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Produced by Daniel Fromont. HTML version by Al Haines. [Transcriber's note: This is the third of a series of four novels by Susan Warner, all of which are in the Project Gutenberg collection: 1. What She Could 2. Opportunities 3. The House in Town 4. Trading] THE HOUSE IN TOWN. A Sequel to "Opportunities." BY THE AUTHOR OF "THE WIDE WIDE WORLD." "No man that warreth entangleth himself with the affairs of this life; that he may please him who hath chosen him to be a soldier."--2 TIM. ii. 4. NEW YORK: ROBERT CARTER AND BROTHERS, 530 BROADWAY. 1872. Entered according to Act of Congress, in the year 1871, by ROBERT CARTER AND BROTHERS, In the Office of the Librarian of Congress at Washington. CAMBRIDGE: PRESS OF JOHN WILSON AND SON. THE HOUSE IN TOWN. CHAPTER I. "Oh Norton! Oh Norton! do you know what has happened?" Matilda had left the study and rushed out into the dining-room to tell her news, if indeed it were news to Norton. She had heard his step. Norton seemed in a preoccupied state of mind. "Yes!" he said. "I know that confounded shoemaker has left something in the heel of my boot which is killing me." Matilda was not like some children. She could wait; and she waited, while Norton pulled off his boot, made examinations into the interior, and went stoutly to work with penknife and file. In the midst of it he looked up, and asked,-- "What has happened to _you_, Pink?" "Then don't you know yet, Norton?" "Of course not. I would fine all shoemakers who leave their work in such a slovenly state! If I didn't limp all the way from the bridge here, it was because I wouldn't,--not because I wouldn't like to." "Why not limp, if it saved your foot?" inquired Matilda. "_You_ would, Pink, wouldn't you?" "Why, yes; certainly I would." "Well, you might," said Norton. "But did you ever read the story of the Spartan boy and the fox?" "No." "He stole a fox," said Norton, working away at the inside of his boot, which gave him some trouble. "But you haven't stolen a fox." "I should think not," said Norton. "The boy carried the fox home under his cloak; and it was not a tame fox, Pink, by any means, and did not like being.carried, I suppose; and it cut and bit and tore at the boy all the while, under his cloak; so that by the time he got the fox home, it had made an end of him." "Why didn't he let the fox go?" "Ah! why didn't he?" said Norton. "He was a boy, and he would have been ashamed." "And you would have been ashamed to limp in the street, Norton?" "For a nail in my boot. What is a man good for, that can't stand anything?" "I should not have been ashamed at all." "You're a girl," said Norton approvingly. "It is a different thing. What is your news, Pink?" "But Norton, I don't see why it is a different thing. Why should not a woman be as brave as a man, and as strong,--in one way?" "I suppose, because she is not as strong in the other way. She hasn't got it to do, Pink, that's all. But a man, or a boy, that can't bear anything without limping, is a muff; that's the whole of it." "A muff's a nice thing," said Matilda laughing. "Not if it's a boy," said Norton. "Go on with your news, Pink. What is it?" "I wonder if you know. Oh Norton, do you know what your mother and Mr. Richmond have been talking about?" "I wasn't there," said Norton. "If you were, you may tell me." "I was not there. But Mr. Richmond has been talking to me about it. Norton,"--and Matilda's voice sank,--"do you know, they have been arranging, and your mother wishes it, that I should _stay_ with her?" Matilda spoke the last words very softly, in the manner of one who makes a communication of somewhat awful character; and in truth it had a kind of awe for her. Evidently not for Norton. He had almost finished his boot, and he kept on with his filing, as coolly as if what Matilda said had no particular interest or novelty. She would have been disappointed, but that she had caught one gleam from Norton's eye which flashed like an electric spark. She just caught it, and then Norton went on calmly,-- "I think that is a very sensible arrangement, Pink. I must say, it is not the first time it has occurred to me." "Then you knew it before?" "I did not know they had settled it," said Norton, still coolly. "But you knew it was talked about? O Norton! why didn't you tell me?" Norton looked up, smiled, dropped his boot, and at once took his new little sister in his arms and clasped her right heartily. "What for should I tell you, Pink?" he said, kissing Matilda's eyes, where the tears of that incipient disappointment had gathered. "How could you _help_ telling me?" "Ah, that is another thing," said Norton. "You couldn't have helped it, could you?" "But it is true now, Norton." "Ay, it is true; and you belong to mamma and me now, Pink; and to nobody else in the wide world. Isn't that jolly?" "And to Mr. Richmond," Matilda added. "Not a bit to Mr. Richmond; not a fraction," said Norton. "He may be your guardian and your minister if you like; and I like him too; he's a brick; but you belong to nobody in the whole world but mamma and me." "Well, Norton," said Matilda, with a sigh of pleasure--"I'm glad." "Glad!" said Norton. "Now come,--let us sit right down and see some of the things we'll do." "Yes. But no, Norton; I must get Mr. Richmond's supper. I shall not have many times more to do that; Miss Redwood will be soon home, you know." "And we too, I hope. I declare, Pink, I believe you like getting supper. Here goes! What is to do?" "Nothing, for you, Norton." "Kettle on?" "On ages ago. You may see if it is boiling." "How can an iron kettle boil? If you'll tell me that." "Why, the water boils that is in it. The kettle is put for the water." "And what right have you to put the kettle for the water? At that rate, one might do all sorts of things--Now Pink, how can I tell if the water boils? The steam is coming out of the nose." "_That's_ no sign, Norton. Does it sing?" "Sing!" said Norton. "I never learned kettle music. No, I don't think it does. It bubbles; the water in it I mean." Matilda came in laughing. "No," she said, "it has stopped singing; and now it boils. The steam is coming out from under the cover. _That's_ a sign. Now, Norton, if you like, you may make a nice plate of toast, and I'll butter it. Mr. Richmond likes toast, and he is tired to-night, I know." "I can't make a plate," said Norton; "but I'll try for the toast. Is it good for people that are tired?" "Anything comfortable is, Norton." "I wouldn't be a minister!" said Norton softly, as he carefully turned and toasted the bread,--"I would not be a minister, for as much as you could give me." "Why, Norton? I think I would--if I was a man." "He has no comfort of his life," said Norton. "This sort of a minister doesn't have. He is always going, going; and running to see people that want him, and stupid people too; he has to talk to them, all the same as if they were clever, and put up with them; and he's always working at his sermons and getting broken off. What comfort of his life does Mr. Richmond have now? except when you and I make toast for him?" "O Norton, I think he has a great deal." "I don't see it." Matilda stood wondering, and then smiled; the comfort of _her_ life was so much just then. The slices of toast were getting brown and buttered, and made a savory smell all through the kitchen; and now Matilda made the tea, and the flowery fragrance of that added another item to what seemed the great stock of pleasure that afternoon. As Miss Redwood had once said, the minister knew a cup of good tea when he saw it; and it was one of the few luxuries he ever took pains to secure; and the sweetness of it now in the little parsonage kitchen was something very delicious. Then Matilda went and put her head in at the study door. "Tea is ready, Mr. Richmond." But the minister did not immediately obey the summons, and the two children stood behind their respective chairs, waiting. Matilda's face was towards the western windows. "Are you very miserable, Pink?" said Norton, watching her. "I am so happy, Norton!" "I want to get home now," said Norton, drumming upon his chair. "I want you there. You belong to mamma and me, and to nobody else in the whole world, Pink; do you know that?" Except Mr. Richmond--was again in Matilda's thoughts; but she did not say it this time. It was nothing against Norton's claim. "Where _is_ the minister?" Norton went on. "You called him." "O he has got some stupid body with him, keeping him from tea." "That is what I said," Norton repeated. "I wouldn't live such a life--not for money." Mr. Richmond came however at this moment, looking not at all miserable; glanced at the two happy faces with a bright eye; then for an instant they were still, while the sweet willing words of prayer went up from lips and heart to bless the board. "What is it that you would not do for money, Norton?" Mr. Richmond asked as he received his cup of tea. Norton hesitated and coloured. Matilda spoke for him. "Mr. Richmond, may we ask you something?" "Certainly!" said the minister, with a quick look at the two faces. "If you wouldn't think it wrong for us to ask.--Is the--I mean, do you think,--the life of a minister is a very hard one?" "So that is the question, is it?" said Mr. Richmond smiling. "Is Norton thinking of taking the situation?" "Norton thinks it cannot be a comfortable life, Mr. Richmond; and I thought he was mistaken." "What do you suppose a minister's business is, Norton? that is the first consideration. You must know what a man has to do, before you can judge whether it is hard to do it." "I thought I knew, sir." "Yes, I suppose so; but it don't follow that you do." "I know part," said Norton. "A minister has to preach sermons, and marry people, and baptize children, and read prayers at funerals and--" "Go on," said Mr. Richmond. "I was going to say, it seems to me, he has to talk to everybody that wants to talk to him." "How do you get along with that difficulty?" said Mr. Richmond. "It attacks other people besides ministers." "I dodge them," said Norton. "But a minister cannot,--can he, sir?" Mr. Richmond laughed. "Well, Norton," he said, "you have given a somewhat sketchy outline of a minister's life; but my question remains yet,--what is the business of his life. You would not say that planing and sawing are the business of a carpenter's life--would you?" "No, sir." "What then?" "Building houses, and ships, and barns, and bridges." "And a tailor's life is not cutting and snipping, but making clothes. So my commission is not to make sermons. What is it?" Norton looked at a loss, and expectant; Matilda enjoying. "The same that was given to the apostle Paul, and no worse. I am sent to people 'to open their eyes, and to turn them from darkness to light, and from the power of Satan to God, that they may receive forgiveness of sins, and inheritance among them which are sanctified.'" "But I do not understand, Mr. Richmond," said Norton, after a little pause. "What?" "If you will excuse me. I do not understand that. Can you open people's eyes?" "He who sends me does that, by means of the message which
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Produced by David Widger. Scanning assistance from Geof Pawlicki using Internet Archive Equipment * * * * * * * * * * * * EBOOK EDITOR'S NOTE * * * * * * * * * * * ** * * * This series of 22 eBooks consists entirely of illustrations and * * page images; there are only a few sections with text which could * * be effectively scanned and digitized. Readers who open this text * * file are encouraged to return to the catalog and select the HTML * * file or open
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Produced by Sue Asscher THE DESCENT OF MAN AND SELECTION IN RELATION TO SEX Works by Charles Darwin, F.R.S. Life and Letters of Charles Darwin. With an Autobiographical Chapter. Edited by Francis Darwin. Portraits. 3 volumes 36s. Popular Edition. Condensed in 1 volume 7s 6d. Naturalist's Journal of Researches into the Natural History and Geology of Countries Visited during a Voyage Round the World. With 100 Illustrations by Pritchett. 21s. Popular Edition. Woodcuts. 3s 6d. Cheaper Edition, 2s. 6d. net. Origin of Species by means of Natural Selection; or, The Preservation of Favoured Races in the Struggle for Life. Large Type Edition, 2 volumes 12s. Popular Edition, 6s. Cheaper Edition with Portrait, 2s. 6d. Various Contrivances by which Orchids are Fertilized by Insects. Woodcuts. 7s. 6d. Variation of Animals and Plants under Domestication. Illustrations. 15s. Descent of Man, and Selection in relation to Sex. Illustrations. Large Type Edition, 2 volumes 15s. Popular Edition, 7s 6d. Cheaper Edition, 2s. 6d. net. Expression of the Emotions in Man and Animals. Illustrations. 12s. Insectivorous Plants. Illustrations. 9s. Movements and Habits of Climbing Plants. Woodcuts. 6s. Cross and Self-Fertilization in the Vegetable Kingdom. Illustrations. 9s. Different Forms of Flowers on Plants of the Same Species. Illustrations. 7s. 6d. Formation of Vegetable Mould through the Action of Worms. Woodcuts. 6s. The above works are Published by John Murray. Structure and Distribution of Coral Reefs. Smith, Elder, & Co. Geological Observations on Volcanic Islands and Parts of South America. Smith, Elder, & Co. Monograph of the Cirripedia. Illustrations. 2 volumes. 8vo. Ray Society. Monograph of the Fossil Lepadidae, or Pedunculated Cirripedes of Great Britain. Palaeontographical Society. Monograph of the Fossil Balanidae and Verrucidae of Great Britain. Palaeontographical Society. THE DESCENT OF MAN AND SELECTION IN RELATION TO SEX BY CHARLES DARWIN, M.A., F.R.S. Uniform with this Volume The Origin of Species, by means of Natural Selection; or, The Preservation of Favoured Races in the Struggle for Life. Popular Edition, with a Photogravure Portrait. Large Crown 8vo. 2s. 6d. net. A Naturalist's Voyage. Journal of Researches into the Natural History and Geology of the Countries visited during the Voyage of H.M.S. "Beagle" round the World, under the Command of Capt. Fitz Roy, R.N. Popular Edition, with many Illustrations. Large Crown 8vo. 2s. 6d. net. PREFACE TO THE SECOND EDITION. During the successive reprints of the first edition of this work, published in 1871, I was able to introduce several important corrections; and now that more time has elapsed, I have endeavoured to profit by the fiery ordeal through which the book has passed, and have taken advantage of all the criticisms which seem to me sound. I am also greatly indebted to a large number of correspondents for the communication of a surprising number of new facts and remarks. These have been so numerous, that I have been able to use only the more important ones; and of these, as well as of the more important corrections, I will append a list. Some new illustrations have been introduced, and four of the old drawings have been replaced by better ones, done from life by Mr. T.W. Wood. I must especially call attention to some observations which I owe to the kindness of Prof. Huxley (given as a supplement at the end of Part I.), on the nature of the differences between the brains of man and the higher apes. I have been particularly glad to give these observations, because during the last few years several memoirs on the subject have appeared on the Continent, and their importance has been, in some cases, greatly exaggerated by popular writers. I may take this opportunity of remarking that my critics frequently assume that I attribute all changes of corporeal structure and mental power exclusively to the natural selection of such variations as are often called spontaneous; whereas, even in the first edition of the 'Origin of Species,' I distinctly stated that great weight must be attributed to the inherited effects of use and disuse, with respect both to the body and mind. I also attributed some amount of modification to the direct and prolonged action of changed conditions of life. Some allowance, too, must be made for occasional reversions of structure; nor must we forget what I have called "correlated" growth, meaning, thereby, that various parts of the organisation are in some unknown manner so connected, that when one part varies, so do others; and if variations in the one are accumulated by selection, other parts will be modified. Again, it has been said by several critics, that when I found that many details of structure in man could not be explained through natural selection, I invented sexual selection; I gave, however, a tolerably clear sketch of this principle in the first edition of the 'Origin of Species,' and I there stated that it was applicable to man. This subject of sexual selection has been treated at full length in the present work, simply because an opportunity was here first afforded me. I have been struck with the likeness of many of the half-favourable criticisms on sexual selection, with those which appeared at first on natural selection; such as, that it would explain some few details, but certainly was not applicable to the extent to which I have employed it. My conviction of the power of sexual selection remains unshaken; but it is probable, or almost certain, that several of my conclusions will hereafter be found erroneous; this can hardly fail to be the case in the first treatment of a subject. When naturalists have become familiar with the idea of sexual selection, it will, as I believe, be much more largely accepted; and it has already been fully and favourably received by several capable judges. DOWN, BECKENHAM, KENT, September, 1874. First Edition February 24, 1871. Second Edition September, 1874. CONTENTS. INTRODUCTION. PART I. THE DESCENT OR ORIGIN OF MAN. CHAPTER I. The Evidence of the Descent of Man from some Lower Form. Nature of the evidence bearing on the origin of man--Homologous structures in man and the lower animals--Miscellaneous points of correspondence-- Development--Rudimentary structures, muscles, sense-organs, hair, bones, reproductive organs, etc.--The bearing of these three great classes of facts on the origin of man. CHAPTER II. On the Manner of Development of Man from some Lower Form. Variability of body and mind in man--Inheritance--Causes of variability-- Laws of variation the same in man as in the lower animals--Direct action of the conditions of life--Effects of the increased use and disuse of parts-- Arrested development--Reversion--Correlated variation--Rate of increase-- Checks to increase--Natural selection--Man the most dominant animal in the world--Importance of his corporeal structure--The causes which have led to his becoming erect--Consequent changes of structure--Decrease in size of the canine teeth--Increased size and altered shape of the skull--Nakedness --Absence of a tail--Defenceless condition of man. CHAPTER III. Comparison of the Mental Powers of Man and the Lower Animals. The difference in mental power between the highest ape and the lowest savage, immense--Certain instincts in common--The emotions--Curiosity-- Imitation--Attention--Memory--Imagination--Reason--Progressive improvement --Tools and weapons used by animals--Abstraction, Self-consciousness-- Language--Sense of beauty--Belief in God, spiritual agencies, superstitions. CHAPTER IV. Comparison of the Mental Powers of Man and the Lower Animals--continued. The moral sense--Fundamental proposition--The qualities of social animals-- Origin of sociability--Struggle between opposed instincts--Man a social animal--The more enduring social instincts conquer other less persistent instincts--The social virtues alone regarded by savages--The self-regarding virtues acquired at a later stage of development--The importance of the judgment of the members of the same community on conduct--Transmission of moral tendencies--Summary. CHAPTER V. On the Development of the Intellectual and Moral Faculties during Primeval and Civilised times. Advancement of the intellectual powers through natural selection-- Importance of imitation--Social and moral faculties--Their development within the limits of the same tribe--Natural selection as affecting civilised nations--Evidence that civilised nations were once barbarous. CHAPTER VI. On the Affinities and Genealogy of Man. Position of man in the animal series--The natural system genealogical-- Adaptive characters of slight value--Various small points of resemblance between man and the Quadrumana--Rank of man in the natural system-- Birthplace and antiquity of man--Absence of fossil connecting-links--Lower stages in the genealogy of man, as inferred firstly from his affinities and secondly from his structure--Early androgynous condition of the Vertebrata --Conclusion. CHAPTER VII. On the Races of Man. The nature and value of specific characters--Application to the races of man--Arguments in favour of, and opposed to, ranking the so-called races of man as distinct species--Sub-species--Monogenists and polygenists-- Convergence of character--Numerous points of resemblance in body and mind between the most distinct races of man--The state of man when he first spread over the earth--Each race not descended from a
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Transcribed from the 1915 Martin Secker edition by David Price, email ccx074@pglaf.org [Picture: Book cover] THE COXON FUND BY HENRY JAMES [Picture: Decorative graphic] * * * * * LONDON: MART
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Produced by eagkw, sp1nd and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) MASTERPIECES IN COLOUR EDITED BY - - T. LEMAN HARE ROSSETTI 1828--1882 "MASTERPIECES IN COLOUR" SERIES ARTIST. AUTHOR. VELAZQUEZ. S. L. BENSUSAN. REYNOLDS. S. L. BENSUSAN. TURNER. C. LEWIS HIND. ROMNEY. C. LEWIS HIND. GREUZE. ALYS EYRE MACKLIN. BOTTICELLI. HENRY B. BINNS. ROSSETTI. LUCIEN PISSARRO. BELLINI. GEORGE HAY. FRA ANGELICO. JAMES MASON. REMBRANDT. JOSEF ISRAELS. LEIGHTON. A. LYS BALDRY. RAPHAEL. PAUL G. KONODY. HOLMAN HUNT. MARY E. COLERIDGE. TITIAN. S. L. BENSUSAN. MILLAIS. A. LYS BALDRY. CARLO DOLCI. GEORGE HAY. GAINSBOROUGH. MAX ROTHSCHILD. TINTORETTO. S. L. BENSUSAN. LUINI. JAMES MASON. FRANZ HALS. ED
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Produced by Chris Curnow, Charlie Howard and the Online Distributed Proofreading Team at http://www.pgdp.net THE BLOSSOMS OF MORALITY; INTENDED FOR THE AMUSEMENT AND INSTRUCTION OF Young Ladies and Gentlemen. BY THE EDITOR OF THE LOOKING-GLASS FOR THE MIND. WITH FORTY-SEVEN CUTS, DESIGNED AND ENGRAVED BY [Illustration: I. Bewick] _THE FOURTH EDITION._ LONDON: Printed by J. Swan, 76, Fleet Street, FOR J. HARRIS; SCATCHERD AND LETTERMAN; B. CROSBY AND CO. DARTON AND HARVEY; LACKINGTON, ALLEN, AND CO. J. WALKER; AND VERNOR AND HOOD. 1806. PREFACE. The very flattering encouragement the Public have been pleased to give "The Looking-glass for the Mind, or Intellectual Mirror," has invited the Editor of that work to intrude once more on their indulgence. As a general preceptor, he wishes to be useful to the rising generation, and with that view recommends to their serious perusal "The Blossoms of Morality." The Looking-glass is a _very free_ translation of some of the most interesting tales of Mons. Berquin, and other foreign writers, whose works in the juvenile line undoubtedly merit the highest encomiums, and claim the most extensive patronage of their fellow-citizens. It certainly must be allowed, that great merit is due to those foreign celebrated writers, who, after studying the higher branches of literature, instead of attempting to acquire honour and fame by delivering lectures on the abstruse sciences, have condescended to humble themselves to the plain language of youth, in order to teach them wisdom, virtue, and morality. With respect to the present work, though we have not so largely borrowed from foreign writers, yet we have endeavoured to supply that deficiency by the introduction of original matter. The juvenile mind very early begins to enlarge and expand, and is capable of reflection much sooner than we are generally apt to imagine. From these considerations, we have carried our ideas in this volume one step higher than in the last: and, though we have given many tales that may contribute to amuse the youthful mind, yet we have occasionally introduced subjects which, we hope, will not fail to exercise their judgment, improve their morals, and give them some knowledge of the world. For instance: in the History of Ernestus and Fragilis, which is the first, and one of the original pieces inserted in this volume, the youthful reader is led to reflect on the instability of all human affairs; he is taught to be neither insolent in prosperity nor mean in adversity; but is shown how necessary it is to preserve an equality of temper through all the varying stages of fortune. He is also shown, how dangerous are the indulgences of parents, who suffer children to give themselves up to indolence and luxury, which generally, as in this history, terminate in a manner fatal to all the parties concerned. May these Blossoms of Morality, in due time, ripen to maturity, and produce fruit that may be pleasing to the youthful taste, tend to correct the passions, invigorate the mental faculties, and confirm in their hearts true and solid sentiments of virtue, wisdom, and glory. CONTENTS. _Ernestus and Fragilis_ Page 7 _Juvenile Tyranny conquered_ 19 _The Book of Nature_ 28 _The unexpected Reformation_ 39 _The Recompence of Virtue_ 49 _The Pleasures of Contentment_ 58 _The happy Effects of Sunday Schools on the Morals of the rising Generation_ 68 _The Happy Villager_ 76 _The Indolent Beauty_ 86 _An Oriental Tale_ 98 _Generosity rewarded_ 104 _An Evening Vision_ 109 _The Anxieties of Royalty_ 113 _The generous Punishment_ 124 _Female Courage properly considered_ 134 _The beautiful Statue_ 141 _Dorcas and Amarillis_ 156 _The Conversation_ 170 _Edwin and Matilda_ 188 _The pious Hermit_ 197 _The Caprice of Fortune_ 207 _The melancholy Effects of Pride_ 216 _The Nettle and the Rose_ 224 [Illustration] _Ernestus and Fragilis._ The faint glimmerings of the pale-faced moon on the troubled billows of the ocean are not so fleeting and inconstant as the fortune and condition of human life. We one day bask in the sunshine of prosperity, and the next, too often, roll in anguish on the thorny bed of adversity and affliction. To be neither too fond of prosperity, nor too much afraid of adversity, is one of the most useful lessons we have to learn and practise in the extensive commerce of this world. Happy is the youth
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Produced by Donald Cummings and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) THE ARRIVAL OF JIMPSON BY RALPH HENRY BARBOUR. Each, 12mo, Cloth, Illustrated. Weatherby's Inning. Illustrated in Colors. $1.25 net; postage, 12 cents additional. Behind the Line. A Story of School and Football. $1.20 net; postage, 12 cents additional. Captain of the Crew. $1.20 net; postage, 12 cents additional. For the Honor of the School. A Story of School Life and Interscholastic Sport. $1.50. The Half-Back. A Story of School, Football, and Golf. $1.50. D. APPLETON AND COMPANY, NEW YORK. [Illustration: The captain was holding his head.] THE ARRIVAL OF JIMPSON And Other Stories for Boys about Boys BY RALPH HENRY BARBOUR AUTHOR OF BEHIND THE LINE, WEATHERBY'S INNING, ON YOUR MARK! ETC. _ILLUSTRATED_ [Illustration] New York D. Appleton and Company 1904 Copyright, 1904, by D. APPLETON AND COMPANY _Published, September, 1904_ TO H. D. R. IN MEMORY OF THE WINTER OF '98-'99 The following stories first appeared in St. Nicholas, The Youth's Companion, Pearson's Magazine, and The Brown Book. To the editors of these periodicals the author's thanks are due for permission to republish the tales. CONTENTS PAGE THE ARRIVAL OF JIMPSON 1 BARCLAY'S BONFIRE 30 MARTY BROWN--MASCOT 42 PARMELEE'S "SPREAD" 75 "NO HOLDING" 96 CLASS SPIRIT 117 THE FATHER OF A HERO 136 THE HAZING OF SATTERLEE 2D 161 A PAIR OF POACHERS 185 BREWSTER'S DEBUT 209 "MITTENS" 234 LIST OF ILLUSTRATIONS FACING PAGE The captain was holding his head. _Frontispiece_ Jimpson felt like an outcast, and looked like an Indian. 9 There was one kind of ball that Marty knew all about. 71 "Duty!" frothed Morris. 130 Tom moved the net toward the prey. 198 Ned trotted over the plate into the arms of "Big Jim" Milford. 232 THE ARRIVAL OF JIMPSON Copyright, 1898, by THE CENTURY CO. All rights reserved. I THE DEPARTURE The rain fell in a steady, remorseless drizzle upon the rain-coats and umbrellas of the throng that blocked the sidewalks and overflowed on to the car-tracks; but the fires of patriotism were unquenchable, and a thousand voices arose to the leaden sky in a fierce clamor of intense enthusiasm. It had rained all night. The streets ran water, and the spouts emptied their tides between the feet of the cheerers. The lumbering cars, their crimson sides glistening, clanged their way carefully through the crowds, and lent a dash of color to the scene. The back of Grays loomed cheerless and bleak through the drizzle, and beyond, the college yard lay deserted. In store windows the placards were hidden behind the blurred and misty panes, and farther up the avenue, the tattered red flag above Foster's hung limp and dripping. Under the leafless elm, the barge, filled to overflowing with departing heroes, stood ready for its start to Boston. On the steps, bareheaded and umbrellaless, stood Benham, '95, who, with outstretched and waving arms, was tempting the throng into ever greater vocal excesses. "Now, then, fellows! Three times three for Meredith." "'Rah, 'rah, 'rah! 'rah, 'rah, 'rah! 'rah, 'rah, 'rah! Meredith!" A thousand throats raised the cry; umbrellas clashed wildly in mid-air; the crowd surged to and fro; horses curveted nervously; and the rain poured down impartially upon the reverend senior and the clamorous freshman. "Fellows, you're not _half_ cheering!" cried the relentless Benham. "Now, three long Harvards, three times three and three long Harvards for the team." "Har-vard, Har-vard, Har-vard! 'Rah, 'rah, 'rah! 'rah, 'rah, 'rah! 'rah, 'rah, 'rah! Har-vard, Har-vard, Har-vard! Team!" Inside the coach there was a babel of voices. Members of the eleven leaned out and conversed jerkily with friends on the sidewalk. Valises and suit-cases were piled high in the aisle and held in the owners' laps. The manager was checking off his list. "Cowper?" "Here." "Turner?" "All right." "Truesdale?" "Hey? Oh, yes; I'm here." The manager folded the list. Then a penciled line on the margin caught his eye. "Who's Jameson? Jameson here?" "Should be Jimpson," corrected the man next to him; and a low voice called from the far end of the barge: "Here, sir." It sounded so much like the response of a schoolboy to the teacher that the hearers laughed with the mirth begot of tight-stretched nerves. A youth wearing a faded brown ulster, who was between Gates, the big center, and the corner of the coach, grew painfully red in the face, and went into retirement behind the big man's shoulder. "Who is this fellow Jimpson?" queried a man in a yellow mackintosh. "Jimpson? He's a freshie. Trying for right half-back all fall. I suppose Brattle took him along, now that Ward's given up, to substitute Sills. They say he's an A 1 runner, and plucky. He's played some on the second eleven. Taunton told me, the other day, that he played great ball at Exeter, last year." The strident strains of the Washington Post burst out on the air, urging the cheerers to even greater efforts. They were cheering indiscriminately now. Trainer, rubbers, and coaches had received their shares of the ovation. But Benham, '95, with his coat soaked through, was still unsatisfied, and sought for further tests. Two professors, half hidden under umbrellas, had emerged from the yard, and were standing at a little distance, watching the scene. "Three times three for Professor Dablee!" The cheers that followed were mixed with laughter, and the two professors moved off, but not until the identity of the second had been revealed, and the air had filled with the refrain of "'Rah, 'rah, 'rah! Pollock!" "They look as though they ought to win; don't you think so?" asked one of them. The other professor frowned. "Yes, they look like that; every eleven does. You'd think, to see them before a game, that nothing short of a pile-driver or dynamite could drive them an inch. And a few days later they return, heartbroken and defeated." Across the square floated a husky bellow: "Now, then, fellows! Once more! All together! Three times three for Harvard!" The band played wildly, frenziedly, out of time and tune; the crowd strained its tired throats for one last farewell slogan; the men in the barge waved their hands; the horses jumped forward; a belated riser in Holyoke threw open a front window, and drowsily yelled, "_Shut up_"; and the Harvard eleven sped on its way up the avenue, and soon became a blur in the gray vista. "Say, Bob, you forgot to cheer Jimpson." The wearied youth faced his accuser, struck an attitude indicative of intense despair, and then joyfully seized the opportunity. "Fellows! Fellows! Hold on! Three times three for Jim--Jim--who'd you say?" "Jimpson," prompted the friend. "Three times three for Jimpson! Now, then, all together!" "Say--who _is_ Jimpson?" shouted a dozen voices at once. "Don't know. Don't care. Three times three for Jimpson!" And so that youth, had he but known it, received a cheer, after all. But he didn't know it--at least, not until long afterward, when cheers meant so much less to him. II A LETTER NEW HAVEN, CONN., November 19. DEAR MOTHER: I can imagine your surprise upon receiving a letter from this place, when your dutiful son is supposed to be "grinding" in No. 30 College House, Cambridge. And the truth is that the dutiful son is surprised himself. Here am I, with some thirty-five other chaps, making ready for the big football game with Yale to-morrow. Here is how it happened: Yesterday morning, Brattle--he's our captain--came to my room, routed me out of bed, and told me to report to the coaches for morning practise. You know, I've been trying for substitute right half-back. Ward, the regular, sprained his knee in the Dartmouth game, and a few days ago it went lame again. So now Sills has Ward's place, and I'm to substitute Sills. And if he gets laid out--and maybe I ought to hope he won't--I go in and play. What do you think of that? Of course Sills may last the entire game; but they say he has a weak back, only he won't own up to it, and may have to give up after the first half. Gates told me this on the train. Gates is the big center, and weighs 196. He is very kind, and we chummed all the way from Boston. I didn't know any of the fellows, except a few by sight--just enough to nod to, you know. We left Cambridge in a driving rain, and a big crowd stood out in it all, and cheered the eleven, and the captain, and the college, and everything they could think of. Every fellow on the first and second elevens, and every "sub" was cheered--all except Mr. Jimpson. They didn't know of his existence! But I didn't feel bad--not very, anyhow. I hope the rest of the fellows didn't notice the omission, however. But I made up my mind that if I get half a show, I'll make 'em cheer Jimpson, too. Just let me get on the field. I feel to-night as though I could go through the whole Yale team. Perhaps if I get out there, facing a big Yale man, I'll not feel so strong. You know, you've always thought I was big. Well, to-day I overheard a fellow asking one of the men, "Who is that little chap with the red cheeks?" I'm a <DW40> beside most of the other fellows. If I play to-morrow, I'll be the lightest man on the team, with the exception of Turner, our quarter-back, who weighs 158. I beat
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Produced by sp1nd, Matthew Wheaton and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) MASTERPIECES IN COLOUR EDITED BY-- M. HENRY ROUJON GOYA
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Produced by Ron Swanson LITTLE CLASSICS EDITED BY ROSSITER JOHNSON STORIES OF FORTUNE BOSTON AND NEW YORK HOUGHTON MIFFLIN COMPANY _The Riverside Press Cambridge_ 1914 COPYRIGHT, 1875, BY JAMES R. OSGOOD & CO. ALL RIGHTS RESERVED CONTENTS. THE GOLD-BUG......... _Edgar Allan Poe_ THE FAIRY-FINDER....... _Samuel Lover_ MURAD THE UNLUCKY ...... _Maria Edgeworth_ THE CHILDREN OF THE PUBLIC.. _Edward Everett Hale_ THE RIVAL DREAMERS...... _John Banim_ THE THREEFOLD DESTINY .... _Nathaniel Hawthorne_ THE GOLD-BUG. BY EDGAR ALLAN POE. What ho! what ho! this fellow is dancing mad! He hath been bitten by the Tarantula. _All in the Wrong._ Many years ago I contracted an intimacy with a Mr. William Legrand. He was of an ancient Huguenot family, and had once been wealthy; but a series of misfortunes had reduced him to want. To avoid the mortification consequent upon his disasters, he left New Orleans, the city of his forefathers, and took up his residence at Sullivan's Island, near Charleston, South Carolina. This island is a very singular one. It consists of little else than the sea-sand, and is about three miles long. Its breadth at no point exceeds a quarter of a mile. It is separated from the mainland by a scarcely perceptible creek oozing its way through a wilderness of reeds and slime, a favorite resort of the marsh-hen. The vegetation, as might be supposed, is scant, or at least dwarfish. No trees of any magnitude are to be seen. Near the western extremity, where Fort Moultrie stands, and where are some miserable frame buildings, tenanted, during summer, by the fugitives from Charleston dust and fever, may be found, indeed, the bristly palmetto; but the whole island, with the exception of this western point, and a line of hard, white beach on the sea-coast, is covered with a dense undergrowth of the sweet myrtle, so much prized by the horticulturists of England. The shrub here often attains the height of fifteen or twenty feet, and forms an almost impenetrable coppice, burdening the air with its fragrance. In the inmost recesses of this coppice, not far from the eastern or more remote end of the island, Legrand had built himself a small hut, which he occupied when I first, by mere accident, made his acquaintance. This soon ripened into friendship,--for there was much in the recluse to excite interest and esteem. I found him well educated, with unusual powers of mind, but infected with misanthropy, and subject to perverse moods of alternate enthusiasm and melancholy. He had with him many books, but rarely employed them. His chief amusements were gunning and fishing, or sauntering along the beach and through the myrtles, in quest of shells or entomological specimens;--his collection of the latter might have been envied by a Swammerdam. In these excursions he was usually accompanied by an old <DW64>, called Jupiter, who had been manumitted before the reverses of the family, but who could be induced, neither by threats nor by promises, to abandon what he considered his right of attendance upon the footsteps of his young "Massa Will." It is not improbable that the relatives of Legrand, conceiving him to be somewhat unsettled in intellect, had contrived to instil this obstinacy into Jupiter, with a view to the supervision and guardianship of the wanderer. The winters in the latitude of Sullivan's Island are seldom very severe, and in the fall of the year it is a rare event indeed when a fire is considered necessary. About the middle of October, 18--, there occurred, however, a day of remarkable chilliness. Just before sunset I scrambled my way through the evergreens to the hut of my friend, whom I had not visited for several weeks,--my residence being, at that time, in Charleston, a distance of nine miles from the island, while the facilities of passage and re-passage were very far behind those of the present day. Upon reaching the hut I rapped, as was my custom, and getting no reply, sought for the key where I knew it was secreted, unlocked the door, and went in. A fine fire was blazing upon the hearth. It was a novelty, and by no means an ungrateful one. I threw off an overcoat, took an arm-chair by the crackling logs, and awaited patiently the arrival of my hosts. Soon after dark they arrived, and gave me a most cordial welcome. Jupiter, grinning from ear to ear, bustled about to prepare some marsh-hens for supper. Legrand was in one of his fits--how else shall I term them?--of enthusiasm. He had found an unknown bivalve, forming a new genus, and, more than this, he had hunted down and secured, with Jupiter's assistance, a _scarabæus_ which he believed to be totally new, but in respect to which he wished to have my opinion on the morrow. "And why not to-night?" I asked, rubbing my hands over the blaze, and wishing the whole tribe of _scarabæi_ at the devil. "Ah, if I had only known you were here!" said Legrand, "but it's so long since I saw you; and how could I foresee that you would pay me a visit this very night of all others? As I was coming home I met Lieutenant G----, from the fort, and, very foolishly, I lent him the bug; so it will be impossible for you to see it until the morning. Stay here to-night, and I will send Jup down for it at sunrise. It is the loveliest thing in creation!" "What?--sunrise?" "Nonsense! no!--the bug. It is of a brilliant gold color,--about the size of a large hickory-nut,--with two jet-black spots near one extremity of the back, and another, somewhat longer, at the other. The _antennæ_ are--" "Dey aint _no_ tin in him, Massa Will, I keep a
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Produced by Robert Cicconetti, Jennifer Linklater and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) THE FATAL DOWRY BY PHILIP MASSINGER AND NATHANIEL FIELD EDITED, FROM THE ORIGINAL QUARTO, WITH INTRODUCTION AND NOTES A DISSERTATION PRESENTED TO THE FACULTY OF PRINCETON UNIVERSITY IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY BY CHARLES LACY LOCKERT, JR. ASSISTANT PROFESSOR OF ENGLISH, KENYON COLLEGE PRESS OF THE NEW ERA PRINTING COMPANY LANCASTER, PA. 1918 Accepted by the Department of English, June, 1916 PREFACE This critical edition of _The Fatal Dowry_ was undertaken as a Thesis in partial fulfilment of the requirements for the degree of Ph.D. at Princeton University. It was compiled under the guidance and direction of Professor T. M. Parrott of that institution, and every page of it is indebted to him for suggestion, advice, and criticism. I can but inadequately indicate the scope of his painstaking and scholarly supervision, and can even less adequately express my appreciation of his ever-patient aid, which alone made this work possible. I desire also to acknowledge my debt to Professor J. Duncan Spaeth of Princeton University, for his valuable suggestions in regard to the presentation of my material, notably in the Introduction; also to Professor T. W. Baldwin of Muskingum College and Mr. Henry Bowman, both of them then fellow graduate students of mine at Princeton, for assistance on several occasions in matters of special inquiry; and to Dr. M. W. Tyler of the Princeton Department of History for directing me in clearing up a lego-historical point; and finally to the libraries of Yale and Columbia Universities for their kind loan of needed books. INTRODUCTION In the Stationer's Register the following entry is recorded under the date of "30th Martij 1632:" CONSTABLE Entred for his copy vnder the hands of Sir HENRY HERBERT and master _SMITHWICKE_ warden a Tragedy called _the ffatall Dowry_. Vj d. In the year 1632 was published a quarto volume whose title-page was inscribed: _The Fatall Dowry_: a Tragedy: As it hath been often Acted at the Private House in Blackfriars, by his Majesties Servants. Written by P. M. and N. F. London, Printed by John Norton, for Francis Constable, and are to be sold at his shop at the Crane, in Pauls Churchyard. 1632. That the initials by which the authors are designated stand for Philip Massinger and Nathaniel Field is undoubted. LATER TEXTS There is no other seventeenth century edition of _The Fatal Dowry_. It was included in various subsequent collections, as follows: I. _The Works of Philip Massinger_--edited by Thomas Coxeter, 1759--re-issued in 1761, with an introduction by T. Davies. II. _The Dramatic Works of Philip Massinger_--edited by John Monck Mason, 1779. III. _The Plays of Philip Massinger_--edited by William Gifford, 1805. There was a revised second edition in 1813, which is still regarded as the Standard Massinger Text, and was followed in subsequent editions of Gifford. IV. _Modern British Drama_--edited by Sir Walter Scott, 1811. The text of this reprint of _The Fatal Dowry_ is Gifford's. V. _Dramatic Works of Massinger and Ford_--edited by Hartley Coleridge, 1840 (_et seq._). This follows the text of Gifford. VI. _The Plays of Philip Massinger._ From the Text of William Gifford. With the Addition of the Tragedy Believe as You List. Edited by Francis Cunningham, 1867 (_et seq._). The Fatal Dowry in this edition, as in the preceding, is a mere reprint of the Second Edition of Gifford. VII. _Philip Massinger._ Selected Plays. (Mermaid Series.) Edited by Arthur Symons, 1887-9 (_et seq._). In addition to the above, _The Fatal Dowry_ appeared in _The Plays of Philip Massinger_, adapted for family reading and the use of young persons, by the omission of objectionable passages,--edited by Harness, 1830-1; and another expurgated version was printed in the _Mirror of Taste and Dramatic Censor_, 1810. Both of these are based on the text of Gifford. The edition of Coxeter is closest of all to the Quarto, following even many of its most palpable mistakes, and adding some blunders on its own account. Mason accepts practically all of Coxeter's corrections, and supplies a great many more variants himself, not all of which are very happy. Both these eighteenth century editors continually contract for the sake of securing a perfectly regular metre (e. g.: _You're_ for _You are_, I, i, 139; _th' honours_ for _the honours_, I, ii, 35; etc.), while Gifford's tendency is to give the full form for even the contractions of the Quarto, changing its _'em's_ to _them's_, etc. Gifford can scarce find words sharp enough to express his scorn for his predecessors in their lack of observance of the text of the Quarto, yet he himself frequently repeats their gratuitous emendations when the original was a perfectly sure guide, and he has almost a mania for tampering with the Quarto on his own account. Symons' _Mermaid_ text, while based essentially on that of Gifford, in a number of instances departs from it, sometimes to make further emendations, but more often to go back from those of Gifford to the version of the original, so that on the whole this is the best text yet published. There has been a German translation by the Graf von Baudisson, under the title of _Die Unselige Mitgift_, in his _Ben Jonson und seine Schule_, Leipsig, 1836; and a French translation, in prose, under the title of _La dot fatale_ by E. Lafond in _Contemporains de Shakespeare_, Paris, 1864. DATE The date of the composition or original production of _The Fatal Dowry_ is not known. The Quarto speaks of it as having been "often acted," so there is nothing to prevent our supposing that it came into existence many years before its publication. It does not seem to have been entered in Sir Henry Herbert's Office Book.[1] This would indicate its appearance to have been prior to Herbert's assumption of the duties of his office in August, 1623. In seeking a more precise date we can deal only in probabilities.[2] The play having been produced by the King's Men, a company in which Field acted, it was most probably written during his association therewith. This was formed in 1616; the precise date of his retirement from the stage is not known. His name appears in the patent of March 27, 1619, just after the death of Burbage, and again and for the last time in a livery list for his Majesty's Servants, dated May 19, 1619. It is absent from the next grant for livery (1621) and from the actors' lists for various plays which are assigned to 1619 or 1620. We may therefore assume safely that his connection with the stage ended before the close of 1619. On the basis of probability, then, the field is narrowed to 1616-19.[3] More or less presumptive evidence may be adduced for a yet more specific dating. During these years that Field acted with the King's Men, two plays appeared which bear strong internal evidence of being products of his collaboration with Massinger and Fletcher: _The Knight of Malta_ and _The Queen of Corinth_. While several parallels of phraseology are afforded for _The Fatal Dowry_ by these (as, indeed, by every one of the works of Massinger) they are not nearly so numerous or so striking as similarities discoverable between it and certain other dramas of the Massinger _corpus_. With none does the connection seem so intimate as with _The Unnatural Combat_. Both plays open with a scene in which a young suppliant for a father's cause is counseled, in passages irresistibly reminiscent of each other, to lay aside pride and modesty for the parent's sake, because not otherwise can justice be gained, and it is the custom of the age to sue for it shamelessly. Moreover, the offer by Beaufort and his associates to Malefort of any boon he may desire as a recompense for his service, and his acceptance of it, correspond strikingly in both conduct and language with the conferring of a like favor upon Rochfort by the Court (I, ii, 258 ff.); while the request which Malefort prefers, that his daughter be married to Beaufort Junior, and the language with which that young man acknowledges this meets his own dearest wish, bear a no less patent resemblance to the bestowal of Beaumelle upon Char
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CONSEQUENCES*** E-text prepared by Charlene Taylor, Julia Neufeld, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive/American Libraries (http://archive.org/details/americana) Note: Images of the original pages are available through Internet Archive/American Libraries. See http://archive.org/details/abolitioncrusade00herbrich Transcriber's note: Text enclosed by underscores is in italics (_italics_). Small capital text has been replaced with all capitals. THE ABOLITION CRUSADE AND ITS CONSEQUENCES Four Periods of American History by HILARY A. HERBERT, LL.D. New York Charles Scribner's Sons 1912 Copyright, 1912, by Charles Scribner's Sons Published April, 1912 TO MY GRANDCHILDREN THIS LITTLE BOOK IS AFFECTIONATELY DEDICATED IN THE HOPE THAT ITS PERUSAL WILL FOSTER IN THEM, AS CITIZENS OF THIS GREAT REPUBLIC, A DUE REGARD FOR THE CONSTITUTION OF THEIR COUNTRY AS THE SUPREME LAW OF THE LAND PREFATORY NOTE BY JAMES FORD RHODES "Livy extolled Pompey in such a panegyric that Augustus called him Pompeian, and yet this was no obstacle to their friendship." That we find in Tacitus. We may therefore picture to ourselves Augustus reading Livy's "History of the Civil Wars" (in which the historian's republican sympathies were freely expressed), and learning therefrom that there were two sides to the strife which rent Rome. As we are more than forty-six years distant from our own Civil War, is it not incumbent on Northerners to endeavor to see the Southern side? We may be certain that the historian a hundred years hence, when he contemplates the lining-up of five and one-half million people against twenty-two millions, their equal in religion, morals, regard for law, and devotion to the common Constitution, will, as matter of course, aver that the question over which they fought for four years had two sides; that all the right was not on one side and all the wrong on the other. The North should welcome, therefore, accounts of the conflict written by candid Southern men. Mr. Herbert, reared and educated in the South, believing in the moral and economical right of slavery, served as a Confederate soldier during the war, but after Appomattox, when thirty-one years old, he told his father he had arrived at the conviction that slavery was wrong. Twelve years later, when home-rule was completely restored to the South (1877), he went into public life as a Member of Congress, sitting in the House for sixteen years. At the end of his last term, in 1893, he was appointed Secretary of the Navy by President Cleveland, whom he faithfully served during his second administration. Such an experience is an excellent training for the treatment of any aspect of the Civil War. Mr. Herbert's devotion to the Constitution, the Union, and the flag now equals that of any soldier of the North who fought against him. We should expect therefore that his work would be pervaded by practical knowledge and candor. After a careful reading of the manuscript I have no hesitation in saying that the expectation is realized. Naturally unable to agree entirely with his presentation of the subject, I believe that his work exhibits a side that entitles it to a large hearing. I hope that it will be placed before the younger generation, who, unaffected by any memory of the heat of the conflict, may truly say: Tros Tyriusve, mihi nullo discrimine agetur. JAMES FORD RHODES. BOSTON, _November_, 1911. PREFACE In 1890 Mr. L. E. Chittenden, who had been United States Treasurer under President Lincoln, published an interesting account of $10,000,000 United States bonds secretly sent to England, as he said, in 1862, and he told all about what thereupon took place across the water. It was a reminiscence. General Charles Francis Adams in his recent instructive volume, "Studies Military and Diplomatic," takes up this narrative and, in a chapter entitled "An Historical Residuum," conclusively shows from contemporaneous evidence that the bonds were sent, not in 1862, but in 1863, but that, as for the rest of the story, the residuum of truth in it was about like the speck of moisture that is left when a soap bubble is pricked by a needle. General Adams did not mean that Mr. Chittenden knew he was drawing on his imagination. He was only demonstrating that one who intends to write history cannot rely on his memory. The author, in the following pages, is undertaking to write a connected story of events that happened, most of them, in his lifetime, and as to many of the most important of which he has vivid recollections; but, save in one respect, he has not relied upon his own memory for any important fact. The picture he has drawn of the relations between the slave-holder and non-slave-holder in the South is, much of it, given as he recollects it. His opportunities for observation were somewhat extensive, and here he is willing to be considered in part as a witness. Elsewhere he has relied almost entirely upon contemporaneous written evidence, memory, however, often indicating to him sources of information. Nowhere are there so many valuable lessons for the student of American history as in the story of the great sectional movement of 1831, and of its results, which have profoundly affected American conditions through generation after generation. An effort is here made to tell that story succinctly, tracing it, step after step, from cause to effect. The subject divides itself naturally into four historic periods: 1. The anti-slavery crusade, 1831 to 1860. 2. Secession and four years of war, 1861 to 1865. 3. Reconstruction under the Lincoln-Johnson plan, with the overthrow by Congress of that plan and the rule of the <DW64> and carpet-bagger, from 1865 to 1876. 4. Restoration of self-government in the South, and the results that have followed. The greater part of the book is devoted to the first period--1831 to 1860, the period of causation. The sequences running through the three remaining periods are more briefly sketched. Italics, throughout the book, it may be mentioned here, are the author's. Now that the country is happily reunited in a Union which all agree is indissoluble, the South wants the true history of the times here treated of spread before its children; so does the North. The mistakes that were committed on both sides during that lamentable and prolonged sectional quarrel (and they were many) should be known of all, in order that like mistakes may not be committed in the future. The writer has, with diffidence, attempted to lay the facts before his readers, and so to condense the story that it may be within the reach of the ordinary student. How far he has succeeded will be for his readers to say. The verdict he ventures to hope for is that he has made an honest effort to be fair. The author takes this occasion to thank that accomplished young teacher of history, Mr. Paul Micou, for valuable suggestions, and his friend, Mr. Thomas H. Clark, who with his varied attainments has aided him in many ways. HILARY A. HERBERT. WASHINGTON, D. C., _March_, 1912. CONTENTS CHAPTER PAGE INTRODUCTION 3 I. SECESSION AND ITS DOCTRINE 15 II. EMANCIPATION PRIOR TO 1831 37 III. THE NEW ABOLITIONISTS 56 IV. FEELING IN THE SOUTH--1835 77 V. ANTI-ABOLITION AT THE NORTH 84 VI. A CRISIS AND A COMPROMISE 93 VII. EFFORTS FOR PEACE 128 VIII. INCOMPATIBILITY OF SLAVERY AND FREEDOM 147 IX. FOUR YEARS OF WAR 180 X. RECONSTRUCTION, LINCOLN-JOHNSON PLAN AND CONGRESSIONAL 208 XI. THE SOUTH UNDER SELF-GOVERNMENT 229 INDEX 245 THE ABOLITION CRUSADE AND ITS CONSEQUENCES INTRODUCTION The Constitution of the United States attempts to define and limit the power of our Federal Government. Lord Brougham somewhere said that such an instrument was not worth the parchment it was written on; people would pay no regard to self-imposed limitations on their own will. When our fathers by that written Constitution established a government that was partly national and partly federal, and that had no precedent, they knew it was an experiment. To-day that government has been in existence one hundred and twenty-three years, and we proudly claim that the experiment of 1789 has been the success of the ages. Happy should we be if we could boast that, during all this period, the Constitution had never been violated in any respect! The first palpable infringement of its provisions occurred in the enactment of the alien and sedition laws of 1798. The people at the polls indignantly condemned these enactments, and for years thereafter the government proceeded peacefully; the people were prosperous, and the Union and the Constitution grew in favor. Later, there grew up a rancorous sectional controversy about slavery that lasted many years; that quarrel was followed by a bloody sectional war; after that war came the reconstruction of the Southern States. During each of these three trying eras it did sometimes seem as if that old piece of "parchment," derided by Lord Brougham, had been utterly forgotten. Nevertheless, and despite all these trying experiences, we have in the meantime advanced to the very front rank of nations, and our people have long since turned, not only to the Union, but, we are happy to think, to the Constitution as well, with more devotion than ever. It may be further said that, notwithstanding all the bitter animosities that for long divided our country into two hostile sections, that wonderful old Constitution, handed down to us by our fathers, was always, and in all seasons, in the hearts of our people, and that never for a moment was it out of mind. Even in our sectional war Confederates and Federals were both fighting for it--one side to maintain it over themselves as an independent nation; the other to maintain it over the whole of the old Union. In the very madness of reconstruction the fundamental idea of the Constitution, the equality of the States, ultimately prevailed--this idea it was that imperatively demanded the final restoration of the seceded States, with the right of self-government unimpaired. The future is now bright before us. The complex civilization of the present is, we do not forget, continually presenting new and complex problems of government, and we are mindful, too, that, for the people who must deal with these problems, a higher culture is required, but to all this our national and State governments seem to be fully alive. We are everywhere erecting memorials to our patriotic dead, we have our "flag day" and many ceremonies to stimulate patriotism, and, throughout our whole country, young Americans are being taught more and more of American history and American traditions. The essence of these teachings presumably is that time has hallowed our Constitution, and that experience has fully shown the wisdom of its provisions. In this land of ours, where there are so much property and so many voters who want it, and where the honor and emoluments of high place are so tempting to the demagogue, there can be no such security for either life, liberty, or property as those safeguards which our fathers devised in the Constitution of the United States. Our teachers of history must therefore expose fearlessly every violation in the past of our Constitution, and point out the penalties that followed; and, above all, they cannot afford to condone, or to pass by in silence, the conduct of those who have heretofore advocated, or acted on, any law which to them was _higher than the American Constitution_. One of the most serious troubles in the past, many think our greatest, was our terrible war among ourselves. Perhaps, after the lapse of nearly fifty years, we can all now agree that if our people and our States had always, between 1830 and 1860, faithfully observed the Federal Constitution we should have not had that war. However that may be, the crusade of the Abolitionists, which began in 1831, was the beginning of an agitation in the North against the existence of slavery in the South, which continued, in one form or another, until the outbreak of that war. The <DW64> is now located, geographically, much as he was then. If another attempt shall be made to project his personal status into national politics, the voters of the country ought to know and consider the mistakes that occurred, North and South, during the unhappy era of that sectional warfare. This little book is a study of that period of our history. It concludes with a glance at the war between the North and South, and the reconstruction that followed. The story of Cromwell and the Great Revolution it was impossible for any Englishman to tell correctly for nearly or quite two centuries. The changes that had been wrought were too profound, too far-reaching; and English writers were too human. The changes--economic, political, and social--wrought in our country by the great controversy over slavery and State-rights, and by the war that ended it, have been quite as profound, and the revolution in men's ideas and ways of looking at their past history has been quite as complete as those which followed the downfall of the government founded by Cromwell. But we are now in the twentieth century; history is becoming a science, and we ought to succeed better in writing our past than the Englishmen did. The culture of this day is very exacting in its demands, and if one is writing about our own past the need of fairness is all the more imperative. And why not? The masses of the people, who clashed on the battlefields of a war in which one side fought for the supremacy of the Union and the other for the sovereignty of the States, had honest convictions; they differed in their convictions; they had made honest mistakes about each other; now they would like their histories to tell just where those mistakes were; they do not wish these mistakes to be repeated hereafter. Nor is there any reason why the whole history of that great controversy should not now be written with absolute fairness; the two sections of our country have come together in a most wonderful way. There has been reunion after reunion of the blue and the gray. The surv
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Produced by Richard Hulse, Simon Gardner and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Transcriber's Note This Plain Text version uses characters from the Latin-1 character set only. Italic typeface is indicated by the use of _underscores_. Small caps typeface is rendered as ALL CAPS. There is one instance of an oe-ligature symbol which is shown as [oe]. Footnotes are numbered sequentially and are presented at the end of the e-book. * * * * * A CHAPTER OF AUTOBIOGRAPHY. A CHAPTER OF AUTOBIOGRAPHY. BY THE RIGHT HON. W. E. GLADSTONE. "Blame not, before thou hast examined the truth: understand first, and then rebuke."--ECCLESIASTICUS, ch. ii. LONDON: JOHN MURRAY, ALBEMARLE STREET. 1868. _The right of Translation is reserved._ LONDON: PRINTED BY WILLIAM CLOWES AND SONS, DUKE STREET, STAMFORD STREET, AND CHARING CROSS. INTRODUCTION. At a time when the Established Church of Ireland is on her trial, it is not unfair that her assailants should be placed upon their trial too: most of all, if they have at one time been her sanguine defenders. But if not the matter of the indictment against them, at any rate that of their defence, should be kept apart, as far as they are concerned, from the public controversy, that it may not darken or perplex the greater issue. It is in the character of the author of a book called 'The State in its Relations with the Church,' that I offer these pages to those who may feel a disposition to examine them. They were written at the date attached to them; but their publication has been delayed until after the stress of the General Election. A CHAPTER OF AUTOBIOGRAPHY. Autobiography is commonly interesting; but there can, I suppose, be little doubt that, as
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Produced by Richard Tonsing, Charlene Taylor and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) CHRISTINA OF DENMARK DUCHESS OF MILAN AND LORRAINE 1522-1590 [Illustration: _Christina, Duchess of Milan_] CHRISTINA OF DENMARK DUCHESS OF MILAN AND LORRAINE 1522-1590 BY JULIA CARTWRIGHT (MRS. ADY) AUTHOR OF "ISABELLA D'ESTE," "BALDASSARRE CASTIGLIONE," "THE PAINTERS OF FLORENCE," ETC. "Dieu, qu'il la fait bon regarder, La gracieuse, bonne et belle! Pour les grans biens qui sont en elle, Chacun est prest de la louer. Qui se pourrait d'elle lasser? Toujours sa beauté renouvelle. Dieu, qu'il la fait bon regarder, La gracieuse, bonne et belle! Par deça, ne delà la mer, Ne sçay Dame ne Damoiselle Qui soit en tous biens parfais telle; C'est un songe que d'y penser, Dieu, qu'il la fait bon regarder!" CHARLES D'ORLÉANS NEW YORK E. P. DUTTON AND COMPANY 1913 PREFACE Christina of Denmark is known to the world by Holbein's famous portrait in the National Gallery. The great Court painter, who was sent to Brussels by Henry VIII. to take the likeness of the Emperor's niece, did his work well. With unerring skill he has rendered the "singular good countenance," the clear brown eyes with their frank, honest gaze, the smile hovering about "the faire red lips," the slender fingers of the nervously clasped hands, which Brantôme and his royal mistress, Catherine de' Medici, thought "the most beautiful hands in the world." And in a wonderful way he has caught the subtle charm of the young Duchess's personality, and made it live on his canvas. What wonder that Henry fell in love with the picture, and vowed that he would have the Duchess, if she came to him without a farthing! But for all these brave words the masterful King's wooing failed. The ghost of his wronged wife, Katherine of Aragon, the smoke of plundered abbeys, and the blood of martyred friars, came between him and his destined bride, and Christina was never numbered in the roll of Henry VIII.'s wives. This splendid, if perilous, adventure was denied her. But many strange experiences marked the course of her chequered life, and neither beauty nor virtue could save her from the shafts of envious Fortune. Her troubles began from the cradle. When she was little more than a year old, her father, King Christian II., was deposed by his subjects, and her mother, the gentle Isabella of Austria, died in exile of a broken heart. She lost her first husband, Francesco Sforza, at the end of eighteen months. Her second husband, Francis Duke of Lorraine, died in 1545, leaving her once more a widow at the age of twenty-three. Her only son was torn from her arms while still a boy by a foreign invader, Henry II., and she herself was driven into exile. Seven years later she was deprived of the regency of the Netherlands, just when the coveted prize seemed within her grasp, and the last days of her existence were embittered by the greed and injustice of her cousin, Philip II. Yet, in spite of hard blows and cruel losses, Christina's life was not all unhappy. The blue bird--the symbol of perpetual happiness in the faery lore of her own Lorraine--may have eluded her grasp, but she filled a great position nobly, and tasted some of the deepest and truest of human joys. Men and women of all descriptions adored her, and she had a genius for friendship which survived the charms of youth and endured to her dying day. A woman of strong affections and resolute will, she inherited a considerable share of the aptitude for government that distinguished the women of the Habsburg race. Her relationship with Charles V. and residence at the Court of Brussels brought her into close connection with political events during the long struggle with France, and it was in a great measure due to her exertions that the peace which ended this Sixty Years' War was finally concluded at Câteau-Cambrésis in 1559. Holbein's Duchess, it is evident, was a striking figure, and her life deserves more attention than it has hitherto received. Brantôme honoured her with a place in his gallery of fair ladies, and the sketch which he has drawn, although inaccurate in many details, remains true in its main outlines. But with this exception Christina's history has never yet been written. The chief sources from which her biography is drawn are the State Archives of Milan and Brussels, supplemented by documents in the Record Office, the Bibliothèque Nationale, the Biblioteca Zelada near Pavia, and the extremely interesting collection of Guise letters in the Balcarres Manuscripts, which has been preserved in the Advocates' Library at Edinburgh.
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Produced by John Bilderback, Eric Eldred, Charles Franks and the Online Distributed Proofreading Team. MEN, WOMEN, AND BOATS By Stephen Crane Edited With an Introduction by Vincent Starrett NOTE A Number of the tales and sketches here brought together appear now for the first time between covers; others for the first time between covers in this country. All have been gathered from out-of-print volumes and old magazine files. "The Open Boat," one of Stephen Crane's finest stories, is used with the courteous permission of Doubleday, Page & Co., holders of the copyright. Its companion masterpiece, "The Blue Hotel," because of copyright complications, has had to be omitted, greatly to the regret of the editor. After the death of Stephen Crane, a haphazard and undiscriminating gathering of his earlier tales and sketches appeared in London under the misleading title, "Last Words." From this volume, now rarely met with, a number of characteristic minor works have been selected, and these will be new to Crane's American admirers; as follows: "The Reluctant Voyagers," "The End of the Battle," "The Upturned Face," "An Episode of War," "A Desertion," "Four Men in a Cave," "The Mesmeric Mountain," "London Impressions," "The Snake." Three of our present collection, printed by arrangement, appeared in the London (1898) edition of "The Open Boat and Other Stories," published by William Heinemann, but did not occur in the American volume of that title. They are "An Experiment in Misery," "The Duel that was not Fought," and "The Pace of Youth." For the rest, "A Dark Brown Dog," "A Tent in Agony," and "The Scotch Express," are here printed for the first time in a book. For the general title of the present collection, the editor alone is responsible. V. S. MEN, WOMEN AND BOATS CONTENTS STEPHEN CRANE: _An Estimate_ THE OPEN BOAT THE RELUCTANT VOYAGERS THE END OF THE BATTLE THE UPTURNED FACE AN EPISODE OF WAR AN EXPERIMENT IN MISERY THE DUEL THAT WAS NOT FOUGHT A DESERTION THE DARK-BROWN DOG THE PACE OF YOUTH SULLIVAN COUNTY SKETCHES A TENT IN AGONY FOUR MEN IN A CAVE THE MESMERIC MOUNTAIN THE SNAKE LONDON IMPRESSIONS THE SCOTCH EXPRESS STEPHEN CRANE: _AN ESTIMATE_ It hardly profits us to conjecture what Stephen Crane might have written about the World War had he lived. Certainly, he would have been in it, in one capacity or another. No man had a greater talent for war and personal adventure, nor a finer art in describing it. Few writers of recent times could so well describe the poetry of motion as manifested in the surge and flow of battle, or so well depict the isolated deed of heroism in its stark simplicity and terror. To such an undertaking as Henri Barbusse's "Under Fire," that powerful, brutal book, Crane would have brought an analytical genius almost clairvoyant. He possessed an uncanny vision; a descriptive ability photographic in its clarity and its care for minutiae--yet unphotographic in that the big central thing often is omitted, to be felt rather than seen in the occult suggestion of detail. Crane would have seen and depicted the grisly horror of it all, as did Barbusse, but also he would have seen the glory and the ecstasy and the wonder of it, and over that his poetry would have been spread. While Stephen Crane was an excellent psychologist, he was also a true poet. Frequently his prose was finer poetry than his deliberate essays in poesy. His most famous book, "The Red Badge of Courage," is essentially a psychological study, a delicate clinical dissection of the soul of a recruit, but it is also a _tour de force_ of the imagination. When he wrote the book he had never seen a battle: he had to place himself in the situation of another. Years later, when he came out of the Greco-Turkish _fracas_, he remarked to a friend: "'The Red Badge' is all right." Written by a youth who had scarcely passed his majority, this book has been compared with Tolstoy's "Sebastopol" and Zola's "La Debacle," and with some of the short stories of Ambrose Bierce. The comparison with Bierce's work is legitimate; with the other books, I think, less so. Tolstoy and Zola see none of the traditional beauty of battle; they apply themselves to a devoted--almost obscene--study of corpses and carnage generally; and they lack the American's instinct for the rowdy commonplace, the natural, the irreverent, which so materially aids his realism. In "The Red Badge of Courage" invariably the tone is kept down where one expects a height: the most heroic deeds are accomplished with studied awkwardness. Crane was an obscure free-lance when he wrote this book. The effort, he says, somewhere, "was born of pain--despair, almost." It was a better piece of work, however, for that very reason, as Crane knew. It is far from flawless. It has been remarked that it bristles with as many grammatical errors as with bayonets; but it is a big canvas, and I am certain that many of Crane's deviations from the rules of polite rhetoric were deliberate experiments, looking to effect--effect which, frequently, he gained. Stephen Crane "arrived" with this book. There are, of course, many who never have heard of him, to this day, but there was a time when he was very much talked of. That was in the middle nineties, following publication of "The Red Badge of Courage," although even before that he had occasioned a brief flurry with his weird collection of poems called "The Black Riders and Other Lines." He was highly praised, and highly abused and laughed at; but he seemed to be "made." We have largely forgotten since. It is a way we have. Personally, I prefer his short stories to his novels and his poems; those, for instance, contained in "The Open Boat," in "Wounds in the Rain," and in "The Monster." The title-story in that first collection is perhaps his finest piece of work. Yet what is it? A truthful record of an adventure of his own in the filibustering days that preceded our war with Spain; the faithful narrative of the voyage of an open boat, manned by a handful of shipwrecked men. But Captain Bligh's account of _his_ small boat journey, after he had been sent adrift by the mutineers of the _Bounty_, seems tame in comparison, although of the two the English sailor's voyage was the more perilous. In "The Open Boat" Crane again gains his effects by keeping down the tone where another writer might have attempted "fine writing" and have been lost. In it perhaps is most strikingly evident the poetic cadences of his prose: its rhythmic, monotonous flow is the flow of the gray water that laps at the sides of the boat, that rises and recedes in cruel waves, "like little pointed rocks." It is a desolate picture, and the tale is one of our greatest short stories. In the other tales that go to make up the volume are wild, exotic glimpses of Latin-America. I doubt whether the color and spirit of that region have been better rendered than in Stephen Crane's curious, distorted, staccato sentences. "War Stories" is the laconic sub-title of "Wounds in the Rain." It was not war on a grand scale that Crane saw in the Spanish-American complication, in which he participated as a war correspondent; no such war as the recent horror. But the occasions for personal heroism were no fewer than always, and the opportunities for the exercise of such powers of trained and appreciative understanding and sympathy as Crane possessed, were abundant. For the most part, these tales are episodic, reports of isolated instances--the profanely humorous experiences of correspondents, the magnificent courage of signalmen under fire, the forgotten adventure of a converted yacht--but all are instinct with the red fever of war, and are backgrounded with the choking smoke of battle. Never again did Crane attempt the large canvas of "The Red Badge of Courage." Before he had seen war, he imagined its immensity and painted it with the fury and fidelity of a Verestchagin; when he was its familiar, he singled out its minor, crimson passages for briefer but no less careful delineation. In this book, again, his sense of the poetry of motion is vividly evident. We see men going into action, wave on wave, or in scattering charges; we hear the clink of their accoutrements and their breath whistling through their teeth. They are not men going into action at all, but men going about their business, which at the moment happens to be the capture of a trench. They are neither heroes nor cowards. Their faces reflect no particular emotion save, perhaps, a desire to get somewhere. They are a line of men running for a train, or following a fire engine, or charging a trench. It is a relentless picture, ever changing, ever the same. But it contains poetry, too, in rich, memorable passages. In "The Monster and Other Stories," there is a tale called "The Blue Hotel". A Swede, its
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Produced by David Garcia, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net THEO. _A SPRIGHTLY LOVE STORY._ BY MRS. FRANCES HODGSON BURNETT AUTHOR OF "KATHLEEN," "PRETTY POLLY PEMBERTON," "LINDSAY'S LUCK," "IN CONNECTION WITH THE DE WILLOUGHBY CLAIM," "THE MAKING OF A MARCHIONESS," "THE METHODS OF LADY WALDERHURST," ETC. NEW YORK HURST & COMPANY PUBLISHERS COPYRIGHT, 1877 By T. B. PETERSON & BROTHERS. MRS. BURNETT'S NOVELETTES. _Mrs. Frances Hodgson Burnett is one of the most charming among American writers. There is a crisp and breezy freshness about her delightful novelettes that is rarely found in contemporaneous fiction, and a close adherence to nature, as well, that renders them doubly delicious. Of all Mrs. Burnett's romances and shorter stories those which first attracted public attention to her wonderful gifts are still her best. She has done more mature work, but never anything half so pleasing and enjoyable. These masterpieces of Mrs. Burnett's genius are all love stories of the brightest, happiest and most entertaining description; lively, cheerful love stories in which the shadow cast is infinitesimally small compared with the stretch of sunlight; and the interest is always maintained at full head without apparent effort and without resorting to the conventional and hackneyed devices of most novelists, devices that the experienced reader sees through at once. No more sprightly novel than "Theo" could be desired, and a sweeter or more beautiful romance than "Kathleen" does not exist in print, while "Pretty Polly Pemberton" possesses besides its sprightliness a special interest peculiar to itself, and "Miss Crespigny" would do honor to the pen of any novelist, no matter how celebrated. "Lindsay's Luck," "A Quiet Life," "The Tide on the Moaning Bar" and "Jarl's Daughter" are all worthy members of the same collection of Mrs. Burnett's earlier, most original, best and freshest romances. Everybody should read these exceptionally bright, clever and fascinating novelettes, for they occupy a niche by themselves in the world's literature and are decidedly the most agreeable, charming and interesting books that can be found anywhere._ CONTENTS. I. PREPARING FOR A JOURNEY II. THE ARRIVAL III. THE MEETING IV. THEO'S DIARY V. THE SEPARATION VI. THEO GOES TO PARIS VII. "PARTING IS SWEET SORROW" VIII. THEO'S FIRST TROUBLE IX. WHAT COMES OF IT ALL "THEO." CHAPTER I. PREPARING FOR A JOURNEY. A heavy curtain of yellow fog rolled and drifted over the waste of beach, and rolled and drifted over the sea, and beneath the curtain the tide was coming in at Downport, and two pair of eyes were watching it. Both pair of eyes watched it from the same place, namely, from the shabby sitting-room of the shabby residence of David North, Esq., lawyer, and both watched it without any motive, it seemed, unless that the dull gray waves and their dull moaning were not out of accord with the watchers' feelings. One pair of eyes--a youthful, discontented black pair--watched it steadily, never turning away, as their owner stood in the deep, old-fashioned window, with both elbows resting upon the broad sill; but the other pair only glanced up now and then, almost furtively, from the piece of work Miss Pamela North, spinster, held in her slender, needle-worn fingers. There had been a long silence in the shabby sitting-room for some time--and there was not often silence there. Three rampant, strong-lunged boys, and as many talkative school-girls, made the house of David North, Esq., rather a questionable paradise. But to-day, being half-holiday, the boys were out on the beach digging miraculous sand-caves, and getting up miraculous piratical battles and excursions with the bare-legged urchins so numerous in the fishermen's huts; and Joanna and Elinor had been absent all day, so the room left to Theo and her elder sister was quiet for once. It was Miss Pamela herself who broke the stillness. "Theo," she said, with some elder-sister-like asperity, "it appears to me that you might find something better to do than to stand with your arms folded, as you have been doing for the last half hour. There is a whole basketful of the boys' socks that need mending and--" "Pam!" interrupted Theo, desperately, turning over her shoulder a face more like the face of some young Spanish gipsy than that of a poor English solicitor's daughter. "Pam, I should really like to know if life is ever worth having, if everybody's life is like ours, or if there are really such people as we read of in books." "You have been reading some ridiculous novel again," said Pamela, sententiously. "If you would be a little more sensible, and less romantic, Theodora, it would be a great deal better for all of us. What have you been reading?" The capable gipsy face turned to the window again half-impatiently. "I have been reading nothing to-day," was the answer. "I should think you knew that--on Saturday, with everything to do, and the shopping to attend to, and mamma scolding every one because the butcher's bill can't be paid. I was reading Jane Eyre, though, last night. Did you ever read Jane Eyre, Pamela?" "I always have too much to do in attending to my duty," said Pamela, "without wasting my time in that manner. I should never find time to read Jane Eyre in twenty years. I wish I could." "I wish you could, too," said Theo, meditatively. "I wish there was no such thing as duty. Duty always appears to me to be the very thing we don't want to do." "Just at present, it is your duty to attend to those socks of Ralph and Arthur's," put in Pamela, dryly. "Perhaps you had better see to it at once, as tea will be ready soon, and you will have to cut bread for the children." The girl turned away from the window with a sigh. Her discussions on subjects of this
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Produced by Melissa McDaniel and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber's Note: Inconsistent hyphenation and spelling in the original document have been preserved. Obvious typographical errors have been corrected. Italic text is denoted by _underscores_ and bold text by =equal signs=. CHARLES AUCHESTER VOLUME I. [Illustration: MENDELSSOHN FROM AN ORIGINAL PORTRAIT--1821.] CHARLES AUCHESTER BY ELIZABETH SHEPPARD _WITH AN INTRODUCTION AND NOTES_ BY GEORGE P. UPTON AUTHOR OF "THE STANDARD OPERAS," "STANDARD ORATORIOS," "STANDARD CANTATAS," "STANDARD SYMPHONIES," "WOMAN IN MUSIC," ETC. In Two Volumes VOLUME I. CHICAGO A. C. McCLURG AND COMPANY 1891 COPYRIGHT, BY A. C. MCCLURG AND CO. A.D. 1891. INTRODUCTION. The romance of "Charles Auchester," which is really a memorial to Mendelssohn, the composer, was first published in England in 1853. The titlepage bore the name of "E. Berger," a French pseudonym, which for some time served to conceal the identity of the author. Its motto was a sentence from one of Disraeli's novels: "Were it not for Music, we might in these days say, The Beautiful is dead." The dedication was also to the same distinguished writer, and ran thus: "To the author of 'Contarini Fleming,' whose perfect genius suggested this imperfect history." To this flattering dedication, Mr. Disraeli replied in a note to the author: "No greater book will ever be written upon music, and it will one day be recognized as the imaginative classic of that divine art." Rarely has a book had a more propitious introduction to the public; but it was destined to encounter the proverbial fickleness of that public. The author was not without honor save in her own country. It was reserved for America first to recognize her genius. Thence her fame travelled back to her own home; but an early death prevented her from enjoying the fruits of her enthusiastic toil. Other works followed from her busy pen, among them "Counterparts,"--a musico-philosophical romance, dedicated to Mrs. Disraeli, which had a certain success; "Rumor," of which Beethoven, under the name of Rodomant, is supposed to have been the hero; "Beatrice Reynolds," "The Double Coronet," and "Almost a Heroine:" but none of them achieved the popularity which "Charles Auchester" enjoyed. They shone only by the reflected light of this wonderful girl's first book. The republication of this romance will recall to its readers of an earlier generation an old enthusiasm which may not be altogether lost, though they may smile as they read and remember. It should arouse a new enthusiasm in the younger generation of music-lovers. Elizabeth Sheppard, the author of "Charles Auchester," was born at Blackheath, near London, in 1837. Her father was a clergyman of the Established Church, and her mother a Jewess by descent,--which serves to account for the daughter's strong Jewish sympathies in this remarkable display of hero-worship. Left an orphan at a tender age, she was thrown upon her own resources, and chose school-teaching for her profession. She was evidently a good linguist and musician, for she taught music and the languages before she was sixteen. She had decided literary ambition also, and wrote plays, poems, and short stories at an age when other children are usually engaged in pastimes. Notwithstanding the arduous nature of her work and her exceedingly delicate health, she devoted her leisure hours to literary composition. How this frail girl must have toiled is evidenced by the completion of "Charles Auchester" in her sixteenth year. In her seventeenth she had finished "Counterparts,"--a work based upon a scheme even more ambitious than that of her first story. When it is considered that these two romances were written at odd moments of leisure intervening between hours of wearing toil in the school-room, and that she was a mere child and very frail, it will be admitted that the history of literary effort hardly records a parallel case. Nature however always exacts the penalty for such mental excesses. This little creature of "spirit, fire, and dew" died on March 13, 1862, at the early age of twenty-five. Apart from its intrinsic merits as a musical romance, there are some features of "Charles Auchester" of more than ordinary interest. It is well known that Seraphael, its leading character, is the author's ideal of Mendelssohn, and that the romance was intended to be a memorial of him. More thoroughly to appreciate the work, and not set it down as mere rhapsody, it must be remembered that Miss Sheppard wrote it in a period of Mendelssohn worship in England as ardent and wellnigh as universal as the Handel worship of the previous century had been. It was written in 1853. Mendelssohn had been dead but six years, and his name was still a household word in every English family. He was adored, not only for his musical genius, but also for his singular purity of character. He was personally as well known in England as any native composer. His Scotch Symphony and Hebrides Overture attested his love of Scotch scenery. He had conducted concerts in the provinces; he appeared at concerts in London in 1829 and in subsequent years, and was the idol of the drawing-rooms of that day. Some of his best works were written on commissions from the London Philharmonic Society. He conducted his "Lobgesang" at Birmingham in 1840, and he produced his immortal "Elijah" in the same town in 1846,--only a year before his death. There were numerous ties of regard, and even of affection, binding him to the English people. From a passing remark in the course of the romance, we learn that it opens about the year 1833, when Mendelssohn was in his prime; and as it closes with his death, it thus covers a period of fourteen years,--the most brilliant and productive part of his life. Curious critics of "Charles Auchester" have found close resemblances between its characters and other musicians. There is good reason to believe that Starwood Burney was intended for Sterndale Bennett, not only from the resemblance of the names in sound and meaning, but also from many other events common to each. It requires, however, some stretch of the imagination to believe that Charles Auchester was intended as a portrait of Joachim the violinist; that Aronach, the teacher at the St. Cecilia School, was meant for Zelter; Clara Benette for Jenny Lind; and Laura Lemark for Taglioni. It is altogether likely that the author in drawing these characters had the types in mind, and without intending to produce a parallel or to preserve anything like synchronism, invested them with some of the characteristics of the real persons, all of whom, it may be added, except Taglioni, were intimately associated with Mendelssohn. All this lends the charm of human interest to the book; but, after all, it is the author's personality that invests it with its rare fascination. It would not bear searching literary criticism; fortunately, no one has been so ungracious as to apply it. It is more to the purpose to remember that here is a young girl of exquisite refinement, rare intellectuality, and the most overwhelming enthusiasm, who has written herself into her work with all her girlish fancies, her great love for the art,
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Produced by Steve Harris, Charles Franks and the Online Distributed Proofreading Team. HTML version by Al Haines. THE WORKS OF KATHLEEN NORRIS POOR, DEAR MARGARET KIRBY AND OTHER STORIES VOLUME III This book is Jim's,--this page shall bear Its witness to my love for him. Best of small brothers anywhere, Who would not do as much for Jim? CONTENTS POOR, DEAR MARGARET KIRBY BRIDGING THE YEARS THE TIDE-MARSH WHAT HAPPENED TO ALANNA THE FRIENDSHIP OF ALANNA "S IS FOR SHIFTLESS SUSANNA" THE
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Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive) [The chapters in the original book pass from CHAPTER FIVE to CHAPTER SEVEN; there is no chapter numbered SIX. A list of typographical errors corrected follows the etext. (note of etext transcriber)] UNDER COVER [Illustration: HE FOUND DENBY'S GUN UNDER HIS NOSE. Frontispiece. _See page 266_.] UNDER COVER BY ROI COOPER MEGRUE NOVELIZED BY WYNDHAM MARTYN WITH ILLUSTRATIONS BY WILLIAM KIRKPATRICK [Illustration] BOSTON LITTLE, BROWN, AND COMPANY 1914 _Copyright_, _1914_, BY ROI COOPER MEGRUE AND LITTLE, BROWN, AND COMPANY. _All rights reserved_ Published August, 1914 THE COLONIAL PRESS C. H. SIMONDS CO., BOSTON, U. S. A. LIST OF ILLUSTRATIONS HE FOUND DENBY'S GUN UNDER HIS NOSE _Frontispiece_ HE TURNED TO AMY. "YOUNG WOMAN, YOU'RE UNDER ARREST" PAGE 105 "DO MAKE ANOTHER BREAK SOMETIME, WON'T YOU--DICK?" 186 "NOW WE UNDERSTAND ONE ANOTHER," HE SAID. "HERE'S YOUR MONEY" 288 UNDER COVER CHAPTER ONE Paris wears her greenest livery and puts on her most gracious airs in early summer. When the National Fete commemorative of the Bastille's fall has gone, there are few Parisians of wealth or leisure who remain in their city. Trouville, Deauville, Etretat and other pleasure cities claim them and even the bourgeoisie hie them to their summer villas. The city is given up to those tourists from America and England whom Paris still persists in calling _Les Cooks_ in memory of that enterprising blazer of cheap trails for the masses. Your true Parisian and the stranger who has stayed within the city's gates to know her well, find themselves wholly out of sympathy with the eager crowds who follow beaten tracks and absorb topographical knowledge from guide-books. Monty Vaughan was an American who knew his Paris in all months but those two which are sacred to foreign travelers, and it irritated him one blazing afternoon in late July to be persistently mistaken for a tourist and offered silly useless toys and plans of the Louvre. The _camelots_, those shrewd itinerant merchants of the Boulevards, pestered him continually. These excellent judges of human nature saw in him one who lacked the necessary harshness to drive them away and made capital of his good nature. He was a slim, pleasant-looking man of five and twenty, to whom the good things of this world had been vouchsafed, with no effort on his part to obtain them; and in spite of this he preserved a certain frank and boyish charm which had made him popular all his life. Presently on his somewhat aimless wanderings he came down the Avenue de l'Opera and took a seat under the awning and ordered an innocuous drink. He was in a city where he had innumerable friends, but they had all left for the seashore and this loneliness was unpleasant to his friendly spirit. But even in the Cafe de Paris he was not to be left alone and he was regarded as fair game by alert hawkers. One would steal up to his table and deposit a little measure of olives and plead for two sous in exchange. Another would place some nuts by his side and demand a like amount. And when they had been driven forth and he had lighted a cigarette, he observed watching him with professional eagerness a _ramasseur de megot_, one of those men who make a livelihood of picking up the butts of cigars and cigarettes and selling them. When Monty flung down the half-smoked cigarette in hope that the man would go away he was annoyed to find that the fellow was congratulating himself that here was a tourist worth following, who smoked not the wispy attenuated cigarettes of the native but one worth harvesting. He probed for it with his long stick under the table and stood waiting for another. The heat, the absence of his friends and the knowledge that he must presently dine alone had brought the usually placid Monty into a wholly foreign frame of mind and he rose abruptly and stalked down the Avenue. A depressed-looking sandwich-man, bearing a device which read, "One can laugh uproariously at the Champs Elysees every night during the summer months," blocked his way, and permitted a woman selling fans of the kind known to the _camelots_ as _les petits vents du nord_ to thrust one upon him. "Monsieur does not comprehend our heat in Paris," she said. "Buy a little north wind. Two sous for a little north wind." Monty thrust a franc in her hand and turned quickly from her to carom against a tall well-dressed man who was passing. As Monty began to utter his apology the look of gloom dropped from his face and he seized the stranger's hand and shook it heartily. "Steve, old man!" he cried, "what luck to find you amid this mob! I've been feeling
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Produced by David Widger MYTHS AND LEGENDS OF OUR OWN LAND By Charles M. Skinner Vol. 8. ON THE PACIFIC <DW72> CONTENTS: The Voyager of the Whulge Tamanous of Tacoma The Devil and the Dalles Cascades of the Columbia The Death of Umatilla Hunger Valley The Wrath of Manitou The Spook of Misery Hill The Queen of Death Valley Bridal Veil Fall
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Produced by Annie R. McGuire. This book was produced from scanned images of public domain material from the Internet Archive. [Illustration: Book Cover] NOOKS AND CORNERS OF PEMBROKESHIRE. [Illustration] [Illustration: THE ROOD SCREEN ST. DAVIDS CATHEDRAL] [Illustration: NOOKS & CORNERS OF PEMBROKESHIRE. DRAWN & DESCRIBED BY H. THORNHILL TIMMINS, F.R.C.S. AUTHOR of NOOKS & CORNERS OF HEREFORDSHIRE LONDON: ELLIOT STOCK, 62, PATERNOSTER ROW, E.C. 1895.] PREFACE. The kindly reception accorded to my 'Nooks and Corners of Herefordshire,' both by the public and the press, has encouraged me (where, indeed, encouragement was little needed) to set forth anew upon my sketching rambles, and explore the Nooks and Corners of Pembrokeshire. In chronicling the results of these peregrinations, I feel that I owe some apology to those whose knowledge of the Shire of Pembroke is far more thorough and intimate than my own, and upon whose preserves I may fairly be accused of poaching. I venture to plead, in extenuation, an inveterate love for exploring these unfrequented byways of my native land, and for searching out and sketching those picturesque old buildings that lend such a unique interest to its sequestered nooks and corners. Pembrokeshire is rich in these relics of a bygone time, but for one reason or another they do not appear to have received the attention they certainly deserve. Few counties can boast anything finer of their kind than the mediaeval castles of Pembroke, Manorbere and Carew; while St. Davids Cathedral and the ruined Palace of its bishops, nestling in their secluded western vale, form a scene that alone is worth a visit to behold. No less remarkable in their way are the wonderful old crosses, circles and cromlechs, which remind the traveller of a vanished race as he tramps the broad fern-clad uplands of the Precelly Hills. It is a notable fact that 'he who runs may read,' in the diversified character of its place-names, an important and interesting chapter of Pembrokeshire history. The south-western portion of the county, with the Saxon 'tons' of its Teutonic settlers, is as English as Oxfordshire, and hence has acquired the title of 'Little England beyond Wales.' On the other hand, the northern and eastern districts are as Welsh as the heart of Wales; and there, as the wayfarer soon discovers for himself, the mother-tongue of the Principality is the only one 'understanded of the people.' Although Pembrokeshire cannot pretend to lay claim to such striking scenery as the North Wallian counties display, yet its wind-swept uplands and deep, secluded dingles have a character all their own; while the loftier regions of the Precelly Hills, and the broken and varied nature of the seaboard, afford many a picturesque prospect as the traveller fares on his way. In compiling the following notes I have availed myself of Fenton's well-known work on Pembrokeshire, and of the writings of George Owen of Henllys; I have consulted the records of that prolific chronicler, Gerald de Barri; Bevan's 'History of the Diocese of St. Davids; and Jones and Freeman's exhaustive work on St. Davids Cathedral; besides various minor sources of local information which need not be specified here. In conclusion, I take this opportunity to tender my sincere thanks to those friends and acquaintances whose ready help and advice so greatly facilitated my task, while at the same time enhancing the pleasure of these sketching rambles amidst the Nooks and Corners of Pembrokeshire. H. THORNHILL TIMMINS. _Harrow_, 1895. CONTENTS. PAGE A GENERAL SURVEY. THE KING'S TOWN OF TENBY 1 ROUND ABOUT THE RIDGEWAY 23 MANORBERE CASTLE, AND GIRALDUS CAMBRENSIS 41
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Produced by Sam W. and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) REMINISCENCES OF SERVICE WITH THE FIRST VOLUNTEER REGIMENT OF GEORGIA, CHARLESTON HARBOR, IN 1863. AN ADDRESS DELIVERED BEFORE THE GEORGIA HISTORICAL SOCIETY, MARCH 3, 1879
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ON THE DECAY OF THE ART OF LYING by Mark Twain [Sameul Clemens] ESSAY, FOR DISCUSSION, READ AT A MEETING OF THE HISTORICAL AND ANTIQUARIAN CLUB OF HARTFORD, AND OFFERED FOR THE THIRTY-DOLLAR PRIZE.[*] [*] Did not take the prize. Observe, I do not mean to suggest that the _custom_ of lying has suffered any decay or interruption--no, for the Lie, as a Virtue, A Principle, is eternal; the Lie, as a recreation, a solace, a refuge in time of need, the fourth Grace, the tenth Muse, man's best and surest friend, is immortal, and cannot perish from the earth while this club remains. My complaint simply concerns the decay of the _art_ of lying. No high-minded man, no man of right feeling, can contemplate the lumbering and slovenly lying of the present day without grieving to see a noble art so prostituted. In this veteran presence I naturally enter upon this theme with diffidence; it is like an old maid trying to teach nursery matters to the mothers in Israel. It would not become to me to criticise you, gentlemen--who are nearly all my elders--and my superiors, in this thing--if I should here and there _seem_ to do it, I trust it will in most cases be more in a spirit of admiration than fault-finding; indeed if this finest of the fine arts had everywhere received the attention, the encouragement, and conscientious practice and development which this club has devoted to it, I should not need to utter this lament, or shed a single tear. I do not say this to flatter: I say it in a spirit of just and appreciative recognition. [It had been my intention, at this point, to mention names and to give illustrative specimens, but indications observable about me admonished me to beware of the particulars and confine myself to generalities.] No fact is more firmly established than that lying is a necessity of our circumstances--the deduction that it is then a Virtue goes without saying. No virtue can reach its highest usefulness without careful and diligent cultivation--therefore, it goes without saying that this one ought to be taught in the public schools--even in the newspapers. What chance has the ignorant uncultivated liar against the educated expert? What chance have I against Mr. Per--against a lawyer? _Judicious_ lying is what the world needs. I sometimes think it were even better and safer not to lie at all than to lie injudiciously. An awkward, unscientific lie is often as ineffectual as the truth. Now let us see what the philosophers say. Note that venerable proverb: Children and fools _always_ speak the truth. The deduction is plain --adults and wise persons _never_ speak it. Parkman, the historian, says, "The principle of truth may itself be carried into an absurdity." In another place in the same chapters he says, "The saying is old that truth should not be spoken at all times; and those whom a sick conscience worries into habitual violation of the maxim are imbeciles and nuisances." It is strong language, but true. None of us could _live_ with an habitual truth-teller; but thank goodness none of us has to. An habitual truth-teller is simply an impossible creature; he does not exist; he never has existed. Of course there are people who _think_ they never lie, but it is not so--and this ignorance is one of the very things that shame our so-called civilization. Everybody lies--every day; every hour; awake; asleep; in his dreams; in his joy; in his mourning; if he keeps his tongue still, his hands, his feet, his eyes, his attitude, will convey deception--and purposely. Even in sermons--but that is a platitude. In a far country where I once lived the ladies used to go around paying calls, under the humane and kindly pretence of wanting to see each other; and when they returned home, they would cry out with a glad voice, saying, "We made sixteen calls and found fourteen of
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Produced by Chuck Greif (This file was produced from images available at The Internet Archive) THE ELEVENTH HOUR JULIA WARD HOWE From a Drawing by John Elliott The Eleventh Hour in the Life of Julia Ward Howe BY MAUD HOWE BOSTON LITTLE, BROWN, AND COMPANY 1911 Copyright, 1911, BY LITTLE, BROWN, AND COMPANY. All rights reserved Published, October, 1911 Printers S. J. PARKHILL & CO., BOSTON, U. S. AD MATREM The acorns are again ripe on your oaks, the leaves of your nut tree begin to turn gold, the fruit trees you planted a lustre since, droop with their weight of crimson fruit, the little grey squirrels leap nimbly from bough to bough busily preparing for winter’s siege. The air is fragrant with the perfume of wild grape, joyous with the voices of children passing to the white school house on the hill. The earth laughs with the joy of the harvest. What thank offering can I bring for this year that has not yet taught me how to live without you? Only this sheaf of gleanings from your fields! OAK GLEN, September, 1911. FOREWORD This slight and hasty account of some of my mother’s later activities was written to read to a small group of friends with whom I wished to share the lesson of the Eleventh Hour of a life filled to the end with the joy of toil. More than one of my hearers asked me to print what I had read them, in the belief that it would be of value to that larger circle of her friends, the public. Such a request could not be refused. THE ELEVENTH HOUR IN THE LIFE OF JULIA WARD HOWE My mother’s diary for 1906, her eighty-seventh year, opens with this entry: “I pray for many things this year. For myself, I ask continued health of mind and body, work, useful, honorable and as remunerative as it shall please God to send. For my dear family, work of the same description with comfortable wages, faith in God, and love to each other. For my country, that she may keep her high promise to mankind, for Christendom, that it may become more Christlike, for the struggling nationalities, that they may attain to justice and peace.” Not vain the prayer! Health of mind and body was granted, work, useful, honorable, if not very remunerative, was hers that year and nearly five years more, for she lived to be ninety-one and a half years old. When Death came and took her, he found her still at work. Hers the fate of the happy warrior who falls in thick of battle, his harness on his back. How did she do it? Hardly a day passes that I am not asked the question! Shortly before her death, she spoke of the time when she would no longer be with us--an almost unheard-of thing for her to do. We turned the subject, begged her not to dwell on it. “Yes!” she laughed with the old flash that has kindled a thousand audiences, “it’s not my business to think about dying, it’s my business to think about living!” This thinking about living, this tremendous vitality had much to do with her long service, for the important thing of course was not that she lived ninety-one years, but that she worked for more than ninety-one years, never became a cumberer of the earth, paid her scot till the last. She never knew the pathos of doing old-age work, such as is provided in every class for those inveterate workers to whom labor is as necessary as bread or breath. The old ploughman sits by the wayside breaking stones to mend the road others shall travel over; the old prima donna listens to her pupils’ triumphs; the old statesman gives after-dinner speeches, or makes himself a nuisance by speaking or writing, _ex cathedra_, on any question that needs airing, whether it is his subject or not; she did good, vigorous work till the end, in her own chosen callings of poet and orator. What she produced in her last year was as good in quality as any other year’s output. The artist in her never stopped growing; indeed, her latest work has a lucidity, a robust simplicity, that some of the earlier writings lack. In the summer of 1909 she was asked to write a poem on Fulton for the Fulton-Hudson celebration. Ever better than her word, she not only wrote the poem, but recited it in the New York Metropolitan Opera House on the evening of September 9th. Those who saw her, the only woman amid that great gathering of representative men from all over the world, will not forget the breathless silence of that vast audience as she came forward, leaning on her son’s arm, and read the opening lines: A river flashing like a gem, Crowned with a mountain diadem,-- or the thunders of applause that followed the last lines: While pledge of Love’s assured control, The Flag of Freedom crowns the pole. The poem had given her a good deal of trouble, the last couplet in especial. The morning of the celebration, when I went into Mrs. Seth Low’s spare bedroom to wake her, she cried out: “I have got my last verse!” She was much distressed that the poem appeared in Collier’s without the amended closing lines. The fault was mine; I had arranged with the editor Mr. Hapgood for its publication. She had done so much “free gratis” work all her life that it seemed fitting this poem should at least earn her, her travelling expenses. “Let this be a lesson,” she said, “never print a poem or a speech till it has been delivered; always give the eleventh hour its chance!” It may be interesting here to recall that the Atlantic Monthly paid her five dollars for the Battle Hymn of the Republic, the only money she ever received for it. Her power of keeping abreast of the times is felt in the Fulton poem, where she rounds out her eulogy of Fulton’s invention of the steamboat with a tribute to Peary. Only a few days before the news of our latest arctic triumph had flashed round the world, her world, whose business was her business as long as she lived in it; so into the fabric of the poem in honor of Fulton, she weaves an allusion to this new victory. On her ninety-first birthday a reporter from a Boston paper asked her for a motto for the women of America. She was sitting on the little balcony outside her town house, reading her Greek Testament, when the young man was announced. She closed her book, thought for a moment, then gave the motto that so well expressed herself: “Up to date!” Was there ever anything more characteristic? In December, 1909, the last December she was to see, she wrote a poem called “The Capitol,” for the first meeting of the American Academy of Arts and Letters at Washington. The poem, published in the Century Magazine for March, 1910, is as good as any she ever wrote, with one exception--the Battle Hymn; and that, as she has told us, “wrote itself.” She had arranged to go to Washington to read her poem before the Association. Though we feared the winter journey for her, she was so bent on going that I very reluctantly agreed to accompany her. A telegram, signed by William Dean Howells, Robert Underwood Johnson, and Thomas Nelson Page, all officers of the Association, urging her not to take the risk of so long a journey in winter, induced her to give up the trip. She was rather nettled by the kindly hint and flashed out: “Hah! they think that I am too old, but there’s a little ginger left in the old blue jar!” She never thought of herself as old, therefore she never was really old in the essentials. Her iron will, her indomitable spirit, held her frail body to its duty till the very end. “Life is like a cup of tea, the sugar is all at the bottom!” she cried one day. This was the very truth; she knew no “winter of discontent.” Her autumn was all Indian summer, glorious with crimson leaves, purple and gold sunsets. In April, 1910, she wrote the third and last of her poems to her beloved friend and “Minister” James Freeman Clarke. She read this poem twice, at the centenary celebration of Mr. Clarke’s birth held at the Church of the Disciples, April 3rd, and the day after at the Arlington St. Church. Compared with the verses written for Mr. Clarke’s fiftieth birthday and with those celebrating his seventieth birthday, this latest poem is to me the best. The opening lines bite right into the heart of the matter; as she read them standing in the pulpit a thrill passed through the congregation of her fellow disciples gathered together in memory of their founder. Richer gift can no man give Than he doth from God receive. We in greatness would have pleasure, But we must accept our measure. Let us question, then, the grave, Querying what the Master gave, Whom, in his immortal state, Grateful love would celebrate. Only human life was his, With its thin-worn mysteries. * * * * * Lifting from the Past its veil,
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Produced by Stephen Hutcheson, Rod Crawford, Dave Morgan and the Online Distributed Proofreading Team at http://www.pgdp.net Jack Harvey's Adventures Or, The Rival Campers Among the Oyster Pirates By Ruel Perley Smith Author of "The Rival Campers Series," "Prisoners of Fortune," etc. ILLUSTRATED BY Louis D. Gowing BOSTON L. C. PAGE & COMPANY 1908 RIVAL CAMPERS SERIES BY RUEL PERLEY SMITH Each 1 vol., large 12mo, illustrated, $1.50 The Rival Campers The Rival Campers Afloat The Rival Campers Ashore Jack Harvey's Adventures Or, The Rival Campers Among the Oyster Pirates L. C. PAGE & COMPANY New England Building, Boston, Mass. Copyright, 1908 By L. C. Page & Company (INCORPORATED) All rights reserved First Impression, September, 1908 Electrotyped and Printed at THE COLONIAL PRESS: C. H. Simonds & Co., Boston, U.S.A. TO Lucy E. Cyr With the Author's Love CONTENTS CHAPTER PAGE I. Harvey Makes an Acquaintance 1 II. The Cabin of the Schooner 12 III. Down the Bay 25 IV. Aboard the Bug-eye 40 V. The Law of the Bay 52 VI. The Working of the Law 62 VII. Dredging Fleet Tactics 75 VIII. A Night's Poaching 85 IX. Faces through the Telescope 102 X. Flight and Disaster 117 XI. Harvey Sends a Message to Shore 132 XII. Escape at Last 149 XIII. Henry Burns Makes a Discovery 163 XIV. Harvey Meets with a Loss 181 XV. Henry Burns in Trouble 199 XVI. Artie Jenkins Comes Aboard 212 XVII. Artie Jenkins at the Dredges 223 XVIII. The Battle of Nanticoke River 241 XIX. Surprises for Jack Harvey 256 XX. The Pursuit of the Brandt 271 LIST OF ILLUSTRATIONS PAGE "Dealt Harvey a blow in the face that knocked him off his feet" (Frontispiece) 115 "Up from the forecastle there burst three men" 28 "Presented a pretty sight as viewed from the deck of the river steamer" 113 "'Stand back there, or I'll shoot,' he cried" 196 "'Get up there; you're quitting!' cried Haley" 237 "The speaker was a middle-aged, well-built man" 257 JACK HARVEY'S ADVENTURES OR THE RIVAL CAMPERS AMONG THE OYSTER PIRATES CHAPTER I HARVEY MAKES AN ACQUAINTANCE An Atlantic Transport Line steamship lay at its pier in the city of Baltimore, on a November day. There were indications, everywhere about, that the hour of its departure for Europe was approaching. A hum of excitement filled the air. Clouds of dark smoke, ascending skyward from the steamer, threw a thin canopy here and there over little groups of persons gathered upon the pier to bid farewell to friends. Clerks and belated messengers darted to and fro among them. An occasional officer, in ship's uniform, gave greeting to some acquaintance and spoke hopefully of the voyage. Among all these, a big, tall, broad-shouldered man, whose face, florid and smiling, gave evidence of abundant good spirits, stood, with one hand resting upon a boy's shoulder. A woman accompanied them, who now and then raised a handkerchief to her eyes and wiped away a tear. "There!" exclaimed the man, suddenly, "do you see that, Jack? You'd better come along with us. It isn't too late. Ma doesn't want to leave you behind. If there's anything I can't stand, it's to see a woman cry." The boy, in return, gave a somewhat contemptuous glance toward the steamship. "I don't want to go," he said. "What's the fun going to sea in a thing like that? Have to dress up and look nice all the time. If it was only a ship--" He didn't have a chance to finish the sentence. "Jack Harvey!" exclaimed his mother, eying him with great disapproval through her tears, "why did you wear that awful sweater down here, to see us off? If you only knew how you look! I'm ashamed to have folks see you." Harvey's father burst into a hearty roar of laughter. "Isn't that just like a woman?" he chuckled. "Crying about leaving Jack, with one eye, and looking at his clothes with the other. Why, Martha, I tell you he looks fine. None of your milk-sop lads for me!" And he gave his son a slap of approval that made even that stalwart youth wince. "Why, when I was Jack's age," continued the elder Harvey, warming to the subject and raising his voice accordingly, "I didn't know where the next suit of clothes was coming from." Mrs. Harvey glanced apprehensively over her shoulder, to see who was listening. "Guess I wasn't much older than Jack," went on the speaker, thrusting his hands into his pockets and jingling the coins therein, "when I was working in the mines out west and wherever I could pick up a job." "Now, William," interrupted Mrs. Harvey, "you know you've told us all about that a hundred times--" She, herself, was interrupted. "You've got just a minute to go aboard, sir," said one of the pier employees, addressing Mr. Harvey. "You'll be left, if you don't hurry." Jack Harvey's father gave him a vigorous handshake, and another slap across the shoulder. Mrs. Harvey took him in her arms, despised sweater and all, and kissed him good-bye. The next moment, the boy found himself alone on the pier, waving to his parents, as the gang-plank was hauled back. The liner slowly glided out into the harbour, a cloud of handkerchiefs fluttering along its rail, in answer to a similar demonstration upon the pier. Jack Harvey's father, gazing back approvingly at his son, strove to comfort and cheer the spirits of his wife. "Jack's all right," said he. "Hang me, if I wasn't just such another when I was his age. I didn't want anybody mollycoddling me. He'll take care of himself, all right. Don't you worry. He'll be an inch taller in six months. He knows what he wants, too, better than we do. He'll have more fun up in Benton this winter than he'd have travelling around Europe. There he goes. Take a last look
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Produced by Marc D'Hooghe at http://www.freeliterature.org (Images generously made available by the Google Books Project.) THE VALKYRIES BY E. F. BENSON Author of "Limitations," "Dodo," etc. T. FISHER UNWIN LONDON LEIPZIG PARIS
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Produced by Robert J. Hall [Page ii] [Illustration: Captain Robert F. Scott R.N. _J. Russell & Sons, Southsea, photographers_] [Page iii] THE VOYAGES OF CAPTAIN SCOTT _Retold from 'The Voyage of the "Discovery"' and 'Scott's Last Expedition'_ BY CHARLES TURLEY Author of 'Godfrey Marten, Schoolboy,' 'A Band of Brothers,' etc. With an introduction by SIR J. M. BARRIE, BART. Numerous illustrations in colour and black and white and a map [Page v] CONTENTS INTRODUCTION THE VOYAGE OF THE 'DISCOVERY' Chapter I. The 'Discovery'. II. Southward Ho! III. In Search of Winter Quarters. IV. The Polar Winter. V. The Start of the Southern Journey. VI. The Return. VII. A Second Winter. VIII. The Western Journey. IX. The Return from the West. X. Release. THE LAST EXPEDITION Chapter Preface to 'Scott's Last Expedition'. Biographical Note. British Antarctic Expedition, 1910. [Page vi] I. Through Stormy Seas. II. Depot Laying to One Ton Camp. III. Perils. IV. A Happy Family. V. Winter. VI. Good-bye to Cape Evans. VII. The Southern Journey Begins. VIII. On the Beardmore Glacier. IX. The South Pole. X. On the Homeward Journey. XI. The Last March. Search Party Discovers the Tent. In Memoriam. Farewell Letters. Message to the Public. Index. [Page vii] ILLUSTRATIONS _PHOTOGRAVURE PLATE_ Portrait of Captain Robert F. Scott _From a photograph by J. Russell & Son, Southsea_. _COLOURED PLATES_ _From Water-Colour Drawings by Dr. Edward A. Wilson._. Sledding. Mount Erebus. Lunar Corona. 'Birdie' Bowers reading the thermometer on the ramp. _DOUBLE PAGE PLATE_ Panorama at Cape Evans. Berg in South Bay. _FULL PAGE PLATES_ Robert F. Scott at the age of thirteen as a naval cadet. The 'Discovery'. Looking up the gateway from Pony Depot. Pinnacled ice at mouth of Ferrar Glacier. Pressure ridges north side of Discovery Bluff. The 'Terra Nova' leaving the Antarctic. Pony Camp on the barrier. Snowed-up tent after three days' blizzard. Pitching the double tent on the summit. [Page viii] Adelie Penguin on nest. Emperor Penguins on sea-ice. Dog party starting from Hut Point. Dog lines. Looking up the gateway from Pony Depot. Looking south from Lower Glacier depot, Man hauling camp, 87th parallel. The party at the South Pole. 'The Last Rest'. Facsimile of the last words of Captain Scott's Journal. Track chart of main southern journey. [Page 1] INTRODUCTION BY SIR J. M. BARRIE, BART. On the night of my original meeting with Scott he was but lately home from his first adventure into the Antarctic and my chief recollection of the occasion is that having found the entrancing man I was unable to leave him. In vain he escorted me through the streets of London to my home, for when he had said good-night I then escorted him to his, and so it went on I know not for how long through the small hours. Our talk was largely a comparison of the life of action (which he pooh-poohed) with the loathsome life of those who sit at home (which I scorned); but I also remember that he assured me he was of Scots extraction. As the subject never seems to have been resumed between us, I afterwards wondered whether I had drawn this from him with a promise that, if his reply was satisfactory, I would let him go to bed. However, the family traditions (they are nothing more) do bring him from across the border. According to them his great-great-grandfather was the Scott of Brownhead whose estates were sequestered after the '45. His dwelling was razed to the ground and he fled with his wife, to whom after some grim privations a son was born in a fisherman's hut on September 14, 1745. This son eventually settled in Devon, where he prospered, [Page 2] for it was in the beautiful house of Oatlands that he died. He had four sons, all in the Royal Navy, of whom the eldest had as youngest child John Edward Scott, father of the Captain Scott who was born at Oatlands on June 6, 1868. About the same date, or perhaps a little earlier, it was decided that the boy should go into the Navy like so many of his for-bears. I have been asked to write a few pages about those early days of Scott at Oatlands, so that the boys who read this book may have some slight acquaintance with the boy who became Captain Scott; and they may be relieved to learn (as it holds out some chance for themselves) that the man who did so many heroic things does not make his first appearance as a hero. He enters history aged six, blue-eyed, long-haired, inexpressibly slight and in velveteen, being held out at arm's length by a servant and dripping horribly, like a half-drowned kitten. This is the earliest recollection of him of a sister, who was too young to join in a children's party on that fatal day. But Con, as he was always called, had intimated to her that from a window she would be able to see him taking a noble lead in the festivities in the garden, and she looked; and that is what she saw. He had been showing his guests how superbly he could jump the leat, and had fallen into it. Leat is a Devonshire term for a running stream, and a branch of the leat ran through the Oatlands garden while there was another branch, more venturesome, at the bottom of the fields. These were the waters first ploughed by Scott, and he invented many ways of being in them accidentally, it being forbidden [Page 3] to enter them of intent. Thus he taught his sisters and brother a new version of the oldest probably of all pastimes, the game of 'Touch.' You had to touch 'across the leat,' and, with a
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Produced by John Bickers, and Dagny RISE AND FALL OF CESAR BIROTTEAU By Honore De Balzac Translated by Katharine Prescott Wormeley PART I. CESAR AT HIS APOGEE I During winter nights noise never ceases in the Rue Saint-Honore except for a short interval. Kitchen-gardeners carrying their produce to market continue the stir of carriages returning from theatres and balls. Near the middle of this sustained pause in the grand symphony of Parisian uproar, which occurs about one o'clock in the morning, the wife of Monsieur Cesar Birotteau, a perfumer established near the Place Vendome, was startled from her sleep by a frightful dream. She had seen her double. She had appeared to herself clothed in rags, turning with a shrivelled, withered hand the latch of her own shop-door, seeming to be at the threshold, yet at the same time seated in her armchair behind the counter. She was asking alms of herself, and heard herself speaking from the doorway and also from her seat at the desk. She tried to grasp her husband, but her hand fell on a cold place. Her terror became so intense that she could not move her neck, which stiffened as if petrified; the membranes of her throat became glued together, her voice failed her. She remained sitting erect in the same posture in the middle of the alcove, both panels of which were wide open, her eyes staring and fixed, her hair quivering, her ears filled with strange noises, her heart tightened yet palpitating, and her person bathed in perspiration though chilled to the bone. Fear is a half-diseased sentiment, which presses so violently upon the human mechanism that the faculties are suddenly excited to the highest degree of their power or driven to utter disorganization. Physiologists have long wondered at this phenomenon, which overturns their systems and upsets all theories; it is in fact a thunderbolt working within the being, and, like all electric accidents, capricious and whimsical in its course. This explanation will become a mere commonplace in the day when scientific men are brought to recognize the immense part which electricity plays in human thought. Madame Birotteau now passed through several of the shocks, in some sort electrical, which are produced by terrible explosions of the will forced out, or held under, by some mysterious mechanism. Thus during a period of time, very short if judged by a watch, but immeasurable when calculated by the rapidity of her impressions, the poor woman had the supernatural power of emitting more ideas and bringing to the surface more recollections than, under any ordinary use of her faculties, she could put forth in the course of a whole day. The poignant tale of her monologue may be abridged into a few absurd sentences, as contradictory and bare of meaning as the monologue itself. "There is no reason why Birotteau should leave my bed! He has eaten so much veal that he may be ill. But if he were ill he would have waked me. For nineteen years that we have slept together in this bed, in this house, it has never happened that he left his place without telling me,--poor sheep! He never slept away except to pass the night in the guard-room. Did he come to bed to-night? Why, of course; goodness! how stupid I am." She cast her eyes upon the bed and saw her husband's night-cap, which still retained the almost conical shape of his head. "Can he be dead? Has he killed himself? Why?" she went on. "For the last two years, since they made him deputy-mayor, he is _all-I-don't-know-how_. To put him into public life! On the word of an honest woman, isn't it pitiable? His business is doing well, for he gave me a shawl. But perhaps it isn't doing well? Bah! I should know of it. Does one ever know what a man has got in his head; or a woman either?--there is no harm in that. Didn't we sell five thousand francs' worth to-day? Besides, a deputy mayor couldn't kill himself; he knows the laws too well. Where is he then?" She could neither turn her neck, nor stretch out her hand to pull the bell, which would have put in motion a cook, three clerks, and a shop-boy. A prey to the nightmare, which still lasted though her mind was wide awake, she forgot her daughter peacefully asleep in an adjoining room, the door of which opened at the foot of her bed. At last she cried "Birotteau!" but got no answer. She thought she had called the name aloud, though in fact she had only uttered it mentally. "Has he a mistress? He is too stupid," she added. "Besides, he loves me too well for that. Didn't he tell Madame Roguin that he had never been unfaithful to me, even in thought? He is virtue upon earth, that man. If any one ever deserved paradise he does. What does he accuse himself of to his confessor, I wonder? He must tell him a lot of fiddle-faddle. Royalist as he is, though he doesn't know why, he can't froth up his religion. Poor dear cat! he creeps to Mass at eight o'clock as slyly as if he were going to a bad house. He fears God for God's sake; hell is nothing to him. How could he have a mistress? He is so tied to my petticoat that he bores me. He loves me better than his own eyes; he would put them out for my sake. For nineteen years he has never said to me one word louder than another. His daughter is never considered before me. But Cesarine is here--Cesarine! Cesarine!--Birotteau has never had a thought which he did not tell me. He was right enough when he declared to me at the Petit-Matelot that I should never know him till I tried him. And _not here_! It is extraordinary!" She turned her head with difficulty and glanced furtively about the room, then filled with those picturesque effects which are the despair of language and seem to belong exclusively to the painters of genre. What words can picture the alarming zig-zags produced by falling shadows, the fantastic appearance of curtains bulged out by the wind, the flicker of uncertain light thrown by a night-lamp upon the folds of red calico, the rays shed from a curtain-holder whose lurid centre was like the eye of a burglar, the apparition of a kneeling dress,--in short, all the grotesque effects which terrify the imagination at a moment when it has no power except to foresee misfortunes and exaggerate them? Madame Birotteau suddenly saw a strong light in the room beyond her chamber, and thought of fire; but perceiving a red foulard which looked like a pool of blood, her mind turned exclusively to burglars, especially when she thought she saw traces of a struggle in the way the furniture stood about the room. Recollecting the sum of money which was in the desk, a generous fear put an end to the chill ferment of her nightmare. She sprang terrified, and in her night-gown, into the very centre of the room to help her husband, whom she supposed to be in the grasp of assassins. "Birotteau! Birotteau!" she cried at last in a voice full of anguish. She then saw the perfumer in the middle of the next room, a yard-stick in his hand measuring the air, and so ill wrapped up in his green cotton dressing-gown with chocolate- spots that the cold had reddened his legs without his feeling it, preoccupied as he was. When Cesar turned about to say to his wife, "Well, what do you want, Constance?" his air and manner, like those of a man absorbed in calculations, were so prodigiously silly that Madame Birotteau began to laugh. "Goodness! Cesar, if you are not an oddity like that!" she said. "Why did you leave me alone without telling me? I have nearly died of terror; I did not know what to imagine. What are you doing there, flying open to all the winds? You'll get as hoarse as a wolf. Do you hear me, Birotteau?" "Yes, wife, here I am," answered the perfumer, coming into the bedroom. "Come and warm yourself, and tell me what maggot you've got in your head," replied Madame Birotteau opening the ashes of the fire, which she hastened to relight. "I am frozen. What a goose I was to get up in my night-gown! But I really thought they were assassinating you." The shopkeeper put his candlestick on the chimney-piece, wrapped his dressing-gown closer about him, and went mechanically to find a flannel petticoat for his wife. "Here, Mimi, cover yourself up," he said. "Twenty-two by eighteen," he resumed, going on with his monologue; "we can get a superb salon." "Ah, ca! Birotteau, are you on the high road to insanity? Are you dreaming?" "No, wife, I am calculating." "You had better wait till daylight for your nonsense," she cried, fastening the petticoat beneath her short night-gown and going to the door of the room where her daughter was in bed. "Cesarine is asleep," she said, "she won't hear us. Come, Birotteau, speak up. What is it?" "We can give a ball." "Give a ball! we? On the word of an honest woman, you are dreaming, my friend." "I am not dreaming, my beautiful white doe. Listen. People should always do what their position in life demands. Government has brought me forward into prominence. I belong to the government; it is my duty to study its mind, and further its intentions by developing them. The Duc de Richelieu has just put an end to the occupation of France by the foreign armies. According to Monsieur de la Billardiere, the functionaries who represent the city of Paris should make it their duty, each in his own sphere of influence, to celebrate the liberation of our territory. Let us show a true patriotism which shall put these liberals, these damned intriguers, to the blush; hein? Do you think I don't love my country? I wish to show the liberals, my enemies, that to love the king is to love France." "Do you think you have got any enemies, my poor Birotteau?" "Why, yes, wife, we have enemies. Half our friends in the quarter are our enemies. They all say, 'Birotteau has had luck; Birotteau is a man who came from nothing: yet here he is deputy-mayor; everything succeeds with him.' Well, they are going to be finely surprised. You are the first to be told that I am made a chevalier of the Legion of honor. The king signed the order yesterday." "Oh! then," said Madame Birotteau, much moved, "of course we must give the ball, my good friend. But what have you done to merit the cross?" "Yesterday, when Monsieur de la Billardiere told me the news," said Birotteau, modestly, "I asked myself, as you do, what claims I had to it; but I ended by seeing what they were, and in approving the action of the government. In the first place, I am a royalist; I was wounded at Saint-Roch in Vendemiaire: isn't it something to have borne arms in those days for the good cause? Then, according to the merchants, I exercised my judicial functions in a way to give general satisfaction. I am now deputy-mayor. The king grants four crosses to the municipality of Paris; the prefect, selecting among the deputies suitable persons to be thus decorated, has placed my name first on the list. The king moreover knows me: thanks to old Ragon. I furnish him with the only powder he is willing to use; we alone possess the receipt of the late queen,--poor, dear, august victim! The mayor vehemently supported me. So there it is. If the king gives me the cross without my asking for it, it seems to me that I cannot refuse it without failing in my duty to him. Did I seek to be deputy-mayor? So, wife, since we are sailing before the wind, as your uncle Pillerault says when he is jovial, I have decided to put the household on a footing in conformity with our high position. If I can become anything, I'll risk being whatever the good God wills that I shall be,--sub-prefect, if such be my destiny. My wife, you are much mistaken if you think a citizen has paid his debt to his country by merely selling perfumery for twenty years to those who came to buy it. If the State demands the help of our intelligence, we are as much bound to give it as we are to pay the tax on personal property, on windows and doors, _et caetera_. Do you want to stay forever behind your counter? You have been there, thank God, a long time. This ball shall be our fete,--yours and mine. Good-by to economy,--for your sake, be it understood. I burn our sign, 'The Queen of Roses'; I efface the name, 'Cesar Birotteau, Perfumer, Successor to Ragon,' and put simply, 'Perfumery' in big letters of gold. On the _entresol_ I place the office, the counting-room, and a pretty little sanctum for you. I make the shop out
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Produced by Suzanne Shell, Steve Flynn, Virginia Paque, Peter Klumper, Tonya Allen, Thierry Alberto and PG Distributed Proofreaders [Illustration: "_THE FAIR AND SOMETIMES UNCERTAIN DAUGHTER OF THE HOUSE OF MILBREY_." (See page 182.)] THE SP
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Transcribed from the 1890 Longmans, Green, and Co. edition by David Price, email ccx074@pglaf.org [Picture: Book cover] [Picture: “Il Vecchietto.” By Tabachetti] EX VOTO: AN ACCOUNT OF _The Sacro Monte or New Jerusalem_ _at Varallo-Sesia_ WITH SOME NOTICE OF TABACHETTI’S REMAINING WORK AT THE SANCTUARY OF CREA. BY SAMUEL BUTLER, AUTHOR OF “ALPS AND SANCTUARIES,” “EREWHON,” ETC. “Il n’a a que deux ennemis de la religion—le trop peu, et le trop; et des deux le trop est mille fois le plus dangereux.”—L’ABBÉ MABILLON, 1698. OP. 9. LONDON LONGMANS, GREEN, AND CO. AND NEW YORK: 15 EAST 16th STREET. 1890. _All rights reserved_. * * * * * AI VARALLESI E VALSESIANI L’AUTORE RICONOSCENTE. * * * * * PREFACE. THE illustrations to this book are mainly collotype photographs by Messrs. Maclure, Macdonald & Co., of Glasgow. Notwithstanding all their care, it cannot be pretended that the result is equal to what would have been obtained from photogravure; I found, however, that to give anything like an adequate number of photogravures would have made the book so expensive that I was reluctantly compelled to abandon the idea. As these sheets leave my hands, my attention is called to a pleasant article by Miss Alice Greene about Varallo, that appeared in _The Queen_ for Saturday, April 21, 1888. The article is very nicely illustrated, and gives a good idea of the place. Of the Sacro Monte Miss Greene says:—“On the Sacro Monte the tableaux are produced in perpetuity, only the figures are not living, they are terra-cotta statues painted and moulded in so life-like a way that you feel that, were a man of flesh and blood to get mixed up with the crowd behind the grating, you would have hard work to distinguish him from the figures that have never had life.” I should wish to modify in some respects the conclusion arrived at on pp. 148, 149, about Michael Angelo Rossetti’s having been the principal sculptor of the Massacre of the Innocents chapel. There can be no doubt that Rossetti did the figure which he has signed, and several others in the chapel. One of those which are probably by him (the soldier with outstretched arm to the left of the composition) appears in the view of the chapel that I have given to face page 144, but on consideration I incline against the supposition of my text, _i.e._, that the signature should be taken as governing the whole work, or at any rate the greater part of it, and lean towards accepting the external authority, which, _quantum valeat_, is all in favour of Paracca. I have changed my mind through an increasing inability to resist the opinion of those who hold that the figures fall into two main groups, one by the man who did the signed figure, _i.e._, Michael Angelo Rossetti; and another, comprising all the most vigorous, interesting, and best placed figures, that certainly appears to be by a much more powerful hand. Probably, then, Rossetti finished Paracca’s work and signed one figure as he did, without any idea of claiming the whole, and believing that Paracca’s predominant share was too well known to make mistake about the authorship of the work possible. I have therefore in the title to the illustration given the work to Paracca, but it must be admitted that the question is one of great difficulty, and I can only hope that some other work of Paracca’s may be found which will tend to settle it. I will thankfully receive information about any other such work. _May_ 1, 1888. CONTENTS. CHAP. PAGE I. INTRODUCTION 1 II. THE REV. S. W. KING—LANZI AND LOMAZZO 10 III. VARALLO, PAST AND PRESENT 24 IV. BERNARDINO CAIMI, AND FASSOLA 38 V. EARLY HISTORY OF THE SACRO MONTE 49 VI. PRELIMINARY CONSIDERATIONS 69 VII. AIM AND SCOPE OF THE SACRO MONTE 80 VIII. GAUDENZIO FERRARI, TABACHETTI, AND GIOVANNI 90 D’ENRICO IX. THE ASCENT OF THE SACRO MONTRE, AND CHAPEL NO. 114 1, ADAM AND EVE; NO. 2, THE ANNUNCIATION; NO. 3, THE SALUTATION OF MARY BY ELIZABETH; NO. 4, FIRST VISION OF ST. JOSEPH X. CHAPEL NO. 5, VISIT OF THE MAGI; NO. 6, IL 132 PRESEPIO; NO. 7, VISIT OF THE SHEPHERDS; NO. 8, CIRCUMCISION; NO. 9, JOSEPH WARNED TO FLY; NO. 10, FLIGHT INTO EGYPT; NO. 11, MASSACRE OF THE INNOCENTS XI. CHAPEL NO. 12, BAPTISM; NO. 13, TEMPTATION; NO. 153 14, WOMAN OF SAMARIA; NO. 15, THE PARALYTIC; NO. 16, WIDOW’S SON AT NAIN; NO. 17, TRANSFIGURATION; NO. 18, RAISING OF LAZARUS; NO. 19, ENTRY INTO JERUSALEM; NO. 20, LAST SUPPER; NO. 21, AGONY IN THE GARDEN; NO. 22, SLEEPING APOSTLES XII. THE PALACE OF PILATE; CHAPEL NO. 23, THE CAPTURE 166 OF CHRIST; NO. 24, CHRIST TAKEN TO ANNAS; NO. 25, CHRIST BEFORE CAIAPHAS; NO. 26, REPENTANCE OF ST. PETER; NO. 27, CHRIST BEFORE PILATE; NO. 28, CHRIST BEFORE HEROD; NO. 29, CHRIST TAKEN BACK TO PILATE; NO. 30, FLAGELLATION; NO. 31, CROWNING WITH THORNS; NO. 32, CHRIST AT THE STEPS OF THE PRETORIUM; NO. 33, ECCE <DW25>; NO. 34, PILATE WASHING HIS HANDS; NO. 35, CHRIST CONDEMNED TO DEATH XIII. MYSTERIES OF THE PASSION AND DEATH; CHAPEL NO. 195 36, THE JOURNEY TO CALVARY; NO. 37, NAILING OF CHRIST TO THE CROSS; NO. 38, THE CRUCIFIXION XIV. CHAPEL NO. 39, THE DESCENT FROM THE CROSS 214 XV. THE PIETÀ AND REMAINING CHAPELS. CHAPEL NO. 40, 225 THE PIETÀ; NO. 41, THE ENTOMBMENT; REMAINING CHAPELS AND CHIESA MAGGIORE XVI. TABACHETTI’S WORK AT CREA 239 XVII. CONCLUSION 259 LIST OF ILLUSTRATIONS. _For explanation of the Asterisk see Advertisement of Photographs at the end of the book_. “II VECCHIETTO,” FROM THE DESCENT FROM THE CROSS _Frontispiece_ (CHAPEL NO. 39) PLATE I. PLAN OF THE SACRO MONTE IN 1671 68 II. THE OLD ADAM AND EVE 121 III. TABACHETTI’S ADAM AND EVE 122 IV. FIRST VISION OF ST. JOSEPH 130 V. THE MASSACRE OF THE INNOCENTS 144 VI. THE TEMPTATION IN THE WILDERNESS 154 VII. CAIAPHAS 170 VIII. HEROD 176 IX. TWO LAUGHING BOYS 177 X. MAN IN BACKGROUND OF THE FLAGELLATION 182 CHAPEL XI. STEFANO SCOTTO, AND MR. S. BUTLER 189 XII. TABACHETTI’S JOURNEY TO CALVARY 195 GENERAL VIEW TO THE RIGHT. XIII. TABACHETTI’S JOURNEY TO CALVARY 196 ST. JOHN AND THE MADONNA WITH THE OTHER MARIES. XIV. TABACHETTI’S JOURNEY TO CALVARY 198 STA. VERONICA AND MAN WITH GOITRE. XV. TABACHETTI’S JOURNEY TO CALVARY 200 THE TWO THIEVES AND THEIR DRIVER. XVI. GAUDENZIO FERRARI’S CRUCIFIXION 203 GENERAL VIEW LOOKING TOWARDS THE BAD THIEF. XVII. GAUDENZIO FERRARI’S CRUCIFIXION 204 GENERAL VIEW LOOKING TOWARDS THE GOOD THIEF. XVIII. GAUDENZIO FERRARI’S PORTRAITS OF 206 STEFANO SCOTTO AND LEONARDO DA VINCI XIX. BERNARDINO DE CONTI’S DRAWING OF 207 STEFANO SCOTTO, AND PROFILE OF LEONARDO DA VINCI BY HIMSELF (REVERSED) XX. GAUDENZIO FERRARI’S CRUCIFIXION 210 THE BAD THIEF. ADDITIONS AND CORRECTIONS. UNABLE to go to Dinant before I published “Ex Voto,” I have since been there, and have found out a good deal about Tabachetti’s family. His real name was de Wespin, and he tame of a family who had been Copper-beaters, and hence sculptors—for the Flemish copper-beaters made their own models—for many generations. The family seems to have been the most numerous and important in Dinant. The sculptor’s grandfather, Perpète de Wespin, was the first to take the sobriquet of Tabaguet, and though in the deeds which I have seen at Namur the name is always given as “de Wespin,” yet the addition of “dit Tabaguet” shows that this last was the name in current use. His father and mother, and a sister Jacquelinne, under age, appear to have all died in 1587. Jean de Wespin, the sculptor, is mentioned in a deed of that date as “expatrié,” and he has a “gardien” or “tuteur,” who is to take charge of his inheritance, appointed by the Court, as though he were for some reason unable to appoint one for himself. This lends colour to Fassola’s and Torrotti’s statement that he lost his reason about 1586 or 1587. I think it more likely, however, considering that he was alive and doing admirable work some fifty years after 1590, that he was the victim of some intrigue than that he was ever really mad. At any rate, about 1587 he appears to have been unable to act for himself. If his sister Jacquelinne died under age in 1587, Jean is not likely to have been then much more than thirty, so we may conclude that he was born about 1560. There is some six or eight years’ work by him remaining at Varallo, and described as finished in the 1586 edition of Caccia. Tabachetti, therefore, must have left home very young, and probably went straight to Varallo. In 1586 or 1587 we lose sight of him till 1590 or 1591, when he went to Crea, where he did about forty chapels—almost all of which have perished. On again visiting Milan I found in the Biblioteca Nazionale a guide-book to the Sacro Monte, which was not in the Biblioteca Ambrosiana, and of whose existence I had never heard. This guide-book was published in 1606 and reissued in 1610; it mentions all changes since 1590, and even describes chapels not yet in existence, but it says nothing about Tabachetti’s First Vision of St. Joseph chapel—the only one of his chapels not given as completed in the 1590 edition of Caccia. I had assumed too hastily that this chapel was done just after the 1590 edition of Caccia had been published, and just before Tabachetti left for Crea in 1590 or 1591, whereas it now appears that it was done about 1610, during a short visit paid by the sculptor to Varallo some twenty years after he had left it. Finding that Tabachetti returned to Varallo about 1610, I was able to understand two or three figures in the Ecce <DW25> chapel which I had long thought must be by Tabachetti, but had not ventured to ascribe to him, inasmuch as I believed him to have finally left Varallo some twenty years before the Ecce <DW25> chapel was made. I have now no doubt that he lent a hand to Giovanni D’Enrico with this chapel, in which he has happily left us his portrait signed with a V (doubtless standing for W, a letter which the Italians have not got), cut on the hat before baking, and invisible from outside the chapel. [Picture: Seal] Signor Arienta had told me there was a seal on the back of a figure in the Journey to Calvary chapel; on examining this I found it to show a W, with some kind of armorial bearings underneath. I have not been able to find anything like these arms, of which I give a sketch herewith: they have no affinity with those of the de Wespin family, unless the cups with crosses under them are taken as modifications of the three-footed caldrons which were never absent from the arms of Dinant copper-beaters. Tabachetti (for I shall assume that the seal was placed by him) perhaps sealed this figure as an afterthought in 1610, being
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Produced by Avinash Kothare, Tom Allen, Charles Franks and the Online Distributed Proofreading Team. THE WINDS OF THE WORLD By TALBOT MUNDY THE WINDS OF THE WORLD Ever the Winds of the World fare forth (Oh, listen ye! Ah, listen ye!), East and West, and South and North, Shuttles weaving back and forth Amid the warp! (Oh, listen ye!) Can sightless touch--can vision keen Hunt where the Winds of the World have been And searching, learn what rumors mean? (Nay, ye who are wise! Nay, listen ye!) When tracks are crossed and scent is stale, 'Tis fools who shout--the fast who fail! But wise men harken-Listen ye! YASMINI'S SONG. CHAPTER I A watery July sun was hurrying toward a Punjab sky-line, as if weary of squandering his strength on men who did not mind, and resentful of the unexplainable--a rainy-weather field-day. The cold steel and khaki of native Indian cavalry at attention gleamed motionless between British infantry and two batteries of horse artillery. The only noticeable sound was the voice of a general officer, that rose and fell explaining and asserting pride in his command, but saying nothing as to the why of exercises in the mud. Nor did he mention why the censorship was in full force. He did not say a word of Germany, or Belgium. In front of the third squadron from the right, Risaldar-Major Ranjoor Singh sat his charger like a big bronze statue. He would have stooped to see his right spur better, that shone in spite of mud, for though he has been a man these five-and-twenty years, Ranjoor Singh has neither lost his boyhood love of such things, nor intends to; he has been accused of wearing solid silver spurs in bed. But it hurt him to bend much, after a day's hard exercise on a horse such as he rode. Once--in a rock-strewn gully where the whistling Himalayan wind was Acting Antiseptic-of-the-Day--a young surgeon had taken hurried stitches over Ranjoor Singh's ribs without probing deep enough for an Afghan bullet; that bullet burned after a long day in the saddle. And Bagh was--as the big brute's name implied--a tiger of a horse, unweakened even by monsoon weather, and his habit was to spring with terrific suddenness when his rider moved on him. So Ranjoor Singh sat still. He was willing to eat agony at any time for the squadron's sake--for a squadron of Outram's Own is a unity to marvel at, or envy; and its leader a man to be forgiven spurs a half-inch longer than the regulation. As a soldier, however, he was careful of himself when occasion offered. Sikh-soldier-wise, he preferred Bagh to all other horses in the world, because it had needed persuasion, much stroking of a black beard--to hide anxiety--and many a secret night-ride--to sweat the brute's savagery--before the colonel-sahib could be made to see his virtues as a charger and accept him into the regiment. Sikh-wise, he loved all things that expressed in any way his own unconquerable fire. Most of all, however, he loved the squadron; there was no woman, nor anything between him and D Squadron; but Bagh came next. Spurs were not needed when the general ceased speaking, and the British colonel of Outram's Own shouted an order. Bagh, brute energy beneath hand-polished hair and plastered dirt, sprang like a loosed Hell-tantrum, and his rider's lips drew tight over clenched teeth as he mastered self, agony and horse in one man's effort. Fight how he would, heel, tooth and eye all flashing, Bagh was forced to hold his rightful place in front of the squadron, precisely the right distance behind the last supernumerary of the squadron next in front. Line after rippling line, all Sikhs of the true Sikh baptism except for the eight of their officers who were European, Outram's Own swept down a living avenue of British troops; and neither gunners nor infantry could see one flaw in them, although picking flaws in native regiments is almost part of the British army officer's religion. To the blare of military music, through a bog of their own mixing, the Sikhs trotted for a mile, then drew into a walk, to bring the horses into barracks cool enough for watering. They reached stables as the sun dipped under the near-by acacia trees, and while the black-bearded troopers scraped and rubbed the mud from weary horses, Banjoor Singh went through a task whose form at least was part of his very life. He could imagine nothing less than death or active service that could keep him from inspecting every horse in the squadron before he ate or drank, or as much as washed himself. But, although the day had been a hard one and the strain on the horses more than ordinary, his examination now was so perfunctory that the squadron gaped; the troopers signaled with their eyes as he passed, little more than glancing at each horse. Almost before his back had vanished at the stable entrance, wonderment burst into words. "For the third time he does thus!" "See! My beast overreached, and he passed without detecting it! Does the sun set the same way still?" "I have noticed that he does thus each time after a field-day. What is the connection? A field-day in the rains--a general officer talking to us afterward about the Salt, as if a Sikh does not understand the Salt better than a British general knows English--and our risaldar-major neglecting the horses--is there a connection?" "Aye. What is all this? We worked no harder in the war against the Chitralis. There is something in my bones that speaks of war, when I listen for a while!" "War! Hear him, brothers! Talk is talk, but there will be no war until India grows too fat to breathe--unless the past be remembered and we make one for ourselves!" * * * * * There was silence for a while, if a change of sounds is silence. The Delhi mud sticks as tight as any, and the kneading of it from out of horsehair taxes most of a trooper's energy and full attention. Then, the East being the East in all things, a solitary trooper picked up the scent and gave tongue, as a true hound guides the pack. "Who is _she_?" he wondered, loud enough for fifty men to hear. From out of a cloud of horse-dust, where a stable helper on probation combed a tangled tail, came one word of swift enlightenment. "Yasmini!" "Ah-h-h-h!" In a second the whole squadron was by the ears, and the stable-helper was the center of an interest he had not bargained for. "Nay, sahibs, I but followed him, and how should I know? Nay, then I did not follow him! It so happened. I took that road, and he stepped out of a _tikka-gharri_ at her door. Am I blind? Do I not know her door? Does not everybody know it? Who am I that I should know why he goes again? But--does a moth fly only once to the lamp-flame? Does a drunkard drink but once? By the Guru, nay! May my tongue parch in my throat if I said he is a drunkard! I said--I meant to say--seeing she is Yasmini, and he having been to see her once--and being again in a great hurry--whither goes he?" So the squadron chose a sub-committee of inquiry, seven strong, that being a lucky number the wide world over, and the movements of the risaldar-major were reported one by one to the squadron with the infinite exactness of small detail that seems so useless to all save Easterns. Fifteen minutes after he had left his quarters, no longer in khaki uniform, but dressed as a Sikh gentleman, the whole squadron knew the color of his undershirt, also that he had hired a _tikka-gharri_, and that his only weapon was the ornamental dagger that a true Sikh wears twisted in his hair. One after one, five other men reported him nearly all the way through Delhi, through the Chandni Chowk--where the last man but one nearly lost him in the evening crowd--to the narrow place where, with a bend in the street to either hand, is Yasmini's. The last man watched him through Yasmini's outer door and up the lower stairs before hurrying back to the squadron. And a little later on, being almost as inquisitive as they were careful for their major, the squadron delegated other men, in mufti, to watch for him at the foot of Yasmini's stairs, or as near to the foot as might be, and see him safely home again if they had to fight all Asia on the way. These men had some money with them, and weapons hidden underneath their clothes; for, having betted largely on the quail-fight at Abdul's stables, the squadron was in funds. "In case of trouble one can bribe the police," counseled Nanak Singh, and he surely ought to know, for he was the oldest trooper, and trouble everlasting had preserved him from promotion. "But weapons are good, when policemen are not looking," he added, and the squadron agreed with him. It was Tej Singh, not given to talking as is rule, who voiced the general opinion. "Now we are on the track of things. Now, perhaps, we shall know the meaning of field exercises during the monsoon, with our horses up to the belly in blue mud! The winds of all the world blow into Yasmini's and out again. Our risaldar-major knows nothing at all of women--and that is the danger. But he can listen to the wind; and, what he hears, sooner or later we shall know, too. I smell happenings!" Those three words comprised the whole of it. The squadron spent most of the night whispering, dissecting, analyzing, subdividing, weighing, guessing at that smell of happenings, while its risaldar-major, thinking his secret all his own, investigated nearer to its source. Have you heard the dry earth shrug herself For a storm that tore the trees? Have you watched loot-hungry Faithful Praising Allah on their knees? Have you felt the short hairs rising When the moon slipped out of sight, And the chink of steel on rock explained That footfall in the night? Have you seen a gray boar sniff up-wind In the mauve of waking day? Have you heard a mad crowd pause and think? Have you seen all Hell to pay? CHAPTER II Yasmini bears a reputation that includes her gift for dancing and her skill in song, but is not bounded thereby, Her stairs illustrated it--the two flights of steep winding stairs that lead to her bewildering reception-floor; they seem to have been designed to take men's breath away, and to deliver them at the top defenseless. But Risaldar-Major Ranjoor Singh mounted them with scarcely an effort, as a man who could master Bagh well might, and at the top his middle-aged back was straight and his eye clear. The cunning, curtained lights did not distract him; so he did not make the usual mistake of thinking that the Loveliness who met him was Yasmini. Yasmini likes to make her first impression of the evening on a man just as he comes from making an idiot of himself; so the maid who curtsies in the stair-head maze of mirrored lights has been trained to imitate her. But Ranjoor Singh flipped the girl a coin, and it jingled at her feet. The maid ceased bowing, too insulted to retort. The piece of silver--she would have stooped for gold, just as surely as she would have recognized its ring--lay where it fell. Ranjoor Singh stepped forward toward a glass-bead curtain through which a soft light shone, and an unexpected low laugh greeted him. It was merry, mocking, musical--and something more. There was wisdom hidden in it--masquerading as frivolity; somewhere, too, there was villainy-villainy that she who laughed knew all about and found more interesting than a play. Then suddenly the curtain parted, and Yasmini blocked the way, standing with arms spread wide to either door-post, smiling at him; and Ranjoor Singh had to stop and stare whether it suited him or not. Yasmini is not old, nor nearly old, for all that India is full of tales about her, from the Himalayas to Cape Comorin. In a land where twelve is a marriageable age, a woman need not live to thirty to be talked about; and if she can dance as Yasmini does--though only the Russian ballet can do that--she has the secret of perpetual youth to help her defy the years. No doubt the soft light favored her, but she might have been Ranjoor Singh's granddaughter as she barred his way and looked him up and down impudently through languorous brown eyes. "Salaam, O plowman!" she mocked. She was not actually still an instant, for the light played incessantly on her gauzy silken trousers and
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Produced by David T. Jones, Juliet Sutherland and the Online Distributed Proofreading Canada Team at http://www.pgdpcanada.net GRAHAM'S MAGAZINE. VOL. XXXII. PHILADELPHIA, APRIL, 1848. NO. 4. JACOB JONES. OR THE MAN WHO COULDN'T GET ALONG IN THE WORLD. BY T. S. ARTHUR. Jacob Jones was clerk in a commission store at a salary of five hundred dollars a year. He was just twenty-two, and had been receiving this salary for two years. Jacob had no one to care for but himself; but, somehow or other, it happened that he did not lay up any money, but, instead, usually had from fifty to one hundred dollars standing against him on the books of his tailors. "How much money have you laid by, Jacob?" said one day the merchant who employed him. This question came upon Jacob rather suddenly; and coming from the source that it did, was not an agreeable one--for the merchant was a very careful and economical man. "I havn't laid by any thing yet," replied Jacob, with a slight air of embarrassment. "You havn't!" said the merchant, in surprise. "Why what have you done with your money?" "I've spent it, somehow or other." "It must have been somehow or other, I should think, or somehow else," returned the employer, half seriously, and half playfully. "But really, Jacob, you are a very thoughtless young man to waste your money." "I don't think I _waste_ my money," said Jacob. "What, then, have you done with it?" asked the merchant. "It costs me the whole amount of my salary to live." The merchant shook his head. Then you live extravagantly for a young man of your age and condition. How much do you pay for boarding?" "Four dollars a week." "Too much by from fifty cents to a dollar. But, even paying that sum, four more dollars per week ought to meet fully all your other expenses, and leave you what would amount to nearly one hundred dollars per annum to lay by. I saved nearly two hundred dollars a year on a salary no larger than you receive." "I should like very much to know how you did it. I can't save a cent; in fact, I hardly ever have ten dollars in my pocket." "Where does your money go, Jacob? In what way do you spend a hundred dollars a year more than is necessary?" "They are spent, I know; and that is pretty much all I can tell about it," replied Jacob. "You can certainly tell by your private account book." "I don't keep any private account, sir." "You don't?" in surprise. "No, sir. What's the use? My salary is five hundred dollars a year, and wouldn't be any more nor less if I kept an account of every half cent of it." "Humph!" The merchant said no more. His mind was made up about his clerk. The fact that he spent five hundred dollars a year, and kept no private account, was enough for him. "He'll never be any good to himself nor anybody else. Spend his whole salary--humph! Keep no private account--humph!" This was the opinion held of Jacob Jones by his employer from that day. The reason why he had inquired as to how much money he had saved, was this. He had a nephew, a poor young man, who, like Jacob, was a clerk, and showed a good deal of ability for business. His salary was rather more than what Jacob received, and, like Jacob, he spent it all; but not on himself. He supported, mainly, his mother and a younger brother and sister. A good chance for a small, but safe beginning, was seen by the uncle, which would require only about a thousand dollars as an investment. In his opinion it would be just the thing for Jacob and the nephew. Supposing that Jacob had four or five hundred dollars laid by, it was his intention, if he approved of the thing, to furnish his nephew with a like sum, in order to join him and enter into business. But the acknowledgment of Jacob that he had not saved a dollar, and that he kept no private account, settled the matter in the merchant's mind, as far as he was concerned. About a month afterward, Jacob met his employer's nephew, who said, "I am going into business." "You are?" "Yes." "What are you going to do?" "Open a commission store." "Ah! Can you get any good consignments?" "I am to have the agency for a new mill, which has just commenced operations, beside consignments of goods from several small concerns at the East." "You will have to make advances." "To no great extent. My uncle has secured the agency of the new mill here without any advance being required, and eight hundred or a thousand dollars will be as much as I shall need to secure as many goods as I can sell from the other establishments of which I speak." "But where will the eight hundred or a thousand come from?" "My uncle has placed a thousand dollars at my disposal. Indeed, the whole thing is the result of his recommendation." "Your uncle! You are a lucky dog. I wish I had a rich uncle. But there is no such good fortune for me." This was the conclusion of Jacob Jones, who made himself quite unhappy for some weeks, brooding over the matter. He never once dreamed of the real cause of his not having had an equal share in his young friend's good fortune. He had not the most distant idea that his employer felt nearly as much regard for him as for his nephew, and would have promoted his interests as quickly, if he had felt justified in doing so. "It's my luck, I suppose," was the final conclusion of his mind; "and it's no use to cry about it. Any how, it isn't every man with a rich uncle, and a thousand dollars advanced, who succeeds in business, nor every man who starts without capital that is unsuccessful. I understand as much about business as the old man's nephew, any day; and can get consignments as well as he can." Three or four months after this, Jacob notified the merchant that he was going to start for himself, and asked his interest as far as he could give it, without interfering with his own business. His employer did not speak very encouragingly about the matter, which offended Jacob. "He's afraid I'll injure his nephew," he said to himself. "But he needn't be uneasy--the world is wide enough for us all, the old hunks!" Jacob borrowed a couple of hundred dollars, took a store at five hundred dollars a year rent, and employed a clerk and porter. He then sent his circulars to a number of manufactories at the East, announcing the fact of his having opened a new commission house, and soliciting consignments. His next move was, to leave his boarding-house, where he had been paying four dollars a week, and take lodgings at a hotel at seven dollars a week. Notwithstanding Jacob went regularly to the post office twice every day, few letters came to hand, and but few of them contained bills of lading and invoices. The result of the first year's business was an income from commission on sales of seven hundred dollars. Against this were the items of one thousand dollars for personal expenses, five hundred dollars for store-rent, seven hundred dollars for clerk and porter, and for petty and contingent expenses, two hundred dollars; leaving the uncomfortable deficit of seventeen hundred dollars, which stood against him in the form of bills payable for sales effected, and small notes of accommodation borrowed from his friends. The result of the first year's business of his old employer's nephew was very different. The gross profits were three thousand dollars, and the expenses as follows: personal expense, seven hundred dollars--just what the young man's salary had previously been, and out of which he supported his mother and her family--store-rent, three hundred dollars; porter, two hundred and fifty, petty expenses one hundred dollars--in all, thirteen hundred and fifty dollars, leaving a net profit of sixteen hundred and fifty dollars. It will be seen that he did not go to the expense of a clerk during the first year. He preferred working a little harder, and keeping his own books, by which an important saving was effected. At the end of the second year, notwithstanding Jacob Jones' business more than doubled itself, he was compelled to wind up, and found himself twenty-five hundred dollars worse than nothing. Several of his unpaid bills to eastern houses were placed in suit, and as he lived in a state where imprisonment for debt still existed, he was compelled to go through the forms required by the insolvent laws, to keep clear of durance vile. At the very period when he was driven under by adverse gales, his young friend, who had gone into business about the same time, found himself under the necessity of employing a clerk. He offered Jones a salary of four hundred dollars, the most he believed himself yet justified in paying. This was accepted, and Jacob found himself once more standing upon _terra firma_, although the portion upon which his feet rested was very small, still it was _terra firma_--and that was something. The real causes of his ill success never for a moment occurred to the mind of Jacob. He considered himself an "unlucky dog." "Every thing that some people touch turns to money," he would sometimes say. "But I wasn't born under a lucky star." Instead of rigidly bringing down his expenses, as he ought to have done, to four hundred dollars, if he had had to live in a garret and cook his own food, Jacob went back to his old boarding-house, and paid four dollars a week. All his other expenses required at least eight dollars more to meet them. He was perfectly aware that he was living beyond his income--the exact excess he did not stop to ascertain--but he expected an increase of salary before long, as a matter of course, either in his present situation or in a new one. But no increase took place for two years, and then he was between three and four hundred dollars in debt to tailors, boot-makers, his landlady, and to sundry friends, to whom he applied for small sums of money in cases of emergency. One day about this time, two men were conversing together quite earnestly, as they walked leisurely along one of the principal streets of the city where Jacob resided. One was past the prime of life, and the other about twenty-two. They were father and son, and the subject of conversation related to the wish of the latter to enter into business. The father did not think the young man was possessed of sufficient knowledge of business, or experience, and was, therefore, desirous of associating some one with him who could make up these deficiencies. If he could find just the person that pleased him, he was ready to advance capital and credit to an amount somewhere within the neighborhood of twenty thousand dollars. For some months he had been thinking of Jacob, who was a first-rate salesman, had a good address, and was believed by him to possess business habits eminently conducive to success. The fact that he had once failed, was something of a drawback in his mind, but he had asked Jacob the reason of his ill-success, which was so plausibly explained, that he considered the young man as simply unfortunate in not having capital, and nothing else. "I think Mr. Jones just the right man for you," the father said, as they walked along. "I don't know of any one with whom I had rather form a business connection. He is a man of good address, business habits, and, as far as I know, good principles." "Suppose you mention the subject to him this afternoon." This was agreed to. The two men then entered the shop of a fashionable tailor, for the purpose of ordering some clothes. While there, a man, having the appearance of a collector, came in, and drew the tailor aside. Their conversation was brief but earnest, and concluded by the tailor's saying, so loud that he could be heard by all who were standing near, "It's no use to waste your time with him any longer. Just hand over the account to Simpson, and let him take care of it." The collector turned away, and the tailor came back to his customers. "It is too bad," he said, "the way some of these young fellows do serve us. I have now several thousand dollars on my books against clerks who receive salaries large enough to support them handsomely, and I can't collect a dollar of it. There is Jacob Jones, whose account I have just ordered to be placed in the hands of a lawyer, he owes me nearly two hundred dollars, and I can't get a cent out of him. I call him little better than a scamp." The father and son exchanged glances of significance, but said nothing. The fate of Jacob Jones was sealed. "If that is the case," said the father, as they stepped into the street, "the less we have to do with him the better." To this the son assented. Another more prudent young man was selected, whose fortune was made. "When Jacob received lawyer Simpson's note, threatening a suit if the tailor's bill were not paid, he was greatly disturbed. "Am I not the most unfortunate man in the world?" he said to himself, by way of consolation. "After having paid him so much money, to be served like this. It is too bad. But this is the way of the world. Let a poor devil once get a little under the weather, and every one must have a kick at him." In this dilemma poor Jacob had to call upon the tailor and beg him for further time. This was humiliating, especially as the tailor was considerably out of humor, and disposed to be hard with him. A threat to apply for the benefit of the insolvent law again, if a suit was pressed to an issue, finally induced the tailor to waive legal proceedings for the present, and Jacob had the immediate terrors of the law taken from before his eyes. This event set Jacob to thinking and calculating, what he had never before deemed necessary in his private affairs. The result did not make him feel any happier. To his astonishment he ascertained that he owed more than the whole of his next year's salary would pay, while that was not in itself sufficient to meet his current expenses. For some weeks after this discovery of the real state of his affairs, Jacob was very unhappy. He applied for an increase of salary, and obtained the addition of one hundred dollars per annum. This was something, which was about all that could be said. If he could live on four hundred dollars a year, which he had never yet been able to do, the addition to his salary would not pay his tailor's bill within two years; and what was he to do with boot-maker, landlady, and others? It happened about this time that a clerk in the bank where his old employer was a director, died. His salary had been one thousand dollars. For the vacant place Jacob made immediate application, and was so fortunate as to secure it. Under other circumstances, Jacob would have refused a salary of fifteen hundred dollars in a bank against five hundred in a counting-room, and for the reason that a bank, or office clerk, has little or no hope beyond his salary all his life, while a counting-house clerk, if he have any aptness for trade, stands a fair chance of getting into business sooner or later, and making his fortune as a merchant. But a debt of four hundred dollars hanging over his head, was an argument in favor of a clerkship in the bank, at a salary of a thousand dollars a year, not to be resisted. "I'll keep it until I get even with the world again," he consoled himself by saying, "and then I'll go back into a counting-room. I've an ambition above being a bank clerk all my life." Painful experience had made Jacob a little wiser. For the first time in his life he commenced keeping an account of his personal expenses. This acted as a salutary check upon his bad habit of spending money for every little thing that happened to strike his fancy, and enabled him to clear off his whole debt within the first year. Unwisely, however, he had, during this time, promised to pay some old debts, from which the law had released him. The persons holding these claims, finding him in the receipt of a higher salary, made an appeal to his honor, which, like an honest, but not a prudent man, he responded to by a promise of payment as soon as it was in his power. But little time elapsed after these promises were made, before he found himself in the hands of constables and magistrates, and was only saved from imprisonment by getting friends to go his bail for six and nine months. In order to secure them, he had to give an order in advance for his salary. To get these burdens off of his shoulders, it took twelve months longer, and then he was nearly thirty years of age. "Thirty years old!" he said, to himself on his thirtieth birth-day. "Can it be possible? Long before this I ought to have been doing a flourishing business, and here I am, nothing but a bank clerk, with the prospect of never rising a step higher as long as I live. I don't know how it is that some people get along so well in the world. I am sure I am as industrious, and can do business as well as any man; but here I am still at the point from which I started twenty years ago. I can't understand it. I'm afraid there's more in luck than I'm willing to believe." From this time Jacob set himself to work to obtain a situation in some store or counting-room, and finally, after looking about for nearly a year, was fortunate enough to obtain a good place, as book-keeper and salesman, with a wholesale grocer and commission merchant. Seven hundred dollars was to be his salary. His friends called him a fool for giving up an easy place at one thousand a year, for a hard one at seven hundred. But the act was a much wiser one than many others of his life. Instead of saving money during the third year of his receipt of one thousand dollars, he spent the whole of his salary, without paying off a single old debt. His private account-keeping had continued through a year and a half. After that it was abandoned. Had it been continued, it might have saved him three or four hundred dollars, which were now all gone, and nothing to show for them. Poor Jacob! experience did not make him much wiser. Two years passed, and at least half a dozen young men here and there around our friend Jacob, went into business, either as partners in some old houses, or under the auspices of relatives or interested friends. But there appeared no opening for him. He did not know, that many times during that period, he had been the subject of conversation between parties, one or both of which were looking out for a man of thorough business qualifications against which capital would be placed; nor the fact, that either his first failure, his improvidence, or something else personal to himself, had caused him to be set aside for some other one not near so capable. He was lamenting his ill-luck one day, when a young man with whom he was very well acquainted, and who was clerk in a neighboring store, called in and said that he wanted to have some talk with him about a matter of interest to both. "First of all, Mr. Jones," said the young man, after they were alone, "how much capital could you raise by a strong effort?" "I am sure I don't know," replied Jacob, not in a very cheerful tone. "I never was lucky in having friends ready to assist me." "Well! perhaps there will be no need of that. You have had a good salary for four or five years--how much have you saved? Enough, probably, to answer every purpose--that is, if you are willing to join me in taking advantage of one of the best openings for business that has offered for a long time. I have a thousand dollars in the savings bank. You have as much, or more, I presume?" "I am sorry to say I have not," was poor Jacob's reply, in a desponding voice. "I was unfortunate in business some years ago, and my old debts have drained away from me every dollar I could earn." "Indeed! that is very unfortunate. I was in hopes you could furnish a thousand dollars." "I might borrow it, perhaps, if the chance is a very good one." "Well, if you could do that, it would be as well, I suppose," returned the young man. "But you must see about it immediately. If you cannot join me at once, I must find some one who will, for the chance is too good to be lost." Jacob got a full statement of the business proposed, its nature and prospects, and then laid the matter before the three merchants with whom he had at different times lived in the capacity of clerk, and begged them to advance him the required capital. The subject was taken up by them and seriously considered. They all liked Jacob, and felt willing to promote his interests, but had little or no confidence in his ultimate success, on account of his want of economy in personal matters. It was very justly remarked by one of them, that this want of economy, and the judicious use of money in personal matters, would go with him in business, and mar all his prospects. Still, as they had great confidence in the other man, they agreed to advance, jointly, the sum needed. In the meantime, the young man who had made the proposition to Jacob, when he learned that he had once failed in business, was still in debt, and liable to have claims pushed against him, (this he inferred from Jacob's having stretched the truth, by saying that his old debts drained away from him every dollar, when the fact was he was freed from them by the provisions of the insolvent law of the state,) came to the conclusion that a business connection with him was a thing to be avoided rather than sought after. He accordingly turned his thoughts in another quarter, and when Jones called to inform him that he had raised the capital needed, he was coolly told that it was too late, he having an hour before closed a partnership arrangement with another person, under the belief that Jones could not advance the money required. This was a bitter disappointment, and soured the mind of Jacob against his fellow man, and against the fates also, which he alledged were all combined against him. His own share in the matter was a thing undreamed of. He believed himself far better qualified for business than the one who had been preferred before him, and he had the thousand dollars to advance. It must be his luck that was against him, nothing else; he could come to no other conclusion. Other people could get along in the world, but he couldn't. That was the great mystery of his life. For two years Jacob had been waiting to get married. He had not wished to take this step before entering into business, and having a fair prospect before him. But years were creeping on him apace, and the fair object of his affections seemed weary of delay. "It is no use to wait any longer," he said, after this dashing of his cup to the earth. "Luck is against me. I shall never be any thing but a poor devil of a clerk. If Clara is willing to share my humble lot, we might as well be married first as last." Clara was not unwilling, and Jacob Jones entered into the estate connubial, and took upon him the cares of a family, with a salary of seven hundred dollars a year to sustain the new relation. Instead of taking cheap boarding, or renting a couple of rooms, and commencing housekeeping in a small way, Jacob saw but one course before him, and that was to rent a genteel house, go in debt for genteel furniture, and keep two servants. Two years was the longest that he could bear up under this state of things, when he was sold out by the sheriff, and forced "to go through the mill again," as taking the benefit of the insolvent law was facetiously called. "Poor fellow! he has a hard time of it. I wonder why it is that he gets along so badly. He is an industrious man, and regular in his habits. It is strange. But some men seem born to ill-luck." So said some of his pitying friends. Others understood the matter better. Ten years have passed, and Jacob is still a clerk, but not in a store. Hopeless of getting into business, he applied for a vacancy that occurred in an insurance company, and received the appointment, which he still holds, at a salary of twelve hundred dollars a year. After being sold out three times by the sheriff, and having the deep mortification of seeing her husband brought down to the humiliating necessity of applying as often for the benefit of the insolvent law, Mrs. Jones took affairs, by consent of her husband, into her own hands, and managed them with such prudence and economy that, notwithstanding they have five children, the expenses, all told, are not over eight hundred dollars a year, and half of the surplus, four hundred dollars, is appropriated to the liquidation of debts contracted since their marriage, and the other half deposited in the savings' bank, as a fund for the education of their children in the higher branches, when they reach a more advanced age. To this day it is a matter of wonder to Jacob Jones why he could never get along in the world like some people; and he has come to the settled conviction that it is his "luck." THE DARLING. BY BLANCHE BENNAIRDE. When first we saw her face, so dimpled o'er With smiles of sweetest charm, we said within Our inmost heart, that ne'er on earth before Had so much passing beauty ever been: So full of sweetest grace, so fair to see-- This treasure bright our babe in infancy. Like blush of roses was the tint of health O'erspread her lovely cheeks; and they might vie In beauty with the fairest flower--nor wealth, Though told in countless millions, e'er could buy The radiance of this gem, than aught more bright Which lies in hidden mine, or saw the light. The dawn of life was fair; so was its morn; For with each day new beauties met our view, And well we deemed that she, the dear first-born, Might early fade, like flowers that earth bestrew With all their cherished beauty, leaving naught But faded leaves where once their forms were sought. She smiled upon us, and her spirit fled To taste the pleasures of that fairer land, Where angels ever dwell--she is not dead; But there with them her beauteous form doth stand, Arrayed in flowing light, before the throne Of Him whose name is Love--the Holy One. She was our choicest bud, our precious flower; But now she blooms in that celestial place, Where naught can spoil the pleasure of an hour, Nor from its beauty one bright line efface-- Where all is one perpetual scene of bliss, Unmixed with sin; all perfect happiness. The darling then is safe, secure from ill; Why should we mourn that she hath left this earth, When in that brighter land she bloometh still, A flower more perfect, of celestial birth? Let us submit, and own His righteous care Who doeth well; striving to meet her there. BATTLE OF FORT MOULTRIE.[1] BY CHARLES J. PETERSON. When the news of the battle of Lexington reached Charleston, South Carolina rose in commotion. The provincial Congress, which had adjourned, immediately re-assembled. Two regiments of foot and one of horse were ordered to be raised; measures were taken to procure powder; and every preparation made for the war which was now seen to be inevitable. A danger of a vital character speedily threatened the colony. This was its invasion by the British; a project which had long been entertained by the royal generals. To provide in time for defeating it, Congress had dispatched General Lee to the South. It was not until the beginning of the summer of 1776, however, that the enemy's armament set sail from New York, consisting of a large fleet of transports with a competent land force, commanded by Sir Henry Clinton, and attended by a squadron of nine men-of-war, led by Sir Peter Parker. On the arrival of this expedition off the coast, all was terror and confusion among the South Carolinians. Energetic measures were, however, adopted to repel the attack. To defend their capital the inhabitants constructed on Sullivan's Island, near the entrance of their harbor, and about four miles from the city, a rude fort of palmetto logs, the command of which was given to Col. Moultrie. Never, perhaps, was a more inartificial defence relied on in so great an emergency. The form of the fort was square, with a bastion at each angle; it was built of logs based on each other in parallel rows, at a distance of sixteen feet. Other logs were bound together at frequent intervals with timber dove-tailed and bolted into them. The spaces between were filled up with sand. The merlons were faced with palmetto logs. All the industry of the Carolinians, however, was insufficient to complete the fort in time; and when the British fleet entered the harbor, the defences were little more than a single front facing the water. The whole force of Col. Moultrie was four hundred and thirty-five, rank and file; his armament consisted of nine French twenty-sixes, fourteen English eighteens, nine twelve and seven nine pounders. Finding the fort could be easily enfiladed, Gen. Lee advised abandoning it; but the governor refused, telling Moultrie to keep his post, until he himself ordered the retreat. Moultrie, on his part, required no urging to adopt this more heroic course. A spectator happening to say, that in half an hour the enemy would knock the fort to pieces. "Then," replied Moultrie, undauntedly, "we will lie behind the ruins, and prevent their men from landing." Lee with many fears left the island, and repairing to his camp on the main land, prepared to cover the retreat of the garrison, which he considered inevitable. [Footnote 1: From a work now in press, and shortly to be published, entitled "_The Military Heroes of the United States. By C. J. Peterson. 2 vols. 8vo. 500 pp._"] There was, perhaps, more of bravado than of sound military policy in attacking this fort at all, since the English fleet might easily have run the gauntlet of it, as was done a few years later. But Fort Moultrie was destined to be to the navy what Bunker Hill had been to the army. It was in consequence of excess of scorn for his enemy, that Sir Peter Parker, disdaining to leave such a place in his rear, resolved on its total demolition. He had no doubt but that, in an hour at the utmost, he could make the unpracticed Carolinians glad to sue for peace on any terms. Accordingly on the 28th of June, 1776, he entered the harbor, in all the parade of his proud ships, nine in number, and drawing up abreast the fort, let go his anchors with springs upon his cables, and began a furious cannonade. Meanwhile terror reigned in Charleston. As the sound of the first gun went booming over the waters toward the town, the trembling inhabitants who had been crowding the wharves and lining the house-tops since early morning, turned pale with ominous forebodings. Nor were the feelings of the defenders of the fort less anxious. Looking off, over the low island intervening between them and the city, they could see the gleaming walls of their distant homes; and their imaginations conjured up the picture of those dear habitations given to the flames, as another Charlestown had been, a twelve-month before, and the still dearer wives that inhabited them, cast houseless upon the world. As they turned from this spectacle, and watched the haughty approach of the enemy, at every motion betraying confidence of success, their eyes kindled with indignant feelings, and they silently swore to make good the words of their leader, by perishing, if need were, under the ruins of the fort. One by one the British men-of-war gallantly approached the stations assigned them, Sir Peter Parker, in the Bristol, leading the van. The Experiment, another fifty gun ship, came close after, and both dropped their anchors in succession directly abreast the fort. The other frigates followed, and ranged themselves as supports. The remaining vessels were still working up to their stations, when the first gun was fired, and instantly the battle begun. The quantity of powder on the island being
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Produced by Eric Eldred, David Garcia, Charles Franks, and the Online Distributed Proofreading Team A SHEPHERD'S LIFE IMPRESSIONS OF THE SOUTH WILTSHIRE DOWNS BY W. H. HUDSON NOTE I an obliged to Messrs. Longmans, Green, & Co. for permission to make use of an article entitled "A Shepherd of the Downs," which appeared in the October and November numbers of _Longmans' Magazine_ in 1902. With the exception of that article, portions of which I have incorporated in different chapters, the whole of the matter contained in this work now appears for the first time. CONTENTS Chapter. I. SALISBURY PLAIN II. SALISBURY AS I SEE IT III. WINTERBOURNE BISHOP IV. A SHEPHERD OF THE DOWNS V. EARLY MEMORIES VI. SHEPHERD ISAAC BAWCOMBE VII. THE DEER-STEALERS VIII. SHEPHERDS AND POACHING IX. THE SHEPHERD ON FOXES X. BIRD LIFE ON THE DOWNS XI. STARLINGS AND SHEEP-BELLS XII. THE SHEPHERD AND THE BIBLE XIII. VALE OF THE WYLYE XIV. A SHEEP-DOG'S LIFE XV. THE ELLERBYS OF DOVETON XVI. OLD WILTSHIRE DAYS XVII. OLD WILTSHIRE DAYS (_continued_) XVIII. THE SHEPHERD'S RETURN XIX. THE DARK PEOPLE OF THE VILLAGE XX. SOME SHEEP-DOGS XXI. THE SHEPHERD AS NATURALIST XXII. THE MASTER OF THE VILLAGE XXIII. ISAAC'S CHILDREN XXIV. LIVING IN THE PAST A SHEPHERD'S LIFE SALISBURY PLAIN CHAPTER I Introductory remarks--Wiltshire little favoured by tourists--Aspect of the downs--Bad weather--Desolate aspect--The bird-scarer--Fascination of the downs--The larger Salisbury Plain--Effect of the military occupation--A century's changes--Birds--Old Wiltshire sheep--Sheep-horns in a well--Changes wrought by cultivation--Rabbit-warrens on the downs--Barrows obliterated by the plough and by rabbits Wiltshire looks large on the map of England, a great green county, yet it never appears to be a favourite one to those who go on rambles in the land. At all events I am unable to bring to mind an instance of a lover of Wiltshire who was not a native or a resident, or had not been to Marlborough and loved the country on account of early associations. Nor can I regard myself as an exception, since, owing to a certain kind of adaptiveness in me, a sense of being at home wherever grass grows, I am in a way a native too. Again, listen to any half-dozen of your friends discussing the places they have visited, or intend visiting, comparing notes about the counties, towns, churches, castles, scenery--all that draws them and satisfies their nature, and the chances are that they will not even mention Wiltshire. They all know it "in a way"; they have seen Salisbury Cathedral and Stonehenge, which everybody must go to look at once in his life; and they have also viewed the country from the windows of a railroad carriage as they passed through on their flight to Bath and to Wales with its mountains, and to the west country, which many of us love best of all--Somerset, Devon, and Cornwall. For there is nothing striking in Wiltshire, at all events to those who love nature first; nor mountains, nor sea, nor anything to compare with the places they are hastening to, west or north. The downs! Yes, the downs are there, full in sight of your window, in their flowing forms resembling vast, pale green waves, wave beyond wave, "in fluctuation fixed"; a fine country to walk on in fine weather for all those who regard the mere exercise of walking as sufficient pleasure. But to those who wish for something more, these downs may be neglected, since, if downs are wanted, there is the higher, nobler Sussex range within an hour of London. There are others on whom the naked aspect of the downs has a repelling effect. Like Gilpin they love not an undecorated earth; and false and ridiculous as Gilpin's taste may seem to me and to all those who love the chalk, which "spoils everything" as Gilpin said, he certainly expresses a feeling common to those who are unaccustomed to the emptiness and silence of these great spaces. As to walking on the downs, one remembers that the fine days are not so many, even in the season when they are looked for--they have certainly been few during this wet and discomfortable one of 1909. It is indeed only on the chalk hills that I ever feel disposed to quarrel with this English climate, for all weathers are good to those who love the open air, and have their special attractions. What a pleasure it is to be out in rough weather in October when the equinoctial gales are on, "the wind Euroclydon," to listen to its roaring in the bending trees, to watch the dead leaves flying, the pestilence-stricken multitudes, yellow and black and red, whirled away in flight on flight before the volleying blast, and to hear and see and feel the tempests of rain, the big silver-grey drops that smite you like hail! And what pleasure too, in the still grey November weather, the time of suspense and melancholy before winter, a strange quietude, like a sense of apprehension in nature! And so on through the revolving year, in all places in all weathers, there is pleasure in the open air, except on these chalk hills because of their bleak nakedness. There the wind and driving rain are not for but against you, and may overcome you with misery. One feels their loneliness, monotony, and desolation on many days, sometimes even when it is not wet, and I here recall an amusing encounter with a bird-scarer during one of these dreary spells. It was in March, bitterly cold, with an east wind which had been blowing many days, and overhead the sky was of a hard, steely grey. I was cycling along the valley of the Ebble, and finally leaving it pushed up a long steep <DW72> and set off over the high plain by a dusty road with the wind hard against me. A more desolate scene than the one before me it would be hard to imagine, for the land was all ploughed and stretched away before me, an endless succession of vast grey fields, divided by wire fences. On all that space there was but one living thing in sight, a human form, a boy, far away on the left side, standing in the middle of a big field with something which looked like a gun in his hand. Immediately after I saw him he, too, appeared to have caught sight of me, for turning he set off running as fast as he could over the ploughed ground towards the road, as if intending to speak to me. The distance he would have to run was about a quarter of a mile and I doubted that he would be there in time to catch me, but he ran fast and the wind was against me, and he arrived at the road just as I got to that point. There by the side of the fence he stood, panting from his race, his handsome face glowing with colour, a boy about twelve or thirteen, with a fine strong figure, remarkably well dressed for a bird-scarer. For that was what he was, and he carried a queer, heavy-looking old gun. I got off my wheel and waited for him to speak, but he was silent, and continued regarding me with the smiling countenance of one well pleased with himself. "Well?" I said, but there was no answer; he only kept on smiling. "What did you want?" I demanded impatiently. "I didn't want anything." "But you started running here as fast as you could the moment you caught sight of me." "Yes, I did." "Well, what did you do it for--what was your object in running here?" "Just to see you pass," he answered. It was a little ridiculous and vexed me at first, but by and by when I left him, after some more conversation, I felt rather pleased; for it was a new and somewhat flattering experience to have any person run a long distance over a ploughed field, burdened with a heavy gun, "just to see me pass." But it was not strange in the circumstances; his hours in that grey, windy desolation must have seemed like days, and it was a break in the monotony, a little joyful excitement in getting to the road in time to see a passer-by more closely, and for a few moments gave him a sense of human companionship. I began even to feel a little sorry for him, alone there in his high, dreary world, but presently thought he was better off and better employed than most of his fellows poring over miserable books in school, and I wished we had a more rational system of education for the agricultural districts, one which would not keep the children shut up in a room during all the best hours of the day, when to be out of doors, seeing, hearing, and doing, would fit them so much better for the life-work before them. Squeers' method was a wiser one. We think less of it than of the delightful caricature, which makes Squeers "a joy for ever," as Mr. Lang has said of Pecksniff. But Dickens was a Londoner, and incapable of looking at this or any other question from any other than the Londoner's standpoint. Can you have a better system for the children of all England than this one which will turn out the most perfect draper's assistant in Oxford Street, or, to go higher, the most efficient Mr. G
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Produced by Charles Franks and the Online Distributed Proofreading Team BURKE'S SPEECH ON CONCILIATION WITH AMERICA By Edmond Burke Edited With Introduction And Notes By Sidney Carleton Newsom Teacher Of English, Manual Training High School Indianapolis, Indiana PREFACE The introduction to this edition of Burke's speech on Conciliation with America is intended to supply the needs of those students who do not have access to a well-stocked library, or who, for any reason, are unable to do the collateral reading necessary for a complete understanding of the text. The sources from which information has been drawn in preparing this edition are mentioned under "Bibliography." The editor wishes to acknowledge indebtedness to many of the excellent older editions of the speech, and also to Mr. A. P. Winston, of the Manual Training High School, for valuable suggestions. CONTENTS POLITICAL SITUATION EDMUND BURKE BURKE AS A STATESMAN BURKE IN LITERATURE TOPICS FOR SPECIAL REPORTS BIBLIOGRAPHY SPEECH ON CONCILIATION WITH AMERICA NOTES INDEX INTRODUCTION POLITICAL SITUATION In 1651 originated the policy which caused the American Revolution. That policy was one of taxation, indirect, it is true, but none the less taxation. The first Navigation Act required that colonial exports should be shipped to England in American or English vessels. This was followed by a long series of acts, regulating and restricting the American trade. Colonists were not allowed to exchange certain articles without paying duties thereon, and custom houses were established and officers appointed. Opposition to these proceedings was ineffectual; and in 1696, in order to expedite the business of taxation, and to establish a better method of ruling the colonies, a board was appointed, called the Lords Commissioners for Trade and Plantations. The royal governors found in this board ready sympathizers, and were not slow to report their grievances, and to insist upon more stringent regulations for enforcing obedience. Some of the retaliative measures employed were the suspension of the writ of habeas corpus, the abridgment of the freedom of the press and the prohibition of elections. But the colonists generally succeeded in having their own way in the end, and were not wholly without encouragement and sympathy in the English Parliament. It may be that the war with France, which ended with the fall of Quebec, had much to do with this rather generous treatment. The Americans, too, were favored by the Whigs, who had been in power for more than seventy years. The policy of this great party was not opposed to the sentiments and ideas of political freedom that had grown up in the colonies; and, although more than half of the Navigation Acts were passed by Whig governments, the leaders had known how to wink at the violation of nearly all of them. Immediately after the close of the French war, and after George III. had ascended the throne of England, it was decided to enforce the Navigation Acts rigidly. There was to be no more smuggling, and, to prevent this, Writs of Assistance were issued. Armed with such authority, a servant of the king might enter the home of any citizen, and make a thorough search for smuggled goods. It is needless to say the measure was resisted vigorously, and its reception by the colonists, and its effect upon them, has been called the opening scene of the American Revolution. As a matter of fact, this sudden change in the attitude of England toward the colonies, marks the beginning of the policy of George III. which, had it been successful, would have made him the ruler of an absolute instead of a limited monarchy. He hated the Tories only less than the Whigs, and when he bestowed a favor upon either, it was for the purpose of weakening the other. The first task he set himself was that of crushing the Whigs. Since the Revolution of 1688, they had dictated the policy of the English government, and through wise leaders had become supreme in authority. They were particularly obnoxious to him because of their republican spirit, and he regarded their ascendency as a constant menace to his kingly power. Fortune seemed to favor him in the dissensions which arose. There grew up two factions in the Whig party. There were old Whigs and new Whigs. George played one against the other, advanced his favorites when opportunity offered, and in the end succeeded in forming a ministry composed of his friends and obedient to his will. With the ministry safely in hand, he turned his attention to the House of Commons. The old Whigs had set an example, which George was shrewd enough to follow. Walpole and Newcastle had succeeded in giving England one of the most peaceful and prosperous governments within in the previous history of the nation, but their methods were corrupt. With much of the judgment, penetration and wise forbearance which marks a statesman, Walpole's distinctive qualities of mind eminently fitted him for political intrigue; Newcastle was still worse, and has the distinction of being the premier under whose administration the revolt against official corruption first received the support of the public. For near a hundred years, the territorial distribution of seats in the House had remained the same, while the centres of population had shifted along with those of trade and new industries. Great towns were without representation, while boroughs, such as Old Sarum, without a single voter, still claimed, and had, a seat in Parliament. Such districts, or "rotten boroughs," were owned and controlled by many of the great landowners. Both Walpole and Newcastle resorted to the outright purchase of these seats, and when the time came George did not shrink from doing the same thing. He went even further. All preferments of whatsoever sort were bestowed upon those who would do his bidding, and the business of bribery assumed such proportions that an office was opened at the Treasury for this purpose, from which twenty-five thousand pounds are said to have passed in a single day. Parliament had been for a long time only partially representative of the people; it now ceased to be so almost completely. With, the support which such methods secured, along with encouragement from his ministers, the king was prepared to put in operation his policy for regulating the affairs of America. Writs of Assistance (1761) were followed by the passage of the Stamp Act (1765). The ostensible object of both these measures was to help pay the debt incurred by the French war, but the real purpose lay deeper, and was nothing more or less than the ultimate extension of parliamentary rule, in great things as well as small, to America. At this crisis, so momentous for the colonists, the Rockingham ministry was formed, and Burke, together with Pitt, supported a motion for the unconditional repeal of the Stamp Act. After much wrangling, the motion was carried, and the first blunder of the mother country seemed to have been smoothed over. Only a few months elapsed, however, when the question of taxing the colonies was revived. Pitt lay ill, and could take no part in the proposed measure. Through the influence of other members of his party,--notably Townshend,--a series of acts were passed, imposing duties on several exports to America. This was followed by a suspension of the New York Assembly, because it had disregarded instructions
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Produced by Audrey Longhurst, Sam W. and the Online Distributed Proofreading Team at http://www.pgdp.net BIBLIOTHEQUE DES CHEFS-D'OEUVRE DU ROMAN CONTEMPORAIN _KING OF CAMARGUE_ JEAN AICARD PRINTED FOR SUBSCRIBERS ONLY BY GEORGE BARRIE & SONS, PHILADELPHIA COPYRIGHT, 1901, BY GEORGE BARRIE & SON THIS EDITION OF KING OF CAMARGUE HAS BEEN COMPLETELY TRANSLATED BY GEORGE B. IVES THE ETCHINGS ARE BY LOUIS V. RUET AND DRAWINGS BY GEORGE ROUX CHEFS-D'OEUVRE DU ROMAN CONTEMPORAIN ROMANCISTS THIS EDITION DEDICATED TO THE HONOR OF THE ACADEMIE FRANCAISE IS LIMITED TO ONE THOUSAND NUMBERED AND REGISTERED SETS, OF WHICH THIS IS NUMBER 358 THE ROMANCISTS JEAN AICARD KING OF CAMARGUE [Illustration: Chapter VI _This woman had a way of looking at people that disconcerted them. You would say that a sharp, threatening flame shot from her eyes. It penetrated your being, searched your heart, and you were powerless against it._] TO EMILE TRELAT My Very Dear Friend: Permit me to dedicate this book to you, whose incomparable friendship has been to the poet, obstinate in his idealism, of hourly assistance, a constant proof of the reality of true generosity and kindness of heart. Jean Aicard. _La Garde, near Toulon, April 11, 1890._ Contents PAGE I LIVETTE AND ZINZARA 3 II IN CAMARGUE 13 III THE DROVERS 21 IV THE SEDEN 27 V THE LOVERS 39 VI RAMPAL 51 VII THE MEETING 57 VIII ON THE BENCH 73 IX THE PRAYER 83 X THE TERRACE 91 XI THE HIDING-PLACE 99 XII A SORCERESS 121 XIII THE SNAKE-CHARMER 143 XIV JOUSTING 165 XV MONSIEUR LE CURE'S ARCHAEOLOGY 177 XVI ON THE ROOF OF THE CHURCH 205 XVII THE OLD WOMAN 219 XVIII THE BLESSED RELICS 231 XIX THE BRANDING 247 XX THE SNARE 261 XXI HERODIAS 279 XXII IN THE NEST 291 XXIII THE PURSUIT 303 XXIV IN THE GARGATE 323 XXV THE PHANTOM 331 NOTES 345 List of Illustrations KING OF CAMARGUE PAGE RAMPAL AND THE GIPSY _Fronts._ RENAUD IN THE TOILS OF THE QUEEN 64 LIVETTE AND RENAUD 88 LIVETTE WATCHES ON THE CHURCH ROOF 216 THE GIPSY'S COUCH 312 KING OF CAMARGUE I LIVETTE AND ZINZARA A shadow suddenly darkened the narrow window. Livette, who was running hither and thither, setting the table for supper, in the lower room of the farm-house of the Chateau d'Avignon, gave a little shriek of terror, and looked up. The girl had an instinctive feeling that it was neither father nor grandmother, nor any of her dear ones, but some stranger, who sought amusement by thus taking her by surprise. Nor a stranger, either, for that matter,--it was hardly possible!--But how was it that the dogs did not yelp? Ah! this Camargue is frequented by bad people, especially at this season, toward the end of May, on account of the festival of Saintes-Maries-de-la-Mer, which attracts, like a fair, such a crowd of people, thieves and gulls, and so many mischievous gipsies! The figure that was leaning on the outside of the window-sill, shutting out the light, looked to Livette like a black mass, sharply outlined against the blue sky; but by the thick, curly hair, surmounted by a tinsel crown, by the general contour of the bust, by the huge ear-rings with an amulet hanging at the ends, Livette recognized a certain gipsy woman who was universally known as the Queen, and who, for nearly two weeks, had been suddenly appearing to people at widely distant points on the island, always unexpectedly, as if she rose out of the ditches or clumps of thorn-broom or the water of the swamps, to say to the laborers, preferably the women: "Give me this or that;" for the Queen, as a general rule, would not accept what people chose to offer her, but only what she chose that they should offer her. "Give me a little oil in a bottle, Livette," said the young gipsy, darting a dark, flashing glance at the pretty girl with the fair, sun-flecked hair. Livette, charitable as she was at every opportunity, at once felt that she must be on her guard against this vagabond, who knew her name. Her father and grandmother had gone to Arles, to see the notary, who would soon have to be drawing up the papers for her marriage to Renaud, the handsomest drover in all Camargue. She was alone in the house. Distrust gave her strength to refuse. "Our Camargue isn't an olive country," said she curtly, "oil is scarce here. I haven't any." "But I see some in the jar at the bottom of the cupboard, beside the water-pitcher." Livette turned hastily toward the cupboard. It was closed; but, in truth, the stock of olive oil was there in a jar beside the one in which they kept Rhone water for their daily needs. "I don't know what you mean," said Livette. "The lie came from your mouth like a vile black wasp from a garden-flower, little one!" said the motionless figure, still leaning heavily on the window-sill, evidently determined to remain. "The oil is where I say it is, and more than twenty-five litres too; I can see it from here. Come, come, take a clean bottle and the tin funnel and give me quickly what I want. I'll tell you, in exchange, what I see in your future." "It's a deadly sin to seek to know what God doesn't wish us to know," said Livette, "and you can guess that oil is kept in cupboards and still be no more of a sorceress than I am. Go about your business, good-wife. I can give you some of this bread, fresh baked last night, if you wish, but I tell you I haven't any oil." "And why do they call you Livette," said the Queen calmly, "if it isn't on account of the field of old olive-trees--the oldest and finest in the country--owned by your father, near Avignon? There you were born. There you remained until you were ten years old, and at that age--seven years ago, a mystic number--you came here, where your father was made farmer, overseer of drovers, manager of everything, by the Avignonese master of this 'Chateau d'Avignon,' the finest in all Camargue.--'Livettes! livettes!' that's the way you used to ask for _olivettes_, olives, when you were a baby. You were very fond of them, and the nickname clung to you. A pretty nickname, on my word, and one that suits you well, for if you're not dark like the ripe olive, you're fair as the virgin oil, a pearl of amber in the sunlight, and then you are not yet ripe. Your face is oval, and not stupidly round like a Norman apple. You have the pallor of the olive-leaves seen from below.--And that you may soon see them so, little one, is the blessing I ask for you, as the cures of your chapels say, where they take us in for pity. Be compassionate as they are, in the name of your Lord Jesus Christ, and give me some oil quickly, I say--in the name of extreme unction and the garden of agony!" The gipsy had said all this without stopping to breathe, in a dull, monotonous, muffled voice, but she added abruptly in loud, piercing, incisive tones: "Do you understand what I say?" imparting to those simple words an extraordinarily imperious and violent expression. Livette hastily crossed herself. "Come, enough of this!" said she, "I have nothing here for you, and we keep the oil of extreme unction for better Christians! Begone, pagan, begone!" she added, trying to counterfeit courage. "Of the three holy women," continued the gipsy, "who took ship, after the death of Jesus Christ, to escape the crucifying Jews, one was like myself, an Egyptian and a fortune-teller. She knew the science of the Magi, of those with whom great Moses contended for mastery in witchcraft. She could, at will, order the frogs to be more numerous than the drops of water in the swamps, and she held in her hand a rod which, at her word, would change to a viper. Before Jesus she bowed, as did Magdalen, and Jesus loved her too. In the tempest, as they were crossing the sea, her wand pointed out the course to follow, and, to do that with safety, had no need to be very long. Must you have more pledges of my power and my knowledge? What more must I tell you to induce you to give me the oil I need so much? If you were a man, I would say: 'Look! I am dark, but I am beautiful! I am a descendant of that Sara the Egyptian who, when the boat of the three holy women drew near the sands of Camargue, paid the boatman by showing him her undefiled body, stripped naked, with no thought of evil and without sin, but knowing well that true beauty is rare and that the mere sight of it is better than all the treasures of Solomon. So be it!'" Livette was thoroughly alarmed. The gipsy's assurance, her hollow, penetrating voice, imperious by fits and starts, these strange tales filled with evil words on sacred subjects, this devilish mixture of things pagan and things mystic, the consciousness of her own loneliness, all combined to terrify her. She lost her head. "Away with you, away with you," she cried, "queen of robbers! queen of brigands! away with you, or I will call for help!" "Your drover won't hear you; he's tending his drove to-day beside the Vaccares. Come, give me the oil, I say, or I'll throw this black wand on the ground, and you will see how snakes bite!" But Livette, brave and determined, said: "No!" shuddering as she said it, and, to glean a little comfort, cast a glance at the low beam along which her father's gun was hanging. The gipsy saw the glance. "Oh! I am not afraid of your gun," said she, "and to prove it--wait a moment!" She left the window. The light streamed into the room, bringing a little courage to Livette's terrified heart, as she followed the gipsy with her eyes. In the bright light of that beautiful May evening, the gipsy woman stood out, a tall figure, against the distant, unbroken horizon line of the Camargue desert, which could be seen through a vista between the lofty trees of the park. Livette felt a thrill of joy as she saw a troop of mares trotting along the horizon, followed by their driver, spear in air--Jacques Renaud, her fiance, without doubt.--But how far away he was! the horses, from where she stood, looked smaller than a flock of little goats. And her eyes came back to the gipsy queen. A few steps from the farm-house, in front of the seigniorial chateau, a huge square
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Produced by David Edwards, Demian Katz and the Online Distributed Proofreading Team at http://www.pgdp.net (Images courtesy of the Digital Library@Villanova University (http://digital.library.villanova.edu/)) MOTOR STORIES THRILLING ADVENTURE MOTOR FICTION NO. 32 OCT. 2, 1909 FIVE CENTS MOTOR MATT'S DOUBLE-TROUBLE OR THE LAST OF THE HOODOO _BY THE AUTHOR OF "MOTOR MATT"_ _STREET & SMITH PUBLISHERS NEW YORK_ [Illustration: _"Stop!" shouted Motor Matt laying back on the end of the rope_] MOTOR STORIES THRILLING ADVENTURE MOTOR FICTION _Issued Weekly. By subscription $2.50 per year. Copyright, 1909, by_ STREET & SMITH, _79-89 Seventh Avenue, New York, N. Y._ =No. 32.= NEW YORK, October 2, 1909. =Price Five Cents.= Motor Matt's Double Trouble OR, THE LAST OF THE HOODOO. By the author of "MOTOR MATT." CONTENTS CHAPTER I. THE RED JEWEL. CHAPTER II. ANOTHER END OF THE YARN. CHAPTER III. SHOCK NUMBER ONE. CHAPTER IV. SHOCKS TWO AND THREE. CHAPTER V. A HOT STARTER. CHAPTER VI. M'GLORY IS LOST--AND FOUND. CHAPTER VII. "POCKETED." CHAPTER VIII. SPRINGING A "COUP." CHAPTER IX. MOTOR MATT'S CHASE. CHAPTER X. THE CHASE CONCLUDED. CHAPTER XI. A DOUBLE CAPTURE. CHAPTER XII. ANOTHER SURPRISE. CHAPTER XIII. BAITING A TRAP. CHAPTER XIV. HOW THE TRAP WAS SPRUNG. CHAPTER XV. BACK TO THE FARM. CHAPTER XVI. CONCLUSION. HUDSON AND THE NORTHWEST PASSAGE. THE DEATH BITE. MIGRATION OF RATS. SOME GREAT CATASTROPHES. CHARACTERS THAT APPEAR IN THIS STORY. =Matt King=, otherwise Motor Matt. =Joe McGlory=, a young cowboy who proves himself a lad of worth and character, and whose eccentricities are all on the humorous side. A good chum to tie to--a point Motor Matt is quick to perceive. =Tsan Ti=, Mandarin of the Red Button, who continues to fall into tragic difficulties, and to send in "four-eleven" alarms for the assistance of Motor Matt. =Sam Wing=, San Francisco bazaar-man, originally from Canton, and temporarily in the employ of Tsan Ti. By following his evil thoughts he causes much trouble for the mandarin, and, incidentally, for the motor boys. =Philo Grattan=, a rogue of splendid abilities, who aims to steal a fortune and ends in being brought to book for the theft of a motor car. =Pardo=, a pal of Grattan. =Neb Hogan=, a brother whose mule, stolen by Sam Wing, plays a part of considerable importance. Neb himself engineers a surprise at the end of the story, and goes his way so overwhelmed with good luck that he is unable to credit the evidence of his senses. =Banks and Gridley=, officers of the law who are searching for the stolen blue motor. =Boggs=, a farmer who comes to the aid of Motor Matt with energy and courage. =Bunce=, a sailor with two good eyes who, for some object of his own, wears a green patch and prefers to have the public believe he is one-eyed. A pal of Grattan, who is caught in the same net that entangles the rest of the ruby thieves. CHAPTER I. THE RED JEWEL. Craft and greed showed in the eyes of the hatchet-faced Chinaman. He seemed to have been in deep slumber in the car seat, but the drowsiness was feigned. The train was not five minutes out of the town of Catskill before he had roused himself, wary and wide-awake, and looked across the aisle. His look and manner gave evidence that he was meditating some crime. It was in the small hours of the morning, and the passenger train was rattling and bumping through the heavy gloom. The lights in the coach had been turned low, and all the passengers, with the exception of the thin-visaged Celestial, were sprawling in their uncomfortable seats, snoring or breathing heavily. Across the aisle from this criminally inclined native of the Flowery Kingdom was another who likewise hailed from the land of pagodas and mystery; and this other, it could be seen at a glance, was a person of some consequence. He was fat, and under the average height. Drawn down over his shaven head was a black silk cap, with a gleaming red button sewn in the centre of the flat crown. From under the edge of the cap dropped a queue of silken texture, thick, and so long that it crossed the Chinaman's shoulder and lay in one or two coils across his fat knees. Yellow is the royal color in China, and it is to be noted that this Celestial's blouse was of yellow, and his wide trousers, and his stockings--all yellow and of the finest Canton silk. His sandals were black and richly embroidered. From the button and the costume, one at all informed of fashions as followed in the country of Confucius might have guessed that this stout person was a mandarin. And that guess would have been entirely correct. To go further and reveal facts which will presently become the reader's in the logical unfolding of this chronicle, the mandarin was none other than Tsan Ti, discredited guardian of the Honam joss house, situated on an island suburb of the city of Canton. He of the slant, lawless gleaming eyes was Sam Wing, the mandarin's trusted and treacherous servant. A Chinaman, like his Caucasian brother, is not always proof against temptation when the ugly opportunity presents itself at the right time and in the right way. Sam Wing believed he had come face to face with such an opportunity, and he was determined to make the most of it. Sam Wing was a resident of San Francisco. He owned a fairly prosperous bazaar, and, once every year, turned his profits into Mexican dollars and forwarded the silver to an uncle in Canton for investment in the land of his birth. Some day Sam Wing cherished the dream of returning to Canton and living like a grandee. But wealth came slowly. Now, there in that foreign devil's choo-choo car such a chance offered to secure unheard-of riches that Sam Wing's loyalty to the mandarin, no less than his heathen ideas of integrity, were brushed away with astounding suddenness. Tsan Ti slept. His round head was wabbling on his short neck--rolling and swaying grotesquely with every lurch of the train. The red button of the mandarin's cap caught the dim rays of the overhead lamps and threw crimson gleams into the eyes of Sam Wing. This flashing button reminded Sam Wing of the red jewel, worth a king's ransom, which the mandarin was personally conveying to San Francisco, en route to China and the city of Canton. Already Sam Wing was intrusted with the mandarin's money bag--an alligator-skin pouch containing many oblong pieces of green paper marked with figures of large denomination. The money was good, what there was of it, but that was not enough to pay for theft and flight. Sam Wing's long, talon-like fingers itched to lay hold of the red jewel. With a swift, reassuring look at the passengers in the car, Sam Wing caught at the back of the seat in front and lifted himself erect. He was not a handsome Chinaman, by any means, and he appeared particularly repulsive just at that moment. Hanging to the seat, he steadied himself as he stepped lightly across the aisle. Another moment and he was at the mandarin's side, looking down on him. Tsan Ti, in his dreams, was again in Canton. Striding through the great
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Produced by David Widger THE DIARY OF SAMUEL PEPYS M.A. F.R.S. CLERK OF THE ACTS AND SECRETARY TO THE ADMIRALTY TRANSCRIBED FROM THE SHORTHAND MANUSCRIPT IN THE PEPYSIAN LIBRARY MAGDALENE COLLEGE CAMBRIDGE BY THE REV. MYNORS BRIGHT M.A. LATE FELLOW AND PRESIDENT OF THE COLLEGE (Unabridged) WITH LORD BRAYBROOKE'S NOTES EDITED WITH ADDITIONS BY HENRY B. WHEATLEY F.S.A. DIARY OF SAMUEL PEPYS. NOVEMBER & DECEMBER 1665 November 1st. Lay very long in bed discoursing with Mr. Hill of most things of a man's life, and how little merit do prevail in the world, but only favour; and that, for myself, chance without merit brought me in; and that diligence only keeps me so, and will, living as I do among so many lazy people that the diligent man becomes necessary, that they cannot do anything without him, and so told him of my late business of the victualling, and what cares I am in to keepe myself having to do with people of so different factions at Court, and yet must be fair with them all, which was very pleasant discourse for me to tell, as well as he seemed to take it, for him to hear. At last up, and it being a very foule day for raine and a hideous wind, yet having promised I would go by water to Erith, and bearing sayle was in danger of oversetting, but ordered them take down their sayle, and so cold and wet got thither, as they had ended their dinner. How[ever], I dined well, and after dinner all on shore, my Lord Bruncker with us to Mrs. Williams's lodgings, and Sir W. Batten, Sir Edmund Pooly, and others; and there, it being my Lord's birth-day, had every one a green riband tied in our hats very foolishly; and methinks mighty disgracefully for my Lord to have his folly so open to all the world with this woman. But by and by Sir W. Batten and I took coach, and home to Boreman, and so going home by the backside I saw Captain Cocke 'lighting out of his coach (having been at Erith also with her but not on board) and so he would come along with me to my lodging, and there sat and supped and talked with us, but we were angry a little a while about our message to him the other day about bidding him keepe from the office or his owne office, because of his black dying. I owned it and the reason of it, and would have been glad he had been out of the house, but I could not bid him go, and so supped, and after much other talke of the sad condition and state of the King's matters we broke up, and my friend and I to bed. This night coming with Sir W. Batten into Greenwich we called upon Coll. Cleggatt, who tells us for certaine that the King of Denmark hath declared to stand for the King of England, but since I hear it is wholly false. 2nd. Up, left my wife and to the office, and there to my great content Sir W. Warren come to me to settle the business of the Tangier boates, wherein I shall get above L100, besides L100 which he gives me in the paying for them out of his owne purse. He gone, I home to my lodgings to dinner, and there comes Captain Wagers newly returned from the Streights, who puts me in great fear for our last ships that went to Tangier with provisions, that they will be taken. A brave, stout fellow this Captain is, and I think very honest. To the office again after dinner and there late writing letters, and then about 8 at night set out from my office and fitting myself at my lodgings intended to have gone this night in a Ketch down to the Fleete, but calling in my way at Sir J. Minnes's, who is come up from Erith about something about the prizes, they persuaded me not to go till the morning, it being a horrible darke and a windy night. So I back to my lodging and to bed. 3rd. Was called up about four o'clock and in the darke by lanthorne took boat and to the Ketch and set sayle, sleeping a little in the Cabbin till day and then up and fell to reading of Mr. Evelyn's book about Paynting, [This must surely have been Evelyn's "Sculptura, or the History and Art of Chalcography and Engraving in Copper," published in 1662. The translation of Freart's "Idea of the Perfection of Painting demonstrated" was not published until 1668.] which is a very pretty book. Carrying good victuals and Tom with me I to breakfast about 9 o'clock, and then to read again and come to the Fleete about twelve, where I found my Lord (the Prince being gone in) on board the Royall James, Sir Thomas Allen commander, and with my Lord an houre alone discoursing what was my chief and only errand about what was adviseable for his Lordship to do in this state of things, himself being under the Duke of Yorke's and Mr. Coventry's envy, and a great many more and likely never to do anything honourably but he shall be envied and the honour taken as much as can be from it. His absence lessens his interest at Court, and what is worst we never able to set out a fleete fit for him to command, or, if out, to keepe them out or fit them to do any great thing, or if that were so yet nobody at home minds him or his condition when he is abroad, and lastly the whole affairs of state looking as if they would all on a sudden break in pieces, and then what a sad thing it would be for him to be out of the way. My Lord did concur in every thing and thanked me infinitely for my visit and counsel, telling me that in every thing he concurs, but puts a query, what if the King will not think himself safe, if any man should go but him. How he should go off then? To that I had no answer ready, but the making the King see that he may be of as good use to him here while another goes forth. But for that I am not able to say much. We after this talked of some other little things and so to dinner, where my Lord infinitely kind to me, and after dinner I rose and left him with some Commanders at the table
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Produced by David Kline, Henry Gardiner and the Online Distributed Proofreading Team at http://www.pgdp.net * * * * * Transcriber's Note: The original publication has been replicated faithfully except as listed near the end of this ebook. Italic characters are indicated _like this_. Superscripts are indicated like this: y^e. * * * *
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Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive) [Every attempt has been made to replicate the original as printed. No attempt has been made to correct or normalize the spelling of non-English words. Archaic spelllings (i.e. divers, ecstacy, graneries, asthetic, etc.) have been retained. (note of etext transcriber.)] [Illustration: MONT ST. MICHAEL.] NASBY IN EXILE: OR, SIX MONTHS OF TRAVEL IN England, Ireland, Scotland, France, Germany, Switzerland and Belgium, WITH MANY THINGS NOT OF TRAVEL. BY DAVID R. LOCKE, (Petroleum V. Nasby.) PROFUSELY ILLUSTRATED. TOLEDO AND BOSTON: LOCKE PUBLISHING COMPANY. 1882. COPYRIGHT, 1882, BY DAVID R. LOCKE. ALL RIGHTS RESERVED. BLADE PRINTING AND PAPER CO., _Printers and Binders_, TOLEDO, O. PREFACE. On the afternoon of May 14, 1881, the good ship "City of Richmond," steamed out of New York harbor with a varied assortment of passengers on board, all intent upon seeing Europe. Among these was the writer of the pages that follow. Six of the passengers having contracted a sort of liking for each other, made a tour of six months together, that is, together most of the time. This book is the record of their experiences, as they appeared originally in the columns of the TOLEDO BLADE. It is not issued in compliance with any demand for it. I have no recollection that any one of the one hundred thousand regular subscribers to the TOLEDO BLADE ever asked that the letters that appeared from week to week in its columns should be gathered into book form. The volume is a purely mercantile speculation, which may or may not be successful. The publishers held that the matter was of sufficient value to go between covers, and believing that they were good judges of such things, I edited the letters, and here they are. The ground we went over has been gone over by other writers a thousand times. We went where other tourists have gone, and what we saw others have seen. The only difference between this book and the thousands of others that have been printed describing the same scenes, is purely the difference in the eyes of the writers who saw them. I saw the countries I visited with a pair of American eyes, and judged of men and things from a purely American stand-point. I have not attempted to describe scenery, and buildings, and things of that nature, at all. That has been done by men and women more capable of such work than I am. Every library in America is full of books of that nature. But I was interested in the men and women of the countries I passed through, I was interested in their ways of living, their industries and their customs and habits, and I tried faithfully to put upon paper what I saw, as well as the observations and comments of the party that traveled and observed with me. I have a hope that the readers of these pages will lay the book down in quite as good condition, mentally and physically, as when they took it up, and that some information as to European life will result from its perusal. As I make no promises at the beginning I shall have no apologies to make at the ending. It is only justice to say that much of the descriptive matter is the work of Mr. ROBINSON LOCKE, who was with me every minute of the time, and the intelligent reader will be perfectly safe in ascribing the best of its pages to his pen. I can only hope that this work, as a book, will meet with the same measure of favor that the material did as newspaper sketches. D. R. L. _Toledo, Ohio, June 29, 1882._ ILLUSTRATIONS. No. PAGE 1. FRONTISPIECE. 2. The Departure 18 3. "Shuffle Board" 22 4. The Betting Young Man from Chicago 24 5. "Dear, Sea-sickness is only a Feminine Weakness," 27 6. Lemuel Tibbitts, from Oshkosh, Writes a Letter 29 7. Every Sin I Had Committed Came Before Me 33 8. Off for London 35 9. Public Buildings, London 36 10. The Indian Policy 39 11. The Emetic Policy 39 12. A London Street Scene 45 13. A London Steak 50 14. "And is the Them Shanghais?" 53 15. Sol. Carpenter and the Race 60 16. Leaving for the Derby 62 17. By the Roadside 64 18. English <DW64> Minstrelsy 66 19. The Roadside Repast 67 20. The Betting Ring 73 21. "D----n the Swindling Scoundrel" 74 22. Egyptian Room, British Museum 76 23. A Bold Briton Trying the American Custom 79 24. A London Gin Drinking Woman 80 25. The Poor Man is Sick 81 26. "That <DW65> is Mine" 82 27. St. Thomas Hospital 92 28. Interior of a Variety Hall 95 29. The Magic Purse 98 30. The Man who was Music Proof 100 31. Madame Tussaud 102 32. Wax Figures of Americans 103 33. "Digging Corpses is all Wrong" 105 34. Improved Process of Burke and Hare 106 35. Isle of Wight 107 36. The London Lawyer 110 37. The Old English Way of Procuring a Loan 118 38. "Beware of Fraudulent Imitations" 120 39. The Old Temple Bar 122 40. The Sidewalk Shoe Store 125 41. "Sheap Clodink" 127 42. "Dake Dot Ring" 133 43. A Lane in Camberwell 135 44. The Tower of London 136 45. The Jewel Tower 140 46. Sir Magnus' Men 142 47. Horse Armory 144 48. St. John's Chapel 145 49. St. Thomas' Tower 146 50. General View of the Tower 147 51. The Bloody Tower 148 52. Drowning of Clarence in a Butt of Wine 149 53. The Byward Tower from the East 150 54. The Beauchamp Tower 151 55. The Overworked Headsman 152 56. The Persuasive Rack 153 57. The Byward Tower from the West 154 58. The Middle Tower 155 59. The Beef Eater 156 60. The Flint Tower 157 61. The Traitor's Gate 158 62. What Shall We Do with Sir Thomas? 159 63. The Easiest Way 160 64. The Suits Come Home 163 65. The Candle Episode 168 66. The Little Bill 169 67. Getting Ready to Leave a Hotel 169 68. The Last Straw 170 69. The Cabman Tipped 170 70. The Universal Demand 171 71. The Lord Mayor's Show 173 72. A Second Hand Debauch 175 73. The Anniversary Ceremonies 178 74. In the Harbor 179 75. Isle of Wight 182 76. The Unfinished Entries in the Diary 184 77. Westminster Abbey 186 78. Exterior of the Abbey 187 79. Entrance to the Abbey 188 80. The Poet's Corner 191 81. Henry VII.'s Chapel 193 82. Chapel of Edward 197 83. Effigy Room 200 84. The Abbey in Queen Anne's Time 201 85. "If She Ever Miscalculates She's Gone," 204 86. The Death of the Trainer 206 87. The Gorgeous Funeral Procession 207 88. Monument to the Trainer 208 89. The Side Show Zulu 210 90. The Lost Finger 212 91. On the Thames 218 92. Sandwiches at New Haven 222 93. Off Dieppe--Four A. M. 224 94. "Have You Tobacco or Spirits?" 225 95. Fisher Folk--Dieppe 227 96. Fisher Women--Dieppe 228 97. Fisher Boy and Child 229 98. The Boys of Rouen 232 99. Rouen 233 100. The Professor Stood Before it 234 101. Cathedral of Notre Dame 235 102. House of Joan d'Arc 235 103. Harbor of Rouen 236 104. St. Ouen--Rouen 238 105. The Showman in Paris 240 106. Bloss' Great Moral Spectacle 241 107. Tower of St. Pierre 242 108. Old Houses--Rouen 242 109. The Professor's Spectacles 245 110. Old Paris 246 111. Liberty, Fraternity, Equality 247 112. New Paris 248 113. The Louvre 250 114. A Boulevard Cafe 252 115. A Costume by Worth 253 116. A Magazine on the Boulevard 254 117. Mr. Thompson's Art Purchases 256 118. The American Party Outside a Cafe 259 119. The Avenue de L'Opera 261 120. Cafe Concerts 262 121. The Faro Bankeress 266 122. French Soldiers 267 123. Parisian Bread Carriers 269 124. Queer--to Frenchmen 271 125. The Porte St. Martin 272 126. A Very Polite Frenchman 275 127. "Merci, Monsieur!" 277 128. Paris Underground 279 129. Interior of the Paris Bourse 280 130. The Arc du Carrousel 282 131. "How Long Must I Endure This?" 285 132. Tail Piece 286 133. The Mother of the Gamin as She Was 288 134. The Mother of the Gamin in the Sere and Yellow Leaf 289 135. The Aged Stump Gatherer 290 136. A Talk with a Gamin 294 137. The Mabille at Night 305 138. A Mabille Divinity 306 139. Professionals in a Quadrille 309 140. A Male Dancer 310 141. The Grisette 311 142. Meeting of Tibbitts and the Professor 314 143. The Cafe Swell 316 144. Tail Piece 318 145. Beauvais Cathedral 319 146. Struggle for the Kingship 322 147. Of the Commune 326 148. Tibbitts and Faro Bankeress
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Produced by Olaf Voss, Don Kretz, Juliet Sutherland, Charles Franks and the Online Distributed Proofreading Team. [Illustration] SCIENTIFIC AMERICAN SUPPLEMENT NO. 286 NEW YORK, JUNE 25, 1881 Scientific American Supplement. Vol. XI, No. 286. Scientific American established 1845 Scientific American Supplement, $5 a year. Scientific American and Supplement, $7 a year. * * * * * TABLE OF CONTENTS. I. ENGINEERING AND MECHANICS.--One Thousand Horse Power Corliss Engine. 5 figures, to scale, illustrating the construction of the new one thousand horse power Corliss engine, by Hitch, Hargreaves & Co. Opening of the New Workshop of the Stevens Institute of Technology. Speech of Prof. R.W. Raymond, speech of Mr. Horatio Allen. Light Steam Engine for Aeronautical Purposes. Constructed for Capt. Mojoisky, of the Russian Navy. Complete Prevention of Incrustation in Boilers. Arrangement for purifying boiler water with lime and carbonate of soda.--The purification of the water.--Examination of the purified water.--Results of water purification. Eddystone Lighthouse. Progress of the work. Rolling Mill for Making Corrugated Iron. 1 figure. The new mill of Schultz, Knaudt & Co., of Essen, Germany. Railway Turntable in the Time of Louis XIV. 1 figure. Pleasure car. Railway and turntable at Mary-le-Roy Chateau, France, in 1714. New Signal Wire Compensator. Communication from A. Lyle, describing compensators in use on the Nizam State Railway, East India. Tangye's Hydraulic Hoist. 2 figures. Power Loom for Delicate Fabrics. 1 figure. How Veneering is Made. II. TECHNOLOGY AND CHEMISTRY.--The Constituent Parts of Leather. The composition of different leathers exhibited at the Paris Exhibition.--Amount of leather produced by different tonnages of 100 pounds of hides.--Percentage of tannin absorbed under different methods of tanning.--Amounts of gelatine and tannin in leather of different tonnages, etc. Progress in American Pottery. Photographic Notes.--Mr. Waruerke's New Discovery.--Method of converting negatives directly into positives.--Experiments of Capt. Bing on the sensitiveness of coal oil--Bitumen plates.--Method of topographic engraving. By Commandant DE LA NOE.--Succinate of Iron Developer.--Method of making friable hydro-cellulose. Photo-Tracings in Black and Color. Dyeing Reds with Artificial Alizarin. By M. MAURICE PRUD'HOMME
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Produced by David Widger MOTLEY'S HISTORY OF THE NETHERLANDS, PG EDITION, 1566-1574, Complete THE RISE OF THE DUTCH REPUBLIC By JOHN LOTHROP MOTLEY 1855 VOLUME 2, Book 1., 1566 1566 [CHAPTER VIII.] Secret policy of the government--Berghen and Montigny in Spain-- Debates at Segovia--Correspondence of the Duchess with Philip-- Procrastination and dissimulation of the King--Secret communication to the Pope--Effect in the provinces of the King's letters to the government--Secret instructions to the Duchess--Desponding statements of Margaret--Her misrepresentations concerning Orange, Egmont, and others--Wrath and duplicity of Philip--Egmont's exertions in Flanders--Orange returns to Antwerp--His tolerant spirit--Agreement of 2d September--Horn at Tournay--Excavations in the Cathedral--Almost universal attendance at the preaching-- Building of temples commenced--Difficult position of Horn--Preaching in the Clothiers' Hall--Horn recalled--Noircarmes at Tournay-- Friendly correspondence of Margaret with Orange, Egmont, Horn, and Hoogstraaten--Her secret defamation of these persons. Egmont in Flanders, Orange at Antwerp, Horn at Tournay; Hoogstraaten at Mechlin, were exerting themselves to suppress insurrection and to avert ruin. What, meanwhile, was the policy of the government? The secret course pursued both at Brussels and at Madrid may be condensed into the usual formula--dissimulation, procrastination, and again dissimulation. It is at this point necessary to take a rapid survey of the open and the secret proceedings of the King and his representatives from the moment at which Berghen and Montigny arrived in Madrid. Those ill-fated gentlemen had been received with apparent cordiality, and admitted to frequent, but unmeaning, interviews with his Majesty. The current upon which they were embarked was deep and treacherous, but it was smooth and very slow. They assured the King that his letters, ordering the rigorous execution of the inquisition and edicts, had engendered all the evils under which the provinces were laboring. They told him that Spaniards and tools of Spaniards had attempted to govern the country, to the exclusion of native citizens and nobles, but that it would soon be found that Netherlanders were not to be trodden upon like the abject inhabitants of Milan, Naples, and Sicily. Such words as these struck with an unaccustomed sound upon the royal ear, but the envoys, who were both Catholic and loyal, had no idea, in thus expressing their opinions, according to their sense of duty, and in obedience to the King's desire, upon the causes of the discontent, that they were committing an act of high treason. When the news of the public preaching reached Spain, there were almost daily consultations at the grove of Segovia. The eminent personages who composed the royal council were the Duke of Alva, the Count de Feria, Don Antonio de Toledo, Don Juan Manrique de Lara, Ruy Gomez, Quixada, Councillor Tisnacq, recently appointed President of the State Council, and Councillor Hopper. Six Spaniards and two Netherlanders, one of whom, too, a man of dull intellect and thoroughly subservient character, to deal with the local affairs of the Netherlands in a time of intense excitement! The instructions of the envoys had been to represent the necessity of according three great points--abolition of the inquisition, moderation of the edicts, according to the draft prepared in Brussels, and an ample pardon for past transactions. There was much debate upon all these propositions. Philip said little, but he listened attentively to the long discourses in council, and he took an incredible quantity of notes. It was the general opinion that this last demand on the part of the Netherlanders was the fourth link in the chain of treason. The first had been the cabal by which Granvelle had been expelled; the second, the mission of Egmont, the main object of which had been to procure a modification of the state council, in order to bring that body under the control of
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STUDIES IN PESSIMISM*** E-text prepared by Juliet Sutherland, Josephine Paolucci, and the Project Gutenberg Online Distributed Proofreading Team THE ESSAYS OF ARTHUR SCHOPENHAUER: STUDIES IN PESSIMISM TRANSLATED BY T. BAILEY SAUNDERS, M.A. CONTENTS. ON THE SUFFERINGS OF THE WORLD ON THE VANITY OF EXISTENCE ON SUICIDE IMMORTALITY: A DIALOGUE PSYCHOLOGICAL OBSERVATIONS ON EDUCATION OF WOMEN ON NOISE A FEW PARABLES NOTE. The Essays here presented form a further selection from Schopenhauer's _Parerga_, brought together under a title which is not to be found in the original, and does not claim to apply to every chapter in the volume. The first essay is, in the main, a rendering of the philosopher's remarks under the heading of _Nachtraege zur Lehre vom Leiden der Welt_, together with certain parts of another section entitled _Nachtraege zur Lehre von der Bejahung und Verneinung des Willens zum Leben_. Such omissions as I have made are directed chiefly by the desire to avoid repeating arguments already familiar to readers of the other volumes in this series. The _Dialogue on Immortality_ sums up views expressed at length in the philosopher's chief work, and treated again in the _Parerga_. The _Psychological Observations_ in this and the previous volume practically exhaust the chapter of the original which bears this title. The essay on _Women_ must not be taken in jest. It expresses Schopenhauer's serious convictions; and, as a penetrating observer of the faults of humanity, he may be allowed a hearing on a question which is just now receiving a good deal of attention among us. T.B.S. ON THE SUFFERINGS OF THE WORLD. Unless _suffering_ is the direct and immediate object of life, our existence must entirely fail of its aim. It is absurd to look upon the enormous amount of pain that abounds everywhere in the world, and originates in needs and necessities inseparable from life itself, as serving no purpose at all and the result of mere chance. Each separate misfortune, as it comes, seems, no doubt, to be something exceptional; but misfortune in general is the rule. I know of no greater absurdity than that propounded by most systems of philosophy in declaring evil to be negative in its character. Evil is just what is positive; it makes its own existence felt. Leibnitz is particularly concerned to defend this absurdity; and he seeks to strengthen his position by using a palpable and paltry sophism.[1] It is the good which is negative; in other words, happiness and satisfaction always imply some desire fulfilled, some state of pain brought to an end. [Footnote 1: _Translator's Note_, cf. _Theod_, sec. 153.--Leibnitz argued that evil is a negative quality--_i.e_., the absence of good; and that its active and seemingly positive character is an incidental and not an essential part of its nature. Cold, he said, is only the absence of the power of heat, and the active power of expansion in freezing water is an incidental and not an essential part of the nature of cold. The fact is, that the power of expansion in freezing water is really an increase of repulsion amongst its molecules; and Schopenhauer is quite right in calling the whole argument a sophism.] This explains the fact that we generally find pleasure to be not nearly so pleasant as we expected, and pain very much more painful. The pleasure in this world, it has been said, outweighs the pain; or, at any rate, there is an even balance between the two. If the reader wishes to see shortly whether this statement is true, let him compare the respective feelings of two animals, one of which is engaged in eating the other. The best consolation in misfortune or affliction of any kind will be the thought of other people who are in a still worse plight than yourself; and this is a form of consolation open to every one. But what an awful fate this means for mankind as a whole! We are like lambs in a field, disporting themselves under the eye of the butcher, who chooses out first one and then another for his prey. So it is that in our good days we are all unconscious of the evil Fate may have presently in store for us--sickness, poverty, mutilation, loss of sight or reason. No little part of the torment of existence lies in this, that Time is continually pressing upon us, never letting us take breath, but always coming after us, like a taskmaster with a whip. If at any moment Time stays his hand, it is only when we are delivered over to the misery of boredom. But misfortune has its uses; for, as our bodily frame would burst asunder if the pressure of the atmosphere was removed, so, if the lives of men were relieved of all need, hardship and adversity; if everything they took in hand were successful, they would be so swollen with arrogance that, though they might not burst, they would present the spectacle of unbridled folly--nay, they would go mad. And I may say, further, that a certain amount of care or pain or trouble is necessary for every man at all times. A ship without ballast is unstable and will not go straight. Certain it is that _work, worry, labor_ and _trouble_, form the lot of almost all men their whole life long. But if all wishes were fulfilled as soon as they arose, how would men occupy their lives? what would they do with their time? If the world were a paradise of luxury and ease, a land flowing with milk and honey, where every Jack obtained his Jill at once and without any difficulty, men would either die of boredom or hang themselves; or there would be wars, massacres, and murders; so that in the end mankind would inflict more suffering on itself than it has now to accept at the hands of Nature. In early youth, as we contemplate our coming life, we are like children in a theatre before the curtain is raised, sitting there in high spirits and eagerly waiting for the play to begin. It is a blessing that we do not know what is really going to happen. Could we foresee it, there are times when children might seem like innocent prisoners, condemned, not to death, but to life, and as yet all unconscious of what their sentence means. Nevertheless, every man desires to reach old age; in other words, a state of life of which it may be said: "It is bad to-day, and it will be worse to-morrow; and so on till the worst of all." If you try to imagine, as nearly as you can, what an amount of misery, pain and suffering of every kind the sun shines upon in its course, you will admit that it would be much better if, on the earth as little as on the moon, the sun were able to call forth the phenomena of life; and if, here as there, the surface were still in a crystalline state. Again, you may look upon life as an unprofitable episode, disturbing the blessed calm
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Produced by Roberta Staehlin, Charlene Taylor, Josephine Paolucci and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) SKETCHES OF SUCCESSFUL NEW HAMPSHIRE MEN Illustrated with Steel Portraits. MANCHESTER: JOHN B. CLARKE. 1882. Entered according to act of Congress in the year 1882, by JOHN B. CLARKE, in the office of the Librarian of Congress, at Washington, D. C. PUBLISHER'S PREFACE. This volume contains portraits and biographical sketches of eighty-eight New Hampshire men whose deserved success in their several callings has made them conspicuous in the professional, business, and political world. It should be the first of a series,--the beginning of a work so extensive as to include similar presentations in regard to all the prominent men of our state, when it would exceed in value and interest to New Hampshire people all other publications of a biographical nature. The glory of our state centers in and is reflected from her great men and noble women, whose history should be familiar to all who by birth or association are interested in her fame and welfare, and especially to those in whose hands rests her future, and who may need the strengthening influence of their example. To this end this volume will contribute. Its preparation has occupied a long time, and involved much labor and expense. My connection with it has been that of a publisher, whose duties I have endeavored to discharge faithfully and acceptably. All else is to be credited to others. The sketches are printed in the order in which they were furnished. JOHN B. CLARKE. MANCHESTER, N. H., July, 1882. CONTENTS. PAGE ADAMS, CHARLES, JR. 278 ADAMS, PHINEHAS 166 AMORY, WILLIAM 151 BALCH, CHARLES E. 113 BARNARD, DANIEL 304 BARTLETT, CHARLES H. 33 BARTON, LEVI WINTER 50 BLAIR, HENRY WILLIAM 285 BRACEWELL, JOHN 199 BRIGGS, JAMES F. 294 BRYANT, NAPOLEON B. 187 BUFFUM, DAVID HANSON 276 CARPENTER, JOSIAH 43 CHANDLER, GEORGE BYRON 185 CHANDLER, WILLIAM E. 255 CHENEY, GILMAN 215 CHENEY, PERSON C. 162 CLARK, JOSEPH BOND 179 CLARKE, JOHN B. 311 CLARKE, WILLIAM C. 261 COGSWELL, FRANCIS 177 COGSWELL, GEORGE 204 COGSWELL, THOMAS 160 COGSWELL, WILLIAM 137 COLBY, ANTHONY 251 CROSBY, ASA AND SONS 243 CUMNER, NATHANIEL WENTWORTH 297 CURRIER, MOODY 35 DANIELL, WARREN F. 237 DEARBORN, CORNELIUS VAN NESS 195 DUNLAP, ARCHIBALD HARRIS 264 EDGERLY, MARTIN V. B. 130 FRENCH, JOHN C. 157 GEORGE, JOHN HATCH 98 GILMAN, VIRGIL C. 148 GOODELL, DAVID H. 233 GOODWIN, ICHABOD 133 GRAVES, JOSIAH G. 235 GRIFFIN, SIMON G. 58 HALL, DANIEL 229 HARRIMAN, WALTER 74 HAYES, ALBERT H. 202 HEAD, NATT 223 JEWELL, DAVID LYMAN 63 KENT, HENRY O. 21
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VOL. 93. SEPTEMBER 17, 1887*** E-text prepared by Neville Allen, Malcolm Farmer, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 33717-h.htm or 33717-h.zip: (http://www.gutenberg.org/files/33717/33717-h/33717-h.htm) or (http://www.gutenberg.org/files/33717/33717-h.zip) PUNCH, OR THE LONDON CHARIVARI VOLUME 93. SEPTEMBER 17, 1887. * * * * * OUR IGNOBLE SELVES. (_Lament by a Reader of "Letters to the Papers."_) [Illustration] OH! bless us and save us! Like men to behave us We Britons once held it our glory; Now Party bids fair to befool and enslave us. We're lost between Liberal and Tory! Some quidnunc inditeth a letter to GLADSTONE, The style of it, "Stand and deliver!" Its speech may be rude, and its tone quite a cad's tone, Its logic may make a man shiver. _Au contraire_ it _may_ be most lucid and modest, In taste and in pertinence equal (Though such a conjunction would be of the oddest), But what, anyhow, is the sequel? Rad papers _all_ cry, "We've once more before us An instance of folly inrushing." Whilst _all_ the Conservative Journals in chorus Declare "it is perfectly crushing!" "Little Pedlington's" snubbed by the Liberal Press, And urged such fool tricks to abandon. Cry Tories, "I guess the Old Man's in a mess, He hasn't a leg left to stand on!" Oh! save us and bless us! The shirt of old Nessus, Was not such a snare to the hero, As poisonous faction. Crass fools we confess us, With sense and with spirit at zero. If thus we comport us like blind sprawling kittens, Or pitiful partisan poodles, 'Twill prove Party makes e'en of freeminded Britons, A race of incontinent noodles! * * * * * "TO TEAPOT BAY AND BACK." LONDONERS who like but are weary of the attractions of Eastend-on-Mud, and want a change, can scarcely do better than spend twenty-four hours in that rising watering-place Teapot Bay. I say advisedly "rising," because the operation has been going on for more than forty years. In these very pages a description of the "juvenile town," appeared nearly half a century ago. Then it was said that the place was "so infantine that many of the houses were not out of their scaffold-poles, whilst others had not yet cut their windows," and the place has been growing ever since--but very gradually. The "ground plan of the High Street" of those days would still be useful as a guide, although it is only fair to say that several of the fields then occupied by cabbages are now to some extent covered with empty villas labelled "To Let." In the past the High Street was intersected by roads described as "a street, half houses, half potatoes," "a street apparently doing a good stroke of business," "a street, but no houses," "a street indigent, but houseless," "a street which appears to have been nipped in the kitchens," "a street thickly populated with three inhabitants," and last but not least, "a street in such a flourishing condition that it has started a boarding-house and seminary." The present condition of Teapot Bay is much the same--the roads running between two lines of cellars (contributions to houses that have yet to be built) are numerous and testify to good intentions never fulfilled. There is the same meaningless tower with a small illuminated clock at the top of it, and if the pier is not quite so long as it was thirty or forty years ago, it still seems to be occupying the same site. [Illustration: Cheap and Picturesque Roots for Tourists.] The means of getting to Teapot Bay is by railway. Although no doubt numbered amongst the cheap and picturesque routes for tourists, the place is apparently considered by the authorities as more or less of a joke. Margate, Ramsgate, Westgate and Broadstairs, are taken _au serieux_, and have trains which keep their time; but Teapot Bay, seemingly, is looked upon as a legitimate excuse for laughter. If two trains are fixed to start at 12, and 12.30, the twelve o'clock train will leave at 12.30, and the 12.30 at 1. The authorities endeavour to have a train in hand at the end of the day, and I fancy are generally successful in carrying out their intentions. But between London and Teapot Bay there are many slippery carriages, which stop at various Junctions, and refuse to go any further in the required direction. When this happens, the weary traveller has to descend, cross a platform, and try another line. If he is a man of determination, and is not easily disheartened, nine times out of ten he ultimately reaches Teapot Bay, where his arrival causes more astonishment than gratification. When I got to this "rising watering-place" the other day, I found an omnibus in waiting, ready to carry me to the town, which is some little distance from the station. We travelled by circular tour, which included a trot through many of the fields of my boyhood, now, alas! potatoless, and covered with weeds! In one of these fields I noticed a canvas booth, three or four flags, and a group of about twenty spectators, inspecting a gentleman in a scarlet coat, mounted on rather a large-boned horse. "They still have a country-fair here?" I suggested to the person who had collected my sixpence. "That isn't a fair, Sir--them's the Races," was the reply. "Not very well attended, I fear?" I observed. [Illustration: A Circular Tour.] "Better than they was last year--why the whole town has gone to see them this time." A little later we reached the principal inn of the place, which was described in a local Handbook as "an old-established hotel, but comfortable." Rather, to my annoyance (as I was anxious to preserve my _incognito_), I was received by the landlord with respectful cordiality. "Glad you have honoured us, Sir--proud of your presence." I made a sign to him not to betray me, and asked for my room. "Well, Sir, we must put _you_ into the Rotunda." Again by a gesture inviting silence as to my identity, I mounted a flight of stairs, and found myself in a room that once, I think, must have been entirely arbour. Much of the arbour still remained, but a large slice had been partitioned off affording space for a chimney-piece, two chairs, a washstand and a bed. By opening a window which reached to the ground, I found myself on a balcony covered in with creepers, and beneath which was a gas-lamp labelled "Hotel Tap." In front of me was a field with the foundation (long since completed) for some houses at the end of it. On my left another field in the same state of passive preparation, and on my right a side view of the Ocean. It was growing dark, so after an "old-fashioned but comfortable" dinner, I went out for a stroll. "Pleased you should honour us," said the landlord, as he opened the door to allow me to pass. Again to my annoyance, as it was vexatious to be thus identified in this out-of-the-way place as one of the celebrities of the hour. The visitors and other inhabitants of Teapot Bay had returned from the Races, and were walking on the pier listening to the band. The gentlemen were in flannels, the ladies decorated with yards of white ribbon. The band was more select than numerous. Its conductor beat time with his left hand, while with his right he played the "air" of the tune at the moment attracting his attention upon an elaborate instrument that looked like a cross between a clarionet and an old-fashioned brass serpent. There was not much drumming, because the drummer spent nearly all his ample leisure on more or less successful efforts to vend programmes. The band was in a gusty alcove at one end of the pier, a small room covered with placards of a Wizard who, after making the acquaintance of "The Crowned Heads of Europe," was to perform there "to-night," was at the other. Having soon exhausted the pleasure derivable from listening to the band, I sought out the wizard. "Oh, he ain't going to do it again until next Saturday," was the answer of a little girl who had charge of a turnstile, when I asked for a ticket. "But you can see him then." [Illustration: "You're up!"] I retired. As all the shops (possibly a couple of dozen) were closed, I returned to my hotel--really a very comfortable one. In the morning I thought I would have a sea-bath. There were a few machines, which were manipulated with ropes and windlasses. There was an elderly man in charge, who informed me that he could not lower one of these vehicles until his mate returned. "Gone to breakfast?" I suggested. "Breakfast--no one here has time for breakfast!" was the reply. When I left, the landlord again murmured his thanks for the honour I had done him by patronising his hotel. Still anxious to preserve my _incognito_, in bidding him adieu I begged him not to allow my name to appear in the Visitors' List. "You may be sure I won't Sir," said he with a bow as he opened the door, and a tip-inviting "boots" put my portmanteau on the omnibus starting for the station,--"_as I don't know it!_" On the whole I prefer Eastend-on-Mud to Teapot Bay! * * * * * A PRETTY CENTEN
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Produced by Nick Hodson of London, England Hunting the Skipper, by George Manville Fenn. CHAPTER ONE. H.M.S. "SEAFOWL." "Dicky, dear boy, it's my impression that we shall see no blackbird's cage to-day." "And it's my impression, Frank Murray, that if you call me Dicky again I shall punch your head." "Poor fellow! Liver, decidedly," said
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Produced by sp1nd, Matthew Wheaton and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) THE BROKEN FONT A STORY OF THE CIVIL WAR. BY THE AUTHOR OF "TALES OF THE WARS OF OUR TIMES," "RECOLLECTIONS OF THE PENINSULA," &c. &c. &c. IN TWO VOLUMES. VOL. II. LONDON: PRINTED FOR LONGMAN, REES, ORME, BROWN, GREEN, & LONGMAN, PATERNOSTER-ROW. 1836. THE BROKEN FONT. CHAPTER I. And now, good morrow to our waking soules, Which watch not one another out of feare. DONNE. The noble spirit of Katharine Heywood was severely exercised by those disclosures of Jane Lambert which have been related in a former chapter. She regretted, too late, that she had ever asked that true-hearted girl to perform an office so difficult in itself, and which had proved, in its consequences, so hazardous to her reputation and her peace. The chance of such a misfortune as
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Produced by Nick Hodson of London, England Into the Unknown, by Lawrence Fletcher. ________________________________________________________________________ ________________________________________________________________________ INTO THE UNKNOWN, BY LAWRENCE FLETCHER. Into the Unknown--by Lawrence Fletcher CHAPTER ONE. THE GHOSTS' PASS. "Well, old man, what do we do next?" The speaker, a fine young fellow of some five-and-twenty summers, reclining on the rough grass, with clouds of tobacco-smoke filtering through his lips, looked the picture of comfort, his appearance belying in every way the discontent expressed in his tones as he smoked his pipe in the welcome shade of a giant rock, which protected him and his two companions from the mid-day glare of a South African sun. Alfred Leigh, second son of Lord Drelincourt, was certainly a handsome man: powerfully and somewhat heavily built, his physique looked perfect, and, as he gradually and lazily raised his huge frame from the rough grass, he appeared--what he was, in truth--a splendid specimen of nineteenth-century humanity, upwards of six feet high, and in the perfection of health and spirits; a fine, clear-cut face, with blue eyes and a fair, close-cropped beard, completed a _tout ensemble_ which was English to a degree. The person addressed was evidently related to the speaker, for, though darker than his companion, and by no means so striking in face or figure, he still had fair hair, which curled crisply on a well-shaped head, and keen blue eyes which seemed incessantly on the watch and were well matched by a resolute mouth and chin, and a broad-shouldered frame which promised strength from its perfect lines. Dick Grenville, _aetat._ thirty, and his cousin, Alf Leigh, were a pair which any three ordinary mortals might well wish to be excused from taking on. The third person--singular he certainly looked--was a magnificent creature, a pure-blooded Zulu chief, descended from a race of warriors, every line of his countenance grave and stern, with eyes that glistened like fiery stars under a lowering cloud, the man having withal a general "straightness" of appearance more easily detected than described. A "Keshla," or ringed man, some six feet three inches high, of enormously powerful physique, armed with a murderous-looking club and a brace of broad-bladed spears, and you have a faithful picture of Myzukulwa, the Zulu friend of the two cousins. The scene is magnificently striking, but grand with a loneliness awful beyond description, for, so far as the eye can reach, the fervid sun beats upon nothing but towering mountain-peaks, whose grey and rugged summits pierce the fleecy heat-clouds, and seem to lose themselves in a hopeless attempt to fathom the unspeakable majesty beyond. "Do next, old fellow?" The words came in cool, quiet tones. "Well, if I were you, Alf, I should convey my carcass out of the line of fire from yonder rifle, which has been pointed at each of our persons in succession during the last two minutes;" and Grenville, with the stem of his pipe, indicated a spot some three hundred yards away, where his keen eye had detected the browned barrel of a rifle projected through a fissure in the rock; then, in quick, incisive tones, suiting the action to the word, "Lie down, man!" and not a moment too soon, as an angry rifle-bullet sang over his head and flattened against the rock. In another instant all three were ensconced behind a rocky projection, and endeavouring to ascertain their unknown assailants' force. Truly, an unpleasant place was this to be beleaguered in--little food, still less water, and positively no cover to protect them in the event of a night attack upon the position they occupied. Grenville quietly picked up the flattened bullet, eyed it curiously, and then handed it to Myzukulwa with an interrogative look; the other scarcely glanced at the missile and replied quietly, yet in singularly correct English, "Inkoos (chief), that lead came from a very old gun, but it is a true one--the Inkoos, my master, was too near it." "Yes," responded Grenville, who had now quite taken command of matters, "but we must find out how many of these rascals are lurking behind yonder rocks with murder in their hearts." So saying he coolly stepped out into the open again, ostensibly to pick up his pipe, which lay on the ground, but kept his eye warily fixed upon the expected point of offence, and instantly dropped on his hands and knees as another bullet whizzed over him. Then he quietly rose to his feet, but with a beating heart, for, if the rifle were a double-barrelled one, or if more than the one marksman were lying hid, he was in deadly peril. No shot followed, however, and he calmly picked up his pipe and again sought shelter with his companions. "Now, chief," said Grenville, after a brief interval, "wait till I have drawn the scoundrel's fire again, and then rush him," and, executing a rapid movement round the rocky boulder which served the party as a shelter, he once more provoked the fire of the hidden foe, delivered with greater accuracy than before, the bullet grazing the skin of one hand as he swung himself into cover, crying, "Now, Myzukulwa!" but the fleet-footed Zulu was already half-way across the open space, going like a sprint-runner, having started simultaneously with the flash of the rifle. In a moment more the cousins were after him, only to find, upon reaching the rock, that there was no trace of the would-be assassin, and that the Zulu was hopelessly at fault. A little powder spilled upon a stone showed where the man had been placed, and that was all. Just then Grenville's quick eye "spotted" the barrel of a rifle slowly rising a hundred yards away, out of a hollow in the ground, imperceptible from where they stood; he instinctively pitched forward his Winchester, and the two reports blended into one. Leigh's hat flew off his head, carried away by a bullet, and at the same instant Myzukulwa again "rushed" the hidden marksman, only to find the work done; and a gruesome sight it was. There lay a fine-looking man, stone-dead, with the blood welling out of a ghastly hole in his head, the heavy shell-bullet doing frightful execution at such short range, having fairly smashed his skull to pieces. The Englishmen were very considerably taken aback at finding that their assailant was as white-skinned as themselves; they had half expected to find some loafing Hottentot or Kaffir, though the accuracy of the shooting had already caused Grenville to doubt that the marksman could be either of these, for, as a general rule, if a Kaffir aims at anything a hundred yards from him he misses it nine times out of ten. The dead man was dressed in a deerskin costume, which caused the cousins to remark that he looked like many a man they had seen when shooting buffalo on the prairies of the Wild West. His gun proved to be a long flint-lock rifle of an obsolete type, but extremely well finished, and it was the flash of the powder in the pan which had enabled Grenville to anticipate the leaden messenger from this weapon. Leigh, who was disposed to scoff at their present undertaking, which he called "a wild-goose chase," gave it as his opinion that the miserable man was some escaped convict who had gravitated up country, and who, no doubt, imagined that the white men were in search of him with a native tracker--anyway, it had been a very near thing with them, and nothing but Grenville's unceasing watchfulness could have saved his cousin's life, as it unquestionably had done, twice over. Grenville listened in silence to Leigh's remarks, and then, turning their backs on the mortal remains of their foe, they left him to the eternal solitude of that vast and rocky wilderness. Several hours of hard toil followed, during which they slowly and warily ascended the Pass, without, however, seeing any further sign of life. Stopping once to take a hurried mouthful of dried deer-flesh, the party was soon again on its way, and reached the top of the Pass just before sunset. Beyond this point all possibility of advance in any direction seemed at an end. The mountains shot up towards the sky, based, as it were, by a precipitous wall of rock, and flanked by mighty spurs, whose peaks stood out, clear and sharp, some fifteen thousand feet above the Pass, their barren and rugged sides almost beautified by the glow of the setting sun. The sterile appearance of the valley was, however, to some slight extent relieved by a magnificent waterfall, which appeared to receive its supply through a fissure in the wall of rock, whence it came sheer over a beetling crag and fell from a height of at least one hundred feet into a rocky basin at the very head of the Pass. Grenville quickly bestowed his party in a small cave for the night, and by the time they were comfortably domiciled the sun had set. He then mounted guard whilst the others slept, and three hours later, having aroused the Zulu, he himself turned in for a much-needed rest. CHAPTER TWO. AN ANXIOUS DAY. In the morning, after a meal of dried flesh and water--an appetising repast at which Leigh grumbled considerably--the trio lighted their pipes and went into council. "Now then, Dick," said Alf Leigh, "as I, at all events, see no more of those objectionable rifle-barrels round here, I'll repeat my question of yesterday--What do we do next?" "Ah! that's the point," responded Grenville. "Now doesn't it strike you as very odd, not to say significant, that we should be so murderously assaulted precisely on the spot where our mission is supposed to commence? I am convinced that there is more in that attack than you fancy. However, here is the inscription which, as you know, we found scratched with a pin-point on a slaty rock down the Pass yesterday--`_An Englishman and his daughter imprisoned in the Hell at the top of this Pass. Help us, for the love of Heaven_.' Well, as you also know, we resolved to carry help to the unfortunates who make this pitiful appeal to our honour as countrymen, or die in the attempt; and, by Jove, if you ask me anything, we came perilously near doing the latter yesterday. To proceed, Myzukulwa here declares that there has been handed down for generations in his tribe, legends of a strange and mighty people, who frequent this pass by night only, who, on being followed, vanish into thin air, and whose description answers accurately to the gentleman I settled yesterday, with the one exception, easily accounted for, that these people were said to have black faces." "And a nice beginning we've made if, according to your idea, our friend of yesterday was one of them," grumbled Leigh. "Don't make any mistake, Alf," rejoined Grenville; "we shall gain nothing by palaver; whoever sees the inside of their territory will never again, with their consent, re-enter the outside world to give them away. This kingdom is an inscrutable mystery, enveloped in something like a hundred miles of inaccessible rock and impassable mountain, and upon the very threshold of it I feel convinced that we have now arrived." "Inkoos," said the great Zulu, "your words are wise, even as the wisdom of my father's father. For a thousand moons--ay, and for a thousand before that--has this place been haunted, and the traditions of my people ever warn us to beware of sleeping nigh to this falling water. Many have done so, and have never again visited their kraals; I, Myzukulwa, have alone done so and lived. More, Inkoos; as I watched yesternight I heard strange sounds, as though the spooks (ghosts) were mourning over the dead one who lies below us." "Hah!" said Grenville, starting suddenly to his feet, "we'll have another look at that body," and, followed by his companions, he strode away down the Pass, but, when the party reached the scene of the previous day's rencontre, the lifeless remains were nowhere to be seen; there was the hole, the rock crusted with coagulated blood, but not the faintest trace of the body they had left behind them a dozen hours before. Clearly no beast of prey had been responsible for its disappearance, for the man's gun and ammunition had also been removed. A lengthy and careful examination of the surroundings revealed nothing; all was barren rock, without a single sign of its having ever been pressed by the foot of man, and, with most uncomfortable feelings, the trio retraced their steps up the Pass, and reached the cave again, weary and disheartened, as the sun went out with the rapidity peculiar to the latitudes of Equatorial Africa, at once plunging everything into darkness that might be felt. Grenville's active mind was, however, at work upon the incidents of the day, and he never rested until his party was safely housed in a cave some hundred yards from the previous location. This night all kept watch; and well was it for them that they were on the alert, for, just before the moon got up, the darkness of the Pass was suddenly cut, as if by magic, with the flash of at least a score of rifles, fired so as to fairly sweep their old resting-place. Grenville and his companions crouched down amongst the rocks, straining eyes and ears for sight or sound of their murderously-inclined foes; but all was as still as death, and at daybreak the Pass was again, to all appearance, utterly deserted, only their old cave was strewn with flattened bullets, which had been fired with murderous precision. Grenville tried to get Myzukulwa's views upon the events of the night as they smoked their pipes after breakfast, but the chief was unusually reticent. "Spooks," he said, "who shot as well as these did were dangerous; nothing but a spook could shoot like that in the dark." Leigh was for clearing out altogether; he was as plucky a fellow as ever stepped, but this sort of thing was enough to shake any man's nerves. That day was spent in a rigid search which literally left no stone unturned; but the keenest scrutiny revealed no place of concealment and
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E-text prepared by Janet Kegg and the Online Distributed Proofreading Team (http://www.pgdp.net) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 48634-h.htm or 48634-h.zip: (http://www.gutenberg.org/files/48634/48634-h/48634-h.htm) or (http://www.gutenberg.org/files/48634/48634-h.zip) Transcriber's note: Text enclosed by underscores is in italics (_italics_). Text enclosed by equal signs is in bold face (=bold=). [~ao] as in Serr[~ao] depicts a single tilde extending over both letters ("a" and "o"). Small capital text has been replaced with all capitals. [Illustration: MAGELLAN VISITING THE KING OF SEBU] PIONEERS IN AUSTRALASIA by SIR HARRY JOHNSTON G.C.M.G., K.C.B. With Eight Illustrations by Alec Ball Blackie and Son Limited London Glasgow Bombay Printed and bound in Great Britain PREFACE I have been asked to write a series of works which should deal with "real adventures", in parts of the world either wild and uncontrolled by any civilized government, or at any rate regions full of dangers, of wonderful discoveries; in which the daring and heroism of white men (and sometimes of white women) stood out clearly against backgrounds of unfamiliar landscapes, peopled with strange nations, savage tribes, dangerous beasts, or wonderful birds. These books would again and again illustrate the first coming of the white race into regions inhabited by people of a different type, with brown, black, or yellow skins; how the European was received, and how he treated these races of the soil which gradually came under his rule owing to his superior knowledge, weapons, wealth, or powers of persuasion. The books were to tell the plain truth, even if here and there they showed the white man to have behaved badly, or if they revealed the fact that the American Indian, the <DW64>, the Malay, the black Australian was sometimes cruel and treacherous. A request thus framed was almost equivalent to asking me to write stories of those pioneers who founded the British Empire; in any case, the volumes of this series do relate the adventures of those who created the greater part of the British Dominions beyond the Seas, by their perilous explorations of unknown lands and waters. In many instances the travellers were all unconscious of their destinies, of the results which would arise from their actions. In some cases they would have bitterly railed at Fate had they known that the result of their splendid efforts was to be the enlargement of an empire under the British flag. Perhaps if they could know by now that we are striving under that flag to be just and generous to all types of men, and not to use our empire solely for the benefit of English-speaking men and women, the French who founded the Canadian nation, the Germans and Dutch who helped to create British Africa, Malaysia, and Australia, the Spaniards who preceded us in the West Indies and in New Guinea, and the Portuguese in West, Central, and East Africa, in Newfoundland, Ceylon, and Malaysia, might--if they have any consciousness or care for things in this world--be not so sorry after all that we are reaping where they sowed. It is (as you will see) impossible to tell the tale of these early days in the British Dominions beyond the Seas, without describing here and there the adventures of men of enterprise and daring who were not of our own nationality. The majority, nevertheless, were of British stock; that is to say, they were English, Welsh, Scots, Irish, perhaps here and there a Channel Islander and a Manxman; or Nova Scotians, Canadians, and New Englanders. The bulk of them were good fellows, a few were saints, a few were ruffians with redeeming features. Sometimes they were common men who blundered into great discoveries which will for ever preserve their names from perishing; occasionally they were men of Fate, predestined, one might say, to change the history of the world by their revelations of new peoples, new lands, new rivers, new lakes, snow mountains, and gold mines. Here and there is a martyr like Marquette, or Livingstone, or Gordon, dying for the cause of a race not his own. And others again are mere boys, whose adventures come to them because they are adventurous, and whose feats of arms, escapes, perils, and successes are quite as wonderful as those attributed to the juvenile heroes of Marryat, Stevenson, and the author of _The Swiss Family Robinson_. I have tried, in describing these adventures, to give my readers some idea of the scenery, animals, and vegetation of the new lands through which these pioneers passed on their great and small purposes; as well as of the people, native to the soil, with whom they came in contact. And in treating of these subjects I have thought it best to give the scientific names of the plant or animal which was of importance in my story, so that any of my readers who were really interested in natural history could at once ascertain for themselves the exact type alluded to, and, if they wished, look it up in a museum, a garden, or a natural history book. I hope this attempt at scientific accuracy will not frighten away readers young and old; and, if you can have patience with the author, you will, by reading this series of books on the great pioneers of British West Africa, Canada, Malaysia, West Indies, South Africa, and Australasia, get a clear idea of how the British Colonial Empire came to be founded. You will find that I have often tried to tell the story in the words of the pioneers, but in these quotations I have adopted the modern spelling, not only in my transcript of the English original or translation, but also in the place and tribal names, so as not to puzzle or delay the reader. Otherwise, if you were to look out some of the geographical names of the old writers, you might not be able to recognize them on the modern atlas. The pronunciation of this modern geographical spelling is very simple and clear: the vowels are pronounced _a_ = ah, _e_ = eh, _i_ = ee, _o_ = o, _ô_ = oh, _ō_ = aw, _ö_ = u in 'hurt', and _u_ = oo, as in German, Italian, or most other European languages; and the consonants as in English. H.H. JOHNSTON. CONTENTS Chap. Page I. THE GENERAL FEATURES OF AUSTRALASIA 15 II. THE FIRST HUMAN INHABITANTS OF AUSTRALASIA 46 III. SPANISH AND PORTUGUESE EXPLORERS LEAD THE WAY TO THE PACIFIC OCEAN 88 IV. DUTCH DISCOVERIES 129 V. DAMPIER'S VOYAGES 148 VI. JAMES COOK'S FIRST VOYAGE 178 VII. NEW SOUTH WALES 225 VIII. COOK'S SECOND AND THIRD VOYAGES 252 IX. BLIGH AND THE "BOUNTY" 278 X. THE RESULTS OF THE PIONEERS' WORK 290 LIST OF ILLUSTRATIONS PLATES Page Magellan visiting the King of Sebu _Frontispiece_ An Australian Aborigine navigating a Raft 48 Tasman's Men attacked by Natives off the Coast of New Zealand 136 Dampier and his Crew watching a Volcanic Eruption 174 Captain Cook's Arrival at Tahiti (1769) 192 Captain Cook at Botany Bay 228 Captain Bligh and his Men searching for Oysters off the Great Barrier Reef 282 Whaling in the South Seas 298 BLACK-AND-WHITE ILLUSTRATIONS The Biggest of the Kangaroos 38 Papuan of South-east New Guinea, near Port Moresby, and Oceanic <DW64> Type from the Northernmost Solomon Islands 60 A Typical Polynesian, and an Australoid Type from Northern Queensland 80 The Two Dutch Ships under Tasman's Command (the _Heemskerk_ and the _Zeehaen_) at Anchor in the Tonga Islands, Pacific 140 The Island of Tahiti and its extraordinary Double Canoes: as seen by Captain Cook 206 A View of Dusky Bay, on the Great South Island of New Zealand, with a Maori Family: as seen by Captain Cook 222 A Chief at St. Christina, in the Marquezas Archipelago, and a Man of Easter Island 266 A Dancing Ground and Drums at Port Sandwich, Malekala (Mallicolo) Island, New Hebrides. Tambu House (Temple) in Background 276 * * * * * Map of the Malay Archipelago 26 Map of Australasia 148 Map of Australia and New Zealand 300 BIBLIOGRAPHY =Magellan's Voyage Around the World.= By Antonio Pigafetta. Translated and annotated by James Alexander Robertson. 2 Vols. Cleveland, U.S.A. The Arthur H. Clark Company. 1906. (This is the best work dealing with Magellan's voyage to the Philippines and the after events of his expedition.) =The First Voyage Round the World by Magellan.= Translated from the accounts of Pigafetta, &c., by Lord Stanley of Alderley. London. Hakluyt Society. 1874. (This work contains a great deal of supplementary information regarding the doings of the Spaniards and Portuguese in the Pacific and Malaysia.) =Early Voyages to Australia.= By R.H. Major. London. Hakluyt Society. 1859. =Tasman's Journal... Facsimiles of the Original MS. with Life of Tasman.= By J.E. Heeres. Amsterdam. 1898. =Dampier's Voyages.= Edited by John Masefield. 2 Vols. London. E. Grant Richards. 1906. =The History of Mankind.= By Professor Friedrich Ratzel. Translated from the second German edition by A.J. Butler, M.A. 3 Vols. London. Macmillan & Co. 1896. =The History of the Australian Colonies.= By Edward Jenks, M.A. Cambridge University Press. 1896. =Voyage Autour du Monde.= By De Bougainville. Paris. 1771. =The Natives of Sarawak and British North Borneo.= By H. Ling Roth. London. 1896. =Cook's Voyages.= (Original edition in 6 Vols., including plates.) London. 1772, 1777, and 1784. Captain Cook's Journal during his First Voyage Round the World.= Edited by Captain W.J.L. Wharton, R.N., F.R.S. London. Elliot Stock. 1893. =Journal of the Rt. Hon. Sir Joseph Banks.= Edited by Sir Joseph D. Hooker. Macmillan & Co. 1896. =Captain James Cook.= By Arthur Kitson. London. John Murray. 1907. (This is the best life of Cook.) =The Eventful History of the Mutiny and Piratical Seizure of H.M.S. "Bounty".= London. John Murray. 1831. =Gonzalez's Voyage to Easter Island, 1770-1.= Translated by Bolton Glanville Corney. Hakluyt Society. 1908. =Terre Napoléon.= (The French attempts to explore Australia at the beginning of the 19th Century.) By Ernest Scott. London. Methuen. 1910. =Murihiku.= (A study of New Zealand history.) By the Hon. R. M'Nab. New Zealand. 1907. (A most interesting, accurate, and comprehensive work.) =Narrative of a Voyage to New Zealand, &c., in Company with the Rev. Samuel Marsden.= By John Liddiard Nicholas. 2 Vols. London. 1817. =New Zealand: being a Narrative of Travels and Adventures, &c.= By J.S. Pollack. 2 Vols. London. Richard Bentley. 1838. (Gives interesting information regarding the whale fishery round about New Zealand.) =Narrative of the Surveying Voyage of H.M.S. "Fly".= By J.B. Jukes. 2 Vols. London. 1847. (Treats of the exploration of the coasts of Torres Straits, South New Guinea,
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E-text prepared by Bebra Knutson and revised by David Edwards and the Online Distributed Proofreading Team (http://www.pgdp.net). The original illustrations were generously made available by Internet Archive (https://archive.org). Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 5312-h.htm or 5312-h.zip: (http://www.gutenberg.org/files/5312/5312-h/5312-h.htm) or (http://www.gutenberg.org/files/5312/5312-h.zip) MOTHER GOOSE IN PROSE [Illustration: "There was a little man and he had a little gun"] [Illustration] MOTHER GOOSE IN PROSE by L. FRANK BAUM Illustrated by Maxfield Parrish New York MCMI Contents Introduction 9 Sing a Song o' Sixpence 19 The Story of Little Boy Blue 31 The Cat and the Fiddle 45 The Black Sheep 55 Old King Cole 65 Mistress Mary 75
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Produced by David Gil, Lisa Reigel, and the Online Distributed Proofreading Team at http://www.pgdp.net (This produced from images hosted by the University of Wisconsin's Digital Collections.) Transcriber's Notes: Words in italics in the original are surrounded by _underscores_. A row of asterisks represents either an ellipsis in a poetry quotation or a place where the original Greek text was too corrupt to be read by the translator. Other ellipses match the original. Variations in spelling and hyphenation have been left as in the original. There are numerous long quotations in the original, many missing the closing quotation mark. Since it is often difficult to determine where a quotation begins or ends, the transcriber has left quotation marks as they appear in the original. A few typographical errors have been corrected. A complete list follows the text. Other notes also follow the text. THE DEIPNOSOPHISTS OR BANQUET OF THE LEARNED OF ATHENÆUS. LITERALLY TRANSLATED BY C. D. YONGE, B.A. WITH AN APPENDIX OF POETICAL FRAGMENTS, RENDERED INTO ENGLISH VERSE BY VARIOUS AUTHORS, AND A GENERAL INDEX. IN THREE VOLUMES. VOL. I. LONDON: HENRY G. BOHN, YORK STREET, COVENT GARDEN. MDCCCLIV. LONDON: R. CLAY, PRINTER, BREAD STREET HILL. PREFACE. The author of the DEIPNOSOPHISTS was an Egyptian, born in Naucratis, a town on the left side of the Canopic Mouth of the Nile. The age in which he lived is somewhat uncertain, but his work, at least the latter portion of it, must have been written after the death of Ulpian the lawyer, which happened A.D. 228. Athenæus appears to have been imbued with a great love of learning, in the pursuit of which he indulged in the most extensive and multifarious reading; and the principal value of his work is, that by its copious quotations it preserves to us large fragments from the ancient poets, which would otherwise have perished. There are also one or two curious and interesting extracts in prose; such, for instance, as the account of the gigantic ship built by Ptolemæus Philopator, extracted from a lost work of Callixenus of Rhodes. The work commences, in imitation of Plato's Phædo, with a dialogue, in which Athenæus and Timocrates supply the place of Phædo and Echecrates. The former relates to his friend the conversation which passed at a banquet given at the house of Laurentius, a noble Roman, between some of the guests, the best known of whom are Galen and Ulpian. The first two books, and portions of the third, eleventh, and fifteenth, exist only in an Epitome, of which both the date and author are unknown. It soon, however, became more common than the original work, and eventually in a great degree superseded it. Indeed Bentley has proved that the only knowledge which, in the time of Eustathius, existed of Athenæus, was through its medium. Athenæus was also the author of a book entitled, "On the Kings of Syria," of which no portion has come down to us. The text which has been adopted in the present translation is that of Schweighäuser. C. D. Y. CONTENTS. BOOK I.--EPITOME. The Character of Laurentius--Hospitable and Liberal Men-- Those who have written about Feasts--Epicures--The Praises of Wine--Names of Meals--Fashions at Meals--Dances--Games --Baths--Partiality of the Greeks for Amusements--Dancing and Dancers--Use of some Words--Exercise--Kinds of Food-- Different kinds of Wine--The Produce of various places-- Different Wines 1-57 BOOK II.--EPITOME. Wine--Drinking--The evils of Drunkenness--Praises of Wine --Water--Different kinds of Water--Sweetmeats--Couches and Coverlets--Names of Fruits--Fruit and Herbs--Lupins--Names of--Plants--Eggs--Gourds--Mushrooms--Asparagus--Onions-- Thrushes--Brains--The Head--Pickle--Cucumbers--Lettuce-- The Cactus--The Nile 57-121 BOOK III. Cucumbers--Figs--Apples--Citrons--Limpets--Cockles-- Shell-fish--Oysters--Pearls--Tripe--Pigs' Feet--Music at Banquets--Puns on Words--Banquets--Dishes at Banquets-- Fish--Shell-fish--Fish--Cuttle-fish--Bread--Loaves--Fish-- Water Drinking--Drinking Snow--Cheesecakes--Χόνδοος 121-210 BOOK IV. Feast of Caranus--Supper of Iphicrates--Cooks--Dancing at Banquets--The Attic Banquet--Athenian Feasts--The Copis-- The Phiditia--Cleomenes--Persian Banquets--Alexander the Great--Cleopatra--Banquets at Phigalea--Thracian Banquets --Celtic Banquets--Roman Banquets--Gladiatorial Combats-- Temperance of the Lacedæmonians--The Theory of Euxitheus-- Lentils--Spare Livers--Persæus--Diodorus--Extravagance-- Luxury of the Tarentines--Extravagance of Individuals-- Cooks' Apparatus--Use of Certain Words--Tasters--The Delphians--Musical Instruments--Kinds of Flutes--Wind Instruments 210-287 BOOK V. Banquets--Baths--Banquets--The Banquets described by Homer --Banquets--The Palaces of Homer's Kings--Conversation at Banquets--Customs in Homer's Time--Attitudes of Guests-- Feast given by Antiochus--Extravagance of Antiochus-- Ptolemy Philadelphus--Procession of Ptolemy Philadelphus-- A large Ship built by Ptolemy--The Ship of Ptolemy Philopator--Hiero's Ship--Banquet given by Alexander-- Athenio--The Valour of Socrates--Plato's account of Socrates--Socrates--The Gorgons 287-352 BOOK VI. Tragedy--Fishmongers--Misconduct of Fishmongers--Use of particular Words--Use of Silver Plate--Silver Plate-- Golden Trinkets--Use of Gold in different Countries-- Parasites--Gynæconomi--Parasites--Flatterers of Dionysius --Flatterers of Kings--Flattery of the Athenians-- Flatterers--The Tyrants of Chios--The Conduct of Philip-- Flatterers and Parasites--The Mariandyni--Slaves--Drimacus --Condition of Slaves--Slaves--Banquets--The Effects of Hunger--The Mothaces--Slaves under the Romans--The Fannian Law 353-432 BOOK VII. The Phagesia--Fish--Epicures--Fish--Cooks--Sharks--Fish-- Glaucus--Eels--The Tunny-Fish--Fish--Pike--Fish--The Polybus--Fish 433-521 THE DEIPNOSOPHISTS, OR THE BANQUET OF THE LEARNED.[1:1] _The first two Books, and a portion of the third, as is known to the scholar, exist only in Epitome._ BOOK I.--EPITOME. 1. Athenæus is the author of this book; and in it he is discoursing with Timocrates: and the name of the book is the Deipnosophists. In this work Laurentius is introduced, a Roman, a man of distinguished fortune, giving a banquet in his own house to men of the highest eminence for every kind of learning and accomplishment; and there is no sort of gentlemanly knowledge which he does not mention in the conversation which he attributes to them; for he has put down in his book, fish, and their uses, and the meaning of their names; and he has described divers kinds of vegetables, and animals of all sorts. He has introduced also men who have written histories, and poets, and, in short, clever men of all sorts; and he discusses musical instruments, and quotes ten thousand jokes: he talks of the different kinds of drinking cups, and of the riches of kings, and the size of ships, and numbers of other things which I cannot easily enumerate, and the day would fail me if I endeavoured to go through them separately. And the arrangement of the conversation is an imitation of a sumptuous banquet; and the plan of the book follows the arrangement of the conversation. This, then, is the delicious feast of words which this admirable master of the feast, Athenæus, has prepared for us; and gradually surpassing himself, like the orator at Athens, as he warms with his subject, he bounds on towards the end of the book in noble strides. 2. And the Deipnosophists who were present at this banquet were, _Masyrius_, an expounder of the law, and one who had been no superficial student of every sort of learning; _Magnus_... [Myrtilus] a poet; a man who in other branches of learning was inferior to no one, and who had devoted himself in no careless manner to the whole circle of arts and learning; for in everything which he discussed, he appeared as if that was the sole thing which he had studied; so great and so various was his learning from his childhood. And he was an iambic poet, inferior to no one who has ever lived since the time of Archilochus. There were present also _Plutarchus_, and _Leonidas_ of Elis, and _Æmilianus_ the Mauritanian, and _Zöilus_, all the most admirable of grammarians. And of philosophers there were present _Pontianus_ and _Democritus_, both of Nicomedia; men superior to all their contemporaries in the extent and variety of their learning; and _Philadelphus_ of Ptolemais, a man who had not only been bred up from his infancy in philosophical speculation, but who was also a man of the highest reputation in every part of his life. Of the Cynics, there was one whom he calls _Cynulcus_, who had not only two white dogs following him, as they did Telemachus when he went to the assembly, but a more numerous pack than even Actæon had. And of rhetoricians there was a whole troop, in no respect inferior to the Cynics. And these last, as well, indeed, as every one else who ever opened his mouth, were run down by _Uppianus_ the Tyrian, who, on account of the everlasting questions which he keeps putting every hour in the streets, and walks, and booksellers' shops, and baths, has got a name by which he is better known than by his real one, _Ceitouceitus_. This man had a rule of his own, to eat nothing without saying κεῖται; ἢ οὐ κεῖται; In this way, "Can we say of the word ὥρα, that it κεῖται, or is applicable to any part of the day? And is the word μέθυσο, or drunk, applicable to a man? Can the word μήτρα, or paunch, be applied to any eatable food? Is the name σύαγρος a compound word applicable to a boar?"--And of physicians there were present _Daphnus_ the Ephesian, a man holy both in his art and by his manners, a man of no slight insight into the principles of the Academic school; and _Galenus_ of Pergamos, who has published such numbers of philosophical and medical works as to surpass all those who preceded him, and who is inferior to none of the guests in the eloquence of his descriptions. And _Rufinus_ of Mylæa.--And of musicians, _Alcides_ of Alexandria, was present. So that the whole party was so numerous that the catalogue looks rather like a muster-roll of soldiers, than the list of a dinner party. 3. And Athenæus dramatises his dialogue in imitation of the manner of Plato. And thus he begins:-- TIMOCRATES. ATHENÆUS. _Tim._ Were you, Athenæus, yourself present at that delightful party of the men whom they now call Deipnosophists; which has been so much talked of all over the city; or is it only from having heard an account of it from others that you spoke of it to your companions? _Ath._ I was there myself, Timocrates. _Tim._ I wish, then, that you would communicate to us also some of that agreeable conversation which you had over your cups; Make your hand perfect by a third attempt, as the bard of Cyrene[3:1] says somewhere or other; or must we ask some one else? 4. Then after a little while he proceeds to the praises of Laurentius, and says that he, being a man of a munificent spirit, and one who collected numbers of learned men about him, feasted them not only with other things, but also with conversation, at one time proposing questions deserving of investigation, and at another asking for information himself; not suggesting subjects without examination, or in any random manner, but as far as was possible with a critical and Socratic discernment; so that every one marvelled at the systematic character of his questions. And he says, too, that he was appointed superintendant of the temples and sacrifices by that best of all sovereigns Marcus;[3:2] and that he was no less conversant with the literature of the Greeks than with that of his own countrymen. And he calls him a sort of Asteropæus,[4:1] equally acquainted with both languages. And he says that he was well versed in all the religious ceremonies instituted by Romulus, who gave his name to the city, and by Numa Pompilius; and that he is learned in all the laws of politics; and that he has arrived at all this learning solely from the study of ancient decrees and resolutions; and from the collection of the laws which (as Eupolis, the comic writer, says of the poems of Pindar) are already reduced to silence by the disinclination of the multitude for elegant learning. He had also, says he, such a library of ancient Greek books, as to exceed in that respect all those who are remarkable for such collections; such as Polycrates of Samos, and Pisistratus who was tyrant of Athens, and Euclides who was himself also an Athenian, and Nicorrates the Samian, and even the kings of Pergamos, and Euripides the poet, and Aristotle the philosopher, and Nelius his librarian; from whom they say that our countryman Ptolemæus, surnamed Philadelphus, bought them all, and transported them with all those which he had collected at Athens and at Rhodes to his own beautiful Alexandria. So that a man may fairly quote the verses of Antiphanes and apply them to him:-- You court the heav'nly muse with ceaseless zeal, And seek to open all the varied stores Of high philosophy. And as the Theban lyric poet[4:2] says:-- Nor less renown'd his hand essays To wake the muse's choicest lays, Such as the social feast around Full oft our tuneful band inspire. And when inviting people to his feasts, he causes Rome to be looked upon as the common country of all of them. For who can regret what he has left in his own country, while dwelling with a man who thus opens his house to all his friends. For as Apollodorus the comic poet says:-- Whene'er you cross the threshhold of a friend, How welcome you may be needs no long time To feel assured of; blithe the porter looks, The house-dog wags his tail, and rubs his nose Against your legs; and servants hasten quick, Unbidden all, since their lord's secret wish Is known full well, to place an easy chair To rest your weary limbs. 5. It would be a good thing if other rich men were like him; since when a man acts in a different manner, people are apt to say to him, "Why are you so mean? Your tents are full of wine." Call the elders to the feast, Such a course befits you best. Such as this was the magnanimity of the great Alexander. And Conon, after he had conquered the Lacedæmonians in the sea-fight off Cnidus, and fortified the Piræus, sacrificed a real hecatomb, which deserved the name, and feasted all the Athenians. And Alcibiades, who conquered in the chariot race at the Olympic games, getting the first, and second, and fourth prizes, (for which victories Euripides wrote a triumphal ode,) having sacrificed to Olympian Jupiter, feasted the whole assembly. And Leophron did the same at the Olympic games, Simonides of Ceos writing a triumphal ode for him. And Empedocles of Agrigentum, having gained the victory in the horse race at the Olympic games, as he was himself a Pythagorean, and as such one who abstained from meat, made an image of an ox of myrrh, and frankincense, and the most expensive spices, and distributed it among all who came to that festival. And Ion of Chios, having gained the tragic crown at Athens, gave a pot of Chian wine to every Athenian citizen. For Antiphanes says:-- For why should any man wealth desire, And seek to pile his treasures higher, If it were not to aid his friends in their need, And to gain for himself love's and gratitude's meed? For all can drink and all can eat, And it is not only the richest meat, Or the oldest wine in the well-chased bowl Which can banish hunger and thirst from the soul. And Xenophanes of Chalcedon, and Speusippus the Academic philosopher, and Aristotle, have all written drinking songs. And in the same manner Gellias of Agrigentum, being a very hospitable man, and very attentive to all his guests, gave a tunic and cloak to every one of five hundred horsemen who once came to him from Gela in the winter season. 6. The sophist uses the word Dinnerchaser, on which Clearchus says that Charmus the Syracusan adopted some little versicles and proverbs very neatly to whatever was put on the table. As on seeing a fish, he says:-- I come from the salt depths of Ægeus' sea. And when he saw some ceryces he said-- Hail holy heralds (κήρυκες), messengers of Jove. And on seeing tripe, Crooked ways, and nothing sound. When a well-stuffed cuttlefish is served up, Good morrow, fool. When he saw some pickled char, O charming sight; hence with the vulgar crowd. And on beholding a skinned eel, Beauty when unadorn'd, adorn'd the most. Many such men then as these, he says, were present at Laurentius's supper; bringing books out of their bags, as their contribution to the picnic. And he says also that Charmus, having something ready for everything that was served up, as has been already said, appeared to the Massenians to be a most accomplished man; as also did Calliphanes, who was called the son of Parabrycon, who having copied out the beginnings of many poems and other writings, recollected three or four stanzas of each, aiming at a reputation for extensive learning. And many other men had in their mouths turbots caught in the Sicilian sea, and swimming eels, and the trail of the tunny-fish of Pachynum, and kids from Melos, and mullets from Symæthus. And, of dishes of less repute, there were cockles from Pelorum, anchovies from Lipara, turnips from Mantinea, rape from Thebes, and beet-root from the Ascræans. And Cleanthes the Tarentine, as Clearchus says, said everything while the drinking lasted, in metres. And so did Pamphilus the Sicilian, in this way:-- Give me a cup of sack, that partridge leg, Likewise a pot, or else at least a cheesecake. Being, says he, men with fair means, and not forced to earn their dinner with their hands,-- Bringing baskets full of votes. 7. Archestratus the Syracusan or Geloan, in his work to which Chrysippus gives the title of Gastronomy, but Lynceus and Callimachus of Hedypathy, that is Pleasure, and which Clearchus calls Deipnology, and others Cookery, (but it is an epic poem, beginning, Here to all Greece I open wisdom's store;) says, A numerous party may sit round a table, But not more than three, four, or five on one sofa; For else it would be a disorderly Babel, Like the hireling piratical band of a rover. But he does not know that at the feast recorded by Plato there were eight and twenty guests present. How keenly they watch for a
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Produced by Joshua Hutchinson, Anne Storer and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by Cornell University Digital Collections) Transcriber's Note: Table of Contents / Illustrations added. * * * * * TRINITY COLLEGE, HARTFORD. BY SAMUEL HART, D.D., PROFESSOR OF LATIN. Illustrations: Trinity College In 1869. T. C. Brownell. Trinity College In 1828. J. Williams. Statue Of Bishop Brownell, On The Campus. Proposed New College Buildings. Geo Williamson Smith. James Williams, Forty Years Janitor Of Trinity College. Bishop Seabury's Mitre, In The Library. Chair Of Gov. Wanton, Of Rhode Island, In The Library. Trinity College In 1885. (Signature) N. S. Wheaton (Signature) Silas Totten (Signature) D. R. Goodwin (Signature) Samuel Eliot (Signature) J. B. Kerfoot (Signature) A. Jackson (Signature) T. R. Pynchon The New Gymnasium. College Logo. THE WEBSTER FAMILY. BY HON. STEPHEN M. ALLEN. Illustration: Marshfield--Residence Of Daniel Webster. TO OLIVER WENDELL HOLMES. ON HIS DEPARTURE FOR EUROPE. BY EDWARD P. GUILD. A ROMANCE OF KING PHILIP'S WAR. BY FANNY BULLOCK WORKMAN. THE PICTURE. BY MARY D. BRINE. NEW BEDFORD. BY HERBERT L. ALDRICH. Illustrations: Old Whalers And Barrels Of Oil. City Hall And Depot. Front Street And Fish Markets Along The Wharves. The Head Of The River. Along The Wharfs And Relics Of The Last Century. New Station Of The Old Colony Railroad. Custom House. Court House. Grace Episcopal Church. Looking Down Union Street. Unitarian Church, Union Street. Mandell's House, Hawthorne Street. Residence Of Mayor Rotch. The Stone Church And Yacht Club House. Fish Island. Seamen's Bethel And Sailor's Home. Merchants' And Mechanics' Bank. Residence Of Joseph Grinnell. Friends Meeting-House. Public Library. HENRY BARNARD--THE AMERICAN EDUCATOR. BY THE LATE HON. JOHN D. PHILBRICK. A DAUGHTER OF THE PURITANS. BY ANNA B. BENSEL. JUDICIAL FALSIFICATIONS OF HISTORY. BY CHARLES COWLEY, LL.D. DORRIS'S HERO. A ROMANCE OF THE OLDEN TIME. BY MARJORIE DAW. EDITOR'S TABLE. HISTORICAL RECORD. NECROLOGY. LITERATURE. INDEX TO MAGAZINE LITERATURE. Illustration: MARK HOPKINS, D.D., LL.D. * * * * * THE NEW ENGLAND MAGAZINE AND BAY STATE MONTHLY. ------------------------------------------------------------------------- OLD SERIES, MAY, 1886. NEW SERIES, VOL. IV. NO. 5. VOL. I. NO. 5. ------------------------------------------------------------------------- Copyright, 1886, by Bay State Monthly Company. All rights reserved. #TRINITY COLLEGE, HARTFORD.# BY SAMUEL HART, D.D., PROFESSOR OF LATIN. [Illustration: TRINITY COLLEGE IN 1869.] The plan for the establishment of a second college in Connecticut was not carried into effect until after the time of the political and religious revolution which secured the adoption of a State Constitution in 1818. Probably no such plan was seriously entertained till after the close of the war of Independence. The Episcopal church in Connecticut had, one may almost say, been born in the library of Yale College; and though Episcopalians, with other dissenters from the "standing order," had been excluded from taking any part in the government or the instruction of the institution, they did not forget how much they owed to it as the place where so many of their clergy had received their education. In fact, when judged by the standards of that day, it would appear that they had at first little cause to complain of illiberal treatment, while on the other hand they did their best to assist the college in the important work which it had in hand. But Yale College, under the presidency of Dr. Clap, assumed a more decidedly theological character than before, and set itself decidedly in opposition to those who dissented from the Westminster Confession of Faith and the Saybrook Platform of Discipline. Besides, King's College, which had been lately founded in New York, drew away some Episcopal students from Connecticut and made others dissatisfied; and had not the war with the mother country rudely put a stop to the growth of Episcopacy in the colony, it would seem that steps might have been soon taken for the establishment of some institution of learning, at least a school of theology, under the care of the clergy of the Church of England. [Illustration: (signature) T. C. Brownell] [Illustration: TRINITY COLLEGE IN 1828.] At any rate no sooner was it known that the war was ended than the churchmen of Connecticut sent the Rev. Dr. Seabury across the ocean to seek consecration as a bishop; and it was not long after his return that the diocese, now fully organized, set on foot a plan for the establishment of an institution of sound learning, and in 1795 the Episcopal Academy of Connecticut was founded at Cheshire. It was sometimes called Seabury College, and, under its learned principals, it fitted many young men for entrance upon their theological studies, and gave them part at least of their professional training. But its charter, which was granted by the General Assembly of the State in 1801, did not give it the power of conferring degrees, and the frequent petitions for an extension of charter rights, so as to make of the academy a collegiate institution, were refused. For a time, owing to determined opposition in the State, to the vacancy in the episcopate, and to other causes, the project was postponed. But a combination of events, social, political, and religious, led at length to the great revolution in Connecticut, in which all dissenters from the standing order united in opposition
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Produced by Darleen Dove, Shannon Barker, Matthew Wheaton and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) A MERE CHANCE. A NOVEL. BY ADA CAMBRIDGE, AUTHOR OF "IN TWO YEARS TIME," &c. IN THREE VOLUMES. VOL. II
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FRANCE*** E-text prepared by Juliet Sutherland, Janet Blenkinship, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 25842-h.htm or 25842-h.zip: (http://www.gutenberg.net/dirs/2/5/8/4/25842/25842-h/25842-h.htm) or (http://www.gutenberg.net/dirs/2/5/8/4/25842/25842-h.zip) ROYAL PALACES AND PARKS OF FRANCE * * * * * _WORKS OF FRANCIS MILTOUN_ _Rambles on the Riviera_ $2.50 _Rambles in Normandy_ 2.50 _Rambles in Brittany_ 2.50 _The Cathedrals and Churches of the Rhine_ 2.50 _The Cathedrals of Northern France_ 2.50 _The Cathedrals of Southern France_ 2.50 _In the Land of Mosques and Minarets_ 3.00 _Royal Palaces and Parks of France_ 3.00 _Castles and Chateaux of Old Touraine and the Loire Country_ 3.00 _Castles and Chateaux of Old Navarre and the Basque Provinces_ 3.00 _Castles and Chateaux of Old Burgundy and the Border Provinces_ 3.00 _Italian Highways and Byways from a Motor Car_ 3.00 _The Automobilist Abroad_ net 3.00 (_Postage Extra_) _L. C. Page and Company_ _53 Beacon Street, Boston, Mass._ * * * * * [Illustration: _Terrace of Henri IV, Saint Germain_ (_See page 286_)] [Illustration] ROYAL PALACES AND PARKS OF FRANCE by FRANCIS MILTOUN Author of "Castles and Chateaux of Old Touraine," "Castles and Chateaux of Old Burgundy," "Rambles in Normandy," "Italian Highways and Byways from a Motor-Car," etc. With Many Illustrations Reproduced from paintings made on the spot by Blanche Mcmanus Boston L. C. Page & Company 1910 Copyright, 1910. by L. C. Page & Company. (Incorporated) All rights reserved First Impression, November, 1910 Printed by The Colonial Press C. H. Simonds & Co., Boston, U. S. A. Preface "A thousand years ago, by the rim of a tiny spring, a monk who had avowed himself to the cult of Saint Saturnin, robed, cowled and sandalled, knelt down to say a prayer to his beloved patron saint. Again he came, this time followed by more of his kind, and a wooden cross was planted by the side of the "Fontaine Belle Eau," by this time become a place of pious pilgrimage. After the monk came a king, the latter to hunt in the neighbouring forest." It was this old account of fact, or legend, that led the author and illustrator of this book to a full realization of the wealth of historic and romantic incidents connected with the French royal parks and palaces, incidents which the makers of guidebooks have passed over in favour of the, presumably, more important, well authenticated facts of history which are often the bare recitals of political rises and falls and dull chronologies of building up and tearing down. Much of the history of France was made in the great national forests and the royal country-houses of the kingdom, but usually it has been only the events of the capital which have been passed in review. To a great extent this history was of the gallant, daring kind, often written in blood, the sword replacing the pen. At times gayety reigned supreme, and at times it was sadness; but always the pageant was imposing. The day of pageants has passed, the day when lords and ladies moved through stately halls, when royal equipages hunted deer or boar on royal preserves, when gay cavalcades of solemn corteges thronged the great French highways to the uttermost frontiers and ofttimes beyond. Those days have passed; but, to one who knows the real France, a ready-made setting is ever at hand if he would depart a little from the beaten paths worn smooth by railway and automobile tourists who follow only the lines of conventional travel. France, even to-day, the city and the country alike, is the paradise of European monarchs on a holiday. One may be met at Biarritz on the shores of the Gascon gulf; another may be taking the waters at Aix or Vichy, shooting pigeons under the shadow of the Tete de Chien, or hunting at Rambouillet. This is modern France, the most cosmopolitan meeting place and playground of royalty in the world. French royal parks and palaces, those of the kings and queens of mediaeval, as well as later, times, differ greatly from those of other lands. This is perhaps not so much in their degree of splendour and luxury as in the sentiment which attaches itself to them. In France there has ever been a spirit of gayety and spontaneity unknown elsewhere. It was this which inspired the construction and maintenance of such magnificent royal residences as the palaces of Saint Germain-en-Laye, Fontainebleau, Versailles, Compiegne, Rambouillet, etc., quite different from the motives which caused the erection of the Louvre, the Tuileries or the Palais Cardinal at Paris. Nowhere else does there exist the equal of these inspired royal country-houses of France, and, when it comes to a consideration of their surrounding parks and gardens, or those royal hunting preserves in the vicinity of the Ile de France, or of those still further afield, at Rambouillet or in the Loire country, their superiority to similar domains beyond the frontiers is even more marked. In plan this book is a series of itineraries, at least the chapters are arranged, to a great extent in a topographical sequence; and, if the scope is not as wide as all France, it is because of the prominence already given to the parks and palaces of Touraine and elsewhere in the old French provinces in other works in which the artist and author have collaborated. It is for this reason that so little consideration has been given to Chambord, Amboise or Chenonceaux, which were as truly royal as any of that magnificent group of suburban Paris palaces which begins with Conflans and ends with Marly and Versailles. Going still further afield, there is in the Pyrenees that chateau, royal from all points of view, in which was born the gallant Henri of France and Navarre, but a consideration of that, too, has already been included in another volume. The present survey includes the royal dwellings of the capital, those of
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Produced by Alicia Williams, Jeannie Howse and the Online Distributed Proofreading Team at http://www.pgdp.net Lucy Maud Montgomery Short Stories, 1905 to 1906 Lucy Maud Montgomery was born at Clifton (now New London), Prince Edward Island, Canada, on November 30, 1874. She achieved international fame in her lifetime, putting Prince Edward Island and Canada on the world literary map. Best known for her "Anne of Green Gables" books, she was also a prolific writer of short stories and poetry. She published some 500 short stories and poems and twenty novels before her death in 1942. The Project Gutenberg collection of her short stories was gathered from numerous sources and is presented in chronological publishing order: Lucy Maud Montgomery Short Stories, 1896 to 1901 Lucy Maud Montgomery Short Stories, 1902 to 1903 Lucy Maud Montgomery Short Stories, 1904 Lucy Maud Montgomery Short Stories, 1905 to 1906 Lucy Maud Montgomery Short Stories, 1907 to 1908 Lucy Maud Montgomery Short Stories, 1909 to 1922 * * * * * Short Stories 1905 to 1906 A Correspondence and a Climax 1905 An Adventure on Island Rock 1906 At Five O'Clock in the Morning 1905 Aunt Susanna's Birthday Celebration 1905 Bertie's New Year 1905 Between the Hill and the Valley 1905 Clorinda's Gifts 1906 Cyrilla's Inspiration 1905 Dorinda's Desperate Deed 1906 Her Own People 1905 Ida's New Year Cake 1905 In the Old Valley 1906 Jane Lavinia 1906 Mackereling Out in the Gulf 1905 Millicent's Double 1905 The Blue North Room 1906 The Christmas Surprise At Enderly Road 1905 The Dissipation of Miss Ponsonby 1906 The Falsoms' Christmas Dinner 1906 The Fraser Scholarship 1905 The Girl at the Gate 1906 The Light on the Big Dipper 1906 The Prodigal Brother 1906 The Redemption of John Churchill 1906 The Schoolmaster's Letter 1905 The Story of Uncle Dick 1906 The Understanding of Sister Sara 1905 The Unforgotten One 1906 The Wooing of Bessy 1906 Their Girl Josie 1906 When Jack and Jill Took a Hand 1905 A Correspondence and A Climax At sunset Sidney hurried to her room to take off the soiled and faded cotton dress she had worn while milking. She had milked eight cows and pumped water for the milk-cans afterward in the fag-end of a hot summer day. She did that every night, but tonight she had hurried more than usual because she wanted to get her letter written before the early farm bedtime. She had been thinking it out while she milked the cows in the stuffy little pen behind the barn. This monthly letter was the only pleasure and stimulant in her life. Existence would have been, so Sidney thought, a dreary, unbearable blank without it. She cast aside her milking-dress with a thrill of distaste that tingled to her rosy fingertips. As she slipped into her blue-print afternoon dress her aunt called to her from below. Sidney ran out to the dark little entry and leaned over the stair railing. Below in the kitchen there was a hubbub of laughing, crying, quarrelling children, and a reek of bad tobacco smoke drifted up to the girl's disgusted nostrils. Aunt Jane was standing at the foot of the stairs with a lamp in one hand and a year-old baby clinging to the other. She was a big shapeless woman with a round good-natured face--cheerful and vulgar as a sunflower was Aunt Jane at all times and occasions. "I want to run over and see how Mrs. Brixby is this evening, Siddy, and you must take care of the baby till I get back." Sidney sighed and went downstairs for the baby. It never would have occurred to her to protest or be petulant about it. She had all her aunt's sweetness of disposition, if she resembled her in nothing else. She had not grumbled because she had to rise at four that morning, get breakfast, milk the cows, bake bread, prepare seven children for school, get dinner, preserve twenty quarts of strawberries, get tea, and milk the cows again. All her days were alike as far as hard work and dullness went, but she accepted them cheerfully and uncomplainingly. But she did resent having to look after the baby when she wanted to write her letter. She carried the baby to her room, spread a quilt on the floor for him to sit on, and gave him a box of empty spools to play with. Fortunately he was a phlegmatic infant, fond of staying in one place, and not given to roaming about in search of adventures; but Sidney knew she would have to keep an eye on him, and it would be distracting to literary effort. She got out her box of paper and sat down by the little table at the window with a small kerosene lamp at her elbow. The room was small--a mere box above the kitchen which Sidney shared with two small cousins. Her bed and the cot where the little girls slept filled up almost all the available space. The furniture was poor, but everything was neat--it was the only neat room in the house, indeed, for tidiness was no besetting virtue of Aunt Jane's. Opposite Sidney was a small muslined and befrilled toilet-table, above which hung an eight-by-six-inch mirror, in which Sidney saw herself reflected as she devoutly hoped other people did not see her. Just at that particular angle one eye appeared to be as large as an orange, while the other was the size of a pea, and the mouth zigzagged from ear to ear. Sidney hated that mirror as virulently as she could hate anything. It seemed to her to typify all that was unlovely in her life. The mirror of existence into which her fresh young soul had looked for twenty years gave back to her wistful gaze just such distortions of fair hopes and ideals. Half of the little table by which she sat was piled high with books--old books, evidently well read and well-bred books, classics of fiction and verse every one of them, and all bearing on the flyleaf the name of Sidney Richmond, thereby meaning not the girl at the table, but her college-bred young father who had died the day before she was born. Her mother had died the day after, and Sidney thereupon had come into the hands of good Aunt Jane, with those books for her dowry, since nothing else was left after the expenses of the double funeral had been paid. One of the books had Sidney Richmond's name printed on the title-page instead of written on the flyleaf. It was a thick little volume of poems, published in his college days--musical, unsubstantial, pretty little poems, every one of which the girl Sidney loved and knew by heart. Sidney dropped her pointed chin in her hands and looked dreamily out into the moonlit night, while she thought her letter out a little more fully before beginning to write. Her big brown eyes were full of wistfulness and romance; for Sidney was romantic, albeit a faithful and understanding acquaintance with her father's books had given to her romance refinement and reason, and the delicacy of her own nature had imparted to it a self-respecting bias. Presently she began to write, with a flush of real excitement on her face. In the middle of things the baby choked on a small twist spool and Sidney had to catch him up by the heels and hold him head downward until the trouble was ejected. Then she had to soothe him, and finally write the rest of her letter holding him on one arm and protecting the epistle from the grabs of his sticky little fingers. It was certainly letter-writing under difficulties, but Sidney seemed to deal with them mechanically. Her soul and understanding were elsewhere. Four years before, when Sidney was sixteen, still calling herself a schoolgirl by reason of the fact that she could be spared to attend school four months in the winter when work was slack, she had been much interested in the "Maple Leaf" department of the Montreal weekly her uncle took. It was a page given over to youthful Canadians and filled with their contributions in the way of letters, verses, and prize essays. Noms de plume were signed to these, badges were sent to those who joined the Maple Leaf Club, and a general delightful sense of mystery pervaded the department. Often a letter concluded with a request to the club members to correspond with the writer. One such request went from Sidney under the pen-name of "Ellen Douglas." The girl was lonely in Plainfield; she had no companions or associates such as she cared for; the Maple Leaf Club represented all that her life held of outward interest, and she longed for something more. Only one answer came to "Ellen Douglas," and that was forwarded to her by the long-suffering editor of "The Maple Leaf." It was from John Lincoln of the Bar N Ranch, Alberta. He wrote that, although his age debarred him from membership in the club (he was twenty, and the limit was eighteen), he read the letters of the department with much interest, and often had thought of answering some of the requests for correspondents. He never had done so, but "Ellen Douglas's" letter was so interesting that he had decided to write to her. Would she be kind enough to correspond with him? Life on the Bar N, ten miles from the outposts of civilization, was lonely. He was two years out from the east, and had not yet forgotten to be homesick at times. Sidney liked the letter and answered it
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Produced by Pat Castevans and David Widger SANDRA BELLONI By George Meredith CONTENTS BOOK 1 I. THE POLES PRELUDE II. THE EXPEDITION BY MOONLIGHT III. WILFRID'S DIPLOMACY IV. EMILIA'S FIRST TRIAL IN PUBLIC V. EMILIA PLAYS ON THE CORNET VI. EMILIA SUPPLIES THE KEY TO HERSELF AND CONTINUES HER PERFORMANCE ON THE CORNET VII. THREATS OF A CRISIS IN THE GOVERNMENT OF BROOKFIELD: AND OF THE VIRTUE RESIDENT IN A TAIL-COAT VIII. IN WHICH A BIG DRUM SPEEDS THE MARCH OF EMILIA'S HISTORY IX. THE RIVAL CLUBS X. THE LADIES OF BROOKFIELD AT SCHOOL BOOK 2 XI. IN WHICH WE SEE THE MAGNANIMITY THAT IS IN BEER. XII. SHOWING HOW SENTIMENT AND PASSION TAKE THE DISEASE OF LOVE XIII. CONTAINS A SHORT DISCOURSE ON PUPPETS XIV. THE BESWORTH QUESTION XV. WILFRID'S EXHIBITION OF TREACHERY XVI. HOW THE LADIES OF BROOKFIELD CAME TO THEIR RESOLVE XVII. IN THE WOODS BOOK 3 XVIII. RETURN OF THE SENTIMENTALIST INTO BONDAGE XIX. LIFE AT BROOKFIELD. XX. BY WILMING WEIR XXI. RETURN OF MR. PERICLES XXII. THE PITFALL OF SENTIMENT XXIII. WILFRID DIPLOMATIZES XXIV. EMILIA MAKES A MOVE XXV. A FARCE WITHIN A FARCE BOOK 4 XXVI. SUGGESTS THAT THE COMIC MASK HAS SOME KINSHIP WITH A SKULL XXVII. SMALL LIFE AT BROOKFIELD XXVIII. GEORGIANA FORD XXIX. FIRST SCOURGING OF THE FINE SHADES XXX. OF THE DOUBLE-MAN IN US, AND THE GREAT FIGHT WHEN THESE ARE FULL-GROWN XXXI. BESWORTH LAWN XXXII. THE SUPPER XXXIII. DEFEAT AND FLIGHT OF MRS. CHUMP BOOK 5 XXXIV. INDICATES THE DEGRADATION OF BROOKFIELD, TOGETHER WITH CERTAIN PROCEEDINGS OF THE YACHT XXXV. MRS. CHUMP'S EPISTLE XXXVI. ANOTHER PITFALL OF SENTIMENT XXXVII. EMILIA'S FLIGHT. XXXVIII. SHE CLINGS TO HER VOICE XXXIX. HER VOICE FAILS BOOK 6 XL. SHE TASTES DESPAIR XLI. SHE IS FOUND XLII. DEFECTION OF MR. PERICLES FROM THE BROOKFIELD CIRCLE XLIII. IN WHICH WE SEE WILFRID KINDLING XLIV. ON THE HIPPOGRIFF IN AIR: IN WHICH THE PHILOSOPHER HAS A SHORT SPELL. XLV. ON THE HIPPOGRIFF ON EARTH. XLVI. RAPE OF THE BLACK-BRIONY WREATH XLVII. THE CALL TO ACTION XLVIII. CONTAINS A FURTHER VIEW OF SENTIMENT XLIX. BETWEEN EMILIA AND GEORGIANA BOOK 7 L. EMILIA BEGINS TO FEEL MERTHYR'S POWER LI. A CHAPTER INTERRUPTED BY THE PHILOSOPHER LII. A FRESH DUETT BETWEEN WILFRID AND EMILIA LIII. ALDERMAN'S BOUQUET LIV. THE EXPLOSION AT BROOKFIELD LV. THE TRAGEDY OF SENTIMENT LVI. AN ADVANCE AND A CHECK. LVII. CONTAINS A FURTHER ANATOMY OF WILFRID LVIII. FROST ON THE MAY NIGHT. LIX. EMILIA'S GOOD-BYE SANDRA BELLONI [ORIGINALLY EMILIA IN ENGLAND] CHAPTER I We are to make acquaintance with some serious damsels, as this English generation knows them, and at a season verging upon May. The ladies of Brookfield, Arabella, Cornelia, and Adela Pole, daughters of a flourishing City-of-London merchant, had been told of a singular thing: that in the neighbouring fir-wood a voice was to be heard by night, so wonderfully sweet and richly toned, that it required their strong sense to correct strange imaginings concerning it. Adela was herself the chief witness to its unearthly sweetness, and her testimony was confirmed by Edward Buxley, whose ear had likewise taken in the notes, though not on the same night, as the pair publicly proved by dates. Both declared that the voice belonged to an opera-singer or a spirit. The ladies of Brookfield, declining the alternative, perceived that this was a surprise furnished for their amusement by the latest celebrity of their circle, Mr. Pericles, their father's business ally and fellow-speculator; Mr. Pericles, the Greek, the man who held millions of money as dust compared to a human voice. Fortified by this exquisite supposition, their strong sense at once dismissed with scorn the idea of anything unearthly, however divine, being heard at night, in the nineteenth century, within sixteen miles of London City. They agreed that Mr. Pericles had hired some charming cantatrice to draw them into the woods and delightfully bewilder them. It was to be expected of his princely nature, they said. The Tinleys, of Bloxholme, worshipped him for his wealth; the ladies of Brookfield assured their friends that the fact of his being a money-maker was redeemed in their sight by his devotion to music. Music was now the Art in the ascendant at Brookfield. The ladies (for it is as well to know at once that they were not of that poor order of women who yield their admiration to a thing for its abstract virtue only)--the ladies were scaling society by the help of the Arts. To this laudable end sacrifices were now made to Euterpe to assist them. As mere daughters of a merchant, they were compelled to make their house not simply attractive, but enticing; and, seeing that they liked music, it seemed a very agreeable device. The Tinleys of Bloxholme still kept to dancing, and had effectually driven away Mr. Pericles from their gatherings. For Mr. Pericles said: "If that they will go'so,' I will be amused." He presented a top-like triangular appearance for one staggering second. The Tinleys did not go `so' at all, and consequently they lost the satirical man, and were called 'the ballet-dancers' by Adela which thorny scoff her sisters permitted to pass about for a single day, and no more. The Tinleys were their match at epithets, and any low contention of this kind obscured for them the social summit they hoped to attain; the dream whereof was their prime nourishment. That the Tinleys really were their match, they acknowledged, upon the admission of the despicable nature of the game. The Tinleys had winged a dreadful shaft at them; not in itself to be dreaded, but that it struck a weak point; it was a common shot that exploded a magazine; and for a time it quite upset their social policy, causing them to act like simple young ladies who feel things and resent them. The ladies of Brookfield had let it be known that, in their privacy together, they were Pole, Polar, and North Pole. Pole, Polar, and North Pole were designations of the three shades of distance which they could convey in a bow: a form of salute they cherished as peculiarly their own; being a method they had invented to rebuke the intrusiveness of the outer world, and hold away all strangers until approved worthy. Even friends had occasionally to submit to it in a softened form. Arabella, the eldest, and Adela, the youngest, alternated Pole and Polar; but North Pole was shared by Cornelia with none. She was the fairest of the three; a nobly-built person; her eyes not vacant of tenderness when she put off her armour. In her war-panoply before unhappy strangers, she was a Britomart. They bowed to an iceberg, which replied to them with the freezing indifference of the floating colossus, when the Winter sun despatches a feeble greeting messenger-beam from his miserable Arctic wallet. The simile must be accepted in its might, for no lesser one will express the scornfulness toward men displayed by this strikingly well-favoured, formal lady, whose heart of hearts demanded for her as spouse, a lord, a philosopher, and a Christian, in one: and he must be a member of Parliament. Hence her isolated air. Now, when the ladies of Brookfield heard that their Pole, Polar, and North Pole, the splendid image of themselves, had been transformed by the Tinleys, and defiled by them to Pole, Polony, and Maypole, they should have laughed contemptuously; but the terrible nerve of ridicule quivered in witness against them, and was not to be stilled. They could not understand why so coarse a thing should affect them. It stuck in their flesh. It gave them the idea that they saw their features hideous, but real, in a magnifying mirror. There was therefore a feud between the Tinleys and the Poles; and when Mr. Pericles entirely gave up the former, the latter rewarded him by spreading abroad every possible kind interpretation of his atrocious bad manners. He was a Greek, of Parisian gilding, whose Parisian hat flew off at a moment's notice, and whose savage snarl was heard at the slightest vexation. His talk of renowned prime-donne by their Christian names, and the way that he would catalogue emperors, statesmen, and noblemen known to him, with familiar indifference, as things below the musical Art, gave a distinguishing tone to Brookfield, from which his French accentuation of our tongue did not detract. Mr. Pericles grimaced bitterly at any claim to excellence being set up for the mysterious voice in the woods. Tapping one forefinger on the uplifted point of the other, he observed that to sing abroad in the night air of an English Spring month was conclusive of imbecility; and that no imbecile sang at all. Because, to sing, involved the highest accomplishment of which the human spirit could boast. Did the ladies see? he asked. They thought they saw that he carried on a deception admirably. In return, they
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ACTIONS OF HIS GRACE JOHN, D. OF MARLBOROGH*** E-text prepared by Chris Curnow, Joseph Cooper, and the Online Distributed Proofreading Team (http://www.pgdp.net) The Augustan Reprint Society [DANIEL DEFOE] A SHORT NARRATIVE OF THE Life and Actions Of His GRACE _JOHN_, D. of Marlborough (1711) _Introduction by_ PAULA R. BACKSCHEIDER Publication Number 168 William Andrews Clark Memorial Library University Of California, Los Angeles 1974 GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David
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Produced by David Edwards, Ross Cooling and the Online Distributed Proofreading Canada Team at http://www.pgdpcanada.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) [Illustration: --It was long past midnight,--she had a heap of Mr. L----'s old letters beside her. She denied that she was in tears.] LEONORA BY MARIA EDGEWORTH [Illustration] "O lady Leonora! lady Leonora is ill!" exclaimed every voice. The consternation was wonderful. LONDON J.M. DENT & Co. ALDINE HOUSE 69, GREAT EASTERN STREET, E.C. 1893 [Illustration] NOTE. Leonora, though not published until 1806, was commenced three years before that date: the circumstances under which it was written were to a certain extent unique in Maria Edgeworth's life; for we are told that throughout the time occupied in writing the story, she had in mind the offer of marriage made to her by Monsieur Edelcrantz, a Swedish gentleman of good position, "of superior understanding and mild manners," as she told her aunt in a letter partly written before the proposal and finished afterwards. This seems, from the biographies, to have been the only time this truly good and sensible woman was ever sought in marriage by any man; and it shows some of the good qualities she possessed, that though she refused him, yet from the respect she bore him and the esteem in which she held him, this story was written to a large extent with a view to his approbation, though we are told that she never knew whether or no he had read it. On the next page is appended a list of the principal editions of this volume. Leonora, by Maria Edgeworth, 2 vols., London, 1806. ---- Another edition, with _Letters on Several Subjects_, and _An Essay on Self-Justification_ (forming Vol. IV. of _Tales and Miscellaneous Pieces_, by Maria Edgeworth, 14 vols.), London, 1825. ---- Another edition (Vol. XIII. of _Novels and Tales_ of Maria Edgeworth, 18 vols.), London, 1832-33. Many reprints from the stereotype plates of this edition have been issued in various forms and with varying arrangement of the stories. Translated into French in 1807, and another edition in 1812. F. J. S. [Illustration] [Illustration] LEONORA. Letter i. _Lady Olivia to Lady Leonora L----._ What a misfortune it is to be born a woman! In vain, dear Leonora, would you reconcile me to my doom. Condemned to incessant hypocrisy, or everlasting misery, woman is the slave or the outcast of society. Confidence in our fellow-creatures, or in ourselves, alike forbidden us, to what purpose have we understandings, which we may not use? hearts, which we may not trust? To our unhappy sex genius and sensibility are the most treacherous gifts of Heaven. Why should we cultivate talents merely to gratify the caprice of tyrants? Why seek for knowledge, which can prove only that our wretchedness is irremediable? If a ray of light break in upon us, it is but to make darkness more visible; to show us the narrow limits, the Gothic structure, the impenetrable barriers of our prison. Forgive me if on this subject I cannot speak--if I cannot think--with patience. Is it not fabled, that the gods, to punish some refractory mortal of the male kind, doomed his soul to inhabit upon earth a female form? A punishment more degrading, or more difficult to endure, could scarcely be devised by cruelty omnipotent. What dangers, what sorrows, what persecutions, what nameless evils awaits the woman who dares to rise above the prejudices of her sex! "Ah! happy they, the happiest of their kind!" who, without a struggle, submit their reason to be swathed by all the absurd bandages of custom. What, though they <DW36> or distort their minds; are not these deformities beauties in the eyes of fashion? and are not these people the favoured nurslings of the _World_, secure of her smiles, her caresses, her fostering praise, her partial protection, through all the dangers of youth and all the dotage of age? "Ah! happy they, the happiest of their kind!" who learn to speak, and think, and act by rote; who have a phrase, or a maxim, or a formula ready for every occasion; who follow-- "All the nurse and all the priest have taught." And is it possible that Olivia can envy these _tideless-blooded_ souls their happiness--their apathy? Is her high spirit so broken by adversity? Not such the promise of her early years, not such the language of her unsophisticated heart! Alas! I scarcely know, I scarcely recollect, that proud self, which was wont to defy the voice of opinion, and to set at nought the decrees of prejudice. The events of my life shall be related, or rather the history of my sensations; for in a life like mine sensations become events--a metamorphosis which you will see in every page of my history. I feel an irresistible impulse to open my whole heart to you, my dear Leonora. I ought to be awed by the superiority of your understanding and of your character; yet there is an indulgence in your nature, a softness in your temper, that dissipates fear, and irresistibly attracts confidence. You have generously refused to be prejudiced against me by busy, malignant rumour; you have resolved to judge of me for yourself. Nothing, then, shall be concealed. In such circumstances I cannot seek to extenuate any of my faults or follies. I am ready to acknowledge them all with self-humiliation more poignant than the sarcasms of my bitterest enemies. But I must pause till I have summoned courage for my confession. Dear Leonora, adieu! Olivia. Letter ij. _Olivia to Leonora._ Full of life and spirits, with a heart formed for all the enthusiasm, for all the delicacy of love, I married early, in the fond expectation of meeting a heart suited to my own. Cruelly disappointed, I found--merely a husband. My heart recoiled upon itself; true to my own principles of virtue, I scorned dissimulation. I candidly confessed to my husband, that my love was extinguished. I proved to him, alas! too clearly, that we were not born for each other. The attractive moment of illusion was past--never more to return; the repulsive reality remained. The living was chained to the dead, and, by the inexorable tyranny of English laws, that chain, eternally galling to innocence, can be severed only by the desperation of vice. Divorce, according to our barbarous institutions, cannot be obtained without guilt. Appalled at the thought, I saw no hope but in submission. Yet to submit to live with the man I could not love was, to a mind like mine, impossible. My principles and my feelings equally revolted from this legal prostitution. We separated. I sought for balm to my wounded heart in foreign climes. To the beauties of nature I was ever feelingly alive. Amidst the sublime scenes of Switzerland, and on the consecrated borders of her classic lakes, I sometimes forgot myself to happiness. Felicity, how transient!--transient as the day-dreams that played upon my fancy in the bright morning of love. Alas! not all creation's charms could soothe me to repose. I wandered in search of that which change of place cannot afford. There was an aching void in my heart--an indescribable sadness over my spirits. Sometimes I had recourse to books; but how few were in unison with my feelings, or touched the trembling chords of my disordered mind! Commonplace morality I could not endure. History presented nothing but a mass of crimes. Metaphysics promised some relief, and I bewildered myself in their not inelegant labyrinth. But to the bold genius and exquisite pathos of some German novelists I hold myself indebted for my largest portion of ideal bliss; for those rapt moments, when sympathy with kindred souls transported me into better worlds, and consigned vulgar realities to oblivion. I am well aware, my Leonora, that you approve not of these my favourite writers: but yours is the morality of one who has never known sorrow. I also would interdict such cordials to the happy. But would you forbid those to taste felicity in dreams who feel only misery when awake? Would you dash the cup of Lethe from lips to which no other beverage is salubrious or sweet? By the use of these opiates my soul gradually settled into a sort of pleasing pensive melancholy. Has it not been said, that melancholy is a characteristic of genius? I make no pretensions to genius: but I am persuaded that melancholy is the habitual, perhaps the natural state of those who have the misfortune to feel with delicacy. You, my dear Leonora, will class this notion amongst what you once called my refined errors. Indeed I must confess, that I see in you an exception so striking as almost to compel me to relinquish my theory. But again let me remind you, that your lot in life has been different from mine. Alas! how different! Why had not I such a friend, such a mother as yours, early to direct my uncertain steps, and to educate me to happiness? I might have been----. But no matter what I might have been----. I must tell you what I have been. Separated from my husband, without a guide, without a friend at the most perilous period of my life, I was left to that most insidious of counsellors--my own heart--my own weak heart. When I was least prepared to resist the impression, it was my misfortune to meet with a man of a soul congenial to my own. Before I felt my danger, I was entangled beyond the possibility of escape. The net was thrown over my heart; its struggles were to no purpose but to exhaust my strength. Virtue commanded me to be miserable--and I was miserable. But do I dare to expect your pity, Leonora, for such an attachment? It excites your indignation, perhaps your horror. Blame, despise, detest me; all this would I rather bear than deceive you into fancying me better than I really am. Do not, however, think me worse. If my views had been less pure, if I had felt less reliance on the firmness of my own principles, and less repugnance to artifice, I might easily have avoided some appearances, which have injured me in the eyes of the world. With real contrition I confess, that a fatal mixture of masculine independence of spirit, and of female tenderness of heart, has betrayed me into many imprudences; but of vice, and of that meanest species of vice, hypocrisy, I thank Heaven, my conscience can acquit me. All I have now to hope is, that you, my indulgent, my generous Leonora, will not utterly condemn me. Truth and gratitude are my only claims to your friendship--to a friendship, which would be to me the first of earthly blessings, which might make me amends for all I have lost. Consider this before, unworthy as I am, you reject me from your esteem. Counsel, guide, save me! Without vanity, but with confidence I say it, I have a heart that will repay you for affection. You will find me easily moved, easily governed by kindness. Yours has already sunk deep into my soul, and your power is unlimited over the affections and over the understanding of Your obliged Olivia. Letter iij. _From Lady Leonora L---- to her mother, the Duchess of ----, enclosing the preceding letters._ I am permitted to send you, my dear mother, the enclosed letters. Mixed with what you may not approve, you will, I think, find in them proofs of an affectionate heart and superior abilities. Lady Olivia is just returned to England. Scandal, imported from the continent, has had such an effect in prejudicing many of her former friends and acquaintance against her, that she is in danger of being excluded from that society of which she was once the ornament and the favourite; but I am determined to support her cause, and to do everything in my power to counteract the effects of malignity. I cannot sufficiently express the indignation that I feel against the mischievous spirit of scandal, which destroys happiness at every breath, and which delights in the meanest of all malignant feelings--the triumph over the errors of superior characters. Olivia has been much blamed, because she has been much envied. Indeed, my dear mother, you have been prejudiced against her by false reports. Do not imagine that her fascinating manners have blinded my judgment: I assure you that I have discerned, or rather that she has revealed to me, all her faults: and ought not this candour to make a strong impression upon my mind in her favour? Consider how young, how beautiful she was at her first entrance into fashionable life; how much exposed to temptation, surrounded by flatterers, and without a single friend. I am persuaded that she would have escaped all censure, and would have avoided all the errors with which she now reproaches herself, if she had been blessed with a mother such as mine. Leonora L---- Letter iv. _The Duchess of ---- to her daughter._ My dearest Child, I must answer your last before I sleep--before I can sleep in peace. I have just finished reading the rhapsody which it enclosed; and whilst my mind is full and warm upon the subject, let me write, for I can write to my own satisfaction at no other time. I admire and love you, my child, for the generous indignation you express against those who trample upon the fallen, or who meanly triumph over the errors of superior genius; and if I seem more cold, or more severe, than you wish me to be, attribute this to my anxiety for your happiness, and to that caution which is perhaps the infirmity of age. In the course of my long life I have, alas! seen vice and folly dressed in so many different fashions, that I can find no difficulty in detecting them under any disguise; but your unpractised eyes are almost as easily deceived as when you were five years old, and when you could not believe that your pasteboard nun was the same person in her various changes of attire. Nothing would tempt you to associate with those who have avowed themselves regardless of right and wrong; but I must warn you against another, and a far more dangerous class, who, professing the most refined delicacy of sentiment, and boasting of invulnerable virtue, exhibit themselves in the most improper and hazardous situations; and who, because they are without fear, expect to be deemed free from reproach. Either from miraculous good fortune, or from a singularity of temper, these adventurous heroines may possibly escape with what they call perfect innocence. So much the worse for society. Their example tempts others, who fall a sacrifice to their weakness and folly. I would punish the tempters in this case more than the victims, and for them the most effectual species of punishment is contempt. Neglect is death to these female lovers of notoriety. The moment they are out of fashion their power to work mischief ceases. Those who from their character and rank have influence over public opinion are bound to consider these things in the choice of their associates. This is peculiarly necessary in days when attempts are made to level all distinctions. You have sometimes hinted to me, my dear daughter, with all proper delicacy, that I am too strict in my notions, and that, unknown to myself, my pride mixes with morality. Be it so: the pride of family, and the pride of virtue, should reciprocally support each other. Were I asked what I think the best guard to a nobility in this or in any other country, I should answer, VIRTUE. I admire that simple epitaph in Westminster Abbey on the Duchess of Newcastle:--"Her name was Margaret Lucas, youngest sister to the Lord Lucas of Colchester;--a noble family, for all the brothers were valiant and all the sisters virtuous." I look to the temper of the times in forming rules for conduct. Of late years we have seen wonderful changes in female manners. I may be like the old marquis in Gil Blas, who contended that even the peaches of modern days had deteriorated; but I fear that my complaints of the degeneracy of human kind are better founded than his fears for the vegetable creation. A taste for the elegant profligacy of French gallantry was, I remember, introduced into this country before the destruction of the French monarchy. Since that time, some sentimental writers and pretended philosophers of our own and foreign countries have endeavoured to confound all our ideas of morality. To every rule of right they have found exceptions, and on these they have fixed the public attention by adorning them with all the splendid decorations of eloquence; so that the rule is despised or forgotten, and the exception triumphantly established in its stead. These orators seem as if they had been employed by Satan to plead the cause of vice; and, as if possessed by the evil spirit, they speak with a vehemence which carries away their auditors, or with a subtlety which deludes their better judgment. They put extreme cases, in which virtue may become vice, or vice virtue: they exhibit criminal passions in constant connexion with the most exalted, the most amiable virtues; thus making use of the best feelings of human nature for the worst purposes, they engage pity or admiration perpetually on the side of guilt. Eternally talking of philosophy and philanthropy, they borrow the terms only to perplex the ignorant and seduce the imagination. They have their systems and their theories, and in theory they pretend that the general good of society is their sole immutable rule of morality, and in practice they make the variable feelings of each individual the judges of this general good. Their systems disdain all the vulgar virtues, intent upon some _beau ideal_ of perfection or perfectibility. They set common sense and common honesty at defiance. No matter: their doctrine, so convenient to the passions and soporific to the conscience, can never want partisans; especially by weak and enthusiastic women it is adopted and propagated with eagerness; then they become personages of importance, and zealots in support of their sublime opinions; and they can read--and they can write--and they can talk--and they can _effect a revolution in public opinion_! I am afraid, indeed, that they can; for of late years we have heard more of sentiment than of principles; more of the rights of woman than of her duties. We have seen talents disgraced by the conduct of their possessors, and perverted in the vain attempt to defend what is unjustifiable. Where must all this end? Where the abuse of reason inevitably ends--in the ultimate law of force. If in this age of reason women make a bad use of that power which they have obtained by the cultivation of their understanding, they will degrade and enslave themselves beyond redemption; they will reduce their sex to a situation worse than it ever experienced even in the ages of ignorance and superstition. If men find that the virtue of women diminishes in proportion as intellectual cultivation increases, they will connect, fatally for the freedom and happiness of our sex, the ideas of female ignorance and female innocence; they will decide that one is the effect of the other. They will not pause to distinguish between the use and the abuse of reason; they will not stand by to see further experiments tried at their expense, but they will prohibit knowledge altogether as a pernicious commodity, and will exert the superior power which nature and society place in their hands, to enforce their decrees. Opinion obtained freedom for women; by opinion they may be again enslaved. It is therefore the interest of the female world, and of society, that women should be deterred by the dread of shame from passing the bounds of discretion. No false lenity, no partiality in favour of amusing talents or agreeable manners, should admit of exceptions which become dangerous examples of impunity. The rank and superior understanding of a _delinquent_ ought not to be considered in mitigation, but as aggravating circumstances. Rank makes ill conduct more conspicuous: talents make it more dangerous. Women of abilities, if they err, usually employ all their powers to justify rather than to amend their faults. I am afraid, my dear daughter, that my general arguments are closing round your Olivia; but I must bid you a good night, for my poor eyes will serve me no longer. God bless you, my dear child. Letter v. _Leonora to her mother._ I agree with you, my dear mother, that in these times especially, it is incumbent upon all persons, whose rank or reputation may influence public opinion, to be particularly careful to support the cause of female honour, of virtue, and religion. With the same object in view, we may however differ in the choice of means for its attainment. Pleasure as well as pain acts upon human creatures; and therefore, in governing them, may not reward be full as efficacious as punishment? Our sex are sufficiently apprised of the fatal consequences of ill conduct; the advantages of well-earned reputation should be at least as great, as certain, and as permanent. In former times, a single finger pointed at the scutcheon of a knight challenged him to defend his fame; but the defiance was open, the defence was public; and if the charge proved groundless, it injured none but the malicious accuser. In our days female reputation, which is of a nature more delicate than the honour of any knight, may be destroyed by the finger of private malice. The whisper of secret scandal, which admits of no fair or public answer, is too often sufficient to dishonour a life of spotless fame. This is the height, not only of injustice, but of impolicy. Women will become indifferent to reputation, which it is so difficult, even by the prudence of years, to acquire, and which it is so easy to lose in a moment, by the malice or thoughtlessness of those who invent or who repeat scandal. Those who call themselves the world often judge without listening to evidence, and proceed upon suspicion with as much promptitude and severity as if they had the most convincing proofs. But because Caesar, nearly two thousand years ago, said, that his wife ought not even to be suspected, and divorced her upon the strength of this sentiment, shall we make it a general maxim, that suspicion justifies punishment? We might as well applaud those, who when their friends are barely suspected to be tainted with the plague, drive them from all human comfort and assistance. Even where women, from the thoughtless gaiety of youth, or the impulse of inexperienced enthusiasm, may have given some slight cause for censure, I would not have virtue put on all her gorgon terrors, nor appear circled by the vengeful band of prudes; her chastening hand will be more beneficially felt if she wear her more benign form. To place the imprudent in the same class with the vicious is injustice and impolicy; were the same punishment and the same disgrace to be affixed to small and to great offences, the number of _capital_ offenders would certainly increase. Those who were disposed to yield to their passions would, when they had once failed in exact decorum, see no motive, no fear to restrain them; and there would be no pause, no interval between error and profligacy. Amongst females who have been imprudent, there are many things to be considered which ought to recommend them to mercy. The judge, when he is obliged to pronounce the immutable sentence of the law, often, with tears, wishes that it were in his power to mitigate the punishment: the decisions of opinion may and must vary with circumstances, else the degree of reprobation which they inflict cannot be proportioned to the offence, or calculated for the good of society. Among the mitigating circumstances I should be inclined to name even those which you bring in aggravation. Talents, and what is called genius, in our sex are often connected with a warmth of heart, an enthusiasm of temper, which expose to dangers from which the coldness of mediocrity is safe. In the illuminated palace of ice, the lights which render the spectacle splendid, and which raise the admiration of the beholders, endanger the fabric and tend to its destruction. But you will tell me, dear mother, that allusion is not argument--and I am almost afraid to proceed, lest you should think me an advocate for vice. I would not shut the gates of mercy, inexorably and indiscriminately, upon all those of my own sex, who have even been _more than imprudent_. "He taught them shame, the sudden sense of ill-- Shame, Nature's hasty conscience, which forbids Weak inclination ere it grows to will, Or stays rash will before it grows to deeds." Whilst a woman is alive to shame, she cannot be dead to virtue. But by injudicious or incessant reproach, this principle, even where it is most exquisite, may be most easily destroyed. The mimosa, when too long exposed to each rude touch, loses its retractile sensibility. It ought surely to be the care of the wise and benevolent to cherish that principle, implanted in our nature as the guard of virtue, that principle upon which legislators rest the force of punishment, and all the grand interests of society. My dear mother, perhaps you will be surprised at the style in which I have been writing, and you will smile at hearing your Leonora discuss the duties of legislators, and the grand interests of society. She has not done so from presumption, or from affectation. She was alarmed by your supposing that her judgment was deluded by fascinating manners, and she determined to produce _general_ arguments, to convince you that she is not actuated by particular prepossession. You see that I have at least some show of reason on my side. I have forborne to mention Olivia's name: but now that I have obviated, I hope by reasoning, the imputation of partiality, I may observe that all my arguments are strongly in her favour. She had been attacked by slander; _the world_ has condemned her upon suspicion merely. She has been imprudent; but I repeat, in the strongest terms, that I am _convinced of her innocence_; and that I should bitterly regret that a woman with such an affectionate heart, such uncommon candour, and such superior abilities, should be lost to society. Tell me, my dear mother, that you are no longer in anxiety about the consequences of my attachment to Olivia. Your affectionate daughter, Leonora. Letter vi. _The Duchess of ---- to her daughter._ You lament, my dear child, that such an affectionate heart,
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Produced by David Widger from page images generously provided by Google Books THE LAY ANTHONY A Romance By Joseph Hergesheimer New York & London Mitchell Kennerley 1914 "_... if in passing from this deceitful world into true life love is not forgotten,... I know that among the most joyous souls of the third heaven my Fiametta sees my pain. Pray her, if the sweet draught of Lethe has not robbed me of her,... to obtain my ascent to her._" --Giovanni Boccaccio TO DOROTHY THIS FIGMENT OF A PERPETUAL FLOWERING THE LAY ANTHONY I--A ROMANCE NOT for the honor of winning the Vanderbilt Cup, nor for the glory of pitching a major league baseball team into the world's championship, would Tony Ball have admitted to the familiar and derisive group in the drugstore that he was--in the exact, physical aspect of the word--pure. Secretly, and in an entirely natural and healthy manner, he was ashamed of his innocence. He carefully concealed it in an elaborate assumption of wide worldly knowledge and experience, in an attitude of cynical comprehension, and indifference toward _girls_. But he might have spared himself the effort, the fictions, of his pose--had he proclaimed his ignorance aloud from the brilliantly lighted entrance to the drugstore no one who knew him in the midweek, night throng on Ellerton's main street would have credited Anthony with anything beyond a thin and surprising joke. He was, at twenty, the absolute, adventurous opposite of any conscious or cloistered virtue: the careless carriage of his big, loose frame; his frank, smiling grey eyes and ample mouth; his very, drawling voice--all marked him for a loiterer in the pleasant and sunny places of life, indifferent to the rigors of a mental or moral discipline. The accumulated facts of his existence fully bore this out: the number of schools from which, playing superlative baseball, he had been still obliged to leave, carrying with him the cordial good will of master and fellow, for an unconquerable, irresponsible laxity; the number and variety of occupations that had claimed him in the past three years, every one of which at their inception certain, he felt confident, to carry him beyond all dreams and necessity of avarice; and every one, in his rapidly diminishing interest, attention, or because of persistent, adverse conditions over which, he asseverated, he had no control, turning into a fallow field, a disastrous venture; and, conclusively, the group of familiars, the easy companions of idle hours, to which he had gravitated. He met his mates by appointment at Doctor Allhop's drugstore, or by an elaborate system of whistled formulas from the street, at which he would rise with a muttered excuse from the dinner table and disappear.--He was rarely if ever sought outright at his father's house; it was quite another sort of boy who met and discoursed easily with sisters, who unperturbed greeted mothers face to face. It would have been useless, had he known it, to protest his virtue inside the drugstore or out; a curious chain of coincidents had preserved it. Again and again he had been at the point of surrendering his involuntary Eden, and always the accident, the interruption, had befallen, always he had retired in a state of more or less orderly celibacy. On the occasion of one of those nocturnal, metropolitan escapades by which matured boys, in a warm, red veil of whiskey, assert their manhood and independence, he had been thrust in a drunken stupor into the baggage car of the "owl" train to Ellerton. Instances might be multiplied: life, in
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Produced by Camille Bernard and Marc D'Hooghe at http://www.freeliterature.org (Images generously made available by the Internet Archive, scanned by Google Books Project) THE SMUGGLER CHIEF A NOVEL BY GUSTAVE AIMARD AUTHOR OF "STRONGHAND," "BUCCANEER CHIEF," ETC. LONDON WARD AND LOCK, 158, FLEET STREET MDCCCLXIV PREFACE The present is the most powerful story which Gustave Aimard has yet written. While there is enough of startling incident and hairbreadth escapes to satisfy the greatest craver after sensation, the plot is carefully elaborated, and great attention is paid to developing the character of the heroines. If there has been any fault in the author's previous works, it is that the ladies introduced are too subordinate; but in the present tale, the primary interest hinges upon them, and they are the most prominent characters. For this reason I am inclined to believe that the "Smuggler Chief" will become a greater favourite with readers than any of its predecessors. Lascelles Wraxall, Bart. CONTENTS. I. THE PROCESSION II. THE COUNTRY HOUSE III. THE CONVENT OF THE PURISIMA CONCEPCION IV. THE SMUGGLERS V. THE INCA OF THE NINETEENTH CENTURY VI. THE BANIAN'S HOUSE VII. THE NOVICE VIII. A VISIT TO THE CONVENT IX. ON THE SIERRA X. INSIDE THE TENT XI. THE SONS OF THE TORTOISE XII. A HUMAN SACRIFICE XIII. THE BALAS RUBY XIV. THE RUPTURE XV. A FIRST LOSS XVI. THE PARUMO DE SAN JUAN BAUTISTA XVII. THE ABDUCTION XVIII. AFTER THE COMBAT XIX. THE MANHUNT XX. THE REDSKINS XXI. THE INDIAN CITY XXII. THE JAGOUAS OF THE HUILICHES XXIII. A MIRACULOUS CURE XXIV. THE RUINS OF THE HACIENDA XXV. THE ARREST XXVI. THE SCALP XXVII. THE CAPTURE OF THE CONVENT XXVIII. AN INDIAN VENGEANCE XXIX. THE GREEN ROOM XXX. THE CONFESSION XXXI. THE CAMP OF THE MOLUCHOS XXXII. THE SACK OF SANTIAGO CHAPTER I. THE PROCESSION. America, a land not yet thoroughly explored, and whose immense savannahs and gloomy virgin forests conceal so many mysterious secrets and unknown dramas, sees at this moment all eyes fixed upon her, for everyone is eager to know the strange customs of the semi-civilized Indians and the semi-savage Europeans who people the vast solitudes of that continent; for in the age of transformation in which we live, they alone have remained stationary, contending inch by inch against the civilization which invades and drives them back on all sides, and guarding with a religious obstinacy the faith, manners, and customs of their fathers--curious manners, full of interest, which require to be studied carefully and closely to be understood. It is to America, then, that we invite the reader to accompany us. But he need not feel alarmed at the length of the voyage, for he can make it while comfortably seated in his easy chair by the fireside. The story we propose to tell has its scene laid at Valparaiso--a Chilian city as regards the soil on which it is built, but English and French, European or American, through the strange composite of its population, which, is formed of people from all countries, who have introduced every possible language and brought with them every variety of trade. Valparaiso! the name echoes in the ear like the soft sweet notes of a love strain! Valparaiso! the city of Paradise--the vast depot of the whole world. A coquettish, smiling, and frolicsome city, slothfully reclining, like a thoughtless Indian maid, at the base of three mountains and at the end of a glorious bay, dipping the tips of her roseate feet in the azure waters of the Pacific, and hiding her broad brilliant forehead in the tempest-swollen clouds which float along from the crests of the Cordilleras to make her a splendid diadem. This city, the advanced sentinel of Transatlantic civilization, is the first land which the traveller discovers after doubling Cape Horn, of melancholy and ill-omened memory. When at sunrise of a fine spring morning a vessel sails round the lighthouse point situated at the extremity of the Playa-Aucha, this charming oasis is perceived, half veiled by a transparent mist, only allowing the white houses and lofty edifices to be distinguished in a vague and fantastic way that conduces to reverie. The atmosphere, impregnated with the sharp scents from the beach and the sweet emanations of the trees and flowers, deliciously expands the chest, and in a second causes the mariner, who comes back to life and hope, to forget the three months of suffering and incessant danger whose long hours have passed for him minute by minute, ere he reached this long-desired haven. On August 25th, 1833, two men were seated in a posada situated in the Calle San Agostino, and kept by a Frenchman of the name of Crevel, long established in the country, at a table on which stood two glasses and a nearly empty bottle of aguardiente of Pisco, and were eagerly conversing in a low voice about a matter which seemed to interest them in the highest degree. One of these men, about twenty-five years of age, wore a characteristic costume of the guasos, a name by which the inhabitants of the interior are designated; a wide poncho of llama wool, striped with different brilliant colours, covered his shoulders and surrounded his bare neck with an elegant and strangely-designed Indian embroidery. Long boots of dyed wool were fastened above his knees by silk cords
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Produced by Cathy Maxam, Juliet Sutherland and the Online Distributed Proofreading Team at http://www.pgdp.net Helena's Path _By_ ANTHONY HOPE AUTHOR OF DOUBLE HARNESS TRISTRAM OF BLENT ETC. [Illustration] GARDEN CITY NEW YORK DOUBLEDAY, PAGE & COMPANY 1912 _Copyright, 1907, by Anthony Hope Hawkins_ CONTENTS CHAPTER PAGE I AMBROSE, LORD LYNBOROUGH 3 II LARGELY TOPOGRAPHICAL 15 III OF LAW AND NATURAL RIGHTS 33 IV THE MESSAGE OF A PADLOCK 52 V THE BEGINNING OF WAR 70 VI EXERCISE BEFORE BREAKFAST 90 VII ANOTHER WEDGE! 110 VIII THE MARCHESA MOVES 127 IX LYNBOROUGH DROPS A CATCH 148 X IN THE LAST RESORT 171 XI AN ARMISTICE 186 XII AN EMBASSAGE 206 XIII THE FEAST OF ST. JOHN BAPTIST 223 HELENA'S PATH _Chapter One_ AMBROSE, LORD LYNBOROUGH Common opinion said that Lord Lynborough ought never to have had a peerage and forty thousand a year; he ought to have had a pound a week and a back bedroom in Bloomsbury. Then he would have become an eminent man; as it was, he turned out only a singularly erratic individual. So much for common opinion. Let no more be heard of its dull utilitarian judgements! There are plenty of eminent men--at the moment, it is believed, no less than seventy Cabinet and ex-Cabinet Ministers (or thereabouts)--to say nothing of Bishops, Judges, and the British Academy,--and all this in a nook of the world! (And the world too is a point!) Lynborough was something much more uncommon; it is not, however, quite easy to say what. Let the question be postponed; perhaps the story itself will answer it. He started life--or was started in it--in a series of surroundings of unimpeachable orthodoxy--Eton, Christ Church, the Grenadier Guards. He left each of these schools of mental culture and bodily discipline, not under a cloud--that metaphor would be ludicrously inept--but in an explosion. That, having been thus shot out of the first, he managed to enter the second--that, having been shot out of the second, he walked placidly into the third--that, having been shot out of the third, he suffered no apparent damage from his repeated propulsions--these are matters explicable only by a secret knowledge of British institutions. His father was strong, his mother came of stock even stronger; he himself--Ambrose Caverly as he then was--was very popular, and extraordinarily handsome in his unusual outlandish style. His father being still alive--and, though devoted to him, by now apprehensive of his doings--his means were for the next few years limited. Yet he contrived to employ himself. He took a soup-kitchen and ran it; he took a yacht and sank it; he took a public-house,
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Produced by deaurider, Turgut Dincer and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) A TREATISE ON ACUPUNCTURATION, &c. DEDICATED, BY PERMISSION, TO ASTLEY COOPER, ESQ. F. R. S. Plummer and Brewis, Printers, Love Lane, Eastcheap. [Illustration: ACUPUNCTURATION NEEDLES.] A TREATISE ON ACUPUNCTURATION; BEING A DESCRIPTION OF A SURGICAL OPERATION ORIGINALLY PECULIAR TO THE JAPONESE AND CHINESE, AND BY THEM DENOMINATED ZIN-KING, _Now introduced into European Practice_, WITH DIRECTIONS FOR ITS PERFORMANCE, AND CASES ILLUSTRATING ITS SUCCESS. BY _JAMES MORSS CHURCHILL_, MEMBER OF THE ROYAL COLLEGE OF SURGEONS IN LONDON. _LONDON_: PUBLISHED BY SIMPKIN AND MARSHALL, STATIONER’S COURT; SOLD BY E. COX AND SON, ST. THOMAS’S STREET; J. CALLOW, PRINCE’S STREET, SOHO; MESSRS. UNDERWOOD, FLEET STREET; BURGESS AND HILL, WINDMILL STREET; AND J. COX, BERNERS STREET, OXFORD STREET. TO ASTLEY COOPER, ESQ. THE STEADY FRIEND AND PATRON OF HUMBLE MERIT, THE AUTHOR RESPECTFULLY INSCRIBES THIS LITTLE TREATISE; LESS FROM PRESUMPTION OF ITS DESERVING HIS APPROBATION, THAN AS A MARK OF RESPECT FOR SPLENDID ACQUIREMENTS, AND OF GRATITUDE, TOWARDS A GREAT MASTER. TREATISE ON ACUPUNCTURATION. _Preliminary Remarks._ If the medical profession merit the reproach, of being easily deluded into an admiration of novelty, then I need use no apology for introducing the following pages to notice, nor will my subject stand in need of prefatory allurements to obtain attention; but if on the other hand, a rational theory, built on sound logical reasoning, be the only evidence to which any value can be attached, then will my efforts have been unavailing and fruitless. Under the impression, however, that there exists a desire for speculation and discovery on the one hand, regulated and qualified by a moderate and proper degree of scepticism on the other, I shall presume a medium of the two extremes, and proceed without apology or preface to my subject, trusting, that the interesting facts which I have to relate, will elicit such attention and investigation, as will kindle a desire in some men, at least, to become acquainted with a process, which appears to rival the most successful operations for the relief of human sufferings. I should not have taken the tales which are told of the wonderful cures effected by this operation amongst the original founders of it, as sufficient authority for recommending it, nor would I admit the fables which are promulgated by these people, as evidence of its efficacy, had not this efficacy been witnessed by European spectators on its native soil, and at length experienced in our hemisphere; and even, latterly, in our own country. The operation of acupuncturation has been seen by so few Europeans, that our books have made us acquainted with little more than its name. It is of Asiatic origin, and China and Japan peculiarly claim it as their own. A writer in the year 1802, mentions a discovery of its having been practised by the natives of America, and refers to Dampier’s voyages for an account of it; but I have in vain followed Capt. Dampier’s relation of his adventures, in crossing from the South to the North Sea, over the Isthmus of Darien, for any account of the operation, for he does not so much as name it. He speaks of a work intended to be published by his surgeon, Mr. Lionel Wafer, who accompanied the expedition, and to which he refers his readers for an account of the manners and customs of the interior of the country. Mr. Wafer was detained, from an accident, a considerable time amongst the Darien Indians, and did, on his return to England, publish this book, which I have therefore been at the trouble of perusing, but do not learn from it, that the operation of acupuncturation was practised in that part of America: it is true, Mr. Wafer describes a method of blood-letting employed by the natives, which is somewhat correspondent to acupuncturation, but both the intention and the effect are widely different. This operation is effected in the following manner: the patient is taken to a river, and seated upon a stone in the middle of it. A native, dexterous in the use of the bow, now shoots a number of small arrows into various parts of the body. These arrows are prepared purposely for this operation, and are so constructed, that they cannot penetrate beyond the skin, the veins of which, opened by the puncturation, furnish numerous streams of blood, which flow down the body of the patient. If this be the operation which has given rise to the idea, that acupuncturation is practised by the American natives, the conclusion is evidently erroneous, as it is simply a method of blood-letting, and is generally resorted to for the cure of fever. Now, acupuncturation has no reference whatever to bleeding, and it is rare, that even a drop of blood follows either the introduction or withdrawing of the needle; nor does it appear, that the Chinese and Japanese, with whom it originated, intended it as a method of abstracting blood, which is proved, not only by the consequences of the operation, but by the manner in which it is performed, and the nature of the diseases to which it is applied. If it could have been established, that the natives of the American Isthmus were acquainted with it, it would have been a curious, as well as an interesting enquiry, to ascertain whence they derived it. It is a little strange, that the surprising efficacy, of which so much has been boasted by its eastern professors, and the safety, at least, with which acupuncturation may be performed, having been so fully demonstrated; it is strange I repeat, that it has not met with an earlier encouragement amongst us. It is probable, that the hyperbole in which it has been related, has induced the sober minds of our Northern soil, to treat these relations as the fictions of Eastern imagination, and to reject them without examination, as fables calculated only for amusement. There have not, however, been wanting sensible minds, and men of talent and reputation, to recommend this operation; and the names of Ten-Rhyne, Bidloo, Kœmpfer, and Vicq-d’Azyr, stand conspicuous on the list of those who speak in its favour; but still, neither of them had undertaken to put its merits to the test, by actual experiment. Several practitioners in France, however, have now taken up this neglected operation, and their report verifies the praises which have been bestowed by others upon it. My attention was lately directed to it by my friend Mr. Scott, of Westminster, who, as far as my knowledge goes, was the first who performed it in England, and some successful cases which I witnessed in his practice, assured me of its efficacy, and led me to its adoption. The success of my own subsequent practice, warrants a recommendation of it, in almost any terms I could give it; but I shall content myself in laying before my readers, the opinion and experience of some physicians of eminence, accompanied by a relation of some cases of my own, where the benefit of the operation has been decidedly successful; upon a better foundation than which it cannot at present rest for public examination; it remains for the medical profession to ascertain its claims to attention by the test of experience, and having undergone the ordeal of experimental enquiry, it will, I have no doubt, so fully develope its merit, as to obtain a conspicuous rank in medical estimation, as a valuable curative measure. ACUPUNCTURATION. The method of performing the operation of acupuncturation is simple and easy, requiring neither practice to give dexterity, nor adroitness that it may be done with propriety. Anatomical knowledge of the human body is, however, necessary; as an imprudent application of it, by an operator ignorant of the structure of the part into which he introduces his needle, might be productive of bad consequences. To a surgeon, however, properly qualified, (and no other ought to perform this or any operation) no danger can arise; as the cautions are but few, and no risk is incurred, if they are attended to. It is only necessary that the operator, in introducing the needle, should avoid the course of large vessels, of nervous trunks, and of the tendons of muscles. It is not, however, proved, that the latter sustain injury from the puncture of the needle; but it is as well to avoid the possibility of mischief, by such a cautious mode of introducing the instrument, as shall be divested of risk. I cannot better familiarize my subject to the reader, than by a sketch of it in its native state; and as an excellent description of the operation, as performed by the Japonese natives, is given in the ninth volume of the “Modern part of an Universal History, from the Earliest Account of Time,” I shall extract it, as containing all that is known of its original practice. “The place made choice of for the puncture, is commonly at a middle distance between the navel and the pit of the stomach, but often as much nearer to, or farther from either as the operator, after a due scrutiny, thinks most proper; and in this, and the judging rightly how deep the needle must be thrust below the skin, so as to reach the seat of the morbific matter, and giving it a proper vent, consists the main skill of the artist, and the success of the operation is said to depend. Each row hath its particular name, which carries with it a kind of direction, with regard to the depth of each puncture, and the distance of the holes from each other, which last, seldom exceeds half an inch in grown persons, in the perpendicular rows, though something more in those which are made across the body, thus, . . . . . . . . . The needles which perform the operation are made, as was hinted at first, either of the finest gold, or silver, and without the least dross or alloy. They must be exquisitely slender, finely polished, and carry a curious point, and with some degree of hardness, which is given by the maker by tempering, and not by any mixture, in order to facilitate their entrance, and penetrating the skin. But, though the country abounds with expert artists, able to make them in the highest perfection, yet none are allowed, but such as are licensed by the emperor. “These needles are of two sorts with respect to their structure, as well as materials; the one, either of gold or silver indifferently, and about four inches long, very slender, and ending in a sharp point, and have at the other end a small twisted handle, which serves to turn them round with the extremity of the middle finger and thumb, in order to sink them into the flesh with greater ease and safety; the other is chiefly of silver, and much like the first in length and shape, but exceedingly small towards the point, with a short thick handle, channelled for the same end of turning them about, and to prevent their going in too deep; and for the same reason, some of them are cased in a kind of copper tube, of the bigness of a goose quill, which serves as a sort of guage, and lets the point in, just so far as the operator hath determined it. The best sort of needles are carefully kept in a case made of bull’s horn, lined with some soft downy stuff. This case is shaped somewhat like a hammer, having on the striking side a piece of lead, to give it a sufficient weight, and on the outside a compressed round piece of leather to prevent a recoil, and with this they strike the needle through the thickness of the skin; after which they keep turning the handle about with the hand, till it is sunk to the depth they design it, that is, till it is thought to have reached the seat of the morbific virus, which in grown persons is seldom less than half, or more than a whole inch: this done, he draws it out, and compresses the part, in order to force the morbific vapour or spirit out. “The directions and nice rules for the performing of this curious operation are many, and require great skill and attention in the operator; and when duly performed, may be of excellent use, not only against the excruciating distemper, called Senki, but against many other topical ones, which are most commonly cured by the Indian Moxa, and other caustics. On the other hand, these last are often tried against the distemper above mentioned, by applying the caustic to the belly, on each side of the navel, and about two inches from it
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Produced by Gardner Buchanan. HTML version by Al Haines. CHRONICLES OF CANADA Edited by George M. Wrong and H. H. Langton In thirty-two volumes Volume 2 THE MARINER OF ST MALO A Chronicle of the Voyages of Jacques Cartier By STEPHEN LEACOCK TORONTO, 1915 CONTENTS I EARLY LIFE II THE FIRST VOYAGE--NEWFOUNDLAND AND LABRADOR III THE FIRST VOYAGE--THE GULF OF ST LAWRENCE IV THE SECOND VOYAGE--THE ST LAWRENCE V THE SECOND VOYAGE--STADACONA VI THE SECOND VOYAGE--HOCHELAGA VII THE SECOND VOYAGE--WINTER AT STADACONA VIII THE THIRD VOYAGE IX THE CLOSE OF CARTIER'S CAREER ITINERARY OF CARTIER'S VOYAGES BIBLIOGRAPHIC NOTE CHAPTER I EARLY LIFE In the town hall of the seaport of St Malo there hangs a portrait of Jacques Cartier, the great sea-captain of that place, whose name is associated for all time with the proud title of 'Discoverer of Canada.' The picture is that of a bearded man in the prime of life, standing on the deck of a ship, his bent elbow resting upon the gunwale, his chin supported by his hand, while his eyes gaze outward upon the western ocean as if seeking to penetrate its mysteries. The face is firm and strong, with tight-set jaw, prominent brow, and the full, inquiring eye of the man accustomed both to think and to act. The costume marks the sea-captain of four centuries ago. A thick cloak, gathered by a belt at the waist, enwraps the stalwart figure. On his head is the tufted Breton cap familiar in the pictures of the days of the great navigators. At the waist, on the left side, hangs a sword, and, on the right, close to the belt, the dirk or poniard of the period. How like or unlike the features of Cartier this picture in the town hall may be, we have no means of telling. Painted probably in 1839, it has hung there for more than seventy years, and the record of the earlier prints or drawings from which its artist drew his inspiration no longer survives. We know, indeed, that an ancient map of the eastern coast of America, made some ten years after the first of Cartier's voyages, has pictured upon it a group of figures that represent the landing of the navigator and his followers among the Indians of Gaspe. It was the fashion of the time to attempt by such decorations to make maps vivid. Demons, deities, mythological figures and naked savages disported themselves along the borders of the maps and helped to decorate unexplored spaces of earth and ocean. Of this sort is the illustration on the map in question. But it is generally agreed that we have no right to identify Cartier with any of the figures in the scene, although the group as a whole undoubtedly typifies his landing upon the seacoast of Canada. There is rumour, also, that the National Library at Paris contains an old print of Cartier, who appears therein as a bearded man passing from the prime of life to its decline. The head is slightly bowed with the weight of years, and the face is wanting in that suggestion of unconquerable will which is the dominating feature of the portrait of St Malo. This is the picture that appears in the form of a medallion, or ring-shaped illustration, in more than one of the modern works upon the great adventurer. But here again we have no proofs of
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Produced by Audrey Longhurst, Mary Meehan and the PG Online Distributed Proofreading Team. MARTHA BY-THE-DAY By JULIE M. LIPPMANN 1912 CHAPTER I If you are one of the favored few, privileged to ride in chaises, you may find the combination of Broadway during the evening rush-hour, in a late November storm, stimulating--you may, that is, provided you have a reliable driver. If, contrariwise, you happen to be of the class whose fate it is to travel in public conveyances (and lucky if you have the price!) and the car, say, won't stop for you--why-- Claire Lang had been standing in the drenching wet at the street-crossing for fully ten minutes. The badgering crowd had been shouldering her one way, pushing her the other, until, being a stranger and not very big, she had become so bewildered that she lost her head completely, and, with the blind impulse of a hen with paresis, darted straight out, in amidst the crush of traffic, with all the chances strong in favor of her being instantly trampled under foot, or ground under wheel, and never a one to know how it had happened. An instant, and she was back again in her old place upon the curbstone. Something like the firm iron grip of a steam-derrick had fastened on her person, hoisted her neatly up, and set her as precisely down, exactly where she had started from. It took her a full second to realize what had happened. Then, quick as a flash, anger flamed up in her pale cheeks, blazed in her tired eyes. For, of course, this was an instance of "insult" described by "the family at home" as common to the experience of unprotected girls in New York City. She groped about in her mind for the formula to be applied in such cases, as recommended by Aunt Amelia. "Sir, you are no gentleman! If you were a gentleman, you would not offer an affront to a young, defenseless girl who--" The rest eluded her; she could not recall it, try as she would. In desperate resolve to do her duty anyway, she tilted back her umbrella, whereat a fine stream of water poured from the tip directly over her upturned face, and trickled cheerily down the bridge of her short nose. "Sir--" she shouted resolutely, and then she stopped, for, plainly, her oration was, in the premises, a misfit--the person beside her--the one of the mortal effrontery and immortal grip, being a--woman. A woman of masculine proportions, towering, deep-chested, large-limbed, but with a face which belied all these, for in it her sex shone forth in a motherliness unmistakable, as if the world at large were her family, and it was her business to see that it was generously provided for, along the pleasantest possible lines for all concerned. "What car?" the woman trumpeted, gazing down serenely into Claire's little wet, anxious, upturned face at her elbow. "Columbus Avenue." The stranger nodded, peering down the glistening, wet way, as if she were a skipper sighting a ship. "My car, too! First's Lexin'ton--next Broadway--then--here's ours!" Again
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Produced by D. Alexander and the Online Distributed Proofreading Team at http://www.pgdp.net Makers of History Richard II. BY JACOB ABBOTT WITH ENGRAVINGS NEW YORK AND LONDON HARPER & BROTHERS PUBLISHERS 1901 Entered, according to Act of Congress,
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Produced by Juliet Sutherland, Andrew Templeton, Tonya Allen, and Project Gutenberg Distributed Proofreaders. HTML version by Al Haines. TIVERTON TALES BY ALICE BROWN 1899 CONTENTS DOORYARDS A MARCH WIND THE MORTUARY CHEST HORN-O'-THE-MOON A STOLEN FESTIVAL A LAST ASSEMBLING THE WAY OF PEACE THE EXPERIENCE OF HANNAH PRIME HONEY AND MYRRH A SECOND MARRIAGE THE FLAT-IRON LOT THE END OF ALL LIVING DOORYARDS Tiverton has breezy, upland roads, and damp, sweet valleys; but should you tarry there a summer long, you might find it wasteful to take many excursions abroad. For, having once received the freedom of family living, you will own yourself disinclined to get beyond dooryards, those outer courts of domesticity. Homely joys spill over into them, and, when children are afoot, surge and riot there. In them do the common occupations of life find niche and channel. While bright weather holds, we wash out of doors on a Monday morning, the wash-bench in the solid block of shadow thrown by the house. We churn there, also, at the hour when Sweet-Breath, the cow, goes afield, modestly unconscious of her own sovereignty over the time. There are all the varying fortunes of butter-making recorded. Sometimes it comes merrily to the tune of "Come, butter, come! Peter stands a-waiting at the gate, Waiting for his butter-cake. Come, butter, come!" chanted in time with the dasher; again it doth willfully refuse, and then, lest it be too cool, we contribute a dash of hot water, or too hot, and we lend it a dash of cold. Or we toss in a magical handful of salt, to encourage it. Possibly, if we be not the thriftiest of householders, we feed the hens here in the yard, and then "shoo" them away, when they would fain take profligate dust-baths under the syringa, leaving unsightly hollows. But however, and with what complexion, our dooryards may face the later year, they begin it with purification. Here are they an unfailing index of the severer virtues; for, in Tiverton, there is no housewife who, in her spring cleaning, omits to set in order this outer pale of the temple. Long before the merry months are well under way, or the cows go kicking up their heels to pasture, or plants are taken from the south window and clapped into chilly ground, orderly passions begin to riot within us, and we "clear up" our yards. We gather stray chips, and pieces of bone brought in by the scavenger dog, who sits now with his tail tucked under him, oblivious of such vagrom ways. We rake the grass, and then, gilding refined gold, we sweep it. There is a tradition that Miss Lois May once went to the length of trimming her grass about the doorstone and clothes-pole with embroidery scissors; but that was a too-hasty encomium bestowed by a widower whom she rejected next week, and who qualified his statement by saying they were pruning-shears. After this preliminary skirmishing arises much anxious inspection of ancient shrubs and the faithful among old-fashioned plants, to see whether they have "stood the winter." The fresh, brown "piny" heads are brooded over with a motherly care; wormwood roots are loosened, and the horse-radish plant is given a thrifty touch. There is more than the delight of occupation in thus stirring the wheels of the year. We are Nature's poor handmaidens, and our labor gives us joy. But sweet as these homespun spots can make themselves, in their mixture of thrift and prodigality, they are dearer than ever at the points where they register family traits, and so touch the humanity of us all. Here is imprinted the story of the man who owns the farm, that of the father who inherited it, and; the grandfather who reclaimed it from waste; here have they and their womenkind set the foot of daily living and traced indelible paths. They have left here the marks of tragedy, of pathos, or of joy. One yard has a level bit of grassless ground between barn and pump, and you may call it a battlefield, if you will, since famine and desire have striven there together. Or, if you choose to read fine meanings into threadbare things, you may see in it a field of the cloth of gold, where simple love of life and childlike pleasure met and sparkled for no eye to see. It was a croquet ground, laid out in the days when croquet first inundated the land, and laid out by a woman. This was Della Smith, the mother of two grave children, and the wife of a farmer who never learned to smile. Eben was duller than the ox which ploughs all day long for his handful of hay at night and his heavy slumber; but Della, though she carried her end of the yoke with a gallant spirit, had dreams and desires forever bursting from brown shells, only to live a moment in the air, and then, like bubbles, die. She had a perpetual appetite for joy. When the circus came to town, she walked miles to see the procession; and, in a dream of satisfied delight, dropped potatoes all the afternoon, to make up. Once, a hand-organ and monkey strayed that way, and it was she alone who followed them; for the children were little, and all the saner house-mothers contented themselves with leaning over the gates till the wandering train had passed. But Della drained her draught of joy to the dregs, and then tilted her cup anew. With croquet came her supremest joy,--one that leavened her days till God took her, somewhere, we hope, where there is playtime. Della had no money to buy a croquet set, but she had something far better, an alert and undiscouraged
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Produced by Alan Millar, David Moynihan, Charles Franks and the Online Distributed Proofreading Team THE ABBOT. BEING THE SEQUEL TO THE MONASTERY. By Sir Walter Scott [Illustration: ROLAND GRAEME AND CATHERINE SETON BEFORE QUEEN MARY.] INTRODUCTION--(1831.) From what is said in the Introduction to the Monastery, it must necessarily be inferred, that the Author considered that romance as something very like a failure. It is true, the booksellers did not complain of the sale, because, unless on very felicitous occasions, or on those which are equally the reverse, literary popularity is not gained or lost by a single publication. Leisure must be allowed for the tide both to flow and ebb. But I was conscious that, in my situation, not to advance was in some Degree to rec
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Produced by Steve Klynsma, Suzanne Shell and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) LIFE IN AN INDIAN OUTPOST [Illustration] BOOKS OF TRAVEL Demy 8vo. Cloth Bindings. All fully Illustrated THROUGH INDIA AND BURMA WITH PEN AND BRUSH By A. HUGH FISHER. 15s. net ALONE IN WEST AFRICA By MARY GAUNT. 15s. net CHINA REVOLUTIONISED By J. S. THOMPSON. 12s. 6d. net NEW ZEALAND By Dr MAX HERZ. 12s. 6d. net THE DIARY OF A SOLDIER OF FORTUNE By STANLEY PORTAL HYATT. 12s. 6d. net OFF THE MAIN TRACK By STANLEY PORTAL HYATT. 12s. 6d. net WITH THE LOST LEGION IN NEW ZEALAND By Colonel G. HAMILTON-BROWNE ("Maori Browne"). 12s. 6d. net A LOST LEGIONARY IN SOUTH AFRICA By Colonel G. HAMILTON-BROWNE ("Maori Browne"). 12s 6d. MY BOHEMIAN DAYS IN PARIS By JULIUS M. PRICE. 10s. 6d. net WITH GUN AND GUIDE IN N.B. COLUMBIA By T. MARTINDALE. 10s. 6d. net SIAM By PIERRE LOTI. 7s. 6d. net [Illustration: AFTER THE PROCLAMATION PARADE.] LIFE IN AN INDIAN OUTPOST BY MAJOR GORDON CASSERLY (INDIAN ARMY) AUTHOR OF "THE LAND OF THE BOXERS; OR CHINA UNDER THE ALLIES"; ETC. ILLUSTRATED LONDON T. WERNER LAURIE LTD. CLIFFORD'S INN CONTENTS CHAPTER I A FRONTIER POST PAGE Our first view of the Himalayas--Across India in a troop train--A scattered regiment--An elephant-haunted railway--Kinchinjunga--The great Terai Jungle--Rajabhatkawa--In the days of Warren Hastings--Hillmen--Roving Chinese--We arrive at Buxa Road--Relieved officers--An undesirable outpost--March through the forest--The hills--A mountain road--Lovely scenery--Buxa Duar--A lonely Station--The labours of an Indian Army officer--Varied work--The frontier of Bhutan--A gate of India--A Himalayan paradise--The fort--Intrusive monkeys--The cantonment--The Picquet Towers--The bazaar--The cemetery--Forgotten graves--Tragedies of loneliness--From Bhutan to the sea 1 CHAPTER II LIFE ON OUTPOST The daily routine--Drill in the Indian Army--Hindustani--A lingua franca--The divers tongues of India--The sepoys' lodging--Their ablutions--An Indian's fare--An Indian regiment--Rajput customs--The hospital--The doctor at work--Queer patients--A vicious bear--The Officers' Mess--Plain diet--Water--The simple life--A bachelor's establishment--A faithful Indian--Fighting the trusts--Transport in the hills--My bungalow--Amusements in Buxa--Dull days--Asirgarh--A lonely outpost--Poisoning a General--A storied fortress--Soldier ghosts--A spectral officer--The tragedy of isolation--A daring panther--A day on an elephant--Sport in the jungle--_Gooral_ stalking in the hills--Strange pets--A friendly deer--A terrified visitor--A walking menagerie--Elephants tame and wild--Their training--Their caution--Their rate of speed--Fondness for water--Quickly reconciled to captivity--Snakes--A narrow escape--A king-cobra; the hamadryad--Hindu worship of the cobra--General Sir Hamilton Bower--An adventurous career--E. F. Knight--The General's inspection 19 CHAPTER III THE BORDERLAND OF BHUTAN The races along our North-East Border--Tibet--The Mahatmas--Nepal---Bhutan--Its geography--Its founder--Its Government--Religious rule--Analogy between Bhutan and old Japan--_Penlops_ and _Daimios_--The Tongsa _Penlop_--Reincarnation of the Shaptung Rimpoche--China's claim to Bhutan--Capture of the Maharajah of Cooch Behar--Bogle's mission--Raids and outrages--The Bhutan War of 1864-5--The Duars--The annual subsidy--Bhutan to-day--Religion--An impoverished land--Bridges--Soldiers in Bhutan--Thefeudal system--Administration of
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Produced by An Anonymous Volunteer and David Widger THE GREAT STONE FACE AND OTHER TALES OF THE WHITE MOUNTAINS By Nathaniel Hawthorne 1882 CONTENTS Introduction The Great Stone Face The Ambitious Guest The Great Carbuncle Sketches From Memory INTRODUCTION THE first three numbers in this collection are tales of the White Hills in New Hampshire. The passages from Sketches from Memory show that Hawthorne had visited the mountains in one of his occasional rambles from home, but there are no entries in his Note Books which give accounts of such a visit. There is, however, among these notes the following interesting paragraph, written in 1840 and clearly foreshadowing The Great Stone Face: 'The semblance of a human face to be formed on the side of a mountain, or in the fracture of a small stone, by a lusus naturae [freak of nature]. The face is an object of curiosity for years or centuries, and by and by a boy is born whose features gradually assume the aspect of that portrait. At some critical juncture the resemblance is found to be perfect. A prophecy may be connected.' It is not impossible that this conceit occurred to Hawthorne before he had himself seen the Old Man of the Mountain, or the Profile, in the Franconia Notch which is generally associated in the minds of readers with The Great Stone Face. In The Ambitious Guest he has made use of the incident still told to travellers through the Notch, of the destruction of the Willey family in August, 1826. The house occupied by the family was on the <DW72> of a mountain, and after a long drought there was a terrible tempest which not only raised the river to a great height but loosened the surface of the mountain so that a great landslide took place. The house was in the track of the slide, and the family rushed out of doors. Had they remained within they would have been safe, for a ledge above the house parted the avalanche so that it was diverted into two paths and swept past the house on either side. Mr. and Mrs. Willey, their five children, and two hired men were crushed under the weight of earth, rocks, and trees. In the Sketches from Memory Hawthorne gives an intimation of the tale which he might write and did afterward write of The Great Carbuncle. The paper is interesting as showing what were the actual experiences out of which he formed his imaginative stories. THE GREAT STONE FACE and Other Tales Of The White Mountains THE GREAT STONE FACE One afternoon, when the sun was going down, a mother and her little boy sat at the door of their cottage, talking about the Great Stone Face. They had but to lift their eyes, and there it was plainly to be seen, though miles away, with the sunshine brightening all its features. And what was the Great Stone Face? Embosomed amongst a family of lofty mountains, there was a valley so spacious that it contained many thousand inhabitants. Some of these good people dwelt in log-huts, with the black forest all around them, on the steep and difficult hillsides. Others had their homes in comfortable farm-houses, and cultivated the rich soil on the gentle <DW72>s or level surfaces of the valley. Others, again, were congregated into populous villages, where some wild, highland rivulet, tumbling down from its birthplace in the upper mountain region, had been caught and tamed by human cunning, and compelled to turn the machinery of cotton-factories. The inhabitants of this valley, in short, were numerous, and of many modes of life. But all of them, grown people and children, had a kind of familiarity with the Great Stone Face, although some possessed the gift of distinguishing this grand natural phenomenon more perfectly than many of their neighbors. The Great Stone Face, then, was a work of Nature in her mood of majestie playfulness, formed on the perpendicular side of a mountain by some immense rocks, which had been thrown together in such a position as, when viewed at a proper distance, precisely to resemble the features of the human countenance. It seemed as if an enormous giant, or a Titan, had sculptured his own likeness on the precipice. There was the broad arch of the forehead, a hundred feet in height; the nose, with its long bridge; and the vast lips, which, if they could have spoken, would have rolled their thunder accents from one end of the valley to the other. True it is, that if the spectator approached too near, he lost the outline of the gigantic visage, and could discern only a heap of ponderous and gigantic rocks, piled in chaotic ruin one upon another. Retracing his steps, however, the wondrous features would again be seen; and the farther he withdrew from them, the more like a human face, with all its original divinity intact, did they appear; until, as it grew dim in the distance, with the clouds and glorified vapor of the mountains clustering about it, the Great Stone Face seemed positively to be alive. It was a happy lot for children to grow up to manhood or womanhood with the Great Stone Face before their eyes, for all the features were noble, and the expression was at once grand and sweet, as if it were the glow of a vast, warm heart, that embraced all mankind in its affections, and had room for more. It was an education only to look at it. According to the
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Produced by Michael Gray, Diocese of San Jose LEO XIII, THE GREAT LEADER By Rev. A. P. Doyle Written in August 1903, in _The Catholic World_, a monthly magazine, on the occasion of the death of Pope Leo XIII. [Portrait of Pope Leo XIII.] _My course I've run of ninety lengthening years. From Thee the gift. Crown them with endless bliss. O hearken to Thy Leo's prayers and tears, Lest useless they should prove, O grant him this._ Leo XIII.'s Message to the Twentieth Century: The greatest misfortune is never to have known Jesus Christ. Christ is the fountain-head of all good. Mankind can no more be saved without His power than it can be redeemed without His mercy. When Jesus Christ is absent human reason fails, being bereft of its chief protection and light: and the very end is lost sight of for which, under God's providence, human society has been built up. To reject Dogma is simply to deny Christianity. It is evident that they whose intellects reject the yoke of Christ are obstinately striving against God. Having shaken off God's authority, they are by no means freer, for they will fall beneath some human sway. God alone is life. All other beings partake of life, but they are not life. Christ, from all eternity and by His very nature, is "the Life," just as He is "the Truth," because He is God of God. If any one abide not in Me, he shall be cast forth as a branch, and shall wither, and they shall gather him up and cast him into the fire, and he burneth (John xv. 6). Once remove all impediments and allow the spirit of Christ to revive and grow in a nation, and that nation shall be healed. The world has heard enough of the so-called "rights of man." Let it hear something of the rights of God. The common welfare urgently demands a return to Him from whom we should never have gone astray: to Him who is the Way, the Truth and the Life,--and this on the part not only of individuals but of society as a whole. LEO XIII., THE GREAT LEADER. BY REV. A. P. DOYLE. THE aged Pontiff breathed his last at 4 P. M. on July 20. Because he had lived for over ninety years, and not for any other immediate reason, the end came. Though there was an apparent dissolution of his body under the devastating hand of time, still the mind is as keen and the heart as full of zeal, and the spirit as eager for work, as though the years of his glorious pontificate were before him. During the last fortnight the gaze of all the world has been eagerly fixed on the death-bed of the expiring Pope, and under the white light of the public gaze he has loomed up, the great man he is, in all his gigantic proportions. The world saw the corporal feebleness of age and the ravaging hand of disease, but it saw also the conquering and unconquered spirit of the greatest man of his age--the noblest Roman of them all. It is not time as yet to write his eulogy. We are too near the massive proportions of a great life to give a proper estimate of its greatness. It will be necessary to stand off from it at some distance in order to get the proper perspective. Still there are, however, some things that have impressed the world, and from these we cannot get away. During these days of his mortal sickness, when the struggle with the grim monster became the keenest, Leo never is anything but the Christian gentleman. Men of dominating minds and inflexible wills, especially if they have been accustomed to rule, are sometimes thoughtless of others who are about them. They have been so accustomed to brush away obstacles that the directness and force of their determination seem to know no fear or favor in dealing with things that surround them. Leo never forgets the chivalry of Christian gentleness. When the cardinals come in to see him, though he is as near prostrate in body as he may be, still he rises from his bed to meet them, and asks them to be seated. When Dr. Lapponi asks to be relieved for a short while to visit the sick bed of his daughter, Leo apologizes for the trouble he is giving to every one around him, and says that they have all become martyrs for his sake. When one of the Vatican pigeons lights on his window-sill and gently taps at the window, he awakes out of his weakness and asks that the window be raised and the bird admitted, and he feeds the pigeon as it lights on his bed, gently stroking its feathers. When every one is anticipating his speedy dissolution, he rises from his bed, goes over to his writing desk, and puts into poetry some beautiful thought that fills his mind. And in the midst of all his suffering he is full of devotion. He prays incessantly to the Mother of God. St. Leo's day comes, and ever since his childhood he has not failed to be present at Holy Mass on that day particularly; he directs that Mass be said in the adjoining room, and he devoutly follows it. He was a member of the Third Order of Franciscans, and in order to receive all the wonderful privileges that are granted to the faithful who are identified with that Third Order, he sends for the Capuchin cardinal to give him the last blessing. His faith is strong and tender. In the visions that pass before his mind the joys of paradise are vividly depicted. He would stay to give his last breath for the Church, but the alluring vision of heaven beckons him away. And in the midst of it all nothing can quench his unconquerable desire for work. There are some things that are unfinished; he calls Cardinal Rampolla and directs their execution. The Biblical Commission is very close to his heart, and he gives an admonition to his secretary that its work be prosecuted to a speedy end. These and many other little touches of character coming from the death chamber do not fail to paint the portrait of one of the greatest Popes the world has ever known. Leo has been a providential man in the fullest sense of the word. He has been a Moses who has led the hosts of the Lord from a captivity that was more galling than the slavery of Egypt of old through the desert of suffering into the promised land. The forty years that have elapsed since the breach of Porta Pia have brought untold victories to the church. The Robber King battering at the gates of Rome is readily offset in the eyes of discerning readers by the eager visits of the Kaiser, the head of the Lutheran Church, and the English King, the head of the Episcopal Church, to pay reverence and homage to the head of the great Mother Church of Christendom, and everywhere throughout the world, people who are outside the fold have been devoutly praying that he might be spared to the world for many years to come. One cannot help contrasting the feelings of non-Catholic people to-day towards the Church of Rome with the sentiments of antagonism that were expressed but a generation ago. Not a little of this is due to the commanding, and at the same time attractive, figure of the great White Shepherd of Christendom. There have been popes who have emphasized certain characteristics, and they stand out in history as striking types of these special characteristics. Innocent III. was a great reformer; Sixtus V. a great statesman; Pius V. was crowned with the aureole of sanctity; Gregory VI. was a man of great learning; but Leo seems to have united in his own person in a very marked degree all these great qualities. His gifts were of so universal a nature that it is difficult to say which one belongs to him in the more pre-eminent degree. His genius has illuminated every department of religious activity, be it statecraft or be it letters; be it the devotional side of the church, or the philosophical, or the diplomatic, or the purely religious. As a statesman he has rallied to the support of the church the influences of the great civil powers. When he began his pontifical career England was the enemy of the Papacy; Germany was persecuting the Catholics of the Empire; the United States of America had established no definite relations with the Holy See; while Spain, and France, and Austria, Catholic at heart, were too much worried over internal difficulties to be the earnest supporters of the Papacy that they should be. After twenty-five years there is no stronger friend of the dying Pope than the Emperor of Germany. The antagonisms that were openly enunciated in the German Empire against Catholics have been replaced by expressions of fealty. The Emperor has come to look upon the moral power of the Papacy as one of the most potent supporters of the throne. Leo has so stood for the authority of constituted governments, and the Catholic religion has had such influence in inculcating reverence and submission among the people, that were there no force of this nature, it would be necessary to create one in order that its work may be done. In Germany the people to-day are about equally divided between the Catholics as loyal supporters of the throne and the socialists, who, if their programme were carried out in its entirety, would sweep the throne away and abolish the authority that it stands for. In England the same is true, though perhaps not to as large an extent as it is elsewhere. In Spain Leo has upheld the throne that was tottering to a disastrous fall. If it were not for his influence, Spain would to-day be in the grasp of the revolution or broken up into a number of smaller states. In the United States the devotion of twelve million Catholics has done not a little to cement together the stones of our social fabric by infusing the spirit of religion into the educational life of the country, and by standing for the permanency of the family and the integrity of the home. Here is a sheaf of victories in the diplomatic world that would make any man's life a blessing to the world. Of course it is a profound pity that more has not been done in France. That it has not been done is no fault of Leo's. If his advice had been taken, and if the Catholics of France had rallied to the support of the existing government, it may well be supposed that the present deplorable condition of religious affairs would not have come to pass. Instead of witnessing the religious orders persecuted by an infidel government, there would probably have been a change of heart in the civil authorities, and as of yore France would be the eldest daughter of the church. The same may be said in Italy. The Italian people are more loyal to the Holy See to-day than ever. The sympathy that has gone out to the prisoner of the Vatican, as well as a certain sentiment of co-suffering that the people, ground down by heavy taxation, have felt with the Pope, have made them more loyal in their fealty to the head of the church. Not only in statecraft has Leo proved himself an adept, but as a scholar he has elevated the standards of literary taste and of ecclesiastical studies. In calling the professors of the Catholic world back to the scholastic philosophy he has laid the foundations deep and strong for theological science, and he has pointed out the way back to the great truths of the supernatural order for much of the rationalistic and scientific knowledge of the age. During the last half of the nineteenth century agnostic science triumphed in most of the universities of the world; but the human mind could not be content with its barrenness and its negations, and in reaching out for something more positive, as well as for a solution of the religious problems that always perplex human hearts, the old philosophy of Aristotle constituted the best vantage ground, and with this solid basis to stand on the scholars of the day can much more readily reach out for that amalgamation between the modern and ancient schools. Historical science owes not a little to the man who threw open the archives of the Vatican, and who wanted the truth to be told, no matter who was injured thereby, and not a few scholars have profited by the initiative of Leo, with the result that a good deal of the history that was written in German and English under the influence of the fierce antagonisms of the Protestant revolt will have to, and is now being rewritten. In Biblical science the rationalizing Higher Critics were having a free hand and a wide field, with the result that the sacred books were torn into tatters and the old reverence for the Scriptures as the word of God was dying out among non-Catholic people. The Bible was all they had to depend upon, and when it was gone there came a decadence of the religious spirit. Leo came to the rescue, and there was nothing closer to his heart than the outcome of the Biblical Commission he established, and amidst the suffering of his last sickness one of his admonitions was to see that these investigations were brought to a speedy and wholesome issue. So too in social studies, which are now vexing the nations, Leo has given a Magna Charta in his Encyclical on the "Condition of Labor." He has affirmed principles there that seemed radical in their enunciation, but now that they are being applied to practical difficulties, are doing not a little to bring about the harmonization of Labor with Capital. The Catholic University of America was born of his inspiration; the universities in France and Germany and among the Slavonic peoples were started through his initiative. Seminaries in Rome for the education of the students of the Oriental rites owe their existence to his generous gifts and derive their permanency from his largesses. All these and many more great things that he has done for the intellectual, make him the very prince among scholars. In the midst of his many labors with governments and among scholars he has not forgotten the devotional life of the people. His own spirit of prayer has been imparted to the multitudes, so that there has been a distinct revival in the devotional life of the church. The devotion to the Sacred Heart, with its first Friday throngs, has received a distinct impetus from his instructions. The time-honored Rosary has become a more favorite devotion among all classes, and the October devotions, as well as the prayers after daily Mass, have become distinctive features of the devotional life of the church through his directions. The same may be said of the devotion to the Holy Spirit with its annual Pentecostal novena. He has not only known what to suggest, but his practical sense has so arranged that his suggestions were not mere ephemeral directions but were soon incorporated into the very soul-life of the people. No one can look back over the last generation and make any contrasts without saying that Leo has done as much for the religious spirit of the world as any of his predecessors. All these considerations convince us that Leo has been an all-round great Pope. He has been a Leader among men. He has left the impress of his spirit on his age. His life has spanned one of the most critical periods of human activity. When the old order had been completely changed, in the rearranging of the new elements and in the re-establishing of new forces there was need of one with more than human wisdom to guide our ways and to direct our feet. If ever in the world there was need of a providential man; of one whose feet, while planted on the earth, yet whose head was above the clouds, and whose heart was in touch with divine things, it was during this marvellous age of ours; and Leo has been such an interpreter of divine wisdom to the children of men. His long life has covered the nineteenth century; there were wrapped up in him the experiences of men and things through this most fateful of all eras; and it has been permitted to lap over into the twentieth century, so that with the wisdom of the past he may point out the ways to greater triumphs in the years to come. His Message to the Twentieth Century is one of the most thrilling documents that have been sent out to the world. It ranks with the Magna Charta of English history or the Declaration of Independence of our own, and in the years to come it will be enshrined as they are in the hearts of multitudes of people: "To reject dogma is simply to deny Christianity. It is evident that they whose intellects reject the yoke of Christ are obstinately striving against God. Having shaken off God's authority, they are by no means freer, for they will fall beneath some human sway. "God alone is life. All other beings partake of life, but are not life. Christ, from all eternity and by his very nature, is 'the Life,' just as he is 'the Truth,' because he is God of God. If any one abide not in Me, he shall be cast forth as a branch, and shall wither, and they shall gather him up and cast him into the fire, and he burneth (John xv. 6). "Once remove all impediments and allow the spirit of Christ to revive and grow in a nation, and that nation shall be healed. "The world has heard enough of the so-called 'rights of man.' Let it hear something of the rights of God. "The common welfare urgently demands a return to him from whom we should never have gone astray; to him who is the Way, the Truth, and the Life,--and this on the part not only of individuals but of society as a whole." Leo, Great Pontiff of the age, thou mayest well lay down the burden of thy four score years and ten! Thou deservest well of humanity. You have been a great leader in the Church of God. The weary pilgrimage of a desert land is over, and from Nebo's height there stretches before you the Promised Land of rest and joy and everlasting bliss. "Hail, Champion of the Faith! whose beacon light, Held high in trembling hands, illum'ned the world With such a blaze as ne'er before hath shone, E'en from the torch that Gregory upheld Or Pius kindled. Hark, the swelling sound From many million throats! Thy children see The Signal, and in serried legions stand Before the grateful world, and with one voice Demand for thee, Great Father and Great Friend, The joy and peace that is thy due." THE PAPACY NEVER DIES. AT the present writing the question of choosing a successor to Leo XIII. in the pontifical chair is of paramount importance. For this reason the traditional method of selecting a Pope is a topic of more than ordinary interest. Popes may die, but the Papacy lives for ever. With temporal princes their succession may come to an end. Reigning families may become exhausted; dynasties have come and gone; but by divine right the line of the Popes will last till the end of the world. The methods of electing the successor of St. Peter have changed in the nineteen centuries that the Popes have reigned, but as soon as one is canonically elected he assumes unto himself all the prerogatives of the Papal Chair. There is no prince in all Christendom whose power is greater. The influence of the Vicar of Christ is not confined to any race or people. It is not exercised by force of arms, nor is it maintained through the civil power. His jurisdiction is over the hearts of 260,000,000, and his word is obeyed with far more alacrity and submission than is accorded to any other ruler in the world. He is the successor of the Prince of the Apostles. He holds to all the faithful the place of the Vicar of Christ, and they acknowledge his infallibility in matters of faith and morals. These facts alone give to the election of the Pope an importance that is not attributable to any other event in history. In the first place, it is a condemned proposition to maintain that the laity have any strict right of suffrage in the election of the Pope. In ancient times the vote of the Roman clergy, cast in the presence of the faithful, was the elective power; but as the papal dignity increased in wealth and splendor of temporal authority it often became an object of human ambition. For this reason it was deemed necessary to enact laws that definitely settled the mode of election. This was done by Symmachus in the year 499. The history of the interference of civil princes in the election of the Popes fills many a dark chapter in the papal records. It is the old story of the state, with its stronger power, laying its blighting hand on the liberties of the church. It was not till 1059, under Nicholas II., that the Papacy was completely emancipated from any subjection to the Empire, and his successor, Gregory VII., the glorious Hildebrand, was the last Pope who ever informed the emperor of his election before proceeding to be consecrated and enthroned. The Third General Council of the Lateran (1179) confined the right to elect to the cardinals without reference to the rest of the Roman clergy or of the people, and required a two-thirds vote for a valid election. The word conclave is of a little later origin. It originated in the custom of selecting a hall whose door could be securely fastened (_cum clavi_--with a key) behind the voting cardinals until they agreed by a two-thirds majority on a candidate. In some instances, where the stubborn electors held out, a diminishing quantity of food was served so as to hasten an agreement, and in one instance, where a year and one-half elapsed before a definite result was obtained, the roof was removed and the venerable fathers were left to the inclemencies of the weather until they came to a conclusion. Any one may theoretically be elected Pope. He need not be a cardinal, nor even a priest. He need not be an Italian. Not a few persons of ignoble birth and of mean antecedents have been elected to the Papacy, which they have illustrated by their virtues or their learning. Sixtus V., 1585-1595, was a swineherd in his youth, and he repeatedly affirmed the fact when he was Pope. It was Sixtus V. of whom Queen Elizabeth of England said, when asked to marry, that she would offer her hand in marriage to no one but Sixtus, and he would not accept it. The present Cardinal Gotti's father was a stevedore. Almost every nationality has had a representative in the chair of Peter, but for several centuries the Italians have kept the accession within their own nation, for the reason that the popedom has been a civil principality. As soon as the Pope breathes his last the Cardinal Chamberlain takes possession of the Apostolic palace. He proceeds to the death chamber, assures himself of, and instructs a notary to certify to, the fact that the Pope is really dead. Then the ring of the Fisherman is broken and the seal destroyed. The body is embalmed and carried in procession to the Chapel of the Blessed Sacrament in the Vatican basilica, where it remains for three days, the feet protruding a little through an opening in the iron railing which encloses the chapel, that the faithful may approach and kiss the embroidered slipper. The nine days of funeral services are gone through with. During the last three days the services are performed about an elevated and magnificent catafalque. On each of these days five cardinals in turn give the absolution, and on the ninth day a funeral oration is pronounced. The body is reverently put into a cyprus-wood coffin. This is put into a leaden case properly inscribed, and then all is placed in a wooden box covered with a red pall, and in this condition it is carried to the last resting-place, previously selected by the deceased. On the tenth day the cardinals assemble in the forenoon, and the preparations are made for the Conclave. All the persons who are to remain in the Conclave--as prelates, custodians, attendants on the cardinals, physicians, barbers, masons--are passed in review and take an oath not to speak even among themselves of matters concerning the election. Every avenue leading to the Conclave, except the eight loopholes, is walled up by the masons; but one door is left so that it may be opened by the late coming cardinals or to let out any one who may be expelled, or who for any good reason may be obliged to go out. Any one who leaves cannot return. This only door has a combination lock, to be opened by the key of the prince marshal outside and of the cardinal chamberlain inside. The food for the cardinals is introduced by a turn, so well known in convents of cloistered communities. The next day, after Mass of the Holy Ghost, the balloting begins, and continues until some one receives the necessary two-thirds. The ballots are cast into a chalice on the altar. There are now 63 cardinals in the Sacred College. Some may, on account of distance--as Cardinal Moran of Australia--or on account of age or infirmities, be prevented from being present. If they were all present it would require 42 votes to elect. It would seem from the present aspect of the Sacred College that a good many ballots may be taken before the requisite number is secured. In the last Conclave Cardinal Pecci was so pre-eminently a leader that it took but one ballot practically to settle the question of his election. In all probability it will take more than one to settle the choice in the present Conclave. It is ordinarily very foolish to prophesy, but it is especially so when the subject matter of the prophecy is the outcome of the Conclave. There is an old Roman proverb which says, "He who enters the Conclave as Pope comes out of it as Cardinal." It does not always happen that the verdict of the Cardinals ratifies that of public opinion or of the public press. In fact the more prominent cardinals, who are well known to the world at large, are generally the leaders of parties, and are for that very reason the less likely to draw unto themselves the suffrages of two-thirds of the Sacred College. They are the ones who have positive characteristics and practically stand for definite policies, and for that reason they have awakened opposition to themselves. Moreover leaders are not always necessary in the Papal Chair. Leo XIII. has been so pre-eminently an aggressive character, and his brilliant mind has illuminated so many departments of church work, and his organizing hand has co-ordinated so many church activities, that a quiet, placid, conservative man might easily maintain the _status quo_ for many years to come. The meek and humble Cardinal Chiaramonti, who became Pius VII., was far better fitted to withstand the eagle-like aggressiveness of Napoleon the First than Cardinal Consalvi would have been, or a dominating spirit like Sixtus the Fifth would have been. If the latter were pitted against a Napoleon, there would have been wreck and ruin throughout the Church. Moreover, in discussing the _papabile_, one is often deceived in the qualities of a cardinal's character. Cardinal Pecci was ranked among the liberals, and it was expected that he would establish a policy of agreement with the Italian government; but the very first act of Leo XIII. was to affirm irrevocably the attitude of protest against the usurper who ruled in the civil principality of the church. There is always a reserve in the ecclesiastical world in Rome that the outside world rarely penetrates, and consequently it knows little of the great moving forces in the Sacred College. These things have been said in order that too much weight may not be placed on any conjectural list of would-be popes. Still it is allowable to discuss the chances various candidates may have and the characteristics that would seem best fitted to the times and the difficulties before the church. The question of the Christian Democracy is one of the great burning problems. Socialism is a growing quantity in Germany and elsewhere. It can be met in the best way by diffusing a deep and wide-spread knowledge of the truest socialistic principles among the people. Hence the propaganda of Christian Democracy was instituted by Leo XIII. The next Pope must carry this work to its fullest perfection. The next Pope must be one who will extend a warm hand of greeting to the throngs who have been born amidst Protestantism and who now are as sheep without a shepherd. Organized Protestantism is fast going to pieces, and unless the next Pope opens wide the door
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E-text prepared by sp1nd, Paul Clark, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (https://archive.org) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 42839-h.htm or 42839-h.zip: (http://www.gutenberg.org/files/42839/42839-h/42839-h.htm) or (
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Produced by David Widger from page images generously provided by the Internet Archive IN THE LEVANT. By Charles Dudley Warner, Twenty Fifth Impression Boston: Houghton, Mifflin And Company 1876 TO WILLIAM D. HOWELLS THESE NOTES OF ORIENTAL TRAVEL ARE FRATERNALLY INSCRIBED. CONTENTS PREFACE IN THE LEVANT. I.—FROM JAFFA TO JERUSALEM. II.—JERUSALEM. III.—HOLY PLACES OP THE HOLY CITY. IV.—NEIGHBORHOODS OF JERUSALEM. V.—GOING DOWN TO JERICHO. VI.—BETHLEHEM AND MAR SABA. VII.—THE FAIR OF MOSES; THE ARMENIAN PATRIARCH. VIII.—DEPARTURE FROM JERUSALEM. IX.—ALONG THE SYRIAN CO
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Produced by Barbara Tozier, Bill Tozier and the Online Distributed Proofreading Team at http://www.pgdp.net THE KNICKERBOCKER. VOL. XXII. DECEMBER, 1843. No. 6. MIND OR INSTINCT. AN INQUIRY CONCERNING THE MANIFESTATION OF MIND BY THE LOWER ORDERS OF ANIMALS. 'IN some are found Such teachable and apprehensive parts, That man's attainments in his own concerns, Matched with the expertness of the brutes in their's, Are ofttimes vanquished and thrown far behind.' COWPER. OF THE REASON OR JUDGMENT OF THE PRINCIPLE CALLED INSTINCT. A SURGEON of Leeds, (Eng.,) says BUFFON, found a little spaniel who had been lamed. He carried the poor animal home, bandaged up his leg, and, after two or three days, turned him out. The dog returned to the surgeon's house every morning, till the leg was perfectly well. At the end of several months, the spaniel again presented himself, in company with another dog, who had also been lamed; and he intimated, as well as piteous and intelligent looks could intimate, that he desired the same kind assistance to be rendered to his friend as had been bestowed upon himself. A similar circumstance is stated to have occurred to MORANT, a celebrated French surgeon. A fox, adds the same writer, having entered a hen-house through a small aperture, which was the only opening, succeeded without disturbing the family in destroying all the fowls, and in satiating his appetite with part of them; but his voracity so enlarged his dimensions as to prevent his egress. In the morning the farmer discovered the havoc of the night, and the perpetrator himself sprawled out on the floor of the coop, apparently dead from surfeit. He entered, and taking the creature by the heels, carried him out and cast him beside the house. This was no sooner done than the fox sprang up and bounded away with the speed of a racer. This was communicated by the person. A spaniel, OBSEND informs us, having discovered a mouse in a shock of corn, jumped with his fore feet against it to frighten him out; and then running quickly to the back side, succeeded in taking the mouse as he attempted to escape. BUFFON says: 'A number of beavers are employed together at the foot of the tree in gnawing it down; and when this part of the labor is accomplished, it becomes the business of others to sever the branches, while a third party are engaged along the borders of the river in cutting other trees, which though smaller than the first tree, are yet as thick as the leg, if not the thigh, of a common-sized man. These they carry with them by land to the brink of the river, and then by water to the place allotted for their building; where sharpening them at one end, and forming them into stakes, they fix them in the ground, at a small distance from each other, and fill up the vacant spaces with pliant branches. While some are thus employed in fixing the stakes, others go in quest of clay, which they prepare for their purpose with their tails and their feet. At the top of their <DW18>, or mole, they form two or three openings. These they occasionally enlarge or contract, as the river rises or falls. NOTE.--Should the current be very gentle, the dam is carried nearly straight across; but when the stream is swiftly flowing, it is uniformly made with a considerable curve, having the convex part opposed to the current. 'Ac veluti ingentem formicae farris acervum Cum populant, hyemis memores, tectoque reponunt: It nigrum campis agmen, praedamque per herbas Convectant calle augusto: pars grandia trudunt Obnixae frumenta humeris: pars agmina cogunt, Castigant que moras: opere omnis semita fervet.' AENEID, IV., 402. 'In formica non modo sensus sed etiam mens, ratio, memoria.'--CIC. 'Si quis comparet onera corporibus earum (formicarum) fateatur nullis portione. Vires esse majores. Gerunt ea morsu; majora aversae postremio pedibus moliuntur, humeris obnoxae. Est iis Reip ratio memoria cura. Semima arrosa condunt vie rursus in fruges exeant e terra. Majora ad introitum (cavernae) dividunt Madefacta imbre proferunt atque siccant.'--PLINY: lib. XI., cap. 30. Many birds and other animals, BUFFON informs us, station a watch, while they are feeding in the fields. Whenever marmots venture abroad, one is placed as a sentinel, sitting on an elevated rock, while the others amuse themselves in the fields below, or are engaged in cutting grass and making it into hay for their future convenience; and no sooner does their trusty sentinel perceive a man, an eagle, a dog, or any other enemy approaching, than he gives notice to the rest by a kind of whistle, and is himself the last that takes refuge in the cell. It is asserted that when their hay is made, one of them lies upon its back, permits the hay to be heaped between its paws, keeping them upright to make greater room, and in this manner remaining still upon its back, is dragged by the tail, hay and all, to their common retreat. These instances could be multiplied indefinitely; but more than sufficient have been cited. They prove in the first place, without need of argument, that animals have a language by which they apprehend each other. Concert of action and division of labor would be impossible without it. They also exhibit the exercise of memory and abstraction; and it now remains to ascertain whether their conduct was the result of reason. If a person should take a friend whose arm had been fractured to a skilful surgeon who had before cured him of a similar wound, we should infer the following course of reasoning: First, a comparison of facts, to discover whether the injury in question was like the one he had received; the ability of this surgeon over others in such cases; and the presumption that the same skill and remedies will again produce the same effects. These are the most obvious points. The dog, in the cited case, had once been healed of a broken limb by a surgeon; and having found a mate in a like situation, took him also to the same surgeon. It is evident that his conduct was as wise as the man's. The facts and actions in the two cases are parallel; and having seen that animals obtain a perception of objects by the same agencies that man does, it only remains to ascertain whether the intermediate reasoning process between perception and action were essentially the same. Now, we cannot prove directly that the mind of another passes through any process whatever; because the proof of any process of our own mind is consciousness, which cannot go beyond us; but we can infer the train of reasoning in a given case with great correctness, taking self-knowledge as a basis; and the similarity of conduct in another, in view of premises, with what our own would have been. This is the chief criterion by which much of our daily conduct is regulated, and is the most substantial proof that can be reached. Hence, we can infer with just as much certainty that the instinct of the dog passed through the process mentioned, as that the mind of the man did in the case supposed. We can also infer it with as much truth as that instinct is susceptible of the process of memory, since the proof in both cases is drawn from facts, and on the same principles. Again: The beaver's dam is constructed at the very place a skilful engineer would have selected for a similar purpose. This choice of one place before another is necessarily founded on comparison, which is a deliberative reasoning process. It is therefore inconsistent with an impulse, which seems to be the action suggested, by instantaneous perception and reasoning; a single, inflexible propulsion in one direction; without a careful choice, and without deliberation: hence the term impulsive cannot be applied to a large proportion of the actions of animals; and having no reason for supposing the impulses of animals supernatural, or unlike human impulses, the term itself should be abandoned as vague and unmeaning. Gnawing the large tree upon the inner side, that it might fall directly across the stream, also rises above the utmost that we can understand by an inward persuasion; for it is the incipient step, and has full relation to the subsequent work of erecting a pier. We have seen that while one part are cutting down the tree, another part go up the stream, cut smaller trees for stakes, and draw them to the water's edge; while still a third division go in quest of clay to prepare as a mortar. This completeness of plan, and combination of means to execute it, is wholly inconsistent with the common explanation of instinctive operations. Such exhibitions, as we have already remarked, are simply the workings of a certain principle they possess; performing for them the same office that mind does for man; and the true direction of inquiry is to the nature of its qualities. The actions themselves exhibit comparison, a knowledge of the adaptation of means to an end, the combination of these means in regular detail to effect the end, and the still higher intelligence of future cause and effect, as evinced by the enlargement of the water passage with the rise of the stream. These actions, then, being ascertained to be uniformly the same in a great variety of cases, and manifesting the operation of an intelligent principle in every act; and being such as in man would have been in pursuance of the processes of reason mentioned; we are clearly directed to the inference (indeed no other rational one _can_ be made) that they compared the advantages of different places, to enable them to select the best, having reference to the construction of a dam; that they reasoned out the plan of this dam and the adaptation of certain materials to its erection; that they reflected upon the need
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E-text prepared by Barbara Tozier, Bill Tozier, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) GRADED MEMORY SELECTIONS Arranged by S. D. WATERMAN, Superintendent of Schools, Berkeley, Cal. J. W. McCLYMONDS, Superintendent of Schools, Oakland, Cal. C. C. HUGHES, Superintendent of Schools, Alameda, Cal. Educational Publishing Company Boston New York Chicago San Francisco Copyrighted by Educational Publishing Company 1903. PREFACE. It is unfortunately true that the terms education and culture are not synonymous. Too often we find that the children in our public schools, while possessed of the one, are signally lacking in the other. This is a state of things that cannot be remedied by teaching mere facts. The Greeks, many years ago, found the true method of imparting the latter grace and we shall probably not be able to discover a better one to-day. Their youths learned Homer and the other great poets as a part of their daily tasks, and by thus constantly dwelling upon and storing in their minds the noblest and most beautifully expressed thought in their literature, their own mental life became at once refined and strong. The basis of all culture lies in a pure and elevated moral nature, and so noted an authority as President Eliot, of Harvard University, has said that the short memory gems which he learned as a boy in school, have done him more good in the hour of temptation than all the sermons he ever heard preached. A fine thought or beautiful image, once stored in the mind, even if at first it is received indifferently and with little understanding, is bound to recur again and again, and its companionship will have a sure, if unconscious, influence. The mind that has been filled in youth with many such thoughts and images will surely bear fruit in fine and gracious actions. To the teachers who are persuaded of this truth, the present collection of poems has much to recommend it. The selections have been chosen both for their moral influence and for their permanent value as literature. They have been carefully graded to suit the needs of every class from the primary to the high school. Either the whole poem or a sufficiently long quotation has been inserted to give the child a complete mental picture. The teacher will thus escape the difficulty of choosing among a too great abundance of riches, or the still greater one of finding for herself, with few resources, what serves her purpose. This volume has a further advantage over other books of selections. It is so moderate in price that it will be possible to place it in the hands of the children themselves. The compilers desire to thank Messrs. Houghton, Mifflin & Co., Charles Scribner's Sons, Bowen, Merrill & Co., Whittaker & Ray Co., and Doubleday & McClure Co., for their kindness in permitting the use of copyrighted material. S. D. WATERMAN. CONTENTS. FIRST GRADE. The Baby _George Macdonald_ The Little Plant _Anon._ Sleep, Baby, Sleep _E. Prentiss_ One, Two, Three _Margaret Johnson_ Three Little Bugs in a Basket _Alice Cary_ Whenever a Little Child is Born _Agnes L. Carter_ Sweet and Low _Alfred Tennyson_ The Ferry for Shadowtown _Anon._ My Shadow _R. L. Stevenson_ Quite Like a Stocking _Anon._ The Owl and the Pussy-Cat _Edward Lear_ Forget-me-not _Anon._ Who Stole the Bird's Nest? _Anon._ Two Little Hands _Anon._ The Dandelion _Anon._ A Million Little Diamonds _M. Butts_ Daisy Nurses _Anon._ At Little Virgil's Window _Edwin Markham_ Dandelions _Anon._ Memory Gems _Selected_ SECOND GRADE. Seven Times One _Jean Ingelow_ Christmas Eve _Anon._ Morning Song _Alfred Tennyson_ Suppose, My Little Lady _Phoebe Cary_ The Day's Eye _Anon._ The Night Wind _Eugene Field_ The Blue-bird's Song _Anon._ Suppose _Anon._ Autumn Leaves _Anon._ If I Were a Sunbeam _Lucy Larcom_ Meadow Talk _Caroline Leslie_ The Old Love _Charles Kingsley_ Bed in Summer _R. L. Stevenson_ Three Companions _Dinah M. Craik_ The Wind _R. L. Stevenson_ The Minuet _Mary Mapes Dodge_ Wynken, Blynken and Nod _Eugene Field_ Pretty Is That Pretty Does _Alice Cary_ Lullaby _J. G. Holland_ THIRD GRADE. Discontent _Sarah O. Jewett_ Our Flag _Anon._ Song from "Pippa Passes" _Robert Browning_ Little Brown Hands _M. H. Krout_ Winter and Summer _Anon._ The Brook _Alfred Tennyson_ The Wonderful World _W. B. Rands_ Don't Give Up _Phoebe Cary_ We Are Seven
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Produced by Tiffany Vergon, Brendan Lane, Edward Johnson, and the Online Distributed Proofreading Team THE GLORY OF THE TRENCHES AN INTERPRETATION By Coningsby Dawson Author of "Carry On: Letters In Wartime," Etc. With An Introduction By His Father, W. J. Dawson "The glory is all in the souls of the men--it's nothing external." --From "Carry On" 1917 [Illustration: LIEUTENANT CONINGSBY DAWSON] TO YOU AT HOME Each night we panted till the runners came, Bearing your letters through the battle-smoke. Their path lay up Death Valley spouting flame, Across the ridge where the Hun's anger spoke In bursting shells and cataracts of pain; Then down the road where no one goes by day, And so into the tortured, pockmarked plain Where dead men clasp their wounds and point the way. Here gas lurks treacherously and the wire Of old defences tangles up the feet; Faces and hands strain upward through the mire, Speaking the anguish of the Hun's retreat. Sometimes no letters came; the evening hate Dragged on till dawn. The ridge in flying spray Of hissing shrapnel told the runners' fate; We knew we should not hear from you that day-- From you, who from the trenches of the mind Hurl back despair, smiling with sobbing breath, Writing your souls on paper to be kind, That you for us may take the sting from Death. CONTENTS TO YOU AT HOME. (Poem) HOW THIS BOOK WAS WRITTEN IN HOSPITAL. (Poem) THE ROAD TO BLIGHTY THE LADS AWAY. (Poem) THE GROWING OF THE VISION THE GLORY OF THE TRENCHES. (Poem) GOD AS WE SEE HIM HOW THIS BOOK WAS WRITTEN In my book, _The Father of a Soldier_, I have already stated the conditions under which this book of my son's was produced. He was wounded in the end of June, 1917, in the fierce struggle before Lens. He was at once removed to a base-hospital, and later on to a military hospital in London. There was grave danger of amputation of the right arm, but this was happily avoided. As soon as he could use his hand he was commandeered by the Lord High Commissioner of Canada to write an important paper, detailing the history of the Canadian forces in France and Flanders. This task kept him busy until the end of August, when he obtained a leave of two months to come home. He arrived in New York in September, and returned again to London in the end of October. The plan of the book grew out of his conversations with us and the three public addresses which he made. The idea had already been suggested to him by his London publisher, Mr. John Lane. He had written a few hundred words, but had no very keen sense of the value of the experiences he had been invited to relate. He had not even read his own published letters in _Carry On_. He said he had begun to read them when the book reached him in the trenches, but they made him homesick, and he was also afraid that his own estimate of their value might not coincide with ours, or with the verdict which the public has since passed upon them. He regarded his own experiences, which we found so thrilling, in the same spirit of modest depreciation. They were the commonplaces of the life which he had led, and he was sensitive lest they should be regarded as improperly heroic. No one was more astonished than he when he found great throngs eager to hear him speak. The people assembled an hour before the advertised time, they stormed the building as soon as the doors were open, and when every inch of room was packed they found a way in by the windows and a fire-escape. This public appreciation of his message indicated a value in it which he had not suspected, and led him to recognise that what he had to say was worthy of more than a fugitive utterance on a public platform. He at once took up the task of writing this book, with a genuine and delighted surprise that he had not lost his love of authorship. He had but a month to devote to it, but by dint of daily diligence, amid many interruptions of a social nature, he finished his task before he left. The concluding lines were actually written on the last night before he sailed for England. We discussed several titles for the book. _The Religion of Heroism_ was the title suggested by Mr. John Lane, but this appeared too didactic and restrictive. I suggested _Souls in Khaki_, but this admirable title had already been appropriated. Lastly, we decided on _The Glory of the Trenches_, as the most expressive of his aim. He felt that a great deal too much had been said about the squalor, filth, discomfort and suffering of the trenches. He pointed out that a very popular war-book which we were then reading had six paragraphs in the first sixty pages which described in unpleasant detail the verminous condition of the men, as if this were the chief thing to be remarked concerning them. He held that it was a mistake for a writer to lay too much stress on the horrors of war. The effect was bad physiologically--it frightened the parents of soldiers; it was equally bad for the enlisted man himself, for it created a false impression in his mind. We all knew that war was horrible, but as a rule the soldier thought little of this feature in his lot. It bulked large to the civilian who resented inconvenience and discomfort, because he had only known their opposites; but the soldier's real thoughts were concerned with other things. He was engaged in spiritual acts. He was accomplishing spiritual purposes as truly as the martyr of faith and religion. He was moved by spiritual impulses, the evocation of duty, the loyal dependence of comradeship, the spirit of sacrifice, the complete surrender of the body to the will of the soul. This was the side of war which men needed most to recognise. They needed it not only because it was the true side, but because nothing else could kindle and sustain the enduring flame of heroism in men's hearts. While some erred in exhibiting nothing but the brutalities of war, others erred by sentimentalising war. He admitted that it was perfectly possible to paint a portrait of a soldier with the aureole of a saint, but it would not be a representative portrait. It would be eclectic, the result of selection elimination. It would be as unlike the common average as Rupert Brooke, with his poet's face and poet's heart, was unlike the ordinary naval officers with whom he sailed to the AEgean. The ordinary soldier is an intensely human creature, with an "endearing blend of faults and virtues." The romantic method of portraying him not only misrepresented him, but its result is far less impressive than a portrait painted in the firm lines of reality. There is an austere grandeur in the reality of what he is and does which needs no fine gilding from the sentimentalist. To depict him as a Sir Galahad in holy armour is as serious an offence as to exhibit him as a Caliban of marred clay; each method fails of truth, and all that the soldier needs to be known about him, that men should honour him, is the truth. What my son aimed at in writing this book was to tell the truth about the men who were his comrades, in so far as it was given him to see it. He was in haste to write while the impression was fresh in his mind, for he knew how soon the fine edge of these impressions grew dull as they receded from the immediate area of vision. "If I wait till the war is over, I shan't be able to write of it at all," he said. "You've noticed that old soldiers are very often silent men. They've had their crowded hours of glorious life, but they rarely tell you much about them. I remember you used to tell me that you once knew a man who sailed with Napoleon to St Helena, but all he could tell you was that Napoleon had a fine leg and wore white silk stockings. If he'd written down his impressions of Napoleon day by day as he watched him walking the deck of the _Bellerophon_, he'd have told you a great deal more about him than that he wore white silk stockings. If I wait till the war is over before I write about it, it's very likely I shall recollect only trivial details, and the big heroic spirit of the thing will escape me. There's only one way of recording an impression--catch it while it's fresh, vivid, vital; shoot it on the wing. If you wait too long it will vanish." It was because he felt in this way that he wrote in red-hot haste, sacrificing his brief leave to the task, and concentrating all his mind upon it. There was one impression that he was particularly anxious to record,--his sense of the spiritual processes which worked behind the grim offence of war, the new birth of religious ideas, which was one of its most wonderful results. He had both witnessed and shared this renascence. It was too indefinite, too immature to be chronicled with scientific accuracy, but it was authentic and indubitable. It was atmospheric, a new air which men breathed, producing new energies and forms of thought. Men were rediscovering themselves, their own forgotten nobilities, the latent nobilities in all men. Bound together in the daily obedience of self-surrender, urged by the conditions of their task to regard duty as inexorable, confronted by the pitiless destruction of the body, they were forced into a new recognition of the spiritual values of life. In the common conventional use of the term these men were not religious. There was much in their speech and in their conduct which would outrage the standards of a narrow pietism. Traditional creeds and forms of faith had scant authority for them. But they had made their own a surer faith than lives in creeds. It was expressed not in words but acts. They had freed their souls from the tyrannies of time and the fear of death. They had accomplished indeed that very emancipation of the soul which is the essential evangel of all religions, which all religions urge on men, but which few men really achieve, however earnestly they profess the forms of pious faith. This was the true Glory of the Trenches. They were the Calvaries of a new redemption being wrought out for men by soiled unconscious Christs. And, as from that ancient Calvary, with all its agony of shame, torture and dereliction, there flowed a flood of light which made a new dawn for the world, so from these obscure crucifixions there would come to men a new revelation of the splendour of the human soul, the true divinity that dwells in man, the God made manifest in the flesh by acts of valour, heroism, and self-sacrifice which transcend the instincts and promptings of the flesh, and bear witness to the indestructible life of the spirit. It is to express these thoughts and convictions that this book was written. It is a record of things deeply felt, seen and experienced--this, first of all and chiefly. The lesson of what is recorded is incidental and implicit. It is left to the discovery of the reader, and yet is so plainly indicated that he cannot fail to discover it. We shall all see this war quite wrongly, and shall interpret it by imperfect and base equivalents, if we see it only as a human struggle for human ends. We shall err yet more miserably if all our thoughts and sensations about it are drawn from its physical horror, "the deformations of our common manhood" on the battlefield, the hopeless waste and havoc of it all. We shall only view it in its real perspective when we recognise the spiritual impulses which direct it, and the strange spiritual efficacy that is in it to burn out the deep-fibred cancer of doubt and decadence which has long threatened civilisation with a slow corrupt death. Seventy-five years ago Mrs. Browning, writing on _The Greek Christian Poets_, used a striking sentence to which the condition of human thought to-day lends a new emphasis. "We want," she said, "the touch of Christ's hand upon our literature, as it touched other dead things--we want the sense of the saturation of Christ's blood upon the souls of our poets that it may cry through them in answer to the ceaseless wail of the Sphinx of our humanity, expounding agony into renovation. Something of this has been perceived in art when its glory was at the fullest." It is this glory of divine sacrifice which is the Glory of the Trenches. It is because the writer recognises this that he is able to walk undismayed among things terrible and dismaying, and to expound agony into renovation. W. J. DAWSON. February, 1918. IN HOSPITAL Hushed and happy whiteness, Miles on miles of cots, The glad contented brightness Where sunlight falls in spots. Sisters swift and saintly Seem to tread on grass; Like flowers stirring faintly, Heads turn to watch them pass. Beauty, blood, and sorrow, Blending in a trance-- Eternity's to-morrow In this half-way house of France. Sounds of whispered talking, Laboured indrawn breath; Then like a young girl walking The dear familiar Death. I THE ROAD TO BLIGHTY I am in hospital in London, lying between clean white sheets and feeling, for the first time in months, clean all over. At the end of the ward there is a swinging door; if I listen intently in the intervals when the gramophone isn't playing, I can hear the sound of bath-water running--running in a reckless kind of fashion as if it didn't care how much was wasted. To me, so recently out of the fighting and so short a time in Blighty, it seems the finest music in the world. For the sheer luxury of the contrast I close my eyes against the July sunlight and imagine myself back in one of those narrow dug-outs where it isn't the thing to undress because the row may start at any minute. Out there in France we used to tell one another fairy-tales of how we would spend the first year of life when war was ended. One man had a baby whom he'd never seen; another a girl whom he was anxious to marry. My dream was more prosaic, but no less ecstatic--it began and ended with a large white bed and a large white bath. For the first three hundred and sixty-five mornings after peace had been declared I was to be wakened by the sound of my bath being filled; water was to be so plentiful that I could tumble off to sleep again without
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E-text prepared by Greg Bergquist, Charlie Howard, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive/American Libraries (https://archive.org/details/americana) Note: Project Gutenberg also has an HTML version of this file which includes the original
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Produced by Demian Katz and the Online Distributed Proofreading Team at http://www.pgdp.net (Images courtesy of the Digital Library@Villanova University (http://digital.library.villanova.edu/) THE ART ... OF... KISSING. [Illustration: SEVEN. At seven!! a sly kiss is so sweet, To steal one now and then’s a treat.] Curiously, Historically, Humorously
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Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive) [Every attempt has been made to replicate the original as printed. Some typographical errors have been corrected; a list follows the text. No attempt has been made to correct or normalize all of the printed spelling of French names or words. (i.e. chateau, Saint-Beauve, etc.) (note of etext transcriber.)] Castles and Chateaux of Old Burgundy and the Border Provinces _WORKS OF FRANCIS MILTOUN_ [Illustration] _Rambles on the Riviera_ $2.50 _Rambles in Normandy_ 2.50 _Rambles in Brittany_ 2.50 _The Cathedrals and Churches of the Rhine_ 2.50 _The Cathedrals of Northern France_ 2.50 _The Cathedrals of Southern France_ 2.50 _In the Land of Mosques and Minarets_ 3.00 _Castles and Chateaux of Old Touraine and the Loire Country_ 3.00 _Castles and Chateaux of Old Navarre and the Basque Provinces_ 3.00 _Castles and Chateaux of Old Burgundy and the Border Provinces_ 3.00 _Italian Highways and Byways from a Motor Car_ 3.00 _The Automobilist Abroad_ _net_ 3.00 (_Postage Extra_) [Illustration] _L. C. Page and Company_ _New England Building, Boston, Mass._ [Illustration: _Chateau de Montbéliard_ (See page 194) ] Castles and Chateaux OF OLD BURGUNDY AND THE BORDER PROVINCES BY FRANCIS MILTOUN Author of "Castles and Chateaux of Old Touraine," "Castles and Chateaux of Old Navarre," "Rambles in Normandy," "Italian Highways and Byways from a Motor-Car," etc. _With Many Illustrations Reproduced from paintings made on the spot_ BY BLANCHE MCMANUS [Illustration] BOSTON L. C. PAGE & COMPANY 1909 _Copyright, 1909_, BY L. C. PAGE & COMPANY (INCORPORATED) _All rights reserved_ First Impression, November, 1909 _Electrotyped and Printed by THE COLONIAL PRESS C. H. Simonds & Co., Boston, U.S.A._ [Illustration: CONTENTS] CHAPTER PAGE I. THE REALM OF THE BURGUNDIANS 1 II. IN THE VALLEY OF THE YONNE 19 III. AVALLON, VEZELAY, AND CHASTELLUX 36 IV. SEMUR-EN-AUXOIS, ÉPOISSES AND BOURBILLY 50 V. MONTBARD AND BUSSY-RABUTIN 62 VI. "CHASTILLON AU NOBLE DUC" 75 VII. TONNERRE, TANLAY AND ANCY-LE-FRANC 84 VIII. IN OLD BURGUNDY 101 IX. DIJON THE CITY OF THE DUKES 131 X. IN THE COTE D'OR: BEAUNE, LA ROCHEPOT AND ÉPINAC 113 XI. MAÇON, CLUNY AND THE CHAROLLAIS 153 XII. IN THE BEAUJOLAIS AND LYONNAIS 170 XIII. THE FRANCHE COMTÉ; AUXONNE AND BESANÇON 185 XIV. ON THE SWISS BORDER: BUGEY AND BRESSE 199 XV. GRENOBLE AND VIZILLE: THE CAPITAL OF THE DAUPHINS 218 XVI. CHAMBÉRY AND THE LAC DU BOURGET 229 XVII. IN THE SHADOW OF LA GRANDE CHARTREUSE 245 XVIII. ANNECY AND LAC LEMAN 259 XIX. THE MOUNTAIN BACKGROUND OF SAVOY 278 XX. BY THE BANKS OF THE RHÔNE 290 XXI. IN THE ALPS OF DAUPHINY 300 XXII. IN LOWER DAUPHINY 313 INDEX 325 [Illustration: List _of_ ILLUSTRATIONS] PAGE CHATEAU DE MONTBÉLIARD (_see page_ 194) _Frontispiece_ GEOGRAPHICAL LIMITS COVERED BY CONTENTS (Map) x THE HEART OF OLD BURGUNDY (Map) _facing_ 2 CHATEAU DE SAINT FARGEAU _facing_ 28 TOUR GAILLARDE, AUXERRE _facing_ 32 CHATEAU DE CHASTELLUX _facing_ 38 SEMUR-EN-AUXOIS _facing_ 50 CHATEAU D'ÉPOISSES _facing_ 54 ARNAY-LE-DUC _facing_ 60 CHATEAU DE BUSSY-RABUTIN _facing_ 68 CHATEAU DES DUCS, CHÂTILLON _facing_ 76 CHATEAU DE TANLAY _facing_ 90 CHATEAU AND GARDENS OF ANCY-LE-FRANC 94 CHATEAU OF ANCY-LE-FRANC _facing_ 96 MONOGRAMS FROM THE CHAMBRE DES FLEURS 98 BURGUNDY THROUGH THE AGES (Map) 101 THE DIJONNAIS AND THE BEAUJOLAIS (Map) _facing_ 112 KEY OF VAULTING, DIJON 113 CUISINES AT DIJON 119 CHATEAU DES DUCS, DIJON _facing_ 122 CLOS VOUGEOT.--CHAMBERTIN 137 HOSPICE DE BEAUNE _facing_ 144 CHATEAU DE LA ROCHEPOT _facing_ 148 CHATEAU DE SULLY _facing_ 150 CHATEAU DE CHAUMONT-LA-GUICHE _facing_ 154 HÔTEL DE VILLE, PARAY-LE-MONAIL _facing_ 156 CHATEAU DE LAMARTINE _facing_ 166 CHATEAU DE NOBLE 169 PALAIS GRANVELLE, BESANÇON _facing_ 192 THE LION OF BELFORT 195 WOMEN OF BRESSE _facing_ 200 CHATEAU DE VOLTAIRE, FERNEY _facing_ 204 TOWER OF THE PALAIS DE JUSTICE, GRENOBLE 219 CHATEAU D'URIAGE _facing_ 224 CHATEAU DE VIZILLE _facing_ 226 PORTAL OF THE CHATEAU DE CHAMBÉRY _facing_ 230 PORTAL ST. DOMINIQUE, CHAMBÉRY 231 CHATEAU DE CHAMBÉRY _facing_ 232 LES CHARMETTES 235 CHATEAU DE CHIGNIN _facing_ 238 ABBEY OF HAUTECOMBE _facing_ 240 MAISON DES DAUPHINS, TOUR-DE-PIN _facing_ 246 CHATEAU BAYARD _facing_ 248 LA TOUR SANS VENIN 255 CHATEAU D'ANNECY _facing_ 260 CHATEAU DE RIPAILLE _facing_ 272 ÉVIAN _facing_ 276 AIX-LES-BAINS TO ALBERTVILLE (Map) 279 MONTMELIAN 280 CHATEAU DE MIOLANS _facing_ 284 CONFLANS _facing_ 286 SEAL OF THE NATIVE DAUPHINS 290 TOWER OF PHILIPPE DE VALOIS, VIENNE _facing_ 292 CHATEAU DE CRUSSOL _facing_ 298 CHATEAU DE BRIANÇON _facing_ 304 BRIANÇON; ITS CHATEAU AND OLD FORTIFIED BRIDGE 305 CHATEAU QUEYRAS _facing_ 308 CHATEAU DE BEAUVOIR _facing_ 316 CHATEAU DE LA SONE _facing_ 320 [Illustration: Geographical Limits covered _by_ Contents] Castles and Chateaux of Old Burgundy and the Border Provinces CHAPTER I THE REALM OF THE BURGUNDIANS "_La plus belle Comté, c'est Flandre;_ _La plus belle duché, c'est Bourgogne,_ _Le plus beau royaume, c'est France._" This statement is of undeniable merit, as some of us, who so love _la belle France_--even though we be strangers--well know. The Burgundy of Charlemagne's time was a much vaster extent of territory than that of the period when the province came to play its own kingly part. From the borders of Neustria to Lombardia and Provence it extended from the northwest to the southeast, and from Austrasia and Alamannia in the northeast to Aquitania and Septimania in the southwest. In other words, it embraced practically the entire watershed of the Rhône and even included the upper reaches of the Yonne and Seine and a very large portion of the Loire; in short, all of the great central plain lying between the Alps and the Cevennes. The old Burgundian province was closely allied topographically, climatically and by ties of family, with many of its neighbouring political divisions. Almost to the Ile de France this extended on the north; to the east, the Franche Comté was but a dismemberment; whilst the Nivernais and the Bourbonnais to the west, through the
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VOLUME I (OF 3) *** Produced by Al Haines. *ADVENTURES* *OF* *AN AIDE-DE-CAMP:* *OR,* *A CAMPAIGN IN CALABRIA.* BY JAMES GRANT, ESQ. AUTHOR OF "THE ROMANCE OF WAR." _Claud._ I look'd upon her with a soldier's eye, That liked, but had a rougher task in hand Than to drive liking to the name of love: But now I am returned, and that war thoughts Have left their places vacant; in their rooms Come thronging soft and delicate desires, All prompting me how fair young Hero is, Saying how I liked her ere I went to war. SHAKSPEARE. IN THREE VOLUMES. VOL. I. LONDON: SMITH, ELDER, AND CO., CORNHILL. 1848. London: Printed by STEWART and MURRAY, Old Bailey. *CONTENTS.* CHAPTER I.--The Landing in Calabria II.--The Pigtail III.--The Visconte Santugo IV.--Double or Quit V.--Truffi the Hunchback VI.--The Calabrian Free Corps VII.--The Battle of Maida VIII.--The Cottage.--Capture of the Eagle IX.--Lives for Ducats!--Bianca D'Alfieri X.--A Night with the Zingari XI.--The Hunchback Again! XII.--The Hermitage XIII.--The Hermit's Confession XIV.--The Siege Of Crotona XV.--The Abduction.--A Scrape XVI.--The Summons of Surrender XVII.--Marching 'Out' with the Honours of War XVIII.--Another Dispatch XIX.--Narrative of Castelermo XX.--The Villa Belcastro XXI.--Sequel to the Story of Castelermo *PREFACE.* The very favourable reception given by the Press and Public generally, to "The Romance of War," and its "Sequel," has encouraged the Author to resume his labours in another field. Often as scenes of British valour and conquest have been described, the brief but brilliant campaign in the Calabrias (absorbed, and almost lost, amid the greater warlike operations in the Peninsula) has never, he believes, been touched upon: though a more romantic land for adventure and description cannot invite the pen of a novelist; more especially when the singular social and political ideas of those unruly provinces are remembered. Indeed it is to be regretted that no narrative should have been published of Sir John Stuart's Neapolitan campaign. It was an expedition set on foot to drive the French from South Italy; and (but for the indecision which sometimes characterized the ministry of those days
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Produced by David Widger AT SUNWICH PORT BY W. W. JACOBS Drawings by Will Owen Contents CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV CHAPTER XV CHAPTER XVI CHAPTER XVII CHAPTER XVIII CHAPTER XIX CHAPTER XX
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E-text prepared by Andrew Turek and revised by Joseph E. Loewenstein, M.D., and Delpine Lettau Transcriber's note: This novel was first published in serial form in 1868-1869, followed by a two-volume book version in 1869. Both were illustrated by Marcus Stone, and those illustrations can be seen in the HTML version of this e-text. See (
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Produced by Dagny; and John Bickers BALZAC BY FREDERICK LAWTON DEDICATED, In remembrance of many pleasant and instructive hours spent in his society, to the sculptor AUGUSTE RODIN, whose statue of Balzac, with its fine, synthetic portraiture, first tempted the author to write this book. PASSY, PARIS, 1910. PREFACE Excusing himself for not undertaking to write a life of Balzac, Monsieur Brunetiere, in his study of the novelist published shortly before his death, refused somewhat disdainfully to admit that acquaintance with a celebrated man's biography has necessarily any value. "What do we know of the life of Shakespeare?" he says, "and of the circumstances in which _Hamlet_ or _Othello_ was produced? If these circumstances were better known to us, is it to be believed and will it be seriously asserted that our admiration for one or the other play would be augmented?" In penning this quirk, the eminent critic would seem to have wilfully overlooked the fact that a writer's life may have much or may have little to do with his works. In the case of Shakespeare it was comparatively little--and yet we should be glad to learn more of this little. In the case of Balzac it was much. His novels are literally his life; and his life is quite as full as his books of all that makes the good novel at once profitable and agreeable to read. It is not too much to affirm that any one who is acquainted with what is known to-day of the strangely chequered career of the author of the _Comedie Humaine_ is in a better position to understand and appreciate the different parts which constitute it. Moreover, the steady rise of Balzac's reputation, during the last fifty years, has been in some degree owing to the various patient investigators who have gathered information about him whom Taine pronounced to be, with Shakespeare and Saint-Simon, the greatest storehouse of documents we possess concerning human nature. The following chapters are an attempt to put this information into sequence and shape, and to insert such notice of the novels as their relative importance requires. The author wishes here to thank certain French publishers who have facilitated his task by placing books for reference at his disposal, Messrs. Calmann-Levy, Armand Colin, and Hetzel, in particular, and also the Curator of the _Musee Balzac_, Monsieur de Royaumont who has rendered him service on several occasions. BALZAC CHAPTER I INTRODUCTION The condition of French society in the early half of the nineteenth century--the period covered by Balzac's novels--may be compared to that of a people endeavouring to recover themselves after an earthquake.
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E-text prepared by Chris Whitehead, MWS, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (https://archive.org) Note: Images of the original pages are available through Internet Archive. See https://archive.org/details/legendaryyorkshi00ross LEGENDARY YORKSHIRE by FREDERICK ROSS, F.R.H.S., Author of "Celebrities of Yorkshire Wolds," "Yorkshire Family Romance," etc. Hull: William Andrews & Co., The Hull Press. London: Simpkin, Marshall, Hamilton, Kent, & Co., Limited. 1892. _NOTE._ Of this book 500 copies have been printed, and this is No.... Contents. PAGE THE ENCHANTED CAVE 1 THE DOOMED CITY 15 THE "WORM" OF NUNNINGTON 34 THE DEVIL'S ARROWS 51 THE GIANT ROAD-MAKER OF MULGRAVE 70 THE VIRGIN'S HEAD OF HALIFAX 80 THE DEAD ARM OF ST. OSWALD THE KING 100 THE TRANSLATION OF ST. HILDA 117 A MIRACLE OF ST. JOHN 131 THE BEATIFIED SISTERS OF BEVERLEY 147 THE DRAGON OF WANTLEY 168 THE MIRACLES AND GHOST OF WATTON 176 THE MURDERED HERMIT OF ESKDALE 195 THE CALVERLEY GHOST 214 THE BEWITCHED HOUSE OF WAKEFIELD 231 LEGENDARY YORKSHIRE. The Enchanted Cave. Who is there that has not heard of the famous and redoubtable hero of history and romance, Arthur, King of the British, who so valiantly defended his country against the pagan Anglo-Saxon invaders of the island? Who has not heard of the lovely but frail Guenevera, his Queen, and the galaxy of female beauty that constituted her Court at Caerleon? Who has not heard of his companions-in-arms--the brave and chivalrous Knights of the Round Table, who went forth as knights-errant to succour the weaker sex, deliver the oppressed, liberate those who had fallen into the clutches of enchanters, giants, or malicious dwarfs, and especially in quest of the Holy Graal, that mystic chalice, in which were caught the last drops of blood of the expiring Saviour, and which, in consequence, became possessed of
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Produced by Chris Curnow, Harry Lamé and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber’s Notes Text _between underscores_ represents text printed in italics, text =between equal signs= represents blackletter text. _{D} represents a subscript D. Small capitals have been transcribed as
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Produced by D. Alexander, Juliet Sutherland and the Online Distributed Proofreading Team at http://www.pgdp.net TALES FROM "BLACKWOOD" Contents of this Volume _My English Acquaintance._ _By F. Hardman, Esq._ _The Murderer's Last Night._ _By T. Doubleday, Esq._ _Narration of Certain Uncommon Things that did formerly happen to me, Herbert Willis, B.D._ _The Wags_ _The Wet Wooing: A Narrative of '98_ _Ben-na-Groich_ WILLIAM BLACKWOOD AND SONS EDINBURGH AND LONDON TALES FROM "BLACKWOOD." MY ENGLISH ACQUAINTANCE. BY FREDERICK HARDMAN, ESQ. [_MAGA._ FEBRUARY 1848.] "I believe I have the pleasure of seeing Mr ----," said a voice in English, as I paused for a moment, my breakfast concluded, before the door of a Palais Royal coffee-house, planning the disposal of my day. I looked at the person who thus addressed me; and, although I pique myself on rarely forgetting the face of an acquaintance, in this instance my memory was completely at fault. But for his knowledge of my name, I should have concluded my interlocutor mistaken as to my identity. I was at least as much surprised at the perfectly good English he spoke, as at having my acquaintance claimed by a person of his profession and rank. He was a young man of about five-and-twenty, attired in the handsome and well-fitting undress of a sergeant of French light dragoons. His brown hair curled short and crisp from under his smart green forage-cap, cavalierly placed upon one side of his head; his clear blue eyes contrasted with the tawny colour of his cheek, a tint for which it was evidently indebted to sun and weather; his face was clean shaven, save and except small well-trimmed mustaches and a chin-tuft. Altogether, he was as pretty a model of a light cavalryman as I remember to have seen: square in the shoulder, slender in the hip, well limbed, lithe and
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BEXLEY*** Transcribed from the 1827 J. Hatchard and Son edition, by David Price, email ccx074@pglaf.org A LETTER TO THE RIGHT HON. LORD BEXLEY, CONTAINING A STATEMENT MADE TO THE COMMITTEE OF THE British and Foreign Bible Society, AS TO THE RELATIONS OF THAT INSTITUTION, WITH FRANCE, THE VALLEYS OF PIEDMONT, SWITZERLAND AND GERMANY. * * * * * BY FRANCIS CUNNINGHAM, M. A. RECTOR OF PAKEFIELD, SUFFOLK. * * * * * LONDON: J. HATCHARD AND SON, 187, PICCADILY. 1827. * * * * * LONDON: IBOTSON AND PALMER, PRINTERS, SAVOY STREET, STRAND. PREFACE The circumstances which have given rise to the publication of the following letter are briefly these:—At the departure of the Author for the continent, in the month of April, 1826, he tendered his services generally to the Committee of the British and Foreign Bible Society; and received from that body the power of disposing of a certain number of copies of Bibles and Testaments, at any opportunities which might present themselves to him on his journey. Of this power he availed himself; and, on his return to London, in the month of December, he went to the Committee to give an account of the trust which had been committed to him. Whilst he was doing this, it was natural that he should add to his statement a few observations, connected with the objects of the Institution itself; and more especially, as various errors, into which it was charged with having fallen, had become the subjects of public discussion, both in Scotland and in England. These observations Lord Bexley, one of the Vice-Presidents of the Bible Society, then occupying the Chair of the Committee, requested, in the name of those over whom he presided, might be communicated in writing; and, in compliance with this request, the following statement was sent. After some delay, the author, at the suggestion of several friends, has been led to make it public, hoping that it may supply to the supporters of the Bible Society new motives for earnestly and generously persevering in their efforts to promote the circulation of the Scriptures; and, to the assailants of that Institution, an answer to some of the charges which they, in his apprehension, have hastily and unwarrantably brought forward. The Author can only hope this document may be a means of forwarding the interests of the Bible Society—an Institution, which, in his mind, whatever may be the evil resulting from the circulation of the apocryphal books, has sown the seed of more important benefits to mankind than even the Reformation itself. * * * * * _Pakefield_, _April_ 5, 1827. A LETTER, _&c._ * * * * * MY LORD, In compliance with a wish so kindly expressed by your Lordship, I shall now endeavour to communicate in writing the substance of what I took the liberty of stating in the Committee of the British and Foreign Bible Society. The observations there made chiefly respected the state of religion on the continent of Europe—especially as connected with that institution whose Committee I had the honour of addressing; and they were exclusively such as had been suggested to me during a journey of eight months through the various countries, to which it was my endeavour to draw the attention of your Lordship and the Committee. I must beg leave, however, to preface this brief and inadequate statement by two or three observations. In the first place, I must intreat that if this written document should not be found precisely to correspond in expression or detail with
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E-text prepared by Darleen Dove, Suzanne Shell, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive/American Libraries (http://www.archive.org/details/americana) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 32198-h.htm or 32198-h.zip: (http://www.gutenberg.org/files/32198/32198-h/32198-h.htm) or (http://www.gutenberg.org/files/32198/32198-h.zip) Images of the original pages are available through Internet Archive/American Libraries. See http://www.archive.org/details/cleekofscotlandy00hansrich CLEEK OF SCOTLAND YARD [Illustration: "My only kingdom is here... in this dear woman's arms. Walk with me, Ailsa... as my queen _and_ my wife."] The International Adventure Library Three Owls Edition CLEEK OF SCOTLAND YARD Detective Stories by T. P. Hanshew Author of "Cleek the Master Detective", "Cleek's Government Cases" etc. W. R. Caldwell & Co. New York Copyright, 1912, 1913, 1914, by Doubleday, Page & Company All rights reserved, including that of translation into foreign languages, including the Scandinavian. Cleek of Scotland Yard _PROLOGUE_ The Affair of the Man Who Vanished Mr. Maverick Narkom, Superintendent at Scotland Yard, flung aside the paper he was reading and wheeled round in his revolving desk-chair, all alert on the instant, like a terrier that scents a rat. He knew well what the coming of the footsteps toward his private office portended; his messenger was returning at last. Good! Now he would get at the facts of the matter, and be relieved from the sneers of carping critics and the pin pricks of overzealous reporters, who seemed to think that the Yard was to blame, and all the forces connected with it to be screamed at as incompetents if every evildoer in London was not instantly brought to book and his craftiest secrets promptly revealed. Gad! Let them take on his job, then, if they thought the thing so easy! Let them have a go at this business of stopping at one's post until two o'clock in the morning trying to patch up the jumbled fragments of a puzzle of this sort, if they regarded it as such child's play--finding an assassin whom nobody had seen and who struck with a method which neither medical science nor legal acumen could trace or name. _Then_, by James.... The door opened and closed, and Detective Sergeant Petrie stepped into the room, removing his hat and standing at attention. "Well?" rapped out the superintendent, in the sharp staccato of nervous impatience. "Speak up! It was a false alarm, was it not?" "No, sir. It's even worse than reported. Quicker and sharper than any of the others. He's gone, sir." "Gone? Good God! you don't mean _dead_?" "Yes, sir. Dead as Julius Caesar. Total collapse about twenty minutes after my arrival and went off like that"--snapping his fingers and giving his hand an
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Produced by Lark Speyer, Ted Garvin and the Online Distributed Proofreading Team at http://www.pgdp.net OLLA PODRIDA BY CAPTAIN MARRYAT [Illustration] LONDON J. M. DENT AND CO. BOSTON: LITTLE, BROWN AND CO. MDCCCXCVI Contents THE MONK OF SEVILLE 1 _Metropolitan Magazine_, 1833. THE GIPSY 85 _Metropolitan Magazine_, 1834. ILL-WILL 159 _New Monthly Magazine_, 1837. HOW TO WRITE A FASHIONABLE NOVEL 179 _Metropolitan Magazine_, 1833. HOW TO WRITE A BOOK OF TRAVELS 200 _Metropolitan Magazine_ 1833, 1834. HOW TO WRITE A ROMANCE 214 _Metropolitan
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E-text prepared by D Alexander and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive/Canadian Libraries (http://archive.org/details/toronto) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 41397-h.htm or 41397-h.zip: (http://www.gutenberg.org/files/41397/41397-h/41397-h.htm) or (http://www.gutenberg.org/files/41397/41397-h.zip) Images of the original pages are available through Internet Archive/Canadian Libraries. See http://archive.org/details/unclewaltwaltma00maso UNCLE WALT [Illustration: To George Matthew Adams From his Accomplice Walt Mason] UNCLE WALT [WALT MASON] [Illustration] The Poet Philosopher Chicago George Matthew Adams 1910 Copyright, 1910, by George Matthew Adams. Registered in Canada in accordance with the copyright law. Entered at Stationers' Hall, London. All rights reserved. Contents A Glance at History 17 Longfellow 18 In Politics 19 The Human Head 20 The Universal Help 21 Little Sunbeam 22 The Flag 23 Doc Jonnesco 24 Little Girl 25 The Landlady 26 Twilight Reveries 27 King and Kid 28 Little Green Tents 29 Geronimo Aloft 31 The Venerable Excuse 32 Silver Threads 33 The Poet Balks 34 The Penny Saved 35 Home Life 36 Eagles and Hens 37 The Sunday Paper 38 The Nation's Hope 39 Football 40 Health Food 41 Physical Culture 43 The Nine Kings 44 The Eyes of Lincoln 45 The Better Land 46 Knowledge Is Power 47 The Pie Eaters 48 The Sexton's Inn 49 He Who Forgets 50 Poor Father 51 The Idle Question 52 Politeness 53 Little Pilgrims 55 The Wooden Indian 56 Home and Mother 57 E. Phillips Oppenheim 58 Better than Boodle 59 The Famous Four 60 Niagara 61 A Rainy Night 62 The Wireless 63 Helpful Mr. Bok 64 Beryl's Boudoir 65 Post-Mortem Honors 67 After A While 68 Pretty Good Schemes 69 Knowledge by Mail 70 Duke and Plumber 71 Human Hands 72 The Lost Pipe 73 Thanksgiving 74 Sir Walter Raleigh 75 The Country Editor 76 Useless Griefs 77 Fairbanks' Whiskers 78 Letting It Alone 79 The End of the Road 80 The Dying Fisherman 81 George Meredith 82 The Smart Children 83 The Journey 85 Times Have Changed 86 My Little Dog "Dot" 87 Harry Thurston Peck 88 Tired Man's Sleep 89 Tomorrow 90 Toothache 91 Auf Wiedersehen 92 After the Game 93 Nero's Fiddle 94 The Real Terror 95 The Talksmiths 96 Woman's Progress 97 The Magic Mirror 99 The Misfit Face 100 A Dog Story 101 The Pitcher 102 Lions and Ants 103 The Nameless Dead 104 Ambition 105 Night's Illusions 106 Before and After 107 Luther Burbank 108 Governed Too Much 109 Success in Life 110 The Hookworm Victim 111 Alfred Austin 112 Weary Old Age 113 Lullaby 114 The School Marm 115 Poe 116 Gay Parents 117 Dad 118 John Bunyan 119 A Near Anthem 121 The Yellow Cord 122 The Important Man 123 Toddling Home 124 Trifling Things 125 Trusty Dobbin 126 The High Prices 127 Omar Khayyam 128 The Grouch 129 The Pole 130 Wilhelmina 131 Wilbur Wright 132 The Broncho 133 Schubert's Serenade 135 Mazeppa 136 Fashion's Devotee 137 Christmas 138 The Tightwad 139 Blue Blood 140 The Cave Man 141 Rudyard Kipling 142 In Indiana 143 The Colonel at Home 144 The June Bride 145 At The Theatre 146 Club Day Dirge 147 Washington 149 Hours and Ponies 150 The Optimist 151 A Few Remarks 152 Little Things 153 The Umpire 154 Sherlock Holmes 155 The Sanctuary 156 The Newspaper Graveyard 157 My Lady's Hair 158 The Sick Minstrel 159 The Beggar 160 Looking Forward 161 The Depot Loafers 162 The Foolish Husband 163 Halloween 165 Rienzi To The Romans 166 The Sorrel Colt 167 Plutocrat and Poet 168 Mail Order Clothes 169 Evening 170 They All Come Back 171 The Cussing Habit 172 John Bull 173 An Oversight 174 The Traveler 175 Saturday Night 176 Lady Nicotine 177 Up-To-Date Serenade 179 The Consumer 180 Advice To A Damsel 181 The New Year Vow 182 The Stricken Toiler 183 The Law Books 184 Sleuths of Fiction 185 Put It On Ice 186 The Philanthropist 187 Other Days 188 The Passing Year 189 List of Illustrations Page Frontispiece 12 "A Glance at History" 16 "Geronimo Aloft" 30 "Physical Culture" 42 "Little Pilgrims" 54 "Post-M
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Produced by Al Haines [Frontispiece: THEY TACKLES ANYTHING I LEADS 'EM UP TO] Side-stepping with Shorty _By_ Sewell Ford _Illustrated by_ _Francis Vaux Wilson_ NEW YORK GROSSET & DUNLAP PUBLISHERS _Copyright, 1908, by Mitchell Kennerley_ CONTENTS CHAPTER I. SHORTY AND THE PLUTE II. ROUNDING UP MAGGIE III. UP AGAINST BENTLEY IV. THE TORTONIS' STAR ACT V. PUTTING PINCKNEY ON THE JOB VI. THE SOARING OF THE SAGAWAS VII. RINKEY AND THE PHONY LAMP VIII. PINCKNEY AND THE TWINS IX. A LINE ON PEACOCK ALLEY X. SHORTY AND THE STRAY XI. WHEN ROSSITER CUT LOOSE XII. TWO ROUNDS WITH SYLVIE XIII. GIVING BOMBAZOULA THE HOOK XIV. A HUNCH FOR LANGDON XV. SHORTY'S GO WITH ART XVI. WHY WILBUR DUCKED XVII. WHEN SWIFTY WAS GOING SOME XVIII. PLAYING WILBUR TO SHOW XIX. AT HOME WITH THE DILLONS XX. THE CASE OF RUSTY QUINN ILLUSTRATIONS THEY TACKLES ANYTHING I LEADS 'EM TO...... _Frontispiece_ THE TWINS ORGANIZE A GAME OF TAG "WE--E--E--OUGH! GLORY BE!" YELLS HANK, LETTIN' OUT AN EARSPLITTER HE HAS THE PO'TRY TAP TURNED ON FULL BLAST I SHORTY AND THE PLUTE Notice any gold dust on my back? No? Well it's a wonder there ain't, for I've been up against the money bags so close I expect you can find eagle prints all over me. That's what it is to build up a rep. Looks like all the fat wads in New York was gettin' to know about Shorty McCabe, and how I'm a sure cure for everything that ails 'em. You see, I no sooner take hold of one down and outer, sweat the high livin' out of him, and fix him up like new with a private course of rough house exercises, than he passes the word along to another; and so it goes. This last was the limit, though. One day I'm called to the 'phone by some mealy mouth that wants to know if this is the Physical Culture Studio. "Sure as ever," says I. "Well," says he, "I'm secretary to Mr. Fletcher Dawes." "That's nice," says I. "How's Fletch?" "Mr. Dawes," says he, "will see the professah at fawh o'clock this awfternoon." "Is that a guess," says I, "or has he been havin' his fortune told?" "Who is this?" says the gent at the other end of the wire, real sharp and sassy. "Only me," says I. "Well, who are you?" says he. "I'm the witness for the defence," says I. "I'm Professor McCabe, P. C. D., and a lot more that I don't use on week days." "Oh!" says he, simmerin' down a bit. "This is Professor McCabe himself, is it? Well, Mr. Fletcher Dawes requiahs youah services. You are to repawt at his apartments at fawh o'clock this awfternoon--fawh o'clock, understand?" "Oh, yes," says I. "That's as plain as a dropped egg on a plate of hash. But say, Buddy; you tell Mr. Dawes that next time he wants me just to pull the string. If that don't work, he can whistle; and when he gets tired of whistlin', and I ain't there, he'll know I ain't comin'. Got them directions? Well, think hard, and maybe you'll figure it out later. Ta, ta, Mister Secretary." With that I hangs up the receiver and winks at Swifty Joe. "Swifty," says I, "they'll be usin' us for rubber stamps if we don't look out." "Who was the guy?" says he. "Some pinhead up to Fletcher Dawes's," says I. "Hully chee!" says Swifty. Funny, ain't it, how most everyone'll prick up their ears at that name? And it don't mean so much money as John D.'s or Morgan's does, either. But what them two and Harriman don't own is divided up among Fletcher Dawes and a few others. Maybe it's because Dawes is such a free spender that he's better advertised. Anyway, when you say Fletcher Dawes you think of a red-faced gent with a fistful of thousand-dollar bills offerin' to buy the White House for a stable. But say, he might have twice as much, and I wouldn't hop any quicker. I'm only livin' once, and it may be long or short, but while it lasts I don't intend to do the lackey act for anyone. Course, I thinks the jolt I gave that secretary chap closes the incident. But around three o'clock that same day, though, I looks down from the front window and sees a heavy party in a fur lined overcoat bein' helped out of a shiny benzine wagon by a pie faced valet, and before I'd done guessin' where they was headed for they shows up in the office door. "My name is Dawes. Fletcher Dawes," says the gent in the overcoat. "I could have guessed that," says I. "You look somethin' like the pictures they print of you in the Sunday papers." "I'm sorry to hear it," says he. But say, he's less of a prize hog than you'd think, come to get near--forty-eight around the waist, I should say, and about a number sixteen collar. You wouldn't pick him out by his face as the kind of a man that you'd like to have holdin' a mortgage on the old homestead, though, nor one you'd like to sit opposite to in a poker game--eyes about a quarter of an inch apart, lima bean ears button
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Produced by Charles Franks and the Online Distributed Proofreading Team OAK OPENINGS By James Fennimore Cooper PREFACE. It ought to be matter of surprise how men live in the midst of marvels, without taking heed of their existence. The slightest derangement of their accustomed walks in political or social life shall excite all their wonder, and furnish themes for their discussions, for months; while the prodigies that come from above are presented daily to their eyes, and are received without surprise, as things of course. In a certain sense, this may be well enough, inasmuch as all which comes directly from the hands of the Creator may be said so far to exceed the power of human comprehension, as to be beyond comment; but the truth would show us that the cause of this neglect is rather a propensity to dwell on such interests as those over which we have a fancied control, than on those which confessedly transcend our understanding. Thus is it ever with men. The wonders of creation meet them at every turn, without awakening reflection, while their minds labor on subjects that are not only ephemeral and illusory, but which never attain an elevation higher than that the most sordid interests can bestow. For ourselves, we firmly believe that the finger of Providence is pointing the way to all races, and colors, and nations, along the path that is to lead the east and the west alike to the great goal of human wants. Demons infest that path, and numerous and unhappy are the wanderings of millions who stray from its course; sometimes in reluctance to proceed; sometimes in an indiscreet haste to move faster than their fellows, and always in a forgetfulness of the great rules of conduct that have been handed down from above. Nevertheless, the main course is onward; and the day, in the sense of time, is not distant, when the whole earth is to be filled with the knowledge of the Lord, "as the waters cover the sea." One of the great stumbling-blocks with a large class of well-meaning, but narrow-judging moralists, are the seeming wrongs that are permitted by Providence, in its control of human events. Such persons take a one-sided view of things, and reduce all principles to the level of their own understandings. If we could comprehend the relations which the Deity bears to us, as well as we can comprehend the relations we bear to him, there might be a little seeming reason in these doubts; but when one of the parties in this mighty scheme of action is a profound mystery to the other, it is worse than idle, it is profane, to attempt to explain those things which our minds are not yet sufficiently cleared from the dross of earth to understand. Look at Italy, at this very moment. The darkness and depression from which that glorious peninsula is about to emerge are the fruits of long-continued dissensions and an iron despotism, which is at length broken by the impulses left behind him by a ruthless conqueror, who, under the appearance and the phrases of Liberty, contended only for himself. A more concentrated egotism than that of Napoleon probably never existed; yet has it left behind it seeds of personal rights that have sprung up by the wayside, and which are likely to take root with a force that will bid defiance to eradication. Thus is it ever, with the progress of society. Good appears to arise out of evil, and the inscrutable ways of Providence are vindicated by general results, rather than by instances of particular care. We leave the application of these remarks to the intelligence of such of our readers as may have patience to peruse the work that will be found in the succeeding pages. We have a few words of explanation to say, in connection with the machinery of our tale. In the first place, we would remark, that the spelling of "burr-oak," as given in this book, is less our own than an office spelling. We think it should be "bur-oak," and this for the simple reason, that the name is derived from the fact that the acorn borne by this tree is partially covered with a bur. Old Sam Johnson, however, says that "burr" means the lobe, or lap of the ear; and those who can fancy such a resemblance between this and the covering of our acorn, are at liberty to use the two final consonants. Having commenced stereotyping with this supernumerary, for the sake of uniformity that mode of spelling, wrong as we think it, has been continued through-out the book. There is nothing imaginary in the fertility of the West. Personal observation has satisfied us that it much surpasses anything that exists in the Atlantic States, unless in exceptions, through the agency of great care and high manuring, or in instances of peculiar natural soil. In these times, men almost fly. We have passed over a thousand miles of territory within the last few days, and have brought the pictures at the two extremes of this journey in close proximity in our mind's eye. Time may lessen that wonderful fertility, and bring the whole country more on a level; but there it now is, a glorious gift from God, which it is devoutly to be wished may be accepted with due gratitude and with a constant recollection of his unwavering rules of right and wrong, by those who have been selected to enjoy it. June, 1848. THE OAK OPENINGS. CHAPTER I. How doth the little busy bee Improve each shining hour, And gather honey all the day, From every opening flower. WATTS' HYMNS FOR CHILDREN. We have heard of those who fancied that they beheld a signal instance of the hand of the Creator in the celebrated cataract of Niagara. Such instances of the power of sensible and near objects to influence certain minds, only prove how much easier it is to impress the imaginations of the dull with images that are novel, than with those that are less apparent, though of infinitely greater magnitude. Thus it would seem to be strange indeed, that any human being should find more to wonder at in any one of the phenomena of the earth, than in the earth itself; or should especially stand astonished at the might of Him who created the world, when each night brings into view a firmament studded with other worlds, each equally the work of His hands! Nevertheless, there is (at bottom) a motive for adoration, in the study of the lowest fruits of the wisdom and power of God. The leaf is as much beyond our comprehension of remote causes, as much a subject of intelligent admiration, as the tree which bears it: the single tree confounds our knowledge and researches the same as the entire forest; and, though a variety that appears to be endless pervades the world, the same admirable adaptation of means to ends, the same bountiful forethought, and the same benevolent wisdom, are to be found in the acorn, as in the gnarled branch on which it grew. The American forest has so often been described, as to cause one to hesitate about reviving scenes that might possibly pall, and in retouching pictures that have been so frequently painted as to be familiar to every mind. But God created the woods, and the themes bestowed by his bounty are inexhaustible. Even the ocean, with its boundless waste of water, has been found to be rich in its various beauties and marvels; and he who shall bury himself with us, once more, in the virgin forests of this widespread land, may possibly discover new subjects of admiration, new causes to adore the Being that has brought all into existence, from the universe to its most minute particle. The precise period of our legend was in the year 1812, and the season of the year the pleasant month of July, which had now drawn near to its close. The sun was already approaching the western limits of a wooded view, when the actors in its opening scene must appear on a stage that is worthy of a more particular description. The region was, in one sense, wild, though it offered a picture that was not without some of the strongest and most pleasing features of civilization. The country was what is termed "rolling," from some fancied resemblance to the surface of the ocean, when it is just undulating with a long "ground-swell." Although wooded, it was not, as the American forest is wont to grow, with tail straight trees towering toward the light, but with intervals between the low oaks that were scattered profusely over the view, and with much of that air of negligence that one is apt to see in grounds where art is made to assume the character of nature. The trees, with very few exceptions, were what is called the "burr-oak," a small variety of a very extensive genus; and the spaces between them, always irregular, and often of singular beauty, have obtained the name of "openings"; the two terms combined giving their appellation to this particular species of native forest, under the name of "Oak Openings." These woods, so peculiar to certain districts of country, are not altogether without some variety, though possessing a general character of sameness. The trees were of very uniform size, being little taller than pear-trees, which they resemble a good deal in form; and having trunks that rarely attain two feet in diameter. The variety is produced by their distribution. In places they stand with a regularity resembling that of an orchard; then, again, they are more scattered and less formal, while wide breadths of the land are occasionally seen in which they stand in copses, with vacant spaces, that bear no small affinity to artificial lawns, being covered with verdure. The grasses are supposed to be owing to the fires lighted periodically by the Indians in order to clear their hunting-grounds. Toward one of these grassy glades, which was spread on an almost imperceptible acclivity, and which might have contained some fifty or sixty acres of land, the reader is now requested to turn his eyes. Far in the wilderness as was the spot, four men were there, and two of them had even some of the appliances of civilization about them. The woods around were the then unpeopled forest of Michigan; and the small winding reach of placid water that was just visible in the distance, was an elbow of the Kalamazoo, a beautiful little river that flows westward, emptying its tribute into the vast expanse of Lake Michigan. Now, this river has already become known, by its villages and farms, and railroads and mills; but then, not a dwelling of more pretension than the wigwam of the Indian, or an occasional shanty of some white adventurer, had ever been seen on its banks. In that day, the whole of that fine peninsula, with the exception of a narrow belt of country along the Detroit River, which was settled by the French as far back as near the close of the seventeenth century, was literally a wilderness. If a white man found his way into it, it was as an Indian trader, a hunter, or an adventurer in some other of the pursuits connected with border life and the habits of the savages. Of this last character were two of the men on the open glade just mentioned, while their companions were of the race of the aborigines. What is much more remarkable, the four were absolutely strangers to each other's faces, having met for the first time in their lives, only an hour previously to the commencement of our tale. By saying that they were strangers to each other, we do not mean that the white men were acquaintances, and the Indians strangers, but that neither of the four had ever seen either of the party until they met on that grassy glade, though fame had made them somewhat acquainted through their reputations. At the moment when we desire to present this group to the imagination of the reader, three of its number were grave and silent observers of the movements of the fourth. The fourth individual was of middle size, young, active, exceedingly well formed, and with a certain open and frank expression of countenance, that rendered him at least well-looking, though slightly marked with the small-pox. His real name was Benjamin Boden, though he was extensively known throughout the northwestern territories by the sobriquet of Ben Buzz--extensively as to distances, if not as to people. By the voyageurs, and other French of that region, he was almost universally styled le Bourdon or the "Drone"; not, however, from his idleness or inactivity, but from the circumstances that he was notorious for laying his hands on the products of labor that proceeded from others. In a word, Ben Boden was a "bee-hunter," and as he was one of the first to exercise his craft in that portion of the country, so was he infinitely the most skilful and prosperous. The honey of le Bourdon was not only thought to be purer and of higher flavor than that of any other trader in the article, but it was much the most abundant. There were a score of respectable families on the two banks of the Detroit, who never purchased of any one else, but who patiently waited for the arrival of the capacious bark canoe of Buzz, in the autumn, to lay in their supplies of this savory nutriment for the approaching winter. The whole family of griddle cakes, including those of buckwheat, Indian rice, and wheaten flour, were more or less dependent on the safe arrival of le Bourdon, for their popularity and welcome. Honey was eaten with all; and wild honey had a reputation, rightfully or not obtained, that even rendered it more welcome than that which was formed by the labor and art of the domesticated bee. The dress of le Bourdon was well adapted to his pursuits and life. He wore a hunting-shirt and trousers, made of thin stuff, which was dyed green, and trimmed with yellow fringe. This was the ordinary forest attire of the American rifleman; being of a character, as it was thought, to conceal the person in the woods, by blending its hues with those of the forest. On his head Ben wore a skin cap, somewhat smartly made, but without the fur; the weather being warm. His moccasins were a good deal wrought, but seemed to be fading under the exposure of many marches. His arms were excellent; but all his martial accoutrements, even to a keen long-bladed knife, were suspended from the rammer of his rifle; the weapon itself being allowed to lean, in careless confidence, against the trunk of the nearest oak, as if their master felt there was no immediate use for them. Not so with the other three. Not only was each man well armed, but each man kept his trusty rifle hugged to his person, in a sort of jealous watchfulness; while the other white man, from time to time, secretly, but with great minuteness, examined the flint and priming of his own piece. This second pale-face was a very different person from him just described. He was still young, tall, sinewy, gaunt, yet springy and strong, stooping and round-shouldered, with a face that carried a very decided top-light in it, like that of the notorious Bardolph. In short, whiskey had dyed the countenance of Gershom Waring with a tell-tale hue, that did not less infallibly betray his destination than his speech denoted his origin, which was clearly from one of the States of New England. But Gershom had been so long at the Northwest as to have lost many of his peculiar habits and opinions, and to have obtained substitutes. Of the Indians, one, an elderly, wary, experienced warrior, was a Pottawattamie, named Elksfoot, who was well known at all the trading-houses and "garrisons" of the northwestern territory, including Michigan as low down as Detroit itself. The other red man was a young Chippewa, or O-jeb-way, as the civilized natives of that nation now tell us the word should be spelled. His ordinary appellation among his own people was that of Pigeonswing; a name obtained from the rapidity and length of his flights. This young man, who was scarcely turned of five-and-twenty, had already obtained a high reputation among the numerous tribes of his nation, as a messenger, or "runner." Accident had brought these four persons, each and all strangers to one another, in communication in the glade of the Oak Openings, which has already been mentioned, within half an hour of the scene we are about to present to the reader. Although the rencontre had been accompanied by the usual precautions of those who meet in a wilderness, it had been friendly so far; a circumstance that was in some measure owing to the interest they all took in the occupation of the bee-hunter. The three others, indeed, had come in on different trails, and surprised le Bourdon in the midst of one of the most exciting exhibitions of his art--an exhibition that awoke so much and so common an interest in the spectators, as at once to place its continuance for the moment above all other considerations. After brief salutations, and wary examinations of the spot and its tenants, each individual had, in succession, given his grave attention to what was going on, and all had united in begging Ben Buzz to pursue his occupation, without regard to his visitors. The conversation that took place was partly in English, and partly in one of the Indian dialects, which luckily all the parties appeared to understand. As a matter of course, with a sole view to oblige the reader, we shall render what was said, freely, into the vernacular. "Let's see, let's see, STRANger," cried Gershom, emphasizing the syllable we have put in italics, as if especially to betray his origin, "what you can do with your tools. I've heer'n tell of such doin's, but never see'd a bee lined in all my life, and have a desp'rate fancy for larnin' of all sorts, from 'rithmetic to preachin'." "That comes from your Puritan blood," answered le Bourdon, with a quiet smile, using surprisingly pure English for one in his class of life. "They tell me you Puritans preach by instinct." "I don't know how that is," answered Gershom, "though I can turn my hand to anything. I heer'n tell, across at Bob Ruly (Bois Brulk [Footnote: This unfortunate name, which it may be necessary to tell a portion of our readers means "burnt wood," seems condemned to all sorts of abuses among the linguists of the West. Among other pronunciations is that of "Bob Ruly"; while an island near Detroit, the proper name of which is "Bois Blanc," is familiarly known to the lake mariners by the name of "Bobolo."]) of sich doin's, and would give a week's keep at Whiskey Centre, to know how 'twas done." "Whiskey Centre" was a sobriquet bestowed by the fresh-water sailors of that region, and the few other white adventurers of Saxon origin who found their way into that trackless region, firstly on Gershom himself, and secondly on his residence. These names were obtained from the intensity of their respective characters, in favor of the beverage named. L'eau de mort was the place termed by the voyagers, in a sort of pleasant travesty on the eau de vie of their distant, but still well-remembered manufactures on the banks of the Garonne. Ben Boden, however, paid but little attention to the drawling remarks of Gershom Waring. This was not the first time he had heard of "Whiskey Centre," though the first time he had ever seen the man himself. His attention was on his own trade, or present occupation; and when it wandered at all, it was principally bestowed on the Indians; more especially on the runner. Of Elk's foot, or Elksfoot, as we prefer to spell it, he had some knowledge by means of rumor; and the little he knew rendered him somewhat more indifferent to his proceedings than he felt toward those of the Pigeonswing. Of this young redskin he had never heard; and, while he managed to suppress all exhibition of the feeling, a lively curiosity to learn the Chippewa's business was uppermost in his mind. As for Gershom, he had taken HIS measure at a glance, and had instantly set him down to be, what in truth he was, a wandering, drinking, reckless adventurer, who had a multitude of vices and bad qualities, mixed up with a few that, if not absolutely redeeming, served to diminish the disgust in which he might otherwise have been held by all decent people. In the meanwhile, the bee-hunting, in which all the spectators took so much interest, went on. As this is a process with which most of our readers are probably unacquainted, it may be necessary to explain the modus operandi, as well as the appliances used. The tools of Ben Buzz, as Gershom had termed these implements of his trade, were neither very numerous nor very complex. They were all contained in a small covered wooden pail like those that artisans and laborers are accustomed to carry for the purpose of conveying their food from place to place. Uncovering this, le Bourdon had brought his implements to view, previously to the moment when he was first seen by the reader. There was a small covered cup of tin; a wooden box; a sort of plate, or platter, made also of wood; and a common tumbler, of a very inferior, greenish glass. In the year 1812, there was not a pane, nor a vessel, of clear, transparent glass, made in all America! Now, some of the most beautiful manufactures of that sort, known to civilization, are abundantly produced among us, in common with a thousand other articles that are used in domestic economy. The tumbler of Ben Buzz, however, was his countryman in more senses than one. It was not only American, but it came from the part of Pennsylvania of which he was himself a native. Blurred, and of a greenish hue, the glass was the best that Pittsburg could then fabricate, and Ben had bought it only the year before, on the very spot where it had been made. An oak, of more size than usual, had stood a little remote from its fellows, or more within the open ground of the glade than the rest of the "orchard." Lightning had struck this tree that very summer, twisting off its trunk at a height of about four feet from the ground. Several fragments of the body and branches lay near, and on these the spectators now took their seats, watching attentively the movements of the bee-hunter. Of the stump Ben had made a sort of table, first levelling its splinters with an axe, and on it he placed the several implements of his craft, as he had need of each in succession. The wooden platter was first placed on this rude table. Then le Bourdon opened his small box, and took out of it a piece of honeycomb, that was circular in shape, and about an inch and a half in diameter. The little covered tin vessel was next brought into use. Some pure and beautifully clear honey was poured from its spout into the cells of the piece of comb, until each of them was about half filled. The tumbler was next taken in hand, carefully wiped, and examined, by holding it up before the eyes of the bee-hunter. Certainly, there was little to admire in it, but it was sufficiently transparent to answer his purposes. All he asked was to be able to look through the glass in order to see what was going on in its interior. Having made these preliminary arrangements, Buzzing Ben--for the sobriquet was applied to him in this form quite as often as in the other--next turned his attention to the velvet-like covering of the grassy glade. Fire had run over the whole region late that spring, and the grass was now as fresh, and sweet and short, as if the place were pastured. The white clover, in particular, abounded, and was then just bursting forth into the blossom. Various other flowers had also appeared, and around them were buzzing thousands of bees. These industrious little animals were hard at work, loading themselves with sweets; little foreseeing the robbery contemplated by the craft of man. As le Bourdon moved stealthily among the flowers and their humming visitors, the eyes of the two red men followed his smallest movement, as the cat watches the mouse; but Gershom was less attentive, thinking the whole curious enough, but preferring whiskey to all the honey on earth. At length le Bourdon found a bee to his mind, and watching the moment when the animal was sipping sweets from a head of white clover, he cautiously placed his blurred and green-looking tumbler over it, and made it his prisoner. The moment the bee found itself encircled with the glass, it took wing and attempted to rise. This carried it to the upper part of its prison, when Ben carefully introduced the unoccupied hand beneath the glass, and returned to the stump. Here he set the tumbler down on the platter in a way to bring the piece of honeycomb within its circle. So much done successfully, and with very little trouble, Buzzing Ben examined his captive for a moment, to make sure that all was right. Then he took off his cap and placed it over tumbler, platter, honeycomb, and bee. He now waited half a minute, when cautiously raising the cap again, it was seen that the bee, the moment a darkness like that of its hive came over it, had lighted on the comb, and commenced filling itself with the honey. When Ben took away the cap altogether, the head and half of the body of the bee was in one of the cells, its whole attention being bestowed on this unlooked-for hoard of treasure. As this was just what its captor wished, he considered that part of his work accomplished. It now became apparent why a glass was used to take the bee, instead of a vessel of wood or of bark. Transparency was necessary in order to watch the movements of the captive, as darkness was necessary in order to induce it to cease its efforts to escape, and to settle on the comb. As the bee was now intently occupied in filling itself, Buzzing Ben, or le Bourdon, did not hesitate about removing the glass. He even ventured to look around him, and to make another captive, which he placed over the comb, and managed as he had done with the first. In a minute, the second bee was also buried in a cell, and the glass was again removed. Le Bourdon now signed for his companions to draw near. "There they are, hard at work with the honey," he said, speaking in English, and pointing at the bees. "Little do they think, as they undermine that comb, how near they are to the undermining of their own hive! But so it is with us all! When we think we are in the highest prosperity we may be nearest to a fall, and when we are poorest and hum-blest, we may be about to be exalted. I often think of these things, out here in the wilderness, when I'm alone, and my thoughts are acTYVE." Ben used a very pure English, when his condition in life is remembered; but now and then, he encountered a word which pretty plainly proved he was not exactly a scholar. A false emphasis has sometimes an influence on a man's fortune, when one lives in the world; but it mattered little to one like Buzzing Ben, who seldom saw more than half a dozen human faces in the course of a whole summer's hunting. We remember an Englishman, however, who would never concede talents to Burr, because the latter said, a L'AmEricaine, EurOpean, instead of EuropEan. "How hive in danger?" demanded Elksfoot, who was very much of a matter-of-fact person. "No see him, no hear him--else get some honey." "Honey you can have for asking, for I've plenty of it already in my cabin, though it's somewhat 'arly in the season to begin to break in upon the store. In general, the bee-hunters keep back till August, for they think it better to commence work when the creatures"--this word Ben pronounced as accurately as if brought up at St. James's, making it neither "creatur'" nor "creatOOre"--"to commence work when the creatures have had time to fill up, after winter's feed. But I like the old stock, and, what is more, I feel satisfied this is not to be a common summer, and so I thought I would make an early start." As Ben said this, he glanced his eyes at Pigeonswing, who returned the look in a way to prove there was already a secret intelligence between them, though neither had ever seen the other an hour before. "Waal!" exclaimed Gershom, "this is cur'ous, I'll allow THAT; yes, it's cur'ous--but we've got an article at Whiskey Centre that'll put the sweetest honey bee ever suck'd, altogether out o' countenance!" "An article of which you suck your share, I'll answer for it, judging by the sign you carry between the windows of your face," returned Ben, laughing; "but hush, men, hush. That first bee is filled, and begins to think of home. He'll soon be off for HONEY Centre, and I must keep my eye on him. Now, stand a little aside, friends, and give me room for my craft." The men complied, and le Bourdon was now all intense attention to his business. The bee first taken had, indeed, filled itself to satiety, and at first seemed to be too heavy to rise on the wing. After a few moments of preparation, however, up it went, circling around the spot, as if uncertain what course to take. The eye of Ben never left it, and when the insect darted off, as it soon did, in an air-line, he saw it for fifty yards after the others had lost sight of it. Ben took the range, and was silent fully a minute while he did so. "That bee may have lighted in the corner of yonder swamp," he said, pointing, as he spoke, to a bit of low land that sustained a growth of much larger trees than those which grew in the "opening," "or it has crossed the point of the wood, and struck across the prairie beyond, and made for a bit of thick forest that is to be found about three miles further. In the last case, I shall have my trouble for nothing." "What t'other do?" demanded Elksfoot, with very obvious curiosity. "Sure enough; the other gentleman must be nearly ready for a start, and we'll see what road HE travels. 'Tis always an assistance to a bee-hunter to get one creature fairly off, as it helps him to line the next with greater sartainty." Ben WOULD say acTYVE, and SARtain, though he was above saying creatoore, or creatur'. This is the difference between a Pennsylvanian and a Yankee. We shall not stop, however, to note all these little peculiarities in these individuals, but use the proper or the peculiar dialect, as may happen to be most convenient to ourselves. But there was no time for disquisition, the second bee being now ready for a start. Like his companion, this insect rose and encircled the stump several times, ere it darted away toward its hive, in an air-line. So small was the object, and so rapid its movement, that no one but the bee-hunter saw the animal after it had begun its journey in earnest. To HIS disappointment, instead of flying in the same direction as the bee first taken, this little fellow went buzzing off fairly at a right angle! It was consequently clear that there were two hives, and that they lay in very different directions. Without wasting his time in useless talk, le Bourdon now caught another bee, which was subjected to the same process as those first taken. When this creature had filled it-self, it rose, circled the stump as usual, as if to note the spot for a second visit, and darted away, directly in a line with the bee first taken. Ben noted its flight most accurately, and had his eye on it, until it was quite a hundred yards from the stump. This he was enabled to do, by means of a quick sight and long practice. "We'll move our quarters, friends," said Buzzing Ben, good-humoredly, as soon as satisfied with this last observation, and gathering together his traps for a start. "I must angle for that hive, and I fear it will turn out to be across the prairie, and quite beyond my reach for to-day." The prairie alluded to was one of those small natural meadows, or pastures, that are to be found in Michigan, and may have contained
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Produced by Dave Morgan and the Online Distributed Proofreading Team [Illustration: MARCONI READING A MESSAGE] STORIES OF INVENTORS The Adventures Of Inventors And Engineers. True Incidents And Personal Experiences By RUSSELL DOUBLEDAY 1904 ACKNOWLEDGMENT The author and publishers take pleasure in acknowledging the courtesy of _The Scientific American_ _The Booklovers Magazine_ _The Holiday Magazine_, and Messrs. Wood & Nathan Company for the use of a number of illustrations in this book. From _The Scientific American_, illustrations facing pages 16, 48, 78, 80, 88, 94, 118, 126, 142, and 162. From _The Booklovers Magazine_, illustrations facing pages 184, 190, 194, and 196. From _The Holiday Magazine_, illustrations facing pages 100 and 110. CONTENTS How Guglielmo Marconi Telegraphs Without Wires Santos-Dumont and His Air-Ship How a Fast Train Is Run How Automobiles Work The Fastest Steamboats The Life-Savers and Their Apparatus Moving Pictures--Some Strange Subjects and How They Were Taken Bridge Builders and Some of Their Achievements Submarines in War and Peace Long-Distance Telephony--What Happens When You Talk into a Telephone Receiver A Machine That Thinks--A Type-Setting Machine That Makes Mathematical Calculations How Heat Produces Cold--Artificial Ice-Making LIST OF ILLUSTRATIONS Marconi Reading a Message _Frontispiece_ Marconi Station at Wellfleet, Massachusetts The Wireless Telegraph Station at Glace Bay Santos-Dumont Preparing
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E-text prepared by the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) from digital material generously made available by Internet Archive/Canadian Libraries (http://www.archive.org/details/toronto) Note: Images of the original pages are available through Internet Archive/Canadian Libraries. See http://www.archive.org/details/ethicsofcopera00tuftuoft THE ETHICS OF COOPERATION * * * * * Barbara Weinstock Lectures on The Morals of Trade THE ETHICS OF COOPERATION. By JAMES H. TUFTS. HIGHER EDUCATION AND BUSINESS STANDARDS. By WILLARD EUGENE HOTCHKISS. CREATING CAPITAL: MONEY-MAKING AS AN AIM IN BUSINESS. By FREDERICK L. LIPMAN. IS CIVILIZATION A DISEASE? By STANTON COIT. SOCIAL JUSTICE WITHOUT SOCIALISM. By JOHN BATES CLARK. THE CONFLICT BETWEEN PRIVATE MONOPOLY AND GOOD CITIZENSHIP. By JOHN GRAHAM BROOKS. COMMERCIALISM AND JOURNALISM. By HAMILTON HOLT. THE BUSINESS CAREER IN ITS PUBLIC RELATIONS. By ALBERT SHAW. * * * * * THE ETHICS OF COOPERATION by JAMES H. TUFTS Professor of Philosophy in the University of Chicago Boston and New York Houghton Mifflin Company The Riverside Press Cambridge 1918 Copyright, 1918, by the Regents of the University of California All Rights Reserved Published September 1918 BARBARA WEINSTOCK LECTURES ON THE MORALS OF TRADE This series will contain essays by representative scholars and men of affairs dealing with the various phases of the moral law in its bearing on business life under the new economic order, first delivered at the University of California on the Weinstock foundation. THE ETHICS OF COOPERATION I According to Plato's famous myth, two gifts of the gods equipped man for living: the one, arts and inventions to supply him with the means of livelihood; the other, reverence and justice to be the ordering principles of societies and the bonds of friendship and conciliation. Agencies for mastery over nature and agencies for cooperation among men remain the two great sources of human power. But after two thousand years, it is possible to note an interesting fact as to their relative order of development in civilization. Nearly all the great skills and
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Produced by An Anonymous Volunteer THE GOOD SOLDIER By Ford Madox Ford PART I I THIS is the saddest story I have ever heard. We had known the Ashburnhams for nine seasons of the town of Nauheim with an extreme intimacy--or, rather with an acquaintanceship as loose and easy and yet as close as a good glove's with your hand. My wife and I knew Captain and Mrs Ashburnham as well as it was possible to know anybody, and yet, in another sense, we knew nothing at all about them. This is, I believe, a state of things only possible with English people of whom, till today, when I sit down to puzzle out what I know of this sad affair, I knew nothing whatever. Six months ago I had never been to England, and, certainly, I had never sounded the depths of an English heart. I had known the shallows. I don't mean to say that we were not acquainted with many English people. Living, as we perforce lived, in Europe, and being, as we perforce were, leisured Americans, which is as much as to say that we were un-American, we were thrown very much into the society of the nicer English. Paris, you see, was our home. Somewhere between Nice and Bordighera provided yearly winter quarters for us, and Nauheim always received us from July to September. You will gather from this statement that one of us had, as the saying is, a "heart", and, from the statement that my wife is dead, that she was the sufferer. Captain Ashburnham also had a heart. But, whereas a yearly month or so at Nauheim tuned him up to exactly the right pitch for the rest of the tw
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Produced by Simon Page THE LURE OF THE DIM TRAILS By B. M. Bower CHAPTER I. IN SEARCH OF THE WESTERN TONE "What do you care, anyway?" asked Reeve-Howard philosophically. "It isn't as if you depended on the work for a living. Why worry over the fact that a mere pastime fails to be financially a success. You don't need to write--" "Neither do you need to slave over those dry-point things," Thurston retorted, in none the best humor with his comforter "You've an income bigger than mine; yet you toil over Grecian-nosed women with untidy hair as if each one meant a meal and a bed." "A meal and a bed--that's good; you must think I live like a king." "And I notice you hate like the mischief to fail, even though." "Only I never have failed," put in Reeve-Howard, with the amused complacency born of much adulation. Thurston kicked a foot-rest out of his way. "Well, I have. The fashion now is for swashbuckling tales with a haze of powder smoke rising to high heaven. The public taste runs to gore and more gore, and kidnappings of beautiful maidens-bah!" "Follow the fashion then--if you must write. Get out of your pink tea and orchid atmosphere, and take your heroines out West--away out, beyond the Mississippi, and let them be kidnapped. Or New Mexico would do." "New Mexico is also beyond the Mississippi, I believe," Thurston hinted. "Perhaps it is. What I mean is, write what the public wants, since you don't relish failure. Why don't you do things about the plains? It ought to be easy, and you were born out there somewhere. It should come natural." "I have," Thurston sighed. "My last rejection states that the local color is weak and unconvincing. Hang the local color!" The foot-rest suffered again. Reeve-Howard was getting into his topcoat languidly, as he did everything else. "The thing to do, then," he drawled, "is to go out and study up on it. Get in touch with that country, and your local color will convince. Personally though, I like those little society skits you do--" "Skits!" exploded Thurston. "My last was a four-part serial. I never did a skit in my life." "Beg pardon-which is more than you did after accusing my studies of having untidy hair. Don't look so gl
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Produced by Margaret Willden, Mormon Texts Project Intern (http://mormontextsproject.org/) TREASURES IN HEAVEN FIFTEENTH BOOK OF THE FAITH PROMOTING SERIES DESIGNED FOR THE INSTRUCTION AND ENCOURAGEMENT OF YOUNG LATTER-DAY SAINTS COMPILED AND PUBLISHED BY GEO. C. LAMBERT SALT LAKE CITY, UTAH 1914 OFFICIAL SANCTION April 8, 1914 To the First Presidency, City. Dear Brethren: I have had a desire for a long time past to resume the publication of the Faith Promoting Series that I originated and published something like thirty-five years ago, but which has been suspended for almost thirty years. I received the sanction of the Church authorities when the publication of this series was commenced, and had ample evidence afterwards of the popularity of the volumes issued, and of the general benefit resulting therefrom. I now desire your sanction in what I may do in publishing additional volumes; and hope to subserve the interests of the Church and promote true faith only in what I publish. If you deem it necessary to appoint a committee to whom I may refer any matter concerning which there may be a question as to propriety, etc., I shall be glad to have you do so. I am prepared to assume all financial responsibility, and believe, with the experience I have had, I shall be able to do effective work in the selection and preparation of the matter. I intend to make the volumes about one hundred pages each, and hope to be able to sell them at twenty-five cents per volume. I have the matter partially prepared for two volumes, the first to relate to Temple work, and to be called "Treasures in Heaven," the second to contain a variety of incidents and experiences, and to be called "Choice Memories." A waiting your kind consideration and reply, and with kindest regards, I remain Your Brother, GEO. C. LAMBERT. April 30, 1914 Elder George C. Lambert, City. Dear Brother: We learn by yours of the 28th inst. that you desire to resume the publication of the "Faith Promoting Series," discontinued some thirty years ago, and we take pleasure in informing you that you have our sanction to do this, and that we have appointed Elders George F. Richards, A. W. Ivins and Joseph F. Smith, Jr. as a committee to read the manuscript. With kind regards, Your Brethren, JOSEPH F. SMITH, ANTHON H. LUND, CHARLES W. PENROSE, First Presidency. PREFACE No lesson taught by the Savior during his ministry in mortality was more frequently and thoroughly impressed than that of unselfish service. Of those who labored solely for the things of this world, or for praise or the honors that men can bestow, He had a habit of saying: "They have their reward." If they obtained that which they strove for they were already repaid: they were entitled to nothing more. Of the rich He said, "Ye have received your consolation." It was not sufficient that man should seek to benefit or bring happiness alone to those they loved. Even that He evidently regarded as a species of selfishness, as implied by the saying: "For if ye love them which love you, what reward have ye?" "For sinners do even the same." His exhortation was: "Lay not up for yourselves treasures upon earth, where moth and rust doth corrupt, and where thieves break through and steal; but lay up for yourselves treasures in heaven, where neither moth nor rust doth corrupt, and where thieves do not break through nor steal." All this was not intended to imply that wealth itself was intrinsically bad, or that poverty had any essential virtue, except as a means to an end. The rule was, as expressed by the great Teacher, that "where the treasure is, there will the heart be also." A sublime test upon this point was that made of the young man who applied to the Savior upon one occasion to know what good thing he could do to gain eternal life. Though he was able to say that
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