beyond the negative impact on Bertuzzi's individual play, the media speculated that the fallout from the Moore incident had become a distraction to the organization as a whole. Compounding the situation in Vancouver, the Canucks had missed the playoffs for the first time in four years. As such, general manager Dave Nonis spent the off-season making significant changes to the Canucks lineup. On June 23, 2006, he traded Bertuzzi to the Florida Panthers, along with goaltender Alex Auld and defenceman Bryan Allen, in exchange for goaltender Roberto Luongo, defenceman Lukáš Krajíček and a sixth-round selection in the 2006 NHL Entry Draft (Sergei Shirokov). After seven-and-a-half seasons with the Canucks, Bertuzzi left the club ranked seventh all-time among franchise scoring leaders with 449 points. Florida, Detroit, and Anaheim (2006–08) Instrumental in facilitating the trade to Florida was Bertuzzi's positive relationship with Panthers general manager Mike Keenan, who was his first coach in Vancouver. Debuting with the Panthers on October 6, 2006, Bertuzzi scored a goal and three assists in an 8–3 win against the Boston Bruins. He appeared in six more games for Florida, notching seven points total, before being sidelined with back spasms. After being diagnosed with a herniated disc in early-November, Bertuzzi opted for surgery, which kept him out of the lineup for five months. While recovering, the Panthers dealt him to the Detroit Red Wings at the trade deadline in exchange for forward prospect Shawn Matthias and conditional draft picks. Bertuzzi was in the last year of his contract with no guarantee he would re-sign with Florida in the off-season. Bertuzzi returned to action on March 22, 2007, debuting with his new team in a 2–1 shootout loss to the Columbus Blue Jackets. Eight days later, he scored his first goal as a Red Wing in a 4–3 shootout loss to the Dallas Stars. On April 7, he suffered a neck injury that kept him out of the lineup for the last game of the regular season and the first two games of the 2007 playoffs. He finished the campaign with 11 points in 15 games split between Florida and Detroit. During the playoffs, the Red Wings advanced to the Western Conference Finals, where they lost in six games to the Anaheim Ducks, who went on to win the Stanley Cup. Bertuzzi recorded 7 points in 16 playoff games. Becoming an unrestricted free agent in the off-season, Bertuzzi agreed to a two-year, $8 million contract with the Anaheim Ducks on July 2, 2007. Signing him was Ducks general manager Brian Burke, who had served as the Canucks general manager during Bertuzzi's time in Vancouver. Bertuzzi had reportedly been in negotiations to re-sign with Detroit, but the club only wanted a one-year deal. Playing the Red Wings in the Ducks' first game of the regular season on October 3, 2007, he registered a goal and an assist in a 3–2 shootout loss. In the first month of the 2007–08 campaign, he suffered a concussion and was sidelined for 14 games in October and November 2007. Bertuzzi returned to the lineup in time for the Ducks' away game against the Canucks on November 27, which marked his first NHL game in Vancouver since being traded away. Bertuzzi was received warmly by Canucks fans, as the Ducks lost the game 4–0. Playing in 68 contests over the season, he registered 40 points with Anaheim. Entering the 2008 playoffs as the defending champions, the Ducks were eliminated in the first round four games to two by the Dallas Stars. In six playoff contests, Bertuzzi recorded two assists. Calgary Flames (2008–09) During the subsequent summer, several Ducks players were set to become free agents, including high-profile forward Corey Perry. Requiring additional salary cap space to make room for defenceman Scott Niedermayer, who announced he was returning for another season, Bertuzzi was placed on unconditional waivers with the intention of buying out the remaining year on his contract. Addressing Bertuzzi's buy out with the media, Burke asserted that he "believe[d] [Bertuzzi] can still play at the NHL level," and that the Ducks were merely "handcuffed by [their] salary cap situation." Bertuzzi once again became an unrestricted free agent and signed a one-year, $1.95 million contract with the Calgary Flames on July 7, 2008. Joining Calgary, he was reunited with Flames coach Mike Keenan. Before the start of the 2008–09 season, Bertuzzi switched jersey numbers from 4 to 7, in honour of his boyhood idol, Phil Esposito. The numbers 44, which Bertuzzi wore in New York, Vancouver and Detroit, and 4, which he wore in Anaheim, were already taken in Calgary. Bertuzzi scored his first goal with the Flames, deflecting a Dion Phaneuf shot, on October 11, 2008, in a 5–4 overtime loss to the Vancouver Canucks. While initial fan reaction to Bertuzzi was negative due to his previous role with the division-rival Canucks, as well as his reputation following the Steve Moore incident, he was eventually accepted in Calgary. In January 2009, he missed five games due to a back injury. Several months later, he was sidelined again with a knee injury and underwent arthroscopic surgery to repair damaged cartilage on March 3, 2009. Missing 11 games, he returned in time for the 2009 playoffs, where the Flames were eliminated by the Chicago Blackhawks in the opening round. He finished his only season in Calgary with 44 points in 66 regular season games, while adding a goal and an assist in six playoff contests. Return to Detroit (2009–2014) On August 18, 2009, Bertuzzi re-joined the Red Wings by accepting a one-year contract with the club worth $1.5 million. He recorded 44 points (18 goals and 26 assists) in 2009–10, ranking fifth in team scoring. During the second round of the 2010 playoffs, Bertuzzi recorded a career-high five-point contest (a goal and four assists) in a Game 4 victory against the San Jose Sharks. Bertuzzi finished with a playoffs career-high 11 points in 12 games. In the off-season, Bertuzzi signed a two-year, $3.875 million contract extension with the Red Wings on June 16, 2010. During the 2010–11 season, he appeared in his 1,000th NHL game on February 20, 2011, against the Minnesota Wild. Bertuzzi scored a shootout goal to help Detroit win the game 2–1. Dressing for 81 games that season, he ranked seventh in team scoring with 45 points (16 goals and 29 assists). During the 2011 playoffs, he added 6 points (2 goals and 4 assists) over 11 games as the Red Wings were eliminated in the second round by the San Jose Sharks. On February 23, 2012 Bertuzzi re-signed with the Red Wings for $4.15 million over two years. He dressed for seven games in the lockout-shortened 2012-2013 regular season due to injuries, producing three points, and was held pointless over six games in the playoffs. In the 2013–2014 season he played 59 games and produced 16 points, but was a healthy scratch 15 times; he played one playoff game without a point. During his time with Detroit, he earned praise from head coach Mike Babcock and teammates for adapting his playing style to be more defensively responsible. Bertuzzi credited the influence of teammates Pavel Datsyuk and Henrik Zetterberg, both successful two-way players in the league. Binghamton Senators tryout and retirement (2015) On January 9, 2015 he signed a professional tryout contract with the Ottawa Senators AHL affiliate the Binghamton Senators in hopes to get a contract with Ottawa. Bertuzzi was released from his professional tryout offer with Binghamton on January 21, 2015, after posting no points and a minus-3 rating in his 2 games played with the Senators. He subsequently retired that year. International play Bertuzzi debuted internationally for Team Canada at the 1998 World Championships in Switzerland. He was among the youngest players selected to the team, along with Canucks teammate Bryan McCabe and Chicago Blackhawks forward Eric Dazé, who were all born in 1975 (third-string goaltender Christian Bronsard was two years younger, but did not play in any games). In six games, he recorded three points, as Canada failed to qualify for the medal rounds. Two years later, Bertuzzi competed at the 2000 World Championships in St. Petersburg, Russia. One of five Canucks players chosen to the national team, he was joined by Adrian Aucoin, Ed Jovanovski, Brendan Morrison and Peter Schaefer. His second tournament appearance was more productive, as he scored nine points in nine games – first among Canadian players and fourth overall – while also leading the tournament in penalty minutes with 47. Canada did not medal, losing to Finland in the bronze medal game by a 2–1 score. His 63 total penalty minutes from both tournament appearances set an all-time Canadian record for World Championship competitors since 1977 (when Canada resumed competing in the tournament). In December 2005, Bertuzzi was controversially selected to play for Team Canada at the 2006 Winter Olympics in Turin, Italy. His inclusion, along with that of Dany Heatley and Shane Doan, was discussed at length by the Canadian Olympic Committee (COC). The committee had concerns stemming from the Steve Moore incident and Bertuzzi's probationary status, but subsequently approved his representation of Canada at the Olympics. According to a Canadian Press article, "[COC president] Chambers said the [unusual meeting] was prompted by some media concerns raised over the three athletes participating in the Games. The fact it took the committee so long to approve the list means there was some debate." Bertuzzi went on to post three points (all assists) at the 2006 Olympics, tying for second in team scoring with nine other players. Canada failed to advance past the quarterfinal, losing to Russia by a 2–0 score. They finished in seventh place overall after winning gold at the previous Winter Olympics in 2002. Steve Moore Incident On February 16, 2004, during a game between Vancouver and Colorado, Avalanche center Steve Moore checked Markus Näslund in the head, causing a minor concussion and a bone chip in his elbow. No penalty was assessed, and the league decided not to fine or suspend Moore, ruling the hit legal. Näslund missed three games as a result of the hit. In a rematch, with the Canucks trailing the Avalanche 8–2 in the third period, Bertuzzi began following Moore around the ice, attempting to provoke him into another fight. With Moore ignoring him, Bertuzzi grabbed Moore's jersey from behind and punched him in the side of the face from behind, with Moore's face hitting the ice as Bertuzzi pushed him, already out cold, into the ice, breaking his neck. Bertuzzi, as well as several other players from both teams, landed atop Moore as he fell to the ice. Bertuzzi was assessed a match penalty and ejected from the game. Per league rules, he was also suspended indefinitely pending a ruling from league commissioner Gary Bettman. After lying on the ice for approximately 10 minutes, Moore was removed from the playing surface on a stretcher. He was treated for three fractured vertebrae in his neck, a grade three concussion, vertebral ligament damage, stretching of the brachial plexus nerves, and facial lacerations. He was also suffering from amnesia. Bertuzzi apologized to Moore and his family, as well as to Burke, Canucks owner John McCaw, Jr., the Canucks organization, his teammates, and the fans in a press conference two days later. On March 11, 2004, the league ruled he would remain suspended for at least the remainder of the Canucks' season, which ultimately cost him the final 13 games of the regular season plus seven playoff games. The Canucks were additionally fined $250,000. While the following NHL season was suspended due to the 2004–05 lockout, Bertuzzi intended to play in Europe, but the International Ice Hockey Federation (IIHF) extended his NHL suspension to cover their jurisdiction. Bertuzzi remained professionally inactive during the 2004–05 season. The IIHF's sanction also kept him from representing Canada in the 2004 and 2005 World Championships, as well as the 2004 World Cup. Bettman scheduled a reinstatement hearing for Bertuzzi on April 26, 2005. The hearing was attended separately by Bertuzzi and Moore. Prior to the 2005–06 season, Bettman announced Bertuzzi's reinstatement on August 8, citing that "Mr. Bertuzzi had paid a very significant price for his conduct," adding that he felt Bertuzzi was "genuinely remorseful and apologetic." Bertuzzi's 17-month suspension caused him to miss a total of 20 games—the fourth-longest suspension in NHL history at the time. The suspension accounted for $501,926.39 in forfeited salary, as well as an approximate $350,000 in lost endorsements. On the day of his reinstatement, Team Canada's executive director, Wayne Gretzky, offered him a spot on the national team's summer orientation camp in preparation for the 2006 Winter Olympics. Legal actions After a four-month investigation, the criminal justice branch of the Attorney General of British Columbia announced formal charges of assault causing bodily harm against Bertuzzi on June 24, 2004. With the charge, Bertuzzi faced up to one-and-a-half years in prison. Bertuzzi pleaded guilty to the assault charge on December 22 after arranging a plea bargain with prosecutors. He was given a conditional discharge requiring 80 hours of community service and one year's probation that additionally prohibited him from playing in any hockey game Moore was competing in. Under Canadian law, Bertuzzi's successful completion of his probationary period precluded him from a criminal record. Moore expressed disappointment regarding Bertuzzi's discharge and was upset that he was unable to attend the court date, having to issue a written victim statement instead. Moore's lawyer, Tim Danson, was given one day's notice of the court date following Bertuzzi's plea bargain, which he said was insufficient time for Moore to travel to Vancouver. On February 17, 2005, Moore filed a lawsuit in a Colorado court against Bertuzzi, numerous individuals within the Canucks organization, including Brad May (Bertuzzi's teammate at the time who was quoted as saying that there would "definitely be a price on Moore's head" after Moore's hit on Näslund), Brian Burke, Marc Crawford, as well as the Canucks organization as a whole and the Orca Bay Sports and Entertainment company that owned the team. The lawsuit was thrown out in October 2005, as the Colorado judge ruled the case was better suited for Canadian courts, as Moore and all the defendants were Canadian citizens. Planning to appeal the decision, Danson stated publicly the following month that Moore had begun skating and doing regular workouts, but continued to suffer concussion-related symptoms. On February 16, 2006, Moore filed another lawsuit in the Ontario Superior Court against Bertuzzi, the Canucks, and Orca Bay, seeking CAD$15 million in pecuniary damages for loss of income, CAD$1 million for aggravated damages, and CAD$2 million for punitive damages. Moore's parents, who were watching their son on television when the attack happened, also sued, seeking CAD$1.5 million for "negligent infliction of nervous shock and mental distress". In December 2006, Bettman and top lieutenant Bill Daly facilitated a meeting between Moore's representatives and the defendants in hopes of agreeing on an out-of-court settlement. An out-of-court settlement was reached in Moore's lawsuit in October 2014. Terms of the settlement are confidential. Personal life Bertuzzi was born and raised in Sudbury, Ontario. His father, Albert Bertuzzi, is an Italian-Canadian who worked in the window-washing business. When Bertuzzi was a teenager, Albert survived a near-fatal car accident in which he was thrown from the vehicle through the windshield. His father has stated that he was proud of his own local reputation as a "dirty player" and referred to it as a "Bertuzzi trait". He has said that Bertuzzi takes after him in regards to his toughness and aggression. Bertuzzi's great-uncle, Larry Bertuzzi, is a Toronto-based lawyer who has done arbitration work for the NHL, including on the Eric Lindros trade. Growing up, Bertuzzi played minor hockey with the Nickel Centre and Sudbury Minor Hockey programs. In 1990–91, Bertuzzi played as an underaged player in the major midget ranks with the Sudbury Capitals AAA team. Physically built as a power forward throughout his youth, he stood 6 feet and 2 inches (1.88 metres) and weighed 195 pounds (88.5 kilograms) by age 15. Bertuzzi and his wife, Julie, were married in July 1996. They have two children born one-and-a-half years apart in Vancouver, a son named Tag and a daughter named Jaden. His son, Tag Bertuzzi, was drafted into the OHL by the Guelph Storm, 2nd overall in 2017. Bertuzzi is a recreational golfer and has credited the sport with allowing him to relax more as a hockey player. During his 10-game suspension from the NHL in October and November 2001, he played golf to focus his energy. Afterwards, he made it a custom to go to the driving range before every game. Bertuzzi's nephew Tyler Bertuzzi plays hockey for the Detroit Red Wings. Bertuzzi was arrested on February 27, 2021, and was detained at the Oakland County Jail in Michigan on suspicion of DUI. Career statistics Regular season and playoffs International Awards Records Guelph Storm team record; most goals, single season—54 in 1994–95 (surpassed Mike Prokopec, 52 goals in 1992–93) Vancouver Canucks team record; longest point-scoring streak—15 games (7 goals, 12 assists; January 3 – February 4, 2003) (tied with Petr Nedved; November 19 – December 27, 1992) Vancouver Canucks team record; most powerplay goals, single season—25 in 2002–03 (tied with Pavel Bure) Transactions June 26, 1993: Drafted 23rd overall by the New York Islanders July 6, 1995: Signed to a four-year, $4.6 million contract with the New York Islanders February 6, 1998: Traded to the Vancouver Canucks from the New York Islanders with Bryan McCabe and a 3rd round choice in 1998 (Jarkko Ruutu) for Trevor Linden September 1999: Re-signed to a two-year contract with the Vancouver Canucks October 27, 2003: Signed a four-year, $27.9 million contract extension with the Vancouver Canucks March 11, 2004: Suspended indefinitely by the NHL for deliberate injury to Steve Moore in a game versus the Colorado Avalanche August 8, 2005: Officially reinstated by the NHL June 23, 2006: Traded to the Florida Panthers by the Vancouver Canucks with Bryan Allen and Alex Auld for Roberto Luongo, Lukas Krajicek and a sixth-round draft choice in 2006 (Sergei Shirokov) February 27, 2007: Traded to the Detroit Red Wings by the Florida Panthers for prospect Shawn Matthias and conditional draft picks July 2, 2007: Signed a two-year, $8 million contract as an unrestricted free agent with the Anaheim Ducks June 28, 2008: Placed on waivers by the Anaheim Ducks; subsequently bought out July 7, 2008: Signed a one-year $1.95 million contract as an unrestricted free agent with the Calgary Flames August 18, 2009: Signed a one-year $1.5 million contract as an unrestricted free agent with the Detroit Red Wings May 10, 2010: Signed a two-year, $3.85 million contract extension with the Detroit Red Wings February 23, 2012: Signed a two-year, $4.15 million contract extension with the Detroit Red Wings See also List of NHL players with 1000 games played References Footnotes Citations External links 1975 births Anaheim Ducks players Binghamton Senators players Calgary Flames players Canadian ice hockey right wingers Detroit Red Wings players Florida Panthers players Guelph Storm players Ice hockey people from Ontario Ice hockey players at the 2006 Winter Olympics Living people National Hockey League All-Stars National Hockey League first round draft picks New York Islanders draft picks New York Islanders players Olympic ice hockey players of Canada Sportspeople from Greater Sudbury Utah Grizzlies (IHL) players Vancouver Canucks players Violence in sports Canadian expatriate ice hockey players in the United States Canadian people of Italian descent

C_d5d7c57a056e48fbb1667f80ffeb5358_0

When was the Record Collection released?

When was the Record Collection released?

Mark Ronson

In the Spring of 2010, Ronson confirmed the name of his new album Record Collection, and said that he hoped to have it out by September 2010. Additionally, Ronson announced the name of his new band, "The Business Intl.'", which is the alias adopted by Ronson on the third studio album. The first single "Bang Bang Bang". which featured rapper Q-Tip and singer MNDR was released on 12 July 2010, where it peaked at number 6 on the UK Singles Chart, giving Ronson his fourth Top 10 single. The single also entered the Irish Singles Chart, where it peaked at number 18. The second single from the album, "The Bike Song", was 19 September 2010 and features Kyle Falconer from The View and Spank Rock. The album was released on 27 September 2010. This is the first Ronson albums on which he features as a singer. Although Ronson had never met Michael Jackson he was given the vocal track to a song titled "Lovely Way", sung by Michael Jackson, in 2010 to produce for Jackson's posthumous album Michael. He submitted the track, but it did not make the track listing for Michael. Ronson said about the rumours surrounding the vocals on the track (due to the controversy surrounding the Cascio tracks on that same album), "It was definitely him singing. I was given a vocal track to work with but I never actually met Michael. [...] It's in the vein of Elton John's 'Goodbye Yellow Brick Road' and John Lennon's 'Imagine'." He provided the score for the 2011 film Arthur. Ronson was one of the artists featured in the 2012 documentary Re:GENERATION Music Project. His song "A La Modeliste" features Mos Def, Erykah Badu, Trombone Shorty, members of The Dap-Kings, and Zigaboo Modeliste. CANNOTANSWER

September 2010.

Mark Daniel Ronson (born 4 September 1975) is an English-American DJ, songwriter, record producer, and record executive. He is best known for his collaborations with artists such as Duran Duran, Amy Winehouse, Adele, Lady Gaga, Lily Allen, Robbie Williams, Miley Cyrus, Queens of the Stone Age, Kevin Parker and Bruno Mars. He has received seven Grammy Awards, including Producer of the Year for Winehouse's album Back to Black and two for Record of the Year singles "Rehab" and "Uptown Funk". He received an Academy Award, a Golden Globe Award and a Grammy Award for co-writing the song "Shallow" (performed by Lady Gaga and Bradley Cooper) for the film A Star is Born (2018). Ronson was born in London and raised in New York City. His stepfather is Foreigner guitarist Mick Jones, which contributed to a childhood surrounded by music. While attending New York University, Ronson became a popular DJ in the hip-hop scene. His debut album Here Comes the Fuzz failed to have an effect on the charts. In 2006, he received acclaim for producing albums for Lily Allen, Christina Aguilera, and Amy Winehouse. In 2007, Ronson released his second album, Version. The album reached number two in the UK and included three top ten singles and earned him the Brit Award for British Male Solo Artist. He subsequently released his third studio album, Record Collection, peaking at number two in the UK. In 2014, Ronson released his single "Uptown Funk" featuring vocals from Bruno Mars. The single spent 14 consecutive weeks at number one on the U.S. Billboard Hot 100, seven non-consecutive weeks at number one on the UK Singles Chart and became one of the best-selling singles of all-time. His fourth studio album, Uptown Special, became his most successful album to date. In 2018, he founded his own label, Zelig Records (an imprint of Columbia Records), and formed the duo Silk City with fellow producer Diplo, they released their debut single "Electricity" featuring Dua Lipa for which he received the Grammy Award for Best Dance Recording. In 2015, he became a patron of the Amy Winehouse Foundation, which helps disadvantaged youth through music. He has also worked with the End the Silence campaign to raise money and awareness for the Hope and Homes for Children charity and served as an artist mentor at Turnaround Arts, a national program of the John F. Kennedy Center for the Performing Arts, which helped low-performing schools through arts education. Early life Mark Daniel Ronson was born in Notting Hill, London, England, to Laurence Ronson, a then music manager and publisher, now real estate developer, and Ann Dexter-Jones (née Dexter), a writer, jewelry designer, and socialite. His Ashkenazi Jewish ancestors emigrated from Austria, Lithuania, and Russia. He was brought up in a Conservative Jewish household and celebrated his Bar Mitzvah. After his parents' divorce, his mother married Foreigner guitarist Mick Jones. Of note, Jones wrote Foreigner's hit song "I Want to Know What Love Is" about his burgeoning relationship with Dexter-Jones. Ronson, along with his mother, stepfather, and sisters, moved to New York City when he was eight years old. Living on the Upper West Side of Manhattan, he counted Sean Lennon among his childhood friends. At twelve, being a self-described music nerd, he pestered Rolling Stone founder Jann Wenner into an internship at the magazine. He attended high school at the private Collegiate School in Manhattan before attending Vassar College and then New York University. In 2008, he obtained American citizenship so that he could vote in that year's election. Family He was born into the Ronson family, formerly one of Britain's wealthiest families and founders of Heron International; following success in the 1980s, they lost $1 billion of their wealth in the property crash of the early 1990s. He is the nephew of businessman Gerald Ronson. Through his mother, he is distantly related to British Conservative politicians Sir Malcolm Rifkind and Leon Brittan, and Odeon Cinemas founder Oscar Deutsch. Ronson's has two younger sisters, twins Charlotte Ronson, a fashion designer, and Samantha Ronson, a singer and DJ. Through his mother's second marriage to Mick Jones he has two elder step-siblings and two half-siblings, including actress Annabelle Dexter-Jones. Through his father's second marriage, he has three other half-siblings. Career While attending New York University, Ronson became a regular in the downtown hip hop night life. He became known as a DJ on the New York club scene by 1993, charging $50 per job. He was known for his diverse, genre-spanning selection. He attracted a wide audience by fusing funk, hip hop, and rock and roll into his setlists, and playing songs that were popular in both the United States and the United Kingdom. He was soon popular and sought-after DJ in New York City, frequently booked for high-profile events and private parties. In 1999, Ronson was featured in an ad wearing Tommy Hilfiger denim in the recording studio for an ad campaign for the company. 2001–05: Here Comes the Fuzz and initial producing Mark made the leap from DJ to producer after Nikka Costa's manager, Dominique Trenier, heard one of his sets and introduced the musicians. Ronson produced Costa's song "Everybody Got Their Something," and Ronson soon signed a record contract with Elektra Records. He had already produced tracks for Hilfiger ads and, in 2001, used the connection to have Costa's single "Like a Feather" used in an advertisement. Ronson's debut album, Here Comes the Fuzz, was released in 2003. Despite poor initial sales, it was generally well received by critics. As well as writing the songs on the album, Ronson created the beats, played guitar, keyboards, and bass. The album featured performances from artists from diverse genres, including Mos Def, Jack White, Sean Paul, Nappy Roots and Rivers Cuomo. The lead single and best known song from the album, "Ooh Wee," samples "Sunny" by Boney M and features the rappers Nate Dogg, Ghostface Killah, Trife Da God, and Saigon. The song charted at number 15 on the UK Singles Chart and was used in a number of films, including in Honey (2003) and on its soundtrack. Two weeks after releasing Here Comes the Fuzz, Elektra Records dropped him. In 2004, Ronson formed his own record label, Allido Records, a subsidiary of Sony BMG's J Records, along with his longtime manager Rich Kleiman. The first artist he signed to Allido was rapper Saigon, who later left to sign with Just Blaze's Fort Knox Entertainment. He has signed Rhymefest, most well known for winning the Grammy for co-writing Kanye West's "Jesus Walks." 2006–09: Version On 2 April 2007, Ronson released a cover of The Smiths' track "Stop Me If You Think You've Heard This One Before" under the title "Stop Me", featuring singer Daniel Merriweather. It reached number 2 in the UK singles charts, giving Ronson his highest-peaking single until 2014's "Uptown Funk". Ronson remixed the Bob Dylan song "Most Likely You Go Your Way And I'll Go Mine" in promotion for the three-disc Bob Dylan set titled Dylan released October 2007. Ronson has also produced Candie Payne's "One More Chance (Ronson mix)" in 2007. The album Version was well received by critics particularly in the UK and US. In May 2007 it was awarded the title Album of the Month by the British dance music magazine, Mixmag. On 23 June, Ronson made the cover of The Guardian newspaper's Guide magazine, alongside singer Lily Allen. In June 2007, Ronson signed DC hip hop artist Wale to Allido Records. In late 2007, he focused on production, working with Daniel Merriweather on his debut album, and recording again with Amy Winehouse and Robbie Williams. On 24 October 2007, Ronson performed a one-off set at The Roundhouse in Camden, London as part of the BBC Electric Proms 2007. The performance featured the BBC Concert Orchestra and included special guests Terry Hall, Sean Lennon, Tim Burgess, Alex Greenwald, Ricky Wilson, Charlie Waller, Adele and Kyle Falconer. In December 2007, Ronson received his first Grammy Award nomination, for 'Producer of the Year, Non-Classical'. Ronson's work with Amy Winehouse also received substantial accolades, gaining 6 nominations. Winehouse's "Back to Black" album, mostly produced by Ronson, was nominated for 'Album of the Year' and 'Best Pop Vocal Album'. Her song "Rehab" received nods for 'Best Female Pop Vocal Performance', 'Song of the Year' and 'Record of the Year'. Ronson would go on to win three Grammys: 'Producer of the Year' as well as 'Best Pop Vocal Album' and 'Record of the Year' (the latter two of which he shared with Amy Winehouse) in early February 2008. Ronson is credited as producer on a mixtape album called Man in the Mirror, released in January 2008 by the rapper Rhymefest which is a tribute to the pop star Michael Jackson. The album features Rhymefest appearing to speak to Michael Jackson using archive audio from interviews with the pop star. The same month Ronson received three nominations for the Brit Awards, including 'Best Male Solo Artist,' 'Best Album' (Version) and 'Song of the Year' ("Valerie"). Ronson won his first Brit for 'Best Male Solo Artist' in mid-February 2008 over favourite Mika. He also performed a medley of Coldplay's "God Put a Smile upon Your Face" with Adele, "Stop Me" with Daniel Merriweather, and "Valerie" with Amy Winehouse. The performance allowed for a large boost in sales in the iTunes UK Top 100. "Valerie" would jump almost 30 spots in the days after the event, while "Just", "Stop Me" and "Oh My God" all appeared in the chart as well. That same week, Ronson appeared twice in the UK Top 40, with "Valerie" rebounding to number 13 and "Just" at number 31, his fourth Top 40 entry from "Version". The Brits performance also allowed for "Version" to climb 18 spots to number 4. Around this time, Ronson received his first number one on an international chart (Dutch Top 40) for "Valerie," which spent four consecutive weeks at the top of the chart. He collaborated with Kaiser Chiefs on their third album. Ronson toured the album "Version" extensively through both the UK and Europe during 2008. Notable sold-out performances at The Hammersmith Apollo and Brixton Academy. Ronson is known to champion new upcoming artists on the road with him, such as Sam Sparro and Julian Perretta. Ronson's string backing was provided by the all-female string quartet Demon Strings. On 2 July 2008, in Paris, Mark Ronson performed live with Duran Duran for an invited audience. They played new arrangements by Ronson of some Duran Duran songs, along with tracks from the band's new album, Red Carpet Massacre. Ronson & the Version Players also performed songs from his album Version. Simon LeBon sang. As of March 2009, Ronson was working with the group on their 13th album. The Album, titled All You Need Is Now, was released digitally exclusively via Apple's iTunes on 21 December 2010, while the physical CD was released in March 2011 with additional tracks. In 2013–14 Ronson was once again in the studio producing Duran Duran's 14th album, Paper Gods, making it the first time the band has worked with the same producer on consecutive albums since Colin Thurston produced their first two albums in the 1980s. 2010–12: Record Collection In the Spring of 2010, Ronson confirmed the name of his new album Record Collection, and said that he hoped to have it out by September 2010. Additionally, Ronson announced the name of his new band, "The Business Intl.'", which is the alias adopted by Ronson on the third studio album. The first single "Bang Bang Bang". which featured rapper Q-Tip and singer MNDR was released on 12 July 2010, where it peaked at number 6 on the UK Singles Chart, giving Ronson his fourth Top 10 single. The single also entered the Irish Singles Chart, where it peaked at number 18. The second single from the album, "The Bike Song", was released on 19 September 2010, and features Kyle Falconer from The View and Spank Rock. The album was released on 27 September 2010. This is the first Ronson album on which he features as a singer. Although Ronson had never met Michael Jackson he was given the vocal track to a song titled "Lovely Way", sung by Michael Jackson, in 2010 to produce for Jackson's posthumous album Michael. He submitted the track, but it did not make the tracklisting for Michael. Ronson said about the rumours surrounding the vocals on the track (due to the controversy surrounding the Cascio tracks on that same album), "It was definitely him singing. I was given a vocal track to work with but I never actually met Michael. [...] It's in the vein of Elton John's 'Goodbye Yellow Brick Road' and John Lennon's 'Imagine'." He provided the score for the 2011 film Arthur. Ronson was one of the artists featured in the 2012 documentary Re:GENERATION Music Project. His song "A La Modeliste" features Mos Def, Erykah Badu, Trombone Shorty, members of The Dap-Kings, and Zigaboo Modeliste. 2013–2017: Uptown Special and Amy On 30 October 2014, Ronson announced, via Twitter, a new single from his upcoming album, to be released on 10 November 2014. The single, "Uptown Funk," features Bruno Mars on vocals. On 22 November 2014, Ronson and Mars appeared as the musical guest on Saturday Night Live performing "Uptown Funk" and "Feel Right" (featuring Mystikal). "Uptown Funk" reached number one in the UK and US singles charts, and also became the all-time most streamed track in a single week in the UK, having been streamed a record 2.49 million times in a week. "Uptown Funk" reached the top 10 in nearly every country it charted; it spent fifteen weeks at number one on the Canadian Hot 100, fourteen weeks at number one on the Billboard Hot 100, and seven weeks at number one on the UK Singles Chart. In February 2015 the song won Ronson the Brit Award for British Single of the Year. As of November 2021, the song's music video on YouTube has amassed over 4.3 billion views. In 2015, Ronson starred in the documentary film Amy about his late friend Amy Winehouse. His voice features in the film where he talks about his career and relationship with Winehouse and there is footage of Ronson from the recording session of the single "Back to Black" from March 2006 and also at Winehouse's funeral in London in July 2011. On 16 October 2015, Ronson became a patron of the Amy Winehouse Foundation. In January 2016, Ronson was nominated for two Brit Awards; Best British Male Solo Artist, and British Producer of the Year, at the 2016 Brit Awards. At the 2016 Grammy Awards Ronson won two awards for "Uptown Funk", including Record of the Year. Jason Iley, the head of Sony Music UK and Ronson's UK label Columbia Records, hailed Ronson as "a true gentleman" and "one of the most considerate, kind and humble artists in our industry." He added, "the monumental success of Uptown Funk is so thoroughly deserved and has established itself as, not only one of the Records of the Year but of our lifetime." He went on to executive produce Lady Gaga's fifth album Joanne. Ronson produced the Queens of the Stone Age's 2017 album Villains. 2018–present: Silk City, "Shallow" and Late Night Feelings In 2018, Ronson founded his own label, Zelig Records, an imprint of Columbia Records and the first artist he signed was singer King Princess. He also formed the duo Silk City with fellow producer Diplo. Their first single "Electricity" featuring Dua Lipa was released on 6 September and peaked at the US Dance Club Songs and received the Grammy Award for Best Dance Recording at the 61st Annual Grammy Awards. In May 2018, it was revealed that Ronson was working with Miley Cyrus in the studio. Their first collaboration "Nothing Breaks Like a Heart" was released in November 2018. Ronson also co-wrote the song "Shallow" for the film A Star Is Born with his frequent collaborators Lady Gaga, Andrew Wyatt, and Anthony Rossomando. The song earned Ronson an Academy Award and the Golden Globe Award for Best Original Song, as well as two Grammy nominations, winning the Grammy Award for Best Song Written for Visual Media. On 12 April 2019, it was announced that Mark Ronson would release his fifth album Late Night Feelings, on 26 June 2019. The album features Miley Cyrus, Angel Olsen, Lykke Li and Camila Cabello. Ronson has described the album as a collection of "sad bangers," with the title track laying down a warm mid-tempo dance groove under Li's melancholy vocals. On 12 October 2019, BBC Two broadcast the documentary Mark Ronson: From the Heart, directed by Carl Hindmarch. In June of 2021, Ronson, along with Foo Fighters shared a "re-verson" of the Foo Fighters then latest single Making a Fire. Personal life Ronson divides his time between London, Los Angeles, and New York. Since childhood, he has been a fan of English Premier League football club Chelsea F.C. and is also a fan of the New York Knicks basketball team. In 2009, Ronson was voted the most stylish man in the UK by GQ magazine. In 2011, a portrait of Ronson was painted by British artist Joe Simpson; the painting was exhibited around the UK, including a solo exhibition at the Royal Albert Hall in London. In 2015 he was named one of the magazine's 50 best dressed British men. > On 20 August 2019, Ronson, along with several other celebrities, invested in a funding round for Lowell Herb Co, a California cannabis brand. He is known to be "a dedicated cannabis consumer". Relationships In 2002, Ronson began dating the actress-singer Rashida Jones. They became engaged in March 2003, with Ronson proposing by creating a crossword puzzle with the message "Will you marry me." Their relationship ended approximately one year later. On 3 September 2011, Ronson married French actress and singer Joséphine de La Baume, who had previously appeared in the music video for "The Bike Song". On 16 May 2017, it was reported that de La Baume had filed for divorce from Ronson, listing the separation date as 21 April 2017. The divorce was finalized in October 2018. On 4 September 2021, Ronson announced his marriage to actress Grace Gummer, after a year of dating. Lawsuit In 2017, Lastrada Entertainment claimed that "Uptown Funk" infringed the copyright of Zapp & Roger's 1980 hit song "More Bounce to the Ounce". A total of three lawsuits had been filed by different parties. Discography Here Comes the Fuzz (2003) Version (2007) Record Collection (with The Business Intl.) (2010) Uptown Special (2015) Late Night Feelings (2019) Filmography Zoolander (2001) – Himself Amy (2015) – Himself Gaga: Five Foot Two (2017) – Himself Spies in Disguise (2019) – Agency Control Room Technician (cameo) Videos Ronson created a video, along with directors Gary Breslin and Jordan Galland, called Circuit Breaker, which was an homage to the video game The Legend of Zelda: A Link to the Past. In 2001, Ronson appeared in the Aaliyah music video "More Than a Woman" as a DJ. On 30 July 2021, the documentary series Watch the Sound with Mark Ronson was released on Apple TV+. Production discography Adapted from AllMusic. Bold denotes a commercial single. Other singles 1997: Posse-O – "It's Up to You..."* 1998: Powerule – "Heatin' Up"* 1998: Powerule – "Rhymes to Bust" / "It's Your Right"* 2002: J-Live – "School's In"* 2004: Daniel Merriweather – "City Rules"* 2004: Daniel Merriweather – "She's Got Me"* 2005: Rhymefest – "These Days"* 2005: Rhymefest – "Brand New"* 2007: Candie Payne – "One More Chance"* 2007: Bob Dylan – "Most Likely You Go Your Way (And I'll Go Mine) (Mark Ronson Re-version)"* 2008: Leon Jean-Marie – "Bed of Nails"* 2008: Kaiser Chiefs – "Never Miss a Beat"* 2008: Wiley – "Cash in My Pocket"* 2008: Kaiser Chiefs – "Good Days Bad Days"* 2009: Daniel Merriweather – "Change"* 2009: Daniel Merriweather – "Red"* 2009: Daniel Merriweather – "Impossible" 2012: Rufus Wainwright – "Out of the Game"* 2012: Rufus Wainwright – "Jericho"* 2013: Giggs – "(Is It Gangsta?) Yes Yes Yes"* 2015: Duran Duran featuring Janelle Monáe and Nile Rodgers – "Pressure Off"* 2016: Various Artists – "Hands"* 2018: Michael Jackson - "Diamonds Are Invincible"* (Mash-Up) 2018: Silk City - "Electricity"* featuring Dua Lipa, Diplo and Mark Ronson 2018: Lady Gaga and Bradley Cooper – "Shallow"* 2020: Troye Sivan featuring Kacey Musgraves and Mark Ronson - "Easy"* Awards and nominations References External links Mark Ronson and Boy George 1975 births 20th-century English musicians 21st-century English musicians Allido Records artists APRA Award winners British Ashkenazi Jews Best Original Song Academy Award-winning songwriters Brit Award winners British alternative rock musicians British hip hop DJs Collegiate School (New York) alumni English DJs DJs from London English emigrants to the United States English people of Austrian-Jewish descent English people of Lithuanian-Jewish descent English people of Russian-Jewish descent English multi-instrumentalists English record producers English songwriters Golden Globe Award-winning musicians Grammy Award winners Hip hop record producers Jewish English musicians Jewish hip hop record producers Jewish singers Living people People from Notting Hill People from the Upper West Side M Mark Ronson Silk City (duo) members Sony Music UK artists The Flip Squad members Tisch School of the Arts alumni

C_d5d7c57a056e48fbb1667f80ffeb5358_0

Is this an album?

Is the Record Collection an album?

Mark Ronson

In the Spring of 2010, Ronson confirmed the name of his new album Record Collection, and said that he hoped to have it out by September 2010. Additionally, Ronson announced the name of his new band, "The Business Intl.'", which is the alias adopted by Ronson on the third studio album. The first single "Bang Bang Bang". which featured rapper Q-Tip and singer MNDR was released on 12 July 2010, where it peaked at number 6 on the UK Singles Chart, giving Ronson his fourth Top 10 single. The single also entered the Irish Singles Chart, where it peaked at number 18. The second single from the album, "The Bike Song", was 19 September 2010 and features Kyle Falconer from The View and Spank Rock. The album was released on 27 September 2010. This is the first Ronson albums on which he features as a singer. Although Ronson had never met Michael Jackson he was given the vocal track to a song titled "Lovely Way", sung by Michael Jackson, in 2010 to produce for Jackson's posthumous album Michael. He submitted the track, but it did not make the track listing for Michael. Ronson said about the rumours surrounding the vocals on the track (due to the controversy surrounding the Cascio tracks on that same album), "It was definitely him singing. I was given a vocal track to work with but I never actually met Michael. [...] It's in the vein of Elton John's 'Goodbye Yellow Brick Road' and John Lennon's 'Imagine'." He provided the score for the 2011 film Arthur. Ronson was one of the artists featured in the 2012 documentary Re:GENERATION Music Project. His song "A La Modeliste" features Mos Def, Erykah Badu, Trombone Shorty, members of The Dap-Kings, and Zigaboo Modeliste. CANNOTANSWER

Ronson confirmed the name of his new album Record Collection,

Mark Daniel Ronson (born 4 September 1975) is an English-American DJ, songwriter, record producer, and record executive. He is best known for his collaborations with artists such as Duran Duran, Amy Winehouse, Adele, Lady Gaga, Lily Allen, Robbie Williams, Miley Cyrus, Queens of the Stone Age, Kevin Parker and Bruno Mars. He has received seven Grammy Awards, including Producer of the Year for Winehouse's album Back to Black and two for Record of the Year singles "Rehab" and "Uptown Funk". He received an Academy Award, a Golden Globe Award and a Grammy Award for co-writing the song "Shallow" (performed by Lady Gaga and Bradley Cooper) for the film A Star is Born (2018). Ronson was born in London and raised in New York City. His stepfather is Foreigner guitarist Mick Jones, which contributed to a childhood surrounded by music. While attending New York University, Ronson became a popular DJ in the hip-hop scene. His debut album Here Comes the Fuzz failed to have an effect on the charts. In 2006, he received acclaim for producing albums for Lily Allen, Christina Aguilera, and Amy Winehouse. In 2007, Ronson released his second album, Version. The album reached number two in the UK and included three top ten singles and earned him the Brit Award for British Male Solo Artist. He subsequently released his third studio album, Record Collection, peaking at number two in the UK. In 2014, Ronson released his single "Uptown Funk" featuring vocals from Bruno Mars. The single spent 14 consecutive weeks at number one on the U.S. Billboard Hot 100, seven non-consecutive weeks at number one on the UK Singles Chart and became one of the best-selling singles of all-time. His fourth studio album, Uptown Special, became his most successful album to date. In 2018, he founded his own label, Zelig Records (an imprint of Columbia Records), and formed the duo Silk City with fellow producer Diplo, they released their debut single "Electricity" featuring Dua Lipa for which he received the Grammy Award for Best Dance Recording. In 2015, he became a patron of the Amy Winehouse Foundation, which helps disadvantaged youth through music. He has also worked with the End the Silence campaign to raise money and awareness for the Hope and Homes for Children charity and served as an artist mentor at Turnaround Arts, a national program of the John F. Kennedy Center for the Performing Arts, which helped low-performing schools through arts education. Early life Mark Daniel Ronson was born in Notting Hill, London, England, to Laurence Ronson, a then music manager and publisher, now real estate developer, and Ann Dexter-Jones (née Dexter), a writer, jewelry designer, and socialite. His Ashkenazi Jewish ancestors emigrated from Austria, Lithuania, and Russia. He was brought up in a Conservative Jewish household and celebrated his Bar Mitzvah. After his parents' divorce, his mother married Foreigner guitarist Mick Jones. Of note, Jones wrote Foreigner's hit song "I Want to Know What Love Is" about his burgeoning relationship with Dexter-Jones. Ronson, along with his mother, stepfather, and sisters, moved to New York City when he was eight years old. Living on the Upper West Side of Manhattan, he counted Sean Lennon among his childhood friends. At twelve, being a self-described music nerd, he pestered Rolling Stone founder Jann Wenner into an internship at the magazine. He attended high school at the private Collegiate School in Manhattan before attending Vassar College and then New York University. In 2008, he obtained American citizenship so that he could vote in that year's election. Family He was born into the Ronson family, formerly one of Britain's wealthiest families and founders of Heron International; following success in the 1980s, they lost $1 billion of their wealth in the property crash of the early 1990s. He is the nephew of businessman Gerald Ronson. Through his mother, he is distantly related to British Conservative politicians Sir Malcolm Rifkind and Leon Brittan, and Odeon Cinemas founder Oscar Deutsch. Ronson's has two younger sisters, twins Charlotte Ronson, a fashion designer, and Samantha Ronson, a singer and DJ. Through his mother's second marriage to Mick Jones he has two elder step-siblings and two half-siblings, including actress Annabelle Dexter-Jones. Through his father's second marriage, he has three other half-siblings. Career While attending New York University, Ronson became a regular in the downtown hip hop night life. He became known as a DJ on the New York club scene by 1993, charging $50 per job. He was known for his diverse, genre-spanning selection. He attracted a wide audience by fusing funk, hip hop, and rock and roll into his setlists, and playing songs that were popular in both the United States and the United Kingdom. He was soon popular and sought-after DJ in New York City, frequently booked for high-profile events and private parties. In 1999, Ronson was featured in an ad wearing Tommy Hilfiger denim in the recording studio for an ad campaign for the company. 2001–05: Here Comes the Fuzz and initial producing Mark made the leap from DJ to producer after Nikka Costa's manager, Dominique Trenier, heard one of his sets and introduced the musicians. Ronson produced Costa's song "Everybody Got Their Something," and Ronson soon signed a record contract with Elektra Records. He had already produced tracks for Hilfiger ads and, in 2001, used the connection to have Costa's single "Like a Feather" used in an advertisement. Ronson's debut album, Here Comes the Fuzz, was released in 2003. Despite poor initial sales, it was generally well received by critics. As well as writing the songs on the album, Ronson created the beats, played guitar, keyboards, and bass. The album featured performances from artists from diverse genres, including Mos Def, Jack White, Sean Paul, Nappy Roots and Rivers Cuomo. The lead single and best known song from the album, "Ooh Wee," samples "Sunny" by Boney M and features the rappers Nate Dogg, Ghostface Killah, Trife Da God, and Saigon. The song charted at number 15 on the UK Singles Chart and was used in a number of films, including in Honey (2003) and on its soundtrack. Two weeks after releasing Here Comes the Fuzz, Elektra Records dropped him. In 2004, Ronson formed his own record label, Allido Records, a subsidiary of Sony BMG's J Records, along with his longtime manager Rich Kleiman. The first artist he signed to Allido was rapper Saigon, who later left to sign with Just Blaze's Fort Knox Entertainment. He has signed Rhymefest, most well known for winning the Grammy for co-writing Kanye West's "Jesus Walks." 2006–09: Version On 2 April 2007, Ronson released a cover of The Smiths' track "Stop Me If You Think You've Heard This One Before" under the title "Stop Me", featuring singer Daniel Merriweather. It reached number 2 in the UK singles charts, giving Ronson his highest-peaking single until 2014's "Uptown Funk". Ronson remixed the Bob Dylan song "Most Likely You Go Your Way And I'll Go Mine" in promotion for the three-disc Bob Dylan set titled Dylan released October 2007. Ronson has also produced Candie Payne's "One More Chance (Ronson mix)" in 2007. The album Version was well received by critics particularly in the UK and US. In May 2007 it was awarded the title Album of the Month by the British dance music magazine, Mixmag. On 23 June, Ronson made the cover of The Guardian newspaper's Guide magazine, alongside singer Lily Allen. In June 2007, Ronson signed DC hip hop artist Wale to Allido Records. In late 2007, he focused on production, working with Daniel Merriweather on his debut album, and recording again with Amy Winehouse and Robbie Williams. On 24 October 2007, Ronson performed a one-off set at The Roundhouse in Camden, London as part of the BBC Electric Proms 2007. The performance featured the BBC Concert Orchestra and included special guests Terry Hall, Sean Lennon, Tim Burgess, Alex Greenwald, Ricky Wilson, Charlie Waller, Adele and Kyle Falconer. In December 2007, Ronson received his first Grammy Award nomination, for 'Producer of the Year, Non-Classical'. Ronson's work with Amy Winehouse also received substantial accolades, gaining 6 nominations. Winehouse's "Back to Black" album, mostly produced by Ronson, was nominated for 'Album of the Year' and 'Best Pop Vocal Album'. Her song "Rehab" received nods for 'Best Female Pop Vocal Performance', 'Song of the Year' and 'Record of the Year'. Ronson would go on to win three Grammys: 'Producer of the Year' as well as 'Best Pop Vocal Album' and 'Record of the Year' (the latter two of which he shared with Amy Winehouse) in early February 2008. Ronson is credited as producer on a mixtape album called Man in the Mirror, released in January 2008 by the rapper Rhymefest which is a tribute to the pop star Michael Jackson. The album features Rhymefest appearing to speak to Michael Jackson using archive audio from interviews with the pop star. The same month Ronson received three nominations for the Brit Awards, including 'Best Male Solo Artist,' 'Best Album' (Version) and 'Song of the Year' ("Valerie"). Ronson won his first Brit for 'Best Male Solo Artist' in mid-February 2008 over favourite Mika. He also performed a medley of Coldplay's "God Put a Smile upon Your Face" with Adele, "Stop Me" with Daniel Merriweather, and "Valerie" with Amy Winehouse. The performance allowed for a large boost in sales in the iTunes UK Top 100. "Valerie" would jump almost 30 spots in the days after the event, while "Just", "Stop Me" and "Oh My God" all appeared in the chart as well. That same week, Ronson appeared twice in the UK Top 40, with "Valerie" rebounding to number 13 and "Just" at number 31, his fourth Top 40 entry from "Version". The Brits performance also allowed for "Version" to climb 18 spots to number 4. Around this time, Ronson received his first number one on an international chart (Dutch Top 40) for "Valerie," which spent four consecutive weeks at the top of the chart. He collaborated with Kaiser Chiefs on their third album. Ronson toured the album "Version" extensively through both the UK and Europe during 2008. Notable sold-out performances at The Hammersmith Apollo and Brixton Academy. Ronson is known to champion new upcoming artists on the road with him, such as Sam Sparro and Julian Perretta. Ronson's string backing was provided by the all-female string quartet Demon Strings. On 2 July 2008, in Paris, Mark Ronson performed live with Duran Duran for an invited audience. They played new arrangements by Ronson of some Duran Duran songs, along with tracks from the band's new album, Red Carpet Massacre. Ronson & the Version Players also performed songs from his album Version. Simon LeBon sang. As of March 2009, Ronson was working with the group on their 13th album. The Album, titled All You Need Is Now, was released digitally exclusively via Apple's iTunes on 21 December 2010, while the physical CD was released in March 2011 with additional tracks. In 2013–14 Ronson was once again in the studio producing Duran Duran's 14th album, Paper Gods, making it the first time the band has worked with the same producer on consecutive albums since Colin Thurston produced their first two albums in the 1980s. 2010–12: Record Collection In the Spring of 2010, Ronson confirmed the name of his new album Record Collection, and said that he hoped to have it out by September 2010. Additionally, Ronson announced the name of his new band, "The Business Intl.'", which is the alias adopted by Ronson on the third studio album. The first single "Bang Bang Bang". which featured rapper Q-Tip and singer MNDR was released on 12 July 2010, where it peaked at number 6 on the UK Singles Chart, giving Ronson his fourth Top 10 single. The single also entered the Irish Singles Chart, where it peaked at number 18. The second single from the album, "The Bike Song", was released on 19 September 2010, and features Kyle Falconer from The View and Spank Rock. The album was released on 27 September 2010. This is the first Ronson album on which he features as a singer. Although Ronson had never met Michael Jackson he was given the vocal track to a song titled "Lovely Way", sung by Michael Jackson, in 2010 to produce for Jackson's posthumous album Michael. He submitted the track, but it did not make the tracklisting for Michael. Ronson said about the rumours surrounding the vocals on the track (due to the controversy surrounding the Cascio tracks on that same album), "It was definitely him singing. I was given a vocal track to work with but I never actually met Michael. [...] It's in the vein of Elton John's 'Goodbye Yellow Brick Road' and John Lennon's 'Imagine'." He provided the score for the 2011 film Arthur. Ronson was one of the artists featured in the 2012 documentary Re:GENERATION Music Project. His song "A La Modeliste" features Mos Def, Erykah Badu, Trombone Shorty, members of The Dap-Kings, and Zigaboo Modeliste. 2013–2017: Uptown Special and Amy On 30 October 2014, Ronson announced, via Twitter, a new single from his upcoming album, to be released on 10 November 2014. The single, "Uptown Funk," features Bruno Mars on vocals. On 22 November 2014, Ronson and Mars appeared as the musical guest on Saturday Night Live performing "Uptown Funk" and "Feel Right" (featuring Mystikal). "Uptown Funk" reached number one in the UK and US singles charts, and also became the all-time most streamed track in a single week in the UK, having been streamed a record 2.49 million times in a week. "Uptown Funk" reached the top 10 in nearly every country it charted; it spent fifteen weeks at number one on the Canadian Hot 100, fourteen weeks at number one on the Billboard Hot 100, and seven weeks at number one on the UK Singles Chart. In February 2015 the song won Ronson the Brit Award for British Single of the Year. As of November 2021, the song's music video on YouTube has amassed over 4.3 billion views. In 2015, Ronson starred in the documentary film Amy about his late friend Amy Winehouse. His voice features in the film where he talks about his career and relationship with Winehouse and there is footage of Ronson from the recording session of the single "Back to Black" from March 2006 and also at Winehouse's funeral in London in July 2011. On 16 October 2015, Ronson became a patron of the Amy Winehouse Foundation. In January 2016, Ronson was nominated for two Brit Awards; Best British Male Solo Artist, and British Producer of the Year, at the 2016 Brit Awards. At the 2016 Grammy Awards Ronson won two awards for "Uptown Funk", including Record of the Year. Jason Iley, the head of Sony Music UK and Ronson's UK label Columbia Records, hailed Ronson as "a true gentleman" and "one of the most considerate, kind and humble artists in our industry." He added, "the monumental success of Uptown Funk is so thoroughly deserved and has established itself as, not only one of the Records of the Year but of our lifetime." He went on to executive produce Lady Gaga's fifth album Joanne. Ronson produced the Queens of the Stone Age's 2017 album Villains. 2018–present: Silk City, "Shallow" and Late Night Feelings In 2018, Ronson founded his own label, Zelig Records, an imprint of Columbia Records and the first artist he signed was singer King Princess. He also formed the duo Silk City with fellow producer Diplo. Their first single "Electricity" featuring Dua Lipa was released on 6 September and peaked at the US Dance Club Songs and received the Grammy Award for Best Dance Recording at the 61st Annual Grammy Awards. In May 2018, it was revealed that Ronson was working with Miley Cyrus in the studio. Their first collaboration "Nothing Breaks Like a Heart" was released in November 2018. Ronson also co-wrote the song "Shallow" for the film A Star Is Born with his frequent collaborators Lady Gaga, Andrew Wyatt, and Anthony Rossomando. The song earned Ronson an Academy Award and the Golden Globe Award for Best Original Song, as well as two Grammy nominations, winning the Grammy Award for Best Song Written for Visual Media. On 12 April 2019, it was announced that Mark Ronson would release his fifth album Late Night Feelings, on 26 June 2019. The album features Miley Cyrus, Angel Olsen, Lykke Li and Camila Cabello. Ronson has described the album as a collection of "sad bangers," with the title track laying down a warm mid-tempo dance groove under Li's melancholy vocals. On 12 October 2019, BBC Two broadcast the documentary Mark Ronson: From the Heart, directed by Carl Hindmarch. In June of 2021, Ronson, along with Foo Fighters shared a "re-verson" of the Foo Fighters then latest single Making a Fire. Personal life Ronson divides his time between London, Los Angeles, and New York. Since childhood, he has been a fan of English Premier League football club Chelsea F.C. and is also a fan of the New York Knicks basketball team. In 2009, Ronson was voted the most stylish man in the UK by GQ magazine. In 2011, a portrait of Ronson was painted by British artist Joe Simpson; the painting was exhibited around the UK, including a solo exhibition at the Royal Albert Hall in London. In 2015 he was named one of the magazine's 50 best dressed British men. > On 20 August 2019, Ronson, along with several other celebrities, invested in a funding round for Lowell Herb Co, a California cannabis brand. He is known to be "a dedicated cannabis consumer". Relationships In 2002, Ronson began dating the actress-singer Rashida Jones. They became engaged in March 2003, with Ronson proposing by creating a crossword puzzle with the message "Will you marry me." Their relationship ended approximately one year later. On 3 September 2011, Ronson married French actress and singer Joséphine de La Baume, who had previously appeared in the music video for "The Bike Song". On 16 May 2017, it was reported that de La Baume had filed for divorce from Ronson, listing the separation date as 21 April 2017. The divorce was finalized in October 2018. On 4 September 2021, Ronson announced his marriage to actress Grace Gummer, after a year of dating. Lawsuit In 2017, Lastrada Entertainment claimed that "Uptown Funk" infringed the copyright of Zapp & Roger's 1980 hit song "More Bounce to the Ounce". A total of three lawsuits had been filed by different parties. Discography Here Comes the Fuzz (2003) Version (2007) Record Collection (with The Business Intl.) (2010) Uptown Special (2015) Late Night Feelings (2019) Filmography Zoolander (2001) – Himself Amy (2015) – Himself Gaga: Five Foot Two (2017) – Himself Spies in Disguise (2019) – Agency Control Room Technician (cameo) Videos Ronson created a video, along with directors Gary Breslin and Jordan Galland, called Circuit Breaker, which was an homage to the video game The Legend of Zelda: A Link to the Past. In 2001, Ronson appeared in the Aaliyah music video "More Than a Woman" as a DJ. On 30 July 2021, the documentary series Watch the Sound with Mark Ronson was released on Apple TV+. Production discography Adapted from AllMusic. Bold denotes a commercial single. Other singles 1997: Posse-O – "It's Up to You..."* 1998: Powerule – "Heatin' Up"* 1998: Powerule – "Rhymes to Bust" / "It's Your Right"* 2002: J-Live – "School's In"* 2004: Daniel Merriweather – "City Rules"* 2004: Daniel Merriweather – "She's Got Me"* 2005: Rhymefest – "These Days"* 2005: Rhymefest – "Brand New"* 2007: Candie Payne – "One More Chance"* 2007: Bob Dylan – "Most Likely You Go Your Way (And I'll Go Mine) (Mark Ronson Re-version)"* 2008: Leon Jean-Marie – "Bed of Nails"* 2008: Kaiser Chiefs – "Never Miss a Beat"* 2008: Wiley – "Cash in My Pocket"* 2008: Kaiser Chiefs – "Good Days Bad Days"* 2009: Daniel Merriweather – "Change"* 2009: Daniel Merriweather – "Red"* 2009: Daniel Merriweather – "Impossible" 2012: Rufus Wainwright – "Out of the Game"* 2012: Rufus Wainwright – "Jericho"* 2013: Giggs – "(Is It Gangsta?) Yes Yes Yes"* 2015: Duran Duran featuring Janelle Monáe and Nile Rodgers – "Pressure Off"* 2016: Various Artists – "Hands"* 2018: Michael Jackson - "Diamonds Are Invincible"* (Mash-Up) 2018: Silk City - "Electricity"* featuring Dua Lipa, Diplo and Mark Ronson 2018: Lady Gaga and Bradley Cooper – "Shallow"* 2020: Troye Sivan featuring Kacey Musgraves and Mark Ronson - "Easy"* Awards and nominations References External links Mark Ronson and Boy George 1975 births 20th-century English musicians 21st-century English musicians Allido Records artists APRA Award winners British Ashkenazi Jews Best Original Song Academy Award-winning songwriters Brit Award winners British alternative rock musicians British hip hop DJs Collegiate School (New York) alumni English DJs DJs from London English emigrants to the United States English people of Austrian-Jewish descent English people of Lithuanian-Jewish descent English people of Russian-Jewish descent English multi-instrumentalists English record producers English songwriters Golden Globe Award-winning musicians Grammy Award winners Hip hop record producers Jewish English musicians Jewish hip hop record producers Jewish singers Living people People from Notting Hill People from the Upper West Side M Mark Ronson Silk City (duo) members Sony Music UK artists The Flip Squad members Tisch School of the Arts alumni

C_d5d7c57a056e48fbb1667f80ffeb5358_0

Did this album do well?

Did the album The Record Collection by Mark Ronson do well?

Mark Ronson

In the Spring of 2010, Ronson confirmed the name of his new album Record Collection, and said that he hoped to have it out by September 2010. Additionally, Ronson announced the name of his new band, "The Business Intl.'", which is the alias adopted by Ronson on the third studio album. The first single "Bang Bang Bang". which featured rapper Q-Tip and singer MNDR was released on 12 July 2010, where it peaked at number 6 on the UK Singles Chart, giving Ronson his fourth Top 10 single. The single also entered the Irish Singles Chart, where it peaked at number 18. The second single from the album, "The Bike Song", was 19 September 2010 and features Kyle Falconer from The View and Spank Rock. The album was released on 27 September 2010. This is the first Ronson albums on which he features as a singer. Although Ronson had never met Michael Jackson he was given the vocal track to a song titled "Lovely Way", sung by Michael Jackson, in 2010 to produce for Jackson's posthumous album Michael. He submitted the track, but it did not make the track listing for Michael. Ronson said about the rumours surrounding the vocals on the track (due to the controversy surrounding the Cascio tracks on that same album), "It was definitely him singing. I was given a vocal track to work with but I never actually met Michael. [...] It's in the vein of Elton John's 'Goodbye Yellow Brick Road' and John Lennon's 'Imagine'." He provided the score for the 2011 film Arthur. Ronson was one of the artists featured in the 2012 documentary Re:GENERATION Music Project. His song "A La Modeliste" features Mos Def, Erykah Badu, Trombone Shorty, members of The Dap-Kings, and Zigaboo Modeliste. CANNOTANSWER

CANNOTANSWER

Mark Daniel Ronson (born 4 September 1975) is an English-American DJ, songwriter, record producer, and record executive. He is best known for his collaborations with artists such as Duran Duran, Amy Winehouse, Adele, Lady Gaga, Lily Allen, Robbie Williams, Miley Cyrus, Queens of the Stone Age, Kevin Parker and Bruno Mars. He has received seven Grammy Awards, including Producer of the Year for Winehouse's album Back to Black and two for Record of the Year singles "Rehab" and "Uptown Funk". He received an Academy Award, a Golden Globe Award and a Grammy Award for co-writing the song "Shallow" (performed by Lady Gaga and Bradley Cooper) for the film A Star is Born (2018). Ronson was born in London and raised in New York City. His stepfather is Foreigner guitarist Mick Jones, which contributed to a childhood surrounded by music. While attending New York University, Ronson became a popular DJ in the hip-hop scene. His debut album Here Comes the Fuzz failed to have an effect on the charts. In 2006, he received acclaim for producing albums for Lily Allen, Christina Aguilera, and Amy Winehouse. In 2007, Ronson released his second album, Version. The album reached number two in the UK and included three top ten singles and earned him the Brit Award for British Male Solo Artist. He subsequently released his third studio album, Record Collection, peaking at number two in the UK. In 2014, Ronson released his single "Uptown Funk" featuring vocals from Bruno Mars. The single spent 14 consecutive weeks at number one on the U.S. Billboard Hot 100, seven non-consecutive weeks at number one on the UK Singles Chart and became one of the best-selling singles of all-time. His fourth studio album, Uptown Special, became his most successful album to date. In 2018, he founded his own label, Zelig Records (an imprint of Columbia Records), and formed the duo Silk City with fellow producer Diplo, they released their debut single "Electricity" featuring Dua Lipa for which he received the Grammy Award for Best Dance Recording. In 2015, he became a patron of the Amy Winehouse Foundation, which helps disadvantaged youth through music. He has also worked with the End the Silence campaign to raise money and awareness for the Hope and Homes for Children charity and served as an artist mentor at Turnaround Arts, a national program of the John F. Kennedy Center for the Performing Arts, which helped low-performing schools through arts education. Early life Mark Daniel Ronson was born in Notting Hill, London, England, to Laurence Ronson, a then music manager and publisher, now real estate developer, and Ann Dexter-Jones (née Dexter), a writer, jewelry designer, and socialite. His Ashkenazi Jewish ancestors emigrated from Austria, Lithuania, and Russia. He was brought up in a Conservative Jewish household and celebrated his Bar Mitzvah. After his parents' divorce, his mother married Foreigner guitarist Mick Jones. Of note, Jones wrote Foreigner's hit song "I Want to Know What Love Is" about his burgeoning relationship with Dexter-Jones. Ronson, along with his mother, stepfather, and sisters, moved to New York City when he was eight years old. Living on the Upper West Side of Manhattan, he counted Sean Lennon among his childhood friends. At twelve, being a self-described music nerd, he pestered Rolling Stone founder Jann Wenner into an internship at the magazine. He attended high school at the private Collegiate School in Manhattan before attending Vassar College and then New York University. In 2008, he obtained American citizenship so that he could vote in that year's election. Family He was born into the Ronson family, formerly one of Britain's wealthiest families and founders of Heron International; following success in the 1980s, they lost $1 billion of their wealth in the property crash of the early 1990s. He is the nephew of businessman Gerald Ronson. Through his mother, he is distantly related to British Conservative politicians Sir Malcolm Rifkind and Leon Brittan, and Odeon Cinemas founder Oscar Deutsch. Ronson's has two younger sisters, twins Charlotte Ronson, a fashion designer, and Samantha Ronson, a singer and DJ. Through his mother's second marriage to Mick Jones he has two elder step-siblings and two half-siblings, including actress Annabelle Dexter-Jones. Through his father's second marriage, he has three other half-siblings. Career While attending New York University, Ronson became a regular in the downtown hip hop night life. He became known as a DJ on the New York club scene by 1993, charging $50 per job. He was known for his diverse, genre-spanning selection. He attracted a wide audience by fusing funk, hip hop, and rock and roll into his setlists, and playing songs that were popular in both the United States and the United Kingdom. He was soon popular and sought-after DJ in New York City, frequently booked for high-profile events and private parties. In 1999, Ronson was featured in an ad wearing Tommy Hilfiger denim in the recording studio for an ad campaign for the company. 2001–05: Here Comes the Fuzz and initial producing Mark made the leap from DJ to producer after Nikka Costa's manager, Dominique Trenier, heard one of his sets and introduced the musicians. Ronson produced Costa's song "Everybody Got Their Something," and Ronson soon signed a record contract with Elektra Records. He had already produced tracks for Hilfiger ads and, in 2001, used the connection to have Costa's single "Like a Feather" used in an advertisement. Ronson's debut album, Here Comes the Fuzz, was released in 2003. Despite poor initial sales, it was generally well received by critics. As well as writing the songs on the album, Ronson created the beats, played guitar, keyboards, and bass. The album featured performances from artists from diverse genres, including Mos Def, Jack White, Sean Paul, Nappy Roots and Rivers Cuomo. The lead single and best known song from the album, "Ooh Wee," samples "Sunny" by Boney M and features the rappers Nate Dogg, Ghostface Killah, Trife Da God, and Saigon. The song charted at number 15 on the UK Singles Chart and was used in a number of films, including in Honey (2003) and on its soundtrack. Two weeks after releasing Here Comes the Fuzz, Elektra Records dropped him. In 2004, Ronson formed his own record label, Allido Records, a subsidiary of Sony BMG's J Records, along with his longtime manager Rich Kleiman. The first artist he signed to Allido was rapper Saigon, who later left to sign with Just Blaze's Fort Knox Entertainment. He has signed Rhymefest, most well known for winning the Grammy for co-writing Kanye West's "Jesus Walks." 2006–09: Version On 2 April 2007, Ronson released a cover of The Smiths' track "Stop Me If You Think You've Heard This One Before" under the title "Stop Me", featuring singer Daniel Merriweather. It reached number 2 in the UK singles charts, giving Ronson his highest-peaking single until 2014's "Uptown Funk". Ronson remixed the Bob Dylan song "Most Likely You Go Your Way And I'll Go Mine" in promotion for the three-disc Bob Dylan set titled Dylan released October 2007. Ronson has also produced Candie Payne's "One More Chance (Ronson mix)" in 2007. The album Version was well received by critics particularly in the UK and US. In May 2007 it was awarded the title Album of the Month by the British dance music magazine, Mixmag. On 23 June, Ronson made the cover of The Guardian newspaper's Guide magazine, alongside singer Lily Allen. In June 2007, Ronson signed DC hip hop artist Wale to Allido Records. In late 2007, he focused on production, working with Daniel Merriweather on his debut album, and recording again with Amy Winehouse and Robbie Williams. On 24 October 2007, Ronson performed a one-off set at The Roundhouse in Camden, London as part of the BBC Electric Proms 2007. The performance featured the BBC Concert Orchestra and included special guests Terry Hall, Sean Lennon, Tim Burgess, Alex Greenwald, Ricky Wilson, Charlie Waller, Adele and Kyle Falconer. In December 2007, Ronson received his first Grammy Award nomination, for 'Producer of the Year, Non-Classical'. Ronson's work with Amy Winehouse also received substantial accolades, gaining 6 nominations. Winehouse's "Back to Black" album, mostly produced by Ronson, was nominated for 'Album of the Year' and 'Best Pop Vocal Album'. Her song "Rehab" received nods for 'Best Female Pop Vocal Performance', 'Song of the Year' and 'Record of the Year'. Ronson would go on to win three Grammys: 'Producer of the Year' as well as 'Best Pop Vocal Album' and 'Record of the Year' (the latter two of which he shared with Amy Winehouse) in early February 2008. Ronson is credited as producer on a mixtape album called Man in the Mirror, released in January 2008 by the rapper Rhymefest which is a tribute to the pop star Michael Jackson. The album features Rhymefest appearing to speak to Michael Jackson using archive audio from interviews with the pop star. The same month Ronson received three nominations for the Brit Awards, including 'Best Male Solo Artist,' 'Best Album' (Version) and 'Song of the Year' ("Valerie"). Ronson won his first Brit for 'Best Male Solo Artist' in mid-February 2008 over favourite Mika. He also performed a medley of Coldplay's "God Put a Smile upon Your Face" with Adele, "Stop Me" with Daniel Merriweather, and "Valerie" with Amy Winehouse. The performance allowed for a large boost in sales in the iTunes UK Top 100. "Valerie" would jump almost 30 spots in the days after the event, while "Just", "Stop Me" and "Oh My God" all appeared in the chart as well. That same week, Ronson appeared twice in the UK Top 40, with "Valerie" rebounding to number 13 and "Just" at number 31, his fourth Top 40 entry from "Version". The Brits performance also allowed for "Version" to climb 18 spots to number 4. Around this time, Ronson received his first number one on an international chart (Dutch Top 40) for "Valerie," which spent four consecutive weeks at the top of the chart. He collaborated with Kaiser Chiefs on their third album. Ronson toured the album "Version" extensively through both the UK and Europe during 2008. Notable sold-out performances at The Hammersmith Apollo and Brixton Academy. Ronson is known to champion new upcoming artists on the road with him, such as Sam Sparro and Julian Perretta. Ronson's string backing was provided by the all-female string quartet Demon Strings. On 2 July 2008, in Paris, Mark Ronson performed live with Duran Duran for an invited audience. They played new arrangements by Ronson of some Duran Duran songs, along with tracks from the band's new album, Red Carpet Massacre. Ronson & the Version Players also performed songs from his album Version. Simon LeBon sang. As of March 2009, Ronson was working with the group on their 13th album. The Album, titled All You Need Is Now, was released digitally exclusively via Apple's iTunes on 21 December 2010, while the physical CD was released in March 2011 with additional tracks. In 2013–14 Ronson was once again in the studio producing Duran Duran's 14th album, Paper Gods, making it the first time the band has worked with the same producer on consecutive albums since Colin Thurston produced their first two albums in the 1980s. 2010–12: Record Collection In the Spring of 2010, Ronson confirmed the name of his new album Record Collection, and said that he hoped to have it out by September 2010. Additionally, Ronson announced the name of his new band, "The Business Intl.'", which is the alias adopted by Ronson on the third studio album. The first single "Bang Bang Bang". which featured rapper Q-Tip and singer MNDR was released on 12 July 2010, where it peaked at number 6 on the UK Singles Chart, giving Ronson his fourth Top 10 single. The single also entered the Irish Singles Chart, where it peaked at number 18. The second single from the album, "The Bike Song", was released on 19 September 2010, and features Kyle Falconer from The View and Spank Rock. The album was released on 27 September 2010. This is the first Ronson album on which he features as a singer. Although Ronson had never met Michael Jackson he was given the vocal track to a song titled "Lovely Way", sung by Michael Jackson, in 2010 to produce for Jackson's posthumous album Michael. He submitted the track, but it did not make the tracklisting for Michael. Ronson said about the rumours surrounding the vocals on the track (due to the controversy surrounding the Cascio tracks on that same album), "It was definitely him singing. I was given a vocal track to work with but I never actually met Michael. [...] It's in the vein of Elton John's 'Goodbye Yellow Brick Road' and John Lennon's 'Imagine'." He provided the score for the 2011 film Arthur. Ronson was one of the artists featured in the 2012 documentary Re:GENERATION Music Project. His song "A La Modeliste" features Mos Def, Erykah Badu, Trombone Shorty, members of The Dap-Kings, and Zigaboo Modeliste. 2013–2017: Uptown Special and Amy On 30 October 2014, Ronson announced, via Twitter, a new single from his upcoming album, to be released on 10 November 2014. The single, "Uptown Funk," features Bruno Mars on vocals. On 22 November 2014, Ronson and Mars appeared as the musical guest on Saturday Night Live performing "Uptown Funk" and "Feel Right" (featuring Mystikal). "Uptown Funk" reached number one in the UK and US singles charts, and also became the all-time most streamed track in a single week in the UK, having been streamed a record 2.49 million times in a week. "Uptown Funk" reached the top 10 in nearly every country it charted; it spent fifteen weeks at number one on the Canadian Hot 100, fourteen weeks at number one on the Billboard Hot 100, and seven weeks at number one on the UK Singles Chart. In February 2015 the song won Ronson the Brit Award for British Single of the Year. As of November 2021, the song's music video on YouTube has amassed over 4.3 billion views. In 2015, Ronson starred in the documentary film Amy about his late friend Amy Winehouse. His voice features in the film where he talks about his career and relationship with Winehouse and there is footage of Ronson from the recording session of the single "Back to Black" from March 2006 and also at Winehouse's funeral in London in July 2011. On 16 October 2015, Ronson became a patron of the Amy Winehouse Foundation. In January 2016, Ronson was nominated for two Brit Awards; Best British Male Solo Artist, and British Producer of the Year, at the 2016 Brit Awards. At the 2016 Grammy Awards Ronson won two awards for "Uptown Funk", including Record of the Year. Jason Iley, the head of Sony Music UK and Ronson's UK label Columbia Records, hailed Ronson as "a true gentleman" and "one of the most considerate, kind and humble artists in our industry." He added, "the monumental success of Uptown Funk is so thoroughly deserved and has established itself as, not only one of the Records of the Year but of our lifetime." He went on to executive produce Lady Gaga's fifth album Joanne. Ronson produced the Queens of the Stone Age's 2017 album Villains. 2018–present: Silk City, "Shallow" and Late Night Feelings In 2018, Ronson founded his own label, Zelig Records, an imprint of Columbia Records and the first artist he signed was singer King Princess. He also formed the duo Silk City with fellow producer Diplo. Their first single "Electricity" featuring Dua Lipa was released on 6 September and peaked at the US Dance Club Songs and received the Grammy Award for Best Dance Recording at the 61st Annual Grammy Awards. In May 2018, it was revealed that Ronson was working with Miley Cyrus in the studio. Their first collaboration "Nothing Breaks Like a Heart" was released in November 2018. Ronson also co-wrote the song "Shallow" for the film A Star Is Born with his frequent collaborators Lady Gaga, Andrew Wyatt, and Anthony Rossomando. The song earned Ronson an Academy Award and the Golden Globe Award for Best Original Song, as well as two Grammy nominations, winning the Grammy Award for Best Song Written for Visual Media. On 12 April 2019, it was announced that Mark Ronson would release his fifth album Late Night Feelings, on 26 June 2019. The album features Miley Cyrus, Angel Olsen, Lykke Li and Camila Cabello. Ronson has described the album as a collection of "sad bangers," with the title track laying down a warm mid-tempo dance groove under Li's melancholy vocals. On 12 October 2019, BBC Two broadcast the documentary Mark Ronson: From the Heart, directed by Carl Hindmarch. In June of 2021, Ronson, along with Foo Fighters shared a "re-verson" of the Foo Fighters then latest single Making a Fire. Personal life Ronson divides his time between London, Los Angeles, and New York. Since childhood, he has been a fan of English Premier League football club Chelsea F.C. and is also a fan of the New York Knicks basketball team. In 2009, Ronson was voted the most stylish man in the UK by GQ magazine. In 2011, a portrait of Ronson was painted by British artist Joe Simpson; the painting was exhibited around the UK, including a solo exhibition at the Royal Albert Hall in London. In 2015 he was named one of the magazine's 50 best dressed British men. > On 20 August 2019, Ronson, along with several other celebrities, invested in a funding round for Lowell Herb Co, a California cannabis brand. He is known to be "a dedicated cannabis consumer". Relationships In 2002, Ronson began dating the actress-singer Rashida Jones. They became engaged in March 2003, with Ronson proposing by creating a crossword puzzle with the message "Will you marry me." Their relationship ended approximately one year later. On 3 September 2011, Ronson married French actress and singer Joséphine de La Baume, who had previously appeared in the music video for "The Bike Song". On 16 May 2017, it was reported that de La Baume had filed for divorce from Ronson, listing the separation date as 21 April 2017. The divorce was finalized in October 2018. On 4 September 2021, Ronson announced his marriage to actress Grace Gummer, after a year of dating. Lawsuit In 2017, Lastrada Entertainment claimed that "Uptown Funk" infringed the copyright of Zapp & Roger's 1980 hit song "More Bounce to the Ounce". A total of three lawsuits had been filed by different parties. Discography Here Comes the Fuzz (2003) Version (2007) Record Collection (with The Business Intl.) (2010) Uptown Special (2015) Late Night Feelings (2019) Filmography Zoolander (2001) – Himself Amy (2015) – Himself Gaga: Five Foot Two (2017) – Himself Spies in Disguise (2019) – Agency Control Room Technician (cameo) Videos Ronson created a video, along with directors Gary Breslin and Jordan Galland, called Circuit Breaker, which was an homage to the video game The Legend of Zelda: A Link to the Past. In 2001, Ronson appeared in the Aaliyah music video "More Than a Woman" as a DJ. On 30 July 2021, the documentary series Watch the Sound with Mark Ronson was released on Apple TV+. Production discography Adapted from AllMusic. Bold denotes a commercial single. Other singles 1997: Posse-O – "It's Up to You..."* 1998: Powerule – "Heatin' Up"* 1998: Powerule – "Rhymes to Bust" / "It's Your Right"* 2002: J-Live – "School's In"* 2004: Daniel Merriweather – "City Rules"* 2004: Daniel Merriweather – "She's Got Me"* 2005: Rhymefest – "These Days"* 2005: Rhymefest – "Brand New"* 2007: Candie Payne – "One More Chance"* 2007: Bob Dylan – "Most Likely You Go Your Way (And I'll Go Mine) (Mark Ronson Re-version)"* 2008: Leon Jean-Marie – "Bed of Nails"* 2008: Kaiser Chiefs – "Never Miss a Beat"* 2008: Wiley – "Cash in My Pocket"* 2008: Kaiser Chiefs – "Good Days Bad Days"* 2009: Daniel Merriweather – "Change"* 2009: Daniel Merriweather – "Red"* 2009: Daniel Merriweather – "Impossible" 2012: Rufus Wainwright – "Out of the Game"* 2012: Rufus Wainwright – "Jericho"* 2013: Giggs – "(Is It Gangsta?) Yes Yes Yes"* 2015: Duran Duran featuring Janelle Monáe and Nile Rodgers – "Pressure Off"* 2016: Various Artists – "Hands"* 2018: Michael Jackson - "Diamonds Are Invincible"* (Mash-Up) 2018: Silk City - "Electricity"* featuring Dua Lipa, Diplo and Mark Ronson 2018: Lady Gaga and Bradley Cooper – "Shallow"* 2020: Troye Sivan featuring Kacey Musgraves and Mark Ronson - "Easy"* Awards and nominations References External links Mark Ronson and Boy George 1975 births 20th-century English musicians 21st-century English musicians Allido Records artists APRA Award winners British Ashkenazi Jews Best Original Song Academy Award-winning songwriters Brit Award winners British alternative rock musicians British hip hop DJs Collegiate School (New York) alumni English DJs DJs from London English emigrants to the United States English people of Austrian-Jewish descent English people of Lithuanian-Jewish descent English people of Russian-Jewish descent English multi-instrumentalists English record producers English songwriters Golden Globe Award-winning musicians Grammy Award winners Hip hop record producers Jewish English musicians Jewish hip hop record producers Jewish singers Living people People from Notting Hill People from the Upper West Side M Mark Ronson Silk City (duo) members Sony Music UK artists The Flip Squad members Tisch School of the Arts alumni

C_d5d7c57a056e48fbb1667f80ffeb5358_0

Were there any hit songs?

Were there any hit songs on the Record Collection by Mark Ronson?

Mark Ronson

In the Spring of 2010, Ronson confirmed the name of his new album Record Collection, and said that he hoped to have it out by September 2010. Additionally, Ronson announced the name of his new band, "The Business Intl.'", which is the alias adopted by Ronson on the third studio album. The first single "Bang Bang Bang". which featured rapper Q-Tip and singer MNDR was released on 12 July 2010, where it peaked at number 6 on the UK Singles Chart, giving Ronson his fourth Top 10 single. The single also entered the Irish Singles Chart, where it peaked at number 18. The second single from the album, "The Bike Song", was 19 September 2010 and features Kyle Falconer from The View and Spank Rock. The album was released on 27 September 2010. This is the first Ronson albums on which he features as a singer. Although Ronson had never met Michael Jackson he was given the vocal track to a song titled "Lovely Way", sung by Michael Jackson, in 2010 to produce for Jackson's posthumous album Michael. He submitted the track, but it did not make the track listing for Michael. Ronson said about the rumours surrounding the vocals on the track (due to the controversy surrounding the Cascio tracks on that same album), "It was definitely him singing. I was given a vocal track to work with but I never actually met Michael. [...] It's in the vein of Elton John's 'Goodbye Yellow Brick Road' and John Lennon's 'Imagine'." He provided the score for the 2011 film Arthur. Ronson was one of the artists featured in the 2012 documentary Re:GENERATION Music Project. His song "A La Modeliste" features Mos Def, Erykah Badu, Trombone Shorty, members of The Dap-Kings, and Zigaboo Modeliste. CANNOTANSWER

The first single "Bang Bang Bang". which featured rapper Q-Tip and singer MNDR was released on 12 July 2010, where it peaked at number 6 on the UK Singles Chart,

Mark Daniel Ronson (born 4 September 1975) is an English-American DJ, songwriter, record producer, and record executive. He is best known for his collaborations with artists such as Duran Duran, Amy Winehouse, Adele, Lady Gaga, Lily Allen, Robbie Williams, Miley Cyrus, Queens of the Stone Age, Kevin Parker and Bruno Mars. He has received seven Grammy Awards, including Producer of the Year for Winehouse's album Back to Black and two for Record of the Year singles "Rehab" and "Uptown Funk". He received an Academy Award, a Golden Globe Award and a Grammy Award for co-writing the song "Shallow" (performed by Lady Gaga and Bradley Cooper) for the film A Star is Born (2018). Ronson was born in London and raised in New York City. His stepfather is Foreigner guitarist Mick Jones, which contributed to a childhood surrounded by music. While attending New York University, Ronson became a popular DJ in the hip-hop scene. His debut album Here Comes the Fuzz failed to have an effect on the charts. In 2006, he received acclaim for producing albums for Lily Allen, Christina Aguilera, and Amy Winehouse. In 2007, Ronson released his second album, Version. The album reached number two in the UK and included three top ten singles and earned him the Brit Award for British Male Solo Artist. He subsequently released his third studio album, Record Collection, peaking at number two in the UK. In 2014, Ronson released his single "Uptown Funk" featuring vocals from Bruno Mars. The single spent 14 consecutive weeks at number one on the U.S. Billboard Hot 100, seven non-consecutive weeks at number one on the UK Singles Chart and became one of the best-selling singles of all-time. His fourth studio album, Uptown Special, became his most successful album to date. In 2018, he founded his own label, Zelig Records (an imprint of Columbia Records), and formed the duo Silk City with fellow producer Diplo, they released their debut single "Electricity" featuring Dua Lipa for which he received the Grammy Award for Best Dance Recording. In 2015, he became a patron of the Amy Winehouse Foundation, which helps disadvantaged youth through music. He has also worked with the End the Silence campaign to raise money and awareness for the Hope and Homes for Children charity and served as an artist mentor at Turnaround Arts, a national program of the John F. Kennedy Center for the Performing Arts, which helped low-performing schools through arts education. Early life Mark Daniel Ronson was born in Notting Hill, London, England, to Laurence Ronson, a then music manager and publisher, now real estate developer, and Ann Dexter-Jones (née Dexter), a writer, jewelry designer, and socialite. His Ashkenazi Jewish ancestors emigrated from Austria, Lithuania, and Russia. He was brought up in a Conservative Jewish household and celebrated his Bar Mitzvah. After his parents' divorce, his mother married Foreigner guitarist Mick Jones. Of note, Jones wrote Foreigner's hit song "I Want to Know What Love Is" about his burgeoning relationship with Dexter-Jones. Ronson, along with his mother, stepfather, and sisters, moved to New York City when he was eight years old. Living on the Upper West Side of Manhattan, he counted Sean Lennon among his childhood friends. At twelve, being a self-described music nerd, he pestered Rolling Stone founder Jann Wenner into an internship at the magazine. He attended high school at the private Collegiate School in Manhattan before attending Vassar College and then New York University. In 2008, he obtained American citizenship so that he could vote in that year's election. Family He was born into the Ronson family, formerly one of Britain's wealthiest families and founders of Heron International; following success in the 1980s, they lost $1 billion of their wealth in the property crash of the early 1990s. He is the nephew of businessman Gerald Ronson. Through his mother, he is distantly related to British Conservative politicians Sir Malcolm Rifkind and Leon Brittan, and Odeon Cinemas founder Oscar Deutsch. Ronson's has two younger sisters, twins Charlotte Ronson, a fashion designer, and Samantha Ronson, a singer and DJ. Through his mother's second marriage to Mick Jones he has two elder step-siblings and two half-siblings, including actress Annabelle Dexter-Jones. Through his father's second marriage, he has three other half-siblings. Career While attending New York University, Ronson became a regular in the downtown hip hop night life. He became known as a DJ on the New York club scene by 1993, charging $50 per job. He was known for his diverse, genre-spanning selection. He attracted a wide audience by fusing funk, hip hop, and rock and roll into his setlists, and playing songs that were popular in both the United States and the United Kingdom. He was soon popular and sought-after DJ in New York City, frequently booked for high-profile events and private parties. In 1999, Ronson was featured in an ad wearing Tommy Hilfiger denim in the recording studio for an ad campaign for the company. 2001–05: Here Comes the Fuzz and initial producing Mark made the leap from DJ to producer after Nikka Costa's manager, Dominique Trenier, heard one of his sets and introduced the musicians. Ronson produced Costa's song "Everybody Got Their Something," and Ronson soon signed a record contract with Elektra Records. He had already produced tracks for Hilfiger ads and, in 2001, used the connection to have Costa's single "Like a Feather" used in an advertisement. Ronson's debut album, Here Comes the Fuzz, was released in 2003. Despite poor initial sales, it was generally well received by critics. As well as writing the songs on the album, Ronson created the beats, played guitar, keyboards, and bass. The album featured performances from artists from diverse genres, including Mos Def, Jack White, Sean Paul, Nappy Roots and Rivers Cuomo. The lead single and best known song from the album, "Ooh Wee," samples "Sunny" by Boney M and features the rappers Nate Dogg, Ghostface Killah, Trife Da God, and Saigon. The song charted at number 15 on the UK Singles Chart and was used in a number of films, including in Honey (2003) and on its soundtrack. Two weeks after releasing Here Comes the Fuzz, Elektra Records dropped him. In 2004, Ronson formed his own record label, Allido Records, a subsidiary of Sony BMG's J Records, along with his longtime manager Rich Kleiman. The first artist he signed to Allido was rapper Saigon, who later left to sign with Just Blaze's Fort Knox Entertainment. He has signed Rhymefest, most well known for winning the Grammy for co-writing Kanye West's "Jesus Walks." 2006–09: Version On 2 April 2007, Ronson released a cover of The Smiths' track "Stop Me If You Think You've Heard This One Before" under the title "Stop Me", featuring singer Daniel Merriweather. It reached number 2 in the UK singles charts, giving Ronson his highest-peaking single until 2014's "Uptown Funk". Ronson remixed the Bob Dylan song "Most Likely You Go Your Way And I'll Go Mine" in promotion for the three-disc Bob Dylan set titled Dylan released October 2007. Ronson has also produced Candie Payne's "One More Chance (Ronson mix)" in 2007. The album Version was well received by critics particularly in the UK and US. In May 2007 it was awarded the title Album of the Month by the British dance music magazine, Mixmag. On 23 June, Ronson made the cover of The Guardian newspaper's Guide magazine, alongside singer Lily Allen. In June 2007, Ronson signed DC hip hop artist Wale to Allido Records. In late 2007, he focused on production, working with Daniel Merriweather on his debut album, and recording again with Amy Winehouse and Robbie Williams. On 24 October 2007, Ronson performed a one-off set at The Roundhouse in Camden, London as part of the BBC Electric Proms 2007. The performance featured the BBC Concert Orchestra and included special guests Terry Hall, Sean Lennon, Tim Burgess, Alex Greenwald, Ricky Wilson, Charlie Waller, Adele and Kyle Falconer. In December 2007, Ronson received his first Grammy Award nomination, for 'Producer of the Year, Non-Classical'. Ronson's work with Amy Winehouse also received substantial accolades, gaining 6 nominations. Winehouse's "Back to Black" album, mostly produced by Ronson, was nominated for 'Album of the Year' and 'Best Pop Vocal Album'. Her song "Rehab" received nods for 'Best Female Pop Vocal Performance', 'Song of the Year' and 'Record of the Year'. Ronson would go on to win three Grammys: 'Producer of the Year' as well as 'Best Pop Vocal Album' and 'Record of the Year' (the latter two of which he shared with Amy Winehouse) in early February 2008. Ronson is credited as producer on a mixtape album called Man in the Mirror, released in January 2008 by the rapper Rhymefest which is a tribute to the pop star Michael Jackson. The album features Rhymefest appearing to speak to Michael Jackson using archive audio from interviews with the pop star. The same month Ronson received three nominations for the Brit Awards, including 'Best Male Solo Artist,' 'Best Album' (Version) and 'Song of the Year' ("Valerie"). Ronson won his first Brit for 'Best Male Solo Artist' in mid-February 2008 over favourite Mika. He also performed a medley of Coldplay's "God Put a Smile upon Your Face" with Adele, "Stop Me" with Daniel Merriweather, and "Valerie" with Amy Winehouse. The performance allowed for a large boost in sales in the iTunes UK Top 100. "Valerie" would jump almost 30 spots in the days after the event, while "Just", "Stop Me" and "Oh My God" all appeared in the chart as well. That same week, Ronson appeared twice in the UK Top 40, with "Valerie" rebounding to number 13 and "Just" at number 31, his fourth Top 40 entry from "Version". The Brits performance also allowed for "Version" to climb 18 spots to number 4. Around this time, Ronson received his first number one on an international chart (Dutch Top 40) for "Valerie," which spent four consecutive weeks at the top of the chart. He collaborated with Kaiser Chiefs on their third album. Ronson toured the album "Version" extensively through both the UK and Europe during 2008. Notable sold-out performances at The Hammersmith Apollo and Brixton Academy. Ronson is known to champion new upcoming artists on the road with him, such as Sam Sparro and Julian Perretta. Ronson's string backing was provided by the all-female string quartet Demon Strings. On 2 July 2008, in Paris, Mark Ronson performed live with Duran Duran for an invited audience. They played new arrangements by Ronson of some Duran Duran songs, along with tracks from the band's new album, Red Carpet Massacre. Ronson & the Version Players also performed songs from his album Version. Simon LeBon sang. As of March 2009, Ronson was working with the group on their 13th album. The Album, titled All You Need Is Now, was released digitally exclusively via Apple's iTunes on 21 December 2010, while the physical CD was released in March 2011 with additional tracks. In 2013–14 Ronson was once again in the studio producing Duran Duran's 14th album, Paper Gods, making it the first time the band has worked with the same producer on consecutive albums since Colin Thurston produced their first two albums in the 1980s. 2010–12: Record Collection In the Spring of 2010, Ronson confirmed the name of his new album Record Collection, and said that he hoped to have it out by September 2010. Additionally, Ronson announced the name of his new band, "The Business Intl.'", which is the alias adopted by Ronson on the third studio album. The first single "Bang Bang Bang". which featured rapper Q-Tip and singer MNDR was released on 12 July 2010, where it peaked at number 6 on the UK Singles Chart, giving Ronson his fourth Top 10 single. The single also entered the Irish Singles Chart, where it peaked at number 18. The second single from the album, "The Bike Song", was released on 19 September 2010, and features Kyle Falconer from The View and Spank Rock. The album was released on 27 September 2010. This is the first Ronson album on which he features as a singer. Although Ronson had never met Michael Jackson he was given the vocal track to a song titled "Lovely Way", sung by Michael Jackson, in 2010 to produce for Jackson's posthumous album Michael. He submitted the track, but it did not make the tracklisting for Michael. Ronson said about the rumours surrounding the vocals on the track (due to the controversy surrounding the Cascio tracks on that same album), "It was definitely him singing. I was given a vocal track to work with but I never actually met Michael. [...] It's in the vein of Elton John's 'Goodbye Yellow Brick Road' and John Lennon's 'Imagine'." He provided the score for the 2011 film Arthur. Ronson was one of the artists featured in the 2012 documentary Re:GENERATION Music Project. His song "A La Modeliste" features Mos Def, Erykah Badu, Trombone Shorty, members of The Dap-Kings, and Zigaboo Modeliste. 2013–2017: Uptown Special and Amy On 30 October 2014, Ronson announced, via Twitter, a new single from his upcoming album, to be released on 10 November 2014. The single, "Uptown Funk," features Bruno Mars on vocals. On 22 November 2014, Ronson and Mars appeared as the musical guest on Saturday Night Live performing "Uptown Funk" and "Feel Right" (featuring Mystikal). "Uptown Funk" reached number one in the UK and US singles charts, and also became the all-time most streamed track in a single week in the UK, having been streamed a record 2.49 million times in a week. "Uptown Funk" reached the top 10 in nearly every country it charted; it spent fifteen weeks at number one on the Canadian Hot 100, fourteen weeks at number one on the Billboard Hot 100, and seven weeks at number one on the UK Singles Chart. In February 2015 the song won Ronson the Brit Award for British Single of the Year. As of November 2021, the song's music video on YouTube has amassed over 4.3 billion views. In 2015, Ronson starred in the documentary film Amy about his late friend Amy Winehouse. His voice features in the film where he talks about his career and relationship with Winehouse and there is footage of Ronson from the recording session of the single "Back to Black" from March 2006 and also at Winehouse's funeral in London in July 2011. On 16 October 2015, Ronson became a patron of the Amy Winehouse Foundation. In January 2016, Ronson was nominated for two Brit Awards; Best British Male Solo Artist, and British Producer of the Year, at the 2016 Brit Awards. At the 2016 Grammy Awards Ronson won two awards for "Uptown Funk", including Record of the Year. Jason Iley, the head of Sony Music UK and Ronson's UK label Columbia Records, hailed Ronson as "a true gentleman" and "one of the most considerate, kind and humble artists in our industry." He added, "the monumental success of Uptown Funk is so thoroughly deserved and has established itself as, not only one of the Records of the Year but of our lifetime." He went on to executive produce Lady Gaga's fifth album Joanne. Ronson produced the Queens of the Stone Age's 2017 album Villains. 2018–present: Silk City, "Shallow" and Late Night Feelings In 2018, Ronson founded his own label, Zelig Records, an imprint of Columbia Records and the first artist he signed was singer King Princess. He also formed the duo Silk City with fellow producer Diplo. Their first single "Electricity" featuring Dua Lipa was released on 6 September and peaked at the US Dance Club Songs and received the Grammy Award for Best Dance Recording at the 61st Annual Grammy Awards. In May 2018, it was revealed that Ronson was working with Miley Cyrus in the studio. Their first collaboration "Nothing Breaks Like a Heart" was released in November 2018. Ronson also co-wrote the song "Shallow" for the film A Star Is Born with his frequent collaborators Lady Gaga, Andrew Wyatt, and Anthony Rossomando. The song earned Ronson an Academy Award and the Golden Globe Award for Best Original Song, as well as two Grammy nominations, winning the Grammy Award for Best Song Written for Visual Media. On 12 April 2019, it was announced that Mark Ronson would release his fifth album Late Night Feelings, on 26 June 2019. The album features Miley Cyrus, Angel Olsen, Lykke Li and Camila Cabello. Ronson has described the album as a collection of "sad bangers," with the title track laying down a warm mid-tempo dance groove under Li's melancholy vocals. On 12 October 2019, BBC Two broadcast the documentary Mark Ronson: From the Heart, directed by Carl Hindmarch. In June of 2021, Ronson, along with Foo Fighters shared a "re-verson" of the Foo Fighters then latest single Making a Fire. Personal life Ronson divides his time between London, Los Angeles, and New York. Since childhood, he has been a fan of English Premier League football club Chelsea F.C. and is also a fan of the New York Knicks basketball team. In 2009, Ronson was voted the most stylish man in the UK by GQ magazine. In 2011, a portrait of Ronson was painted by British artist Joe Simpson; the painting was exhibited around the UK, including a solo exhibition at the Royal Albert Hall in London. In 2015 he was named one of the magazine's 50 best dressed British men. > On 20 August 2019, Ronson, along with several other celebrities, invested in a funding round for Lowell Herb Co, a California cannabis brand. He is known to be "a dedicated cannabis consumer". Relationships In 2002, Ronson began dating the actress-singer Rashida Jones. They became engaged in March 2003, with Ronson proposing by creating a crossword puzzle with the message "Will you marry me." Their relationship ended approximately one year later. On 3 September 2011, Ronson married French actress and singer Joséphine de La Baume, who had previously appeared in the music video for "The Bike Song". On 16 May 2017, it was reported that de La Baume had filed for divorce from Ronson, listing the separation date as 21 April 2017. The divorce was finalized in October 2018. On 4 September 2021, Ronson announced his marriage to actress Grace Gummer, after a year of dating. Lawsuit In 2017, Lastrada Entertainment claimed that "Uptown Funk" infringed the copyright of Zapp & Roger's 1980 hit song "More Bounce to the Ounce". A total of three lawsuits had been filed by different parties. Discography Here Comes the Fuzz (2003) Version (2007) Record Collection (with The Business Intl.) (2010) Uptown Special (2015) Late Night Feelings (2019) Filmography Zoolander (2001) – Himself Amy (2015) – Himself Gaga: Five Foot Two (2017) – Himself Spies in Disguise (2019) – Agency Control Room Technician (cameo) Videos Ronson created a video, along with directors Gary Breslin and Jordan Galland, called Circuit Breaker, which was an homage to the video game The Legend of Zelda: A Link to the Past. In 2001, Ronson appeared in the Aaliyah music video "More Than a Woman" as a DJ. On 30 July 2021, the documentary series Watch the Sound with Mark Ronson was released on Apple TV+. Production discography Adapted from AllMusic. Bold denotes a commercial single. Other singles 1997: Posse-O – "It's Up to You..."* 1998: Powerule – "Heatin' Up"* 1998: Powerule – "Rhymes to Bust" / "It's Your Right"* 2002: J-Live – "School's In"* 2004: Daniel Merriweather – "City Rules"* 2004: Daniel Merriweather – "She's Got Me"* 2005: Rhymefest – "These Days"* 2005: Rhymefest – "Brand New"* 2007: Candie Payne – "One More Chance"* 2007: Bob Dylan – "Most Likely You Go Your Way (And I'll Go Mine) (Mark Ronson Re-version)"* 2008: Leon Jean-Marie – "Bed of Nails"* 2008: Kaiser Chiefs – "Never Miss a Beat"* 2008: Wiley – "Cash in My Pocket"* 2008: Kaiser Chiefs – "Good Days Bad Days"* 2009: Daniel Merriweather – "Change"* 2009: Daniel Merriweather – "Red"* 2009: Daniel Merriweather – "Impossible" 2012: Rufus Wainwright – "Out of the Game"* 2012: Rufus Wainwright – "Jericho"* 2013: Giggs – "(Is It Gangsta?) Yes Yes Yes"* 2015: Duran Duran featuring Janelle Monáe and Nile Rodgers – "Pressure Off"* 2016: Various Artists – "Hands"* 2018: Michael Jackson - "Diamonds Are Invincible"* (Mash-Up) 2018: Silk City - "Electricity"* featuring Dua Lipa, Diplo and Mark Ronson 2018: Lady Gaga and Bradley Cooper – "Shallow"* 2020: Troye Sivan featuring Kacey Musgraves and Mark Ronson - "Easy"* Awards and nominations References External links Mark Ronson and Boy George 1975 births 20th-century English musicians 21st-century English musicians Allido Records artists APRA Award winners British Ashkenazi Jews Best Original Song Academy Award-winning songwriters Brit Award winners British alternative rock musicians British hip hop DJs Collegiate School (New York) alumni English DJs DJs from London English emigrants to the United States English people of Austrian-Jewish descent English people of Lithuanian-Jewish descent English people of Russian-Jewish descent English multi-instrumentalists English record producers English songwriters Golden Globe Award-winning musicians Grammy Award winners Hip hop record producers Jewish English musicians Jewish hip hop record producers Jewish singers Living people People from Notting Hill People from the Upper West Side M Mark Ronson Silk City (duo) members Sony Music UK artists The Flip Squad members Tisch School of the Arts alumni

C_d5d7c57a056e48fbb1667f80ffeb5358_0

What other songs reached the charts?

Besides "Bang Bang Bang", what other songs on The Record Collection reached the charts?

Mark Ronson

In the Spring of 2010, Ronson confirmed the name of his new album Record Collection, and said that he hoped to have it out by September 2010. Additionally, Ronson announced the name of his new band, "The Business Intl.'", which is the alias adopted by Ronson on the third studio album. The first single "Bang Bang Bang". which featured rapper Q-Tip and singer MNDR was released on 12 July 2010, where it peaked at number 6 on the UK Singles Chart, giving Ronson his fourth Top 10 single. The single also entered the Irish Singles Chart, where it peaked at number 18. The second single from the album, "The Bike Song", was 19 September 2010 and features Kyle Falconer from The View and Spank Rock. The album was released on 27 September 2010. This is the first Ronson albums on which he features as a singer. Although Ronson had never met Michael Jackson he was given the vocal track to a song titled "Lovely Way", sung by Michael Jackson, in 2010 to produce for Jackson's posthumous album Michael. He submitted the track, but it did not make the track listing for Michael. Ronson said about the rumours surrounding the vocals on the track (due to the controversy surrounding the Cascio tracks on that same album), "It was definitely him singing. I was given a vocal track to work with but I never actually met Michael. [...] It's in the vein of Elton John's 'Goodbye Yellow Brick Road' and John Lennon's 'Imagine'." He provided the score for the 2011 film Arthur. Ronson was one of the artists featured in the 2012 documentary Re:GENERATION Music Project. His song "A La Modeliste" features Mos Def, Erykah Badu, Trombone Shorty, members of The Dap-Kings, and Zigaboo Modeliste. CANNOTANSWER

The second single from the album, "The Bike Song", was 19 September 2010

Mark Daniel Ronson (born 4 September 1975) is an English-American DJ, songwriter, record producer, and record executive. He is best known for his collaborations with artists such as Duran Duran, Amy Winehouse, Adele, Lady Gaga, Lily Allen, Robbie Williams, Miley Cyrus, Queens of the Stone Age, Kevin Parker and Bruno Mars. He has received seven Grammy Awards, including Producer of the Year for Winehouse's album Back to Black and two for Record of the Year singles "Rehab" and "Uptown Funk". He received an Academy Award, a Golden Globe Award and a Grammy Award for co-writing the song "Shallow" (performed by Lady Gaga and Bradley Cooper) for the film A Star is Born (2018). Ronson was born in London and raised in New York City. His stepfather is Foreigner guitarist Mick Jones, which contributed to a childhood surrounded by music. While attending New York University, Ronson became a popular DJ in the hip-hop scene. His debut album Here Comes the Fuzz failed to have an effect on the charts. In 2006, he received acclaim for producing albums for Lily Allen, Christina Aguilera, and Amy Winehouse. In 2007, Ronson released his second album, Version. The album reached number two in the UK and included three top ten singles and earned him the Brit Award for British Male Solo Artist. He subsequently released his third studio album, Record Collection, peaking at number two in the UK. In 2014, Ronson released his single "Uptown Funk" featuring vocals from Bruno Mars. The single spent 14 consecutive weeks at number one on the U.S. Billboard Hot 100, seven non-consecutive weeks at number one on the UK Singles Chart and became one of the best-selling singles of all-time. His fourth studio album, Uptown Special, became his most successful album to date. In 2018, he founded his own label, Zelig Records (an imprint of Columbia Records), and formed the duo Silk City with fellow producer Diplo, they released their debut single "Electricity" featuring Dua Lipa for which he received the Grammy Award for Best Dance Recording. In 2015, he became a patron of the Amy Winehouse Foundation, which helps disadvantaged youth through music. He has also worked with the End the Silence campaign to raise money and awareness for the Hope and Homes for Children charity and served as an artist mentor at Turnaround Arts, a national program of the John F. Kennedy Center for the Performing Arts, which helped low-performing schools through arts education. Early life Mark Daniel Ronson was born in Notting Hill, London, England, to Laurence Ronson, a then music manager and publisher, now real estate developer, and Ann Dexter-Jones (née Dexter), a writer, jewelry designer, and socialite. His Ashkenazi Jewish ancestors emigrated from Austria, Lithuania, and Russia. He was brought up in a Conservative Jewish household and celebrated his Bar Mitzvah. After his parents' divorce, his mother married Foreigner guitarist Mick Jones. Of note, Jones wrote Foreigner's hit song "I Want to Know What Love Is" about his burgeoning relationship with Dexter-Jones. Ronson, along with his mother, stepfather, and sisters, moved to New York City when he was eight years old. Living on the Upper West Side of Manhattan, he counted Sean Lennon among his childhood friends. At twelve, being a self-described music nerd, he pestered Rolling Stone founder Jann Wenner into an internship at the magazine. He attended high school at the private Collegiate School in Manhattan before attending Vassar College and then New York University. In 2008, he obtained American citizenship so that he could vote in that year's election. Family He was born into the Ronson family, formerly one of Britain's wealthiest families and founders of Heron International; following success in the 1980s, they lost $1 billion of their wealth in the property crash of the early 1990s. He is the nephew of businessman Gerald Ronson. Through his mother, he is distantly related to British Conservative politicians Sir Malcolm Rifkind and Leon Brittan, and Odeon Cinemas founder Oscar Deutsch. Ronson's has two younger sisters, twins Charlotte Ronson, a fashion designer, and Samantha Ronson, a singer and DJ. Through his mother's second marriage to Mick Jones he has two elder step-siblings and two half-siblings, including actress Annabelle Dexter-Jones. Through his father's second marriage, he has three other half-siblings. Career While attending New York University, Ronson became a regular in the downtown hip hop night life. He became known as a DJ on the New York club scene by 1993, charging $50 per job. He was known for his diverse, genre-spanning selection. He attracted a wide audience by fusing funk, hip hop, and rock and roll into his setlists, and playing songs that were popular in both the United States and the United Kingdom. He was soon popular and sought-after DJ in New York City, frequently booked for high-profile events and private parties. In 1999, Ronson was featured in an ad wearing Tommy Hilfiger denim in the recording studio for an ad campaign for the company. 2001–05: Here Comes the Fuzz and initial producing Mark made the leap from DJ to producer after Nikka Costa's manager, Dominique Trenier, heard one of his sets and introduced the musicians. Ronson produced Costa's song "Everybody Got Their Something," and Ronson soon signed a record contract with Elektra Records. He had already produced tracks for Hilfiger ads and, in 2001, used the connection to have Costa's single "Like a Feather" used in an advertisement. Ronson's debut album, Here Comes the Fuzz, was released in 2003. Despite poor initial sales, it was generally well received by critics. As well as writing the songs on the album, Ronson created the beats, played guitar, keyboards, and bass. The album featured performances from artists from diverse genres, including Mos Def, Jack White, Sean Paul, Nappy Roots and Rivers Cuomo. The lead single and best known song from the album, "Ooh Wee," samples "Sunny" by Boney M and features the rappers Nate Dogg, Ghostface Killah, Trife Da God, and Saigon. The song charted at number 15 on the UK Singles Chart and was used in a number of films, including in Honey (2003) and on its soundtrack. Two weeks after releasing Here Comes the Fuzz, Elektra Records dropped him. In 2004, Ronson formed his own record label, Allido Records, a subsidiary of Sony BMG's J Records, along with his longtime manager Rich Kleiman. The first artist he signed to Allido was rapper Saigon, who later left to sign with Just Blaze's Fort Knox Entertainment. He has signed Rhymefest, most well known for winning the Grammy for co-writing Kanye West's "Jesus Walks." 2006–09: Version On 2 April 2007, Ronson released a cover of The Smiths' track "Stop Me If You Think You've Heard This One Before" under the title "Stop Me", featuring singer Daniel Merriweather. It reached number 2 in the UK singles charts, giving Ronson his highest-peaking single until 2014's "Uptown Funk". Ronson remixed the Bob Dylan song "Most Likely You Go Your Way And I'll Go Mine" in promotion for the three-disc Bob Dylan set titled Dylan released October 2007. Ronson has also produced Candie Payne's "One More Chance (Ronson mix)" in 2007. The album Version was well received by critics particularly in the UK and US. In May 2007 it was awarded the title Album of the Month by the British dance music magazine, Mixmag. On 23 June, Ronson made the cover of The Guardian newspaper's Guide magazine, alongside singer Lily Allen. In June 2007, Ronson signed DC hip hop artist Wale to Allido Records. In late 2007, he focused on production, working with Daniel Merriweather on his debut album, and recording again with Amy Winehouse and Robbie Williams. On 24 October 2007, Ronson performed a one-off set at The Roundhouse in Camden, London as part of the BBC Electric Proms 2007. The performance featured the BBC Concert Orchestra and included special guests Terry Hall, Sean Lennon, Tim Burgess, Alex Greenwald, Ricky Wilson, Charlie Waller, Adele and Kyle Falconer. In December 2007, Ronson received his first Grammy Award nomination, for 'Producer of the Year, Non-Classical'. Ronson's work with Amy Winehouse also received substantial accolades, gaining 6 nominations. Winehouse's "Back to Black" album, mostly produced by Ronson, was nominated for 'Album of the Year' and 'Best Pop Vocal Album'. Her song "Rehab" received nods for 'Best Female Pop Vocal Performance', 'Song of the Year' and 'Record of the Year'. Ronson would go on to win three Grammys: 'Producer of the Year' as well as 'Best Pop Vocal Album' and 'Record of the Year' (the latter two of which he shared with Amy Winehouse) in early February 2008. Ronson is credited as producer on a mixtape album called Man in the Mirror, released in January 2008 by the rapper Rhymefest which is a tribute to the pop star Michael Jackson. The album features Rhymefest appearing to speak to Michael Jackson using archive audio from interviews with the pop star. The same month Ronson received three nominations for the Brit Awards, including 'Best Male Solo Artist,' 'Best Album' (Version) and 'Song of the Year' ("Valerie"). Ronson won his first Brit for 'Best Male Solo Artist' in mid-February 2008 over favourite Mika. He also performed a medley of Coldplay's "God Put a Smile upon Your Face" with Adele, "Stop Me" with Daniel Merriweather, and "Valerie" with Amy Winehouse. The performance allowed for a large boost in sales in the iTunes UK Top 100. "Valerie" would jump almost 30 spots in the days after the event, while "Just", "Stop Me" and "Oh My God" all appeared in the chart as well. That same week, Ronson appeared twice in the UK Top 40, with "Valerie" rebounding to number 13 and "Just" at number 31, his fourth Top 40 entry from "Version". The Brits performance also allowed for "Version" to climb 18 spots to number 4. Around this time, Ronson received his first number one on an international chart (Dutch Top 40) for "Valerie," which spent four consecutive weeks at the top of the chart. He collaborated with Kaiser Chiefs on their third album. Ronson toured the album "Version" extensively through both the UK and Europe during 2008. Notable sold-out performances at The Hammersmith Apollo and Brixton Academy. Ronson is known to champion new upcoming artists on the road with him, such as Sam Sparro and Julian Perretta. Ronson's string backing was provided by the all-female string quartet Demon Strings. On 2 July 2008, in Paris, Mark Ronson performed live with Duran Duran for an invited audience. They played new arrangements by Ronson of some Duran Duran songs, along with tracks from the band's new album, Red Carpet Massacre. Ronson & the Version Players also performed songs from his album Version. Simon LeBon sang. As of March 2009, Ronson was working with the group on their 13th album. The Album, titled All You Need Is Now, was released digitally exclusively via Apple's iTunes on 21 December 2010, while the physical CD was released in March 2011 with additional tracks. In 2013–14 Ronson was once again in the studio producing Duran Duran's 14th album, Paper Gods, making it the first time the band has worked with the same producer on consecutive albums since Colin Thurston produced their first two albums in the 1980s. 2010–12: Record Collection In the Spring of 2010, Ronson confirmed the name of his new album Record Collection, and said that he hoped to have it out by September 2010. Additionally, Ronson announced the name of his new band, "The Business Intl.'", which is the alias adopted by Ronson on the third studio album. The first single "Bang Bang Bang". which featured rapper Q-Tip and singer MNDR was released on 12 July 2010, where it peaked at number 6 on the UK Singles Chart, giving Ronson his fourth Top 10 single. The single also entered the Irish Singles Chart, where it peaked at number 18. The second single from the album, "The Bike Song", was released on 19 September 2010, and features Kyle Falconer from The View and Spank Rock. The album was released on 27 September 2010. This is the first Ronson album on which he features as a singer. Although Ronson had never met Michael Jackson he was given the vocal track to a song titled "Lovely Way", sung by Michael Jackson, in 2010 to produce for Jackson's posthumous album Michael. He submitted the track, but it did not make the tracklisting for Michael. Ronson said about the rumours surrounding the vocals on the track (due to the controversy surrounding the Cascio tracks on that same album), "It was definitely him singing. I was given a vocal track to work with but I never actually met Michael. [...] It's in the vein of Elton John's 'Goodbye Yellow Brick Road' and John Lennon's 'Imagine'." He provided the score for the 2011 film Arthur. Ronson was one of the artists featured in the 2012 documentary Re:GENERATION Music Project. His song "A La Modeliste" features Mos Def, Erykah Badu, Trombone Shorty, members of The Dap-Kings, and Zigaboo Modeliste. 2013–2017: Uptown Special and Amy On 30 October 2014, Ronson announced, via Twitter, a new single from his upcoming album, to be released on 10 November 2014. The single, "Uptown Funk," features Bruno Mars on vocals. On 22 November 2014, Ronson and Mars appeared as the musical guest on Saturday Night Live performing "Uptown Funk" and "Feel Right" (featuring Mystikal). "Uptown Funk" reached number one in the UK and US singles charts, and also became the all-time most streamed track in a single week in the UK, having been streamed a record 2.49 million times in a week. "Uptown Funk" reached the top 10 in nearly every country it charted; it spent fifteen weeks at number one on the Canadian Hot 100, fourteen weeks at number one on the Billboard Hot 100, and seven weeks at number one on the UK Singles Chart. In February 2015 the song won Ronson the Brit Award for British Single of the Year. As of November 2021, the song's music video on YouTube has amassed over 4.3 billion views. In 2015, Ronson starred in the documentary film Amy about his late friend Amy Winehouse. His voice features in the film where he talks about his career and relationship with Winehouse and there is footage of Ronson from the recording session of the single "Back to Black" from March 2006 and also at Winehouse's funeral in London in July 2011. On 16 October 2015, Ronson became a patron of the Amy Winehouse Foundation. In January 2016, Ronson was nominated for two Brit Awards; Best British Male Solo Artist, and British Producer of the Year, at the 2016 Brit Awards. At the 2016 Grammy Awards Ronson won two awards for "Uptown Funk", including Record of the Year. Jason Iley, the head of Sony Music UK and Ronson's UK label Columbia Records, hailed Ronson as "a true gentleman" and "one of the most considerate, kind and humble artists in our industry." He added, "the monumental success of Uptown Funk is so thoroughly deserved and has established itself as, not only one of the Records of the Year but of our lifetime." He went on to executive produce Lady Gaga's fifth album Joanne. Ronson produced the Queens of the Stone Age's 2017 album Villains. 2018–present: Silk City, "Shallow" and Late Night Feelings In 2018, Ronson founded his own label, Zelig Records, an imprint of Columbia Records and the first artist he signed was singer King Princess. He also formed the duo Silk City with fellow producer Diplo. Their first single "Electricity" featuring Dua Lipa was released on 6 September and peaked at the US Dance Club Songs and received the Grammy Award for Best Dance Recording at the 61st Annual Grammy Awards. In May 2018, it was revealed that Ronson was working with Miley Cyrus in the studio. Their first collaboration "Nothing Breaks Like a Heart" was released in November 2018. Ronson also co-wrote the song "Shallow" for the film A Star Is Born with his frequent collaborators Lady Gaga, Andrew Wyatt, and Anthony Rossomando. The song earned Ronson an Academy Award and the Golden Globe Award for Best Original Song, as well as two Grammy nominations, winning the Grammy Award for Best Song Written for Visual Media. On 12 April 2019, it was announced that Mark Ronson would release his fifth album Late Night Feelings, on 26 June 2019. The album features Miley Cyrus, Angel Olsen, Lykke Li and Camila Cabello. Ronson has described the album as a collection of "sad bangers," with the title track laying down a warm mid-tempo dance groove under Li's melancholy vocals. On 12 October 2019, BBC Two broadcast the documentary Mark Ronson: From the Heart, directed by Carl Hindmarch. In June of 2021, Ronson, along with Foo Fighters shared a "re-verson" of the Foo Fighters then latest single Making a Fire. Personal life Ronson divides his time between London, Los Angeles, and New York. Since childhood, he has been a fan of English Premier League football club Chelsea F.C. and is also a fan of the New York Knicks basketball team. In 2009, Ronson was voted the most stylish man in the UK by GQ magazine. In 2011, a portrait of Ronson was painted by British artist Joe Simpson; the painting was exhibited around the UK, including a solo exhibition at the Royal Albert Hall in London. In 2015 he was named one of the magazine's 50 best dressed British men. > On 20 August 2019, Ronson, along with several other celebrities, invested in a funding round for Lowell Herb Co, a California cannabis brand. He is known to be "a dedicated cannabis consumer". Relationships In 2002, Ronson began dating the actress-singer Rashida Jones. They became engaged in March 2003, with Ronson proposing by creating a crossword puzzle with the message "Will you marry me." Their relationship ended approximately one year later. On 3 September 2011, Ronson married French actress and singer Joséphine de La Baume, who had previously appeared in the music video for "The Bike Song". On 16 May 2017, it was reported that de La Baume had filed for divorce from Ronson, listing the separation date as 21 April 2017. The divorce was finalized in October 2018. On 4 September 2021, Ronson announced his marriage to actress Grace Gummer, after a year of dating. Lawsuit In 2017, Lastrada Entertainment claimed that "Uptown Funk" infringed the copyright of Zapp & Roger's 1980 hit song "More Bounce to the Ounce". A total of three lawsuits had been filed by different parties. Discography Here Comes the Fuzz (2003) Version (2007) Record Collection (with The Business Intl.) (2010) Uptown Special (2015) Late Night Feelings (2019) Filmography Zoolander (2001) – Himself Amy (2015) – Himself Gaga: Five Foot Two (2017) – Himself Spies in Disguise (2019) – Agency Control Room Technician (cameo) Videos Ronson created a video, along with directors Gary Breslin and Jordan Galland, called Circuit Breaker, which was an homage to the video game The Legend of Zelda: A Link to the Past. In 2001, Ronson appeared in the Aaliyah music video "More Than a Woman" as a DJ. On 30 July 2021, the documentary series Watch the Sound with Mark Ronson was released on Apple TV+. Production discography Adapted from AllMusic. Bold denotes a commercial single. Other singles 1997: Posse-O – "It's Up to You..."* 1998: Powerule – "Heatin' Up"* 1998: Powerule – "Rhymes to Bust" / "It's Your Right"* 2002: J-Live – "School's In"* 2004: Daniel Merriweather – "City Rules"* 2004: Daniel Merriweather – "She's Got Me"* 2005: Rhymefest – "These Days"* 2005: Rhymefest – "Brand New"* 2007: Candie Payne – "One More Chance"* 2007: Bob Dylan – "Most Likely You Go Your Way (And I'll Go Mine) (Mark Ronson Re-version)"* 2008: Leon Jean-Marie – "Bed of Nails"* 2008: Kaiser Chiefs – "Never Miss a Beat"* 2008: Wiley – "Cash in My Pocket"* 2008: Kaiser Chiefs – "Good Days Bad Days"* 2009: Daniel Merriweather – "Change"* 2009: Daniel Merriweather – "Red"* 2009: Daniel Merriweather – "Impossible" 2012: Rufus Wainwright – "Out of the Game"* 2012: Rufus Wainwright – "Jericho"* 2013: Giggs – "(Is It Gangsta?) Yes Yes Yes"* 2015: Duran Duran featuring Janelle Monáe and Nile Rodgers – "Pressure Off"* 2016: Various Artists – "Hands"* 2018: Michael Jackson - "Diamonds Are Invincible"* (Mash-Up) 2018: Silk City - "Electricity"* featuring Dua Lipa, Diplo and Mark Ronson 2018: Lady Gaga and Bradley Cooper – "Shallow"* 2020: Troye Sivan featuring Kacey Musgraves and Mark Ronson - "Easy"* Awards and nominations References External links Mark Ronson and Boy George 1975 births 20th-century English musicians 21st-century English musicians Allido Records artists APRA Award winners British Ashkenazi Jews Best Original Song Academy Award-winning songwriters Brit Award winners British alternative rock musicians British hip hop DJs Collegiate School (New York) alumni English DJs DJs from London English emigrants to the United States English people of Austrian-Jewish descent English people of Lithuanian-Jewish descent English people of Russian-Jewish descent English multi-instrumentalists English record producers English songwriters Golden Globe Award-winning musicians Grammy Award winners Hip hop record producers Jewish English musicians Jewish hip hop record producers Jewish singers Living people People from Notting Hill People from the Upper West Side M Mark Ronson Silk City (duo) members Sony Music UK artists The Flip Squad members Tisch School of the Arts alumni

C_d5d7c57a056e48fbb1667f80ffeb5358_0

Were there any other successes/

Were there any other successes on Mark Ronson's The Record Collection, besides "The Bike Song"?

Mark Ronson

In the Spring of 2010, Ronson confirmed the name of his new album Record Collection, and said that he hoped to have it out by September 2010. Additionally, Ronson announced the name of his new band, "The Business Intl.'", which is the alias adopted by Ronson on the third studio album. The first single "Bang Bang Bang". which featured rapper Q-Tip and singer MNDR was released on 12 July 2010, where it peaked at number 6 on the UK Singles Chart, giving Ronson his fourth Top 10 single. The single also entered the Irish Singles Chart, where it peaked at number 18. The second single from the album, "The Bike Song", was 19 September 2010 and features Kyle Falconer from The View and Spank Rock. The album was released on 27 September 2010. This is the first Ronson albums on which he features as a singer. Although Ronson had never met Michael Jackson he was given the vocal track to a song titled "Lovely Way", sung by Michael Jackson, in 2010 to produce for Jackson's posthumous album Michael. He submitted the track, but it did not make the track listing for Michael. Ronson said about the rumours surrounding the vocals on the track (due to the controversy surrounding the Cascio tracks on that same album), "It was definitely him singing. I was given a vocal track to work with but I never actually met Michael. [...] It's in the vein of Elton John's 'Goodbye Yellow Brick Road' and John Lennon's 'Imagine'." He provided the score for the 2011 film Arthur. Ronson was one of the artists featured in the 2012 documentary Re:GENERATION Music Project. His song "A La Modeliste" features Mos Def, Erykah Badu, Trombone Shorty, members of The Dap-Kings, and Zigaboo Modeliste. CANNOTANSWER

He provided the score for the 2011 film Arthur.

Mark Daniel Ronson (born 4 September 1975) is an English-American DJ, songwriter, record producer, and record executive. He is best known for his collaborations with artists such as Duran Duran, Amy Winehouse, Adele, Lady Gaga, Lily Allen, Robbie Williams, Miley Cyrus, Queens of the Stone Age, Kevin Parker and Bruno Mars. He has received seven Grammy Awards, including Producer of the Year for Winehouse's album Back to Black and two for Record of the Year singles "Rehab" and "Uptown Funk". He received an Academy Award, a Golden Globe Award and a Grammy Award for co-writing the song "Shallow" (performed by Lady Gaga and Bradley Cooper) for the film A Star is Born (2018). Ronson was born in London and raised in New York City. His stepfather is Foreigner guitarist Mick Jones, which contributed to a childhood surrounded by music. While attending New York University, Ronson became a popular DJ in the hip-hop scene. His debut album Here Comes the Fuzz failed to have an effect on the charts. In 2006, he received acclaim for producing albums for Lily Allen, Christina Aguilera, and Amy Winehouse. In 2007, Ronson released his second album, Version. The album reached number two in the UK and included three top ten singles and earned him the Brit Award for British Male Solo Artist. He subsequently released his third studio album, Record Collection, peaking at number two in the UK. In 2014, Ronson released his single "Uptown Funk" featuring vocals from Bruno Mars. The single spent 14 consecutive weeks at number one on the U.S. Billboard Hot 100, seven non-consecutive weeks at number one on the UK Singles Chart and became one of the best-selling singles of all-time. His fourth studio album, Uptown Special, became his most successful album to date. In 2018, he founded his own label, Zelig Records (an imprint of Columbia Records), and formed the duo Silk City with fellow producer Diplo, they released their debut single "Electricity" featuring Dua Lipa for which he received the Grammy Award for Best Dance Recording. In 2015, he became a patron of the Amy Winehouse Foundation, which helps disadvantaged youth through music. He has also worked with the End the Silence campaign to raise money and awareness for the Hope and Homes for Children charity and served as an artist mentor at Turnaround Arts, a national program of the John F. Kennedy Center for the Performing Arts, which helped low-performing schools through arts education. Early life Mark Daniel Ronson was born in Notting Hill, London, England, to Laurence Ronson, a then music manager and publisher, now real estate developer, and Ann Dexter-Jones (née Dexter), a writer, jewelry designer, and socialite. His Ashkenazi Jewish ancestors emigrated from Austria, Lithuania, and Russia. He was brought up in a Conservative Jewish household and celebrated his Bar Mitzvah. After his parents' divorce, his mother married Foreigner guitarist Mick Jones. Of note, Jones wrote Foreigner's hit song "I Want to Know What Love Is" about his burgeoning relationship with Dexter-Jones. Ronson, along with his mother, stepfather, and sisters, moved to New York City when he was eight years old. Living on the Upper West Side of Manhattan, he counted Sean Lennon among his childhood friends. At twelve, being a self-described music nerd, he pestered Rolling Stone founder Jann Wenner into an internship at the magazine. He attended high school at the private Collegiate School in Manhattan before attending Vassar College and then New York University. In 2008, he obtained American citizenship so that he could vote in that year's election. Family He was born into the Ronson family, formerly one of Britain's wealthiest families and founders of Heron International; following success in the 1980s, they lost $1 billion of their wealth in the property crash of the early 1990s. He is the nephew of businessman Gerald Ronson. Through his mother, he is distantly related to British Conservative politicians Sir Malcolm Rifkind and Leon Brittan, and Odeon Cinemas founder Oscar Deutsch. Ronson's has two younger sisters, twins Charlotte Ronson, a fashion designer, and Samantha Ronson, a singer and DJ. Through his mother's second marriage to Mick Jones he has two elder step-siblings and two half-siblings, including actress Annabelle Dexter-Jones. Through his father's second marriage, he has three other half-siblings. Career While attending New York University, Ronson became a regular in the downtown hip hop night life. He became known as a DJ on the New York club scene by 1993, charging $50 per job. He was known for his diverse, genre-spanning selection. He attracted a wide audience by fusing funk, hip hop, and rock and roll into his setlists, and playing songs that were popular in both the United States and the United Kingdom. He was soon popular and sought-after DJ in New York City, frequently booked for high-profile events and private parties. In 1999, Ronson was featured in an ad wearing Tommy Hilfiger denim in the recording studio for an ad campaign for the company. 2001–05: Here Comes the Fuzz and initial producing Mark made the leap from DJ to producer after Nikka Costa's manager, Dominique Trenier, heard one of his sets and introduced the musicians. Ronson produced Costa's song "Everybody Got Their Something," and Ronson soon signed a record contract with Elektra Records. He had already produced tracks for Hilfiger ads and, in 2001, used the connection to have Costa's single "Like a Feather" used in an advertisement. Ronson's debut album, Here Comes the Fuzz, was released in 2003. Despite poor initial sales, it was generally well received by critics. As well as writing the songs on the album, Ronson created the beats, played guitar, keyboards, and bass. The album featured performances from artists from diverse genres, including Mos Def, Jack White, Sean Paul, Nappy Roots and Rivers Cuomo. The lead single and best known song from the album, "Ooh Wee," samples "Sunny" by Boney M and features the rappers Nate Dogg, Ghostface Killah, Trife Da God, and Saigon. The song charted at number 15 on the UK Singles Chart and was used in a number of films, including in Honey (2003) and on its soundtrack. Two weeks after releasing Here Comes the Fuzz, Elektra Records dropped him. In 2004, Ronson formed his own record label, Allido Records, a subsidiary of Sony BMG's J Records, along with his longtime manager Rich Kleiman. The first artist he signed to Allido was rapper Saigon, who later left to sign with Just Blaze's Fort Knox Entertainment. He has signed Rhymefest, most well known for winning the Grammy for co-writing Kanye West's "Jesus Walks." 2006–09: Version On 2 April 2007, Ronson released a cover of The Smiths' track "Stop Me If You Think You've Heard This One Before" under the title "Stop Me", featuring singer Daniel Merriweather. It reached number 2 in the UK singles charts, giving Ronson his highest-peaking single until 2014's "Uptown Funk". Ronson remixed the Bob Dylan song "Most Likely You Go Your Way And I'll Go Mine" in promotion for the three-disc Bob Dylan set titled Dylan released October 2007. Ronson has also produced Candie Payne's "One More Chance (Ronson mix)" in 2007. The album Version was well received by critics particularly in the UK and US. In May 2007 it was awarded the title Album of the Month by the British dance music magazine, Mixmag. On 23 June, Ronson made the cover of The Guardian newspaper's Guide magazine, alongside singer Lily Allen. In June 2007, Ronson signed DC hip hop artist Wale to Allido Records. In late 2007, he focused on production, working with Daniel Merriweather on his debut album, and recording again with Amy Winehouse and Robbie Williams. On 24 October 2007, Ronson performed a one-off set at The Roundhouse in Camden, London as part of the BBC Electric Proms 2007. The performance featured the BBC Concert Orchestra and included special guests Terry Hall, Sean Lennon, Tim Burgess, Alex Greenwald, Ricky Wilson, Charlie Waller, Adele and Kyle Falconer. In December 2007, Ronson received his first Grammy Award nomination, for 'Producer of the Year, Non-Classical'. Ronson's work with Amy Winehouse also received substantial accolades, gaining 6 nominations. Winehouse's "Back to Black" album, mostly produced by Ronson, was nominated for 'Album of the Year' and 'Best Pop Vocal Album'. Her song "Rehab" received nods for 'Best Female Pop Vocal Performance', 'Song of the Year' and 'Record of the Year'. Ronson would go on to win three Grammys: 'Producer of the Year' as well as 'Best Pop Vocal Album' and 'Record of the Year' (the latter two of which he shared with Amy Winehouse) in early February 2008. Ronson is credited as producer on a mixtape album called Man in the Mirror, released in January 2008 by the rapper Rhymefest which is a tribute to the pop star Michael Jackson. The album features Rhymefest appearing to speak to Michael Jackson using archive audio from interviews with the pop star. The same month Ronson received three nominations for the Brit Awards, including 'Best Male Solo Artist,' 'Best Album' (Version) and 'Song of the Year' ("Valerie"). Ronson won his first Brit for 'Best Male Solo Artist' in mid-February 2008 over favourite Mika. He also performed a medley of Coldplay's "God Put a Smile upon Your Face" with Adele, "Stop Me" with Daniel Merriweather, and "Valerie" with Amy Winehouse. The performance allowed for a large boost in sales in the iTunes UK Top 100. "Valerie" would jump almost 30 spots in the days after the event, while "Just", "Stop Me" and "Oh My God" all appeared in the chart as well. That same week, Ronson appeared twice in the UK Top 40, with "Valerie" rebounding to number 13 and "Just" at number 31, his fourth Top 40 entry from "Version". The Brits performance also allowed for "Version" to climb 18 spots to number 4. Around this time, Ronson received his first number one on an international chart (Dutch Top 40) for "Valerie," which spent four consecutive weeks at the top of the chart. He collaborated with Kaiser Chiefs on their third album. Ronson toured the album "Version" extensively through both the UK and Europe during 2008. Notable sold-out performances at The Hammersmith Apollo and Brixton Academy. Ronson is known to champion new upcoming artists on the road with him, such as Sam Sparro and Julian Perretta. Ronson's string backing was provided by the all-female string quartet Demon Strings. On 2 July 2008, in Paris, Mark Ronson performed live with Duran Duran for an invited audience. They played new arrangements by Ronson of some Duran Duran songs, along with tracks from the band's new album, Red Carpet Massacre. Ronson & the Version Players also performed songs from his album Version. Simon LeBon sang. As of March 2009, Ronson was working with the group on their 13th album. The Album, titled All You Need Is Now, was released digitally exclusively via Apple's iTunes on 21 December 2010, while the physical CD was released in March 2011 with additional tracks. In 2013–14 Ronson was once again in the studio producing Duran Duran's 14th album, Paper Gods, making it the first time the band has worked with the same producer on consecutive albums since Colin Thurston produced their first two albums in the 1980s. 2010–12: Record Collection In the Spring of 2010, Ronson confirmed the name of his new album Record Collection, and said that he hoped to have it out by September 2010. Additionally, Ronson announced the name of his new band, "The Business Intl.'", which is the alias adopted by Ronson on the third studio album. The first single "Bang Bang Bang". which featured rapper Q-Tip and singer MNDR was released on 12 July 2010, where it peaked at number 6 on the UK Singles Chart, giving Ronson his fourth Top 10 single. The single also entered the Irish Singles Chart, where it peaked at number 18. The second single from the album, "The Bike Song", was released on 19 September 2010, and features Kyle Falconer from The View and Spank Rock. The album was released on 27 September 2010. This is the first Ronson album on which he features as a singer. Although Ronson had never met Michael Jackson he was given the vocal track to a song titled "Lovely Way", sung by Michael Jackson, in 2010 to produce for Jackson's posthumous album Michael. He submitted the track, but it did not make the tracklisting for Michael. Ronson said about the rumours surrounding the vocals on the track (due to the controversy surrounding the Cascio tracks on that same album), "It was definitely him singing. I was given a vocal track to work with but I never actually met Michael. [...] It's in the vein of Elton John's 'Goodbye Yellow Brick Road' and John Lennon's 'Imagine'." He provided the score for the 2011 film Arthur. Ronson was one of the artists featured in the 2012 documentary Re:GENERATION Music Project. His song "A La Modeliste" features Mos Def, Erykah Badu, Trombone Shorty, members of The Dap-Kings, and Zigaboo Modeliste. 2013–2017: Uptown Special and Amy On 30 October 2014, Ronson announced, via Twitter, a new single from his upcoming album, to be released on 10 November 2014. The single, "Uptown Funk," features Bruno Mars on vocals. On 22 November 2014, Ronson and Mars appeared as the musical guest on Saturday Night Live performing "Uptown Funk" and "Feel Right" (featuring Mystikal). "Uptown Funk" reached number one in the UK and US singles charts, and also became the all-time most streamed track in a single week in the UK, having been streamed a record 2.49 million times in a week. "Uptown Funk" reached the top 10 in nearly every country it charted; it spent fifteen weeks at number one on the Canadian Hot 100, fourteen weeks at number one on the Billboard Hot 100, and seven weeks at number one on the UK Singles Chart. In February 2015 the song won Ronson the Brit Award for British Single of the Year. As of November 2021, the song's music video on YouTube has amassed over 4.3 billion views. In 2015, Ronson starred in the documentary film Amy about his late friend Amy Winehouse. His voice features in the film where he talks about his career and relationship with Winehouse and there is footage of Ronson from the recording session of the single "Back to Black" from March 2006 and also at Winehouse's funeral in London in July 2011. On 16 October 2015, Ronson became a patron of the Amy Winehouse Foundation. In January 2016, Ronson was nominated for two Brit Awards; Best British Male Solo Artist, and British Producer of the Year, at the 2016 Brit Awards. At the 2016 Grammy Awards Ronson won two awards for "Uptown Funk", including Record of the Year. Jason Iley, the head of Sony Music UK and Ronson's UK label Columbia Records, hailed Ronson as "a true gentleman" and "one of the most considerate, kind and humble artists in our industry." He added, "the monumental success of Uptown Funk is so thoroughly deserved and has established itself as, not only one of the Records of the Year but of our lifetime." He went on to executive produce Lady Gaga's fifth album Joanne. Ronson produced the Queens of the Stone Age's 2017 album Villains. 2018–present: Silk City, "Shallow" and Late Night Feelings In 2018, Ronson founded his own label, Zelig Records, an imprint of Columbia Records and the first artist he signed was singer King Princess. He also formed the duo Silk City with fellow producer Diplo. Their first single "Electricity" featuring Dua Lipa was released on 6 September and peaked at the US Dance Club Songs and received the Grammy Award for Best Dance Recording at the 61st Annual Grammy Awards. In May 2018, it was revealed that Ronson was working with Miley Cyrus in the studio. Their first collaboration "Nothing Breaks Like a Heart" was released in November 2018. Ronson also co-wrote the song "Shallow" for the film A Star Is Born with his frequent collaborators Lady Gaga, Andrew Wyatt, and Anthony Rossomando. The song earned Ronson an Academy Award and the Golden Globe Award for Best Original Song, as well as two Grammy nominations, winning the Grammy Award for Best Song Written for Visual Media. On 12 April 2019, it was announced that Mark Ronson would release his fifth album Late Night Feelings, on 26 June 2019. The album features Miley Cyrus, Angel Olsen, Lykke Li and Camila Cabello. Ronson has described the album as a collection of "sad bangers," with the title track laying down a warm mid-tempo dance groove under Li's melancholy vocals. On 12 October 2019, BBC Two broadcast the documentary Mark Ronson: From the Heart, directed by Carl Hindmarch. In June of 2021, Ronson, along with Foo Fighters shared a "re-verson" of the Foo Fighters then latest single Making a Fire. Personal life Ronson divides his time between London, Los Angeles, and New York. Since childhood, he has been a fan of English Premier League football club Chelsea F.C. and is also a fan of the New York Knicks basketball team. In 2009, Ronson was voted the most stylish man in the UK by GQ magazine. In 2011, a portrait of Ronson was painted by British artist Joe Simpson; the painting was exhibited around the UK, including a solo exhibition at the Royal Albert Hall in London. In 2015 he was named one of the magazine's 50 best dressed British men. > On 20 August 2019, Ronson, along with several other celebrities, invested in a funding round for Lowell Herb Co, a California cannabis brand. He is known to be "a dedicated cannabis consumer". Relationships In 2002, Ronson began dating the actress-singer Rashida Jones. They became engaged in March 2003, with Ronson proposing by creating a crossword puzzle with the message "Will you marry me." Their relationship ended approximately one year later. On 3 September 2011, Ronson married French actress and singer Joséphine de La Baume, who had previously appeared in the music video for "The Bike Song". On 16 May 2017, it was reported that de La Baume had filed for divorce from Ronson, listing the separation date as 21 April 2017. The divorce was finalized in October 2018. On 4 September 2021, Ronson announced his marriage to actress Grace Gummer, after a year of dating. Lawsuit In 2017, Lastrada Entertainment claimed that "Uptown Funk" infringed the copyright of Zapp & Roger's 1980 hit song "More Bounce to the Ounce". A total of three lawsuits had been filed by different parties. Discography Here Comes the Fuzz (2003) Version (2007) Record Collection (with The Business Intl.) (2010) Uptown Special (2015) Late Night Feelings (2019) Filmography Zoolander (2001) – Himself Amy (2015) – Himself Gaga: Five Foot Two (2017) – Himself Spies in Disguise (2019) – Agency Control Room Technician (cameo) Videos Ronson created a video, along with directors Gary Breslin and Jordan Galland, called Circuit Breaker, which was an homage to the video game The Legend of Zelda: A Link to the Past. In 2001, Ronson appeared in the Aaliyah music video "More Than a Woman" as a DJ. On 30 July 2021, the documentary series Watch the Sound with Mark Ronson was released on Apple TV+. Production discography Adapted from AllMusic. Bold denotes a commercial single. Other singles 1997: Posse-O – "It's Up to You..."* 1998: Powerule – "Heatin' Up"* 1998: Powerule – "Rhymes to Bust" / "It's Your Right"* 2002: J-Live – "School's In"* 2004: Daniel Merriweather – "City Rules"* 2004: Daniel Merriweather – "She's Got Me"* 2005: Rhymefest – "These Days"* 2005: Rhymefest – "Brand New"* 2007: Candie Payne – "One More Chance"* 2007: Bob Dylan – "Most Likely You Go Your Way (And I'll Go Mine) (Mark Ronson Re-version)"* 2008: Leon Jean-Marie – "Bed of Nails"* 2008: Kaiser Chiefs – "Never Miss a Beat"* 2008: Wiley – "Cash in My Pocket"* 2008: Kaiser Chiefs – "Good Days Bad Days"* 2009: Daniel Merriweather – "Change"* 2009: Daniel Merriweather – "Red"* 2009: Daniel Merriweather – "Impossible" 2012: Rufus Wainwright – "Out of the Game"* 2012: Rufus Wainwright – "Jericho"* 2013: Giggs – "(Is It Gangsta?) Yes Yes Yes"* 2015: Duran Duran featuring Janelle Monáe and Nile Rodgers – "Pressure Off"* 2016: Various Artists – "Hands"* 2018: Michael Jackson - "Diamonds Are Invincible"* (Mash-Up) 2018: Silk City - "Electricity"* featuring Dua Lipa, Diplo and Mark Ronson 2018: Lady Gaga and Bradley Cooper – "Shallow"* 2020: Troye Sivan featuring Kacey Musgraves and Mark Ronson - "Easy"* Awards and nominations References External links Mark Ronson and Boy George 1975 births 20th-century English musicians 21st-century English musicians Allido Records artists APRA Award winners British Ashkenazi Jews Best Original Song Academy Award-winning songwriters Brit Award winners British alternative rock musicians British hip hop DJs Collegiate School (New York) alumni English DJs DJs from London English emigrants to the United States English people of Austrian-Jewish descent English people of Lithuanian-Jewish descent English people of Russian-Jewish descent English multi-instrumentalists English record producers English songwriters Golden Globe Award-winning musicians Grammy Award winners Hip hop record producers Jewish English musicians Jewish hip hop record producers Jewish singers Living people People from Notting Hill People from the Upper West Side M Mark Ronson Silk City (duo) members Sony Music UK artists The Flip Squad members Tisch School of the Arts alumni

C_d5d7c57a056e48fbb1667f80ffeb5358_0

What else did he do during this time?

What else did Mark Ronson do during 2011, besides providing the score for the film Arthur?

Mark Ronson

In the Spring of 2010, Ronson confirmed the name of his new album Record Collection, and said that he hoped to have it out by September 2010. Additionally, Ronson announced the name of his new band, "The Business Intl.'", which is the alias adopted by Ronson on the third studio album. The first single "Bang Bang Bang". which featured rapper Q-Tip and singer MNDR was released on 12 July 2010, where it peaked at number 6 on the UK Singles Chart, giving Ronson his fourth Top 10 single. The single also entered the Irish Singles Chart, where it peaked at number 18. The second single from the album, "The Bike Song", was 19 September 2010 and features Kyle Falconer from The View and Spank Rock. The album was released on 27 September 2010. This is the first Ronson albums on which he features as a singer. Although Ronson had never met Michael Jackson he was given the vocal track to a song titled "Lovely Way", sung by Michael Jackson, in 2010 to produce for Jackson's posthumous album Michael. He submitted the track, but it did not make the track listing for Michael. Ronson said about the rumours surrounding the vocals on the track (due to the controversy surrounding the Cascio tracks on that same album), "It was definitely him singing. I was given a vocal track to work with but I never actually met Michael. [...] It's in the vein of Elton John's 'Goodbye Yellow Brick Road' and John Lennon's 'Imagine'." He provided the score for the 2011 film Arthur. Ronson was one of the artists featured in the 2012 documentary Re:GENERATION Music Project. His song "A La Modeliste" features Mos Def, Erykah Badu, Trombone Shorty, members of The Dap-Kings, and Zigaboo Modeliste. CANNOTANSWER

Ronson was one of the artists featured in the 2012 documentary Re:GENERATION Music Project.

Mark Daniel Ronson (born 4 September 1975) is an English-American DJ, songwriter, record producer, and record executive. He is best known for his collaborations with artists such as Duran Duran, Amy Winehouse, Adele, Lady Gaga, Lily Allen, Robbie Williams, Miley Cyrus, Queens of the Stone Age, Kevin Parker and Bruno Mars. He has received seven Grammy Awards, including Producer of the Year for Winehouse's album Back to Black and two for Record of the Year singles "Rehab" and "Uptown Funk". He received an Academy Award, a Golden Globe Award and a Grammy Award for co-writing the song "Shallow" (performed by Lady Gaga and Bradley Cooper) for the film A Star is Born (2018). Ronson was born in London and raised in New York City. His stepfather is Foreigner guitarist Mick Jones, which contributed to a childhood surrounded by music. While attending New York University, Ronson became a popular DJ in the hip-hop scene. His debut album Here Comes the Fuzz failed to have an effect on the charts. In 2006, he received acclaim for producing albums for Lily Allen, Christina Aguilera, and Amy Winehouse. In 2007, Ronson released his second album, Version. The album reached number two in the UK and included three top ten singles and earned him the Brit Award for British Male Solo Artist. He subsequently released his third studio album, Record Collection, peaking at number two in the UK. In 2014, Ronson released his single "Uptown Funk" featuring vocals from Bruno Mars. The single spent 14 consecutive weeks at number one on the U.S. Billboard Hot 100, seven non-consecutive weeks at number one on the UK Singles Chart and became one of the best-selling singles of all-time. His fourth studio album, Uptown Special, became his most successful album to date. In 2018, he founded his own label, Zelig Records (an imprint of Columbia Records), and formed the duo Silk City with fellow producer Diplo, they released their debut single "Electricity" featuring Dua Lipa for which he received the Grammy Award for Best Dance Recording. In 2015, he became a patron of the Amy Winehouse Foundation, which helps disadvantaged youth through music. He has also worked with the End the Silence campaign to raise money and awareness for the Hope and Homes for Children charity and served as an artist mentor at Turnaround Arts, a national program of the John F. Kennedy Center for the Performing Arts, which helped low-performing schools through arts education. Early life Mark Daniel Ronson was born in Notting Hill, London, England, to Laurence Ronson, a then music manager and publisher, now real estate developer, and Ann Dexter-Jones (née Dexter), a writer, jewelry designer, and socialite. His Ashkenazi Jewish ancestors emigrated from Austria, Lithuania, and Russia. He was brought up in a Conservative Jewish household and celebrated his Bar Mitzvah. After his parents' divorce, his mother married Foreigner guitarist Mick Jones. Of note, Jones wrote Foreigner's hit song "I Want to Know What Love Is" about his burgeoning relationship with Dexter-Jones. Ronson, along with his mother, stepfather, and sisters, moved to New York City when he was eight years old. Living on the Upper West Side of Manhattan, he counted Sean Lennon among his childhood friends. At twelve, being a self-described music nerd, he pestered Rolling Stone founder Jann Wenner into an internship at the magazine. He attended high school at the private Collegiate School in Manhattan before attending Vassar College and then New York University. In 2008, he obtained American citizenship so that he could vote in that year's election. Family He was born into the Ronson family, formerly one of Britain's wealthiest families and founders of Heron International; following success in the 1980s, they lost $1 billion of their wealth in the property crash of the early 1990s. He is the nephew of businessman Gerald Ronson. Through his mother, he is distantly related to British Conservative politicians Sir Malcolm Rifkind and Leon Brittan, and Odeon Cinemas founder Oscar Deutsch. Ronson's has two younger sisters, twins Charlotte Ronson, a fashion designer, and Samantha Ronson, a singer and DJ. Through his mother's second marriage to Mick Jones he has two elder step-siblings and two half-siblings, including actress Annabelle Dexter-Jones. Through his father's second marriage, he has three other half-siblings. Career While attending New York University, Ronson became a regular in the downtown hip hop night life. He became known as a DJ on the New York club scene by 1993, charging $50 per job. He was known for his diverse, genre-spanning selection. He attracted a wide audience by fusing funk, hip hop, and rock and roll into his setlists, and playing songs that were popular in both the United States and the United Kingdom. He was soon popular and sought-after DJ in New York City, frequently booked for high-profile events and private parties. In 1999, Ronson was featured in an ad wearing Tommy Hilfiger denim in the recording studio for an ad campaign for the company. 2001–05: Here Comes the Fuzz and initial producing Mark made the leap from DJ to producer after Nikka Costa's manager, Dominique Trenier, heard one of his sets and introduced the musicians. Ronson produced Costa's song "Everybody Got Their Something," and Ronson soon signed a record contract with Elektra Records. He had already produced tracks for Hilfiger ads and, in 2001, used the connection to have Costa's single "Like a Feather" used in an advertisement. Ronson's debut album, Here Comes the Fuzz, was released in 2003. Despite poor initial sales, it was generally well received by critics. As well as writing the songs on the album, Ronson created the beats, played guitar, keyboards, and bass. The album featured performances from artists from diverse genres, including Mos Def, Jack White, Sean Paul, Nappy Roots and Rivers Cuomo. The lead single and best known song from the album, "Ooh Wee," samples "Sunny" by Boney M and features the rappers Nate Dogg, Ghostface Killah, Trife Da God, and Saigon. The song charted at number 15 on the UK Singles Chart and was used in a number of films, including in Honey (2003) and on its soundtrack. Two weeks after releasing Here Comes the Fuzz, Elektra Records dropped him. In 2004, Ronson formed his own record label, Allido Records, a subsidiary of Sony BMG's J Records, along with his longtime manager Rich Kleiman. The first artist he signed to Allido was rapper Saigon, who later left to sign with Just Blaze's Fort Knox Entertainment. He has signed Rhymefest, most well known for winning the Grammy for co-writing Kanye West's "Jesus Walks." 2006–09: Version On 2 April 2007, Ronson released a cover of The Smiths' track "Stop Me If You Think You've Heard This One Before" under the title "Stop Me", featuring singer Daniel Merriweather. It reached number 2 in the UK singles charts, giving Ronson his highest-peaking single until 2014's "Uptown Funk". Ronson remixed the Bob Dylan song "Most Likely You Go Your Way And I'll Go Mine" in promotion for the three-disc Bob Dylan set titled Dylan released October 2007. Ronson has also produced Candie Payne's "One More Chance (Ronson mix)" in 2007. The album Version was well received by critics particularly in the UK and US. In May 2007 it was awarded the title Album of the Month by the British dance music magazine, Mixmag. On 23 June, Ronson made the cover of The Guardian newspaper's Guide magazine, alongside singer Lily Allen. In June 2007, Ronson signed DC hip hop artist Wale to Allido Records. In late 2007, he focused on production, working with Daniel Merriweather on his debut album, and recording again with Amy Winehouse and Robbie Williams. On 24 October 2007, Ronson performed a one-off set at The Roundhouse in Camden, London as part of the BBC Electric Proms 2007. The performance featured the BBC Concert Orchestra and included special guests Terry Hall, Sean Lennon, Tim Burgess, Alex Greenwald, Ricky Wilson, Charlie Waller, Adele and Kyle Falconer. In December 2007, Ronson received his first Grammy Award nomination, for 'Producer of the Year, Non-Classical'. Ronson's work with Amy Winehouse also received substantial accolades, gaining 6 nominations. Winehouse's "Back to Black" album, mostly produced by Ronson, was nominated for 'Album of the Year' and 'Best Pop Vocal Album'. Her song "Rehab" received nods for 'Best Female Pop Vocal Performance', 'Song of the Year' and 'Record of the Year'. Ronson would go on to win three Grammys: 'Producer of the Year' as well as 'Best Pop Vocal Album' and 'Record of the Year' (the latter two of which he shared with Amy Winehouse) in early February 2008. Ronson is credited as producer on a mixtape album called Man in the Mirror, released in January 2008 by the rapper Rhymefest which is a tribute to the pop star Michael Jackson. The album features Rhymefest appearing to speak to Michael Jackson using archive audio from interviews with the pop star. The same month Ronson received three nominations for the Brit Awards, including 'Best Male Solo Artist,' 'Best Album' (Version) and 'Song of the Year' ("Valerie"). Ronson won his first Brit for 'Best Male Solo Artist' in mid-February 2008 over favourite Mika. He also performed a medley of Coldplay's "God Put a Smile upon Your Face" with Adele, "Stop Me" with Daniel Merriweather, and "Valerie" with Amy Winehouse. The performance allowed for a large boost in sales in the iTunes UK Top 100. "Valerie" would jump almost 30 spots in the days after the event, while "Just", "Stop Me" and "Oh My God" all appeared in the chart as well. That same week, Ronson appeared twice in the UK Top 40, with "Valerie" rebounding to number 13 and "Just" at number 31, his fourth Top 40 entry from "Version". The Brits performance also allowed for "Version" to climb 18 spots to number 4. Around this time, Ronson received his first number one on an international chart (Dutch Top 40) for "Valerie," which spent four consecutive weeks at the top of the chart. He collaborated with Kaiser Chiefs on their third album. Ronson toured the album "Version" extensively through both the UK and Europe during 2008. Notable sold-out performances at The Hammersmith Apollo and Brixton Academy. Ronson is known to champion new upcoming artists on the road with him, such as Sam Sparro and Julian Perretta. Ronson's string backing was provided by the all-female string quartet Demon Strings. On 2 July 2008, in Paris, Mark Ronson performed live with Duran Duran for an invited audience. They played new arrangements by Ronson of some Duran Duran songs, along with tracks from the band's new album, Red Carpet Massacre. Ronson & the Version Players also performed songs from his album Version. Simon LeBon sang. As of March 2009, Ronson was working with the group on their 13th album. The Album, titled All You Need Is Now, was released digitally exclusively via Apple's iTunes on 21 December 2010, while the physical CD was released in March 2011 with additional tracks. In 2013–14 Ronson was once again in the studio producing Duran Duran's 14th album, Paper Gods, making it the first time the band has worked with the same producer on consecutive albums since Colin Thurston produced their first two albums in the 1980s. 2010–12: Record Collection In the Spring of 2010, Ronson confirmed the name of his new album Record Collection, and said that he hoped to have it out by September 2010. Additionally, Ronson announced the name of his new band, "The Business Intl.'", which is the alias adopted by Ronson on the third studio album. The first single "Bang Bang Bang". which featured rapper Q-Tip and singer MNDR was released on 12 July 2010, where it peaked at number 6 on the UK Singles Chart, giving Ronson his fourth Top 10 single. The single also entered the Irish Singles Chart, where it peaked at number 18. The second single from the album, "The Bike Song", was released on 19 September 2010, and features Kyle Falconer from The View and Spank Rock. The album was released on 27 September 2010. This is the first Ronson album on which he features as a singer. Although Ronson had never met Michael Jackson he was given the vocal track to a song titled "Lovely Way", sung by Michael Jackson, in 2010 to produce for Jackson's posthumous album Michael. He submitted the track, but it did not make the tracklisting for Michael. Ronson said about the rumours surrounding the vocals on the track (due to the controversy surrounding the Cascio tracks on that same album), "It was definitely him singing. I was given a vocal track to work with but I never actually met Michael. [...] It's in the vein of Elton John's 'Goodbye Yellow Brick Road' and John Lennon's 'Imagine'." He provided the score for the 2011 film Arthur. Ronson was one of the artists featured in the 2012 documentary Re:GENERATION Music Project. His song "A La Modeliste" features Mos Def, Erykah Badu, Trombone Shorty, members of The Dap-Kings, and Zigaboo Modeliste. 2013–2017: Uptown Special and Amy On 30 October 2014, Ronson announced, via Twitter, a new single from his upcoming album, to be released on 10 November 2014. The single, "Uptown Funk," features Bruno Mars on vocals. On 22 November 2014, Ronson and Mars appeared as the musical guest on Saturday Night Live performing "Uptown Funk" and "Feel Right" (featuring Mystikal). "Uptown Funk" reached number one in the UK and US singles charts, and also became the all-time most streamed track in a single week in the UK, having been streamed a record 2.49 million times in a week. "Uptown Funk" reached the top 10 in nearly every country it charted; it spent fifteen weeks at number one on the Canadian Hot 100, fourteen weeks at number one on the Billboard Hot 100, and seven weeks at number one on the UK Singles Chart. In February 2015 the song won Ronson the Brit Award for British Single of the Year. As of November 2021, the song's music video on YouTube has amassed over 4.3 billion views. In 2015, Ronson starred in the documentary film Amy about his late friend Amy Winehouse. His voice features in the film where he talks about his career and relationship with Winehouse and there is footage of Ronson from the recording session of the single "Back to Black" from March 2006 and also at Winehouse's funeral in London in July 2011. On 16 October 2015, Ronson became a patron of the Amy Winehouse Foundation. In January 2016, Ronson was nominated for two Brit Awards; Best British Male Solo Artist, and British Producer of the Year, at the 2016 Brit Awards. At the 2016 Grammy Awards Ronson won two awards for "Uptown Funk", including Record of the Year. Jason Iley, the head of Sony Music UK and Ronson's UK label Columbia Records, hailed Ronson as "a true gentleman" and "one of the most considerate, kind and humble artists in our industry." He added, "the monumental success of Uptown Funk is so thoroughly deserved and has established itself as, not only one of the Records of the Year but of our lifetime." He went on to executive produce Lady Gaga's fifth album Joanne. Ronson produced the Queens of the Stone Age's 2017 album Villains. 2018–present: Silk City, "Shallow" and Late Night Feelings In 2018, Ronson founded his own label, Zelig Records, an imprint of Columbia Records and the first artist he signed was singer King Princess. He also formed the duo Silk City with fellow producer Diplo. Their first single "Electricity" featuring Dua Lipa was released on 6 September and peaked at the US Dance Club Songs and received the Grammy Award for Best Dance Recording at the 61st Annual Grammy Awards. In May 2018, it was revealed that Ronson was working with Miley Cyrus in the studio. Their first collaboration "Nothing Breaks Like a Heart" was released in November 2018. Ronson also co-wrote the song "Shallow" for the film A Star Is Born with his frequent collaborators Lady Gaga, Andrew Wyatt, and Anthony Rossomando. The song earned Ronson an Academy Award and the Golden Globe Award for Best Original Song, as well as two Grammy nominations, winning the Grammy Award for Best Song Written for Visual Media. On 12 April 2019, it was announced that Mark Ronson would release his fifth album Late Night Feelings, on 26 June 2019. The album features Miley Cyrus, Angel Olsen, Lykke Li and Camila Cabello. Ronson has described the album as a collection of "sad bangers," with the title track laying down a warm mid-tempo dance groove under Li's melancholy vocals. On 12 October 2019, BBC Two broadcast the documentary Mark Ronson: From the Heart, directed by Carl Hindmarch. In June of 2021, Ronson, along with Foo Fighters shared a "re-verson" of the Foo Fighters then latest single Making a Fire. Personal life Ronson divides his time between London, Los Angeles, and New York. Since childhood, he has been a fan of English Premier League football club Chelsea F.C. and is also a fan of the New York Knicks basketball team. In 2009, Ronson was voted the most stylish man in the UK by GQ magazine. In 2011, a portrait of Ronson was painted by British artist Joe Simpson; the painting was exhibited around the UK, including a solo exhibition at the Royal Albert Hall in London. In 2015 he was named one of the magazine's 50 best dressed British men. > On 20 August 2019, Ronson, along with several other celebrities, invested in a funding round for Lowell Herb Co, a California cannabis brand. He is known to be "a dedicated cannabis consumer". Relationships In 2002, Ronson began dating the actress-singer Rashida Jones. They became engaged in March 2003, with Ronson proposing by creating a crossword puzzle with the message "Will you marry me." Their relationship ended approximately one year later. On 3 September 2011, Ronson married French actress and singer Joséphine de La Baume, who had previously appeared in the music video for "The Bike Song". On 16 May 2017, it was reported that de La Baume had filed for divorce from Ronson, listing the separation date as 21 April 2017. The divorce was finalized in October 2018. On 4 September 2021, Ronson announced his marriage to actress Grace Gummer, after a year of dating. Lawsuit In 2017, Lastrada Entertainment claimed that "Uptown Funk" infringed the copyright of Zapp & Roger's 1980 hit song "More Bounce to the Ounce". A total of three lawsuits had been filed by different parties. Discography Here Comes the Fuzz (2003) Version (2007) Record Collection (with The Business Intl.) (2010) Uptown Special (2015) Late Night Feelings (2019) Filmography Zoolander (2001) – Himself Amy (2015) – Himself Gaga: Five Foot Two (2017) – Himself Spies in Disguise (2019) – Agency Control Room Technician (cameo) Videos Ronson created a video, along with directors Gary Breslin and Jordan Galland, called Circuit Breaker, which was an homage to the video game The Legend of Zelda: A Link to the Past. In 2001, Ronson appeared in the Aaliyah music video "More Than a Woman" as a DJ. On 30 July 2021, the documentary series Watch the Sound with Mark Ronson was released on Apple TV+. Production discography Adapted from AllMusic. Bold denotes a commercial single. Other singles 1997: Posse-O – "It's Up to You..."* 1998: Powerule – "Heatin' Up"* 1998: Powerule – "Rhymes to Bust" / "It's Your Right"* 2002: J-Live – "School's In"* 2004: Daniel Merriweather – "City Rules"* 2004: Daniel Merriweather – "She's Got Me"* 2005: Rhymefest – "These Days"* 2005: Rhymefest – "Brand New"* 2007: Candie Payne – "One More Chance"* 2007: Bob Dylan – "Most Likely You Go Your Way (And I'll Go Mine) (Mark Ronson Re-version)"* 2008: Leon Jean-Marie – "Bed of Nails"* 2008: Kaiser Chiefs – "Never Miss a Beat"* 2008: Wiley – "Cash in My Pocket"* 2008: Kaiser Chiefs – "Good Days Bad Days"* 2009: Daniel Merriweather – "Change"* 2009: Daniel Merriweather – "Red"* 2009: Daniel Merriweather – "Impossible" 2012: Rufus Wainwright – "Out of the Game"* 2012: Rufus Wainwright – "Jericho"* 2013: Giggs – "(Is It Gangsta?) Yes Yes Yes"* 2015: Duran Duran featuring Janelle Monáe and Nile Rodgers – "Pressure Off"* 2016: Various Artists – "Hands"* 2018: Michael Jackson - "Diamonds Are Invincible"* (Mash-Up) 2018: Silk City - "Electricity"* featuring Dua Lipa, Diplo and Mark Ronson 2018: Lady Gaga and Bradley Cooper – "Shallow"* 2020: Troye Sivan featuring Kacey Musgraves and Mark Ronson - "Easy"* Awards and nominations References External links Mark Ronson and Boy George 1975 births 20th-century English musicians 21st-century English musicians Allido Records artists APRA Award winners British Ashkenazi Jews Best Original Song Academy Award-winning songwriters Brit Award winners British alternative rock musicians British hip hop DJs Collegiate School (New York) alumni English DJs DJs from London English emigrants to the United States English people of Austrian-Jewish descent English people of Lithuanian-Jewish descent English people of Russian-Jewish descent English multi-instrumentalists English record producers English songwriters Golden Globe Award-winning musicians Grammy Award winners Hip hop record producers Jewish English musicians Jewish hip hop record producers Jewish singers Living people People from Notting Hill People from the Upper West Side M Mark Ronson Silk City (duo) members Sony Music UK artists The Flip Squad members Tisch School of the Arts alumni

C_d5d7c57a056e48fbb1667f80ffeb5358_0

Did this do well?

Did the 2012 documentary Re:GENERATION Music Project do well?

Mark Ronson

In the Spring of 2010, Ronson confirmed the name of his new album Record Collection, and said that he hoped to have it out by September 2010. Additionally, Ronson announced the name of his new band, "The Business Intl.'", which is the alias adopted by Ronson on the third studio album. The first single "Bang Bang Bang". which featured rapper Q-Tip and singer MNDR was released on 12 July 2010, where it peaked at number 6 on the UK Singles Chart, giving Ronson his fourth Top 10 single. The single also entered the Irish Singles Chart, where it peaked at number 18. The second single from the album, "The Bike Song", was 19 September 2010 and features Kyle Falconer from The View and Spank Rock. The album was released on 27 September 2010. This is the first Ronson albums on which he features as a singer. Although Ronson had never met Michael Jackson he was given the vocal track to a song titled "Lovely Way", sung by Michael Jackson, in 2010 to produce for Jackson's posthumous album Michael. He submitted the track, but it did not make the track listing for Michael. Ronson said about the rumours surrounding the vocals on the track (due to the controversy surrounding the Cascio tracks on that same album), "It was definitely him singing. I was given a vocal track to work with but I never actually met Michael. [...] It's in the vein of Elton John's 'Goodbye Yellow Brick Road' and John Lennon's 'Imagine'." He provided the score for the 2011 film Arthur. Ronson was one of the artists featured in the 2012 documentary Re:GENERATION Music Project. His song "A La Modeliste" features Mos Def, Erykah Badu, Trombone Shorty, members of The Dap-Kings, and Zigaboo Modeliste. CANNOTANSWER

His song "A La Modeliste" features Mos Def, Erykah Badu, Trombone Shorty, members of The Dap-Kings, and Zigaboo Modeliste.

Mark Daniel Ronson (born 4 September 1975) is an English-American DJ, songwriter, record producer, and record executive. He is best known for his collaborations with artists such as Duran Duran, Amy Winehouse, Adele, Lady Gaga, Lily Allen, Robbie Williams, Miley Cyrus, Queens of the Stone Age, Kevin Parker and Bruno Mars. He has received seven Grammy Awards, including Producer of the Year for Winehouse's album Back to Black and two for Record of the Year singles "Rehab" and "Uptown Funk". He received an Academy Award, a Golden Globe Award and a Grammy Award for co-writing the song "Shallow" (performed by Lady Gaga and Bradley Cooper) for the film A Star is Born (2018). Ronson was born in London and raised in New York City. His stepfather is Foreigner guitarist Mick Jones, which contributed to a childhood surrounded by music. While attending New York University, Ronson became a popular DJ in the hip-hop scene. His debut album Here Comes the Fuzz failed to have an effect on the charts. In 2006, he received acclaim for producing albums for Lily Allen, Christina Aguilera, and Amy Winehouse. In 2007, Ronson released his second album, Version. The album reached number two in the UK and included three top ten singles and earned him the Brit Award for British Male Solo Artist. He subsequently released his third studio album, Record Collection, peaking at number two in the UK. In 2014, Ronson released his single "Uptown Funk" featuring vocals from Bruno Mars. The single spent 14 consecutive weeks at number one on the U.S. Billboard Hot 100, seven non-consecutive weeks at number one on the UK Singles Chart and became one of the best-selling singles of all-time. His fourth studio album, Uptown Special, became his most successful album to date. In 2018, he founded his own label, Zelig Records (an imprint of Columbia Records), and formed the duo Silk City with fellow producer Diplo, they released their debut single "Electricity" featuring Dua Lipa for which he received the Grammy Award for Best Dance Recording. In 2015, he became a patron of the Amy Winehouse Foundation, which helps disadvantaged youth through music. He has also worked with the End the Silence campaign to raise money and awareness for the Hope and Homes for Children charity and served as an artist mentor at Turnaround Arts, a national program of the John F. Kennedy Center for the Performing Arts, which helped low-performing schools through arts education. Early life Mark Daniel Ronson was born in Notting Hill, London, England, to Laurence Ronson, a then music manager and publisher, now real estate developer, and Ann Dexter-Jones (née Dexter), a writer, jewelry designer, and socialite. His Ashkenazi Jewish ancestors emigrated from Austria, Lithuania, and Russia. He was brought up in a Conservative Jewish household and celebrated his Bar Mitzvah. After his parents' divorce, his mother married Foreigner guitarist Mick Jones. Of note, Jones wrote Foreigner's hit song "I Want to Know What Love Is" about his burgeoning relationship with Dexter-Jones. Ronson, along with his mother, stepfather, and sisters, moved to New York City when he was eight years old. Living on the Upper West Side of Manhattan, he counted Sean Lennon among his childhood friends. At twelve, being a self-described music nerd, he pestered Rolling Stone founder Jann Wenner into an internship at the magazine. He attended high school at the private Collegiate School in Manhattan before attending Vassar College and then New York University. In 2008, he obtained American citizenship so that he could vote in that year's election. Family He was born into the Ronson family, formerly one of Britain's wealthiest families and founders of Heron International; following success in the 1980s, they lost $1 billion of their wealth in the property crash of the early 1990s. He is the nephew of businessman Gerald Ronson. Through his mother, he is distantly related to British Conservative politicians Sir Malcolm Rifkind and Leon Brittan, and Odeon Cinemas founder Oscar Deutsch. Ronson's has two younger sisters, twins Charlotte Ronson, a fashion designer, and Samantha Ronson, a singer and DJ. Through his mother's second marriage to Mick Jones he has two elder step-siblings and two half-siblings, including actress Annabelle Dexter-Jones. Through his father's second marriage, he has three other half-siblings. Career While attending New York University, Ronson became a regular in the downtown hip hop night life. He became known as a DJ on the New York club scene by 1993, charging $50 per job. He was known for his diverse, genre-spanning selection. He attracted a wide audience by fusing funk, hip hop, and rock and roll into his setlists, and playing songs that were popular in both the United States and the United Kingdom. He was soon popular and sought-after DJ in New York City, frequently booked for high-profile events and private parties. In 1999, Ronson was featured in an ad wearing Tommy Hilfiger denim in the recording studio for an ad campaign for the company. 2001–05: Here Comes the Fuzz and initial producing Mark made the leap from DJ to producer after Nikka Costa's manager, Dominique Trenier, heard one of his sets and introduced the musicians. Ronson produced Costa's song "Everybody Got Their Something," and Ronson soon signed a record contract with Elektra Records. He had already produced tracks for Hilfiger ads and, in 2001, used the connection to have Costa's single "Like a Feather" used in an advertisement. Ronson's debut album, Here Comes the Fuzz, was released in 2003. Despite poor initial sales, it was generally well received by critics. As well as writing the songs on the album, Ronson created the beats, played guitar, keyboards, and bass. The album featured performances from artists from diverse genres, including Mos Def, Jack White, Sean Paul, Nappy Roots and Rivers Cuomo. The lead single and best known song from the album, "Ooh Wee," samples "Sunny" by Boney M and features the rappers Nate Dogg, Ghostface Killah, Trife Da God, and Saigon. The song charted at number 15 on the UK Singles Chart and was used in a number of films, including in Honey (2003) and on its soundtrack. Two weeks after releasing Here Comes the Fuzz, Elektra Records dropped him. In 2004, Ronson formed his own record label, Allido Records, a subsidiary of Sony BMG's J Records, along with his longtime manager Rich Kleiman. The first artist he signed to Allido was rapper Saigon, who later left to sign with Just Blaze's Fort Knox Entertainment. He has signed Rhymefest, most well known for winning the Grammy for co-writing Kanye West's "Jesus Walks." 2006–09: Version On 2 April 2007, Ronson released a cover of The Smiths' track "Stop Me If You Think You've Heard This One Before" under the title "Stop Me", featuring singer Daniel Merriweather. It reached number 2 in the UK singles charts, giving Ronson his highest-peaking single until 2014's "Uptown Funk". Ronson remixed the Bob Dylan song "Most Likely You Go Your Way And I'll Go Mine" in promotion for the three-disc Bob Dylan set titled Dylan released October 2007. Ronson has also produced Candie Payne's "One More Chance (Ronson mix)" in 2007. The album Version was well received by critics particularly in the UK and US. In May 2007 it was awarded the title Album of the Month by the British dance music magazine, Mixmag. On 23 June, Ronson made the cover of The Guardian newspaper's Guide magazine, alongside singer Lily Allen. In June 2007, Ronson signed DC hip hop artist Wale to Allido Records. In late 2007, he focused on production, working with Daniel Merriweather on his debut album, and recording again with Amy Winehouse and Robbie Williams. On 24 October 2007, Ronson performed a one-off set at The Roundhouse in Camden, London as part of the BBC Electric Proms 2007. The performance featured the BBC Concert Orchestra and included special guests Terry Hall, Sean Lennon, Tim Burgess, Alex Greenwald, Ricky Wilson, Charlie Waller, Adele and Kyle Falconer. In December 2007, Ronson received his first Grammy Award nomination, for 'Producer of the Year, Non-Classical'. Ronson's work with Amy Winehouse also received substantial accolades, gaining 6 nominations. Winehouse's "Back to Black" album, mostly produced by Ronson, was nominated for 'Album of the Year' and 'Best Pop Vocal Album'. Her song "Rehab" received nods for 'Best Female Pop Vocal Performance', 'Song of the Year' and 'Record of the Year'. Ronson would go on to win three Grammys: 'Producer of the Year' as well as 'Best Pop Vocal Album' and 'Record of the Year' (the latter two of which he shared with Amy Winehouse) in early February 2008. Ronson is credited as producer on a mixtape album called Man in the Mirror, released in January 2008 by the rapper Rhymefest which is a tribute to the pop star Michael Jackson. The album features Rhymefest appearing to speak to Michael Jackson using archive audio from interviews with the pop star. The same month Ronson received three nominations for the Brit Awards, including 'Best Male Solo Artist,' 'Best Album' (Version) and 'Song of the Year' ("Valerie"). Ronson won his first Brit for 'Best Male Solo Artist' in mid-February 2008 over favourite Mika. He also performed a medley of Coldplay's "God Put a Smile upon Your Face" with Adele, "Stop Me" with Daniel Merriweather, and "Valerie" with Amy Winehouse. The performance allowed for a large boost in sales in the iTunes UK Top 100. "Valerie" would jump almost 30 spots in the days after the event, while "Just", "Stop Me" and "Oh My God" all appeared in the chart as well. That same week, Ronson appeared twice in the UK Top 40, with "Valerie" rebounding to number 13 and "Just" at number 31, his fourth Top 40 entry from "Version". The Brits performance also allowed for "Version" to climb 18 spots to number 4. Around this time, Ronson received his first number one on an international chart (Dutch Top 40) for "Valerie," which spent four consecutive weeks at the top of the chart. He collaborated with Kaiser Chiefs on their third album. Ronson toured the album "Version" extensively through both the UK and Europe during 2008. Notable sold-out performances at The Hammersmith Apollo and Brixton Academy. Ronson is known to champion new upcoming artists on the road with him, such as Sam Sparro and Julian Perretta. Ronson's string backing was provided by the all-female string quartet Demon Strings. On 2 July 2008, in Paris, Mark Ronson performed live with Duran Duran for an invited audience. They played new arrangements by Ronson of some Duran Duran songs, along with tracks from the band's new album, Red Carpet Massacre. Ronson & the Version Players also performed songs from his album Version. Simon LeBon sang. As of March 2009, Ronson was working with the group on their 13th album. The Album, titled All You Need Is Now, was released digitally exclusively via Apple's iTunes on 21 December 2010, while the physical CD was released in March 2011 with additional tracks. In 2013–14 Ronson was once again in the studio producing Duran Duran's 14th album, Paper Gods, making it the first time the band has worked with the same producer on consecutive albums since Colin Thurston produced their first two albums in the 1980s. 2010–12: Record Collection In the Spring of 2010, Ronson confirmed the name of his new album Record Collection, and said that he hoped to have it out by September 2010. Additionally, Ronson announced the name of his new band, "The Business Intl.'", which is the alias adopted by Ronson on the third studio album. The first single "Bang Bang Bang". which featured rapper Q-Tip and singer MNDR was released on 12 July 2010, where it peaked at number 6 on the UK Singles Chart, giving Ronson his fourth Top 10 single. The single also entered the Irish Singles Chart, where it peaked at number 18. The second single from the album, "The Bike Song", was released on 19 September 2010, and features Kyle Falconer from The View and Spank Rock. The album was released on 27 September 2010. This is the first Ronson album on which he features as a singer. Although Ronson had never met Michael Jackson he was given the vocal track to a song titled "Lovely Way", sung by Michael Jackson, in 2010 to produce for Jackson's posthumous album Michael. He submitted the track, but it did not make the tracklisting for Michael. Ronson said about the rumours surrounding the vocals on the track (due to the controversy surrounding the Cascio tracks on that same album), "It was definitely him singing. I was given a vocal track to work with but I never actually met Michael. [...] It's in the vein of Elton John's 'Goodbye Yellow Brick Road' and John Lennon's 'Imagine'." He provided the score for the 2011 film Arthur. Ronson was one of the artists featured in the 2012 documentary Re:GENERATION Music Project. His song "A La Modeliste" features Mos Def, Erykah Badu, Trombone Shorty, members of The Dap-Kings, and Zigaboo Modeliste. 2013–2017: Uptown Special and Amy On 30 October 2014, Ronson announced, via Twitter, a new single from his upcoming album, to be released on 10 November 2014. The single, "Uptown Funk," features Bruno Mars on vocals. On 22 November 2014, Ronson and Mars appeared as the musical guest on Saturday Night Live performing "Uptown Funk" and "Feel Right" (featuring Mystikal). "Uptown Funk" reached number one in the UK and US singles charts, and also became the all-time most streamed track in a single week in the UK, having been streamed a record 2.49 million times in a week. "Uptown Funk" reached the top 10 in nearly every country it charted; it spent fifteen weeks at number one on the Canadian Hot 100, fourteen weeks at number one on the Billboard Hot 100, and seven weeks at number one on the UK Singles Chart. In February 2015 the song won Ronson the Brit Award for British Single of the Year. As of November 2021, the song's music video on YouTube has amassed over 4.3 billion views. In 2015, Ronson starred in the documentary film Amy about his late friend Amy Winehouse. His voice features in the film where he talks about his career and relationship with Winehouse and there is footage of Ronson from the recording session of the single "Back to Black" from March 2006 and also at Winehouse's funeral in London in July 2011. On 16 October 2015, Ronson became a patron of the Amy Winehouse Foundation. In January 2016, Ronson was nominated for two Brit Awards; Best British Male Solo Artist, and British Producer of the Year, at the 2016 Brit Awards. At the 2016 Grammy Awards Ronson won two awards for "Uptown Funk", including Record of the Year. Jason Iley, the head of Sony Music UK and Ronson's UK label Columbia Records, hailed Ronson as "a true gentleman" and "one of the most considerate, kind and humble artists in our industry." He added, "the monumental success of Uptown Funk is so thoroughly deserved and has established itself as, not only one of the Records of the Year but of our lifetime." He went on to executive produce Lady Gaga's fifth album Joanne. Ronson produced the Queens of the Stone Age's 2017 album Villains. 2018–present: Silk City, "Shallow" and Late Night Feelings In 2018, Ronson founded his own label, Zelig Records, an imprint of Columbia Records and the first artist he signed was singer King Princess. He also formed the duo Silk City with fellow producer Diplo. Their first single "Electricity" featuring Dua Lipa was released on 6 September and peaked at the US Dance Club Songs and received the Grammy Award for Best Dance Recording at the 61st Annual Grammy Awards. In May 2018, it was revealed that Ronson was working with Miley Cyrus in the studio. Their first collaboration "Nothing Breaks Like a Heart" was released in November 2018. Ronson also co-wrote the song "Shallow" for the film A Star Is Born with his frequent collaborators Lady Gaga, Andrew Wyatt, and Anthony Rossomando. The song earned Ronson an Academy Award and the Golden Globe Award for Best Original Song, as well as two Grammy nominations, winning the Grammy Award for Best Song Written for Visual Media. On 12 April 2019, it was announced that Mark Ronson would release his fifth album Late Night Feelings, on 26 June 2019. The album features Miley Cyrus, Angel Olsen, Lykke Li and Camila Cabello. Ronson has described the album as a collection of "sad bangers," with the title track laying down a warm mid-tempo dance groove under Li's melancholy vocals. On 12 October 2019, BBC Two broadcast the documentary Mark Ronson: From the Heart, directed by Carl Hindmarch. In June of 2021, Ronson, along with Foo Fighters shared a "re-verson" of the Foo Fighters then latest single Making a Fire. Personal life Ronson divides his time between London, Los Angeles, and New York. Since childhood, he has been a fan of English Premier League football club Chelsea F.C. and is also a fan of the New York Knicks basketball team. In 2009, Ronson was voted the most stylish man in the UK by GQ magazine. In 2011, a portrait of Ronson was painted by British artist Joe Simpson; the painting was exhibited around the UK, including a solo exhibition at the Royal Albert Hall in London. In 2015 he was named one of the magazine's 50 best dressed British men. > On 20 August 2019, Ronson, along with several other celebrities, invested in a funding round for Lowell Herb Co, a California cannabis brand. He is known to be "a dedicated cannabis consumer". Relationships In 2002, Ronson began dating the actress-singer Rashida Jones. They became engaged in March 2003, with Ronson proposing by creating a crossword puzzle with the message "Will you marry me." Their relationship ended approximately one year later. On 3 September 2011, Ronson married French actress and singer Joséphine de La Baume, who had previously appeared in the music video for "The Bike Song". On 16 May 2017, it was reported that de La Baume had filed for divorce from Ronson, listing the separation date as 21 April 2017. The divorce was finalized in October 2018. On 4 September 2021, Ronson announced his marriage to actress Grace Gummer, after a year of dating. Lawsuit In 2017, Lastrada Entertainment claimed that "Uptown Funk" infringed the copyright of Zapp & Roger's 1980 hit song "More Bounce to the Ounce". A total of three lawsuits had been filed by different parties. Discography Here Comes the Fuzz (2003) Version (2007) Record Collection (with The Business Intl.) (2010) Uptown Special (2015) Late Night Feelings (2019) Filmography Zoolander (2001) – Himself Amy (2015) – Himself Gaga: Five Foot Two (2017) – Himself Spies in Disguise (2019) – Agency Control Room Technician (cameo) Videos Ronson created a video, along with directors Gary Breslin and Jordan Galland, called Circuit Breaker, which was an homage to the video game The Legend of Zelda: A Link to the Past. In 2001, Ronson appeared in the Aaliyah music video "More Than a Woman" as a DJ. On 30 July 2021, the documentary series Watch the Sound with Mark Ronson was released on Apple TV+. Production discography Adapted from AllMusic. Bold denotes a commercial single. Other singles 1997: Posse-O – "It's Up to You..."* 1998: Powerule – "Heatin' Up"* 1998: Powerule – "Rhymes to Bust" / "It's Your Right"* 2002: J-Live – "School's In"* 2004: Daniel Merriweather – "City Rules"* 2004: Daniel Merriweather – "She's Got Me"* 2005: Rhymefest – "These Days"* 2005: Rhymefest – "Brand New"* 2007: Candie Payne – "One More Chance"* 2007: Bob Dylan – "Most Likely You Go Your Way (And I'll Go Mine) (Mark Ronson Re-version)"* 2008: Leon Jean-Marie – "Bed of Nails"* 2008: Kaiser Chiefs – "Never Miss a Beat"* 2008: Wiley – "Cash in My Pocket"* 2008: Kaiser Chiefs – "Good Days Bad Days"* 2009: Daniel Merriweather – "Change"* 2009: Daniel Merriweather – "Red"* 2009: Daniel Merriweather – "Impossible" 2012: Rufus Wainwright – "Out of the Game"* 2012: Rufus Wainwright – "Jericho"* 2013: Giggs – "(Is It Gangsta?) Yes Yes Yes"* 2015: Duran Duran featuring Janelle Monáe and Nile Rodgers – "Pressure Off"* 2016: Various Artists – "Hands"* 2018: Michael Jackson - "Diamonds Are Invincible"* (Mash-Up) 2018: Silk City - "Electricity"* featuring Dua Lipa, Diplo and Mark Ronson 2018: Lady Gaga and Bradley Cooper – "Shallow"* 2020: Troye Sivan featuring Kacey Musgraves and Mark Ronson - "Easy"* Awards and nominations References External links Mark Ronson and Boy George 1975 births 20th-century English musicians 21st-century English musicians Allido Records artists APRA Award winners British Ashkenazi Jews Best Original Song Academy Award-winning songwriters Brit Award winners British alternative rock musicians British hip hop DJs Collegiate School (New York) alumni English DJs DJs from London English emigrants to the United States English people of Austrian-Jewish descent English people of Lithuanian-Jewish descent English people of Russian-Jewish descent English multi-instrumentalists English record producers English songwriters Golden Globe Award-winning musicians Grammy Award winners Hip hop record producers Jewish English musicians Jewish hip hop record producers Jewish singers Living people People from Notting Hill People from the Upper West Side M Mark Ronson Silk City (duo) members Sony Music UK artists The Flip Squad members Tisch School of the Arts alumni

C_d5d7c57a056e48fbb1667f80ffeb5358_0

What other achievements did he have/

What other achievements did Mark Ronson have, besides providing the score for the 2011 film Arthur?

Mark Ronson

In the Spring of 2010, Ronson confirmed the name of his new album Record Collection, and said that he hoped to have it out by September 2010. Additionally, Ronson announced the name of his new band, "The Business Intl.'", which is the alias adopted by Ronson on the third studio album. The first single "Bang Bang Bang". which featured rapper Q-Tip and singer MNDR was released on 12 July 2010, where it peaked at number 6 on the UK Singles Chart, giving Ronson his fourth Top 10 single. The single also entered the Irish Singles Chart, where it peaked at number 18. The second single from the album, "The Bike Song", was 19 September 2010 and features Kyle Falconer from The View and Spank Rock. The album was released on 27 September 2010. This is the first Ronson albums on which he features as a singer. Although Ronson had never met Michael Jackson he was given the vocal track to a song titled "Lovely Way", sung by Michael Jackson, in 2010 to produce for Jackson's posthumous album Michael. He submitted the track, but it did not make the track listing for Michael. Ronson said about the rumours surrounding the vocals on the track (due to the controversy surrounding the Cascio tracks on that same album), "It was definitely him singing. I was given a vocal track to work with but I never actually met Michael. [...] It's in the vein of Elton John's 'Goodbye Yellow Brick Road' and John Lennon's 'Imagine'." He provided the score for the 2011 film Arthur. Ronson was one of the artists featured in the 2012 documentary Re:GENERATION Music Project. His song "A La Modeliste" features Mos Def, Erykah Badu, Trombone Shorty, members of The Dap-Kings, and Zigaboo Modeliste. CANNOTANSWER

he was given the vocal track to a song titled "Lovely Way", sung by Michael Jackson, in 2010 to produce for Jackson's posthumous album

Mark Daniel Ronson (born 4 September 1975) is an English-American DJ, songwriter, record producer, and record executive. He is best known for his collaborations with artists such as Duran Duran, Amy Winehouse, Adele, Lady Gaga, Lily Allen, Robbie Williams, Miley Cyrus, Queens of the Stone Age, Kevin Parker and Bruno Mars. He has received seven Grammy Awards, including Producer of the Year for Winehouse's album Back to Black and two for Record of the Year singles "Rehab" and "Uptown Funk". He received an Academy Award, a Golden Globe Award and a Grammy Award for co-writing the song "Shallow" (performed by Lady Gaga and Bradley Cooper) for the film A Star is Born (2018). Ronson was born in London and raised in New York City. His stepfather is Foreigner guitarist Mick Jones, which contributed to a childhood surrounded by music. While attending New York University, Ronson became a popular DJ in the hip-hop scene. His debut album Here Comes the Fuzz failed to have an effect on the charts. In 2006, he received acclaim for producing albums for Lily Allen, Christina Aguilera, and Amy Winehouse. In 2007, Ronson released his second album, Version. The album reached number two in the UK and included three top ten singles and earned him the Brit Award for British Male Solo Artist. He subsequently released his third studio album, Record Collection, peaking at number two in the UK. In 2014, Ronson released his single "Uptown Funk" featuring vocals from Bruno Mars. The single spent 14 consecutive weeks at number one on the U.S. Billboard Hot 100, seven non-consecutive weeks at number one on the UK Singles Chart and became one of the best-selling singles of all-time. His fourth studio album, Uptown Special, became his most successful album to date. In 2018, he founded his own label, Zelig Records (an imprint of Columbia Records), and formed the duo Silk City with fellow producer Diplo, they released their debut single "Electricity" featuring Dua Lipa for which he received the Grammy Award for Best Dance Recording. In 2015, he became a patron of the Amy Winehouse Foundation, which helps disadvantaged youth through music. He has also worked with the End the Silence campaign to raise money and awareness for the Hope and Homes for Children charity and served as an artist mentor at Turnaround Arts, a national program of the John F. Kennedy Center for the Performing Arts, which helped low-performing schools through arts education. Early life Mark Daniel Ronson was born in Notting Hill, London, England, to Laurence Ronson, a then music manager and publisher, now real estate developer, and Ann Dexter-Jones (née Dexter), a writer, jewelry designer, and socialite. His Ashkenazi Jewish ancestors emigrated from Austria, Lithuania, and Russia. He was brought up in a Conservative Jewish household and celebrated his Bar Mitzvah. After his parents' divorce, his mother married Foreigner guitarist Mick Jones. Of note, Jones wrote Foreigner's hit song "I Want to Know What Love Is" about his burgeoning relationship with Dexter-Jones. Ronson, along with his mother, stepfather, and sisters, moved to New York City when he was eight years old. Living on the Upper West Side of Manhattan, he counted Sean Lennon among his childhood friends. At twelve, being a self-described music nerd, he pestered Rolling Stone founder Jann Wenner into an internship at the magazine. He attended high school at the private Collegiate School in Manhattan before attending Vassar College and then New York University. In 2008, he obtained American citizenship so that he could vote in that year's election. Family He was born into the Ronson family, formerly one of Britain's wealthiest families and founders of Heron International; following success in the 1980s, they lost $1 billion of their wealth in the property crash of the early 1990s. He is the nephew of businessman Gerald Ronson. Through his mother, he is distantly related to British Conservative politicians Sir Malcolm Rifkind and Leon Brittan, and Odeon Cinemas founder Oscar Deutsch. Ronson's has two younger sisters, twins Charlotte Ronson, a fashion designer, and Samantha Ronson, a singer and DJ. Through his mother's second marriage to Mick Jones he has two elder step-siblings and two half-siblings, including actress Annabelle Dexter-Jones. Through his father's second marriage, he has three other half-siblings. Career While attending New York University, Ronson became a regular in the downtown hip hop night life. He became known as a DJ on the New York club scene by 1993, charging $50 per job. He was known for his diverse, genre-spanning selection. He attracted a wide audience by fusing funk, hip hop, and rock and roll into his setlists, and playing songs that were popular in both the United States and the United Kingdom. He was soon popular and sought-after DJ in New York City, frequently booked for high-profile events and private parties. In 1999, Ronson was featured in an ad wearing Tommy Hilfiger denim in the recording studio for an ad campaign for the company. 2001–05: Here Comes the Fuzz and initial producing Mark made the leap from DJ to producer after Nikka Costa's manager, Dominique Trenier, heard one of his sets and introduced the musicians. Ronson produced Costa's song "Everybody Got Their Something," and Ronson soon signed a record contract with Elektra Records. He had already produced tracks for Hilfiger ads and, in 2001, used the connection to have Costa's single "Like a Feather" used in an advertisement. Ronson's debut album, Here Comes the Fuzz, was released in 2003. Despite poor initial sales, it was generally well received by critics. As well as writing the songs on the album, Ronson created the beats, played guitar, keyboards, and bass. The album featured performances from artists from diverse genres, including Mos Def, Jack White, Sean Paul, Nappy Roots and Rivers Cuomo. The lead single and best known song from the album, "Ooh Wee," samples "Sunny" by Boney M and features the rappers Nate Dogg, Ghostface Killah, Trife Da God, and Saigon. The song charted at number 15 on the UK Singles Chart and was used in a number of films, including in Honey (2003) and on its soundtrack. Two weeks after releasing Here Comes the Fuzz, Elektra Records dropped him. In 2004, Ronson formed his own record label, Allido Records, a subsidiary of Sony BMG's J Records, along with his longtime manager Rich Kleiman. The first artist he signed to Allido was rapper Saigon, who later left to sign with Just Blaze's Fort Knox Entertainment. He has signed Rhymefest, most well known for winning the Grammy for co-writing Kanye West's "Jesus Walks." 2006–09: Version On 2 April 2007, Ronson released a cover of The Smiths' track "Stop Me If You Think You've Heard This One Before" under the title "Stop Me", featuring singer Daniel Merriweather. It reached number 2 in the UK singles charts, giving Ronson his highest-peaking single until 2014's "Uptown Funk". Ronson remixed the Bob Dylan song "Most Likely You Go Your Way And I'll Go Mine" in promotion for the three-disc Bob Dylan set titled Dylan released October 2007. Ronson has also produced Candie Payne's "One More Chance (Ronson mix)" in 2007. The album Version was well received by critics particularly in the UK and US. In May 2007 it was awarded the title Album of the Month by the British dance music magazine, Mixmag. On 23 June, Ronson made the cover of The Guardian newspaper's Guide magazine, alongside singer Lily Allen. In June 2007, Ronson signed DC hip hop artist Wale to Allido Records. In late 2007, he focused on production, working with Daniel Merriweather on his debut album, and recording again with Amy Winehouse and Robbie Williams. On 24 October 2007, Ronson performed a one-off set at The Roundhouse in Camden, London as part of the BBC Electric Proms 2007. The performance featured the BBC Concert Orchestra and included special guests Terry Hall, Sean Lennon, Tim Burgess, Alex Greenwald, Ricky Wilson, Charlie Waller, Adele and Kyle Falconer. In December 2007, Ronson received his first Grammy Award nomination, for 'Producer of the Year, Non-Classical'. Ronson's work with Amy Winehouse also received substantial accolades, gaining 6 nominations. Winehouse's "Back to Black" album, mostly produced by Ronson, was nominated for 'Album of the Year' and 'Best Pop Vocal Album'. Her song "Rehab" received nods for 'Best Female Pop Vocal Performance', 'Song of the Year' and 'Record of the Year'. Ronson would go on to win three Grammys: 'Producer of the Year' as well as 'Best Pop Vocal Album' and 'Record of the Year' (the latter two of which he shared with Amy Winehouse) in early February 2008. Ronson is credited as producer on a mixtape album called Man in the Mirror, released in January 2008 by the rapper Rhymefest which is a tribute to the pop star Michael Jackson. The album features Rhymefest appearing to speak to Michael Jackson using archive audio from interviews with the pop star. The same month Ronson received three nominations for the Brit Awards, including 'Best Male Solo Artist,' 'Best Album' (Version) and 'Song of the Year' ("Valerie"). Ronson won his first Brit for 'Best Male Solo Artist' in mid-February 2008 over favourite Mika. He also performed a medley of Coldplay's "God Put a Smile upon Your Face" with Adele, "Stop Me" with Daniel Merriweather, and "Valerie" with Amy Winehouse. The performance allowed for a large boost in sales in the iTunes UK Top 100. "Valerie" would jump almost 30 spots in the days after the event, while "Just", "Stop Me" and "Oh My God" all appeared in the chart as well. That same week, Ronson appeared twice in the UK Top 40, with "Valerie" rebounding to number 13 and "Just" at number 31, his fourth Top 40 entry from "Version". The Brits performance also allowed for "Version" to climb 18 spots to number 4. Around this time, Ronson received his first number one on an international chart (Dutch Top 40) for "Valerie," which spent four consecutive weeks at the top of the chart. He collaborated with Kaiser Chiefs on their third album. Ronson toured the album "Version" extensively through both the UK and Europe during 2008. Notable sold-out performances at The Hammersmith Apollo and Brixton Academy. Ronson is known to champion new upcoming artists on the road with him, such as Sam Sparro and Julian Perretta. Ronson's string backing was provided by the all-female string quartet Demon Strings. On 2 July 2008, in Paris, Mark Ronson performed live with Duran Duran for an invited audience. They played new arrangements by Ronson of some Duran Duran songs, along with tracks from the band's new album, Red Carpet Massacre. Ronson & the Version Players also performed songs from his album Version. Simon LeBon sang. As of March 2009, Ronson was working with the group on their 13th album. The Album, titled All You Need Is Now, was released digitally exclusively via Apple's iTunes on 21 December 2010, while the physical CD was released in March 2011 with additional tracks. In 2013–14 Ronson was once again in the studio producing Duran Duran's 14th album, Paper Gods, making it the first time the band has worked with the same producer on consecutive albums since Colin Thurston produced their first two albums in the 1980s. 2010–12: Record Collection In the Spring of 2010, Ronson confirmed the name of his new album Record Collection, and said that he hoped to have it out by September 2010. Additionally, Ronson announced the name of his new band, "The Business Intl.'", which is the alias adopted by Ronson on the third studio album. The first single "Bang Bang Bang". which featured rapper Q-Tip and singer MNDR was released on 12 July 2010, where it peaked at number 6 on the UK Singles Chart, giving Ronson his fourth Top 10 single. The single also entered the Irish Singles Chart, where it peaked at number 18. The second single from the album, "The Bike Song", was released on 19 September 2010, and features Kyle Falconer from The View and Spank Rock. The album was released on 27 September 2010. This is the first Ronson album on which he features as a singer. Although Ronson had never met Michael Jackson he was given the vocal track to a song titled "Lovely Way", sung by Michael Jackson, in 2010 to produce for Jackson's posthumous album Michael. He submitted the track, but it did not make the tracklisting for Michael. Ronson said about the rumours surrounding the vocals on the track (due to the controversy surrounding the Cascio tracks on that same album), "It was definitely him singing. I was given a vocal track to work with but I never actually met Michael. [...] It's in the vein of Elton John's 'Goodbye Yellow Brick Road' and John Lennon's 'Imagine'." He provided the score for the 2011 film Arthur. Ronson was one of the artists featured in the 2012 documentary Re:GENERATION Music Project. His song "A La Modeliste" features Mos Def, Erykah Badu, Trombone Shorty, members of The Dap-Kings, and Zigaboo Modeliste. 2013–2017: Uptown Special and Amy On 30 October 2014, Ronson announced, via Twitter, a new single from his upcoming album, to be released on 10 November 2014. The single, "Uptown Funk," features Bruno Mars on vocals. On 22 November 2014, Ronson and Mars appeared as the musical guest on Saturday Night Live performing "Uptown Funk" and "Feel Right" (featuring Mystikal). "Uptown Funk" reached number one in the UK and US singles charts, and also became the all-time most streamed track in a single week in the UK, having been streamed a record 2.49 million times in a week. "Uptown Funk" reached the top 10 in nearly every country it charted; it spent fifteen weeks at number one on the Canadian Hot 100, fourteen weeks at number one on the Billboard Hot 100, and seven weeks at number one on the UK Singles Chart. In February 2015 the song won Ronson the Brit Award for British Single of the Year. As of November 2021, the song's music video on YouTube has amassed over 4.3 billion views. In 2015, Ronson starred in the documentary film Amy about his late friend Amy Winehouse. His voice features in the film where he talks about his career and relationship with Winehouse and there is footage of Ronson from the recording session of the single "Back to Black" from March 2006 and also at Winehouse's funeral in London in July 2011. On 16 October 2015, Ronson became a patron of the Amy Winehouse Foundation. In January 2016, Ronson was nominated for two Brit Awards; Best British Male Solo Artist, and British Producer of the Year, at the 2016 Brit Awards. At the 2016 Grammy Awards Ronson won two awards for "Uptown Funk", including Record of the Year. Jason Iley, the head of Sony Music UK and Ronson's UK label Columbia Records, hailed Ronson as "a true gentleman" and "one of the most considerate, kind and humble artists in our industry." He added, "the monumental success of Uptown Funk is so thoroughly deserved and has established itself as, not only one of the Records of the Year but of our lifetime." He went on to executive produce Lady Gaga's fifth album Joanne. Ronson produced the Queens of the Stone Age's 2017 album Villains. 2018–present: Silk City, "Shallow" and Late Night Feelings In 2018, Ronson founded his own label, Zelig Records, an imprint of Columbia Records and the first artist he signed was singer King Princess. He also formed the duo Silk City with fellow producer Diplo. Their first single "Electricity" featuring Dua Lipa was released on 6 September and peaked at the US Dance Club Songs and received the Grammy Award for Best Dance Recording at the 61st Annual Grammy Awards. In May 2018, it was revealed that Ronson was working with Miley Cyrus in the studio. Their first collaboration "Nothing Breaks Like a Heart" was released in November 2018. Ronson also co-wrote the song "Shallow" for the film A Star Is Born with his frequent collaborators Lady Gaga, Andrew Wyatt, and Anthony Rossomando. The song earned Ronson an Academy Award and the Golden Globe Award for Best Original Song, as well as two Grammy nominations, winning the Grammy Award for Best Song Written for Visual Media. On 12 April 2019, it was announced that Mark Ronson would release his fifth album Late Night Feelings, on 26 June 2019. The album features Miley Cyrus, Angel Olsen, Lykke Li and Camila Cabello. Ronson has described the album as a collection of "sad bangers," with the title track laying down a warm mid-tempo dance groove under Li's melancholy vocals. On 12 October 2019, BBC Two broadcast the documentary Mark Ronson: From the Heart, directed by Carl Hindmarch. In June of 2021, Ronson, along with Foo Fighters shared a "re-verson" of the Foo Fighters then latest single Making a Fire. Personal life Ronson divides his time between London, Los Angeles, and New York. Since childhood, he has been a fan of English Premier League football club Chelsea F.C. and is also a fan of the New York Knicks basketball team. In 2009, Ronson was voted the most stylish man in the UK by GQ magazine. In 2011, a portrait of Ronson was painted by British artist Joe Simpson; the painting was exhibited around the UK, including a solo exhibition at the Royal Albert Hall in London. In 2015 he was named one of the magazine's 50 best dressed British men. > On 20 August 2019, Ronson, along with several other celebrities, invested in a funding round for Lowell Herb Co, a California cannabis brand. He is known to be "a dedicated cannabis consumer". Relationships In 2002, Ronson began dating the actress-singer Rashida Jones. They became engaged in March 2003, with Ronson proposing by creating a crossword puzzle with the message "Will you marry me." Their relationship ended approximately one year later. On 3 September 2011, Ronson married French actress and singer Joséphine de La Baume, who had previously appeared in the music video for "The Bike Song". On 16 May 2017, it was reported that de La Baume had filed for divorce from Ronson, listing the separation date as 21 April 2017. The divorce was finalized in October 2018. On 4 September 2021, Ronson announced his marriage to actress Grace Gummer, after a year of dating. Lawsuit In 2017, Lastrada Entertainment claimed that "Uptown Funk" infringed the copyright of Zapp & Roger's 1980 hit song "More Bounce to the Ounce". A total of three lawsuits had been filed by different parties. Discography Here Comes the Fuzz (2003) Version (2007) Record Collection (with The Business Intl.) (2010) Uptown Special (2015) Late Night Feelings (2019) Filmography Zoolander (2001) – Himself Amy (2015) – Himself Gaga: Five Foot Two (2017) – Himself Spies in Disguise (2019) – Agency Control Room Technician (cameo) Videos Ronson created a video, along with directors Gary Breslin and Jordan Galland, called Circuit Breaker, which was an homage to the video game The Legend of Zelda: A Link to the Past. In 2001, Ronson appeared in the Aaliyah music video "More Than a Woman" as a DJ. On 30 July 2021, the documentary series Watch the Sound with Mark Ronson was released on Apple TV+. Production discography Adapted from AllMusic. Bold denotes a commercial single. Other singles 1997: Posse-O – "It's Up to You..."* 1998: Powerule – "Heatin' Up"* 1998: Powerule – "Rhymes to Bust" / "It's Your Right"* 2002: J-Live – "School's In"* 2004: Daniel Merriweather – "City Rules"* 2004: Daniel Merriweather – "She's Got Me"* 2005: Rhymefest – "These Days"* 2005: Rhymefest – "Brand New"* 2007: Candie Payne – "One More Chance"* 2007: Bob Dylan – "Most Likely You Go Your Way (And I'll Go Mine) (Mark Ronson Re-version)"* 2008: Leon Jean-Marie – "Bed of Nails"* 2008: Kaiser Chiefs – "Never Miss a Beat"* 2008: Wiley – "Cash in My Pocket"* 2008: Kaiser Chiefs – "Good Days Bad Days"* 2009: Daniel Merriweather – "Change"* 2009: Daniel Merriweather – "Red"* 2009: Daniel Merriweather – "Impossible" 2012: Rufus Wainwright – "Out of the Game"* 2012: Rufus Wainwright – "Jericho"* 2013: Giggs – "(Is It Gangsta?) Yes Yes Yes"* 2015: Duran Duran featuring Janelle Monáe and Nile Rodgers – "Pressure Off"* 2016: Various Artists – "Hands"* 2018: Michael Jackson - "Diamonds Are Invincible"* (Mash-Up) 2018: Silk City - "Electricity"* featuring Dua Lipa, Diplo and Mark Ronson 2018: Lady Gaga and Bradley Cooper – "Shallow"* 2020: Troye Sivan featuring Kacey Musgraves and Mark Ronson - "Easy"* Awards and nominations References External links Mark Ronson and Boy George 1975 births 20th-century English musicians 21st-century English musicians Allido Records artists APRA Award winners British Ashkenazi Jews Best Original Song Academy Award-winning songwriters Brit Award winners British alternative rock musicians British hip hop DJs Collegiate School (New York) alumni English DJs DJs from London English emigrants to the United States English people of Austrian-Jewish descent English people of Lithuanian-Jewish descent English people of Russian-Jewish descent English multi-instrumentalists English record producers English songwriters Golden Globe Award-winning musicians Grammy Award winners Hip hop record producers Jewish English musicians Jewish hip hop record producers Jewish singers Living people People from Notting Hill People from the Upper West Side M Mark Ronson Silk City (duo) members Sony Music UK artists The Flip Squad members Tisch School of the Arts alumni

C_e34fb9d03ce64858b218a779a10ed504_0

Where did he grow up?

Where did Dan Aykroyd grow up?

Dan Aykroyd

Aykroyd was briefly engaged to actress Carrie Fisher. He proposed to her on the set of The Blues Brothers (1980), in which she appeared as a spurned girlfriend of John Belushi's Jake Blues who was trying to kill both brothers. The engagement ended when she reconciled with her former boyfriend, musician Paul Simon. In 1983, he married actress Donna Dixon, with whom he starred in the movies Doctor Detroit (1983), on whose set they first met; Spies Like Us (1985); and The Couch Trip (1988). They have three daughters, Danielle, Stella and Belle. Aykroyd maintains his Canadian roots as a longtime resident of Sydenham, Ontario, with his estate on Loughborough Lake. In a 2004 NPR interview with host Terry Gross, Aykroyd said that he had been diagnosed in childhood with Tourette syndrome (TS) as well as Asperger syndrome (AS). He stated that his TS was successfully treated with therapy. In 2015, he stated during a HuffPost Show interview with hosts Roy Sekoff and Marc Lamont Hill that his AS was "never diagnosed" but was "sort of a self-diagnosis" based on several of his own characteristics. Aykroyd is a former reserve commander for the police department in Harahan, Louisiana, working for Chief of Police Peter Dale. Aykroyd would carry his badge with him at all times. He currently serves as a Reserve Deputy of the Hinds County Sheriff's Department in Hinds County, Mississippi. He supports the Reserves with a fundraiser concert along with other Blues and Gospel singers in the State of Mississippi. CANNOTANSWER

Aykroyd maintains his Canadian roots as a longtime resident of Sydenham, Ontario,

Daniel Edward Aykroyd ( ; born July 1, 1952) is a Canadian actor, comedian, producer, musician and writer. He was an original member of the "Not Ready for Prime Time Players" on Saturday Night Live (1975–1979). He performed with his friend John Belushi in a musical sketch on SNL, the Blues Brothers, which they turned into an actual performing band and then featured in the 1980 film The Blues Brothers. Aykroyd also conceived the premise for, and starred as Dr. Raymond Stantz in, Ghostbusters (1984), which spawned a sequel and eventually an entire media franchise. During his tenure on SNL, Aykroyd appeared in a recurring series of sketches about the Coneheads, a family of aliens stranded on Earth, which eventually spawned a feature film. After his departure, Aykroyd has occasionally returned to the show as guest appearances or cameos. In 1990, Aykroyd was nominated for the Academy Award for Best Supporting Actor for his role as Boolie Werthan in the 1989 film Driving Miss Daisy. He wrote, directed and starred in the 1991 film Nothing but Trouble, his only directing credit. He starred as Reverend Mike Weber in his own sitcom, Soul Man (1997–1998). Aykroyd is also a businessman, having co-founded the House of Blues chain of music venues and the Crystal Head Vodka brand. Early life Aykroyd was born on July 1, 1952 (Canada Day) at The Ottawa Hospital in Ottawa, Ontario. He grew up in Ottawa, Canada's capital, where his father, Samuel Cuthbert Peter Hugh Aykroyd (1922 – 2020), a civil engineer, worked as a policy adviser to Canadian Prime Minister Pierre Trudeau. His mother, Lorraine Hélène Marie (née Gougeon; April 27, 1918 – February 8, 2018), was a secretary. His mother was of French Canadian descent and his father was of English, Scottish, Irish, French, and Dutch ancestry. His brother, Peter, was also an actor. He attended St. Pius X and St. Patrick's high schools, and studied criminology and sociology at Carleton University, but dropped out before completing his degree. He worked as a comedian in various Canadian nightclubs and ran an after-hours speakeasy, Club 505, in Toronto for several years. Aykroyd is a heterochromiac syndactylite - he has webbed middle toes on both feet and he has different coloured eyes: one is brown and one is green. Aykroyd developed his musical career in Ottawa, particularly through his regular attendances at Le Hibou, a club that featured many blues artists. He describes these influences as follows: Aykroyd's first professional experience, which he gained at the age of 17, was as a member of the cast of the short-lived Canadian sketch comedy series The Hart and Lorne Terrific Hour with Lorne Michaels, among others. He was a member of the Second City comedy troupe in 1973 in both Toronto and Chicago. Saturday Night Live Aykroyd gained fame on the American late-night comedy show Saturday Night Live (SNL). He was originally hired, and paid $278 a week, as a writer for the show, but became a part of the cast before the series premiered. The original cast was referred to on the show as "The Not Ready For Prime Time Players". Aykroyd was the youngest member of the cast, and appeared on the show for its first four seasons, from 1975 to 1979. He brought a unique sensibility to the show, combining youth, unusual interests, talent as an impersonator, and an almost lunatic intensity. Guest host Eric Idle of Monty Python said that Aykroyd's ability to write and act out characters flawlessly made him the only member of the SNL cast capable of being a Python. He was known for his impersonations of celebrities such as Jimmy Carter, Vincent Price, Richard Nixon, Rod Serling, Tom Snyder, Julia Child, and others. He was also known for his recurring roles, such as Beldar, father of the Coneheads family; with Steve Martin, Yortuk Festrunk, one of the "Two Wild and Crazy Guys" brothers from Bratislava, Slovakia; sleazy late-night cable TV host E. Buzz Miller and his cousin, corrupt maker of children's toys and costumes Irwin Mainway (who extolled the virtues and defended the safety of the "Bag-o-Glass" toy); Fred Garvin – male prostitute; and high-bred but low-brow critic Leonard Pinth-Garnell. Aykroyd and Jane Curtin famously parodied the Point/Counterpoint segment on the CBS news show 60 Minutes, which featured the liberal Shana Alexander and the conservative segregationist James Kilpatrick, by portraying the two as hating one another; Aykroyd's first words in response to Curtin's point were, "Jane, you ignorant slut!". Aykroyd's eccentric talent was recognized by others in the highly competitive SNL environment; when he first presented his famous "Super Bass-O-Matic '76" sketch, a fake TV commercial in which a garish, hyper-pitchman (based on Ron Popeil) touts a food blender that turns an entire bass into liquid pulp, the other writers and cast members considered the sketch "so exhilaratingly strange that many remember sitting and listening, open-mouthed ... Nobody felt jealous of it because they couldn't imagine writing anything remotely like it." Aykroyd later revealed that the inspiration for the sketch was seeing his aunt Helene Gougeon (a noted culinary writer and food columnist in Montreal) pop a bass into a blender in order to make a bouillabaisse when he was 12 years old. While Aykroyd was a close friend and partner with fellow cast member John Belushi and shared some of the same sensibilities, Aykroyd was more reserved and less self-destructive. Aykroyd later recalled that, unlike Belushi and other of his peers, he was uninterested in recreational drug use. In 1977, he received an Emmy Award for writing on SNL; he later received two more nominations for writing and one for acting. In Rolling Stones February 2015 appraisal of all 141 SNL cast members to date, Aykroyd was ranked fifth (behind Belushi, Eddie Murphy, Tina Fey, and Mike Myers). "Of all the original [SNL] greats, Aykroyd is the least imitated", they wrote, "because nobody else can do what he did." In later decades, Aykroyd made occasional guest appearances and unannounced cameos on SNL, often impersonating the American politician Bob Dole. He also brought back past characters including Irwin Mainway and Leonard Pinth-Garnell. In 1995, he appeared on the show to introduce a performance by Canadian rock band The Tragically Hip. Aykroyd, who is a fan of the band, had personally lobbied Lorne Michaels to book them as musical guests. During some guest appearances, he resurrected the Blues Brothers musical act with frequent host John Goodman in place of Belushi. He became the second member of the original cast to host SNL in May 2003, when he appeared in the season finale. During his monologue, he performed a musical number with James Belushi similar to the Blues Brothers, but neither Aykroyd nor Belushi donned the famous black suit and sunglasses. On March 24, 2007, Aykroyd appeared as a crying fan of American Idol finalist Sanjaya Malakar (played by Andy Samberg) during "Weekend Update". On February 14, 2009, he appeared as U.S. House Minority leader John Boehner. Aykroyd also made a surprise guest appearance, along with many other SNL alumni, on the show of March 9, 2013. The Blues Brothers Aykroyd was a close friend of John Belushi. According to Aykroyd, their first meeting helped spark the Blues Brothers act. When they met in a club that Aykroyd frequented, he played a blues record in the background, and it stimulated a fascination with blues in Belushi, who was primarily a fan of heavy rock bands at the time. Aykroyd educated Belushi on the finer points of blues music, and with a little encouragement from then-SNL music director Paul Shaffer, it led to the creation of their Blues Brothers characters. Backed by such experienced professional R&B sidemen as lead guitarist Steve Cropper, sax man Lou Marini, trumpeter Alan Rubin, and bass guitarist Donald "Duck" Dunn, the Blues Brothers proved more than an SNL novelty. Taking off with the public as a legitimate musical act, they performed live gigs and in 1978 released the hit album Briefcase Full of Blues (drawn from the fact that Aykroyd, as "Elwood Blues", carried his blues harmonicas in a briefcase that he kept handcuffed to his wrist, in the manner of a CIA courier; Belushi originally carried the key to those handcuffs). Briefcase Full of Blues eventually sold 3.5 million copies, and is one of the highest-selling blues albums of all time. The band was much further popularized in the 1980 film The Blues Brothers, which Aykroyd co-wrote. A sequel, titled Blues Brothers 2000, was released in 1998 and featured John Goodman as Belushi's replacement. Cherokee Studios in Los Angeles was a regular haunt for the original Blues Brothers in the early days of the band. Belushi and Aykroyd became fixtures at the recording studio, while fellow Blues Brother Steve Cropper called Cherokee his producing home. Whenever they needed a bass player, they were joined by another Blues Brother, Donald "Duck" Dunn. During this time, Cropper, along with producing partner and Cherokee owner Bruce Robb, worked on a number of music projects with the two comedians/musicians, including Belushi's favorite band, Fear, and later Aykroyd's movie Dragnet. The Blues Brothers Band continues to tour today, both with and without Aykroyd. The band features original members Cropper and Marini, along with vocalist Eddie Floyd. Aykroyd sometimes performs as Elwood, along with Belushi's younger brother Jim Belushi, who plays "Brother Zee" on stage. They are most frequently backed by the Sacred Hearts Band. Other film and television work Concurrent with his work in Saturday Night Live, Aykroyd played the role of Purvis Bickle, lift operator at the fictitious office block 99 Sumach Street in the CBC Television series Coming Up Rosie. After leaving SNL, Aykroyd starred in a number of films, mostly comedies, with uneven results both commercially and artistically. His first three American feature films all co-starred Belushi. The first, 1941 (1979), directed by Steven Spielberg, was a box-office disappointment. The second, The Blues Brothers (1980), which he co-wrote with director John Landis, was a massive hit. The third, Neighbors (1981) had mixed critical reaction, but was another box-office hit. One of his best-received performances was as a blueblood-turned-wretch in the 1983 comedy Trading Places, in which he co-starred with fellow SNL alumnus Eddie Murphy and Jamie Lee Curtis. In the early 1980s, Aykroyd began work on a script for the film that eventually became Ghostbusters, inspired by his fascination with parapsychology. The script initially included a much greater fantasy element, including time travel, but this was toned down substantially through work on the script with Harold Ramis (who became a co-writer) and director Ivan Reitman. Aykroyd originally wrote the role of Dr. Peter Venkman with Belushi in mind, but rewrote it for Bill Murray after Belushi's death. Aykroyd joked that the green ghost, later known as "Slimer", was "the ghost of John Belushi" and was based on Belushi's party-animal personality. Ghostbusters was released in 1984 and became a huge success for Aykroyd, who also appeared as one of the lead actors; the film earned nearly on a budget. Aykroyd's next major film role was in the 1985 spy comedy film Spies Like Us, which like The Blues Brothers was co-conceived and co-written by Aykroyd, and directed by Landis. Aykroyd had again intended for Belushi to be the other lead in the film; the part was instead given to SNL alumnus Chevy Chase. The film was intended as an homage to the Bob Hope/Bing Crosby Road to ... movies of the 1940s to 1960s. Bob Hope made a cameo appearance in the film. Dragnet, in which Aykroyd co-starred (with Tom Hanks) and co-wrote, was released in 1987. The film was both an homage and a satire of the previous Dragnet series, with Aykroyd playing Sgt. Joe Friday as a police officer whose law-and-order attitude is at odds with modern sensibilities. Aykroyd appeared in five films released in 1988, all of them critical and commercial failures. A sequel to Ghostbusters, Ghostbusters II, was released in 1989; Aykroyd and the other co-creators were reluctant to make another Ghostbusters film, but succumbed to pressure from the film's studio, Columbia Pictures. The film, while considered inferior to the original, was another big hit, earning . Aykroyd was nominated for an Academy Award for Best Supporting Actor for 1989's Driving Miss Daisy. He was the second SNL cast member to be nominated for an Oscar, the first being Joan Cusack. Aykroyd's directorial debut was 1991's Nothing but Trouble starring Demi Moore, Chevy Chase, John Candy, and Aykroyd, sporting a bulbous prosthetic nose. The film was a critical and box-office flop. Aykroyd's other films in the 1990s were mostly similarly poorly received, including Coneheads (also based on a SNL skit), Exit to Eden, Blues Brothers 2000, and Getting Away with Murder. Two exceptions were Tommy Boy (1995), which starred SNL alumni David Spade and Chris Farley, in which Aykroyd played the role of Ray Zalinsky, and Grosse Pointe Blank (1997), in which Aykroyd had a well-received role as a rival hit man. In 1994, Aykroyd made a guest appearance in an episode of the sitcom The Nanny as a refrigerator repairman. In 1997, he starred as an Episcopal priest in the ABC sitcom Soul Man, which lasted two seasons. In 1998, Aykroyd voiced the role of Chip, a wasp, in Antz. In 2001, he starred in the Woody Allen film The Curse of the Jade Scorpion. Most of his film roles since then have tended to be small character parts in big-budget productions, such as a signals analyst in Pearl Harbor and a neurologist in 50 First Dates. In 2009, Aykroyd and Ramis wrote and appeared in Ghostbusters: The Video Game, which also featured Bill Murray, Ernie Hudson, Annie Potts, William Atherton, and Brian Doyle-Murray. In 2010, he played the voice of the title character, Yogi Bear, in the live-action/CGI-animated-film Yogi Bear. That same year, Aykroyd and Chevy Chase guest-starred in the Family Guy episode "Spies Reminiscent of Us", an homage to Spies Like Us. Aykroyd appeared in two February 2011 episodes of CBS's The Defenders as Judge Max Hunter, which also starred Jim Belushi. He also appeared on Top Chef Canada as a guest judge. In 2013, Aykroyd voiced the role of Scarecrow in Legends of Oz: Dorothy's Return. In 2015, he appeared in a State Farm insurance commercial along with Jane Curtin and Laraine Newman, as the Coneheads, talking to "Jake", a State Farm agent. Aykroyd was one of the executive producers of Ghostbusters, a long-discussed reboot of the Ghostbusters franchise, which was released in 2016. Aykroyd had a cameo appearance in the film, along with many of the rest of the original Ghostbusters cast. In early 2021, he provided the voice of the Postage Stamp Fellow in the episode The Dad-Feelings Limited in the TV series The Simpsons. He also reprised his role of Dr. Ray Stantz in the movie Ghostbusters: Afterlife. Though Sony has not confirmed any further sequels to Afterlife, Aykroyd expressed interest in having the surviving three actors of the original Ghostbusters team continuing to reprise their roles for as many sequels as possible while they were alive. Other musical endeavours Aykroyd participated in the recording of "We Are the World" in 1985, as a member of the chorus. He wrote the liner notes for fellow Ottawa-born blues musician JW-Jones's album Bluelisted in 2008. Until its ending in 2018, he hosted the internationally syndicated radio show "Elwood's BluesMobile", formerly known as the House of Blues Radio Hour, under his Blues Brothers moniker Elwood Blues. Business ventures In 1992, Aykroyd and Hard Rock Cafe co-founder Isaac Tigrett founded the House of Blues, a chain of music venues, with the mission to promote African-American cultural contributions of blues music and folk art. Many other music and Hollywood personalities helped to finance it at its start. It began as a single location in Cambridge, Massachusetts, although other locations quickly followed, starting with a venue in New Orleans in 1994. In 2004, House of Blues became the second-largest live music promoter in the world, with seven venues and 22 amphitheatres in the United States and Canada. It was bought by Live Nation in 2006. On New Year's Eve, 1994, Aykroyd opened the Aykroyd's Ghetto House Cafe on Princess Street in Kingston, Ontario. In 2007, Aykroyd and artist John Alexander founded Crystal Head Vodka, a brand of high-end vodka known for its distinctive skull-shaped bottle and for being filtered through Herkimer diamond crystals. Aykroyd is also part owner of several wineries in Canada's Niagara Peninsula, and the company that distributes Patrón tequila in Canada. In 2016, Aykroyd partnered with TV producers Eric Bischoff and Jason Hervey and game developer Ike McFadden to release an online-casino game that features the Blues Brothers. Aykroyd provided the in-game voice of his Elwood Blues character via voiceover. Charitable works In 2009, Aykroyd contributed a series of reminiscences on his upbringing in Canada for a charity album titled Dan Aykroyd's Canada. He helped start the Blue Line Foundation, which is redeveloping flood-damaged lots in New Orleans and helping first responders buy them at reduced prices. Coastal Blue Line LLC, hopes to eventually rebuild 400 properties in New Orleans. Aykroyd is a member of Canadian charity Artists Against Racism. Personal life Aykroyd was briefly engaged to actress Carrie Fisher. He proposed to her on the set of The Blues Brothers film, in which she appeared as a spurned girlfriend of John Belushi's Jake Blues. The engagement ended when she reconciled with her former boyfriend, musician Paul Simon. In 1983, he married actress Donna Dixon; they met on the set of Doctor Detroit released the same year. They appeared together in four additional films: Spies Like Us (1985); Twilight Zone: The Movie (1983); The Couch Trip (1988); and Exit to Eden (1994). They have three daughters, Danielle (known by her stage name, Vera Sola), Stella, and Belle. Aykroyd maintains his Canadian roots as a longtime resident of Sydenham, Ontario, with his estate on Loughborough Lake. In a 2004 NPR interview with host Terry Gross, Aykroyd said that he had been diagnosed in childhood with Tourette syndrome (TS) as well as Asperger syndrome (AS). He stated that his TS was successfully treated with therapy. In 2015, he stated during a HuffPost Show interview with hosts Roy Sekoff and Marc Lamont Hill that his AS was "never diagnosed", but was "sort of a self-diagnosis" based on several of his own characteristics. Aykroyd is a former reserve commander for the police department in Harahan, Louisiana, working for Chief of Police Peter Dale. Aykroyd carried his badge with him at all times. He currently serves as a reserve deputy of the Hinds County Sheriff's Department in Hinds County, Mississippi. He supports the reserves with a fundraiser concert along with other blues and gospel singers in Mississippi. Aykroyd is passionate about the outdoors, geology and paleontology which he attributes to watching his father work on constructing the Gatineau Parkway which included blasting through granite rock formations to run the highway. This passion has led Aykroyd to join renowned Canadian paleontologist Dr. Philip J. Currie on a number of digs, including fundraising digs and galas as fundraisers for the construction of the Philip J. Currie Dinosaur Museum in Wembley, Alberta. In recognition of Aykroyd's contributions, the museum's theatre was named the Aykroyd Family Theatre. Friendship with John Belushi In an appearance on the Today show, Aykroyd referred to John Belushi and himself as "kindred spirits." In the biography Belushi, Aykroyd claims that Belushi was the only man with whom he could ever dance. Aykroyd and Belushi were scheduled to present the Academy Award for Visual Effects in 1982, but Belushi died only a few weeks prior to the ceremony. Though devastated by his friend's death, Aykroyd presented the award alone, remarking from the stage: "My partner would have loved to have been here to present this, given that he was something of a visual effect himself." Aykroyd was openly hostile to the 1989 film Wired, a biopic of Belushi which was based on the 1984 book of the same name by journalist Bob Woodward, starred Michael Chiklis in his film debut as Belushi, and featured him as a character played by actor Gary Groomes. Along with Belushi's widow Judith and brother Jim, and many other friends, associates and relatives of Belushi, he boycotted the film and the associated book for misrepresenting Belushi's life, and expressed his desire that the film would flop at the box office, which it ultimately did. During an interview for MTV's The Big Picture in June 1988, he said, "I have witches working now to jinx the thing... I hope it never gets seen and I am going to hurl all the negative energy I can and muster all my hell energies [against them]. My thunderbolts are out on this one, quite truthfully." He had actor J. T. Walsh removed from the film Loose Cannons after Walsh had already done two days of filming, after finding out that Walsh had been in the cast of Wired. Walsh was replaced by fellow Canadian Paul Koslo, causing the film a $125,000 production delay. Beliefs Aykroyd considers himself a Spiritualist, stating: I am a Spiritualist, a proud wearer of the Spiritualist badge. Mediums and psychic research have gone on for many, many years ... Loads of people have seen spirits, heard a voice, or felt the cold temperature. I believe that they are between here and there, that they exist between the fourth and fifth dimensions, and that they visit us frequently. Aykroyd's great-grandfather, a dentist, was a mystic who corresponded with author Sir Arthur Conan Doyle on the subject of Spiritualism, and was a member of the Lily Dale Society. Other than Spiritualism, Aykroyd is also interested in various other aspects of the paranormal, particularly UFOlogy. He is a lifetime member of and official Hollywood consultant for the Mutual UFO Network (MUFON). Along these lines, he served, from 1996 to 2000, as host of Psi Factor: Chronicles of the Paranormal, which claimed to describe cases drawn from the archives of "The Office of Scientific Investigation and Research". In 2005, Aykroyd produced the DVD Dan Aykroyd: Unplugged on UFOs. Aykroyd is interviewed for 80 minutes by UFOlogist David Sereda discussing in depth many aspects of the UFO phenomenon. On September 29, 2009, Peter Aykroyd Sr., Dan's father, published a book entitled A History of Ghosts. This book chronicled the family's historical involvement in the Spiritualist movement, to which Aykroyd readily refers. Aykroyd wrote the introduction and accompanied his father on a series of promotional activities, including launches in New York and Toronto, appearances on Larry King Live and Coast to Coast AM, and various other public-relations initiatives. Aykroyd also read the introduction for the audio version of the book. In 1997, the Committee for Skeptical Inquiry awarded Aykroyd in absentia the Snuffed Candle Award for hosting Psi Factor and being a "long-time promoter ... of paranormal claims". Following the awards, Joe Nickell wrote to Aykroyd asking for the research behind the "cases" presented on Psi Factor, particularly a claim that NASA scientists were "killed while investigating a meteor crash and giant eggs were found and incubated, yielding a flea the size of a hog". Filmography Film Television Video games Guest appearances on SNL Awards and nominations In 1977, Aykroyd received an Emmy Award for Outstanding Writing in a Comedy-Variety or Music Series for his collaborative work on Saturday Night Live. In 1994, he received an honorary Doctor of Literature degree from Carleton University. In 1999, Aykroyd was made a Member of the Order of Canada. He was inducted into Canada's Walk of Fame in 2002. In 2017, he was made a member of the Order of Ontario in recognition for being "one of the world's most popular entertainers, well-known for his time on Saturday Night Live and the 1984 classic movie Ghostbusters." See also List of Canadian actors List of celebrities who own wineries and vineyards Saturday Night Live cast members References Further reading Hill, Doug, and Weingrad, Jeff, Saturday Night: A Backstage History of Saturday Night Live. Vintage Books, 1986. . External links Dan Aykroyd, Still Full of the 'Blues' – interview on NPR's Fresh Air with Terry Gross – originally aired November 22, 2004 1952 births 20th-century American comedians 20th-century American male actors 20th-century Canadian comedians 20th-century Canadian male actors 20th-century Canadian male writers 20th-century Canadian writers 21st-century American comedians 21st-century American male actors 21st-century Canadian comedians 21st-century Canadian male actors American impressionists (entertainers) American male comedians American male film actors American male television actors American male television writers American male voice actors American people of Dutch descent American people of English descent American people of French-Canadian descent American people of Irish descent American people of Scottish descent American male screenwriters American sketch comedians American spiritualists American television personalities American television writers Businesspeople from Ottawa Canadian conspiracy theorists Canadian emigrants to the United States Canadian impressionists (entertainers) Canadian male comedians Canadian male film actors Canadian male television actors Canadian male voice actors Canadian people of Dutch descent Canadian people of English descent Canadian people of French descent Canadian people of Irish descent Canadian people of Scottish descent Canadian male screenwriters Canadian sketch comedians Canadian spiritualists Canadian television personalities Canadian television writers Carleton University alumni Comedians from Ontario Golden Raspberry Award winners Living people Male actors from Ottawa Members of the Order of Canada Members of the Order of Ontario People from Harahan, Louisiana People with Tourette syndrome Primetime Emmy Award winners The Blues Brothers members Ufologists UFO conspiracy theorists Writers from Ottawa

C_e34fb9d03ce64858b218a779a10ed504_0

Was he married?

Was Dan Aykroyd married?

Dan Aykroyd

Aykroyd was briefly engaged to actress Carrie Fisher. He proposed to her on the set of The Blues Brothers (1980), in which she appeared as a spurned girlfriend of John Belushi's Jake Blues who was trying to kill both brothers. The engagement ended when she reconciled with her former boyfriend, musician Paul Simon. In 1983, he married actress Donna Dixon, with whom he starred in the movies Doctor Detroit (1983), on whose set they first met; Spies Like Us (1985); and The Couch Trip (1988). They have three daughters, Danielle, Stella and Belle. Aykroyd maintains his Canadian roots as a longtime resident of Sydenham, Ontario, with his estate on Loughborough Lake. In a 2004 NPR interview with host Terry Gross, Aykroyd said that he had been diagnosed in childhood with Tourette syndrome (TS) as well as Asperger syndrome (AS). He stated that his TS was successfully treated with therapy. In 2015, he stated during a HuffPost Show interview with hosts Roy Sekoff and Marc Lamont Hill that his AS was "never diagnosed" but was "sort of a self-diagnosis" based on several of his own characteristics. Aykroyd is a former reserve commander for the police department in Harahan, Louisiana, working for Chief of Police Peter Dale. Aykroyd would carry his badge with him at all times. He currently serves as a Reserve Deputy of the Hinds County Sheriff's Department in Hinds County, Mississippi. He supports the Reserves with a fundraiser concert along with other Blues and Gospel singers in the State of Mississippi. CANNOTANSWER

In 1983, he married actress Donna Dixon,

Daniel Edward Aykroyd ( ; born July 1, 1952) is a Canadian actor, comedian, producer, musician and writer. He was an original member of the "Not Ready for Prime Time Players" on Saturday Night Live (1975–1979). He performed with his friend John Belushi in a musical sketch on SNL, the Blues Brothers, which they turned into an actual performing band and then featured in the 1980 film The Blues Brothers. Aykroyd also conceived the premise for, and starred as Dr. Raymond Stantz in, Ghostbusters (1984), which spawned a sequel and eventually an entire media franchise. During his tenure on SNL, Aykroyd appeared in a recurring series of sketches about the Coneheads, a family of aliens stranded on Earth, which eventually spawned a feature film. After his departure, Aykroyd has occasionally returned to the show as guest appearances or cameos. In 1990, Aykroyd was nominated for the Academy Award for Best Supporting Actor for his role as Boolie Werthan in the 1989 film Driving Miss Daisy. He wrote, directed and starred in the 1991 film Nothing but Trouble, his only directing credit. He starred as Reverend Mike Weber in his own sitcom, Soul Man (1997–1998). Aykroyd is also a businessman, having co-founded the House of Blues chain of music venues and the Crystal Head Vodka brand. Early life Aykroyd was born on July 1, 1952 (Canada Day) at The Ottawa Hospital in Ottawa, Ontario. He grew up in Ottawa, Canada's capital, where his father, Samuel Cuthbert Peter Hugh Aykroyd (1922 – 2020), a civil engineer, worked as a policy adviser to Canadian Prime Minister Pierre Trudeau. His mother, Lorraine Hélène Marie (née Gougeon; April 27, 1918 – February 8, 2018), was a secretary. His mother was of French Canadian descent and his father was of English, Scottish, Irish, French, and Dutch ancestry. His brother, Peter, was also an actor. He attended St. Pius X and St. Patrick's high schools, and studied criminology and sociology at Carleton University, but dropped out before completing his degree. He worked as a comedian in various Canadian nightclubs and ran an after-hours speakeasy, Club 505, in Toronto for several years. Aykroyd is a heterochromiac syndactylite - he has webbed middle toes on both feet and he has different coloured eyes: one is brown and one is green. Aykroyd developed his musical career in Ottawa, particularly through his regular attendances at Le Hibou, a club that featured many blues artists. He describes these influences as follows: Aykroyd's first professional experience, which he gained at the age of 17, was as a member of the cast of the short-lived Canadian sketch comedy series The Hart and Lorne Terrific Hour with Lorne Michaels, among others. He was a member of the Second City comedy troupe in 1973 in both Toronto and Chicago. Saturday Night Live Aykroyd gained fame on the American late-night comedy show Saturday Night Live (SNL). He was originally hired, and paid $278 a week, as a writer for the show, but became a part of the cast before the series premiered. The original cast was referred to on the show as "The Not Ready For Prime Time Players". Aykroyd was the youngest member of the cast, and appeared on the show for its first four seasons, from 1975 to 1979. He brought a unique sensibility to the show, combining youth, unusual interests, talent as an impersonator, and an almost lunatic intensity. Guest host Eric Idle of Monty Python said that Aykroyd's ability to write and act out characters flawlessly made him the only member of the SNL cast capable of being a Python. He was known for his impersonations of celebrities such as Jimmy Carter, Vincent Price, Richard Nixon, Rod Serling, Tom Snyder, Julia Child, and others. He was also known for his recurring roles, such as Beldar, father of the Coneheads family; with Steve Martin, Yortuk Festrunk, one of the "Two Wild and Crazy Guys" brothers from Bratislava, Slovakia; sleazy late-night cable TV host E. Buzz Miller and his cousin, corrupt maker of children's toys and costumes Irwin Mainway (who extolled the virtues and defended the safety of the "Bag-o-Glass" toy); Fred Garvin – male prostitute; and high-bred but low-brow critic Leonard Pinth-Garnell. Aykroyd and Jane Curtin famously parodied the Point/Counterpoint segment on the CBS news show 60 Minutes, which featured the liberal Shana Alexander and the conservative segregationist James Kilpatrick, by portraying the two as hating one another; Aykroyd's first words in response to Curtin's point were, "Jane, you ignorant slut!". Aykroyd's eccentric talent was recognized by others in the highly competitive SNL environment; when he first presented his famous "Super Bass-O-Matic '76" sketch, a fake TV commercial in which a garish, hyper-pitchman (based on Ron Popeil) touts a food blender that turns an entire bass into liquid pulp, the other writers and cast members considered the sketch "so exhilaratingly strange that many remember sitting and listening, open-mouthed ... Nobody felt jealous of it because they couldn't imagine writing anything remotely like it." Aykroyd later revealed that the inspiration for the sketch was seeing his aunt Helene Gougeon (a noted culinary writer and food columnist in Montreal) pop a bass into a blender in order to make a bouillabaisse when he was 12 years old. While Aykroyd was a close friend and partner with fellow cast member John Belushi and shared some of the same sensibilities, Aykroyd was more reserved and less self-destructive. Aykroyd later recalled that, unlike Belushi and other of his peers, he was uninterested in recreational drug use. In 1977, he received an Emmy Award for writing on SNL; he later received two more nominations for writing and one for acting. In Rolling Stones February 2015 appraisal of all 141 SNL cast members to date, Aykroyd was ranked fifth (behind Belushi, Eddie Murphy, Tina Fey, and Mike Myers). "Of all the original [SNL] greats, Aykroyd is the least imitated", they wrote, "because nobody else can do what he did." In later decades, Aykroyd made occasional guest appearances and unannounced cameos on SNL, often impersonating the American politician Bob Dole. He also brought back past characters including Irwin Mainway and Leonard Pinth-Garnell. In 1995, he appeared on the show to introduce a performance by Canadian rock band The Tragically Hip. Aykroyd, who is a fan of the band, had personally lobbied Lorne Michaels to book them as musical guests. During some guest appearances, he resurrected the Blues Brothers musical act with frequent host John Goodman in place of Belushi. He became the second member of the original cast to host SNL in May 2003, when he appeared in the season finale. During his monologue, he performed a musical number with James Belushi similar to the Blues Brothers, but neither Aykroyd nor Belushi donned the famous black suit and sunglasses. On March 24, 2007, Aykroyd appeared as a crying fan of American Idol finalist Sanjaya Malakar (played by Andy Samberg) during "Weekend Update". On February 14, 2009, he appeared as U.S. House Minority leader John Boehner. Aykroyd also made a surprise guest appearance, along with many other SNL alumni, on the show of March 9, 2013. The Blues Brothers Aykroyd was a close friend of John Belushi. According to Aykroyd, their first meeting helped spark the Blues Brothers act. When they met in a club that Aykroyd frequented, he played a blues record in the background, and it stimulated a fascination with blues in Belushi, who was primarily a fan of heavy rock bands at the time. Aykroyd educated Belushi on the finer points of blues music, and with a little encouragement from then-SNL music director Paul Shaffer, it led to the creation of their Blues Brothers characters. Backed by such experienced professional R&B sidemen as lead guitarist Steve Cropper, sax man Lou Marini, trumpeter Alan Rubin, and bass guitarist Donald "Duck" Dunn, the Blues Brothers proved more than an SNL novelty. Taking off with the public as a legitimate musical act, they performed live gigs and in 1978 released the hit album Briefcase Full of Blues (drawn from the fact that Aykroyd, as "Elwood Blues", carried his blues harmonicas in a briefcase that he kept handcuffed to his wrist, in the manner of a CIA courier; Belushi originally carried the key to those handcuffs). Briefcase Full of Blues eventually sold 3.5 million copies, and is one of the highest-selling blues albums of all time. The band was much further popularized in the 1980 film The Blues Brothers, which Aykroyd co-wrote. A sequel, titled Blues Brothers 2000, was released in 1998 and featured John Goodman as Belushi's replacement. Cherokee Studios in Los Angeles was a regular haunt for the original Blues Brothers in the early days of the band. Belushi and Aykroyd became fixtures at the recording studio, while fellow Blues Brother Steve Cropper called Cherokee his producing home. Whenever they needed a bass player, they were joined by another Blues Brother, Donald "Duck" Dunn. During this time, Cropper, along with producing partner and Cherokee owner Bruce Robb, worked on a number of music projects with the two comedians/musicians, including Belushi's favorite band, Fear, and later Aykroyd's movie Dragnet. The Blues Brothers Band continues to tour today, both with and without Aykroyd. The band features original members Cropper and Marini, along with vocalist Eddie Floyd. Aykroyd sometimes performs as Elwood, along with Belushi's younger brother Jim Belushi, who plays "Brother Zee" on stage. They are most frequently backed by the Sacred Hearts Band. Other film and television work Concurrent with his work in Saturday Night Live, Aykroyd played the role of Purvis Bickle, lift operator at the fictitious office block 99 Sumach Street in the CBC Television series Coming Up Rosie. After leaving SNL, Aykroyd starred in a number of films, mostly comedies, with uneven results both commercially and artistically. His first three American feature films all co-starred Belushi. The first, 1941 (1979), directed by Steven Spielberg, was a box-office disappointment. The second, The Blues Brothers (1980), which he co-wrote with director John Landis, was a massive hit. The third, Neighbors (1981) had mixed critical reaction, but was another box-office hit. One of his best-received performances was as a blueblood-turned-wretch in the 1983 comedy Trading Places, in which he co-starred with fellow SNL alumnus Eddie Murphy and Jamie Lee Curtis. In the early 1980s, Aykroyd began work on a script for the film that eventually became Ghostbusters, inspired by his fascination with parapsychology. The script initially included a much greater fantasy element, including time travel, but this was toned down substantially through work on the script with Harold Ramis (who became a co-writer) and director Ivan Reitman. Aykroyd originally wrote the role of Dr. Peter Venkman with Belushi in mind, but rewrote it for Bill Murray after Belushi's death. Aykroyd joked that the green ghost, later known as "Slimer", was "the ghost of John Belushi" and was based on Belushi's party-animal personality. Ghostbusters was released in 1984 and became a huge success for Aykroyd, who also appeared as one of the lead actors; the film earned nearly on a budget. Aykroyd's next major film role was in the 1985 spy comedy film Spies Like Us, which like The Blues Brothers was co-conceived and co-written by Aykroyd, and directed by Landis. Aykroyd had again intended for Belushi to be the other lead in the film; the part was instead given to SNL alumnus Chevy Chase. The film was intended as an homage to the Bob Hope/Bing Crosby Road to ... movies of the 1940s to 1960s. Bob Hope made a cameo appearance in the film. Dragnet, in which Aykroyd co-starred (with Tom Hanks) and co-wrote, was released in 1987. The film was both an homage and a satire of the previous Dragnet series, with Aykroyd playing Sgt. Joe Friday as a police officer whose law-and-order attitude is at odds with modern sensibilities. Aykroyd appeared in five films released in 1988, all of them critical and commercial failures. A sequel to Ghostbusters, Ghostbusters II, was released in 1989; Aykroyd and the other co-creators were reluctant to make another Ghostbusters film, but succumbed to pressure from the film's studio, Columbia Pictures. The film, while considered inferior to the original, was another big hit, earning . Aykroyd was nominated for an Academy Award for Best Supporting Actor for 1989's Driving Miss Daisy. He was the second SNL cast member to be nominated for an Oscar, the first being Joan Cusack. Aykroyd's directorial debut was 1991's Nothing but Trouble starring Demi Moore, Chevy Chase, John Candy, and Aykroyd, sporting a bulbous prosthetic nose. The film was a critical and box-office flop. Aykroyd's other films in the 1990s were mostly similarly poorly received, including Coneheads (also based on a SNL skit), Exit to Eden, Blues Brothers 2000, and Getting Away with Murder. Two exceptions were Tommy Boy (1995), which starred SNL alumni David Spade and Chris Farley, in which Aykroyd played the role of Ray Zalinsky, and Grosse Pointe Blank (1997), in which Aykroyd had a well-received role as a rival hit man. In 1994, Aykroyd made a guest appearance in an episode of the sitcom The Nanny as a refrigerator repairman. In 1997, he starred as an Episcopal priest in the ABC sitcom Soul Man, which lasted two seasons. In 1998, Aykroyd voiced the role of Chip, a wasp, in Antz. In 2001, he starred in the Woody Allen film The Curse of the Jade Scorpion. Most of his film roles since then have tended to be small character parts in big-budget productions, such as a signals analyst in Pearl Harbor and a neurologist in 50 First Dates. In 2009, Aykroyd and Ramis wrote and appeared in Ghostbusters: The Video Game, which also featured Bill Murray, Ernie Hudson, Annie Potts, William Atherton, and Brian Doyle-Murray. In 2010, he played the voice of the title character, Yogi Bear, in the live-action/CGI-animated-film Yogi Bear. That same year, Aykroyd and Chevy Chase guest-starred in the Family Guy episode "Spies Reminiscent of Us", an homage to Spies Like Us. Aykroyd appeared in two February 2011 episodes of CBS's The Defenders as Judge Max Hunter, which also starred Jim Belushi. He also appeared on Top Chef Canada as a guest judge. In 2013, Aykroyd voiced the role of Scarecrow in Legends of Oz: Dorothy's Return. In 2015, he appeared in a State Farm insurance commercial along with Jane Curtin and Laraine Newman, as the Coneheads, talking to "Jake", a State Farm agent. Aykroyd was one of the executive producers of Ghostbusters, a long-discussed reboot of the Ghostbusters franchise, which was released in 2016. Aykroyd had a cameo appearance in the film, along with many of the rest of the original Ghostbusters cast. In early 2021, he provided the voice of the Postage Stamp Fellow in the episode The Dad-Feelings Limited in the TV series The Simpsons. He also reprised his role of Dr. Ray Stantz in the movie Ghostbusters: Afterlife. Though Sony has not confirmed any further sequels to Afterlife, Aykroyd expressed interest in having the surviving three actors of the original Ghostbusters team continuing to reprise their roles for as many sequels as possible while they were alive. Other musical endeavours Aykroyd participated in the recording of "We Are the World" in 1985, as a member of the chorus. He wrote the liner notes for fellow Ottawa-born blues musician JW-Jones's album Bluelisted in 2008. Until its ending in 2018, he hosted the internationally syndicated radio show "Elwood's BluesMobile", formerly known as the House of Blues Radio Hour, under his Blues Brothers moniker Elwood Blues. Business ventures In 1992, Aykroyd and Hard Rock Cafe co-founder Isaac Tigrett founded the House of Blues, a chain of music venues, with the mission to promote African-American cultural contributions of blues music and folk art. Many other music and Hollywood personalities helped to finance it at its start. It began as a single location in Cambridge, Massachusetts, although other locations quickly followed, starting with a venue in New Orleans in 1994. In 2004, House of Blues became the second-largest live music promoter in the world, with seven venues and 22 amphitheatres in the United States and Canada. It was bought by Live Nation in 2006. On New Year's Eve, 1994, Aykroyd opened the Aykroyd's Ghetto House Cafe on Princess Street in Kingston, Ontario. In 2007, Aykroyd and artist John Alexander founded Crystal Head Vodka, a brand of high-end vodka known for its distinctive skull-shaped bottle and for being filtered through Herkimer diamond crystals. Aykroyd is also part owner of several wineries in Canada's Niagara Peninsula, and the company that distributes Patrón tequila in Canada. In 2016, Aykroyd partnered with TV producers Eric Bischoff and Jason Hervey and game developer Ike McFadden to release an online-casino game that features the Blues Brothers. Aykroyd provided the in-game voice of his Elwood Blues character via voiceover. Charitable works In 2009, Aykroyd contributed a series of reminiscences on his upbringing in Canada for a charity album titled Dan Aykroyd's Canada. He helped start the Blue Line Foundation, which is redeveloping flood-damaged lots in New Orleans and helping first responders buy them at reduced prices. Coastal Blue Line LLC, hopes to eventually rebuild 400 properties in New Orleans. Aykroyd is a member of Canadian charity Artists Against Racism. Personal life Aykroyd was briefly engaged to actress Carrie Fisher. He proposed to her on the set of The Blues Brothers film, in which she appeared as a spurned girlfriend of John Belushi's Jake Blues. The engagement ended when she reconciled with her former boyfriend, musician Paul Simon. In 1983, he married actress Donna Dixon; they met on the set of Doctor Detroit released the same year. They appeared together in four additional films: Spies Like Us (1985); Twilight Zone: The Movie (1983); The Couch Trip (1988); and Exit to Eden (1994). They have three daughters, Danielle (known by her stage name, Vera Sola), Stella, and Belle. Aykroyd maintains his Canadian roots as a longtime resident of Sydenham, Ontario, with his estate on Loughborough Lake. In a 2004 NPR interview with host Terry Gross, Aykroyd said that he had been diagnosed in childhood with Tourette syndrome (TS) as well as Asperger syndrome (AS). He stated that his TS was successfully treated with therapy. In 2015, he stated during a HuffPost Show interview with hosts Roy Sekoff and Marc Lamont Hill that his AS was "never diagnosed", but was "sort of a self-diagnosis" based on several of his own characteristics. Aykroyd is a former reserve commander for the police department in Harahan, Louisiana, working for Chief of Police Peter Dale. Aykroyd carried his badge with him at all times. He currently serves as a reserve deputy of the Hinds County Sheriff's Department in Hinds County, Mississippi. He supports the reserves with a fundraiser concert along with other blues and gospel singers in Mississippi. Aykroyd is passionate about the outdoors, geology and paleontology which he attributes to watching his father work on constructing the Gatineau Parkway which included blasting through granite rock formations to run the highway. This passion has led Aykroyd to join renowned Canadian paleontologist Dr. Philip J. Currie on a number of digs, including fundraising digs and galas as fundraisers for the construction of the Philip J. Currie Dinosaur Museum in Wembley, Alberta. In recognition of Aykroyd's contributions, the museum's theatre was named the Aykroyd Family Theatre. Friendship with John Belushi In an appearance on the Today show, Aykroyd referred to John Belushi and himself as "kindred spirits." In the biography Belushi, Aykroyd claims that Belushi was the only man with whom he could ever dance. Aykroyd and Belushi were scheduled to present the Academy Award for Visual Effects in 1982, but Belushi died only a few weeks prior to the ceremony. Though devastated by his friend's death, Aykroyd presented the award alone, remarking from the stage: "My partner would have loved to have been here to present this, given that he was something of a visual effect himself." Aykroyd was openly hostile to the 1989 film Wired, a biopic of Belushi which was based on the 1984 book of the same name by journalist Bob Woodward, starred Michael Chiklis in his film debut as Belushi, and featured him as a character played by actor Gary Groomes. Along with Belushi's widow Judith and brother Jim, and many other friends, associates and relatives of Belushi, he boycotted the film and the associated book for misrepresenting Belushi's life, and expressed his desire that the film would flop at the box office, which it ultimately did. During an interview for MTV's The Big Picture in June 1988, he said, "I have witches working now to jinx the thing... I hope it never gets seen and I am going to hurl all the negative energy I can and muster all my hell energies [against them]. My thunderbolts are out on this one, quite truthfully." He had actor J. T. Walsh removed from the film Loose Cannons after Walsh had already done two days of filming, after finding out that Walsh had been in the cast of Wired. Walsh was replaced by fellow Canadian Paul Koslo, causing the film a $125,000 production delay. Beliefs Aykroyd considers himself a Spiritualist, stating: I am a Spiritualist, a proud wearer of the Spiritualist badge. Mediums and psychic research have gone on for many, many years ... Loads of people have seen spirits, heard a voice, or felt the cold temperature. I believe that they are between here and there, that they exist between the fourth and fifth dimensions, and that they visit us frequently. Aykroyd's great-grandfather, a dentist, was a mystic who corresponded with author Sir Arthur Conan Doyle on the subject of Spiritualism, and was a member of the Lily Dale Society. Other than Spiritualism, Aykroyd is also interested in various other aspects of the paranormal, particularly UFOlogy. He is a lifetime member of and official Hollywood consultant for the Mutual UFO Network (MUFON). Along these lines, he served, from 1996 to 2000, as host of Psi Factor: Chronicles of the Paranormal, which claimed to describe cases drawn from the archives of "The Office of Scientific Investigation and Research". In 2005, Aykroyd produced the DVD Dan Aykroyd: Unplugged on UFOs. Aykroyd is interviewed for 80 minutes by UFOlogist David Sereda discussing in depth many aspects of the UFO phenomenon. On September 29, 2009, Peter Aykroyd Sr., Dan's father, published a book entitled A History of Ghosts. This book chronicled the family's historical involvement in the Spiritualist movement, to which Aykroyd readily refers. Aykroyd wrote the introduction and accompanied his father on a series of promotional activities, including launches in New York and Toronto, appearances on Larry King Live and Coast to Coast AM, and various other public-relations initiatives. Aykroyd also read the introduction for the audio version of the book. In 1997, the Committee for Skeptical Inquiry awarded Aykroyd in absentia the Snuffed Candle Award for hosting Psi Factor and being a "long-time promoter ... of paranormal claims". Following the awards, Joe Nickell wrote to Aykroyd asking for the research behind the "cases" presented on Psi Factor, particularly a claim that NASA scientists were "killed while investigating a meteor crash and giant eggs were found and incubated, yielding a flea the size of a hog". Filmography Film Television Video games Guest appearances on SNL Awards and nominations In 1977, Aykroyd received an Emmy Award for Outstanding Writing in a Comedy-Variety or Music Series for his collaborative work on Saturday Night Live. In 1994, he received an honorary Doctor of Literature degree from Carleton University. In 1999, Aykroyd was made a Member of the Order of Canada. He was inducted into Canada's Walk of Fame in 2002. In 2017, he was made a member of the Order of Ontario in recognition for being "one of the world's most popular entertainers, well-known for his time on Saturday Night Live and the 1984 classic movie Ghostbusters." See also List of Canadian actors List of celebrities who own wineries and vineyards Saturday Night Live cast members References Further reading Hill, Doug, and Weingrad, Jeff, Saturday Night: A Backstage History of Saturday Night Live. Vintage Books, 1986. . External links Dan Aykroyd, Still Full of the 'Blues' – interview on NPR's Fresh Air with Terry Gross – originally aired November 22, 2004 1952 births 20th-century American comedians 20th-century American male actors 20th-century Canadian comedians 20th-century Canadian male actors 20th-century Canadian male writers 20th-century Canadian writers 21st-century American comedians 21st-century American male actors 21st-century Canadian comedians 21st-century Canadian male actors American impressionists (entertainers) American male comedians American male film actors American male television actors American male television writers American male voice actors American people of Dutch descent American people of English descent American people of French-Canadian descent American people of Irish descent American people of Scottish descent American male screenwriters American sketch comedians American spiritualists American television personalities American television writers Businesspeople from Ottawa Canadian conspiracy theorists Canadian emigrants to the United States Canadian impressionists (entertainers) Canadian male comedians Canadian male film actors Canadian male television actors Canadian male voice actors Canadian people of Dutch descent Canadian people of English descent Canadian people of French descent Canadian people of Irish descent Canadian people of Scottish descent Canadian male screenwriters Canadian sketch comedians Canadian spiritualists Canadian television personalities Canadian television writers Carleton University alumni Comedians from Ontario Golden Raspberry Award winners Living people Male actors from Ottawa Members of the Order of Canada Members of the Order of Ontario People from Harahan, Louisiana People with Tourette syndrome Primetime Emmy Award winners The Blues Brothers members Ufologists UFO conspiracy theorists Writers from Ottawa

C_e34fb9d03ce64858b218a779a10ed504_0

Was that his only wife?

Was Donna Dixon Dan Aykroyd's only wife?

Dan Aykroyd

Aykroyd was briefly engaged to actress Carrie Fisher. He proposed to her on the set of The Blues Brothers (1980), in which she appeared as a spurned girlfriend of John Belushi's Jake Blues who was trying to kill both brothers. The engagement ended when she reconciled with her former boyfriend, musician Paul Simon. In 1983, he married actress Donna Dixon, with whom he starred in the movies Doctor Detroit (1983), on whose set they first met; Spies Like Us (1985); and The Couch Trip (1988). They have three daughters, Danielle, Stella and Belle. Aykroyd maintains his Canadian roots as a longtime resident of Sydenham, Ontario, with his estate on Loughborough Lake. In a 2004 NPR interview with host Terry Gross, Aykroyd said that he had been diagnosed in childhood with Tourette syndrome (TS) as well as Asperger syndrome (AS). He stated that his TS was successfully treated with therapy. In 2015, he stated during a HuffPost Show interview with hosts Roy Sekoff and Marc Lamont Hill that his AS was "never diagnosed" but was "sort of a self-diagnosis" based on several of his own characteristics. Aykroyd is a former reserve commander for the police department in Harahan, Louisiana, working for Chief of Police Peter Dale. Aykroyd would carry his badge with him at all times. He currently serves as a Reserve Deputy of the Hinds County Sheriff's Department in Hinds County, Mississippi. He supports the Reserves with a fundraiser concert along with other Blues and Gospel singers in the State of Mississippi. CANNOTANSWER

They have three daughters, Danielle, Stella and Belle.

Daniel Edward Aykroyd ( ; born July 1, 1952) is a Canadian actor, comedian, producer, musician and writer. He was an original member of the "Not Ready for Prime Time Players" on Saturday Night Live (1975–1979). He performed with his friend John Belushi in a musical sketch on SNL, the Blues Brothers, which they turned into an actual performing band and then featured in the 1980 film The Blues Brothers. Aykroyd also conceived the premise for, and starred as Dr. Raymond Stantz in, Ghostbusters (1984), which spawned a sequel and eventually an entire media franchise. During his tenure on SNL, Aykroyd appeared in a recurring series of sketches about the Coneheads, a family of aliens stranded on Earth, which eventually spawned a feature film. After his departure, Aykroyd has occasionally returned to the show as guest appearances or cameos. In 1990, Aykroyd was nominated for the Academy Award for Best Supporting Actor for his role as Boolie Werthan in the 1989 film Driving Miss Daisy. He wrote, directed and starred in the 1991 film Nothing but Trouble, his only directing credit. He starred as Reverend Mike Weber in his own sitcom, Soul Man (1997–1998). Aykroyd is also a businessman, having co-founded the House of Blues chain of music venues and the Crystal Head Vodka brand. Early life Aykroyd was born on July 1, 1952 (Canada Day) at The Ottawa Hospital in Ottawa, Ontario. He grew up in Ottawa, Canada's capital, where his father, Samuel Cuthbert Peter Hugh Aykroyd (1922 – 2020), a civil engineer, worked as a policy adviser to Canadian Prime Minister Pierre Trudeau. His mother, Lorraine Hélène Marie (née Gougeon; April 27, 1918 – February 8, 2018), was a secretary. His mother was of French Canadian descent and his father was of English, Scottish, Irish, French, and Dutch ancestry. His brother, Peter, was also an actor. He attended St. Pius X and St. Patrick's high schools, and studied criminology and sociology at Carleton University, but dropped out before completing his degree. He worked as a comedian in various Canadian nightclubs and ran an after-hours speakeasy, Club 505, in Toronto for several years. Aykroyd is a heterochromiac syndactylite - he has webbed middle toes on both feet and he has different coloured eyes: one is brown and one is green. Aykroyd developed his musical career in Ottawa, particularly through his regular attendances at Le Hibou, a club that featured many blues artists. He describes these influences as follows: Aykroyd's first professional experience, which he gained at the age of 17, was as a member of the cast of the short-lived Canadian sketch comedy series The Hart and Lorne Terrific Hour with Lorne Michaels, among others. He was a member of the Second City comedy troupe in 1973 in both Toronto and Chicago. Saturday Night Live Aykroyd gained fame on the American late-night comedy show Saturday Night Live (SNL). He was originally hired, and paid $278 a week, as a writer for the show, but became a part of the cast before the series premiered. The original cast was referred to on the show as "The Not Ready For Prime Time Players". Aykroyd was the youngest member of the cast, and appeared on the show for its first four seasons, from 1975 to 1979. He brought a unique sensibility to the show, combining youth, unusual interests, talent as an impersonator, and an almost lunatic intensity. Guest host Eric Idle of Monty Python said that Aykroyd's ability to write and act out characters flawlessly made him the only member of the SNL cast capable of being a Python. He was known for his impersonations of celebrities such as Jimmy Carter, Vincent Price, Richard Nixon, Rod Serling, Tom Snyder, Julia Child, and others. He was also known for his recurring roles, such as Beldar, father of the Coneheads family; with Steve Martin, Yortuk Festrunk, one of the "Two Wild and Crazy Guys" brothers from Bratislava, Slovakia; sleazy late-night cable TV host E. Buzz Miller and his cousin, corrupt maker of children's toys and costumes Irwin Mainway (who extolled the virtues and defended the safety of the "Bag-o-Glass" toy); Fred Garvin – male prostitute; and high-bred but low-brow critic Leonard Pinth-Garnell. Aykroyd and Jane Curtin famously parodied the Point/Counterpoint segment on the CBS news show 60 Minutes, which featured the liberal Shana Alexander and the conservative segregationist James Kilpatrick, by portraying the two as hating one another; Aykroyd's first words in response to Curtin's point were, "Jane, you ignorant slut!". Aykroyd's eccentric talent was recognized by others in the highly competitive SNL environment; when he first presented his famous "Super Bass-O-Matic '76" sketch, a fake TV commercial in which a garish, hyper-pitchman (based on Ron Popeil) touts a food blender that turns an entire bass into liquid pulp, the other writers and cast members considered the sketch "so exhilaratingly strange that many remember sitting and listening, open-mouthed ... Nobody felt jealous of it because they couldn't imagine writing anything remotely like it." Aykroyd later revealed that the inspiration for the sketch was seeing his aunt Helene Gougeon (a noted culinary writer and food columnist in Montreal) pop a bass into a blender in order to make a bouillabaisse when he was 12 years old. While Aykroyd was a close friend and partner with fellow cast member John Belushi and shared some of the same sensibilities, Aykroyd was more reserved and less self-destructive. Aykroyd later recalled that, unlike Belushi and other of his peers, he was uninterested in recreational drug use. In 1977, he received an Emmy Award for writing on SNL; he later received two more nominations for writing and one for acting. In Rolling Stones February 2015 appraisal of all 141 SNL cast members to date, Aykroyd was ranked fifth (behind Belushi, Eddie Murphy, Tina Fey, and Mike Myers). "Of all the original [SNL] greats, Aykroyd is the least imitated", they wrote, "because nobody else can do what he did." In later decades, Aykroyd made occasional guest appearances and unannounced cameos on SNL, often impersonating the American politician Bob Dole. He also brought back past characters including Irwin Mainway and Leonard Pinth-Garnell. In 1995, he appeared on the show to introduce a performance by Canadian rock band The Tragically Hip. Aykroyd, who is a fan of the band, had personally lobbied Lorne Michaels to book them as musical guests. During some guest appearances, he resurrected the Blues Brothers musical act with frequent host John Goodman in place of Belushi. He became the second member of the original cast to host SNL in May 2003, when he appeared in the season finale. During his monologue, he performed a musical number with James Belushi similar to the Blues Brothers, but neither Aykroyd nor Belushi donned the famous black suit and sunglasses. On March 24, 2007, Aykroyd appeared as a crying fan of American Idol finalist Sanjaya Malakar (played by Andy Samberg) during "Weekend Update". On February 14, 2009, he appeared as U.S. House Minority leader John Boehner. Aykroyd also made a surprise guest appearance, along with many other SNL alumni, on the show of March 9, 2013. The Blues Brothers Aykroyd was a close friend of John Belushi. According to Aykroyd, their first meeting helped spark the Blues Brothers act. When they met in a club that Aykroyd frequented, he played a blues record in the background, and it stimulated a fascination with blues in Belushi, who was primarily a fan of heavy rock bands at the time. Aykroyd educated Belushi on the finer points of blues music, and with a little encouragement from then-SNL music director Paul Shaffer, it led to the creation of their Blues Brothers characters. Backed by such experienced professional R&B sidemen as lead guitarist Steve Cropper, sax man Lou Marini, trumpeter Alan Rubin, and bass guitarist Donald "Duck" Dunn, the Blues Brothers proved more than an SNL novelty. Taking off with the public as a legitimate musical act, they performed live gigs and in 1978 released the hit album Briefcase Full of Blues (drawn from the fact that Aykroyd, as "Elwood Blues", carried his blues harmonicas in a briefcase that he kept handcuffed to his wrist, in the manner of a CIA courier; Belushi originally carried the key to those handcuffs). Briefcase Full of Blues eventually sold 3.5 million copies, and is one of the highest-selling blues albums of all time. The band was much further popularized in the 1980 film The Blues Brothers, which Aykroyd co-wrote. A sequel, titled Blues Brothers 2000, was released in 1998 and featured John Goodman as Belushi's replacement. Cherokee Studios in Los Angeles was a regular haunt for the original Blues Brothers in the early days of the band. Belushi and Aykroyd became fixtures at the recording studio, while fellow Blues Brother Steve Cropper called Cherokee his producing home. Whenever they needed a bass player, they were joined by another Blues Brother, Donald "Duck" Dunn. During this time, Cropper, along with producing partner and Cherokee owner Bruce Robb, worked on a number of music projects with the two comedians/musicians, including Belushi's favorite band, Fear, and later Aykroyd's movie Dragnet. The Blues Brothers Band continues to tour today, both with and without Aykroyd. The band features original members Cropper and Marini, along with vocalist Eddie Floyd. Aykroyd sometimes performs as Elwood, along with Belushi's younger brother Jim Belushi, who plays "Brother Zee" on stage. They are most frequently backed by the Sacred Hearts Band. Other film and television work Concurrent with his work in Saturday Night Live, Aykroyd played the role of Purvis Bickle, lift operator at the fictitious office block 99 Sumach Street in the CBC Television series Coming Up Rosie. After leaving SNL, Aykroyd starred in a number of films, mostly comedies, with uneven results both commercially and artistically. His first three American feature films all co-starred Belushi. The first, 1941 (1979), directed by Steven Spielberg, was a box-office disappointment. The second, The Blues Brothers (1980), which he co-wrote with director John Landis, was a massive hit. The third, Neighbors (1981) had mixed critical reaction, but was another box-office hit. One of his best-received performances was as a blueblood-turned-wretch in the 1983 comedy Trading Places, in which he co-starred with fellow SNL alumnus Eddie Murphy and Jamie Lee Curtis. In the early 1980s, Aykroyd began work on a script for the film that eventually became Ghostbusters, inspired by his fascination with parapsychology. The script initially included a much greater fantasy element, including time travel, but this was toned down substantially through work on the script with Harold Ramis (who became a co-writer) and director Ivan Reitman. Aykroyd originally wrote the role of Dr. Peter Venkman with Belushi in mind, but rewrote it for Bill Murray after Belushi's death. Aykroyd joked that the green ghost, later known as "Slimer", was "the ghost of John Belushi" and was based on Belushi's party-animal personality. Ghostbusters was released in 1984 and became a huge success for Aykroyd, who also appeared as one of the lead actors; the film earned nearly on a budget. Aykroyd's next major film role was in the 1985 spy comedy film Spies Like Us, which like The Blues Brothers was co-conceived and co-written by Aykroyd, and directed by Landis. Aykroyd had again intended for Belushi to be the other lead in the film; the part was instead given to SNL alumnus Chevy Chase. The film was intended as an homage to the Bob Hope/Bing Crosby Road to ... movies of the 1940s to 1960s. Bob Hope made a cameo appearance in the film. Dragnet, in which Aykroyd co-starred (with Tom Hanks) and co-wrote, was released in 1987. The film was both an homage and a satire of the previous Dragnet series, with Aykroyd playing Sgt. Joe Friday as a police officer whose law-and-order attitude is at odds with modern sensibilities. Aykroyd appeared in five films released in 1988, all of them critical and commercial failures. A sequel to Ghostbusters, Ghostbusters II, was released in 1989; Aykroyd and the other co-creators were reluctant to make another Ghostbusters film, but succumbed to pressure from the film's studio, Columbia Pictures. The film, while considered inferior to the original, was another big hit, earning . Aykroyd was nominated for an Academy Award for Best Supporting Actor for 1989's Driving Miss Daisy. He was the second SNL cast member to be nominated for an Oscar, the first being Joan Cusack. Aykroyd's directorial debut was 1991's Nothing but Trouble starring Demi Moore, Chevy Chase, John Candy, and Aykroyd, sporting a bulbous prosthetic nose. The film was a critical and box-office flop. Aykroyd's other films in the 1990s were mostly similarly poorly received, including Coneheads (also based on a SNL skit), Exit to Eden, Blues Brothers 2000, and Getting Away with Murder. Two exceptions were Tommy Boy (1995), which starred SNL alumni David Spade and Chris Farley, in which Aykroyd played the role of Ray Zalinsky, and Grosse Pointe Blank (1997), in which Aykroyd had a well-received role as a rival hit man. In 1994, Aykroyd made a guest appearance in an episode of the sitcom The Nanny as a refrigerator repairman. In 1997, he starred as an Episcopal priest in the ABC sitcom Soul Man, which lasted two seasons. In 1998, Aykroyd voiced the role of Chip, a wasp, in Antz. In 2001, he starred in the Woody Allen film The Curse of the Jade Scorpion. Most of his film roles since then have tended to be small character parts in big-budget productions, such as a signals analyst in Pearl Harbor and a neurologist in 50 First Dates. In 2009, Aykroyd and Ramis wrote and appeared in Ghostbusters: The Video Game, which also featured Bill Murray, Ernie Hudson, Annie Potts, William Atherton, and Brian Doyle-Murray. In 2010, he played the voice of the title character, Yogi Bear, in the live-action/CGI-animated-film Yogi Bear. That same year, Aykroyd and Chevy Chase guest-starred in the Family Guy episode "Spies Reminiscent of Us", an homage to Spies Like Us. Aykroyd appeared in two February 2011 episodes of CBS's The Defenders as Judge Max Hunter, which also starred Jim Belushi. He also appeared on Top Chef Canada as a guest judge. In 2013, Aykroyd voiced the role of Scarecrow in Legends of Oz: Dorothy's Return. In 2015, he appeared in a State Farm insurance commercial along with Jane Curtin and Laraine Newman, as the Coneheads, talking to "Jake", a State Farm agent. Aykroyd was one of the executive producers of Ghostbusters, a long-discussed reboot of the Ghostbusters franchise, which was released in 2016. Aykroyd had a cameo appearance in the film, along with many of the rest of the original Ghostbusters cast. In early 2021, he provided the voice of the Postage Stamp Fellow in the episode The Dad-Feelings Limited in the TV series The Simpsons. He also reprised his role of Dr. Ray Stantz in the movie Ghostbusters: Afterlife. Though Sony has not confirmed any further sequels to Afterlife, Aykroyd expressed interest in having the surviving three actors of the original Ghostbusters team continuing to reprise their roles for as many sequels as possible while they were alive. Other musical endeavours Aykroyd participated in the recording of "We Are the World" in 1985, as a member of the chorus. He wrote the liner notes for fellow Ottawa-born blues musician JW-Jones's album Bluelisted in 2008. Until its ending in 2018, he hosted the internationally syndicated radio show "Elwood's BluesMobile", formerly known as the House of Blues Radio Hour, under his Blues Brothers moniker Elwood Blues. Business ventures In 1992, Aykroyd and Hard Rock Cafe co-founder Isaac Tigrett founded the House of Blues, a chain of music venues, with the mission to promote African-American cultural contributions of blues music and folk art. Many other music and Hollywood personalities helped to finance it at its start. It began as a single location in Cambridge, Massachusetts, although other locations quickly followed, starting with a venue in New Orleans in 1994. In 2004, House of Blues became the second-largest live music promoter in the world, with seven venues and 22 amphitheatres in the United States and Canada. It was bought by Live Nation in 2006. On New Year's Eve, 1994, Aykroyd opened the Aykroyd's Ghetto House Cafe on Princess Street in Kingston, Ontario. In 2007, Aykroyd and artist John Alexander founded Crystal Head Vodka, a brand of high-end vodka known for its distinctive skull-shaped bottle and for being filtered through Herkimer diamond crystals. Aykroyd is also part owner of several wineries in Canada's Niagara Peninsula, and the company that distributes Patrón tequila in Canada. In 2016, Aykroyd partnered with TV producers Eric Bischoff and Jason Hervey and game developer Ike McFadden to release an online-casino game that features the Blues Brothers. Aykroyd provided the in-game voice of his Elwood Blues character via voiceover. Charitable works In 2009, Aykroyd contributed a series of reminiscences on his upbringing in Canada for a charity album titled Dan Aykroyd's Canada. He helped start the Blue Line Foundation, which is redeveloping flood-damaged lots in New Orleans and helping first responders buy them at reduced prices. Coastal Blue Line LLC, hopes to eventually rebuild 400 properties in New Orleans. Aykroyd is a member of Canadian charity Artists Against Racism. Personal life Aykroyd was briefly engaged to actress Carrie Fisher. He proposed to her on the set of The Blues Brothers film, in which she appeared as a spurned girlfriend of John Belushi's Jake Blues. The engagement ended when she reconciled with her former boyfriend, musician Paul Simon. In 1983, he married actress Donna Dixon; they met on the set of Doctor Detroit released the same year. They appeared together in four additional films: Spies Like Us (1985); Twilight Zone: The Movie (1983); The Couch Trip (1988); and Exit to Eden (1994). They have three daughters, Danielle (known by her stage name, Vera Sola), Stella, and Belle. Aykroyd maintains his Canadian roots as a longtime resident of Sydenham, Ontario, with his estate on Loughborough Lake. In a 2004 NPR interview with host Terry Gross, Aykroyd said that he had been diagnosed in childhood with Tourette syndrome (TS) as well as Asperger syndrome (AS). He stated that his TS was successfully treated with therapy. In 2015, he stated during a HuffPost Show interview with hosts Roy Sekoff and Marc Lamont Hill that his AS was "never diagnosed", but was "sort of a self-diagnosis" based on several of his own characteristics. Aykroyd is a former reserve commander for the police department in Harahan, Louisiana, working for Chief of Police Peter Dale. Aykroyd carried his badge with him at all times. He currently serves as a reserve deputy of the Hinds County Sheriff's Department in Hinds County, Mississippi. He supports the reserves with a fundraiser concert along with other blues and gospel singers in Mississippi. Aykroyd is passionate about the outdoors, geology and paleontology which he attributes to watching his father work on constructing the Gatineau Parkway which included blasting through granite rock formations to run the highway. This passion has led Aykroyd to join renowned Canadian paleontologist Dr. Philip J. Currie on a number of digs, including fundraising digs and galas as fundraisers for the construction of the Philip J. Currie Dinosaur Museum in Wembley, Alberta. In recognition of Aykroyd's contributions, the museum's theatre was named the Aykroyd Family Theatre. Friendship with John Belushi In an appearance on the Today show, Aykroyd referred to John Belushi and himself as "kindred spirits." In the biography Belushi, Aykroyd claims that Belushi was the only man with whom he could ever dance. Aykroyd and Belushi were scheduled to present the Academy Award for Visual Effects in 1982, but Belushi died only a few weeks prior to the ceremony. Though devastated by his friend's death, Aykroyd presented the award alone, remarking from the stage: "My partner would have loved to have been here to present this, given that he was something of a visual effect himself." Aykroyd was openly hostile to the 1989 film Wired, a biopic of Belushi which was based on the 1984 book of the same name by journalist Bob Woodward, starred Michael Chiklis in his film debut as Belushi, and featured him as a character played by actor Gary Groomes. Along with Belushi's widow Judith and brother Jim, and many other friends, associates and relatives of Belushi, he boycotted the film and the associated book for misrepresenting Belushi's life, and expressed his desire that the film would flop at the box office, which it ultimately did. During an interview for MTV's The Big Picture in June 1988, he said, "I have witches working now to jinx the thing... I hope it never gets seen and I am going to hurl all the negative energy I can and muster all my hell energies [against them]. My thunderbolts are out on this one, quite truthfully." He had actor J. T. Walsh removed from the film Loose Cannons after Walsh had already done two days of filming, after finding out that Walsh had been in the cast of Wired. Walsh was replaced by fellow Canadian Paul Koslo, causing the film a $125,000 production delay. Beliefs Aykroyd considers himself a Spiritualist, stating: I am a Spiritualist, a proud wearer of the Spiritualist badge. Mediums and psychic research have gone on for many, many years ... Loads of people have seen spirits, heard a voice, or felt the cold temperature. I believe that they are between here and there, that they exist between the fourth and fifth dimensions, and that they visit us frequently. Aykroyd's great-grandfather, a dentist, was a mystic who corresponded with author Sir Arthur Conan Doyle on the subject of Spiritualism, and was a member of the Lily Dale Society. Other than Spiritualism, Aykroyd is also interested in various other aspects of the paranormal, particularly UFOlogy. He is a lifetime member of and official Hollywood consultant for the Mutual UFO Network (MUFON). Along these lines, he served, from 1996 to 2000, as host of Psi Factor: Chronicles of the Paranormal, which claimed to describe cases drawn from the archives of "The Office of Scientific Investigation and Research". In 2005, Aykroyd produced the DVD Dan Aykroyd: Unplugged on UFOs. Aykroyd is interviewed for 80 minutes by UFOlogist David Sereda discussing in depth many aspects of the UFO phenomenon. On September 29, 2009, Peter Aykroyd Sr., Dan's father, published a book entitled A History of Ghosts. This book chronicled the family's historical involvement in the Spiritualist movement, to which Aykroyd readily refers. Aykroyd wrote the introduction and accompanied his father on a series of promotional activities, including launches in New York and Toronto, appearances on Larry King Live and Coast to Coast AM, and various other public-relations initiatives. Aykroyd also read the introduction for the audio version of the book. In 1997, the Committee for Skeptical Inquiry awarded Aykroyd in absentia the Snuffed Candle Award for hosting Psi Factor and being a "long-time promoter ... of paranormal claims". Following the awards, Joe Nickell wrote to Aykroyd asking for the research behind the "cases" presented on Psi Factor, particularly a claim that NASA scientists were "killed while investigating a meteor crash and giant eggs were found and incubated, yielding a flea the size of a hog". Filmography Film Television Video games Guest appearances on SNL Awards and nominations In 1977, Aykroyd received an Emmy Award for Outstanding Writing in a Comedy-Variety or Music Series for his collaborative work on Saturday Night Live. In 1994, he received an honorary Doctor of Literature degree from Carleton University. In 1999, Aykroyd was made a Member of the Order of Canada. He was inducted into Canada's Walk of Fame in 2002. In 2017, he was made a member of the Order of Ontario in recognition for being "one of the world's most popular entertainers, well-known for his time on Saturday Night Live and the 1984 classic movie Ghostbusters." See also List of Canadian actors List of celebrities who own wineries and vineyards Saturday Night Live cast members References Further reading Hill, Doug, and Weingrad, Jeff, Saturday Night: A Backstage History of Saturday Night Live. Vintage Books, 1986. . External links Dan Aykroyd, Still Full of the 'Blues' – interview on NPR's Fresh Air with Terry Gross – originally aired November 22, 2004 1952 births 20th-century American comedians 20th-century American male actors 20th-century Canadian comedians 20th-century Canadian male actors 20th-century Canadian male writers 20th-century Canadian writers 21st-century American comedians 21st-century American male actors 21st-century Canadian comedians 21st-century Canadian male actors American impressionists (entertainers) American male comedians American male film actors American male television actors American male television writers American male voice actors American people of Dutch descent American people of English descent American people of French-Canadian descent American people of Irish descent American people of Scottish descent American male screenwriters American sketch comedians American spiritualists American television personalities American television writers Businesspeople from Ottawa Canadian conspiracy theorists Canadian emigrants to the United States Canadian impressionists (entertainers) Canadian male comedians Canadian male film actors Canadian male television actors Canadian male voice actors Canadian people of Dutch descent Canadian people of English descent Canadian people of French descent Canadian people of Irish descent Canadian people of Scottish descent Canadian male screenwriters Canadian sketch comedians Canadian spiritualists Canadian television personalities Canadian television writers Carleton University alumni Comedians from Ontario Golden Raspberry Award winners Living people Male actors from Ottawa Members of the Order of Canada Members of the Order of Ontario People from Harahan, Louisiana People with Tourette syndrome Primetime Emmy Award winners The Blues Brothers members Ufologists UFO conspiracy theorists Writers from Ottawa

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What were his hobbies?

What were Dan Aykroyd's hobbies?

Dan Aykroyd

Aykroyd was briefly engaged to actress Carrie Fisher. He proposed to her on the set of The Blues Brothers (1980), in which she appeared as a spurned girlfriend of John Belushi's Jake Blues who was trying to kill both brothers. The engagement ended when she reconciled with her former boyfriend, musician Paul Simon. In 1983, he married actress Donna Dixon, with whom he starred in the movies Doctor Detroit (1983), on whose set they first met; Spies Like Us (1985); and The Couch Trip (1988). They have three daughters, Danielle, Stella and Belle. Aykroyd maintains his Canadian roots as a longtime resident of Sydenham, Ontario, with his estate on Loughborough Lake. In a 2004 NPR interview with host Terry Gross, Aykroyd said that he had been diagnosed in childhood with Tourette syndrome (TS) as well as Asperger syndrome (AS). He stated that his TS was successfully treated with therapy. In 2015, he stated during a HuffPost Show interview with hosts Roy Sekoff and Marc Lamont Hill that his AS was "never diagnosed" but was "sort of a self-diagnosis" based on several of his own characteristics. Aykroyd is a former reserve commander for the police department in Harahan, Louisiana, working for Chief of Police Peter Dale. Aykroyd would carry his badge with him at all times. He currently serves as a Reserve Deputy of the Hinds County Sheriff's Department in Hinds County, Mississippi. He supports the Reserves with a fundraiser concert along with other Blues and Gospel singers in the State of Mississippi. CANNOTANSWER

serves as a Reserve Deputy of the Hinds County Sheriff's Department in Hinds County, Mississippi.

Daniel Edward Aykroyd ( ; born July 1, 1952) is a Canadian actor, comedian, producer, musician and writer. He was an original member of the "Not Ready for Prime Time Players" on Saturday Night Live (1975–1979). He performed with his friend John Belushi in a musical sketch on SNL, the Blues Brothers, which they turned into an actual performing band and then featured in the 1980 film The Blues Brothers. Aykroyd also conceived the premise for, and starred as Dr. Raymond Stantz in, Ghostbusters (1984), which spawned a sequel and eventually an entire media franchise. During his tenure on SNL, Aykroyd appeared in a recurring series of sketches about the Coneheads, a family of aliens stranded on Earth, which eventually spawned a feature film. After his departure, Aykroyd has occasionally returned to the show as guest appearances or cameos. In 1990, Aykroyd was nominated for the Academy Award for Best Supporting Actor for his role as Boolie Werthan in the 1989 film Driving Miss Daisy. He wrote, directed and starred in the 1991 film Nothing but Trouble, his only directing credit. He starred as Reverend Mike Weber in his own sitcom, Soul Man (1997–1998). Aykroyd is also a businessman, having co-founded the House of Blues chain of music venues and the Crystal Head Vodka brand. Early life Aykroyd was born on July 1, 1952 (Canada Day) at The Ottawa Hospital in Ottawa, Ontario. He grew up in Ottawa, Canada's capital, where his father, Samuel Cuthbert Peter Hugh Aykroyd (1922 – 2020), a civil engineer, worked as a policy adviser to Canadian Prime Minister Pierre Trudeau. His mother, Lorraine Hélène Marie (née Gougeon; April 27, 1918 – February 8, 2018), was a secretary. His mother was of French Canadian descent and his father was of English, Scottish, Irish, French, and Dutch ancestry. His brother, Peter, was also an actor. He attended St. Pius X and St. Patrick's high schools, and studied criminology and sociology at Carleton University, but dropped out before completing his degree. He worked as a comedian in various Canadian nightclubs and ran an after-hours speakeasy, Club 505, in Toronto for several years. Aykroyd is a heterochromiac syndactylite - he has webbed middle toes on both feet and he has different coloured eyes: one is brown and one is green. Aykroyd developed his musical career in Ottawa, particularly through his regular attendances at Le Hibou, a club that featured many blues artists. He describes these influences as follows: Aykroyd's first professional experience, which he gained at the age of 17, was as a member of the cast of the short-lived Canadian sketch comedy series The Hart and Lorne Terrific Hour with Lorne Michaels, among others. He was a member of the Second City comedy troupe in 1973 in both Toronto and Chicago. Saturday Night Live Aykroyd gained fame on the American late-night comedy show Saturday Night Live (SNL). He was originally hired, and paid $278 a week, as a writer for the show, but became a part of the cast before the series premiered. The original cast was referred to on the show as "The Not Ready For Prime Time Players". Aykroyd was the youngest member of the cast, and appeared on the show for its first four seasons, from 1975 to 1979. He brought a unique sensibility to the show, combining youth, unusual interests, talent as an impersonator, and an almost lunatic intensity. Guest host Eric Idle of Monty Python said that Aykroyd's ability to write and act out characters flawlessly made him the only member of the SNL cast capable of being a Python. He was known for his impersonations of celebrities such as Jimmy Carter, Vincent Price, Richard Nixon, Rod Serling, Tom Snyder, Julia Child, and others. He was also known for his recurring roles, such as Beldar, father of the Coneheads family; with Steve Martin, Yortuk Festrunk, one of the "Two Wild and Crazy Guys" brothers from Bratislava, Slovakia; sleazy late-night cable TV host E. Buzz Miller and his cousin, corrupt maker of children's toys and costumes Irwin Mainway (who extolled the virtues and defended the safety of the "Bag-o-Glass" toy); Fred Garvin – male prostitute; and high-bred but low-brow critic Leonard Pinth-Garnell. Aykroyd and Jane Curtin famously parodied the Point/Counterpoint segment on the CBS news show 60 Minutes, which featured the liberal Shana Alexander and the conservative segregationist James Kilpatrick, by portraying the two as hating one another; Aykroyd's first words in response to Curtin's point were, "Jane, you ignorant slut!". Aykroyd's eccentric talent was recognized by others in the highly competitive SNL environment; when he first presented his famous "Super Bass-O-Matic '76" sketch, a fake TV commercial in which a garish, hyper-pitchman (based on Ron Popeil) touts a food blender that turns an entire bass into liquid pulp, the other writers and cast members considered the sketch "so exhilaratingly strange that many remember sitting and listening, open-mouthed ... Nobody felt jealous of it because they couldn't imagine writing anything remotely like it." Aykroyd later revealed that the inspiration for the sketch was seeing his aunt Helene Gougeon (a noted culinary writer and food columnist in Montreal) pop a bass into a blender in order to make a bouillabaisse when he was 12 years old. While Aykroyd was a close friend and partner with fellow cast member John Belushi and shared some of the same sensibilities, Aykroyd was more reserved and less self-destructive. Aykroyd later recalled that, unlike Belushi and other of his peers, he was uninterested in recreational drug use. In 1977, he received an Emmy Award for writing on SNL; he later received two more nominations for writing and one for acting. In Rolling Stones February 2015 appraisal of all 141 SNL cast members to date, Aykroyd was ranked fifth (behind Belushi, Eddie Murphy, Tina Fey, and Mike Myers). "Of all the original [SNL] greats, Aykroyd is the least imitated", they wrote, "because nobody else can do what he did." In later decades, Aykroyd made occasional guest appearances and unannounced cameos on SNL, often impersonating the American politician Bob Dole. He also brought back past characters including Irwin Mainway and Leonard Pinth-Garnell. In 1995, he appeared on the show to introduce a performance by Canadian rock band The Tragically Hip. Aykroyd, who is a fan of the band, had personally lobbied Lorne Michaels to book them as musical guests. During some guest appearances, he resurrected the Blues Brothers musical act with frequent host John Goodman in place of Belushi. He became the second member of the original cast to host SNL in May 2003, when he appeared in the season finale. During his monologue, he performed a musical number with James Belushi similar to the Blues Brothers, but neither Aykroyd nor Belushi donned the famous black suit and sunglasses. On March 24, 2007, Aykroyd appeared as a crying fan of American Idol finalist Sanjaya Malakar (played by Andy Samberg) during "Weekend Update". On February 14, 2009, he appeared as U.S. House Minority leader John Boehner. Aykroyd also made a surprise guest appearance, along with many other SNL alumni, on the show of March 9, 2013. The Blues Brothers Aykroyd was a close friend of John Belushi. According to Aykroyd, their first meeting helped spark the Blues Brothers act. When they met in a club that Aykroyd frequented, he played a blues record in the background, and it stimulated a fascination with blues in Belushi, who was primarily a fan of heavy rock bands at the time. Aykroyd educated Belushi on the finer points of blues music, and with a little encouragement from then-SNL music director Paul Shaffer, it led to the creation of their Blues Brothers characters. Backed by such experienced professional R&B sidemen as lead guitarist Steve Cropper, sax man Lou Marini, trumpeter Alan Rubin, and bass guitarist Donald "Duck" Dunn, the Blues Brothers proved more than an SNL novelty. Taking off with the public as a legitimate musical act, they performed live gigs and in 1978 released the hit album Briefcase Full of Blues (drawn from the fact that Aykroyd, as "Elwood Blues", carried his blues harmonicas in a briefcase that he kept handcuffed to his wrist, in the manner of a CIA courier; Belushi originally carried the key to those handcuffs). Briefcase Full of Blues eventually sold 3.5 million copies, and is one of the highest-selling blues albums of all time. The band was much further popularized in the 1980 film The Blues Brothers, which Aykroyd co-wrote. A sequel, titled Blues Brothers 2000, was released in 1998 and featured John Goodman as Belushi's replacement. Cherokee Studios in Los Angeles was a regular haunt for the original Blues Brothers in the early days of the band. Belushi and Aykroyd became fixtures at the recording studio, while fellow Blues Brother Steve Cropper called Cherokee his producing home. Whenever they needed a bass player, they were joined by another Blues Brother, Donald "Duck" Dunn. During this time, Cropper, along with producing partner and Cherokee owner Bruce Robb, worked on a number of music projects with the two comedians/musicians, including Belushi's favorite band, Fear, and later Aykroyd's movie Dragnet. The Blues Brothers Band continues to tour today, both with and without Aykroyd. The band features original members Cropper and Marini, along with vocalist Eddie Floyd. Aykroyd sometimes performs as Elwood, along with Belushi's younger brother Jim Belushi, who plays "Brother Zee" on stage. They are most frequently backed by the Sacred Hearts Band. Other film and television work Concurrent with his work in Saturday Night Live, Aykroyd played the role of Purvis Bickle, lift operator at the fictitious office block 99 Sumach Street in the CBC Television series Coming Up Rosie. After leaving SNL, Aykroyd starred in a number of films, mostly comedies, with uneven results both commercially and artistically. His first three American feature films all co-starred Belushi. The first, 1941 (1979), directed by Steven Spielberg, was a box-office disappointment. The second, The Blues Brothers (1980), which he co-wrote with director John Landis, was a massive hit. The third, Neighbors (1981) had mixed critical reaction, but was another box-office hit. One of his best-received performances was as a blueblood-turned-wretch in the 1983 comedy Trading Places, in which he co-starred with fellow SNL alumnus Eddie Murphy and Jamie Lee Curtis. In the early 1980s, Aykroyd began work on a script for the film that eventually became Ghostbusters, inspired by his fascination with parapsychology. The script initially included a much greater fantasy element, including time travel, but this was toned down substantially through work on the script with Harold Ramis (who became a co-writer) and director Ivan Reitman. Aykroyd originally wrote the role of Dr. Peter Venkman with Belushi in mind, but rewrote it for Bill Murray after Belushi's death. Aykroyd joked that the green ghost, later known as "Slimer", was "the ghost of John Belushi" and was based on Belushi's party-animal personality. Ghostbusters was released in 1984 and became a huge success for Aykroyd, who also appeared as one of the lead actors; the film earned nearly on a budget. Aykroyd's next major film role was in the 1985 spy comedy film Spies Like Us, which like The Blues Brothers was co-conceived and co-written by Aykroyd, and directed by Landis. Aykroyd had again intended for Belushi to be the other lead in the film; the part was instead given to SNL alumnus Chevy Chase. The film was intended as an homage to the Bob Hope/Bing Crosby Road to ... movies of the 1940s to 1960s. Bob Hope made a cameo appearance in the film. Dragnet, in which Aykroyd co-starred (with Tom Hanks) and co-wrote, was released in 1987. The film was both an homage and a satire of the previous Dragnet series, with Aykroyd playing Sgt. Joe Friday as a police officer whose law-and-order attitude is at odds with modern sensibilities. Aykroyd appeared in five films released in 1988, all of them critical and commercial failures. A sequel to Ghostbusters, Ghostbusters II, was released in 1989; Aykroyd and the other co-creators were reluctant to make another Ghostbusters film, but succumbed to pressure from the film's studio, Columbia Pictures. The film, while considered inferior to the original, was another big hit, earning . Aykroyd was nominated for an Academy Award for Best Supporting Actor for 1989's Driving Miss Daisy. He was the second SNL cast member to be nominated for an Oscar, the first being Joan Cusack. Aykroyd's directorial debut was 1991's Nothing but Trouble starring Demi Moore, Chevy Chase, John Candy, and Aykroyd, sporting a bulbous prosthetic nose. The film was a critical and box-office flop. Aykroyd's other films in the 1990s were mostly similarly poorly received, including Coneheads (also based on a SNL skit), Exit to Eden, Blues Brothers 2000, and Getting Away with Murder. Two exceptions were Tommy Boy (1995), which starred SNL alumni David Spade and Chris Farley, in which Aykroyd played the role of Ray Zalinsky, and Grosse Pointe Blank (1997), in which Aykroyd had a well-received role as a rival hit man. In 1994, Aykroyd made a guest appearance in an episode of the sitcom The Nanny as a refrigerator repairman. In 1997, he starred as an Episcopal priest in the ABC sitcom Soul Man, which lasted two seasons. In 1998, Aykroyd voiced the role of Chip, a wasp, in Antz. In 2001, he starred in the Woody Allen film The Curse of the Jade Scorpion. Most of his film roles since then have tended to be small character parts in big-budget productions, such as a signals analyst in Pearl Harbor and a neurologist in 50 First Dates. In 2009, Aykroyd and Ramis wrote and appeared in Ghostbusters: The Video Game, which also featured Bill Murray, Ernie Hudson, Annie Potts, William Atherton, and Brian Doyle-Murray. In 2010, he played the voice of the title character, Yogi Bear, in the live-action/CGI-animated-film Yogi Bear. That same year, Aykroyd and Chevy Chase guest-starred in the Family Guy episode "Spies Reminiscent of Us", an homage to Spies Like Us. Aykroyd appeared in two February 2011 episodes of CBS's The Defenders as Judge Max Hunter, which also starred Jim Belushi. He also appeared on Top Chef Canada as a guest judge. In 2013, Aykroyd voiced the role of Scarecrow in Legends of Oz: Dorothy's Return. In 2015, he appeared in a State Farm insurance commercial along with Jane Curtin and Laraine Newman, as the Coneheads, talking to "Jake", a State Farm agent. Aykroyd was one of the executive producers of Ghostbusters, a long-discussed reboot of the Ghostbusters franchise, which was released in 2016. Aykroyd had a cameo appearance in the film, along with many of the rest of the original Ghostbusters cast. In early 2021, he provided the voice of the Postage Stamp Fellow in the episode The Dad-Feelings Limited in the TV series The Simpsons. He also reprised his role of Dr. Ray Stantz in the movie Ghostbusters: Afterlife. Though Sony has not confirmed any further sequels to Afterlife, Aykroyd expressed interest in having the surviving three actors of the original Ghostbusters team continuing to reprise their roles for as many sequels as possible while they were alive. Other musical endeavours Aykroyd participated in the recording of "We Are the World" in 1985, as a member of the chorus. He wrote the liner notes for fellow Ottawa-born blues musician JW-Jones's album Bluelisted in 2008. Until its ending in 2018, he hosted the internationally syndicated radio show "Elwood's BluesMobile", formerly known as the House of Blues Radio Hour, under his Blues Brothers moniker Elwood Blues. Business ventures In 1992, Aykroyd and Hard Rock Cafe co-founder Isaac Tigrett founded the House of Blues, a chain of music venues, with the mission to promote African-American cultural contributions of blues music and folk art. Many other music and Hollywood personalities helped to finance it at its start. It began as a single location in Cambridge, Massachusetts, although other locations quickly followed, starting with a venue in New Orleans in 1994. In 2004, House of Blues became the second-largest live music promoter in the world, with seven venues and 22 amphitheatres in the United States and Canada. It was bought by Live Nation in 2006. On New Year's Eve, 1994, Aykroyd opened the Aykroyd's Ghetto House Cafe on Princess Street in Kingston, Ontario. In 2007, Aykroyd and artist John Alexander founded Crystal Head Vodka, a brand of high-end vodka known for its distinctive skull-shaped bottle and for being filtered through Herkimer diamond crystals. Aykroyd is also part owner of several wineries in Canada's Niagara Peninsula, and the company that distributes Patrón tequila in Canada. In 2016, Aykroyd partnered with TV producers Eric Bischoff and Jason Hervey and game developer Ike McFadden to release an online-casino game that features the Blues Brothers. Aykroyd provided the in-game voice of his Elwood Blues character via voiceover. Charitable works In 2009, Aykroyd contributed a series of reminiscences on his upbringing in Canada for a charity album titled Dan Aykroyd's Canada. He helped start the Blue Line Foundation, which is redeveloping flood-damaged lots in New Orleans and helping first responders buy them at reduced prices. Coastal Blue Line LLC, hopes to eventually rebuild 400 properties in New Orleans. Aykroyd is a member of Canadian charity Artists Against Racism. Personal life Aykroyd was briefly engaged to actress Carrie Fisher. He proposed to her on the set of The Blues Brothers film, in which she appeared as a spurned girlfriend of John Belushi's Jake Blues. The engagement ended when she reconciled with her former boyfriend, musician Paul Simon. In 1983, he married actress Donna Dixon; they met on the set of Doctor Detroit released the same year. They appeared together in four additional films: Spies Like Us (1985); Twilight Zone: The Movie (1983); The Couch Trip (1988); and Exit to Eden (1994). They have three daughters, Danielle (known by her stage name, Vera Sola), Stella, and Belle. Aykroyd maintains his Canadian roots as a longtime resident of Sydenham, Ontario, with his estate on Loughborough Lake. In a 2004 NPR interview with host Terry Gross, Aykroyd said that he had been diagnosed in childhood with Tourette syndrome (TS) as well as Asperger syndrome (AS). He stated that his TS was successfully treated with therapy. In 2015, he stated during a HuffPost Show interview with hosts Roy Sekoff and Marc Lamont Hill that his AS was "never diagnosed", but was "sort of a self-diagnosis" based on several of his own characteristics. Aykroyd is a former reserve commander for the police department in Harahan, Louisiana, working for Chief of Police Peter Dale. Aykroyd carried his badge with him at all times. He currently serves as a reserve deputy of the Hinds County Sheriff's Department in Hinds County, Mississippi. He supports the reserves with a fundraiser concert along with other blues and gospel singers in Mississippi. Aykroyd is passionate about the outdoors, geology and paleontology which he attributes to watching his father work on constructing the Gatineau Parkway which included blasting through granite rock formations to run the highway. This passion has led Aykroyd to join renowned Canadian paleontologist Dr. Philip J. Currie on a number of digs, including fundraising digs and galas as fundraisers for the construction of the Philip J. Currie Dinosaur Museum in Wembley, Alberta. In recognition of Aykroyd's contributions, the museum's theatre was named the Aykroyd Family Theatre. Friendship with John Belushi In an appearance on the Today show, Aykroyd referred to John Belushi and himself as "kindred spirits." In the biography Belushi, Aykroyd claims that Belushi was the only man with whom he could ever dance. Aykroyd and Belushi were scheduled to present the Academy Award for Visual Effects in 1982, but Belushi died only a few weeks prior to the ceremony. Though devastated by his friend's death, Aykroyd presented the award alone, remarking from the stage: "My partner would have loved to have been here to present this, given that he was something of a visual effect himself." Aykroyd was openly hostile to the 1989 film Wired, a biopic of Belushi which was based on the 1984 book of the same name by journalist Bob Woodward, starred Michael Chiklis in his film debut as Belushi, and featured him as a character played by actor Gary Groomes. Along with Belushi's widow Judith and brother Jim, and many other friends, associates and relatives of Belushi, he boycotted the film and the associated book for misrepresenting Belushi's life, and expressed his desire that the film would flop at the box office, which it ultimately did. During an interview for MTV's The Big Picture in June 1988, he said, "I have witches working now to jinx the thing... I hope it never gets seen and I am going to hurl all the negative energy I can and muster all my hell energies [against them]. My thunderbolts are out on this one, quite truthfully." He had actor J. T. Walsh removed from the film Loose Cannons after Walsh had already done two days of filming, after finding out that Walsh had been in the cast of Wired. Walsh was replaced by fellow Canadian Paul Koslo, causing the film a $125,000 production delay. Beliefs Aykroyd considers himself a Spiritualist, stating: I am a Spiritualist, a proud wearer of the Spiritualist badge. Mediums and psychic research have gone on for many, many years ... Loads of people have seen spirits, heard a voice, or felt the cold temperature. I believe that they are between here and there, that they exist between the fourth and fifth dimensions, and that they visit us frequently. Aykroyd's great-grandfather, a dentist, was a mystic who corresponded with author Sir Arthur Conan Doyle on the subject of Spiritualism, and was a member of the Lily Dale Society. Other than Spiritualism, Aykroyd is also interested in various other aspects of the paranormal, particularly UFOlogy. He is a lifetime member of and official Hollywood consultant for the Mutual UFO Network (MUFON). Along these lines, he served, from 1996 to 2000, as host of Psi Factor: Chronicles of the Paranormal, which claimed to describe cases drawn from the archives of "The Office of Scientific Investigation and Research". In 2005, Aykroyd produced the DVD Dan Aykroyd: Unplugged on UFOs. Aykroyd is interviewed for 80 minutes by UFOlogist David Sereda discussing in depth many aspects of the UFO phenomenon. On September 29, 2009, Peter Aykroyd Sr., Dan's father, published a book entitled A History of Ghosts. This book chronicled the family's historical involvement in the Spiritualist movement, to which Aykroyd readily refers. Aykroyd wrote the introduction and accompanied his father on a series of promotional activities, including launches in New York and Toronto, appearances on Larry King Live and Coast to Coast AM, and various other public-relations initiatives. Aykroyd also read the introduction for the audio version of the book. In 1997, the Committee for Skeptical Inquiry awarded Aykroyd in absentia the Snuffed Candle Award for hosting Psi Factor and being a "long-time promoter ... of paranormal claims". Following the awards, Joe Nickell wrote to Aykroyd asking for the research behind the "cases" presented on Psi Factor, particularly a claim that NASA scientists were "killed while investigating a meteor crash and giant eggs were found and incubated, yielding a flea the size of a hog". Filmography Film Television Video games Guest appearances on SNL Awards and nominations In 1977, Aykroyd received an Emmy Award for Outstanding Writing in a Comedy-Variety or Music Series for his collaborative work on Saturday Night Live. In 1994, he received an honorary Doctor of Literature degree from Carleton University. In 1999, Aykroyd was made a Member of the Order of Canada. He was inducted into Canada's Walk of Fame in 2002. In 2017, he was made a member of the Order of Ontario in recognition for being "one of the world's most popular entertainers, well-known for his time on Saturday Night Live and the 1984 classic movie Ghostbusters." See also List of Canadian actors List of celebrities who own wineries and vineyards Saturday Night Live cast members References Further reading Hill, Doug, and Weingrad, Jeff, Saturday Night: A Backstage History of Saturday Night Live. Vintage Books, 1986. . External links Dan Aykroyd, Still Full of the 'Blues' – interview on NPR's Fresh Air with Terry Gross – originally aired November 22, 2004 1952 births 20th-century American comedians 20th-century American male actors 20th-century Canadian comedians 20th-century Canadian male actors 20th-century Canadian male writers 20th-century Canadian writers 21st-century American comedians 21st-century American male actors 21st-century Canadian comedians 21st-century Canadian male actors American impressionists (entertainers) American male comedians American male film actors American male television actors American male television writers American male voice actors American people of Dutch descent American people of English descent American people of French-Canadian descent American people of Irish descent American people of Scottish descent American male screenwriters American sketch comedians American spiritualists American television personalities American television writers Businesspeople from Ottawa Canadian conspiracy theorists Canadian emigrants to the United States Canadian impressionists (entertainers) Canadian male comedians Canadian male film actors Canadian male television actors Canadian male voice actors Canadian people of Dutch descent Canadian people of English descent Canadian people of French descent Canadian people of Irish descent Canadian people of Scottish descent Canadian male screenwriters Canadian sketch comedians Canadian spiritualists Canadian television personalities Canadian television writers Carleton University alumni Comedians from Ontario Golden Raspberry Award winners Living people Male actors from Ottawa Members of the Order of Canada Members of the Order of Ontario People from Harahan, Louisiana People with Tourette syndrome Primetime Emmy Award winners The Blues Brothers members Ufologists UFO conspiracy theorists Writers from Ottawa

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How long did he keep that position?

How long did Dan Aykroyd keep the position as Reserve Deputy of the Hinds County Sheriff's Department?

Dan Aykroyd

Aykroyd was briefly engaged to actress Carrie Fisher. He proposed to her on the set of The Blues Brothers (1980), in which she appeared as a spurned girlfriend of John Belushi's Jake Blues who was trying to kill both brothers. The engagement ended when she reconciled with her former boyfriend, musician Paul Simon. In 1983, he married actress Donna Dixon, with whom he starred in the movies Doctor Detroit (1983), on whose set they first met; Spies Like Us (1985); and The Couch Trip (1988). They have three daughters, Danielle, Stella and Belle. Aykroyd maintains his Canadian roots as a longtime resident of Sydenham, Ontario, with his estate on Loughborough Lake. In a 2004 NPR interview with host Terry Gross, Aykroyd said that he had been diagnosed in childhood with Tourette syndrome (TS) as well as Asperger syndrome (AS). He stated that his TS was successfully treated with therapy. In 2015, he stated during a HuffPost Show interview with hosts Roy Sekoff and Marc Lamont Hill that his AS was "never diagnosed" but was "sort of a self-diagnosis" based on several of his own characteristics. Aykroyd is a former reserve commander for the police department in Harahan, Louisiana, working for Chief of Police Peter Dale. Aykroyd would carry his badge with him at all times. He currently serves as a Reserve Deputy of the Hinds County Sheriff's Department in Hinds County, Mississippi. He supports the Reserves with a fundraiser concert along with other Blues and Gospel singers in the State of Mississippi. CANNOTANSWER

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Daniel Edward Aykroyd ( ; born July 1, 1952) is a Canadian actor, comedian, producer, musician and writer. He was an original member of the "Not Ready for Prime Time Players" on Saturday Night Live (1975–1979). He performed with his friend John Belushi in a musical sketch on SNL, the Blues Brothers, which they turned into an actual performing band and then featured in the 1980 film The Blues Brothers. Aykroyd also conceived the premise for, and starred as Dr. Raymond Stantz in, Ghostbusters (1984), which spawned a sequel and eventually an entire media franchise. During his tenure on SNL, Aykroyd appeared in a recurring series of sketches about the Coneheads, a family of aliens stranded on Earth, which eventually spawned a feature film. After his departure, Aykroyd has occasionally returned to the show as guest appearances or cameos. In 1990, Aykroyd was nominated for the Academy Award for Best Supporting Actor for his role as Boolie Werthan in the 1989 film Driving Miss Daisy. He wrote, directed and starred in the 1991 film Nothing but Trouble, his only directing credit. He starred as Reverend Mike Weber in his own sitcom, Soul Man (1997–1998). Aykroyd is also a businessman, having co-founded the House of Blues chain of music venues and the Crystal Head Vodka brand. Early life Aykroyd was born on July 1, 1952 (Canada Day) at The Ottawa Hospital in Ottawa, Ontario. He grew up in Ottawa, Canada's capital, where his father, Samuel Cuthbert Peter Hugh Aykroyd (1922 – 2020), a civil engineer, worked as a policy adviser to Canadian Prime Minister Pierre Trudeau. His mother, Lorraine Hélène Marie (née Gougeon; April 27, 1918 – February 8, 2018), was a secretary. His mother was of French Canadian descent and his father was of English, Scottish, Irish, French, and Dutch ancestry. His brother, Peter, was also an actor. He attended St. Pius X and St. Patrick's high schools, and studied criminology and sociology at Carleton University, but dropped out before completing his degree. He worked as a comedian in various Canadian nightclubs and ran an after-hours speakeasy, Club 505, in Toronto for several years. Aykroyd is a heterochromiac syndactylite - he has webbed middle toes on both feet and he has different coloured eyes: one is brown and one is green. Aykroyd developed his musical career in Ottawa, particularly through his regular attendances at Le Hibou, a club that featured many blues artists. He describes these influences as follows: Aykroyd's first professional experience, which he gained at the age of 17, was as a member of the cast of the short-lived Canadian sketch comedy series The Hart and Lorne Terrific Hour with Lorne Michaels, among others. He was a member of the Second City comedy troupe in 1973 in both Toronto and Chicago. Saturday Night Live Aykroyd gained fame on the American late-night comedy show Saturday Night Live (SNL). He was originally hired, and paid $278 a week, as a writer for the show, but became a part of the cast before the series premiered. The original cast was referred to on the show as "The Not Ready For Prime Time Players". Aykroyd was the youngest member of the cast, and appeared on the show for its first four seasons, from 1975 to 1979. He brought a unique sensibility to the show, combining youth, unusual interests, talent as an impersonator, and an almost lunatic intensity. Guest host Eric Idle of Monty Python said that Aykroyd's ability to write and act out characters flawlessly made him the only member of the SNL cast capable of being a Python. He was known for his impersonations of celebrities such as Jimmy Carter, Vincent Price, Richard Nixon, Rod Serling, Tom Snyder, Julia Child, and others. He was also known for his recurring roles, such as Beldar, father of the Coneheads family; with Steve Martin, Yortuk Festrunk, one of the "Two Wild and Crazy Guys" brothers from Bratislava, Slovakia; sleazy late-night cable TV host E. Buzz Miller and his cousin, corrupt maker of children's toys and costumes Irwin Mainway (who extolled the virtues and defended the safety of the "Bag-o-Glass" toy); Fred Garvin – male prostitute; and high-bred but low-brow critic Leonard Pinth-Garnell. Aykroyd and Jane Curtin famously parodied the Point/Counterpoint segment on the CBS news show 60 Minutes, which featured the liberal Shana Alexander and the conservative segregationist James Kilpatrick, by portraying the two as hating one another; Aykroyd's first words in response to Curtin's point were, "Jane, you ignorant slut!". Aykroyd's eccentric talent was recognized by others in the highly competitive SNL environment; when he first presented his famous "Super Bass-O-Matic '76" sketch, a fake TV commercial in which a garish, hyper-pitchman (based on Ron Popeil) touts a food blender that turns an entire bass into liquid pulp, the other writers and cast members considered the sketch "so exhilaratingly strange that many remember sitting and listening, open-mouthed ... Nobody felt jealous of it because they couldn't imagine writing anything remotely like it." Aykroyd later revealed that the inspiration for the sketch was seeing his aunt Helene Gougeon (a noted culinary writer and food columnist in Montreal) pop a bass into a blender in order to make a bouillabaisse when he was 12 years old. While Aykroyd was a close friend and partner with fellow cast member John Belushi and shared some of the same sensibilities, Aykroyd was more reserved and less self-destructive. Aykroyd later recalled that, unlike Belushi and other of his peers, he was uninterested in recreational drug use. In 1977, he received an Emmy Award for writing on SNL; he later received two more nominations for writing and one for acting. In Rolling Stones February 2015 appraisal of all 141 SNL cast members to date, Aykroyd was ranked fifth (behind Belushi, Eddie Murphy, Tina Fey, and Mike Myers). "Of all the original [SNL] greats, Aykroyd is the least imitated", they wrote, "because nobody else can do what he did." In later decades, Aykroyd made occasional guest appearances and unannounced cameos on SNL, often impersonating the American politician Bob Dole. He also brought back past characters including Irwin Mainway and Leonard Pinth-Garnell. In 1995, he appeared on the show to introduce a performance by Canadian rock band The Tragically Hip. Aykroyd, who is a fan of the band, had personally lobbied Lorne Michaels to book them as musical guests. During some guest appearances, he resurrected the Blues Brothers musical act with frequent host John Goodman in place of Belushi. He became the second member of the original cast to host SNL in May 2003, when he appeared in the season finale. During his monologue, he performed a musical number with James Belushi similar to the Blues Brothers, but neither Aykroyd nor Belushi donned the famous black suit and sunglasses. On March 24, 2007, Aykroyd appeared as a crying fan of American Idol finalist Sanjaya Malakar (played by Andy Samberg) during "Weekend Update". On February 14, 2009, he appeared as U.S. House Minority leader John Boehner. Aykroyd also made a surprise guest appearance, along with many other SNL alumni, on the show of March 9, 2013. The Blues Brothers Aykroyd was a close friend of John Belushi. According to Aykroyd, their first meeting helped spark the Blues Brothers act. When they met in a club that Aykroyd frequented, he played a blues record in the background, and it stimulated a fascination with blues in Belushi, who was primarily a fan of heavy rock bands at the time. Aykroyd educated Belushi on the finer points of blues music, and with a little encouragement from then-SNL music director Paul Shaffer, it led to the creation of their Blues Brothers characters. Backed by such experienced professional R&B sidemen as lead guitarist Steve Cropper, sax man Lou Marini, trumpeter Alan Rubin, and bass guitarist Donald "Duck" Dunn, the Blues Brothers proved more than an SNL novelty. Taking off with the public as a legitimate musical act, they performed live gigs and in 1978 released the hit album Briefcase Full of Blues (drawn from the fact that Aykroyd, as "Elwood Blues", carried his blues harmonicas in a briefcase that he kept handcuffed to his wrist, in the manner of a CIA courier; Belushi originally carried the key to those handcuffs). Briefcase Full of Blues eventually sold 3.5 million copies, and is one of the highest-selling blues albums of all time. The band was much further popularized in the 1980 film The Blues Brothers, which Aykroyd co-wrote. A sequel, titled Blues Brothers 2000, was released in 1998 and featured John Goodman as Belushi's replacement. Cherokee Studios in Los Angeles was a regular haunt for the original Blues Brothers in the early days of the band. Belushi and Aykroyd became fixtures at the recording studio, while fellow Blues Brother Steve Cropper called Cherokee his producing home. Whenever they needed a bass player, they were joined by another Blues Brother, Donald "Duck" Dunn. During this time, Cropper, along with producing partner and Cherokee owner Bruce Robb, worked on a number of music projects with the two comedians/musicians, including Belushi's favorite band, Fear, and later Aykroyd's movie Dragnet. The Blues Brothers Band continues to tour today, both with and without Aykroyd. The band features original members Cropper and Marini, along with vocalist Eddie Floyd. Aykroyd sometimes performs as Elwood, along with Belushi's younger brother Jim Belushi, who plays "Brother Zee" on stage. They are most frequently backed by the Sacred Hearts Band. Other film and television work Concurrent with his work in Saturday Night Live, Aykroyd played the role of Purvis Bickle, lift operator at the fictitious office block 99 Sumach Street in the CBC Television series Coming Up Rosie. After leaving SNL, Aykroyd starred in a number of films, mostly comedies, with uneven results both commercially and artistically. His first three American feature films all co-starred Belushi. The first, 1941 (1979), directed by Steven Spielberg, was a box-office disappointment. The second, The Blues Brothers (1980), which he co-wrote with director John Landis, was a massive hit. The third, Neighbors (1981) had mixed critical reaction, but was another box-office hit. One of his best-received performances was as a blueblood-turned-wretch in the 1983 comedy Trading Places, in which he co-starred with fellow SNL alumnus Eddie Murphy and Jamie Lee Curtis. In the early 1980s, Aykroyd began work on a script for the film that eventually became Ghostbusters, inspired by his fascination with parapsychology. The script initially included a much greater fantasy element, including time travel, but this was toned down substantially through work on the script with Harold Ramis (who became a co-writer) and director Ivan Reitman. Aykroyd originally wrote the role of Dr. Peter Venkman with Belushi in mind, but rewrote it for Bill Murray after Belushi's death. Aykroyd joked that the green ghost, later known as "Slimer", was "the ghost of John Belushi" and was based on Belushi's party-animal personality. Ghostbusters was released in 1984 and became a huge success for Aykroyd, who also appeared as one of the lead actors; the film earned nearly on a budget. Aykroyd's next major film role was in the 1985 spy comedy film Spies Like Us, which like The Blues Brothers was co-conceived and co-written by Aykroyd, and directed by Landis. Aykroyd had again intended for Belushi to be the other lead in the film; the part was instead given to SNL alumnus Chevy Chase. The film was intended as an homage to the Bob Hope/Bing Crosby Road to ... movies of the 1940s to 1960s. Bob Hope made a cameo appearance in the film. Dragnet, in which Aykroyd co-starred (with Tom Hanks) and co-wrote, was released in 1987. The film was both an homage and a satire of the previous Dragnet series, with Aykroyd playing Sgt. Joe Friday as a police officer whose law-and-order attitude is at odds with modern sensibilities. Aykroyd appeared in five films released in 1988, all of them critical and commercial failures. A sequel to Ghostbusters, Ghostbusters II, was released in 1989; Aykroyd and the other co-creators were reluctant to make another Ghostbusters film, but succumbed to pressure from the film's studio, Columbia Pictures. The film, while considered inferior to the original, was another big hit, earning . Aykroyd was nominated for an Academy Award for Best Supporting Actor for 1989's Driving Miss Daisy. He was the second SNL cast member to be nominated for an Oscar, the first being Joan Cusack. Aykroyd's directorial debut was 1991's Nothing but Trouble starring Demi Moore, Chevy Chase, John Candy, and Aykroyd, sporting a bulbous prosthetic nose. The film was a critical and box-office flop. Aykroyd's other films in the 1990s were mostly similarly poorly received, including Coneheads (also based on a SNL skit), Exit to Eden, Blues Brothers 2000, and Getting Away with Murder. Two exceptions were Tommy Boy (1995), which starred SNL alumni David Spade and Chris Farley, in which Aykroyd played the role of Ray Zalinsky, and Grosse Pointe Blank (1997), in which Aykroyd had a well-received role as a rival hit man. In 1994, Aykroyd made a guest appearance in an episode of the sitcom The Nanny as a refrigerator repairman. In 1997, he starred as an Episcopal priest in the ABC sitcom Soul Man, which lasted two seasons. In 1998, Aykroyd voiced the role of Chip, a wasp, in Antz. In 2001, he starred in the Woody Allen film The Curse of the Jade Scorpion. Most of his film roles since then have tended to be small character parts in big-budget productions, such as a signals analyst in Pearl Harbor and a neurologist in 50 First Dates. In 2009, Aykroyd and Ramis wrote and appeared in Ghostbusters: The Video Game, which also featured Bill Murray, Ernie Hudson, Annie Potts, William Atherton, and Brian Doyle-Murray. In 2010, he played the voice of the title character, Yogi Bear, in the live-action/CGI-animated-film Yogi Bear. That same year, Aykroyd and Chevy Chase guest-starred in the Family Guy episode "Spies Reminiscent of Us", an homage to Spies Like Us. Aykroyd appeared in two February 2011 episodes of CBS's The Defenders as Judge Max Hunter, which also starred Jim Belushi. He also appeared on Top Chef Canada as a guest judge. In 2013, Aykroyd voiced the role of Scarecrow in Legends of Oz: Dorothy's Return. In 2015, he appeared in a State Farm insurance commercial along with Jane Curtin and Laraine Newman, as the Coneheads, talking to "Jake", a State Farm agent. Aykroyd was one of the executive producers of Ghostbusters, a long-discussed reboot of the Ghostbusters franchise, which was released in 2016. Aykroyd had a cameo appearance in the film, along with many of the rest of the original Ghostbusters cast. In early 2021, he provided the voice of the Postage Stamp Fellow in the episode The Dad-Feelings Limited in the TV series The Simpsons. He also reprised his role of Dr. Ray Stantz in the movie Ghostbusters: Afterlife. Though Sony has not confirmed any further sequels to Afterlife, Aykroyd expressed interest in having the surviving three actors of the original Ghostbusters team continuing to reprise their roles for as many sequels as possible while they were alive. Other musical endeavours Aykroyd participated in the recording of "We Are the World" in 1985, as a member of the chorus. He wrote the liner notes for fellow Ottawa-born blues musician JW-Jones's album Bluelisted in 2008. Until its ending in 2018, he hosted the internationally syndicated radio show "Elwood's BluesMobile", formerly known as the House of Blues Radio Hour, under his Blues Brothers moniker Elwood Blues. Business ventures In 1992, Aykroyd and Hard Rock Cafe co-founder Isaac Tigrett founded the House of Blues, a chain of music venues, with the mission to promote African-American cultural contributions of blues music and folk art. Many other music and Hollywood personalities helped to finance it at its start. It began as a single location in Cambridge, Massachusetts, although other locations quickly followed, starting with a venue in New Orleans in 1994. In 2004, House of Blues became the second-largest live music promoter in the world, with seven venues and 22 amphitheatres in the United States and Canada. It was bought by Live Nation in 2006. On New Year's Eve, 1994, Aykroyd opened the Aykroyd's Ghetto House Cafe on Princess Street in Kingston, Ontario. In 2007, Aykroyd and artist John Alexander founded Crystal Head Vodka, a brand of high-end vodka known for its distinctive skull-shaped bottle and for being filtered through Herkimer diamond crystals. Aykroyd is also part owner of several wineries in Canada's Niagara Peninsula, and the company that distributes Patrón tequila in Canada. In 2016, Aykroyd partnered with TV producers Eric Bischoff and Jason Hervey and game developer Ike McFadden to release an online-casino game that features the Blues Brothers. Aykroyd provided the in-game voice of his Elwood Blues character via voiceover. Charitable works In 2009, Aykroyd contributed a series of reminiscences on his upbringing in Canada for a charity album titled Dan Aykroyd's Canada. He helped start the Blue Line Foundation, which is redeveloping flood-damaged lots in New Orleans and helping first responders buy them at reduced prices. Coastal Blue Line LLC, hopes to eventually rebuild 400 properties in New Orleans. Aykroyd is a member of Canadian charity Artists Against Racism. Personal life Aykroyd was briefly engaged to actress Carrie Fisher. He proposed to her on the set of The Blues Brothers film, in which she appeared as a spurned girlfriend of John Belushi's Jake Blues. The engagement ended when she reconciled with her former boyfriend, musician Paul Simon. In 1983, he married actress Donna Dixon; they met on the set of Doctor Detroit released the same year. They appeared together in four additional films: Spies Like Us (1985); Twilight Zone: The Movie (1983); The Couch Trip (1988); and Exit to Eden (1994). They have three daughters, Danielle (known by her stage name, Vera Sola), Stella, and Belle. Aykroyd maintains his Canadian roots as a longtime resident of Sydenham, Ontario, with his estate on Loughborough Lake. In a 2004 NPR interview with host Terry Gross, Aykroyd said that he had been diagnosed in childhood with Tourette syndrome (TS) as well as Asperger syndrome (AS). He stated that his TS was successfully treated with therapy. In 2015, he stated during a HuffPost Show interview with hosts Roy Sekoff and Marc Lamont Hill that his AS was "never diagnosed", but was "sort of a self-diagnosis" based on several of his own characteristics. Aykroyd is a former reserve commander for the police department in Harahan, Louisiana, working for Chief of Police Peter Dale. Aykroyd carried his badge with him at all times. He currently serves as a reserve deputy of the Hinds County Sheriff's Department in Hinds County, Mississippi. He supports the reserves with a fundraiser concert along with other blues and gospel singers in Mississippi. Aykroyd is passionate about the outdoors, geology and paleontology which he attributes to watching his father work on constructing the Gatineau Parkway which included blasting through granite rock formations to run the highway. This passion has led Aykroyd to join renowned Canadian paleontologist Dr. Philip J. Currie on a number of digs, including fundraising digs and galas as fundraisers for the construction of the Philip J. Currie Dinosaur Museum in Wembley, Alberta. In recognition of Aykroyd's contributions, the museum's theatre was named the Aykroyd Family Theatre. Friendship with John Belushi In an appearance on the Today show, Aykroyd referred to John Belushi and himself as "kindred spirits." In the biography Belushi, Aykroyd claims that Belushi was the only man with whom he could ever dance. Aykroyd and Belushi were scheduled to present the Academy Award for Visual Effects in 1982, but Belushi died only a few weeks prior to the ceremony. Though devastated by his friend's death, Aykroyd presented the award alone, remarking from the stage: "My partner would have loved to have been here to present this, given that he was something of a visual effect himself." Aykroyd was openly hostile to the 1989 film Wired, a biopic of Belushi which was based on the 1984 book of the same name by journalist Bob Woodward, starred Michael Chiklis in his film debut as Belushi, and featured him as a character played by actor Gary Groomes. Along with Belushi's widow Judith and brother Jim, and many other friends, associates and relatives of Belushi, he boycotted the film and the associated book for misrepresenting Belushi's life, and expressed his desire that the film would flop at the box office, which it ultimately did. During an interview for MTV's The Big Picture in June 1988, he said, "I have witches working now to jinx the thing... I hope it never gets seen and I am going to hurl all the negative energy I can and muster all my hell energies [against them]. My thunderbolts are out on this one, quite truthfully." He had actor J. T. Walsh removed from the film Loose Cannons after Walsh had already done two days of filming, after finding out that Walsh had been in the cast of Wired. Walsh was replaced by fellow Canadian Paul Koslo, causing the film a $125,000 production delay. Beliefs Aykroyd considers himself a Spiritualist, stating: I am a Spiritualist, a proud wearer of the Spiritualist badge. Mediums and psychic research have gone on for many, many years ... Loads of people have seen spirits, heard a voice, or felt the cold temperature. I believe that they are between here and there, that they exist between the fourth and fifth dimensions, and that they visit us frequently. Aykroyd's great-grandfather, a dentist, was a mystic who corresponded with author Sir Arthur Conan Doyle on the subject of Spiritualism, and was a member of the Lily Dale Society. Other than Spiritualism, Aykroyd is also interested in various other aspects of the paranormal, particularly UFOlogy. He is a lifetime member of and official Hollywood consultant for the Mutual UFO Network (MUFON). Along these lines, he served, from 1996 to 2000, as host of Psi Factor: Chronicles of the Paranormal, which claimed to describe cases drawn from the archives of "The Office of Scientific Investigation and Research". In 2005, Aykroyd produced the DVD Dan Aykroyd: Unplugged on UFOs. Aykroyd is interviewed for 80 minutes by UFOlogist David Sereda discussing in depth many aspects of the UFO phenomenon. On September 29, 2009, Peter Aykroyd Sr., Dan's father, published a book entitled A History of Ghosts. This book chronicled the family's historical involvement in the Spiritualist movement, to which Aykroyd readily refers. Aykroyd wrote the introduction and accompanied his father on a series of promotional activities, including launches in New York and Toronto, appearances on Larry King Live and Coast to Coast AM, and various other public-relations initiatives. Aykroyd also read the introduction for the audio version of the book. In 1997, the Committee for Skeptical Inquiry awarded Aykroyd in absentia the Snuffed Candle Award for hosting Psi Factor and being a "long-time promoter ... of paranormal claims". Following the awards, Joe Nickell wrote to Aykroyd asking for the research behind the "cases" presented on Psi Factor, particularly a claim that NASA scientists were "killed while investigating a meteor crash and giant eggs were found and incubated, yielding a flea the size of a hog". Filmography Film Television Video games Guest appearances on SNL Awards and nominations In 1977, Aykroyd received an Emmy Award for Outstanding Writing in a Comedy-Variety or Music Series for his collaborative work on Saturday Night Live. In 1994, he received an honorary Doctor of Literature degree from Carleton University. In 1999, Aykroyd was made a Member of the Order of Canada. He was inducted into Canada's Walk of Fame in 2002. In 2017, he was made a member of the Order of Ontario in recognition for being "one of the world's most popular entertainers, well-known for his time on Saturday Night Live and the 1984 classic movie Ghostbusters." See also List of Canadian actors List of celebrities who own wineries and vineyards Saturday Night Live cast members References Further reading Hill, Doug, and Weingrad, Jeff, Saturday Night: A Backstage History of Saturday Night Live. Vintage Books, 1986. . External links Dan Aykroyd, Still Full of the 'Blues' – interview on NPR's Fresh Air with Terry Gross – originally aired November 22, 2004 1952 births 20th-century American comedians 20th-century American male actors 20th-century Canadian comedians 20th-century Canadian male actors 20th-century Canadian male writers 20th-century Canadian writers 21st-century American comedians 21st-century American male actors 21st-century Canadian comedians 21st-century Canadian male actors American impressionists (entertainers) American male comedians American male film actors American male television actors American male television writers American male voice actors American people of Dutch descent American people of English descent American people of French-Canadian descent American people of Irish descent American people of Scottish descent American male screenwriters American sketch comedians American spiritualists American television personalities American television writers Businesspeople from Ottawa Canadian conspiracy theorists Canadian emigrants to the United States Canadian impressionists (entertainers) Canadian male comedians Canadian male film actors Canadian male television actors Canadian male voice actors Canadian people of Dutch descent Canadian people of English descent Canadian people of French descent Canadian people of Irish descent Canadian people of Scottish descent Canadian male screenwriters Canadian sketch comedians Canadian spiritualists Canadian television personalities Canadian television writers Carleton University alumni Comedians from Ontario Golden Raspberry Award winners Living people Male actors from Ottawa Members of the Order of Canada Members of the Order of Ontario People from Harahan, Louisiana People with Tourette syndrome Primetime Emmy Award winners The Blues Brothers members Ufologists UFO conspiracy theorists Writers from Ottawa

C_fe907a545efb49ad960c0a3908a4292c_1

What did he gain fame for

What did Ricky Martin gain fame for?

Ricky Martin

After achieving modest fame in Puerto Rico for his work in television commercials, Martin auditioned for membership in the Puerto Rican boy band Menudo. Although the executives enjoyed his dancing and singing at his first two auditions, Martin was rejected because he was too short. By the third audition, his persistence impressed executives, and in 1984, 12-year-old Martin became a member. A month after joining Menudo, he made his debut performance with the group at the Luis A. Ferre Performing Arts Center in San Juan. During this performance, he inadvertently disobeyed the choreography by walking around the stage, when it was planned that he would stay still, and was chastised by the band manager after the show: "The mistake was such a big deal that from that moment on, never again did I move when I wasn't supposed to move...That was the discipline of Menudo: You either did things the way you were told or you were not part of the group." The song "Asignatura Pendiente" from Almas del Silencio (2003) was inspired by the first time Martin left Puerto Rico to tour with Menudo. Although Martin enjoyed traveling and performing onstage with Menudo, he found the band's busy schedule and strict management exhausting, and later reflected that the experience "cost" him his childhood. He considered leaving the group while on tour in Brazil, but ultimately decided to stay out of fear of media backlash and being sued for breach of contract. Martin also began struggling with his sexuality, noting the stark contrast between his status as a sex symbol and his own emotions. Despite this, Martin acknowledged his "opportunity to have so many amazing experiences with so many amazing people" during his time with the group. He developed an interest in philanthropy when the group became UNICEF ambassadors, often working with impoverished children in third world countries. His experiences as an ambassador affected him greatly and inspired him to continue working with charities later in life. By 1987, Menudo's record sales began to decline, and the group changed its image, adopting an edgier look and performing more rock-influenced songs. The band released the album Somos Los Hijos del Rock in Spanish, and to appeal to the Menudo's Filipino fanbase, the group released In Action, recording songs in both English and Tagalog. After recording 11 albums with the group, Martin left Menudo in July 1989, at age 17, hoping to rest and evaluate his career path. He performed his final show with the group at the same venue where he'd performed his first performance as a member. Martin returned to Puerto Rico to graduate from high school, and 13 days after turning 18, he moved to New York City to celebrate his financial independence; since he was a minor during his time as a member of Menudo, Martin was not allowed to access his own bank accounts. He was accepted into New York University's Tisch School of the Arts, but months before classes began, Martin dropped out and moved to Mexico City to perform in the play Mama Ama el Rock (Mom Loves Rock). CANNOTANSWER

After achieving modest fame in Puerto Rico for his work in television commercials, Martin auditioned for membership in the Puerto Rican boy band Menudo.

Enrique Martín Morales (born December 24, 1971), known professionally as Ricky Martin, is a Puerto Rican singer, songwriter, and actor. He is known for his musical versatility, as his discography spans multiple genres, including Latin pop, pop, dance, reggaeton, and salsa. Dubbed the "King of Latin Pop", the "King of Latin Music", and the "Latin Pop God", he is regarded as one of the most influential artists in the world. Born in San Juan, Martin began appearing in television commercials at the age of 9 and began his musical career at age 12, as a member of Puerto Rican boy band Menudo. He started his solo career in 1991 while in Sony Music Mexico, gaining recognition in Latin America with the release of his first two studio albums, Ricky Martin (1991) and Me Amaras (1993), both of which were focused on ballads. Martin's third album, A Medio Vivir (1995), helped him rose to prominence in European countries. The chart-topping single "María", incorporated a mixture of Latin music genres and became his first international hit. His international success was further solidified with his fourth album, Vuelve (1998). The album, which earned Martin his first Grammy Award, spawned chart-topping hits "Vuelve" and "La Copa de la Vida". Martin performed the latter at the 41st Annual Grammy Awards, which was greeted with a massive standing ovation and is known as a game-changer for Latin music worldwide. His first English album, Ricky Martin (1999) became his first US Billboard 200 number one. The lead single "Livin' la Vida Loca" is considered to be Martin's biggest hit, topping both the Billboard Hot 100 and the UK Singles Chart. Martin's success in the late '90s is generally seen as the beginning of the "Latin explosion". He has been credited for getting Latin pop music genre to mainstream recognition, paving the way for a large number of Latin artists to achieve a global success. Martin has since established his status as a sex symbol and a pop icon, releasing several successful albums, including all-time Latin bestsellers Almas del Silencio (2003) and MTV Unplugged (2006), as well as Grammy Award winner A Quien Quiera Escuchar (2015). He has also amassed many successful singles and chart-topper hits, including "She Bangs", "Nobody Wants to Be Lonely", "Tal Vez", "Tu Recuerdo", "La Mordidita", "Vente Pa' Ca", and "Canción Bonita". As an actor, Martin gained popularity and stardom for his role in the hit soap opera General Hospital (1994-1996), while his portrayal of Antonio D'Amico in The Assassination of Gianni Versace: American Crime Story (2018) marked the acting opportunity of his career, garnering him an Emmy nomination. He also starred as Ché in the Broadway revival of the musical Evita in 2012, which broke the theatre's box-office sales record seven times. Having sold over 70 million records worldwide, Martin is one of the best-selling Latin music artists of all time. He has scored 11 Billboard Hot Latin Songs number-one songs, and won over 200 awards (most awarded male Latin artist), including two Grammy Awards, five Latin Grammy Awards, five MTV Video Music Awards (tied for most wins by a Latin artist), two American Music Awards, two Latin American Music Awards, three Billboard Music Awards, nine Billboard Latin Music Awards, eight World Music Awards, fourteen Lo Nuestro Awards, a Guinness World Record, and a star on the Hollywood Walk of Fame. He is ranked among the Greatest Latin Artists of All Time, the Greatest Music Video Artists of All Time, and the Most Influential Latin Artists of All Time by Billboard. His philanthropy and activism focus on LGBT rights and fighting against human trafficking; in 2004, he founded The Ricky Martin Foundation, a non-profit, non-governmental organization that focuses on denouncing human trafficking and educating about the crime's existence. Life and career 1971–1982: Early life Enrique Martín Morales was born on December 24, 1971, in San Juan, Puerto Rico. His mother, Doña Nereida Morales, is a former accountant; his father, Enrique Martín Negroni, is a former psychologist who previously worked as a regional supervisor for a Puerto Rican mental-health agency. His parents divorced when he was two years old, and although his mother had custody of Martin, he could also move freely between his father's house in the middle-class suburb of University Gardens in San Juan, and his paternal grandmother's house nearby. In an interview with People, he told the magazine the he "never had to make decisions" about who he loved more, and he was "always happy". Martin has two older maternal half-brothers, Fernando and Ángel Fernández, two younger paternal half-brothers, Eric and Daniel Martín, and a younger paternal half-sister, Vanessa Martín. Martin has Spanish heritage of Basque and Canarian descent. As he explained to ABC, the Martins traveled from Spain to Puerto Rico in 1779. He also has some Corsican origin through his paternal grandmother. Martin grew up Catholic. The people closest to him called him "Kiki" (a nickname that comes from Enrique). He began singing at age six, using wooden kitchen spoons as make-believe microphones; he often sang songs by Puerto Rican boy band Menudo, as well as English-language rock groups such as Led Zeppelin, Journey, and REO Speedwagon. His mother's side of the family was musically inclined and his maternal grandfather was a poet. Martin later reflected on his time spent with his family as a child: "Every time I find myself in front of an audience, be it twenty people or one hundred thousand, once again I feel the energy that consumed me back at the family gatherings of my youth." He attended Colegio Sagrado Corazón, a bilingual Catholic grade school in University Gardens since fourth grade and was an "average" student there. When he was nine years old, he began appearing in television commercials for products such as soft drinks, toothpaste, and fast food restaurants, most notably Orange Crush and Burger King. In a year and a half, he starred in 11 commercials. 1983–1989: Menudo After achieving moderate fame in his country for his appearances in television commercials, Martin auditioned for membership in Menudo. Formed in Puerto Rico in 1977, Menudo members were usually replaced when they hit 16 in order to keep the band "full of fresh-faced members". Although the executives enjoyed his dancing and singing at his first two auditions, Martin was rejected because he was too short. By the third audition, his persistence impressed executives, and in 1984, 12-year-old Martin became a member. A month after joining Menudo, he made his debut performance with the group at the Luis A. Ferré Performing Arts Center in San Juan. During this performance, he inadvertently disobeyed the choreography by walking around the stage, when it was planned that he would stay still, and was chastised by the band manager after the show: "The mistake was such a big deal that from that moment on, never again did I move when I wasn't supposed to move. That was the discipline of Menudo: You either did things the way you were told or you were not part of the group." Although Martin enjoyed traveling and performing onstage with Menudo, he found the band's busy schedule and strict management exhausting, and later reflected that the experience "cost" him his childhood. Despite this, Martin acknowledged his "opportunity to have so many amazing experiences with so many amazing people" during his time with the group. During his time with Menudo, he became a "key-member of the group" and a "fan-favorite", while the band released 11 albums, including the Grammy-nominated Evolución () (1984) and their highest-charting and longest-running album on the US Billboard 200, Menudo (1985). The former featured Martin's debut single, "Rayo de Luna" () and the latter included the hit single "Hold Me". "Hold Me" became the group's first and only entry on the US Billboard Hot 100 chart, peaking at number 62. It was ranked among the "100 Greatest Boy Band Songs of All Time" by Billboard, the "75 Greatest Boy Band Songs of All Time" by Rolling Stone, and the "30 Best Boy Band Songs" by Complex. Besides the musical career, Martin appeared with other members of Menudo in the American romantic comedy/drama television series, The Love Boat (1985), and the Argentine soap opera, Por Siempre Amigos (1987). He also developed an interest in philanthropy when the group became UNICEF ambassadors, often working with impoverished children in third world countries. His experiences as an ambassador affected him greatly and inspired him to continue working with charities later in his life. Finally, Martin left the band in July 1989, at age 17, hoping to rest and evaluate his career path; he stayed a few extra months after his "age-mandated retirement" came around. He performed his final show with the group at the same venue where he had performed his first performance as a member. Referred to as the "Most Iconic Latino Pop Music Band", Menudo was ranked as one of the Biggest Boy Bands of All Time by Us Weekly in 2021. The group has sold around 20 million records worldwide, and has been acknowledged as the "Most Successful Latin Boy Band of All Time" by Billboard. Martin returned to Puerto Rico to "get a break from the pressures of the group, the promotional tours, and the constant stress of work", but although his parents' divorce had not affected him before, suddenly began to affect him; his parents "began fighting more than ever" and they were forcing him to "choose between the two people in the world" he loved most. As he understood they did this because they loved him and wanted the best for him, he "forgave all of the pain and anger they caused" him. He graduated from the high school, and 13 days after turning 18, he moved to New York City to celebrate his financial independence; since he was a minor during his time with Menudo, Martin was not allowed to access his own bank accounts. 1990–1994: Acting and first solo albums Martin was accepted into New York University's Tisch School of the Arts in 1990, but before classes began, his friend invited him to Mexico City. He attended the musical comedy play, Mama Ama el Rock () there, and was offered to stay and replace one of the actors. He accepted the offer, dropped out the university and moved from New York to Mexico City to perform in the play. While he was performing onstage in Mama Ama el Rock, a producer in the audience took notice of Martin's acting and offered him a role in the Mexican telenovela Alcanzar una estrella () (1990). Martin also joined the cast for the second season of the show, titled Alcanzar una estrella II (1991). A film based on the TV series, titled Más que alcanzar una estrella () (1992), was also produced in which Martin starred, and earned him an El Heraldo Award for his role. A Sony Discos executive noticed Martin's acting in the soap operas and offered him his first solo music recording contract. Eager to record his first solo album and hustled by the executive, Martin signed the contract without reading its conditions and inadvertently signed a deal in which he would only be paid one cent for each album sold! Despite viewing the contract as unfair, Martin referred to the record as "the start of something phenomenal" for him. After working "around the clock" to finish filming Alcanzar una estrella II and recording music, he released his debut solo album, Ricky Martin, on November 26, 1991. The album peaked at number five on the US Billboard Latin Pop Albums chart and spent a total of 41 weeks on the list. It sold over 500,000 copies worldwide, was certified gold in Argentina, Chile, Colombia, Mexico, and Puerto Rico, and spawned his first solo hit singles, "Fuego Contra Fuego" (), "El Amor de Mi Vida" (), and "Dime Que Me Quieres" (). Both "Fuego Contra Fuego" and "El Amor de Mi Vida" reached the top 10 on the US Billboard Hot Latin Tracks, peaking at numbers three and eight, respectively. To promote the album, Martin embarked on a successful Latin American tour, breaking box office records, which the singer referred to as "an indescribable feeling, almost like coming home". After the success of Ricky Martin and its subsequent tour, Martin's record company met him with the Spanish musician Juan Carlos Calderón to work on his second studio album, Me Amaras () (1993). Although Martin felt "very grateful" for the opportunity to work with Calderón, he noted, "I always felt that that record was more his than mine." The album sold over one million copies worldwide and was certified triple-platinum in Chile. In 1994, Martin's agent encouraged him to move to Los Angeles to act in an American sitcom called Getting By. The show was canceled after two seasons, but soon afterward, Martin was given the role of Miguel Morez on the popular hit soap opera General Hospital; Morez, a bartender and singer, known for his long and flowing hair, was a Puerto Rican citizen hiding in the United States from his lover's criminal mastermind father and created a love triangle with his fiancé Lily Rivera and Brenda. Martin portrayed the role for two years and gained huge popularity and stardom, becoming "one of the most-talked about actors on the soap opera". Despite this, Martin felt he lacked chemistry with the rest of the General Hospital cast and observed that people treated him differently because of his Puerto Rican accent. At the time, it was relatively uncommon for Latin actors to appear on American television, and people suggested that he take accent reduction classes, which he refused. 1995–1997: Breakthrough with A Medio Vivir In 1995, Martin refocused on his music career, and began working on his third studio album, A Medio Vivir (). The album was released on September 12, 1995, and became a huge success; it sold over three million copies or even seven million copies worldwide, according to different sources, being certified gold in the United States, platinum in France, 4× platinum in Spain, and 6× platinum in Argentina, as well as many other certifications in Latin American countries. It spawned several successful hits, including "Te Extraño, Te Olvido, Te Amo" (), "María", and "Volverás" (). On "María", which was released as the second single from the album, Martin allowed himself "to go into a very Latin, African sound". He created a mix of different Latin music genres instead of singing a romantic ballad, the style that he focused on it in his first two albums, while Latin pop music in general was mainly made up of it at the time. Although Martin was satisfied with the track and he describes it as a song that he is "extremely proud of", the first time he played it for a record label executive, the man said: "Are you crazy? You have ruined your career! I can't believe you are showing me this. You're finished — this is going to be your last album." Despite this, the track became Martin's breakthrough song and his first international hit. It topped the charts in 20 countries, and has sold over five million physical copies worldwide. As a result, the song was featured in the 1999 edition of The Guinness Book of Records as the biggest Latin hit. It was also the Song of the Summer in Spain in 1996 and was the second best-selling single in the world that year. In Australia, "María" spent six weeks at number one, topped the country's year-end chart in 1998, and was certified platinum. The song also spent nine weeks at number one in France, and was certified diamond. It has sold over 1.4 million copies in France. Additionally, the track reached the top 10 in the United Kingdom, and became Martin's first entry on the US Billboard Hot 100 chart. To promote A Medio Vivir, he embarked on the worldwide A Medio Vivir Tour, that lasted for more than two years, through which he performed 63 shows and visited Europe, Latin America and the United States. During an interview with The Miami Herald in 1996, Martin expressed an interest in performing on Broadway. In a few days, he received a phone call from producer Richard Jay-Alexander, and was offered the role of Marius Pontmercy in the play Les Misérables. After the conclusion of the A Medio Vivir Tour in Latin America, Martin returned to New York to appear in the play in an eleven-week run. He greatly enjoyed the experience, calling his time in the play an "honor" and "the role of [his] life". Martin continued to tour after the conclusion of the show's run, and noted that his audiences were growing in both size and enthusiasm. 1998–1999: Vuelve While the A Medio Vivir Tour had not been concluded yet, Martin returned to the studio to record his fourth album Vuelve (). He called the experience of touring and recording at the same time "brutal and incredibly intense". As he was finishing the record in 1997, "María" caught the attention of FIFA. They contacted Martin and asked him to create a song as the 1998 FIFA World Cup anthem. He stated about the request: "I have to admit that the challenge made me a bit nervous, but the massive growth potential for my career was such that I decided to accept." Following his acceptance, musicians K.C. Porter, Robi Rosa, and Desmond Child joined him and they started working on a song titled "La Copa de la Vida" (English: "The Cup of Life"). Martin wrote about the recording: "La Copa de la Vida" was included as the eighth track on Vuelve, released February 12, 1998, The album became a huge success; it sold over eight million copies worldwide, becoming the best-selling Spanish-language album in history, according to his label. Also, some sources have reported the album's sales as six million copies worldwide. It spent 26 weeks atop the US Billboard Top Latin Albums chart and was certified platinum by the Recording Industry Association of America (RIAA). In Canada, the album peaked at number three and was certified double platinum. Vuelve spawned big hits, including the title track, "La Copa de la Vida", "Perdido Sin Ti" (), and "La Bomba" (). "La Copa de la Vida" grew to be an international success, appearing on the charts in more than 60 countries, and reaching number one in 30 countries, Both "Vuelve" and "Perdido Sin Ti" peaked at number one on the US Billboard Hot Latin Tracks chart; the former also reached number one in On July 12, 1998, Martin performed "La Copa de la Vida" as the official anthem at the 1998 FIFA World Cup Final in France, in front of more than a billion TV viewers around the world. To promote Vuelve, Martin embarked on the worldwide Vuelve Tour; he performed in Asia, Australia, Europe, Mexico, South America, and the United States. Although Latin music was not important to the Recording Academy or the mainstream music industry at the time, Tommy Mottola, then-chief of Columbia Records, was certain about Martin's stardom and pushed hard to have him on the Grammy Awards ceremony. During an interview with Billboard, Mottola told the magazine about it: "There was tremendous resistance from the Grammys. They did not want an 'unknown' to perform, yet we he had already sold 10 million copies of Vuelve worldwide. To me, that was absolutely UNACCEPTABLE." Finally, on February 24, 1999, cavorting with a 15-piece band alongside and a large number of dancers and percussionists, Martin performed a bilingual version of "La Copa de La Vida" at the 41st Annual Grammy Awards, which was greeted with a massive standing ovation and met with acclaim from music critics. At the same night, Vuelve earned Martin his first Grammy award, for Best Latin Pop Performance. After he accepted the award and expressed how important it was to the Latin community, the American singer-songwriter Madonna came on the stage and hugged him. 1999–2000: Crossover to English In October 1998, CNN confirmed that Martin has been working on his first English language album, following the huge success of Vuelve. In April 1999, Billboard revealed the album's title as Ricky Martin in an article, mentioning that the album was initially set for retail on May 25, 1999. However, the huge interest in the disc, following Martin's performance at the Grammy Awards, encouraged Columbia Records to decide to rush the album to release two weeks ahead of schedule, on May 11. Tom Corson, the senior vice president of marketing at Columbia explained: "Quite simply, the market has demanded it. People have been wanting this record for a while, and it's now reached the point where we have to get it out there immediately." Tim Devin, the general manager of Tower Records in New York added about Martin: "He's always been one of our strongest Latin artists, but interest in him has picked up considerably since that performance." Ricky Martin debuted atop the US Billboard 200 with first-week sales of 661,000 copies, according to data compiled by Nielsen SoundScan, becoming the largest sales week by any album in 1999. It also broke the record as the largest first-week sales for any pop or Latin artist in history, as well as any Columbia Records artist during the SoundScan era. With this album, Martin became the first male Latin act in history to debut at number one on the US Billboard 200 chart. It was certified 7× platinum by the Recording Industry Association of America (RIAA), denoting shipments of over seven million copies in the US and breaking the record as the best-selling album by a Latin artist in the country. Only within three months, Ricky Martin became the best-selling album ever by a Latin artist. According to different sources, the album has sold over 15 million copies or even 17 million copies worldwide. It was nominated for Best Pop Album at the 42nd Annual Grammy Awards. The album was supported by four singles; the lead single "Livin' la Vida Loca" () topped the charts in more than 20 countries and is considered to be Martin's biggest hit, and one of the best-selling singles of all time. In the United States, it topped the Billboard Hot 100 chart for five consecutive weeks, becoming Martin's first number one single on the chart. Additionally, it broke several records on Billboard charts. It also spent eight consecutive weeks atop the Canada Top Singles chart and topped the country's year-end chart. In the United Kingdom, it debuted at number one and stayed there for three weeks, making Martin the first Puerto Rican artist in history to hit number one. The track was ranked as the best '90s pop song by Elle, and was listed among the Best Latin Songs of All Time by Billboard. It was nominated for four categories at the 42nd Annual Grammy Awards, including Record of the Year and Song of the Year. Its Spanish version reached the summit of the Billboard Hot Latin Tracks chart in the United States, and was nominated for Record of the Year at the 2000 Latin Grammy Awards. "She's All I Ever Had" was released as the second single from the album in June 1999. It peaked at numbers two and three on the US Billboard Hot 100 and Canada Top Singles charts, respectively. The Spanish version, "Bella" () topped the charts in five countries, as well as Billboards Hot Latin Tracks chart. To further promote Ricky Martin, he embarked on the worldwide Livin' la Vida Loca Tour. In the United States, the Livin' la Vida Loca Tour was the highest-grossing tour of 2000 by a Latin artist, earning over $36.3 million with 44 dates and drawing 617,488 fans. According to Billboard Boxscore, the tour grossed $51.3 million in Canada, Mexico, and the United States, with 60 shows and drawing an audience of 875,151. International dates were not reported to Boxscore and would push the tour's grosses higher. 2000–2005: Sound Loaded, Almas del Silencio, and Life While the Livin' la Vida Loca Tour had not been concluded yet, Martin returned to the studio to record his sixth studio album, Sound Loaded. The album was released on November 14, 2000. It debuted at number four on the Billboard 200 with first-week sales of 318,000 copies, according to data compiled by Nielsen SoundScan. The album has sold over seven million copies or even eight million copies worldwide, according to different sources, being certified double platinum in the US. The album featured two hit singles, "She Bangs" and "Nobody Wants to Be Lonely". The former reached number one in seven countries, including Italy and Sweden, as well as the top five in Australia, Canada, the United Kingdom, and several other countries. It was nominated for Best Male Pop Vocal Performance at the 43rd Annual Grammy Awards. The Spanish-language version of "She Bangs" reached the summit of the Hot Latin Tracks chart and won the Latin Grammy Award for Best Music Video at the 2nd Annual Latin Grammy Awards. "Nobody Wants to Be Lonely" was re-recorded along with American singer Christina Aguilera, peaking at number one in five countries, as well as the top five in Italy, Germany, Spain, and the United Kingdom, among others. It was nominated for Best Pop Collaboration with Vocals at the 44th Annual Grammy Awards. The solo Spanish version, entitled "Sólo Quiero Amarte" topped the Hot Latin Tracks chart. Both "She Bangs" and "Nobody Wants to Be Lonely" are certified silver in the UK. In February 2001, Martin released a Spanish compilation album entitled La Historia (), which spent five weeks at number one on the Top Latin Albums chart, topped the charts in Argentina and Sweden, and was certified quadruple Latin platinum in the United States. Following the success of Ricky Martin and Sound Loaded, he initially planned to release the third English-language album as his seventh studio album, which was supposed to be his first complete work in the field of songwriting. Despite Sony Music Entertainment's original plan, he decided to release a Spanish-language album: "I woke up five months ago, and I said 'We're doing an album in Spanish.' Everyone went nuts. They said, 'You don't have time; you have to release an album in English because of timing issues with your career.' And that's fine. But I told them, 'In five months, you'll have a kick-ass album' [in Spanish]. Martin's seventh studio album, Almas del Silencio () was released in May 2003. It debuted atop the Billboard Top Latin Albums chart with first-week sales of 65,000 copies, according to data compiled by Nielsen SoundScan, breaking the record as the largest first-week sales for a Spanish-language album in the US. The album also debuted at number 12 on Billboard 200, tying the 2002 album, Quizás () as the chart's highest Spanish-language debut. The album also debuted at number one in "at least 13 Latin American markets" and sold over two million copies worldwide. Almas del Silencio spawned three Hot Latin Tracks chart-topper hits: "Tal Vez" (), "Jaleo", and "Y Todo Queda en Nada" (). "Tal Vez" debuted at number one on the Billboard Hot Latin Tracks chart on the week of April 12, 2003, marking the first number one debut since February 1998, and becoming the sixth song overall in the chart's history to do so. It spent a total of 11 weeks at this position, surpassing "Livin' la Vida Loca" as Martin's longest number-one single on the chart, and was the longest-running number one of 2003. It also topped the charts in several Latin American markets. In October 2005, Martin released his third English album, Life. He commented on the album: "I was really in touch with my emotions. I think this album is very multi-layered, just like life is. It's about feeling anger. It's about feeling joy. It's about feeling uncertainty. It's about feeling. And all my emotions are part of this production". To promote Life, Martin embarked on the worldwide One Night Only with Ricky Martin tour. 2006–2012: MTV Unplugged, Música + Alma + Sexo, and Evita Although Martin's team and MTV had discussed an MTV Unplugged for years, but it became more serious after Martin's the One Night Only tour, which featured an acoustic segment. Finally, Martin taped his MTV Unplugged set in Miami in August 2006, performing both romantic ballads and up-tempo tropical dance songs. During the performance, he debuted three new tracks, including "Tu Recuerdo" (), which was released to radio stations as the lead single from his debut live album MTV Unplugged (2006). The album debuted at number one on the Top Latin Albums chart and sold over two million copies worldwide, marking his highest-certified album in Mexico. It won two Latin Grammy awards and was nominated for Album of the Year. "Tu Recuerdo" reached number one in five countries, as well as the Billboards Hot Latin Songs and Latin Pop Airplay charts. The track was certified quadruple platinum in Mexico and was nominated for Record of the Year at the 8th Annual Latin Grammy Awards. The artist then embarked on the Black and White Tour in 2007, including four sold-out shows at the José Miguel Agrelot Coliseum in Puerto Rico. The concerts in Puerto Rico were compiled into his second live album Ricky Martin... Live Black & White Tour (2007). Later that year, he released his first Italian song, "Non siamo soli" () as a duet with Italian singer Eros Ramazzotti. The song debuted at number one in Italy and spent eleven consecutive weeks atop the chart. In January 2011, Martin launched his ninth studio album, Música + Alma + Sexo (). The album debuted at number three on the US Billboard 200 chart, becoming the highest-charting primarily-Spanish language set since Dreaming of You (1995) by American singer Selena. It holds the record as the highest-charting Latin album of the 2010s, and represents the highest-ever chart debut on the Billboard 200 for a Sony Music Latin release. Música + Alma + Sexo also peaked at number one in Argentina and Venezuela, as well as Billboards Top Latin Albums. Its lead single, "Lo Mejor de Mi Vida Eres Tú" (English: "The Best Thing About Me Is You") reached number one on the US Billboard Hot Latin Songs chart and was nominated for Record of the Year, Song of the Year, and Best Short Form Music Video at the 12th Annual Latin Grammy Awards. To promote the album, Martin embarked on the Música + Alma + Sexo World Tour in 2011. In February 2012, he appeared as Spanish teacher David Martinez on the twelfth episode of the third season of the American musical television series Glee, The Spanish Teacher. Martin starred as Ché in the Broadway revival of the musical Evita from March 2012 to January 2013. The show became a hit, breaking the theatre's box-office sales record after only six performances. Sine then, it broke its own record six times and was nominated for Best Revival of a Musical at the 66th Tony Awards. The show's soundtrack album debuted at number one on Billboards cast album chart. 2013–2018: The Voice, A Quien Quiera Escuchar, and The Assassination of Gianni Versace Martin served as a coach on the second season of the Australian singing competition television series The Voice in 2013. In the same year, he released a compilation album, entitled Greatest Hits: Souvenir Edition, which reached number two in Australia, as well as a new single, entitled "Come with Me", which debuted at number three in the country. The artist then embarked on the Ricky Martin Live tour in Australia in October 2013. He continued serving as a coach on both the third and fourth seasons of The Voice Australia in 2014 and 2015, respectively. In 2014, Lars Brandle from Billboard stated in an article: "Through his high-profile slot on The Voice, Ricky's profile in Australia has never been as big as it is right now." On February 25, 2014, Wisin released a song titled "Adrenalina" () from his album El Regreso del Sobreviviente (), which featured Jennifer Lopez and Martin, and became the Univision's 2014 World Cup song. It received commercial success, peaking in the top-five of Bulgaria, Mexico, Spain, and Billboards Hot Latin Songs chart. Its accompanying music video has accumulated over 850 million views on YouTube. Later that year, Martin released his single "Vida" () for the 2014 FIFA World Cup. The song reached the top five in Spain and on the US Hot Latin Songs chart. Also in 2014, he served as a coach on the fourth season of The Voice Mexico, and embarked on the Live in Mexico tour. In February 2015, Martin released his tenth studio album, A Quien Quiera Escuchar (). The album debuted at number one on Billboards Top Latin Albums chart and peaked at number one in Argentina. It won the award for Best Latin Pop Album at the 58th Annual Grammy Awards and Album of the Year at the 1st Latin American Music Awards. The album spawned three Hot Latin Songs top-10 hits: "Adiós" (), "Disparo al Corazón" (), and "La Mordidita" (). "Disparo al Corazón" was nominated for both Record of the Year and Song of the Year at the 16th Annual Latin Grammy Awards. "La Mordidita" experienced huge commercial success, being certified 15× Latin platinum in the United States. Its accompanying music video has received over 1.2 billion views on YouTube. To promote the album, Martin embarked on the One World Tour from 2015 to 2017. He served as an executive producer and a judge on the American singing competition series La Banda (), which premiered in 2015 and 2016 on Univision. The first season was "looking for the next Latin boy band", while the second season was looking for a Latin girl band. The contestants would compete for a recording deal with Sony Music Latin and Syco Music. CNCO, known as the first boy band to make reggaeton, was the winner of the first season. Martin became their manager and produced the band's debut album, Primera Cita () (2016), along with Wisin; the album debuted at number one on Top Latin Albums and featured the hit single "Reggaetón Lento (Bailemos)" (). CNCO opened many dates on One World Tour in 2016. In 2020, Leila Cobo from Billboard compared the group with Menudo, noting: "Not since Menudo had a Latin boy band melted our hearts or made us dance quite like CNCO". On September 23, 2016, Martin released a song called "Vente Pa' Ca" (), featuring Colombian singer Maluma. The song became one of the biggest Spanish-language songs of 2016, reaching number one in seven countries, as well as Billboards Latin Airplay, Latin Pop Airplay, and Tropical Airplay charts. It also reached top five in Spain and on the Billboard Hot Latin Songs, being certified quadruple platinum in Spain and diamond in Mexico. The track was nominated for both Record of the Year and Song of the Year at the 18th Annual Latin Grammy Awards. The accompanying music video has received over 1.75 billion views on YouTube. Martin signed a concert residency, named All In, to perform at the Monte Carlo Resort and Casino in Las Vegas in 2017 and 2018. He portrayed fashion designer Gianni Versace's partner Antonio D'Amico in the FX true crime anthology television series The Assassination of Gianni Versace: American Crime Story, marking "the acting opportunity of his career". The role garnered him a nomination for Outstanding Supporting Actor In A Limited Series Or Movie at the 70th Primetime Emmy Awards. Running from January to March 2018, The Assassination of Gianni Versace received generally favorable reviews and numerous awards and nominations, including three Primetime Emmy Awards, four Creative Arts Emmy Awards, two Golden Globe Awards, two Critics' Choice Television Awards, and a Screen Actors Guild Award. In February 2018, Martin released a song titled "Fiebre" (), featuring Wisin & Yandel. The song was commercially successful in Latin America, reaching number one in Chile, Ecuador, Guatemala, Mexico, and Uruguay. It also reached the summit of the Billboard Latin Airplay and Latin Rhythm Airplay charts. 2019–present: Amici di Maria De Filippi, PausaPlay, and Jingle Jangle: A Christmas Journey At the 61st Annual Grammy Awards, Martin performed "Havana", "Pégate" (), and "Mi Gente" (), alongside Camila Cabello, J Balvin, Young Thug, and Arturo Sandoval, as the opening performance. Martin served as a coach on the eighteenth season of the Italian talent show Amici di Maria De Filippi () in 2019. In the same year, Maluma released a song called "No Se Me Quita" () from his album 11:11, which featured Martin. The song reached number one in Mexico and was certified quadruple platinum in the country. Martin hosted the 20th Annual Latin Grammy Awards in November 2019, along with Roselyn Sánchez and Paz Vega. The artist started recording his eleventh studio album, initially titled Movimiento (), in the second half of 2019, inspired by the 2019 political protests in Puerto Rico. He embarked on the Movimiento Tour in 2020. Because of the COVID-19 pandemic and subsequent personal experiences, he decided to split the tour's associated album in two extended plays, Pausa () and Play; the former was released in May 2020, while the latter is set to release as his eleventh studio album. Pausa was nominated for Album of the Year and won the award for Best Pop Vocal Album at the 21st Annual Latin Grammy Awards. The second single from the EP, "Tiburones" () reached number one in Argentina and Puerto Rico, and was also nominated for Song of the Year at the 21st Annual Latin Grammy Awards. Martin starred as the voice of villainous miniature figure Don Juan Diego in the American Christmas musical fantasy film Jingle Jangle: A Christmas Journey. The film was released on Netflix on November 13, 2020, and received generally favorable reviews. In April 2021, Martin released his hit single "Canción Bonita" () with Colombian singer Carlos Vives, which experienced huge commercial success in Latin America, reaching number one in 12 countries. It was also nominated for Song of the Year and Best Pop Song at the 22nd Annual Latin Grammy Awards. Later that year, he released "Qué Rico Fuera" () with Chilean-American singer Paloma Mami, as the lead single from Play. The song peaked at number one in four countries, as well as the top 10 on Billboards Latin Pop Airplay. In the same year, he embarked on his first co-headlining tour, the Enrique Iglesias and Ricky Martin Live in Concert alongside Spanish singer Enrique Iglesias. Artistry Influences As a child, Martin used to sing songs by Menudo and American rock bands such as Led Zeppelin, Journey, and REO Speedwagon, which were what his "older siblings were listening to at the time". While Martin and his brothers spent their time listening to classic rock, their mother would interrupt them to make them listen to Latin music. She brought him CDs of Fania All-Stars, Celia Cruz, El Gran Combo de Puerto Rico, and Gilberto Santa Rosa that slowly made him appreciate the richness of Puerto Rican culture. Also, she once took them to a Fania All-Stars concert, which Martin is "beyond grateful" for it. He expresses that thanks to her mother, those influences had a "profound effect" on his musical career. Martin has also cited Elvis Presley, the Beatles, Michael Jackson, and Madonna for teaching him "the beauty of pop". He stated about Madonna: "I was very influenced by her and her music. I know every choreography of Madonna." Additionally, he mentions Carlos Santana, José Feliciano, Celia Cruz, and Gloria Estefan as the artists who paved the way for him, naming Feliciano as one of the people who inspired him when he was a teenager: "I was always fascinated with his music." In addition to the musical influences, Martin is inspired by David Bowie's "ambiguous sexuality". While growing up, he used to ask himself if he wanted to be like the openly gay singer Elton John or he just liked him, admiring his music, colors, and wigs. Musical styles and themes Considered to be a versatile artist, Martin describes his music as Latin pop, saying: "When you say 'Latin pop', the spectrum is so broad, It's inevitable to not be influenced by everything that’s happening in the industry, but always keeping your identity firm by knowing who you are." He has also described his music as fusion, while noting that he does not "ride the waves that are in fashion at the moment". Music critics have described his songs as Latin pop, pop, dance, ballad, reggaeton, Latin, African, rock, salsa, flamenco, urban, samba, cumbia, merengue, rumba, Latin funk, bomba, batucada, vallenato, dancehall, mambo, Europop, house, disco, EDM, dance-pop, electro, techno, dubstep, world music, Middle Eastern, folk-pop, bossa nova, pop rock, soft pop, soft rock, R&B, gospel, jazz, trap, hip hop, doo-wop, ska, and rock' n' roll. Martin sings in Spanish, English, Portuguese, Italian, and French. About his lyrics, Martin has emphasized that although his music will always make the listener dance, it does not mean his lyrics "have to be meaningless" and he sings about love and heartbreak, as well as "things that are good for a society", such as "freedom, freedom of expression, and social justice". He has also declared that as a Latino, he is not afraid of sexuality and sings about sexuality and sensuality, bringing his culture with him onstage. Voice Martin possesses a dramatic tenor vocal range. Peter Gilstrap from Variety commented that his "powerful voice" is "capable of belt or lilt", while The Jerusalem Posts Noa Amouyal described his voice as "soulful" and "very powerful". In 1995, Enrique Lopetegui of the Los Angeles Times noted Martin's "improved vocal skills" on A Medio Vivir. Also from the Los Angeles Times, Ernesto Lechner later praised his vocal for being "charismatic enough to handle both ballads and up-tempo tunes". Similarly, Billboards Chuck Taylor expressed "She's All I Ever Had" boasts "a versatility that contrasts nicely" with Martin's previous single, "Livin' la Vida Loca", labeling his vocal on the former "tender and heartfelt". Steve Gerrard of the Montreal Rocks complimented "his vocal maturity" on A Quien Quiera Escuchar. Music videos and performances Billboard labeled Martin "a video icon", and ranked him as the 79th Greatest Music Video Artist of All Time in 2020, stating: "From the moment he sashayed up to the mic in 'Livin La Vida Loca' all dressed in black, and gave us that look, the Menudo alum became the most memorable and watchable drop-dead handsome guy in pop music." He has collaborated with various directors to produce his music videos, including Carlos Perez, Wayne Isham, Jessy Terrero, Simón Brand, Gustavo Garzón, Nigel Dick, Kacho Lopez, and Memo del Bosque. "Livin' la Vida Loca" was nominated for Video of the Year at the 1999 MTV Video Music Awards, making Martin the first Latin artist in history to receive a nomination in this category. It won two primary awards for Best Pop Video and Best Dance Video, and was voted three additional awards in the International Viewer's Choice categories, making it rank among the videos with most wins in the history of the MTV Video Music Awards. The explicit sexual scenes of the music video for "She Bangs" were met with criticism from the audience; several American television stations cut the scenes when airing the video. According to the Daily Records John Dingwall, with the visual, Martin ditched his teen idol image by transforming to a more mature one. It was consequently banned in several Latin American countries, such as the Dominican Republic. Martin told MTV News that the video represented freedom rather than his sexuality. The video was awarded Best Music Video at the 2nd Annual Latin Grammy Awards, Best Clip of the Year — Latin at the 2001 Billboard Music Video Awards, and Video of the Year at the 13th Lo Nuestro Awards. Martin has been noticed for "dance moves of his own" and his "bon-bon shaking dance moves". Carol Sandoval from VIX named him the "best dancer on any stage worldwide", highlighting his hips movement and "successful turns". He was ranked as the ninth best male dancer by the Evening Standard and the tenth Male Singer Who Can Dance by WatchMojo, being the only Latin entertainer on both lists. Writing for The Hollywood Reporter, Scott Feinberg introduced Martin as "an incredible dancer". Billboards Jessica Roiz labeled him "a true showman", noting his "many outfit changes", "various dance performances", and "different stage set for each song". Jon Pareles of The New York Times described him as "an all-around showman" and Varietys Peter Gilstrap called him "every inch the showman", both recognizing his vocal abilities, while the former also commented he is "a dancer as muscular and hard-working as anyone in his troupe", mentioning his "likable, good-hearted character" and "steadfast Puerto Rican pride". Music critics have mostly praised his concerts for the choreographies, video screens, visual effects, stage, Latin influences, and Martin's vocals, costume changes, energy, sensuality, dance moves, and gestures, while the quality of sounds and sound mixes have received mixed reviews. Billboards Marjua Estevez described Martin's performance of "La Copa de la Vida" at the 41st Annual Grammy Awards as "the most memorable Latin performance at a Grammy Awards show", and the publication ranked it as the 54th Greatest Award Show Performance of All Time on their 2017 list. The performance was additionally placed on a 2017 unranked list of "Top 20 Best Grammy Performances of All Time" by Gold Derby, and on a 2019 list of "The Most Unforgettable Grammys Performances of All Time" by InStyle. Public image Martin became a teen idol with his debut as a member of Menudo, and a pop icon following global fame as a solo artist. Journalists have written about his humble personality and "beautiful soul". Writing for The Hollywood Reporter, Scott Feinberg introduced Martin as "one of the most acclaimed and admired creative artists ever". La República staff described him as "one of the most admired and desired singers", while authors of ¡Hola! described him as "one of the most respected Latin stars in the world", "one of the most prodigious voices in music in Spanish", and "one of the most beloved talents in the entertainment industry worldwide". Also from ¡Hola!, Cristina Noé named him "one of the most loved artists in the world", while a writer of Clarín named him "one of the most applauded Latin singers on the planet". Metro Puerto Rico stated that he "raised the name of Puerto Rico internationally". He was ranked as one of the top-10 "emerging personalities" of 2010 by Google Zeitgeist. In 2014, Gay Star News referred to Martin as "the most famous Latin pop star in the world", while Variety described him as "Puerto Rico's arguably most famous son" in 2021. He is ranked as the second-most famous Latin music artist in the United States, according to YouGov surveys in 2021. During the 2000s, Martin was known for "guarding his private life" and being "uncomfortable discussing intimate aspects of his personal life"; he used to insist on asking public to focus on his music and "steered interviewers away from his personal life". However, he chose to live both his "professional and personal life", making his private life public since the early 2010s. In 2021, he went on the cover of People with the title "No More Secrets" and told the magazine that he is "a man with no secrets", stating that he is "more comfortable in his own skin than ever before". Martin is one of the most followed celebrities on social media, with accounts on Instagram, Twitter, Facebook, YouTube, and TikTok. He stated about social media that he wishes he had "something as powerful as" them since his debut: "Obviously I like to have direct contact with the public, with the media. It's extremely important, but today, from my home, I can talk to millions of people and see their immediate reaction." He is noticed for his friendly interactions with his fans, who are called "Sexy Souls". Wax statues of Martin are on display at the Madame Tussauds wax museums in San Francisco, Sydney, and Orlando. The last one was moved from Las Vegas to Orlando for the opening of the museum in spring 2015. Fashion Martin is considered to be a sex symbol, and journalists describe him as "the Latin heartthrob". His fashion and style evolution, from "as '80s as you'd expect" during his time with Menudo to "a style groove, often opting for sharp, tailored suits with clean lines" since 2009, has been noticed by the media. Natalia Trejo from ¡Hola! described him as "one of the most stylish Latin men in the entertainment industry", highlighting his "baggy leather pants", "tailored suits", and "color-block blazers" that have marked "some of the noteworthy trends of each decade". The reviewer also commented that Martin is "an example of mixing business with casual" and has "always had a personal sense of style". JD Institute of Fashion Technology views Martin as a fashion icon, praising him for "pushing the fashion boundaries with every new look". In 1997, he went on the cover of People en Españols first edition of 25 Most Beautiful; he has since "been a constant presence" on their 25 or 50 Most Beautiful lists. Two years later, he was featured on the cover of both Rolling Stone and Time magazines. Martin is considered to be one of the sexiest men in the world, according to various publications. In 2012, he was voted the sexiest man alive on Broadway.com. The following year, VH1 ranked him as the 28th Sexiest Artist of All Time, stating: "Ricky looks like the model in the magazine ads you stare at in awe thinking, 'There's no way he's that perfect in person'." In 2014, Entertainment Tonight listed him among the Sexiest Men Alive, while Revista Estilo placed him on the list of "the 10 Sexiest Singers" in 2016. He was ranked at number 16 on the list of "the 50 Hottest Men of All Time" by Harper's Bazaar in 2018, being the only Latin man on their list. In 2019, TN described Martin as "the sexiest man in the world". He has been noted for looking younger than his age, with Billboards Chris Payne labeling him "ageless". The singer has attended several fashion shows, including the Giorgio Armani show at Milan Fashion Week in 2011, the Marc Jacobs show in 2013, the Berluti menswear spring-summer 2020 show at Paris Fashion Week, the Dior men's pre-fall 2020 show, and the Virgil Abloh Spring-Summer 2022 show held by Louis Vuitton. Personal life Sexual orientation and early relationships According to an interview with Rolling Stone in 1999, Martin experienced his first kiss at age 13 and lost his virginity at age 14 in Argentina. In 1990, shortly after he had arrived in Mexico to star in Mama Ama el Rock, he met a woman, who was the host of a television show. They began dating quickly and broke up a few months later. In 1992, he fell in love with Mexican singer Alejandra Guzmán, who was separated from her husband at the time. They began dating together until Guzmán returned to her husband and pretended Martin was her assistant on a phone call, while she was sleeping with her husband. In an interview with Univision, Martin admitted that she broke his heart. In the same year, Martin was rumored to have a relationship with Argentine tennis player Gabriela Sabatini. Sabatini's sister-in-law, Catherine Fulop confirmed the rumor in 2020. During the time he was playing in General Hospital, he met a "very handsome" man at a radio station, "stopped fearing [his] sexuality", and started dating him. Martin's mother supported him when she discovered that he was in love with a man, saying: "I love you, my son, I'm so happy for you. Bring it on. I'm right behind you." However, after the relationship ended, Martin "locked [his] feelings even deeper inside" and began dating women again. He recalls: "I already felt it was hard to be a Latino in Hollywood; what could have been more difficult than being Latino and gay?" Martin began dating Mexican television host Rebecca de Alba in 1994; they were in an on-and-off relationship until 2005. In May 2021, Alba revealed that she became pregnant several times in her life, but lost all of the embryos, expressing that one of them belonged to Martin. Martin also had relationships with Lilly Melgar, Adriana Biega, Maital Saban, and Inés Misan during his break-up times with Alba in the late 1990s and early 2000s. He declared that "there was chemistry with them" and he "wasn't fooling anyone". In August 2008, Martin became a father to twin boys named Matteo and Valentino, born via gestational surrogacy. He explained that he chose surrogacy to become a parent for being "intriguing and faster" than adoption, which was complicated and could take a long time. In March 2010, Martin publicly came out as gay via a message on his website, stating: "I am proud to say that I am a fortunate homosexual man. I am very blessed to be who I am." Years later, he revealed that although his music was "heard all over the world" and he "could high five God" in 1999, he "wasn't living to the fullest" and was sad and depressed. He kept asking himself, "Am I gay? Am I bisexual? Am I confused? What am I?", explaining: "Sexuality is one complicated thing. It's not black and white. It's filled with colors. When I was dating women, I was in love with women. It felt right, it felt beautiful." In an interview with Vanity Fair, he declared: "There was love, passion. I do not regret anything, any of the relationships I lived, they taught me a lot, both men and women." Martin also told Fama!: "I know that I like both men and women, I'm against sexual labels, we are simply human beings with emotional and sexual needs. I like to enjoy sex in total freedom, so I'm open to having sex with a woman if I feel desire." Despite this, he expressed that he wouldn't be interested in "an ongoing relationship with a woman", stating: "Men are my thing". In 2000, American broadcast journalist Barbara Walters asked Martin about his sexuality on national television: "You could stop these rumors. You could say, 'Yes I am gay or no I'm not.'" In 2021, Martin, who answered with "I just don't feel like it" at the time, revealed that her question made him "felt violated", since he "was just not ready to come out" and was "very afraid"; he said that it resulted "a little PTSD" that "still haunts him". Martin dated Puerto Rican economist Carlos González Abella from 2010 to 2014, as his first relationship with a man after his coming out as gay. Marriage Syrian-Swedish painter Jwan Yosef shared a photo of himself and Martin on Instagram on March 30, 2016, with the caption: "Obviously we're starting a band." Soon it was rumored that Yosef is Martin's new boyfriend. Martin confirmed their relationship on April 18, 2016, and they made their red carpet debut as a couple at the amfAR Inspiration Gala. Martin later revealed that he met Yosef on Instagram and they "were talking for like six months without [him] hearing his voice". Subsequently, Martin went to London, where Yosef were living, and they met each other. On November 15, 2016, during an interview on The Ellen Show, he announced that he has proposed to Yosef and they are engaged. In January 2018, Martin confirmed that he has secretly married Yosef: "I'm a husband, but we're doing a heavy party in a couple of months, I'll let you know." On December 31, 2018, they announced that they have welcomed their first daughter together, named Lucia Martin-Yosef. Martin later explained that Lucia was born on December 24, coinciding with his 47th birthday. In September 2019, while accepting an award at the 23rd annual Human Rights Campaign (HRC) National Dinner, he announced that they are expecting their fourth child. On October 29, 2019, he shared a photo of himself, Yosef, and their new-born son, named Renn Martin-Yosef, with the caption: "Our son Renn Martin-Yosef has been born." Beliefs and religion During an interview with People in 2002, Martin expressed that he believes in "love", "the power of healing", and "God", thanks to his parents. The name he chose for his son Matteo means "gift from God". According to his statements in a 2021 interview, he still believes in God. He was raised Catholic but he said is not "the person who would ever look down upon one religion". He expressed that he also admires and likes Buddhist philosophy, but does not subscribe to the religion, since if he does, he cannot "be of anything else"; he does not want to be limited in certain aspects and follow a religion's specific rules. He tries to remain "open to everything" and makes "a concerted effort to always find new teachings and new paths" everywhere he goes and in every situation he finds himself in. Martin believes that everyone can "decide what makes them happy" and although "everyone needs to accept the life they were given", it does not mean they "should not live it as fully as possible". Health and sports Martin began practicing yoga after a trip to Thailand in 1997. He also began practicing meditation following a trip to India. In 2021, he explained that he gets up every morning at 5:30, before his family and puts himself in a lotus position and oxygenates his body. He also expressed that has a gym in his house, saying: "If I have space to see myself in the mirror and put on my products, then I also have to have space for my body." During an appearance on The Dr. Oz Show in 2017, Martin revealed that he "was diagnosed with high cholesterol" at age 18. Although he did not pay attention to the high cholesterol at the time, it made him decide to become a vegetarian since 2013 to reduce cholesterol, despite loving meat as "a Latin man". In 2020, he opened up that he suffered from anxiety for the first time in his life, following the COVID-19 lockdowns, stating that making music became his "medicine". Real estate In March 2001, Martin purchased a 7,082-square-feet house in Miami Beach for $6.4 million; he sold the unit for $10.6 million in 2005. In September 2004, he paid $11.9 million for a 11,000-square-feet Mediterranean-style villa in Los Angeles, which he sold in 2006 for $15 million. In May 2005, he purchased a 9,491-square-feet house in Miami Beach for $10 million; he sold the villa for $10.6 million in 2012. In 2007, he paid $16.2 million for a mansion in Golden Beach. He sold the property in 2012 for $12.8 million, incurring a loss. In the same year, he bought a 3,147-square-feet condominium in New York City for $5.9 million; he sold the condo for $7.1 million in 2017. In 2014, he rented a 900-square-metre mansion in Sydney, which became famous as "the Bronte Wave House" and was sold for $16 million in May 2015, marking one of the most expensive properties sold in the city that year. In December 2016, he purchased a 11,300-square-feet mansion in Beverly Hills. The estate, which is Martin's current house, has seven bedrooms and eight bathrooms with outdoor seating areas scattered throughout a 33,000-square-feet. It is a "private getaway in the middle of the city", located up the street from the Beverly Hills Hotel. Martin also owns a property in Puerto Rico and a private 19.7-acre island in Brazil. He purchased the latter for $8 million in 2008. Legacy and influence Martin has been regarded as the "King of Latin Pop" by various publications, such as the Grammy Awards, Billboard, Rolling Stone, Time, People, Vogue, The Independent, Entertainment Weekly, Entertainment Tonight Canada, NBC News, and ABC News. Additionally, he has been referred to as the "King of Latin Music", the "Latin Pop God", the "Latin King of Pop", the "Latin American King of Pop", the "Latin King", the "Crossover Latin King", the "Puerto Rican Pop King", the "Salsa-Pop King", and the "King of World Cup". Martin is known as one of the most influential artists in the world. Billboard ranked him as one of the 30 Most Influential Latin Artists of All Time, while NBC News introduced him as an "influential Latin celebrity". In 2014, he won the award for the most influential international artist at the 18th China Music Awards. He was ranked among "25 musicians who broke barriers" by Stacker in 2019, while in 2020, Spin ranked him at number 27 on the list of "most influential artists of the past 35 years", as the only Latin artist on their list. In 2022, Show News named him "the most influential global artist in history". Martin's song "María (Pablo Flores Remix)", which was ranked among the "Greatest Latin Pop Song of All Time" by Rolling Stone, and "11 remixes of classic Latin hits" by Billboard, "launched the Latin and dance music crossover of the '90s", according to the latter. Olivier Pérou from Le Point commented that "some have even learned, thanks to him, to count to three in Spanish" following the popularity of the song. "La Copa de la Vida", which has been hailed as the Best World Cup Anthem of All-Time by multiple sources, became a "musical template" for World Cup anthems, and Martin's Latin and dance crossover style has been much copied in the anthems, as well as soccer chant "Ole! Ole! Ole!" in the lyrics, according to The Hollywood Reporter. As believed by Esquire, the song "inaugurated this musical subgenre" of Latin. Joy Bhattacharjya from The Economic Times wrote about "La Copa de la Vida" that it was the first World Cup anthem to have a video just "as ubiquitous as the song", going on to write: "Since then, official songs have an important part to play in every World Cup." In his review for Pitchfork, Corban Goble wrote that if World Cup anthems someday would be "given their own textbook", "La Copa de la Vida" would be "the standard-bearer for the whole genre". Martin is known as the pioneer in getting Latin pop music genre to mainstream recognition. Following his performance of "The Cup of Life" at the Grammys, and the success of "Livin' la Vida Loca" and Ricky Martin (1999), he opened the gates for many Latin artists such as Jennifer Lopez, Shakira, Christina Aguilera, Marc Anthony, Santana, and Enrique Iglesias who released their crossover albums and followed him onto the top of the charts. His performance of "The Cup of Life" at the Grammys not only changed the course of his career, but also altered how people regard Latin music in America. It has been known as a game-changer for Latin music worldwide, that effectively ushered in the "Latin explosion". Then-United Talent Agency head Rob Prinz described the rendition as "the single biggest game changing moment for any artist in the history of the Grammys". According to Billboard, it has been cited as the beginning of the "Latin Pop invasion", which powerfully affected the US mainstream. Jesús Triviño Alarcón from Tidal Magazine stated, "that single performance opened up the mainstream market for the Latinx legends", mentioning the names of Anthony, Shakira, and Lopez. InStyle staff wrote about it: "With his leather pants, big smile and energetic performance of 'The Cup of Life', Ricky Martin almost personally kicked off the so-called Latin Explosion of the late '90s." Mariana Best of San Antonio Express-News commented that the performance "is recognized for bringing Latin pop to the forefront of the U.S. music scene". In 2018, Diego Urdaneta from Vice credited the song as "one of those that laid the first stones so that J Balvin and Bad Bunnys of today can be at the top of the pyramid", labeling it "a milestone for Latin music". According to Entertainment Tonight, "Livin' la Vida Loca" paved the way for a large number of other Latin artists, and is "credited as the song that helped other Latin artists break through to English-speaking markets". As believed by Spin, the song "lit the fuse for the Latin pop explosion of the '90s". Lucas Villa from Spin wrote about it: "When the world went loca for Ricky, he led the way for other Latin music superstars like Spain's Enrique Iglesias, Colombia's Shakira and Nuyoricans like Jennifer Lopez and Marc Anthony to make their marks beyond the Spanish-speaking crowds." He also described Martin as "a trailblazer in globalizing Latinx culture" in his Grammy.com article. Also from Grammy.com, Ernesto Lechner described "Livin' la Vida Loca" as "the manifesto for all the fun-loving, tropically tinged Latin hit singles that followed", stating that Martin led "the Latin music explosion that took over the U.S. at the tail end of the '90s". According to The Independent, the single is "widely regarded as the song that began the first Latin pop explosion". Peoples Jason Sheeler credited it as the song that "led the way for the late-'90s so-called 'Latin explosion' that dominated pop music into the new century: Shakira, Enrique Iglesias, Marc Anthony, and Jennifer Lopez". Angie Romero from Billboard wrote: "If you look up 'crossover' in the dictionary, there should be a photo of Ricky shaking his bon bon and/or 'Livin' la Vida Loca'." Leila Cobo named "Livin' la Vida Loca" one of the genre's biggest singles of the past 50 years in his 2021 book Decoding "Despacito": An Oral History of Latin Music. She also wrote about his impact in Shakira's "Whenever, Wherever" chapter: "Ricky Martin’s phenomenal success opened the door for a string of Latin artists who waved the flags of their heritage, but who sang in English." Additionally, she compared Martin's song with Luis Fonsi's "Despacito" (2017) in one of her Billboard articles: "'Livin', like 'Despacito', became not just a global hit but a cultural phenomena that transcended all barriers of language and nationality." In another article, she described it as the song that "ignited the late-'90s Latin explosion". Also from Billboard, Gary Trust wrote: "The song helmed a Latin pop boom in the U.S., with Jenner Lopez, Marc Anthony and others crossing over, as well." Writing for LiveAbout.com, Bill Lamb credited the song as "the record which kicked off a wave of major Latin performers hitting the pop mainstream". Jim Farber from Daily News noted that Ricky Martin "provides a textbook example of how to mix Latin beats with pop tunes and rock intonations". St. Louis Post-Dispatch critic Kevin C. Johnson described Martin as Latin music's "pretty-faced poster boy" who is "taking the music to places Jon Secada, Selena and Santana never could". He also mentioned that even "Gloria Estefan at her peak, failed to muster up the kind of hype and hoopla surrounding Martin". Celia San Miguel of Tidal Magazine stated that Martin "highlighted the public's thirst for a different kind of pop" in 1999, noting the album's "fusion-heavy" and "hip-shaking rhythms associated with Latin music". She mentioned that the album "spawned 1999's Latin music boom", emphasizing the fact that Martin created the "spark" of the "Latin Pop Explosion", which was followed by 1999 albums, On the 6 by Lopez, Enrique by Iglesias, and Anthony's eponymous album. She continued crediting "Martin and the paths he created" responsible for the Latin music and Spanish and Spanglish lyrics being "a commonplace phenomenon on English-language radio" in 2019. In her review for Grammy.com, Ana Monroy Yglesias said Martin led a "major music moment in 1999" with Ricky Martin, and along with him, "the first major boom of Spanish-language artists", such as Shakira and Lopez, came into the "U.S. pop landscape". The late '90s Latin explosion also resulted in the launch of the Latin Recording Academy. Gabriel Abaroa Jr., the president and chief executive officer of the Latin Recording Academy, expressed that the plan of its launch was "immediately after the Ricky Martin success". Cuban American musician and producer Emilio Estefan added: "After the success with Ricky Martin, everybody opened their eyes and realized how important it was to bring diversity and multiethnic elements into [mainstream American] music." Many artists have cited Martin as an influence or declared themselves as his fan, including Abraham Mateo, Bad Bunny, Camila Cabello, Camilo, Carla Morrison, Christian Chávez, CNCO, Danna Paola, Enrique Iglesias, J Balvin, J-Hope, Jimin, Karol G, India Martínez, Luis Fonsi, Maite Perroni, Maluma, Neha Mahajan, Pedro Capó, Prince Royce, Rauw Alejandro, Rosalía, Sebastián Ligarde, Sebastián Yatra, Shakira, Tini, Vadhir Derbez, William Hung, Wisin, and Ximena Sariñana. Both Maluma and J Balvin have described Martin as a "teacher" and credited him as an artist who "opened the doors" for them, while Maluma has also expressed: "Ricky Martin is one of the artists I wanted to be growing up. He's my idol in the industry".Citations regarding J Balvin's statements about Martin: Puerto Rican singer Bad Bunny talked about Martin's legacy during an episode of Behind the Music: "There's no doubt that he opened the door for an entire generation of Latin artists. I am doing great things today in the music industry thanks to those doors that he opened." He also mentioned that he is inspired by Martin's coming out as gay: "You don't have to be gay to be inspired by that action of honesty and freedom, of being yourself against the world despite everything you deserve. I look at it like a very inspiring moment for anybody. At least for me, it's very inspirational." Brazilian singer-songwriter Anitta explained to The Guardian that "some Latin stars such as Maluma and Bad Bunny sing in their native language" and do not need to sing in English to get noticed, because they already had representatives like Shakira, Martin, and Jennifer Lopez, but since her country "hasn't had a major international pop star before", she uses "whatever language will get the market's attention". Portrayal in television In July 2019, SOMOS Productions, Endemol Shine Boomdog, and Piñolywood Studios announced the production of a biographical web television series about Menudo, titled Subete a Mi Moto. Consisting of 15 episodes of 60 minutes each, the series premiered on Amazon Prime Video on October 9, 2020 in Mexico, Latin America, and Spain. It was filmed in Mexico and Puerto Rico, and Martin was portrayed by actors Felipe Albors and Ethan Schwartz. The series premiered in the United States on February 14, 2021 on Estrella TV. On the review aggregation website Tomatazos, the first season has a positive score of 75%. The website's critical consensus summary states, "A good trip to the past that recalls a band that defined the youth of a certain public, but that doesn't ignore the darkest moments in the lives of its members." Other ventures Books On August 19, 2010, Martin announced that he had been working on his memoir, mentioning its title as Me and publish date as November 2, 2010. He expressed that writing the book was "one of the reasons" he decided to come out earlier that year. The book also had a Spanish edition title Yo (), which was published simultaneously by Celebra. He stated that writing his memoir allowed him "to explore the different paths and experiences" that have led him to be who he is, noting that it "was not easy but allowed for an incredible spiritual journey". Me spent several weeks at number one on the New York Times Best Seller list. In 2019, ¡Hola! staff ranked the book among "12 Books by Celebrities to Inspire and Motivate You", while Book Riot placed it on an unranked list of the "Best Celebrity Books You Should Read This Year" in 2020. Martin's first children's book Santiago the Dreamer in Land Among the Stars was published by Celebra and illustrated by Patricia Castelao in November 2013 for ages between five to nine. Its Spanish-language edition, Santiago El Soñador en Entre Las Estrellas, was published simultaneously. Martin expressed that the book was inspired by his "personal life, with fantasy added to it", as well as "a lot of cartoons". Products and endorsements Martin endorsed the 2012 Viva Glam campaign with Trinidadian rapper Nicki Minaj, which raised $270 million for the Mac AIDS Fund. In October 2020, Martin announced that he would launch his company, Martin Music Lab in partnership with music engineers Jaycen Joshua and Michael Seaberg. The company is centered around a new audio technique called "Orbital Audio", that "creates a new type of immersive, headphone listening experience". Martin used the technique on his EP Pausa, while several artists including Bad Bunny, Residente, Myke Towers, and A$AP Rocky are going to work with the company. The latter plans to release his whole upcoming studio album, using "Orbital Audio". Martin is going to expand the technique "beyond the music industry and tap into the movies, sports and, most notably, the wellness and meditation space". In 2021, Martin partnered with skin care company Kumiko. The skincare line, created by Chilean cosmetologist Catalina Aguirre, is the first to combine "mesotherapy, matcha, and cutting-edge European technology into unique multi-action formulas that penetrate the dermis with powerful anti-aging properties and lifting benefits". Activism Philanthropy While on a trip to India in 2002, Martin witnessed three minor girls who were about to be sold into prostitution and rescued them. The following year, he became a UNICEF Goodwill Ambassador and then met with activists and decided to fight against human trafficking, which is the second-most lucrative crime in the world. In 2004, Martin launched the Ricky Martin Foundation, a non-profit, non-governmental organization that focuses on denouncing human trafficking and educating about the crime's "existence through research and community initiatives, anchored in the defense of children and youth rights". In the same year, he appealed to the United Nations for international help to fight against sex tourism. In January 2005, following the 2004 Indian Ocean earthquake and tsunami, Martin visited Thailand to assess the needs of the minor survivors who were "extremely vulnerable to traffickers". Later that year, the Ricky Martin Foundation signed an alliance in partnership with Habitat for Humanity to construct 224 homes for the tsunami-affected families. The project was completed in December 2006. In March 2006, the foundation collaborated with the International Organization for Migration in the Llama y Vive () campaign, which focuses on facilitating "the prevention of human trafficking and the protection of young people, victims of child trafficking and prosecution of traffickers". In January 2010, along with many celebrities, Martin operated the charity telethon Hope for Haiti Now to raise donations for the 2010 Haiti earthquake. Later that year, the Ricky Martin Foundation created the first program of community social action against child trafficking in Martin's native Puerto Rico, titled "Se Trata" (). In 2012, the foundation participated in the making of the Child Protection Model Law on the International Centre for Missing & Exploited Children. In 2016, Martin visited Syrian refugees in Lebanon and played with the children and talked to them in an informal refugee camp. Following the Hurricane Maria in Puerto Rico in 2017, the Ricky Martin Foundation helped people and handed over homes that were rebuilt after the losses; Martin launched a viral campaign of selling a black T-shirt with the Puerto Rican flag stamped on it in order to raise the funds. The T-shirts were designed by Martin's twin boys Matteo and Valentino, while many celebrities including Will Smith, Bad Bunny, Marc Anthony, Luis Fonsi, and Maluma supported the campaign. During the COVID-19 pandemic, Martin created a campaign to help health care workers through the non-profit organization Project Hope. He expressed: "As you know, health care professionals are extremely vulnerable and professionals around the world don’t have personal protection equipment they need to prevent them getting infected." In February 2021, Martin collaborated with Antonia Novello to launch mass vaccination events in Puerto Rico. Following the murder of George Floyd and Black Lives Matter protests in 2020, Martin honored an effort called "Black Out Tuesday" and launched the hashtag #knowthestruggle, giving his social media to the voices of the community that are "looking for justice", to learn more about what is happening. For his humanitarian efforts and fighting against human trafficking, Martin has been honored with numerous accolades, including the Peace Summit Award by the World Summit of Nobel Peace Laureates, the TIP Report Hero Award by the United States Department of State, the Spirit of Hope Award by Billboard Latin Music Awards, the Latin Recording Academy Person of the Year Award, the Award of Inspiration by amfAR Gala, the Leader of Change Award by the Foundation for Social Change, the Humanitarian Award by the Global Gift Foundation, the Humanitarian Award by the Hispanic Federation, the Corazón Latino Award by the iHeartRadio Fiesta Latina, the International Humanitarian Award by the International Center for Missing and Exploited Children, the Agent of Change Award by the International Peace Honors, the PODER Social Leadership Awards, and the Agent of Change Award by the Premios Juventud. Politics On January 20, 2001, during the first inauguration of George W. Bush, Martin performed "The Cup of Life" and danced with him. Martin's view of Bush changed over the Iraq War, as expressed in his declaration to BBC News that he will "always condemn war and those who promulgate it". He also stuck up his middle finger while singing the president's name in his 2003 song "Asignatura Pendiente" at a concert. At the 2010 Billboard Latin Music Awards, Martin expressed his disagreement with the Arizona SB 1070 bill, a proposed law that would have required police officers to request documents from individuals whom they suspected to be illegal immigrants. Martin campaigned for the 44th president of the United States Barack Obama in 2008 and 2012, and thanked him for an "outstanding presidency" in 2016, while calling him "an amazing leader". Also in 2016, he was an active ally to the Democratic Party presidential candidate Hillary Clinton campaign, while condemning Donald Trump's hateful comments about immigrants. He also performed his hits during the "Hillary Clinton: She's With Us" concert at the Greek Theatre on June 6, 2016. Telegramgate, also known as Chatgate, was a political scandal involving Ricardo Rosselló, then Governor of Puerto Rico, which began on July 8, 2019, with the leak of hundreds of pages of a group chat on the messaging application Telegram between Rosselló and members of his cabinet. The messages were considered vulgar, misogynistic, and homophobic toward several individuals and groups, including Martin. Therefore, Martin, Bad Bunny, Residente and several other artists, and more than half a million Puerto Ricans led the call to take to the streets of Puerto Rico, demanding Rosselló's resignation. In September 2020, Martin, Luis Fonsi, and actress Eva Longoria attended a campaign event in Kissimmee, Florida to support the Democratic presidential candidate Joe Biden for the 2020 United States presidential election. During an interview with Variety, Martin stated: "I've been supporting Biden forever, I think he is the only option we have and he is great and he has been in politics all his life. This is the moment. We all need to get together and be loud about the course of this nation." Following the election of Biden as 45th president of the United States, Martin said "Bye-bye" to Trump on social media, and shared a photo of himself along with Biden on Instagram. In May 2021, Martin demonstrated his support for the Ni una menos movement, condemning femicides and violence against women in Puerto Rico, while calling authorities to protect women. He further expressed that no woman should fear for her safety and urged authorities to take steps in order to prevent these acts. In the same month, he supported the 2021 Colombian protests. Later that year, the singer raised his voice in support of the 2021 Cuban protests against the Castro regime for the restrictions due to the COVID-19 pandemic and the economic crisis, stating: "This is very important. Our brothers and sisters in Cuba need us to inform the world what they are experiencing today. Let's fill the networks before they remove the internet in the country. Humanitarian aid for Cuba NOW." LGBT advocacy As a gay man, Martin actively supports LGBT rights worldwide since his coming out in 2010. Even before coming out, he was noted by the mainstream media for being popular among gay men and having a large gay fan base. He also went on the cover of the American LGBT-interest magazine The Advocate in July 1999. Despite this, he admitted that he felt homosexuality was evil since he was raised as a Catholic and targeted his anger toward others, especially gay men: "I was very angry, very rebellious. I used to look at gay men and think, 'I'm not like that, I don't want to be like that, that's not me.' I was ashamed." He added that he "had internalized homophobia" back then. He is currently considered to be a gay icon, with PinkNews labeling him "a strong advocate of LGBT rights" who "expressed support for equal marriage" since coming out. As the first mainstream Latin music artist to come out, Martin's coming out was a game-changer for "Latin Pride". Billboards Lucas Villa stated: "With Martin's announcement, gay artists, who had long kept their sexual identities a secret, finally had a beacon of hope. If Martin could come out with his career unscathed, there was hope for other artists in Latin music to start doing the same." He added that since then, "a growing number of Latin artists have either come out after years in the spotlight, or many have simply started their careers by embracing their gay identities". In 2010, GLAAD then-president Jarrett Barrios expressed that Martin's coming out as gay leads "hundreds of millions of people" to have "a cultural connection with an artist, a celebrity and, perhaps most importantly, a father who happens to be gay", adding that "his decision to model this kind of openness and honesty can lead to greater acceptance for countless gay people in U.S., in Latin America and worldwide". In 2019, Human Rights Campaign then-president Alphonso David expressed that Martin "has used his international stage to advocate for LGBTQ people around the world" with his "unique voice and passionate activism". The following year, Suzy Exposito from Rolling Stone argued that with risking his career and coming out, Martin "set the scene for Bad Bunny to be free in many ways that, during his own breakthrough moment, he could not". Martin expressed support for same-sex marriage during an interview on Larry King Live in 2010. He has then delivered speeches about LGBT rights at the United Nations Homophobia Conference, the GLAAD Media Awards, and the Human Rights Campaign. He also raised his voice to support gay marriage in Puerto Rico before its legalization in 2015. In March 2016, Martin met with Chilean LGBT rights group Fundación Iguales to learn about the challenges LGBT citizens face there. AT the meeting, he said that he wants "equal marriage rights for Chile" and he wants his sons to grow up in a world where "there are no second-class citizens". Following the Colombia's highest court voting against an anti same-sex marriage proposal in April 2016, Martin tweeted: "Love and equality win, Colombia says YES to same-sex marriage." During an interview with Vulture, Martin talked about his role in The Assassination of Gianni Versace and how he wanted his portrayal to help "normalize open relationships". In June 2019, he published an open letter slamming the religious liberty bill, saying: "As a defender of human rights and a member of the LGBTT community, I am vehemently opposed to the proposed measure imposed upon us under the guise of religious freedom, that projects us to the world as a backwards country." Puerto Rico's then-governor backed down and withdrew his support of the bill following Martin's statement. In June 2020, Martin performed his song "Recuerdo" with Carla Morrison for a virtual event, Can't Cancel Pride: Helping LGBTQ+ People in Need, to raise visibility and funds for LGBTQ+ communities. He appeared at the virtual event in the following year as well. In February 2021, Martin was named national spokesperson for the onePULSE Foundation, a non-profit organization that focuses on managing "the design and construction of the permanent national memorial and museum dedicated to the Pulse nightclub tragedy". Later that year, he expressed that he wants to "normalize families like" his, in an interview with People. Several of Martin's music videos feature diversity in sexual orientations and same-sex couples, including "The Best Thing About Me Is You", "Disparo al Corazón", "Fiebre", and "Tiburones". For his activism and advocacy for LGBTQ community, Martin has been honored with numerous accolades, including the GLAAD Vito Russo Award, the Gala Vanguard Award by the Los Angeles LGBT Center, the International Icon Award by the British LGBT Awards, the National Visibility Award by the Human Rights Campaign, the Trailblazer Award by the LGBT Center Dinner, the Celebrity Activist of the Year by LGBTQ Nation, and the Legacy Award by Attitude Awards. Achievements Throughout his career, Martin has won over 200 awards (most awarded male Latin artist), including two Grammy Awards, five Latin Grammy Awards, five MTV Video Music Awards (tied for most wins by a Latin artist), two American Music Awards, two Latin American Music Awards, three Billboard Music Awards, a Billboard Music Video Award, nine Billboard Latin Music Awards, eight World Music Awards, fourteen Lo Nuestro Awards (including the Excellence Award), and a Guinness World Record. As an actor, he was nominated for an Emmy Award. In 2007, Martin was honored with a star on the Hollywood Walk of Fame, located at 6901 Hollywood Blvd. Martin is ranked among the Greatest Latin Artists of All Time and the Greatest Hot Latin Songs Artists of All Time by Billboard, while his album Vuelve was placed at number five on Billboards Top 20 Latin Albums Of All Time in 2018. In 1998, his song, "Perdido Sin Ti" reached the top of the Latin Pop Airplay chart, displacing Martin's own "Vuelve", making him the first artist on the chart's history to replace himself. His song "Livin' la Vida Loca" became the first number-one song on Billboard Hot 100, which was made entirely in Pro Tools, and achieved the first number one hit for his label, Columbia. It also became the first song in history to top Billboards Adult Pop Airplay, Pop Airplay, and Rhythmic Airplay charts, holding its record as the only song to do so for 14 years. On May 15, 1999, it became the first single ever to rule four different Billboard charts and made Martin the first act to simultaneously scale a pop, Latin, and dance chart. Two weeks later, he became the first artist to simultaneously top the Billboard 200, Hot Latin Tracks, Hot Dance Music/Club Play, Hot Dance Music/Maxi-Singles Sales, Top 40 Tracks, and the Billboard Hot 100. His song "Tal Vez" (2003) marked the first number one debut on Billboard Hot Latin Songs in the 21st century. Martin is the first and only artist with Spanish-language entries on Billboard Hot 100 in three decades. In 2020, he became the first and only artist in history to enter the Billboard Hot Latin Songs chart across five decades, including his work as part of Menudo. The following year, he became the first male Latin artist in history to have 4 songs from different decades to have over 100 million streams on Spotify. He owns the record as the artist with most top 20s on the US Latin Pop Airplay chart, with 51 songs, and is the runner-up of most top 10s. He is the fourth artist with the most number one songs in the history of the Hot Latin Songs chart. Additionally, he holds the record as the most Spanish-language entries on ARIA top 50 singles chart, with three. On October 11, 2007, then-mayor of Miami Beach, Florida David Dermer awarded him the key to the city of Miami Beach. Puerto Rico named August 31 the "International Ricky Martin Day" in 2008. The Government of Spain granted Spanish nationality to Martin in 2011, for being "recognized in different artistic facets". In 2018, in recognition of "his dedication to the island and people of Puerto Rico, his philanthropic work to eliminate human trafficking across the Caribbean, and his commitment to the arts", the singer received a proclamation naming June 7 the "Ricky Martin Day" in New York City. Throughout his career, Martin has sold over 70 million records making him one of the best-selling Latin music artists of all time. In 2020, La Opinión estimated his net worth at US$120 million. Discography Ricky Martin (1991) Me Amaras (1993) A Medio Vivir (1995) Vuelve (1998) Ricky Martin (1999) Sound Loaded (2000) Almas del Silencio (2003) Life (2005) Música + Alma + Sexo (2011) A Quien Quiera Escuchar (2015) Filmography Mas Que Alcanzar una estrella (1992) Hercules – Latin American dub (1997) Idle Hands (1999) Ricky Martin: One Night Only (1999) Minions – Latin American dub (2015) The Latin Explosion: A New America (2015) Ricky Martin: Behind the Vegas Residency (2017) Jingle Jangle: A Christmas Journey (2020) El cuartito (2021) Theatre Les Misérables (1996), Broadway – Marius Pontmercy Evita (2012), Broadway – Ché Tours and residenciesHeadlining tours Ricky Martin Tour (1992) Me Amaras Tour (1993–1994) A Medio Vivir Tour (1995–1997) Vuelve World Tour (1998) Livin' la Vida Loca Tour (1999–2000) One Night Only with Ricky Martin (2005–2006) Black and White Tour (2007) Música + Alma + Sexo World Tour (2011) Ricky Martin Live (2013–2014) Live in Mexico (2014) One World Tour (2015–2018) Ricky Martin en Concierto (2018-2019) Movimiento Tour (2020-2022)Co-headlining tour Enrique Iglesias and Ricky Martin Live in Concert (with Enrique Iglesias) (2021)Residency' All In (2017–2018) See also Honorific nicknames in popular music List of artists who reached number one in the United States List of artists who reached number one on the UK Singles Chart List of Latin pop artists List of multilingual bands and artists List of Puerto Rican Grammy Award winners and nominees List of Puerto Ricans List of Urbano artists Notes References Book sources External links 1971 births Living people 20th-century LGBT people 20th-century Puerto Rican male actors 20th-century Puerto Rican male singers 20th-century Puerto Rican singers 21st-century LGBT people 21st-century Puerto Rican male actors 21st-century Puerto Rican male singers 21st-century Puerto Rican singers American gay actors American gay musicians American humanitarians American male pop singers American male singer-songwriters Columbia Records artists Echo (music award) winners Grammy Award winners Hispanic and Latino American male actors Hispanic and Latino American musicians Latin Grammy Award winners Latin music songwriters Latin pop singers Latin Recording Academy Person of the Year honorees LGBT entertainers from Puerto Rico LGBT Hispanic and Latino American people LGBT Latin musicians LGBT rights activists from the United States LGBT singers from the United States Male actors from San Juan, Puerto Rico Menudo (band) members MTV Europe Music Award winners Naturalised citizens of Spain Puerto Rican activists Puerto Rican expatriates in Australia Puerto Rican expatriates in Mexico Puerto Rican expatriates in Spain Puerto Rican male film actors Puerto Rican male soap opera actors Puerto Rican male television actors Puerto Rican people of Basque descent Puerto Rican people of Canarian descent Puerto Rican people of Corsican descent Puerto Rican people of Spanish descent Puerto Rican philanthropists Puerto Rican pop singers Puerto Rican record producers Puerto Rican singer-songwriters Singers from San Juan, Puerto Rico Sony Music Latin artists Sony Music Spain artists Spanish-language singers of the United States UNICEF Goodwill Ambassadors World Music Awards winners

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How did his auditions go

How did Ricky Martin's auditions in Menudo go?

Ricky Martin

After achieving modest fame in Puerto Rico for his work in television commercials, Martin auditioned for membership in the Puerto Rican boy band Menudo. Although the executives enjoyed his dancing and singing at his first two auditions, Martin was rejected because he was too short. By the third audition, his persistence impressed executives, and in 1984, 12-year-old Martin became a member. A month after joining Menudo, he made his debut performance with the group at the Luis A. Ferre Performing Arts Center in San Juan. During this performance, he inadvertently disobeyed the choreography by walking around the stage, when it was planned that he would stay still, and was chastised by the band manager after the show: "The mistake was such a big deal that from that moment on, never again did I move when I wasn't supposed to move...That was the discipline of Menudo: You either did things the way you were told or you were not part of the group." The song "Asignatura Pendiente" from Almas del Silencio (2003) was inspired by the first time Martin left Puerto Rico to tour with Menudo. Although Martin enjoyed traveling and performing onstage with Menudo, he found the band's busy schedule and strict management exhausting, and later reflected that the experience "cost" him his childhood. He considered leaving the group while on tour in Brazil, but ultimately decided to stay out of fear of media backlash and being sued for breach of contract. Martin also began struggling with his sexuality, noting the stark contrast between his status as a sex symbol and his own emotions. Despite this, Martin acknowledged his "opportunity to have so many amazing experiences with so many amazing people" during his time with the group. He developed an interest in philanthropy when the group became UNICEF ambassadors, often working with impoverished children in third world countries. His experiences as an ambassador affected him greatly and inspired him to continue working with charities later in life. By 1987, Menudo's record sales began to decline, and the group changed its image, adopting an edgier look and performing more rock-influenced songs. The band released the album Somos Los Hijos del Rock in Spanish, and to appeal to the Menudo's Filipino fanbase, the group released In Action, recording songs in both English and Tagalog. After recording 11 albums with the group, Martin left Menudo in July 1989, at age 17, hoping to rest and evaluate his career path. He performed his final show with the group at the same venue where he'd performed his first performance as a member. Martin returned to Puerto Rico to graduate from high school, and 13 days after turning 18, he moved to New York City to celebrate his financial independence; since he was a minor during his time as a member of Menudo, Martin was not allowed to access his own bank accounts. He was accepted into New York University's Tisch School of the Arts, but months before classes began, Martin dropped out and moved to Mexico City to perform in the play Mama Ama el Rock (Mom Loves Rock). CANNOTANSWER

Although the executives enjoyed his dancing and singing at his first two auditions, Martin was rejected because he was too short.

Enrique Martín Morales (born December 24, 1971), known professionally as Ricky Martin, is a Puerto Rican singer, songwriter, and actor. He is known for his musical versatility, as his discography spans multiple genres, including Latin pop, pop, dance, reggaeton, and salsa. Dubbed the "King of Latin Pop", the "King of Latin Music", and the "Latin Pop God", he is regarded as one of the most influential artists in the world. Born in San Juan, Martin began appearing in television commercials at the age of 9 and began his musical career at age 12, as a member of Puerto Rican boy band Menudo. He started his solo career in 1991 while in Sony Music Mexico, gaining recognition in Latin America with the release of his first two studio albums, Ricky Martin (1991) and Me Amaras (1993), both of which were focused on ballads. Martin's third album, A Medio Vivir (1995), helped him rose to prominence in European countries. The chart-topping single "María", incorporated a mixture of Latin music genres and became his first international hit. His international success was further solidified with his fourth album, Vuelve (1998). The album, which earned Martin his first Grammy Award, spawned chart-topping hits "Vuelve" and "La Copa de la Vida". Martin performed the latter at the 41st Annual Grammy Awards, which was greeted with a massive standing ovation and is known as a game-changer for Latin music worldwide. His first English album, Ricky Martin (1999) became his first US Billboard 200 number one. The lead single "Livin' la Vida Loca" is considered to be Martin's biggest hit, topping both the Billboard Hot 100 and the UK Singles Chart. Martin's success in the late '90s is generally seen as the beginning of the "Latin explosion". He has been credited for getting Latin pop music genre to mainstream recognition, paving the way for a large number of Latin artists to achieve a global success. Martin has since established his status as a sex symbol and a pop icon, releasing several successful albums, including all-time Latin bestsellers Almas del Silencio (2003) and MTV Unplugged (2006), as well as Grammy Award winner A Quien Quiera Escuchar (2015). He has also amassed many successful singles and chart-topper hits, including "She Bangs", "Nobody Wants to Be Lonely", "Tal Vez", "Tu Recuerdo", "La Mordidita", "Vente Pa' Ca", and "Canción Bonita". As an actor, Martin gained popularity and stardom for his role in the hit soap opera General Hospital (1994-1996), while his portrayal of Antonio D'Amico in The Assassination of Gianni Versace: American Crime Story (2018) marked the acting opportunity of his career, garnering him an Emmy nomination. He also starred as Ché in the Broadway revival of the musical Evita in 2012, which broke the theatre's box-office sales record seven times. Having sold over 70 million records worldwide, Martin is one of the best-selling Latin music artists of all time. He has scored 11 Billboard Hot Latin Songs number-one songs, and won over 200 awards (most awarded male Latin artist), including two Grammy Awards, five Latin Grammy Awards, five MTV Video Music Awards (tied for most wins by a Latin artist), two American Music Awards, two Latin American Music Awards, three Billboard Music Awards, nine Billboard Latin Music Awards, eight World Music Awards, fourteen Lo Nuestro Awards, a Guinness World Record, and a star on the Hollywood Walk of Fame. He is ranked among the Greatest Latin Artists of All Time, the Greatest Music Video Artists of All Time, and the Most Influential Latin Artists of All Time by Billboard. His philanthropy and activism focus on LGBT rights and fighting against human trafficking; in 2004, he founded The Ricky Martin Foundation, a non-profit, non-governmental organization that focuses on denouncing human trafficking and educating about the crime's existence. Life and career 1971–1982: Early life Enrique Martín Morales was born on December 24, 1971, in San Juan, Puerto Rico. His mother, Doña Nereida Morales, is a former accountant; his father, Enrique Martín Negroni, is a former psychologist who previously worked as a regional supervisor for a Puerto Rican mental-health agency. His parents divorced when he was two years old, and although his mother had custody of Martin, he could also move freely between his father's house in the middle-class suburb of University Gardens in San Juan, and his paternal grandmother's house nearby. In an interview with People, he told the magazine the he "never had to make decisions" about who he loved more, and he was "always happy". Martin has two older maternal half-brothers, Fernando and Ángel Fernández, two younger paternal half-brothers, Eric and Daniel Martín, and a younger paternal half-sister, Vanessa Martín. Martin has Spanish heritage of Basque and Canarian descent. As he explained to ABC, the Martins traveled from Spain to Puerto Rico in 1779. He also has some Corsican origin through his paternal grandmother. Martin grew up Catholic. The people closest to him called him "Kiki" (a nickname that comes from Enrique). He began singing at age six, using wooden kitchen spoons as make-believe microphones; he often sang songs by Puerto Rican boy band Menudo, as well as English-language rock groups such as Led Zeppelin, Journey, and REO Speedwagon. His mother's side of the family was musically inclined and his maternal grandfather was a poet. Martin later reflected on his time spent with his family as a child: "Every time I find myself in front of an audience, be it twenty people or one hundred thousand, once again I feel the energy that consumed me back at the family gatherings of my youth." He attended Colegio Sagrado Corazón, a bilingual Catholic grade school in University Gardens since fourth grade and was an "average" student there. When he was nine years old, he began appearing in television commercials for products such as soft drinks, toothpaste, and fast food restaurants, most notably Orange Crush and Burger King. In a year and a half, he starred in 11 commercials. 1983–1989: Menudo After achieving moderate fame in his country for his appearances in television commercials, Martin auditioned for membership in Menudo. Formed in Puerto Rico in 1977, Menudo members were usually replaced when they hit 16 in order to keep the band "full of fresh-faced members". Although the executives enjoyed his dancing and singing at his first two auditions, Martin was rejected because he was too short. By the third audition, his persistence impressed executives, and in 1984, 12-year-old Martin became a member. A month after joining Menudo, he made his debut performance with the group at the Luis A. Ferré Performing Arts Center in San Juan. During this performance, he inadvertently disobeyed the choreography by walking around the stage, when it was planned that he would stay still, and was chastised by the band manager after the show: "The mistake was such a big deal that from that moment on, never again did I move when I wasn't supposed to move. That was the discipline of Menudo: You either did things the way you were told or you were not part of the group." Although Martin enjoyed traveling and performing onstage with Menudo, he found the band's busy schedule and strict management exhausting, and later reflected that the experience "cost" him his childhood. Despite this, Martin acknowledged his "opportunity to have so many amazing experiences with so many amazing people" during his time with the group. During his time with Menudo, he became a "key-member of the group" and a "fan-favorite", while the band released 11 albums, including the Grammy-nominated Evolución () (1984) and their highest-charting and longest-running album on the US Billboard 200, Menudo (1985). The former featured Martin's debut single, "Rayo de Luna" () and the latter included the hit single "Hold Me". "Hold Me" became the group's first and only entry on the US Billboard Hot 100 chart, peaking at number 62. It was ranked among the "100 Greatest Boy Band Songs of All Time" by Billboard, the "75 Greatest Boy Band Songs of All Time" by Rolling Stone, and the "30 Best Boy Band Songs" by Complex. Besides the musical career, Martin appeared with other members of Menudo in the American romantic comedy/drama television series, The Love Boat (1985), and the Argentine soap opera, Por Siempre Amigos (1987). He also developed an interest in philanthropy when the group became UNICEF ambassadors, often working with impoverished children in third world countries. His experiences as an ambassador affected him greatly and inspired him to continue working with charities later in his life. Finally, Martin left the band in July 1989, at age 17, hoping to rest and evaluate his career path; he stayed a few extra months after his "age-mandated retirement" came around. He performed his final show with the group at the same venue where he had performed his first performance as a member. Referred to as the "Most Iconic Latino Pop Music Band", Menudo was ranked as one of the Biggest Boy Bands of All Time by Us Weekly in 2021. The group has sold around 20 million records worldwide, and has been acknowledged as the "Most Successful Latin Boy Band of All Time" by Billboard. Martin returned to Puerto Rico to "get a break from the pressures of the group, the promotional tours, and the constant stress of work", but although his parents' divorce had not affected him before, suddenly began to affect him; his parents "began fighting more than ever" and they were forcing him to "choose between the two people in the world" he loved most. As he understood they did this because they loved him and wanted the best for him, he "forgave all of the pain and anger they caused" him. He graduated from the high school, and 13 days after turning 18, he moved to New York City to celebrate his financial independence; since he was a minor during his time with Menudo, Martin was not allowed to access his own bank accounts. 1990–1994: Acting and first solo albums Martin was accepted into New York University's Tisch School of the Arts in 1990, but before classes began, his friend invited him to Mexico City. He attended the musical comedy play, Mama Ama el Rock () there, and was offered to stay and replace one of the actors. He accepted the offer, dropped out the university and moved from New York to Mexico City to perform in the play. While he was performing onstage in Mama Ama el Rock, a producer in the audience took notice of Martin's acting and offered him a role in the Mexican telenovela Alcanzar una estrella () (1990). Martin also joined the cast for the second season of the show, titled Alcanzar una estrella II (1991). A film based on the TV series, titled Más que alcanzar una estrella () (1992), was also produced in which Martin starred, and earned him an El Heraldo Award for his role. A Sony Discos executive noticed Martin's acting in the soap operas and offered him his first solo music recording contract. Eager to record his first solo album and hustled by the executive, Martin signed the contract without reading its conditions and inadvertently signed a deal in which he would only be paid one cent for each album sold! Despite viewing the contract as unfair, Martin referred to the record as "the start of something phenomenal" for him. After working "around the clock" to finish filming Alcanzar una estrella II and recording music, he released his debut solo album, Ricky Martin, on November 26, 1991. The album peaked at number five on the US Billboard Latin Pop Albums chart and spent a total of 41 weeks on the list. It sold over 500,000 copies worldwide, was certified gold in Argentina, Chile, Colombia, Mexico, and Puerto Rico, and spawned his first solo hit singles, "Fuego Contra Fuego" (), "El Amor de Mi Vida" (), and "Dime Que Me Quieres" (). Both "Fuego Contra Fuego" and "El Amor de Mi Vida" reached the top 10 on the US Billboard Hot Latin Tracks, peaking at numbers three and eight, respectively. To promote the album, Martin embarked on a successful Latin American tour, breaking box office records, which the singer referred to as "an indescribable feeling, almost like coming home". After the success of Ricky Martin and its subsequent tour, Martin's record company met him with the Spanish musician Juan Carlos Calderón to work on his second studio album, Me Amaras () (1993). Although Martin felt "very grateful" for the opportunity to work with Calderón, he noted, "I always felt that that record was more his than mine." The album sold over one million copies worldwide and was certified triple-platinum in Chile. In 1994, Martin's agent encouraged him to move to Los Angeles to act in an American sitcom called Getting By. The show was canceled after two seasons, but soon afterward, Martin was given the role of Miguel Morez on the popular hit soap opera General Hospital; Morez, a bartender and singer, known for his long and flowing hair, was a Puerto Rican citizen hiding in the United States from his lover's criminal mastermind father and created a love triangle with his fiancé Lily Rivera and Brenda. Martin portrayed the role for two years and gained huge popularity and stardom, becoming "one of the most-talked about actors on the soap opera". Despite this, Martin felt he lacked chemistry with the rest of the General Hospital cast and observed that people treated him differently because of his Puerto Rican accent. At the time, it was relatively uncommon for Latin actors to appear on American television, and people suggested that he take accent reduction classes, which he refused. 1995–1997: Breakthrough with A Medio Vivir In 1995, Martin refocused on his music career, and began working on his third studio album, A Medio Vivir (). The album was released on September 12, 1995, and became a huge success; it sold over three million copies or even seven million copies worldwide, according to different sources, being certified gold in the United States, platinum in France, 4× platinum in Spain, and 6× platinum in Argentina, as well as many other certifications in Latin American countries. It spawned several successful hits, including "Te Extraño, Te Olvido, Te Amo" (), "María", and "Volverás" (). On "María", which was released as the second single from the album, Martin allowed himself "to go into a very Latin, African sound". He created a mix of different Latin music genres instead of singing a romantic ballad, the style that he focused on it in his first two albums, while Latin pop music in general was mainly made up of it at the time. Although Martin was satisfied with the track and he describes it as a song that he is "extremely proud of", the first time he played it for a record label executive, the man said: "Are you crazy? You have ruined your career! I can't believe you are showing me this. You're finished — this is going to be your last album." Despite this, the track became Martin's breakthrough song and his first international hit. It topped the charts in 20 countries, and has sold over five million physical copies worldwide. As a result, the song was featured in the 1999 edition of The Guinness Book of Records as the biggest Latin hit. It was also the Song of the Summer in Spain in 1996 and was the second best-selling single in the world that year. In Australia, "María" spent six weeks at number one, topped the country's year-end chart in 1998, and was certified platinum. The song also spent nine weeks at number one in France, and was certified diamond. It has sold over 1.4 million copies in France. Additionally, the track reached the top 10 in the United Kingdom, and became Martin's first entry on the US Billboard Hot 100 chart. To promote A Medio Vivir, he embarked on the worldwide A Medio Vivir Tour, that lasted for more than two years, through which he performed 63 shows and visited Europe, Latin America and the United States. During an interview with The Miami Herald in 1996, Martin expressed an interest in performing on Broadway. In a few days, he received a phone call from producer Richard Jay-Alexander, and was offered the role of Marius Pontmercy in the play Les Misérables. After the conclusion of the A Medio Vivir Tour in Latin America, Martin returned to New York to appear in the play in an eleven-week run. He greatly enjoyed the experience, calling his time in the play an "honor" and "the role of [his] life". Martin continued to tour after the conclusion of the show's run, and noted that his audiences were growing in both size and enthusiasm. 1998–1999: Vuelve While the A Medio Vivir Tour had not been concluded yet, Martin returned to the studio to record his fourth album Vuelve (). He called the experience of touring and recording at the same time "brutal and incredibly intense". As he was finishing the record in 1997, "María" caught the attention of FIFA. They contacted Martin and asked him to create a song as the 1998 FIFA World Cup anthem. He stated about the request: "I have to admit that the challenge made me a bit nervous, but the massive growth potential for my career was such that I decided to accept." Following his acceptance, musicians K.C. Porter, Robi Rosa, and Desmond Child joined him and they started working on a song titled "La Copa de la Vida" (English: "The Cup of Life"). Martin wrote about the recording: "La Copa de la Vida" was included as the eighth track on Vuelve, released February 12, 1998, The album became a huge success; it sold over eight million copies worldwide, becoming the best-selling Spanish-language album in history, according to his label. Also, some sources have reported the album's sales as six million copies worldwide. It spent 26 weeks atop the US Billboard Top Latin Albums chart and was certified platinum by the Recording Industry Association of America (RIAA). In Canada, the album peaked at number three and was certified double platinum. Vuelve spawned big hits, including the title track, "La Copa de la Vida", "Perdido Sin Ti" (), and "La Bomba" (). "La Copa de la Vida" grew to be an international success, appearing on the charts in more than 60 countries, and reaching number one in 30 countries, Both "Vuelve" and "Perdido Sin Ti" peaked at number one on the US Billboard Hot Latin Tracks chart; the former also reached number one in On July 12, 1998, Martin performed "La Copa de la Vida" as the official anthem at the 1998 FIFA World Cup Final in France, in front of more than a billion TV viewers around the world. To promote Vuelve, Martin embarked on the worldwide Vuelve Tour; he performed in Asia, Australia, Europe, Mexico, South America, and the United States. Although Latin music was not important to the Recording Academy or the mainstream music industry at the time, Tommy Mottola, then-chief of Columbia Records, was certain about Martin's stardom and pushed hard to have him on the Grammy Awards ceremony. During an interview with Billboard, Mottola told the magazine about it: "There was tremendous resistance from the Grammys. They did not want an 'unknown' to perform, yet we he had already sold 10 million copies of Vuelve worldwide. To me, that was absolutely UNACCEPTABLE." Finally, on February 24, 1999, cavorting with a 15-piece band alongside and a large number of dancers and percussionists, Martin performed a bilingual version of "La Copa de La Vida" at the 41st Annual Grammy Awards, which was greeted with a massive standing ovation and met with acclaim from music critics. At the same night, Vuelve earned Martin his first Grammy award, for Best Latin Pop Performance. After he accepted the award and expressed how important it was to the Latin community, the American singer-songwriter Madonna came on the stage and hugged him. 1999–2000: Crossover to English In October 1998, CNN confirmed that Martin has been working on his first English language album, following the huge success of Vuelve. In April 1999, Billboard revealed the album's title as Ricky Martin in an article, mentioning that the album was initially set for retail on May 25, 1999. However, the huge interest in the disc, following Martin's performance at the Grammy Awards, encouraged Columbia Records to decide to rush the album to release two weeks ahead of schedule, on May 11. Tom Corson, the senior vice president of marketing at Columbia explained: "Quite simply, the market has demanded it. People have been wanting this record for a while, and it's now reached the point where we have to get it out there immediately." Tim Devin, the general manager of Tower Records in New York added about Martin: "He's always been one of our strongest Latin artists, but interest in him has picked up considerably since that performance." Ricky Martin debuted atop the US Billboard 200 with first-week sales of 661,000 copies, according to data compiled by Nielsen SoundScan, becoming the largest sales week by any album in 1999. It also broke the record as the largest first-week sales for any pop or Latin artist in history, as well as any Columbia Records artist during the SoundScan era. With this album, Martin became the first male Latin act in history to debut at number one on the US Billboard 200 chart. It was certified 7× platinum by the Recording Industry Association of America (RIAA), denoting shipments of over seven million copies in the US and breaking the record as the best-selling album by a Latin artist in the country. Only within three months, Ricky Martin became the best-selling album ever by a Latin artist. According to different sources, the album has sold over 15 million copies or even 17 million copies worldwide. It was nominated for Best Pop Album at the 42nd Annual Grammy Awards. The album was supported by four singles; the lead single "Livin' la Vida Loca" () topped the charts in more than 20 countries and is considered to be Martin's biggest hit, and one of the best-selling singles of all time. In the United States, it topped the Billboard Hot 100 chart for five consecutive weeks, becoming Martin's first number one single on the chart. Additionally, it broke several records on Billboard charts. It also spent eight consecutive weeks atop the Canada Top Singles chart and topped the country's year-end chart. In the United Kingdom, it debuted at number one and stayed there for three weeks, making Martin the first Puerto Rican artist in history to hit number one. The track was ranked as the best '90s pop song by Elle, and was listed among the Best Latin Songs of All Time by Billboard. It was nominated for four categories at the 42nd Annual Grammy Awards, including Record of the Year and Song of the Year. Its Spanish version reached the summit of the Billboard Hot Latin Tracks chart in the United States, and was nominated for Record of the Year at the 2000 Latin Grammy Awards. "She's All I Ever Had" was released as the second single from the album in June 1999. It peaked at numbers two and three on the US Billboard Hot 100 and Canada Top Singles charts, respectively. The Spanish version, "Bella" () topped the charts in five countries, as well as Billboards Hot Latin Tracks chart. To further promote Ricky Martin, he embarked on the worldwide Livin' la Vida Loca Tour. In the United States, the Livin' la Vida Loca Tour was the highest-grossing tour of 2000 by a Latin artist, earning over $36.3 million with 44 dates and drawing 617,488 fans. According to Billboard Boxscore, the tour grossed $51.3 million in Canada, Mexico, and the United States, with 60 shows and drawing an audience of 875,151. International dates were not reported to Boxscore and would push the tour's grosses higher. 2000–2005: Sound Loaded, Almas del Silencio, and Life While the Livin' la Vida Loca Tour had not been concluded yet, Martin returned to the studio to record his sixth studio album, Sound Loaded. The album was released on November 14, 2000. It debuted at number four on the Billboard 200 with first-week sales of 318,000 copies, according to data compiled by Nielsen SoundScan. The album has sold over seven million copies or even eight million copies worldwide, according to different sources, being certified double platinum in the US. The album featured two hit singles, "She Bangs" and "Nobody Wants to Be Lonely". The former reached number one in seven countries, including Italy and Sweden, as well as the top five in Australia, Canada, the United Kingdom, and several other countries. It was nominated for Best Male Pop Vocal Performance at the 43rd Annual Grammy Awards. The Spanish-language version of "She Bangs" reached the summit of the Hot Latin Tracks chart and won the Latin Grammy Award for Best Music Video at the 2nd Annual Latin Grammy Awards. "Nobody Wants to Be Lonely" was re-recorded along with American singer Christina Aguilera, peaking at number one in five countries, as well as the top five in Italy, Germany, Spain, and the United Kingdom, among others. It was nominated for Best Pop Collaboration with Vocals at the 44th Annual Grammy Awards. The solo Spanish version, entitled "Sólo Quiero Amarte" topped the Hot Latin Tracks chart. Both "She Bangs" and "Nobody Wants to Be Lonely" are certified silver in the UK. In February 2001, Martin released a Spanish compilation album entitled La Historia (), which spent five weeks at number one on the Top Latin Albums chart, topped the charts in Argentina and Sweden, and was certified quadruple Latin platinum in the United States. Following the success of Ricky Martin and Sound Loaded, he initially planned to release the third English-language album as his seventh studio album, which was supposed to be his first complete work in the field of songwriting. Despite Sony Music Entertainment's original plan, he decided to release a Spanish-language album: "I woke up five months ago, and I said 'We're doing an album in Spanish.' Everyone went nuts. They said, 'You don't have time; you have to release an album in English because of timing issues with your career.' And that's fine. But I told them, 'In five months, you'll have a kick-ass album' [in Spanish]. Martin's seventh studio album, Almas del Silencio () was released in May 2003. It debuted atop the Billboard Top Latin Albums chart with first-week sales of 65,000 copies, according to data compiled by Nielsen SoundScan, breaking the record as the largest first-week sales for a Spanish-language album in the US. The album also debuted at number 12 on Billboard 200, tying the 2002 album, Quizás () as the chart's highest Spanish-language debut. The album also debuted at number one in "at least 13 Latin American markets" and sold over two million copies worldwide. Almas del Silencio spawned three Hot Latin Tracks chart-topper hits: "Tal Vez" (), "Jaleo", and "Y Todo Queda en Nada" (). "Tal Vez" debuted at number one on the Billboard Hot Latin Tracks chart on the week of April 12, 2003, marking the first number one debut since February 1998, and becoming the sixth song overall in the chart's history to do so. It spent a total of 11 weeks at this position, surpassing "Livin' la Vida Loca" as Martin's longest number-one single on the chart, and was the longest-running number one of 2003. It also topped the charts in several Latin American markets. In October 2005, Martin released his third English album, Life. He commented on the album: "I was really in touch with my emotions. I think this album is very multi-layered, just like life is. It's about feeling anger. It's about feeling joy. It's about feeling uncertainty. It's about feeling. And all my emotions are part of this production". To promote Life, Martin embarked on the worldwide One Night Only with Ricky Martin tour. 2006–2012: MTV Unplugged, Música + Alma + Sexo, and Evita Although Martin's team and MTV had discussed an MTV Unplugged for years, but it became more serious after Martin's the One Night Only tour, which featured an acoustic segment. Finally, Martin taped his MTV Unplugged set in Miami in August 2006, performing both romantic ballads and up-tempo tropical dance songs. During the performance, he debuted three new tracks, including "Tu Recuerdo" (), which was released to radio stations as the lead single from his debut live album MTV Unplugged (2006). The album debuted at number one on the Top Latin Albums chart and sold over two million copies worldwide, marking his highest-certified album in Mexico. It won two Latin Grammy awards and was nominated for Album of the Year. "Tu Recuerdo" reached number one in five countries, as well as the Billboards Hot Latin Songs and Latin Pop Airplay charts. The track was certified quadruple platinum in Mexico and was nominated for Record of the Year at the 8th Annual Latin Grammy Awards. The artist then embarked on the Black and White Tour in 2007, including four sold-out shows at the José Miguel Agrelot Coliseum in Puerto Rico. The concerts in Puerto Rico were compiled into his second live album Ricky Martin... Live Black & White Tour (2007). Later that year, he released his first Italian song, "Non siamo soli" () as a duet with Italian singer Eros Ramazzotti. The song debuted at number one in Italy and spent eleven consecutive weeks atop the chart. In January 2011, Martin launched his ninth studio album, Música + Alma + Sexo (). The album debuted at number three on the US Billboard 200 chart, becoming the highest-charting primarily-Spanish language set since Dreaming of You (1995) by American singer Selena. It holds the record as the highest-charting Latin album of the 2010s, and represents the highest-ever chart debut on the Billboard 200 for a Sony Music Latin release. Música + Alma + Sexo also peaked at number one in Argentina and Venezuela, as well as Billboards Top Latin Albums. Its lead single, "Lo Mejor de Mi Vida Eres Tú" (English: "The Best Thing About Me Is You") reached number one on the US Billboard Hot Latin Songs chart and was nominated for Record of the Year, Song of the Year, and Best Short Form Music Video at the 12th Annual Latin Grammy Awards. To promote the album, Martin embarked on the Música + Alma + Sexo World Tour in 2011. In February 2012, he appeared as Spanish teacher David Martinez on the twelfth episode of the third season of the American musical television series Glee, The Spanish Teacher. Martin starred as Ché in the Broadway revival of the musical Evita from March 2012 to January 2013. The show became a hit, breaking the theatre's box-office sales record after only six performances. Sine then, it broke its own record six times and was nominated for Best Revival of a Musical at the 66th Tony Awards. The show's soundtrack album debuted at number one on Billboards cast album chart. 2013–2018: The Voice, A Quien Quiera Escuchar, and The Assassination of Gianni Versace Martin served as a coach on the second season of the Australian singing competition television series The Voice in 2013. In the same year, he released a compilation album, entitled Greatest Hits: Souvenir Edition, which reached number two in Australia, as well as a new single, entitled "Come with Me", which debuted at number three in the country. The artist then embarked on the Ricky Martin Live tour in Australia in October 2013. He continued serving as a coach on both the third and fourth seasons of The Voice Australia in 2014 and 2015, respectively. In 2014, Lars Brandle from Billboard stated in an article: "Through his high-profile slot on The Voice, Ricky's profile in Australia has never been as big as it is right now." On February 25, 2014, Wisin released a song titled "Adrenalina" () from his album El Regreso del Sobreviviente (), which featured Jennifer Lopez and Martin, and became the Univision's 2014 World Cup song. It received commercial success, peaking in the top-five of Bulgaria, Mexico, Spain, and Billboards Hot Latin Songs chart. Its accompanying music video has accumulated over 850 million views on YouTube. Later that year, Martin released his single "Vida" () for the 2014 FIFA World Cup. The song reached the top five in Spain and on the US Hot Latin Songs chart. Also in 2014, he served as a coach on the fourth season of The Voice Mexico, and embarked on the Live in Mexico tour. In February 2015, Martin released his tenth studio album, A Quien Quiera Escuchar (). The album debuted at number one on Billboards Top Latin Albums chart and peaked at number one in Argentina. It won the award for Best Latin Pop Album at the 58th Annual Grammy Awards and Album of the Year at the 1st Latin American Music Awards. The album spawned three Hot Latin Songs top-10 hits: "Adiós" (), "Disparo al Corazón" (), and "La Mordidita" (). "Disparo al Corazón" was nominated for both Record of the Year and Song of the Year at the 16th Annual Latin Grammy Awards. "La Mordidita" experienced huge commercial success, being certified 15× Latin platinum in the United States. Its accompanying music video has received over 1.2 billion views on YouTube. To promote the album, Martin embarked on the One World Tour from 2015 to 2017. He served as an executive producer and a judge on the American singing competition series La Banda (), which premiered in 2015 and 2016 on Univision. The first season was "looking for the next Latin boy band", while the second season was looking for a Latin girl band. The contestants would compete for a recording deal with Sony Music Latin and Syco Music. CNCO, known as the first boy band to make reggaeton, was the winner of the first season. Martin became their manager and produced the band's debut album, Primera Cita () (2016), along with Wisin; the album debuted at number one on Top Latin Albums and featured the hit single "Reggaetón Lento (Bailemos)" (). CNCO opened many dates on One World Tour in 2016. In 2020, Leila Cobo from Billboard compared the group with Menudo, noting: "Not since Menudo had a Latin boy band melted our hearts or made us dance quite like CNCO". On September 23, 2016, Martin released a song called "Vente Pa' Ca" (), featuring Colombian singer Maluma. The song became one of the biggest Spanish-language songs of 2016, reaching number one in seven countries, as well as Billboards Latin Airplay, Latin Pop Airplay, and Tropical Airplay charts. It also reached top five in Spain and on the Billboard Hot Latin Songs, being certified quadruple platinum in Spain and diamond in Mexico. The track was nominated for both Record of the Year and Song of the Year at the 18th Annual Latin Grammy Awards. The accompanying music video has received over 1.75 billion views on YouTube. Martin signed a concert residency, named All In, to perform at the Monte Carlo Resort and Casino in Las Vegas in 2017 and 2018. He portrayed fashion designer Gianni Versace's partner Antonio D'Amico in the FX true crime anthology television series The Assassination of Gianni Versace: American Crime Story, marking "the acting opportunity of his career". The role garnered him a nomination for Outstanding Supporting Actor In A Limited Series Or Movie at the 70th Primetime Emmy Awards. Running from January to March 2018, The Assassination of Gianni Versace received generally favorable reviews and numerous awards and nominations, including three Primetime Emmy Awards, four Creative Arts Emmy Awards, two Golden Globe Awards, two Critics' Choice Television Awards, and a Screen Actors Guild Award. In February 2018, Martin released a song titled "Fiebre" (), featuring Wisin & Yandel. The song was commercially successful in Latin America, reaching number one in Chile, Ecuador, Guatemala, Mexico, and Uruguay. It also reached the summit of the Billboard Latin Airplay and Latin Rhythm Airplay charts. 2019–present: Amici di Maria De Filippi, PausaPlay, and Jingle Jangle: A Christmas Journey At the 61st Annual Grammy Awards, Martin performed "Havana", "Pégate" (), and "Mi Gente" (), alongside Camila Cabello, J Balvin, Young Thug, and Arturo Sandoval, as the opening performance. Martin served as a coach on the eighteenth season of the Italian talent show Amici di Maria De Filippi () in 2019. In the same year, Maluma released a song called "No Se Me Quita" () from his album 11:11, which featured Martin. The song reached number one in Mexico and was certified quadruple platinum in the country. Martin hosted the 20th Annual Latin Grammy Awards in November 2019, along with Roselyn Sánchez and Paz Vega. The artist started recording his eleventh studio album, initially titled Movimiento (), in the second half of 2019, inspired by the 2019 political protests in Puerto Rico. He embarked on the Movimiento Tour in 2020. Because of the COVID-19 pandemic and subsequent personal experiences, he decided to split the tour's associated album in two extended plays, Pausa () and Play; the former was released in May 2020, while the latter is set to release as his eleventh studio album. Pausa was nominated for Album of the Year and won the award for Best Pop Vocal Album at the 21st Annual Latin Grammy Awards. The second single from the EP, "Tiburones" () reached number one in Argentina and Puerto Rico, and was also nominated for Song of the Year at the 21st Annual Latin Grammy Awards. Martin starred as the voice of villainous miniature figure Don Juan Diego in the American Christmas musical fantasy film Jingle Jangle: A Christmas Journey. The film was released on Netflix on November 13, 2020, and received generally favorable reviews. In April 2021, Martin released his hit single "Canción Bonita" () with Colombian singer Carlos Vives, which experienced huge commercial success in Latin America, reaching number one in 12 countries. It was also nominated for Song of the Year and Best Pop Song at the 22nd Annual Latin Grammy Awards. Later that year, he released "Qué Rico Fuera" () with Chilean-American singer Paloma Mami, as the lead single from Play. The song peaked at number one in four countries, as well as the top 10 on Billboards Latin Pop Airplay. In the same year, he embarked on his first co-headlining tour, the Enrique Iglesias and Ricky Martin Live in Concert alongside Spanish singer Enrique Iglesias. Artistry Influences As a child, Martin used to sing songs by Menudo and American rock bands such as Led Zeppelin, Journey, and REO Speedwagon, which were what his "older siblings were listening to at the time". While Martin and his brothers spent their time listening to classic rock, their mother would interrupt them to make them listen to Latin music. She brought him CDs of Fania All-Stars, Celia Cruz, El Gran Combo de Puerto Rico, and Gilberto Santa Rosa that slowly made him appreciate the richness of Puerto Rican culture. Also, she once took them to a Fania All-Stars concert, which Martin is "beyond grateful" for it. He expresses that thanks to her mother, those influences had a "profound effect" on his musical career. Martin has also cited Elvis Presley, the Beatles, Michael Jackson, and Madonna for teaching him "the beauty of pop". He stated about Madonna: "I was very influenced by her and her music. I know every choreography of Madonna." Additionally, he mentions Carlos Santana, José Feliciano, Celia Cruz, and Gloria Estefan as the artists who paved the way for him, naming Feliciano as one of the people who inspired him when he was a teenager: "I was always fascinated with his music." In addition to the musical influences, Martin is inspired by David Bowie's "ambiguous sexuality". While growing up, he used to ask himself if he wanted to be like the openly gay singer Elton John or he just liked him, admiring his music, colors, and wigs. Musical styles and themes Considered to be a versatile artist, Martin describes his music as Latin pop, saying: "When you say 'Latin pop', the spectrum is so broad, It's inevitable to not be influenced by everything that’s happening in the industry, but always keeping your identity firm by knowing who you are." He has also described his music as fusion, while noting that he does not "ride the waves that are in fashion at the moment". Music critics have described his songs as Latin pop, pop, dance, ballad, reggaeton, Latin, African, rock, salsa, flamenco, urban, samba, cumbia, merengue, rumba, Latin funk, bomba, batucada, vallenato, dancehall, mambo, Europop, house, disco, EDM, dance-pop, electro, techno, dubstep, world music, Middle Eastern, folk-pop, bossa nova, pop rock, soft pop, soft rock, R&B, gospel, jazz, trap, hip hop, doo-wop, ska, and rock' n' roll. Martin sings in Spanish, English, Portuguese, Italian, and French. About his lyrics, Martin has emphasized that although his music will always make the listener dance, it does not mean his lyrics "have to be meaningless" and he sings about love and heartbreak, as well as "things that are good for a society", such as "freedom, freedom of expression, and social justice". He has also declared that as a Latino, he is not afraid of sexuality and sings about sexuality and sensuality, bringing his culture with him onstage. Voice Martin possesses a dramatic tenor vocal range. Peter Gilstrap from Variety commented that his "powerful voice" is "capable of belt or lilt", while The Jerusalem Posts Noa Amouyal described his voice as "soulful" and "very powerful". In 1995, Enrique Lopetegui of the Los Angeles Times noted Martin's "improved vocal skills" on A Medio Vivir. Also from the Los Angeles Times, Ernesto Lechner later praised his vocal for being "charismatic enough to handle both ballads and up-tempo tunes". Similarly, Billboards Chuck Taylor expressed "She's All I Ever Had" boasts "a versatility that contrasts nicely" with Martin's previous single, "Livin' la Vida Loca", labeling his vocal on the former "tender and heartfelt". Steve Gerrard of the Montreal Rocks complimented "his vocal maturity" on A Quien Quiera Escuchar. Music videos and performances Billboard labeled Martin "a video icon", and ranked him as the 79th Greatest Music Video Artist of All Time in 2020, stating: "From the moment he sashayed up to the mic in 'Livin La Vida Loca' all dressed in black, and gave us that look, the Menudo alum became the most memorable and watchable drop-dead handsome guy in pop music." He has collaborated with various directors to produce his music videos, including Carlos Perez, Wayne Isham, Jessy Terrero, Simón Brand, Gustavo Garzón, Nigel Dick, Kacho Lopez, and Memo del Bosque. "Livin' la Vida Loca" was nominated for Video of the Year at the 1999 MTV Video Music Awards, making Martin the first Latin artist in history to receive a nomination in this category. It won two primary awards for Best Pop Video and Best Dance Video, and was voted three additional awards in the International Viewer's Choice categories, making it rank among the videos with most wins in the history of the MTV Video Music Awards. The explicit sexual scenes of the music video for "She Bangs" were met with criticism from the audience; several American television stations cut the scenes when airing the video. According to the Daily Records John Dingwall, with the visual, Martin ditched his teen idol image by transforming to a more mature one. It was consequently banned in several Latin American countries, such as the Dominican Republic. Martin told MTV News that the video represented freedom rather than his sexuality. The video was awarded Best Music Video at the 2nd Annual Latin Grammy Awards, Best Clip of the Year — Latin at the 2001 Billboard Music Video Awards, and Video of the Year at the 13th Lo Nuestro Awards. Martin has been noticed for "dance moves of his own" and his "bon-bon shaking dance moves". Carol Sandoval from VIX named him the "best dancer on any stage worldwide", highlighting his hips movement and "successful turns". He was ranked as the ninth best male dancer by the Evening Standard and the tenth Male Singer Who Can Dance by WatchMojo, being the only Latin entertainer on both lists. Writing for The Hollywood Reporter, Scott Feinberg introduced Martin as "an incredible dancer". Billboards Jessica Roiz labeled him "a true showman", noting his "many outfit changes", "various dance performances", and "different stage set for each song". Jon Pareles of The New York Times described him as "an all-around showman" and Varietys Peter Gilstrap called him "every inch the showman", both recognizing his vocal abilities, while the former also commented he is "a dancer as muscular and hard-working as anyone in his troupe", mentioning his "likable, good-hearted character" and "steadfast Puerto Rican pride". Music critics have mostly praised his concerts for the choreographies, video screens, visual effects, stage, Latin influences, and Martin's vocals, costume changes, energy, sensuality, dance moves, and gestures, while the quality of sounds and sound mixes have received mixed reviews. Billboards Marjua Estevez described Martin's performance of "La Copa de la Vida" at the 41st Annual Grammy Awards as "the most memorable Latin performance at a Grammy Awards show", and the publication ranked it as the 54th Greatest Award Show Performance of All Time on their 2017 list. The performance was additionally placed on a 2017 unranked list of "Top 20 Best Grammy Performances of All Time" by Gold Derby, and on a 2019 list of "The Most Unforgettable Grammys Performances of All Time" by InStyle. Public image Martin became a teen idol with his debut as a member of Menudo, and a pop icon following global fame as a solo artist. Journalists have written about his humble personality and "beautiful soul". Writing for The Hollywood Reporter, Scott Feinberg introduced Martin as "one of the most acclaimed and admired creative artists ever". La República staff described him as "one of the most admired and desired singers", while authors of ¡Hola! described him as "one of the most respected Latin stars in the world", "one of the most prodigious voices in music in Spanish", and "one of the most beloved talents in the entertainment industry worldwide". Also from ¡Hola!, Cristina Noé named him "one of the most loved artists in the world", while a writer of Clarín named him "one of the most applauded Latin singers on the planet". Metro Puerto Rico stated that he "raised the name of Puerto Rico internationally". He was ranked as one of the top-10 "emerging personalities" of 2010 by Google Zeitgeist. In 2014, Gay Star News referred to Martin as "the most famous Latin pop star in the world", while Variety described him as "Puerto Rico's arguably most famous son" in 2021. He is ranked as the second-most famous Latin music artist in the United States, according to YouGov surveys in 2021. During the 2000s, Martin was known for "guarding his private life" and being "uncomfortable discussing intimate aspects of his personal life"; he used to insist on asking public to focus on his music and "steered interviewers away from his personal life". However, he chose to live both his "professional and personal life", making his private life public since the early 2010s. In 2021, he went on the cover of People with the title "No More Secrets" and told the magazine that he is "a man with no secrets", stating that he is "more comfortable in his own skin than ever before". Martin is one of the most followed celebrities on social media, with accounts on Instagram, Twitter, Facebook, YouTube, and TikTok. He stated about social media that he wishes he had "something as powerful as" them since his debut: "Obviously I like to have direct contact with the public, with the media. It's extremely important, but today, from my home, I can talk to millions of people and see their immediate reaction." He is noticed for his friendly interactions with his fans, who are called "Sexy Souls". Wax statues of Martin are on display at the Madame Tussauds wax museums in San Francisco, Sydney, and Orlando. The last one was moved from Las Vegas to Orlando for the opening of the museum in spring 2015. Fashion Martin is considered to be a sex symbol, and journalists describe him as "the Latin heartthrob". His fashion and style evolution, from "as '80s as you'd expect" during his time with Menudo to "a style groove, often opting for sharp, tailored suits with clean lines" since 2009, has been noticed by the media. Natalia Trejo from ¡Hola! described him as "one of the most stylish Latin men in the entertainment industry", highlighting his "baggy leather pants", "tailored suits", and "color-block blazers" that have marked "some of the noteworthy trends of each decade". The reviewer also commented that Martin is "an example of mixing business with casual" and has "always had a personal sense of style". JD Institute of Fashion Technology views Martin as a fashion icon, praising him for "pushing the fashion boundaries with every new look". In 1997, he went on the cover of People en Españols first edition of 25 Most Beautiful; he has since "been a constant presence" on their 25 or 50 Most Beautiful lists. Two years later, he was featured on the cover of both Rolling Stone and Time magazines. Martin is considered to be one of the sexiest men in the world, according to various publications. In 2012, he was voted the sexiest man alive on Broadway.com. The following year, VH1 ranked him as the 28th Sexiest Artist of All Time, stating: "Ricky looks like the model in the magazine ads you stare at in awe thinking, 'There's no way he's that perfect in person'." In 2014, Entertainment Tonight listed him among the Sexiest Men Alive, while Revista Estilo placed him on the list of "the 10 Sexiest Singers" in 2016. He was ranked at number 16 on the list of "the 50 Hottest Men of All Time" by Harper's Bazaar in 2018, being the only Latin man on their list. In 2019, TN described Martin as "the sexiest man in the world". He has been noted for looking younger than his age, with Billboards Chris Payne labeling him "ageless". The singer has attended several fashion shows, including the Giorgio Armani show at Milan Fashion Week in 2011, the Marc Jacobs show in 2013, the Berluti menswear spring-summer 2020 show at Paris Fashion Week, the Dior men's pre-fall 2020 show, and the Virgil Abloh Spring-Summer 2022 show held by Louis Vuitton. Personal life Sexual orientation and early relationships According to an interview with Rolling Stone in 1999, Martin experienced his first kiss at age 13 and lost his virginity at age 14 in Argentina. In 1990, shortly after he had arrived in Mexico to star in Mama Ama el Rock, he met a woman, who was the host of a television show. They began dating quickly and broke up a few months later. In 1992, he fell in love with Mexican singer Alejandra Guzmán, who was separated from her husband at the time. They began dating together until Guzmán returned to her husband and pretended Martin was her assistant on a phone call, while she was sleeping with her husband. In an interview with Univision, Martin admitted that she broke his heart. In the same year, Martin was rumored to have a relationship with Argentine tennis player Gabriela Sabatini. Sabatini's sister-in-law, Catherine Fulop confirmed the rumor in 2020. During the time he was playing in General Hospital, he met a "very handsome" man at a radio station, "stopped fearing [his] sexuality", and started dating him. Martin's mother supported him when she discovered that he was in love with a man, saying: "I love you, my son, I'm so happy for you. Bring it on. I'm right behind you." However, after the relationship ended, Martin "locked [his] feelings even deeper inside" and began dating women again. He recalls: "I already felt it was hard to be a Latino in Hollywood; what could have been more difficult than being Latino and gay?" Martin began dating Mexican television host Rebecca de Alba in 1994; they were in an on-and-off relationship until 2005. In May 2021, Alba revealed that she became pregnant several times in her life, but lost all of the embryos, expressing that one of them belonged to Martin. Martin also had relationships with Lilly Melgar, Adriana Biega, Maital Saban, and Inés Misan during his break-up times with Alba in the late 1990s and early 2000s. He declared that "there was chemistry with them" and he "wasn't fooling anyone". In August 2008, Martin became a father to twin boys named Matteo and Valentino, born via gestational surrogacy. He explained that he chose surrogacy to become a parent for being "intriguing and faster" than adoption, which was complicated and could take a long time. In March 2010, Martin publicly came out as gay via a message on his website, stating: "I am proud to say that I am a fortunate homosexual man. I am very blessed to be who I am." Years later, he revealed that although his music was "heard all over the world" and he "could high five God" in 1999, he "wasn't living to the fullest" and was sad and depressed. He kept asking himself, "Am I gay? Am I bisexual? Am I confused? What am I?", explaining: "Sexuality is one complicated thing. It's not black and white. It's filled with colors. When I was dating women, I was in love with women. It felt right, it felt beautiful." In an interview with Vanity Fair, he declared: "There was love, passion. I do not regret anything, any of the relationships I lived, they taught me a lot, both men and women." Martin also told Fama!: "I know that I like both men and women, I'm against sexual labels, we are simply human beings with emotional and sexual needs. I like to enjoy sex in total freedom, so I'm open to having sex with a woman if I feel desire." Despite this, he expressed that he wouldn't be interested in "an ongoing relationship with a woman", stating: "Men are my thing". In 2000, American broadcast journalist Barbara Walters asked Martin about his sexuality on national television: "You could stop these rumors. You could say, 'Yes I am gay or no I'm not.'" In 2021, Martin, who answered with "I just don't feel like it" at the time, revealed that her question made him "felt violated", since he "was just not ready to come out" and was "very afraid"; he said that it resulted "a little PTSD" that "still haunts him". Martin dated Puerto Rican economist Carlos González Abella from 2010 to 2014, as his first relationship with a man after his coming out as gay. Marriage Syrian-Swedish painter Jwan Yosef shared a photo of himself and Martin on Instagram on March 30, 2016, with the caption: "Obviously we're starting a band." Soon it was rumored that Yosef is Martin's new boyfriend. Martin confirmed their relationship on April 18, 2016, and they made their red carpet debut as a couple at the amfAR Inspiration Gala. Martin later revealed that he met Yosef on Instagram and they "were talking for like six months without [him] hearing his voice". Subsequently, Martin went to London, where Yosef were living, and they met each other. On November 15, 2016, during an interview on The Ellen Show, he announced that he has proposed to Yosef and they are engaged. In January 2018, Martin confirmed that he has secretly married Yosef: "I'm a husband, but we're doing a heavy party in a couple of months, I'll let you know." On December 31, 2018, they announced that they have welcomed their first daughter together, named Lucia Martin-Yosef. Martin later explained that Lucia was born on December 24, coinciding with his 47th birthday. In September 2019, while accepting an award at the 23rd annual Human Rights Campaign (HRC) National Dinner, he announced that they are expecting their fourth child. On October 29, 2019, he shared a photo of himself, Yosef, and their new-born son, named Renn Martin-Yosef, with the caption: "Our son Renn Martin-Yosef has been born." Beliefs and religion During an interview with People in 2002, Martin expressed that he believes in "love", "the power of healing", and "God", thanks to his parents. The name he chose for his son Matteo means "gift from God". According to his statements in a 2021 interview, he still believes in God. He was raised Catholic but he said is not "the person who would ever look down upon one religion". He expressed that he also admires and likes Buddhist philosophy, but does not subscribe to the religion, since if he does, he cannot "be of anything else"; he does not want to be limited in certain aspects and follow a religion's specific rules. He tries to remain "open to everything" and makes "a concerted effort to always find new teachings and new paths" everywhere he goes and in every situation he finds himself in. Martin believes that everyone can "decide what makes them happy" and although "everyone needs to accept the life they were given", it does not mean they "should not live it as fully as possible". Health and sports Martin began practicing yoga after a trip to Thailand in 1997. He also began practicing meditation following a trip to India. In 2021, he explained that he gets up every morning at 5:30, before his family and puts himself in a lotus position and oxygenates his body. He also expressed that has a gym in his house, saying: "If I have space to see myself in the mirror and put on my products, then I also have to have space for my body." During an appearance on The Dr. Oz Show in 2017, Martin revealed that he "was diagnosed with high cholesterol" at age 18. Although he did not pay attention to the high cholesterol at the time, it made him decide to become a vegetarian since 2013 to reduce cholesterol, despite loving meat as "a Latin man". In 2020, he opened up that he suffered from anxiety for the first time in his life, following the COVID-19 lockdowns, stating that making music became his "medicine". Real estate In March 2001, Martin purchased a 7,082-square-feet house in Miami Beach for $6.4 million; he sold the unit for $10.6 million in 2005. In September 2004, he paid $11.9 million for a 11,000-square-feet Mediterranean-style villa in Los Angeles, which he sold in 2006 for $15 million. In May 2005, he purchased a 9,491-square-feet house in Miami Beach for $10 million; he sold the villa for $10.6 million in 2012. In 2007, he paid $16.2 million for a mansion in Golden Beach. He sold the property in 2012 for $12.8 million, incurring a loss. In the same year, he bought a 3,147-square-feet condominium in New York City for $5.9 million; he sold the condo for $7.1 million in 2017. In 2014, he rented a 900-square-metre mansion in Sydney, which became famous as "the Bronte Wave House" and was sold for $16 million in May 2015, marking one of the most expensive properties sold in the city that year. In December 2016, he purchased a 11,300-square-feet mansion in Beverly Hills. The estate, which is Martin's current house, has seven bedrooms and eight bathrooms with outdoor seating areas scattered throughout a 33,000-square-feet. It is a "private getaway in the middle of the city", located up the street from the Beverly Hills Hotel. Martin also owns a property in Puerto Rico and a private 19.7-acre island in Brazil. He purchased the latter for $8 million in 2008. Legacy and influence Martin has been regarded as the "King of Latin Pop" by various publications, such as the Grammy Awards, Billboard, Rolling Stone, Time, People, Vogue, The Independent, Entertainment Weekly, Entertainment Tonight Canada, NBC News, and ABC News. Additionally, he has been referred to as the "King of Latin Music", the "Latin Pop God", the "Latin King of Pop", the "Latin American King of Pop", the "Latin King", the "Crossover Latin King", the "Puerto Rican Pop King", the "Salsa-Pop King", and the "King of World Cup". Martin is known as one of the most influential artists in the world. Billboard ranked him as one of the 30 Most Influential Latin Artists of All Time, while NBC News introduced him as an "influential Latin celebrity". In 2014, he won the award for the most influential international artist at the 18th China Music Awards. He was ranked among "25 musicians who broke barriers" by Stacker in 2019, while in 2020, Spin ranked him at number 27 on the list of "most influential artists of the past 35 years", as the only Latin artist on their list. In 2022, Show News named him "the most influential global artist in history". Martin's song "María (Pablo Flores Remix)", which was ranked among the "Greatest Latin Pop Song of All Time" by Rolling Stone, and "11 remixes of classic Latin hits" by Billboard, "launched the Latin and dance music crossover of the '90s", according to the latter. Olivier Pérou from Le Point commented that "some have even learned, thanks to him, to count to three in Spanish" following the popularity of the song. "La Copa de la Vida", which has been hailed as the Best World Cup Anthem of All-Time by multiple sources, became a "musical template" for World Cup anthems, and Martin's Latin and dance crossover style has been much copied in the anthems, as well as soccer chant "Ole! Ole! Ole!" in the lyrics, according to The Hollywood Reporter. As believed by Esquire, the song "inaugurated this musical subgenre" of Latin. Joy Bhattacharjya from The Economic Times wrote about "La Copa de la Vida" that it was the first World Cup anthem to have a video just "as ubiquitous as the song", going on to write: "Since then, official songs have an important part to play in every World Cup." In his review for Pitchfork, Corban Goble wrote that if World Cup anthems someday would be "given their own textbook", "La Copa de la Vida" would be "the standard-bearer for the whole genre". Martin is known as the pioneer in getting Latin pop music genre to mainstream recognition. Following his performance of "The Cup of Life" at the Grammys, and the success of "Livin' la Vida Loca" and Ricky Martin (1999), he opened the gates for many Latin artists such as Jennifer Lopez, Shakira, Christina Aguilera, Marc Anthony, Santana, and Enrique Iglesias who released their crossover albums and followed him onto the top of the charts. His performance of "The Cup of Life" at the Grammys not only changed the course of his career, but also altered how people regard Latin music in America. It has been known as a game-changer for Latin music worldwide, that effectively ushered in the "Latin explosion". Then-United Talent Agency head Rob Prinz described the rendition as "the single biggest game changing moment for any artist in the history of the Grammys". According to Billboard, it has been cited as the beginning of the "Latin Pop invasion", which powerfully affected the US mainstream. Jesús Triviño Alarcón from Tidal Magazine stated, "that single performance opened up the mainstream market for the Latinx legends", mentioning the names of Anthony, Shakira, and Lopez. InStyle staff wrote about it: "With his leather pants, big smile and energetic performance of 'The Cup of Life', Ricky Martin almost personally kicked off the so-called Latin Explosion of the late '90s." Mariana Best of San Antonio Express-News commented that the performance "is recognized for bringing Latin pop to the forefront of the U.S. music scene". In 2018, Diego Urdaneta from Vice credited the song as "one of those that laid the first stones so that J Balvin and Bad Bunnys of today can be at the top of the pyramid", labeling it "a milestone for Latin music". According to Entertainment Tonight, "Livin' la Vida Loca" paved the way for a large number of other Latin artists, and is "credited as the song that helped other Latin artists break through to English-speaking markets". As believed by Spin, the song "lit the fuse for the Latin pop explosion of the '90s". Lucas Villa from Spin wrote about it: "When the world went loca for Ricky, he led the way for other Latin music superstars like Spain's Enrique Iglesias, Colombia's Shakira and Nuyoricans like Jennifer Lopez and Marc Anthony to make their marks beyond the Spanish-speaking crowds." He also described Martin as "a trailblazer in globalizing Latinx culture" in his Grammy.com article. Also from Grammy.com, Ernesto Lechner described "Livin' la Vida Loca" as "the manifesto for all the fun-loving, tropically tinged Latin hit singles that followed", stating that Martin led "the Latin music explosion that took over the U.S. at the tail end of the '90s". According to The Independent, the single is "widely regarded as the song that began the first Latin pop explosion". Peoples Jason Sheeler credited it as the song that "led the way for the late-'90s so-called 'Latin explosion' that dominated pop music into the new century: Shakira, Enrique Iglesias, Marc Anthony, and Jennifer Lopez". Angie Romero from Billboard wrote: "If you look up 'crossover' in the dictionary, there should be a photo of Ricky shaking his bon bon and/or 'Livin' la Vida Loca'." Leila Cobo named "Livin' la Vida Loca" one of the genre's biggest singles of the past 50 years in his 2021 book Decoding "Despacito": An Oral History of Latin Music. She also wrote about his impact in Shakira's "Whenever, Wherever" chapter: "Ricky Martin’s phenomenal success opened the door for a string of Latin artists who waved the flags of their heritage, but who sang in English." Additionally, she compared Martin's song with Luis Fonsi's "Despacito" (2017) in one of her Billboard articles: "'Livin', like 'Despacito', became not just a global hit but a cultural phenomena that transcended all barriers of language and nationality." In another article, she described it as the song that "ignited the late-'90s Latin explosion". Also from Billboard, Gary Trust wrote: "The song helmed a Latin pop boom in the U.S., with Jenner Lopez, Marc Anthony and others crossing over, as well." Writing for LiveAbout.com, Bill Lamb credited the song as "the record which kicked off a wave of major Latin performers hitting the pop mainstream". Jim Farber from Daily News noted that Ricky Martin "provides a textbook example of how to mix Latin beats with pop tunes and rock intonations". St. Louis Post-Dispatch critic Kevin C. Johnson described Martin as Latin music's "pretty-faced poster boy" who is "taking the music to places Jon Secada, Selena and Santana never could". He also mentioned that even "Gloria Estefan at her peak, failed to muster up the kind of hype and hoopla surrounding Martin". Celia San Miguel of Tidal Magazine stated that Martin "highlighted the public's thirst for a different kind of pop" in 1999, noting the album's "fusion-heavy" and "hip-shaking rhythms associated with Latin music". She mentioned that the album "spawned 1999's Latin music boom", emphasizing the fact that Martin created the "spark" of the "Latin Pop Explosion", which was followed by 1999 albums, On the 6 by Lopez, Enrique by Iglesias, and Anthony's eponymous album. She continued crediting "Martin and the paths he created" responsible for the Latin music and Spanish and Spanglish lyrics being "a commonplace phenomenon on English-language radio" in 2019. In her review for Grammy.com, Ana Monroy Yglesias said Martin led a "major music moment in 1999" with Ricky Martin, and along with him, "the first major boom of Spanish-language artists", such as Shakira and Lopez, came into the "U.S. pop landscape". The late '90s Latin explosion also resulted in the launch of the Latin Recording Academy. Gabriel Abaroa Jr., the president and chief executive officer of the Latin Recording Academy, expressed that the plan of its launch was "immediately after the Ricky Martin success". Cuban American musician and producer Emilio Estefan added: "After the success with Ricky Martin, everybody opened their eyes and realized how important it was to bring diversity and multiethnic elements into [mainstream American] music." Many artists have cited Martin as an influence or declared themselves as his fan, including Abraham Mateo, Bad Bunny, Camila Cabello, Camilo, Carla Morrison, Christian Chávez, CNCO, Danna Paola, Enrique Iglesias, J Balvin, J-Hope, Jimin, Karol G, India Martínez, Luis Fonsi, Maite Perroni, Maluma, Neha Mahajan, Pedro Capó, Prince Royce, Rauw Alejandro, Rosalía, Sebastián Ligarde, Sebastián Yatra, Shakira, Tini, Vadhir Derbez, William Hung, Wisin, and Ximena Sariñana. Both Maluma and J Balvin have described Martin as a "teacher" and credited him as an artist who "opened the doors" for them, while Maluma has also expressed: "Ricky Martin is one of the artists I wanted to be growing up. He's my idol in the industry".Citations regarding J Balvin's statements about Martin: Puerto Rican singer Bad Bunny talked about Martin's legacy during an episode of Behind the Music: "There's no doubt that he opened the door for an entire generation of Latin artists. I am doing great things today in the music industry thanks to those doors that he opened." He also mentioned that he is inspired by Martin's coming out as gay: "You don't have to be gay to be inspired by that action of honesty and freedom, of being yourself against the world despite everything you deserve. I look at it like a very inspiring moment for anybody. At least for me, it's very inspirational." Brazilian singer-songwriter Anitta explained to The Guardian that "some Latin stars such as Maluma and Bad Bunny sing in their native language" and do not need to sing in English to get noticed, because they already had representatives like Shakira, Martin, and Jennifer Lopez, but since her country "hasn't had a major international pop star before", she uses "whatever language will get the market's attention". Portrayal in television In July 2019, SOMOS Productions, Endemol Shine Boomdog, and Piñolywood Studios announced the production of a biographical web television series about Menudo, titled Subete a Mi Moto. Consisting of 15 episodes of 60 minutes each, the series premiered on Amazon Prime Video on October 9, 2020 in Mexico, Latin America, and Spain. It was filmed in Mexico and Puerto Rico, and Martin was portrayed by actors Felipe Albors and Ethan Schwartz. The series premiered in the United States on February 14, 2021 on Estrella TV. On the review aggregation website Tomatazos, the first season has a positive score of 75%. The website's critical consensus summary states, "A good trip to the past that recalls a band that defined the youth of a certain public, but that doesn't ignore the darkest moments in the lives of its members." Other ventures Books On August 19, 2010, Martin announced that he had been working on his memoir, mentioning its title as Me and publish date as November 2, 2010. He expressed that writing the book was "one of the reasons" he decided to come out earlier that year. The book also had a Spanish edition title Yo (), which was published simultaneously by Celebra. He stated that writing his memoir allowed him "to explore the different paths and experiences" that have led him to be who he is, noting that it "was not easy but allowed for an incredible spiritual journey". Me spent several weeks at number one on the New York Times Best Seller list. In 2019, ¡Hola! staff ranked the book among "12 Books by Celebrities to Inspire and Motivate You", while Book Riot placed it on an unranked list of the "Best Celebrity Books You Should Read This Year" in 2020. Martin's first children's book Santiago the Dreamer in Land Among the Stars was published by Celebra and illustrated by Patricia Castelao in November 2013 for ages between five to nine. Its Spanish-language edition, Santiago El Soñador en Entre Las Estrellas, was published simultaneously. Martin expressed that the book was inspired by his "personal life, with fantasy added to it", as well as "a lot of cartoons". Products and endorsements Martin endorsed the 2012 Viva Glam campaign with Trinidadian rapper Nicki Minaj, which raised $270 million for the Mac AIDS Fund. In October 2020, Martin announced that he would launch his company, Martin Music Lab in partnership with music engineers Jaycen Joshua and Michael Seaberg. The company is centered around a new audio technique called "Orbital Audio", that "creates a new type of immersive, headphone listening experience". Martin used the technique on his EP Pausa, while several artists including Bad Bunny, Residente, Myke Towers, and A$AP Rocky are going to work with the company. The latter plans to release his whole upcoming studio album, using "Orbital Audio". Martin is going to expand the technique "beyond the music industry and tap into the movies, sports and, most notably, the wellness and meditation space". In 2021, Martin partnered with skin care company Kumiko. The skincare line, created by Chilean cosmetologist Catalina Aguirre, is the first to combine "mesotherapy, matcha, and cutting-edge European technology into unique multi-action formulas that penetrate the dermis with powerful anti-aging properties and lifting benefits". Activism Philanthropy While on a trip to India in 2002, Martin witnessed three minor girls who were about to be sold into prostitution and rescued them. The following year, he became a UNICEF Goodwill Ambassador and then met with activists and decided to fight against human trafficking, which is the second-most lucrative crime in the world. In 2004, Martin launched the Ricky Martin Foundation, a non-profit, non-governmental organization that focuses on denouncing human trafficking and educating about the crime's "existence through research and community initiatives, anchored in the defense of children and youth rights". In the same year, he appealed to the United Nations for international help to fight against sex tourism. In January 2005, following the 2004 Indian Ocean earthquake and tsunami, Martin visited Thailand to assess the needs of the minor survivors who were "extremely vulnerable to traffickers". Later that year, the Ricky Martin Foundation signed an alliance in partnership with Habitat for Humanity to construct 224 homes for the tsunami-affected families. The project was completed in December 2006. In March 2006, the foundation collaborated with the International Organization for Migration in the Llama y Vive () campaign, which focuses on facilitating "the prevention of human trafficking and the protection of young people, victims of child trafficking and prosecution of traffickers". In January 2010, along with many celebrities, Martin operated the charity telethon Hope for Haiti Now to raise donations for the 2010 Haiti earthquake. Later that year, the Ricky Martin Foundation created the first program of community social action against child trafficking in Martin's native Puerto Rico, titled "Se Trata" (). In 2012, the foundation participated in the making of the Child Protection Model Law on the International Centre for Missing & Exploited Children. In 2016, Martin visited Syrian refugees in Lebanon and played with the children and talked to them in an informal refugee camp. Following the Hurricane Maria in Puerto Rico in 2017, the Ricky Martin Foundation helped people and handed over homes that were rebuilt after the losses; Martin launched a viral campaign of selling a black T-shirt with the Puerto Rican flag stamped on it in order to raise the funds. The T-shirts were designed by Martin's twin boys Matteo and Valentino, while many celebrities including Will Smith, Bad Bunny, Marc Anthony, Luis Fonsi, and Maluma supported the campaign. During the COVID-19 pandemic, Martin created a campaign to help health care workers through the non-profit organization Project Hope. He expressed: "As you know, health care professionals are extremely vulnerable and professionals around the world don’t have personal protection equipment they need to prevent them getting infected." In February 2021, Martin collaborated with Antonia Novello to launch mass vaccination events in Puerto Rico. Following the murder of George Floyd and Black Lives Matter protests in 2020, Martin honored an effort called "Black Out Tuesday" and launched the hashtag #knowthestruggle, giving his social media to the voices of the community that are "looking for justice", to learn more about what is happening. For his humanitarian efforts and fighting against human trafficking, Martin has been honored with numerous accolades, including the Peace Summit Award by the World Summit of Nobel Peace Laureates, the TIP Report Hero Award by the United States Department of State, the Spirit of Hope Award by Billboard Latin Music Awards, the Latin Recording Academy Person of the Year Award, the Award of Inspiration by amfAR Gala, the Leader of Change Award by the Foundation for Social Change, the Humanitarian Award by the Global Gift Foundation, the Humanitarian Award by the Hispanic Federation, the Corazón Latino Award by the iHeartRadio Fiesta Latina, the International Humanitarian Award by the International Center for Missing and Exploited Children, the Agent of Change Award by the International Peace Honors, the PODER Social Leadership Awards, and the Agent of Change Award by the Premios Juventud. Politics On January 20, 2001, during the first inauguration of George W. Bush, Martin performed "The Cup of Life" and danced with him. Martin's view of Bush changed over the Iraq War, as expressed in his declaration to BBC News that he will "always condemn war and those who promulgate it". He also stuck up his middle finger while singing the president's name in his 2003 song "Asignatura Pendiente" at a concert. At the 2010 Billboard Latin Music Awards, Martin expressed his disagreement with the Arizona SB 1070 bill, a proposed law that would have required police officers to request documents from individuals whom they suspected to be illegal immigrants. Martin campaigned for the 44th president of the United States Barack Obama in 2008 and 2012, and thanked him for an "outstanding presidency" in 2016, while calling him "an amazing leader". Also in 2016, he was an active ally to the Democratic Party presidential candidate Hillary Clinton campaign, while condemning Donald Trump's hateful comments about immigrants. He also performed his hits during the "Hillary Clinton: She's With Us" concert at the Greek Theatre on June 6, 2016. Telegramgate, also known as Chatgate, was a political scandal involving Ricardo Rosselló, then Governor of Puerto Rico, which began on July 8, 2019, with the leak of hundreds of pages of a group chat on the messaging application Telegram between Rosselló and members of his cabinet. The messages were considered vulgar, misogynistic, and homophobic toward several individuals and groups, including Martin. Therefore, Martin, Bad Bunny, Residente and several other artists, and more than half a million Puerto Ricans led the call to take to the streets of Puerto Rico, demanding Rosselló's resignation. In September 2020, Martin, Luis Fonsi, and actress Eva Longoria attended a campaign event in Kissimmee, Florida to support the Democratic presidential candidate Joe Biden for the 2020 United States presidential election. During an interview with Variety, Martin stated: "I've been supporting Biden forever, I think he is the only option we have and he is great and he has been in politics all his life. This is the moment. We all need to get together and be loud about the course of this nation." Following the election of Biden as 45th president of the United States, Martin said "Bye-bye" to Trump on social media, and shared a photo of himself along with Biden on Instagram. In May 2021, Martin demonstrated his support for the Ni una menos movement, condemning femicides and violence against women in Puerto Rico, while calling authorities to protect women. He further expressed that no woman should fear for her safety and urged authorities to take steps in order to prevent these acts. In the same month, he supported the 2021 Colombian protests. Later that year, the singer raised his voice in support of the 2021 Cuban protests against the Castro regime for the restrictions due to the COVID-19 pandemic and the economic crisis, stating: "This is very important. Our brothers and sisters in Cuba need us to inform the world what they are experiencing today. Let's fill the networks before they remove the internet in the country. Humanitarian aid for Cuba NOW." LGBT advocacy As a gay man, Martin actively supports LGBT rights worldwide since his coming out in 2010. Even before coming out, he was noted by the mainstream media for being popular among gay men and having a large gay fan base. He also went on the cover of the American LGBT-interest magazine The Advocate in July 1999. Despite this, he admitted that he felt homosexuality was evil since he was raised as a Catholic and targeted his anger toward others, especially gay men: "I was very angry, very rebellious. I used to look at gay men and think, 'I'm not like that, I don't want to be like that, that's not me.' I was ashamed." He added that he "had internalized homophobia" back then. He is currently considered to be a gay icon, with PinkNews labeling him "a strong advocate of LGBT rights" who "expressed support for equal marriage" since coming out. As the first mainstream Latin music artist to come out, Martin's coming out was a game-changer for "Latin Pride". Billboards Lucas Villa stated: "With Martin's announcement, gay artists, who had long kept their sexual identities a secret, finally had a beacon of hope. If Martin could come out with his career unscathed, there was hope for other artists in Latin music to start doing the same." He added that since then, "a growing number of Latin artists have either come out after years in the spotlight, or many have simply started their careers by embracing their gay identities". In 2010, GLAAD then-president Jarrett Barrios expressed that Martin's coming out as gay leads "hundreds of millions of people" to have "a cultural connection with an artist, a celebrity and, perhaps most importantly, a father who happens to be gay", adding that "his decision to model this kind of openness and honesty can lead to greater acceptance for countless gay people in U.S., in Latin America and worldwide". In 2019, Human Rights Campaign then-president Alphonso David expressed that Martin "has used his international stage to advocate for LGBTQ people around the world" with his "unique voice and passionate activism". The following year, Suzy Exposito from Rolling Stone argued that with risking his career and coming out, Martin "set the scene for Bad Bunny to be free in many ways that, during his own breakthrough moment, he could not". Martin expressed support for same-sex marriage during an interview on Larry King Live in 2010. He has then delivered speeches about LGBT rights at the United Nations Homophobia Conference, the GLAAD Media Awards, and the Human Rights Campaign. He also raised his voice to support gay marriage in Puerto Rico before its legalization in 2015. In March 2016, Martin met with Chilean LGBT rights group Fundación Iguales to learn about the challenges LGBT citizens face there. AT the meeting, he said that he wants "equal marriage rights for Chile" and he wants his sons to grow up in a world where "there are no second-class citizens". Following the Colombia's highest court voting against an anti same-sex marriage proposal in April 2016, Martin tweeted: "Love and equality win, Colombia says YES to same-sex marriage." During an interview with Vulture, Martin talked about his role in The Assassination of Gianni Versace and how he wanted his portrayal to help "normalize open relationships". In June 2019, he published an open letter slamming the religious liberty bill, saying: "As a defender of human rights and a member of the LGBTT community, I am vehemently opposed to the proposed measure imposed upon us under the guise of religious freedom, that projects us to the world as a backwards country." Puerto Rico's then-governor backed down and withdrew his support of the bill following Martin's statement. In June 2020, Martin performed his song "Recuerdo" with Carla Morrison for a virtual event, Can't Cancel Pride: Helping LGBTQ+ People in Need, to raise visibility and funds for LGBTQ+ communities. He appeared at the virtual event in the following year as well. In February 2021, Martin was named national spokesperson for the onePULSE Foundation, a non-profit organization that focuses on managing "the design and construction of the permanent national memorial and museum dedicated to the Pulse nightclub tragedy". Later that year, he expressed that he wants to "normalize families like" his, in an interview with People. Several of Martin's music videos feature diversity in sexual orientations and same-sex couples, including "The Best Thing About Me Is You", "Disparo al Corazón", "Fiebre", and "Tiburones". For his activism and advocacy for LGBTQ community, Martin has been honored with numerous accolades, including the GLAAD Vito Russo Award, the Gala Vanguard Award by the Los Angeles LGBT Center, the International Icon Award by the British LGBT Awards, the National Visibility Award by the Human Rights Campaign, the Trailblazer Award by the LGBT Center Dinner, the Celebrity Activist of the Year by LGBTQ Nation, and the Legacy Award by Attitude Awards. Achievements Throughout his career, Martin has won over 200 awards (most awarded male Latin artist), including two Grammy Awards, five Latin Grammy Awards, five MTV Video Music Awards (tied for most wins by a Latin artist), two American Music Awards, two Latin American Music Awards, three Billboard Music Awards, a Billboard Music Video Award, nine Billboard Latin Music Awards, eight World Music Awards, fourteen Lo Nuestro Awards (including the Excellence Award), and a Guinness World Record. As an actor, he was nominated for an Emmy Award. In 2007, Martin was honored with a star on the Hollywood Walk of Fame, located at 6901 Hollywood Blvd. Martin is ranked among the Greatest Latin Artists of All Time and the Greatest Hot Latin Songs Artists of All Time by Billboard, while his album Vuelve was placed at number five on Billboards Top 20 Latin Albums Of All Time in 2018. In 1998, his song, "Perdido Sin Ti" reached the top of the Latin Pop Airplay chart, displacing Martin's own "Vuelve", making him the first artist on the chart's history to replace himself. His song "Livin' la Vida Loca" became the first number-one song on Billboard Hot 100, which was made entirely in Pro Tools, and achieved the first number one hit for his label, Columbia. It also became the first song in history to top Billboards Adult Pop Airplay, Pop Airplay, and Rhythmic Airplay charts, holding its record as the only song to do so for 14 years. On May 15, 1999, it became the first single ever to rule four different Billboard charts and made Martin the first act to simultaneously scale a pop, Latin, and dance chart. Two weeks later, he became the first artist to simultaneously top the Billboard 200, Hot Latin Tracks, Hot Dance Music/Club Play, Hot Dance Music/Maxi-Singles Sales, Top 40 Tracks, and the Billboard Hot 100. His song "Tal Vez" (2003) marked the first number one debut on Billboard Hot Latin Songs in the 21st century. Martin is the first and only artist with Spanish-language entries on Billboard Hot 100 in three decades. In 2020, he became the first and only artist in history to enter the Billboard Hot Latin Songs chart across five decades, including his work as part of Menudo. The following year, he became the first male Latin artist in history to have 4 songs from different decades to have over 100 million streams on Spotify. He owns the record as the artist with most top 20s on the US Latin Pop Airplay chart, with 51 songs, and is the runner-up of most top 10s. He is the fourth artist with the most number one songs in the history of the Hot Latin Songs chart. Additionally, he holds the record as the most Spanish-language entries on ARIA top 50 singles chart, with three. On October 11, 2007, then-mayor of Miami Beach, Florida David Dermer awarded him the key to the city of Miami Beach. Puerto Rico named August 31 the "International Ricky Martin Day" in 2008. The Government of Spain granted Spanish nationality to Martin in 2011, for being "recognized in different artistic facets". In 2018, in recognition of "his dedication to the island and people of Puerto Rico, his philanthropic work to eliminate human trafficking across the Caribbean, and his commitment to the arts", the singer received a proclamation naming June 7 the "Ricky Martin Day" in New York City. Throughout his career, Martin has sold over 70 million records making him one of the best-selling Latin music artists of all time. In 2020, La Opinión estimated his net worth at US$120 million. Discography Ricky Martin (1991) Me Amaras (1993) A Medio Vivir (1995) Vuelve (1998) Ricky Martin (1999) Sound Loaded (2000) Almas del Silencio (2003) Life (2005) Música + Alma + Sexo (2011) A Quien Quiera Escuchar (2015) Filmography Mas Que Alcanzar una estrella (1992) Hercules – Latin American dub (1997) Idle Hands (1999) Ricky Martin: One Night Only (1999) Minions – Latin American dub (2015) The Latin Explosion: A New America (2015) Ricky Martin: Behind the Vegas Residency (2017) Jingle Jangle: A Christmas Journey (2020) El cuartito (2021) Theatre Les Misérables (1996), Broadway – Marius Pontmercy Evita (2012), Broadway – Ché Tours and residenciesHeadlining tours Ricky Martin Tour (1992) Me Amaras Tour (1993–1994) A Medio Vivir Tour (1995–1997) Vuelve World Tour (1998) Livin' la Vida Loca Tour (1999–2000) One Night Only with Ricky Martin (2005–2006) Black and White Tour (2007) Música + Alma + Sexo World Tour (2011) Ricky Martin Live (2013–2014) Live in Mexico (2014) One World Tour (2015–2018) Ricky Martin en Concierto (2018-2019) Movimiento Tour (2020-2022)Co-headlining tour Enrique Iglesias and Ricky Martin Live in Concert (with Enrique Iglesias) (2021)Residency' All In (2017–2018) See also Honorific nicknames in popular music List of artists who reached number one in the United States List of artists who reached number one on the UK Singles Chart List of Latin pop artists List of multilingual bands and artists List of Puerto Rican Grammy Award winners and nominees List of Puerto Ricans List of Urbano artists Notes References Book sources External links 1971 births Living people 20th-century LGBT people 20th-century Puerto Rican male actors 20th-century Puerto Rican male singers 20th-century Puerto Rican singers 21st-century LGBT people 21st-century Puerto Rican male actors 21st-century Puerto Rican male singers 21st-century Puerto Rican singers American gay actors American gay musicians American humanitarians American male pop singers American male singer-songwriters Columbia Records artists Echo (music award) winners Grammy Award winners Hispanic and Latino American male actors Hispanic and Latino American musicians Latin Grammy Award winners Latin music songwriters Latin pop singers Latin Recording Academy Person of the Year honorees LGBT entertainers from Puerto Rico LGBT Hispanic and Latino American people LGBT Latin musicians LGBT rights activists from the United States LGBT singers from the United States Male actors from San Juan, Puerto Rico Menudo (band) members MTV Europe Music Award winners Naturalised citizens of Spain Puerto Rican activists Puerto Rican expatriates in Australia Puerto Rican expatriates in Mexico Puerto Rican expatriates in Spain Puerto Rican male film actors Puerto Rican male soap opera actors Puerto Rican male television actors Puerto Rican people of Basque descent Puerto Rican people of Canarian descent Puerto Rican people of Corsican descent Puerto Rican people of Spanish descent Puerto Rican philanthropists Puerto Rican pop singers Puerto Rican record producers Puerto Rican singer-songwriters Singers from San Juan, Puerto Rico Sony Music Latin artists Sony Music Spain artists Spanish-language singers of the United States UNICEF Goodwill Ambassadors World Music Awards winners

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Did he try again

Did Ricky Martin try again for Menudo?

Ricky Martin

After achieving modest fame in Puerto Rico for his work in television commercials, Martin auditioned for membership in the Puerto Rican boy band Menudo. Although the executives enjoyed his dancing and singing at his first two auditions, Martin was rejected because he was too short. By the third audition, his persistence impressed executives, and in 1984, 12-year-old Martin became a member. A month after joining Menudo, he made his debut performance with the group at the Luis A. Ferre Performing Arts Center in San Juan. During this performance, he inadvertently disobeyed the choreography by walking around the stage, when it was planned that he would stay still, and was chastised by the band manager after the show: "The mistake was such a big deal that from that moment on, never again did I move when I wasn't supposed to move...That was the discipline of Menudo: You either did things the way you were told or you were not part of the group." The song "Asignatura Pendiente" from Almas del Silencio (2003) was inspired by the first time Martin left Puerto Rico to tour with Menudo. Although Martin enjoyed traveling and performing onstage with Menudo, he found the band's busy schedule and strict management exhausting, and later reflected that the experience "cost" him his childhood. He considered leaving the group while on tour in Brazil, but ultimately decided to stay out of fear of media backlash and being sued for breach of contract. Martin also began struggling with his sexuality, noting the stark contrast between his status as a sex symbol and his own emotions. Despite this, Martin acknowledged his "opportunity to have so many amazing experiences with so many amazing people" during his time with the group. He developed an interest in philanthropy when the group became UNICEF ambassadors, often working with impoverished children in third world countries. His experiences as an ambassador affected him greatly and inspired him to continue working with charities later in life. By 1987, Menudo's record sales began to decline, and the group changed its image, adopting an edgier look and performing more rock-influenced songs. The band released the album Somos Los Hijos del Rock in Spanish, and to appeal to the Menudo's Filipino fanbase, the group released In Action, recording songs in both English and Tagalog. After recording 11 albums with the group, Martin left Menudo in July 1989, at age 17, hoping to rest and evaluate his career path. He performed his final show with the group at the same venue where he'd performed his first performance as a member. Martin returned to Puerto Rico to graduate from high school, and 13 days after turning 18, he moved to New York City to celebrate his financial independence; since he was a minor during his time as a member of Menudo, Martin was not allowed to access his own bank accounts. He was accepted into New York University's Tisch School of the Arts, but months before classes began, Martin dropped out and moved to Mexico City to perform in the play Mama Ama el Rock (Mom Loves Rock). CANNOTANSWER

By the third audition, his persistence impressed executives, and in 1984, 12-year-old Martin became a member.

Enrique Martín Morales (born December 24, 1971), known professionally as Ricky Martin, is a Puerto Rican singer, songwriter, and actor. He is known for his musical versatility, as his discography spans multiple genres, including Latin pop, pop, dance, reggaeton, and salsa. Dubbed the "King of Latin Pop", the "King of Latin Music", and the "Latin Pop God", he is regarded as one of the most influential artists in the world. Born in San Juan, Martin began appearing in television commercials at the age of 9 and began his musical career at age 12, as a member of Puerto Rican boy band Menudo. He started his solo career in 1991 while in Sony Music Mexico, gaining recognition in Latin America with the release of his first two studio albums, Ricky Martin (1991) and Me Amaras (1993), both of which were focused on ballads. Martin's third album, A Medio Vivir (1995), helped him rose to prominence in European countries. The chart-topping single "María", incorporated a mixture of Latin music genres and became his first international hit. His international success was further solidified with his fourth album, Vuelve (1998). The album, which earned Martin his first Grammy Award, spawned chart-topping hits "Vuelve" and "La Copa de la Vida". Martin performed the latter at the 41st Annual Grammy Awards, which was greeted with a massive standing ovation and is known as a game-changer for Latin music worldwide. His first English album, Ricky Martin (1999) became his first US Billboard 200 number one. The lead single "Livin' la Vida Loca" is considered to be Martin's biggest hit, topping both the Billboard Hot 100 and the UK Singles Chart. Martin's success in the late '90s is generally seen as the beginning of the "Latin explosion". He has been credited for getting Latin pop music genre to mainstream recognition, paving the way for a large number of Latin artists to achieve a global success. Martin has since established his status as a sex symbol and a pop icon, releasing several successful albums, including all-time Latin bestsellers Almas del Silencio (2003) and MTV Unplugged (2006), as well as Grammy Award winner A Quien Quiera Escuchar (2015). He has also amassed many successful singles and chart-topper hits, including "She Bangs", "Nobody Wants to Be Lonely", "Tal Vez", "Tu Recuerdo", "La Mordidita", "Vente Pa' Ca", and "Canción Bonita". As an actor, Martin gained popularity and stardom for his role in the hit soap opera General Hospital (1994-1996), while his portrayal of Antonio D'Amico in The Assassination of Gianni Versace: American Crime Story (2018) marked the acting opportunity of his career, garnering him an Emmy nomination. He also starred as Ché in the Broadway revival of the musical Evita in 2012, which broke the theatre's box-office sales record seven times. Having sold over 70 million records worldwide, Martin is one of the best-selling Latin music artists of all time. He has scored 11 Billboard Hot Latin Songs number-one songs, and won over 200 awards (most awarded male Latin artist), including two Grammy Awards, five Latin Grammy Awards, five MTV Video Music Awards (tied for most wins by a Latin artist), two American Music Awards, two Latin American Music Awards, three Billboard Music Awards, nine Billboard Latin Music Awards, eight World Music Awards, fourteen Lo Nuestro Awards, a Guinness World Record, and a star on the Hollywood Walk of Fame. He is ranked among the Greatest Latin Artists of All Time, the Greatest Music Video Artists of All Time, and the Most Influential Latin Artists of All Time by Billboard. His philanthropy and activism focus on LGBT rights and fighting against human trafficking; in 2004, he founded The Ricky Martin Foundation, a non-profit, non-governmental organization that focuses on denouncing human trafficking and educating about the crime's existence. Life and career 1971–1982: Early life Enrique Martín Morales was born on December 24, 1971, in San Juan, Puerto Rico. His mother, Doña Nereida Morales, is a former accountant; his father, Enrique Martín Negroni, is a former psychologist who previously worked as a regional supervisor for a Puerto Rican mental-health agency. His parents divorced when he was two years old, and although his mother had custody of Martin, he could also move freely between his father's house in the middle-class suburb of University Gardens in San Juan, and his paternal grandmother's house nearby. In an interview with People, he told the magazine the he "never had to make decisions" about who he loved more, and he was "always happy". Martin has two older maternal half-brothers, Fernando and Ángel Fernández, two younger paternal half-brothers, Eric and Daniel Martín, and a younger paternal half-sister, Vanessa Martín. Martin has Spanish heritage of Basque and Canarian descent. As he explained to ABC, the Martins traveled from Spain to Puerto Rico in 1779. He also has some Corsican origin through his paternal grandmother. Martin grew up Catholic. The people closest to him called him "Kiki" (a nickname that comes from Enrique). He began singing at age six, using wooden kitchen spoons as make-believe microphones; he often sang songs by Puerto Rican boy band Menudo, as well as English-language rock groups such as Led Zeppelin, Journey, and REO Speedwagon. His mother's side of the family was musically inclined and his maternal grandfather was a poet. Martin later reflected on his time spent with his family as a child: "Every time I find myself in front of an audience, be it twenty people or one hundred thousand, once again I feel the energy that consumed me back at the family gatherings of my youth." He attended Colegio Sagrado Corazón, a bilingual Catholic grade school in University Gardens since fourth grade and was an "average" student there. When he was nine years old, he began appearing in television commercials for products such as soft drinks, toothpaste, and fast food restaurants, most notably Orange Crush and Burger King. In a year and a half, he starred in 11 commercials. 1983–1989: Menudo After achieving moderate fame in his country for his appearances in television commercials, Martin auditioned for membership in Menudo. Formed in Puerto Rico in 1977, Menudo members were usually replaced when they hit 16 in order to keep the band "full of fresh-faced members". Although the executives enjoyed his dancing and singing at his first two auditions, Martin was rejected because he was too short. By the third audition, his persistence impressed executives, and in 1984, 12-year-old Martin became a member. A month after joining Menudo, he made his debut performance with the group at the Luis A. Ferré Performing Arts Center in San Juan. During this performance, he inadvertently disobeyed the choreography by walking around the stage, when it was planned that he would stay still, and was chastised by the band manager after the show: "The mistake was such a big deal that from that moment on, never again did I move when I wasn't supposed to move. That was the discipline of Menudo: You either did things the way you were told or you were not part of the group." Although Martin enjoyed traveling and performing onstage with Menudo, he found the band's busy schedule and strict management exhausting, and later reflected that the experience "cost" him his childhood. Despite this, Martin acknowledged his "opportunity to have so many amazing experiences with so many amazing people" during his time with the group. During his time with Menudo, he became a "key-member of the group" and a "fan-favorite", while the band released 11 albums, including the Grammy-nominated Evolución () (1984) and their highest-charting and longest-running album on the US Billboard 200, Menudo (1985). The former featured Martin's debut single, "Rayo de Luna" () and the latter included the hit single "Hold Me". "Hold Me" became the group's first and only entry on the US Billboard Hot 100 chart, peaking at number 62. It was ranked among the "100 Greatest Boy Band Songs of All Time" by Billboard, the "75 Greatest Boy Band Songs of All Time" by Rolling Stone, and the "30 Best Boy Band Songs" by Complex. Besides the musical career, Martin appeared with other members of Menudo in the American romantic comedy/drama television series, The Love Boat (1985), and the Argentine soap opera, Por Siempre Amigos (1987). He also developed an interest in philanthropy when the group became UNICEF ambassadors, often working with impoverished children in third world countries. His experiences as an ambassador affected him greatly and inspired him to continue working with charities later in his life. Finally, Martin left the band in July 1989, at age 17, hoping to rest and evaluate his career path; he stayed a few extra months after his "age-mandated retirement" came around. He performed his final show with the group at the same venue where he had performed his first performance as a member. Referred to as the "Most Iconic Latino Pop Music Band", Menudo was ranked as one of the Biggest Boy Bands of All Time by Us Weekly in 2021. The group has sold around 20 million records worldwide, and has been acknowledged as the "Most Successful Latin Boy Band of All Time" by Billboard. Martin returned to Puerto Rico to "get a break from the pressures of the group, the promotional tours, and the constant stress of work", but although his parents' divorce had not affected him before, suddenly began to affect him; his parents "began fighting more than ever" and they were forcing him to "choose between the two people in the world" he loved most. As he understood they did this because they loved him and wanted the best for him, he "forgave all of the pain and anger they caused" him. He graduated from the high school, and 13 days after turning 18, he moved to New York City to celebrate his financial independence; since he was a minor during his time with Menudo, Martin was not allowed to access his own bank accounts. 1990–1994: Acting and first solo albums Martin was accepted into New York University's Tisch School of the Arts in 1990, but before classes began, his friend invited him to Mexico City. He attended the musical comedy play, Mama Ama el Rock () there, and was offered to stay and replace one of the actors. He accepted the offer, dropped out the university and moved from New York to Mexico City to perform in the play. While he was performing onstage in Mama Ama el Rock, a producer in the audience took notice of Martin's acting and offered him a role in the Mexican telenovela Alcanzar una estrella () (1990). Martin also joined the cast for the second season of the show, titled Alcanzar una estrella II (1991). A film based on the TV series, titled Más que alcanzar una estrella () (1992), was also produced in which Martin starred, and earned him an El Heraldo Award for his role. A Sony Discos executive noticed Martin's acting in the soap operas and offered him his first solo music recording contract. Eager to record his first solo album and hustled by the executive, Martin signed the contract without reading its conditions and inadvertently signed a deal in which he would only be paid one cent for each album sold! Despite viewing the contract as unfair, Martin referred to the record as "the start of something phenomenal" for him. After working "around the clock" to finish filming Alcanzar una estrella II and recording music, he released his debut solo album, Ricky Martin, on November 26, 1991. The album peaked at number five on the US Billboard Latin Pop Albums chart and spent a total of 41 weeks on the list. It sold over 500,000 copies worldwide, was certified gold in Argentina, Chile, Colombia, Mexico, and Puerto Rico, and spawned his first solo hit singles, "Fuego Contra Fuego" (), "El Amor de Mi Vida" (), and "Dime Que Me Quieres" (). Both "Fuego Contra Fuego" and "El Amor de Mi Vida" reached the top 10 on the US Billboard Hot Latin Tracks, peaking at numbers three and eight, respectively. To promote the album, Martin embarked on a successful Latin American tour, breaking box office records, which the singer referred to as "an indescribable feeling, almost like coming home". After the success of Ricky Martin and its subsequent tour, Martin's record company met him with the Spanish musician Juan Carlos Calderón to work on his second studio album, Me Amaras () (1993). Although Martin felt "very grateful" for the opportunity to work with Calderón, he noted, "I always felt that that record was more his than mine." The album sold over one million copies worldwide and was certified triple-platinum in Chile. In 1994, Martin's agent encouraged him to move to Los Angeles to act in an American sitcom called Getting By. The show was canceled after two seasons, but soon afterward, Martin was given the role of Miguel Morez on the popular hit soap opera General Hospital; Morez, a bartender and singer, known for his long and flowing hair, was a Puerto Rican citizen hiding in the United States from his lover's criminal mastermind father and created a love triangle with his fiancé Lily Rivera and Brenda. Martin portrayed the role for two years and gained huge popularity and stardom, becoming "one of the most-talked about actors on the soap opera". Despite this, Martin felt he lacked chemistry with the rest of the General Hospital cast and observed that people treated him differently because of his Puerto Rican accent. At the time, it was relatively uncommon for Latin actors to appear on American television, and people suggested that he take accent reduction classes, which he refused. 1995–1997: Breakthrough with A Medio Vivir In 1995, Martin refocused on his music career, and began working on his third studio album, A Medio Vivir (). The album was released on September 12, 1995, and became a huge success; it sold over three million copies or even seven million copies worldwide, according to different sources, being certified gold in the United States, platinum in France, 4× platinum in Spain, and 6× platinum in Argentina, as well as many other certifications in Latin American countries. It spawned several successful hits, including "Te Extraño, Te Olvido, Te Amo" (), "María", and "Volverás" (). On "María", which was released as the second single from the album, Martin allowed himself "to go into a very Latin, African sound". He created a mix of different Latin music genres instead of singing a romantic ballad, the style that he focused on it in his first two albums, while Latin pop music in general was mainly made up of it at the time. Although Martin was satisfied with the track and he describes it as a song that he is "extremely proud of", the first time he played it for a record label executive, the man said: "Are you crazy? You have ruined your career! I can't believe you are showing me this. You're finished — this is going to be your last album." Despite this, the track became Martin's breakthrough song and his first international hit. It topped the charts in 20 countries, and has sold over five million physical copies worldwide. As a result, the song was featured in the 1999 edition of The Guinness Book of Records as the biggest Latin hit. It was also the Song of the Summer in Spain in 1996 and was the second best-selling single in the world that year. In Australia, "María" spent six weeks at number one, topped the country's year-end chart in 1998, and was certified platinum. The song also spent nine weeks at number one in France, and was certified diamond. It has sold over 1.4 million copies in France. Additionally, the track reached the top 10 in the United Kingdom, and became Martin's first entry on the US Billboard Hot 100 chart. To promote A Medio Vivir, he embarked on the worldwide A Medio Vivir Tour, that lasted for more than two years, through which he performed 63 shows and visited Europe, Latin America and the United States. During an interview with The Miami Herald in 1996, Martin expressed an interest in performing on Broadway. In a few days, he received a phone call from producer Richard Jay-Alexander, and was offered the role of Marius Pontmercy in the play Les Misérables. After the conclusion of the A Medio Vivir Tour in Latin America, Martin returned to New York to appear in the play in an eleven-week run. He greatly enjoyed the experience, calling his time in the play an "honor" and "the role of [his] life". Martin continued to tour after the conclusion of the show's run, and noted that his audiences were growing in both size and enthusiasm. 1998–1999: Vuelve While the A Medio Vivir Tour had not been concluded yet, Martin returned to the studio to record his fourth album Vuelve (). He called the experience of touring and recording at the same time "brutal and incredibly intense". As he was finishing the record in 1997, "María" caught the attention of FIFA. They contacted Martin and asked him to create a song as the 1998 FIFA World Cup anthem. He stated about the request: "I have to admit that the challenge made me a bit nervous, but the massive growth potential for my career was such that I decided to accept." Following his acceptance, musicians K.C. Porter, Robi Rosa, and Desmond Child joined him and they started working on a song titled "La Copa de la Vida" (English: "The Cup of Life"). Martin wrote about the recording: "La Copa de la Vida" was included as the eighth track on Vuelve, released February 12, 1998, The album became a huge success; it sold over eight million copies worldwide, becoming the best-selling Spanish-language album in history, according to his label. Also, some sources have reported the album's sales as six million copies worldwide. It spent 26 weeks atop the US Billboard Top Latin Albums chart and was certified platinum by the Recording Industry Association of America (RIAA). In Canada, the album peaked at number three and was certified double platinum. Vuelve spawned big hits, including the title track, "La Copa de la Vida", "Perdido Sin Ti" (), and "La Bomba" (). "La Copa de la Vida" grew to be an international success, appearing on the charts in more than 60 countries, and reaching number one in 30 countries, Both "Vuelve" and "Perdido Sin Ti" peaked at number one on the US Billboard Hot Latin Tracks chart; the former also reached number one in On July 12, 1998, Martin performed "La Copa de la Vida" as the official anthem at the 1998 FIFA World Cup Final in France, in front of more than a billion TV viewers around the world. To promote Vuelve, Martin embarked on the worldwide Vuelve Tour; he performed in Asia, Australia, Europe, Mexico, South America, and the United States. Although Latin music was not important to the Recording Academy or the mainstream music industry at the time, Tommy Mottola, then-chief of Columbia Records, was certain about Martin's stardom and pushed hard to have him on the Grammy Awards ceremony. During an interview with Billboard, Mottola told the magazine about it: "There was tremendous resistance from the Grammys. They did not want an 'unknown' to perform, yet we he had already sold 10 million copies of Vuelve worldwide. To me, that was absolutely UNACCEPTABLE." Finally, on February 24, 1999, cavorting with a 15-piece band alongside and a large number of dancers and percussionists, Martin performed a bilingual version of "La Copa de La Vida" at the 41st Annual Grammy Awards, which was greeted with a massive standing ovation and met with acclaim from music critics. At the same night, Vuelve earned Martin his first Grammy award, for Best Latin Pop Performance. After he accepted the award and expressed how important it was to the Latin community, the American singer-songwriter Madonna came on the stage and hugged him. 1999–2000: Crossover to English In October 1998, CNN confirmed that Martin has been working on his first English language album, following the huge success of Vuelve. In April 1999, Billboard revealed the album's title as Ricky Martin in an article, mentioning that the album was initially set for retail on May 25, 1999. However, the huge interest in the disc, following Martin's performance at the Grammy Awards, encouraged Columbia Records to decide to rush the album to release two weeks ahead of schedule, on May 11. Tom Corson, the senior vice president of marketing at Columbia explained: "Quite simply, the market has demanded it. People have been wanting this record for a while, and it's now reached the point where we have to get it out there immediately." Tim Devin, the general manager of Tower Records in New York added about Martin: "He's always been one of our strongest Latin artists, but interest in him has picked up considerably since that performance." Ricky Martin debuted atop the US Billboard 200 with first-week sales of 661,000 copies, according to data compiled by Nielsen SoundScan, becoming the largest sales week by any album in 1999. It also broke the record as the largest first-week sales for any pop or Latin artist in history, as well as any Columbia Records artist during the SoundScan era. With this album, Martin became the first male Latin act in history to debut at number one on the US Billboard 200 chart. It was certified 7× platinum by the Recording Industry Association of America (RIAA), denoting shipments of over seven million copies in the US and breaking the record as the best-selling album by a Latin artist in the country. Only within three months, Ricky Martin became the best-selling album ever by a Latin artist. According to different sources, the album has sold over 15 million copies or even 17 million copies worldwide. It was nominated for Best Pop Album at the 42nd Annual Grammy Awards. The album was supported by four singles; the lead single "Livin' la Vida Loca" () topped the charts in more than 20 countries and is considered to be Martin's biggest hit, and one of the best-selling singles of all time. In the United States, it topped the Billboard Hot 100 chart for five consecutive weeks, becoming Martin's first number one single on the chart. Additionally, it broke several records on Billboard charts. It also spent eight consecutive weeks atop the Canada Top Singles chart and topped the country's year-end chart. In the United Kingdom, it debuted at number one and stayed there for three weeks, making Martin the first Puerto Rican artist in history to hit number one. The track was ranked as the best '90s pop song by Elle, and was listed among the Best Latin Songs of All Time by Billboard. It was nominated for four categories at the 42nd Annual Grammy Awards, including Record of the Year and Song of the Year. Its Spanish version reached the summit of the Billboard Hot Latin Tracks chart in the United States, and was nominated for Record of the Year at the 2000 Latin Grammy Awards. "She's All I Ever Had" was released as the second single from the album in June 1999. It peaked at numbers two and three on the US Billboard Hot 100 and Canada Top Singles charts, respectively. The Spanish version, "Bella" () topped the charts in five countries, as well as Billboards Hot Latin Tracks chart. To further promote Ricky Martin, he embarked on the worldwide Livin' la Vida Loca Tour. In the United States, the Livin' la Vida Loca Tour was the highest-grossing tour of 2000 by a Latin artist, earning over $36.3 million with 44 dates and drawing 617,488 fans. According to Billboard Boxscore, the tour grossed $51.3 million in Canada, Mexico, and the United States, with 60 shows and drawing an audience of 875,151. International dates were not reported to Boxscore and would push the tour's grosses higher. 2000–2005: Sound Loaded, Almas del Silencio, and Life While the Livin' la Vida Loca Tour had not been concluded yet, Martin returned to the studio to record his sixth studio album, Sound Loaded. The album was released on November 14, 2000. It debuted at number four on the Billboard 200 with first-week sales of 318,000 copies, according to data compiled by Nielsen SoundScan. The album has sold over seven million copies or even eight million copies worldwide, according to different sources, being certified double platinum in the US. The album featured two hit singles, "She Bangs" and "Nobody Wants to Be Lonely". The former reached number one in seven countries, including Italy and Sweden, as well as the top five in Australia, Canada, the United Kingdom, and several other countries. It was nominated for Best Male Pop Vocal Performance at the 43rd Annual Grammy Awards. The Spanish-language version of "She Bangs" reached the summit of the Hot Latin Tracks chart and won the Latin Grammy Award for Best Music Video at the 2nd Annual Latin Grammy Awards. "Nobody Wants to Be Lonely" was re-recorded along with American singer Christina Aguilera, peaking at number one in five countries, as well as the top five in Italy, Germany, Spain, and the United Kingdom, among others. It was nominated for Best Pop Collaboration with Vocals at the 44th Annual Grammy Awards. The solo Spanish version, entitled "Sólo Quiero Amarte" topped the Hot Latin Tracks chart. Both "She Bangs" and "Nobody Wants to Be Lonely" are certified silver in the UK. In February 2001, Martin released a Spanish compilation album entitled La Historia (), which spent five weeks at number one on the Top Latin Albums chart, topped the charts in Argentina and Sweden, and was certified quadruple Latin platinum in the United States. Following the success of Ricky Martin and Sound Loaded, he initially planned to release the third English-language album as his seventh studio album, which was supposed to be his first complete work in the field of songwriting. Despite Sony Music Entertainment's original plan, he decided to release a Spanish-language album: "I woke up five months ago, and I said 'We're doing an album in Spanish.' Everyone went nuts. They said, 'You don't have time; you have to release an album in English because of timing issues with your career.' And that's fine. But I told them, 'In five months, you'll have a kick-ass album' [in Spanish]. Martin's seventh studio album, Almas del Silencio () was released in May 2003. It debuted atop the Billboard Top Latin Albums chart with first-week sales of 65,000 copies, according to data compiled by Nielsen SoundScan, breaking the record as the largest first-week sales for a Spanish-language album in the US. The album also debuted at number 12 on Billboard 200, tying the 2002 album, Quizás () as the chart's highest Spanish-language debut. The album also debuted at number one in "at least 13 Latin American markets" and sold over two million copies worldwide. Almas del Silencio spawned three Hot Latin Tracks chart-topper hits: "Tal Vez" (), "Jaleo", and "Y Todo Queda en Nada" (). "Tal Vez" debuted at number one on the Billboard Hot Latin Tracks chart on the week of April 12, 2003, marking the first number one debut since February 1998, and becoming the sixth song overall in the chart's history to do so. It spent a total of 11 weeks at this position, surpassing "Livin' la Vida Loca" as Martin's longest number-one single on the chart, and was the longest-running number one of 2003. It also topped the charts in several Latin American markets. In October 2005, Martin released his third English album, Life. He commented on the album: "I was really in touch with my emotions. I think this album is very multi-layered, just like life is. It's about feeling anger. It's about feeling joy. It's about feeling uncertainty. It's about feeling. And all my emotions are part of this production". To promote Life, Martin embarked on the worldwide One Night Only with Ricky Martin tour. 2006–2012: MTV Unplugged, Música + Alma + Sexo, and Evita Although Martin's team and MTV had discussed an MTV Unplugged for years, but it became more serious after Martin's the One Night Only tour, which featured an acoustic segment. Finally, Martin taped his MTV Unplugged set in Miami in August 2006, performing both romantic ballads and up-tempo tropical dance songs. During the performance, he debuted three new tracks, including "Tu Recuerdo" (), which was released to radio stations as the lead single from his debut live album MTV Unplugged (2006). The album debuted at number one on the Top Latin Albums chart and sold over two million copies worldwide, marking his highest-certified album in Mexico. It won two Latin Grammy awards and was nominated for Album of the Year. "Tu Recuerdo" reached number one in five countries, as well as the Billboards Hot Latin Songs and Latin Pop Airplay charts. The track was certified quadruple platinum in Mexico and was nominated for Record of the Year at the 8th Annual Latin Grammy Awards. The artist then embarked on the Black and White Tour in 2007, including four sold-out shows at the José Miguel Agrelot Coliseum in Puerto Rico. The concerts in Puerto Rico were compiled into his second live album Ricky Martin... Live Black & White Tour (2007). Later that year, he released his first Italian song, "Non siamo soli" () as a duet with Italian singer Eros Ramazzotti. The song debuted at number one in Italy and spent eleven consecutive weeks atop the chart. In January 2011, Martin launched his ninth studio album, Música + Alma + Sexo (). The album debuted at number three on the US Billboard 200 chart, becoming the highest-charting primarily-Spanish language set since Dreaming of You (1995) by American singer Selena. It holds the record as the highest-charting Latin album of the 2010s, and represents the highest-ever chart debut on the Billboard 200 for a Sony Music Latin release. Música + Alma + Sexo also peaked at number one in Argentina and Venezuela, as well as Billboards Top Latin Albums. Its lead single, "Lo Mejor de Mi Vida Eres Tú" (English: "The Best Thing About Me Is You") reached number one on the US Billboard Hot Latin Songs chart and was nominated for Record of the Year, Song of the Year, and Best Short Form Music Video at the 12th Annual Latin Grammy Awards. To promote the album, Martin embarked on the Música + Alma + Sexo World Tour in 2011. In February 2012, he appeared as Spanish teacher David Martinez on the twelfth episode of the third season of the American musical television series Glee, The Spanish Teacher. Martin starred as Ché in the Broadway revival of the musical Evita from March 2012 to January 2013. The show became a hit, breaking the theatre's box-office sales record after only six performances. Sine then, it broke its own record six times and was nominated for Best Revival of a Musical at the 66th Tony Awards. The show's soundtrack album debuted at number one on Billboards cast album chart. 2013–2018: The Voice, A Quien Quiera Escuchar, and The Assassination of Gianni Versace Martin served as a coach on the second season of the Australian singing competition television series The Voice in 2013. In the same year, he released a compilation album, entitled Greatest Hits: Souvenir Edition, which reached number two in Australia, as well as a new single, entitled "Come with Me", which debuted at number three in the country. The artist then embarked on the Ricky Martin Live tour in Australia in October 2013. He continued serving as a coach on both the third and fourth seasons of The Voice Australia in 2014 and 2015, respectively. In 2014, Lars Brandle from Billboard stated in an article: "Through his high-profile slot on The Voice, Ricky's profile in Australia has never been as big as it is right now." On February 25, 2014, Wisin released a song titled "Adrenalina" () from his album El Regreso del Sobreviviente (), which featured Jennifer Lopez and Martin, and became the Univision's 2014 World Cup song. It received commercial success, peaking in the top-five of Bulgaria, Mexico, Spain, and Billboards Hot Latin Songs chart. Its accompanying music video has accumulated over 850 million views on YouTube. Later that year, Martin released his single "Vida" () for the 2014 FIFA World Cup. The song reached the top five in Spain and on the US Hot Latin Songs chart. Also in 2014, he served as a coach on the fourth season of The Voice Mexico, and embarked on the Live in Mexico tour. In February 2015, Martin released his tenth studio album, A Quien Quiera Escuchar (). The album debuted at number one on Billboards Top Latin Albums chart and peaked at number one in Argentina. It won the award for Best Latin Pop Album at the 58th Annual Grammy Awards and Album of the Year at the 1st Latin American Music Awards. The album spawned three Hot Latin Songs top-10 hits: "Adiós" (), "Disparo al Corazón" (), and "La Mordidita" (). "Disparo al Corazón" was nominated for both Record of the Year and Song of the Year at the 16th Annual Latin Grammy Awards. "La Mordidita" experienced huge commercial success, being certified 15× Latin platinum in the United States. Its accompanying music video has received over 1.2 billion views on YouTube. To promote the album, Martin embarked on the One World Tour from 2015 to 2017. He served as an executive producer and a judge on the American singing competition series La Banda (), which premiered in 2015 and 2016 on Univision. The first season was "looking for the next Latin boy band", while the second season was looking for a Latin girl band. The contestants would compete for a recording deal with Sony Music Latin and Syco Music. CNCO, known as the first boy band to make reggaeton, was the winner of the first season. Martin became their manager and produced the band's debut album, Primera Cita () (2016), along with Wisin; the album debuted at number one on Top Latin Albums and featured the hit single "Reggaetón Lento (Bailemos)" (). CNCO opened many dates on One World Tour in 2016. In 2020, Leila Cobo from Billboard compared the group with Menudo, noting: "Not since Menudo had a Latin boy band melted our hearts or made us dance quite like CNCO". On September 23, 2016, Martin released a song called "Vente Pa' Ca" (), featuring Colombian singer Maluma. The song became one of the biggest Spanish-language songs of 2016, reaching number one in seven countries, as well as Billboards Latin Airplay, Latin Pop Airplay, and Tropical Airplay charts. It also reached top five in Spain and on the Billboard Hot Latin Songs, being certified quadruple platinum in Spain and diamond in Mexico. The track was nominated for both Record of the Year and Song of the Year at the 18th Annual Latin Grammy Awards. The accompanying music video has received over 1.75 billion views on YouTube. Martin signed a concert residency, named All In, to perform at the Monte Carlo Resort and Casino in Las Vegas in 2017 and 2018. He portrayed fashion designer Gianni Versace's partner Antonio D'Amico in the FX true crime anthology television series The Assassination of Gianni Versace: American Crime Story, marking "the acting opportunity of his career". The role garnered him a nomination for Outstanding Supporting Actor In A Limited Series Or Movie at the 70th Primetime Emmy Awards. Running from January to March 2018, The Assassination of Gianni Versace received generally favorable reviews and numerous awards and nominations, including three Primetime Emmy Awards, four Creative Arts Emmy Awards, two Golden Globe Awards, two Critics' Choice Television Awards, and a Screen Actors Guild Award. In February 2018, Martin released a song titled "Fiebre" (), featuring Wisin & Yandel. The song was commercially successful in Latin America, reaching number one in Chile, Ecuador, Guatemala, Mexico, and Uruguay. It also reached the summit of the Billboard Latin Airplay and Latin Rhythm Airplay charts. 2019–present: Amici di Maria De Filippi, PausaPlay, and Jingle Jangle: A Christmas Journey At the 61st Annual Grammy Awards, Martin performed "Havana", "Pégate" (), and "Mi Gente" (), alongside Camila Cabello, J Balvin, Young Thug, and Arturo Sandoval, as the opening performance. Martin served as a coach on the eighteenth season of the Italian talent show Amici di Maria De Filippi () in 2019. In the same year, Maluma released a song called "No Se Me Quita" () from his album 11:11, which featured Martin. The song reached number one in Mexico and was certified quadruple platinum in the country. Martin hosted the 20th Annual Latin Grammy Awards in November 2019, along with Roselyn Sánchez and Paz Vega. The artist started recording his eleventh studio album, initially titled Movimiento (), in the second half of 2019, inspired by the 2019 political protests in Puerto Rico. He embarked on the Movimiento Tour in 2020. Because of the COVID-19 pandemic and subsequent personal experiences, he decided to split the tour's associated album in two extended plays, Pausa () and Play; the former was released in May 2020, while the latter is set to release as his eleventh studio album. Pausa was nominated for Album of the Year and won the award for Best Pop Vocal Album at the 21st Annual Latin Grammy Awards. The second single from the EP, "Tiburones" () reached number one in Argentina and Puerto Rico, and was also nominated for Song of the Year at the 21st Annual Latin Grammy Awards. Martin starred as the voice of villainous miniature figure Don Juan Diego in the American Christmas musical fantasy film Jingle Jangle: A Christmas Journey. The film was released on Netflix on November 13, 2020, and received generally favorable reviews. In April 2021, Martin released his hit single "Canción Bonita" () with Colombian singer Carlos Vives, which experienced huge commercial success in Latin America, reaching number one in 12 countries. It was also nominated for Song of the Year and Best Pop Song at the 22nd Annual Latin Grammy Awards. Later that year, he released "Qué Rico Fuera" () with Chilean-American singer Paloma Mami, as the lead single from Play. The song peaked at number one in four countries, as well as the top 10 on Billboards Latin Pop Airplay. In the same year, he embarked on his first co-headlining tour, the Enrique Iglesias and Ricky Martin Live in Concert alongside Spanish singer Enrique Iglesias. Artistry Influences As a child, Martin used to sing songs by Menudo and American rock bands such as Led Zeppelin, Journey, and REO Speedwagon, which were what his "older siblings were listening to at the time". While Martin and his brothers spent their time listening to classic rock, their mother would interrupt them to make them listen to Latin music. She brought him CDs of Fania All-Stars, Celia Cruz, El Gran Combo de Puerto Rico, and Gilberto Santa Rosa that slowly made him appreciate the richness of Puerto Rican culture. Also, she once took them to a Fania All-Stars concert, which Martin is "beyond grateful" for it. He expresses that thanks to her mother, those influences had a "profound effect" on his musical career. Martin has also cited Elvis Presley, the Beatles, Michael Jackson, and Madonna for teaching him "the beauty of pop". He stated about Madonna: "I was very influenced by her and her music. I know every choreography of Madonna." Additionally, he mentions Carlos Santana, José Feliciano, Celia Cruz, and Gloria Estefan as the artists who paved the way for him, naming Feliciano as one of the people who inspired him when he was a teenager: "I was always fascinated with his music." In addition to the musical influences, Martin is inspired by David Bowie's "ambiguous sexuality". While growing up, he used to ask himself if he wanted to be like the openly gay singer Elton John or he just liked him, admiring his music, colors, and wigs. Musical styles and themes Considered to be a versatile artist, Martin describes his music as Latin pop, saying: "When you say 'Latin pop', the spectrum is so broad, It's inevitable to not be influenced by everything that’s happening in the industry, but always keeping your identity firm by knowing who you are." He has also described his music as fusion, while noting that he does not "ride the waves that are in fashion at the moment". Music critics have described his songs as Latin pop, pop, dance, ballad, reggaeton, Latin, African, rock, salsa, flamenco, urban, samba, cumbia, merengue, rumba, Latin funk, bomba, batucada, vallenato, dancehall, mambo, Europop, house, disco, EDM, dance-pop, electro, techno, dubstep, world music, Middle Eastern, folk-pop, bossa nova, pop rock, soft pop, soft rock, R&B, gospel, jazz, trap, hip hop, doo-wop, ska, and rock' n' roll. Martin sings in Spanish, English, Portuguese, Italian, and French. About his lyrics, Martin has emphasized that although his music will always make the listener dance, it does not mean his lyrics "have to be meaningless" and he sings about love and heartbreak, as well as "things that are good for a society", such as "freedom, freedom of expression, and social justice". He has also declared that as a Latino, he is not afraid of sexuality and sings about sexuality and sensuality, bringing his culture with him onstage. Voice Martin possesses a dramatic tenor vocal range. Peter Gilstrap from Variety commented that his "powerful voice" is "capable of belt or lilt", while The Jerusalem Posts Noa Amouyal described his voice as "soulful" and "very powerful". In 1995, Enrique Lopetegui of the Los Angeles Times noted Martin's "improved vocal skills" on A Medio Vivir. Also from the Los Angeles Times, Ernesto Lechner later praised his vocal for being "charismatic enough to handle both ballads and up-tempo tunes". Similarly, Billboards Chuck Taylor expressed "She's All I Ever Had" boasts "a versatility that contrasts nicely" with Martin's previous single, "Livin' la Vida Loca", labeling his vocal on the former "tender and heartfelt". Steve Gerrard of the Montreal Rocks complimented "his vocal maturity" on A Quien Quiera Escuchar. Music videos and performances Billboard labeled Martin "a video icon", and ranked him as the 79th Greatest Music Video Artist of All Time in 2020, stating: "From the moment he sashayed up to the mic in 'Livin La Vida Loca' all dressed in black, and gave us that look, the Menudo alum became the most memorable and watchable drop-dead handsome guy in pop music." He has collaborated with various directors to produce his music videos, including Carlos Perez, Wayne Isham, Jessy Terrero, Simón Brand, Gustavo Garzón, Nigel Dick, Kacho Lopez, and Memo del Bosque. "Livin' la Vida Loca" was nominated for Video of the Year at the 1999 MTV Video Music Awards, making Martin the first Latin artist in history to receive a nomination in this category. It won two primary awards for Best Pop Video and Best Dance Video, and was voted three additional awards in the International Viewer's Choice categories, making it rank among the videos with most wins in the history of the MTV Video Music Awards. The explicit sexual scenes of the music video for "She Bangs" were met with criticism from the audience; several American television stations cut the scenes when airing the video. According to the Daily Records John Dingwall, with the visual, Martin ditched his teen idol image by transforming to a more mature one. It was consequently banned in several Latin American countries, such as the Dominican Republic. Martin told MTV News that the video represented freedom rather than his sexuality. The video was awarded Best Music Video at the 2nd Annual Latin Grammy Awards, Best Clip of the Year — Latin at the 2001 Billboard Music Video Awards, and Video of the Year at the 13th Lo Nuestro Awards. Martin has been noticed for "dance moves of his own" and his "bon-bon shaking dance moves". Carol Sandoval from VIX named him the "best dancer on any stage worldwide", highlighting his hips movement and "successful turns". He was ranked as the ninth best male dancer by the Evening Standard and the tenth Male Singer Who Can Dance by WatchMojo, being the only Latin entertainer on both lists. Writing for The Hollywood Reporter, Scott Feinberg introduced Martin as "an incredible dancer". Billboards Jessica Roiz labeled him "a true showman", noting his "many outfit changes", "various dance performances", and "different stage set for each song". Jon Pareles of The New York Times described him as "an all-around showman" and Varietys Peter Gilstrap called him "every inch the showman", both recognizing his vocal abilities, while the former also commented he is "a dancer as muscular and hard-working as anyone in his troupe", mentioning his "likable, good-hearted character" and "steadfast Puerto Rican pride". Music critics have mostly praised his concerts for the choreographies, video screens, visual effects, stage, Latin influences, and Martin's vocals, costume changes, energy, sensuality, dance moves, and gestures, while the quality of sounds and sound mixes have received mixed reviews. Billboards Marjua Estevez described Martin's performance of "La Copa de la Vida" at the 41st Annual Grammy Awards as "the most memorable Latin performance at a Grammy Awards show", and the publication ranked it as the 54th Greatest Award Show Performance of All Time on their 2017 list. The performance was additionally placed on a 2017 unranked list of "Top 20 Best Grammy Performances of All Time" by Gold Derby, and on a 2019 list of "The Most Unforgettable Grammys Performances of All Time" by InStyle. Public image Martin became a teen idol with his debut as a member of Menudo, and a pop icon following global fame as a solo artist. Journalists have written about his humble personality and "beautiful soul". Writing for The Hollywood Reporter, Scott Feinberg introduced Martin as "one of the most acclaimed and admired creative artists ever". La República staff described him as "one of the most admired and desired singers", while authors of ¡Hola! described him as "one of the most respected Latin stars in the world", "one of the most prodigious voices in music in Spanish", and "one of the most beloved talents in the entertainment industry worldwide". Also from ¡Hola!, Cristina Noé named him "one of the most loved artists in the world", while a writer of Clarín named him "one of the most applauded Latin singers on the planet". Metro Puerto Rico stated that he "raised the name of Puerto Rico internationally". He was ranked as one of the top-10 "emerging personalities" of 2010 by Google Zeitgeist. In 2014, Gay Star News referred to Martin as "the most famous Latin pop star in the world", while Variety described him as "Puerto Rico's arguably most famous son" in 2021. He is ranked as the second-most famous Latin music artist in the United States, according to YouGov surveys in 2021. During the 2000s, Martin was known for "guarding his private life" and being "uncomfortable discussing intimate aspects of his personal life"; he used to insist on asking public to focus on his music and "steered interviewers away from his personal life". However, he chose to live both his "professional and personal life", making his private life public since the early 2010s. In 2021, he went on the cover of People with the title "No More Secrets" and told the magazine that he is "a man with no secrets", stating that he is "more comfortable in his own skin than ever before". Martin is one of the most followed celebrities on social media, with accounts on Instagram, Twitter, Facebook, YouTube, and TikTok. He stated about social media that he wishes he had "something as powerful as" them since his debut: "Obviously I like to have direct contact with the public, with the media. It's extremely important, but today, from my home, I can talk to millions of people and see their immediate reaction." He is noticed for his friendly interactions with his fans, who are called "Sexy Souls". Wax statues of Martin are on display at the Madame Tussauds wax museums in San Francisco, Sydney, and Orlando. The last one was moved from Las Vegas to Orlando for the opening of the museum in spring 2015. Fashion Martin is considered to be a sex symbol, and journalists describe him as "the Latin heartthrob". His fashion and style evolution, from "as '80s as you'd expect" during his time with Menudo to "a style groove, often opting for sharp, tailored suits with clean lines" since 2009, has been noticed by the media. Natalia Trejo from ¡Hola! described him as "one of the most stylish Latin men in the entertainment industry", highlighting his "baggy leather pants", "tailored suits", and "color-block blazers" that have marked "some of the noteworthy trends of each decade". The reviewer also commented that Martin is "an example of mixing business with casual" and has "always had a personal sense of style". JD Institute of Fashion Technology views Martin as a fashion icon, praising him for "pushing the fashion boundaries with every new look". In 1997, he went on the cover of People en Españols first edition of 25 Most Beautiful; he has since "been a constant presence" on their 25 or 50 Most Beautiful lists. Two years later, he was featured on the cover of both Rolling Stone and Time magazines. Martin is considered to be one of the sexiest men in the world, according to various publications. In 2012, he was voted the sexiest man alive on Broadway.com. The following year, VH1 ranked him as the 28th Sexiest Artist of All Time, stating: "Ricky looks like the model in the magazine ads you stare at in awe thinking, 'There's no way he's that perfect in person'." In 2014, Entertainment Tonight listed him among the Sexiest Men Alive, while Revista Estilo placed him on the list of "the 10 Sexiest Singers" in 2016. He was ranked at number 16 on the list of "the 50 Hottest Men of All Time" by Harper's Bazaar in 2018, being the only Latin man on their list. In 2019, TN described Martin as "the sexiest man in the world". He has been noted for looking younger than his age, with Billboards Chris Payne labeling him "ageless". The singer has attended several fashion shows, including the Giorgio Armani show at Milan Fashion Week in 2011, the Marc Jacobs show in 2013, the Berluti menswear spring-summer 2020 show at Paris Fashion Week, the Dior men's pre-fall 2020 show, and the Virgil Abloh Spring-Summer 2022 show held by Louis Vuitton. Personal life Sexual orientation and early relationships According to an interview with Rolling Stone in 1999, Martin experienced his first kiss at age 13 and lost his virginity at age 14 in Argentina. In 1990, shortly after he had arrived in Mexico to star in Mama Ama el Rock, he met a woman, who was the host of a television show. They began dating quickly and broke up a few months later. In 1992, he fell in love with Mexican singer Alejandra Guzmán, who was separated from her husband at the time. They began dating together until Guzmán returned to her husband and pretended Martin was her assistant on a phone call, while she was sleeping with her husband. In an interview with Univision, Martin admitted that she broke his heart. In the same year, Martin was rumored to have a relationship with Argentine tennis player Gabriela Sabatini. Sabatini's sister-in-law, Catherine Fulop confirmed the rumor in 2020. During the time he was playing in General Hospital, he met a "very handsome" man at a radio station, "stopped fearing [his] sexuality", and started dating him. Martin's mother supported him when she discovered that he was in love with a man, saying: "I love you, my son, I'm so happy for you. Bring it on. I'm right behind you." However, after the relationship ended, Martin "locked [his] feelings even deeper inside" and began dating women again. He recalls: "I already felt it was hard to be a Latino in Hollywood; what could have been more difficult than being Latino and gay?" Martin began dating Mexican television host Rebecca de Alba in 1994; they were in an on-and-off relationship until 2005. In May 2021, Alba revealed that she became pregnant several times in her life, but lost all of the embryos, expressing that one of them belonged to Martin. Martin also had relationships with Lilly Melgar, Adriana Biega, Maital Saban, and Inés Misan during his break-up times with Alba in the late 1990s and early 2000s. He declared that "there was chemistry with them" and he "wasn't fooling anyone". In August 2008, Martin became a father to twin boys named Matteo and Valentino, born via gestational surrogacy. He explained that he chose surrogacy to become a parent for being "intriguing and faster" than adoption, which was complicated and could take a long time. In March 2010, Martin publicly came out as gay via a message on his website, stating: "I am proud to say that I am a fortunate homosexual man. I am very blessed to be who I am." Years later, he revealed that although his music was "heard all over the world" and he "could high five God" in 1999, he "wasn't living to the fullest" and was sad and depressed. He kept asking himself, "Am I gay? Am I bisexual? Am I confused? What am I?", explaining: "Sexuality is one complicated thing. It's not black and white. It's filled with colors. When I was dating women, I was in love with women. It felt right, it felt beautiful." In an interview with Vanity Fair, he declared: "There was love, passion. I do not regret anything, any of the relationships I lived, they taught me a lot, both men and women." Martin also told Fama!: "I know that I like both men and women, I'm against sexual labels, we are simply human beings with emotional and sexual needs. I like to enjoy sex in total freedom, so I'm open to having sex with a woman if I feel desire." Despite this, he expressed that he wouldn't be interested in "an ongoing relationship with a woman", stating: "Men are my thing". In 2000, American broadcast journalist Barbara Walters asked Martin about his sexuality on national television: "You could stop these rumors. You could say, 'Yes I am gay or no I'm not.'" In 2021, Martin, who answered with "I just don't feel like it" at the time, revealed that her question made him "felt violated", since he "was just not ready to come out" and was "very afraid"; he said that it resulted "a little PTSD" that "still haunts him". Martin dated Puerto Rican economist Carlos González Abella from 2010 to 2014, as his first relationship with a man after his coming out as gay. Marriage Syrian-Swedish painter Jwan Yosef shared a photo of himself and Martin on Instagram on March 30, 2016, with the caption: "Obviously we're starting a band." Soon it was rumored that Yosef is Martin's new boyfriend. Martin confirmed their relationship on April 18, 2016, and they made their red carpet debut as a couple at the amfAR Inspiration Gala. Martin later revealed that he met Yosef on Instagram and they "were talking for like six months without [him] hearing his voice". Subsequently, Martin went to London, where Yosef were living, and they met each other. On November 15, 2016, during an interview on The Ellen Show, he announced that he has proposed to Yosef and they are engaged. In January 2018, Martin confirmed that he has secretly married Yosef: "I'm a husband, but we're doing a heavy party in a couple of months, I'll let you know." On December 31, 2018, they announced that they have welcomed their first daughter together, named Lucia Martin-Yosef. Martin later explained that Lucia was born on December 24, coinciding with his 47th birthday. In September 2019, while accepting an award at the 23rd annual Human Rights Campaign (HRC) National Dinner, he announced that they are expecting their fourth child. On October 29, 2019, he shared a photo of himself, Yosef, and their new-born son, named Renn Martin-Yosef, with the caption: "Our son Renn Martin-Yosef has been born." Beliefs and religion During an interview with People in 2002, Martin expressed that he believes in "love", "the power of healing", and "God", thanks to his parents. The name he chose for his son Matteo means "gift from God". According to his statements in a 2021 interview, he still believes in God. He was raised Catholic but he said is not "the person who would ever look down upon one religion". He expressed that he also admires and likes Buddhist philosophy, but does not subscribe to the religion, since if he does, he cannot "be of anything else"; he does not want to be limited in certain aspects and follow a religion's specific rules. He tries to remain "open to everything" and makes "a concerted effort to always find new teachings and new paths" everywhere he goes and in every situation he finds himself in. Martin believes that everyone can "decide what makes them happy" and although "everyone needs to accept the life they were given", it does not mean they "should not live it as fully as possible". Health and sports Martin began practicing yoga after a trip to Thailand in 1997. He also began practicing meditation following a trip to India. In 2021, he explained that he gets up every morning at 5:30, before his family and puts himself in a lotus position and oxygenates his body. He also expressed that has a gym in his house, saying: "If I have space to see myself in the mirror and put on my products, then I also have to have space for my body." During an appearance on The Dr. Oz Show in 2017, Martin revealed that he "was diagnosed with high cholesterol" at age 18. Although he did not pay attention to the high cholesterol at the time, it made him decide to become a vegetarian since 2013 to reduce cholesterol, despite loving meat as "a Latin man". In 2020, he opened up that he suffered from anxiety for the first time in his life, following the COVID-19 lockdowns, stating that making music became his "medicine". Real estate In March 2001, Martin purchased a 7,082-square-feet house in Miami Beach for $6.4 million; he sold the unit for $10.6 million in 2005. In September 2004, he paid $11.9 million for a 11,000-square-feet Mediterranean-style villa in Los Angeles, which he sold in 2006 for $15 million. In May 2005, he purchased a 9,491-square-feet house in Miami Beach for $10 million; he sold the villa for $10.6 million in 2012. In 2007, he paid $16.2 million for a mansion in Golden Beach. He sold the property in 2012 for $12.8 million, incurring a loss. In the same year, he bought a 3,147-square-feet condominium in New York City for $5.9 million; he sold the condo for $7.1 million in 2017. In 2014, he rented a 900-square-metre mansion in Sydney, which became famous as "the Bronte Wave House" and was sold for $16 million in May 2015, marking one of the most expensive properties sold in the city that year. In December 2016, he purchased a 11,300-square-feet mansion in Beverly Hills. The estate, which is Martin's current house, has seven bedrooms and eight bathrooms with outdoor seating areas scattered throughout a 33,000-square-feet. It is a "private getaway in the middle of the city", located up the street from the Beverly Hills Hotel. Martin also owns a property in Puerto Rico and a private 19.7-acre island in Brazil. He purchased the latter for $8 million in 2008. Legacy and influence Martin has been regarded as the "King of Latin Pop" by various publications, such as the Grammy Awards, Billboard, Rolling Stone, Time, People, Vogue, The Independent, Entertainment Weekly, Entertainment Tonight Canada, NBC News, and ABC News. Additionally, he has been referred to as the "King of Latin Music", the "Latin Pop God", the "Latin King of Pop", the "Latin American King of Pop", the "Latin King", the "Crossover Latin King", the "Puerto Rican Pop King", the "Salsa-Pop King", and the "King of World Cup". Martin is known as one of the most influential artists in the world. Billboard ranked him as one of the 30 Most Influential Latin Artists of All Time, while NBC News introduced him as an "influential Latin celebrity". In 2014, he won the award for the most influential international artist at the 18th China Music Awards. He was ranked among "25 musicians who broke barriers" by Stacker in 2019, while in 2020, Spin ranked him at number 27 on the list of "most influential artists of the past 35 years", as the only Latin artist on their list. In 2022, Show News named him "the most influential global artist in history". Martin's song "María (Pablo Flores Remix)", which was ranked among the "Greatest Latin Pop Song of All Time" by Rolling Stone, and "11 remixes of classic Latin hits" by Billboard, "launched the Latin and dance music crossover of the '90s", according to the latter. Olivier Pérou from Le Point commented that "some have even learned, thanks to him, to count to three in Spanish" following the popularity of the song. "La Copa de la Vida", which has been hailed as the Best World Cup Anthem of All-Time by multiple sources, became a "musical template" for World Cup anthems, and Martin's Latin and dance crossover style has been much copied in the anthems, as well as soccer chant "Ole! Ole! Ole!" in the lyrics, according to The Hollywood Reporter. As believed by Esquire, the song "inaugurated this musical subgenre" of Latin. Joy Bhattacharjya from The Economic Times wrote about "La Copa de la Vida" that it was the first World Cup anthem to have a video just "as ubiquitous as the song", going on to write: "Since then, official songs have an important part to play in every World Cup." In his review for Pitchfork, Corban Goble wrote that if World Cup anthems someday would be "given their own textbook", "La Copa de la Vida" would be "the standard-bearer for the whole genre". Martin is known as the pioneer in getting Latin pop music genre to mainstream recognition. Following his performance of "The Cup of Life" at the Grammys, and the success of "Livin' la Vida Loca" and Ricky Martin (1999), he opened the gates for many Latin artists such as Jennifer Lopez, Shakira, Christina Aguilera, Marc Anthony, Santana, and Enrique Iglesias who released their crossover albums and followed him onto the top of the charts. His performance of "The Cup of Life" at the Grammys not only changed the course of his career, but also altered how people regard Latin music in America. It has been known as a game-changer for Latin music worldwide, that effectively ushered in the "Latin explosion". Then-United Talent Agency head Rob Prinz described the rendition as "the single biggest game changing moment for any artist in the history of the Grammys". According to Billboard, it has been cited as the beginning of the "Latin Pop invasion", which powerfully affected the US mainstream. Jesús Triviño Alarcón from Tidal Magazine stated, "that single performance opened up the mainstream market for the Latinx legends", mentioning the names of Anthony, Shakira, and Lopez. InStyle staff wrote about it: "With his leather pants, big smile and energetic performance of 'The Cup of Life', Ricky Martin almost personally kicked off the so-called Latin Explosion of the late '90s." Mariana Best of San Antonio Express-News commented that the performance "is recognized for bringing Latin pop to the forefront of the U.S. music scene". In 2018, Diego Urdaneta from Vice credited the song as "one of those that laid the first stones so that J Balvin and Bad Bunnys of today can be at the top of the pyramid", labeling it "a milestone for Latin music". According to Entertainment Tonight, "Livin' la Vida Loca" paved the way for a large number of other Latin artists, and is "credited as the song that helped other Latin artists break through to English-speaking markets". As believed by Spin, the song "lit the fuse for the Latin pop explosion of the '90s". Lucas Villa from Spin wrote about it: "When the world went loca for Ricky, he led the way for other Latin music superstars like Spain's Enrique Iglesias, Colombia's Shakira and Nuyoricans like Jennifer Lopez and Marc Anthony to make their marks beyond the Spanish-speaking crowds." He also described Martin as "a trailblazer in globalizing Latinx culture" in his Grammy.com article. Also from Grammy.com, Ernesto Lechner described "Livin' la Vida Loca" as "the manifesto for all the fun-loving, tropically tinged Latin hit singles that followed", stating that Martin led "the Latin music explosion that took over the U.S. at the tail end of the '90s". According to The Independent, the single is "widely regarded as the song that began the first Latin pop explosion". Peoples Jason Sheeler credited it as the song that "led the way for the late-'90s so-called 'Latin explosion' that dominated pop music into the new century: Shakira, Enrique Iglesias, Marc Anthony, and Jennifer Lopez". Angie Romero from Billboard wrote: "If you look up 'crossover' in the dictionary, there should be a photo of Ricky shaking his bon bon and/or 'Livin' la Vida Loca'." Leila Cobo named "Livin' la Vida Loca" one of the genre's biggest singles of the past 50 years in his 2021 book Decoding "Despacito": An Oral History of Latin Music. She also wrote about his impact in Shakira's "Whenever, Wherever" chapter: "Ricky Martin’s phenomenal success opened the door for a string of Latin artists who waved the flags of their heritage, but who sang in English." Additionally, she compared Martin's song with Luis Fonsi's "Despacito" (2017) in one of her Billboard articles: "'Livin', like 'Despacito', became not just a global hit but a cultural phenomena that transcended all barriers of language and nationality." In another article, she described it as the song that "ignited the late-'90s Latin explosion". Also from Billboard, Gary Trust wrote: "The song helmed a Latin pop boom in the U.S., with Jenner Lopez, Marc Anthony and others crossing over, as well." Writing for LiveAbout.com, Bill Lamb credited the song as "the record which kicked off a wave of major Latin performers hitting the pop mainstream". Jim Farber from Daily News noted that Ricky Martin "provides a textbook example of how to mix Latin beats with pop tunes and rock intonations". St. Louis Post-Dispatch critic Kevin C. Johnson described Martin as Latin music's "pretty-faced poster boy" who is "taking the music to places Jon Secada, Selena and Santana never could". He also mentioned that even "Gloria Estefan at her peak, failed to muster up the kind of hype and hoopla surrounding Martin". Celia San Miguel of Tidal Magazine stated that Martin "highlighted the public's thirst for a different kind of pop" in 1999, noting the album's "fusion-heavy" and "hip-shaking rhythms associated with Latin music". She mentioned that the album "spawned 1999's Latin music boom", emphasizing the fact that Martin created the "spark" of the "Latin Pop Explosion", which was followed by 1999 albums, On the 6 by Lopez, Enrique by Iglesias, and Anthony's eponymous album. She continued crediting "Martin and the paths he created" responsible for the Latin music and Spanish and Spanglish lyrics being "a commonplace phenomenon on English-language radio" in 2019. In her review for Grammy.com, Ana Monroy Yglesias said Martin led a "major music moment in 1999" with Ricky Martin, and along with him, "the first major boom of Spanish-language artists", such as Shakira and Lopez, came into the "U.S. pop landscape". The late '90s Latin explosion also resulted in the launch of the Latin Recording Academy. Gabriel Abaroa Jr., the president and chief executive officer of the Latin Recording Academy, expressed that the plan of its launch was "immediately after the Ricky Martin success". Cuban American musician and producer Emilio Estefan added: "After the success with Ricky Martin, everybody opened their eyes and realized how important it was to bring diversity and multiethnic elements into [mainstream American] music." Many artists have cited Martin as an influence or declared themselves as his fan, including Abraham Mateo, Bad Bunny, Camila Cabello, Camilo, Carla Morrison, Christian Chávez, CNCO, Danna Paola, Enrique Iglesias, J Balvin, J-Hope, Jimin, Karol G, India Martínez, Luis Fonsi, Maite Perroni, Maluma, Neha Mahajan, Pedro Capó, Prince Royce, Rauw Alejandro, Rosalía, Sebastián Ligarde, Sebastián Yatra, Shakira, Tini, Vadhir Derbez, William Hung, Wisin, and Ximena Sariñana. Both Maluma and J Balvin have described Martin as a "teacher" and credited him as an artist who "opened the doors" for them, while Maluma has also expressed: "Ricky Martin is one of the artists I wanted to be growing up. He's my idol in the industry".Citations regarding J Balvin's statements about Martin: Puerto Rican singer Bad Bunny talked about Martin's legacy during an episode of Behind the Music: "There's no doubt that he opened the door for an entire generation of Latin artists. I am doing great things today in the music industry thanks to those doors that he opened." He also mentioned that he is inspired by Martin's coming out as gay: "You don't have to be gay to be inspired by that action of honesty and freedom, of being yourself against the world despite everything you deserve. I look at it like a very inspiring moment for anybody. At least for me, it's very inspirational." Brazilian singer-songwriter Anitta explained to The Guardian that "some Latin stars such as Maluma and Bad Bunny sing in their native language" and do not need to sing in English to get noticed, because they already had representatives like Shakira, Martin, and Jennifer Lopez, but since her country "hasn't had a major international pop star before", she uses "whatever language will get the market's attention". Portrayal in television In July 2019, SOMOS Productions, Endemol Shine Boomdog, and Piñolywood Studios announced the production of a biographical web television series about Menudo, titled Subete a Mi Moto. Consisting of 15 episodes of 60 minutes each, the series premiered on Amazon Prime Video on October 9, 2020 in Mexico, Latin America, and Spain. It was filmed in Mexico and Puerto Rico, and Martin was portrayed by actors Felipe Albors and Ethan Schwartz. The series premiered in the United States on February 14, 2021 on Estrella TV. On the review aggregation website Tomatazos, the first season has a positive score of 75%. The website's critical consensus summary states, "A good trip to the past that recalls a band that defined the youth of a certain public, but that doesn't ignore the darkest moments in the lives of its members." Other ventures Books On August 19, 2010, Martin announced that he had been working on his memoir, mentioning its title as Me and publish date as November 2, 2010. He expressed that writing the book was "one of the reasons" he decided to come out earlier that year. The book also had a Spanish edition title Yo (), which was published simultaneously by Celebra. He stated that writing his memoir allowed him "to explore the different paths and experiences" that have led him to be who he is, noting that it "was not easy but allowed for an incredible spiritual journey". Me spent several weeks at number one on the New York Times Best Seller list. In 2019, ¡Hola! staff ranked the book among "12 Books by Celebrities to Inspire and Motivate You", while Book Riot placed it on an unranked list of the "Best Celebrity Books You Should Read This Year" in 2020. Martin's first children's book Santiago the Dreamer in Land Among the Stars was published by Celebra and illustrated by Patricia Castelao in November 2013 for ages between five to nine. Its Spanish-language edition, Santiago El Soñador en Entre Las Estrellas, was published simultaneously. Martin expressed that the book was inspired by his "personal life, with fantasy added to it", as well as "a lot of cartoons". Products and endorsements Martin endorsed the 2012 Viva Glam campaign with Trinidadian rapper Nicki Minaj, which raised $270 million for the Mac AIDS Fund. In October 2020, Martin announced that he would launch his company, Martin Music Lab in partnership with music engineers Jaycen Joshua and Michael Seaberg. The company is centered around a new audio technique called "Orbital Audio", that "creates a new type of immersive, headphone listening experience". Martin used the technique on his EP Pausa, while several artists including Bad Bunny, Residente, Myke Towers, and A$AP Rocky are going to work with the company. The latter plans to release his whole upcoming studio album, using "Orbital Audio". Martin is going to expand the technique "beyond the music industry and tap into the movies, sports and, most notably, the wellness and meditation space". In 2021, Martin partnered with skin care company Kumiko. The skincare line, created by Chilean cosmetologist Catalina Aguirre, is the first to combine "mesotherapy, matcha, and cutting-edge European technology into unique multi-action formulas that penetrate the dermis with powerful anti-aging properties and lifting benefits". Activism Philanthropy While on a trip to India in 2002, Martin witnessed three minor girls who were about to be sold into prostitution and rescued them. The following year, he became a UNICEF Goodwill Ambassador and then met with activists and decided to fight against human trafficking, which is the second-most lucrative crime in the world. In 2004, Martin launched the Ricky Martin Foundation, a non-profit, non-governmental organization that focuses on denouncing human trafficking and educating about the crime's "existence through research and community initiatives, anchored in the defense of children and youth rights". In the same year, he appealed to the United Nations for international help to fight against sex tourism. In January 2005, following the 2004 Indian Ocean earthquake and tsunami, Martin visited Thailand to assess the needs of the minor survivors who were "extremely vulnerable to traffickers". Later that year, the Ricky Martin Foundation signed an alliance in partnership with Habitat for Humanity to construct 224 homes for the tsunami-affected families. The project was completed in December 2006. In March 2006, the foundation collaborated with the International Organization for Migration in the Llama y Vive () campaign, which focuses on facilitating "the prevention of human trafficking and the protection of young people, victims of child trafficking and prosecution of traffickers". In January 2010, along with many celebrities, Martin operated the charity telethon Hope for Haiti Now to raise donations for the 2010 Haiti earthquake. Later that year, the Ricky Martin Foundation created the first program of community social action against child trafficking in Martin's native Puerto Rico, titled "Se Trata" (). In 2012, the foundation participated in the making of the Child Protection Model Law on the International Centre for Missing & Exploited Children. In 2016, Martin visited Syrian refugees in Lebanon and played with the children and talked to them in an informal refugee camp. Following the Hurricane Maria in Puerto Rico in 2017, the Ricky Martin Foundation helped people and handed over homes that were rebuilt after the losses; Martin launched a viral campaign of selling a black T-shirt with the Puerto Rican flag stamped on it in order to raise the funds. The T-shirts were designed by Martin's twin boys Matteo and Valentino, while many celebrities including Will Smith, Bad Bunny, Marc Anthony, Luis Fonsi, and Maluma supported the campaign. During the COVID-19 pandemic, Martin created a campaign to help health care workers through the non-profit organization Project Hope. He expressed: "As you know, health care professionals are extremely vulnerable and professionals around the world don’t have personal protection equipment they need to prevent them getting infected." In February 2021, Martin collaborated with Antonia Novello to launch mass vaccination events in Puerto Rico. Following the murder of George Floyd and Black Lives Matter protests in 2020, Martin honored an effort called "Black Out Tuesday" and launched the hashtag #knowthestruggle, giving his social media to the voices of the community that are "looking for justice", to learn more about what is happening. For his humanitarian efforts and fighting against human trafficking, Martin has been honored with numerous accolades, including the Peace Summit Award by the World Summit of Nobel Peace Laureates, the TIP Report Hero Award by the United States Department of State, the Spirit of Hope Award by Billboard Latin Music Awards, the Latin Recording Academy Person of the Year Award, the Award of Inspiration by amfAR Gala, the Leader of Change Award by the Foundation for Social Change, the Humanitarian Award by the Global Gift Foundation, the Humanitarian Award by the Hispanic Federation, the Corazón Latino Award by the iHeartRadio Fiesta Latina, the International Humanitarian Award by the International Center for Missing and Exploited Children, the Agent of Change Award by the International Peace Honors, the PODER Social Leadership Awards, and the Agent of Change Award by the Premios Juventud. Politics On January 20, 2001, during the first inauguration of George W. Bush, Martin performed "The Cup of Life" and danced with him. Martin's view of Bush changed over the Iraq War, as expressed in his declaration to BBC News that he will "always condemn war and those who promulgate it". He also stuck up his middle finger while singing the president's name in his 2003 song "Asignatura Pendiente" at a concert. At the 2010 Billboard Latin Music Awards, Martin expressed his disagreement with the Arizona SB 1070 bill, a proposed law that would have required police officers to request documents from individuals whom they suspected to be illegal immigrants. Martin campaigned for the 44th president of the United States Barack Obama in 2008 and 2012, and thanked him for an "outstanding presidency" in 2016, while calling him "an amazing leader". Also in 2016, he was an active ally to the Democratic Party presidential candidate Hillary Clinton campaign, while condemning Donald Trump's hateful comments about immigrants. He also performed his hits during the "Hillary Clinton: She's With Us" concert at the Greek Theatre on June 6, 2016. Telegramgate, also known as Chatgate, was a political scandal involving Ricardo Rosselló, then Governor of Puerto Rico, which began on July 8, 2019, with the leak of hundreds of pages of a group chat on the messaging application Telegram between Rosselló and members of his cabinet. The messages were considered vulgar, misogynistic, and homophobic toward several individuals and groups, including Martin. Therefore, Martin, Bad Bunny, Residente and several other artists, and more than half a million Puerto Ricans led the call to take to the streets of Puerto Rico, demanding Rosselló's resignation. In September 2020, Martin, Luis Fonsi, and actress Eva Longoria attended a campaign event in Kissimmee, Florida to support the Democratic presidential candidate Joe Biden for the 2020 United States presidential election. During an interview with Variety, Martin stated: "I've been supporting Biden forever, I think he is the only option we have and he is great and he has been in politics all his life. This is the moment. We all need to get together and be loud about the course of this nation." Following the election of Biden as 45th president of the United States, Martin said "Bye-bye" to Trump on social media, and shared a photo of himself along with Biden on Instagram. In May 2021, Martin demonstrated his support for the Ni una menos movement, condemning femicides and violence against women in Puerto Rico, while calling authorities to protect women. He further expressed that no woman should fear for her safety and urged authorities to take steps in order to prevent these acts. In the same month, he supported the 2021 Colombian protests. Later that year, the singer raised his voice in support of the 2021 Cuban protests against the Castro regime for the restrictions due to the COVID-19 pandemic and the economic crisis, stating: "This is very important. Our brothers and sisters in Cuba need us to inform the world what they are experiencing today. Let's fill the networks before they remove the internet in the country. Humanitarian aid for Cuba NOW." LGBT advocacy As a gay man, Martin actively supports LGBT rights worldwide since his coming out in 2010. Even before coming out, he was noted by the mainstream media for being popular among gay men and having a large gay fan base. He also went on the cover of the American LGBT-interest magazine The Advocate in July 1999. Despite this, he admitted that he felt homosexuality was evil since he was raised as a Catholic and targeted his anger toward others, especially gay men: "I was very angry, very rebellious. I used to look at gay men and think, 'I'm not like that, I don't want to be like that, that's not me.' I was ashamed." He added that he "had internalized homophobia" back then. He is currently considered to be a gay icon, with PinkNews labeling him "a strong advocate of LGBT rights" who "expressed support for equal marriage" since coming out. As the first mainstream Latin music artist to come out, Martin's coming out was a game-changer for "Latin Pride". Billboards Lucas Villa stated: "With Martin's announcement, gay artists, who had long kept their sexual identities a secret, finally had a beacon of hope. If Martin could come out with his career unscathed, there was hope for other artists in Latin music to start doing the same." He added that since then, "a growing number of Latin artists have either come out after years in the spotlight, or many have simply started their careers by embracing their gay identities". In 2010, GLAAD then-president Jarrett Barrios expressed that Martin's coming out as gay leads "hundreds of millions of people" to have "a cultural connection with an artist, a celebrity and, perhaps most importantly, a father who happens to be gay", adding that "his decision to model this kind of openness and honesty can lead to greater acceptance for countless gay people in U.S., in Latin America and worldwide". In 2019, Human Rights Campaign then-president Alphonso David expressed that Martin "has used his international stage to advocate for LGBTQ people around the world" with his "unique voice and passionate activism". The following year, Suzy Exposito from Rolling Stone argued that with risking his career and coming out, Martin "set the scene for Bad Bunny to be free in many ways that, during his own breakthrough moment, he could not". Martin expressed support for same-sex marriage during an interview on Larry King Live in 2010. He has then delivered speeches about LGBT rights at the United Nations Homophobia Conference, the GLAAD Media Awards, and the Human Rights Campaign. He also raised his voice to support gay marriage in Puerto Rico before its legalization in 2015. In March 2016, Martin met with Chilean LGBT rights group Fundación Iguales to learn about the challenges LGBT citizens face there. AT the meeting, he said that he wants "equal marriage rights for Chile" and he wants his sons to grow up in a world where "there are no second-class citizens". Following the Colombia's highest court voting against an anti same-sex marriage proposal in April 2016, Martin tweeted: "Love and equality win, Colombia says YES to same-sex marriage." During an interview with Vulture, Martin talked about his role in The Assassination of Gianni Versace and how he wanted his portrayal to help "normalize open relationships". In June 2019, he published an open letter slamming the religious liberty bill, saying: "As a defender of human rights and a member of the LGBTT community, I am vehemently opposed to the proposed measure imposed upon us under the guise of religious freedom, that projects us to the world as a backwards country." Puerto Rico's then-governor backed down and withdrew his support of the bill following Martin's statement. In June 2020, Martin performed his song "Recuerdo" with Carla Morrison for a virtual event, Can't Cancel Pride: Helping LGBTQ+ People in Need, to raise visibility and funds for LGBTQ+ communities. He appeared at the virtual event in the following year as well. In February 2021, Martin was named national spokesperson for the onePULSE Foundation, a non-profit organization that focuses on managing "the design and construction of the permanent national memorial and museum dedicated to the Pulse nightclub tragedy". Later that year, he expressed that he wants to "normalize families like" his, in an interview with People. Several of Martin's music videos feature diversity in sexual orientations and same-sex couples, including "The Best Thing About Me Is You", "Disparo al Corazón", "Fiebre", and "Tiburones". For his activism and advocacy for LGBTQ community, Martin has been honored with numerous accolades, including the GLAAD Vito Russo Award, the Gala Vanguard Award by the Los Angeles LGBT Center, the International Icon Award by the British LGBT Awards, the National Visibility Award by the Human Rights Campaign, the Trailblazer Award by the LGBT Center Dinner, the Celebrity Activist of the Year by LGBTQ Nation, and the Legacy Award by Attitude Awards. Achievements Throughout his career, Martin has won over 200 awards (most awarded male Latin artist), including two Grammy Awards, five Latin Grammy Awards, five MTV Video Music Awards (tied for most wins by a Latin artist), two American Music Awards, two Latin American Music Awards, three Billboard Music Awards, a Billboard Music Video Award, nine Billboard Latin Music Awards, eight World Music Awards, fourteen Lo Nuestro Awards (including the Excellence Award), and a Guinness World Record. As an actor, he was nominated for an Emmy Award. In 2007, Martin was honored with a star on the Hollywood Walk of Fame, located at 6901 Hollywood Blvd. Martin is ranked among the Greatest Latin Artists of All Time and the Greatest Hot Latin Songs Artists of All Time by Billboard, while his album Vuelve was placed at number five on Billboards Top 20 Latin Albums Of All Time in 2018. In 1998, his song, "Perdido Sin Ti" reached the top of the Latin Pop Airplay chart, displacing Martin's own "Vuelve", making him the first artist on the chart's history to replace himself. His song "Livin' la Vida Loca" became the first number-one song on Billboard Hot 100, which was made entirely in Pro Tools, and achieved the first number one hit for his label, Columbia. It also became the first song in history to top Billboards Adult Pop Airplay, Pop Airplay, and Rhythmic Airplay charts, holding its record as the only song to do so for 14 years. On May 15, 1999, it became the first single ever to rule four different Billboard charts and made Martin the first act to simultaneously scale a pop, Latin, and dance chart. Two weeks later, he became the first artist to simultaneously top the Billboard 200, Hot Latin Tracks, Hot Dance Music/Club Play, Hot Dance Music/Maxi-Singles Sales, Top 40 Tracks, and the Billboard Hot 100. His song "Tal Vez" (2003) marked the first number one debut on Billboard Hot Latin Songs in the 21st century. Martin is the first and only artist with Spanish-language entries on Billboard Hot 100 in three decades. In 2020, he became the first and only artist in history to enter the Billboard Hot Latin Songs chart across five decades, including his work as part of Menudo. The following year, he became the first male Latin artist in history to have 4 songs from different decades to have over 100 million streams on Spotify. He owns the record as the artist with most top 20s on the US Latin Pop Airplay chart, with 51 songs, and is the runner-up of most top 10s. He is the fourth artist with the most number one songs in the history of the Hot Latin Songs chart. Additionally, he holds the record as the most Spanish-language entries on ARIA top 50 singles chart, with three. On October 11, 2007, then-mayor of Miami Beach, Florida David Dermer awarded him the key to the city of Miami Beach. Puerto Rico named August 31 the "International Ricky Martin Day" in 2008. The Government of Spain granted Spanish nationality to Martin in 2011, for being "recognized in different artistic facets". In 2018, in recognition of "his dedication to the island and people of Puerto Rico, his philanthropic work to eliminate human trafficking across the Caribbean, and his commitment to the arts", the singer received a proclamation naming June 7 the "Ricky Martin Day" in New York City. Throughout his career, Martin has sold over 70 million records making him one of the best-selling Latin music artists of all time. In 2020, La Opinión estimated his net worth at US$120 million. Discography Ricky Martin (1991) Me Amaras (1993) A Medio Vivir (1995) Vuelve (1998) Ricky Martin (1999) Sound Loaded (2000) Almas del Silencio (2003) Life (2005) Música + Alma + Sexo (2011) A Quien Quiera Escuchar (2015) Filmography Mas Que Alcanzar una estrella (1992) Hercules – Latin American dub (1997) Idle Hands (1999) Ricky Martin: One Night Only (1999) Minions – Latin American dub (2015) The Latin Explosion: A New America (2015) Ricky Martin: Behind the Vegas Residency (2017) Jingle Jangle: A Christmas Journey (2020) El cuartito (2021) Theatre Les Misérables (1996), Broadway – Marius Pontmercy Evita (2012), Broadway – Ché Tours and residenciesHeadlining tours Ricky Martin Tour (1992) Me Amaras Tour (1993–1994) A Medio Vivir Tour (1995–1997) Vuelve World Tour (1998) Livin' la Vida Loca Tour (1999–2000) One Night Only with Ricky Martin (2005–2006) Black and White Tour (2007) Música + Alma + Sexo World Tour (2011) Ricky Martin Live (2013–2014) Live in Mexico (2014) One World Tour (2015–2018) Ricky Martin en Concierto (2018-2019) Movimiento Tour (2020-2022)Co-headlining tour Enrique Iglesias and Ricky Martin Live in Concert (with Enrique Iglesias) (2021)Residency' All In (2017–2018) See also Honorific nicknames in popular music List of artists who reached number one in the United States List of artists who reached number one on the UK Singles Chart List of Latin pop artists List of multilingual bands and artists List of Puerto Rican Grammy Award winners and nominees List of Puerto Ricans List of Urbano artists Notes References Book sources External links 1971 births Living people 20th-century LGBT people 20th-century Puerto Rican male actors 20th-century Puerto Rican male singers 20th-century Puerto Rican singers 21st-century LGBT people 21st-century Puerto Rican male actors 21st-century Puerto Rican male singers 21st-century Puerto Rican singers American gay actors American gay musicians American humanitarians American male pop singers American male singer-songwriters Columbia Records artists Echo (music award) winners Grammy Award winners Hispanic and Latino American male actors Hispanic and Latino American musicians Latin Grammy Award winners Latin music songwriters Latin pop singers Latin Recording Academy Person of the Year honorees LGBT entertainers from Puerto Rico LGBT Hispanic and Latino American people LGBT Latin musicians LGBT rights activists from the United States LGBT singers from the United States Male actors from San Juan, Puerto Rico Menudo (band) members MTV Europe Music Award winners Naturalised citizens of Spain Puerto Rican activists Puerto Rican expatriates in Australia Puerto Rican expatriates in Mexico Puerto Rican expatriates in Spain Puerto Rican male film actors Puerto Rican male soap opera actors Puerto Rican male television actors Puerto Rican people of Basque descent Puerto Rican people of Canarian descent Puerto Rican people of Corsican descent Puerto Rican people of Spanish descent Puerto Rican philanthropists Puerto Rican pop singers Puerto Rican record producers Puerto Rican singer-songwriters Singers from San Juan, Puerto Rico Sony Music Latin artists Sony Music Spain artists Spanish-language singers of the United States UNICEF Goodwill Ambassadors World Music Awards winners

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What happened when he was on tour

What happened when Ricky Martin was on tour with Menudo?

Ricky Martin

After achieving modest fame in Puerto Rico for his work in television commercials, Martin auditioned for membership in the Puerto Rican boy band Menudo. Although the executives enjoyed his dancing and singing at his first two auditions, Martin was rejected because he was too short. By the third audition, his persistence impressed executives, and in 1984, 12-year-old Martin became a member. A month after joining Menudo, he made his debut performance with the group at the Luis A. Ferre Performing Arts Center in San Juan. During this performance, he inadvertently disobeyed the choreography by walking around the stage, when it was planned that he would stay still, and was chastised by the band manager after the show: "The mistake was such a big deal that from that moment on, never again did I move when I wasn't supposed to move...That was the discipline of Menudo: You either did things the way you were told or you were not part of the group." The song "Asignatura Pendiente" from Almas del Silencio (2003) was inspired by the first time Martin left Puerto Rico to tour with Menudo. Although Martin enjoyed traveling and performing onstage with Menudo, he found the band's busy schedule and strict management exhausting, and later reflected that the experience "cost" him his childhood. He considered leaving the group while on tour in Brazil, but ultimately decided to stay out of fear of media backlash and being sued for breach of contract. Martin also began struggling with his sexuality, noting the stark contrast between his status as a sex symbol and his own emotions. Despite this, Martin acknowledged his "opportunity to have so many amazing experiences with so many amazing people" during his time with the group. He developed an interest in philanthropy when the group became UNICEF ambassadors, often working with impoverished children in third world countries. His experiences as an ambassador affected him greatly and inspired him to continue working with charities later in life. By 1987, Menudo's record sales began to decline, and the group changed its image, adopting an edgier look and performing more rock-influenced songs. The band released the album Somos Los Hijos del Rock in Spanish, and to appeal to the Menudo's Filipino fanbase, the group released In Action, recording songs in both English and Tagalog. After recording 11 albums with the group, Martin left Menudo in July 1989, at age 17, hoping to rest and evaluate his career path. He performed his final show with the group at the same venue where he'd performed his first performance as a member. Martin returned to Puerto Rico to graduate from high school, and 13 days after turning 18, he moved to New York City to celebrate his financial independence; since he was a minor during his time as a member of Menudo, Martin was not allowed to access his own bank accounts. He was accepted into New York University's Tisch School of the Arts, but months before classes began, Martin dropped out and moved to Mexico City to perform in the play Mama Ama el Rock (Mom Loves Rock). CANNOTANSWER

he made his debut performance with the group at the Luis A. Ferre Performing Arts Center in San Juan. During this performance, he inadvertently disobeyed the choreography

Enrique Martín Morales (born December 24, 1971), known professionally as Ricky Martin, is a Puerto Rican singer, songwriter, and actor. He is known for his musical versatility, as his discography spans multiple genres, including Latin pop, pop, dance, reggaeton, and salsa. Dubbed the "King of Latin Pop", the "King of Latin Music", and the "Latin Pop God", he is regarded as one of the most influential artists in the world. Born in San Juan, Martin began appearing in television commercials at the age of 9 and began his musical career at age 12, as a member of Puerto Rican boy band Menudo. He started his solo career in 1991 while in Sony Music Mexico, gaining recognition in Latin America with the release of his first two studio albums, Ricky Martin (1991) and Me Amaras (1993), both of which were focused on ballads. Martin's third album, A Medio Vivir (1995), helped him rose to prominence in European countries. The chart-topping single "María", incorporated a mixture of Latin music genres and became his first international hit. His international success was further solidified with his fourth album, Vuelve (1998). The album, which earned Martin his first Grammy Award, spawned chart-topping hits "Vuelve" and "La Copa de la Vida". Martin performed the latter at the 41st Annual Grammy Awards, which was greeted with a massive standing ovation and is known as a game-changer for Latin music worldwide. His first English album, Ricky Martin (1999) became his first US Billboard 200 number one. The lead single "Livin' la Vida Loca" is considered to be Martin's biggest hit, topping both the Billboard Hot 100 and the UK Singles Chart. Martin's success in the late '90s is generally seen as the beginning of the "Latin explosion". He has been credited for getting Latin pop music genre to mainstream recognition, paving the way for a large number of Latin artists to achieve a global success. Martin has since established his status as a sex symbol and a pop icon, releasing several successful albums, including all-time Latin bestsellers Almas del Silencio (2003) and MTV Unplugged (2006), as well as Grammy Award winner A Quien Quiera Escuchar (2015). He has also amassed many successful singles and chart-topper hits, including "She Bangs", "Nobody Wants to Be Lonely", "Tal Vez", "Tu Recuerdo", "La Mordidita", "Vente Pa' Ca", and "Canción Bonita". As an actor, Martin gained popularity and stardom for his role in the hit soap opera General Hospital (1994-1996), while his portrayal of Antonio D'Amico in The Assassination of Gianni Versace: American Crime Story (2018) marked the acting opportunity of his career, garnering him an Emmy nomination. He also starred as Ché in the Broadway revival of the musical Evita in 2012, which broke the theatre's box-office sales record seven times. Having sold over 70 million records worldwide, Martin is one of the best-selling Latin music artists of all time. He has scored 11 Billboard Hot Latin Songs number-one songs, and won over 200 awards (most awarded male Latin artist), including two Grammy Awards, five Latin Grammy Awards, five MTV Video Music Awards (tied for most wins by a Latin artist), two American Music Awards, two Latin American Music Awards, three Billboard Music Awards, nine Billboard Latin Music Awards, eight World Music Awards, fourteen Lo Nuestro Awards, a Guinness World Record, and a star on the Hollywood Walk of Fame. He is ranked among the Greatest Latin Artists of All Time, the Greatest Music Video Artists of All Time, and the Most Influential Latin Artists of All Time by Billboard. His philanthropy and activism focus on LGBT rights and fighting against human trafficking; in 2004, he founded The Ricky Martin Foundation, a non-profit, non-governmental organization that focuses on denouncing human trafficking and educating about the crime's existence. Life and career 1971–1982: Early life Enrique Martín Morales was born on December 24, 1971, in San Juan, Puerto Rico. His mother, Doña Nereida Morales, is a former accountant; his father, Enrique Martín Negroni, is a former psychologist who previously worked as a regional supervisor for a Puerto Rican mental-health agency. His parents divorced when he was two years old, and although his mother had custody of Martin, he could also move freely between his father's house in the middle-class suburb of University Gardens in San Juan, and his paternal grandmother's house nearby. In an interview with People, he told the magazine the he "never had to make decisions" about who he loved more, and he was "always happy". Martin has two older maternal half-brothers, Fernando and Ángel Fernández, two younger paternal half-brothers, Eric and Daniel Martín, and a younger paternal half-sister, Vanessa Martín. Martin has Spanish heritage of Basque and Canarian descent. As he explained to ABC, the Martins traveled from Spain to Puerto Rico in 1779. He also has some Corsican origin through his paternal grandmother. Martin grew up Catholic. The people closest to him called him "Kiki" (a nickname that comes from Enrique). He began singing at age six, using wooden kitchen spoons as make-believe microphones; he often sang songs by Puerto Rican boy band Menudo, as well as English-language rock groups such as Led Zeppelin, Journey, and REO Speedwagon. His mother's side of the family was musically inclined and his maternal grandfather was a poet. Martin later reflected on his time spent with his family as a child: "Every time I find myself in front of an audience, be it twenty people or one hundred thousand, once again I feel the energy that consumed me back at the family gatherings of my youth." He attended Colegio Sagrado Corazón, a bilingual Catholic grade school in University Gardens since fourth grade and was an "average" student there. When he was nine years old, he began appearing in television commercials for products such as soft drinks, toothpaste, and fast food restaurants, most notably Orange Crush and Burger King. In a year and a half, he starred in 11 commercials. 1983–1989: Menudo After achieving moderate fame in his country for his appearances in television commercials, Martin auditioned for membership in Menudo. Formed in Puerto Rico in 1977, Menudo members were usually replaced when they hit 16 in order to keep the band "full of fresh-faced members". Although the executives enjoyed his dancing and singing at his first two auditions, Martin was rejected because he was too short. By the third audition, his persistence impressed executives, and in 1984, 12-year-old Martin became a member. A month after joining Menudo, he made his debut performance with the group at the Luis A. Ferré Performing Arts Center in San Juan. During this performance, he inadvertently disobeyed the choreography by walking around the stage, when it was planned that he would stay still, and was chastised by the band manager after the show: "The mistake was such a big deal that from that moment on, never again did I move when I wasn't supposed to move. That was the discipline of Menudo: You either did things the way you were told or you were not part of the group." Although Martin enjoyed traveling and performing onstage with Menudo, he found the band's busy schedule and strict management exhausting, and later reflected that the experience "cost" him his childhood. Despite this, Martin acknowledged his "opportunity to have so many amazing experiences with so many amazing people" during his time with the group. During his time with Menudo, he became a "key-member of the group" and a "fan-favorite", while the band released 11 albums, including the Grammy-nominated Evolución () (1984) and their highest-charting and longest-running album on the US Billboard 200, Menudo (1985). The former featured Martin's debut single, "Rayo de Luna" () and the latter included the hit single "Hold Me". "Hold Me" became the group's first and only entry on the US Billboard Hot 100 chart, peaking at number 62. It was ranked among the "100 Greatest Boy Band Songs of All Time" by Billboard, the "75 Greatest Boy Band Songs of All Time" by Rolling Stone, and the "30 Best Boy Band Songs" by Complex. Besides the musical career, Martin appeared with other members of Menudo in the American romantic comedy/drama television series, The Love Boat (1985), and the Argentine soap opera, Por Siempre Amigos (1987). He also developed an interest in philanthropy when the group became UNICEF ambassadors, often working with impoverished children in third world countries. His experiences as an ambassador affected him greatly and inspired him to continue working with charities later in his life. Finally, Martin left the band in July 1989, at age 17, hoping to rest and evaluate his career path; he stayed a few extra months after his "age-mandated retirement" came around. He performed his final show with the group at the same venue where he had performed his first performance as a member. Referred to as the "Most Iconic Latino Pop Music Band", Menudo was ranked as one of the Biggest Boy Bands of All Time by Us Weekly in 2021. The group has sold around 20 million records worldwide, and has been acknowledged as the "Most Successful Latin Boy Band of All Time" by Billboard. Martin returned to Puerto Rico to "get a break from the pressures of the group, the promotional tours, and the constant stress of work", but although his parents' divorce had not affected him before, suddenly began to affect him; his parents "began fighting more than ever" and they were forcing him to "choose between the two people in the world" he loved most. As he understood they did this because they loved him and wanted the best for him, he "forgave all of the pain and anger they caused" him. He graduated from the high school, and 13 days after turning 18, he moved to New York City to celebrate his financial independence; since he was a minor during his time with Menudo, Martin was not allowed to access his own bank accounts. 1990–1994: Acting and first solo albums Martin was accepted into New York University's Tisch School of the Arts in 1990, but before classes began, his friend invited him to Mexico City. He attended the musical comedy play, Mama Ama el Rock () there, and was offered to stay and replace one of the actors. He accepted the offer, dropped out the university and moved from New York to Mexico City to perform in the play. While he was performing onstage in Mama Ama el Rock, a producer in the audience took notice of Martin's acting and offered him a role in the Mexican telenovela Alcanzar una estrella () (1990). Martin also joined the cast for the second season of the show, titled Alcanzar una estrella II (1991). A film based on the TV series, titled Más que alcanzar una estrella () (1992), was also produced in which Martin starred, and earned him an El Heraldo Award for his role. A Sony Discos executive noticed Martin's acting in the soap operas and offered him his first solo music recording contract. Eager to record his first solo album and hustled by the executive, Martin signed the contract without reading its conditions and inadvertently signed a deal in which he would only be paid one cent for each album sold! Despite viewing the contract as unfair, Martin referred to the record as "the start of something phenomenal" for him. After working "around the clock" to finish filming Alcanzar una estrella II and recording music, he released his debut solo album, Ricky Martin, on November 26, 1991. The album peaked at number five on the US Billboard Latin Pop Albums chart and spent a total of 41 weeks on the list. It sold over 500,000 copies worldwide, was certified gold in Argentina, Chile, Colombia, Mexico, and Puerto Rico, and spawned his first solo hit singles, "Fuego Contra Fuego" (), "El Amor de Mi Vida" (), and "Dime Que Me Quieres" (). Both "Fuego Contra Fuego" and "El Amor de Mi Vida" reached the top 10 on the US Billboard Hot Latin Tracks, peaking at numbers three and eight, respectively. To promote the album, Martin embarked on a successful Latin American tour, breaking box office records, which the singer referred to as "an indescribable feeling, almost like coming home". After the success of Ricky Martin and its subsequent tour, Martin's record company met him with the Spanish musician Juan Carlos Calderón to work on his second studio album, Me Amaras () (1993). Although Martin felt "very grateful" for the opportunity to work with Calderón, he noted, "I always felt that that record was more his than mine." The album sold over one million copies worldwide and was certified triple-platinum in Chile. In 1994, Martin's agent encouraged him to move to Los Angeles to act in an American sitcom called Getting By. The show was canceled after two seasons, but soon afterward, Martin was given the role of Miguel Morez on the popular hit soap opera General Hospital; Morez, a bartender and singer, known for his long and flowing hair, was a Puerto Rican citizen hiding in the United States from his lover's criminal mastermind father and created a love triangle with his fiancé Lily Rivera and Brenda. Martin portrayed the role for two years and gained huge popularity and stardom, becoming "one of the most-talked about actors on the soap opera". Despite this, Martin felt he lacked chemistry with the rest of the General Hospital cast and observed that people treated him differently because of his Puerto Rican accent. At the time, it was relatively uncommon for Latin actors to appear on American television, and people suggested that he take accent reduction classes, which he refused. 1995–1997: Breakthrough with A Medio Vivir In 1995, Martin refocused on his music career, and began working on his third studio album, A Medio Vivir (). The album was released on September 12, 1995, and became a huge success; it sold over three million copies or even seven million copies worldwide, according to different sources, being certified gold in the United States, platinum in France, 4× platinum in Spain, and 6× platinum in Argentina, as well as many other certifications in Latin American countries. It spawned several successful hits, including "Te Extraño, Te Olvido, Te Amo" (), "María", and "Volverás" (). On "María", which was released as the second single from the album, Martin allowed himself "to go into a very Latin, African sound". He created a mix of different Latin music genres instead of singing a romantic ballad, the style that he focused on it in his first two albums, while Latin pop music in general was mainly made up of it at the time. Although Martin was satisfied with the track and he describes it as a song that he is "extremely proud of", the first time he played it for a record label executive, the man said: "Are you crazy? You have ruined your career! I can't believe you are showing me this. You're finished — this is going to be your last album." Despite this, the track became Martin's breakthrough song and his first international hit. It topped the charts in 20 countries, and has sold over five million physical copies worldwide. As a result, the song was featured in the 1999 edition of The Guinness Book of Records as the biggest Latin hit. It was also the Song of the Summer in Spain in 1996 and was the second best-selling single in the world that year. In Australia, "María" spent six weeks at number one, topped the country's year-end chart in 1998, and was certified platinum. The song also spent nine weeks at number one in France, and was certified diamond. It has sold over 1.4 million copies in France. Additionally, the track reached the top 10 in the United Kingdom, and became Martin's first entry on the US Billboard Hot 100 chart. To promote A Medio Vivir, he embarked on the worldwide A Medio Vivir Tour, that lasted for more than two years, through which he performed 63 shows and visited Europe, Latin America and the United States. During an interview with The Miami Herald in 1996, Martin expressed an interest in performing on Broadway. In a few days, he received a phone call from producer Richard Jay-Alexander, and was offered the role of Marius Pontmercy in the play Les Misérables. After the conclusion of the A Medio Vivir Tour in Latin America, Martin returned to New York to appear in the play in an eleven-week run. He greatly enjoyed the experience, calling his time in the play an "honor" and "the role of [his] life". Martin continued to tour after the conclusion of the show's run, and noted that his audiences were growing in both size and enthusiasm. 1998–1999: Vuelve While the A Medio Vivir Tour had not been concluded yet, Martin returned to the studio to record his fourth album Vuelve (). He called the experience of touring and recording at the same time "brutal and incredibly intense". As he was finishing the record in 1997, "María" caught the attention of FIFA. They contacted Martin and asked him to create a song as the 1998 FIFA World Cup anthem. He stated about the request: "I have to admit that the challenge made me a bit nervous, but the massive growth potential for my career was such that I decided to accept." Following his acceptance, musicians K.C. Porter, Robi Rosa, and Desmond Child joined him and they started working on a song titled "La Copa de la Vida" (English: "The Cup of Life"). Martin wrote about the recording: "La Copa de la Vida" was included as the eighth track on Vuelve, released February 12, 1998, The album became a huge success; it sold over eight million copies worldwide, becoming the best-selling Spanish-language album in history, according to his label. Also, some sources have reported the album's sales as six million copies worldwide. It spent 26 weeks atop the US Billboard Top Latin Albums chart and was certified platinum by the Recording Industry Association of America (RIAA). In Canada, the album peaked at number three and was certified double platinum. Vuelve spawned big hits, including the title track, "La Copa de la Vida", "Perdido Sin Ti" (), and "La Bomba" (). "La Copa de la Vida" grew to be an international success, appearing on the charts in more than 60 countries, and reaching number one in 30 countries, Both "Vuelve" and "Perdido Sin Ti" peaked at number one on the US Billboard Hot Latin Tracks chart; the former also reached number one in On July 12, 1998, Martin performed "La Copa de la Vida" as the official anthem at the 1998 FIFA World Cup Final in France, in front of more than a billion TV viewers around the world. To promote Vuelve, Martin embarked on the worldwide Vuelve Tour; he performed in Asia, Australia, Europe, Mexico, South America, and the United States. Although Latin music was not important to the Recording Academy or the mainstream music industry at the time, Tommy Mottola, then-chief of Columbia Records, was certain about Martin's stardom and pushed hard to have him on the Grammy Awards ceremony. During an interview with Billboard, Mottola told the magazine about it: "There was tremendous resistance from the Grammys. They did not want an 'unknown' to perform, yet we he had already sold 10 million copies of Vuelve worldwide. To me, that was absolutely UNACCEPTABLE." Finally, on February 24, 1999, cavorting with a 15-piece band alongside and a large number of dancers and percussionists, Martin performed a bilingual version of "La Copa de La Vida" at the 41st Annual Grammy Awards, which was greeted with a massive standing ovation and met with acclaim from music critics. At the same night, Vuelve earned Martin his first Grammy award, for Best Latin Pop Performance. After he accepted the award and expressed how important it was to the Latin community, the American singer-songwriter Madonna came on the stage and hugged him. 1999–2000: Crossover to English In October 1998, CNN confirmed that Martin has been working on his first English language album, following the huge success of Vuelve. In April 1999, Billboard revealed the album's title as Ricky Martin in an article, mentioning that the album was initially set for retail on May 25, 1999. However, the huge interest in the disc, following Martin's performance at the Grammy Awards, encouraged Columbia Records to decide to rush the album to release two weeks ahead of schedule, on May 11. Tom Corson, the senior vice president of marketing at Columbia explained: "Quite simply, the market has demanded it. People have been wanting this record for a while, and it's now reached the point where we have to get it out there immediately." Tim Devin, the general manager of Tower Records in New York added about Martin: "He's always been one of our strongest Latin artists, but interest in him has picked up considerably since that performance." Ricky Martin debuted atop the US Billboard 200 with first-week sales of 661,000 copies, according to data compiled by Nielsen SoundScan, becoming the largest sales week by any album in 1999. It also broke the record as the largest first-week sales for any pop or Latin artist in history, as well as any Columbia Records artist during the SoundScan era. With this album, Martin became the first male Latin act in history to debut at number one on the US Billboard 200 chart. It was certified 7× platinum by the Recording Industry Association of America (RIAA), denoting shipments of over seven million copies in the US and breaking the record as the best-selling album by a Latin artist in the country. Only within three months, Ricky Martin became the best-selling album ever by a Latin artist. According to different sources, the album has sold over 15 million copies or even 17 million copies worldwide. It was nominated for Best Pop Album at the 42nd Annual Grammy Awards. The album was supported by four singles; the lead single "Livin' la Vida Loca" () topped the charts in more than 20 countries and is considered to be Martin's biggest hit, and one of the best-selling singles of all time. In the United States, it topped the Billboard Hot 100 chart for five consecutive weeks, becoming Martin's first number one single on the chart. Additionally, it broke several records on Billboard charts. It also spent eight consecutive weeks atop the Canada Top Singles chart and topped the country's year-end chart. In the United Kingdom, it debuted at number one and stayed there for three weeks, making Martin the first Puerto Rican artist in history to hit number one. The track was ranked as the best '90s pop song by Elle, and was listed among the Best Latin Songs of All Time by Billboard. It was nominated for four categories at the 42nd Annual Grammy Awards, including Record of the Year and Song of the Year. Its Spanish version reached the summit of the Billboard Hot Latin Tracks chart in the United States, and was nominated for Record of the Year at the 2000 Latin Grammy Awards. "She's All I Ever Had" was released as the second single from the album in June 1999. It peaked at numbers two and three on the US Billboard Hot 100 and Canada Top Singles charts, respectively. The Spanish version, "Bella" () topped the charts in five countries, as well as Billboards Hot Latin Tracks chart. To further promote Ricky Martin, he embarked on the worldwide Livin' la Vida Loca Tour. In the United States, the Livin' la Vida Loca Tour was the highest-grossing tour of 2000 by a Latin artist, earning over $36.3 million with 44 dates and drawing 617,488 fans. According to Billboard Boxscore, the tour grossed $51.3 million in Canada, Mexico, and the United States, with 60 shows and drawing an audience of 875,151. International dates were not reported to Boxscore and would push the tour's grosses higher. 2000–2005: Sound Loaded, Almas del Silencio, and Life While the Livin' la Vida Loca Tour had not been concluded yet, Martin returned to the studio to record his sixth studio album, Sound Loaded. The album was released on November 14, 2000. It debuted at number four on the Billboard 200 with first-week sales of 318,000 copies, according to data compiled by Nielsen SoundScan. The album has sold over seven million copies or even eight million copies worldwide, according to different sources, being certified double platinum in the US. The album featured two hit singles, "She Bangs" and "Nobody Wants to Be Lonely". The former reached number one in seven countries, including Italy and Sweden, as well as the top five in Australia, Canada, the United Kingdom, and several other countries. It was nominated for Best Male Pop Vocal Performance at the 43rd Annual Grammy Awards. The Spanish-language version of "She Bangs" reached the summit of the Hot Latin Tracks chart and won the Latin Grammy Award for Best Music Video at the 2nd Annual Latin Grammy Awards. "Nobody Wants to Be Lonely" was re-recorded along with American singer Christina Aguilera, peaking at number one in five countries, as well as the top five in Italy, Germany, Spain, and the United Kingdom, among others. It was nominated for Best Pop Collaboration with Vocals at the 44th Annual Grammy Awards. The solo Spanish version, entitled "Sólo Quiero Amarte" topped the Hot Latin Tracks chart. Both "She Bangs" and "Nobody Wants to Be Lonely" are certified silver in the UK. In February 2001, Martin released a Spanish compilation album entitled La Historia (), which spent five weeks at number one on the Top Latin Albums chart, topped the charts in Argentina and Sweden, and was certified quadruple Latin platinum in the United States. Following the success of Ricky Martin and Sound Loaded, he initially planned to release the third English-language album as his seventh studio album, which was supposed to be his first complete work in the field of songwriting. Despite Sony Music Entertainment's original plan, he decided to release a Spanish-language album: "I woke up five months ago, and I said 'We're doing an album in Spanish.' Everyone went nuts. They said, 'You don't have time; you have to release an album in English because of timing issues with your career.' And that's fine. But I told them, 'In five months, you'll have a kick-ass album' [in Spanish]. Martin's seventh studio album, Almas del Silencio () was released in May 2003. It debuted atop the Billboard Top Latin Albums chart with first-week sales of 65,000 copies, according to data compiled by Nielsen SoundScan, breaking the record as the largest first-week sales for a Spanish-language album in the US. The album also debuted at number 12 on Billboard 200, tying the 2002 album, Quizás () as the chart's highest Spanish-language debut. The album also debuted at number one in "at least 13 Latin American markets" and sold over two million copies worldwide. Almas del Silencio spawned three Hot Latin Tracks chart-topper hits: "Tal Vez" (), "Jaleo", and "Y Todo Queda en Nada" (). "Tal Vez" debuted at number one on the Billboard Hot Latin Tracks chart on the week of April 12, 2003, marking the first number one debut since February 1998, and becoming the sixth song overall in the chart's history to do so. It spent a total of 11 weeks at this position, surpassing "Livin' la Vida Loca" as Martin's longest number-one single on the chart, and was the longest-running number one of 2003. It also topped the charts in several Latin American markets. In October 2005, Martin released his third English album, Life. He commented on the album: "I was really in touch with my emotions. I think this album is very multi-layered, just like life is. It's about feeling anger. It's about feeling joy. It's about feeling uncertainty. It's about feeling. And all my emotions are part of this production". To promote Life, Martin embarked on the worldwide One Night Only with Ricky Martin tour. 2006–2012: MTV Unplugged, Música + Alma + Sexo, and Evita Although Martin's team and MTV had discussed an MTV Unplugged for years, but it became more serious after Martin's the One Night Only tour, which featured an acoustic segment. Finally, Martin taped his MTV Unplugged set in Miami in August 2006, performing both romantic ballads and up-tempo tropical dance songs. During the performance, he debuted three new tracks, including "Tu Recuerdo" (), which was released to radio stations as the lead single from his debut live album MTV Unplugged (2006). The album debuted at number one on the Top Latin Albums chart and sold over two million copies worldwide, marking his highest-certified album in Mexico. It won two Latin Grammy awards and was nominated for Album of the Year. "Tu Recuerdo" reached number one in five countries, as well as the Billboards Hot Latin Songs and Latin Pop Airplay charts. The track was certified quadruple platinum in Mexico and was nominated for Record of the Year at the 8th Annual Latin Grammy Awards. The artist then embarked on the Black and White Tour in 2007, including four sold-out shows at the José Miguel Agrelot Coliseum in Puerto Rico. The concerts in Puerto Rico were compiled into his second live album Ricky Martin... Live Black & White Tour (2007). Later that year, he released his first Italian song, "Non siamo soli" () as a duet with Italian singer Eros Ramazzotti. The song debuted at number one in Italy and spent eleven consecutive weeks atop the chart. In January 2011, Martin launched his ninth studio album, Música + Alma + Sexo (). The album debuted at number three on the US Billboard 200 chart, becoming the highest-charting primarily-Spanish language set since Dreaming of You (1995) by American singer Selena. It holds the record as the highest-charting Latin album of the 2010s, and represents the highest-ever chart debut on the Billboard 200 for a Sony Music Latin release. Música + Alma + Sexo also peaked at number one in Argentina and Venezuela, as well as Billboards Top Latin Albums. Its lead single, "Lo Mejor de Mi Vida Eres Tú" (English: "The Best Thing About Me Is You") reached number one on the US Billboard Hot Latin Songs chart and was nominated for Record of the Year, Song of the Year, and Best Short Form Music Video at the 12th Annual Latin Grammy Awards. To promote the album, Martin embarked on the Música + Alma + Sexo World Tour in 2011. In February 2012, he appeared as Spanish teacher David Martinez on the twelfth episode of the third season of the American musical television series Glee, The Spanish Teacher. Martin starred as Ché in the Broadway revival of the musical Evita from March 2012 to January 2013. The show became a hit, breaking the theatre's box-office sales record after only six performances. Sine then, it broke its own record six times and was nominated for Best Revival of a Musical at the 66th Tony Awards. The show's soundtrack album debuted at number one on Billboards cast album chart. 2013–2018: The Voice, A Quien Quiera Escuchar, and The Assassination of Gianni Versace Martin served as a coach on the second season of the Australian singing competition television series The Voice in 2013. In the same year, he released a compilation album, entitled Greatest Hits: Souvenir Edition, which reached number two in Australia, as well as a new single, entitled "Come with Me", which debuted at number three in the country. The artist then embarked on the Ricky Martin Live tour in Australia in October 2013. He continued serving as a coach on both the third and fourth seasons of The Voice Australia in 2014 and 2015, respectively. In 2014, Lars Brandle from Billboard stated in an article: "Through his high-profile slot on The Voice, Ricky's profile in Australia has never been as big as it is right now." On February 25, 2014, Wisin released a song titled "Adrenalina" () from his album El Regreso del Sobreviviente (), which featured Jennifer Lopez and Martin, and became the Univision's 2014 World Cup song. It received commercial success, peaking in the top-five of Bulgaria, Mexico, Spain, and Billboards Hot Latin Songs chart. Its accompanying music video has accumulated over 850 million views on YouTube. Later that year, Martin released his single "Vida" () for the 2014 FIFA World Cup. The song reached the top five in Spain and on the US Hot Latin Songs chart. Also in 2014, he served as a coach on the fourth season of The Voice Mexico, and embarked on the Live in Mexico tour. In February 2015, Martin released his tenth studio album, A Quien Quiera Escuchar (). The album debuted at number one on Billboards Top Latin Albums chart and peaked at number one in Argentina. It won the award for Best Latin Pop Album at the 58th Annual Grammy Awards and Album of the Year at the 1st Latin American Music Awards. The album spawned three Hot Latin Songs top-10 hits: "Adiós" (), "Disparo al Corazón" (), and "La Mordidita" (). "Disparo al Corazón" was nominated for both Record of the Year and Song of the Year at the 16th Annual Latin Grammy Awards. "La Mordidita" experienced huge commercial success, being certified 15× Latin platinum in the United States. Its accompanying music video has received over 1.2 billion views on YouTube. To promote the album, Martin embarked on the One World Tour from 2015 to 2017. He served as an executive producer and a judge on the American singing competition series La Banda (), which premiered in 2015 and 2016 on Univision. The first season was "looking for the next Latin boy band", while the second season was looking for a Latin girl band. The contestants would compete for a recording deal with Sony Music Latin and Syco Music. CNCO, known as the first boy band to make reggaeton, was the winner of the first season. Martin became their manager and produced the band's debut album, Primera Cita () (2016), along with Wisin; the album debuted at number one on Top Latin Albums and featured the hit single "Reggaetón Lento (Bailemos)" (). CNCO opened many dates on One World Tour in 2016. In 2020, Leila Cobo from Billboard compared the group with Menudo, noting: "Not since Menudo had a Latin boy band melted our hearts or made us dance quite like CNCO". On September 23, 2016, Martin released a song called "Vente Pa' Ca" (), featuring Colombian singer Maluma. The song became one of the biggest Spanish-language songs of 2016, reaching number one in seven countries, as well as Billboards Latin Airplay, Latin Pop Airplay, and Tropical Airplay charts. It also reached top five in Spain and on the Billboard Hot Latin Songs, being certified quadruple platinum in Spain and diamond in Mexico. The track was nominated for both Record of the Year and Song of the Year at the 18th Annual Latin Grammy Awards. The accompanying music video has received over 1.75 billion views on YouTube. Martin signed a concert residency, named All In, to perform at the Monte Carlo Resort and Casino in Las Vegas in 2017 and 2018. He portrayed fashion designer Gianni Versace's partner Antonio D'Amico in the FX true crime anthology television series The Assassination of Gianni Versace: American Crime Story, marking "the acting opportunity of his career". The role garnered him a nomination for Outstanding Supporting Actor In A Limited Series Or Movie at the 70th Primetime Emmy Awards. Running from January to March 2018, The Assassination of Gianni Versace received generally favorable reviews and numerous awards and nominations, including three Primetime Emmy Awards, four Creative Arts Emmy Awards, two Golden Globe Awards, two Critics' Choice Television Awards, and a Screen Actors Guild Award. In February 2018, Martin released a song titled "Fiebre" (), featuring Wisin & Yandel. The song was commercially successful in Latin America, reaching number one in Chile, Ecuador, Guatemala, Mexico, and Uruguay. It also reached the summit of the Billboard Latin Airplay and Latin Rhythm Airplay charts. 2019–present: Amici di Maria De Filippi, PausaPlay, and Jingle Jangle: A Christmas Journey At the 61st Annual Grammy Awards, Martin performed "Havana", "Pégate" (), and "Mi Gente" (), alongside Camila Cabello, J Balvin, Young Thug, and Arturo Sandoval, as the opening performance. Martin served as a coach on the eighteenth season of the Italian talent show Amici di Maria De Filippi () in 2019. In the same year, Maluma released a song called "No Se Me Quita" () from his album 11:11, which featured Martin. The song reached number one in Mexico and was certified quadruple platinum in the country. Martin hosted the 20th Annual Latin Grammy Awards in November 2019, along with Roselyn Sánchez and Paz Vega. The artist started recording his eleventh studio album, initially titled Movimiento (), in the second half of 2019, inspired by the 2019 political protests in Puerto Rico. He embarked on the Movimiento Tour in 2020. Because of the COVID-19 pandemic and subsequent personal experiences, he decided to split the tour's associated album in two extended plays, Pausa () and Play; the former was released in May 2020, while the latter is set to release as his eleventh studio album. Pausa was nominated for Album of the Year and won the award for Best Pop Vocal Album at the 21st Annual Latin Grammy Awards. The second single from the EP, "Tiburones" () reached number one in Argentina and Puerto Rico, and was also nominated for Song of the Year at the 21st Annual Latin Grammy Awards. Martin starred as the voice of villainous miniature figure Don Juan Diego in the American Christmas musical fantasy film Jingle Jangle: A Christmas Journey. The film was released on Netflix on November 13, 2020, and received generally favorable reviews. In April 2021, Martin released his hit single "Canción Bonita" () with Colombian singer Carlos Vives, which experienced huge commercial success in Latin America, reaching number one in 12 countries. It was also nominated for Song of the Year and Best Pop Song at the 22nd Annual Latin Grammy Awards. Later that year, he released "Qué Rico Fuera" () with Chilean-American singer Paloma Mami, as the lead single from Play. The song peaked at number one in four countries, as well as the top 10 on Billboards Latin Pop Airplay. In the same year, he embarked on his first co-headlining tour, the Enrique Iglesias and Ricky Martin Live in Concert alongside Spanish singer Enrique Iglesias. Artistry Influences As a child, Martin used to sing songs by Menudo and American rock bands such as Led Zeppelin, Journey, and REO Speedwagon, which were what his "older siblings were listening to at the time". While Martin and his brothers spent their time listening to classic rock, their mother would interrupt them to make them listen to Latin music. She brought him CDs of Fania All-Stars, Celia Cruz, El Gran Combo de Puerto Rico, and Gilberto Santa Rosa that slowly made him appreciate the richness of Puerto Rican culture. Also, she once took them to a Fania All-Stars concert, which Martin is "beyond grateful" for it. He expresses that thanks to her mother, those influences had a "profound effect" on his musical career. Martin has also cited Elvis Presley, the Beatles, Michael Jackson, and Madonna for teaching him "the beauty of pop". He stated about Madonna: "I was very influenced by her and her music. I know every choreography of Madonna." Additionally, he mentions Carlos Santana, José Feliciano, Celia Cruz, and Gloria Estefan as the artists who paved the way for him, naming Feliciano as one of the people who inspired him when he was a teenager: "I was always fascinated with his music." In addition to the musical influences, Martin is inspired by David Bowie's "ambiguous sexuality". While growing up, he used to ask himself if he wanted to be like the openly gay singer Elton John or he just liked him, admiring his music, colors, and wigs. Musical styles and themes Considered to be a versatile artist, Martin describes his music as Latin pop, saying: "When you say 'Latin pop', the spectrum is so broad, It's inevitable to not be influenced by everything that’s happening in the industry, but always keeping your identity firm by knowing who you are." He has also described his music as fusion, while noting that he does not "ride the waves that are in fashion at the moment". Music critics have described his songs as Latin pop, pop, dance, ballad, reggaeton, Latin, African, rock, salsa, flamenco, urban, samba, cumbia, merengue, rumba, Latin funk, bomba, batucada, vallenato, dancehall, mambo, Europop, house, disco, EDM, dance-pop, electro, techno, dubstep, world music, Middle Eastern, folk-pop, bossa nova, pop rock, soft pop, soft rock, R&B, gospel, jazz, trap, hip hop, doo-wop, ska, and rock' n' roll. Martin sings in Spanish, English, Portuguese, Italian, and French. About his lyrics, Martin has emphasized that although his music will always make the listener dance, it does not mean his lyrics "have to be meaningless" and he sings about love and heartbreak, as well as "things that are good for a society", such as "freedom, freedom of expression, and social justice". He has also declared that as a Latino, he is not afraid of sexuality and sings about sexuality and sensuality, bringing his culture with him onstage. Voice Martin possesses a dramatic tenor vocal range. Peter Gilstrap from Variety commented that his "powerful voice" is "capable of belt or lilt", while The Jerusalem Posts Noa Amouyal described his voice as "soulful" and "very powerful". In 1995, Enrique Lopetegui of the Los Angeles Times noted Martin's "improved vocal skills" on A Medio Vivir. Also from the Los Angeles Times, Ernesto Lechner later praised his vocal for being "charismatic enough to handle both ballads and up-tempo tunes". Similarly, Billboards Chuck Taylor expressed "She's All I Ever Had" boasts "a versatility that contrasts nicely" with Martin's previous single, "Livin' la Vida Loca", labeling his vocal on the former "tender and heartfelt". Steve Gerrard of the Montreal Rocks complimented "his vocal maturity" on A Quien Quiera Escuchar. Music videos and performances Billboard labeled Martin "a video icon", and ranked him as the 79th Greatest Music Video Artist of All Time in 2020, stating: "From the moment he sashayed up to the mic in 'Livin La Vida Loca' all dressed in black, and gave us that look, the Menudo alum became the most memorable and watchable drop-dead handsome guy in pop music." He has collaborated with various directors to produce his music videos, including Carlos Perez, Wayne Isham, Jessy Terrero, Simón Brand, Gustavo Garzón, Nigel Dick, Kacho Lopez, and Memo del Bosque. "Livin' la Vida Loca" was nominated for Video of the Year at the 1999 MTV Video Music Awards, making Martin the first Latin artist in history to receive a nomination in this category. It won two primary awards for Best Pop Video and Best Dance Video, and was voted three additional awards in the International Viewer's Choice categories, making it rank among the videos with most wins in the history of the MTV Video Music Awards. The explicit sexual scenes of the music video for "She Bangs" were met with criticism from the audience; several American television stations cut the scenes when airing the video. According to the Daily Records John Dingwall, with the visual, Martin ditched his teen idol image by transforming to a more mature one. It was consequently banned in several Latin American countries, such as the Dominican Republic. Martin told MTV News that the video represented freedom rather than his sexuality. The video was awarded Best Music Video at the 2nd Annual Latin Grammy Awards, Best Clip of the Year — Latin at the 2001 Billboard Music Video Awards, and Video of the Year at the 13th Lo Nuestro Awards. Martin has been noticed for "dance moves of his own" and his "bon-bon shaking dance moves". Carol Sandoval from VIX named him the "best dancer on any stage worldwide", highlighting his hips movement and "successful turns". He was ranked as the ninth best male dancer by the Evening Standard and the tenth Male Singer Who Can Dance by WatchMojo, being the only Latin entertainer on both lists. Writing for The Hollywood Reporter, Scott Feinberg introduced Martin as "an incredible dancer". Billboards Jessica Roiz labeled him "a true showman", noting his "many outfit changes", "various dance performances", and "different stage set for each song". Jon Pareles of The New York Times described him as "an all-around showman" and Varietys Peter Gilstrap called him "every inch the showman", both recognizing his vocal abilities, while the former also commented he is "a dancer as muscular and hard-working as anyone in his troupe", mentioning his "likable, good-hearted character" and "steadfast Puerto Rican pride". Music critics have mostly praised his concerts for the choreographies, video screens, visual effects, stage, Latin influences, and Martin's vocals, costume changes, energy, sensuality, dance moves, and gestures, while the quality of sounds and sound mixes have received mixed reviews. Billboards Marjua Estevez described Martin's performance of "La Copa de la Vida" at the 41st Annual Grammy Awards as "the most memorable Latin performance at a Grammy Awards show", and the publication ranked it as the 54th Greatest Award Show Performance of All Time on their 2017 list. The performance was additionally placed on a 2017 unranked list of "Top 20 Best Grammy Performances of All Time" by Gold Derby, and on a 2019 list of "The Most Unforgettable Grammys Performances of All Time" by InStyle. Public image Martin became a teen idol with his debut as a member of Menudo, and a pop icon following global fame as a solo artist. Journalists have written about his humble personality and "beautiful soul". Writing for The Hollywood Reporter, Scott Feinberg introduced Martin as "one of the most acclaimed and admired creative artists ever". La República staff described him as "one of the most admired and desired singers", while authors of ¡Hola! described him as "one of the most respected Latin stars in the world", "one of the most prodigious voices in music in Spanish", and "one of the most beloved talents in the entertainment industry worldwide". Also from ¡Hola!, Cristina Noé named him "one of the most loved artists in the world", while a writer of Clarín named him "one of the most applauded Latin singers on the planet". Metro Puerto Rico stated that he "raised the name of Puerto Rico internationally". He was ranked as one of the top-10 "emerging personalities" of 2010 by Google Zeitgeist. In 2014, Gay Star News referred to Martin as "the most famous Latin pop star in the world", while Variety described him as "Puerto Rico's arguably most famous son" in 2021. He is ranked as the second-most famous Latin music artist in the United States, according to YouGov surveys in 2021. During the 2000s, Martin was known for "guarding his private life" and being "uncomfortable discussing intimate aspects of his personal life"; he used to insist on asking public to focus on his music and "steered interviewers away from his personal life". However, he chose to live both his "professional and personal life", making his private life public since the early 2010s. In 2021, he went on the cover of People with the title "No More Secrets" and told the magazine that he is "a man with no secrets", stating that he is "more comfortable in his own skin than ever before". Martin is one of the most followed celebrities on social media, with accounts on Instagram, Twitter, Facebook, YouTube, and TikTok. He stated about social media that he wishes he had "something as powerful as" them since his debut: "Obviously I like to have direct contact with the public, with the media. It's extremely important, but today, from my home, I can talk to millions of people and see their immediate reaction." He is noticed for his friendly interactions with his fans, who are called "Sexy Souls". Wax statues of Martin are on display at the Madame Tussauds wax museums in San Francisco, Sydney, and Orlando. The last one was moved from Las Vegas to Orlando for the opening of the museum in spring 2015. Fashion Martin is considered to be a sex symbol, and journalists describe him as "the Latin heartthrob". His fashion and style evolution, from "as '80s as you'd expect" during his time with Menudo to "a style groove, often opting for sharp, tailored suits with clean lines" since 2009, has been noticed by the media. Natalia Trejo from ¡Hola! described him as "one of the most stylish Latin men in the entertainment industry", highlighting his "baggy leather pants", "tailored suits", and "color-block blazers" that have marked "some of the noteworthy trends of each decade". The reviewer also commented that Martin is "an example of mixing business with casual" and has "always had a personal sense of style". JD Institute of Fashion Technology views Martin as a fashion icon, praising him for "pushing the fashion boundaries with every new look". In 1997, he went on the cover of People en Españols first edition of 25 Most Beautiful; he has since "been a constant presence" on their 25 or 50 Most Beautiful lists. Two years later, he was featured on the cover of both Rolling Stone and Time magazines. Martin is considered to be one of the sexiest men in the world, according to various publications. In 2012, he was voted the sexiest man alive on Broadway.com. The following year, VH1 ranked him as the 28th Sexiest Artist of All Time, stating: "Ricky looks like the model in the magazine ads you stare at in awe thinking, 'There's no way he's that perfect in person'." In 2014, Entertainment Tonight listed him among the Sexiest Men Alive, while Revista Estilo placed him on the list of "the 10 Sexiest Singers" in 2016. He was ranked at number 16 on the list of "the 50 Hottest Men of All Time" by Harper's Bazaar in 2018, being the only Latin man on their list. In 2019, TN described Martin as "the sexiest man in the world". He has been noted for looking younger than his age, with Billboards Chris Payne labeling him "ageless". The singer has attended several fashion shows, including the Giorgio Armani show at Milan Fashion Week in 2011, the Marc Jacobs show in 2013, the Berluti menswear spring-summer 2020 show at Paris Fashion Week, the Dior men's pre-fall 2020 show, and the Virgil Abloh Spring-Summer 2022 show held by Louis Vuitton. Personal life Sexual orientation and early relationships According to an interview with Rolling Stone in 1999, Martin experienced his first kiss at age 13 and lost his virginity at age 14 in Argentina. In 1990, shortly after he had arrived in Mexico to star in Mama Ama el Rock, he met a woman, who was the host of a television show. They began dating quickly and broke up a few months later. In 1992, he fell in love with Mexican singer Alejandra Guzmán, who was separated from her husband at the time. They began dating together until Guzmán returned to her husband and pretended Martin was her assistant on a phone call, while she was sleeping with her husband. In an interview with Univision, Martin admitted that she broke his heart. In the same year, Martin was rumored to have a relationship with Argentine tennis player Gabriela Sabatini. Sabatini's sister-in-law, Catherine Fulop confirmed the rumor in 2020. During the time he was playing in General Hospital, he met a "very handsome" man at a radio station, "stopped fearing [his] sexuality", and started dating him. Martin's mother supported him when she discovered that he was in love with a man, saying: "I love you, my son, I'm so happy for you. Bring it on. I'm right behind you." However, after the relationship ended, Martin "locked [his] feelings even deeper inside" and began dating women again. He recalls: "I already felt it was hard to be a Latino in Hollywood; what could have been more difficult than being Latino and gay?" Martin began dating Mexican television host Rebecca de Alba in 1994; they were in an on-and-off relationship until 2005. In May 2021, Alba revealed that she became pregnant several times in her life, but lost all of the embryos, expressing that one of them belonged to Martin. Martin also had relationships with Lilly Melgar, Adriana Biega, Maital Saban, and Inés Misan during his break-up times with Alba in the late 1990s and early 2000s. He declared that "there was chemistry with them" and he "wasn't fooling anyone". In August 2008, Martin became a father to twin boys named Matteo and Valentino, born via gestational surrogacy. He explained that he chose surrogacy to become a parent for being "intriguing and faster" than adoption, which was complicated and could take a long time. In March 2010, Martin publicly came out as gay via a message on his website, stating: "I am proud to say that I am a fortunate homosexual man. I am very blessed to be who I am." Years later, he revealed that although his music was "heard all over the world" and he "could high five God" in 1999, he "wasn't living to the fullest" and was sad and depressed. He kept asking himself, "Am I gay? Am I bisexual? Am I confused? What am I?", explaining: "Sexuality is one complicated thing. It's not black and white. It's filled with colors. When I was dating women, I was in love with women. It felt right, it felt beautiful." In an interview with Vanity Fair, he declared: "There was love, passion. I do not regret anything, any of the relationships I lived, they taught me a lot, both men and women." Martin also told Fama!: "I know that I like both men and women, I'm against sexual labels, we are simply human beings with emotional and sexual needs. I like to enjoy sex in total freedom, so I'm open to having sex with a woman if I feel desire." Despite this, he expressed that he wouldn't be interested in "an ongoing relationship with a woman", stating: "Men are my thing". In 2000, American broadcast journalist Barbara Walters asked Martin about his sexuality on national television: "You could stop these rumors. You could say, 'Yes I am gay or no I'm not.'" In 2021, Martin, who answered with "I just don't feel like it" at the time, revealed that her question made him "felt violated", since he "was just not ready to come out" and was "very afraid"; he said that it resulted "a little PTSD" that "still haunts him". Martin dated Puerto Rican economist Carlos González Abella from 2010 to 2014, as his first relationship with a man after his coming out as gay. Marriage Syrian-Swedish painter Jwan Yosef shared a photo of himself and Martin on Instagram on March 30, 2016, with the caption: "Obviously we're starting a band." Soon it was rumored that Yosef is Martin's new boyfriend. Martin confirmed their relationship on April 18, 2016, and they made their red carpet debut as a couple at the amfAR Inspiration Gala. Martin later revealed that he met Yosef on Instagram and they "were talking for like six months without [him] hearing his voice". Subsequently, Martin went to London, where Yosef were living, and they met each other. On November 15, 2016, during an interview on The Ellen Show, he announced that he has proposed to Yosef and they are engaged. In January 2018, Martin confirmed that he has secretly married Yosef: "I'm a husband, but we're doing a heavy party in a couple of months, I'll let you know." On December 31, 2018, they announced that they have welcomed their first daughter together, named Lucia Martin-Yosef. Martin later explained that Lucia was born on December 24, coinciding with his 47th birthday. In September 2019, while accepting an award at the 23rd annual Human Rights Campaign (HRC) National Dinner, he announced that they are expecting their fourth child. On October 29, 2019, he shared a photo of himself, Yosef, and their new-born son, named Renn Martin-Yosef, with the caption: "Our son Renn Martin-Yosef has been born." Beliefs and religion During an interview with People in 2002, Martin expressed that he believes in "love", "the power of healing", and "God", thanks to his parents. The name he chose for his son Matteo means "gift from God". According to his statements in a 2021 interview, he still believes in God. He was raised Catholic but he said is not "the person who would ever look down upon one religion". He expressed that he also admires and likes Buddhist philosophy, but does not subscribe to the religion, since if he does, he cannot "be of anything else"; he does not want to be limited in certain aspects and follow a religion's specific rules. He tries to remain "open to everything" and makes "a concerted effort to always find new teachings and new paths" everywhere he goes and in every situation he finds himself in. Martin believes that everyone can "decide what makes them happy" and although "everyone needs to accept the life they were given", it does not mean they "should not live it as fully as possible". Health and sports Martin began practicing yoga after a trip to Thailand in 1997. He also began practicing meditation following a trip to India. In 2021, he explained that he gets up every morning at 5:30, before his family and puts himself in a lotus position and oxygenates his body. He also expressed that has a gym in his house, saying: "If I have space to see myself in the mirror and put on my products, then I also have to have space for my body." During an appearance on The Dr. Oz Show in 2017, Martin revealed that he "was diagnosed with high cholesterol" at age 18. Although he did not pay attention to the high cholesterol at the time, it made him decide to become a vegetarian since 2013 to reduce cholesterol, despite loving meat as "a Latin man". In 2020, he opened up that he suffered from anxiety for the first time in his life, following the COVID-19 lockdowns, stating that making music became his "medicine". Real estate In March 2001, Martin purchased a 7,082-square-feet house in Miami Beach for $6.4 million; he sold the unit for $10.6 million in 2005. In September 2004, he paid $11.9 million for a 11,000-square-feet Mediterranean-style villa in Los Angeles, which he sold in 2006 for $15 million. In May 2005, he purchased a 9,491-square-feet house in Miami Beach for $10 million; he sold the villa for $10.6 million in 2012. In 2007, he paid $16.2 million for a mansion in Golden Beach. He sold the property in 2012 for $12.8 million, incurring a loss. In the same year, he bought a 3,147-square-feet condominium in New York City for $5.9 million; he sold the condo for $7.1 million in 2017. In 2014, he rented a 900-square-metre mansion in Sydney, which became famous as "the Bronte Wave House" and was sold for $16 million in May 2015, marking one of the most expensive properties sold in the city that year. In December 2016, he purchased a 11,300-square-feet mansion in Beverly Hills. The estate, which is Martin's current house, has seven bedrooms and eight bathrooms with outdoor seating areas scattered throughout a 33,000-square-feet. It is a "private getaway in the middle of the city", located up the street from the Beverly Hills Hotel. Martin also owns a property in Puerto Rico and a private 19.7-acre island in Brazil. He purchased the latter for $8 million in 2008. Legacy and influence Martin has been regarded as the "King of Latin Pop" by various publications, such as the Grammy Awards, Billboard, Rolling Stone, Time, People, Vogue, The Independent, Entertainment Weekly, Entertainment Tonight Canada, NBC News, and ABC News. Additionally, he has been referred to as the "King of Latin Music", the "Latin Pop God", the "Latin King of Pop", the "Latin American King of Pop", the "Latin King", the "Crossover Latin King", the "Puerto Rican Pop King", the "Salsa-Pop King", and the "King of World Cup". Martin is known as one of the most influential artists in the world. Billboard ranked him as one of the 30 Most Influential Latin Artists of All Time, while NBC News introduced him as an "influential Latin celebrity". In 2014, he won the award for the most influential international artist at the 18th China Music Awards. He was ranked among "25 musicians who broke barriers" by Stacker in 2019, while in 2020, Spin ranked him at number 27 on the list of "most influential artists of the past 35 years", as the only Latin artist on their list. In 2022, Show News named him "the most influential global artist in history". Martin's song "María (Pablo Flores Remix)", which was ranked among the "Greatest Latin Pop Song of All Time" by Rolling Stone, and "11 remixes of classic Latin hits" by Billboard, "launched the Latin and dance music crossover of the '90s", according to the latter. Olivier Pérou from Le Point commented that "some have even learned, thanks to him, to count to three in Spanish" following the popularity of the song. "La Copa de la Vida", which has been hailed as the Best World Cup Anthem of All-Time by multiple sources, became a "musical template" for World Cup anthems, and Martin's Latin and dance crossover style has been much copied in the anthems, as well as soccer chant "Ole! Ole! Ole!" in the lyrics, according to The Hollywood Reporter. As believed by Esquire, the song "inaugurated this musical subgenre" of Latin. Joy Bhattacharjya from The Economic Times wrote about "La Copa de la Vida" that it was the first World Cup anthem to have a video just "as ubiquitous as the song", going on to write: "Since then, official songs have an important part to play in every World Cup." In his review for Pitchfork, Corban Goble wrote that if World Cup anthems someday would be "given their own textbook", "La Copa de la Vida" would be "the standard-bearer for the whole genre". Martin is known as the pioneer in getting Latin pop music genre to mainstream recognition. Following his performance of "The Cup of Life" at the Grammys, and the success of "Livin' la Vida Loca" and Ricky Martin (1999), he opened the gates for many Latin artists such as Jennifer Lopez, Shakira, Christina Aguilera, Marc Anthony, Santana, and Enrique Iglesias who released their crossover albums and followed him onto the top of the charts. His performance of "The Cup of Life" at the Grammys not only changed the course of his career, but also altered how people regard Latin music in America. It has been known as a game-changer for Latin music worldwide, that effectively ushered in the "Latin explosion". Then-United Talent Agency head Rob Prinz described the rendition as "the single biggest game changing moment for any artist in the history of the Grammys". According to Billboard, it has been cited as the beginning of the "Latin Pop invasion", which powerfully affected the US mainstream. Jesús Triviño Alarcón from Tidal Magazine stated, "that single performance opened up the mainstream market for the Latinx legends", mentioning the names of Anthony, Shakira, and Lopez. InStyle staff wrote about it: "With his leather pants, big smile and energetic performance of 'The Cup of Life', Ricky Martin almost personally kicked off the so-called Latin Explosion of the late '90s." Mariana Best of San Antonio Express-News commented that the performance "is recognized for bringing Latin pop to the forefront of the U.S. music scene". In 2018, Diego Urdaneta from Vice credited the song as "one of those that laid the first stones so that J Balvin and Bad Bunnys of today can be at the top of the pyramid", labeling it "a milestone for Latin music". According to Entertainment Tonight, "Livin' la Vida Loca" paved the way for a large number of other Latin artists, and is "credited as the song that helped other Latin artists break through to English-speaking markets". As believed by Spin, the song "lit the fuse for the Latin pop explosion of the '90s". Lucas Villa from Spin wrote about it: "When the world went loca for Ricky, he led the way for other Latin music superstars like Spain's Enrique Iglesias, Colombia's Shakira and Nuyoricans like Jennifer Lopez and Marc Anthony to make their marks beyond the Spanish-speaking crowds." He also described Martin as "a trailblazer in globalizing Latinx culture" in his Grammy.com article. Also from Grammy.com, Ernesto Lechner described "Livin' la Vida Loca" as "the manifesto for all the fun-loving, tropically tinged Latin hit singles that followed", stating that Martin led "the Latin music explosion that took over the U.S. at the tail end of the '90s". According to The Independent, the single is "widely regarded as the song that began the first Latin pop explosion". Peoples Jason Sheeler credited it as the song that "led the way for the late-'90s so-called 'Latin explosion' that dominated pop music into the new century: Shakira, Enrique Iglesias, Marc Anthony, and Jennifer Lopez". Angie Romero from Billboard wrote: "If you look up 'crossover' in the dictionary, there should be a photo of Ricky shaking his bon bon and/or 'Livin' la Vida Loca'." Leila Cobo named "Livin' la Vida Loca" one of the genre's biggest singles of the past 50 years in his 2021 book Decoding "Despacito": An Oral History of Latin Music. She also wrote about his impact in Shakira's "Whenever, Wherever" chapter: "Ricky Martin’s phenomenal success opened the door for a string of Latin artists who waved the flags of their heritage, but who sang in English." Additionally, she compared Martin's song with Luis Fonsi's "Despacito" (2017) in one of her Billboard articles: "'Livin', like 'Despacito', became not just a global hit but a cultural phenomena that transcended all barriers of language and nationality." In another article, she described it as the song that "ignited the late-'90s Latin explosion". Also from Billboard, Gary Trust wrote: "The song helmed a Latin pop boom in the U.S., with Jenner Lopez, Marc Anthony and others crossing over, as well." Writing for LiveAbout.com, Bill Lamb credited the song as "the record which kicked off a wave of major Latin performers hitting the pop mainstream". Jim Farber from Daily News noted that Ricky Martin "provides a textbook example of how to mix Latin beats with pop tunes and rock intonations". St. Louis Post-Dispatch critic Kevin C. Johnson described Martin as Latin music's "pretty-faced poster boy" who is "taking the music to places Jon Secada, Selena and Santana never could". He also mentioned that even "Gloria Estefan at her peak, failed to muster up the kind of hype and hoopla surrounding Martin". Celia San Miguel of Tidal Magazine stated that Martin "highlighted the public's thirst for a different kind of pop" in 1999, noting the album's "fusion-heavy" and "hip-shaking rhythms associated with Latin music". She mentioned that the album "spawned 1999's Latin music boom", emphasizing the fact that Martin created the "spark" of the "Latin Pop Explosion", which was followed by 1999 albums, On the 6 by Lopez, Enrique by Iglesias, and Anthony's eponymous album. She continued crediting "Martin and the paths he created" responsible for the Latin music and Spanish and Spanglish lyrics being "a commonplace phenomenon on English-language radio" in 2019. In her review for Grammy.com, Ana Monroy Yglesias said Martin led a "major music moment in 1999" with Ricky Martin, and along with him, "the first major boom of Spanish-language artists", such as Shakira and Lopez, came into the "U.S. pop landscape". The late '90s Latin explosion also resulted in the launch of the Latin Recording Academy. Gabriel Abaroa Jr., the president and chief executive officer of the Latin Recording Academy, expressed that the plan of its launch was "immediately after the Ricky Martin success". Cuban American musician and producer Emilio Estefan added: "After the success with Ricky Martin, everybody opened their eyes and realized how important it was to bring diversity and multiethnic elements into [mainstream American] music." Many artists have cited Martin as an influence or declared themselves as his fan, including Abraham Mateo, Bad Bunny, Camila Cabello, Camilo, Carla Morrison, Christian Chávez, CNCO, Danna Paola, Enrique Iglesias, J Balvin, J-Hope, Jimin, Karol G, India Martínez, Luis Fonsi, Maite Perroni, Maluma, Neha Mahajan, Pedro Capó, Prince Royce, Rauw Alejandro, Rosalía, Sebastián Ligarde, Sebastián Yatra, Shakira, Tini, Vadhir Derbez, William Hung, Wisin, and Ximena Sariñana. Both Maluma and J Balvin have described Martin as a "teacher" and credited him as an artist who "opened the doors" for them, while Maluma has also expressed: "Ricky Martin is one of the artists I wanted to be growing up. He's my idol in the industry".Citations regarding J Balvin's statements about Martin: Puerto Rican singer Bad Bunny talked about Martin's legacy during an episode of Behind the Music: "There's no doubt that he opened the door for an entire generation of Latin artists. I am doing great things today in the music industry thanks to those doors that he opened." He also mentioned that he is inspired by Martin's coming out as gay: "You don't have to be gay to be inspired by that action of honesty and freedom, of being yourself against the world despite everything you deserve. I look at it like a very inspiring moment for anybody. At least for me, it's very inspirational." Brazilian singer-songwriter Anitta explained to The Guardian that "some Latin stars such as Maluma and Bad Bunny sing in their native language" and do not need to sing in English to get noticed, because they already had representatives like Shakira, Martin, and Jennifer Lopez, but since her country "hasn't had a major international pop star before", she uses "whatever language will get the market's attention". Portrayal in television In July 2019, SOMOS Productions, Endemol Shine Boomdog, and Piñolywood Studios announced the production of a biographical web television series about Menudo, titled Subete a Mi Moto. Consisting of 15 episodes of 60 minutes each, the series premiered on Amazon Prime Video on October 9, 2020 in Mexico, Latin America, and Spain. It was filmed in Mexico and Puerto Rico, and Martin was portrayed by actors Felipe Albors and Ethan Schwartz. The series premiered in the United States on February 14, 2021 on Estrella TV. On the review aggregation website Tomatazos, the first season has a positive score of 75%. The website's critical consensus summary states, "A good trip to the past that recalls a band that defined the youth of a certain public, but that doesn't ignore the darkest moments in the lives of its members." Other ventures Books On August 19, 2010, Martin announced that he had been working on his memoir, mentioning its title as Me and publish date as November 2, 2010. He expressed that writing the book was "one of the reasons" he decided to come out earlier that year. The book also had a Spanish edition title Yo (), which was published simultaneously by Celebra. He stated that writing his memoir allowed him "to explore the different paths and experiences" that have led him to be who he is, noting that it "was not easy but allowed for an incredible spiritual journey". Me spent several weeks at number one on the New York Times Best Seller list. In 2019, ¡Hola! staff ranked the book among "12 Books by Celebrities to Inspire and Motivate You", while Book Riot placed it on an unranked list of the "Best Celebrity Books You Should Read This Year" in 2020. Martin's first children's book Santiago the Dreamer in Land Among the Stars was published by Celebra and illustrated by Patricia Castelao in November 2013 for ages between five to nine. Its Spanish-language edition, Santiago El Soñador en Entre Las Estrellas, was published simultaneously. Martin expressed that the book was inspired by his "personal life, with fantasy added to it", as well as "a lot of cartoons". Products and endorsements Martin endorsed the 2012 Viva Glam campaign with Trinidadian rapper Nicki Minaj, which raised $270 million for the Mac AIDS Fund. In October 2020, Martin announced that he would launch his company, Martin Music Lab in partnership with music engineers Jaycen Joshua and Michael Seaberg. The company is centered around a new audio technique called "Orbital Audio", that "creates a new type of immersive, headphone listening experience". Martin used the technique on his EP Pausa, while several artists including Bad Bunny, Residente, Myke Towers, and A$AP Rocky are going to work with the company. The latter plans to release his whole upcoming studio album, using "Orbital Audio". Martin is going to expand the technique "beyond the music industry and tap into the movies, sports and, most notably, the wellness and meditation space". In 2021, Martin partnered with skin care company Kumiko. The skincare line, created by Chilean cosmetologist Catalina Aguirre, is the first to combine "mesotherapy, matcha, and cutting-edge European technology into unique multi-action formulas that penetrate the dermis with powerful anti-aging properties and lifting benefits". Activism Philanthropy While on a trip to India in 2002, Martin witnessed three minor girls who were about to be sold into prostitution and rescued them. The following year, he became a UNICEF Goodwill Ambassador and then met with activists and decided to fight against human trafficking, which is the second-most lucrative crime in the world. In 2004, Martin launched the Ricky Martin Foundation, a non-profit, non-governmental organization that focuses on denouncing human trafficking and educating about the crime's "existence through research and community initiatives, anchored in the defense of children and youth rights". In the same year, he appealed to the United Nations for international help to fight against sex tourism. In January 2005, following the 2004 Indian Ocean earthquake and tsunami, Martin visited Thailand to assess the needs of the minor survivors who were "extremely vulnerable to traffickers". Later that year, the Ricky Martin Foundation signed an alliance in partnership with Habitat for Humanity to construct 224 homes for the tsunami-affected families. The project was completed in December 2006. In March 2006, the foundation collaborated with the International Organization for Migration in the Llama y Vive () campaign, which focuses on facilitating "the prevention of human trafficking and the protection of young people, victims of child trafficking and prosecution of traffickers". In January 2010, along with many celebrities, Martin operated the charity telethon Hope for Haiti Now to raise donations for the 2010 Haiti earthquake. Later that year, the Ricky Martin Foundation created the first program of community social action against child trafficking in Martin's native Puerto Rico, titled "Se Trata" (). In 2012, the foundation participated in the making of the Child Protection Model Law on the International Centre for Missing & Exploited Children. In 2016, Martin visited Syrian refugees in Lebanon and played with the children and talked to them in an informal refugee camp. Following the Hurricane Maria in Puerto Rico in 2017, the Ricky Martin Foundation helped people and handed over homes that were rebuilt after the losses; Martin launched a viral campaign of selling a black T-shirt with the Puerto Rican flag stamped on it in order to raise the funds. The T-shirts were designed by Martin's twin boys Matteo and Valentino, while many celebrities including Will Smith, Bad Bunny, Marc Anthony, Luis Fonsi, and Maluma supported the campaign. During the COVID-19 pandemic, Martin created a campaign to help health care workers through the non-profit organization Project Hope. He expressed: "As you know, health care professionals are extremely vulnerable and professionals around the world don’t have personal protection equipment they need to prevent them getting infected." In February 2021, Martin collaborated with Antonia Novello to launch mass vaccination events in Puerto Rico. Following the murder of George Floyd and Black Lives Matter protests in 2020, Martin honored an effort called "Black Out Tuesday" and launched the hashtag #knowthestruggle, giving his social media to the voices of the community that are "looking for justice", to learn more about what is happening. For his humanitarian efforts and fighting against human trafficking, Martin has been honored with numerous accolades, including the Peace Summit Award by the World Summit of Nobel Peace Laureates, the TIP Report Hero Award by the United States Department of State, the Spirit of Hope Award by Billboard Latin Music Awards, the Latin Recording Academy Person of the Year Award, the Award of Inspiration by amfAR Gala, the Leader of Change Award by the Foundation for Social Change, the Humanitarian Award by the Global Gift Foundation, the Humanitarian Award by the Hispanic Federation, the Corazón Latino Award by the iHeartRadio Fiesta Latina, the International Humanitarian Award by the International Center for Missing and Exploited Children, the Agent of Change Award by the International Peace Honors, the PODER Social Leadership Awards, and the Agent of Change Award by the Premios Juventud. Politics On January 20, 2001, during the first inauguration of George W. Bush, Martin performed "The Cup of Life" and danced with him. Martin's view of Bush changed over the Iraq War, as expressed in his declaration to BBC News that he will "always condemn war and those who promulgate it". He also stuck up his middle finger while singing the president's name in his 2003 song "Asignatura Pendiente" at a concert. At the 2010 Billboard Latin Music Awards, Martin expressed his disagreement with the Arizona SB 1070 bill, a proposed law that would have required police officers to request documents from individuals whom they suspected to be illegal immigrants. Martin campaigned for the 44th president of the United States Barack Obama in 2008 and 2012, and thanked him for an "outstanding presidency" in 2016, while calling him "an amazing leader". Also in 2016, he was an active ally to the Democratic Party presidential candidate Hillary Clinton campaign, while condemning Donald Trump's hateful comments about immigrants. He also performed his hits during the "Hillary Clinton: She's With Us" concert at the Greek Theatre on June 6, 2016. Telegramgate, also known as Chatgate, was a political scandal involving Ricardo Rosselló, then Governor of Puerto Rico, which began on July 8, 2019, with the leak of hundreds of pages of a group chat on the messaging application Telegram between Rosselló and members of his cabinet. The messages were considered vulgar, misogynistic, and homophobic toward several individuals and groups, including Martin. Therefore, Martin, Bad Bunny, Residente and several other artists, and more than half a million Puerto Ricans led the call to take to the streets of Puerto Rico, demanding Rosselló's resignation. In September 2020, Martin, Luis Fonsi, and actress Eva Longoria attended a campaign event in Kissimmee, Florida to support the Democratic presidential candidate Joe Biden for the 2020 United States presidential election. During an interview with Variety, Martin stated: "I've been supporting Biden forever, I think he is the only option we have and he is great and he has been in politics all his life. This is the moment. We all need to get together and be loud about the course of this nation." Following the election of Biden as 45th president of the United States, Martin said "Bye-bye" to Trump on social media, and shared a photo of himself along with Biden on Instagram. In May 2021, Martin demonstrated his support for the Ni una menos movement, condemning femicides and violence against women in Puerto Rico, while calling authorities to protect women. He further expressed that no woman should fear for her safety and urged authorities to take steps in order to prevent these acts. In the same month, he supported the 2021 Colombian protests. Later that year, the singer raised his voice in support of the 2021 Cuban protests against the Castro regime for the restrictions due to the COVID-19 pandemic and the economic crisis, stating: "This is very important. Our brothers and sisters in Cuba need us to inform the world what they are experiencing today. Let's fill the networks before they remove the internet in the country. Humanitarian aid for Cuba NOW." LGBT advocacy As a gay man, Martin actively supports LGBT rights worldwide since his coming out in 2010. Even before coming out, he was noted by the mainstream media for being popular among gay men and having a large gay fan base. He also went on the cover of the American LGBT-interest magazine The Advocate in July 1999. Despite this, he admitted that he felt homosexuality was evil since he was raised as a Catholic and targeted his anger toward others, especially gay men: "I was very angry, very rebellious. I used to look at gay men and think, 'I'm not like that, I don't want to be like that, that's not me.' I was ashamed." He added that he "had internalized homophobia" back then. He is currently considered to be a gay icon, with PinkNews labeling him "a strong advocate of LGBT rights" who "expressed support for equal marriage" since coming out. As the first mainstream Latin music artist to come out, Martin's coming out was a game-changer for "Latin Pride". Billboards Lucas Villa stated: "With Martin's announcement, gay artists, who had long kept their sexual identities a secret, finally had a beacon of hope. If Martin could come out with his career unscathed, there was hope for other artists in Latin music to start doing the same." He added that since then, "a growing number of Latin artists have either come out after years in the spotlight, or many have simply started their careers by embracing their gay identities". In 2010, GLAAD then-president Jarrett Barrios expressed that Martin's coming out as gay leads "hundreds of millions of people" to have "a cultural connection with an artist, a celebrity and, perhaps most importantly, a father who happens to be gay", adding that "his decision to model this kind of openness and honesty can lead to greater acceptance for countless gay people in U.S., in Latin America and worldwide". In 2019, Human Rights Campaign then-president Alphonso David expressed that Martin "has used his international stage to advocate for LGBTQ people around the world" with his "unique voice and passionate activism". The following year, Suzy Exposito from Rolling Stone argued that with risking his career and coming out, Martin "set the scene for Bad Bunny to be free in many ways that, during his own breakthrough moment, he could not". Martin expressed support for same-sex marriage during an interview on Larry King Live in 2010. He has then delivered speeches about LGBT rights at the United Nations Homophobia Conference, the GLAAD Media Awards, and the Human Rights Campaign. He also raised his voice to support gay marriage in Puerto Rico before its legalization in 2015. In March 2016, Martin met with Chilean LGBT rights group Fundación Iguales to learn about the challenges LGBT citizens face there. AT the meeting, he said that he wants "equal marriage rights for Chile" and he wants his sons to grow up in a world where "there are no second-class citizens". Following the Colombia's highest court voting against an anti same-sex marriage proposal in April 2016, Martin tweeted: "Love and equality win, Colombia says YES to same-sex marriage." During an interview with Vulture, Martin talked about his role in The Assassination of Gianni Versace and how he wanted his portrayal to help "normalize open relationships". In June 2019, he published an open letter slamming the religious liberty bill, saying: "As a defender of human rights and a member of the LGBTT community, I am vehemently opposed to the proposed measure imposed upon us under the guise of religious freedom, that projects us to the world as a backwards country." Puerto Rico's then-governor backed down and withdrew his support of the bill following Martin's statement. In June 2020, Martin performed his song "Recuerdo" with Carla Morrison for a virtual event, Can't Cancel Pride: Helping LGBTQ+ People in Need, to raise visibility and funds for LGBTQ+ communities. He appeared at the virtual event in the following year as well. In February 2021, Martin was named national spokesperson for the onePULSE Foundation, a non-profit organization that focuses on managing "the design and construction of the permanent national memorial and museum dedicated to the Pulse nightclub tragedy". Later that year, he expressed that he wants to "normalize families like" his, in an interview with People. Several of Martin's music videos feature diversity in sexual orientations and same-sex couples, including "The Best Thing About Me Is You", "Disparo al Corazón", "Fiebre", and "Tiburones". For his activism and advocacy for LGBTQ community, Martin has been honored with numerous accolades, including the GLAAD Vito Russo Award, the Gala Vanguard Award by the Los Angeles LGBT Center, the International Icon Award by the British LGBT Awards, the National Visibility Award by the Human Rights Campaign, the Trailblazer Award by the LGBT Center Dinner, the Celebrity Activist of the Year by LGBTQ Nation, and the Legacy Award by Attitude Awards. Achievements Throughout his career, Martin has won over 200 awards (most awarded male Latin artist), including two Grammy Awards, five Latin Grammy Awards, five MTV Video Music Awards (tied for most wins by a Latin artist), two American Music Awards, two Latin American Music Awards, three Billboard Music Awards, a Billboard Music Video Award, nine Billboard Latin Music Awards, eight World Music Awards, fourteen Lo Nuestro Awards (including the Excellence Award), and a Guinness World Record. As an actor, he was nominated for an Emmy Award. In 2007, Martin was honored with a star on the Hollywood Walk of Fame, located at 6901 Hollywood Blvd. Martin is ranked among the Greatest Latin Artists of All Time and the Greatest Hot Latin Songs Artists of All Time by Billboard, while his album Vuelve was placed at number five on Billboards Top 20 Latin Albums Of All Time in 2018. In 1998, his song, "Perdido Sin Ti" reached the top of the Latin Pop Airplay chart, displacing Martin's own "Vuelve", making him the first artist on the chart's history to replace himself. His song "Livin' la Vida Loca" became the first number-one song on Billboard Hot 100, which was made entirely in Pro Tools, and achieved the first number one hit for his label, Columbia. It also became the first song in history to top Billboards Adult Pop Airplay, Pop Airplay, and Rhythmic Airplay charts, holding its record as the only song to do so for 14 years. On May 15, 1999, it became the first single ever to rule four different Billboard charts and made Martin the first act to simultaneously scale a pop, Latin, and dance chart. Two weeks later, he became the first artist to simultaneously top the Billboard 200, Hot Latin Tracks, Hot Dance Music/Club Play, Hot Dance Music/Maxi-Singles Sales, Top 40 Tracks, and the Billboard Hot 100. His song "Tal Vez" (2003) marked the first number one debut on Billboard Hot Latin Songs in the 21st century. Martin is the first and only artist with Spanish-language entries on Billboard Hot 100 in three decades. In 2020, he became the first and only artist in history to enter the Billboard Hot Latin Songs chart across five decades, including his work as part of Menudo. The following year, he became the first male Latin artist in history to have 4 songs from different decades to have over 100 million streams on Spotify. He owns the record as the artist with most top 20s on the US Latin Pop Airplay chart, with 51 songs, and is the runner-up of most top 10s. He is the fourth artist with the most number one songs in the history of the Hot Latin Songs chart. Additionally, he holds the record as the most Spanish-language entries on ARIA top 50 singles chart, with three. On October 11, 2007, then-mayor of Miami Beach, Florida David Dermer awarded him the key to the city of Miami Beach. Puerto Rico named August 31 the "International Ricky Martin Day" in 2008. The Government of Spain granted Spanish nationality to Martin in 2011, for being "recognized in different artistic facets". In 2018, in recognition of "his dedication to the island and people of Puerto Rico, his philanthropic work to eliminate human trafficking across the Caribbean, and his commitment to the arts", the singer received a proclamation naming June 7 the "Ricky Martin Day" in New York City. Throughout his career, Martin has sold over 70 million records making him one of the best-selling Latin music artists of all time. In 2020, La Opinión estimated his net worth at US$120 million. Discography Ricky Martin (1991) Me Amaras (1993) A Medio Vivir (1995) Vuelve (1998) Ricky Martin (1999) Sound Loaded (2000) Almas del Silencio (2003) Life (2005) Música + Alma + Sexo (2011) A Quien Quiera Escuchar (2015) Filmography Mas Que Alcanzar una estrella (1992) Hercules – Latin American dub (1997) Idle Hands (1999) Ricky Martin: One Night Only (1999) Minions – Latin American dub (2015) The Latin Explosion: A New America (2015) Ricky Martin: Behind the Vegas Residency (2017) Jingle Jangle: A Christmas Journey (2020) El cuartito (2021) Theatre Les Misérables (1996), Broadway – Marius Pontmercy Evita (2012), Broadway – Ché Tours and residenciesHeadlining tours Ricky Martin Tour (1992) Me Amaras Tour (1993–1994) A Medio Vivir Tour (1995–1997) Vuelve World Tour (1998) Livin' la Vida Loca Tour (1999–2000) One Night Only with Ricky Martin (2005–2006) Black and White Tour (2007) Música + Alma + Sexo World Tour (2011) Ricky Martin Live (2013–2014) Live in Mexico (2014) One World Tour (2015–2018) Ricky Martin en Concierto (2018-2019) Movimiento Tour (2020-2022)Co-headlining tour Enrique Iglesias and Ricky Martin Live in Concert (with Enrique Iglesias) (2021)Residency' All In (2017–2018) See also Honorific nicknames in popular music List of artists who reached number one in the United States List of artists who reached number one on the UK Singles Chart List of Latin pop artists List of multilingual bands and artists List of Puerto Rican Grammy Award winners and nominees List of Puerto Ricans List of Urbano artists Notes References Book sources External links 1971 births Living people 20th-century LGBT people 20th-century Puerto Rican male actors 20th-century Puerto Rican male singers 20th-century Puerto Rican singers 21st-century LGBT people 21st-century Puerto Rican male actors 21st-century Puerto Rican male singers 21st-century Puerto Rican singers American gay actors American gay musicians American humanitarians American male pop singers American male singer-songwriters Columbia Records artists Echo (music award) winners Grammy Award winners Hispanic and Latino American male actors Hispanic and Latino American musicians Latin Grammy Award winners Latin music songwriters Latin pop singers Latin Recording Academy Person of the Year honorees LGBT entertainers from Puerto Rico LGBT Hispanic and Latino American people LGBT Latin musicians LGBT rights activists from the United States LGBT singers from the United States Male actors from San Juan, Puerto Rico Menudo (band) members MTV Europe Music Award winners Naturalised citizens of Spain Puerto Rican activists Puerto Rican expatriates in Australia Puerto Rican expatriates in Mexico Puerto Rican expatriates in Spain Puerto Rican male film actors Puerto Rican male soap opera actors Puerto Rican male television actors Puerto Rican people of Basque descent Puerto Rican people of Canarian descent Puerto Rican people of Corsican descent Puerto Rican people of Spanish descent Puerto Rican philanthropists Puerto Rican pop singers Puerto Rican record producers Puerto Rican singer-songwriters Singers from San Juan, Puerto Rico Sony Music Latin artists Sony Music Spain artists Spanish-language singers of the United States UNICEF Goodwill Ambassadors World Music Awards winners

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What did he do to disobey

What did Ricky Martin do to disobey the choreography?

Ricky Martin

After achieving modest fame in Puerto Rico for his work in television commercials, Martin auditioned for membership in the Puerto Rican boy band Menudo. Although the executives enjoyed his dancing and singing at his first two auditions, Martin was rejected because he was too short. By the third audition, his persistence impressed executives, and in 1984, 12-year-old Martin became a member. A month after joining Menudo, he made his debut performance with the group at the Luis A. Ferre Performing Arts Center in San Juan. During this performance, he inadvertently disobeyed the choreography by walking around the stage, when it was planned that he would stay still, and was chastised by the band manager after the show: "The mistake was such a big deal that from that moment on, never again did I move when I wasn't supposed to move...That was the discipline of Menudo: You either did things the way you were told or you were not part of the group." The song "Asignatura Pendiente" from Almas del Silencio (2003) was inspired by the first time Martin left Puerto Rico to tour with Menudo. Although Martin enjoyed traveling and performing onstage with Menudo, he found the band's busy schedule and strict management exhausting, and later reflected that the experience "cost" him his childhood. He considered leaving the group while on tour in Brazil, but ultimately decided to stay out of fear of media backlash and being sued for breach of contract. Martin also began struggling with his sexuality, noting the stark contrast between his status as a sex symbol and his own emotions. Despite this, Martin acknowledged his "opportunity to have so many amazing experiences with so many amazing people" during his time with the group. He developed an interest in philanthropy when the group became UNICEF ambassadors, often working with impoverished children in third world countries. His experiences as an ambassador affected him greatly and inspired him to continue working with charities later in life. By 1987, Menudo's record sales began to decline, and the group changed its image, adopting an edgier look and performing more rock-influenced songs. The band released the album Somos Los Hijos del Rock in Spanish, and to appeal to the Menudo's Filipino fanbase, the group released In Action, recording songs in both English and Tagalog. After recording 11 albums with the group, Martin left Menudo in July 1989, at age 17, hoping to rest and evaluate his career path. He performed his final show with the group at the same venue where he'd performed his first performance as a member. Martin returned to Puerto Rico to graduate from high school, and 13 days after turning 18, he moved to New York City to celebrate his financial independence; since he was a minor during his time as a member of Menudo, Martin was not allowed to access his own bank accounts. He was accepted into New York University's Tisch School of the Arts, but months before classes began, Martin dropped out and moved to Mexico City to perform in the play Mama Ama el Rock (Mom Loves Rock). CANNOTANSWER

he inadvertently disobeyed the choreography by walking around the stage, when it was planned that he would stay still,

Enrique Martín Morales (born December 24, 1971), known professionally as Ricky Martin, is a Puerto Rican singer, songwriter, and actor. He is known for his musical versatility, as his discography spans multiple genres, including Latin pop, pop, dance, reggaeton, and salsa. Dubbed the "King of Latin Pop", the "King of Latin Music", and the "Latin Pop God", he is regarded as one of the most influential artists in the world. Born in San Juan, Martin began appearing in television commercials at the age of 9 and began his musical career at age 12, as a member of Puerto Rican boy band Menudo. He started his solo career in 1991 while in Sony Music Mexico, gaining recognition in Latin America with the release of his first two studio albums, Ricky Martin (1991) and Me Amaras (1993), both of which were focused on ballads. Martin's third album, A Medio Vivir (1995), helped him rose to prominence in European countries. The chart-topping single "María", incorporated a mixture of Latin music genres and became his first international hit. His international success was further solidified with his fourth album, Vuelve (1998). The album, which earned Martin his first Grammy Award, spawned chart-topping hits "Vuelve" and "La Copa de la Vida". Martin performed the latter at the 41st Annual Grammy Awards, which was greeted with a massive standing ovation and is known as a game-changer for Latin music worldwide. His first English album, Ricky Martin (1999) became his first US Billboard 200 number one. The lead single "Livin' la Vida Loca" is considered to be Martin's biggest hit, topping both the Billboard Hot 100 and the UK Singles Chart. Martin's success in the late '90s is generally seen as the beginning of the "Latin explosion". He has been credited for getting Latin pop music genre to mainstream recognition, paving the way for a large number of Latin artists to achieve a global success. Martin has since established his status as a sex symbol and a pop icon, releasing several successful albums, including all-time Latin bestsellers Almas del Silencio (2003) and MTV Unplugged (2006), as well as Grammy Award winner A Quien Quiera Escuchar (2015). He has also amassed many successful singles and chart-topper hits, including "She Bangs", "Nobody Wants to Be Lonely", "Tal Vez", "Tu Recuerdo", "La Mordidita", "Vente Pa' Ca", and "Canción Bonita". As an actor, Martin gained popularity and stardom for his role in the hit soap opera General Hospital (1994-1996), while his portrayal of Antonio D'Amico in The Assassination of Gianni Versace: American Crime Story (2018) marked the acting opportunity of his career, garnering him an Emmy nomination. He also starred as Ché in the Broadway revival of the musical Evita in 2012, which broke the theatre's box-office sales record seven times. Having sold over 70 million records worldwide, Martin is one of the best-selling Latin music artists of all time. He has scored 11 Billboard Hot Latin Songs number-one songs, and won over 200 awards (most awarded male Latin artist), including two Grammy Awards, five Latin Grammy Awards, five MTV Video Music Awards (tied for most wins by a Latin artist), two American Music Awards, two Latin American Music Awards, three Billboard Music Awards, nine Billboard Latin Music Awards, eight World Music Awards, fourteen Lo Nuestro Awards, a Guinness World Record, and a star on the Hollywood Walk of Fame. He is ranked among the Greatest Latin Artists of All Time, the Greatest Music Video Artists of All Time, and the Most Influential Latin Artists of All Time by Billboard. His philanthropy and activism focus on LGBT rights and fighting against human trafficking; in 2004, he founded The Ricky Martin Foundation, a non-profit, non-governmental organization that focuses on denouncing human trafficking and educating about the crime's existence. Life and career 1971–1982: Early life Enrique Martín Morales was born on December 24, 1971, in San Juan, Puerto Rico. His mother, Doña Nereida Morales, is a former accountant; his father, Enrique Martín Negroni, is a former psychologist who previously worked as a regional supervisor for a Puerto Rican mental-health agency. His parents divorced when he was two years old, and although his mother had custody of Martin, he could also move freely between his father's house in the middle-class suburb of University Gardens in San Juan, and his paternal grandmother's house nearby. In an interview with People, he told the magazine the he "never had to make decisions" about who he loved more, and he was "always happy". Martin has two older maternal half-brothers, Fernando and Ángel Fernández, two younger paternal half-brothers, Eric and Daniel Martín, and a younger paternal half-sister, Vanessa Martín. Martin has Spanish heritage of Basque and Canarian descent. As he explained to ABC, the Martins traveled from Spain to Puerto Rico in 1779. He also has some Corsican origin through his paternal grandmother. Martin grew up Catholic. The people closest to him called him "Kiki" (a nickname that comes from Enrique). He began singing at age six, using wooden kitchen spoons as make-believe microphones; he often sang songs by Puerto Rican boy band Menudo, as well as English-language rock groups such as Led Zeppelin, Journey, and REO Speedwagon. His mother's side of the family was musically inclined and his maternal grandfather was a poet. Martin later reflected on his time spent with his family as a child: "Every time I find myself in front of an audience, be it twenty people or one hundred thousand, once again I feel the energy that consumed me back at the family gatherings of my youth." He attended Colegio Sagrado Corazón, a bilingual Catholic grade school in University Gardens since fourth grade and was an "average" student there. When he was nine years old, he began appearing in television commercials for products such as soft drinks, toothpaste, and fast food restaurants, most notably Orange Crush and Burger King. In a year and a half, he starred in 11 commercials. 1983–1989: Menudo After achieving moderate fame in his country for his appearances in television commercials, Martin auditioned for membership in Menudo. Formed in Puerto Rico in 1977, Menudo members were usually replaced when they hit 16 in order to keep the band "full of fresh-faced members". Although the executives enjoyed his dancing and singing at his first two auditions, Martin was rejected because he was too short. By the third audition, his persistence impressed executives, and in 1984, 12-year-old Martin became a member. A month after joining Menudo, he made his debut performance with the group at the Luis A. Ferré Performing Arts Center in San Juan. During this performance, he inadvertently disobeyed the choreography by walking around the stage, when it was planned that he would stay still, and was chastised by the band manager after the show: "The mistake was such a big deal that from that moment on, never again did I move when I wasn't supposed to move. That was the discipline of Menudo: You either did things the way you were told or you were not part of the group." Although Martin enjoyed traveling and performing onstage with Menudo, he found the band's busy schedule and strict management exhausting, and later reflected that the experience "cost" him his childhood. Despite this, Martin acknowledged his "opportunity to have so many amazing experiences with so many amazing people" during his time with the group. During his time with Menudo, he became a "key-member of the group" and a "fan-favorite", while the band released 11 albums, including the Grammy-nominated Evolución () (1984) and their highest-charting and longest-running album on the US Billboard 200, Menudo (1985). The former featured Martin's debut single, "Rayo de Luna" () and the latter included the hit single "Hold Me". "Hold Me" became the group's first and only entry on the US Billboard Hot 100 chart, peaking at number 62. It was ranked among the "100 Greatest Boy Band Songs of All Time" by Billboard, the "75 Greatest Boy Band Songs of All Time" by Rolling Stone, and the "30 Best Boy Band Songs" by Complex. Besides the musical career, Martin appeared with other members of Menudo in the American romantic comedy/drama television series, The Love Boat (1985), and the Argentine soap opera, Por Siempre Amigos (1987). He also developed an interest in philanthropy when the group became UNICEF ambassadors, often working with impoverished children in third world countries. His experiences as an ambassador affected him greatly and inspired him to continue working with charities later in his life. Finally, Martin left the band in July 1989, at age 17, hoping to rest and evaluate his career path; he stayed a few extra months after his "age-mandated retirement" came around. He performed his final show with the group at the same venue where he had performed his first performance as a member. Referred to as the "Most Iconic Latino Pop Music Band", Menudo was ranked as one of the Biggest Boy Bands of All Time by Us Weekly in 2021. The group has sold around 20 million records worldwide, and has been acknowledged as the "Most Successful Latin Boy Band of All Time" by Billboard. Martin returned to Puerto Rico to "get a break from the pressures of the group, the promotional tours, and the constant stress of work", but although his parents' divorce had not affected him before, suddenly began to affect him; his parents "began fighting more than ever" and they were forcing him to "choose between the two people in the world" he loved most. As he understood they did this because they loved him and wanted the best for him, he "forgave all of the pain and anger they caused" him. He graduated from the high school, and 13 days after turning 18, he moved to New York City to celebrate his financial independence; since he was a minor during his time with Menudo, Martin was not allowed to access his own bank accounts. 1990–1994: Acting and first solo albums Martin was accepted into New York University's Tisch School of the Arts in 1990, but before classes began, his friend invited him to Mexico City. He attended the musical comedy play, Mama Ama el Rock () there, and was offered to stay and replace one of the actors. He accepted the offer, dropped out the university and moved from New York to Mexico City to perform in the play. While he was performing onstage in Mama Ama el Rock, a producer in the audience took notice of Martin's acting and offered him a role in the Mexican telenovela Alcanzar una estrella () (1990). Martin also joined the cast for the second season of the show, titled Alcanzar una estrella II (1991). A film based on the TV series, titled Más que alcanzar una estrella () (1992), was also produced in which Martin starred, and earned him an El Heraldo Award for his role. A Sony Discos executive noticed Martin's acting in the soap operas and offered him his first solo music recording contract. Eager to record his first solo album and hustled by the executive, Martin signed the contract without reading its conditions and inadvertently signed a deal in which he would only be paid one cent for each album sold! Despite viewing the contract as unfair, Martin referred to the record as "the start of something phenomenal" for him. After working "around the clock" to finish filming Alcanzar una estrella II and recording music, he released his debut solo album, Ricky Martin, on November 26, 1991. The album peaked at number five on the US Billboard Latin Pop Albums chart and spent a total of 41 weeks on the list. It sold over 500,000 copies worldwide, was certified gold in Argentina, Chile, Colombia, Mexico, and Puerto Rico, and spawned his first solo hit singles, "Fuego Contra Fuego" (), "El Amor de Mi Vida" (), and "Dime Que Me Quieres" (). Both "Fuego Contra Fuego" and "El Amor de Mi Vida" reached the top 10 on the US Billboard Hot Latin Tracks, peaking at numbers three and eight, respectively. To promote the album, Martin embarked on a successful Latin American tour, breaking box office records, which the singer referred to as "an indescribable feeling, almost like coming home". After the success of Ricky Martin and its subsequent tour, Martin's record company met him with the Spanish musician Juan Carlos Calderón to work on his second studio album, Me Amaras () (1993). Although Martin felt "very grateful" for the opportunity to work with Calderón, he noted, "I always felt that that record was more his than mine." The album sold over one million copies worldwide and was certified triple-platinum in Chile. In 1994, Martin's agent encouraged him to move to Los Angeles to act in an American sitcom called Getting By. The show was canceled after two seasons, but soon afterward, Martin was given the role of Miguel Morez on the popular hit soap opera General Hospital; Morez, a bartender and singer, known for his long and flowing hair, was a Puerto Rican citizen hiding in the United States from his lover's criminal mastermind father and created a love triangle with his fiancé Lily Rivera and Brenda. Martin portrayed the role for two years and gained huge popularity and stardom, becoming "one of the most-talked about actors on the soap opera". Despite this, Martin felt he lacked chemistry with the rest of the General Hospital cast and observed that people treated him differently because of his Puerto Rican accent. At the time, it was relatively uncommon for Latin actors to appear on American television, and people suggested that he take accent reduction classes, which he refused. 1995–1997: Breakthrough with A Medio Vivir In 1995, Martin refocused on his music career, and began working on his third studio album, A Medio Vivir (). The album was released on September 12, 1995, and became a huge success; it sold over three million copies or even seven million copies worldwide, according to different sources, being certified gold in the United States, platinum in France, 4× platinum in Spain, and 6× platinum in Argentina, as well as many other certifications in Latin American countries. It spawned several successful hits, including "Te Extraño, Te Olvido, Te Amo" (), "María", and "Volverás" (). On "María", which was released as the second single from the album, Martin allowed himself "to go into a very Latin, African sound". He created a mix of different Latin music genres instead of singing a romantic ballad, the style that he focused on it in his first two albums, while Latin pop music in general was mainly made up of it at the time. Although Martin was satisfied with the track and he describes it as a song that he is "extremely proud of", the first time he played it for a record label executive, the man said: "Are you crazy? You have ruined your career! I can't believe you are showing me this. You're finished — this is going to be your last album." Despite this, the track became Martin's breakthrough song and his first international hit. It topped the charts in 20 countries, and has sold over five million physical copies worldwide. As a result, the song was featured in the 1999 edition of The Guinness Book of Records as the biggest Latin hit. It was also the Song of the Summer in Spain in 1996 and was the second best-selling single in the world that year. In Australia, "María" spent six weeks at number one, topped the country's year-end chart in 1998, and was certified platinum. The song also spent nine weeks at number one in France, and was certified diamond. It has sold over 1.4 million copies in France. Additionally, the track reached the top 10 in the United Kingdom, and became Martin's first entry on the US Billboard Hot 100 chart. To promote A Medio Vivir, he embarked on the worldwide A Medio Vivir Tour, that lasted for more than two years, through which he performed 63 shows and visited Europe, Latin America and the United States. During an interview with The Miami Herald in 1996, Martin expressed an interest in performing on Broadway. In a few days, he received a phone call from producer Richard Jay-Alexander, and was offered the role of Marius Pontmercy in the play Les Misérables. After the conclusion of the A Medio Vivir Tour in Latin America, Martin returned to New York to appear in the play in an eleven-week run. He greatly enjoyed the experience, calling his time in the play an "honor" and "the role of [his] life". Martin continued to tour after the conclusion of the show's run, and noted that his audiences were growing in both size and enthusiasm. 1998–1999: Vuelve While the A Medio Vivir Tour had not been concluded yet, Martin returned to the studio to record his fourth album Vuelve (). He called the experience of touring and recording at the same time "brutal and incredibly intense". As he was finishing the record in 1997, "María" caught the attention of FIFA. They contacted Martin and asked him to create a song as the 1998 FIFA World Cup anthem. He stated about the request: "I have to admit that the challenge made me a bit nervous, but the massive growth potential for my career was such that I decided to accept." Following his acceptance, musicians K.C. Porter, Robi Rosa, and Desmond Child joined him and they started working on a song titled "La Copa de la Vida" (English: "The Cup of Life"). Martin wrote about the recording: "La Copa de la Vida" was included as the eighth track on Vuelve, released February 12, 1998, The album became a huge success; it sold over eight million copies worldwide, becoming the best-selling Spanish-language album in history, according to his label. Also, some sources have reported the album's sales as six million copies worldwide. It spent 26 weeks atop the US Billboard Top Latin Albums chart and was certified platinum by the Recording Industry Association of America (RIAA). In Canada, the album peaked at number three and was certified double platinum. Vuelve spawned big hits, including the title track, "La Copa de la Vida", "Perdido Sin Ti" (), and "La Bomba" (). "La Copa de la Vida" grew to be an international success, appearing on the charts in more than 60 countries, and reaching number one in 30 countries, Both "Vuelve" and "Perdido Sin Ti" peaked at number one on the US Billboard Hot Latin Tracks chart; the former also reached number one in On July 12, 1998, Martin performed "La Copa de la Vida" as the official anthem at the 1998 FIFA World Cup Final in France, in front of more than a billion TV viewers around the world. To promote Vuelve, Martin embarked on the worldwide Vuelve Tour; he performed in Asia, Australia, Europe, Mexico, South America, and the United States. Although Latin music was not important to the Recording Academy or the mainstream music industry at the time, Tommy Mottola, then-chief of Columbia Records, was certain about Martin's stardom and pushed hard to have him on the Grammy Awards ceremony. During an interview with Billboard, Mottola told the magazine about it: "There was tremendous resistance from the Grammys. They did not want an 'unknown' to perform, yet we he had already sold 10 million copies of Vuelve worldwide. To me, that was absolutely UNACCEPTABLE." Finally, on February 24, 1999, cavorting with a 15-piece band alongside and a large number of dancers and percussionists, Martin performed a bilingual version of "La Copa de La Vida" at the 41st Annual Grammy Awards, which was greeted with a massive standing ovation and met with acclaim from music critics. At the same night, Vuelve earned Martin his first Grammy award, for Best Latin Pop Performance. After he accepted the award and expressed how important it was to the Latin community, the American singer-songwriter Madonna came on the stage and hugged him. 1999–2000: Crossover to English In October 1998, CNN confirmed that Martin has been working on his first English language album, following the huge success of Vuelve. In April 1999, Billboard revealed the album's title as Ricky Martin in an article, mentioning that the album was initially set for retail on May 25, 1999. However, the huge interest in the disc, following Martin's performance at the Grammy Awards, encouraged Columbia Records to decide to rush the album to release two weeks ahead of schedule, on May 11. Tom Corson, the senior vice president of marketing at Columbia explained: "Quite simply, the market has demanded it. People have been wanting this record for a while, and it's now reached the point where we have to get it out there immediately." Tim Devin, the general manager of Tower Records in New York added about Martin: "He's always been one of our strongest Latin artists, but interest in him has picked up considerably since that performance." Ricky Martin debuted atop the US Billboard 200 with first-week sales of 661,000 copies, according to data compiled by Nielsen SoundScan, becoming the largest sales week by any album in 1999. It also broke the record as the largest first-week sales for any pop or Latin artist in history, as well as any Columbia Records artist during the SoundScan era. With this album, Martin became the first male Latin act in history to debut at number one on the US Billboard 200 chart. It was certified 7× platinum by the Recording Industry Association of America (RIAA), denoting shipments of over seven million copies in the US and breaking the record as the best-selling album by a Latin artist in the country. Only within three months, Ricky Martin became the best-selling album ever by a Latin artist. According to different sources, the album has sold over 15 million copies or even 17 million copies worldwide. It was nominated for Best Pop Album at the 42nd Annual Grammy Awards. The album was supported by four singles; the lead single "Livin' la Vida Loca" () topped the charts in more than 20 countries and is considered to be Martin's biggest hit, and one of the best-selling singles of all time. In the United States, it topped the Billboard Hot 100 chart for five consecutive weeks, becoming Martin's first number one single on the chart. Additionally, it broke several records on Billboard charts. It also spent eight consecutive weeks atop the Canada Top Singles chart and topped the country's year-end chart. In the United Kingdom, it debuted at number one and stayed there for three weeks, making Martin the first Puerto Rican artist in history to hit number one. The track was ranked as the best '90s pop song by Elle, and was listed among the Best Latin Songs of All Time by Billboard. It was nominated for four categories at the 42nd Annual Grammy Awards, including Record of the Year and Song of the Year. Its Spanish version reached the summit of the Billboard Hot Latin Tracks chart in the United States, and was nominated for Record of the Year at the 2000 Latin Grammy Awards. "She's All I Ever Had" was released as the second single from the album in June 1999. It peaked at numbers two and three on the US Billboard Hot 100 and Canada Top Singles charts, respectively. The Spanish version, "Bella" () topped the charts in five countries, as well as Billboards Hot Latin Tracks chart. To further promote Ricky Martin, he embarked on the worldwide Livin' la Vida Loca Tour. In the United States, the Livin' la Vida Loca Tour was the highest-grossing tour of 2000 by a Latin artist, earning over $36.3 million with 44 dates and drawing 617,488 fans. According to Billboard Boxscore, the tour grossed $51.3 million in Canada, Mexico, and the United States, with 60 shows and drawing an audience of 875,151. International dates were not reported to Boxscore and would push the tour's grosses higher. 2000–2005: Sound Loaded, Almas del Silencio, and Life While the Livin' la Vida Loca Tour had not been concluded yet, Martin returned to the studio to record his sixth studio album, Sound Loaded. The album was released on November 14, 2000. It debuted at number four on the Billboard 200 with first-week sales of 318,000 copies, according to data compiled by Nielsen SoundScan. The album has sold over seven million copies or even eight million copies worldwide, according to different sources, being certified double platinum in the US. The album featured two hit singles, "She Bangs" and "Nobody Wants to Be Lonely". The former reached number one in seven countries, including Italy and Sweden, as well as the top five in Australia, Canada, the United Kingdom, and several other countries. It was nominated for Best Male Pop Vocal Performance at the 43rd Annual Grammy Awards. The Spanish-language version of "She Bangs" reached the summit of the Hot Latin Tracks chart and won the Latin Grammy Award for Best Music Video at the 2nd Annual Latin Grammy Awards. "Nobody Wants to Be Lonely" was re-recorded along with American singer Christina Aguilera, peaking at number one in five countries, as well as the top five in Italy, Germany, Spain, and the United Kingdom, among others. It was nominated for Best Pop Collaboration with Vocals at the 44th Annual Grammy Awards. The solo Spanish version, entitled "Sólo Quiero Amarte" topped the Hot Latin Tracks chart. Both "She Bangs" and "Nobody Wants to Be Lonely" are certified silver in the UK. In February 2001, Martin released a Spanish compilation album entitled La Historia (), which spent five weeks at number one on the Top Latin Albums chart, topped the charts in Argentina and Sweden, and was certified quadruple Latin platinum in the United States. Following the success of Ricky Martin and Sound Loaded, he initially planned to release the third English-language album as his seventh studio album, which was supposed to be his first complete work in the field of songwriting. Despite Sony Music Entertainment's original plan, he decided to release a Spanish-language album: "I woke up five months ago, and I said 'We're doing an album in Spanish.' Everyone went nuts. They said, 'You don't have time; you have to release an album in English because of timing issues with your career.' And that's fine. But I told them, 'In five months, you'll have a kick-ass album' [in Spanish]. Martin's seventh studio album, Almas del Silencio () was released in May 2003. It debuted atop the Billboard Top Latin Albums chart with first-week sales of 65,000 copies, according to data compiled by Nielsen SoundScan, breaking the record as the largest first-week sales for a Spanish-language album in the US. The album also debuted at number 12 on Billboard 200, tying the 2002 album, Quizás () as the chart's highest Spanish-language debut. The album also debuted at number one in "at least 13 Latin American markets" and sold over two million copies worldwide. Almas del Silencio spawned three Hot Latin Tracks chart-topper hits: "Tal Vez" (), "Jaleo", and "Y Todo Queda en Nada" (). "Tal Vez" debuted at number one on the Billboard Hot Latin Tracks chart on the week of April 12, 2003, marking the first number one debut since February 1998, and becoming the sixth song overall in the chart's history to do so. It spent a total of 11 weeks at this position, surpassing "Livin' la Vida Loca" as Martin's longest number-one single on the chart, and was the longest-running number one of 2003. It also topped the charts in several Latin American markets. In October 2005, Martin released his third English album, Life. He commented on the album: "I was really in touch with my emotions. I think this album is very multi-layered, just like life is. It's about feeling anger. It's about feeling joy. It's about feeling uncertainty. It's about feeling. And all my emotions are part of this production". To promote Life, Martin embarked on the worldwide One Night Only with Ricky Martin tour. 2006–2012: MTV Unplugged, Música + Alma + Sexo, and Evita Although Martin's team and MTV had discussed an MTV Unplugged for years, but it became more serious after Martin's the One Night Only tour, which featured an acoustic segment. Finally, Martin taped his MTV Unplugged set in Miami in August 2006, performing both romantic ballads and up-tempo tropical dance songs. During the performance, he debuted three new tracks, including "Tu Recuerdo" (), which was released to radio stations as the lead single from his debut live album MTV Unplugged (2006). The album debuted at number one on the Top Latin Albums chart and sold over two million copies worldwide, marking his highest-certified album in Mexico. It won two Latin Grammy awards and was nominated for Album of the Year. "Tu Recuerdo" reached number one in five countries, as well as the Billboards Hot Latin Songs and Latin Pop Airplay charts. The track was certified quadruple platinum in Mexico and was nominated for Record of the Year at the 8th Annual Latin Grammy Awards. The artist then embarked on the Black and White Tour in 2007, including four sold-out shows at the José Miguel Agrelot Coliseum in Puerto Rico. The concerts in Puerto Rico were compiled into his second live album Ricky Martin... Live Black & White Tour (2007). Later that year, he released his first Italian song, "Non siamo soli" () as a duet with Italian singer Eros Ramazzotti. The song debuted at number one in Italy and spent eleven consecutive weeks atop the chart. In January 2011, Martin launched his ninth studio album, Música + Alma + Sexo (). The album debuted at number three on the US Billboard 200 chart, becoming the highest-charting primarily-Spanish language set since Dreaming of You (1995) by American singer Selena. It holds the record as the highest-charting Latin album of the 2010s, and represents the highest-ever chart debut on the Billboard 200 for a Sony Music Latin release. Música + Alma + Sexo also peaked at number one in Argentina and Venezuela, as well as Billboards Top Latin Albums. Its lead single, "Lo Mejor de Mi Vida Eres Tú" (English: "The Best Thing About Me Is You") reached number one on the US Billboard Hot Latin Songs chart and was nominated for Record of the Year, Song of the Year, and Best Short Form Music Video at the 12th Annual Latin Grammy Awards. To promote the album, Martin embarked on the Música + Alma + Sexo World Tour in 2011. In February 2012, he appeared as Spanish teacher David Martinez on the twelfth episode of the third season of the American musical television series Glee, The Spanish Teacher. Martin starred as Ché in the Broadway revival of the musical Evita from March 2012 to January 2013. The show became a hit, breaking the theatre's box-office sales record after only six performances. Sine then, it broke its own record six times and was nominated for Best Revival of a Musical at the 66th Tony Awards. The show's soundtrack album debuted at number one on Billboards cast album chart. 2013–2018: The Voice, A Quien Quiera Escuchar, and The Assassination of Gianni Versace Martin served as a coach on the second season of the Australian singing competition television series The Voice in 2013. In the same year, he released a compilation album, entitled Greatest Hits: Souvenir Edition, which reached number two in Australia, as well as a new single, entitled "Come with Me", which debuted at number three in the country. The artist then embarked on the Ricky Martin Live tour in Australia in October 2013. He continued serving as a coach on both the third and fourth seasons of The Voice Australia in 2014 and 2015, respectively. In 2014, Lars Brandle from Billboard stated in an article: "Through his high-profile slot on The Voice, Ricky's profile in Australia has never been as big as it is right now." On February 25, 2014, Wisin released a song titled "Adrenalina" () from his album El Regreso del Sobreviviente (), which featured Jennifer Lopez and Martin, and became the Univision's 2014 World Cup song. It received commercial success, peaking in the top-five of Bulgaria, Mexico, Spain, and Billboards Hot Latin Songs chart. Its accompanying music video has accumulated over 850 million views on YouTube. Later that year, Martin released his single "Vida" () for the 2014 FIFA World Cup. The song reached the top five in Spain and on the US Hot Latin Songs chart. Also in 2014, he served as a coach on the fourth season of The Voice Mexico, and embarked on the Live in Mexico tour. In February 2015, Martin released his tenth studio album, A Quien Quiera Escuchar (). The album debuted at number one on Billboards Top Latin Albums chart and peaked at number one in Argentina. It won the award for Best Latin Pop Album at the 58th Annual Grammy Awards and Album of the Year at the 1st Latin American Music Awards. The album spawned three Hot Latin Songs top-10 hits: "Adiós" (), "Disparo al Corazón" (), and "La Mordidita" (). "Disparo al Corazón" was nominated for both Record of the Year and Song of the Year at the 16th Annual Latin Grammy Awards. "La Mordidita" experienced huge commercial success, being certified 15× Latin platinum in the United States. Its accompanying music video has received over 1.2 billion views on YouTube. To promote the album, Martin embarked on the One World Tour from 2015 to 2017. He served as an executive producer and a judge on the American singing competition series La Banda (), which premiered in 2015 and 2016 on Univision. The first season was "looking for the next Latin boy band", while the second season was looking for a Latin girl band. The contestants would compete for a recording deal with Sony Music Latin and Syco Music. CNCO, known as the first boy band to make reggaeton, was the winner of the first season. Martin became their manager and produced the band's debut album, Primera Cita () (2016), along with Wisin; the album debuted at number one on Top Latin Albums and featured the hit single "Reggaetón Lento (Bailemos)" (). CNCO opened many dates on One World Tour in 2016. In 2020, Leila Cobo from Billboard compared the group with Menudo, noting: "Not since Menudo had a Latin boy band melted our hearts or made us dance quite like CNCO". On September 23, 2016, Martin released a song called "Vente Pa' Ca" (), featuring Colombian singer Maluma. The song became one of the biggest Spanish-language songs of 2016, reaching number one in seven countries, as well as Billboards Latin Airplay, Latin Pop Airplay, and Tropical Airplay charts. It also reached top five in Spain and on the Billboard Hot Latin Songs, being certified quadruple platinum in Spain and diamond in Mexico. The track was nominated for both Record of the Year and Song of the Year at the 18th Annual Latin Grammy Awards. The accompanying music video has received over 1.75 billion views on YouTube. Martin signed a concert residency, named All In, to perform at the Monte Carlo Resort and Casino in Las Vegas in 2017 and 2018. He portrayed fashion designer Gianni Versace's partner Antonio D'Amico in the FX true crime anthology television series The Assassination of Gianni Versace: American Crime Story, marking "the acting opportunity of his career". The role garnered him a nomination for Outstanding Supporting Actor In A Limited Series Or Movie at the 70th Primetime Emmy Awards. Running from January to March 2018, The Assassination of Gianni Versace received generally favorable reviews and numerous awards and nominations, including three Primetime Emmy Awards, four Creative Arts Emmy Awards, two Golden Globe Awards, two Critics' Choice Television Awards, and a Screen Actors Guild Award. In February 2018, Martin released a song titled "Fiebre" (), featuring Wisin & Yandel. The song was commercially successful in Latin America, reaching number one in Chile, Ecuador, Guatemala, Mexico, and Uruguay. It also reached the summit of the Billboard Latin Airplay and Latin Rhythm Airplay charts. 2019–present: Amici di Maria De Filippi, PausaPlay, and Jingle Jangle: A Christmas Journey At the 61st Annual Grammy Awards, Martin performed "Havana", "Pégate" (), and "Mi Gente" (), alongside Camila Cabello, J Balvin, Young Thug, and Arturo Sandoval, as the opening performance. Martin served as a coach on the eighteenth season of the Italian talent show Amici di Maria De Filippi () in 2019. In the same year, Maluma released a song called "No Se Me Quita" () from his album 11:11, which featured Martin. The song reached number one in Mexico and was certified quadruple platinum in the country. Martin hosted the 20th Annual Latin Grammy Awards in November 2019, along with Roselyn Sánchez and Paz Vega. The artist started recording his eleventh studio album, initially titled Movimiento (), in the second half of 2019, inspired by the 2019 political protests in Puerto Rico. He embarked on the Movimiento Tour in 2020. Because of the COVID-19 pandemic and subsequent personal experiences, he decided to split the tour's associated album in two extended plays, Pausa () and Play; the former was released in May 2020, while the latter is set to release as his eleventh studio album. Pausa was nominated for Album of the Year and won the award for Best Pop Vocal Album at the 21st Annual Latin Grammy Awards. The second single from the EP, "Tiburones" () reached number one in Argentina and Puerto Rico, and was also nominated for Song of the Year at the 21st Annual Latin Grammy Awards. Martin starred as the voice of villainous miniature figure Don Juan Diego in the American Christmas musical fantasy film Jingle Jangle: A Christmas Journey. The film was released on Netflix on November 13, 2020, and received generally favorable reviews. In April 2021, Martin released his hit single "Canción Bonita" () with Colombian singer Carlos Vives, which experienced huge commercial success in Latin America, reaching number one in 12 countries. It was also nominated for Song of the Year and Best Pop Song at the 22nd Annual Latin Grammy Awards. Later that year, he released "Qué Rico Fuera" () with Chilean-American singer Paloma Mami, as the lead single from Play. The song peaked at number one in four countries, as well as the top 10 on Billboards Latin Pop Airplay. In the same year, he embarked on his first co-headlining tour, the Enrique Iglesias and Ricky Martin Live in Concert alongside Spanish singer Enrique Iglesias. Artistry Influences As a child, Martin used to sing songs by Menudo and American rock bands such as Led Zeppelin, Journey, and REO Speedwagon, which were what his "older siblings were listening to at the time". While Martin and his brothers spent their time listening to classic rock, their mother would interrupt them to make them listen to Latin music. She brought him CDs of Fania All-Stars, Celia Cruz, El Gran Combo de Puerto Rico, and Gilberto Santa Rosa that slowly made him appreciate the richness of Puerto Rican culture. Also, she once took them to a Fania All-Stars concert, which Martin is "beyond grateful" for it. He expresses that thanks to her mother, those influences had a "profound effect" on his musical career. Martin has also cited Elvis Presley, the Beatles, Michael Jackson, and Madonna for teaching him "the beauty of pop". He stated about Madonna: "I was very influenced by her and her music. I know every choreography of Madonna." Additionally, he mentions Carlos Santana, José Feliciano, Celia Cruz, and Gloria Estefan as the artists who paved the way for him, naming Feliciano as one of the people who inspired him when he was a teenager: "I was always fascinated with his music." In addition to the musical influences, Martin is inspired by David Bowie's "ambiguous sexuality". While growing up, he used to ask himself if he wanted to be like the openly gay singer Elton John or he just liked him, admiring his music, colors, and wigs. Musical styles and themes Considered to be a versatile artist, Martin describes his music as Latin pop, saying: "When you say 'Latin pop', the spectrum is so broad, It's inevitable to not be influenced by everything that’s happening in the industry, but always keeping your identity firm by knowing who you are." He has also described his music as fusion, while noting that he does not "ride the waves that are in fashion at the moment". Music critics have described his songs as Latin pop, pop, dance, ballad, reggaeton, Latin, African, rock, salsa, flamenco, urban, samba, cumbia, merengue, rumba, Latin funk, bomba, batucada, vallenato, dancehall, mambo, Europop, house, disco, EDM, dance-pop, electro, techno, dubstep, world music, Middle Eastern, folk-pop, bossa nova, pop rock, soft pop, soft rock, R&B, gospel, jazz, trap, hip hop, doo-wop, ska, and rock' n' roll. Martin sings in Spanish, English, Portuguese, Italian, and French. About his lyrics, Martin has emphasized that although his music will always make the listener dance, it does not mean his lyrics "have to be meaningless" and he sings about love and heartbreak, as well as "things that are good for a society", such as "freedom, freedom of expression, and social justice". He has also declared that as a Latino, he is not afraid of sexuality and sings about sexuality and sensuality, bringing his culture with him onstage. Voice Martin possesses a dramatic tenor vocal range. Peter Gilstrap from Variety commented that his "powerful voice" is "capable of belt or lilt", while The Jerusalem Posts Noa Amouyal described his voice as "soulful" and "very powerful". In 1995, Enrique Lopetegui of the Los Angeles Times noted Martin's "improved vocal skills" on A Medio Vivir. Also from the Los Angeles Times, Ernesto Lechner later praised his vocal for being "charismatic enough to handle both ballads and up-tempo tunes". Similarly, Billboards Chuck Taylor expressed "She's All I Ever Had" boasts "a versatility that contrasts nicely" with Martin's previous single, "Livin' la Vida Loca", labeling his vocal on the former "tender and heartfelt". Steve Gerrard of the Montreal Rocks complimented "his vocal maturity" on A Quien Quiera Escuchar. Music videos and performances Billboard labeled Martin "a video icon", and ranked him as the 79th Greatest Music Video Artist of All Time in 2020, stating: "From the moment he sashayed up to the mic in 'Livin La Vida Loca' all dressed in black, and gave us that look, the Menudo alum became the most memorable and watchable drop-dead handsome guy in pop music." He has collaborated with various directors to produce his music videos, including Carlos Perez, Wayne Isham, Jessy Terrero, Simón Brand, Gustavo Garzón, Nigel Dick, Kacho Lopez, and Memo del Bosque. "Livin' la Vida Loca" was nominated for Video of the Year at the 1999 MTV Video Music Awards, making Martin the first Latin artist in history to receive a nomination in this category. It won two primary awards for Best Pop Video and Best Dance Video, and was voted three additional awards in the International Viewer's Choice categories, making it rank among the videos with most wins in the history of the MTV Video Music Awards. The explicit sexual scenes of the music video for "She Bangs" were met with criticism from the audience; several American television stations cut the scenes when airing the video. According to the Daily Records John Dingwall, with the visual, Martin ditched his teen idol image by transforming to a more mature one. It was consequently banned in several Latin American countries, such as the Dominican Republic. Martin told MTV News that the video represented freedom rather than his sexuality. The video was awarded Best Music Video at the 2nd Annual Latin Grammy Awards, Best Clip of the Year — Latin at the 2001 Billboard Music Video Awards, and Video of the Year at the 13th Lo Nuestro Awards. Martin has been noticed for "dance moves of his own" and his "bon-bon shaking dance moves". Carol Sandoval from VIX named him the "best dancer on any stage worldwide", highlighting his hips movement and "successful turns". He was ranked as the ninth best male dancer by the Evening Standard and the tenth Male Singer Who Can Dance by WatchMojo, being the only Latin entertainer on both lists. Writing for The Hollywood Reporter, Scott Feinberg introduced Martin as "an incredible dancer". Billboards Jessica Roiz labeled him "a true showman", noting his "many outfit changes", "various dance performances", and "different stage set for each song". Jon Pareles of The New York Times described him as "an all-around showman" and Varietys Peter Gilstrap called him "every inch the showman", both recognizing his vocal abilities, while the former also commented he is "a dancer as muscular and hard-working as anyone in his troupe", mentioning his "likable, good-hearted character" and "steadfast Puerto Rican pride". Music critics have mostly praised his concerts for the choreographies, video screens, visual effects, stage, Latin influences, and Martin's vocals, costume changes, energy, sensuality, dance moves, and gestures, while the quality of sounds and sound mixes have received mixed reviews. Billboards Marjua Estevez described Martin's performance of "La Copa de la Vida" at the 41st Annual Grammy Awards as "the most memorable Latin performance at a Grammy Awards show", and the publication ranked it as the 54th Greatest Award Show Performance of All Time on their 2017 list. The performance was additionally placed on a 2017 unranked list of "Top 20 Best Grammy Performances of All Time" by Gold Derby, and on a 2019 list of "The Most Unforgettable Grammys Performances of All Time" by InStyle. Public image Martin became a teen idol with his debut as a member of Menudo, and a pop icon following global fame as a solo artist. Journalists have written about his humble personality and "beautiful soul". Writing for The Hollywood Reporter, Scott Feinberg introduced Martin as "one of the most acclaimed and admired creative artists ever". La República staff described him as "one of the most admired and desired singers", while authors of ¡Hola! described him as "one of the most respected Latin stars in the world", "one of the most prodigious voices in music in Spanish", and "one of the most beloved talents in the entertainment industry worldwide". Also from ¡Hola!, Cristina Noé named him "one of the most loved artists in the world", while a writer of Clarín named him "one of the most applauded Latin singers on the planet". Metro Puerto Rico stated that he "raised the name of Puerto Rico internationally". He was ranked as one of the top-10 "emerging personalities" of 2010 by Google Zeitgeist. In 2014, Gay Star News referred to Martin as "the most famous Latin pop star in the world", while Variety described him as "Puerto Rico's arguably most famous son" in 2021. He is ranked as the second-most famous Latin music artist in the United States, according to YouGov surveys in 2021. During the 2000s, Martin was known for "guarding his private life" and being "uncomfortable discussing intimate aspects of his personal life"; he used to insist on asking public to focus on his music and "steered interviewers away from his personal life". However, he chose to live both his "professional and personal life", making his private life public since the early 2010s. In 2021, he went on the cover of People with the title "No More Secrets" and told the magazine that he is "a man with no secrets", stating that he is "more comfortable in his own skin than ever before". Martin is one of the most followed celebrities on social media, with accounts on Instagram, Twitter, Facebook, YouTube, and TikTok. He stated about social media that he wishes he had "something as powerful as" them since his debut: "Obviously I like to have direct contact with the public, with the media. It's extremely important, but today, from my home, I can talk to millions of people and see their immediate reaction." He is noticed for his friendly interactions with his fans, who are called "Sexy Souls". Wax statues of Martin are on display at the Madame Tussauds wax museums in San Francisco, Sydney, and Orlando. The last one was moved from Las Vegas to Orlando for the opening of the museum in spring 2015. Fashion Martin is considered to be a sex symbol, and journalists describe him as "the Latin heartthrob". His fashion and style evolution, from "as '80s as you'd expect" during his time with Menudo to "a style groove, often opting for sharp, tailored suits with clean lines" since 2009, has been noticed by the media. Natalia Trejo from ¡Hola! described him as "one of the most stylish Latin men in the entertainment industry", highlighting his "baggy leather pants", "tailored suits", and "color-block blazers" that have marked "some of the noteworthy trends of each decade". The reviewer also commented that Martin is "an example of mixing business with casual" and has "always had a personal sense of style". JD Institute of Fashion Technology views Martin as a fashion icon, praising him for "pushing the fashion boundaries with every new look". In 1997, he went on the cover of People en Españols first edition of 25 Most Beautiful; he has since "been a constant presence" on their 25 or 50 Most Beautiful lists. Two years later, he was featured on the cover of both Rolling Stone and Time magazines. Martin is considered to be one of the sexiest men in the world, according to various publications. In 2012, he was voted the sexiest man alive on Broadway.com. The following year, VH1 ranked him as the 28th Sexiest Artist of All Time, stating: "Ricky looks like the model in the magazine ads you stare at in awe thinking, 'There's no way he's that perfect in person'." In 2014, Entertainment Tonight listed him among the Sexiest Men Alive, while Revista Estilo placed him on the list of "the 10 Sexiest Singers" in 2016. He was ranked at number 16 on the list of "the 50 Hottest Men of All Time" by Harper's Bazaar in 2018, being the only Latin man on their list. In 2019, TN described Martin as "the sexiest man in the world". He has been noted for looking younger than his age, with Billboards Chris Payne labeling him "ageless". The singer has attended several fashion shows, including the Giorgio Armani show at Milan Fashion Week in 2011, the Marc Jacobs show in 2013, the Berluti menswear spring-summer 2020 show at Paris Fashion Week, the Dior men's pre-fall 2020 show, and the Virgil Abloh Spring-Summer 2022 show held by Louis Vuitton. Personal life Sexual orientation and early relationships According to an interview with Rolling Stone in 1999, Martin experienced his first kiss at age 13 and lost his virginity at age 14 in Argentina. In 1990, shortly after he had arrived in Mexico to star in Mama Ama el Rock, he met a woman, who was the host of a television show. They began dating quickly and broke up a few months later. In 1992, he fell in love with Mexican singer Alejandra Guzmán, who was separated from her husband at the time. They began dating together until Guzmán returned to her husband and pretended Martin was her assistant on a phone call, while she was sleeping with her husband. In an interview with Univision, Martin admitted that she broke his heart. In the same year, Martin was rumored to have a relationship with Argentine tennis player Gabriela Sabatini. Sabatini's sister-in-law, Catherine Fulop confirmed the rumor in 2020. During the time he was playing in General Hospital, he met a "very handsome" man at a radio station, "stopped fearing [his] sexuality", and started dating him. Martin's mother supported him when she discovered that he was in love with a man, saying: "I love you, my son, I'm so happy for you. Bring it on. I'm right behind you." However, after the relationship ended, Martin "locked [his] feelings even deeper inside" and began dating women again. He recalls: "I already felt it was hard to be a Latino in Hollywood; what could have been more difficult than being Latino and gay?" Martin began dating Mexican television host Rebecca de Alba in 1994; they were in an on-and-off relationship until 2005. In May 2021, Alba revealed that she became pregnant several times in her life, but lost all of the embryos, expressing that one of them belonged to Martin. Martin also had relationships with Lilly Melgar, Adriana Biega, Maital Saban, and Inés Misan during his break-up times with Alba in the late 1990s and early 2000s. He declared that "there was chemistry with them" and he "wasn't fooling anyone". In August 2008, Martin became a father to twin boys named Matteo and Valentino, born via gestational surrogacy. He explained that he chose surrogacy to become a parent for being "intriguing and faster" than adoption, which was complicated and could take a long time. In March 2010, Martin publicly came out as gay via a message on his website, stating: "I am proud to say that I am a fortunate homosexual man. I am very blessed to be who I am." Years later, he revealed that although his music was "heard all over the world" and he "could high five God" in 1999, he "wasn't living to the fullest" and was sad and depressed. He kept asking himself, "Am I gay? Am I bisexual? Am I confused? What am I?", explaining: "Sexuality is one complicated thing. It's not black and white. It's filled with colors. When I was dating women, I was in love with women. It felt right, it felt beautiful." In an interview with Vanity Fair, he declared: "There was love, passion. I do not regret anything, any of the relationships I lived, they taught me a lot, both men and women." Martin also told Fama!: "I know that I like both men and women, I'm against sexual labels, we are simply human beings with emotional and sexual needs. I like to enjoy sex in total freedom, so I'm open to having sex with a woman if I feel desire." Despite this, he expressed that he wouldn't be interested in "an ongoing relationship with a woman", stating: "Men are my thing". In 2000, American broadcast journalist Barbara Walters asked Martin about his sexuality on national television: "You could stop these rumors. You could say, 'Yes I am gay or no I'm not.'" In 2021, Martin, who answered with "I just don't feel like it" at the time, revealed that her question made him "felt violated", since he "was just not ready to come out" and was "very afraid"; he said that it resulted "a little PTSD" that "still haunts him". Martin dated Puerto Rican economist Carlos González Abella from 2010 to 2014, as his first relationship with a man after his coming out as gay. Marriage Syrian-Swedish painter Jwan Yosef shared a photo of himself and Martin on Instagram on March 30, 2016, with the caption: "Obviously we're starting a band." Soon it was rumored that Yosef is Martin's new boyfriend. Martin confirmed their relationship on April 18, 2016, and they made their red carpet debut as a couple at the amfAR Inspiration Gala. Martin later revealed that he met Yosef on Instagram and they "were talking for like six months without [him] hearing his voice". Subsequently, Martin went to London, where Yosef were living, and they met each other. On November 15, 2016, during an interview on The Ellen Show, he announced that he has proposed to Yosef and they are engaged. In January 2018, Martin confirmed that he has secretly married Yosef: "I'm a husband, but we're doing a heavy party in a couple of months, I'll let you know." On December 31, 2018, they announced that they have welcomed their first daughter together, named Lucia Martin-Yosef. Martin later explained that Lucia was born on December 24, coinciding with his 47th birthday. In September 2019, while accepting an award at the 23rd annual Human Rights Campaign (HRC) National Dinner, he announced that they are expecting their fourth child. On October 29, 2019, he shared a photo of himself, Yosef, and their new-born son, named Renn Martin-Yosef, with the caption: "Our son Renn Martin-Yosef has been born." Beliefs and religion During an interview with People in 2002, Martin expressed that he believes in "love", "the power of healing", and "God", thanks to his parents. The name he chose for his son Matteo means "gift from God". According to his statements in a 2021 interview, he still believes in God. He was raised Catholic but he said is not "the person who would ever look down upon one religion". He expressed that he also admires and likes Buddhist philosophy, but does not subscribe to the religion, since if he does, he cannot "be of anything else"; he does not want to be limited in certain aspects and follow a religion's specific rules. He tries to remain "open to everything" and makes "a concerted effort to always find new teachings and new paths" everywhere he goes and in every situation he finds himself in. Martin believes that everyone can "decide what makes them happy" and although "everyone needs to accept the life they were given", it does not mean they "should not live it as fully as possible". Health and sports Martin began practicing yoga after a trip to Thailand in 1997. He also began practicing meditation following a trip to India. In 2021, he explained that he gets up every morning at 5:30, before his family and puts himself in a lotus position and oxygenates his body. He also expressed that has a gym in his house, saying: "If I have space to see myself in the mirror and put on my products, then I also have to have space for my body." During an appearance on The Dr. Oz Show in 2017, Martin revealed that he "was diagnosed with high cholesterol" at age 18. Although he did not pay attention to the high cholesterol at the time, it made him decide to become a vegetarian since 2013 to reduce cholesterol, despite loving meat as "a Latin man". In 2020, he opened up that he suffered from anxiety for the first time in his life, following the COVID-19 lockdowns, stating that making music became his "medicine". Real estate In March 2001, Martin purchased a 7,082-square-feet house in Miami Beach for $6.4 million; he sold the unit for $10.6 million in 2005. In September 2004, he paid $11.9 million for a 11,000-square-feet Mediterranean-style villa in Los Angeles, which he sold in 2006 for $15 million. In May 2005, he purchased a 9,491-square-feet house in Miami Beach for $10 million; he sold the villa for $10.6 million in 2012. In 2007, he paid $16.2 million for a mansion in Golden Beach. He sold the property in 2012 for $12.8 million, incurring a loss. In the same year, he bought a 3,147-square-feet condominium in New York City for $5.9 million; he sold the condo for $7.1 million in 2017. In 2014, he rented a 900-square-metre mansion in Sydney, which became famous as "the Bronte Wave House" and was sold for $16 million in May 2015, marking one of the most expensive properties sold in the city that year. In December 2016, he purchased a 11,300-square-feet mansion in Beverly Hills. The estate, which is Martin's current house, has seven bedrooms and eight bathrooms with outdoor seating areas scattered throughout a 33,000-square-feet. It is a "private getaway in the middle of the city", located up the street from the Beverly Hills Hotel. Martin also owns a property in Puerto Rico and a private 19.7-acre island in Brazil. He purchased the latter for $8 million in 2008. Legacy and influence Martin has been regarded as the "King of Latin Pop" by various publications, such as the Grammy Awards, Billboard, Rolling Stone, Time, People, Vogue, The Independent, Entertainment Weekly, Entertainment Tonight Canada, NBC News, and ABC News. Additionally, he has been referred to as the "King of Latin Music", the "Latin Pop God", the "Latin King of Pop", the "Latin American King of Pop", the "Latin King", the "Crossover Latin King", the "Puerto Rican Pop King", the "Salsa-Pop King", and the "King of World Cup". Martin is known as one of the most influential artists in the world. Billboard ranked him as one of the 30 Most Influential Latin Artists of All Time, while NBC News introduced him as an "influential Latin celebrity". In 2014, he won the award for the most influential international artist at the 18th China Music Awards. He was ranked among "25 musicians who broke barriers" by Stacker in 2019, while in 2020, Spin ranked him at number 27 on the list of "most influential artists of the past 35 years", as the only Latin artist on their list. In 2022, Show News named him "the most influential global artist in history". Martin's song "María (Pablo Flores Remix)", which was ranked among the "Greatest Latin Pop Song of All Time" by Rolling Stone, and "11 remixes of classic Latin hits" by Billboard, "launched the Latin and dance music crossover of the '90s", according to the latter. Olivier Pérou from Le Point commented that "some have even learned, thanks to him, to count to three in Spanish" following the popularity of the song. "La Copa de la Vida", which has been hailed as the Best World Cup Anthem of All-Time by multiple sources, became a "musical template" for World Cup anthems, and Martin's Latin and dance crossover style has been much copied in the anthems, as well as soccer chant "Ole! Ole! Ole!" in the lyrics, according to The Hollywood Reporter. As believed by Esquire, the song "inaugurated this musical subgenre" of Latin. Joy Bhattacharjya from The Economic Times wrote about "La Copa de la Vida" that it was the first World Cup anthem to have a video just "as ubiquitous as the song", going on to write: "Since then, official songs have an important part to play in every World Cup." In his review for Pitchfork, Corban Goble wrote that if World Cup anthems someday would be "given their own textbook", "La Copa de la Vida" would be "the standard-bearer for the whole genre". Martin is known as the pioneer in getting Latin pop music genre to mainstream recognition. Following his performance of "The Cup of Life" at the Grammys, and the success of "Livin' la Vida Loca" and Ricky Martin (1999), he opened the gates for many Latin artists such as Jennifer Lopez, Shakira, Christina Aguilera, Marc Anthony, Santana, and Enrique Iglesias who released their crossover albums and followed him onto the top of the charts. His performance of "The Cup of Life" at the Grammys not only changed the course of his career, but also altered how people regard Latin music in America. It has been known as a game-changer for Latin music worldwide, that effectively ushered in the "Latin explosion". Then-United Talent Agency head Rob Prinz described the rendition as "the single biggest game changing moment for any artist in the history of the Grammys". According to Billboard, it has been cited as the beginning of the "Latin Pop invasion", which powerfully affected the US mainstream. Jesús Triviño Alarcón from Tidal Magazine stated, "that single performance opened up the mainstream market for the Latinx legends", mentioning the names of Anthony, Shakira, and Lopez. InStyle staff wrote about it: "With his leather pants, big smile and energetic performance of 'The Cup of Life', Ricky Martin almost personally kicked off the so-called Latin Explosion of the late '90s." Mariana Best of San Antonio Express-News commented that the performance "is recognized for bringing Latin pop to the forefront of the U.S. music scene". In 2018, Diego Urdaneta from Vice credited the song as "one of those that laid the first stones so that J Balvin and Bad Bunnys of today can be at the top of the pyramid", labeling it "a milestone for Latin music". According to Entertainment Tonight, "Livin' la Vida Loca" paved the way for a large number of other Latin artists, and is "credited as the song that helped other Latin artists break through to English-speaking markets". As believed by Spin, the song "lit the fuse for the Latin pop explosion of the '90s". Lucas Villa from Spin wrote about it: "When the world went loca for Ricky, he led the way for other Latin music superstars like Spain's Enrique Iglesias, Colombia's Shakira and Nuyoricans like Jennifer Lopez and Marc Anthony to make their marks beyond the Spanish-speaking crowds." He also described Martin as "a trailblazer in globalizing Latinx culture" in his Grammy.com article. Also from Grammy.com, Ernesto Lechner described "Livin' la Vida Loca" as "the manifesto for all the fun-loving, tropically tinged Latin hit singles that followed", stating that Martin led "the Latin music explosion that took over the U.S. at the tail end of the '90s". According to The Independent, the single is "widely regarded as the song that began the first Latin pop explosion". Peoples Jason Sheeler credited it as the song that "led the way for the late-'90s so-called 'Latin explosion' that dominated pop music into the new century: Shakira, Enrique Iglesias, Marc Anthony, and Jennifer Lopez". Angie Romero from Billboard wrote: "If you look up 'crossover' in the dictionary, there should be a photo of Ricky shaking his bon bon and/or 'Livin' la Vida Loca'." Leila Cobo named "Livin' la Vida Loca" one of the genre's biggest singles of the past 50 years in his 2021 book Decoding "Despacito": An Oral History of Latin Music. She also wrote about his impact in Shakira's "Whenever, Wherever" chapter: "Ricky Martin’s phenomenal success opened the door for a string of Latin artists who waved the flags of their heritage, but who sang in English." Additionally, she compared Martin's song with Luis Fonsi's "Despacito" (2017) in one of her Billboard articles: "'Livin', like 'Despacito', became not just a global hit but a cultural phenomena that transcended all barriers of language and nationality." In another article, she described it as the song that "ignited the late-'90s Latin explosion". Also from Billboard, Gary Trust wrote: "The song helmed a Latin pop boom in the U.S., with Jenner Lopez, Marc Anthony and others crossing over, as well." Writing for LiveAbout.com, Bill Lamb credited the song as "the record which kicked off a wave of major Latin performers hitting the pop mainstream". Jim Farber from Daily News noted that Ricky Martin "provides a textbook example of how to mix Latin beats with pop tunes and rock intonations". St. Louis Post-Dispatch critic Kevin C. Johnson described Martin as Latin music's "pretty-faced poster boy" who is "taking the music to places Jon Secada, Selena and Santana never could". He also mentioned that even "Gloria Estefan at her peak, failed to muster up the kind of hype and hoopla surrounding Martin". Celia San Miguel of Tidal Magazine stated that Martin "highlighted the public's thirst for a different kind of pop" in 1999, noting the album's "fusion-heavy" and "hip-shaking rhythms associated with Latin music". She mentioned that the album "spawned 1999's Latin music boom", emphasizing the fact that Martin created the "spark" of the "Latin Pop Explosion", which was followed by 1999 albums, On the 6 by Lopez, Enrique by Iglesias, and Anthony's eponymous album. She continued crediting "Martin and the paths he created" responsible for the Latin music and Spanish and Spanglish lyrics being "a commonplace phenomenon on English-language radio" in 2019. In her review for Grammy.com, Ana Monroy Yglesias said Martin led a "major music moment in 1999" with Ricky Martin, and along with him, "the first major boom of Spanish-language artists", such as Shakira and Lopez, came into the "U.S. pop landscape". The late '90s Latin explosion also resulted in the launch of the Latin Recording Academy. Gabriel Abaroa Jr., the president and chief executive officer of the Latin Recording Academy, expressed that the plan of its launch was "immediately after the Ricky Martin success". Cuban American musician and producer Emilio Estefan added: "After the success with Ricky Martin, everybody opened their eyes and realized how important it was to bring diversity and multiethnic elements into [mainstream American] music." Many artists have cited Martin as an influence or declared themselves as his fan, including Abraham Mateo, Bad Bunny, Camila Cabello, Camilo, Carla Morrison, Christian Chávez, CNCO, Danna Paola, Enrique Iglesias, J Balvin, J-Hope, Jimin, Karol G, India Martínez, Luis Fonsi, Maite Perroni, Maluma, Neha Mahajan, Pedro Capó, Prince Royce, Rauw Alejandro, Rosalía, Sebastián Ligarde, Sebastián Yatra, Shakira, Tini, Vadhir Derbez, William Hung, Wisin, and Ximena Sariñana. Both Maluma and J Balvin have described Martin as a "teacher" and credited him as an artist who "opened the doors" for them, while Maluma has also expressed: "Ricky Martin is one of the artists I wanted to be growing up. He's my idol in the industry".Citations regarding J Balvin's statements about Martin: Puerto Rican singer Bad Bunny talked about Martin's legacy during an episode of Behind the Music: "There's no doubt that he opened the door for an entire generation of Latin artists. I am doing great things today in the music industry thanks to those doors that he opened." He also mentioned that he is inspired by Martin's coming out as gay: "You don't have to be gay to be inspired by that action of honesty and freedom, of being yourself against the world despite everything you deserve. I look at it like a very inspiring moment for anybody. At least for me, it's very inspirational." Brazilian singer-songwriter Anitta explained to The Guardian that "some Latin stars such as Maluma and Bad Bunny sing in their native language" and do not need to sing in English to get noticed, because they already had representatives like Shakira, Martin, and Jennifer Lopez, but since her country "hasn't had a major international pop star before", she uses "whatever language will get the market's attention". Portrayal in television In July 2019, SOMOS Productions, Endemol Shine Boomdog, and Piñolywood Studios announced the production of a biographical web television series about Menudo, titled Subete a Mi Moto. Consisting of 15 episodes of 60 minutes each, the series premiered on Amazon Prime Video on October 9, 2020 in Mexico, Latin America, and Spain. It was filmed in Mexico and Puerto Rico, and Martin was portrayed by actors Felipe Albors and Ethan Schwartz. The series premiered in the United States on February 14, 2021 on Estrella TV. On the review aggregation website Tomatazos, the first season has a positive score of 75%. The website's critical consensus summary states, "A good trip to the past that recalls a band that defined the youth of a certain public, but that doesn't ignore the darkest moments in the lives of its members." Other ventures Books On August 19, 2010, Martin announced that he had been working on his memoir, mentioning its title as Me and publish date as November 2, 2010. He expressed that writing the book was "one of the reasons" he decided to come out earlier that year. The book also had a Spanish edition title Yo (), which was published simultaneously by Celebra. He stated that writing his memoir allowed him "to explore the different paths and experiences" that have led him to be who he is, noting that it "was not easy but allowed for an incredible spiritual journey". Me spent several weeks at number one on the New York Times Best Seller list. In 2019, ¡Hola! staff ranked the book among "12 Books by Celebrities to Inspire and Motivate You", while Book Riot placed it on an unranked list of the "Best Celebrity Books You Should Read This Year" in 2020. Martin's first children's book Santiago the Dreamer in Land Among the Stars was published by Celebra and illustrated by Patricia Castelao in November 2013 for ages between five to nine. Its Spanish-language edition, Santiago El Soñador en Entre Las Estrellas, was published simultaneously. Martin expressed that the book was inspired by his "personal life, with fantasy added to it", as well as "a lot of cartoons". Products and endorsements Martin endorsed the 2012 Viva Glam campaign with Trinidadian rapper Nicki Minaj, which raised $270 million for the Mac AIDS Fund. In October 2020, Martin announced that he would launch his company, Martin Music Lab in partnership with music engineers Jaycen Joshua and Michael Seaberg. The company is centered around a new audio technique called "Orbital Audio", that "creates a new type of immersive, headphone listening experience". Martin used the technique on his EP Pausa, while several artists including Bad Bunny, Residente, Myke Towers, and A$AP Rocky are going to work with the company. The latter plans to release his whole upcoming studio album, using "Orbital Audio". Martin is going to expand the technique "beyond the music industry and tap into the movies, sports and, most notably, the wellness and meditation space". In 2021, Martin partnered with skin care company Kumiko. The skincare line, created by Chilean cosmetologist Catalina Aguirre, is the first to combine "mesotherapy, matcha, and cutting-edge European technology into unique multi-action formulas that penetrate the dermis with powerful anti-aging properties and lifting benefits". Activism Philanthropy While on a trip to India in 2002, Martin witnessed three minor girls who were about to be sold into prostitution and rescued them. The following year, he became a UNICEF Goodwill Ambassador and then met with activists and decided to fight against human trafficking, which is the second-most lucrative crime in the world. In 2004, Martin launched the Ricky Martin Foundation, a non-profit, non-governmental organization that focuses on denouncing human trafficking and educating about the crime's "existence through research and community initiatives, anchored in the defense of children and youth rights". In the same year, he appealed to the United Nations for international help to fight against sex tourism. In January 2005, following the 2004 Indian Ocean earthquake and tsunami, Martin visited Thailand to assess the needs of the minor survivors who were "extremely vulnerable to traffickers". Later that year, the Ricky Martin Foundation signed an alliance in partnership with Habitat for Humanity to construct 224 homes for the tsunami-affected families. The project was completed in December 2006. In March 2006, the foundation collaborated with the International Organization for Migration in the Llama y Vive () campaign, which focuses on facilitating "the prevention of human trafficking and the protection of young people, victims of child trafficking and prosecution of traffickers". In January 2010, along with many celebrities, Martin operated the charity telethon Hope for Haiti Now to raise donations for the 2010 Haiti earthquake. Later that year, the Ricky Martin Foundation created the first program of community social action against child trafficking in Martin's native Puerto Rico, titled "Se Trata" (). In 2012, the foundation participated in the making of the Child Protection Model Law on the International Centre for Missing & Exploited Children. In 2016, Martin visited Syrian refugees in Lebanon and played with the children and talked to them in an informal refugee camp. Following the Hurricane Maria in Puerto Rico in 2017, the Ricky Martin Foundation helped people and handed over homes that were rebuilt after the losses; Martin launched a viral campaign of selling a black T-shirt with the Puerto Rican flag stamped on it in order to raise the funds. The T-shirts were designed by Martin's twin boys Matteo and Valentino, while many celebrities including Will Smith, Bad Bunny, Marc Anthony, Luis Fonsi, and Maluma supported the campaign. During the COVID-19 pandemic, Martin created a campaign to help health care workers through the non-profit organization Project Hope. He expressed: "As you know, health care professionals are extremely vulnerable and professionals around the world don’t have personal protection equipment they need to prevent them getting infected." In February 2021, Martin collaborated with Antonia Novello to launch mass vaccination events in Puerto Rico. Following the murder of George Floyd and Black Lives Matter protests in 2020, Martin honored an effort called "Black Out Tuesday" and launched the hashtag #knowthestruggle, giving his social media to the voices of the community that are "looking for justice", to learn more about what is happening. For his humanitarian efforts and fighting against human trafficking, Martin has been honored with numerous accolades, including the Peace Summit Award by the World Summit of Nobel Peace Laureates, the TIP Report Hero Award by the United States Department of State, the Spirit of Hope Award by Billboard Latin Music Awards, the Latin Recording Academy Person of the Year Award, the Award of Inspiration by amfAR Gala, the Leader of Change Award by the Foundation for Social Change, the Humanitarian Award by the Global Gift Foundation, the Humanitarian Award by the Hispanic Federation, the Corazón Latino Award by the iHeartRadio Fiesta Latina, the International Humanitarian Award by the International Center for Missing and Exploited Children, the Agent of Change Award by the International Peace Honors, the PODER Social Leadership Awards, and the Agent of Change Award by the Premios Juventud. Politics On January 20, 2001, during the first inauguration of George W. Bush, Martin performed "The Cup of Life" and danced with him. Martin's view of Bush changed over the Iraq War, as expressed in his declaration to BBC News that he will "always condemn war and those who promulgate it". He also stuck up his middle finger while singing the president's name in his 2003 song "Asignatura Pendiente" at a concert. At the 2010 Billboard Latin Music Awards, Martin expressed his disagreement with the Arizona SB 1070 bill, a proposed law that would have required police officers to request documents from individuals whom they suspected to be illegal immigrants. Martin campaigned for the 44th president of the United States Barack Obama in 2008 and 2012, and thanked him for an "outstanding presidency" in 2016, while calling him "an amazing leader". Also in 2016, he was an active ally to the Democratic Party presidential candidate Hillary Clinton campaign, while condemning Donald Trump's hateful comments about immigrants. He also performed his hits during the "Hillary Clinton: She's With Us" concert at the Greek Theatre on June 6, 2016. Telegramgate, also known as Chatgate, was a political scandal involving Ricardo Rosselló, then Governor of Puerto Rico, which began on July 8, 2019, with the leak of hundreds of pages of a group chat on the messaging application Telegram between Rosselló and members of his cabinet. The messages were considered vulgar, misogynistic, and homophobic toward several individuals and groups, including Martin. Therefore, Martin, Bad Bunny, Residente and several other artists, and more than half a million Puerto Ricans led the call to take to the streets of Puerto Rico, demanding Rosselló's resignation. In September 2020, Martin, Luis Fonsi, and actress Eva Longoria attended a campaign event in Kissimmee, Florida to support the Democratic presidential candidate Joe Biden for the 2020 United States presidential election. During an interview with Variety, Martin stated: "I've been supporting Biden forever, I think he is the only option we have and he is great and he has been in politics all his life. This is the moment. We all need to get together and be loud about the course of this nation." Following the election of Biden as 45th president of the United States, Martin said "Bye-bye" to Trump on social media, and shared a photo of himself along with Biden on Instagram. In May 2021, Martin demonstrated his support for the Ni una menos movement, condemning femicides and violence against women in Puerto Rico, while calling authorities to protect women. He further expressed that no woman should fear for her safety and urged authorities to take steps in order to prevent these acts. In the same month, he supported the 2021 Colombian protests. Later that year, the singer raised his voice in support of the 2021 Cuban protests against the Castro regime for the restrictions due to the COVID-19 pandemic and the economic crisis, stating: "This is very important. Our brothers and sisters in Cuba need us to inform the world what they are experiencing today. Let's fill the networks before they remove the internet in the country. Humanitarian aid for Cuba NOW." LGBT advocacy As a gay man, Martin actively supports LGBT rights worldwide since his coming out in 2010. Even before coming out, he was noted by the mainstream media for being popular among gay men and having a large gay fan base. He also went on the cover of the American LGBT-interest magazine The Advocate in July 1999. Despite this, he admitted that he felt homosexuality was evil since he was raised as a Catholic and targeted his anger toward others, especially gay men: "I was very angry, very rebellious. I used to look at gay men and think, 'I'm not like that, I don't want to be like that, that's not me.' I was ashamed." He added that he "had internalized homophobia" back then. He is currently considered to be a gay icon, with PinkNews labeling him "a strong advocate of LGBT rights" who "expressed support for equal marriage" since coming out. As the first mainstream Latin music artist to come out, Martin's coming out was a game-changer for "Latin Pride". Billboards Lucas Villa stated: "With Martin's announcement, gay artists, who had long kept their sexual identities a secret, finally had a beacon of hope. If Martin could come out with his career unscathed, there was hope for other artists in Latin music to start doing the same." He added that since then, "a growing number of Latin artists have either come out after years in the spotlight, or many have simply started their careers by embracing their gay identities". In 2010, GLAAD then-president Jarrett Barrios expressed that Martin's coming out as gay leads "hundreds of millions of people" to have "a cultural connection with an artist, a celebrity and, perhaps most importantly, a father who happens to be gay", adding that "his decision to model this kind of openness and honesty can lead to greater acceptance for countless gay people in U.S., in Latin America and worldwide". In 2019, Human Rights Campaign then-president Alphonso David expressed that Martin "has used his international stage to advocate for LGBTQ people around the world" with his "unique voice and passionate activism". The following year, Suzy Exposito from Rolling Stone argued that with risking his career and coming out, Martin "set the scene for Bad Bunny to be free in many ways that, during his own breakthrough moment, he could not". Martin expressed support for same-sex marriage during an interview on Larry King Live in 2010. He has then delivered speeches about LGBT rights at the United Nations Homophobia Conference, the GLAAD Media Awards, and the Human Rights Campaign. He also raised his voice to support gay marriage in Puerto Rico before its legalization in 2015. In March 2016, Martin met with Chilean LGBT rights group Fundación Iguales to learn about the challenges LGBT citizens face there. AT the meeting, he said that he wants "equal marriage rights for Chile" and he wants his sons to grow up in a world where "there are no second-class citizens". Following the Colombia's highest court voting against an anti same-sex marriage proposal in April 2016, Martin tweeted: "Love and equality win, Colombia says YES to same-sex marriage." During an interview with Vulture, Martin talked about his role in The Assassination of Gianni Versace and how he wanted his portrayal to help "normalize open relationships". In June 2019, he published an open letter slamming the religious liberty bill, saying: "As a defender of human rights and a member of the LGBTT community, I am vehemently opposed to the proposed measure imposed upon us under the guise of religious freedom, that projects us to the world as a backwards country." Puerto Rico's then-governor backed down and withdrew his support of the bill following Martin's statement. In June 2020, Martin performed his song "Recuerdo" with Carla Morrison for a virtual event, Can't Cancel Pride: Helping LGBTQ+ People in Need, to raise visibility and funds for LGBTQ+ communities. He appeared at the virtual event in the following year as well. In February 2021, Martin was named national spokesperson for the onePULSE Foundation, a non-profit organization that focuses on managing "the design and construction of the permanent national memorial and museum dedicated to the Pulse nightclub tragedy". Later that year, he expressed that he wants to "normalize families like" his, in an interview with People. Several of Martin's music videos feature diversity in sexual orientations and same-sex couples, including "The Best Thing About Me Is You", "Disparo al Corazón", "Fiebre", and "Tiburones". For his activism and advocacy for LGBTQ community, Martin has been honored with numerous accolades, including the GLAAD Vito Russo Award, the Gala Vanguard Award by the Los Angeles LGBT Center, the International Icon Award by the British LGBT Awards, the National Visibility Award by the Human Rights Campaign, the Trailblazer Award by the LGBT Center Dinner, the Celebrity Activist of the Year by LGBTQ Nation, and the Legacy Award by Attitude Awards. Achievements Throughout his career, Martin has won over 200 awards (most awarded male Latin artist), including two Grammy Awards, five Latin Grammy Awards, five MTV Video Music Awards (tied for most wins by a Latin artist), two American Music Awards, two Latin American Music Awards, three Billboard Music Awards, a Billboard Music Video Award, nine Billboard Latin Music Awards, eight World Music Awards, fourteen Lo Nuestro Awards (including the Excellence Award), and a Guinness World Record. As an actor, he was nominated for an Emmy Award. In 2007, Martin was honored with a star on the Hollywood Walk of Fame, located at 6901 Hollywood Blvd. Martin is ranked among the Greatest Latin Artists of All Time and the Greatest Hot Latin Songs Artists of All Time by Billboard, while his album Vuelve was placed at number five on Billboards Top 20 Latin Albums Of All Time in 2018. In 1998, his song, "Perdido Sin Ti" reached the top of the Latin Pop Airplay chart, displacing Martin's own "Vuelve", making him the first artist on the chart's history to replace himself. His song "Livin' la Vida Loca" became the first number-one song on Billboard Hot 100, which was made entirely in Pro Tools, and achieved the first number one hit for his label, Columbia. It also became the first song in history to top Billboards Adult Pop Airplay, Pop Airplay, and Rhythmic Airplay charts, holding its record as the only song to do so for 14 years. On May 15, 1999, it became the first single ever to rule four different Billboard charts and made Martin the first act to simultaneously scale a pop, Latin, and dance chart. Two weeks later, he became the first artist to simultaneously top the Billboard 200, Hot Latin Tracks, Hot Dance Music/Club Play, Hot Dance Music/Maxi-Singles Sales, Top 40 Tracks, and the Billboard Hot 100. His song "Tal Vez" (2003) marked the first number one debut on Billboard Hot Latin Songs in the 21st century. Martin is the first and only artist with Spanish-language entries on Billboard Hot 100 in three decades. In 2020, he became the first and only artist in history to enter the Billboard Hot Latin Songs chart across five decades, including his work as part of Menudo. The following year, he became the first male Latin artist in history to have 4 songs from different decades to have over 100 million streams on Spotify. He owns the record as the artist with most top 20s on the US Latin Pop Airplay chart, with 51 songs, and is the runner-up of most top 10s. He is the fourth artist with the most number one songs in the history of the Hot Latin Songs chart. Additionally, he holds the record as the most Spanish-language entries on ARIA top 50 singles chart, with three. On October 11, 2007, then-mayor of Miami Beach, Florida David Dermer awarded him the key to the city of Miami Beach. Puerto Rico named August 31 the "International Ricky Martin Day" in 2008. The Government of Spain granted Spanish nationality to Martin in 2011, for being "recognized in different artistic facets". In 2018, in recognition of "his dedication to the island and people of Puerto Rico, his philanthropic work to eliminate human trafficking across the Caribbean, and his commitment to the arts", the singer received a proclamation naming June 7 the "Ricky Martin Day" in New York City. Throughout his career, Martin has sold over 70 million records making him one of the best-selling Latin music artists of all time. In 2020, La Opinión estimated his net worth at US$120 million. Discography Ricky Martin (1991) Me Amaras (1993) A Medio Vivir (1995) Vuelve (1998) Ricky Martin (1999) Sound Loaded (2000) Almas del Silencio (2003) Life (2005) Música + Alma + Sexo (2011) A Quien Quiera Escuchar (2015) Filmography Mas Que Alcanzar una estrella (1992) Hercules – Latin American dub (1997) Idle Hands (1999) Ricky Martin: One Night Only (1999) Minions – Latin American dub (2015) The Latin Explosion: A New America (2015) Ricky Martin: Behind the Vegas Residency (2017) Jingle Jangle: A Christmas Journey (2020) El cuartito (2021) Theatre Les Misérables (1996), Broadway – Marius Pontmercy Evita (2012), Broadway – Ché Tours and residenciesHeadlining tours Ricky Martin Tour (1992) Me Amaras Tour (1993–1994) A Medio Vivir Tour (1995–1997) Vuelve World Tour (1998) Livin' la Vida Loca Tour (1999–2000) One Night Only with Ricky Martin (2005–2006) Black and White Tour (2007) Música + Alma + Sexo World Tour (2011) Ricky Martin Live (2013–2014) Live in Mexico (2014) One World Tour (2015–2018) Ricky Martin en Concierto (2018-2019) Movimiento Tour (2020-2022)Co-headlining tour Enrique Iglesias and Ricky Martin Live in Concert (with Enrique Iglesias) (2021)Residency' All In (2017–2018) See also Honorific nicknames in popular music List of artists who reached number one in the United States List of artists who reached number one on the UK Singles Chart List of Latin pop artists List of multilingual bands and artists List of Puerto Rican Grammy Award winners and nominees List of Puerto Ricans List of Urbano artists Notes References Book sources External links 1971 births Living people 20th-century LGBT people 20th-century Puerto Rican male actors 20th-century Puerto Rican male singers 20th-century Puerto Rican singers 21st-century LGBT people 21st-century Puerto Rican male actors 21st-century Puerto Rican male singers 21st-century Puerto Rican singers American gay actors American gay musicians American humanitarians American male pop singers American male singer-songwriters Columbia Records artists Echo (music award) winners Grammy Award winners Hispanic and Latino American male actors Hispanic and Latino American musicians Latin Grammy Award winners Latin music songwriters Latin pop singers Latin Recording Academy Person of the Year honorees LGBT entertainers from Puerto Rico LGBT Hispanic and Latino American people LGBT Latin musicians LGBT rights activists from the United States LGBT singers from the United States Male actors from San Juan, Puerto Rico Menudo (band) members MTV Europe Music Award winners Naturalised citizens of Spain Puerto Rican activists Puerto Rican expatriates in Australia Puerto Rican expatriates in Mexico Puerto Rican expatriates in Spain Puerto Rican male film actors Puerto Rican male soap opera actors Puerto Rican male television actors Puerto Rican people of Basque descent Puerto Rican people of Canarian descent Puerto Rican people of Corsican descent Puerto Rican people of Spanish descent Puerto Rican philanthropists Puerto Rican pop singers Puerto Rican record producers Puerto Rican singer-songwriters Singers from San Juan, Puerto Rico Sony Music Latin artists Sony Music Spain artists Spanish-language singers of the United States UNICEF Goodwill Ambassadors World Music Awards winners

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what did he say about it

What did Ricky Martin say about disobeying the choreography?

Ricky Martin

After achieving modest fame in Puerto Rico for his work in television commercials, Martin auditioned for membership in the Puerto Rican boy band Menudo. Although the executives enjoyed his dancing and singing at his first two auditions, Martin was rejected because he was too short. By the third audition, his persistence impressed executives, and in 1984, 12-year-old Martin became a member. A month after joining Menudo, he made his debut performance with the group at the Luis A. Ferre Performing Arts Center in San Juan. During this performance, he inadvertently disobeyed the choreography by walking around the stage, when it was planned that he would stay still, and was chastised by the band manager after the show: "The mistake was such a big deal that from that moment on, never again did I move when I wasn't supposed to move...That was the discipline of Menudo: You either did things the way you were told or you were not part of the group." The song "Asignatura Pendiente" from Almas del Silencio (2003) was inspired by the first time Martin left Puerto Rico to tour with Menudo. Although Martin enjoyed traveling and performing onstage with Menudo, he found the band's busy schedule and strict management exhausting, and later reflected that the experience "cost" him his childhood. He considered leaving the group while on tour in Brazil, but ultimately decided to stay out of fear of media backlash and being sued for breach of contract. Martin also began struggling with his sexuality, noting the stark contrast between his status as a sex symbol and his own emotions. Despite this, Martin acknowledged his "opportunity to have so many amazing experiences with so many amazing people" during his time with the group. He developed an interest in philanthropy when the group became UNICEF ambassadors, often working with impoverished children in third world countries. His experiences as an ambassador affected him greatly and inspired him to continue working with charities later in life. By 1987, Menudo's record sales began to decline, and the group changed its image, adopting an edgier look and performing more rock-influenced songs. The band released the album Somos Los Hijos del Rock in Spanish, and to appeal to the Menudo's Filipino fanbase, the group released In Action, recording songs in both English and Tagalog. After recording 11 albums with the group, Martin left Menudo in July 1989, at age 17, hoping to rest and evaluate his career path. He performed his final show with the group at the same venue where he'd performed his first performance as a member. Martin returned to Puerto Rico to graduate from high school, and 13 days after turning 18, he moved to New York City to celebrate his financial independence; since he was a minor during his time as a member of Menudo, Martin was not allowed to access his own bank accounts. He was accepted into New York University's Tisch School of the Arts, but months before classes began, Martin dropped out and moved to Mexico City to perform in the play Mama Ama el Rock (Mom Loves Rock). CANNOTANSWER

The mistake was such a big deal that from that moment on, never again did I move when I wasn't supposed to move...That was the discipline of Menudo:

Enrique Martín Morales (born December 24, 1971), known professionally as Ricky Martin, is a Puerto Rican singer, songwriter, and actor. He is known for his musical versatility, as his discography spans multiple genres, including Latin pop, pop, dance, reggaeton, and salsa. Dubbed the "King of Latin Pop", the "King of Latin Music", and the "Latin Pop God", he is regarded as one of the most influential artists in the world. Born in San Juan, Martin began appearing in television commercials at the age of 9 and began his musical career at age 12, as a member of Puerto Rican boy band Menudo. He started his solo career in 1991 while in Sony Music Mexico, gaining recognition in Latin America with the release of his first two studio albums, Ricky Martin (1991) and Me Amaras (1993), both of which were focused on ballads. Martin's third album, A Medio Vivir (1995), helped him rose to prominence in European countries. The chart-topping single "María", incorporated a mixture of Latin music genres and became his first international hit. His international success was further solidified with his fourth album, Vuelve (1998). The album, which earned Martin his first Grammy Award, spawned chart-topping hits "Vuelve" and "La Copa de la Vida". Martin performed the latter at the 41st Annual Grammy Awards, which was greeted with a massive standing ovation and is known as a game-changer for Latin music worldwide. His first English album, Ricky Martin (1999) became his first US Billboard 200 number one. The lead single "Livin' la Vida Loca" is considered to be Martin's biggest hit, topping both the Billboard Hot 100 and the UK Singles Chart. Martin's success in the late '90s is generally seen as the beginning of the "Latin explosion". He has been credited for getting Latin pop music genre to mainstream recognition, paving the way for a large number of Latin artists to achieve a global success. Martin has since established his status as a sex symbol and a pop icon, releasing several successful albums, including all-time Latin bestsellers Almas del Silencio (2003) and MTV Unplugged (2006), as well as Grammy Award winner A Quien Quiera Escuchar (2015). He has also amassed many successful singles and chart-topper hits, including "She Bangs", "Nobody Wants to Be Lonely", "Tal Vez", "Tu Recuerdo", "La Mordidita", "Vente Pa' Ca", and "Canción Bonita". As an actor, Martin gained popularity and stardom for his role in the hit soap opera General Hospital (1994-1996), while his portrayal of Antonio D'Amico in The Assassination of Gianni Versace: American Crime Story (2018) marked the acting opportunity of his career, garnering him an Emmy nomination. He also starred as Ché in the Broadway revival of the musical Evita in 2012, which broke the theatre's box-office sales record seven times. Having sold over 70 million records worldwide, Martin is one of the best-selling Latin music artists of all time. He has scored 11 Billboard Hot Latin Songs number-one songs, and won over 200 awards (most awarded male Latin artist), including two Grammy Awards, five Latin Grammy Awards, five MTV Video Music Awards (tied for most wins by a Latin artist), two American Music Awards, two Latin American Music Awards, three Billboard Music Awards, nine Billboard Latin Music Awards, eight World Music Awards, fourteen Lo Nuestro Awards, a Guinness World Record, and a star on the Hollywood Walk of Fame. He is ranked among the Greatest Latin Artists of All Time, the Greatest Music Video Artists of All Time, and the Most Influential Latin Artists of All Time by Billboard. His philanthropy and activism focus on LGBT rights and fighting against human trafficking; in 2004, he founded The Ricky Martin Foundation, a non-profit, non-governmental organization that focuses on denouncing human trafficking and educating about the crime's existence. Life and career 1971–1982: Early life Enrique Martín Morales was born on December 24, 1971, in San Juan, Puerto Rico. His mother, Doña Nereida Morales, is a former accountant; his father, Enrique Martín Negroni, is a former psychologist who previously worked as a regional supervisor for a Puerto Rican mental-health agency. His parents divorced when he was two years old, and although his mother had custody of Martin, he could also move freely between his father's house in the middle-class suburb of University Gardens in San Juan, and his paternal grandmother's house nearby. In an interview with People, he told the magazine the he "never had to make decisions" about who he loved more, and he was "always happy". Martin has two older maternal half-brothers, Fernando and Ángel Fernández, two younger paternal half-brothers, Eric and Daniel Martín, and a younger paternal half-sister, Vanessa Martín. Martin has Spanish heritage of Basque and Canarian descent. As he explained to ABC, the Martins traveled from Spain to Puerto Rico in 1779. He also has some Corsican origin through his paternal grandmother. Martin grew up Catholic. The people closest to him called him "Kiki" (a nickname that comes from Enrique). He began singing at age six, using wooden kitchen spoons as make-believe microphones; he often sang songs by Puerto Rican boy band Menudo, as well as English-language rock groups such as Led Zeppelin, Journey, and REO Speedwagon. His mother's side of the family was musically inclined and his maternal grandfather was a poet. Martin later reflected on his time spent with his family as a child: "Every time I find myself in front of an audience, be it twenty people or one hundred thousand, once again I feel the energy that consumed me back at the family gatherings of my youth." He attended Colegio Sagrado Corazón, a bilingual Catholic grade school in University Gardens since fourth grade and was an "average" student there. When he was nine years old, he began appearing in television commercials for products such as soft drinks, toothpaste, and fast food restaurants, most notably Orange Crush and Burger King. In a year and a half, he starred in 11 commercials. 1983–1989: Menudo After achieving moderate fame in his country for his appearances in television commercials, Martin auditioned for membership in Menudo. Formed in Puerto Rico in 1977, Menudo members were usually replaced when they hit 16 in order to keep the band "full of fresh-faced members". Although the executives enjoyed his dancing and singing at his first two auditions, Martin was rejected because he was too short. By the third audition, his persistence impressed executives, and in 1984, 12-year-old Martin became a member. A month after joining Menudo, he made his debut performance with the group at the Luis A. Ferré Performing Arts Center in San Juan. During this performance, he inadvertently disobeyed the choreography by walking around the stage, when it was planned that he would stay still, and was chastised by the band manager after the show: "The mistake was such a big deal that from that moment on, never again did I move when I wasn't supposed to move. That was the discipline of Menudo: You either did things the way you were told or you were not part of the group." Although Martin enjoyed traveling and performing onstage with Menudo, he found the band's busy schedule and strict management exhausting, and later reflected that the experience "cost" him his childhood. Despite this, Martin acknowledged his "opportunity to have so many amazing experiences with so many amazing people" during his time with the group. During his time with Menudo, he became a "key-member of the group" and a "fan-favorite", while the band released 11 albums, including the Grammy-nominated Evolución () (1984) and their highest-charting and longest-running album on the US Billboard 200, Menudo (1985). The former featured Martin's debut single, "Rayo de Luna" () and the latter included the hit single "Hold Me". "Hold Me" became the group's first and only entry on the US Billboard Hot 100 chart, peaking at number 62. It was ranked among the "100 Greatest Boy Band Songs of All Time" by Billboard, the "75 Greatest Boy Band Songs of All Time" by Rolling Stone, and the "30 Best Boy Band Songs" by Complex. Besides the musical career, Martin appeared with other members of Menudo in the American romantic comedy/drama television series, The Love Boat (1985), and the Argentine soap opera, Por Siempre Amigos (1987). He also developed an interest in philanthropy when the group became UNICEF ambassadors, often working with impoverished children in third world countries. His experiences as an ambassador affected him greatly and inspired him to continue working with charities later in his life. Finally, Martin left the band in July 1989, at age 17, hoping to rest and evaluate his career path; he stayed a few extra months after his "age-mandated retirement" came around. He performed his final show with the group at the same venue where he had performed his first performance as a member. Referred to as the "Most Iconic Latino Pop Music Band", Menudo was ranked as one of the Biggest Boy Bands of All Time by Us Weekly in 2021. The group has sold around 20 million records worldwide, and has been acknowledged as the "Most Successful Latin Boy Band of All Time" by Billboard. Martin returned to Puerto Rico to "get a break from the pressures of the group, the promotional tours, and the constant stress of work", but although his parents' divorce had not affected him before, suddenly began to affect him; his parents "began fighting more than ever" and they were forcing him to "choose between the two people in the world" he loved most. As he understood they did this because they loved him and wanted the best for him, he "forgave all of the pain and anger they caused" him. He graduated from the high school, and 13 days after turning 18, he moved to New York City to celebrate his financial independence; since he was a minor during his time with Menudo, Martin was not allowed to access his own bank accounts. 1990–1994: Acting and first solo albums Martin was accepted into New York University's Tisch School of the Arts in 1990, but before classes began, his friend invited him to Mexico City. He attended the musical comedy play, Mama Ama el Rock () there, and was offered to stay and replace one of the actors. He accepted the offer, dropped out the university and moved from New York to Mexico City to perform in the play. While he was performing onstage in Mama Ama el Rock, a producer in the audience took notice of Martin's acting and offered him a role in the Mexican telenovela Alcanzar una estrella () (1990). Martin also joined the cast for the second season of the show, titled Alcanzar una estrella II (1991). A film based on the TV series, titled Más que alcanzar una estrella () (1992), was also produced in which Martin starred, and earned him an El Heraldo Award for his role. A Sony Discos executive noticed Martin's acting in the soap operas and offered him his first solo music recording contract. Eager to record his first solo album and hustled by the executive, Martin signed the contract without reading its conditions and inadvertently signed a deal in which he would only be paid one cent for each album sold! Despite viewing the contract as unfair, Martin referred to the record as "the start of something phenomenal" for him. After working "around the clock" to finish filming Alcanzar una estrella II and recording music, he released his debut solo album, Ricky Martin, on November 26, 1991. The album peaked at number five on the US Billboard Latin Pop Albums chart and spent a total of 41 weeks on the list. It sold over 500,000 copies worldwide, was certified gold in Argentina, Chile, Colombia, Mexico, and Puerto Rico, and spawned his first solo hit singles, "Fuego Contra Fuego" (), "El Amor de Mi Vida" (), and "Dime Que Me Quieres" (). Both "Fuego Contra Fuego" and "El Amor de Mi Vida" reached the top 10 on the US Billboard Hot Latin Tracks, peaking at numbers three and eight, respectively. To promote the album, Martin embarked on a successful Latin American tour, breaking box office records, which the singer referred to as "an indescribable feeling, almost like coming home". After the success of Ricky Martin and its subsequent tour, Martin's record company met him with the Spanish musician Juan Carlos Calderón to work on his second studio album, Me Amaras () (1993). Although Martin felt "very grateful" for the opportunity to work with Calderón, he noted, "I always felt that that record was more his than mine." The album sold over one million copies worldwide and was certified triple-platinum in Chile. In 1994, Martin's agent encouraged him to move to Los Angeles to act in an American sitcom called Getting By. The show was canceled after two seasons, but soon afterward, Martin was given the role of Miguel Morez on the popular hit soap opera General Hospital; Morez, a bartender and singer, known for his long and flowing hair, was a Puerto Rican citizen hiding in the United States from his lover's criminal mastermind father and created a love triangle with his fiancé Lily Rivera and Brenda. Martin portrayed the role for two years and gained huge popularity and stardom, becoming "one of the most-talked about actors on the soap opera". Despite this, Martin felt he lacked chemistry with the rest of the General Hospital cast and observed that people treated him differently because of his Puerto Rican accent. At the time, it was relatively uncommon for Latin actors to appear on American television, and people suggested that he take accent reduction classes, which he refused. 1995–1997: Breakthrough with A Medio Vivir In 1995, Martin refocused on his music career, and began working on his third studio album, A Medio Vivir (). The album was released on September 12, 1995, and became a huge success; it sold over three million copies or even seven million copies worldwide, according to different sources, being certified gold in the United States, platinum in France, 4× platinum in Spain, and 6× platinum in Argentina, as well as many other certifications in Latin American countries. It spawned several successful hits, including "Te Extraño, Te Olvido, Te Amo" (), "María", and "Volverás" (). On "María", which was released as the second single from the album, Martin allowed himself "to go into a very Latin, African sound". He created a mix of different Latin music genres instead of singing a romantic ballad, the style that he focused on it in his first two albums, while Latin pop music in general was mainly made up of it at the time. Although Martin was satisfied with the track and he describes it as a song that he is "extremely proud of", the first time he played it for a record label executive, the man said: "Are you crazy? You have ruined your career! I can't believe you are showing me this. You're finished — this is going to be your last album." Despite this, the track became Martin's breakthrough song and his first international hit. It topped the charts in 20 countries, and has sold over five million physical copies worldwide. As a result, the song was featured in the 1999 edition of The Guinness Book of Records as the biggest Latin hit. It was also the Song of the Summer in Spain in 1996 and was the second best-selling single in the world that year. In Australia, "María" spent six weeks at number one, topped the country's year-end chart in 1998, and was certified platinum. The song also spent nine weeks at number one in France, and was certified diamond. It has sold over 1.4 million copies in France. Additionally, the track reached the top 10 in the United Kingdom, and became Martin's first entry on the US Billboard Hot 100 chart. To promote A Medio Vivir, he embarked on the worldwide A Medio Vivir Tour, that lasted for more than two years, through which he performed 63 shows and visited Europe, Latin America and the United States. During an interview with The Miami Herald in 1996, Martin expressed an interest in performing on Broadway. In a few days, he received a phone call from producer Richard Jay-Alexander, and was offered the role of Marius Pontmercy in the play Les Misérables. After the conclusion of the A Medio Vivir Tour in Latin America, Martin returned to New York to appear in the play in an eleven-week run. He greatly enjoyed the experience, calling his time in the play an "honor" and "the role of [his] life". Martin continued to tour after the conclusion of the show's run, and noted that his audiences were growing in both size and enthusiasm. 1998–1999: Vuelve While the A Medio Vivir Tour had not been concluded yet, Martin returned to the studio to record his fourth album Vuelve (). He called the experience of touring and recording at the same time "brutal and incredibly intense". As he was finishing the record in 1997, "María" caught the attention of FIFA. They contacted Martin and asked him to create a song as the 1998 FIFA World Cup anthem. He stated about the request: "I have to admit that the challenge made me a bit nervous, but the massive growth potential for my career was such that I decided to accept." Following his acceptance, musicians K.C. Porter, Robi Rosa, and Desmond Child joined him and they started working on a song titled "La Copa de la Vida" (English: "The Cup of Life"). Martin wrote about the recording: "La Copa de la Vida" was included as the eighth track on Vuelve, released February 12, 1998, The album became a huge success; it sold over eight million copies worldwide, becoming the best-selling Spanish-language album in history, according to his label. Also, some sources have reported the album's sales as six million copies worldwide. It spent 26 weeks atop the US Billboard Top Latin Albums chart and was certified platinum by the Recording Industry Association of America (RIAA). In Canada, the album peaked at number three and was certified double platinum. Vuelve spawned big hits, including the title track, "La Copa de la Vida", "Perdido Sin Ti" (), and "La Bomba" (). "La Copa de la Vida" grew to be an international success, appearing on the charts in more than 60 countries, and reaching number one in 30 countries, Both "Vuelve" and "Perdido Sin Ti" peaked at number one on the US Billboard Hot Latin Tracks chart; the former also reached number one in On July 12, 1998, Martin performed "La Copa de la Vida" as the official anthem at the 1998 FIFA World Cup Final in France, in front of more than a billion TV viewers around the world. To promote Vuelve, Martin embarked on the worldwide Vuelve Tour; he performed in Asia, Australia, Europe, Mexico, South America, and the United States. Although Latin music was not important to the Recording Academy or the mainstream music industry at the time, Tommy Mottola, then-chief of Columbia Records, was certain about Martin's stardom and pushed hard to have him on the Grammy Awards ceremony. During an interview with Billboard, Mottola told the magazine about it: "There was tremendous resistance from the Grammys. They did not want an 'unknown' to perform, yet we he had already sold 10 million copies of Vuelve worldwide. To me, that was absolutely UNACCEPTABLE." Finally, on February 24, 1999, cavorting with a 15-piece band alongside and a large number of dancers and percussionists, Martin performed a bilingual version of "La Copa de La Vida" at the 41st Annual Grammy Awards, which was greeted with a massive standing ovation and met with acclaim from music critics. At the same night, Vuelve earned Martin his first Grammy award, for Best Latin Pop Performance. After he accepted the award and expressed how important it was to the Latin community, the American singer-songwriter Madonna came on the stage and hugged him. 1999–2000: Crossover to English In October 1998, CNN confirmed that Martin has been working on his first English language album, following the huge success of Vuelve. In April 1999, Billboard revealed the album's title as Ricky Martin in an article, mentioning that the album was initially set for retail on May 25, 1999. However, the huge interest in the disc, following Martin's performance at the Grammy Awards, encouraged Columbia Records to decide to rush the album to release two weeks ahead of schedule, on May 11. Tom Corson, the senior vice president of marketing at Columbia explained: "Quite simply, the market has demanded it. People have been wanting this record for a while, and it's now reached the point where we have to get it out there immediately." Tim Devin, the general manager of Tower Records in New York added about Martin: "He's always been one of our strongest Latin artists, but interest in him has picked up considerably since that performance." Ricky Martin debuted atop the US Billboard 200 with first-week sales of 661,000 copies, according to data compiled by Nielsen SoundScan, becoming the largest sales week by any album in 1999. It also broke the record as the largest first-week sales for any pop or Latin artist in history, as well as any Columbia Records artist during the SoundScan era. With this album, Martin became the first male Latin act in history to debut at number one on the US Billboard 200 chart. It was certified 7× platinum by the Recording Industry Association of America (RIAA), denoting shipments of over seven million copies in the US and breaking the record as the best-selling album by a Latin artist in the country. Only within three months, Ricky Martin became the best-selling album ever by a Latin artist. According to different sources, the album has sold over 15 million copies or even 17 million copies worldwide. It was nominated for Best Pop Album at the 42nd Annual Grammy Awards. The album was supported by four singles; the lead single "Livin' la Vida Loca" () topped the charts in more than 20 countries and is considered to be Martin's biggest hit, and one of the best-selling singles of all time. In the United States, it topped the Billboard Hot 100 chart for five consecutive weeks, becoming Martin's first number one single on the chart. Additionally, it broke several records on Billboard charts. It also spent eight consecutive weeks atop the Canada Top Singles chart and topped the country's year-end chart. In the United Kingdom, it debuted at number one and stayed there for three weeks, making Martin the first Puerto Rican artist in history to hit number one. The track was ranked as the best '90s pop song by Elle, and was listed among the Best Latin Songs of All Time by Billboard. It was nominated for four categories at the 42nd Annual Grammy Awards, including Record of the Year and Song of the Year. Its Spanish version reached the summit of the Billboard Hot Latin Tracks chart in the United States, and was nominated for Record of the Year at the 2000 Latin Grammy Awards. "She's All I Ever Had" was released as the second single from the album in June 1999. It peaked at numbers two and three on the US Billboard Hot 100 and Canada Top Singles charts, respectively. The Spanish version, "Bella" () topped the charts in five countries, as well as Billboards Hot Latin Tracks chart. To further promote Ricky Martin, he embarked on the worldwide Livin' la Vida Loca Tour. In the United States, the Livin' la Vida Loca Tour was the highest-grossing tour of 2000 by a Latin artist, earning over $36.3 million with 44 dates and drawing 617,488 fans. According to Billboard Boxscore, the tour grossed $51.3 million in Canada, Mexico, and the United States, with 60 shows and drawing an audience of 875,151. International dates were not reported to Boxscore and would push the tour's grosses higher. 2000–2005: Sound Loaded, Almas del Silencio, and Life While the Livin' la Vida Loca Tour had not been concluded yet, Martin returned to the studio to record his sixth studio album, Sound Loaded. The album was released on November 14, 2000. It debuted at number four on the Billboard 200 with first-week sales of 318,000 copies, according to data compiled by Nielsen SoundScan. The album has sold over seven million copies or even eight million copies worldwide, according to different sources, being certified double platinum in the US. The album featured two hit singles, "She Bangs" and "Nobody Wants to Be Lonely". The former reached number one in seven countries, including Italy and Sweden, as well as the top five in Australia, Canada, the United Kingdom, and several other countries. It was nominated for Best Male Pop Vocal Performance at the 43rd Annual Grammy Awards. The Spanish-language version of "She Bangs" reached the summit of the Hot Latin Tracks chart and won the Latin Grammy Award for Best Music Video at the 2nd Annual Latin Grammy Awards. "Nobody Wants to Be Lonely" was re-recorded along with American singer Christina Aguilera, peaking at number one in five countries, as well as the top five in Italy, Germany, Spain, and the United Kingdom, among others. It was nominated for Best Pop Collaboration with Vocals at the 44th Annual Grammy Awards. The solo Spanish version, entitled "Sólo Quiero Amarte" topped the Hot Latin Tracks chart. Both "She Bangs" and "Nobody Wants to Be Lonely" are certified silver in the UK. In February 2001, Martin released a Spanish compilation album entitled La Historia (), which spent five weeks at number one on the Top Latin Albums chart, topped the charts in Argentina and Sweden, and was certified quadruple Latin platinum in the United States. Following the success of Ricky Martin and Sound Loaded, he initially planned to release the third English-language album as his seventh studio album, which was supposed to be his first complete work in the field of songwriting. Despite Sony Music Entertainment's original plan, he decided to release a Spanish-language album: "I woke up five months ago, and I said 'We're doing an album in Spanish.' Everyone went nuts. They said, 'You don't have time; you have to release an album in English because of timing issues with your career.' And that's fine. But I told them, 'In five months, you'll have a kick-ass album' [in Spanish]. Martin's seventh studio album, Almas del Silencio () was released in May 2003. It debuted atop the Billboard Top Latin Albums chart with first-week sales of 65,000 copies, according to data compiled by Nielsen SoundScan, breaking the record as the largest first-week sales for a Spanish-language album in the US. The album also debuted at number 12 on Billboard 200, tying the 2002 album, Quizás () as the chart's highest Spanish-language debut. The album also debuted at number one in "at least 13 Latin American markets" and sold over two million copies worldwide. Almas del Silencio spawned three Hot Latin Tracks chart-topper hits: "Tal Vez" (), "Jaleo", and "Y Todo Queda en Nada" (). "Tal Vez" debuted at number one on the Billboard Hot Latin Tracks chart on the week of April 12, 2003, marking the first number one debut since February 1998, and becoming the sixth song overall in the chart's history to do so. It spent a total of 11 weeks at this position, surpassing "Livin' la Vida Loca" as Martin's longest number-one single on the chart, and was the longest-running number one of 2003. It also topped the charts in several Latin American markets. In October 2005, Martin released his third English album, Life. He commented on the album: "I was really in touch with my emotions. I think this album is very multi-layered, just like life is. It's about feeling anger. It's about feeling joy. It's about feeling uncertainty. It's about feeling. And all my emotions are part of this production". To promote Life, Martin embarked on the worldwide One Night Only with Ricky Martin tour. 2006–2012: MTV Unplugged, Música + Alma + Sexo, and Evita Although Martin's team and MTV had discussed an MTV Unplugged for years, but it became more serious after Martin's the One Night Only tour, which featured an acoustic segment. Finally, Martin taped his MTV Unplugged set in Miami in August 2006, performing both romantic ballads and up-tempo tropical dance songs. During the performance, he debuted three new tracks, including "Tu Recuerdo" (), which was released to radio stations as the lead single from his debut live album MTV Unplugged (2006). The album debuted at number one on the Top Latin Albums chart and sold over two million copies worldwide, marking his highest-certified album in Mexico. It won two Latin Grammy awards and was nominated for Album of the Year. "Tu Recuerdo" reached number one in five countries, as well as the Billboards Hot Latin Songs and Latin Pop Airplay charts. The track was certified quadruple platinum in Mexico and was nominated for Record of the Year at the 8th Annual Latin Grammy Awards. The artist then embarked on the Black and White Tour in 2007, including four sold-out shows at the José Miguel Agrelot Coliseum in Puerto Rico. The concerts in Puerto Rico were compiled into his second live album Ricky Martin... Live Black & White Tour (2007). Later that year, he released his first Italian song, "Non siamo soli" () as a duet with Italian singer Eros Ramazzotti. The song debuted at number one in Italy and spent eleven consecutive weeks atop the chart. In January 2011, Martin launched his ninth studio album, Música + Alma + Sexo (). The album debuted at number three on the US Billboard 200 chart, becoming the highest-charting primarily-Spanish language set since Dreaming of You (1995) by American singer Selena. It holds the record as the highest-charting Latin album of the 2010s, and represents the highest-ever chart debut on the Billboard 200 for a Sony Music Latin release. Música + Alma + Sexo also peaked at number one in Argentina and Venezuela, as well as Billboards Top Latin Albums. Its lead single, "Lo Mejor de Mi Vida Eres Tú" (English: "The Best Thing About Me Is You") reached number one on the US Billboard Hot Latin Songs chart and was nominated for Record of the Year, Song of the Year, and Best Short Form Music Video at the 12th Annual Latin Grammy Awards. To promote the album, Martin embarked on the Música + Alma + Sexo World Tour in 2011. In February 2012, he appeared as Spanish teacher David Martinez on the twelfth episode of the third season of the American musical television series Glee, The Spanish Teacher. Martin starred as Ché in the Broadway revival of the musical Evita from March 2012 to January 2013. The show became a hit, breaking the theatre's box-office sales record after only six performances. Sine then, it broke its own record six times and was nominated for Best Revival of a Musical at the 66th Tony Awards. The show's soundtrack album debuted at number one on Billboards cast album chart. 2013–2018: The Voice, A Quien Quiera Escuchar, and The Assassination of Gianni Versace Martin served as a coach on the second season of the Australian singing competition television series The Voice in 2013. In the same year, he released a compilation album, entitled Greatest Hits: Souvenir Edition, which reached number two in Australia, as well as a new single, entitled "Come with Me", which debuted at number three in the country. The artist then embarked on the Ricky Martin Live tour in Australia in October 2013. He continued serving as a coach on both the third and fourth seasons of The Voice Australia in 2014 and 2015, respectively. In 2014, Lars Brandle from Billboard stated in an article: "Through his high-profile slot on The Voice, Ricky's profile in Australia has never been as big as it is right now." On February 25, 2014, Wisin released a song titled "Adrenalina" () from his album El Regreso del Sobreviviente (), which featured Jennifer Lopez and Martin, and became the Univision's 2014 World Cup song. It received commercial success, peaking in the top-five of Bulgaria, Mexico, Spain, and Billboards Hot Latin Songs chart. Its accompanying music video has accumulated over 850 million views on YouTube. Later that year, Martin released his single "Vida" () for the 2014 FIFA World Cup. The song reached the top five in Spain and on the US Hot Latin Songs chart. Also in 2014, he served as a coach on the fourth season of The Voice Mexico, and embarked on the Live in Mexico tour. In February 2015, Martin released his tenth studio album, A Quien Quiera Escuchar (). The album debuted at number one on Billboards Top Latin Albums chart and peaked at number one in Argentina. It won the award for Best Latin Pop Album at the 58th Annual Grammy Awards and Album of the Year at the 1st Latin American Music Awards. The album spawned three Hot Latin Songs top-10 hits: "Adiós" (), "Disparo al Corazón" (), and "La Mordidita" (). "Disparo al Corazón" was nominated for both Record of the Year and Song of the Year at the 16th Annual Latin Grammy Awards. "La Mordidita" experienced huge commercial success, being certified 15× Latin platinum in the United States. Its accompanying music video has received over 1.2 billion views on YouTube. To promote the album, Martin embarked on the One World Tour from 2015 to 2017. He served as an executive producer and a judge on the American singing competition series La Banda (), which premiered in 2015 and 2016 on Univision. The first season was "looking for the next Latin boy band", while the second season was looking for a Latin girl band. The contestants would compete for a recording deal with Sony Music Latin and Syco Music. CNCO, known as the first boy band to make reggaeton, was the winner of the first season. Martin became their manager and produced the band's debut album, Primera Cita () (2016), along with Wisin; the album debuted at number one on Top Latin Albums and featured the hit single "Reggaetón Lento (Bailemos)" (). CNCO opened many dates on One World Tour in 2016. In 2020, Leila Cobo from Billboard compared the group with Menudo, noting: "Not since Menudo had a Latin boy band melted our hearts or made us dance quite like CNCO". On September 23, 2016, Martin released a song called "Vente Pa' Ca" (), featuring Colombian singer Maluma. The song became one of the biggest Spanish-language songs of 2016, reaching number one in seven countries, as well as Billboards Latin Airplay, Latin Pop Airplay, and Tropical Airplay charts. It also reached top five in Spain and on the Billboard Hot Latin Songs, being certified quadruple platinum in Spain and diamond in Mexico. The track was nominated for both Record of the Year and Song of the Year at the 18th Annual Latin Grammy Awards. The accompanying music video has received over 1.75 billion views on YouTube. Martin signed a concert residency, named All In, to perform at the Monte Carlo Resort and Casino in Las Vegas in 2017 and 2018. He portrayed fashion designer Gianni Versace's partner Antonio D'Amico in the FX true crime anthology television series The Assassination of Gianni Versace: American Crime Story, marking "the acting opportunity of his career". The role garnered him a nomination for Outstanding Supporting Actor In A Limited Series Or Movie at the 70th Primetime Emmy Awards. Running from January to March 2018, The Assassination of Gianni Versace received generally favorable reviews and numerous awards and nominations, including three Primetime Emmy Awards, four Creative Arts Emmy Awards, two Golden Globe Awards, two Critics' Choice Television Awards, and a Screen Actors Guild Award. In February 2018, Martin released a song titled "Fiebre" (), featuring Wisin & Yandel. The song was commercially successful in Latin America, reaching number one in Chile, Ecuador, Guatemala, Mexico, and Uruguay. It also reached the summit of the Billboard Latin Airplay and Latin Rhythm Airplay charts. 2019–present: Amici di Maria De Filippi, PausaPlay, and Jingle Jangle: A Christmas Journey At the 61st Annual Grammy Awards, Martin performed "Havana", "Pégate" (), and "Mi Gente" (), alongside Camila Cabello, J Balvin, Young Thug, and Arturo Sandoval, as the opening performance. Martin served as a coach on the eighteenth season of the Italian talent show Amici di Maria De Filippi () in 2019. In the same year, Maluma released a song called "No Se Me Quita" () from his album 11:11, which featured Martin. The song reached number one in Mexico and was certified quadruple platinum in the country. Martin hosted the 20th Annual Latin Grammy Awards in November 2019, along with Roselyn Sánchez and Paz Vega. The artist started recording his eleventh studio album, initially titled Movimiento (), in the second half of 2019, inspired by the 2019 political protests in Puerto Rico. He embarked on the Movimiento Tour in 2020. Because of the COVID-19 pandemic and subsequent personal experiences, he decided to split the tour's associated album in two extended plays, Pausa () and Play; the former was released in May 2020, while the latter is set to release as his eleventh studio album. Pausa was nominated for Album of the Year and won the award for Best Pop Vocal Album at the 21st Annual Latin Grammy Awards. The second single from the EP, "Tiburones" () reached number one in Argentina and Puerto Rico, and was also nominated for Song of the Year at the 21st Annual Latin Grammy Awards. Martin starred as the voice of villainous miniature figure Don Juan Diego in the American Christmas musical fantasy film Jingle Jangle: A Christmas Journey. The film was released on Netflix on November 13, 2020, and received generally favorable reviews. In April 2021, Martin released his hit single "Canción Bonita" () with Colombian singer Carlos Vives, which experienced huge commercial success in Latin America, reaching number one in 12 countries. It was also nominated for Song of the Year and Best Pop Song at the 22nd Annual Latin Grammy Awards. Later that year, he released "Qué Rico Fuera" () with Chilean-American singer Paloma Mami, as the lead single from Play. The song peaked at number one in four countries, as well as the top 10 on Billboards Latin Pop Airplay. In the same year, he embarked on his first co-headlining tour, the Enrique Iglesias and Ricky Martin Live in Concert alongside Spanish singer Enrique Iglesias. Artistry Influences As a child, Martin used to sing songs by Menudo and American rock bands such as Led Zeppelin, Journey, and REO Speedwagon, which were what his "older siblings were listening to at the time". While Martin and his brothers spent their time listening to classic rock, their mother would interrupt them to make them listen to Latin music. She brought him CDs of Fania All-Stars, Celia Cruz, El Gran Combo de Puerto Rico, and Gilberto Santa Rosa that slowly made him appreciate the richness of Puerto Rican culture. Also, she once took them to a Fania All-Stars concert, which Martin is "beyond grateful" for it. He expresses that thanks to her mother, those influences had a "profound effect" on his musical career. Martin has also cited Elvis Presley, the Beatles, Michael Jackson, and Madonna for teaching him "the beauty of pop". He stated about Madonna: "I was very influenced by her and her music. I know every choreography of Madonna." Additionally, he mentions Carlos Santana, José Feliciano, Celia Cruz, and Gloria Estefan as the artists who paved the way for him, naming Feliciano as one of the people who inspired him when he was a teenager: "I was always fascinated with his music." In addition to the musical influences, Martin is inspired by David Bowie's "ambiguous sexuality". While growing up, he used to ask himself if he wanted to be like the openly gay singer Elton John or he just liked him, admiring his music, colors, and wigs. Musical styles and themes Considered to be a versatile artist, Martin describes his music as Latin pop, saying: "When you say 'Latin pop', the spectrum is so broad, It's inevitable to not be influenced by everything that’s happening in the industry, but always keeping your identity firm by knowing who you are." He has also described his music as fusion, while noting that he does not "ride the waves that are in fashion at the moment". Music critics have described his songs as Latin pop, pop, dance, ballad, reggaeton, Latin, African, rock, salsa, flamenco, urban, samba, cumbia, merengue, rumba, Latin funk, bomba, batucada, vallenato, dancehall, mambo, Europop, house, disco, EDM, dance-pop, electro, techno, dubstep, world music, Middle Eastern, folk-pop, bossa nova, pop rock, soft pop, soft rock, R&B, gospel, jazz, trap, hip hop, doo-wop, ska, and rock' n' roll. Martin sings in Spanish, English, Portuguese, Italian, and French. About his lyrics, Martin has emphasized that although his music will always make the listener dance, it does not mean his lyrics "have to be meaningless" and he sings about love and heartbreak, as well as "things that are good for a society", such as "freedom, freedom of expression, and social justice". He has also declared that as a Latino, he is not afraid of sexuality and sings about sexuality and sensuality, bringing his culture with him onstage. Voice Martin possesses a dramatic tenor vocal range. Peter Gilstrap from Variety commented that his "powerful voice" is "capable of belt or lilt", while The Jerusalem Posts Noa Amouyal described his voice as "soulful" and "very powerful". In 1995, Enrique Lopetegui of the Los Angeles Times noted Martin's "improved vocal skills" on A Medio Vivir. Also from the Los Angeles Times, Ernesto Lechner later praised his vocal for being "charismatic enough to handle both ballads and up-tempo tunes". Similarly, Billboards Chuck Taylor expressed "She's All I Ever Had" boasts "a versatility that contrasts nicely" with Martin's previous single, "Livin' la Vida Loca", labeling his vocal on the former "tender and heartfelt". Steve Gerrard of the Montreal Rocks complimented "his vocal maturity" on A Quien Quiera Escuchar. Music videos and performances Billboard labeled Martin "a video icon", and ranked him as the 79th Greatest Music Video Artist of All Time in 2020, stating: "From the moment he sashayed up to the mic in 'Livin La Vida Loca' all dressed in black, and gave us that look, the Menudo alum became the most memorable and watchable drop-dead handsome guy in pop music." He has collaborated with various directors to produce his music videos, including Carlos Perez, Wayne Isham, Jessy Terrero, Simón Brand, Gustavo Garzón, Nigel Dick, Kacho Lopez, and Memo del Bosque. "Livin' la Vida Loca" was nominated for Video of the Year at the 1999 MTV Video Music Awards, making Martin the first Latin artist in history to receive a nomination in this category. It won two primary awards for Best Pop Video and Best Dance Video, and was voted three additional awards in the International Viewer's Choice categories, making it rank among the videos with most wins in the history of the MTV Video Music Awards. The explicit sexual scenes of the music video for "She Bangs" were met with criticism from the audience; several American television stations cut the scenes when airing the video. According to the Daily Records John Dingwall, with the visual, Martin ditched his teen idol image by transforming to a more mature one. It was consequently banned in several Latin American countries, such as the Dominican Republic. Martin told MTV News that the video represented freedom rather than his sexuality. The video was awarded Best Music Video at the 2nd Annual Latin Grammy Awards, Best Clip of the Year — Latin at the 2001 Billboard Music Video Awards, and Video of the Year at the 13th Lo Nuestro Awards. Martin has been noticed for "dance moves of his own" and his "bon-bon shaking dance moves". Carol Sandoval from VIX named him the "best dancer on any stage worldwide", highlighting his hips movement and "successful turns". He was ranked as the ninth best male dancer by the Evening Standard and the tenth Male Singer Who Can Dance by WatchMojo, being the only Latin entertainer on both lists. Writing for The Hollywood Reporter, Scott Feinberg introduced Martin as "an incredible dancer". Billboards Jessica Roiz labeled him "a true showman", noting his "many outfit changes", "various dance performances", and "different stage set for each song". Jon Pareles of The New York Times described him as "an all-around showman" and Varietys Peter Gilstrap called him "every inch the showman", both recognizing his vocal abilities, while the former also commented he is "a dancer as muscular and hard-working as anyone in his troupe", mentioning his "likable, good-hearted character" and "steadfast Puerto Rican pride". Music critics have mostly praised his concerts for the choreographies, video screens, visual effects, stage, Latin influences, and Martin's vocals, costume changes, energy, sensuality, dance moves, and gestures, while the quality of sounds and sound mixes have received mixed reviews. Billboards Marjua Estevez described Martin's performance of "La Copa de la Vida" at the 41st Annual Grammy Awards as "the most memorable Latin performance at a Grammy Awards show", and the publication ranked it as the 54th Greatest Award Show Performance of All Time on their 2017 list. The performance was additionally placed on a 2017 unranked list of "Top 20 Best Grammy Performances of All Time" by Gold Derby, and on a 2019 list of "The Most Unforgettable Grammys Performances of All Time" by InStyle. Public image Martin became a teen idol with his debut as a member of Menudo, and a pop icon following global fame as a solo artist. Journalists have written about his humble personality and "beautiful soul". Writing for The Hollywood Reporter, Scott Feinberg introduced Martin as "one of the most acclaimed and admired creative artists ever". La República staff described him as "one of the most admired and desired singers", while authors of ¡Hola! described him as "one of the most respected Latin stars in the world", "one of the most prodigious voices in music in Spanish", and "one of the most beloved talents in the entertainment industry worldwide". Also from ¡Hola!, Cristina Noé named him "one of the most loved artists in the world", while a writer of Clarín named him "one of the most applauded Latin singers on the planet". Metro Puerto Rico stated that he "raised the name of Puerto Rico internationally". He was ranked as one of the top-10 "emerging personalities" of 2010 by Google Zeitgeist. In 2014, Gay Star News referred to Martin as "the most famous Latin pop star in the world", while Variety described him as "Puerto Rico's arguably most famous son" in 2021. He is ranked as the second-most famous Latin music artist in the United States, according to YouGov surveys in 2021. During the 2000s, Martin was known for "guarding his private life" and being "uncomfortable discussing intimate aspects of his personal life"; he used to insist on asking public to focus on his music and "steered interviewers away from his personal life". However, he chose to live both his "professional and personal life", making his private life public since the early 2010s. In 2021, he went on the cover of People with the title "No More Secrets" and told the magazine that he is "a man with no secrets", stating that he is "more comfortable in his own skin than ever before". Martin is one of the most followed celebrities on social media, with accounts on Instagram, Twitter, Facebook, YouTube, and TikTok. He stated about social media that he wishes he had "something as powerful as" them since his debut: "Obviously I like to have direct contact with the public, with the media. It's extremely important, but today, from my home, I can talk to millions of people and see their immediate reaction." He is noticed for his friendly interactions with his fans, who are called "Sexy Souls". Wax statues of Martin are on display at the Madame Tussauds wax museums in San Francisco, Sydney, and Orlando. The last one was moved from Las Vegas to Orlando for the opening of the museum in spring 2015. Fashion Martin is considered to be a sex symbol, and journalists describe him as "the Latin heartthrob". His fashion and style evolution, from "as '80s as you'd expect" during his time with Menudo to "a style groove, often opting for sharp, tailored suits with clean lines" since 2009, has been noticed by the media. Natalia Trejo from ¡Hola! described him as "one of the most stylish Latin men in the entertainment industry", highlighting his "baggy leather pants", "tailored suits", and "color-block blazers" that have marked "some of the noteworthy trends of each decade". The reviewer also commented that Martin is "an example of mixing business with casual" and has "always had a personal sense of style". JD Institute of Fashion Technology views Martin as a fashion icon, praising him for "pushing the fashion boundaries with every new look". In 1997, he went on the cover of People en Españols first edition of 25 Most Beautiful; he has since "been a constant presence" on their 25 or 50 Most Beautiful lists. Two years later, he was featured on the cover of both Rolling Stone and Time magazines. Martin is considered to be one of the sexiest men in the world, according to various publications. In 2012, he was voted the sexiest man alive on Broadway.com. The following year, VH1 ranked him as the 28th Sexiest Artist of All Time, stating: "Ricky looks like the model in the magazine ads you stare at in awe thinking, 'There's no way he's that perfect in person'." In 2014, Entertainment Tonight listed him among the Sexiest Men Alive, while Revista Estilo placed him on the list of "the 10 Sexiest Singers" in 2016. He was ranked at number 16 on the list of "the 50 Hottest Men of All Time" by Harper's Bazaar in 2018, being the only Latin man on their list. In 2019, TN described Martin as "the sexiest man in the world". He has been noted for looking younger than his age, with Billboards Chris Payne labeling him "ageless". The singer has attended several fashion shows, including the Giorgio Armani show at Milan Fashion Week in 2011, the Marc Jacobs show in 2013, the Berluti menswear spring-summer 2020 show at Paris Fashion Week, the Dior men's pre-fall 2020 show, and the Virgil Abloh Spring-Summer 2022 show held by Louis Vuitton. Personal life Sexual orientation and early relationships According to an interview with Rolling Stone in 1999, Martin experienced his first kiss at age 13 and lost his virginity at age 14 in Argentina. In 1990, shortly after he had arrived in Mexico to star in Mama Ama el Rock, he met a woman, who was the host of a television show. They began dating quickly and broke up a few months later. In 1992, he fell in love with Mexican singer Alejandra Guzmán, who was separated from her husband at the time. They began dating together until Guzmán returned to her husband and pretended Martin was her assistant on a phone call, while she was sleeping with her husband. In an interview with Univision, Martin admitted that she broke his heart. In the same year, Martin was rumored to have a relationship with Argentine tennis player Gabriela Sabatini. Sabatini's sister-in-law, Catherine Fulop confirmed the rumor in 2020. During the time he was playing in General Hospital, he met a "very handsome" man at a radio station, "stopped fearing [his] sexuality", and started dating him. Martin's mother supported him when she discovered that he was in love with a man, saying: "I love you, my son, I'm so happy for you. Bring it on. I'm right behind you." However, after the relationship ended, Martin "locked [his] feelings even deeper inside" and began dating women again. He recalls: "I already felt it was hard to be a Latino in Hollywood; what could have been more difficult than being Latino and gay?" Martin began dating Mexican television host Rebecca de Alba in 1994; they were in an on-and-off relationship until 2005. In May 2021, Alba revealed that she became pregnant several times in her life, but lost all of the embryos, expressing that one of them belonged to Martin. Martin also had relationships with Lilly Melgar, Adriana Biega, Maital Saban, and Inés Misan during his break-up times with Alba in the late 1990s and early 2000s. He declared that "there was chemistry with them" and he "wasn't fooling anyone". In August 2008, Martin became a father to twin boys named Matteo and Valentino, born via gestational surrogacy. He explained that he chose surrogacy to become a parent for being "intriguing and faster" than adoption, which was complicated and could take a long time. In March 2010, Martin publicly came out as gay via a message on his website, stating: "I am proud to say that I am a fortunate homosexual man. I am very blessed to be who I am." Years later, he revealed that although his music was "heard all over the world" and he "could high five God" in 1999, he "wasn't living to the fullest" and was sad and depressed. He kept asking himself, "Am I gay? Am I bisexual? Am I confused? What am I?", explaining: "Sexuality is one complicated thing. It's not black and white. It's filled with colors. When I was dating women, I was in love with women. It felt right, it felt beautiful." In an interview with Vanity Fair, he declared: "There was love, passion. I do not regret anything, any of the relationships I lived, they taught me a lot, both men and women." Martin also told Fama!: "I know that I like both men and women, I'm against sexual labels, we are simply human beings with emotional and sexual needs. I like to enjoy sex in total freedom, so I'm open to having sex with a woman if I feel desire." Despite this, he expressed that he wouldn't be interested in "an ongoing relationship with a woman", stating: "Men are my thing". In 2000, American broadcast journalist Barbara Walters asked Martin about his sexuality on national television: "You could stop these rumors. You could say, 'Yes I am gay or no I'm not.'" In 2021, Martin, who answered with "I just don't feel like it" at the time, revealed that her question made him "felt violated", since he "was just not ready to come out" and was "very afraid"; he said that it resulted "a little PTSD" that "still haunts him". Martin dated Puerto Rican economist Carlos González Abella from 2010 to 2014, as his first relationship with a man after his coming out as gay. Marriage Syrian-Swedish painter Jwan Yosef shared a photo of himself and Martin on Instagram on March 30, 2016, with the caption: "Obviously we're starting a band." Soon it was rumored that Yosef is Martin's new boyfriend. Martin confirmed their relationship on April 18, 2016, and they made their red carpet debut as a couple at the amfAR Inspiration Gala. Martin later revealed that he met Yosef on Instagram and they "were talking for like six months without [him] hearing his voice". Subsequently, Martin went to London, where Yosef were living, and they met each other. On November 15, 2016, during an interview on The Ellen Show, he announced that he has proposed to Yosef and they are engaged. In January 2018, Martin confirmed that he has secretly married Yosef: "I'm a husband, but we're doing a heavy party in a couple of months, I'll let you know." On December 31, 2018, they announced that they have welcomed their first daughter together, named Lucia Martin-Yosef. Martin later explained that Lucia was born on December 24, coinciding with his 47th birthday. In September 2019, while accepting an award at the 23rd annual Human Rights Campaign (HRC) National Dinner, he announced that they are expecting their fourth child. On October 29, 2019, he shared a photo of himself, Yosef, and their new-born son, named Renn Martin-Yosef, with the caption: "Our son Renn Martin-Yosef has been born." Beliefs and religion During an interview with People in 2002, Martin expressed that he believes in "love", "the power of healing", and "God", thanks to his parents. The name he chose for his son Matteo means "gift from God". According to his statements in a 2021 interview, he still believes in God. He was raised Catholic but he said is not "the person who would ever look down upon one religion". He expressed that he also admires and likes Buddhist philosophy, but does not subscribe to the religion, since if he does, he cannot "be of anything else"; he does not want to be limited in certain aspects and follow a religion's specific rules. He tries to remain "open to everything" and makes "a concerted effort to always find new teachings and new paths" everywhere he goes and in every situation he finds himself in. Martin believes that everyone can "decide what makes them happy" and although "everyone needs to accept the life they were given", it does not mean they "should not live it as fully as possible". Health and sports Martin began practicing yoga after a trip to Thailand in 1997. He also began practicing meditation following a trip to India. In 2021, he explained that he gets up every morning at 5:30, before his family and puts himself in a lotus position and oxygenates his body. He also expressed that has a gym in his house, saying: "If I have space to see myself in the mirror and put on my products, then I also have to have space for my body." During an appearance on The Dr. Oz Show in 2017, Martin revealed that he "was diagnosed with high cholesterol" at age 18. Although he did not pay attention to the high cholesterol at the time, it made him decide to become a vegetarian since 2013 to reduce cholesterol, despite loving meat as "a Latin man". In 2020, he opened up that he suffered from anxiety for the first time in his life, following the COVID-19 lockdowns, stating that making music became his "medicine". Real estate In March 2001, Martin purchased a 7,082-square-feet house in Miami Beach for $6.4 million; he sold the unit for $10.6 million in 2005. In September 2004, he paid $11.9 million for a 11,000-square-feet Mediterranean-style villa in Los Angeles, which he sold in 2006 for $15 million. In May 2005, he purchased a 9,491-square-feet house in Miami Beach for $10 million; he sold the villa for $10.6 million in 2012. In 2007, he paid $16.2 million for a mansion in Golden Beach. He sold the property in 2012 for $12.8 million, incurring a loss. In the same year, he bought a 3,147-square-feet condominium in New York City for $5.9 million; he sold the condo for $7.1 million in 2017. In 2014, he rented a 900-square-metre mansion in Sydney, which became famous as "the Bronte Wave House" and was sold for $16 million in May 2015, marking one of the most expensive properties sold in the city that year. In December 2016, he purchased a 11,300-square-feet mansion in Beverly Hills. The estate, which is Martin's current house, has seven bedrooms and eight bathrooms with outdoor seating areas scattered throughout a 33,000-square-feet. It is a "private getaway in the middle of the city", located up the street from the Beverly Hills Hotel. Martin also owns a property in Puerto Rico and a private 19.7-acre island in Brazil. He purchased the latter for $8 million in 2008. Legacy and influence Martin has been regarded as the "King of Latin Pop" by various publications, such as the Grammy Awards, Billboard, Rolling Stone, Time, People, Vogue, The Independent, Entertainment Weekly, Entertainment Tonight Canada, NBC News, and ABC News. Additionally, he has been referred to as the "King of Latin Music", the "Latin Pop God", the "Latin King of Pop", the "Latin American King of Pop", the "Latin King", the "Crossover Latin King", the "Puerto Rican Pop King", the "Salsa-Pop King", and the "King of World Cup". Martin is known as one of the most influential artists in the world. Billboard ranked him as one of the 30 Most Influential Latin Artists of All Time, while NBC News introduced him as an "influential Latin celebrity". In 2014, he won the award for the most influential international artist at the 18th China Music Awards. He was ranked among "25 musicians who broke barriers" by Stacker in 2019, while in 2020, Spin ranked him at number 27 on the list of "most influential artists of the past 35 years", as the only Latin artist on their list. In 2022, Show News named him "the most influential global artist in history". Martin's song "María (Pablo Flores Remix)", which was ranked among the "Greatest Latin Pop Song of All Time" by Rolling Stone, and "11 remixes of classic Latin hits" by Billboard, "launched the Latin and dance music crossover of the '90s", according to the latter. Olivier Pérou from Le Point commented that "some have even learned, thanks to him, to count to three in Spanish" following the popularity of the song. "La Copa de la Vida", which has been hailed as the Best World Cup Anthem of All-Time by multiple sources, became a "musical template" for World Cup anthems, and Martin's Latin and dance crossover style has been much copied in the anthems, as well as soccer chant "Ole! Ole! Ole!" in the lyrics, according to The Hollywood Reporter. As believed by Esquire, the song "inaugurated this musical subgenre" of Latin. Joy Bhattacharjya from The Economic Times wrote about "La Copa de la Vida" that it was the first World Cup anthem to have a video just "as ubiquitous as the song", going on to write: "Since then, official songs have an important part to play in every World Cup." In his review for Pitchfork, Corban Goble wrote that if World Cup anthems someday would be "given their own textbook", "La Copa de la Vida" would be "the standard-bearer for the whole genre". Martin is known as the pioneer in getting Latin pop music genre to mainstream recognition. Following his performance of "The Cup of Life" at the Grammys, and the success of "Livin' la Vida Loca" and Ricky Martin (1999), he opened the gates for many Latin artists such as Jennifer Lopez, Shakira, Christina Aguilera, Marc Anthony, Santana, and Enrique Iglesias who released their crossover albums and followed him onto the top of the charts. His performance of "The Cup of Life" at the Grammys not only changed the course of his career, but also altered how people regard Latin music in America. It has been known as a game-changer for Latin music worldwide, that effectively ushered in the "Latin explosion". Then-United Talent Agency head Rob Prinz described the rendition as "the single biggest game changing moment for any artist in the history of the Grammys". According to Billboard, it has been cited as the beginning of the "Latin Pop invasion", which powerfully affected the US mainstream. Jesús Triviño Alarcón from Tidal Magazine stated, "that single performance opened up the mainstream market for the Latinx legends", mentioning the names of Anthony, Shakira, and Lopez. InStyle staff wrote about it: "With his leather pants, big smile and energetic performance of 'The Cup of Life', Ricky Martin almost personally kicked off the so-called Latin Explosion of the late '90s." Mariana Best of San Antonio Express-News commented that the performance "is recognized for bringing Latin pop to the forefront of the U.S. music scene". In 2018, Diego Urdaneta from Vice credited the song as "one of those that laid the first stones so that J Balvin and Bad Bunnys of today can be at the top of the pyramid", labeling it "a milestone for Latin music". According to Entertainment Tonight, "Livin' la Vida Loca" paved the way for a large number of other Latin artists, and is "credited as the song that helped other Latin artists break through to English-speaking markets". As believed by Spin, the song "lit the fuse for the Latin pop explosion of the '90s". Lucas Villa from Spin wrote about it: "When the world went loca for Ricky, he led the way for other Latin music superstars like Spain's Enrique Iglesias, Colombia's Shakira and Nuyoricans like Jennifer Lopez and Marc Anthony to make their marks beyond the Spanish-speaking crowds." He also described Martin as "a trailblazer in globalizing Latinx culture" in his Grammy.com article. Also from Grammy.com, Ernesto Lechner described "Livin' la Vida Loca" as "the manifesto for all the fun-loving, tropically tinged Latin hit singles that followed", stating that Martin led "the Latin music explosion that took over the U.S. at the tail end of the '90s". According to The Independent, the single is "widely regarded as the song that began the first Latin pop explosion". Peoples Jason Sheeler credited it as the song that "led the way for the late-'90s so-called 'Latin explosion' that dominated pop music into the new century: Shakira, Enrique Iglesias, Marc Anthony, and Jennifer Lopez". Angie Romero from Billboard wrote: "If you look up 'crossover' in the dictionary, there should be a photo of Ricky shaking his bon bon and/or 'Livin' la Vida Loca'." Leila Cobo named "Livin' la Vida Loca" one of the genre's biggest singles of the past 50 years in his 2021 book Decoding "Despacito": An Oral History of Latin Music. She also wrote about his impact in Shakira's "Whenever, Wherever" chapter: "Ricky Martin’s phenomenal success opened the door for a string of Latin artists who waved the flags of their heritage, but who sang in English." Additionally, she compared Martin's song with Luis Fonsi's "Despacito" (2017) in one of her Billboard articles: "'Livin', like 'Despacito', became not just a global hit but a cultural phenomena that transcended all barriers of language and nationality." In another article, she described it as the song that "ignited the late-'90s Latin explosion". Also from Billboard, Gary Trust wrote: "The song helmed a Latin pop boom in the U.S., with Jenner Lopez, Marc Anthony and others crossing over, as well." Writing for LiveAbout.com, Bill Lamb credited the song as "the record which kicked off a wave of major Latin performers hitting the pop mainstream". Jim Farber from Daily News noted that Ricky Martin "provides a textbook example of how to mix Latin beats with pop tunes and rock intonations". St. Louis Post-Dispatch critic Kevin C. Johnson described Martin as Latin music's "pretty-faced poster boy" who is "taking the music to places Jon Secada, Selena and Santana never could". He also mentioned that even "Gloria Estefan at her peak, failed to muster up the kind of hype and hoopla surrounding Martin". Celia San Miguel of Tidal Magazine stated that Martin "highlighted the public's thirst for a different kind of pop" in 1999, noting the album's "fusion-heavy" and "hip-shaking rhythms associated with Latin music". She mentioned that the album "spawned 1999's Latin music boom", emphasizing the fact that Martin created the "spark" of the "Latin Pop Explosion", which was followed by 1999 albums, On the 6 by Lopez, Enrique by Iglesias, and Anthony's eponymous album. She continued crediting "Martin and the paths he created" responsible for the Latin music and Spanish and Spanglish lyrics being "a commonplace phenomenon on English-language radio" in 2019. In her review for Grammy.com, Ana Monroy Yglesias said Martin led a "major music moment in 1999" with Ricky Martin, and along with him, "the first major boom of Spanish-language artists", such as Shakira and Lopez, came into the "U.S. pop landscape". The late '90s Latin explosion also resulted in the launch of the Latin Recording Academy. Gabriel Abaroa Jr., the president and chief executive officer of the Latin Recording Academy, expressed that the plan of its launch was "immediately after the Ricky Martin success". Cuban American musician and producer Emilio Estefan added: "After the success with Ricky Martin, everybody opened their eyes and realized how important it was to bring diversity and multiethnic elements into [mainstream American] music." Many artists have cited Martin as an influence or declared themselves as his fan, including Abraham Mateo, Bad Bunny, Camila Cabello, Camilo, Carla Morrison, Christian Chávez, CNCO, Danna Paola, Enrique Iglesias, J Balvin, J-Hope, Jimin, Karol G, India Martínez, Luis Fonsi, Maite Perroni, Maluma, Neha Mahajan, Pedro Capó, Prince Royce, Rauw Alejandro, Rosalía, Sebastián Ligarde, Sebastián Yatra, Shakira, Tini, Vadhir Derbez, William Hung, Wisin, and Ximena Sariñana. Both Maluma and J Balvin have described Martin as a "teacher" and credited him as an artist who "opened the doors" for them, while Maluma has also expressed: "Ricky Martin is one of the artists I wanted to be growing up. He's my idol in the industry".Citations regarding J Balvin's statements about Martin: Puerto Rican singer Bad Bunny talked about Martin's legacy during an episode of Behind the Music: "There's no doubt that he opened the door for an entire generation of Latin artists. I am doing great things today in the music industry thanks to those doors that he opened." He also mentioned that he is inspired by Martin's coming out as gay: "You don't have to be gay to be inspired by that action of honesty and freedom, of being yourself against the world despite everything you deserve. I look at it like a very inspiring moment for anybody. At least for me, it's very inspirational." Brazilian singer-songwriter Anitta explained to The Guardian that "some Latin stars such as Maluma and Bad Bunny sing in their native language" and do not need to sing in English to get noticed, because they already had representatives like Shakira, Martin, and Jennifer Lopez, but since her country "hasn't had a major international pop star before", she uses "whatever language will get the market's attention". Portrayal in television In July 2019, SOMOS Productions, Endemol Shine Boomdog, and Piñolywood Studios announced the production of a biographical web television series about Menudo, titled Subete a Mi Moto. Consisting of 15 episodes of 60 minutes each, the series premiered on Amazon Prime Video on October 9, 2020 in Mexico, Latin America, and Spain. It was filmed in Mexico and Puerto Rico, and Martin was portrayed by actors Felipe Albors and Ethan Schwartz. The series premiered in the United States on February 14, 2021 on Estrella TV. On the review aggregation website Tomatazos, the first season has a positive score of 75%. The website's critical consensus summary states, "A good trip to the past that recalls a band that defined the youth of a certain public, but that doesn't ignore the darkest moments in the lives of its members." Other ventures Books On August 19, 2010, Martin announced that he had been working on his memoir, mentioning its title as Me and publish date as November 2, 2010. He expressed that writing the book was "one of the reasons" he decided to come out earlier that year. The book also had a Spanish edition title Yo (), which was published simultaneously by Celebra. He stated that writing his memoir allowed him "to explore the different paths and experiences" that have led him to be who he is, noting that it "was not easy but allowed for an incredible spiritual journey". Me spent several weeks at number one on the New York Times Best Seller list. In 2019, ¡Hola! staff ranked the book among "12 Books by Celebrities to Inspire and Motivate You", while Book Riot placed it on an unranked list of the "Best Celebrity Books You Should Read This Year" in 2020. Martin's first children's book Santiago the Dreamer in Land Among the Stars was published by Celebra and illustrated by Patricia Castelao in November 2013 for ages between five to nine. Its Spanish-language edition, Santiago El Soñador en Entre Las Estrellas, was published simultaneously. Martin expressed that the book was inspired by his "personal life, with fantasy added to it", as well as "a lot of cartoons". Products and endorsements Martin endorsed the 2012 Viva Glam campaign with Trinidadian rapper Nicki Minaj, which raised $270 million for the Mac AIDS Fund. In October 2020, Martin announced that he would launch his company, Martin Music Lab in partnership with music engineers Jaycen Joshua and Michael Seaberg. The company is centered around a new audio technique called "Orbital Audio", that "creates a new type of immersive, headphone listening experience". Martin used the technique on his EP Pausa, while several artists including Bad Bunny, Residente, Myke Towers, and A$AP Rocky are going to work with the company. The latter plans to release his whole upcoming studio album, using "Orbital Audio". Martin is going to expand the technique "beyond the music industry and tap into the movies, sports and, most notably, the wellness and meditation space". In 2021, Martin partnered with skin care company Kumiko. The skincare line, created by Chilean cosmetologist Catalina Aguirre, is the first to combine "mesotherapy, matcha, and cutting-edge European technology into unique multi-action formulas that penetrate the dermis with powerful anti-aging properties and lifting benefits". Activism Philanthropy While on a trip to India in 2002, Martin witnessed three minor girls who were about to be sold into prostitution and rescued them. The following year, he became a UNICEF Goodwill Ambassador and then met with activists and decided to fight against human trafficking, which is the second-most lucrative crime in the world. In 2004, Martin launched the Ricky Martin Foundation, a non-profit, non-governmental organization that focuses on denouncing human trafficking and educating about the crime's "existence through research and community initiatives, anchored in the defense of children and youth rights". In the same year, he appealed to the United Nations for international help to fight against sex tourism. In January 2005, following the 2004 Indian Ocean earthquake and tsunami, Martin visited Thailand to assess the needs of the minor survivors who were "extremely vulnerable to traffickers". Later that year, the Ricky Martin Foundation signed an alliance in partnership with Habitat for Humanity to construct 224 homes for the tsunami-affected families. The project was completed in December 2006. In March 2006, the foundation collaborated with the International Organization for Migration in the Llama y Vive () campaign, which focuses on facilitating "the prevention of human trafficking and the protection of young people, victims of child trafficking and prosecution of traffickers". In January 2010, along with many celebrities, Martin operated the charity telethon Hope for Haiti Now to raise donations for the 2010 Haiti earthquake. Later that year, the Ricky Martin Foundation created the first program of community social action against child trafficking in Martin's native Puerto Rico, titled "Se Trata" (). In 2012, the foundation participated in the making of the Child Protection Model Law on the International Centre for Missing & Exploited Children. In 2016, Martin visited Syrian refugees in Lebanon and played with the children and talked to them in an informal refugee camp. Following the Hurricane Maria in Puerto Rico in 2017, the Ricky Martin Foundation helped people and handed over homes that were rebuilt after the losses; Martin launched a viral campaign of selling a black T-shirt with the Puerto Rican flag stamped on it in order to raise the funds. The T-shirts were designed by Martin's twin boys Matteo and Valentino, while many celebrities including Will Smith, Bad Bunny, Marc Anthony, Luis Fonsi, and Maluma supported the campaign. During the COVID-19 pandemic, Martin created a campaign to help health care workers through the non-profit organization Project Hope. He expressed: "As you know, health care professionals are extremely vulnerable and professionals around the world don’t have personal protection equipment they need to prevent them getting infected." In February 2021, Martin collaborated with Antonia Novello to launch mass vaccination events in Puerto Rico. Following the murder of George Floyd and Black Lives Matter protests in 2020, Martin honored an effort called "Black Out Tuesday" and launched the hashtag #knowthestruggle, giving his social media to the voices of the community that are "looking for justice", to learn more about what is happening. For his humanitarian efforts and fighting against human trafficking, Martin has been honored with numerous accolades, including the Peace Summit Award by the World Summit of Nobel Peace Laureates, the TIP Report Hero Award by the United States Department of State, the Spirit of Hope Award by Billboard Latin Music Awards, the Latin Recording Academy Person of the Year Award, the Award of Inspiration by amfAR Gala, the Leader of Change Award by the Foundation for Social Change, the Humanitarian Award by the Global Gift Foundation, the Humanitarian Award by the Hispanic Federation, the Corazón Latino Award by the iHeartRadio Fiesta Latina, the International Humanitarian Award by the International Center for Missing and Exploited Children, the Agent of Change Award by the International Peace Honors, the PODER Social Leadership Awards, and the Agent of Change Award by the Premios Juventud. Politics On January 20, 2001, during the first inauguration of George W. Bush, Martin performed "The Cup of Life" and danced with him. Martin's view of Bush changed over the Iraq War, as expressed in his declaration to BBC News that he will "always condemn war and those who promulgate it". He also stuck up his middle finger while singing the president's name in his 2003 song "Asignatura Pendiente" at a concert. At the 2010 Billboard Latin Music Awards, Martin expressed his disagreement with the Arizona SB 1070 bill, a proposed law that would have required police officers to request documents from individuals whom they suspected to be illegal immigrants. Martin campaigned for the 44th president of the United States Barack Obama in 2008 and 2012, and thanked him for an "outstanding presidency" in 2016, while calling him "an amazing leader". Also in 2016, he was an active ally to the Democratic Party presidential candidate Hillary Clinton campaign, while condemning Donald Trump's hateful comments about immigrants. He also performed his hits during the "Hillary Clinton: She's With Us" concert at the Greek Theatre on June 6, 2016. Telegramgate, also known as Chatgate, was a political scandal involving Ricardo Rosselló, then Governor of Puerto Rico, which began on July 8, 2019, with the leak of hundreds of pages of a group chat on the messaging application Telegram between Rosselló and members of his cabinet. The messages were considered vulgar, misogynistic, and homophobic toward several individuals and groups, including Martin. Therefore, Martin, Bad Bunny, Residente and several other artists, and more than half a million Puerto Ricans led the call to take to the streets of Puerto Rico, demanding Rosselló's resignation. In September 2020, Martin, Luis Fonsi, and actress Eva Longoria attended a campaign event in Kissimmee, Florida to support the Democratic presidential candidate Joe Biden for the 2020 United States presidential election. During an interview with Variety, Martin stated: "I've been supporting Biden forever, I think he is the only option we have and he is great and he has been in politics all his life. This is the moment. We all need to get together and be loud about the course of this nation." Following the election of Biden as 45th president of the United States, Martin said "Bye-bye" to Trump on social media, and shared a photo of himself along with Biden on Instagram. In May 2021, Martin demonstrated his support for the Ni una menos movement, condemning femicides and violence against women in Puerto Rico, while calling authorities to protect women. He further expressed that no woman should fear for her safety and urged authorities to take steps in order to prevent these acts. In the same month, he supported the 2021 Colombian protests. Later that year, the singer raised his voice in support of the 2021 Cuban protests against the Castro regime for the restrictions due to the COVID-19 pandemic and the economic crisis, stating: "This is very important. Our brothers and sisters in Cuba need us to inform the world what they are experiencing today. Let's fill the networks before they remove the internet in the country. Humanitarian aid for Cuba NOW." LGBT advocacy As a gay man, Martin actively supports LGBT rights worldwide since his coming out in 2010. Even before coming out, he was noted by the mainstream media for being popular among gay men and having a large gay fan base. He also went on the cover of the American LGBT-interest magazine The Advocate in July 1999. Despite this, he admitted that he felt homosexuality was evil since he was raised as a Catholic and targeted his anger toward others, especially gay men: "I was very angry, very rebellious. I used to look at gay men and think, 'I'm not like that, I don't want to be like that, that's not me.' I was ashamed." He added that he "had internalized homophobia" back then. He is currently considered to be a gay icon, with PinkNews labeling him "a strong advocate of LGBT rights" who "expressed support for equal marriage" since coming out. As the first mainstream Latin music artist to come out, Martin's coming out was a game-changer for "Latin Pride". Billboards Lucas Villa stated: "With Martin's announcement, gay artists, who had long kept their sexual identities a secret, finally had a beacon of hope. If Martin could come out with his career unscathed, there was hope for other artists in Latin music to start doing the same." He added that since then, "a growing number of Latin artists have either come out after years in the spotlight, or many have simply started their careers by embracing their gay identities". In 2010, GLAAD then-president Jarrett Barrios expressed that Martin's coming out as gay leads "hundreds of millions of people" to have "a cultural connection with an artist, a celebrity and, perhaps most importantly, a father who happens to be gay", adding that "his decision to model this kind of openness and honesty can lead to greater acceptance for countless gay people in U.S., in Latin America and worldwide". In 2019, Human Rights Campaign then-president Alphonso David expressed that Martin "has used his international stage to advocate for LGBTQ people around the world" with his "unique voice and passionate activism". The following year, Suzy Exposito from Rolling Stone argued that with risking his career and coming out, Martin "set the scene for Bad Bunny to be free in many ways that, during his own breakthrough moment, he could not". Martin expressed support for same-sex marriage during an interview on Larry King Live in 2010. He has then delivered speeches about LGBT rights at the United Nations Homophobia Conference, the GLAAD Media Awards, and the Human Rights Campaign. He also raised his voice to support gay marriage in Puerto Rico before its legalization in 2015. In March 2016, Martin met with Chilean LGBT rights group Fundación Iguales to learn about the challenges LGBT citizens face there. AT the meeting, he said that he wants "equal marriage rights for Chile" and he wants his sons to grow up in a world where "there are no second-class citizens". Following the Colombia's highest court voting against an anti same-sex marriage proposal in April 2016, Martin tweeted: "Love and equality win, Colombia says YES to same-sex marriage." During an interview with Vulture, Martin talked about his role in The Assassination of Gianni Versace and how he wanted his portrayal to help "normalize open relationships". In June 2019, he published an open letter slamming the religious liberty bill, saying: "As a defender of human rights and a member of the LGBTT community, I am vehemently opposed to the proposed measure imposed upon us under the guise of religious freedom, that projects us to the world as a backwards country." Puerto Rico's then-governor backed down and withdrew his support of the bill following Martin's statement. In June 2020, Martin performed his song "Recuerdo" with Carla Morrison for a virtual event, Can't Cancel Pride: Helping LGBTQ+ People in Need, to raise visibility and funds for LGBTQ+ communities. He appeared at the virtual event in the following year as well. In February 2021, Martin was named national spokesperson for the onePULSE Foundation, a non-profit organization that focuses on managing "the design and construction of the permanent national memorial and museum dedicated to the Pulse nightclub tragedy". Later that year, he expressed that he wants to "normalize families like" his, in an interview with People. Several of Martin's music videos feature diversity in sexual orientations and same-sex couples, including "The Best Thing About Me Is You", "Disparo al Corazón", "Fiebre", and "Tiburones". For his activism and advocacy for LGBTQ community, Martin has been honored with numerous accolades, including the GLAAD Vito Russo Award, the Gala Vanguard Award by the Los Angeles LGBT Center, the International Icon Award by the British LGBT Awards, the National Visibility Award by the Human Rights Campaign, the Trailblazer Award by the LGBT Center Dinner, the Celebrity Activist of the Year by LGBTQ Nation, and the Legacy Award by Attitude Awards. Achievements Throughout his career, Martin has won over 200 awards (most awarded male Latin artist), including two Grammy Awards, five Latin Grammy Awards, five MTV Video Music Awards (tied for most wins by a Latin artist), two American Music Awards, two Latin American Music Awards, three Billboard Music Awards, a Billboard Music Video Award, nine Billboard Latin Music Awards, eight World Music Awards, fourteen Lo Nuestro Awards (including the Excellence Award), and a Guinness World Record. As an actor, he was nominated for an Emmy Award. In 2007, Martin was honored with a star on the Hollywood Walk of Fame, located at 6901 Hollywood Blvd. Martin is ranked among the Greatest Latin Artists of All Time and the Greatest Hot Latin Songs Artists of All Time by Billboard, while his album Vuelve was placed at number five on Billboards Top 20 Latin Albums Of All Time in 2018. In 1998, his song, "Perdido Sin Ti" reached the top of the Latin Pop Airplay chart, displacing Martin's own "Vuelve", making him the first artist on the chart's history to replace himself. His song "Livin' la Vida Loca" became the first number-one song on Billboard Hot 100, which was made entirely in Pro Tools, and achieved the first number one hit for his label, Columbia. It also became the first song in history to top Billboards Adult Pop Airplay, Pop Airplay, and Rhythmic Airplay charts, holding its record as the only song to do so for 14 years. On May 15, 1999, it became the first single ever to rule four different Billboard charts and made Martin the first act to simultaneously scale a pop, Latin, and dance chart. Two weeks later, he became the first artist to simultaneously top the Billboard 200, Hot Latin Tracks, Hot Dance Music/Club Play, Hot Dance Music/Maxi-Singles Sales, Top 40 Tracks, and the Billboard Hot 100. His song "Tal Vez" (2003) marked the first number one debut on Billboard Hot Latin Songs in the 21st century. Martin is the first and only artist with Spanish-language entries on Billboard Hot 100 in three decades. In 2020, he became the first and only artist in history to enter the Billboard Hot Latin Songs chart across five decades, including his work as part of Menudo. The following year, he became the first male Latin artist in history to have 4 songs from different decades to have over 100 million streams on Spotify. He owns the record as the artist with most top 20s on the US Latin Pop Airplay chart, with 51 songs, and is the runner-up of most top 10s. He is the fourth artist with the most number one songs in the history of the Hot Latin Songs chart. Additionally, he holds the record as the most Spanish-language entries on ARIA top 50 singles chart, with three. On October 11, 2007, then-mayor of Miami Beach, Florida David Dermer awarded him the key to the city of Miami Beach. Puerto Rico named August 31 the "International Ricky Martin Day" in 2008. The Government of Spain granted Spanish nationality to Martin in 2011, for being "recognized in different artistic facets". In 2018, in recognition of "his dedication to the island and people of Puerto Rico, his philanthropic work to eliminate human trafficking across the Caribbean, and his commitment to the arts", the singer received a proclamation naming June 7 the "Ricky Martin Day" in New York City. Throughout his career, Martin has sold over 70 million records making him one of the best-selling Latin music artists of all time. In 2020, La Opinión estimated his net worth at US$120 million. Discography Ricky Martin (1991) Me Amaras (1993) A Medio Vivir (1995) Vuelve (1998) Ricky Martin (1999) Sound Loaded (2000) Almas del Silencio (2003) Life (2005) Música + Alma + Sexo (2011) A Quien Quiera Escuchar (2015) Filmography Mas Que Alcanzar una estrella (1992) Hercules – Latin American dub (1997) Idle Hands (1999) Ricky Martin: One Night Only (1999) Minions – Latin American dub (2015) The Latin Explosion: A New America (2015) Ricky Martin: Behind the Vegas Residency (2017) Jingle Jangle: A Christmas Journey (2020) El cuartito (2021) Theatre Les Misérables (1996), Broadway – Marius Pontmercy Evita (2012), Broadway – Ché Tours and residenciesHeadlining tours Ricky Martin Tour (1992) Me Amaras Tour (1993–1994) A Medio Vivir Tour (1995–1997) Vuelve World Tour (1998) Livin' la Vida Loca Tour (1999–2000) One Night Only with Ricky Martin (2005–2006) Black and White Tour (2007) Música + Alma + Sexo World Tour (2011) Ricky Martin Live (2013–2014) Live in Mexico (2014) One World Tour (2015–2018) Ricky Martin en Concierto (2018-2019) Movimiento Tour (2020-2022)Co-headlining tour Enrique Iglesias and Ricky Martin Live in Concert (with Enrique Iglesias) (2021)Residency' All In (2017–2018) See also Honorific nicknames in popular music List of artists who reached number one in the United States List of artists who reached number one on the UK Singles Chart List of Latin pop artists List of multilingual bands and artists List of Puerto Rican Grammy Award winners and nominees List of Puerto Ricans List of Urbano artists Notes References Book sources External links 1971 births Living people 20th-century LGBT people 20th-century Puerto Rican male actors 20th-century Puerto Rican male singers 20th-century Puerto Rican singers 21st-century LGBT people 21st-century Puerto Rican male actors 21st-century Puerto Rican male singers 21st-century Puerto Rican singers American gay actors American gay musicians American humanitarians American male pop singers American male singer-songwriters Columbia Records artists Echo (music award) winners Grammy Award winners Hispanic and Latino American male actors Hispanic and Latino American musicians Latin Grammy Award winners Latin music songwriters Latin pop singers Latin Recording Academy Person of the Year honorees LGBT entertainers from Puerto Rico LGBT Hispanic and Latino American people LGBT Latin musicians LGBT rights activists from the United States LGBT singers from the United States Male actors from San Juan, Puerto Rico Menudo (band) members MTV Europe Music Award winners Naturalised citizens of Spain Puerto Rican activists Puerto Rican expatriates in Australia Puerto Rican expatriates in Mexico Puerto Rican expatriates in Spain Puerto Rican male film actors Puerto Rican male soap opera actors Puerto Rican male television actors Puerto Rican people of Basque descent Puerto Rican people of Canarian descent Puerto Rican people of Corsican descent Puerto Rican people of Spanish descent Puerto Rican philanthropists Puerto Rican pop singers Puerto Rican record producers Puerto Rican singer-songwriters Singers from San Juan, Puerto Rico Sony Music Latin artists Sony Music Spain artists Spanish-language singers of the United States UNICEF Goodwill Ambassadors World Music Awards winners

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What was said if this didnt happen

What was said if following the choreography in Menudo didnt happen?

Ricky Martin

After achieving modest fame in Puerto Rico for his work in television commercials, Martin auditioned for membership in the Puerto Rican boy band Menudo. Although the executives enjoyed his dancing and singing at his first two auditions, Martin was rejected because he was too short. By the third audition, his persistence impressed executives, and in 1984, 12-year-old Martin became a member. A month after joining Menudo, he made his debut performance with the group at the Luis A. Ferre Performing Arts Center in San Juan. During this performance, he inadvertently disobeyed the choreography by walking around the stage, when it was planned that he would stay still, and was chastised by the band manager after the show: "The mistake was such a big deal that from that moment on, never again did I move when I wasn't supposed to move...That was the discipline of Menudo: You either did things the way you were told or you were not part of the group." The song "Asignatura Pendiente" from Almas del Silencio (2003) was inspired by the first time Martin left Puerto Rico to tour with Menudo. Although Martin enjoyed traveling and performing onstage with Menudo, he found the band's busy schedule and strict management exhausting, and later reflected that the experience "cost" him his childhood. He considered leaving the group while on tour in Brazil, but ultimately decided to stay out of fear of media backlash and being sued for breach of contract. Martin also began struggling with his sexuality, noting the stark contrast between his status as a sex symbol and his own emotions. Despite this, Martin acknowledged his "opportunity to have so many amazing experiences with so many amazing people" during his time with the group. He developed an interest in philanthropy when the group became UNICEF ambassadors, often working with impoverished children in third world countries. His experiences as an ambassador affected him greatly and inspired him to continue working with charities later in life. By 1987, Menudo's record sales began to decline, and the group changed its image, adopting an edgier look and performing more rock-influenced songs. The band released the album Somos Los Hijos del Rock in Spanish, and to appeal to the Menudo's Filipino fanbase, the group released In Action, recording songs in both English and Tagalog. After recording 11 albums with the group, Martin left Menudo in July 1989, at age 17, hoping to rest and evaluate his career path. He performed his final show with the group at the same venue where he'd performed his first performance as a member. Martin returned to Puerto Rico to graduate from high school, and 13 days after turning 18, he moved to New York City to celebrate his financial independence; since he was a minor during his time as a member of Menudo, Martin was not allowed to access his own bank accounts. He was accepted into New York University's Tisch School of the Arts, but months before classes began, Martin dropped out and moved to Mexico City to perform in the play Mama Ama el Rock (Mom Loves Rock). CANNOTANSWER

That was the discipline of Menudo: You either did things the way you were told or you were not part of the group.

Enrique Martín Morales (born December 24, 1971), known professionally as Ricky Martin, is a Puerto Rican singer, songwriter, and actor. He is known for his musical versatility, as his discography spans multiple genres, including Latin pop, pop, dance, reggaeton, and salsa. Dubbed the "King of Latin Pop", the "King of Latin Music", and the "Latin Pop God", he is regarded as one of the most influential artists in the world. Born in San Juan, Martin began appearing in television commercials at the age of 9 and began his musical career at age 12, as a member of Puerto Rican boy band Menudo. He started his solo career in 1991 while in Sony Music Mexico, gaining recognition in Latin America with the release of his first two studio albums, Ricky Martin (1991) and Me Amaras (1993), both of which were focused on ballads. Martin's third album, A Medio Vivir (1995), helped him rose to prominence in European countries. The chart-topping single "María", incorporated a mixture of Latin music genres and became his first international hit. His international success was further solidified with his fourth album, Vuelve (1998). The album, which earned Martin his first Grammy Award, spawned chart-topping hits "Vuelve" and "La Copa de la Vida". Martin performed the latter at the 41st Annual Grammy Awards, which was greeted with a massive standing ovation and is known as a game-changer for Latin music worldwide. His first English album, Ricky Martin (1999) became his first US Billboard 200 number one. The lead single "Livin' la Vida Loca" is considered to be Martin's biggest hit, topping both the Billboard Hot 100 and the UK Singles Chart. Martin's success in the late '90s is generally seen as the beginning of the "Latin explosion". He has been credited for getting Latin pop music genre to mainstream recognition, paving the way for a large number of Latin artists to achieve a global success. Martin has since established his status as a sex symbol and a pop icon, releasing several successful albums, including all-time Latin bestsellers Almas del Silencio (2003) and MTV Unplugged (2006), as well as Grammy Award winner A Quien Quiera Escuchar (2015). He has also amassed many successful singles and chart-topper hits, including "She Bangs", "Nobody Wants to Be Lonely", "Tal Vez", "Tu Recuerdo", "La Mordidita", "Vente Pa' Ca", and "Canción Bonita". As an actor, Martin gained popularity and stardom for his role in the hit soap opera General Hospital (1994-1996), while his portrayal of Antonio D'Amico in The Assassination of Gianni Versace: American Crime Story (2018) marked the acting opportunity of his career, garnering him an Emmy nomination. He also starred as Ché in the Broadway revival of the musical Evita in 2012, which broke the theatre's box-office sales record seven times. Having sold over 70 million records worldwide, Martin is one of the best-selling Latin music artists of all time. He has scored 11 Billboard Hot Latin Songs number-one songs, and won over 200 awards (most awarded male Latin artist), including two Grammy Awards, five Latin Grammy Awards, five MTV Video Music Awards (tied for most wins by a Latin artist), two American Music Awards, two Latin American Music Awards, three Billboard Music Awards, nine Billboard Latin Music Awards, eight World Music Awards, fourteen Lo Nuestro Awards, a Guinness World Record, and a star on the Hollywood Walk of Fame. He is ranked among the Greatest Latin Artists of All Time, the Greatest Music Video Artists of All Time, and the Most Influential Latin Artists of All Time by Billboard. His philanthropy and activism focus on LGBT rights and fighting against human trafficking; in 2004, he founded The Ricky Martin Foundation, a non-profit, non-governmental organization that focuses on denouncing human trafficking and educating about the crime's existence. Life and career 1971–1982: Early life Enrique Martín Morales was born on December 24, 1971, in San Juan, Puerto Rico. His mother, Doña Nereida Morales, is a former accountant; his father, Enrique Martín Negroni, is a former psychologist who previously worked as a regional supervisor for a Puerto Rican mental-health agency. His parents divorced when he was two years old, and although his mother had custody of Martin, he could also move freely between his father's house in the middle-class suburb of University Gardens in San Juan, and his paternal grandmother's house nearby. In an interview with People, he told the magazine the he "never had to make decisions" about who he loved more, and he was "always happy". Martin has two older maternal half-brothers, Fernando and Ángel Fernández, two younger paternal half-brothers, Eric and Daniel Martín, and a younger paternal half-sister, Vanessa Martín. Martin has Spanish heritage of Basque and Canarian descent. As he explained to ABC, the Martins traveled from Spain to Puerto Rico in 1779. He also has some Corsican origin through his paternal grandmother. Martin grew up Catholic. The people closest to him called him "Kiki" (a nickname that comes from Enrique). He began singing at age six, using wooden kitchen spoons as make-believe microphones; he often sang songs by Puerto Rican boy band Menudo, as well as English-language rock groups such as Led Zeppelin, Journey, and REO Speedwagon. His mother's side of the family was musically inclined and his maternal grandfather was a poet. Martin later reflected on his time spent with his family as a child: "Every time I find myself in front of an audience, be it twenty people or one hundred thousand, once again I feel the energy that consumed me back at the family gatherings of my youth." He attended Colegio Sagrado Corazón, a bilingual Catholic grade school in University Gardens since fourth grade and was an "average" student there. When he was nine years old, he began appearing in television commercials for products such as soft drinks, toothpaste, and fast food restaurants, most notably Orange Crush and Burger King. In a year and a half, he starred in 11 commercials. 1983–1989: Menudo After achieving moderate fame in his country for his appearances in television commercials, Martin auditioned for membership in Menudo. Formed in Puerto Rico in 1977, Menudo members were usually replaced when they hit 16 in order to keep the band "full of fresh-faced members". Although the executives enjoyed his dancing and singing at his first two auditions, Martin was rejected because he was too short. By the third audition, his persistence impressed executives, and in 1984, 12-year-old Martin became a member. A month after joining Menudo, he made his debut performance with the group at the Luis A. Ferré Performing Arts Center in San Juan. During this performance, he inadvertently disobeyed the choreography by walking around the stage, when it was planned that he would stay still, and was chastised by the band manager after the show: "The mistake was such a big deal that from that moment on, never again did I move when I wasn't supposed to move. That was the discipline of Menudo: You either did things the way you were told or you were not part of the group." Although Martin enjoyed traveling and performing onstage with Menudo, he found the band's busy schedule and strict management exhausting, and later reflected that the experience "cost" him his childhood. Despite this, Martin acknowledged his "opportunity to have so many amazing experiences with so many amazing people" during his time with the group. During his time with Menudo, he became a "key-member of the group" and a "fan-favorite", while the band released 11 albums, including the Grammy-nominated Evolución () (1984) and their highest-charting and longest-running album on the US Billboard 200, Menudo (1985). The former featured Martin's debut single, "Rayo de Luna" () and the latter included the hit single "Hold Me". "Hold Me" became the group's first and only entry on the US Billboard Hot 100 chart, peaking at number 62. It was ranked among the "100 Greatest Boy Band Songs of All Time" by Billboard, the "75 Greatest Boy Band Songs of All Time" by Rolling Stone, and the "30 Best Boy Band Songs" by Complex. Besides the musical career, Martin appeared with other members of Menudo in the American romantic comedy/drama television series, The Love Boat (1985), and the Argentine soap opera, Por Siempre Amigos (1987). He also developed an interest in philanthropy when the group became UNICEF ambassadors, often working with impoverished children in third world countries. His experiences as an ambassador affected him greatly and inspired him to continue working with charities later in his life. Finally, Martin left the band in July 1989, at age 17, hoping to rest and evaluate his career path; he stayed a few extra months after his "age-mandated retirement" came around. He performed his final show with the group at the same venue where he had performed his first performance as a member. Referred to as the "Most Iconic Latino Pop Music Band", Menudo was ranked as one of the Biggest Boy Bands of All Time by Us Weekly in 2021. The group has sold around 20 million records worldwide, and has been acknowledged as the "Most Successful Latin Boy Band of All Time" by Billboard. Martin returned to Puerto Rico to "get a break from the pressures of the group, the promotional tours, and the constant stress of work", but although his parents' divorce had not affected him before, suddenly began to affect him; his parents "began fighting more than ever" and they were forcing him to "choose between the two people in the world" he loved most. As he understood they did this because they loved him and wanted the best for him, he "forgave all of the pain and anger they caused" him. He graduated from the high school, and 13 days after turning 18, he moved to New York City to celebrate his financial independence; since he was a minor during his time with Menudo, Martin was not allowed to access his own bank accounts. 1990–1994: Acting and first solo albums Martin was accepted into New York University's Tisch School of the Arts in 1990, but before classes began, his friend invited him to Mexico City. He attended the musical comedy play, Mama Ama el Rock () there, and was offered to stay and replace one of the actors. He accepted the offer, dropped out the university and moved from New York to Mexico City to perform in the play. While he was performing onstage in Mama Ama el Rock, a producer in the audience took notice of Martin's acting and offered him a role in the Mexican telenovela Alcanzar una estrella () (1990). Martin also joined the cast for the second season of the show, titled Alcanzar una estrella II (1991). A film based on the TV series, titled Más que alcanzar una estrella () (1992), was also produced in which Martin starred, and earned him an El Heraldo Award for his role. A Sony Discos executive noticed Martin's acting in the soap operas and offered him his first solo music recording contract. Eager to record his first solo album and hustled by the executive, Martin signed the contract without reading its conditions and inadvertently signed a deal in which he would only be paid one cent for each album sold! Despite viewing the contract as unfair, Martin referred to the record as "the start of something phenomenal" for him. After working "around the clock" to finish filming Alcanzar una estrella II and recording music, he released his debut solo album, Ricky Martin, on November 26, 1991. The album peaked at number five on the US Billboard Latin Pop Albums chart and spent a total of 41 weeks on the list. It sold over 500,000 copies worldwide, was certified gold in Argentina, Chile, Colombia, Mexico, and Puerto Rico, and spawned his first solo hit singles, "Fuego Contra Fuego" (), "El Amor de Mi Vida" (), and "Dime Que Me Quieres" (). Both "Fuego Contra Fuego" and "El Amor de Mi Vida" reached the top 10 on the US Billboard Hot Latin Tracks, peaking at numbers three and eight, respectively. To promote the album, Martin embarked on a successful Latin American tour, breaking box office records, which the singer referred to as "an indescribable feeling, almost like coming home". After the success of Ricky Martin and its subsequent tour, Martin's record company met him with the Spanish musician Juan Carlos Calderón to work on his second studio album, Me Amaras () (1993). Although Martin felt "very grateful" for the opportunity to work with Calderón, he noted, "I always felt that that record was more his than mine." The album sold over one million copies worldwide and was certified triple-platinum in Chile. In 1994, Martin's agent encouraged him to move to Los Angeles to act in an American sitcom called Getting By. The show was canceled after two seasons, but soon afterward, Martin was given the role of Miguel Morez on the popular hit soap opera General Hospital; Morez, a bartender and singer, known for his long and flowing hair, was a Puerto Rican citizen hiding in the United States from his lover's criminal mastermind father and created a love triangle with his fiancé Lily Rivera and Brenda. Martin portrayed the role for two years and gained huge popularity and stardom, becoming "one of the most-talked about actors on the soap opera". Despite this, Martin felt he lacked chemistry with the rest of the General Hospital cast and observed that people treated him differently because of his Puerto Rican accent. At the time, it was relatively uncommon for Latin actors to appear on American television, and people suggested that he take accent reduction classes, which he refused. 1995–1997: Breakthrough with A Medio Vivir In 1995, Martin refocused on his music career, and began working on his third studio album, A Medio Vivir (). The album was released on September 12, 1995, and became a huge success; it sold over three million copies or even seven million copies worldwide, according to different sources, being certified gold in the United States, platinum in France, 4× platinum in Spain, and 6× platinum in Argentina, as well as many other certifications in Latin American countries. It spawned several successful hits, including "Te Extraño, Te Olvido, Te Amo" (), "María", and "Volverás" (). On "María", which was released as the second single from the album, Martin allowed himself "to go into a very Latin, African sound". He created a mix of different Latin music genres instead of singing a romantic ballad, the style that he focused on it in his first two albums, while Latin pop music in general was mainly made up of it at the time. Although Martin was satisfied with the track and he describes it as a song that he is "extremely proud of", the first time he played it for a record label executive, the man said: "Are you crazy? You have ruined your career! I can't believe you are showing me this. You're finished — this is going to be your last album." Despite this, the track became Martin's breakthrough song and his first international hit. It topped the charts in 20 countries, and has sold over five million physical copies worldwide. As a result, the song was featured in the 1999 edition of The Guinness Book of Records as the biggest Latin hit. It was also the Song of the Summer in Spain in 1996 and was the second best-selling single in the world that year. In Australia, "María" spent six weeks at number one, topped the country's year-end chart in 1998, and was certified platinum. The song also spent nine weeks at number one in France, and was certified diamond. It has sold over 1.4 million copies in France. Additionally, the track reached the top 10 in the United Kingdom, and became Martin's first entry on the US Billboard Hot 100 chart. To promote A Medio Vivir, he embarked on the worldwide A Medio Vivir Tour, that lasted for more than two years, through which he performed 63 shows and visited Europe, Latin America and the United States. During an interview with The Miami Herald in 1996, Martin expressed an interest in performing on Broadway. In a few days, he received a phone call from producer Richard Jay-Alexander, and was offered the role of Marius Pontmercy in the play Les Misérables. After the conclusion of the A Medio Vivir Tour in Latin America, Martin returned to New York to appear in the play in an eleven-week run. He greatly enjoyed the experience, calling his time in the play an "honor" and "the role of [his] life". Martin continued to tour after the conclusion of the show's run, and noted that his audiences were growing in both size and enthusiasm. 1998–1999: Vuelve While the A Medio Vivir Tour had not been concluded yet, Martin returned to the studio to record his fourth album Vuelve (). He called the experience of touring and recording at the same time "brutal and incredibly intense". As he was finishing the record in 1997, "María" caught the attention of FIFA. They contacted Martin and asked him to create a song as the 1998 FIFA World Cup anthem. He stated about the request: "I have to admit that the challenge made me a bit nervous, but the massive growth potential for my career was such that I decided to accept." Following his acceptance, musicians K.C. Porter, Robi Rosa, and Desmond Child joined him and they started working on a song titled "La Copa de la Vida" (English: "The Cup of Life"). Martin wrote about the recording: "La Copa de la Vida" was included as the eighth track on Vuelve, released February 12, 1998, The album became a huge success; it sold over eight million copies worldwide, becoming the best-selling Spanish-language album in history, according to his label. Also, some sources have reported the album's sales as six million copies worldwide. It spent 26 weeks atop the US Billboard Top Latin Albums chart and was certified platinum by the Recording Industry Association of America (RIAA). In Canada, the album peaked at number three and was certified double platinum. Vuelve spawned big hits, including the title track, "La Copa de la Vida", "Perdido Sin Ti" (), and "La Bomba" (). "La Copa de la Vida" grew to be an international success, appearing on the charts in more than 60 countries, and reaching number one in 30 countries, Both "Vuelve" and "Perdido Sin Ti" peaked at number one on the US Billboard Hot Latin Tracks chart; the former also reached number one in On July 12, 1998, Martin performed "La Copa de la Vida" as the official anthem at the 1998 FIFA World Cup Final in France, in front of more than a billion TV viewers around the world. To promote Vuelve, Martin embarked on the worldwide Vuelve Tour; he performed in Asia, Australia, Europe, Mexico, South America, and the United States. Although Latin music was not important to the Recording Academy or the mainstream music industry at the time, Tommy Mottola, then-chief of Columbia Records, was certain about Martin's stardom and pushed hard to have him on the Grammy Awards ceremony. During an interview with Billboard, Mottola told the magazine about it: "There was tremendous resistance from the Grammys. They did not want an 'unknown' to perform, yet we he had already sold 10 million copies of Vuelve worldwide. To me, that was absolutely UNACCEPTABLE." Finally, on February 24, 1999, cavorting with a 15-piece band alongside and a large number of dancers and percussionists, Martin performed a bilingual version of "La Copa de La Vida" at the 41st Annual Grammy Awards, which was greeted with a massive standing ovation and met with acclaim from music critics. At the same night, Vuelve earned Martin his first Grammy award, for Best Latin Pop Performance. After he accepted the award and expressed how important it was to the Latin community, the American singer-songwriter Madonna came on the stage and hugged him. 1999–2000: Crossover to English In October 1998, CNN confirmed that Martin has been working on his first English language album, following the huge success of Vuelve. In April 1999, Billboard revealed the album's title as Ricky Martin in an article, mentioning that the album was initially set for retail on May 25, 1999. However, the huge interest in the disc, following Martin's performance at the Grammy Awards, encouraged Columbia Records to decide to rush the album to release two weeks ahead of schedule, on May 11. Tom Corson, the senior vice president of marketing at Columbia explained: "Quite simply, the market has demanded it. People have been wanting this record for a while, and it's now reached the point where we have to get it out there immediately." Tim Devin, the general manager of Tower Records in New York added about Martin: "He's always been one of our strongest Latin artists, but interest in him has picked up considerably since that performance." Ricky Martin debuted atop the US Billboard 200 with first-week sales of 661,000 copies, according to data compiled by Nielsen SoundScan, becoming the largest sales week by any album in 1999. It also broke the record as the largest first-week sales for any pop or Latin artist in history, as well as any Columbia Records artist during the SoundScan era. With this album, Martin became the first male Latin act in history to debut at number one on the US Billboard 200 chart. It was certified 7× platinum by the Recording Industry Association of America (RIAA), denoting shipments of over seven million copies in the US and breaking the record as the best-selling album by a Latin artist in the country. Only within three months, Ricky Martin became the best-selling album ever by a Latin artist. According to different sources, the album has sold over 15 million copies or even 17 million copies worldwide. It was nominated for Best Pop Album at the 42nd Annual Grammy Awards. The album was supported by four singles; the lead single "Livin' la Vida Loca" () topped the charts in more than 20 countries and is considered to be Martin's biggest hit, and one of the best-selling singles of all time. In the United States, it topped the Billboard Hot 100 chart for five consecutive weeks, becoming Martin's first number one single on the chart. Additionally, it broke several records on Billboard charts. It also spent eight consecutive weeks atop the Canada Top Singles chart and topped the country's year-end chart. In the United Kingdom, it debuted at number one and stayed there for three weeks, making Martin the first Puerto Rican artist in history to hit number one. The track was ranked as the best '90s pop song by Elle, and was listed among the Best Latin Songs of All Time by Billboard. It was nominated for four categories at the 42nd Annual Grammy Awards, including Record of the Year and Song of the Year. Its Spanish version reached the summit of the Billboard Hot Latin Tracks chart in the United States, and was nominated for Record of the Year at the 2000 Latin Grammy Awards. "She's All I Ever Had" was released as the second single from the album in June 1999. It peaked at numbers two and three on the US Billboard Hot 100 and Canada Top Singles charts, respectively. The Spanish version, "Bella" () topped the charts in five countries, as well as Billboards Hot Latin Tracks chart. To further promote Ricky Martin, he embarked on the worldwide Livin' la Vida Loca Tour. In the United States, the Livin' la Vida Loca Tour was the highest-grossing tour of 2000 by a Latin artist, earning over $36.3 million with 44 dates and drawing 617,488 fans. According to Billboard Boxscore, the tour grossed $51.3 million in Canada, Mexico, and the United States, with 60 shows and drawing an audience of 875,151. International dates were not reported to Boxscore and would push the tour's grosses higher. 2000–2005: Sound Loaded, Almas del Silencio, and Life While the Livin' la Vida Loca Tour had not been concluded yet, Martin returned to the studio to record his sixth studio album, Sound Loaded. The album was released on November 14, 2000. It debuted at number four on the Billboard 200 with first-week sales of 318,000 copies, according to data compiled by Nielsen SoundScan. The album has sold over seven million copies or even eight million copies worldwide, according to different sources, being certified double platinum in the US. The album featured two hit singles, "She Bangs" and "Nobody Wants to Be Lonely". The former reached number one in seven countries, including Italy and Sweden, as well as the top five in Australia, Canada, the United Kingdom, and several other countries. It was nominated for Best Male Pop Vocal Performance at the 43rd Annual Grammy Awards. The Spanish-language version of "She Bangs" reached the summit of the Hot Latin Tracks chart and won the Latin Grammy Award for Best Music Video at the 2nd Annual Latin Grammy Awards. "Nobody Wants to Be Lonely" was re-recorded along with American singer Christina Aguilera, peaking at number one in five countries, as well as the top five in Italy, Germany, Spain, and the United Kingdom, among others. It was nominated for Best Pop Collaboration with Vocals at the 44th Annual Grammy Awards. The solo Spanish version, entitled "Sólo Quiero Amarte" topped the Hot Latin Tracks chart. Both "She Bangs" and "Nobody Wants to Be Lonely" are certified silver in the UK. In February 2001, Martin released a Spanish compilation album entitled La Historia (), which spent five weeks at number one on the Top Latin Albums chart, topped the charts in Argentina and Sweden, and was certified quadruple Latin platinum in the United States. Following the success of Ricky Martin and Sound Loaded, he initially planned to release the third English-language album as his seventh studio album, which was supposed to be his first complete work in the field of songwriting. Despite Sony Music Entertainment's original plan, he decided to release a Spanish-language album: "I woke up five months ago, and I said 'We're doing an album in Spanish.' Everyone went nuts. They said, 'You don't have time; you have to release an album in English because of timing issues with your career.' And that's fine. But I told them, 'In five months, you'll have a kick-ass album' [in Spanish]. Martin's seventh studio album, Almas del Silencio () was released in May 2003. It debuted atop the Billboard Top Latin Albums chart with first-week sales of 65,000 copies, according to data compiled by Nielsen SoundScan, breaking the record as the largest first-week sales for a Spanish-language album in the US. The album also debuted at number 12 on Billboard 200, tying the 2002 album, Quizás () as the chart's highest Spanish-language debut. The album also debuted at number one in "at least 13 Latin American markets" and sold over two million copies worldwide. Almas del Silencio spawned three Hot Latin Tracks chart-topper hits: "Tal Vez" (), "Jaleo", and "Y Todo Queda en Nada" (). "Tal Vez" debuted at number one on the Billboard Hot Latin Tracks chart on the week of April 12, 2003, marking the first number one debut since February 1998, and becoming the sixth song overall in the chart's history to do so. It spent a total of 11 weeks at this position, surpassing "Livin' la Vida Loca" as Martin's longest number-one single on the chart, and was the longest-running number one of 2003. It also topped the charts in several Latin American markets. In October 2005, Martin released his third English album, Life. He commented on the album: "I was really in touch with my emotions. I think this album is very multi-layered, just like life is. It's about feeling anger. It's about feeling joy. It's about feeling uncertainty. It's about feeling. And all my emotions are part of this production". To promote Life, Martin embarked on the worldwide One Night Only with Ricky Martin tour. 2006–2012: MTV Unplugged, Música + Alma + Sexo, and Evita Although Martin's team and MTV had discussed an MTV Unplugged for years, but it became more serious after Martin's the One Night Only tour, which featured an acoustic segment. Finally, Martin taped his MTV Unplugged set in Miami in August 2006, performing both romantic ballads and up-tempo tropical dance songs. During the performance, he debuted three new tracks, including "Tu Recuerdo" (), which was released to radio stations as the lead single from his debut live album MTV Unplugged (2006). The album debuted at number one on the Top Latin Albums chart and sold over two million copies worldwide, marking his highest-certified album in Mexico. It won two Latin Grammy awards and was nominated for Album of the Year. "Tu Recuerdo" reached number one in five countries, as well as the Billboards Hot Latin Songs and Latin Pop Airplay charts. The track was certified quadruple platinum in Mexico and was nominated for Record of the Year at the 8th Annual Latin Grammy Awards. The artist then embarked on the Black and White Tour in 2007, including four sold-out shows at the José Miguel Agrelot Coliseum in Puerto Rico. The concerts in Puerto Rico were compiled into his second live album Ricky Martin... Live Black & White Tour (2007). Later that year, he released his first Italian song, "Non siamo soli" () as a duet with Italian singer Eros Ramazzotti. The song debuted at number one in Italy and spent eleven consecutive weeks atop the chart. In January 2011, Martin launched his ninth studio album, Música + Alma + Sexo (). The album debuted at number three on the US Billboard 200 chart, becoming the highest-charting primarily-Spanish language set since Dreaming of You (1995) by American singer Selena. It holds the record as the highest-charting Latin album of the 2010s, and represents the highest-ever chart debut on the Billboard 200 for a Sony Music Latin release. Música + Alma + Sexo also peaked at number one in Argentina and Venezuela, as well as Billboards Top Latin Albums. Its lead single, "Lo Mejor de Mi Vida Eres Tú" (English: "The Best Thing About Me Is You") reached number one on the US Billboard Hot Latin Songs chart and was nominated for Record of the Year, Song of the Year, and Best Short Form Music Video at the 12th Annual Latin Grammy Awards. To promote the album, Martin embarked on the Música + Alma + Sexo World Tour in 2011. In February 2012, he appeared as Spanish teacher David Martinez on the twelfth episode of the third season of the American musical television series Glee, The Spanish Teacher. Martin starred as Ché in the Broadway revival of the musical Evita from March 2012 to January 2013. The show became a hit, breaking the theatre's box-office sales record after only six performances. Sine then, it broke its own record six times and was nominated for Best Revival of a Musical at the 66th Tony Awards. The show's soundtrack album debuted at number one on Billboards cast album chart. 2013–2018: The Voice, A Quien Quiera Escuchar, and The Assassination of Gianni Versace Martin served as a coach on the second season of the Australian singing competition television series The Voice in 2013. In the same year, he released a compilation album, entitled Greatest Hits: Souvenir Edition, which reached number two in Australia, as well as a new single, entitled "Come with Me", which debuted at number three in the country. The artist then embarked on the Ricky Martin Live tour in Australia in October 2013. He continued serving as a coach on both the third and fourth seasons of The Voice Australia in 2014 and 2015, respectively. In 2014, Lars Brandle from Billboard stated in an article: "Through his high-profile slot on The Voice, Ricky's profile in Australia has never been as big as it is right now." On February 25, 2014, Wisin released a song titled "Adrenalina" () from his album El Regreso del Sobreviviente (), which featured Jennifer Lopez and Martin, and became the Univision's 2014 World Cup song. It received commercial success, peaking in the top-five of Bulgaria, Mexico, Spain, and Billboards Hot Latin Songs chart. Its accompanying music video has accumulated over 850 million views on YouTube. Later that year, Martin released his single "Vida" () for the 2014 FIFA World Cup. The song reached the top five in Spain and on the US Hot Latin Songs chart. Also in 2014, he served as a coach on the fourth season of The Voice Mexico, and embarked on the Live in Mexico tour. In February 2015, Martin released his tenth studio album, A Quien Quiera Escuchar (). The album debuted at number one on Billboards Top Latin Albums chart and peaked at number one in Argentina. It won the award for Best Latin Pop Album at the 58th Annual Grammy Awards and Album of the Year at the 1st Latin American Music Awards. The album spawned three Hot Latin Songs top-10 hits: "Adiós" (), "Disparo al Corazón" (), and "La Mordidita" (). "Disparo al Corazón" was nominated for both Record of the Year and Song of the Year at the 16th Annual Latin Grammy Awards. "La Mordidita" experienced huge commercial success, being certified 15× Latin platinum in the United States. Its accompanying music video has received over 1.2 billion views on YouTube. To promote the album, Martin embarked on the One World Tour from 2015 to 2017. He served as an executive producer and a judge on the American singing competition series La Banda (), which premiered in 2015 and 2016 on Univision. The first season was "looking for the next Latin boy band", while the second season was looking for a Latin girl band. The contestants would compete for a recording deal with Sony Music Latin and Syco Music. CNCO, known as the first boy band to make reggaeton, was the winner of the first season. Martin became their manager and produced the band's debut album, Primera Cita () (2016), along with Wisin; the album debuted at number one on Top Latin Albums and featured the hit single "Reggaetón Lento (Bailemos)" (). CNCO opened many dates on One World Tour in 2016. In 2020, Leila Cobo from Billboard compared the group with Menudo, noting: "Not since Menudo had a Latin boy band melted our hearts or made us dance quite like CNCO". On September 23, 2016, Martin released a song called "Vente Pa' Ca" (), featuring Colombian singer Maluma. The song became one of the biggest Spanish-language songs of 2016, reaching number one in seven countries, as well as Billboards Latin Airplay, Latin Pop Airplay, and Tropical Airplay charts. It also reached top five in Spain and on the Billboard Hot Latin Songs, being certified quadruple platinum in Spain and diamond in Mexico. The track was nominated for both Record of the Year and Song of the Year at the 18th Annual Latin Grammy Awards. The accompanying music video has received over 1.75 billion views on YouTube. Martin signed a concert residency, named All In, to perform at the Monte Carlo Resort and Casino in Las Vegas in 2017 and 2018. He portrayed fashion designer Gianni Versace's partner Antonio D'Amico in the FX true crime anthology television series The Assassination of Gianni Versace: American Crime Story, marking "the acting opportunity of his career". The role garnered him a nomination for Outstanding Supporting Actor In A Limited Series Or Movie at the 70th Primetime Emmy Awards. Running from January to March 2018, The Assassination of Gianni Versace received generally favorable reviews and numerous awards and nominations, including three Primetime Emmy Awards, four Creative Arts Emmy Awards, two Golden Globe Awards, two Critics' Choice Television Awards, and a Screen Actors Guild Award. In February 2018, Martin released a song titled "Fiebre" (), featuring Wisin & Yandel. The song was commercially successful in Latin America, reaching number one in Chile, Ecuador, Guatemala, Mexico, and Uruguay. It also reached the summit of the Billboard Latin Airplay and Latin Rhythm Airplay charts. 2019–present: Amici di Maria De Filippi, PausaPlay, and Jingle Jangle: A Christmas Journey At the 61st Annual Grammy Awards, Martin performed "Havana", "Pégate" (), and "Mi Gente" (), alongside Camila Cabello, J Balvin, Young Thug, and Arturo Sandoval, as the opening performance. Martin served as a coach on the eighteenth season of the Italian talent show Amici di Maria De Filippi () in 2019. In the same year, Maluma released a song called "No Se Me Quita" () from his album 11:11, which featured Martin. The song reached number one in Mexico and was certified quadruple platinum in the country. Martin hosted the 20th Annual Latin Grammy Awards in November 2019, along with Roselyn Sánchez and Paz Vega. The artist started recording his eleventh studio album, initially titled Movimiento (), in the second half of 2019, inspired by the 2019 political protests in Puerto Rico. He embarked on the Movimiento Tour in 2020. Because of the COVID-19 pandemic and subsequent personal experiences, he decided to split the tour's associated album in two extended plays, Pausa () and Play; the former was released in May 2020, while the latter is set to release as his eleventh studio album. Pausa was nominated for Album of the Year and won the award for Best Pop Vocal Album at the 21st Annual Latin Grammy Awards. The second single from the EP, "Tiburones" () reached number one in Argentina and Puerto Rico, and was also nominated for Song of the Year at the 21st Annual Latin Grammy Awards. Martin starred as the voice of villainous miniature figure Don Juan Diego in the American Christmas musical fantasy film Jingle Jangle: A Christmas Journey. The film was released on Netflix on November 13, 2020, and received generally favorable reviews. In April 2021, Martin released his hit single "Canción Bonita" () with Colombian singer Carlos Vives, which experienced huge commercial success in Latin America, reaching number one in 12 countries. It was also nominated for Song of the Year and Best Pop Song at the 22nd Annual Latin Grammy Awards. Later that year, he released "Qué Rico Fuera" () with Chilean-American singer Paloma Mami, as the lead single from Play. The song peaked at number one in four countries, as well as the top 10 on Billboards Latin Pop Airplay. In the same year, he embarked on his first co-headlining tour, the Enrique Iglesias and Ricky Martin Live in Concert alongside Spanish singer Enrique Iglesias. Artistry Influences As a child, Martin used to sing songs by Menudo and American rock bands such as Led Zeppelin, Journey, and REO Speedwagon, which were what his "older siblings were listening to at the time". While Martin and his brothers spent their time listening to classic rock, their mother would interrupt them to make them listen to Latin music. She brought him CDs of Fania All-Stars, Celia Cruz, El Gran Combo de Puerto Rico, and Gilberto Santa Rosa that slowly made him appreciate the richness of Puerto Rican culture. Also, she once took them to a Fania All-Stars concert, which Martin is "beyond grateful" for it. He expresses that thanks to her mother, those influences had a "profound effect" on his musical career. Martin has also cited Elvis Presley, the Beatles, Michael Jackson, and Madonna for teaching him "the beauty of pop". He stated about Madonna: "I was very influenced by her and her music. I know every choreography of Madonna." Additionally, he mentions Carlos Santana, José Feliciano, Celia Cruz, and Gloria Estefan as the artists who paved the way for him, naming Feliciano as one of the people who inspired him when he was a teenager: "I was always fascinated with his music." In addition to the musical influences, Martin is inspired by David Bowie's "ambiguous sexuality". While growing up, he used to ask himself if he wanted to be like the openly gay singer Elton John or he just liked him, admiring his music, colors, and wigs. Musical styles and themes Considered to be a versatile artist, Martin describes his music as Latin pop, saying: "When you say 'Latin pop', the spectrum is so broad, It's inevitable to not be influenced by everything that’s happening in the industry, but always keeping your identity firm by knowing who you are." He has also described his music as fusion, while noting that he does not "ride the waves that are in fashion at the moment". Music critics have described his songs as Latin pop, pop, dance, ballad, reggaeton, Latin, African, rock, salsa, flamenco, urban, samba, cumbia, merengue, rumba, Latin funk, bomba, batucada, vallenato, dancehall, mambo, Europop, house, disco, EDM, dance-pop, electro, techno, dubstep, world music, Middle Eastern, folk-pop, bossa nova, pop rock, soft pop, soft rock, R&B, gospel, jazz, trap, hip hop, doo-wop, ska, and rock' n' roll. Martin sings in Spanish, English, Portuguese, Italian, and French. About his lyrics, Martin has emphasized that although his music will always make the listener dance, it does not mean his lyrics "have to be meaningless" and he sings about love and heartbreak, as well as "things that are good for a society", such as "freedom, freedom of expression, and social justice". He has also declared that as a Latino, he is not afraid of sexuality and sings about sexuality and sensuality, bringing his culture with him onstage. Voice Martin possesses a dramatic tenor vocal range. Peter Gilstrap from Variety commented that his "powerful voice" is "capable of belt or lilt", while The Jerusalem Posts Noa Amouyal described his voice as "soulful" and "very powerful". In 1995, Enrique Lopetegui of the Los Angeles Times noted Martin's "improved vocal skills" on A Medio Vivir. Also from the Los Angeles Times, Ernesto Lechner later praised his vocal for being "charismatic enough to handle both ballads and up-tempo tunes". Similarly, Billboards Chuck Taylor expressed "She's All I Ever Had" boasts "a versatility that contrasts nicely" with Martin's previous single, "Livin' la Vida Loca", labeling his vocal on the former "tender and heartfelt". Steve Gerrard of the Montreal Rocks complimented "his vocal maturity" on A Quien Quiera Escuchar. Music videos and performances Billboard labeled Martin "a video icon", and ranked him as the 79th Greatest Music Video Artist of All Time in 2020, stating: "From the moment he sashayed up to the mic in 'Livin La Vida Loca' all dressed in black, and gave us that look, the Menudo alum became the most memorable and watchable drop-dead handsome guy in pop music." He has collaborated with various directors to produce his music videos, including Carlos Perez, Wayne Isham, Jessy Terrero, Simón Brand, Gustavo Garzón, Nigel Dick, Kacho Lopez, and Memo del Bosque. "Livin' la Vida Loca" was nominated for Video of the Year at the 1999 MTV Video Music Awards, making Martin the first Latin artist in history to receive a nomination in this category. It won two primary awards for Best Pop Video and Best Dance Video, and was voted three additional awards in the International Viewer's Choice categories, making it rank among the videos with most wins in the history of the MTV Video Music Awards. The explicit sexual scenes of the music video for "She Bangs" were met with criticism from the audience; several American television stations cut the scenes when airing the video. According to the Daily Records John Dingwall, with the visual, Martin ditched his teen idol image by transforming to a more mature one. It was consequently banned in several Latin American countries, such as the Dominican Republic. Martin told MTV News that the video represented freedom rather than his sexuality. The video was awarded Best Music Video at the 2nd Annual Latin Grammy Awards, Best Clip of the Year — Latin at the 2001 Billboard Music Video Awards, and Video of the Year at the 13th Lo Nuestro Awards. Martin has been noticed for "dance moves of his own" and his "bon-bon shaking dance moves". Carol Sandoval from VIX named him the "best dancer on any stage worldwide", highlighting his hips movement and "successful turns". He was ranked as the ninth best male dancer by the Evening Standard and the tenth Male Singer Who Can Dance by WatchMojo, being the only Latin entertainer on both lists. Writing for The Hollywood Reporter, Scott Feinberg introduced Martin as "an incredible dancer". Billboards Jessica Roiz labeled him "a true showman", noting his "many outfit changes", "various dance performances", and "different stage set for each song". Jon Pareles of The New York Times described him as "an all-around showman" and Varietys Peter Gilstrap called him "every inch the showman", both recognizing his vocal abilities, while the former also commented he is "a dancer as muscular and hard-working as anyone in his troupe", mentioning his "likable, good-hearted character" and "steadfast Puerto Rican pride". Music critics have mostly praised his concerts for the choreographies, video screens, visual effects, stage, Latin influences, and Martin's vocals, costume changes, energy, sensuality, dance moves, and gestures, while the quality of sounds and sound mixes have received mixed reviews. Billboards Marjua Estevez described Martin's performance of "La Copa de la Vida" at the 41st Annual Grammy Awards as "the most memorable Latin performance at a Grammy Awards show", and the publication ranked it as the 54th Greatest Award Show Performance of All Time on their 2017 list. The performance was additionally placed on a 2017 unranked list of "Top 20 Best Grammy Performances of All Time" by Gold Derby, and on a 2019 list of "The Most Unforgettable Grammys Performances of All Time" by InStyle. Public image Martin became a teen idol with his debut as a member of Menudo, and a pop icon following global fame as a solo artist. Journalists have written about his humble personality and "beautiful soul". Writing for The Hollywood Reporter, Scott Feinberg introduced Martin as "one of the most acclaimed and admired creative artists ever". La República staff described him as "one of the most admired and desired singers", while authors of ¡Hola! described him as "one of the most respected Latin stars in the world", "one of the most prodigious voices in music in Spanish", and "one of the most beloved talents in the entertainment industry worldwide". Also from ¡Hola!, Cristina Noé named him "one of the most loved artists in the world", while a writer of Clarín named him "one of the most applauded Latin singers on the planet". Metro Puerto Rico stated that he "raised the name of Puerto Rico internationally". He was ranked as one of the top-10 "emerging personalities" of 2010 by Google Zeitgeist. In 2014, Gay Star News referred to Martin as "the most famous Latin pop star in the world", while Variety described him as "Puerto Rico's arguably most famous son" in 2021. He is ranked as the second-most famous Latin music artist in the United States, according to YouGov surveys in 2021. During the 2000s, Martin was known for "guarding his private life" and being "uncomfortable discussing intimate aspects of his personal life"; he used to insist on asking public to focus on his music and "steered interviewers away from his personal life". However, he chose to live both his "professional and personal life", making his private life public since the early 2010s. In 2021, he went on the cover of People with the title "No More Secrets" and told the magazine that he is "a man with no secrets", stating that he is "more comfortable in his own skin than ever before". Martin is one of the most followed celebrities on social media, with accounts on Instagram, Twitter, Facebook, YouTube, and TikTok. He stated about social media that he wishes he had "something as powerful as" them since his debut: "Obviously I like to have direct contact with the public, with the media. It's extremely important, but today, from my home, I can talk to millions of people and see their immediate reaction." He is noticed for his friendly interactions with his fans, who are called "Sexy Souls". Wax statues of Martin are on display at the Madame Tussauds wax museums in San Francisco, Sydney, and Orlando. The last one was moved from Las Vegas to Orlando for the opening of the museum in spring 2015. Fashion Martin is considered to be a sex symbol, and journalists describe him as "the Latin heartthrob". His fashion and style evolution, from "as '80s as you'd expect" during his time with Menudo to "a style groove, often opting for sharp, tailored suits with clean lines" since 2009, has been noticed by the media. Natalia Trejo from ¡Hola! described him as "one of the most stylish Latin men in the entertainment industry", highlighting his "baggy leather pants", "tailored suits", and "color-block blazers" that have marked "some of the noteworthy trends of each decade". The reviewer also commented that Martin is "an example of mixing business with casual" and has "always had a personal sense of style". JD Institute of Fashion Technology views Martin as a fashion icon, praising him for "pushing the fashion boundaries with every new look". In 1997, he went on the cover of People en Españols first edition of 25 Most Beautiful; he has since "been a constant presence" on their 25 or 50 Most Beautiful lists. Two years later, he was featured on the cover of both Rolling Stone and Time magazines. Martin is considered to be one of the sexiest men in the world, according to various publications. In 2012, he was voted the sexiest man alive on Broadway.com. The following year, VH1 ranked him as the 28th Sexiest Artist of All Time, stating: "Ricky looks like the model in the magazine ads you stare at in awe thinking, 'There's no way he's that perfect in person'." In 2014, Entertainment Tonight listed him among the Sexiest Men Alive, while Revista Estilo placed him on the list of "the 10 Sexiest Singers" in 2016. He was ranked at number 16 on the list of "the 50 Hottest Men of All Time" by Harper's Bazaar in 2018, being the only Latin man on their list. In 2019, TN described Martin as "the sexiest man in the world". He has been noted for looking younger than his age, with Billboards Chris Payne labeling him "ageless". The singer has attended several fashion shows, including the Giorgio Armani show at Milan Fashion Week in 2011, the Marc Jacobs show in 2013, the Berluti menswear spring-summer 2020 show at Paris Fashion Week, the Dior men's pre-fall 2020 show, and the Virgil Abloh Spring-Summer 2022 show held by Louis Vuitton. Personal life Sexual orientation and early relationships According to an interview with Rolling Stone in 1999, Martin experienced his first kiss at age 13 and lost his virginity at age 14 in Argentina. In 1990, shortly after he had arrived in Mexico to star in Mama Ama el Rock, he met a woman, who was the host of a television show. They began dating quickly and broke up a few months later. In 1992, he fell in love with Mexican singer Alejandra Guzmán, who was separated from her husband at the time. They began dating together until Guzmán returned to her husband and pretended Martin was her assistant on a phone call, while she was sleeping with her husband. In an interview with Univision, Martin admitted that she broke his heart. In the same year, Martin was rumored to have a relationship with Argentine tennis player Gabriela Sabatini. Sabatini's sister-in-law, Catherine Fulop confirmed the rumor in 2020. During the time he was playing in General Hospital, he met a "very handsome" man at a radio station, "stopped fearing [his] sexuality", and started dating him. Martin's mother supported him when she discovered that he was in love with a man, saying: "I love you, my son, I'm so happy for you. Bring it on. I'm right behind you." However, after the relationship ended, Martin "locked [his] feelings even deeper inside" and began dating women again. He recalls: "I already felt it was hard to be a Latino in Hollywood; what could have been more difficult than being Latino and gay?" Martin began dating Mexican television host Rebecca de Alba in 1994; they were in an on-and-off relationship until 2005. In May 2021, Alba revealed that she became pregnant several times in her life, but lost all of the embryos, expressing that one of them belonged to Martin. Martin also had relationships with Lilly Melgar, Adriana Biega, Maital Saban, and Inés Misan during his break-up times with Alba in the late 1990s and early 2000s. He declared that "there was chemistry with them" and he "wasn't fooling anyone". In August 2008, Martin became a father to twin boys named Matteo and Valentino, born via gestational surrogacy. He explained that he chose surrogacy to become a parent for being "intriguing and faster" than adoption, which was complicated and could take a long time. In March 2010, Martin publicly came out as gay via a message on his website, stating: "I am proud to say that I am a fortunate homosexual man. I am very blessed to be who I am." Years later, he revealed that although his music was "heard all over the world" and he "could high five God" in 1999, he "wasn't living to the fullest" and was sad and depressed. He kept asking himself, "Am I gay? Am I bisexual? Am I confused? What am I?", explaining: "Sexuality is one complicated thing. It's not black and white. It's filled with colors. When I was dating women, I was in love with women. It felt right, it felt beautiful." In an interview with Vanity Fair, he declared: "There was love, passion. I do not regret anything, any of the relationships I lived, they taught me a lot, both men and women." Martin also told Fama!: "I know that I like both men and women, I'm against sexual labels, we are simply human beings with emotional and sexual needs. I like to enjoy sex in total freedom, so I'm open to having sex with a woman if I feel desire." Despite this, he expressed that he wouldn't be interested in "an ongoing relationship with a woman", stating: "Men are my thing". In 2000, American broadcast journalist Barbara Walters asked Martin about his sexuality on national television: "You could stop these rumors. You could say, 'Yes I am gay or no I'm not.'" In 2021, Martin, who answered with "I just don't feel like it" at the time, revealed that her question made him "felt violated", since he "was just not ready to come out" and was "very afraid"; he said that it resulted "a little PTSD" that "still haunts him". Martin dated Puerto Rican economist Carlos González Abella from 2010 to 2014, as his first relationship with a man after his coming out as gay. Marriage Syrian-Swedish painter Jwan Yosef shared a photo of himself and Martin on Instagram on March 30, 2016, with the caption: "Obviously we're starting a band." Soon it was rumored that Yosef is Martin's new boyfriend. Martin confirmed their relationship on April 18, 2016, and they made their red carpet debut as a couple at the amfAR Inspiration Gala. Martin later revealed that he met Yosef on Instagram and they "were talking for like six months without [him] hearing his voice". Subsequently, Martin went to London, where Yosef were living, and they met each other. On November 15, 2016, during an interview on The Ellen Show, he announced that he has proposed to Yosef and they are engaged. In January 2018, Martin confirmed that he has secretly married Yosef: "I'm a husband, but we're doing a heavy party in a couple of months, I'll let you know." On December 31, 2018, they announced that they have welcomed their first daughter together, named Lucia Martin-Yosef. Martin later explained that Lucia was born on December 24, coinciding with his 47th birthday. In September 2019, while accepting an award at the 23rd annual Human Rights Campaign (HRC) National Dinner, he announced that they are expecting their fourth child. On October 29, 2019, he shared a photo of himself, Yosef, and their new-born son, named Renn Martin-Yosef, with the caption: "Our son Renn Martin-Yosef has been born." Beliefs and religion During an interview with People in 2002, Martin expressed that he believes in "love", "the power of healing", and "God", thanks to his parents. The name he chose for his son Matteo means "gift from God". According to his statements in a 2021 interview, he still believes in God. He was raised Catholic but he said is not "the person who would ever look down upon one religion". He expressed that he also admires and likes Buddhist philosophy, but does not subscribe to the religion, since if he does, he cannot "be of anything else"; he does not want to be limited in certain aspects and follow a religion's specific rules. He tries to remain "open to everything" and makes "a concerted effort to always find new teachings and new paths" everywhere he goes and in every situation he finds himself in. Martin believes that everyone can "decide what makes them happy" and although "everyone needs to accept the life they were given", it does not mean they "should not live it as fully as possible". Health and sports Martin began practicing yoga after a trip to Thailand in 1997. He also began practicing meditation following a trip to India. In 2021, he explained that he gets up every morning at 5:30, before his family and puts himself in a lotus position and oxygenates his body. He also expressed that has a gym in his house, saying: "If I have space to see myself in the mirror and put on my products, then I also have to have space for my body." During an appearance on The Dr. Oz Show in 2017, Martin revealed that he "was diagnosed with high cholesterol" at age 18. Although he did not pay attention to the high cholesterol at the time, it made him decide to become a vegetarian since 2013 to reduce cholesterol, despite loving meat as "a Latin man". In 2020, he opened up that he suffered from anxiety for the first time in his life, following the COVID-19 lockdowns, stating that making music became his "medicine". Real estate In March 2001, Martin purchased a 7,082-square-feet house in Miami Beach for $6.4 million; he sold the unit for $10.6 million in 2005. In September 2004, he paid $11.9 million for a 11,000-square-feet Mediterranean-style villa in Los Angeles, which he sold in 2006 for $15 million. In May 2005, he purchased a 9,491-square-feet house in Miami Beach for $10 million; he sold the villa for $10.6 million in 2012. In 2007, he paid $16.2 million for a mansion in Golden Beach. He sold the property in 2012 for $12.8 million, incurring a loss. In the same year, he bought a 3,147-square-feet condominium in New York City for $5.9 million; he sold the condo for $7.1 million in 2017. In 2014, he rented a 900-square-metre mansion in Sydney, which became famous as "the Bronte Wave House" and was sold for $16 million in May 2015, marking one of the most expensive properties sold in the city that year. In December 2016, he purchased a 11,300-square-feet mansion in Beverly Hills. The estate, which is Martin's current house, has seven bedrooms and eight bathrooms with outdoor seating areas scattered throughout a 33,000-square-feet. It is a "private getaway in the middle of the city", located up the street from the Beverly Hills Hotel. Martin also owns a property in Puerto Rico and a private 19.7-acre island in Brazil. He purchased the latter for $8 million in 2008. Legacy and influence Martin has been regarded as the "King of Latin Pop" by various publications, such as the Grammy Awards, Billboard, Rolling Stone, Time, People, Vogue, The Independent, Entertainment Weekly, Entertainment Tonight Canada, NBC News, and ABC News. Additionally, he has been referred to as the "King of Latin Music", the "Latin Pop God", the "Latin King of Pop", the "Latin American King of Pop", the "Latin King", the "Crossover Latin King", the "Puerto Rican Pop King", the "Salsa-Pop King", and the "King of World Cup". Martin is known as one of the most influential artists in the world. Billboard ranked him as one of the 30 Most Influential Latin Artists of All Time, while NBC News introduced him as an "influential Latin celebrity". In 2014, he won the award for the most influential international artist at the 18th China Music Awards. He was ranked among "25 musicians who broke barriers" by Stacker in 2019, while in 2020, Spin ranked him at number 27 on the list of "most influential artists of the past 35 years", as the only Latin artist on their list. In 2022, Show News named him "the most influential global artist in history". Martin's song "María (Pablo Flores Remix)", which was ranked among the "Greatest Latin Pop Song of All Time" by Rolling Stone, and "11 remixes of classic Latin hits" by Billboard, "launched the Latin and dance music crossover of the '90s", according to the latter. Olivier Pérou from Le Point commented that "some have even learned, thanks to him, to count to three in Spanish" following the popularity of the song. "La Copa de la Vida", which has been hailed as the Best World Cup Anthem of All-Time by multiple sources, became a "musical template" for World Cup anthems, and Martin's Latin and dance crossover style has been much copied in the anthems, as well as soccer chant "Ole! Ole! Ole!" in the lyrics, according to The Hollywood Reporter. As believed by Esquire, the song "inaugurated this musical subgenre" of Latin. Joy Bhattacharjya from The Economic Times wrote about "La Copa de la Vida" that it was the first World Cup anthem to have a video just "as ubiquitous as the song", going on to write: "Since then, official songs have an important part to play in every World Cup." In his review for Pitchfork, Corban Goble wrote that if World Cup anthems someday would be "given their own textbook", "La Copa de la Vida" would be "the standard-bearer for the whole genre". Martin is known as the pioneer in getting Latin pop music genre to mainstream recognition. Following his performance of "The Cup of Life" at the Grammys, and the success of "Livin' la Vida Loca" and Ricky Martin (1999), he opened the gates for many Latin artists such as Jennifer Lopez, Shakira, Christina Aguilera, Marc Anthony, Santana, and Enrique Iglesias who released their crossover albums and followed him onto the top of the charts. His performance of "The Cup of Life" at the Grammys not only changed the course of his career, but also altered how people regard Latin music in America. It has been known as a game-changer for Latin music worldwide, that effectively ushered in the "Latin explosion". Then-United Talent Agency head Rob Prinz described the rendition as "the single biggest game changing moment for any artist in the history of the Grammys". According to Billboard, it has been cited as the beginning of the "Latin Pop invasion", which powerfully affected the US mainstream. Jesús Triviño Alarcón from Tidal Magazine stated, "that single performance opened up the mainstream market for the Latinx legends", mentioning the names of Anthony, Shakira, and Lopez. InStyle staff wrote about it: "With his leather pants, big smile and energetic performance of 'The Cup of Life', Ricky Martin almost personally kicked off the so-called Latin Explosion of the late '90s." Mariana Best of San Antonio Express-News commented that the performance "is recognized for bringing Latin pop to the forefront of the U.S. music scene". In 2018, Diego Urdaneta from Vice credited the song as "one of those that laid the first stones so that J Balvin and Bad Bunnys of today can be at the top of the pyramid", labeling it "a milestone for Latin music". According to Entertainment Tonight, "Livin' la Vida Loca" paved the way for a large number of other Latin artists, and is "credited as the song that helped other Latin artists break through to English-speaking markets". As believed by Spin, the song "lit the fuse for the Latin pop explosion of the '90s". Lucas Villa from Spin wrote about it: "When the world went loca for Ricky, he led the way for other Latin music superstars like Spain's Enrique Iglesias, Colombia's Shakira and Nuyoricans like Jennifer Lopez and Marc Anthony to make their marks beyond the Spanish-speaking crowds." He also described Martin as "a trailblazer in globalizing Latinx culture" in his Grammy.com article. Also from Grammy.com, Ernesto Lechner described "Livin' la Vida Loca" as "the manifesto for all the fun-loving, tropically tinged Latin hit singles that followed", stating that Martin led "the Latin music explosion that took over the U.S. at the tail end of the '90s". According to The Independent, the single is "widely regarded as the song that began the first Latin pop explosion". Peoples Jason Sheeler credited it as the song that "led the way for the late-'90s so-called 'Latin explosion' that dominated pop music into the new century: Shakira, Enrique Iglesias, Marc Anthony, and Jennifer Lopez". Angie Romero from Billboard wrote: "If you look up 'crossover' in the dictionary, there should be a photo of Ricky shaking his bon bon and/or 'Livin' la Vida Loca'." Leila Cobo named "Livin' la Vida Loca" one of the genre's biggest singles of the past 50 years in his 2021 book Decoding "Despacito": An Oral History of Latin Music. She also wrote about his impact in Shakira's "Whenever, Wherever" chapter: "Ricky Martin’s phenomenal success opened the door for a string of Latin artists who waved the flags of their heritage, but who sang in English." Additionally, she compared Martin's song with Luis Fonsi's "Despacito" (2017) in one of her Billboard articles: "'Livin', like 'Despacito', became not just a global hit but a cultural phenomena that transcended all barriers of language and nationality." In another article, she described it as the song that "ignited the late-'90s Latin explosion". Also from Billboard, Gary Trust wrote: "The song helmed a Latin pop boom in the U.S., with Jenner Lopez, Marc Anthony and others crossing over, as well." Writing for LiveAbout.com, Bill Lamb credited the song as "the record which kicked off a wave of major Latin performers hitting the pop mainstream". Jim Farber from Daily News noted that Ricky Martin "provides a textbook example of how to mix Latin beats with pop tunes and rock intonations". St. Louis Post-Dispatch critic Kevin C. Johnson described Martin as Latin music's "pretty-faced poster boy" who is "taking the music to places Jon Secada, Selena and Santana never could". He also mentioned that even "Gloria Estefan at her peak, failed to muster up the kind of hype and hoopla surrounding Martin". Celia San Miguel of Tidal Magazine stated that Martin "highlighted the public's thirst for a different kind of pop" in 1999, noting the album's "fusion-heavy" and "hip-shaking rhythms associated with Latin music". She mentioned that the album "spawned 1999's Latin music boom", emphasizing the fact that Martin created the "spark" of the "Latin Pop Explosion", which was followed by 1999 albums, On the 6 by Lopez, Enrique by Iglesias, and Anthony's eponymous album. She continued crediting "Martin and the paths he created" responsible for the Latin music and Spanish and Spanglish lyrics being "a commonplace phenomenon on English-language radio" in 2019. In her review for Grammy.com, Ana Monroy Yglesias said Martin led a "major music moment in 1999" with Ricky Martin, and along with him, "the first major boom of Spanish-language artists", such as Shakira and Lopez, came into the "U.S. pop landscape". The late '90s Latin explosion also resulted in the launch of the Latin Recording Academy. Gabriel Abaroa Jr., the president and chief executive officer of the Latin Recording Academy, expressed that the plan of its launch was "immediately after the Ricky Martin success". Cuban American musician and producer Emilio Estefan added: "After the success with Ricky Martin, everybody opened their eyes and realized how important it was to bring diversity and multiethnic elements into [mainstream American] music." Many artists have cited Martin as an influence or declared themselves as his fan, including Abraham Mateo, Bad Bunny, Camila Cabello, Camilo, Carla Morrison, Christian Chávez, CNCO, Danna Paola, Enrique Iglesias, J Balvin, J-Hope, Jimin, Karol G, India Martínez, Luis Fonsi, Maite Perroni, Maluma, Neha Mahajan, Pedro Capó, Prince Royce, Rauw Alejandro, Rosalía, Sebastián Ligarde, Sebastián Yatra, Shakira, Tini, Vadhir Derbez, William Hung, Wisin, and Ximena Sariñana. Both Maluma and J Balvin have described Martin as a "teacher" and credited him as an artist who "opened the doors" for them, while Maluma has also expressed: "Ricky Martin is one of the artists I wanted to be growing up. He's my idol in the industry".Citations regarding J Balvin's statements about Martin: Puerto Rican singer Bad Bunny talked about Martin's legacy during an episode of Behind the Music: "There's no doubt that he opened the door for an entire generation of Latin artists. I am doing great things today in the music industry thanks to those doors that he opened." He also mentioned that he is inspired by Martin's coming out as gay: "You don't have to be gay to be inspired by that action of honesty and freedom, of being yourself against the world despite everything you deserve. I look at it like a very inspiring moment for anybody. At least for me, it's very inspirational." Brazilian singer-songwriter Anitta explained to The Guardian that "some Latin stars such as Maluma and Bad Bunny sing in their native language" and do not need to sing in English to get noticed, because they already had representatives like Shakira, Martin, and Jennifer Lopez, but since her country "hasn't had a major international pop star before", she uses "whatever language will get the market's attention". Portrayal in television In July 2019, SOMOS Productions, Endemol Shine Boomdog, and Piñolywood Studios announced the production of a biographical web television series about Menudo, titled Subete a Mi Moto. Consisting of 15 episodes of 60 minutes each, the series premiered on Amazon Prime Video on October 9, 2020 in Mexico, Latin America, and Spain. It was filmed in Mexico and Puerto Rico, and Martin was portrayed by actors Felipe Albors and Ethan Schwartz. The series premiered in the United States on February 14, 2021 on Estrella TV. On the review aggregation website Tomatazos, the first season has a positive score of 75%. The website's critical consensus summary states, "A good trip to the past that recalls a band that defined the youth of a certain public, but that doesn't ignore the darkest moments in the lives of its members." Other ventures Books On August 19, 2010, Martin announced that he had been working on his memoir, mentioning its title as Me and publish date as November 2, 2010. He expressed that writing the book was "one of the reasons" he decided to come out earlier that year. The book also had a Spanish edition title Yo (), which was published simultaneously by Celebra. He stated that writing his memoir allowed him "to explore the different paths and experiences" that have led him to be who he is, noting that it "was not easy but allowed for an incredible spiritual journey". Me spent several weeks at number one on the New York Times Best Seller list. In 2019, ¡Hola! staff ranked the book among "12 Books by Celebrities to Inspire and Motivate You", while Book Riot placed it on an unranked list of the "Best Celebrity Books You Should Read This Year" in 2020. Martin's first children's book Santiago the Dreamer in Land Among the Stars was published by Celebra and illustrated by Patricia Castelao in November 2013 for ages between five to nine. Its Spanish-language edition, Santiago El Soñador en Entre Las Estrellas, was published simultaneously. Martin expressed that the book was inspired by his "personal life, with fantasy added to it", as well as "a lot of cartoons". Products and endorsements Martin endorsed the 2012 Viva Glam campaign with Trinidadian rapper Nicki Minaj, which raised $270 million for the Mac AIDS Fund. In October 2020, Martin announced that he would launch his company, Martin Music Lab in partnership with music engineers Jaycen Joshua and Michael Seaberg. The company is centered around a new audio technique called "Orbital Audio", that "creates a new type of immersive, headphone listening experience". Martin used the technique on his EP Pausa, while several artists including Bad Bunny, Residente, Myke Towers, and A$AP Rocky are going to work with the company. The latter plans to release his whole upcoming studio album, using "Orbital Audio". Martin is going to expand the technique "beyond the music industry and tap into the movies, sports and, most notably, the wellness and meditation space". In 2021, Martin partnered with skin care company Kumiko. The skincare line, created by Chilean cosmetologist Catalina Aguirre, is the first to combine "mesotherapy, matcha, and cutting-edge European technology into unique multi-action formulas that penetrate the dermis with powerful anti-aging properties and lifting benefits". Activism Philanthropy While on a trip to India in 2002, Martin witnessed three minor girls who were about to be sold into prostitution and rescued them. The following year, he became a UNICEF Goodwill Ambassador and then met with activists and decided to fight against human trafficking, which is the second-most lucrative crime in the world. In 2004, Martin launched the Ricky Martin Foundation, a non-profit, non-governmental organization that focuses on denouncing human trafficking and educating about the crime's "existence through research and community initiatives, anchored in the defense of children and youth rights". In the same year, he appealed to the United Nations for international help to fight against sex tourism. In January 2005, following the 2004 Indian Ocean earthquake and tsunami, Martin visited Thailand to assess the needs of the minor survivors who were "extremely vulnerable to traffickers". Later that year, the Ricky Martin Foundation signed an alliance in partnership with Habitat for Humanity to construct 224 homes for the tsunami-affected families. The project was completed in December 2006. In March 2006, the foundation collaborated with the International Organization for Migration in the Llama y Vive () campaign, which focuses on facilitating "the prevention of human trafficking and the protection of young people, victims of child trafficking and prosecution of traffickers". In January 2010, along with many celebrities, Martin operated the charity telethon Hope for Haiti Now to raise donations for the 2010 Haiti earthquake. Later that year, the Ricky Martin Foundation created the first program of community social action against child trafficking in Martin's native Puerto Rico, titled "Se Trata" (). In 2012, the foundation participated in the making of the Child Protection Model Law on the International Centre for Missing & Exploited Children. In 2016, Martin visited Syrian refugees in Lebanon and played with the children and talked to them in an informal refugee camp. Following the Hurricane Maria in Puerto Rico in 2017, the Ricky Martin Foundation helped people and handed over homes that were rebuilt after the losses; Martin launched a viral campaign of selling a black T-shirt with the Puerto Rican flag stamped on it in order to raise the funds. The T-shirts were designed by Martin's twin boys Matteo and Valentino, while many celebrities including Will Smith, Bad Bunny, Marc Anthony, Luis Fonsi, and Maluma supported the campaign. During the COVID-19 pandemic, Martin created a campaign to help health care workers through the non-profit organization Project Hope. He expressed: "As you know, health care professionals are extremely vulnerable and professionals around the world don’t have personal protection equipment they need to prevent them getting infected." In February 2021, Martin collaborated with Antonia Novello to launch mass vaccination events in Puerto Rico. Following the murder of George Floyd and Black Lives Matter protests in 2020, Martin honored an effort called "Black Out Tuesday" and launched the hashtag #knowthestruggle, giving his social media to the voices of the community that are "looking for justice", to learn more about what is happening. For his humanitarian efforts and fighting against human trafficking, Martin has been honored with numerous accolades, including the Peace Summit Award by the World Summit of Nobel Peace Laureates, the TIP Report Hero Award by the United States Department of State, the Spirit of Hope Award by Billboard Latin Music Awards, the Latin Recording Academy Person of the Year Award, the Award of Inspiration by amfAR Gala, the Leader of Change Award by the Foundation for Social Change, the Humanitarian Award by the Global Gift Foundation, the Humanitarian Award by the Hispanic Federation, the Corazón Latino Award by the iHeartRadio Fiesta Latina, the International Humanitarian Award by the International Center for Missing and Exploited Children, the Agent of Change Award by the International Peace Honors, the PODER Social Leadership Awards, and the Agent of Change Award by the Premios Juventud. Politics On January 20, 2001, during the first inauguration of George W. Bush, Martin performed "The Cup of Life" and danced with him. Martin's view of Bush changed over the Iraq War, as expressed in his declaration to BBC News that he will "always condemn war and those who promulgate it". He also stuck up his middle finger while singing the president's name in his 2003 song "Asignatura Pendiente" at a concert. At the 2010 Billboard Latin Music Awards, Martin expressed his disagreement with the Arizona SB 1070 bill, a proposed law that would have required police officers to request documents from individuals whom they suspected to be illegal immigrants. Martin campaigned for the 44th president of the United States Barack Obama in 2008 and 2012, and thanked him for an "outstanding presidency" in 2016, while calling him "an amazing leader". Also in 2016, he was an active ally to the Democratic Party presidential candidate Hillary Clinton campaign, while condemning Donald Trump's hateful comments about immigrants. He also performed his hits during the "Hillary Clinton: She's With Us" concert at the Greek Theatre on June 6, 2016. Telegramgate, also known as Chatgate, was a political scandal involving Ricardo Rosselló, then Governor of Puerto Rico, which began on July 8, 2019, with the leak of hundreds of pages of a group chat on the messaging application Telegram between Rosselló and members of his cabinet. The messages were considered vulgar, misogynistic, and homophobic toward several individuals and groups, including Martin. Therefore, Martin, Bad Bunny, Residente and several other artists, and more than half a million Puerto Ricans led the call to take to the streets of Puerto Rico, demanding Rosselló's resignation. In September 2020, Martin, Luis Fonsi, and actress Eva Longoria attended a campaign event in Kissimmee, Florida to support the Democratic presidential candidate Joe Biden for the 2020 United States presidential election. During an interview with Variety, Martin stated: "I've been supporting Biden forever, I think he is the only option we have and he is great and he has been in politics all his life. This is the moment. We all need to get together and be loud about the course of this nation." Following the election of Biden as 45th president of the United States, Martin said "Bye-bye" to Trump on social media, and shared a photo of himself along with Biden on Instagram. In May 2021, Martin demonstrated his support for the Ni una menos movement, condemning femicides and violence against women in Puerto Rico, while calling authorities to protect women. He further expressed that no woman should fear for her safety and urged authorities to take steps in order to prevent these acts. In the same month, he supported the 2021 Colombian protests. Later that year, the singer raised his voice in support of the 2021 Cuban protests against the Castro regime for the restrictions due to the COVID-19 pandemic and the economic crisis, stating: "This is very important. Our brothers and sisters in Cuba need us to inform the world what they are experiencing today. Let's fill the networks before they remove the internet in the country. Humanitarian aid for Cuba NOW." LGBT advocacy As a gay man, Martin actively supports LGBT rights worldwide since his coming out in 2010. Even before coming out, he was noted by the mainstream media for being popular among gay men and having a large gay fan base. He also went on the cover of the American LGBT-interest magazine The Advocate in July 1999. Despite this, he admitted that he felt homosexuality was evil since he was raised as a Catholic and targeted his anger toward others, especially gay men: "I was very angry, very rebellious. I used to look at gay men and think, 'I'm not like that, I don't want to be like that, that's not me.' I was ashamed." He added that he "had internalized homophobia" back then. He is currently considered to be a gay icon, with PinkNews labeling him "a strong advocate of LGBT rights" who "expressed support for equal marriage" since coming out. As the first mainstream Latin music artist to come out, Martin's coming out was a game-changer for "Latin Pride". Billboards Lucas Villa stated: "With Martin's announcement, gay artists, who had long kept their sexual identities a secret, finally had a beacon of hope. If Martin could come out with his career unscathed, there was hope for other artists in Latin music to start doing the same." He added that since then, "a growing number of Latin artists have either come out after years in the spotlight, or many have simply started their careers by embracing their gay identities". In 2010, GLAAD then-president Jarrett Barrios expressed that Martin's coming out as gay leads "hundreds of millions of people" to have "a cultural connection with an artist, a celebrity and, perhaps most importantly, a father who happens to be gay", adding that "his decision to model this kind of openness and honesty can lead to greater acceptance for countless gay people in U.S., in Latin America and worldwide". In 2019, Human Rights Campaign then-president Alphonso David expressed that Martin "has used his international stage to advocate for LGBTQ people around the world" with his "unique voice and passionate activism". The following year, Suzy Exposito from Rolling Stone argued that with risking his career and coming out, Martin "set the scene for Bad Bunny to be free in many ways that, during his own breakthrough moment, he could not". Martin expressed support for same-sex marriage during an interview on Larry King Live in 2010. He has then delivered speeches about LGBT rights at the United Nations Homophobia Conference, the GLAAD Media Awards, and the Human Rights Campaign. He also raised his voice to support gay marriage in Puerto Rico before its legalization in 2015. In March 2016, Martin met with Chilean LGBT rights group Fundación Iguales to learn about the challenges LGBT citizens face there. AT the meeting, he said that he wants "equal marriage rights for Chile" and he wants his sons to grow up in a world where "there are no second-class citizens". Following the Colombia's highest court voting against an anti same-sex marriage proposal in April 2016, Martin tweeted: "Love and equality win, Colombia says YES to same-sex marriage." During an interview with Vulture, Martin talked about his role in The Assassination of Gianni Versace and how he wanted his portrayal to help "normalize open relationships". In June 2019, he published an open letter slamming the religious liberty bill, saying: "As a defender of human rights and a member of the LGBTT community, I am vehemently opposed to the proposed measure imposed upon us under the guise of religious freedom, that projects us to the world as a backwards country." Puerto Rico's then-governor backed down and withdrew his support of the bill following Martin's statement. In June 2020, Martin performed his song "Recuerdo" with Carla Morrison for a virtual event, Can't Cancel Pride: Helping LGBTQ+ People in Need, to raise visibility and funds for LGBTQ+ communities. He appeared at the virtual event in the following year as well. In February 2021, Martin was named national spokesperson for the onePULSE Foundation, a non-profit organization that focuses on managing "the design and construction of the permanent national memorial and museum dedicated to the Pulse nightclub tragedy". Later that year, he expressed that he wants to "normalize families like" his, in an interview with People. Several of Martin's music videos feature diversity in sexual orientations and same-sex couples, including "The Best Thing About Me Is You", "Disparo al Corazón", "Fiebre", and "Tiburones". For his activism and advocacy for LGBTQ community, Martin has been honored with numerous accolades, including the GLAAD Vito Russo Award, the Gala Vanguard Award by the Los Angeles LGBT Center, the International Icon Award by the British LGBT Awards, the National Visibility Award by the Human Rights Campaign, the Trailblazer Award by the LGBT Center Dinner, the Celebrity Activist of the Year by LGBTQ Nation, and the Legacy Award by Attitude Awards. Achievements Throughout his career, Martin has won over 200 awards (most awarded male Latin artist), including two Grammy Awards, five Latin Grammy Awards, five MTV Video Music Awards (tied for most wins by a Latin artist), two American Music Awards, two Latin American Music Awards, three Billboard Music Awards, a Billboard Music Video Award, nine Billboard Latin Music Awards, eight World Music Awards, fourteen Lo Nuestro Awards (including the Excellence Award), and a Guinness World Record. As an actor, he was nominated for an Emmy Award. In 2007, Martin was honored with a star on the Hollywood Walk of Fame, located at 6901 Hollywood Blvd. Martin is ranked among the Greatest Latin Artists of All Time and the Greatest Hot Latin Songs Artists of All Time by Billboard, while his album Vuelve was placed at number five on Billboards Top 20 Latin Albums Of All Time in 2018. In 1998, his song, "Perdido Sin Ti" reached the top of the Latin Pop Airplay chart, displacing Martin's own "Vuelve", making him the first artist on the chart's history to replace himself. His song "Livin' la Vida Loca" became the first number-one song on Billboard Hot 100, which was made entirely in Pro Tools, and achieved the first number one hit for his label, Columbia. It also became the first song in history to top Billboards Adult Pop Airplay, Pop Airplay, and Rhythmic Airplay charts, holding its record as the only song to do so for 14 years. On May 15, 1999, it became the first single ever to rule four different Billboard charts and made Martin the first act to simultaneously scale a pop, Latin, and dance chart. Two weeks later, he became the first artist to simultaneously top the Billboard 200, Hot Latin Tracks, Hot Dance Music/Club Play, Hot Dance Music/Maxi-Singles Sales, Top 40 Tracks, and the Billboard Hot 100. His song "Tal Vez" (2003) marked the first number one debut on Billboard Hot Latin Songs in the 21st century. Martin is the first and only artist with Spanish-language entries on Billboard Hot 100 in three decades. In 2020, he became the first and only artist in history to enter the Billboard Hot Latin Songs chart across five decades, including his work as part of Menudo. The following year, he became the first male Latin artist in history to have 4 songs from different decades to have over 100 million streams on Spotify. He owns the record as the artist with most top 20s on the US Latin Pop Airplay chart, with 51 songs, and is the runner-up of most top 10s. He is the fourth artist with the most number one songs in the history of the Hot Latin Songs chart. Additionally, he holds the record as the most Spanish-language entries on ARIA top 50 singles chart, with three. On October 11, 2007, then-mayor of Miami Beach, Florida David Dermer awarded him the key to the city of Miami Beach. Puerto Rico named August 31 the "International Ricky Martin Day" in 2008. The Government of Spain granted Spanish nationality to Martin in 2011, for being "recognized in different artistic facets". In 2018, in recognition of "his dedication to the island and people of Puerto Rico, his philanthropic work to eliminate human trafficking across the Caribbean, and his commitment to the arts", the singer received a proclamation naming June 7 the "Ricky Martin Day" in New York City. Throughout his career, Martin has sold over 70 million records making him one of the best-selling Latin music artists of all time. In 2020, La Opinión estimated his net worth at US$120 million. Discography Ricky Martin (1991) Me Amaras (1993) A Medio Vivir (1995) Vuelve (1998) Ricky Martin (1999) Sound Loaded (2000) Almas del Silencio (2003) Life (2005) Música + Alma + Sexo (2011) A Quien Quiera Escuchar (2015) Filmography Mas Que Alcanzar una estrella (1992) Hercules – Latin American dub (1997) Idle Hands (1999) Ricky Martin: One Night Only (1999) Minions – Latin American dub (2015) The Latin Explosion: A New America (2015) Ricky Martin: Behind the Vegas Residency (2017) Jingle Jangle: A Christmas Journey (2020) El cuartito (2021) Theatre Les Misérables (1996), Broadway – Marius Pontmercy Evita (2012), Broadway – Ché Tours and residenciesHeadlining tours Ricky Martin Tour (1992) Me Amaras Tour (1993–1994) A Medio Vivir Tour (1995–1997) Vuelve World Tour (1998) Livin' la Vida Loca Tour (1999–2000) One Night Only with Ricky Martin (2005–2006) Black and White Tour (2007) Música + Alma + Sexo World Tour (2011) Ricky Martin Live (2013–2014) Live in Mexico (2014) One World Tour (2015–2018) Ricky Martin en Concierto (2018-2019) Movimiento Tour (2020-2022)Co-headlining tour Enrique Iglesias and Ricky Martin Live in Concert (with Enrique Iglesias) (2021)Residency' All In (2017–2018) See also Honorific nicknames in popular music List of artists who reached number one in the United States List of artists who reached number one on the UK Singles Chart List of Latin pop artists List of multilingual bands and artists List of Puerto Rican Grammy Award winners and nominees List of Puerto Ricans List of Urbano artists Notes References Book sources External links 1971 births Living people 20th-century LGBT people 20th-century Puerto Rican male actors 20th-century Puerto Rican male singers 20th-century Puerto Rican singers 21st-century LGBT people 21st-century Puerto Rican male actors 21st-century Puerto Rican male singers 21st-century Puerto Rican singers American gay actors American gay musicians American humanitarians American male pop singers American male singer-songwriters Columbia Records artists Echo (music award) winners Grammy Award winners Hispanic and Latino American male actors Hispanic and Latino American musicians Latin Grammy Award winners Latin music songwriters Latin pop singers Latin Recording Academy Person of the Year honorees LGBT entertainers from Puerto Rico LGBT Hispanic and Latino American people LGBT Latin musicians LGBT rights activists from the United States LGBT singers from the United States Male actors from San Juan, Puerto Rico Menudo (band) members MTV Europe Music Award winners Naturalised citizens of Spain Puerto Rican activists Puerto Rican expatriates in Australia Puerto Rican expatriates in Mexico Puerto Rican expatriates in Spain Puerto Rican male film actors Puerto Rican male soap opera actors Puerto Rican male television actors Puerto Rican people of Basque descent Puerto Rican people of Canarian descent Puerto Rican people of Corsican descent Puerto Rican people of Spanish descent Puerto Rican philanthropists Puerto Rican pop singers Puerto Rican record producers Puerto Rican singer-songwriters Singers from San Juan, Puerto Rico Sony Music Latin artists Sony Music Spain artists Spanish-language singers of the United States UNICEF Goodwill Ambassadors World Music Awards winners

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What was a song they wrote

What was a song Menudo wrote?

Ricky Martin

After achieving modest fame in Puerto Rico for his work in television commercials, Martin auditioned for membership in the Puerto Rican boy band Menudo. Although the executives enjoyed his dancing and singing at his first two auditions, Martin was rejected because he was too short. By the third audition, his persistence impressed executives, and in 1984, 12-year-old Martin became a member. A month after joining Menudo, he made his debut performance with the group at the Luis A. Ferre Performing Arts Center in San Juan. During this performance, he inadvertently disobeyed the choreography by walking around the stage, when it was planned that he would stay still, and was chastised by the band manager after the show: "The mistake was such a big deal that from that moment on, never again did I move when I wasn't supposed to move...That was the discipline of Menudo: You either did things the way you were told or you were not part of the group." The song "Asignatura Pendiente" from Almas del Silencio (2003) was inspired by the first time Martin left Puerto Rico to tour with Menudo. Although Martin enjoyed traveling and performing onstage with Menudo, he found the band's busy schedule and strict management exhausting, and later reflected that the experience "cost" him his childhood. He considered leaving the group while on tour in Brazil, but ultimately decided to stay out of fear of media backlash and being sued for breach of contract. Martin also began struggling with his sexuality, noting the stark contrast between his status as a sex symbol and his own emotions. Despite this, Martin acknowledged his "opportunity to have so many amazing experiences with so many amazing people" during his time with the group. He developed an interest in philanthropy when the group became UNICEF ambassadors, often working with impoverished children in third world countries. His experiences as an ambassador affected him greatly and inspired him to continue working with charities later in life. By 1987, Menudo's record sales began to decline, and the group changed its image, adopting an edgier look and performing more rock-influenced songs. The band released the album Somos Los Hijos del Rock in Spanish, and to appeal to the Menudo's Filipino fanbase, the group released In Action, recording songs in both English and Tagalog. After recording 11 albums with the group, Martin left Menudo in July 1989, at age 17, hoping to rest and evaluate his career path. He performed his final show with the group at the same venue where he'd performed his first performance as a member. Martin returned to Puerto Rico to graduate from high school, and 13 days after turning 18, he moved to New York City to celebrate his financial independence; since he was a minor during his time as a member of Menudo, Martin was not allowed to access his own bank accounts. He was accepted into New York University's Tisch School of the Arts, but months before classes began, Martin dropped out and moved to Mexico City to perform in the play Mama Ama el Rock (Mom Loves Rock). CANNOTANSWER

The song "Asignatura Pendiente" from Almas del Silencio (2003) was inspired by the first time Martin left Puerto Rico to tour with Menudo.

Enrique Martín Morales (born December 24, 1971), known professionally as Ricky Martin, is a Puerto Rican singer, songwriter, and actor. He is known for his musical versatility, as his discography spans multiple genres, including Latin pop, pop, dance, reggaeton, and salsa. Dubbed the "King of Latin Pop", the "King of Latin Music", and the "Latin Pop God", he is regarded as one of the most influential artists in the world. Born in San Juan, Martin began appearing in television commercials at the age of 9 and began his musical career at age 12, as a member of Puerto Rican boy band Menudo. He started his solo career in 1991 while in Sony Music Mexico, gaining recognition in Latin America with the release of his first two studio albums, Ricky Martin (1991) and Me Amaras (1993), both of which were focused on ballads. Martin's third album, A Medio Vivir (1995), helped him rose to prominence in European countries. The chart-topping single "María", incorporated a mixture of Latin music genres and became his first international hit. His international success was further solidified with his fourth album, Vuelve (1998). The album, which earned Martin his first Grammy Award, spawned chart-topping hits "Vuelve" and "La Copa de la Vida". Martin performed the latter at the 41st Annual Grammy Awards, which was greeted with a massive standing ovation and is known as a game-changer for Latin music worldwide. His first English album, Ricky Martin (1999) became his first US Billboard 200 number one. The lead single "Livin' la Vida Loca" is considered to be Martin's biggest hit, topping both the Billboard Hot 100 and the UK Singles Chart. Martin's success in the late '90s is generally seen as the beginning of the "Latin explosion". He has been credited for getting Latin pop music genre to mainstream recognition, paving the way for a large number of Latin artists to achieve a global success. Martin has since established his status as a sex symbol and a pop icon, releasing several successful albums, including all-time Latin bestsellers Almas del Silencio (2003) and MTV Unplugged (2006), as well as Grammy Award winner A Quien Quiera Escuchar (2015). He has also amassed many successful singles and chart-topper hits, including "She Bangs", "Nobody Wants to Be Lonely", "Tal Vez", "Tu Recuerdo", "La Mordidita", "Vente Pa' Ca", and "Canción Bonita". As an actor, Martin gained popularity and stardom for his role in the hit soap opera General Hospital (1994-1996), while his portrayal of Antonio D'Amico in The Assassination of Gianni Versace: American Crime Story (2018) marked the acting opportunity of his career, garnering him an Emmy nomination. He also starred as Ché in the Broadway revival of the musical Evita in 2012, which broke the theatre's box-office sales record seven times. Having sold over 70 million records worldwide, Martin is one of the best-selling Latin music artists of all time. He has scored 11 Billboard Hot Latin Songs number-one songs, and won over 200 awards (most awarded male Latin artist), including two Grammy Awards, five Latin Grammy Awards, five MTV Video Music Awards (tied for most wins by a Latin artist), two American Music Awards, two Latin American Music Awards, three Billboard Music Awards, nine Billboard Latin Music Awards, eight World Music Awards, fourteen Lo Nuestro Awards, a Guinness World Record, and a star on the Hollywood Walk of Fame. He is ranked among the Greatest Latin Artists of All Time, the Greatest Music Video Artists of All Time, and the Most Influential Latin Artists of All Time by Billboard. His philanthropy and activism focus on LGBT rights and fighting against human trafficking; in 2004, he founded The Ricky Martin Foundation, a non-profit, non-governmental organization that focuses on denouncing human trafficking and educating about the crime's existence. Life and career 1971–1982: Early life Enrique Martín Morales was born on December 24, 1971, in San Juan, Puerto Rico. His mother, Doña Nereida Morales, is a former accountant; his father, Enrique Martín Negroni, is a former psychologist who previously worked as a regional supervisor for a Puerto Rican mental-health agency. His parents divorced when he was two years old, and although his mother had custody of Martin, he could also move freely between his father's house in the middle-class suburb of University Gardens in San Juan, and his paternal grandmother's house nearby. In an interview with People, he told the magazine the he "never had to make decisions" about who he loved more, and he was "always happy". Martin has two older maternal half-brothers, Fernando and Ángel Fernández, two younger paternal half-brothers, Eric and Daniel Martín, and a younger paternal half-sister, Vanessa Martín. Martin has Spanish heritage of Basque and Canarian descent. As he explained to ABC, the Martins traveled from Spain to Puerto Rico in 1779. He also has some Corsican origin through his paternal grandmother. Martin grew up Catholic. The people closest to him called him "Kiki" (a nickname that comes from Enrique). He began singing at age six, using wooden kitchen spoons as make-believe microphones; he often sang songs by Puerto Rican boy band Menudo, as well as English-language rock groups such as Led Zeppelin, Journey, and REO Speedwagon. His mother's side of the family was musically inclined and his maternal grandfather was a poet. Martin later reflected on his time spent with his family as a child: "Every time I find myself in front of an audience, be it twenty people or one hundred thousand, once again I feel the energy that consumed me back at the family gatherings of my youth." He attended Colegio Sagrado Corazón, a bilingual Catholic grade school in University Gardens since fourth grade and was an "average" student there. When he was nine years old, he began appearing in television commercials for products such as soft drinks, toothpaste, and fast food restaurants, most notably Orange Crush and Burger King. In a year and a half, he starred in 11 commercials. 1983–1989: Menudo After achieving moderate fame in his country for his appearances in television commercials, Martin auditioned for membership in Menudo. Formed in Puerto Rico in 1977, Menudo members were usually replaced when they hit 16 in order to keep the band "full of fresh-faced members". Although the executives enjoyed his dancing and singing at his first two auditions, Martin was rejected because he was too short. By the third audition, his persistence impressed executives, and in 1984, 12-year-old Martin became a member. A month after joining Menudo, he made his debut performance with the group at the Luis A. Ferré Performing Arts Center in San Juan. During this performance, he inadvertently disobeyed the choreography by walking around the stage, when it was planned that he would stay still, and was chastised by the band manager after the show: "The mistake was such a big deal that from that moment on, never again did I move when I wasn't supposed to move. That was the discipline of Menudo: You either did things the way you were told or you were not part of the group." Although Martin enjoyed traveling and performing onstage with Menudo, he found the band's busy schedule and strict management exhausting, and later reflected that the experience "cost" him his childhood. Despite this, Martin acknowledged his "opportunity to have so many amazing experiences with so many amazing people" during his time with the group. During his time with Menudo, he became a "key-member of the group" and a "fan-favorite", while the band released 11 albums, including the Grammy-nominated Evolución () (1984) and their highest-charting and longest-running album on the US Billboard 200, Menudo (1985). The former featured Martin's debut single, "Rayo de Luna" () and the latter included the hit single "Hold Me". "Hold Me" became the group's first and only entry on the US Billboard Hot 100 chart, peaking at number 62. It was ranked among the "100 Greatest Boy Band Songs of All Time" by Billboard, the "75 Greatest Boy Band Songs of All Time" by Rolling Stone, and the "30 Best Boy Band Songs" by Complex. Besides the musical career, Martin appeared with other members of Menudo in the American romantic comedy/drama television series, The Love Boat (1985), and the Argentine soap opera, Por Siempre Amigos (1987). He also developed an interest in philanthropy when the group became UNICEF ambassadors, often working with impoverished children in third world countries. His experiences as an ambassador affected him greatly and inspired him to continue working with charities later in his life. Finally, Martin left the band in July 1989, at age 17, hoping to rest and evaluate his career path; he stayed a few extra months after his "age-mandated retirement" came around. He performed his final show with the group at the same venue where he had performed his first performance as a member. Referred to as the "Most Iconic Latino Pop Music Band", Menudo was ranked as one of the Biggest Boy Bands of All Time by Us Weekly in 2021. The group has sold around 20 million records worldwide, and has been acknowledged as the "Most Successful Latin Boy Band of All Time" by Billboard. Martin returned to Puerto Rico to "get a break from the pressures of the group, the promotional tours, and the constant stress of work", but although his parents' divorce had not affected him before, suddenly began to affect him; his parents "began fighting more than ever" and they were forcing him to "choose between the two people in the world" he loved most. As he understood they did this because they loved him and wanted the best for him, he "forgave all of the pain and anger they caused" him. He graduated from the high school, and 13 days after turning 18, he moved to New York City to celebrate his financial independence; since he was a minor during his time with Menudo, Martin was not allowed to access his own bank accounts. 1990–1994: Acting and first solo albums Martin was accepted into New York University's Tisch School of the Arts in 1990, but before classes began, his friend invited him to Mexico City. He attended the musical comedy play, Mama Ama el Rock () there, and was offered to stay and replace one of the actors. He accepted the offer, dropped out the university and moved from New York to Mexico City to perform in the play. While he was performing onstage in Mama Ama el Rock, a producer in the audience took notice of Martin's acting and offered him a role in the Mexican telenovela Alcanzar una estrella () (1990). Martin also joined the cast for the second season of the show, titled Alcanzar una estrella II (1991). A film based on the TV series, titled Más que alcanzar una estrella () (1992), was also produced in which Martin starred, and earned him an El Heraldo Award for his role. A Sony Discos executive noticed Martin's acting in the soap operas and offered him his first solo music recording contract. Eager to record his first solo album and hustled by the executive, Martin signed the contract without reading its conditions and inadvertently signed a deal in which he would only be paid one cent for each album sold! Despite viewing the contract as unfair, Martin referred to the record as "the start of something phenomenal" for him. After working "around the clock" to finish filming Alcanzar una estrella II and recording music, he released his debut solo album, Ricky Martin, on November 26, 1991. The album peaked at number five on the US Billboard Latin Pop Albums chart and spent a total of 41 weeks on the list. It sold over 500,000 copies worldwide, was certified gold in Argentina, Chile, Colombia, Mexico, and Puerto Rico, and spawned his first solo hit singles, "Fuego Contra Fuego" (), "El Amor de Mi Vida" (), and "Dime Que Me Quieres" (). Both "Fuego Contra Fuego" and "El Amor de Mi Vida" reached the top 10 on the US Billboard Hot Latin Tracks, peaking at numbers three and eight, respectively. To promote the album, Martin embarked on a successful Latin American tour, breaking box office records, which the singer referred to as "an indescribable feeling, almost like coming home". After the success of Ricky Martin and its subsequent tour, Martin's record company met him with the Spanish musician Juan Carlos Calderón to work on his second studio album, Me Amaras () (1993). Although Martin felt "very grateful" for the opportunity to work with Calderón, he noted, "I always felt that that record was more his than mine." The album sold over one million copies worldwide and was certified triple-platinum in Chile. In 1994, Martin's agent encouraged him to move to Los Angeles to act in an American sitcom called Getting By. The show was canceled after two seasons, but soon afterward, Martin was given the role of Miguel Morez on the popular hit soap opera General Hospital; Morez, a bartender and singer, known for his long and flowing hair, was a Puerto Rican citizen hiding in the United States from his lover's criminal mastermind father and created a love triangle with his fiancé Lily Rivera and Brenda. Martin portrayed the role for two years and gained huge popularity and stardom, becoming "one of the most-talked about actors on the soap opera". Despite this, Martin felt he lacked chemistry with the rest of the General Hospital cast and observed that people treated him differently because of his Puerto Rican accent. At the time, it was relatively uncommon for Latin actors to appear on American television, and people suggested that he take accent reduction classes, which he refused. 1995–1997: Breakthrough with A Medio Vivir In 1995, Martin refocused on his music career, and began working on his third studio album, A Medio Vivir (). The album was released on September 12, 1995, and became a huge success; it sold over three million copies or even seven million copies worldwide, according to different sources, being certified gold in the United States, platinum in France, 4× platinum in Spain, and 6× platinum in Argentina, as well as many other certifications in Latin American countries. It spawned several successful hits, including "Te Extraño, Te Olvido, Te Amo" (), "María", and "Volverás" (). On "María", which was released as the second single from the album, Martin allowed himself "to go into a very Latin, African sound". He created a mix of different Latin music genres instead of singing a romantic ballad, the style that he focused on it in his first two albums, while Latin pop music in general was mainly made up of it at the time. Although Martin was satisfied with the track and he describes it as a song that he is "extremely proud of", the first time he played it for a record label executive, the man said: "Are you crazy? You have ruined your career! I can't believe you are showing me this. You're finished — this is going to be your last album." Despite this, the track became Martin's breakthrough song and his first international hit. It topped the charts in 20 countries, and has sold over five million physical copies worldwide. As a result, the song was featured in the 1999 edition of The Guinness Book of Records as the biggest Latin hit. It was also the Song of the Summer in Spain in 1996 and was the second best-selling single in the world that year. In Australia, "María" spent six weeks at number one, topped the country's year-end chart in 1998, and was certified platinum. The song also spent nine weeks at number one in France, and was certified diamond. It has sold over 1.4 million copies in France. Additionally, the track reached the top 10 in the United Kingdom, and became Martin's first entry on the US Billboard Hot 100 chart. To promote A Medio Vivir, he embarked on the worldwide A Medio Vivir Tour, that lasted for more than two years, through which he performed 63 shows and visited Europe, Latin America and the United States. During an interview with The Miami Herald in 1996, Martin expressed an interest in performing on Broadway. In a few days, he received a phone call from producer Richard Jay-Alexander, and was offered the role of Marius Pontmercy in the play Les Misérables. After the conclusion of the A Medio Vivir Tour in Latin America, Martin returned to New York to appear in the play in an eleven-week run. He greatly enjoyed the experience, calling his time in the play an "honor" and "the role of [his] life". Martin continued to tour after the conclusion of the show's run, and noted that his audiences were growing in both size and enthusiasm. 1998–1999: Vuelve While the A Medio Vivir Tour had not been concluded yet, Martin returned to the studio to record his fourth album Vuelve (). He called the experience of touring and recording at the same time "brutal and incredibly intense". As he was finishing the record in 1997, "María" caught the attention of FIFA. They contacted Martin and asked him to create a song as the 1998 FIFA World Cup anthem. He stated about the request: "I have to admit that the challenge made me a bit nervous, but the massive growth potential for my career was such that I decided to accept." Following his acceptance, musicians K.C. Porter, Robi Rosa, and Desmond Child joined him and they started working on a song titled "La Copa de la Vida" (English: "The Cup of Life"). Martin wrote about the recording: "La Copa de la Vida" was included as the eighth track on Vuelve, released February 12, 1998, The album became a huge success; it sold over eight million copies worldwide, becoming the best-selling Spanish-language album in history, according to his label. Also, some sources have reported the album's sales as six million copies worldwide. It spent 26 weeks atop the US Billboard Top Latin Albums chart and was certified platinum by the Recording Industry Association of America (RIAA). In Canada, the album peaked at number three and was certified double platinum. Vuelve spawned big hits, including the title track, "La Copa de la Vida", "Perdido Sin Ti" (), and "La Bomba" (). "La Copa de la Vida" grew to be an international success, appearing on the charts in more than 60 countries, and reaching number one in 30 countries, Both "Vuelve" and "Perdido Sin Ti" peaked at number one on the US Billboard Hot Latin Tracks chart; the former also reached number one in On July 12, 1998, Martin performed "La Copa de la Vida" as the official anthem at the 1998 FIFA World Cup Final in France, in front of more than a billion TV viewers around the world. To promote Vuelve, Martin embarked on the worldwide Vuelve Tour; he performed in Asia, Australia, Europe, Mexico, South America, and the United States. Although Latin music was not important to the Recording Academy or the mainstream music industry at the time, Tommy Mottola, then-chief of Columbia Records, was certain about Martin's stardom and pushed hard to have him on the Grammy Awards ceremony. During an interview with Billboard, Mottola told the magazine about it: "There was tremendous resistance from the Grammys. They did not want an 'unknown' to perform, yet we he had already sold 10 million copies of Vuelve worldwide. To me, that was absolutely UNACCEPTABLE." Finally, on February 24, 1999, cavorting with a 15-piece band alongside and a large number of dancers and percussionists, Martin performed a bilingual version of "La Copa de La Vida" at the 41st Annual Grammy Awards, which was greeted with a massive standing ovation and met with acclaim from music critics. At the same night, Vuelve earned Martin his first Grammy award, for Best Latin Pop Performance. After he accepted the award and expressed how important it was to the Latin community, the American singer-songwriter Madonna came on the stage and hugged him. 1999–2000: Crossover to English In October 1998, CNN confirmed that Martin has been working on his first English language album, following the huge success of Vuelve. In April 1999, Billboard revealed the album's title as Ricky Martin in an article, mentioning that the album was initially set for retail on May 25, 1999. However, the huge interest in the disc, following Martin's performance at the Grammy Awards, encouraged Columbia Records to decide to rush the album to release two weeks ahead of schedule, on May 11. Tom Corson, the senior vice president of marketing at Columbia explained: "Quite simply, the market has demanded it. People have been wanting this record for a while, and it's now reached the point where we have to get it out there immediately." Tim Devin, the general manager of Tower Records in New York added about Martin: "He's always been one of our strongest Latin artists, but interest in him has picked up considerably since that performance." Ricky Martin debuted atop the US Billboard 200 with first-week sales of 661,000 copies, according to data compiled by Nielsen SoundScan, becoming the largest sales week by any album in 1999. It also broke the record as the largest first-week sales for any pop or Latin artist in history, as well as any Columbia Records artist during the SoundScan era. With this album, Martin became the first male Latin act in history to debut at number one on the US Billboard 200 chart. It was certified 7× platinum by the Recording Industry Association of America (RIAA), denoting shipments of over seven million copies in the US and breaking the record as the best-selling album by a Latin artist in the country. Only within three months, Ricky Martin became the best-selling album ever by a Latin artist. According to different sources, the album has sold over 15 million copies or even 17 million copies worldwide. It was nominated for Best Pop Album at the 42nd Annual Grammy Awards. The album was supported by four singles; the lead single "Livin' la Vida Loca" () topped the charts in more than 20 countries and is considered to be Martin's biggest hit, and one of the best-selling singles of all time. In the United States, it topped the Billboard Hot 100 chart for five consecutive weeks, becoming Martin's first number one single on the chart. Additionally, it broke several records on Billboard charts. It also spent eight consecutive weeks atop the Canada Top Singles chart and topped the country's year-end chart. In the United Kingdom, it debuted at number one and stayed there for three weeks, making Martin the first Puerto Rican artist in history to hit number one. The track was ranked as the best '90s pop song by Elle, and was listed among the Best Latin Songs of All Time by Billboard. It was nominated for four categories at the 42nd Annual Grammy Awards, including Record of the Year and Song of the Year. Its Spanish version reached the summit of the Billboard Hot Latin Tracks chart in the United States, and was nominated for Record of the Year at the 2000 Latin Grammy Awards. "She's All I Ever Had" was released as the second single from the album in June 1999. It peaked at numbers two and three on the US Billboard Hot 100 and Canada Top Singles charts, respectively. The Spanish version, "Bella" () topped the charts in five countries, as well as Billboards Hot Latin Tracks chart. To further promote Ricky Martin, he embarked on the worldwide Livin' la Vida Loca Tour. In the United States, the Livin' la Vida Loca Tour was the highest-grossing tour of 2000 by a Latin artist, earning over $36.3 million with 44 dates and drawing 617,488 fans. According to Billboard Boxscore, the tour grossed $51.3 million in Canada, Mexico, and the United States, with 60 shows and drawing an audience of 875,151. International dates were not reported to Boxscore and would push the tour's grosses higher. 2000–2005: Sound Loaded, Almas del Silencio, and Life While the Livin' la Vida Loca Tour had not been concluded yet, Martin returned to the studio to record his sixth studio album, Sound Loaded. The album was released on November 14, 2000. It debuted at number four on the Billboard 200 with first-week sales of 318,000 copies, according to data compiled by Nielsen SoundScan. The album has sold over seven million copies or even eight million copies worldwide, according to different sources, being certified double platinum in the US. The album featured two hit singles, "She Bangs" and "Nobody Wants to Be Lonely". The former reached number one in seven countries, including Italy and Sweden, as well as the top five in Australia, Canada, the United Kingdom, and several other countries. It was nominated for Best Male Pop Vocal Performance at the 43rd Annual Grammy Awards. The Spanish-language version of "She Bangs" reached the summit of the Hot Latin Tracks chart and won the Latin Grammy Award for Best Music Video at the 2nd Annual Latin Grammy Awards. "Nobody Wants to Be Lonely" was re-recorded along with American singer Christina Aguilera, peaking at number one in five countries, as well as the top five in Italy, Germany, Spain, and the United Kingdom, among others. It was nominated for Best Pop Collaboration with Vocals at the 44th Annual Grammy Awards. The solo Spanish version, entitled "Sólo Quiero Amarte" topped the Hot Latin Tracks chart. Both "She Bangs" and "Nobody Wants to Be Lonely" are certified silver in the UK. In February 2001, Martin released a Spanish compilation album entitled La Historia (), which spent five weeks at number one on the Top Latin Albums chart, topped the charts in Argentina and Sweden, and was certified quadruple Latin platinum in the United States. Following the success of Ricky Martin and Sound Loaded, he initially planned to release the third English-language album as his seventh studio album, which was supposed to be his first complete work in the field of songwriting. Despite Sony Music Entertainment's original plan, he decided to release a Spanish-language album: "I woke up five months ago, and I said 'We're doing an album in Spanish.' Everyone went nuts. They said, 'You don't have time; you have to release an album in English because of timing issues with your career.' And that's fine. But I told them, 'In five months, you'll have a kick-ass album' [in Spanish]. Martin's seventh studio album, Almas del Silencio () was released in May 2003. It debuted atop the Billboard Top Latin Albums chart with first-week sales of 65,000 copies, according to data compiled by Nielsen SoundScan, breaking the record as the largest first-week sales for a Spanish-language album in the US. The album also debuted at number 12 on Billboard 200, tying the 2002 album, Quizás () as the chart's highest Spanish-language debut. The album also debuted at number one in "at least 13 Latin American markets" and sold over two million copies worldwide. Almas del Silencio spawned three Hot Latin Tracks chart-topper hits: "Tal Vez" (), "Jaleo", and "Y Todo Queda en Nada" (). "Tal Vez" debuted at number one on the Billboard Hot Latin Tracks chart on the week of April 12, 2003, marking the first number one debut since February 1998, and becoming the sixth song overall in the chart's history to do so. It spent a total of 11 weeks at this position, surpassing "Livin' la Vida Loca" as Martin's longest number-one single on the chart, and was the longest-running number one of 2003. It also topped the charts in several Latin American markets. In October 2005, Martin released his third English album, Life. He commented on the album: "I was really in touch with my emotions. I think this album is very multi-layered, just like life is. It's about feeling anger. It's about feeling joy. It's about feeling uncertainty. It's about feeling. And all my emotions are part of this production". To promote Life, Martin embarked on the worldwide One Night Only with Ricky Martin tour. 2006–2012: MTV Unplugged, Música + Alma + Sexo, and Evita Although Martin's team and MTV had discussed an MTV Unplugged for years, but it became more serious after Martin's the One Night Only tour, which featured an acoustic segment. Finally, Martin taped his MTV Unplugged set in Miami in August 2006, performing both romantic ballads and up-tempo tropical dance songs. During the performance, he debuted three new tracks, including "Tu Recuerdo" (), which was released to radio stations as the lead single from his debut live album MTV Unplugged (2006). The album debuted at number one on the Top Latin Albums chart and sold over two million copies worldwide, marking his highest-certified album in Mexico. It won two Latin Grammy awards and was nominated for Album of the Year. "Tu Recuerdo" reached number one in five countries, as well as the Billboards Hot Latin Songs and Latin Pop Airplay charts. The track was certified quadruple platinum in Mexico and was nominated for Record of the Year at the 8th Annual Latin Grammy Awards. The artist then embarked on the Black and White Tour in 2007, including four sold-out shows at the José Miguel Agrelot Coliseum in Puerto Rico. The concerts in Puerto Rico were compiled into his second live album Ricky Martin... Live Black & White Tour (2007). Later that year, he released his first Italian song, "Non siamo soli" () as a duet with Italian singer Eros Ramazzotti. The song debuted at number one in Italy and spent eleven consecutive weeks atop the chart. In January 2011, Martin launched his ninth studio album, Música + Alma + Sexo (). The album debuted at number three on the US Billboard 200 chart, becoming the highest-charting primarily-Spanish language set since Dreaming of You (1995) by American singer Selena. It holds the record as the highest-charting Latin album of the 2010s, and represents the highest-ever chart debut on the Billboard 200 for a Sony Music Latin release. Música + Alma + Sexo also peaked at number one in Argentina and Venezuela, as well as Billboards Top Latin Albums. Its lead single, "Lo Mejor de Mi Vida Eres Tú" (English: "The Best Thing About Me Is You") reached number one on the US Billboard Hot Latin Songs chart and was nominated for Record of the Year, Song of the Year, and Best Short Form Music Video at the 12th Annual Latin Grammy Awards. To promote the album, Martin embarked on the Música + Alma + Sexo World Tour in 2011. In February 2012, he appeared as Spanish teacher David Martinez on the twelfth episode of the third season of the American musical television series Glee, The Spanish Teacher. Martin starred as Ché in the Broadway revival of the musical Evita from March 2012 to January 2013. The show became a hit, breaking the theatre's box-office sales record after only six performances. Sine then, it broke its own record six times and was nominated for Best Revival of a Musical at the 66th Tony Awards. The show's soundtrack album debuted at number one on Billboards cast album chart. 2013–2018: The Voice, A Quien Quiera Escuchar, and The Assassination of Gianni Versace Martin served as a coach on the second season of the Australian singing competition television series The Voice in 2013. In the same year, he released a compilation album, entitled Greatest Hits: Souvenir Edition, which reached number two in Australia, as well as a new single, entitled "Come with Me", which debuted at number three in the country. The artist then embarked on the Ricky Martin Live tour in Australia in October 2013. He continued serving as a coach on both the third and fourth seasons of The Voice Australia in 2014 and 2015, respectively. In 2014, Lars Brandle from Billboard stated in an article: "Through his high-profile slot on The Voice, Ricky's profile in Australia has never been as big as it is right now." On February 25, 2014, Wisin released a song titled "Adrenalina" () from his album El Regreso del Sobreviviente (), which featured Jennifer Lopez and Martin, and became the Univision's 2014 World Cup song. It received commercial success, peaking in the top-five of Bulgaria, Mexico, Spain, and Billboards Hot Latin Songs chart. Its accompanying music video has accumulated over 850 million views on YouTube. Later that year, Martin released his single "Vida" () for the 2014 FIFA World Cup. The song reached the top five in Spain and on the US Hot Latin Songs chart. Also in 2014, he served as a coach on the fourth season of The Voice Mexico, and embarked on the Live in Mexico tour. In February 2015, Martin released his tenth studio album, A Quien Quiera Escuchar (). The album debuted at number one on Billboards Top Latin Albums chart and peaked at number one in Argentina. It won the award for Best Latin Pop Album at the 58th Annual Grammy Awards and Album of the Year at the 1st Latin American Music Awards. The album spawned three Hot Latin Songs top-10 hits: "Adiós" (), "Disparo al Corazón" (), and "La Mordidita" (). "Disparo al Corazón" was nominated for both Record of the Year and Song of the Year at the 16th Annual Latin Grammy Awards. "La Mordidita" experienced huge commercial success, being certified 15× Latin platinum in the United States. Its accompanying music video has received over 1.2 billion views on YouTube. To promote the album, Martin embarked on the One World Tour from 2015 to 2017. He served as an executive producer and a judge on the American singing competition series La Banda (), which premiered in 2015 and 2016 on Univision. The first season was "looking for the next Latin boy band", while the second season was looking for a Latin girl band. The contestants would compete for a recording deal with Sony Music Latin and Syco Music. CNCO, known as the first boy band to make reggaeton, was the winner of the first season. Martin became their manager and produced the band's debut album, Primera Cita () (2016), along with Wisin; the album debuted at number one on Top Latin Albums and featured the hit single "Reggaetón Lento (Bailemos)" (). CNCO opened many dates on One World Tour in 2016. In 2020, Leila Cobo from Billboard compared the group with Menudo, noting: "Not since Menudo had a Latin boy band melted our hearts or made us dance quite like CNCO". On September 23, 2016, Martin released a song called "Vente Pa' Ca" (), featuring Colombian singer Maluma. The song became one of the biggest Spanish-language songs of 2016, reaching number one in seven countries, as well as Billboards Latin Airplay, Latin Pop Airplay, and Tropical Airplay charts. It also reached top five in Spain and on the Billboard Hot Latin Songs, being certified quadruple platinum in Spain and diamond in Mexico. The track was nominated for both Record of the Year and Song of the Year at the 18th Annual Latin Grammy Awards. The accompanying music video has received over 1.75 billion views on YouTube. Martin signed a concert residency, named All In, to perform at the Monte Carlo Resort and Casino in Las Vegas in 2017 and 2018. He portrayed fashion designer Gianni Versace's partner Antonio D'Amico in the FX true crime anthology television series The Assassination of Gianni Versace: American Crime Story, marking "the acting opportunity of his career". The role garnered him a nomination for Outstanding Supporting Actor In A Limited Series Or Movie at the 70th Primetime Emmy Awards. Running from January to March 2018, The Assassination of Gianni Versace received generally favorable reviews and numerous awards and nominations, including three Primetime Emmy Awards, four Creative Arts Emmy Awards, two Golden Globe Awards, two Critics' Choice Television Awards, and a Screen Actors Guild Award. In February 2018, Martin released a song titled "Fiebre" (), featuring Wisin & Yandel. The song was commercially successful in Latin America, reaching number one in Chile, Ecuador, Guatemala, Mexico, and Uruguay. It also reached the summit of the Billboard Latin Airplay and Latin Rhythm Airplay charts. 2019–present: Amici di Maria De Filippi, PausaPlay, and Jingle Jangle: A Christmas Journey At the 61st Annual Grammy Awards, Martin performed "Havana", "Pégate" (), and "Mi Gente" (), alongside Camila Cabello, J Balvin, Young Thug, and Arturo Sandoval, as the opening performance. Martin served as a coach on the eighteenth season of the Italian talent show Amici di Maria De Filippi () in 2019. In the same year, Maluma released a song called "No Se Me Quita" () from his album 11:11, which featured Martin. The song reached number one in Mexico and was certified quadruple platinum in the country. Martin hosted the 20th Annual Latin Grammy Awards in November 2019, along with Roselyn Sánchez and Paz Vega. The artist started recording his eleventh studio album, initially titled Movimiento (), in the second half of 2019, inspired by the 2019 political protests in Puerto Rico. He embarked on the Movimiento Tour in 2020. Because of the COVID-19 pandemic and subsequent personal experiences, he decided to split the tour's associated album in two extended plays, Pausa () and Play; the former was released in May 2020, while the latter is set to release as his eleventh studio album. Pausa was nominated for Album of the Year and won the award for Best Pop Vocal Album at the 21st Annual Latin Grammy Awards. The second single from the EP, "Tiburones" () reached number one in Argentina and Puerto Rico, and was also nominated for Song of the Year at the 21st Annual Latin Grammy Awards. Martin starred as the voice of villainous miniature figure Don Juan Diego in the American Christmas musical fantasy film Jingle Jangle: A Christmas Journey. The film was released on Netflix on November 13, 2020, and received generally favorable reviews. In April 2021, Martin released his hit single "Canción Bonita" () with Colombian singer Carlos Vives, which experienced huge commercial success in Latin America, reaching number one in 12 countries. It was also nominated for Song of the Year and Best Pop Song at the 22nd Annual Latin Grammy Awards. Later that year, he released "Qué Rico Fuera" () with Chilean-American singer Paloma Mami, as the lead single from Play. The song peaked at number one in four countries, as well as the top 10 on Billboards Latin Pop Airplay. In the same year, he embarked on his first co-headlining tour, the Enrique Iglesias and Ricky Martin Live in Concert alongside Spanish singer Enrique Iglesias. Artistry Influences As a child, Martin used to sing songs by Menudo and American rock bands such as Led Zeppelin, Journey, and REO Speedwagon, which were what his "older siblings were listening to at the time". While Martin and his brothers spent their time listening to classic rock, their mother would interrupt them to make them listen to Latin music. She brought him CDs of Fania All-Stars, Celia Cruz, El Gran Combo de Puerto Rico, and Gilberto Santa Rosa that slowly made him appreciate the richness of Puerto Rican culture. Also, she once took them to a Fania All-Stars concert, which Martin is "beyond grateful" for it. He expresses that thanks to her mother, those influences had a "profound effect" on his musical career. Martin has also cited Elvis Presley, the Beatles, Michael Jackson, and Madonna for teaching him "the beauty of pop". He stated about Madonna: "I was very influenced by her and her music. I know every choreography of Madonna." Additionally, he mentions Carlos Santana, José Feliciano, Celia Cruz, and Gloria Estefan as the artists who paved the way for him, naming Feliciano as one of the people who inspired him when he was a teenager: "I was always fascinated with his music." In addition to the musical influences, Martin is inspired by David Bowie's "ambiguous sexuality". While growing up, he used to ask himself if he wanted to be like the openly gay singer Elton John or he just liked him, admiring his music, colors, and wigs. Musical styles and themes Considered to be a versatile artist, Martin describes his music as Latin pop, saying: "When you say 'Latin pop', the spectrum is so broad, It's inevitable to not be influenced by everything that’s happening in the industry, but always keeping your identity firm by knowing who you are." He has also described his music as fusion, while noting that he does not "ride the waves that are in fashion at the moment". Music critics have described his songs as Latin pop, pop, dance, ballad, reggaeton, Latin, African, rock, salsa, flamenco, urban, samba, cumbia, merengue, rumba, Latin funk, bomba, batucada, vallenato, dancehall, mambo, Europop, house, disco, EDM, dance-pop, electro, techno, dubstep, world music, Middle Eastern, folk-pop, bossa nova, pop rock, soft pop, soft rock, R&B, gospel, jazz, trap, hip hop, doo-wop, ska, and rock' n' roll. Martin sings in Spanish, English, Portuguese, Italian, and French. About his lyrics, Martin has emphasized that although his music will always make the listener dance, it does not mean his lyrics "have to be meaningless" and he sings about love and heartbreak, as well as "things that are good for a society", such as "freedom, freedom of expression, and social justice". He has also declared that as a Latino, he is not afraid of sexuality and sings about sexuality and sensuality, bringing his culture with him onstage. Voice Martin possesses a dramatic tenor vocal range. Peter Gilstrap from Variety commented that his "powerful voice" is "capable of belt or lilt", while The Jerusalem Posts Noa Amouyal described his voice as "soulful" and "very powerful". In 1995, Enrique Lopetegui of the Los Angeles Times noted Martin's "improved vocal skills" on A Medio Vivir. Also from the Los Angeles Times, Ernesto Lechner later praised his vocal for being "charismatic enough to handle both ballads and up-tempo tunes". Similarly, Billboards Chuck Taylor expressed "She's All I Ever Had" boasts "a versatility that contrasts nicely" with Martin's previous single, "Livin' la Vida Loca", labeling his vocal on the former "tender and heartfelt". Steve Gerrard of the Montreal Rocks complimented "his vocal maturity" on A Quien Quiera Escuchar. Music videos and performances Billboard labeled Martin "a video icon", and ranked him as the 79th Greatest Music Video Artist of All Time in 2020, stating: "From the moment he sashayed up to the mic in 'Livin La Vida Loca' all dressed in black, and gave us that look, the Menudo alum became the most memorable and watchable drop-dead handsome guy in pop music." He has collaborated with various directors to produce his music videos, including Carlos Perez, Wayne Isham, Jessy Terrero, Simón Brand, Gustavo Garzón, Nigel Dick, Kacho Lopez, and Memo del Bosque. "Livin' la Vida Loca" was nominated for Video of the Year at the 1999 MTV Video Music Awards, making Martin the first Latin artist in history to receive a nomination in this category. It won two primary awards for Best Pop Video and Best Dance Video, and was voted three additional awards in the International Viewer's Choice categories, making it rank among the videos with most wins in the history of the MTV Video Music Awards. The explicit sexual scenes of the music video for "She Bangs" were met with criticism from the audience; several American television stations cut the scenes when airing the video. According to the Daily Records John Dingwall, with the visual, Martin ditched his teen idol image by transforming to a more mature one. It was consequently banned in several Latin American countries, such as the Dominican Republic. Martin told MTV News that the video represented freedom rather than his sexuality. The video was awarded Best Music Video at the 2nd Annual Latin Grammy Awards, Best Clip of the Year — Latin at the 2001 Billboard Music Video Awards, and Video of the Year at the 13th Lo Nuestro Awards. Martin has been noticed for "dance moves of his own" and his "bon-bon shaking dance moves". Carol Sandoval from VIX named him the "best dancer on any stage worldwide", highlighting his hips movement and "successful turns". He was ranked as the ninth best male dancer by the Evening Standard and the tenth Male Singer Who Can Dance by WatchMojo, being the only Latin entertainer on both lists. Writing for The Hollywood Reporter, Scott Feinberg introduced Martin as "an incredible dancer". Billboards Jessica Roiz labeled him "a true showman", noting his "many outfit changes", "various dance performances", and "different stage set for each song". Jon Pareles of The New York Times described him as "an all-around showman" and Varietys Peter Gilstrap called him "every inch the showman", both recognizing his vocal abilities, while the former also commented he is "a dancer as muscular and hard-working as anyone in his troupe", mentioning his "likable, good-hearted character" and "steadfast Puerto Rican pride". Music critics have mostly praised his concerts for the choreographies, video screens, visual effects, stage, Latin influences, and Martin's vocals, costume changes, energy, sensuality, dance moves, and gestures, while the quality of sounds and sound mixes have received mixed reviews. Billboards Marjua Estevez described Martin's performance of "La Copa de la Vida" at the 41st Annual Grammy Awards as "the most memorable Latin performance at a Grammy Awards show", and the publication ranked it as the 54th Greatest Award Show Performance of All Time on their 2017 list. The performance was additionally placed on a 2017 unranked list of "Top 20 Best Grammy Performances of All Time" by Gold Derby, and on a 2019 list of "The Most Unforgettable Grammys Performances of All Time" by InStyle. Public image Martin became a teen idol with his debut as a member of Menudo, and a pop icon following global fame as a solo artist. Journalists have written about his humble personality and "beautiful soul". Writing for The Hollywood Reporter, Scott Feinberg introduced Martin as "one of the most acclaimed and admired creative artists ever". La República staff described him as "one of the most admired and desired singers", while authors of ¡Hola! described him as "one of the most respected Latin stars in the world", "one of the most prodigious voices in music in Spanish", and "one of the most beloved talents in the entertainment industry worldwide". Also from ¡Hola!, Cristina Noé named him "one of the most loved artists in the world", while a writer of Clarín named him "one of the most applauded Latin singers on the planet". Metro Puerto Rico stated that he "raised the name of Puerto Rico internationally". He was ranked as one of the top-10 "emerging personalities" of 2010 by Google Zeitgeist. In 2014, Gay Star News referred to Martin as "the most famous Latin pop star in the world", while Variety described him as "Puerto Rico's arguably most famous son" in 2021. He is ranked as the second-most famous Latin music artist in the United States, according to YouGov surveys in 2021. During the 2000s, Martin was known for "guarding his private life" and being "uncomfortable discussing intimate aspects of his personal life"; he used to insist on asking public to focus on his music and "steered interviewers away from his personal life". However, he chose to live both his "professional and personal life", making his private life public since the early 2010s. In 2021, he went on the cover of People with the title "No More Secrets" and told the magazine that he is "a man with no secrets", stating that he is "more comfortable in his own skin than ever before". Martin is one of the most followed celebrities on social media, with accounts on Instagram, Twitter, Facebook, YouTube, and TikTok. He stated about social media that he wishes he had "something as powerful as" them since his debut: "Obviously I like to have direct contact with the public, with the media. It's extremely important, but today, from my home, I can talk to millions of people and see their immediate reaction." He is noticed for his friendly interactions with his fans, who are called "Sexy Souls". Wax statues of Martin are on display at the Madame Tussauds wax museums in San Francisco, Sydney, and Orlando. The last one was moved from Las Vegas to Orlando for the opening of the museum in spring 2015. Fashion Martin is considered to be a sex symbol, and journalists describe him as "the Latin heartthrob". His fashion and style evolution, from "as '80s as you'd expect" during his time with Menudo to "a style groove, often opting for sharp, tailored suits with clean lines" since 2009, has been noticed by the media. Natalia Trejo from ¡Hola! described him as "one of the most stylish Latin men in the entertainment industry", highlighting his "baggy leather pants", "tailored suits", and "color-block blazers" that have marked "some of the noteworthy trends of each decade". The reviewer also commented that Martin is "an example of mixing business with casual" and has "always had a personal sense of style". JD Institute of Fashion Technology views Martin as a fashion icon, praising him for "pushing the fashion boundaries with every new look". In 1997, he went on the cover of People en Españols first edition of 25 Most Beautiful; he has since "been a constant presence" on their 25 or 50 Most Beautiful lists. Two years later, he was featured on the cover of both Rolling Stone and Time magazines. Martin is considered to be one of the sexiest men in the world, according to various publications. In 2012, he was voted the sexiest man alive on Broadway.com. The following year, VH1 ranked him as the 28th Sexiest Artist of All Time, stating: "Ricky looks like the model in the magazine ads you stare at in awe thinking, 'There's no way he's that perfect in person'." In 2014, Entertainment Tonight listed him among the Sexiest Men Alive, while Revista Estilo placed him on the list of "the 10 Sexiest Singers" in 2016. He was ranked at number 16 on the list of "the 50 Hottest Men of All Time" by Harper's Bazaar in 2018, being the only Latin man on their list. In 2019, TN described Martin as "the sexiest man in the world". He has been noted for looking younger than his age, with Billboards Chris Payne labeling him "ageless". The singer has attended several fashion shows, including the Giorgio Armani show at Milan Fashion Week in 2011, the Marc Jacobs show in 2013, the Berluti menswear spring-summer 2020 show at Paris Fashion Week, the Dior men's pre-fall 2020 show, and the Virgil Abloh Spring-Summer 2022 show held by Louis Vuitton. Personal life Sexual orientation and early relationships According to an interview with Rolling Stone in 1999, Martin experienced his first kiss at age 13 and lost his virginity at age 14 in Argentina. In 1990, shortly after he had arrived in Mexico to star in Mama Ama el Rock, he met a woman, who was the host of a television show. They began dating quickly and broke up a few months later. In 1992, he fell in love with Mexican singer Alejandra Guzmán, who was separated from her husband at the time. They began dating together until Guzmán returned to her husband and pretended Martin was her assistant on a phone call, while she was sleeping with her husband. In an interview with Univision, Martin admitted that she broke his heart. In the same year, Martin was rumored to have a relationship with Argentine tennis player Gabriela Sabatini. Sabatini's sister-in-law, Catherine Fulop confirmed the rumor in 2020. During the time he was playing in General Hospital, he met a "very handsome" man at a radio station, "stopped fearing [his] sexuality", and started dating him. Martin's mother supported him when she discovered that he was in love with a man, saying: "I love you, my son, I'm so happy for you. Bring it on. I'm right behind you." However, after the relationship ended, Martin "locked [his] feelings even deeper inside" and began dating women again. He recalls: "I already felt it was hard to be a Latino in Hollywood; what could have been more difficult than being Latino and gay?" Martin began dating Mexican television host Rebecca de Alba in 1994; they were in an on-and-off relationship until 2005. In May 2021, Alba revealed that she became pregnant several times in her life, but lost all of the embryos, expressing that one of them belonged to Martin. Martin also had relationships with Lilly Melgar, Adriana Biega, Maital Saban, and Inés Misan during his break-up times with Alba in the late 1990s and early 2000s. He declared that "there was chemistry with them" and he "wasn't fooling anyone". In August 2008, Martin became a father to twin boys named Matteo and Valentino, born via gestational surrogacy. He explained that he chose surrogacy to become a parent for being "intriguing and faster" than adoption, which was complicated and could take a long time. In March 2010, Martin publicly came out as gay via a message on his website, stating: "I am proud to say that I am a fortunate homosexual man. I am very blessed to be who I am." Years later, he revealed that although his music was "heard all over the world" and he "could high five God" in 1999, he "wasn't living to the fullest" and was sad and depressed. He kept asking himself, "Am I gay? Am I bisexual? Am I confused? What am I?", explaining: "Sexuality is one complicated thing. It's not black and white. It's filled with colors. When I was dating women, I was in love with women. It felt right, it felt beautiful." In an interview with Vanity Fair, he declared: "There was love, passion. I do not regret anything, any of the relationships I lived, they taught me a lot, both men and women." Martin also told Fama!: "I know that I like both men and women, I'm against sexual labels, we are simply human beings with emotional and sexual needs. I like to enjoy sex in total freedom, so I'm open to having sex with a woman if I feel desire." Despite this, he expressed that he wouldn't be interested in "an ongoing relationship with a woman", stating: "Men are my thing". In 2000, American broadcast journalist Barbara Walters asked Martin about his sexuality on national television: "You could stop these rumors. You could say, 'Yes I am gay or no I'm not.'" In 2021, Martin, who answered with "I just don't feel like it" at the time, revealed that her question made him "felt violated", since he "was just not ready to come out" and was "very afraid"; he said that it resulted "a little PTSD" that "still haunts him". Martin dated Puerto Rican economist Carlos González Abella from 2010 to 2014, as his first relationship with a man after his coming out as gay. Marriage Syrian-Swedish painter Jwan Yosef shared a photo of himself and Martin on Instagram on March 30, 2016, with the caption: "Obviously we're starting a band." Soon it was rumored that Yosef is Martin's new boyfriend. Martin confirmed their relationship on April 18, 2016, and they made their red carpet debut as a couple at the amfAR Inspiration Gala. Martin later revealed that he met Yosef on Instagram and they "were talking for like six months without [him] hearing his voice". Subsequently, Martin went to London, where Yosef were living, and they met each other. On November 15, 2016, during an interview on The Ellen Show, he announced that he has proposed to Yosef and they are engaged. In January 2018, Martin confirmed that he has secretly married Yosef: "I'm a husband, but we're doing a heavy party in a couple of months, I'll let you know." On December 31, 2018, they announced that they have welcomed their first daughter together, named Lucia Martin-Yosef. Martin later explained that Lucia was born on December 24, coinciding with his 47th birthday. In September 2019, while accepting an award at the 23rd annual Human Rights Campaign (HRC) National Dinner, he announced that they are expecting their fourth child. On October 29, 2019, he shared a photo of himself, Yosef, and their new-born son, named Renn Martin-Yosef, with the caption: "Our son Renn Martin-Yosef has been born." Beliefs and religion During an interview with People in 2002, Martin expressed that he believes in "love", "the power of healing", and "God", thanks to his parents. The name he chose for his son Matteo means "gift from God". According to his statements in a 2021 interview, he still believes in God. He was raised Catholic but he said is not "the person who would ever look down upon one religion". He expressed that he also admires and likes Buddhist philosophy, but does not subscribe to the religion, since if he does, he cannot "be of anything else"; he does not want to be limited in certain aspects and follow a religion's specific rules. He tries to remain "open to everything" and makes "a concerted effort to always find new teachings and new paths" everywhere he goes and in every situation he finds himself in. Martin believes that everyone can "decide what makes them happy" and although "everyone needs to accept the life they were given", it does not mean they "should not live it as fully as possible". Health and sports Martin began practicing yoga after a trip to Thailand in 1997. He also began practicing meditation following a trip to India. In 2021, he explained that he gets up every morning at 5:30, before his family and puts himself in a lotus position and oxygenates his body. He also expressed that has a gym in his house, saying: "If I have space to see myself in the mirror and put on my products, then I also have to have space for my body." During an appearance on The Dr. Oz Show in 2017, Martin revealed that he "was diagnosed with high cholesterol" at age 18. Although he did not pay attention to the high cholesterol at the time, it made him decide to become a vegetarian since 2013 to reduce cholesterol, despite loving meat as "a Latin man". In 2020, he opened up that he suffered from anxiety for the first time in his life, following the COVID-19 lockdowns, stating that making music became his "medicine". Real estate In March 2001, Martin purchased a 7,082-square-feet house in Miami Beach for $6.4 million; he sold the unit for $10.6 million in 2005. In September 2004, he paid $11.9 million for a 11,000-square-feet Mediterranean-style villa in Los Angeles, which he sold in 2006 for $15 million. In May 2005, he purchased a 9,491-square-feet house in Miami Beach for $10 million; he sold the villa for $10.6 million in 2012. In 2007, he paid $16.2 million for a mansion in Golden Beach. He sold the property in 2012 for $12.8 million, incurring a loss. In the same year, he bought a 3,147-square-feet condominium in New York City for $5.9 million; he sold the condo for $7.1 million in 2017. In 2014, he rented a 900-square-metre mansion in Sydney, which became famous as "the Bronte Wave House" and was sold for $16 million in May 2015, marking one of the most expensive properties sold in the city that year. In December 2016, he purchased a 11,300-square-feet mansion in Beverly Hills. The estate, which is Martin's current house, has seven bedrooms and eight bathrooms with outdoor seating areas scattered throughout a 33,000-square-feet. It is a "private getaway in the middle of the city", located up the street from the Beverly Hills Hotel. Martin also owns a property in Puerto Rico and a private 19.7-acre island in Brazil. He purchased the latter for $8 million in 2008. Legacy and influence Martin has been regarded as the "King of Latin Pop" by various publications, such as the Grammy Awards, Billboard, Rolling Stone, Time, People, Vogue, The Independent, Entertainment Weekly, Entertainment Tonight Canada, NBC News, and ABC News. Additionally, he has been referred to as the "King of Latin Music", the "Latin Pop God", the "Latin King of Pop", the "Latin American King of Pop", the "Latin King", the "Crossover Latin King", the "Puerto Rican Pop King", the "Salsa-Pop King", and the "King of World Cup". Martin is known as one of the most influential artists in the world. Billboard ranked him as one of the 30 Most Influential Latin Artists of All Time, while NBC News introduced him as an "influential Latin celebrity". In 2014, he won the award for the most influential international artist at the 18th China Music Awards. He was ranked among "25 musicians who broke barriers" by Stacker in 2019, while in 2020, Spin ranked him at number 27 on the list of "most influential artists of the past 35 years", as the only Latin artist on their list. In 2022, Show News named him "the most influential global artist in history". Martin's song "María (Pablo Flores Remix)", which was ranked among the "Greatest Latin Pop Song of All Time" by Rolling Stone, and "11 remixes of classic Latin hits" by Billboard, "launched the Latin and dance music crossover of the '90s", according to the latter. Olivier Pérou from Le Point commented that "some have even learned, thanks to him, to count to three in Spanish" following the popularity of the song. "La Copa de la Vida", which has been hailed as the Best World Cup Anthem of All-Time by multiple sources, became a "musical template" for World Cup anthems, and Martin's Latin and dance crossover style has been much copied in the anthems, as well as soccer chant "Ole! Ole! Ole!" in the lyrics, according to The Hollywood Reporter. As believed by Esquire, the song "inaugurated this musical subgenre" of Latin. Joy Bhattacharjya from The Economic Times wrote about "La Copa de la Vida" that it was the first World Cup anthem to have a video just "as ubiquitous as the song", going on to write: "Since then, official songs have an important part to play in every World Cup." In his review for Pitchfork, Corban Goble wrote that if World Cup anthems someday would be "given their own textbook", "La Copa de la Vida" would be "the standard-bearer for the whole genre". Martin is known as the pioneer in getting Latin pop music genre to mainstream recognition. Following his performance of "The Cup of Life" at the Grammys, and the success of "Livin' la Vida Loca" and Ricky Martin (1999), he opened the gates for many Latin artists such as Jennifer Lopez, Shakira, Christina Aguilera, Marc Anthony, Santana, and Enrique Iglesias who released their crossover albums and followed him onto the top of the charts. His performance of "The Cup of Life" at the Grammys not only changed the course of his career, but also altered how people regard Latin music in America. It has been known as a game-changer for Latin music worldwide, that effectively ushered in the "Latin explosion". Then-United Talent Agency head Rob Prinz described the rendition as "the single biggest game changing moment for any artist in the history of the Grammys". According to Billboard, it has been cited as the beginning of the "Latin Pop invasion", which powerfully affected the US mainstream. Jesús Triviño Alarcón from Tidal Magazine stated, "that single performance opened up the mainstream market for the Latinx legends", mentioning the names of Anthony, Shakira, and Lopez. InStyle staff wrote about it: "With his leather pants, big smile and energetic performance of 'The Cup of Life', Ricky Martin almost personally kicked off the so-called Latin Explosion of the late '90s." Mariana Best of San Antonio Express-News commented that the performance "is recognized for bringing Latin pop to the forefront of the U.S. music scene". In 2018, Diego Urdaneta from Vice credited the song as "one of those that laid the first stones so that J Balvin and Bad Bunnys of today can be at the top of the pyramid", labeling it "a milestone for Latin music". According to Entertainment Tonight, "Livin' la Vida Loca" paved the way for a large number of other Latin artists, and is "credited as the song that helped other Latin artists break through to English-speaking markets". As believed by Spin, the song "lit the fuse for the Latin pop explosion of the '90s". Lucas Villa from Spin wrote about it: "When the world went loca for Ricky, he led the way for other Latin music superstars like Spain's Enrique Iglesias, Colombia's Shakira and Nuyoricans like Jennifer Lopez and Marc Anthony to make their marks beyond the Spanish-speaking crowds." He also described Martin as "a trailblazer in globalizing Latinx culture" in his Grammy.com article. Also from Grammy.com, Ernesto Lechner described "Livin' la Vida Loca" as "the manifesto for all the fun-loving, tropically tinged Latin hit singles that followed", stating that Martin led "the Latin music explosion that took over the U.S. at the tail end of the '90s". According to The Independent, the single is "widely regarded as the song that began the first Latin pop explosion". Peoples Jason Sheeler credited it as the song that "led the way for the late-'90s so-called 'Latin explosion' that dominated pop music into the new century: Shakira, Enrique Iglesias, Marc Anthony, and Jennifer Lopez". Angie Romero from Billboard wrote: "If you look up 'crossover' in the dictionary, there should be a photo of Ricky shaking his bon bon and/or 'Livin' la Vida Loca'." Leila Cobo named "Livin' la Vida Loca" one of the genre's biggest singles of the past 50 years in his 2021 book Decoding "Despacito": An Oral History of Latin Music. She also wrote about his impact in Shakira's "Whenever, Wherever" chapter: "Ricky Martin’s phenomenal success opened the door for a string of Latin artists who waved the flags of their heritage, but who sang in English." Additionally, she compared Martin's song with Luis Fonsi's "Despacito" (2017) in one of her Billboard articles: "'Livin', like 'Despacito', became not just a global hit but a cultural phenomena that transcended all barriers of language and nationality." In another article, she described it as the song that "ignited the late-'90s Latin explosion". Also from Billboard, Gary Trust wrote: "The song helmed a Latin pop boom in the U.S., with Jenner Lopez, Marc Anthony and others crossing over, as well." Writing for LiveAbout.com, Bill Lamb credited the song as "the record which kicked off a wave of major Latin performers hitting the pop mainstream". Jim Farber from Daily News noted that Ricky Martin "provides a textbook example of how to mix Latin beats with pop tunes and rock intonations". St. Louis Post-Dispatch critic Kevin C. Johnson described Martin as Latin music's "pretty-faced poster boy" who is "taking the music to places Jon Secada, Selena and Santana never could". He also mentioned that even "Gloria Estefan at her peak, failed to muster up the kind of hype and hoopla surrounding Martin". Celia San Miguel of Tidal Magazine stated that Martin "highlighted the public's thirst for a different kind of pop" in 1999, noting the album's "fusion-heavy" and "hip-shaking rhythms associated with Latin music". She mentioned that the album "spawned 1999's Latin music boom", emphasizing the fact that Martin created the "spark" of the "Latin Pop Explosion", which was followed by 1999 albums, On the 6 by Lopez, Enrique by Iglesias, and Anthony's eponymous album. She continued crediting "Martin and the paths he created" responsible for the Latin music and Spanish and Spanglish lyrics being "a commonplace phenomenon on English-language radio" in 2019. In her review for Grammy.com, Ana Monroy Yglesias said Martin led a "major music moment in 1999" with Ricky Martin, and along with him, "the first major boom of Spanish-language artists", such as Shakira and Lopez, came into the "U.S. pop landscape". The late '90s Latin explosion also resulted in the launch of the Latin Recording Academy. Gabriel Abaroa Jr., the president and chief executive officer of the Latin Recording Academy, expressed that the plan of its launch was "immediately after the Ricky Martin success". Cuban American musician and producer Emilio Estefan added: "After the success with Ricky Martin, everybody opened their eyes and realized how important it was to bring diversity and multiethnic elements into [mainstream American] music." Many artists have cited Martin as an influence or declared themselves as his fan, including Abraham Mateo, Bad Bunny, Camila Cabello, Camilo, Carla Morrison, Christian Chávez, CNCO, Danna Paola, Enrique Iglesias, J Balvin, J-Hope, Jimin, Karol G, India Martínez, Luis Fonsi, Maite Perroni, Maluma, Neha Mahajan, Pedro Capó, Prince Royce, Rauw Alejandro, Rosalía, Sebastián Ligarde, Sebastián Yatra, Shakira, Tini, Vadhir Derbez, William Hung, Wisin, and Ximena Sariñana. Both Maluma and J Balvin have described Martin as a "teacher" and credited him as an artist who "opened the doors" for them, while Maluma has also expressed: "Ricky Martin is one of the artists I wanted to be growing up. He's my idol in the industry".Citations regarding J Balvin's statements about Martin: Puerto Rican singer Bad Bunny talked about Martin's legacy during an episode of Behind the Music: "There's no doubt that he opened the door for an entire generation of Latin artists. I am doing great things today in the music industry thanks to those doors that he opened." He also mentioned that he is inspired by Martin's coming out as gay: "You don't have to be gay to be inspired by that action of honesty and freedom, of being yourself against the world despite everything you deserve. I look at it like a very inspiring moment for anybody. At least for me, it's very inspirational." Brazilian singer-songwriter Anitta explained to The Guardian that "some Latin stars such as Maluma and Bad Bunny sing in their native language" and do not need to sing in English to get noticed, because they already had representatives like Shakira, Martin, and Jennifer Lopez, but since her country "hasn't had a major international pop star before", she uses "whatever language will get the market's attention". Portrayal in television In July 2019, SOMOS Productions, Endemol Shine Boomdog, and Piñolywood Studios announced the production of a biographical web television series about Menudo, titled Subete a Mi Moto. Consisting of 15 episodes of 60 minutes each, the series premiered on Amazon Prime Video on October 9, 2020 in Mexico, Latin America, and Spain. It was filmed in Mexico and Puerto Rico, and Martin was portrayed by actors Felipe Albors and Ethan Schwartz. The series premiered in the United States on February 14, 2021 on Estrella TV. On the review aggregation website Tomatazos, the first season has a positive score of 75%. The website's critical consensus summary states, "A good trip to the past that recalls a band that defined the youth of a certain public, but that doesn't ignore the darkest moments in the lives of its members." Other ventures Books On August 19, 2010, Martin announced that he had been working on his memoir, mentioning its title as Me and publish date as November 2, 2010. He expressed that writing the book was "one of the reasons" he decided to come out earlier that year. The book also had a Spanish edition title Yo (), which was published simultaneously by Celebra. He stated that writing his memoir allowed him "to explore the different paths and experiences" that have led him to be who he is, noting that it "was not easy but allowed for an incredible spiritual journey". Me spent several weeks at number one on the New York Times Best Seller list. In 2019, ¡Hola! staff ranked the book among "12 Books by Celebrities to Inspire and Motivate You", while Book Riot placed it on an unranked list of the "Best Celebrity Books You Should Read This Year" in 2020. Martin's first children's book Santiago the Dreamer in Land Among the Stars was published by Celebra and illustrated by Patricia Castelao in November 2013 for ages between five to nine. Its Spanish-language edition, Santiago El Soñador en Entre Las Estrellas, was published simultaneously. Martin expressed that the book was inspired by his "personal life, with fantasy added to it", as well as "a lot of cartoons". Products and endorsements Martin endorsed the 2012 Viva Glam campaign with Trinidadian rapper Nicki Minaj, which raised $270 million for the Mac AIDS Fund. In October 2020, Martin announced that he would launch his company, Martin Music Lab in partnership with music engineers Jaycen Joshua and Michael Seaberg. The company is centered around a new audio technique called "Orbital Audio", that "creates a new type of immersive, headphone listening experience". Martin used the technique on his EP Pausa, while several artists including Bad Bunny, Residente, Myke Towers, and A$AP Rocky are going to work with the company. The latter plans to release his whole upcoming studio album, using "Orbital Audio". Martin is going to expand the technique "beyond the music industry and tap into the movies, sports and, most notably, the wellness and meditation space". In 2021, Martin partnered with skin care company Kumiko. The skincare line, created by Chilean cosmetologist Catalina Aguirre, is the first to combine "mesotherapy, matcha, and cutting-edge European technology into unique multi-action formulas that penetrate the dermis with powerful anti-aging properties and lifting benefits". Activism Philanthropy While on a trip to India in 2002, Martin witnessed three minor girls who were about to be sold into prostitution and rescued them. The following year, he became a UNICEF Goodwill Ambassador and then met with activists and decided to fight against human trafficking, which is the second-most lucrative crime in the world. In 2004, Martin launched the Ricky Martin Foundation, a non-profit, non-governmental organization that focuses on denouncing human trafficking and educating about the crime's "existence through research and community initiatives, anchored in the defense of children and youth rights". In the same year, he appealed to the United Nations for international help to fight against sex tourism. In January 2005, following the 2004 Indian Ocean earthquake and tsunami, Martin visited Thailand to assess the needs of the minor survivors who were "extremely vulnerable to traffickers". Later that year, the Ricky Martin Foundation signed an alliance in partnership with Habitat for Humanity to construct 224 homes for the tsunami-affected families. The project was completed in December 2006. In March 2006, the foundation collaborated with the International Organization for Migration in the Llama y Vive () campaign, which focuses on facilitating "the prevention of human trafficking and the protection of young people, victims of child trafficking and prosecution of traffickers". In January 2010, along with many celebrities, Martin operated the charity telethon Hope for Haiti Now to raise donations for the 2010 Haiti earthquake. Later that year, the Ricky Martin Foundation created the first program of community social action against child trafficking in Martin's native Puerto Rico, titled "Se Trata" (). In 2012, the foundation participated in the making of the Child Protection Model Law on the International Centre for Missing & Exploited Children. In 2016, Martin visited Syrian refugees in Lebanon and played with the children and talked to them in an informal refugee camp. Following the Hurricane Maria in Puerto Rico in 2017, the Ricky Martin Foundation helped people and handed over homes that were rebuilt after the losses; Martin launched a viral campaign of selling a black T-shirt with the Puerto Rican flag stamped on it in order to raise the funds. The T-shirts were designed by Martin's twin boys Matteo and Valentino, while many celebrities including Will Smith, Bad Bunny, Marc Anthony, Luis Fonsi, and Maluma supported the campaign. During the COVID-19 pandemic, Martin created a campaign to help health care workers through the non-profit organization Project Hope. He expressed: "As you know, health care professionals are extremely vulnerable and professionals around the world don’t have personal protection equipment they need to prevent them getting infected." In February 2021, Martin collaborated with Antonia Novello to launch mass vaccination events in Puerto Rico. Following the murder of George Floyd and Black Lives Matter protests in 2020, Martin honored an effort called "Black Out Tuesday" and launched the hashtag #knowthestruggle, giving his social media to the voices of the community that are "looking for justice", to learn more about what is happening. For his humanitarian efforts and fighting against human trafficking, Martin has been honored with numerous accolades, including the Peace Summit Award by the World Summit of Nobel Peace Laureates, the TIP Report Hero Award by the United States Department of State, the Spirit of Hope Award by Billboard Latin Music Awards, the Latin Recording Academy Person of the Year Award, the Award of Inspiration by amfAR Gala, the Leader of Change Award by the Foundation for Social Change, the Humanitarian Award by the Global Gift Foundation, the Humanitarian Award by the Hispanic Federation, the Corazón Latino Award by the iHeartRadio Fiesta Latina, the International Humanitarian Award by the International Center for Missing and Exploited Children, the Agent of Change Award by the International Peace Honors, the PODER Social Leadership Awards, and the Agent of Change Award by the Premios Juventud. Politics On January 20, 2001, during the first inauguration of George W. Bush, Martin performed "The Cup of Life" and danced with him. Martin's view of Bush changed over the Iraq War, as expressed in his declaration to BBC News that he will "always condemn war and those who promulgate it". He also stuck up his middle finger while singing the president's name in his 2003 song "Asignatura Pendiente" at a concert. At the 2010 Billboard Latin Music Awards, Martin expressed his disagreement with the Arizona SB 1070 bill, a proposed law that would have required police officers to request documents from individuals whom they suspected to be illegal immigrants. Martin campaigned for the 44th president of the United States Barack Obama in 2008 and 2012, and thanked him for an "outstanding presidency" in 2016, while calling him "an amazing leader". Also in 2016, he was an active ally to the Democratic Party presidential candidate Hillary Clinton campaign, while condemning Donald Trump's hateful comments about immigrants. He also performed his hits during the "Hillary Clinton: She's With Us" concert at the Greek Theatre on June 6, 2016. Telegramgate, also known as Chatgate, was a political scandal involving Ricardo Rosselló, then Governor of Puerto Rico, which began on July 8, 2019, with the leak of hundreds of pages of a group chat on the messaging application Telegram between Rosselló and members of his cabinet. The messages were considered vulgar, misogynistic, and homophobic toward several individuals and groups, including Martin. Therefore, Martin, Bad Bunny, Residente and several other artists, and more than half a million Puerto Ricans led the call to take to the streets of Puerto Rico, demanding Rosselló's resignation. In September 2020, Martin, Luis Fonsi, and actress Eva Longoria attended a campaign event in Kissimmee, Florida to support the Democratic presidential candidate Joe Biden for the 2020 United States presidential election. During an interview with Variety, Martin stated: "I've been supporting Biden forever, I think he is the only option we have and he is great and he has been in politics all his life. This is the moment. We all need to get together and be loud about the course of this nation." Following the election of Biden as 45th president of the United States, Martin said "Bye-bye" to Trump on social media, and shared a photo of himself along with Biden on Instagram. In May 2021, Martin demonstrated his support for the Ni una menos movement, condemning femicides and violence against women in Puerto Rico, while calling authorities to protect women. He further expressed that no woman should fear for her safety and urged authorities to take steps in order to prevent these acts. In the same month, he supported the 2021 Colombian protests. Later that year, the singer raised his voice in support of the 2021 Cuban protests against the Castro regime for the restrictions due to the COVID-19 pandemic and the economic crisis, stating: "This is very important. Our brothers and sisters in Cuba need us to inform the world what they are experiencing today. Let's fill the networks before they remove the internet in the country. Humanitarian aid for Cuba NOW." LGBT advocacy As a gay man, Martin actively supports LGBT rights worldwide since his coming out in 2010. Even before coming out, he was noted by the mainstream media for being popular among gay men and having a large gay fan base. He also went on the cover of the American LGBT-interest magazine The Advocate in July 1999. Despite this, he admitted that he felt homosexuality was evil since he was raised as a Catholic and targeted his anger toward others, especially gay men: "I was very angry, very rebellious. I used to look at gay men and think, 'I'm not like that, I don't want to be like that, that's not me.' I was ashamed." He added that he "had internalized homophobia" back then. He is currently considered to be a gay icon, with PinkNews labeling him "a strong advocate of LGBT rights" who "expressed support for equal marriage" since coming out. As the first mainstream Latin music artist to come out, Martin's coming out was a game-changer for "Latin Pride". Billboards Lucas Villa stated: "With Martin's announcement, gay artists, who had long kept their sexual identities a secret, finally had a beacon of hope. If Martin could come out with his career unscathed, there was hope for other artists in Latin music to start doing the same." He added that since then, "a growing number of Latin artists have either come out after years in the spotlight, or many have simply started their careers by embracing their gay identities". In 2010, GLAAD then-president Jarrett Barrios expressed that Martin's coming out as gay leads "hundreds of millions of people" to have "a cultural connection with an artist, a celebrity and, perhaps most importantly, a father who happens to be gay", adding that "his decision to model this kind of openness and honesty can lead to greater acceptance for countless gay people in U.S., in Latin America and worldwide". In 2019, Human Rights Campaign then-president Alphonso David expressed that Martin "has used his international stage to advocate for LGBTQ people around the world" with his "unique voice and passionate activism". The following year, Suzy Exposito from Rolling Stone argued that with risking his career and coming out, Martin "set the scene for Bad Bunny to be free in many ways that, during his own breakthrough moment, he could not". Martin expressed support for same-sex marriage during an interview on Larry King Live in 2010. He has then delivered speeches about LGBT rights at the United Nations Homophobia Conference, the GLAAD Media Awards, and the Human Rights Campaign. He also raised his voice to support gay marriage in Puerto Rico before its legalization in 2015. In March 2016, Martin met with Chilean LGBT rights group Fundación Iguales to learn about the challenges LGBT citizens face there. AT the meeting, he said that he wants "equal marriage rights for Chile" and he wants his sons to grow up in a world where "there are no second-class citizens". Following the Colombia's highest court voting against an anti same-sex marriage proposal in April 2016, Martin tweeted: "Love and equality win, Colombia says YES to same-sex marriage." During an interview with Vulture, Martin talked about his role in The Assassination of Gianni Versace and how he wanted his portrayal to help "normalize open relationships". In June 2019, he published an open letter slamming the religious liberty bill, saying: "As a defender of human rights and a member of the LGBTT community, I am vehemently opposed to the proposed measure imposed upon us under the guise of religious freedom, that projects us to the world as a backwards country." Puerto Rico's then-governor backed down and withdrew his support of the bill following Martin's statement. In June 2020, Martin performed his song "Recuerdo" with Carla Morrison for a virtual event, Can't Cancel Pride: Helping LGBTQ+ People in Need, to raise visibility and funds for LGBTQ+ communities. He appeared at the virtual event in the following year as well. In February 2021, Martin was named national spokesperson for the onePULSE Foundation, a non-profit organization that focuses on managing "the design and construction of the permanent national memorial and museum dedicated to the Pulse nightclub tragedy". Later that year, he expressed that he wants to "normalize families like" his, in an interview with People. Several of Martin's music videos feature diversity in sexual orientations and same-sex couples, including "The Best Thing About Me Is You", "Disparo al Corazón", "Fiebre", and "Tiburones". For his activism and advocacy for LGBTQ community, Martin has been honored with numerous accolades, including the GLAAD Vito Russo Award, the Gala Vanguard Award by the Los Angeles LGBT Center, the International Icon Award by the British LGBT Awards, the National Visibility Award by the Human Rights Campaign, the Trailblazer Award by the LGBT Center Dinner, the Celebrity Activist of the Year by LGBTQ Nation, and the Legacy Award by Attitude Awards. Achievements Throughout his career, Martin has won over 200 awards (most awarded male Latin artist), including two Grammy Awards, five Latin Grammy Awards, five MTV Video Music Awards (tied for most wins by a Latin artist), two American Music Awards, two Latin American Music Awards, three Billboard Music Awards, a Billboard Music Video Award, nine Billboard Latin Music Awards, eight World Music Awards, fourteen Lo Nuestro Awards (including the Excellence Award), and a Guinness World Record. As an actor, he was nominated for an Emmy Award. In 2007, Martin was honored with a star on the Hollywood Walk of Fame, located at 6901 Hollywood Blvd. Martin is ranked among the Greatest Latin Artists of All Time and the Greatest Hot Latin Songs Artists of All Time by Billboard, while his album Vuelve was placed at number five on Billboards Top 20 Latin Albums Of All Time in 2018. In 1998, his song, "Perdido Sin Ti" reached the top of the Latin Pop Airplay chart, displacing Martin's own "Vuelve", making him the first artist on the chart's history to replace himself. His song "Livin' la Vida Loca" became the first number-one song on Billboard Hot 100, which was made entirely in Pro Tools, and achieved the first number one hit for his label, Columbia. It also became the first song in history to top Billboards Adult Pop Airplay, Pop Airplay, and Rhythmic Airplay charts, holding its record as the only song to do so for 14 years. On May 15, 1999, it became the first single ever to rule four different Billboard charts and made Martin the first act to simultaneously scale a pop, Latin, and dance chart. Two weeks later, he became the first artist to simultaneously top the Billboard 200, Hot Latin Tracks, Hot Dance Music/Club Play, Hot Dance Music/Maxi-Singles Sales, Top 40 Tracks, and the Billboard Hot 100. His song "Tal Vez" (2003) marked the first number one debut on Billboard Hot Latin Songs in the 21st century. Martin is the first and only artist with Spanish-language entries on Billboard Hot 100 in three decades. In 2020, he became the first and only artist in history to enter the Billboard Hot Latin Songs chart across five decades, including his work as part of Menudo. The following year, he became the first male Latin artist in history to have 4 songs from different decades to have over 100 million streams on Spotify. He owns the record as the artist with most top 20s on the US Latin Pop Airplay chart, with 51 songs, and is the runner-up of most top 10s. He is the fourth artist with the most number one songs in the history of the Hot Latin Songs chart. Additionally, he holds the record as the most Spanish-language entries on ARIA top 50 singles chart, with three. On October 11, 2007, then-mayor of Miami Beach, Florida David Dermer awarded him the key to the city of Miami Beach. Puerto Rico named August 31 the "International Ricky Martin Day" in 2008. The Government of Spain granted Spanish nationality to Martin in 2011, for being "recognized in different artistic facets". In 2018, in recognition of "his dedication to the island and people of Puerto Rico, his philanthropic work to eliminate human trafficking across the Caribbean, and his commitment to the arts", the singer received a proclamation naming June 7 the "Ricky Martin Day" in New York City. Throughout his career, Martin has sold over 70 million records making him one of the best-selling Latin music artists of all time. In 2020, La Opinión estimated his net worth at US$120 million. Discography Ricky Martin (1991) Me Amaras (1993) A Medio Vivir (1995) Vuelve (1998) Ricky Martin (1999) Sound Loaded (2000) Almas del Silencio (2003) Life (2005) Música + Alma + Sexo (2011) A Quien Quiera Escuchar (2015) Filmography Mas Que Alcanzar una estrella (1992) Hercules – Latin American dub (1997) Idle Hands (1999) Ricky Martin: One Night Only (1999) Minions – Latin American dub (2015) The Latin Explosion: A New America (2015) Ricky Martin: Behind the Vegas Residency (2017) Jingle Jangle: A Christmas Journey (2020) El cuartito (2021) Theatre Les Misérables (1996), Broadway – Marius Pontmercy Evita (2012), Broadway – Ché Tours and residenciesHeadlining tours Ricky Martin Tour (1992) Me Amaras Tour (1993–1994) A Medio Vivir Tour (1995–1997) Vuelve World Tour (1998) Livin' la Vida Loca Tour (1999–2000) One Night Only with Ricky Martin (2005–2006) Black and White Tour (2007) Música + Alma + Sexo World Tour (2011) Ricky Martin Live (2013–2014) Live in Mexico (2014) One World Tour (2015–2018) Ricky Martin en Concierto (2018-2019) Movimiento Tour (2020-2022)Co-headlining tour Enrique Iglesias and Ricky Martin Live in Concert (with Enrique Iglesias) (2021)Residency' All In (2017–2018) See also Honorific nicknames in popular music List of artists who reached number one in the United States List of artists who reached number one on the UK Singles Chart List of Latin pop artists List of multilingual bands and artists List of Puerto Rican Grammy Award winners and nominees List of Puerto Ricans List of Urbano artists Notes References Book sources External links 1971 births Living people 20th-century LGBT people 20th-century Puerto Rican male actors 20th-century Puerto Rican male singers 20th-century Puerto Rican singers 21st-century LGBT people 21st-century Puerto Rican male actors 21st-century Puerto Rican male singers 21st-century Puerto Rican singers American gay actors American gay musicians American humanitarians American male pop singers American male singer-songwriters Columbia Records artists Echo (music award) winners Grammy Award winners Hispanic and Latino American male actors Hispanic and Latino American musicians Latin Grammy Award winners Latin music songwriters Latin pop singers Latin Recording Academy Person of the Year honorees LGBT entertainers from Puerto Rico LGBT Hispanic and Latino American people LGBT Latin musicians LGBT rights activists from the United States LGBT singers from the United States Male actors from San Juan, Puerto Rico Menudo (band) members MTV Europe Music Award winners Naturalised citizens of Spain Puerto Rican activists Puerto Rican expatriates in Australia Puerto Rican expatriates in Mexico Puerto Rican expatriates in Spain Puerto Rican male film actors Puerto Rican male soap opera actors Puerto Rican male television actors Puerto Rican people of Basque descent Puerto Rican people of Canarian descent Puerto Rican people of Corsican descent Puerto Rican people of Spanish descent Puerto Rican philanthropists Puerto Rican pop singers Puerto Rican record producers Puerto Rican singer-songwriters Singers from San Juan, Puerto Rico Sony Music Latin artists Sony Music Spain artists Spanish-language singers of the United States UNICEF Goodwill Ambassadors World Music Awards winners

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What did this do to them

What did touring in Puerto Rico with Menudo do to Ricky Martin?

Ricky Martin

After achieving modest fame in Puerto Rico for his work in television commercials, Martin auditioned for membership in the Puerto Rican boy band Menudo. Although the executives enjoyed his dancing and singing at his first two auditions, Martin was rejected because he was too short. By the third audition, his persistence impressed executives, and in 1984, 12-year-old Martin became a member. A month after joining Menudo, he made his debut performance with the group at the Luis A. Ferre Performing Arts Center in San Juan. During this performance, he inadvertently disobeyed the choreography by walking around the stage, when it was planned that he would stay still, and was chastised by the band manager after the show: "The mistake was such a big deal that from that moment on, never again did I move when I wasn't supposed to move...That was the discipline of Menudo: You either did things the way you were told or you were not part of the group." The song "Asignatura Pendiente" from Almas del Silencio (2003) was inspired by the first time Martin left Puerto Rico to tour with Menudo. Although Martin enjoyed traveling and performing onstage with Menudo, he found the band's busy schedule and strict management exhausting, and later reflected that the experience "cost" him his childhood. He considered leaving the group while on tour in Brazil, but ultimately decided to stay out of fear of media backlash and being sued for breach of contract. Martin also began struggling with his sexuality, noting the stark contrast between his status as a sex symbol and his own emotions. Despite this, Martin acknowledged his "opportunity to have so many amazing experiences with so many amazing people" during his time with the group. He developed an interest in philanthropy when the group became UNICEF ambassadors, often working with impoverished children in third world countries. His experiences as an ambassador affected him greatly and inspired him to continue working with charities later in life. By 1987, Menudo's record sales began to decline, and the group changed its image, adopting an edgier look and performing more rock-influenced songs. The band released the album Somos Los Hijos del Rock in Spanish, and to appeal to the Menudo's Filipino fanbase, the group released In Action, recording songs in both English and Tagalog. After recording 11 albums with the group, Martin left Menudo in July 1989, at age 17, hoping to rest and evaluate his career path. He performed his final show with the group at the same venue where he'd performed his first performance as a member. Martin returned to Puerto Rico to graduate from high school, and 13 days after turning 18, he moved to New York City to celebrate his financial independence; since he was a minor during his time as a member of Menudo, Martin was not allowed to access his own bank accounts. He was accepted into New York University's Tisch School of the Arts, but months before classes began, Martin dropped out and moved to Mexico City to perform in the play Mama Ama el Rock (Mom Loves Rock). CANNOTANSWER

Although Martin enjoyed traveling and performing onstage with Menudo, he found the band's busy schedule and strict management exhausting,

Enrique Martín Morales (born December 24, 1971), known professionally as Ricky Martin, is a Puerto Rican singer, songwriter, and actor. He is known for his musical versatility, as his discography spans multiple genres, including Latin pop, pop, dance, reggaeton, and salsa. Dubbed the "King of Latin Pop", the "King of Latin Music", and the "Latin Pop God", he is regarded as one of the most influential artists in the world. Born in San Juan, Martin began appearing in television commercials at the age of 9 and began his musical career at age 12, as a member of Puerto Rican boy band Menudo. He started his solo career in 1991 while in Sony Music Mexico, gaining recognition in Latin America with the release of his first two studio albums, Ricky Martin (1991) and Me Amaras (1993), both of which were focused on ballads. Martin's third album, A Medio Vivir (1995), helped him rose to prominence in European countries. The chart-topping single "María", incorporated a mixture of Latin music genres and became his first international hit. His international success was further solidified with his fourth album, Vuelve (1998). The album, which earned Martin his first Grammy Award, spawned chart-topping hits "Vuelve" and "La Copa de la Vida". Martin performed the latter at the 41st Annual Grammy Awards, which was greeted with a massive standing ovation and is known as a game-changer for Latin music worldwide. His first English album, Ricky Martin (1999) became his first US Billboard 200 number one. The lead single "Livin' la Vida Loca" is considered to be Martin's biggest hit, topping both the Billboard Hot 100 and the UK Singles Chart. Martin's success in the late '90s is generally seen as the beginning of the "Latin explosion". He has been credited for getting Latin pop music genre to mainstream recognition, paving the way for a large number of Latin artists to achieve a global success. Martin has since established his status as a sex symbol and a pop icon, releasing several successful albums, including all-time Latin bestsellers Almas del Silencio (2003) and MTV Unplugged (2006), as well as Grammy Award winner A Quien Quiera Escuchar (2015). He has also amassed many successful singles and chart-topper hits, including "She Bangs", "Nobody Wants to Be Lonely", "Tal Vez", "Tu Recuerdo", "La Mordidita", "Vente Pa' Ca", and "Canción Bonita". As an actor, Martin gained popularity and stardom for his role in the hit soap opera General Hospital (1994-1996), while his portrayal of Antonio D'Amico in The Assassination of Gianni Versace: American Crime Story (2018) marked the acting opportunity of his career, garnering him an Emmy nomination. He also starred as Ché in the Broadway revival of the musical Evita in 2012, which broke the theatre's box-office sales record seven times. Having sold over 70 million records worldwide, Martin is one of the best-selling Latin music artists of all time. He has scored 11 Billboard Hot Latin Songs number-one songs, and won over 200 awards (most awarded male Latin artist), including two Grammy Awards, five Latin Grammy Awards, five MTV Video Music Awards (tied for most wins by a Latin artist), two American Music Awards, two Latin American Music Awards, three Billboard Music Awards, nine Billboard Latin Music Awards, eight World Music Awards, fourteen Lo Nuestro Awards, a Guinness World Record, and a star on the Hollywood Walk of Fame. He is ranked among the Greatest Latin Artists of All Time, the Greatest Music Video Artists of All Time, and the Most Influential Latin Artists of All Time by Billboard. His philanthropy and activism focus on LGBT rights and fighting against human trafficking; in 2004, he founded The Ricky Martin Foundation, a non-profit, non-governmental organization that focuses on denouncing human trafficking and educating about the crime's existence. Life and career 1971–1982: Early life Enrique Martín Morales was born on December 24, 1971, in San Juan, Puerto Rico. His mother, Doña Nereida Morales, is a former accountant; his father, Enrique Martín Negroni, is a former psychologist who previously worked as a regional supervisor for a Puerto Rican mental-health agency. His parents divorced when he was two years old, and although his mother had custody of Martin, he could also move freely between his father's house in the middle-class suburb of University Gardens in San Juan, and his paternal grandmother's house nearby. In an interview with People, he told the magazine the he "never had to make decisions" about who he loved more, and he was "always happy". Martin has two older maternal half-brothers, Fernando and Ángel Fernández, two younger paternal half-brothers, Eric and Daniel Martín, and a younger paternal half-sister, Vanessa Martín. Martin has Spanish heritage of Basque and Canarian descent. As he explained to ABC, the Martins traveled from Spain to Puerto Rico in 1779. He also has some Corsican origin through his paternal grandmother. Martin grew up Catholic. The people closest to him called him "Kiki" (a nickname that comes from Enrique). He began singing at age six, using wooden kitchen spoons as make-believe microphones; he often sang songs by Puerto Rican boy band Menudo, as well as English-language rock groups such as Led Zeppelin, Journey, and REO Speedwagon. His mother's side of the family was musically inclined and his maternal grandfather was a poet. Martin later reflected on his time spent with his family as a child: "Every time I find myself in front of an audience, be it twenty people or one hundred thousand, once again I feel the energy that consumed me back at the family gatherings of my youth." He attended Colegio Sagrado Corazón, a bilingual Catholic grade school in University Gardens since fourth grade and was an "average" student there. When he was nine years old, he began appearing in television commercials for products such as soft drinks, toothpaste, and fast food restaurants, most notably Orange Crush and Burger King. In a year and a half, he starred in 11 commercials. 1983–1989: Menudo After achieving moderate fame in his country for his appearances in television commercials, Martin auditioned for membership in Menudo. Formed in Puerto Rico in 1977, Menudo members were usually replaced when they hit 16 in order to keep the band "full of fresh-faced members". Although the executives enjoyed his dancing and singing at his first two auditions, Martin was rejected because he was too short. By the third audition, his persistence impressed executives, and in 1984, 12-year-old Martin became a member. A month after joining Menudo, he made his debut performance with the group at the Luis A. Ferré Performing Arts Center in San Juan. During this performance, he inadvertently disobeyed the choreography by walking around the stage, when it was planned that he would stay still, and was chastised by the band manager after the show: "The mistake was such a big deal that from that moment on, never again did I move when I wasn't supposed to move. That was the discipline of Menudo: You either did things the way you were told or you were not part of the group." Although Martin enjoyed traveling and performing onstage with Menudo, he found the band's busy schedule and strict management exhausting, and later reflected that the experience "cost" him his childhood. Despite this, Martin acknowledged his "opportunity to have so many amazing experiences with so many amazing people" during his time with the group. During his time with Menudo, he became a "key-member of the group" and a "fan-favorite", while the band released 11 albums, including the Grammy-nominated Evolución () (1984) and their highest-charting and longest-running album on the US Billboard 200, Menudo (1985). The former featured Martin's debut single, "Rayo de Luna" () and the latter included the hit single "Hold Me". "Hold Me" became the group's first and only entry on the US Billboard Hot 100 chart, peaking at number 62. It was ranked among the "100 Greatest Boy Band Songs of All Time" by Billboard, the "75 Greatest Boy Band Songs of All Time" by Rolling Stone, and the "30 Best Boy Band Songs" by Complex. Besides the musical career, Martin appeared with other members of Menudo in the American romantic comedy/drama television series, The Love Boat (1985), and the Argentine soap opera, Por Siempre Amigos (1987). He also developed an interest in philanthropy when the group became UNICEF ambassadors, often working with impoverished children in third world countries. His experiences as an ambassador affected him greatly and inspired him to continue working with charities later in his life. Finally, Martin left the band in July 1989, at age 17, hoping to rest and evaluate his career path; he stayed a few extra months after his "age-mandated retirement" came around. He performed his final show with the group at the same venue where he had performed his first performance as a member. Referred to as the "Most Iconic Latino Pop Music Band", Menudo was ranked as one of the Biggest Boy Bands of All Time by Us Weekly in 2021. The group has sold around 20 million records worldwide, and has been acknowledged as the "Most Successful Latin Boy Band of All Time" by Billboard. Martin returned to Puerto Rico to "get a break from the pressures of the group, the promotional tours, and the constant stress of work", but although his parents' divorce had not affected him before, suddenly began to affect him; his parents "began fighting more than ever" and they were forcing him to "choose between the two people in the world" he loved most. As he understood they did this because they loved him and wanted the best for him, he "forgave all of the pain and anger they caused" him. He graduated from the high school, and 13 days after turning 18, he moved to New York City to celebrate his financial independence; since he was a minor during his time with Menudo, Martin was not allowed to access his own bank accounts. 1990–1994: Acting and first solo albums Martin was accepted into New York University's Tisch School of the Arts in 1990, but before classes began, his friend invited him to Mexico City. He attended the musical comedy play, Mama Ama el Rock () there, and was offered to stay and replace one of the actors. He accepted the offer, dropped out the university and moved from New York to Mexico City to perform in the play. While he was performing onstage in Mama Ama el Rock, a producer in the audience took notice of Martin's acting and offered him a role in the Mexican telenovela Alcanzar una estrella () (1990). Martin also joined the cast for the second season of the show, titled Alcanzar una estrella II (1991). A film based on the TV series, titled Más que alcanzar una estrella () (1992), was also produced in which Martin starred, and earned him an El Heraldo Award for his role. A Sony Discos executive noticed Martin's acting in the soap operas and offered him his first solo music recording contract. Eager to record his first solo album and hustled by the executive, Martin signed the contract without reading its conditions and inadvertently signed a deal in which he would only be paid one cent for each album sold! Despite viewing the contract as unfair, Martin referred to the record as "the start of something phenomenal" for him. After working "around the clock" to finish filming Alcanzar una estrella II and recording music, he released his debut solo album, Ricky Martin, on November 26, 1991. The album peaked at number five on the US Billboard Latin Pop Albums chart and spent a total of 41 weeks on the list. It sold over 500,000 copies worldwide, was certified gold in Argentina, Chile, Colombia, Mexico, and Puerto Rico, and spawned his first solo hit singles, "Fuego Contra Fuego" (), "El Amor de Mi Vida" (), and "Dime Que Me Quieres" (). Both "Fuego Contra Fuego" and "El Amor de Mi Vida" reached the top 10 on the US Billboard Hot Latin Tracks, peaking at numbers three and eight, respectively. To promote the album, Martin embarked on a successful Latin American tour, breaking box office records, which the singer referred to as "an indescribable feeling, almost like coming home". After the success of Ricky Martin and its subsequent tour, Martin's record company met him with the Spanish musician Juan Carlos Calderón to work on his second studio album, Me Amaras () (1993). Although Martin felt "very grateful" for the opportunity to work with Calderón, he noted, "I always felt that that record was more his than mine." The album sold over one million copies worldwide and was certified triple-platinum in Chile. In 1994, Martin's agent encouraged him to move to Los Angeles to act in an American sitcom called Getting By. The show was canceled after two seasons, but soon afterward, Martin was given the role of Miguel Morez on the popular hit soap opera General Hospital; Morez, a bartender and singer, known for his long and flowing hair, was a Puerto Rican citizen hiding in the United States from his lover's criminal mastermind father and created a love triangle with his fiancé Lily Rivera and Brenda. Martin portrayed the role for two years and gained huge popularity and stardom, becoming "one of the most-talked about actors on the soap opera". Despite this, Martin felt he lacked chemistry with the rest of the General Hospital cast and observed that people treated him differently because of his Puerto Rican accent. At the time, it was relatively uncommon for Latin actors to appear on American television, and people suggested that he take accent reduction classes, which he refused. 1995–1997: Breakthrough with A Medio Vivir In 1995, Martin refocused on his music career, and began working on his third studio album, A Medio Vivir (). The album was released on September 12, 1995, and became a huge success; it sold over three million copies or even seven million copies worldwide, according to different sources, being certified gold in the United States, platinum in France, 4× platinum in Spain, and 6× platinum in Argentina, as well as many other certifications in Latin American countries. It spawned several successful hits, including "Te Extraño, Te Olvido, Te Amo" (), "María", and "Volverás" (). On "María", which was released as the second single from the album, Martin allowed himself "to go into a very Latin, African sound". He created a mix of different Latin music genres instead of singing a romantic ballad, the style that he focused on it in his first two albums, while Latin pop music in general was mainly made up of it at the time. Although Martin was satisfied with the track and he describes it as a song that he is "extremely proud of", the first time he played it for a record label executive, the man said: "Are you crazy? You have ruined your career! I can't believe you are showing me this. You're finished — this is going to be your last album." Despite this, the track became Martin's breakthrough song and his first international hit. It topped the charts in 20 countries, and has sold over five million physical copies worldwide. As a result, the song was featured in the 1999 edition of The Guinness Book of Records as the biggest Latin hit. It was also the Song of the Summer in Spain in 1996 and was the second best-selling single in the world that year. In Australia, "María" spent six weeks at number one, topped the country's year-end chart in 1998, and was certified platinum. The song also spent nine weeks at number one in France, and was certified diamond. It has sold over 1.4 million copies in France. Additionally, the track reached the top 10 in the United Kingdom, and became Martin's first entry on the US Billboard Hot 100 chart. To promote A Medio Vivir, he embarked on the worldwide A Medio Vivir Tour, that lasted for more than two years, through which he performed 63 shows and visited Europe, Latin America and the United States. During an interview with The Miami Herald in 1996, Martin expressed an interest in performing on Broadway. In a few days, he received a phone call from producer Richard Jay-Alexander, and was offered the role of Marius Pontmercy in the play Les Misérables. After the conclusion of the A Medio Vivir Tour in Latin America, Martin returned to New York to appear in the play in an eleven-week run. He greatly enjoyed the experience, calling his time in the play an "honor" and "the role of [his] life". Martin continued to tour after the conclusion of the show's run, and noted that his audiences were growing in both size and enthusiasm. 1998–1999: Vuelve While the A Medio Vivir Tour had not been concluded yet, Martin returned to the studio to record his fourth album Vuelve (). He called the experience of touring and recording at the same time "brutal and incredibly intense". As he was finishing the record in 1997, "María" caught the attention of FIFA. They contacted Martin and asked him to create a song as the 1998 FIFA World Cup anthem. He stated about the request: "I have to admit that the challenge made me a bit nervous, but the massive growth potential for my career was such that I decided to accept." Following his acceptance, musicians K.C. Porter, Robi Rosa, and Desmond Child joined him and they started working on a song titled "La Copa de la Vida" (English: "The Cup of Life"). Martin wrote about the recording: "La Copa de la Vida" was included as the eighth track on Vuelve, released February 12, 1998, The album became a huge success; it sold over eight million copies worldwide, becoming the best-selling Spanish-language album in history, according to his label. Also, some sources have reported the album's sales as six million copies worldwide. It spent 26 weeks atop the US Billboard Top Latin Albums chart and was certified platinum by the Recording Industry Association of America (RIAA). In Canada, the album peaked at number three and was certified double platinum. Vuelve spawned big hits, including the title track, "La Copa de la Vida", "Perdido Sin Ti" (), and "La Bomba" (). "La Copa de la Vida" grew to be an international success, appearing on the charts in more than 60 countries, and reaching number one in 30 countries, Both "Vuelve" and "Perdido Sin Ti" peaked at number one on the US Billboard Hot Latin Tracks chart; the former also reached number one in On July 12, 1998, Martin performed "La Copa de la Vida" as the official anthem at the 1998 FIFA World Cup Final in France, in front of more than a billion TV viewers around the world. To promote Vuelve, Martin embarked on the worldwide Vuelve Tour; he performed in Asia, Australia, Europe, Mexico, South America, and the United States. Although Latin music was not important to the Recording Academy or the mainstream music industry at the time, Tommy Mottola, then-chief of Columbia Records, was certain about Martin's stardom and pushed hard to have him on the Grammy Awards ceremony. During an interview with Billboard, Mottola told the magazine about it: "There was tremendous resistance from the Grammys. They did not want an 'unknown' to perform, yet we he had already sold 10 million copies of Vuelve worldwide. To me, that was absolutely UNACCEPTABLE." Finally, on February 24, 1999, cavorting with a 15-piece band alongside and a large number of dancers and percussionists, Martin performed a bilingual version of "La Copa de La Vida" at the 41st Annual Grammy Awards, which was greeted with a massive standing ovation and met with acclaim from music critics. At the same night, Vuelve earned Martin his first Grammy award, for Best Latin Pop Performance. After he accepted the award and expressed how important it was to the Latin community, the American singer-songwriter Madonna came on the stage and hugged him. 1999–2000: Crossover to English In October 1998, CNN confirmed that Martin has been working on his first English language album, following the huge success of Vuelve. In April 1999, Billboard revealed the album's title as Ricky Martin in an article, mentioning that the album was initially set for retail on May 25, 1999. However, the huge interest in the disc, following Martin's performance at the Grammy Awards, encouraged Columbia Records to decide to rush the album to release two weeks ahead of schedule, on May 11. Tom Corson, the senior vice president of marketing at Columbia explained: "Quite simply, the market has demanded it. People have been wanting this record for a while, and it's now reached the point where we have to get it out there immediately." Tim Devin, the general manager of Tower Records in New York added about Martin: "He's always been one of our strongest Latin artists, but interest in him has picked up considerably since that performance." Ricky Martin debuted atop the US Billboard 200 with first-week sales of 661,000 copies, according to data compiled by Nielsen SoundScan, becoming the largest sales week by any album in 1999. It also broke the record as the largest first-week sales for any pop or Latin artist in history, as well as any Columbia Records artist during the SoundScan era. With this album, Martin became the first male Latin act in history to debut at number one on the US Billboard 200 chart. It was certified 7× platinum by the Recording Industry Association of America (RIAA), denoting shipments of over seven million copies in the US and breaking the record as the best-selling album by a Latin artist in the country. Only within three months, Ricky Martin became the best-selling album ever by a Latin artist. According to different sources, the album has sold over 15 million copies or even 17 million copies worldwide. It was nominated for Best Pop Album at the 42nd Annual Grammy Awards. The album was supported by four singles; the lead single "Livin' la Vida Loca" () topped the charts in more than 20 countries and is considered to be Martin's biggest hit, and one of the best-selling singles of all time. In the United States, it topped the Billboard Hot 100 chart for five consecutive weeks, becoming Martin's first number one single on the chart. Additionally, it broke several records on Billboard charts. It also spent eight consecutive weeks atop the Canada Top Singles chart and topped the country's year-end chart. In the United Kingdom, it debuted at number one and stayed there for three weeks, making Martin the first Puerto Rican artist in history to hit number one. The track was ranked as the best '90s pop song by Elle, and was listed among the Best Latin Songs of All Time by Billboard. It was nominated for four categories at the 42nd Annual Grammy Awards, including Record of the Year and Song of the Year. Its Spanish version reached the summit of the Billboard Hot Latin Tracks chart in the United States, and was nominated for Record of the Year at the 2000 Latin Grammy Awards. "She's All I Ever Had" was released as the second single from the album in June 1999. It peaked at numbers two and three on the US Billboard Hot 100 and Canada Top Singles charts, respectively. The Spanish version, "Bella" () topped the charts in five countries, as well as Billboards Hot Latin Tracks chart. To further promote Ricky Martin, he embarked on the worldwide Livin' la Vida Loca Tour. In the United States, the Livin' la Vida Loca Tour was the highest-grossing tour of 2000 by a Latin artist, earning over $36.3 million with 44 dates and drawing 617,488 fans. According to Billboard Boxscore, the tour grossed $51.3 million in Canada, Mexico, and the United States, with 60 shows and drawing an audience of 875,151. International dates were not reported to Boxscore and would push the tour's grosses higher. 2000–2005: Sound Loaded, Almas del Silencio, and Life While the Livin' la Vida Loca Tour had not been concluded yet, Martin returned to the studio to record his sixth studio album, Sound Loaded. The album was released on November 14, 2000. It debuted at number four on the Billboard 200 with first-week sales of 318,000 copies, according to data compiled by Nielsen SoundScan. The album has sold over seven million copies or even eight million copies worldwide, according to different sources, being certified double platinum in the US. The album featured two hit singles, "She Bangs" and "Nobody Wants to Be Lonely". The former reached number one in seven countries, including Italy and Sweden, as well as the top five in Australia, Canada, the United Kingdom, and several other countries. It was nominated for Best Male Pop Vocal Performance at the 43rd Annual Grammy Awards. The Spanish-language version of "She Bangs" reached the summit of the Hot Latin Tracks chart and won the Latin Grammy Award for Best Music Video at the 2nd Annual Latin Grammy Awards. "Nobody Wants to Be Lonely" was re-recorded along with American singer Christina Aguilera, peaking at number one in five countries, as well as the top five in Italy, Germany, Spain, and the United Kingdom, among others. It was nominated for Best Pop Collaboration with Vocals at the 44th Annual Grammy Awards. The solo Spanish version, entitled "Sólo Quiero Amarte" topped the Hot Latin Tracks chart. Both "She Bangs" and "Nobody Wants to Be Lonely" are certified silver in the UK. In February 2001, Martin released a Spanish compilation album entitled La Historia (), which spent five weeks at number one on the Top Latin Albums chart, topped the charts in Argentina and Sweden, and was certified quadruple Latin platinum in the United States. Following the success of Ricky Martin and Sound Loaded, he initially planned to release the third English-language album as his seventh studio album, which was supposed to be his first complete work in the field of songwriting. Despite Sony Music Entertainment's original plan, he decided to release a Spanish-language album: "I woke up five months ago, and I said 'We're doing an album in Spanish.' Everyone went nuts. They said, 'You don't have time; you have to release an album in English because of timing issues with your career.' And that's fine. But I told them, 'In five months, you'll have a kick-ass album' [in Spanish]. Martin's seventh studio album, Almas del Silencio () was released in May 2003. It debuted atop the Billboard Top Latin Albums chart with first-week sales of 65,000 copies, according to data compiled by Nielsen SoundScan, breaking the record as the largest first-week sales for a Spanish-language album in the US. The album also debuted at number 12 on Billboard 200, tying the 2002 album, Quizás () as the chart's highest Spanish-language debut. The album also debuted at number one in "at least 13 Latin American markets" and sold over two million copies worldwide. Almas del Silencio spawned three Hot Latin Tracks chart-topper hits: "Tal Vez" (), "Jaleo", and "Y Todo Queda en Nada" (). "Tal Vez" debuted at number one on the Billboard Hot Latin Tracks chart on the week of April 12, 2003, marking the first number one debut since February 1998, and becoming the sixth song overall in the chart's history to do so. It spent a total of 11 weeks at this position, surpassing "Livin' la Vida Loca" as Martin's longest number-one single on the chart, and was the longest-running number one of 2003. It also topped the charts in several Latin American markets. In October 2005, Martin released his third English album, Life. He commented on the album: "I was really in touch with my emotions. I think this album is very multi-layered, just like life is. It's about feeling anger. It's about feeling joy. It's about feeling uncertainty. It's about feeling. And all my emotions are part of this production". To promote Life, Martin embarked on the worldwide One Night Only with Ricky Martin tour. 2006–2012: MTV Unplugged, Música + Alma + Sexo, and Evita Although Martin's team and MTV had discussed an MTV Unplugged for years, but it became more serious after Martin's the One Night Only tour, which featured an acoustic segment. Finally, Martin taped his MTV Unplugged set in Miami in August 2006, performing both romantic ballads and up-tempo tropical dance songs. During the performance, he debuted three new tracks, including "Tu Recuerdo" (), which was released to radio stations as the lead single from his debut live album MTV Unplugged (2006). The album debuted at number one on the Top Latin Albums chart and sold over two million copies worldwide, marking his highest-certified album in Mexico. It won two Latin Grammy awards and was nominated for Album of the Year. "Tu Recuerdo" reached number one in five countries, as well as the Billboards Hot Latin Songs and Latin Pop Airplay charts. The track was certified quadruple platinum in Mexico and was nominated for Record of the Year at the 8th Annual Latin Grammy Awards. The artist then embarked on the Black and White Tour in 2007, including four sold-out shows at the José Miguel Agrelot Coliseum in Puerto Rico. The concerts in Puerto Rico were compiled into his second live album Ricky Martin... Live Black & White Tour (2007). Later that year, he released his first Italian song, "Non siamo soli" () as a duet with Italian singer Eros Ramazzotti. The song debuted at number one in Italy and spent eleven consecutive weeks atop the chart. In January 2011, Martin launched his ninth studio album, Música + Alma + Sexo (). The album debuted at number three on the US Billboard 200 chart, becoming the highest-charting primarily-Spanish language set since Dreaming of You (1995) by American singer Selena. It holds the record as the highest-charting Latin album of the 2010s, and represents the highest-ever chart debut on the Billboard 200 for a Sony Music Latin release. Música + Alma + Sexo also peaked at number one in Argentina and Venezuela, as well as Billboards Top Latin Albums. Its lead single, "Lo Mejor de Mi Vida Eres Tú" (English: "The Best Thing About Me Is You") reached number one on the US Billboard Hot Latin Songs chart and was nominated for Record of the Year, Song of the Year, and Best Short Form Music Video at the 12th Annual Latin Grammy Awards. To promote the album, Martin embarked on the Música + Alma + Sexo World Tour in 2011. In February 2012, he appeared as Spanish teacher David Martinez on the twelfth episode of the third season of the American musical television series Glee, The Spanish Teacher. Martin starred as Ché in the Broadway revival of the musical Evita from March 2012 to January 2013. The show became a hit, breaking the theatre's box-office sales record after only six performances. Sine then, it broke its own record six times and was nominated for Best Revival of a Musical at the 66th Tony Awards. The show's soundtrack album debuted at number one on Billboards cast album chart. 2013–2018: The Voice, A Quien Quiera Escuchar, and The Assassination of Gianni Versace Martin served as a coach on the second season of the Australian singing competition television series The Voice in 2013. In the same year, he released a compilation album, entitled Greatest Hits: Souvenir Edition, which reached number two in Australia, as well as a new single, entitled "Come with Me", which debuted at number three in the country. The artist then embarked on the Ricky Martin Live tour in Australia in October 2013. He continued serving as a coach on both the third and fourth seasons of The Voice Australia in 2014 and 2015, respectively. In 2014, Lars Brandle from Billboard stated in an article: "Through his high-profile slot on The Voice, Ricky's profile in Australia has never been as big as it is right now." On February 25, 2014, Wisin released a song titled "Adrenalina" () from his album El Regreso del Sobreviviente (), which featured Jennifer Lopez and Martin, and became the Univision's 2014 World Cup song. It received commercial success, peaking in the top-five of Bulgaria, Mexico, Spain, and Billboards Hot Latin Songs chart. Its accompanying music video has accumulated over 850 million views on YouTube. Later that year, Martin released his single "Vida" () for the 2014 FIFA World Cup. The song reached the top five in Spain and on the US Hot Latin Songs chart. Also in 2014, he served as a coach on the fourth season of The Voice Mexico, and embarked on the Live in Mexico tour. In February 2015, Martin released his tenth studio album, A Quien Quiera Escuchar (). The album debuted at number one on Billboards Top Latin Albums chart and peaked at number one in Argentina. It won the award for Best Latin Pop Album at the 58th Annual Grammy Awards and Album of the Year at the 1st Latin American Music Awards. The album spawned three Hot Latin Songs top-10 hits: "Adiós" (), "Disparo al Corazón" (), and "La Mordidita" (). "Disparo al Corazón" was nominated for both Record of the Year and Song of the Year at the 16th Annual Latin Grammy Awards. "La Mordidita" experienced huge commercial success, being certified 15× Latin platinum in the United States. Its accompanying music video has received over 1.2 billion views on YouTube. To promote the album, Martin embarked on the One World Tour from 2015 to 2017. He served as an executive producer and a judge on the American singing competition series La Banda (), which premiered in 2015 and 2016 on Univision. The first season was "looking for the next Latin boy band", while the second season was looking for a Latin girl band. The contestants would compete for a recording deal with Sony Music Latin and Syco Music. CNCO, known as the first boy band to make reggaeton, was the winner of the first season. Martin became their manager and produced the band's debut album, Primera Cita () (2016), along with Wisin; the album debuted at number one on Top Latin Albums and featured the hit single "Reggaetón Lento (Bailemos)" (). CNCO opened many dates on One World Tour in 2016. In 2020, Leila Cobo from Billboard compared the group with Menudo, noting: "Not since Menudo had a Latin boy band melted our hearts or made us dance quite like CNCO". On September 23, 2016, Martin released a song called "Vente Pa' Ca" (), featuring Colombian singer Maluma. The song became one of the biggest Spanish-language songs of 2016, reaching number one in seven countries, as well as Billboards Latin Airplay, Latin Pop Airplay, and Tropical Airplay charts. It also reached top five in Spain and on the Billboard Hot Latin Songs, being certified quadruple platinum in Spain and diamond in Mexico. The track was nominated for both Record of the Year and Song of the Year at the 18th Annual Latin Grammy Awards. The accompanying music video has received over 1.75 billion views on YouTube. Martin signed a concert residency, named All In, to perform at the Monte Carlo Resort and Casino in Las Vegas in 2017 and 2018. He portrayed fashion designer Gianni Versace's partner Antonio D'Amico in the FX true crime anthology television series The Assassination of Gianni Versace: American Crime Story, marking "the acting opportunity of his career". The role garnered him a nomination for Outstanding Supporting Actor In A Limited Series Or Movie at the 70th Primetime Emmy Awards. Running from January to March 2018, The Assassination of Gianni Versace received generally favorable reviews and numerous awards and nominations, including three Primetime Emmy Awards, four Creative Arts Emmy Awards, two Golden Globe Awards, two Critics' Choice Television Awards, and a Screen Actors Guild Award. In February 2018, Martin released a song titled "Fiebre" (), featuring Wisin & Yandel. The song was commercially successful in Latin America, reaching number one in Chile, Ecuador, Guatemala, Mexico, and Uruguay. It also reached the summit of the Billboard Latin Airplay and Latin Rhythm Airplay charts. 2019–present: Amici di Maria De Filippi, PausaPlay, and Jingle Jangle: A Christmas Journey At the 61st Annual Grammy Awards, Martin performed "Havana", "Pégate" (), and "Mi Gente" (), alongside Camila Cabello, J Balvin, Young Thug, and Arturo Sandoval, as the opening performance. Martin served as a coach on the eighteenth season of the Italian talent show Amici di Maria De Filippi () in 2019. In the same year, Maluma released a song called "No Se Me Quita" () from his album 11:11, which featured Martin. The song reached number one in Mexico and was certified quadruple platinum in the country. Martin hosted the 20th Annual Latin Grammy Awards in November 2019, along with Roselyn Sánchez and Paz Vega. The artist started recording his eleventh studio album, initially titled Movimiento (), in the second half of 2019, inspired by the 2019 political protests in Puerto Rico. He embarked on the Movimiento Tour in 2020. Because of the COVID-19 pandemic and subsequent personal experiences, he decided to split the tour's associated album in two extended plays, Pausa () and Play; the former was released in May 2020, while the latter is set to release as his eleventh studio album. Pausa was nominated for Album of the Year and won the award for Best Pop Vocal Album at the 21st Annual Latin Grammy Awards. The second single from the EP, "Tiburones" () reached number one in Argentina and Puerto Rico, and was also nominated for Song of the Year at the 21st Annual Latin Grammy Awards. Martin starred as the voice of villainous miniature figure Don Juan Diego in the American Christmas musical fantasy film Jingle Jangle: A Christmas Journey. The film was released on Netflix on November 13, 2020, and received generally favorable reviews. In April 2021, Martin released his hit single "Canción Bonita" () with Colombian singer Carlos Vives, which experienced huge commercial success in Latin America, reaching number one in 12 countries. It was also nominated for Song of the Year and Best Pop Song at the 22nd Annual Latin Grammy Awards. Later that year, he released "Qué Rico Fuera" () with Chilean-American singer Paloma Mami, as the lead single from Play. The song peaked at number one in four countries, as well as the top 10 on Billboards Latin Pop Airplay. In the same year, he embarked on his first co-headlining tour, the Enrique Iglesias and Ricky Martin Live in Concert alongside Spanish singer Enrique Iglesias. Artistry Influences As a child, Martin used to sing songs by Menudo and American rock bands such as Led Zeppelin, Journey, and REO Speedwagon, which were what his "older siblings were listening to at the time". While Martin and his brothers spent their time listening to classic rock, their mother would interrupt them to make them listen to Latin music. She brought him CDs of Fania All-Stars, Celia Cruz, El Gran Combo de Puerto Rico, and Gilberto Santa Rosa that slowly made him appreciate the richness of Puerto Rican culture. Also, she once took them to a Fania All-Stars concert, which Martin is "beyond grateful" for it. He expresses that thanks to her mother, those influences had a "profound effect" on his musical career. Martin has also cited Elvis Presley, the Beatles, Michael Jackson, and Madonna for teaching him "the beauty of pop". He stated about Madonna: "I was very influenced by her and her music. I know every choreography of Madonna." Additionally, he mentions Carlos Santana, José Feliciano, Celia Cruz, and Gloria Estefan as the artists who paved the way for him, naming Feliciano as one of the people who inspired him when he was a teenager: "I was always fascinated with his music." In addition to the musical influences, Martin is inspired by David Bowie's "ambiguous sexuality". While growing up, he used to ask himself if he wanted to be like the openly gay singer Elton John or he just liked him, admiring his music, colors, and wigs. Musical styles and themes Considered to be a versatile artist, Martin describes his music as Latin pop, saying: "When you say 'Latin pop', the spectrum is so broad, It's inevitable to not be influenced by everything that’s happening in the industry, but always keeping your identity firm by knowing who you are." He has also described his music as fusion, while noting that he does not "ride the waves that are in fashion at the moment". Music critics have described his songs as Latin pop, pop, dance, ballad, reggaeton, Latin, African, rock, salsa, flamenco, urban, samba, cumbia, merengue, rumba, Latin funk, bomba, batucada, vallenato, dancehall, mambo, Europop, house, disco, EDM, dance-pop, electro, techno, dubstep, world music, Middle Eastern, folk-pop, bossa nova, pop rock, soft pop, soft rock, R&B, gospel, jazz, trap, hip hop, doo-wop, ska, and rock' n' roll. Martin sings in Spanish, English, Portuguese, Italian, and French. About his lyrics, Martin has emphasized that although his music will always make the listener dance, it does not mean his lyrics "have to be meaningless" and he sings about love and heartbreak, as well as "things that are good for a society", such as "freedom, freedom of expression, and social justice". He has also declared that as a Latino, he is not afraid of sexuality and sings about sexuality and sensuality, bringing his culture with him onstage. Voice Martin possesses a dramatic tenor vocal range. Peter Gilstrap from Variety commented that his "powerful voice" is "capable of belt or lilt", while The Jerusalem Posts Noa Amouyal described his voice as "soulful" and "very powerful". In 1995, Enrique Lopetegui of the Los Angeles Times noted Martin's "improved vocal skills" on A Medio Vivir. Also from the Los Angeles Times, Ernesto Lechner later praised his vocal for being "charismatic enough to handle both ballads and up-tempo tunes". Similarly, Billboards Chuck Taylor expressed "She's All I Ever Had" boasts "a versatility that contrasts nicely" with Martin's previous single, "Livin' la Vida Loca", labeling his vocal on the former "tender and heartfelt". Steve Gerrard of the Montreal Rocks complimented "his vocal maturity" on A Quien Quiera Escuchar. Music videos and performances Billboard labeled Martin "a video icon", and ranked him as the 79th Greatest Music Video Artist of All Time in 2020, stating: "From the moment he sashayed up to the mic in 'Livin La Vida Loca' all dressed in black, and gave us that look, the Menudo alum became the most memorable and watchable drop-dead handsome guy in pop music." He has collaborated with various directors to produce his music videos, including Carlos Perez, Wayne Isham, Jessy Terrero, Simón Brand, Gustavo Garzón, Nigel Dick, Kacho Lopez, and Memo del Bosque. "Livin' la Vida Loca" was nominated for Video of the Year at the 1999 MTV Video Music Awards, making Martin the first Latin artist in history to receive a nomination in this category. It won two primary awards for Best Pop Video and Best Dance Video, and was voted three additional awards in the International Viewer's Choice categories, making it rank among the videos with most wins in the history of the MTV Video Music Awards. The explicit sexual scenes of the music video for "She Bangs" were met with criticism from the audience; several American television stations cut the scenes when airing the video. According to the Daily Records John Dingwall, with the visual, Martin ditched his teen idol image by transforming to a more mature one. It was consequently banned in several Latin American countries, such as the Dominican Republic. Martin told MTV News that the video represented freedom rather than his sexuality. The video was awarded Best Music Video at the 2nd Annual Latin Grammy Awards, Best Clip of the Year — Latin at the 2001 Billboard Music Video Awards, and Video of the Year at the 13th Lo Nuestro Awards. Martin has been noticed for "dance moves of his own" and his "bon-bon shaking dance moves". Carol Sandoval from VIX named him the "best dancer on any stage worldwide", highlighting his hips movement and "successful turns". He was ranked as the ninth best male dancer by the Evening Standard and the tenth Male Singer Who Can Dance by WatchMojo, being the only Latin entertainer on both lists. Writing for The Hollywood Reporter, Scott Feinberg introduced Martin as "an incredible dancer". Billboards Jessica Roiz labeled him "a true showman", noting his "many outfit changes", "various dance performances", and "different stage set for each song". Jon Pareles of The New York Times described him as "an all-around showman" and Varietys Peter Gilstrap called him "every inch the showman", both recognizing his vocal abilities, while the former also commented he is "a dancer as muscular and hard-working as anyone in his troupe", mentioning his "likable, good-hearted character" and "steadfast Puerto Rican pride". Music critics have mostly praised his concerts for the choreographies, video screens, visual effects, stage, Latin influences, and Martin's vocals, costume changes, energy, sensuality, dance moves, and gestures, while the quality of sounds and sound mixes have received mixed reviews. Billboards Marjua Estevez described Martin's performance of "La Copa de la Vida" at the 41st Annual Grammy Awards as "the most memorable Latin performance at a Grammy Awards show", and the publication ranked it as the 54th Greatest Award Show Performance of All Time on their 2017 list. The performance was additionally placed on a 2017 unranked list of "Top 20 Best Grammy Performances of All Time" by Gold Derby, and on a 2019 list of "The Most Unforgettable Grammys Performances of All Time" by InStyle. Public image Martin became a teen idol with his debut as a member of Menudo, and a pop icon following global fame as a solo artist. Journalists have written about his humble personality and "beautiful soul". Writing for The Hollywood Reporter, Scott Feinberg introduced Martin as "one of the most acclaimed and admired creative artists ever". La República staff described him as "one of the most admired and desired singers", while authors of ¡Hola! described him as "one of the most respected Latin stars in the world", "one of the most prodigious voices in music in Spanish", and "one of the most beloved talents in the entertainment industry worldwide". Also from ¡Hola!, Cristina Noé named him "one of the most loved artists in the world", while a writer of Clarín named him "one of the most applauded Latin singers on the planet". Metro Puerto Rico stated that he "raised the name of Puerto Rico internationally". He was ranked as one of the top-10 "emerging personalities" of 2010 by Google Zeitgeist. In 2014, Gay Star News referred to Martin as "the most famous Latin pop star in the world", while Variety described him as "Puerto Rico's arguably most famous son" in 2021. He is ranked as the second-most famous Latin music artist in the United States, according to YouGov surveys in 2021. During the 2000s, Martin was known for "guarding his private life" and being "uncomfortable discussing intimate aspects of his personal life"; he used to insist on asking public to focus on his music and "steered interviewers away from his personal life". However, he chose to live both his "professional and personal life", making his private life public since the early 2010s. In 2021, he went on the cover of People with the title "No More Secrets" and told the magazine that he is "a man with no secrets", stating that he is "more comfortable in his own skin than ever before". Martin is one of the most followed celebrities on social media, with accounts on Instagram, Twitter, Facebook, YouTube, and TikTok. He stated about social media that he wishes he had "something as powerful as" them since his debut: "Obviously I like to have direct contact with the public, with the media. It's extremely important, but today, from my home, I can talk to millions of people and see their immediate reaction." He is noticed for his friendly interactions with his fans, who are called "Sexy Souls". Wax statues of Martin are on display at the Madame Tussauds wax museums in San Francisco, Sydney, and Orlando. The last one was moved from Las Vegas to Orlando for the opening of the museum in spring 2015. Fashion Martin is considered to be a sex symbol, and journalists describe him as "the Latin heartthrob". His fashion and style evolution, from "as '80s as you'd expect" during his time with Menudo to "a style groove, often opting for sharp, tailored suits with clean lines" since 2009, has been noticed by the media. Natalia Trejo from ¡Hola! described him as "one of the most stylish Latin men in the entertainment industry", highlighting his "baggy leather pants", "tailored suits", and "color-block blazers" that have marked "some of the noteworthy trends of each decade". The reviewer also commented that Martin is "an example of mixing business with casual" and has "always had a personal sense of style". JD Institute of Fashion Technology views Martin as a fashion icon, praising him for "pushing the fashion boundaries with every new look". In 1997, he went on the cover of People en Españols first edition of 25 Most Beautiful; he has since "been a constant presence" on their 25 or 50 Most Beautiful lists. Two years later, he was featured on the cover of both Rolling Stone and Time magazines. Martin is considered to be one of the sexiest men in the world, according to various publications. In 2012, he was voted the sexiest man alive on Broadway.com. The following year, VH1 ranked him as the 28th Sexiest Artist of All Time, stating: "Ricky looks like the model in the magazine ads you stare at in awe thinking, 'There's no way he's that perfect in person'." In 2014, Entertainment Tonight listed him among the Sexiest Men Alive, while Revista Estilo placed him on the list of "the 10 Sexiest Singers" in 2016. He was ranked at number 16 on the list of "the 50 Hottest Men of All Time" by Harper's Bazaar in 2018, being the only Latin man on their list. In 2019, TN described Martin as "the sexiest man in the world". He has been noted for looking younger than his age, with Billboards Chris Payne labeling him "ageless". The singer has attended several fashion shows, including the Giorgio Armani show at Milan Fashion Week in 2011, the Marc Jacobs show in 2013, the Berluti menswear spring-summer 2020 show at Paris Fashion Week, the Dior men's pre-fall 2020 show, and the Virgil Abloh Spring-Summer 2022 show held by Louis Vuitton. Personal life Sexual orientation and early relationships According to an interview with Rolling Stone in 1999, Martin experienced his first kiss at age 13 and lost his virginity at age 14 in Argentina. In 1990, shortly after he had arrived in Mexico to star in Mama Ama el Rock, he met a woman, who was the host of a television show. They began dating quickly and broke up a few months later. In 1992, he fell in love with Mexican singer Alejandra Guzmán, who was separated from her husband at the time. They began dating together until Guzmán returned to her husband and pretended Martin was her assistant on a phone call, while she was sleeping with her husband. In an interview with Univision, Martin admitted that she broke his heart. In the same year, Martin was rumored to have a relationship with Argentine tennis player Gabriela Sabatini. Sabatini's sister-in-law, Catherine Fulop confirmed the rumor in 2020. During the time he was playing in General Hospital, he met a "very handsome" man at a radio station, "stopped fearing [his] sexuality", and started dating him. Martin's mother supported him when she discovered that he was in love with a man, saying: "I love you, my son, I'm so happy for you. Bring it on. I'm right behind you." However, after the relationship ended, Martin "locked [his] feelings even deeper inside" and began dating women again. He recalls: "I already felt it was hard to be a Latino in Hollywood; what could have been more difficult than being Latino and gay?" Martin began dating Mexican television host Rebecca de Alba in 1994; they were in an on-and-off relationship until 2005. In May 2021, Alba revealed that she became pregnant several times in her life, but lost all of the embryos, expressing that one of them belonged to Martin. Martin also had relationships with Lilly Melgar, Adriana Biega, Maital Saban, and Inés Misan during his break-up times with Alba in the late 1990s and early 2000s. He declared that "there was chemistry with them" and he "wasn't fooling anyone". In August 2008, Martin became a father to twin boys named Matteo and Valentino, born via gestational surrogacy. He explained that he chose surrogacy to become a parent for being "intriguing and faster" than adoption, which was complicated and could take a long time. In March 2010, Martin publicly came out as gay via a message on his website, stating: "I am proud to say that I am a fortunate homosexual man. I am very blessed to be who I am." Years later, he revealed that although his music was "heard all over the world" and he "could high five God" in 1999, he "wasn't living to the fullest" and was sad and depressed. He kept asking himself, "Am I gay? Am I bisexual? Am I confused? What am I?", explaining: "Sexuality is one complicated thing. It's not black and white. It's filled with colors. When I was dating women, I was in love with women. It felt right, it felt beautiful." In an interview with Vanity Fair, he declared: "There was love, passion. I do not regret anything, any of the relationships I lived, they taught me a lot, both men and women." Martin also told Fama!: "I know that I like both men and women, I'm against sexual labels, we are simply human beings with emotional and sexual needs. I like to enjoy sex in total freedom, so I'm open to having sex with a woman if I feel desire." Despite this, he expressed that he wouldn't be interested in "an ongoing relationship with a woman", stating: "Men are my thing". In 2000, American broadcast journalist Barbara Walters asked Martin about his sexuality on national television: "You could stop these rumors. You could say, 'Yes I am gay or no I'm not.'" In 2021, Martin, who answered with "I just don't feel like it" at the time, revealed that her question made him "felt violated", since he "was just not ready to come out" and was "very afraid"; he said that it resulted "a little PTSD" that "still haunts him". Martin dated Puerto Rican economist Carlos González Abella from 2010 to 2014, as his first relationship with a man after his coming out as gay. Marriage Syrian-Swedish painter Jwan Yosef shared a photo of himself and Martin on Instagram on March 30, 2016, with the caption: "Obviously we're starting a band." Soon it was rumored that Yosef is Martin's new boyfriend. Martin confirmed their relationship on April 18, 2016, and they made their red carpet debut as a couple at the amfAR Inspiration Gala. Martin later revealed that he met Yosef on Instagram and they "were talking for like six months without [him] hearing his voice". Subsequently, Martin went to London, where Yosef were living, and they met each other. On November 15, 2016, during an interview on The Ellen Show, he announced that he has proposed to Yosef and they are engaged. In January 2018, Martin confirmed that he has secretly married Yosef: "I'm a husband, but we're doing a heavy party in a couple of months, I'll let you know." On December 31, 2018, they announced that they have welcomed their first daughter together, named Lucia Martin-Yosef. Martin later explained that Lucia was born on December 24, coinciding with his 47th birthday. In September 2019, while accepting an award at the 23rd annual Human Rights Campaign (HRC) National Dinner, he announced that they are expecting their fourth child. On October 29, 2019, he shared a photo of himself, Yosef, and their new-born son, named Renn Martin-Yosef, with the caption: "Our son Renn Martin-Yosef has been born." Beliefs and religion During an interview with People in 2002, Martin expressed that he believes in "love", "the power of healing", and "God", thanks to his parents. The name he chose for his son Matteo means "gift from God". According to his statements in a 2021 interview, he still believes in God. He was raised Catholic but he said is not "the person who would ever look down upon one religion". He expressed that he also admires and likes Buddhist philosophy, but does not subscribe to the religion, since if he does, he cannot "be of anything else"; he does not want to be limited in certain aspects and follow a religion's specific rules. He tries to remain "open to everything" and makes "a concerted effort to always find new teachings and new paths" everywhere he goes and in every situation he finds himself in. Martin believes that everyone can "decide what makes them happy" and although "everyone needs to accept the life they were given", it does not mean they "should not live it as fully as possible". Health and sports Martin began practicing yoga after a trip to Thailand in 1997. He also began practicing meditation following a trip to India. In 2021, he explained that he gets up every morning at 5:30, before his family and puts himself in a lotus position and oxygenates his body. He also expressed that has a gym in his house, saying: "If I have space to see myself in the mirror and put on my products, then I also have to have space for my body." During an appearance on The Dr. Oz Show in 2017, Martin revealed that he "was diagnosed with high cholesterol" at age 18. Although he did not pay attention to the high cholesterol at the time, it made him decide to become a vegetarian since 2013 to reduce cholesterol, despite loving meat as "a Latin man". In 2020, he opened up that he suffered from anxiety for the first time in his life, following the COVID-19 lockdowns, stating that making music became his "medicine". Real estate In March 2001, Martin purchased a 7,082-square-feet house in Miami Beach for $6.4 million; he sold the unit for $10.6 million in 2005. In September 2004, he paid $11.9 million for a 11,000-square-feet Mediterranean-style villa in Los Angeles, which he sold in 2006 for $15 million. In May 2005, he purchased a 9,491-square-feet house in Miami Beach for $10 million; he sold the villa for $10.6 million in 2012. In 2007, he paid $16.2 million for a mansion in Golden Beach. He sold the property in 2012 for $12.8 million, incurring a loss. In the same year, he bought a 3,147-square-feet condominium in New York City for $5.9 million; he sold the condo for $7.1 million in 2017. In 2014, he rented a 900-square-metre mansion in Sydney, which became famous as "the Bronte Wave House" and was sold for $16 million in May 2015, marking one of the most expensive properties sold in the city that year. In December 2016, he purchased a 11,300-square-feet mansion in Beverly Hills. The estate, which is Martin's current house, has seven bedrooms and eight bathrooms with outdoor seating areas scattered throughout a 33,000-square-feet. It is a "private getaway in the middle of the city", located up the street from the Beverly Hills Hotel. Martin also owns a property in Puerto Rico and a private 19.7-acre island in Brazil. He purchased the latter for $8 million in 2008. Legacy and influence Martin has been regarded as the "King of Latin Pop" by various publications, such as the Grammy Awards, Billboard, Rolling Stone, Time, People, Vogue, The Independent, Entertainment Weekly, Entertainment Tonight Canada, NBC News, and ABC News. Additionally, he has been referred to as the "King of Latin Music", the "Latin Pop God", the "Latin King of Pop", the "Latin American King of Pop", the "Latin King", the "Crossover Latin King", the "Puerto Rican Pop King", the "Salsa-Pop King", and the "King of World Cup". Martin is known as one of the most influential artists in the world. Billboard ranked him as one of the 30 Most Influential Latin Artists of All Time, while NBC News introduced him as an "influential Latin celebrity". In 2014, he won the award for the most influential international artist at the 18th China Music Awards. He was ranked among "25 musicians who broke barriers" by Stacker in 2019, while in 2020, Spin ranked him at number 27 on the list of "most influential artists of the past 35 years", as the only Latin artist on their list. In 2022, Show News named him "the most influential global artist in history". Martin's song "María (Pablo Flores Remix)", which was ranked among the "Greatest Latin Pop Song of All Time" by Rolling Stone, and "11 remixes of classic Latin hits" by Billboard, "launched the Latin and dance music crossover of the '90s", according to the latter. Olivier Pérou from Le Point commented that "some have even learned, thanks to him, to count to three in Spanish" following the popularity of the song. "La Copa de la Vida", which has been hailed as the Best World Cup Anthem of All-Time by multiple sources, became a "musical template" for World Cup anthems, and Martin's Latin and dance crossover style has been much copied in the anthems, as well as soccer chant "Ole! Ole! Ole!" in the lyrics, according to The Hollywood Reporter. As believed by Esquire, the song "inaugurated this musical subgenre" of Latin. Joy Bhattacharjya from The Economic Times wrote about "La Copa de la Vida" that it was the first World Cup anthem to have a video just "as ubiquitous as the song", going on to write: "Since then, official songs have an important part to play in every World Cup." In his review for Pitchfork, Corban Goble wrote that if World Cup anthems someday would be "given their own textbook", "La Copa de la Vida" would be "the standard-bearer for the whole genre". Martin is known as the pioneer in getting Latin pop music genre to mainstream recognition. Following his performance of "The Cup of Life" at the Grammys, and the success of "Livin' la Vida Loca" and Ricky Martin (1999), he opened the gates for many Latin artists such as Jennifer Lopez, Shakira, Christina Aguilera, Marc Anthony, Santana, and Enrique Iglesias who released their crossover albums and followed him onto the top of the charts. His performance of "The Cup of Life" at the Grammys not only changed the course of his career, but also altered how people regard Latin music in America. It has been known as a game-changer for Latin music worldwide, that effectively ushered in the "Latin explosion". Then-United Talent Agency head Rob Prinz described the rendition as "the single biggest game changing moment for any artist in the history of the Grammys". According to Billboard, it has been cited as the beginning of the "Latin Pop invasion", which powerfully affected the US mainstream. Jesús Triviño Alarcón from Tidal Magazine stated, "that single performance opened up the mainstream market for the Latinx legends", mentioning the names of Anthony, Shakira, and Lopez. InStyle staff wrote about it: "With his leather pants, big smile and energetic performance of 'The Cup of Life', Ricky Martin almost personally kicked off the so-called Latin Explosion of the late '90s." Mariana Best of San Antonio Express-News commented that the performance "is recognized for bringing Latin pop to the forefront of the U.S. music scene". In 2018, Diego Urdaneta from Vice credited the song as "one of those that laid the first stones so that J Balvin and Bad Bunnys of today can be at the top of the pyramid", labeling it "a milestone for Latin music". According to Entertainment Tonight, "Livin' la Vida Loca" paved the way for a large number of other Latin artists, and is "credited as the song that helped other Latin artists break through to English-speaking markets". As believed by Spin, the song "lit the fuse for the Latin pop explosion of the '90s". Lucas Villa from Spin wrote about it: "When the world went loca for Ricky, he led the way for other Latin music superstars like Spain's Enrique Iglesias, Colombia's Shakira and Nuyoricans like Jennifer Lopez and Marc Anthony to make their marks beyond the Spanish-speaking crowds." He also described Martin as "a trailblazer in globalizing Latinx culture" in his Grammy.com article. Also from Grammy.com, Ernesto Lechner described "Livin' la Vida Loca" as "the manifesto for all the fun-loving, tropically tinged Latin hit singles that followed", stating that Martin led "the Latin music explosion that took over the U.S. at the tail end of the '90s". According to The Independent, the single is "widely regarded as the song that began the first Latin pop explosion". Peoples Jason Sheeler credited it as the song that "led the way for the late-'90s so-called 'Latin explosion' that dominated pop music into the new century: Shakira, Enrique Iglesias, Marc Anthony, and Jennifer Lopez". Angie Romero from Billboard wrote: "If you look up 'crossover' in the dictionary, there should be a photo of Ricky shaking his bon bon and/or 'Livin' la Vida Loca'." Leila Cobo named "Livin' la Vida Loca" one of the genre's biggest singles of the past 50 years in his 2021 book Decoding "Despacito": An Oral History of Latin Music. She also wrote about his impact in Shakira's "Whenever, Wherever" chapter: "Ricky Martin’s phenomenal success opened the door for a string of Latin artists who waved the flags of their heritage, but who sang in English." Additionally, she compared Martin's song with Luis Fonsi's "Despacito" (2017) in one of her Billboard articles: "'Livin', like 'Despacito', became not just a global hit but a cultural phenomena that transcended all barriers of language and nationality." In another article, she described it as the song that "ignited the late-'90s Latin explosion". Also from Billboard, Gary Trust wrote: "The song helmed a Latin pop boom in the U.S., with Jenner Lopez, Marc Anthony and others crossing over, as well." Writing for LiveAbout.com, Bill Lamb credited the song as "the record which kicked off a wave of major Latin performers hitting the pop mainstream". Jim Farber from Daily News noted that Ricky Martin "provides a textbook example of how to mix Latin beats with pop tunes and rock intonations". St. Louis Post-Dispatch critic Kevin C. Johnson described Martin as Latin music's "pretty-faced poster boy" who is "taking the music to places Jon Secada, Selena and Santana never could". He also mentioned that even "Gloria Estefan at her peak, failed to muster up the kind of hype and hoopla surrounding Martin". Celia San Miguel of Tidal Magazine stated that Martin "highlighted the public's thirst for a different kind of pop" in 1999, noting the album's "fusion-heavy" and "hip-shaking rhythms associated with Latin music". She mentioned that the album "spawned 1999's Latin music boom", emphasizing the fact that Martin created the "spark" of the "Latin Pop Explosion", which was followed by 1999 albums, On the 6 by Lopez, Enrique by Iglesias, and Anthony's eponymous album. She continued crediting "Martin and the paths he created" responsible for the Latin music and Spanish and Spanglish lyrics being "a commonplace phenomenon on English-language radio" in 2019. In her review for Grammy.com, Ana Monroy Yglesias said Martin led a "major music moment in 1999" with Ricky Martin, and along with him, "the first major boom of Spanish-language artists", such as Shakira and Lopez, came into the "U.S. pop landscape". The late '90s Latin explosion also resulted in the launch of the Latin Recording Academy. Gabriel Abaroa Jr., the president and chief executive officer of the Latin Recording Academy, expressed that the plan of its launch was "immediately after the Ricky Martin success". Cuban American musician and producer Emilio Estefan added: "After the success with Ricky Martin, everybody opened their eyes and realized how important it was to bring diversity and multiethnic elements into [mainstream American] music." Many artists have cited Martin as an influence or declared themselves as his fan, including Abraham Mateo, Bad Bunny, Camila Cabello, Camilo, Carla Morrison, Christian Chávez, CNCO, Danna Paola, Enrique Iglesias, J Balvin, J-Hope, Jimin, Karol G, India Martínez, Luis Fonsi, Maite Perroni, Maluma, Neha Mahajan, Pedro Capó, Prince Royce, Rauw Alejandro, Rosalía, Sebastián Ligarde, Sebastián Yatra, Shakira, Tini, Vadhir Derbez, William Hung, Wisin, and Ximena Sariñana. Both Maluma and J Balvin have described Martin as a "teacher" and credited him as an artist who "opened the doors" for them, while Maluma has also expressed: "Ricky Martin is one of the artists I wanted to be growing up. He's my idol in the industry".Citations regarding J Balvin's statements about Martin: Puerto Rican singer Bad Bunny talked about Martin's legacy during an episode of Behind the Music: "There's no doubt that he opened the door for an entire generation of Latin artists. I am doing great things today in the music industry thanks to those doors that he opened." He also mentioned that he is inspired by Martin's coming out as gay: "You don't have to be gay to be inspired by that action of honesty and freedom, of being yourself against the world despite everything you deserve. I look at it like a very inspiring moment for anybody. At least for me, it's very inspirational." Brazilian singer-songwriter Anitta explained to The Guardian that "some Latin stars such as Maluma and Bad Bunny sing in their native language" and do not need to sing in English to get noticed, because they already had representatives like Shakira, Martin, and Jennifer Lopez, but since her country "hasn't had a major international pop star before", she uses "whatever language will get the market's attention". Portrayal in television In July 2019, SOMOS Productions, Endemol Shine Boomdog, and Piñolywood Studios announced the production of a biographical web television series about Menudo, titled Subete a Mi Moto. Consisting of 15 episodes of 60 minutes each, the series premiered on Amazon Prime Video on October 9, 2020 in Mexico, Latin America, and Spain. It was filmed in Mexico and Puerto Rico, and Martin was portrayed by actors Felipe Albors and Ethan Schwartz. The series premiered in the United States on February 14, 2021 on Estrella TV. On the review aggregation website Tomatazos, the first season has a positive score of 75%. The website's critical consensus summary states, "A good trip to the past that recalls a band that defined the youth of a certain public, but that doesn't ignore the darkest moments in the lives of its members." Other ventures Books On August 19, 2010, Martin announced that he had been working on his memoir, mentioning its title as Me and publish date as November 2, 2010. He expressed that writing the book was "one of the reasons" he decided to come out earlier that year. The book also had a Spanish edition title Yo (), which was published simultaneously by Celebra. He stated that writing his memoir allowed him "to explore the different paths and experiences" that have led him to be who he is, noting that it "was not easy but allowed for an incredible spiritual journey". Me spent several weeks at number one on the New York Times Best Seller list. In 2019, ¡Hola! staff ranked the book among "12 Books by Celebrities to Inspire and Motivate You", while Book Riot placed it on an unranked list of the "Best Celebrity Books You Should Read This Year" in 2020. Martin's first children's book Santiago the Dreamer in Land Among the Stars was published by Celebra and illustrated by Patricia Castelao in November 2013 for ages between five to nine. Its Spanish-language edition, Santiago El Soñador en Entre Las Estrellas, was published simultaneously. Martin expressed that the book was inspired by his "personal life, with fantasy added to it", as well as "a lot of cartoons". Products and endorsements Martin endorsed the 2012 Viva Glam campaign with Trinidadian rapper Nicki Minaj, which raised $270 million for the Mac AIDS Fund. In October 2020, Martin announced that he would launch his company, Martin Music Lab in partnership with music engineers Jaycen Joshua and Michael Seaberg. The company is centered around a new audio technique called "Orbital Audio", that "creates a new type of immersive, headphone listening experience". Martin used the technique on his EP Pausa, while several artists including Bad Bunny, Residente, Myke Towers, and A$AP Rocky are going to work with the company. The latter plans to release his whole upcoming studio album, using "Orbital Audio". Martin is going to expand the technique "beyond the music industry and tap into the movies, sports and, most notably, the wellness and meditation space". In 2021, Martin partnered with skin care company Kumiko. The skincare line, created by Chilean cosmetologist Catalina Aguirre, is the first to combine "mesotherapy, matcha, and cutting-edge European technology into unique multi-action formulas that penetrate the dermis with powerful anti-aging properties and lifting benefits". Activism Philanthropy While on a trip to India in 2002, Martin witnessed three minor girls who were about to be sold into prostitution and rescued them. The following year, he became a UNICEF Goodwill Ambassador and then met with activists and decided to fight against human trafficking, which is the second-most lucrative crime in the world. In 2004, Martin launched the Ricky Martin Foundation, a non-profit, non-governmental organization that focuses on denouncing human trafficking and educating about the crime's "existence through research and community initiatives, anchored in the defense of children and youth rights". In the same year, he appealed to the United Nations for international help to fight against sex tourism. In January 2005, following the 2004 Indian Ocean earthquake and tsunami, Martin visited Thailand to assess the needs of the minor survivors who were "extremely vulnerable to traffickers". Later that year, the Ricky Martin Foundation signed an alliance in partnership with Habitat for Humanity to construct 224 homes for the tsunami-affected families. The project was completed in December 2006. In March 2006, the foundation collaborated with the International Organization for Migration in the Llama y Vive () campaign, which focuses on facilitating "the prevention of human trafficking and the protection of young people, victims of child trafficking and prosecution of traffickers". In January 2010, along with many celebrities, Martin operated the charity telethon Hope for Haiti Now to raise donations for the 2010 Haiti earthquake. Later that year, the Ricky Martin Foundation created the first program of community social action against child trafficking in Martin's native Puerto Rico, titled "Se Trata" (). In 2012, the foundation participated in the making of the Child Protection Model Law on the International Centre for Missing & Exploited Children. In 2016, Martin visited Syrian refugees in Lebanon and played with the children and talked to them in an informal refugee camp. Following the Hurricane Maria in Puerto Rico in 2017, the Ricky Martin Foundation helped people and handed over homes that were rebuilt after the losses; Martin launched a viral campaign of selling a black T-shirt with the Puerto Rican flag stamped on it in order to raise the funds. The T-shirts were designed by Martin's twin boys Matteo and Valentino, while many celebrities including Will Smith, Bad Bunny, Marc Anthony, Luis Fonsi, and Maluma supported the campaign. During the COVID-19 pandemic, Martin created a campaign to help health care workers through the non-profit organization Project Hope. He expressed: "As you know, health care professionals are extremely vulnerable and professionals around the world don’t have personal protection equipment they need to prevent them getting infected." In February 2021, Martin collaborated with Antonia Novello to launch mass vaccination events in Puerto Rico. Following the murder of George Floyd and Black Lives Matter protests in 2020, Martin honored an effort called "Black Out Tuesday" and launched the hashtag #knowthestruggle, giving his social media to the voices of the community that are "looking for justice", to learn more about what is happening. For his humanitarian efforts and fighting against human trafficking, Martin has been honored with numerous accolades, including the Peace Summit Award by the World Summit of Nobel Peace Laureates, the TIP Report Hero Award by the United States Department of State, the Spirit of Hope Award by Billboard Latin Music Awards, the Latin Recording Academy Person of the Year Award, the Award of Inspiration by amfAR Gala, the Leader of Change Award by the Foundation for Social Change, the Humanitarian Award by the Global Gift Foundation, the Humanitarian Award by the Hispanic Federation, the Corazón Latino Award by the iHeartRadio Fiesta Latina, the International Humanitarian Award by the International Center for Missing and Exploited Children, the Agent of Change Award by the International Peace Honors, the PODER Social Leadership Awards, and the Agent of Change Award by the Premios Juventud. Politics On January 20, 2001, during the first inauguration of George W. Bush, Martin performed "The Cup of Life" and danced with him. Martin's view of Bush changed over the Iraq War, as expressed in his declaration to BBC News that he will "always condemn war and those who promulgate it". He also stuck up his middle finger while singing the president's name in his 2003 song "Asignatura Pendiente" at a concert. At the 2010 Billboard Latin Music Awards, Martin expressed his disagreement with the Arizona SB 1070 bill, a proposed law that would have required police officers to request documents from individuals whom they suspected to be illegal immigrants. Martin campaigned for the 44th president of the United States Barack Obama in 2008 and 2012, and thanked him for an "outstanding presidency" in 2016, while calling him "an amazing leader". Also in 2016, he was an active ally to the Democratic Party presidential candidate Hillary Clinton campaign, while condemning Donald Trump's hateful comments about immigrants. He also performed his hits during the "Hillary Clinton: She's With Us" concert at the Greek Theatre on June 6, 2016. Telegramgate, also known as Chatgate, was a political scandal involving Ricardo Rosselló, then Governor of Puerto Rico, which began on July 8, 2019, with the leak of hundreds of pages of a group chat on the messaging application Telegram between Rosselló and members of his cabinet. The messages were considered vulgar, misogynistic, and homophobic toward several individuals and groups, including Martin. Therefore, Martin, Bad Bunny, Residente and several other artists, and more than half a million Puerto Ricans led the call to take to the streets of Puerto Rico, demanding Rosselló's resignation. In September 2020, Martin, Luis Fonsi, and actress Eva Longoria attended a campaign event in Kissimmee, Florida to support the Democratic presidential candidate Joe Biden for the 2020 United States presidential election. During an interview with Variety, Martin stated: "I've been supporting Biden forever, I think he is the only option we have and he is great and he has been in politics all his life. This is the moment. We all need to get together and be loud about the course of this nation." Following the election of Biden as 45th president of the United States, Martin said "Bye-bye" to Trump on social media, and shared a photo of himself along with Biden on Instagram. In May 2021, Martin demonstrated his support for the Ni una menos movement, condemning femicides and violence against women in Puerto Rico, while calling authorities to protect women. He further expressed that no woman should fear for her safety and urged authorities to take steps in order to prevent these acts. In the same month, he supported the 2021 Colombian protests. Later that year, the singer raised his voice in support of the 2021 Cuban protests against the Castro regime for the restrictions due to the COVID-19 pandemic and the economic crisis, stating: "This is very important. Our brothers and sisters in Cuba need us to inform the world what they are experiencing today. Let's fill the networks before they remove the internet in the country. Humanitarian aid for Cuba NOW." LGBT advocacy As a gay man, Martin actively supports LGBT rights worldwide since his coming out in 2010. Even before coming out, he was noted by the mainstream media for being popular among gay men and having a large gay fan base. He also went on the cover of the American LGBT-interest magazine The Advocate in July 1999. Despite this, he admitted that he felt homosexuality was evil since he was raised as a Catholic and targeted his anger toward others, especially gay men: "I was very angry, very rebellious. I used to look at gay men and think, 'I'm not like that, I don't want to be like that, that's not me.' I was ashamed." He added that he "had internalized homophobia" back then. He is currently considered to be a gay icon, with PinkNews labeling him "a strong advocate of LGBT rights" who "expressed support for equal marriage" since coming out. As the first mainstream Latin music artist to come out, Martin's coming out was a game-changer for "Latin Pride". Billboards Lucas Villa stated: "With Martin's announcement, gay artists, who had long kept their sexual identities a secret, finally had a beacon of hope. If Martin could come out with his career unscathed, there was hope for other artists in Latin music to start doing the same." He added that since then, "a growing number of Latin artists have either come out after years in the spotlight, or many have simply started their careers by embracing their gay identities". In 2010, GLAAD then-president Jarrett Barrios expressed that Martin's coming out as gay leads "hundreds of millions of people" to have "a cultural connection with an artist, a celebrity and, perhaps most importantly, a father who happens to be gay", adding that "his decision to model this kind of openness and honesty can lead to greater acceptance for countless gay people in U.S., in Latin America and worldwide". In 2019, Human Rights Campaign then-president Alphonso David expressed that Martin "has used his international stage to advocate for LGBTQ people around the world" with his "unique voice and passionate activism". The following year, Suzy Exposito from Rolling Stone argued that with risking his career and coming out, Martin "set the scene for Bad Bunny to be free in many ways that, during his own breakthrough moment, he could not". Martin expressed support for same-sex marriage during an interview on Larry King Live in 2010. He has then delivered speeches about LGBT rights at the United Nations Homophobia Conference, the GLAAD Media Awards, and the Human Rights Campaign. He also raised his voice to support gay marriage in Puerto Rico before its legalization in 2015. In March 2016, Martin met with Chilean LGBT rights group Fundación Iguales to learn about the challenges LGBT citizens face there. AT the meeting, he said that he wants "equal marriage rights for Chile" and he wants his sons to grow up in a world where "there are no second-class citizens". Following the Colombia's highest court voting against an anti same-sex marriage proposal in April 2016, Martin tweeted: "Love and equality win, Colombia says YES to same-sex marriage." During an interview with Vulture, Martin talked about his role in The Assassination of Gianni Versace and how he wanted his portrayal to help "normalize open relationships". In June 2019, he published an open letter slamming the religious liberty bill, saying: "As a defender of human rights and a member of the LGBTT community, I am vehemently opposed to the proposed measure imposed upon us under the guise of religious freedom, that projects us to the world as a backwards country." Puerto Rico's then-governor backed down and withdrew his support of the bill following Martin's statement. In June 2020, Martin performed his song "Recuerdo" with Carla Morrison for a virtual event, Can't Cancel Pride: Helping LGBTQ+ People in Need, to raise visibility and funds for LGBTQ+ communities. He appeared at the virtual event in the following year as well. In February 2021, Martin was named national spokesperson for the onePULSE Foundation, a non-profit organization that focuses on managing "the design and construction of the permanent national memorial and museum dedicated to the Pulse nightclub tragedy". Later that year, he expressed that he wants to "normalize families like" his, in an interview with People. Several of Martin's music videos feature diversity in sexual orientations and same-sex couples, including "The Best Thing About Me Is You", "Disparo al Corazón", "Fiebre", and "Tiburones". For his activism and advocacy for LGBTQ community, Martin has been honored with numerous accolades, including the GLAAD Vito Russo Award, the Gala Vanguard Award by the Los Angeles LGBT Center, the International Icon Award by the British LGBT Awards, the National Visibility Award by the Human Rights Campaign, the Trailblazer Award by the LGBT Center Dinner, the Celebrity Activist of the Year by LGBTQ Nation, and the Legacy Award by Attitude Awards. Achievements Throughout his career, Martin has won over 200 awards (most awarded male Latin artist), including two Grammy Awards, five Latin Grammy Awards, five MTV Video Music Awards (tied for most wins by a Latin artist), two American Music Awards, two Latin American Music Awards, three Billboard Music Awards, a Billboard Music Video Award, nine Billboard Latin Music Awards, eight World Music Awards, fourteen Lo Nuestro Awards (including the Excellence Award), and a Guinness World Record. As an actor, he was nominated for an Emmy Award. In 2007, Martin was honored with a star on the Hollywood Walk of Fame, located at 6901 Hollywood Blvd. Martin is ranked among the Greatest Latin Artists of All Time and the Greatest Hot Latin Songs Artists of All Time by Billboard, while his album Vuelve was placed at number five on Billboards Top 20 Latin Albums Of All Time in 2018. In 1998, his song, "Perdido Sin Ti" reached the top of the Latin Pop Airplay chart, displacing Martin's own "Vuelve", making him the first artist on the chart's history to replace himself. His song "Livin' la Vida Loca" became the first number-one song on Billboard Hot 100, which was made entirely in Pro Tools, and achieved the first number one hit for his label, Columbia. It also became the first song in history to top Billboards Adult Pop Airplay, Pop Airplay, and Rhythmic Airplay charts, holding its record as the only song to do so for 14 years. On May 15, 1999, it became the first single ever to rule four different Billboard charts and made Martin the first act to simultaneously scale a pop, Latin, and dance chart. Two weeks later, he became the first artist to simultaneously top the Billboard 200, Hot Latin Tracks, Hot Dance Music/Club Play, Hot Dance Music/Maxi-Singles Sales, Top 40 Tracks, and the Billboard Hot 100. His song "Tal Vez" (2003) marked the first number one debut on Billboard Hot Latin Songs in the 21st century. Martin is the first and only artist with Spanish-language entries on Billboard Hot 100 in three decades. In 2020, he became the first and only artist in history to enter the Billboard Hot Latin Songs chart across five decades, including his work as part of Menudo. The following year, he became the first male Latin artist in history to have 4 songs from different decades to have over 100 million streams on Spotify. He owns the record as the artist with most top 20s on the US Latin Pop Airplay chart, with 51 songs, and is the runner-up of most top 10s. He is the fourth artist with the most number one songs in the history of the Hot Latin Songs chart. Additionally, he holds the record as the most Spanish-language entries on ARIA top 50 singles chart, with three. On October 11, 2007, then-mayor of Miami Beach, Florida David Dermer awarded him the key to the city of Miami Beach. Puerto Rico named August 31 the "International Ricky Martin Day" in 2008. The Government of Spain granted Spanish nationality to Martin in 2011, for being "recognized in different artistic facets". In 2018, in recognition of "his dedication to the island and people of Puerto Rico, his philanthropic work to eliminate human trafficking across the Caribbean, and his commitment to the arts", the singer received a proclamation naming June 7 the "Ricky Martin Day" in New York City. Throughout his career, Martin has sold over 70 million records making him one of the best-selling Latin music artists of all time. In 2020, La Opinión estimated his net worth at US$120 million. Discography Ricky Martin (1991) Me Amaras (1993) A Medio Vivir (1995) Vuelve (1998) Ricky Martin (1999) Sound Loaded (2000) Almas del Silencio (2003) Life (2005) Música + Alma + Sexo (2011) A Quien Quiera Escuchar (2015) Filmography Mas Que Alcanzar una estrella (1992) Hercules – Latin American dub (1997) Idle Hands (1999) Ricky Martin: One Night Only (1999) Minions – Latin American dub (2015) The Latin Explosion: A New America (2015) Ricky Martin: Behind the Vegas Residency (2017) Jingle Jangle: A Christmas Journey (2020) El cuartito (2021) Theatre Les Misérables (1996), Broadway – Marius Pontmercy Evita (2012), Broadway – Ché Tours and residenciesHeadlining tours Ricky Martin Tour (1992) Me Amaras Tour (1993–1994) A Medio Vivir Tour (1995–1997) Vuelve World Tour (1998) Livin' la Vida Loca Tour (1999–2000) One Night Only with Ricky Martin (2005–2006) Black and White Tour (2007) Música + Alma + Sexo World Tour (2011) Ricky Martin Live (2013–2014) Live in Mexico (2014) One World Tour (2015–2018) Ricky Martin en Concierto (2018-2019) Movimiento Tour (2020-2022)Co-headlining tour Enrique Iglesias and Ricky Martin Live in Concert (with Enrique Iglesias) (2021)Residency' All In (2017–2018) See also Honorific nicknames in popular music List of artists who reached number one in the United States List of artists who reached number one on the UK Singles Chart List of Latin pop artists List of multilingual bands and artists List of Puerto Rican Grammy Award winners and nominees List of Puerto Ricans List of Urbano artists Notes References Book sources External links 1971 births Living people 20th-century LGBT people 20th-century Puerto Rican male actors 20th-century Puerto Rican male singers 20th-century Puerto Rican singers 21st-century LGBT people 21st-century Puerto Rican male actors 21st-century Puerto Rican male singers 21st-century Puerto Rican singers American gay actors American gay musicians American humanitarians American male pop singers American male singer-songwriters Columbia Records artists Echo (music award) winners Grammy Award winners Hispanic and Latino American male actors Hispanic and Latino American musicians Latin Grammy Award winners Latin music songwriters Latin pop singers Latin Recording Academy Person of the Year honorees LGBT entertainers from Puerto Rico LGBT Hispanic and Latino American people LGBT Latin musicians LGBT rights activists from the United States LGBT singers from the United States Male actors from San Juan, Puerto Rico Menudo (band) members MTV Europe Music Award winners Naturalised citizens of Spain Puerto Rican activists Puerto Rican expatriates in Australia Puerto Rican expatriates in Mexico Puerto Rican expatriates in Spain Puerto Rican male film actors Puerto Rican male soap opera actors Puerto Rican male television actors Puerto Rican people of Basque descent Puerto Rican people of Canarian descent Puerto Rican people of Corsican descent Puerto Rican people of Spanish descent Puerto Rican philanthropists Puerto Rican pop singers Puerto Rican record producers Puerto Rican singer-songwriters Singers from San Juan, Puerto Rico Sony Music Latin artists Sony Music Spain artists Spanish-language singers of the United States UNICEF Goodwill Ambassadors World Music Awards winners

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What were some of his connections?

What were some of Anwar al-Awlaki's connections?

Anwar al-Awlaki

FBI agents identified al-Awlaki as a known, important "senior recruiter for al Qaeda", and a spiritual motivator. His name came up in a dozen terrorism plots in the US, UK, and Canada. The cases included suicide bombers in the 2005 London bombings, radical Islamic terrorists in the 2006 Toronto terrorism case, radical Islamic terrorists in the 2007 Fort Dix attack plot, the jihadist killer in the 2009 Little Rock military recruiting office shooting, and the 2010 Times Square bomber. In each case the suspects were devoted to al-Awlaki's message, which they listened to online and on CDs. Al-Awlaki's recorded lectures were heard by Islamist fundamentalists in at least six terror cells in the UK through 2009. Michael Finton (Talib Islam), who attempted in September 2009 to bomb the Federal Building and the adjacent offices of Congressman Aaron Schock in Springfield, Illinois, admired al-Awlaki and quoted him on his Myspace page. In addition to his website, al-Awlaki had a Facebook fan page with "fans" in the US, many of whom were high school students. Al-Awlaki also set up a website and blog on which he shared his views. Al-Awlaki influenced several other extremists to join terrorist organizations overseas and to carry out terrorist attacks in their home countries. Mohamed Alessa and Carlos Almonte, two American citizens from New Jersey who attempted to travel to Somalia in June 2010 to join the al-Qaeda-linked terrorist group Al Shabaab, allegedly watched several al-Awlaki videos and sermons in which he warned of future attacks against Americans in the US and abroad. Zachary Chesser, an American citizen who was arrested for attempting to provide material support to Al Shabaab, told federal authorities that he watched online videos featuring al-Awlaki and that he exchanged several e-mails with al-Awlaki. In July 2010, Paul Rockwood was sentenced to eight years in prison for creating a list of 15 potential targets in the US, people he felt had desecrated Islam. Rockwood was a devoted follower of al-Awlaki, and had studied his works Constants on the Path to Jihad and 44 Ways to Jihad. In October 2008, Charles Allen, US Under-Secretary of Homeland Security for Intelligence and Analysis, warned that al-Awlaki "targets U.S. Muslims with radical online lectures encouraging terrorist attacks from his new home in Yemen." Responding to Allen, al-Awlaki wrote on his website in December 2008: "I would challenge him to come up with just one such lecture where I encourage 'terrorist attacks'". CANNOTANSWER

Al-Awlaki influenced several other extremists to join terrorist organizations overseas and to carry out terrorist attacks in their home countries.

Anwar Nasser al-Awlaki (also spelled al-Aulaqi, al-Awlaqi; ; April 21 or 22, 1971 – September 30, 2011) was a Yemeni-American imam who was killed in 2011 in Yemen by an American drone strike ordered by President Barack Obama. Al-Awlaki became the first U.S. citizen to be targeted and killed by a U.S. drone strike without the rights of due process being afforded. US government officials argued that Awlaki was a key organizer for the Islamist terrorist group al-Qaeda, and in June 2014, a previously classified memorandum issued by the U.S. Department of Justice was released, justifying al-Awlaki's death as a lawful act of war. Civil liberties advocates have described the incident as "an extrajudicial execution" that breached al-Awlaki's right to due process, including a trial. Al-Awlaki was born in Las Cruces, New Mexico, in 1971 to parents from Yemen. Growing up partially in the United States and partially in Yemen, he attended various universities across the United States in the 1990s and early 2000s while also working as an imam, despite having no religious qualifications and almost no religious education. Al-Awlaki returned to Yemen in early 2004 and became a university lecturer after a brief stint as a public speaker in the United Kingdom. He was detained by Yemeni authorities in 2006, where he spent 18 months in prison before being released without facing trial. Following his release, Al-Awlaki's message started to become overtly supportive of violence, as he condemned United States foreign policy against Muslims. The Yemeni government tried him in absentia in November 2010, for plotting to kill foreigners and being a member of al-Qaeda. A Yemeni judge ordered that he be captured "dead or alive". U.S. officials said that in 2009, al-Awlaki was promoted to the rank of "regional commander" within al-Qaeda, although they described his role as more "inspirational" than "operational." He repeatedly called for jihad against the United States. In April 2010, al-Awlaki was placed on a CIA kill list by President Barack Obama due to his alleged terrorist activities. Al-Awlaki's father and civil rights groups challenged the order in court. Al-Awlaki was believed to be in hiding in southeast Yemen in the last years of his life. The U.S. deployed unmanned aircraft (drones) in Yemen to search for and kill him, firing at and failing to kill him at least once; he was successfully killed on September 30, 2011. Two weeks later, al-Awlaki's 16-year-old son, Abdulrahman al-Awlaki, a U.S. citizen who was born in Denver, Colorado, was also killed by a CIA-led drone strike in Yemen. His daughter, 8-year old Nawar al-Awlaki, was killed during a raid against Al Qaeda ordered by President Donald Trump in 2017.<ref name="uk.reuters.com">Ghobari, Mohammed and Phil Stewart. "Commando dies in U.S. raid in Yemen, first military op OK'd by Trump", Reuters, January 29, 2017. Retrieved January 29, 2017.</ref> The New York Times wrote in 2015 that al-Awlaki's public statements and videos have been more influential in inspiring acts of Islamic terrorism in the wake of his killing than before his death. Early life Al-Awlaki was born in Las Cruces, New Mexico, in 1971 to parents from Yemen, while his father, Nasser al-Awlaki, was doing graduate work at U.S. universities. His father was a Fulbright Scholar who earned a master's degree in agricultural economics at New Mexico State University in 1971, received a doctorate at the University of Nebraska, and worked at the University of Minnesota from 1975 to 1977. Nasser al-Awlaki served as Agriculture Minister in Ali Abdullah Saleh's government. He was also President of Sana'a University. Yemen's prime minister from 2007 to 2011, Ali Mohammed Mujur, was a relative. The family returned to Yemen in 1978, when al-Awlaki was seven years old. He lived there for 11 years, and studied at Azal Modern School. Life in the United States 1990–2002 Education In 1991, al-Awlaki returned to the U.S. to attend college. He earned a B.S. in Civil Engineering from Colorado State University (1994), where he was president of the Muslim Student Association. In 1993, while still a college student in Colorado State's civil engineering program, al-Awlaki visited Afghanistan in the aftermath of the Soviet occupation. He spent some time training with the mujahideen who had fought the Soviets. He was depressed by the country's poverty and hunger, and "wouldn't have gone with al-Qaeda," according to friends from Colorado State, who said he was profoundly affected by the trip. Mullah Mohammed Omar did not form the Taliban until 1994. When Al-Awlaki returned to campus, he showed increased interest in religion and politics. Al-Awlaki studied Education Leadership at San Diego State University, but did not complete his degree. He worked on a doctorate in Human Resource Development at The George Washington University Graduate School of Education and Human Development from January to December 2001. Time as imam In 1994, al-Awlaki married a cousin from Yemen, and began service as a part-time imam of the Denver Islamic Society. In 1996, he was chastised by an elder for encouraging a Saudi student to fight in Chechnya against the Russians. He left Denver soon after, moving to San Diego. From 1996 to 2000, al-Awlaki was imam of the Masjid Ar-Ribat al-Islami mosque in San Diego, California, where he had a following of 200–300 people. U.S. officials later alleged that Nawaf al-Hazmi and Khalid al-Mihdhar, hijackers of American Airlines Flight 77, attended his sermons and personally met him during this period. Hazmi later lived in Northern Virginia and attended al-Awlaki's mosque there. The 9/11 Commission Report said that the hijackers "reportedly respected [al-Awlaki] as a religious figure". While in San Diego, al-Awlaki volunteered with youth organizations, fished, discussed his travels with friends, and created a popular and lucrative series of recorded lectures. In August 1996 and in April 1997, al-Awlaki was arrested in San Diego and charged with soliciting prostitutes. The first time, in 1996, he pleaded guilty to a lesser charge and was fined $400 and required to attend informational sessions about AIDS. The second time, in 1997, he pleaded guilty and was fined $240, ordered to perform 12 days of community service, and received three years' probation. From November 2001 to January 2002 the FBI observed him visiting a number of prostitutes, and interviewed them, establishing that he had paid for sex acts. No prosecution was brought. In 1998 and 1999, he served as vice-president for the Charitable Society for Social Welfare. In 2004, the FBI described this group as a "front organization to funnel money to terrorists". Although the FBI investigated al-Awlaki from June 1999 through March 2000 for possible links to Hamas, the Bin Laden contact Ziyad Khaleel, and a visit by an associate of Omar Abdel Rahman, it did not find sufficient evidence for a criminal prosecution. Al-Awlaki told reporters that he resigned from leading the San Diego mosque "after an uneventful four years," and took a brief sabbatical, traveling overseas to various countries. In January 2001, al-Awlaki returned to the U.S., settling in the Washington metropolitan area. There, he was imam at the Dar al-Hijrah mosque near Falls Church, Virginia, and his services were attended by Nawaf al-Hazmi and a third hijacker, Hani Hanjour. He led academic discussions frequented by FBI Director of Counter-Intelligence for the Middle East Gordon M. Snow. Al-Awlaki also served as the Muslim chaplain at George Washington University, where he was hired by Esam Omeish. Omeish said in 2004 that he was convinced that al-Awlaki was not involved in terrorism. His proficiency as a public speaker and command of the English language helped him attract followers who did not speak Arabic. "He was the magic bullet", according to the mosque spokesman Johari Abdul-Malik. "He had everything all in a box." "He had an allure. He was charming." When police investigating the 9/11 attacks raided the Hamburg apartment of Ramzi bin al-Shibh, they found the telephone number of al-Awlaki among bin al-Shibh's personal contacts. The FBI interviewed al-Awlaki four times in the eight days following the 9/11 attacks. One detective later told the 9/11 Commission he believed al-Awlaki "was at the center of the 9/11 story". And an FBI agent said, "if anyone had knowledge of the plot, it would have been" him, since "someone had to be in the U.S. and keep the hijackers spiritually focused". One 9/11 Commission staff member said: "Do I think he played a role in helping the hijackers here, knowing they were up to something? Yes. Do I think he was sent here for that purpose? I have no evidence for it." A separate Congressional Joint Inquiry into the 9/11 attacks suggested that al-Awlaki may have been connected to the hijackers, according to its director, Eleanor Hill. In 2003, Representative Anna Eshoo, a member of the House Intelligence Committee, said, "In my view, he is more than a coincidental figure." Six days after the 9/11 attacks, al-Awlaki suggested in writing on the IslamOnline.net website that Israeli intelligence agents might have been responsible for the attacks, and that the FBI "went into the roster of the airplanes, and whoever has a Muslim or Arab name became the hijacker by default". Soon after the 9/11 attacks, al-Awlaki was sought in Washington, D.C., by the media to answer questions about Islam, its rituals, and its relation to the attacks. He was interviewed by National Geographic, The New York Times, and other media. Al-Awlaki condemned the attacks. According to an NPR report in 2010, in 2001 al-Awlaki appeared to be a moderate who could "bridge the gap between the United States and the worldwide community of Muslims." The New York Times said at the time that he was "held up as a new generation of Muslim leader capable of merging East and West." In 2010, Fox News and the New York Daily News reported that some months after the 9/11 attacks, a Pentagon employee invited al-Awlaki to a luncheon in the Secretary's Office of General Counsel. The U.S. Secretary of the Army had suggested that a moderate Muslim be invited to give a talk. In 2002, al-Awlaki was the first imam to conduct a prayer service for the Congressional Muslim Staffer Association at the U.S. Capitol. That year, Nidal Hasan visited al-Awlaki's mosque for his mother's funeral, at which al-Awlaki presided. In November 2009, Hasan killed 13 and wounded 32 in the Fort Hood shooting. Hasan usually attended a mosque in Maryland closer to where he lived while working at the Walter Reed Medical Center (2003–09). Later in 2002, al-Awlaki posted an essay in Arabic on the Islam Today website titled "Why Muslims Love Death", lauding the fervor of Palestinian suicide bombers. He expressed a similar opinion in a speech at a London mosque later that year. By July 2002, al-Awlaki was under investigation in the United States for having received money from the subject of a U.S. Joint Terrorism Task Force investigation. His name was added to the list of terrorism suspects. Passport fraud issues In June 2002, a Denver federal judge signed an arrest warrant for al-Awlaki for passport fraud. On October 9, the Denver U.S. Attorney's Office filed a motion to dismiss the complaint and vacate the arrest warrant. Prosecutors believed that they lacked sufficient evidence of a crime, according to U.S. Attorney Dave Gaouette, who authorized its withdrawal. Al-Awlaki had listed Yemen rather than the United States as his place of birth on his 1990 application for a U.S. Social Security number, soon after arriving in the US. Al-Awlaki used this documentation to obtain a passport in 1993. He later corrected his place of birth to Las Cruces, New Mexico. "The bizarre thing is if you put Yemen down (on the application), it would be harder to get a Social Security number than to say you are a native-born citizen of Las Cruces", Gaouette said. Prosecutors could not charge him in October 2002, when he returned from a trip abroad, because a 10-year statute of limitations on lying to the Social Security Administration had expired. According to a 2012 investigative report by Fox News, the arrest warrant for passport fraud was still in effect on the morning of October 10, 2002, when FBI Agent Wade Ammerman ordered al-Awlaki's release. U.S. Congressman Frank Wolf (R-VA) and several congressional committees urged FBI Director Robert Mueller to provide an explanation about the bureau's interactions with al-Awlaki, including why he was released from federal custody when there was an outstanding warrant for his arrest. The motion for rescinding the arrest warrant was approved by a magistrate judge on October 10 and filed on October 11.ABC News reported in 2009 that the Joint Terrorism Task Force in San Diego disagreed with the decision to cancel the warrant. They were monitoring al-Awlaki and wanted to "look at him under a microscope". But U.S. Attorney Gaouette said that no objection had been raised to the rescinding of the warrant during a meeting that included Ray Fournier, the San Diego federal diplomatic security agent whose allegation had set in motion the effort to obtain a warrant. Gaouette said that if al-Awlaki had been convicted at the time, he would have faced about six months in custody.The New York Times suggested later that al-Awlaki had claimed birth in Yemen (his family's place of origin) to qualify for scholarship money granted to foreign citizens. U.S. Congressman Frank R. Wolf (R-VA) wrote in May 2010 that by claiming to be foreign-born, al-Awlaki fraudulently obtained more than $20,000 in scholarship funds reserved for foreign students. While living in Northern Virginia, al-Awlaki visited Ali al-Timimi, later known as a radical Islamic cleric. Al-Timimi was convicted in 2005 and is now serving a life sentence for leading the Virginia Jihad Network, inciting Muslim followers to fight with the Taliban against the US. In the United Kingdom 2002–04 Al-Awlaki left the United States before the end of 2002, because of a "climate of fear and intimidation" according to Imam Johari Abdul-Malik of the Dar al-Hijrah mosque. He lived in the UK for several months, where he gave talks attended by up to 200 people. He urged young Muslim followers: "The important lesson to learn here is never, ever trust a kuffar [disbeliever]. Do not trust them! [Their leaders] are plotting to kill this religion. They're plotting night and day." "He was the main man who translated the jihad into English," said a student who attended his lectures in 2003. He gave a series of lectures in December 2002 and January 2003 at the London Masjid al-Tawhid mosque, describing the rewards martyrs (Shahid) receive in paradise (Jannah). He began to gain supporters, particularly among young Muslims, and undertook a lecture tour of England and Scotland in 2002 in conjunction with the Muslim Association of Britain. He also lectured at "ExpoIslamia", an event held by Islamic Forum Europe. At the East London Mosque he told his audience: "A Muslim is a brother of a Muslim... he does not betray him, and he does not hand him over... You don't hand over a Muslim to the enemies." In Britain's Parliament in 2003, Louise Ellman, MP for Liverpool Riverside, discussed the relationship between al-Awlaki and the Muslim Association of Britain, an alleged Muslim Brotherhood front organization founded by Kemal el-Helbawy, a senior member of the Egyptian Muslim Brotherhood. Return to Yemen 2004–11 Al-Awlaki returned to Yemen in early 2004, where he lived in Shabwah Governorate with his wife and five children. He lectured at Iman University, headed by Abdul Majeed al-Zindani. The latter has been included on the UN 1267 Committee's list of individuals belonging to or associated with al-Qaeda. Al-Zindani denied having any influence over al-Awlaki, or that he had been his "direct teacher". Some believe that the school's curriculum deals mostly, if not exclusively, with radical Islamic studies, and promotes radicalism. American convert John Walker Lindh and other alumni have been associated with terrorist groups. On August 31, 2006, al-Awlaki was arrested with four others on charges of kidnapping a Shiite teenager for ransom, and participating in an al-Qaeda plot to kidnap a U.S. military attaché. He was imprisoned in 2006 and 2007. He was interviewed around September 2007 by two FBI agents with regard to the 9/11 attacks and other subjects. John Negroponte, the U.S. Director of National Intelligence, told Yemeni officials he did not object to al-Awlaki's detention. His name was on a list of 100 prisoners whose release was sought by al-Qaeda-linked militants in Yemen. After 18 months in a Yemeni prison, al-Awlaki was released on December 12, 2007, following the intercession of his tribe. According to a Yemeni security official, he was released because he had repented. He moved to his family home in Saeed, a hamlet in the Shabwa mountains. Moazzam Begg's Cageprisoners, an organization representing former Guantanamo detainees, campaigned for al-Awlaki's release when he was in prison in Yemen. Al-Awlaki told Begg in an interview shortly after his release that prior to his incarceration in Yemen, he had condemned the 9/11 attacks. In December 2008, al-Awlaki sent a communique to the Somali terrorist group, al-Shabaab, congratulating them. Al-Awlaki provided al-Qaeda members in Yemen with the protection of his powerful tribe, the Awlakis, against the government. The tribal code required it to protect those who seek refuge and assistance. This imperative has greater force when the person is a member of the tribe or a tribesman's friend. The tribe's motto is "We are the sparks of Hell; whoever interferes with us will be burned." Al-Awlaki also reportedly helped negotiate deals with leaders of other tribes. Sought by Yemeni authorities who were investigating his al-Qaeda ties, al-Awlaki went into hiding in approximately March 2009, according to his father. By December 2009, al-Awlaki was on the Yemeni government's most-wanted list. He was believed to be hiding in Yemen's Shabwa or Mareb regions, which are part of the so-called "triangle of evil". The area has attracted al-Qaeda militants, who seek refuge among local tribes unhappy with Yemen's central government. Yemeni sources originally said al-Awlaki might have been killed in a pre-dawn air strike by Yemeni Air Force fighter jets on a meeting of senior al-Qaeda leaders at a hideout in Rafd in eastern Shabwa, on December 24, 2009. But he survived. Pravda reported that the planes, using Saudi and U.S. intelligence, killed at least 30 al-Qaeda members from Yemen and abroad, and that an al-Awlaki house was "raided and demolished". On December 28 The Washington Post reported that U.S. and Yemeni officials said that al-Awlaki had been present at the meeting. Abdul Elah al-Shaya, a Yemeni journalist, said al-Awlaki called him on December 28 to report that he was well and had not attended the al-Qaeda meeting. Al-Shaya said that al-Awlaki was not tied to al-Qaeda. In March 2010, a tape featuring al-Awlaki was released in which he urged Muslims residing in the United States to attack their country of residence. Reaching out to the United Kingdom After 2006, al-Awlaki was banned from entering the United Kingdom. He broadcast lectures to mosques and other venues there via video-link from 2007 to 2009, on at least seven occasions at five locations in Britain. Noor Pro Media Events held a conference at the East London Mosque on January 1, 2009, showing a videotaped lecture by al-Awlaki; former Shadow Home Secretary Dominic Grieve expressed concern over his being featured. He gave video-link talks in England to an Islamic student society at the University of Westminster in September 2008, an arts center in East London in April 2009 (after the Tower Hamlets council gave its approval), worshippers at the Al Huda Mosque in Bradford, and a dinner of the Cageprisoners organization in September 2008 at the Wandsworth Civic Centre in South London. On August 23, 2009, al-Awlaki was banned by local authorities in Kensington and Chelsea, London, from speaking at Kensington Town Hall via videolink to a fundraiser dinner for Guantanamo detainees promoted by Cageprisoners. His videos, which discuss his Islamist theories, have circulated across the United Kingdom. Until February 2010, hundreds of audio tapes of his sermons were available at the Tower Hamlets public libraries. In 2009, the London-based Islam Channel carried advertisements for his DVDs and at least two of his video conference lectures. Other connections FBI agents identified al-Awlaki as a known, important "senior recruiter for al Qaeda", and a spiritual motivator. His name came up in a dozen terrorism plots in the US, UK, and Canada. The cases included suicide bombers in the 2005 London bombings, radical Islamic terrorists in the 2006 Toronto terrorism case, radical Islamic terrorists in the 2007 Fort Dix attack plot, the jihadist killer in the 2009 Little Rock military recruiting office shooting, and the 2010 Times Square bomber. In each case the suspects were devoted to al-Awlaki's message, which they listened to online and on CDs. Al-Awlaki's recorded lectures were heard by Islamist fundamentalists in at least six terror cells in the UK through 2009. Michael Finton (Talib Islam), who attempted in September 2009 to bomb the Federal Building and the adjacent offices of Congressman Aaron Schock in Springfield, Illinois, admired al-Awlaki and quoted him on his Myspace page. In addition to his website, al-Awlaki had a Facebook fan page with "fans" in the US, many of whom were high school students. Al-Awlaki also set up a website and blog on which he shared his views. Al-Awlaki influenced several other extremists to join terrorist organizations overseas and to carry out terrorist attacks in their home countries. Mohamed Alessa and Carlos Almonte, two American citizens from New Jersey who attempted to travel to Somalia in June 2010 to join the al-Qaeda-linked terrorist group Al Shabaab, allegedly watched several al-Awlaki videos and sermons in which he warned of future attacks against Americans in the United States and abroad. Zachary Chesser, an American citizen who was arrested for attempting to provide material support to Al Shabaab, told federal authorities that he watched online videos featuring al-Awlaki and that he exchanged several e-mails with al-Awlaki. In July 2010, Paul Rockwood was sentenced to eight years in prison for creating a list of 15 potential targets in the US, people he felt had desecrated Islam. Rockwood was a devoted follower of al-Awlaki, and had studied his works Constants on the Path to Jihad and 44 Ways to Jihad. In October 2008, Charles Allen, U.S. Under-Secretary of Homeland Security for Intelligence and Analysis, warned that al-Awlaki "targets U.S. Muslims with radical online lectures encouraging terrorist attacks from his new home in Yemen." Responding to Allen, al-Awlaki wrote on his website in December 2008: "I would challenge him to come up with just one such lecture where I encourage 'terrorist attacks'". Fort Hood shooter Fort Hood shooter Nidal Hasan was investigated by the FBI after intelligence agencies intercepted at least 18 e-mails between him and al-Awlaki between December 2008 and June 2009. Even before the contents of the e-mails were revealed, terrorism expert Jarret Brachman said that Hasan's contacts with al-Awlaki should have raised "huge red flags", because of his influence on radical English-speaking jihadis. Charles Allen, no longer in government, noted that there was no work-related reason for Hasan to be in touch with al-Awlaki. Former CIA officer Bruce Riedel opined: "E-mailing a known al-Qaeda sympathizer should have set off alarm bells. Even if he was exchanging recipes, the bureau should have put out an alert." A DC-based Joint Terrorism Task Force operating under the FBI was notified of the e-mails and reviewed the information. Army employees were informed of the e-mails, but they didn't perceive any terrorist threat in Hasan's questions. Instead, they viewed them as general questions about spiritual guidance with regard to conflicts between Islam and military service and judged them to be consistent with legitimate mental health research about Muslims in the armed services. The assessment was that there was not sufficient information for a larger investigation. In one of the e-mails, Hasan wrote al-Awlaki: "I can't wait to join you [in the afterlife]". "It sounds like code words," said Lt. Col. Tony Shaffer, a military analyst at the Center for Advanced Defense Studies. "That he's actually either offering himself up, or that he's already crossed that line in his own mind." Yemeni journalist Abdulelah Hider Shaea interviewed al-Awlaki in November 2009. Al-Awlaki acknowledged his correspondence with Hasan. He said he "neither ordered nor pressured ... Hasan to harm Americans." Al-Awlaki said Hasan first e-mailed him December 17, 2008, introducing himself by writing: "Do you remember me? I used to pray with you at the Virginia mosque." Hasan said he had become a devout Muslim around the time al-Awlaki was preaching at Dar al-Hijrah, in 2001 and 2002, and al-Awlaki said 'Maybe Nidal was affected by one of my lectures.'" He added: "It was clear from his e-mails that Nidal trusted me. Nidal told me: 'I speak with you about issues that I never speak with anyone else.'" Al-Awlaki said Hasan arrived at his own conclusions regarding the acceptability of violence in Islam and said he was not the one to initiate this. Shaea said, "Nidal was providing evidence to Anwar, not vice versa." Asked whether Hasan mentioned Fort Hood as a target in his e-mails, Shaea declined to comment. Al-Awlaki said the shooting was acceptable in Islam, however, because it was a form of jihad, as the West began the hostilities with the Muslims. Al-Awlaki said he "blessed the act because it was against a military target. And the soldiers who were killed were ... those who were trained and prepared to go to Iraq and Afghanistan". Al-Awlaki's e-mail conversations with Hasan were not released, and he was not placed on the FBI Most Wanted list, indicted for treason, or officially named as a co-conspirator with Hasan. The U.S. government was reluctant to classify the Fort Hood shooting as a terrorist incident, or identify any motive. The Wall Street Journal reported in January 2010 that al-Awlaki had not "played a direct role" in any of the attacks, and noted he had never been charged with a crime in the US. One of his fellow officers at Fort Hood said Hasan was enthusiastic about al-Awlaki. Some investigators believe al-Awlaki's teachings may have been instrumental in Hasan's decision to stage the attack. On his now-disabled website, al-Awlaki praised Hasan's actions, describing him as a hero. Christmas Day "Underwear Bomber" According to a number of sources, Al-Awlaki and Umar Farouk Abdulmutallab, the convicted al-Qaeda attempted bomber of Northwest Airlines Flight 253 on December 25, 2009, had contacts. In January 2010, CNN reported that U.S. "security sources" said that there is concrete evidence that al-Awlaki was Abdulmutallab's recruiter and one of his trainers, and met with him prior to the attack. In February 2010, al-Awlaki admitted in an interview published in al-Jazeera that he taught and corresponded with Abdulmutallab, but denied having ordered the attack. Representative Pete Hoekstra, the senior Republican on the House Intelligence Committee, said officials in the Obama administration and officials with access to law enforcement information told him the suspect "may have had contact [with al-Awlaki]".The Sunday Times established that Abdulmutallab first met al-Awlaki in 2005 in Yemen, while he was studying Arabic. During that time the suspect attended lectures by al-Awlaki.NPR reported that according to unnamed U.S. intelligence officials he attended a sermon by al-Awlaki at the Finsbury Park Mosque. Khalid Mahmood, the Labour MP for Birmingham Perry Barr, a former trustee of the mosque, expressed "grave misgivings" with regard to its stewardship. A spokesperson of the mosque stated that al-Awlaki had never spoken there or had even to his knowledge entered the building. Abdulmutallab was also reported by CBS News, The Daily Telegraph, and The Sunday Telegraph to have attended a talk by al-Awlaki at the East London Mosque, which al-Awlaki may have attended by video teleconference. The Sunday Telegraph later removed the report from its website following a complaint by the East London Mosque, which stated that "Anwar Al Awlaki did not deliver any talks at the ELM between 2005 and 2008, which is when the newspaper had falsely alleged that Abdullmutallab had attended such talks". Investigators who searched flats connected to Abdulmutallab in London said that he was a "big fan" of al-Awlaki, as al-Awlaki's blog and website had repeatedly been visited from those locations. According to federal sources, Abdulmutallab and al-Awlaki repeatedly communicated with one another in the year prior to the attack. "Voice-to-voice communication" between the two was intercepted during the fall of 2009, and one government source said al-Awlaki "was in some way involved in facilitating [Abdulmutallab]'s transportation or trip through Yemen. It could be training, a host of things." NPR reported that intelligence officials suspected al-Awlaki may have told Abdulmutallab to go to Yemen for al-Qaeda training. Abdulmutallab told the FBI that al-Awlaki was one of his al-Qaeda trainers in Yemen. Others reported that Abdulmutallab met with al-Awlaki in the weeks leading up to the attack. The Los Angeles Times reported that according to a U.S. intelligence official, intercepts and other information point to connections between the two: Some of the information ... comes from Abdulmutallab, who ... said that he met with al-Awlaki and senior al-Qaeda members during an extended trip to Yemen this year and that the cleric was involved in some elements of planning or preparing the attack and in providing religious justification for it. Other intelligence linking the two became apparent after the attempted bombing, including communications intercepted by the National Security Agency indicating that the cleric was meeting with "a Nigerian" in preparation for some kind of operation. Yemen's Deputy Prime Minister for Defense and Security Affairs, Rashad Mohammed al-Alimi, said Yemeni investigators believe that Abdulmutallab traveled to Shabwa in October 2009. Investigators believe he obtained his explosives and received training there. He met there with al-Qaeda members in a house built by al-Awlaki. A top Yemen government official said the two met with each other. In January 2010, al-Awlaki acknowledged that he met and spoke with Abdulmutallab in Yemen in the fall of 2009. In an interview, al-Awlaki said: "Umar Farouk is one of my students; I had communications with him. And I support what he did." He also said: "I did not tell him to do this operation, but I support it". Fox News reported in early February 2010 that Abdulmutallab told federal investigators that al-Awlaki directed him to carry out the bombing. In June 2010 Michael Leiter, the Director of the U.S. National Counterterrorism Center (NCTC), said al-Awlaki had a "direct operational role" in the plot. Sharif Mobley Sharif Mobley had acknowledged contact with Anwar al-Awlaki. The Mobley family claims the contact was for spiritual guidance in further studies of Islam. The Mobley family went to Yemen and resided there for several years. They decided to return to the United States and went to the U.S. Embassy to update the family travel documents. While waiting for their travel documents, Sharif Mobley was kidnapped by Yemen Security Services and shot on January 26, 2010. He was then held in Yemen's Central Prison. Mobley disappeared from the Central Prison on February 27, 2014. His current location is known to the U.S. Embassy in Yemen (currently closed 2015) but is withheld from his family and legal advisers based on U.S. State Department Regulations on "U.S. Citizens Missing Abroad". All charges related to "terrorism/terrorist activity" were dropped by the Yemen government. There are no charges relating to allegations of "killing a guard during an escape attempt from the hospital" and there are no other legal proceedings against him in Yemen. Times Square bomber Faisal Shahzad, convicted of the 2010 Times Square car bombing attempt, told interrogators that he was a "fan and follower" of al-Awlaki, and his writings were one of the inspirations for the attack. On May 6, 2010 ABC News reported that unknown sources told them Shahzad made contact with al-Awlaki over the internet, a claim that could not be independently verified. Stabbing of British former minister Stephen Timms Roshonara Choudhry, who stabbed former British Cabinet Minister Stephen Timms in May 2010, and was found guilty of his attempted murder in November 2010, claimed to have become radicalized by listening to online sermons of al-Awlaki. Seattle Weekly cartoonist death threat In 2010, after Everybody Draw Mohammed Day, cartoonist Molly Norris at Seattle Weekly had to stop publishing, and at the suggestion of the FBI changed her name, moved, and went into hiding due to a fatwā issued by al-Awlaki calling for her death. In the June 2010 issue of Inspire, an English-language al-Qaeda magazine, al-Awlaki cursed her and eight others for "blasphemous caricatures" of Muhammad. "The medicine prescribed by the Messenger of Allah is the execution of those involved", he wrote. Daniel Pipes observed in an article entitled "Dueling Fatwas", "Awlaki stands at an unprecedented crossroads of death declarations, with his targeting Norris even as the U.S. government targets him." Cargo planes bomb plotThe Guardian, The New York Times, and The Daily Telegraph reported that U.S. and British counter-terrorism officials believed that al-Awlaki was behind the cargo plane PETN bombs that were sent from Yemen to Chicago in October 2010.Yemen bomb scare 'mastermind' lived in London | World news. The Guardian. Retrieved on October 1, 2011. When U.S. Homeland Security official John Brennan was asked about al-Awlaki's suspected involvement in the plot, he said: "Anybody associated with al-Qaeda in the Arabian Peninsula is a subject of concern." U.S. Ambassador to Yemen Gerald Feierstein said "al-Awlaki was behind the two bombs." Final years Al-Awlaki's father, tribe, and supporters denied his alleged associations with Al-Qaeda and Islamist terrorism. Al-Awlaki's father proclaimed his son's innocence in an interview with CNN's Paula Newton, saying: "I am now afraid of what they will do with my son. He's not Osama bin Laden, they want to make something out of him that he's not." Responding to a Yemeni official's assertions that his son had taken refuge with al-Qaeda, Nasser said: "He's dead wrong. What do you expect my son to do? There are missiles raining down on the village. He has to hide. But he is not hiding with al-Qaeda; our tribe is protecting him right now." The Yemeni government attempted to get the tribal leaders to release al-Awlaki to their custody. They promised they would not turn him over to U.S. authorities for questioning. The governor of Shabwa said in January 2010 that al-Awlaki was on the move with members of al-Qaeda, including Fahd al-Quso, who was wanted in connection with the bombing of the USS Cole. In January 2010, White House lawyers debated whether or not it was legal to kill al-Awlaki, given his U.S. citizenship. U.S. officials stated that international law allows targeted killing in the event that the subject is an "imminent threat". Because he was a U.S. citizen, his killing had to be approved by the National Security Council. Such action against a U.S. citizen is extremely rare. As a military enemy of the US, al-Awlaki was not subject to Executive Order 11905, which bans assassination for political reasons. The authorization was nevertheless controversial. By February 4, 2010, the New York Daily News reported that al-Awlaki was "now on a targeting list signed off on by the Obama administration". On April 6, The New York Times reported that President Obama had authorized the killing of al-Awlaki. The al-Awalik tribe responded: "We warn against cooperating with America to kill Sheikh Anwar al-Awlaki. We will not stand by idly and watch." Al-Awlaki's tribe wrote that it would "not remain with arms crossed if a hair of Anwar al-Awlaki is touched, or if anyone plots or spies against him. Whoever risks denouncing our son (Awlaki) will be the target of Al-Awalik weapons", and gave warning "against co-operating with the Americans" in the capture or killing of al-Awlaki. Abu Bakr al-Qirbi, the Yemeni foreign minister, announced that the Yemeni government had not received any evidence from the US, and that "Anwar al-Awlaki has always been looked at as a preacher rather than a terrorist and shouldn't be considered as a terrorist unless the Americans have evidence that he has been involved in terrorism". In a video clip bearing the imprint of al-Qaeda in the Arabian Peninsula, issued on April 16 in al-Qaeda's monthly magazine Sada Al-Malahem, al-Awlaki said: "What am I accused of? Of calling for the truth? Of calling for jihad for the sake of Allah? Of calling to defend the causes of the Islamic nation?" In the video he also praises both Abdulmutallab and Hasan, and describes both as his "students". In late April, Representative Charlie Dent (R-PA) introduced a resolution urging the U.S. State Department to withdraw al-Awlaki's U.S. citizenship. By May, U.S. officials believed he had become directly involved in terrorist activities. Former colleague Abdul-Malik said he "is a terrorist, in my book", and advised shops not to carry any of his publications. In an editorial, Investor's Business Daily called al-Awlaki the "world's most dangerous man", and recommended that he be added to the FBI's most-wanted terrorist list, a bounty put on his head, that he be designated a Specially Designated Global Terrorist, charged with treason, and extradition papers filed with the Yemeni government. IBD criticized the Justice Department for stonewalling Senator Joe Lieberman's security panel's investigation of al-Awlaki's role in the Fort Hood massacre. On July 16, the U.S. Treasury Department added him to its list of Specially Designated Global Terrorists. Stuart Levey, Under Secretary of the Treasury for Terrorism and Financial Intelligence, called him "extraordinarily dangerous", and said al-Awlaki was involved in several organizational aspects of terrorism, including recruiting, training, fundraising, and planning individual attacks. A few days later, the United Nations Security Council placed al-Awlaki on its UN Security Council Resolution 1267 list of individuals associated with al-Qaeda, describing him as a leader, recruiter, and trainer for al-Qaeda in the Arabian Peninsula. The resolution stipulates that U.N. members must freeze the assets of anyone on the list, and prevent them from travelling or obtaining weapons. The following week, Canadian banks were ordered to seize any assets belonging to al-Awlaki. The Royal Canadian Mounted Police's senior counter-terrorism officer Gilles Michaud described him as a "major, major factor in radicalization". In September 2010, Jonathan Evans, the Director General of the United Kingdom's domestic security and counter-intelligence agency (MI5), said that al-Awlaki was the West's Public Enemy No 1. In October 2010, U.S. Congressman Anthony Weiner (D-NY) urged YouTube to take down al-Awlaki's videos from its website, saying that by hosting al-Awlaki's messages, "We are facilitating the recruitment of homegrown terror." Pauline Neville-Jones, British security minister, said "These Web sites ... incite cold-blooded murder." YouTube began removing the material in November 2010. Al-Awlaki was charged in absentia in Sana'a, Yemen, on November 2 with plotting to kill foreigners and being a member of al-Qaeda. Ali al-Saneaa, the head of the prosecutor's office, announced the charges during the trial of Hisham Assem, who had been accused of killing Jacques Spagnolo, an oil industry worker. He said that al-Awlaki and Assem had been in contact for months, and that al-Awlaki had encouraged Assem to commit terrorism. Al-Awlaki's lawyer said that his client was not connected to Spagnolo's death. On November 6, Yemeni Judge Mohsen Alwan ordered that al-Awlaki be caught "dead or alive". In his book Ticking Time Bomb: Counter-Terrorism Lessons from the U.S. Government's Failure to Prevent the Fort Hood Attack (2011), former U.S. Senator Joe Lieberman described al-Awlaki, Australian Muslim preacher Feiz Mohammad, Muslim cleric Abdullah el-Faisal, and Pakistani-American Samir Khan as "virtual spiritual sanctioners" who use the internet to offer religious justification for Islamist terrorism. Lawsuit against the US In July 2010, al-Awlaki's father, Nasser al-Awlaki, contacted the Center for Constitutional Rights and the American Civil Liberties Union to represent his son in a lawsuit that sought to remove Anwar from the targeted killing list. ACLU's Jameel Jaffer said: the United States is not at war in Yemen, and the government doesn't have a blank check to kill terrorism suspects wherever they are in the world. Among the arguments we'll be making is that, outside actual war zones, the authority to use lethal force is narrowly circumscribed, and preserving the rule of law depends on keeping this authority narrow. Lawyers for Specially Designated Global Terrorists must obtain a special license from the U.S. Treasury Department before they can represent their clients in court. The lawyers were granted the license on August 4, 2010. On August 30, 2010, the groups filed a "targeted killing" lawsuit, naming President Obama, CIA Director Leon Panetta, and Secretary of Defense Robert Gates as defendants. They sought an injunction preventing the targeted killing of al-Awlaki, and also sought to require the government to disclose the standards under which U.S. citizens may be "targeted for death". Judge John D. Bates dismissed the lawsuit in an 83-page ruling, holding that the father did not have legal standing to bring the lawsuit, and that his claims were judicially unreviewable under the political question doctrine inasmuch as he was questioning a decision that the U.S. Constitution committed to the political branches. On May 5, 2011, the United States tried but failed to kill al-Awlaki by firing a missile from an unmanned drone at a car in Yemen. A Yemeni security official said that two al-Qaeda operatives in the car died. Death On September 30, 2011, al-Awlaki was killed in a U.S. drone strike in Al Jawf Governorate, Yemen, according to U.S. sources, the strike was carried out by Joint Special Operations Command, under the direction of the CIA. A witness said the group had stopped to eat breakfast while traveling to Ma'rib Governorate. The occupants of the vehicle spotted the drone and attempted to flee in the vehicle before Hellfire missiles were fired Yemen's Defense Ministry announced that al-Awlaki had been killed. Also killed was Samir Khan, an American born in Saudi Arabia, thought to be behind al-Qaeda's English-language web magazine Inspire. U.S. President Barack Obama said: The death of Awlaki is a major blow to Al-Qaeda's most active operational affiliate. He took the lead in planning and directing efforts to murder innocent Americans ... and he repeatedly called on individuals in the United States and around the globe to kill innocent men, women and children to advance a murderous agenda. [The strike] is further proof that Al-Qaeda and its affiliates will find no safe haven anywhere in the world. Journalist and author Glenn Greenwald argued on Salon.com that killing al-Awlaki violated his First Amendment right of free speech and that doing so outside of a criminal proceeding violated the Constitution's due process clause, specifically citing the 1969 Supreme Court decision in Brandenburg v. Ohio that "the constitutional guarantees of free speech and free press do not permit a State to forbid or proscribe advocacy of the use of force." He mentioned doubt among Yemeni experts about al-Awlaki's role in al-Qaeda, and called U.S. government accusations against him unverified and lacking in evidence. In a letter dated May 22, 2013, to the chairman of the U.S. Senate Judiciary committee, Patrick J. Leahy, U.S. attorney general Eric Holder wrote that high-level U.S. government officials [...] concluded that al-Aulaqi posed a continuing and imminent threat of violent attack against the United States. Before carrying out the operation that killed al-Aulaqi, senior officials also determined, based on a careful evaluation of the circumstances at the time, that it was not feasible to capture al-Aulaqi. In addition, senior officials determined that the operation would be conducted consistent with applicable law of war principles, including the cardinal principles of (1) necessity – the requirement that the target have definite military value; (2) distinction – the idea that only military objectives may be intentionally targeted and that civilians are protected from being intentionally targeted; (3) proportionality – the notion that the anticipated collateral damage of an action cannot be excessive in relation to the anticipated concrete and direct military advantage; and (4) humanity – a principle that requires us to use weapons that will not inflict unnecessary suffering. The operation was also undertaken consistent with Yemeni sovereignty. [...] The decision to target Anwar al-Aulaqi was lawful, it was considered, and it was just. On April 21, 2014, the 2nd U.S. Circuit Court of Appeal ruled that the Obama administration must release documents justifying its drone killings of foreigners and Americans, including Anwar al-Awlaki. In June 2014, the United States Department of Justice disclosed a 2010 memorandum written by the acting head of the department's Office of Legal Counsel, David J. Barron. The memo stated that Anwar al-Awlaki was a significant threat with an infeasible probability of capture. Barron therefore justified the killing as legal, as "the Constitution would not require the government to provide further process". The New York Times Editorial Board dismissed the memo's rationale for al-Awlaki's killing, saying it "provides little confidence that the lethal action was taken with real care", instead describing it as "a slapdash pastiche of legal theories—some based on obscure interpretations of British and Israeli law—that was clearly tailored to the desired result." A lawyer for the ACLU described the memo as "disturbing" and "ultimately an argument that the president can order targeted killings of Americans without ever having to account to anyone outside the executive branch." Legacy Seth Jones, who as a political scientist specializes in al-Qaida, considers that the continuing relevance of al-Awlaki is due to his fluency in the English language as well as his charisma, precising that "he had a disarming aura and unnerving confidence, with an easy smile and a soothing, eloquent voice. He stood a lanky six feet, one inch tall, weighed 160 pounds, and had a thick black beard, an oversized nose, and wire-rimmed glasses. He spoke in a clear, almost hypnotic voice." Awlaki's videos and writings remain highly popular on the internet, where they continue to be readily accessible. Those who viewed and still view his videos are estimated by journalist Scott Shane to number in the hundreds of thousands, while his father Dr. Nasser Awlaqi says that "five million preaching tapes of Anwar Awlaqi have been sold in the West." And thus, even following his death, Awlaki has continued to inspire his devotees to carry out terrorist attacks, including the 2013 Boston Marathon bombing, the 2015 San Bernardino attack, and the 2016 Orlando nightclub shooting. According to the Counter Extremism Project (CEP), 88 "extremists," 54 in the U.S. and 34 in Europe, have been influenced by Awlaki. Because "his work has inspired countless plots and attacks," CEP has "called on YouTube and other platforms to permanently ban Mr. Awlaki's material, including his early, mainstream lectures." FOIA documents During the FBI investigation of the 9/11 attacks, it was discovered that a few of the attackers had attended the mosques in San Diego and Falls Church with which al-Awlaki was associated. Interviews with members of the San Diego mosque showed that Nawaz al-Hazmi, one of the attackers, may have had a private conversation with him. On that basis he was placed under 24-hour surveillance. It was discovered that he regularly patronized prostitutes. It was through FBI interrogation of prostitutes and escort service operators that al-Awlaki was tipped off in 2002 about FBI surveillance. Shortly thereafter, he left the United States. In January 2013, Fox News announced that FBI documents obtained by Judicial Watch through a Freedom of Information Act request showed possible connections between al-Awlaki and the September 11 attackers. According to Judicial Watch, the documents show that the FBI knew that al-Awlaki had bought tickets for three of the hijackers to fly into Florida and Las Vegas. Judicial Watch further stated that al-Awlaki "was a central focus of the FBI's investigation of 9/11. They show he wasn't cooperative. And they show that he was under surveillance." When queried by Fox News, the FBI denied having evidence connecting al-Awlaki and the September 11 attacks: "The FBI cautions against drawing conclusions from redacted FOIA documents. The FBI and investigating bodies have not found evidence connecting Anwar al-Awlaki and the attack on September 11, 2001. The document referenced does not link Anwar al-Awlaki with any purchase of airline tickets for the hijackers." Family Abdulrahman al-Awlaki Anwar al-Awlaki and Egyptian-born Gihan Mohsen Baker had a son, Abdulrahman Anwar al-Awlaki, born August 26, 1995, in Denver, who was an American citizen. Abdulrahman al-Awlaki was killed on October 14, 2011, in Yemen at the age of 16 in an American drone strike. Nine other people were killed in the same CIA-initiated attack, including a 17-year-old cousin of Abdulrahman. According to his relatives, shortly before his father's death, Abdulrahman had left the family home in Sana'a and travelled to Shabwa in search of his father who was believed to be in hiding in that area (though he was actually hundreds of miles away at the time ). Abdulrahman was sitting in an open-air cafe in Shabwa when killed. According to U.S. officials, the killing of Abdulrahman al-Awlaki was a mistake; the intended target was an Egyptian, Ibrahim al-Banna, who was not at the targeted location at the time of the attack. Human rights groups have raised questions as to why an American citizen was killed by the United States in a country with which the United States is not officially at war. Abdulrahman al-Awlaki was not known to have any independent connection to terrorism. Nasser al-Awlaki Nasser al-Awlaki is the father of Anwar and grandfather of Abdulrahman al-Awlaki. Al-Awlaki stated he believed his son had been wrongly accused and was not a member of Al Qaeda. After the deaths of his son and grandson, Nasser in an interview in Time magazine called the killings a crime and condemned U.S. President Obama directly, saying: "I urge the American people to bring the killers to justice. I urge them to expose the hypocrisy of the 2009 Nobel Prize laureate. To some, he may be that. To me and my family, he is nothing more than a child killer." In 2013, Nasser al-Awlaki published an op-ed in The New York Times stating that two years after killing his grandson, the Obama administration still declines to provide an explanation. In 2012, Nasser al-Awlaki filed a lawsuit, Al-Aulaqi v. Panetta, challenging the constitutionality of the drone killings of his son and grandson. This lawsuit was dismissed in April 2014 by D.C. District Court Judge Rosemary M. Collyer. Tariq al-Dahab Tariq al-Dahab, who led al-Qaeda insurgents in Yemen, was a brother-in-law of al-Awlaki. On February 16, 2012, the terrorist organization stated that he had been killed by agents, although media reports contain speculation that he was killed by his brother in a bloody family feud. Nawar al-Awlaki On January 29, 2017, Anwar al-Awlaki's 8-year-old daughter, Nawar al-Awlaki, who was an American citizen, was killed in a DEVGRU operation authorized by President Donald Trump."1 US service member killed, 3 wounded in Yemen raid" , WPVI-TV, 6 ABC Action News, Philadelphia, PA. January 29, 2017. Retrieved January 29, 2017. Islamic education Al-Awlaki's Islamic education was primarily informal, and consisted of intermittent months with various scholars reading and contemplating Islamic scholarly works. Despite having no religious qualifications and almost no religious education, Al-Awlaki made a name for himself as a public speaker who released popular audio recordings.Some Muslim scholars said they did not understand alAwlaki's popularity, because while he spoke fluent English and could therefore reach a large non-Arabic-speaking audience, he lacked formal Islamic training and study. Ideology While imprisoned in Yemen after 2004, al-Awlaki was influenced by the works of Sayyid Qutb, described by The New York Times as an originator of the contemporary "anti-Western Jihadist movement". He read 150 to 200 pages a day of Qutb's works, and described himself as "so immersed with the author I would feel Sayyid was with me in my cell speaking to me directly". Terrorism consultant Evan Kohlmann in 2009 referred to al-Awlaki as "one of the principal jihadi luminaries for would-be homegrown terrorists. His fluency with English, his unabashed advocacy of jihad and mujahideen organizations, and his Web-savvy approach are a powerful combination." He called al-Awlaki's lecture, "Constants on the Path of Jihad", which he says was based on a similar document written by al-Qaeda's founder, the "virtual bible for lone-wolf Muslim extremists". Philip Mudd, formerly of the CIA's National Counterterrorism Center and the FBI's top intelligence adviser, called him "a magnetic character ... a powerful orator." He attracted young men to his lectures, especially US-based and UK-based Muslims. U.S. officials and some U.S. media sources called al-Awlaki an Islamic fundamentalist and accused him of encouraging terrorism. According to documents recovered from bin Laden's hideout, the al-Qaeda leader was unsure about al-Awlaki's qualifications. Works The Nine Eleven Finding Answers Foundation said al-Awlaki's ability to write and speak in fluent English enabled him to incite English-speaking Muslims to terrorism. Al-Awlaki notes in 44 Ways to Support Jihad that most reading material on the subject is in Arabic. Written works 44 Ways to Support Jihad: Essay (January 2009). In it, al-Awlaki states that "The hatred of kuffar is a central element of our military creed" and that all Muslims are obligated to participate in jihad, either by committing the acts themselves or supporting others who do so. He says all Muslims must remain physically fit so as to be prepared for conflict. According to U.S. officials, it is considered a key text for al-Qaeda members. Al-Awlaki wrote for Jihad Recollections, an English language online publication published by Al-Fursan Media. Allah is Preparing Us for Victory – short book (2009). Lectures Lectures on the book Constants on the Path of Jihad by Yusef al-Ayeri—concerns leaderless jihad. In 2009, the UK government found 1,910 of his videos had been posted to YouTube. One of them had been viewed 164,420 times. The Battle of Hearts and Minds The Dust Will Never Settle Down Dreams & Interpretations The Hereafter—16 CDs—Al Basheer Productions Life of Muhammad: Makkan Period—16 CDs—Al Basheer Productions Life of Muhammad: Medinan Period—Lecture in 2 Parts—18 CDs—Al Basheer Productions Lives of the Prophets (AS)—16 CDs—Al Basheer Productions Abu Bakr as-Siddiq (RA): His Life & Times—15 CDs—Al Basheer Productions Umar ibn al-Khattāb (RA): His Life & Times—18 CDs—Al Basheer Productions 25 Promises from Allah to the Believer—2 CDs—Noor Productions Companions of the Ditch & Lessons from the Life of Musa (AS)—2 CDs—Noor Productions Remembrance of Allah & the Greatest Ayah—2 CDs—Noor Productions Stories from Hadith—4 CDs—Center for Islamic Information and Education ("CIIE") Hellfire & The Day of Judgment—CD—CIIE Quest for Truth: The Story of Salman Al-Farsi (RA)—CD—CIIE Trials & Lessons for Muslim Minorities—CD—CIIE Young Ayesha (RA) & Mothers of the Believers (RA)—CD—CIIE Understanding the Quran—CD—CIIE Lessons from the Companions (RA) Living as a Minority—CD—CIIE Virtues of the Sahabah—video lecture series promoted by the al-Wasatiyyah Foundation Website Al-Awlaki maintained a website and blog on which he shared his views. On December 11, 2008, he said Muslims should not seek to "serve in the armies of the disbelievers and fight against his brothers". In "44 Ways to Support Jihad", posted on his blog in February 2009, al-Awlaki encouraged others to "fight jihad", and explained how to give money to the mujahideen or their families. Al-Awlaki's sermon encourages others to conduct weapons training, and raise children "on the love of Jihad". Also that month, he wrote: "I pray that Allah destroys America and all its allies." He wrote as well: "We will implement the rule of Allah on Earth by the tip of the sword, whether the masses like it or not." On July 14, he said that Muslim countries should not offer military assistance to the US. "The blame should be placed on the soldier who is willing to follow orders ... who sells his religion for a few dollars," he said. In blog post dated July 15, 2009, entitled "Fighting Against Government Armies in the Muslim World", al-Awlaki wrote, "Blessed are those who fight against [American soldiers], and blessed are those shuhada [martyrs] who are killed by them." In a video posted to the internet on November 8, 2010, al-Awlaki called for Muslims to kill Americans "without hesitation", and overthrow Arab governments that cooperate with the US. "Don't consult with anyone in fighting the Americans, fighting the devil doesn't require consultation or prayers or seeking divine guidance. They are the party of the devils", al-Awlaki said. That month, Intelligence Research Specialist Kevin Yorke of the New York Police Department's Counterterrorism Division called him "the most dangerous man in the world". See also Church Committee Executive Order 12333 Extrajudicial killing International counter-terrorism activities of the CIA Protocol I References Further reading al-Ashanti, AbdulHaq and Sloan, Abu Ameenah AbdurRahman. (2011) A Critique of the Methodology of Anwar al-Awlaki and his Errors in the Fiqh of Jihad. London: Jamiah Media, 2011 External links Ruling of Judge Bates in Al Aulaqi v Obama Statements Interviews "Exclusive; Ray Suarez: My Post-9/11 Interview With Anwar al-Awlaki", PBS, October 30, 2001 "Al-Jazeera Satellite Network Interview with Yemeni-American Cleric Shaykh Anwar al-Awlaki Regarding his Alleged Role in Radicalizing Maj. Malik Nidal Hasan", The NEFA Foundation, December 24, 2009 Media coverage The imam's very curious story: A skirt-chasing mullah is just one more mystery for the 9/11 panel, Ragavan, Chitra, US News and World Report'', June 13, 2004 DBI.gov 1971 births 2011 deaths 20th-century imams 21st-century imams Abdullah Yusuf Azzam Al-Qaeda propagandists Assassinated al-Qaeda leaders American al-Qaeda members American expatriates in the United Kingdom American expatriates in Yemen American imams American Islamists American people of Yemeni descent Colorado State University alumni George Washington University Graduate School of Education and Human Development alumni People associated with the September 11 attacks People from Las Cruces, New Mexico San Diego State University alumni Yemeni imams Yemeni al-Qaeda members Yemeni Sunni Muslim scholars of Islam Yemeni Sunni Muslims Deaths by drone strikes of the Central Intelligence Agency in Yemen Islam-related controversies People designated by the Al-Qaida and Taliban Sanctions Committee American male criminals Yemeni criminals Yemeni Islamists Yemeni expatriates in the United Kingdom Shafi'is American Muslim activists Assassinated Yemeni people Yemeni propagandists United States military killing of American civilians

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What countries was he going after?

What countries was Anwar al-Awlaki going after?

Anwar al-Awlaki

FBI agents identified al-Awlaki as a known, important "senior recruiter for al Qaeda", and a spiritual motivator. His name came up in a dozen terrorism plots in the US, UK, and Canada. The cases included suicide bombers in the 2005 London bombings, radical Islamic terrorists in the 2006 Toronto terrorism case, radical Islamic terrorists in the 2007 Fort Dix attack plot, the jihadist killer in the 2009 Little Rock military recruiting office shooting, and the 2010 Times Square bomber. In each case the suspects were devoted to al-Awlaki's message, which they listened to online and on CDs. Al-Awlaki's recorded lectures were heard by Islamist fundamentalists in at least six terror cells in the UK through 2009. Michael Finton (Talib Islam), who attempted in September 2009 to bomb the Federal Building and the adjacent offices of Congressman Aaron Schock in Springfield, Illinois, admired al-Awlaki and quoted him on his Myspace page. In addition to his website, al-Awlaki had a Facebook fan page with "fans" in the US, many of whom were high school students. Al-Awlaki also set up a website and blog on which he shared his views. Al-Awlaki influenced several other extremists to join terrorist organizations overseas and to carry out terrorist attacks in their home countries. Mohamed Alessa and Carlos Almonte, two American citizens from New Jersey who attempted to travel to Somalia in June 2010 to join the al-Qaeda-linked terrorist group Al Shabaab, allegedly watched several al-Awlaki videos and sermons in which he warned of future attacks against Americans in the US and abroad. Zachary Chesser, an American citizen who was arrested for attempting to provide material support to Al Shabaab, told federal authorities that he watched online videos featuring al-Awlaki and that he exchanged several e-mails with al-Awlaki. In July 2010, Paul Rockwood was sentenced to eight years in prison for creating a list of 15 potential targets in the US, people he felt had desecrated Islam. Rockwood was a devoted follower of al-Awlaki, and had studied his works Constants on the Path to Jihad and 44 Ways to Jihad. In October 2008, Charles Allen, US Under-Secretary of Homeland Security for Intelligence and Analysis, warned that al-Awlaki "targets U.S. Muslims with radical online lectures encouraging terrorist attacks from his new home in Yemen." Responding to Allen, al-Awlaki wrote on his website in December 2008: "I would challenge him to come up with just one such lecture where I encourage 'terrorist attacks'". CANNOTANSWER

The cases included suicide bombers in the 2005 London bombings, radical Islamic terrorists in the 2006 Toronto terrorism case, radical Islamic terrorists in the 2007 Fort Dix attack plot,

Anwar Nasser al-Awlaki (also spelled al-Aulaqi, al-Awlaqi; ; April 21 or 22, 1971 – September 30, 2011) was a Yemeni-American imam who was killed in 2011 in Yemen by an American drone strike ordered by President Barack Obama. Al-Awlaki became the first U.S. citizen to be targeted and killed by a U.S. drone strike without the rights of due process being afforded. US government officials argued that Awlaki was a key organizer for the Islamist terrorist group al-Qaeda, and in June 2014, a previously classified memorandum issued by the U.S. Department of Justice was released, justifying al-Awlaki's death as a lawful act of war. Civil liberties advocates have described the incident as "an extrajudicial execution" that breached al-Awlaki's right to due process, including a trial. Al-Awlaki was born in Las Cruces, New Mexico, in 1971 to parents from Yemen. Growing up partially in the United States and partially in Yemen, he attended various universities across the United States in the 1990s and early 2000s while also working as an imam, despite having no religious qualifications and almost no religious education. Al-Awlaki returned to Yemen in early 2004 and became a university lecturer after a brief stint as a public speaker in the United Kingdom. He was detained by Yemeni authorities in 2006, where he spent 18 months in prison before being released without facing trial. Following his release, Al-Awlaki's message started to become overtly supportive of violence, as he condemned United States foreign policy against Muslims. The Yemeni government tried him in absentia in November 2010, for plotting to kill foreigners and being a member of al-Qaeda. A Yemeni judge ordered that he be captured "dead or alive". U.S. officials said that in 2009, al-Awlaki was promoted to the rank of "regional commander" within al-Qaeda, although they described his role as more "inspirational" than "operational." He repeatedly called for jihad against the United States. In April 2010, al-Awlaki was placed on a CIA kill list by President Barack Obama due to his alleged terrorist activities. Al-Awlaki's father and civil rights groups challenged the order in court. Al-Awlaki was believed to be in hiding in southeast Yemen in the last years of his life. The U.S. deployed unmanned aircraft (drones) in Yemen to search for and kill him, firing at and failing to kill him at least once; he was successfully killed on September 30, 2011. Two weeks later, al-Awlaki's 16-year-old son, Abdulrahman al-Awlaki, a U.S. citizen who was born in Denver, Colorado, was also killed by a CIA-led drone strike in Yemen. His daughter, 8-year old Nawar al-Awlaki, was killed during a raid against Al Qaeda ordered by President Donald Trump in 2017.<ref name="uk.reuters.com">Ghobari, Mohammed and Phil Stewart. "Commando dies in U.S. raid in Yemen, first military op OK'd by Trump", Reuters, January 29, 2017. Retrieved January 29, 2017.</ref> The New York Times wrote in 2015 that al-Awlaki's public statements and videos have been more influential in inspiring acts of Islamic terrorism in the wake of his killing than before his death. Early life Al-Awlaki was born in Las Cruces, New Mexico, in 1971 to parents from Yemen, while his father, Nasser al-Awlaki, was doing graduate work at U.S. universities. His father was a Fulbright Scholar who earned a master's degree in agricultural economics at New Mexico State University in 1971, received a doctorate at the University of Nebraska, and worked at the University of Minnesota from 1975 to 1977. Nasser al-Awlaki served as Agriculture Minister in Ali Abdullah Saleh's government. He was also President of Sana'a University. Yemen's prime minister from 2007 to 2011, Ali Mohammed Mujur, was a relative. The family returned to Yemen in 1978, when al-Awlaki was seven years old. He lived there for 11 years, and studied at Azal Modern School. Life in the United States 1990–2002 Education In 1991, al-Awlaki returned to the U.S. to attend college. He earned a B.S. in Civil Engineering from Colorado State University (1994), where he was president of the Muslim Student Association. In 1993, while still a college student in Colorado State's civil engineering program, al-Awlaki visited Afghanistan in the aftermath of the Soviet occupation. He spent some time training with the mujahideen who had fought the Soviets. He was depressed by the country's poverty and hunger, and "wouldn't have gone with al-Qaeda," according to friends from Colorado State, who said he was profoundly affected by the trip. Mullah Mohammed Omar did not form the Taliban until 1994. When Al-Awlaki returned to campus, he showed increased interest in religion and politics. Al-Awlaki studied Education Leadership at San Diego State University, but did not complete his degree. He worked on a doctorate in Human Resource Development at The George Washington University Graduate School of Education and Human Development from January to December 2001. Time as imam In 1994, al-Awlaki married a cousin from Yemen, and began service as a part-time imam of the Denver Islamic Society. In 1996, he was chastised by an elder for encouraging a Saudi student to fight in Chechnya against the Russians. He left Denver soon after, moving to San Diego. From 1996 to 2000, al-Awlaki was imam of the Masjid Ar-Ribat al-Islami mosque in San Diego, California, where he had a following of 200–300 people. U.S. officials later alleged that Nawaf al-Hazmi and Khalid al-Mihdhar, hijackers of American Airlines Flight 77, attended his sermons and personally met him during this period. Hazmi later lived in Northern Virginia and attended al-Awlaki's mosque there. The 9/11 Commission Report said that the hijackers "reportedly respected [al-Awlaki] as a religious figure". While in San Diego, al-Awlaki volunteered with youth organizations, fished, discussed his travels with friends, and created a popular and lucrative series of recorded lectures. In August 1996 and in April 1997, al-Awlaki was arrested in San Diego and charged with soliciting prostitutes. The first time, in 1996, he pleaded guilty to a lesser charge and was fined $400 and required to attend informational sessions about AIDS. The second time, in 1997, he pleaded guilty and was fined $240, ordered to perform 12 days of community service, and received three years' probation. From November 2001 to January 2002 the FBI observed him visiting a number of prostitutes, and interviewed them, establishing that he had paid for sex acts. No prosecution was brought. In 1998 and 1999, he served as vice-president for the Charitable Society for Social Welfare. In 2004, the FBI described this group as a "front organization to funnel money to terrorists". Although the FBI investigated al-Awlaki from June 1999 through March 2000 for possible links to Hamas, the Bin Laden contact Ziyad Khaleel, and a visit by an associate of Omar Abdel Rahman, it did not find sufficient evidence for a criminal prosecution. Al-Awlaki told reporters that he resigned from leading the San Diego mosque "after an uneventful four years," and took a brief sabbatical, traveling overseas to various countries. In January 2001, al-Awlaki returned to the U.S., settling in the Washington metropolitan area. There, he was imam at the Dar al-Hijrah mosque near Falls Church, Virginia, and his services were attended by Nawaf al-Hazmi and a third hijacker, Hani Hanjour. He led academic discussions frequented by FBI Director of Counter-Intelligence for the Middle East Gordon M. Snow. Al-Awlaki also served as the Muslim chaplain at George Washington University, where he was hired by Esam Omeish. Omeish said in 2004 that he was convinced that al-Awlaki was not involved in terrorism. His proficiency as a public speaker and command of the English language helped him attract followers who did not speak Arabic. "He was the magic bullet", according to the mosque spokesman Johari Abdul-Malik. "He had everything all in a box." "He had an allure. He was charming." When police investigating the 9/11 attacks raided the Hamburg apartment of Ramzi bin al-Shibh, they found the telephone number of al-Awlaki among bin al-Shibh's personal contacts. The FBI interviewed al-Awlaki four times in the eight days following the 9/11 attacks. One detective later told the 9/11 Commission he believed al-Awlaki "was at the center of the 9/11 story". And an FBI agent said, "if anyone had knowledge of the plot, it would have been" him, since "someone had to be in the U.S. and keep the hijackers spiritually focused". One 9/11 Commission staff member said: "Do I think he played a role in helping the hijackers here, knowing they were up to something? Yes. Do I think he was sent here for that purpose? I have no evidence for it." A separate Congressional Joint Inquiry into the 9/11 attacks suggested that al-Awlaki may have been connected to the hijackers, according to its director, Eleanor Hill. In 2003, Representative Anna Eshoo, a member of the House Intelligence Committee, said, "In my view, he is more than a coincidental figure." Six days after the 9/11 attacks, al-Awlaki suggested in writing on the IslamOnline.net website that Israeli intelligence agents might have been responsible for the attacks, and that the FBI "went into the roster of the airplanes, and whoever has a Muslim or Arab name became the hijacker by default". Soon after the 9/11 attacks, al-Awlaki was sought in Washington, D.C., by the media to answer questions about Islam, its rituals, and its relation to the attacks. He was interviewed by National Geographic, The New York Times, and other media. Al-Awlaki condemned the attacks. According to an NPR report in 2010, in 2001 al-Awlaki appeared to be a moderate who could "bridge the gap between the United States and the worldwide community of Muslims." The New York Times said at the time that he was "held up as a new generation of Muslim leader capable of merging East and West." In 2010, Fox News and the New York Daily News reported that some months after the 9/11 attacks, a Pentagon employee invited al-Awlaki to a luncheon in the Secretary's Office of General Counsel. The U.S. Secretary of the Army had suggested that a moderate Muslim be invited to give a talk. In 2002, al-Awlaki was the first imam to conduct a prayer service for the Congressional Muslim Staffer Association at the U.S. Capitol. That year, Nidal Hasan visited al-Awlaki's mosque for his mother's funeral, at which al-Awlaki presided. In November 2009, Hasan killed 13 and wounded 32 in the Fort Hood shooting. Hasan usually attended a mosque in Maryland closer to where he lived while working at the Walter Reed Medical Center (2003–09). Later in 2002, al-Awlaki posted an essay in Arabic on the Islam Today website titled "Why Muslims Love Death", lauding the fervor of Palestinian suicide bombers. He expressed a similar opinion in a speech at a London mosque later that year. By July 2002, al-Awlaki was under investigation in the United States for having received money from the subject of a U.S. Joint Terrorism Task Force investigation. His name was added to the list of terrorism suspects. Passport fraud issues In June 2002, a Denver federal judge signed an arrest warrant for al-Awlaki for passport fraud. On October 9, the Denver U.S. Attorney's Office filed a motion to dismiss the complaint and vacate the arrest warrant. Prosecutors believed that they lacked sufficient evidence of a crime, according to U.S. Attorney Dave Gaouette, who authorized its withdrawal. Al-Awlaki had listed Yemen rather than the United States as his place of birth on his 1990 application for a U.S. Social Security number, soon after arriving in the US. Al-Awlaki used this documentation to obtain a passport in 1993. He later corrected his place of birth to Las Cruces, New Mexico. "The bizarre thing is if you put Yemen down (on the application), it would be harder to get a Social Security number than to say you are a native-born citizen of Las Cruces", Gaouette said. Prosecutors could not charge him in October 2002, when he returned from a trip abroad, because a 10-year statute of limitations on lying to the Social Security Administration had expired. According to a 2012 investigative report by Fox News, the arrest warrant for passport fraud was still in effect on the morning of October 10, 2002, when FBI Agent Wade Ammerman ordered al-Awlaki's release. U.S. Congressman Frank Wolf (R-VA) and several congressional committees urged FBI Director Robert Mueller to provide an explanation about the bureau's interactions with al-Awlaki, including why he was released from federal custody when there was an outstanding warrant for his arrest. The motion for rescinding the arrest warrant was approved by a magistrate judge on October 10 and filed on October 11.ABC News reported in 2009 that the Joint Terrorism Task Force in San Diego disagreed with the decision to cancel the warrant. They were monitoring al-Awlaki and wanted to "look at him under a microscope". But U.S. Attorney Gaouette said that no objection had been raised to the rescinding of the warrant during a meeting that included Ray Fournier, the San Diego federal diplomatic security agent whose allegation had set in motion the effort to obtain a warrant. Gaouette said that if al-Awlaki had been convicted at the time, he would have faced about six months in custody.The New York Times suggested later that al-Awlaki had claimed birth in Yemen (his family's place of origin) to qualify for scholarship money granted to foreign citizens. U.S. Congressman Frank R. Wolf (R-VA) wrote in May 2010 that by claiming to be foreign-born, al-Awlaki fraudulently obtained more than $20,000 in scholarship funds reserved for foreign students. While living in Northern Virginia, al-Awlaki visited Ali al-Timimi, later known as a radical Islamic cleric. Al-Timimi was convicted in 2005 and is now serving a life sentence for leading the Virginia Jihad Network, inciting Muslim followers to fight with the Taliban against the US. In the United Kingdom 2002–04 Al-Awlaki left the United States before the end of 2002, because of a "climate of fear and intimidation" according to Imam Johari Abdul-Malik of the Dar al-Hijrah mosque. He lived in the UK for several months, where he gave talks attended by up to 200 people. He urged young Muslim followers: "The important lesson to learn here is never, ever trust a kuffar [disbeliever]. Do not trust them! [Their leaders] are plotting to kill this religion. They're plotting night and day." "He was the main man who translated the jihad into English," said a student who attended his lectures in 2003. He gave a series of lectures in December 2002 and January 2003 at the London Masjid al-Tawhid mosque, describing the rewards martyrs (Shahid) receive in paradise (Jannah). He began to gain supporters, particularly among young Muslims, and undertook a lecture tour of England and Scotland in 2002 in conjunction with the Muslim Association of Britain. He also lectured at "ExpoIslamia", an event held by Islamic Forum Europe. At the East London Mosque he told his audience: "A Muslim is a brother of a Muslim... he does not betray him, and he does not hand him over... You don't hand over a Muslim to the enemies." In Britain's Parliament in 2003, Louise Ellman, MP for Liverpool Riverside, discussed the relationship between al-Awlaki and the Muslim Association of Britain, an alleged Muslim Brotherhood front organization founded by Kemal el-Helbawy, a senior member of the Egyptian Muslim Brotherhood. Return to Yemen 2004–11 Al-Awlaki returned to Yemen in early 2004, where he lived in Shabwah Governorate with his wife and five children. He lectured at Iman University, headed by Abdul Majeed al-Zindani. The latter has been included on the UN 1267 Committee's list of individuals belonging to or associated with al-Qaeda. Al-Zindani denied having any influence over al-Awlaki, or that he had been his "direct teacher". Some believe that the school's curriculum deals mostly, if not exclusively, with radical Islamic studies, and promotes radicalism. American convert John Walker Lindh and other alumni have been associated with terrorist groups. On August 31, 2006, al-Awlaki was arrested with four others on charges of kidnapping a Shiite teenager for ransom, and participating in an al-Qaeda plot to kidnap a U.S. military attaché. He was imprisoned in 2006 and 2007. He was interviewed around September 2007 by two FBI agents with regard to the 9/11 attacks and other subjects. John Negroponte, the U.S. Director of National Intelligence, told Yemeni officials he did not object to al-Awlaki's detention. His name was on a list of 100 prisoners whose release was sought by al-Qaeda-linked militants in Yemen. After 18 months in a Yemeni prison, al-Awlaki was released on December 12, 2007, following the intercession of his tribe. According to a Yemeni security official, he was released because he had repented. He moved to his family home in Saeed, a hamlet in the Shabwa mountains. Moazzam Begg's Cageprisoners, an organization representing former Guantanamo detainees, campaigned for al-Awlaki's release when he was in prison in Yemen. Al-Awlaki told Begg in an interview shortly after his release that prior to his incarceration in Yemen, he had condemned the 9/11 attacks. In December 2008, al-Awlaki sent a communique to the Somali terrorist group, al-Shabaab, congratulating them. Al-Awlaki provided al-Qaeda members in Yemen with the protection of his powerful tribe, the Awlakis, against the government. The tribal code required it to protect those who seek refuge and assistance. This imperative has greater force when the person is a member of the tribe or a tribesman's friend. The tribe's motto is "We are the sparks of Hell; whoever interferes with us will be burned." Al-Awlaki also reportedly helped negotiate deals with leaders of other tribes. Sought by Yemeni authorities who were investigating his al-Qaeda ties, al-Awlaki went into hiding in approximately March 2009, according to his father. By December 2009, al-Awlaki was on the Yemeni government's most-wanted list. He was believed to be hiding in Yemen's Shabwa or Mareb regions, which are part of the so-called "triangle of evil". The area has attracted al-Qaeda militants, who seek refuge among local tribes unhappy with Yemen's central government. Yemeni sources originally said al-Awlaki might have been killed in a pre-dawn air strike by Yemeni Air Force fighter jets on a meeting of senior al-Qaeda leaders at a hideout in Rafd in eastern Shabwa, on December 24, 2009. But he survived. Pravda reported that the planes, using Saudi and U.S. intelligence, killed at least 30 al-Qaeda members from Yemen and abroad, and that an al-Awlaki house was "raided and demolished". On December 28 The Washington Post reported that U.S. and Yemeni officials said that al-Awlaki had been present at the meeting. Abdul Elah al-Shaya, a Yemeni journalist, said al-Awlaki called him on December 28 to report that he was well and had not attended the al-Qaeda meeting. Al-Shaya said that al-Awlaki was not tied to al-Qaeda. In March 2010, a tape featuring al-Awlaki was released in which he urged Muslims residing in the United States to attack their country of residence. Reaching out to the United Kingdom After 2006, al-Awlaki was banned from entering the United Kingdom. He broadcast lectures to mosques and other venues there via video-link from 2007 to 2009, on at least seven occasions at five locations in Britain. Noor Pro Media Events held a conference at the East London Mosque on January 1, 2009, showing a videotaped lecture by al-Awlaki; former Shadow Home Secretary Dominic Grieve expressed concern over his being featured. He gave video-link talks in England to an Islamic student society at the University of Westminster in September 2008, an arts center in East London in April 2009 (after the Tower Hamlets council gave its approval), worshippers at the Al Huda Mosque in Bradford, and a dinner of the Cageprisoners organization in September 2008 at the Wandsworth Civic Centre in South London. On August 23, 2009, al-Awlaki was banned by local authorities in Kensington and Chelsea, London, from speaking at Kensington Town Hall via videolink to a fundraiser dinner for Guantanamo detainees promoted by Cageprisoners. His videos, which discuss his Islamist theories, have circulated across the United Kingdom. Until February 2010, hundreds of audio tapes of his sermons were available at the Tower Hamlets public libraries. In 2009, the London-based Islam Channel carried advertisements for his DVDs and at least two of his video conference lectures. Other connections FBI agents identified al-Awlaki as a known, important "senior recruiter for al Qaeda", and a spiritual motivator. His name came up in a dozen terrorism plots in the US, UK, and Canada. The cases included suicide bombers in the 2005 London bombings, radical Islamic terrorists in the 2006 Toronto terrorism case, radical Islamic terrorists in the 2007 Fort Dix attack plot, the jihadist killer in the 2009 Little Rock military recruiting office shooting, and the 2010 Times Square bomber. In each case the suspects were devoted to al-Awlaki's message, which they listened to online and on CDs. Al-Awlaki's recorded lectures were heard by Islamist fundamentalists in at least six terror cells in the UK through 2009. Michael Finton (Talib Islam), who attempted in September 2009 to bomb the Federal Building and the adjacent offices of Congressman Aaron Schock in Springfield, Illinois, admired al-Awlaki and quoted him on his Myspace page. In addition to his website, al-Awlaki had a Facebook fan page with "fans" in the US, many of whom were high school students. Al-Awlaki also set up a website and blog on which he shared his views. Al-Awlaki influenced several other extremists to join terrorist organizations overseas and to carry out terrorist attacks in their home countries. Mohamed Alessa and Carlos Almonte, two American citizens from New Jersey who attempted to travel to Somalia in June 2010 to join the al-Qaeda-linked terrorist group Al Shabaab, allegedly watched several al-Awlaki videos and sermons in which he warned of future attacks against Americans in the United States and abroad. Zachary Chesser, an American citizen who was arrested for attempting to provide material support to Al Shabaab, told federal authorities that he watched online videos featuring al-Awlaki and that he exchanged several e-mails with al-Awlaki. In July 2010, Paul Rockwood was sentenced to eight years in prison for creating a list of 15 potential targets in the US, people he felt had desecrated Islam. Rockwood was a devoted follower of al-Awlaki, and had studied his works Constants on the Path to Jihad and 44 Ways to Jihad. In October 2008, Charles Allen, U.S. Under-Secretary of Homeland Security for Intelligence and Analysis, warned that al-Awlaki "targets U.S. Muslims with radical online lectures encouraging terrorist attacks from his new home in Yemen." Responding to Allen, al-Awlaki wrote on his website in December 2008: "I would challenge him to come up with just one such lecture where I encourage 'terrorist attacks'". Fort Hood shooter Fort Hood shooter Nidal Hasan was investigated by the FBI after intelligence agencies intercepted at least 18 e-mails between him and al-Awlaki between December 2008 and June 2009. Even before the contents of the e-mails were revealed, terrorism expert Jarret Brachman said that Hasan's contacts with al-Awlaki should have raised "huge red flags", because of his influence on radical English-speaking jihadis. Charles Allen, no longer in government, noted that there was no work-related reason for Hasan to be in touch with al-Awlaki. Former CIA officer Bruce Riedel opined: "E-mailing a known al-Qaeda sympathizer should have set off alarm bells. Even if he was exchanging recipes, the bureau should have put out an alert." A DC-based Joint Terrorism Task Force operating under the FBI was notified of the e-mails and reviewed the information. Army employees were informed of the e-mails, but they didn't perceive any terrorist threat in Hasan's questions. Instead, they viewed them as general questions about spiritual guidance with regard to conflicts between Islam and military service and judged them to be consistent with legitimate mental health research about Muslims in the armed services. The assessment was that there was not sufficient information for a larger investigation. In one of the e-mails, Hasan wrote al-Awlaki: "I can't wait to join you [in the afterlife]". "It sounds like code words," said Lt. Col. Tony Shaffer, a military analyst at the Center for Advanced Defense Studies. "That he's actually either offering himself up, or that he's already crossed that line in his own mind." Yemeni journalist Abdulelah Hider Shaea interviewed al-Awlaki in November 2009. Al-Awlaki acknowledged his correspondence with Hasan. He said he "neither ordered nor pressured ... Hasan to harm Americans." Al-Awlaki said Hasan first e-mailed him December 17, 2008, introducing himself by writing: "Do you remember me? I used to pray with you at the Virginia mosque." Hasan said he had become a devout Muslim around the time al-Awlaki was preaching at Dar al-Hijrah, in 2001 and 2002, and al-Awlaki said 'Maybe Nidal was affected by one of my lectures.'" He added: "It was clear from his e-mails that Nidal trusted me. Nidal told me: 'I speak with you about issues that I never speak with anyone else.'" Al-Awlaki said Hasan arrived at his own conclusions regarding the acceptability of violence in Islam and said he was not the one to initiate this. Shaea said, "Nidal was providing evidence to Anwar, not vice versa." Asked whether Hasan mentioned Fort Hood as a target in his e-mails, Shaea declined to comment. Al-Awlaki said the shooting was acceptable in Islam, however, because it was a form of jihad, as the West began the hostilities with the Muslims. Al-Awlaki said he "blessed the act because it was against a military target. And the soldiers who were killed were ... those who were trained and prepared to go to Iraq and Afghanistan". Al-Awlaki's e-mail conversations with Hasan were not released, and he was not placed on the FBI Most Wanted list, indicted for treason, or officially named as a co-conspirator with Hasan. The U.S. government was reluctant to classify the Fort Hood shooting as a terrorist incident, or identify any motive. The Wall Street Journal reported in January 2010 that al-Awlaki had not "played a direct role" in any of the attacks, and noted he had never been charged with a crime in the US. One of his fellow officers at Fort Hood said Hasan was enthusiastic about al-Awlaki. Some investigators believe al-Awlaki's teachings may have been instrumental in Hasan's decision to stage the attack. On his now-disabled website, al-Awlaki praised Hasan's actions, describing him as a hero. Christmas Day "Underwear Bomber" According to a number of sources, Al-Awlaki and Umar Farouk Abdulmutallab, the convicted al-Qaeda attempted bomber of Northwest Airlines Flight 253 on December 25, 2009, had contacts. In January 2010, CNN reported that U.S. "security sources" said that there is concrete evidence that al-Awlaki was Abdulmutallab's recruiter and one of his trainers, and met with him prior to the attack. In February 2010, al-Awlaki admitted in an interview published in al-Jazeera that he taught and corresponded with Abdulmutallab, but denied having ordered the attack. Representative Pete Hoekstra, the senior Republican on the House Intelligence Committee, said officials in the Obama administration and officials with access to law enforcement information told him the suspect "may have had contact [with al-Awlaki]".The Sunday Times established that Abdulmutallab first met al-Awlaki in 2005 in Yemen, while he was studying Arabic. During that time the suspect attended lectures by al-Awlaki.NPR reported that according to unnamed U.S. intelligence officials he attended a sermon by al-Awlaki at the Finsbury Park Mosque. Khalid Mahmood, the Labour MP for Birmingham Perry Barr, a former trustee of the mosque, expressed "grave misgivings" with regard to its stewardship. A spokesperson of the mosque stated that al-Awlaki had never spoken there or had even to his knowledge entered the building. Abdulmutallab was also reported by CBS News, The Daily Telegraph, and The Sunday Telegraph to have attended a talk by al-Awlaki at the East London Mosque, which al-Awlaki may have attended by video teleconference. The Sunday Telegraph later removed the report from its website following a complaint by the East London Mosque, which stated that "Anwar Al Awlaki did not deliver any talks at the ELM between 2005 and 2008, which is when the newspaper had falsely alleged that Abdullmutallab had attended such talks". Investigators who searched flats connected to Abdulmutallab in London said that he was a "big fan" of al-Awlaki, as al-Awlaki's blog and website had repeatedly been visited from those locations. According to federal sources, Abdulmutallab and al-Awlaki repeatedly communicated with one another in the year prior to the attack. "Voice-to-voice communication" between the two was intercepted during the fall of 2009, and one government source said al-Awlaki "was in some way involved in facilitating [Abdulmutallab]'s transportation or trip through Yemen. It could be training, a host of things." NPR reported that intelligence officials suspected al-Awlaki may have told Abdulmutallab to go to Yemen for al-Qaeda training. Abdulmutallab told the FBI that al-Awlaki was one of his al-Qaeda trainers in Yemen. Others reported that Abdulmutallab met with al-Awlaki in the weeks leading up to the attack. The Los Angeles Times reported that according to a U.S. intelligence official, intercepts and other information point to connections between the two: Some of the information ... comes from Abdulmutallab, who ... said that he met with al-Awlaki and senior al-Qaeda members during an extended trip to Yemen this year and that the cleric was involved in some elements of planning or preparing the attack and in providing religious justification for it. Other intelligence linking the two became apparent after the attempted bombing, including communications intercepted by the National Security Agency indicating that the cleric was meeting with "a Nigerian" in preparation for some kind of operation. Yemen's Deputy Prime Minister for Defense and Security Affairs, Rashad Mohammed al-Alimi, said Yemeni investigators believe that Abdulmutallab traveled to Shabwa in October 2009. Investigators believe he obtained his explosives and received training there. He met there with al-Qaeda members in a house built by al-Awlaki. A top Yemen government official said the two met with each other. In January 2010, al-Awlaki acknowledged that he met and spoke with Abdulmutallab in Yemen in the fall of 2009. In an interview, al-Awlaki said: "Umar Farouk is one of my students; I had communications with him. And I support what he did." He also said: "I did not tell him to do this operation, but I support it". Fox News reported in early February 2010 that Abdulmutallab told federal investigators that al-Awlaki directed him to carry out the bombing. In June 2010 Michael Leiter, the Director of the U.S. National Counterterrorism Center (NCTC), said al-Awlaki had a "direct operational role" in the plot. Sharif Mobley Sharif Mobley had acknowledged contact with Anwar al-Awlaki. The Mobley family claims the contact was for spiritual guidance in further studies of Islam. The Mobley family went to Yemen and resided there for several years. They decided to return to the United States and went to the U.S. Embassy to update the family travel documents. While waiting for their travel documents, Sharif Mobley was kidnapped by Yemen Security Services and shot on January 26, 2010. He was then held in Yemen's Central Prison. Mobley disappeared from the Central Prison on February 27, 2014. His current location is known to the U.S. Embassy in Yemen (currently closed 2015) but is withheld from his family and legal advisers based on U.S. State Department Regulations on "U.S. Citizens Missing Abroad". All charges related to "terrorism/terrorist activity" were dropped by the Yemen government. There are no charges relating to allegations of "killing a guard during an escape attempt from the hospital" and there are no other legal proceedings against him in Yemen. Times Square bomber Faisal Shahzad, convicted of the 2010 Times Square car bombing attempt, told interrogators that he was a "fan and follower" of al-Awlaki, and his writings were one of the inspirations for the attack. On May 6, 2010 ABC News reported that unknown sources told them Shahzad made contact with al-Awlaki over the internet, a claim that could not be independently verified. Stabbing of British former minister Stephen Timms Roshonara Choudhry, who stabbed former British Cabinet Minister Stephen Timms in May 2010, and was found guilty of his attempted murder in November 2010, claimed to have become radicalized by listening to online sermons of al-Awlaki. Seattle Weekly cartoonist death threat In 2010, after Everybody Draw Mohammed Day, cartoonist Molly Norris at Seattle Weekly had to stop publishing, and at the suggestion of the FBI changed her name, moved, and went into hiding due to a fatwā issued by al-Awlaki calling for her death. In the June 2010 issue of Inspire, an English-language al-Qaeda magazine, al-Awlaki cursed her and eight others for "blasphemous caricatures" of Muhammad. "The medicine prescribed by the Messenger of Allah is the execution of those involved", he wrote. Daniel Pipes observed in an article entitled "Dueling Fatwas", "Awlaki stands at an unprecedented crossroads of death declarations, with his targeting Norris even as the U.S. government targets him." Cargo planes bomb plotThe Guardian, The New York Times, and The Daily Telegraph reported that U.S. and British counter-terrorism officials believed that al-Awlaki was behind the cargo plane PETN bombs that were sent from Yemen to Chicago in October 2010.Yemen bomb scare 'mastermind' lived in London | World news. The Guardian. Retrieved on October 1, 2011. When U.S. Homeland Security official John Brennan was asked about al-Awlaki's suspected involvement in the plot, he said: "Anybody associated with al-Qaeda in the Arabian Peninsula is a subject of concern." U.S. Ambassador to Yemen Gerald Feierstein said "al-Awlaki was behind the two bombs." Final years Al-Awlaki's father, tribe, and supporters denied his alleged associations with Al-Qaeda and Islamist terrorism. Al-Awlaki's father proclaimed his son's innocence in an interview with CNN's Paula Newton, saying: "I am now afraid of what they will do with my son. He's not Osama bin Laden, they want to make something out of him that he's not." Responding to a Yemeni official's assertions that his son had taken refuge with al-Qaeda, Nasser said: "He's dead wrong. What do you expect my son to do? There are missiles raining down on the village. He has to hide. But he is not hiding with al-Qaeda; our tribe is protecting him right now." The Yemeni government attempted to get the tribal leaders to release al-Awlaki to their custody. They promised they would not turn him over to U.S. authorities for questioning. The governor of Shabwa said in January 2010 that al-Awlaki was on the move with members of al-Qaeda, including Fahd al-Quso, who was wanted in connection with the bombing of the USS Cole. In January 2010, White House lawyers debated whether or not it was legal to kill al-Awlaki, given his U.S. citizenship. U.S. officials stated that international law allows targeted killing in the event that the subject is an "imminent threat". Because he was a U.S. citizen, his killing had to be approved by the National Security Council. Such action against a U.S. citizen is extremely rare. As a military enemy of the US, al-Awlaki was not subject to Executive Order 11905, which bans assassination for political reasons. The authorization was nevertheless controversial. By February 4, 2010, the New York Daily News reported that al-Awlaki was "now on a targeting list signed off on by the Obama administration". On April 6, The New York Times reported that President Obama had authorized the killing of al-Awlaki. The al-Awalik tribe responded: "We warn against cooperating with America to kill Sheikh Anwar al-Awlaki. We will not stand by idly and watch." Al-Awlaki's tribe wrote that it would "not remain with arms crossed if a hair of Anwar al-Awlaki is touched, or if anyone plots or spies against him. Whoever risks denouncing our son (Awlaki) will be the target of Al-Awalik weapons", and gave warning "against co-operating with the Americans" in the capture or killing of al-Awlaki. Abu Bakr al-Qirbi, the Yemeni foreign minister, announced that the Yemeni government had not received any evidence from the US, and that "Anwar al-Awlaki has always been looked at as a preacher rather than a terrorist and shouldn't be considered as a terrorist unless the Americans have evidence that he has been involved in terrorism". In a video clip bearing the imprint of al-Qaeda in the Arabian Peninsula, issued on April 16 in al-Qaeda's monthly magazine Sada Al-Malahem, al-Awlaki said: "What am I accused of? Of calling for the truth? Of calling for jihad for the sake of Allah? Of calling to defend the causes of the Islamic nation?" In the video he also praises both Abdulmutallab and Hasan, and describes both as his "students". In late April, Representative Charlie Dent (R-PA) introduced a resolution urging the U.S. State Department to withdraw al-Awlaki's U.S. citizenship. By May, U.S. officials believed he had become directly involved in terrorist activities. Former colleague Abdul-Malik said he "is a terrorist, in my book", and advised shops not to carry any of his publications. In an editorial, Investor's Business Daily called al-Awlaki the "world's most dangerous man", and recommended that he be added to the FBI's most-wanted terrorist list, a bounty put on his head, that he be designated a Specially Designated Global Terrorist, charged with treason, and extradition papers filed with the Yemeni government. IBD criticized the Justice Department for stonewalling Senator Joe Lieberman's security panel's investigation of al-Awlaki's role in the Fort Hood massacre. On July 16, the U.S. Treasury Department added him to its list of Specially Designated Global Terrorists. Stuart Levey, Under Secretary of the Treasury for Terrorism and Financial Intelligence, called him "extraordinarily dangerous", and said al-Awlaki was involved in several organizational aspects of terrorism, including recruiting, training, fundraising, and planning individual attacks. A few days later, the United Nations Security Council placed al-Awlaki on its UN Security Council Resolution 1267 list of individuals associated with al-Qaeda, describing him as a leader, recruiter, and trainer for al-Qaeda in the Arabian Peninsula. The resolution stipulates that U.N. members must freeze the assets of anyone on the list, and prevent them from travelling or obtaining weapons. The following week, Canadian banks were ordered to seize any assets belonging to al-Awlaki. The Royal Canadian Mounted Police's senior counter-terrorism officer Gilles Michaud described him as a "major, major factor in radicalization". In September 2010, Jonathan Evans, the Director General of the United Kingdom's domestic security and counter-intelligence agency (MI5), said that al-Awlaki was the West's Public Enemy No 1. In October 2010, U.S. Congressman Anthony Weiner (D-NY) urged YouTube to take down al-Awlaki's videos from its website, saying that by hosting al-Awlaki's messages, "We are facilitating the recruitment of homegrown terror." Pauline Neville-Jones, British security minister, said "These Web sites ... incite cold-blooded murder." YouTube began removing the material in November 2010. Al-Awlaki was charged in absentia in Sana'a, Yemen, on November 2 with plotting to kill foreigners and being a member of al-Qaeda. Ali al-Saneaa, the head of the prosecutor's office, announced the charges during the trial of Hisham Assem, who had been accused of killing Jacques Spagnolo, an oil industry worker. He said that al-Awlaki and Assem had been in contact for months, and that al-Awlaki had encouraged Assem to commit terrorism. Al-Awlaki's lawyer said that his client was not connected to Spagnolo's death. On November 6, Yemeni Judge Mohsen Alwan ordered that al-Awlaki be caught "dead or alive". In his book Ticking Time Bomb: Counter-Terrorism Lessons from the U.S. Government's Failure to Prevent the Fort Hood Attack (2011), former U.S. Senator Joe Lieberman described al-Awlaki, Australian Muslim preacher Feiz Mohammad, Muslim cleric Abdullah el-Faisal, and Pakistani-American Samir Khan as "virtual spiritual sanctioners" who use the internet to offer religious justification for Islamist terrorism. Lawsuit against the US In July 2010, al-Awlaki's father, Nasser al-Awlaki, contacted the Center for Constitutional Rights and the American Civil Liberties Union to represent his son in a lawsuit that sought to remove Anwar from the targeted killing list. ACLU's Jameel Jaffer said: the United States is not at war in Yemen, and the government doesn't have a blank check to kill terrorism suspects wherever they are in the world. Among the arguments we'll be making is that, outside actual war zones, the authority to use lethal force is narrowly circumscribed, and preserving the rule of law depends on keeping this authority narrow. Lawyers for Specially Designated Global Terrorists must obtain a special license from the U.S. Treasury Department before they can represent their clients in court. The lawyers were granted the license on August 4, 2010. On August 30, 2010, the groups filed a "targeted killing" lawsuit, naming President Obama, CIA Director Leon Panetta, and Secretary of Defense Robert Gates as defendants. They sought an injunction preventing the targeted killing of al-Awlaki, and also sought to require the government to disclose the standards under which U.S. citizens may be "targeted for death". Judge John D. Bates dismissed the lawsuit in an 83-page ruling, holding that the father did not have legal standing to bring the lawsuit, and that his claims were judicially unreviewable under the political question doctrine inasmuch as he was questioning a decision that the U.S. Constitution committed to the political branches. On May 5, 2011, the United States tried but failed to kill al-Awlaki by firing a missile from an unmanned drone at a car in Yemen. A Yemeni security official said that two al-Qaeda operatives in the car died. Death On September 30, 2011, al-Awlaki was killed in a U.S. drone strike in Al Jawf Governorate, Yemen, according to U.S. sources, the strike was carried out by Joint Special Operations Command, under the direction of the CIA. A witness said the group had stopped to eat breakfast while traveling to Ma'rib Governorate. The occupants of the vehicle spotted the drone and attempted to flee in the vehicle before Hellfire missiles were fired Yemen's Defense Ministry announced that al-Awlaki had been killed. Also killed was Samir Khan, an American born in Saudi Arabia, thought to be behind al-Qaeda's English-language web magazine Inspire. U.S. President Barack Obama said: The death of Awlaki is a major blow to Al-Qaeda's most active operational affiliate. He took the lead in planning and directing efforts to murder innocent Americans ... and he repeatedly called on individuals in the United States and around the globe to kill innocent men, women and children to advance a murderous agenda. [The strike] is further proof that Al-Qaeda and its affiliates will find no safe haven anywhere in the world. Journalist and author Glenn Greenwald argued on Salon.com that killing al-Awlaki violated his First Amendment right of free speech and that doing so outside of a criminal proceeding violated the Constitution's due process clause, specifically citing the 1969 Supreme Court decision in Brandenburg v. Ohio that "the constitutional guarantees of free speech and free press do not permit a State to forbid or proscribe advocacy of the use of force." He mentioned doubt among Yemeni experts about al-Awlaki's role in al-Qaeda, and called U.S. government accusations against him unverified and lacking in evidence. In a letter dated May 22, 2013, to the chairman of the U.S. Senate Judiciary committee, Patrick J. Leahy, U.S. attorney general Eric Holder wrote that high-level U.S. government officials [...] concluded that al-Aulaqi posed a continuing and imminent threat of violent attack against the United States. Before carrying out the operation that killed al-Aulaqi, senior officials also determined, based on a careful evaluation of the circumstances at the time, that it was not feasible to capture al-Aulaqi. In addition, senior officials determined that the operation would be conducted consistent with applicable law of war principles, including the cardinal principles of (1) necessity – the requirement that the target have definite military value; (2) distinction – the idea that only military objectives may be intentionally targeted and that civilians are protected from being intentionally targeted; (3) proportionality – the notion that the anticipated collateral damage of an action cannot be excessive in relation to the anticipated concrete and direct military advantage; and (4) humanity – a principle that requires us to use weapons that will not inflict unnecessary suffering. The operation was also undertaken consistent with Yemeni sovereignty. [...] The decision to target Anwar al-Aulaqi was lawful, it was considered, and it was just. On April 21, 2014, the 2nd U.S. Circuit Court of Appeal ruled that the Obama administration must release documents justifying its drone killings of foreigners and Americans, including Anwar al-Awlaki. In June 2014, the United States Department of Justice disclosed a 2010 memorandum written by the acting head of the department's Office of Legal Counsel, David J. Barron. The memo stated that Anwar al-Awlaki was a significant threat with an infeasible probability of capture. Barron therefore justified the killing as legal, as "the Constitution would not require the government to provide further process". The New York Times Editorial Board dismissed the memo's rationale for al-Awlaki's killing, saying it "provides little confidence that the lethal action was taken with real care", instead describing it as "a slapdash pastiche of legal theories—some based on obscure interpretations of British and Israeli law—that was clearly tailored to the desired result." A lawyer for the ACLU described the memo as "disturbing" and "ultimately an argument that the president can order targeted killings of Americans without ever having to account to anyone outside the executive branch." Legacy Seth Jones, who as a political scientist specializes in al-Qaida, considers that the continuing relevance of al-Awlaki is due to his fluency in the English language as well as his charisma, precising that "he had a disarming aura and unnerving confidence, with an easy smile and a soothing, eloquent voice. He stood a lanky six feet, one inch tall, weighed 160 pounds, and had a thick black beard, an oversized nose, and wire-rimmed glasses. He spoke in a clear, almost hypnotic voice." Awlaki's videos and writings remain highly popular on the internet, where they continue to be readily accessible. Those who viewed and still view his videos are estimated by journalist Scott Shane to number in the hundreds of thousands, while his father Dr. Nasser Awlaqi says that "five million preaching tapes of Anwar Awlaqi have been sold in the West." And thus, even following his death, Awlaki has continued to inspire his devotees to carry out terrorist attacks, including the 2013 Boston Marathon bombing, the 2015 San Bernardino attack, and the 2016 Orlando nightclub shooting. According to the Counter Extremism Project (CEP), 88 "extremists," 54 in the U.S. and 34 in Europe, have been influenced by Awlaki. Because "his work has inspired countless plots and attacks," CEP has "called on YouTube and other platforms to permanently ban Mr. Awlaki's material, including his early, mainstream lectures." FOIA documents During the FBI investigation of the 9/11 attacks, it was discovered that a few of the attackers had attended the mosques in San Diego and Falls Church with which al-Awlaki was associated. Interviews with members of the San Diego mosque showed that Nawaz al-Hazmi, one of the attackers, may have had a private conversation with him. On that basis he was placed under 24-hour surveillance. It was discovered that he regularly patronized prostitutes. It was through FBI interrogation of prostitutes and escort service operators that al-Awlaki was tipped off in 2002 about FBI surveillance. Shortly thereafter, he left the United States. In January 2013, Fox News announced that FBI documents obtained by Judicial Watch through a Freedom of Information Act request showed possible connections between al-Awlaki and the September 11 attackers. According to Judicial Watch, the documents show that the FBI knew that al-Awlaki had bought tickets for three of the hijackers to fly into Florida and Las Vegas. Judicial Watch further stated that al-Awlaki "was a central focus of the FBI's investigation of 9/11. They show he wasn't cooperative. And they show that he was under surveillance." When queried by Fox News, the FBI denied having evidence connecting al-Awlaki and the September 11 attacks: "The FBI cautions against drawing conclusions from redacted FOIA documents. The FBI and investigating bodies have not found evidence connecting Anwar al-Awlaki and the attack on September 11, 2001. The document referenced does not link Anwar al-Awlaki with any purchase of airline tickets for the hijackers." Family Abdulrahman al-Awlaki Anwar al-Awlaki and Egyptian-born Gihan Mohsen Baker had a son, Abdulrahman Anwar al-Awlaki, born August 26, 1995, in Denver, who was an American citizen. Abdulrahman al-Awlaki was killed on October 14, 2011, in Yemen at the age of 16 in an American drone strike. Nine other people were killed in the same CIA-initiated attack, including a 17-year-old cousin of Abdulrahman. According to his relatives, shortly before his father's death, Abdulrahman had left the family home in Sana'a and travelled to Shabwa in search of his father who was believed to be in hiding in that area (though he was actually hundreds of miles away at the time ). Abdulrahman was sitting in an open-air cafe in Shabwa when killed. According to U.S. officials, the killing of Abdulrahman al-Awlaki was a mistake; the intended target was an Egyptian, Ibrahim al-Banna, who was not at the targeted location at the time of the attack. Human rights groups have raised questions as to why an American citizen was killed by the United States in a country with which the United States is not officially at war. Abdulrahman al-Awlaki was not known to have any independent connection to terrorism. Nasser al-Awlaki Nasser al-Awlaki is the father of Anwar and grandfather of Abdulrahman al-Awlaki. Al-Awlaki stated he believed his son had been wrongly accused and was not a member of Al Qaeda. After the deaths of his son and grandson, Nasser in an interview in Time magazine called the killings a crime and condemned U.S. President Obama directly, saying: "I urge the American people to bring the killers to justice. I urge them to expose the hypocrisy of the 2009 Nobel Prize laureate. To some, he may be that. To me and my family, he is nothing more than a child killer." In 2013, Nasser al-Awlaki published an op-ed in The New York Times stating that two years after killing his grandson, the Obama administration still declines to provide an explanation. In 2012, Nasser al-Awlaki filed a lawsuit, Al-Aulaqi v. Panetta, challenging the constitutionality of the drone killings of his son and grandson. This lawsuit was dismissed in April 2014 by D.C. District Court Judge Rosemary M. Collyer. Tariq al-Dahab Tariq al-Dahab, who led al-Qaeda insurgents in Yemen, was a brother-in-law of al-Awlaki. On February 16, 2012, the terrorist organization stated that he had been killed by agents, although media reports contain speculation that he was killed by his brother in a bloody family feud. Nawar al-Awlaki On January 29, 2017, Anwar al-Awlaki's 8-year-old daughter, Nawar al-Awlaki, who was an American citizen, was killed in a DEVGRU operation authorized by President Donald Trump."1 US service member killed, 3 wounded in Yemen raid" , WPVI-TV, 6 ABC Action News, Philadelphia, PA. January 29, 2017. Retrieved January 29, 2017. Islamic education Al-Awlaki's Islamic education was primarily informal, and consisted of intermittent months with various scholars reading and contemplating Islamic scholarly works. Despite having no religious qualifications and almost no religious education, Al-Awlaki made a name for himself as a public speaker who released popular audio recordings.Some Muslim scholars said they did not understand alAwlaki's popularity, because while he spoke fluent English and could therefore reach a large non-Arabic-speaking audience, he lacked formal Islamic training and study. Ideology While imprisoned in Yemen after 2004, al-Awlaki was influenced by the works of Sayyid Qutb, described by The New York Times as an originator of the contemporary "anti-Western Jihadist movement". He read 150 to 200 pages a day of Qutb's works, and described himself as "so immersed with the author I would feel Sayyid was with me in my cell speaking to me directly". Terrorism consultant Evan Kohlmann in 2009 referred to al-Awlaki as "one of the principal jihadi luminaries for would-be homegrown terrorists. His fluency with English, his unabashed advocacy of jihad and mujahideen organizations, and his Web-savvy approach are a powerful combination." He called al-Awlaki's lecture, "Constants on the Path of Jihad", which he says was based on a similar document written by al-Qaeda's founder, the "virtual bible for lone-wolf Muslim extremists". Philip Mudd, formerly of the CIA's National Counterterrorism Center and the FBI's top intelligence adviser, called him "a magnetic character ... a powerful orator." He attracted young men to his lectures, especially US-based and UK-based Muslims. U.S. officials and some U.S. media sources called al-Awlaki an Islamic fundamentalist and accused him of encouraging terrorism. According to documents recovered from bin Laden's hideout, the al-Qaeda leader was unsure about al-Awlaki's qualifications. Works The Nine Eleven Finding Answers Foundation said al-Awlaki's ability to write and speak in fluent English enabled him to incite English-speaking Muslims to terrorism. Al-Awlaki notes in 44 Ways to Support Jihad that most reading material on the subject is in Arabic. Written works 44 Ways to Support Jihad: Essay (January 2009). In it, al-Awlaki states that "The hatred of kuffar is a central element of our military creed" and that all Muslims are obligated to participate in jihad, either by committing the acts themselves or supporting others who do so. He says all Muslims must remain physically fit so as to be prepared for conflict. According to U.S. officials, it is considered a key text for al-Qaeda members. Al-Awlaki wrote for Jihad Recollections, an English language online publication published by Al-Fursan Media. Allah is Preparing Us for Victory – short book (2009). Lectures Lectures on the book Constants on the Path of Jihad by Yusef al-Ayeri—concerns leaderless jihad. In 2009, the UK government found 1,910 of his videos had been posted to YouTube. One of them had been viewed 164,420 times. The Battle of Hearts and Minds The Dust Will Never Settle Down Dreams & Interpretations The Hereafter—16 CDs—Al Basheer Productions Life of Muhammad: Makkan Period—16 CDs—Al Basheer Productions Life of Muhammad: Medinan Period—Lecture in 2 Parts—18 CDs—Al Basheer Productions Lives of the Prophets (AS)—16 CDs—Al Basheer Productions Abu Bakr as-Siddiq (RA): His Life & Times—15 CDs—Al Basheer Productions Umar ibn al-Khattāb (RA): His Life & Times—18 CDs—Al Basheer Productions 25 Promises from Allah to the Believer—2 CDs—Noor Productions Companions of the Ditch & Lessons from the Life of Musa (AS)—2 CDs—Noor Productions Remembrance of Allah & the Greatest Ayah—2 CDs—Noor Productions Stories from Hadith—4 CDs—Center for Islamic Information and Education ("CIIE") Hellfire & The Day of Judgment—CD—CIIE Quest for Truth: The Story of Salman Al-Farsi (RA)—CD—CIIE Trials & Lessons for Muslim Minorities—CD—CIIE Young Ayesha (RA) & Mothers of the Believers (RA)—CD—CIIE Understanding the Quran—CD—CIIE Lessons from the Companions (RA) Living as a Minority—CD—CIIE Virtues of the Sahabah—video lecture series promoted by the al-Wasatiyyah Foundation Website Al-Awlaki maintained a website and blog on which he shared his views. On December 11, 2008, he said Muslims should not seek to "serve in the armies of the disbelievers and fight against his brothers". In "44 Ways to Support Jihad", posted on his blog in February 2009, al-Awlaki encouraged others to "fight jihad", and explained how to give money to the mujahideen or their families. Al-Awlaki's sermon encourages others to conduct weapons training, and raise children "on the love of Jihad". Also that month, he wrote: "I pray that Allah destroys America and all its allies." He wrote as well: "We will implement the rule of Allah on Earth by the tip of the sword, whether the masses like it or not." On July 14, he said that Muslim countries should not offer military assistance to the US. "The blame should be placed on the soldier who is willing to follow orders ... who sells his religion for a few dollars," he said. In blog post dated July 15, 2009, entitled "Fighting Against Government Armies in the Muslim World", al-Awlaki wrote, "Blessed are those who fight against [American soldiers], and blessed are those shuhada [martyrs] who are killed by them." In a video posted to the internet on November 8, 2010, al-Awlaki called for Muslims to kill Americans "without hesitation", and overthrow Arab governments that cooperate with the US. "Don't consult with anyone in fighting the Americans, fighting the devil doesn't require consultation or prayers or seeking divine guidance. They are the party of the devils", al-Awlaki said. That month, Intelligence Research Specialist Kevin Yorke of the New York Police Department's Counterterrorism Division called him "the most dangerous man in the world". See also Church Committee Executive Order 12333 Extrajudicial killing International counter-terrorism activities of the CIA Protocol I References Further reading al-Ashanti, AbdulHaq and Sloan, Abu Ameenah AbdurRahman. (2011) A Critique of the Methodology of Anwar al-Awlaki and his Errors in the Fiqh of Jihad. London: Jamiah Media, 2011 External links Ruling of Judge Bates in Al Aulaqi v Obama Statements Interviews "Exclusive; Ray Suarez: My Post-9/11 Interview With Anwar al-Awlaki", PBS, October 30, 2001 "Al-Jazeera Satellite Network Interview with Yemeni-American Cleric Shaykh Anwar al-Awlaki Regarding his Alleged Role in Radicalizing Maj. Malik Nidal Hasan", The NEFA Foundation, December 24, 2009 Media coverage The imam's very curious story: A skirt-chasing mullah is just one more mystery for the 9/11 panel, Ragavan, Chitra, US News and World Report'', June 13, 2004 DBI.gov 1971 births 2011 deaths 20th-century imams 21st-century imams Abdullah Yusuf Azzam Al-Qaeda propagandists Assassinated al-Qaeda leaders American al-Qaeda members American expatriates in the United Kingdom American expatriates in Yemen American imams American Islamists American people of Yemeni descent Colorado State University alumni George Washington University Graduate School of Education and Human Development alumni People associated with the September 11 attacks People from Las Cruces, New Mexico San Diego State University alumni Yemeni imams Yemeni al-Qaeda members Yemeni Sunni Muslim scholars of Islam Yemeni Sunni Muslims Deaths by drone strikes of the Central Intelligence Agency in Yemen Islam-related controversies People designated by the Al-Qaida and Taliban Sanctions Committee American male criminals Yemeni criminals Yemeni Islamists Yemeni expatriates in the United Kingdom Shafi'is American Muslim activists Assassinated Yemeni people Yemeni propagandists United States military killing of American civilians

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Were there others?

Were there any other countries Anwar al-Awlaki went after?

Anwar al-Awlaki

FBI agents identified al-Awlaki as a known, important "senior recruiter for al Qaeda", and a spiritual motivator. His name came up in a dozen terrorism plots in the US, UK, and Canada. The cases included suicide bombers in the 2005 London bombings, radical Islamic terrorists in the 2006 Toronto terrorism case, radical Islamic terrorists in the 2007 Fort Dix attack plot, the jihadist killer in the 2009 Little Rock military recruiting office shooting, and the 2010 Times Square bomber. In each case the suspects were devoted to al-Awlaki's message, which they listened to online and on CDs. Al-Awlaki's recorded lectures were heard by Islamist fundamentalists in at least six terror cells in the UK through 2009. Michael Finton (Talib Islam), who attempted in September 2009 to bomb the Federal Building and the adjacent offices of Congressman Aaron Schock in Springfield, Illinois, admired al-Awlaki and quoted him on his Myspace page. In addition to his website, al-Awlaki had a Facebook fan page with "fans" in the US, many of whom were high school students. Al-Awlaki also set up a website and blog on which he shared his views. Al-Awlaki influenced several other extremists to join terrorist organizations overseas and to carry out terrorist attacks in their home countries. Mohamed Alessa and Carlos Almonte, two American citizens from New Jersey who attempted to travel to Somalia in June 2010 to join the al-Qaeda-linked terrorist group Al Shabaab, allegedly watched several al-Awlaki videos and sermons in which he warned of future attacks against Americans in the US and abroad. Zachary Chesser, an American citizen who was arrested for attempting to provide material support to Al Shabaab, told federal authorities that he watched online videos featuring al-Awlaki and that he exchanged several e-mails with al-Awlaki. In July 2010, Paul Rockwood was sentenced to eight years in prison for creating a list of 15 potential targets in the US, people he felt had desecrated Islam. Rockwood was a devoted follower of al-Awlaki, and had studied his works Constants on the Path to Jihad and 44 Ways to Jihad. In October 2008, Charles Allen, US Under-Secretary of Homeland Security for Intelligence and Analysis, warned that al-Awlaki "targets U.S. Muslims with radical online lectures encouraging terrorist attacks from his new home in Yemen." Responding to Allen, al-Awlaki wrote on his website in December 2008: "I would challenge him to come up with just one such lecture where I encourage 'terrorist attacks'". CANNOTANSWER

the jihadist killer in the 2009 Little Rock military recruiting office shooting, and the 2010 Times Square bomber.

Anwar Nasser al-Awlaki (also spelled al-Aulaqi, al-Awlaqi; ; April 21 or 22, 1971 – September 30, 2011) was a Yemeni-American imam who was killed in 2011 in Yemen by an American drone strike ordered by President Barack Obama. Al-Awlaki became the first U.S. citizen to be targeted and killed by a U.S. drone strike without the rights of due process being afforded. US government officials argued that Awlaki was a key organizer for the Islamist terrorist group al-Qaeda, and in June 2014, a previously classified memorandum issued by the U.S. Department of Justice was released, justifying al-Awlaki's death as a lawful act of war. Civil liberties advocates have described the incident as "an extrajudicial execution" that breached al-Awlaki's right to due process, including a trial. Al-Awlaki was born in Las Cruces, New Mexico, in 1971 to parents from Yemen. Growing up partially in the United States and partially in Yemen, he attended various universities across the United States in the 1990s and early 2000s while also working as an imam, despite having no religious qualifications and almost no religious education. Al-Awlaki returned to Yemen in early 2004 and became a university lecturer after a brief stint as a public speaker in the United Kingdom. He was detained by Yemeni authorities in 2006, where he spent 18 months in prison before being released without facing trial. Following his release, Al-Awlaki's message started to become overtly supportive of violence, as he condemned United States foreign policy against Muslims. The Yemeni government tried him in absentia in November 2010, for plotting to kill foreigners and being a member of al-Qaeda. A Yemeni judge ordered that he be captured "dead or alive". U.S. officials said that in 2009, al-Awlaki was promoted to the rank of "regional commander" within al-Qaeda, although they described his role as more "inspirational" than "operational." He repeatedly called for jihad against the United States. In April 2010, al-Awlaki was placed on a CIA kill list by President Barack Obama due to his alleged terrorist activities. Al-Awlaki's father and civil rights groups challenged the order in court. Al-Awlaki was believed to be in hiding in southeast Yemen in the last years of his life. The U.S. deployed unmanned aircraft (drones) in Yemen to search for and kill him, firing at and failing to kill him at least once; he was successfully killed on September 30, 2011. Two weeks later, al-Awlaki's 16-year-old son, Abdulrahman al-Awlaki, a U.S. citizen who was born in Denver, Colorado, was also killed by a CIA-led drone strike in Yemen. His daughter, 8-year old Nawar al-Awlaki, was killed during a raid against Al Qaeda ordered by President Donald Trump in 2017.<ref name="uk.reuters.com">Ghobari, Mohammed and Phil Stewart. "Commando dies in U.S. raid in Yemen, first military op OK'd by Trump", Reuters, January 29, 2017. Retrieved January 29, 2017.</ref> The New York Times wrote in 2015 that al-Awlaki's public statements and videos have been more influential in inspiring acts of Islamic terrorism in the wake of his killing than before his death. Early life Al-Awlaki was born in Las Cruces, New Mexico, in 1971 to parents from Yemen, while his father, Nasser al-Awlaki, was doing graduate work at U.S. universities. His father was a Fulbright Scholar who earned a master's degree in agricultural economics at New Mexico State University in 1971, received a doctorate at the University of Nebraska, and worked at the University of Minnesota from 1975 to 1977. Nasser al-Awlaki served as Agriculture Minister in Ali Abdullah Saleh's government. He was also President of Sana'a University. Yemen's prime minister from 2007 to 2011, Ali Mohammed Mujur, was a relative. The family returned to Yemen in 1978, when al-Awlaki was seven years old. He lived there for 11 years, and studied at Azal Modern School. Life in the United States 1990–2002 Education In 1991, al-Awlaki returned to the U.S. to attend college. He earned a B.S. in Civil Engineering from Colorado State University (1994), where he was president of the Muslim Student Association. In 1993, while still a college student in Colorado State's civil engineering program, al-Awlaki visited Afghanistan in the aftermath of the Soviet occupation. He spent some time training with the mujahideen who had fought the Soviets. He was depressed by the country's poverty and hunger, and "wouldn't have gone with al-Qaeda," according to friends from Colorado State, who said he was profoundly affected by the trip. Mullah Mohammed Omar did not form the Taliban until 1994. When Al-Awlaki returned to campus, he showed increased interest in religion and politics. Al-Awlaki studied Education Leadership at San Diego State University, but did not complete his degree. He worked on a doctorate in Human Resource Development at The George Washington University Graduate School of Education and Human Development from January to December 2001. Time as imam In 1994, al-Awlaki married a cousin from Yemen, and began service as a part-time imam of the Denver Islamic Society. In 1996, he was chastised by an elder for encouraging a Saudi student to fight in Chechnya against the Russians. He left Denver soon after, moving to San Diego. From 1996 to 2000, al-Awlaki was imam of the Masjid Ar-Ribat al-Islami mosque in San Diego, California, where he had a following of 200–300 people. U.S. officials later alleged that Nawaf al-Hazmi and Khalid al-Mihdhar, hijackers of American Airlines Flight 77, attended his sermons and personally met him during this period. Hazmi later lived in Northern Virginia and attended al-Awlaki's mosque there. The 9/11 Commission Report said that the hijackers "reportedly respected [al-Awlaki] as a religious figure". While in San Diego, al-Awlaki volunteered with youth organizations, fished, discussed his travels with friends, and created a popular and lucrative series of recorded lectures. In August 1996 and in April 1997, al-Awlaki was arrested in San Diego and charged with soliciting prostitutes. The first time, in 1996, he pleaded guilty to a lesser charge and was fined $400 and required to attend informational sessions about AIDS. The second time, in 1997, he pleaded guilty and was fined $240, ordered to perform 12 days of community service, and received three years' probation. From November 2001 to January 2002 the FBI observed him visiting a number of prostitutes, and interviewed them, establishing that he had paid for sex acts. No prosecution was brought. In 1998 and 1999, he served as vice-president for the Charitable Society for Social Welfare. In 2004, the FBI described this group as a "front organization to funnel money to terrorists". Although the FBI investigated al-Awlaki from June 1999 through March 2000 for possible links to Hamas, the Bin Laden contact Ziyad Khaleel, and a visit by an associate of Omar Abdel Rahman, it did not find sufficient evidence for a criminal prosecution. Al-Awlaki told reporters that he resigned from leading the San Diego mosque "after an uneventful four years," and took a brief sabbatical, traveling overseas to various countries. In January 2001, al-Awlaki returned to the U.S., settling in the Washington metropolitan area. There, he was imam at the Dar al-Hijrah mosque near Falls Church, Virginia, and his services were attended by Nawaf al-Hazmi and a third hijacker, Hani Hanjour. He led academic discussions frequented by FBI Director of Counter-Intelligence for the Middle East Gordon M. Snow. Al-Awlaki also served as the Muslim chaplain at George Washington University, where he was hired by Esam Omeish. Omeish said in 2004 that he was convinced that al-Awlaki was not involved in terrorism. His proficiency as a public speaker and command of the English language helped him attract followers who did not speak Arabic. "He was the magic bullet", according to the mosque spokesman Johari Abdul-Malik. "He had everything all in a box." "He had an allure. He was charming." When police investigating the 9/11 attacks raided the Hamburg apartment of Ramzi bin al-Shibh, they found the telephone number of al-Awlaki among bin al-Shibh's personal contacts. The FBI interviewed al-Awlaki four times in the eight days following the 9/11 attacks. One detective later told the 9/11 Commission he believed al-Awlaki "was at the center of the 9/11 story". And an FBI agent said, "if anyone had knowledge of the plot, it would have been" him, since "someone had to be in the U.S. and keep the hijackers spiritually focused". One 9/11 Commission staff member said: "Do I think he played a role in helping the hijackers here, knowing they were up to something? Yes. Do I think he was sent here for that purpose? I have no evidence for it." A separate Congressional Joint Inquiry into the 9/11 attacks suggested that al-Awlaki may have been connected to the hijackers, according to its director, Eleanor Hill. In 2003, Representative Anna Eshoo, a member of the House Intelligence Committee, said, "In my view, he is more than a coincidental figure." Six days after the 9/11 attacks, al-Awlaki suggested in writing on the IslamOnline.net website that Israeli intelligence agents might have been responsible for the attacks, and that the FBI "went into the roster of the airplanes, and whoever has a Muslim or Arab name became the hijacker by default". Soon after the 9/11 attacks, al-Awlaki was sought in Washington, D.C., by the media to answer questions about Islam, its rituals, and its relation to the attacks. He was interviewed by National Geographic, The New York Times, and other media. Al-Awlaki condemned the attacks. According to an NPR report in 2010, in 2001 al-Awlaki appeared to be a moderate who could "bridge the gap between the United States and the worldwide community of Muslims." The New York Times said at the time that he was "held up as a new generation of Muslim leader capable of merging East and West." In 2010, Fox News and the New York Daily News reported that some months after the 9/11 attacks, a Pentagon employee invited al-Awlaki to a luncheon in the Secretary's Office of General Counsel. The U.S. Secretary of the Army had suggested that a moderate Muslim be invited to give a talk. In 2002, al-Awlaki was the first imam to conduct a prayer service for the Congressional Muslim Staffer Association at the U.S. Capitol. That year, Nidal Hasan visited al-Awlaki's mosque for his mother's funeral, at which al-Awlaki presided. In November 2009, Hasan killed 13 and wounded 32 in the Fort Hood shooting. Hasan usually attended a mosque in Maryland closer to where he lived while working at the Walter Reed Medical Center (2003–09). Later in 2002, al-Awlaki posted an essay in Arabic on the Islam Today website titled "Why Muslims Love Death", lauding the fervor of Palestinian suicide bombers. He expressed a similar opinion in a speech at a London mosque later that year. By July 2002, al-Awlaki was under investigation in the United States for having received money from the subject of a U.S. Joint Terrorism Task Force investigation. His name was added to the list of terrorism suspects. Passport fraud issues In June 2002, a Denver federal judge signed an arrest warrant for al-Awlaki for passport fraud. On October 9, the Denver U.S. Attorney's Office filed a motion to dismiss the complaint and vacate the arrest warrant. Prosecutors believed that they lacked sufficient evidence of a crime, according to U.S. Attorney Dave Gaouette, who authorized its withdrawal. Al-Awlaki had listed Yemen rather than the United States as his place of birth on his 1990 application for a U.S. Social Security number, soon after arriving in the US. Al-Awlaki used this documentation to obtain a passport in 1993. He later corrected his place of birth to Las Cruces, New Mexico. "The bizarre thing is if you put Yemen down (on the application), it would be harder to get a Social Security number than to say you are a native-born citizen of Las Cruces", Gaouette said. Prosecutors could not charge him in October 2002, when he returned from a trip abroad, because a 10-year statute of limitations on lying to the Social Security Administration had expired. According to a 2012 investigative report by Fox News, the arrest warrant for passport fraud was still in effect on the morning of October 10, 2002, when FBI Agent Wade Ammerman ordered al-Awlaki's release. U.S. Congressman Frank Wolf (R-VA) and several congressional committees urged FBI Director Robert Mueller to provide an explanation about the bureau's interactions with al-Awlaki, including why he was released from federal custody when there was an outstanding warrant for his arrest. The motion for rescinding the arrest warrant was approved by a magistrate judge on October 10 and filed on October 11.ABC News reported in 2009 that the Joint Terrorism Task Force in San Diego disagreed with the decision to cancel the warrant. They were monitoring al-Awlaki and wanted to "look at him under a microscope". But U.S. Attorney Gaouette said that no objection had been raised to the rescinding of the warrant during a meeting that included Ray Fournier, the San Diego federal diplomatic security agent whose allegation had set in motion the effort to obtain a warrant. Gaouette said that if al-Awlaki had been convicted at the time, he would have faced about six months in custody.The New York Times suggested later that al-Awlaki had claimed birth in Yemen (his family's place of origin) to qualify for scholarship money granted to foreign citizens. U.S. Congressman Frank R. Wolf (R-VA) wrote in May 2010 that by claiming to be foreign-born, al-Awlaki fraudulently obtained more than $20,000 in scholarship funds reserved for foreign students. While living in Northern Virginia, al-Awlaki visited Ali al-Timimi, later known as a radical Islamic cleric. Al-Timimi was convicted in 2005 and is now serving a life sentence for leading the Virginia Jihad Network, inciting Muslim followers to fight with the Taliban against the US. In the United Kingdom 2002–04 Al-Awlaki left the United States before the end of 2002, because of a "climate of fear and intimidation" according to Imam Johari Abdul-Malik of the Dar al-Hijrah mosque. He lived in the UK for several months, where he gave talks attended by up to 200 people. He urged young Muslim followers: "The important lesson to learn here is never, ever trust a kuffar [disbeliever]. Do not trust them! [Their leaders] are plotting to kill this religion. They're plotting night and day." "He was the main man who translated the jihad into English," said a student who attended his lectures in 2003. He gave a series of lectures in December 2002 and January 2003 at the London Masjid al-Tawhid mosque, describing the rewards martyrs (Shahid) receive in paradise (Jannah). He began to gain supporters, particularly among young Muslims, and undertook a lecture tour of England and Scotland in 2002 in conjunction with the Muslim Association of Britain. He also lectured at "ExpoIslamia", an event held by Islamic Forum Europe. At the East London Mosque he told his audience: "A Muslim is a brother of a Muslim... he does not betray him, and he does not hand him over... You don't hand over a Muslim to the enemies." In Britain's Parliament in 2003, Louise Ellman, MP for Liverpool Riverside, discussed the relationship between al-Awlaki and the Muslim Association of Britain, an alleged Muslim Brotherhood front organization founded by Kemal el-Helbawy, a senior member of the Egyptian Muslim Brotherhood. Return to Yemen 2004–11 Al-Awlaki returned to Yemen in early 2004, where he lived in Shabwah Governorate with his wife and five children. He lectured at Iman University, headed by Abdul Majeed al-Zindani. The latter has been included on the UN 1267 Committee's list of individuals belonging to or associated with al-Qaeda. Al-Zindani denied having any influence over al-Awlaki, or that he had been his "direct teacher". Some believe that the school's curriculum deals mostly, if not exclusively, with radical Islamic studies, and promotes radicalism. American convert John Walker Lindh and other alumni have been associated with terrorist groups. On August 31, 2006, al-Awlaki was arrested with four others on charges of kidnapping a Shiite teenager for ransom, and participating in an al-Qaeda plot to kidnap a U.S. military attaché. He was imprisoned in 2006 and 2007. He was interviewed around September 2007 by two FBI agents with regard to the 9/11 attacks and other subjects. John Negroponte, the U.S. Director of National Intelligence, told Yemeni officials he did not object to al-Awlaki's detention. His name was on a list of 100 prisoners whose release was sought by al-Qaeda-linked militants in Yemen. After 18 months in a Yemeni prison, al-Awlaki was released on December 12, 2007, following the intercession of his tribe. According to a Yemeni security official, he was released because he had repented. He moved to his family home in Saeed, a hamlet in the Shabwa mountains. Moazzam Begg's Cageprisoners, an organization representing former Guantanamo detainees, campaigned for al-Awlaki's release when he was in prison in Yemen. Al-Awlaki told Begg in an interview shortly after his release that prior to his incarceration in Yemen, he had condemned the 9/11 attacks. In December 2008, al-Awlaki sent a communique to the Somali terrorist group, al-Shabaab, congratulating them. Al-Awlaki provided al-Qaeda members in Yemen with the protection of his powerful tribe, the Awlakis, against the government. The tribal code required it to protect those who seek refuge and assistance. This imperative has greater force when the person is a member of the tribe or a tribesman's friend. The tribe's motto is "We are the sparks of Hell; whoever interferes with us will be burned." Al-Awlaki also reportedly helped negotiate deals with leaders of other tribes. Sought by Yemeni authorities who were investigating his al-Qaeda ties, al-Awlaki went into hiding in approximately March 2009, according to his father. By December 2009, al-Awlaki was on the Yemeni government's most-wanted list. He was believed to be hiding in Yemen's Shabwa or Mareb regions, which are part of the so-called "triangle of evil". The area has attracted al-Qaeda militants, who seek refuge among local tribes unhappy with Yemen's central government. Yemeni sources originally said al-Awlaki might have been killed in a pre-dawn air strike by Yemeni Air Force fighter jets on a meeting of senior al-Qaeda leaders at a hideout in Rafd in eastern Shabwa, on December 24, 2009. But he survived. Pravda reported that the planes, using Saudi and U.S. intelligence, killed at least 30 al-Qaeda members from Yemen and abroad, and that an al-Awlaki house was "raided and demolished". On December 28 The Washington Post reported that U.S. and Yemeni officials said that al-Awlaki had been present at the meeting. Abdul Elah al-Shaya, a Yemeni journalist, said al-Awlaki called him on December 28 to report that he was well and had not attended the al-Qaeda meeting. Al-Shaya said that al-Awlaki was not tied to al-Qaeda. In March 2010, a tape featuring al-Awlaki was released in which he urged Muslims residing in the United States to attack their country of residence. Reaching out to the United Kingdom After 2006, al-Awlaki was banned from entering the United Kingdom. He broadcast lectures to mosques and other venues there via video-link from 2007 to 2009, on at least seven occasions at five locations in Britain. Noor Pro Media Events held a conference at the East London Mosque on January 1, 2009, showing a videotaped lecture by al-Awlaki; former Shadow Home Secretary Dominic Grieve expressed concern over his being featured. He gave video-link talks in England to an Islamic student society at the University of Westminster in September 2008, an arts center in East London in April 2009 (after the Tower Hamlets council gave its approval), worshippers at the Al Huda Mosque in Bradford, and a dinner of the Cageprisoners organization in September 2008 at the Wandsworth Civic Centre in South London. On August 23, 2009, al-Awlaki was banned by local authorities in Kensington and Chelsea, London, from speaking at Kensington Town Hall via videolink to a fundraiser dinner for Guantanamo detainees promoted by Cageprisoners. His videos, which discuss his Islamist theories, have circulated across the United Kingdom. Until February 2010, hundreds of audio tapes of his sermons were available at the Tower Hamlets public libraries. In 2009, the London-based Islam Channel carried advertisements for his DVDs and at least two of his video conference lectures. Other connections FBI agents identified al-Awlaki as a known, important "senior recruiter for al Qaeda", and a spiritual motivator. His name came up in a dozen terrorism plots in the US, UK, and Canada. The cases included suicide bombers in the 2005 London bombings, radical Islamic terrorists in the 2006 Toronto terrorism case, radical Islamic terrorists in the 2007 Fort Dix attack plot, the jihadist killer in the 2009 Little Rock military recruiting office shooting, and the 2010 Times Square bomber. In each case the suspects were devoted to al-Awlaki's message, which they listened to online and on CDs. Al-Awlaki's recorded lectures were heard by Islamist fundamentalists in at least six terror cells in the UK through 2009. Michael Finton (Talib Islam), who attempted in September 2009 to bomb the Federal Building and the adjacent offices of Congressman Aaron Schock in Springfield, Illinois, admired al-Awlaki and quoted him on his Myspace page. In addition to his website, al-Awlaki had a Facebook fan page with "fans" in the US, many of whom were high school students. Al-Awlaki also set up a website and blog on which he shared his views. Al-Awlaki influenced several other extremists to join terrorist organizations overseas and to carry out terrorist attacks in their home countries. Mohamed Alessa and Carlos Almonte, two American citizens from New Jersey who attempted to travel to Somalia in June 2010 to join the al-Qaeda-linked terrorist group Al Shabaab, allegedly watched several al-Awlaki videos and sermons in which he warned of future attacks against Americans in the United States and abroad. Zachary Chesser, an American citizen who was arrested for attempting to provide material support to Al Shabaab, told federal authorities that he watched online videos featuring al-Awlaki and that he exchanged several e-mails with al-Awlaki. In July 2010, Paul Rockwood was sentenced to eight years in prison for creating a list of 15 potential targets in the US, people he felt had desecrated Islam. Rockwood was a devoted follower of al-Awlaki, and had studied his works Constants on the Path to Jihad and 44 Ways to Jihad. In October 2008, Charles Allen, U.S. Under-Secretary of Homeland Security for Intelligence and Analysis, warned that al-Awlaki "targets U.S. Muslims with radical online lectures encouraging terrorist attacks from his new home in Yemen." Responding to Allen, al-Awlaki wrote on his website in December 2008: "I would challenge him to come up with just one such lecture where I encourage 'terrorist attacks'". Fort Hood shooter Fort Hood shooter Nidal Hasan was investigated by the FBI after intelligence agencies intercepted at least 18 e-mails between him and al-Awlaki between December 2008 and June 2009. Even before the contents of the e-mails were revealed, terrorism expert Jarret Brachman said that Hasan's contacts with al-Awlaki should have raised "huge red flags", because of his influence on radical English-speaking jihadis. Charles Allen, no longer in government, noted that there was no work-related reason for Hasan to be in touch with al-Awlaki. Former CIA officer Bruce Riedel opined: "E-mailing a known al-Qaeda sympathizer should have set off alarm bells. Even if he was exchanging recipes, the bureau should have put out an alert." A DC-based Joint Terrorism Task Force operating under the FBI was notified of the e-mails and reviewed the information. Army employees were informed of the e-mails, but they didn't perceive any terrorist threat in Hasan's questions. Instead, they viewed them as general questions about spiritual guidance with regard to conflicts between Islam and military service and judged them to be consistent with legitimate mental health research about Muslims in the armed services. The assessment was that there was not sufficient information for a larger investigation. In one of the e-mails, Hasan wrote al-Awlaki: "I can't wait to join you [in the afterlife]". "It sounds like code words," said Lt. Col. Tony Shaffer, a military analyst at the Center for Advanced Defense Studies. "That he's actually either offering himself up, or that he's already crossed that line in his own mind." Yemeni journalist Abdulelah Hider Shaea interviewed al-Awlaki in November 2009. Al-Awlaki acknowledged his correspondence with Hasan. He said he "neither ordered nor pressured ... Hasan to harm Americans." Al-Awlaki said Hasan first e-mailed him December 17, 2008, introducing himself by writing: "Do you remember me? I used to pray with you at the Virginia mosque." Hasan said he had become a devout Muslim around the time al-Awlaki was preaching at Dar al-Hijrah, in 2001 and 2002, and al-Awlaki said 'Maybe Nidal was affected by one of my lectures.'" He added: "It was clear from his e-mails that Nidal trusted me. Nidal told me: 'I speak with you about issues that I never speak with anyone else.'" Al-Awlaki said Hasan arrived at his own conclusions regarding the acceptability of violence in Islam and said he was not the one to initiate this. Shaea said, "Nidal was providing evidence to Anwar, not vice versa." Asked whether Hasan mentioned Fort Hood as a target in his e-mails, Shaea declined to comment. Al-Awlaki said the shooting was acceptable in Islam, however, because it was a form of jihad, as the West began the hostilities with the Muslims. Al-Awlaki said he "blessed the act because it was against a military target. And the soldiers who were killed were ... those who were trained and prepared to go to Iraq and Afghanistan". Al-Awlaki's e-mail conversations with Hasan were not released, and he was not placed on the FBI Most Wanted list, indicted for treason, or officially named as a co-conspirator with Hasan. The U.S. government was reluctant to classify the Fort Hood shooting as a terrorist incident, or identify any motive. The Wall Street Journal reported in January 2010 that al-Awlaki had not "played a direct role" in any of the attacks, and noted he had never been charged with a crime in the US. One of his fellow officers at Fort Hood said Hasan was enthusiastic about al-Awlaki. Some investigators believe al-Awlaki's teachings may have been instrumental in Hasan's decision to stage the attack. On his now-disabled website, al-Awlaki praised Hasan's actions, describing him as a hero. Christmas Day "Underwear Bomber" According to a number of sources, Al-Awlaki and Umar Farouk Abdulmutallab, the convicted al-Qaeda attempted bomber of Northwest Airlines Flight 253 on December 25, 2009, had contacts. In January 2010, CNN reported that U.S. "security sources" said that there is concrete evidence that al-Awlaki was Abdulmutallab's recruiter and one of his trainers, and met with him prior to the attack. In February 2010, al-Awlaki admitted in an interview published in al-Jazeera that he taught and corresponded with Abdulmutallab, but denied having ordered the attack. Representative Pete Hoekstra, the senior Republican on the House Intelligence Committee, said officials in the Obama administration and officials with access to law enforcement information told him the suspect "may have had contact [with al-Awlaki]".The Sunday Times established that Abdulmutallab first met al-Awlaki in 2005 in Yemen, while he was studying Arabic. During that time the suspect attended lectures by al-Awlaki.NPR reported that according to unnamed U.S. intelligence officials he attended a sermon by al-Awlaki at the Finsbury Park Mosque. Khalid Mahmood, the Labour MP for Birmingham Perry Barr, a former trustee of the mosque, expressed "grave misgivings" with regard to its stewardship. A spokesperson of the mosque stated that al-Awlaki had never spoken there or had even to his knowledge entered the building. Abdulmutallab was also reported by CBS News, The Daily Telegraph, and The Sunday Telegraph to have attended a talk by al-Awlaki at the East London Mosque, which al-Awlaki may have attended by video teleconference. The Sunday Telegraph later removed the report from its website following a complaint by the East London Mosque, which stated that "Anwar Al Awlaki did not deliver any talks at the ELM between 2005 and 2008, which is when the newspaper had falsely alleged that Abdullmutallab had attended such talks". Investigators who searched flats connected to Abdulmutallab in London said that he was a "big fan" of al-Awlaki, as al-Awlaki's blog and website had repeatedly been visited from those locations. According to federal sources, Abdulmutallab and al-Awlaki repeatedly communicated with one another in the year prior to the attack. "Voice-to-voice communication" between the two was intercepted during the fall of 2009, and one government source said al-Awlaki "was in some way involved in facilitating [Abdulmutallab]'s transportation or trip through Yemen. It could be training, a host of things." NPR reported that intelligence officials suspected al-Awlaki may have told Abdulmutallab to go to Yemen for al-Qaeda training. Abdulmutallab told the FBI that al-Awlaki was one of his al-Qaeda trainers in Yemen. Others reported that Abdulmutallab met with al-Awlaki in the weeks leading up to the attack. The Los Angeles Times reported that according to a U.S. intelligence official, intercepts and other information point to connections between the two: Some of the information ... comes from Abdulmutallab, who ... said that he met with al-Awlaki and senior al-Qaeda members during an extended trip to Yemen this year and that the cleric was involved in some elements of planning or preparing the attack and in providing religious justification for it. Other intelligence linking the two became apparent after the attempted bombing, including communications intercepted by the National Security Agency indicating that the cleric was meeting with "a Nigerian" in preparation for some kind of operation. Yemen's Deputy Prime Minister for Defense and Security Affairs, Rashad Mohammed al-Alimi, said Yemeni investigators believe that Abdulmutallab traveled to Shabwa in October 2009. Investigators believe he obtained his explosives and received training there. He met there with al-Qaeda members in a house built by al-Awlaki. A top Yemen government official said the two met with each other. In January 2010, al-Awlaki acknowledged that he met and spoke with Abdulmutallab in Yemen in the fall of 2009. In an interview, al-Awlaki said: "Umar Farouk is one of my students; I had communications with him. And I support what he did." He also said: "I did not tell him to do this operation, but I support it". Fox News reported in early February 2010 that Abdulmutallab told federal investigators that al-Awlaki directed him to carry out the bombing. In June 2010 Michael Leiter, the Director of the U.S. National Counterterrorism Center (NCTC), said al-Awlaki had a "direct operational role" in the plot. Sharif Mobley Sharif Mobley had acknowledged contact with Anwar al-Awlaki. The Mobley family claims the contact was for spiritual guidance in further studies of Islam. The Mobley family went to Yemen and resided there for several years. They decided to return to the United States and went to the U.S. Embassy to update the family travel documents. While waiting for their travel documents, Sharif Mobley was kidnapped by Yemen Security Services and shot on January 26, 2010. He was then held in Yemen's Central Prison. Mobley disappeared from the Central Prison on February 27, 2014. His current location is known to the U.S. Embassy in Yemen (currently closed 2015) but is withheld from his family and legal advisers based on U.S. State Department Regulations on "U.S. Citizens Missing Abroad". All charges related to "terrorism/terrorist activity" were dropped by the Yemen government. There are no charges relating to allegations of "killing a guard during an escape attempt from the hospital" and there are no other legal proceedings against him in Yemen. Times Square bomber Faisal Shahzad, convicted of the 2010 Times Square car bombing attempt, told interrogators that he was a "fan and follower" of al-Awlaki, and his writings were one of the inspirations for the attack. On May 6, 2010 ABC News reported that unknown sources told them Shahzad made contact with al-Awlaki over the internet, a claim that could not be independently verified. Stabbing of British former minister Stephen Timms Roshonara Choudhry, who stabbed former British Cabinet Minister Stephen Timms in May 2010, and was found guilty of his attempted murder in November 2010, claimed to have become radicalized by listening to online sermons of al-Awlaki. Seattle Weekly cartoonist death threat In 2010, after Everybody Draw Mohammed Day, cartoonist Molly Norris at Seattle Weekly had to stop publishing, and at the suggestion of the FBI changed her name, moved, and went into hiding due to a fatwā issued by al-Awlaki calling for her death. In the June 2010 issue of Inspire, an English-language al-Qaeda magazine, al-Awlaki cursed her and eight others for "blasphemous caricatures" of Muhammad. "The medicine prescribed by the Messenger of Allah is the execution of those involved", he wrote. Daniel Pipes observed in an article entitled "Dueling Fatwas", "Awlaki stands at an unprecedented crossroads of death declarations, with his targeting Norris even as the U.S. government targets him." Cargo planes bomb plotThe Guardian, The New York Times, and The Daily Telegraph reported that U.S. and British counter-terrorism officials believed that al-Awlaki was behind the cargo plane PETN bombs that were sent from Yemen to Chicago in October 2010.Yemen bomb scare 'mastermind' lived in London | World news. The Guardian. Retrieved on October 1, 2011. When U.S. Homeland Security official John Brennan was asked about al-Awlaki's suspected involvement in the plot, he said: "Anybody associated with al-Qaeda in the Arabian Peninsula is a subject of concern." U.S. Ambassador to Yemen Gerald Feierstein said "al-Awlaki was behind the two bombs." Final years Al-Awlaki's father, tribe, and supporters denied his alleged associations with Al-Qaeda and Islamist terrorism. Al-Awlaki's father proclaimed his son's innocence in an interview with CNN's Paula Newton, saying: "I am now afraid of what they will do with my son. He's not Osama bin Laden, they want to make something out of him that he's not." Responding to a Yemeni official's assertions that his son had taken refuge with al-Qaeda, Nasser said: "He's dead wrong. What do you expect my son to do? There are missiles raining down on the village. He has to hide. But he is not hiding with al-Qaeda; our tribe is protecting him right now." The Yemeni government attempted to get the tribal leaders to release al-Awlaki to their custody. They promised they would not turn him over to U.S. authorities for questioning. The governor of Shabwa said in January 2010 that al-Awlaki was on the move with members of al-Qaeda, including Fahd al-Quso, who was wanted in connection with the bombing of the USS Cole. In January 2010, White House lawyers debated whether or not it was legal to kill al-Awlaki, given his U.S. citizenship. U.S. officials stated that international law allows targeted killing in the event that the subject is an "imminent threat". Because he was a U.S. citizen, his killing had to be approved by the National Security Council. Such action against a U.S. citizen is extremely rare. As a military enemy of the US, al-Awlaki was not subject to Executive Order 11905, which bans assassination for political reasons. The authorization was nevertheless controversial. By February 4, 2010, the New York Daily News reported that al-Awlaki was "now on a targeting list signed off on by the Obama administration". On April 6, The New York Times reported that President Obama had authorized the killing of al-Awlaki. The al-Awalik tribe responded: "We warn against cooperating with America to kill Sheikh Anwar al-Awlaki. We will not stand by idly and watch." Al-Awlaki's tribe wrote that it would "not remain with arms crossed if a hair of Anwar al-Awlaki is touched, or if anyone plots or spies against him. Whoever risks denouncing our son (Awlaki) will be the target of Al-Awalik weapons", and gave warning "against co-operating with the Americans" in the capture or killing of al-Awlaki. Abu Bakr al-Qirbi, the Yemeni foreign minister, announced that the Yemeni government had not received any evidence from the US, and that "Anwar al-Awlaki has always been looked at as a preacher rather than a terrorist and shouldn't be considered as a terrorist unless the Americans have evidence that he has been involved in terrorism". In a video clip bearing the imprint of al-Qaeda in the Arabian Peninsula, issued on April 16 in al-Qaeda's monthly magazine Sada Al-Malahem, al-Awlaki said: "What am I accused of? Of calling for the truth? Of calling for jihad for the sake of Allah? Of calling to defend the causes of the Islamic nation?" In the video he also praises both Abdulmutallab and Hasan, and describes both as his "students". In late April, Representative Charlie Dent (R-PA) introduced a resolution urging the U.S. State Department to withdraw al-Awlaki's U.S. citizenship. By May, U.S. officials believed he had become directly involved in terrorist activities. Former colleague Abdul-Malik said he "is a terrorist, in my book", and advised shops not to carry any of his publications. In an editorial, Investor's Business Daily called al-Awlaki the "world's most dangerous man", and recommended that he be added to the FBI's most-wanted terrorist list, a bounty put on his head, that he be designated a Specially Designated Global Terrorist, charged with treason, and extradition papers filed with the Yemeni government. IBD criticized the Justice Department for stonewalling Senator Joe Lieberman's security panel's investigation of al-Awlaki's role in the Fort Hood massacre. On July 16, the U.S. Treasury Department added him to its list of Specially Designated Global Terrorists. Stuart Levey, Under Secretary of the Treasury for Terrorism and Financial Intelligence, called him "extraordinarily dangerous", and said al-Awlaki was involved in several organizational aspects of terrorism, including recruiting, training, fundraising, and planning individual attacks. A few days later, the United Nations Security Council placed al-Awlaki on its UN Security Council Resolution 1267 list of individuals associated with al-Qaeda, describing him as a leader, recruiter, and trainer for al-Qaeda in the Arabian Peninsula. The resolution stipulates that U.N. members must freeze the assets of anyone on the list, and prevent them from travelling or obtaining weapons. The following week, Canadian banks were ordered to seize any assets belonging to al-Awlaki. The Royal Canadian Mounted Police's senior counter-terrorism officer Gilles Michaud described him as a "major, major factor in radicalization". In September 2010, Jonathan Evans, the Director General of the United Kingdom's domestic security and counter-intelligence agency (MI5), said that al-Awlaki was the West's Public Enemy No 1. In October 2010, U.S. Congressman Anthony Weiner (D-NY) urged YouTube to take down al-Awlaki's videos from its website, saying that by hosting al-Awlaki's messages, "We are facilitating the recruitment of homegrown terror." Pauline Neville-Jones, British security minister, said "These Web sites ... incite cold-blooded murder." YouTube began removing the material in November 2010. Al-Awlaki was charged in absentia in Sana'a, Yemen, on November 2 with plotting to kill foreigners and being a member of al-Qaeda. Ali al-Saneaa, the head of the prosecutor's office, announced the charges during the trial of Hisham Assem, who had been accused of killing Jacques Spagnolo, an oil industry worker. He said that al-Awlaki and Assem had been in contact for months, and that al-Awlaki had encouraged Assem to commit terrorism. Al-Awlaki's lawyer said that his client was not connected to Spagnolo's death. On November 6, Yemeni Judge Mohsen Alwan ordered that al-Awlaki be caught "dead or alive". In his book Ticking Time Bomb: Counter-Terrorism Lessons from the U.S. Government's Failure to Prevent the Fort Hood Attack (2011), former U.S. Senator Joe Lieberman described al-Awlaki, Australian Muslim preacher Feiz Mohammad, Muslim cleric Abdullah el-Faisal, and Pakistani-American Samir Khan as "virtual spiritual sanctioners" who use the internet to offer religious justification for Islamist terrorism. Lawsuit against the US In July 2010, al-Awlaki's father, Nasser al-Awlaki, contacted the Center for Constitutional Rights and the American Civil Liberties Union to represent his son in a lawsuit that sought to remove Anwar from the targeted killing list. ACLU's Jameel Jaffer said: the United States is not at war in Yemen, and the government doesn't have a blank check to kill terrorism suspects wherever they are in the world. Among the arguments we'll be making is that, outside actual war zones, the authority to use lethal force is narrowly circumscribed, and preserving the rule of law depends on keeping this authority narrow. Lawyers for Specially Designated Global Terrorists must obtain a special license from the U.S. Treasury Department before they can represent their clients in court. The lawyers were granted the license on August 4, 2010. On August 30, 2010, the groups filed a "targeted killing" lawsuit, naming President Obama, CIA Director Leon Panetta, and Secretary of Defense Robert Gates as defendants. They sought an injunction preventing the targeted killing of al-Awlaki, and also sought to require the government to disclose the standards under which U.S. citizens may be "targeted for death". Judge John D. Bates dismissed the lawsuit in an 83-page ruling, holding that the father did not have legal standing to bring the lawsuit, and that his claims were judicially unreviewable under the political question doctrine inasmuch as he was questioning a decision that the U.S. Constitution committed to the political branches. On May 5, 2011, the United States tried but failed to kill al-Awlaki by firing a missile from an unmanned drone at a car in Yemen. A Yemeni security official said that two al-Qaeda operatives in the car died. Death On September 30, 2011, al-Awlaki was killed in a U.S. drone strike in Al Jawf Governorate, Yemen, according to U.S. sources, the strike was carried out by Joint Special Operations Command, under the direction of the CIA. A witness said the group had stopped to eat breakfast while traveling to Ma'rib Governorate. The occupants of the vehicle spotted the drone and attempted to flee in the vehicle before Hellfire missiles were fired Yemen's Defense Ministry announced that al-Awlaki had been killed. Also killed was Samir Khan, an American born in Saudi Arabia, thought to be behind al-Qaeda's English-language web magazine Inspire. U.S. President Barack Obama said: The death of Awlaki is a major blow to Al-Qaeda's most active operational affiliate. He took the lead in planning and directing efforts to murder innocent Americans ... and he repeatedly called on individuals in the United States and around the globe to kill innocent men, women and children to advance a murderous agenda. [The strike] is further proof that Al-Qaeda and its affiliates will find no safe haven anywhere in the world. Journalist and author Glenn Greenwald argued on Salon.com that killing al-Awlaki violated his First Amendment right of free speech and that doing so outside of a criminal proceeding violated the Constitution's due process clause, specifically citing the 1969 Supreme Court decision in Brandenburg v. Ohio that "the constitutional guarantees of free speech and free press do not permit a State to forbid or proscribe advocacy of the use of force." He mentioned doubt among Yemeni experts about al-Awlaki's role in al-Qaeda, and called U.S. government accusations against him unverified and lacking in evidence. In a letter dated May 22, 2013, to the chairman of the U.S. Senate Judiciary committee, Patrick J. Leahy, U.S. attorney general Eric Holder wrote that high-level U.S. government officials [...] concluded that al-Aulaqi posed a continuing and imminent threat of violent attack against the United States. Before carrying out the operation that killed al-Aulaqi, senior officials also determined, based on a careful evaluation of the circumstances at the time, that it was not feasible to capture al-Aulaqi. In addition, senior officials determined that the operation would be conducted consistent with applicable law of war principles, including the cardinal principles of (1) necessity – the requirement that the target have definite military value; (2) distinction – the idea that only military objectives may be intentionally targeted and that civilians are protected from being intentionally targeted; (3) proportionality – the notion that the anticipated collateral damage of an action cannot be excessive in relation to the anticipated concrete and direct military advantage; and (4) humanity – a principle that requires us to use weapons that will not inflict unnecessary suffering. The operation was also undertaken consistent with Yemeni sovereignty. [...] The decision to target Anwar al-Aulaqi was lawful, it was considered, and it was just. On April 21, 2014, the 2nd U.S. Circuit Court of Appeal ruled that the Obama administration must release documents justifying its drone killings of foreigners and Americans, including Anwar al-Awlaki. In June 2014, the United States Department of Justice disclosed a 2010 memorandum written by the acting head of the department's Office of Legal Counsel, David J. Barron. The memo stated that Anwar al-Awlaki was a significant threat with an infeasible probability of capture. Barron therefore justified the killing as legal, as "the Constitution would not require the government to provide further process". The New York Times Editorial Board dismissed the memo's rationale for al-Awlaki's killing, saying it "provides little confidence that the lethal action was taken with real care", instead describing it as "a slapdash pastiche of legal theories—some based on obscure interpretations of British and Israeli law—that was clearly tailored to the desired result." A lawyer for the ACLU described the memo as "disturbing" and "ultimately an argument that the president can order targeted killings of Americans without ever having to account to anyone outside the executive branch." Legacy Seth Jones, who as a political scientist specializes in al-Qaida, considers that the continuing relevance of al-Awlaki is due to his fluency in the English language as well as his charisma, precising that "he had a disarming aura and unnerving confidence, with an easy smile and a soothing, eloquent voice. He stood a lanky six feet, one inch tall, weighed 160 pounds, and had a thick black beard, an oversized nose, and wire-rimmed glasses. He spoke in a clear, almost hypnotic voice." Awlaki's videos and writings remain highly popular on the internet, where they continue to be readily accessible. Those who viewed and still view his videos are estimated by journalist Scott Shane to number in the hundreds of thousands, while his father Dr. Nasser Awlaqi says that "five million preaching tapes of Anwar Awlaqi have been sold in the West." And thus, even following his death, Awlaki has continued to inspire his devotees to carry out terrorist attacks, including the 2013 Boston Marathon bombing, the 2015 San Bernardino attack, and the 2016 Orlando nightclub shooting. According to the Counter Extremism Project (CEP), 88 "extremists," 54 in the U.S. and 34 in Europe, have been influenced by Awlaki. Because "his work has inspired countless plots and attacks," CEP has "called on YouTube and other platforms to permanently ban Mr. Awlaki's material, including his early, mainstream lectures." FOIA documents During the FBI investigation of the 9/11 attacks, it was discovered that a few of the attackers had attended the mosques in San Diego and Falls Church with which al-Awlaki was associated. Interviews with members of the San Diego mosque showed that Nawaz al-Hazmi, one of the attackers, may have had a private conversation with him. On that basis he was placed under 24-hour surveillance. It was discovered that he regularly patronized prostitutes. It was through FBI interrogation of prostitutes and escort service operators that al-Awlaki was tipped off in 2002 about FBI surveillance. Shortly thereafter, he left the United States. In January 2013, Fox News announced that FBI documents obtained by Judicial Watch through a Freedom of Information Act request showed possible connections between al-Awlaki and the September 11 attackers. According to Judicial Watch, the documents show that the FBI knew that al-Awlaki had bought tickets for three of the hijackers to fly into Florida and Las Vegas. Judicial Watch further stated that al-Awlaki "was a central focus of the FBI's investigation of 9/11. They show he wasn't cooperative. And they show that he was under surveillance." When queried by Fox News, the FBI denied having evidence connecting al-Awlaki and the September 11 attacks: "The FBI cautions against drawing conclusions from redacted FOIA documents. The FBI and investigating bodies have not found evidence connecting Anwar al-Awlaki and the attack on September 11, 2001. The document referenced does not link Anwar al-Awlaki with any purchase of airline tickets for the hijackers." Family Abdulrahman al-Awlaki Anwar al-Awlaki and Egyptian-born Gihan Mohsen Baker had a son, Abdulrahman Anwar al-Awlaki, born August 26, 1995, in Denver, who was an American citizen. Abdulrahman al-Awlaki was killed on October 14, 2011, in Yemen at the age of 16 in an American drone strike. Nine other people were killed in the same CIA-initiated attack, including a 17-year-old cousin of Abdulrahman. According to his relatives, shortly before his father's death, Abdulrahman had left the family home in Sana'a and travelled to Shabwa in search of his father who was believed to be in hiding in that area (though he was actually hundreds of miles away at the time ). Abdulrahman was sitting in an open-air cafe in Shabwa when killed. According to U.S. officials, the killing of Abdulrahman al-Awlaki was a mistake; the intended target was an Egyptian, Ibrahim al-Banna, who was not at the targeted location at the time of the attack. Human rights groups have raised questions as to why an American citizen was killed by the United States in a country with which the United States is not officially at war. Abdulrahman al-Awlaki was not known to have any independent connection to terrorism. Nasser al-Awlaki Nasser al-Awlaki is the father of Anwar and grandfather of Abdulrahman al-Awlaki. Al-Awlaki stated he believed his son had been wrongly accused and was not a member of Al Qaeda. After the deaths of his son and grandson, Nasser in an interview in Time magazine called the killings a crime and condemned U.S. President Obama directly, saying: "I urge the American people to bring the killers to justice. I urge them to expose the hypocrisy of the 2009 Nobel Prize laureate. To some, he may be that. To me and my family, he is nothing more than a child killer." In 2013, Nasser al-Awlaki published an op-ed in The New York Times stating that two years after killing his grandson, the Obama administration still declines to provide an explanation. In 2012, Nasser al-Awlaki filed a lawsuit, Al-Aulaqi v. Panetta, challenging the constitutionality of the drone killings of his son and grandson. This lawsuit was dismissed in April 2014 by D.C. District Court Judge Rosemary M. Collyer. Tariq al-Dahab Tariq al-Dahab, who led al-Qaeda insurgents in Yemen, was a brother-in-law of al-Awlaki. On February 16, 2012, the terrorist organization stated that he had been killed by agents, although media reports contain speculation that he was killed by his brother in a bloody family feud. Nawar al-Awlaki On January 29, 2017, Anwar al-Awlaki's 8-year-old daughter, Nawar al-Awlaki, who was an American citizen, was killed in a DEVGRU operation authorized by President Donald Trump."1 US service member killed, 3 wounded in Yemen raid" , WPVI-TV, 6 ABC Action News, Philadelphia, PA. January 29, 2017. Retrieved January 29, 2017. Islamic education Al-Awlaki's Islamic education was primarily informal, and consisted of intermittent months with various scholars reading and contemplating Islamic scholarly works. Despite having no religious qualifications and almost no religious education, Al-Awlaki made a name for himself as a public speaker who released popular audio recordings.Some Muslim scholars said they did not understand alAwlaki's popularity, because while he spoke fluent English and could therefore reach a large non-Arabic-speaking audience, he lacked formal Islamic training and study. Ideology While imprisoned in Yemen after 2004, al-Awlaki was influenced by the works of Sayyid Qutb, described by The New York Times as an originator of the contemporary "anti-Western Jihadist movement". He read 150 to 200 pages a day of Qutb's works, and described himself as "so immersed with the author I would feel Sayyid was with me in my cell speaking to me directly". Terrorism consultant Evan Kohlmann in 2009 referred to al-Awlaki as "one of the principal jihadi luminaries for would-be homegrown terrorists. His fluency with English, his unabashed advocacy of jihad and mujahideen organizations, and his Web-savvy approach are a powerful combination." He called al-Awlaki's lecture, "Constants on the Path of Jihad", which he says was based on a similar document written by al-Qaeda's founder, the "virtual bible for lone-wolf Muslim extremists". Philip Mudd, formerly of the CIA's National Counterterrorism Center and the FBI's top intelligence adviser, called him "a magnetic character ... a powerful orator." He attracted young men to his lectures, especially US-based and UK-based Muslims. U.S. officials and some U.S. media sources called al-Awlaki an Islamic fundamentalist and accused him of encouraging terrorism. According to documents recovered from bin Laden's hideout, the al-Qaeda leader was unsure about al-Awlaki's qualifications. Works The Nine Eleven Finding Answers Foundation said al-Awlaki's ability to write and speak in fluent English enabled him to incite English-speaking Muslims to terrorism. Al-Awlaki notes in 44 Ways to Support Jihad that most reading material on the subject is in Arabic. Written works 44 Ways to Support Jihad: Essay (January 2009). In it, al-Awlaki states that "The hatred of kuffar is a central element of our military creed" and that all Muslims are obligated to participate in jihad, either by committing the acts themselves or supporting others who do so. He says all Muslims must remain physically fit so as to be prepared for conflict. According to U.S. officials, it is considered a key text for al-Qaeda members. Al-Awlaki wrote for Jihad Recollections, an English language online publication published by Al-Fursan Media. Allah is Preparing Us for Victory – short book (2009). Lectures Lectures on the book Constants on the Path of Jihad by Yusef al-Ayeri—concerns leaderless jihad. In 2009, the UK government found 1,910 of his videos had been posted to YouTube. One of them had been viewed 164,420 times. The Battle of Hearts and Minds The Dust Will Never Settle Down Dreams & Interpretations The Hereafter—16 CDs—Al Basheer Productions Life of Muhammad: Makkan Period—16 CDs—Al Basheer Productions Life of Muhammad: Medinan Period—Lecture in 2 Parts—18 CDs—Al Basheer Productions Lives of the Prophets (AS)—16 CDs—Al Basheer Productions Abu Bakr as-Siddiq (RA): His Life & Times—15 CDs—Al Basheer Productions Umar ibn al-Khattāb (RA): His Life & Times—18 CDs—Al Basheer Productions 25 Promises from Allah to the Believer—2 CDs—Noor Productions Companions of the Ditch & Lessons from the Life of Musa (AS)—2 CDs—Noor Productions Remembrance of Allah & the Greatest Ayah—2 CDs—Noor Productions Stories from Hadith—4 CDs—Center for Islamic Information and Education ("CIIE") Hellfire & The Day of Judgment—CD—CIIE Quest for Truth: The Story of Salman Al-Farsi (RA)—CD—CIIE Trials & Lessons for Muslim Minorities—CD—CIIE Young Ayesha (RA) & Mothers of the Believers (RA)—CD—CIIE Understanding the Quran—CD—CIIE Lessons from the Companions (RA) Living as a Minority—CD—CIIE Virtues of the Sahabah—video lecture series promoted by the al-Wasatiyyah Foundation Website Al-Awlaki maintained a website and blog on which he shared his views. On December 11, 2008, he said Muslims should not seek to "serve in the armies of the disbelievers and fight against his brothers". In "44 Ways to Support Jihad", posted on his blog in February 2009, al-Awlaki encouraged others to "fight jihad", and explained how to give money to the mujahideen or their families. Al-Awlaki's sermon encourages others to conduct weapons training, and raise children "on the love of Jihad". Also that month, he wrote: "I pray that Allah destroys America and all its allies." He wrote as well: "We will implement the rule of Allah on Earth by the tip of the sword, whether the masses like it or not." On July 14, he said that Muslim countries should not offer military assistance to the US. "The blame should be placed on the soldier who is willing to follow orders ... who sells his religion for a few dollars," he said. In blog post dated July 15, 2009, entitled "Fighting Against Government Armies in the Muslim World", al-Awlaki wrote, "Blessed are those who fight against [American soldiers], and blessed are those shuhada [martyrs] who are killed by them." In a video posted to the internet on November 8, 2010, al-Awlaki called for Muslims to kill Americans "without hesitation", and overthrow Arab governments that cooperate with the US. "Don't consult with anyone in fighting the Americans, fighting the devil doesn't require consultation or prayers or seeking divine guidance. They are the party of the devils", al-Awlaki said. That month, Intelligence Research Specialist Kevin Yorke of the New York Police Department's Counterterrorism Division called him "the most dangerous man in the world". See also Church Committee Executive Order 12333 Extrajudicial killing International counter-terrorism activities of the CIA Protocol I References Further reading al-Ashanti, AbdulHaq and Sloan, Abu Ameenah AbdurRahman. (2011) A Critique of the Methodology of Anwar al-Awlaki and his Errors in the Fiqh of Jihad. London: Jamiah Media, 2011 External links Ruling of Judge Bates in Al Aulaqi v Obama Statements Interviews "Exclusive; Ray Suarez: My Post-9/11 Interview With Anwar al-Awlaki", PBS, October 30, 2001 "Al-Jazeera Satellite Network Interview with Yemeni-American Cleric Shaykh Anwar al-Awlaki Regarding his Alleged Role in Radicalizing Maj. Malik Nidal Hasan", The NEFA Foundation, December 24, 2009 Media coverage The imam's very curious story: A skirt-chasing mullah is just one more mystery for the 9/11 panel, Ragavan, Chitra, US News and World Report'', June 13, 2004 DBI.gov 1971 births 2011 deaths 20th-century imams 21st-century imams Abdullah Yusuf Azzam Al-Qaeda propagandists Assassinated al-Qaeda leaders American al-Qaeda members American expatriates in the United Kingdom American expatriates in Yemen American imams American Islamists American people of Yemeni descent Colorado State University alumni George Washington University Graduate School of Education and Human Development alumni People associated with the September 11 attacks People from Las Cruces, New Mexico San Diego State University alumni Yemeni imams Yemeni al-Qaeda members Yemeni Sunni Muslim scholars of Islam Yemeni Sunni Muslims Deaths by drone strikes of the Central Intelligence Agency in Yemen Islam-related controversies People designated by the Al-Qaida and Taliban Sanctions Committee American male criminals Yemeni criminals Yemeni Islamists Yemeni expatriates in the United Kingdom Shafi'is American Muslim activists Assassinated Yemeni people Yemeni propagandists United States military killing of American civilians

C_a9dbf6539ea04ea1aa2c40cc18303c22_1

How was he contacting these people?

How was Anwar al-Awlaki contacting the terrorists?

Anwar al-Awlaki

FBI agents identified al-Awlaki as a known, important "senior recruiter for al Qaeda", and a spiritual motivator. His name came up in a dozen terrorism plots in the US, UK, and Canada. The cases included suicide bombers in the 2005 London bombings, radical Islamic terrorists in the 2006 Toronto terrorism case, radical Islamic terrorists in the 2007 Fort Dix attack plot, the jihadist killer in the 2009 Little Rock military recruiting office shooting, and the 2010 Times Square bomber. In each case the suspects were devoted to al-Awlaki's message, which they listened to online and on CDs. Al-Awlaki's recorded lectures were heard by Islamist fundamentalists in at least six terror cells in the UK through 2009. Michael Finton (Talib Islam), who attempted in September 2009 to bomb the Federal Building and the adjacent offices of Congressman Aaron Schock in Springfield, Illinois, admired al-Awlaki and quoted him on his Myspace page. In addition to his website, al-Awlaki had a Facebook fan page with "fans" in the US, many of whom were high school students. Al-Awlaki also set up a website and blog on which he shared his views. Al-Awlaki influenced several other extremists to join terrorist organizations overseas and to carry out terrorist attacks in their home countries. Mohamed Alessa and Carlos Almonte, two American citizens from New Jersey who attempted to travel to Somalia in June 2010 to join the al-Qaeda-linked terrorist group Al Shabaab, allegedly watched several al-Awlaki videos and sermons in which he warned of future attacks against Americans in the US and abroad. Zachary Chesser, an American citizen who was arrested for attempting to provide material support to Al Shabaab, told federal authorities that he watched online videos featuring al-Awlaki and that he exchanged several e-mails with al-Awlaki. In July 2010, Paul Rockwood was sentenced to eight years in prison for creating a list of 15 potential targets in the US, people he felt had desecrated Islam. Rockwood was a devoted follower of al-Awlaki, and had studied his works Constants on the Path to Jihad and 44 Ways to Jihad. In October 2008, Charles Allen, US Under-Secretary of Homeland Security for Intelligence and Analysis, warned that al-Awlaki "targets U.S. Muslims with radical online lectures encouraging terrorist attacks from his new home in Yemen." Responding to Allen, al-Awlaki wrote on his website in December 2008: "I would challenge him to come up with just one such lecture where I encourage 'terrorist attacks'". CANNOTANSWER

In each case the suspects were devoted to al-Awlaki's message, which they listened to online and on CDs.

Anwar Nasser al-Awlaki (also spelled al-Aulaqi, al-Awlaqi; ; April 21 or 22, 1971 – September 30, 2011) was a Yemeni-American imam who was killed in 2011 in Yemen by an American drone strike ordered by President Barack Obama. Al-Awlaki became the first U.S. citizen to be targeted and killed by a U.S. drone strike without the rights of due process being afforded. US government officials argued that Awlaki was a key organizer for the Islamist terrorist group al-Qaeda, and in June 2014, a previously classified memorandum issued by the U.S. Department of Justice was released, justifying al-Awlaki's death as a lawful act of war. Civil liberties advocates have described the incident as "an extrajudicial execution" that breached al-Awlaki's right to due process, including a trial. Al-Awlaki was born in Las Cruces, New Mexico, in 1971 to parents from Yemen. Growing up partially in the United States and partially in Yemen, he attended various universities across the United States in the 1990s and early 2000s while also working as an imam, despite having no religious qualifications and almost no religious education. Al-Awlaki returned to Yemen in early 2004 and became a university lecturer after a brief stint as a public speaker in the United Kingdom. He was detained by Yemeni authorities in 2006, where he spent 18 months in prison before being released without facing trial. Following his release, Al-Awlaki's message started to become overtly supportive of violence, as he condemned United States foreign policy against Muslims. The Yemeni government tried him in absentia in November 2010, for plotting to kill foreigners and being a member of al-Qaeda. A Yemeni judge ordered that he be captured "dead or alive". U.S. officials said that in 2009, al-Awlaki was promoted to the rank of "regional commander" within al-Qaeda, although they described his role as more "inspirational" than "operational." He repeatedly called for jihad against the United States. In April 2010, al-Awlaki was placed on a CIA kill list by President Barack Obama due to his alleged terrorist activities. Al-Awlaki's father and civil rights groups challenged the order in court. Al-Awlaki was believed to be in hiding in southeast Yemen in the last years of his life. The U.S. deployed unmanned aircraft (drones) in Yemen to search for and kill him, firing at and failing to kill him at least once; he was successfully killed on September 30, 2011. Two weeks later, al-Awlaki's 16-year-old son, Abdulrahman al-Awlaki, a U.S. citizen who was born in Denver, Colorado, was also killed by a CIA-led drone strike in Yemen. His daughter, 8-year old Nawar al-Awlaki, was killed during a raid against Al Qaeda ordered by President Donald Trump in 2017.<ref name="uk.reuters.com">Ghobari, Mohammed and Phil Stewart. "Commando dies in U.S. raid in Yemen, first military op OK'd by Trump", Reuters, January 29, 2017. Retrieved January 29, 2017.</ref> The New York Times wrote in 2015 that al-Awlaki's public statements and videos have been more influential in inspiring acts of Islamic terrorism in the wake of his killing than before his death. Early life Al-Awlaki was born in Las Cruces, New Mexico, in 1971 to parents from Yemen, while his father, Nasser al-Awlaki, was doing graduate work at U.S. universities. His father was a Fulbright Scholar who earned a master's degree in agricultural economics at New Mexico State University in 1971, received a doctorate at the University of Nebraska, and worked at the University of Minnesota from 1975 to 1977. Nasser al-Awlaki served as Agriculture Minister in Ali Abdullah Saleh's government. He was also President of Sana'a University. Yemen's prime minister from 2007 to 2011, Ali Mohammed Mujur, was a relative. The family returned to Yemen in 1978, when al-Awlaki was seven years old. He lived there for 11 years, and studied at Azal Modern School. Life in the United States 1990–2002 Education In 1991, al-Awlaki returned to the U.S. to attend college. He earned a B.S. in Civil Engineering from Colorado State University (1994), where he was president of the Muslim Student Association. In 1993, while still a college student in Colorado State's civil engineering program, al-Awlaki visited Afghanistan in the aftermath of the Soviet occupation. He spent some time training with the mujahideen who had fought the Soviets. He was depressed by the country's poverty and hunger, and "wouldn't have gone with al-Qaeda," according to friends from Colorado State, who said he was profoundly affected by the trip. Mullah Mohammed Omar did not form the Taliban until 1994. When Al-Awlaki returned to campus, he showed increased interest in religion and politics. Al-Awlaki studied Education Leadership at San Diego State University, but did not complete his degree. He worked on a doctorate in Human Resource Development at The George Washington University Graduate School of Education and Human Development from January to December 2001. Time as imam In 1994, al-Awlaki married a cousin from Yemen, and began service as a part-time imam of the Denver Islamic Society. In 1996, he was chastised by an elder for encouraging a Saudi student to fight in Chechnya against the Russians. He left Denver soon after, moving to San Diego. From 1996 to 2000, al-Awlaki was imam of the Masjid Ar-Ribat al-Islami mosque in San Diego, California, where he had a following of 200–300 people. U.S. officials later alleged that Nawaf al-Hazmi and Khalid al-Mihdhar, hijackers of American Airlines Flight 77, attended his sermons and personally met him during this period. Hazmi later lived in Northern Virginia and attended al-Awlaki's mosque there. The 9/11 Commission Report said that the hijackers "reportedly respected [al-Awlaki] as a religious figure". While in San Diego, al-Awlaki volunteered with youth organizations, fished, discussed his travels with friends, and created a popular and lucrative series of recorded lectures. In August 1996 and in April 1997, al-Awlaki was arrested in San Diego and charged with soliciting prostitutes. The first time, in 1996, he pleaded guilty to a lesser charge and was fined $400 and required to attend informational sessions about AIDS. The second time, in 1997, he pleaded guilty and was fined $240, ordered to perform 12 days of community service, and received three years' probation. From November 2001 to January 2002 the FBI observed him visiting a number of prostitutes, and interviewed them, establishing that he had paid for sex acts. No prosecution was brought. In 1998 and 1999, he served as vice-president for the Charitable Society for Social Welfare. In 2004, the FBI described this group as a "front organization to funnel money to terrorists". Although the FBI investigated al-Awlaki from June 1999 through March 2000 for possible links to Hamas, the Bin Laden contact Ziyad Khaleel, and a visit by an associate of Omar Abdel Rahman, it did not find sufficient evidence for a criminal prosecution. Al-Awlaki told reporters that he resigned from leading the San Diego mosque "after an uneventful four years," and took a brief sabbatical, traveling overseas to various countries. In January 2001, al-Awlaki returned to the U.S., settling in the Washington metropolitan area. There, he was imam at the Dar al-Hijrah mosque near Falls Church, Virginia, and his services were attended by Nawaf al-Hazmi and a third hijacker, Hani Hanjour. He led academic discussions frequented by FBI Director of Counter-Intelligence for the Middle East Gordon M. Snow. Al-Awlaki also served as the Muslim chaplain at George Washington University, where he was hired by Esam Omeish. Omeish said in 2004 that he was convinced that al-Awlaki was not involved in terrorism. His proficiency as a public speaker and command of the English language helped him attract followers who did not speak Arabic. "He was the magic bullet", according to the mosque spokesman Johari Abdul-Malik. "He had everything all in a box." "He had an allure. He was charming." When police investigating the 9/11 attacks raided the Hamburg apartment of Ramzi bin al-Shibh, they found the telephone number of al-Awlaki among bin al-Shibh's personal contacts. The FBI interviewed al-Awlaki four times in the eight days following the 9/11 attacks. One detective later told the 9/11 Commission he believed al-Awlaki "was at the center of the 9/11 story". And an FBI agent said, "if anyone had knowledge of the plot, it would have been" him, since "someone had to be in the U.S. and keep the hijackers spiritually focused". One 9/11 Commission staff member said: "Do I think he played a role in helping the hijackers here, knowing they were up to something? Yes. Do I think he was sent here for that purpose? I have no evidence for it." A separate Congressional Joint Inquiry into the 9/11 attacks suggested that al-Awlaki may have been connected to the hijackers, according to its director, Eleanor Hill. In 2003, Representative Anna Eshoo, a member of the House Intelligence Committee, said, "In my view, he is more than a coincidental figure." Six days after the 9/11 attacks, al-Awlaki suggested in writing on the IslamOnline.net website that Israeli intelligence agents might have been responsible for the attacks, and that the FBI "went into the roster of the airplanes, and whoever has a Muslim or Arab name became the hijacker by default". Soon after the 9/11 attacks, al-Awlaki was sought in Washington, D.C., by the media to answer questions about Islam, its rituals, and its relation to the attacks. He was interviewed by National Geographic, The New York Times, and other media. Al-Awlaki condemned the attacks. According to an NPR report in 2010, in 2001 al-Awlaki appeared to be a moderate who could "bridge the gap between the United States and the worldwide community of Muslims." The New York Times said at the time that he was "held up as a new generation of Muslim leader capable of merging East and West." In 2010, Fox News and the New York Daily News reported that some months after the 9/11 attacks, a Pentagon employee invited al-Awlaki to a luncheon in the Secretary's Office of General Counsel. The U.S. Secretary of the Army had suggested that a moderate Muslim be invited to give a talk. In 2002, al-Awlaki was the first imam to conduct a prayer service for the Congressional Muslim Staffer Association at the U.S. Capitol. That year, Nidal Hasan visited al-Awlaki's mosque for his mother's funeral, at which al-Awlaki presided. In November 2009, Hasan killed 13 and wounded 32 in the Fort Hood shooting. Hasan usually attended a mosque in Maryland closer to where he lived while working at the Walter Reed Medical Center (2003–09). Later in 2002, al-Awlaki posted an essay in Arabic on the Islam Today website titled "Why Muslims Love Death", lauding the fervor of Palestinian suicide bombers. He expressed a similar opinion in a speech at a London mosque later that year. By July 2002, al-Awlaki was under investigation in the United States for having received money from the subject of a U.S. Joint Terrorism Task Force investigation. His name was added to the list of terrorism suspects. Passport fraud issues In June 2002, a Denver federal judge signed an arrest warrant for al-Awlaki for passport fraud. On October 9, the Denver U.S. Attorney's Office filed a motion to dismiss the complaint and vacate the arrest warrant. Prosecutors believed that they lacked sufficient evidence of a crime, according to U.S. Attorney Dave Gaouette, who authorized its withdrawal. Al-Awlaki had listed Yemen rather than the United States as his place of birth on his 1990 application for a U.S. Social Security number, soon after arriving in the US. Al-Awlaki used this documentation to obtain a passport in 1993. He later corrected his place of birth to Las Cruces, New Mexico. "The bizarre thing is if you put Yemen down (on the application), it would be harder to get a Social Security number than to say you are a native-born citizen of Las Cruces", Gaouette said. Prosecutors could not charge him in October 2002, when he returned from a trip abroad, because a 10-year statute of limitations on lying to the Social Security Administration had expired. According to a 2012 investigative report by Fox News, the arrest warrant for passport fraud was still in effect on the morning of October 10, 2002, when FBI Agent Wade Ammerman ordered al-Awlaki's release. U.S. Congressman Frank Wolf (R-VA) and several congressional committees urged FBI Director Robert Mueller to provide an explanation about the bureau's interactions with al-Awlaki, including why he was released from federal custody when there was an outstanding warrant for his arrest. The motion for rescinding the arrest warrant was approved by a magistrate judge on October 10 and filed on October 11.ABC News reported in 2009 that the Joint Terrorism Task Force in San Diego disagreed with the decision to cancel the warrant. They were monitoring al-Awlaki and wanted to "look at him under a microscope". But U.S. Attorney Gaouette said that no objection had been raised to the rescinding of the warrant during a meeting that included Ray Fournier, the San Diego federal diplomatic security agent whose allegation had set in motion the effort to obtain a warrant. Gaouette said that if al-Awlaki had been convicted at the time, he would have faced about six months in custody.The New York Times suggested later that al-Awlaki had claimed birth in Yemen (his family's place of origin) to qualify for scholarship money granted to foreign citizens. U.S. Congressman Frank R. Wolf (R-VA) wrote in May 2010 that by claiming to be foreign-born, al-Awlaki fraudulently obtained more than $20,000 in scholarship funds reserved for foreign students. While living in Northern Virginia, al-Awlaki visited Ali al-Timimi, later known as a radical Islamic cleric. Al-Timimi was convicted in 2005 and is now serving a life sentence for leading the Virginia Jihad Network, inciting Muslim followers to fight with the Taliban against the US. In the United Kingdom 2002–04 Al-Awlaki left the United States before the end of 2002, because of a "climate of fear and intimidation" according to Imam Johari Abdul-Malik of the Dar al-Hijrah mosque. He lived in the UK for several months, where he gave talks attended by up to 200 people. He urged young Muslim followers: "The important lesson to learn here is never, ever trust a kuffar [disbeliever]. Do not trust them! [Their leaders] are plotting to kill this religion. They're plotting night and day." "He was the main man who translated the jihad into English," said a student who attended his lectures in 2003. He gave a series of lectures in December 2002 and January 2003 at the London Masjid al-Tawhid mosque, describing the rewards martyrs (Shahid) receive in paradise (Jannah). He began to gain supporters, particularly among young Muslims, and undertook a lecture tour of England and Scotland in 2002 in conjunction with the Muslim Association of Britain. He also lectured at "ExpoIslamia", an event held by Islamic Forum Europe. At the East London Mosque he told his audience: "A Muslim is a brother of a Muslim... he does not betray him, and he does not hand him over... You don't hand over a Muslim to the enemies." In Britain's Parliament in 2003, Louise Ellman, MP for Liverpool Riverside, discussed the relationship between al-Awlaki and the Muslim Association of Britain, an alleged Muslim Brotherhood front organization founded by Kemal el-Helbawy, a senior member of the Egyptian Muslim Brotherhood. Return to Yemen 2004–11 Al-Awlaki returned to Yemen in early 2004, where he lived in Shabwah Governorate with his wife and five children. He lectured at Iman University, headed by Abdul Majeed al-Zindani. The latter has been included on the UN 1267 Committee's list of individuals belonging to or associated with al-Qaeda. Al-Zindani denied having any influence over al-Awlaki, or that he had been his "direct teacher". Some believe that the school's curriculum deals mostly, if not exclusively, with radical Islamic studies, and promotes radicalism. American convert John Walker Lindh and other alumni have been associated with terrorist groups. On August 31, 2006, al-Awlaki was arrested with four others on charges of kidnapping a Shiite teenager for ransom, and participating in an al-Qaeda plot to kidnap a U.S. military attaché. He was imprisoned in 2006 and 2007. He was interviewed around September 2007 by two FBI agents with regard to the 9/11 attacks and other subjects. John Negroponte, the U.S. Director of National Intelligence, told Yemeni officials he did not object to al-Awlaki's detention. His name was on a list of 100 prisoners whose release was sought by al-Qaeda-linked militants in Yemen. After 18 months in a Yemeni prison, al-Awlaki was released on December 12, 2007, following the intercession of his tribe. According to a Yemeni security official, he was released because he had repented. He moved to his family home in Saeed, a hamlet in the Shabwa mountains. Moazzam Begg's Cageprisoners, an organization representing former Guantanamo detainees, campaigned for al-Awlaki's release when he was in prison in Yemen. Al-Awlaki told Begg in an interview shortly after his release that prior to his incarceration in Yemen, he had condemned the 9/11 attacks. In December 2008, al-Awlaki sent a communique to the Somali terrorist group, al-Shabaab, congratulating them. Al-Awlaki provided al-Qaeda members in Yemen with the protection of his powerful tribe, the Awlakis, against the government. The tribal code required it to protect those who seek refuge and assistance. This imperative has greater force when the person is a member of the tribe or a tribesman's friend. The tribe's motto is "We are the sparks of Hell; whoever interferes with us will be burned." Al-Awlaki also reportedly helped negotiate deals with leaders of other tribes. Sought by Yemeni authorities who were investigating his al-Qaeda ties, al-Awlaki went into hiding in approximately March 2009, according to his father. By December 2009, al-Awlaki was on the Yemeni government's most-wanted list. He was believed to be hiding in Yemen's Shabwa or Mareb regions, which are part of the so-called "triangle of evil". The area has attracted al-Qaeda militants, who seek refuge among local tribes unhappy with Yemen's central government. Yemeni sources originally said al-Awlaki might have been killed in a pre-dawn air strike by Yemeni Air Force fighter jets on a meeting of senior al-Qaeda leaders at a hideout in Rafd in eastern Shabwa, on December 24, 2009. But he survived. Pravda reported that the planes, using Saudi and U.S. intelligence, killed at least 30 al-Qaeda members from Yemen and abroad, and that an al-Awlaki house was "raided and demolished". On December 28 The Washington Post reported that U.S. and Yemeni officials said that al-Awlaki had been present at the meeting. Abdul Elah al-Shaya, a Yemeni journalist, said al-Awlaki called him on December 28 to report that he was well and had not attended the al-Qaeda meeting. Al-Shaya said that al-Awlaki was not tied to al-Qaeda. In March 2010, a tape featuring al-Awlaki was released in which he urged Muslims residing in the United States to attack their country of residence. Reaching out to the United Kingdom After 2006, al-Awlaki was banned from entering the United Kingdom. He broadcast lectures to mosques and other venues there via video-link from 2007 to 2009, on at least seven occasions at five locations in Britain. Noor Pro Media Events held a conference at the East London Mosque on January 1, 2009, showing a videotaped lecture by al-Awlaki; former Shadow Home Secretary Dominic Grieve expressed concern over his being featured. He gave video-link talks in England to an Islamic student society at the University of Westminster in September 2008, an arts center in East London in April 2009 (after the Tower Hamlets council gave its approval), worshippers at the Al Huda Mosque in Bradford, and a dinner of the Cageprisoners organization in September 2008 at the Wandsworth Civic Centre in South London. On August 23, 2009, al-Awlaki was banned by local authorities in Kensington and Chelsea, London, from speaking at Kensington Town Hall via videolink to a fundraiser dinner for Guantanamo detainees promoted by Cageprisoners. His videos, which discuss his Islamist theories, have circulated across the United Kingdom. Until February 2010, hundreds of audio tapes of his sermons were available at the Tower Hamlets public libraries. In 2009, the London-based Islam Channel carried advertisements for his DVDs and at least two of his video conference lectures. Other connections FBI agents identified al-Awlaki as a known, important "senior recruiter for al Qaeda", and a spiritual motivator. His name came up in a dozen terrorism plots in the US, UK, and Canada. The cases included suicide bombers in the 2005 London bombings, radical Islamic terrorists in the 2006 Toronto terrorism case, radical Islamic terrorists in the 2007 Fort Dix attack plot, the jihadist killer in the 2009 Little Rock military recruiting office shooting, and the 2010 Times Square bomber. In each case the suspects were devoted to al-Awlaki's message, which they listened to online and on CDs. Al-Awlaki's recorded lectures were heard by Islamist fundamentalists in at least six terror cells in the UK through 2009. Michael Finton (Talib Islam), who attempted in September 2009 to bomb the Federal Building and the adjacent offices of Congressman Aaron Schock in Springfield, Illinois, admired al-Awlaki and quoted him on his Myspace page. In addition to his website, al-Awlaki had a Facebook fan page with "fans" in the US, many of whom were high school students. Al-Awlaki also set up a website and blog on which he shared his views. Al-Awlaki influenced several other extremists to join terrorist organizations overseas and to carry out terrorist attacks in their home countries. Mohamed Alessa and Carlos Almonte, two American citizens from New Jersey who attempted to travel to Somalia in June 2010 to join the al-Qaeda-linked terrorist group Al Shabaab, allegedly watched several al-Awlaki videos and sermons in which he warned of future attacks against Americans in the United States and abroad. Zachary Chesser, an American citizen who was arrested for attempting to provide material support to Al Shabaab, told federal authorities that he watched online videos featuring al-Awlaki and that he exchanged several e-mails with al-Awlaki. In July 2010, Paul Rockwood was sentenced to eight years in prison for creating a list of 15 potential targets in the US, people he felt had desecrated Islam. Rockwood was a devoted follower of al-Awlaki, and had studied his works Constants on the Path to Jihad and 44 Ways to Jihad. In October 2008, Charles Allen, U.S. Under-Secretary of Homeland Security for Intelligence and Analysis, warned that al-Awlaki "targets U.S. Muslims with radical online lectures encouraging terrorist attacks from his new home in Yemen." Responding to Allen, al-Awlaki wrote on his website in December 2008: "I would challenge him to come up with just one such lecture where I encourage 'terrorist attacks'". Fort Hood shooter Fort Hood shooter Nidal Hasan was investigated by the FBI after intelligence agencies intercepted at least 18 e-mails between him and al-Awlaki between December 2008 and June 2009. Even before the contents of the e-mails were revealed, terrorism expert Jarret Brachman said that Hasan's contacts with al-Awlaki should have raised "huge red flags", because of his influence on radical English-speaking jihadis. Charles Allen, no longer in government, noted that there was no work-related reason for Hasan to be in touch with al-Awlaki. Former CIA officer Bruce Riedel opined: "E-mailing a known al-Qaeda sympathizer should have set off alarm bells. Even if he was exchanging recipes, the bureau should have put out an alert." A DC-based Joint Terrorism Task Force operating under the FBI was notified of the e-mails and reviewed the information. Army employees were informed of the e-mails, but they didn't perceive any terrorist threat in Hasan's questions. Instead, they viewed them as general questions about spiritual guidance with regard to conflicts between Islam and military service and judged them to be consistent with legitimate mental health research about Muslims in the armed services. The assessment was that there was not sufficient information for a larger investigation. In one of the e-mails, Hasan wrote al-Awlaki: "I can't wait to join you [in the afterlife]". "It sounds like code words," said Lt. Col. Tony Shaffer, a military analyst at the Center for Advanced Defense Studies. "That he's actually either offering himself up, or that he's already crossed that line in his own mind." Yemeni journalist Abdulelah Hider Shaea interviewed al-Awlaki in November 2009. Al-Awlaki acknowledged his correspondence with Hasan. He said he "neither ordered nor pressured ... Hasan to harm Americans." Al-Awlaki said Hasan first e-mailed him December 17, 2008, introducing himself by writing: "Do you remember me? I used to pray with you at the Virginia mosque." Hasan said he had become a devout Muslim around the time al-Awlaki was preaching at Dar al-Hijrah, in 2001 and 2002, and al-Awlaki said 'Maybe Nidal was affected by one of my lectures.'" He added: "It was clear from his e-mails that Nidal trusted me. Nidal told me: 'I speak with you about issues that I never speak with anyone else.'" Al-Awlaki said Hasan arrived at his own conclusions regarding the acceptability of violence in Islam and said he was not the one to initiate this. Shaea said, "Nidal was providing evidence to Anwar, not vice versa." Asked whether Hasan mentioned Fort Hood as a target in his e-mails, Shaea declined to comment. Al-Awlaki said the shooting was acceptable in Islam, however, because it was a form of jihad, as the West began the hostilities with the Muslims. Al-Awlaki said he "blessed the act because it was against a military target. And the soldiers who were killed were ... those who were trained and prepared to go to Iraq and Afghanistan". Al-Awlaki's e-mail conversations with Hasan were not released, and he was not placed on the FBI Most Wanted list, indicted for treason, or officially named as a co-conspirator with Hasan. The U.S. government was reluctant to classify the Fort Hood shooting as a terrorist incident, or identify any motive. The Wall Street Journal reported in January 2010 that al-Awlaki had not "played a direct role" in any of the attacks, and noted he had never been charged with a crime in the US. One of his fellow officers at Fort Hood said Hasan was enthusiastic about al-Awlaki. Some investigators believe al-Awlaki's teachings may have been instrumental in Hasan's decision to stage the attack. On his now-disabled website, al-Awlaki praised Hasan's actions, describing him as a hero. Christmas Day "Underwear Bomber" According to a number of sources, Al-Awlaki and Umar Farouk Abdulmutallab, the convicted al-Qaeda attempted bomber of Northwest Airlines Flight 253 on December 25, 2009, had contacts. In January 2010, CNN reported that U.S. "security sources" said that there is concrete evidence that al-Awlaki was Abdulmutallab's recruiter and one of his trainers, and met with him prior to the attack. In February 2010, al-Awlaki admitted in an interview published in al-Jazeera that he taught and corresponded with Abdulmutallab, but denied having ordered the attack. Representative Pete Hoekstra, the senior Republican on the House Intelligence Committee, said officials in the Obama administration and officials with access to law enforcement information told him the suspect "may have had contact [with al-Awlaki]".The Sunday Times established that Abdulmutallab first met al-Awlaki in 2005 in Yemen, while he was studying Arabic. During that time the suspect attended lectures by al-Awlaki.NPR reported that according to unnamed U.S. intelligence officials he attended a sermon by al-Awlaki at the Finsbury Park Mosque. Khalid Mahmood, the Labour MP for Birmingham Perry Barr, a former trustee of the mosque, expressed "grave misgivings" with regard to its stewardship. A spokesperson of the mosque stated that al-Awlaki had never spoken there or had even to his knowledge entered the building. Abdulmutallab was also reported by CBS News, The Daily Telegraph, and The Sunday Telegraph to have attended a talk by al-Awlaki at the East London Mosque, which al-Awlaki may have attended by video teleconference. The Sunday Telegraph later removed the report from its website following a complaint by the East London Mosque, which stated that "Anwar Al Awlaki did not deliver any talks at the ELM between 2005 and 2008, which is when the newspaper had falsely alleged that Abdullmutallab had attended such talks". Investigators who searched flats connected to Abdulmutallab in London said that he was a "big fan" of al-Awlaki, as al-Awlaki's blog and website had repeatedly been visited from those locations. According to federal sources, Abdulmutallab and al-Awlaki repeatedly communicated with one another in the year prior to the attack. "Voice-to-voice communication" between the two was intercepted during the fall of 2009, and one government source said al-Awlaki "was in some way involved in facilitating [Abdulmutallab]'s transportation or trip through Yemen. It could be training, a host of things." NPR reported that intelligence officials suspected al-Awlaki may have told Abdulmutallab to go to Yemen for al-Qaeda training. Abdulmutallab told the FBI that al-Awlaki was one of his al-Qaeda trainers in Yemen. Others reported that Abdulmutallab met with al-Awlaki in the weeks leading up to the attack. The Los Angeles Times reported that according to a U.S. intelligence official, intercepts and other information point to connections between the two: Some of the information ... comes from Abdulmutallab, who ... said that he met with al-Awlaki and senior al-Qaeda members during an extended trip to Yemen this year and that the cleric was involved in some elements of planning or preparing the attack and in providing religious justification for it. Other intelligence linking the two became apparent after the attempted bombing, including communications intercepted by the National Security Agency indicating that the cleric was meeting with "a Nigerian" in preparation for some kind of operation. Yemen's Deputy Prime Minister for Defense and Security Affairs, Rashad Mohammed al-Alimi, said Yemeni investigators believe that Abdulmutallab traveled to Shabwa in October 2009. Investigators believe he obtained his explosives and received training there. He met there with al-Qaeda members in a house built by al-Awlaki. A top Yemen government official said the two met with each other. In January 2010, al-Awlaki acknowledged that he met and spoke with Abdulmutallab in Yemen in the fall of 2009. In an interview, al-Awlaki said: "Umar Farouk is one of my students; I had communications with him. And I support what he did." He also said: "I did not tell him to do this operation, but I support it". Fox News reported in early February 2010 that Abdulmutallab told federal investigators that al-Awlaki directed him to carry out the bombing. In June 2010 Michael Leiter, the Director of the U.S. National Counterterrorism Center (NCTC), said al-Awlaki had a "direct operational role" in the plot. Sharif Mobley Sharif Mobley had acknowledged contact with Anwar al-Awlaki. The Mobley family claims the contact was for spiritual guidance in further studies of Islam. The Mobley family went to Yemen and resided there for several years. They decided to return to the United States and went to the U.S. Embassy to update the family travel documents. While waiting for their travel documents, Sharif Mobley was kidnapped by Yemen Security Services and shot on January 26, 2010. He was then held in Yemen's Central Prison. Mobley disappeared from the Central Prison on February 27, 2014. His current location is known to the U.S. Embassy in Yemen (currently closed 2015) but is withheld from his family and legal advisers based on U.S. State Department Regulations on "U.S. Citizens Missing Abroad". All charges related to "terrorism/terrorist activity" were dropped by the Yemen government. There are no charges relating to allegations of "killing a guard during an escape attempt from the hospital" and there are no other legal proceedings against him in Yemen. Times Square bomber Faisal Shahzad, convicted of the 2010 Times Square car bombing attempt, told interrogators that he was a "fan and follower" of al-Awlaki, and his writings were one of the inspirations for the attack. On May 6, 2010 ABC News reported that unknown sources told them Shahzad made contact with al-Awlaki over the internet, a claim that could not be independently verified. Stabbing of British former minister Stephen Timms Roshonara Choudhry, who stabbed former British Cabinet Minister Stephen Timms in May 2010, and was found guilty of his attempted murder in November 2010, claimed to have become radicalized by listening to online sermons of al-Awlaki. Seattle Weekly cartoonist death threat In 2010, after Everybody Draw Mohammed Day, cartoonist Molly Norris at Seattle Weekly had to stop publishing, and at the suggestion of the FBI changed her name, moved, and went into hiding due to a fatwā issued by al-Awlaki calling for her death. In the June 2010 issue of Inspire, an English-language al-Qaeda magazine, al-Awlaki cursed her and eight others for "blasphemous caricatures" of Muhammad. "The medicine prescribed by the Messenger of Allah is the execution of those involved", he wrote. Daniel Pipes observed in an article entitled "Dueling Fatwas", "Awlaki stands at an unprecedented crossroads of death declarations, with his targeting Norris even as the U.S. government targets him." Cargo planes bomb plotThe Guardian, The New York Times, and The Daily Telegraph reported that U.S. and British counter-terrorism officials believed that al-Awlaki was behind the cargo plane PETN bombs that were sent from Yemen to Chicago in October 2010.Yemen bomb scare 'mastermind' lived in London | World news. The Guardian. Retrieved on October 1, 2011. When U.S. Homeland Security official John Brennan was asked about al-Awlaki's suspected involvement in the plot, he said: "Anybody associated with al-Qaeda in the Arabian Peninsula is a subject of concern." U.S. Ambassador to Yemen Gerald Feierstein said "al-Awlaki was behind the two bombs." Final years Al-Awlaki's father, tribe, and supporters denied his alleged associations with Al-Qaeda and Islamist terrorism. Al-Awlaki's father proclaimed his son's innocence in an interview with CNN's Paula Newton, saying: "I am now afraid of what they will do with my son. He's not Osama bin Laden, they want to make something out of him that he's not." Responding to a Yemeni official's assertions that his son had taken refuge with al-Qaeda, Nasser said: "He's dead wrong. What do you expect my son to do? There are missiles raining down on the village. He has to hide. But he is not hiding with al-Qaeda; our tribe is protecting him right now." The Yemeni government attempted to get the tribal leaders to release al-Awlaki to their custody. They promised they would not turn him over to U.S. authorities for questioning. The governor of Shabwa said in January 2010 that al-Awlaki was on the move with members of al-Qaeda, including Fahd al-Quso, who was wanted in connection with the bombing of the USS Cole. In January 2010, White House lawyers debated whether or not it was legal to kill al-Awlaki, given his U.S. citizenship. U.S. officials stated that international law allows targeted killing in the event that the subject is an "imminent threat". Because he was a U.S. citizen, his killing had to be approved by the National Security Council. Such action against a U.S. citizen is extremely rare. As a military enemy of the US, al-Awlaki was not subject to Executive Order 11905, which bans assassination for political reasons. The authorization was nevertheless controversial. By February 4, 2010, the New York Daily News reported that al-Awlaki was "now on a targeting list signed off on by the Obama administration". On April 6, The New York Times reported that President Obama had authorized the killing of al-Awlaki. The al-Awalik tribe responded: "We warn against cooperating with America to kill Sheikh Anwar al-Awlaki. We will not stand by idly and watch." Al-Awlaki's tribe wrote that it would "not remain with arms crossed if a hair of Anwar al-Awlaki is touched, or if anyone plots or spies against him. Whoever risks denouncing our son (Awlaki) will be the target of Al-Awalik weapons", and gave warning "against co-operating with the Americans" in the capture or killing of al-Awlaki. Abu Bakr al-Qirbi, the Yemeni foreign minister, announced that the Yemeni government had not received any evidence from the US, and that "Anwar al-Awlaki has always been looked at as a preacher rather than a terrorist and shouldn't be considered as a terrorist unless the Americans have evidence that he has been involved in terrorism". In a video clip bearing the imprint of al-Qaeda in the Arabian Peninsula, issued on April 16 in al-Qaeda's monthly magazine Sada Al-Malahem, al-Awlaki said: "What am I accused of? Of calling for the truth? Of calling for jihad for the sake of Allah? Of calling to defend the causes of the Islamic nation?" In the video he also praises both Abdulmutallab and Hasan, and describes both as his "students". In late April, Representative Charlie Dent (R-PA) introduced a resolution urging the U.S. State Department to withdraw al-Awlaki's U.S. citizenship. By May, U.S. officials believed he had become directly involved in terrorist activities. Former colleague Abdul-Malik said he "is a terrorist, in my book", and advised shops not to carry any of his publications. In an editorial, Investor's Business Daily called al-Awlaki the "world's most dangerous man", and recommended that he be added to the FBI's most-wanted terrorist list, a bounty put on his head, that he be designated a Specially Designated Global Terrorist, charged with treason, and extradition papers filed with the Yemeni government. IBD criticized the Justice Department for stonewalling Senator Joe Lieberman's security panel's investigation of al-Awlaki's role in the Fort Hood massacre. On July 16, the U.S. Treasury Department added him to its list of Specially Designated Global Terrorists. Stuart Levey, Under Secretary of the Treasury for Terrorism and Financial Intelligence, called him "extraordinarily dangerous", and said al-Awlaki was involved in several organizational aspects of terrorism, including recruiting, training, fundraising, and planning individual attacks. A few days later, the United Nations Security Council placed al-Awlaki on its UN Security Council Resolution 1267 list of individuals associated with al-Qaeda, describing him as a leader, recruiter, and trainer for al-Qaeda in the Arabian Peninsula. The resolution stipulates that U.N. members must freeze the assets of anyone on the list, and prevent them from travelling or obtaining weapons. The following week, Canadian banks were ordered to seize any assets belonging to al-Awlaki. The Royal Canadian Mounted Police's senior counter-terrorism officer Gilles Michaud described him as a "major, major factor in radicalization". In September 2010, Jonathan Evans, the Director General of the United Kingdom's domestic security and counter-intelligence agency (MI5), said that al-Awlaki was the West's Public Enemy No 1. In October 2010, U.S. Congressman Anthony Weiner (D-NY) urged YouTube to take down al-Awlaki's videos from its website, saying that by hosting al-Awlaki's messages, "We are facilitating the recruitment of homegrown terror." Pauline Neville-Jones, British security minister, said "These Web sites ... incite cold-blooded murder." YouTube began removing the material in November 2010. Al-Awlaki was charged in absentia in Sana'a, Yemen, on November 2 with plotting to kill foreigners and being a member of al-Qaeda. Ali al-Saneaa, the head of the prosecutor's office, announced the charges during the trial of Hisham Assem, who had been accused of killing Jacques Spagnolo, an oil industry worker. He said that al-Awlaki and Assem had been in contact for months, and that al-Awlaki had encouraged Assem to commit terrorism. Al-Awlaki's lawyer said that his client was not connected to Spagnolo's death. On November 6, Yemeni Judge Mohsen Alwan ordered that al-Awlaki be caught "dead or alive". In his book Ticking Time Bomb: Counter-Terrorism Lessons from the U.S. Government's Failure to Prevent the Fort Hood Attack (2011), former U.S. Senator Joe Lieberman described al-Awlaki, Australian Muslim preacher Feiz Mohammad, Muslim cleric Abdullah el-Faisal, and Pakistani-American Samir Khan as "virtual spiritual sanctioners" who use the internet to offer religious justification for Islamist terrorism. Lawsuit against the US In July 2010, al-Awlaki's father, Nasser al-Awlaki, contacted the Center for Constitutional Rights and the American Civil Liberties Union to represent his son in a lawsuit that sought to remove Anwar from the targeted killing list. ACLU's Jameel Jaffer said: the United States is not at war in Yemen, and the government doesn't have a blank check to kill terrorism suspects wherever they are in the world. Among the arguments we'll be making is that, outside actual war zones, the authority to use lethal force is narrowly circumscribed, and preserving the rule of law depends on keeping this authority narrow. Lawyers for Specially Designated Global Terrorists must obtain a special license from the U.S. Treasury Department before they can represent their clients in court. The lawyers were granted the license on August 4, 2010. On August 30, 2010, the groups filed a "targeted killing" lawsuit, naming President Obama, CIA Director Leon Panetta, and Secretary of Defense Robert Gates as defendants. They sought an injunction preventing the targeted killing of al-Awlaki, and also sought to require the government to disclose the standards under which U.S. citizens may be "targeted for death". Judge John D. Bates dismissed the lawsuit in an 83-page ruling, holding that the father did not have legal standing to bring the lawsuit, and that his claims were judicially unreviewable under the political question doctrine inasmuch as he was questioning a decision that the U.S. Constitution committed to the political branches. On May 5, 2011, the United States tried but failed to kill al-Awlaki by firing a missile from an unmanned drone at a car in Yemen. A Yemeni security official said that two al-Qaeda operatives in the car died. Death On September 30, 2011, al-Awlaki was killed in a U.S. drone strike in Al Jawf Governorate, Yemen, according to U.S. sources, the strike was carried out by Joint Special Operations Command, under the direction of the CIA. A witness said the group had stopped to eat breakfast while traveling to Ma'rib Governorate. The occupants of the vehicle spotted the drone and attempted to flee in the vehicle before Hellfire missiles were fired Yemen's Defense Ministry announced that al-Awlaki had been killed. Also killed was Samir Khan, an American born in Saudi Arabia, thought to be behind al-Qaeda's English-language web magazine Inspire. U.S. President Barack Obama said: The death of Awlaki is a major blow to Al-Qaeda's most active operational affiliate. He took the lead in planning and directing efforts to murder innocent Americans ... and he repeatedly called on individuals in the United States and around the globe to kill innocent men, women and children to advance a murderous agenda. [The strike] is further proof that Al-Qaeda and its affiliates will find no safe haven anywhere in the world. Journalist and author Glenn Greenwald argued on Salon.com that killing al-Awlaki violated his First Amendment right of free speech and that doing so outside of a criminal proceeding violated the Constitution's due process clause, specifically citing the 1969 Supreme Court decision in Brandenburg v. Ohio that "the constitutional guarantees of free speech and free press do not permit a State to forbid or proscribe advocacy of the use of force." He mentioned doubt among Yemeni experts about al-Awlaki's role in al-Qaeda, and called U.S. government accusations against him unverified and lacking in evidence. In a letter dated May 22, 2013, to the chairman of the U.S. Senate Judiciary committee, Patrick J. Leahy, U.S. attorney general Eric Holder wrote that high-level U.S. government officials [...] concluded that al-Aulaqi posed a continuing and imminent threat of violent attack against the United States. Before carrying out the operation that killed al-Aulaqi, senior officials also determined, based on a careful evaluation of the circumstances at the time, that it was not feasible to capture al-Aulaqi. In addition, senior officials determined that the operation would be conducted consistent with applicable law of war principles, including the cardinal principles of (1) necessity – the requirement that the target have definite military value; (2) distinction – the idea that only military objectives may be intentionally targeted and that civilians are protected from being intentionally targeted; (3) proportionality – the notion that the anticipated collateral damage of an action cannot be excessive in relation to the anticipated concrete and direct military advantage; and (4) humanity – a principle that requires us to use weapons that will not inflict unnecessary suffering. The operation was also undertaken consistent with Yemeni sovereignty. [...] The decision to target Anwar al-Aulaqi was lawful, it was considered, and it was just. On April 21, 2014, the 2nd U.S. Circuit Court of Appeal ruled that the Obama administration must release documents justifying its drone killings of foreigners and Americans, including Anwar al-Awlaki. In June 2014, the United States Department of Justice disclosed a 2010 memorandum written by the acting head of the department's Office of Legal Counsel, David J. Barron. The memo stated that Anwar al-Awlaki was a significant threat with an infeasible probability of capture. Barron therefore justified the killing as legal, as "the Constitution would not require the government to provide further process". The New York Times Editorial Board dismissed the memo's rationale for al-Awlaki's killing, saying it "provides little confidence that the lethal action was taken with real care", instead describing it as "a slapdash pastiche of legal theories—some based on obscure interpretations of British and Israeli law—that was clearly tailored to the desired result." A lawyer for the ACLU described the memo as "disturbing" and "ultimately an argument that the president can order targeted killings of Americans without ever having to account to anyone outside the executive branch." Legacy Seth Jones, who as a political scientist specializes in al-Qaida, considers that the continuing relevance of al-Awlaki is due to his fluency in the English language as well as his charisma, precising that "he had a disarming aura and unnerving confidence, with an easy smile and a soothing, eloquent voice. He stood a lanky six feet, one inch tall, weighed 160 pounds, and had a thick black beard, an oversized nose, and wire-rimmed glasses. He spoke in a clear, almost hypnotic voice." Awlaki's videos and writings remain highly popular on the internet, where they continue to be readily accessible. Those who viewed and still view his videos are estimated by journalist Scott Shane to number in the hundreds of thousands, while his father Dr. Nasser Awlaqi says that "five million preaching tapes of Anwar Awlaqi have been sold in the West." And thus, even following his death, Awlaki has continued to inspire his devotees to carry out terrorist attacks, including the 2013 Boston Marathon bombing, the 2015 San Bernardino attack, and the 2016 Orlando nightclub shooting. According to the Counter Extremism Project (CEP), 88 "extremists," 54 in the U.S. and 34 in Europe, have been influenced by Awlaki. Because "his work has inspired countless plots and attacks," CEP has "called on YouTube and other platforms to permanently ban Mr. Awlaki's material, including his early, mainstream lectures." FOIA documents During the FBI investigation of the 9/11 attacks, it was discovered that a few of the attackers had attended the mosques in San Diego and Falls Church with which al-Awlaki was associated. Interviews with members of the San Diego mosque showed that Nawaz al-Hazmi, one of the attackers, may have had a private conversation with him. On that basis he was placed under 24-hour surveillance. It was discovered that he regularly patronized prostitutes. It was through FBI interrogation of prostitutes and escort service operators that al-Awlaki was tipped off in 2002 about FBI surveillance. Shortly thereafter, he left the United States. In January 2013, Fox News announced that FBI documents obtained by Judicial Watch through a Freedom of Information Act request showed possible connections between al-Awlaki and the September 11 attackers. According to Judicial Watch, the documents show that the FBI knew that al-Awlaki had bought tickets for three of the hijackers to fly into Florida and Las Vegas. Judicial Watch further stated that al-Awlaki "was a central focus of the FBI's investigation of 9/11. They show he wasn't cooperative. And they show that he was under surveillance." When queried by Fox News, the FBI denied having evidence connecting al-Awlaki and the September 11 attacks: "The FBI cautions against drawing conclusions from redacted FOIA documents. The FBI and investigating bodies have not found evidence connecting Anwar al-Awlaki and the attack on September 11, 2001. The document referenced does not link Anwar al-Awlaki with any purchase of airline tickets for the hijackers." Family Abdulrahman al-Awlaki Anwar al-Awlaki and Egyptian-born Gihan Mohsen Baker had a son, Abdulrahman Anwar al-Awlaki, born August 26, 1995, in Denver, who was an American citizen. Abdulrahman al-Awlaki was killed on October 14, 2011, in Yemen at the age of 16 in an American drone strike. Nine other people were killed in the same CIA-initiated attack, including a 17-year-old cousin of Abdulrahman. According to his relatives, shortly before his father's death, Abdulrahman had left the family home in Sana'a and travelled to Shabwa in search of his father who was believed to be in hiding in that area (though he was actually hundreds of miles away at the time ). Abdulrahman was sitting in an open-air cafe in Shabwa when killed. According to U.S. officials, the killing of Abdulrahman al-Awlaki was a mistake; the intended target was an Egyptian, Ibrahim al-Banna, who was not at the targeted location at the time of the attack. Human rights groups have raised questions as to why an American citizen was killed by the United States in a country with which the United States is not officially at war. Abdulrahman al-Awlaki was not known to have any independent connection to terrorism. Nasser al-Awlaki Nasser al-Awlaki is the father of Anwar and grandfather of Abdulrahman al-Awlaki. Al-Awlaki stated he believed his son had been wrongly accused and was not a member of Al Qaeda. After the deaths of his son and grandson, Nasser in an interview in Time magazine called the killings a crime and condemned U.S. President Obama directly, saying: "I urge the American people to bring the killers to justice. I urge them to expose the hypocrisy of the 2009 Nobel Prize laureate. To some, he may be that. To me and my family, he is nothing more than a child killer." In 2013, Nasser al-Awlaki published an op-ed in The New York Times stating that two years after killing his grandson, the Obama administration still declines to provide an explanation. In 2012, Nasser al-Awlaki filed a lawsuit, Al-Aulaqi v. Panetta, challenging the constitutionality of the drone killings of his son and grandson. This lawsuit was dismissed in April 2014 by D.C. District Court Judge Rosemary M. Collyer. Tariq al-Dahab Tariq al-Dahab, who led al-Qaeda insurgents in Yemen, was a brother-in-law of al-Awlaki. On February 16, 2012, the terrorist organization stated that he had been killed by agents, although media reports contain speculation that he was killed by his brother in a bloody family feud. Nawar al-Awlaki On January 29, 2017, Anwar al-Awlaki's 8-year-old daughter, Nawar al-Awlaki, who was an American citizen, was killed in a DEVGRU operation authorized by President Donald Trump."1 US service member killed, 3 wounded in Yemen raid" , WPVI-TV, 6 ABC Action News, Philadelphia, PA. January 29, 2017. Retrieved January 29, 2017. Islamic education Al-Awlaki's Islamic education was primarily informal, and consisted of intermittent months with various scholars reading and contemplating Islamic scholarly works. Despite having no religious qualifications and almost no religious education, Al-Awlaki made a name for himself as a public speaker who released popular audio recordings.Some Muslim scholars said they did not understand alAwlaki's popularity, because while he spoke fluent English and could therefore reach a large non-Arabic-speaking audience, he lacked formal Islamic training and study. Ideology While imprisoned in Yemen after 2004, al-Awlaki was influenced by the works of Sayyid Qutb, described by The New York Times as an originator of the contemporary "anti-Western Jihadist movement". He read 150 to 200 pages a day of Qutb's works, and described himself as "so immersed with the author I would feel Sayyid was with me in my cell speaking to me directly". Terrorism consultant Evan Kohlmann in 2009 referred to al-Awlaki as "one of the principal jihadi luminaries for would-be homegrown terrorists. His fluency with English, his unabashed advocacy of jihad and mujahideen organizations, and his Web-savvy approach are a powerful combination." He called al-Awlaki's lecture, "Constants on the Path of Jihad", which he says was based on a similar document written by al-Qaeda's founder, the "virtual bible for lone-wolf Muslim extremists". Philip Mudd, formerly of the CIA's National Counterterrorism Center and the FBI's top intelligence adviser, called him "a magnetic character ... a powerful orator." He attracted young men to his lectures, especially US-based and UK-based Muslims. U.S. officials and some U.S. media sources called al-Awlaki an Islamic fundamentalist and accused him of encouraging terrorism. According to documents recovered from bin Laden's hideout, the al-Qaeda leader was unsure about al-Awlaki's qualifications. Works The Nine Eleven Finding Answers Foundation said al-Awlaki's ability to write and speak in fluent English enabled him to incite English-speaking Muslims to terrorism. Al-Awlaki notes in 44 Ways to Support Jihad that most reading material on the subject is in Arabic. Written works 44 Ways to Support Jihad: Essay (January 2009). In it, al-Awlaki states that "The hatred of kuffar is a central element of our military creed" and that all Muslims are obligated to participate in jihad, either by committing the acts themselves or supporting others who do so. He says all Muslims must remain physically fit so as to be prepared for conflict. According to U.S. officials, it is considered a key text for al-Qaeda members. Al-Awlaki wrote for Jihad Recollections, an English language online publication published by Al-Fursan Media. Allah is Preparing Us for Victory – short book (2009). Lectures Lectures on the book Constants on the Path of Jihad by Yusef al-Ayeri—concerns leaderless jihad. In 2009, the UK government found 1,910 of his videos had been posted to YouTube. One of them had been viewed 164,420 times. The Battle of Hearts and Minds The Dust Will Never Settle Down Dreams & Interpretations The Hereafter—16 CDs—Al Basheer Productions Life of Muhammad: Makkan Period—16 CDs—Al Basheer Productions Life of Muhammad: Medinan Period—Lecture in 2 Parts—18 CDs—Al Basheer Productions Lives of the Prophets (AS)—16 CDs—Al Basheer Productions Abu Bakr as-Siddiq (RA): His Life & Times—15 CDs—Al Basheer Productions Umar ibn al-Khattāb (RA): His Life & Times—18 CDs—Al Basheer Productions 25 Promises from Allah to the Believer—2 CDs—Noor Productions Companions of the Ditch & Lessons from the Life of Musa (AS)—2 CDs—Noor Productions Remembrance of Allah & the Greatest Ayah—2 CDs—Noor Productions Stories from Hadith—4 CDs—Center for Islamic Information and Education ("CIIE") Hellfire & The Day of Judgment—CD—CIIE Quest for Truth: The Story of Salman Al-Farsi (RA)—CD—CIIE Trials & Lessons for Muslim Minorities—CD—CIIE Young Ayesha (RA) & Mothers of the Believers (RA)—CD—CIIE Understanding the Quran—CD—CIIE Lessons from the Companions (RA) Living as a Minority—CD—CIIE Virtues of the Sahabah—video lecture series promoted by the al-Wasatiyyah Foundation Website Al-Awlaki maintained a website and blog on which he shared his views. On December 11, 2008, he said Muslims should not seek to "serve in the armies of the disbelievers and fight against his brothers". In "44 Ways to Support Jihad", posted on his blog in February 2009, al-Awlaki encouraged others to "fight jihad", and explained how to give money to the mujahideen or their families. Al-Awlaki's sermon encourages others to conduct weapons training, and raise children "on the love of Jihad". Also that month, he wrote: "I pray that Allah destroys America and all its allies." He wrote as well: "We will implement the rule of Allah on Earth by the tip of the sword, whether the masses like it or not." On July 14, he said that Muslim countries should not offer military assistance to the US. "The blame should be placed on the soldier who is willing to follow orders ... who sells his religion for a few dollars," he said. In blog post dated July 15, 2009, entitled "Fighting Against Government Armies in the Muslim World", al-Awlaki wrote, "Blessed are those who fight against [American soldiers], and blessed are those shuhada [martyrs] who are killed by them." In a video posted to the internet on November 8, 2010, al-Awlaki called for Muslims to kill Americans "without hesitation", and overthrow Arab governments that cooperate with the US. "Don't consult with anyone in fighting the Americans, fighting the devil doesn't require consultation or prayers or seeking divine guidance. They are the party of the devils", al-Awlaki said. That month, Intelligence Research Specialist Kevin Yorke of the New York Police Department's Counterterrorism Division called him "the most dangerous man in the world". See also Church Committee Executive Order 12333 Extrajudicial killing International counter-terrorism activities of the CIA Protocol I References Further reading al-Ashanti, AbdulHaq and Sloan, Abu Ameenah AbdurRahman. (2011) A Critique of the Methodology of Anwar al-Awlaki and his Errors in the Fiqh of Jihad. London: Jamiah Media, 2011 External links Ruling of Judge Bates in Al Aulaqi v Obama Statements Interviews "Exclusive; Ray Suarez: My Post-9/11 Interview With Anwar al-Awlaki", PBS, October 30, 2001 "Al-Jazeera Satellite Network Interview with Yemeni-American Cleric Shaykh Anwar al-Awlaki Regarding his Alleged Role in Radicalizing Maj. Malik Nidal Hasan", The NEFA Foundation, December 24, 2009 Media coverage The imam's very curious story: A skirt-chasing mullah is just one more mystery for the 9/11 panel, Ragavan, Chitra, US News and World Report'', June 13, 2004 DBI.gov 1971 births 2011 deaths 20th-century imams 21st-century imams Abdullah Yusuf Azzam Al-Qaeda propagandists Assassinated al-Qaeda leaders American al-Qaeda members American expatriates in the United Kingdom American expatriates in Yemen American imams American Islamists American people of Yemeni descent Colorado State University alumni George Washington University Graduate School of Education and Human Development alumni People associated with the September 11 attacks People from Las Cruces, New Mexico San Diego State University alumni Yemeni imams Yemeni al-Qaeda members Yemeni Sunni Muslim scholars of Islam Yemeni Sunni Muslims Deaths by drone strikes of the Central Intelligence Agency in Yemen Islam-related controversies People designated by the Al-Qaida and Taliban Sanctions Committee American male criminals Yemeni criminals Yemeni Islamists Yemeni expatriates in the United Kingdom Shafi'is American Muslim activists Assassinated Yemeni people Yemeni propagandists United States military killing of American civilians

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Did any of his connections report him?

Did any of Anwar al-Awlaki connections report him?

Anwar al-Awlaki

FBI agents identified al-Awlaki as a known, important "senior recruiter for al Qaeda", and a spiritual motivator. His name came up in a dozen terrorism plots in the US, UK, and Canada. The cases included suicide bombers in the 2005 London bombings, radical Islamic terrorists in the 2006 Toronto terrorism case, radical Islamic terrorists in the 2007 Fort Dix attack plot, the jihadist killer in the 2009 Little Rock military recruiting office shooting, and the 2010 Times Square bomber. In each case the suspects were devoted to al-Awlaki's message, which they listened to online and on CDs. Al-Awlaki's recorded lectures were heard by Islamist fundamentalists in at least six terror cells in the UK through 2009. Michael Finton (Talib Islam), who attempted in September 2009 to bomb the Federal Building and the adjacent offices of Congressman Aaron Schock in Springfield, Illinois, admired al-Awlaki and quoted him on his Myspace page. In addition to his website, al-Awlaki had a Facebook fan page with "fans" in the US, many of whom were high school students. Al-Awlaki also set up a website and blog on which he shared his views. Al-Awlaki influenced several other extremists to join terrorist organizations overseas and to carry out terrorist attacks in their home countries. Mohamed Alessa and Carlos Almonte, two American citizens from New Jersey who attempted to travel to Somalia in June 2010 to join the al-Qaeda-linked terrorist group Al Shabaab, allegedly watched several al-Awlaki videos and sermons in which he warned of future attacks against Americans in the US and abroad. Zachary Chesser, an American citizen who was arrested for attempting to provide material support to Al Shabaab, told federal authorities that he watched online videos featuring al-Awlaki and that he exchanged several e-mails with al-Awlaki. In July 2010, Paul Rockwood was sentenced to eight years in prison for creating a list of 15 potential targets in the US, people he felt had desecrated Islam. Rockwood was a devoted follower of al-Awlaki, and had studied his works Constants on the Path to Jihad and 44 Ways to Jihad. In October 2008, Charles Allen, US Under-Secretary of Homeland Security for Intelligence and Analysis, warned that al-Awlaki "targets U.S. Muslims with radical online lectures encouraging terrorist attacks from his new home in Yemen." Responding to Allen, al-Awlaki wrote on his website in December 2008: "I would challenge him to come up with just one such lecture where I encourage 'terrorist attacks'". CANNOTANSWER

Zachary Chesser, an American citizen who was arrested for attempting to provide material support to Al Shabaab,

Anwar Nasser al-Awlaki (also spelled al-Aulaqi, al-Awlaqi; ; April 21 or 22, 1971 – September 30, 2011) was a Yemeni-American imam who was killed in 2011 in Yemen by an American drone strike ordered by President Barack Obama. Al-Awlaki became the first U.S. citizen to be targeted and killed by a U.S. drone strike without the rights of due process being afforded. US government officials argued that Awlaki was a key organizer for the Islamist terrorist group al-Qaeda, and in June 2014, a previously classified memorandum issued by the U.S. Department of Justice was released, justifying al-Awlaki's death as a lawful act of war. Civil liberties advocates have described the incident as "an extrajudicial execution" that breached al-Awlaki's right to due process, including a trial. Al-Awlaki was born in Las Cruces, New Mexico, in 1971 to parents from Yemen. Growing up partially in the United States and partially in Yemen, he attended various universities across the United States in the 1990s and early 2000s while also working as an imam, despite having no religious qualifications and almost no religious education. Al-Awlaki returned to Yemen in early 2004 and became a university lecturer after a brief stint as a public speaker in the United Kingdom. He was detained by Yemeni authorities in 2006, where he spent 18 months in prison before being released without facing trial. Following his release, Al-Awlaki's message started to become overtly supportive of violence, as he condemned United States foreign policy against Muslims. The Yemeni government tried him in absentia in November 2010, for plotting to kill foreigners and being a member of al-Qaeda. A Yemeni judge ordered that he be captured "dead or alive". U.S. officials said that in 2009, al-Awlaki was promoted to the rank of "regional commander" within al-Qaeda, although they described his role as more "inspirational" than "operational." He repeatedly called for jihad against the United States. In April 2010, al-Awlaki was placed on a CIA kill list by President Barack Obama due to his alleged terrorist activities. Al-Awlaki's father and civil rights groups challenged the order in court. Al-Awlaki was believed to be in hiding in southeast Yemen in the last years of his life. The U.S. deployed unmanned aircraft (drones) in Yemen to search for and kill him, firing at and failing to kill him at least once; he was successfully killed on September 30, 2011. Two weeks later, al-Awlaki's 16-year-old son, Abdulrahman al-Awlaki, a U.S. citizen who was born in Denver, Colorado, was also killed by a CIA-led drone strike in Yemen. His daughter, 8-year old Nawar al-Awlaki, was killed during a raid against Al Qaeda ordered by President Donald Trump in 2017.<ref name="uk.reuters.com">Ghobari, Mohammed and Phil Stewart. "Commando dies in U.S. raid in Yemen, first military op OK'd by Trump", Reuters, January 29, 2017. Retrieved January 29, 2017.</ref> The New York Times wrote in 2015 that al-Awlaki's public statements and videos have been more influential in inspiring acts of Islamic terrorism in the wake of his killing than before his death. Early life Al-Awlaki was born in Las Cruces, New Mexico, in 1971 to parents from Yemen, while his father, Nasser al-Awlaki, was doing graduate work at U.S. universities. His father was a Fulbright Scholar who earned a master's degree in agricultural economics at New Mexico State University in 1971, received a doctorate at the University of Nebraska, and worked at the University of Minnesota from 1975 to 1977. Nasser al-Awlaki served as Agriculture Minister in Ali Abdullah Saleh's government. He was also President of Sana'a University. Yemen's prime minister from 2007 to 2011, Ali Mohammed Mujur, was a relative. The family returned to Yemen in 1978, when al-Awlaki was seven years old. He lived there for 11 years, and studied at Azal Modern School. Life in the United States 1990–2002 Education In 1991, al-Awlaki returned to the U.S. to attend college. He earned a B.S. in Civil Engineering from Colorado State University (1994), where he was president of the Muslim Student Association. In 1993, while still a college student in Colorado State's civil engineering program, al-Awlaki visited Afghanistan in the aftermath of the Soviet occupation. He spent some time training with the mujahideen who had fought the Soviets. He was depressed by the country's poverty and hunger, and "wouldn't have gone with al-Qaeda," according to friends from Colorado State, who said he was profoundly affected by the trip. Mullah Mohammed Omar did not form the Taliban until 1994. When Al-Awlaki returned to campus, he showed increased interest in religion and politics. Al-Awlaki studied Education Leadership at San Diego State University, but did not complete his degree. He worked on a doctorate in Human Resource Development at The George Washington University Graduate School of Education and Human Development from January to December 2001. Time as imam In 1994, al-Awlaki married a cousin from Yemen, and began service as a part-time imam of the Denver Islamic Society. In 1996, he was chastised by an elder for encouraging a Saudi student to fight in Chechnya against the Russians. He left Denver soon after, moving to San Diego. From 1996 to 2000, al-Awlaki was imam of the Masjid Ar-Ribat al-Islami mosque in San Diego, California, where he had a following of 200–300 people. U.S. officials later alleged that Nawaf al-Hazmi and Khalid al-Mihdhar, hijackers of American Airlines Flight 77, attended his sermons and personally met him during this period. Hazmi later lived in Northern Virginia and attended al-Awlaki's mosque there. The 9/11 Commission Report said that the hijackers "reportedly respected [al-Awlaki] as a religious figure". While in San Diego, al-Awlaki volunteered with youth organizations, fished, discussed his travels with friends, and created a popular and lucrative series of recorded lectures. In August 1996 and in April 1997, al-Awlaki was arrested in San Diego and charged with soliciting prostitutes. The first time, in 1996, he pleaded guilty to a lesser charge and was fined $400 and required to attend informational sessions about AIDS. The second time, in 1997, he pleaded guilty and was fined $240, ordered to perform 12 days of community service, and received three years' probation. From November 2001 to January 2002 the FBI observed him visiting a number of prostitutes, and interviewed them, establishing that he had paid for sex acts. No prosecution was brought. In 1998 and 1999, he served as vice-president for the Charitable Society for Social Welfare. In 2004, the FBI described this group as a "front organization to funnel money to terrorists". Although the FBI investigated al-Awlaki from June 1999 through March 2000 for possible links to Hamas, the Bin Laden contact Ziyad Khaleel, and a visit by an associate of Omar Abdel Rahman, it did not find sufficient evidence for a criminal prosecution. Al-Awlaki told reporters that he resigned from leading the San Diego mosque "after an uneventful four years," and took a brief sabbatical, traveling overseas to various countries. In January 2001, al-Awlaki returned to the U.S., settling in the Washington metropolitan area. There, he was imam at the Dar al-Hijrah mosque near Falls Church, Virginia, and his services were attended by Nawaf al-Hazmi and a third hijacker, Hani Hanjour. He led academic discussions frequented by FBI Director of Counter-Intelligence for the Middle East Gordon M. Snow. Al-Awlaki also served as the Muslim chaplain at George Washington University, where he was hired by Esam Omeish. Omeish said in 2004 that he was convinced that al-Awlaki was not involved in terrorism. His proficiency as a public speaker and command of the English language helped him attract followers who did not speak Arabic. "He was the magic bullet", according to the mosque spokesman Johari Abdul-Malik. "He had everything all in a box." "He had an allure. He was charming." When police investigating the 9/11 attacks raided the Hamburg apartment of Ramzi bin al-Shibh, they found the telephone number of al-Awlaki among bin al-Shibh's personal contacts. The FBI interviewed al-Awlaki four times in the eight days following the 9/11 attacks. One detective later told the 9/11 Commission he believed al-Awlaki "was at the center of the 9/11 story". And an FBI agent said, "if anyone had knowledge of the plot, it would have been" him, since "someone had to be in the U.S. and keep the hijackers spiritually focused". One 9/11 Commission staff member said: "Do I think he played a role in helping the hijackers here, knowing they were up to something? Yes. Do I think he was sent here for that purpose? I have no evidence for it." A separate Congressional Joint Inquiry into the 9/11 attacks suggested that al-Awlaki may have been connected to the hijackers, according to its director, Eleanor Hill. In 2003, Representative Anna Eshoo, a member of the House Intelligence Committee, said, "In my view, he is more than a coincidental figure." Six days after the 9/11 attacks, al-Awlaki suggested in writing on the IslamOnline.net website that Israeli intelligence agents might have been responsible for the attacks, and that the FBI "went into the roster of the airplanes, and whoever has a Muslim or Arab name became the hijacker by default". Soon after the 9/11 attacks, al-Awlaki was sought in Washington, D.C., by the media to answer questions about Islam, its rituals, and its relation to the attacks. He was interviewed by National Geographic, The New York Times, and other media. Al-Awlaki condemned the attacks. According to an NPR report in 2010, in 2001 al-Awlaki appeared to be a moderate who could "bridge the gap between the United States and the worldwide community of Muslims." The New York Times said at the time that he was "held up as a new generation of Muslim leader capable of merging East and West." In 2010, Fox News and the New York Daily News reported that some months after the 9/11 attacks, a Pentagon employee invited al-Awlaki to a luncheon in the Secretary's Office of General Counsel. The U.S. Secretary of the Army had suggested that a moderate Muslim be invited to give a talk. In 2002, al-Awlaki was the first imam to conduct a prayer service for the Congressional Muslim Staffer Association at the U.S. Capitol. That year, Nidal Hasan visited al-Awlaki's mosque for his mother's funeral, at which al-Awlaki presided. In November 2009, Hasan killed 13 and wounded 32 in the Fort Hood shooting. Hasan usually attended a mosque in Maryland closer to where he lived while working at the Walter Reed Medical Center (2003–09). Later in 2002, al-Awlaki posted an essay in Arabic on the Islam Today website titled "Why Muslims Love Death", lauding the fervor of Palestinian suicide bombers. He expressed a similar opinion in a speech at a London mosque later that year. By July 2002, al-Awlaki was under investigation in the United States for having received money from the subject of a U.S. Joint Terrorism Task Force investigation. His name was added to the list of terrorism suspects. Passport fraud issues In June 2002, a Denver federal judge signed an arrest warrant for al-Awlaki for passport fraud. On October 9, the Denver U.S. Attorney's Office filed a motion to dismiss the complaint and vacate the arrest warrant. Prosecutors believed that they lacked sufficient evidence of a crime, according to U.S. Attorney Dave Gaouette, who authorized its withdrawal. Al-Awlaki had listed Yemen rather than the United States as his place of birth on his 1990 application for a U.S. Social Security number, soon after arriving in the US. Al-Awlaki used this documentation to obtain a passport in 1993. He later corrected his place of birth to Las Cruces, New Mexico. "The bizarre thing is if you put Yemen down (on the application), it would be harder to get a Social Security number than to say you are a native-born citizen of Las Cruces", Gaouette said. Prosecutors could not charge him in October 2002, when he returned from a trip abroad, because a 10-year statute of limitations on lying to the Social Security Administration had expired. According to a 2012 investigative report by Fox News, the arrest warrant for passport fraud was still in effect on the morning of October 10, 2002, when FBI Agent Wade Ammerman ordered al-Awlaki's release. U.S. Congressman Frank Wolf (R-VA) and several congressional committees urged FBI Director Robert Mueller to provide an explanation about the bureau's interactions with al-Awlaki, including why he was released from federal custody when there was an outstanding warrant for his arrest. The motion for rescinding the arrest warrant was approved by a magistrate judge on October 10 and filed on October 11.ABC News reported in 2009 that the Joint Terrorism Task Force in San Diego disagreed with the decision to cancel the warrant. They were monitoring al-Awlaki and wanted to "look at him under a microscope". But U.S. Attorney Gaouette said that no objection had been raised to the rescinding of the warrant during a meeting that included Ray Fournier, the San Diego federal diplomatic security agent whose allegation had set in motion the effort to obtain a warrant. Gaouette said that if al-Awlaki had been convicted at the time, he would have faced about six months in custody.The New York Times suggested later that al-Awlaki had claimed birth in Yemen (his family's place of origin) to qualify for scholarship money granted to foreign citizens. U.S. Congressman Frank R. Wolf (R-VA) wrote in May 2010 that by claiming to be foreign-born, al-Awlaki fraudulently obtained more than $20,000 in scholarship funds reserved for foreign students. While living in Northern Virginia, al-Awlaki visited Ali al-Timimi, later known as a radical Islamic cleric. Al-Timimi was convicted in 2005 and is now serving a life sentence for leading the Virginia Jihad Network, inciting Muslim followers to fight with the Taliban against the US. In the United Kingdom 2002–04 Al-Awlaki left the United States before the end of 2002, because of a "climate of fear and intimidation" according to Imam Johari Abdul-Malik of the Dar al-Hijrah mosque. He lived in the UK for several months, where he gave talks attended by up to 200 people. He urged young Muslim followers: "The important lesson to learn here is never, ever trust a kuffar [disbeliever]. Do not trust them! [Their leaders] are plotting to kill this religion. They're plotting night and day." "He was the main man who translated the jihad into English," said a student who attended his lectures in 2003. He gave a series of lectures in December 2002 and January 2003 at the London Masjid al-Tawhid mosque, describing the rewards martyrs (Shahid) receive in paradise (Jannah). He began to gain supporters, particularly among young Muslims, and undertook a lecture tour of England and Scotland in 2002 in conjunction with the Muslim Association of Britain. He also lectured at "ExpoIslamia", an event held by Islamic Forum Europe. At the East London Mosque he told his audience: "A Muslim is a brother of a Muslim... he does not betray him, and he does not hand him over... You don't hand over a Muslim to the enemies." In Britain's Parliament in 2003, Louise Ellman, MP for Liverpool Riverside, discussed the relationship between al-Awlaki and the Muslim Association of Britain, an alleged Muslim Brotherhood front organization founded by Kemal el-Helbawy, a senior member of the Egyptian Muslim Brotherhood. Return to Yemen 2004–11 Al-Awlaki returned to Yemen in early 2004, where he lived in Shabwah Governorate with his wife and five children. He lectured at Iman University, headed by Abdul Majeed al-Zindani. The latter has been included on the UN 1267 Committee's list of individuals belonging to or associated with al-Qaeda. Al-Zindani denied having any influence over al-Awlaki, or that he had been his "direct teacher". Some believe that the school's curriculum deals mostly, if not exclusively, with radical Islamic studies, and promotes radicalism. American convert John Walker Lindh and other alumni have been associated with terrorist groups. On August 31, 2006, al-Awlaki was arrested with four others on charges of kidnapping a Shiite teenager for ransom, and participating in an al-Qaeda plot to kidnap a U.S. military attaché. He was imprisoned in 2006 and 2007. He was interviewed around September 2007 by two FBI agents with regard to the 9/11 attacks and other subjects. John Negroponte, the U.S. Director of National Intelligence, told Yemeni officials he did not object to al-Awlaki's detention. His name was on a list of 100 prisoners whose release was sought by al-Qaeda-linked militants in Yemen. After 18 months in a Yemeni prison, al-Awlaki was released on December 12, 2007, following the intercession of his tribe. According to a Yemeni security official, he was released because he had repented. He moved to his family home in Saeed, a hamlet in the Shabwa mountains. Moazzam Begg's Cageprisoners, an organization representing former Guantanamo detainees, campaigned for al-Awlaki's release when he was in prison in Yemen. Al-Awlaki told Begg in an interview shortly after his release that prior to his incarceration in Yemen, he had condemned the 9/11 attacks. In December 2008, al-Awlaki sent a communique to the Somali terrorist group, al-Shabaab, congratulating them. Al-Awlaki provided al-Qaeda members in Yemen with the protection of his powerful tribe, the Awlakis, against the government. The tribal code required it to protect those who seek refuge and assistance. This imperative has greater force when the person is a member of the tribe or a tribesman's friend. The tribe's motto is "We are the sparks of Hell; whoever interferes with us will be burned." Al-Awlaki also reportedly helped negotiate deals with leaders of other tribes. Sought by Yemeni authorities who were investigating his al-Qaeda ties, al-Awlaki went into hiding in approximately March 2009, according to his father. By December 2009, al-Awlaki was on the Yemeni government's most-wanted list. He was believed to be hiding in Yemen's Shabwa or Mareb regions, which are part of the so-called "triangle of evil". The area has attracted al-Qaeda militants, who seek refuge among local tribes unhappy with Yemen's central government. Yemeni sources originally said al-Awlaki might have been killed in a pre-dawn air strike by Yemeni Air Force fighter jets on a meeting of senior al-Qaeda leaders at a hideout in Rafd in eastern Shabwa, on December 24, 2009. But he survived. Pravda reported that the planes, using Saudi and U.S. intelligence, killed at least 30 al-Qaeda members from Yemen and abroad, and that an al-Awlaki house was "raided and demolished". On December 28 The Washington Post reported that U.S. and Yemeni officials said that al-Awlaki had been present at the meeting. Abdul Elah al-Shaya, a Yemeni journalist, said al-Awlaki called him on December 28 to report that he was well and had not attended the al-Qaeda meeting. Al-Shaya said that al-Awlaki was not tied to al-Qaeda. In March 2010, a tape featuring al-Awlaki was released in which he urged Muslims residing in the United States to attack their country of residence. Reaching out to the United Kingdom After 2006, al-Awlaki was banned from entering the United Kingdom. He broadcast lectures to mosques and other venues there via video-link from 2007 to 2009, on at least seven occasions at five locations in Britain. Noor Pro Media Events held a conference at the East London Mosque on January 1, 2009, showing a videotaped lecture by al-Awlaki; former Shadow Home Secretary Dominic Grieve expressed concern over his being featured. He gave video-link talks in England to an Islamic student society at the University of Westminster in September 2008, an arts center in East London in April 2009 (after the Tower Hamlets council gave its approval), worshippers at the Al Huda Mosque in Bradford, and a dinner of the Cageprisoners organization in September 2008 at the Wandsworth Civic Centre in South London. On August 23, 2009, al-Awlaki was banned by local authorities in Kensington and Chelsea, London, from speaking at Kensington Town Hall via videolink to a fundraiser dinner for Guantanamo detainees promoted by Cageprisoners. His videos, which discuss his Islamist theories, have circulated across the United Kingdom. Until February 2010, hundreds of audio tapes of his sermons were available at the Tower Hamlets public libraries. In 2009, the London-based Islam Channel carried advertisements for his DVDs and at least two of his video conference lectures. Other connections FBI agents identified al-Awlaki as a known, important "senior recruiter for al Qaeda", and a spiritual motivator. His name came up in a dozen terrorism plots in the US, UK, and Canada. The cases included suicide bombers in the 2005 London bombings, radical Islamic terrorists in the 2006 Toronto terrorism case, radical Islamic terrorists in the 2007 Fort Dix attack plot, the jihadist killer in the 2009 Little Rock military recruiting office shooting, and the 2010 Times Square bomber. In each case the suspects were devoted to al-Awlaki's message, which they listened to online and on CDs. Al-Awlaki's recorded lectures were heard by Islamist fundamentalists in at least six terror cells in the UK through 2009. Michael Finton (Talib Islam), who attempted in September 2009 to bomb the Federal Building and the adjacent offices of Congressman Aaron Schock in Springfield, Illinois, admired al-Awlaki and quoted him on his Myspace page. In addition to his website, al-Awlaki had a Facebook fan page with "fans" in the US, many of whom were high school students. Al-Awlaki also set up a website and blog on which he shared his views. Al-Awlaki influenced several other extremists to join terrorist organizations overseas and to carry out terrorist attacks in their home countries. Mohamed Alessa and Carlos Almonte, two American citizens from New Jersey who attempted to travel to Somalia in June 2010 to join the al-Qaeda-linked terrorist group Al Shabaab, allegedly watched several al-Awlaki videos and sermons in which he warned of future attacks against Americans in the United States and abroad. Zachary Chesser, an American citizen who was arrested for attempting to provide material support to Al Shabaab, told federal authorities that he watched online videos featuring al-Awlaki and that he exchanged several e-mails with al-Awlaki. In July 2010, Paul Rockwood was sentenced to eight years in prison for creating a list of 15 potential targets in the US, people he felt had desecrated Islam. Rockwood was a devoted follower of al-Awlaki, and had studied his works Constants on the Path to Jihad and 44 Ways to Jihad. In October 2008, Charles Allen, U.S. Under-Secretary of Homeland Security for Intelligence and Analysis, warned that al-Awlaki "targets U.S. Muslims with radical online lectures encouraging terrorist attacks from his new home in Yemen." Responding to Allen, al-Awlaki wrote on his website in December 2008: "I would challenge him to come up with just one such lecture where I encourage 'terrorist attacks'". Fort Hood shooter Fort Hood shooter Nidal Hasan was investigated by the FBI after intelligence agencies intercepted at least 18 e-mails between him and al-Awlaki between December 2008 and June 2009. Even before the contents of the e-mails were revealed, terrorism expert Jarret Brachman said that Hasan's contacts with al-Awlaki should have raised "huge red flags", because of his influence on radical English-speaking jihadis. Charles Allen, no longer in government, noted that there was no work-related reason for Hasan to be in touch with al-Awlaki. Former CIA officer Bruce Riedel opined: "E-mailing a known al-Qaeda sympathizer should have set off alarm bells. Even if he was exchanging recipes, the bureau should have put out an alert." A DC-based Joint Terrorism Task Force operating under the FBI was notified of the e-mails and reviewed the information. Army employees were informed of the e-mails, but they didn't perceive any terrorist threat in Hasan's questions. Instead, they viewed them as general questions about spiritual guidance with regard to conflicts between Islam and military service and judged them to be consistent with legitimate mental health research about Muslims in the armed services. The assessment was that there was not sufficient information for a larger investigation. In one of the e-mails, Hasan wrote al-Awlaki: "I can't wait to join you [in the afterlife]". "It sounds like code words," said Lt. Col. Tony Shaffer, a military analyst at the Center for Advanced Defense Studies. "That he's actually either offering himself up, or that he's already crossed that line in his own mind." Yemeni journalist Abdulelah Hider Shaea interviewed al-Awlaki in November 2009. Al-Awlaki acknowledged his correspondence with Hasan. He said he "neither ordered nor pressured ... Hasan to harm Americans." Al-Awlaki said Hasan first e-mailed him December 17, 2008, introducing himself by writing: "Do you remember me? I used to pray with you at the Virginia mosque." Hasan said he had become a devout Muslim around the time al-Awlaki was preaching at Dar al-Hijrah, in 2001 and 2002, and al-Awlaki said 'Maybe Nidal was affected by one of my lectures.'" He added: "It was clear from his e-mails that Nidal trusted me. Nidal told me: 'I speak with you about issues that I never speak with anyone else.'" Al-Awlaki said Hasan arrived at his own conclusions regarding the acceptability of violence in Islam and said he was not the one to initiate this. Shaea said, "Nidal was providing evidence to Anwar, not vice versa." Asked whether Hasan mentioned Fort Hood as a target in his e-mails, Shaea declined to comment. Al-Awlaki said the shooting was acceptable in Islam, however, because it was a form of jihad, as the West began the hostilities with the Muslims. Al-Awlaki said he "blessed the act because it was against a military target. And the soldiers who were killed were ... those who were trained and prepared to go to Iraq and Afghanistan". Al-Awlaki's e-mail conversations with Hasan were not released, and he was not placed on the FBI Most Wanted list, indicted for treason, or officially named as a co-conspirator with Hasan. The U.S. government was reluctant to classify the Fort Hood shooting as a terrorist incident, or identify any motive. The Wall Street Journal reported in January 2010 that al-Awlaki had not "played a direct role" in any of the attacks, and noted he had never been charged with a crime in the US. One of his fellow officers at Fort Hood said Hasan was enthusiastic about al-Awlaki. Some investigators believe al-Awlaki's teachings may have been instrumental in Hasan's decision to stage the attack. On his now-disabled website, al-Awlaki praised Hasan's actions, describing him as a hero. Christmas Day "Underwear Bomber" According to a number of sources, Al-Awlaki and Umar Farouk Abdulmutallab, the convicted al-Qaeda attempted bomber of Northwest Airlines Flight 253 on December 25, 2009, had contacts. In January 2010, CNN reported that U.S. "security sources" said that there is concrete evidence that al-Awlaki was Abdulmutallab's recruiter and one of his trainers, and met with him prior to the attack. In February 2010, al-Awlaki admitted in an interview published in al-Jazeera that he taught and corresponded with Abdulmutallab, but denied having ordered the attack. Representative Pete Hoekstra, the senior Republican on the House Intelligence Committee, said officials in the Obama administration and officials with access to law enforcement information told him the suspect "may have had contact [with al-Awlaki]".The Sunday Times established that Abdulmutallab first met al-Awlaki in 2005 in Yemen, while he was studying Arabic. During that time the suspect attended lectures by al-Awlaki.NPR reported that according to unnamed U.S. intelligence officials he attended a sermon by al-Awlaki at the Finsbury Park Mosque. Khalid Mahmood, the Labour MP for Birmingham Perry Barr, a former trustee of the mosque, expressed "grave misgivings" with regard to its stewardship. A spokesperson of the mosque stated that al-Awlaki had never spoken there or had even to his knowledge entered the building. Abdulmutallab was also reported by CBS News, The Daily Telegraph, and The Sunday Telegraph to have attended a talk by al-Awlaki at the East London Mosque, which al-Awlaki may have attended by video teleconference. The Sunday Telegraph later removed the report from its website following a complaint by the East London Mosque, which stated that "Anwar Al Awlaki did not deliver any talks at the ELM between 2005 and 2008, which is when the newspaper had falsely alleged that Abdullmutallab had attended such talks". Investigators who searched flats connected to Abdulmutallab in London said that he was a "big fan" of al-Awlaki, as al-Awlaki's blog and website had repeatedly been visited from those locations. According to federal sources, Abdulmutallab and al-Awlaki repeatedly communicated with one another in the year prior to the attack. "Voice-to-voice communication" between the two was intercepted during the fall of 2009, and one government source said al-Awlaki "was in some way involved in facilitating [Abdulmutallab]'s transportation or trip through Yemen. It could be training, a host of things." NPR reported that intelligence officials suspected al-Awlaki may have told Abdulmutallab to go to Yemen for al-Qaeda training. Abdulmutallab told the FBI that al-Awlaki was one of his al-Qaeda trainers in Yemen. Others reported that Abdulmutallab met with al-Awlaki in the weeks leading up to the attack. The Los Angeles Times reported that according to a U.S. intelligence official, intercepts and other information point to connections between the two: Some of the information ... comes from Abdulmutallab, who ... said that he met with al-Awlaki and senior al-Qaeda members during an extended trip to Yemen this year and that the cleric was involved in some elements of planning or preparing the attack and in providing religious justification for it. Other intelligence linking the two became apparent after the attempted bombing, including communications intercepted by the National Security Agency indicating that the cleric was meeting with "a Nigerian" in preparation for some kind of operation. Yemen's Deputy Prime Minister for Defense and Security Affairs, Rashad Mohammed al-Alimi, said Yemeni investigators believe that Abdulmutallab traveled to Shabwa in October 2009. Investigators believe he obtained his explosives and received training there. He met there with al-Qaeda members in a house built by al-Awlaki. A top Yemen government official said the two met with each other. In January 2010, al-Awlaki acknowledged that he met and spoke with Abdulmutallab in Yemen in the fall of 2009. In an interview, al-Awlaki said: "Umar Farouk is one of my students; I had communications with him. And I support what he did." He also said: "I did not tell him to do this operation, but I support it". Fox News reported in early February 2010 that Abdulmutallab told federal investigators that al-Awlaki directed him to carry out the bombing. In June 2010 Michael Leiter, the Director of the U.S. National Counterterrorism Center (NCTC), said al-Awlaki had a "direct operational role" in the plot. Sharif Mobley Sharif Mobley had acknowledged contact with Anwar al-Awlaki. The Mobley family claims the contact was for spiritual guidance in further studies of Islam. The Mobley family went to Yemen and resided there for several years. They decided to return to the United States and went to the U.S. Embassy to update the family travel documents. While waiting for their travel documents, Sharif Mobley was kidnapped by Yemen Security Services and shot on January 26, 2010. He was then held in Yemen's Central Prison. Mobley disappeared from the Central Prison on February 27, 2014. His current location is known to the U.S. Embassy in Yemen (currently closed 2015) but is withheld from his family and legal advisers based on U.S. State Department Regulations on "U.S. Citizens Missing Abroad". All charges related to "terrorism/terrorist activity" were dropped by the Yemen government. There are no charges relating to allegations of "killing a guard during an escape attempt from the hospital" and there are no other legal proceedings against him in Yemen. Times Square bomber Faisal Shahzad, convicted of the 2010 Times Square car bombing attempt, told interrogators that he was a "fan and follower" of al-Awlaki, and his writings were one of the inspirations for the attack. On May 6, 2010 ABC News reported that unknown sources told them Shahzad made contact with al-Awlaki over the internet, a claim that could not be independently verified. Stabbing of British former minister Stephen Timms Roshonara Choudhry, who stabbed former British Cabinet Minister Stephen Timms in May 2010, and was found guilty of his attempted murder in November 2010, claimed to have become radicalized by listening to online sermons of al-Awlaki. Seattle Weekly cartoonist death threat In 2010, after Everybody Draw Mohammed Day, cartoonist Molly Norris at Seattle Weekly had to stop publishing, and at the suggestion of the FBI changed her name, moved, and went into hiding due to a fatwā issued by al-Awlaki calling for her death. In the June 2010 issue of Inspire, an English-language al-Qaeda magazine, al-Awlaki cursed her and eight others for "blasphemous caricatures" of Muhammad. "The medicine prescribed by the Messenger of Allah is the execution of those involved", he wrote. Daniel Pipes observed in an article entitled "Dueling Fatwas", "Awlaki stands at an unprecedented crossroads of death declarations, with his targeting Norris even as the U.S. government targets him." Cargo planes bomb plotThe Guardian, The New York Times, and The Daily Telegraph reported that U.S. and British counter-terrorism officials believed that al-Awlaki was behind the cargo plane PETN bombs that were sent from Yemen to Chicago in October 2010.Yemen bomb scare 'mastermind' lived in London | World news. The Guardian. Retrieved on October 1, 2011. When U.S. Homeland Security official John Brennan was asked about al-Awlaki's suspected involvement in the plot, he said: "Anybody associated with al-Qaeda in the Arabian Peninsula is a subject of concern." U.S. Ambassador to Yemen Gerald Feierstein said "al-Awlaki was behind the two bombs." Final years Al-Awlaki's father, tribe, and supporters denied his alleged associations with Al-Qaeda and Islamist terrorism. Al-Awlaki's father proclaimed his son's innocence in an interview with CNN's Paula Newton, saying: "I am now afraid of what they will do with my son. He's not Osama bin Laden, they want to make something out of him that he's not." Responding to a Yemeni official's assertions that his son had taken refuge with al-Qaeda, Nasser said: "He's dead wrong. What do you expect my son to do? There are missiles raining down on the village. He has to hide. But he is not hiding with al-Qaeda; our tribe is protecting him right now." The Yemeni government attempted to get the tribal leaders to release al-Awlaki to their custody. They promised they would not turn him over to U.S. authorities for questioning. The governor of Shabwa said in January 2010 that al-Awlaki was on the move with members of al-Qaeda, including Fahd al-Quso, who was wanted in connection with the bombing of the USS Cole. In January 2010, White House lawyers debated whether or not it was legal to kill al-Awlaki, given his U.S. citizenship. U.S. officials stated that international law allows targeted killing in the event that the subject is an "imminent threat". Because he was a U.S. citizen, his killing had to be approved by the National Security Council. Such action against a U.S. citizen is extremely rare. As a military enemy of the US, al-Awlaki was not subject to Executive Order 11905, which bans assassination for political reasons. The authorization was nevertheless controversial. By February 4, 2010, the New York Daily News reported that al-Awlaki was "now on a targeting list signed off on by the Obama administration". On April 6, The New York Times reported that President Obama had authorized the killing of al-Awlaki. The al-Awalik tribe responded: "We warn against cooperating with America to kill Sheikh Anwar al-Awlaki. We will not stand by idly and watch." Al-Awlaki's tribe wrote that it would "not remain with arms crossed if a hair of Anwar al-Awlaki is touched, or if anyone plots or spies against him. Whoever risks denouncing our son (Awlaki) will be the target of Al-Awalik weapons", and gave warning "against co-operating with the Americans" in the capture or killing of al-Awlaki. Abu Bakr al-Qirbi, the Yemeni foreign minister, announced that the Yemeni government had not received any evidence from the US, and that "Anwar al-Awlaki has always been looked at as a preacher rather than a terrorist and shouldn't be considered as a terrorist unless the Americans have evidence that he has been involved in terrorism". In a video clip bearing the imprint of al-Qaeda in the Arabian Peninsula, issued on April 16 in al-Qaeda's monthly magazine Sada Al-Malahem, al-Awlaki said: "What am I accused of? Of calling for the truth? Of calling for jihad for the sake of Allah? Of calling to defend the causes of the Islamic nation?" In the video he also praises both Abdulmutallab and Hasan, and describes both as his "students". In late April, Representative Charlie Dent (R-PA) introduced a resolution urging the U.S. State Department to withdraw al-Awlaki's U.S. citizenship. By May, U.S. officials believed he had become directly involved in terrorist activities. Former colleague Abdul-Malik said he "is a terrorist, in my book", and advised shops not to carry any of his publications. In an editorial, Investor's Business Daily called al-Awlaki the "world's most dangerous man", and recommended that he be added to the FBI's most-wanted terrorist list, a bounty put on his head, that he be designated a Specially Designated Global Terrorist, charged with treason, and extradition papers filed with the Yemeni government. IBD criticized the Justice Department for stonewalling Senator Joe Lieberman's security panel's investigation of al-Awlaki's role in the Fort Hood massacre. On July 16, the U.S. Treasury Department added him to its list of Specially Designated Global Terrorists. Stuart Levey, Under Secretary of the Treasury for Terrorism and Financial Intelligence, called him "extraordinarily dangerous", and said al-Awlaki was involved in several organizational aspects of terrorism, including recruiting, training, fundraising, and planning individual attacks. A few days later, the United Nations Security Council placed al-Awlaki on its UN Security Council Resolution 1267 list of individuals associated with al-Qaeda, describing him as a leader, recruiter, and trainer for al-Qaeda in the Arabian Peninsula. The resolution stipulates that U.N. members must freeze the assets of anyone on the list, and prevent them from travelling or obtaining weapons. The following week, Canadian banks were ordered to seize any assets belonging to al-Awlaki. The Royal Canadian Mounted Police's senior counter-terrorism officer Gilles Michaud described him as a "major, major factor in radicalization". In September 2010, Jonathan Evans, the Director General of the United Kingdom's domestic security and counter-intelligence agency (MI5), said that al-Awlaki was the West's Public Enemy No 1. In October 2010, U.S. Congressman Anthony Weiner (D-NY) urged YouTube to take down al-Awlaki's videos from its website, saying that by hosting al-Awlaki's messages, "We are facilitating the recruitment of homegrown terror." Pauline Neville-Jones, British security minister, said "These Web sites ... incite cold-blooded murder." YouTube began removing the material in November 2010. Al-Awlaki was charged in absentia in Sana'a, Yemen, on November 2 with plotting to kill foreigners and being a member of al-Qaeda. Ali al-Saneaa, the head of the prosecutor's office, announced the charges during the trial of Hisham Assem, who had been accused of killing Jacques Spagnolo, an oil industry worker. He said that al-Awlaki and Assem had been in contact for months, and that al-Awlaki had encouraged Assem to commit terrorism. Al-Awlaki's lawyer said that his client was not connected to Spagnolo's death. On November 6, Yemeni Judge Mohsen Alwan ordered that al-Awlaki be caught "dead or alive". In his book Ticking Time Bomb: Counter-Terrorism Lessons from the U.S. Government's Failure to Prevent the Fort Hood Attack (2011), former U.S. Senator Joe Lieberman described al-Awlaki, Australian Muslim preacher Feiz Mohammad, Muslim cleric Abdullah el-Faisal, and Pakistani-American Samir Khan as "virtual spiritual sanctioners" who use the internet to offer religious justification for Islamist terrorism. Lawsuit against the US In July 2010, al-Awlaki's father, Nasser al-Awlaki, contacted the Center for Constitutional Rights and the American Civil Liberties Union to represent his son in a lawsuit that sought to remove Anwar from the targeted killing list. ACLU's Jameel Jaffer said: the United States is not at war in Yemen, and the government doesn't have a blank check to kill terrorism suspects wherever they are in the world. Among the arguments we'll be making is that, outside actual war zones, the authority to use lethal force is narrowly circumscribed, and preserving the rule of law depends on keeping this authority narrow. Lawyers for Specially Designated Global Terrorists must obtain a special license from the U.S. Treasury Department before they can represent their clients in court. The lawyers were granted the license on August 4, 2010. On August 30, 2010, the groups filed a "targeted killing" lawsuit, naming President Obama, CIA Director Leon Panetta, and Secretary of Defense Robert Gates as defendants. They sought an injunction preventing the targeted killing of al-Awlaki, and also sought to require the government to disclose the standards under which U.S. citizens may be "targeted for death". Judge John D. Bates dismissed the lawsuit in an 83-page ruling, holding that the father did not have legal standing to bring the lawsuit, and that his claims were judicially unreviewable under the political question doctrine inasmuch as he was questioning a decision that the U.S. Constitution committed to the political branches. On May 5, 2011, the United States tried but failed to kill al-Awlaki by firing a missile from an unmanned drone at a car in Yemen. A Yemeni security official said that two al-Qaeda operatives in the car died. Death On September 30, 2011, al-Awlaki was killed in a U.S. drone strike in Al Jawf Governorate, Yemen, according to U.S. sources, the strike was carried out by Joint Special Operations Command, under the direction of the CIA. A witness said the group had stopped to eat breakfast while traveling to Ma'rib Governorate. The occupants of the vehicle spotted the drone and attempted to flee in the vehicle before Hellfire missiles were fired Yemen's Defense Ministry announced that al-Awlaki had been killed. Also killed was Samir Khan, an American born in Saudi Arabia, thought to be behind al-Qaeda's English-language web magazine Inspire. U.S. President Barack Obama said: The death of Awlaki is a major blow to Al-Qaeda's most active operational affiliate. He took the lead in planning and directing efforts to murder innocent Americans ... and he repeatedly called on individuals in the United States and around the globe to kill innocent men, women and children to advance a murderous agenda. [The strike] is further proof that Al-Qaeda and its affiliates will find no safe haven anywhere in the world. Journalist and author Glenn Greenwald argued on Salon.com that killing al-Awlaki violated his First Amendment right of free speech and that doing so outside of a criminal proceeding violated the Constitution's due process clause, specifically citing the 1969 Supreme Court decision in Brandenburg v. Ohio that "the constitutional guarantees of free speech and free press do not permit a State to forbid or proscribe advocacy of the use of force." He mentioned doubt among Yemeni experts about al-Awlaki's role in al-Qaeda, and called U.S. government accusations against him unverified and lacking in evidence. In a letter dated May 22, 2013, to the chairman of the U.S. Senate Judiciary committee, Patrick J. Leahy, U.S. attorney general Eric Holder wrote that high-level U.S. government officials [...] concluded that al-Aulaqi posed a continuing and imminent threat of violent attack against the United States. Before carrying out the operation that killed al-Aulaqi, senior officials also determined, based on a careful evaluation of the circumstances at the time, that it was not feasible to capture al-Aulaqi. In addition, senior officials determined that the operation would be conducted consistent with applicable law of war principles, including the cardinal principles of (1) necessity – the requirement that the target have definite military value; (2) distinction – the idea that only military objectives may be intentionally targeted and that civilians are protected from being intentionally targeted; (3) proportionality – the notion that the anticipated collateral damage of an action cannot be excessive in relation to the anticipated concrete and direct military advantage; and (4) humanity – a principle that requires us to use weapons that will not inflict unnecessary suffering. The operation was also undertaken consistent with Yemeni sovereignty. [...] The decision to target Anwar al-Aulaqi was lawful, it was considered, and it was just. On April 21, 2014, the 2nd U.S. Circuit Court of Appeal ruled that the Obama administration must release documents justifying its drone killings of foreigners and Americans, including Anwar al-Awlaki. In June 2014, the United States Department of Justice disclosed a 2010 memorandum written by the acting head of the department's Office of Legal Counsel, David J. Barron. The memo stated that Anwar al-Awlaki was a significant threat with an infeasible probability of capture. Barron therefore justified the killing as legal, as "the Constitution would not require the government to provide further process". The New York Times Editorial Board dismissed the memo's rationale for al-Awlaki's killing, saying it "provides little confidence that the lethal action was taken with real care", instead describing it as "a slapdash pastiche of legal theories—some based on obscure interpretations of British and Israeli law—that was clearly tailored to the desired result." A lawyer for the ACLU described the memo as "disturbing" and "ultimately an argument that the president can order targeted killings of Americans without ever having to account to anyone outside the executive branch." Legacy Seth Jones, who as a political scientist specializes in al-Qaida, considers that the continuing relevance of al-Awlaki is due to his fluency in the English language as well as his charisma, precising that "he had a disarming aura and unnerving confidence, with an easy smile and a soothing, eloquent voice. He stood a lanky six feet, one inch tall, weighed 160 pounds, and had a thick black beard, an oversized nose, and wire-rimmed glasses. He spoke in a clear, almost hypnotic voice." Awlaki's videos and writings remain highly popular on the internet, where they continue to be readily accessible. Those who viewed and still view his videos are estimated by journalist Scott Shane to number in the hundreds of thousands, while his father Dr. Nasser Awlaqi says that "five million preaching tapes of Anwar Awlaqi have been sold in the West." And thus, even following his death, Awlaki has continued to inspire his devotees to carry out terrorist attacks, including the 2013 Boston Marathon bombing, the 2015 San Bernardino attack, and the 2016 Orlando nightclub shooting. According to the Counter Extremism Project (CEP), 88 "extremists," 54 in the U.S. and 34 in Europe, have been influenced by Awlaki. Because "his work has inspired countless plots and attacks," CEP has "called on YouTube and other platforms to permanently ban Mr. Awlaki's material, including his early, mainstream lectures." FOIA documents During the FBI investigation of the 9/11 attacks, it was discovered that a few of the attackers had attended the mosques in San Diego and Falls Church with which al-Awlaki was associated. Interviews with members of the San Diego mosque showed that Nawaz al-Hazmi, one of the attackers, may have had a private conversation with him. On that basis he was placed under 24-hour surveillance. It was discovered that he regularly patronized prostitutes. It was through FBI interrogation of prostitutes and escort service operators that al-Awlaki was tipped off in 2002 about FBI surveillance. Shortly thereafter, he left the United States. In January 2013, Fox News announced that FBI documents obtained by Judicial Watch through a Freedom of Information Act request showed possible connections between al-Awlaki and the September 11 attackers. According to Judicial Watch, the documents show that the FBI knew that al-Awlaki had bought tickets for three of the hijackers to fly into Florida and Las Vegas. Judicial Watch further stated that al-Awlaki "was a central focus of the FBI's investigation of 9/11. They show he wasn't cooperative. And they show that he was under surveillance." When queried by Fox News, the FBI denied having evidence connecting al-Awlaki and the September 11 attacks: "The FBI cautions against drawing conclusions from redacted FOIA documents. The FBI and investigating bodies have not found evidence connecting Anwar al-Awlaki and the attack on September 11, 2001. The document referenced does not link Anwar al-Awlaki with any purchase of airline tickets for the hijackers." Family Abdulrahman al-Awlaki Anwar al-Awlaki and Egyptian-born Gihan Mohsen Baker had a son, Abdulrahman Anwar al-Awlaki, born August 26, 1995, in Denver, who was an American citizen. Abdulrahman al-Awlaki was killed on October 14, 2011, in Yemen at the age of 16 in an American drone strike. Nine other people were killed in the same CIA-initiated attack, including a 17-year-old cousin of Abdulrahman. According to his relatives, shortly before his father's death, Abdulrahman had left the family home in Sana'a and travelled to Shabwa in search of his father who was believed to be in hiding in that area (though he was actually hundreds of miles away at the time ). Abdulrahman was sitting in an open-air cafe in Shabwa when killed. According to U.S. officials, the killing of Abdulrahman al-Awlaki was a mistake; the intended target was an Egyptian, Ibrahim al-Banna, who was not at the targeted location at the time of the attack. Human rights groups have raised questions as to why an American citizen was killed by the United States in a country with which the United States is not officially at war. Abdulrahman al-Awlaki was not known to have any independent connection to terrorism. Nasser al-Awlaki Nasser al-Awlaki is the father of Anwar and grandfather of Abdulrahman al-Awlaki. Al-Awlaki stated he believed his son had been wrongly accused and was not a member of Al Qaeda. After the deaths of his son and grandson, Nasser in an interview in Time magazine called the killings a crime and condemned U.S. President Obama directly, saying: "I urge the American people to bring the killers to justice. I urge them to expose the hypocrisy of the 2009 Nobel Prize laureate. To some, he may be that. To me and my family, he is nothing more than a child killer." In 2013, Nasser al-Awlaki published an op-ed in The New York Times stating that two years after killing his grandson, the Obama administration still declines to provide an explanation. In 2012, Nasser al-Awlaki filed a lawsuit, Al-Aulaqi v. Panetta, challenging the constitutionality of the drone killings of his son and grandson. This lawsuit was dismissed in April 2014 by D.C. District Court Judge Rosemary M. Collyer. Tariq al-Dahab Tariq al-Dahab, who led al-Qaeda insurgents in Yemen, was a brother-in-law of al-Awlaki. On February 16, 2012, the terrorist organization stated that he had been killed by agents, although media reports contain speculation that he was killed by his brother in a bloody family feud. Nawar al-Awlaki On January 29, 2017, Anwar al-Awlaki's 8-year-old daughter, Nawar al-Awlaki, who was an American citizen, was killed in a DEVGRU operation authorized by President Donald Trump."1 US service member killed, 3 wounded in Yemen raid" , WPVI-TV, 6 ABC Action News, Philadelphia, PA. January 29, 2017. Retrieved January 29, 2017. Islamic education Al-Awlaki's Islamic education was primarily informal, and consisted of intermittent months with various scholars reading and contemplating Islamic scholarly works. Despite having no religious qualifications and almost no religious education, Al-Awlaki made a name for himself as a public speaker who released popular audio recordings.Some Muslim scholars said they did not understand alAwlaki's popularity, because while he spoke fluent English and could therefore reach a large non-Arabic-speaking audience, he lacked formal Islamic training and study. Ideology While imprisoned in Yemen after 2004, al-Awlaki was influenced by the works of Sayyid Qutb, described by The New York Times as an originator of the contemporary "anti-Western Jihadist movement". He read 150 to 200 pages a day of Qutb's works, and described himself as "so immersed with the author I would feel Sayyid was with me in my cell speaking to me directly". Terrorism consultant Evan Kohlmann in 2009 referred to al-Awlaki as "one of the principal jihadi luminaries for would-be homegrown terrorists. His fluency with English, his unabashed advocacy of jihad and mujahideen organizations, and his Web-savvy approach are a powerful combination." He called al-Awlaki's lecture, "Constants on the Path of Jihad", which he says was based on a similar document written by al-Qaeda's founder, the "virtual bible for lone-wolf Muslim extremists". Philip Mudd, formerly of the CIA's National Counterterrorism Center and the FBI's top intelligence adviser, called him "a magnetic character ... a powerful orator." He attracted young men to his lectures, especially US-based and UK-based Muslims. U.S. officials and some U.S. media sources called al-Awlaki an Islamic fundamentalist and accused him of encouraging terrorism. According to documents recovered from bin Laden's hideout, the al-Qaeda leader was unsure about al-Awlaki's qualifications. Works The Nine Eleven Finding Answers Foundation said al-Awlaki's ability to write and speak in fluent English enabled him to incite English-speaking Muslims to terrorism. Al-Awlaki notes in 44 Ways to Support Jihad that most reading material on the subject is in Arabic. Written works 44 Ways to Support Jihad: Essay (January 2009). In it, al-Awlaki states that "The hatred of kuffar is a central element of our military creed" and that all Muslims are obligated to participate in jihad, either by committing the acts themselves or supporting others who do so. He says all Muslims must remain physically fit so as to be prepared for conflict. According to U.S. officials, it is considered a key text for al-Qaeda members. Al-Awlaki wrote for Jihad Recollections, an English language online publication published by Al-Fursan Media. Allah is Preparing Us for Victory – short book (2009). Lectures Lectures on the book Constants on the Path of Jihad by Yusef al-Ayeri—concerns leaderless jihad. In 2009, the UK government found 1,910 of his videos had been posted to YouTube. One of them had been viewed 164,420 times. The Battle of Hearts and Minds The Dust Will Never Settle Down Dreams & Interpretations The Hereafter—16 CDs—Al Basheer Productions Life of Muhammad: Makkan Period—16 CDs—Al Basheer Productions Life of Muhammad: Medinan Period—Lecture in 2 Parts—18 CDs—Al Basheer Productions Lives of the Prophets (AS)—16 CDs—Al Basheer Productions Abu Bakr as-Siddiq (RA): His Life & Times—15 CDs—Al Basheer Productions Umar ibn al-Khattāb (RA): His Life & Times—18 CDs—Al Basheer Productions 25 Promises from Allah to the Believer—2 CDs—Noor Productions Companions of the Ditch & Lessons from the Life of Musa (AS)—2 CDs—Noor Productions Remembrance of Allah & the Greatest Ayah—2 CDs—Noor Productions Stories from Hadith—4 CDs—Center for Islamic Information and Education ("CIIE") Hellfire & The Day of Judgment—CD—CIIE Quest for Truth: The Story of Salman Al-Farsi (RA)—CD—CIIE Trials & Lessons for Muslim Minorities—CD—CIIE Young Ayesha (RA) & Mothers of the Believers (RA)—CD—CIIE Understanding the Quran—CD—CIIE Lessons from the Companions (RA) Living as a Minority—CD—CIIE Virtues of the Sahabah—video lecture series promoted by the al-Wasatiyyah Foundation Website Al-Awlaki maintained a website and blog on which he shared his views. On December 11, 2008, he said Muslims should not seek to "serve in the armies of the disbelievers and fight against his brothers". In "44 Ways to Support Jihad", posted on his blog in February 2009, al-Awlaki encouraged others to "fight jihad", and explained how to give money to the mujahideen or their families. Al-Awlaki's sermon encourages others to conduct weapons training, and raise children "on the love of Jihad". Also that month, he wrote: "I pray that Allah destroys America and all its allies." He wrote as well: "We will implement the rule of Allah on Earth by the tip of the sword, whether the masses like it or not." On July 14, he said that Muslim countries should not offer military assistance to the US. "The blame should be placed on the soldier who is willing to follow orders ... who sells his religion for a few dollars," he said. In blog post dated July 15, 2009, entitled "Fighting Against Government Armies in the Muslim World", al-Awlaki wrote, "Blessed are those who fight against [American soldiers], and blessed are those shuhada [martyrs] who are killed by them." In a video posted to the internet on November 8, 2010, al-Awlaki called for Muslims to kill Americans "without hesitation", and overthrow Arab governments that cooperate with the US. "Don't consult with anyone in fighting the Americans, fighting the devil doesn't require consultation or prayers or seeking divine guidance. They are the party of the devils", al-Awlaki said. That month, Intelligence Research Specialist Kevin Yorke of the New York Police Department's Counterterrorism Division called him "the most dangerous man in the world". See also Church Committee Executive Order 12333 Extrajudicial killing International counter-terrorism activities of the CIA Protocol I References Further reading al-Ashanti, AbdulHaq and Sloan, Abu Ameenah AbdurRahman. (2011) A Critique of the Methodology of Anwar al-Awlaki and his Errors in the Fiqh of Jihad. London: Jamiah Media, 2011 External links Ruling of Judge Bates in Al Aulaqi v Obama Statements Interviews "Exclusive; Ray Suarez: My Post-9/11 Interview With Anwar al-Awlaki", PBS, October 30, 2001 "Al-Jazeera Satellite Network Interview with Yemeni-American Cleric Shaykh Anwar al-Awlaki Regarding his Alleged Role in Radicalizing Maj. Malik Nidal Hasan", The NEFA Foundation, December 24, 2009 Media coverage The imam's very curious story: A skirt-chasing mullah is just one more mystery for the 9/11 panel, Ragavan, Chitra, US News and World Report'', June 13, 2004 DBI.gov 1971 births 2011 deaths 20th-century imams 21st-century imams Abdullah Yusuf Azzam Al-Qaeda propagandists Assassinated al-Qaeda leaders American al-Qaeda members American expatriates in the United Kingdom American expatriates in Yemen American imams American Islamists American people of Yemeni descent Colorado State University alumni George Washington University Graduate School of Education and Human Development alumni People associated with the September 11 attacks People from Las Cruces, New Mexico San Diego State University alumni Yemeni imams Yemeni al-Qaeda members Yemeni Sunni Muslim scholars of Islam Yemeni Sunni Muslims Deaths by drone strikes of the Central Intelligence Agency in Yemen Islam-related controversies People designated by the Al-Qaida and Taliban Sanctions Committee American male criminals Yemeni criminals Yemeni Islamists Yemeni expatriates in the United Kingdom Shafi'is American Muslim activists Assassinated Yemeni people Yemeni propagandists United States military killing of American civilians

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Was he prosecuted for it?

Was Zachary Chesser prosecuted for providing support to Al Shabaab?

Anwar al-Awlaki

FBI agents identified al-Awlaki as a known, important "senior recruiter for al Qaeda", and a spiritual motivator. His name came up in a dozen terrorism plots in the US, UK, and Canada. The cases included suicide bombers in the 2005 London bombings, radical Islamic terrorists in the 2006 Toronto terrorism case, radical Islamic terrorists in the 2007 Fort Dix attack plot, the jihadist killer in the 2009 Little Rock military recruiting office shooting, and the 2010 Times Square bomber. In each case the suspects were devoted to al-Awlaki's message, which they listened to online and on CDs. Al-Awlaki's recorded lectures were heard by Islamist fundamentalists in at least six terror cells in the UK through 2009. Michael Finton (Talib Islam), who attempted in September 2009 to bomb the Federal Building and the adjacent offices of Congressman Aaron Schock in Springfield, Illinois, admired al-Awlaki and quoted him on his Myspace page. In addition to his website, al-Awlaki had a Facebook fan page with "fans" in the US, many of whom were high school students. Al-Awlaki also set up a website and blog on which he shared his views. Al-Awlaki influenced several other extremists to join terrorist organizations overseas and to carry out terrorist attacks in their home countries. Mohamed Alessa and Carlos Almonte, two American citizens from New Jersey who attempted to travel to Somalia in June 2010 to join the al-Qaeda-linked terrorist group Al Shabaab, allegedly watched several al-Awlaki videos and sermons in which he warned of future attacks against Americans in the US and abroad. Zachary Chesser, an American citizen who was arrested for attempting to provide material support to Al Shabaab, told federal authorities that he watched online videos featuring al-Awlaki and that he exchanged several e-mails with al-Awlaki. In July 2010, Paul Rockwood was sentenced to eight years in prison for creating a list of 15 potential targets in the US, people he felt had desecrated Islam. Rockwood was a devoted follower of al-Awlaki, and had studied his works Constants on the Path to Jihad and 44 Ways to Jihad. In October 2008, Charles Allen, US Under-Secretary of Homeland Security for Intelligence and Analysis, warned that al-Awlaki "targets U.S. Muslims with radical online lectures encouraging terrorist attacks from his new home in Yemen." Responding to Allen, al-Awlaki wrote on his website in December 2008: "I would challenge him to come up with just one such lecture where I encourage 'terrorist attacks'". CANNOTANSWER

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Anwar Nasser al-Awlaki (also spelled al-Aulaqi, al-Awlaqi; ; April 21 or 22, 1971 – September 30, 2011) was a Yemeni-American imam who was killed in 2011 in Yemen by an American drone strike ordered by President Barack Obama. Al-Awlaki became the first U.S. citizen to be targeted and killed by a U.S. drone strike without the rights of due process being afforded. US government officials argued that Awlaki was a key organizer for the Islamist terrorist group al-Qaeda, and in June 2014, a previously classified memorandum issued by the U.S. Department of Justice was released, justifying al-Awlaki's death as a lawful act of war. Civil liberties advocates have described the incident as "an extrajudicial execution" that breached al-Awlaki's right to due process, including a trial. Al-Awlaki was born in Las Cruces, New Mexico, in 1971 to parents from Yemen. Growing up partially in the United States and partially in Yemen, he attended various universities across the United States in the 1990s and early 2000s while also working as an imam, despite having no religious qualifications and almost no religious education. Al-Awlaki returned to Yemen in early 2004 and became a university lecturer after a brief stint as a public speaker in the United Kingdom. He was detained by Yemeni authorities in 2006, where he spent 18 months in prison before being released without facing trial. Following his release, Al-Awlaki's message started to become overtly supportive of violence, as he condemned United States foreign policy against Muslims. The Yemeni government tried him in absentia in November 2010, for plotting to kill foreigners and being a member of al-Qaeda. A Yemeni judge ordered that he be captured "dead or alive". U.S. officials said that in 2009, al-Awlaki was promoted to the rank of "regional commander" within al-Qaeda, although they described his role as more "inspirational" than "operational." He repeatedly called for jihad against the United States. In April 2010, al-Awlaki was placed on a CIA kill list by President Barack Obama due to his alleged terrorist activities. Al-Awlaki's father and civil rights groups challenged the order in court. Al-Awlaki was believed to be in hiding in southeast Yemen in the last years of his life. The U.S. deployed unmanned aircraft (drones) in Yemen to search for and kill him, firing at and failing to kill him at least once; he was successfully killed on September 30, 2011. Two weeks later, al-Awlaki's 16-year-old son, Abdulrahman al-Awlaki, a U.S. citizen who was born in Denver, Colorado, was also killed by a CIA-led drone strike in Yemen. His daughter, 8-year old Nawar al-Awlaki, was killed during a raid against Al Qaeda ordered by President Donald Trump in 2017.<ref name="uk.reuters.com">Ghobari, Mohammed and Phil Stewart. "Commando dies in U.S. raid in Yemen, first military op OK'd by Trump", Reuters, January 29, 2017. Retrieved January 29, 2017.</ref> The New York Times wrote in 2015 that al-Awlaki's public statements and videos have been more influential in inspiring acts of Islamic terrorism in the wake of his killing than before his death. Early life Al-Awlaki was born in Las Cruces, New Mexico, in 1971 to parents from Yemen, while his father, Nasser al-Awlaki, was doing graduate work at U.S. universities. His father was a Fulbright Scholar who earned a master's degree in agricultural economics at New Mexico State University in 1971, received a doctorate at the University of Nebraska, and worked at the University of Minnesota from 1975 to 1977. Nasser al-Awlaki served as Agriculture Minister in Ali Abdullah Saleh's government. He was also President of Sana'a University. Yemen's prime minister from 2007 to 2011, Ali Mohammed Mujur, was a relative. The family returned to Yemen in 1978, when al-Awlaki was seven years old. He lived there for 11 years, and studied at Azal Modern School. Life in the United States 1990–2002 Education In 1991, al-Awlaki returned to the U.S. to attend college. He earned a B.S. in Civil Engineering from Colorado State University (1994), where he was president of the Muslim Student Association. In 1993, while still a college student in Colorado State's civil engineering program, al-Awlaki visited Afghanistan in the aftermath of the Soviet occupation. He spent some time training with the mujahideen who had fought the Soviets. He was depressed by the country's poverty and hunger, and "wouldn't have gone with al-Qaeda," according to friends from Colorado State, who said he was profoundly affected by the trip. Mullah Mohammed Omar did not form the Taliban until 1994. When Al-Awlaki returned to campus, he showed increased interest in religion and politics. Al-Awlaki studied Education Leadership at San Diego State University, but did not complete his degree. He worked on a doctorate in Human Resource Development at The George Washington University Graduate School of Education and Human Development from January to December 2001. Time as imam In 1994, al-Awlaki married a cousin from Yemen, and began service as a part-time imam of the Denver Islamic Society. In 1996, he was chastised by an elder for encouraging a Saudi student to fight in Chechnya against the Russians. He left Denver soon after, moving to San Diego. From 1996 to 2000, al-Awlaki was imam of the Masjid Ar-Ribat al-Islami mosque in San Diego, California, where he had a following of 200–300 people. U.S. officials later alleged that Nawaf al-Hazmi and Khalid al-Mihdhar, hijackers of American Airlines Flight 77, attended his sermons and personally met him during this period. Hazmi later lived in Northern Virginia and attended al-Awlaki's mosque there. The 9/11 Commission Report said that the hijackers "reportedly respected [al-Awlaki] as a religious figure". While in San Diego, al-Awlaki volunteered with youth organizations, fished, discussed his travels with friends, and created a popular and lucrative series of recorded lectures. In August 1996 and in April 1997, al-Awlaki was arrested in San Diego and charged with soliciting prostitutes. The first time, in 1996, he pleaded guilty to a lesser charge and was fined $400 and required to attend informational sessions about AIDS. The second time, in 1997, he pleaded guilty and was fined $240, ordered to perform 12 days of community service, and received three years' probation. From November 2001 to January 2002 the FBI observed him visiting a number of prostitutes, and interviewed them, establishing that he had paid for sex acts. No prosecution was brought. In 1998 and 1999, he served as vice-president for the Charitable Society for Social Welfare. In 2004, the FBI described this group as a "front organization to funnel money to terrorists". Although the FBI investigated al-Awlaki from June 1999 through March 2000 for possible links to Hamas, the Bin Laden contact Ziyad Khaleel, and a visit by an associate of Omar Abdel Rahman, it did not find sufficient evidence for a criminal prosecution. Al-Awlaki told reporters that he resigned from leading the San Diego mosque "after an uneventful four years," and took a brief sabbatical, traveling overseas to various countries. In January 2001, al-Awlaki returned to the U.S., settling in the Washington metropolitan area. There, he was imam at the Dar al-Hijrah mosque near Falls Church, Virginia, and his services were attended by Nawaf al-Hazmi and a third hijacker, Hani Hanjour. He led academic discussions frequented by FBI Director of Counter-Intelligence for the Middle East Gordon M. Snow. Al-Awlaki also served as the Muslim chaplain at George Washington University, where he was hired by Esam Omeish. Omeish said in 2004 that he was convinced that al-Awlaki was not involved in terrorism. His proficiency as a public speaker and command of the English language helped him attract followers who did not speak Arabic. "He was the magic bullet", according to the mosque spokesman Johari Abdul-Malik. "He had everything all in a box." "He had an allure. He was charming." When police investigating the 9/11 attacks raided the Hamburg apartment of Ramzi bin al-Shibh, they found the telephone number of al-Awlaki among bin al-Shibh's personal contacts. The FBI interviewed al-Awlaki four times in the eight days following the 9/11 attacks. One detective later told the 9/11 Commission he believed al-Awlaki "was at the center of the 9/11 story". And an FBI agent said, "if anyone had knowledge of the plot, it would have been" him, since "someone had to be in the U.S. and keep the hijackers spiritually focused". One 9/11 Commission staff member said: "Do I think he played a role in helping the hijackers here, knowing they were up to something? Yes. Do I think he was sent here for that purpose? I have no evidence for it." A separate Congressional Joint Inquiry into the 9/11 attacks suggested that al-Awlaki may have been connected to the hijackers, according to its director, Eleanor Hill. In 2003, Representative Anna Eshoo, a member of the House Intelligence Committee, said, "In my view, he is more than a coincidental figure." Six days after the 9/11 attacks, al-Awlaki suggested in writing on the IslamOnline.net website that Israeli intelligence agents might have been responsible for the attacks, and that the FBI "went into the roster of the airplanes, and whoever has a Muslim or Arab name became the hijacker by default". Soon after the 9/11 attacks, al-Awlaki was sought in Washington, D.C., by the media to answer questions about Islam, its rituals, and its relation to the attacks. He was interviewed by National Geographic, The New York Times, and other media. Al-Awlaki condemned the attacks. According to an NPR report in 2010, in 2001 al-Awlaki appeared to be a moderate who could "bridge the gap between the United States and the worldwide community of Muslims." The New York Times said at the time that he was "held up as a new generation of Muslim leader capable of merging East and West." In 2010, Fox News and the New York Daily News reported that some months after the 9/11 attacks, a Pentagon employee invited al-Awlaki to a luncheon in the Secretary's Office of General Counsel. The U.S. Secretary of the Army had suggested that a moderate Muslim be invited to give a talk. In 2002, al-Awlaki was the first imam to conduct a prayer service for the Congressional Muslim Staffer Association at the U.S. Capitol. That year, Nidal Hasan visited al-Awlaki's mosque for his mother's funeral, at which al-Awlaki presided. In November 2009, Hasan killed 13 and wounded 32 in the Fort Hood shooting. Hasan usually attended a mosque in Maryland closer to where he lived while working at the Walter Reed Medical Center (2003–09). Later in 2002, al-Awlaki posted an essay in Arabic on the Islam Today website titled "Why Muslims Love Death", lauding the fervor of Palestinian suicide bombers. He expressed a similar opinion in a speech at a London mosque later that year. By July 2002, al-Awlaki was under investigation in the United States for having received money from the subject of a U.S. Joint Terrorism Task Force investigation. His name was added to the list of terrorism suspects. Passport fraud issues In June 2002, a Denver federal judge signed an arrest warrant for al-Awlaki for passport fraud. On October 9, the Denver U.S. Attorney's Office filed a motion to dismiss the complaint and vacate the arrest warrant. Prosecutors believed that they lacked sufficient evidence of a crime, according to U.S. Attorney Dave Gaouette, who authorized its withdrawal. Al-Awlaki had listed Yemen rather than the United States as his place of birth on his 1990 application for a U.S. Social Security number, soon after arriving in the US. Al-Awlaki used this documentation to obtain a passport in 1993. He later corrected his place of birth to Las Cruces, New Mexico. "The bizarre thing is if you put Yemen down (on the application), it would be harder to get a Social Security number than to say you are a native-born citizen of Las Cruces", Gaouette said. Prosecutors could not charge him in October 2002, when he returned from a trip abroad, because a 10-year statute of limitations on lying to the Social Security Administration had expired. According to a 2012 investigative report by Fox News, the arrest warrant for passport fraud was still in effect on the morning of October 10, 2002, when FBI Agent Wade Ammerman ordered al-Awlaki's release. U.S. Congressman Frank Wolf (R-VA) and several congressional committees urged FBI Director Robert Mueller to provide an explanation about the bureau's interactions with al-Awlaki, including why he was released from federal custody when there was an outstanding warrant for his arrest. The motion for rescinding the arrest warrant was approved by a magistrate judge on October 10 and filed on October 11.ABC News reported in 2009 that the Joint Terrorism Task Force in San Diego disagreed with the decision to cancel the warrant. They were monitoring al-Awlaki and wanted to "look at him under a microscope". But U.S. Attorney Gaouette said that no objection had been raised to the rescinding of the warrant during a meeting that included Ray Fournier, the San Diego federal diplomatic security agent whose allegation had set in motion the effort to obtain a warrant. Gaouette said that if al-Awlaki had been convicted at the time, he would have faced about six months in custody.The New York Times suggested later that al-Awlaki had claimed birth in Yemen (his family's place of origin) to qualify for scholarship money granted to foreign citizens. U.S. Congressman Frank R. Wolf (R-VA) wrote in May 2010 that by claiming to be foreign-born, al-Awlaki fraudulently obtained more than $20,000 in scholarship funds reserved for foreign students. While living in Northern Virginia, al-Awlaki visited Ali al-Timimi, later known as a radical Islamic cleric. Al-Timimi was convicted in 2005 and is now serving a life sentence for leading the Virginia Jihad Network, inciting Muslim followers to fight with the Taliban against the US. In the United Kingdom 2002–04 Al-Awlaki left the United States before the end of 2002, because of a "climate of fear and intimidation" according to Imam Johari Abdul-Malik of the Dar al-Hijrah mosque. He lived in the UK for several months, where he gave talks attended by up to 200 people. He urged young Muslim followers: "The important lesson to learn here is never, ever trust a kuffar [disbeliever]. Do not trust them! [Their leaders] are plotting to kill this religion. They're plotting night and day." "He was the main man who translated the jihad into English," said a student who attended his lectures in 2003. He gave a series of lectures in December 2002 and January 2003 at the London Masjid al-Tawhid mosque, describing the rewards martyrs (Shahid) receive in paradise (Jannah). He began to gain supporters, particularly among young Muslims, and undertook a lecture tour of England and Scotland in 2002 in conjunction with the Muslim Association of Britain. He also lectured at "ExpoIslamia", an event held by Islamic Forum Europe. At the East London Mosque he told his audience: "A Muslim is a brother of a Muslim... he does not betray him, and he does not hand him over... You don't hand over a Muslim to the enemies." In Britain's Parliament in 2003, Louise Ellman, MP for Liverpool Riverside, discussed the relationship between al-Awlaki and the Muslim Association of Britain, an alleged Muslim Brotherhood front organization founded by Kemal el-Helbawy, a senior member of the Egyptian Muslim Brotherhood. Return to Yemen 2004–11 Al-Awlaki returned to Yemen in early 2004, where he lived in Shabwah Governorate with his wife and five children. He lectured at Iman University, headed by Abdul Majeed al-Zindani. The latter has been included on the UN 1267 Committee's list of individuals belonging to or associated with al-Qaeda. Al-Zindani denied having any influence over al-Awlaki, or that he had been his "direct teacher". Some believe that the school's curriculum deals mostly, if not exclusively, with radical Islamic studies, and promotes radicalism. American convert John Walker Lindh and other alumni have been associated with terrorist groups. On August 31, 2006, al-Awlaki was arrested with four others on charges of kidnapping a Shiite teenager for ransom, and participating in an al-Qaeda plot to kidnap a U.S. military attaché. He was imprisoned in 2006 and 2007. He was interviewed around September 2007 by two FBI agents with regard to the 9/11 attacks and other subjects. John Negroponte, the U.S. Director of National Intelligence, told Yemeni officials he did not object to al-Awlaki's detention. His name was on a list of 100 prisoners whose release was sought by al-Qaeda-linked militants in Yemen. After 18 months in a Yemeni prison, al-Awlaki was released on December 12, 2007, following the intercession of his tribe. According to a Yemeni security official, he was released because he had repented. He moved to his family home in Saeed, a hamlet in the Shabwa mountains. Moazzam Begg's Cageprisoners, an organization representing former Guantanamo detainees, campaigned for al-Awlaki's release when he was in prison in Yemen. Al-Awlaki told Begg in an interview shortly after his release that prior to his incarceration in Yemen, he had condemned the 9/11 attacks. In December 2008, al-Awlaki sent a communique to the Somali terrorist group, al-Shabaab, congratulating them. Al-Awlaki provided al-Qaeda members in Yemen with the protection of his powerful tribe, the Awlakis, against the government. The tribal code required it to protect those who seek refuge and assistance. This imperative has greater force when the person is a member of the tribe or a tribesman's friend. The tribe's motto is "We are the sparks of Hell; whoever interferes with us will be burned." Al-Awlaki also reportedly helped negotiate deals with leaders of other tribes. Sought by Yemeni authorities who were investigating his al-Qaeda ties, al-Awlaki went into hiding in approximately March 2009, according to his father. By December 2009, al-Awlaki was on the Yemeni government's most-wanted list. He was believed to be hiding in Yemen's Shabwa or Mareb regions, which are part of the so-called "triangle of evil". The area has attracted al-Qaeda militants, who seek refuge among local tribes unhappy with Yemen's central government. Yemeni sources originally said al-Awlaki might have been killed in a pre-dawn air strike by Yemeni Air Force fighter jets on a meeting of senior al-Qaeda leaders at a hideout in Rafd in eastern Shabwa, on December 24, 2009. But he survived. Pravda reported that the planes, using Saudi and U.S. intelligence, killed at least 30 al-Qaeda members from Yemen and abroad, and that an al-Awlaki house was "raided and demolished". On December 28 The Washington Post reported that U.S. and Yemeni officials said that al-Awlaki had been present at the meeting. Abdul Elah al-Shaya, a Yemeni journalist, said al-Awlaki called him on December 28 to report that he was well and had not attended the al-Qaeda meeting. Al-Shaya said that al-Awlaki was not tied to al-Qaeda. In March 2010, a tape featuring al-Awlaki was released in which he urged Muslims residing in the United States to attack their country of residence. Reaching out to the United Kingdom After 2006, al-Awlaki was banned from entering the United Kingdom. He broadcast lectures to mosques and other venues there via video-link from 2007 to 2009, on at least seven occasions at five locations in Britain. Noor Pro Media Events held a conference at the East London Mosque on January 1, 2009, showing a videotaped lecture by al-Awlaki; former Shadow Home Secretary Dominic Grieve expressed concern over his being featured. He gave video-link talks in England to an Islamic student society at the University of Westminster in September 2008, an arts center in East London in April 2009 (after the Tower Hamlets council gave its approval), worshippers at the Al Huda Mosque in Bradford, and a dinner of the Cageprisoners organization in September 2008 at the Wandsworth Civic Centre in South London. On August 23, 2009, al-Awlaki was banned by local authorities in Kensington and Chelsea, London, from speaking at Kensington Town Hall via videolink to a fundraiser dinner for Guantanamo detainees promoted by Cageprisoners. His videos, which discuss his Islamist theories, have circulated across the United Kingdom. Until February 2010, hundreds of audio tapes of his sermons were available at the Tower Hamlets public libraries. In 2009, the London-based Islam Channel carried advertisements for his DVDs and at least two of his video conference lectures. Other connections FBI agents identified al-Awlaki as a known, important "senior recruiter for al Qaeda", and a spiritual motivator. His name came up in a dozen terrorism plots in the US, UK, and Canada. The cases included suicide bombers in the 2005 London bombings, radical Islamic terrorists in the 2006 Toronto terrorism case, radical Islamic terrorists in the 2007 Fort Dix attack plot, the jihadist killer in the 2009 Little Rock military recruiting office shooting, and the 2010 Times Square bomber. In each case the suspects were devoted to al-Awlaki's message, which they listened to online and on CDs. Al-Awlaki's recorded lectures were heard by Islamist fundamentalists in at least six terror cells in the UK through 2009. Michael Finton (Talib Islam), who attempted in September 2009 to bomb the Federal Building and the adjacent offices of Congressman Aaron Schock in Springfield, Illinois, admired al-Awlaki and quoted him on his Myspace page. In addition to his website, al-Awlaki had a Facebook fan page with "fans" in the US, many of whom were high school students. Al-Awlaki also set up a website and blog on which he shared his views. Al-Awlaki influenced several other extremists to join terrorist organizations overseas and to carry out terrorist attacks in their home countries. Mohamed Alessa and Carlos Almonte, two American citizens from New Jersey who attempted to travel to Somalia in June 2010 to join the al-Qaeda-linked terrorist group Al Shabaab, allegedly watched several al-Awlaki videos and sermons in which he warned of future attacks against Americans in the United States and abroad. Zachary Chesser, an American citizen who was arrested for attempting to provide material support to Al Shabaab, told federal authorities that he watched online videos featuring al-Awlaki and that he exchanged several e-mails with al-Awlaki. In July 2010, Paul Rockwood was sentenced to eight years in prison for creating a list of 15 potential targets in the US, people he felt had desecrated Islam. Rockwood was a devoted follower of al-Awlaki, and had studied his works Constants on the Path to Jihad and 44 Ways to Jihad. In October 2008, Charles Allen, U.S. Under-Secretary of Homeland Security for Intelligence and Analysis, warned that al-Awlaki "targets U.S. Muslims with radical online lectures encouraging terrorist attacks from his new home in Yemen." Responding to Allen, al-Awlaki wrote on his website in December 2008: "I would challenge him to come up with just one such lecture where I encourage 'terrorist attacks'". Fort Hood shooter Fort Hood shooter Nidal Hasan was investigated by the FBI after intelligence agencies intercepted at least 18 e-mails between him and al-Awlaki between December 2008 and June 2009. Even before the contents of the e-mails were revealed, terrorism expert Jarret Brachman said that Hasan's contacts with al-Awlaki should have raised "huge red flags", because of his influence on radical English-speaking jihadis. Charles Allen, no longer in government, noted that there was no work-related reason for Hasan to be in touch with al-Awlaki. Former CIA officer Bruce Riedel opined: "E-mailing a known al-Qaeda sympathizer should have set off alarm bells. Even if he was exchanging recipes, the bureau should have put out an alert." A DC-based Joint Terrorism Task Force operating under the FBI was notified of the e-mails and reviewed the information. Army employees were informed of the e-mails, but they didn't perceive any terrorist threat in Hasan's questions. Instead, they viewed them as general questions about spiritual guidance with regard to conflicts between Islam and military service and judged them to be consistent with legitimate mental health research about Muslims in the armed services. The assessment was that there was not sufficient information for a larger investigation. In one of the e-mails, Hasan wrote al-Awlaki: "I can't wait to join you [in the afterlife]". "It sounds like code words," said Lt. Col. Tony Shaffer, a military analyst at the Center for Advanced Defense Studies. "That he's actually either offering himself up, or that he's already crossed that line in his own mind." Yemeni journalist Abdulelah Hider Shaea interviewed al-Awlaki in November 2009. Al-Awlaki acknowledged his correspondence with Hasan. He said he "neither ordered nor pressured ... Hasan to harm Americans." Al-Awlaki said Hasan first e-mailed him December 17, 2008, introducing himself by writing: "Do you remember me? I used to pray with you at the Virginia mosque." Hasan said he had become a devout Muslim around the time al-Awlaki was preaching at Dar al-Hijrah, in 2001 and 2002, and al-Awlaki said 'Maybe Nidal was affected by one of my lectures.'" He added: "It was clear from his e-mails that Nidal trusted me. Nidal told me: 'I speak with you about issues that I never speak with anyone else.'" Al-Awlaki said Hasan arrived at his own conclusions regarding the acceptability of violence in Islam and said he was not the one to initiate this. Shaea said, "Nidal was providing evidence to Anwar, not vice versa." Asked whether Hasan mentioned Fort Hood as a target in his e-mails, Shaea declined to comment. Al-Awlaki said the shooting was acceptable in Islam, however, because it was a form of jihad, as the West began the hostilities with the Muslims. Al-Awlaki said he "blessed the act because it was against a military target. And the soldiers who were killed were ... those who were trained and prepared to go to Iraq and Afghanistan". Al-Awlaki's e-mail conversations with Hasan were not released, and he was not placed on the FBI Most Wanted list, indicted for treason, or officially named as a co-conspirator with Hasan. The U.S. government was reluctant to classify the Fort Hood shooting as a terrorist incident, or identify any motive. The Wall Street Journal reported in January 2010 that al-Awlaki had not "played a direct role" in any of the attacks, and noted he had never been charged with a crime in the US. One of his fellow officers at Fort Hood said Hasan was enthusiastic about al-Awlaki. Some investigators believe al-Awlaki's teachings may have been instrumental in Hasan's decision to stage the attack. On his now-disabled website, al-Awlaki praised Hasan's actions, describing him as a hero. Christmas Day "Underwear Bomber" According to a number of sources, Al-Awlaki and Umar Farouk Abdulmutallab, the convicted al-Qaeda attempted bomber of Northwest Airlines Flight 253 on December 25, 2009, had contacts. In January 2010, CNN reported that U.S. "security sources" said that there is concrete evidence that al-Awlaki was Abdulmutallab's recruiter and one of his trainers, and met with him prior to the attack. In February 2010, al-Awlaki admitted in an interview published in al-Jazeera that he taught and corresponded with Abdulmutallab, but denied having ordered the attack. Representative Pete Hoekstra, the senior Republican on the House Intelligence Committee, said officials in the Obama administration and officials with access to law enforcement information told him the suspect "may have had contact [with al-Awlaki]".The Sunday Times established that Abdulmutallab first met al-Awlaki in 2005 in Yemen, while he was studying Arabic. During that time the suspect attended lectures by al-Awlaki.NPR reported that according to unnamed U.S. intelligence officials he attended a sermon by al-Awlaki at the Finsbury Park Mosque. Khalid Mahmood, the Labour MP for Birmingham Perry Barr, a former trustee of the mosque, expressed "grave misgivings" with regard to its stewardship. A spokesperson of the mosque stated that al-Awlaki had never spoken there or had even to his knowledge entered the building. Abdulmutallab was also reported by CBS News, The Daily Telegraph, and The Sunday Telegraph to have attended a talk by al-Awlaki at the East London Mosque, which al-Awlaki may have attended by video teleconference. The Sunday Telegraph later removed the report from its website following a complaint by the East London Mosque, which stated that "Anwar Al Awlaki did not deliver any talks at the ELM between 2005 and 2008, which is when the newspaper had falsely alleged that Abdullmutallab had attended such talks". Investigators who searched flats connected to Abdulmutallab in London said that he was a "big fan" of al-Awlaki, as al-Awlaki's blog and website had repeatedly been visited from those locations. According to federal sources, Abdulmutallab and al-Awlaki repeatedly communicated with one another in the year prior to the attack. "Voice-to-voice communication" between the two was intercepted during the fall of 2009, and one government source said al-Awlaki "was in some way involved in facilitating [Abdulmutallab]'s transportation or trip through Yemen. It could be training, a host of things." NPR reported that intelligence officials suspected al-Awlaki may have told Abdulmutallab to go to Yemen for al-Qaeda training. Abdulmutallab told the FBI that al-Awlaki was one of his al-Qaeda trainers in Yemen. Others reported that Abdulmutallab met with al-Awlaki in the weeks leading up to the attack. The Los Angeles Times reported that according to a U.S. intelligence official, intercepts and other information point to connections between the two: Some of the information ... comes from Abdulmutallab, who ... said that he met with al-Awlaki and senior al-Qaeda members during an extended trip to Yemen this year and that the cleric was involved in some elements of planning or preparing the attack and in providing religious justification for it. Other intelligence linking the two became apparent after the attempted bombing, including communications intercepted by the National Security Agency indicating that the cleric was meeting with "a Nigerian" in preparation for some kind of operation. Yemen's Deputy Prime Minister for Defense and Security Affairs, Rashad Mohammed al-Alimi, said Yemeni investigators believe that Abdulmutallab traveled to Shabwa in October 2009. Investigators believe he obtained his explosives and received training there. He met there with al-Qaeda members in a house built by al-Awlaki. A top Yemen government official said the two met with each other. In January 2010, al-Awlaki acknowledged that he met and spoke with Abdulmutallab in Yemen in the fall of 2009. In an interview, al-Awlaki said: "Umar Farouk is one of my students; I had communications with him. And I support what he did." He also said: "I did not tell him to do this operation, but I support it". Fox News reported in early February 2010 that Abdulmutallab told federal investigators that al-Awlaki directed him to carry out the bombing. In June 2010 Michael Leiter, the Director of the U.S. National Counterterrorism Center (NCTC), said al-Awlaki had a "direct operational role" in the plot. Sharif Mobley Sharif Mobley had acknowledged contact with Anwar al-Awlaki. The Mobley family claims the contact was for spiritual guidance in further studies of Islam. The Mobley family went to Yemen and resided there for several years. They decided to return to the United States and went to the U.S. Embassy to update the family travel documents. While waiting for their travel documents, Sharif Mobley was kidnapped by Yemen Security Services and shot on January 26, 2010. He was then held in Yemen's Central Prison. Mobley disappeared from the Central Prison on February 27, 2014. His current location is known to the U.S. Embassy in Yemen (currently closed 2015) but is withheld from his family and legal advisers based on U.S. State Department Regulations on "U.S. Citizens Missing Abroad". All charges related to "terrorism/terrorist activity" were dropped by the Yemen government. There are no charges relating to allegations of "killing a guard during an escape attempt from the hospital" and there are no other legal proceedings against him in Yemen. Times Square bomber Faisal Shahzad, convicted of the 2010 Times Square car bombing attempt, told interrogators that he was a "fan and follower" of al-Awlaki, and his writings were one of the inspirations for the attack. On May 6, 2010 ABC News reported that unknown sources told them Shahzad made contact with al-Awlaki over the internet, a claim that could not be independently verified. Stabbing of British former minister Stephen Timms Roshonara Choudhry, who stabbed former British Cabinet Minister Stephen Timms in May 2010, and was found guilty of his attempted murder in November 2010, claimed to have become radicalized by listening to online sermons of al-Awlaki. Seattle Weekly cartoonist death threat In 2010, after Everybody Draw Mohammed Day, cartoonist Molly Norris at Seattle Weekly had to stop publishing, and at the suggestion of the FBI changed her name, moved, and went into hiding due to a fatwā issued by al-Awlaki calling for her death. In the June 2010 issue of Inspire, an English-language al-Qaeda magazine, al-Awlaki cursed her and eight others for "blasphemous caricatures" of Muhammad. "The medicine prescribed by the Messenger of Allah is the execution of those involved", he wrote. Daniel Pipes observed in an article entitled "Dueling Fatwas", "Awlaki stands at an unprecedented crossroads of death declarations, with his targeting Norris even as the U.S. government targets him." Cargo planes bomb plotThe Guardian, The New York Times, and The Daily Telegraph reported that U.S. and British counter-terrorism officials believed that al-Awlaki was behind the cargo plane PETN bombs that were sent from Yemen to Chicago in October 2010.Yemen bomb scare 'mastermind' lived in London | World news. The Guardian. Retrieved on October 1, 2011. When U.S. Homeland Security official John Brennan was asked about al-Awlaki's suspected involvement in the plot, he said: "Anybody associated with al-Qaeda in the Arabian Peninsula is a subject of concern." U.S. Ambassador to Yemen Gerald Feierstein said "al-Awlaki was behind the two bombs." Final years Al-Awlaki's father, tribe, and supporters denied his alleged associations with Al-Qaeda and Islamist terrorism. Al-Awlaki's father proclaimed his son's innocence in an interview with CNN's Paula Newton, saying: "I am now afraid of what they will do with my son. He's not Osama bin Laden, they want to make something out of him that he's not." Responding to a Yemeni official's assertions that his son had taken refuge with al-Qaeda, Nasser said: "He's dead wrong. What do you expect my son to do? There are missiles raining down on the village. He has to hide. But he is not hiding with al-Qaeda; our tribe is protecting him right now." The Yemeni government attempted to get the tribal leaders to release al-Awlaki to their custody. They promised they would not turn him over to U.S. authorities for questioning. The governor of Shabwa said in January 2010 that al-Awlaki was on the move with members of al-Qaeda, including Fahd al-Quso, who was wanted in connection with the bombing of the USS Cole. In January 2010, White House lawyers debated whether or not it was legal to kill al-Awlaki, given his U.S. citizenship. U.S. officials stated that international law allows targeted killing in the event that the subject is an "imminent threat". Because he was a U.S. citizen, his killing had to be approved by the National Security Council. Such action against a U.S. citizen is extremely rare. As a military enemy of the US, al-Awlaki was not subject to Executive Order 11905, which bans assassination for political reasons. The authorization was nevertheless controversial. By February 4, 2010, the New York Daily News reported that al-Awlaki was "now on a targeting list signed off on by the Obama administration". On April 6, The New York Times reported that President Obama had authorized the killing of al-Awlaki. The al-Awalik tribe responded: "We warn against cooperating with America to kill Sheikh Anwar al-Awlaki. We will not stand by idly and watch." Al-Awlaki's tribe wrote that it would "not remain with arms crossed if a hair of Anwar al-Awlaki is touched, or if anyone plots or spies against him. Whoever risks denouncing our son (Awlaki) will be the target of Al-Awalik weapons", and gave warning "against co-operating with the Americans" in the capture or killing of al-Awlaki. Abu Bakr al-Qirbi, the Yemeni foreign minister, announced that the Yemeni government had not received any evidence from the US, and that "Anwar al-Awlaki has always been looked at as a preacher rather than a terrorist and shouldn't be considered as a terrorist unless the Americans have evidence that he has been involved in terrorism". In a video clip bearing the imprint of al-Qaeda in the Arabian Peninsula, issued on April 16 in al-Qaeda's monthly magazine Sada Al-Malahem, al-Awlaki said: "What am I accused of? Of calling for the truth? Of calling for jihad for the sake of Allah? Of calling to defend the causes of the Islamic nation?" In the video he also praises both Abdulmutallab and Hasan, and describes both as his "students". In late April, Representative Charlie Dent (R-PA) introduced a resolution urging the U.S. State Department to withdraw al-Awlaki's U.S. citizenship. By May, U.S. officials believed he had become directly involved in terrorist activities. Former colleague Abdul-Malik said he "is a terrorist, in my book", and advised shops not to carry any of his publications. In an editorial, Investor's Business Daily called al-Awlaki the "world's most dangerous man", and recommended that he be added to the FBI's most-wanted terrorist list, a bounty put on his head, that he be designated a Specially Designated Global Terrorist, charged with treason, and extradition papers filed with the Yemeni government. IBD criticized the Justice Department for stonewalling Senator Joe Lieberman's security panel's investigation of al-Awlaki's role in the Fort Hood massacre. On July 16, the U.S. Treasury Department added him to its list of Specially Designated Global Terrorists. Stuart Levey, Under Secretary of the Treasury for Terrorism and Financial Intelligence, called him "extraordinarily dangerous", and said al-Awlaki was involved in several organizational aspects of terrorism, including recruiting, training, fundraising, and planning individual attacks. A few days later, the United Nations Security Council placed al-Awlaki on its UN Security Council Resolution 1267 list of individuals associated with al-Qaeda, describing him as a leader, recruiter, and trainer for al-Qaeda in the Arabian Peninsula. The resolution stipulates that U.N. members must freeze the assets of anyone on the list, and prevent them from travelling or obtaining weapons. The following week, Canadian banks were ordered to seize any assets belonging to al-Awlaki. The Royal Canadian Mounted Police's senior counter-terrorism officer Gilles Michaud described him as a "major, major factor in radicalization". In September 2010, Jonathan Evans, the Director General of the United Kingdom's domestic security and counter-intelligence agency (MI5), said that al-Awlaki was the West's Public Enemy No 1. In October 2010, U.S. Congressman Anthony Weiner (D-NY) urged YouTube to take down al-Awlaki's videos from its website, saying that by hosting al-Awlaki's messages, "We are facilitating the recruitment of homegrown terror." Pauline Neville-Jones, British security minister, said "These Web sites ... incite cold-blooded murder." YouTube began removing the material in November 2010. Al-Awlaki was charged in absentia in Sana'a, Yemen, on November 2 with plotting to kill foreigners and being a member of al-Qaeda. Ali al-Saneaa, the head of the prosecutor's office, announced the charges during the trial of Hisham Assem, who had been accused of killing Jacques Spagnolo, an oil industry worker. He said that al-Awlaki and Assem had been in contact for months, and that al-Awlaki had encouraged Assem to commit terrorism. Al-Awlaki's lawyer said that his client was not connected to Spagnolo's death. On November 6, Yemeni Judge Mohsen Alwan ordered that al-Awlaki be caught "dead or alive". In his book Ticking Time Bomb: Counter-Terrorism Lessons from the U.S. Government's Failure to Prevent the Fort Hood Attack (2011), former U.S. Senator Joe Lieberman described al-Awlaki, Australian Muslim preacher Feiz Mohammad, Muslim cleric Abdullah el-Faisal, and Pakistani-American Samir Khan as "virtual spiritual sanctioners" who use the internet to offer religious justification for Islamist terrorism. Lawsuit against the US In July 2010, al-Awlaki's father, Nasser al-Awlaki, contacted the Center for Constitutional Rights and the American Civil Liberties Union to represent his son in a lawsuit that sought to remove Anwar from the targeted killing list. ACLU's Jameel Jaffer said: the United States is not at war in Yemen, and the government doesn't have a blank check to kill terrorism suspects wherever they are in the world. Among the arguments we'll be making is that, outside actual war zones, the authority to use lethal force is narrowly circumscribed, and preserving the rule of law depends on keeping this authority narrow. Lawyers for Specially Designated Global Terrorists must obtain a special license from the U.S. Treasury Department before they can represent their clients in court. The lawyers were granted the license on August 4, 2010. On August 30, 2010, the groups filed a "targeted killing" lawsuit, naming President Obama, CIA Director Leon Panetta, and Secretary of Defense Robert Gates as defendants. They sought an injunction preventing the targeted killing of al-Awlaki, and also sought to require the government to disclose the standards under which U.S. citizens may be "targeted for death". Judge John D. Bates dismissed the lawsuit in an 83-page ruling, holding that the father did not have legal standing to bring the lawsuit, and that his claims were judicially unreviewable under the political question doctrine inasmuch as he was questioning a decision that the U.S. Constitution committed to the political branches. On May 5, 2011, the United States tried but failed to kill al-Awlaki by firing a missile from an unmanned drone at a car in Yemen. A Yemeni security official said that two al-Qaeda operatives in the car died. Death On September 30, 2011, al-Awlaki was killed in a U.S. drone strike in Al Jawf Governorate, Yemen, according to U.S. sources, the strike was carried out by Joint Special Operations Command, under the direction of the CIA. A witness said the group had stopped to eat breakfast while traveling to Ma'rib Governorate. The occupants of the vehicle spotted the drone and attempted to flee in the vehicle before Hellfire missiles were fired Yemen's Defense Ministry announced that al-Awlaki had been killed. Also killed was Samir Khan, an American born in Saudi Arabia, thought to be behind al-Qaeda's English-language web magazine Inspire. U.S. President Barack Obama said: The death of Awlaki is a major blow to Al-Qaeda's most active operational affiliate. He took the lead in planning and directing efforts to murder innocent Americans ... and he repeatedly called on individuals in the United States and around the globe to kill innocent men, women and children to advance a murderous agenda. [The strike] is further proof that Al-Qaeda and its affiliates will find no safe haven anywhere in the world. Journalist and author Glenn Greenwald argued on Salon.com that killing al-Awlaki violated his First Amendment right of free speech and that doing so outside of a criminal proceeding violated the Constitution's due process clause, specifically citing the 1969 Supreme Court decision in Brandenburg v. Ohio that "the constitutional guarantees of free speech and free press do not permit a State to forbid or proscribe advocacy of the use of force." He mentioned doubt among Yemeni experts about al-Awlaki's role in al-Qaeda, and called U.S. government accusations against him unverified and lacking in evidence. In a letter dated May 22, 2013, to the chairman of the U.S. Senate Judiciary committee, Patrick J. Leahy, U.S. attorney general Eric Holder wrote that high-level U.S. government officials [...] concluded that al-Aulaqi posed a continuing and imminent threat of violent attack against the United States. Before carrying out the operation that killed al-Aulaqi, senior officials also determined, based on a careful evaluation of the circumstances at the time, that it was not feasible to capture al-Aulaqi. In addition, senior officials determined that the operation would be conducted consistent with applicable law of war principles, including the cardinal principles of (1) necessity – the requirement that the target have definite military value; (2) distinction – the idea that only military objectives may be intentionally targeted and that civilians are protected from being intentionally targeted; (3) proportionality – the notion that the anticipated collateral damage of an action cannot be excessive in relation to the anticipated concrete and direct military advantage; and (4) humanity – a principle that requires us to use weapons that will not inflict unnecessary suffering. The operation was also undertaken consistent with Yemeni sovereignty. [...] The decision to target Anwar al-Aulaqi was lawful, it was considered, and it was just. On April 21, 2014, the 2nd U.S. Circuit Court of Appeal ruled that the Obama administration must release documents justifying its drone killings of foreigners and Americans, including Anwar al-Awlaki. In June 2014, the United States Department of Justice disclosed a 2010 memorandum written by the acting head of the department's Office of Legal Counsel, David J. Barron. The memo stated that Anwar al-Awlaki was a significant threat with an infeasible probability of capture. Barron therefore justified the killing as legal, as "the Constitution would not require the government to provide further process". The New York Times Editorial Board dismissed the memo's rationale for al-Awlaki's killing, saying it "provides little confidence that the lethal action was taken with real care", instead describing it as "a slapdash pastiche of legal theories—some based on obscure interpretations of British and Israeli law—that was clearly tailored to the desired result." A lawyer for the ACLU described the memo as "disturbing" and "ultimately an argument that the president can order targeted killings of Americans without ever having to account to anyone outside the executive branch." Legacy Seth Jones, who as a political scientist specializes in al-Qaida, considers that the continuing relevance of al-Awlaki is due to his fluency in the English language as well as his charisma, precising that "he had a disarming aura and unnerving confidence, with an easy smile and a soothing, eloquent voice. He stood a lanky six feet, one inch tall, weighed 160 pounds, and had a thick black beard, an oversized nose, and wire-rimmed glasses. He spoke in a clear, almost hypnotic voice." Awlaki's videos and writings remain highly popular on the internet, where they continue to be readily accessible. Those who viewed and still view his videos are estimated by journalist Scott Shane to number in the hundreds of thousands, while his father Dr. Nasser Awlaqi says that "five million preaching tapes of Anwar Awlaqi have been sold in the West." And thus, even following his death, Awlaki has continued to inspire his devotees to carry out terrorist attacks, including the 2013 Boston Marathon bombing, the 2015 San Bernardino attack, and the 2016 Orlando nightclub shooting. According to the Counter Extremism Project (CEP), 88 "extremists," 54 in the U.S. and 34 in Europe, have been influenced by Awlaki. Because "his work has inspired countless plots and attacks," CEP has "called on YouTube and other platforms to permanently ban Mr. Awlaki's material, including his early, mainstream lectures." FOIA documents During the FBI investigation of the 9/11 attacks, it was discovered that a few of the attackers had attended the mosques in San Diego and Falls Church with which al-Awlaki was associated. Interviews with members of the San Diego mosque showed that Nawaz al-Hazmi, one of the attackers, may have had a private conversation with him. On that basis he was placed under 24-hour surveillance. It was discovered that he regularly patronized prostitutes. It was through FBI interrogation of prostitutes and escort service operators that al-Awlaki was tipped off in 2002 about FBI surveillance. Shortly thereafter, he left the United States. In January 2013, Fox News announced that FBI documents obtained by Judicial Watch through a Freedom of Information Act request showed possible connections between al-Awlaki and the September 11 attackers. According to Judicial Watch, the documents show that the FBI knew that al-Awlaki had bought tickets for three of the hijackers to fly into Florida and Las Vegas. Judicial Watch further stated that al-Awlaki "was a central focus of the FBI's investigation of 9/11. They show he wasn't cooperative. And they show that he was under surveillance." When queried by Fox News, the FBI denied having evidence connecting al-Awlaki and the September 11 attacks: "The FBI cautions against drawing conclusions from redacted FOIA documents. The FBI and investigating bodies have not found evidence connecting Anwar al-Awlaki and the attack on September 11, 2001. The document referenced does not link Anwar al-Awlaki with any purchase of airline tickets for the hijackers." Family Abdulrahman al-Awlaki Anwar al-Awlaki and Egyptian-born Gihan Mohsen Baker had a son, Abdulrahman Anwar al-Awlaki, born August 26, 1995, in Denver, who was an American citizen. Abdulrahman al-Awlaki was killed on October 14, 2011, in Yemen at the age of 16 in an American drone strike. Nine other people were killed in the same CIA-initiated attack, including a 17-year-old cousin of Abdulrahman. According to his relatives, shortly before his father's death, Abdulrahman had left the family home in Sana'a and travelled to Shabwa in search of his father who was believed to be in hiding in that area (though he was actually hundreds of miles away at the time ). Abdulrahman was sitting in an open-air cafe in Shabwa when killed. According to U.S. officials, the killing of Abdulrahman al-Awlaki was a mistake; the intended target was an Egyptian, Ibrahim al-Banna, who was not at the targeted location at the time of the attack. Human rights groups have raised questions as to why an American citizen was killed by the United States in a country with which the United States is not officially at war. Abdulrahman al-Awlaki was not known to have any independent connection to terrorism. Nasser al-Awlaki Nasser al-Awlaki is the father of Anwar and grandfather of Abdulrahman al-Awlaki. Al-Awlaki stated he believed his son had been wrongly accused and was not a member of Al Qaeda. After the deaths of his son and grandson, Nasser in an interview in Time magazine called the killings a crime and condemned U.S. President Obama directly, saying: "I urge the American people to bring the killers to justice. I urge them to expose the hypocrisy of the 2009 Nobel Prize laureate. To some, he may be that. To me and my family, he is nothing more than a child killer." In 2013, Nasser al-Awlaki published an op-ed in The New York Times stating that two years after killing his grandson, the Obama administration still declines to provide an explanation. In 2012, Nasser al-Awlaki filed a lawsuit, Al-Aulaqi v. Panetta, challenging the constitutionality of the drone killings of his son and grandson. This lawsuit was dismissed in April 2014 by D.C. District Court Judge Rosemary M. Collyer. Tariq al-Dahab Tariq al-Dahab, who led al-Qaeda insurgents in Yemen, was a brother-in-law of al-Awlaki. On February 16, 2012, the terrorist organization stated that he had been killed by agents, although media reports contain speculation that he was killed by his brother in a bloody family feud. Nawar al-Awlaki On January 29, 2017, Anwar al-Awlaki's 8-year-old daughter, Nawar al-Awlaki, who was an American citizen, was killed in a DEVGRU operation authorized by President Donald Trump."1 US service member killed, 3 wounded in Yemen raid" , WPVI-TV, 6 ABC Action News, Philadelphia, PA. January 29, 2017. Retrieved January 29, 2017. Islamic education Al-Awlaki's Islamic education was primarily informal, and consisted of intermittent months with various scholars reading and contemplating Islamic scholarly works. Despite having no religious qualifications and almost no religious education, Al-Awlaki made a name for himself as a public speaker who released popular audio recordings.Some Muslim scholars said they did not understand alAwlaki's popularity, because while he spoke fluent English and could therefore reach a large non-Arabic-speaking audience, he lacked formal Islamic training and study. Ideology While imprisoned in Yemen after 2004, al-Awlaki was influenced by the works of Sayyid Qutb, described by The New York Times as an originator of the contemporary "anti-Western Jihadist movement". He read 150 to 200 pages a day of Qutb's works, and described himself as "so immersed with the author I would feel Sayyid was with me in my cell speaking to me directly". Terrorism consultant Evan Kohlmann in 2009 referred to al-Awlaki as "one of the principal jihadi luminaries for would-be homegrown terrorists. His fluency with English, his unabashed advocacy of jihad and mujahideen organizations, and his Web-savvy approach are a powerful combination." He called al-Awlaki's lecture, "Constants on the Path of Jihad", which he says was based on a similar document written by al-Qaeda's founder, the "virtual bible for lone-wolf Muslim extremists". Philip Mudd, formerly of the CIA's National Counterterrorism Center and the FBI's top intelligence adviser, called him "a magnetic character ... a powerful orator." He attracted young men to his lectures, especially US-based and UK-based Muslims. U.S. officials and some U.S. media sources called al-Awlaki an Islamic fundamentalist and accused him of encouraging terrorism. According to documents recovered from bin Laden's hideout, the al-Qaeda leader was unsure about al-Awlaki's qualifications. Works The Nine Eleven Finding Answers Foundation said al-Awlaki's ability to write and speak in fluent English enabled him to incite English-speaking Muslims to terrorism. Al-Awlaki notes in 44 Ways to Support Jihad that most reading material on the subject is in Arabic. Written works 44 Ways to Support Jihad: Essay (January 2009). In it, al-Awlaki states that "The hatred of kuffar is a central element of our military creed" and that all Muslims are obligated to participate in jihad, either by committing the acts themselves or supporting others who do so. He says all Muslims must remain physically fit so as to be prepared for conflict. According to U.S. officials, it is considered a key text for al-Qaeda members. Al-Awlaki wrote for Jihad Recollections, an English language online publication published by Al-Fursan Media. Allah is Preparing Us for Victory – short book (2009). Lectures Lectures on the book Constants on the Path of Jihad by Yusef al-Ayeri—concerns leaderless jihad. In 2009, the UK government found 1,910 of his videos had been posted to YouTube. One of them had been viewed 164,420 times. The Battle of Hearts and Minds The Dust Will Never Settle Down Dreams & Interpretations The Hereafter—16 CDs—Al Basheer Productions Life of Muhammad: Makkan Period—16 CDs—Al Basheer Productions Life of Muhammad: Medinan Period—Lecture in 2 Parts—18 CDs—Al Basheer Productions Lives of the Prophets (AS)—16 CDs—Al Basheer Productions Abu Bakr as-Siddiq (RA): His Life & Times—15 CDs—Al Basheer Productions Umar ibn al-Khattāb (RA): His Life & Times—18 CDs—Al Basheer Productions 25 Promises from Allah to the Believer—2 CDs—Noor Productions Companions of the Ditch & Lessons from the Life of Musa (AS)—2 CDs—Noor Productions Remembrance of Allah & the Greatest Ayah—2 CDs—Noor Productions Stories from Hadith—4 CDs—Center for Islamic Information and Education ("CIIE") Hellfire & The Day of Judgment—CD—CIIE Quest for Truth: The Story of Salman Al-Farsi (RA)—CD—CIIE Trials & Lessons for Muslim Minorities—CD—CIIE Young Ayesha (RA) & Mothers of the Believers (RA)—CD—CIIE Understanding the Quran—CD—CIIE Lessons from the Companions (RA) Living as a Minority—CD—CIIE Virtues of the Sahabah—video lecture series promoted by the al-Wasatiyyah Foundation Website Al-Awlaki maintained a website and blog on which he shared his views. On December 11, 2008, he said Muslims should not seek to "serve in the armies of the disbelievers and fight against his brothers". In "44 Ways to Support Jihad", posted on his blog in February 2009, al-Awlaki encouraged others to "fight jihad", and explained how to give money to the mujahideen or their families. Al-Awlaki's sermon encourages others to conduct weapons training, and raise children "on the love of Jihad". Also that month, he wrote: "I pray that Allah destroys America and all its allies." He wrote as well: "We will implement the rule of Allah on Earth by the tip of the sword, whether the masses like it or not." On July 14, he said that Muslim countries should not offer military assistance to the US. "The blame should be placed on the soldier who is willing to follow orders ... who sells his religion for a few dollars," he said. In blog post dated July 15, 2009, entitled "Fighting Against Government Armies in the Muslim World", al-Awlaki wrote, "Blessed are those who fight against [American soldiers], and blessed are those shuhada [martyrs] who are killed by them." In a video posted to the internet on November 8, 2010, al-Awlaki called for Muslims to kill Americans "without hesitation", and overthrow Arab governments that cooperate with the US. "Don't consult with anyone in fighting the Americans, fighting the devil doesn't require consultation or prayers or seeking divine guidance. They are the party of the devils", al-Awlaki said. That month, Intelligence Research Specialist Kevin Yorke of the New York Police Department's Counterterrorism Division called him "the most dangerous man in the world". See also Church Committee Executive Order 12333 Extrajudicial killing International counter-terrorism activities of the CIA Protocol I References Further reading al-Ashanti, AbdulHaq and Sloan, Abu Ameenah AbdurRahman. (2011) A Critique of the Methodology of Anwar al-Awlaki and his Errors in the Fiqh of Jihad. London: Jamiah Media, 2011 External links Ruling of Judge Bates in Al Aulaqi v Obama Statements Interviews "Exclusive; Ray Suarez: My Post-9/11 Interview With Anwar al-Awlaki", PBS, October 30, 2001 "Al-Jazeera Satellite Network Interview with Yemeni-American Cleric Shaykh Anwar al-Awlaki Regarding his Alleged Role in Radicalizing Maj. Malik Nidal Hasan", The NEFA Foundation, December 24, 2009 Media coverage The imam's very curious story: A skirt-chasing mullah is just one more mystery for the 9/11 panel, Ragavan, Chitra, US News and World Report'', June 13, 2004 DBI.gov 1971 births 2011 deaths 20th-century imams 21st-century imams Abdullah Yusuf Azzam Al-Qaeda propagandists Assassinated al-Qaeda leaders American al-Qaeda members American expatriates in the United Kingdom American expatriates in Yemen American imams American Islamists American people of Yemeni descent Colorado State University alumni George Washington University Graduate School of Education and Human Development alumni People associated with the September 11 attacks People from Las Cruces, New Mexico San Diego State University alumni Yemeni imams Yemeni al-Qaeda members Yemeni Sunni Muslim scholars of Islam Yemeni Sunni Muslims Deaths by drone strikes of the Central Intelligence Agency in Yemen Islam-related controversies People designated by the Al-Qaida and Taliban Sanctions Committee American male criminals Yemeni criminals Yemeni Islamists Yemeni expatriates in the United Kingdom Shafi'is American Muslim activists Assassinated Yemeni people Yemeni propagandists United States military killing of American civilians

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What happened after Zachary was arrested?

What happened after Zachary Chesser was arrested?

Anwar al-Awlaki

FBI agents identified al-Awlaki as a known, important "senior recruiter for al Qaeda", and a spiritual motivator. His name came up in a dozen terrorism plots in the US, UK, and Canada. The cases included suicide bombers in the 2005 London bombings, radical Islamic terrorists in the 2006 Toronto terrorism case, radical Islamic terrorists in the 2007 Fort Dix attack plot, the jihadist killer in the 2009 Little Rock military recruiting office shooting, and the 2010 Times Square bomber. In each case the suspects were devoted to al-Awlaki's message, which they listened to online and on CDs. Al-Awlaki's recorded lectures were heard by Islamist fundamentalists in at least six terror cells in the UK through 2009. Michael Finton (Talib Islam), who attempted in September 2009 to bomb the Federal Building and the adjacent offices of Congressman Aaron Schock in Springfield, Illinois, admired al-Awlaki and quoted him on his Myspace page. In addition to his website, al-Awlaki had a Facebook fan page with "fans" in the US, many of whom were high school students. Al-Awlaki also set up a website and blog on which he shared his views. Al-Awlaki influenced several other extremists to join terrorist organizations overseas and to carry out terrorist attacks in their home countries. Mohamed Alessa and Carlos Almonte, two American citizens from New Jersey who attempted to travel to Somalia in June 2010 to join the al-Qaeda-linked terrorist group Al Shabaab, allegedly watched several al-Awlaki videos and sermons in which he warned of future attacks against Americans in the US and abroad. Zachary Chesser, an American citizen who was arrested for attempting to provide material support to Al Shabaab, told federal authorities that he watched online videos featuring al-Awlaki and that he exchanged several e-mails with al-Awlaki. In July 2010, Paul Rockwood was sentenced to eight years in prison for creating a list of 15 potential targets in the US, people he felt had desecrated Islam. Rockwood was a devoted follower of al-Awlaki, and had studied his works Constants on the Path to Jihad and 44 Ways to Jihad. In October 2008, Charles Allen, US Under-Secretary of Homeland Security for Intelligence and Analysis, warned that al-Awlaki "targets U.S. Muslims with radical online lectures encouraging terrorist attacks from his new home in Yemen." Responding to Allen, al-Awlaki wrote on his website in December 2008: "I would challenge him to come up with just one such lecture where I encourage 'terrorist attacks'". CANNOTANSWER

In July 2010, Paul Rockwood was sentenced to eight years in prison for creating a list of 15 potential targets in the US, people he felt had desecrated Islam.

Anwar Nasser al-Awlaki (also spelled al-Aulaqi, al-Awlaqi; ; April 21 or 22, 1971 – September 30, 2011) was a Yemeni-American imam who was killed in 2011 in Yemen by an American drone strike ordered by President Barack Obama. Al-Awlaki became the first U.S. citizen to be targeted and killed by a U.S. drone strike without the rights of due process being afforded. US government officials argued that Awlaki was a key organizer for the Islamist terrorist group al-Qaeda, and in June 2014, a previously classified memorandum issued by the U.S. Department of Justice was released, justifying al-Awlaki's death as a lawful act of war. Civil liberties advocates have described the incident as "an extrajudicial execution" that breached al-Awlaki's right to due process, including a trial. Al-Awlaki was born in Las Cruces, New Mexico, in 1971 to parents from Yemen. Growing up partially in the United States and partially in Yemen, he attended various universities across the United States in the 1990s and early 2000s while also working as an imam, despite having no religious qualifications and almost no religious education. Al-Awlaki returned to Yemen in early 2004 and became a university lecturer after a brief stint as a public speaker in the United Kingdom. He was detained by Yemeni authorities in 2006, where he spent 18 months in prison before being released without facing trial. Following his release, Al-Awlaki's message started to become overtly supportive of violence, as he condemned United States foreign policy against Muslims. The Yemeni government tried him in absentia in November 2010, for plotting to kill foreigners and being a member of al-Qaeda. A Yemeni judge ordered that he be captured "dead or alive". U.S. officials said that in 2009, al-Awlaki was promoted to the rank of "regional commander" within al-Qaeda, although they described his role as more "inspirational" than "operational." He repeatedly called for jihad against the United States. In April 2010, al-Awlaki was placed on a CIA kill list by President Barack Obama due to his alleged terrorist activities. Al-Awlaki's father and civil rights groups challenged the order in court. Al-Awlaki was believed to be in hiding in southeast Yemen in the last years of his life. The U.S. deployed unmanned aircraft (drones) in Yemen to search for and kill him, firing at and failing to kill him at least once; he was successfully killed on September 30, 2011. Two weeks later, al-Awlaki's 16-year-old son, Abdulrahman al-Awlaki, a U.S. citizen who was born in Denver, Colorado, was also killed by a CIA-led drone strike in Yemen. His daughter, 8-year old Nawar al-Awlaki, was killed during a raid against Al Qaeda ordered by President Donald Trump in 2017.<ref name="uk.reuters.com">Ghobari, Mohammed and Phil Stewart. "Commando dies in U.S. raid in Yemen, first military op OK'd by Trump", Reuters, January 29, 2017. Retrieved January 29, 2017.</ref> The New York Times wrote in 2015 that al-Awlaki's public statements and videos have been more influential in inspiring acts of Islamic terrorism in the wake of his killing than before his death. Early life Al-Awlaki was born in Las Cruces, New Mexico, in 1971 to parents from Yemen, while his father, Nasser al-Awlaki, was doing graduate work at U.S. universities. His father was a Fulbright Scholar who earned a master's degree in agricultural economics at New Mexico State University in 1971, received a doctorate at the University of Nebraska, and worked at the University of Minnesota from 1975 to 1977. Nasser al-Awlaki served as Agriculture Minister in Ali Abdullah Saleh's government. He was also President of Sana'a University. Yemen's prime minister from 2007 to 2011, Ali Mohammed Mujur, was a relative. The family returned to Yemen in 1978, when al-Awlaki was seven years old. He lived there for 11 years, and studied at Azal Modern School. Life in the United States 1990–2002 Education In 1991, al-Awlaki returned to the U.S. to attend college. He earned a B.S. in Civil Engineering from Colorado State University (1994), where he was president of the Muslim Student Association. In 1993, while still a college student in Colorado State's civil engineering program, al-Awlaki visited Afghanistan in the aftermath of the Soviet occupation. He spent some time training with the mujahideen who had fought the Soviets. He was depressed by the country's poverty and hunger, and "wouldn't have gone with al-Qaeda," according to friends from Colorado State, who said he was profoundly affected by the trip. Mullah Mohammed Omar did not form the Taliban until 1994. When Al-Awlaki returned to campus, he showed increased interest in religion and politics. Al-Awlaki studied Education Leadership at San Diego State University, but did not complete his degree. He worked on a doctorate in Human Resource Development at The George Washington University Graduate School of Education and Human Development from January to December 2001. Time as imam In 1994, al-Awlaki married a cousin from Yemen, and began service as a part-time imam of the Denver Islamic Society. In 1996, he was chastised by an elder for encouraging a Saudi student to fight in Chechnya against the Russians. He left Denver soon after, moving to San Diego. From 1996 to 2000, al-Awlaki was imam of the Masjid Ar-Ribat al-Islami mosque in San Diego, California, where he had a following of 200–300 people. U.S. officials later alleged that Nawaf al-Hazmi and Khalid al-Mihdhar, hijackers of American Airlines Flight 77, attended his sermons and personally met him during this period. Hazmi later lived in Northern Virginia and attended al-Awlaki's mosque there. The 9/11 Commission Report said that the hijackers "reportedly respected [al-Awlaki] as a religious figure". While in San Diego, al-Awlaki volunteered with youth organizations, fished, discussed his travels with friends, and created a popular and lucrative series of recorded lectures. In August 1996 and in April 1997, al-Awlaki was arrested in San Diego and charged with soliciting prostitutes. The first time, in 1996, he pleaded guilty to a lesser charge and was fined $400 and required to attend informational sessions about AIDS. The second time, in 1997, he pleaded guilty and was fined $240, ordered to perform 12 days of community service, and received three years' probation. From November 2001 to January 2002 the FBI observed him visiting a number of prostitutes, and interviewed them, establishing that he had paid for sex acts. No prosecution was brought. In 1998 and 1999, he served as vice-president for the Charitable Society for Social Welfare. In 2004, the FBI described this group as a "front organization to funnel money to terrorists". Although the FBI investigated al-Awlaki from June 1999 through March 2000 for possible links to Hamas, the Bin Laden contact Ziyad Khaleel, and a visit by an associate of Omar Abdel Rahman, it did not find sufficient evidence for a criminal prosecution. Al-Awlaki told reporters that he resigned from leading the San Diego mosque "after an uneventful four years," and took a brief sabbatical, traveling overseas to various countries. In January 2001, al-Awlaki returned to the U.S., settling in the Washington metropolitan area. There, he was imam at the Dar al-Hijrah mosque near Falls Church, Virginia, and his services were attended by Nawaf al-Hazmi and a third hijacker, Hani Hanjour. He led academic discussions frequented by FBI Director of Counter-Intelligence for the Middle East Gordon M. Snow. Al-Awlaki also served as the Muslim chaplain at George Washington University, where he was hired by Esam Omeish. Omeish said in 2004 that he was convinced that al-Awlaki was not involved in terrorism. His proficiency as a public speaker and command of the English language helped him attract followers who did not speak Arabic. "He was the magic bullet", according to the mosque spokesman Johari Abdul-Malik. "He had everything all in a box." "He had an allure. He was charming." When police investigating the 9/11 attacks raided the Hamburg apartment of Ramzi bin al-Shibh, they found the telephone number of al-Awlaki among bin al-Shibh's personal contacts. The FBI interviewed al-Awlaki four times in the eight days following the 9/11 attacks. One detective later told the 9/11 Commission he believed al-Awlaki "was at the center of the 9/11 story". And an FBI agent said, "if anyone had knowledge of the plot, it would have been" him, since "someone had to be in the U.S. and keep the hijackers spiritually focused". One 9/11 Commission staff member said: "Do I think he played a role in helping the hijackers here, knowing they were up to something? Yes. Do I think he was sent here for that purpose? I have no evidence for it." A separate Congressional Joint Inquiry into the 9/11 attacks suggested that al-Awlaki may have been connected to the hijackers, according to its director, Eleanor Hill. In 2003, Representative Anna Eshoo, a member of the House Intelligence Committee, said, "In my view, he is more than a coincidental figure." Six days after the 9/11 attacks, al-Awlaki suggested in writing on the IslamOnline.net website that Israeli intelligence agents might have been responsible for the attacks, and that the FBI "went into the roster of the airplanes, and whoever has a Muslim or Arab name became the hijacker by default". Soon after the 9/11 attacks, al-Awlaki was sought in Washington, D.C., by the media to answer questions about Islam, its rituals, and its relation to the attacks. He was interviewed by National Geographic, The New York Times, and other media. Al-Awlaki condemned the attacks. According to an NPR report in 2010, in 2001 al-Awlaki appeared to be a moderate who could "bridge the gap between the United States and the worldwide community of Muslims." The New York Times said at the time that he was "held up as a new generation of Muslim leader capable of merging East and West." In 2010, Fox News and the New York Daily News reported that some months after the 9/11 attacks, a Pentagon employee invited al-Awlaki to a luncheon in the Secretary's Office of General Counsel. The U.S. Secretary of the Army had suggested that a moderate Muslim be invited to give a talk. In 2002, al-Awlaki was the first imam to conduct a prayer service for the Congressional Muslim Staffer Association at the U.S. Capitol. That year, Nidal Hasan visited al-Awlaki's mosque for his mother's funeral, at which al-Awlaki presided. In November 2009, Hasan killed 13 and wounded 32 in the Fort Hood shooting. Hasan usually attended a mosque in Maryland closer to where he lived while working at the Walter Reed Medical Center (2003–09). Later in 2002, al-Awlaki posted an essay in Arabic on the Islam Today website titled "Why Muslims Love Death", lauding the fervor of Palestinian suicide bombers. He expressed a similar opinion in a speech at a London mosque later that year. By July 2002, al-Awlaki was under investigation in the United States for having received money from the subject of a U.S. Joint Terrorism Task Force investigation. His name was added to the list of terrorism suspects. Passport fraud issues In June 2002, a Denver federal judge signed an arrest warrant for al-Awlaki for passport fraud. On October 9, the Denver U.S. Attorney's Office filed a motion to dismiss the complaint and vacate the arrest warrant. Prosecutors believed that they lacked sufficient evidence of a crime, according to U.S. Attorney Dave Gaouette, who authorized its withdrawal. Al-Awlaki had listed Yemen rather than the United States as his place of birth on his 1990 application for a U.S. Social Security number, soon after arriving in the US. Al-Awlaki used this documentation to obtain a passport in 1993. He later corrected his place of birth to Las Cruces, New Mexico. "The bizarre thing is if you put Yemen down (on the application), it would be harder to get a Social Security number than to say you are a native-born citizen of Las Cruces", Gaouette said. Prosecutors could not charge him in October 2002, when he returned from a trip abroad, because a 10-year statute of limitations on lying to the Social Security Administration had expired. According to a 2012 investigative report by Fox News, the arrest warrant for passport fraud was still in effect on the morning of October 10, 2002, when FBI Agent Wade Ammerman ordered al-Awlaki's release. U.S. Congressman Frank Wolf (R-VA) and several congressional committees urged FBI Director Robert Mueller to provide an explanation about the bureau's interactions with al-Awlaki, including why he was released from federal custody when there was an outstanding warrant for his arrest. The motion for rescinding the arrest warrant was approved by a magistrate judge on October 10 and filed on October 11.ABC News reported in 2009 that the Joint Terrorism Task Force in San Diego disagreed with the decision to cancel the warrant. They were monitoring al-Awlaki and wanted to "look at him under a microscope". But U.S. Attorney Gaouette said that no objection had been raised to the rescinding of the warrant during a meeting that included Ray Fournier, the San Diego federal diplomatic security agent whose allegation had set in motion the effort to obtain a warrant. Gaouette said that if al-Awlaki had been convicted at the time, he would have faced about six months in custody.The New York Times suggested later that al-Awlaki had claimed birth in Yemen (his family's place of origin) to qualify for scholarship money granted to foreign citizens. U.S. Congressman Frank R. Wolf (R-VA) wrote in May 2010 that by claiming to be foreign-born, al-Awlaki fraudulently obtained more than $20,000 in scholarship funds reserved for foreign students. While living in Northern Virginia, al-Awlaki visited Ali al-Timimi, later known as a radical Islamic cleric. Al-Timimi was convicted in 2005 and is now serving a life sentence for leading the Virginia Jihad Network, inciting Muslim followers to fight with the Taliban against the US. In the United Kingdom 2002–04 Al-Awlaki left the United States before the end of 2002, because of a "climate of fear and intimidation" according to Imam Johari Abdul-Malik of the Dar al-Hijrah mosque. He lived in the UK for several months, where he gave talks attended by up to 200 people. He urged young Muslim followers: "The important lesson to learn here is never, ever trust a kuffar [disbeliever]. Do not trust them! [Their leaders] are plotting to kill this religion. They're plotting night and day." "He was the main man who translated the jihad into English," said a student who attended his lectures in 2003. He gave a series of lectures in December 2002 and January 2003 at the London Masjid al-Tawhid mosque, describing the rewards martyrs (Shahid) receive in paradise (Jannah). He began to gain supporters, particularly among young Muslims, and undertook a lecture tour of England and Scotland in 2002 in conjunction with the Muslim Association of Britain. He also lectured at "ExpoIslamia", an event held by Islamic Forum Europe. At the East London Mosque he told his audience: "A Muslim is a brother of a Muslim... he does not betray him, and he does not hand him over... You don't hand over a Muslim to the enemies." In Britain's Parliament in 2003, Louise Ellman, MP for Liverpool Riverside, discussed the relationship between al-Awlaki and the Muslim Association of Britain, an alleged Muslim Brotherhood front organization founded by Kemal el-Helbawy, a senior member of the Egyptian Muslim Brotherhood. Return to Yemen 2004–11 Al-Awlaki returned to Yemen in early 2004, where he lived in Shabwah Governorate with his wife and five children. He lectured at Iman University, headed by Abdul Majeed al-Zindani. The latter has been included on the UN 1267 Committee's list of individuals belonging to or associated with al-Qaeda. Al-Zindani denied having any influence over al-Awlaki, or that he had been his "direct teacher". Some believe that the school's curriculum deals mostly, if not exclusively, with radical Islamic studies, and promotes radicalism. American convert John Walker Lindh and other alumni have been associated with terrorist groups. On August 31, 2006, al-Awlaki was arrested with four others on charges of kidnapping a Shiite teenager for ransom, and participating in an al-Qaeda plot to kidnap a U.S. military attaché. He was imprisoned in 2006 and 2007. He was interviewed around September 2007 by two FBI agents with regard to the 9/11 attacks and other subjects. John Negroponte, the U.S. Director of National Intelligence, told Yemeni officials he did not object to al-Awlaki's detention. His name was on a list of 100 prisoners whose release was sought by al-Qaeda-linked militants in Yemen. After 18 months in a Yemeni prison, al-Awlaki was released on December 12, 2007, following the intercession of his tribe. According to a Yemeni security official, he was released because he had repented. He moved to his family home in Saeed, a hamlet in the Shabwa mountains. Moazzam Begg's Cageprisoners, an organization representing former Guantanamo detainees, campaigned for al-Awlaki's release when he was in prison in Yemen. Al-Awlaki told Begg in an interview shortly after his release that prior to his incarceration in Yemen, he had condemned the 9/11 attacks. In December 2008, al-Awlaki sent a communique to the Somali terrorist group, al-Shabaab, congratulating them. Al-Awlaki provided al-Qaeda members in Yemen with the protection of his powerful tribe, the Awlakis, against the government. The tribal code required it to protect those who seek refuge and assistance. This imperative has greater force when the person is a member of the tribe or a tribesman's friend. The tribe's motto is "We are the sparks of Hell; whoever interferes with us will be burned." Al-Awlaki also reportedly helped negotiate deals with leaders of other tribes. Sought by Yemeni authorities who were investigating his al-Qaeda ties, al-Awlaki went into hiding in approximately March 2009, according to his father. By December 2009, al-Awlaki was on the Yemeni government's most-wanted list. He was believed to be hiding in Yemen's Shabwa or Mareb regions, which are part of the so-called "triangle of evil". The area has attracted al-Qaeda militants, who seek refuge among local tribes unhappy with Yemen's central government. Yemeni sources originally said al-Awlaki might have been killed in a pre-dawn air strike by Yemeni Air Force fighter jets on a meeting of senior al-Qaeda leaders at a hideout in Rafd in eastern Shabwa, on December 24, 2009. But he survived. Pravda reported that the planes, using Saudi and U.S. intelligence, killed at least 30 al-Qaeda members from Yemen and abroad, and that an al-Awlaki house was "raided and demolished". On December 28 The Washington Post reported that U.S. and Yemeni officials said that al-Awlaki had been present at the meeting. Abdul Elah al-Shaya, a Yemeni journalist, said al-Awlaki called him on December 28 to report that he was well and had not attended the al-Qaeda meeting. Al-Shaya said that al-Awlaki was not tied to al-Qaeda. In March 2010, a tape featuring al-Awlaki was released in which he urged Muslims residing in the United States to attack their country of residence. Reaching out to the United Kingdom After 2006, al-Awlaki was banned from entering the United Kingdom. He broadcast lectures to mosques and other venues there via video-link from 2007 to 2009, on at least seven occasions at five locations in Britain. Noor Pro Media Events held a conference at the East London Mosque on January 1, 2009, showing a videotaped lecture by al-Awlaki; former Shadow Home Secretary Dominic Grieve expressed concern over his being featured. He gave video-link talks in England to an Islamic student society at the University of Westminster in September 2008, an arts center in East London in April 2009 (after the Tower Hamlets council gave its approval), worshippers at the Al Huda Mosque in Bradford, and a dinner of the Cageprisoners organization in September 2008 at the Wandsworth Civic Centre in South London. On August 23, 2009, al-Awlaki was banned by local authorities in Kensington and Chelsea, London, from speaking at Kensington Town Hall via videolink to a fundraiser dinner for Guantanamo detainees promoted by Cageprisoners. His videos, which discuss his Islamist theories, have circulated across the United Kingdom. Until February 2010, hundreds of audio tapes of his sermons were available at the Tower Hamlets public libraries. In 2009, the London-based Islam Channel carried advertisements for his DVDs and at least two of his video conference lectures. Other connections FBI agents identified al-Awlaki as a known, important "senior recruiter for al Qaeda", and a spiritual motivator. His name came up in a dozen terrorism plots in the US, UK, and Canada. The cases included suicide bombers in the 2005 London bombings, radical Islamic terrorists in the 2006 Toronto terrorism case, radical Islamic terrorists in the 2007 Fort Dix attack plot, the jihadist killer in the 2009 Little Rock military recruiting office shooting, and the 2010 Times Square bomber. In each case the suspects were devoted to al-Awlaki's message, which they listened to online and on CDs. Al-Awlaki's recorded lectures were heard by Islamist fundamentalists in at least six terror cells in the UK through 2009. Michael Finton (Talib Islam), who attempted in September 2009 to bomb the Federal Building and the adjacent offices of Congressman Aaron Schock in Springfield, Illinois, admired al-Awlaki and quoted him on his Myspace page. In addition to his website, al-Awlaki had a Facebook fan page with "fans" in the US, many of whom were high school students. Al-Awlaki also set up a website and blog on which he shared his views. Al-Awlaki influenced several other extremists to join terrorist organizations overseas and to carry out terrorist attacks in their home countries. Mohamed Alessa and Carlos Almonte, two American citizens from New Jersey who attempted to travel to Somalia in June 2010 to join the al-Qaeda-linked terrorist group Al Shabaab, allegedly watched several al-Awlaki videos and sermons in which he warned of future attacks against Americans in the United States and abroad. Zachary Chesser, an American citizen who was arrested for attempting to provide material support to Al Shabaab, told federal authorities that he watched online videos featuring al-Awlaki and that he exchanged several e-mails with al-Awlaki. In July 2010, Paul Rockwood was sentenced to eight years in prison for creating a list of 15 potential targets in the US, people he felt had desecrated Islam. Rockwood was a devoted follower of al-Awlaki, and had studied his works Constants on the Path to Jihad and 44 Ways to Jihad. In October 2008, Charles Allen, U.S. Under-Secretary of Homeland Security for Intelligence and Analysis, warned that al-Awlaki "targets U.S. Muslims with radical online lectures encouraging terrorist attacks from his new home in Yemen." Responding to Allen, al-Awlaki wrote on his website in December 2008: "I would challenge him to come up with just one such lecture where I encourage 'terrorist attacks'". Fort Hood shooter Fort Hood shooter Nidal Hasan was investigated by the FBI after intelligence agencies intercepted at least 18 e-mails between him and al-Awlaki between December 2008 and June 2009. Even before the contents of the e-mails were revealed, terrorism expert Jarret Brachman said that Hasan's contacts with al-Awlaki should have raised "huge red flags", because of his influence on radical English-speaking jihadis. Charles Allen, no longer in government, noted that there was no work-related reason for Hasan to be in touch with al-Awlaki. Former CIA officer Bruce Riedel opined: "E-mailing a known al-Qaeda sympathizer should have set off alarm bells. Even if he was exchanging recipes, the bureau should have put out an alert." A DC-based Joint Terrorism Task Force operating under the FBI was notified of the e-mails and reviewed the information. Army employees were informed of the e-mails, but they didn't perceive any terrorist threat in Hasan's questions. Instead, they viewed them as general questions about spiritual guidance with regard to conflicts between Islam and military service and judged them to be consistent with legitimate mental health research about Muslims in the armed services. The assessment was that there was not sufficient information for a larger investigation. In one of the e-mails, Hasan wrote al-Awlaki: "I can't wait to join you [in the afterlife]". "It sounds like code words," said Lt. Col. Tony Shaffer, a military analyst at the Center for Advanced Defense Studies. "That he's actually either offering himself up, or that he's already crossed that line in his own mind." Yemeni journalist Abdulelah Hider Shaea interviewed al-Awlaki in November 2009. Al-Awlaki acknowledged his correspondence with Hasan. He said he "neither ordered nor pressured ... Hasan to harm Americans." Al-Awlaki said Hasan first e-mailed him December 17, 2008, introducing himself by writing: "Do you remember me? I used to pray with you at the Virginia mosque." Hasan said he had become a devout Muslim around the time al-Awlaki was preaching at Dar al-Hijrah, in 2001 and 2002, and al-Awlaki said 'Maybe Nidal was affected by one of my lectures.'" He added: "It was clear from his e-mails that Nidal trusted me. Nidal told me: 'I speak with you about issues that I never speak with anyone else.'" Al-Awlaki said Hasan arrived at his own conclusions regarding the acceptability of violence in Islam and said he was not the one to initiate this. Shaea said, "Nidal was providing evidence to Anwar, not vice versa." Asked whether Hasan mentioned Fort Hood as a target in his e-mails, Shaea declined to comment. Al-Awlaki said the shooting was acceptable in Islam, however, because it was a form of jihad, as the West began the hostilities with the Muslims. Al-Awlaki said he "blessed the act because it was against a military target. And the soldiers who were killed were ... those who were trained and prepared to go to Iraq and Afghanistan". Al-Awlaki's e-mail conversations with Hasan were not released, and he was not placed on the FBI Most Wanted list, indicted for treason, or officially named as a co-conspirator with Hasan. The U.S. government was reluctant to classify the Fort Hood shooting as a terrorist incident, or identify any motive. The Wall Street Journal reported in January 2010 that al-Awlaki had not "played a direct role" in any of the attacks, and noted he had never been charged with a crime in the US. One of his fellow officers at Fort Hood said Hasan was enthusiastic about al-Awlaki. Some investigators believe al-Awlaki's teachings may have been instrumental in Hasan's decision to stage the attack. On his now-disabled website, al-Awlaki praised Hasan's actions, describing him as a hero. Christmas Day "Underwear Bomber" According to a number of sources, Al-Awlaki and Umar Farouk Abdulmutallab, the convicted al-Qaeda attempted bomber of Northwest Airlines Flight 253 on December 25, 2009, had contacts. In January 2010, CNN reported that U.S. "security sources" said that there is concrete evidence that al-Awlaki was Abdulmutallab's recruiter and one of his trainers, and met with him prior to the attack. In February 2010, al-Awlaki admitted in an interview published in al-Jazeera that he taught and corresponded with Abdulmutallab, but denied having ordered the attack. Representative Pete Hoekstra, the senior Republican on the House Intelligence Committee, said officials in the Obama administration and officials with access to law enforcement information told him the suspect "may have had contact [with al-Awlaki]".The Sunday Times established that Abdulmutallab first met al-Awlaki in 2005 in Yemen, while he was studying Arabic. During that time the suspect attended lectures by al-Awlaki.NPR reported that according to unnamed U.S. intelligence officials he attended a sermon by al-Awlaki at the Finsbury Park Mosque. Khalid Mahmood, the Labour MP for Birmingham Perry Barr, a former trustee of the mosque, expressed "grave misgivings" with regard to its stewardship. A spokesperson of the mosque stated that al-Awlaki had never spoken there or had even to his knowledge entered the building. Abdulmutallab was also reported by CBS News, The Daily Telegraph, and The Sunday Telegraph to have attended a talk by al-Awlaki at the East London Mosque, which al-Awlaki may have attended by video teleconference. The Sunday Telegraph later removed the report from its website following a complaint by the East London Mosque, which stated that "Anwar Al Awlaki did not deliver any talks at the ELM between 2005 and 2008, which is when the newspaper had falsely alleged that Abdullmutallab had attended such talks". Investigators who searched flats connected to Abdulmutallab in London said that he was a "big fan" of al-Awlaki, as al-Awlaki's blog and website had repeatedly been visited from those locations. According to federal sources, Abdulmutallab and al-Awlaki repeatedly communicated with one another in the year prior to the attack. "Voice-to-voice communication" between the two was intercepted during the fall of 2009, and one government source said al-Awlaki "was in some way involved in facilitating [Abdulmutallab]'s transportation or trip through Yemen. It could be training, a host of things." NPR reported that intelligence officials suspected al-Awlaki may have told Abdulmutallab to go to Yemen for al-Qaeda training. Abdulmutallab told the FBI that al-Awlaki was one of his al-Qaeda trainers in Yemen. Others reported that Abdulmutallab met with al-Awlaki in the weeks leading up to the attack. The Los Angeles Times reported that according to a U.S. intelligence official, intercepts and other information point to connections between the two: Some of the information ... comes from Abdulmutallab, who ... said that he met with al-Awlaki and senior al-Qaeda members during an extended trip to Yemen this year and that the cleric was involved in some elements of planning or preparing the attack and in providing religious justification for it. Other intelligence linking the two became apparent after the attempted bombing, including communications intercepted by the National Security Agency indicating that the cleric was meeting with "a Nigerian" in preparation for some kind of operation. Yemen's Deputy Prime Minister for Defense and Security Affairs, Rashad Mohammed al-Alimi, said Yemeni investigators believe that Abdulmutallab traveled to Shabwa in October 2009. Investigators believe he obtained his explosives and received training there. He met there with al-Qaeda members in a house built by al-Awlaki. A top Yemen government official said the two met with each other. In January 2010, al-Awlaki acknowledged that he met and spoke with Abdulmutallab in Yemen in the fall of 2009. In an interview, al-Awlaki said: "Umar Farouk is one of my students; I had communications with him. And I support what he did." He also said: "I did not tell him to do this operation, but I support it". Fox News reported in early February 2010 that Abdulmutallab told federal investigators that al-Awlaki directed him to carry out the bombing. In June 2010 Michael Leiter, the Director of the U.S. National Counterterrorism Center (NCTC), said al-Awlaki had a "direct operational role" in the plot. Sharif Mobley Sharif Mobley had acknowledged contact with Anwar al-Awlaki. The Mobley family claims the contact was for spiritual guidance in further studies of Islam. The Mobley family went to Yemen and resided there for several years. They decided to return to the United States and went to the U.S. Embassy to update the family travel documents. While waiting for their travel documents, Sharif Mobley was kidnapped by Yemen Security Services and shot on January 26, 2010. He was then held in Yemen's Central Prison. Mobley disappeared from the Central Prison on February 27, 2014. His current location is known to the U.S. Embassy in Yemen (currently closed 2015) but is withheld from his family and legal advisers based on U.S. State Department Regulations on "U.S. Citizens Missing Abroad". All charges related to "terrorism/terrorist activity" were dropped by the Yemen government. There are no charges relating to allegations of "killing a guard during an escape attempt from the hospital" and there are no other legal proceedings against him in Yemen. Times Square bomber Faisal Shahzad, convicted of the 2010 Times Square car bombing attempt, told interrogators that he was a "fan and follower" of al-Awlaki, and his writings were one of the inspirations for the attack. On May 6, 2010 ABC News reported that unknown sources told them Shahzad made contact with al-Awlaki over the internet, a claim that could not be independently verified. Stabbing of British former minister Stephen Timms Roshonara Choudhry, who stabbed former British Cabinet Minister Stephen Timms in May 2010, and was found guilty of his attempted murder in November 2010, claimed to have become radicalized by listening to online sermons of al-Awlaki. Seattle Weekly cartoonist death threat In 2010, after Everybody Draw Mohammed Day, cartoonist Molly Norris at Seattle Weekly had to stop publishing, and at the suggestion of the FBI changed her name, moved, and went into hiding due to a fatwā issued by al-Awlaki calling for her death. In the June 2010 issue of Inspire, an English-language al-Qaeda magazine, al-Awlaki cursed her and eight others for "blasphemous caricatures" of Muhammad. "The medicine prescribed by the Messenger of Allah is the execution of those involved", he wrote. Daniel Pipes observed in an article entitled "Dueling Fatwas", "Awlaki stands at an unprecedented crossroads of death declarations, with his targeting Norris even as the U.S. government targets him." Cargo planes bomb plotThe Guardian, The New York Times, and The Daily Telegraph reported that U.S. and British counter-terrorism officials believed that al-Awlaki was behind the cargo plane PETN bombs that were sent from Yemen to Chicago in October 2010.Yemen bomb scare 'mastermind' lived in London | World news. The Guardian. Retrieved on October 1, 2011. When U.S. Homeland Security official John Brennan was asked about al-Awlaki's suspected involvement in the plot, he said: "Anybody associated with al-Qaeda in the Arabian Peninsula is a subject of concern." U.S. Ambassador to Yemen Gerald Feierstein said "al-Awlaki was behind the two bombs." Final years Al-Awlaki's father, tribe, and supporters denied his alleged associations with Al-Qaeda and Islamist terrorism. Al-Awlaki's father proclaimed his son's innocence in an interview with CNN's Paula Newton, saying: "I am now afraid of what they will do with my son. He's not Osama bin Laden, they want to make something out of him that he's not." Responding to a Yemeni official's assertions that his son had taken refuge with al-Qaeda, Nasser said: "He's dead wrong. What do you expect my son to do? There are missiles raining down on the village. He has to hide. But he is not hiding with al-Qaeda; our tribe is protecting him right now." The Yemeni government attempted to get the tribal leaders to release al-Awlaki to their custody. They promised they would not turn him over to U.S. authorities for questioning. The governor of Shabwa said in January 2010 that al-Awlaki was on the move with members of al-Qaeda, including Fahd al-Quso, who was wanted in connection with the bombing of the USS Cole. In January 2010, White House lawyers debated whether or not it was legal to kill al-Awlaki, given his U.S. citizenship. U.S. officials stated that international law allows targeted killing in the event that the subject is an "imminent threat". Because he was a U.S. citizen, his killing had to be approved by the National Security Council. Such action against a U.S. citizen is extremely rare. As a military enemy of the US, al-Awlaki was not subject to Executive Order 11905, which bans assassination for political reasons. The authorization was nevertheless controversial. By February 4, 2010, the New York Daily News reported that al-Awlaki was "now on a targeting list signed off on by the Obama administration". On April 6, The New York Times reported that President Obama had authorized the killing of al-Awlaki. The al-Awalik tribe responded: "We warn against cooperating with America to kill Sheikh Anwar al-Awlaki. We will not stand by idly and watch." Al-Awlaki's tribe wrote that it would "not remain with arms crossed if a hair of Anwar al-Awlaki is touched, or if anyone plots or spies against him. Whoever risks denouncing our son (Awlaki) will be the target of Al-Awalik weapons", and gave warning "against co-operating with the Americans" in the capture or killing of al-Awlaki. Abu Bakr al-Qirbi, the Yemeni foreign minister, announced that the Yemeni government had not received any evidence from the US, and that "Anwar al-Awlaki has always been looked at as a preacher rather than a terrorist and shouldn't be considered as a terrorist unless the Americans have evidence that he has been involved in terrorism". In a video clip bearing the imprint of al-Qaeda in the Arabian Peninsula, issued on April 16 in al-Qaeda's monthly magazine Sada Al-Malahem, al-Awlaki said: "What am I accused of? Of calling for the truth? Of calling for jihad for the sake of Allah? Of calling to defend the causes of the Islamic nation?" In the video he also praises both Abdulmutallab and Hasan, and describes both as his "students". In late April, Representative Charlie Dent (R-PA) introduced a resolution urging the U.S. State Department to withdraw al-Awlaki's U.S. citizenship. By May, U.S. officials believed he had become directly involved in terrorist activities. Former colleague Abdul-Malik said he "is a terrorist, in my book", and advised shops not to carry any of his publications. In an editorial, Investor's Business Daily called al-Awlaki the "world's most dangerous man", and recommended that he be added to the FBI's most-wanted terrorist list, a bounty put on his head, that he be designated a Specially Designated Global Terrorist, charged with treason, and extradition papers filed with the Yemeni government. IBD criticized the Justice Department for stonewalling Senator Joe Lieberman's security panel's investigation of al-Awlaki's role in the Fort Hood massacre. On July 16, the U.S. Treasury Department added him to its list of Specially Designated Global Terrorists. Stuart Levey, Under Secretary of the Treasury for Terrorism and Financial Intelligence, called him "extraordinarily dangerous", and said al-Awlaki was involved in several organizational aspects of terrorism, including recruiting, training, fundraising, and planning individual attacks. A few days later, the United Nations Security Council placed al-Awlaki on its UN Security Council Resolution 1267 list of individuals associated with al-Qaeda, describing him as a leader, recruiter, and trainer for al-Qaeda in the Arabian Peninsula. The resolution stipulates that U.N. members must freeze the assets of anyone on the list, and prevent them from travelling or obtaining weapons. The following week, Canadian banks were ordered to seize any assets belonging to al-Awlaki. The Royal Canadian Mounted Police's senior counter-terrorism officer Gilles Michaud described him as a "major, major factor in radicalization". In September 2010, Jonathan Evans, the Director General of the United Kingdom's domestic security and counter-intelligence agency (MI5), said that al-Awlaki was the West's Public Enemy No 1. In October 2010, U.S. Congressman Anthony Weiner (D-NY) urged YouTube to take down al-Awlaki's videos from its website, saying that by hosting al-Awlaki's messages, "We are facilitating the recruitment of homegrown terror." Pauline Neville-Jones, British security minister, said "These Web sites ... incite cold-blooded murder." YouTube began removing the material in November 2010. Al-Awlaki was charged in absentia in Sana'a, Yemen, on November 2 with plotting to kill foreigners and being a member of al-Qaeda. Ali al-Saneaa, the head of the prosecutor's office, announced the charges during the trial of Hisham Assem, who had been accused of killing Jacques Spagnolo, an oil industry worker. He said that al-Awlaki and Assem had been in contact for months, and that al-Awlaki had encouraged Assem to commit terrorism. Al-Awlaki's lawyer said that his client was not connected to Spagnolo's death. On November 6, Yemeni Judge Mohsen Alwan ordered that al-Awlaki be caught "dead or alive". In his book Ticking Time Bomb: Counter-Terrorism Lessons from the U.S. Government's Failure to Prevent the Fort Hood Attack (2011), former U.S. Senator Joe Lieberman described al-Awlaki, Australian Muslim preacher Feiz Mohammad, Muslim cleric Abdullah el-Faisal, and Pakistani-American Samir Khan as "virtual spiritual sanctioners" who use the internet to offer religious justification for Islamist terrorism. Lawsuit against the US In July 2010, al-Awlaki's father, Nasser al-Awlaki, contacted the Center for Constitutional Rights and the American Civil Liberties Union to represent his son in a lawsuit that sought to remove Anwar from the targeted killing list. ACLU's Jameel Jaffer said: the United States is not at war in Yemen, and the government doesn't have a blank check to kill terrorism suspects wherever they are in the world. Among the arguments we'll be making is that, outside actual war zones, the authority to use lethal force is narrowly circumscribed, and preserving the rule of law depends on keeping this authority narrow. Lawyers for Specially Designated Global Terrorists must obtain a special license from the U.S. Treasury Department before they can represent their clients in court. The lawyers were granted the license on August 4, 2010. On August 30, 2010, the groups filed a "targeted killing" lawsuit, naming President Obama, CIA Director Leon Panetta, and Secretary of Defense Robert Gates as defendants. They sought an injunction preventing the targeted killing of al-Awlaki, and also sought to require the government to disclose the standards under which U.S. citizens may be "targeted for death". Judge John D. Bates dismissed the lawsuit in an 83-page ruling, holding that the father did not have legal standing to bring the lawsuit, and that his claims were judicially unreviewable under the political question doctrine inasmuch as he was questioning a decision that the U.S. Constitution committed to the political branches. On May 5, 2011, the United States tried but failed to kill al-Awlaki by firing a missile from an unmanned drone at a car in Yemen. A Yemeni security official said that two al-Qaeda operatives in the car died. Death On September 30, 2011, al-Awlaki was killed in a U.S. drone strike in Al Jawf Governorate, Yemen, according to U.S. sources, the strike was carried out by Joint Special Operations Command, under the direction of the CIA. A witness said the group had stopped to eat breakfast while traveling to Ma'rib Governorate. The occupants of the vehicle spotted the drone and attempted to flee in the vehicle before Hellfire missiles were fired Yemen's Defense Ministry announced that al-Awlaki had been killed. Also killed was Samir Khan, an American born in Saudi Arabia, thought to be behind al-Qaeda's English-language web magazine Inspire. U.S. President Barack Obama said: The death of Awlaki is a major blow to Al-Qaeda's most active operational affiliate. He took the lead in planning and directing efforts to murder innocent Americans ... and he repeatedly called on individuals in the United States and around the globe to kill innocent men, women and children to advance a murderous agenda. [The strike] is further proof that Al-Qaeda and its affiliates will find no safe haven anywhere in the world. Journalist and author Glenn Greenwald argued on Salon.com that killing al-Awlaki violated his First Amendment right of free speech and that doing so outside of a criminal proceeding violated the Constitution's due process clause, specifically citing the 1969 Supreme Court decision in Brandenburg v. Ohio that "the constitutional guarantees of free speech and free press do not permit a State to forbid or proscribe advocacy of the use of force." He mentioned doubt among Yemeni experts about al-Awlaki's role in al-Qaeda, and called U.S. government accusations against him unverified and lacking in evidence. In a letter dated May 22, 2013, to the chairman of the U.S. Senate Judiciary committee, Patrick J. Leahy, U.S. attorney general Eric Holder wrote that high-level U.S. government officials [...] concluded that al-Aulaqi posed a continuing and imminent threat of violent attack against the United States. Before carrying out the operation that killed al-Aulaqi, senior officials also determined, based on a careful evaluation of the circumstances at the time, that it was not feasible to capture al-Aulaqi. In addition, senior officials determined that the operation would be conducted consistent with applicable law of war principles, including the cardinal principles of (1) necessity – the requirement that the target have definite military value; (2) distinction – the idea that only military objectives may be intentionally targeted and that civilians are protected from being intentionally targeted; (3) proportionality – the notion that the anticipated collateral damage of an action cannot be excessive in relation to the anticipated concrete and direct military advantage; and (4) humanity – a principle that requires us to use weapons that will not inflict unnecessary suffering. The operation was also undertaken consistent with Yemeni sovereignty. [...] The decision to target Anwar al-Aulaqi was lawful, it was considered, and it was just. On April 21, 2014, the 2nd U.S. Circuit Court of Appeal ruled that the Obama administration must release documents justifying its drone killings of foreigners and Americans, including Anwar al-Awlaki. In June 2014, the United States Department of Justice disclosed a 2010 memorandum written by the acting head of the department's Office of Legal Counsel, David J. Barron. The memo stated that Anwar al-Awlaki was a significant threat with an infeasible probability of capture. Barron therefore justified the killing as legal, as "the Constitution would not require the government to provide further process". The New York Times Editorial Board dismissed the memo's rationale for al-Awlaki's killing, saying it "provides little confidence that the lethal action was taken with real care", instead describing it as "a slapdash pastiche of legal theories—some based on obscure interpretations of British and Israeli law—that was clearly tailored to the desired result." A lawyer for the ACLU described the memo as "disturbing" and "ultimately an argument that the president can order targeted killings of Americans without ever having to account to anyone outside the executive branch." Legacy Seth Jones, who as a political scientist specializes in al-Qaida, considers that the continuing relevance of al-Awlaki is due to his fluency in the English language as well as his charisma, precising that "he had a disarming aura and unnerving confidence, with an easy smile and a soothing, eloquent voice. He stood a lanky six feet, one inch tall, weighed 160 pounds, and had a thick black beard, an oversized nose, and wire-rimmed glasses. He spoke in a clear, almost hypnotic voice." Awlaki's videos and writings remain highly popular on the internet, where they continue to be readily accessible. Those who viewed and still view his videos are estimated by journalist Scott Shane to number in the hundreds of thousands, while his father Dr. Nasser Awlaqi says that "five million preaching tapes of Anwar Awlaqi have been sold in the West." And thus, even following his death, Awlaki has continued to inspire his devotees to carry out terrorist attacks, including the 2013 Boston Marathon bombing, the 2015 San Bernardino attack, and the 2016 Orlando nightclub shooting. According to the Counter Extremism Project (CEP), 88 "extremists," 54 in the U.S. and 34 in Europe, have been influenced by Awlaki. Because "his work has inspired countless plots and attacks," CEP has "called on YouTube and other platforms to permanently ban Mr. Awlaki's material, including his early, mainstream lectures." FOIA documents During the FBI investigation of the 9/11 attacks, it was discovered that a few of the attackers had attended the mosques in San Diego and Falls Church with which al-Awlaki was associated. Interviews with members of the San Diego mosque showed that Nawaz al-Hazmi, one of the attackers, may have had a private conversation with him. On that basis he was placed under 24-hour surveillance. It was discovered that he regularly patronized prostitutes. It was through FBI interrogation of prostitutes and escort service operators that al-Awlaki was tipped off in 2002 about FBI surveillance. Shortly thereafter, he left the United States. In January 2013, Fox News announced that FBI documents obtained by Judicial Watch through a Freedom of Information Act request showed possible connections between al-Awlaki and the September 11 attackers. According to Judicial Watch, the documents show that the FBI knew that al-Awlaki had bought tickets for three of the hijackers to fly into Florida and Las Vegas. Judicial Watch further stated that al-Awlaki "was a central focus of the FBI's investigation of 9/11. They show he wasn't cooperative. And they show that he was under surveillance." When queried by Fox News, the FBI denied having evidence connecting al-Awlaki and the September 11 attacks: "The FBI cautions against drawing conclusions from redacted FOIA documents. The FBI and investigating bodies have not found evidence connecting Anwar al-Awlaki and the attack on September 11, 2001. The document referenced does not link Anwar al-Awlaki with any purchase of airline tickets for the hijackers." Family Abdulrahman al-Awlaki Anwar al-Awlaki and Egyptian-born Gihan Mohsen Baker had a son, Abdulrahman Anwar al-Awlaki, born August 26, 1995, in Denver, who was an American citizen. Abdulrahman al-Awlaki was killed on October 14, 2011, in Yemen at the age of 16 in an American drone strike. Nine other people were killed in the same CIA-initiated attack, including a 17-year-old cousin of Abdulrahman. According to his relatives, shortly before his father's death, Abdulrahman had left the family home in Sana'a and travelled to Shabwa in search of his father who was believed to be in hiding in that area (though he was actually hundreds of miles away at the time ). Abdulrahman was sitting in an open-air cafe in Shabwa when killed. According to U.S. officials, the killing of Abdulrahman al-Awlaki was a mistake; the intended target was an Egyptian, Ibrahim al-Banna, who was not at the targeted location at the time of the attack. Human rights groups have raised questions as to why an American citizen was killed by the United States in a country with which the United States is not officially at war. Abdulrahman al-Awlaki was not known to have any independent connection to terrorism. Nasser al-Awlaki Nasser al-Awlaki is the father of Anwar and grandfather of Abdulrahman al-Awlaki. Al-Awlaki stated he believed his son had been wrongly accused and was not a member of Al Qaeda. After the deaths of his son and grandson, Nasser in an interview in Time magazine called the killings a crime and condemned U.S. President Obama directly, saying: "I urge the American people to bring the killers to justice. I urge them to expose the hypocrisy of the 2009 Nobel Prize laureate. To some, he may be that. To me and my family, he is nothing more than a child killer." In 2013, Nasser al-Awlaki published an op-ed in The New York Times stating that two years after killing his grandson, the Obama administration still declines to provide an explanation. In 2012, Nasser al-Awlaki filed a lawsuit, Al-Aulaqi v. Panetta, challenging the constitutionality of the drone killings of his son and grandson. This lawsuit was dismissed in April 2014 by D.C. District Court Judge Rosemary M. Collyer. Tariq al-Dahab Tariq al-Dahab, who led al-Qaeda insurgents in Yemen, was a brother-in-law of al-Awlaki. On February 16, 2012, the terrorist organization stated that he had been killed by agents, although media reports contain speculation that he was killed by his brother in a bloody family feud. Nawar al-Awlaki On January 29, 2017, Anwar al-Awlaki's 8-year-old daughter, Nawar al-Awlaki, who was an American citizen, was killed in a DEVGRU operation authorized by President Donald Trump."1 US service member killed, 3 wounded in Yemen raid" , WPVI-TV, 6 ABC Action News, Philadelphia, PA. January 29, 2017. Retrieved January 29, 2017. Islamic education Al-Awlaki's Islamic education was primarily informal, and consisted of intermittent months with various scholars reading and contemplating Islamic scholarly works. Despite having no religious qualifications and almost no religious education, Al-Awlaki made a name for himself as a public speaker who released popular audio recordings.Some Muslim scholars said they did not understand alAwlaki's popularity, because while he spoke fluent English and could therefore reach a large non-Arabic-speaking audience, he lacked formal Islamic training and study. Ideology While imprisoned in Yemen after 2004, al-Awlaki was influenced by the works of Sayyid Qutb, described by The New York Times as an originator of the contemporary "anti-Western Jihadist movement". He read 150 to 200 pages a day of Qutb's works, and described himself as "so immersed with the author I would feel Sayyid was with me in my cell speaking to me directly". Terrorism consultant Evan Kohlmann in 2009 referred to al-Awlaki as "one of the principal jihadi luminaries for would-be homegrown terrorists. His fluency with English, his unabashed advocacy of jihad and mujahideen organizations, and his Web-savvy approach are a powerful combination." He called al-Awlaki's lecture, "Constants on the Path of Jihad", which he says was based on a similar document written by al-Qaeda's founder, the "virtual bible for lone-wolf Muslim extremists". Philip Mudd, formerly of the CIA's National Counterterrorism Center and the FBI's top intelligence adviser, called him "a magnetic character ... a powerful orator." He attracted young men to his lectures, especially US-based and UK-based Muslims. U.S. officials and some U.S. media sources called al-Awlaki an Islamic fundamentalist and accused him of encouraging terrorism. According to documents recovered from bin Laden's hideout, the al-Qaeda leader was unsure about al-Awlaki's qualifications. Works The Nine Eleven Finding Answers Foundation said al-Awlaki's ability to write and speak in fluent English enabled him to incite English-speaking Muslims to terrorism. Al-Awlaki notes in 44 Ways to Support Jihad that most reading material on the subject is in Arabic. Written works 44 Ways to Support Jihad: Essay (January 2009). In it, al-Awlaki states that "The hatred of kuffar is a central element of our military creed" and that all Muslims are obligated to participate in jihad, either by committing the acts themselves or supporting others who do so. He says all Muslims must remain physically fit so as to be prepared for conflict. According to U.S. officials, it is considered a key text for al-Qaeda members. Al-Awlaki wrote for Jihad Recollections, an English language online publication published by Al-Fursan Media. Allah is Preparing Us for Victory – short book (2009). Lectures Lectures on the book Constants on the Path of Jihad by Yusef al-Ayeri—concerns leaderless jihad. In 2009, the UK government found 1,910 of his videos had been posted to YouTube. One of them had been viewed 164,420 times. The Battle of Hearts and Minds The Dust Will Never Settle Down Dreams & Interpretations The Hereafter—16 CDs—Al Basheer Productions Life of Muhammad: Makkan Period—16 CDs—Al Basheer Productions Life of Muhammad: Medinan Period—Lecture in 2 Parts—18 CDs—Al Basheer Productions Lives of the Prophets (AS)—16 CDs—Al Basheer Productions Abu Bakr as-Siddiq (RA): His Life & Times—15 CDs—Al Basheer Productions Umar ibn al-Khattāb (RA): His Life & Times—18 CDs—Al Basheer Productions 25 Promises from Allah to the Believer—2 CDs—Noor Productions Companions of the Ditch & Lessons from the Life of Musa (AS)—2 CDs—Noor Productions Remembrance of Allah & the Greatest Ayah—2 CDs—Noor Productions Stories from Hadith—4 CDs—Center for Islamic Information and Education ("CIIE") Hellfire & The Day of Judgment—CD—CIIE Quest for Truth: The Story of Salman Al-Farsi (RA)—CD—CIIE Trials & Lessons for Muslim Minorities—CD—CIIE Young Ayesha (RA) & Mothers of the Believers (RA)—CD—CIIE Understanding the Quran—CD—CIIE Lessons from the Companions (RA) Living as a Minority—CD—CIIE Virtues of the Sahabah—video lecture series promoted by the al-Wasatiyyah Foundation Website Al-Awlaki maintained a website and blog on which he shared his views. On December 11, 2008, he said Muslims should not seek to "serve in the armies of the disbelievers and fight against his brothers". In "44 Ways to Support Jihad", posted on his blog in February 2009, al-Awlaki encouraged others to "fight jihad", and explained how to give money to the mujahideen or their families. Al-Awlaki's sermon encourages others to conduct weapons training, and raise children "on the love of Jihad". Also that month, he wrote: "I pray that Allah destroys America and all its allies." He wrote as well: "We will implement the rule of Allah on Earth by the tip of the sword, whether the masses like it or not." On July 14, he said that Muslim countries should not offer military assistance to the US. "The blame should be placed on the soldier who is willing to follow orders ... who sells his religion for a few dollars," he said. In blog post dated July 15, 2009, entitled "Fighting Against Government Armies in the Muslim World", al-Awlaki wrote, "Blessed are those who fight against [American soldiers], and blessed are those shuhada [martyrs] who are killed by them." In a video posted to the internet on November 8, 2010, al-Awlaki called for Muslims to kill Americans "without hesitation", and overthrow Arab governments that cooperate with the US. "Don't consult with anyone in fighting the Americans, fighting the devil doesn't require consultation or prayers or seeking divine guidance. They are the party of the devils", al-Awlaki said. That month, Intelligence Research Specialist Kevin Yorke of the New York Police Department's Counterterrorism Division called him "the most dangerous man in the world". See also Church Committee Executive Order 12333 Extrajudicial killing International counter-terrorism activities of the CIA Protocol I References Further reading al-Ashanti, AbdulHaq and Sloan, Abu Ameenah AbdurRahman. (2011) A Critique of the Methodology of Anwar al-Awlaki and his Errors in the Fiqh of Jihad. London: Jamiah Media, 2011 External links Ruling of Judge Bates in Al Aulaqi v Obama Statements Interviews "Exclusive; Ray Suarez: My Post-9/11 Interview With Anwar al-Awlaki", PBS, October 30, 2001 "Al-Jazeera Satellite Network Interview with Yemeni-American Cleric Shaykh Anwar al-Awlaki Regarding his Alleged Role in Radicalizing Maj. Malik Nidal Hasan", The NEFA Foundation, December 24, 2009 Media coverage The imam's very curious story: A skirt-chasing mullah is just one more mystery for the 9/11 panel, Ragavan, Chitra, US News and World Report'', June 13, 2004 DBI.gov 1971 births 2011 deaths 20th-century imams 21st-century imams Abdullah Yusuf Azzam Al-Qaeda propagandists Assassinated al-Qaeda leaders American al-Qaeda members American expatriates in the United Kingdom American expatriates in Yemen American imams American Islamists American people of Yemeni descent Colorado State University alumni George Washington University Graduate School of Education and Human Development alumni People associated with the September 11 attacks People from Las Cruces, New Mexico San Diego State University alumni Yemeni imams Yemeni al-Qaeda members Yemeni Sunni Muslim scholars of Islam Yemeni Sunni Muslims Deaths by drone strikes of the Central Intelligence Agency in Yemen Islam-related controversies People designated by the Al-Qaida and Taliban Sanctions Committee American male criminals Yemeni criminals Yemeni Islamists Yemeni expatriates in the United Kingdom Shafi'is American Muslim activists Assassinated Yemeni people Yemeni propagandists United States military killing of American civilians

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Did Anwar contact him again after that?

Did Anwar contact Paul Rockwood again?

Anwar al-Awlaki

FBI agents identified al-Awlaki as a known, important "senior recruiter for al Qaeda", and a spiritual motivator. His name came up in a dozen terrorism plots in the US, UK, and Canada. The cases included suicide bombers in the 2005 London bombings, radical Islamic terrorists in the 2006 Toronto terrorism case, radical Islamic terrorists in the 2007 Fort Dix attack plot, the jihadist killer in the 2009 Little Rock military recruiting office shooting, and the 2010 Times Square bomber. In each case the suspects were devoted to al-Awlaki's message, which they listened to online and on CDs. Al-Awlaki's recorded lectures were heard by Islamist fundamentalists in at least six terror cells in the UK through 2009. Michael Finton (Talib Islam), who attempted in September 2009 to bomb the Federal Building and the adjacent offices of Congressman Aaron Schock in Springfield, Illinois, admired al-Awlaki and quoted him on his Myspace page. In addition to his website, al-Awlaki had a Facebook fan page with "fans" in the US, many of whom were high school students. Al-Awlaki also set up a website and blog on which he shared his views. Al-Awlaki influenced several other extremists to join terrorist organizations overseas and to carry out terrorist attacks in their home countries. Mohamed Alessa and Carlos Almonte, two American citizens from New Jersey who attempted to travel to Somalia in June 2010 to join the al-Qaeda-linked terrorist group Al Shabaab, allegedly watched several al-Awlaki videos and sermons in which he warned of future attacks against Americans in the US and abroad. Zachary Chesser, an American citizen who was arrested for attempting to provide material support to Al Shabaab, told federal authorities that he watched online videos featuring al-Awlaki and that he exchanged several e-mails with al-Awlaki. In July 2010, Paul Rockwood was sentenced to eight years in prison for creating a list of 15 potential targets in the US, people he felt had desecrated Islam. Rockwood was a devoted follower of al-Awlaki, and had studied his works Constants on the Path to Jihad and 44 Ways to Jihad. In October 2008, Charles Allen, US Under-Secretary of Homeland Security for Intelligence and Analysis, warned that al-Awlaki "targets U.S. Muslims with radical online lectures encouraging terrorist attacks from his new home in Yemen." Responding to Allen, al-Awlaki wrote on his website in December 2008: "I would challenge him to come up with just one such lecture where I encourage 'terrorist attacks'". CANNOTANSWER

CANNOTANSWER

Anwar Nasser al-Awlaki (also spelled al-Aulaqi, al-Awlaqi; ; April 21 or 22, 1971 – September 30, 2011) was a Yemeni-American imam who was killed in 2011 in Yemen by an American drone strike ordered by President Barack Obama. Al-Awlaki became the first U.S. citizen to be targeted and killed by a U.S. drone strike without the rights of due process being afforded. US government officials argued that Awlaki was a key organizer for the Islamist terrorist group al-Qaeda, and in June 2014, a previously classified memorandum issued by the U.S. Department of Justice was released, justifying al-Awlaki's death as a lawful act of war. Civil liberties advocates have described the incident as "an extrajudicial execution" that breached al-Awlaki's right to due process, including a trial. Al-Awlaki was born in Las Cruces, New Mexico, in 1971 to parents from Yemen. Growing up partially in the United States and partially in Yemen, he attended various universities across the United States in the 1990s and early 2000s while also working as an imam, despite having no religious qualifications and almost no religious education. Al-Awlaki returned to Yemen in early 2004 and became a university lecturer after a brief stint as a public speaker in the United Kingdom. He was detained by Yemeni authorities in 2006, where he spent 18 months in prison before being released without facing trial. Following his release, Al-Awlaki's message started to become overtly supportive of violence, as he condemned United States foreign policy against Muslims. The Yemeni government tried him in absentia in November 2010, for plotting to kill foreigners and being a member of al-Qaeda. A Yemeni judge ordered that he be captured "dead or alive". U.S. officials said that in 2009, al-Awlaki was promoted to the rank of "regional commander" within al-Qaeda, although they described his role as more "inspirational" than "operational." He repeatedly called for jihad against the United States. In April 2010, al-Awlaki was placed on a CIA kill list by President Barack Obama due to his alleged terrorist activities. Al-Awlaki's father and civil rights groups challenged the order in court. Al-Awlaki was believed to be in hiding in southeast Yemen in the last years of his life. The U.S. deployed unmanned aircraft (drones) in Yemen to search for and kill him, firing at and failing to kill him at least once; he was successfully killed on September 30, 2011. Two weeks later, al-Awlaki's 16-year-old son, Abdulrahman al-Awlaki, a U.S. citizen who was born in Denver, Colorado, was also killed by a CIA-led drone strike in Yemen. His daughter, 8-year old Nawar al-Awlaki, was killed during a raid against Al Qaeda ordered by President Donald Trump in 2017.<ref name="uk.reuters.com">Ghobari, Mohammed and Phil Stewart. "Commando dies in U.S. raid in Yemen, first military op OK'd by Trump", Reuters, January 29, 2017. Retrieved January 29, 2017.</ref> The New York Times wrote in 2015 that al-Awlaki's public statements and videos have been more influential in inspiring acts of Islamic terrorism in the wake of his killing than before his death. Early life Al-Awlaki was born in Las Cruces, New Mexico, in 1971 to parents from Yemen, while his father, Nasser al-Awlaki, was doing graduate work at U.S. universities. His father was a Fulbright Scholar who earned a master's degree in agricultural economics at New Mexico State University in 1971, received a doctorate at the University of Nebraska, and worked at the University of Minnesota from 1975 to 1977. Nasser al-Awlaki served as Agriculture Minister in Ali Abdullah Saleh's government. He was also President of Sana'a University. Yemen's prime minister from 2007 to 2011, Ali Mohammed Mujur, was a relative. The family returned to Yemen in 1978, when al-Awlaki was seven years old. He lived there for 11 years, and studied at Azal Modern School. Life in the United States 1990–2002 Education In 1991, al-Awlaki returned to the U.S. to attend college. He earned a B.S. in Civil Engineering from Colorado State University (1994), where he was president of the Muslim Student Association. In 1993, while still a college student in Colorado State's civil engineering program, al-Awlaki visited Afghanistan in the aftermath of the Soviet occupation. He spent some time training with the mujahideen who had fought the Soviets. He was depressed by the country's poverty and hunger, and "wouldn't have gone with al-Qaeda," according to friends from Colorado State, who said he was profoundly affected by the trip. Mullah Mohammed Omar did not form the Taliban until 1994. When Al-Awlaki returned to campus, he showed increased interest in religion and politics. Al-Awlaki studied Education Leadership at San Diego State University, but did not complete his degree. He worked on a doctorate in Human Resource Development at The George Washington University Graduate School of Education and Human Development from January to December 2001. Time as imam In 1994, al-Awlaki married a cousin from Yemen, and began service as a part-time imam of the Denver Islamic Society. In 1996, he was chastised by an elder for encouraging a Saudi student to fight in Chechnya against the Russians. He left Denver soon after, moving to San Diego. From 1996 to 2000, al-Awlaki was imam of the Masjid Ar-Ribat al-Islami mosque in San Diego, California, where he had a following of 200–300 people. U.S. officials later alleged that Nawaf al-Hazmi and Khalid al-Mihdhar, hijackers of American Airlines Flight 77, attended his sermons and personally met him during this period. Hazmi later lived in Northern Virginia and attended al-Awlaki's mosque there. The 9/11 Commission Report said that the hijackers "reportedly respected [al-Awlaki] as a religious figure". While in San Diego, al-Awlaki volunteered with youth organizations, fished, discussed his travels with friends, and created a popular and lucrative series of recorded lectures. In August 1996 and in April 1997, al-Awlaki was arrested in San Diego and charged with soliciting prostitutes. The first time, in 1996, he pleaded guilty to a lesser charge and was fined $400 and required to attend informational sessions about AIDS. The second time, in 1997, he pleaded guilty and was fined $240, ordered to perform 12 days of community service, and received three years' probation. From November 2001 to January 2002 the FBI observed him visiting a number of prostitutes, and interviewed them, establishing that he had paid for sex acts. No prosecution was brought. In 1998 and 1999, he served as vice-president for the Charitable Society for Social Welfare. In 2004, the FBI described this group as a "front organization to funnel money to terrorists". Although the FBI investigated al-Awlaki from June 1999 through March 2000 for possible links to Hamas, the Bin Laden contact Ziyad Khaleel, and a visit by an associate of Omar Abdel Rahman, it did not find sufficient evidence for a criminal prosecution. Al-Awlaki told reporters that he resigned from leading the San Diego mosque "after an uneventful four years," and took a brief sabbatical, traveling overseas to various countries. In January 2001, al-Awlaki returned to the U.S., settling in the Washington metropolitan area. There, he was imam at the Dar al-Hijrah mosque near Falls Church, Virginia, and his services were attended by Nawaf al-Hazmi and a third hijacker, Hani Hanjour. He led academic discussions frequented by FBI Director of Counter-Intelligence for the Middle East Gordon M. Snow. Al-Awlaki also served as the Muslim chaplain at George Washington University, where he was hired by Esam Omeish. Omeish said in 2004 that he was convinced that al-Awlaki was not involved in terrorism. His proficiency as a public speaker and command of the English language helped him attract followers who did not speak Arabic. "He was the magic bullet", according to the mosque spokesman Johari Abdul-Malik. "He had everything all in a box." "He had an allure. He was charming." When police investigating the 9/11 attacks raided the Hamburg apartment of Ramzi bin al-Shibh, they found the telephone number of al-Awlaki among bin al-Shibh's personal contacts. The FBI interviewed al-Awlaki four times in the eight days following the 9/11 attacks. One detective later told the 9/11 Commission he believed al-Awlaki "was at the center of the 9/11 story". And an FBI agent said, "if anyone had knowledge of the plot, it would have been" him, since "someone had to be in the U.S. and keep the hijackers spiritually focused". One 9/11 Commission staff member said: "Do I think he played a role in helping the hijackers here, knowing they were up to something? Yes. Do I think he was sent here for that purpose? I have no evidence for it." A separate Congressional Joint Inquiry into the 9/11 attacks suggested that al-Awlaki may have been connected to the hijackers, according to its director, Eleanor Hill. In 2003, Representative Anna Eshoo, a member of the House Intelligence Committee, said, "In my view, he is more than a coincidental figure." Six days after the 9/11 attacks, al-Awlaki suggested in writing on the IslamOnline.net website that Israeli intelligence agents might have been responsible for the attacks, and that the FBI "went into the roster of the airplanes, and whoever has a Muslim or Arab name became the hijacker by default". Soon after the 9/11 attacks, al-Awlaki was sought in Washington, D.C., by the media to answer questions about Islam, its rituals, and its relation to the attacks. He was interviewed by National Geographic, The New York Times, and other media. Al-Awlaki condemned the attacks. According to an NPR report in 2010, in 2001 al-Awlaki appeared to be a moderate who could "bridge the gap between the United States and the worldwide community of Muslims." The New York Times said at the time that he was "held up as a new generation of Muslim leader capable of merging East and West." In 2010, Fox News and the New York Daily News reported that some months after the 9/11 attacks, a Pentagon employee invited al-Awlaki to a luncheon in the Secretary's Office of General Counsel. The U.S. Secretary of the Army had suggested that a moderate Muslim be invited to give a talk. In 2002, al-Awlaki was the first imam to conduct a prayer service for the Congressional Muslim Staffer Association at the U.S. Capitol. That year, Nidal Hasan visited al-Awlaki's mosque for his mother's funeral, at which al-Awlaki presided. In November 2009, Hasan killed 13 and wounded 32 in the Fort Hood shooting. Hasan usually attended a mosque in Maryland closer to where he lived while working at the Walter Reed Medical Center (2003–09). Later in 2002, al-Awlaki posted an essay in Arabic on the Islam Today website titled "Why Muslims Love Death", lauding the fervor of Palestinian suicide bombers. He expressed a similar opinion in a speech at a London mosque later that year. By July 2002, al-Awlaki was under investigation in the United States for having received money from the subject of a U.S. Joint Terrorism Task Force investigation. His name was added to the list of terrorism suspects. Passport fraud issues In June 2002, a Denver federal judge signed an arrest warrant for al-Awlaki for passport fraud. On October 9, the Denver U.S. Attorney's Office filed a motion to dismiss the complaint and vacate the arrest warrant. Prosecutors believed that they lacked sufficient evidence of a crime, according to U.S. Attorney Dave Gaouette, who authorized its withdrawal. Al-Awlaki had listed Yemen rather than the United States as his place of birth on his 1990 application for a U.S. Social Security number, soon after arriving in the US. Al-Awlaki used this documentation to obtain a passport in 1993. He later corrected his place of birth to Las Cruces, New Mexico. "The bizarre thing is if you put Yemen down (on the application), it would be harder to get a Social Security number than to say you are a native-born citizen of Las Cruces", Gaouette said. Prosecutors could not charge him in October 2002, when he returned from a trip abroad, because a 10-year statute of limitations on lying to the Social Security Administration had expired. According to a 2012 investigative report by Fox News, the arrest warrant for passport fraud was still in effect on the morning of October 10, 2002, when FBI Agent Wade Ammerman ordered al-Awlaki's release. U.S. Congressman Frank Wolf (R-VA) and several congressional committees urged FBI Director Robert Mueller to provide an explanation about the bureau's interactions with al-Awlaki, including why he was released from federal custody when there was an outstanding warrant for his arrest. The motion for rescinding the arrest warrant was approved by a magistrate judge on October 10 and filed on October 11.ABC News reported in 2009 that the Joint Terrorism Task Force in San Diego disagreed with the decision to cancel the warrant. They were monitoring al-Awlaki and wanted to "look at him under a microscope". But U.S. Attorney Gaouette said that no objection had been raised to the rescinding of the warrant during a meeting that included Ray Fournier, the San Diego federal diplomatic security agent whose allegation had set in motion the effort to obtain a warrant. Gaouette said that if al-Awlaki had been convicted at the time, he would have faced about six months in custody.The New York Times suggested later that al-Awlaki had claimed birth in Yemen (his family's place of origin) to qualify for scholarship money granted to foreign citizens. U.S. Congressman Frank R. Wolf (R-VA) wrote in May 2010 that by claiming to be foreign-born, al-Awlaki fraudulently obtained more than $20,000 in scholarship funds reserved for foreign students. While living in Northern Virginia, al-Awlaki visited Ali al-Timimi, later known as a radical Islamic cleric. Al-Timimi was convicted in 2005 and is now serving a life sentence for leading the Virginia Jihad Network, inciting Muslim followers to fight with the Taliban against the US. In the United Kingdom 2002–04 Al-Awlaki left the United States before the end of 2002, because of a "climate of fear and intimidation" according to Imam Johari Abdul-Malik of the Dar al-Hijrah mosque. He lived in the UK for several months, where he gave talks attended by up to 200 people. He urged young Muslim followers: "The important lesson to learn here is never, ever trust a kuffar [disbeliever]. Do not trust them! [Their leaders] are plotting to kill this religion. They're plotting night and day." "He was the main man who translated the jihad into English," said a student who attended his lectures in 2003. He gave a series of lectures in December 2002 and January 2003 at the London Masjid al-Tawhid mosque, describing the rewards martyrs (Shahid) receive in paradise (Jannah). He began to gain supporters, particularly among young Muslims, and undertook a lecture tour of England and Scotland in 2002 in conjunction with the Muslim Association of Britain. He also lectured at "ExpoIslamia", an event held by Islamic Forum Europe. At the East London Mosque he told his audience: "A Muslim is a brother of a Muslim... he does not betray him, and he does not hand him over... You don't hand over a Muslim to the enemies." In Britain's Parliament in 2003, Louise Ellman, MP for Liverpool Riverside, discussed the relationship between al-Awlaki and the Muslim Association of Britain, an alleged Muslim Brotherhood front organization founded by Kemal el-Helbawy, a senior member of the Egyptian Muslim Brotherhood. Return to Yemen 2004–11 Al-Awlaki returned to Yemen in early 2004, where he lived in Shabwah Governorate with his wife and five children. He lectured at Iman University, headed by Abdul Majeed al-Zindani. The latter has been included on the UN 1267 Committee's list of individuals belonging to or associated with al-Qaeda. Al-Zindani denied having any influence over al-Awlaki, or that he had been his "direct teacher". Some believe that the school's curriculum deals mostly, if not exclusively, with radical Islamic studies, and promotes radicalism. American convert John Walker Lindh and other alumni have been associated with terrorist groups. On August 31, 2006, al-Awlaki was arrested with four others on charges of kidnapping a Shiite teenager for ransom, and participating in an al-Qaeda plot to kidnap a U.S. military attaché. He was imprisoned in 2006 and 2007. He was interviewed around September 2007 by two FBI agents with regard to the 9/11 attacks and other subjects. John Negroponte, the U.S. Director of National Intelligence, told Yemeni officials he did not object to al-Awlaki's detention. His name was on a list of 100 prisoners whose release was sought by al-Qaeda-linked militants in Yemen. After 18 months in a Yemeni prison, al-Awlaki was released on December 12, 2007, following the intercession of his tribe. According to a Yemeni security official, he was released because he had repented. He moved to his family home in Saeed, a hamlet in the Shabwa mountains. Moazzam Begg's Cageprisoners, an organization representing former Guantanamo detainees, campaigned for al-Awlaki's release when he was in prison in Yemen. Al-Awlaki told Begg in an interview shortly after his release that prior to his incarceration in Yemen, he had condemned the 9/11 attacks. In December 2008, al-Awlaki sent a communique to the Somali terrorist group, al-Shabaab, congratulating them. Al-Awlaki provided al-Qaeda members in Yemen with the protection of his powerful tribe, the Awlakis, against the government. The tribal code required it to protect those who seek refuge and assistance. This imperative has greater force when the person is a member of the tribe or a tribesman's friend. The tribe's motto is "We are the sparks of Hell; whoever interferes with us will be burned." Al-Awlaki also reportedly helped negotiate deals with leaders of other tribes. Sought by Yemeni authorities who were investigating his al-Qaeda ties, al-Awlaki went into hiding in approximately March 2009, according to his father. By December 2009, al-Awlaki was on the Yemeni government's most-wanted list. He was believed to be hiding in Yemen's Shabwa or Mareb regions, which are part of the so-called "triangle of evil". The area has attracted al-Qaeda militants, who seek refuge among local tribes unhappy with Yemen's central government. Yemeni sources originally said al-Awlaki might have been killed in a pre-dawn air strike by Yemeni Air Force fighter jets on a meeting of senior al-Qaeda leaders at a hideout in Rafd in eastern Shabwa, on December 24, 2009. But he survived. Pravda reported that the planes, using Saudi and U.S. intelligence, killed at least 30 al-Qaeda members from Yemen and abroad, and that an al-Awlaki house was "raided and demolished". On December 28 The Washington Post reported that U.S. and Yemeni officials said that al-Awlaki had been present at the meeting. Abdul Elah al-Shaya, a Yemeni journalist, said al-Awlaki called him on December 28 to report that he was well and had not attended the al-Qaeda meeting. Al-Shaya said that al-Awlaki was not tied to al-Qaeda. In March 2010, a tape featuring al-Awlaki was released in which he urged Muslims residing in the United States to attack their country of residence. Reaching out to the United Kingdom After 2006, al-Awlaki was banned from entering the United Kingdom. He broadcast lectures to mosques and other venues there via video-link from 2007 to 2009, on at least seven occasions at five locations in Britain. Noor Pro Media Events held a conference at the East London Mosque on January 1, 2009, showing a videotaped lecture by al-Awlaki; former Shadow Home Secretary Dominic Grieve expressed concern over his being featured. He gave video-link talks in England to an Islamic student society at the University of Westminster in September 2008, an arts center in East London in April 2009 (after the Tower Hamlets council gave its approval), worshippers at the Al Huda Mosque in Bradford, and a dinner of the Cageprisoners organization in September 2008 at the Wandsworth Civic Centre in South London. On August 23, 2009, al-Awlaki was banned by local authorities in Kensington and Chelsea, London, from speaking at Kensington Town Hall via videolink to a fundraiser dinner for Guantanamo detainees promoted by Cageprisoners. His videos, which discuss his Islamist theories, have circulated across the United Kingdom. Until February 2010, hundreds of audio tapes of his sermons were available at the Tower Hamlets public libraries. In 2009, the London-based Islam Channel carried advertisements for his DVDs and at least two of his video conference lectures. Other connections FBI agents identified al-Awlaki as a known, important "senior recruiter for al Qaeda", and a spiritual motivator. His name came up in a dozen terrorism plots in the US, UK, and Canada. The cases included suicide bombers in the 2005 London bombings, radical Islamic terrorists in the 2006 Toronto terrorism case, radical Islamic terrorists in the 2007 Fort Dix attack plot, the jihadist killer in the 2009 Little Rock military recruiting office shooting, and the 2010 Times Square bomber. In each case the suspects were devoted to al-Awlaki's message, which they listened to online and on CDs. Al-Awlaki's recorded lectures were heard by Islamist fundamentalists in at least six terror cells in the UK through 2009. Michael Finton (Talib Islam), who attempted in September 2009 to bomb the Federal Building and the adjacent offices of Congressman Aaron Schock in Springfield, Illinois, admired al-Awlaki and quoted him on his Myspace page. In addition to his website, al-Awlaki had a Facebook fan page with "fans" in the US, many of whom were high school students. Al-Awlaki also set up a website and blog on which he shared his views. Al-Awlaki influenced several other extremists to join terrorist organizations overseas and to carry out terrorist attacks in their home countries. Mohamed Alessa and Carlos Almonte, two American citizens from New Jersey who attempted to travel to Somalia in June 2010 to join the al-Qaeda-linked terrorist group Al Shabaab, allegedly watched several al-Awlaki videos and sermons in which he warned of future attacks against Americans in the United States and abroad. Zachary Chesser, an American citizen who was arrested for attempting to provide material support to Al Shabaab, told federal authorities that he watched online videos featuring al-Awlaki and that he exchanged several e-mails with al-Awlaki. In July 2010, Paul Rockwood was sentenced to eight years in prison for creating a list of 15 potential targets in the US, people he felt had desecrated Islam. Rockwood was a devoted follower of al-Awlaki, and had studied his works Constants on the Path to Jihad and 44 Ways to Jihad. In October 2008, Charles Allen, U.S. Under-Secretary of Homeland Security for Intelligence and Analysis, warned that al-Awlaki "targets U.S. Muslims with radical online lectures encouraging terrorist attacks from his new home in Yemen." Responding to Allen, al-Awlaki wrote on his website in December 2008: "I would challenge him to come up with just one such lecture where I encourage 'terrorist attacks'". Fort Hood shooter Fort Hood shooter Nidal Hasan was investigated by the FBI after intelligence agencies intercepted at least 18 e-mails between him and al-Awlaki between December 2008 and June 2009. Even before the contents of the e-mails were revealed, terrorism expert Jarret Brachman said that Hasan's contacts with al-Awlaki should have raised "huge red flags", because of his influence on radical English-speaking jihadis. Charles Allen, no longer in government, noted that there was no work-related reason for Hasan to be in touch with al-Awlaki. Former CIA officer Bruce Riedel opined: "E-mailing a known al-Qaeda sympathizer should have set off alarm bells. Even if he was exchanging recipes, the bureau should have put out an alert." A DC-based Joint Terrorism Task Force operating under the FBI was notified of the e-mails and reviewed the information. Army employees were informed of the e-mails, but they didn't perceive any terrorist threat in Hasan's questions. Instead, they viewed them as general questions about spiritual guidance with regard to conflicts between Islam and military service and judged them to be consistent with legitimate mental health research about Muslims in the armed services. The assessment was that there was not sufficient information for a larger investigation. In one of the e-mails, Hasan wrote al-Awlaki: "I can't wait to join you [in the afterlife]". "It sounds like code words," said Lt. Col. Tony Shaffer, a military analyst at the Center for Advanced Defense Studies. "That he's actually either offering himself up, or that he's already crossed that line in his own mind." Yemeni journalist Abdulelah Hider Shaea interviewed al-Awlaki in November 2009. Al-Awlaki acknowledged his correspondence with Hasan. He said he "neither ordered nor pressured ... Hasan to harm Americans." Al-Awlaki said Hasan first e-mailed him December 17, 2008, introducing himself by writing: "Do you remember me? I used to pray with you at the Virginia mosque." Hasan said he had become a devout Muslim around the time al-Awlaki was preaching at Dar al-Hijrah, in 2001 and 2002, and al-Awlaki said 'Maybe Nidal was affected by one of my lectures.'" He added: "It was clear from his e-mails that Nidal trusted me. Nidal told me: 'I speak with you about issues that I never speak with anyone else.'" Al-Awlaki said Hasan arrived at his own conclusions regarding the acceptability of violence in Islam and said he was not the one to initiate this. Shaea said, "Nidal was providing evidence to Anwar, not vice versa." Asked whether Hasan mentioned Fort Hood as a target in his e-mails, Shaea declined to comment. Al-Awlaki said the shooting was acceptable in Islam, however, because it was a form of jihad, as the West began the hostilities with the Muslims. Al-Awlaki said he "blessed the act because it was against a military target. And the soldiers who were killed were ... those who were trained and prepared to go to Iraq and Afghanistan". Al-Awlaki's e-mail conversations with Hasan were not released, and he was not placed on the FBI Most Wanted list, indicted for treason, or officially named as a co-conspirator with Hasan. The U.S. government was reluctant to classify the Fort Hood shooting as a terrorist incident, or identify any motive. The Wall Street Journal reported in January 2010 that al-Awlaki had not "played a direct role" in any of the attacks, and noted he had never been charged with a crime in the US. One of his fellow officers at Fort Hood said Hasan was enthusiastic about al-Awlaki. Some investigators believe al-Awlaki's teachings may have been instrumental in Hasan's decision to stage the attack. On his now-disabled website, al-Awlaki praised Hasan's actions, describing him as a hero. Christmas Day "Underwear Bomber" According to a number of sources, Al-Awlaki and Umar Farouk Abdulmutallab, the convicted al-Qaeda attempted bomber of Northwest Airlines Flight 253 on December 25, 2009, had contacts. In January 2010, CNN reported that U.S. "security sources" said that there is concrete evidence that al-Awlaki was Abdulmutallab's recruiter and one of his trainers, and met with him prior to the attack. In February 2010, al-Awlaki admitted in an interview published in al-Jazeera that he taught and corresponded with Abdulmutallab, but denied having ordered the attack. Representative Pete Hoekstra, the senior Republican on the House Intelligence Committee, said officials in the Obama administration and officials with access to law enforcement information told him the suspect "may have had contact [with al-Awlaki]".The Sunday Times established that Abdulmutallab first met al-Awlaki in 2005 in Yemen, while he was studying Arabic. During that time the suspect attended lectures by al-Awlaki.NPR reported that according to unnamed U.S. intelligence officials he attended a sermon by al-Awlaki at the Finsbury Park Mosque. Khalid Mahmood, the Labour MP for Birmingham Perry Barr, a former trustee of the mosque, expressed "grave misgivings" with regard to its stewardship. A spokesperson of the mosque stated that al-Awlaki had never spoken there or had even to his knowledge entered the building. Abdulmutallab was also reported by CBS News, The Daily Telegraph, and The Sunday Telegraph to have attended a talk by al-Awlaki at the East London Mosque, which al-Awlaki may have attended by video teleconference. The Sunday Telegraph later removed the report from its website following a complaint by the East London Mosque, which stated that "Anwar Al Awlaki did not deliver any talks at the ELM between 2005 and 2008, which is when the newspaper had falsely alleged that Abdullmutallab had attended such talks". Investigators who searched flats connected to Abdulmutallab in London said that he was a "big fan" of al-Awlaki, as al-Awlaki's blog and website had repeatedly been visited from those locations. According to federal sources, Abdulmutallab and al-Awlaki repeatedly communicated with one another in the year prior to the attack. "Voice-to-voice communication" between the two was intercepted during the fall of 2009, and one government source said al-Awlaki "was in some way involved in facilitating [Abdulmutallab]'s transportation or trip through Yemen. It could be training, a host of things." NPR reported that intelligence officials suspected al-Awlaki may have told Abdulmutallab to go to Yemen for al-Qaeda training. Abdulmutallab told the FBI that al-Awlaki was one of his al-Qaeda trainers in Yemen. Others reported that Abdulmutallab met with al-Awlaki in the weeks leading up to the attack. The Los Angeles Times reported that according to a U.S. intelligence official, intercepts and other information point to connections between the two: Some of the information ... comes from Abdulmutallab, who ... said that he met with al-Awlaki and senior al-Qaeda members during an extended trip to Yemen this year and that the cleric was involved in some elements of planning or preparing the attack and in providing religious justification for it. Other intelligence linking the two became apparent after the attempted bombing, including communications intercepted by the National Security Agency indicating that the cleric was meeting with "a Nigerian" in preparation for some kind of operation. Yemen's Deputy Prime Minister for Defense and Security Affairs, Rashad Mohammed al-Alimi, said Yemeni investigators believe that Abdulmutallab traveled to Shabwa in October 2009. Investigators believe he obtained his explosives and received training there. He met there with al-Qaeda members in a house built by al-Awlaki. A top Yemen government official said the two met with each other. In January 2010, al-Awlaki acknowledged that he met and spoke with Abdulmutallab in Yemen in the fall of 2009. In an interview, al-Awlaki said: "Umar Farouk is one of my students; I had communications with him. And I support what he did." He also said: "I did not tell him to do this operation, but I support it". Fox News reported in early February 2010 that Abdulmutallab told federal investigators that al-Awlaki directed him to carry out the bombing. In June 2010 Michael Leiter, the Director of the U.S. National Counterterrorism Center (NCTC), said al-Awlaki had a "direct operational role" in the plot. Sharif Mobley Sharif Mobley had acknowledged contact with Anwar al-Awlaki. The Mobley family claims the contact was for spiritual guidance in further studies of Islam. The Mobley family went to Yemen and resided there for several years. They decided to return to the United States and went to the U.S. Embassy to update the family travel documents. While waiting for their travel documents, Sharif Mobley was kidnapped by Yemen Security Services and shot on January 26, 2010. He was then held in Yemen's Central Prison. Mobley disappeared from the Central Prison on February 27, 2014. His current location is known to the U.S. Embassy in Yemen (currently closed 2015) but is withheld from his family and legal advisers based on U.S. State Department Regulations on "U.S. Citizens Missing Abroad". All charges related to "terrorism/terrorist activity" were dropped by the Yemen government. There are no charges relating to allegations of "killing a guard during an escape attempt from the hospital" and there are no other legal proceedings against him in Yemen. Times Square bomber Faisal Shahzad, convicted of the 2010 Times Square car bombing attempt, told interrogators that he was a "fan and follower" of al-Awlaki, and his writings were one of the inspirations for the attack. On May 6, 2010 ABC News reported that unknown sources told them Shahzad made contact with al-Awlaki over the internet, a claim that could not be independently verified. Stabbing of British former minister Stephen Timms Roshonara Choudhry, who stabbed former British Cabinet Minister Stephen Timms in May 2010, and was found guilty of his attempted murder in November 2010, claimed to have become radicalized by listening to online sermons of al-Awlaki. Seattle Weekly cartoonist death threat In 2010, after Everybody Draw Mohammed Day, cartoonist Molly Norris at Seattle Weekly had to stop publishing, and at the suggestion of the FBI changed her name, moved, and went into hiding due to a fatwā issued by al-Awlaki calling for her death. In the June 2010 issue of Inspire, an English-language al-Qaeda magazine, al-Awlaki cursed her and eight others for "blasphemous caricatures" of Muhammad. "The medicine prescribed by the Messenger of Allah is the execution of those involved", he wrote. Daniel Pipes observed in an article entitled "Dueling Fatwas", "Awlaki stands at an unprecedented crossroads of death declarations, with his targeting Norris even as the U.S. government targets him." Cargo planes bomb plotThe Guardian, The New York Times, and The Daily Telegraph reported that U.S. and British counter-terrorism officials believed that al-Awlaki was behind the cargo plane PETN bombs that were sent from Yemen to Chicago in October 2010.Yemen bomb scare 'mastermind' lived in London | World news. The Guardian. Retrieved on October 1, 2011. When U.S. Homeland Security official John Brennan was asked about al-Awlaki's suspected involvement in the plot, he said: "Anybody associated with al-Qaeda in the Arabian Peninsula is a subject of concern." U.S. Ambassador to Yemen Gerald Feierstein said "al-Awlaki was behind the two bombs." Final years Al-Awlaki's father, tribe, and supporters denied his alleged associations with Al-Qaeda and Islamist terrorism. Al-Awlaki's father proclaimed his son's innocence in an interview with CNN's Paula Newton, saying: "I am now afraid of what they will do with my son. He's not Osama bin Laden, they want to make something out of him that he's not." Responding to a Yemeni official's assertions that his son had taken refuge with al-Qaeda, Nasser said: "He's dead wrong. What do you expect my son to do? There are missiles raining down on the village. He has to hide. But he is not hiding with al-Qaeda; our tribe is protecting him right now." The Yemeni government attempted to get the tribal leaders to release al-Awlaki to their custody. They promised they would not turn him over to U.S. authorities for questioning. The governor of Shabwa said in January 2010 that al-Awlaki was on the move with members of al-Qaeda, including Fahd al-Quso, who was wanted in connection with the bombing of the USS Cole. In January 2010, White House lawyers debated whether or not it was legal to kill al-Awlaki, given his U.S. citizenship. U.S. officials stated that international law allows targeted killing in the event that the subject is an "imminent threat". Because he was a U.S. citizen, his killing had to be approved by the National Security Council. Such action against a U.S. citizen is extremely rare. As a military enemy of the US, al-Awlaki was not subject to Executive Order 11905, which bans assassination for political reasons. The authorization was nevertheless controversial. By February 4, 2010, the New York Daily News reported that al-Awlaki was "now on a targeting list signed off on by the Obama administration". On April 6, The New York Times reported that President Obama had authorized the killing of al-Awlaki. The al-Awalik tribe responded: "We warn against cooperating with America to kill Sheikh Anwar al-Awlaki. We will not stand by idly and watch." Al-Awlaki's tribe wrote that it would "not remain with arms crossed if a hair of Anwar al-Awlaki is touched, or if anyone plots or spies against him. Whoever risks denouncing our son (Awlaki) will be the target of Al-Awalik weapons", and gave warning "against co-operating with the Americans" in the capture or killing of al-Awlaki. Abu Bakr al-Qirbi, the Yemeni foreign minister, announced that the Yemeni government had not received any evidence from the US, and that "Anwar al-Awlaki has always been looked at as a preacher rather than a terrorist and shouldn't be considered as a terrorist unless the Americans have evidence that he has been involved in terrorism". In a video clip bearing the imprint of al-Qaeda in the Arabian Peninsula, issued on April 16 in al-Qaeda's monthly magazine Sada Al-Malahem, al-Awlaki said: "What am I accused of? Of calling for the truth? Of calling for jihad for the sake of Allah? Of calling to defend the causes of the Islamic nation?" In the video he also praises both Abdulmutallab and Hasan, and describes both as his "students". In late April, Representative Charlie Dent (R-PA) introduced a resolution urging the U.S. State Department to withdraw al-Awlaki's U.S. citizenship. By May, U.S. officials believed he had become directly involved in terrorist activities. Former colleague Abdul-Malik said he "is a terrorist, in my book", and advised shops not to carry any of his publications. In an editorial, Investor's Business Daily called al-Awlaki the "world's most dangerous man", and recommended that he be added to the FBI's most-wanted terrorist list, a bounty put on his head, that he be designated a Specially Designated Global Terrorist, charged with treason, and extradition papers filed with the Yemeni government. IBD criticized the Justice Department for stonewalling Senator Joe Lieberman's security panel's investigation of al-Awlaki's role in the Fort Hood massacre. On July 16, the U.S. Treasury Department added him to its list of Specially Designated Global Terrorists. Stuart Levey, Under Secretary of the Treasury for Terrorism and Financial Intelligence, called him "extraordinarily dangerous", and said al-Awlaki was involved in several organizational aspects of terrorism, including recruiting, training, fundraising, and planning individual attacks. A few days later, the United Nations Security Council placed al-Awlaki on its UN Security Council Resolution 1267 list of individuals associated with al-Qaeda, describing him as a leader, recruiter, and trainer for al-Qaeda in the Arabian Peninsula. The resolution stipulates that U.N. members must freeze the assets of anyone on the list, and prevent them from travelling or obtaining weapons. The following week, Canadian banks were ordered to seize any assets belonging to al-Awlaki. The Royal Canadian Mounted Police's senior counter-terrorism officer Gilles Michaud described him as a "major, major factor in radicalization". In September 2010, Jonathan Evans, the Director General of the United Kingdom's domestic security and counter-intelligence agency (MI5), said that al-Awlaki was the West's Public Enemy No 1. In October 2010, U.S. Congressman Anthony Weiner (D-NY) urged YouTube to take down al-Awlaki's videos from its website, saying that by hosting al-Awlaki's messages, "We are facilitating the recruitment of homegrown terror." Pauline Neville-Jones, British security minister, said "These Web sites ... incite cold-blooded murder." YouTube began removing the material in November 2010. Al-Awlaki was charged in absentia in Sana'a, Yemen, on November 2 with plotting to kill foreigners and being a member of al-Qaeda. Ali al-Saneaa, the head of the prosecutor's office, announced the charges during the trial of Hisham Assem, who had been accused of killing Jacques Spagnolo, an oil industry worker. He said that al-Awlaki and Assem had been in contact for months, and that al-Awlaki had encouraged Assem to commit terrorism. Al-Awlaki's lawyer said that his client was not connected to Spagnolo's death. On November 6, Yemeni Judge Mohsen Alwan ordered that al-Awlaki be caught "dead or alive". In his book Ticking Time Bomb: Counter-Terrorism Lessons from the U.S. Government's Failure to Prevent the Fort Hood Attack (2011), former U.S. Senator Joe Lieberman described al-Awlaki, Australian Muslim preacher Feiz Mohammad, Muslim cleric Abdullah el-Faisal, and Pakistani-American Samir Khan as "virtual spiritual sanctioners" who use the internet to offer religious justification for Islamist terrorism. Lawsuit against the US In July 2010, al-Awlaki's father, Nasser al-Awlaki, contacted the Center for Constitutional Rights and the American Civil Liberties Union to represent his son in a lawsuit that sought to remove Anwar from the targeted killing list. ACLU's Jameel Jaffer said: the United States is not at war in Yemen, and the government doesn't have a blank check to kill terrorism suspects wherever they are in the world. Among the arguments we'll be making is that, outside actual war zones, the authority to use lethal force is narrowly circumscribed, and preserving the rule of law depends on keeping this authority narrow. Lawyers for Specially Designated Global Terrorists must obtain a special license from the U.S. Treasury Department before they can represent their clients in court. The lawyers were granted the license on August 4, 2010. On August 30, 2010, the groups filed a "targeted killing" lawsuit, naming President Obama, CIA Director Leon Panetta, and Secretary of Defense Robert Gates as defendants. They sought an injunction preventing the targeted killing of al-Awlaki, and also sought to require the government to disclose the standards under which U.S. citizens may be "targeted for death". Judge John D. Bates dismissed the lawsuit in an 83-page ruling, holding that the father did not have legal standing to bring the lawsuit, and that his claims were judicially unreviewable under the political question doctrine inasmuch as he was questioning a decision that the U.S. Constitution committed to the political branches. On May 5, 2011, the United States tried but failed to kill al-Awlaki by firing a missile from an unmanned drone at a car in Yemen. A Yemeni security official said that two al-Qaeda operatives in the car died. Death On September 30, 2011, al-Awlaki was killed in a U.S. drone strike in Al Jawf Governorate, Yemen, according to U.S. sources, the strike was carried out by Joint Special Operations Command, under the direction of the CIA. A witness said the group had stopped to eat breakfast while traveling to Ma'rib Governorate. The occupants of the vehicle spotted the drone and attempted to flee in the vehicle before Hellfire missiles were fired Yemen's Defense Ministry announced that al-Awlaki had been killed. Also killed was Samir Khan, an American born in Saudi Arabia, thought to be behind al-Qaeda's English-language web magazine Inspire. U.S. President Barack Obama said: The death of Awlaki is a major blow to Al-Qaeda's most active operational affiliate. He took the lead in planning and directing efforts to murder innocent Americans ... and he repeatedly called on individuals in the United States and around the globe to kill innocent men, women and children to advance a murderous agenda. [The strike] is further proof that Al-Qaeda and its affiliates will find no safe haven anywhere in the world. Journalist and author Glenn Greenwald argued on Salon.com that killing al-Awlaki violated his First Amendment right of free speech and that doing so outside of a criminal proceeding violated the Constitution's due process clause, specifically citing the 1969 Supreme Court decision in Brandenburg v. Ohio that "the constitutional guarantees of free speech and free press do not permit a State to forbid or proscribe advocacy of the use of force." He mentioned doubt among Yemeni experts about al-Awlaki's role in al-Qaeda, and called U.S. government accusations against him unverified and lacking in evidence. In a letter dated May 22, 2013, to the chairman of the U.S. Senate Judiciary committee, Patrick J. Leahy, U.S. attorney general Eric Holder wrote that high-level U.S. government officials [...] concluded that al-Aulaqi posed a continuing and imminent threat of violent attack against the United States. Before carrying out the operation that killed al-Aulaqi, senior officials also determined, based on a careful evaluation of the circumstances at the time, that it was not feasible to capture al-Aulaqi. In addition, senior officials determined that the operation would be conducted consistent with applicable law of war principles, including the cardinal principles of (1) necessity – the requirement that the target have definite military value; (2) distinction – the idea that only military objectives may be intentionally targeted and that civilians are protected from being intentionally targeted; (3) proportionality – the notion that the anticipated collateral damage of an action cannot be excessive in relation to the anticipated concrete and direct military advantage; and (4) humanity – a principle that requires us to use weapons that will not inflict unnecessary suffering. The operation was also undertaken consistent with Yemeni sovereignty. [...] The decision to target Anwar al-Aulaqi was lawful, it was considered, and it was just. On April 21, 2014, the 2nd U.S. Circuit Court of Appeal ruled that the Obama administration must release documents justifying its drone killings of foreigners and Americans, including Anwar al-Awlaki. In June 2014, the United States Department of Justice disclosed a 2010 memorandum written by the acting head of the department's Office of Legal Counsel, David J. Barron. The memo stated that Anwar al-Awlaki was a significant threat with an infeasible probability of capture. Barron therefore justified the killing as legal, as "the Constitution would not require the government to provide further process". The New York Times Editorial Board dismissed the memo's rationale for al-Awlaki's killing, saying it "provides little confidence that the lethal action was taken with real care", instead describing it as "a slapdash pastiche of legal theories—some based on obscure interpretations of British and Israeli law—that was clearly tailored to the desired result." A lawyer for the ACLU described the memo as "disturbing" and "ultimately an argument that the president can order targeted killings of Americans without ever having to account to anyone outside the executive branch." Legacy Seth Jones, who as a political scientist specializes in al-Qaida, considers that the continuing relevance of al-Awlaki is due to his fluency in the English language as well as his charisma, precising that "he had a disarming aura and unnerving confidence, with an easy smile and a soothing, eloquent voice. He stood a lanky six feet, one inch tall, weighed 160 pounds, and had a thick black beard, an oversized nose, and wire-rimmed glasses. He spoke in a clear, almost hypnotic voice." Awlaki's videos and writings remain highly popular on the internet, where they continue to be readily accessible. Those who viewed and still view his videos are estimated by journalist Scott Shane to number in the hundreds of thousands, while his father Dr. Nasser Awlaqi says that "five million preaching tapes of Anwar Awlaqi have been sold in the West." And thus, even following his death, Awlaki has continued to inspire his devotees to carry out terrorist attacks, including the 2013 Boston Marathon bombing, the 2015 San Bernardino attack, and the 2016 Orlando nightclub shooting. According to the Counter Extremism Project (CEP), 88 "extremists," 54 in the U.S. and 34 in Europe, have been influenced by Awlaki. Because "his work has inspired countless plots and attacks," CEP has "called on YouTube and other platforms to permanently ban Mr. Awlaki's material, including his early, mainstream lectures." FOIA documents During the FBI investigation of the 9/11 attacks, it was discovered that a few of the attackers had attended the mosques in San Diego and Falls Church with which al-Awlaki was associated. Interviews with members of the San Diego mosque showed that Nawaz al-Hazmi, one of the attackers, may have had a private conversation with him. On that basis he was placed under 24-hour surveillance. It was discovered that he regularly patronized prostitutes. It was through FBI interrogation of prostitutes and escort service operators that al-Awlaki was tipped off in 2002 about FBI surveillance. Shortly thereafter, he left the United States. In January 2013, Fox News announced that FBI documents obtained by Judicial Watch through a Freedom of Information Act request showed possible connections between al-Awlaki and the September 11 attackers. According to Judicial Watch, the documents show that the FBI knew that al-Awlaki had bought tickets for three of the hijackers to fly into Florida and Las Vegas. Judicial Watch further stated that al-Awlaki "was a central focus of the FBI's investigation of 9/11. They show he wasn't cooperative. And they show that he was under surveillance." When queried by Fox News, the FBI denied having evidence connecting al-Awlaki and the September 11 attacks: "The FBI cautions against drawing conclusions from redacted FOIA documents. The FBI and investigating bodies have not found evidence connecting Anwar al-Awlaki and the attack on September 11, 2001. The document referenced does not link Anwar al-Awlaki with any purchase of airline tickets for the hijackers." Family Abdulrahman al-Awlaki Anwar al-Awlaki and Egyptian-born Gihan Mohsen Baker had a son, Abdulrahman Anwar al-Awlaki, born August 26, 1995, in Denver, who was an American citizen. Abdulrahman al-Awlaki was killed on October 14, 2011, in Yemen at the age of 16 in an American drone strike. Nine other people were killed in the same CIA-initiated attack, including a 17-year-old cousin of Abdulrahman. According to his relatives, shortly before his father's death, Abdulrahman had left the family home in Sana'a and travelled to Shabwa in search of his father who was believed to be in hiding in that area (though he was actually hundreds of miles away at the time ). Abdulrahman was sitting in an open-air cafe in Shabwa when killed. According to U.S. officials, the killing of Abdulrahman al-Awlaki was a mistake; the intended target was an Egyptian, Ibrahim al-Banna, who was not at the targeted location at the time of the attack. Human rights groups have raised questions as to why an American citizen was killed by the United States in a country with which the United States is not officially at war. Abdulrahman al-Awlaki was not known to have any independent connection to terrorism. Nasser al-Awlaki Nasser al-Awlaki is the father of Anwar and grandfather of Abdulrahman al-Awlaki. Al-Awlaki stated he believed his son had been wrongly accused and was not a member of Al Qaeda. After the deaths of his son and grandson, Nasser in an interview in Time magazine called the killings a crime and condemned U.S. President Obama directly, saying: "I urge the American people to bring the killers to justice. I urge them to expose the hypocrisy of the 2009 Nobel Prize laureate. To some, he may be that. To me and my family, he is nothing more than a child killer." In 2013, Nasser al-Awlaki published an op-ed in The New York Times stating that two years after killing his grandson, the Obama administration still declines to provide an explanation. In 2012, Nasser al-Awlaki filed a lawsuit, Al-Aulaqi v. Panetta, challenging the constitutionality of the drone killings of his son and grandson. This lawsuit was dismissed in April 2014 by D.C. District Court Judge Rosemary M. Collyer. Tariq al-Dahab Tariq al-Dahab, who led al-Qaeda insurgents in Yemen, was a brother-in-law of al-Awlaki. On February 16, 2012, the terrorist organization stated that he had been killed by agents, although media reports contain speculation that he was killed by his brother in a bloody family feud. Nawar al-Awlaki On January 29, 2017, Anwar al-Awlaki's 8-year-old daughter, Nawar al-Awlaki, who was an American citizen, was killed in a DEVGRU operation authorized by President Donald Trump."1 US service member killed, 3 wounded in Yemen raid" , WPVI-TV, 6 ABC Action News, Philadelphia, PA. January 29, 2017. Retrieved January 29, 2017. Islamic education Al-Awlaki's Islamic education was primarily informal, and consisted of intermittent months with various scholars reading and contemplating Islamic scholarly works. Despite having no religious qualifications and almost no religious education, Al-Awlaki made a name for himself as a public speaker who released popular audio recordings.Some Muslim scholars said they did not understand alAwlaki's popularity, because while he spoke fluent English and could therefore reach a large non-Arabic-speaking audience, he lacked formal Islamic training and study. Ideology While imprisoned in Yemen after 2004, al-Awlaki was influenced by the works of Sayyid Qutb, described by The New York Times as an originator of the contemporary "anti-Western Jihadist movement". He read 150 to 200 pages a day of Qutb's works, and described himself as "so immersed with the author I would feel Sayyid was with me in my cell speaking to me directly". Terrorism consultant Evan Kohlmann in 2009 referred to al-Awlaki as "one of the principal jihadi luminaries for would-be homegrown terrorists. His fluency with English, his unabashed advocacy of jihad and mujahideen organizations, and his Web-savvy approach are a powerful combination." He called al-Awlaki's lecture, "Constants on the Path of Jihad", which he says was based on a similar document written by al-Qaeda's founder, the "virtual bible for lone-wolf Muslim extremists". Philip Mudd, formerly of the CIA's National Counterterrorism Center and the FBI's top intelligence adviser, called him "a magnetic character ... a powerful orator." He attracted young men to his lectures, especially US-based and UK-based Muslims. U.S. officials and some U.S. media sources called al-Awlaki an Islamic fundamentalist and accused him of encouraging terrorism. According to documents recovered from bin Laden's hideout, the al-Qaeda leader was unsure about al-Awlaki's qualifications. Works The Nine Eleven Finding Answers Foundation said al-Awlaki's ability to write and speak in fluent English enabled him to incite English-speaking Muslims to terrorism. Al-Awlaki notes in 44 Ways to Support Jihad that most reading material on the subject is in Arabic. Written works 44 Ways to Support Jihad: Essay (January 2009). In it, al-Awlaki states that "The hatred of kuffar is a central element of our military creed" and that all Muslims are obligated to participate in jihad, either by committing the acts themselves or supporting others who do so. He says all Muslims must remain physically fit so as to be prepared for conflict. According to U.S. officials, it is considered a key text for al-Qaeda members. Al-Awlaki wrote for Jihad Recollections, an English language online publication published by Al-Fursan Media. Allah is Preparing Us for Victory – short book (2009). Lectures Lectures on the book Constants on the Path of Jihad by Yusef al-Ayeri—concerns leaderless jihad. In 2009, the UK government found 1,910 of his videos had been posted to YouTube. One of them had been viewed 164,420 times. The Battle of Hearts and Minds The Dust Will Never Settle Down Dreams & Interpretations The Hereafter—16 CDs—Al Basheer Productions Life of Muhammad: Makkan Period—16 CDs—Al Basheer Productions Life of Muhammad: Medinan Period—Lecture in 2 Parts—18 CDs—Al Basheer Productions Lives of the Prophets (AS)—16 CDs—Al Basheer Productions Abu Bakr as-Siddiq (RA): His Life & Times—15 CDs—Al Basheer Productions Umar ibn al-Khattāb (RA): His Life & Times—18 CDs—Al Basheer Productions 25 Promises from Allah to the Believer—2 CDs—Noor Productions Companions of the Ditch & Lessons from the Life of Musa (AS)—2 CDs—Noor Productions Remembrance of Allah & the Greatest Ayah—2 CDs—Noor Productions Stories from Hadith—4 CDs—Center for Islamic Information and Education ("CIIE") Hellfire & The Day of Judgment—CD—CIIE Quest for Truth: The Story of Salman Al-Farsi (RA)—CD—CIIE Trials & Lessons for Muslim Minorities—CD—CIIE Young Ayesha (RA) & Mothers of the Believers (RA)—CD—CIIE Understanding the Quran—CD—CIIE Lessons from the Companions (RA) Living as a Minority—CD—CIIE Virtues of the Sahabah—video lecture series promoted by the al-Wasatiyyah Foundation Website Al-Awlaki maintained a website and blog on which he shared his views. On December 11, 2008, he said Muslims should not seek to "serve in the armies of the disbelievers and fight against his brothers". In "44 Ways to Support Jihad", posted on his blog in February 2009, al-Awlaki encouraged others to "fight jihad", and explained how to give money to the mujahideen or their families. Al-Awlaki's sermon encourages others to conduct weapons training, and raise children "on the love of Jihad". Also that month, he wrote: "I pray that Allah destroys America and all its allies." He wrote as well: "We will implement the rule of Allah on Earth by the tip of the sword, whether the masses like it or not." On July 14, he said that Muslim countries should not offer military assistance to the US. "The blame should be placed on the soldier who is willing to follow orders ... who sells his religion for a few dollars," he said. In blog post dated July 15, 2009, entitled "Fighting Against Government Armies in the Muslim World", al-Awlaki wrote, "Blessed are those who fight against [American soldiers], and blessed are those shuhada [martyrs] who are killed by them." In a video posted to the internet on November 8, 2010, al-Awlaki called for Muslims to kill Americans "without hesitation", and overthrow Arab governments that cooperate with the US. "Don't consult with anyone in fighting the Americans, fighting the devil doesn't require consultation or prayers or seeking divine guidance. They are the party of the devils", al-Awlaki said. That month, Intelligence Research Specialist Kevin Yorke of the New York Police Department's Counterterrorism Division called him "the most dangerous man in the world". See also Church Committee Executive Order 12333 Extrajudicial killing International counter-terrorism activities of the CIA Protocol I References Further reading al-Ashanti, AbdulHaq and Sloan, Abu Ameenah AbdurRahman. (2011) A Critique of the Methodology of Anwar al-Awlaki and his Errors in the Fiqh of Jihad. London: Jamiah Media, 2011 External links Ruling of Judge Bates in Al Aulaqi v Obama Statements Interviews "Exclusive; Ray Suarez: My Post-9/11 Interview With Anwar al-Awlaki", PBS, October 30, 2001 "Al-Jazeera Satellite Network Interview with Yemeni-American Cleric Shaykh Anwar al-Awlaki Regarding his Alleged Role in Radicalizing Maj. Malik Nidal Hasan", The NEFA Foundation, December 24, 2009 Media coverage The imam's very curious story: A skirt-chasing mullah is just one more mystery for the 9/11 panel, Ragavan, Chitra, US News and World Report'', June 13, 2004 DBI.gov 1971 births 2011 deaths 20th-century imams 21st-century imams Abdullah Yusuf Azzam Al-Qaeda propagandists Assassinated al-Qaeda leaders American al-Qaeda members American expatriates in the United Kingdom American expatriates in Yemen American imams American Islamists American people of Yemeni descent Colorado State University alumni George Washington University Graduate School of Education and Human Development alumni People associated with the September 11 attacks People from Las Cruces, New Mexico San Diego State University alumni Yemeni imams Yemeni al-Qaeda members Yemeni Sunni Muslim scholars of Islam Yemeni Sunni Muslims Deaths by drone strikes of the Central Intelligence Agency in Yemen Islam-related controversies People designated by the Al-Qaida and Taliban Sanctions Committee American male criminals Yemeni criminals Yemeni Islamists Yemeni expatriates in the United Kingdom Shafi'is American Muslim activists Assassinated Yemeni people Yemeni propagandists United States military killing of American civilians

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Was he the only one Anwar knew that got caught?

Was Paul Rockwood the only one Anwar knew that got caught?

Anwar al-Awlaki

FBI agents identified al-Awlaki as a known, important "senior recruiter for al Qaeda", and a spiritual motivator. His name came up in a dozen terrorism plots in the US, UK, and Canada. The cases included suicide bombers in the 2005 London bombings, radical Islamic terrorists in the 2006 Toronto terrorism case, radical Islamic terrorists in the 2007 Fort Dix attack plot, the jihadist killer in the 2009 Little Rock military recruiting office shooting, and the 2010 Times Square bomber. In each case the suspects were devoted to al-Awlaki's message, which they listened to online and on CDs. Al-Awlaki's recorded lectures were heard by Islamist fundamentalists in at least six terror cells in the UK through 2009. Michael Finton (Talib Islam), who attempted in September 2009 to bomb the Federal Building and the adjacent offices of Congressman Aaron Schock in Springfield, Illinois, admired al-Awlaki and quoted him on his Myspace page. In addition to his website, al-Awlaki had a Facebook fan page with "fans" in the US, many of whom were high school students. Al-Awlaki also set up a website and blog on which he shared his views. Al-Awlaki influenced several other extremists to join terrorist organizations overseas and to carry out terrorist attacks in their home countries. Mohamed Alessa and Carlos Almonte, two American citizens from New Jersey who attempted to travel to Somalia in June 2010 to join the al-Qaeda-linked terrorist group Al Shabaab, allegedly watched several al-Awlaki videos and sermons in which he warned of future attacks against Americans in the US and abroad. Zachary Chesser, an American citizen who was arrested for attempting to provide material support to Al Shabaab, told federal authorities that he watched online videos featuring al-Awlaki and that he exchanged several e-mails with al-Awlaki. In July 2010, Paul Rockwood was sentenced to eight years in prison for creating a list of 15 potential targets in the US, people he felt had desecrated Islam. Rockwood was a devoted follower of al-Awlaki, and had studied his works Constants on the Path to Jihad and 44 Ways to Jihad. In October 2008, Charles Allen, US Under-Secretary of Homeland Security for Intelligence and Analysis, warned that al-Awlaki "targets U.S. Muslims with radical online lectures encouraging terrorist attacks from his new home in Yemen." Responding to Allen, al-Awlaki wrote on his website in December 2008: "I would challenge him to come up with just one such lecture where I encourage 'terrorist attacks'". CANNOTANSWER

CANNOTANSWER

Anwar Nasser al-Awlaki (also spelled al-Aulaqi, al-Awlaqi; ; April 21 or 22, 1971 – September 30, 2011) was a Yemeni-American imam who was killed in 2011 in Yemen by an American drone strike ordered by President Barack Obama. Al-Awlaki became the first U.S. citizen to be targeted and killed by a U.S. drone strike without the rights of due process being afforded. US government officials argued that Awlaki was a key organizer for the Islamist terrorist group al-Qaeda, and in June 2014, a previously classified memorandum issued by the U.S. Department of Justice was released, justifying al-Awlaki's death as a lawful act of war. Civil liberties advocates have described the incident as "an extrajudicial execution" that breached al-Awlaki's right to due process, including a trial. Al-Awlaki was born in Las Cruces, New Mexico, in 1971 to parents from Yemen. Growing up partially in the United States and partially in Yemen, he attended various universities across the United States in the 1990s and early 2000s while also working as an imam, despite having no religious qualifications and almost no religious education. Al-Awlaki returned to Yemen in early 2004 and became a university lecturer after a brief stint as a public speaker in the United Kingdom. He was detained by Yemeni authorities in 2006, where he spent 18 months in prison before being released without facing trial. Following his release, Al-Awlaki's message started to become overtly supportive of violence, as he condemned United States foreign policy against Muslims. The Yemeni government tried him in absentia in November 2010, for plotting to kill foreigners and being a member of al-Qaeda. A Yemeni judge ordered that he be captured "dead or alive". U.S. officials said that in 2009, al-Awlaki was promoted to the rank of "regional commander" within al-Qaeda, although they described his role as more "inspirational" than "operational." He repeatedly called for jihad against the United States. In April 2010, al-Awlaki was placed on a CIA kill list by President Barack Obama due to his alleged terrorist activities. Al-Awlaki's father and civil rights groups challenged the order in court. Al-Awlaki was believed to be in hiding in southeast Yemen in the last years of his life. The U.S. deployed unmanned aircraft (drones) in Yemen to search for and kill him, firing at and failing to kill him at least once; he was successfully killed on September 30, 2011. Two weeks later, al-Awlaki's 16-year-old son, Abdulrahman al-Awlaki, a U.S. citizen who was born in Denver, Colorado, was also killed by a CIA-led drone strike in Yemen. His daughter, 8-year old Nawar al-Awlaki, was killed during a raid against Al Qaeda ordered by President Donald Trump in 2017.<ref name="uk.reuters.com">Ghobari, Mohammed and Phil Stewart. "Commando dies in U.S. raid in Yemen, first military op OK'd by Trump", Reuters, January 29, 2017. Retrieved January 29, 2017.</ref> The New York Times wrote in 2015 that al-Awlaki's public statements and videos have been more influential in inspiring acts of Islamic terrorism in the wake of his killing than before his death. Early life Al-Awlaki was born in Las Cruces, New Mexico, in 1971 to parents from Yemen, while his father, Nasser al-Awlaki, was doing graduate work at U.S. universities. His father was a Fulbright Scholar who earned a master's degree in agricultural economics at New Mexico State University in 1971, received a doctorate at the University of Nebraska, and worked at the University of Minnesota from 1975 to 1977. Nasser al-Awlaki served as Agriculture Minister in Ali Abdullah Saleh's government. He was also President of Sana'a University. Yemen's prime minister from 2007 to 2011, Ali Mohammed Mujur, was a relative. The family returned to Yemen in 1978, when al-Awlaki was seven years old. He lived there for 11 years, and studied at Azal Modern School. Life in the United States 1990–2002 Education In 1991, al-Awlaki returned to the U.S. to attend college. He earned a B.S. in Civil Engineering from Colorado State University (1994), where he was president of the Muslim Student Association. In 1993, while still a college student in Colorado State's civil engineering program, al-Awlaki visited Afghanistan in the aftermath of the Soviet occupation. He spent some time training with the mujahideen who had fought the Soviets. He was depressed by the country's poverty and hunger, and "wouldn't have gone with al-Qaeda," according to friends from Colorado State, who said he was profoundly affected by the trip. Mullah Mohammed Omar did not form the Taliban until 1994. When Al-Awlaki returned to campus, he showed increased interest in religion and politics. Al-Awlaki studied Education Leadership at San Diego State University, but did not complete his degree. He worked on a doctorate in Human Resource Development at The George Washington University Graduate School of Education and Human Development from January to December 2001. Time as imam In 1994, al-Awlaki married a cousin from Yemen, and began service as a part-time imam of the Denver Islamic Society. In 1996, he was chastised by an elder for encouraging a Saudi student to fight in Chechnya against the Russians. He left Denver soon after, moving to San Diego. From 1996 to 2000, al-Awlaki was imam of the Masjid Ar-Ribat al-Islami mosque in San Diego, California, where he had a following of 200–300 people. U.S. officials later alleged that Nawaf al-Hazmi and Khalid al-Mihdhar, hijackers of American Airlines Flight 77, attended his sermons and personally met him during this period. Hazmi later lived in Northern Virginia and attended al-Awlaki's mosque there. The 9/11 Commission Report said that the hijackers "reportedly respected [al-Awlaki] as a religious figure". While in San Diego, al-Awlaki volunteered with youth organizations, fished, discussed his travels with friends, and created a popular and lucrative series of recorded lectures. In August 1996 and in April 1997, al-Awlaki was arrested in San Diego and charged with soliciting prostitutes. The first time, in 1996, he pleaded guilty to a lesser charge and was fined $400 and required to attend informational sessions about AIDS. The second time, in 1997, he pleaded guilty and was fined $240, ordered to perform 12 days of community service, and received three years' probation. From November 2001 to January 2002 the FBI observed him visiting a number of prostitutes, and interviewed them, establishing that he had paid for sex acts. No prosecution was brought. In 1998 and 1999, he served as vice-president for the Charitable Society for Social Welfare. In 2004, the FBI described this group as a "front organization to funnel money to terrorists". Although the FBI investigated al-Awlaki from June 1999 through March 2000 for possible links to Hamas, the Bin Laden contact Ziyad Khaleel, and a visit by an associate of Omar Abdel Rahman, it did not find sufficient evidence for a criminal prosecution. Al-Awlaki told reporters that he resigned from leading the San Diego mosque "after an uneventful four years," and took a brief sabbatical, traveling overseas to various countries. In January 2001, al-Awlaki returned to the U.S., settling in the Washington metropolitan area. There, he was imam at the Dar al-Hijrah mosque near Falls Church, Virginia, and his services were attended by Nawaf al-Hazmi and a third hijacker, Hani Hanjour. He led academic discussions frequented by FBI Director of Counter-Intelligence for the Middle East Gordon M. Snow. Al-Awlaki also served as the Muslim chaplain at George Washington University, where he was hired by Esam Omeish. Omeish said in 2004 that he was convinced that al-Awlaki was not involved in terrorism. His proficiency as a public speaker and command of the English language helped him attract followers who did not speak Arabic. "He was the magic bullet", according to the mosque spokesman Johari Abdul-Malik. "He had everything all in a box." "He had an allure. He was charming." When police investigating the 9/11 attacks raided the Hamburg apartment of Ramzi bin al-Shibh, they found the telephone number of al-Awlaki among bin al-Shibh's personal contacts. The FBI interviewed al-Awlaki four times in the eight days following the 9/11 attacks. One detective later told the 9/11 Commission he believed al-Awlaki "was at the center of the 9/11 story". And an FBI agent said, "if anyone had knowledge of the plot, it would have been" him, since "someone had to be in the U.S. and keep the hijackers spiritually focused". One 9/11 Commission staff member said: "Do I think he played a role in helping the hijackers here, knowing they were up to something? Yes. Do I think he was sent here for that purpose? I have no evidence for it." A separate Congressional Joint Inquiry into the 9/11 attacks suggested that al-Awlaki may have been connected to the hijackers, according to its director, Eleanor Hill. In 2003, Representative Anna Eshoo, a member of the House Intelligence Committee, said, "In my view, he is more than a coincidental figure." Six days after the 9/11 attacks, al-Awlaki suggested in writing on the IslamOnline.net website that Israeli intelligence agents might have been responsible for the attacks, and that the FBI "went into the roster of the airplanes, and whoever has a Muslim or Arab name became the hijacker by default". Soon after the 9/11 attacks, al-Awlaki was sought in Washington, D.C., by the media to answer questions about Islam, its rituals, and its relation to the attacks. He was interviewed by National Geographic, The New York Times, and other media. Al-Awlaki condemned the attacks. According to an NPR report in 2010, in 2001 al-Awlaki appeared to be a moderate who could "bridge the gap between the United States and the worldwide community of Muslims." The New York Times said at the time that he was "held up as a new generation of Muslim leader capable of merging East and West." In 2010, Fox News and the New York Daily News reported that some months after the 9/11 attacks, a Pentagon employee invited al-Awlaki to a luncheon in the Secretary's Office of General Counsel. The U.S. Secretary of the Army had suggested that a moderate Muslim be invited to give a talk. In 2002, al-Awlaki was the first imam to conduct a prayer service for the Congressional Muslim Staffer Association at the U.S. Capitol. That year, Nidal Hasan visited al-Awlaki's mosque for his mother's funeral, at which al-Awlaki presided. In November 2009, Hasan killed 13 and wounded 32 in the Fort Hood shooting. Hasan usually attended a mosque in Maryland closer to where he lived while working at the Walter Reed Medical Center (2003–09). Later in 2002, al-Awlaki posted an essay in Arabic on the Islam Today website titled "Why Muslims Love Death", lauding the fervor of Palestinian suicide bombers. He expressed a similar opinion in a speech at a London mosque later that year. By July 2002, al-Awlaki was under investigation in the United States for having received money from the subject of a U.S. Joint Terrorism Task Force investigation. His name was added to the list of terrorism suspects. Passport fraud issues In June 2002, a Denver federal judge signed an arrest warrant for al-Awlaki for passport fraud. On October 9, the Denver U.S. Attorney's Office filed a motion to dismiss the complaint and vacate the arrest warrant. Prosecutors believed that they lacked sufficient evidence of a crime, according to U.S. Attorney Dave Gaouette, who authorized its withdrawal. Al-Awlaki had listed Yemen rather than the United States as his place of birth on his 1990 application for a U.S. Social Security number, soon after arriving in the US. Al-Awlaki used this documentation to obtain a passport in 1993. He later corrected his place of birth to Las Cruces, New Mexico. "The bizarre thing is if you put Yemen down (on the application), it would be harder to get a Social Security number than to say you are a native-born citizen of Las Cruces", Gaouette said. Prosecutors could not charge him in October 2002, when he returned from a trip abroad, because a 10-year statute of limitations on lying to the Social Security Administration had expired. According to a 2012 investigative report by Fox News, the arrest warrant for passport fraud was still in effect on the morning of October 10, 2002, when FBI Agent Wade Ammerman ordered al-Awlaki's release. U.S. Congressman Frank Wolf (R-VA) and several congressional committees urged FBI Director Robert Mueller to provide an explanation about the bureau's interactions with al-Awlaki, including why he was released from federal custody when there was an outstanding warrant for his arrest. The motion for rescinding the arrest warrant was approved by a magistrate judge on October 10 and filed on October 11.ABC News reported in 2009 that the Joint Terrorism Task Force in San Diego disagreed with the decision to cancel the warrant. They were monitoring al-Awlaki and wanted to "look at him under a microscope". But U.S. Attorney Gaouette said that no objection had been raised to the rescinding of the warrant during a meeting that included Ray Fournier, the San Diego federal diplomatic security agent whose allegation had set in motion the effort to obtain a warrant. Gaouette said that if al-Awlaki had been convicted at the time, he would have faced about six months in custody.The New York Times suggested later that al-Awlaki had claimed birth in Yemen (his family's place of origin) to qualify for scholarship money granted to foreign citizens. U.S. Congressman Frank R. Wolf (R-VA) wrote in May 2010 that by claiming to be foreign-born, al-Awlaki fraudulently obtained more than $20,000 in scholarship funds reserved for foreign students. While living in Northern Virginia, al-Awlaki visited Ali al-Timimi, later known as a radical Islamic cleric. Al-Timimi was convicted in 2005 and is now serving a life sentence for leading the Virginia Jihad Network, inciting Muslim followers to fight with the Taliban against the US. In the United Kingdom 2002–04 Al-Awlaki left the United States before the end of 2002, because of a "climate of fear and intimidation" according to Imam Johari Abdul-Malik of the Dar al-Hijrah mosque. He lived in the UK for several months, where he gave talks attended by up to 200 people. He urged young Muslim followers: "The important lesson to learn here is never, ever trust a kuffar [disbeliever]. Do not trust them! [Their leaders] are plotting to kill this religion. They're plotting night and day." "He was the main man who translated the jihad into English," said a student who attended his lectures in 2003. He gave a series of lectures in December 2002 and January 2003 at the London Masjid al-Tawhid mosque, describing the rewards martyrs (Shahid) receive in paradise (Jannah). He began to gain supporters, particularly among young Muslims, and undertook a lecture tour of England and Scotland in 2002 in conjunction with the Muslim Association of Britain. He also lectured at "ExpoIslamia", an event held by Islamic Forum Europe. At the East London Mosque he told his audience: "A Muslim is a brother of a Muslim... he does not betray him, and he does not hand him over... You don't hand over a Muslim to the enemies." In Britain's Parliament in 2003, Louise Ellman, MP for Liverpool Riverside, discussed the relationship between al-Awlaki and the Muslim Association of Britain, an alleged Muslim Brotherhood front organization founded by Kemal el-Helbawy, a senior member of the Egyptian Muslim Brotherhood. Return to Yemen 2004–11 Al-Awlaki returned to Yemen in early 2004, where he lived in Shabwah Governorate with his wife and five children. He lectured at Iman University, headed by Abdul Majeed al-Zindani. The latter has been included on the UN 1267 Committee's list of individuals belonging to or associated with al-Qaeda. Al-Zindani denied having any influence over al-Awlaki, or that he had been his "direct teacher". Some believe that the school's curriculum deals mostly, if not exclusively, with radical Islamic studies, and promotes radicalism. American convert John Walker Lindh and other alumni have been associated with terrorist groups. On August 31, 2006, al-Awlaki was arrested with four others on charges of kidnapping a Shiite teenager for ransom, and participating in an al-Qaeda plot to kidnap a U.S. military attaché. He was imprisoned in 2006 and 2007. He was interviewed around September 2007 by two FBI agents with regard to the 9/11 attacks and other subjects. John Negroponte, the U.S. Director of National Intelligence, told Yemeni officials he did not object to al-Awlaki's detention. His name was on a list of 100 prisoners whose release was sought by al-Qaeda-linked militants in Yemen. After 18 months in a Yemeni prison, al-Awlaki was released on December 12, 2007, following the intercession of his tribe. According to a Yemeni security official, he was released because he had repented. He moved to his family home in Saeed, a hamlet in the Shabwa mountains. Moazzam Begg's Cageprisoners, an organization representing former Guantanamo detainees, campaigned for al-Awlaki's release when he was in prison in Yemen. Al-Awlaki told Begg in an interview shortly after his release that prior to his incarceration in Yemen, he had condemned the 9/11 attacks. In December 2008, al-Awlaki sent a communique to the Somali terrorist group, al-Shabaab, congratulating them. Al-Awlaki provided al-Qaeda members in Yemen with the protection of his powerful tribe, the Awlakis, against the government. The tribal code required it to protect those who seek refuge and assistance. This imperative has greater force when the person is a member of the tribe or a tribesman's friend. The tribe's motto is "We are the sparks of Hell; whoever interferes with us will be burned." Al-Awlaki also reportedly helped negotiate deals with leaders of other tribes. Sought by Yemeni authorities who were investigating his al-Qaeda ties, al-Awlaki went into hiding in approximately March 2009, according to his father. By December 2009, al-Awlaki was on the Yemeni government's most-wanted list. He was believed to be hiding in Yemen's Shabwa or Mareb regions, which are part of the so-called "triangle of evil". The area has attracted al-Qaeda militants, who seek refuge among local tribes unhappy with Yemen's central government. Yemeni sources originally said al-Awlaki might have been killed in a pre-dawn air strike by Yemeni Air Force fighter jets on a meeting of senior al-Qaeda leaders at a hideout in Rafd in eastern Shabwa, on December 24, 2009. But he survived. Pravda reported that the planes, using Saudi and U.S. intelligence, killed at least 30 al-Qaeda members from Yemen and abroad, and that an al-Awlaki house was "raided and demolished". On December 28 The Washington Post reported that U.S. and Yemeni officials said that al-Awlaki had been present at the meeting. Abdul Elah al-Shaya, a Yemeni journalist, said al-Awlaki called him on December 28 to report that he was well and had not attended the al-Qaeda meeting. Al-Shaya said that al-Awlaki was not tied to al-Qaeda. In March 2010, a tape featuring al-Awlaki was released in which he urged Muslims residing in the United States to attack their country of residence. Reaching out to the United Kingdom After 2006, al-Awlaki was banned from entering the United Kingdom. He broadcast lectures to mosques and other venues there via video-link from 2007 to 2009, on at least seven occasions at five locations in Britain. Noor Pro Media Events held a conference at the East London Mosque on January 1, 2009, showing a videotaped lecture by al-Awlaki; former Shadow Home Secretary Dominic Grieve expressed concern over his being featured. He gave video-link talks in England to an Islamic student society at the University of Westminster in September 2008, an arts center in East London in April 2009 (after the Tower Hamlets council gave its approval), worshippers at the Al Huda Mosque in Bradford, and a dinner of the Cageprisoners organization in September 2008 at the Wandsworth Civic Centre in South London. On August 23, 2009, al-Awlaki was banned by local authorities in Kensington and Chelsea, London, from speaking at Kensington Town Hall via videolink to a fundraiser dinner for Guantanamo detainees promoted by Cageprisoners. His videos, which discuss his Islamist theories, have circulated across the United Kingdom. Until February 2010, hundreds of audio tapes of his sermons were available at the Tower Hamlets public libraries. In 2009, the London-based Islam Channel carried advertisements for his DVDs and at least two of his video conference lectures. Other connections FBI agents identified al-Awlaki as a known, important "senior recruiter for al Qaeda", and a spiritual motivator. His name came up in a dozen terrorism plots in the US, UK, and Canada. The cases included suicide bombers in the 2005 London bombings, radical Islamic terrorists in the 2006 Toronto terrorism case, radical Islamic terrorists in the 2007 Fort Dix attack plot, the jihadist killer in the 2009 Little Rock military recruiting office shooting, and the 2010 Times Square bomber. In each case the suspects were devoted to al-Awlaki's message, which they listened to online and on CDs. Al-Awlaki's recorded lectures were heard by Islamist fundamentalists in at least six terror cells in the UK through 2009. Michael Finton (Talib Islam), who attempted in September 2009 to bomb the Federal Building and the adjacent offices of Congressman Aaron Schock in Springfield, Illinois, admired al-Awlaki and quoted him on his Myspace page. In addition to his website, al-Awlaki had a Facebook fan page with "fans" in the US, many of whom were high school students. Al-Awlaki also set up a website and blog on which he shared his views. Al-Awlaki influenced several other extremists to join terrorist organizations overseas and to carry out terrorist attacks in their home countries. Mohamed Alessa and Carlos Almonte, two American citizens from New Jersey who attempted to travel to Somalia in June 2010 to join the al-Qaeda-linked terrorist group Al Shabaab, allegedly watched several al-Awlaki videos and sermons in which he warned of future attacks against Americans in the United States and abroad. Zachary Chesser, an American citizen who was arrested for attempting to provide material support to Al Shabaab, told federal authorities that he watched online videos featuring al-Awlaki and that he exchanged several e-mails with al-Awlaki. In July 2010, Paul Rockwood was sentenced to eight years in prison for creating a list of 15 potential targets in the US, people he felt had desecrated Islam. Rockwood was a devoted follower of al-Awlaki, and had studied his works Constants on the Path to Jihad and 44 Ways to Jihad. In October 2008, Charles Allen, U.S. Under-Secretary of Homeland Security for Intelligence and Analysis, warned that al-Awlaki "targets U.S. Muslims with radical online lectures encouraging terrorist attacks from his new home in Yemen." Responding to Allen, al-Awlaki wrote on his website in December 2008: "I would challenge him to come up with just one such lecture where I encourage 'terrorist attacks'". Fort Hood shooter Fort Hood shooter Nidal Hasan was investigated by the FBI after intelligence agencies intercepted at least 18 e-mails between him and al-Awlaki between December 2008 and June 2009. Even before the contents of the e-mails were revealed, terrorism expert Jarret Brachman said that Hasan's contacts with al-Awlaki should have raised "huge red flags", because of his influence on radical English-speaking jihadis. Charles Allen, no longer in government, noted that there was no work-related reason for Hasan to be in touch with al-Awlaki. Former CIA officer Bruce Riedel opined: "E-mailing a known al-Qaeda sympathizer should have set off alarm bells. Even if he was exchanging recipes, the bureau should have put out an alert." A DC-based Joint Terrorism Task Force operating under the FBI was notified of the e-mails and reviewed the information. Army employees were informed of the e-mails, but they didn't perceive any terrorist threat in Hasan's questions. Instead, they viewed them as general questions about spiritual guidance with regard to conflicts between Islam and military service and judged them to be consistent with legitimate mental health research about Muslims in the armed services. The assessment was that there was not sufficient information for a larger investigation. In one of the e-mails, Hasan wrote al-Awlaki: "I can't wait to join you [in the afterlife]". "It sounds like code words," said Lt. Col. Tony Shaffer, a military analyst at the Center for Advanced Defense Studies. "That he's actually either offering himself up, or that he's already crossed that line in his own mind." Yemeni journalist Abdulelah Hider Shaea interviewed al-Awlaki in November 2009. Al-Awlaki acknowledged his correspondence with Hasan. He said he "neither ordered nor pressured ... Hasan to harm Americans." Al-Awlaki said Hasan first e-mailed him December 17, 2008, introducing himself by writing: "Do you remember me? I used to pray with you at the Virginia mosque." Hasan said he had become a devout Muslim around the time al-Awlaki was preaching at Dar al-Hijrah, in 2001 and 2002, and al-Awlaki said 'Maybe Nidal was affected by one of my lectures.'" He added: "It was clear from his e-mails that Nidal trusted me. Nidal told me: 'I speak with you about issues that I never speak with anyone else.'" Al-Awlaki said Hasan arrived at his own conclusions regarding the acceptability of violence in Islam and said he was not the one to initiate this. Shaea said, "Nidal was providing evidence to Anwar, not vice versa." Asked whether Hasan mentioned Fort Hood as a target in his e-mails, Shaea declined to comment. Al-Awlaki said the shooting was acceptable in Islam, however, because it was a form of jihad, as the West began the hostilities with the Muslims. Al-Awlaki said he "blessed the act because it was against a military target. And the soldiers who were killed were ... those who were trained and prepared to go to Iraq and Afghanistan". Al-Awlaki's e-mail conversations with Hasan were not released, and he was not placed on the FBI Most Wanted list, indicted for treason, or officially named as a co-conspirator with Hasan. The U.S. government was reluctant to classify the Fort Hood shooting as a terrorist incident, or identify any motive. The Wall Street Journal reported in January 2010 that al-Awlaki had not "played a direct role" in any of the attacks, and noted he had never been charged with a crime in the US. One of his fellow officers at Fort Hood said Hasan was enthusiastic about al-Awlaki. Some investigators believe al-Awlaki's teachings may have been instrumental in Hasan's decision to stage the attack. On his now-disabled website, al-Awlaki praised Hasan's actions, describing him as a hero. Christmas Day "Underwear Bomber" According to a number of sources, Al-Awlaki and Umar Farouk Abdulmutallab, the convicted al-Qaeda attempted bomber of Northwest Airlines Flight 253 on December 25, 2009, had contacts. In January 2010, CNN reported that U.S. "security sources" said that there is concrete evidence that al-Awlaki was Abdulmutallab's recruiter and one of his trainers, and met with him prior to the attack. In February 2010, al-Awlaki admitted in an interview published in al-Jazeera that he taught and corresponded with Abdulmutallab, but denied having ordered the attack. Representative Pete Hoekstra, the senior Republican on the House Intelligence Committee, said officials in the Obama administration and officials with access to law enforcement information told him the suspect "may have had contact [with al-Awlaki]".The Sunday Times established that Abdulmutallab first met al-Awlaki in 2005 in Yemen, while he was studying Arabic. During that time the suspect attended lectures by al-Awlaki.NPR reported that according to unnamed U.S. intelligence officials he attended a sermon by al-Awlaki at the Finsbury Park Mosque. Khalid Mahmood, the Labour MP for Birmingham Perry Barr, a former trustee of the mosque, expressed "grave misgivings" with regard to its stewardship. A spokesperson of the mosque stated that al-Awlaki had never spoken there or had even to his knowledge entered the building. Abdulmutallab was also reported by CBS News, The Daily Telegraph, and The Sunday Telegraph to have attended a talk by al-Awlaki at the East London Mosque, which al-Awlaki may have attended by video teleconference. The Sunday Telegraph later removed the report from its website following a complaint by the East London Mosque, which stated that "Anwar Al Awlaki did not deliver any talks at the ELM between 2005 and 2008, which is when the newspaper had falsely alleged that Abdullmutallab had attended such talks". Investigators who searched flats connected to Abdulmutallab in London said that he was a "big fan" of al-Awlaki, as al-Awlaki's blog and website had repeatedly been visited from those locations. According to federal sources, Abdulmutallab and al-Awlaki repeatedly communicated with one another in the year prior to the attack. "Voice-to-voice communication" between the two was intercepted during the fall of 2009, and one government source said al-Awlaki "was in some way involved in facilitating [Abdulmutallab]'s transportation or trip through Yemen. It could be training, a host of things." NPR reported that intelligence officials suspected al-Awlaki may have told Abdulmutallab to go to Yemen for al-Qaeda training. Abdulmutallab told the FBI that al-Awlaki was one of his al-Qaeda trainers in Yemen. Others reported that Abdulmutallab met with al-Awlaki in the weeks leading up to the attack. The Los Angeles Times reported that according to a U.S. intelligence official, intercepts and other information point to connections between the two: Some of the information ... comes from Abdulmutallab, who ... said that he met with al-Awlaki and senior al-Qaeda members during an extended trip to Yemen this year and that the cleric was involved in some elements of planning or preparing the attack and in providing religious justification for it. Other intelligence linking the two became apparent after the attempted bombing, including communications intercepted by the National Security Agency indicating that the cleric was meeting with "a Nigerian" in preparation for some kind of operation. Yemen's Deputy Prime Minister for Defense and Security Affairs, Rashad Mohammed al-Alimi, said Yemeni investigators believe that Abdulmutallab traveled to Shabwa in October 2009. Investigators believe he obtained his explosives and received training there. He met there with al-Qaeda members in a house built by al-Awlaki. A top Yemen government official said the two met with each other. In January 2010, al-Awlaki acknowledged that he met and spoke with Abdulmutallab in Yemen in the fall of 2009. In an interview, al-Awlaki said: "Umar Farouk is one of my students; I had communications with him. And I support what he did." He also said: "I did not tell him to do this operation, but I support it". Fox News reported in early February 2010 that Abdulmutallab told federal investigators that al-Awlaki directed him to carry out the bombing. In June 2010 Michael Leiter, the Director of the U.S. National Counterterrorism Center (NCTC), said al-Awlaki had a "direct operational role" in the plot. Sharif Mobley Sharif Mobley had acknowledged contact with Anwar al-Awlaki. The Mobley family claims the contact was for spiritual guidance in further studies of Islam. The Mobley family went to Yemen and resided there for several years. They decided to return to the United States and went to the U.S. Embassy to update the family travel documents. While waiting for their travel documents, Sharif Mobley was kidnapped by Yemen Security Services and shot on January 26, 2010. He was then held in Yemen's Central Prison. Mobley disappeared from the Central Prison on February 27, 2014. His current location is known to the U.S. Embassy in Yemen (currently closed 2015) but is withheld from his family and legal advisers based on U.S. State Department Regulations on "U.S. Citizens Missing Abroad". All charges related to "terrorism/terrorist activity" were dropped by the Yemen government. There are no charges relating to allegations of "killing a guard during an escape attempt from the hospital" and there are no other legal proceedings against him in Yemen. Times Square bomber Faisal Shahzad, convicted of the 2010 Times Square car bombing attempt, told interrogators that he was a "fan and follower" of al-Awlaki, and his writings were one of the inspirations for the attack. On May 6, 2010 ABC News reported that unknown sources told them Shahzad made contact with al-Awlaki over the internet, a claim that could not be independently verified. Stabbing of British former minister Stephen Timms Roshonara Choudhry, who stabbed former British Cabinet Minister Stephen Timms in May 2010, and was found guilty of his attempted murder in November 2010, claimed to have become radicalized by listening to online sermons of al-Awlaki. Seattle Weekly cartoonist death threat In 2010, after Everybody Draw Mohammed Day, cartoonist Molly Norris at Seattle Weekly had to stop publishing, and at the suggestion of the FBI changed her name, moved, and went into hiding due to a fatwā issued by al-Awlaki calling for her death. In the June 2010 issue of Inspire, an English-language al-Qaeda magazine, al-Awlaki cursed her and eight others for "blasphemous caricatures" of Muhammad. "The medicine prescribed by the Messenger of Allah is the execution of those involved", he wrote. Daniel Pipes observed in an article entitled "Dueling Fatwas", "Awlaki stands at an unprecedented crossroads of death declarations, with his targeting Norris even as the U.S. government targets him." Cargo planes bomb plotThe Guardian, The New York Times, and The Daily Telegraph reported that U.S. and British counter-terrorism officials believed that al-Awlaki was behind the cargo plane PETN bombs that were sent from Yemen to Chicago in October 2010.Yemen bomb scare 'mastermind' lived in London | World news. The Guardian. Retrieved on October 1, 2011. When U.S. Homeland Security official John Brennan was asked about al-Awlaki's suspected involvement in the plot, he said: "Anybody associated with al-Qaeda in the Arabian Peninsula is a subject of concern." U.S. Ambassador to Yemen Gerald Feierstein said "al-Awlaki was behind the two bombs." Final years Al-Awlaki's father, tribe, and supporters denied his alleged associations with Al-Qaeda and Islamist terrorism. Al-Awlaki's father proclaimed his son's innocence in an interview with CNN's Paula Newton, saying: "I am now afraid of what they will do with my son. He's not Osama bin Laden, they want to make something out of him that he's not." Responding to a Yemeni official's assertions that his son had taken refuge with al-Qaeda, Nasser said: "He's dead wrong. What do you expect my son to do? There are missiles raining down on the village. He has to hide. But he is not hiding with al-Qaeda; our tribe is protecting him right now." The Yemeni government attempted to get the tribal leaders to release al-Awlaki to their custody. They promised they would not turn him over to U.S. authorities for questioning. The governor of Shabwa said in January 2010 that al-Awlaki was on the move with members of al-Qaeda, including Fahd al-Quso, who was wanted in connection with the bombing of the USS Cole. In January 2010, White House lawyers debated whether or not it was legal to kill al-Awlaki, given his U.S. citizenship. U.S. officials stated that international law allows targeted killing in the event that the subject is an "imminent threat". Because he was a U.S. citizen, his killing had to be approved by the National Security Council. Such action against a U.S. citizen is extremely rare. As a military enemy of the US, al-Awlaki was not subject to Executive Order 11905, which bans assassination for political reasons. The authorization was nevertheless controversial. By February 4, 2010, the New York Daily News reported that al-Awlaki was "now on a targeting list signed off on by the Obama administration". On April 6, The New York Times reported that President Obama had authorized the killing of al-Awlaki. The al-Awalik tribe responded: "We warn against cooperating with America to kill Sheikh Anwar al-Awlaki. We will not stand by idly and watch." Al-Awlaki's tribe wrote that it would "not remain with arms crossed if a hair of Anwar al-Awlaki is touched, or if anyone plots or spies against him. Whoever risks denouncing our son (Awlaki) will be the target of Al-Awalik weapons", and gave warning "against co-operating with the Americans" in the capture or killing of al-Awlaki. Abu Bakr al-Qirbi, the Yemeni foreign minister, announced that the Yemeni government had not received any evidence from the US, and that "Anwar al-Awlaki has always been looked at as a preacher rather than a terrorist and shouldn't be considered as a terrorist unless the Americans have evidence that he has been involved in terrorism". In a video clip bearing the imprint of al-Qaeda in the Arabian Peninsula, issued on April 16 in al-Qaeda's monthly magazine Sada Al-Malahem, al-Awlaki said: "What am I accused of? Of calling for the truth? Of calling for jihad for the sake of Allah? Of calling to defend the causes of the Islamic nation?" In the video he also praises both Abdulmutallab and Hasan, and describes both as his "students". In late April, Representative Charlie Dent (R-PA) introduced a resolution urging the U.S. State Department to withdraw al-Awlaki's U.S. citizenship. By May, U.S. officials believed he had become directly involved in terrorist activities. Former colleague Abdul-Malik said he "is a terrorist, in my book", and advised shops not to carry any of his publications. In an editorial, Investor's Business Daily called al-Awlaki the "world's most dangerous man", and recommended that he be added to the FBI's most-wanted terrorist list, a bounty put on his head, that he be designated a Specially Designated Global Terrorist, charged with treason, and extradition papers filed with the Yemeni government. IBD criticized the Justice Department for stonewalling Senator Joe Lieberman's security panel's investigation of al-Awlaki's role in the Fort Hood massacre. On July 16, the U.S. Treasury Department added him to its list of Specially Designated Global Terrorists. Stuart Levey, Under Secretary of the Treasury for Terrorism and Financial Intelligence, called him "extraordinarily dangerous", and said al-Awlaki was involved in several organizational aspects of terrorism, including recruiting, training, fundraising, and planning individual attacks. A few days later, the United Nations Security Council placed al-Awlaki on its UN Security Council Resolution 1267 list of individuals associated with al-Qaeda, describing him as a leader, recruiter, and trainer for al-Qaeda in the Arabian Peninsula. The resolution stipulates that U.N. members must freeze the assets of anyone on the list, and prevent them from travelling or obtaining weapons. The following week, Canadian banks were ordered to seize any assets belonging to al-Awlaki. The Royal Canadian Mounted Police's senior counter-terrorism officer Gilles Michaud described him as a "major, major factor in radicalization". In September 2010, Jonathan Evans, the Director General of the United Kingdom's domestic security and counter-intelligence agency (MI5), said that al-Awlaki was the West's Public Enemy No 1. In October 2010, U.S. Congressman Anthony Weiner (D-NY) urged YouTube to take down al-Awlaki's videos from its website, saying that by hosting al-Awlaki's messages, "We are facilitating the recruitment of homegrown terror." Pauline Neville-Jones, British security minister, said "These Web sites ... incite cold-blooded murder." YouTube began removing the material in November 2010. Al-Awlaki was charged in absentia in Sana'a, Yemen, on November 2 with plotting to kill foreigners and being a member of al-Qaeda. Ali al-Saneaa, the head of the prosecutor's office, announced the charges during the trial of Hisham Assem, who had been accused of killing Jacques Spagnolo, an oil industry worker. He said that al-Awlaki and Assem had been in contact for months, and that al-Awlaki had encouraged Assem to commit terrorism. Al-Awlaki's lawyer said that his client was not connected to Spagnolo's death. On November 6, Yemeni Judge Mohsen Alwan ordered that al-Awlaki be caught "dead or alive". In his book Ticking Time Bomb: Counter-Terrorism Lessons from the U.S. Government's Failure to Prevent the Fort Hood Attack (2011), former U.S. Senator Joe Lieberman described al-Awlaki, Australian Muslim preacher Feiz Mohammad, Muslim cleric Abdullah el-Faisal, and Pakistani-American Samir Khan as "virtual spiritual sanctioners" who use the internet to offer religious justification for Islamist terrorism. Lawsuit against the US In July 2010, al-Awlaki's father, Nasser al-Awlaki, contacted the Center for Constitutional Rights and the American Civil Liberties Union to represent his son in a lawsuit that sought to remove Anwar from the targeted killing list. ACLU's Jameel Jaffer said: the United States is not at war in Yemen, and the government doesn't have a blank check to kill terrorism suspects wherever they are in the world. Among the arguments we'll be making is that, outside actual war zones, the authority to use lethal force is narrowly circumscribed, and preserving the rule of law depends on keeping this authority narrow. Lawyers for Specially Designated Global Terrorists must obtain a special license from the U.S. Treasury Department before they can represent their clients in court. The lawyers were granted the license on August 4, 2010. On August 30, 2010, the groups filed a "targeted killing" lawsuit, naming President Obama, CIA Director Leon Panetta, and Secretary of Defense Robert Gates as defendants. They sought an injunction preventing the targeted killing of al-Awlaki, and also sought to require the government to disclose the standards under which U.S. citizens may be "targeted for death". Judge John D. Bates dismissed the lawsuit in an 83-page ruling, holding that the father did not have legal standing to bring the lawsuit, and that his claims were judicially unreviewable under the political question doctrine inasmuch as he was questioning a decision that the U.S. Constitution committed to the political branches. On May 5, 2011, the United States tried but failed to kill al-Awlaki by firing a missile from an unmanned drone at a car in Yemen. A Yemeni security official said that two al-Qaeda operatives in the car died. Death On September 30, 2011, al-Awlaki was killed in a U.S. drone strike in Al Jawf Governorate, Yemen, according to U.S. sources, the strike was carried out by Joint Special Operations Command, under the direction of the CIA. A witness said the group had stopped to eat breakfast while traveling to Ma'rib Governorate. The occupants of the vehicle spotted the drone and attempted to flee in the vehicle before Hellfire missiles were fired Yemen's Defense Ministry announced that al-Awlaki had been killed. Also killed was Samir Khan, an American born in Saudi Arabia, thought to be behind al-Qaeda's English-language web magazine Inspire. U.S. President Barack Obama said: The death of Awlaki is a major blow to Al-Qaeda's most active operational affiliate. He took the lead in planning and directing efforts to murder innocent Americans ... and he repeatedly called on individuals in the United States and around the globe to kill innocent men, women and children to advance a murderous agenda. [The strike] is further proof that Al-Qaeda and its affiliates will find no safe haven anywhere in the world. Journalist and author Glenn Greenwald argued on Salon.com that killing al-Awlaki violated his First Amendment right of free speech and that doing so outside of a criminal proceeding violated the Constitution's due process clause, specifically citing the 1969 Supreme Court decision in Brandenburg v. Ohio that "the constitutional guarantees of free speech and free press do not permit a State to forbid or proscribe advocacy of the use of force." He mentioned doubt among Yemeni experts about al-Awlaki's role in al-Qaeda, and called U.S. government accusations against him unverified and lacking in evidence. In a letter dated May 22, 2013, to the chairman of the U.S. Senate Judiciary committee, Patrick J. Leahy, U.S. attorney general Eric Holder wrote that high-level U.S. government officials [...] concluded that al-Aulaqi posed a continuing and imminent threat of violent attack against the United States. Before carrying out the operation that killed al-Aulaqi, senior officials also determined, based on a careful evaluation of the circumstances at the time, that it was not feasible to capture al-Aulaqi. In addition, senior officials determined that the operation would be conducted consistent with applicable law of war principles, including the cardinal principles of (1) necessity – the requirement that the target have definite military value; (2) distinction – the idea that only military objectives may be intentionally targeted and that civilians are protected from being intentionally targeted; (3) proportionality – the notion that the anticipated collateral damage of an action cannot be excessive in relation to the anticipated concrete and direct military advantage; and (4) humanity – a principle that requires us to use weapons that will not inflict unnecessary suffering. The operation was also undertaken consistent with Yemeni sovereignty. [...] The decision to target Anwar al-Aulaqi was lawful, it was considered, and it was just. On April 21, 2014, the 2nd U.S. Circuit Court of Appeal ruled that the Obama administration must release documents justifying its drone killings of foreigners and Americans, including Anwar al-Awlaki. In June 2014, the United States Department of Justice disclosed a 2010 memorandum written by the acting head of the department's Office of Legal Counsel, David J. Barron. The memo stated that Anwar al-Awlaki was a significant threat with an infeasible probability of capture. Barron therefore justified the killing as legal, as "the Constitution would not require the government to provide further process". The New York Times Editorial Board dismissed the memo's rationale for al-Awlaki's killing, saying it "provides little confidence that the lethal action was taken with real care", instead describing it as "a slapdash pastiche of legal theories—some based on obscure interpretations of British and Israeli law—that was clearly tailored to the desired result." A lawyer for the ACLU described the memo as "disturbing" and "ultimately an argument that the president can order targeted killings of Americans without ever having to account to anyone outside the executive branch." Legacy Seth Jones, who as a political scientist specializes in al-Qaida, considers that the continuing relevance of al-Awlaki is due to his fluency in the English language as well as his charisma, precising that "he had a disarming aura and unnerving confidence, with an easy smile and a soothing, eloquent voice. He stood a lanky six feet, one inch tall, weighed 160 pounds, and had a thick black beard, an oversized nose, and wire-rimmed glasses. He spoke in a clear, almost hypnotic voice." Awlaki's videos and writings remain highly popular on the internet, where they continue to be readily accessible. Those who viewed and still view his videos are estimated by journalist Scott Shane to number in the hundreds of thousands, while his father Dr. Nasser Awlaqi says that "five million preaching tapes of Anwar Awlaqi have been sold in the West." And thus, even following his death, Awlaki has continued to inspire his devotees to carry out terrorist attacks, including the 2013 Boston Marathon bombing, the 2015 San Bernardino attack, and the 2016 Orlando nightclub shooting. According to the Counter Extremism Project (CEP), 88 "extremists," 54 in the U.S. and 34 in Europe, have been influenced by Awlaki. Because "his work has inspired countless plots and attacks," CEP has "called on YouTube and other platforms to permanently ban Mr. Awlaki's material, including his early, mainstream lectures." FOIA documents During the FBI investigation of the 9/11 attacks, it was discovered that a few of the attackers had attended the mosques in San Diego and Falls Church with which al-Awlaki was associated. Interviews with members of the San Diego mosque showed that Nawaz al-Hazmi, one of the attackers, may have had a private conversation with him. On that basis he was placed under 24-hour surveillance. It was discovered that he regularly patronized prostitutes. It was through FBI interrogation of prostitutes and escort service operators that al-Awlaki was tipped off in 2002 about FBI surveillance. Shortly thereafter, he left the United States. In January 2013, Fox News announced that FBI documents obtained by Judicial Watch through a Freedom of Information Act request showed possible connections between al-Awlaki and the September 11 attackers. According to Judicial Watch, the documents show that the FBI knew that al-Awlaki had bought tickets for three of the hijackers to fly into Florida and Las Vegas. Judicial Watch further stated that al-Awlaki "was a central focus of the FBI's investigation of 9/11. They show he wasn't cooperative. And they show that he was under surveillance." When queried by Fox News, the FBI denied having evidence connecting al-Awlaki and the September 11 attacks: "The FBI cautions against drawing conclusions from redacted FOIA documents. The FBI and investigating bodies have not found evidence connecting Anwar al-Awlaki and the attack on September 11, 2001. The document referenced does not link Anwar al-Awlaki with any purchase of airline tickets for the hijackers." Family Abdulrahman al-Awlaki Anwar al-Awlaki and Egyptian-born Gihan Mohsen Baker had a son, Abdulrahman Anwar al-Awlaki, born August 26, 1995, in Denver, who was an American citizen. Abdulrahman al-Awlaki was killed on October 14, 2011, in Yemen at the age of 16 in an American drone strike. Nine other people were killed in the same CIA-initiated attack, including a 17-year-old cousin of Abdulrahman. According to his relatives, shortly before his father's death, Abdulrahman had left the family home in Sana'a and travelled to Shabwa in search of his father who was believed to be in hiding in that area (though he was actually hundreds of miles away at the time ). Abdulrahman was sitting in an open-air cafe in Shabwa when killed. According to U.S. officials, the killing of Abdulrahman al-Awlaki was a mistake; the intended target was an Egyptian, Ibrahim al-Banna, who was not at the targeted location at the time of the attack. Human rights groups have raised questions as to why an American citizen was killed by the United States in a country with which the United States is not officially at war. Abdulrahman al-Awlaki was not known to have any independent connection to terrorism. Nasser al-Awlaki Nasser al-Awlaki is the father of Anwar and grandfather of Abdulrahman al-Awlaki. Al-Awlaki stated he believed his son had been wrongly accused and was not a member of Al Qaeda. After the deaths of his son and grandson, Nasser in an interview in Time magazine called the killings a crime and condemned U.S. President Obama directly, saying: "I urge the American people to bring the killers to justice. I urge them to expose the hypocrisy of the 2009 Nobel Prize laureate. To some, he may be that. To me and my family, he is nothing more than a child killer." In 2013, Nasser al-Awlaki published an op-ed in The New York Times stating that two years after killing his grandson, the Obama administration still declines to provide an explanation. In 2012, Nasser al-Awlaki filed a lawsuit, Al-Aulaqi v. Panetta, challenging the constitutionality of the drone killings of his son and grandson. This lawsuit was dismissed in April 2014 by D.C. District Court Judge Rosemary M. Collyer. Tariq al-Dahab Tariq al-Dahab, who led al-Qaeda insurgents in Yemen, was a brother-in-law of al-Awlaki. On February 16, 2012, the terrorist organization stated that he had been killed by agents, although media reports contain speculation that he was killed by his brother in a bloody family feud. Nawar al-Awlaki On January 29, 2017, Anwar al-Awlaki's 8-year-old daughter, Nawar al-Awlaki, who was an American citizen, was killed in a DEVGRU operation authorized by President Donald Trump."1 US service member killed, 3 wounded in Yemen raid" , WPVI-TV, 6 ABC Action News, Philadelphia, PA. January 29, 2017. Retrieved January 29, 2017. Islamic education Al-Awlaki's Islamic education was primarily informal, and consisted of intermittent months with various scholars reading and contemplating Islamic scholarly works. Despite having no religious qualifications and almost no religious education, Al-Awlaki made a name for himself as a public speaker who released popular audio recordings.Some Muslim scholars said they did not understand alAwlaki's popularity, because while he spoke fluent English and could therefore reach a large non-Arabic-speaking audience, he lacked formal Islamic training and study. Ideology While imprisoned in Yemen after 2004, al-Awlaki was influenced by the works of Sayyid Qutb, described by The New York Times as an originator of the contemporary "anti-Western Jihadist movement". He read 150 to 200 pages a day of Qutb's works, and described himself as "so immersed with the author I would feel Sayyid was with me in my cell speaking to me directly". Terrorism consultant Evan Kohlmann in 2009 referred to al-Awlaki as "one of the principal jihadi luminaries for would-be homegrown terrorists. His fluency with English, his unabashed advocacy of jihad and mujahideen organizations, and his Web-savvy approach are a powerful combination." He called al-Awlaki's lecture, "Constants on the Path of Jihad", which he says was based on a similar document written by al-Qaeda's founder, the "virtual bible for lone-wolf Muslim extremists". Philip Mudd, formerly of the CIA's National Counterterrorism Center and the FBI's top intelligence adviser, called him "a magnetic character ... a powerful orator." He attracted young men to his lectures, especially US-based and UK-based Muslims. U.S. officials and some U.S. media sources called al-Awlaki an Islamic fundamentalist and accused him of encouraging terrorism. According to documents recovered from bin Laden's hideout, the al-Qaeda leader was unsure about al-Awlaki's qualifications. Works The Nine Eleven Finding Answers Foundation said al-Awlaki's ability to write and speak in fluent English enabled him to incite English-speaking Muslims to terrorism. Al-Awlaki notes in 44 Ways to Support Jihad that most reading material on the subject is in Arabic. Written works 44 Ways to Support Jihad: Essay (January 2009). In it, al-Awlaki states that "The hatred of kuffar is a central element of our military creed" and that all Muslims are obligated to participate in jihad, either by committing the acts themselves or supporting others who do so. He says all Muslims must remain physically fit so as to be prepared for conflict. According to U.S. officials, it is considered a key text for al-Qaeda members. Al-Awlaki wrote for Jihad Recollections, an English language online publication published by Al-Fursan Media. Allah is Preparing Us for Victory – short book (2009). Lectures Lectures on the book Constants on the Path of Jihad by Yusef al-Ayeri—concerns leaderless jihad. In 2009, the UK government found 1,910 of his videos had been posted to YouTube. One of them had been viewed 164,420 times. The Battle of Hearts and Minds The Dust Will Never Settle Down Dreams & Interpretations The Hereafter—16 CDs—Al Basheer Productions Life of Muhammad: Makkan Period—16 CDs—Al Basheer Productions Life of Muhammad: Medinan Period—Lecture in 2 Parts—18 CDs—Al Basheer Productions Lives of the Prophets (AS)—16 CDs—Al Basheer Productions Abu Bakr as-Siddiq (RA): His Life & Times—15 CDs—Al Basheer Productions Umar ibn al-Khattāb (RA): His Life & Times—18 CDs—Al Basheer Productions 25 Promises from Allah to the Believer—2 CDs—Noor Productions Companions of the Ditch & Lessons from the Life of Musa (AS)—2 CDs—Noor Productions Remembrance of Allah & the Greatest Ayah—2 CDs—Noor Productions Stories from Hadith—4 CDs—Center for Islamic Information and Education ("CIIE") Hellfire & The Day of Judgment—CD—CIIE Quest for Truth: The Story of Salman Al-Farsi (RA)—CD—CIIE Trials & Lessons for Muslim Minorities—CD—CIIE Young Ayesha (RA) & Mothers of the Believers (RA)—CD—CIIE Understanding the Quran—CD—CIIE Lessons from the Companions (RA) Living as a Minority—CD—CIIE Virtues of the Sahabah—video lecture series promoted by the al-Wasatiyyah Foundation Website Al-Awlaki maintained a website and blog on which he shared his views. On December 11, 2008, he said Muslims should not seek to "serve in the armies of the disbelievers and fight against his brothers". In "44 Ways to Support Jihad", posted on his blog in February 2009, al-Awlaki encouraged others to "fight jihad", and explained how to give money to the mujahideen or their families. Al-Awlaki's sermon encourages others to conduct weapons training, and raise children "on the love of Jihad". Also that month, he wrote: "I pray that Allah destroys America and all its allies." He wrote as well: "We will implement the rule of Allah on Earth by the tip of the sword, whether the masses like it or not." On July 14, he said that Muslim countries should not offer military assistance to the US. "The blame should be placed on the soldier who is willing to follow orders ... who sells his religion for a few dollars," he said. In blog post dated July 15, 2009, entitled "Fighting Against Government Armies in the Muslim World", al-Awlaki wrote, "Blessed are those who fight against [American soldiers], and blessed are those shuhada [martyrs] who are killed by them." In a video posted to the internet on November 8, 2010, al-Awlaki called for Muslims to kill Americans "without hesitation", and overthrow Arab governments that cooperate with the US. "Don't consult with anyone in fighting the Americans, fighting the devil doesn't require consultation or prayers or seeking divine guidance. They are the party of the devils", al-Awlaki said. That month, Intelligence Research Specialist Kevin Yorke of the New York Police Department's Counterterrorism Division called him "the most dangerous man in the world". See also Church Committee Executive Order 12333 Extrajudicial killing International counter-terrorism activities of the CIA Protocol I References Further reading al-Ashanti, AbdulHaq and Sloan, Abu Ameenah AbdurRahman. (2011) A Critique of the Methodology of Anwar al-Awlaki and his Errors in the Fiqh of Jihad. London: Jamiah Media, 2011 External links Ruling of Judge Bates in Al Aulaqi v Obama Statements Interviews "Exclusive; Ray Suarez: My Post-9/11 Interview With Anwar al-Awlaki", PBS, October 30, 2001 "Al-Jazeera Satellite Network Interview with Yemeni-American Cleric Shaykh Anwar al-Awlaki Regarding his Alleged Role in Radicalizing Maj. Malik Nidal Hasan", The NEFA Foundation, December 24, 2009 Media coverage The imam's very curious story: A skirt-chasing mullah is just one more mystery for the 9/11 panel, Ragavan, Chitra, US News and World Report'', June 13, 2004 DBI.gov 1971 births 2011 deaths 20th-century imams 21st-century imams Abdullah Yusuf Azzam Al-Qaeda propagandists Assassinated al-Qaeda leaders American al-Qaeda members American expatriates in the United Kingdom American expatriates in Yemen American imams American Islamists American people of Yemeni descent Colorado State University alumni George Washington University Graduate School of Education and Human Development alumni People associated with the September 11 attacks People from Las Cruces, New Mexico San Diego State University alumni Yemeni imams Yemeni al-Qaeda members Yemeni Sunni Muslim scholars of Islam Yemeni Sunni Muslims Deaths by drone strikes of the Central Intelligence Agency in Yemen Islam-related controversies People designated by the Al-Qaida and Taliban Sanctions Committee American male criminals Yemeni criminals Yemeni Islamists Yemeni expatriates in the United Kingdom Shafi'is American Muslim activists Assassinated Yemeni people Yemeni propagandists United States military killing of American civilians

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When was the role cast?

When was the role of Ashley Abbott cast?

Ashley Abbott

Eileen Davidson originated the role of Ashley Abbott in June 1982, until her first exit on December 2, 1988. The role was immediately recast with Brenda Epperson, who portrayed Ashley for seven years from December 5, 1988 before leaving the role on December 21, 1995. Shari Shattuck then assumed the role from March 12, 1996 to February 22, 1999, with Davidson returning on March 19, 1999. Davidson took maternity leave in the summer of 2003. In 2006, news broke that Davidson was to exit the soap opera, and she last aired on January 11, 2007. She then carried the role of Ashley over to the show's sister soap, The Bold and the Beautiful. She last aired on The Bold and the Beautiful on July 4, 2008, before returning to The Young and the Restless on September 25, 2008. In May 2012, Davidson informed followers on her Twitter page that she had been let go from The Young and the Restless. Davidson further confirmed she did not know why she was let go, but was seeing the positive light from it. It was then announced by Nelson Branco that Sony Pictures Entertainment wanted Davidson on both The Young and the Restless and Days of Our Lives, but that Y&R would not share the actress, leading to Sony terminating her contract with the soap. Thus it was announced that Davidson would reprise her role as Kristen Blake on the NBC soap. Davidson made her onscreen exit on August 3, 2012. Speaking about her upcoming return to Days and departure from the show with TV Guide, Davidson stated: "What happened to me at Y&R was shocking -- I've been in this business a very long time and have never seen anything like it -- but it's not like I haven't been fired before." She also went on to say that "I was led to believe that I was fired, though it was a bad news-good news thing -- the bad news is Y&R is firing you, the good news is Days wants you." In February 2013, it was announced that Davidson would return to The Young and the Restless for "very special episodes" that would commemorate the show's 40th anniversary. In spite of this, the actress remained a part of Days of our Lives full-time. In August 2013, following the announcement of Davidson's departure from Days of our Lives, it was announced that she would again reprise the role for three episodes airing in October, later returning for additional guest appearances. In June 2014, it was announced that Davidson had signed a two-year contract with The Young and the Restless to appear as a regular cast member again, and would return to the series in September. Davidson also revealed her contract would allow for her to continue making appearances on Days of Our Lives. CANNOTANSWER

Eileen Davidson originated the role of Ashley Abbott in June 1982,

Ashley Abbott is a fictional character from The Young and the Restless and The Bold and the Beautiful, two American soap operas on the CBS network. She has been most notably portrayed by Eileen Davidson, who originated the role on June 11, 1982, before departing in 1988. Brenda Epperson portrayed Ashley from 1988 to 1995, before Shari Shattuck portrayed the role for the next three years, until Davidson's return on March 19, 1999. Davidson was nominated in 2003 for Daytime Emmy Award for Outstanding Lead Actress in a Drama Series, and she later won that award in 2018. The character is the daughter of Dina Mergeron and Brent Davis, although she believed John Abbott was her biological father until she reached adulthood. She has had relationships with various men throughout the years, most notably Steven Lassiter, Victor Newman, Blade Bladeson, Cole Howard and Brad Carlton. She has a daughter with Victor, Abby Newman. She is also known for her business contributions to her father's company, Jabot Cosmetics, much like her brother Jack. In 2006, it was announced that Davidson was to leave The Young and the Restless. She last appeared on January 11, 2007. Shortly after, the character crossed over to its sister soap, The Bold and the Beautiful. There, she became intertwined with the Forresters and Forrester Creations; she also had a romance with Ridge Forrester. She left The Bold and the Beautiful in 2008 and returned to The Young and the Restless, where she has since had relationships with Victor once again and Tucker McCall. In May 2012, it was announced that Davidson was let go from The Young and the Restless, leading to her exit on August 3, 2012. Davidson initially hadn't known why, but it was reported later that Sony Pictures Television terminated her contract with the show for her to return to Days of Our Lives as Kristen DiMera, a character she had portrayed there over 14 years prior. Davidson made a brief return to The Young and the Restless in March 2013 for the soap's 40th anniversary. After subsequent guest appearances, Davidson returned to The Young and the Restless on September 3, 2014, as a series regular. In 2018, Davidson again exited the role; she returned in March 2019, following the installment of head writer Josh Griffith. Casting Eileen Davidson originated the role of Ashley Abbott on June 11, 1982, until her first exit on December 2, 1988. The role was immediately recast with Brenda Epperson, who portrayed Ashley for seven years from December 5, 1988, before leaving the role on December 21, 1995. Shari Shattuck then assumed the role from March 21, 1996, to February 22, 1999, with Davidson returning on March 19, 1999. Davidson took maternity leave in the summer of 2003. In 2006, news broke that Davidson was to exit the soap opera, and she last aired on January 11, 2007. She then carried the role of Ashley over to the show's sister soap, The Bold and the Beautiful. On September 25, 2008, Davidson returned to The Young and the Restless, and subsequently made one final appearance on The Bold and the Beautiful on November 25 of the same year when Ashley resigned from her position at Forrester Creations. In May 2012, Davidson informed followers on her Twitter page that she had been let go from The Young and the Restless. Davidson further confirmed she did not know why she was let go, but was seeing the positive light from it. It was then announced by Nelson Branco that Sony Pictures Entertainment wanted Davidson on both The Young and the Restless and Days of Our Lives, but that Y&R would not share the actress, leading to Sony terminating her contract with the soap. Thus it was announced that Davidson would reprise her role as Kristen Blake on the NBC soap. Davidson made her onscreen exit on August 3, 2012. Speaking about her upcoming return to Days and departure from the show with TV Guide, Davidson stated: "What happened to me at Y&R was shocking — I've been in this business a very long time and have never seen anything like it — but it's not like I haven't been fired before." She also went on to say that "I was led to believe that I was fired, though it was a bad news-good news thing — the bad news is Y&R is firing you, the good news is Days wants you." In February 2013, it was announced that Davidson would return to The Young and the Restless for "very special episodes" that would commemorate the show's 40th anniversary. In spite of this, the actress remained a part of Days of our Lives full-time. In August 2013, following the announcement of Davidson's departure from Days of our Lives, it was announced that she would again reprise the role for three episodes airing in October, later returning for a guest appearance on November 27 and December 2, 2013. In June 2014, it was announced that Davidson had signed a two-year contract with The Young and the Restless to appear as a regular cast member again, and would return to the series in September. Davidson also revealed her contract would allow for her to continue making appearances on Days of Our Lives. In 2018, Julia D'Arcy Badinger portrayed a younger Ashley in flashbacks. That June, Daytime Confidential broke news that Davidson had quit the role. Davidson last appeared in the role on October 29, 2018. On February 25, 2019, Davidson announced she would return to the role for several appearances; first airing on March 29, 2019. Since then, she has remained on the show on a recurring status. Character development Davidson describes Ashley as a "dynamic character". She has been characterized as "sassy" yet an "honorable heroine". The Record describes Ashley as "headstrong". She is recognized for her unluckiness and long-term suffering. Davidson stated, "She is a heroine. So often she was being victimized by people and trying to always rise above that, and being driven insane and losing babies, etc." In 1990, The Washington Times described Ashley as a "smart woman", known for her "level head" and "business success". Ashley is dedicated to her work and has a strong sense of family. She is a beloved member of the Genoa City community. Her passion for the family business, Jabot Cosmetics, cost Ashley her marriage to Cole Howard (J. Eddie Peck). Ashley has been involved in a number of different romantic relationships over her duration on the series. Her relationship with Brad Carlton (Don Diamont) came as a shock, due to Brad being beneath her socially. Epperson, who played Ashley at the time, was uncertain of Ashley and Brad's decision to get married. Davidson opined that a storyline in which Victor's son Adam Newman (Michael Muhney) gaslighted a pregnant Ashley in 2009 was payback for Ashley stealing Victor's sperm years ago to conceive Abby. She stated: "I think the character really suffered after she stole Victor's sperm from Diane [...] After that, the viewers lost a lot of respect for Ashley. People wanted Ashley to pay for it. My opinion? Although last summer's gaslighting storyline was used to propel a lot of other stories, it was also about making Ashley pay. Now we can close that entire chapter because Ashley paid. It was Ashley's redemption". Around this story arc, Tommy Garrett of Canyon News described Ashley as a "damsel in distress", stating that she had a "twisted mind" due to suffering a hysterical pregnancy after losing her unborn child at the hands of Adam. Following the death of John, Jack works desperately to remove his wife Gloria Abbott (Judith Chapman) from the family, even illegally making changes to John's will. Explaining Ashley's ambivalence towards the situation, Davidson stated: "Just because you don't like somebody doesn't mean you should do something illegal [...] The point is, their father loved her. And even if they don't like her, they have to honor what he wanted. Ashley never wanted to do anything that went against her father's wishes." The actress stated that Ashley "just wants" Jack to "do the right thing". Storylines Ashley is born on April 29, 1960, to John Abbott, Sr. (Brett Halsey, later Jerry Douglas) and Dina Abbott Mergeron (Marla Adams). Twenty-two years later, after completing college, Ashley returns to Genoa City and applies for a job as a lab chemist at Jabot Cosmetics, the family company, using the name Susan Ashley so she will be hired for her skills, not her family connections. She takes over as president of the company after her brother Jack Abbott (Terry Lester, later Peter Bergman) is shot on his one-year anniversary by his wife, Patty Williams. Ashley commences an unlucky streak of relationships; starting with French artist Eric Garrison, who slept with her mother, and Marc Mergeron, who is revealed to be her former stepbrother. Capitalizing on her unluckiness, it is revealed that Ashley's biological father is Brent Davis, not John Abbott, who remains unaware of Ashley's true paternity. Trauma leads Ashley to become missing with amnesia, where she is found by business tycoon Victor Newman (Eric Braeden), who takes her back to Genoa City. Ashley has an affair with Victor, who is married to Nikki Newman (Melody Thomas Scott). To spite Ashley, Nikki engages in an affair with Jack and tries to have Victor's brother, Matt Miller, unsuccessfully seduce Ashley. Ultimately, Victor chooses to be with Ashley, angering Nikki. When Ashley falls pregnant with Victor's child, Nikki is diagnosed with cancer, causing Victor to leave Ashley, who secretly has an abortion. Ashley suffers a mental breakdown, before marrying her psychiatrist Steven Lassiter (Rod Arrants). Steven's former patient Leanna Randolph (Barbara Crampton) stalks the couple and attempts to destroy Ashley. She writes a biography about Victor that exposes information about his dysfunctional relationship with Ashley. Steven is later shot and killed by an unstable patient. Following a short affair with Brad Carlton (Don Diamont), Ashley marries Victor. The marriage suffers because of Nikki's ongoing problems as well as Victor's daughter Victoria Newman's (Heather Tom) constant schemes to break them up. After her divorce from Victor, Ashley falls in love with Jabot's mysterious photographer Blade Bladeson (Michael Tylo), and they get married. Blade's vengeful twin brother Rick Bladeson arrives in town, holds Blade hostage and impersonates him. Eventually, Ashley and Blade's marriage ends. She then falls romantically for Kurt Costner (Leigh McCloskey), who is shot saving her from muggers. The romance is short-lived, as Kurt leaves Ashley to be with Victor's ex-wife Hope Wilson (Signy Coleman). Ashley nearly engages in an affair with Victoria's husband Cole Howard (J. Eddie Peck), an author who is writing a novel about her life, which requires them to spend time together. After Victoria's pregnancy results in a stillborn baby, Cole divorces her and marries Ashley. The marriage suffers a rough patch when Ashley travels to Madrid to help her stepbrother Rafael Delgado (Carlos Bernard), who is dealing with dangerous customers after selling them forged paintings. Cole assumes that she is having an affair with Rafael, unaware of who he is. During this, Victoria attempts to sabotage the marriage. Ultimately, upon Ashley's return to Genoa City, the couple divorce. By 2000, one of Jack's former lovers and Victor's latest ex-wife, Diane Jenkins (Alex Donnelley) steals Victor's sperm from a sperm bank, though Nikki switches the sample with Jack's sperm. Ashley then steals Victor's sperm and impregnates herself, claiming that the father is a stranger; this was to make up for the abortion she had years prior. She then marries Brad Carlton and gives birth to Abby Carlton, who is raised to believe she is the daughter of Brad. Ashley is diagnosed with breast cancer, and feeling that she may not have time left, she confesses the truth about Abby's paternity to Victor. Brad and Ashley split, though are brought together when she becomes pregnant with their child. Stress over the battle between Jabot and Newman Enterprises causes her to leave town. While she is driving back, she is involved in a car accident, killing the unborn child. Victor is blamed for the child's death. Brad and Ashley's marriage continues to diminish and they are divorced. Tom Fisher (Roscoe Born), the dangerous ex-husband of John's wife Gloria Abbott (Judith Chapman), arrives in town. To protect his family, John shoots and kills Tom. Ashley covers this up by confessing to the crime herself, though John soon confesses himself, and is jailed for seven years. Gloria contaminates Ashley's new line of beauty cream, which causes a woman to die. John suffers a heart attack following his release from prison, and passes away. Jack removes Gloria from the family, and Ashley leaves town to escape the drama. During a business trip to France, Ashley meets Rick Forrester (Kyle Lowder), and they have an affair. She later travels to Los Angeles to work with Forrester Creations as a lab chemist. Rick and Ashley decide to keep their affair a secret, and she commences a serious relationship with Ridge Forrester (Ronn Moss), whom she becomes engaged to. Ridge's attentiveness to his former love Brooke Logan (Katherine Kelly Lang) ends the engagement. Ashley then has a short-lived romance with Brooke's brother Storm (William deVry). Forrester Creations decide to discontinue their fragrance line, diminishing Ashley's role in the company. She leaves Los Angeles and moves to Europe with Abby. Ashley locates a missing Victor in France, where they reunite. Upon their return to Genoa City as a couple, they are married and Ashley becomes pregnant. Victor's manipulative son Adam Newman (Michael Muhney) gas lights Ashley, making her believe that she is seeing the ghost of Victor's late wife, Sabrina Newman. Adam causes Ashley to fall down a staircase and lose her baby, though he convinces her that this was a dream, and she suffers from an hysterical pregnancy. Ashley checks herself into a psychiatric hospital where Sharon Newman (Sharon Case), also pregnant, is staying. After Ashley begins experiencing hysterical labor, Adam kidnaps Sharon's newborn baby Faith Newman and gives her to Ashley, with Sharon believing her baby was stillborn. In the ensuing months, Sharon marries Adam and develops a close friendship with Ashley. Six months after Faith is born, the doctor that delivered her (who was being blackmailed by Adam) confesses the truth in a letter. Ashley is forced to hand Faith over to Sharon and the child's father, Victor's son Nicholas Newman (Joshua Morrow). Ashley moves on with her life, and becomes engaged to wealthy tycoon Tucker McCall (Stephen Nichols). Prior to their engagement, he slept with Diane Jenkins (Maura West). They briefly split up because of Tucker's secret business plans with Jack, but reunite shortly thereafter. Abby accidentally runs over Tucker with her car, and Ashley protects her by taking the blame. She is accused of attempted murder and driving under the influence. All charges are ultimately dropped, and she marries Tucker. Their marriage quickly lands in divorce because of Tucker's business scheming and his affair with a previous lover, Harmony Hamilton. Ashley is later forced out as CEO of Jabot by Jack, and Ashley decides to move to New York City with Traci. She returns briefly a few months later for the wedding of Victor and Nikki. Months later, Ashley returns for the funeral of her niece Delia Abbott and comforts her brother Billy on his loss. She returns later to spend Thanksgiving with her family. While there, she sprained her ankle and met Dr. Stitch Rayburn (Sean Carrigan). Abby pushed for a romance, but Ashley reminded her that Stitch was married and had a young son. In town for Abby and Tyler's engagement party, Ashley left early to drop by the hospital and "run into" Dr. Rayburn. But she found Victoria waiting for him to take her on a date. Ashley reminded her that she'd only been separated a week. When Ben arrived, Victoria was jealously catty, informing Ben that Ashley was her former stepmother. In September 2014, Ashley did not show up in Genoa City after calling a meeting among the major Jabot stockholders, Jack, Billy, Traci, and Abby. Jack phoned her, and she explained that she was working on a special project, but had decided it was not yet ready to present to them. The following month, Ashley returned and confirmed that her idea was for a revolutionary new fragrance, and she made a deal with Jack to become Co-CEO of Jabot again if it panned out. Abby had been treating Ben Rayburn nasty and spiteful ever since she found out that he had killed his father as a teen and taken someone else's identity to get his degree in medicine, and broken Victoria's heart. So Abby was shocked when Ashley hired Ben as a chemist for Jabot, despite Abby's objections. Ashley returned to New York City to wrap things up, tasking a reluctant Abby with bringing Ben up to speed on the cosmetics industry. Before she left, she consoled Billy that maybe she could help keep Ben away from Victoria for him. On Ashley's return, she asked Ben to smell the new fragrance, he found it repulsive, but he kissed her. Ashley revealed that the fragrance contained pheromones, was a love potion, and the kiss had proven it. What she needed was his help to make the scent bearable. Later after Ben was arrested for fraud by a former patient, Ashley bailed him out. She confided in Ben, that she too had taken a murder rap for someone she loved. Ashley asked him to accompany her to Madison on business. Ben showed up in Ashley's office drunk after seeing Billy and Victoria snuggling with their baby. Ashley threw him in the shower to sober him up, and he pulled her in too. They had sex, and Stitch spent the night. The next day, they agreed to tell no one after Ben found out that he still had a chance with Victoria. Victor invited Ashley to lunch and tried to get her to take a deal to leave Jabot and work for him at Newman-Chancellor. But Ashley declined and left early, arriving back at the lab in time to see her lab assistant Tobias taking photos of their secret work. She guessed that he was working for Victor, and decided to let him continue to feed him bogus information. Ashley runs into Joe Clark at the athletic club. After referring to them having a good thing going back in New York City, they made plans to spend New Year's Eve together. In May 2017, Ashley's mother Dina came for a "permanent" visit. In October 2017, Dina exposed that John Abbott wasn't Ashley's father. Ashley leaves Genoa City in October 2018, following a series of events that leave her feeling alienated from both the Abbott family and Jabot, following the discovery that John and Dina left legal documents leaving all of Ashley's product patents to her; she confesses she's leaving for Paris to launch her own company with said-patents. Reception Jamey Giddens of Zap2it described Davidson as "one of Genoa City's most beloved heroines". Upon learning of Davidson's return to the role in 1999, Candace Havens of the McCook Daily Gazette declared that it was her who made Ashley "one of the most popular characters on soaps". In October 1999, when all of the Abbott siblings and their father John were together again, the Orlando Sentinel wrote: "In the meantime, having the entire Abbott clan together [...] is like a joyous family reunion for longtime viewers". John Goudas of The Gadsden Times was favorable of Epperson's performance two years into her duration, stating that she "is holding her own", though he noted her to be "Eileen's double". He stated that the front-burner status of Ashley and Brad's romantic storyline demonstrated that producer William J. Bell "has full confidence in [Epperson]". The character has had a rivalry with Nikki Newman (Melody Thomas Scott) for many years; a poll run in 2008 by website Daytime Confidential asking, "Who would win a cat fight, Nikki Newman or Ashley Abbott?", saw 63% of voters say Nikki would win, with 37% saying Ashley would win. Giddens was favorable of Ashley running Jabot Cosmetics in 2008, writing: "Okay this has to stop. My heart simply can't take it. It's like the effects of yo-yo dieting. Everytime I sincerely think I am done with this genre, something like The Young and the Restless heiress Ashley Abbott (Eileen Davidson) announcing that she, not Lil' Billy (Billy Miller), not Cruella de Bardwell (Judith Chapman) or Gary Ewing (Ted Shackelford) and no, not even Smilin' Jack (Peter Bergman) will be running Jabot Cosmetics, happens." In 2009, Jillian Bowe (also of Zap2it) wondered if Ashley was "insane in the membrane" due to her hearing a crying child around the Newman ranch, writing: "Is "The Beauty" starting to crack up? Certainly looks that when some freaky things take place on The Young and the Restless." In 2010, Tommy Garrett of Canyon News praised a scene in which Ashley discovers a sex tape made by her spoiled daughter, Abby, that was posted online. Garrett wrote: "Davidson's performance is spot on as the mother Ashley who is fed up. The tears of despair and exhaustion came streaming down Davidson's beautiful face in character, while her spit-fire daughter didn't give a damn." Giddens later wrote that he thought it was "ridiculous" and "outlandish" to make Ashley pregnant with Victor's child in 2009. Also in 2010, Neeketa Borden of Zap2it created a list of "curiously quirky couplings", with Ashley and Tucker listed as an "honorable mention". In a separate review, Garrett credited Davidson as one of the "powerful performers who daytime TV could not exist without having". When the truth was going to come out that Faith Newman wasn't Ashley's child, Giddens wrote: "Lord, I hope this doesn't make my Ashley Abbott go cuckoo for Cocoa Puffs again!" Mike Jubinville of Zap2it wrote that the character's relationship with Neil Winters (Kristoff St. John) had been a "slow burn, one going on for weeks, but one that is hard to miss. It has the ingredients of a hot romance." Upon Davidson's firing in 2012, Giddens wrote: "I am sincerely hoping the brass at Y&R can't possibly be this stupid, but if they are, Gary Tomlin better blow up Davidson's phone STAT about a Days of Our Lives return!" References External links Ashley Abbott character profile on SoapCentral The Young and the Restless characters The Bold and the Beautiful characters Television characters introduced in 1982 Fictional business executives Fictional female businesspeople Fictional socialites Fictional characters with cancer Fictional characters with neurological or psychological disorders Female characters in television

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Who got that role?

Who got the role of Ashley Abbott?

Ashley Abbott

Eileen Davidson originated the role of Ashley Abbott in June 1982, until her first exit on December 2, 1988. The role was immediately recast with Brenda Epperson, who portrayed Ashley for seven years from December 5, 1988 before leaving the role on December 21, 1995. Shari Shattuck then assumed the role from March 12, 1996 to February 22, 1999, with Davidson returning on March 19, 1999. Davidson took maternity leave in the summer of 2003. In 2006, news broke that Davidson was to exit the soap opera, and she last aired on January 11, 2007. She then carried the role of Ashley over to the show's sister soap, The Bold and the Beautiful. She last aired on The Bold and the Beautiful on July 4, 2008, before returning to The Young and the Restless on September 25, 2008. In May 2012, Davidson informed followers on her Twitter page that she had been let go from The Young and the Restless. Davidson further confirmed she did not know why she was let go, but was seeing the positive light from it. It was then announced by Nelson Branco that Sony Pictures Entertainment wanted Davidson on both The Young and the Restless and Days of Our Lives, but that Y&R would not share the actress, leading to Sony terminating her contract with the soap. Thus it was announced that Davidson would reprise her role as Kristen Blake on the NBC soap. Davidson made her onscreen exit on August 3, 2012. Speaking about her upcoming return to Days and departure from the show with TV Guide, Davidson stated: "What happened to me at Y&R was shocking -- I've been in this business a very long time and have never seen anything like it -- but it's not like I haven't been fired before." She also went on to say that "I was led to believe that I was fired, though it was a bad news-good news thing -- the bad news is Y&R is firing you, the good news is Days wants you." In February 2013, it was announced that Davidson would return to The Young and the Restless for "very special episodes" that would commemorate the show's 40th anniversary. In spite of this, the actress remained a part of Days of our Lives full-time. In August 2013, following the announcement of Davidson's departure from Days of our Lives, it was announced that she would again reprise the role for three episodes airing in October, later returning for additional guest appearances. In June 2014, it was announced that Davidson had signed a two-year contract with The Young and the Restless to appear as a regular cast member again, and would return to the series in September. Davidson also revealed her contract would allow for her to continue making appearances on Days of Our Lives. CANNOTANSWER

Eileen Davidson

Ashley Abbott is a fictional character from The Young and the Restless and The Bold and the Beautiful, two American soap operas on the CBS network. She has been most notably portrayed by Eileen Davidson, who originated the role on June 11, 1982, before departing in 1988. Brenda Epperson portrayed Ashley from 1988 to 1995, before Shari Shattuck portrayed the role for the next three years, until Davidson's return on March 19, 1999. Davidson was nominated in 2003 for Daytime Emmy Award for Outstanding Lead Actress in a Drama Series, and she later won that award in 2018. The character is the daughter of Dina Mergeron and Brent Davis, although she believed John Abbott was her biological father until she reached adulthood. She has had relationships with various men throughout the years, most notably Steven Lassiter, Victor Newman, Blade Bladeson, Cole Howard and Brad Carlton. She has a daughter with Victor, Abby Newman. She is also known for her business contributions to her father's company, Jabot Cosmetics, much like her brother Jack. In 2006, it was announced that Davidson was to leave The Young and the Restless. She last appeared on January 11, 2007. Shortly after, the character crossed over to its sister soap, The Bold and the Beautiful. There, she became intertwined with the Forresters and Forrester Creations; she also had a romance with Ridge Forrester. She left The Bold and the Beautiful in 2008 and returned to The Young and the Restless, where she has since had relationships with Victor once again and Tucker McCall. In May 2012, it was announced that Davidson was let go from The Young and the Restless, leading to her exit on August 3, 2012. Davidson initially hadn't known why, but it was reported later that Sony Pictures Television terminated her contract with the show for her to return to Days of Our Lives as Kristen DiMera, a character she had portrayed there over 14 years prior. Davidson made a brief return to The Young and the Restless in March 2013 for the soap's 40th anniversary. After subsequent guest appearances, Davidson returned to The Young and the Restless on September 3, 2014, as a series regular. In 2018, Davidson again exited the role; she returned in March 2019, following the installment of head writer Josh Griffith. Casting Eileen Davidson originated the role of Ashley Abbott on June 11, 1982, until her first exit on December 2, 1988. The role was immediately recast with Brenda Epperson, who portrayed Ashley for seven years from December 5, 1988, before leaving the role on December 21, 1995. Shari Shattuck then assumed the role from March 21, 1996, to February 22, 1999, with Davidson returning on March 19, 1999. Davidson took maternity leave in the summer of 2003. In 2006, news broke that Davidson was to exit the soap opera, and she last aired on January 11, 2007. She then carried the role of Ashley over to the show's sister soap, The Bold and the Beautiful. On September 25, 2008, Davidson returned to The Young and the Restless, and subsequently made one final appearance on The Bold and the Beautiful on November 25 of the same year when Ashley resigned from her position at Forrester Creations. In May 2012, Davidson informed followers on her Twitter page that she had been let go from The Young and the Restless. Davidson further confirmed she did not know why she was let go, but was seeing the positive light from it. It was then announced by Nelson Branco that Sony Pictures Entertainment wanted Davidson on both The Young and the Restless and Days of Our Lives, but that Y&R would not share the actress, leading to Sony terminating her contract with the soap. Thus it was announced that Davidson would reprise her role as Kristen Blake on the NBC soap. Davidson made her onscreen exit on August 3, 2012. Speaking about her upcoming return to Days and departure from the show with TV Guide, Davidson stated: "What happened to me at Y&R was shocking — I've been in this business a very long time and have never seen anything like it — but it's not like I haven't been fired before." She also went on to say that "I was led to believe that I was fired, though it was a bad news-good news thing — the bad news is Y&R is firing you, the good news is Days wants you." In February 2013, it was announced that Davidson would return to The Young and the Restless for "very special episodes" that would commemorate the show's 40th anniversary. In spite of this, the actress remained a part of Days of our Lives full-time. In August 2013, following the announcement of Davidson's departure from Days of our Lives, it was announced that she would again reprise the role for three episodes airing in October, later returning for a guest appearance on November 27 and December 2, 2013. In June 2014, it was announced that Davidson had signed a two-year contract with The Young and the Restless to appear as a regular cast member again, and would return to the series in September. Davidson also revealed her contract would allow for her to continue making appearances on Days of Our Lives. In 2018, Julia D'Arcy Badinger portrayed a younger Ashley in flashbacks. That June, Daytime Confidential broke news that Davidson had quit the role. Davidson last appeared in the role on October 29, 2018. On February 25, 2019, Davidson announced she would return to the role for several appearances; first airing on March 29, 2019. Since then, she has remained on the show on a recurring status. Character development Davidson describes Ashley as a "dynamic character". She has been characterized as "sassy" yet an "honorable heroine". The Record describes Ashley as "headstrong". She is recognized for her unluckiness and long-term suffering. Davidson stated, "She is a heroine. So often she was being victimized by people and trying to always rise above that, and being driven insane and losing babies, etc." In 1990, The Washington Times described Ashley as a "smart woman", known for her "level head" and "business success". Ashley is dedicated to her work and has a strong sense of family. She is a beloved member of the Genoa City community. Her passion for the family business, Jabot Cosmetics, cost Ashley her marriage to Cole Howard (J. Eddie Peck). Ashley has been involved in a number of different romantic relationships over her duration on the series. Her relationship with Brad Carlton (Don Diamont) came as a shock, due to Brad being beneath her socially. Epperson, who played Ashley at the time, was uncertain of Ashley and Brad's decision to get married. Davidson opined that a storyline in which Victor's son Adam Newman (Michael Muhney) gaslighted a pregnant Ashley in 2009 was payback for Ashley stealing Victor's sperm years ago to conceive Abby. She stated: "I think the character really suffered after she stole Victor's sperm from Diane [...] After that, the viewers lost a lot of respect for Ashley. People wanted Ashley to pay for it. My opinion? Although last summer's gaslighting storyline was used to propel a lot of other stories, it was also about making Ashley pay. Now we can close that entire chapter because Ashley paid. It was Ashley's redemption". Around this story arc, Tommy Garrett of Canyon News described Ashley as a "damsel in distress", stating that she had a "twisted mind" due to suffering a hysterical pregnancy after losing her unborn child at the hands of Adam. Following the death of John, Jack works desperately to remove his wife Gloria Abbott (Judith Chapman) from the family, even illegally making changes to John's will. Explaining Ashley's ambivalence towards the situation, Davidson stated: "Just because you don't like somebody doesn't mean you should do something illegal [...] The point is, their father loved her. And even if they don't like her, they have to honor what he wanted. Ashley never wanted to do anything that went against her father's wishes." The actress stated that Ashley "just wants" Jack to "do the right thing". Storylines Ashley is born on April 29, 1960, to John Abbott, Sr. (Brett Halsey, later Jerry Douglas) and Dina Abbott Mergeron (Marla Adams). Twenty-two years later, after completing college, Ashley returns to Genoa City and applies for a job as a lab chemist at Jabot Cosmetics, the family company, using the name Susan Ashley so she will be hired for her skills, not her family connections. She takes over as president of the company after her brother Jack Abbott (Terry Lester, later Peter Bergman) is shot on his one-year anniversary by his wife, Patty Williams. Ashley commences an unlucky streak of relationships; starting with French artist Eric Garrison, who slept with her mother, and Marc Mergeron, who is revealed to be her former stepbrother. Capitalizing on her unluckiness, it is revealed that Ashley's biological father is Brent Davis, not John Abbott, who remains unaware of Ashley's true paternity. Trauma leads Ashley to become missing with amnesia, where she is found by business tycoon Victor Newman (Eric Braeden), who takes her back to Genoa City. Ashley has an affair with Victor, who is married to Nikki Newman (Melody Thomas Scott). To spite Ashley, Nikki engages in an affair with Jack and tries to have Victor's brother, Matt Miller, unsuccessfully seduce Ashley. Ultimately, Victor chooses to be with Ashley, angering Nikki. When Ashley falls pregnant with Victor's child, Nikki is diagnosed with cancer, causing Victor to leave Ashley, who secretly has an abortion. Ashley suffers a mental breakdown, before marrying her psychiatrist Steven Lassiter (Rod Arrants). Steven's former patient Leanna Randolph (Barbara Crampton) stalks the couple and attempts to destroy Ashley. She writes a biography about Victor that exposes information about his dysfunctional relationship with Ashley. Steven is later shot and killed by an unstable patient. Following a short affair with Brad Carlton (Don Diamont), Ashley marries Victor. The marriage suffers because of Nikki's ongoing problems as well as Victor's daughter Victoria Newman's (Heather Tom) constant schemes to break them up. After her divorce from Victor, Ashley falls in love with Jabot's mysterious photographer Blade Bladeson (Michael Tylo), and they get married. Blade's vengeful twin brother Rick Bladeson arrives in town, holds Blade hostage and impersonates him. Eventually, Ashley and Blade's marriage ends. She then falls romantically for Kurt Costner (Leigh McCloskey), who is shot saving her from muggers. The romance is short-lived, as Kurt leaves Ashley to be with Victor's ex-wife Hope Wilson (Signy Coleman). Ashley nearly engages in an affair with Victoria's husband Cole Howard (J. Eddie Peck), an author who is writing a novel about her life, which requires them to spend time together. After Victoria's pregnancy results in a stillborn baby, Cole divorces her and marries Ashley. The marriage suffers a rough patch when Ashley travels to Madrid to help her stepbrother Rafael Delgado (Carlos Bernard), who is dealing with dangerous customers after selling them forged paintings. Cole assumes that she is having an affair with Rafael, unaware of who he is. During this, Victoria attempts to sabotage the marriage. Ultimately, upon Ashley's return to Genoa City, the couple divorce. By 2000, one of Jack's former lovers and Victor's latest ex-wife, Diane Jenkins (Alex Donnelley) steals Victor's sperm from a sperm bank, though Nikki switches the sample with Jack's sperm. Ashley then steals Victor's sperm and impregnates herself, claiming that the father is a stranger; this was to make up for the abortion she had years prior. She then marries Brad Carlton and gives birth to Abby Carlton, who is raised to believe she is the daughter of Brad. Ashley is diagnosed with breast cancer, and feeling that she may not have time left, she confesses the truth about Abby's paternity to Victor. Brad and Ashley split, though are brought together when she becomes pregnant with their child. Stress over the battle between Jabot and Newman Enterprises causes her to leave town. While she is driving back, she is involved in a car accident, killing the unborn child. Victor is blamed for the child's death. Brad and Ashley's marriage continues to diminish and they are divorced. Tom Fisher (Roscoe Born), the dangerous ex-husband of John's wife Gloria Abbott (Judith Chapman), arrives in town. To protect his family, John shoots and kills Tom. Ashley covers this up by confessing to the crime herself, though John soon confesses himself, and is jailed for seven years. Gloria contaminates Ashley's new line of beauty cream, which causes a woman to die. John suffers a heart attack following his release from prison, and passes away. Jack removes Gloria from the family, and Ashley leaves town to escape the drama. During a business trip to France, Ashley meets Rick Forrester (Kyle Lowder), and they have an affair. She later travels to Los Angeles to work with Forrester Creations as a lab chemist. Rick and Ashley decide to keep their affair a secret, and she commences a serious relationship with Ridge Forrester (Ronn Moss), whom she becomes engaged to. Ridge's attentiveness to his former love Brooke Logan (Katherine Kelly Lang) ends the engagement. Ashley then has a short-lived romance with Brooke's brother Storm (William deVry). Forrester Creations decide to discontinue their fragrance line, diminishing Ashley's role in the company. She leaves Los Angeles and moves to Europe with Abby. Ashley locates a missing Victor in France, where they reunite. Upon their return to Genoa City as a couple, they are married and Ashley becomes pregnant. Victor's manipulative son Adam Newman (Michael Muhney) gas lights Ashley, making her believe that she is seeing the ghost of Victor's late wife, Sabrina Newman. Adam causes Ashley to fall down a staircase and lose her baby, though he convinces her that this was a dream, and she suffers from an hysterical pregnancy. Ashley checks herself into a psychiatric hospital where Sharon Newman (Sharon Case), also pregnant, is staying. After Ashley begins experiencing hysterical labor, Adam kidnaps Sharon's newborn baby Faith Newman and gives her to Ashley, with Sharon believing her baby was stillborn. In the ensuing months, Sharon marries Adam and develops a close friendship with Ashley. Six months after Faith is born, the doctor that delivered her (who was being blackmailed by Adam) confesses the truth in a letter. Ashley is forced to hand Faith over to Sharon and the child's father, Victor's son Nicholas Newman (Joshua Morrow). Ashley moves on with her life, and becomes engaged to wealthy tycoon Tucker McCall (Stephen Nichols). Prior to their engagement, he slept with Diane Jenkins (Maura West). They briefly split up because of Tucker's secret business plans with Jack, but reunite shortly thereafter. Abby accidentally runs over Tucker with her car, and Ashley protects her by taking the blame. She is accused of attempted murder and driving under the influence. All charges are ultimately dropped, and she marries Tucker. Their marriage quickly lands in divorce because of Tucker's business scheming and his affair with a previous lover, Harmony Hamilton. Ashley is later forced out as CEO of Jabot by Jack, and Ashley decides to move to New York City with Traci. She returns briefly a few months later for the wedding of Victor and Nikki. Months later, Ashley returns for the funeral of her niece Delia Abbott and comforts her brother Billy on his loss. She returns later to spend Thanksgiving with her family. While there, she sprained her ankle and met Dr. Stitch Rayburn (Sean Carrigan). Abby pushed for a romance, but Ashley reminded her that Stitch was married and had a young son. In town for Abby and Tyler's engagement party, Ashley left early to drop by the hospital and "run into" Dr. Rayburn. But she found Victoria waiting for him to take her on a date. Ashley reminded her that she'd only been separated a week. When Ben arrived, Victoria was jealously catty, informing Ben that Ashley was her former stepmother. In September 2014, Ashley did not show up in Genoa City after calling a meeting among the major Jabot stockholders, Jack, Billy, Traci, and Abby. Jack phoned her, and she explained that she was working on a special project, but had decided it was not yet ready to present to them. The following month, Ashley returned and confirmed that her idea was for a revolutionary new fragrance, and she made a deal with Jack to become Co-CEO of Jabot again if it panned out. Abby had been treating Ben Rayburn nasty and spiteful ever since she found out that he had killed his father as a teen and taken someone else's identity to get his degree in medicine, and broken Victoria's heart. So Abby was shocked when Ashley hired Ben as a chemist for Jabot, despite Abby's objections. Ashley returned to New York City to wrap things up, tasking a reluctant Abby with bringing Ben up to speed on the cosmetics industry. Before she left, she consoled Billy that maybe she could help keep Ben away from Victoria for him. On Ashley's return, she asked Ben to smell the new fragrance, he found it repulsive, but he kissed her. Ashley revealed that the fragrance contained pheromones, was a love potion, and the kiss had proven it. What she needed was his help to make the scent bearable. Later after Ben was arrested for fraud by a former patient, Ashley bailed him out. She confided in Ben, that she too had taken a murder rap for someone she loved. Ashley asked him to accompany her to Madison on business. Ben showed up in Ashley's office drunk after seeing Billy and Victoria snuggling with their baby. Ashley threw him in the shower to sober him up, and he pulled her in too. They had sex, and Stitch spent the night. The next day, they agreed to tell no one after Ben found out that he still had a chance with Victoria. Victor invited Ashley to lunch and tried to get her to take a deal to leave Jabot and work for him at Newman-Chancellor. But Ashley declined and left early, arriving back at the lab in time to see her lab assistant Tobias taking photos of their secret work. She guessed that he was working for Victor, and decided to let him continue to feed him bogus information. Ashley runs into Joe Clark at the athletic club. After referring to them having a good thing going back in New York City, they made plans to spend New Year's Eve together. In May 2017, Ashley's mother Dina came for a "permanent" visit. In October 2017, Dina exposed that John Abbott wasn't Ashley's father. Ashley leaves Genoa City in October 2018, following a series of events that leave her feeling alienated from both the Abbott family and Jabot, following the discovery that John and Dina left legal documents leaving all of Ashley's product patents to her; she confesses she's leaving for Paris to launch her own company with said-patents. Reception Jamey Giddens of Zap2it described Davidson as "one of Genoa City's most beloved heroines". Upon learning of Davidson's return to the role in 1999, Candace Havens of the McCook Daily Gazette declared that it was her who made Ashley "one of the most popular characters on soaps". In October 1999, when all of the Abbott siblings and their father John were together again, the Orlando Sentinel wrote: "In the meantime, having the entire Abbott clan together [...] is like a joyous family reunion for longtime viewers". John Goudas of The Gadsden Times was favorable of Epperson's performance two years into her duration, stating that she "is holding her own", though he noted her to be "Eileen's double". He stated that the front-burner status of Ashley and Brad's romantic storyline demonstrated that producer William J. Bell "has full confidence in [Epperson]". The character has had a rivalry with Nikki Newman (Melody Thomas Scott) for many years; a poll run in 2008 by website Daytime Confidential asking, "Who would win a cat fight, Nikki Newman or Ashley Abbott?", saw 63% of voters say Nikki would win, with 37% saying Ashley would win. Giddens was favorable of Ashley running Jabot Cosmetics in 2008, writing: "Okay this has to stop. My heart simply can't take it. It's like the effects of yo-yo dieting. Everytime I sincerely think I am done with this genre, something like The Young and the Restless heiress Ashley Abbott (Eileen Davidson) announcing that she, not Lil' Billy (Billy Miller), not Cruella de Bardwell (Judith Chapman) or Gary Ewing (Ted Shackelford) and no, not even Smilin' Jack (Peter Bergman) will be running Jabot Cosmetics, happens." In 2009, Jillian Bowe (also of Zap2it) wondered if Ashley was "insane in the membrane" due to her hearing a crying child around the Newman ranch, writing: "Is "The Beauty" starting to crack up? Certainly looks that when some freaky things take place on The Young and the Restless." In 2010, Tommy Garrett of Canyon News praised a scene in which Ashley discovers a sex tape made by her spoiled daughter, Abby, that was posted online. Garrett wrote: "Davidson's performance is spot on as the mother Ashley who is fed up. The tears of despair and exhaustion came streaming down Davidson's beautiful face in character, while her spit-fire daughter didn't give a damn." Giddens later wrote that he thought it was "ridiculous" and "outlandish" to make Ashley pregnant with Victor's child in 2009. Also in 2010, Neeketa Borden of Zap2it created a list of "curiously quirky couplings", with Ashley and Tucker listed as an "honorable mention". In a separate review, Garrett credited Davidson as one of the "powerful performers who daytime TV could not exist without having". When the truth was going to come out that Faith Newman wasn't Ashley's child, Giddens wrote: "Lord, I hope this doesn't make my Ashley Abbott go cuckoo for Cocoa Puffs again!" Mike Jubinville of Zap2it wrote that the character's relationship with Neil Winters (Kristoff St. John) had been a "slow burn, one going on for weeks, but one that is hard to miss. It has the ingredients of a hot romance." Upon Davidson's firing in 2012, Giddens wrote: "I am sincerely hoping the brass at Y&R can't possibly be this stupid, but if they are, Gary Tomlin better blow up Davidson's phone STAT about a Days of Our Lives return!" References External links Ashley Abbott character profile on SoapCentral The Young and the Restless characters The Bold and the Beautiful characters Television characters introduced in 1982 Fictional business executives Fictional female businesspeople Fictional socialites Fictional characters with cancer Fictional characters with neurological or psychological disorders Female characters in television

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Did she stay for the duration of the show?

Did Eileen Davidson stay for the duration of the show?

Ashley Abbott

Eileen Davidson originated the role of Ashley Abbott in June 1982, until her first exit on December 2, 1988. The role was immediately recast with Brenda Epperson, who portrayed Ashley for seven years from December 5, 1988 before leaving the role on December 21, 1995. Shari Shattuck then assumed the role from March 12, 1996 to February 22, 1999, with Davidson returning on March 19, 1999. Davidson took maternity leave in the summer of 2003. In 2006, news broke that Davidson was to exit the soap opera, and she last aired on January 11, 2007. She then carried the role of Ashley over to the show's sister soap, The Bold and the Beautiful. She last aired on The Bold and the Beautiful on July 4, 2008, before returning to The Young and the Restless on September 25, 2008. In May 2012, Davidson informed followers on her Twitter page that she had been let go from The Young and the Restless. Davidson further confirmed she did not know why she was let go, but was seeing the positive light from it. It was then announced by Nelson Branco that Sony Pictures Entertainment wanted Davidson on both The Young and the Restless and Days of Our Lives, but that Y&R would not share the actress, leading to Sony terminating her contract with the soap. Thus it was announced that Davidson would reprise her role as Kristen Blake on the NBC soap. Davidson made her onscreen exit on August 3, 2012. Speaking about her upcoming return to Days and departure from the show with TV Guide, Davidson stated: "What happened to me at Y&R was shocking -- I've been in this business a very long time and have never seen anything like it -- but it's not like I haven't been fired before." She also went on to say that "I was led to believe that I was fired, though it was a bad news-good news thing -- the bad news is Y&R is firing you, the good news is Days wants you." In February 2013, it was announced that Davidson would return to The Young and the Restless for "very special episodes" that would commemorate the show's 40th anniversary. In spite of this, the actress remained a part of Days of our Lives full-time. In August 2013, following the announcement of Davidson's departure from Days of our Lives, it was announced that she would again reprise the role for three episodes airing in October, later returning for additional guest appearances. In June 2014, it was announced that Davidson had signed a two-year contract with The Young and the Restless to appear as a regular cast member again, and would return to the series in September. Davidson also revealed her contract would allow for her to continue making appearances on Days of Our Lives. CANNOTANSWER

Eileen Davidson originated the role of Ashley Abbott in June 1982, until her first exit on December 2, 1988.

Ashley Abbott is a fictional character from The Young and the Restless and The Bold and the Beautiful, two American soap operas on the CBS network. She has been most notably portrayed by Eileen Davidson, who originated the role on June 11, 1982, before departing in 1988. Brenda Epperson portrayed Ashley from 1988 to 1995, before Shari Shattuck portrayed the role for the next three years, until Davidson's return on March 19, 1999. Davidson was nominated in 2003 for Daytime Emmy Award for Outstanding Lead Actress in a Drama Series, and she later won that award in 2018. The character is the daughter of Dina Mergeron and Brent Davis, although she believed John Abbott was her biological father until she reached adulthood. She has had relationships with various men throughout the years, most notably Steven Lassiter, Victor Newman, Blade Bladeson, Cole Howard and Brad Carlton. She has a daughter with Victor, Abby Newman. She is also known for her business contributions to her father's company, Jabot Cosmetics, much like her brother Jack. In 2006, it was announced that Davidson was to leave The Young and the Restless. She last appeared on January 11, 2007. Shortly after, the character crossed over to its sister soap, The Bold and the Beautiful. There, she became intertwined with the Forresters and Forrester Creations; she also had a romance with Ridge Forrester. She left The Bold and the Beautiful in 2008 and returned to The Young and the Restless, where she has since had relationships with Victor once again and Tucker McCall. In May 2012, it was announced that Davidson was let go from The Young and the Restless, leading to her exit on August 3, 2012. Davidson initially hadn't known why, but it was reported later that Sony Pictures Television terminated her contract with the show for her to return to Days of Our Lives as Kristen DiMera, a character she had portrayed there over 14 years prior. Davidson made a brief return to The Young and the Restless in March 2013 for the soap's 40th anniversary. After subsequent guest appearances, Davidson returned to The Young and the Restless on September 3, 2014, as a series regular. In 2018, Davidson again exited the role; she returned in March 2019, following the installment of head writer Josh Griffith. Casting Eileen Davidson originated the role of Ashley Abbott on June 11, 1982, until her first exit on December 2, 1988. The role was immediately recast with Brenda Epperson, who portrayed Ashley for seven years from December 5, 1988, before leaving the role on December 21, 1995. Shari Shattuck then assumed the role from March 21, 1996, to February 22, 1999, with Davidson returning on March 19, 1999. Davidson took maternity leave in the summer of 2003. In 2006, news broke that Davidson was to exit the soap opera, and she last aired on January 11, 2007. She then carried the role of Ashley over to the show's sister soap, The Bold and the Beautiful. On September 25, 2008, Davidson returned to The Young and the Restless, and subsequently made one final appearance on The Bold and the Beautiful on November 25 of the same year when Ashley resigned from her position at Forrester Creations. In May 2012, Davidson informed followers on her Twitter page that she had been let go from The Young and the Restless. Davidson further confirmed she did not know why she was let go, but was seeing the positive light from it. It was then announced by Nelson Branco that Sony Pictures Entertainment wanted Davidson on both The Young and the Restless and Days of Our Lives, but that Y&R would not share the actress, leading to Sony terminating her contract with the soap. Thus it was announced that Davidson would reprise her role as Kristen Blake on the NBC soap. Davidson made her onscreen exit on August 3, 2012. Speaking about her upcoming return to Days and departure from the show with TV Guide, Davidson stated: "What happened to me at Y&R was shocking — I've been in this business a very long time and have never seen anything like it — but it's not like I haven't been fired before." She also went on to say that "I was led to believe that I was fired, though it was a bad news-good news thing — the bad news is Y&R is firing you, the good news is Days wants you." In February 2013, it was announced that Davidson would return to The Young and the Restless for "very special episodes" that would commemorate the show's 40th anniversary. In spite of this, the actress remained a part of Days of our Lives full-time. In August 2013, following the announcement of Davidson's departure from Days of our Lives, it was announced that she would again reprise the role for three episodes airing in October, later returning for a guest appearance on November 27 and December 2, 2013. In June 2014, it was announced that Davidson had signed a two-year contract with The Young and the Restless to appear as a regular cast member again, and would return to the series in September. Davidson also revealed her contract would allow for her to continue making appearances on Days of Our Lives. In 2018, Julia D'Arcy Badinger portrayed a younger Ashley in flashbacks. That June, Daytime Confidential broke news that Davidson had quit the role. Davidson last appeared in the role on October 29, 2018. On February 25, 2019, Davidson announced she would return to the role for several appearances; first airing on March 29, 2019. Since then, she has remained on the show on a recurring status. Character development Davidson describes Ashley as a "dynamic character". She has been characterized as "sassy" yet an "honorable heroine". The Record describes Ashley as "headstrong". She is recognized for her unluckiness and long-term suffering. Davidson stated, "She is a heroine. So often she was being victimized by people and trying to always rise above that, and being driven insane and losing babies, etc." In 1990, The Washington Times described Ashley as a "smart woman", known for her "level head" and "business success". Ashley is dedicated to her work and has a strong sense of family. She is a beloved member of the Genoa City community. Her passion for the family business, Jabot Cosmetics, cost Ashley her marriage to Cole Howard (J. Eddie Peck). Ashley has been involved in a number of different romantic relationships over her duration on the series. Her relationship with Brad Carlton (Don Diamont) came as a shock, due to Brad being beneath her socially. Epperson, who played Ashley at the time, was uncertain of Ashley and Brad's decision to get married. Davidson opined that a storyline in which Victor's son Adam Newman (Michael Muhney) gaslighted a pregnant Ashley in 2009 was payback for Ashley stealing Victor's sperm years ago to conceive Abby. She stated: "I think the character really suffered after she stole Victor's sperm from Diane [...] After that, the viewers lost a lot of respect for Ashley. People wanted Ashley to pay for it. My opinion? Although last summer's gaslighting storyline was used to propel a lot of other stories, it was also about making Ashley pay. Now we can close that entire chapter because Ashley paid. It was Ashley's redemption". Around this story arc, Tommy Garrett of Canyon News described Ashley as a "damsel in distress", stating that she had a "twisted mind" due to suffering a hysterical pregnancy after losing her unborn child at the hands of Adam. Following the death of John, Jack works desperately to remove his wife Gloria Abbott (Judith Chapman) from the family, even illegally making changes to John's will. Explaining Ashley's ambivalence towards the situation, Davidson stated: "Just because you don't like somebody doesn't mean you should do something illegal [...] The point is, their father loved her. And even if they don't like her, they have to honor what he wanted. Ashley never wanted to do anything that went against her father's wishes." The actress stated that Ashley "just wants" Jack to "do the right thing". Storylines Ashley is born on April 29, 1960, to John Abbott, Sr. (Brett Halsey, later Jerry Douglas) and Dina Abbott Mergeron (Marla Adams). Twenty-two years later, after completing college, Ashley returns to Genoa City and applies for a job as a lab chemist at Jabot Cosmetics, the family company, using the name Susan Ashley so she will be hired for her skills, not her family connections. She takes over as president of the company after her brother Jack Abbott (Terry Lester, later Peter Bergman) is shot on his one-year anniversary by his wife, Patty Williams. Ashley commences an unlucky streak of relationships; starting with French artist Eric Garrison, who slept with her mother, and Marc Mergeron, who is revealed to be her former stepbrother. Capitalizing on her unluckiness, it is revealed that Ashley's biological father is Brent Davis, not John Abbott, who remains unaware of Ashley's true paternity. Trauma leads Ashley to become missing with amnesia, where she is found by business tycoon Victor Newman (Eric Braeden), who takes her back to Genoa City. Ashley has an affair with Victor, who is married to Nikki Newman (Melody Thomas Scott). To spite Ashley, Nikki engages in an affair with Jack and tries to have Victor's brother, Matt Miller, unsuccessfully seduce Ashley. Ultimately, Victor chooses to be with Ashley, angering Nikki. When Ashley falls pregnant with Victor's child, Nikki is diagnosed with cancer, causing Victor to leave Ashley, who secretly has an abortion. Ashley suffers a mental breakdown, before marrying her psychiatrist Steven Lassiter (Rod Arrants). Steven's former patient Leanna Randolph (Barbara Crampton) stalks the couple and attempts to destroy Ashley. She writes a biography about Victor that exposes information about his dysfunctional relationship with Ashley. Steven is later shot and killed by an unstable patient. Following a short affair with Brad Carlton (Don Diamont), Ashley marries Victor. The marriage suffers because of Nikki's ongoing problems as well as Victor's daughter Victoria Newman's (Heather Tom) constant schemes to break them up. After her divorce from Victor, Ashley falls in love with Jabot's mysterious photographer Blade Bladeson (Michael Tylo), and they get married. Blade's vengeful twin brother Rick Bladeson arrives in town, holds Blade hostage and impersonates him. Eventually, Ashley and Blade's marriage ends. She then falls romantically for Kurt Costner (Leigh McCloskey), who is shot saving her from muggers. The romance is short-lived, as Kurt leaves Ashley to be with Victor's ex-wife Hope Wilson (Signy Coleman). Ashley nearly engages in an affair with Victoria's husband Cole Howard (J. Eddie Peck), an author who is writing a novel about her life, which requires them to spend time together. After Victoria's pregnancy results in a stillborn baby, Cole divorces her and marries Ashley. The marriage suffers a rough patch when Ashley travels to Madrid to help her stepbrother Rafael Delgado (Carlos Bernard), who is dealing with dangerous customers after selling them forged paintings. Cole assumes that she is having an affair with Rafael, unaware of who he is. During this, Victoria attempts to sabotage the marriage. Ultimately, upon Ashley's return to Genoa City, the couple divorce. By 2000, one of Jack's former lovers and Victor's latest ex-wife, Diane Jenkins (Alex Donnelley) steals Victor's sperm from a sperm bank, though Nikki switches the sample with Jack's sperm. Ashley then steals Victor's sperm and impregnates herself, claiming that the father is a stranger; this was to make up for the abortion she had years prior. She then marries Brad Carlton and gives birth to Abby Carlton, who is raised to believe she is the daughter of Brad. Ashley is diagnosed with breast cancer, and feeling that she may not have time left, she confesses the truth about Abby's paternity to Victor. Brad and Ashley split, though are brought together when she becomes pregnant with their child. Stress over the battle between Jabot and Newman Enterprises causes her to leave town. While she is driving back, she is involved in a car accident, killing the unborn child. Victor is blamed for the child's death. Brad and Ashley's marriage continues to diminish and they are divorced. Tom Fisher (Roscoe Born), the dangerous ex-husband of John's wife Gloria Abbott (Judith Chapman), arrives in town. To protect his family, John shoots and kills Tom. Ashley covers this up by confessing to the crime herself, though John soon confesses himself, and is jailed for seven years. Gloria contaminates Ashley's new line of beauty cream, which causes a woman to die. John suffers a heart attack following his release from prison, and passes away. Jack removes Gloria from the family, and Ashley leaves town to escape the drama. During a business trip to France, Ashley meets Rick Forrester (Kyle Lowder), and they have an affair. She later travels to Los Angeles to work with Forrester Creations as a lab chemist. Rick and Ashley decide to keep their affair a secret, and she commences a serious relationship with Ridge Forrester (Ronn Moss), whom she becomes engaged to. Ridge's attentiveness to his former love Brooke Logan (Katherine Kelly Lang) ends the engagement. Ashley then has a short-lived romance with Brooke's brother Storm (William deVry). Forrester Creations decide to discontinue their fragrance line, diminishing Ashley's role in the company. She leaves Los Angeles and moves to Europe with Abby. Ashley locates a missing Victor in France, where they reunite. Upon their return to Genoa City as a couple, they are married and Ashley becomes pregnant. Victor's manipulative son Adam Newman (Michael Muhney) gas lights Ashley, making her believe that she is seeing the ghost of Victor's late wife, Sabrina Newman. Adam causes Ashley to fall down a staircase and lose her baby, though he convinces her that this was a dream, and she suffers from an hysterical pregnancy. Ashley checks herself into a psychiatric hospital where Sharon Newman (Sharon Case), also pregnant, is staying. After Ashley begins experiencing hysterical labor, Adam kidnaps Sharon's newborn baby Faith Newman and gives her to Ashley, with Sharon believing her baby was stillborn. In the ensuing months, Sharon marries Adam and develops a close friendship with Ashley. Six months after Faith is born, the doctor that delivered her (who was being blackmailed by Adam) confesses the truth in a letter. Ashley is forced to hand Faith over to Sharon and the child's father, Victor's son Nicholas Newman (Joshua Morrow). Ashley moves on with her life, and becomes engaged to wealthy tycoon Tucker McCall (Stephen Nichols). Prior to their engagement, he slept with Diane Jenkins (Maura West). They briefly split up because of Tucker's secret business plans with Jack, but reunite shortly thereafter. Abby accidentally runs over Tucker with her car, and Ashley protects her by taking the blame. She is accused of attempted murder and driving under the influence. All charges are ultimately dropped, and she marries Tucker. Their marriage quickly lands in divorce because of Tucker's business scheming and his affair with a previous lover, Harmony Hamilton. Ashley is later forced out as CEO of Jabot by Jack, and Ashley decides to move to New York City with Traci. She returns briefly a few months later for the wedding of Victor and Nikki. Months later, Ashley returns for the funeral of her niece Delia Abbott and comforts her brother Billy on his loss. She returns later to spend Thanksgiving with her family. While there, she sprained her ankle and met Dr. Stitch Rayburn (Sean Carrigan). Abby pushed for a romance, but Ashley reminded her that Stitch was married and had a young son. In town for Abby and Tyler's engagement party, Ashley left early to drop by the hospital and "run into" Dr. Rayburn. But she found Victoria waiting for him to take her on a date. Ashley reminded her that she'd only been separated a week. When Ben arrived, Victoria was jealously catty, informing Ben that Ashley was her former stepmother. In September 2014, Ashley did not show up in Genoa City after calling a meeting among the major Jabot stockholders, Jack, Billy, Traci, and Abby. Jack phoned her, and she explained that she was working on a special project, but had decided it was not yet ready to present to them. The following month, Ashley returned and confirmed that her idea was for a revolutionary new fragrance, and she made a deal with Jack to become Co-CEO of Jabot again if it panned out. Abby had been treating Ben Rayburn nasty and spiteful ever since she found out that he had killed his father as a teen and taken someone else's identity to get his degree in medicine, and broken Victoria's heart. So Abby was shocked when Ashley hired Ben as a chemist for Jabot, despite Abby's objections. Ashley returned to New York City to wrap things up, tasking a reluctant Abby with bringing Ben up to speed on the cosmetics industry. Before she left, she consoled Billy that maybe she could help keep Ben away from Victoria for him. On Ashley's return, she asked Ben to smell the new fragrance, he found it repulsive, but he kissed her. Ashley revealed that the fragrance contained pheromones, was a love potion, and the kiss had proven it. What she needed was his help to make the scent bearable. Later after Ben was arrested for fraud by a former patient, Ashley bailed him out. She confided in Ben, that she too had taken a murder rap for someone she loved. Ashley asked him to accompany her to Madison on business. Ben showed up in Ashley's office drunk after seeing Billy and Victoria snuggling with their baby. Ashley threw him in the shower to sober him up, and he pulled her in too. They had sex, and Stitch spent the night. The next day, they agreed to tell no one after Ben found out that he still had a chance with Victoria. Victor invited Ashley to lunch and tried to get her to take a deal to leave Jabot and work for him at Newman-Chancellor. But Ashley declined and left early, arriving back at the lab in time to see her lab assistant Tobias taking photos of their secret work. She guessed that he was working for Victor, and decided to let him continue to feed him bogus information. Ashley runs into Joe Clark at the athletic club. After referring to them having a good thing going back in New York City, they made plans to spend New Year's Eve together. In May 2017, Ashley's mother Dina came for a "permanent" visit. In October 2017, Dina exposed that John Abbott wasn't Ashley's father. Ashley leaves Genoa City in October 2018, following a series of events that leave her feeling alienated from both the Abbott family and Jabot, following the discovery that John and Dina left legal documents leaving all of Ashley's product patents to her; she confesses she's leaving for Paris to launch her own company with said-patents. Reception Jamey Giddens of Zap2it described Davidson as "one of Genoa City's most beloved heroines". Upon learning of Davidson's return to the role in 1999, Candace Havens of the McCook Daily Gazette declared that it was her who made Ashley "one of the most popular characters on soaps". In October 1999, when all of the Abbott siblings and their father John were together again, the Orlando Sentinel wrote: "In the meantime, having the entire Abbott clan together [...] is like a joyous family reunion for longtime viewers". John Goudas of The Gadsden Times was favorable of Epperson's performance two years into her duration, stating that she "is holding her own", though he noted her to be "Eileen's double". He stated that the front-burner status of Ashley and Brad's romantic storyline demonstrated that producer William J. Bell "has full confidence in [Epperson]". The character has had a rivalry with Nikki Newman (Melody Thomas Scott) for many years; a poll run in 2008 by website Daytime Confidential asking, "Who would win a cat fight, Nikki Newman or Ashley Abbott?", saw 63% of voters say Nikki would win, with 37% saying Ashley would win. Giddens was favorable of Ashley running Jabot Cosmetics in 2008, writing: "Okay this has to stop. My heart simply can't take it. It's like the effects of yo-yo dieting. Everytime I sincerely think I am done with this genre, something like The Young and the Restless heiress Ashley Abbott (Eileen Davidson) announcing that she, not Lil' Billy (Billy Miller), not Cruella de Bardwell (Judith Chapman) or Gary Ewing (Ted Shackelford) and no, not even Smilin' Jack (Peter Bergman) will be running Jabot Cosmetics, happens." In 2009, Jillian Bowe (also of Zap2it) wondered if Ashley was "insane in the membrane" due to her hearing a crying child around the Newman ranch, writing: "Is "The Beauty" starting to crack up? Certainly looks that when some freaky things take place on The Young and the Restless." In 2010, Tommy Garrett of Canyon News praised a scene in which Ashley discovers a sex tape made by her spoiled daughter, Abby, that was posted online. Garrett wrote: "Davidson's performance is spot on as the mother Ashley who is fed up. The tears of despair and exhaustion came streaming down Davidson's beautiful face in character, while her spit-fire daughter didn't give a damn." Giddens later wrote that he thought it was "ridiculous" and "outlandish" to make Ashley pregnant with Victor's child in 2009. Also in 2010, Neeketa Borden of Zap2it created a list of "curiously quirky couplings", with Ashley and Tucker listed as an "honorable mention". In a separate review, Garrett credited Davidson as one of the "powerful performers who daytime TV could not exist without having". When the truth was going to come out that Faith Newman wasn't Ashley's child, Giddens wrote: "Lord, I hope this doesn't make my Ashley Abbott go cuckoo for Cocoa Puffs again!" Mike Jubinville of Zap2it wrote that the character's relationship with Neil Winters (Kristoff St. John) had been a "slow burn, one going on for weeks, but one that is hard to miss. It has the ingredients of a hot romance." Upon Davidson's firing in 2012, Giddens wrote: "I am sincerely hoping the brass at Y&R can't possibly be this stupid, but if they are, Gary Tomlin better blow up Davidson's phone STAT about a Days of Our Lives return!" References External links Ashley Abbott character profile on SoapCentral The Young and the Restless characters The Bold and the Beautiful characters Television characters introduced in 1982 Fictional business executives Fictional female businesspeople Fictional socialites Fictional characters with cancer Fictional characters with neurological or psychological disorders Female characters in television

C_20c1c5d2fb2d47d8ab5679defff7dfd1_1

who replaced Eileen?

who replaced Eileen Davidson in the role of Ashley Abbott?

Ashley Abbott

Eileen Davidson originated the role of Ashley Abbott in June 1982, until her first exit on December 2, 1988. The role was immediately recast with Brenda Epperson, who portrayed Ashley for seven years from December 5, 1988 before leaving the role on December 21, 1995. Shari Shattuck then assumed the role from March 12, 1996 to February 22, 1999, with Davidson returning on March 19, 1999. Davidson took maternity leave in the summer of 2003. In 2006, news broke that Davidson was to exit the soap opera, and she last aired on January 11, 2007. She then carried the role of Ashley over to the show's sister soap, The Bold and the Beautiful. She last aired on The Bold and the Beautiful on July 4, 2008, before returning to The Young and the Restless on September 25, 2008. In May 2012, Davidson informed followers on her Twitter page that she had been let go from The Young and the Restless. Davidson further confirmed she did not know why she was let go, but was seeing the positive light from it. It was then announced by Nelson Branco that Sony Pictures Entertainment wanted Davidson on both The Young and the Restless and Days of Our Lives, but that Y&R would not share the actress, leading to Sony terminating her contract with the soap. Thus it was announced that Davidson would reprise her role as Kristen Blake on the NBC soap. Davidson made her onscreen exit on August 3, 2012. Speaking about her upcoming return to Days and departure from the show with TV Guide, Davidson stated: "What happened to me at Y&R was shocking -- I've been in this business a very long time and have never seen anything like it -- but it's not like I haven't been fired before." She also went on to say that "I was led to believe that I was fired, though it was a bad news-good news thing -- the bad news is Y&R is firing you, the good news is Days wants you." In February 2013, it was announced that Davidson would return to The Young and the Restless for "very special episodes" that would commemorate the show's 40th anniversary. In spite of this, the actress remained a part of Days of our Lives full-time. In August 2013, following the announcement of Davidson's departure from Days of our Lives, it was announced that she would again reprise the role for three episodes airing in October, later returning for additional guest appearances. In June 2014, it was announced that Davidson had signed a two-year contract with The Young and the Restless to appear as a regular cast member again, and would return to the series in September. Davidson also revealed her contract would allow for her to continue making appearances on Days of Our Lives. CANNOTANSWER

The role was immediately recast with Brenda Epperson,

Ashley Abbott is a fictional character from The Young and the Restless and The Bold and the Beautiful, two American soap operas on the CBS network. She has been most notably portrayed by Eileen Davidson, who originated the role on June 11, 1982, before departing in 1988. Brenda Epperson portrayed Ashley from 1988 to 1995, before Shari Shattuck portrayed the role for the next three years, until Davidson's return on March 19, 1999. Davidson was nominated in 2003 for Daytime Emmy Award for Outstanding Lead Actress in a Drama Series, and she later won that award in 2018. The character is the daughter of Dina Mergeron and Brent Davis, although she believed John Abbott was her biological father until she reached adulthood. She has had relationships with various men throughout the years, most notably Steven Lassiter, Victor Newman, Blade Bladeson, Cole Howard and Brad Carlton. She has a daughter with Victor, Abby Newman. She is also known for her business contributions to her father's company, Jabot Cosmetics, much like her brother Jack. In 2006, it was announced that Davidson was to leave The Young and the Restless. She last appeared on January 11, 2007. Shortly after, the character crossed over to its sister soap, The Bold and the Beautiful. There, she became intertwined with the Forresters and Forrester Creations; she also had a romance with Ridge Forrester. She left The Bold and the Beautiful in 2008 and returned to The Young and the Restless, where she has since had relationships with Victor once again and Tucker McCall. In May 2012, it was announced that Davidson was let go from The Young and the Restless, leading to her exit on August 3, 2012. Davidson initially hadn't known why, but it was reported later that Sony Pictures Television terminated her contract with the show for her to return to Days of Our Lives as Kristen DiMera, a character she had portrayed there over 14 years prior. Davidson made a brief return to The Young and the Restless in March 2013 for the soap's 40th anniversary. After subsequent guest appearances, Davidson returned to The Young and the Restless on September 3, 2014, as a series regular. In 2018, Davidson again exited the role; she returned in March 2019, following the installment of head writer Josh Griffith. Casting Eileen Davidson originated the role of Ashley Abbott on June 11, 1982, until her first exit on December 2, 1988. The role was immediately recast with Brenda Epperson, who portrayed Ashley for seven years from December 5, 1988, before leaving the role on December 21, 1995. Shari Shattuck then assumed the role from March 21, 1996, to February 22, 1999, with Davidson returning on March 19, 1999. Davidson took maternity leave in the summer of 2003. In 2006, news broke that Davidson was to exit the soap opera, and she last aired on January 11, 2007. She then carried the role of Ashley over to the show's sister soap, The Bold and the Beautiful. On September 25, 2008, Davidson returned to The Young and the Restless, and subsequently made one final appearance on The Bold and the Beautiful on November 25 of the same year when Ashley resigned from her position at Forrester Creations. In May 2012, Davidson informed followers on her Twitter page that she had been let go from The Young and the Restless. Davidson further confirmed she did not know why she was let go, but was seeing the positive light from it. It was then announced by Nelson Branco that Sony Pictures Entertainment wanted Davidson on both The Young and the Restless and Days of Our Lives, but that Y&R would not share the actress, leading to Sony terminating her contract with the soap. Thus it was announced that Davidson would reprise her role as Kristen Blake on the NBC soap. Davidson made her onscreen exit on August 3, 2012. Speaking about her upcoming return to Days and departure from the show with TV Guide, Davidson stated: "What happened to me at Y&R was shocking — I've been in this business a very long time and have never seen anything like it — but it's not like I haven't been fired before." She also went on to say that "I was led to believe that I was fired, though it was a bad news-good news thing — the bad news is Y&R is firing you, the good news is Days wants you." In February 2013, it was announced that Davidson would return to The Young and the Restless for "very special episodes" that would commemorate the show's 40th anniversary. In spite of this, the actress remained a part of Days of our Lives full-time. In August 2013, following the announcement of Davidson's departure from Days of our Lives, it was announced that she would again reprise the role for three episodes airing in October, later returning for a guest appearance on November 27 and December 2, 2013. In June 2014, it was announced that Davidson had signed a two-year contract with The Young and the Restless to appear as a regular cast member again, and would return to the series in September. Davidson also revealed her contract would allow for her to continue making appearances on Days of Our Lives. In 2018, Julia D'Arcy Badinger portrayed a younger Ashley in flashbacks. That June, Daytime Confidential broke news that Davidson had quit the role. Davidson last appeared in the role on October 29, 2018. On February 25, 2019, Davidson announced she would return to the role for several appearances; first airing on March 29, 2019. Since then, she has remained on the show on a recurring status. Character development Davidson describes Ashley as a "dynamic character". She has been characterized as "sassy" yet an "honorable heroine". The Record describes Ashley as "headstrong". She is recognized for her unluckiness and long-term suffering. Davidson stated, "She is a heroine. So often she was being victimized by people and trying to always rise above that, and being driven insane and losing babies, etc." In 1990, The Washington Times described Ashley as a "smart woman", known for her "level head" and "business success". Ashley is dedicated to her work and has a strong sense of family. She is a beloved member of the Genoa City community. Her passion for the family business, Jabot Cosmetics, cost Ashley her marriage to Cole Howard (J. Eddie Peck). Ashley has been involved in a number of different romantic relationships over her duration on the series. Her relationship with Brad Carlton (Don Diamont) came as a shock, due to Brad being beneath her socially. Epperson, who played Ashley at the time, was uncertain of Ashley and Brad's decision to get married. Davidson opined that a storyline in which Victor's son Adam Newman (Michael Muhney) gaslighted a pregnant Ashley in 2009 was payback for Ashley stealing Victor's sperm years ago to conceive Abby. She stated: "I think the character really suffered after she stole Victor's sperm from Diane [...] After that, the viewers lost a lot of respect for Ashley. People wanted Ashley to pay for it. My opinion? Although last summer's gaslighting storyline was used to propel a lot of other stories, it was also about making Ashley pay. Now we can close that entire chapter because Ashley paid. It was Ashley's redemption". Around this story arc, Tommy Garrett of Canyon News described Ashley as a "damsel in distress", stating that she had a "twisted mind" due to suffering a hysterical pregnancy after losing her unborn child at the hands of Adam. Following the death of John, Jack works desperately to remove his wife Gloria Abbott (Judith Chapman) from the family, even illegally making changes to John's will. Explaining Ashley's ambivalence towards the situation, Davidson stated: "Just because you don't like somebody doesn't mean you should do something illegal [...] The point is, their father loved her. And even if they don't like her, they have to honor what he wanted. Ashley never wanted to do anything that went against her father's wishes." The actress stated that Ashley "just wants" Jack to "do the right thing". Storylines Ashley is born on April 29, 1960, to John Abbott, Sr. (Brett Halsey, later Jerry Douglas) and Dina Abbott Mergeron (Marla Adams). Twenty-two years later, after completing college, Ashley returns to Genoa City and applies for a job as a lab chemist at Jabot Cosmetics, the family company, using the name Susan Ashley so she will be hired for her skills, not her family connections. She takes over as president of the company after her brother Jack Abbott (Terry Lester, later Peter Bergman) is shot on his one-year anniversary by his wife, Patty Williams. Ashley commences an unlucky streak of relationships; starting with French artist Eric Garrison, who slept with her mother, and Marc Mergeron, who is revealed to be her former stepbrother. Capitalizing on her unluckiness, it is revealed that Ashley's biological father is Brent Davis, not John Abbott, who remains unaware of Ashley's true paternity. Trauma leads Ashley to become missing with amnesia, where she is found by business tycoon Victor Newman (Eric Braeden), who takes her back to Genoa City. Ashley has an affair with Victor, who is married to Nikki Newman (Melody Thomas Scott). To spite Ashley, Nikki engages in an affair with Jack and tries to have Victor's brother, Matt Miller, unsuccessfully seduce Ashley. Ultimately, Victor chooses to be with Ashley, angering Nikki. When Ashley falls pregnant with Victor's child, Nikki is diagnosed with cancer, causing Victor to leave Ashley, who secretly has an abortion. Ashley suffers a mental breakdown, before marrying her psychiatrist Steven Lassiter (Rod Arrants). Steven's former patient Leanna Randolph (Barbara Crampton) stalks the couple and attempts to destroy Ashley. She writes a biography about Victor that exposes information about his dysfunctional relationship with Ashley. Steven is later shot and killed by an unstable patient. Following a short affair with Brad Carlton (Don Diamont), Ashley marries Victor. The marriage suffers because of Nikki's ongoing problems as well as Victor's daughter Victoria Newman's (Heather Tom) constant schemes to break them up. After her divorce from Victor, Ashley falls in love with Jabot's mysterious photographer Blade Bladeson (Michael Tylo), and they get married. Blade's vengeful twin brother Rick Bladeson arrives in town, holds Blade hostage and impersonates him. Eventually, Ashley and Blade's marriage ends. She then falls romantically for Kurt Costner (Leigh McCloskey), who is shot saving her from muggers. The romance is short-lived, as Kurt leaves Ashley to be with Victor's ex-wife Hope Wilson (Signy Coleman). Ashley nearly engages in an affair with Victoria's husband Cole Howard (J. Eddie Peck), an author who is writing a novel about her life, which requires them to spend time together. After Victoria's pregnancy results in a stillborn baby, Cole divorces her and marries Ashley. The marriage suffers a rough patch when Ashley travels to Madrid to help her stepbrother Rafael Delgado (Carlos Bernard), who is dealing with dangerous customers after selling them forged paintings. Cole assumes that she is having an affair with Rafael, unaware of who he is. During this, Victoria attempts to sabotage the marriage. Ultimately, upon Ashley's return to Genoa City, the couple divorce. By 2000, one of Jack's former lovers and Victor's latest ex-wife, Diane Jenkins (Alex Donnelley) steals Victor's sperm from a sperm bank, though Nikki switches the sample with Jack's sperm. Ashley then steals Victor's sperm and impregnates herself, claiming that the father is a stranger; this was to make up for the abortion she had years prior. She then marries Brad Carlton and gives birth to Abby Carlton, who is raised to believe she is the daughter of Brad. Ashley is diagnosed with breast cancer, and feeling that she may not have time left, she confesses the truth about Abby's paternity to Victor. Brad and Ashley split, though are brought together when she becomes pregnant with their child. Stress over the battle between Jabot and Newman Enterprises causes her to leave town. While she is driving back, she is involved in a car accident, killing the unborn child. Victor is blamed for the child's death. Brad and Ashley's marriage continues to diminish and they are divorced. Tom Fisher (Roscoe Born), the dangerous ex-husband of John's wife Gloria Abbott (Judith Chapman), arrives in town. To protect his family, John shoots and kills Tom. Ashley covers this up by confessing to the crime herself, though John soon confesses himself, and is jailed for seven years. Gloria contaminates Ashley's new line of beauty cream, which causes a woman to die. John suffers a heart attack following his release from prison, and passes away. Jack removes Gloria from the family, and Ashley leaves town to escape the drama. During a business trip to France, Ashley meets Rick Forrester (Kyle Lowder), and they have an affair. She later travels to Los Angeles to work with Forrester Creations as a lab chemist. Rick and Ashley decide to keep their affair a secret, and she commences a serious relationship with Ridge Forrester (Ronn Moss), whom she becomes engaged to. Ridge's attentiveness to his former love Brooke Logan (Katherine Kelly Lang) ends the engagement. Ashley then has a short-lived romance with Brooke's brother Storm (William deVry). Forrester Creations decide to discontinue their fragrance line, diminishing Ashley's role in the company. She leaves Los Angeles and moves to Europe with Abby. Ashley locates a missing Victor in France, where they reunite. Upon their return to Genoa City as a couple, they are married and Ashley becomes pregnant. Victor's manipulative son Adam Newman (Michael Muhney) gas lights Ashley, making her believe that she is seeing the ghost of Victor's late wife, Sabrina Newman. Adam causes Ashley to fall down a staircase and lose her baby, though he convinces her that this was a dream, and she suffers from an hysterical pregnancy. Ashley checks herself into a psychiatric hospital where Sharon Newman (Sharon Case), also pregnant, is staying. After Ashley begins experiencing hysterical labor, Adam kidnaps Sharon's newborn baby Faith Newman and gives her to Ashley, with Sharon believing her baby was stillborn. In the ensuing months, Sharon marries Adam and develops a close friendship with Ashley. Six months after Faith is born, the doctor that delivered her (who was being blackmailed by Adam) confesses the truth in a letter. Ashley is forced to hand Faith over to Sharon and the child's father, Victor's son Nicholas Newman (Joshua Morrow). Ashley moves on with her life, and becomes engaged to wealthy tycoon Tucker McCall (Stephen Nichols). Prior to their engagement, he slept with Diane Jenkins (Maura West). They briefly split up because of Tucker's secret business plans with Jack, but reunite shortly thereafter. Abby accidentally runs over Tucker with her car, and Ashley protects her by taking the blame. She is accused of attempted murder and driving under the influence. All charges are ultimately dropped, and she marries Tucker. Their marriage quickly lands in divorce because of Tucker's business scheming and his affair with a previous lover, Harmony Hamilton. Ashley is later forced out as CEO of Jabot by Jack, and Ashley decides to move to New York City with Traci. She returns briefly a few months later for the wedding of Victor and Nikki. Months later, Ashley returns for the funeral of her niece Delia Abbott and comforts her brother Billy on his loss. She returns later to spend Thanksgiving with her family. While there, she sprained her ankle and met Dr. Stitch Rayburn (Sean Carrigan). Abby pushed for a romance, but Ashley reminded her that Stitch was married and had a young son. In town for Abby and Tyler's engagement party, Ashley left early to drop by the hospital and "run into" Dr. Rayburn. But she found Victoria waiting for him to take her on a date. Ashley reminded her that she'd only been separated a week. When Ben arrived, Victoria was jealously catty, informing Ben that Ashley was her former stepmother. In September 2014, Ashley did not show up in Genoa City after calling a meeting among the major Jabot stockholders, Jack, Billy, Traci, and Abby. Jack phoned her, and she explained that she was working on a special project, but had decided it was not yet ready to present to them. The following month, Ashley returned and confirmed that her idea was for a revolutionary new fragrance, and she made a deal with Jack to become Co-CEO of Jabot again if it panned out. Abby had been treating Ben Rayburn nasty and spiteful ever since she found out that he had killed his father as a teen and taken someone else's identity to get his degree in medicine, and broken Victoria's heart. So Abby was shocked when Ashley hired Ben as a chemist for Jabot, despite Abby's objections. Ashley returned to New York City to wrap things up, tasking a reluctant Abby with bringing Ben up to speed on the cosmetics industry. Before she left, she consoled Billy that maybe she could help keep Ben away from Victoria for him. On Ashley's return, she asked Ben to smell the new fragrance, he found it repulsive, but he kissed her. Ashley revealed that the fragrance contained pheromones, was a love potion, and the kiss had proven it. What she needed was his help to make the scent bearable. Later after Ben was arrested for fraud by a former patient, Ashley bailed him out. She confided in Ben, that she too had taken a murder rap for someone she loved. Ashley asked him to accompany her to Madison on business. Ben showed up in Ashley's office drunk after seeing Billy and Victoria snuggling with their baby. Ashley threw him in the shower to sober him up, and he pulled her in too. They had sex, and Stitch spent the night. The next day, they agreed to tell no one after Ben found out that he still had a chance with Victoria. Victor invited Ashley to lunch and tried to get her to take a deal to leave Jabot and work for him at Newman-Chancellor. But Ashley declined and left early, arriving back at the lab in time to see her lab assistant Tobias taking photos of their secret work. She guessed that he was working for Victor, and decided to let him continue to feed him bogus information. Ashley runs into Joe Clark at the athletic club. After referring to them having a good thing going back in New York City, they made plans to spend New Year's Eve together. In May 2017, Ashley's mother Dina came for a "permanent" visit. In October 2017, Dina exposed that John Abbott wasn't Ashley's father. Ashley leaves Genoa City in October 2018, following a series of events that leave her feeling alienated from both the Abbott family and Jabot, following the discovery that John and Dina left legal documents leaving all of Ashley's product patents to her; she confesses she's leaving for Paris to launch her own company with said-patents. Reception Jamey Giddens of Zap2it described Davidson as "one of Genoa City's most beloved heroines". Upon learning of Davidson's return to the role in 1999, Candace Havens of the McCook Daily Gazette declared that it was her who made Ashley "one of the most popular characters on soaps". In October 1999, when all of the Abbott siblings and their father John were together again, the Orlando Sentinel wrote: "In the meantime, having the entire Abbott clan together [...] is like a joyous family reunion for longtime viewers". John Goudas of The Gadsden Times was favorable of Epperson's performance two years into her duration, stating that she "is holding her own", though he noted her to be "Eileen's double". He stated that the front-burner status of Ashley and Brad's romantic storyline demonstrated that producer William J. Bell "has full confidence in [Epperson]". The character has had a rivalry with Nikki Newman (Melody Thomas Scott) for many years; a poll run in 2008 by website Daytime Confidential asking, "Who would win a cat fight, Nikki Newman or Ashley Abbott?", saw 63% of voters say Nikki would win, with 37% saying Ashley would win. Giddens was favorable of Ashley running Jabot Cosmetics in 2008, writing: "Okay this has to stop. My heart simply can't take it. It's like the effects of yo-yo dieting. Everytime I sincerely think I am done with this genre, something like The Young and the Restless heiress Ashley Abbott (Eileen Davidson) announcing that she, not Lil' Billy (Billy Miller), not Cruella de Bardwell (Judith Chapman) or Gary Ewing (Ted Shackelford) and no, not even Smilin' Jack (Peter Bergman) will be running Jabot Cosmetics, happens." In 2009, Jillian Bowe (also of Zap2it) wondered if Ashley was "insane in the membrane" due to her hearing a crying child around the Newman ranch, writing: "Is "The Beauty" starting to crack up? Certainly looks that when some freaky things take place on The Young and the Restless." In 2010, Tommy Garrett of Canyon News praised a scene in which Ashley discovers a sex tape made by her spoiled daughter, Abby, that was posted online. Garrett wrote: "Davidson's performance is spot on as the mother Ashley who is fed up. The tears of despair and exhaustion came streaming down Davidson's beautiful face in character, while her spit-fire daughter didn't give a damn." Giddens later wrote that he thought it was "ridiculous" and "outlandish" to make Ashley pregnant with Victor's child in 2009. Also in 2010, Neeketa Borden of Zap2it created a list of "curiously quirky couplings", with Ashley and Tucker listed as an "honorable mention". In a separate review, Garrett credited Davidson as one of the "powerful performers who daytime TV could not exist without having". When the truth was going to come out that Faith Newman wasn't Ashley's child, Giddens wrote: "Lord, I hope this doesn't make my Ashley Abbott go cuckoo for Cocoa Puffs again!" Mike Jubinville of Zap2it wrote that the character's relationship with Neil Winters (Kristoff St. John) had been a "slow burn, one going on for weeks, but one that is hard to miss. It has the ingredients of a hot romance." Upon Davidson's firing in 2012, Giddens wrote: "I am sincerely hoping the brass at Y&R can't possibly be this stupid, but if they are, Gary Tomlin better blow up Davidson's phone STAT about a Days of Our Lives return!" References External links Ashley Abbott character profile on SoapCentral The Young and the Restless characters The Bold and the Beautiful characters Television characters introduced in 1982 Fictional business executives Fictional female businesspeople Fictional socialites Fictional characters with cancer Fictional characters with neurological or psychological disorders Female characters in television

C_20c1c5d2fb2d47d8ab5679defff7dfd1_1

what year was this?

what year was Brenda Epperson cast as Ashley Abbott?

Ashley Abbott

Eileen Davidson originated the role of Ashley Abbott in June 1982, until her first exit on December 2, 1988. The role was immediately recast with Brenda Epperson, who portrayed Ashley for seven years from December 5, 1988 before leaving the role on December 21, 1995. Shari Shattuck then assumed the role from March 12, 1996 to February 22, 1999, with Davidson returning on March 19, 1999. Davidson took maternity leave in the summer of 2003. In 2006, news broke that Davidson was to exit the soap opera, and she last aired on January 11, 2007. She then carried the role of Ashley over to the show's sister soap, The Bold and the Beautiful. She last aired on The Bold and the Beautiful on July 4, 2008, before returning to The Young and the Restless on September 25, 2008. In May 2012, Davidson informed followers on her Twitter page that she had been let go from The Young and the Restless. Davidson further confirmed she did not know why she was let go, but was seeing the positive light from it. It was then announced by Nelson Branco that Sony Pictures Entertainment wanted Davidson on both The Young and the Restless and Days of Our Lives, but that Y&R would not share the actress, leading to Sony terminating her contract with the soap. Thus it was announced that Davidson would reprise her role as Kristen Blake on the NBC soap. Davidson made her onscreen exit on August 3, 2012. Speaking about her upcoming return to Days and departure from the show with TV Guide, Davidson stated: "What happened to me at Y&R was shocking -- I've been in this business a very long time and have never seen anything like it -- but it's not like I haven't been fired before." She also went on to say that "I was led to believe that I was fired, though it was a bad news-good news thing -- the bad news is Y&R is firing you, the good news is Days wants you." In February 2013, it was announced that Davidson would return to The Young and the Restless for "very special episodes" that would commemorate the show's 40th anniversary. In spite of this, the actress remained a part of Days of our Lives full-time. In August 2013, following the announcement of Davidson's departure from Days of our Lives, it was announced that she would again reprise the role for three episodes airing in October, later returning for additional guest appearances. In June 2014, it was announced that Davidson had signed a two-year contract with The Young and the Restless to appear as a regular cast member again, and would return to the series in September. Davidson also revealed her contract would allow for her to continue making appearances on Days of Our Lives. CANNOTANSWER

Brenda Epperson, who portrayed Ashley for seven years from December 5, 1988

Ashley Abbott is a fictional character from The Young and the Restless and The Bold and the Beautiful, two American soap operas on the CBS network. She has been most notably portrayed by Eileen Davidson, who originated the role on June 11, 1982, before departing in 1988. Brenda Epperson portrayed Ashley from 1988 to 1995, before Shari Shattuck portrayed the role for the next three years, until Davidson's return on March 19, 1999. Davidson was nominated in 2003 for Daytime Emmy Award for Outstanding Lead Actress in a Drama Series, and she later won that award in 2018. The character is the daughter of Dina Mergeron and Brent Davis, although she believed John Abbott was her biological father until she reached adulthood. She has had relationships with various men throughout the years, most notably Steven Lassiter, Victor Newman, Blade Bladeson, Cole Howard and Brad Carlton. She has a daughter with Victor, Abby Newman. She is also known for her business contributions to her father's company, Jabot Cosmetics, much like her brother Jack. In 2006, it was announced that Davidson was to leave The Young and the Restless. She last appeared on January 11, 2007. Shortly after, the character crossed over to its sister soap, The Bold and the Beautiful. There, she became intertwined with the Forresters and Forrester Creations; she also had a romance with Ridge Forrester. She left The Bold and the Beautiful in 2008 and returned to The Young and the Restless, where she has since had relationships with Victor once again and Tucker McCall. In May 2012, it was announced that Davidson was let go from The Young and the Restless, leading to her exit on August 3, 2012. Davidson initially hadn't known why, but it was reported later that Sony Pictures Television terminated her contract with the show for her to return to Days of Our Lives as Kristen DiMera, a character she had portrayed there over 14 years prior. Davidson made a brief return to The Young and the Restless in March 2013 for the soap's 40th anniversary. After subsequent guest appearances, Davidson returned to The Young and the Restless on September 3, 2014, as a series regular. In 2018, Davidson again exited the role; she returned in March 2019, following the installment of head writer Josh Griffith. Casting Eileen Davidson originated the role of Ashley Abbott on June 11, 1982, until her first exit on December 2, 1988. The role was immediately recast with Brenda Epperson, who portrayed Ashley for seven years from December 5, 1988, before leaving the role on December 21, 1995. Shari Shattuck then assumed the role from March 21, 1996, to February 22, 1999, with Davidson returning on March 19, 1999. Davidson took maternity leave in the summer of 2003. In 2006, news broke that Davidson was to exit the soap opera, and she last aired on January 11, 2007. She then carried the role of Ashley over to the show's sister soap, The Bold and the Beautiful. On September 25, 2008, Davidson returned to The Young and the Restless, and subsequently made one final appearance on The Bold and the Beautiful on November 25 of the same year when Ashley resigned from her position at Forrester Creations. In May 2012, Davidson informed followers on her Twitter page that she had been let go from The Young and the Restless. Davidson further confirmed she did not know why she was let go, but was seeing the positive light from it. It was then announced by Nelson Branco that Sony Pictures Entertainment wanted Davidson on both The Young and the Restless and Days of Our Lives, but that Y&R would not share the actress, leading to Sony terminating her contract with the soap. Thus it was announced that Davidson would reprise her role as Kristen Blake on the NBC soap. Davidson made her onscreen exit on August 3, 2012. Speaking about her upcoming return to Days and departure from the show with TV Guide, Davidson stated: "What happened to me at Y&R was shocking — I've been in this business a very long time and have never seen anything like it — but it's not like I haven't been fired before." She also went on to say that "I was led to believe that I was fired, though it was a bad news-good news thing — the bad news is Y&R is firing you, the good news is Days wants you." In February 2013, it was announced that Davidson would return to The Young and the Restless for "very special episodes" that would commemorate the show's 40th anniversary. In spite of this, the actress remained a part of Days of our Lives full-time. In August 2013, following the announcement of Davidson's departure from Days of our Lives, it was announced that she would again reprise the role for three episodes airing in October, later returning for a guest appearance on November 27 and December 2, 2013. In June 2014, it was announced that Davidson had signed a two-year contract with The Young and the Restless to appear as a regular cast member again, and would return to the series in September. Davidson also revealed her contract would allow for her to continue making appearances on Days of Our Lives. In 2018, Julia D'Arcy Badinger portrayed a younger Ashley in flashbacks. That June, Daytime Confidential broke news that Davidson had quit the role. Davidson last appeared in the role on October 29, 2018. On February 25, 2019, Davidson announced she would return to the role for several appearances; first airing on March 29, 2019. Since then, she has remained on the show on a recurring status. Character development Davidson describes Ashley as a "dynamic character". She has been characterized as "sassy" yet an "honorable heroine". The Record describes Ashley as "headstrong". She is recognized for her unluckiness and long-term suffering. Davidson stated, "She is a heroine. So often she was being victimized by people and trying to always rise above that, and being driven insane and losing babies, etc." In 1990, The Washington Times described Ashley as a "smart woman", known for her "level head" and "business success". Ashley is dedicated to her work and has a strong sense of family. She is a beloved member of the Genoa City community. Her passion for the family business, Jabot Cosmetics, cost Ashley her marriage to Cole Howard (J. Eddie Peck). Ashley has been involved in a number of different romantic relationships over her duration on the series. Her relationship with Brad Carlton (Don Diamont) came as a shock, due to Brad being beneath her socially. Epperson, who played Ashley at the time, was uncertain of Ashley and Brad's decision to get married. Davidson opined that a storyline in which Victor's son Adam Newman (Michael Muhney) gaslighted a pregnant Ashley in 2009 was payback for Ashley stealing Victor's sperm years ago to conceive Abby. She stated: "I think the character really suffered after she stole Victor's sperm from Diane [...] After that, the viewers lost a lot of respect for Ashley. People wanted Ashley to pay for it. My opinion? Although last summer's gaslighting storyline was used to propel a lot of other stories, it was also about making Ashley pay. Now we can close that entire chapter because Ashley paid. It was Ashley's redemption". Around this story arc, Tommy Garrett of Canyon News described Ashley as a "damsel in distress", stating that she had a "twisted mind" due to suffering a hysterical pregnancy after losing her unborn child at the hands of Adam. Following the death of John, Jack works desperately to remove his wife Gloria Abbott (Judith Chapman) from the family, even illegally making changes to John's will. Explaining Ashley's ambivalence towards the situation, Davidson stated: "Just because you don't like somebody doesn't mean you should do something illegal [...] The point is, their father loved her. And even if they don't like her, they have to honor what he wanted. Ashley never wanted to do anything that went against her father's wishes." The actress stated that Ashley "just wants" Jack to "do the right thing". Storylines Ashley is born on April 29, 1960, to John Abbott, Sr. (Brett Halsey, later Jerry Douglas) and Dina Abbott Mergeron (Marla Adams). Twenty-two years later, after completing college, Ashley returns to Genoa City and applies for a job as a lab chemist at Jabot Cosmetics, the family company, using the name Susan Ashley so she will be hired for her skills, not her family connections. She takes over as president of the company after her brother Jack Abbott (Terry Lester, later Peter Bergman) is shot on his one-year anniversary by his wife, Patty Williams. Ashley commences an unlucky streak of relationships; starting with French artist Eric Garrison, who slept with her mother, and Marc Mergeron, who is revealed to be her former stepbrother. Capitalizing on her unluckiness, it is revealed that Ashley's biological father is Brent Davis, not John Abbott, who remains unaware of Ashley's true paternity. Trauma leads Ashley to become missing with amnesia, where she is found by business tycoon Victor Newman (Eric Braeden), who takes her back to Genoa City. Ashley has an affair with Victor, who is married to Nikki Newman (Melody Thomas Scott). To spite Ashley, Nikki engages in an affair with Jack and tries to have Victor's brother, Matt Miller, unsuccessfully seduce Ashley. Ultimately, Victor chooses to be with Ashley, angering Nikki. When Ashley falls pregnant with Victor's child, Nikki is diagnosed with cancer, causing Victor to leave Ashley, who secretly has an abortion. Ashley suffers a mental breakdown, before marrying her psychiatrist Steven Lassiter (Rod Arrants). Steven's former patient Leanna Randolph (Barbara Crampton) stalks the couple and attempts to destroy Ashley. She writes a biography about Victor that exposes information about his dysfunctional relationship with Ashley. Steven is later shot and killed by an unstable patient. Following a short affair with Brad Carlton (Don Diamont), Ashley marries Victor. The marriage suffers because of Nikki's ongoing problems as well as Victor's daughter Victoria Newman's (Heather Tom) constant schemes to break them up. After her divorce from Victor, Ashley falls in love with Jabot's mysterious photographer Blade Bladeson (Michael Tylo), and they get married. Blade's vengeful twin brother Rick Bladeson arrives in town, holds Blade hostage and impersonates him. Eventually, Ashley and Blade's marriage ends. She then falls romantically for Kurt Costner (Leigh McCloskey), who is shot saving her from muggers. The romance is short-lived, as Kurt leaves Ashley to be with Victor's ex-wife Hope Wilson (Signy Coleman). Ashley nearly engages in an affair with Victoria's husband Cole Howard (J. Eddie Peck), an author who is writing a novel about her life, which requires them to spend time together. After Victoria's pregnancy results in a stillborn baby, Cole divorces her and marries Ashley. The marriage suffers a rough patch when Ashley travels to Madrid to help her stepbrother Rafael Delgado (Carlos Bernard), who is dealing with dangerous customers after selling them forged paintings. Cole assumes that she is having an affair with Rafael, unaware of who he is. During this, Victoria attempts to sabotage the marriage. Ultimately, upon Ashley's return to Genoa City, the couple divorce. By 2000, one of Jack's former lovers and Victor's latest ex-wife, Diane Jenkins (Alex Donnelley) steals Victor's sperm from a sperm bank, though Nikki switches the sample with Jack's sperm. Ashley then steals Victor's sperm and impregnates herself, claiming that the father is a stranger; this was to make up for the abortion she had years prior. She then marries Brad Carlton and gives birth to Abby Carlton, who is raised to believe she is the daughter of Brad. Ashley is diagnosed with breast cancer, and feeling that she may not have time left, she confesses the truth about Abby's paternity to Victor. Brad and Ashley split, though are brought together when she becomes pregnant with their child. Stress over the battle between Jabot and Newman Enterprises causes her to leave town. While she is driving back, she is involved in a car accident, killing the unborn child. Victor is blamed for the child's death. Brad and Ashley's marriage continues to diminish and they are divorced. Tom Fisher (Roscoe Born), the dangerous ex-husband of John's wife Gloria Abbott (Judith Chapman), arrives in town. To protect his family, John shoots and kills Tom. Ashley covers this up by confessing to the crime herself, though John soon confesses himself, and is jailed for seven years. Gloria contaminates Ashley's new line of beauty cream, which causes a woman to die. John suffers a heart attack following his release from prison, and passes away. Jack removes Gloria from the family, and Ashley leaves town to escape the drama. During a business trip to France, Ashley meets Rick Forrester (Kyle Lowder), and they have an affair. She later travels to Los Angeles to work with Forrester Creations as a lab chemist. Rick and Ashley decide to keep their affair a secret, and she commences a serious relationship with Ridge Forrester (Ronn Moss), whom she becomes engaged to. Ridge's attentiveness to his former love Brooke Logan (Katherine Kelly Lang) ends the engagement. Ashley then has a short-lived romance with Brooke's brother Storm (William deVry). Forrester Creations decide to discontinue their fragrance line, diminishing Ashley's role in the company. She leaves Los Angeles and moves to Europe with Abby. Ashley locates a missing Victor in France, where they reunite. Upon their return to Genoa City as a couple, they are married and Ashley becomes pregnant. Victor's manipulative son Adam Newman (Michael Muhney) gas lights Ashley, making her believe that she is seeing the ghost of Victor's late wife, Sabrina Newman. Adam causes Ashley to fall down a staircase and lose her baby, though he convinces her that this was a dream, and she suffers from an hysterical pregnancy. Ashley checks herself into a psychiatric hospital where Sharon Newman (Sharon Case), also pregnant, is staying. After Ashley begins experiencing hysterical labor, Adam kidnaps Sharon's newborn baby Faith Newman and gives her to Ashley, with Sharon believing her baby was stillborn. In the ensuing months, Sharon marries Adam and develops a close friendship with Ashley. Six months after Faith is born, the doctor that delivered her (who was being blackmailed by Adam) confesses the truth in a letter. Ashley is forced to hand Faith over to Sharon and the child's father, Victor's son Nicholas Newman (Joshua Morrow). Ashley moves on with her life, and becomes engaged to wealthy tycoon Tucker McCall (Stephen Nichols). Prior to their engagement, he slept with Diane Jenkins (Maura West). They briefly split up because of Tucker's secret business plans with Jack, but reunite shortly thereafter. Abby accidentally runs over Tucker with her car, and Ashley protects her by taking the blame. She is accused of attempted murder and driving under the influence. All charges are ultimately dropped, and she marries Tucker. Their marriage quickly lands in divorce because of Tucker's business scheming and his affair with a previous lover, Harmony Hamilton. Ashley is later forced out as CEO of Jabot by Jack, and Ashley decides to move to New York City with Traci. She returns briefly a few months later for the wedding of Victor and Nikki. Months later, Ashley returns for the funeral of her niece Delia Abbott and comforts her brother Billy on his loss. She returns later to spend Thanksgiving with her family. While there, she sprained her ankle and met Dr. Stitch Rayburn (Sean Carrigan). Abby pushed for a romance, but Ashley reminded her that Stitch was married and had a young son. In town for Abby and Tyler's engagement party, Ashley left early to drop by the hospital and "run into" Dr. Rayburn. But she found Victoria waiting for him to take her on a date. Ashley reminded her that she'd only been separated a week. When Ben arrived, Victoria was jealously catty, informing Ben that Ashley was her former stepmother. In September 2014, Ashley did not show up in Genoa City after calling a meeting among the major Jabot stockholders, Jack, Billy, Traci, and Abby. Jack phoned her, and she explained that she was working on a special project, but had decided it was not yet ready to present to them. The following month, Ashley returned and confirmed that her idea was for a revolutionary new fragrance, and she made a deal with Jack to become Co-CEO of Jabot again if it panned out. Abby had been treating Ben Rayburn nasty and spiteful ever since she found out that he had killed his father as a teen and taken someone else's identity to get his degree in medicine, and broken Victoria's heart. So Abby was shocked when Ashley hired Ben as a chemist for Jabot, despite Abby's objections. Ashley returned to New York City to wrap things up, tasking a reluctant Abby with bringing Ben up to speed on the cosmetics industry. Before she left, she consoled Billy that maybe she could help keep Ben away from Victoria for him. On Ashley's return, she asked Ben to smell the new fragrance, he found it repulsive, but he kissed her. Ashley revealed that the fragrance contained pheromones, was a love potion, and the kiss had proven it. What she needed was his help to make the scent bearable. Later after Ben was arrested for fraud by a former patient, Ashley bailed him out. She confided in Ben, that she too had taken a murder rap for someone she loved. Ashley asked him to accompany her to Madison on business. Ben showed up in Ashley's office drunk after seeing Billy and Victoria snuggling with their baby. Ashley threw him in the shower to sober him up, and he pulled her in too. They had sex, and Stitch spent the night. The next day, they agreed to tell no one after Ben found out that he still had a chance with Victoria. Victor invited Ashley to lunch and tried to get her to take a deal to leave Jabot and work for him at Newman-Chancellor. But Ashley declined and left early, arriving back at the lab in time to see her lab assistant Tobias taking photos of their secret work. She guessed that he was working for Victor, and decided to let him continue to feed him bogus information. Ashley runs into Joe Clark at the athletic club. After referring to them having a good thing going back in New York City, they made plans to spend New Year's Eve together. In May 2017, Ashley's mother Dina came for a "permanent" visit. In October 2017, Dina exposed that John Abbott wasn't Ashley's father. Ashley leaves Genoa City in October 2018, following a series of events that leave her feeling alienated from both the Abbott family and Jabot, following the discovery that John and Dina left legal documents leaving all of Ashley's product patents to her; she confesses she's leaving for Paris to launch her own company with said-patents. Reception Jamey Giddens of Zap2it described Davidson as "one of Genoa City's most beloved heroines". Upon learning of Davidson's return to the role in 1999, Candace Havens of the McCook Daily Gazette declared that it was her who made Ashley "one of the most popular characters on soaps". In October 1999, when all of the Abbott siblings and their father John were together again, the Orlando Sentinel wrote: "In the meantime, having the entire Abbott clan together [...] is like a joyous family reunion for longtime viewers". John Goudas of The Gadsden Times was favorable of Epperson's performance two years into her duration, stating that she "is holding her own", though he noted her to be "Eileen's double". He stated that the front-burner status of Ashley and Brad's romantic storyline demonstrated that producer William J. Bell "has full confidence in [Epperson]". The character has had a rivalry with Nikki Newman (Melody Thomas Scott) for many years; a poll run in 2008 by website Daytime Confidential asking, "Who would win a cat fight, Nikki Newman or Ashley Abbott?", saw 63% of voters say Nikki would win, with 37% saying Ashley would win. Giddens was favorable of Ashley running Jabot Cosmetics in 2008, writing: "Okay this has to stop. My heart simply can't take it. It's like the effects of yo-yo dieting. Everytime I sincerely think I am done with this genre, something like The Young and the Restless heiress Ashley Abbott (Eileen Davidson) announcing that she, not Lil' Billy (Billy Miller), not Cruella de Bardwell (Judith Chapman) or Gary Ewing (Ted Shackelford) and no, not even Smilin' Jack (Peter Bergman) will be running Jabot Cosmetics, happens." In 2009, Jillian Bowe (also of Zap2it) wondered if Ashley was "insane in the membrane" due to her hearing a crying child around the Newman ranch, writing: "Is "The Beauty" starting to crack up? Certainly looks that when some freaky things take place on The Young and the Restless." In 2010, Tommy Garrett of Canyon News praised a scene in which Ashley discovers a sex tape made by her spoiled daughter, Abby, that was posted online. Garrett wrote: "Davidson's performance is spot on as the mother Ashley who is fed up. The tears of despair and exhaustion came streaming down Davidson's beautiful face in character, while her spit-fire daughter didn't give a damn." Giddens later wrote that he thought it was "ridiculous" and "outlandish" to make Ashley pregnant with Victor's child in 2009. Also in 2010, Neeketa Borden of Zap2it created a list of "curiously quirky couplings", with Ashley and Tucker listed as an "honorable mention". In a separate review, Garrett credited Davidson as one of the "powerful performers who daytime TV could not exist without having". When the truth was going to come out that Faith Newman wasn't Ashley's child, Giddens wrote: "Lord, I hope this doesn't make my Ashley Abbott go cuckoo for Cocoa Puffs again!" Mike Jubinville of Zap2it wrote that the character's relationship with Neil Winters (Kristoff St. John) had been a "slow burn, one going on for weeks, but one that is hard to miss. It has the ingredients of a hot romance." Upon Davidson's firing in 2012, Giddens wrote: "I am sincerely hoping the brass at Y&R can't possibly be this stupid, but if they are, Gary Tomlin better blow up Davidson's phone STAT about a Days of Our Lives return!" References External links Ashley Abbott character profile on SoapCentral The Young and the Restless characters The Bold and the Beautiful characters Television characters introduced in 1982 Fictional business executives Fictional female businesspeople Fictional socialites Fictional characters with cancer Fictional characters with neurological or psychological disorders Female characters in television

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Did Eileen ever return?

Did Eileen Davidson ever return to playing Ashley Abbott?

Ashley Abbott

Eileen Davidson originated the role of Ashley Abbott in June 1982, until her first exit on December 2, 1988. The role was immediately recast with Brenda Epperson, who portrayed Ashley for seven years from December 5, 1988 before leaving the role on December 21, 1995. Shari Shattuck then assumed the role from March 12, 1996 to February 22, 1999, with Davidson returning on March 19, 1999. Davidson took maternity leave in the summer of 2003. In 2006, news broke that Davidson was to exit the soap opera, and she last aired on January 11, 2007. She then carried the role of Ashley over to the show's sister soap, The Bold and the Beautiful. She last aired on The Bold and the Beautiful on July 4, 2008, before returning to The Young and the Restless on September 25, 2008. In May 2012, Davidson informed followers on her Twitter page that she had been let go from The Young and the Restless. Davidson further confirmed she did not know why she was let go, but was seeing the positive light from it. It was then announced by Nelson Branco that Sony Pictures Entertainment wanted Davidson on both The Young and the Restless and Days of Our Lives, but that Y&R would not share the actress, leading to Sony terminating her contract with the soap. Thus it was announced that Davidson would reprise her role as Kristen Blake on the NBC soap. Davidson made her onscreen exit on August 3, 2012. Speaking about her upcoming return to Days and departure from the show with TV Guide, Davidson stated: "What happened to me at Y&R was shocking -- I've been in this business a very long time and have never seen anything like it -- but it's not like I haven't been fired before." She also went on to say that "I was led to believe that I was fired, though it was a bad news-good news thing -- the bad news is Y&R is firing you, the good news is Days wants you." In February 2013, it was announced that Davidson would return to The Young and the Restless for "very special episodes" that would commemorate the show's 40th anniversary. In spite of this, the actress remained a part of Days of our Lives full-time. In August 2013, following the announcement of Davidson's departure from Days of our Lives, it was announced that she would again reprise the role for three episodes airing in October, later returning for additional guest appearances. In June 2014, it was announced that Davidson had signed a two-year contract with The Young and the Restless to appear as a regular cast member again, and would return to the series in September. Davidson also revealed her contract would allow for her to continue making appearances on Days of Our Lives. CANNOTANSWER

Davidson returning on March 19, 1999.

Ashley Abbott is a fictional character from The Young and the Restless and The Bold and the Beautiful, two American soap operas on the CBS network. She has been most notably portrayed by Eileen Davidson, who originated the role on June 11, 1982, before departing in 1988. Brenda Epperson portrayed Ashley from 1988 to 1995, before Shari Shattuck portrayed the role for the next three years, until Davidson's return on March 19, 1999. Davidson was nominated in 2003 for Daytime Emmy Award for Outstanding Lead Actress in a Drama Series, and she later won that award in 2018. The character is the daughter of Dina Mergeron and Brent Davis, although she believed John Abbott was her biological father until she reached adulthood. She has had relationships with various men throughout the years, most notably Steven Lassiter, Victor Newman, Blade Bladeson, Cole Howard and Brad Carlton. She has a daughter with Victor, Abby Newman. She is also known for her business contributions to her father's company, Jabot Cosmetics, much like her brother Jack. In 2006, it was announced that Davidson was to leave The Young and the Restless. She last appeared on January 11, 2007. Shortly after, the character crossed over to its sister soap, The Bold and the Beautiful. There, she became intertwined with the Forresters and Forrester Creations; she also had a romance with Ridge Forrester. She left The Bold and the Beautiful in 2008 and returned to The Young and the Restless, where she has since had relationships with Victor once again and Tucker McCall. In May 2012, it was announced that Davidson was let go from The Young and the Restless, leading to her exit on August 3, 2012. Davidson initially hadn't known why, but it was reported later that Sony Pictures Television terminated her contract with the show for her to return to Days of Our Lives as Kristen DiMera, a character she had portrayed there over 14 years prior. Davidson made a brief return to The Young and the Restless in March 2013 for the soap's 40th anniversary. After subsequent guest appearances, Davidson returned to The Young and the Restless on September 3, 2014, as a series regular. In 2018, Davidson again exited the role; she returned in March 2019, following the installment of head writer Josh Griffith. Casting Eileen Davidson originated the role of Ashley Abbott on June 11, 1982, until her first exit on December 2, 1988. The role was immediately recast with Brenda Epperson, who portrayed Ashley for seven years from December 5, 1988, before leaving the role on December 21, 1995. Shari Shattuck then assumed the role from March 21, 1996, to February 22, 1999, with Davidson returning on March 19, 1999. Davidson took maternity leave in the summer of 2003. In 2006, news broke that Davidson was to exit the soap opera, and she last aired on January 11, 2007. She then carried the role of Ashley over to the show's sister soap, The Bold and the Beautiful. On September 25, 2008, Davidson returned to The Young and the Restless, and subsequently made one final appearance on The Bold and the Beautiful on November 25 of the same year when Ashley resigned from her position at Forrester Creations. In May 2012, Davidson informed followers on her Twitter page that she had been let go from The Young and the Restless. Davidson further confirmed she did not know why she was let go, but was seeing the positive light from it. It was then announced by Nelson Branco that Sony Pictures Entertainment wanted Davidson on both The Young and the Restless and Days of Our Lives, but that Y&R would not share the actress, leading to Sony terminating her contract with the soap. Thus it was announced that Davidson would reprise her role as Kristen Blake on the NBC soap. Davidson made her onscreen exit on August 3, 2012. Speaking about her upcoming return to Days and departure from the show with TV Guide, Davidson stated: "What happened to me at Y&R was shocking — I've been in this business a very long time and have never seen anything like it — but it's not like I haven't been fired before." She also went on to say that "I was led to believe that I was fired, though it was a bad news-good news thing — the bad news is Y&R is firing you, the good news is Days wants you." In February 2013, it was announced that Davidson would return to The Young and the Restless for "very special episodes" that would commemorate the show's 40th anniversary. In spite of this, the actress remained a part of Days of our Lives full-time. In August 2013, following the announcement of Davidson's departure from Days of our Lives, it was announced that she would again reprise the role for three episodes airing in October, later returning for a guest appearance on November 27 and December 2, 2013. In June 2014, it was announced that Davidson had signed a two-year contract with The Young and the Restless to appear as a regular cast member again, and would return to the series in September. Davidson also revealed her contract would allow for her to continue making appearances on Days of Our Lives. In 2018, Julia D'Arcy Badinger portrayed a younger Ashley in flashbacks. That June, Daytime Confidential broke news that Davidson had quit the role. Davidson last appeared in the role on October 29, 2018. On February 25, 2019, Davidson announced she would return to the role for several appearances; first airing on March 29, 2019. Since then, she has remained on the show on a recurring status. Character development Davidson describes Ashley as a "dynamic character". She has been characterized as "sassy" yet an "honorable heroine". The Record describes Ashley as "headstrong". She is recognized for her unluckiness and long-term suffering. Davidson stated, "She is a heroine. So often she was being victimized by people and trying to always rise above that, and being driven insane and losing babies, etc." In 1990, The Washington Times described Ashley as a "smart woman", known for her "level head" and "business success". Ashley is dedicated to her work and has a strong sense of family. She is a beloved member of the Genoa City community. Her passion for the family business, Jabot Cosmetics, cost Ashley her marriage to Cole Howard (J. Eddie Peck). Ashley has been involved in a number of different romantic relationships over her duration on the series. Her relationship with Brad Carlton (Don Diamont) came as a shock, due to Brad being beneath her socially. Epperson, who played Ashley at the time, was uncertain of Ashley and Brad's decision to get married. Davidson opined that a storyline in which Victor's son Adam Newman (Michael Muhney) gaslighted a pregnant Ashley in 2009 was payback for Ashley stealing Victor's sperm years ago to conceive Abby. She stated: "I think the character really suffered after she stole Victor's sperm from Diane [...] After that, the viewers lost a lot of respect for Ashley. People wanted Ashley to pay for it. My opinion? Although last summer's gaslighting storyline was used to propel a lot of other stories, it was also about making Ashley pay. Now we can close that entire chapter because Ashley paid. It was Ashley's redemption". Around this story arc, Tommy Garrett of Canyon News described Ashley as a "damsel in distress", stating that she had a "twisted mind" due to suffering a hysterical pregnancy after losing her unborn child at the hands of Adam. Following the death of John, Jack works desperately to remove his wife Gloria Abbott (Judith Chapman) from the family, even illegally making changes to John's will. Explaining Ashley's ambivalence towards the situation, Davidson stated: "Just because you don't like somebody doesn't mean you should do something illegal [...] The point is, their father loved her. And even if they don't like her, they have to honor what he wanted. Ashley never wanted to do anything that went against her father's wishes." The actress stated that Ashley "just wants" Jack to "do the right thing". Storylines Ashley is born on April 29, 1960, to John Abbott, Sr. (Brett Halsey, later Jerry Douglas) and Dina Abbott Mergeron (Marla Adams). Twenty-two years later, after completing college, Ashley returns to Genoa City and applies for a job as a lab chemist at Jabot Cosmetics, the family company, using the name Susan Ashley so she will be hired for her skills, not her family connections. She takes over as president of the company after her brother Jack Abbott (Terry Lester, later Peter Bergman) is shot on his one-year anniversary by his wife, Patty Williams. Ashley commences an unlucky streak of relationships; starting with French artist Eric Garrison, who slept with her mother, and Marc Mergeron, who is revealed to be her former stepbrother. Capitalizing on her unluckiness, it is revealed that Ashley's biological father is Brent Davis, not John Abbott, who remains unaware of Ashley's true paternity. Trauma leads Ashley to become missing with amnesia, where she is found by business tycoon Victor Newman (Eric Braeden), who takes her back to Genoa City. Ashley has an affair with Victor, who is married to Nikki Newman (Melody Thomas Scott). To spite Ashley, Nikki engages in an affair with Jack and tries to have Victor's brother, Matt Miller, unsuccessfully seduce Ashley. Ultimately, Victor chooses to be with Ashley, angering Nikki. When Ashley falls pregnant with Victor's child, Nikki is diagnosed with cancer, causing Victor to leave Ashley, who secretly has an abortion. Ashley suffers a mental breakdown, before marrying her psychiatrist Steven Lassiter (Rod Arrants). Steven's former patient Leanna Randolph (Barbara Crampton) stalks the couple and attempts to destroy Ashley. She writes a biography about Victor that exposes information about his dysfunctional relationship with Ashley. Steven is later shot and killed by an unstable patient. Following a short affair with Brad Carlton (Don Diamont), Ashley marries Victor. The marriage suffers because of Nikki's ongoing problems as well as Victor's daughter Victoria Newman's (Heather Tom) constant schemes to break them up. After her divorce from Victor, Ashley falls in love with Jabot's mysterious photographer Blade Bladeson (Michael Tylo), and they get married. Blade's vengeful twin brother Rick Bladeson arrives in town, holds Blade hostage and impersonates him. Eventually, Ashley and Blade's marriage ends. She then falls romantically for Kurt Costner (Leigh McCloskey), who is shot saving her from muggers. The romance is short-lived, as Kurt leaves Ashley to be with Victor's ex-wife Hope Wilson (Signy Coleman). Ashley nearly engages in an affair with Victoria's husband Cole Howard (J. Eddie Peck), an author who is writing a novel about her life, which requires them to spend time together. After Victoria's pregnancy results in a stillborn baby, Cole divorces her and marries Ashley. The marriage suffers a rough patch when Ashley travels to Madrid to help her stepbrother Rafael Delgado (Carlos Bernard), who is dealing with dangerous customers after selling them forged paintings. Cole assumes that she is having an affair with Rafael, unaware of who he is. During this, Victoria attempts to sabotage the marriage. Ultimately, upon Ashley's return to Genoa City, the couple divorce. By 2000, one of Jack's former lovers and Victor's latest ex-wife, Diane Jenkins (Alex Donnelley) steals Victor's sperm from a sperm bank, though Nikki switches the sample with Jack's sperm. Ashley then steals Victor's sperm and impregnates herself, claiming that the father is a stranger; this was to make up for the abortion she had years prior. She then marries Brad Carlton and gives birth to Abby Carlton, who is raised to believe she is the daughter of Brad. Ashley is diagnosed with breast cancer, and feeling that she may not have time left, she confesses the truth about Abby's paternity to Victor. Brad and Ashley split, though are brought together when she becomes pregnant with their child. Stress over the battle between Jabot and Newman Enterprises causes her to leave town. While she is driving back, she is involved in a car accident, killing the unborn child. Victor is blamed for the child's death. Brad and Ashley's marriage continues to diminish and they are divorced. Tom Fisher (Roscoe Born), the dangerous ex-husband of John's wife Gloria Abbott (Judith Chapman), arrives in town. To protect his family, John shoots and kills Tom. Ashley covers this up by confessing to the crime herself, though John soon confesses himself, and is jailed for seven years. Gloria contaminates Ashley's new line of beauty cream, which causes a woman to die. John suffers a heart attack following his release from prison, and passes away. Jack removes Gloria from the family, and Ashley leaves town to escape the drama. During a business trip to France, Ashley meets Rick Forrester (Kyle Lowder), and they have an affair. She later travels to Los Angeles to work with Forrester Creations as a lab chemist. Rick and Ashley decide to keep their affair a secret, and she commences a serious relationship with Ridge Forrester (Ronn Moss), whom she becomes engaged to. Ridge's attentiveness to his former love Brooke Logan (Katherine Kelly Lang) ends the engagement. Ashley then has a short-lived romance with Brooke's brother Storm (William deVry). Forrester Creations decide to discontinue their fragrance line, diminishing Ashley's role in the company. She leaves Los Angeles and moves to Europe with Abby. Ashley locates a missing Victor in France, where they reunite. Upon their return to Genoa City as a couple, they are married and Ashley becomes pregnant. Victor's manipulative son Adam Newman (Michael Muhney) gas lights Ashley, making her believe that she is seeing the ghost of Victor's late wife, Sabrina Newman. Adam causes Ashley to fall down a staircase and lose her baby, though he convinces her that this was a dream, and she suffers from an hysterical pregnancy. Ashley checks herself into a psychiatric hospital where Sharon Newman (Sharon Case), also pregnant, is staying. After Ashley begins experiencing hysterical labor, Adam kidnaps Sharon's newborn baby Faith Newman and gives her to Ashley, with Sharon believing her baby was stillborn. In the ensuing months, Sharon marries Adam and develops a close friendship with Ashley. Six months after Faith is born, the doctor that delivered her (who was being blackmailed by Adam) confesses the truth in a letter. Ashley is forced to hand Faith over to Sharon and the child's father, Victor's son Nicholas Newman (Joshua Morrow). Ashley moves on with her life, and becomes engaged to wealthy tycoon Tucker McCall (Stephen Nichols). Prior to their engagement, he slept with Diane Jenkins (Maura West). They briefly split up because of Tucker's secret business plans with Jack, but reunite shortly thereafter. Abby accidentally runs over Tucker with her car, and Ashley protects her by taking the blame. She is accused of attempted murder and driving under the influence. All charges are ultimately dropped, and she marries Tucker. Their marriage quickly lands in divorce because of Tucker's business scheming and his affair with a previous lover, Harmony Hamilton. Ashley is later forced out as CEO of Jabot by Jack, and Ashley decides to move to New York City with Traci. She returns briefly a few months later for the wedding of Victor and Nikki. Months later, Ashley returns for the funeral of her niece Delia Abbott and comforts her brother Billy on his loss. She returns later to spend Thanksgiving with her family. While there, she sprained her ankle and met Dr. Stitch Rayburn (Sean Carrigan). Abby pushed for a romance, but Ashley reminded her that Stitch was married and had a young son. In town for Abby and Tyler's engagement party, Ashley left early to drop by the hospital and "run into" Dr. Rayburn. But she found Victoria waiting for him to take her on a date. Ashley reminded her that she'd only been separated a week. When Ben arrived, Victoria was jealously catty, informing Ben that Ashley was her former stepmother. In September 2014, Ashley did not show up in Genoa City after calling a meeting among the major Jabot stockholders, Jack, Billy, Traci, and Abby. Jack phoned her, and she explained that she was working on a special project, but had decided it was not yet ready to present to them. The following month, Ashley returned and confirmed that her idea was for a revolutionary new fragrance, and she made a deal with Jack to become Co-CEO of Jabot again if it panned out. Abby had been treating Ben Rayburn nasty and spiteful ever since she found out that he had killed his father as a teen and taken someone else's identity to get his degree in medicine, and broken Victoria's heart. So Abby was shocked when Ashley hired Ben as a chemist for Jabot, despite Abby's objections. Ashley returned to New York City to wrap things up, tasking a reluctant Abby with bringing Ben up to speed on the cosmetics industry. Before she left, she consoled Billy that maybe she could help keep Ben away from Victoria for him. On Ashley's return, she asked Ben to smell the new fragrance, he found it repulsive, but he kissed her. Ashley revealed that the fragrance contained pheromones, was a love potion, and the kiss had proven it. What she needed was his help to make the scent bearable. Later after Ben was arrested for fraud by a former patient, Ashley bailed him out. She confided in Ben, that she too had taken a murder rap for someone she loved. Ashley asked him to accompany her to Madison on business. Ben showed up in Ashley's office drunk after seeing Billy and Victoria snuggling with their baby. Ashley threw him in the shower to sober him up, and he pulled her in too. They had sex, and Stitch spent the night. The next day, they agreed to tell no one after Ben found out that he still had a chance with Victoria. Victor invited Ashley to lunch and tried to get her to take a deal to leave Jabot and work for him at Newman-Chancellor. But Ashley declined and left early, arriving back at the lab in time to see her lab assistant Tobias taking photos of their secret work. She guessed that he was working for Victor, and decided to let him continue to feed him bogus information. Ashley runs into Joe Clark at the athletic club. After referring to them having a good thing going back in New York City, they made plans to spend New Year's Eve together. In May 2017, Ashley's mother Dina came for a "permanent" visit. In October 2017, Dina exposed that John Abbott wasn't Ashley's father. Ashley leaves Genoa City in October 2018, following a series of events that leave her feeling alienated from both the Abbott family and Jabot, following the discovery that John and Dina left legal documents leaving all of Ashley's product patents to her; she confesses she's leaving for Paris to launch her own company with said-patents. Reception Jamey Giddens of Zap2it described Davidson as "one of Genoa City's most beloved heroines". Upon learning of Davidson's return to the role in 1999, Candace Havens of the McCook Daily Gazette declared that it was her who made Ashley "one of the most popular characters on soaps". In October 1999, when all of the Abbott siblings and their father John were together again, the Orlando Sentinel wrote: "In the meantime, having the entire Abbott clan together [...] is like a joyous family reunion for longtime viewers". John Goudas of The Gadsden Times was favorable of Epperson's performance two years into her duration, stating that she "is holding her own", though he noted her to be "Eileen's double". He stated that the front-burner status of Ashley and Brad's romantic storyline demonstrated that producer William J. Bell "has full confidence in [Epperson]". The character has had a rivalry with Nikki Newman (Melody Thomas Scott) for many years; a poll run in 2008 by website Daytime Confidential asking, "Who would win a cat fight, Nikki Newman or Ashley Abbott?", saw 63% of voters say Nikki would win, with 37% saying Ashley would win. Giddens was favorable of Ashley running Jabot Cosmetics in 2008, writing: "Okay this has to stop. My heart simply can't take it. It's like the effects of yo-yo dieting. Everytime I sincerely think I am done with this genre, something like The Young and the Restless heiress Ashley Abbott (Eileen Davidson) announcing that she, not Lil' Billy (Billy Miller), not Cruella de Bardwell (Judith Chapman) or Gary Ewing (Ted Shackelford) and no, not even Smilin' Jack (Peter Bergman) will be running Jabot Cosmetics, happens." In 2009, Jillian Bowe (also of Zap2it) wondered if Ashley was "insane in the membrane" due to her hearing a crying child around the Newman ranch, writing: "Is "The Beauty" starting to crack up? Certainly looks that when some freaky things take place on The Young and the Restless." In 2010, Tommy Garrett of Canyon News praised a scene in which Ashley discovers a sex tape made by her spoiled daughter, Abby, that was posted online. Garrett wrote: "Davidson's performance is spot on as the mother Ashley who is fed up. The tears of despair and exhaustion came streaming down Davidson's beautiful face in character, while her spit-fire daughter didn't give a damn." Giddens later wrote that he thought it was "ridiculous" and "outlandish" to make Ashley pregnant with Victor's child in 2009. Also in 2010, Neeketa Borden of Zap2it created a list of "curiously quirky couplings", with Ashley and Tucker listed as an "honorable mention". In a separate review, Garrett credited Davidson as one of the "powerful performers who daytime TV could not exist without having". When the truth was going to come out that Faith Newman wasn't Ashley's child, Giddens wrote: "Lord, I hope this doesn't make my Ashley Abbott go cuckoo for Cocoa Puffs again!" Mike Jubinville of Zap2it wrote that the character's relationship with Neil Winters (Kristoff St. John) had been a "slow burn, one going on for weeks, but one that is hard to miss. It has the ingredients of a hot romance." Upon Davidson's firing in 2012, Giddens wrote: "I am sincerely hoping the brass at Y&R can't possibly be this stupid, but if they are, Gary Tomlin better blow up Davidson's phone STAT about a Days of Our Lives return!" References External links Ashley Abbott character profile on SoapCentral The Young and the Restless characters The Bold and the Beautiful characters Television characters introduced in 1982 Fictional business executives Fictional female businesspeople Fictional socialites Fictional characters with cancer Fictional characters with neurological or psychological disorders Female characters in television

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did she stay in that role til the present?

did Eileen Davidson stay in the role of Ashley Abbott from her return til the present?

Ashley Abbott

Eileen Davidson originated the role of Ashley Abbott in June 1982, until her first exit on December 2, 1988. The role was immediately recast with Brenda Epperson, who portrayed Ashley for seven years from December 5, 1988 before leaving the role on December 21, 1995. Shari Shattuck then assumed the role from March 12, 1996 to February 22, 1999, with Davidson returning on March 19, 1999. Davidson took maternity leave in the summer of 2003. In 2006, news broke that Davidson was to exit the soap opera, and she last aired on January 11, 2007. She then carried the role of Ashley over to the show's sister soap, The Bold and the Beautiful. She last aired on The Bold and the Beautiful on July 4, 2008, before returning to The Young and the Restless on September 25, 2008. In May 2012, Davidson informed followers on her Twitter page that she had been let go from The Young and the Restless. Davidson further confirmed she did not know why she was let go, but was seeing the positive light from it. It was then announced by Nelson Branco that Sony Pictures Entertainment wanted Davidson on both The Young and the Restless and Days of Our Lives, but that Y&R would not share the actress, leading to Sony terminating her contract with the soap. Thus it was announced that Davidson would reprise her role as Kristen Blake on the NBC soap. Davidson made her onscreen exit on August 3, 2012. Speaking about her upcoming return to Days and departure from the show with TV Guide, Davidson stated: "What happened to me at Y&R was shocking -- I've been in this business a very long time and have never seen anything like it -- but it's not like I haven't been fired before." She also went on to say that "I was led to believe that I was fired, though it was a bad news-good news thing -- the bad news is Y&R is firing you, the good news is Days wants you." In February 2013, it was announced that Davidson would return to The Young and the Restless for "very special episodes" that would commemorate the show's 40th anniversary. In spite of this, the actress remained a part of Days of our Lives full-time. In August 2013, following the announcement of Davidson's departure from Days of our Lives, it was announced that she would again reprise the role for three episodes airing in October, later returning for additional guest appearances. In June 2014, it was announced that Davidson had signed a two-year contract with The Young and the Restless to appear as a regular cast member again, and would return to the series in September. Davidson also revealed her contract would allow for her to continue making appearances on Days of Our Lives. CANNOTANSWER

Davidson made her onscreen exit on August 3, 2012.

Ashley Abbott is a fictional character from The Young and the Restless and The Bold and the Beautiful, two American soap operas on the CBS network. She has been most notably portrayed by Eileen Davidson, who originated the role on June 11, 1982, before departing in 1988. Brenda Epperson portrayed Ashley from 1988 to 1995, before Shari Shattuck portrayed the role for the next three years, until Davidson's return on March 19, 1999. Davidson was nominated in 2003 for Daytime Emmy Award for Outstanding Lead Actress in a Drama Series, and she later won that award in 2018. The character is the daughter of Dina Mergeron and Brent Davis, although she believed John Abbott was her biological father until she reached adulthood. She has had relationships with various men throughout the years, most notably Steven Lassiter, Victor Newman, Blade Bladeson, Cole Howard and Brad Carlton. She has a daughter with Victor, Abby Newman. She is also known for her business contributions to her father's company, Jabot Cosmetics, much like her brother Jack. In 2006, it was announced that Davidson was to leave The Young and the Restless. She last appeared on January 11, 2007. Shortly after, the character crossed over to its sister soap, The Bold and the Beautiful. There, she became intertwined with the Forresters and Forrester Creations; she also had a romance with Ridge Forrester. She left The Bold and the Beautiful in 2008 and returned to The Young and the Restless, where she has since had relationships with Victor once again and Tucker McCall. In May 2012, it was announced that Davidson was let go from The Young and the Restless, leading to her exit on August 3, 2012. Davidson initially hadn't known why, but it was reported later that Sony Pictures Television terminated her contract with the show for her to return to Days of Our Lives as Kristen DiMera, a character she had portrayed there over 14 years prior. Davidson made a brief return to The Young and the Restless in March 2013 for the soap's 40th anniversary. After subsequent guest appearances, Davidson returned to The Young and the Restless on September 3, 2014, as a series regular. In 2018, Davidson again exited the role; she returned in March 2019, following the installment of head writer Josh Griffith. Casting Eileen Davidson originated the role of Ashley Abbott on June 11, 1982, until her first exit on December 2, 1988. The role was immediately recast with Brenda Epperson, who portrayed Ashley for seven years from December 5, 1988, before leaving the role on December 21, 1995. Shari Shattuck then assumed the role from March 21, 1996, to February 22, 1999, with Davidson returning on March 19, 1999. Davidson took maternity leave in the summer of 2003. In 2006, news broke that Davidson was to exit the soap opera, and she last aired on January 11, 2007. She then carried the role of Ashley over to the show's sister soap, The Bold and the Beautiful. On September 25, 2008, Davidson returned to The Young and the Restless, and subsequently made one final appearance on The Bold and the Beautiful on November 25 of the same year when Ashley resigned from her position at Forrester Creations. In May 2012, Davidson informed followers on her Twitter page that she had been let go from The Young and the Restless. Davidson further confirmed she did not know why she was let go, but was seeing the positive light from it. It was then announced by Nelson Branco that Sony Pictures Entertainment wanted Davidson on both The Young and the Restless and Days of Our Lives, but that Y&R would not share the actress, leading to Sony terminating her contract with the soap. Thus it was announced that Davidson would reprise her role as Kristen Blake on the NBC soap. Davidson made her onscreen exit on August 3, 2012. Speaking about her upcoming return to Days and departure from the show with TV Guide, Davidson stated: "What happened to me at Y&R was shocking — I've been in this business a very long time and have never seen anything like it — but it's not like I haven't been fired before." She also went on to say that "I was led to believe that I was fired, though it was a bad news-good news thing — the bad news is Y&R is firing you, the good news is Days wants you." In February 2013, it was announced that Davidson would return to The Young and the Restless for "very special episodes" that would commemorate the show's 40th anniversary. In spite of this, the actress remained a part of Days of our Lives full-time. In August 2013, following the announcement of Davidson's departure from Days of our Lives, it was announced that she would again reprise the role for three episodes airing in October, later returning for a guest appearance on November 27 and December 2, 2013. In June 2014, it was announced that Davidson had signed a two-year contract with The Young and the Restless to appear as a regular cast member again, and would return to the series in September. Davidson also revealed her contract would allow for her to continue making appearances on Days of Our Lives. In 2018, Julia D'Arcy Badinger portrayed a younger Ashley in flashbacks. That June, Daytime Confidential broke news that Davidson had quit the role. Davidson last appeared in the role on October 29, 2018. On February 25, 2019, Davidson announced she would return to the role for several appearances; first airing on March 29, 2019. Since then, she has remained on the show on a recurring status. Character development Davidson describes Ashley as a "dynamic character". She has been characterized as "sassy" yet an "honorable heroine". The Record describes Ashley as "headstrong". She is recognized for her unluckiness and long-term suffering. Davidson stated, "She is a heroine. So often she was being victimized by people and trying to always rise above that, and being driven insane and losing babies, etc." In 1990, The Washington Times described Ashley as a "smart woman", known for her "level head" and "business success". Ashley is dedicated to her work and has a strong sense of family. She is a beloved member of the Genoa City community. Her passion for the family business, Jabot Cosmetics, cost Ashley her marriage to Cole Howard (J. Eddie Peck). Ashley has been involved in a number of different romantic relationships over her duration on the series. Her relationship with Brad Carlton (Don Diamont) came as a shock, due to Brad being beneath her socially. Epperson, who played Ashley at the time, was uncertain of Ashley and Brad's decision to get married. Davidson opined that a storyline in which Victor's son Adam Newman (Michael Muhney) gaslighted a pregnant Ashley in 2009 was payback for Ashley stealing Victor's sperm years ago to conceive Abby. She stated: "I think the character really suffered after she stole Victor's sperm from Diane [...] After that, the viewers lost a lot of respect for Ashley. People wanted Ashley to pay for it. My opinion? Although last summer's gaslighting storyline was used to propel a lot of other stories, it was also about making Ashley pay. Now we can close that entire chapter because Ashley paid. It was Ashley's redemption". Around this story arc, Tommy Garrett of Canyon News described Ashley as a "damsel in distress", stating that she had a "twisted mind" due to suffering a hysterical pregnancy after losing her unborn child at the hands of Adam. Following the death of John, Jack works desperately to remove his wife Gloria Abbott (Judith Chapman) from the family, even illegally making changes to John's will. Explaining Ashley's ambivalence towards the situation, Davidson stated: "Just because you don't like somebody doesn't mean you should do something illegal [...] The point is, their father loved her. And even if they don't like her, they have to honor what he wanted. Ashley never wanted to do anything that went against her father's wishes." The actress stated that Ashley "just wants" Jack to "do the right thing". Storylines Ashley is born on April 29, 1960, to John Abbott, Sr. (Brett Halsey, later Jerry Douglas) and Dina Abbott Mergeron (Marla Adams). Twenty-two years later, after completing college, Ashley returns to Genoa City and applies for a job as a lab chemist at Jabot Cosmetics, the family company, using the name Susan Ashley so she will be hired for her skills, not her family connections. She takes over as president of the company after her brother Jack Abbott (Terry Lester, later Peter Bergman) is shot on his one-year anniversary by his wife, Patty Williams. Ashley commences an unlucky streak of relationships; starting with French artist Eric Garrison, who slept with her mother, and Marc Mergeron, who is revealed to be her former stepbrother. Capitalizing on her unluckiness, it is revealed that Ashley's biological father is Brent Davis, not John Abbott, who remains unaware of Ashley's true paternity. Trauma leads Ashley to become missing with amnesia, where she is found by business tycoon Victor Newman (Eric Braeden), who takes her back to Genoa City. Ashley has an affair with Victor, who is married to Nikki Newman (Melody Thomas Scott). To spite Ashley, Nikki engages in an affair with Jack and tries to have Victor's brother, Matt Miller, unsuccessfully seduce Ashley. Ultimately, Victor chooses to be with Ashley, angering Nikki. When Ashley falls pregnant with Victor's child, Nikki is diagnosed with cancer, causing Victor to leave Ashley, who secretly has an abortion. Ashley suffers a mental breakdown, before marrying her psychiatrist Steven Lassiter (Rod Arrants). Steven's former patient Leanna Randolph (Barbara Crampton) stalks the couple and attempts to destroy Ashley. She writes a biography about Victor that exposes information about his dysfunctional relationship with Ashley. Steven is later shot and killed by an unstable patient. Following a short affair with Brad Carlton (Don Diamont), Ashley marries Victor. The marriage suffers because of Nikki's ongoing problems as well as Victor's daughter Victoria Newman's (Heather Tom) constant schemes to break them up. After her divorce from Victor, Ashley falls in love with Jabot's mysterious photographer Blade Bladeson (Michael Tylo), and they get married. Blade's vengeful twin brother Rick Bladeson arrives in town, holds Blade hostage and impersonates him. Eventually, Ashley and Blade's marriage ends. She then falls romantically for Kurt Costner (Leigh McCloskey), who is shot saving her from muggers. The romance is short-lived, as Kurt leaves Ashley to be with Victor's ex-wife Hope Wilson (Signy Coleman). Ashley nearly engages in an affair with Victoria's husband Cole Howard (J. Eddie Peck), an author who is writing a novel about her life, which requires them to spend time together. After Victoria's pregnancy results in a stillborn baby, Cole divorces her and marries Ashley. The marriage suffers a rough patch when Ashley travels to Madrid to help her stepbrother Rafael Delgado (Carlos Bernard), who is dealing with dangerous customers after selling them forged paintings. Cole assumes that she is having an affair with Rafael, unaware of who he is. During this, Victoria attempts to sabotage the marriage. Ultimately, upon Ashley's return to Genoa City, the couple divorce. By 2000, one of Jack's former lovers and Victor's latest ex-wife, Diane Jenkins (Alex Donnelley) steals Victor's sperm from a sperm bank, though Nikki switches the sample with Jack's sperm. Ashley then steals Victor's sperm and impregnates herself, claiming that the father is a stranger; this was to make up for the abortion she had years prior. She then marries Brad Carlton and gives birth to Abby Carlton, who is raised to believe she is the daughter of Brad. Ashley is diagnosed with breast cancer, and feeling that she may not have time left, she confesses the truth about Abby's paternity to Victor. Brad and Ashley split, though are brought together when she becomes pregnant with their child. Stress over the battle between Jabot and Newman Enterprises causes her to leave town. While she is driving back, she is involved in a car accident, killing the unborn child. Victor is blamed for the child's death. Brad and Ashley's marriage continues to diminish and they are divorced. Tom Fisher (Roscoe Born), the dangerous ex-husband of John's wife Gloria Abbott (Judith Chapman), arrives in town. To protect his family, John shoots and kills Tom. Ashley covers this up by confessing to the crime herself, though John soon confesses himself, and is jailed for seven years. Gloria contaminates Ashley's new line of beauty cream, which causes a woman to die. John suffers a heart attack following his release from prison, and passes away. Jack removes Gloria from the family, and Ashley leaves town to escape the drama. During a business trip to France, Ashley meets Rick Forrester (Kyle Lowder), and they have an affair. She later travels to Los Angeles to work with Forrester Creations as a lab chemist. Rick and Ashley decide to keep their affair a secret, and she commences a serious relationship with Ridge Forrester (Ronn Moss), whom she becomes engaged to. Ridge's attentiveness to his former love Brooke Logan (Katherine Kelly Lang) ends the engagement. Ashley then has a short-lived romance with Brooke's brother Storm (William deVry). Forrester Creations decide to discontinue their fragrance line, diminishing Ashley's role in the company. She leaves Los Angeles and moves to Europe with Abby. Ashley locates a missing Victor in France, where they reunite. Upon their return to Genoa City as a couple, they are married and Ashley becomes pregnant. Victor's manipulative son Adam Newman (Michael Muhney) gas lights Ashley, making her believe that she is seeing the ghost of Victor's late wife, Sabrina Newman. Adam causes Ashley to fall down a staircase and lose her baby, though he convinces her that this was a dream, and she suffers from an hysterical pregnancy. Ashley checks herself into a psychiatric hospital where Sharon Newman (Sharon Case), also pregnant, is staying. After Ashley begins experiencing hysterical labor, Adam kidnaps Sharon's newborn baby Faith Newman and gives her to Ashley, with Sharon believing her baby was stillborn. In the ensuing months, Sharon marries Adam and develops a close friendship with Ashley. Six months after Faith is born, the doctor that delivered her (who was being blackmailed by Adam) confesses the truth in a letter. Ashley is forced to hand Faith over to Sharon and the child's father, Victor's son Nicholas Newman (Joshua Morrow). Ashley moves on with her life, and becomes engaged to wealthy tycoon Tucker McCall (Stephen Nichols). Prior to their engagement, he slept with Diane Jenkins (Maura West). They briefly split up because of Tucker's secret business plans with Jack, but reunite shortly thereafter. Abby accidentally runs over Tucker with her car, and Ashley protects her by taking the blame. She is accused of attempted murder and driving under the influence. All charges are ultimately dropped, and she marries Tucker. Their marriage quickly lands in divorce because of Tucker's business scheming and his affair with a previous lover, Harmony Hamilton. Ashley is later forced out as CEO of Jabot by Jack, and Ashley decides to move to New York City with Traci. She returns briefly a few months later for the wedding of Victor and Nikki. Months later, Ashley returns for the funeral of her niece Delia Abbott and comforts her brother Billy on his loss. She returns later to spend Thanksgiving with her family. While there, she sprained her ankle and met Dr. Stitch Rayburn (Sean Carrigan). Abby pushed for a romance, but Ashley reminded her that Stitch was married and had a young son. In town for Abby and Tyler's engagement party, Ashley left early to drop by the hospital and "run into" Dr. Rayburn. But she found Victoria waiting for him to take her on a date. Ashley reminded her that she'd only been separated a week. When Ben arrived, Victoria was jealously catty, informing Ben that Ashley was her former stepmother. In September 2014, Ashley did not show up in Genoa City after calling a meeting among the major Jabot stockholders, Jack, Billy, Traci, and Abby. Jack phoned her, and she explained that she was working on a special project, but had decided it was not yet ready to present to them. The following month, Ashley returned and confirmed that her idea was for a revolutionary new fragrance, and she made a deal with Jack to become Co-CEO of Jabot again if it panned out. Abby had been treating Ben Rayburn nasty and spiteful ever since she found out that he had killed his father as a teen and taken someone else's identity to get his degree in medicine, and broken Victoria's heart. So Abby was shocked when Ashley hired Ben as a chemist for Jabot, despite Abby's objections. Ashley returned to New York City to wrap things up, tasking a reluctant Abby with bringing Ben up to speed on the cosmetics industry. Before she left, she consoled Billy that maybe she could help keep Ben away from Victoria for him. On Ashley's return, she asked Ben to smell the new fragrance, he found it repulsive, but he kissed her. Ashley revealed that the fragrance contained pheromones, was a love potion, and the kiss had proven it. What she needed was his help to make the scent bearable. Later after Ben was arrested for fraud by a former patient, Ashley bailed him out. She confided in Ben, that she too had taken a murder rap for someone she loved. Ashley asked him to accompany her to Madison on business. Ben showed up in Ashley's office drunk after seeing Billy and Victoria snuggling with their baby. Ashley threw him in the shower to sober him up, and he pulled her in too. They had sex, and Stitch spent the night. The next day, they agreed to tell no one after Ben found out that he still had a chance with Victoria. Victor invited Ashley to lunch and tried to get her to take a deal to leave Jabot and work for him at Newman-Chancellor. But Ashley declined and left early, arriving back at the lab in time to see her lab assistant Tobias taking photos of their secret work. She guessed that he was working for Victor, and decided to let him continue to feed him bogus information. Ashley runs into Joe Clark at the athletic club. After referring to them having a good thing going back in New York City, they made plans to spend New Year's Eve together. In May 2017, Ashley's mother Dina came for a "permanent" visit. In October 2017, Dina exposed that John Abbott wasn't Ashley's father. Ashley leaves Genoa City in October 2018, following a series of events that leave her feeling alienated from both the Abbott family and Jabot, following the discovery that John and Dina left legal documents leaving all of Ashley's product patents to her; she confesses she's leaving for Paris to launch her own company with said-patents. Reception Jamey Giddens of Zap2it described Davidson as "one of Genoa City's most beloved heroines". Upon learning of Davidson's return to the role in 1999, Candace Havens of the McCook Daily Gazette declared that it was her who made Ashley "one of the most popular characters on soaps". In October 1999, when all of the Abbott siblings and their father John were together again, the Orlando Sentinel wrote: "In the meantime, having the entire Abbott clan together [...] is like a joyous family reunion for longtime viewers". John Goudas of The Gadsden Times was favorable of Epperson's performance two years into her duration, stating that she "is holding her own", though he noted her to be "Eileen's double". He stated that the front-burner status of Ashley and Brad's romantic storyline demonstrated that producer William J. Bell "has full confidence in [Epperson]". The character has had a rivalry with Nikki Newman (Melody Thomas Scott) for many years; a poll run in 2008 by website Daytime Confidential asking, "Who would win a cat fight, Nikki Newman or Ashley Abbott?", saw 63% of voters say Nikki would win, with 37% saying Ashley would win. Giddens was favorable of Ashley running Jabot Cosmetics in 2008, writing: "Okay this has to stop. My heart simply can't take it. It's like the effects of yo-yo dieting. Everytime I sincerely think I am done with this genre, something like The Young and the Restless heiress Ashley Abbott (Eileen Davidson) announcing that she, not Lil' Billy (Billy Miller), not Cruella de Bardwell (Judith Chapman) or Gary Ewing (Ted Shackelford) and no, not even Smilin' Jack (Peter Bergman) will be running Jabot Cosmetics, happens." In 2009, Jillian Bowe (also of Zap2it) wondered if Ashley was "insane in the membrane" due to her hearing a crying child around the Newman ranch, writing: "Is "The Beauty" starting to crack up? Certainly looks that when some freaky things take place on The Young and the Restless." In 2010, Tommy Garrett of Canyon News praised a scene in which Ashley discovers a sex tape made by her spoiled daughter, Abby, that was posted online. Garrett wrote: "Davidson's performance is spot on as the mother Ashley who is fed up. The tears of despair and exhaustion came streaming down Davidson's beautiful face in character, while her spit-fire daughter didn't give a damn." Giddens later wrote that he thought it was "ridiculous" and "outlandish" to make Ashley pregnant with Victor's child in 2009. Also in 2010, Neeketa Borden of Zap2it created a list of "curiously quirky couplings", with Ashley and Tucker listed as an "honorable mention". In a separate review, Garrett credited Davidson as one of the "powerful performers who daytime TV could not exist without having". When the truth was going to come out that Faith Newman wasn't Ashley's child, Giddens wrote: "Lord, I hope this doesn't make my Ashley Abbott go cuckoo for Cocoa Puffs again!" Mike Jubinville of Zap2it wrote that the character's relationship with Neil Winters (Kristoff St. John) had been a "slow burn, one going on for weeks, but one that is hard to miss. It has the ingredients of a hot romance." Upon Davidson's firing in 2012, Giddens wrote: "I am sincerely hoping the brass at Y&R can't possibly be this stupid, but if they are, Gary Tomlin better blow up Davidson's phone STAT about a Days of Our Lives return!" References External links Ashley Abbott character profile on SoapCentral The Young and the Restless characters The Bold and the Beautiful characters Television characters introduced in 1982 Fictional business executives Fictional female businesspeople Fictional socialites Fictional characters with cancer Fictional characters with neurological or psychological disorders Female characters in television

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What was special about the grateful dead?

What was special about the grateful dead?

Ron \Pigpen\" McKernan"

Along with Garcia and second guitarist Bob Weir, McKernan was a participant in the predecessor groups leading to the formation of the Grateful Dead, beginning with the Zodiacs and Mother McCree's Uptown Jug Champions. Drummer Bill Kreutzmann was added and the band evolved into the Warlocks. Around 1965, McKernan urged the rest of the Warlocks to switch to electric instruments. Bassist Phil Lesh joined soon after, and they became the Grateful Dead. The group were keen to involve McKernan in the band, as he was the group's original leader and was considered the best singer and frontman. The Dead's early sets centered around blues and R&B covers chosen by McKernan. By the end of 1966, Garcia had improved his musical skills and wanted to assert himself more as a leader and musical director, changing the band's direction and reducing McKernan's contributions. In 1967, drummer Mickey Hart joined the Grateful Dead, followed by classically trained keyboardist Tom Constanten in 1968, further changing the group's style. Constanten often replaced McKernan on keyboards in the studio, as McKernan found it difficult to adapt to the new material that Garcia and Lesh composed for the band. In October 1968, McKernan and Weir were nearly fired from the band after Garcia and Lesh believed their playing was holding the band back from lengthy and experimental jamming. Garcia delegated the task of firing them to Rock Scully, who said that McKernan "took it hard." Weir promised to improve, but McKernan was more stubborn. According to Garcia biographer Blair Jackson, McKernan missed three Dead shows before vowing not to "be lazy" any more and rejoining, while Kreutzmann objected to replacing McKernan and said the event never happened. Following his discharge from the United States Air Force in November 1968, Constanten officially joined the band, having only worked in the studio while on leave up to that point. Road manager Jon McIntire commented that "Pigpen was relegated to the congas at that point and it was really humiliating and he was really hurt, but he couldn't show it, couldn't talk about it." He began to take Hammond organ lessons and learned how to use the various drawbars and controls. After Constanten's departure in January 1970 over musical and lifestyle differences, McKernan nominally resumed keyboard duties. He contributed instrumentation to only two tracks (Hammond organ on "Black Peter" and harmonica on "Easy Wind", the latter as lead vocalist) on Workingman's Dead (1970), the band's breakthrough studio release. On the follow-up album American Beauty, keyboard parts were handled by Garcia and Lesh, along with session musicians Howard Wales and Ned Lagin. The 1971 live album Grateful Dead featured three overdubbed organ parts from Merl Saunders in addition to McKernan's contributions on "Big Railroad Blues", "The Other One", and "Me & Bobby McGee". While Garcia expressed frustration at McKernan's missed rehearsals and his inability to keep up with new material, Lesh was more forgiving, opining that "it was okay for Pigpen to lay out... we kept wanting Pigpen to be there because he was 'one of us.'" CANNOTANSWER

The Dead's early sets centered around blues and R&B covers chosen by McKernan. By the end of 1966,

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what happened in 1966?

what happened in 1966 to the Grateful Dead?

Ron \Pigpen\" McKernan"

Along with Garcia and second guitarist Bob Weir, McKernan was a participant in the predecessor groups leading to the formation of the Grateful Dead, beginning with the Zodiacs and Mother McCree's Uptown Jug Champions. Drummer Bill Kreutzmann was added and the band evolved into the Warlocks. Around 1965, McKernan urged the rest of the Warlocks to switch to electric instruments. Bassist Phil Lesh joined soon after, and they became the Grateful Dead. The group were keen to involve McKernan in the band, as he was the group's original leader and was considered the best singer and frontman. The Dead's early sets centered around blues and R&B covers chosen by McKernan. By the end of 1966, Garcia had improved his musical skills and wanted to assert himself more as a leader and musical director, changing the band's direction and reducing McKernan's contributions. In 1967, drummer Mickey Hart joined the Grateful Dead, followed by classically trained keyboardist Tom Constanten in 1968, further changing the group's style. Constanten often replaced McKernan on keyboards in the studio, as McKernan found it difficult to adapt to the new material that Garcia and Lesh composed for the band. In October 1968, McKernan and Weir were nearly fired from the band after Garcia and Lesh believed their playing was holding the band back from lengthy and experimental jamming. Garcia delegated the task of firing them to Rock Scully, who said that McKernan "took it hard." Weir promised to improve, but McKernan was more stubborn. According to Garcia biographer Blair Jackson, McKernan missed three Dead shows before vowing not to "be lazy" any more and rejoining, while Kreutzmann objected to replacing McKernan and said the event never happened. Following his discharge from the United States Air Force in November 1968, Constanten officially joined the band, having only worked in the studio while on leave up to that point. Road manager Jon McIntire commented that "Pigpen was relegated to the congas at that point and it was really humiliating and he was really hurt, but he couldn't show it, couldn't talk about it." He began to take Hammond organ lessons and learned how to use the various drawbars and controls. After Constanten's departure in January 1970 over musical and lifestyle differences, McKernan nominally resumed keyboard duties. He contributed instrumentation to only two tracks (Hammond organ on "Black Peter" and harmonica on "Easy Wind", the latter as lead vocalist) on Workingman's Dead (1970), the band's breakthrough studio release. On the follow-up album American Beauty, keyboard parts were handled by Garcia and Lesh, along with session musicians Howard Wales and Ned Lagin. The 1971 live album Grateful Dead featured three overdubbed organ parts from Merl Saunders in addition to McKernan's contributions on "Big Railroad Blues", "The Other One", and "Me & Bobby McGee". While Garcia expressed frustration at McKernan's missed rehearsals and his inability to keep up with new material, Lesh was more forgiving, opining that "it was okay for Pigpen to lay out... we kept wanting Pigpen to be there because he was 'one of us.'" CANNOTANSWER

the end of 1966, Garcia had improved his musical skills and wanted to assert himself more as a leader and musical director,

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leader of what?

Garcia wanted to be a leader of what?

Ron \Pigpen\" McKernan"

Along with Garcia and second guitarist Bob Weir, McKernan was a participant in the predecessor groups leading to the formation of the Grateful Dead, beginning with the Zodiacs and Mother McCree's Uptown Jug Champions. Drummer Bill Kreutzmann was added and the band evolved into the Warlocks. Around 1965, McKernan urged the rest of the Warlocks to switch to electric instruments. Bassist Phil Lesh joined soon after, and they became the Grateful Dead. The group were keen to involve McKernan in the band, as he was the group's original leader and was considered the best singer and frontman. The Dead's early sets centered around blues and R&B covers chosen by McKernan. By the end of 1966, Garcia had improved his musical skills and wanted to assert himself more as a leader and musical director, changing the band's direction and reducing McKernan's contributions. In 1967, drummer Mickey Hart joined the Grateful Dead, followed by classically trained keyboardist Tom Constanten in 1968, further changing the group's style. Constanten often replaced McKernan on keyboards in the studio, as McKernan found it difficult to adapt to the new material that Garcia and Lesh composed for the band. In October 1968, McKernan and Weir were nearly fired from the band after Garcia and Lesh believed their playing was holding the band back from lengthy and experimental jamming. Garcia delegated the task of firing them to Rock Scully, who said that McKernan "took it hard." Weir promised to improve, but McKernan was more stubborn. According to Garcia biographer Blair Jackson, McKernan missed three Dead shows before vowing not to "be lazy" any more and rejoining, while Kreutzmann objected to replacing McKernan and said the event never happened. Following his discharge from the United States Air Force in November 1968, Constanten officially joined the band, having only worked in the studio while on leave up to that point. Road manager Jon McIntire commented that "Pigpen was relegated to the congas at that point and it was really humiliating and he was really hurt, but he couldn't show it, couldn't talk about it." He began to take Hammond organ lessons and learned how to use the various drawbars and controls. After Constanten's departure in January 1970 over musical and lifestyle differences, McKernan nominally resumed keyboard duties. He contributed instrumentation to only two tracks (Hammond organ on "Black Peter" and harmonica on "Easy Wind", the latter as lead vocalist) on Workingman's Dead (1970), the band's breakthrough studio release. On the follow-up album American Beauty, keyboard parts were handled by Garcia and Lesh, along with session musicians Howard Wales and Ned Lagin. The 1971 live album Grateful Dead featured three overdubbed organ parts from Merl Saunders in addition to McKernan's contributions on "Big Railroad Blues", "The Other One", and "Me & Bobby McGee". While Garcia expressed frustration at McKernan's missed rehearsals and his inability to keep up with new material, Lesh was more forgiving, opining that "it was okay for Pigpen to lay out... we kept wanting Pigpen to be there because he was 'one of us.'" CANNOTANSWER

and musical director, changing the band's direction and reducing McKernan's contributions.

C_d12c63824d724f908e4c7e8e66b6c146_1

how did he change the direction

how did Garcia change the direction?

Ron \Pigpen\" McKernan"

Along with Garcia and second guitarist Bob Weir, McKernan was a participant in the predecessor groups leading to the formation of the Grateful Dead, beginning with the Zodiacs and Mother McCree's Uptown Jug Champions. Drummer Bill Kreutzmann was added and the band evolved into the Warlocks. Around 1965, McKernan urged the rest of the Warlocks to switch to electric instruments. Bassist Phil Lesh joined soon after, and they became the Grateful Dead. The group were keen to involve McKernan in the band, as he was the group's original leader and was considered the best singer and frontman. The Dead's early sets centered around blues and R&B covers chosen by McKernan. By the end of 1966, Garcia had improved his musical skills and wanted to assert himself more as a leader and musical director, changing the band's direction and reducing McKernan's contributions. In 1967, drummer Mickey Hart joined the Grateful Dead, followed by classically trained keyboardist Tom Constanten in 1968, further changing the group's style. Constanten often replaced McKernan on keyboards in the studio, as McKernan found it difficult to adapt to the new material that Garcia and Lesh composed for the band. In October 1968, McKernan and Weir were nearly fired from the band after Garcia and Lesh believed their playing was holding the band back from lengthy and experimental jamming. Garcia delegated the task of firing them to Rock Scully, who said that McKernan "took it hard." Weir promised to improve, but McKernan was more stubborn. According to Garcia biographer Blair Jackson, McKernan missed three Dead shows before vowing not to "be lazy" any more and rejoining, while Kreutzmann objected to replacing McKernan and said the event never happened. Following his discharge from the United States Air Force in November 1968, Constanten officially joined the band, having only worked in the studio while on leave up to that point. Road manager Jon McIntire commented that "Pigpen was relegated to the congas at that point and it was really humiliating and he was really hurt, but he couldn't show it, couldn't talk about it." He began to take Hammond organ lessons and learned how to use the various drawbars and controls. After Constanten's departure in January 1970 over musical and lifestyle differences, McKernan nominally resumed keyboard duties. He contributed instrumentation to only two tracks (Hammond organ on "Black Peter" and harmonica on "Easy Wind", the latter as lead vocalist) on Workingman's Dead (1970), the band's breakthrough studio release. On the follow-up album American Beauty, keyboard parts were handled by Garcia and Lesh, along with session musicians Howard Wales and Ned Lagin. The 1971 live album Grateful Dead featured three overdubbed organ parts from Merl Saunders in addition to McKernan's contributions on "Big Railroad Blues", "The Other One", and "Me & Bobby McGee". While Garcia expressed frustration at McKernan's missed rehearsals and his inability to keep up with new material, Lesh was more forgiving, opining that "it was okay for Pigpen to lay out... we kept wanting Pigpen to be there because he was 'one of us.'" CANNOTANSWER

contributions. In 1967, drummer Mickey Hart joined the Grateful Dead, followed by classically trained keyboardist Tom Constanten in 1968,

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Are there any other interesting aspects about this article?

Are there any other interesting aspects about the Grateful Dead in addition to about this article?

Ron \Pigpen\" McKernan"

Along with Garcia and second guitarist Bob Weir, McKernan was a participant in the predecessor groups leading to the formation of the Grateful Dead, beginning with the Zodiacs and Mother McCree's Uptown Jug Champions. Drummer Bill Kreutzmann was added and the band evolved into the Warlocks. Around 1965, McKernan urged the rest of the Warlocks to switch to electric instruments. Bassist Phil Lesh joined soon after, and they became the Grateful Dead. The group were keen to involve McKernan in the band, as he was the group's original leader and was considered the best singer and frontman. The Dead's early sets centered around blues and R&B covers chosen by McKernan. By the end of 1966, Garcia had improved his musical skills and wanted to assert himself more as a leader and musical director, changing the band's direction and reducing McKernan's contributions. In 1967, drummer Mickey Hart joined the Grateful Dead, followed by classically trained keyboardist Tom Constanten in 1968, further changing the group's style. Constanten often replaced McKernan on keyboards in the studio, as McKernan found it difficult to adapt to the new material that Garcia and Lesh composed for the band. In October 1968, McKernan and Weir were nearly fired from the band after Garcia and Lesh believed their playing was holding the band back from lengthy and experimental jamming. Garcia delegated the task of firing them to Rock Scully, who said that McKernan "took it hard." Weir promised to improve, but McKernan was more stubborn. According to Garcia biographer Blair Jackson, McKernan missed three Dead shows before vowing not to "be lazy" any more and rejoining, while Kreutzmann objected to replacing McKernan and said the event never happened. Following his discharge from the United States Air Force in November 1968, Constanten officially joined the band, having only worked in the studio while on leave up to that point. Road manager Jon McIntire commented that "Pigpen was relegated to the congas at that point and it was really humiliating and he was really hurt, but he couldn't show it, couldn't talk about it." He began to take Hammond organ lessons and learned how to use the various drawbars and controls. After Constanten's departure in January 1970 over musical and lifestyle differences, McKernan nominally resumed keyboard duties. He contributed instrumentation to only two tracks (Hammond organ on "Black Peter" and harmonica on "Easy Wind", the latter as lead vocalist) on Workingman's Dead (1970), the band's breakthrough studio release. On the follow-up album American Beauty, keyboard parts were handled by Garcia and Lesh, along with session musicians Howard Wales and Ned Lagin. The 1971 live album Grateful Dead featured three overdubbed organ parts from Merl Saunders in addition to McKernan's contributions on "Big Railroad Blues", "The Other One", and "Me & Bobby McGee". While Garcia expressed frustration at McKernan's missed rehearsals and his inability to keep up with new material, Lesh was more forgiving, opining that "it was okay for Pigpen to lay out... we kept wanting Pigpen to be there because he was 'one of us.'" CANNOTANSWER

In October 1968, McKernan and Weir were nearly fired from the band

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why were they nearly fired?

why were McKernan and Weir nearly fired?

Ron \Pigpen\" McKernan"

Along with Garcia and second guitarist Bob Weir, McKernan was a participant in the predecessor groups leading to the formation of the Grateful Dead, beginning with the Zodiacs and Mother McCree's Uptown Jug Champions. Drummer Bill Kreutzmann was added and the band evolved into the Warlocks. Around 1965, McKernan urged the rest of the Warlocks to switch to electric instruments. Bassist Phil Lesh joined soon after, and they became the Grateful Dead. The group were keen to involve McKernan in the band, as he was the group's original leader and was considered the best singer and frontman. The Dead's early sets centered around blues and R&B covers chosen by McKernan. By the end of 1966, Garcia had improved his musical skills and wanted to assert himself more as a leader and musical director, changing the band's direction and reducing McKernan's contributions. In 1967, drummer Mickey Hart joined the Grateful Dead, followed by classically trained keyboardist Tom Constanten in 1968, further changing the group's style. Constanten often replaced McKernan on keyboards in the studio, as McKernan found it difficult to adapt to the new material that Garcia and Lesh composed for the band. In October 1968, McKernan and Weir were nearly fired from the band after Garcia and Lesh believed their playing was holding the band back from lengthy and experimental jamming. Garcia delegated the task of firing them to Rock Scully, who said that McKernan "took it hard." Weir promised to improve, but McKernan was more stubborn. According to Garcia biographer Blair Jackson, McKernan missed three Dead shows before vowing not to "be lazy" any more and rejoining, while Kreutzmann objected to replacing McKernan and said the event never happened. Following his discharge from the United States Air Force in November 1968, Constanten officially joined the band, having only worked in the studio while on leave up to that point. Road manager Jon McIntire commented that "Pigpen was relegated to the congas at that point and it was really humiliating and he was really hurt, but he couldn't show it, couldn't talk about it." He began to take Hammond organ lessons and learned how to use the various drawbars and controls. After Constanten's departure in January 1970 over musical and lifestyle differences, McKernan nominally resumed keyboard duties. He contributed instrumentation to only two tracks (Hammond organ on "Black Peter" and harmonica on "Easy Wind", the latter as lead vocalist) on Workingman's Dead (1970), the band's breakthrough studio release. On the follow-up album American Beauty, keyboard parts were handled by Garcia and Lesh, along with session musicians Howard Wales and Ned Lagin. The 1971 live album Grateful Dead featured three overdubbed organ parts from Merl Saunders in addition to McKernan's contributions on "Big Railroad Blues", "The Other One", and "Me & Bobby McGee". While Garcia expressed frustration at McKernan's missed rehearsals and his inability to keep up with new material, Lesh was more forgiving, opining that "it was okay for Pigpen to lay out... we kept wanting Pigpen to be there because he was 'one of us.'" CANNOTANSWER

Garcia and Lesh believed their playing was holding the band back from lengthy and experimental jamming.

C_b80aaf83bab441d7a0195048d6a09917_0

Are The Powerless Rise and Decas both albums?

Are The Powerless Rise and Decas both albums?

As I Lay Dying (band)

After recording through 2009, the band's fifth record The Powerless Rise was streamed on the MySpace Music website on May 7, 2010 up until May 10, 2010. The album was officially released on May 11, 2010 and received generally positive critical acclaim, with one critic saying: "Fans of metalcore in general, and As I Lay Dying in particular, will be more than satisfied with The Powerless Rise, as the band's gradual progression and consistency makes this their best album." In 2010 the band toured in support of The Powerless Rise, headlining the majority of their shows. In the first half of the year, the band embarked on a US tour with Demon Hunter, blessthefall, and War of Ages. This was followed by a mid-2010 headlining tour titled "The Cool Tour" across the US, and a headlining tour across US/Canada that also featured All That Remains, Unearth, and Carnifex. The band's final headline tour of the year was in Europe, with Heaven Shall Burn, Suicide Silence, and Sylosis. In February 2011, the band headlined a US tour with support from Winds of Plague and After the Burial. The band then toured in late April/early May with Trivium, in support of Disturbed, on the "Music as a Weapon" tour in Australia and New Zealand. Then at the end of May and beginning of June, the band headlined a few performances with Heaven Shall Burn. On November 8, 2011, As I Lay Dying released a compilation, Decas, in honor of the band's ten-year anniversary. The album featured three new, original songs; four cover versions of songs by bands such as Slayer, Judas Priest and Descendents; a re-recorded medley that uses parts of several songs taken from Beneath the Encasing of Ashes; and four remixes, consisting of one song from each of their albums since Frail Words Collapse. The album's first track "Paralyzed" was released as a lyric video on September 13, 2011, and as a free download on iTunes on November 7, the day before the album's release. The band embarked on the "A Decade of Destruction" tour, coinciding with the release of the album, from November to December 2011. CANNOTANSWER

band toured in support of The Powerless Rise,

As I Lay Dying is an American metalcore band from San Diego, California. Founded in 2000 by vocalist Tim Lambesis, the band's first full lineup (including Lambesis' Point of Recognition bandmate Jordan Mancino) was completed in 2001. The band has released seven albums, one split album, and two compilation albums. As I Lay Dying's fourth studio album An Ocean Between Us peaked at No. 8 on the Billboard 200, and No. 1 on the Top Rock chart. The band has performed at events such as Wacken Open Air, With Full Force, Soundwave Festival, Warped Tour, Bloodstock Open Air and Taste of Chaos. In 2007, As I Lay Dying won the "Ultimate Metal God" award from MTV2 at the first annual "All That Rocks" special; was named "Artist of the Year" at the San Diego Music Awards in 2005, 2007 and 2008; and was nominated for a 2008 Grammy Award for the song "Nothing Left." Their fifth studio album The Powerless Rise was written over a three-year period, and was released in May 2010 to widespread critical acclaim. Their last studio album before their hiatus, Awakened, was released on September 25, 2012. The band went on an indefinite hiatus in 2014 when Lambesis was convicted and sentenced to six years in prison for soliciting the murder of his estranged wife. The remaining members formed Wovenwar with vocalist Shane Blay. In 2018, Lambesis reunited with Hipa, Sgrosso, Mancino and Gilbert. On June 8, 2018, the band released the song "My Own Grave", their first recording in six years. They released their seventh studio album, Shaped by Fire, on September 20, 2019. History Formation and first releases (2000–2004) After leaving the band Society's Finest, in which he played guitar, vocalist Tim Lambesis formed As I Lay Dying in 2000. Starting out as a duet with drummer Jordan Mancino, they first met as a band in February 2001. They both were in the hardcore punk band Point of Recognition. The band's name came from the novel of the same name by William Faulkner that was published in 1930; although the band's lyrics and music are not directly inspired by the novel. Shortly after the band's formation, Pluto Records offered As I Lay Dying a recording contract and, after accepting the offer, the band entered the studio one month later to record their first album Beneath the Encasing of Ashes, released in June 2001. The band then recorded five songs for a split album, again through Pluto Records, with San Diego post-hardcore band American Tragedy. As I Lay Dying realized it needed to expand to a five-piece band to include another guitarist and a bass guitarist. Mancino commented "we started going on tour and we needed obviously more people than that." As Lambesis and Mancino were the only permanent members, the band recruited friends to perform with them and subsequently underwent several lineup changes: bass guitarist Noah Chase departed in 2001, while Brandon Hays, and his subsequent replacement Aaron Kennedy, departed in 2003. During early 2003, when As I Lay Dying's Pluto Records contract expired, the band pursued deals with other record labels. After extensive touring and an increase in popularity, As I Lay Dying was offered a record deal with Metal Blade Records in March 2003. In July 2003, the band's second studio album Frail Words Collapse was released. Produced by Lambesis, the album peaked at No. 30 on Billboards Independent Albums chart and No. 41 on the Top Heatseekers chart. William York of Allmusic thought the band "doesn't really add anything new to the mix from a musical standpoint" with the release, while also praising it for being "solid enough and well executed" with "adequate" production. Sherwin Frias of Jesus Freak Hideout had similar sentiments and commented "As I Lay Dying didn't exactly break many boundaries in making this record", but praised that each song is "executed so well (and with such precision) that nary a song misses its target." Touring then occurred to promote the album, with support from bands Himsa, Shadows Fall, The Black Dahlia Murder, Killswitch Engage, In Flames, Sworn Enemy, and Hatebreed. Music videos for the songs "94 Hours" and "Forever" received rotation on networks such as Fuse and MTV2's Headbangers Ball. Success (2005–2009) As I Lay Dying entered Big Fish recording studio in Encinitas, California, US in January 2005 to record their third studio album. Shadows Are Security was released in June of the same year and debuted at No. 1 on the Independent Albums chart. It was also the band's first release to enter the Billboard 200—at No. 35—and sold about 275,000 copies. Wade Kergan of AllMusic called it "one of the strongest releases of 2005," and commented that new guitarists Phil Sgrosso and Nick Hipa make the band "stronger." Rod Smith of Decibel Magazine commented: "Tim Lambesis's finely honed roar in bittersweet instrumental matrices augmented by occasional clean vocals by bass guitarist Clint Norris. Guitarists Phil Sgrosso and Nick Hipa whip up a melodic cyclone on 'The Darkest Nights'." By this time, guitarist Evan White had quit the band for personal reasons after his mother died. All the singing was done by Dave Arthur of Kings to You, because it sounded more powerful in the studio in comparison to Clint Norris's singing. As I Lay Dying began touring to promote the new record by making appearances at Hell on Earth, Winter Headline Tour, and Ozzfest, as well as a tour with Slipknot and Unearth. The band was on the second stage alongside Rob Zombie, Killswitch Engage, Mastodon, The Haunted, and It Dies Today. The band raised its profile in 2006 through its support slot on the Taste of Chaos tour in the US, alongside bands such as Deftones, Thrice, Dredg, Funeral for a Friend, and Story of the Year. In May 2006, Beneath the Encasing of Ashes and the songs from the split album were re-released through Metal Blade Records as A Long March: The First Recordings. The album contained the original and re-recorded versions of the songs from the split album—the band preferred to re-release the material, as they didn't want their fans paying large sums of money to listen to early releases. The re-release peaked at No. 3 on the Independent Albums chart and No. 129 on the Billboard 200 chart. In mid-2006, As I Lay Dying was the headline act at the Sounds of the Underground Festival. Norris left the band on good terms in November 2006 with a desire to focus on his marriage. The band auditioned ten bass guitarists, but none proved successful. Lambesis received demo tapes from a band called This Endearing, of which bass guitarists Josh Gilbert was a member; however, Lambesis chose to "sit on it" and waited for the band to record more material. This Endearing subsequently disbanded and Gilbert was recruited as As I Lay Dying's new bass guitarist. In 2007 As I Lay Dying started recording a new album titled An Ocean Between Us, which was released on August 21, 2007. Debuting at No. 8 on the Billboard 200 and No. 1 on the Top Rock chart, with first-week sales of 39,000 units, the album was the highest charting release for the band. Co-produced by Killswitch Engage guitarist Adam Dutkiewicz and As I Lay Dying, and mixed by Colin Richardson, the album received generally positive reviews. Christa L. Titus of Billboard commented: "Whatever the differences between As I Lay Dying's personal desires and what its fans demand, this album surely acts as a bridge," praising the song "Comfort Betrays" for its guitar solo. Scott Alisoglu of Blabbermouth.net described the album as "a well-rounded and often thrashy metalcore album, as the band has struck an effective balance between aggression and accessible melodies." Thom Jurek of Allmusic praised the band for expanding its musical range by including melodic singing and choruses, as they had previously done on "Confined" from Shadows Are Security. It was the first time that bass guitarist Gilbert recorded a studio album with the band. To promote the album, As I Lay Dying performed at the Warped Tour 2007 in August, and toured through Europe in September with Darkest Hour, Himsa, and Maroon. The band was awarded the title "Ultimate Metal God" by MTV2's "All That Rocks" special, and was nominated for a Grammy Award in the category of "Best Metal Performance" for the song "Nothing Left". The other Grammy Award nominees included winner Slayer, King Diamond, Machine Head, and Shadows Fall. The band played a portion of the 2008 Warped Tour, as well as the Taste of Chaos UK 2008 Tour with headliners Atreyu. On April 9, 2009, the DVD This Is Who We Are was released in Europe, and was released in the US on April 14, 2009. The DVD was certified Gold in the US almost a month after its release. The Powerless Rise and Decas (2010–2011) After recording through 2009, the band's fifth record The Powerless Rise was streamed on the MySpace Music website on May 7, 2010 up until May 10, 2010. The album was officially released on May 11, 2010 and received generally positive critical acclaim, with one critic saying: "Fans of metalcore in general, and As I Lay Dying in particular, will be more than satisfied with The Powerless Rise, as the band's gradual progression and consistency makes this their best album." In 2010 the band toured in support of The Powerless Rise, headlining the majority of their shows. In the first half of the year, the band embarked on a US tour with Demon Hunter, blessthefall, and War of Ages. This was followed by a mid-2010 headlining tour titled "The Cool Tour" across the US, and a headlining tour across US/Canada that also featured All That Remains, Unearth, and Carnifex. The band's final headline tour of the year was in Europe, with Heaven Shall Burn, Suicide Silence, and Sylosis. In February 2011, the band headlined a US tour with support from Winds of Plague and After the Burial. The band then toured in late April/early May with Trivium, in support of Disturbed, on the "Music as a Weapon" tour in Australia and New Zealand. Then at the end of May and beginning of June, the band headlined a few performances with Heaven Shall Burn. On November 8, 2011, As I Lay Dying released a compilation, Decas, in honor of the band's ten-year anniversary. The album featured three new, original songs; four cover versions of songs by bands such as Slayer, Judas Priest and Descendents; a re-recorded medley that uses parts of several songs taken from Beneath the Encasing of Ashes; and four remixes, consisting of one song from each of their albums since Frail Words Collapse. The album's first track "Paralyzed" was released as a lyric video on September 13, 2011, and as a free download on iTunes on November 7, the day before the album's release. The band embarked on the "A Decade of Destruction" tour, coinciding with the release of the album, from November to December 2011. Awakened, Tim Lambesis' trial and hiatus (2012–2016) On January 25, 2012, an announcement revealed that the band would be playing the Mayhem Festival of 2012 with Slipknot, Slayer, Motörhead, Anthrax, The Devil Wears Prada, Asking Alexandria, Whitechapel, Upon A Burning Body, I, the Breather, Betraying the Martyrs, and Dirtfedd. The band announced in April 2012 that Bill Stevenson, who had previously worked with NOFX and Rise Against, would be the producer for their sixth album. On June 22, 2012, the band announced that their sixth album would be titled Awakened and the first single "Cauterize" was released on June 25, 2012. On September 12, 2012, As I Lay Dying released their second single "A Greater Foundation" with a corresponding music video. The album was released on September 25, 2012 and "Cauterize" was available on the band's website as a free download for a 24-hour period. As I Lay Dying won the "Metal Band of the Year" award from Loudwire in 2012, beating other well-known bands, including Anthrax and Lamb of God. Subsequently, prior to his criminal charges, Lambesis started a new band entitled Pyrithion with guitarist Ryan Glisan, formerly of Allegaeon. They released one EP as a band. On May 7, 2013, Lambesis was arrested in Oceanside, California, US after hiring an undercover detective to kill his estranged wife. The report was made by the San Diego County Sheriff's Department, leaving the future of the band uncertain. On the following day, the band released a statement in which they said: "The legal process is taking its course and we have no more information than you do. There are many unanswered questions, and the situation will become clearer in the coming days and weeks. We'll keep you informed as best we can." They also stated that their thoughts were "with Tim, his family, and with everyone else affected by this terrible situation." Eight days later, the band cancelled their mid-2013 tour with Killswitch Engage, stating that "we feel that it is best for the band to be off the road while the current situation gets sorted". During the month of his initial arrest, Lambesis pleaded "not guilty" and his lawyer stated: "His thought processes were devastatingly affected by his steroid use." On February 25, 2014 Lambesis changed his plea from "not guilty" to "guilty" and consequently faced a potential sentence of nine years in prison. Rather than continue on without Lambesis, Mancino, along with former members Phil Sgrosso, Nick Hipa, and Josh Gilbert, decided to focus on a different style of music under a different band name, Wovenwar, with Shane Blay as the vocalist, This project took shape long before Lambesis' plea. although Mancino still remained a member of As I Lay Dying. During this period of time, Lambesis was also working on music and found time to release the third Austrian Death Machine album, titled Triple Brutal. On May 16, 2014, Lambesis was sentenced to six years in prison, with 48 days credit for time served. Lambesis' release, reunion and new music (2016–2018) Lambesis was released from prison on probation in December 2016. After his release he began reaching out to the other members of the band looking to apologize in person starting with Mancino and Gilbert. After months of silence Gilbert and Mancino eventually met with Lambesis and began speaking with him regularly after noting positive changes in his character. Lambesis attempted to reconnect with Sgrosso and Hipa following his meetings with Gilbert and Mancino—who as a result of Lambesis' actions and the strain it put on their relationships—had stopped speaking to each other following the recording of the second Wovenwar album. Sgrosso explained in a reunion-related discussion video posted by the band on June 16, 2018 that he initially replied to all of Lambesis' emails with explicit expressions of having no desire to speak with him. Sgrosso explained that his disdain with Lambesis started well before his arrest and took relief in not having to be in a band with him anymore upon Lambesis' arrest. His relationship with Hipa deteriorated due to what both described as not being able to deal with the weight of the aftermath properly. Hipa explained that while he initially felt empathy towards Lambesis after his tearful courtroom apology—it was short lived following Lambesis' interview with Alternative Press which Hipa claimed read like "one long excuse". After Lambesis made his public apology, Sgrosso finally agreed to meet with Lambesis and claimed Lambesis evolved into a different person than he was for the years leading up to his arrest which inspired him to reach out to Hipa to rekindle their friendship. Hipa was the last to speak with Lambesis due to what Hipa described as not being able to escape the shadow of Lambesis' arrest and the mental and physical effects it took on him. After reconnecting with Sgrosso and reading Lambesis' apology—he agreed to meet with Lambesis as a means to "let go of his hatred" and claimed that Lambesis owned up and took responsibility for every one of his actions he was called on. Over the course of the tail end of Lambesis' incarceration and release, the band's public opinion towards Lambesis softened. Mancino did an interview primarily discussing Wovenwar, but also spoke about As I Lay Dying on MetalSucks' podcast. He stated that, contrary to popular beliefs, that Hipa, Sgrosso and Gilbert are still technically a part of As I Lay Dying due to their record contract and in another interview stated that he has "no ill will" towards Lambesis and wished him well. Hipa, when on an episode of Jamey Jasta's podcast when asked about a reunion commented "what it comes down to is what makes sense with what we have going on in our lives. And we've got a lot of important things going on that don't relate to that and we've made commitments to, and that's what we are honoring at this moment. Honestly it's just not something we try and consume our thoughts with. Because it's like we have families, businesses, professions, and a band—and all these things we're super invested into. It's like all of our attention is there with that at the moment." On September 2, 2017, Metal Injection reported that Lambesis was working on new music and planned to release it under the As I Lay Dying name and that none of the pre-hiatus lineup aside from Lambesis would be returning. This would later be proven false, as on June 8, 2018, the band released the music video for "My Own Grave", confirming through the video that the lineup of Lambesis, Hipa, Sgrosso, Gilbert and Mancino had reunited. They performed their first show—which sold out in four minutes—in five years at the SOMA Sidestage in their hometown of San Diego. The band has stated the single was their first and only song written since their formal reunion in February 2018 and had no concrete plans past releasing the single and playing the SOMA show. The news of their reunion drew particularly divisive reactions from fans and media outlets. While fan and critical reception of the band's reunion and comeback single were met largely with praise, others were openly skeptical on supporting Tim Lambesis following his prison sentence. Most notably was MetalSucks, who published an editorial that they will no longer be writing about the band with multiple outlets voicing their support for MetalSucks' decision. On June 16, 2018—the date of their comeback show at the SOMA—the band published a video on their official YouTube account addressing the questions and criticisms fans and critics of the band had and explaining the terms in detail of the reunion. In July 2018, the band announced their first European headlining tour for December 2018. A day later, they announced their North American tour for November 2018. A vast majority of the shows sold out immediately. While tickets sold out quickly, some venues and festivals received a public backlash for booking the band because of Lambesis' crimes and decided to cancel the band's performances. Spain's Resurrection Fest announced it would be dropping As I Lay Dying from its bill in October 2018, and months later in January 2019, the Memphis, Tennessee venue Growlers cancelled their previously scheduled show in April 2019. Growlers released a statement that acknowledged Lambesis' public message from 2018, but stated: "After hearing the combined voice of disheartened friends, local bands, and patrons, locally owned concert venue and bar, Growlers, has cancelled their scheduled show with As I Lay Dying, previously set for April 5th, and will replace it with a local show to benefit victims of domestic violence [...] Not everyone was ready to give Lambesis a second chance, and Growlers has created controversy in Memphis for booking his band." Touring, Shaped by Fire, and Nick Hipa's departure (2019–present) They embarked on a tour in March 2019 with Phinehas, Currents and Frost Koffin as support. On April 12, 2019, the band released a music video for "Redefined", including a guest appearance by August Burns Red frontman Jake Luhrs. On April 14, the band announced the "Shaped by Fire" tour of Europe with support from Chelsea Grin, Unearth and Fit for a King running from September 2019 and concluding in October. On July 15, the band announced the North American dates of the "Shaped by Fire" Tour with direct support from After the Burial and Emmure to begin on November 15 at the House of Blues in Las Vegas and conclude on December 14 with a hometown show at the Soma San Diego. Details of their forthcoming album, Shaped by Fire, were leaked through Nuclear Blast's European website with a projected release date of September 20, 2019. On August 9, the band officially announced their first album in seven years, Shaped by Fire, would be released through Nuclear Blast Records, along with releasing the album's title track. On September 13, the band released "Blinded" as the album's fourth single along with an accompanying music video. In March 2020, as a way of supporting their crew during the COVID-19 pandemic, they released an additional song, "Destruction or Strength", a B-side from Shaped by Fire album sessions. In May 2020, another music video for the song "Torn Between" was released. On August 15, it was reported that Nick Hipa might have left the band, as he no longer performed with them and disassociated his personal social media accounts with the band. Hipa officially confirmed his departure one year later on August 31, 2021, noting that behaviors resulting from being in the band led to his decision to leave it: "There is tremendous good that can be accomplished through singular focus on the power of music. However to my memory and recent experience, it comes at the cost of tolerating behavior which at times mistreats, disrespects, and hurts other people." He further elaborated that the power and reasoning behind As I Lay Dying's reunion had faded in favor of superficial pursuits, which he did not wish to be a part of. On September 24, 2021, the band unveiled a new single, "Roots Below". Musical style and influences As I Lay Dying is considered a prominent metalcore band. The band also has been referred to as Christian metal, death metal, and thrash metal. As I Lay Dying's music uses lots of elements of melodic death metal. In a review of Beneath the Encasing of Ashes, Bradley Torreano of AllMusic described the band's sound as a blend of heavy metal, hardcore, and grindcore. Heavy metal writer Garry Sharpe-Young described the band as a "Christian Hardcore act employing the Grind edged vocals of singer Tim Lambesis and a distinct hint of Scandinavian guitar chug." As I Lay Dying's influences include In Flames, Living Sacrifice, Iron Maiden, Slayer, At the Gates, Pantera, Megadeth, Fear Factory, Cannibal Corpse, Thin Lizzy, Shai Hulud, Dark Tranquillity, Metallica, Judas Priest, and Earth Crisis. Christianity Although As I Lay Dying has stated on numerous occasions that all of the members of the group are practicing Christians, the band is usually described by media as being in the metalcore genre, not Christian metal. The band's lyrics do not focus on Christian themes the way many praise music bands do, nor do they treat their music as a direct extension of their private Christian worship or proselytizing efforts. For example, not once do the names God or Jesus appear in any As I Lay Dying song, nor do any of their songs explicitly invoke Christian doctrine or quote the Bible. Most songs tend to address broader spiritual concepts like existential angst or the struggle between reason and spirituality. Lyricist and lead singer Tim Lambesis has given mixed commentary on the subject: asked in 2008 if the members were "a Christian band" or "Christians in a band", Lambesis stated on the band's FAQ, "I'm not sure what the difference is between five Christians playing in a band and a Christian band, if you truly believe something, then it should affect every area of your life. All five of us are Christians. I believe that change should start with me first, and as a result, our lyrics do not come across very 'preachy.' Many of our songs are about life, struggles, mistakes, relationships and other issues that don't fit entirely in the spiritual category. However, all of these topics are written about through my perspective as a Christian." Furthermore, during an August 2010 radio interview on the Christian metal radio show The Full Armor of God Broadcast, Lambesis stated "I can only really write about what I'm passionate about in life, so naturally my faith, my belief in the teachings of Jesus and His resurrection come across in our lyrics." However, in later years, Lambesis showed an increasing philosophical skepticism towards Christianity and religion in general. Court documents stated Lambesis emailed his wife Meggan in August 2012, while on tour with As I Lay Dying, asking for a divorce and stating he "no longer believed in God". In explaining some of the lyrics from Awakened, Lambesis stated on his personal Tumblr account that his studies of theology had led him to the conclusion that "tradition and truth are often at odds with each other", and while he "didn't hate all religious belief", he was finding it "very difficult for [him] to outline exactly who it is that's worth siding with." He also quoted the book Pagan Christianity by George Barna and Frank Viola, claiming that both "Protestant and Catholic denominations have poisonous roots". While on house arrest in July 2013, after being charged with soliciting his wife's murder, Lambesis published a blog post in which he obliquely confirmed his previous loss of faith in Christianity. In 2014, Lambesis said that although they were marketed as a Christian band, the members privately considered themselves atheists. Following this statement, guitarist Nick Hipa responded by calling these claims slanderous and defamatory. However, since his arrest it has been reported that Lambesis, in an April 2014 statement by the band, "[...] has spent much of the last year reevaluating what originally convinced him to abandon belief in God. After much brokenness and repentance he sees things differently, considers himself a follower of Jesus, someone submitted to the will of God, or whatever you want to call it. That's for him to talk about when he's comfortable and only time will tell if he is sincere." Members Current Tim Lambesis – unclean vocals, occasional clean vocals (2000–2014, 2017–present) Jordan Mancino – drums (2000–2014, 2018–present) Phil Sgrosso – guitars, backing vocals (2003–2014, 2018–present) Josh Gilbert – bass, clean vocals (2006–2014, 2018–present) Former Nick Hipa – guitars, backing vocals (2003–2014, 2018–2020) Clint Norris – bass, clean vocals (2003–2006) Evan White – guitars (2001–2003), bass (2002–2003) Jeremy Rojas – guitars (2001) Jon Jameson – bass (2001) Noah Chase – bass (2001, 2002, 2003) Tommy Garcia – guitars, bass, backing vocals (2002–2003; session member 2003–2010) Jason Krebs – guitars (2002–2003) Brandon Hays – bass, guitars (2002–2003) Aaron Kennedy – bass (2003) Touring musicians Chad Ackerman – guitars (2001–2002), backing vocals (session, 2007) Caylen Denuccio – bass (2002–2003) Chris Lindstrom – guitars (2001, 2003) Mark Macdonald – guitars (2003–2004) Ruben Gutierrez – guitars (2001) David Arthur – clean vocals (2005) Justin Foley – drums (2009) Joey Bradford – backing vocals (2012) Duane Reed – backing vocals (2007) Timeline Discography Beneath the Encasing of Ashes (2001) Frail Words Collapse (2003) Shadows Are Security (2005) An Ocean Between Us (2007) The Powerless Rise (2010) Awakened (2012) Shaped by Fire (2019) Awards and nominations San Diego Music Awards Artist of the Year (2005) Artist of the Year (2007) Artist of the Year (2008) Best Hard Rock (2011) Grammy Awards Nominated for 2008 Best Metal Performance for the song "Nothing Left" MTV2 Music Awards Ultimate Metal God (2007) Hollywood Film Fest awards Best Music Video for "The Sound of Truth" music video Loudwire Music Awards Metal Band of the Year (2012) References External links American metalcore musical groups Heavy metal musical groups from California Musical groups from San Diego Musical quintets 2000 establishments in California Musical groups established in 2000 Musical groups disestablished in 2014 Musical groups reestablished in 2017 Metal Blade Records artists Articles which contain graphical timelines

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Was The Powerless Rise well received by fans?

Was The Powerless Rise well received by fans?

As I Lay Dying (band)

After recording through 2009, the band's fifth record The Powerless Rise was streamed on the MySpace Music website on May 7, 2010 up until May 10, 2010. The album was officially released on May 11, 2010 and received generally positive critical acclaim, with one critic saying: "Fans of metalcore in general, and As I Lay Dying in particular, will be more than satisfied with The Powerless Rise, as the band's gradual progression and consistency makes this their best album." In 2010 the band toured in support of The Powerless Rise, headlining the majority of their shows. In the first half of the year, the band embarked on a US tour with Demon Hunter, blessthefall, and War of Ages. This was followed by a mid-2010 headlining tour titled "The Cool Tour" across the US, and a headlining tour across US/Canada that also featured All That Remains, Unearth, and Carnifex. The band's final headline tour of the year was in Europe, with Heaven Shall Burn, Suicide Silence, and Sylosis. In February 2011, the band headlined a US tour with support from Winds of Plague and After the Burial. The band then toured in late April/early May with Trivium, in support of Disturbed, on the "Music as a Weapon" tour in Australia and New Zealand. Then at the end of May and beginning of June, the band headlined a few performances with Heaven Shall Burn. On November 8, 2011, As I Lay Dying released a compilation, Decas, in honor of the band's ten-year anniversary. The album featured three new, original songs; four cover versions of songs by bands such as Slayer, Judas Priest and Descendents; a re-recorded medley that uses parts of several songs taken from Beneath the Encasing of Ashes; and four remixes, consisting of one song from each of their albums since Frail Words Collapse. The album's first track "Paralyzed" was released as a lyric video on September 13, 2011, and as a free download on iTunes on November 7, the day before the album's release. The band embarked on the "A Decade of Destruction" tour, coinciding with the release of the album, from November to December 2011. CANNOTANSWER

CANNOTANSWER

As I Lay Dying is an American metalcore band from San Diego, California. Founded in 2000 by vocalist Tim Lambesis, the band's first full lineup (including Lambesis' Point of Recognition bandmate Jordan Mancino) was completed in 2001. The band has released seven albums, one split album, and two compilation albums. As I Lay Dying's fourth studio album An Ocean Between Us peaked at No. 8 on the Billboard 200, and No. 1 on the Top Rock chart. The band has performed at events such as Wacken Open Air, With Full Force, Soundwave Festival, Warped Tour, Bloodstock Open Air and Taste of Chaos. In 2007, As I Lay Dying won the "Ultimate Metal God" award from MTV2 at the first annual "All That Rocks" special; was named "Artist of the Year" at the San Diego Music Awards in 2005, 2007 and 2008; and was nominated for a 2008 Grammy Award for the song "Nothing Left." Their fifth studio album The Powerless Rise was written over a three-year period, and was released in May 2010 to widespread critical acclaim. Their last studio album before their hiatus, Awakened, was released on September 25, 2012. The band went on an indefinite hiatus in 2014 when Lambesis was convicted and sentenced to six years in prison for soliciting the murder of his estranged wife. The remaining members formed Wovenwar with vocalist Shane Blay. In 2018, Lambesis reunited with Hipa, Sgrosso, Mancino and Gilbert. On June 8, 2018, the band released the song "My Own Grave", their first recording in six years. They released their seventh studio album, Shaped by Fire, on September 20, 2019. History Formation and first releases (2000–2004) After leaving the band Society's Finest, in which he played guitar, vocalist Tim Lambesis formed As I Lay Dying in 2000. Starting out as a duet with drummer Jordan Mancino, they first met as a band in February 2001. They both were in the hardcore punk band Point of Recognition. The band's name came from the novel of the same name by William Faulkner that was published in 1930; although the band's lyrics and music are not directly inspired by the novel. Shortly after the band's formation, Pluto Records offered As I Lay Dying a recording contract and, after accepting the offer, the band entered the studio one month later to record their first album Beneath the Encasing of Ashes, released in June 2001. The band then recorded five songs for a split album, again through Pluto Records, with San Diego post-hardcore band American Tragedy. As I Lay Dying realized it needed to expand to a five-piece band to include another guitarist and a bass guitarist. Mancino commented "we started going on tour and we needed obviously more people than that." As Lambesis and Mancino were the only permanent members, the band recruited friends to perform with them and subsequently underwent several lineup changes: bass guitarist Noah Chase departed in 2001, while Brandon Hays, and his subsequent replacement Aaron Kennedy, departed in 2003. During early 2003, when As I Lay Dying's Pluto Records contract expired, the band pursued deals with other record labels. After extensive touring and an increase in popularity, As I Lay Dying was offered a record deal with Metal Blade Records in March 2003. In July 2003, the band's second studio album Frail Words Collapse was released. Produced by Lambesis, the album peaked at No. 30 on Billboards Independent Albums chart and No. 41 on the Top Heatseekers chart. William York of Allmusic thought the band "doesn't really add anything new to the mix from a musical standpoint" with the release, while also praising it for being "solid enough and well executed" with "adequate" production. Sherwin Frias of Jesus Freak Hideout had similar sentiments and commented "As I Lay Dying didn't exactly break many boundaries in making this record", but praised that each song is "executed so well (and with such precision) that nary a song misses its target." Touring then occurred to promote the album, with support from bands Himsa, Shadows Fall, The Black Dahlia Murder, Killswitch Engage, In Flames, Sworn Enemy, and Hatebreed. Music videos for the songs "94 Hours" and "Forever" received rotation on networks such as Fuse and MTV2's Headbangers Ball. Success (2005–2009) As I Lay Dying entered Big Fish recording studio in Encinitas, California, US in January 2005 to record their third studio album. Shadows Are Security was released in June of the same year and debuted at No. 1 on the Independent Albums chart. It was also the band's first release to enter the Billboard 200—at No. 35—and sold about 275,000 copies. Wade Kergan of AllMusic called it "one of the strongest releases of 2005," and commented that new guitarists Phil Sgrosso and Nick Hipa make the band "stronger." Rod Smith of Decibel Magazine commented: "Tim Lambesis's finely honed roar in bittersweet instrumental matrices augmented by occasional clean vocals by bass guitarist Clint Norris. Guitarists Phil Sgrosso and Nick Hipa whip up a melodic cyclone on 'The Darkest Nights'." By this time, guitarist Evan White had quit the band for personal reasons after his mother died. All the singing was done by Dave Arthur of Kings to You, because it sounded more powerful in the studio in comparison to Clint Norris's singing. As I Lay Dying began touring to promote the new record by making appearances at Hell on Earth, Winter Headline Tour, and Ozzfest, as well as a tour with Slipknot and Unearth. The band was on the second stage alongside Rob Zombie, Killswitch Engage, Mastodon, The Haunted, and It Dies Today. The band raised its profile in 2006 through its support slot on the Taste of Chaos tour in the US, alongside bands such as Deftones, Thrice, Dredg, Funeral for a Friend, and Story of the Year. In May 2006, Beneath the Encasing of Ashes and the songs from the split album were re-released through Metal Blade Records as A Long March: The First Recordings. The album contained the original and re-recorded versions of the songs from the split album—the band preferred to re-release the material, as they didn't want their fans paying large sums of money to listen to early releases. The re-release peaked at No. 3 on the Independent Albums chart and No. 129 on the Billboard 200 chart. In mid-2006, As I Lay Dying was the headline act at the Sounds of the Underground Festival. Norris left the band on good terms in November 2006 with a desire to focus on his marriage. The band auditioned ten bass guitarists, but none proved successful. Lambesis received demo tapes from a band called This Endearing, of which bass guitarists Josh Gilbert was a member; however, Lambesis chose to "sit on it" and waited for the band to record more material. This Endearing subsequently disbanded and Gilbert was recruited as As I Lay Dying's new bass guitarist. In 2007 As I Lay Dying started recording a new album titled An Ocean Between Us, which was released on August 21, 2007. Debuting at No. 8 on the Billboard 200 and No. 1 on the Top Rock chart, with first-week sales of 39,000 units, the album was the highest charting release for the band. Co-produced by Killswitch Engage guitarist Adam Dutkiewicz and As I Lay Dying, and mixed by Colin Richardson, the album received generally positive reviews. Christa L. Titus of Billboard commented: "Whatever the differences between As I Lay Dying's personal desires and what its fans demand, this album surely acts as a bridge," praising the song "Comfort Betrays" for its guitar solo. Scott Alisoglu of Blabbermouth.net described the album as "a well-rounded and often thrashy metalcore album, as the band has struck an effective balance between aggression and accessible melodies." Thom Jurek of Allmusic praised the band for expanding its musical range by including melodic singing and choruses, as they had previously done on "Confined" from Shadows Are Security. It was the first time that bass guitarist Gilbert recorded a studio album with the band. To promote the album, As I Lay Dying performed at the Warped Tour 2007 in August, and toured through Europe in September with Darkest Hour, Himsa, and Maroon. The band was awarded the title "Ultimate Metal God" by MTV2's "All That Rocks" special, and was nominated for a Grammy Award in the category of "Best Metal Performance" for the song "Nothing Left". The other Grammy Award nominees included winner Slayer, King Diamond, Machine Head, and Shadows Fall. The band played a portion of the 2008 Warped Tour, as well as the Taste of Chaos UK 2008 Tour with headliners Atreyu. On April 9, 2009, the DVD This Is Who We Are was released in Europe, and was released in the US on April 14, 2009. The DVD was certified Gold in the US almost a month after its release. The Powerless Rise and Decas (2010–2011) After recording through 2009, the band's fifth record The Powerless Rise was streamed on the MySpace Music website on May 7, 2010 up until May 10, 2010. The album was officially released on May 11, 2010 and received generally positive critical acclaim, with one critic saying: "Fans of metalcore in general, and As I Lay Dying in particular, will be more than satisfied with The Powerless Rise, as the band's gradual progression and consistency makes this their best album." In 2010 the band toured in support of The Powerless Rise, headlining the majority of their shows. In the first half of the year, the band embarked on a US tour with Demon Hunter, blessthefall, and War of Ages. This was followed by a mid-2010 headlining tour titled "The Cool Tour" across the US, and a headlining tour across US/Canada that also featured All That Remains, Unearth, and Carnifex. The band's final headline tour of the year was in Europe, with Heaven Shall Burn, Suicide Silence, and Sylosis. In February 2011, the band headlined a US tour with support from Winds of Plague and After the Burial. The band then toured in late April/early May with Trivium, in support of Disturbed, on the "Music as a Weapon" tour in Australia and New Zealand. Then at the end of May and beginning of June, the band headlined a few performances with Heaven Shall Burn. On November 8, 2011, As I Lay Dying released a compilation, Decas, in honor of the band's ten-year anniversary. The album featured three new, original songs; four cover versions of songs by bands such as Slayer, Judas Priest and Descendents; a re-recorded medley that uses parts of several songs taken from Beneath the Encasing of Ashes; and four remixes, consisting of one song from each of their albums since Frail Words Collapse. The album's first track "Paralyzed" was released as a lyric video on September 13, 2011, and as a free download on iTunes on November 7, the day before the album's release. The band embarked on the "A Decade of Destruction" tour, coinciding with the release of the album, from November to December 2011. Awakened, Tim Lambesis' trial and hiatus (2012–2016) On January 25, 2012, an announcement revealed that the band would be playing the Mayhem Festival of 2012 with Slipknot, Slayer, Motörhead, Anthrax, The Devil Wears Prada, Asking Alexandria, Whitechapel, Upon A Burning Body, I, the Breather, Betraying the Martyrs, and Dirtfedd. The band announced in April 2012 that Bill Stevenson, who had previously worked with NOFX and Rise Against, would be the producer for their sixth album. On June 22, 2012, the band announced that their sixth album would be titled Awakened and the first single "Cauterize" was released on June 25, 2012. On September 12, 2012, As I Lay Dying released their second single "A Greater Foundation" with a corresponding music video. The album was released on September 25, 2012 and "Cauterize" was available on the band's website as a free download for a 24-hour period. As I Lay Dying won the "Metal Band of the Year" award from Loudwire in 2012, beating other well-known bands, including Anthrax and Lamb of God. Subsequently, prior to his criminal charges, Lambesis started a new band entitled Pyrithion with guitarist Ryan Glisan, formerly of Allegaeon. They released one EP as a band. On May 7, 2013, Lambesis was arrested in Oceanside, California, US after hiring an undercover detective to kill his estranged wife. The report was made by the San Diego County Sheriff's Department, leaving the future of the band uncertain. On the following day, the band released a statement in which they said: "The legal process is taking its course and we have no more information than you do. There are many unanswered questions, and the situation will become clearer in the coming days and weeks. We'll keep you informed as best we can." They also stated that their thoughts were "with Tim, his family, and with everyone else affected by this terrible situation." Eight days later, the band cancelled their mid-2013 tour with Killswitch Engage, stating that "we feel that it is best for the band to be off the road while the current situation gets sorted". During the month of his initial arrest, Lambesis pleaded "not guilty" and his lawyer stated: "His thought processes were devastatingly affected by his steroid use." On February 25, 2014 Lambesis changed his plea from "not guilty" to "guilty" and consequently faced a potential sentence of nine years in prison. Rather than continue on without Lambesis, Mancino, along with former members Phil Sgrosso, Nick Hipa, and Josh Gilbert, decided to focus on a different style of music under a different band name, Wovenwar, with Shane Blay as the vocalist, This project took shape long before Lambesis' plea. although Mancino still remained a member of As I Lay Dying. During this period of time, Lambesis was also working on music and found time to release the third Austrian Death Machine album, titled Triple Brutal. On May 16, 2014, Lambesis was sentenced to six years in prison, with 48 days credit for time served. Lambesis' release, reunion and new music (2016–2018) Lambesis was released from prison on probation in December 2016. After his release he began reaching out to the other members of the band looking to apologize in person starting with Mancino and Gilbert. After months of silence Gilbert and Mancino eventually met with Lambesis and began speaking with him regularly after noting positive changes in his character. Lambesis attempted to reconnect with Sgrosso and Hipa following his meetings with Gilbert and Mancino—who as a result of Lambesis' actions and the strain it put on their relationships—had stopped speaking to each other following the recording of the second Wovenwar album. Sgrosso explained in a reunion-related discussion video posted by the band on June 16, 2018 that he initially replied to all of Lambesis' emails with explicit expressions of having no desire to speak with him. Sgrosso explained that his disdain with Lambesis started well before his arrest and took relief in not having to be in a band with him anymore upon Lambesis' arrest. His relationship with Hipa deteriorated due to what both described as not being able to deal with the weight of the aftermath properly. Hipa explained that while he initially felt empathy towards Lambesis after his tearful courtroom apology—it was short lived following Lambesis' interview with Alternative Press which Hipa claimed read like "one long excuse". After Lambesis made his public apology, Sgrosso finally agreed to meet with Lambesis and claimed Lambesis evolved into a different person than he was for the years leading up to his arrest which inspired him to reach out to Hipa to rekindle their friendship. Hipa was the last to speak with Lambesis due to what Hipa described as not being able to escape the shadow of Lambesis' arrest and the mental and physical effects it took on him. After reconnecting with Sgrosso and reading Lambesis' apology—he agreed to meet with Lambesis as a means to "let go of his hatred" and claimed that Lambesis owned up and took responsibility for every one of his actions he was called on. Over the course of the tail end of Lambesis' incarceration and release, the band's public opinion towards Lambesis softened. Mancino did an interview primarily discussing Wovenwar, but also spoke about As I Lay Dying on MetalSucks' podcast. He stated that, contrary to popular beliefs, that Hipa, Sgrosso and Gilbert are still technically a part of As I Lay Dying due to their record contract and in another interview stated that he has "no ill will" towards Lambesis and wished him well. Hipa, when on an episode of Jamey Jasta's podcast when asked about a reunion commented "what it comes down to is what makes sense with what we have going on in our lives. And we've got a lot of important things going on that don't relate to that and we've made commitments to, and that's what we are honoring at this moment. Honestly it's just not something we try and consume our thoughts with. Because it's like we have families, businesses, professions, and a band—and all these things we're super invested into. It's like all of our attention is there with that at the moment." On September 2, 2017, Metal Injection reported that Lambesis was working on new music and planned to release it under the As I Lay Dying name and that none of the pre-hiatus lineup aside from Lambesis would be returning. This would later be proven false, as on June 8, 2018, the band released the music video for "My Own Grave", confirming through the video that the lineup of Lambesis, Hipa, Sgrosso, Gilbert and Mancino had reunited. They performed their first show—which sold out in four minutes—in five years at the SOMA Sidestage in their hometown of San Diego. The band has stated the single was their first and only song written since their formal reunion in February 2018 and had no concrete plans past releasing the single and playing the SOMA show. The news of their reunion drew particularly divisive reactions from fans and media outlets. While fan and critical reception of the band's reunion and comeback single were met largely with praise, others were openly skeptical on supporting Tim Lambesis following his prison sentence. Most notably was MetalSucks, who published an editorial that they will no longer be writing about the band with multiple outlets voicing their support for MetalSucks' decision. On June 16, 2018—the date of their comeback show at the SOMA—the band published a video on their official YouTube account addressing the questions and criticisms fans and critics of the band had and explaining the terms in detail of the reunion. In July 2018, the band announced their first European headlining tour for December 2018. A day later, they announced their North American tour for November 2018. A vast majority of the shows sold out immediately. While tickets sold out quickly, some venues and festivals received a public backlash for booking the band because of Lambesis' crimes and decided to cancel the band's performances. Spain's Resurrection Fest announced it would be dropping As I Lay Dying from its bill in October 2018, and months later in January 2019, the Memphis, Tennessee venue Growlers cancelled their previously scheduled show in April 2019. Growlers released a statement that acknowledged Lambesis' public message from 2018, but stated: "After hearing the combined voice of disheartened friends, local bands, and patrons, locally owned concert venue and bar, Growlers, has cancelled their scheduled show with As I Lay Dying, previously set for April 5th, and will replace it with a local show to benefit victims of domestic violence [...] Not everyone was ready to give Lambesis a second chance, and Growlers has created controversy in Memphis for booking his band." Touring, Shaped by Fire, and Nick Hipa's departure (2019–present) They embarked on a tour in March 2019 with Phinehas, Currents and Frost Koffin as support. On April 12, 2019, the band released a music video for "Redefined", including a guest appearance by August Burns Red frontman Jake Luhrs. On April 14, the band announced the "Shaped by Fire" tour of Europe with support from Chelsea Grin, Unearth and Fit for a King running from September 2019 and concluding in October. On July 15, the band announced the North American dates of the "Shaped by Fire" Tour with direct support from After the Burial and Emmure to begin on November 15 at the House of Blues in Las Vegas and conclude on December 14 with a hometown show at the Soma San Diego. Details of their forthcoming album, Shaped by Fire, were leaked through Nuclear Blast's European website with a projected release date of September 20, 2019. On August 9, the band officially announced their first album in seven years, Shaped by Fire, would be released through Nuclear Blast Records, along with releasing the album's title track. On September 13, the band released "Blinded" as the album's fourth single along with an accompanying music video. In March 2020, as a way of supporting their crew during the COVID-19 pandemic, they released an additional song, "Destruction or Strength", a B-side from Shaped by Fire album sessions. In May 2020, another music video for the song "Torn Between" was released. On August 15, it was reported that Nick Hipa might have left the band, as he no longer performed with them and disassociated his personal social media accounts with the band. Hipa officially confirmed his departure one year later on August 31, 2021, noting that behaviors resulting from being in the band led to his decision to leave it: "There is tremendous good that can be accomplished through singular focus on the power of music. However to my memory and recent experience, it comes at the cost of tolerating behavior which at times mistreats, disrespects, and hurts other people." He further elaborated that the power and reasoning behind As I Lay Dying's reunion had faded in favor of superficial pursuits, which he did not wish to be a part of. On September 24, 2021, the band unveiled a new single, "Roots Below". Musical style and influences As I Lay Dying is considered a prominent metalcore band. The band also has been referred to as Christian metal, death metal, and thrash metal. As I Lay Dying's music uses lots of elements of melodic death metal. In a review of Beneath the Encasing of Ashes, Bradley Torreano of AllMusic described the band's sound as a blend of heavy metal, hardcore, and grindcore. Heavy metal writer Garry Sharpe-Young described the band as a "Christian Hardcore act employing the Grind edged vocals of singer Tim Lambesis and a distinct hint of Scandinavian guitar chug." As I Lay Dying's influences include In Flames, Living Sacrifice, Iron Maiden, Slayer, At the Gates, Pantera, Megadeth, Fear Factory, Cannibal Corpse, Thin Lizzy, Shai Hulud, Dark Tranquillity, Metallica, Judas Priest, and Earth Crisis. Christianity Although As I Lay Dying has stated on numerous occasions that all of the members of the group are practicing Christians, the band is usually described by media as being in the metalcore genre, not Christian metal. The band's lyrics do not focus on Christian themes the way many praise music bands do, nor do they treat their music as a direct extension of their private Christian worship or proselytizing efforts. For example, not once do the names God or Jesus appear in any As I Lay Dying song, nor do any of their songs explicitly invoke Christian doctrine or quote the Bible. Most songs tend to address broader spiritual concepts like existential angst or the struggle between reason and spirituality. Lyricist and lead singer Tim Lambesis has given mixed commentary on the subject: asked in 2008 if the members were "a Christian band" or "Christians in a band", Lambesis stated on the band's FAQ, "I'm not sure what the difference is between five Christians playing in a band and a Christian band, if you truly believe something, then it should affect every area of your life. All five of us are Christians. I believe that change should start with me first, and as a result, our lyrics do not come across very 'preachy.' Many of our songs are about life, struggles, mistakes, relationships and other issues that don't fit entirely in the spiritual category. However, all of these topics are written about through my perspective as a Christian." Furthermore, during an August 2010 radio interview on the Christian metal radio show The Full Armor of God Broadcast, Lambesis stated "I can only really write about what I'm passionate about in life, so naturally my faith, my belief in the teachings of Jesus and His resurrection come across in our lyrics." However, in later years, Lambesis showed an increasing philosophical skepticism towards Christianity and religion in general. Court documents stated Lambesis emailed his wife Meggan in August 2012, while on tour with As I Lay Dying, asking for a divorce and stating he "no longer believed in God". In explaining some of the lyrics from Awakened, Lambesis stated on his personal Tumblr account that his studies of theology had led him to the conclusion that "tradition and truth are often at odds with each other", and while he "didn't hate all religious belief", he was finding it "very difficult for [him] to outline exactly who it is that's worth siding with." He also quoted the book Pagan Christianity by George Barna and Frank Viola, claiming that both "Protestant and Catholic denominations have poisonous roots". While on house arrest in July 2013, after being charged with soliciting his wife's murder, Lambesis published a blog post in which he obliquely confirmed his previous loss of faith in Christianity. In 2014, Lambesis said that although they were marketed as a Christian band, the members privately considered themselves atheists. Following this statement, guitarist Nick Hipa responded by calling these claims slanderous and defamatory. However, since his arrest it has been reported that Lambesis, in an April 2014 statement by the band, "[...] has spent much of the last year reevaluating what originally convinced him to abandon belief in God. After much brokenness and repentance he sees things differently, considers himself a follower of Jesus, someone submitted to the will of God, or whatever you want to call it. That's for him to talk about when he's comfortable and only time will tell if he is sincere." Members Current Tim Lambesis – unclean vocals, occasional clean vocals (2000–2014, 2017–present) Jordan Mancino – drums (2000–2014, 2018–present) Phil Sgrosso – guitars, backing vocals (2003–2014, 2018–present) Josh Gilbert – bass, clean vocals (2006–2014, 2018–present) Former Nick Hipa – guitars, backing vocals (2003–2014, 2018–2020) Clint Norris – bass, clean vocals (2003–2006) Evan White – guitars (2001–2003), bass (2002–2003) Jeremy Rojas – guitars (2001) Jon Jameson – bass (2001) Noah Chase – bass (2001, 2002, 2003) Tommy Garcia – guitars, bass, backing vocals (2002–2003; session member 2003–2010) Jason Krebs – guitars (2002–2003) Brandon Hays – bass, guitars (2002–2003) Aaron Kennedy – bass (2003) Touring musicians Chad Ackerman – guitars (2001–2002), backing vocals (session, 2007) Caylen Denuccio – bass (2002–2003) Chris Lindstrom – guitars (2001, 2003) Mark Macdonald – guitars (2003–2004) Ruben Gutierrez – guitars (2001) David Arthur – clean vocals (2005) Justin Foley – drums (2009) Joey Bradford – backing vocals (2012) Duane Reed – backing vocals (2007) Timeline Discography Beneath the Encasing of Ashes (2001) Frail Words Collapse (2003) Shadows Are Security (2005) An Ocean Between Us (2007) The Powerless Rise (2010) Awakened (2012) Shaped by Fire (2019) Awards and nominations San Diego Music Awards Artist of the Year (2005) Artist of the Year (2007) Artist of the Year (2008) Best Hard Rock (2011) Grammy Awards Nominated for 2008 Best Metal Performance for the song "Nothing Left" MTV2 Music Awards Ultimate Metal God (2007) Hollywood Film Fest awards Best Music Video for "The Sound of Truth" music video Loudwire Music Awards Metal Band of the Year (2012) References External links American metalcore musical groups Heavy metal musical groups from California Musical groups from San Diego Musical quintets 2000 establishments in California Musical groups established in 2000 Musical groups disestablished in 2014 Musical groups reestablished in 2017 Metal Blade Records artists Articles which contain graphical timelines

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Was Decas well received?

Was Decas well received by fans?

As I Lay Dying (band)

After recording through 2009, the band's fifth record The Powerless Rise was streamed on the MySpace Music website on May 7, 2010 up until May 10, 2010. The album was officially released on May 11, 2010 and received generally positive critical acclaim, with one critic saying: "Fans of metalcore in general, and As I Lay Dying in particular, will be more than satisfied with The Powerless Rise, as the band's gradual progression and consistency makes this their best album." In 2010 the band toured in support of The Powerless Rise, headlining the majority of their shows. In the first half of the year, the band embarked on a US tour with Demon Hunter, blessthefall, and War of Ages. This was followed by a mid-2010 headlining tour titled "The Cool Tour" across the US, and a headlining tour across US/Canada that also featured All That Remains, Unearth, and Carnifex. The band's final headline tour of the year was in Europe, with Heaven Shall Burn, Suicide Silence, and Sylosis. In February 2011, the band headlined a US tour with support from Winds of Plague and After the Burial. The band then toured in late April/early May with Trivium, in support of Disturbed, on the "Music as a Weapon" tour in Australia and New Zealand. Then at the end of May and beginning of June, the band headlined a few performances with Heaven Shall Burn. On November 8, 2011, As I Lay Dying released a compilation, Decas, in honor of the band's ten-year anniversary. The album featured three new, original songs; four cover versions of songs by bands such as Slayer, Judas Priest and Descendents; a re-recorded medley that uses parts of several songs taken from Beneath the Encasing of Ashes; and four remixes, consisting of one song from each of their albums since Frail Words Collapse. The album's first track "Paralyzed" was released as a lyric video on September 13, 2011, and as a free download on iTunes on November 7, the day before the album's release. The band embarked on the "A Decade of Destruction" tour, coinciding with the release of the album, from November to December 2011. CANNOTANSWER

the band headlined a US tour with support from Winds of Plague and After the Burial.

As I Lay Dying is an American metalcore band from San Diego, California. Founded in 2000 by vocalist Tim Lambesis, the band's first full lineup (including Lambesis' Point of Recognition bandmate Jordan Mancino) was completed in 2001. The band has released seven albums, one split album, and two compilation albums. As I Lay Dying's fourth studio album An Ocean Between Us peaked at No. 8 on the Billboard 200, and No. 1 on the Top Rock chart. The band has performed at events such as Wacken Open Air, With Full Force, Soundwave Festival, Warped Tour, Bloodstock Open Air and Taste of Chaos. In 2007, As I Lay Dying won the "Ultimate Metal God" award from MTV2 at the first annual "All That Rocks" special; was named "Artist of the Year" at the San Diego Music Awards in 2005, 2007 and 2008; and was nominated for a 2008 Grammy Award for the song "Nothing Left." Their fifth studio album The Powerless Rise was written over a three-year period, and was released in May 2010 to widespread critical acclaim. Their last studio album before their hiatus, Awakened, was released on September 25, 2012. The band went on an indefinite hiatus in 2014 when Lambesis was convicted and sentenced to six years in prison for soliciting the murder of his estranged wife. The remaining members formed Wovenwar with vocalist Shane Blay. In 2018, Lambesis reunited with Hipa, Sgrosso, Mancino and Gilbert. On June 8, 2018, the band released the song "My Own Grave", their first recording in six years. They released their seventh studio album, Shaped by Fire, on September 20, 2019. History Formation and first releases (2000–2004) After leaving the band Society's Finest, in which he played guitar, vocalist Tim Lambesis formed As I Lay Dying in 2000. Starting out as a duet with drummer Jordan Mancino, they first met as a band in February 2001. They both were in the hardcore punk band Point of Recognition. The band's name came from the novel of the same name by William Faulkner that was published in 1930; although the band's lyrics and music are not directly inspired by the novel. Shortly after the band's formation, Pluto Records offered As I Lay Dying a recording contract and, after accepting the offer, the band entered the studio one month later to record their first album Beneath the Encasing of Ashes, released in June 2001. The band then recorded five songs for a split album, again through Pluto Records, with San Diego post-hardcore band American Tragedy. As I Lay Dying realized it needed to expand to a five-piece band to include another guitarist and a bass guitarist. Mancino commented "we started going on tour and we needed obviously more people than that." As Lambesis and Mancino were the only permanent members, the band recruited friends to perform with them and subsequently underwent several lineup changes: bass guitarist Noah Chase departed in 2001, while Brandon Hays, and his subsequent replacement Aaron Kennedy, departed in 2003. During early 2003, when As I Lay Dying's Pluto Records contract expired, the band pursued deals with other record labels. After extensive touring and an increase in popularity, As I Lay Dying was offered a record deal with Metal Blade Records in March 2003. In July 2003, the band's second studio album Frail Words Collapse was released. Produced by Lambesis, the album peaked at No. 30 on Billboards Independent Albums chart and No. 41 on the Top Heatseekers chart. William York of Allmusic thought the band "doesn't really add anything new to the mix from a musical standpoint" with the release, while also praising it for being "solid enough and well executed" with "adequate" production. Sherwin Frias of Jesus Freak Hideout had similar sentiments and commented "As I Lay Dying didn't exactly break many boundaries in making this record", but praised that each song is "executed so well (and with such precision) that nary a song misses its target." Touring then occurred to promote the album, with support from bands Himsa, Shadows Fall, The Black Dahlia Murder, Killswitch Engage, In Flames, Sworn Enemy, and Hatebreed. Music videos for the songs "94 Hours" and "Forever" received rotation on networks such as Fuse and MTV2's Headbangers Ball. Success (2005–2009) As I Lay Dying entered Big Fish recording studio in Encinitas, California, US in January 2005 to record their third studio album. Shadows Are Security was released in June of the same year and debuted at No. 1 on the Independent Albums chart. It was also the band's first release to enter the Billboard 200—at No. 35—and sold about 275,000 copies. Wade Kergan of AllMusic called it "one of the strongest releases of 2005," and commented that new guitarists Phil Sgrosso and Nick Hipa make the band "stronger." Rod Smith of Decibel Magazine commented: "Tim Lambesis's finely honed roar in bittersweet instrumental matrices augmented by occasional clean vocals by bass guitarist Clint Norris. Guitarists Phil Sgrosso and Nick Hipa whip up a melodic cyclone on 'The Darkest Nights'." By this time, guitarist Evan White had quit the band for personal reasons after his mother died. All the singing was done by Dave Arthur of Kings to You, because it sounded more powerful in the studio in comparison to Clint Norris's singing. As I Lay Dying began touring to promote the new record by making appearances at Hell on Earth, Winter Headline Tour, and Ozzfest, as well as a tour with Slipknot and Unearth. The band was on the second stage alongside Rob Zombie, Killswitch Engage, Mastodon, The Haunted, and It Dies Today. The band raised its profile in 2006 through its support slot on the Taste of Chaos tour in the US, alongside bands such as Deftones, Thrice, Dredg, Funeral for a Friend, and Story of the Year. In May 2006, Beneath the Encasing of Ashes and the songs from the split album were re-released through Metal Blade Records as A Long March: The First Recordings. The album contained the original and re-recorded versions of the songs from the split album—the band preferred to re-release the material, as they didn't want their fans paying large sums of money to listen to early releases. The re-release peaked at No. 3 on the Independent Albums chart and No. 129 on the Billboard 200 chart. In mid-2006, As I Lay Dying was the headline act at the Sounds of the Underground Festival. Norris left the band on good terms in November 2006 with a desire to focus on his marriage. The band auditioned ten bass guitarists, but none proved successful. Lambesis received demo tapes from a band called This Endearing, of which bass guitarists Josh Gilbert was a member; however, Lambesis chose to "sit on it" and waited for the band to record more material. This Endearing subsequently disbanded and Gilbert was recruited as As I Lay Dying's new bass guitarist. In 2007 As I Lay Dying started recording a new album titled An Ocean Between Us, which was released on August 21, 2007. Debuting at No. 8 on the Billboard 200 and No. 1 on the Top Rock chart, with first-week sales of 39,000 units, the album was the highest charting release for the band. Co-produced by Killswitch Engage guitarist Adam Dutkiewicz and As I Lay Dying, and mixed by Colin Richardson, the album received generally positive reviews. Christa L. Titus of Billboard commented: "Whatever the differences between As I Lay Dying's personal desires and what its fans demand, this album surely acts as a bridge," praising the song "Comfort Betrays" for its guitar solo. Scott Alisoglu of Blabbermouth.net described the album as "a well-rounded and often thrashy metalcore album, as the band has struck an effective balance between aggression and accessible melodies." Thom Jurek of Allmusic praised the band for expanding its musical range by including melodic singing and choruses, as they had previously done on "Confined" from Shadows Are Security. It was the first time that bass guitarist Gilbert recorded a studio album with the band. To promote the album, As I Lay Dying performed at the Warped Tour 2007 in August, and toured through Europe in September with Darkest Hour, Himsa, and Maroon. The band was awarded the title "Ultimate Metal God" by MTV2's "All That Rocks" special, and was nominated for a Grammy Award in the category of "Best Metal Performance" for the song "Nothing Left". The other Grammy Award nominees included winner Slayer, King Diamond, Machine Head, and Shadows Fall. The band played a portion of the 2008 Warped Tour, as well as the Taste of Chaos UK 2008 Tour with headliners Atreyu. On April 9, 2009, the DVD This Is Who We Are was released in Europe, and was released in the US on April 14, 2009. The DVD was certified Gold in the US almost a month after its release. The Powerless Rise and Decas (2010–2011) After recording through 2009, the band's fifth record The Powerless Rise was streamed on the MySpace Music website on May 7, 2010 up until May 10, 2010. The album was officially released on May 11, 2010 and received generally positive critical acclaim, with one critic saying: "Fans of metalcore in general, and As I Lay Dying in particular, will be more than satisfied with The Powerless Rise, as the band's gradual progression and consistency makes this their best album." In 2010 the band toured in support of The Powerless Rise, headlining the majority of their shows. In the first half of the year, the band embarked on a US tour with Demon Hunter, blessthefall, and War of Ages. This was followed by a mid-2010 headlining tour titled "The Cool Tour" across the US, and a headlining tour across US/Canada that also featured All That Remains, Unearth, and Carnifex. The band's final headline tour of the year was in Europe, with Heaven Shall Burn, Suicide Silence, and Sylosis. In February 2011, the band headlined a US tour with support from Winds of Plague and After the Burial. The band then toured in late April/early May with Trivium, in support of Disturbed, on the "Music as a Weapon" tour in Australia and New Zealand. Then at the end of May and beginning of June, the band headlined a few performances with Heaven Shall Burn. On November 8, 2011, As I Lay Dying released a compilation, Decas, in honor of the band's ten-year anniversary. The album featured three new, original songs; four cover versions of songs by bands such as Slayer, Judas Priest and Descendents; a re-recorded medley that uses parts of several songs taken from Beneath the Encasing of Ashes; and four remixes, consisting of one song from each of their albums since Frail Words Collapse. The album's first track "Paralyzed" was released as a lyric video on September 13, 2011, and as a free download on iTunes on November 7, the day before the album's release. The band embarked on the "A Decade of Destruction" tour, coinciding with the release of the album, from November to December 2011. Awakened, Tim Lambesis' trial and hiatus (2012–2016) On January 25, 2012, an announcement revealed that the band would be playing the Mayhem Festival of 2012 with Slipknot, Slayer, Motörhead, Anthrax, The Devil Wears Prada, Asking Alexandria, Whitechapel, Upon A Burning Body, I, the Breather, Betraying the Martyrs, and Dirtfedd. The band announced in April 2012 that Bill Stevenson, who had previously worked with NOFX and Rise Against, would be the producer for their sixth album. On June 22, 2012, the band announced that their sixth album would be titled Awakened and the first single "Cauterize" was released on June 25, 2012. On September 12, 2012, As I Lay Dying released their second single "A Greater Foundation" with a corresponding music video. The album was released on September 25, 2012 and "Cauterize" was available on the band's website as a free download for a 24-hour period. As I Lay Dying won the "Metal Band of the Year" award from Loudwire in 2012, beating other well-known bands, including Anthrax and Lamb of God. Subsequently, prior to his criminal charges, Lambesis started a new band entitled Pyrithion with guitarist Ryan Glisan, formerly of Allegaeon. They released one EP as a band. On May 7, 2013, Lambesis was arrested in Oceanside, California, US after hiring an undercover detective to kill his estranged wife. The report was made by the San Diego County Sheriff's Department, leaving the future of the band uncertain. On the following day, the band released a statement in which they said: "The legal process is taking its course and we have no more information than you do. There are many unanswered questions, and the situation will become clearer in the coming days and weeks. We'll keep you informed as best we can." They also stated that their thoughts were "with Tim, his family, and with everyone else affected by this terrible situation." Eight days later, the band cancelled their mid-2013 tour with Killswitch Engage, stating that "we feel that it is best for the band to be off the road while the current situation gets sorted". During the month of his initial arrest, Lambesis pleaded "not guilty" and his lawyer stated: "His thought processes were devastatingly affected by his steroid use." On February 25, 2014 Lambesis changed his plea from "not guilty" to "guilty" and consequently faced a potential sentence of nine years in prison. Rather than continue on without Lambesis, Mancino, along with former members Phil Sgrosso, Nick Hipa, and Josh Gilbert, decided to focus on a different style of music under a different band name, Wovenwar, with Shane Blay as the vocalist, This project took shape long before Lambesis' plea. although Mancino still remained a member of As I Lay Dying. During this period of time, Lambesis was also working on music and found time to release the third Austrian Death Machine album, titled Triple Brutal. On May 16, 2014, Lambesis was sentenced to six years in prison, with 48 days credit for time served. Lambesis' release, reunion and new music (2016–2018) Lambesis was released from prison on probation in December 2016. After his release he began reaching out to the other members of the band looking to apologize in person starting with Mancino and Gilbert. After months of silence Gilbert and Mancino eventually met with Lambesis and began speaking with him regularly after noting positive changes in his character. Lambesis attempted to reconnect with Sgrosso and Hipa following his meetings with Gilbert and Mancino—who as a result of Lambesis' actions and the strain it put on their relationships—had stopped speaking to each other following the recording of the second Wovenwar album. Sgrosso explained in a reunion-related discussion video posted by the band on June 16, 2018 that he initially replied to all of Lambesis' emails with explicit expressions of having no desire to speak with him. Sgrosso explained that his disdain with Lambesis started well before his arrest and took relief in not having to be in a band with him anymore upon Lambesis' arrest. His relationship with Hipa deteriorated due to what both described as not being able to deal with the weight of the aftermath properly. Hipa explained that while he initially felt empathy towards Lambesis after his tearful courtroom apology—it was short lived following Lambesis' interview with Alternative Press which Hipa claimed read like "one long excuse". After Lambesis made his public apology, Sgrosso finally agreed to meet with Lambesis and claimed Lambesis evolved into a different person than he was for the years leading up to his arrest which inspired him to reach out to Hipa to rekindle their friendship. Hipa was the last to speak with Lambesis due to what Hipa described as not being able to escape the shadow of Lambesis' arrest and the mental and physical effects it took on him. After reconnecting with Sgrosso and reading Lambesis' apology—he agreed to meet with Lambesis as a means to "let go of his hatred" and claimed that Lambesis owned up and took responsibility for every one of his actions he was called on. Over the course of the tail end of Lambesis' incarceration and release, the band's public opinion towards Lambesis softened. Mancino did an interview primarily discussing Wovenwar, but also spoke about As I Lay Dying on MetalSucks' podcast. He stated that, contrary to popular beliefs, that Hipa, Sgrosso and Gilbert are still technically a part of As I Lay Dying due to their record contract and in another interview stated that he has "no ill will" towards Lambesis and wished him well. Hipa, when on an episode of Jamey Jasta's podcast when asked about a reunion commented "what it comes down to is what makes sense with what we have going on in our lives. And we've got a lot of important things going on that don't relate to that and we've made commitments to, and that's what we are honoring at this moment. Honestly it's just not something we try and consume our thoughts with. Because it's like we have families, businesses, professions, and a band—and all these things we're super invested into. It's like all of our attention is there with that at the moment." On September 2, 2017, Metal Injection reported that Lambesis was working on new music and planned to release it under the As I Lay Dying name and that none of the pre-hiatus lineup aside from Lambesis would be returning. This would later be proven false, as on June 8, 2018, the band released the music video for "My Own Grave", confirming through the video that the lineup of Lambesis, Hipa, Sgrosso, Gilbert and Mancino had reunited. They performed their first show—which sold out in four minutes—in five years at the SOMA Sidestage in their hometown of San Diego. The band has stated the single was their first and only song written since their formal reunion in February 2018 and had no concrete plans past releasing the single and playing the SOMA show. The news of their reunion drew particularly divisive reactions from fans and media outlets. While fan and critical reception of the band's reunion and comeback single were met largely with praise, others were openly skeptical on supporting Tim Lambesis following his prison sentence. Most notably was MetalSucks, who published an editorial that they will no longer be writing about the band with multiple outlets voicing their support for MetalSucks' decision. On June 16, 2018—the date of their comeback show at the SOMA—the band published a video on their official YouTube account addressing the questions and criticisms fans and critics of the band had and explaining the terms in detail of the reunion. In July 2018, the band announced their first European headlining tour for December 2018. A day later, they announced their North American tour for November 2018. A vast majority of the shows sold out immediately. While tickets sold out quickly, some venues and festivals received a public backlash for booking the band because of Lambesis' crimes and decided to cancel the band's performances. Spain's Resurrection Fest announced it would be dropping As I Lay Dying from its bill in October 2018, and months later in January 2019, the Memphis, Tennessee venue Growlers cancelled their previously scheduled show in April 2019. Growlers released a statement that acknowledged Lambesis' public message from 2018, but stated: "After hearing the combined voice of disheartened friends, local bands, and patrons, locally owned concert venue and bar, Growlers, has cancelled their scheduled show with As I Lay Dying, previously set for April 5th, and will replace it with a local show to benefit victims of domestic violence [...] Not everyone was ready to give Lambesis a second chance, and Growlers has created controversy in Memphis for booking his band." Touring, Shaped by Fire, and Nick Hipa's departure (2019–present) They embarked on a tour in March 2019 with Phinehas, Currents and Frost Koffin as support. On April 12, 2019, the band released a music video for "Redefined", including a guest appearance by August Burns Red frontman Jake Luhrs. On April 14, the band announced the "Shaped by Fire" tour of Europe with support from Chelsea Grin, Unearth and Fit for a King running from September 2019 and concluding in October. On July 15, the band announced the North American dates of the "Shaped by Fire" Tour with direct support from After the Burial and Emmure to begin on November 15 at the House of Blues in Las Vegas and conclude on December 14 with a hometown show at the Soma San Diego. Details of their forthcoming album, Shaped by Fire, were leaked through Nuclear Blast's European website with a projected release date of September 20, 2019. On August 9, the band officially announced their first album in seven years, Shaped by Fire, would be released through Nuclear Blast Records, along with releasing the album's title track. On September 13, the band released "Blinded" as the album's fourth single along with an accompanying music video. In March 2020, as a way of supporting their crew during the COVID-19 pandemic, they released an additional song, "Destruction or Strength", a B-side from Shaped by Fire album sessions. In May 2020, another music video for the song "Torn Between" was released. On August 15, it was reported that Nick Hipa might have left the band, as he no longer performed with them and disassociated his personal social media accounts with the band. Hipa officially confirmed his departure one year later on August 31, 2021, noting that behaviors resulting from being in the band led to his decision to leave it: "There is tremendous good that can be accomplished through singular focus on the power of music. However to my memory and recent experience, it comes at the cost of tolerating behavior which at times mistreats, disrespects, and hurts other people." He further elaborated that the power and reasoning behind As I Lay Dying's reunion had faded in favor of superficial pursuits, which he did not wish to be a part of. On September 24, 2021, the band unveiled a new single, "Roots Below". Musical style and influences As I Lay Dying is considered a prominent metalcore band. The band also has been referred to as Christian metal, death metal, and thrash metal. As I Lay Dying's music uses lots of elements of melodic death metal. In a review of Beneath the Encasing of Ashes, Bradley Torreano of AllMusic described the band's sound as a blend of heavy metal, hardcore, and grindcore. Heavy metal writer Garry Sharpe-Young described the band as a "Christian Hardcore act employing the Grind edged vocals of singer Tim Lambesis and a distinct hint of Scandinavian guitar chug." As I Lay Dying's influences include In Flames, Living Sacrifice, Iron Maiden, Slayer, At the Gates, Pantera, Megadeth, Fear Factory, Cannibal Corpse, Thin Lizzy, Shai Hulud, Dark Tranquillity, Metallica, Judas Priest, and Earth Crisis. Christianity Although As I Lay Dying has stated on numerous occasions that all of the members of the group are practicing Christians, the band is usually described by media as being in the metalcore genre, not Christian metal. The band's lyrics do not focus on Christian themes the way many praise music bands do, nor do they treat their music as a direct extension of their private Christian worship or proselytizing efforts. For example, not once do the names God or Jesus appear in any As I Lay Dying song, nor do any of their songs explicitly invoke Christian doctrine or quote the Bible. Most songs tend to address broader spiritual concepts like existential angst or the struggle between reason and spirituality. Lyricist and lead singer Tim Lambesis has given mixed commentary on the subject: asked in 2008 if the members were "a Christian band" or "Christians in a band", Lambesis stated on the band's FAQ, "I'm not sure what the difference is between five Christians playing in a band and a Christian band, if you truly believe something, then it should affect every area of your life. All five of us are Christians. I believe that change should start with me first, and as a result, our lyrics do not come across very 'preachy.' Many of our songs are about life, struggles, mistakes, relationships and other issues that don't fit entirely in the spiritual category. However, all of these topics are written about through my perspective as a Christian." Furthermore, during an August 2010 radio interview on the Christian metal radio show The Full Armor of God Broadcast, Lambesis stated "I can only really write about what I'm passionate about in life, so naturally my faith, my belief in the teachings of Jesus and His resurrection come across in our lyrics." However, in later years, Lambesis showed an increasing philosophical skepticism towards Christianity and religion in general. Court documents stated Lambesis emailed his wife Meggan in August 2012, while on tour with As I Lay Dying, asking for a divorce and stating he "no longer believed in God". In explaining some of the lyrics from Awakened, Lambesis stated on his personal Tumblr account that his studies of theology had led him to the conclusion that "tradition and truth are often at odds with each other", and while he "didn't hate all religious belief", he was finding it "very difficult for [him] to outline exactly who it is that's worth siding with." He also quoted the book Pagan Christianity by George Barna and Frank Viola, claiming that both "Protestant and Catholic denominations have poisonous roots". While on house arrest in July 2013, after being charged with soliciting his wife's murder, Lambesis published a blog post in which he obliquely confirmed his previous loss of faith in Christianity. In 2014, Lambesis said that although they were marketed as a Christian band, the members privately considered themselves atheists. Following this statement, guitarist Nick Hipa responded by calling these claims slanderous and defamatory. However, since his arrest it has been reported that Lambesis, in an April 2014 statement by the band, "[...] has spent much of the last year reevaluating what originally convinced him to abandon belief in God. After much brokenness and repentance he sees things differently, considers himself a follower of Jesus, someone submitted to the will of God, or whatever you want to call it. That's for him to talk about when he's comfortable and only time will tell if he is sincere." Members Current Tim Lambesis – unclean vocals, occasional clean vocals (2000–2014, 2017–present) Jordan Mancino – drums (2000–2014, 2018–present) Phil Sgrosso – guitars, backing vocals (2003–2014, 2018–present) Josh Gilbert – bass, clean vocals (2006–2014, 2018–present) Former Nick Hipa – guitars, backing vocals (2003–2014, 2018–2020) Clint Norris – bass, clean vocals (2003–2006) Evan White – guitars (2001–2003), bass (2002–2003) Jeremy Rojas – guitars (2001) Jon Jameson – bass (2001) Noah Chase – bass (2001, 2002, 2003) Tommy Garcia – guitars, bass, backing vocals (2002–2003; session member 2003–2010) Jason Krebs – guitars (2002–2003) Brandon Hays – bass, guitars (2002–2003) Aaron Kennedy – bass (2003) Touring musicians Chad Ackerman – guitars (2001–2002), backing vocals (session, 2007) Caylen Denuccio – bass (2002–2003) Chris Lindstrom – guitars (2001, 2003) Mark Macdonald – guitars (2003–2004) Ruben Gutierrez – guitars (2001) David Arthur – clean vocals (2005) Justin Foley – drums (2009) Joey Bradford – backing vocals (2012) Duane Reed – backing vocals (2007) Timeline Discography Beneath the Encasing of Ashes (2001) Frail Words Collapse (2003) Shadows Are Security (2005) An Ocean Between Us (2007) The Powerless Rise (2010) Awakened (2012) Shaped by Fire (2019) Awards and nominations San Diego Music Awards Artist of the Year (2005) Artist of the Year (2007) Artist of the Year (2008) Best Hard Rock (2011) Grammy Awards Nominated for 2008 Best Metal Performance for the song "Nothing Left" MTV2 Music Awards Ultimate Metal God (2007) Hollywood Film Fest awards Best Music Video for "The Sound of Truth" music video Loudwire Music Awards Metal Band of the Year (2012) References External links American metalcore musical groups Heavy metal musical groups from California Musical groups from San Diego Musical quintets 2000 establishments in California Musical groups established in 2000 Musical groups disestablished in 2014 Musical groups reestablished in 2017 Metal Blade Records artists Articles which contain graphical timelines

C_b80aaf83bab441d7a0195048d6a09917_0

Were there any changes in band members during this time?

Were there any changes in band members of "As I Lay Dying" during the time they were on a US tour with support from Winds of Plague and After the Burial.

As I Lay Dying (band)

After recording through 2009, the band's fifth record The Powerless Rise was streamed on the MySpace Music website on May 7, 2010 up until May 10, 2010. The album was officially released on May 11, 2010 and received generally positive critical acclaim, with one critic saying: "Fans of metalcore in general, and As I Lay Dying in particular, will be more than satisfied with The Powerless Rise, as the band's gradual progression and consistency makes this their best album." In 2010 the band toured in support of The Powerless Rise, headlining the majority of their shows. In the first half of the year, the band embarked on a US tour with Demon Hunter, blessthefall, and War of Ages. This was followed by a mid-2010 headlining tour titled "The Cool Tour" across the US, and a headlining tour across US/Canada that also featured All That Remains, Unearth, and Carnifex. The band's final headline tour of the year was in Europe, with Heaven Shall Burn, Suicide Silence, and Sylosis. In February 2011, the band headlined a US tour with support from Winds of Plague and After the Burial. The band then toured in late April/early May with Trivium, in support of Disturbed, on the "Music as a Weapon" tour in Australia and New Zealand. Then at the end of May and beginning of June, the band headlined a few performances with Heaven Shall Burn. On November 8, 2011, As I Lay Dying released a compilation, Decas, in honor of the band's ten-year anniversary. The album featured three new, original songs; four cover versions of songs by bands such as Slayer, Judas Priest and Descendents; a re-recorded medley that uses parts of several songs taken from Beneath the Encasing of Ashes; and four remixes, consisting of one song from each of their albums since Frail Words Collapse. The album's first track "Paralyzed" was released as a lyric video on September 13, 2011, and as a free download on iTunes on November 7, the day before the album's release. The band embarked on the "A Decade of Destruction" tour, coinciding with the release of the album, from November to December 2011. CANNOTANSWER

The band embarked on the "A Decade of Destruction" tour, coinciding with the release of the album,

As I Lay Dying is an American metalcore band from San Diego, California. Founded in 2000 by vocalist Tim Lambesis, the band's first full lineup (including Lambesis' Point of Recognition bandmate Jordan Mancino) was completed in 2001. The band has released seven albums, one split album, and two compilation albums. As I Lay Dying's fourth studio album An Ocean Between Us peaked at No. 8 on the Billboard 200, and No. 1 on the Top Rock chart. The band has performed at events such as Wacken Open Air, With Full Force, Soundwave Festival, Warped Tour, Bloodstock Open Air and Taste of Chaos. In 2007, As I Lay Dying won the "Ultimate Metal God" award from MTV2 at the first annual "All That Rocks" special; was named "Artist of the Year" at the San Diego Music Awards in 2005, 2007 and 2008; and was nominated for a 2008 Grammy Award for the song "Nothing Left." Their fifth studio album The Powerless Rise was written over a three-year period, and was released in May 2010 to widespread critical acclaim. Their last studio album before their hiatus, Awakened, was released on September 25, 2012. The band went on an indefinite hiatus in 2014 when Lambesis was convicted and sentenced to six years in prison for soliciting the murder of his estranged wife. The remaining members formed Wovenwar with vocalist Shane Blay. In 2018, Lambesis reunited with Hipa, Sgrosso, Mancino and Gilbert. On June 8, 2018, the band released the song "My Own Grave", their first recording in six years. They released their seventh studio album, Shaped by Fire, on September 20, 2019. History Formation and first releases (2000–2004) After leaving the band Society's Finest, in which he played guitar, vocalist Tim Lambesis formed As I Lay Dying in 2000. Starting out as a duet with drummer Jordan Mancino, they first met as a band in February 2001. They both were in the hardcore punk band Point of Recognition. The band's name came from the novel of the same name by William Faulkner that was published in 1930; although the band's lyrics and music are not directly inspired by the novel. Shortly after the band's formation, Pluto Records offered As I Lay Dying a recording contract and, after accepting the offer, the band entered the studio one month later to record their first album Beneath the Encasing of Ashes, released in June 2001. The band then recorded five songs for a split album, again through Pluto Records, with San Diego post-hardcore band American Tragedy. As I Lay Dying realized it needed to expand to a five-piece band to include another guitarist and a bass guitarist. Mancino commented "we started going on tour and we needed obviously more people than that." As Lambesis and Mancino were the only permanent members, the band recruited friends to perform with them and subsequently underwent several lineup changes: bass guitarist Noah Chase departed in 2001, while Brandon Hays, and his subsequent replacement Aaron Kennedy, departed in 2003. During early 2003, when As I Lay Dying's Pluto Records contract expired, the band pursued deals with other record labels. After extensive touring and an increase in popularity, As I Lay Dying was offered a record deal with Metal Blade Records in March 2003. In July 2003, the band's second studio album Frail Words Collapse was released. Produced by Lambesis, the album peaked at No. 30 on Billboards Independent Albums chart and No. 41 on the Top Heatseekers chart. William York of Allmusic thought the band "doesn't really add anything new to the mix from a musical standpoint" with the release, while also praising it for being "solid enough and well executed" with "adequate" production. Sherwin Frias of Jesus Freak Hideout had similar sentiments and commented "As I Lay Dying didn't exactly break many boundaries in making this record", but praised that each song is "executed so well (and with such precision) that nary a song misses its target." Touring then occurred to promote the album, with support from bands Himsa, Shadows Fall, The Black Dahlia Murder, Killswitch Engage, In Flames, Sworn Enemy, and Hatebreed. Music videos for the songs "94 Hours" and "Forever" received rotation on networks such as Fuse and MTV2's Headbangers Ball. Success (2005–2009) As I Lay Dying entered Big Fish recording studio in Encinitas, California, US in January 2005 to record their third studio album. Shadows Are Security was released in June of the same year and debuted at No. 1 on the Independent Albums chart. It was also the band's first release to enter the Billboard 200—at No. 35—and sold about 275,000 copies. Wade Kergan of AllMusic called it "one of the strongest releases of 2005," and commented that new guitarists Phil Sgrosso and Nick Hipa make the band "stronger." Rod Smith of Decibel Magazine commented: "Tim Lambesis's finely honed roar in bittersweet instrumental matrices augmented by occasional clean vocals by bass guitarist Clint Norris. Guitarists Phil Sgrosso and Nick Hipa whip up a melodic cyclone on 'The Darkest Nights'." By this time, guitarist Evan White had quit the band for personal reasons after his mother died. All the singing was done by Dave Arthur of Kings to You, because it sounded more powerful in the studio in comparison to Clint Norris's singing. As I Lay Dying began touring to promote the new record by making appearances at Hell on Earth, Winter Headline Tour, and Ozzfest, as well as a tour with Slipknot and Unearth. The band was on the second stage alongside Rob Zombie, Killswitch Engage, Mastodon, The Haunted, and It Dies Today. The band raised its profile in 2006 through its support slot on the Taste of Chaos tour in the US, alongside bands such as Deftones, Thrice, Dredg, Funeral for a Friend, and Story of the Year. In May 2006, Beneath the Encasing of Ashes and the songs from the split album were re-released through Metal Blade Records as A Long March: The First Recordings. The album contained the original and re-recorded versions of the songs from the split album—the band preferred to re-release the material, as they didn't want their fans paying large sums of money to listen to early releases. The re-release peaked at No. 3 on the Independent Albums chart and No. 129 on the Billboard 200 chart. In mid-2006, As I Lay Dying was the headline act at the Sounds of the Underground Festival. Norris left the band on good terms in November 2006 with a desire to focus on his marriage. The band auditioned ten bass guitarists, but none proved successful. Lambesis received demo tapes from a band called This Endearing, of which bass guitarists Josh Gilbert was a member; however, Lambesis chose to "sit on it" and waited for the band to record more material. This Endearing subsequently disbanded and Gilbert was recruited as As I Lay Dying's new bass guitarist. In 2007 As I Lay Dying started recording a new album titled An Ocean Between Us, which was released on August 21, 2007. Debuting at No. 8 on the Billboard 200 and No. 1 on the Top Rock chart, with first-week sales of 39,000 units, the album was the highest charting release for the band. Co-produced by Killswitch Engage guitarist Adam Dutkiewicz and As I Lay Dying, and mixed by Colin Richardson, the album received generally positive reviews. Christa L. Titus of Billboard commented: "Whatever the differences between As I Lay Dying's personal desires and what its fans demand, this album surely acts as a bridge," praising the song "Comfort Betrays" for its guitar solo. Scott Alisoglu of Blabbermouth.net described the album as "a well-rounded and often thrashy metalcore album, as the band has struck an effective balance between aggression and accessible melodies." Thom Jurek of Allmusic praised the band for expanding its musical range by including melodic singing and choruses, as they had previously done on "Confined" from Shadows Are Security. It was the first time that bass guitarist Gilbert recorded a studio album with the band. To promote the album, As I Lay Dying performed at the Warped Tour 2007 in August, and toured through Europe in September with Darkest Hour, Himsa, and Maroon. The band was awarded the title "Ultimate Metal God" by MTV2's "All That Rocks" special, and was nominated for a Grammy Award in the category of "Best Metal Performance" for the song "Nothing Left". The other Grammy Award nominees included winner Slayer, King Diamond, Machine Head, and Shadows Fall. The band played a portion of the 2008 Warped Tour, as well as the Taste of Chaos UK 2008 Tour with headliners Atreyu. On April 9, 2009, the DVD This Is Who We Are was released in Europe, and was released in the US on April 14, 2009. The DVD was certified Gold in the US almost a month after its release. The Powerless Rise and Decas (2010–2011) After recording through 2009, the band's fifth record The Powerless Rise was streamed on the MySpace Music website on May 7, 2010 up until May 10, 2010. The album was officially released on May 11, 2010 and received generally positive critical acclaim, with one critic saying: "Fans of metalcore in general, and As I Lay Dying in particular, will be more than satisfied with The Powerless Rise, as the band's gradual progression and consistency makes this their best album." In 2010 the band toured in support of The Powerless Rise, headlining the majority of their shows. In the first half of the year, the band embarked on a US tour with Demon Hunter, blessthefall, and War of Ages. This was followed by a mid-2010 headlining tour titled "The Cool Tour" across the US, and a headlining tour across US/Canada that also featured All That Remains, Unearth, and Carnifex. The band's final headline tour of the year was in Europe, with Heaven Shall Burn, Suicide Silence, and Sylosis. In February 2011, the band headlined a US tour with support from Winds of Plague and After the Burial. The band then toured in late April/early May with Trivium, in support of Disturbed, on the "Music as a Weapon" tour in Australia and New Zealand. Then at the end of May and beginning of June, the band headlined a few performances with Heaven Shall Burn. On November 8, 2011, As I Lay Dying released a compilation, Decas, in honor of the band's ten-year anniversary. The album featured three new, original songs; four cover versions of songs by bands such as Slayer, Judas Priest and Descendents; a re-recorded medley that uses parts of several songs taken from Beneath the Encasing of Ashes; and four remixes, consisting of one song from each of their albums since Frail Words Collapse. The album's first track "Paralyzed" was released as a lyric video on September 13, 2011, and as a free download on iTunes on November 7, the day before the album's release. The band embarked on the "A Decade of Destruction" tour, coinciding with the release of the album, from November to December 2011. Awakened, Tim Lambesis' trial and hiatus (2012–2016) On January 25, 2012, an announcement revealed that the band would be playing the Mayhem Festival of 2012 with Slipknot, Slayer, Motörhead, Anthrax, The Devil Wears Prada, Asking Alexandria, Whitechapel, Upon A Burning Body, I, the Breather, Betraying the Martyrs, and Dirtfedd. The band announced in April 2012 that Bill Stevenson, who had previously worked with NOFX and Rise Against, would be the producer for their sixth album. On June 22, 2012, the band announced that their sixth album would be titled Awakened and the first single "Cauterize" was released on June 25, 2012. On September 12, 2012, As I Lay Dying released their second single "A Greater Foundation" with a corresponding music video. The album was released on September 25, 2012 and "Cauterize" was available on the band's website as a free download for a 24-hour period. As I Lay Dying won the "Metal Band of the Year" award from Loudwire in 2012, beating other well-known bands, including Anthrax and Lamb of God. Subsequently, prior to his criminal charges, Lambesis started a new band entitled Pyrithion with guitarist Ryan Glisan, formerly of Allegaeon. They released one EP as a band. On May 7, 2013, Lambesis was arrested in Oceanside, California, US after hiring an undercover detective to kill his estranged wife. The report was made by the San Diego County Sheriff's Department, leaving the future of the band uncertain. On the following day, the band released a statement in which they said: "The legal process is taking its course and we have no more information than you do. There are many unanswered questions, and the situation will become clearer in the coming days and weeks. We'll keep you informed as best we can." They also stated that their thoughts were "with Tim, his family, and with everyone else affected by this terrible situation." Eight days later, the band cancelled their mid-2013 tour with Killswitch Engage, stating that "we feel that it is best for the band to be off the road while the current situation gets sorted". During the month of his initial arrest, Lambesis pleaded "not guilty" and his lawyer stated: "His thought processes were devastatingly affected by his steroid use." On February 25, 2014 Lambesis changed his plea from "not guilty" to "guilty" and consequently faced a potential sentence of nine years in prison. Rather than continue on without Lambesis, Mancino, along with former members Phil Sgrosso, Nick Hipa, and Josh Gilbert, decided to focus on a different style of music under a different band name, Wovenwar, with Shane Blay as the vocalist, This project took shape long before Lambesis' plea. although Mancino still remained a member of As I Lay Dying. During this period of time, Lambesis was also working on music and found time to release the third Austrian Death Machine album, titled Triple Brutal. On May 16, 2014, Lambesis was sentenced to six years in prison, with 48 days credit for time served. Lambesis' release, reunion and new music (2016–2018) Lambesis was released from prison on probation in December 2016. After his release he began reaching out to the other members of the band looking to apologize in person starting with Mancino and Gilbert. After months of silence Gilbert and Mancino eventually met with Lambesis and began speaking with him regularly after noting positive changes in his character. Lambesis attempted to reconnect with Sgrosso and Hipa following his meetings with Gilbert and Mancino—who as a result of Lambesis' actions and the strain it put on their relationships—had stopped speaking to each other following the recording of the second Wovenwar album. Sgrosso explained in a reunion-related discussion video posted by the band on June 16, 2018 that he initially replied to all of Lambesis' emails with explicit expressions of having no desire to speak with him. Sgrosso explained that his disdain with Lambesis started well before his arrest and took relief in not having to be in a band with him anymore upon Lambesis' arrest. His relationship with Hipa deteriorated due to what both described as not being able to deal with the weight of the aftermath properly. Hipa explained that while he initially felt empathy towards Lambesis after his tearful courtroom apology—it was short lived following Lambesis' interview with Alternative Press which Hipa claimed read like "one long excuse". After Lambesis made his public apology, Sgrosso finally agreed to meet with Lambesis and claimed Lambesis evolved into a different person than he was for the years leading up to his arrest which inspired him to reach out to Hipa to rekindle their friendship. Hipa was the last to speak with Lambesis due to what Hipa described as not being able to escape the shadow of Lambesis' arrest and the mental and physical effects it took on him. After reconnecting with Sgrosso and reading Lambesis' apology—he agreed to meet with Lambesis as a means to "let go of his hatred" and claimed that Lambesis owned up and took responsibility for every one of his actions he was called on. Over the course of the tail end of Lambesis' incarceration and release, the band's public opinion towards Lambesis softened. Mancino did an interview primarily discussing Wovenwar, but also spoke about As I Lay Dying on MetalSucks' podcast. He stated that, contrary to popular beliefs, that Hipa, Sgrosso and Gilbert are still technically a part of As I Lay Dying due to their record contract and in another interview stated that he has "no ill will" towards Lambesis and wished him well. Hipa, when on an episode of Jamey Jasta's podcast when asked about a reunion commented "what it comes down to is what makes sense with what we have going on in our lives. And we've got a lot of important things going on that don't relate to that and we've made commitments to, and that's what we are honoring at this moment. Honestly it's just not something we try and consume our thoughts with. Because it's like we have families, businesses, professions, and a band—and all these things we're super invested into. It's like all of our attention is there with that at the moment." On September 2, 2017, Metal Injection reported that Lambesis was working on new music and planned to release it under the As I Lay Dying name and that none of the pre-hiatus lineup aside from Lambesis would be returning. This would later be proven false, as on June 8, 2018, the band released the music video for "My Own Grave", confirming through the video that the lineup of Lambesis, Hipa, Sgrosso, Gilbert and Mancino had reunited. They performed their first show—which sold out in four minutes—in five years at the SOMA Sidestage in their hometown of San Diego. The band has stated the single was their first and only song written since their formal reunion in February 2018 and had no concrete plans past releasing the single and playing the SOMA show. The news of their reunion drew particularly divisive reactions from fans and media outlets. While fan and critical reception of the band's reunion and comeback single were met largely with praise, others were openly skeptical on supporting Tim Lambesis following his prison sentence. Most notably was MetalSucks, who published an editorial that they will no longer be writing about the band with multiple outlets voicing their support for MetalSucks' decision. On June 16, 2018—the date of their comeback show at the SOMA—the band published a video on their official YouTube account addressing the questions and criticisms fans and critics of the band had and explaining the terms in detail of the reunion. In July 2018, the band announced their first European headlining tour for December 2018. A day later, they announced their North American tour for November 2018. A vast majority of the shows sold out immediately. While tickets sold out quickly, some venues and festivals received a public backlash for booking the band because of Lambesis' crimes and decided to cancel the band's performances. Spain's Resurrection Fest announced it would be dropping As I Lay Dying from its bill in October 2018, and months later in January 2019, the Memphis, Tennessee venue Growlers cancelled their previously scheduled show in April 2019. Growlers released a statement that acknowledged Lambesis' public message from 2018, but stated: "After hearing the combined voice of disheartened friends, local bands, and patrons, locally owned concert venue and bar, Growlers, has cancelled their scheduled show with As I Lay Dying, previously set for April 5th, and will replace it with a local show to benefit victims of domestic violence [...] Not everyone was ready to give Lambesis a second chance, and Growlers has created controversy in Memphis for booking his band." Touring, Shaped by Fire, and Nick Hipa's departure (2019–present) They embarked on a tour in March 2019 with Phinehas, Currents and Frost Koffin as support. On April 12, 2019, the band released a music video for "Redefined", including a guest appearance by August Burns Red frontman Jake Luhrs. On April 14, the band announced the "Shaped by Fire" tour of Europe with support from Chelsea Grin, Unearth and Fit for a King running from September 2019 and concluding in October. On July 15, the band announced the North American dates of the "Shaped by Fire" Tour with direct support from After the Burial and Emmure to begin on November 15 at the House of Blues in Las Vegas and conclude on December 14 with a hometown show at the Soma San Diego. Details of their forthcoming album, Shaped by Fire, were leaked through Nuclear Blast's European website with a projected release date of September 20, 2019. On August 9, the band officially announced their first album in seven years, Shaped by Fire, would be released through Nuclear Blast Records, along with releasing the album's title track. On September 13, the band released "Blinded" as the album's fourth single along with an accompanying music video. In March 2020, as a way of supporting their crew during the COVID-19 pandemic, they released an additional song, "Destruction or Strength", a B-side from Shaped by Fire album sessions. In May 2020, another music video for the song "Torn Between" was released. On August 15, it was reported that Nick Hipa might have left the band, as he no longer performed with them and disassociated his personal social media accounts with the band. Hipa officially confirmed his departure one year later on August 31, 2021, noting that behaviors resulting from being in the band led to his decision to leave it: "There is tremendous good that can be accomplished through singular focus on the power of music. However to my memory and recent experience, it comes at the cost of tolerating behavior which at times mistreats, disrespects, and hurts other people." He further elaborated that the power and reasoning behind As I Lay Dying's reunion had faded in favor of superficial pursuits, which he did not wish to be a part of. On September 24, 2021, the band unveiled a new single, "Roots Below". Musical style and influences As I Lay Dying is considered a prominent metalcore band. The band also has been referred to as Christian metal, death metal, and thrash metal. As I Lay Dying's music uses lots of elements of melodic death metal. In a review of Beneath the Encasing of Ashes, Bradley Torreano of AllMusic described the band's sound as a blend of heavy metal, hardcore, and grindcore. Heavy metal writer Garry Sharpe-Young described the band as a "Christian Hardcore act employing the Grind edged vocals of singer Tim Lambesis and a distinct hint of Scandinavian guitar chug." As I Lay Dying's influences include In Flames, Living Sacrifice, Iron Maiden, Slayer, At the Gates, Pantera, Megadeth, Fear Factory, Cannibal Corpse, Thin Lizzy, Shai Hulud, Dark Tranquillity, Metallica, Judas Priest, and Earth Crisis. Christianity Although As I Lay Dying has stated on numerous occasions that all of the members of the group are practicing Christians, the band is usually described by media as being in the metalcore genre, not Christian metal. The band's lyrics do not focus on Christian themes the way many praise music bands do, nor do they treat their music as a direct extension of their private Christian worship or proselytizing efforts. For example, not once do the names God or Jesus appear in any As I Lay Dying song, nor do any of their songs explicitly invoke Christian doctrine or quote the Bible. Most songs tend to address broader spiritual concepts like existential angst or the struggle between reason and spirituality. Lyricist and lead singer Tim Lambesis has given mixed commentary on the subject: asked in 2008 if the members were "a Christian band" or "Christians in a band", Lambesis stated on the band's FAQ, "I'm not sure what the difference is between five Christians playing in a band and a Christian band, if you truly believe something, then it should affect every area of your life. All five of us are Christians. I believe that change should start with me first, and as a result, our lyrics do not come across very 'preachy.' Many of our songs are about life, struggles, mistakes, relationships and other issues that don't fit entirely in the spiritual category. However, all of these topics are written about through my perspective as a Christian." Furthermore, during an August 2010 radio interview on the Christian metal radio show The Full Armor of God Broadcast, Lambesis stated "I can only really write about what I'm passionate about in life, so naturally my faith, my belief in the teachings of Jesus and His resurrection come across in our lyrics." However, in later years, Lambesis showed an increasing philosophical skepticism towards Christianity and religion in general. Court documents stated Lambesis emailed his wife Meggan in August 2012, while on tour with As I Lay Dying, asking for a divorce and stating he "no longer believed in God". In explaining some of the lyrics from Awakened, Lambesis stated on his personal Tumblr account that his studies of theology had led him to the conclusion that "tradition and truth are often at odds with each other", and while he "didn't hate all religious belief", he was finding it "very difficult for [him] to outline exactly who it is that's worth siding with." He also quoted the book Pagan Christianity by George Barna and Frank Viola, claiming that both "Protestant and Catholic denominations have poisonous roots". While on house arrest in July 2013, after being charged with soliciting his wife's murder, Lambesis published a blog post in which he obliquely confirmed his previous loss of faith in Christianity. In 2014, Lambesis said that although they were marketed as a Christian band, the members privately considered themselves atheists. Following this statement, guitarist Nick Hipa responded by calling these claims slanderous and defamatory. However, since his arrest it has been reported that Lambesis, in an April 2014 statement by the band, "[...] has spent much of the last year reevaluating what originally convinced him to abandon belief in God. After much brokenness and repentance he sees things differently, considers himself a follower of Jesus, someone submitted to the will of God, or whatever you want to call it. That's for him to talk about when he's comfortable and only time will tell if he is sincere." Members Current Tim Lambesis – unclean vocals, occasional clean vocals (2000–2014, 2017–present) Jordan Mancino – drums (2000–2014, 2018–present) Phil Sgrosso – guitars, backing vocals (2003–2014, 2018–present) Josh Gilbert – bass, clean vocals (2006–2014, 2018–present) Former Nick Hipa – guitars, backing vocals (2003–2014, 2018–2020) Clint Norris – bass, clean vocals (2003–2006) Evan White – guitars (2001–2003), bass (2002–2003) Jeremy Rojas – guitars (2001) Jon Jameson – bass (2001) Noah Chase – bass (2001, 2002, 2003) Tommy Garcia – guitars, bass, backing vocals (2002–2003; session member 2003–2010) Jason Krebs – guitars (2002–2003) Brandon Hays – bass, guitars (2002–2003) Aaron Kennedy – bass (2003) Touring musicians Chad Ackerman – guitars (2001–2002), backing vocals (session, 2007) Caylen Denuccio – bass (2002–2003) Chris Lindstrom – guitars (2001, 2003) Mark Macdonald – guitars (2003–2004) Ruben Gutierrez – guitars (2001) David Arthur – clean vocals (2005) Justin Foley – drums (2009) Joey Bradford – backing vocals (2012) Duane Reed – backing vocals (2007) Timeline Discography Beneath the Encasing of Ashes (2001) Frail Words Collapse (2003) Shadows Are Security (2005) An Ocean Between Us (2007) The Powerless Rise (2010) Awakened (2012) Shaped by Fire (2019) Awards and nominations San Diego Music Awards Artist of the Year (2005) Artist of the Year (2007) Artist of the Year (2008) Best Hard Rock (2011) Grammy Awards Nominated for 2008 Best Metal Performance for the song "Nothing Left" MTV2 Music Awards Ultimate Metal God (2007) Hollywood Film Fest awards Best Music Video for "The Sound of Truth" music video Loudwire Music Awards Metal Band of the Year (2012) References External links American metalcore musical groups Heavy metal musical groups from California Musical groups from San Diego Musical quintets 2000 establishments in California Musical groups established in 2000 Musical groups disestablished in 2014 Musical groups reestablished in 2017 Metal Blade Records artists Articles which contain graphical timelines

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What was the project on the city?

What was Rem Koolhaas' project on the city?

Rem Koolhaas

Koolhaas's next landmark publications were a product of his position as professor at Harvard University, in the Design school's "Project on the City"; firstly the 720-page Mutations, followed by The Harvard Design School Guide to Shopping (2002) and The Great Leap Forward (2002). All three books involved Koolhaas's students analysing what others would regard as "non-cities", sprawling conglomerates such as Lagos in Nigeria, west Africa, which the authors argue are highly functional despite a lack of infrastructure. The authors also examine the influence of shopping habits and the recent rapid growth of cities in China. Critics of the books have criticised Koolhaas for being cynical - as if Western capitalism and globalization demolish all cultural identity - highlighted in the notion expounded in the books that "In the end, there will be little else for us to do but shop". However, such cynicism can alternatively be read as a "realism" about the transformation of cultural life, where airports and even museums (due to finance problems) rely just as much on operating gift shops. When it comes to transforming these observations into practice, Koolhaas mobilizes what he regards as the omnipotent forces of urbanism into unique design forms and connections organised along the lines of present-day society. Koolhaas continuously incorporates his observations of the contemporary city within his design activities: calling such a condition the 'culture of congestion'. Again, shopping is examined for "intellectual comfort", whilst the unregulated taste and densification of Chinese cities is analysed according to "performance", a criterion involving variables with debatable credibility: density, newness, shape, size, money etc. For example, in his design for the new CCTV headquarters in Beijing (2009), Koolhaas did not opt for the stereotypical skyscraper, often used to symbolise and landmark such government enterprises, but instead designed a series of volumes which not only tie together the numerous departments onto the nebulous site, but also introduced routes (again, the concept of cross-programming) for the general public through the site, allowing them some degree of access to the production procedure. Through his ruthlessly raw approach, Koolhaas hopes to extract the architect from the anxiety of a dead profession and resurrect a contemporary interpretation of the sublime, however fleeting it may be. In 2003, Content, a 544-page magazine-style book designed by &&& Creative and published by Koolhaas, gives an overview of the last decade of OMA projects including his designs for the Prada shops, the Seattle Public Library, a plan to save Cambridge from Harvard by rechanneling the Charles River, Lagos' future as Earth's third-biggest city, as well as interviews with Martha Stewart and Robert Venturi and Denise Scott Brown. CANNOTANSWER

a product of his position as professor at Harvard University,

Remment Lucas Koolhaas (; born 17 November 1944) is a Dutch architect, architectural theorist, urbanist and Professor in Practice of Architecture and Urban Design at the Graduate School of Design at Harvard University. He is often cited as a representative of Deconstructivism and is the author of Delirious New York: A Retroactive Manifesto for Manhattan. He is seen by some as one of the truly significant architectural thinkers and urbanists of his generation, by others as a self-important iconoclast. In 2000, Rem Koolhaas won the Pritzker Prize. In 2008, Time put him in their top 100 of The World's Most Influential People. He was elected to the American Philosophical Society in 2014. Early life and career Remment Koolhaas, usually abbreviated to Rem Koolhaas, was born on 17 November 1944 in Rotterdam, Netherlands, to Anton Koolhaas (1912–1992) and Selinde Pietertje Roosenburg (born 1920). His father was a novelist, critic, and screenwriter. Two documentary films by Bert Haanstra for which his father wrote the scenarios were nominated for an Academy Award for Documentary Feature, one won a Golden Bear for Short Film. His maternal grandfather, Dirk Roosenburg (1887–1962), was a modernist architect who worked for Hendrik Petrus Berlage, before opening his own practice. Rem Koolhaas has a brother, Thomas, and a sister, Annabel. His paternal cousin was the architect and urban planner Teun Koolhaas (1940–2007). The family lived consecutively in Rotterdam (until 1946), Amsterdam (1946–1952), Jakarta (1952–1955), and Amsterdam (from 1955). His father strongly supported the Indonesian cause for autonomy from the colonial Dutch in his writing. When the war of independence was won, he was invited over to run a cultural programme for three years and the family moved to Jakarta in 1952. "It was a very important age for me," Koolhaas recalls "and I really lived as an Asian." In 1969, Koolhaas co-wrote The White Slave, a Dutch film noir, and later wrote an unproduced script for American soft-porn king Russ Meyer. He was a journalist in 1963 at age 19 for the Haagse Post before starting studies in architecture in 1968 at the Architectural Association School of Architecture in London, followed, in 1972, by further studies with Oswald Mathias Ungers at Cornell University in Ithaca, New York, followed by studies at the Institute for Architecture and Urban Studies in New York City. Koolhaas first came to public and critical attention with OMA (The Office for Metropolitan Architecture), the office he founded in 1975 together with architects Elia Zenghelis, Zoe Zenghelis and (Koolhaas's wife) Madelon Vriesendorp in London. They were later joined by one of Koolhaas's students, Zaha Hadid – who would soon go on to achieve success in her own right. An early work which would mark their difference from the then dominant postmodern classicism of the late 1970s, was their contribution to the Venice Biennale of 1980, curated by Italian architect Paolo Portoghesi, titled "Presence of the Past". Each architect had to design a stage-like "frontage" to a Potemkin-type internal street; the façades by , Frank Gehry and OMA were the only ones that did not employ Post-Modern architecture motifs or historical references. Other early critically received (yet unbuilt) projects included the Parc de la Villette, Paris (1982) and the residence for the Prime Minister of Ireland (1979), as well as the Kunsthal in Rotterdam (1992). These schemes would attempt to put into practice many of the findings Koolhaas made in his book Delirious New York (1978), which was written while he was a visiting scholar at the Institute for Architecture and Urban Studies in New York, directed by Peter Eisenman. Architectural theory Delirious New York Koolhaas's book Delirious New York set the pace for his career. Koolhaas analyzes the "chance-like" nature of city life: "The City is an addictive machine from which there is no escape" "Rem Koolhaas...defined the city as a collection of 'red hot spots'." (Anna Klingmann). As Koolhaas himself has acknowledged, this approach had already been evident in the Japanese Metabolist Movement in the 1960s and early 1970s. A key aspect of architecture that Koolhaas interrogates is the "Program": with the rise of modernism in the 20th century the "Program" became the key theme of architectural design. The notion of the Program involves "an act to edit function and human activities" as the pretext of architectural design: epitomised in the maxim form follows function, first popularised by architect Louis Sullivan at the beginning of the 20th century. The notion was first questioned in Delirious New York, in his analysis of high-rise architecture in Manhattan. An early design method derived from such thinking was "cross-programming", introducing unexpected functions in room programmes, such as running tracks in skyscrapers. More recently, Koolhaas unsuccessfully proposed the inclusion of hospital units for the homeless into the Seattle Public Library project (2003). Project on the city Koolhaas' next publications were a by-product of his position as professor at Harvard University, in the Design school's "Project on the City"; firstly the 720-page Mutations, followed by The Harvard Design School Guide to Shopping (2002) and The Great Leap Forward (2002). All three books published student work analysing what others would regard as "non-cities", sprawling conglomerates such as Lagos in Nigeria, west Africa, which the authors argue are highly functional despite a lack of infrastructure. The authors also examine the influence of shopping habits and the recent rapid growth of cities in China. Critics of the books have criticised Koolhaas for being cynical, – as if Western capitalism and globalization demolish all cultural identity – highlighted in the notion expounded in the books that "In the end, there will be little else for us to do but shop". Perhaps such caustic cynicism can be read as a "realism" about the transformation of cultural life, where airports and even museums (due to finance problems) rely just as much on operating gift shops. It does, however, demonstrate one of the architect's characteristic devices for deflecting criticism: attack the client or subject of study after completing the work. When it comes to transforming these observations into practice, Koolhaas mobilizes what he regards as the omnipotent forces of urbanism into unique design forms and connections organised along the lines of present-day society. Koolhaas continuously incorporates his observations of the contemporary city within his design activities: calling such a condition the ‘culture of congestion’. Again, shopping is examined for "intellectual comfort", whilst the unregulated taste and densification of Chinese cities is analysed according to "performance", a criterion involving variables with debatable credibility: density, newness, shape, size, money etc. In 2003, Content, a 544-page magazine-style book designed by &&& Creative and published by Koolhaas, gives an overview of the last decade of OMA projects including his designs for the Prada shops, the Seattle Public Library, a plan to save Cambridge from Harvard by rechanneling the Charles River, Lagos' future as Earth's third-biggest city, as well as interviews with Martha Stewart and Robert Venturi and Denise Scott Brown. Volume Magazine In 2005, Rem Koolhaas co-founded Volume Magazine together with Mark Wigley and Ole Bouman. Volume Magazine – the collaborative project by Archis (Amsterdam), AMO and C-lab (Columbia University NY) – is a dynamic experimental think tank devoted to the process of spatial and cultural reflexivity. It goes beyond architecture's definition of ‘making buildings’ and reaches out for global views on architecture and design, broader attitudes to social structures, and creating environments to live in. The magazine stands for a journalism which detects and anticipates, is proactive and even pre-emptive – a journalism which uncovers potentialities, rather than covering done deals. Buildings and projects In the late nineties he worked on the design for the new headquarters for Universal. Indeed, online marketing and propaganda has been a hallmark of OMA's rise in the current century. It has also led to pointed criticism, such as the critique by New York Magazine critic Justin Davidson, who found the 2020 Guggenheim exhibition Countryside, the Future "mildly amusing if it weren’t such terrible waste — of attention, of gallery square footage, of resources, talent, and expertise. Bored with being an architect and building things, Koolhaas lets his fingertips graze important topics, genuine insights, and actual lives. He treats them all as ironic bric-a-brac, meaningless souvenirs of his meanderings through a fragile world. How frustrating that the Guggenheim couldn’t force a little more intellectual rigor on this romp." Architecture, fashion, and theatre With his Prada projects, Koolhaas ventured into providing architecture for the fleeting world of fashion and with celebrity-studded cachet: not unlike Garnier's Opera, the central space of Koolhaas' Beverly Hills Prada store is occupied by a massive central staircase, ostensibly displaying select wares, but mainly the shoppers themselves. The notion of selling a brand rather than marketing clothes was further emphasised in the Prada store on Broadway in Manhattan, New York, which had previously been owned by the Guggenheim: the museum signs were not removed during the outfitting of the new store, as if emphasizing the premises as a cultural institution. The Broadway Prada store opened in December 2001, cost €32 million to build, and has 2,300 square meters of retail space. 21st Century Projects Probably the most costly and celebrated OMA projects of the new century were the massive Central China Television Headquarters Building in Beijing, China, and the new building for the Shenzhen Stock Exchange, the equivalent of the NASDAQ in China. In his design for the new CCTV Headquarters in Beijing (2009), Koolhaas did not opt for the stereotypical skyscraper, often used to symbolise and landmark such government enterprises; he patented a "horizontal skyscraper" in the U.S. The building, popularly called "The Big Pants" by Beijing residents, was designed as a series of volumes which attempt to tie together the numerous departments onto the nebulous site, but also introduce routes (again, the concept of cross-programming) for the general public through the site, allowing them some degree of access to the production procedure. An unfortunate incident that highlighted the folly of the circulation scheme (no effective fire egress for people on the upper floors), was the construction fire that nearly destroyed the building and a nearby hotel in 2009. Personal life Koolhaas was previously married to Madelon Vriesendorp, an artist who is the mother of his two children, Charlie, a photographer, and Tomas, a filmmaker. Koolhaas divorced Vriesendorp in 2012. He has known his current partner Petra Blaisse, an interior and landscape designer since 1986. Selected projects Villa dall’Ava, (Saint-Cloud, 1991) Nexus World Housing (Fukuoka, 1991) Kunsthal (Rotterdam, 1992) Euralille (Lille, 1994) Educatorium (Utrecht, 1995) Maison à Bordeaux (Bordeaux, 1998) Embassy of the Netherlands (Berlin, 2003) McCormick Tribune Campus Center (Chicago, 2003) Seoul National University Museum of Art (Seoul, 2005) Seattle Central Library (Seattle, 2005) Casa da Música (Porto, 2005) Dee and Charles Wyly Theater (Dallas, 2009) CCTV Headquarters, (Beijing, 2012) De Rotterdam (Rotterdam, 2013) Garage Museum of Contemporary Art (Moscow, 2014) Qatar National Library (Doha, 2017) Taipei Performing Arts Center (Taipei, 2022) Bibliography Project Japan. Metabolism Talks... (2011) (with Hans Ulrich Obrist) Delirious New York: A Retroactive Manifesto for Manhattan (1978) S,M,L,XL (1995) Serpentine Gallery: 24 Hour Interview Marathon (2007) Living Vivre Leben (1998)Content (2004) Serpentine Gallery Pavilion 2006''; Verlag der Buchhandlung Walther König, Köln, Germany 2008 Gallery See also Contemporary architecture World Architecture Survey List of architects Koolhaas Houselife References External links Office for Metropolitan Architecture OMA official Facebook page (updated daily) OMA official Vimeo channel OMA portfolio on Archello.com Rem Koolhaas at Harvard University Urgency 2007: Rem Koolhaas and Peter Eisenman lectures, Canadian Centre for Architecture, June 8, 2007 Rem Koolhaas in conversation with Mirko Zardini and Giovanna Borasi, Rotterdam, August 26, 2015, for the exhibition The Other Architect, Canadian Centre for Architecture On Starchitecture Koolhaas at Harvard's Ecological Urbanism Rem Koolhaas: A Kind of Architect (2008 Feature Documentary) Rem Koolhaas lecture "Russia for Beginners" at Garage Museum of Contemporary Art: September 15th, 2014 Rem Koolhaas on Empty Canon 1944 births 20th-century Dutch architects 21st-century Dutch architects Architectural theoreticians Urban theorists Deconstructivism Postmodern architecture Dutch non-fiction writers Living people Cornell University College of Architecture, Art, and Planning alumni Harvard Graduate School of Design faculty Dutch urban planners Architects from Rotterdam Pritzker Architecture Prize winners Recipients of the Royal Gold Medal Chevaliers of the Légion d'honneur Recipients of the Praemium Imperiale Alumni of the Architectural Association School of Architecture Honorary Fellows of the American Institute of Architects

C_246bb626bd9b4cc6a6ccb3cef92dc9f2_1

What did it entail?

What did Rem Koolhaas' project on the city entail?

Rem Koolhaas

Koolhaas's next landmark publications were a product of his position as professor at Harvard University, in the Design school's "Project on the City"; firstly the 720-page Mutations, followed by The Harvard Design School Guide to Shopping (2002) and The Great Leap Forward (2002). All three books involved Koolhaas's students analysing what others would regard as "non-cities", sprawling conglomerates such as Lagos in Nigeria, west Africa, which the authors argue are highly functional despite a lack of infrastructure. The authors also examine the influence of shopping habits and the recent rapid growth of cities in China. Critics of the books have criticised Koolhaas for being cynical - as if Western capitalism and globalization demolish all cultural identity - highlighted in the notion expounded in the books that "In the end, there will be little else for us to do but shop". However, such cynicism can alternatively be read as a "realism" about the transformation of cultural life, where airports and even museums (due to finance problems) rely just as much on operating gift shops. When it comes to transforming these observations into practice, Koolhaas mobilizes what he regards as the omnipotent forces of urbanism into unique design forms and connections organised along the lines of present-day society. Koolhaas continuously incorporates his observations of the contemporary city within his design activities: calling such a condition the 'culture of congestion'. Again, shopping is examined for "intellectual comfort", whilst the unregulated taste and densification of Chinese cities is analysed according to "performance", a criterion involving variables with debatable credibility: density, newness, shape, size, money etc. For example, in his design for the new CCTV headquarters in Beijing (2009), Koolhaas did not opt for the stereotypical skyscraper, often used to symbolise and landmark such government enterprises, but instead designed a series of volumes which not only tie together the numerous departments onto the nebulous site, but also introduced routes (again, the concept of cross-programming) for the general public through the site, allowing them some degree of access to the production procedure. Through his ruthlessly raw approach, Koolhaas hopes to extract the architect from the anxiety of a dead profession and resurrect a contemporary interpretation of the sublime, however fleeting it may be. In 2003, Content, a 544-page magazine-style book designed by &&& Creative and published by Koolhaas, gives an overview of the last decade of OMA projects including his designs for the Prada shops, the Seattle Public Library, a plan to save Cambridge from Harvard by rechanneling the Charles River, Lagos' future as Earth's third-biggest city, as well as interviews with Martha Stewart and Robert Venturi and Denise Scott Brown. CANNOTANSWER

students analysing what others would regard as "non-cities",

Remment Lucas Koolhaas (; born 17 November 1944) is a Dutch architect, architectural theorist, urbanist and Professor in Practice of Architecture and Urban Design at the Graduate School of Design at Harvard University. He is often cited as a representative of Deconstructivism and is the author of Delirious New York: A Retroactive Manifesto for Manhattan. He is seen by some as one of the truly significant architectural thinkers and urbanists of his generation, by others as a self-important iconoclast. In 2000, Rem Koolhaas won the Pritzker Prize. In 2008, Time put him in their top 100 of The World's Most Influential People. He was elected to the American Philosophical Society in 2014. Early life and career Remment Koolhaas, usually abbreviated to Rem Koolhaas, was born on 17 November 1944 in Rotterdam, Netherlands, to Anton Koolhaas (1912–1992) and Selinde Pietertje Roosenburg (born 1920). His father was a novelist, critic, and screenwriter. Two documentary films by Bert Haanstra for which his father wrote the scenarios were nominated for an Academy Award for Documentary Feature, one won a Golden Bear for Short Film. His maternal grandfather, Dirk Roosenburg (1887–1962), was a modernist architect who worked for Hendrik Petrus Berlage, before opening his own practice. Rem Koolhaas has a brother, Thomas, and a sister, Annabel. His paternal cousin was the architect and urban planner Teun Koolhaas (1940–2007). The family lived consecutively in Rotterdam (until 1946), Amsterdam (1946–1952), Jakarta (1952–1955), and Amsterdam (from 1955). His father strongly supported the Indonesian cause for autonomy from the colonial Dutch in his writing. When the war of independence was won, he was invited over to run a cultural programme for three years and the family moved to Jakarta in 1952. "It was a very important age for me," Koolhaas recalls "and I really lived as an Asian." In 1969, Koolhaas co-wrote The White Slave, a Dutch film noir, and later wrote an unproduced script for American soft-porn king Russ Meyer. He was a journalist in 1963 at age 19 for the Haagse Post before starting studies in architecture in 1968 at the Architectural Association School of Architecture in London, followed, in 1972, by further studies with Oswald Mathias Ungers at Cornell University in Ithaca, New York, followed by studies at the Institute for Architecture and Urban Studies in New York City. Koolhaas first came to public and critical attention with OMA (The Office for Metropolitan Architecture), the office he founded in 1975 together with architects Elia Zenghelis, Zoe Zenghelis and (Koolhaas's wife) Madelon Vriesendorp in London. They were later joined by one of Koolhaas's students, Zaha Hadid – who would soon go on to achieve success in her own right. An early work which would mark their difference from the then dominant postmodern classicism of the late 1970s, was their contribution to the Venice Biennale of 1980, curated by Italian architect Paolo Portoghesi, titled "Presence of the Past". Each architect had to design a stage-like "frontage" to a Potemkin-type internal street; the façades by , Frank Gehry and OMA were the only ones that did not employ Post-Modern architecture motifs or historical references. Other early critically received (yet unbuilt) projects included the Parc de la Villette, Paris (1982) and the residence for the Prime Minister of Ireland (1979), as well as the Kunsthal in Rotterdam (1992). These schemes would attempt to put into practice many of the findings Koolhaas made in his book Delirious New York (1978), which was written while he was a visiting scholar at the Institute for Architecture and Urban Studies in New York, directed by Peter Eisenman. Architectural theory Delirious New York Koolhaas's book Delirious New York set the pace for his career. Koolhaas analyzes the "chance-like" nature of city life: "The City is an addictive machine from which there is no escape" "Rem Koolhaas...defined the city as a collection of 'red hot spots'." (Anna Klingmann). As Koolhaas himself has acknowledged, this approach had already been evident in the Japanese Metabolist Movement in the 1960s and early 1970s. A key aspect of architecture that Koolhaas interrogates is the "Program": with the rise of modernism in the 20th century the "Program" became the key theme of architectural design. The notion of the Program involves "an act to edit function and human activities" as the pretext of architectural design: epitomised in the maxim form follows function, first popularised by architect Louis Sullivan at the beginning of the 20th century. The notion was first questioned in Delirious New York, in his analysis of high-rise architecture in Manhattan. An early design method derived from such thinking was "cross-programming", introducing unexpected functions in room programmes, such as running tracks in skyscrapers. More recently, Koolhaas unsuccessfully proposed the inclusion of hospital units for the homeless into the Seattle Public Library project (2003). Project on the city Koolhaas' next publications were a by-product of his position as professor at Harvard University, in the Design school's "Project on the City"; firstly the 720-page Mutations, followed by The Harvard Design School Guide to Shopping (2002) and The Great Leap Forward (2002). All three books published student work analysing what others would regard as "non-cities", sprawling conglomerates such as Lagos in Nigeria, west Africa, which the authors argue are highly functional despite a lack of infrastructure. The authors also examine the influence of shopping habits and the recent rapid growth of cities in China. Critics of the books have criticised Koolhaas for being cynical, – as if Western capitalism and globalization demolish all cultural identity – highlighted in the notion expounded in the books that "In the end, there will be little else for us to do but shop". Perhaps such caustic cynicism can be read as a "realism" about the transformation of cultural life, where airports and even museums (due to finance problems) rely just as much on operating gift shops. It does, however, demonstrate one of the architect's characteristic devices for deflecting criticism: attack the client or subject of study after completing the work. When it comes to transforming these observations into practice, Koolhaas mobilizes what he regards as the omnipotent forces of urbanism into unique design forms and connections organised along the lines of present-day society. Koolhaas continuously incorporates his observations of the contemporary city within his design activities: calling such a condition the ‘culture of congestion’. Again, shopping is examined for "intellectual comfort", whilst the unregulated taste and densification of Chinese cities is analysed according to "performance", a criterion involving variables with debatable credibility: density, newness, shape, size, money etc. In 2003, Content, a 544-page magazine-style book designed by &&& Creative and published by Koolhaas, gives an overview of the last decade of OMA projects including his designs for the Prada shops, the Seattle Public Library, a plan to save Cambridge from Harvard by rechanneling the Charles River, Lagos' future as Earth's third-biggest city, as well as interviews with Martha Stewart and Robert Venturi and Denise Scott Brown. Volume Magazine In 2005, Rem Koolhaas co-founded Volume Magazine together with Mark Wigley and Ole Bouman. Volume Magazine – the collaborative project by Archis (Amsterdam), AMO and C-lab (Columbia University NY) – is a dynamic experimental think tank devoted to the process of spatial and cultural reflexivity. It goes beyond architecture's definition of ‘making buildings’ and reaches out for global views on architecture and design, broader attitudes to social structures, and creating environments to live in. The magazine stands for a journalism which detects and anticipates, is proactive and even pre-emptive – a journalism which uncovers potentialities, rather than covering done deals. Buildings and projects In the late nineties he worked on the design for the new headquarters for Universal. Indeed, online marketing and propaganda has been a hallmark of OMA's rise in the current century. It has also led to pointed criticism, such as the critique by New York Magazine critic Justin Davidson, who found the 2020 Guggenheim exhibition Countryside, the Future "mildly amusing if it weren’t such terrible waste — of attention, of gallery square footage, of resources, talent, and expertise. Bored with being an architect and building things, Koolhaas lets his fingertips graze important topics, genuine insights, and actual lives. He treats them all as ironic bric-a-brac, meaningless souvenirs of his meanderings through a fragile world. How frustrating that the Guggenheim couldn’t force a little more intellectual rigor on this romp." Architecture, fashion, and theatre With his Prada projects, Koolhaas ventured into providing architecture for the fleeting world of fashion and with celebrity-studded cachet: not unlike Garnier's Opera, the central space of Koolhaas' Beverly Hills Prada store is occupied by a massive central staircase, ostensibly displaying select wares, but mainly the shoppers themselves. The notion of selling a brand rather than marketing clothes was further emphasised in the Prada store on Broadway in Manhattan, New York, which had previously been owned by the Guggenheim: the museum signs were not removed during the outfitting of the new store, as if emphasizing the premises as a cultural institution. The Broadway Prada store opened in December 2001, cost €32 million to build, and has 2,300 square meters of retail space. 21st Century Projects Probably the most costly and celebrated OMA projects of the new century were the massive Central China Television Headquarters Building in Beijing, China, and the new building for the Shenzhen Stock Exchange, the equivalent of the NASDAQ in China. In his design for the new CCTV Headquarters in Beijing (2009), Koolhaas did not opt for the stereotypical skyscraper, often used to symbolise and landmark such government enterprises; he patented a "horizontal skyscraper" in the U.S. The building, popularly called "The Big Pants" by Beijing residents, was designed as a series of volumes which attempt to tie together the numerous departments onto the nebulous site, but also introduce routes (again, the concept of cross-programming) for the general public through the site, allowing them some degree of access to the production procedure. An unfortunate incident that highlighted the folly of the circulation scheme (no effective fire egress for people on the upper floors), was the construction fire that nearly destroyed the building and a nearby hotel in 2009. Personal life Koolhaas was previously married to Madelon Vriesendorp, an artist who is the mother of his two children, Charlie, a photographer, and Tomas, a filmmaker. Koolhaas divorced Vriesendorp in 2012. He has known his current partner Petra Blaisse, an interior and landscape designer since 1986. Selected projects Villa dall’Ava, (Saint-Cloud, 1991) Nexus World Housing (Fukuoka, 1991) Kunsthal (Rotterdam, 1992) Euralille (Lille, 1994) Educatorium (Utrecht, 1995) Maison à Bordeaux (Bordeaux, 1998) Embassy of the Netherlands (Berlin, 2003) McCormick Tribune Campus Center (Chicago, 2003) Seoul National University Museum of Art (Seoul, 2005) Seattle Central Library (Seattle, 2005) Casa da Música (Porto, 2005) Dee and Charles Wyly Theater (Dallas, 2009) CCTV Headquarters, (Beijing, 2012) De Rotterdam (Rotterdam, 2013) Garage Museum of Contemporary Art (Moscow, 2014) Qatar National Library (Doha, 2017) Taipei Performing Arts Center (Taipei, 2022) Bibliography Project Japan. Metabolism Talks... (2011) (with Hans Ulrich Obrist) Delirious New York: A Retroactive Manifesto for Manhattan (1978) S,M,L,XL (1995) Serpentine Gallery: 24 Hour Interview Marathon (2007) Living Vivre Leben (1998)Content (2004) Serpentine Gallery Pavilion 2006''; Verlag der Buchhandlung Walther König, Köln, Germany 2008 Gallery See also Contemporary architecture World Architecture Survey List of architects Koolhaas Houselife References External links Office for Metropolitan Architecture OMA official Facebook page (updated daily) OMA official Vimeo channel OMA portfolio on Archello.com Rem Koolhaas at Harvard University Urgency 2007: Rem Koolhaas and Peter Eisenman lectures, Canadian Centre for Architecture, June 8, 2007 Rem Koolhaas in conversation with Mirko Zardini and Giovanna Borasi, Rotterdam, August 26, 2015, for the exhibition The Other Architect, Canadian Centre for Architecture On Starchitecture Koolhaas at Harvard's Ecological Urbanism Rem Koolhaas: A Kind of Architect (2008 Feature Documentary) Rem Koolhaas lecture "Russia for Beginners" at Garage Museum of Contemporary Art: September 15th, 2014 Rem Koolhaas on Empty Canon 1944 births 20th-century Dutch architects 21st-century Dutch architects Architectural theoreticians Urban theorists Deconstructivism Postmodern architecture Dutch non-fiction writers Living people Cornell University College of Architecture, Art, and Planning alumni Harvard Graduate School of Design faculty Dutch urban planners Architects from Rotterdam Pritzker Architecture Prize winners Recipients of the Royal Gold Medal Chevaliers of the Légion d'honneur Recipients of the Praemium Imperiale Alumni of the Architectural Association School of Architecture Honorary Fellows of the American Institute of Architects

C_246bb626bd9b4cc6a6ccb3cef92dc9f2_1

What do you mean by non-city?

What did Rem Koolhaas' students at Harvard University mean by the phrase "non-cities"?

Rem Koolhaas

Koolhaas's next landmark publications were a product of his position as professor at Harvard University, in the Design school's "Project on the City"; firstly the 720-page Mutations, followed by The Harvard Design School Guide to Shopping (2002) and The Great Leap Forward (2002). All three books involved Koolhaas's students analysing what others would regard as "non-cities", sprawling conglomerates such as Lagos in Nigeria, west Africa, which the authors argue are highly functional despite a lack of infrastructure. The authors also examine the influence of shopping habits and the recent rapid growth of cities in China. Critics of the books have criticised Koolhaas for being cynical - as if Western capitalism and globalization demolish all cultural identity - highlighted in the notion expounded in the books that "In the end, there will be little else for us to do but shop". However, such cynicism can alternatively be read as a "realism" about the transformation of cultural life, where airports and even museums (due to finance problems) rely just as much on operating gift shops. When it comes to transforming these observations into practice, Koolhaas mobilizes what he regards as the omnipotent forces of urbanism into unique design forms and connections organised along the lines of present-day society. Koolhaas continuously incorporates his observations of the contemporary city within his design activities: calling such a condition the 'culture of congestion'. Again, shopping is examined for "intellectual comfort", whilst the unregulated taste and densification of Chinese cities is analysed according to "performance", a criterion involving variables with debatable credibility: density, newness, shape, size, money etc. For example, in his design for the new CCTV headquarters in Beijing (2009), Koolhaas did not opt for the stereotypical skyscraper, often used to symbolise and landmark such government enterprises, but instead designed a series of volumes which not only tie together the numerous departments onto the nebulous site, but also introduced routes (again, the concept of cross-programming) for the general public through the site, allowing them some degree of access to the production procedure. Through his ruthlessly raw approach, Koolhaas hopes to extract the architect from the anxiety of a dead profession and resurrect a contemporary interpretation of the sublime, however fleeting it may be. In 2003, Content, a 544-page magazine-style book designed by &&& Creative and published by Koolhaas, gives an overview of the last decade of OMA projects including his designs for the Prada shops, the Seattle Public Library, a plan to save Cambridge from Harvard by rechanneling the Charles River, Lagos' future as Earth's third-biggest city, as well as interviews with Martha Stewart and Robert Venturi and Denise Scott Brown. CANNOTANSWER

highly functional despite a lack of infrastructure.

Remment Lucas Koolhaas (; born 17 November 1944) is a Dutch architect, architectural theorist, urbanist and Professor in Practice of Architecture and Urban Design at the Graduate School of Design at Harvard University. He is often cited as a representative of Deconstructivism and is the author of Delirious New York: A Retroactive Manifesto for Manhattan. He is seen by some as one of the truly significant architectural thinkers and urbanists of his generation, by others as a self-important iconoclast. In 2000, Rem Koolhaas won the Pritzker Prize. In 2008, Time put him in their top 100 of The World's Most Influential People. He was elected to the American Philosophical Society in 2014. Early life and career Remment Koolhaas, usually abbreviated to Rem Koolhaas, was born on 17 November 1944 in Rotterdam, Netherlands, to Anton Koolhaas (1912–1992) and Selinde Pietertje Roosenburg (born 1920). His father was a novelist, critic, and screenwriter. Two documentary films by Bert Haanstra for which his father wrote the scenarios were nominated for an Academy Award for Documentary Feature, one won a Golden Bear for Short Film. His maternal grandfather, Dirk Roosenburg (1887–1962), was a modernist architect who worked for Hendrik Petrus Berlage, before opening his own practice. Rem Koolhaas has a brother, Thomas, and a sister, Annabel. His paternal cousin was the architect and urban planner Teun Koolhaas (1940–2007). The family lived consecutively in Rotterdam (until 1946), Amsterdam (1946–1952), Jakarta (1952–1955), and Amsterdam (from 1955). His father strongly supported the Indonesian cause for autonomy from the colonial Dutch in his writing. When the war of independence was won, he was invited over to run a cultural programme for three years and the family moved to Jakarta in 1952. "It was a very important age for me," Koolhaas recalls "and I really lived as an Asian." In 1969, Koolhaas co-wrote The White Slave, a Dutch film noir, and later wrote an unproduced script for American soft-porn king Russ Meyer. He was a journalist in 1963 at age 19 for the Haagse Post before starting studies in architecture in 1968 at the Architectural Association School of Architecture in London, followed, in 1972, by further studies with Oswald Mathias Ungers at Cornell University in Ithaca, New York, followed by studies at the Institute for Architecture and Urban Studies in New York City. Koolhaas first came to public and critical attention with OMA (The Office for Metropolitan Architecture), the office he founded in 1975 together with architects Elia Zenghelis, Zoe Zenghelis and (Koolhaas's wife) Madelon Vriesendorp in London. They were later joined by one of Koolhaas's students, Zaha Hadid – who would soon go on to achieve success in her own right. An early work which would mark their difference from the then dominant postmodern classicism of the late 1970s, was their contribution to the Venice Biennale of 1980, curated by Italian architect Paolo Portoghesi, titled "Presence of the Past". Each architect had to design a stage-like "frontage" to a Potemkin-type internal street; the façades by , Frank Gehry and OMA were the only ones that did not employ Post-Modern architecture motifs or historical references. Other early critically received (yet unbuilt) projects included the Parc de la Villette, Paris (1982) and the residence for the Prime Minister of Ireland (1979), as well as the Kunsthal in Rotterdam (1992). These schemes would attempt to put into practice many of the findings Koolhaas made in his book Delirious New York (1978), which was written while he was a visiting scholar at the Institute for Architecture and Urban Studies in New York, directed by Peter Eisenman. Architectural theory Delirious New York Koolhaas's book Delirious New York set the pace for his career. Koolhaas analyzes the "chance-like" nature of city life: "The City is an addictive machine from which there is no escape" "Rem Koolhaas...defined the city as a collection of 'red hot spots'." (Anna Klingmann). As Koolhaas himself has acknowledged, this approach had already been evident in the Japanese Metabolist Movement in the 1960s and early 1970s. A key aspect of architecture that Koolhaas interrogates is the "Program": with the rise of modernism in the 20th century the "Program" became the key theme of architectural design. The notion of the Program involves "an act to edit function and human activities" as the pretext of architectural design: epitomised in the maxim form follows function, first popularised by architect Louis Sullivan at the beginning of the 20th century. The notion was first questioned in Delirious New York, in his analysis of high-rise architecture in Manhattan. An early design method derived from such thinking was "cross-programming", introducing unexpected functions in room programmes, such as running tracks in skyscrapers. More recently, Koolhaas unsuccessfully proposed the inclusion of hospital units for the homeless into the Seattle Public Library project (2003). Project on the city Koolhaas' next publications were a by-product of his position as professor at Harvard University, in the Design school's "Project on the City"; firstly the 720-page Mutations, followed by The Harvard Design School Guide to Shopping (2002) and The Great Leap Forward (2002). All three books published student work analysing what others would regard as "non-cities", sprawling conglomerates such as Lagos in Nigeria, west Africa, which the authors argue are highly functional despite a lack of infrastructure. The authors also examine the influence of shopping habits and the recent rapid growth of cities in China. Critics of the books have criticised Koolhaas for being cynical, – as if Western capitalism and globalization demolish all cultural identity – highlighted in the notion expounded in the books that "In the end, there will be little else for us to do but shop". Perhaps such caustic cynicism can be read as a "realism" about the transformation of cultural life, where airports and even museums (due to finance problems) rely just as much on operating gift shops. It does, however, demonstrate one of the architect's characteristic devices for deflecting criticism: attack the client or subject of study after completing the work. When it comes to transforming these observations into practice, Koolhaas mobilizes what he regards as the omnipotent forces of urbanism into unique design forms and connections organised along the lines of present-day society. Koolhaas continuously incorporates his observations of the contemporary city within his design activities: calling such a condition the ‘culture of congestion’. Again, shopping is examined for "intellectual comfort", whilst the unregulated taste and densification of Chinese cities is analysed according to "performance", a criterion involving variables with debatable credibility: density, newness, shape, size, money etc. In 2003, Content, a 544-page magazine-style book designed by &&& Creative and published by Koolhaas, gives an overview of the last decade of OMA projects including his designs for the Prada shops, the Seattle Public Library, a plan to save Cambridge from Harvard by rechanneling the Charles River, Lagos' future as Earth's third-biggest city, as well as interviews with Martha Stewart and Robert Venturi and Denise Scott Brown. Volume Magazine In 2005, Rem Koolhaas co-founded Volume Magazine together with Mark Wigley and Ole Bouman. Volume Magazine – the collaborative project by Archis (Amsterdam), AMO and C-lab (Columbia University NY) – is a dynamic experimental think tank devoted to the process of spatial and cultural reflexivity. It goes beyond architecture's definition of ‘making buildings’ and reaches out for global views on architecture and design, broader attitudes to social structures, and creating environments to live in. The magazine stands for a journalism which detects and anticipates, is proactive and even pre-emptive – a journalism which uncovers potentialities, rather than covering done deals. Buildings and projects In the late nineties he worked on the design for the new headquarters for Universal. Indeed, online marketing and propaganda has been a hallmark of OMA's rise in the current century. It has also led to pointed criticism, such as the critique by New York Magazine critic Justin Davidson, who found the 2020 Guggenheim exhibition Countryside, the Future "mildly amusing if it weren’t such terrible waste — of attention, of gallery square footage, of resources, talent, and expertise. Bored with being an architect and building things, Koolhaas lets his fingertips graze important topics, genuine insights, and actual lives. He treats them all as ironic bric-a-brac, meaningless souvenirs of his meanderings through a fragile world. How frustrating that the Guggenheim couldn’t force a little more intellectual rigor on this romp." Architecture, fashion, and theatre With his Prada projects, Koolhaas ventured into providing architecture for the fleeting world of fashion and with celebrity-studded cachet: not unlike Garnier's Opera, the central space of Koolhaas' Beverly Hills Prada store is occupied by a massive central staircase, ostensibly displaying select wares, but mainly the shoppers themselves. The notion of selling a brand rather than marketing clothes was further emphasised in the Prada store on Broadway in Manhattan, New York, which had previously been owned by the Guggenheim: the museum signs were not removed during the outfitting of the new store, as if emphasizing the premises as a cultural institution. The Broadway Prada store opened in December 2001, cost €32 million to build, and has 2,300 square meters of retail space. 21st Century Projects Probably the most costly and celebrated OMA projects of the new century were the massive Central China Television Headquarters Building in Beijing, China, and the new building for the Shenzhen Stock Exchange, the equivalent of the NASDAQ in China. In his design for the new CCTV Headquarters in Beijing (2009), Koolhaas did not opt for the stereotypical skyscraper, often used to symbolise and landmark such government enterprises; he patented a "horizontal skyscraper" in the U.S. The building, popularly called "The Big Pants" by Beijing residents, was designed as a series of volumes which attempt to tie together the numerous departments onto the nebulous site, but also introduce routes (again, the concept of cross-programming) for the general public through the site, allowing them some degree of access to the production procedure. An unfortunate incident that highlighted the folly of the circulation scheme (no effective fire egress for people on the upper floors), was the construction fire that nearly destroyed the building and a nearby hotel in 2009. Personal life Koolhaas was previously married to Madelon Vriesendorp, an artist who is the mother of his two children, Charlie, a photographer, and Tomas, a filmmaker. Koolhaas divorced Vriesendorp in 2012. He has known his current partner Petra Blaisse, an interior and landscape designer since 1986. Selected projects Villa dall’Ava, (Saint-Cloud, 1991) Nexus World Housing (Fukuoka, 1991) Kunsthal (Rotterdam, 1992) Euralille (Lille, 1994) Educatorium (Utrecht, 1995) Maison à Bordeaux (Bordeaux, 1998) Embassy of the Netherlands (Berlin, 2003) McCormick Tribune Campus Center (Chicago, 2003) Seoul National University Museum of Art (Seoul, 2005) Seattle Central Library (Seattle, 2005) Casa da Música (Porto, 2005) Dee and Charles Wyly Theater (Dallas, 2009) CCTV Headquarters, (Beijing, 2012) De Rotterdam (Rotterdam, 2013) Garage Museum of Contemporary Art (Moscow, 2014) Qatar National Library (Doha, 2017) Taipei Performing Arts Center (Taipei, 2022) Bibliography Project Japan. Metabolism Talks... (2011) (with Hans Ulrich Obrist) Delirious New York: A Retroactive Manifesto for Manhattan (1978) S,M,L,XL (1995) Serpentine Gallery: 24 Hour Interview Marathon (2007) Living Vivre Leben (1998)Content (2004) Serpentine Gallery Pavilion 2006''; Verlag der Buchhandlung Walther König, Köln, Germany 2008 Gallery See also Contemporary architecture World Architecture Survey List of architects Koolhaas Houselife References External links Office for Metropolitan Architecture OMA official Facebook page (updated daily) OMA official Vimeo channel OMA portfolio on Archello.com Rem Koolhaas at Harvard University Urgency 2007: Rem Koolhaas and Peter Eisenman lectures, Canadian Centre for Architecture, June 8, 2007 Rem Koolhaas in conversation with Mirko Zardini and Giovanna Borasi, Rotterdam, August 26, 2015, for the exhibition The Other Architect, Canadian Centre for Architecture On Starchitecture Koolhaas at Harvard's Ecological Urbanism Rem Koolhaas: A Kind of Architect (2008 Feature Documentary) Rem Koolhaas lecture "Russia for Beginners" at Garage Museum of Contemporary Art: September 15th, 2014 Rem Koolhaas on Empty Canon 1944 births 20th-century Dutch architects 21st-century Dutch architects Architectural theoreticians Urban theorists Deconstructivism Postmodern architecture Dutch non-fiction writers Living people Cornell University College of Architecture, Art, and Planning alumni Harvard Graduate School of Design faculty Dutch urban planners Architects from Rotterdam Pritzker Architecture Prize winners Recipients of the Royal Gold Medal Chevaliers of the Légion d'honneur Recipients of the Praemium Imperiale Alumni of the Architectural Association School of Architecture Honorary Fellows of the American Institute of Architects

C_246bb626bd9b4cc6a6ccb3cef92dc9f2_1

Did it have to meet certain requirements?

Did the non-cities referred to by Rem Koolhaas' students at Harvard University, have to meet certain requirements?

Rem Koolhaas

Koolhaas's next landmark publications were a product of his position as professor at Harvard University, in the Design school's "Project on the City"; firstly the 720-page Mutations, followed by The Harvard Design School Guide to Shopping (2002) and The Great Leap Forward (2002). All three books involved Koolhaas's students analysing what others would regard as "non-cities", sprawling conglomerates such as Lagos in Nigeria, west Africa, which the authors argue are highly functional despite a lack of infrastructure. The authors also examine the influence of shopping habits and the recent rapid growth of cities in China. Critics of the books have criticised Koolhaas for being cynical - as if Western capitalism and globalization demolish all cultural identity - highlighted in the notion expounded in the books that "In the end, there will be little else for us to do but shop". However, such cynicism can alternatively be read as a "realism" about the transformation of cultural life, where airports and even museums (due to finance problems) rely just as much on operating gift shops. When it comes to transforming these observations into practice, Koolhaas mobilizes what he regards as the omnipotent forces of urbanism into unique design forms and connections organised along the lines of present-day society. Koolhaas continuously incorporates his observations of the contemporary city within his design activities: calling such a condition the 'culture of congestion'. Again, shopping is examined for "intellectual comfort", whilst the unregulated taste and densification of Chinese cities is analysed according to "performance", a criterion involving variables with debatable credibility: density, newness, shape, size, money etc. For example, in his design for the new CCTV headquarters in Beijing (2009), Koolhaas did not opt for the stereotypical skyscraper, often used to symbolise and landmark such government enterprises, but instead designed a series of volumes which not only tie together the numerous departments onto the nebulous site, but also introduced routes (again, the concept of cross-programming) for the general public through the site, allowing them some degree of access to the production procedure. Through his ruthlessly raw approach, Koolhaas hopes to extract the architect from the anxiety of a dead profession and resurrect a contemporary interpretation of the sublime, however fleeting it may be. In 2003, Content, a 544-page magazine-style book designed by &&& Creative and published by Koolhaas, gives an overview of the last decade of OMA projects including his designs for the Prada shops, the Seattle Public Library, a plan to save Cambridge from Harvard by rechanneling the Charles River, Lagos' future as Earth's third-biggest city, as well as interviews with Martha Stewart and Robert Venturi and Denise Scott Brown. CANNOTANSWER

CANNOTANSWER

Remment Lucas Koolhaas (; born 17 November 1944) is a Dutch architect, architectural theorist, urbanist and Professor in Practice of Architecture and Urban Design at the Graduate School of Design at Harvard University. He is often cited as a representative of Deconstructivism and is the author of Delirious New York: A Retroactive Manifesto for Manhattan. He is seen by some as one of the truly significant architectural thinkers and urbanists of his generation, by others as a self-important iconoclast. In 2000, Rem Koolhaas won the Pritzker Prize. In 2008, Time put him in their top 100 of The World's Most Influential People. He was elected to the American Philosophical Society in 2014. Early life and career Remment Koolhaas, usually abbreviated to Rem Koolhaas, was born on 17 November 1944 in Rotterdam, Netherlands, to Anton Koolhaas (1912–1992) and Selinde Pietertje Roosenburg (born 1920). His father was a novelist, critic, and screenwriter. Two documentary films by Bert Haanstra for which his father wrote the scenarios were nominated for an Academy Award for Documentary Feature, one won a Golden Bear for Short Film. His maternal grandfather, Dirk Roosenburg (1887–1962), was a modernist architect who worked for Hendrik Petrus Berlage, before opening his own practice. Rem Koolhaas has a brother, Thomas, and a sister, Annabel. His paternal cousin was the architect and urban planner Teun Koolhaas (1940–2007). The family lived consecutively in Rotterdam (until 1946), Amsterdam (1946–1952), Jakarta (1952–1955), and Amsterdam (from 1955). His father strongly supported the Indonesian cause for autonomy from the colonial Dutch in his writing. When the war of independence was won, he was invited over to run a cultural programme for three years and the family moved to Jakarta in 1952. "It was a very important age for me," Koolhaas recalls "and I really lived as an Asian." In 1969, Koolhaas co-wrote The White Slave, a Dutch film noir, and later wrote an unproduced script for American soft-porn king Russ Meyer. He was a journalist in 1963 at age 19 for the Haagse Post before starting studies in architecture in 1968 at the Architectural Association School of Architecture in London, followed, in 1972, by further studies with Oswald Mathias Ungers at Cornell University in Ithaca, New York, followed by studies at the Institute for Architecture and Urban Studies in New York City. Koolhaas first came to public and critical attention with OMA (The Office for Metropolitan Architecture), the office he founded in 1975 together with architects Elia Zenghelis, Zoe Zenghelis and (Koolhaas's wife) Madelon Vriesendorp in London. They were later joined by one of Koolhaas's students, Zaha Hadid – who would soon go on to achieve success in her own right. An early work which would mark their difference from the then dominant postmodern classicism of the late 1970s, was their contribution to the Venice Biennale of 1980, curated by Italian architect Paolo Portoghesi, titled "Presence of the Past". Each architect had to design a stage-like "frontage" to a Potemkin-type internal street; the façades by , Frank Gehry and OMA were the only ones that did not employ Post-Modern architecture motifs or historical references. Other early critically received (yet unbuilt) projects included the Parc de la Villette, Paris (1982) and the residence for the Prime Minister of Ireland (1979), as well as the Kunsthal in Rotterdam (1992). These schemes would attempt to put into practice many of the findings Koolhaas made in his book Delirious New York (1978), which was written while he was a visiting scholar at the Institute for Architecture and Urban Studies in New York, directed by Peter Eisenman. Architectural theory Delirious New York Koolhaas's book Delirious New York set the pace for his career. Koolhaas analyzes the "chance-like" nature of city life: "The City is an addictive machine from which there is no escape" "Rem Koolhaas...defined the city as a collection of 'red hot spots'." (Anna Klingmann). As Koolhaas himself has acknowledged, this approach had already been evident in the Japanese Metabolist Movement in the 1960s and early 1970s. A key aspect of architecture that Koolhaas interrogates is the "Program": with the rise of modernism in the 20th century the "Program" became the key theme of architectural design. The notion of the Program involves "an act to edit function and human activities" as the pretext of architectural design: epitomised in the maxim form follows function, first popularised by architect Louis Sullivan at the beginning of the 20th century. The notion was first questioned in Delirious New York, in his analysis of high-rise architecture in Manhattan. An early design method derived from such thinking was "cross-programming", introducing unexpected functions in room programmes, such as running tracks in skyscrapers. More recently, Koolhaas unsuccessfully proposed the inclusion of hospital units for the homeless into the Seattle Public Library project (2003). Project on the city Koolhaas' next publications were a by-product of his position as professor at Harvard University, in the Design school's "Project on the City"; firstly the 720-page Mutations, followed by The Harvard Design School Guide to Shopping (2002) and The Great Leap Forward (2002). All three books published student work analysing what others would regard as "non-cities", sprawling conglomerates such as Lagos in Nigeria, west Africa, which the authors argue are highly functional despite a lack of infrastructure. The authors also examine the influence of shopping habits and the recent rapid growth of cities in China. Critics of the books have criticised Koolhaas for being cynical, – as if Western capitalism and globalization demolish all cultural identity – highlighted in the notion expounded in the books that "In the end, there will be little else for us to do but shop". Perhaps such caustic cynicism can be read as a "realism" about the transformation of cultural life, where airports and even museums (due to finance problems) rely just as much on operating gift shops. It does, however, demonstrate one of the architect's characteristic devices for deflecting criticism: attack the client or subject of study after completing the work. When it comes to transforming these observations into practice, Koolhaas mobilizes what he regards as the omnipotent forces of urbanism into unique design forms and connections organised along the lines of present-day society. Koolhaas continuously incorporates his observations of the contemporary city within his design activities: calling such a condition the ‘culture of congestion’. Again, shopping is examined for "intellectual comfort", whilst the unregulated taste and densification of Chinese cities is analysed according to "performance", a criterion involving variables with debatable credibility: density, newness, shape, size, money etc. In 2003, Content, a 544-page magazine-style book designed by &&& Creative and published by Koolhaas, gives an overview of the last decade of OMA projects including his designs for the Prada shops, the Seattle Public Library, a plan to save Cambridge from Harvard by rechanneling the Charles River, Lagos' future as Earth's third-biggest city, as well as interviews with Martha Stewart and Robert Venturi and Denise Scott Brown. Volume Magazine In 2005, Rem Koolhaas co-founded Volume Magazine together with Mark Wigley and Ole Bouman. Volume Magazine – the collaborative project by Archis (Amsterdam), AMO and C-lab (Columbia University NY) – is a dynamic experimental think tank devoted to the process of spatial and cultural reflexivity. It goes beyond architecture's definition of ‘making buildings’ and reaches out for global views on architecture and design, broader attitudes to social structures, and creating environments to live in. The magazine stands for a journalism which detects and anticipates, is proactive and even pre-emptive – a journalism which uncovers potentialities, rather than covering done deals. Buildings and projects In the late nineties he worked on the design for the new headquarters for Universal. Indeed, online marketing and propaganda has been a hallmark of OMA's rise in the current century. It has also led to pointed criticism, such as the critique by New York Magazine critic Justin Davidson, who found the 2020 Guggenheim exhibition Countryside, the Future "mildly amusing if it weren’t such terrible waste — of attention, of gallery square footage, of resources, talent, and expertise. Bored with being an architect and building things, Koolhaas lets his fingertips graze important topics, genuine insights, and actual lives. He treats them all as ironic bric-a-brac, meaningless souvenirs of his meanderings through a fragile world. How frustrating that the Guggenheim couldn’t force a little more intellectual rigor on this romp." Architecture, fashion, and theatre With his Prada projects, Koolhaas ventured into providing architecture for the fleeting world of fashion and with celebrity-studded cachet: not unlike Garnier's Opera, the central space of Koolhaas' Beverly Hills Prada store is occupied by a massive central staircase, ostensibly displaying select wares, but mainly the shoppers themselves. The notion of selling a brand rather than marketing clothes was further emphasised in the Prada store on Broadway in Manhattan, New York, which had previously been owned by the Guggenheim: the museum signs were not removed during the outfitting of the new store, as if emphasizing the premises as a cultural institution. The Broadway Prada store opened in December 2001, cost €32 million to build, and has 2,300 square meters of retail space. 21st Century Projects Probably the most costly and celebrated OMA projects of the new century were the massive Central China Television Headquarters Building in Beijing, China, and the new building for the Shenzhen Stock Exchange, the equivalent of the NASDAQ in China. In his design for the new CCTV Headquarters in Beijing (2009), Koolhaas did not opt for the stereotypical skyscraper, often used to symbolise and landmark such government enterprises; he patented a "horizontal skyscraper" in the U.S. The building, popularly called "The Big Pants" by Beijing residents, was designed as a series of volumes which attempt to tie together the numerous departments onto the nebulous site, but also introduce routes (again, the concept of cross-programming) for the general public through the site, allowing them some degree of access to the production procedure. An unfortunate incident that highlighted the folly of the circulation scheme (no effective fire egress for people on the upper floors), was the construction fire that nearly destroyed the building and a nearby hotel in 2009. Personal life Koolhaas was previously married to Madelon Vriesendorp, an artist who is the mother of his two children, Charlie, a photographer, and Tomas, a filmmaker. Koolhaas divorced Vriesendorp in 2012. He has known his current partner Petra Blaisse, an interior and landscape designer since 1986. Selected projects Villa dall’Ava, (Saint-Cloud, 1991) Nexus World Housing (Fukuoka, 1991) Kunsthal (Rotterdam, 1992) Euralille (Lille, 1994) Educatorium (Utrecht, 1995) Maison à Bordeaux (Bordeaux, 1998) Embassy of the Netherlands (Berlin, 2003) McCormick Tribune Campus Center (Chicago, 2003) Seoul National University Museum of Art (Seoul, 2005) Seattle Central Library (Seattle, 2005) Casa da Música (Porto, 2005) Dee and Charles Wyly Theater (Dallas, 2009) CCTV Headquarters, (Beijing, 2012) De Rotterdam (Rotterdam, 2013) Garage Museum of Contemporary Art (Moscow, 2014) Qatar National Library (Doha, 2017) Taipei Performing Arts Center (Taipei, 2022) Bibliography Project Japan. Metabolism Talks... (2011) (with Hans Ulrich Obrist) Delirious New York: A Retroactive Manifesto for Manhattan (1978) S,M,L,XL (1995) Serpentine Gallery: 24 Hour Interview Marathon (2007) Living Vivre Leben (1998)Content (2004) Serpentine Gallery Pavilion 2006''; Verlag der Buchhandlung Walther König, Köln, Germany 2008 Gallery See also Contemporary architecture World Architecture Survey List of architects Koolhaas Houselife References External links Office for Metropolitan Architecture OMA official Facebook page (updated daily) OMA official Vimeo channel OMA portfolio on Archello.com Rem Koolhaas at Harvard University Urgency 2007: Rem Koolhaas and Peter Eisenman lectures, Canadian Centre for Architecture, June 8, 2007 Rem Koolhaas in conversation with Mirko Zardini and Giovanna Borasi, Rotterdam, August 26, 2015, for the exhibition The Other Architect, Canadian Centre for Architecture On Starchitecture Koolhaas at Harvard's Ecological Urbanism Rem Koolhaas: A Kind of Architect (2008 Feature Documentary) Rem Koolhaas lecture "Russia for Beginners" at Garage Museum of Contemporary Art: September 15th, 2014 Rem Koolhaas on Empty Canon 1944 births 20th-century Dutch architects 21st-century Dutch architects Architectural theoreticians Urban theorists Deconstructivism Postmodern architecture Dutch non-fiction writers Living people Cornell University College of Architecture, Art, and Planning alumni Harvard Graduate School of Design faculty Dutch urban planners Architects from Rotterdam Pritzker Architecture Prize winners Recipients of the Royal Gold Medal Chevaliers of the Légion d'honneur Recipients of the Praemium Imperiale Alumni of the Architectural Association School of Architecture Honorary Fellows of the American Institute of Architects

C_246bb626bd9b4cc6a6ccb3cef92dc9f2_1

Are there any other interesting aspects about this article?

Are there any other interesting aspects about Rem Koolhaas' other than project on the city?

Rem Koolhaas

Koolhaas's next landmark publications were a product of his position as professor at Harvard University, in the Design school's "Project on the City"; firstly the 720-page Mutations, followed by The Harvard Design School Guide to Shopping (2002) and The Great Leap Forward (2002). All three books involved Koolhaas's students analysing what others would regard as "non-cities", sprawling conglomerates such as Lagos in Nigeria, west Africa, which the authors argue are highly functional despite a lack of infrastructure. The authors also examine the influence of shopping habits and the recent rapid growth of cities in China. Critics of the books have criticised Koolhaas for being cynical - as if Western capitalism and globalization demolish all cultural identity - highlighted in the notion expounded in the books that "In the end, there will be little else for us to do but shop". However, such cynicism can alternatively be read as a "realism" about the transformation of cultural life, where airports and even museums (due to finance problems) rely just as much on operating gift shops. When it comes to transforming these observations into practice, Koolhaas mobilizes what he regards as the omnipotent forces of urbanism into unique design forms and connections organised along the lines of present-day society. Koolhaas continuously incorporates his observations of the contemporary city within his design activities: calling such a condition the 'culture of congestion'. Again, shopping is examined for "intellectual comfort", whilst the unregulated taste and densification of Chinese cities is analysed according to "performance", a criterion involving variables with debatable credibility: density, newness, shape, size, money etc. For example, in his design for the new CCTV headquarters in Beijing (2009), Koolhaas did not opt for the stereotypical skyscraper, often used to symbolise and landmark such government enterprises, but instead designed a series of volumes which not only tie together the numerous departments onto the nebulous site, but also introduced routes (again, the concept of cross-programming) for the general public through the site, allowing them some degree of access to the production procedure. Through his ruthlessly raw approach, Koolhaas hopes to extract the architect from the anxiety of a dead profession and resurrect a contemporary interpretation of the sublime, however fleeting it may be. In 2003, Content, a 544-page magazine-style book designed by &&& Creative and published by Koolhaas, gives an overview of the last decade of OMA projects including his designs for the Prada shops, the Seattle Public Library, a plan to save Cambridge from Harvard by rechanneling the Charles River, Lagos' future as Earth's third-biggest city, as well as interviews with Martha Stewart and Robert Venturi and Denise Scott Brown. CANNOTANSWER

Koolhaas mobilizes what he regards as the omnipotent forces of urbanism into unique design forms

Remment Lucas Koolhaas (; born 17 November 1944) is a Dutch architect, architectural theorist, urbanist and Professor in Practice of Architecture and Urban Design at the Graduate School of Design at Harvard University. He is often cited as a representative of Deconstructivism and is the author of Delirious New York: A Retroactive Manifesto for Manhattan. He is seen by some as one of the truly significant architectural thinkers and urbanists of his generation, by others as a self-important iconoclast. In 2000, Rem Koolhaas won the Pritzker Prize. In 2008, Time put him in their top 100 of The World's Most Influential People. He was elected to the American Philosophical Society in 2014. Early life and career Remment Koolhaas, usually abbreviated to Rem Koolhaas, was born on 17 November 1944 in Rotterdam, Netherlands, to Anton Koolhaas (1912–1992) and Selinde Pietertje Roosenburg (born 1920). His father was a novelist, critic, and screenwriter. Two documentary films by Bert Haanstra for which his father wrote the scenarios were nominated for an Academy Award for Documentary Feature, one won a Golden Bear for Short Film. His maternal grandfather, Dirk Roosenburg (1887–1962), was a modernist architect who worked for Hendrik Petrus Berlage, before opening his own practice. Rem Koolhaas has a brother, Thomas, and a sister, Annabel. His paternal cousin was the architect and urban planner Teun Koolhaas (1940–2007). The family lived consecutively in Rotterdam (until 1946), Amsterdam (1946–1952), Jakarta (1952–1955), and Amsterdam (from 1955). His father strongly supported the Indonesian cause for autonomy from the colonial Dutch in his writing. When the war of independence was won, he was invited over to run a cultural programme for three years and the family moved to Jakarta in 1952. "It was a very important age for me," Koolhaas recalls "and I really lived as an Asian." In 1969, Koolhaas co-wrote The White Slave, a Dutch film noir, and later wrote an unproduced script for American soft-porn king Russ Meyer. He was a journalist in 1963 at age 19 for the Haagse Post before starting studies in architecture in 1968 at the Architectural Association School of Architecture in London, followed, in 1972, by further studies with Oswald Mathias Ungers at Cornell University in Ithaca, New York, followed by studies at the Institute for Architecture and Urban Studies in New York City. Koolhaas first came to public and critical attention with OMA (The Office for Metropolitan Architecture), the office he founded in 1975 together with architects Elia Zenghelis, Zoe Zenghelis and (Koolhaas's wife) Madelon Vriesendorp in London. They were later joined by one of Koolhaas's students, Zaha Hadid – who would soon go on to achieve success in her own right. An early work which would mark their difference from the then dominant postmodern classicism of the late 1970s, was their contribution to the Venice Biennale of 1980, curated by Italian architect Paolo Portoghesi, titled "Presence of the Past". Each architect had to design a stage-like "frontage" to a Potemkin-type internal street; the façades by , Frank Gehry and OMA were the only ones that did not employ Post-Modern architecture motifs or historical references. Other early critically received (yet unbuilt) projects included the Parc de la Villette, Paris (1982) and the residence for the Prime Minister of Ireland (1979), as well as the Kunsthal in Rotterdam (1992). These schemes would attempt to put into practice many of the findings Koolhaas made in his book Delirious New York (1978), which was written while he was a visiting scholar at the Institute for Architecture and Urban Studies in New York, directed by Peter Eisenman. Architectural theory Delirious New York Koolhaas's book Delirious New York set the pace for his career. Koolhaas analyzes the "chance-like" nature of city life: "The City is an addictive machine from which there is no escape" "Rem Koolhaas...defined the city as a collection of 'red hot spots'." (Anna Klingmann). As Koolhaas himself has acknowledged, this approach had already been evident in the Japanese Metabolist Movement in the 1960s and early 1970s. A key aspect of architecture that Koolhaas interrogates is the "Program": with the rise of modernism in the 20th century the "Program" became the key theme of architectural design. The notion of the Program involves "an act to edit function and human activities" as the pretext of architectural design: epitomised in the maxim form follows function, first popularised by architect Louis Sullivan at the beginning of the 20th century. The notion was first questioned in Delirious New York, in his analysis of high-rise architecture in Manhattan. An early design method derived from such thinking was "cross-programming", introducing unexpected functions in room programmes, such as running tracks in skyscrapers. More recently, Koolhaas unsuccessfully proposed the inclusion of hospital units for the homeless into the Seattle Public Library project (2003). Project on the city Koolhaas' next publications were a by-product of his position as professor at Harvard University, in the Design school's "Project on the City"; firstly the 720-page Mutations, followed by The Harvard Design School Guide to Shopping (2002) and The Great Leap Forward (2002). All three books published student work analysing what others would regard as "non-cities", sprawling conglomerates such as Lagos in Nigeria, west Africa, which the authors argue are highly functional despite a lack of infrastructure. The authors also examine the influence of shopping habits and the recent rapid growth of cities in China. Critics of the books have criticised Koolhaas for being cynical, – as if Western capitalism and globalization demolish all cultural identity – highlighted in the notion expounded in the books that "In the end, there will be little else for us to do but shop". Perhaps such caustic cynicism can be read as a "realism" about the transformation of cultural life, where airports and even museums (due to finance problems) rely just as much on operating gift shops. It does, however, demonstrate one of the architect's characteristic devices for deflecting criticism: attack the client or subject of study after completing the work. When it comes to transforming these observations into practice, Koolhaas mobilizes what he regards as the omnipotent forces of urbanism into unique design forms and connections organised along the lines of present-day society. Koolhaas continuously incorporates his observations of the contemporary city within his design activities: calling such a condition the ‘culture of congestion’. Again, shopping is examined for "intellectual comfort", whilst the unregulated taste and densification of Chinese cities is analysed according to "performance", a criterion involving variables with debatable credibility: density, newness, shape, size, money etc. In 2003, Content, a 544-page magazine-style book designed by &&& Creative and published by Koolhaas, gives an overview of the last decade of OMA projects including his designs for the Prada shops, the Seattle Public Library, a plan to save Cambridge from Harvard by rechanneling the Charles River, Lagos' future as Earth's third-biggest city, as well as interviews with Martha Stewart and Robert Venturi and Denise Scott Brown. Volume Magazine In 2005, Rem Koolhaas co-founded Volume Magazine together with Mark Wigley and Ole Bouman. Volume Magazine – the collaborative project by Archis (Amsterdam), AMO and C-lab (Columbia University NY) – is a dynamic experimental think tank devoted to the process of spatial and cultural reflexivity. It goes beyond architecture's definition of ‘making buildings’ and reaches out for global views on architecture and design, broader attitudes to social structures, and creating environments to live in. The magazine stands for a journalism which detects and anticipates, is proactive and even pre-emptive – a journalism which uncovers potentialities, rather than covering done deals. Buildings and projects In the late nineties he worked on the design for the new headquarters for Universal. Indeed, online marketing and propaganda has been a hallmark of OMA's rise in the current century. It has also led to pointed criticism, such as the critique by New York Magazine critic Justin Davidson, who found the 2020 Guggenheim exhibition Countryside, the Future "mildly amusing if it weren’t such terrible waste — of attention, of gallery square footage, of resources, talent, and expertise. Bored with being an architect and building things, Koolhaas lets his fingertips graze important topics, genuine insights, and actual lives. He treats them all as ironic bric-a-brac, meaningless souvenirs of his meanderings through a fragile world. How frustrating that the Guggenheim couldn’t force a little more intellectual rigor on this romp." Architecture, fashion, and theatre With his Prada projects, Koolhaas ventured into providing architecture for the fleeting world of fashion and with celebrity-studded cachet: not unlike Garnier's Opera, the central space of Koolhaas' Beverly Hills Prada store is occupied by a massive central staircase, ostensibly displaying select wares, but mainly the shoppers themselves. The notion of selling a brand rather than marketing clothes was further emphasised in the Prada store on Broadway in Manhattan, New York, which had previously been owned by the Guggenheim: the museum signs were not removed during the outfitting of the new store, as if emphasizing the premises as a cultural institution. The Broadway Prada store opened in December 2001, cost €32 million to build, and has 2,300 square meters of retail space. 21st Century Projects Probably the most costly and celebrated OMA projects of the new century were the massive Central China Television Headquarters Building in Beijing, China, and the new building for the Shenzhen Stock Exchange, the equivalent of the NASDAQ in China. In his design for the new CCTV Headquarters in Beijing (2009), Koolhaas did not opt for the stereotypical skyscraper, often used to symbolise and landmark such government enterprises; he patented a "horizontal skyscraper" in the U.S. The building, popularly called "The Big Pants" by Beijing residents, was designed as a series of volumes which attempt to tie together the numerous departments onto the nebulous site, but also introduce routes (again, the concept of cross-programming) for the general public through the site, allowing them some degree of access to the production procedure. An unfortunate incident that highlighted the folly of the circulation scheme (no effective fire egress for people on the upper floors), was the construction fire that nearly destroyed the building and a nearby hotel in 2009. Personal life Koolhaas was previously married to Madelon Vriesendorp, an artist who is the mother of his two children, Charlie, a photographer, and Tomas, a filmmaker. Koolhaas divorced Vriesendorp in 2012. He has known his current partner Petra Blaisse, an interior and landscape designer since 1986. Selected projects Villa dall’Ava, (Saint-Cloud, 1991) Nexus World Housing (Fukuoka, 1991) Kunsthal (Rotterdam, 1992) Euralille (Lille, 1994) Educatorium (Utrecht, 1995) Maison à Bordeaux (Bordeaux, 1998) Embassy of the Netherlands (Berlin, 2003) McCormick Tribune Campus Center (Chicago, 2003) Seoul National University Museum of Art (Seoul, 2005) Seattle Central Library (Seattle, 2005) Casa da Música (Porto, 2005) Dee and Charles Wyly Theater (Dallas, 2009) CCTV Headquarters, (Beijing, 2012) De Rotterdam (Rotterdam, 2013) Garage Museum of Contemporary Art (Moscow, 2014) Qatar National Library (Doha, 2017) Taipei Performing Arts Center (Taipei, 2022) Bibliography Project Japan. Metabolism Talks... (2011) (with Hans Ulrich Obrist) Delirious New York: A Retroactive Manifesto for Manhattan (1978) S,M,L,XL (1995) Serpentine Gallery: 24 Hour Interview Marathon (2007) Living Vivre Leben (1998)Content (2004) Serpentine Gallery Pavilion 2006''; Verlag der Buchhandlung Walther König, Köln, Germany 2008 Gallery See also Contemporary architecture World Architecture Survey List of architects Koolhaas Houselife References External links Office for Metropolitan Architecture OMA official Facebook page (updated daily) OMA official Vimeo channel OMA portfolio on Archello.com Rem Koolhaas at Harvard University Urgency 2007: Rem Koolhaas and Peter Eisenman lectures, Canadian Centre for Architecture, June 8, 2007 Rem Koolhaas in conversation with Mirko Zardini and Giovanna Borasi, Rotterdam, August 26, 2015, for the exhibition The Other Architect, Canadian Centre for Architecture On Starchitecture Koolhaas at Harvard's Ecological Urbanism Rem Koolhaas: A Kind of Architect (2008 Feature Documentary) Rem Koolhaas lecture "Russia for Beginners" at Garage Museum of Contemporary Art: September 15th, 2014 Rem Koolhaas on Empty Canon 1944 births 20th-century Dutch architects 21st-century Dutch architects Architectural theoreticians Urban theorists Deconstructivism Postmodern architecture Dutch non-fiction writers Living people Cornell University College of Architecture, Art, and Planning alumni Harvard Graduate School of Design faculty Dutch urban planners Architects from Rotterdam Pritzker Architecture Prize winners Recipients of the Royal Gold Medal Chevaliers of the Légion d'honneur Recipients of the Praemium Imperiale Alumni of the Architectural Association School of Architecture Honorary Fellows of the American Institute of Architects

C_246bb626bd9b4cc6a6ccb3cef92dc9f2_1

What omnipotent forces?

What are omnipotent forces that Rem Koolhaas mobilizes?

Rem Koolhaas

Koolhaas's next landmark publications were a product of his position as professor at Harvard University, in the Design school's "Project on the City"; firstly the 720-page Mutations, followed by The Harvard Design School Guide to Shopping (2002) and The Great Leap Forward (2002). All three books involved Koolhaas's students analysing what others would regard as "non-cities", sprawling conglomerates such as Lagos in Nigeria, west Africa, which the authors argue are highly functional despite a lack of infrastructure. The authors also examine the influence of shopping habits and the recent rapid growth of cities in China. Critics of the books have criticised Koolhaas for being cynical - as if Western capitalism and globalization demolish all cultural identity - highlighted in the notion expounded in the books that "In the end, there will be little else for us to do but shop". However, such cynicism can alternatively be read as a "realism" about the transformation of cultural life, where airports and even museums (due to finance problems) rely just as much on operating gift shops. When it comes to transforming these observations into practice, Koolhaas mobilizes what he regards as the omnipotent forces of urbanism into unique design forms and connections organised along the lines of present-day society. Koolhaas continuously incorporates his observations of the contemporary city within his design activities: calling such a condition the 'culture of congestion'. Again, shopping is examined for "intellectual comfort", whilst the unregulated taste and densification of Chinese cities is analysed according to "performance", a criterion involving variables with debatable credibility: density, newness, shape, size, money etc. For example, in his design for the new CCTV headquarters in Beijing (2009), Koolhaas did not opt for the stereotypical skyscraper, often used to symbolise and landmark such government enterprises, but instead designed a series of volumes which not only tie together the numerous departments onto the nebulous site, but also introduced routes (again, the concept of cross-programming) for the general public through the site, allowing them some degree of access to the production procedure. Through his ruthlessly raw approach, Koolhaas hopes to extract the architect from the anxiety of a dead profession and resurrect a contemporary interpretation of the sublime, however fleeting it may be. In 2003, Content, a 544-page magazine-style book designed by &&& Creative and published by Koolhaas, gives an overview of the last decade of OMA projects including his designs for the Prada shops, the Seattle Public Library, a plan to save Cambridge from Harvard by rechanneling the Charles River, Lagos' future as Earth's third-biggest city, as well as interviews with Martha Stewart and Robert Venturi and Denise Scott Brown. CANNOTANSWER

CANNOTANSWER

Remment Lucas Koolhaas (; born 17 November 1944) is a Dutch architect, architectural theorist, urbanist and Professor in Practice of Architecture and Urban Design at the Graduate School of Design at Harvard University. He is often cited as a representative of Deconstructivism and is the author of Delirious New York: A Retroactive Manifesto for Manhattan. He is seen by some as one of the truly significant architectural thinkers and urbanists of his generation, by others as a self-important iconoclast. In 2000, Rem Koolhaas won the Pritzker Prize. In 2008, Time put him in their top 100 of The World's Most Influential People. He was elected to the American Philosophical Society in 2014. Early life and career Remment Koolhaas, usually abbreviated to Rem Koolhaas, was born on 17 November 1944 in Rotterdam, Netherlands, to Anton Koolhaas (1912–1992) and Selinde Pietertje Roosenburg (born 1920). His father was a novelist, critic, and screenwriter. Two documentary films by Bert Haanstra for which his father wrote the scenarios were nominated for an Academy Award for Documentary Feature, one won a Golden Bear for Short Film. His maternal grandfather, Dirk Roosenburg (1887–1962), was a modernist architect who worked for Hendrik Petrus Berlage, before opening his own practice. Rem Koolhaas has a brother, Thomas, and a sister, Annabel. His paternal cousin was the architect and urban planner Teun Koolhaas (1940–2007). The family lived consecutively in Rotterdam (until 1946), Amsterdam (1946–1952), Jakarta (1952–1955), and Amsterdam (from 1955). His father strongly supported the Indonesian cause for autonomy from the colonial Dutch in his writing. When the war of independence was won, he was invited over to run a cultural programme for three years and the family moved to Jakarta in 1952. "It was a very important age for me," Koolhaas recalls "and I really lived as an Asian." In 1969, Koolhaas co-wrote The White Slave, a Dutch film noir, and later wrote an unproduced script for American soft-porn king Russ Meyer. He was a journalist in 1963 at age 19 for the Haagse Post before starting studies in architecture in 1968 at the Architectural Association School of Architecture in London, followed, in 1972, by further studies with Oswald Mathias Ungers at Cornell University in Ithaca, New York, followed by studies at the Institute for Architecture and Urban Studies in New York City. Koolhaas first came to public and critical attention with OMA (The Office for Metropolitan Architecture), the office he founded in 1975 together with architects Elia Zenghelis, Zoe Zenghelis and (Koolhaas's wife) Madelon Vriesendorp in London. They were later joined by one of Koolhaas's students, Zaha Hadid – who would soon go on to achieve success in her own right. An early work which would mark their difference from the then dominant postmodern classicism of the late 1970s, was their contribution to the Venice Biennale of 1980, curated by Italian architect Paolo Portoghesi, titled "Presence of the Past". Each architect had to design a stage-like "frontage" to a Potemkin-type internal street; the façades by , Frank Gehry and OMA were the only ones that did not employ Post-Modern architecture motifs or historical references. Other early critically received (yet unbuilt) projects included the Parc de la Villette, Paris (1982) and the residence for the Prime Minister of Ireland (1979), as well as the Kunsthal in Rotterdam (1992). These schemes would attempt to put into practice many of the findings Koolhaas made in his book Delirious New York (1978), which was written while he was a visiting scholar at the Institute for Architecture and Urban Studies in New York, directed by Peter Eisenman. Architectural theory Delirious New York Koolhaas's book Delirious New York set the pace for his career. Koolhaas analyzes the "chance-like" nature of city life: "The City is an addictive machine from which there is no escape" "Rem Koolhaas...defined the city as a collection of 'red hot spots'." (Anna Klingmann). As Koolhaas himself has acknowledged, this approach had already been evident in the Japanese Metabolist Movement in the 1960s and early 1970s. A key aspect of architecture that Koolhaas interrogates is the "Program": with the rise of modernism in the 20th century the "Program" became the key theme of architectural design. The notion of the Program involves "an act to edit function and human activities" as the pretext of architectural design: epitomised in the maxim form follows function, first popularised by architect Louis Sullivan at the beginning of the 20th century. The notion was first questioned in Delirious New York, in his analysis of high-rise architecture in Manhattan. An early design method derived from such thinking was "cross-programming", introducing unexpected functions in room programmes, such as running tracks in skyscrapers. More recently, Koolhaas unsuccessfully proposed the inclusion of hospital units for the homeless into the Seattle Public Library project (2003). Project on the city Koolhaas' next publications were a by-product of his position as professor at Harvard University, in the Design school's "Project on the City"; firstly the 720-page Mutations, followed by The Harvard Design School Guide to Shopping (2002) and The Great Leap Forward (2002). All three books published student work analysing what others would regard as "non-cities", sprawling conglomerates such as Lagos in Nigeria, west Africa, which the authors argue are highly functional despite a lack of infrastructure. The authors also examine the influence of shopping habits and the recent rapid growth of cities in China. Critics of the books have criticised Koolhaas for being cynical, – as if Western capitalism and globalization demolish all cultural identity – highlighted in the notion expounded in the books that "In the end, there will be little else for us to do but shop". Perhaps such caustic cynicism can be read as a "realism" about the transformation of cultural life, where airports and even museums (due to finance problems) rely just as much on operating gift shops. It does, however, demonstrate one of the architect's characteristic devices for deflecting criticism: attack the client or subject of study after completing the work. When it comes to transforming these observations into practice, Koolhaas mobilizes what he regards as the omnipotent forces of urbanism into unique design forms and connections organised along the lines of present-day society. Koolhaas continuously incorporates his observations of the contemporary city within his design activities: calling such a condition the ‘culture of congestion’. Again, shopping is examined for "intellectual comfort", whilst the unregulated taste and densification of Chinese cities is analysed according to "performance", a criterion involving variables with debatable credibility: density, newness, shape, size, money etc. In 2003, Content, a 544-page magazine-style book designed by &&& Creative and published by Koolhaas, gives an overview of the last decade of OMA projects including his designs for the Prada shops, the Seattle Public Library, a plan to save Cambridge from Harvard by rechanneling the Charles River, Lagos' future as Earth's third-biggest city, as well as interviews with Martha Stewart and Robert Venturi and Denise Scott Brown. Volume Magazine In 2005, Rem Koolhaas co-founded Volume Magazine together with Mark Wigley and Ole Bouman. Volume Magazine – the collaborative project by Archis (Amsterdam), AMO and C-lab (Columbia University NY) – is a dynamic experimental think tank devoted to the process of spatial and cultural reflexivity. It goes beyond architecture's definition of ‘making buildings’ and reaches out for global views on architecture and design, broader attitudes to social structures, and creating environments to live in. The magazine stands for a journalism which detects and anticipates, is proactive and even pre-emptive – a journalism which uncovers potentialities, rather than covering done deals. Buildings and projects In the late nineties he worked on the design for the new headquarters for Universal. Indeed, online marketing and propaganda has been a hallmark of OMA's rise in the current century. It has also led to pointed criticism, such as the critique by New York Magazine critic Justin Davidson, who found the 2020 Guggenheim exhibition Countryside, the Future "mildly amusing if it weren’t such terrible waste — of attention, of gallery square footage, of resources, talent, and expertise. Bored with being an architect and building things, Koolhaas lets his fingertips graze important topics, genuine insights, and actual lives. He treats them all as ironic bric-a-brac, meaningless souvenirs of his meanderings through a fragile world. How frustrating that the Guggenheim couldn’t force a little more intellectual rigor on this romp." Architecture, fashion, and theatre With his Prada projects, Koolhaas ventured into providing architecture for the fleeting world of fashion and with celebrity-studded cachet: not unlike Garnier's Opera, the central space of Koolhaas' Beverly Hills Prada store is occupied by a massive central staircase, ostensibly displaying select wares, but mainly the shoppers themselves. The notion of selling a brand rather than marketing clothes was further emphasised in the Prada store on Broadway in Manhattan, New York, which had previously been owned by the Guggenheim: the museum signs were not removed during the outfitting of the new store, as if emphasizing the premises as a cultural institution. The Broadway Prada store opened in December 2001, cost €32 million to build, and has 2,300 square meters of retail space. 21st Century Projects Probably the most costly and celebrated OMA projects of the new century were the massive Central China Television Headquarters Building in Beijing, China, and the new building for the Shenzhen Stock Exchange, the equivalent of the NASDAQ in China. In his design for the new CCTV Headquarters in Beijing (2009), Koolhaas did not opt for the stereotypical skyscraper, often used to symbolise and landmark such government enterprises; he patented a "horizontal skyscraper" in the U.S. The building, popularly called "The Big Pants" by Beijing residents, was designed as a series of volumes which attempt to tie together the numerous departments onto the nebulous site, but also introduce routes (again, the concept of cross-programming) for the general public through the site, allowing them some degree of access to the production procedure. An unfortunate incident that highlighted the folly of the circulation scheme (no effective fire egress for people on the upper floors), was the construction fire that nearly destroyed the building and a nearby hotel in 2009. Personal life Koolhaas was previously married to Madelon Vriesendorp, an artist who is the mother of his two children, Charlie, a photographer, and Tomas, a filmmaker. Koolhaas divorced Vriesendorp in 2012. He has known his current partner Petra Blaisse, an interior and landscape designer since 1986. Selected projects Villa dall’Ava, (Saint-Cloud, 1991) Nexus World Housing (Fukuoka, 1991) Kunsthal (Rotterdam, 1992) Euralille (Lille, 1994) Educatorium (Utrecht, 1995) Maison à Bordeaux (Bordeaux, 1998) Embassy of the Netherlands (Berlin, 2003) McCormick Tribune Campus Center (Chicago, 2003) Seoul National University Museum of Art (Seoul, 2005) Seattle Central Library (Seattle, 2005) Casa da Música (Porto, 2005) Dee and Charles Wyly Theater (Dallas, 2009) CCTV Headquarters, (Beijing, 2012) De Rotterdam (Rotterdam, 2013) Garage Museum of Contemporary Art (Moscow, 2014) Qatar National Library (Doha, 2017) Taipei Performing Arts Center (Taipei, 2022) Bibliography Project Japan. Metabolism Talks... (2011) (with Hans Ulrich Obrist) Delirious New York: A Retroactive Manifesto for Manhattan (1978) S,M,L,XL (1995) Serpentine Gallery: 24 Hour Interview Marathon (2007) Living Vivre Leben (1998)Content (2004) Serpentine Gallery Pavilion 2006''; Verlag der Buchhandlung Walther König, Köln, Germany 2008 Gallery See also Contemporary architecture World Architecture Survey List of architects Koolhaas Houselife References External links Office for Metropolitan Architecture OMA official Facebook page (updated daily) OMA official Vimeo channel OMA portfolio on Archello.com Rem Koolhaas at Harvard University Urgency 2007: Rem Koolhaas and Peter Eisenman lectures, Canadian Centre for Architecture, June 8, 2007 Rem Koolhaas in conversation with Mirko Zardini and Giovanna Borasi, Rotterdam, August 26, 2015, for the exhibition The Other Architect, Canadian Centre for Architecture On Starchitecture Koolhaas at Harvard's Ecological Urbanism Rem Koolhaas: A Kind of Architect (2008 Feature Documentary) Rem Koolhaas lecture "Russia for Beginners" at Garage Museum of Contemporary Art: September 15th, 2014 Rem Koolhaas on Empty Canon 1944 births 20th-century Dutch architects 21st-century Dutch architects Architectural theoreticians Urban theorists Deconstructivism Postmodern architecture Dutch non-fiction writers Living people Cornell University College of Architecture, Art, and Planning alumni Harvard Graduate School of Design faculty Dutch urban planners Architects from Rotterdam Pritzker Architecture Prize winners Recipients of the Royal Gold Medal Chevaliers of the Légion d'honneur Recipients of the Praemium Imperiale Alumni of the Architectural Association School of Architecture Honorary Fellows of the American Institute of Architects

C_9bee77e3ba5d4991a15b82be185dfcbd_1

What was his relationship with journalism?

What was David Simon's relationship with journalism?

David Simon

Upon leaving college, Simon worked as a police reporter at The Baltimore Sun from 1982 to 1995. He spent most of his career covering the crime beat. A colleague has said that Simon loved journalism and felt it was "God's work". Simon says that he was initially altruistic and was inspired to enter journalism by the Washington Post's coverage of Watergate but became increasingly pragmatic as he gained experience. Later in his career he aimed to tell the best possible story without "cheating it". Simon was a union captain when the writing staff went on strike in 1987 over benefit cuts. He remained angry after the strike ended and began to feel uncomfortable in the writing room. He searched for a reason to justify a leave of absence and settled on the idea of writing a novel. "I got out of journalism because some sons of bitches bought my newspaper and it stopped being fun," says Simon. In an interview in Reason in 2004, Simon said that since leaving the newspaper business he has become more cynical about the power of journalism. "One of the sad things about contemporary journalism is that it actually matters very little. The world now is almost inured to the power of journalism. The best journalism would manage to outrage people. And people are less and less inclined to outrage," said Simon. "I've become increasingly cynical about the ability of daily journalism to effect any kind of meaningful change. I was pretty dubious about it when I was a journalist, but now I think it's remarkably ineffectual." In 1988, disillusioned, Simon took a year's leave to go into the Baltimore Police Department Homicide Unit to write a book. CANNOTANSWER

Simon worked as a police reporter at The Baltimore Sun from 1982 to 1995. He spent most of his career covering the crime beat. A colleague has said that

David Judah Simon (born February 9, 1960) is an American author, journalist, and television writer and producer best known for his work on The Wire (2002–08). He worked for The Baltimore Sun City Desk for twelve years (1982–95), wrote Homicide: A Year on the Killing Streets (1991), and co-wrote The Corner: A Year in the Life of an Inner-City Neighborhood (1997) with Ed Burns. The former book was the basis for the NBC series Homicide: Life on the Street (1993–99), on which Simon served as a writer and producer. Simon adapted the latter book into the HBO mini-series The Corner (2000). He was the creator, executive producer, head writer, and show runner for all five seasons of the HBO television series The Wire (2002–2008). He adapted the non-fiction book Generation Kill into a television mini-series, and served as the show runner for the project. He was selected as one of the 2010 MacArthur Fellows and named an Utne Reader visionary in 2011. Simon also created the HBO series Treme with Eric Overmyer, which aired for four seasons. Following Treme, Simon wrote the HBO mini-series Show Me a Hero with journalist William F. Zorzi, a colleague first at The Baltimore Sun and again later on The Wire. Simon and frequent collaborator George Pelecanos reunited to create original series The Deuce. The drama about the New York porn industry in the 1970s and 1980s stars Maggie Gyllenhaal and co-producer James Franco, and aired from 2017 to 2019. Simon's next series, The Plot Against America, debuted in 2020. Early life and education Simon was born in Washington, D.C., the son of Dorothy Simon (née Ligeti), a homemaker, and Bernard Simon, a former journalist and then public relations director for B'nai B'rith for 20 years. Simon was raised in a Jewish family, and had a bar mitzvah ceremony. His family roots are in Russia, Belarus, Hungary, and Slovakia (his maternal grandfather had changed his surname from "Leibowitz" to "Ligeti"). He has a brother, Gary Simon, and a sister, Linda Evans, who died in 1990. In March 1977, when Simon was still in high school, Simon's father was one of a group of over 140 people held hostage (and later released) in Washington, D.C. by former national secretary of the Nation of Islam Hamaas Abdul Khaalis in the Hanafi Siege. Simon graduated from Bethesda-Chevy Chase High School in Bethesda, Maryland, and wrote for the school newspaper, The Tattler. In 1983, he graduated from the University of Maryland, College Park. While at college he wrote and was Editor for The Diamondback, and became friends with contemporary David Mills. Career Journalism Upon leaving college, Simon worked as a police reporter at The Baltimore Sun from 1982 to 1995. Simon was hired by the Baltimore Sun for a piece he wrote about Lefty Driesell, who was then the men's basketball coach at the University of Maryland. Driesell had been extremely frustrated that one of his players was suspended from playing for sexual impropriety and called the victim, threatening to destroy her reputation if she did not withdraw her complaint. This was all done while the university administration was listening to the call, but they did nothing. Lefty Driesell was later given a 5-year contract and, in 2018, he was inducted into the ACC Hall of Fame. Simon spent most of his career covering the crime beat. A colleague has said that Simon loved journalism and felt it was "God's work". Simon says that he was initially altruistic and was inspired to enter journalism by The Washington Posts coverage of Watergate but became increasingly pragmatic as he gained experience. Simon was a union captain when the writing staff went on strike in 1987 over benefit cuts. He remained angry after the strike ended and began to feel uncomfortable in the writing room. He searched for a reason to justify a leave of absence and settled on the idea of writing a novel. "I got out of journalism because some sons of bitches bought my newspaper and it stopped being fun," says Simon. In 1988, disillusioned, Simon took a year's leave to go into the Baltimore Police Department Homicide Unit to write a book. Book Homicide: A Year on the Killing Streets Simon's leave of absence from The Sun resulted in his first book Homicide: A Year on the Killing Streets (1991). The book was based on his experiences shadowing the Baltimore Police Department homicide unit during 1988. The idea came from a conversation on Christmas Eve 1985 in the unit office, where Det. Bill Lansey told him, "If someone just wrote down what happens in this place for one year, they'd have a goddamn book." Simon approached the police department and the editors of the paper to receive approval. The detectives were initially slow to accept him, but he persevered in an attempt to "seem … like part of the furniture". However, he soon ingratiated himself with the detectives, saying in the closing notes of the book, "I shared with the detectives a year's worth of fast-food runs, bar arguments and station house humor: Even for a trained observer, it was hard to remain aloof." During one instance, Simon even assisted with an arrest. Two detectives Simon was riding with pulled their car to a curb to apprehend two suspects, but Detective Dave Brown got his trenchcoat caught in a seat belt when he tried to exit the car. Brown told Simon to assist Detective Terry McLarney himself, and Simon helped apprehend and search one of the suspects. The book won the 1992 Edgar Award for Best Fact Crime book. The Associated Press called it "a true-crime classic". The Library Journal also highly recommended it, and Newsday described it as "one of the most engrossing police procedural mystery books ever written". Simon credits his time researching the book as altering his writing style and informing later work. He learned to be more patient in research and writing, and said a key lesson was not promoting himself but concentrating on his subjects. Simon told Baltimore's City Paper in 2003 that Homicide was not traditional journalism. "I felt Homicide the book and The Corner were not traditional journalism in the sense of coming from some artificially omniscient, objective point of view," said Simon. "They're immersed in the respective cultures that they cover in a way that traditional journalism often isn't." Television Homicide: Life on the Street The publishers of Homicide: A Year on the Killing Streets were eager for a screen adaptation and submitted it to numerous directors but there was little interest. Simon suggested that they send the book to Baltimore native and film director Barry Levinson. Levinson's assistant Gail Mutrux enjoyed the book and both she and Levinson became attached as producers. The project became the award-winning TV series Homicide: Life on the Street (1993–1999), on which Simon worked as a writer and producer. Simon was asked by Mutrux to write the show's pilot episode but declined, feeling he did not have the necessary expertise. He collaborated with his old college friend David Mills to write the season two premiere "Bop Gun". The episode was based on a story by executive producer Tom Fontana and featured Robin Williams in a guest starring role that garnered the actor an Emmy nomination. Simon and Mills won the WGA Award for Best Writing in a Drama for the episode. Simon also received Austin Film Festival's Outstanding Television Writer Award in 2010. Simon left his job with the Baltimore Sun in 1995 to work full-time on Homicide: Life on the Street during the production of the show's fourth season. Simon wrote the teleplay for the season four episodes "Justice: Part 2" and "Scene of the Crime" (with Anya Epstein). For season five he was the show's story editor and continued to contribute teleplays writing the episodes "Bad Medicine" and "Wu's on First?" (again with Epstein). He was credited as a producer on the show's sixth and seventh seasons. He wrote the teleplays for parts two and three of the sixth-season premiere "Blood Ties" (the latter marking his third collaboration with Epstein) and provided the story for the later sixth-season episodes "Full Court Press" and "Finnegan's Wake" (with James Yoshimura). He provided the story for the seventh season episodes "Shades of Gray" (with Julie Martin), "The Same Coin" (again with Yoshimura) and "Self Defense" (with Eric Overmyer). Simon wrote the story and teleplay for the seventh season episodes "The Twenty Percent Solution" and "Sideshow: Part 2". Simon, Martin and teleplay writer T. J. English won the Humanitas Prize in the 60 minutes category for the episode "Shades of Gray". Simon was nominated for a second WGA Award for Best Writing in a Drama for his work on "Finnegan's Wake" with Yoshimura and Mills (who wrote the teleplay). Simon has said that he thought the show was a "remarkable drama" but that it did not reflect the book. He has also said that when writing for the show he had to put his experiences of the real detectives aside as the characters became quite different, particularly in their more philosophical approach to the job. Simon said that TV must find shorthand ways of referencing anything real. The Corner In 1997 he co-authored, with Ed Burns, The Corner: A Year in the Life of an Inner-City Neighborhood, the true account of a West Baltimore community dominated by a heavy drug market. Simon credits his editor John Sterling with the suggestion that he observe a single drug corner. He took a second leave of absence from the Baltimore Sun in 1993 to research the project. Simon became close to one of his subjects, drug addict Gary McCullough, and was devastated by his death while he was writing the project. Simon says that he approached the research with the abstract idea that his subjects may die because of their addictions but it was not possible to fully prepare for the reality. He remains grateful to his subjects saying "This involved people's whole lives, there's no privacy in it. That was an enormous gift which many, many people gave us. Even the most functional were at war with themselves. But they were not foolish people. And they made that choice." The Corner was named a Notable Book of the Year by The New York Times. Simon again returned to his journalism career after finishing the book but felt further changed by his experiences. He said he "was less enamored of the braggadocio, all that big, we're-really-having-an-impact talk" and no longer believed that they were making a difference; he left his job at The Sun within a year for work on NBC's Homicide. Soon after Homicide concluded Simon co-wrote (with David Mills) and produced The Corner as a six-hour TV miniseries for HBO. The show received three Emmy Awards, including Outstanding Writing for a Miniseries or a Movie, for Simon and Mills. The Wire Simon was the creator, show runner, executive producer and head writer of the HBO drama series The Wire. Many of The Wires characters and incidents also came from Homicide: A Year on the Killing Streets. After the fourth season, Simon signed on to produce the fifth and final season of The Wire, which focused on the role of mass media in society. Again he worked with Ed Burns on creating the show. Originally they set out to create a police drama loosely based on Burns' experiences when working on protracted investigations of violent drug dealers using surveillance technology. During this time Burns had often faced frustration with the bureaucracy of the police department, which Simon equated with his own ordeals as a police reporter for The Baltimore Sun. Writing against the background of current events, including institutionalized corporate crime at Enron and institutional dysfunction in the Catholic Church, the show became "more of a treatise about institutions and individuals than a straight cop show." They chose to take The Wire to HBO because of their existing working relationship from The Corner. Owing to its reputation for exploring new areas, HBO was initially dubious about including a cop drama in their lineup, but eventually agreed to produce the pilot after ordering a further two scripts to see how the series would progress. Carolyn Strauss, the president of HBO entertainment, has said that Simon's argument that the most subversive thing HBO could do was invade the networks' "backyard" of police procedurals helped to persuade them. The theme of institutional dysfunction was expanded across different areas of the city as the show progressed. The second season focused on the death of working-class America through examination of the city ports. The third season "reflects on the nature of reform and reformers, and whether there is any possibility that political processes, long calcified, can mitigate against the forces currently arrayed against individuals." For the fourth season Simon again turned to Burns' experience, this time his second career as a Baltimore public school teacher in examining the theme of education. The fifth season looked at the media, as well as continuing themes such as politics from earlier seasons. Simon was reunited with his The Corner producers Robert F. Colesberry and Nina K. Noble on The Wire. Simon credits Colesberry for achieving the show's realistic visual feel because of his experience as a director. They recruited Homicide star and director Clark Johnson to helm the pilot episode. The completed pilot was given to HBO in November 2001. Johnson returned to direct the second episode when the show was picked up, and would direct the series finale as well, in addition to starring in the fifth season. Simon approached acclaimed crime fiction authors to write for The Wire. He was recommended the work of George Pelecanos by a colleague while working at the Baltimore Sun because of similarities between their writing. The two writers have much in common including a childhood in Silver Spring, attendance at the University of Maryland and their interest in the "fate of the American city and the black urban poor." Simon did not read Pelecanos initially because of territorial prejudice; Pelecanos is from Washington. Once Simon received further recommendations including one from his wife Laura Lippman he tried Pelecanos' novel The Sweet Forever and changed his mind. He sought out Pelecanos when recruiting writers for The Wire. The two met at the funeral of a mutual friend shortly after Simon delivered the pilot episode. Simon pitched Pelecanos the idea of The Wire as a novel for television about the American city as Pelecanos drove him home. Pelecanos became a regular writer and later a producer for the show's second and third seasons. Simon and Pelecanos collaborated to write the episode "Middle Ground" which received the show's first Emmy nomination, in the category Outstanding Writing for a Drama Series. Pelecanos left the production staff following the third season to focus on his next novel; Simon has commented that he missed having him working on the show full-time but was pleased that he continued to write for them and was a fan of the resultant book The Night Gardener. Similar to Simon's own experience in researching Homicide Pelecanos spent time embedded with the Washington DC homicide unit to research the book. Crime novelist Dennis Lehane has also written for the series starting with the third season. Lehane has commented that he was impressed by Simon and Burns' ear for authentic street slang. Eric Overmyer was brought in to fill the role of Pelecanos as a full-time writer producer. He had previously worked with Simon on Homicide where the two became friends. Simon has said that he was impressed with Overmyer's writing particularly in synthesizing the story for "Margin of Error" as the episode is the height of the show's political storyline but must also progress other plot threads. Simon and his writing staff were nominated for the Writers Guild of America Award for Best Dramatic Series at the February 2009 ceremony for their work on the fifth season. Simon and Burns collaborated to write the series finale "-30-" which received the show's second Emmy nomination, again in the category Outstanding Writing for a Drama Series. Simon has stated that he finds working with HBO more comfortable than his experiences with NBC on Homicide and that HBO is able to allow greater creative control because it is dependent on subscribers rather than on viewing figures. He has said that he feels unable to return to network television because he felt pressure to compromise storytelling for audience satisfaction. Generation Kill Simon produced and wrote Generation Kill for HBO with Ed Burns. They again worked with Nina Noble as a producer. The miniseries is an adaption of the non-fiction book of the same name. It relates the first 40 days of the 2003 invasion of Iraq as experienced by 1st Reconnaissance Battalion and their embedded reporter, Evan Wright. Simon and Burns worked with Wright in adapting his book into the series. Treme Simon collaborated with Eric Overmyer again on Treme, a project about musicians in post-Katrina New Orleans. Overmyer lives part-time in New Orleans, and Simon believed his experience would be valuable in navigating the "ornate oral tradition" of the city's stories. Simon also consulted with New Orleans natives Donald Harrison Jr., Kermit Ruffins, and Davis Rogan while developing the series. The show focuses on a working-class neighborhood, and is smaller in scope than The Wire. The series premiered on April 11, 2010, on HBO and ran for four seasons. Treme is named after the Faubourg Treme neighborhood in New Orleans that is home to many of the city's musicians. Simon stated that the series would explore beyond the music scene to encompass political corruption, the public housing controversy, the criminal-justice system, clashes between police and Mardi Gras Indians, and the struggle to regain the tourism industry after the storm. One of the principal characters in the pilot script runs a restaurant. The series was filmed on location and was expected to provide a boost to the New Orleans economy. Simon's casting of the show mirrored that of The Wire in using local actors wherever possible. Wendell Pierce, who had previously played Bunk Moreland on The Wire, stars in the series. Clarke Peters, also of The Wire, is another series regular. Many other stars of The Wire have appeared in Treme, these include Steve Earle, Jim True-Frost, James Ransone, and Anwan Glover. Show Me a Hero In 2014, HBO greenlit production for Simon's next project Show Me a Hero, a six-hour miniseries co-written with William F. Zorzi and the episodes directed by Academy Award-winner Paul Haggis. The miniseries is an adaptation of the nonfiction book of the same name by Lisa Belkin and tells the story of Nick Wasicsko, the youngest big-city mayor in the country who is thrust into racial controversy when a federal court orders to build a small number of low-income housing units in the white neighborhoods of Yonkers, New York. Oscar Isaac stars as Wasicsko and leads a cast, which includes Catherine Keener, Jim Belushi, Bob Balaban and Winona Ryder. The miniseries premiered on August 16, 2015. The Deuce The Deuce is a 2017 drama television series set in Times Square, New York focusing on the rise of the porn industry in the 1970s-80s. Created and written by Simon along with frequent collaborator George Pelecanos, the series pilot began shooting in October 2015. It was picked up to series in January 2016. It premiered on September 10, 2017, and is broadcast by HBO in the United States. The Deuce tells the story of the legalization and ensuing rise of the porn industry in New York beginning in the 1970s and its ongoing rise through the mid-1980s. Themes explored include the rise of HIV, the violence of the drug epidemic and the resulting real estate booms and busts that coincided with the change. The Plot Against America An adaptation of Philip Roth's novel, The Plot Against America is an alternate history told through the eyes of a working-class Jewish family in Newark, New Jersey; as they watch the political rise of Charles Lindbergh, an aviator-hero and xenophobic populist, who becomes president and turns the nation toward fascism. The six-part miniseries premiered on March 16, 2020, on HBO. Projects in developmentParting the Waters: With Taylor Branch, James McBride, Ta-Nehisi Coates, and Eric Overmyer. About Martin Luther King Jr. and the Civil Rights Movement, based on one of the volumes of the books America in the King Years written by Taylor Branch, specifically At Canaan's Edge: America in the King Years, 1965–1968. The project was to be produced by Oprah Winfrey, but was shelved.The Avenue: A book with William F. Zorzi Jr., on the Baltimore drug epidemic from 1951 to late 1980sThe Good Friday Plot: Miniseries about Abraham Lincoln based upon Manhunt: The Twelve-Day Chase for Lincoln's Killer by James L. Swanson and American Brutus: John Wilkes Booth and the Lincoln Conspiracies by Michael W. Kauffman.Capitol Hill: A collaboration with Carl Bernstein set in Capitol Hill, it examines partisanship and the role money plays in influencing national governance. The series was ordered to pilot by HBO in 2015 but has not received a subsequent season order.Legacy of Ashes: On the Central Intelligence Agency, based on the 2007 book Legacy of Ashes by Tim Weiner. The show was taken to the BBC and would have had Anthony Bourdain on the writing staff.The Pogues: Musical project with the help of the late Philip Chevron in development at The Public Theater in New York City, with Laura Lippman and George PelecanosA Dry Run: The Lincolns in Spain: A historical miniseries set during the Spanish Civil War about the Abraham Lincoln and George Washington Battalions, which were composed of volunteers from the United States who wanted to help the Spanish Republic overcome fascism. Mark Johnson will be the series producer and Mediapro will be the series' production company. Writing process Simon is known for his realistic dialogue and journalistic approach to writing. He says that authenticity is paramount and that he writes not with a general audience in mind but with the opinions of his subjects as his priority. He has described his extensive use of real anecdotes and characters in his writing as "stealing life". In a talk that Simon gave to a live audience in April 2007 at the Creative Alliance's storytelling series, Simon disclosed that he had started writing for revenge against John Carroll and Bill Marimow, the two most senior editors at The Baltimore Sun when Simon was a reporter at the paper. Simon said he had watched Carroll and Marimow "single-handedly destroy" the newspaper and that he spent over ten years trying to get back at them. Anything I've ever accomplished as a writer, as somebody doing TV, anything I've ever done in life, down to, like, cleaning up my room, has been accomplished because I was going to show people that they were fucked up, wrong, and that I was the fucking center of the universe and the sooner they got hip to that, the happier they would all be. One of the actions Simon took was to name a character in The Wire after Marimow and make the character "a repellent police-department toady." Carroll left The Baltimore Sun to become editor at the Los Angeles Times and resigned in 2005 after budget cuts were announced. "He stands up like a [bleeping] hero, takes a bullet," said Simon. In 2006 Marimow was diagnosed with prostate cancer, something that Simon said "took the edge off" his grudge. Carroll and Marimow "were fuel for 10 years of my life. ... And now, I got nothing," Simon said. When asked about these comments, Simon said that he had spoken with "some hyperbole and, I hope, comic effect", adding that his basic viewpoint was: "that simple revenge is both empty and beside the point and that a good story carefully told has to speak to larger themes. You do not tell an ornate, careful story over ten hours of HBO airtime merely to bust on any given soul." Views on journalism In an interview in Reason in 2004, Simon said that since leaving the newspaper business he has become more cynical about the power of journalism. "One of the sad things about contemporary journalism is that it actually matters very little. The world now is almost inured to the power of journalism. The best journalism would manage to outrage people. And people are less and less inclined to outrage," said Simon. "I've become increasingly cynical about the ability of daily journalism to effect any kind of meaningful change. I was pretty dubious about it when I was a journalist, but now I think it's remarkably ineffectual." While testifying at a 2009 Senate hearing regarding the future of journalism in America, Simon indicted what he saw as poor online journalism, calling the phrase citizen journalist "Orwellian to [his] ears." Simon ended his testimony by declaring, "I don't think anything can be done to save high-end journalism." Political views Simon has described himself as a social democrat, broadly supporting the existence of capitalism while opposing "raw, unencumbered capitalism, absent any social framework, absent any sense of community, without regard to the weakest and most vulnerable classes in society", which he described as "a recipe for needless pain, needless human waste, (and) needless tragedy". He has criticized the idea of trickle-down economics. In 2013, Simon compared the global surveillance disclosures uncovered by Edward Snowden to a 1980s effort by the City of Baltimore to record the numbers dialed from all pay phones. The city believed that drug traffickers were using pay phones and pagers, and a municipal judge allowed the city to record the dialed numbers. The placement of the payphone number recorders formed the basis of The Wires first season. Simon argued that the media attention regarding the surveillance disclosures is a "faux scandal." During a November 2013 speech at the Festival of Dangerous Ideas in Sydney, he said that America has become "a horror show" of savage inequality as a result of capitalism run amok, and that "unless we reverse course, the average human being is worthless on planet Earth. Unless we take stock of the fact that maybe socialism and the socialist impulse has to be addressed again; it has to be married as it was married in the 1930s, the 1940s and even into the 1950s, to the engine that is capitalism." Simon has also spoken out publicly against crime journalist Kevin Deutsch, disputing the portrayal of Baltimore's illegal drug trade in Deutsch's book, Pill City: How Two Honor Roll Students Foiled the Feds and Built a Drug Empire. Simon has described the book as "a wholesale fabrication." During the 2016 Democratic presidential primaries, Simon praised Bernie Sanders for "rehabilitating and normalizing the term socialist back into American public life", but opposed some attacks against Hillary Clinton which he felt focused on her presumed motives rather than the substance of policies. Personal life In 1991, Simon was married to graphic artist Kayle Tucker. They had a son. The marriage ended in divorce. In 2006, Simon married best-selling Baltimore novelist and former Sun reporter Laura Lippman in a ceremony officiated by John Waters. They have a daughter, who was born in 2010. Simon's nephew, Jason Simon, is a guitarist and vocalist for the psychedelic rock band Dead Meadow. The band was mentioned in an episode of The Wire. Simon was the 2012 commencement speaker for the Georgetown University College of Arts and Sciences, as well as the speaker for the Bethesda-Chevy Chase High School graduation. In 2019, Simon joined a host of other writers in firing their agents as part of the WGA's stand against the ATA after failing to come to an agreement on their "Code of Conduct". Simon's statement to the writers union was widely circulated. He had previously led the rallying cry about the unfair practices of packaging by the major talent agencies. Works and publications Commentary Non-fiction books Filmography Producer Writer References Further reading External links David Simon's blog. 1960 births American crime fiction writers Jewish American journalists American non-fiction crime writers American newspaper reporters and correspondents American male novelists American male screenwriters American television producers American television writers Anthony Award winners Bethesda-Chevy Chase High School alumni Drug policy reform activists Edgar Award winners Living people MacArthur Fellows American male television writers Maryland Democrats Primetime Emmy Award winners Showrunners The Baltimore Sun people University of Maryland, College Park alumni Writers Guild of America Award winners Writers from Baltimore Novelists from Maryland American male non-fiction writers Screenwriters from Washington, D.C. People from Bethesda, Maryland 21st-century American Jews

C_9bee77e3ba5d4991a15b82be185dfcbd_1

How were his pieces recieved?

How were David Simon's pieces at The Baltimore Sun recieved?

David Simon

Upon leaving college, Simon worked as a police reporter at The Baltimore Sun from 1982 to 1995. He spent most of his career covering the crime beat. A colleague has said that Simon loved journalism and felt it was "God's work". Simon says that he was initially altruistic and was inspired to enter journalism by the Washington Post's coverage of Watergate but became increasingly pragmatic as he gained experience. Later in his career he aimed to tell the best possible story without "cheating it". Simon was a union captain when the writing staff went on strike in 1987 over benefit cuts. He remained angry after the strike ended and began to feel uncomfortable in the writing room. He searched for a reason to justify a leave of absence and settled on the idea of writing a novel. "I got out of journalism because some sons of bitches bought my newspaper and it stopped being fun," says Simon. In an interview in Reason in 2004, Simon said that since leaving the newspaper business he has become more cynical about the power of journalism. "One of the sad things about contemporary journalism is that it actually matters very little. The world now is almost inured to the power of journalism. The best journalism would manage to outrage people. And people are less and less inclined to outrage," said Simon. "I've become increasingly cynical about the ability of daily journalism to effect any kind of meaningful change. I was pretty dubious about it when I was a journalist, but now I think it's remarkably ineffectual." In 1988, disillusioned, Simon took a year's leave to go into the Baltimore Police Department Homicide Unit to write a book. CANNOTANSWER

A colleague has said that Simon loved journalism and felt it was "God's work". Simon says that he was initially altruistic and was inspired

David Judah Simon (born February 9, 1960) is an American author, journalist, and television writer and producer best known for his work on The Wire (2002–08). He worked for The Baltimore Sun City Desk for twelve years (1982–95), wrote Homicide: A Year on the Killing Streets (1991), and co-wrote The Corner: A Year in the Life of an Inner-City Neighborhood (1997) with Ed Burns. The former book was the basis for the NBC series Homicide: Life on the Street (1993–99), on which Simon served as a writer and producer. Simon adapted the latter book into the HBO mini-series The Corner (2000). He was the creator, executive producer, head writer, and show runner for all five seasons of the HBO television series The Wire (2002–2008). He adapted the non-fiction book Generation Kill into a television mini-series, and served as the show runner for the project. He was selected as one of the 2010 MacArthur Fellows and named an Utne Reader visionary in 2011. Simon also created the HBO series Treme with Eric Overmyer, which aired for four seasons. Following Treme, Simon wrote the HBO mini-series Show Me a Hero with journalist William F. Zorzi, a colleague first at The Baltimore Sun and again later on The Wire. Simon and frequent collaborator George Pelecanos reunited to create original series The Deuce. The drama about the New York porn industry in the 1970s and 1980s stars Maggie Gyllenhaal and co-producer James Franco, and aired from 2017 to 2019. Simon's next series, The Plot Against America, debuted in 2020. Early life and education Simon was born in Washington, D.C., the son of Dorothy Simon (née Ligeti), a homemaker, and Bernard Simon, a former journalist and then public relations director for B'nai B'rith for 20 years. Simon was raised in a Jewish family, and had a bar mitzvah ceremony. His family roots are in Russia, Belarus, Hungary, and Slovakia (his maternal grandfather had changed his surname from "Leibowitz" to "Ligeti"). He has a brother, Gary Simon, and a sister, Linda Evans, who died in 1990. In March 1977, when Simon was still in high school, Simon's father was one of a group of over 140 people held hostage (and later released) in Washington, D.C. by former national secretary of the Nation of Islam Hamaas Abdul Khaalis in the Hanafi Siege. Simon graduated from Bethesda-Chevy Chase High School in Bethesda, Maryland, and wrote for the school newspaper, The Tattler. In 1983, he graduated from the University of Maryland, College Park. While at college he wrote and was Editor for The Diamondback, and became friends with contemporary David Mills. Career Journalism Upon leaving college, Simon worked as a police reporter at The Baltimore Sun from 1982 to 1995. Simon was hired by the Baltimore Sun for a piece he wrote about Lefty Driesell, who was then the men's basketball coach at the University of Maryland. Driesell had been extremely frustrated that one of his players was suspended from playing for sexual impropriety and called the victim, threatening to destroy her reputation if she did not withdraw her complaint. This was all done while the university administration was listening to the call, but they did nothing. Lefty Driesell was later given a 5-year contract and, in 2018, he was inducted into the ACC Hall of Fame. Simon spent most of his career covering the crime beat. A colleague has said that Simon loved journalism and felt it was "God's work". Simon says that he was initially altruistic and was inspired to enter journalism by The Washington Posts coverage of Watergate but became increasingly pragmatic as he gained experience. Simon was a union captain when the writing staff went on strike in 1987 over benefit cuts. He remained angry after the strike ended and began to feel uncomfortable in the writing room. He searched for a reason to justify a leave of absence and settled on the idea of writing a novel. "I got out of journalism because some sons of bitches bought my newspaper and it stopped being fun," says Simon. In 1988, disillusioned, Simon took a year's leave to go into the Baltimore Police Department Homicide Unit to write a book. Book Homicide: A Year on the Killing Streets Simon's leave of absence from The Sun resulted in his first book Homicide: A Year on the Killing Streets (1991). The book was based on his experiences shadowing the Baltimore Police Department homicide unit during 1988. The idea came from a conversation on Christmas Eve 1985 in the unit office, where Det. Bill Lansey told him, "If someone just wrote down what happens in this place for one year, they'd have a goddamn book." Simon approached the police department and the editors of the paper to receive approval. The detectives were initially slow to accept him, but he persevered in an attempt to "seem … like part of the furniture". However, he soon ingratiated himself with the detectives, saying in the closing notes of the book, "I shared with the detectives a year's worth of fast-food runs, bar arguments and station house humor: Even for a trained observer, it was hard to remain aloof." During one instance, Simon even assisted with an arrest. Two detectives Simon was riding with pulled their car to a curb to apprehend two suspects, but Detective Dave Brown got his trenchcoat caught in a seat belt when he tried to exit the car. Brown told Simon to assist Detective Terry McLarney himself, and Simon helped apprehend and search one of the suspects. The book won the 1992 Edgar Award for Best Fact Crime book. The Associated Press called it "a true-crime classic". The Library Journal also highly recommended it, and Newsday described it as "one of the most engrossing police procedural mystery books ever written". Simon credits his time researching the book as altering his writing style and informing later work. He learned to be more patient in research and writing, and said a key lesson was not promoting himself but concentrating on his subjects. Simon told Baltimore's City Paper in 2003 that Homicide was not traditional journalism. "I felt Homicide the book and The Corner were not traditional journalism in the sense of coming from some artificially omniscient, objective point of view," said Simon. "They're immersed in the respective cultures that they cover in a way that traditional journalism often isn't." Television Homicide: Life on the Street The publishers of Homicide: A Year on the Killing Streets were eager for a screen adaptation and submitted it to numerous directors but there was little interest. Simon suggested that they send the book to Baltimore native and film director Barry Levinson. Levinson's assistant Gail Mutrux enjoyed the book and both she and Levinson became attached as producers. The project became the award-winning TV series Homicide: Life on the Street (1993–1999), on which Simon worked as a writer and producer. Simon was asked by Mutrux to write the show's pilot episode but declined, feeling he did not have the necessary expertise. He collaborated with his old college friend David Mills to write the season two premiere "Bop Gun". The episode was based on a story by executive producer Tom Fontana and featured Robin Williams in a guest starring role that garnered the actor an Emmy nomination. Simon and Mills won the WGA Award for Best Writing in a Drama for the episode. Simon also received Austin Film Festival's Outstanding Television Writer Award in 2010. Simon left his job with the Baltimore Sun in 1995 to work full-time on Homicide: Life on the Street during the production of the show's fourth season. Simon wrote the teleplay for the season four episodes "Justice: Part 2" and "Scene of the Crime" (with Anya Epstein). For season five he was the show's story editor and continued to contribute teleplays writing the episodes "Bad Medicine" and "Wu's on First?" (again with Epstein). He was credited as a producer on the show's sixth and seventh seasons. He wrote the teleplays for parts two and three of the sixth-season premiere "Blood Ties" (the latter marking his third collaboration with Epstein) and provided the story for the later sixth-season episodes "Full Court Press" and "Finnegan's Wake" (with James Yoshimura). He provided the story for the seventh season episodes "Shades of Gray" (with Julie Martin), "The Same Coin" (again with Yoshimura) and "Self Defense" (with Eric Overmyer). Simon wrote the story and teleplay for the seventh season episodes "The Twenty Percent Solution" and "Sideshow: Part 2". Simon, Martin and teleplay writer T. J. English won the Humanitas Prize in the 60 minutes category for the episode "Shades of Gray". Simon was nominated for a second WGA Award for Best Writing in a Drama for his work on "Finnegan's Wake" with Yoshimura and Mills (who wrote the teleplay). Simon has said that he thought the show was a "remarkable drama" but that it did not reflect the book. He has also said that when writing for the show he had to put his experiences of the real detectives aside as the characters became quite different, particularly in their more philosophical approach to the job. Simon said that TV must find shorthand ways of referencing anything real. The Corner In 1997 he co-authored, with Ed Burns, The Corner: A Year in the Life of an Inner-City Neighborhood, the true account of a West Baltimore community dominated by a heavy drug market. Simon credits his editor John Sterling with the suggestion that he observe a single drug corner. He took a second leave of absence from the Baltimore Sun in 1993 to research the project. Simon became close to one of his subjects, drug addict Gary McCullough, and was devastated by his death while he was writing the project. Simon says that he approached the research with the abstract idea that his subjects may die because of their addictions but it was not possible to fully prepare for the reality. He remains grateful to his subjects saying "This involved people's whole lives, there's no privacy in it. That was an enormous gift which many, many people gave us. Even the most functional were at war with themselves. But they were not foolish people. And they made that choice." The Corner was named a Notable Book of the Year by The New York Times. Simon again returned to his journalism career after finishing the book but felt further changed by his experiences. He said he "was less enamored of the braggadocio, all that big, we're-really-having-an-impact talk" and no longer believed that they were making a difference; he left his job at The Sun within a year for work on NBC's Homicide. Soon after Homicide concluded Simon co-wrote (with David Mills) and produced The Corner as a six-hour TV miniseries for HBO. The show received three Emmy Awards, including Outstanding Writing for a Miniseries or a Movie, for Simon and Mills. The Wire Simon was the creator, show runner, executive producer and head writer of the HBO drama series The Wire. Many of The Wires characters and incidents also came from Homicide: A Year on the Killing Streets. After the fourth season, Simon signed on to produce the fifth and final season of The Wire, which focused on the role of mass media in society. Again he worked with Ed Burns on creating the show. Originally they set out to create a police drama loosely based on Burns' experiences when working on protracted investigations of violent drug dealers using surveillance technology. During this time Burns had often faced frustration with the bureaucracy of the police department, which Simon equated with his own ordeals as a police reporter for The Baltimore Sun. Writing against the background of current events, including institutionalized corporate crime at Enron and institutional dysfunction in the Catholic Church, the show became "more of a treatise about institutions and individuals than a straight cop show." They chose to take The Wire to HBO because of their existing working relationship from The Corner. Owing to its reputation for exploring new areas, HBO was initially dubious about including a cop drama in their lineup, but eventually agreed to produce the pilot after ordering a further two scripts to see how the series would progress. Carolyn Strauss, the president of HBO entertainment, has said that Simon's argument that the most subversive thing HBO could do was invade the networks' "backyard" of police procedurals helped to persuade them. The theme of institutional dysfunction was expanded across different areas of the city as the show progressed. The second season focused on the death of working-class America through examination of the city ports. The third season "reflects on the nature of reform and reformers, and whether there is any possibility that political processes, long calcified, can mitigate against the forces currently arrayed against individuals." For the fourth season Simon again turned to Burns' experience, this time his second career as a Baltimore public school teacher in examining the theme of education. The fifth season looked at the media, as well as continuing themes such as politics from earlier seasons. Simon was reunited with his The Corner producers Robert F. Colesberry and Nina K. Noble on The Wire. Simon credits Colesberry for achieving the show's realistic visual feel because of his experience as a director. They recruited Homicide star and director Clark Johnson to helm the pilot episode. The completed pilot was given to HBO in November 2001. Johnson returned to direct the second episode when the show was picked up, and would direct the series finale as well, in addition to starring in the fifth season. Simon approached acclaimed crime fiction authors to write for The Wire. He was recommended the work of George Pelecanos by a colleague while working at the Baltimore Sun because of similarities between their writing. The two writers have much in common including a childhood in Silver Spring, attendance at the University of Maryland and their interest in the "fate of the American city and the black urban poor." Simon did not read Pelecanos initially because of territorial prejudice; Pelecanos is from Washington. Once Simon received further recommendations including one from his wife Laura Lippman he tried Pelecanos' novel The Sweet Forever and changed his mind. He sought out Pelecanos when recruiting writers for The Wire. The two met at the funeral of a mutual friend shortly after Simon delivered the pilot episode. Simon pitched Pelecanos the idea of The Wire as a novel for television about the American city as Pelecanos drove him home. Pelecanos became a regular writer and later a producer for the show's second and third seasons. Simon and Pelecanos collaborated to write the episode "Middle Ground" which received the show's first Emmy nomination, in the category Outstanding Writing for a Drama Series. Pelecanos left the production staff following the third season to focus on his next novel; Simon has commented that he missed having him working on the show full-time but was pleased that he continued to write for them and was a fan of the resultant book The Night Gardener. Similar to Simon's own experience in researching Homicide Pelecanos spent time embedded with the Washington DC homicide unit to research the book. Crime novelist Dennis Lehane has also written for the series starting with the third season. Lehane has commented that he was impressed by Simon and Burns' ear for authentic street slang. Eric Overmyer was brought in to fill the role of Pelecanos as a full-time writer producer. He had previously worked with Simon on Homicide where the two became friends. Simon has said that he was impressed with Overmyer's writing particularly in synthesizing the story for "Margin of Error" as the episode is the height of the show's political storyline but must also progress other plot threads. Simon and his writing staff were nominated for the Writers Guild of America Award for Best Dramatic Series at the February 2009 ceremony for their work on the fifth season. Simon and Burns collaborated to write the series finale "-30-" which received the show's second Emmy nomination, again in the category Outstanding Writing for a Drama Series. Simon has stated that he finds working with HBO more comfortable than his experiences with NBC on Homicide and that HBO is able to allow greater creative control because it is dependent on subscribers rather than on viewing figures. He has said that he feels unable to return to network television because he felt pressure to compromise storytelling for audience satisfaction. Generation Kill Simon produced and wrote Generation Kill for HBO with Ed Burns. They again worked with Nina Noble as a producer. The miniseries is an adaption of the non-fiction book of the same name. It relates the first 40 days of the 2003 invasion of Iraq as experienced by 1st Reconnaissance Battalion and their embedded reporter, Evan Wright. Simon and Burns worked with Wright in adapting his book into the series. Treme Simon collaborated with Eric Overmyer again on Treme, a project about musicians in post-Katrina New Orleans. Overmyer lives part-time in New Orleans, and Simon believed his experience would be valuable in navigating the "ornate oral tradition" of the city's stories. Simon also consulted with New Orleans natives Donald Harrison Jr., Kermit Ruffins, and Davis Rogan while developing the series. The show focuses on a working-class neighborhood, and is smaller in scope than The Wire. The series premiered on April 11, 2010, on HBO and ran for four seasons. Treme is named after the Faubourg Treme neighborhood in New Orleans that is home to many of the city's musicians. Simon stated that the series would explore beyond the music scene to encompass political corruption, the public housing controversy, the criminal-justice system, clashes between police and Mardi Gras Indians, and the struggle to regain the tourism industry after the storm. One of the principal characters in the pilot script runs a restaurant. The series was filmed on location and was expected to provide a boost to the New Orleans economy. Simon's casting of the show mirrored that of The Wire in using local actors wherever possible. Wendell Pierce, who had previously played Bunk Moreland on The Wire, stars in the series. Clarke Peters, also of The Wire, is another series regular. Many other stars of The Wire have appeared in Treme, these include Steve Earle, Jim True-Frost, James Ransone, and Anwan Glover. Show Me a Hero In 2014, HBO greenlit production for Simon's next project Show Me a Hero, a six-hour miniseries co-written with William F. Zorzi and the episodes directed by Academy Award-winner Paul Haggis. The miniseries is an adaptation of the nonfiction book of the same name by Lisa Belkin and tells the story of Nick Wasicsko, the youngest big-city mayor in the country who is thrust into racial controversy when a federal court orders to build a small number of low-income housing units in the white neighborhoods of Yonkers, New York. Oscar Isaac stars as Wasicsko and leads a cast, which includes Catherine Keener, Jim Belushi, Bob Balaban and Winona Ryder. The miniseries premiered on August 16, 2015. The Deuce The Deuce is a 2017 drama television series set in Times Square, New York focusing on the rise of the porn industry in the 1970s-80s. Created and written by Simon along with frequent collaborator George Pelecanos, the series pilot began shooting in October 2015. It was picked up to series in January 2016. It premiered on September 10, 2017, and is broadcast by HBO in the United States. The Deuce tells the story of the legalization and ensuing rise of the porn industry in New York beginning in the 1970s and its ongoing rise through the mid-1980s. Themes explored include the rise of HIV, the violence of the drug epidemic and the resulting real estate booms and busts that coincided with the change. The Plot Against America An adaptation of Philip Roth's novel, The Plot Against America is an alternate history told through the eyes of a working-class Jewish family in Newark, New Jersey; as they watch the political rise of Charles Lindbergh, an aviator-hero and xenophobic populist, who becomes president and turns the nation toward fascism. The six-part miniseries premiered on March 16, 2020, on HBO. Projects in developmentParting the Waters: With Taylor Branch, James McBride, Ta-Nehisi Coates, and Eric Overmyer. About Martin Luther King Jr. and the Civil Rights Movement, based on one of the volumes of the books America in the King Years written by Taylor Branch, specifically At Canaan's Edge: America in the King Years, 1965–1968. The project was to be produced by Oprah Winfrey, but was shelved.The Avenue: A book with William F. Zorzi Jr., on the Baltimore drug epidemic from 1951 to late 1980sThe Good Friday Plot: Miniseries about Abraham Lincoln based upon Manhunt: The Twelve-Day Chase for Lincoln's Killer by James L. Swanson and American Brutus: John Wilkes Booth and the Lincoln Conspiracies by Michael W. Kauffman.Capitol Hill: A collaboration with Carl Bernstein set in Capitol Hill, it examines partisanship and the role money plays in influencing national governance. The series was ordered to pilot by HBO in 2015 but has not received a subsequent season order.Legacy of Ashes: On the Central Intelligence Agency, based on the 2007 book Legacy of Ashes by Tim Weiner. The show was taken to the BBC and would have had Anthony Bourdain on the writing staff.The Pogues: Musical project with the help of the late Philip Chevron in development at The Public Theater in New York City, with Laura Lippman and George PelecanosA Dry Run: The Lincolns in Spain: A historical miniseries set during the Spanish Civil War about the Abraham Lincoln and George Washington Battalions, which were composed of volunteers from the United States who wanted to help the Spanish Republic overcome fascism. Mark Johnson will be the series producer and Mediapro will be the series' production company. Writing process Simon is known for his realistic dialogue and journalistic approach to writing. He says that authenticity is paramount and that he writes not with a general audience in mind but with the opinions of his subjects as his priority. He has described his extensive use of real anecdotes and characters in his writing as "stealing life". In a talk that Simon gave to a live audience in April 2007 at the Creative Alliance's storytelling series, Simon disclosed that he had started writing for revenge against John Carroll and Bill Marimow, the two most senior editors at The Baltimore Sun when Simon was a reporter at the paper. Simon said he had watched Carroll and Marimow "single-handedly destroy" the newspaper and that he spent over ten years trying to get back at them. Anything I've ever accomplished as a writer, as somebody doing TV, anything I've ever done in life, down to, like, cleaning up my room, has been accomplished because I was going to show people that they were fucked up, wrong, and that I was the fucking center of the universe and the sooner they got hip to that, the happier they would all be. One of the actions Simon took was to name a character in The Wire after Marimow and make the character "a repellent police-department toady." Carroll left The Baltimore Sun to become editor at the Los Angeles Times and resigned in 2005 after budget cuts were announced. "He stands up like a [bleeping] hero, takes a bullet," said Simon. In 2006 Marimow was diagnosed with prostate cancer, something that Simon said "took the edge off" his grudge. Carroll and Marimow "were fuel for 10 years of my life. ... And now, I got nothing," Simon said. When asked about these comments, Simon said that he had spoken with "some hyperbole and, I hope, comic effect", adding that his basic viewpoint was: "that simple revenge is both empty and beside the point and that a good story carefully told has to speak to larger themes. You do not tell an ornate, careful story over ten hours of HBO airtime merely to bust on any given soul." Views on journalism In an interview in Reason in 2004, Simon said that since leaving the newspaper business he has become more cynical about the power of journalism. "One of the sad things about contemporary journalism is that it actually matters very little. The world now is almost inured to the power of journalism. The best journalism would manage to outrage people. And people are less and less inclined to outrage," said Simon. "I've become increasingly cynical about the ability of daily journalism to effect any kind of meaningful change. I was pretty dubious about it when I was a journalist, but now I think it's remarkably ineffectual." While testifying at a 2009 Senate hearing regarding the future of journalism in America, Simon indicted what he saw as poor online journalism, calling the phrase citizen journalist "Orwellian to [his] ears." Simon ended his testimony by declaring, "I don't think anything can be done to save high-end journalism." Political views Simon has described himself as a social democrat, broadly supporting the existence of capitalism while opposing "raw, unencumbered capitalism, absent any social framework, absent any sense of community, without regard to the weakest and most vulnerable classes in society", which he described as "a recipe for needless pain, needless human waste, (and) needless tragedy". He has criticized the idea of trickle-down economics. In 2013, Simon compared the global surveillance disclosures uncovered by Edward Snowden to a 1980s effort by the City of Baltimore to record the numbers dialed from all pay phones. The city believed that drug traffickers were using pay phones and pagers, and a municipal judge allowed the city to record the dialed numbers. The placement of the payphone number recorders formed the basis of The Wires first season. Simon argued that the media attention regarding the surveillance disclosures is a "faux scandal." During a November 2013 speech at the Festival of Dangerous Ideas in Sydney, he said that America has become "a horror show" of savage inequality as a result of capitalism run amok, and that "unless we reverse course, the average human being is worthless on planet Earth. Unless we take stock of the fact that maybe socialism and the socialist impulse has to be addressed again; it has to be married as it was married in the 1930s, the 1940s and even into the 1950s, to the engine that is capitalism." Simon has also spoken out publicly against crime journalist Kevin Deutsch, disputing the portrayal of Baltimore's illegal drug trade in Deutsch's book, Pill City: How Two Honor Roll Students Foiled the Feds and Built a Drug Empire. Simon has described the book as "a wholesale fabrication." During the 2016 Democratic presidential primaries, Simon praised Bernie Sanders for "rehabilitating and normalizing the term socialist back into American public life", but opposed some attacks against Hillary Clinton which he felt focused on her presumed motives rather than the substance of policies. Personal life In 1991, Simon was married to graphic artist Kayle Tucker. They had a son. The marriage ended in divorce. In 2006, Simon married best-selling Baltimore novelist and former Sun reporter Laura Lippman in a ceremony officiated by John Waters. They have a daughter, who was born in 2010. Simon's nephew, Jason Simon, is a guitarist and vocalist for the psychedelic rock band Dead Meadow. The band was mentioned in an episode of The Wire. Simon was the 2012 commencement speaker for the Georgetown University College of Arts and Sciences, as well as the speaker for the Bethesda-Chevy Chase High School graduation. In 2019, Simon joined a host of other writers in firing their agents as part of the WGA's stand against the ATA after failing to come to an agreement on their "Code of Conduct". Simon's statement to the writers union was widely circulated. He had previously led the rallying cry about the unfair practices of packaging by the major talent agencies. Works and publications Commentary Non-fiction books Filmography Producer Writer References Further reading External links David Simon's blog. 1960 births American crime fiction writers Jewish American journalists American non-fiction crime writers American newspaper reporters and correspondents American male novelists American male screenwriters American television producers American television writers Anthony Award winners Bethesda-Chevy Chase High School alumni Drug policy reform activists Edgar Award winners Living people MacArthur Fellows American male television writers Maryland Democrats Primetime Emmy Award winners Showrunners The Baltimore Sun people University of Maryland, College Park alumni Writers Guild of America Award winners Writers from Baltimore Novelists from Maryland American male non-fiction writers Screenwriters from Washington, D.C. People from Bethesda, Maryland 21st-century American Jews

C_9bee77e3ba5d4991a15b82be185dfcbd_1

Did he receive any accolades or awards?

Did David Simon receive any accolades or awards?

David Simon

Upon leaving college, Simon worked as a police reporter at The Baltimore Sun from 1982 to 1995. He spent most of his career covering the crime beat. A colleague has said that Simon loved journalism and felt it was "God's work". Simon says that he was initially altruistic and was inspired to enter journalism by the Washington Post's coverage of Watergate but became increasingly pragmatic as he gained experience. Later in his career he aimed to tell the best possible story without "cheating it". Simon was a union captain when the writing staff went on strike in 1987 over benefit cuts. He remained angry after the strike ended and began to feel uncomfortable in the writing room. He searched for a reason to justify a leave of absence and settled on the idea of writing a novel. "I got out of journalism because some sons of bitches bought my newspaper and it stopped being fun," says Simon. In an interview in Reason in 2004, Simon said that since leaving the newspaper business he has become more cynical about the power of journalism. "One of the sad things about contemporary journalism is that it actually matters very little. The world now is almost inured to the power of journalism. The best journalism would manage to outrage people. And people are less and less inclined to outrage," said Simon. "I've become increasingly cynical about the ability of daily journalism to effect any kind of meaningful change. I was pretty dubious about it when I was a journalist, but now I think it's remarkably ineffectual." In 1988, disillusioned, Simon took a year's leave to go into the Baltimore Police Department Homicide Unit to write a book. CANNOTANSWER

Simon was a union captain when the writing staff went on strike in 1987 over benefit cuts. He remained angry after the strike ended and began to feel uncomfortable

David Judah Simon (born February 9, 1960) is an American author, journalist, and television writer and producer best known for his work on The Wire (2002–08). He worked for The Baltimore Sun City Desk for twelve years (1982–95), wrote Homicide: A Year on the Killing Streets (1991), and co-wrote The Corner: A Year in the Life of an Inner-City Neighborhood (1997) with Ed Burns. The former book was the basis for the NBC series Homicide: Life on the Street (1993–99), on which Simon served as a writer and producer. Simon adapted the latter book into the HBO mini-series The Corner (2000). He was the creator, executive producer, head writer, and show runner for all five seasons of the HBO television series The Wire (2002–2008). He adapted the non-fiction book Generation Kill into a television mini-series, and served as the show runner for the project. He was selected as one of the 2010 MacArthur Fellows and named an Utne Reader visionary in 2011. Simon also created the HBO series Treme with Eric Overmyer, which aired for four seasons. Following Treme, Simon wrote the HBO mini-series Show Me a Hero with journalist William F. Zorzi, a colleague first at The Baltimore Sun and again later on The Wire. Simon and frequent collaborator George Pelecanos reunited to create original series The Deuce. The drama about the New York porn industry in the 1970s and 1980s stars Maggie Gyllenhaal and co-producer James Franco, and aired from 2017 to 2019. Simon's next series, The Plot Against America, debuted in 2020. Early life and education Simon was born in Washington, D.C., the son of Dorothy Simon (née Ligeti), a homemaker, and Bernard Simon, a former journalist and then public relations director for B'nai B'rith for 20 years. Simon was raised in a Jewish family, and had a bar mitzvah ceremony. His family roots are in Russia, Belarus, Hungary, and Slovakia (his maternal grandfather had changed his surname from "Leibowitz" to "Ligeti"). He has a brother, Gary Simon, and a sister, Linda Evans, who died in 1990. In March 1977, when Simon was still in high school, Simon's father was one of a group of over 140 people held hostage (and later released) in Washington, D.C. by former national secretary of the Nation of Islam Hamaas Abdul Khaalis in the Hanafi Siege. Simon graduated from Bethesda-Chevy Chase High School in Bethesda, Maryland, and wrote for the school newspaper, The Tattler. In 1983, he graduated from the University of Maryland, College Park. While at college he wrote and was Editor for The Diamondback, and became friends with contemporary David Mills. Career Journalism Upon leaving college, Simon worked as a police reporter at The Baltimore Sun from 1982 to 1995. Simon was hired by the Baltimore Sun for a piece he wrote about Lefty Driesell, who was then the men's basketball coach at the University of Maryland. Driesell had been extremely frustrated that one of his players was suspended from playing for sexual impropriety and called the victim, threatening to destroy her reputation if she did not withdraw her complaint. This was all done while the university administration was listening to the call, but they did nothing. Lefty Driesell was later given a 5-year contract and, in 2018, he was inducted into the ACC Hall of Fame. Simon spent most of his career covering the crime beat. A colleague has said that Simon loved journalism and felt it was "God's work". Simon says that he was initially altruistic and was inspired to enter journalism by The Washington Posts coverage of Watergate but became increasingly pragmatic as he gained experience. Simon was a union captain when the writing staff went on strike in 1987 over benefit cuts. He remained angry after the strike ended and began to feel uncomfortable in the writing room. He searched for a reason to justify a leave of absence and settled on the idea of writing a novel. "I got out of journalism because some sons of bitches bought my newspaper and it stopped being fun," says Simon. In 1988, disillusioned, Simon took a year's leave to go into the Baltimore Police Department Homicide Unit to write a book. Book Homicide: A Year on the Killing Streets Simon's leave of absence from The Sun resulted in his first book Homicide: A Year on the Killing Streets (1991). The book was based on his experiences shadowing the Baltimore Police Department homicide unit during 1988. The idea came from a conversation on Christmas Eve 1985 in the unit office, where Det. Bill Lansey told him, "If someone just wrote down what happens in this place for one year, they'd have a goddamn book." Simon approached the police department and the editors of the paper to receive approval. The detectives were initially slow to accept him, but he persevered in an attempt to "seem … like part of the furniture". However, he soon ingratiated himself with the detectives, saying in the closing notes of the book, "I shared with the detectives a year's worth of fast-food runs, bar arguments and station house humor: Even for a trained observer, it was hard to remain aloof." During one instance, Simon even assisted with an arrest. Two detectives Simon was riding with pulled their car to a curb to apprehend two suspects, but Detective Dave Brown got his trenchcoat caught in a seat belt when he tried to exit the car. Brown told Simon to assist Detective Terry McLarney himself, and Simon helped apprehend and search one of the suspects. The book won the 1992 Edgar Award for Best Fact Crime book. The Associated Press called it "a true-crime classic". The Library Journal also highly recommended it, and Newsday described it as "one of the most engrossing police procedural mystery books ever written". Simon credits his time researching the book as altering his writing style and informing later work. He learned to be more patient in research and writing, and said a key lesson was not promoting himself but concentrating on his subjects. Simon told Baltimore's City Paper in 2003 that Homicide was not traditional journalism. "I felt Homicide the book and The Corner were not traditional journalism in the sense of coming from some artificially omniscient, objective point of view," said Simon. "They're immersed in the respective cultures that they cover in a way that traditional journalism often isn't." Television Homicide: Life on the Street The publishers of Homicide: A Year on the Killing Streets were eager for a screen adaptation and submitted it to numerous directors but there was little interest. Simon suggested that they send the book to Baltimore native and film director Barry Levinson. Levinson's assistant Gail Mutrux enjoyed the book and both she and Levinson became attached as producers. The project became the award-winning TV series Homicide: Life on the Street (1993–1999), on which Simon worked as a writer and producer. Simon was asked by Mutrux to write the show's pilot episode but declined, feeling he did not have the necessary expertise. He collaborated with his old college friend David Mills to write the season two premiere "Bop Gun". The episode was based on a story by executive producer Tom Fontana and featured Robin Williams in a guest starring role that garnered the actor an Emmy nomination. Simon and Mills won the WGA Award for Best Writing in a Drama for the episode. Simon also received Austin Film Festival's Outstanding Television Writer Award in 2010. Simon left his job with the Baltimore Sun in 1995 to work full-time on Homicide: Life on the Street during the production of the show's fourth season. Simon wrote the teleplay for the season four episodes "Justice: Part 2" and "Scene of the Crime" (with Anya Epstein). For season five he was the show's story editor and continued to contribute teleplays writing the episodes "Bad Medicine" and "Wu's on First?" (again with Epstein). He was credited as a producer on the show's sixth and seventh seasons. He wrote the teleplays for parts two and three of the sixth-season premiere "Blood Ties" (the latter marking his third collaboration with Epstein) and provided the story for the later sixth-season episodes "Full Court Press" and "Finnegan's Wake" (with James Yoshimura). He provided the story for the seventh season episodes "Shades of Gray" (with Julie Martin), "The Same Coin" (again with Yoshimura) and "Self Defense" (with Eric Overmyer). Simon wrote the story and teleplay for the seventh season episodes "The Twenty Percent Solution" and "Sideshow: Part 2". Simon, Martin and teleplay writer T. J. English won the Humanitas Prize in the 60 minutes category for the episode "Shades of Gray". Simon was nominated for a second WGA Award for Best Writing in a Drama for his work on "Finnegan's Wake" with Yoshimura and Mills (who wrote the teleplay). Simon has said that he thought the show was a "remarkable drama" but that it did not reflect the book. He has also said that when writing for the show he had to put his experiences of the real detectives aside as the characters became quite different, particularly in their more philosophical approach to the job. Simon said that TV must find shorthand ways of referencing anything real. The Corner In 1997 he co-authored, with Ed Burns, The Corner: A Year in the Life of an Inner-City Neighborhood, the true account of a West Baltimore community dominated by a heavy drug market. Simon credits his editor John Sterling with the suggestion that he observe a single drug corner. He took a second leave of absence from the Baltimore Sun in 1993 to research the project. Simon became close to one of his subjects, drug addict Gary McCullough, and was devastated by his death while he was writing the project. Simon says that he approached the research with the abstract idea that his subjects may die because of their addictions but it was not possible to fully prepare for the reality. He remains grateful to his subjects saying "This involved people's whole lives, there's no privacy in it. That was an enormous gift which many, many people gave us. Even the most functional were at war with themselves. But they were not foolish people. And they made that choice." The Corner was named a Notable Book of the Year by The New York Times. Simon again returned to his journalism career after finishing the book but felt further changed by his experiences. He said he "was less enamored of the braggadocio, all that big, we're-really-having-an-impact talk" and no longer believed that they were making a difference; he left his job at The Sun within a year for work on NBC's Homicide. Soon after Homicide concluded Simon co-wrote (with David Mills) and produced The Corner as a six-hour TV miniseries for HBO. The show received three Emmy Awards, including Outstanding Writing for a Miniseries or a Movie, for Simon and Mills. The Wire Simon was the creator, show runner, executive producer and head writer of the HBO drama series The Wire. Many of The Wires characters and incidents also came from Homicide: A Year on the Killing Streets. After the fourth season, Simon signed on to produce the fifth and final season of The Wire, which focused on the role of mass media in society. Again he worked with Ed Burns on creating the show. Originally they set out to create a police drama loosely based on Burns' experiences when working on protracted investigations of violent drug dealers using surveillance technology. During this time Burns had often faced frustration with the bureaucracy of the police department, which Simon equated with his own ordeals as a police reporter for The Baltimore Sun. Writing against the background of current events, including institutionalized corporate crime at Enron and institutional dysfunction in the Catholic Church, the show became "more of a treatise about institutions and individuals than a straight cop show." They chose to take The Wire to HBO because of their existing working relationship from The Corner. Owing to its reputation for exploring new areas, HBO was initially dubious about including a cop drama in their lineup, but eventually agreed to produce the pilot after ordering a further two scripts to see how the series would progress. Carolyn Strauss, the president of HBO entertainment, has said that Simon's argument that the most subversive thing HBO could do was invade the networks' "backyard" of police procedurals helped to persuade them. The theme of institutional dysfunction was expanded across different areas of the city as the show progressed. The second season focused on the death of working-class America through examination of the city ports. The third season "reflects on the nature of reform and reformers, and whether there is any possibility that political processes, long calcified, can mitigate against the forces currently arrayed against individuals." For the fourth season Simon again turned to Burns' experience, this time his second career as a Baltimore public school teacher in examining the theme of education. The fifth season looked at the media, as well as continuing themes such as politics from earlier seasons. Simon was reunited with his The Corner producers Robert F. Colesberry and Nina K. Noble on The Wire. Simon credits Colesberry for achieving the show's realistic visual feel because of his experience as a director. They recruited Homicide star and director Clark Johnson to helm the pilot episode. The completed pilot was given to HBO in November 2001. Johnson returned to direct the second episode when the show was picked up, and would direct the series finale as well, in addition to starring in the fifth season. Simon approached acclaimed crime fiction authors to write for The Wire. He was recommended the work of George Pelecanos by a colleague while working at the Baltimore Sun because of similarities between their writing. The two writers have much in common including a childhood in Silver Spring, attendance at the University of Maryland and their interest in the "fate of the American city and the black urban poor." Simon did not read Pelecanos initially because of territorial prejudice; Pelecanos is from Washington. Once Simon received further recommendations including one from his wife Laura Lippman he tried Pelecanos' novel The Sweet Forever and changed his mind. He sought out Pelecanos when recruiting writers for The Wire. The two met at the funeral of a mutual friend shortly after Simon delivered the pilot episode. Simon pitched Pelecanos the idea of The Wire as a novel for television about the American city as Pelecanos drove him home. Pelecanos became a regular writer and later a producer for the show's second and third seasons. Simon and Pelecanos collaborated to write the episode "Middle Ground" which received the show's first Emmy nomination, in the category Outstanding Writing for a Drama Series. Pelecanos left the production staff following the third season to focus on his next novel; Simon has commented that he missed having him working on the show full-time but was pleased that he continued to write for them and was a fan of the resultant book The Night Gardener. Similar to Simon's own experience in researching Homicide Pelecanos spent time embedded with the Washington DC homicide unit to research the book. Crime novelist Dennis Lehane has also written for the series starting with the third season. Lehane has commented that he was impressed by Simon and Burns' ear for authentic street slang. Eric Overmyer was brought in to fill the role of Pelecanos as a full-time writer producer. He had previously worked with Simon on Homicide where the two became friends. Simon has said that he was impressed with Overmyer's writing particularly in synthesizing the story for "Margin of Error" as the episode is the height of the show's political storyline but must also progress other plot threads. Simon and his writing staff were nominated for the Writers Guild of America Award for Best Dramatic Series at the February 2009 ceremony for their work on the fifth season. Simon and Burns collaborated to write the series finale "-30-" which received the show's second Emmy nomination, again in the category Outstanding Writing for a Drama Series. Simon has stated that he finds working with HBO more comfortable than his experiences with NBC on Homicide and that HBO is able to allow greater creative control because it is dependent on subscribers rather than on viewing figures. He has said that he feels unable to return to network television because he felt pressure to compromise storytelling for audience satisfaction. Generation Kill Simon produced and wrote Generation Kill for HBO with Ed Burns. They again worked with Nina Noble as a producer. The miniseries is an adaption of the non-fiction book of the same name. It relates the first 40 days of the 2003 invasion of Iraq as experienced by 1st Reconnaissance Battalion and their embedded reporter, Evan Wright. Simon and Burns worked with Wright in adapting his book into the series. Treme Simon collaborated with Eric Overmyer again on Treme, a project about musicians in post-Katrina New Orleans. Overmyer lives part-time in New Orleans, and Simon believed his experience would be valuable in navigating the "ornate oral tradition" of the city's stories. Simon also consulted with New Orleans natives Donald Harrison Jr., Kermit Ruffins, and Davis Rogan while developing the series. The show focuses on a working-class neighborhood, and is smaller in scope than The Wire. The series premiered on April 11, 2010, on HBO and ran for four seasons. Treme is named after the Faubourg Treme neighborhood in New Orleans that is home to many of the city's musicians. Simon stated that the series would explore beyond the music scene to encompass political corruption, the public housing controversy, the criminal-justice system, clashes between police and Mardi Gras Indians, and the struggle to regain the tourism industry after the storm. One of the principal characters in the pilot script runs a restaurant. The series was filmed on location and was expected to provide a boost to the New Orleans economy. Simon's casting of the show mirrored that of The Wire in using local actors wherever possible. Wendell Pierce, who had previously played Bunk Moreland on The Wire, stars in the series. Clarke Peters, also of The Wire, is another series regular. Many other stars of The Wire have appeared in Treme, these include Steve Earle, Jim True-Frost, James Ransone, and Anwan Glover. Show Me a Hero In 2014, HBO greenlit production for Simon's next project Show Me a Hero, a six-hour miniseries co-written with William F. Zorzi and the episodes directed by Academy Award-winner Paul Haggis. The miniseries is an adaptation of the nonfiction book of the same name by Lisa Belkin and tells the story of Nick Wasicsko, the youngest big-city mayor in the country who is thrust into racial controversy when a federal court orders to build a small number of low-income housing units in the white neighborhoods of Yonkers, New York. Oscar Isaac stars as Wasicsko and leads a cast, which includes Catherine Keener, Jim Belushi, Bob Balaban and Winona Ryder. The miniseries premiered on August 16, 2015. The Deuce The Deuce is a 2017 drama television series set in Times Square, New York focusing on the rise of the porn industry in the 1970s-80s. Created and written by Simon along with frequent collaborator George Pelecanos, the series pilot began shooting in October 2015. It was picked up to series in January 2016. It premiered on September 10, 2017, and is broadcast by HBO in the United States. The Deuce tells the story of the legalization and ensuing rise of the porn industry in New York beginning in the 1970s and its ongoing rise through the mid-1980s. Themes explored include the rise of HIV, the violence of the drug epidemic and the resulting real estate booms and busts that coincided with the change. The Plot Against America An adaptation of Philip Roth's novel, The Plot Against America is an alternate history told through the eyes of a working-class Jewish family in Newark, New Jersey; as they watch the political rise of Charles Lindbergh, an aviator-hero and xenophobic populist, who becomes president and turns the nation toward fascism. The six-part miniseries premiered on March 16, 2020, on HBO. Projects in developmentParting the Waters: With Taylor Branch, James McBride, Ta-Nehisi Coates, and Eric Overmyer. About Martin Luther King Jr. and the Civil Rights Movement, based on one of the volumes of the books America in the King Years written by Taylor Branch, specifically At Canaan's Edge: America in the King Years, 1965–1968. The project was to be produced by Oprah Winfrey, but was shelved.The Avenue: A book with William F. Zorzi Jr., on the Baltimore drug epidemic from 1951 to late 1980sThe Good Friday Plot: Miniseries about Abraham Lincoln based upon Manhunt: The Twelve-Day Chase for Lincoln's Killer by James L. Swanson and American Brutus: John Wilkes Booth and the Lincoln Conspiracies by Michael W. Kauffman.Capitol Hill: A collaboration with Carl Bernstein set in Capitol Hill, it examines partisanship and the role money plays in influencing national governance. The series was ordered to pilot by HBO in 2015 but has not received a subsequent season order.Legacy of Ashes: On the Central Intelligence Agency, based on the 2007 book Legacy of Ashes by Tim Weiner. The show was taken to the BBC and would have had Anthony Bourdain on the writing staff.The Pogues: Musical project with the help of the late Philip Chevron in development at The Public Theater in New York City, with Laura Lippman and George PelecanosA Dry Run: The Lincolns in Spain: A historical miniseries set during the Spanish Civil War about the Abraham Lincoln and George Washington Battalions, which were composed of volunteers from the United States who wanted to help the Spanish Republic overcome fascism. Mark Johnson will be the series producer and Mediapro will be the series' production company. Writing process Simon is known for his realistic dialogue and journalistic approach to writing. He says that authenticity is paramount and that he writes not with a general audience in mind but with the opinions of his subjects as his priority. He has described his extensive use of real anecdotes and characters in his writing as "stealing life". In a talk that Simon gave to a live audience in April 2007 at the Creative Alliance's storytelling series, Simon disclosed that he had started writing for revenge against John Carroll and Bill Marimow, the two most senior editors at The Baltimore Sun when Simon was a reporter at the paper. Simon said he had watched Carroll and Marimow "single-handedly destroy" the newspaper and that he spent over ten years trying to get back at them. Anything I've ever accomplished as a writer, as somebody doing TV, anything I've ever done in life, down to, like, cleaning up my room, has been accomplished because I was going to show people that they were fucked up, wrong, and that I was the fucking center of the universe and the sooner they got hip to that, the happier they would all be. One of the actions Simon took was to name a character in The Wire after Marimow and make the character "a repellent police-department toady." Carroll left The Baltimore Sun to become editor at the Los Angeles Times and resigned in 2005 after budget cuts were announced. "He stands up like a [bleeping] hero, takes a bullet," said Simon. In 2006 Marimow was diagnosed with prostate cancer, something that Simon said "took the edge off" his grudge. Carroll and Marimow "were fuel for 10 years of my life. ... And now, I got nothing," Simon said. When asked about these comments, Simon said that he had spoken with "some hyperbole and, I hope, comic effect", adding that his basic viewpoint was: "that simple revenge is both empty and beside the point and that a good story carefully told has to speak to larger themes. You do not tell an ornate, careful story over ten hours of HBO airtime merely to bust on any given soul." Views on journalism In an interview in Reason in 2004, Simon said that since leaving the newspaper business he has become more cynical about the power of journalism. "One of the sad things about contemporary journalism is that it actually matters very little. The world now is almost inured to the power of journalism. The best journalism would manage to outrage people. And people are less and less inclined to outrage," said Simon. "I've become increasingly cynical about the ability of daily journalism to effect any kind of meaningful change. I was pretty dubious about it when I was a journalist, but now I think it's remarkably ineffectual." While testifying at a 2009 Senate hearing regarding the future of journalism in America, Simon indicted what he saw as poor online journalism, calling the phrase citizen journalist "Orwellian to [his] ears." Simon ended his testimony by declaring, "I don't think anything can be done to save high-end journalism." Political views Simon has described himself as a social democrat, broadly supporting the existence of capitalism while opposing "raw, unencumbered capitalism, absent any social framework, absent any sense of community, without regard to the weakest and most vulnerable classes in society", which he described as "a recipe for needless pain, needless human waste, (and) needless tragedy". He has criticized the idea of trickle-down economics. In 2013, Simon compared the global surveillance disclosures uncovered by Edward Snowden to a 1980s effort by the City of Baltimore to record the numbers dialed from all pay phones. The city believed that drug traffickers were using pay phones and pagers, and a municipal judge allowed the city to record the dialed numbers. The placement of the payphone number recorders formed the basis of The Wires first season. Simon argued that the media attention regarding the surveillance disclosures is a "faux scandal." During a November 2013 speech at the Festival of Dangerous Ideas in Sydney, he said that America has become "a horror show" of savage inequality as a result of capitalism run amok, and that "unless we reverse course, the average human being is worthless on planet Earth. Unless we take stock of the fact that maybe socialism and the socialist impulse has to be addressed again; it has to be married as it was married in the 1930s, the 1940s and even into the 1950s, to the engine that is capitalism." Simon has also spoken out publicly against crime journalist Kevin Deutsch, disputing the portrayal of Baltimore's illegal drug trade in Deutsch's book, Pill City: How Two Honor Roll Students Foiled the Feds and Built a Drug Empire. Simon has described the book as "a wholesale fabrication." During the 2016 Democratic presidential primaries, Simon praised Bernie Sanders for "rehabilitating and normalizing the term socialist back into American public life", but opposed some attacks against Hillary Clinton which he felt focused on her presumed motives rather than the substance of policies. Personal life In 1991, Simon was married to graphic artist Kayle Tucker. They had a son. The marriage ended in divorce. In 2006, Simon married best-selling Baltimore novelist and former Sun reporter Laura Lippman in a ceremony officiated by John Waters. They have a daughter, who was born in 2010. Simon's nephew, Jason Simon, is a guitarist and vocalist for the psychedelic rock band Dead Meadow. The band was mentioned in an episode of The Wire. Simon was the 2012 commencement speaker for the Georgetown University College of Arts and Sciences, as well as the speaker for the Bethesda-Chevy Chase High School graduation. In 2019, Simon joined a host of other writers in firing their agents as part of the WGA's stand against the ATA after failing to come to an agreement on their "Code of Conduct". Simon's statement to the writers union was widely circulated. He had previously led the rallying cry about the unfair practices of packaging by the major talent agencies. Works and publications Commentary Non-fiction books Filmography Producer Writer References Further reading External links David Simon's blog. 1960 births American crime fiction writers Jewish American journalists American non-fiction crime writers American newspaper reporters and correspondents American male novelists American male screenwriters American television producers American television writers Anthony Award winners Bethesda-Chevy Chase High School alumni Drug policy reform activists Edgar Award winners Living people MacArthur Fellows American male television writers Maryland Democrats Primetime Emmy Award winners Showrunners The Baltimore Sun people University of Maryland, College Park alumni Writers Guild of America Award winners Writers from Baltimore Novelists from Maryland American male non-fiction writers Screenwriters from Washington, D.C. People from Bethesda, Maryland 21st-century American Jews

C_9bee77e3ba5d4991a15b82be185dfcbd_1

Did he ever get over the feelings of discomfort?

Did David Simon ever get over the feelings of discomfort after the strike?

David Simon

Upon leaving college, Simon worked as a police reporter at The Baltimore Sun from 1982 to 1995. He spent most of his career covering the crime beat. A colleague has said that Simon loved journalism and felt it was "God's work". Simon says that he was initially altruistic and was inspired to enter journalism by the Washington Post's coverage of Watergate but became increasingly pragmatic as he gained experience. Later in his career he aimed to tell the best possible story without "cheating it". Simon was a union captain when the writing staff went on strike in 1987 over benefit cuts. He remained angry after the strike ended and began to feel uncomfortable in the writing room. He searched for a reason to justify a leave of absence and settled on the idea of writing a novel. "I got out of journalism because some sons of bitches bought my newspaper and it stopped being fun," says Simon. In an interview in Reason in 2004, Simon said that since leaving the newspaper business he has become more cynical about the power of journalism. "One of the sad things about contemporary journalism is that it actually matters very little. The world now is almost inured to the power of journalism. The best journalism would manage to outrage people. And people are less and less inclined to outrage," said Simon. "I've become increasingly cynical about the ability of daily journalism to effect any kind of meaningful change. I was pretty dubious about it when I was a journalist, but now I think it's remarkably ineffectual." In 1988, disillusioned, Simon took a year's leave to go into the Baltimore Police Department Homicide Unit to write a book. CANNOTANSWER

He searched for a reason to justify a leave of absence and settled on the idea of writing a novel. "I got out of journalism because

David Judah Simon (born February 9, 1960) is an American author, journalist, and television writer and producer best known for his work on The Wire (2002–08). He worked for The Baltimore Sun City Desk for twelve years (1982–95), wrote Homicide: A Year on the Killing Streets (1991), and co-wrote The Corner: A Year in the Life of an Inner-City Neighborhood (1997) with Ed Burns. The former book was the basis for the NBC series Homicide: Life on the Street (1993–99), on which Simon served as a writer and producer. Simon adapted the latter book into the HBO mini-series The Corner (2000). He was the creator, executive producer, head writer, and show runner for all five seasons of the HBO television series The Wire (2002–2008). He adapted the non-fiction book Generation Kill into a television mini-series, and served as the show runner for the project. He was selected as one of the 2010 MacArthur Fellows and named an Utne Reader visionary in 2011. Simon also created the HBO series Treme with Eric Overmyer, which aired for four seasons. Following Treme, Simon wrote the HBO mini-series Show Me a Hero with journalist William F. Zorzi, a colleague first at The Baltimore Sun and again later on The Wire. Simon and frequent collaborator George Pelecanos reunited to create original series The Deuce. The drama about the New York porn industry in the 1970s and 1980s stars Maggie Gyllenhaal and co-producer James Franco, and aired from 2017 to 2019. Simon's next series, The Plot Against America, debuted in 2020. Early life and education Simon was born in Washington, D.C., the son of Dorothy Simon (née Ligeti), a homemaker, and Bernard Simon, a former journalist and then public relations director for B'nai B'rith for 20 years. Simon was raised in a Jewish family, and had a bar mitzvah ceremony. His family roots are in Russia, Belarus, Hungary, and Slovakia (his maternal grandfather had changed his surname from "Leibowitz" to "Ligeti"). He has a brother, Gary Simon, and a sister, Linda Evans, who died in 1990. In March 1977, when Simon was still in high school, Simon's father was one of a group of over 140 people held hostage (and later released) in Washington, D.C. by former national secretary of the Nation of Islam Hamaas Abdul Khaalis in the Hanafi Siege. Simon graduated from Bethesda-Chevy Chase High School in Bethesda, Maryland, and wrote for the school newspaper, The Tattler. In 1983, he graduated from the University of Maryland, College Park. While at college he wrote and was Editor for The Diamondback, and became friends with contemporary David Mills. Career Journalism Upon leaving college, Simon worked as a police reporter at The Baltimore Sun from 1982 to 1995. Simon was hired by the Baltimore Sun for a piece he wrote about Lefty Driesell, who was then the men's basketball coach at the University of Maryland. Driesell had been extremely frustrated that one of his players was suspended from playing for sexual impropriety and called the victim, threatening to destroy her reputation if she did not withdraw her complaint. This was all done while the university administration was listening to the call, but they did nothing. Lefty Driesell was later given a 5-year contract and, in 2018, he was inducted into the ACC Hall of Fame. Simon spent most of his career covering the crime beat. A colleague has said that Simon loved journalism and felt it was "God's work". Simon says that he was initially altruistic and was inspired to enter journalism by The Washington Posts coverage of Watergate but became increasingly pragmatic as he gained experience. Simon was a union captain when the writing staff went on strike in 1987 over benefit cuts. He remained angry after the strike ended and began to feel uncomfortable in the writing room. He searched for a reason to justify a leave of absence and settled on the idea of writing a novel. "I got out of journalism because some sons of bitches bought my newspaper and it stopped being fun," says Simon. In 1988, disillusioned, Simon took a year's leave to go into the Baltimore Police Department Homicide Unit to write a book. Book Homicide: A Year on the Killing Streets Simon's leave of absence from The Sun resulted in his first book Homicide: A Year on the Killing Streets (1991). The book was based on his experiences shadowing the Baltimore Police Department homicide unit during 1988. The idea came from a conversation on Christmas Eve 1985 in the unit office, where Det. Bill Lansey told him, "If someone just wrote down what happens in this place for one year, they'd have a goddamn book." Simon approached the police department and the editors of the paper to receive approval. The detectives were initially slow to accept him, but he persevered in an attempt to "seem … like part of the furniture". However, he soon ingratiated himself with the detectives, saying in the closing notes of the book, "I shared with the detectives a year's worth of fast-food runs, bar arguments and station house humor: Even for a trained observer, it was hard to remain aloof." During one instance, Simon even assisted with an arrest. Two detectives Simon was riding with pulled their car to a curb to apprehend two suspects, but Detective Dave Brown got his trenchcoat caught in a seat belt when he tried to exit the car. Brown told Simon to assist Detective Terry McLarney himself, and Simon helped apprehend and search one of the suspects. The book won the 1992 Edgar Award for Best Fact Crime book. The Associated Press called it "a true-crime classic". The Library Journal also highly recommended it, and Newsday described it as "one of the most engrossing police procedural mystery books ever written". Simon credits his time researching the book as altering his writing style and informing later work. He learned to be more patient in research and writing, and said a key lesson was not promoting himself but concentrating on his subjects. Simon told Baltimore's City Paper in 2003 that Homicide was not traditional journalism. "I felt Homicide the book and The Corner were not traditional journalism in the sense of coming from some artificially omniscient, objective point of view," said Simon. "They're immersed in the respective cultures that they cover in a way that traditional journalism often isn't." Television Homicide: Life on the Street The publishers of Homicide: A Year on the Killing Streets were eager for a screen adaptation and submitted it to numerous directors but there was little interest. Simon suggested that they send the book to Baltimore native and film director Barry Levinson. Levinson's assistant Gail Mutrux enjoyed the book and both she and Levinson became attached as producers. The project became the award-winning TV series Homicide: Life on the Street (1993–1999), on which Simon worked as a writer and producer. Simon was asked by Mutrux to write the show's pilot episode but declined, feeling he did not have the necessary expertise. He collaborated with his old college friend David Mills to write the season two premiere "Bop Gun". The episode was based on a story by executive producer Tom Fontana and featured Robin Williams in a guest starring role that garnered the actor an Emmy nomination. Simon and Mills won the WGA Award for Best Writing in a Drama for the episode. Simon also received Austin Film Festival's Outstanding Television Writer Award in 2010. Simon left his job with the Baltimore Sun in 1995 to work full-time on Homicide: Life on the Street during the production of the show's fourth season. Simon wrote the teleplay for the season four episodes "Justice: Part 2" and "Scene of the Crime" (with Anya Epstein). For season five he was the show's story editor and continued to contribute teleplays writing the episodes "Bad Medicine" and "Wu's on First?" (again with Epstein). He was credited as a producer on the show's sixth and seventh seasons. He wrote the teleplays for parts two and three of the sixth-season premiere "Blood Ties" (the latter marking his third collaboration with Epstein) and provided the story for the later sixth-season episodes "Full Court Press" and "Finnegan's Wake" (with James Yoshimura). He provided the story for the seventh season episodes "Shades of Gray" (with Julie Martin), "The Same Coin" (again with Yoshimura) and "Self Defense" (with Eric Overmyer). Simon wrote the story and teleplay for the seventh season episodes "The Twenty Percent Solution" and "Sideshow: Part 2". Simon, Martin and teleplay writer T. J. English won the Humanitas Prize in the 60 minutes category for the episode "Shades of Gray". Simon was nominated for a second WGA Award for Best Writing in a Drama for his work on "Finnegan's Wake" with Yoshimura and Mills (who wrote the teleplay). Simon has said that he thought the show was a "remarkable drama" but that it did not reflect the book. He has also said that when writing for the show he had to put his experiences of the real detectives aside as the characters became quite different, particularly in their more philosophical approach to the job. Simon said that TV must find shorthand ways of referencing anything real. The Corner In 1997 he co-authored, with Ed Burns, The Corner: A Year in the Life of an Inner-City Neighborhood, the true account of a West Baltimore community dominated by a heavy drug market. Simon credits his editor John Sterling with the suggestion that he observe a single drug corner. He took a second leave of absence from the Baltimore Sun in 1993 to research the project. Simon became close to one of his subjects, drug addict Gary McCullough, and was devastated by his death while he was writing the project. Simon says that he approached the research with the abstract idea that his subjects may die because of their addictions but it was not possible to fully prepare for the reality. He remains grateful to his subjects saying "This involved people's whole lives, there's no privacy in it. That was an enormous gift which many, many people gave us. Even the most functional were at war with themselves. But they were not foolish people. And they made that choice." The Corner was named a Notable Book of the Year by The New York Times. Simon again returned to his journalism career after finishing the book but felt further changed by his experiences. He said he "was less enamored of the braggadocio, all that big, we're-really-having-an-impact talk" and no longer believed that they were making a difference; he left his job at The Sun within a year for work on NBC's Homicide. Soon after Homicide concluded Simon co-wrote (with David Mills) and produced The Corner as a six-hour TV miniseries for HBO. The show received three Emmy Awards, including Outstanding Writing for a Miniseries or a Movie, for Simon and Mills. The Wire Simon was the creator, show runner, executive producer and head writer of the HBO drama series The Wire. Many of The Wires characters and incidents also came from Homicide: A Year on the Killing Streets. After the fourth season, Simon signed on to produce the fifth and final season of The Wire, which focused on the role of mass media in society. Again he worked with Ed Burns on creating the show. Originally they set out to create a police drama loosely based on Burns' experiences when working on protracted investigations of violent drug dealers using surveillance technology. During this time Burns had often faced frustration with the bureaucracy of the police department, which Simon equated with his own ordeals as a police reporter for The Baltimore Sun. Writing against the background of current events, including institutionalized corporate crime at Enron and institutional dysfunction in the Catholic Church, the show became "more of a treatise about institutions and individuals than a straight cop show." They chose to take The Wire to HBO because of their existing working relationship from The Corner. Owing to its reputation for exploring new areas, HBO was initially dubious about including a cop drama in their lineup, but eventually agreed to produce the pilot after ordering a further two scripts to see how the series would progress. Carolyn Strauss, the president of HBO entertainment, has said that Simon's argument that the most subversive thing HBO could do was invade the networks' "backyard" of police procedurals helped to persuade them. The theme of institutional dysfunction was expanded across different areas of the city as the show progressed. The second season focused on the death of working-class America through examination of the city ports. The third season "reflects on the nature of reform and reformers, and whether there is any possibility that political processes, long calcified, can mitigate against the forces currently arrayed against individuals." For the fourth season Simon again turned to Burns' experience, this time his second career as a Baltimore public school teacher in examining the theme of education. The fifth season looked at the media, as well as continuing themes such as politics from earlier seasons. Simon was reunited with his The Corner producers Robert F. Colesberry and Nina K. Noble on The Wire. Simon credits Colesberry for achieving the show's realistic visual feel because of his experience as a director. They recruited Homicide star and director Clark Johnson to helm the pilot episode. The completed pilot was given to HBO in November 2001. Johnson returned to direct the second episode when the show was picked up, and would direct the series finale as well, in addition to starring in the fifth season. Simon approached acclaimed crime fiction authors to write for The Wire. He was recommended the work of George Pelecanos by a colleague while working at the Baltimore Sun because of similarities between their writing. The two writers have much in common including a childhood in Silver Spring, attendance at the University of Maryland and their interest in the "fate of the American city and the black urban poor." Simon did not read Pelecanos initially because of territorial prejudice; Pelecanos is from Washington. Once Simon received further recommendations including one from his wife Laura Lippman he tried Pelecanos' novel The Sweet Forever and changed his mind. He sought out Pelecanos when recruiting writers for The Wire. The two met at the funeral of a mutual friend shortly after Simon delivered the pilot episode. Simon pitched Pelecanos the idea of The Wire as a novel for television about the American city as Pelecanos drove him home. Pelecanos became a regular writer and later a producer for the show's second and third seasons. Simon and Pelecanos collaborated to write the episode "Middle Ground" which received the show's first Emmy nomination, in the category Outstanding Writing for a Drama Series. Pelecanos left the production staff following the third season to focus on his next novel; Simon has commented that he missed having him working on the show full-time but was pleased that he continued to write for them and was a fan of the resultant book The Night Gardener. Similar to Simon's own experience in researching Homicide Pelecanos spent time embedded with the Washington DC homicide unit to research the book. Crime novelist Dennis Lehane has also written for the series starting with the third season. Lehane has commented that he was impressed by Simon and Burns' ear for authentic street slang. Eric Overmyer was brought in to fill the role of Pelecanos as a full-time writer producer. He had previously worked with Simon on Homicide where the two became friends. Simon has said that he was impressed with Overmyer's writing particularly in synthesizing the story for "Margin of Error" as the episode is the height of the show's political storyline but must also progress other plot threads. Simon and his writing staff were nominated for the Writers Guild of America Award for Best Dramatic Series at the February 2009 ceremony for their work on the fifth season. Simon and Burns collaborated to write the series finale "-30-" which received the show's second Emmy nomination, again in the category Outstanding Writing for a Drama Series. Simon has stated that he finds working with HBO more comfortable than his experiences with NBC on Homicide and that HBO is able to allow greater creative control because it is dependent on subscribers rather than on viewing figures. He has said that he feels unable to return to network television because he felt pressure to compromise storytelling for audience satisfaction. Generation Kill Simon produced and wrote Generation Kill for HBO with Ed Burns. They again worked with Nina Noble as a producer. The miniseries is an adaption of the non-fiction book of the same name. It relates the first 40 days of the 2003 invasion of Iraq as experienced by 1st Reconnaissance Battalion and their embedded reporter, Evan Wright. Simon and Burns worked with Wright in adapting his book into the series. Treme Simon collaborated with Eric Overmyer again on Treme, a project about musicians in post-Katrina New Orleans. Overmyer lives part-time in New Orleans, and Simon believed his experience would be valuable in navigating the "ornate oral tradition" of the city's stories. Simon also consulted with New Orleans natives Donald Harrison Jr., Kermit Ruffins, and Davis Rogan while developing the series. The show focuses on a working-class neighborhood, and is smaller in scope than The Wire. The series premiered on April 11, 2010, on HBO and ran for four seasons. Treme is named after the Faubourg Treme neighborhood in New Orleans that is home to many of the city's musicians. Simon stated that the series would explore beyond the music scene to encompass political corruption, the public housing controversy, the criminal-justice system, clashes between police and Mardi Gras Indians, and the struggle to regain the tourism industry after the storm. One of the principal characters in the pilot script runs a restaurant. The series was filmed on location and was expected to provide a boost to the New Orleans economy. Simon's casting of the show mirrored that of The Wire in using local actors wherever possible. Wendell Pierce, who had previously played Bunk Moreland on The Wire, stars in the series. Clarke Peters, also of The Wire, is another series regular. Many other stars of The Wire have appeared in Treme, these include Steve Earle, Jim True-Frost, James Ransone, and Anwan Glover. Show Me a Hero In 2014, HBO greenlit production for Simon's next project Show Me a Hero, a six-hour miniseries co-written with William F. Zorzi and the episodes directed by Academy Award-winner Paul Haggis. The miniseries is an adaptation of the nonfiction book of the same name by Lisa Belkin and tells the story of Nick Wasicsko, the youngest big-city mayor in the country who is thrust into racial controversy when a federal court orders to build a small number of low-income housing units in the white neighborhoods of Yonkers, New York. Oscar Isaac stars as Wasicsko and leads a cast, which includes Catherine Keener, Jim Belushi, Bob Balaban and Winona Ryder. The miniseries premiered on August 16, 2015. The Deuce The Deuce is a 2017 drama television series set in Times Square, New York focusing on the rise of the porn industry in the 1970s-80s. Created and written by Simon along with frequent collaborator George Pelecanos, the series pilot began shooting in October 2015. It was picked up to series in January 2016. It premiered on September 10, 2017, and is broadcast by HBO in the United States. The Deuce tells the story of the legalization and ensuing rise of the porn industry in New York beginning in the 1970s and its ongoing rise through the mid-1980s. Themes explored include the rise of HIV, the violence of the drug epidemic and the resulting real estate booms and busts that coincided with the change. The Plot Against America An adaptation of Philip Roth's novel, The Plot Against America is an alternate history told through the eyes of a working-class Jewish family in Newark, New Jersey; as they watch the political rise of Charles Lindbergh, an aviator-hero and xenophobic populist, who becomes president and turns the nation toward fascism. The six-part miniseries premiered on March 16, 2020, on HBO. Projects in developmentParting the Waters: With Taylor Branch, James McBride, Ta-Nehisi Coates, and Eric Overmyer. About Martin Luther King Jr. and the Civil Rights Movement, based on one of the volumes of the books America in the King Years written by Taylor Branch, specifically At Canaan's Edge: America in the King Years, 1965–1968. The project was to be produced by Oprah Winfrey, but was shelved.The Avenue: A book with William F. Zorzi Jr., on the Baltimore drug epidemic from 1951 to late 1980sThe Good Friday Plot: Miniseries about Abraham Lincoln based upon Manhunt: The Twelve-Day Chase for Lincoln's Killer by James L. Swanson and American Brutus: John Wilkes Booth and the Lincoln Conspiracies by Michael W. Kauffman.Capitol Hill: A collaboration with Carl Bernstein set in Capitol Hill, it examines partisanship and the role money plays in influencing national governance. The series was ordered to pilot by HBO in 2015 but has not received a subsequent season order.Legacy of Ashes: On the Central Intelligence Agency, based on the 2007 book Legacy of Ashes by Tim Weiner. The show was taken to the BBC and would have had Anthony Bourdain on the writing staff.The Pogues: Musical project with the help of the late Philip Chevron in development at The Public Theater in New York City, with Laura Lippman and George PelecanosA Dry Run: The Lincolns in Spain: A historical miniseries set during the Spanish Civil War about the Abraham Lincoln and George Washington Battalions, which were composed of volunteers from the United States who wanted to help the Spanish Republic overcome fascism. Mark Johnson will be the series producer and Mediapro will be the series' production company. Writing process Simon is known for his realistic dialogue and journalistic approach to writing. He says that authenticity is paramount and that he writes not with a general audience in mind but with the opinions of his subjects as his priority. He has described his extensive use of real anecdotes and characters in his writing as "stealing life". In a talk that Simon gave to a live audience in April 2007 at the Creative Alliance's storytelling series, Simon disclosed that he had started writing for revenge against John Carroll and Bill Marimow, the two most senior editors at The Baltimore Sun when Simon was a reporter at the paper. Simon said he had watched Carroll and Marimow "single-handedly destroy" the newspaper and that he spent over ten years trying to get back at them. Anything I've ever accomplished as a writer, as somebody doing TV, anything I've ever done in life, down to, like, cleaning up my room, has been accomplished because I was going to show people that they were fucked up, wrong, and that I was the fucking center of the universe and the sooner they got hip to that, the happier they would all be. One of the actions Simon took was to name a character in The Wire after Marimow and make the character "a repellent police-department toady." Carroll left The Baltimore Sun to become editor at the Los Angeles Times and resigned in 2005 after budget cuts were announced. "He stands up like a [bleeping] hero, takes a bullet," said Simon. In 2006 Marimow was diagnosed with prostate cancer, something that Simon said "took the edge off" his grudge. Carroll and Marimow "were fuel for 10 years of my life. ... And now, I got nothing," Simon said. When asked about these comments, Simon said that he had spoken with "some hyperbole and, I hope, comic effect", adding that his basic viewpoint was: "that simple revenge is both empty and beside the point and that a good story carefully told has to speak to larger themes. You do not tell an ornate, careful story over ten hours of HBO airtime merely to bust on any given soul." Views on journalism In an interview in Reason in 2004, Simon said that since leaving the newspaper business he has become more cynical about the power of journalism. "One of the sad things about contemporary journalism is that it actually matters very little. The world now is almost inured to the power of journalism. The best journalism would manage to outrage people. And people are less and less inclined to outrage," said Simon. "I've become increasingly cynical about the ability of daily journalism to effect any kind of meaningful change. I was pretty dubious about it when I was a journalist, but now I think it's remarkably ineffectual." While testifying at a 2009 Senate hearing regarding the future of journalism in America, Simon indicted what he saw as poor online journalism, calling the phrase citizen journalist "Orwellian to [his] ears." Simon ended his testimony by declaring, "I don't think anything can be done to save high-end journalism." Political views Simon has described himself as a social democrat, broadly supporting the existence of capitalism while opposing "raw, unencumbered capitalism, absent any social framework, absent any sense of community, without regard to the weakest and most vulnerable classes in society", which he described as "a recipe for needless pain, needless human waste, (and) needless tragedy". He has criticized the idea of trickle-down economics. In 2013, Simon compared the global surveillance disclosures uncovered by Edward Snowden to a 1980s effort by the City of Baltimore to record the numbers dialed from all pay phones. The city believed that drug traffickers were using pay phones and pagers, and a municipal judge allowed the city to record the dialed numbers. The placement of the payphone number recorders formed the basis of The Wires first season. Simon argued that the media attention regarding the surveillance disclosures is a "faux scandal." During a November 2013 speech at the Festival of Dangerous Ideas in Sydney, he said that America has become "a horror show" of savage inequality as a result of capitalism run amok, and that "unless we reverse course, the average human being is worthless on planet Earth. Unless we take stock of the fact that maybe socialism and the socialist impulse has to be addressed again; it has to be married as it was married in the 1930s, the 1940s and even into the 1950s, to the engine that is capitalism." Simon has also spoken out publicly against crime journalist Kevin Deutsch, disputing the portrayal of Baltimore's illegal drug trade in Deutsch's book, Pill City: How Two Honor Roll Students Foiled the Feds and Built a Drug Empire. Simon has described the book as "a wholesale fabrication." During the 2016 Democratic presidential primaries, Simon praised Bernie Sanders for "rehabilitating and normalizing the term socialist back into American public life", but opposed some attacks against Hillary Clinton which he felt focused on her presumed motives rather than the substance of policies. Personal life In 1991, Simon was married to graphic artist Kayle Tucker. They had a son. The marriage ended in divorce. In 2006, Simon married best-selling Baltimore novelist and former Sun reporter Laura Lippman in a ceremony officiated by John Waters. They have a daughter, who was born in 2010. Simon's nephew, Jason Simon, is a guitarist and vocalist for the psychedelic rock band Dead Meadow. The band was mentioned in an episode of The Wire. Simon was the 2012 commencement speaker for the Georgetown University College of Arts and Sciences, as well as the speaker for the Bethesda-Chevy Chase High School graduation. In 2019, Simon joined a host of other writers in firing their agents as part of the WGA's stand against the ATA after failing to come to an agreement on their "Code of Conduct". Simon's statement to the writers union was widely circulated. He had previously led the rallying cry about the unfair practices of packaging by the major talent agencies. Works and publications Commentary Non-fiction books Filmography Producer Writer References Further reading External links David Simon's blog. 1960 births American crime fiction writers Jewish American journalists American non-fiction crime writers American newspaper reporters and correspondents American male novelists American male screenwriters American television producers American television writers Anthony Award winners Bethesda-Chevy Chase High School alumni Drug policy reform activists Edgar Award winners Living people MacArthur Fellows American male television writers Maryland Democrats Primetime Emmy Award winners Showrunners The Baltimore Sun people University of Maryland, College Park alumni Writers Guild of America Award winners Writers from Baltimore Novelists from Maryland American male non-fiction writers Screenwriters from Washington, D.C. People from Bethesda, Maryland 21st-century American Jews

C_9bee77e3ba5d4991a15b82be185dfcbd_1

Why did he say he got out?

Why did David Simon say he got out of journalism?

David Simon

Upon leaving college, Simon worked as a police reporter at The Baltimore Sun from 1982 to 1995. He spent most of his career covering the crime beat. A colleague has said that Simon loved journalism and felt it was "God's work". Simon says that he was initially altruistic and was inspired to enter journalism by the Washington Post's coverage of Watergate but became increasingly pragmatic as he gained experience. Later in his career he aimed to tell the best possible story without "cheating it". Simon was a union captain when the writing staff went on strike in 1987 over benefit cuts. He remained angry after the strike ended and began to feel uncomfortable in the writing room. He searched for a reason to justify a leave of absence and settled on the idea of writing a novel. "I got out of journalism because some sons of bitches bought my newspaper and it stopped being fun," says Simon. In an interview in Reason in 2004, Simon said that since leaving the newspaper business he has become more cynical about the power of journalism. "One of the sad things about contemporary journalism is that it actually matters very little. The world now is almost inured to the power of journalism. The best journalism would manage to outrage people. And people are less and less inclined to outrage," said Simon. "I've become increasingly cynical about the ability of daily journalism to effect any kind of meaningful change. I was pretty dubious about it when I was a journalist, but now I think it's remarkably ineffectual." In 1988, disillusioned, Simon took a year's leave to go into the Baltimore Police Department Homicide Unit to write a book. CANNOTANSWER

One of the sad things about contemporary journalism is that it actually matters very little. The world now is almost inured to the power of journalism.

David Judah Simon (born February 9, 1960) is an American author, journalist, and television writer and producer best known for his work on The Wire (2002–08). He worked for The Baltimore Sun City Desk for twelve years (1982–95), wrote Homicide: A Year on the Killing Streets (1991), and co-wrote The Corner: A Year in the Life of an Inner-City Neighborhood (1997) with Ed Burns. The former book was the basis for the NBC series Homicide: Life on the Street (1993–99), on which Simon served as a writer and producer. Simon adapted the latter book into the HBO mini-series The Corner (2000). He was the creator, executive producer, head writer, and show runner for all five seasons of the HBO television series The Wire (2002–2008). He adapted the non-fiction book Generation Kill into a television mini-series, and served as the show runner for the project. He was selected as one of the 2010 MacArthur Fellows and named an Utne Reader visionary in 2011. Simon also created the HBO series Treme with Eric Overmyer, which aired for four seasons. Following Treme, Simon wrote the HBO mini-series Show Me a Hero with journalist William F. Zorzi, a colleague first at The Baltimore Sun and again later on The Wire. Simon and frequent collaborator George Pelecanos reunited to create original series The Deuce. The drama about the New York porn industry in the 1970s and 1980s stars Maggie Gyllenhaal and co-producer James Franco, and aired from 2017 to 2019. Simon's next series, The Plot Against America, debuted in 2020. Early life and education Simon was born in Washington, D.C., the son of Dorothy Simon (née Ligeti), a homemaker, and Bernard Simon, a former journalist and then public relations director for B'nai B'rith for 20 years. Simon was raised in a Jewish family, and had a bar mitzvah ceremony. His family roots are in Russia, Belarus, Hungary, and Slovakia (his maternal grandfather had changed his surname from "Leibowitz" to "Ligeti"). He has a brother, Gary Simon, and a sister, Linda Evans, who died in 1990. In March 1977, when Simon was still in high school, Simon's father was one of a group of over 140 people held hostage (and later released) in Washington, D.C. by former national secretary of the Nation of Islam Hamaas Abdul Khaalis in the Hanafi Siege. Simon graduated from Bethesda-Chevy Chase High School in Bethesda, Maryland, and wrote for the school newspaper, The Tattler. In 1983, he graduated from the University of Maryland, College Park. While at college he wrote and was Editor for The Diamondback, and became friends with contemporary David Mills. Career Journalism Upon leaving college, Simon worked as a police reporter at The Baltimore Sun from 1982 to 1995. Simon was hired by the Baltimore Sun for a piece he wrote about Lefty Driesell, who was then the men's basketball coach at the University of Maryland. Driesell had been extremely frustrated that one of his players was suspended from playing for sexual impropriety and called the victim, threatening to destroy her reputation if she did not withdraw her complaint. This was all done while the university administration was listening to the call, but they did nothing. Lefty Driesell was later given a 5-year contract and, in 2018, he was inducted into the ACC Hall of Fame. Simon spent most of his career covering the crime beat. A colleague has said that Simon loved journalism and felt it was "God's work". Simon says that he was initially altruistic and was inspired to enter journalism by The Washington Posts coverage of Watergate but became increasingly pragmatic as he gained experience. Simon was a union captain when the writing staff went on strike in 1987 over benefit cuts. He remained angry after the strike ended and began to feel uncomfortable in the writing room. He searched for a reason to justify a leave of absence and settled on the idea of writing a novel. "I got out of journalism because some sons of bitches bought my newspaper and it stopped being fun," says Simon. In 1988, disillusioned, Simon took a year's leave to go into the Baltimore Police Department Homicide Unit to write a book. Book Homicide: A Year on the Killing Streets Simon's leave of absence from The Sun resulted in his first book Homicide: A Year on the Killing Streets (1991). The book was based on his experiences shadowing the Baltimore Police Department homicide unit during 1988. The idea came from a conversation on Christmas Eve 1985 in the unit office, where Det. Bill Lansey told him, "If someone just wrote down what happens in this place for one year, they'd have a goddamn book." Simon approached the police department and the editors of the paper to receive approval. The detectives were initially slow to accept him, but he persevered in an attempt to "seem … like part of the furniture". However, he soon ingratiated himself with the detectives, saying in the closing notes of the book, "I shared with the detectives a year's worth of fast-food runs, bar arguments and station house humor: Even for a trained observer, it was hard to remain aloof." During one instance, Simon even assisted with an arrest. Two detectives Simon was riding with pulled their car to a curb to apprehend two suspects, but Detective Dave Brown got his trenchcoat caught in a seat belt when he tried to exit the car. Brown told Simon to assist Detective Terry McLarney himself, and Simon helped apprehend and search one of the suspects. The book won the 1992 Edgar Award for Best Fact Crime book. The Associated Press called it "a true-crime classic". The Library Journal also highly recommended it, and Newsday described it as "one of the most engrossing police procedural mystery books ever written". Simon credits his time researching the book as altering his writing style and informing later work. He learned to be more patient in research and writing, and said a key lesson was not promoting himself but concentrating on his subjects. Simon told Baltimore's City Paper in 2003 that Homicide was not traditional journalism. "I felt Homicide the book and The Corner were not traditional journalism in the sense of coming from some artificially omniscient, objective point of view," said Simon. "They're immersed in the respective cultures that they cover in a way that traditional journalism often isn't." Television Homicide: Life on the Street The publishers of Homicide: A Year on the Killing Streets were eager for a screen adaptation and submitted it to numerous directors but there was little interest. Simon suggested that they send the book to Baltimore native and film director Barry Levinson. Levinson's assistant Gail Mutrux enjoyed the book and both she and Levinson became attached as producers. The project became the award-winning TV series Homicide: Life on the Street (1993–1999), on which Simon worked as a writer and producer. Simon was asked by Mutrux to write the show's pilot episode but declined, feeling he did not have the necessary expertise. He collaborated with his old college friend David Mills to write the season two premiere "Bop Gun". The episode was based on a story by executive producer Tom Fontana and featured Robin Williams in a guest starring role that garnered the actor an Emmy nomination. Simon and Mills won the WGA Award for Best Writing in a Drama for the episode. Simon also received Austin Film Festival's Outstanding Television Writer Award in 2010. Simon left his job with the Baltimore Sun in 1995 to work full-time on Homicide: Life on the Street during the production of the show's fourth season. Simon wrote the teleplay for the season four episodes "Justice: Part 2" and "Scene of the Crime" (with Anya Epstein). For season five he was the show's story editor and continued to contribute teleplays writing the episodes "Bad Medicine" and "Wu's on First?" (again with Epstein). He was credited as a producer on the show's sixth and seventh seasons. He wrote the teleplays for parts two and three of the sixth-season premiere "Blood Ties" (the latter marking his third collaboration with Epstein) and provided the story for the later sixth-season episodes "Full Court Press" and "Finnegan's Wake" (with James Yoshimura). He provided the story for the seventh season episodes "Shades of Gray" (with Julie Martin), "The Same Coin" (again with Yoshimura) and "Self Defense" (with Eric Overmyer). Simon wrote the story and teleplay for the seventh season episodes "The Twenty Percent Solution" and "Sideshow: Part 2". Simon, Martin and teleplay writer T. J. English won the Humanitas Prize in the 60 minutes category for the episode "Shades of Gray". Simon was nominated for a second WGA Award for Best Writing in a Drama for his work on "Finnegan's Wake" with Yoshimura and Mills (who wrote the teleplay). Simon has said that he thought the show was a "remarkable drama" but that it did not reflect the book. He has also said that when writing for the show he had to put his experiences of the real detectives aside as the characters became quite different, particularly in their more philosophical approach to the job. Simon said that TV must find shorthand ways of referencing anything real. The Corner In 1997 he co-authored, with Ed Burns, The Corner: A Year in the Life of an Inner-City Neighborhood, the true account of a West Baltimore community dominated by a heavy drug market. Simon credits his editor John Sterling with the suggestion that he observe a single drug corner. He took a second leave of absence from the Baltimore Sun in 1993 to research the project. Simon became close to one of his subjects, drug addict Gary McCullough, and was devastated by his death while he was writing the project. Simon says that he approached the research with the abstract idea that his subjects may die because of their addictions but it was not possible to fully prepare for the reality. He remains grateful to his subjects saying "This involved people's whole lives, there's no privacy in it. That was an enormous gift which many, many people gave us. Even the most functional were at war with themselves. But they were not foolish people. And they made that choice." The Corner was named a Notable Book of the Year by The New York Times. Simon again returned to his journalism career after finishing the book but felt further changed by his experiences. He said he "was less enamored of the braggadocio, all that big, we're-really-having-an-impact talk" and no longer believed that they were making a difference; he left his job at The Sun within a year for work on NBC's Homicide. Soon after Homicide concluded Simon co-wrote (with David Mills) and produced The Corner as a six-hour TV miniseries for HBO. The show received three Emmy Awards, including Outstanding Writing for a Miniseries or a Movie, for Simon and Mills. The Wire Simon was the creator, show runner, executive producer and head writer of the HBO drama series The Wire. Many of The Wires characters and incidents also came from Homicide: A Year on the Killing Streets. After the fourth season, Simon signed on to produce the fifth and final season of The Wire, which focused on the role of mass media in society. Again he worked with Ed Burns on creating the show. Originally they set out to create a police drama loosely based on Burns' experiences when working on protracted investigations of violent drug dealers using surveillance technology. During this time Burns had often faced frustration with the bureaucracy of the police department, which Simon equated with his own ordeals as a police reporter for The Baltimore Sun. Writing against the background of current events, including institutionalized corporate crime at Enron and institutional dysfunction in the Catholic Church, the show became "more of a treatise about institutions and individuals than a straight cop show." They chose to take The Wire to HBO because of their existing working relationship from The Corner. Owing to its reputation for exploring new areas, HBO was initially dubious about including a cop drama in their lineup, but eventually agreed to produce the pilot after ordering a further two scripts to see how the series would progress. Carolyn Strauss, the president of HBO entertainment, has said that Simon's argument that the most subversive thing HBO could do was invade the networks' "backyard" of police procedurals helped to persuade them. The theme of institutional dysfunction was expanded across different areas of the city as the show progressed. The second season focused on the death of working-class America through examination of the city ports. The third season "reflects on the nature of reform and reformers, and whether there is any possibility that political processes, long calcified, can mitigate against the forces currently arrayed against individuals." For the fourth season Simon again turned to Burns' experience, this time his second career as a Baltimore public school teacher in examining the theme of education. The fifth season looked at the media, as well as continuing themes such as politics from earlier seasons. Simon was reunited with his The Corner producers Robert F. Colesberry and Nina K. Noble on The Wire. Simon credits Colesberry for achieving the show's realistic visual feel because of his experience as a director. They recruited Homicide star and director Clark Johnson to helm the pilot episode. The completed pilot was given to HBO in November 2001. Johnson returned to direct the second episode when the show was picked up, and would direct the series finale as well, in addition to starring in the fifth season. Simon approached acclaimed crime fiction authors to write for The Wire. He was recommended the work of George Pelecanos by a colleague while working at the Baltimore Sun because of similarities between their writing. The two writers have much in common including a childhood in Silver Spring, attendance at the University of Maryland and their interest in the "fate of the American city and the black urban poor." Simon did not read Pelecanos initially because of territorial prejudice; Pelecanos is from Washington. Once Simon received further recommendations including one from his wife Laura Lippman he tried Pelecanos' novel The Sweet Forever and changed his mind. He sought out Pelecanos when recruiting writers for The Wire. The two met at the funeral of a mutual friend shortly after Simon delivered the pilot episode. Simon pitched Pelecanos the idea of The Wire as a novel for television about the American city as Pelecanos drove him home. Pelecanos became a regular writer and later a producer for the show's second and third seasons. Simon and Pelecanos collaborated to write the episode "Middle Ground" which received the show's first Emmy nomination, in the category Outstanding Writing for a Drama Series. Pelecanos left the production staff following the third season to focus on his next novel; Simon has commented that he missed having him working on the show full-time but was pleased that he continued to write for them and was a fan of the resultant book The Night Gardener. Similar to Simon's own experience in researching Homicide Pelecanos spent time embedded with the Washington DC homicide unit to research the book. Crime novelist Dennis Lehane has also written for the series starting with the third season. Lehane has commented that he was impressed by Simon and Burns' ear for authentic street slang. Eric Overmyer was brought in to fill the role of Pelecanos as a full-time writer producer. He had previously worked with Simon on Homicide where the two became friends. Simon has said that he was impressed with Overmyer's writing particularly in synthesizing the story for "Margin of Error" as the episode is the height of the show's political storyline but must also progress other plot threads. Simon and his writing staff were nominated for the Writers Guild of America Award for Best Dramatic Series at the February 2009 ceremony for their work on the fifth season. Simon and Burns collaborated to write the series finale "-30-" which received the show's second Emmy nomination, again in the category Outstanding Writing for a Drama Series. Simon has stated that he finds working with HBO more comfortable than his experiences with NBC on Homicide and that HBO is able to allow greater creative control because it is dependent on subscribers rather than on viewing figures. He has said that he feels unable to return to network television because he felt pressure to compromise storytelling for audience satisfaction. Generation Kill Simon produced and wrote Generation Kill for HBO with Ed Burns. They again worked with Nina Noble as a producer. The miniseries is an adaption of the non-fiction book of the same name. It relates the first 40 days of the 2003 invasion of Iraq as experienced by 1st Reconnaissance Battalion and their embedded reporter, Evan Wright. Simon and Burns worked with Wright in adapting his book into the series. Treme Simon collaborated with Eric Overmyer again on Treme, a project about musicians in post-Katrina New Orleans. Overmyer lives part-time in New Orleans, and Simon believed his experience would be valuable in navigating the "ornate oral tradition" of the city's stories. Simon also consulted with New Orleans natives Donald Harrison Jr., Kermit Ruffins, and Davis Rogan while developing the series. The show focuses on a working-class neighborhood, and is smaller in scope than The Wire. The series premiered on April 11, 2010, on HBO and ran for four seasons. Treme is named after the Faubourg Treme neighborhood in New Orleans that is home to many of the city's musicians. Simon stated that the series would explore beyond the music scene to encompass political corruption, the public housing controversy, the criminal-justice system, clashes between police and Mardi Gras Indians, and the struggle to regain the tourism industry after the storm. One of the principal characters in the pilot script runs a restaurant. The series was filmed on location and was expected to provide a boost to the New Orleans economy. Simon's casting of the show mirrored that of The Wire in using local actors wherever possible. Wendell Pierce, who had previously played Bunk Moreland on The Wire, stars in the series. Clarke Peters, also of The Wire, is another series regular. Many other stars of The Wire have appeared in Treme, these include Steve Earle, Jim True-Frost, James Ransone, and Anwan Glover. Show Me a Hero In 2014, HBO greenlit production for Simon's next project Show Me a Hero, a six-hour miniseries co-written with William F. Zorzi and the episodes directed by Academy Award-winner Paul Haggis. The miniseries is an adaptation of the nonfiction book of the same name by Lisa Belkin and tells the story of Nick Wasicsko, the youngest big-city mayor in the country who is thrust into racial controversy when a federal court orders to build a small number of low-income housing units in the white neighborhoods of Yonkers, New York. Oscar Isaac stars as Wasicsko and leads a cast, which includes Catherine Keener, Jim Belushi, Bob Balaban and Winona Ryder. The miniseries premiered on August 16, 2015. The Deuce The Deuce is a 2017 drama television series set in Times Square, New York focusing on the rise of the porn industry in the 1970s-80s. Created and written by Simon along with frequent collaborator George Pelecanos, the series pilot began shooting in October 2015. It was picked up to series in January 2016. It premiered on September 10, 2017, and is broadcast by HBO in the United States. The Deuce tells the story of the legalization and ensuing rise of the porn industry in New York beginning in the 1970s and its ongoing rise through the mid-1980s. Themes explored include the rise of HIV, the violence of the drug epidemic and the resulting real estate booms and busts that coincided with the change. The Plot Against America An adaptation of Philip Roth's novel, The Plot Against America is an alternate history told through the eyes of a working-class Jewish family in Newark, New Jersey; as they watch the political rise of Charles Lindbergh, an aviator-hero and xenophobic populist, who becomes president and turns the nation toward fascism. The six-part miniseries premiered on March 16, 2020, on HBO. Projects in developmentParting the Waters: With Taylor Branch, James McBride, Ta-Nehisi Coates, and Eric Overmyer. About Martin Luther King Jr. and the Civil Rights Movement, based on one of the volumes of the books America in the King Years written by Taylor Branch, specifically At Canaan's Edge: America in the King Years, 1965–1968. The project was to be produced by Oprah Winfrey, but was shelved.The Avenue: A book with William F. Zorzi Jr., on the Baltimore drug epidemic from 1951 to late 1980sThe Good Friday Plot: Miniseries about Abraham Lincoln based upon Manhunt: The Twelve-Day Chase for Lincoln's Killer by James L. Swanson and American Brutus: John Wilkes Booth and the Lincoln Conspiracies by Michael W. Kauffman.Capitol Hill: A collaboration with Carl Bernstein set in Capitol Hill, it examines partisanship and the role money plays in influencing national governance. The series was ordered to pilot by HBO in 2015 but has not received a subsequent season order.Legacy of Ashes: On the Central Intelligence Agency, based on the 2007 book Legacy of Ashes by Tim Weiner. The show was taken to the BBC and would have had Anthony Bourdain on the writing staff.The Pogues: Musical project with the help of the late Philip Chevron in development at The Public Theater in New York City, with Laura Lippman and George PelecanosA Dry Run: The Lincolns in Spain: A historical miniseries set during the Spanish Civil War about the Abraham Lincoln and George Washington Battalions, which were composed of volunteers from the United States who wanted to help the Spanish Republic overcome fascism. Mark Johnson will be the series producer and Mediapro will be the series' production company. Writing process Simon is known for his realistic dialogue and journalistic approach to writing. He says that authenticity is paramount and that he writes not with a general audience in mind but with the opinions of his subjects as his priority. He has described his extensive use of real anecdotes and characters in his writing as "stealing life". In a talk that Simon gave to a live audience in April 2007 at the Creative Alliance's storytelling series, Simon disclosed that he had started writing for revenge against John Carroll and Bill Marimow, the two most senior editors at The Baltimore Sun when Simon was a reporter at the paper. Simon said he had watched Carroll and Marimow "single-handedly destroy" the newspaper and that he spent over ten years trying to get back at them. Anything I've ever accomplished as a writer, as somebody doing TV, anything I've ever done in life, down to, like, cleaning up my room, has been accomplished because I was going to show people that they were fucked up, wrong, and that I was the fucking center of the universe and the sooner they got hip to that, the happier they would all be. One of the actions Simon took was to name a character in The Wire after Marimow and make the character "a repellent police-department toady." Carroll left The Baltimore Sun to become editor at the Los Angeles Times and resigned in 2005 after budget cuts were announced. "He stands up like a [bleeping] hero, takes a bullet," said Simon. In 2006 Marimow was diagnosed with prostate cancer, something that Simon said "took the edge off" his grudge. Carroll and Marimow "were fuel for 10 years of my life. ... And now, I got nothing," Simon said. When asked about these comments, Simon said that he had spoken with "some hyperbole and, I hope, comic effect", adding that his basic viewpoint was: "that simple revenge is both empty and beside the point and that a good story carefully told has to speak to larger themes. You do not tell an ornate, careful story over ten hours of HBO airtime merely to bust on any given soul." Views on journalism In an interview in Reason in 2004, Simon said that since leaving the newspaper business he has become more cynical about the power of journalism. "One of the sad things about contemporary journalism is that it actually matters very little. The world now is almost inured to the power of journalism. The best journalism would manage to outrage people. And people are less and less inclined to outrage," said Simon. "I've become increasingly cynical about the ability of daily journalism to effect any kind of meaningful change. I was pretty dubious about it when I was a journalist, but now I think it's remarkably ineffectual." While testifying at a 2009 Senate hearing regarding the future of journalism in America, Simon indicted what he saw as poor online journalism, calling the phrase citizen journalist "Orwellian to [his] ears." Simon ended his testimony by declaring, "I don't think anything can be done to save high-end journalism." Political views Simon has described himself as a social democrat, broadly supporting the existence of capitalism while opposing "raw, unencumbered capitalism, absent any social framework, absent any sense of community, without regard to the weakest and most vulnerable classes in society", which he described as "a recipe for needless pain, needless human waste, (and) needless tragedy". He has criticized the idea of trickle-down economics. In 2013, Simon compared the global surveillance disclosures uncovered by Edward Snowden to a 1980s effort by the City of Baltimore to record the numbers dialed from all pay phones. The city believed that drug traffickers were using pay phones and pagers, and a municipal judge allowed the city to record the dialed numbers. The placement of the payphone number recorders formed the basis of The Wires first season. Simon argued that the media attention regarding the surveillance disclosures is a "faux scandal." During a November 2013 speech at the Festival of Dangerous Ideas in Sydney, he said that America has become "a horror show" of savage inequality as a result of capitalism run amok, and that "unless we reverse course, the average human being is worthless on planet Earth. Unless we take stock of the fact that maybe socialism and the socialist impulse has to be addressed again; it has to be married as it was married in the 1930s, the 1940s and even into the 1950s, to the engine that is capitalism." Simon has also spoken out publicly against crime journalist Kevin Deutsch, disputing the portrayal of Baltimore's illegal drug trade in Deutsch's book, Pill City: How Two Honor Roll Students Foiled the Feds and Built a Drug Empire. Simon has described the book as "a wholesale fabrication." During the 2016 Democratic presidential primaries, Simon praised Bernie Sanders for "rehabilitating and normalizing the term socialist back into American public life", but opposed some attacks against Hillary Clinton which he felt focused on her presumed motives rather than the substance of policies. Personal life In 1991, Simon was married to graphic artist Kayle Tucker. They had a son. The marriage ended in divorce. In 2006, Simon married best-selling Baltimore novelist and former Sun reporter Laura Lippman in a ceremony officiated by John Waters. They have a daughter, who was born in 2010. Simon's nephew, Jason Simon, is a guitarist and vocalist for the psychedelic rock band Dead Meadow. The band was mentioned in an episode of The Wire. Simon was the 2012 commencement speaker for the Georgetown University College of Arts and Sciences, as well as the speaker for the Bethesda-Chevy Chase High School graduation. In 2019, Simon joined a host of other writers in firing their agents as part of the WGA's stand against the ATA after failing to come to an agreement on their "Code of Conduct". Simon's statement to the writers union was widely circulated. He had previously led the rallying cry about the unfair practices of packaging by the major talent agencies. Works and publications Commentary Non-fiction books Filmography Producer Writer References Further reading External links David Simon's blog. 1960 births American crime fiction writers Jewish American journalists American non-fiction crime writers American newspaper reporters and correspondents American male novelists American male screenwriters American television producers American television writers Anthony Award winners Bethesda-Chevy Chase High School alumni Drug policy reform activists Edgar Award winners Living people MacArthur Fellows American male television writers Maryland Democrats Primetime Emmy Award winners Showrunners The Baltimore Sun people University of Maryland, College Park alumni Writers Guild of America Award winners Writers from Baltimore Novelists from Maryland American male non-fiction writers Screenwriters from Washington, D.C. People from Bethesda, Maryland 21st-century American Jews

C_9bee77e3ba5d4991a15b82be185dfcbd_1

Did he complete his novel?

Did David Simon complete his novel?

David Simon

Upon leaving college, Simon worked as a police reporter at The Baltimore Sun from 1982 to 1995. He spent most of his career covering the crime beat. A colleague has said that Simon loved journalism and felt it was "God's work". Simon says that he was initially altruistic and was inspired to enter journalism by the Washington Post's coverage of Watergate but became increasingly pragmatic as he gained experience. Later in his career he aimed to tell the best possible story without "cheating it". Simon was a union captain when the writing staff went on strike in 1987 over benefit cuts. He remained angry after the strike ended and began to feel uncomfortable in the writing room. He searched for a reason to justify a leave of absence and settled on the idea of writing a novel. "I got out of journalism because some sons of bitches bought my newspaper and it stopped being fun," says Simon. In an interview in Reason in 2004, Simon said that since leaving the newspaper business he has become more cynical about the power of journalism. "One of the sad things about contemporary journalism is that it actually matters very little. The world now is almost inured to the power of journalism. The best journalism would manage to outrage people. And people are less and less inclined to outrage," said Simon. "I've become increasingly cynical about the ability of daily journalism to effect any kind of meaningful change. I was pretty dubious about it when I was a journalist, but now I think it's remarkably ineffectual." In 1988, disillusioned, Simon took a year's leave to go into the Baltimore Police Department Homicide Unit to write a book. CANNOTANSWER

In 1988, disillusioned, Simon took a year's leave to go into the Baltimore Police Department Homicide Unit to write a book.

David Judah Simon (born February 9, 1960) is an American author, journalist, and television writer and producer best known for his work on The Wire (2002–08). He worked for The Baltimore Sun City Desk for twelve years (1982–95), wrote Homicide: A Year on the Killing Streets (1991), and co-wrote The Corner: A Year in the Life of an Inner-City Neighborhood (1997) with Ed Burns. The former book was the basis for the NBC series Homicide: Life on the Street (1993–99), on which Simon served as a writer and producer. Simon adapted the latter book into the HBO mini-series The Corner (2000). He was the creator, executive producer, head writer, and show runner for all five seasons of the HBO television series The Wire (2002–2008). He adapted the non-fiction book Generation Kill into a television mini-series, and served as the show runner for the project. He was selected as one of the 2010 MacArthur Fellows and named an Utne Reader visionary in 2011. Simon also created the HBO series Treme with Eric Overmyer, which aired for four seasons. Following Treme, Simon wrote the HBO mini-series Show Me a Hero with journalist William F. Zorzi, a colleague first at The Baltimore Sun and again later on The Wire. Simon and frequent collaborator George Pelecanos reunited to create original series The Deuce. The drama about the New York porn industry in the 1970s and 1980s stars Maggie Gyllenhaal and co-producer James Franco, and aired from 2017 to 2019. Simon's next series, The Plot Against America, debuted in 2020. Early life and education Simon was born in Washington, D.C., the son of Dorothy Simon (née Ligeti), a homemaker, and Bernard Simon, a former journalist and then public relations director for B'nai B'rith for 20 years. Simon was raised in a Jewish family, and had a bar mitzvah ceremony. His family roots are in Russia, Belarus, Hungary, and Slovakia (his maternal grandfather had changed his surname from "Leibowitz" to "Ligeti"). He has a brother, Gary Simon, and a sister, Linda Evans, who died in 1990. In March 1977, when Simon was still in high school, Simon's father was one of a group of over 140 people held hostage (and later released) in Washington, D.C. by former national secretary of the Nation of Islam Hamaas Abdul Khaalis in the Hanafi Siege. Simon graduated from Bethesda-Chevy Chase High School in Bethesda, Maryland, and wrote for the school newspaper, The Tattler. In 1983, he graduated from the University of Maryland, College Park. While at college he wrote and was Editor for The Diamondback, and became friends with contemporary David Mills. Career Journalism Upon leaving college, Simon worked as a police reporter at The Baltimore Sun from 1982 to 1995. Simon was hired by the Baltimore Sun for a piece he wrote about Lefty Driesell, who was then the men's basketball coach at the University of Maryland. Driesell had been extremely frustrated that one of his players was suspended from playing for sexual impropriety and called the victim, threatening to destroy her reputation if she did not withdraw her complaint. This was all done while the university administration was listening to the call, but they did nothing. Lefty Driesell was later given a 5-year contract and, in 2018, he was inducted into the ACC Hall of Fame. Simon spent most of his career covering the crime beat. A colleague has said that Simon loved journalism and felt it was "God's work". Simon says that he was initially altruistic and was inspired to enter journalism by The Washington Posts coverage of Watergate but became increasingly pragmatic as he gained experience. Simon was a union captain when the writing staff went on strike in 1987 over benefit cuts. He remained angry after the strike ended and began to feel uncomfortable in the writing room. He searched for a reason to justify a leave of absence and settled on the idea of writing a novel. "I got out of journalism because some sons of bitches bought my newspaper and it stopped being fun," says Simon. In 1988, disillusioned, Simon took a year's leave to go into the Baltimore Police Department Homicide Unit to write a book. Book Homicide: A Year on the Killing Streets Simon's leave of absence from The Sun resulted in his first book Homicide: A Year on the Killing Streets (1991). The book was based on his experiences shadowing the Baltimore Police Department homicide unit during 1988. The idea came from a conversation on Christmas Eve 1985 in the unit office, where Det. Bill Lansey told him, "If someone just wrote down what happens in this place for one year, they'd have a goddamn book." Simon approached the police department and the editors of the paper to receive approval. The detectives were initially slow to accept him, but he persevered in an attempt to "seem … like part of the furniture". However, he soon ingratiated himself with the detectives, saying in the closing notes of the book, "I shared with the detectives a year's worth of fast-food runs, bar arguments and station house humor: Even for a trained observer, it was hard to remain aloof." During one instance, Simon even assisted with an arrest. Two detectives Simon was riding with pulled their car to a curb to apprehend two suspects, but Detective Dave Brown got his trenchcoat caught in a seat belt when he tried to exit the car. Brown told Simon to assist Detective Terry McLarney himself, and Simon helped apprehend and search one of the suspects. The book won the 1992 Edgar Award for Best Fact Crime book. The Associated Press called it "a true-crime classic". The Library Journal also highly recommended it, and Newsday described it as "one of the most engrossing police procedural mystery books ever written". Simon credits his time researching the book as altering his writing style and informing later work. He learned to be more patient in research and writing, and said a key lesson was not promoting himself but concentrating on his subjects. Simon told Baltimore's City Paper in 2003 that Homicide was not traditional journalism. "I felt Homicide the book and The Corner were not traditional journalism in the sense of coming from some artificially omniscient, objective point of view," said Simon. "They're immersed in the respective cultures that they cover in a way that traditional journalism often isn't." Television Homicide: Life on the Street The publishers of Homicide: A Year on the Killing Streets were eager for a screen adaptation and submitted it to numerous directors but there was little interest. Simon suggested that they send the book to Baltimore native and film director Barry Levinson. Levinson's assistant Gail Mutrux enjoyed the book and both she and Levinson became attached as producers. The project became the award-winning TV series Homicide: Life on the Street (1993–1999), on which Simon worked as a writer and producer. Simon was asked by Mutrux to write the show's pilot episode but declined, feeling he did not have the necessary expertise. He collaborated with his old college friend David Mills to write the season two premiere "Bop Gun". The episode was based on a story by executive producer Tom Fontana and featured Robin Williams in a guest starring role that garnered the actor an Emmy nomination. Simon and Mills won the WGA Award for Best Writing in a Drama for the episode. Simon also received Austin Film Festival's Outstanding Television Writer Award in 2010. Simon left his job with the Baltimore Sun in 1995 to work full-time on Homicide: Life on the Street during the production of the show's fourth season. Simon wrote the teleplay for the season four episodes "Justice: Part 2" and "Scene of the Crime" (with Anya Epstein). For season five he was the show's story editor and continued to contribute teleplays writing the episodes "Bad Medicine" and "Wu's on First?" (again with Epstein). He was credited as a producer on the show's sixth and seventh seasons. He wrote the teleplays for parts two and three of the sixth-season premiere "Blood Ties" (the latter marking his third collaboration with Epstein) and provided the story for the later sixth-season episodes "Full Court Press" and "Finnegan's Wake" (with James Yoshimura). He provided the story for the seventh season episodes "Shades of Gray" (with Julie Martin), "The Same Coin" (again with Yoshimura) and "Self Defense" (with Eric Overmyer). Simon wrote the story and teleplay for the seventh season episodes "The Twenty Percent Solution" and "Sideshow: Part 2". Simon, Martin and teleplay writer T. J. English won the Humanitas Prize in the 60 minutes category for the episode "Shades of Gray". Simon was nominated for a second WGA Award for Best Writing in a Drama for his work on "Finnegan's Wake" with Yoshimura and Mills (who wrote the teleplay). Simon has said that he thought the show was a "remarkable drama" but that it did not reflect the book. He has also said that when writing for the show he had to put his experiences of the real detectives aside as the characters became quite different, particularly in their more philosophical approach to the job. Simon said that TV must find shorthand ways of referencing anything real. The Corner In 1997 he co-authored, with Ed Burns, The Corner: A Year in the Life of an Inner-City Neighborhood, the true account of a West Baltimore community dominated by a heavy drug market. Simon credits his editor John Sterling with the suggestion that he observe a single drug corner. He took a second leave of absence from the Baltimore Sun in 1993 to research the project. Simon became close to one of his subjects, drug addict Gary McCullough, and was devastated by his death while he was writing the project. Simon says that he approached the research with the abstract idea that his subjects may die because of their addictions but it was not possible to fully prepare for the reality. He remains grateful to his subjects saying "This involved people's whole lives, there's no privacy in it. That was an enormous gift which many, many people gave us. Even the most functional were at war with themselves. But they were not foolish people. And they made that choice." The Corner was named a Notable Book of the Year by The New York Times. Simon again returned to his journalism career after finishing the book but felt further changed by his experiences. He said he "was less enamored of the braggadocio, all that big, we're-really-having-an-impact talk" and no longer believed that they were making a difference; he left his job at The Sun within a year for work on NBC's Homicide. Soon after Homicide concluded Simon co-wrote (with David Mills) and produced The Corner as a six-hour TV miniseries for HBO. The show received three Emmy Awards, including Outstanding Writing for a Miniseries or a Movie, for Simon and Mills. The Wire Simon was the creator, show runner, executive producer and head writer of the HBO drama series The Wire. Many of The Wires characters and incidents also came from Homicide: A Year on the Killing Streets. After the fourth season, Simon signed on to produce the fifth and final season of The Wire, which focused on the role of mass media in society. Again he worked with Ed Burns on creating the show. Originally they set out to create a police drama loosely based on Burns' experiences when working on protracted investigations of violent drug dealers using surveillance technology. During this time Burns had often faced frustration with the bureaucracy of the police department, which Simon equated with his own ordeals as a police reporter for The Baltimore Sun. Writing against the background of current events, including institutionalized corporate crime at Enron and institutional dysfunction in the Catholic Church, the show became "more of a treatise about institutions and individuals than a straight cop show." They chose to take The Wire to HBO because of their existing working relationship from The Corner. Owing to its reputation for exploring new areas, HBO was initially dubious about including a cop drama in their lineup, but eventually agreed to produce the pilot after ordering a further two scripts to see how the series would progress. Carolyn Strauss, the president of HBO entertainment, has said that Simon's argument that the most subversive thing HBO could do was invade the networks' "backyard" of police procedurals helped to persuade them. The theme of institutional dysfunction was expanded across different areas of the city as the show progressed. The second season focused on the death of working-class America through examination of the city ports. The third season "reflects on the nature of reform and reformers, and whether there is any possibility that political processes, long calcified, can mitigate against the forces currently arrayed against individuals." For the fourth season Simon again turned to Burns' experience, this time his second career as a Baltimore public school teacher in examining the theme of education. The fifth season looked at the media, as well as continuing themes such as politics from earlier seasons. Simon was reunited with his The Corner producers Robert F. Colesberry and Nina K. Noble on The Wire. Simon credits Colesberry for achieving the show's realistic visual feel because of his experience as a director. They recruited Homicide star and director Clark Johnson to helm the pilot episode. The completed pilot was given to HBO in November 2001. Johnson returned to direct the second episode when the show was picked up, and would direct the series finale as well, in addition to starring in the fifth season. Simon approached acclaimed crime fiction authors to write for The Wire. He was recommended the work of George Pelecanos by a colleague while working at the Baltimore Sun because of similarities between their writing. The two writers have much in common including a childhood in Silver Spring, attendance at the University of Maryland and their interest in the "fate of the American city and the black urban poor." Simon did not read Pelecanos initially because of territorial prejudice; Pelecanos is from Washington. Once Simon received further recommendations including one from his wife Laura Lippman he tried Pelecanos' novel The Sweet Forever and changed his mind. He sought out Pelecanos when recruiting writers for The Wire. The two met at the funeral of a mutual friend shortly after Simon delivered the pilot episode. Simon pitched Pelecanos the idea of The Wire as a novel for television about the American city as Pelecanos drove him home. Pelecanos became a regular writer and later a producer for the show's second and third seasons. Simon and Pelecanos collaborated to write the episode "Middle Ground" which received the show's first Emmy nomination, in the category Outstanding Writing for a Drama Series. Pelecanos left the production staff following the third season to focus on his next novel; Simon has commented that he missed having him working on the show full-time but was pleased that he continued to write for them and was a fan of the resultant book The Night Gardener. Similar to Simon's own experience in researching Homicide Pelecanos spent time embedded with the Washington DC homicide unit to research the book. Crime novelist Dennis Lehane has also written for the series starting with the third season. Lehane has commented that he was impressed by Simon and Burns' ear for authentic street slang. Eric Overmyer was brought in to fill the role of Pelecanos as a full-time writer producer. He had previously worked with Simon on Homicide where the two became friends. Simon has said that he was impressed with Overmyer's writing particularly in synthesizing the story for "Margin of Error" as the episode is the height of the show's political storyline but must also progress other plot threads. Simon and his writing staff were nominated for the Writers Guild of America Award for Best Dramatic Series at the February 2009 ceremony for their work on the fifth season. Simon and Burns collaborated to write the series finale "-30-" which received the show's second Emmy nomination, again in the category Outstanding Writing for a Drama Series. Simon has stated that he finds working with HBO more comfortable than his experiences with NBC on Homicide and that HBO is able to allow greater creative control because it is dependent on subscribers rather than on viewing figures. He has said that he feels unable to return to network television because he felt pressure to compromise storytelling for audience satisfaction. Generation Kill Simon produced and wrote Generation Kill for HBO with Ed Burns. They again worked with Nina Noble as a producer. The miniseries is an adaption of the non-fiction book of the same name. It relates the first 40 days of the 2003 invasion of Iraq as experienced by 1st Reconnaissance Battalion and their embedded reporter, Evan Wright. Simon and Burns worked with Wright in adapting his book into the series. Treme Simon collaborated with Eric Overmyer again on Treme, a project about musicians in post-Katrina New Orleans. Overmyer lives part-time in New Orleans, and Simon believed his experience would be valuable in navigating the "ornate oral tradition" of the city's stories. Simon also consulted with New Orleans natives Donald Harrison Jr., Kermit Ruffins, and Davis Rogan while developing the series. The show focuses on a working-class neighborhood, and is smaller in scope than The Wire. The series premiered on April 11, 2010, on HBO and ran for four seasons. Treme is named after the Faubourg Treme neighborhood in New Orleans that is home to many of the city's musicians. Simon stated that the series would explore beyond the music scene to encompass political corruption, the public housing controversy, the criminal-justice system, clashes between police and Mardi Gras Indians, and the struggle to regain the tourism industry after the storm. One of the principal characters in the pilot script runs a restaurant. The series was filmed on location and was expected to provide a boost to the New Orleans economy. Simon's casting of the show mirrored that of The Wire in using local actors wherever possible. Wendell Pierce, who had previously played Bunk Moreland on The Wire, stars in the series. Clarke Peters, also of The Wire, is another series regular. Many other stars of The Wire have appeared in Treme, these include Steve Earle, Jim True-Frost, James Ransone, and Anwan Glover. Show Me a Hero In 2014, HBO greenlit production for Simon's next project Show Me a Hero, a six-hour miniseries co-written with William F. Zorzi and the episodes directed by Academy Award-winner Paul Haggis. The miniseries is an adaptation of the nonfiction book of the same name by Lisa Belkin and tells the story of Nick Wasicsko, the youngest big-city mayor in the country who is thrust into racial controversy when a federal court orders to build a small number of low-income housing units in the white neighborhoods of Yonkers, New York. Oscar Isaac stars as Wasicsko and leads a cast, which includes Catherine Keener, Jim Belushi, Bob Balaban and Winona Ryder. The miniseries premiered on August 16, 2015. The Deuce The Deuce is a 2017 drama television series set in Times Square, New York focusing on the rise of the porn industry in the 1970s-80s. Created and written by Simon along with frequent collaborator George Pelecanos, the series pilot began shooting in October 2015. It was picked up to series in January 2016. It premiered on September 10, 2017, and is broadcast by HBO in the United States. The Deuce tells the story of the legalization and ensuing rise of the porn industry in New York beginning in the 1970s and its ongoing rise through the mid-1980s. Themes explored include the rise of HIV, the violence of the drug epidemic and the resulting real estate booms and busts that coincided with the change. The Plot Against America An adaptation of Philip Roth's novel, The Plot Against America is an alternate history told through the eyes of a working-class Jewish family in Newark, New Jersey; as they watch the political rise of Charles Lindbergh, an aviator-hero and xenophobic populist, who becomes president and turns the nation toward fascism. The six-part miniseries premiered on March 16, 2020, on HBO. Projects in developmentParting the Waters: With Taylor Branch, James McBride, Ta-Nehisi Coates, and Eric Overmyer. About Martin Luther King Jr. and the Civil Rights Movement, based on one of the volumes of the books America in the King Years written by Taylor Branch, specifically At Canaan's Edge: America in the King Years, 1965–1968. The project was to be produced by Oprah Winfrey, but was shelved.The Avenue: A book with William F. Zorzi Jr., on the Baltimore drug epidemic from 1951 to late 1980sThe Good Friday Plot: Miniseries about Abraham Lincoln based upon Manhunt: The Twelve-Day Chase for Lincoln's Killer by James L. Swanson and American Brutus: John Wilkes Booth and the Lincoln Conspiracies by Michael W. Kauffman.Capitol Hill: A collaboration with Carl Bernstein set in Capitol Hill, it examines partisanship and the role money plays in influencing national governance. The series was ordered to pilot by HBO in 2015 but has not received a subsequent season order.Legacy of Ashes: On the Central Intelligence Agency, based on the 2007 book Legacy of Ashes by Tim Weiner. The show was taken to the BBC and would have had Anthony Bourdain on the writing staff.The Pogues: Musical project with the help of the late Philip Chevron in development at The Public Theater in New York City, with Laura Lippman and George PelecanosA Dry Run: The Lincolns in Spain: A historical miniseries set during the Spanish Civil War about the Abraham Lincoln and George Washington Battalions, which were composed of volunteers from the United States who wanted to help the Spanish Republic overcome fascism. Mark Johnson will be the series producer and Mediapro will be the series' production company. Writing process Simon is known for his realistic dialogue and journalistic approach to writing. He says that authenticity is paramount and that he writes not with a general audience in mind but with the opinions of his subjects as his priority. He has described his extensive use of real anecdotes and characters in his writing as "stealing life". In a talk that Simon gave to a live audience in April 2007 at the Creative Alliance's storytelling series, Simon disclosed that he had started writing for revenge against John Carroll and Bill Marimow, the two most senior editors at The Baltimore Sun when Simon was a reporter at the paper. Simon said he had watched Carroll and Marimow "single-handedly destroy" the newspaper and that he spent over ten years trying to get back at them. Anything I've ever accomplished as a writer, as somebody doing TV, anything I've ever done in life, down to, like, cleaning up my room, has been accomplished because I was going to show people that they were fucked up, wrong, and that I was the fucking center of the universe and the sooner they got hip to that, the happier they would all be. One of the actions Simon took was to name a character in The Wire after Marimow and make the character "a repellent police-department toady." Carroll left The Baltimore Sun to become editor at the Los Angeles Times and resigned in 2005 after budget cuts were announced. "He stands up like a [bleeping] hero, takes a bullet," said Simon. In 2006 Marimow was diagnosed with prostate cancer, something that Simon said "took the edge off" his grudge. Carroll and Marimow "were fuel for 10 years of my life. ... And now, I got nothing," Simon said. When asked about these comments, Simon said that he had spoken with "some hyperbole and, I hope, comic effect", adding that his basic viewpoint was: "that simple revenge is both empty and beside the point and that a good story carefully told has to speak to larger themes. You do not tell an ornate, careful story over ten hours of HBO airtime merely to bust on any given soul." Views on journalism In an interview in Reason in 2004, Simon said that since leaving the newspaper business he has become more cynical about the power of journalism. "One of the sad things about contemporary journalism is that it actually matters very little. The world now is almost inured to the power of journalism. The best journalism would manage to outrage people. And people are less and less inclined to outrage," said Simon. "I've become increasingly cynical about the ability of daily journalism to effect any kind of meaningful change. I was pretty dubious about it when I was a journalist, but now I think it's remarkably ineffectual." While testifying at a 2009 Senate hearing regarding the future of journalism in America, Simon indicted what he saw as poor online journalism, calling the phrase citizen journalist "Orwellian to [his] ears." Simon ended his testimony by declaring, "I don't think anything can be done to save high-end journalism." Political views Simon has described himself as a social democrat, broadly supporting the existence of capitalism while opposing "raw, unencumbered capitalism, absent any social framework, absent any sense of community, without regard to the weakest and most vulnerable classes in society", which he described as "a recipe for needless pain, needless human waste, (and) needless tragedy". He has criticized the idea of trickle-down economics. In 2013, Simon compared the global surveillance disclosures uncovered by Edward Snowden to a 1980s effort by the City of Baltimore to record the numbers dialed from all pay phones. The city believed that drug traffickers were using pay phones and pagers, and a municipal judge allowed the city to record the dialed numbers. The placement of the payphone number recorders formed the basis of The Wires first season. Simon argued that the media attention regarding the surveillance disclosures is a "faux scandal." During a November 2013 speech at the Festival of Dangerous Ideas in Sydney, he said that America has become "a horror show" of savage inequality as a result of capitalism run amok, and that "unless we reverse course, the average human being is worthless on planet Earth. Unless we take stock of the fact that maybe socialism and the socialist impulse has to be addressed again; it has to be married as it was married in the 1930s, the 1940s and even into the 1950s, to the engine that is capitalism." Simon has also spoken out publicly against crime journalist Kevin Deutsch, disputing the portrayal of Baltimore's illegal drug trade in Deutsch's book, Pill City: How Two Honor Roll Students Foiled the Feds and Built a Drug Empire. Simon has described the book as "a wholesale fabrication." During the 2016 Democratic presidential primaries, Simon praised Bernie Sanders for "rehabilitating and normalizing the term socialist back into American public life", but opposed some attacks against Hillary Clinton which he felt focused on her presumed motives rather than the substance of policies. Personal life In 1991, Simon was married to graphic artist Kayle Tucker. They had a son. The marriage ended in divorce. In 2006, Simon married best-selling Baltimore novelist and former Sun reporter Laura Lippman in a ceremony officiated by John Waters. They have a daughter, who was born in 2010. Simon's nephew, Jason Simon, is a guitarist and vocalist for the psychedelic rock band Dead Meadow. The band was mentioned in an episode of The Wire. Simon was the 2012 commencement speaker for the Georgetown University College of Arts and Sciences, as well as the speaker for the Bethesda-Chevy Chase High School graduation. In 2019, Simon joined a host of other writers in firing their agents as part of the WGA's stand against the ATA after failing to come to an agreement on their "Code of Conduct". Simon's statement to the writers union was widely circulated. He had previously led the rallying cry about the unfair practices of packaging by the major talent agencies. Works and publications Commentary Non-fiction books Filmography Producer Writer References Further reading External links David Simon's blog. 1960 births American crime fiction writers Jewish American journalists American non-fiction crime writers American newspaper reporters and correspondents American male novelists American male screenwriters American television producers American television writers Anthony Award winners Bethesda-Chevy Chase High School alumni Drug policy reform activists Edgar Award winners Living people MacArthur Fellows American male television writers Maryland Democrats Primetime Emmy Award winners Showrunners The Baltimore Sun people University of Maryland, College Park alumni Writers Guild of America Award winners Writers from Baltimore Novelists from Maryland American male non-fiction writers Screenwriters from Washington, D.C. People from Bethesda, Maryland 21st-century American Jews