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Produced by Charlene Taylor, Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) THE ROYAL ROAD TO HEALTH OR THE SECRET OF HEALTH WITHOUT DRUGS. BY CHAS. A. TYRRELL, M. D. Registered Number 2646 Proprietor of Tyrrell’s Hygienic Institute. Inventor of the “J. B. L. Cascade,” Professor of Hygiene. Ex-President of the Eclectic Medical Society of the City and County of New York. Originator of the Improved System of Physical Exercises, etc. ONE HUNDRED AND SEVENTIETH EDITION COMPLETELY REVISED, ENLARGED AND ILLUSTRATED PUBLISHED BY CHAS. A. TYRRELL, M. D. 134 W. 65TH STREET, NEW YORK 1917 [Illustration: Chas A Tyrrell md] TO MY WIFE WHOSE ENTHUSIASM, AND UNFLAGGING INTEREST IN ALL MATTERS PERTAINING TO HEALTH IS EXCELLED BY NONE, AND WHO HAS BEEN A FAITHFUL CO-WORKER IN BUILDING UP THE SYSTEM OF TREATING DISEASE BY HYGIENIC METHODS HEREIN SET FORTH, THIS BOOK IS AFFECTIONATELY DEDICATED. COPYRIGHTED, 1907, BY CHARLES A. TYRRELL, M.D. [Illustration: THE DIGESTIVE ORGANS. (_Viewed from the front._)] DESCRIPTION OF THE DIAGRAM ILLUSTRATING THE DIGESTIVE ORGANS OF MAN. 1. Esophagus or Gullet. 2. Cardiac end of Stomach. 3. Pyloric end of Stomach. 4. Duodenum. 5, 6. Convolutions of Small Intestines. 7. Cæcum. 7* Vermiform appendage of Cæcum, called the _appendicula vermiformis_. 8. Ascending Colon. 9, 10. Transverse Colon. 11. Descending Colon. 12. Sigmoid Flexure, the last curve of the Colon before it terminates in the Rectum. 13. Rectum, the terminal part of the Colon. 14. Anus, posterior opening of the alimentary canal, through which the excrements are expelled. 15, 15. Lobes of the Liver, raised and turned back. 16. Hepatic Duct, which carries the bile from the liver to the Cystic and Common Bile Ducts. 17. Cystic Duct. 18. Gall Bladder. 19. Common Bile Duct. 20. Pancreas, the gland which secretes the pancreatic juice. 21. Pancreatic Duct, entering the Duodenum with the Common Bile Duct. * * * * * The illustration here given of the Digestive Apparatus of man represents the organs of food digestion, especially the alimentary canal and glands connected therewith, and to the reader of this book, or to any student of anatomy, it will be found of invaluable service as a reference. The diagram gives a view of the digestive organs from the ventral or front side, a proper study of which cannot fail to impress every intelligent being with the reverential deduction of the Psalmist that we are “_fearfully and wonderfully made_.” PREFACE TO THE ONE HUNDRED AND SEVENTIETH EDITION In presenting to the public the one hundred and seventieth edition of this work, it is a matter for profound gratification to be able to state that the treatment described in its pages has steadily increased in public favor since its introduction. Tens of thousands of grateful people testify to its efficiency, not only as a remedial process, but better still, as a preventive of disease. Truth must ever prevail, and this treatment being based on natural law (which is unerring), must achieve the desired result, which is the restoration and preservation of health. This edition has been completely revised and much of it re-written, and while the essential principles remain unchanged, some slight departures from previously expressed opinions may be noted; for in the years that have elapsed since the first edition saw the light, some notable advances have been made in rational therapeutics and dietetics, and no one can afford to lag behind the car of Progress. The arrangement of the book has been still farther altered, by adding another part, making nine in all, each part being devoted to a special phase of the general subject, thus simplifying it, and making its principles easier of application. Quotations have been freely made from articles written during the past three years by the author, in his capacity as editor of “Health,” and several new formulas for the treatment of important diseases have been added to those that have appeared in previous editions. While painfully conscious that the critically disposed may find something to condemn in its pages, the work is sent forth with the fervent hope, that despite any defects it may possess it may, in the future, as in the past, prove the means of restoring to suffering thousands the possession of their natural and rightful heritage--health. THE AUTHOR. CONTENTS. PART I. DRUGGING PROVED UNSCIENTIFIC. .....PAGE Health is wealth. The truth about “Materia Medica.” Medical opinions on drugs--they do not cure disease. Opinions of British physicians. The most important medical discoveries made by laymen. There is no “law of cure,” only a condition. Drugs do not act on the system, but are acted upon.....13 PART II. THE TRUE CAUSE OF DISEASE. Only one cause of disease. There is only one disease, but many modifications. Digestion and assimilation explained. Evil effects of the retention of waste. The horrors of fæcal impaction. How auto-infection is accomplished. The mysteries of the circulation. Disease shown to be the result of imperfect elimination.....37 PART III. RATIONAL HYGIENIC TREATMENT. Nature cures, not the physician. The action of microbes. The cathartic habit. The true action of cathartics explained, and popular suppositions corrected. A correct solution of the difficulty. “Flushing the colon” an ancient practice. Dr. Turner’s post mortem experiences. Colon distortion illustrated. Objections to the ordinary appliances--danger in using the long, flexible catheter. Invention of the “J. B. L. Cascade,” and description of it.....50 PART IV. HOW TO USE IT. The complete process of “flushing the colon” explained, step by step, so that even a child might understand it. Objections answered. Advice to users of the treatment.....71 PART V. PRACTICAL HYGIENE. Longevity man’s natural heritage. The care of the body--absolute cleanliness rare. The function of water in the human organism. Hot water the natural scavenger. The bath. Description of the skin, and its function. Hints on bathing. The wet sheet pack. Importance of fresh air. Interchange of gases in the lungs. Ventilation. Prof. Willard Parker on impure air. The function of the heart. The therapeutic value of sunlight.....86 PART VI. EXERCISE. Motion is life. Effect of exercise on the fluids of the body. How the tissues are nourished. Exercise for invalids. Complete system of breathing exercises for developing the lungs. Improved system of physical exercises, calling into play every muscle of the body--ensuring harmonious development. Special nerve exercise. How to stand and how to walk. All the above exercises plainly illustrated.....108 PART VII. THE DIET QUESTION. The replacement of waste. Appetite and hunger. The evils of gluttony. Vegetarianism versus flesh eating. Diet, a question of latitude. The cause of old age. Cretinism. Danger of earthy matters in food substances. Fruits are ideal foods. The true value of bread. Classification of the ingredients of food substances. Table of proportions. Table of digestive values. Vegetarianism discussed. A mixed diet the most reasonable. How to eat. Liquids at meals. When to eat. The no-breakfast plan. The effects of alcohol, tea and coffee. Improper habits of eating. The influence of mind upon digestion. The advantages of regularity. Nature’s bookkeeping.....124 PART VIII. TREATMENT OF DISEASE. Complete formulas of treatment (with dietary rules) for over fifty different diseases, including Consumption, Appendicitis, Locomotor Ataxia, Paralysis, Dyspepsia, Pneumonia, Diabetes Mellitus, Uterine troubles, etc. Also all the principal ailments of children.....158 PART IX. SOME HELPFUL SUGGESTIONS. Disease is the result of the operation of natural law--don’t dread it. Don’t treat symptoms; treat the fundamental cause. Pain is Nature’s danger signal.
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Is The Bible Worth Reading And Other Essays By Lemuel K. Washburn New York The Truth Seeker Company 1911 CONTENTS Dedication Is The Bible Worth Reading Sacrifice The Drama Of Life Nature In June The Infinite Purpose Freethought Commands A Rainbow Religion A Cruel God What Is Jesus Deeds Better Than Professions Give Us The Truth The American Sunday Lord And Master Are Christians Intelligent Or Honest The Danger Of The Ballot Who Carried The Cross Modern Disciples Of Jesus A Poor Excuse Profession And Practice Where Is Truth What Does It Prove Human Responsibility Abolish Dirt Religion And Morality Jesus As A Model Singing Lies A Walk Through A Cemetery Peace With God Saving The Soul The Search For Something To Worship Where Are They Some Questions For Christians To Answer The Image Of God Religion And Science The Bible And The Child When To Help The World The Judgment Of God Christianity And Freethought The Brotherhood And Freedom Of Man Whatever Is Is Right The Object Of Life Man The Dogma Of The Divine Man The Rich Man's Gospel Speak Well Of One Another Disgraceful Partnerships Science And Theology Unequal Remuneration The Old And The New Guard The Ear The Character Of God Not Important Oaths Dead Words Confession Of Sin Death's Philanthropy Our Attitude Towards Nature Reverence For Motherhood The God Of The Bible The Measure Of Suffering Nature Creeds Don't Try To Stop The Sun Shining Follow Me Can We Never Get Along Without Servants? A Heavenly Father Worship Not Needed Was Jesus A Good Man How To Help Mankind On The Cross Equal Moral Standards Authority A Clean Sabbath Human Integrity Is It True Keep The Children At Home Teacher And Preacher Fear Of Doubts Bible-Backing Beggars Habits Can Poverty Be Abolished The Roman Catholic God Human Cruelty Infidelity Atheism Christian Happiness What God Knows The Meaning Of The Word God What Has Jesus Done For The World The Agnostic's Position Orthodoxy Ideas Of Jesus The Silence Of Jesus Does The Church Save Save The Republic A Woman's Religion The Sacrifice Of Jesus Fashionable Hypocrisy The Saturday Half-Holiday The Motive For Preaching The Christian's God Indifference To Religion Sunday Schools Going To Church Who Is The Greatest Living Man [Illustration.] Lemuel K. Washburn DEDICATION The writer of this book dedicates it to all men and women of common honesty and common sense. IS THE BIBLE WORTH READING That depends. If a man is going to get his living by standing in a Christian pulpit, I should be obliged to answer, Yes! But if he is going to follow any other calling, or work at any trade, I should have to answer, No! There is absolutely no information in the Bible that man can make any use of as he goes through life. The Bible is not a book of knowledge. It does not give instruction in any of the sciences. It furnishes no help to labor. It is useless as a political guide. There is nothing in it that gives the mechanic any hint, or affords the farmer any enlightenment in his occupation. If man wishes to learn about the earth or the heavens; about life or the animal kingdom, he has no need to study the Bible. If he is desirous of reading the best poetry or the most entertaining literature he will not find it in the Bible. If he wants to read to store his mind with facts, the Bible is the last book for him to open, for never yet was a volume written that contained fewer facts than this book. If he is anxious to get some information that will help him earn an honest living he does not want to spend his time reading Genesis, Exodus, Numbers, Kings, Psalms, or the Gospels. If he wants to read just for the fun of reading to kill time, or to see how much nonsensical writing there is in one book, let him read the Bible. I have not said that there are not wise sayings in the Bible, or a few dramatic incidents, but there are just as wise sayings, and wiser ones, too, out of the book, and there are dramas of human life that surpass in interest anything contained in the Old or New Testament. No person can make a decent excuse for reading the Bible more than once. To do such a thing would be a foolish waste of time. But our stoutest objection to reading this book is, not that it contains nothing particularly good, but _that it contains so much that is positively bad_. To read this book is to get false ideas, absurd ideas, bad ideas. The injury to the human mind that reads the Bible as a reliable book is beyond repair. I do not think that this book should be read by children, by any human being less than twenty years of age, and it would be better for mankind if not a man or woman read a line of it until he or she was fifty years old. What I want to say is this, that there is nothing in the Bible that is of the least consequence to the people of the twentieth century. English literature is richer a thousand fold than this so-called sacred volume. We have books of more information and of more inspiration than the Bible. As the relic of a barbarous and superstitious people, it should have a place in our libraries, but it is not a work of any value to this age. I pity men who stand in pulpits and call this book the word of God. I wish they had brains enough to earn their living without having to repeat this foolish falsehood. The day will come when this book will be estimated for what it a worth, and when that day comes, the Bible will no longer be called the word of God, but the work of ignorant, superstitious men. ------------------------------------- The cross everywhere is a dagger in the heart of liberty. ------------------------------------- A miracle is not an explanation of what we cannot comprehend. ------------------------------------- The statue of liberty that will endure on this continent is not the one made of granite or bronze, but the one made of love of freedom. ------------------------------------- Take away every achievement of the world and leave man freedom, and the earth would again bloom with every glory of attainment; but take away liberty and everything useful and beautiful would vanish. SACRIFICE The sacrifice of Jesus, so much boasted by the Christian church, is nothing compared to the sacrifice of a mother for her family. It is not to be spoken of in the same light. A mother's sacrifice is constant: momentary, hourly, daily, life-long. It never ceases. It is a veritable providence; a watchful care; a real giving of one life for another, or for several others; a gift of love so pure and holy, so single and complete, that it is an offering in spirit and in substance. This is to me the highest, purest, holiest act of humanity. All others, when weighed with this unselfish consecration to duty, seem small and insignificant. There is, in a mother's life, no counting of cost, no calculation of reward. It is enough that a duty is to be done; that a service is to be rendered; that a sacrifice is called for. The true mother gives herself to the offices of love without hope, expectation, or wish of recompense. A mother's love for her children cannot be determined by any earthly measure, by any material standard. It outshines all glory, and is the last gleam of light in the human heart. A mother's love walks in a thousand Gethsemanes, endures a thousand Calvaries, and has a thousand agonies that the dying of Jesus upon a cross cannot symbolize. This maternal sacrifice is the greater that it is made cheerfully, without a murmur, and even with joy. If it is not sought; it is never pushed aside. A mother's sacrifice for her family makes a chapter of suffering, of patient toil and strife, of heroic endurance and forbearance, that religion is not yet high enough to appreciate; and this sublime devotion is not in one home, but in _hundreds of thousands in every land_ everywhere on earth, and it is real, true, heart-born, and the utmost of renunciation that human life has revealed. The brief martyrdom of Jesus was not voluntary, was not
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Produced by Charles Bowen from page scans provided by Google Books (the University of Wisconsin-Madison) Transcriber's Notes: 1. Page scan source: https://books.google.com/books?id=0CT7dv6IKAEC (the University of Wisconsin-Madison) Bell's Indian and Colonial Library JONAH'S LUCK JONAH'S LUCK BY FERGUS HUME AUTHOR OF "_The Mystery of a Hansom Cab_," "_The Guilty House_," "_The White Room_," "_The Wooden Hand_," "_The Fatal Song_," "_The Scarlet Bat_," _etc., etc_. LONDON GEORGE BELL AND SONS 1906 _This Edition is issued for circulation in India and the Colonies only_. CONTENTS CHAP. I. THE ADVENTURE
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Produced by Charlene Taylor, Jonathan Ingram and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Library of Early Journals.) [Transcriber's note: Characters with macrons have been marked in brackets with an equal sign, as [=e] for a letter e with a macron on top. Underscores have been used to indicate _italic_ fonts; equal signs indicate =bold= fonts. Original spelling variations have not been standardized. A list of volumes and pages in "Notes and Queries" has been added at the end.] NOTES and QUERIES: A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS, ANTIQUARIES, GENEALOGISTS, ETC. "When found, make a note of."--CAPTAIN CUTTLE. VOL. IV.--No. 109. SATURDAY, NOVEMBER 29. 1851. Price Threepence. Stamped Edition 4_d._ CONTENTS. Page NOTES:-- Thomas More and John Fisher 417 Notes on Newspapers, by H. M. Bealby 418 Treatise of Equivocation 419 Notes on Virgil, by Dr. Henry 420 Minor Notes:--Verses presented, to General Monck--Justice to Pope Pius V. 421 QUERIES:-- Crosses and Crucifixes 422 Master of the Buckhounds, by John Branfill Harrison 422 Minor Queries:--"No Cross no Crown"--Dido and AEneas--Pegs and Thongs for Rowing: Torture among the Athenians--French Refugees--Isabel, Queen of the Isle of Man--Grand-daughter of John Hampden--Cicada or Tettigonia Septemdecim--The British Sidanen--Jenings or Jennings--Caleva Atrebatum, Site of--Abigail--Etymology of Durden--Connecticut Halfpenny 423 MINOR QUERIES ANSWERED:--Arms displayed on Spread Eagle--St. Beuno--Lists of Knights Bachelor--Walker--See of Durham 424 REPLIES:-- Convocation of York 425 The Old Countess of Desmond 426 Coins of Vabalathus 427 Marriage of Ecclesiastics 427 Replies to Minor Queries:--"Crowns have their Compass"--The Rev. Richard Farmer--Earwig 428 MISCELLANEOUS:-- Notes on Books, Sales, Catalogues, &c. 429 Books and Odd Volumes wanted 429 Notices to Correspondents 430 Advertisements 430 Notes. THOMAS MORE AND JOHN FISHER. Although I am afraid "NOTES AND QUERIES" may not be considered as open to contributions purely bibliographical, and admitting I am uncertain whether the following copy of the treatise of John Fisher, Bishop of Rochester, has been before noted, I am induced to send this extract from Techener's _Bulletin du Bibliophile_ for May 1851. The book is in the library at Douai. "This Treatise concernynge the fruytful Saynges of David the King and prophete in the seven penytencyall psalmes, devyded in _ten_ sermons, was made and compyled by the ryght reverente fader in god Johan Fyssher, doctour of dyvinyte and bysshop of Rochester, at the exortacion and sterynge of the most excellent pryncesse Margarete, Countesse of Richemount and Derby, and moder to out souverayne Lorde Kynge H[=e]ry the VII." It is described as a small 4to., printed upon vellum, in Gothic letters, at London, 1508, by Wynkyn de Worde, and contains 146 leaves. On the first leaf it has a portcullis, crowned with the motto "Dieu et mon Droit." On the recto of the last leaf there is-- "Here endeth the exposycyon of the 7 psalmes. Enprynted at London in the fletestrete, at the sygne of ye Sonne, by Wynkyn de Worde. In the yere of oure lorde M.CCCCC.VIII. ye 16 day of ye moneth of Juyn. The XXIII. yere of ye reygne of our souverayne Lorde Kynge H[=e]ry the Seventh." At the back, there is the sun, the monogram of Wynkyn de Worde--the letters W. C. displayed as usual--and beneath, "Wynkyn de Worde." At the beginning of the book, "sur une garde en velin" (a fly-leaf of vellum?), there is written in a very neat hand the following ten verses, the profession of faith of Thomas Morus and of his friend John Fisher, Bishop of Rochester: "The surest meanes for to attaine The perfect waye to endlesse blisse Are happie lief and to remaine W'thin ye church where virtue is; And if thy conscience be sae sounde To thinse thy faith is truth indeede Beware in thee noe schisme be founde That unitie may have her meede; If unitie thow doe embrace In heaven (_en_?)joy possesse thy place." Beneath-- "Qui non recte vivit in unitate ecclesiae Catholicae, salvus esse non potest." And lower on the same page-- "Thomas Morus d[=n]s cancellarius Angliae Joh. Fisher Epus Roffensis." It is traditionally reported, upon the testimony of some Anglican Benedictines (an order now extinct), that the lines which contain the profession of faith, and those which follow, are in the handwriting of Bishop Fisher, and that the work was presented by him to the chancellor, during their imprisonment, when by order of Henry VIII. the chancellor was denied the consolation of his books. In the same library there is a fine Psalter, which belonged to Queen Elizabeth. The _Livre d'Heures_ of Mary Queen of Scots was here also to be found: "Maria, glorious martyr and Queen of Scotland." It is conjectured these books were brought to Douai by the fugitive English Roman Catholic priests. In 1790 their collections were confiscated and given to the public library of Douai. It would be of interest to ascertain, if possible, the authenticity of the _Heures a l'Usage_, stated to have belonged to Mary Queen of Scots. Upon this point one may be permitted to be sceptical. I have myself seen two. One of these, it was said, had been used by Mary on the scaffold, and contained a note in the handwriting, as I think, of James II. attesting the fact. It was understood to have been obtained from a monastery in France. The other, a small Prayer Book MS. in vellum, of good execution, had the signature "M." with a line I think over it of "O Lord, deliver me from my enemies!" in French. I am, however, now writing from memory, and, in the first case, of very many years. Whether the line, "Maria, glorious martyr and Queen of Scotland," be written in the Psalter, or has been added by the mental excitement of M. Duthilloeul, the librarian at Douai, I cannot decide. The grand culmination of "and Queen of Scotland" forms doubtless a very striking anti-thesis: but neither the possessor of the book nor a priest would have so sunk the martyr, although a woman and a queen were alike concerned, as this line does. Lowndes states there is a copy of the bishop's treatise on vellum at Cambridge. A copy is in the British Museum; but the title, according, to Lowndes, has _seven_ sermons. It will be observed the title now given has _ten_. S. H. NOTES ON NEWSPAPERS. The social elements of society in the seventeenth century were more simple in their character and development than at the present period. The population was comparatively small, and therefore the strivings for success in any pursuit did not involve that severe conflict which is so frequently the case in the present day. Society then was more of a community than it is now. It had not public bodies to aid it. It was left more to its own inherent resources for reciprocal good, and for mutual help. The temptations to evade and dissemble, in matters of business, or private and public negotiations, were not so strong as they now are. Its transactions were more transparent and defined, because they were fewer and less complicated than many of our own. We readily grant that society now, in its social, religious, and commercial aspects, enjoys advantages immeasurably superior to those of any former period; still there are some few advantages which it had then, that it cannot possess now. The following advertisements, from the newspapers of the time, will illustrate the truth of the foregoing remarks: From a _Collection for Improvement of Husbandry and Trade_. Friday, January 26, 1693/4. "One that is fit to keep a Warehouse, be a Steward, or do any Business that can be supposed an intelligent Man that has been a Shopkeeper is fit for, and can give any Security that can be desired, as far as Ten Thousand Pound goes, and has some Estate of his own, desires an Employment of One hundred Pounds a year, or upwards. I can give an account of him." That a man having 10,000_l._ to give as security, and in possession of an estate, should require a situation of 100_l._ per annum, sounds oddly enough in our ears. "I can give an account of him," denotes that the editor was a man well known and duly appreciated. He appears to have been a scribe useful in many ways. He was known, and knowing. Friday, February 2, 1693/4. "A very eminent Brewer, and one I know to be a very honest Gentleman, wants an Apprentice. I can give an account of him." In what sense the word "honest" must here be taken it is difficult to define. As an eminent brewer, we should naturally conclude he must have been an honest man. He is here very eminent and very honest. Friday March 16, 1693/4. "Many Masters want Apprentices, and many Youths want Masters. If they apply themselves to me, I'll strive to help them. Also for variety of valuable services." Here is the editor of a paper offering his help to masters and apprentices for their mutual good. Let us suppose an advertisement of this kind appearing in _The Times_ of our own day. Printing-house Square would not contain a tithe of the individuals who would present themselves for the reception of this accommodating aid. In such a case the editors (as it regards their particular duties) would be cyphers, for a continuous absorption of their time would necessarily occur in the carrying out of this benevolent offer. This advertisement may be considered as _multum in parvo_, giving the wants of the many in an announcement of three or four lines, connecting them with a variety of services which in those days were thought to be valuable. How greatly are we assisted by these little incidents in forming correct views of the state of society at that period. The next advertisement shows the value set upon the services of one who was to perform the duties of a clerk, and to play well on the violin. "If any young Man that plays well on a Violin, and writes a good Hand, desires a Clerkship, I can help him to Twenty Pounds a year." Of course twenty pounds was of more value then than it is now: still it seems a small sum for the performance of such duties, for twelve months. Here is musical talent required for the amusement of others, in combination with the daily duties of a particular profession. An efficient musician, and a good writer, and all for 20_l._ per annum! We learn by the editor's "I can help him," his readiness to assist all who would advertise in his journal, to obtain those employments which their advertisements specified. Friday, April 6, 1694. "A Grocer of good business desires an Apprentice of good growth." The "good growth" must have been intended to convey the idea of height and strength. My next article shall be devoted to advertisements of another class, further illustrating the state of society and the peculiarities of the people at the end of the seventeenth century. H. M. BEALBY. North Brixton. TREATISE OF EQUIVOCATION. As having originated the inquiry in "NOTES AND QUERIES"[1] respecting this Treatise, under
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Produced by Juli Rew. Vanity Fair by William Makepeace Thackeray BEFORE THE CURTAIN As the manager of the Performance sits before the curtain on the boards and looks into the Fair, a feeling of
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Produced by Emmy, MFR and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) CONNECTICUT WIDE-AWAKE SONGSTER. EDITED BY JOHN W. HUTCHINSON, OF THE HUTCHINSON FAMILY OF SINGERS; ASSISTED BY BENJAMIN JEPSON. “Lincoln and Liberty.” NEW YORK: O. HUTCHINSON, PUBLISHER, 272 GREENWICH STREET. 1860. PURCHASING AGENCY. FOR the accommodation of my numerous friends in various parts of the country who prefer not to be at the expense of frequent visits to New York, I have made arrangements with some of the most reliable houses in the city to supply those who may favor me with their orders for BOOKS, STATIONERY, Hats and Caps, Dry-Goods, DRUGS, HARDWARE, FURNITURE, CARPETS, WALL-PAPERS, GROCERIES, ETC., ETC., on such terms as can not but be satisfactory to the purchasers. The disposition on the part of many merchants to overreach their customers when they have an opportunity of doing so, renders it almost as necessary for merchants to give references to their customers as for customers to give references of their standing to the merchants; hence I have been careful to make arrangements only with honorable and responsible houses who can be fully relied on. As my trade with those houses will be large in the aggregate, they can afford to allow me a trifling commission and still supply my customers at their _lowest rates_, which I will engage shall be as low as any regular houses will supply them. My friends and others are requested to try the experiment by forwarding me orders for anything they may chance to want, and if not satisfied, I will not ask them to repeat the experiment. Those visiting the city are invited to give me a call before making their purchases, and test the prices of the houses to whom I can with confidence introduce them. Bills for small lots of goods, if sent by express, can be paid for on delivery, or arrangements can be made for supplying responsible parties on time. Address, =O. HUTCHINSON, New York=. CONNECTICUT WIDE-AWAKE
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Produced by Martin Pettit and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) THE ART OF PROMOTING THE GROWTH OF THE Cucumber and Melon; IN A SERIES OF DIRECTIONS FOR THE BEST MEANS TO BE ADOPTED IN BRINGING THEM TO _A COMPLETE STATE OF PERFECTION_. * * * * * BY THOMAS WATKINS, _Many Years Foreman with Mr. Grange, of Hackney, and now with W. Knight, Esq. Highbury Park._ * * * * * LONDON: PUBLISHED BY HARDING, ST. JAMES'S STREET; AND SOLD BY GRANGE AND DULLY, FRUITERERS, COVENT GARDEN; MASON AND SON, SEEDSMEN, FLEET STREET; WARNER AND CO. SEEDSMEN, CORNHILL; GARRAWAY, NURSERY AND SEEDSMAN, NEAR MARYLAND POINT, STRATFORD, ESSEX; AND BY THE AUTHOR, AT HIGHBURY. 1824. * * * * * PRINTED BY S. CAVE, ISLINGTON GREEN. * * * * * THE ART OF PROMOTING THE GROWTH OF THE Cucumber and Melon. ADVERTISEMENT. The author begs to inform the purchasers of this work, that it was originally his intention to have given an engraving of the particular description of cucumber and melon, which he has been so successful in bringing to a state of perfection; and, in fact, a plate was executed, at a considerable expense, for that purpose. Finding, however, that although accurate in its representation of _fine_ fruit, it did not pourtray the difference, nor convey the precise idea of those qualities which constitute the superiority of the author's; and aware that such would have been obvious to every experienced gardener, the design was necessarily abandoned, trusting, that as it was merely intended for an embellishment, its deficiency will not render the work less valuable to the profession. CONTENTS. The Cucumber Seed-bed for October Page 1 The Fruiting Frame for early Plants 14 The Seed-bed for January 43 On the Culture of the late Cucumber 46 On the Hand-glass Cucumber 51 Dimensions of the Boxes and Lights for early and late Cucumbers 59 On the Culture of early and late Melons 65 Dimensions of the Boxes and Lights for ditto 83 Preface. Having, when young, imbibed a particular inclination to study the culture of the cucumber and melon, under the direction of my father, whose character as an early framer was in high repute, I assiduously tried every experiment which was calculated to improve upon his system, by bringing them to a more complete state of perfection. In marking the progress of their growth, I usually committed to writing those plans which I had found to have been productive of beneficial effects. The result of these remarks has proved the compilation of the following treatise, undertaken at the request of several horticulturists, who have expressed their desire to become acquainted with the process of my mode of cultivation. Considering it superfluous to enlarge this work by unnecessary or controversial observations, I have confined myself entirely to those directions, upon which I have uniformly acted; and have endeavoured to reduce them into as plain and simple a form as possible; at the same time observing to omit nothing which can be of utility in this difficult and hitherto imperfectly understood branch of horticulture. Several gardeners, who are now very eminent in their profession, have placed themselves under my tuition, and I flatter myself are perfectly satisfied that the instruction they received, was fully adequate to the compensation required; and perfectly convinced them of the superiority of my mode of culture. I here pledge myself, that the advice given to such practitioners is contained in the following directions. My principal object in the different experiments I have tried, has always been to discover an easy, as well as a certain method of maturing these delicate plants, and, in consequence, have avoided, as much as possible, any artificial means that might be attended with difficulty or expense. The only writer I know upon this subject, with the exception of Abercrombie, whose system is now totally exploded, is Mr. M'Phail, gardener to Lord Hawkesbury. This gentleman published a treatise in the year 1795, in which he strenuously recommends brick pits for cucumbers and melons, as far superior to the dung bed. It will be obvious, however, to every person who has perused that work, that the plan was adopted merely through deficiency of knowledge in the proper management of the dung bed; for Mr. M'Phail asserts, that upon first attempting to produce early cucumbers in Lord Hawkesbury's garden, he completely failed, and was, in consequence, induced to apply to some horticulturist in the neighbourhood, to whom he paid a gratuity of five guineas for his instruction. The principal thing he appears to have been taught, was to keep the burning heat of the dung about the roots of the plants down by the continual application of water into the bed; which, however, he found insufficient to preserve them in a thriving state, throughout the winter months. This caused him to assert that it was out of the power of any person to keep a dung bed sweet, and consequently impracticable to rear them at that time of the year. To this I have only to observe, that the following directions will prove a contradiction; for if they are strictly attended to, no fear need be entertained of their vigorous growth, either from the premature season, or the inclemency of the weather. In December and January, although their health is certain, I must allow that they do not grow so fast as in other months; and this is the particular time when difficulty is experienced by those who are unacquainted with the proper means to be adopted, although, perhaps, their efforts may have been attended with far more trouble than the rules here prescribed. The dung bed is certainly of the greatest importance both in the culture of the cucumber and melon; and want of knowledge in the management is generally the cause of the loss of the plants in the winter season, by the settlement of a cold moisture upon them, which cannot be removed without assistance from the sun: particular attention, therefore, to the directions given upon that point is highly necessary; indeed, it cannot be too strongly impressed on the mind of the horticulturist that upon this greatly depends the success of his endeavours to mature them to any degree of perfection. In the remarks upon preserving the plants from a cold moisture, in the most inclement weather, I have called to assistance what may be technically termed an artificial sun; and as this most material point may be perfectly understood I shall here describe it more particularly. Keep the bed always wrapped up to nearly the top of the box with hay, straw, or any kind of sweet litter; observing that hay, however damaged, is certainly preferable; this will have the desired effect in promoting a top heat, and obviating the difficulty above-mentioned, in keeping the plants perfectly dry. To those who are unacquainted with the management of a dung bed, a brick one certainly appears more advantageous, in being attended with less trouble to the horticulturist, though infinitely with more expense, both in the building and consumption of dung: this, however, is a mistaken idea, for nothing certainly can be more congenial to the growth of either the cucumber or melon than a sweet steam heat: this essential requisite, which may always be obtained by the process hereafter described, can be but partially promoted in brick pits; for although water, in its necessary application, may create a steam heat, it soon evaporates; and the heat of the linings having to pass through the bricks and tiles, it becomes dry, and quite incapable of affording any nourishment to the plants. The limited space in which the plants are confined in their growth by brick pits, is also a very great objection to this mode of culture. That they derive their
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Produced by Emmy, Juliet Sutherland and the Online Distributed Proofreading Team at http://www.pgdp.net THE NURSERY _A Monthly Magazine_ FOR YOUNGEST READERS. VOLUME XIII.--No. 3 BOSTON: JOHN L. SHOREY, No. 36 BROMFIELD STREET. 1873. Entered according to Act of Congress, in the year 1873, BY JOHN L. SHOREY, In the Office of the Librarian of Congress at Washington. BOSTON: RAND, AVERY, & CO., STEREOTYPERS AND PRINTERS. [Illustration: Contents] IN PROSE. PAGE. The Pigeons and their Friend 65 The Obedient Chickens 69 John Ray's Performing Dogs 71 Ellen's Cure for Sadness 75 Kitty and the Bee 78 Little Mischief 82
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Produced by Jason Isbell, Sam W. and the Online Distributed Proofreading Team at http://www.pgdp.net IN THE YULE-LOG GLOW CHRISTMAS POEMS FROM 'ROUND THE WORLD "Sic as folk tell ower at a winter ingle" _Scott_ EDITED BY HARRISON S. MORRIS IN FOUR BOOKS Book IV. PHILADELPHIA
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Produced by David Edwards, Charlie Howard, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber’s Note
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Produced by Les Bowler PENELOPE'S EXPERIENCES IN SCOTLAND Being extracts from the commonplace book of Penelope Hamilton By Kate Douglas Wiggin 1913 Gay and Hancock edition To G.C.R. Contents. Part First--In Town. I. A Triangular Alliance. II. Edina, Scotia's Darling Seat. III. A Vision in Princes Street. IV. Susanna Crum cudna say. V. We emulate the Jackdaw. VI. Edinburgh society, past and present. VII. Francesca meets th' unconquer'd Scot. VIII. 'What made th' Assembly shine?'. IX. Omnia presbyteria est divisa in partes tres. X. Mrs. M'Collop as a sermon-taster. XI. Holyrood awakens. XII. Farewell to Edinburgh. XIII. The spell of Scotland. Part Second--In the Country. XIV. The wee theekit hoosie in the loaning. XV. Jane Grieve and her grievances. XVI. The path that led to Crummylowe. XVII. Playing 'Sir Patrick Spens.' XVIII. Paris comes to Pettybaw. XIX. Fowk o' Fife. XX. A Fifeshire tea-party. XXI. International bickering. XXII. Francesca entertains the green-eyed monster. XXIII. Ballad revels at Rowardennan. XXIV. Old songs and modern instances. XXV. A treaty between nations. XXVI. 'Scotland's burning! Look out!.' XXVII. Three magpies and a marriage. Chapter I. A Triangular Alliance. 'Edina, Scotia's Darling seat! All hail thy palaces and towers!' Edinburgh, April 189-. 22 Breadalbane Terrace. We have travelled together before, Salemina, Francesca, and I, and we know the very worst there is to know about one another. After this point has been reached, it is as if a triangular marriage had taken place, and, with the honeymoon comfortably over, we slip along in thoroughly friendly fashion. I use no warmer word than'friendly' because, in the first place, the highest tides of feeling do not visit the coasts of triangular
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Produced by Charlene Taylor, Jonathan Ingram, Keith Edkins and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Library of Early Journals.) {189} NOTES AND QUERIES: A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS, ANTIQUARIES, GENEALOGISTS, ETC. "When found, make a note of."--CAPTAIN CUTTLE. * * * * * No. 227.] SATURDAY, MARCH 4. 1854. [Price Fourpence. Stamped Edition 5d. * * * * * CONTENTS. NOTES:-- Page Burton's "Anatomy of Melancholy," by Dr. E. F. Rimbault 191 "[Greek: Aion]," its Derivation 192 William Lyons, Bishop of Cork, Cloyne, and Ross 192 Curious Marriage Agreement 193 Ancient American Languages, by K. R. H. Mackenzie 194 Conduitt and Newton, by Bolton Corney 195 MINOR NOTES:--The Music in Middleton's Tragi-Comedy of the "Witch"--Mr. Macaulay and Sir Archibald Alison in error--"Paid down upon the nail"--Corpulence a Crime--Curious Tender--The Year 1854--A Significant Hint 196 QUERIES:-- Literary Queries, by the Rev. R. Bingham 197 MINOR QUERIES:--Hunter of Polmood in Tweed-dale-- Dinteville Family--Eastern Practice of Medicine-- Sunday--Three Picture Queries--"Cutting off with a Shilling"--Inman or Ingman Family--Constable of Masham--Fading Ink--Sir Ralph Killigrew 198 MINOR QUERIES WITH ANSWERS:--Pepys--"Retainers to Seven Shares and a Half"--Madden's "Reflections and Resolutions proper for the Gentlemen of Ireland"-- King Edward I.'s Arm--Elstob, Elizabeth--Monumental Brasses in London 199 REPLIES:-- Rapping no Novelty: and Table-turning, by Wm. Winthrop, &c. 200 General Whitelocke, by J. S. Harry, &c. 201 "Man proposes, but God disposes," by J. W. Thomas, &c. 202 Napoleon's Spelling, by H. H. Breen 203 Memoirs of Grammont, by W. H. Lammin 204 The Myrtle Bee, by Charles Brown 205 Celtic Etymology 205 PHOTOGRAPHIC CORRESPONDENCE:--Improvements in the Albumenized Process--Mr. Crookes on restoring old Collodion--Photographic Queries 206 REPLIES TO MINOR QUERIES:--London Fortifications-- Burke's Domestic Correspondence--Battle of Villers-en-Couche--"I could not love thee, dear, so much"--Sir Charles Cotter
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Produced by David Edwards, Dan Horwood and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) [Illustration: LET GO OF THAT HORSE!--PAGE 144. Y. A.] * * * * * YOUNG AUCTIONEERS; OR, THE POLISHING OF A ROLLING STONE. By EDWARD STRATEMEYER, Author of "Bound to be an Electrician," "Shorthand Tom," "Fighting for his Own," etc., etc. W. L. ALLISON COMPANY, NEW YORK. * * * * * Popular Books for Boys and Girls. Working Upward Series, By EDWARD STRATEMEYER. THE YOUNG AUCTIONEERS, or The Polishing of a Rolling Stone. BOUND TO BE AN ELECTRICIAN, or Franklin Bell's Success. SHORTHAND TOM THE REPORTER, or The Exploits of a Smart Boy. FIGHTING FOR HIS OWN, or The Fortunes of a Young Artist. Price, $1.00 per Volume, postpaid. Bright and Bold Series, By ARTHUR M. WINFIELD. POOR BUT PLUCKY, or The Mystery of a Flood. SCHOOL DAYS OF FRED HARLEY, or Rivals for All Honors. BY PLUCK, NOT LUCK, or Dan Granbury's Struggle to Rise. THE MISSING TIN BOX, or Hal Carson's Remarkable City Adventures. Price, 75 Cents per Volume, postpaid. Young Sportsman's Series, By CAPTAIN RALPH BONEHILL. THE RIVAL BICYCLISTS, or Fun and Adventures on the Wheel. YOUNG OARSMEN OF LAKEVIEW, or The Mystery of Hermit Island. LEO THE CIRCUS BOY, or Life Under the Great White Canvas. Price, 75 Cents per Volume, postpaid. Young Hunters Series, By CAPTAIN RALPH BONEHILL. GUN AND SLED, or The Young Hunters of Snow-Top Island. YOUNG HUNTERS IN PORTO RICO, or The Search for a Lost Treasure. (Another volume in preparation.) Price, 75 Cents per Volume, postpaid. W. L. ALLISON CO., 105 Chambers Street, New York. COPYRIGHT, 1897, BY W. L. ALLISON CO. CONTENTS. CHAPTER. PAGE I. Matt Attends a Sale 5 II. A Lively Discussion 12 III. Something of the Past 19 IV. An Interesting Proposition 26 V. Matt Is Discharged 33 VI. A Business Partnership 40 VII. Getting Ready to Start 47 VIII. An Unexpected Set-Back 53 IX. The Result of a Fire 60 X. On the Road at Last 68 XI. Harsh Treatment 77 XII. Matt Stands up for Himself 84 XIII. The Corn Salve Doctor 92 XIV. The Young Auctioneer 100 XV. The Charms of Music 108 XVI. The Confidence Man 116 XVII. The Storm 124 XVIII. A Hold Up 132 XIX. Out of a Bad Scrape 141 XX. Accused of Stealing 150 XXI. The Tell-Tale Cap 157 XXII. The Shanty in the Woods 165 XXIII. Something is Missing 173 XXIV. Along the River 181 XXV. A Bitter Mistake 189 XXVI. Something of a Surprise 197 XXVII. Timely Assistance 205 XXVIII. Back to the Village 213 XXIX. Undesirable Customers 220 XXX. A Dash from Danger 229 XXXI. Dangerous Mountain Travelling 238 XXXII. An Interesting Letter 245 XXXIII. The Rival Auctioneers 252 XXXIV. Matt Speaks His Mind 260 XXXV. Tom Inwold 268 XXXVI. Lost in the Snow 277 XXXVII. More of Auction Life 284 XXXVIII. A Surprising Discovery 291 XXXIX. A Mystery Cleared Up 298 XL. The Mining Shares 304 PREFACE. "The Young Auctioneers" forms the initial volume of a line of juvenile stories called "The Working Upward Series." The tale is complete in itself, and tells of the adventures of a homeless, although not a penniless youth, who strikes up an acquaintanceship with another young fellow experienced as an auctioneer. The two purchase a horse and wagon, stock up with goods, and take to the road. The partners pass through a number of more or less trying experiences, and the younger lad is continually on the lookout for his father, who has broken out of an asylum while partly deranged in mind over the loss of his wife and his fortune. I have endeavored in this tale to give a faithful picture of life among a certain class of traveling salesmen who are but little known to the world at large, especially to those who inhabit our large cities. In country places the traveling auctioneer is looked for as a matter of course, and he is treated according to the humor of the inhabitants, or rather, according to the merits or demerits of the "bargains" offered on a previous trip. I sincerely trust that my numerous boy readers will find the tale to their liking, and that the moral--to lead an upright, honest life under any and all circumstances--will not escape them. EDWARD STRATEMEYER. THE YOUNG AUCTIONEER. CHAPTER I. MATT ATTENDS A SALE. "Now, ladies and gentlemen, what am I offered for this elegant vase, imported direct from Italy, a most marvelous piece of workmanship, worth every cent of twenty-five dollars? Who will start it at five dollars? Start it at four? Start it at three? At two? At one dollar? What is that--fifty cents? Rather low, lady, but as I said before, these goods must be sold, regardless of the prices obtained. Fifty cents, it is! Fifty--fifty! Who will make it one dollar?" "Sixty!" "What, only sixty? Well, well, well! Never mind, the goods must go, and sixty cents is better than nothing. Sixty--sixty----" "Seventy-five!" "Eighty!" "One dollar!" "At last I am offered one dollar! Think of it! One dollar for a beautiful vase such as might well adorn the home of a Gould, or a Vanderbilt! But such is life. One dollar--one dollar----" "One and a quarter!" "One and a half!" "One and a half is offered! Oh, what a shame, ladies and gentlemen; a paltry dollar and a half for an article worth, at the very lowest estimate, twenty-five dollars. Who makes it two dollars?" "Two!" "Two and a half!" "Three!" "Three and a quarter!" "Three and a quar-- Ah, four dollars? Four dollars! Who says five? Going at four--at four--at four. Four and a half--four and a quarter--this is your last chance, remember. Did you say five, sir? No? Well, four it is, then. Going--going--the last chance, ladies and gentlemen! Going--going--gone, to the lady in the brown dress, Andrew, for four dollars!" The scene was a small store on Nassau street near Fulton street, in New York City. Outside of the open doorway hung a red flag, indicative of an auction sale. The single window of the place was crowded with vases, imitation marble statues, plated tableware, and gorgeous lamps of highly-polished metal. Among these articles was a sign in black letters on white cardboard bearing these words: ROYAL CONSIGNMENT AUCTION CO., Sales Daily from 10 A.M. to 3 P.M. Inside, toward the
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Produced by Nick Hodson of London, England Whoso Findeth a Wife, by William Le Queux. ________________________________________________________________________ ________________________________________________________________________ WHOSO FINDETH A WIFE, BY WILLIAM LE QUEUX. CHAPTER ONE. A STATE
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Produced by Sankar Viswanathan, Barbara Tozier, Bill Tozier, and the Online Distributed Proofreading Team at http://www.pgdp.net IN THE DAY OF ADVERSITY COPYRIGHT, 1895, BY D. APPLETON AND COMPANY. * * * * * PREFACE. Those who are acquainted with the delightful Memoires Secrets de M. Le Comte de Bussy Rabutin (particularly the supplements to them), and with Rousset's Histoire de Louvois, will, perhaps, recognise the inspiration of this story. Those who are not so acquainted with these works will, I trust, still be able to take some interest in the adventures of Georges St. Georges. J. B.-B. * * * * * CONTENTS. CHAP. PAGE I.--"THE KING'S COMMAND" 1 II.--HOSPITALITY! 10 III.--IT IS THE MAN 18 IV.--"HER LIFE STANDS IN THE PATH OF OTHERS' GREED" 27 V.--THE GRAVEYARD 34 VI.--A LITTLE LIGHT 44 VII.--A REASON 53 VIII.--DRAWING NEAR 62 IX.--A ROYAL SUMMONS 71 X.--MADAME LA MARQUISE 80 XI.--THE MARQUISE TELLS A STORY 89 XII.--LOST 96 XIII.--DE ROQUEMAURE'S WORK 105 XIV.--"I MUST SPEAK!" 114 XV.--THE MINISTER OF WAR 123 XVI.--PASQUEDIEU! 132 XVII.--"KILL HIM DEAD, RAOUL!" 140 XVIII.--LA GALERE GRANDE REALE 149 XIX.--"A NEW LIFE" 158 XX.--"HURRY, HURRY, HURRY!" 166 XXI.--MAY, 1692 175 XXII.--LA HOGUE 183 XXIII.--THE BITTERNESS OF DEATH 191 XXIV.--ON THE ROAD 199 XXV.--"I KNOW YOUR FACE" 207 XXVI.--IN THE SNARE 216 XXVII.--ANOTHER ESCAPE 224 XXVIII.--THE FLEUR-DE-LIS 231 XXIX.--FAREWELL HOPE 240 XXX.--"IT IS TRUE" 248 XXXI.--ST. GEORGES'S DOOM 256 XXXII.--THE LAST CHANCE 265 XXXIII.--THE DAY OF EXECUTION 274 XXXIV.--"I WILL NEVER FORGIVE HER" 283 XXXV.--AT LAST 291 CONCLUSION 300 * * * * * IN THE DAY OF ADVERSITY. THE FIRST PERIOD. CHAPTER I. "THE KING'S COMMAND." All over Franche-Comte the snow had fallen for three days unceasingly, yet through it for those three days a man--a soldier--had ridden, heading his course north, for Paris. Wrapped in his cloak, and prevented from falling by his bridle arm, he bore a little child--a girl some three years old--on whom, as the cloak would sometimes become disarranged, he would look down fondly, his firm, grave features relaxing into a sad smile as the blue eyes of the little creature gazed upward and smiled into his own face. Then he would whisper a word of love to it, press it closer to his great breast, and again ride on. For three days the snow had fallen; was falling when he left the garrison of Pontarlier and threaded his way through the pine woods on the Jura <DW72>s; fell still as, with the wintry night close at hand, he approached the city of Dijon. Yet, except to sleep at nights, to rest himself, the child, and the horse, he had gone on and on unstopping, or only stopping to shoot once a wolf that, maddened with hunger, had sprung out at him and endeavoured to leap to his saddle; and once to cut down two footpads--perhaps poor wretches, also maddened with hunger--who had striven to stop his way. On and on and on through the unceasing snow he had gone with the child still held fast to his bosom, resting the first night at Poligny, since the snow was so heavy on the ground that his horse could go no further, and another at Dole for the same reason, until now he drew near to Dijon. "A short distance to travel in three days," he muttered to himself, as, afar off, his eye caught the gleam of a great beacon flaring surlily through the snow-laden air--the beacon on the southern watchtower of the city walls--"a short distance. Yet I have done my best. Have obeyed orders. Now let me see for further instructions." There was still sufficient light left in the wintry gloom to read by, whereon, shifting the child a little as he drew rein--it needed not much drawing, since the good horse beneath him could hardly progress beyond the slowest walk, owing to the accumulated snow--he took from his holster a letter, and, passing over the beginning of it, turned to the last leaf and read: "At Dijon you will stay at the chateau of my good friend and subject the Marquis Phelypeaux, avoiding all inns; at Troyes, at the manoir of Madame la Marquise de Roquemaure; at Melun, if you have to halt there, at the chateau of Monsieur de Riverac. Between these, if forced to rest, you are to select the auberges which offer; but at these three towns you are to repose yourself as stated. Above all, fail not to present yourself at the manoir of Roquemaure. The marquise will deliver to your keeping a message for me. Therefore, be sure you travel by the route indicated, and not by that which passes by Semur, Tonnerre, and Sens. On this, I pray God to have you, M. Georges St. Georges, in his holy keeping. Written at Paris, the 9th of December, 1687. "_Signe_, LOUIS. _Soussigne_, LOUVOIS." "So," said M. Georges St. Georges to himself, as he replaced the letter in his holster, "it is to the Marquis Phelypeaux that I am to go. So be it. It may be better for the child than at an inn. And I cannot gossip, or, if I do, only to my host, who will doubtless retail it all to the king." Then addressing himself to the watchman on the southern gate, he cried: "Open there, and let me in!" "'Tis too late," the man replied, looking down at him through the fast-gathering night. "None enter Dijon now after four of the evening. Ten thousand devils! why could you not have come half an hour earlier? Yet there is a good auberge outside the walls, and----" "Open, I say!" called up the horseman. "I ride by the king's orders, and have to present myself to the Marquis Phelypeaux. Open, I say!" "_Tiens!_" exclaimed the watchman, peering down at him through the gray snow and rime with which was now mixed the blackness of the oncoming night. "You ride in the king's name and would see the marquis. _C'est autre chose!_ Yet I must be careful. Wait, I will descend. Draw up to the _grille_ of the gate." The horseman did as the watchman bid him, looking down once at the child in his arms, whose face had become uncovered for a moment, and smiling again into its eyes, while he muttered, "Sweet, ere long you shall have a softer couch"; then, as the _grille_ opened and the watchman's ruddy face--all blotched with the consumption of frequent _pigeolets_ of Macon and other wines--appeared at the grating, he bent down toward him as though to submit his own face to observation. "Your name and following?" grunted the man. "Georges St. Georges. Lieutenant in the Chevaux-Legers of the Nivernois. In garrison at the Fort de Joux, between Verrieres and Pontarlier. Recalled to Paris by order of the king. Ordered to visit the Marquis Phelypeaux. Are you answered, friend?" "What do you carry in your arms? It seems precious by the way you clasp it to you." "It is precious. It is a child--my child." "_Tiens!_ A strange burden for a soldier _en route_ from the frontier to Paris. Where is the mother?" "In her grave! Now open the gate." For answer the bolts and bars were heard creaking, and presently one half of the great door swung back to admit the rider. And he, dismounting, led his horse through it by one hand, while with the other he clasped his child to his breast beneath the cloak. Standing in the warder's lodge was a woman--doubtless his wife--who had heard the conversation; for as St. Georges entered she came forward and exclaimed gently: "A cold, long ride, monsieur, for such as that," and she touched with her finger the rounded back of the child as it lay curled up on his arm beneath the cloak. Then, still femininely, she went on: "Ah! let me see the _pauvrette_," and without resistance from him she drew back the cloak and gazed at it. "Mon Dieu!" she exclaimed, "a pretty little thing. Poor little _bebe_. And the mother dead, monsieur?" her eyes filling with tears as she spoke. "Dead," he replied--"dead. In giving birth to her. I am father and mother both. God help her!" The woman stooped down and kissed the little thing, whose soft blue eyes smiled up at her; then she said: "The Marquis Phelypeaux is a solitary--dwelling alone. There is little provision for children there. What will monsieur do?" "As I have done for three years--attend to all its wants myself. There is none other. It had a nurse in the fort; but I could not leave it nor bring her with me. In Paris I may find another. Now tell me where the house of this marquis is?" and he made a movement to go forward. "And its name, monsieur?" the kindly woman asked, still touched with pity for the little motherless thing being carried on so long and cold a journey. Two or three of her own children were already in their beds of rags that were none too clean, but they, at least, were housed and warm, and not like this one. "Her name," he replied, "is Dorine. It was her mother's." Then turning to the warder, who stood by, he exclaimed again, "Now direct me to the marquis's, I beg you." The man's method of direction was to seize by the ear a boy who at that moment had come up--he was one of his own numerous brood--and to bid him lead the monsieur to the marquis's. "'Tis but a pistol shot," he said, "at the foot of the Rampe. Be off!" to his son, "away! Escort the gentleman." Certainly it was no great distance from the southern gate, yet when Monsieur St. Georges had arrived there, still leading his horse by one hand and carrying his precious burden by the other, or by the other arm, the house had so deserted a look that it seemed as though he was hardly likely to be able to carry out the orders of the king and his minister to quarter himself upon the marquis instead of going to an inn. Therefore, he gazed up at the mansion before which he stood waiting, wondering what kind of man was this who dwelt in it. The house itself was large and vast, having innumerable windows giving on to a large, open, bare _place_ in front of it, while the great _porte cochere_ had a lock which looked as though it would resist an attack either of battering rams or gunpowder if brought against it. But the blinds, or shutters, were all closed; the great door itself looked as though it had not been opened for a century; the knocker--a Christ upon the cross!--as though it had not been raised for as long a time. "Phelypeaux," muttered St. Georges to himself. "Phelypeaux! I know the name; what do I know of him? Let me think. Ha! I have it. A soldier like myself. Also another, a brother, a priest, Bishop of Lodeve--which is my host, I wonder? For choice the soldier, if all is true of the bishop that is told. _Mon enfant_," turning to the urchin, "is the marquis soldier or divine?" The boy laughed, then said: "Divine, monsieur. But _en retraite_. Oh! _avez ca_--they say droll things. Only I am young--I do not know." Whereon he grinned. Then he exclaimed: "_Voila!_ the door is opening." It was, in truth, or rather a wicket in the door large enough to admit a man who should stoop, or the urchin by the side of St. Georges; but certainly by no means large enough to admit of the passage of his horse if that was also to be entertained for the night. At that wicket appeared a face, wine-stained and blotchy, but not so good-humoured-looking as that of the watchman at the southern gate. Instead, a scowling face, as of a man on whom good liquor had no improving effect, but, rather, had soured and embittered him. "What want you?" he asked, staring out moodily at the soldier before him and at his horse, and observing the great sword, hat, and cloak of the former with--beneath the latter--its burden; and also the military trappings of the steed. "What want you?" "An audience of the marquis. By order of the king. Also food and lodging by the same authority. _Ma foi!_ if I had my way I should not demand it. There is a good auberge over there to all appearances," nodding his head toward the white-walled inn on the other side of the _place_, before which hung a bush and on which was painted the whole length of the house: "_L'Ours de Bourgogne. Logement a pied et a cheval._" "Doubtless I could be well accommodated." "Take your horse there, at any rate," said the sour-faced man; "there is no accommodation for _it_. Then come back. We will see later about you." And turning to the boy he cried, gesticulating with his hands: "_Va t'en_. Be off!" The lad did not wait to be bidden a second time to depart, but scampered across the open _place_, while St. Georges, regarding the morose-looking man in front of him, said: "My friend, neither your courtesy nor your hospitality is of the best. Does your master bid you treat all who come to visit him in this manner?" "I am obeying my master," the other replied; "the only one I acknowledge--when I parley with you. Show me your warrant, however, for coming to this house." "There it is," replied St. Georges; "take it to your master, bid him read it, and then bring me whatever message he may send me. Perhaps"--regarding the servitor through the wicket, as he gave him the paper--"if the master is like the man I had best wait until he has read the king's letter ere I seek shelter for my horse. It may be that I shall have to demand it for myself also at the inn." Then, to his amazement, he saw that the other had opened the leaves of the king's letter and was calmly reading them. "Fellow!" he exclaimed, "how dare you make so bold? You read a letter from the king to me--to be shown to your master----" "Pish!" replied the other. "Be silent. I am Phelypeaux." "You!" exclaimed the soldier, stepping back--"you!" and his eye fell on the rusty-brown clothing of the man half in, half out, the wicket. "You!" "Yes, I. Now go and put your horse up at the inn. Then come back. But stay--what have you beneath your arm?" "A child." "A child! Does Louis think I keep a nursery? What are we to do with the child while you stay here?" "I will attend to that. If you give me a bed the child will share it, and if you have some white bread and milk it is enough for its food." "Best get that at the 'Ours,'" replied he who said he was Phelypeaux. "Bread I have, but no milk. _Ma foi!_ there is no babes' food here. Now, I counsel you, go seek the inn. Your horse may take a chill. Then come back. And"--as the soldier turned to lead his animal across the snow-covered, deserted _place_--"leave the child there. The _patronne_ is a motherly creature with half a dozen of her own brood. 'Twill be better there than here. Ring loudly when you return--I am somewhat deaf," and he banged the wicket in St. Georges's face. "Humph!" muttered the latter, as he crossed to the inn; "the counsel is good. That seems no place for a child. Yet, how to leave it? Still, it is best. It has slept often with its nurse; maybe will sleep well at the inn. Well, let me see what the _patronne_ is like." He entered the yard of the "Ours" as he meditated thus, engaged a stall for the animal, saw it fed and rubbed down, and, then taking his pistols and the king's letter from the holsters and putting them in his belt, entered the hostelry and called for a cup of wine. And, seeing that the woman who served him--evidently the mistress from the manner in which she joked with one or two customers and gave directions to a servant--was a motherly looking woman, he asked her if the child he carried would be safe there for the night? "A child," she exclaimed, "a child, and in the arms of a soldier! Why, sir, whence come you with a child? _Mon Dieu!_ Of all burdens, soldiers rarely carry
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E-text prepared by Juliet Sutherland, Mary Meehan, and the Project Gutenberg Online Distributed Proofreading Team The Postmaster's Daughter by Louis Tracy Author of "The Terms of Surrender," "The Wings of the Morning," etc., etc. 1916 CONTENTS CHAPTER I. THE FACE AT THE WINDOW II. P. C ROBINSON "TAKES A LINE" III. THE GATHERING CLOUDS IV. A CABAL V. THE SEEDS OF MISCHIEF VI. SCOTLAND YARD TAKES A HAND VII. "ALARUMS AND EXCURSIONS" VIII. AN INTERRUPTED SYMPOSIUM IX. HE WHOM THE CAP FITS-- X. THE CASE AGAINST GRANT XI. P. C. ROBINSON TAKES ANOTHER LINE XII. WHEREIN WINTER GETS TO WORK XIII. CONCERNING THEODORE SIDDLE XIV. ON BOTH SIDES OF THE RIVER XV. A MATTER OF HEREDITY XVI. FURNEAUX MAKES A SUCCESSFUL BID XVII. AN OFFICIAL HOUSEBREAKER XVIII. THE TRUTH AT LAST CHAPTER I THE FACE AT THE WINDOW John Menzies Grant, having breakfasted, filled his pipe, lit it, and strolled out bare-headed into the garden. The month was June, that glorious rose-month which gladdened England before war-clouds darkened the summer sky. As the hour was nine o'clock, it is highly probable that many thousands of men were then strolling out into many thousands of gardens in precisely similar conditions; but, given youth, good health, leisure, and a fair amount of money, it is even more probable that few among the smaller number thus roundly favored by fortune looked so perplexed as Grant. Moreover, his actions were eloquent as words. A spacious French window had been cut bodily out of the wall of an old-fashioned room, and was now thrown wide to admit the flower-scented breeze. Between this window and the right-hand angle of the room was a
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Produced by Charles Bowen from page scans provided by Google Books (Harvard University) Transcriber's Notes: 1. Page scan source: https://books.google.com/books?id=emlLN6DE1I (Harvard University) 2. This book was also published as "Aaron the Jew. A Novel," in London by Hutchinson & Co. in 1895. A Fair Jewess BY B. L. FARJEON, _Author of "The Last Tenant" Etc_. NEW YORK: THE F. M. LUPTON PUBLISHING COMPANY. Copyright, 1894, by THE CASSELL PUBLISHING CO. _All rights reserved_. CONTENTS. CHAPTER I. The Poor Doctor II. Dr. Spenlove's Visitor III. Dr. Spenlove Undertakes a Delicate Mission IV. "One More Unfortunate" V. "Come! We Will End It" VI. The Friend in Need VII. The Result of Dr. Spenlove's Mission VIII. What was Put in the Iron Box IX. Mr. Moss Plays his Part X. The Vision in the Churchyard XI. Mr. Whimpole Introduces Himself XII. The Course of the Seasons XIII. Aaron Cohen Preaches a Sermon on Large Noses XIV. A Proclamation of War XV. The Battle is Fought and Won XVI. Joy and Sorrow XVII. Divine Consolation XVIII. In the New House XIX. The Doctor Speaks Plainly to Aaron Cohen XX. A Momentous Night XXI. The Temptation XXII. The Living and the Dead XXIII. Plucked from the Jaws of Death XXIV. The Curtain Falls XXV. After Many Years XXVI. The Foundation of Aaron's Fortune XXVII. The Farewell XXVIII. Revisits Gosport XXIX. What Shall be Done to the Man whom the King Delighteth to Honor? XXX. The Honorable Percy Storndale XXXI. The Spirit of the Dead Past XXXII. Before All, Duty XXXIII. A Cheerful Doctor XXXIV. Ruth's Secret XXXV. The Honorable Percy
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Produced by Steve Harris and David Widger AN ESSAY CONCERNING HUMANE UNDERSTANDING IN FOUR BOOKS BY JOHN LOCKE Quam bellum est velle confiteri potius nescire quod nescias, quam ista effutientem nauseare, atque ipsum sibi displicere. --Cic. De Natur. Deor. 1. i. LONDON Printed by Eliz. Holt, for Thomas Basset, at the George in Fleet Street, near St. Dunstan's Church. MDCXC CONTENTS: [Based on the 2d Edition] EPISTLE DEDICATORY TO THE EARL OF PEMBROKE THE EPISTLE TO THE READER INTRODUCTION BOOK I. NEITHER PRINCIPLES NOR IDEAS ARE INNATE. I. NO INNATE SPECULATIVE PRINCIPLES II. NO INNATE PRACTICAL PRINCIPLES III. OTHER CONSIDERATIONS CONCERNING INNATE PRINCIPLES, BOTH SPECULATIVE AND PRACTICAL BOOK II. OF IDEAS. I. OF IDEAS IN GENERAL, AND THEIR ORIGINAL II. OF SIMPLE IDEAS III. OF SIMPLE IDEAS OF SENSATION IV. IDEA OF SOLIDITY V. OF SIMPLE IDEAS OF DIVERS SENSES VI. OF SIMPLE IDEAS OF REFLECTION... VII. OF SIMPLE IDEAS OF BOTH SENSATION AND REFLECTION VIII. SOME FURTHER CONSIDERATIONS CONCERNING OUR SIMPLE IDEAS OF SENSATION IX. OF PERCEPTION X. OF RETENTION XI. OF DISCERNING, AND OTHER OPERATIONS OF THE MIND XII. OF COMPLEX IDEAS XIII. OF SIMPLE MODES:--AND FIRST, OF THE SIMPLE MODES OF THE IDEA OF SPACE XIV. IDEA OF DURATION AND ITS SIMPLE MODES XV. IDEAS OF DURATION AND EXPANSION, CONSIDERED TOGETHER XVI. IDEA OF NUMBER AND ITS SIMPLE MODES XVII. OF THE IDEA OF INFINITY XVIII. OF OTHER SIMPLE MODES XIX. OF THE MODES OF THINKING XX. OF MODES OF PLEASURE AND PAIN XXI. OF THE IDEA OF POWER XXII. OF MIXED MODES XXIII. OF OUR COMPLEX IDEAS OF SUBSTANCES XXIV. OF COLLECTIVE IDEAS OF SUBSTANCES XXV. OF IDEAS OF RELATION XXVI. OF IDEAS OF CAUSE AND EFFECT, AND OTHER RELATIONS XXVII. OF IDEAS OF IDENTITY AND DIVERSITY XXVIII. OF IDEAS OF OTHER RELATIONS XXIX. OF CLEAR AND OBSCURE, DISTINCT AND CONFUSED IDEAS XXX. OF REAL AND FANTASTICAL IDEAS XXXI. OF ADEQUATE AND INADEQUATE IDEAS XXXII. OF TRUE AND FALSE IDEAS XXXIII. OF THE ASSOCIATION OF IDEAS TO THE RIGHT
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Produced by Larry B. Harrison, Wayne Hammond and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) [Transcriber’s Note: Italicized text delimited by underscores. This project uses utf-8 encoded characters. If some characters are not readable, check your settings of your browser to ensure you have a default font installed that can display utf-8 characters.] WHAT THE WHITE RACE MAY LEARN FROM THE INDIAN BOOKS BY GEORGE WHARTON JAMES What the White Race May Learn from the Indian. In and Around the Grand Canyon. Indians of the Painted Desert Region. In and Out of the Old Missions of California. The Wonders of the Colorado Desert. The Story of Scraggles. Indian Basketry. How to Make Indian and Other Baskets. Travelers’ Handbook to Southern California. The Beacon Light. [Illustration: GROUP OF HOPI MAIDENS AND AN OLD MAN AT MASHONGANAVI.] What the White Race May Learn from the Indian BY GEORGE WHARTON JAMES AUTHOR OF “IN AND AROUND THE GRAND CANYON,” “INDIAN BASKETRY,” “HOW TO MAKE INDIAN AND OTHER BASKETS,” “PRACTICAL BASKET MAKING,” “THE INDIANS OF THE PAINTED DESERT REGION,” “TRAVELERS’ HANDBOOK TO SOUTHERN CALIFORNIA,” “IN AND OUT OF THE OLD MISSIONS OF CALIFORNIA,” “THE STORY OF SCRAGGLES,” “THE WONDERS OF THE COLORADO DESERT,” “THROUGH RAMONA’S COUNTRY,” “LIVING THE RADIANT LIFE,” “THE BEACON LIGHT,” ETC. [Illustration] CHICAGO FORBES & COMPANY 1908 COPYRIGHT, 1908 BY EDITH E. FARNSWORTH The Lakeside Press R. R. DONNELLEY & SONS COMPANY CHICAGO [Illustration
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Produced by David Widger from page images generously provided by the Google Books THE LADIES' PARADISE (The Sequel To “Piping Hot!”) A Realistic Novel By Émile Zola Translated without Abridgment from the 80th French Edition London: Vizetelly And Company 1886. [Illustration: 0011] [Illustration: 0012] [Illustration: 0014] THE LADIES' PARADISE CHAPTER I. DENISE had walked from the Saint-Lazare railway station, where a Cherbourg train had landed her and her two brothers, after a night passed on the hard seat of a third-class carriage. She was leading Pépé by the hand, and Jean was following her, all three fatigued after the journey, frightened and lost in this vast Paris, their eyes on every street name, asking at every corner the way to the Rue de la Michodière, where their uncle Baudu lived. But on arriving in the Place Gaillon, the young girl stopped short, astonished. “Oh! look there, Jean,” said she; and they stood still, nestling close to one another, all dressed in black, wearing the old mourning bought at their father's death. She, rather puny for her twenty years, was carrying a small parcel; on the other side, her little brother, five years old, was clinging to her arm; while behind her, the big brother, a strapping youth of sixteen, was standing empty-handed. “Well,” said she, after a pause, “that _is_ a shop!” They were at the corner of the Rue de la Michodière and the Rue Neuve-Saint-Augustin, in front of a draper's shop, which displayed a wealth of colour in the soft October light. Eight o'clock was striking at the church of Saint-Roch; not many people were about, only a few clerks on their way to business, and housewives doing their morning shopping. Before the door, two shopmen, mounted on a step-ladder, were hanging up some woollen goods, whilst in a window in the Rue Neuve-Saint-Augustin another young man, kneeling with his back to the pavement, was delicately plaiting a piece of blue silk. In the shop, where there were as yet no customers, there was a buzz as of a swarm of bees at work. “By Jove!” said Jean, “this beats Valognes. Yours wasn't such a fine shop.” Denise shook her head. She had spent two years there, at Cornaille's, the principal draper's in the town, and this shop, encountered so suddenly--this, to her, enormous place, made her heart swell, and kept her excited, interested, and oblivious of everything else. The high plate-glass door, facing the Place Gaillon, reached the first storey, amidst a complication of ornaments covered with gilding. Two allegorical figures, representing two laughing, bare-breasted women, unrolled the scroll bearing the sign, “The Ladies' Paradise.” The establishment extended along the Rue de la Michodière and the Rue Neuve-Saint Augustin, and comprised, beside the corner house, four others--two on the right and two on the left, bought and fitted up recently. It seemed to her an endless extension, with its display on the ground floor, and the plate-glass windows, through which could be seen the whole length of the counters. Upstairs a young lady, dressed all in silk, was sharpening a pencil, while two others, beside her, were unfolding some velvet mantles. “The Ladies' Paradise,” read Jean, with the tender laugh of a handsome youth who had already had an adventure with a woman. “That must draw the customers--eh?” But Denise was absorbed by the display at the principal entrance. There she saw, in the open street, on the very pavement, a mountain of cheap goods--bargains, placed there to tempt the passers-by, and attract attention. Hanging from above were pieces of woollen and cloth goods, merinoes, cheviots, and tweeds, floating like flags; the neutral, slate, navy-blue, and olive-green tints being relieved by the large white price-tickets. Close by, round the doorway, were hanging strips of fur, narrow bands for dress trimmings, fine Siberian squirrel-skin, spotless snowy swansdown, rabbit-skin imitation ermine and imitation sable. Below, on shelves and on tables, amidst a pile of remnants, appeared an immense quantity of hosiery almost given away; knitted woollen gloves, neckerchiefs, women's hoods, waistcoats, a winter show in all colours, striped, dyed, and variegated, with here and there a flaming patch of red. Denise saw some tartan at nine sous, some strips of American vison at a franc, and some mittens at five sous. There appeared to be an immense clearance sale going on; the establishment seemed bursting with goods, blocking up the pavement with the surplus. Uncle Baudu was forgotten. Pépé himself, clinging tightly to his sister's hand, opened his big eyes in wonder. A vehicle coming up, forced them to quit the road-way, and they turned up the Rue Neuve-Saint-Augustin mechanically, following the shop windows and stopping at each fresh display. At first they were captivated by a complicated arrangement: above, a number of umbrellas, laid obliquely, seemed to form a rustic roof; beneath these a quantity of silk stockings, hung on rods, showed the roundness of the calves, some covered with rosebuds, others of all colours, black open-worked, red with embroidered corners, and flesh colour, the silky grain of which made them look as soft as a fair woman's skin; and at the bottom of all, a symmetrical array of gloves, with their taper fingers and narrow palms, and that rigid virgin grace which characterises such feminine articles before they are worn. But the last window especially attracted their attention. It was an exhibition of silks, satins, and velvets, arranged so as to produce, by a skilful artistic arrangement of colours, the most delicious shades imaginable. At the top were the velvets, from a deep black to a milky white: lower down, the satins--pink, blue, fading away into shades of a wondrous delicacy; still lower down were the silks, of all the colours of the rainbow, pieces set up in the form of shells, others folded as if round a pretty figure, arranged in a life-like natural manner by the clever fingers of the window dressers. Between each motive, between each coloured phrase of the display, ran a discreet accompaniment, a slight puffy ring of cream-coloured silk. At each end were piled up enormous bales of the silk of which the house had made a specialty, the “Paris Paradise” and the “Golden Grain,” two exceptional articles destined to work a revolution in that branch of commerce. “Oh, that silk at five francs twelve sous!” murmured Denise, astonished at the “Paris Paradise.” Jean began to get tired. He stopped a passer-by. “Which is the Rue de la Michodiere, please, sir?” On hearing that it was the first on the right they all turned back, making the tour of the establishment. But just as she was entering the street, Denise was attracted by a window in which ladies' dresses were displayed. At Cornaille's that was her department, but she had never seen anything like this, and remained rooted to the spot with admiration. At the back a large sash of Bruges lace, of considerable value, was spread out like an altar-veil, with its two white wings extended; there were flounces of Alençon point, grouped in garlands; then from the top to the bottom fluttered, like a fall of snow, a cloud of lace of every description--Malines, Honiton, Valenciennes, Brussels, and Venetian-point. On each side the heavy columns were draped with cloth, making the background appear still more distant And the dresses were in this sort of chapel raised to the worship of woman's beauty and grace. Occupying the centre was a magnificent article, a velvet mantle, trimmed with silver fox; on one side a silk cape lined with miniver, on the other a cloth cloak edged with cocks' plumes; and last of all, opera cloaks in white cashmere and white silk trimmed with swansdown or chenille. There was something for all tastes, from the opera cloaks at twenty-nine francs to the velvet mantle marked up at eighteen hundred. The well-rounded neck and graceful figures of the dummies exaggerated the slimness of the waist, the absent head being replaced by a large price-ticket pinned on the neck; whilst the mirrors, cleverly arranged on each side of the window, reflected and multiplied the forms without end, peopling the street with these beautiful women for sale, each bearing a price in big figures in the place of a head. “How stunning they are!” murmured Jean, finding no other words to express his emotion. This time he himself had become motionless, his mouth open. All this female luxury turned him rosy with pleasure. He had a girl's beauty--a beauty he seemed to have stolen from his sister--a lovely skin, curly hair, lips and eyes overflowing with tenderness. By his side Denise, in her astonishment, appeared thinner still, with her rather long face and large mouth, fading complexion, and light hair. Pépé, also fair, in the way of most children, clung closer to her, as if wanting to be caressed, troubled and delighted at the sight of the beautiful ladies in the window. They looked so strange, so charming, on the pavement, those three fair ones, poorly dressed in black--the sad-looking young girl between the pretty child and the handsome youth--that the passers-by looked back smilingly. For several minutes a stout man with grey hair and a large yellow face, standing at a shop-door on the other side of the street, had been looking at them. He was standing there with bloodshot eyes and contracted mouth, beside himself with rage at the display made by The Ladies' Paradise, when the sight of the young girl and her brothers completed his exasperation. What were those three simpletons doing there, gaping in front of the cheap-jack's parade? “What about uncle?” asked Denise, suddenly, as if just waking up. “We are in the Rue de la Michodière,” said Jean. “He must live somewhere about here.” They raised their heads and looked round. Just in front of them, above the stout man, they perceived a green sign-board bearing in yellow letters, discoloured by the rain: “The Old Elbeuf. Cloths, Flannels. Baudu, late Hauchecorne.” The house, coated with an ancient rusty white-wash, quite flat and unadorned, amidst the mansions in the Louis XIV. style which surrounded it, had only three front windows, and these windows, square, without shutters, were simply ornamented by a handrail and two iron bars in the form of a cross. But amidst all this nudity, what struck Denise the most, her eyes full of the light airy windows at The Ladies' Paradise, was the ground-floor shop, crushed by the ceiling, surmounted by a very low storey with half-moon windows, of a prison-like appearance. The wainscoting, of a bottle-green hue, which time had tinted with ochre and bitumen, encircled, right and left, two deep windows, black and dusty, in which the heaped-up goods could hardly be seen. The open door seemed to lead into the darkness and dampness of a cellar. [Illustration: 0021] “That's the house,” said Jean. “Well, we must go in,” declared Denise. “Come on, Pepé.” They appeared, however, somewhat troubled, as if seized with fear. When their father died, carried off by the same fever which had, a month previous, killed their mother, their uncle Baudu, in the emotion which followed this double mourning, had written to Denise, assuring her there would always be a place for her in his house whenever she would like to come to Paris. But this was nearly a year ago, and the young girl was now sorry to have left Valognes in a moment of temper without informing her uncle. The latter did not know them, never having set foot in Valognes since the day he left, as a boy, to enter as junior in the drapery establishment kept by Hauchecorne, whose daughter he afterwards married. “Monsieur Baudu?” asked Denise, deciding at last to speak to the stout man who was still eyeing them, surprised at their appearance. “That's me,” replied he. Denise blushed and stammered out: “Oh, I'm so pleased! I am Denise. This is Jean, and this is Pépé. You see we have come, uncle.” Baudu seemed amazed. His big eyes rolled in his yellow face; he spoke slowly and with difficulty. He was evidently far from thinking of this family which suddenly dropped down on him. “What--what, you here?” repeated he several times. “But you were at Valognes. Why aren't you at Valognes?” With her sweet but rather faltering voice she then explained that since the death of her father, who had spent everything in his dye-works, she had acted as a mother to the two children, but the little she earned at Cornaille's did not suffice to keep the three of them. Jeàn worked at a cabinetmaker's, a repairer of old furniture, but didn't earn a sou. However, he had got to like the business, and had learned to carve in wood very well. One day, having found a piece of ivory, he amused himself by carving a head, which a gentleman staying in the town had seen and admired, and it was this gentleman who had persuaded them to leave Valognes, promising to find a place in Paris for Jean with an ivory-carver. “So you see, uncle,” continued Denise, “Jean will commence his apprenticeship at his new master's to-morrow. They ask no premium, and will board and lodge him. I felt sure Pépé and I could manage very well. We can't be worse off than we were at Valognes.” She said nothing about Jean's love affair, of certain letters written to the daughter of a nobleman living in the town, of kisses exchanged over a wall--in fact, quite a scandal which had determined her leaving. And she was especially anxious to be in Paris, to be able to look after her brother, feeling quite a mother's tender anxiety for this gay and handsome youth, whom all the women adored. Uncle Baudu couldn't get over it, and continued his questions. However, when he heard her speaking of her brothers in this way he became much kinder. “So your father has left you nothing,” said he. “I certainly thought there was still something left. Ah! how many times did I write advising him not to take that dye-work! A good-hearted fellow, but no head for business! And you've been obliged to keep and look after these two youngsters since?” His bilious face had become clearer, his eyes were not so bloodshot as when he was glaring at The Ladies' Paradise. Suddenly he noticed that he was blocking up the doorway. “Well,” said he, “come in, now you're here. Come in, no use hanging about gaping at a parcel of rubbish.” And after having darted a last look of anger at The Ladies' Paradise, he made way for the children by entering the shop and calling his wife and daughter.. “Elizabeth, Geneviève, come down; here's company for you!” But Denise and the two boys hesitated before the darkness of the shop. Blinded by the clear light of the street, they could hardly see. Feeling their way with their feet with an instinctive fear of encountering some treacherous step, and clinging still closer together from this vague fear, the child continuing to hold the young girl's skirts, and the big boy behind, they made their entry with a smiling, anxious grace. The clear morning light described the dark profile of their mourning clothes; an oblique ray of sunshine gilded their fair hair. “Come in, come in,” repeated Baudu. In a few brief sentences he explained the matter to his wife and daughter. The first was a little woman, eaten up with anaemia, quite white--white hair, white eyes, white lips. Geneviève, in whom her mother's degenerateness appeared stronger still, had the debilitated, colourless appearance of a plant reared in the shade. However, her magnificent black hair, thick and heavy, marvellously vigorous for such a weak, poor soil, gave her a sad charm. “Come in,” said both the women in their turn; “you are welcome.” And they made Denise sit down behind a counter. Pépé immediately jumped up on his sister's lap, whilst Jean leant against some wood-work beside her. Looking round the shop the new-comers began to take courage, their eyes getting used to the obscurity. Now they could see it, with its low and smoky ceiling, oaken counters bright with use, and old-fashioned drawers with strong iron fittings. Bales of goods reached to the beams above; the smell of linen and dyed stuffs--a sharp chemical smell--seemed intensified by the humidity of the floor. At the further end two young men and a young woman were putting away pieces of white flannel. “Perhaps this young gentleman would like to take something?” said Madame Baudu, smiling at Pépé. “No, thanks,” replied Denise, “we had a cup of milk in a café opposite the station.” And as Geneviève looked at the small parcel she had laid down, she added: “I left our box there too.” She blushed, feeling that she ought not to have dropped down on her friends in this way. Even as she was leaving Valognes, she had been full of regrets and fears; that was why she had left the box, and given the children their breakfast. “Come, come,” said Baudu suddenly, “let's come to an understanding. 'Tis true I wrote to you, but that's a year ago, and since then business hasn't been flourishing, I can assure you, my girl.” He stopped, choked with an emotion he did not wish to show. Madame Baudu and Geneviève, with a resigned look, had cast their eyes down. “Oh,” continued he, “it's a crisis which will pass, no doubt, but I have reduced my staff; there are only three here now, and this is not the moment to engage a fourth. In short, my dear girl, I cannot take you as I promised.” Denise listened, and turned very pale. He dwelt upon the subject, adding: “It would do no good, either to you or to me. “All right, uncle,” replied she with a painful effort, “I'll try and manage all the same.” The Baudus were not bad sort of people. But they complained of never having had any luck. When their business was flourishing, they had had
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Produced by Karl Hagen, Eleni Christofaki and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by the Canadian Institute for Historical Microreproductions (www.canadiana.org)) Transcriber's Note. A list of the changes made can be found at the end of the book. Formatting and special characters are indicated as follows: _italic_ =bold= ^{9} -us abbreviation ^{superscript} [~e] e with tilde [~u] u with tilde [~q] q with tilde [=s] long s [=oi] oi with inverted breve [(u] u with inverted breve THE JESUIT RELATIONS AND ALLIED DOCUMENTS VOL. III The Jesuit Relations and Allied Documents TRAVELS AND EXPLORATIONS OF THE JESUIT MISSIONARIES IN NEW FRANCE 1610-1791 THE ORIGINAL FRENCH, LATIN, AND ITALIAN TEXTS, WITH ENGLISH TRANSLATIONS AND NOTES; ILLUSTRATED BY PORTRAITS, MAPS, AND FACSIMILES EDITED BY REUBEN GOLD THWAITES Secretary of the State Historical Society of Wisconsin Vol. III ACADIA: 1611-1616 CLEVELAND: =The Burrows Brothers Company=, PUBLISHERS, M DCCC XCVII COPYRIGHT, 1897 BY THE BURROWS BROTHERS CO ALL RIGHTS RESERVED _The Imperial Press, Cleveland_ EDITORIAL STAFF Editor REUBEN GOLD THWAITES Translator from the French JOHN CUTLER COVERT Assistant Translator from the French MARY SIFTON PEPPER Translator from the Latin WILLIAM FREDERIC GIESE Translator from the Italian MARY SIFTON PEPPER Assistant Editor EMMA HELEN BLAIR CONTENTS OF VOL. III PREFACE TO VOLUME III 1 DOCUMENTS:-- XIII. Epistola ad Reverendissimum Patrem Claudium Aquavivam, Præpositum Generalem Societatis Jesu, Romæ. _Pierre Biard_; Amiens, May 26, 1614. 3 XIV. Relation de la Novvelle France, de ses Terres, Natvrel du Pais, & de ses Habitans. [Chapters i-xxv.] _Pierre Biard_; Paris, 1616 21 BIBLIOGRAPHICAL DATA: VOLUME III 285 NOTES 291 [Illustration] ILLUSTRATION TO VOL. III Photographic facsimile of title-page, Biard's _Relation_ of 1616 24 PREFACE TO VOL. III Following is a synopsis of the documents contained in the present volume: XIII. Biard writes from Amiens (May 26, 1614) to the general of the order, reporting the planting of St. Sauveur mission, the attack by Argall, the captivity of the Jesuit missionaries, and their safe return to France. XIV. Biard's _Relation_ of 1616 opens with an historical sketch of French discoveries in New France. The climate of the country, its forests, and its inhabitants, are described; the writer discourses on the mode of life among the savages, their dwellings, tribal organization, polity, women, marriage, medicine, practices of witchcraft, burials, etc. As a basis for missionary work, he advocates the establishment of a colony which shall be properly supported in France, and to this end appeals to the sympathies of Catholics at home. Much space is devoted to answering the attacks on the Jesuit missions of New France, made by an anonymous pamphleteer, who has been supposed to be Lescarbot himself. Continuing with a report of his own movements, Biard describes the voyage made by himself and Biencourt as far as the Kennebec River, and the privations and hardships of the colony during the ensuing winter (1611-12). He again recounts the manner in which Mme. de Guercheville obtained a grant of New France, and sent a colony to St. Sauveur, on Mt. Desert Island; the disputes between Biencourt and the Jesuits; the stay of Massé among the savages on St. John River; his own trip to Chignectou, with Biencourt; and the hardships endured by both, as also those of the entire colony, during the winter of 1612-13. The Jesuits, during this winter, build a boat, and are thus enabled to go fishing. La Saussaye arrives at Port Royal under Mme. de Guercheville's auspices, and takes the Jesuits away with him to St. Sauveur. The settlement there is well begun, when Argall comes upon it, and takes the French captive. Owing to the great length of this _Relation_, we have space in the present volume but for the first twenty-five chapters; the remaining twelve will form the opening part of Volume IV. R. G. T. MADISON, WIS., November, 1896. XIII BIARD'S EPISTOLA ad Reverendissimum Patrem Claudium Aquavivam (26 Maii, 1614) SOURCE: We follow Father Martin's apograph (in the Archives of St. Mary's College, at Montreal) of the original Latin MS. in the
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Produced by Jo Churcher. HTML version by Al Haines. THE PRINCESS AND THE GOBLIN by GEORGE MACDONALD CONTENTS 1. Why the Princess Has a Story About Her 2. The Princess Loses Herself 3. The Princess and--We Shall See Who 4. What the Nurse Thought of It 5. The Princess Lets Well Alone 6. The Little Miner 7. The Mines 8. The Goblins 9. The Hall of the Goblin Palace 10. The Princess's King-Papa 11. The Old Lady's Bedroom 12. A Short Chapter About Curdie 13. The Cobs' Creatures 14. That Night Week 15. Woven and then Spun 16. The Ring
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Produced by This e-text was produced by Greg Weeks, Charles Franks and the Online Distributed Proofreading Team. TOM SWIFT IN CAPTIVITY OR A Daring Escape by Airship BY VICTOR APPLETON AUTHOR OF "TOM SWIFT AND HIS MOTOR-CYCLE," "TOM SWIFT AND HIS WIRELESS MESSAGE," "TOM SWIFT IN THE CITY OF GOLD," ETC. ILLUSTRATED CONTENTS I A STRANGE REQUEST II THE CIRCUS MAN III TOM WILL GO IV "LOOK OUT FOR MY RIVAL!" V ANDY FOGER LEARNS SOMETHING VI ALARMING NEWS VII FIRE ON BOARD VIII A NARROW ESCAPE IX "FORWARD MARCH!" X A WILD HORSE STAMPEDE XI CAUGHT IN A LIVING ROPE XII A NATIVE BATTLE XIII THE DESERTION XIV IN GIANT LAND XV IN THE "PALACE" OF THE KING XVI THE RIVAL CIRCUS MAN XVII HELD CAPTIVES XVIII TOM'S MYSTERIOUS BOX XIX WEAK GIANTS XX THE LONE CAPTIVE XXI A ROYAL CONSPIRACY XXII THE TWIN GIANTS XXIII A SURPRISE IN THE NIGHT XXIV THE AIRSHIP FLIGHT XXV TOM'S GIANT--CONCLUSION CHAPTER I A STRANGE REQUEST Tom Swift closed the book of adventures he had been reading, tossed it on the table, and got up. Then he yawned. "What's the matter?" asked his chum, Ned Newton, who was deep in another volume. "Oh, I thought this was going to be something exciting," replied Tom, motioning toward the book he had discarded. "But say! the make-believe adventures that fellow had, weren't anything compared to those we went through in the city of gold, or while rescuing the exiles of Siberia." "Well," remarked Ned, "they would have to be pretty classy adventures to lay over those you and I have had lately. But where are you going?" he continued, for Tom had taken his cap and started for the door. "I thought I'd go out and take a little run in the aeroplane. Want to come along? It's more fun than sitting in the house reading about exciting things that never have happened. Come on out and--" "Yes, and have a tumble from the aeroplane, I suppose you were going to say," interrupted Ned with a laugh. "Not much! I'm going to stay here and finish this book." "Say," demanded Tom indignantly. "Did you ever know me to have a tumble since I knew how to run an airship?" "No, I can't say that I did. I was only joking." "Then you carried the joke too far, as the policeman said to the man he found lugging off money from the bank. And to make up for it you've got to come along with me." "Where are you going?" "Oh, anywhere. Just to take a little run in the upper regions, and clear some of the cobwebs out of my head. I declare, I guess I've got the spring fever. I haven't done anything since we got back from Russia last fall, and I'm getting rusty." "You haven't done ANYTHING!" exclaimed Ned, following his chum's example by tossing aside the book. "Do you call working on your new invention of a noiseless airship nothing?" "Well, I haven't finished that yet. I'm tired of inventing things. I just want to go off, and have some good fun, like getting shipwrecked on a desert island, or being lost in the mountains, or something like that. I want action. I want to get off in the jungle, and fight wild beasts, and escape from the savages!" "Say! you don't want much," commented Ned. "But I feel the same way, Tom." "Then come on out and take a run, and maybe we'll get on the track of an adventure," urged the young inventor. "We won't go far, just twenty or thirty miles or so." The two youths emerged from the house and started across the big lawn toward the aeroplane sheds, for Tom Swift owned several speedy aircrafts, from a big combined aeroplane and dirigible balloon, to a little monoplane not much larger than a big bird, but which was the most rapid flier that ever breathed the fumes of gasolene. "Which one you going to take, Tom?" asked Ned, as his chum paused in front of the row of hangars. "Oh, the little double-seated monoplane, I guess that's in good shape, and it's easy to manage. When I'm out for fun I hate to be tinkering with levers and warping wing tips all the while. The Lark practically flies herself, and we can sit back and take it easy. I'll have Eradicate fill up the gasolene tank, while I look at the magneto. It needs a little adjusting, though it works nearly to perfection since I put in some of that new platinum we got from the lost mine in Siberia." "Yes, that was a trip that amounted to something. I wouldn't mind going on another like that, though we ran lots of risks." "We sure did," agreed Tom, and then, raising his voice he called out: "Rad, I say Rad! Where are you? I want you!" "Comin', massa Tom, comin'," answered an aged <DW52> man, as he shuffled around the corner of the shed. "What do yo'-all want ob me?" "Put some gasolene in the Lark, Rad. Ned and I are going to take a little flight. What were you doing?" "Jest groomin' mah mule Boomerang, Massa Tom, dat's all. Po' Boomerang he's gittin' old jest same laik I be. He's gittin' old, an' he needs lots ob 'tention. He has t' hab mo' oats dan usual, Massa Tom, an' he doan't feel 'em laik he uster, dat's a fac', Massa Tom." "Well, Rad, give him all he wants. Boomerang was a good mule in his day." "An' he's good yet, Massa Tom, he's good yet!" said Eradicate Sampson eagerly. "Doan't yo' all forgit dat, Massa Tom." And the <DW52> man proceeded to fill the gasolene tank, while Tom adjusted the electrical mechanism of his aeroplane, Ned assisting by handing him the tools needed. Eradicate, who said he was named that because he "eradicated" dirt, was a <DW52> man of all work, who had been in the service of the Swift household for several years. He and his mule Boomerang were fixtures. "There, I guess that will do," remarked Tom, after testing the magneto, and finding that it gave a fat, hot spark. "That ought to send us along in good shape. Got all the gas in, Rad?" "Every drop, Massa Tom." "Then catch hold and help wheel the Lark out. Ned, you steady her on that side. How are the tires? Do they need pumping up?" "Hard as rocks," answered Tom's chum, as he tapped his toe against the rubber circlets of the small bicycle wheels on which the aeroplane rested. "Then they'll do, I guess. Come on now, and we'll give her a test before we start off. I ought to get a few hundred more revolutions per minute out of the motor with the way I've adjusted the magneto. Rad, you and Ned hold back, while I turn the engine over." The youth and the <DW52> man grasped the rear supports of the long, tail-like part of the monoplane while Tom stepped to the front to twist the propeller blades. The first two times there was no explosion as he swung the delicate wooden blades about, but the third time the engine started off with a roar, and a succession of explosions that were deafening, until Tom switched in the muffler, thereby cutting down the noise. Faster and faster the propeller whirled about as the motor warmed up, until the young inventor exclaimed: "That's the stuff! She's better than ever! Climb up Ned, and we'll start off. You can turn her over, Rad; can't you?" "Suah, Massa Tom," was the reply, for Eradicate had been on so many trips with Tom, and had had so much to do with airships, that to merely start one was child's play for him. The two youths had scarcely taken their seats, and the <DW52> man was about to twist around the fan-like blades of the big propeller in front, when from behind there came a hail. "Hold on there! Wait a minute, Tom Swift! Bless my admission ticket, don't go! I've got something important to tell you! Hold on!" "Humph! I know who that is!" cried Tom, motioning to Eradicate to cease trying to start the motor. "Mr. Damon, of course," agreed Ned. "I wonder what he wants?" "A ride, maybe," went on Tom. "If he does we've got to take the Scooter instead of this one. That holds four. Well, we may as well see what he wants." He jumped lightly from his seat in the monoplane and was followed by Ned. They saw coming toward them, from the direction of the house, a stout man, who seemed very much excited. He was walking so fast that he fairly waddled, and he was smiling at the lads, for he was one of their best friends. "Glad I caught you, Tom." he panted, for his haste had almost deprived him of breath. "I've got something important to tell you. I hurried over as soon as I heard about it." "Well, you're just in time," commented Ned with a laugh. "In another minute we'd have been up in the clouds." "What is it, Mr. Damon?" asked Tom. "Have you got wind of a city of diamonds, or has some one sent you a map telling where we can go to pick up ten thousand dollar bills by the basket?" "Neither one, Tom, neither one. It's something better than either of those, and if you don't jump at the chance I'm mistaken in you, that's all I've got to say. Come over here." He turned a quick glance over his shoulder as he spoke and advanced toward the two lads on tiptoe as though he feared some one would see or hear him. Yet it was broad daylight, the place was the starting ground for Tom's aeroplanes and save Eradicate there was no one present except Mr. Damon, Ned and the young inventor himself. "What's up?" asked Tom in wonderment. "Hush!" cautioned the odd gentleman. "Bless my walking stick, Tom! but this is going to be a great chance for you--for us,--for I'm going along." "Going where, Mr. Damon?" "I'll tell you in a minute. Is there any one here?" "No one but us?" "You are sure that Andy Foger isn't around." "Sure. He's out of town, you know." "Yes, but you never can tell when he's going to appear on the scene. Come over here," and taking hold of the coat of each of the youths, Mr. Damon led them behind the big swinging door of the aeroplane shed. "You haven't anything on hand; have you, Tom?" asked the odd gentleman, after peering through the crack to make sure they were unobserved. "Nothing at all, if you mean in the line of going off on an adventure trip." "That's what I mean. Bless my earlaps! but I'm glad of that. I've got just the thing for you. Tom, I want you to go to a strange land, and bring back one of the biggest men there--a giant! Tom Swift, you and I and Ned--if he wants to go--are going after a giant!" Mr. Damon gleefully clapped Tom on the back, with such vigor that our hero coughed, and then the odd gentleman stepped back and gazed at the two lads, a look of triumph shining in his eyes. For a moment there was a silence. Tom looked at Ned, and Ned gave his chum a quick glance. Then they both looked sharply at Mr. Damon. "A--a giant," murmured Tom faintly. "That's what I said," replied Mr. Damon. "I want you to help me capture a giant, Tom." Once more the two youths exchanged significant glances, and then Tom, in a low and gentle voice said: "Yes, Mr. Damon, that's all right. We'll get you a giant right away. Won't we, Ned? Now you'd better come in the house and lie down, I'll have Mrs. Baggert make you a cup of tea, and after you have had a sleep you'll feel better. Come on," and the young inventor gently tried to lead his friend out from behind the shed door. "Look here, Tom Swift!" exclaimed the odd gentleman indignantly. "Do you think I'm crazy? Lie down? Rest myself? Go to sleep? Say, I'm not crazy! I'm not tired! I'm not sleepy! This is the greatest chance you ever had, and if we get one of those giants--" "Yes, yes, we'll get one," put in Ned soothingly. "Of course," added Tom. "Come on, now, Mr. Damon. You'll feel better after you've had a rest. Dr. Perkinby is coming over to see father and I'll have him--" Mr. Damon gave one startled glance at the young inventor and his chum, and then burst into a peal of hearty laughter. "Oh, my!" he exclaimed at intervals in his paroxysms. "Oh, dear! He thinks I'm out of my head! He can't stand that talk about giants! Oh dear! Tom Swift, this is the greatest chance you ever had! Come on in the house and I'll tell you all I know about giant land, and then if you want to think I'm crazy you can, that's all I've got to say!" CHAPTER II THE CIRCUS MAN Without a word Tom and Ned followed Mr. Damon toward the Swift house. Truth to tell the youths did not know what to say, or they would have been bubbling over with questions. But the talk of the odd man, and his strange request to Tom to go off and capture a giant had so startled the young inventor and his chum that they did not know whether to think that Mr. Damon was joking, or whether he had suddenly taken leave of his senses. And while I have a few minutes that are occupied in the journey to the house I will introduce my new readers more formally to Tom Swift and his friends. Tom though only a young man, was an inventor of note, as his father was before him. Father and son lived in a fine house in the town of Shopton, in New York state, and Mrs. Swift being dead, the two were well looked after by Mrs. Baggert their housekeeper. Eradicate Sampson, as I have said, was the man of all work about the place. Ned Newton who had a position in a Shopton bank, was Tom's particular chum, and Mr. Wakefeld Damon, of the neighboring town of Waterfield, was a friend to all who knew him. He had the odd habit of blessing anything and everything he could think of, interspersing it in his talk. In the first volume of this series, called "Tom Swift and His Motor-Cycle," I related how Tom made the acquaintance of Mr. Damon, afterward purchasing a damaged motor-cycle from the odd gentleman. On this machine Tom had many adventures, incidentally saving some of his father's valuable patents from a gang of conspirators. Later Tom got a motor boat, and had many races with his rivals on Lake Carlopa, beating Andy Foger, the red-haired bully of the town, in signal fashion. After his adventures on the water Tom sighed for some in the air, and he had them in his airship the Red Cloud. "Tom Swift and His Submarine Boat." is a story of a search after sunken treasure, and, returning from that quest Tom built an electric runabout, the speediest car on the road. By means of a wireless message, later, Tom was able to save himself and the castaways of Earthquake Island, and, as a direct outcome of that experience, he was able to go in search of the diamond makers, and solve the secret of Phantom Mountain, as told in the book dealing with that subject. When he went to the caves of ice Tom had bad luck, for his airship was wrecked, and he endured many hardships in getting home with his companions, particularly as Andy Foger sought revenge on him. But Tom pluckily overcame all obstacles and, later, he built a sky racer, in which he made the quickest trip on record. After that, with his electric rifle, he went after elephants in the interior of Africa and was successful in rescuing some missionaries from the terrible red pygmies. One of the mission workers, later, sent Tom details about a buried city of gold in Mexico, and Tom and his chum together with Mr. Damon located this mysterious place after much trouble, as told in the book entitled, "Tom Swift in the City of Gold." The gold did not prove as valuable as they expected, as it was of low grade, but they got considerable money for it, and were then ready for more adventures. The adventures soon came, as those of you who have read the book called, "Tom Swift and His Air Glider," can testify. In that I told how Tom went to Siberia, and after rescuing some Russian political exiles, found a valuable deposit of platinum, which to-day is a more valuable metal than gold. Tom needed some platinum for his electrical machines, and it proved very useful. He had been back from Russia all winter and, now that Spring had come again, our hero sighed for more activity, and fresh adventures. And with the advent of Mr. Damon, and his mysterious talk about giants, Tom seemed likely to be gratified. The two chums and the odd gentleman continued on to the house, no one speaking, until finally, when they were seated in the library, Mr. Damon said: "Well, Tom, are you ready to listen to me now, and have me explain what I meant when I asked you to get a giant?" "I--I suppose so," hesitated the young inventor. "But hadn't I better call dad? And are you sure you don't want to lie down and collect your thoughts? A nice hot cup of tea--" "There, there, Tom Swift; If you tell me to lie down again, or propose any more tea I'll use you as a punching bag, bless my boxing gloves if I don't!" cried Mr. Damon and he laughed heartily. "I know what you think, Tom, and you, too, Ned," he went on, still chuckling. "You think I don't know what I'm saying, but I'll soon prove that I do. I'm fully in my senses, I'm not crazy, I'm not talking in my sleep, and I'm very much in earnest. Tom, this is the chance of your life to get a giant, and pay a visit to giant land. Will you take it?" "Mr. Damon, I--er--that is I--" Tom stammered and looked at Ned. "Now look here, Tom Swift!" exclaimed the odd man. "When you got word about the buried city of gold in Mexico you didn't hesitate a minute about making up your mind to go there; did you?" "No, I didn't." "Well, that wasn't any more of a strain on your imagination than this giant business; was it?" "Well, I don't know, as--" "Bless my spectacles! Of course it wasn't! Now, look here. Tom, you just make up your mind that I know what I'm talking about, and we'll get along better. I don't blame you for being a bit puzzled at first, but just you listen. You believe there are such things as giants; don't you?" "I saw a man in the circus once, seven feet high. They called him a giant," spoke Ned. "A giant! He was a baby compared to the kind of giants I mean," said Mr. Damon quickly. "Tom, we are going after a race of giants, the smallest one of which is probably eight feet high, and from that they go on up to nearly ten feet, and they're not slim fellows either, but big in proportion. Now in giant land--" "Here's Mrs. Baggert with a quieting cup of tea," interrupted Tom. "I spoke to her as we came in, and asked her to have some ready. If you'll drink this, Mr. Damon, I'm sure--" "Bless my sugar bowl, Tom! You make a man nervous, with your cups of tea. I'm more quiet than you, but I'll drink it to please you. Now listen to me." "All right, go ahead." "A friend of mine has asked me if I knew any one who could undertake to go to giant land, and get him one or two specimens of the big men there. I at once thought of you, and I said I believed you would go. And I'll go with you, Tom! Think of that! I've got faith enough in the proposition to go myself!" There was no mistaking Mr. Damon's manner. He was very much in earnest, and Tom and Ned looked at each other with a different light in their eyes. "Who is your friend, and where in the world is giant land?" asked Tom. "I haven't heard of such a place since I read the accounts of the early travelers, before this continent was discovered. Who is your friend that wants a giant?" "If you'll let me, I'll have him here in a minute, Tom." "Of course I will. But good land! Have you got him concealed up your sleeve, or under some of the chairs? Is he a dwarf?" and Tom looked about the room as if he expected to see some one in hiding. "I left him outside in the garden, Tom," replied the odd man. "I told him I'd come on ahead, and see how you took the proposition. Don't tell him you thought me insane at first. I'll have him here in a jiffy. I'll signal to him." Not waiting for a word from either of the boys, Mr. Damon went to one of the low library windows, opened it, gave a shrill whistle and waved his handkerchief vigorously. In a moment there came an answering whistle. "He's coming," announced the odd gentleman. "But who is he?" insisted Tom. "Is he some professor who wants a giant to examine, or is he a millionaire who wants one for a body guard?" "Neither one, Tom. He's the proprietor of a number of circuses, and a string of museums, and he wants a giant, or even two of them, for exhibition purposes. There's lots of money in giants. He's had some seven, and even eight feet tall, but he has lately heard of a land where the tallest man is nearly ten feet high, and very big, and he'll pay ten thousand dollars for a giant alive and in good condition, as the animal men say. I believe we can get one for him, and--Ah, here he is now," and Mr. Damon interrupted himself as a small, dark-complexioned man, with a very black mustache, black eyes, a watch chain as big around as his thumb, a red vest, a large white hat, and a suit of large-sized checked clothes appeared at the open library window. "Is it all right?" this strange-appearing man asked of Mr. Damon. "I believe so," replied the odd gentleman. "Come in, Sam." With one bound, though the window was some distance from the ground, the little man leaped into the library. He landed lightly on his feet, quickly turned two hand springs in rapid succession, and then, without breathing in the least rapidly, as most men would have done after that exertion, he made a low bow to Tom and Ned. "Boys, let me introduce you to my friend, Sam Preston, an old acrobat and now a circus proprietor," said Mr. Damon. "Mr. Preston, this is Tom Swift, of whom I told you, and his chum, Ned Newton." "And will they get the giant for me?" asked the circus man quickly. "I think they will," replied Mr. Damon. "I had a little difficulty in making the matter clear to them, and that's why I sent for you. You can explain everything." "Have a chair," invited Tom politely. "This is a new one on me--going after giants. I've done almost everything else, though." "So Mr. Damon said," spoke Mr. Preston gravely. He was much more sedate and composed than one would have supposed after his sensational entrance into the room. "I am very glad to meet you, Tom Swift, and I hope we can do business together. Now, if you have a few minutes to spare, I'll tell you all I know about giant land." CHAPTER III TOM WILL GO "Jove! That sounds interesting!" exclaimed Ned, as he settled himself comfortably in his chair. "It is interesting," replied the circus man. "At least I found it so when I first listened to one of my men tell it. But whether it is possible to get to giant land, and, what is more bring away some of the big men, is something I leave to you, Tom Swift. After you have heard my story, if you decide to go, I'll stand all the expenses of fitting out an expedition, and if you fail I won't have a word to say. If, on the other hand, you bring me back a giant or two, I'll pay you ten thousand dollars and all expenses. Is it a bargain?" "Let me hear the story first," suggested our hero, who was a cautious lad when there was need for it. Yet he liked Mr. Preston, even at first sight, in spite of his "loud" attire, and the rather "circusy" manner in which he had entered the room. Then too, if he was a friend of Mr. Damon, that was a great deal in his favor. "I am, as you know, in the circus business," began Mr. Preston. "I have a number of traveling shows, and several large museums in the big cities. I am always on the lookout for new attractions, for the public demands them. Once get in the rut of having nothing new, and your business will fall off. I know, for I've been in the business, man and boy, for nearly forty years. I began as a performer, and I can still do a double somersault over fifteen elephants in a row. I always keep in practice for there's nothing like showing a performer how to do a thing yourself." "But about the giants, which is what I'm interested in most now. Of course I've had giants in my circuses and museums, from the beginning. The public wanted 'em and we had to have 'em. Some of 'em were fakes--men on stilts with long pants to cover up their legs, and others were the real, genuine, all-wool-and-a-yard-wide article. But none of them were very big. A shade under eight feet was the limit with me." "I also have lots of wild animals, and it was when some of my men were out after some tapirs, jaguars and leopards that I got on the track of the giants. It was about a year ago, but up to this time I haven't seen my way clear to send after the big men. It was this way:" Mr. Preston assumed a more comfortable position in his chair, nodded at Mr. Damon, who was listening attentively to all that was said, and resumed. "As I said I had sent Jake Poddington, one of my best men, after tapirs and some other South American animals. He didn't have very good luck hunting along the Amazon. In the first place that region has been pretty well cleaned out of circus animals, and another thing it's getting too well populated. Another thing is that you can't get the native hunters and beaters to work for you as they did years ago." "So Poddington wrote to me that he was going to take his assistants, make a big jump, and hike it for the Argentine Republic. He had a tip that along the Salado river there might be something doing, and I told him to go ahead." "He shipped me what few animals he had, and lit out for a three thousand mile journey. I didn't hear from him for some time, and, when I did, I got the finest collection of animals I had ever laid eyes on. I got them about the same time I did a letter from Jake, for the mail service ain't what you could call rushing in that part of South America." "But what about the giants?" interrupted Mr. Damon. "I'm coming to them," replied the circus man calmly. "It was this way: At the tail of his letter which he sent with the shipment of animals Jake said this, and I remember it almost word for word:" "'If all goes well,' he wrote, 'I'll have a big surprise for you soon. I've heard a story about a race of big natives that have their stamping ground in this section, and I'm going to try for a few specimens. I know how much you want a giant.'" "Well?" asked Tom, after a pause, for the circus man had ceased talking and was staring out of the opened library window into the garden that was just becoming green. "That was all I ever heard from poor Jake," said Mr. Preston softly. "Bless my insurance policy!" gasped Mr. Damon. "You didn't tell me that! What happened to him." "I never could find out," resumed Mr. Preston. "I never heard another word from him, and I've never seen him from the time I parted with him to go after the animals. The letter saying he was going after the giants was the last line of his I've seen." "But didn't you try to locate him?" asked Tom. "Didn't he have some companions--some one who could tell what became of him?" "Of course I tried!" exclaimed Mr. Preston. "Do you think I'd let a man like Jake disappear without making some effort to find him? But he was the only white man in his party, the rest were natives. That was Jake's way. Well, when some time past and I didn't hear from him, I got busy. I wrote to our consuls and even some South American merchants with whom I had done business. But it didn't amount to anything." "Couldn't you get any news?" asked Ned softly. "Oh, yes, some, but it didn't amount to much. After a long time, and no end of trouble, I had a man locate a native named Zacatas, who was the head beater of the black men under Jake." "Zacatas said that he and Jake and the others got safely to the Salado river section, but I knew that before, for that was where the fine shipment of animals came from. Then Jake got that tip about the giants, and set off alone into the interior to locate them, for all the natives were afraid to go. That was the last seen of poor Jake." "Bless my fire shovel!" cried Mr. Damon. "What did Zacatas say became of the poor fellow?" "No one knew. Whether he reached giant land and was killed there, or whether he was struck down by some wild beast in the jungle, I never could find out. The natives under Zacatas waited in camp for him for some time, and then went back to the Amazon region where they belonged. That's all the news I could get." "But I'm sure there are giants in the interior of South America, for Jake always knew what he was talking about. Now I want to do two things. I want to get on the trail of poor Jake Poddington if I can, and I want a giant--two or three of them if it can be managed." "Ever since Jake disappeared I've been trying to arrange things to make a search for him, and for the giants, but up to now something has been in the way. I happened to mention the matter to my friend, Mr. Damon, and he at once spoke of you, Tom Swift." "Now, what I want to know is this: Will you undertake to get a giant for me, rescue Jake Poddington if he is alive in the interior of South America,
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*The Riverside Biographical Series* NUMBER 5 THOMAS JEFFERSON BY HENRY CHILDS MERWIN [Illustration: Th. Jefferson] THOMAS JEFFERSON BY HENRY CHILDS MERWIN [Publisher's emblem] HOUGHTON, MIFFLIN AND COMPANY Boston: 4 Park Street; New York: 11 East Seventeenth Street Chicago: 378-388 Wabash Avenue *The Riverside Press, Cambridge* COPYRIGHT, 1901, BY HENRY C. MERWIN ALL RIGHTS RESERVED CONTENTS CHAP. PAGE I. YOUTH AND TRAINING 1 II. VIRGINIA IN JEFFERSON'S DAY 16 III. MONTICELLO AND ITS HOUSEHOLD 28 IV. JEFFERSON IN THE REVOLUTION 36 V. REFORM WORK IN VIRGINIA 45 VI. GOVERNOR OF VIRGINIA 59 VII. ENVOY AT PARIS 71 VIII. SECRETARY OF STATE 82 IX. THE TWO PARTIES 98 X. PRESIDENT JEFFERSON 114 XI. SECOND PRESIDENTIAL TERM 130 XII. A PUBLIC MAN IN PRIVATE LIFE 149 THOMAS JEFFERSON I YOUTH AND TRAINING Thomas Jefferson was born upon a frontier estate in Albemarle County, Virginia, April 13, 1743. His father, Peter Jefferson, was of Welsh descent, not of aristocratic birth, but of that yeoman class which constitutes the backbone of all societies. The elder Jefferson had uncommon powers both of mind and body. His strength was such that he could simultaneously "head up"--that is, raise from their sides to an upright position--two hogsheads of tobacco, weighing nearly one thousand pounds apiece. Like Washington, he was a surveyor; and there is a tradition that once, while running his lines through a vast wilderness, his assistants gave out from famine and fatigue, and Peter Jefferson pushed on alone, sleeping at night in hollow trees, amidst howling beasts of prey, and subsisting on the flesh of a pack mule which he had been obliged to kill. Thomas Jefferson inherited from his father a love of mathematics and of literature. Peter Jefferson had not received a classical education, but he was a diligent reader of a few good books, chiefly Shakespeare, The Spectator, Pope, and Swift; and in mastering these he was forming his mind on great literature after the manner of many another Virginian,--for the houses of that colony held English books as they held English furniture. The edition of Shakespeare (and it is a handsome one) which Peter Jefferson used is still preserved among the heirlooms of his descendants. It was probably in his capacity of surveyor that Mr. Jefferson made the acquaintance of the Randolph family, and he soon became the bosom friend of William Randolph, the young proprietor of Tuckahoe. The Randolphs had been for ages a family of consideration in the midland counties of England, claiming descent from the Scotch Earls of Murray, and connected by blood or marriage with many of the English nobility. In 1735 Peter Jefferson established himself as a planter by patenting a thousand acres of land in Goochland County, his estate lying near and partly including the outlying hills, which form a sort of picket line for the Blue Mountain range. At the same time his friend William Randolph patented an adjoining estate of twenty-four hundred acres; and inasmuch as there was no good site for a house on Jefferson's estate, Mr. Randolph conveyed to him four hundred acres for that purpose, the consideration expressed in the deed, which is still extant, being "Henry Weatherbourne's biggest bowl of Arrack punch." Here Peter Jefferson built his house, and here, three years later, he brought his bride,--a handsome girl of nineteen, and a kinswoman of William Randolph, being Jane, oldest child of Isham Randolph, then Adjutant-General of Virginia. She was born in London, in the parish of Shadwell, and Shadwell was the name given by Peter Jefferson to his estate. This marriage was a fortunate union of the best aristocratic and yeoman strains in Virginia. In the year 1744 the new County of Albemarle was carved out of Goochland County, and Peter Jefferson was appointed one of the three justices who constituted the county court and were the real rulers of the shire. He was made also Surveyor, and later Colonel of the county. This last office was regarded as the chief provincial honor in Virginia, and it was especially important when he held it, for it was the time of the French war, and Albemarle was in the debatable land. In the midst of that war, in August, 1757, Peter Jefferson died suddenly, of a disease which is not recorded, but which was probably produced by fatigue and exposure. He was a strong, just, kindly man, sought for as a protector of the widow and the orphan, and respected and loved by Indians as well as white men. Upon his deathbed he left two injunctions regarding his son Thomas: one, that he should receive a classical education; the other, that he should never be permitted to neglect the physical exercises necessary for health and strength. Of these dying commands his son often spoke with gratitude; and he used to say that if he were obliged to choose between the education and the estate which his father gave him, he would choose the education. Peter Jefferson left eight children, but only one son besides Thomas, and that one died in infancy. Less is known of Jefferson's mother; but he derived from her a love of music, an extraordinary keenness of susceptibility, and a corresponding refinement of taste. His father's death left Jefferson his own master. In one of his later letters he says: "At fourteen years of age the whole care and direction of myself were thrown on myself entirely, without a relative or a friend qualified to advise or guide me." The first use that he made of his liberty was to change his school, and to become a pupil of the Rev. James Maury,--an excellent clergyman and scholar, of Huguenot descent, who had recently settled in Albemarle County. With him young Jefferson continued for two years, studying Greek and Latin, and becoming noted, as a schoolmate afterward reported, for scholarship, industry, and shyness. He was a good runner, a keen fox-hunter, and a bold and graceful rider. At the age of sixteen, in the spring of 1760, he set out on horseback for Williamsburg, the capital of Virginia, where he proposed to enter the college of William and Mary. Up to this time he had never seen a town, or even a village, except the hamlet of Charlottesville, which is about four miles from Shadwell. Williamsburg--described in contemporary language as "the centre of taste, fashion, and refinement"--was an unpaved village, of about one thousand inhabitants, surrounded by an expanse of dark green tobacco fields as far as the eye could reach. It was, however, well situated upon a plateau midway between the York and James rivers, and was swept by breezes which tempered the heat of the summer sun and kept the town free from mosquitoes. Williamsburg was also well laid out, and it has the honor of having served as a model for the city of Washington. It consisted chiefly of a single street, one hundred feet broad and three quarters of a mile long, with the capitol at one end, the college at the other, and a ten-acre square with public buildings in the middle. Here in his palace lived the colonial governor. The town also contained "ten or twelve gentlemen's families, besides merchants and tradesmen." These were the permanent inhabitants; and during the "season"--the midwinter months--the planters' families came to town in their coaches, the gentlemen on horseback, and the little capital was then a scene of gayety and dissipation. Such was Williamsburg in 1760 when Thomas Jefferson, the frontier planter's son, rode slowly into town at the close of an early spring day, surveying with the outward indifference, but keen inward curiosity of a countryman, the place which was to be his residence for seven years,--in one sense the most important, because the most formative, period of his life. He was a tall stripling, rather slightly built,--after the model of the Randolphs,--but extremely well-knit, muscular, and agile. His face was freckled, and his features were somewhat pointed. His hair is variously described as red, reddish, and sandy, and the color of his eyes as blue, gray, and also hazel. The expression of his face was frank, cheerful, and engaging. He was not handsome in youth, but "a very good-looking man in middle age, and quite a handsome old man." At maturity he stood six feet two and a half inches. "Mr. Jefferson," said Mr. Bacon, at one time the superintendent of his estate, "was well proportioned and straight as a gun-barrel. He was like a fine horse, he had no surplus flesh. He had an iron constitution, and was very strong." Jefferson was always the most cheerful and optimistic of men. He once said, after remarking that something must depend "on the chapter of events:" "I am in the habit of turning over the next leaf with hope, and, though it often fails me, there is still another and another behind." No doubt this sanguine trait was due in part at least to his almost perfect health. He was, to use his own language, "blessed with organs of digestion which accepted and concocted, without ever murmuring, whatever the palate chose to consign to them." His habits through life were good. He never smoked, he drank wine in moderation, he went to bed early, he was regular in taking exercise, either by walking or, more commonly, by riding on horseback. The college of William and Mary in Jefferson's day is described by Mr. Parton as "a medley of college, Indian mission, and grammar school, ill-governed, and distracted by dissensions among its ruling powers." But Jefferson had a thirst for knowledge and a capacity for acquiring it, which made him almost independent of institutions of learning. Moreover, there was one professor who had a large share in the formation of his mind. "It was my great good fortune," he wrote in his brief autobiography, "and what probably fixed the destinies of my life, that Dr. William Small, of Scotland, was then professor of mathematics; a man profound in most of the useful branches of science, with a happy talent of communication and an enlarged liberal mind. He, most happily for me, soon became attached to me, and made me his daily companion when not engaged in the school; and from his conversation I got my first views of the expansion of science, and of the system of things in which we are placed." Jefferson, like all well-bred Virginians, was brought up as an Episcopalian; but as a young man, perhaps owing in part to the influence of Dr. Small, he ceased to believe in Christianity as a religion, though he always at home attended the Episcopal church, and though his daughters were brought up in that faith. If any theological term is to be applied to him, he should be called a Deist. Upon the subject of his religious faith, Jefferson was always extremely reticent. To one or two friends only did he disclose his creed, and that was in letters which were published after his death. When asked, even by one of his own family, for his opinion upon any religious matter, he invariably refused to express it, saying that every person was bound to look into the subject for himself, and to decide upon it conscientiously, unbiased by the opinions of others. Dr. Small introduced Jefferson to other valuable acquaintances; and, boy though he was, he soon became the fourth in a group of friends which embraced the three most notable men in the little metropolis. These were, beside Dr. Small, Francis Fauquier, the acting governor of the province, appointed by the crown, and George Wythe. Fauquier was a courtly, honorable, highly cultivated man of the world, a disciple of Voltaire, and a confirmed gambler, who had in this respect an unfortunate influence upon the Virginia gentry,--not, however, upon Jefferson, who, though a lover of horses, and a frequenter of races, never in his life gambled or even played cards. Wythe was then just beginning a long and honorable career as lawyer, statesman, professor, and judge. He remained always a firm and intimate friend of Jefferson, who spoke of him, after his death, as "my second father." It is an interesting fact that Thomas Jefferson, John Marshall, and Henry Clay were all, in succession, law students in the office of George Wythe. Many of the government officials and planters who flocked to Williamsburg in the winter were related to Jefferson on his mother's side, and they opened their houses to him with Virginia hospitality. We read also of dances in the "Apollo," the ball-room of the old Raleigh tavern, and of musical parties at Gov. Fauquier's house, in which Jefferson, who was a skillful and enthusiastic fiddler, always took part. "I suppose," he remarked in his old age, "that during at least a dozen years of my life, I played no less than three hours a day." At this period he was somewhat of a dandy, very particular about his clothes and equipage, and devoted, as indeed he remained through life, to fine horses. Virginia imported more thoroughbred horses than any other colony, and to this day there is probably a greater admixture of thoroughbred blood there than in any other State. Diomed, winner of the first English Derby, was brought over to Virginia in 1799, and founded a family which, even now, is highly esteemed as a source of speed and endurance. Jefferson had some of his colts; and both for the saddle and for his carriage he always used high-bred horses. Referring to the Williamsburg period of his life, he wrote once to a grandson: "When I recollect the various sorts of bad company with which I associated from time to time, I am astonished I did not turn off with some of them, and become as worthless to society as they were.... But I had the good fortune to become acquainted very early with some characters of very high standing, and to feel the incessant wish that I could ever become what they were. Under temptations and difficulties, I would ask myself what would Dr. Small, Mr. Wythe, Peyton Randolph do in this situation? What course in it will assure me their approbation? I am certain that this mode of deciding on my conduct tended more to correctness than any reasoning powers that I possesed." This passage throws a light upon Jefferson's character. It does not seem to occur to him that a young man might require some stronger motive to keep his passions in check than could be furnished either by the wish to imitate a good example or by his "reasoning powers." To Jefferson's well-regulated mind the desire for approbation was a sufficient motive. He was particularly sensitive, perhaps morbidly so, to disapprobation. The respect, the good-will, the affection of his countrymen were so dear to him that the desire to retain them exercised a great, it may be at times, an undue influence upon him. "I find," he once said, "the pain of a little censure, even when it is unfounded, is more acute than the pleasure of much praise." During his second year at college, Jefferson laid aside all frivolities. He sent home his horses, contenting himself with a mile run out and back at nightfall for exercise, and studying, if we may believe the biographer, no less than fifteen hours a day. This intense application reduced the time of his college course by one half; and after the second winter at Williamsburg he went home with a degree in his pocket, and a volume of Coke upon Lytleton in his trunk. II VIRGINIA IN JEFFERSON'S DAY To a young Virginian of Jefferson's standing but two active careers were open, law and politics, and in almost every case these two, sooner or later, merged in one. The condition of Virginia was very different from that of New England,--neither the clerical nor the medical profession was held in esteem. There were no manufactures, and there was no general commerce. Nature has divided Virginia into two parts: the mountainous region to the west and the broad level plain between the mountains and the sea, intersected by numerous rivers, in which, far back from the ocean, the tide ebbs and flows. In this tide-water region were situated the tobacco plantations which constituted the wealth and were inhabited by the aristocracy of the colony. Almost every planter lived near a river and had his own wharf, whence a schooner carried his tobacco to London, and brought back wines, silks, velvets, guns, saddles, and shoes. The small proprietors of land were comparatively few in number, and the whole constitution of the colony, political and social, was aristocratic. Both real estate and slaves descended by force of law to the eldest son, so that the great properties were kept intact. There were no townships and no town meetings. The political unit was the parish; for the Episcopal church was the established church,--a state institution; and the parishes were of great extent, there being, as a rule, but one or two parishes in a county. The clergy, though belonging to an establishment, were poorly paid, and not revered as a class. They held the same position of inferiority in respect to the rich planters which the clergy of England held in respect to the country gentry at the same period. Being appointed by the crown, they were selected without much regard to fitness, and they were demoralized by want of supervision, for there were no resident bishops, and, further, by the uncertain character of their incomes, which, being paid in tobacco, were subject to great fluctuations. A few were men of learning and virtue who performed their duties faithfully, and eked out their incomes by taking pupils. "It was these few," remarks Mr. Parton, "who saved civilization in the colony." A few others became cultivators of tobacco, and acquired wealth. But the greater part of the clergy were companions and hangers-on of the rich planters,--examples of that type which Thackeray so well describes in the character of Parson Sampson in "The Virginians." Strange tales were told of these old Virginia parsons. One is spoken of as pocketing annually a hundred dollars, the revenue of a legacy for preaching four sermons a year against atheism, gambling, racing, and swearing,--for all of which vices, except the first, he was notorious. This period, the middle half of the eighteenth century, was, as the reader need not be reminded, that in which the English church sank to its lowest point. It was the era when the typical country parson was a convivial fox-hunter; when the Fellows of colleges sat over their wine from four o'clock, their dinner hour, till midnight or after; when the highest type of bishop was a learned man who spent more time in his private studies than in the duties of his office; when the cathedrals were neglected and dirty, and the parish churches were closed from Sunday to Sunday. In England, the reaction produced Methodism, and, later, the Tractarian movement; and we are told that even in Virginia, "swarms of Methodists, Moravians, and New-Light Presbyterians came over the border from Pennsylvania, and pervaded the colony." Taxation pressed with very unequal force upon the poor, and the right of voting was confined to freeholders. There was no system of public schools, and the great mass of the people were ignorant and coarse, but morally and physically sound,--a good substructure for an aristocratic society. Wealth being concentrated mainly in the hands of a few, Virginia presented striking contrasts of luxury and destitution, whereas in the neighboring colony of Pennsylvania, where wealth was more distributed and society more democratic, thrift and prosperity were far more common. "In Pennsylvania," relates a foreign traveler, "one sees great numbers of wagons drawn by four or more fine fat horses.... In the slave States we sometimes meet a ragged black boy or girl driving a team consisting of a lean cow and a mule; and I have seen a mule, a bull, and a cow, each miserable in its appearance, composing one team, with a half-naked black slave or two riding or driving as occasion suited." And yet between Richmond and Fredericksburg, "in the afternoon, as our road lay through the woods, I was surprised to meet a family party traveling along in as elegant a coach as is usually met with in the neighborhood of London, and attended by several gayly dressed footmen." Virginia society just before the Revolution perfectly illustrated Buckle's remark about leisure: "Without leisure, science is impossible; and when leisure has been won, most of the class possessing it will waste it in the pursuit of pleasure, and a _few_ will employ it in the pursuit of knowledge." Men like Jefferson, George Wythe, and Madison used their leisure for the good of their fellow-beings and for the cultivation of their minds; whereas the greater part of the planters--and the poor whites imitated them--spent their ample leisure in sports, in drinking, and in absolute idleness. "In spite of the Virginians' love for dissipation," wrote a famous French traveler, "the taste for reading is commoner among men of the first rank than in any other part of America; but the populace is perhaps more ignorant there than elsewhere." "The Virginia virtues," says Mr. Henry Adams, "were those of the field and farm--the simple and straightforward mind, the notions of courage and truth, the absence of mercantile sharpness and quickness, the rusticity and open-handed hospitality." Virginians of the upper class were remarkable for their high-bred courtesy,--a trait so inherent that it rarely disappeared even in the bitterness of political disputes and divisions. This, too, was the natural product of a society based not on trade or commerce, but on land. "I blush for my own people," wrote Dr. Channing, from Virginia, in 1791, "when I compare the selfish prudence of a Yankee with the generous confidence of a Virginian. Here I find great vices, but greater virtues than I left behind me." There was a largeness of temper and of feeling in the Virginia aristocracy, which seems to be inseparable from people living in a new country, upon the outskirts of civilization. They had the pride of birth, but they recognized other claims to consideration, and were as far as possible from estimating a man according to the amount of his wealth. Slavery itself was probably a factor for good in the character of such a man as Jefferson,--it afforded a daily exercise in the virtues of benevolence and self-control. How he treated the blacks may be gathered from a story, told by his superintendent, of a slave named Jim who had been caught stealing nails from the nail-factory: "When Mr. Jefferson came, I sent for Jim, and I never saw any person, white or black, feel as badly as he did when he saw his master. The tears streamed down his face, and he begged for pardon over and over again. I felt very badly myself. Mr. Jefferson turned to me and said, 'Ah, sir, we can't punish him. He has suffered enough already.' He then talked to him, gave him a heap of good advice, and sent him to the shop.... Jim said: 'Well I'se been a-seeking religion a long time, but I never heard anything before that sounded so, or made me feel so, as I did when Master said, "Go, and don't do so any more," and now I'se determined to seek religion till I find it;' and sure enough he afterwards came to me for a permit to go and be baptized.... He was always a good servant afterward." Another element that contributed to the efficiency and the high standard of the early Virginia statesman was a good, old-fashioned classical education. They were familiar, to use Matthew Arnold's famous expression, "with the best that has ever been said or done." This was no small advantage to men who were called upon to act as founders of a republic different indeed from the republics of Greece and Rome, but still based upon
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Produced by Govanni Fini,Greg Bergquist and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) WASPS SOCIAL AND SOLITARY [Illustration: Page 266 PELOPÆUS ON NEST, GROUP OF FINISHED CELLS, AND TUBE OPENED TO SHOW SPIDERS] WASPS SOCIAL AND SOLITARY BY GEORGE W. PECKHAM AND ELIZABETH G. PECKHAM WITH AN INTRODUCTION BY JOHN BURROUGHS _ILLUSTRATIONS BY JAMES H. EMERTON_ “Bold sons of air and heat, untamed, untired.”—ILIAD, Book XVII [Illustration: LOGO] BOSTON AND NEW YORK HOUGHTON, MIFFLIN AND COMPANY The Riverside Press, Cambridge 1905 COPYRIGHT 1905 BY GEORGE W. PECKHAM AND ELIZABETH G. PECKHAM ALL RIGHTS RESERVED _Published April, 1905_ NOTE A PART of the matter presented in this volume was published several years ago by the Wisconsin Biological Survey, under the title “Instincts and Habits of the Solitary Wasps.” These chapters have been revised and modified, and new matter based upon later work has been added, in the hope that in their present less technical form the observations recorded will be of interest to the general reader. For a number of the text cuts used in this volume we are indebted to the courtesy of Dr. E. A. Birge, Director of the Wisconsin Geological and Natural History Survey. CONTENTS CHAPTER PAGE I. COMMUNAL LIFE 1 II. AMMOPHILA AND HER C
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II (OF 8)*** E-text prepared by Chris Curnow, Jane Robins, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (https://archive.org) Note: Project Gutenberg also has an HTML version of this file which includes the numerous original illustrations. See 50710-h.htm or 50710-h.zip: (http://www.gutenberg.org/files/50710/50710-h/50710-h.htm) or (http://www.gutenberg.org/files/50710/50710-h.zip) Images of the original pages are available through Internet Archive. See https://archive.org/details/cassellshistoryo02londuoft Transcriber's note: Text enclosed by underscores is in italics (_italics_). CASSELL'S ILLUSTRATED HISTORY OF ENGLAND CASSELL'S HISTORY OF ENGLAND From the Wars of the Roses to the Great Rebellion With Numerous Illustrations, Including and Rembrandt Plates VOL. II The King's Edition Cassell and Company, Limited London, New York, Toronto and Melbourne MCMIX All Rights Reserved CONTENTS CHAPTER I. WARS OF THE ROSES. PAGE Cade's Rebellion--York comes over from Ireland--His Claims and the Unpopularity of the Reigning Line--His First Appearance in Arms--Birth of the Prince of Wales--York made Protector--Recovery of the King--Battle of St. Albans--York's second Protectorate--Brief Reconciliation of Parties--Battle of Blore Heath--Flight of the Yorkists--Battle of Northampton--York Claims the Crown--The Lords Attempt a Compromise--Death of York at Wakefield--Second Battle of St. Albans--The Young Duke of York Marches on London--His Triumphant Entry 1 CHAPTER II. REIGN OF EDWARD IV. The Battle of Towton--Edward's Coronation--Henry escapes to Scotland--The Queen seeks aid in France--Battle of Hexham--Henry made Prisoner--Confined in the Tower--Edward marries Lady Elizabeth Grey--Advancement of her Relations--Attacks on the Family of the Nevilles--Warwick negotiates with France--Marriage of Margaret, the King's Sister, to the Duke of Burgundy--Marriage of the Duke of Clarence with a Daughter of Warwick--Battle of Banbury--Rupture between the King and his Brother--Rebellion of Clarence and Warwick--Clarence and Warwick flee to France--Warwick proposes to restore Henry VI.--Marries Edward, Prince of Wales, to his Daughter, Lady Ann Neville--Edward IV.'s reckless Dissipation--Warwick and Clarence invade England--Edward expelled--His return to England--Battle of Barnet--Battle of Tewkesbury, and ruin of the Lancastrian Cause--Rivalry of Clarence and Gloucester--Edward's Futile Intervention in Foreign Politics--Becomes a Pensioner of France--Death of Clarence--Expedition to Scotland--Death and Character of the King 17 CHAPTER III. EDWARD V. AND RICHARD III. Edward V. proclaimed--The Two Parties of the Queen and of Gloucester--Struggle in the Council--Gloucester's Plans--The Earl Rivers and his Friends imprisoned--Gloucester secures the King and conducts him to London--Indignities to the young King--Execution of Lord Hastings--A Base Sermon at St. Paul's Cross--Gloucester pronounces the two young Princes illegitimate--The Farce at the Guildhall--Gloucester seizes the Crown--Richard crowned in London and again at York--Buckingham revolts against him--Murder of the two Princes--Henry of Richmond--Failure of Buckingham's Rising--Buckingham beheaded--Richards title confirmed by Parliament--Queen Dowager and her Daughters quit the Sanctuary--Death of Richard's Son and Heir--Proposes to Marry his Niece, Elizabeth of York--Richmond lands at Milford Haven--His Progress--The Troubles of Richard--The Battle of Bosworth--The Fallen Tyrant--End of the Wars of the Roses 46 CHAPTER IV. PROGRESS OF THE NATION IN THE FIFTEENTH CENTURY. The Study of Latin and Greek--Invention of Printing--Caxton--New Schools and Colleges--Architecture, Military, Ecclesiastical, and Domestic--Sculpture, Painting, and Gilding--The Art of War--Commerce and Shipping--Coinage 64 CHAPTER V. REIGN OF HENRY VII. Henry's Defective Title--Imprisonment of the Earl of Warwick--The King's Title to the Throne--His Marriage--Love Rising--Lambert Simnel--Henry's prompt Action--Failure of the Rebellion--The Queen's Coronation--The Act of Maintenance--Henry's Ingratitude to the Duke of Brittany--Discontent in England--Expedition to France and its Results--Henry's Second Invasion--Treaty of Etaples--Perkin Warbeck--His Adventures in Ireland, France, and Burgundy--Henry's Measures--Descent on Kent--Warbeck in Scotland--Invasion of England--The Cornish Rising--Warbeck quits Scotland--He lands in Cornwall--Failure of the Rebellion--Imprisonment of Warbeck and his subsequent Execution--European Affairs--Marriages of Henry's Daughter and Son--Betrothal of Catherine and Prince Henry--Henry's Matrimonial Schemes--Royal Exactions--A Lucky Capture--Henry proposes for Joanna--His Death 76 CHAPTER VI. REIGN OF HENRY VIII. The King's Accession--State of Europe--Henry and Julius II.--Treaty between England and Spain--Henry is duped by Ferdinand--New Combinations--Execution of Suffolk--Invasion of France--Battle of Spurs--Invasion of England by the Scots--Flodden Field--Death of James of Scotland--Louis breaks up the Holy League--Peace with France--Marriage and Death of Louis XII.--Rise of Wolsey--Affairs in Scotland--Francis I. in Italy--Death of Maximilian--Henry a Candidate for the Empire--Election of Charles--Field of the Cloth of Gold--Wolsey's Diplomacy--Failure of his Candidature for the Papacy--The Emperor in London 102 CHAPTER VII. REIGN OF HENRY VIII. (_continued_). The War with France--The Earl of Surrey Invades that Country--Sir Thomas More elected Speaker--Henry and Parliament--Revolt of the Duke of Bourbon--Pope Adrian VI. dies--Clement VII. elected--Francis I. taken Prisoner at the Battle of Pavia--Growing Unpopularity of Wolsey--Change of Feeling at the English Court--Treaty with France--Francis I. regains his liberty--Italian League, including France and England, established against the Emperor--Fall of the Duke of Bourbon at the Siege of Rome--Sacking of Rome, and Capture of the Pope--Appearance of Luther--Henry writes against the German Reformer--Henry receives from the Pope the style and Designation of "Defender of the Faith"--Anne Boleyn--Henry applies to the Pope for a Divorce from the Queen--The Pope's Dilemma--War declared against Spain--Cardinal Campeggio arrives in England to decide the Legality of Henry's Marriage with Catherine--Trial of the Queen--Henry's Discontent with Wolsey--Fall of Wolsey--His Banishment from Court and Death--Cranmer's advice regarding the Divorce--Cromwell cuts the Gordian Knot--Dismay of the Clergy--The King declared Head of the Church in England--The King's Marriage with Anne Boleyn--Cranmer made Archbishop--The Pope Reverses the Divorce--Separation of England from Rome 130 CHAPTER VIII. REIGN OF HENRY VIII. (_continued_). The Maid of Kent and Her Accomplices--Act of Supremacy and Consequent Persecutions--The "Bloody Statute"--Deaths of Fisher and More--Suppression of the Smaller Monasteries--Trial and Death of Anne Boleyn--Henry Marries Jane Seymour--Divisions in the Church--The Pilgrimage of Grace--Birth of Prince Edward--Death of Queen Jane--Suppression of the Larger Monasteries--The Six Articles--Judicial Murders--Persecution of Cardinal Pole--Cromwell's Marriage Scheme--Its Failure and his Fall 158 CHAPTER IX. REIGN OF HENRY VIII. (_concluded_). Divorce of Anne of Cleves--Catherine Howard's Marriage and Death--Fresh Persecutions--Welsh Affairs--The Irish Insurrection and its Suppression--Scottish Affairs--Catholic Opposition to Henry--Outbreak of War--Battle of Solway Moss--French and English Parties in Scotland--Escape of Beaton--Triumph of the French Party--Treaty between England and Germany--Henry's Sixth Marriage--Campaign in France--Expedition against Scotland--Capture of Edinburgh--Fresh Attempt on England--Cardinal Beaton and Wishart--Death of the Cardinal--Struggle between the two Parties in England--Death of Henry 183 CHAPTER X. REIGN OF EDWARD VI. Accession of Edward VI.--Hertford's Intrigues--He becomes Duke of Somerset and Lord Protector--War with Scotland--Battle of Pinkie--Reversal of Henry's Policy--Religious Reforms--Ambition of Lord Seymour of Sudeley--He marries Catherine Parr--His Arrest and Death--Popular Discontents--Rebellion in Devonshire and Cornwall--Ket's Rebellion in Norfolk--Warwick Suppresses it--Opposition to Somerset--His Rapacity--Fall of Somerset--Disgraceful Peace with France--Persecution of Romanists--Somerset's Efforts to regain Power--His Trial and Execution--New Treason Law--Northumberland's Schemes for Changing the Succession--Death of Edward 204 CHAPTER XI. REIGN OF MARY. Proclamation of Lady Jane Grey--Mary's Resistance--Northumberland's Failure--Mary is Proclaimed--The Advice of Charles V.--Execution of Northumberland--Restoration of the Roman Church--Proposed Marriage with Philip of Spain--Consequent Risings throughout England--Wyatt's Rebellion--Execution of Lady Jane Grey--Imprisonment of Elizabeth--Marriage of Philip and Mary--England Accepts the Papal Absolution--Persecuting Statutes Re-enacted--Martyrdom of Rogers, Hooper, and Taylor--Di Castro's Sermon--Sickness of Mary--Trials of Ridley, Latimer, and Cranmer--Martyrdom of Ridley and Latimer--Confession and Death of Cranmer--Departure of Philip--The Dudley Conspiracy--Return of Philip--War with France--Battle of St. Quentin--Loss of Calais--Death of Mary 221 CHAPTER XII. REIGN OF ELIZABETH. Accession of Elizabeth--Sir William Cecil--The Coronation--Opening of Parliament--Ecclesiastical Legislation--Consecration of Parker--Elizabeth and Philip--Treaty of Cateau-Cambresis--Affairs in Scotland--The First Covenant--Attitude of Mary of Guise--Riot at Perth--Outbreak of Hostilities--The Lords of the Congregation apply to England--Elizabeth hesitates--Siege of Leith--Treaty of Edinburgh--Return of Mary to Scotland--Murray's Influence over her--Beginning of the Religious Wars in France--Elizabeth sends Help to the Huguenots--Peace of Amboise--English Disaster at Havre--Peace with France--The Earl of Leicester--Project of his Marriage with Mary--Lord Darnley--Murder of Rizzio--Birth of Mary's Son--Murder of Darnley--Mary and Bothwell--Carberry Hill--Mary in Lochleven--Abdicates in favour of her Infant Son--Mary's Escape from Lochleven--Defeated at Langside--Her Escape into England 246 CHAPTER XIII. REIGN OF ELIZABETH (_continued_). Elizabeth Determines to Imprison Mary--The Conference at York--It is Moved to London--The Casket Letters--Mary is sent Southwards--Remonstrances of the European Sovereigns--Affairs in the Netherlands--Alva is sent Thither--Elizabeth Aids the Insurgents--Proposed Marriage between Mary and Norfolk--The Plot is Discovered--Rising in the North--Its Suppression--Death of the Regent Murray--Its Consequences in Scotland--Religious Persecutions--Execution of Norfolk--Massacre of St. Bartholomew--Siege of Edinburgh Castle--War in France--Splendid Defence of La Rochelle--Death of Charles IX.--Religious War in the Netherlands--Rule of Don John--The Anjou Marriage--Deaths of Anjou and of William the Silent 274 CHAPTER XIV. REIGN OF ELIZABETH (_continued_). Affairs of Ireland: Shane O'Neil's Rebellion--Plantation of Ulster--Spanish Descent on Ireland--Desmond's Rebellion--Religious Conformity--Campian and Parsons--The Anabaptists--Affairs of Scotland--Death of Morton--Success of the Catholics in Scotland--The Raid of Ruthven--Elizabeth's Position--Throgmorton's Plot--Association to Protect Elizabeth--Mary removed to Tutbury--Support of the Protestant Cause on the Continent--Leicester in the Netherlands--Babington's Plot--Trial of Mary--Her Condemnation--Hesitation of Elizabeth--Execution of Mary 295 CHAPTER XV. REIGN OF ELIZABETH (_concluded_). State of Europe on the Death of Mary--Preparations of Philip of Spain--Exploits of English Sailors--Drake Singes the King of Spain's Beard--Preparations against the Armada--Loyalty of the Roman Catholics--Arrival of the Armada in the Channel--Its Disastrous Course and Complete Destruction--Elizabeth at Tilbury--Death of Leicester--Persecution of the Puritans and Catholics--Renewed Expeditions against Spain--Accession of Henry of Navarre to the French Throne--He is helped by Elizabeth--Essex takes Cadiz--His Quarrels with the Cecils--His Second Expedition and Rupture with the Queen--Troubles in Ireland--Essex appointed Lord-Deputy--His Failure--The Essex Rising--Execution of Essex--Mountjoy in Ireland--The Debate on Monopolies--Victory of Mountjoy--Weakness of Elizabeth--Her last Illness and Death 313 CHAPTER XVI. THE PROGRESS OF THE NATION IN THE SIXTEENTH CENTURY. The Tudors and the Nation--The Church--Population and Wealth--Royal Prerogative--Legislation of Henry VIII.--The Star Chamber--Beneficial Legislation--Treason Laws--Legislation of Edward and Mary--Elizabeth's Policy--Religion and the Church--Sketch of Ecclesiastical History under the Tudors--Literature, Science, and Art--Greatness of the Period--Foundation of Colleges and Schools--Revival of Learning--Its Temporary Decay--Prose Writers of the Period--The Poets--Scottish Bards--Music--Architecture--Painting and Sculpture--Furniture and Decorations--Arms and Armour--Costumes, Coins, and Coinage--Ships, Commerce, Colonies, and Manufactures--Manners and Customs--Condition of the People 342 CHAPTER XVII. REIGN OF JAMES I. The Stuart Dynasty--Hopes and Fears caused by the Accession of James--The King enters England--His Progress to London--Lavish Creation of Peers and Knights--The Royal Entrance into the Metropolis--The Coronation--Popularity of Queen Anne--Ravages of the Plague--The King Receives Foreign Embassies--Rivalry of the Diplomatists of France and Spain--Discontent of Raleigh, Northumberland, and Cobham--Conspiracies against James--"The Main" and "The Bye"--Trials of the Conspirators--The Sentences--Conference with Puritans--Parliament of 1604--Persecution of Catholics and Puritans--Gunpowder Plot--Admission of Fresh Members--Delays and Devices--The Letter to Lord Mounteagle--Discovery of the Plot--Flight of the Conspirators--Their Capture and Execution--New Penal Code--James's Correspondence with Bellarmine--Cecil's attempts to get Money--Project of Union between England and Scotland--The King's Collisions with Parliament--Insurrection of the Levellers--Royal Extravagance and Impecuniosity--Fresh Disputes with Parliament and Assertions of the Prerogative--Death of Cecil--Story of Arabella Stuart--Death of Prince Henry 404 CHAPTER XVIII. REIGN OF JAMES I (_concluded_). Reign of Favourites--Robert Carr--His Marriage--Death of Overbury--Venality at Court--The Addled Parliament--George Villiers--Fall of Somerset--Disgrace of Coke--Bacon becomes Lord Chancellor--Position of England Abroad--The Scottish Church--Introduction of Episcopacy--Andrew Melville--Visit of James to Scotland--The Book of Sports--Persecution of the Irish Catholics--Examination into Titles--Rebellion of the Chiefs--Plantation of Ulster--Fresh Confiscations--Quarrel between Bacon and Coke--Prosperity of Buckingham--Raleigh's Last Voyage--His Execution--Beginning of the Thirty Years' War--Indecision of James--Despatch of Troops to the Palatinate--Parliament of 1621--Impeachment of Bacon--His Fall--Floyd's Case--James's Proceedings during the Recess--Dissolution of Parliament--Reasons for the Spanish Match--Charles and Buckingham go to Spain--The Match is Broken Off--Punishment of Bristol--Popularity of Buckingham--Change of Foreign Policy--Marriage of Charles and Henrietta Maria--Death of James 448 CHAPTER XIX. REIGN OF CHARLES I. Accession of Charles--His Marriage--Meeting of Parliament--Loan of Ships to Richelieu--Dissolution of Parliament--Failure of the Spanish Expedition--Persecution of the Catholics--The Second Parliament--It appoints three Committees--Impeachment of Buckingham--Parliament dissolved to save him--Illegal Government--High Church Doctrines--Rupture with France--Disastrous Expedition to Rhe--The Third Parliament--The Petition of Right--Resistance and Final Surrender of Charles--Parliament Prorogued--Assassination of Buckingham--Fall of La Rochelle--Parliament Reassembles and is Dissolved--Imprisonment of Offending Members--Government without Parliament--Peace with France and Spain--Gustavus Adolphus in Germany--Despotic Proceedings of Charles and Laud 508 CHAPTER XX. Reign of Charles I (_continued_). Visit of Charles to Scotland--Laud and the Papal See--His Ecclesiastical Measures--Punishment of Prynne, Bastwick, and Burton--Disgrace of Williams--Ship-money--Resistance of John Hampden--Wentworth in the North--Recall of Falkland from Ireland--Wentworth's Measures--Inquiry into Titles--Prelacy Riots in Edinburgh--Jenny Geddes's Stool--The Tables--Renewal of the Covenant--Charles makes Concessions--The General Assembly--Preparations for War--Charles at York--Leslie at Dunse Hill--A Conference held--Treaty of Berwick--Arrest of Loudon--Insult from the Dutch--Wentworth in England--The Short Parliament--Riots in London--Preparations of the Scots--Mutiny in the English Army--Invasion of England--Treaty of Ripon--Meeting of the Long Parliament--Impeachment of Strafford--His Trial--He is abandoned by Charles--His Execution--The King's Visit to Scotland 550 [Illustration: DANDY OF THE TIME OF CHARLES I. (_From a Broadside, dated 1646._)] LIST OF ILLUSTRATIONS PAGE Dandy of the Time of Charles I. IX Eltham Palace, from the North-east 1 The Duke of York Challenged to Mortal Combat 5 View in Luebeck: The Church of St. Aegidius 9 Clifford's Tower: York Castle 12 Rutland beseeching Clifford to spare his Life 13 The Quarrel in the Temple Gardens 17 Edward IV. 20 Dunstanburgh Castle 21 Great Seal of Edward IV. 25 Gold Rose Noble of Edward IV. 28 Preaching at St. Paul's Cross 29 Battle of Barnet: Death of the King-maker 33 Burial of King Henry 37 Louis XI. and the Herald 41 St. Andrews, from the Pier 45 Great Seal of Edward V. 48 Edward V. 49 The Tower of London: Bloody and Wakefield Towers 52 Great Seal of Richard III. 53 The Princes in the Tower 56 Richard III. 57 Richard III. at the Battle of Bosworth 61 Facsimile of Caxton's Printing in the "Dictes and Sayings of Philosophers," (1477) 65 Earl Rivers Presenting Caxton to Edward IV. 65 The Quadrangle, Eton College 68 Interior of King's College Chapel, Cambridge 69 Street in London in the Fifteenth Century 73 Cannon of the End of the Fifteenth Century 75 Great Seal of Henry VII. 77 Henry VII. 80 The Last Stand of Schwarz and his Germans 81 Penny of Henry VII. Angel of Henry VII. Noble of Henry VII. Sovereign of Henry VII. 85 Stirling Castle 89 St. Michael's Mount, Cornwall 92 Lady Catherine Gordon before Henry VII. 93 The Byward Tower, Tower of London 97 King Henry's Departure from Henningham Castle 100 Henry VII.'s Chapel, Westminster Abbey 101 Great Seal of Henry VIII. 105 Meeting of Henry and the Emperor Maximilian 108 Henry and the captured French Officers 109 Edinburgh after Flodden 113 Archbishop Warham 117 Hampton Court Palace 121 Henry VIII. 125 Great Ship of Henry VIII. 129 Stirling, from the Abbey Craig 132 Cardinal Wolsey 133 Silver Groat of Henry VIII. Gold Crown of Henry VIII. George Noble of Henry VIII. 136 Pound Sovereign of Henry VIII. Double Sovereign of Henry VIII. 137 Surrender of Francis on the Battle-field of Pavia 141 Martin Luther 145 The Trial of Queen Catherine 149 The Dismissal of Wolsey 153 The Tower of London: Sketch in the Gardens 157 Sir Thomas More 160 The Parting of Sir Thomas More and his Daughter 161 Anne Boleyn 165 Anne Boleyn's Last Farewell of her Ladies 168 St. Peter's Chapel, Tower Green, London, where Anne Boleyn was Buried 169 The Pilgrimage of Grace 173 Gateway of Kirkham Priory 176 Beauchamp Tower, and Place of Execution within the Tower of London 177 Thomas Cromwell, Earl of Essex 181 Catherine Howard being conveyed to the Tower 185 Capture of the Fitzgeralds 188 The First Levee of Mary Queen of Scots 192 View in St. Andrews: North Street 193 Francis I. 197 The Assassination of Cardinal Beaton 201 Edward VI. 205 Great Seal of Edward VI. 209 The Royal Herald in Ket's Camp 212 Old Somerset House, London 213 The Duke of Somerset 217 Silver Crown of Edward VI. 219 Sixpence of Edward VI. Shilling of Edward VI. Pound Sovereign of Edward VI. Triple Sovereign of Edward VI. 220 Queen Mary and the State Prisoners in the Tower 221 Great Seal of Philip and Mary 224 View from the Constable's Garden, Tower of London 225 Old London Bridge, with Nonsuch Palace 229 Lady Jane Grey on her way to the Scaffold 233 Archbishop Cranmer 237 The Place of Martyrdom, Old Smithfield 240 Mary I. 241 The Hotel de Ville and Old Lighthouse, Calais 244 Shilling of Philip and Mary. Real of Mary I. 245 Elizabeth's Public Entry into London 249 Elizabeth 252 Autograph of Elizabeth 253 Mar's Work, Stirling 257 Great Seal of Elizabeth 260 Mary, Queen of Scots 261 The Murder of Rizzio 265 Holyrood Palace, Edinburgh 269 Mary Signing the Deed of Abdication in Lochleven Castle 273 Lord Burleigh 276 Farthing of Elizabeth. Halfpenny of Elizabeth. Penny of Elizabeth. Twopence of Elizabeth. Half-crown of Elizabeth. Half-sovereign of Elizabeth 277 The Duke of Norfolk's Interview with Elizabeth 281 The Regent Murray 284 High Street, Linlithgow 285 Kenilworth Castle 289 The House of the English Ambassador during the Massacre of St. Bartholomew 293 Murder of the Earl of Desmond 297 The Earl of Arran accusing Morton of the Murder of Darnley 300 Dumbarton Rock, with view of Castle 301 The Earl of Leicester 305 Trial of Mary Queen of Scots in Fotheringay Castle 309 Mary Queen of Scots receiving Intimation of her Doom 312 Sir Francis Drake 317 The Hoe, Plymouth 320 The Armada in Sight 321 Philip II. 325 Beauchamp Tower, Warders' Houses, and Yeoman Gaolers' Lodgings: Tower of London 329 The Quarrel between Elizabeth and the Earl of Essex 332 The Earl of Essex 333 Lord Grey and his Followers Attacking the Earl of Southampton 337 Elizabeth's Promenade on Richmond Green 340 Richmond Palace 341 Town and Country Folk of Elizabeth's Reign 345 State Trial in Westminster Hall in the Time of Elizabeth 349 John Knox 353 Reduced Facsimile of the Title-page of the Great Bible, also called Cromwell's Bible 357 Christ's Hospital, London 361 Latimer Preaching before Edward VI. 364 Roger Ascham's Visit to Lady Jane Grey 365 Edmund Spenser 369 The House at Stratford-on-Avon in which Shakespeare was Born 373 Shakespeare 376 The Acting of one of Shakespeare's Plays in the Time of Queen Elizabeth 377 Queen Elizabeth's Cither and Music-book 379 Holland House, Kensington 380 The Great Court of Kirby Hall, Northamptonshire 381 Entrance from the Courtyard of Burleigh House, Stamford 383 Elizabeth's Drawing-room, Penshurst Place 384 Soldiers of the Tudor Period 385 The Wedding of Jack of Newbury: The Bride's Procession 389 Ships of Elizabeth's Time 393 The First Royal Exchange, London (Founded by Sir Thomas Gresham) 396 Sir Thomas Gresham 397 The Frolic of My Lord of Misrule 401 Punishment of the Stocks 403 James I. 405 St. Thomas's Tower and Traitor's Gate, Tower of London 409 Sir Walter Raleigh 412 The Dissenting Divines Presenting their Petition to James 413 The Old Palace, Westminster, in the time of Charles I. 417 Great Seal of James I. 420 Guy Fawkes's Cellar under Parliament House 421 Lord Monteagle and the Warning Letter about the Gunpowder Plot 425 Arrest of Guy Fawkes 428 Pound Sovereign of James I. Unit or Laurel of James I. (Gold). Spur Rial of James I. (Gold). Thistle Crown of James I. (Gold) 432 Sir Robert Cecil, afterwards Earl of Salisbury 433 Shilling of James I. Crown of James I. 436 James and his Courtiers setting out for the Hunt 437 The Star Chamber 441 Flight of the Lady Arabella Stuart 444 Notre Dame, Caudebec 445 Sir Francis Bacon (Viscount St. Albans) 449 The Banqueting House, Whitehall 452 Greenwich Palace in the time of James I. 456 Sir Edward Coke 457 Andrew Melville before the Scottish Privy Council 461 Keeping Sunday, according to King James's Book of Sports 465 Parliament House, Dublin, in the Seventeenth Century 469 Sir Francis Bacon waiting an Audience of Buckingham 472 Arrest of Sir Walter Raleigh 476 Sir Walter Raleigh before the Judges 477 The Franzensring, Vienna 481 Interview between Bacon and the Deputation from the Lords 484 George Villiers, Duke of Buckingham 485 The Fleet Prison 489 Public Reception of Prince Charles in Madrid 493 Prince Charles's Farewell of the Infanta 497 The Royal Palace, Madrid 500 The Ladies of the French Court and the Portrait of Prince Charles 504 Henrietta Maria 505 Great Seal of Charles I. 509 Charles welcoming his Queen to England 512 Charles I. 513 Reception of Viscount Wimbledon at Plymouth 516 York House (The Duke of Buckingham's Mansion) 517 Trial of Buckingham 521 Interior of the Banqueting House, Whitehall 525 Sir John Eliot 529 Assassination of the Duke of Buckingham 533 Tyburn in the time of Charles I. 537 Three Pound Piece of Charles I. Broad of Charles I. Briot Shilling of Charles I. 540 John Selden 541 Scene in the House of Commons: The Speaker Coerced 545 Interior of Old St. Paul's 549 Dunblane 552 Archbishop Laud 553 John Lilburne on the Pillory 557 The Birmingham Tower, Dublin Castle 561
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Produced by Annie McGuire [Illustration: HARPER'S YOUNG PEOPLE AN ILLUSTRATED WEEKLY.] * * * * * VOL. I.--NO. 12. PUBLISHED BY HARPER & BROTHERS, NEW YORK. PRICE FOUR CENTS. Tuesday, January 20, 1880. Copyright, 1880, by HARPER & BROTHERS. $1.50 per Year, in Advance. * * * * * [Illustration] Poor pussy comes at break of day, And wakes me up to make me play; But I am such a sleepy head, That I'd much rather stay in bed! OUR OWN STAR. "As we have already," began the Professor, "had a talk about the stars in general, let us this morning give a little attention to our own particular star." "Is there a star that we can call our own?" asked May, with unusual animation. "How nice! I wonder if it can be the one I saw from our front window last evening, that looked so bright and beautiful?" "I am sure it was not," said the Professor, "if you saw it in the evening." "Is it hard to see our star, then?" she said. "By no means," replied the Professor; "rather it is hard not to see it. But you must be careful about looking directly at it, or your eyes will be badly dazzled, it is so very bright. Our star is no other than the sun. And we are right in calling it a star, because all the stars are suns, and very likely give light and heat to worlds as large as our earth, though they are all so far off that we can not see them. Our star seems so much brighter and hotter than the others, only because it is so much nearer to us than they are, though still it is some ninety-two millions of miles away." "How big is the sun?" asked Joe. "You can get the clearest idea of its size by a comparison. The earth is 7920 miles in diameter, that is, as measured right through the centre. Now suppose it to be only one inch, or about as large as a plum or a half-grown peach; then we would have to regard the sun as three yards in diameter, so that if it were in this room it would reach from the floor to the ceiling." "How do they find out the distance of the sun?" asked Joe. "Until lately," replied the Professor, "the same method was pursued as in surveying, that is, by measuring lines and angles. An angle, you know, is the corner made by two lines coming together, as in the letter V. But that method did not answer very well, as it did not make the distance certain within several millions of miles. Quite recently Professor Newcomb has found out a way of measuring the sun's distance by the velocity of its light. He has invented a means of learning exactly how fast light moves; and then, by comparing this with the time light takes to come from the sun to us, he is able to tell how far off the sun is. Thus, if a man knows how many miles he walks in an hour, and how many hours it takes him to walk to a certain place, he can very easily figure up the number of miles it is away." "Why," said Gus, "that sounds just like what Bob Stebbins said the other day in school. He has a big silver watch that he is mighty fond of hauling out of his pocket before everybody. A caterpillar came crawling through the door, and went right toward the teacher's desk at the other end of the room. 'Now,' said Bob, 'if that fellow will only keep straight ahead, I can tell how long the room is.' So out came the watch, and Bob wrote down the time and how many inches the caterpillar travelled in a minute. But just then Sally Smith came across his track with her long dress, and swept him to Jericho. We boys all laughed out; Sally blushed and got angry; and the teacher kept us in after school." "Astronomers have the same kind of troubles," said the Professor. "They incur great labor and expense to take some particular observation that is possible only once in a number of years, and then for only a few minutes. And after their instruments are all carefully set up, and their calculations made, the clouds spread over the sky, and hide everything they wish to see. People, too, are very apt to laugh at their disappointment. "There would, however, be no science of astronomy if those who pursued it were discouraged by common difficulties. To explain the heavenly bodies they sometimes try to make little systems or images of the sun and the planets; but they are never able to show the sizes and distances correctly. If they were to begin by making the sun one inch in diameter, then the earth would have
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Produced by Tom Roch, Barbara Kosker and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images produced by Core Historical Literature in Agriculture (CHLA), Cornell University) THE TRAINING OF A FORESTER [Illustration: A FOREST RANGER LOOKING FOR FIRE FROM A NATIONAL FOREST LOOKOUT STATION _Page 32_] THE TRAINING OF A FORESTER BY GIFFORD PINCHOT WITH EIGHT ILLUSTRATIONS [Illustration] PHILADELPHIA & LONDON J. B. LIPPINCOTT COMPANY 1914 COPYRIGHT, 1914, BY J. B. LIPPINCOTT COMPANY PUBLISHED FEBRUARY, 1914 PRINTED BY J. B. LIPPINCOTT COMPANY AT THE WASHINGTON SQUARE PRESS PHILADELPHIA, U. S. A. To OVERTON W. PRICE FRIEND AND FELLOW WORKER TO WHOM IS DUE, MORE THAN TO ANY OTHER MAN, THE HIGH EFFICIENCY OF THE UNITED STATES FOREST SERVICE PREFACE At one time or another, the largest question before every young man is, "What shall I do with my life?" Among the possible openings, which best suits his ambition, his tastes, and his capacities? Along what line shall he undertake to make a successful career? The search for a life work and the choice of one is surely as important business as can occupy a boy verging into manhood. It is to help in the decision of those who are considering forestry as a profession that this little book has been written. To the young man who is attracted to forestry and begins to consider it as a possible profession, certain questions present themselves. What is forestry? If he takes it up, what will his work be, and where? Does it in fact offer the satisfying type of outdoor life which it appears to offer? What chance does it present for a successful career, for a career of genuine usefulness, and what is the chance to make a living? Is he fitted for it in character, mind, and body? If so, what training does he need? These questions deserve an answer. To the men whom it really suits, forestry offers a career more attractive, it may be said in all fairness, than any other career whatsoever. I doubt if any other profession can show a membership so uniformly and enthusiastically in love with the work. The men who have taken it up, practised it, and left it for other work are few. But to the man not fully adapted for it, forestry must be punishment, pure and simple. Those who have begun the study of forestry, and then have learned that it was not for them, have doubtless been more in number than those who have followed it through. I urge no man to make forestry his profession, but rather to keep away from it if he can. In forestry a man is either altogether at home or very much out of place. Unless he has a compelling love for the Forester's life and the Forester's work, let him keep out of it. G. P. CONTENTS PAGE WHAT IS A FOREST? 13 THE FORESTER'S KNOWLEDGE 18 THE FOREST AND THE NATION 19 THE FORESTER'S POINT OF VIEW 23 THE ESTABLISHMENT OF FORESTRY 27 THE WORK OF A FORESTER 30 THE FOREST SERVICE 30 THE FOREST SUPERVISOR 46 THE TRAINED FORESTER 50 PERSONAL EQUIPMENT 63 STATE FOREST WORK 84 THE FOREST SERVICE IN WASHINGTON 89 PRIVATE FORESTRY 106 FOREST SCHOOLS 114 THE OPPORTUNITY 116 TRAINING 123 ILLUSTRATIONS PAGE A FOREST RANGER LOOKING FOR FIRE FROM A NATIONAL FOREST LOOKOUT STATION _Frontispiece_ STRINGING A FOREST TELEPHONE LINE 32 FOREST RANGERS SCALING TIMBER 43 WESTERN YELLOW PINE SEED COLLECTED BY THE FOREST SERVICE FOR PLANTING UP DENUDED LANDS 47 A FOREST EXAMINER RUNNING A COMPASS LINE 59 BRUSH PILING IN A NATIONAL FOREST TIMBER SALE 95 FOREST RANGERS GETTING INSTRUCTION IN METHODS OF WORK FROM A DISTRICT FOREST OFFICER 105 FOREST SERVICE MEN MAKING FRESH MEASUREMENTS IN THE MISSOURI SWAMPS 136 THE TRAINING OF A FORESTER WHAT IS A FOREST? First, What is forestry? Forestry is the knowledge of the forest. In particular, it is the art of handling the forest so that it will render whatever service is required of it without being impoverished or destroyed. For example, a forest may be handled so as to produce saw logs, telegraph poles, barrel hoops, firewood, tan bark, or turpentine. The main purpose of its treatment may be to prevent the washing of soil, to regulate the flow of streams, to support cattle or sheep, or it may be handled so as to supply a wide range and combination of uses. Forestry is the art of producing from the forest whatever it can yield for the service of man. Before we can understand forestry, certain facts about the forest itself must be kept in mind. A forest is not a mere collection of individual trees, just as a city is not a mere collection of unrelated men and women, or a Nation like ours merely a certain number of independent racial groups. A forest, like a city, is a complex community with a life of its own. It has a soil and an atmosphere of its own, chemically and physically different from any other, with plants and shrubs as well as trees which are peculiar to it. It has a resident population of insects and higher animals entirely distinct from that outside. Most important of all, from the Forester's point of view, the members of the forest live in an exact and intricate system of competition and mutual assistance, of help or harm, which extends to all the inhabitants of this complicated city of trees. The trees in a forest are all helped by mutually protecting each other against high winds, and by producing a richer and moister soil than would be possible if the trees stood singly and apart. They compete among themselves by their roots for moisture in the soil, and for light and space by the growth of their crowns in height and breadth. Perhaps the strongest weapon which trees have against each other is growth in height. In certain species intolerant of shade, the tree which is overtopped has lost the race for good. The number of young trees which destroy each other in this fierce struggle for existence is prodigious, so that often a few score per acre are all that survive to middle or old age out of many tens of thousands of seedlings which entered the race of life on approximately even terms. Not only has a forest a character of its own, which arises from the fact that it is a community of trees, but each species of tree has peculiar characteristics and habits also. Just as
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Produced by Nicole Apostola O. T. A Danish Romance by Hans Christian Andersen Author of the "Improvisatore" and the "Two Baronesses" CHAPTER I "Quod felix faustumque sit!" There is a happiness which no poet has yet properly sung, which no lady-reader, let her be ever so amiable, has experienced or ever will experience in this world. This is a condition of happiness which alone belongs to the male sex, and even then alone to the elect. It is a moment of life which seizes upon our feelings, our minds, our whole being. Tears have been shed by the innocent, sleepless nights been passed, during which the pious mother, the loving sister, have put up prayers to God for this critical moment in the life of the son or the brother. Happy moment, which no woman, let her be ever so good, so beautiful, or intellectual, can experience--that of becoming a student, or, to describe it by a more usual term, the passing of the first examination! The cadet who becomes an officer, the scholar who becomes an academical burgher, the apprentice who becomes a journeyman, all know, in a greater or less degree, this loosening of the wings, this bounding over the limits of maturity into the lists of philosophy. We all strive after a wider field, and rush thither like the stream which at length loses itself in the ocean. Then for the first time does the youthful soul rightly feel her freedom, and, therefore, feels it doubly; the soul struggles for activity, she comprehends her individuality; it has been proved and not found too light; she is still in possession of the dreams of childhood, which have not yet proved delusive. Not even the joy of love, not the enthusiasm for art and science, so thrills through all the nerves as the words, "Now am I a student!" This spring-day of life, on which the ice-covering of the school is broken, when the tree of Hope puts forth its buds and the sun of Freedom shines, falls with us, as is well known, in the month of October, just when Nature loses her foliage, when the evenings begin to grow darker, and when heavy winter-clouds draw together, as though they would say to youth,--"Your spring, the birth of the examination, is only a dream! even now does your life become earnest!" But our happy youths think not of these things, neither will we be joyous with the gay, and pay a visit to their circle. In such a one our story takes its commencement. CHAPTER II "At last we separate: To Jutland one, to Fuenen others go; And still the quick thought comes, --A day so bright, so full of fun, Never again on us shall rise."--CARL BAGGER. It was in October of the year 1829. Examen artium had been passed through. Several young students were assembled in the evening at the abode of one of their comrades, a young Copenhagener of eighteen, whose parents were giving him and his new friends a banquet in honor of the examination. The mother and sister had arranged everything in the nicest manner, the father had given excellent wine out of the cellar, and the student himself, here the rex convivii, had provided tobacco, genuine Oronoko-canaster. With regard to Latin, the invitation--which was, of course, composed in Latin--informed the guests that each should bring his own. The company, consisting of one and twenty persons--and these were only the most intimate friends--was already assembled. About one third of the friends were from the provinces, the remainder out of Copenhagen. "Old Father Homer shall stand in the middle of the table!" said one of the liveliest guests, whilst he took down from the stove a plaster bust and placed it upon the covered table. "Yes, certainly, he will have drunk as much as the other poets!" said an older one. "Give me one of thy exercise-books, Ludwig! I will cut him out a wreath of vine-leaves, since we have no roses and since I cannot cut out any." "I have no libation!" cried a third,--"Favete linguis." And he sprinkled a small quantity of salt, from the point of a knife, upon the bust, at the same time raising his glass to moisten it with a few drops of wine. "Do not use my Homer as you would an ox!" cried the host. "Homer shall have the place of honor, between the bowl and the garland-cake! He is especially my poet! It was he who in Greek assisted me to laudabilis et quidem egregie. Now we will mutually drink healths! Joergen shall be magister bibendi, and then we will sing 'Gaudeamus igitur,' and 'Integer vitae.'" "The Sexton with the cardinal's hat shall be the precentor!" cried one of the youths from the provinces, pointing toward a rosy-cheeked companion. "O, now I am no longer sexton!" returned the other laughing. "If thou bringest old histories up again, thou wilt receive thy old school-name, 'the Smoke-squirter.'" "But that is a very nice little history!" said the other. "We called him 'Sexton,' from the office his father held; but that, after all, is not particularly witty. It was better with the hat, for it did, indeed, resemble a cardinal's hat. I, in the mean time, got my name in a more amusing manner." "He lived near the school," pursued the other; "he could always slip home when we had out free quarters of an hour: and then one day he had filled his mouth with tobacco smoke, intending to blow it into our faces; but when he entered the passage with his filled cheeks the quarter of an hour was over, and we were again in class: the rector was still standing in the doorway; he could not, therefore, blow the smoke out of his mouth, and so wished to slip in as he was. 'What have you there in your mouth?' asked the rector; but Philip could answer nothing, without at the same time losing the smoke. 'Now, cannot you speak?' cried the rector, and gave him a box on the ear, so that the smoke burst through nose and mouth. This looked quite exquisite; the affair caused the rector such pleasure, that he presented the poor sinner with the nota bene." "Integer vitae!" broke in the Precentor, and harmoniously followed the other voices. After this, a young Copenhagener exhibited his dramatic talent by mimicking most illusively the professors of the Academy, and giving their peculiarities, yet in such a good-natured manner that it must have amused even the offended parties themselves. Now followed the healths--"Vivant omnes hi et hae!" "A health to the prettiest girl!" boldly cried one of the merriest brothers. "The prettiest girl!" repeated a pair of the younger ones, and pushed their glasses toward each other, whilst the blood rushed to their cheeks at this their boldness, for they had never thought of a beloved being, which, nevertheless, belonged to their new life. The roundelay now commenced, in which each one must give the Christian name of his lady-love, and assuredly every second youth caught a name out of the air; some, however, repeated a name with a certain palpitation of the heart. The discourse became more animated; the approaching military exercises, the handsome uniform, the reception in the students' club, and its pleasures, were all matters of the highest interest. But there was the future philologicum and philosophicum--yes, that also was discussed; there they must exhibit their knowledge of Latin. "What do you think," said one of the party, "if once a week we alternately met at each other's rooms, and held disputations? No Danish word must be spoken. This might be an excellent scheme." "I agree to that!" cried several. "Regular laws must be drawn up." "Yes, and we must have our best Latin scholar, the Jutlander, Otto Thostrup, with us! He wrote his themes in hexameters." "He is not invited here this evening," remarked the neighbor, the young Baron Wilhelm of Funen, the only nobleman in the company. "Otto Thostrup!" answered the host. "Yes, truly he's a clever fellow, but he seems to me so haughty. There is something about him that does not please me at all. We are still no dunces, although he did receive nine prae caeteris!" "Yet it was very provoking," cried another, "that he received the only Non in mathematics. Otherwise he would have been called in. Now he will only have to vex himself about his many brilliant characters." "Yes, and he is well versed in mathematics!" added Wilhelm "There was something incorrect in the writing; the inspector was to blame for that, but how I know not
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Produced by Melissa McDaniel and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber's Note: Inconsistent hyphenation and spelling in the original document have been preserved. Obvious typographical errors have been corrected. Italic text is denoted by _underscores_ and bold text by =equal signs=. CHARLES AUCHESTER VOLUME I. [Illustration: MENDELSSOHN FROM AN ORIGINAL PORTRAIT--1821.] CHARLES AUCHESTER BY ELIZABETH SHEPPARD _WITH AN INTRODUCTION AND NOTES_ BY GEORGE P. UPTON AUTHOR OF "THE STANDARD OPERAS," "STANDARD ORATORIOS," "STANDARD CANTATAS," "STANDARD SYMPHONIES," "WOMAN IN MUSIC," ETC. In Two Volumes VOLUME I. CHICAGO A. C. McCLURG AND COMPANY 1891 COPYRIGHT, BY A. C. MCCLURG AND CO. A.D. 1891. INTRODUCTION. The romance of "Charles Auchester," which is really a memorial to Mendelssohn, the composer, was first published in England in 1853. The titlepage bore the name of "E. Berger," a French pseudonym, which for some time served to conceal the identity of the author. Its motto was a sentence from one of Disraeli's novels: "Were it not for Music, we might in these days say, The Beautiful is dead." The dedication was also to the same distinguished writer, and ran thus: "To the author of 'Contarini Fleming,' whose perfect genius suggested this imperfect history." To this flattering dedication, Mr. Disraeli replied in a note to the author: "No greater book will ever be written upon music, and it will one day be recognized as the imaginative classic of that divine art." Rarely has a book had a more propitious introduction to the public; but it was destined to encounter the proverbial fickleness of that public. The author was not without honor save in her own country. It was reserved for America first to recognize her genius. Thence her fame travelled back to her own home; but an early death prevented her from enjoying the fruits of her enthusiastic toil. Other works followed from her busy pen, among them "Counterparts,"--a musico-philosophical romance, dedicated to Mrs. Disraeli, which had a certain success; "Rumor," of which Beethoven, under the name of Rodomant, is supposed to have been the hero; "Beatrice Reynolds," "The Double Coronet," and "Almost a Heroine:" but none of them achieved the popularity which "Charles Auchester" enjoyed. They shone only by the reflected light of this wonderful girl's first book. The republication of this romance will recall to its readers of an earlier generation an old enthusiasm which may not be altogether lost, though they may smile as they read and remember. It should arouse a new enthusiasm in the younger generation of music-lovers. Elizabeth Sheppard, the author of "Charles Auchester," was born at Blackheath, near London, in 1837. Her father was a clergyman of the Established Church, and her mother a Jewess by descent,--which serves to account for the daughter's strong Jewish sympathies in this remarkable display of hero-worship. Left an orphan at a tender age, she was thrown upon her own resources, and chose school-teaching for her profession. She was evidently a good linguist and musician, for she taught music and the languages before she was sixteen. She had decided literary ambition also, and wrote plays, poems, and short stories at an age when other children are usually engaged in pastimes. Notwithstanding the arduous nature of her work and her exceedingly delicate health, she devoted her leisure hours to literary composition. How this frail girl must have toiled is evidenced by the completion of "Charles Auchester" in her sixteenth year. In her seventeenth she had finished "Counterparts,"--a work based upon a scheme even more ambitious than that of her first story. When it is considered that these two romances were written at odd moments of leisure intervening between hours of wearing toil in the school-room, and that she was a mere child and very frail, it will be admitted that the history of literary effort hardly records a parallel case. Nature however always exacts the penalty for such mental excesses. This little creature of "spirit, fire, and dew" died on March 13, 1862, at the early age of twenty-five. Apart from its intrinsic merits as a musical romance, there are some features of "Charles Auchester" of more than ordinary interest. It is well known that Seraphael, its leading character, is the author's ideal of Mendelssohn, and that the romance was intended to be a memorial of him. More thoroughly to appreciate the work, and not set it down as mere rhapsody, it must be remembered that Miss Sheppard wrote it in a period of Mendelssohn worship in England as ardent and wellnigh as universal as the Handel worship of the previous century had been. It was written in 1853. Mendelssohn had been dead but six years, and his name was still a household word in every English family. He was adored, not only for his musical genius, but also for his singular purity of character. He was personally as well known in England as any native composer. His Scotch Symphony and Hebrides Overture attested his love of Scotch scenery. He had conducted concerts in the provinces; he appeared at
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Produced by Chris Curnow, Harry Lamé and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive.) Transcriber’s Notes Words printed in italics in the original work have been transcribed between underscores: _text_. Small capitals have been transcribed as CAPITALS. More transcriber’s notes may be found at the end of this text. THE AGONY COLUMN OF THE “TIMES” 1800-1870 _WITH AN INTRODUCTION_ EDITED BY ALICE CLAY [Illustration] London CHATTO AND WINDUS, PICCADILLY 1881 [_All rights reserved_] PRINTED BY WILLIAM CLOWES AND SONS, LIMITED, LONDON AND BECCLES. INTRODUCTION. THE contents of the little volume now presented to the public have been
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Produced by K Nordquist and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) THE UNICORN FROM THE STARS AND OTHER PLAYS THE MACMILLAN COMPANY NEW YORK. BOSTON. CHICAGO ATLANTA. SAN FRANCISCO MACMILLAN & CO., LIMITED LONDON. BOMBAY. CALCUTTA MELBOURNE THE MACMILLAN CO. OF CANADA, LTD. TORONTO THE UNICORN FROM THE STARS AND OTHER PLAYS BY WILLIAM B. YEATS AND LADY GREGORY New York THE MACMILLAN COMPANY 1908 _All rights reserved_ COPYRIGHT, 1904, 1908, BY THE MACMILLAN COMPANY. New edition. Set up and electrotyped. Published April, 1908. Norwood Press J. S. Cushing Co.--Berwick & Smith Co. Norwood, Mass., U.S.A. PREFACE About seven years ago I began to dictate the first of these Plays to Lady Gregory. My eyesight had become so bad that I feared I could henceforth write nothing with my own hands but verses, which, as Theophile Gautier has said, can be written with a burnt match. Our Irish Dramatic movement was just passing out of the hands of English Actors, hired because we knew of no Irish ones, and our little troop of Irish amateurs--as they were at the time--could not have too many Plays, for they would come to nothing without continued playing. Besides, it was exciting to discover, after the unpopularity of blank verse, what one could do with three Plays written in prose and founded on three public interests deliberately chosen,--religion, humour, patriotism. I planned in those days to establish a dramatic movement upon the popular passions, as the ritual of religion is established in the emotions that surround birth and death and marriage, and it was only the coming of the unclassifiable, uncontrollable, capricious, uncompromising genius of J. M. Synge that altered the direction of the movement and made it individual, critical, and combative. If his had not, some other stone would have blocked up the old way, for the public mind of Ireland, stupefied by prolonged intolerant organisation, can take but brief pleasure in the caprice that is in all art, whatever its subject, and, more commonly, can but hate unaccustomed personal reverie. I had dreamed the subject of "Cathleen ni Houlihan," but found when I looked for words that I could not create peasant dialogue that would go nearer to peasant life than the dialogue in "The Land of Heart's Desire" or "The Countess Cathleen." Every artistic form has its own ancestry, and the more elaborate it is, the more is the writer constrained to symbolise rather than to represent life, until perhaps his ladies of fashion are shepherds and shepherdesses, as when Colin Clout came home again. I could not get away, no matter how closely I watched the country life, from images and dreams which had all too royal blood, for they were descended like the thought of every poet from all
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Produced by the volunteers of Project Gutenberg Thailand. Proofreading by users brianjungwi, ianh68, kaewmala, LScribe, Saksith, rikker, Claudio, andysteve, wyaryan, dekpient, Gwindarr. PGT is an affiliated sister project focusing on public domain books on Thailand and Southeast Asia. Project leads: Rikker Dockum, Emil Kloeden. (This file was produced from images generously made available by The Internet Archive.) JUNGLE AND STREAM OR THE ADVENTURES OF TWO BOYS IN SIAM BY GEO. MANVILLE FENN AUTHOR OF "IN HONOUR'S CAUSE," "CORMORANT CRAG" "FIRST IN THE FIELD," ETC. DEAN & SON, LTD. 6 LA BELLA SAUVAGE, LUDGATE HILL, LONDON, E.C.4 MADE AND PRINTED IN GREAT BRITAIN CONTENTS I. SIXTY YEARS AGO II. THE JUNGLE HUNTER III. SREE'S PRISONER IV. FISHING WITH A WORM V. THE DOCTOR'S POST-MORTEM VI. MAKING PLANS VII. THE BRINK OF A VOLCANO VIII. A PROWL BY WATER IX. NATURALISTS' TREASURES X. WHAT HARRY HEARD XI. THE NAGA'S BITE XII. SUL THE ELEPHANT XIII. THEIR FIRST TIGER XIV. A YOUNG SAVAGE XV. FOR THE JUNGLE, HO! XVI. THE HOUSE-BOAT XVII. JUNGLE SIGHTS AND SOUNDS XVIII. ELEPHANTS AT HOME XIX. A NIGHT ALARM XX. A DREARY RETURN XXI. A HIDING-PLACE XXII. DARING PLANS XXIII. THE SPEAR HARVEST XXIV. THE HELP SEEKER XXV. A DESPERATE VENTURE XXVI. FOR LIFE XXVII. THE POWDER MINE XXVIII. SAVING THE STORES XXIX. THE DOCTOR KEPT BUSY XXX. LIKE A BAD SHILLING XXXI. COMING HOME TO ROOST XXXII. IN THE NICK OF TIME XXXIII. WHAT FOLLOWED [Illustration: "Then there was a roar like a peal of thunder."] CHAPTER I SIXTY YEARS AGO "Charlie is my darling, my darling, my darling!" was sung in a good, clear, boyish tenor, and then the singer stopped, to say impatiently,-- "What nonsense it is! My head seems stuffed full of Scotch songs,--'Wee bit sangs,' as the doctor calls them. Seems funny that so many Scotch people should come out here to the East. I suppose it's because the Irish all go to the West, that they may get as far apart as they can, so that there may not be a fight. I say, though, I want my breakfast." The speaker, to wit Harry Kenyon, sauntered up to the verandah of the bungalow and looked in at the window of the cool, shaded room, where a man-servant in white drill jacket and trousers was giving the finishing touches to the table. "Breakfast ready, Mike?" "Yes, sir; coffee's boiled, curry's made." "Curry again?" "Yes, Master Harry; curry again. That heathen of a cook don't believe a meal's complete without
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Produced by Rachael Schultz, Thierry Alberto, Melissa McDaniel and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Transcriber's Note: Inconsistent hyphenation and spelling in the original document have been preserved. Obvious typographical errors have been corrected. Italic text is denoted by _underscores_. The following inconsistencies were noted and retained: fly-catcher and flycatcher bottom lands and bottom-lands Kestrel and Kestril Chicasaw and Chickasaw Redwings and Red-wings Black-and-yellow Warbler and Black and Yellow Warbler Chuckwill's Widow and Chuck-Will's Widow Columbian Jay and Columbia Jay Shawaney and Shawanee Falco Haliaetos, Haliäetos, Haliaetus and Haliaëtus Pont Chartrain and Pontchartrain Genessee and Gennessee Musquito and moschetto Skuylkill and Schuylkil The following are possible errors, but retained: Massachusets napsack pease pannel scissars "flat and juicy" should possibly be "fat and juicy" "wet cloths" should possibly be "wet clothes" Gelseminum should possibly be Gelsemium Psittaccus should possibly be Psittacus Gadwal Duck should possibly be Gadwall Duck Anona should possibly be Annona The plate number of the Adult Female Great Horned Owl should possibly be LXI. Several of the words in the sections in French are unaccented where modern French uses accents. They have been left as printed. ORNITHOLOGICAL BIOGRAPHY. ORNITHOLOGICAL BIOGRAPHY, OR AN ACCOUNT OF THE HABITS OF THE BIRDS OF THE UNITED STATES OF AMERICA; ACCOMPANIED BY DESCRIPTIONS OF THE OBJECTS REPRESENTED IN THE WORK ENTITLED THE BIRDS OF AMERICA, AND INTERSPERSED WITH DELINEATIONS OF AMERICAN SCENERY AND MANNERS. BY JOHN JAMES AUDUBON, F.R.SS.L.& E. FELLOW OF THE LINNEAN AND ZOOLOGICAL SOCIETIES OF LONDON; MEMBER OF THE LYCEUM AND LINNEAN SOCIETY OF NEW YORK, OF THE NATURAL HISTORY SOCIETY OF PARIS, THE WERNERIAN NATURAL HISTORY SOCIETY OF EDINBURGH; HONORARY MEMBER OF THE SOCIETY OF NATURAL HISTORY OF MANCHESTER, AND OF THE SCOTTISH ACADEMY OF PAINTING, ARCHITECTURE, AND SCULPTURE, &C. EDINBURGH: ADAM BLACK, 55. NORTH BRIDGE, EDINBURGH; R. HAVELL JUN., ENGRAVER, 77. OXFORD STREET, AND LONGMAN, REES, BROWN, & GREEN, LONDON; GEORGE SMITH, TITHEBARR STREET, LIVERPOOL; T. SOWLER, MANCHESTER; MRS ROBINSON, LEEDS; E. CHARNLEY, NEWCASTLE; POOL & BOOTH, CHESTER; AND BEILBY, KNOTT, & BEILBY, BIRMINGHAM. MDCCCXXXI. NEILL & CO. PRINTERS, Old Fishmarket, Edinburgh. INTRODUCTORY ADDRESS. KIND READER,—Should you derive from the perusal of the following pages, which I have written with no other wish than that of procuring one favourable thought from you, a portion of the pleasure which I have felt in collecting the materials for their composition, my gratification will be ample, and the compensation for all my labours will be more than, perhaps, I have a right to expect from an individual to whom I am as yet unknown, and to whom I must therefore, in the very outset, present some account of my life, and of the motives which have influenced me in thus bringing you into contact with an American Woodsman. * * * * * I received life and light in the New World. When I had hardly yet learned to walk, and to articulate those first words always so endearing to parents, the productions of Nature that lay spread all around, were constantly pointed out to me. They soon became my playmates; and before my ideas were sufficiently formed to enable me to estimate the difference between the azure tints of the sky, and the emerald hue of the bright foliage, I felt that an intimacy with them, not consisting of friendship merely, but bordering on phrenzy, must accompany my steps through life;—and now, more than ever, am I persuaded of the power of those early impressions. They laid such hold upon me, that, when removed from the woods, the prairies, and the brooks, or shut up from the view of the wide Atlantic, I experienced none of those pleasures most congenial to my mind. None but aërial companions suited my fancy. No roof seemed so secure to me as that formed of the dense foliage under which the feathered tribes were seen to resort, or the caves and fissures of the massy rocks to which the dark-winged Cormorant and the Curlew retired to rest, or to protect themselves from the fury of the tempest. My father generally accompanied my steps, procured birds and flowers for me with great eagerness,—pointed out the elegant movements of the former, the beauty and softness of their plumage, the manifestations of their pleasure or sense of danger,—and the always perfect forms and splendid attire of the latter. My valued preceptor would then speak of the departure and return of birds with the seasons, would describe their haunts, and, more wonderful than all, their change of livery; thus exciting me to study them, and to raise my mind toward their great Creator. A vivid pleasure shone upon those days of my early youth, attended with a calmness of feeling, that seldom failed to rivet my attention for hours, whilst I gazed in ecstacy upon the pearly and shining eggs, as they lay imbedded in the softest down, or among dried leaves and twigs, or were exposed upon the burning sand or weather-beaten rock of our Atlantic shores. I was taught to look upon them as flowers yet in the bud. I watched their opening, to see how Nature had provided each different species with eyes, either open at birth, or closed for some time after; to trace the slow progress of the young birds toward perfection, or admire the celerity with which some of them, while yet unfledged, removed themselves from danger to security. I grew up, and my wishes grew with my form. These wishes, kind reader, were for the entire possession of all that I saw. I was fervently desirous of becoming acquainted with nature. For many years, however, I was sadly disappointed, and for ever, doubtless, must I have desires that cannot be gratified. The moment a bird was dead, however beautiful it had been when in life, the pleasure arising from the possession of it became blunted; and although the greatest cares were bestowed on endeavours to preserve the appearance of nature, I looked upon its vesture as more than sullied, as requiring
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E-text prepared by Ted Garvin, Keith M. Eckrich, and the Project Gutenberg Online Distributed Proofreaders Team ONE HUNDRED BEST BOOKS With Commentary and an Essay on Books and Reading by JOHN COWPER POWYS 1916 PREFACE This selection of "One hundred best books" is made after a different method and with a different purpose from the selections already in existence. Those apparently are designed to stuff the minds of young persons with an accumulation of "standard learning" calculated to alarm and discourage the boldest. The following list is frankly subjective in its choice; being indeed the selection of one individual, wandering at large and in freedom through these "realms of gold." The compiler holds the view that in expressing his own predilection, he is also supplying the need of kindred minds; minds that read purely for the pleasure of reading, and have no sinister wish to transform themselves by that process into what are called "cultivated persons." The compiler feels that any one who succeeds in reading, with reasonable receptivity, the books in this list, must become, at the end, a person with whom it would be a delight to share that most classic of all pleasurable arts--the art of intelligent conversation. BOOKS AND READING There is scarcely any question, the sudden explosion of which out of a clear sky, excites more charming perturbation in the mind of a man--professionally, as they say
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E-text prepared by Joyce McDonald, Christine Bell, and Marc D'Hooghe (http:www.girlebooks.com & http://www.freeliterature.org) THE DOCTOR'S WIFE A Novel By the Author of "Lady Audley's Secret," "Aurora Floyd" Etc. Etc. Etc. London John and Robert Maxwell Milton House, Shoe Lane, Fleet Street CONTENTS. I. A young man from the country II. A sensation author III. Isabel IV. The end of George Gilbert's holiday V. George at home VI. Too much alone VII. On the bridge VIII. About poor Joe Tillet's young wife IX. Miss Sleaford's engagement X. A bad beginning XI. "She only said,'my life is weary!'" XII. Something like a birthday XIII. "Oh, my cousin, shallow-hearted!" XIV. Under Lord Thurston's oak XV. Roland says, "Amen" XVI. Mr. Lansdell relates an adventure XVII. The first warning XVIII. The second warning XIX. What might have been! XX. "Oceans should divide us!" XXI. "Once more the gate behind me falls" XXII. "My love's a noble madness" XXIII. A little cloud XXIV. Lady Gwendoline does her duty XXV. "For love himself took part against himself" XXVI. A popular preacher XXVII. "And now I live, and now my life is done!" XXVIII. Trying to be good. XXIX. The first whisper of the storm XXX. The beginning of a great change XXXI. Fifty pounds XXXII. "I'll not believe but Desdemona's honest" XXXIII. Keeping a promise XXXIV. Retrospective XXXV. "'Twere best at once to sink to peace" XXXVI. Between two worlds XXXVII. "If any calm, a calm despair" THE DOCTORS WIFE. CHAPTER I. A YOUNG MAN FROM THE COUNTRY There were two surgeons in the little town of Graybridge-on-the-Wayverne, in pretty pastoral Midlandshire,--Mr. Pawlkatt, who lived in a big, new, brazen-faced house in the middle of the queer old High Street; and John Gilbert, the parish doctor, who lived in his own house on the outskirts of Graybridge, and worked very hard for a smaller income than that which the stylish Mr. Pawlkatt derived from his aristocratic patients. John Gilbert was an elderly man, with a young son. He had married late in life, and his wife had died very soon after the birth of this son. It was for this reason, most likely, that the surgeon loved his child as children are rarely loved by their fathers--with an earnest, over-anxious devotion, which from the very first had been something womanly in its character, and which grew with the child's growth. Mr. Gilbert's mind was narrowed by the circle in which he lived. He had inherited his own patients and the parish patients from his father, who had been a surgeon before him, and who had lived in the same house, with the same red lamp over the little old-fashioned surgery-door, for eight-and-forty years, and had died, leaving the house, the practice, and the red lamp to his son. If John Gilbert's only child had possessed the capacity of a Newton or the aspirations of a Napoleon, the surgeon would nevertheless have shut him up in the surgery to compound aloes and conserve of roses, tincture of rhubarb and essence of peppermint. Luckily for the boy, he was only a common-place lad, with a good-looking, rosy face; clear grey eyes, which stared at you frankly; and a thick stubble of brown hair, parted in the middle and waving from the roots. He was tall, straight, and muscular; a good runner, a first-rate cricketer, tolerably skilful with a pair of boxing-gloves or single-sticks, and a decent shot. He wrote a fair business-like hand, was an excellent arithmetician, remembered a smattering of Latin, a random line here and there from those Roman poets and philosophers whose writings had been his torment at a certain classical and commercial academy at Wareham. He spoke and wrote tolerable English, had read Shakespeare and Sir Walter Scott, and infinitely preferred the latter, though he made a point of skipping the first few chapters of the great novelist's fictions in order to get at once to the action of the story. He was a very good young man, went to church two or three times on a Sunday, and would on no account have broken any one of the Ten Commandments on the painted tablets above the altar by so much as a thought. He was very good; and, above all, he was very good-looking. No one had ever disputed this fact: George Gilbert was eminently good-looking. No one had ever gone so far as to call him handsome; no one had ever presumed to designate him plain. He had those homely, healthy good looks which the novelist or poet in search of a hero would recoil from with actual horror, and which the practical mind involuntarily associates with tenant-farming in a small way, or the sale of butcher's meat. I will not say that poor George was ungentlemanly, because he had kind, cordial manners, and a certain instinctive Christianity, which had never yet expressed itself in any very tangible form, but which lent a genial flavour to every word upon his lips, to every thought in his heart. He was a very trusting young man, and thought well of all mankind; he was a Tory, heart and soul, as his father and grandfather had been before him; and thought especially well of all the magnates round about Wareham and Graybridge, holding the grand names that had been familiar to him from his childhood in simple reverence, that was without a thought of meanness. He was a candid, honest, country-bred young man, who did his duty well, and filled a small place in a very narrow circle with credit to himself and the father who loved him. The fiery ordeal of two years' student-life at St. Bartholomew's had left the lad almost as innocent as a girl; for John Gilbert had planted his son during those two awful years in the heart of a quiet Wesleyan family in the Seven-Sisters Road, and the boy had enjoyed very little leisure for disporting himself with the dangerous spirits of St. Bartholomew's. George Gilbert was two-and-twenty, and in all the course of those two-and-twenty years which made the sum of the young man's life, his father had never had reason to reproach him by so much as a look. The young doctor was held to be a model youth in the town of Graybridge; and it was whispered that if he should presume to lift his eyes to Miss Sophronia Burdock, the second daughter of the rich maltster, he need not aspire in vain. But George was by no means a coxcomb, and didn't particularly admire Miss Burdock, whose eyelashes were a good deal paler than her hair, and whose eyebrows were only visible in a strong light. The surgeon was young, and the world was all before him; but he was not ambitious; he felt no sense of oppression in the narrow High Street at Graybridge. He could sit in the little parlour next the surgery reading Byron's fiercest poems, sympathizing in his own way with Giaours and Corsairs; but with no passionate yearning stirring up in his breast, with no thought of revolt against the dull quiet of his life. George Gilbert took his life as he found it, and had no wish to make it better. To him Graybridge-on-the-Wayverne was all the world. He had been in London, and had felt a provincial's brief sense of surprised delight in the thronged streets, the clamour, and the bustle; but he had very soon discovered that the great metropolis was a dirty and disreputable place as compared to Graybridge-on-the-Wayverne, where you might have taken your dinner comfortably off any doorstep as far as the matter of cleanliness is concerned. The young man was more than satisfied with his life; he was pleased with it. He was pleased to think that he was to be his father's partner, and was to live and marry, and have children, and die at last in the familiar rooms in which he had been born. His nature was very adhesive, and he loved the things that he had long known, because they were old and familiar to him; rather than for any merit or beauty in the things themselves. The 20th of July, 1852, was a very great day for George Gilbert, and indeed for the town of Graybridge generally; for on that day an excursion train left Wareham for London, conveying such roving spirits as cared to pay a week's visit to the great metropolis upon very moderate terms. George had a week's holiday, which he was to spend with an old schoolfellow who had turned author, and had chambers in the Temple, but who boarded and lodged with a family at Camberwell. The young surgeon left Graybridge in the maltster's carriage at eight o'clock upon that bright summer morning, in company with Miss Burdock and her sister Sophronia, who were going up to London on a visit to an aristocratic aunt in Baker Street, and who had been confided to George's care during the journey. The young ladies and their attendant squire were in very high spirits. London, when your time is spent between St. Bartholomew's Hospital and the Seven-Sisters Road, is not the most delightful city in the world; but London, when you are a young man from the country, with a week's holiday, and a five-pound note and some odd silver in your pocket, assumes quite another aspect. George was not enthusiastic; but he looked forward to his holiday with a placid sense of pleasure, and listened with untiring good humour to the conversation of the maltster's daughters, who gave him a good deal of information about their aunt in Baker Street, and the brilliant parties given by that lady and her acquaintance. But, amiable as the young ladies were, George was glad when the Midlandshire train steamed into the Euston Terminus, and his charge was ended. He handed the Misses Burdock to a portly and rather pompous lady, who had a clarence-and-pair waiting for her, and who thanked him with supreme condescension for his care of her nieces. She even went so far as to ask him to call in Baker Street during his stay in London, at which Sophronia blushed. But, unhappily, Sophronia did not blush prettily; a faint patchy red broke out all over her face, even where her eyebrows ought to have been, and was a long time dispersing. If the blush had been Beauty's bright, transient glow, as brief as summer lightning in a sunset sky, George Gilbert could scarcely have been blind to its flattering import; but he looked at the young lady's emotion from a professional point of view, and mistook it for indigestion. "You're very kind, ma'am," he said. "But I'm going to stay at Camberwell; I don't think I shall have time to call in Baker Street." The carriage drove away, and George took his portmanteau and went to find a cab. He hailed a hansom, and he felt as he stepped into it that he was doing a dreadful thing, which would tell against him in Graybridge, if by any evil chance it should become known that he had ridden in that disreputable vehicle. He thought the horse had a rakish, unkempt look about the head and mane, like an animal who was accustomed to night-work, and indifferent as to his personal appearance in the day. George was not used to riding in hansoms; so, instead of balancing himself upon the step for a moment while he gave his orders to the charioteer, he settled himself comfortably inside, and was a little startled when a hoarse voice at the back of his head demanded "Where to, sir?" and suggested the momentary idea that he was breaking out into involuntary ventriloquism. "The Temple, driver; the Temple, in Fleet Street," Mr. Gilbert said, politely. The man banged down a little trap-door and rattled off eastwards. I am afraid to say how much George Gilbert gave the cabman when he was set down at last at the bottom of Chancery Lane; but I think he paid for five miles at eightpence a mile, and a trifle in on account of a blockade in Holborn; and even then the driver did not thank him. George was a long time groping about the courts and quadrangles of the Temple before he found the place he wanted, though he took a crumpled letter out of his waistcoat-pocket, and referred to it every now and then when he came to a standstill. Wareham is only a hundred and twenty miles from London; and the excursion train, after stopping at every station on the line, had arrived at the terminus at half-past two o'clock. It was between three and four now, and the sun was shining upon the river, and the flags in the Temple were hot under Mr. Gilbert's feet. He was very warm himself, and almost worn out, when he found at last the name he was looking for, painted very high up, in white letters, upon a black door-post,--"4th Floor: Mr. Andrew Morgan and Mr. Sigismund Smith." It was in the most obscure corner of the dingiest court in the Temple that George Gilbert found this name. He climbed a very dirty staircase, thumping the end of his portmanteau upon every step as he went up, until he came to a landing, midway between the third and fourth stories; here he was obliged to stop for sheer want of breath, for he had been lugging the portmanteau about with him throughout his wanderings in the Temple, and a good many people had been startled by the aspect of a well-dressed young man carrying his own luggage, and staring at the names of the different rows of houses, the courts and quadrangles in the grave sanctuary. George Gilbert stopped to take breath; and he had scarcely done so, when he was terrified by the apparition of a very dirty boy, who slid suddenly down the baluster between the floor above and the landing, and alighted face to face with the young surgeon. The boy's face was very black, and he was evidently a child of tender years, something between eleven and twelve, perhaps; but he was in nowise discomfited by the appearance of Mr. Gilbert; he ran up-stairs again, and placed himself astride upon the slippery baluster with a view to another descent, when a door above was suddenly opened, and a voice said, "You know where Mr. Manders, the artist, lives?" "Yes, sir;--Waterloo Road, sir, Montague Terrace, No. 2." "Then run round to him, and tell him the subject for the next illustration in the 'Smuggler's Bride.' A man with his knee upon the chest of another man, and a knife in his hand. You can remember that?" "Yes, sir." "And bring me a proof of chapter fifty-seven." "Yes, sir." The door was shut, and the boy ran down-stairs, past George Gilbert, as fast as he could go. But the door above was opened again, and the same voice called aloud,-- "Tell Mr. Manders the man with the knife in his hand must have on top-boots." "All right, sir," the boy called from the bottom of the staircase. George Gilbert went up, and knocked at the door above. It was a black door, and the names of Mr. Andrew Morgan and Mr. Sigismund Smith were painted upon it in white letters as upon the door-post below. A pale-faced young man, with a smudge of ink upon the end of his nose, and very dirty wrist-bands, opened the door. "Sam!" "George!" cried the two young men simultaneously, and then began to shake hands with effusion, as the French playwrights say. "My dear old George!" "My dear old Sam! But you call yourself Sigismund now?" "Yes; Sigismund Smith. It sounds well; doesn't it? If a man's evil destiny makes him a Smith, the least he can do is to take it out in his Christian name. No Smith with a grain of spirit would ever consent to be a Samuel. But come in, dear old boy, and put your portmanteau down; knock those papers off that chair--there, by the window. Don't be frightened of making 'em in a muddle; they can't be in a worse muddle than they are now. If you don't mind just amusing yourself with the 'Times' for half an hour or so, while I finish this chapter of the 'Smuggler's Bride,' I shall be able to strike work, and do whatever you like; but the printer's boy is coming back in half an hour for the end of the chapter." "I won't speak a word," George said, respectfully. The young man with the smudgy nose was an author, and George Gilbert had an awful sense of the solemnity of his friend's vocation. "Write away, my dear Sam; I won't interrupt you." He drew his chair close to the open window, and looked down into the court below, where the paint was slowly blistering in the July sun. CHAPTER II. A SENSATION AUTHOR. Mr. Sigismund Smith was a sensation author. That bitter term of reproach, "sensation," had not been invented for the terror of romancers in the fifty-second year of this present century; but the thing existed nevertheless in divers forms, and people wrote sensation novels as unconsciously as Monsieur Jourdain talked prose. Sigismund Smith was the author of about half-a-dozen highly-spiced fictions, which enjoyed an immense popularity amongst the classes who like their literature as they like their tobacco--very strong. Sigismund had never in his life presented himself before the public in a complete form; he appeared in weekly numbers at a penny, and was always so appearing; and except on one occasion when he found himself, very greasy and dog's-eared at the edges, and not exactly pleasant to the sense of smell, on the shelf of a humble librarian and newsvendor, who dealt in tobacco and sweetstuff as well as literature, Sigismund had never known what it was to be bound. He was well paid for his work, and he was contented. He had his ambition, which was to write a great novel; and the archetype of this _magnum opus_ was the dream which he carried about with him wherever he went, and fondly nursed by night and day. In the meantime he wrote for his public, which was a public that bought its literature in the same manner as its pudding--in penny slices. There was very little to look at in the court below the window; so George Gilbert fell to watching his friend, whose rapid pen scratched along the paper in a breathless way, which indicated a dashing and Dumas-like style of literature, rather than the polished composition of a Johnson or an Addison. Sigismund only drew breath once, and then he paused to make frantic gashes at his shirt-collar with an inky bone paper-knife that lay upon the table. "I'm only trying whether a man would cut his throat from right to left, or left to right," Mr. Smith said, in answer to his friend's look of terror; "it's as well to be true to nature; or as true as one can be, for a pound a page--double-column pages, and eighty-one lines in a column. A man would cut his throat from left to right: he couldn't do it in the other way without making perfect slices of himself." "There's a suicide, then, in your story?" George said, with a look of awe. "_A_ suicide!" exclaimed Sigismund Smith; "_a_ suicide in the 'Smuggler's Bride!' why, it teems with suicides. There's the Duke of Port St. Martin's, who walls himself up alive in his own cellar; and there's Leonie de Pasdebasque, the ballet-dancer, who throws herself out of Count Caesar Maraschetti's private balloon; and there's Lilia, the dumb girl,--the penny public like dumb girls,--who sets fire to herself to escape from the--in fact, there's lots of them," said Mr. Smith, dipping his pen in his ink, and hurrying wildly along the paper. The boy came back before the last page was finished, and Mr. Smith detained him for five or ten minutes; at the end of which time he rolled up the manuscript, still damp, and dismissed the printer's emissary. "Now, George," he said, "I can talk to you." Sigismund was the son of a Wareham attorney, and the two young men had been schoolfellows at the Classical and Commercial Academy in the Wareham Road. They had been schoolfellows, and were very sincerely attached to each other. Sigismund was supposed to be reading for the Bar; and for the first twelve months of his sojourn in the Temple the young man had worked honestly and conscientiously; but finding that his legal studies resulted in nothing but mental perplexity and confusion, Sigismund beguiled his leisure by the pursuit of literature. He found literature a great deal more profitable and a great deal easier than the study of Coke upon Lyttleton, or Blackstone's Commentaries; and he abandoned himself entirely to the composition of such works as are to be seen, garnished with striking illustrations, in the windows of humble newsvendors in the smaller and dingier thoroughfares of every large town. Sigismund gave himself wholly to this fascinating pursuit, and perhaps produced more sheets of that mysterious stuff which literary people call "copy" than any other author of his age. It would be almost impossible for me adequately to describe the difference between Sigismund Smith as he was known to the very few friends who knew anything at all about him, and Sigismund Smith as he appeared on paper. In the narrow circle of his home Mr. Smith was a very mild young man, with the most placid blue eyes that ever looked out of a human head, and a good deal of light curling hair. He was a very mild young man. He could not have hit any one if he had tried ever so; and if you had hit him, I don't think he would have minded--much. It was not in him to be very angry; or to fall in love, to any serious extent; or to be desperate about anything. Perhaps it was that he exhausted all that was passionate in his nature in penny numbers, and had nothing left for the affairs of real life. People who were impressed by his fictions, and were curious to see him, generally left him with a strong sense of disappointment, if not indignation. Was this meek young man the Byronic hero they had pictured? Was this the author of "Colonel Montefiasco, or the Brand upon the Shoulder-blade?" They had imagined a splendid creature, half magician, half brigand, with a pale face and fierce black eyes, a tumbled mass of raven hair, a bare white throat, a long black velvet dressing-gown, and thin tapering hands, with queer agate and onyx rings encircling the flexible fingers. And then the surroundings. An oak-panelled chamber, of course--black oak, with grotesque and diabolic carvings jutting out at the angles of the room; a crystal globe upon a porphyry pedestal; a mysterious picture, with a curtain drawn before it--certain death being the fate of him who dared to raise that curtain by so much as a corner. A mantel-piece of black marble, and a collection of pistols and scimitars, swords and yataghans--especially yataghans--glimmering and flashing in the firelight. A little show of eccentricity in the way of household pets: a bear under the sofa, and a tame rattlesnake coiled upon the hearth-rug. This was the sort of thing the penny public expected of Sigismund Smith; and, lo, here was a young man with perennial ink-smudges upon his face, and an untidy chamber in the Temple, with nothing more romantic than a waste-paper basket, a litter of old letters and tumbled proofs, and a cracked teapot simmering upon the hob. This was the young man who described the reckless extravagance of a Montefiasco's sumptuous chamber, the mysterious elegance of a Diana Firmiani's dimly-lighted boudoir. This was the young man in whose works there were more masked doors, and hidden staircases, and revolving picture-frames and sliding panels, than in all the old houses in Great Britain; and a greater length of vaulted passages than would make an underground railway from the Scottish border to the Land's End. This was the young man who, in an early volume of poems--a failure, as it is the nature of all early volumes of poems to be--had cried in passionate accents to some youthful member of the aristocracy, surname unknown-- "Lady Mable, Lady May, no paean in your praise I'll sing; My shattered lyre all mutely tells The tortured hand that broke the string. Go, fair and false, while jangling bells Through golden waves of sunshine ring; Go, mistress of a thousand spells: But know, midst those you've left forlorn, _One_, lady, gives you scorn for scorn." "Now, George," Mr. Smith said, as he pushed away a very dirty inkstand, and wiped his pen upon the cuff of his coat,--"now, George, I can attend to the rights of hospitality. You must be hungry after your journey, poor old boy! What'll you take?" There were no cupboards in the room, which was very bare of furniture, and the only vestiges of any kind of refreshment were a brown crockery-ware teapot upon the hob, and a roll and pat of butter upon a plate on the mantel-piece. "Have something!" Sigismund said. "I know there isn't much, because, you see, I never have time to attend to that sort of thing. Have some bread and marmalade?" He drew out a drawer in the desk before which he was sitting, and triumphantly displayed a pot of marmalade with a spoon in it. "Bread and marmalade and cold tea's capital," he said; "you'll try some, George, won't you? and then we'll go home to Camberwell." Mr. Gilbert declined the bread and marmalade; so Sigismund prepared to take his departure. "Morgan's gone into Buckinghamshire for a week's fishing," he said, "so I've got the place to myself. I come here of a morning, you know, work all day, and go home to tea and a chop or a steak in the evening. Come along, old fellow." The young men went out upon the landing. Sigismund locked the black door and put the key in his pocket. They went down-stairs, and through the courts, and across the quadrangles of the Temple, bearing towards that outlet which is nearest Blackfriars Bridge. "You'd like to walk, I suppose, George?" Mr. Smith asked. "Oh, yes; we can talk better walking." They talked a great deal as they went along. They were very fond of one another, and had each of them a good deal to tell; but George wasn't much of a talker as compared to his friend Sigismund. That young man poured forth a perpetual stream of eloquence, which knew no exhaustion. "And so you like the people at Camberwell?" George said. "Oh yes, they're capital people; free and easy, you know, and no stupid stuck-up gentility about them. Not but what Sleaford's a gentleman; he's a barrister. I don't know exactly where his chambers are, or in what court he practises when he's in town; but he _is_ a barrister. I suppose he goes on circuit sometimes, for he's very often away from home for a long time together; but I don't know what circuit he goes on. It doesn't do to ask a man those sort of questions, you see, George; so I hold my tongue. I don't think he's rich, that's to say not rich in a regular way. He's flush of money sometimes, and then you should see the Sunday dinners--salmon and cucumber, and duck and green peas, as if they were nothing." "Is he a nice fellow?" "Oh yes; a jolly, out-spoken sort of a fellow, with a loud voice and black eyes. He's a capital fellow to me, but he's not fond of company. He seldom shows if I take down a friend. Very likely you mayn't see him all the time you stay there. He'll shut himself up in his own room when he's at home, and won't so much as look at you." George seemed to be rather alarmed at this prospect. "But if Mr. Sleaford objects to my being in the house," he began, "perhaps I'd better--" "Oh, he doesn't object, bless you!" Sigismund cried, hastily; "not a bit of it. I said to Mrs. Sleaford the other morning at breakfast, 'A friend of mine is coming up from Midlandshire; he's as good a fellow as ever breathed,' I said, 'and good-looking into the bargain,'--don't you blush, George, because it's spooney,--and I asked Mrs. S. if she could give you a room and partially board you,--I'm a partial boarder, you know,--for a week or so. She looked at her husband,--she's very sharp with all of _us_, but she's afraid of _him_,--and Sleaford said yes; my friend might come and should be welcome, as long as he wasn't bothered about it. So your room's ready, George, and you come as my visitor; and I can get orders for all the theatres in London, and I'll give you a French dinner in the neighbourhood of Leicester Square every day of your life, if you like; and we'll fill the cup of dissipation to the highest top sparkle." It was a long walk from the Temple to Camberwell; but the two young men were good walkers, and as Sigismund Smith talked unceasingly all the way, there were no awkward pauses in the conversation. They walked the whole length of the Walworth Road, and turned to the left soon after passing the turn-pike. Mr. Smith conducted his friend by mazy convolutions of narrow streets and lanes, where there were pretty little villas and comfortable cottages nestling amongst trees, and where there was the perpetual sound of clattering tin pails and the slopping of milk, blending pleasantly with the cry of the milkman. Sigismund led George through these shady little retreats, and past a tall stern-looking church, and along by the brink of a canal, till they came to a place where the country was wild and sterile in the year 1852. I dare say that railways have cut the neighbourhood all to pieces by this time, and that Mr. Sleaford's house has been sold by auction in the form of old bricks; but on this summer afternoon the place to which Sigismund brought his friend was quite a lonely, countrified spot, where there was one big, ill-looking house, shut in by a high wall, and straggling rows of cottages dwindling away into pigsties upon each side of it. Standing before a little wooden door in the wall that surrounded Mr. Sleaford's garden, George Gilbert could only see that the house was a square brick building, with sickly ivy straggling here and there about it, and long narrow windows considerably obscured by dust and dirt. It was not a pleasant house to look at, however agreeable it might be as a habitation; and George compared it unfavourably with the trim white-walled villas he had seen on his way,--those neat little mansions at five-and-thirty pounds a year; those cosy little cottages, with shining windows that winked and blinked in the sunshine by reason of their cleanliness; those dazzling brass plates, which shone like brazen shields upon the vivid green of newly-painted front doors. If Mr. Sleaford's house had ever been painted within Mr Sleaford's memory, the
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Produced by Charles Aldarondo ON PICKET DUTY, AND OTHER TALES By L. M. Alcott Boston: NEW YORK: 1864 ON PICKET DUTY. _WHAT_ air you thinkin' of, Phil? "My wife, Dick." "So was I! Aint it odd how fellers fall to thinkin' of thar little women, when they get a quiet spell like this?" "Fortunate for us that we do get it, and have such gentle bosom guests to keep us brave and honest through the trials and temptations of a life like ours." October moonlight shone clearly on the solitary tree, draped with gray moss, scarred by lightning and warped by wind, looking like a venerable warrior, whose long campaign was nearly done; and underneath was posted the guard of four. Behind them twinkled many camp-fires on a distant plain, before them wound a road ploughed by the passage of an army, strewn with the relics of a rout. On the right, a sluggish river glided, like a serpent, stealthy, sinuous, and dark, into a seemingly impervious jungle; on the left, a Southern swamp filled the air with malarial damps, swarms of noisome life, and discordant sounds that robbed the hour of its repose. The men were friends as well as comrades, for though gathered from the four quarters of the Union, and dissimilar in education, character, and tastes, the same spirit animated all; the routine of camp life threw them much together, and mutual esteem soon grew into a bond of mutual good fellowship. Thorn was a Massachusetts volunteer; a man who seemed too early old, too early embittered by some cross, for though grim of countenance, rough of speech, cold of manner, a keen observer would have soon discovered traces of a deeper, warmer nature hidden, behind the repellent front he turned upon the world. A true New Englander, thoughtful, acute, reticent, and opinionated; yet earnest withal, intensely patriotic, and often humorous, despite a touch of Puritan austerity. Phil, the "romantic chap," as he was called, looked his character to the life. Slender, swarthy, melancholy eyed, and darkly bearded; with feminine features, mellow voice and, alternately languid or vivacious manners. A child of the South in nature as in aspect, ardent, impressible, and proud; fitfully aspiring and despairing; without the native energy which moulds character and ennobles life. Months of discipline and devotion had done much for him, and some deep experience was fast ripening the youth into a man. Flint, the long-limbed lumberman, from the wilds of Maine, was a conscript who, when government demanded his money or his life, calculated the cost, and decided that the cash would be a dead loss and the claim might be repeated, whereas the conscript would get both pay and plunder out of government, while taking excellent care that government got precious little out of him. A shrewd, slow-spoken, self-reliant specimen, was Flint; yet something of the fresh flavor of the backwoods lingered in him still, as if Nature were loath to give him up, and left the mark of her motherly hand upon him, as she leaves it in a dry, pale lichen, on the bosom of the roughest stone. Dick "hailed" from Illinois, and was a comely young fellow, full of dash and daring; rough and rowdy, generous and jolly, overflowing with spirits and ready for a free fight with all the world. Silence followed the last words, while the friendly moon climbed up the sky. Each man's eye followed it, and each man's heart was busy with remembrances of other eyes and hearts that might be watching and wishing as theirs watched and wished. In the silence, each shaped for himself that vision of home that brightens so many camp-fires, haunts so many dreamers under canvas roofs, and keeps so many turbulent natures tender by memories which often are both solace and salvation. Thorn paced to and fro, his rifle on his shoulder, vigilant and soldierly, however soft his heart might be. Phil leaned against the tree, one hand in the breast of his blue jacket, on the painted presentment of the face his fancy was picturing in the golden circle of the moon. Flint lounged on the sward, whistling softly as he whittled at a fallen bough. Dick was flat on his back, heels in air, cigar in mouth, and some hilarious notion in his mind, for suddenly he broke into a laugh. "What is it, lad?" asked Thorn, pausing in his tramp, as if willing to be drawn from the disturbing thought that made his black brows lower and his mouth look grim. "Thinkin' of my wife, and wishin' she was here, bless her heart! set me rememberin' how I see her fust, and so I roared, as I always do when it comes into my head." "How was it? Come, reel off a yarn and let's hear houw yeou hitched teams," said Flint, always glad to get information concerning his neighbors, if it could be cheaply done. "Tellin' how we found our wives wouldn't be a bad game, would it, Phil?" "I'm agreeable; but let us have your romance first." "Devilish little of that about me or any of my doin's. I hate sentimental bosh as much as you hate slang, and should have been a bachelor to this day if I hadn't seen Kitty jest as I did. You see, I'd been too busy larkin' round to get time for marryin', till a couple of years ago, when I did up the job double-quick, as I'd like to do this thunderin' slow one, hang it all!" "Halt a minute till I give a look, for this picket isn't going to be driven in or taken while I'm on guard." Down his beat went Thorn, reconnoitring river, road, and swamp, as thoroughly as one pair of keen eyes could do it, and came back satisfied, but still growling like a faithful mastiff on the watch; performances which he repeated at intervals till his own turn came. "I didn't have to go out of my own State for a wife, you'd better believe," began Dick, with a boast, as usual; "for we raise as fine a crop of girls thar as any State in or out of the Union, and don't mind raisin' Cain with any man who denies it. I was out on a gunnin' tramp with Joe Partridge, a cousin of mine,--poor old chap! he fired his last shot at Gettysburg, and died game in a way he didn't dream of the day we popped off the birds together. It ain't right to joke that way; I won't if I can help it; but a feller gets awfully kind of heathenish these times, don't he?" "Settle up them scores byme-by; fightin' Christians scurse raound here. Fire away, Dick." "Well, we got as hungry as hounds half a dozen mile from home, and when a farm-house hove in sight, Joe said he'd ask for a bite and leave some of the plunder for pay. I was visitin' Joe, didn't know folks round, and backed out of the beggin' part of the job; so he went ahead alone. We'd come up the woods behind the house, and while Joe was foragin', I took are connoissance. The view was fust-rate, for the main part of it was a girl airin' beds on the roof of a stoop. Now, jest about that time, havin' a leisure spell, I'd begun to think of marryin', and took a look at all the girls I met, with an eye to business. I s'pose every man has some sort of an idee or pattern of the wife he wants; pretty and plucky, good and gay was mine, but I'd never found it till I see Kitty; and as she didn't see me, I had the advantage and took an extra long stare." "What was her good pints, hey?" "Oh, well, she had a wide-awake pair of eyes, a bright, jolly sort of a face, lots of curly hair tumblin' out of her net, a trig little figger, and a pair of the neatest feet and ankles that ever stepped. 'Pretty,' thinks I;'so far so good.' The way she whacked the pillers, shooked the blankets, and pitched into the beds was a caution; specially one blunderin' old featherbed that wouldn't do nothin' but sag round in a pig-headed sort of way, that would have made most girls get mad and give up. Kitty didn't, but just wrastled with it like a good one, till she got it turned, banged, and spread to suit her; then she plumped down in the middle of it, with a sarcy little nod and chuckle to herself, that tickled me might
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Produced by Delphine Lettau, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net THE WIDOW BARNABY. BY FRANCES TROLLOPE, AUTHOR OF "THE VICAR OF WREXHILL," "A ROMANCE OF VIENNA," ETC. IN THREE VOLUMES. VOL. I. LONDON: RICHARD BENTLEY, NEW BURLINGTON STREET. 1839. LONDON: PRINTED BY SAMUEL BENTLEY, Dorset Street, Fleet Street. THE WIDOW BARNABY. CHAPTER I. INTRODUCTION TO THE FAMILY OF THE FUTURE MRS. BARNABY.--FINANCIAL DIFFICULTIES.--MATERNAL LOVE.--PREPARATIONS FOR A FETE. Miss Martha Compton, and Miss Sophia Compton, were, some five-and-twenty years ago, the leading beauties of the pretty town of Silverton in Devonshire. The elder of these ladies is the person I propose to present to my readers as the heroine of my story; but, ere she is placed before them in the station assigned her in my title-page, it will be necessary to give some slight sketch of her early youth, and also such brief notice of her family as may suffice to make the subsequent events of her life, and the persons connected with them, more clearly understood. The Reverend Josiah Compton, the father of my heroine and her sister, was an exceedingly worthy man, though more distinguished for the imperturbable tranquillity of his temper, than either for the brilliance of his talents or the profundity of his learning. He was the son of a small landed proprietor at no great distance from Silverton, who farmed his own long-descended patrimony of three hundred acres with skilful and unwearied industry, and whose chief ambition in life had been to see his only son Josiah privileged to assume the prefix of _reverend_ before his name. After three trials, and two failures, this blessing was at last accorded, and his son ordained, by the help of a very good-natured examining chaplain of the then Bishop of Exeter. This rustic, laborious, and very happy Squire lived to see his son installed Curate of Silverton, and blessed with the hand of the dashing Miss Martha Wisett, who, if her pedigree was not of such respectable antiquity as that of her bridegroom, had the glory of being accounted the handsomest girl at the Silverton balls; and if her race could not count themselves among the landed gentry, she enjoyed all the consideration that a fortune of one thousand pounds could give, to atone for any mortification which the accident of having a _ci-devant_ tallow-chandler for her parent might possibly occasion. But, notwithstanding all the pride and pleasure which the Squire took in the prosperity of this successful son, the old man could never be prevailed upon by all Mrs. Josiah's admirable reasonings on the rights of primogeniture, to do otherwise than divide his three hundred acres of freehold in equal portions between the Reverend Josiah Compton his son, and Elizabeth Compton, spinster, his daughter. It is highly probable, that had this daughter been handsome, or even healthy, the proud old yeoman might have been tempted to reduce her portion to the charge of a couple of thousand pounds or so upon the estate; but she was sickly, deformed, and motherless; and the tenderness of the father's heart conquered the desire which might otherwise have been strong within him, to keep together the fields which for so many generations had given credit and independence to his race. To leave his poor little Betsy in any degree dependent upon her fine sister-in-law, was, in short, beyond his strength; so the home croft, and the long fourteen, the three linny crofts, the five worthies, and the ten-acre clover bit, together with the farm-house and all its plenishing, and one half of the live and dead farming stock, were bequeathed to Elizabeth Compton and her heirs for ever--not perhaps without some hope, on the part of her good father, that her heirs would be those of her reverend brother, also; and so he died, with as easy a conscience as ever rocked a father to sleep. But Mrs. Josiah Compton, when she became Mrs. Compton, with just one half of the property she anticipated, waxed exceeding wroth; and though her firm persuasion, that "the hideous little crook-back could not live for ever," greatly tended to console and soothe her, it was not without very constant reflections on the necessity of keeping on good terms with her, lest she might make as "unnatural a will as her father did before her," that she was enabled to resist the temptation of abusing her openly every time they met; a temptation increased, perhaps, by the consciousness that Miss Betsy held her and all her race in the most sovereign contempt. Betsy Compton was an odd little body, with some vigour of mind, and frame too, notwithstanding her deformity; and as the defects in her constitution shewed themselves more in her inability to endure fatigue, than in any pain or positive suffering, she was likely to enjoy her comfortable independence considerably longer, and considerably more, than her sister thought it at all reasonable in Providence to permit. The little lady arranged her affairs, and settled her future manner of life, within a very few weeks after her father's death, and that without consulting brother, sister, or any one else; yet it may be doubted if she could have done it better had she called all the parish to counsel. She first selected the two pleasantest rooms in the house for her bed-room and sitting-room, and then skilfully marked out the warm
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Produced by Barbara Kosker and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) WAR WAR BY PIERRE LOTI TRANSLATED FROM THE FRENCH BY MARJORIE LAURIE [Illustration] PHILADELPHIA AND LONDON J. B. LIPPINCOTT COMPANY 1917 COPYRIGHT, 1917, BY J. B. LIPPINCOTT COMPANY _Printed by J. B. Lippincott Company The Washington Square Press, Philadelphia, U. S. A._ TO MY FRIEND LOUIS BARTHOU, P.L. CONTENTS PAGE I. A LETTER TO THE MINISTER OF MARINE 9 II. TWO POOR LITTLE NESTLINGS OF BELGIUM 12 III. A GAY LITTLE SCENE AT THE BATTLE FRONT 18 IV. LETTER TO ENVER PASHA 28 V. ANOTHER SCENE AT THE BATTLE FRONT 34 VI. THE PHANTOM BASILICA 53 VII. THE FLAG WHICH OUR NAVAL BRIGADE DO NOT YET POSSESS 68 VIII. TAHITI AND THE SAVAGES WITH PINK SKINS LIKE BOILED PIG 80 IX. A LITTLE HUSSAR 85 X. AN EVENING AT YPRES 95 XI. AT THE GENERAL HEADQUARTERS OF THE BELGIAN ARMY 111 XII. SOME WORDS UTTERED BY HER MAJESTY, THE QUEEN OF THE BELGIANS 127 XIII. AN APPEAL ON BEHALF OF THE SERIOUSLY WOUNDED IN THE EAST 139 XIV. SERBIA IN THE BALKAN WAR 148 XV. ABOVE ALL LET US NEVER FORGET! 151 XVI. THE INN OF THE GOOD SAMARITAN 157 XVII. FOR THE RESCUE OF OUR WOUNDED 174 XVIII. AT RHEIMS 177 XIX. THE DEATH-BEARING GAS 192 XX. ALL-SOULS' DAY WITH THE ARMIES AT THE FRONT 205 XXI. THE CROSS OF HONOUR FOR THE FLAG OF THE NAVAL BRIGADE 211 XXII. THE ABSENT-MINDED PILGRIM 219 XXIII. THE FIRST SUNSHINE OF MARCH 242 XXIV. AT SOISSONS 265 XXV. THE TWO GORGON HEADS 299 WAR I A LETTER TO THE MINISTER OF MARINE CAPTAIN J. VIAUD OF THE NAVAL RESERVE, TO THE MINISTER OF MARINE. _Rochefort, August 18th, 1914._ SIR, When I was recalled to active service on the outbreak of war I had hopes of performing some duty less insignificant than that which was assigned to me in our dock-yards. Believe me, I have no reproaches to make, for I am very well aware that the Navy will not fill the principal role in this war, and
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Produced by Andrew Templeton, Juliet Sutherland, Christine D and the Online Distributed Proofreading Team at http://www.pgdp.net [Transcriber's notes: Original spelling retained, original copyright information retained, italics are indicated by underscores.] Volume II England's Effort Letters To An American Friend [Illustration: Spring-time in the North Sea--Snow on a British Battleship.] _The War On All Fronts_ England's Effort Letters To An American Friend By Mrs. Humphry Ward With A Preface By Joseph H. Choate Illustrated New York Charles Scribner's Sons 1918 Copyright, 1916, BY CHARLES SCRIBNER'S SONS Preface HAS ENGLAND DONE ALL SHE COULD? That is the question which Mrs. Ward,
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Produced by Sean Pobuda THE BOY ALLIES WITH UNCLE SAM'S CRUISERS By Ensign Robert L. Drake CHAPTER I JACK'S ADVENTURE Frank Chadwick jumped from a chair in the front window and ran toward the door. A form had swung from the sidewalk along the drive that marked the entrance to Lord Hasting's London home and at sight of it Frank had uttered an exclamation. Now, as the figure climbed the steps, Frank flung open the door. "Jack!" he exclaimed with outstretched hand. "I feared something had happened, you have been gone so long and we had heard nothing of you." "I'm perfectly whole," laughed Jack, grasping his friend's hand. "Why, I've been gone less than two weeks." "But you expected to be gone only a day or two." "That's true, but a fellow can't tell what is going to happen, you know. I wasn't sure I should find you here when I returned, though." "You probably wouldn't had you come a day later," returned Frank. "How's that?" "We sail tomorrow night," said Frank. "By George! Then I'm back just in time," declared Jack. "Where bound this time?" "I don't know exactly, but personally I believe to America." "Why?" "The United States, I understand, is about to declare war on Germany. I have heard it said that immediately thereafter American troops will be sent to Europe." "What's that got to do with our voyage?" "I'm coming to that. There will be need, of convoys for the American transports. I believe that is the work in which we will be engaged." "That will be first rate, for a change," said Jack. "But come," said Frank, leading the way into the house. "Where have you been? Tell me about yourself." "Wait, until I get a breath," laughed Jack, making himself comfortable in a big armchair. "By the way, where is Lord Hastings?" "He is in conference with the admiralty." "And Lady Hastings?" "Shopping, I believe. However, both will be back before long. Now let's have an account of your adventures." "Well, they didn't amount to much," said Jack. "Where've you been?" "Pretty close to Heligoland." "What! Again?" "Exactly. You remember how Lord Hastings came to us one day and said that the admiralty had need of a single officer at that moment, and that we both volunteered?" "I certainly do," declared Frank, "and we drew straws to see which of us should go. I lost." "Exactly. Well, when I reached the admiralty I found there a certain Captain Ames. I made myself known and was straightway informed that I would do as well as another. Captain Ames was in command of the British destroyer Falcon. He was bound on active duty at once, and he took me along as second in command." "Where was he bound?" demanded Frank. "And what was the nature of the work?" "The nature of the work," said Jack, "was to search out German mines ahead of the battleships, who were to attempt a raid of Heligoland." "Great Scott!" exclaimed Frank. "I hadn't heard anything about that. Was the raid a success?" "It was not," replied Jack briefly. "Explain," said Frank. "I'm trying to," smiled Jack. "Give me a chance, will you?" He became silent and mused for a few moments. Then he said meditatively: "The destroyer service might well be called the cavalry of the sea. It calls for dashing initiative, aggressiveness and courage and daring to the point of rashness. Where an officer would be justified--even duty bound--by navy standards to run away with a bigger and more valuable vessel, the commander of a destroyer often must close in to almost certain annihilation." "Hm-m-m," said Frank slyly. "You are not feeling a bit proud of yourself, are you?" "Oh, I'm not talking about myself," said Jack quietly. "I was thinking of a man like Captain Ames--and other men of his caliber. However, I've been pretty close to death myself, and having come as close to a fellow as death did to me, I believe he'll become discouraged and quit. Yes, sir, I don't believe I shall ever die afloat." "Don't be too cock-sure," said Frank dryly. "However, proceed." "Well," Jack continued, "I followed Captain Ames aboard the Falcon and we put to sea immediately. It was the following night that we found ourselves mixed up in the German mine fields and so close to the fortress itself that we were in range of the land batteries as well as the big guns of the German fleet. Our main fleet came far behind us, for the big ships, of course, would not venture in until we had made sure of the position of the mines." "Right," said Frank. "I can see that--" "Look here," said Jack, "who's telling this story?" "You are," said Frank hastily. "Go ahead." "All right, but don't interrupt me. As I said, we'd been searching mines for the battleships. Better to lose a dozen or two of us little fellows than one of the dreadnoughts, so we steamed ahead like a fan with nets spread and a sharp lookout. We lost a few craft by bumping mines, but we destroyed a lot of the deadly things by firing into the fields and detonating them. "We could generally tell when we were getting close to a field, which at this point was protected by the land batteries, for the batteries would redouble their fire. Might better have saved their powder and let us run into the fields and be blown to bits, you will say. Not at all. They would consider that a waste of good mines. Nobody wants to waste a whole mine on a poor little torpedo boat destroyer--and twenty to forty men. There's no profit in that. "We were sneaking along slowly, feeling our way and sitting on the slippery edge of eternity when the batteries opened up. "'We're getting warmer,' said Ames. "It was close range work and we were able to reply to the fire of the land batteries with our little 3-inch beauties, although I don't suppose we did much good. It makes a fellow feel better, however, as you know, if he's barking back. It's funny how most men have a dread of dying without letting the other fellow know why he's there. It doesn't seem so bad when you're hammering him. "Anyway, it was part of our business. "There was a bunch of red buoys anchored along one side where our chart showed the channel to be, and we supposed that they had been used by the German destroyers as channel buoys or to mark mine fields. "It developed that the Germans had anchored those buoys and got the range of them so they could have their guns already set for anything that came near them. Some of our boats were hit by the first fire. It was a desperate spot. "We were up near the lead and we had to run fairly well in advance of the main body. As you know, it often happens that when a vessel is steaming head-on very fast, it is difficult to hit her. It seems to rattle the gunners the same as charging infantry does the defenders. "Shell after shell missed, but there were so many of them falling around us that we were almost smothered in the spray. We had all been under fire before, so it didn't have much effect on us, though. "Then a shell hit us amidships and tore out one of our boilers. I was on the bridge with Captain Ames at the time. "'Go below and report,' said Ames, just as calmly as though we were at maneuvers and one of our piston rods was pounding a little. "I went down into a cloud of steam and found two men, pretty well scalded, dragging out the others who had been more badly hurt by the explosion. There wasn't enough of the water tight compartment left to shut it off from the rest of the vessel, but we still had one boiler intact. "I directed the men to carry the wounded above and started back for the bridge. Just as my feet were on the bottom of the ladder there was another crash. The body of a man who had just reached the deck came toppling down in a shower of splinters and debris. "Well, I got back on to my feet and made the deck. A shell had exploded right atop of us and nearly swept us clean. The bridge was almost carried away. Captain Ames lay under a light steel beam and I thought he was dead. I ran over to him. As I approached he shook off the beam and got up. One of his legs gave way and he had to hold on to a stanchion for support. "'Cut off my trouser leg!' he shouted, very much excited. "I ripped out my knife and did as he ordered. Then he twisted the cloth around his leg above an ugly gash and tied it. "'What's gone below?' he demanded. 'One boiler,' I replied. "'Might have been both,' grunted Ames, and added, 'Well, we're not out of this fight yet."' Jack paused a moment. "A brave man!" cried Frank. "Go ahead, Jack." Jack cleared his throat and proceeded. CHAPTER II THE BATTLE "Well," Jack continued, "Ames espied one of the destroyers that had been leading us floundering around helplessly, with the German destroyer, which had appeared from nowhere, trying to cut her off. "'Templeton,' said Ames, 'take the hand steering gear and run in there and get that fellow out.' "I ran over to the hand gear. A fellow couldn't be frightened with a man like Ames telling him what to do. Ames propped himself up against what was left of the bridge and directed the gunners while we made the best speed we could with our single boiler. "They were still dousing us with water, but the shells were not falling on board now. The two German destroyers were sweeping down on the helpless boat ahead, the missiles from their light guns playing a regular tattoo on her. It was an even chance we wouldn't find a live man aboard her. "Ames was having a glorious time where he had propped himself against the shattered bridge. He swore every time one of our shells missed and he laughed gleefully every time one went home. "We were only about a thousand yards from the British destroyer now and it looked like there was a fair chance of getting her out of the mess. I was beginning to have hope when I heard the screaming of a heavy shell from one of the land forts. Exactly amidships of the destroyer it landed. It broke her back and all her ribs, so to speak. Steam and steel and water and men flew high in the air. Everything aboard her was blown to bits. "There was no use trying to tow her out now. I searched the water with my glass for living men. I figured we might be able to save a few if any survived, although it was against admiralty orders to stop when in danger. I didn't believe in the admiralty's stand at that moment. But I couldn't make out a living soul. "The Germans immediately turned their attention to us. Their marksmanship was getting better. There was a frightful jar and the steering gear was wrenched out of my hands and I was thrown to the deck. When I picked myself up there was nothing with which to steer. Our rudder and a part of our stern had been shot away-- "'Alternate the screws!' Ames yelled. 'I'm busy with these guns. We'll fight as long as she floats!' "The speaking tubes existed no longer. I stationed a man at the hatch--and another below and transmitted my orders to the engine room by them. First we drove ahead with one screw, then with the other, to get a zig-zag course; next we backed first with one propeller and then the other. Each time we backed farther than we went forward, for I wanted to get out of the mess if possible. The crazy course threw the enemy gunners off somewhat. "Suddenly I heard a yell from Ames. We'd put one of the German destroyers out of business. The other one was steaming toward us, but she was a long ways off. "The men were cheering. I looked at the second destroyer, thinking we must have finished her, too, but she was still firing. Then I glanced around to see what the men were yelling about. "Right into that hail of fire steamed a little mine sweeper. She looked for all the world like a tugboat. She had a single gun mounted in her bow, and one or two amidships. She had no armor and a rifle bullet probably would have pierced her sides with ease, but she pounded straight toward us; the water around her was beaten to a foam. "Far out on the prow stood a man with a coil of rope. Ames sent a man to our stern. The sweeper had come close. The man in the prow swung his rope and let the coil fly. It fell across our stern. There wasn't much left to make it fast to, but we did it somehow and the sweeper started to tow us out of that particular part of the water. "Our guns continued to bark at the destroyer, which was gaining on us. Some of our shots went home. The little old tugboat was hit once, but her master stuck to his task; and he undoubtedly saved our lives. "Gradually we were pulled back, till at length we were under the protection of the guns of our fleet. From the flagship, signals were being flashed for our benefit. Ames read the flags through his glasses." "'Congratulating us?' I asked. "'Blast him, no!' shouted Ames. 'He wants to know why in blazes we didn't come out when we had a chance. Well, he wouldn't have come out himself had he been here, and I've been on the flagship, so we needn't feel sensitive about it!' "And that's about all," Jack continued, "except for the fact that the raid by the battle fleet was given up. We cruised about for several days, in spite of our crippled condition. The ship's carpenter put us in condition to stay afloat, but at last we returned. I came here the moment I had landed." "Well, you had a pretty strenuous time, if you ask me," declared Frank. "Too bad, though, that the raid couldn't have been made. We might have captured Heligoland." "The Germans might capture Gibraltar," said Jack, with a vein of sarcasm in his voice, "but I don't think they will--not right away." "It can be done, though," declared Frank. "What? The Germans capture Gibraltar?" "No, I mean the British can take Heligoland. Wait until Uncle Sam gets in the war, he'll show you a few things." "Maybe so," said Jack, "but what's all this talk I hear about the United States declaring war on Germany?" "It's only talk, so far," said Frank, "but it seems certain to come. In fact, the war resolution already has passed the house and is being debated in the senate. It wouldn't surprise me if the senate passed it today. Then all that is needed is the signature of President Wilson." "Well, let's hope there is no hitch," said Jack fervently. "I don't think there will be. Come, let's go to our room and wait for Lord Hastings." The two boys went upstairs, and while they are awaiting the arrival of Lord Hastings, a few words will be necessary to introduce them more fully. Frank Chadwick was an American lad of possibly nineteen. He had been in Italy when the great European war broke out, and through a misfortune had been shanghaied aboard a sailing vessel. After some adventures he fell in with Jack Templeton, a young Englishman, who had spent most of his life on the north coast of Africa. Together the lads had disposed of the crew of the vessel. They became fast friends. Fortune threw them in the path of Lord Hastings, British nobleman and secret service agent, and they had gone through all kinds of troubles with him. Lord Hastings had commanded several vessels during the course of the war, and Jack and Frank upon these occasions had been his first officers. Both lads spoke German and French fluently, and both had a
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Produced by Julia Miller and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Transcriber's Note A number of typographical errors have been maintained in this version of this book. They have been marked with a [TN-#], which refers to a description in the complete list found at the end of the text. The following codes are used for characters not available in the character set used for this book: + dagger ++ double dagger THE BOOKS OF CHILAN BALAM, The Prophetic and Historic Records of the Mayas of Yucatan. By DANIEL G. BRINTON, M. D. VICE-PRESIDENT OF THE NUMISMATIC AND ANTIQUARIAN SOCIETY OF PHILADELPHIA; MEMBER OF THE AMERICAN PHILOSOPHICAL SOCIETY; THE AMERICAN ANTIQUARIAN SOCIETY; DELEGUE OF THE INSTITUTION ETHNOGRAPHIQUE, ETC., ETC. [Illustration] EDWARD STERN & CO., PHILADELPHIA. PREFATORY NOTE. The substance of the present pamphlet was presented as an address to the Numismatic and Antiquarian Society of Philadelphia, at its meeting in January, 1882, and was printed in the _Penn Monthly_, March, 1882. As the subject is one quite new in the field of American archaeology and linguistics, it is believed that a republication in the present form will be welcomed by students of these branches. THE BOOKS OF CHILAN BALAM.[5-*] Civilization in ancient America rose to its highest level among the Mayas of Yucatan. Not to speak of the architectural monuments which still remain to attest this, we have the evidence of the earliest missionaries to the fact that they alone, of all the natives of the New World, possessed a literature written in "letters and characters," preserved in volumes neatly bound, the paper manufactured from the bark of a tree and sized with a durable white varnish.[5-+] A few of these books still remain, preserved to us by accident in the great European libraries; but most of them were destroyed by the monks. Their contents were found to relate chiefly to the pagan ritual, to traditions of the heathen times, to astrological superstitions, and the like. Hence, they were considered deleterious, and were burned wherever discovered. This annihilation of their sacred books affected the natives most keenly, as we are pointedly informed by Bishop Landa, himself one of the most ruthless of Vandals in this respect.[5-++] But already some of the more intelligent had learned the Spanish alphabet, and the missionaries had added a sufficient number of signs to it to express with tolerable accuracy the phonetics of the Maya tongue. Relying on their memories, and, no doubt, aided by some manuscripts secretly preserved, many natives set to work to write out in this new alphabet the contents of their ancient records. Much was added which had been brought in by the Europeans, and much omitted which had become unintelligible or obsolete since the Conquest; while, of course, the different writers, varying in skill and knowledge, produced works of very various merit. Nevertheless, each of these books bore the same name. In whatever village it was written, or by whatever hand, it always was, and to-day still is, called "The Book of Chilan Balam." To distinguish them apart, the name of the village where a copy was found or written, is added. Probably, in the last century, almost every village had one, which was treasured with superstitious veneration. But the opposition of the _padres_ to this kind of literature, the decay of ancient sympathies, and especially the long war of races, which since 1847 has desolated so much of the peninsula, have destroyed most of them. There remain, however, either portions or descriptions of not less than sixteen of these curious records. They are known from the names of the villages respectively as the Book of Chilan Balam of Nabula, of Chumayel, of Kaua, of Mani, of Oxkutzcab, of Ixil, of Tihosuco, of Tixcocob, etc., these being the names of various native towns in the peninsula. When I add that not a single one of these has ever been printed, or even entirely translated into any European tongue, it will be evident to every archaeologist and linguist what a rich and unexplored mine of information about this interesting people they may present. It is my intention in this article merely to touch upon a few salient points to illustrate this, leaving a thorough discussion of their origin and contents to the future editor who will bring them to the knowledge of the learned world. Turning first to the meaning of the name "_Chilan Balam_," it is not difficult to find its derivation. "_Chilan_," says Bishop Landa, the second bishop of Yucatan, whose description of the native customs is an invaluable source to us, "was the name of their priests, whose duty it was to teach the sciences, to appoint holy days, to treat the sick, to offer sacrifices, and especially to utter the oracles of the gods. They were so highly honored by the people that usually they were carried on litters on the shoulders of the devotees."[7-*] Strictly speaking, in Maya "_chilan_" means "interpreter," "mouth-piece," from "_chij_," "the mouth," and in this ordinary sense frequently occurs in other writings. The word, "_balam_"--literally, "tiger,"--was also applied to a class of priests, and is still in use among the natives of Yucatan as the designation of the protective spirits of fields and towns, as I have shown at length in a recent study of the word as it occurs in the the native myths of Guatemala.[7-+] "_Chilan Balam_," therefore, is not a proper name, but a title, and in ancient times designated the priest who announced the will of the gods and explained the sacred oracles. This accounts for the universality of the name and the sacredness of its associations. The dates of the books which have come down to us are various. One of them, "The Book of Chilan Balam of Mani," was undoubtedly composed not later than 1595, as is proved by internal evidence. Various passages in the works of Landa, Lizana, Sanchez Aguilar and Cogolludo--all early historians of Yucatan,--prove that many of these native manuscripts existed in the sixteenth century. Several rescripts date from the seventeenth century,--most from the latter half of the eighteenth. The names of the writers are generally not given, probably because the books, as we have them, are all copies of older manuscripts, with merely the occasional addition of current items of note by the copyist; as, for instance, a malignant epidemic which prevailed in the peninsula in 1673 is mentioned as a present occurrence by the copyist of "The Book of Chilan Balam of Nabula." I come now to the contents of these curious works. What they contain may conveniently be classified under four headings: Astrological and prophetic matters; Ancient chronology and history; Medical recipes and directions; Later history and Christian teachings. The last-mentioned consist of translations of the "_Doctrina_," Bible stories, narratives of events after the Conquest, etc., which I shall dismiss as of least interest. The astrology appears partly to be reminiscences of that of their ancient heathendom, partly that borrowed from the European almanacs of the century 1550-1650. These, as is well known, were crammed with predictions and divinations. A careful analysis, based on a comparison with the Spanish almanacs of that time would doubtless reveal how much was taken from them, and it would be fair to presume that the remainder was a survival of ancient native theories. But there are not wanting actual prophecies of a much more striking character. These were attributed to the ancient priests and to a date long preceding the advent of Christianity. Some of them have been printed in translations in the "_Historias_" of Lizana and Cogolludo, and of some the originals were published by the late Abbe Brasseur de Bourbourg, in the second volume of the reports of the "_Mission Scientifique au Mexique et dans l'Amerique Centrale_." Their authenticity has been met with considerable skepticism by Waitz and others, particularly as they seem to predict the arrival of the Christians from the East and the introduction of the worship of the cross. It appears to me that this incredulity is uncalled for. It is known that at the close of each of their larger divisions of time (the so-called "_katuns_,") a "_chilan_," or inspired diviner, uttered a prediction of the character of the year or epoch which was about to begin. Like other would-be prophets, he had doubtless learned that it is wiser to predict evil than good, inasmuch as the probabilities of evil in this worried world of ours outweigh those of good; and when the evil comes his words are remembered to his credit, while, if, perchance, his gloomy forecasts are not realized, no one will bear him a grudge that he has been at fault. The temper of this people was, moreover, gloomy, and it suited them to hear of threatened danger and destruction by foreign foes. But, alas! for them. The worst that the boding words of the oracle foretold was as nothing to the dire event which overtook them,--the destruction of their nation, their temples and their freedom, 'neath the iron heel of the Spanish conqueror. As the wise Goethe says: "_Seltsam ist Prophetenlied, Doch mehr seltsam was geschieht._" As to the supposed reference to the cross and its worship, it may be remarked that the native word translated "cross," by the missionaries, simply means "a piece of wood set upright," and may well have had a different and special signification in the old days. By way of a specimen of these prophecies, I quote one from "The Book of Chilan Balam of Chumayel," saying at once that for the translation I have depended upon a comparison of the Spanish version of Lizana, who was blindly prejudiced, and that in French of the Abbe Brasseur de Bourbourg, who knew next to nothing about Maya, with the original. It will be easily understood, therefore, that it is rather a paraphrase than a literal rendering. The original is in short, aphoristic sentences, and was, no doubt, chanted with a rude rhythm: "What time the sun shall brightest shine, Tearful will be the eyes of the king. Four ages yet shall be inscribed, Then shall come the holy priest, the holy god. With grief I speak what now I see. Watch well the road, ye dwellers in Itza. The master of the earth shall come to us. Thus prophesies Nahau Pech, the seer, In the days of the fourth age, At the time of its beginning." Such are the obscure and ominous words of the ancient oracle. If the date is authentic, it would be about 1480--the "fourth age" in the Maya system of computing time being a period of either twenty or twenty-four years at the close of the fifteenth century. It is, however, of little importance whether these are accurate copies of the ancient prophecies; they remain, at least, faithful imitations of them, composed in the same spirit and form which the native priests were wont to employ. A number are given much longer than the above, and containing various curious references to ancient usages. Another value they have in common with all the rest of the text of these books, and it is one which will be properly appreciated by any student of languages. They are, by common consent of all competent authorities,
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Produced by David Widger AFTERWARDS AND OTHER STORIES By Ian Maclaren 1898 TO LADY GRAINGER-STEWART IN REMEMBRANCE OF THE DAYS OF LONG AGO AND THE FRIENDS WHO ARE FAR AWAY AFTERWARDS I He received the telegram in a garden where he was gazing on a vision of blue, set in the fronds of a palm, and listening to the song of the fishers, as it floated across the bay. "You look so utterly satisfied," said his hostess, in the high, clear voice of Englishwomen, "that, I know you are tasting the luxury of a contrast. The Riviera is charming in December; imagine London, and Cannes, is Paradise." As he smiled assent in the grateful laziness of a hard-worked man, his mind was stung with the remembrance of a young wife swathed in the dreary fog, who, above all things, loved the open air and the shining of the sun. Her plea was that Bertie would weary alone, and that she hated travelling, but it came to him quite suddenly that this was always the programme of their holidays--some Mediterranean villa, full of clever people, for him, and the awful dulness of that Bloomsbury street for her; or he went North to a shooting-lodge, where he told his best stories in the smoking-room, after a long day on the purple heather; and she did her best for Bertie at some watering-place, much frequented on account of its railway facilities and economical lodgings. Letters of invitation had generally a polite reference to his wife--"If Mrs. Trevor can accompany you I shall be still more delighted"--but it was understood that she would not accept "We have quite a grudge against Mrs. Trevor, because she will never come with her husband; there is some beautiful child who monopolises her," his hostess would explain on his arrival; and Trevor allowed it to be understood that his wife was quite devoted to Bertie, and would be miserable without him. When he left the room, it was explained: "Mrs. Trevor is a hopelessly quiet person, what is called a 'good wife,' you know." "The only time she dined with us, Tottie Fribbyl--he was a Theosophist then, it's two years ago--was too amusing for words, and told us what incarnation he was going through. "Mrs. Trevor, I believe, had never heard of Theosophy, and looked quite horrified at the idea of poor Tottie's incarnation. "'Isn't it profane to use such words?' she said to me. So I changed to skirt dancing, and would you believe me, she had never seen it? "What can you do with a woman like that? Nothing remains but religion and the nursery. Why do clever men marry those impossible women?" Trevor was gradually given to understand, as by an atmosphere, that he was a brilliant man wedded to a dull wife, and there were hours--his worst hours--when he agreed. _Cara mia, cara mia_, sang the sailors; and his wife's face in its perfect refinement and sweet beauty suddenly replaced the Mediterranean. Had he belittled his wife, with her wealth of sacrifice and delicate nature, beside women in spectacles who wrote on the bondage of marriage, and leaders of fashion
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Produced by Annie McGuire [Illustration: HARPER'S ROUND TABLE] Copyright, 1895, by HARPER & BROTHERS. All Rights Reserved. * * * * * PUBLISHED WEEKLY. NEW YORK, TUESDAY, AUGUST 20, 1895. FIVE CENTS A COPY. VOL. XVI.--NO. 825. TWO DOLLARS A YEAR. * * * * * [Illustration] BRADDY'S BROTHER. BY JULIANA CONOVER. [Illustration: Decorative I] t was the ending of the ninth inning; the score stood 8 to 7 in Princeton's favor, but Harvard had only one man out, and the bases were full. Was it any wonder that the Freshmen couldn't keep their seats, and that the very air seemed to hold its breath while Bradfield, '98, twisted the ball? In the centre of the grand stand, where the orange and black was thickest, but the enthusiasm more controlled, stood a boy, his whole body quivering with nervous excitement, his eyes glued--as were all others--to the pitcher's box. "Come in, now! look out! lead off!" the Harvard coach was saying, as the umpire's "one strike, two balls, two strikes, three balls," raised and dashed again the hopes of Princeton. Then came a moment of horrible nerve-destroying suspense, and then the umpire's calm and judicial--"striker out." Above the cheers, which literally tore the air, the shrill discordant note of the boy's voice could be heard, yelling like mad for Princeton and '98. "Who is that little fellow?" said a girl, just behind him to her companion. The boy turned like a flash. "I'm Braddy's brother," he said, his chest still heaving, and his cheek glowing. "He's struck out _seven_ men!" The girl smiled, and an upper classman, who was next to him, patted him on the back. "It's a proud day for Braddy's brother," he said, "and for '98 and Princeton, that is, if Harvard doesn't--" For a moment it looked as if Harvard would, for the regular thud of the ball against the catcher's glove was interrupted by the ominous crack of the bat, and the men on bases ran for their lives on the bare chance of a hit, or possibly an error. But '98 was not going to let a hard-earned victory slip between her fingers like that; the short-stop fielded the swift grounder beautifully, and the runner was out at first. There was a short cheer, then a long wordless, formless burst of triumph swelling out from a hundred throats. The crowd swarmed on the diamond, the Freshman nine was picked up and carried off the field, "Braddy" riding on the crest of a dangerous-looking wave which was formed by a seething, howling mob. "Well," said the Senior, turning to his small neighbor, "how does 'Braddy's brother' feel now?" But "Braddy's brother's" feelings were too deep for utterance; besides, he was trying to remember just how many times the Princeton Freshmen had won from Harvard in the last six years. * * * * * "Hullo, Dave! Dave Hunter!" called Bradfield, as a small boy passed near the group on the front campus. "Don't you want to take my brother off for a little while, and show him the town?" Dave came up blushing with pleasure at having the man who had just pitched a winning game single him out. "This is Dave Hunter, a special friend of mine, Bing," Braddy continued, turning to the little chap who was lying stretched out on the grass beside him, and who felt by this time as if he owned the whole campus and all the college buildings, for hadn't he been in the athletic club-house, the cage, and the 'gym.'? and wasn't he actually going to eat at a Freshman club, and sleep up in a college room? It was the greatest day of his life, his first taste of independence; and the glory of being "Braddy's brother" seemed to him beyond compare. "Don't keep him too long, Dave," said Bradfield, as the two boys started off; "we'll have to get through dinner early if we want to hear the Seniors sing." Young Bingham Bradfield nodded and blushed and smiled all the way down to the gate, as men in the different groups which they passed called out: "There goes 'Braddy's brother,'" or, "Hullo, little Brad," or, "What's the matter with '98?" and one who knew him at home sang out, "B-I-N-G-O--_Bingo_!" It was awfully exciting. "They're going to have a fire to-night," Dave said, as they walked up Nassau Street. "I heard some of the Freshmen say that they would begin and collect the wood as soon as it was dark." "Where do they get it?" asked Bingham. "Oh, just take it," Dave answered, carelessly. "They take fences and gates, and boards and barrels, and, oh, anything they can find. That would be a dandy one," pointing to a half-broken-down rail fence which divided an orchard from a newly opened road. "It wouldn't let any cows or horses out, you see. They stole our barn gate once, and the horses got loose on the front lawn and tore up all the grass. We didn't mind, though," with true college spirit, "for we'd beaten Yale." "Yale Freshmen?" eagerly. "No," with great scorn: "the 'Varsity. Nobody's much stuck on Freshmen in Princeton," he continued, "except, of course, your brother. He's great; he'll make the 'Varsity next year, sure." Bingo's feelings were soothed. _He_ thought all the Freshmen "great," but was satisfied if others only appreciated Braddy. They grew very chummy, the two boys, and Braddy's brother had learned a great deal about college life by the time he was brought back to the campus. * * * * * It was in the middle of Senior singing, when the shadows from the tall old elms were being swallowed up in the gathering darkness, and the groups in white duck trousers scattered about the grass were beginning to be indistinguishable, that slim figures were seen hurrying mysteriously to and fro, and the peace of the evening was rudely broken into by the preparations for a "Freshman fire." The victory had already been celebrated on Old North steps, for had not Bingo himself heard the Seniors sing, as an encore to a favorite solo, these never-to-be-forgotten lines, composed for the occasion: "The Freshmen nine came from Harvard for to show How they played the game of ball; But found when Bradfield got in his finest curves They couldn't hit the ball at all. The game stood in our favor 8 to 7 When they came to the bat once more. Their Captain said, ''Tis the ending of the 9th, We've got to tie the score.' _Chorus._--Then when he saw the bases full His sides with laughter shook. But when he heard the umpire shout 'Two strikes'--then'striker out!' He wore a worried look-- He wore a worried look." That brought even a finer glow to the boy's cheek than when the familiar "Bingo! Bingo! Bingo!--'way down on the Bingo farm!" had drawn the attention of his brother's friends to him, and made him feel for a moment as though he were a college hero. The singing had ceased with "Old Nassau," and the campus was alive now with hurrying groups. The usual night cries filled the air: "Hullo, Billy Appleton!" "Hullo, Benny Butler!" "Come over here!" "See you later," etc., and the Freshmen were shouting and rushing wildly about. "Where's Porter?" "Where's Tommy?" "Where's Dad?" was heard on all sides. "'98 this way, '98 this way!" "Stick to me, Bing," said Braddy, as he started over to his room in Witherspoon; "stick close to me, or you'll surely get lost." "We haven't half enough wood, Park," said a '98 man, coming up to the class president, who was standing near Bradfield; "it won't make any sort of a fire." "Can't you get more? We must have a good one," answered Porter, "Get a fence, or a house--any old thing will do. I've got to find Runt and Bunny now, and see about a wagon for the nine. Will meet you later." "Come on, Bingo," said Braddy. He, Braddy, ought not to stay round and hear all the arrangements for a celebration which was to be in his honor. The nine was supposed to keep modestly out of the way, and know nothing whatever about it. "Come on, Bing!" But Bingo didn't "come on," he has business of his own to transact. The Freshman fire, his first fire, _must_ be a success, and he knew where a good fence was. Quick as thought he dropped behind his brother, and was soon lost in the crowd, then he made a break for the street. At the corner he met Dave Hunter. "Hullo! where you going?" It was a secret, but he told, and Dave, like "Ducky Daddies," "Cocky-locky," etc., in the old Grimm fairy-tale of _Henny-Penny_, said, "Then I'll go too." * * * * * It was a full hour later, and the Freshmen were crowding about the old cannon, round which a pile of boards, fence rails, barrels, etc., were stacked, all ready to light. The resources of the town had been about exhausted, and the raiders were returned "bringing their sheaves with them." Roman candles and fire-crackers still went off at intervals in different parts of the campus, but they were only a side issue, the fire was the real business of the evening. The college was there almost to a man, and the cheering for and by '98 was "frequent and painful and free," or would be to one whose nerves were below par; to a healthy enthusiast it was soul-stirring and exhilarating. Even the upper classmen added their thunder from well-trained iron lungs when the old wagon containing the victorious nine came up, dragged by a lot of wild, reckless, muscular Freshmen. Only true heroes could so calmly have imperilled their lives, for these bold young spirits were actually standing up and singing, as the wagon lurched and pitched and wobbled over curbstones, and down into gutters, and up again. But fortune favors the brave, and they reached the fire without a single accident, and were halted at the cannon's mouth in the front row. Everything was ready, yet there seemed to be some hitch. The crowd began to get impatient. "What's the matter?" they cried. "Why don't you light her up?" "We're waiting for Braddy," came back the answer. "Where is he?" "Give it up." "He's hunting his brother," said one. "He's down on the Bingo farm," cried another. This was rather "fresh," but there was a general laugh, which turned into a cheer as Braddy, wearing a worried look, pushed his way through the crowd. "I can't find the kid," he said, anxiously. "Oh, he will turn up all right," said the others; "he's sure to come to the fire. Brace up and light her, Jennings." Just then there was a shout from behind, and the closely packed mass opened up to let a fence come in, which two small flushed and panting boys were dragging after them. "Great Scott, it's Braddy's brother!" said the Senior who had sat next to him at the game. "Where in the world did you get all that fence, and how did you manage to drag it here?" Bingo was far too breathless to answer, but Dave spoke up. "A lot of fellows helped us," he said. "We brought it round a back way, but Brad and I brought it through the campus alone." "Give them a cheer, fellows," cried the Senior, "and start the fire." "Here's to Braddy's brother," sang the Freshmen, as they threw the lighted matches into the pile, "drink her down! Here's to Braddy's brother, and--" "Dave Hunter!" shouted Bingo, who had found his voice. "--and Dave Hunter he's the other; drink her down, drink her down, drink her down, down, down!" etc., ending up with a rousing B-I-N-G-O--_Bingo_! Then the fire began to crackle and sizzle and blaze up and roar, and the Freshmen cheered and sang and shouted, and the bright light revealed groups of girls with brothers and friends who had come to see the celebration, and myriads of small boys who had come to see the fun. It was a beautiful sight. The wood had been piled up in pyramid form, and the flames rose red and yellow almost to the tops of the tall elms, those still sentries of the campus. How it spluttered and hissed and crashed and roared! and not even the Freshmen could drown the mighty voice, which spoke in so many different tongues, though they did their best; and as Braddy's brother, standing near the wagon which held the nine, watched the shooting, dancing, devouring flames his heart thumped so that it almost broke out of bounds, and he drew long, very long breaths. The fire had died down somewhat, the cheering was more spasmodic and subdued, the time for speeches had come. Every one crowded closer, and the wagon, not the burning pile, became the centre of attention. "Speech! speech!" cried '98. "A speech, Braddy." Bradfield was not only the pitcher, but the Captain of the Freshman nine. So they forced him upon the high seat, and yelled for quiet. Braddy looked down upon the densely packed mass, hushed for the moment into something like stillness, and his nerve completely deserted him. There he stood, fair and boyish, a target for all eyes, but he could not say a word. He opened his mouth, he even gestured, but no sound came. It was a case of pure stage-fright, and the awkwardness increased with every second. "Fellows," he managed to stammer out--"fellows--" But there he stopped. Suddenly the painful pause was broken by a high excited voice. "Tell 'em Princeton's the biggest college in the world, Tom, and that '98 can beat any Freshman nine in the country!" It broke the spell. Long and loud were the cheers that followed this outburst, and "Braddy's brother," covered with confusion, was hoisted by a dozen hands into the wagon beside the nine. By the time that quiet had once more been restored Tom Bradfield had recovered his "nerve," and his speech on that memorable occasion will go down to posterity as one of the best on record. All the speeches were good, _splendid_, Bingo thought, for he heard, and understood, and thrilled with every word. When the final sentence had been delivered, and '98 had once more dragged the nine in triumph round the now visible cannon, and cheered them hoarsely for the last time, and when the crowd had begun to disperse, leaving the smouldering embers, and shouting and singing as they went, Braddy turned to his brother with a smile and said, "Well, Bing, ready for bed?" And Bingo answered with a sigh, "I suppose a fellow has to go to bed even after a Freshman fire." "THE OLD-FASHIONED LAWYER." Laura's cousins were coming to stay overnight, so she asked mamma if she might not invite some other school friends, and some of brother Will's, to spend the evening. And as these friends were pretty sure to come, mother and daughter held a conference as how best to entertain them. "Why not have games?" "The very thing! What would I do without your help, mother dear," was the impulsive answer. "And the best game I know to start with would be The Old-fashioned Lawyer. That will rub away all shyness, and all will feel as though they were friends for a year." Laura was delighted, and contentedly ran off to tell her brother. But Will did not know the game, and Laura had to explain. "We'll need an odd number of players. But that can be arranged by you or I dropping out. "The odd one must be Judge, to settle disputed points. "The players must sit opposite each other in two rows, and the Lawyer is to stand in the centre between the rows. The Judge can sit in the big green chair, because it is high; for he must keep all the players in full view. "The game begins by the Lawyer putting a question to the person at either end of one of the rows. But the one to answer is not the one addressed. And there, Will, is where the fun comes in." "Who is to answer?" "The person at the extreme end of the opposite row. And should he not correctly answer before the Lawyer counts five, he must change places with the Lawyer. And the Lawyer begins to count slowly out loud as soon as he asks the question." "What if the person addressed replies.'" "Then he must pay a forfeit. "After the first question is answered, the Lawyer may address whomever he pleases, but the party addressed must remain silent; it is the opposite one who must answer. The Lawyer must of course ask questions that are possible to answer. If he should take advantage, there's the Judge to keep him in order." "What kind of questions _would_ you ask?" "Why, ordinary ones. Whether or not a person paints from nature? Who is your favorite musician? Which do you prefer, rowing or sailing, tennis or golf? All kinds of questions like that. I don't believe one of us could tell the date of the first crusade, or who invented ink and when. "And another thing, never look at the individual you intend next to question. For both he and his opposite neighbor would then be prepared. You must play very rapidly or it's no fun. And if any question or discussion occurs, the Judge must decide." "That will be right jolly, Laura. Do you think the folks will all come?" CORPORAL FRED.[1] A Story of the Riots. BY CAPTAIN CHARLES KING, U.S.A. CHAPTER V. For a mile after leaving its armory the regiment had marched through the beautiful residence portion of the city, cheered and applauded to the skies. Turning "column right," it had then threaded a narrow street, shop-lined and less sympathetic, had tramped in cool disregard through half a mile of railway property where, in groups of twenty or thirty, strikers and sympathizers recoiled, but scowled and cursed them, yet prudently refrained from further violence. Once in a while some street arab let drive a stone, then dove under the nearest car, and scurried away into hiding. Then came the lumber district, the swaying bridges where they broke their cadenced stride, and crossed at route step. Then in the gathering darkness the head of the column reached the outlying wards. Square upon square, section on section of frame two-story houses, the homes of citizens of only moderate means, and here, too, people clustered on door-steps or ran to gather at street corners and murmur God-speed and blessing, for less than a mile away now the western sky was lighting up with the glare of conflagration, and the direful word was going round that the mob was firing the freight-cars, and that, despite the efforts of fearless and devoted firemen, the flames were spreading to warehouses and factories along the line. Only a few minutes after sundown the first summons had banged on the gongs of the engine and truck houses of the west side. Then every fire-box for four miles along the lines of the Great Western seemed to have been "pulled," and in a wild confusion of alarms assistant chiefs were driving their clanging buggies, followed by rushing hose-wagons and steamers, all over the outlying wards, unreeling their hose only to have it slashed and ruined by swarming rioters, and they themselves, the fire-fighters of the people, men whose lives were devoted to duty, humanity, and mercy, brutally clubbed and stoned by overpowering gangs of "toughs" bent on mad riot and destruction. For hours from every direction the vicious, the desperate, the unemployed of the great city had been swarming to the scene, and the police force that, properly led and handled at the outset, could easily have quelled the incipient tumult, was now as powerless as the firemen. Oh, what if a prairie gale should rise
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Produced by Barbara Tozier, Bill Tozier and the Online Distributed Proofreading Team at http://www.pgdp.net TRANSCRIBER’S NOTE: Minor spelling and punctuation errors have been corrected but accents are retained as printed: inconsistently. The exception is the replacement of A’ with Á, and so on. EXERCISES UPON THE DIFFERENT PARTS OF ITALIAN SPEECH WITH REFERENCES TO _VENERONI’S GRAMMAR:_ TO WHICH IS ADDED, AN ABRIDGMENT OF THE ROMAN HISTORY, INTENDED AT ONCE TO MAKE THE LEARNER ACQUAINTED WITH HISTORY, AND THE IDIOM OF THE ITALIAN LANGUAGE. By F. BOTTARELLI, A. M. The EIGHTH EDITION, carefully revised and corrected. By G. B. ROLANDI. _LONDON:_ PRINTED FOR J. COLLINGWOOD; LONGMAN, HURST, REES ORME & BROWN; SIMPKIN & MARSHALL; G. & W. B. WHITTAKER; T. BOOSEY & SONS; AND J. BOOKER. 1822. Printed by T. C. Hansard, Peterboro’-court, Fleet-street, London. _PREFACE._ Amidst the laudable endeavours for the advancement of the Italian language, it is surprising that an easy and expeditious method of teaching it has been, in a great measure, neglected; and that beginners have hitherto been left without proper assistance. Under this impression, I have composed these EXERCISES upon the Syntax of VENERONI’S _Italian Grammar_; with what success I have executed the task, must be submitted to the decision of qualified and impartial judges. These Exercises comprehend all the difficulties, and idiomatical expressions of the Italian language; the rules and exceptions of which are exemplified after such a method, that a learner cannot fail to become master of that language who has carefully gone through them once or twice. The examples are of three sorts; the first, immediately following the rule, are short: as nothing farther is designed by them, than to illustrate that particular rule. The second sort are longer, and in them, not only the rule to which they refer, is exemplified, but also the foregoing ones are again brought into practice, the better to imprint them on the memory: since, were it not for this contrivance, learners would forget one rule, while they were learning another; the examples of the third kind, contain all the preceding, and some of the subsequent rules promiscuously; and for these reasons, are not to be attempted, until the student has gone twice at least, through the former part (for I think it advisable they should go through it more than once). The radical Italian words are interlined, a thing very useful and requisite in a work of this nature, as well to save the trouble of consulting Dictionaries, as to prevent the use of improper terms, and wrong spelling, otherwise unavoidable; and those who wish to learn the Italian language, will thereby be enabled to make a much quicker progress than they could possibly do by the tedious task of searching a Dictionary for the words they require. I have frequently omitted such words as had been often mentioned before, presuming there was no occasion for such repetition; and in order to excite attention in learners, that they might recollect what they had learned, and exert both their memory and judgment, or, on memory failing them, have recourse to a Dictionary, as a last resource. For these reasons, in the latter part of the Exercises, there are scarcely any Italian words but _nouns_ and _verbs_, all the other parts of speech having already been gone through. There is added, by way of Appendix, an Abridgment of the Roman History. As history is one of the most easy and entertaining parts of literature, and as that of the ancient Romans is absolutely necessary to a proper understanding of the Classics, I hope this addition will prove highly beneficial to young beginners. * * * * * _N. B. Great pains have been taken to render this new Edition of BOTTARELLI’S ITALIAN EXERCISES more perfect than any hitherto published. In order to facilitate the Italian pronunciation, the words have been accented according to the plan of VENERONI’S GRAMMAR; the references to VENERONI have been compared, and carefully corrected, and many new ones added, together with several Notes and Remarks. All obsolete and improper phrases have been expunged; and the Chronology of the Roman History has been improved by the addition of DATES to each respective chapter: in short, on account of the many additions, alterations, and improvements, this edition may almost be considered as a new book, and a worthy companion of the celebrated Grammar of VENERONI. ⁂ _A new Edition of the KEY to these EXERCISES is just published._ ITALIAN EXERCISES. ON THE ACCIDENCE OF VERBS. _Regular Verbs of the First Conjugation._ [See VENERONI’S GRAMMAR, page 88.] I love, thou acquirest, he respects, we salute, you speak, ye pass, am-áre acquist-áre rispett-áre salut-áre parl-áre pass-áre they walk. spasseggi-áre. I did call, thou didst prattle, he did command, we did begin, chiam-áre ciarl-áre comand-áre cominci-áre you did buy, they did confess. compr-áre confess-áre. I confirmed, thou didst deliver, he preserved, we considered, conferm-áre consegn-áre preserv-áre consider-áre you advised, they contended. consigli-áre contrast-áre. I have declined, thou hast courted, he has cured, we have crowned, declin-áre corteggi-áre cur-áre coron-áre you have dedicated, they have supped. [1]dedic-áre cen-áre. I had wished, thou hadst declared, he had dispensed, desider-áre dichiar-áre dispens-áre we had assembled, you had undeceived, they had wasted. radun-áre disingann-áre scialacqu-áre. I will expect, thou shalt arrive, he will assault, we will assure, aspett-áre arriv-áre assalt-áre assicur-áre you will wish, they shall increase. augur-áre aument-áre. Dance, let him change, let us walk, sing ye, let them certify. ball-áre cambi-áre passeggi-áre cant-áre [2]certific-áre. That I may fast, that thou mayest besiege, that he may ride, digiun-áre assedi-áre [2]cavalc-áre that we may punish, that you may pass, that they may cause. [2]castig-áre pass-áre cagion-áre. That I might caress, that thou mightest burn, that he might stoop, accarezz-áre abbruci-áre [2]abbass-ársi that we might accept, that you might embrace, that they might mend. accett-áre abbracci-áre accomod-áre. I should accompany, thou shouldst accuse, he should baptize, accompagn-áre accus-áre battezz-áre we should mistrust, you should venture, they should administer. [3]diffid-ársi [2]arrisic-áre amministr-áre. That I may have lamented, that thou mayest have invented, lament-áre invent-áre that he may have governed, that we may have tamed, govern-áre addimestic-áre that you may have asked, that they may have experienced. domand-áre speriment-áre. That I might have formed, that thou mightest have taken away, form-áre lev-áre that he might have sent, that we might have prepared, mand-áre prepar-áre that you might have deprived, that they might have resembled. priv-áre rassomigli-áre. I should have prolonged, thou shouldst
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Produced by David Garcia and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) The Library Assistant's Manual By THEODORE W. KOCH Librarian, University of Michigan Provisional Edition LANSING, MICHIGAN STATE BOARD OF LIBRARY COMMISSIONERS 1913 ------------------------------------------------------------------------ _Issued on the occasion of the 61st annual meeting of the Michigan State Teachers' Association, Ann Arbor, October 30-November 1, 1913._ ------------------------------------------------------------------------ CONTENTS. Page I. The library movement in the United States 7-15 II. Organization of a library 16-19 III. Book selection and buying 20-24 IV. Classification 25-32 V. Cataloging 33-38 VI. Reference work and circulation 39-50 VII. The binding and care of library books 51-53 VIII. Work with children 54-58 IX. The high school library 59-66 X. Suggested readings in the Encyclopaedia Britannica 67-78 ------------------------------------------------------------------------ CHAPTER I. =THE LIBRARY MOVEMENT IN THE UNITED STATES.= The forerunner of the American public library of today is found in the subscription or stock company libraries of Philadelphia, Boston and other cities. The oldest of these is the Philadelphia Library Company, founded in 1731 by Benjamin Franklin who later referred to it as "the mother of all subscription libraries in America." The Rev. Jacob Duche, a director of the Library Company, wrote in 1774: "Literary accomplishments here meet with deserved applause. But such is the taste for books that almost every man is a reader." The Library Company's authority on book selection was James Logan (the friend of William Penn) who was esteemed "to be a gentleman of universal learning and the best judge of books in these parts." In 1783 the Library Committee instructed its London agent that "though not averse to mingling the dulce with the utile, they did not care to have him buy any more novels." In 1869 the Library Company was made the beneficiary under the will of Dr. James Rush, who left $1,500,000 to establish the Ridgeway Branch. On account of the conditions attached to the bequest, the gift was accepted by a bare majority of the stockholders. Among other restrictions, the will contained the following clause: "Let the library not keep cushioned seats for time-wasting and lounging readers, nor places for every-day novels, mind-tainting reviews, controversial politics, scribblings of poetry and prose, biographies of unknown names, nor for those teachers of disjointed thinking, the daily newspapers." The provisions of the will were strictly carried out and today the Ridgeway Library stands as a storehouse of the literature of the past, a monument to the donor and an evidence of the change that has come over the world in its conception of the function of the library. =Boston Athenaeum.=--Like the Philadelphia Library Company, the Boston Athenaeum was the outgrowth of a group of men who had in common an interest in books. In May 1806, the Anthology Society, which had been editing the "Monthly Anthology and Boston review," established a reading room, the object of which was to afford subscribers a meeting place furnished with the principal American and European periodicals. The annual subscription was placed at ten dollars, which was not more than the cost of a single daily paper. The organization prospered and by 1827 the treasurer's books showed property valued at more than $100,000. Two years later the library administration faced a new problem: a woman applied for admission to the library. Having no precedent to guide him, the librarian allowed the applicant free access to the shelves. She was Hannah Adams, who wrote "A view of religious opinions," a "History of New England," and "The history of the Jews." The next woman to ask for admission to the treasures of the Athenaeum was Mrs. Lydia Maria Child, (1802-1880), author of "The rebels," "The freedman's books," "Hobomok," etc., but her ticket of admission was shortly revoked "lest the privilege cause future embarrassment." As late as 1855 Charles Folsom entered a protest against women having access to "the corrupter portions of polite literature." =Boston Public Library.=--In 1825 a plan was proposed whereby all the libraries in Boston should be united under one roof. Later, a Frenchman by name of Vattemare, caused to be introduced into Congress a measure which was to build up great libraries through international exchanges. A public meeting was held in Boston but a committee of the Boston Athenaeum opposed the scheme and it was dropped. However, in return for some books forwarded through Vattemare to the Municipal Council of Paris, the Mayor of Boston received in 1843 about fifty volumes, which in reality formed the nucleus of the Boston Public Library. In 1847 the Boston City Council appointed a joint committee on a library. The next year a special act was passed by the Massachusetts State Legislature authorizing the city of Boston to found and maintain a library. Efforts were made to effect a union of interests with the Boston Athenaeum, but they failed. In 1849 the first books were presented by the Hon. Robert C. Winthrop, and in the following year J. P. Bigelow, then Mayor of the city, turned over to a library fund the sum of $1,000 which had been presented to him as a personal testimony. Edward Everett presented 1,000 United States documents, and Edward Capen was appointed librarian by the Mayor. George Ticknor, a member of the Board, helped to draw up a preliminary report outlining the ideals for the new civic institution. The library was not to be a "mere resort of professed scholars." The key note of the whole public library movement in America was struck by Ticknor when in 1851 he wrote of his hopes for the new library proposed for Boston: "I would establish a library which differs from all free libraries yet attempted; I mean one in which any popular books, tending to moral and intellectual improvement, shall be furnished in such numbers of copies that many persons can be reading the same book at the same time; in short, that not only the best books of all sorts, but the pleasant literature of the day, shall be made accessible to the whole people when they most care for it, that is, when it is fresh and new." A timely friend was found in Joshua Bates, who gave more than $50,000 for the purchase of books, saying that he thought it was desirable to render the public library at once as useful as possible by providing it with a large collection of books in many departments of knowledge. Thus the aim of the founders was quickly realized, it having been their professed intention to make the library what no other library in the world had either attempted or desired to become, "a powerful and direct means for the intellectual and moral advancement of a whole people without distinction of class or condition." The Boston Public Library was the pioneer of the large public libraries in America and as such has long enjoyed a prominence which in a way has resulted in its differentiation from other large municipal institutions. =Astor Library.=--John Jacob Astor, who came to this country in 1783, as a young man of 20, independent of capital, family connections or influence, became the richest man of his day in the United States, and wished to show his feelings of gratitude towards the city of New York, in which he had lived so long and prospered. When he consulted with his friends, Fitz Green Halleck and Washington Irving among others, as to the object to which his liberality should be applied, the plan of building a public library was the most approved and a decision was promptly made in favor of it. Four hundred thousand dollars was left for this purpose. The site chosen for the new Astor Library was in Lafayette Place, in which street lived Mr. William B. Astor, a son of the donor. Washington Irving was the first president of the Board of Trustees, and Joseph G. Cogswell was the first librarian. According to John Hill Burton in the "Book hunter," Mr. Cogswell "spent some years in Europe with Mr. Astor's princely endowment in his pocket, and showed himself a judicious, active and formidable sportsman in the book-hunting world. Whenever from private collections or the breaking up of public institutions, rarities got abroad in the open market, the collectors of the old world found that they had a resolute competitor to deal with, almost, it might be said, a desperate one, since he was, in a manner, the representative of a nation using powerful efforts to get a share of the library treasures of the old world. I know that in the instance of the Astor Library the selections of the books have been made with great judgment and that after the boundaries of the common crowded markets were passed and individual rarities had to be stalked in distant hunting grounds, innate literary value was still held as an object more important than
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E-text prepared by D Alexander and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive/Canadian Libraries (http://archive.org/details/toronto) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 41397-h.htm or 41397-h.zip: (http://www.gutenberg.org/files/41397/41397-h/41397-h.htm) or (http://www.gutenberg.org/files/41397/41397-h.zip) Images of the original pages are available through Internet Archive/Canadian Libraries. See http://archive.org/details/unclewaltwaltma00maso UNCLE WALT [Illustration: To George Matthew Adams From his Accomplice Walt Mason] UNCLE WALT [WALT MASON] [Illustration] The Poet Philosopher Chicago George Matthew Adams 1910 Copyright, 1910, by George Matthew Adams. Registered in Canada in accordance with the copyright law. Entered at Stationers' Hall, London. All rights reserved. Contents A Glance at History 17 Longfellow 18 In Politics 19 The Human Head 20 The Universal Help 21 Little Sunbeam 22 The Flag 23 Doc Jonnesco 24 Little Girl 25 The Landlady 26 Twilight Reveries 27 King and Kid 28 Little Green Tents 29 Geronimo Aloft 31 The Venerable Excuse 32 Silver Threads 33 The Poet Balks 34 The Penny Saved 35 Home Life 36 Eagles and Hens 37 The Sunday Paper 38 The Nation's Hope 39 Football 40 Health Food 41 Physical Culture 43 The Nine Kings 44 The Eyes of Lincoln 45 The Better Land 46 Knowledge Is Power 47 The Pie Eaters 48 The Sexton's Inn 49 He Who Forgets 50 Poor Father 51 The Idle Question 52 Politeness 53 Little Pilgrims 55 The Wooden Indian 56 Home and Mother 57 E. Phillips Oppenheim 58 Better than Boodle 59 The Famous Four 60 Niagara 61 A Rainy Night 62 The Wireless 63 Helpful Mr. Bok 64 Beryl's Boudoir 65 Post-Mortem Honors 67 After A While 68 Pretty Good Schemes 69 Knowledge by Mail 70 Duke and Plumber 71 Human Hands 72 The Lost Pipe 73 Thanksgiving 74 Sir Walter Raleigh 75 The Country Editor 76 Useless Griefs 77 Fairbanks' Whiskers 78 Letting It Alone 79 The End of the Road 80 The Dying Fisherman 81 George Meredith 82 The Smart Children 83 The Journey 85 Times Have Changed 86 My Little Dog "Dot" 87 Harry Thurston Peck 88 Tired Man's Sleep 89 Tomorrow 90 Toothache 91 Auf Wiedersehen 92 After the Game 93 Nero's Fiddle 94 The Real Terror 95 The Talksmiths 96 Woman's Progress 97 The Magic Mirror 99 The Misfit Face 100 A Dog Story 101 The Pitcher 102 Lions and Ants 103 The Nameless Dead 104 Ambition 105 Night's Illusions 106 Before and After 107 Luther Burbank 108 Governed Too Much 109 Success in Life 110 The Hookworm Victim 111 Alfred Austin 112 Weary Old Age 113 Lullaby 114 The School Marm 115 Poe 116 Gay Parents 117 Dad 118 John Bunyan 119 A Near Anthem 121 The Yellow Cord 122 The Important Man 123 Toddling Home 124 Trifling Things 125 Trusty Dobbin 126 The High Prices 127 Omar Khayyam 128 The Grouch 129 The Pole 130 Wilhelmina 131 Wilbur Wright 132 The Broncho 133 Schubert's Serenade 135 Mazeppa 136 Fashion's Devotee 137 Christmas 138 The Tightwad 139 Blue Blood 140 The Cave Man 141 Rudyard Kipling 142 In Indiana 143 The Colonel at Home 144 The June Bride 145 At The Theatre 146 Club Day Dirge 147 Washington 149 Hours and Ponies 150 The Optimist 151 A Few Remarks 152 Little Things 153 The Umpire 154 Sherlock Holmes 155 The Sanctuary 156 The Newspaper Graveyard 157 My Lady's Hair 158 The Sick Minstrel 159 The Beggar 160 Looking Forward 161 The Depot Loafers 162 The Foolish Husband 163 Halloween 165 Rienzi To The Romans 166 The Sorrel Colt 167 Plutocrat and Poet 168 Mail Order Clothes 169 Evening 170 They All Come Back 171 The Cussing Habit 172 John Bull 173 An Oversight 174 The Traveler 175 Saturday Night 176 Lady Nicotine 177 Up-To-Date Serenade 179 The Consumer 180 Advice To A Damsel 181 The New Year Vow 182 The Stricken Toiler 183 The Law Books 184 Sleuths of Fiction 185 Put It On Ice 186 The Philanthropist 187 Other Days 188 The Passing Year 189 List of Illustrations Page Frontispiece 12 "A Glance at History" 16 "Geronimo Aloft" 30 "Physical Culture" 42 "Little Pilgrims" 54 "Post-Mortem Honors" 66 "The Journey" 84 "The Magic Mirror" 98 "A Near Anthem" 120 "Schubert's Serenade" 134 "Washington" 148 "Halloween" 164 "Up-to-Date Serenade" 178 [Illustration: _"Uncle Walt" on his favorite steed. Drawn by John T. McCutcheon_] A Poet of the People Walt Mason's Prose Rhymes are read daily by approximately ten million readers. A newspaper service sells these rhymes to two hundred newspapers with a combined daily circulation of nearly five million, and assuming that five people read each newspaper--which is the number agreed upon by publicity experts--it may be called a fair guess to say that two out of every five readers of newspapers read Mr. Mason's poems. So the ten million daily readers is a reasonably accurate estimate. No other American verse-maker has such a daily audience. Walt Mason is, therefore, the Poet Laureate of the American Democracy. He is the voice of the people. Put to a vote, Walt would be elected to the Laureate's job, if he got a vote for each reader. And, generally speaking, men would vote as they read. The reason Walt Mason has such a large number of readers is because he says what the average man is thinking so that the average man can understand it. The philosophy of Walt Mason is the philosophy of America. Briefly it is this: The fiddler must be paid; if you don't care to pay, don't dance. In the meantime--grin and bear it, because you've got to bear it, and you might as well grin. But don't try to lie out of it. The Lord hates a cheerful liar. This is what the American likes to hear. For that is the American idea about the way the world is put together. So he reads Walt Mason night and morning and smiles and takes his knife and cuts out the piece and carries it in his vest pocket, or her handbag. It will interest the ten million readers of Walt Mason's rhymes to know that they are written in Emporia, Kansas, in the office of the Emporia Gazette, after Mr. Mason has done a day's work as editorial writer and telegraph editor of an afternoon paper. The rhymes are written on a typewriter as rapidly as he would write if he were turning out prose. Day after day, year after year, the fountain flows. There is no poison in it. And sometimes real poetry comes welling up from this Pierian spring at 517 Merchant street, Emporia, Kansas, U. S. A. In the meantime we do not claim its medicinal properties will cure everything. But it is good for sore eyes; it cures the blues; it sweetens the temper, cleanses the head, and aids the digestion. In cases of heart trouble it has been known to unite torn ligaments and encourage large families. And a gentleman over there takes a bottle! Step up quickly; remember we are merely introducing this great natural remedy. Our supply is limited. In a moment the music will begin. [Illustration: Signature] [Illustration: To JAMES C. MASON For the happy, youthful days That long since had an end; For the distant trodden ways That we no more may wend; For the dreams of woven gold And the memories of old, These little tales are told, My brother and my friend.] [Illustration: "_I to swing the shining axe, you to take a few swift whacks._"] _A Glance at History_ Charles the First, with stately walk, made the journey to the block. As he paced the street along, silence fell upon the throng; from that throng there burst a sigh, for a king was come to die! Charles upon the scaffold stood, in his veins no craven blood; calm, serene, he viewed the crowd, while the headsman said, aloud: "Cheer up, Charlie! Smile and sing! Death's a most delightful thing! I will cure your hacking cough, when I chop your headpiece off! Headache, toothache--they're a bore! You will never have them more! Cheer up, Charlie, dance and yell! Here's the axe, and all is well! I, though but a humble dub, represent the Sunshine Club, and our motto is worth while: 'Do Not Worry--Sing and Smile!' Therefore let us both be gay, as we do our stunt today; I to swing the shining axe, you to take a few swift whacks. Lumpty-doodle, lumpty-ding, do not worry, smile and sing!" _Longfellow_ Singer of the kindly song, minstrel of the gentle lay, when the night is dark and long, and beset with thorns the way--in the poignant hour of pain, in this weary worldly war, there is comfort in thy strain, courage in "Excelsior." When the city bends us down, with its weight of bricks and tiles, lead us, poet, from the town, to the fragrant forest aisles, where the hemlocks ever moan, like old Druids clad in green, as they sighed, when all alone, wandered sad Evangeline. Writer of the cleanly page, teacher of the golden truth; still I love thee in my age, as I loved thee in my youth. In some breasts a fiercer fire flamed, than ever thou hast known; but no mortal minstrel's lyre ever gave a purer tone. Singer of the kindly song, minstrel of the gentle lay, time is swift and art is long, and thy fame will last alway. _In Politics_ His days were joyous and serene, his life was pure, his record clean; folks named their children after him, and he was in the social swim; ambitious lads would say: "I plan to be just such a worthy man!" But in the fullness of his years, the tempter whispered in his ears, and begged that he would make the race for county judge, or some such place. And so he yielded to his fate, and came forth as a candidate. The night before election day they found him lying, cold and gray, the deadest man in all the land, this message in his icy hand: "The papers that opposed my race have brought me into deep disgrace; I find that I'm a fiend unloosed; I robbed a widow's chicken roost, and stole an orphan's Easter egg, and swiped a soldier's wooden leg. I bilked a heathen of his joss, and later kidnapped Charlie Ross; I learn, with something like alarm, that I designed the Gunness farm, and also, with excessive grief, that Black Hand cohorts call me chief. I thought myself a decent man, whose record all the world might scan; but now, alas, too late! I see that all the depths of infamy have soiled me with their reeking shame, and so it's time to quit the game." _The Human Head_ The greatest gift the gods bestowed on mortal was his dome of thought; it sometimes seems a useless load, when one is tired, and worn and hot; it sometimes seems a trifling thing, less useful than one's lungs or slats; a mere excuse, it seems, to bring us duns from men who deal in hats. Some men appreciate their heads, and use them wisely every day, and every passing minute sheds new splendor on their upward way; while some regard their heads as junk, mere idle knobs upon their necks; such men are nearly always sunk in failure, and are gloomy wrecks. I know a clerk who's served his time in one old store for twenty-years; he's marked his fellows climb, and climb--and marked with jealousy and tears; he's labored there since he was young; he'll labor there till he is dead; he never rose a single rung, because he never used his head. I know a poorhouse in the vale, where fifty-seven paupers stay; they paw the air and weep and wail, and cuss each other all the day; and there they'll loll while life endures, and there they'll die in pauper beds; their chances were as good as yours--but then they never used their heads. O human head! Majestic box! O wondrous can, from labels free! If man is craving fame or rocks, he'll get them if he uses thee! _The Universal Help_ My cow's gone dry, my hens won't lay, my horse has got the croup; the hot winds spoiled my budding hay, and I am in the soup. And while my life is sad and sore, and earthly joys are few, I'll write a note to Theodore; he'll tell me what to do. I wasn't home when Fortune called, my feet had strayed afar; I fear that I am going bald, and I have got catarrh. The wolf is howling at my door, I've naught to smoke or chew; but I shall write to Theodore--he'll tell me what to do. My Sunday suit is old and sere, I'm wearing last year's lids; my aunt is coming for a year, to visit, with her kids. They will not trust me at the store, and I am feeling blue, so I shall write to Theodore--he'll tell me what to do. When we are weary and distraught, from worldly strife and care, and we're denied the balm we sought, and given black despair, ah, then, my friends, there is one chore devolves on me and you; we'll simply write to Theodore--he'll tell us what to do. _Little Sunbeam_ She was sweet and soft and clinging, and he always found her singing, when he came home from his labors as the night was closing in; she was languishing and slender, and her eyes were deep and tender, and he simply couldn't tell her that her coffee was a sin. Golden hair her head was crowning; she was fond of quoting Browning, and she knew a hundred legends of the olden, golden time; and her heart was full of yearning for the Rosicrucian learning, and he simply couldn't tell her that the beefsteak was a crime. She was posted on Pendennis, and she knew the songs of Venice, and he listened to her prattle with an effort to look pleased; and she liked the wit of Weller--and he simply couldn't tell her that the eggs he had for breakfast had been laid by hens diseased. So she filled his home with beauty, and she did her wifely duty, did it as she understood it, and her conscience didn't hurt, when dyspepsia boldly sought him, and the sexton came and got him, and his tortured frame was buried 'neath a wagon-load of dirt. O, those marriageable misses, thinking life all love and kisses, mist and moonshine, glint and glamour, stardust borrowed from the skies! Man's a gross and sordid lummix--men are largely made of stomachs, and the songs of all the sirens will not take the place of pies! _The Flag_ Bright-hued and beautiful, it floats upon the summer air; and every thread of it denotes the love that's woven there; the love of veterans whose tread has sounded on the fields of red; and women old, who mourn their dead, but mourn without despair. Bright-hued and beautiful, it courts caresses of the breeze; and, straining at its staff it sports, in flaunting ecstasies; and other flags, that once were gay, long, long ago were laid away, and many men, whose heads are gray, are thinking now of these. Serene and beautiful it waves, the flag our fathers knew; in Freedom's sunny air it laves, and gains a brighter hue; and may it still the symbol be of all that makes a nation free; still may we cherish Liberty, and to our God be true. _Doc Jonnesco_ "O Doc," I cried, "I humbly beg, that you will amputate my leg." The doctor cheerfully complied, and shot some dope into my hide, and made his bucksaw fairly sail, until it struck a rusty nail. "Hoot, mon!" he said, quite undismayed, "I'll have to finish with a spade." And as he dug and toiled away, we talked about the price of hay, the recent frightful rise in pork, the sugar grafters in New York, the things we found in Christmas socks, the flurry in Rock Island stocks, the hookworm and the hangman's noose, the bright career of Captain Loose. I felt no pain or ache or shock; it pleased me much to watch the doc; and when the job was done, I said: "Now that you're here, cut off my head." With skillful hands he wrought and wrought, and soon cut off my dome of thought, and when I asked him for his bill: "There is no charge, already, still; I work for Science, not for scads, so keep the dollars of your dads; to banish pain is my desire; to nothing more do I aspire; if I may win that goal, you bet, I'll be so happy, always, yet!" Is there a more heroic game? Could any man have nobler aim? One poet, old, and bald and fat, to this great man takes off his hat! _Little Girl_ Little girl, so glad and jolly, playing with your home-made dolly, built of rags and straw, fill the sunny air with laughter, heedless of the sorrow after--that is childhood's law! Let no sad and sordid vision cheat you of the joy Elysian that to youth belongs; let no prophecy of sorrow scheduled for a sad tomorrow still your joyous songs! Soon enough will come the worry, and the labors, and the hurry, soon you'll cook and scrub; soon with milliners and drapers you will fuss, and read long papers, at the Culture Club. Lithe your form, but soon you'll force it in a torture-chamber corset that will make you bawl; and those little feet, that twinkle, you will squeeze, until they wrinkle, into shoes too small. And those sunny locks so tangled will be tortured and kedangled into waves and curls; and you'll buy complexion powder, and your bonnets will be louder than the other girl's. Little girl, with home-made dolly, cut out woe and melancholy, jump and sing and play! Fill the rippling air with laughter! Tears and corns will follow after! This is childhood's day! _The Landlady_ I run a hash bazaar, just up the street; there all my boarders are yelling for meat; boarders carniverous, boarders herbiverous; Allah deliver us! just watch them eat! Boarders are ravenous, all the world o'er; "feed till you spavin us," thus they implore; boarders are gluttonous, roastbeef and muttonous; "come and unbutton us, so we'll eat more!" Little they pay me for chicken and rice; yet they waylay me for dainties of price; "bring us canary birds"--these are their very words, bawling like hairy Kurds--"bring them on ice!" I give them tea and toast, jelly and jam, some kind of stew or roast, codfish or ham; their words are Chaucerous: "Dame Cup-and-Saucerous, bring us rhinoceros, boiled with a yam!" I run a boarding booth, as I have said; there Age and Smiling Youth, raise the Old Ned; maybe the clamoring, knocking and hammering bunch will be stammering, when I am dead! _Twilight Reveries_ At that hour supremely quiet, when the dusk and darkness blend, and the sordid strife and riot of the day are at an end; when the bawling and the screaming of the mart have died away, then I like to lie a-dreaming of my castles in Cathay. I would roam in flowery spaces watered by the fabled streams, I would travel starry spaces on the winged feet of dreams; I would float across the ages to a more heroic time, when inspired were all ages, and the warriors sublime. At that hour supremely pleasing, dreams are all knocked galley west, by the phonograph that's wheezing: "Birdie, Dear, I Love You Best." _King and Kid_ The king sat up on his jeweled throne, and he heaved a sigh that was like a groan, for his crown was hard, and it bruised his head, and his scepter weighed like a pig of lead; the ladies smirked as they came to beg; the knights were pulling the royal leg. The king exclaimed: "If I had my wish, I would cut this out, and I'd go and fish. For what is pomp to a weary soul that yearns and yearns for the fishing hole; the throne's a bore and the crown a gawd, and I'd swap the lot for a bamboo rod, and a can of worms and a piece of string--but there's no such luck for a poor old king!" And a boy who passed by the palace high, to fish for trout in the streamlet nigh, looked up in awe at the massive walls, and caught a glimpse of the marble halls, and he said to himself: "Oh, hully chee! Wisht I was the king, and the king was me! To reign all day with your crown on straight is a whole lot better'n diggin' bait, and fishin' round when the fish won't bite, and gettin' licked for your luck at night!" _The Little Green Tents_ The little green tents where the soldiers sleep, and the sunbeams play and the women weep, are covered with flowers today; and between the tents walk the weary few, who were young and stalwart in'sixty-two, when they went to the war away. The little green tents are built of sod, and they are not long, and they are not broad, but the soldiers have lots of room; and the sod is part of the land they saved, when the flag of the enemy darkly waved, the symbol of dole and doom. The little green tent is a thing divine; the little green tent is a country's shrine, where patriots kneel and pray; and the brave men left, so old, so few, were young and stalwart in'sixty-two, when they went to the war away! [Illustration: "_The Judge who knows the hearts of men may find a desert or a glen for souls that love the wild._"] _Geronimo Aloft_ The sod is o'er the dauntless head, the fierce old eyes are dim and dead, the martial heart is dust; they say he died in sanctity, and his wild soul, of fetters free, went forth to join the just. But will the joys of Paradise, as we imagine them, suffice to hold Geronimo? Will joyous song and endless calm to that bold spirit be a balm, while silent eons flow? But Heaven is a region fair, and there may be long reaches there, to give the savage space to ride his steed o'er field and fell and raise his fierce, defiant yell, in foray and in race. The Judge who knows the hearts of men may find a desert or a glen for souls that love the wild; and through the gates perchance may jog the hunter's pinto and his dog, his painted squaw and child. _The Venerable Excuse_ You say your grandma's dead, my lad, and you, bowed down with woe, to see her laid beneath the mold believe you ought to go; and so you ask a half day off, and you may have that same; alas, that grannies always die when there's a baseball game! Last spring, if I remember right, three grandmas died for you, and you bewailed the passing, then, of souls so warm and true; and then another grandma died--a tall and stately dame; the day they buried her there was a fourteen-inning game. And when the balmy breeze of June among the willows sighed, another grandma closed her eyes and crossed the Great Divide; they laid her gently to her rest beside the churchyard wall, the day we lammed the stuffing from the Rubes from Minnepaul. Go forth, my son, and mourn your dead, and shed the scalding tear, and lay a simple wreath upon your eighteenth grandma's bier; while you perform this solemn task I'll to the grandstand go, and watch our pennant-winning team make soupbones of the foe. _Silver Threads_ Sing a song of long ago, now the weary day is done, and the breeze is sighing low dirges for the vanished sun; sing a song of other days, ere our hearts were tired and old; sing the sweetest of old lays: "Silver Threads Among the Gold." We who feebly hold the track in the gloaming of life's day, love the songs that take us back to life's springtime, far away, when our hope had airy wing, and our hearts were strong and bold, and at eve we used to sing "Silver Threads Among the Gold." Then our hair no silver knew, and these eyes, that shrunken seem, were the brightest brown or blue, and old age was but a dream; but the years have taken flight, and life's evening bells are tolled; so, my children, sing tonight, "Silver Threads Among the Gold." _The Poet Balks_ If old Jim Riley came to town, to read a bundle of his rhyme, I guess you couldn't hold me down--I'd want to hear him every time. I wouldn't heed the tempest's shriek; I'd walk ten miles and not complain, to hear Jim Hoosier Riley speak. But I would not go round a block to see a statesman saw the air, to hear a hired spellbinder talk, like a faker at the county fair. For statesmen are as thick as fleas, and poets, they are far between; one song that lingers on the breeze is worth a million yawps, I ween. If John McCutcheon came to town, to make some pictures on the wall, I'd tear the whole blamed doorway down to be the first one in the hall; you couldn't keep me in my bed if I was dying there of croup; the push would find me at the head of the procession, with a whoop. But I won't push my fat old frame across a dozen yards of bricks, to list to men whose only fame is based on pull and politics. _The Penny Saved_ It is wise to save the pennies when the pennies come your way, for you're more than apt to need them when arrives the rainy day; and when Famine comes a-whooping with the cross-bones on her vest, then the fellow with the bundle has the edge on all the rest. I admire the man who's saving, if he doesn't save too hard, if he doesn't think a dollar bigger than the courthouse yard; and I like to see him salting down the riches that he's struck, if he always has a quarter for the guy that's out of luck. When the winter comes upon us, yelling like a baseball fan, then it's nice to have some boodle in an old tomato can; when there's sickness in the wigwam, and we have to call the doc, then it's nice to have a package hidden in the eight-day clock; when Old Age, the hoary rascal, comes a-butting in at last, then it's nice to have some rubles that you cornered in the past; and the man who saves the pennies is a dandy and a duck--if he always has a quarter for the guy that's out of luck. _Home Life_ Now the nights are growing longer, and the frost is in the air, and it's nice to hug the fireside in your trusty rocking chair, with the good wife there beside you, feeding cookies to the cat, while the energetic children play the dickens with your hat. O, it's nice to look around you, and to feel that you're a king, that your coming home at evening makes your joyous subjects sing! So you read some twenty chapters of old Gibbon's dope on Rome, and you know what human bliss is in your humble little home! There is really nothing better in the way of earthly bliss, than to toddle home at evening, and to get a welcome kiss, and to know the kids who greet you at the pea-green garden gate, have been wailing, broken-hearted, that you were two minutes late! There is nothing much more soothing than a loving woman's smile, when she sees your bow-legs climbing o'er the bargain counter stile! If you don't appreciate it, then the bats are in your dome, for the greatest king a-living is the monarch of a home! _Eagles and Hens_ The eagle ought to have a place among the false alarms; we place its picture on our coins, and on our coat of arms; but what did eagles ever do but fro
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Produced by Juliet Sutherland and the Online Distributed Proofreading Team at http://www.pgdp.net CONTEMPORARY RUSSIAN NOVELISTS Translated from the French of Serge Persky By FREDERICK EISEMANN JOHN W. LUCE AND COMPANY BOSTON 1913 _Copyright, 1912_ BY C. DELAGRAVE _Copyright, 1913_ BY L. E. BASSETT To THE MEMORY OF F. N. S. BY THE TRANSLATOR PREFACE The principal aim of this book is to give the reader a good general knowledge of Russian literature as it is to-day. The author, Serge Persky, has subordinated purely critical material, because he wants his readers to form their own judgments and criticize for themselves. The element of literary criticism is not, however, by any means entirely lacking. In the original text, there is a thorough and exhaustive treatment of the "great prophet" of Russian literature--Tolstoy--but the translator has deemed it wise to omit this essay, because so much has recently been written about this great man. As the title of the book is "Contemporary Russian Novelists," the essay on Anton Tchekoff, who is no longer living, does not rightly belong here, but Tchekoff is such an important figure in modern Russian literature and has attracted so little attention from English writers that it seems advisable to retain the essay that treats of his work. Finally, let me express my sincerest thanks to Dr. G. H. Maynadier of Harvard for his kind advice; to Miss Edna Wetzler for her unfailing and valuable help, and to Miss Carrie Harper, who has gone over this work with painstaking care. CONTENTS CHAPTER PAGE I. A Brief Survey of Russian Literature 1 II. Anton Tchekoff 40 III. Vladimir Korolenko 76 IV. Vikenty Veressayev 108 V. Maxim Gorky 142 VI. Leonid Andreyev 199 VII. Dmitry Merezhkovsky 246 VIII. Alexander Kuprin 274 IX. Writers in Vogue 289 CONTEMPORARY RUSSIAN NOVELISTS I A BRIEF SURVEY OF RUSSIAN LITERATURE In order to get a clear idea of modern Russian literature, a knowledge of its past is indispensable. This knowledge will help us in understanding that which distinguishes it from other European literatures, not only from the viewpoint of the art which it expresses, but also as the historical and sociological mirror of the nation's life in the course of centuries. The dominant trait of this literature is found in its very origins. Unlike the literatures of other European countries, which followed, in a more or less regular way, the development of life and civilization during historic times, Russian literature passed through none of these stages. Instead of being a product of the past, it is a protestation against it; instead of retracing the old successive stages, it appears, intermittently, like a light suddenly struck in the darkness. Its whole history is a long continual struggle against this darkness, which has gradually melted away beneath these rays of light, but has never entirely ceased to veil the general trend of Russian thought. As a result of the unfortunate circumstances which characterize her history, Russia was for a long time deprived of any relations with civilized Europe. The necessity of concentrating all her strength on fighting the Mongolians laid the corner-stone of a sort of semi-Asiatic political autocracy. Besides, the influence of the Byzantine clergy made the nation hostile to the ideas and science of the Occident, which were represented as heresies incompatible with the orthodox faith. However, when she finally threw off the Mongolian yoke, and when she found herself face to face with Europe, Russia was led to enter into diplomatic relations with the various Western powers. She then realized that European art and science were indispensable to her, if only to strengthen her in warfare against these States. For this reason a number of European ideas began to come into Russia during the reigns of the last Muscovite sovereigns. But they assumed a somewhat sacerdotal character in passing through the filter of Polish society, and took on, so to speak, a dogmatic air. In general, European influence was not accepted in Russia except with extreme repugnance and restless circumspection, until the accession of Peter I. This great monarch, blessed with unusual intelligence and a will of iron, decided to use all his autocratic power in impressing, to use the words of Pushkin, "a new direction upon the Russian vessel;"--Europe instead of Asia. Peter the Great had to contend against the partisans of ancient tradition, the "obscurists" and the adversaries of profane science; and this inevitable struggle determined the first character of Russian literature, where the satiric element, which in essence is an attack on the enemies of reform, predominates. In organizing grotesque processions, clownish masquerades, in which the long-skirted clothes and the streaming beards of the honorable champions of times gone by were ridiculed, Peter himself appeared as a pitiless destroyer of the ancient costumes and superannuated ideas. The example set by the practical irony of this man was followed, soon after the death of the Tsar, by Kantemir, the first Russian author who wrote satirical verses. These verses were very much appreciated in his time. In them, he mocks with considerable fervor the ignorant contemners of science, who taste happiness only in the gratification of their material appetites. At the same time that the Russian authors pursued the enemies of learning with sarcasm, they heaped up eulogies, which bordered on idolatry, on Peter I, and, after him, on his successors. In these praises, which were excessively hyperbolical, there was always some sincerity. Peter had, in fact, in his reign, paved the way for European civilization, and it seemed merely to be waiting for the sovereigns, Peter's successors, to go on with the work started by their illustrious ancestor. The most powerful leaders, and the first representatives of the new literature, strode ahead, then, hand in hand, but their paths before long diverged. Peter the Great wanted to use European science for practical purposes only: it was only to help the State, to make capable generals, to win wars, to help savants find means to develop the national wealth by industry and commerce; he--Peter--had no time to think of other things. But science throws her light into the most hidden corners, and when it brings social and political iniquities to light, then the government hastens to persecute that which, up to this time, it has encouraged. The protective, and later hostile, tendencies of the government in regard to authors manifested themselves with a special violence during the reign of Catherine II. This erudite woman, an admirer of Voltaire and of the French "encyclopedistes," was personally interested in writing. She wrote several plays in which she ridiculed the coarse manners and the ignorance of the society of her time. Under the influence of this new impulse, which had come from one in such a high station in life, a legion of satirical journals flooded the country. The talented and spiritual von Vizin wrote comedies, the most famous of which exposes the ignorance and cruelty of country gentlemen; in another, he shows the ridiculousness of people who take only the brilliant outside shell from European civilization. Shortly, Radishchev's "Voyage from Moscow to St. Petersburg" appeared. Here the author, with the fury of passionate resentment, and with sad bitterness, exposes the miserable condition of the people under the yoke of the high and mighty. It was then that the empress, Catherine the Great, so gentle to the world at large and so authoritative at home, perceiving that satire no longer spared the guardian principles necessary for the security of the State, any more than they did popular superstitions, manifested a strong displeasure against it. Consequently, the satirical journals disappeared as quickly as they had appeared. Von Vizin, who, in his pleasing "Questions to Catherine" had touched on various subjects connected with court etiquette, and on the miseries of political life, had to content himself with silence. Radishchev was arrested, thrown into a fortress, and then sent to Siberia. They went so far as to accuse Derzhavin, the greatest poet of this time, the celebrated "chanter of Catherine," in his old age, of Jacobinism for having translated into verse one of the psalms of David; besides this, the energetic apostle of learning, Novikov, a journalist, a writer, and the founder of a remarkable society which devoted itself to the publication and circulation of useful books, was accused of having had relations with foreign secret societies. He was confined in the fortress at Schluesselburg after all his belongings had been confiscated. The critic and the satirist had had their wings clipped. But it was no longer possible to check this tendency, for, by force of circumstances, it had been planted in the very soul of every Russian who compared the conditions of life in his country with what European civilization had done for the neighboring countries. Excluded from journalism, this satiric tendency took refuge in literature, where the novel and the story trace the incidents of daily life. Since the writers could not touch the evil at its source, they showed its consequences for social life. They represented with eloquence the empty and deplorable banality of the existence forced upon most of them. By expressing in various ways general aspirations towards something better, they let literature continue its teaching, even in times particularly hostile to freedom of thought, like the reign of Nicholas I, the most typical and decided adversary of the freedom of the pen that Europe has ever seen. Literature was, then, considered as an inevitable evil, but one from which the world wanted to free itself; and every man of letters seemed to be under suspicion. During this reign, not only criticisms of the government, but also praises of it, were considered offensive and out of place. Thus, the chief of the secret police, when he found that a writer of that time, Bulgarine, whose name was synonymous with accuser and like evils, had taken the liberty to praise the government for some insignificant improvements made on a certain street, told him with severity: "You are not asked to praise the government, you must only praise men of letters." Nothing went to print without the authorization of the general censor, an authorization that had to be confirmed by the various parts of the complex machine, and, finally, by a superior committee which censored the censors. The latter were themselves so terrorized that they scented subversive ideas even in cook-books, in technical musical terms, and in punctuation marks. It would seem that under such conditions no kind of literature, and certainly no satire, could exist. Nevertheless, it was at this period that Gogol produced his best works. The two most important are, his comedy "The Revizor," where he stigmatizes the abuses of administration, and "Dead Souls," that classic work which de Voguee judges worthy of being given a place in universal literature, between "Don Quixote" and "Gil Blas," and which, in a series of immortal types, flagellates the moral emptiness and the mediocrity of life in high Russian society at that time. At the same time, Griboyedov's famous comedy, "Intelligence Comes to Grief," which the censorship forbade to be produced or even published, was being circulated in manuscript form. This comedy, a veritable masterpiece, has for its hero a man named Chatsky, who was condemned as a madman by the aristocratic society of Moscow on account of his independent spirit and patriotic sentiments. It is true
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WHO HAVE WRITTEN FAMOUS BOOKS*** E-text prepared by Dave Kline, Chris Whitehead, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive/American Libraries (https://archive.org/details/americana) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 45610-h.htm or 45610-h.zip: (http://www.gutenberg.org/files/45610/45610-h/45610-h.htm) or (http://www.gutenberg.org/files/45610/45610-h.zip) Images of the original pages are available through Internet Archive/American Libraries. See https://archive.org/details/littlepilgrimage00harkiala LITTLE PILGRIMAGES AMONG THE MEN WHO HAVE WRITTEN FAMOUS BOOKS * * * * * * _Book Lovers' Series_ [Illustration] _Little Pilgrimages Among the Men Who Have Written Famous Books_ _Little Pilgrimages Among the Women Who Have Written Famous Books_ [Illustration] _L. C. PAGE & COMPANY 200 Summer Street Boston, Mass._ * * * * * * [Illustration: Reproduced, by permission, from "A Pair of Patient Lovers."--Copyright, 1901, by Harper & Brothers. WILLIAM DEAN HOWELLS.] LITTLE PILGRIMAGES AMONG THE MEN WHO HAVE WRITTEN FAMOUS BOOKS by E. F. Harkins Illustrated [Illustration] Boston L. C. Page & Company MDCCCCII Copyright, 1901, by L. C. Page & Company (Incorporated) All rights reserved Typography by The Heintzemann Press Boston Presswork by The Colonial Press C. H. Simonds & Co. Boston PREFACE _The aim of this book is to present to the reading public sketches of some of its American literary heroes. There are heroes young and old; but in literature, especially, age has little to do with favorites. At the same time, it will be noted that the subjects of these sketches occupy places in or near the centre of the literary stage. The lately dead, like Maurice Thompson; the hero of the last generation, like Edward Everett Hale; the young man who has made his first successful flight--these do not come within the scope of the present work. So, if some reader miss his favorite, let him understand that at least there was no malice in the exclusion._ _A part of the aim has been to present the social or personal as well as the professional side of the authors. Many of the anecdotes commonly told of well-known novelists are apocryphal or imaginary. Care, therefore, has been taken to separate the wheat from the chaff. Wherever it was possible, preference has been given the statements of the authors themselves._ _The sketches are arranged chronologically, that is, in the order of the authors' first publications. No other arrangement, indeed, would seem fair among so gifted and popular a company, writing for a public that discriminates while it encourages and enjoys._ CONTENTS _Page_ Preface 5 William Dean Howells 11 Bret Harte 27 Mark Twain 43 "Lew" Wallace 59 George W. Cable 75 Henry James 91 Francis Richard Stockton 107 Joel Chandler Harris 123 S. Weir Mitchell 139 Robert Grant 155 F. Marion Crawford 169 James Lane Allen 185 Thomas Nelson Page 201 Richard Harding Davis 215 John Kendrick Bangs 231 Hamlin Garland 247 Paul Leicester Ford 263 Robert Neilson Stephens 279 Charles D. G. Roberts 299 Winston Churchill 317 LIST OF ILLUSTRATIONS _Page_ William Dean Howells _Frontispiece_ Bret Harte 27 Mark Twain 43 "Lew" Wallace 59 George W. Cable 75 Francis Richard Stockton 107 Joel Chandler Harris 123 S. Weir Mitchell 139 Robert Grant 155 F. Marion Crawford 169 James Lane Allen 185 Thomas Nelson Page 201 Richard Harding Davis 215 John Kendrick Bangs 231 Hamlin Garland 247 Paul Leicester Ford 263 Robert Neilson Stephens 279 Charles G. D. Roberts 299 Winston Churchill 317 WILLIAM DEAN HOWELLS Mr. Howells has reached that point of life and success where he can afford to sit down and look back. But he is not that sort of man. He will probably continue to work and to look forward until, in the words of Hamlet, he shuffles off this mortal coil. William Dean Howells was born in Martin's Ferry, Belmont County, Ohio, March 1, 1837. He has therefore reached the ripe age of sixty-four. When he was three years old his father moved from Martin's Ferry to Hamilton and bought _The Intelligencer_, a weekly paper. Nine years afterward he sold _
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Produced by David Edwards, Hazel Batey and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) THE MAKING OF THE NEW TESTAMENT THE HOME UNIVERSITY LIBRARY OF MODERN KNOWLEDGE Editors of THE HOME UNIVERSITY LIBRARY OF MODERN KNOWLEDGE Rt. Hon. H. A. L. Fisher, M.A., F.B.A. Prof. Gilbert Murray, Litt.D., LL.D., F.B.A. Prof. J. Arthur Thomson, M.A., LL.D. _For list of volumes in the Library see end of book._ THE MAKING OF THE NEW TESTAMENT _By_ BENJAMIN W. BACON D.D. PROFESSOR OF NEW CRITICISM AND EXEGESIS IN YALE UNIVERSITY [Illustration] THORNTON BUTTERWORTH LIMITED 15 BEDFORD STREET, LONDON, W.C.2 _First Impression September 1912 - All Rights Reserved_ MADE AND PRINTED IN GREAT BRITAIN CONTENTS PART I CANONIZATION AND CRITICISM CHAP. PAGE I INSPIRATION AND CANONIZATION 7 II THE REACTION TO CRITICISM 33 PART II THE LITERATURE OF THE APOSTLE III PAUL AS MISSIONARY AND DEFENDER OF THE GOSPEL OF GRACE 56 IV PAUL AS PRISONER AND CHURCH FATHER 83 V PSEUDO-APOSTOLIC EPISTLES 104 PART III THE LITERATURE OF CATECHIST AND PROPHET VI THE MATTHAEAN TRADITION OF THE PRECEPTS OF JESUS 128 VII THE PETRINE TRADITION. EVANGELIC STORY 154 VIII THE JOHANNINE TRADITION. PROPHECY 185 PART IV THE LITERATURE OF THE THEOLOGIAN IX THE SPIRITUAL GOSPEL AND EPISTLES 206 X EPILOGUES AND CONCLUSIONS 233 BIBLIOGRAPHY 251 INDEX 255 THE MAKING OF THE NEW TESTAMENT PART I CANONIZATION AND CRITICISM CHAPTER I INSPIRATION AND CANONIZATION The New Testament presents the paradox of a literature born of protest against the tyranny of a canon, yet ultimately canonized itself through an increasing demand for external authority. This paradox is full of significance. We must examine it more closely. The work of Jesus was a consistent effort to set religion free from the deadening system of the scribes. He was conscious of a direct, divine authority. The broken lights of former inspiration are lost in the full dawn of God's presence to His soul. So with Paul. The key to Paul's thought is his revolt against legalism. It had been part of his servitude to persecute the sect which claimed to know another Way besides the "way"[1] of the scribes. These Christians signalized their faith by the rite of baptism, and gloried in the sense of endowment with "the Spirit." Saul was profoundly conscious of the yoke; only he had not drammed that his own deliverance could come from such a quarter. But contact with victims of the type of Stephen, men "filled with the Spirit," conscious of the very "power from God" for lack of which his soul was fainting, could not but have some effect. It came suddenly, overwhelmingly. The real issue, as Saul saw it, both before and after his conversion, was Law _versus_ Grace. In seeking "justification" by favour of Jesus these Christians were opening a new and living way to acceptance with God. Traitorous and apostate as the attempt must seem while the way of the Law still gave promise of success, to souls sinking like Saul's deeper and deeper into the despairing consciousness of "the weakness of the flesh" forgiveness in the name of Jesus might prove to be light and life from God. The despised sect of'sinners' whom he had been persecuting expressed the essence of their faith in the doctrine that the gift of the Spirit of Jesus had made them sons and heirs of God. If the converted Paul in turn is uplifted--"energized," as he terms it--even beyond his fellow-Christians, by the sense of present inspiration, it is no more than we should expect. Footnote 1: _Tarik_, i. e. "way," is still the Arabic term for a sect, and the Rabbinic term for legal requirement is _halacha_, i. e. "walk." Paul's conversion to the new faith--or at least his persistent satisfaction in it--will be inexplicable unless we appreciate the logic of his recognition in it of an inherent opposition to the growing demands of legalism. Jesus had, in truth, led a revolt against mere book-religion. His chief opponents were the scribes, the devotees and exponents of a sacred scripture, the Law. "Law" and "Prophets," the one prescribing the conditions of the expected transcendental Kingdom, the other illustrating their application and guaranteeing their promise, constituted the canon of the synagogue. Judaism had become a religion of written authority. Jesus set over against this a direct relation to the living Father in heaven, ever presently revealed to the filial spirit. The Sermon on the Mount makes the doing of this Father's will something quite other than servitude to written precepts interpreted by official authority and imposed under penalty. It is to be self-discipline in the Father's spirit of disinterested goodness, as revealed in everyday experience. Even the reward of this self-discipline, the Kingdom, Jesus did not conceive quite as the scribes. To them obedience in this world procured a "share in the world to come." To Him the reward was more a matter of being than of getting. The Kingdom was an heir-apparency; and, therefore, present as well as future. It was "within" and "among" men as well as before them. They should seek to "be sons and daughters of the Highest," taking for granted that all other good things would be "added." So Jesus made religion live again. It became spiritual, inward, personal, actual. After John the Baptist's ministry to what we should call the 'unchurched' masses, Jesus took up their cause. He became the "friend" and champion of the "little ones," the "publicans and sinners," the mixed 'people of the land' in populous, half-heathen, Galilee. The burdens imposed by the scribes in the name of 'Scripture' were accepted with alacrity by the typical Pharisee unaffected by Pauline misgivings of'moral inability.' To "fulfil all righteousness" was to the Pharisee untainted by Hellenism a pride and delight. To the "lost sheep of Israel" whom Jesus addressed, remote from temple and synagogue, this "righteousness" had proved (equally as to Paul, though on very different grounds) "a yoke which neither we nor our fathers were able to bear." Jesus "had compassion on the multitude." To them he "spoke with authority"; and yet "not as the scribes" but as "a prophet." When challenged by the scribes for his authority he referred to "the baptism of John,"
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Produced by Chris Curnow, Lindy Walsh, Christine P. Travers and the Online Distributed Proofreading Team at http://www.pgdp.net THE SECOND WAR WITH ENGLAND. [Illustration: The Constitution and Java.] THE SECOND WAR WITH ENGLAND. BY J. T. HEADLEY, AUTHOR OF "NAPOLEON AND HIS MARSHALS," "WASHINGTON AND HIS GENERALS," "THE OLD GUARD," "SCOTT AND JACKSON," ETC. ETC. IN TWO VOLUMES. VOL. I. NEW YORK: CHARLES SCRIBNER, 145 NASSAU STREET. 1853. Entered, according to Act of Congress, in the year 1853, by CHARLES SCRIBNER, In the Clerk's Office of the District Court of the United States for the Southern District of New York. C. W. BENEDICT, STEREOTYPER AND PRINTER, 12 Spruce Street, N. Y. PREFACE. More books, probably, have been written on the War of 1812 than on any other portion of our history. The great political leaders of that time were so vindictive in their animosities, and took such strong and decided ground on all political questions, that the success of one or the other afterwards in public life depended very much on his conduct during the war. Hence, much detached and personal history has been written in order to clear up or illustrate some particular event. A candidate for public office was often chosen for his services in the war; hence, every portion of it in which he took part was thoroughly investigated by both friends and foes. So if one had failed in that trying period of the country, the world was sure to hear of it when he came up for the suffrages of the people. The war proved very unfortunate for some of the leaders, and court martials and disgrace closed the career of many which had hitherto been bright and prosperous. These men have written long pamphlets and books in self-defence, or they have been written by their descendants, so that if hearing both sides would aid the reader in coming to a correct conclusion, he was pretty sure to reach it. When so many quarrels are to be settled the public will not fail to be informed all about the origin of them. Another class of works have been written, designed only to furnish a synopsis of the war, and scarcely reach to the value of histories. Others have been confined solely to the military and naval movements--others still are devoted almost exclusively to political matters of that period; so that notwithstanding the large supply of works on the War of 1812, I know of none in which all these different topics are even attempted to be combined in proper proportions. The present work is an effort to accomplish that end without being too voluminous on the one hand, or too general on the other. I have endeavored to give impressions as well as facts--to trace the current and depict the phases of public feeling, rather than inflict on the reader long documents and longer debates, in which everything that gave them life and interest was carefully excluded by the reporter. The effects of the fierce conflict waged between the Federalists and Democrats during the war have not yet passed away, and many of the actors in it are still living, who retain their old prejudices and hatred. Their near descendants and relatives, though so many of them are found in the ranks of democracy, still defend the memory of those whose names they bear, and endeavor to throw discredit on the writer who would rob them of reputation, and consign them to the obloquy they deserve. In a war like the late one with Mexico, where almost every officer was a hero, and in narrating the progress of which the historian is called upon only to eulogize, his task is an easy one. But in one like that of 1812, in which the most conspicuous leaders met with signal defeat and disgrace, and instead of winning reputation, lost that which had illustrated them in the revolutionary struggle, the historian necessarily recalls feuds and assails character, which is sure to bring down on him the maledictions and open condemnation of friends and relations. A noble man and true patriot, like General Dearborn, will never want friends who will deny his incompetency as commander-in-chief, while one who had won so brave a name in the revolution, and was so estimable a man in social life as General Hull, must always be defended by those in whose veins his blood flows. The inefficiency and blunders of the government remain to this day to many a sufficient apology for the conduct of Wilkinson, Hampton and others. Having no animosities to gratify, and no prejudices to favor, I have set down nought in malice, but have endeavored to ascertain, amid conflicting testimony, the exact truth, without regarding the friendly or hostile feelings the declaration of it might awaken. In many cases I have withheld much that was personal, because it was not necessary to my purpose, and useless only in self-defence. That I should reconcile difficulties which have never yet been healed, and please rivals who have ever hated each other, was not to be expected. I have attempted also to give a clear impression of the political and social feelings of the times, and make the reader, as far as lay in my power, live amid the scenes I depict. Two new features have been introduced into the present work, which I though necessary to a complete history of the war, viz., privateering and the Dartmoor Prison. It would be impossible to give all the authorities to which I am indebted. State papers, records, journals, Gazettes of the time have been consulted, as well as histories, while I have earnestly sought for information from the survivors of the war. In many cases I have omitted references to books in which facts I state are found recorded, because I came across them in old pamphlets, letters, and newspaper paragraphs, where, probably, the original compiler also obtained them. I cannot omit, however, acknowledging the vast aid I have derived from Niles' Register. A more valuable periodical was never published in this country. Ingersoll's History also, though very deficient in arrangement, contains more valuable material than any other work embracing the same period. CONTENTS OF VOL. I. CHAPTER I. A REVIEW OF THE CAUSES LEADING TO THE SECOND WAR WITH ENGLAND. Duplicity and oppressive acts of the British Government contrasted with the forbearance of the United States -- Character of Madison -- Debates in Congress on War measures -- Declaration of War, 15 CHAPTER II. Different feelings with which the Declaration of War was received -- State of the parties at the commencement -- Federalists and Democrats -- Their hostility -- Absurd doctrines of the Federalists -- Hostility of New England -- Unprepared state of the country -- Culpable neglect of the government -- Comparative strength of the two navies -- Empty state of the Treasury -- Inefficiency of the Cabinet, 58 CHAPTER III. Plan of the Campaign -- General Hull sent to Detroit -- British officers first receive news of the declaration of war -- Capture of Hull's baggage, etc. -- Enters Canada and issues a proclamation, and sends out detachments -- Colonels McArthur and Cass advance on Maiden -- Hull refuses to sustain them -- Recrosses to Detroit -- Van Horne's defeat -- Colonel Miller defeats the enemy, and opens Hull's communications -- Strange conduct of Hull -- Advance of the British -- Surrender of Detroit -- Indignation of the officers -- Review of the Campaign -- Rising of the people -- Harrison takes command -- Advance of the army, 70 CHAPTER IV. Operations on the New York frontier -- Battle of Queenstown -- Death of Brock -- Scott a prisoner -- General Smythe's Proclamation and abortive attempts -- Cursed by the army -- Duel with General Porter -- Retires in disgrace -- Dearborn's movements and failures -- Review of the campaign on the New York frontier -- Character of the officers and soldiers, 98 CHAPTER V. THE NAVY. The Cabinet resolves to shut up our ships of war in port -- Remonstrance of Captains Bainbridge and Stuart -- Rodgers ordered to sea -- Feeling of the crews -- Chase of the Belvidere -- Narrow escape of the Constitution from an English fleet -- Cruise of the Essex -- Action between the Constitution and Guerriere -- Effect of the victory in England and the United States -- United States takes the Macedonian -- Lieutenant Hamilton carries the captured colors to Washington -- Presented to Mrs Madison in a ball-room -- The Argus -- Action between the Wasp and Frolic -- Constitution captures the Java -- Hornet takes the Peacock -- Effect of these Victories abroad, 125 CHAPTER VII. Harrison plans a winter campaign -- Advance of the army -- Battle and
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SHORES OF THE ARCTIC SEA IN 1846 AND 1847*** E-text prepared by Moti Ben-Ari and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (http://archive.org). The maps were scanned by the University of Manitoba Libraries (http://umanitoba.ca/libraries) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 39917-h.htm or 39917-h.zip: (http://www.gutenberg.org/files/39917/39917-h/39917-h.htm) or (http://www.gutenberg.org/files/39917/39917-h.zip) Images of the original pages are available through Internet Archive. See http://archive.org/details/cihm_39502 Transcriber's note: A single character following a carat is superscripted (example: ESQ^R). When multiple characters are superscripted they are enclosed by curly brackets (example: Hon^{ble}). NARRATIVE OF AN EXPEDITION TO THE SHORES OF THE ARCTIC SEA IN 1846 AND 1847. by JOHN RAE, Hudson Bay Company's Service, Commander of the Expedition. With Maps. London: T. & W. Boone, 29, New Bond Street. 1850. Marchant Singer and Co., Printers, Ingram-Court, Fenchurch-Street. TO SIR GEORGE SIMPSON, _Governor-in-Chief of Rupert's Land_, THE ZEALOUS PROMOTER OF ARCTIC DISCOVERY, THIS VOLUME IS INSCRIBED AS A TRIBUTE OF RESPECT AND REGARD BY THE AUTHOR. CONTENTS. PAGE CHAPTER I. Object and plan of the Expedition--Equipment at York Factory--Boats--Crews--Articles useful in an Arctic Voyage--Breaking up of the ice in Hayes and Nelson Rivers--Departure from York Factory--Progress retarded by the ice--First night at sea--Reflections--Rupert's Creek--Unbroken fields of ice--Broad River--Description of the Coast--Double Cape Churchill--Open sea to the north and north-west--Arrive at Churchill--White whales--Mode of catching them--Sir George Simpson's instructions--Stock of provisions 1 CHAPTER II. Depart from Churchill--A gale--Anchor in Knap's Bay--Land on an island--Esquimaux graves--Visited by Esquimaux--A large river running into Knap's Bay--Nevill's Bay--Corbet's Inlet--Rankin's Inlet--Cape Jalabert--Greenland whales seen--Chesterfield Inlet--Walruses--Cape Fullerton--Visited by an Esquimaux--Reefs--Cape Kendall seen--Ice packed against the shore--Take shelter in an excellent harbour--River traced--Seals--Gale--Ice driven off--Direction of the tides reversed--Whale Point--Many whales seen--Again stopped by the pack--Wager River estuary--Ice drifts--Eddy currents--No second opening into Wager River seen--Enter Repulse Bay--Interview with Esquimaux--No intelligence of Sir John Franklin 19 CHAPTER III. Receive a visit from a female party--Their persons and dress described--Crossing the Isthmus--Drag one of the boats up a stream--Succession of rapids--North Pole Lake--Find a plant fit for fuel--Christie Lake--Flett Portage--Corrigal Lake--Fish--Deer-scaring stones--White wolf--Stony Portage--View of the sea--Exploring party sent in advance--Their report--Long Portage--Difficult tracking--Miles Lake--Muddy Lake--Rich pasturage and great variety of flowers on its banks--Marmot burrows--Salt Lake--Visit Esquimaux tents--Discouraging report of the state of the ice--Esquimaux chart--Reach the sea--Ross inlet--Point Hargrave--Cape Lady Pelly--Stopped by the ice--Put ashore--Find a sledge made of ship-timber--Thick fog--Wolves--Walk along the shore--Remains of musk-cattle and rein-deer--Nature of the coast--Danger from the ice--Irregular rise of the tide--Deer on the ice--Fruitless efforts to proceed northward--Cross over to Melville Peninsula--Gale--Again stopped by the ice--Dangerous position of the boat--Return to starting point--Meeting with our Esquimaux friends at Salt Lake--Deer begun to migrate southward--Walk across the isthmus to Repulse Bay 38 CHAPTER IV. State of things at Repulse Bay--Determine to discontinue the survey till the spring--Reasons--Party sent to bring over the boat--Fix on a site for winter residence--Ptarmigan--Laughing geese--Eider and king ducks--Visits of natives too frequent--Return of the party sent for the boat--Report the bay more closely packed than before--Preparations for wintering--Fort Hope built--Proceed to North Pole and Christie Lakes to look out for fishing stations--Purchase dogs--Wariness of the deer--Flocks of geese pass southward--Blue-winged and snow-geese--Their habits--Snow-storm--Its effects--Return to Fort Hope--Daily routine--Signs of winter--Deer numerous--Quantity of game killed--Provision-store built of snow--Great fall of snow--Effects of the cold--Adventure with a deer--Visited by a party of natives--Their report of the ice westward of Melville Peninsula--An island said to be wooded--Produce of the chase in October--Temperature--Two observatories built of snow--Band of wolves--A party caught in a snow-storm--Esquimaux theory of the heavenly bodies--Temperature of November--Diminished supply of provisions 61 CHAPTER V. Winter arrangements completed--Learn to build snow-houses--Christmas-day--North Pole River frozen to the bottom--1st January--Cheerfulness of the men--Furious snow-storm--Observatories blown down--Boat buried under the snow--Ouligbuck caught in the storm--Dog attacked by a wolf--Party of natives take up their residence near Fort Hope--Esquimaux mentioned by Sir John Ross known to them--Boat dug out of the snow--A runaway wife--Deer begin to migrate northward--A wolf-chase--First deer of the season shot--Difficulty of deer-hunting in spring--Dimensions of an Esquimaux canoe--Serious accident to Ouligbuck--A conjuror--Preparations for the journey northward--Temperature--Aurora Borealis 81 CHAPTER VI. Set out for the north--Equipment of
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Produced by Marc D'Hooghe at http://www.freeliterature.org (Images generously made available by the Internet Archive) THROUGH THE LANDS OF THE SERB By MARY E. DURHAM LONDON EDWARD ARNOLD 1904 DEDICATED TO MY MOTHER [Illustration: MONTENEGRIN WOMEN, CETINJE.] CONTENTS PART I MONTENEGRO AND THE WAY THERE I. CATTARO--NJEGUSHI--CETINJE II. PODGORITZA AND RIJEKA III. OSTROG IV. NIKSHITJE AND DUKLE V. OUR LADY AMONG THE ROCKS VI. ANTIVARI VII. OF THE NORTH ALBANIAN VIII. SKODRA IX. SKODRA TO DULCIGNO PART II OF SERVIA X. BELGRADE XI. SMEDEREVO--SHABATZ--VALJEVO--UB--OBRENOVATZ XII. NISH XIII. PIROT XIV. EAST SERVIA XV. THE SHUMADIA AND SOUTH-WEST SERVIA XVI. KRUSHEVATZ PART III MONTENEGRO AND OLD SERVIA 1903 XVII. KOLASHIN--ANDRIJEVITZA--BERANI--PECH XVIII. TO DECHANI AND BACK TO PODGORITZA LIST OF ILLUSTRATIONS MONTENEGRIN WOMEN, CETINJE CEMETERY NEAR CETINJE BAKER'S SHOP, RIJEKA--ALBANIAN AND TWO MONTENEGRINS BULLOCK CART, PODGORITZA UPPER MONASTERY, OSTROG RUINS OF ANTIVARI MOUNTAIN ALBANIANS IN MARKET, PODGORITZA STREET IN BAZAAR, SKODRA SKODRA MOSQUE, SKODRA SHOP IN BAZAAR, SKODRA MONTENEGRIN PLOUGH SERVIAN PEASANT TRAVELLING GIPSIES, RIJEKA, MONTENEGRO SOLDIERS' MONUMENTS CHURCH, STUDENITZA--WEST DOOR. CORONATION CHURCH, KRALJEVO TSAR LAZAR'S CASTLE CHURCH, KRUSHEVATZ--SIDE WINDOW OF APSE THE PATRIARCHIA, IPEK (PECH) PODGORITZA MAP OF THE LANDS OF THE SERB PUBLISHER'S NOTE In the spelling of proper names the system adopted in the _Times Atlas_ has been followed as nearly as possible. Owing to the absence of Miss Durham in Macedonia, the following pages have not had the advantage of her revision in going through the press. PART I MONTENEGRO AND THE WAY THERE "What land is this?" "This is Illyria, lady." _Twelfth Night._ THROUGH THE LANDS OF THE SERB CHAPTER I CATTARO--NJEGUSHI--CETINJE I do not know where the East proper begins, nor does it greatly matter, but it is somewhere on the farther side of the Adriatic, the island-studded coast which the Venetians once held. At any rate, as soon as you leave Trieste you touch the bubbling edge of the ever-simmering Eastern Question, and the unpopularity of the ruling German element is very obvious. "I--do--not--speak--German," said a young officer laboriously, "I am Bocchese"; and as we approached the Bocche he emphasised the fact that he was a Slav returning to a Slav land. Party politics run high even on the steamboat. We awoke one morning to find the second-class saloon turned into a Herzegovinian camp, piled with gay saddle-bags and rugs upon which squatted, cross-legged, a couple of families in full native costume, and the air was thick with the highly scented tobacco which the whole party smoked incessantly. The friendly steward, a Dalmatian Italian, whispered hastily, "This is a Herzegovinian family, signorin'. Do you like the Herzegovinese?" Rather taken aback, and not knowing what his politics were, I replied, stupidly enough, "I find their costume very interesting," This frivolous remark hurt the steward deeply. "Signorin'," he said very gravely, "these are some of the bravest men in the world. Each one of these that you see would fight till he died." Then in a mysterious undertone, "They cannot live without freedom... they are leaving their own land... it has been taken, as you know, by the Austrian.... They are going to Montenegro, to a free country. They have taken with them all their possessions, and they go to find freedom." I looked at them with a curious sense of pity. Though they knew it not, they were the survivors of an old, old world, the old world which still lingers in out-of-the-way corners, and it was from the twentieth century quite as much as from the Teuton they were endeavouring to flee. All these parti- saddle-bags and little bundles tied up in cotton handkerchiefs represented the worldly goods of three generations, who had left the land of their forebears and were upon a quest as mystical as any conceived by mediaeval knight--they were seeking the shrine of Liberty. "Of old sat Freedom on the heights"; let us hope they found her there! I never saw them again. On the other hand, in a boat with Austrian sympathies, the tale is very different. "I am a Viennese, Fraeulein. Imagine what it is to me to have to travel in this dreary place! The people?--they are a rough, discontented set. Very ignorant. Very bad. No, I should not advise you to go to Montenegro--a most mischievous race." "And what about Bosnia and the Herzegovina?" "Oh, you will be quite safe there; _we_ govern that. They are a bad lot, though! But we don't stand any nonsense." Thus either party seizes upon the stranger and tries to prevent his views being "prejudiced." He seldom has need to complain that he has heard one side only; but there is a Catholic side, an Orthodox side, a Mohammedan side, there are German, Slav, Italian, Turkish, and Albanian sides; and when he has heard them all he feels far less capable of forming an opinion on the Eastern Question than he did before. Dalmatia has its charms, but tourists swarm there, and the picturesque corners are being rapidly pulled down to provide suitable accommodation for them. Let us pass on, then, nor pause till we have wound our way through that wonderful maze of fiords, the Bocche, and landed
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Produced by Brendan OConnor, Jonathan Ingram and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Library of Early Journals.) BLACKWOOD'S EDINBURGH MAGAZINE. NO. CCCLXXXIII. SEPTEMBER, 1847. Vol. LXII. HOW I STOOD FOR THE DREEPDAILY BURGHS. CHAPTER I. "My dear Dunshunner," said my friend Robert M'Corkindale as he entered my apartments one fine morning in June last, "do you happen to have seen the share-list? Things are looking in Liverpool as black as thunder. The bullion is all going out of the country, and the banks are refusing to discount." Bob M'Corkindale might very safely have kept his information to himself. I was, to say the truth, most painfully aware of the facts which he unfeelingly obtruded upon my notice. Six weeks before, in the full confidence that the panic was subsiding, I had recklessly invested my whole capital in the shares of a certain railway company, which for the present shall be nameless; and each successive circular from my broker conveyed the doleful intelligence that the stock was going down to Erebus. Under these circumstances I certainly felt very far from being comfortable. I could not sell out except at a ruinous loss; and I could not well afford to hold on for any length of time, unless there was a reasonable prospect of a speedy amendment of the market. Let me confess it--I had of late come out rather too strong. When a man has made money easily, he is somewhat prone to launch into expense, and to presume too largely upon his credit. I had been idiot enough to make my _debut_ in the sporting world--had started a couple of horses upon the verdant turf of Paisley--and, as a matter of course, was remorselessly sold by my advisers. These and some other minor amusements had preyed deleteriously upon my purse. In fact, I had not the ready; and as every tradesman throughout Glasgow was quaking in his shoes at the panic, and inconveniently eager to realise, I began to feel the reverse of comfortable, and was shy of showing myself in Buchanan Street. Several documents of a suspicious appearance--owing to the beastly practice of wafering, which is still adhered to by a certain class of correspondents--were lying upon my table at the moment when Bob entered. I could see that the villain comprehended their nature at a glance; but there was no use in attempting to mystify him. The Political Economist was, as I was well aware, in very much the same predicament as myself. "To tell you the truth, M'Corkindale, I have not opened a share-list for a week. The faces of some of our friends are quite long enough to serve as a tolerable exponent of the market; and I saw Grabbie pass about five minutes ago with a yard of misery in his visage. But what's the news?" "Every thing that is bad! Total stoppage expected in a week, and the mills already put upon short time." "You don't say so!" "It is a fact. Dunshunner, this infernal tampering with the currency will be the ruin of every mother's son of us!"--and here Bob, in a fit of indignant enthusiasm, commenced a vivid harangue upon the principles of contraction and expansion, bullion, the metallic standard, and the bank reserves, which no doubt was extremely sound, but which I shall not recapitulate to the reader. "That's all very well, Bob," said I--"very good in theory, but we should confine ourselves at present to practice. The main question seems to me to be this. How are we to get out of our present fix? I presume you are not at present afflicted with a remarkable plethory of cash?" "Every farthing I have in the world is locked up in a falling line." "Any debts?" "Not many; but quite enough to make me meditate a temporary retirement to Boulogne." "I believe you are better off than I am. I not only owe money, but am terribly bothered about some bills." "That's awkward. Would it not be advisable to bolt?" "I don't think so. You used to tell me, Bob, that credit was the next best thing to capital. Now, I don't despair of redeeming my capital yet, if I can only keep up my credit." "Right, undoubtedly, as you generally are. Do you know, Dunshunner, you deserve credit for your notions on political economy. But how is that to be done? Every body is realising; the banks won't discount; and when your bills become due, they will be, to a dead certainty, protested." "Well--and what then?" "_Squalor carceris_, etcetera." "Hum--an unpleasant alternative, certainly. Come, Bob I put your wits to work. You used to be a capital hand for devices, and there must be some way or other of steering clear. Time is all we want." "Ay, to be sure--time is the great thing. It would be very unpleasant to look out on the world through a grating during the summer months!" "I perspire at the bare idea!" "Not a soul in town--all your friends away in the Highlands boating, or fishing, or shooting grouse--and you pent up in a stifling apartment of eight feet square, with nobody to talk to save the turnkey, and no prospect from the window, except a deserted gooseberry stall!" "O Bob, don't talk in that way! You make me perfectly miserable." "And all this for a ministerial currency crotchet? 'Pon my soul, it's too bad! I wish those fellows in Parliament----" "Well? Go on." "By Jove! I've an idea at last!" "You don't say so! My dear Bob--out with it!" "Dunshunner, are you a man of pluck?" "I should think I am." "And ready to go the whole hog, if required?" "The entire animal." "Then I'll tell you what it is--the elections will be on immediately--and, by St Andrew, we'll put you up for Parliament!" "Me!" "You. Why not? There are hundreds of men there quite as hard up, and not half so clever as yourself." "And what good would that do me?" "Don't you see? You need not care a farthing about your debts then, for the personal liberty of a member of the House of Commons is sacred. You can fire away right and left at the currency; and who knows, if you play your cards well, but you may get a comfortable place?" "Well, you _are_ a genius, Bob! But then, what sort of principles should I profess?" "That is a matter which requires consideration. What are your own feelings on the subject?" "Perfect indifference. I am pledged to no party, and am free to exercise my independent judgment." "Of course, of course! We shall take care to stick all that into the address; but you must positively come forward with some kind of tangible political views. The currency will do for one point, but as to the others I see a difficulty." "Suppose I were to start as a Peelite? "Something may be said in favour of that view; but, on the whole, I should rather say not. That party may not look up for some little time, and then the currency is a stumbling-block in the way. No, Dunshunner, I do not think, upon my honour, that it would be wise for you to commit yourself in that quarter at the present moment." "Suppose I try the Protectionist dodge? One might come it very strong against the foreigners, and in favour of native industry. Eh, Bob? What do you say to that? It is an advantage to act with gentlemen." "True; but at the same time, I see many objections. The principles of the country party are not yet thoroughly understood by the people, and I should like to have you start with at least popularity on your side." "Radical, then? What do you think of Annual Parliaments, Universal Suffrage, Vote by Ballot, and separation of Church and State?" "I am clear against that. These views are not popular with the Electors, and even the mob would entertain a strong suspicion that you were humbugging them." "What, then, on earth am I to do?" "I will tell you. Come out as a pure and transparent Whig. In the present position of parties, it is at least a safe course to pursue, and it is always the readiest step to the possession of the loaves and the fishes." "Bob, I don't like the Whigs!" "No more do I. They are a bad lot; but they are _in_, and that is every thing. Yes, Augustus," continued Bob solemnly, "there is nothing else for it. You must start as a pure Whig, upon the Revolution principles of sixteen hundred and eighty-eight." "It would be a great relief to my mind, Bob, if you would tell me what those principles really are?" "I have not the remotest idea; but we have plenty time to look them up." "Then, I suppose I must swallow the Dutchman and the Massacre of Glencoe?" "Yes, and the Darien business into the bargain. These are the principles of your party, and of course you are bound to subscribe." "Well! you know best; but I'd rather do any thing else." "Pooh! never fear; you and Whiggery will agree remarkably well. That matter, then, we may consider as settled. The next point to be thought of is the constituency." "Ay, to be sure! what place am I to start for? I have got no interest, and if I had any, there are no nomination burghs in Scotland." "Aren't there? That's all you know, my fine fellow! Hark ye, Dunshunner, more than half of the Scottish burghs are at this moment held by nominees!" "You amaze me, Bob! The thing is impossible! The Reform Bill, that great charter of our liberties----" "Bravo! There spoke the Whig! The Reform Bill, you think, put an end to nomination? It did nothing of the kind, it merely transferred it. Did you ever hear of such things as CLIQUES?" "I have. But they are tremendously unpopular." "Nevertheless, they hold the returning power. There is a Clique in almost every town throughout Scotland, which loads the electors as quietly, but as surely, as the blind man is conducted by his dog. These are modelled on the true Venetian principles of secrecy and terrorism. They control the whole constituency, put in the member, and in return monopolise the whole patronage of the place. If you have the Clique with you, you are almost sure of your election; if not, except in the larger towns, you have not a shadow of success. Now, what I want to impress upon you is this, that where-ever you go, be sure that you communicate with the Clique." "But how am I to find it out? "That is not always an easy matter, for nobody will acknowledge that they belong to it. However, the thing is not impossible, and we shall certainly make the experiment. Come, then, I suppose you agree with me, that it is hopeless to attempt the larger towns?" "Clearly. So far as I see, they are all provided already with candidates." "And you may add, Cliques, Dunshunner. Well, then, let us search among the smaller places. What would you think of a dash at the Stirling District of Burghs?" "Why, there are at least half-a-dozen candidates in the field." "True, that would naturally lessen your chance. Depend upon it, some one of them has already found the key to the Clique. But there's the Dreepdaily District with nobody standing for it, except the Honourable Paul Pozzlethwaite; and I question whether he knows himself the nature or the texture of his politics. Really, Dunshunner, that's the very place for you; and if we look sharp after it, I bet the long odds that you will carry it in a canter." "Do you really think so? "I do indeed; and the sooner you start the better. Let me see. I know Provost Binkie of Dreepdaily. He is a Railway bird, was an original Glenmutchkin shareholder, and fortunately sold out at a premium. He is a capital man to begin with, and I think will be favourable to you: besides, Dreepdaily is in old Whig burgh. I am not so sure of Kittleweem. It is a shade more respectable than Dreepdaily, and has always been rather Conservative. The third burgh, Drouthielaw, is a nest of Radicalism; but I think it may be won over, if we open the public-houses." "But, about expenses, Bob--won't it be a serious matter?" "Why, you must lay your account with spending some five or six hundred pounds upon the
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Produced by David Widger MEMOIRS OF LOUIS XIV AND HIS COURT AND OF THE REGENCY BY THE DUKE OF SAINT-SIMON VOLUME 10. CHAPTER LXX The reign of Louis XIV. was approaching its conclusion, so that there is now nothing more to relate but what passed during the last month of his life, and scarcely so much. These events, indeed, so curious and so important, are so mixed up with those that immediately followed the King's death, that they cannot be separated from them. It will be interesting and is necessary to describe the projects, the thoughts, the difficulties, the different resolutions, which occupied the brain of the Prince, who, despite the efforts of Madame de Maintenon and M. du Maine, was of necessity about to be called to the head of affairs during the minority of the young King. This is the place, therefore, to explain all these things, after which we will resume the narrative of the last month of the King's life, and go on to the events which followed his death. But, as I have said, before entering upon this thorny path, it will be as well to make known, if possible, the chief personage of the story, the impediments interior and exterior in his path, and all that personally belonged to him. M. le Duc d'Orleans was, at the most, of mediocre stature, full-bodied without being fat; his manner and his deportment were easy and very noble; his face was broad and very agreeable, high in colour; his hair black, and wig the same. Although he danced very badly, and had but ill succeeded at the riding-school, he had in his face, in his gestures, in all his movements, infinite grace, and so natural that it adorned even his most ordinary commonplace actions. With much ease when nothing constrained him, he was gentle, affable, open, of facile and charming access; the tone of his voice was agreeable, and he had a surprisingly easy flow of words upon all subjects which nothing ever disturbed, and which never failed to surprise; his eloquence was natural and extended even to his most familiar discourse, while it equally entered into his observations upon the most abstract sciences, on which he talked most perspicuously; the affairs of government, politics, finance, justice, war, the court, ordinary conversation, the arts, and mechanics. He could speak as well too upon history and memoirs, and was well acquainted with pedigrees. The personages of former days were familiar to him; and the intrigues of the ancient courts were to him as those of his own time. To hear him, you would have thought him a great reader. Not so. He skimmed; but his memory was so singular that he never forgot things, names, or dates, cherishing remembrance of things with precision; and his apprehension was so good, that in skimming thus it was, with him, precisely as though he had read very laboriously. He excelled in unpremeditated discourse, which, whether in the shape of repartee or jest, was always appropriate and vivacious. He often reproached me, and others more than he, with "not spoiling him;" but I often gave him praise merited by few, and which belonged to nobody so justly as to him; it was, that besides having infinite ability and of various kinds, the singular perspicuity of his mind was joined to so much exactness, that he would never have made a mistake in anything if he had allowed the first suggestions of his judgment. He oftentimes took this my eulogy as a reproach, and he was not always wrong, but it was not the less true. With all this he had no presumption, no trace of superiority natural or acquired; he reasoned with you as with his equal, and struck the most able with surprise. Although he never forgot his own position, nor allowed others to forget it, he carried no constraint with him, but put everybody at his ease, and placed himself upon the level of all others. He had the weakness to believe that he resembled Henry IV. in everything, and strove to affect the manners, the gestures, the bearing, of that monarch. Like Henry IV. he was naturally good, humane, compassionate; and, indeed, this man, who has been so cruelly accused of the blackest and most inhuman crimes, was more opposed to the destruction of others than any one I have ever known, and had such a singular dislike to causing anybody pain that it may be said, his gentleness, his humanity, his easiness, had become faults; and I do not hesitate to affirm that that supreme virtue which teaches us to pardon our enemies he turned into vice, by the indiscriminate prodigality with which he applied it; thereby causing himself many sad embarrassments and misfortunes, examples and proofs of which will be seen in the sequel. I remember that about a year, perhaps, before the death of the King, having gone up early after dinner into the apartments of Madame la Duchesse d'Orleans at Marly, I found her in bed with the megrims, and M. d'Orleans alone in the room, seated in an armchair at her pillow. Scarcely had I sat down than Madame la Duchesse began to talk of some of those execrable imputations concerning M. d'Orleans unceasingly circulated by Madame de Maintenon and M. du Maine; and of an incident arising therefrom, in which the Prince and the Cardinal de Rohan had played a part against M. d'Orleans. I sympathised with her all the more because the Duke, I knew not why, had always distinguished and courted those two brothers, and thought he could count upon them. "And what will you say of M. d'Orleans," added the Duchesse, "when I tell you that since he has known this, known it beyond doubt, he treats them exactly the same as before?" I looked at M. d'Orleans, who had uttered only a few words to confirm the story, as it was being told, and who was negligently lolling in his chair, and I said to him with warmth: "Oh, as to that, Monsieur, the truth must be told; since Louis the Debonnaire, never has there been such a Debonnaire as you." At these words he rose in his chair, red with anger to the very whites of his eyes, and blurted out his vexation against me for abusing him, as he pretended, and against Madame la Duchesse d'Orleans for encouraging me and laughing at him. "Go on," said I, "treat your enemies well, and rail at your friends. I am delighted to see you angry. It is a sign that I have touched the sore point, when you press the finger on it the patient cries. I should like to squeeze out all the matter, and after that you would be quite another man, and differently esteemed." He grumbled a little more, and then calmed down. This was one of two occasions only, on which he was ever really angry with me. Two or three years after the death of the King, I was chatting in one of the grand rooms of the Tuileries, where the Council of the Regency was, according to custom, soon to be held, and M. d'Orleans at the other end was talking to some one in a window recess. I heard myself called from mouth to mouth
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*** E-text prepared by Christine Aldridge and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 31900-h.htm or 31900-h.zip: (http://www.gutenberg.org/files/31900/31900-h/31900-h.htm) or (http://www.gutenberg.org/files/31900/31900-h.zip) Transcriber's note: Text in italics is enclosed by underscores (_italics_). Minor punctuation errors have been corrected. A complete list of spelling corrections and notations is located at the end of this text. Edition d'Elite HISTORICAL TALES The Romance of Reality by CHARLES MORRIS Author of "Half-Hours with the Best American Authors," "Tales from the Dramatists," etc. In Fifteen Volumes VOLUME XIII King Arthur 1 J. B. LIPPINCOTT COMPANY PHILADELPHIA AND LONDON Copyright, 1891, by J. B. LIPPINCOTT COMPANY. Copyright, 1904, by J. B. LIPPINCOTT COMPANY. Copyright, 1908, by J. B. LIPPINCOTT COMPANY. * * * * * [Illustration: FURNESS ABBEY.] CONTENTS OF VOLUME I. BOOK I. HOW ARTHUR WON THE THRONE. CHAPTER. PAGE. I.--THE MAGIC SWORD 19 II.--ARTHUR'S WARS AND THE MYSTERY OF HIS BIRTH 28 III.--THE LADY OF THE LAKE 39 IV.--GUENEVER AND THE ROUND TABLE 46 BOOK II. THE DEEDS OF BALIN. I.--HOW BALIN WON AND USED THE ENCHANTED SWORD 55 II.--HOW ARTHUR TRIUMPHED OVER THE KINGS 65 III.--HOW BALIN GAVE THE DOLOROUS STROKE 72 IV.--THE FATE OF BALIN AND BALAN 81 V.--MERLIN'S FOLLY AND FATE 89 BOOK III. THE TREASON OF MORGAN LE FAY. I.--THE ADVENTURE OF THE ENCHANTED SHIP 94 II.--THE COMBAT OF ARTHUR AND ACCOLAN 102 III.--HOW MORGAN CHEATED THE KING 110 IV.--THE COUNTRY OF STRANGE ADVENTURES 120 BOOK IV. LANCELOT DU LAKE. I.--HOW TROUBLE CAME TO LIONEL AND HECTOR 137 II.--THE CONTEST OF THE FOUR QUEENS 143 III.--HOW LANCELOT AND TURQUINE FOUGHT 153 IV.--THE CHAPEL AND PERILOUS 164 V.--THE ADVENTURE OF THE FALCON 174 BOOK V. THE ADVENTURES OF BEAUMAINS. I.--THE KNIGHTING OF KAY'S KITCHEN BOY 179 II.--THE BLACK, THE GREEN, AND THE RED KNIGHTS 187 III.--THE RED KNIGHT OF THE RED LAWNS 201 IV.--HOW BEAUMAINS WON HIS BRIDE 212 BOOK VI. TRISTRAM OF LYONESSE AND THE FAIR ISOLDE. I.--HOW TRISTRAM WAS KNIGHTED 238 II.--LA BELLA ISOLDE 249 III.--THE WAGER OF BATTLE 258 IV.--THE DRAUGHT OF LOVE 267 V.--THE PERILS OF TRUE LOVE 275 VI.--THE MADNESS OF SIR TRISTRAM 289 BOOK VII. HOW TRISTRAM CAME TO CAMELOT. I.--TRISTRAM AND DINADAN 304 II.--ON THE ROAD TO THE TOURNAMENT 312 III.--AT THE CASTLE OF MAIDENS 322 IV.--THE QUEST OF THE TEN KNIGHTS 335 V.--THE KNIGHT WITH THE COVERED SHIELD 345 LIST OF ILLUSTRATIONS. KING ARTHUR. VOL. I. PAGE FURNESS ABBEY _Frontispiece_. STATUE OF KING ARTHUR AT INNSBRUCK 24 KING ARTHUR'S FAIR LOVE 48 KING ARTHUR'S TOMB 70 MERLIN AND NIMUE 89 THE GREAT FOREST 94 NIMUE 105 THE LOVE OF PELLEAS AND NIMUE 134 DREAM OF SIR LANCELOT 139 OLD ARCHES OF THE ABBEY WALL 149 KING ARTHUR'S ROUND TABLE, WINCHESTER CATHEDRAL 179 BEAUMAINS, DAMSEL, AND DWARF 213 THE JOYOUS WEDDING 235 SIR TRISTRAM HARPING TO ISOLDE 250 A CASTLE OF CORNWALL 258 TRISTRAM AND THE FAIR ISOLDE 273 THE CLIFFS ABOVE THE SEA 288 TINTAGIL KING ARTHUR'S CASTLE 302 TRISTRAM THEREUPON DEPARTED TO HIS PAVILION 325 ADMISSION OF SIR TRISTRAM TO THE KING OF THE ROUND TABLE 359 * * * * * INTRODUCTORY. Geoffrey of Monmouth, the famous chronicler of legendary British history, tells us,--in reference to the time when the Celtic kings of Britain were struggling against the Saxon invaders,--that "there appeared a star of wonderful magnitude and brightness, darting its rays, at the end of which was a globe of fire in the form of a dragon, out of whose mouth issued two rays; one of which seemed to stretch itself beyond the extent of Gaul, the other towards the Irish Sea, and ended in two lesser rays." He proceeds to say, that Merlin, the magician, being called on to explain this portent, declared that the dragon represented Uther, the brother of King Ambrose, who was destined himself soon to become king; that the ray extending towards Gaul indicated a great son, who should conquer the Gallic Kingdoms; and that the ray with two lesser rays indicated a daughter, whose son and grandson should successively reign over Britain. Uther, in consequence, when he came to the throne, had two gold dragons made, one of which he placed in the cathedral of Winchester, which it brightly illuminated; the other he kept, and from it gained the name of _Pendragon_. The powerful ray represented his great son Arthur, destined to become the flower of chivalry, and the favorite hero of mediaeval romance. This is history as Geoffrey of Monmouth understood it, but hardly so in the modern sense, and Arthur remains as mystical a figure as Achilles, despite the efforts of various writers to bring him within the circle of actual kings. After the Romans left Britain, two centuries passed of whose history hardly a coherent shred remains. This was the age of Arthur, one of the last champions of Celtic Britain against the inflowing tide of Anglo-Saxon invasion. That there was an actual Arthur there is some, but no very positive, reason to believe. After all the evidence has been offered, we still seem to have but a shadowy hero before us, "a king of shreds and patches," whose history is so pieced out with conjecture that it is next to impossible to separate its facts from its fancies. The Arthur of the legends, of the Welsh and Breton ballads, of the later _Chansons de Geste_, of Malory and Tennyson, has quite stepped out of the historic page and become a hero without time or place in any real world, a king of the imagination, the loftiest figure in that great outgrowth of chivalric romance which formed the favorite fictitious literature of Europe during three or four of the mediaeval centuries. Charlemagne, the leading character in the earlier romances of chivalry, was, in the twelfth century, replaced by Arthur, a milder and more Christian-like hero, whose adventures, with those of his Knights of the Round Table, delighted the tenants of court and castle in that marvel-loving and uncritical age. That the stories told of him are all fiction cannot be declared. Many of them may have been founded on fact. But, like the stones of a prehistoric wall, their facts are so densely enveloped by the ivy of fiction that it is impossible to delve them out. The ballads and romances in which the King Arthur of mediaeval story figures as the hero, would scarcely prove pleasant and profitable reading to us now, however greatly they delighted our ancestors. They are marked by a coarseness and crudity which would be but little to our taste. Nor have we anything of modern growth to replace them. Milton entertained a purpose of making King Arthur the hero of an epic poem, but fortunately yielded it for the nobler task of "Paradise Lost." Spenser gives this hero a minor place in his "Fairie Queen." Dryden projected a King Arthur epic, but failed to write it. Recently Bulwer has given us a cumbersome "King Arthur," which nobody reads; and Tennyson has handled the subject brilliantly in his "Idyls of the King," splendid successes as poems, yet too infiltrated with the spirit of modernism to be acceptable as a reproduction of the Arthur of romance. For a true rehabilitation of this hero of the age of chivalry we must go to the "Morte Darthur" of Sir Thomas Malory, a writer of the fifteenth century, who lived when men still wore armor, and so near to the actual age of chivalry as to be in full sympathy with the spirit of its fiction, and its pervading love of adventure and belief in the magical. Malory did a work of high value in editing the confused mass of earlier fiction, lopping off its excrescences and redundancies, reducing its coarseness of speech, and producing from its many stories and episodes a coherent and continuous narrative, in which the adventures of the Round Table Knights are deftly interwoven with the record of the birth, life, and death of the king, round whom as the central figure all these knightly champions revolve. Malory seems to have used as the basis of his work perhaps one, perhaps several, old French prose romances, and possibly also material derived from Welsh and English ballads. Such material in his day was doubtless abundant. Geoffrey had drawn much of his legendary history from the ancient Welsh ballads. The mass of romantic fiction which he called history became highly popular, first in Brittany, and then in France, the Trouveres making Arthur, Lancelot, Tristram, Percival, and others of the knightly circle the heroes of involved romances, in which a multitude of new incidents were invented. The Minnesingers of Germany took up the same fruitful theme, producing a "Parzivale," a "Tristan and Isolt," and other heroic romances. From all this mass of material, Malory wrought his "Morte Darthur," as Homer wrought his "Iliad" from the preceding warlike ballads, and the unknown compiler of the "Nibelungenlied" wrought his poem from similar ancient sources. Malory was not solely an editor. He was in a large sense a creator. It was coarse and crude material with which he had to deal, but in his hands its rude prose gained a degree of poetic fervor. The legends which he preserves he has in many cases transmuted from base into precious coin. There is repulsive matter in the old romances, which he freely cuts out. To their somewhat wooden heroes he gives life and character, so that in Lancelot, Gawaine, Dinadan, Kay, and others we have to deal with distinct personalities, not with the non-individualized hard-hitters of the romances. And to the whole story he gives an epic completeness which it lacked before. In the early days of Arthur's reign Merlin warns him that fate has already woven its net about him and that the sins of himself and his queen will in the end bring his reign to a violent termination, and break up that grand fellowship of the Round Table which has made Britain and its king illustrious. This epic character of Malory's work is pointed out in the article "Geoffrey of Monmouth" in the "Encyclopaedia Britannica," whose writer says that the Arthurian legends "were converted into a magnificent prose poem by Sir Thomas Malory in 1461. Malory's _Morte Darthur_ is as truly _the_ epic of the English mind as the _Iliad_ is the epic of the Greek mind." Yet the "Morte Darthur," if epic in plan and treatment, is by no means free from the defects of primitive literature. It was written before the age of criticism, and confusion reigns supreme in many of its pages,--a confusion which a very little critical supervision might have removed. As an instance, we find that Galahad, two years after his birth, is made a knight, being then fifteen years old. In like manner the "seat perilous" at the Round Table is magically reserved for Galahad, the author evidently forgetting that he had already given it to Percivale. King Mark's murder of his brother Baldwin is revenged by Baldwin's grandson, thirty or forty years afterward, though there is nothing to show that the characters had grown a year older in the interval. Here a knight finds one antagonist quite sufficient for one man; there he does not hesitate to attack fifty at once; here a slight wound disables him; there a dozen deep wounds are fully healed by a night's rest. Many similar instances might be given, but these will suffice. The discrepancies here indicated were perhaps due to the employment of diverse legends, without care to bring them into accordance, but they lay the work open to adverse criticism. This lack of critical accuracy may have been a necessary accompaniment of the credulous frame of mind that could render such a work possible. It needed an artlessness of mental make-up, a full capacity for acceptance of the marvellous, a simple-minded faith in chivalry and its doings, which could scarcely exist in common with the critical temperament. In truth, the flavor of an age of credulity and simplicity of thought everywhere permeates this quaint old work, than which nothing more artless, simple, and unique exists in literature, and nothing with a higher value as a presentation of the taste in fiction of our mediaeval predecessors. Yet the "Morte Darthur" is not easy or attractive reading, to other than special students of literature. Aside from its confusion of events and arrangement, it tells the story of chivalry with a monotonous lack of inflection that is apt to grow wearisome, and in a largely obsolete style and dialect with whose difficulties readers in general may not care to grapple. Its pages present an endless succession of single combats with spear and sword, whose details are repeated with wearisome iteration. Knights fight furiously for hours together, till they are carved with deep wounds, and the ground crimsoned with gore. Sometimes they are so inconsiderate as to die, sometimes so weak as to seek a leech, but as often they mount and ride away in philosophical disregard of their wounds, and come up fresh for as fierce a fight the next day. As for a background of scenery and architecture, it scarcely exists. Deep interest in man and woman seems to have shut out all scenic accessories from the mind of the good old knight. It is always but a step from the castle to the forest, into which the knights-errant plunge, and where most of their adventures take place; and the favorite resting-and jousting-place is by the side of forest springs--or wells, as in the text. We have mention abundant of fair castles, fair valleys, fair meadows, and the like, the adjective "fair" going far to serve all needs of description. But in his human characters, with their loves and hates, jousts and battles, bewitchments and bewilderments, the author takes deep interest, and follows the episodical stories which are woven into the plot with a somewhat too satisfying fulness. In evidence of the dramatic character of many of these episodes we need but refer to the "Idyls of the King," whose various romantic and tragic narratives are all derived from this quaint "old master" of fictitious literature. With all its faults of style and method, the "Morte Darthur" is a very live book. It never stops to moralize or philosophize, but keeps strictly to its business of tale-telling, bringing up before the reader a group of real men and women, not a series of lay-figures on a background of romance, as in his originals. Kay with his satirical tongue, Dinadan with his love of fun, Tristram loving and noble, Lancelot bold and chivalrous, Gawaine treacherous and implacable, Arthur kingly but adventurous, Mark cowardly and base-hearted, Guenever jealous but queenly, Isolde tender and faithful, and a host of other clearly individualized knights and ladies move in rapid succession through the pages of the romance, giving it, with its manners of a remote age, a vital interest that appeals to modern tastes. In attempting to adapt this old masterpiece to the readers of our own day, we have no purpose to seek to paraphrase or improve on Malory. To remove the antique flavor would be to destroy the spirit of the work. We shall leave it as we find it, other than to reduce its obsolete phraseology and crudities of style to modern English, abridge the narrative where it is wearisomely extended, omit repetitions and uninteresting incidents, reduce its confusion of arrangement, attempt a more artistic division into books and chapters, and by other arts of editorial revision seek to make it easier reading, while preserving as fully as possible those unique characteristics which have long made it delightful to lovers of old literature. The task here undertaken is no light one, nor is success in it assured. Malory has an individuality of his own which gives a peculiar charm to his work, and to retain this in a modernized version is the purpose with which we set out and which we hope to accomplish. The world of to-day is full of fiction, endless transcripts of modern life served up in a great variety of palatable forms. Our castle-living forefathers were not so abundantly favored. They had no books,--and could not have read them if they had,--but the wandering minstrel took with them the place of the modern volume, bearing from castle to court, and court to castle, his budget of romances of magic and chivalry, and delighting the hard-h
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E-text prepared by Suzanne Lybarger, Mary Meehan, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) THE DUCHESS OF WREXE Her Decline and Death A Romantic Commentary by HUGH WALPOLE Author of "Fortitude," etc. New York George H. Doran Company Copyright, 1914, By George H. Doran Company TO MY MOTHER A SMALL EXPRESSION OF GRATITUDE BEYOND WORDS "And we'll have fires out of the Grand Duke's Wood." _Letter to Maria Gisborne_ THE RISING CITY: I THE DUCHESS OF WREXE _NOTE: This is an age of Trilogies and Sequels. The title at the beginning of this book, "The Rising City: I," may lead nervous readers to fear yet another attempt in that extended and discursive direction_. _To reassure them I wish to emphasize this point--that_ The Duchess of Wrexe _is entirely a novel complete and independent in itself. It is grouped, with the two stories that will follow it, under the heading of "The Rising City" because the three novels will be connected in place, in idea, and in sequence of time. Also certain of the same characters will appear in all three books. But the novels are not intended as sequels of one another, nor is "The Rising City" a Trilogy.--H. W._ CONTENTS BOOK I: THE DUCHESS I Felix Brun, Dr. Christopher, Rachel Beaminster--They Are Surveyed by the Portrait II Rachel III Lady Adela IV The Pool V She Comes Out VI Fans VII In the Heart of the House VIII The Tiger IX The Golden Cage X Lizzie and Breton XI Her Grace's Day XII Defiance of the Tiger--I XIII Defiance of the Tiger--II BOOK II: RACHEL I The Pool and the Snow II A Little House III First Sequel to Defiance IV Rachel--and Christopher and Roddy V Lizzie's Journey--I VI All the Beaminsters VII Rachel and Breton VIII Christopher's Day IX The Darkest Hour X Lizzie's Journey--II XI Roddy Is Master XII Lizzie's Journey--III BOOK III: RODDY I Regent's Park--Breton and Lizzie II The Duchess Moves III Roddy Moves IV March 13th: Breton's Tiger V March 13th: Rachel's Heart VI March 13th: Roddy Talks to the Devil and the Duchess Denies God VII Chamber Music--A Trio VIII A Quartette IX Rachel and Roddy X Lizzie Becomes Miss Rand Again XI The Last View from High Windows XII Rachel, Roddy, Lord John, Christopher XIII Epilogue--Prologue BOOK I THE DUCHESS CHAPTER I FELIX BRUN, DR. CHRISTOPHER, RACHEL BEAMINSTER--THEY ARE SURVEYED BY THE PORTRAIT. I Felix Brun, perched like a little bird, on the steps of the Rede Art Gallery, gazed up and down Bond Street, with his sharp eyes for someone to whom he might show Yale Ross's portrait of the Duchess of Wrexe. The afternoon was warm, the date May of the year 1898, and the occasion was the Young Portrait Painters' first show with Ross's "Duchess" as its principal attraction. Brun was thrilled with excitement, with emotion, and he must have his audience. There must be somebody to whom he might talk, to whom he might explain exactly why this occasion was of so stirring an importance. His eyes lighted with satisfaction. Coming towards him was a tall, gaunt man with a bronzed face, loose ill-fitting clothes, a stride that had little of the town about it. This was Arkwright, the explorer, a man who had been lost in African jungles during the last five years, the very creature for Brun's purposes. Here was someone who, knowing nothing about Art, would listen all the more readily to Brun's pronouncement upon it, a homely simple soul, fitted for the killing of lions and tigers, but pliable as wax in the hands of a master of civilization like Brun. At the same time Arkwright was no fool; a psychologist in his way, he had written two books about the East that had aroused considerable interest. No fool, Arkwright.... He would be able to appreciate Brun's subtleties and perhaps add some of his own. He had, however, been away from England for so long a time that anything that Brun had to tell him about the London world would be pleasantly fresh and stimulating. Brun, round and neat, and a citizen of the world from the crown of his head to the top of his shining toes, tapped Arkwright on his shoulder: "Hallo! Brun. How are you? It _is_ good to see you! Haven't seen a soul I know for the last ever so long." "Good--good. Excellent. Come along in here." "In there? Pictures? What's the use of me looking at pictures?" "We can talk in here. I'll tell you all the news. Besides, there's something that even you will appreciate." "Well?" Arkwright laughed good-hum
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Produced by RichardW and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by the Library of Congress) HOCUS POCUS; OR THE WHOLE ART OF LEGERDEMAIN, IN PERFECTION. BY HENRY DEAN. [Illustration: Strange feats are herein taught by slight of hand, With which you may amuse yourself and friend, The like in print was never seen before, And so you’ll say when once you’ve read it o’er. ] HOCUS POCUS; OR THE WHOLE ART OF _LEGERDEMAIN_, IN PERFECTION. By which the meaneſt capacity may perform the whole without the help of a teacher. _Together with the Uſe of all the Inſtruments_ _belonging thereto._ TO WHICH IS NOW ADDED, Abundance of New and Rare Inventions. BY HENRY DEAN. _The ELEVENTH EDITION, with large_ _Additions and Amendments._ PHILADELPHIA: PRINTED FOR MATHEW CAREY, NO. 118, MARKET-STREET. 1795. THE PREFACE TO THE READER. KIND READER, Having _in my former_ book _of_ LEGERDEMAIN, _promiſed you farther improvements, accordingly I have diſcovered herein to you the greateſt and mo�
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Produced by Paul Marshall, Greg Bergquist and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) _FREEMAN'S HISTORICAL COURSE FOR SCHOOLS._ HISTORY OF SCOTLAND BY MARGARET MACARTHUR. EDITED BY EDWARD A. FREEMAN, D.C.L. _Edition Adapted for American Students._ [Illustration] NEW YORK HENRY HOLT AND COMPANY 1874 Entered according to Act of Congress, in the Year 1874, by HENRY HOLT, In the Office of the Librarian of Congress, at Washington. [ Transcriber Notes: 1. Obvious misspellings and omissions were corrected. 2. Uncertain misspellings or ancient words were not corrected. 3. "_" indicates italics, "=" indicates bold. ] CONTENTS. PAGE CHAPTER I. THE GAELIC PERIOD 1 CHAPTER II. THE ENGLISH PERIOD 19 CHAPTER III. THE STRUGGLE FOR INDEPENDENCE 35 CHAPTER IV. THE INDEPENDENT KINGDOM 52 CHAPTER V. THE JAMESES 67 CHAPTER VI. THE REFORMATION 96 CHAPTER VII. THE UNION OF THE CROWNS 125 CHAPTER VIII. AFTER THE UNION 167 CHRONOLOGICAL TABLE. THE GAELIC PERIOD. Agricola's Invasion 80 Severus' Invasion 208 Founding of Northumberland by Ida 547 Founding of Dalriada by the Scots about 503 Union of Picts and Scots 843 Commendation to Eadward 924 Battle of Brunanburh 937 Battle of Carham 1018 Cnut's Invasion 1031 Malcolm Canmore King 1057 William's Invasion 1073 Malcolm slain 1093 THE ENGLISH PERIOD, 1097-1286. Eadgar 1097 Alexander I. 1107 David 1124 Battle of the Standard 1138 Malcolm IV 1153 William the Lion 1165 Capture at Alnwick 1174 Treaty of Falaise 1174 Council of Northampton 1176 Treaty with Richard I. 1189 Alexander II. 1214 Border-line fixed 1222 Council at York 1237 Alexander III. 1249 Battle of Largs 1263 Man and the Sudereys annexed 1266 Death of Alexander III. 1286 THE STRUGGLE FOR INDEPENDENCE, to 1314. Queen Margaret 1286 Treaty of Brigham 1290 Margaret dies 1290 Council meets at Norham, 3rd June 1291 Judgment given at Berwick, 11th November 1292 John crowned King 1292 Edward's first Conquest 1296 Rising of Wallace 1297 Surrender at Irvine 1297 Battle of Stirling, 11th September 1297 Battle of Falkirk 1298 Edward's second Conquest 1303 Capture of Wallace 1305 Robert Bruce crowned King, 27th March 1306 Death of Edward 1307 Battle of Bannockburn, 24th June 1314 THE INDEPENDENT KINGDOM, 1314-1424. Parliament at Cambuskenneth 1326 Peace of Northampton 1328 David II. 1329 Edward Balliol's Invasion 1332 Battle of Halidon Hill 1333 Capture of David 1346 His release 1347 Invasion of Edward III. 1356 Robert II. 1370 Raid of Otterburn 1388 Robert III. 1390 Fight on North Inch 1396 Invasion of Henry IV. 1400 Battle of Homildon Hill 1402 Capture of the Earl of Carrick 1405 Robert III. dies 1406 Burning of Reseby 1408 St. Andrews University founded 1408 Battle of Harlaw, 24th July 1411 Albany the Regent dies 1419 THE JAMESES, 1424-1557. James I. crowned King 1424 Parliament at Inverness 1427 Murder of the King 1436 James II. 1436 Murder of the Douglases 1439 Murder of William, Earl of Douglas 1452 Battle of Arkinholm 1454 The King slain at Roxburgh 1460 James III. 1460 Orkney and Shetland annexed 1469 St. Andrews raised to an Archbishopric 1471 Revolt of Lauder Bridge 1482 Battle of Sauchieburn 1488 James IV 1488 Marriage of James to Margaret Tudor 1502 Lordship of the Isles broken up 1504 Battle of Flodden, 9th September 1513 James V. 1513 "Erection" of the King 1524 Fall of Angus 1528 Rout at Solway Moss 1542 Mary 1542 Hertford's first Invasion 1544 Hertford's second Invasion 1545 Burning of George Wishart 1545 Murder of Beaton 1545 Battle of Pinkie 1547 Mary sails for France 1548 First marriage of Mary, 24th April 1558 THE REFORMATION PERIOD, 1557-1603. The "First Covenant" signed 1557 Burning of Walter Mill 1558 Religious riots 1559 Treaty of Berwick 1560 Reformation Statutes passed 1560 Return of the Queen 1561 Battle of Corrichie 1562 Second marriage of Mary, 29th July 1565 Murder of Rizzio 1566 Murder of Darnley, 9th February 1567 Third Marriage of Mary, 15th May 1567 Surrender at Carberry, 15th June 1567 Abdication of Mary 1567 James VI. crowned 1567 Battle of Langside, 13th May 1568 Conference at York begins, October 1568 Murder of Murray the Regent 1570 Taking of Dunbarton, 2nd April 1571 Parliament at Stirling, 4th September 1571 Lennox the Regent slain 1571 Episcopacy revived 1572 Death of John Knox, 24th November 1572 Death of Mar the Regent, 24th November 1572 Surrender of Edinburgh Castle 1573 The King rules alone, 4th March 1578 Raid of Ruthven 1581 Death of Mary Stuart, 8th February 1587 Marriage of the King 1590 Abolition of Episcopacy 1592 The Gowrie Plot, 5th August 1600 James becomes King of England 1603 THE UNION OF THE CROWNS, 1603-1707. Fight in Glen Fruin 1604 Restoration of Episcopacy 1606 Visit of the King 1616 Articles of Perth passed 1618 Nova Scotia founded 1621 King James dies 1625 Charles I. 1625 Charles crowned in Scotland 1633 Liturgy Riots 1637 The Covenant renewed 1638 Assembly at Glasgow 1638 Episcopacy abolished 1638 "Trot of Turriff," May 1639 Pacification of Berwick, June 1639 Invasion of England by the Scots 1640 Treaty of Ripon, begun 1st October 1640 " " " ended 7th August 1641 Battle of Tippermuir, September 1644 Charles comes to the Scots Camp, 5th May 1645 Battle of Philiphaugh, September 1645 The Scots give up Charles, 8th January 1647 The Surrender at Uttoxeter, 25th August 1648 "Whiggamore's Raid" 1648 Charles I. beheaded, 30th January 1649 Charles II. proclaimed 1649 Rising and beheading of Montrose 1650 Charles II. arrives in Scotland 1650 Battle of Dunbar, 3rd September 1650 Battle of Worcester, 3rd September 1651 Legislative Union with England 1654 Restoration of Charles II. 1660 Act "Rescissory" passed 1661 Episcopacy re-established 1661 The "Ejection" 1662 The Westland Rising 1666 The Indulgence, June 1669 Murder of Sharp, May 1679 Fight at Drumclog, May 1679 Fight at Bothwell Bridge, June 1679 Sanquhar Declaration, June 1680 Test Act passed 1681 James VII. 1685 Argyle's Rising 1685 Full Indulgence 1688 James VII. deposed 1688 William and Mary proclaimed 1689 Battle of Killiecrankie, 27th July 1689 Episcopacy abolished 1690 Massacre of Glencoe, 13th February 1691 Charter granted to the Darien Company 1695 Education Act passed 1696 Anne 1701 The Union of the Parliaments 1707 AFTER THE UNION. George I. 1714 Jacobite Rising 1715 Malt-tax Riots 1724 Porteous Riot 1736 Jacobite Rising 1745 Battle of Preston-pans, 20th September 1745 Battle of Culloden, 16th April 1746 Highland Society founded 1784 First Steamboat tried 1788 Penal laws against Romanists repealed 1793 Colliers and Salters freed 1799 Reform Bill passed 1832 The Disruption 1843 HISTORY OF SCOTLAND. CHAPTER I. THE GAELIC PERIOD. _The country_ (1)--_the people_ (2)--_Roman occupation_ (3)--_English invasion_ (4)--_the Scots_ (5)--_introduction of Christianity_ (6)--_conversion of the Picts_ (7)--_conversion of the English_ (8)--_English conquests_ (9)--_union of Picts and Scots_ (10)--_the Northmen_ (11)--_the Commendation_ (12)--_annexation of Strathclyde_ (13)--_acquisition of Lothian_ (14)--_Cnut's invasion_ (15)--_Macbeth_ (16)--_English immigration_ (17)--_William's invasion_ (18)--_Margaret's reforms_ (19)--_disputed succession_ (20)--_Gaelic period ends_ (21)--_summary_ (22). =1. The Country.=--The northern part of Great Britain is now called _Scotland_, but it was not called so till the _Scots_, a _Celtic_ people, came over from _Ireland_ and gave their name to it. The Romans who first mention it in history speak of it as _Caledonia_. There are two points in which the history of this country and of the people who live in it is unlike the history of most of the other countries and nations of Europe. Firstly, it never was taken into the great Roman Empire; and secondly in it we find a _Celtic_ people who, instead of disappearing before the _Teutons_, held their ground against them so well that in the end the _Teutons_ were called by the name of the _Celtic_ people, were ruled by the _Celtic_ kings, and fought for the independence of the Celtic kingdom as fiercely as if they had themselves been of the Celtic race. But the whole of the country is not of the same nature. The northern part is so nearly cut off from the rest of Britain by the two great _Firths_ of Forth and Clyde as to form almost a separate island, and this peninsula is again divided into _Highlands_ and _Lowlands_. Speaking roughly, we may say that all the west is Highland and the east Lowland. A range of mountains sweeping in a semicircle from the Firth of Clyde to the mouth of the Dee, known as _Drumalbyn_ or the _Mount_, may be taken as the line of separation, though the _Lowlands_ extend still further north along the eastern coast. The marked differences between these two districts have had a very decided influence on the character of the inhabitants, and consequently on the national development. The _Lowlands_ are well watered and fertile, and the people who lived there were peaceable and industrious, and both on the seaboard and inland there is early notice of the existence of populous and thriving towns. The _Highlands_, on the contrary, are made up of lakes, moors, and barren hills, whose rocky summits are well-nigh inaccessible, and whose heath-clad sides are of little use even as pasture. Even in the glens between the mountains, where alone any arable land is to be found, the crops are poor, the harvest late and uncertain, and vegetation of any kind very scanty. The western coast is cut up into numberless islets, and the coast-line is constantly broken by steep jagged promontories jutting out seaward, or cut by long lochs, up which the sea runs far into the land between hills rising almost as bare and straight as walls on either side. In the Highlands even in the present day there are no towns of any importance, for the difficulty of access by land and the dangers of the coast have made commerce well-nigh impossible. The _Highlanders_, who were discouraged by the barrenness of their native mountains, where even untiring industry could only secure a bare maintenance, and tempted by the sight of prosperity so near them, found it a lighter task to lift the crops and cattle of their neighbour than to rear their own, and have at all times been much given to pillaging the more fortunate _Lowlanders_, of whom they were the justly dreaded scourge. =2. The People.=--As the country is thus naturally divided into two parts distinctly opposite in character, so the people are made up of two distinct branches of the great _Aryan_ family, the _Celtic_ and the _Teutonic_. The Celts were the first comers, and were in possession when the country became historically known; that is, at the first invasion of the Romans. In later times we find three _Celtic_ peoples in North Britain; to wit, the _Picts_, the _Scots_, and the _Welsh_. The _Picts_ were those _Celts_ who dwelt north of the Firths in _Alba_ or _Alban_, as the earliest traditions call it; and if we judge from the names of places and contemporary accounts and notices, there is every reason to believe that they were more akin to the _Gaelic_ than to the _British_ branch of the Celtic race. The _Scots_, the other _Gaelic_ people, were, when we first hear of them, settled in _Ireland_, from whence at different times bands of them came over to the western coast of Britain. They were friends and allies of the _Picts_, and are early mentioned as fighting on their side against the Romans. After a time, when many more Scots had settled in Alba, their name became common to all the Celts north of the Firths, and from them the whole country was called Scotland. The Celts south of the Firths were partly Christianized and civilized by the Romans, and thus became very different from the rest. They got their name of _Welsh_ from the Teutonic tribes who came from the land between the _Elbe_ and the _Eyder_, and, settling along the eastern coast, finally took possession of a great tract of country, and called the Celts whom they displaced _Welshmen_ or foreigners. The Celts called all these new comers _Saxons_, though this was really only the name of one of the first tribes that came over; and as they gradually spread over the _Lowlands_, the word _Saxon_ came to mean simply _Lowlander_. In course of time the original proportions of these two races have been nearly reversed, so that the modern Scottish nation, though it keeps its _Celtic_ name, instead of being made up of three _Celts_ to one _Saxon_, is much more nearly three _Saxons_ to one _Celt_. =3. Roman Occupation.=--The _Romans_, who had already made themselves masters of South Britain, were led into the northern part of the island by _Julius Agricola_, A.D. 80. But the _Celts_ whom they found there, and whom they called _Caledonians_, were so well able to defend themselves among their mountains that the Romans, though they defeated them in a great battle on the Highland border, gave up the idea of conquering the country, and retreated again south of the Firths of _Forth_ and _Clyde_. Across the isthmus between the two, which is about thirty miles wide, they built a line of forts, joined by a rampart of earth. This rampart was intended to serve as a defence to their colonists, and as a boundary to mark the limit of their empire; though, as many Roman remains have been found north of the isthmus, they must have had settlements without as well as within the fortifications. But the Caledonians, who were too high-spirited to look on quietly and see their country thus taken possession of, harassed the colonists by getting over the wall and seizing or destroying everything they could lay their hands on. At length (A.D. 120) the Roman Emperor _Hadrian_ built a second rampart across the lower isthmus, between the rivers _Tyne_ and _Solway_, leaving the district between the two pretty much at the mercy of the fierce Picts, as the Romans now began to call the Caledonians. Twenty years later, in the reign of the Emperor _Antoninus Pius_, one of his generals, _Lollius Urbicus_, again drove them back beyond the first wall, and repaired and strengthened the defences of _Agricola_. But, before half a century had passed, the Picts again burst the barrier, and killed the Roman commander. In 208 the Emperor _Severus_ cut his way through Caledonia with a large army. He reached the northern coast, but had no chance of fighting a battle, and lost many of his men. He repaired and strengthened the rampart of Hadrian. In time the Picts got over the second rampart too, and came south as far as _Kent_, where, in the latter part of the fourth century, _Theodosius_ the Roman general, father of the famous Emperor of the same name, had to fight his way to London through their plundering hordes. Theodosius drove them back with great vigour, restored the Empire to its former boundary, and made the district between the walls into a Roman province, which he called _Valentia_, in honour of _Valentinian_, who was then Emperor. It was probably about this time that the great stone wall was built across the lower isthmus. The dangers which threatened the capital of the Empire in the beginning of the next century forced the Romans to forsake this as well as all their other provinces in Britain, and the withdrawal of their troops left the Romanized Britons of Valentia a helpless prey to their merciless enemies the Picts. At the end of the three centuries of Roman occupation, the _Britons_ south of the Firths had so little in common with the wild _Picts_, who in _Alba_ and in _Galloway_ still maintained their independence, that they were like people of a different race. The one sect, though still savage and heathen, were as brave and fierce as ever; the other, though Christianized and civilized, were so degenerated from the vigour of the original stock that they were powerless to resist their more warlike kinsmen. =4. English Invasion.=--In the sixth century the _Angles_ came in great force and settled on the eastern coast of Valentia, and drove the _Britons_, or as they called them _Welshmen_, back to the Westland Hills. This district then between the Roman walls was thus divided between two kingdoms. The English kingdom of _Northumberland_, founded by _Ida_ in 547, took in all the eastern part of the country south of the _Forth_; while the Welsh kingdom, called _Strathclyde_ from the river that watered it, stretched from the _Firth of Clyde_ southwards towards the _Dee_. =5. The Scots.=--About the same time that the _English_ were pouring in on the east, the _Scots_ were settling all along the western coast. As the strait which separates _Britain_ from _Ireland_ is only twelve miles broad, the Scots could easily come over from _Scotia_, as _Ireland_ was formerly called, to seek their fortune in the larger island. It is impossible to fix the date of their first coming, but it was not till the beginning of the sixth century that there came over a swarm numerous and united enough to found a separate state. This is one of the few _Celtic_ migrations on record from west to east, and forms an exception to the general displacement that was going on, by which the _Celts_ were being driven further and further west before the _Teutons_. The leaders of the Scots were _Fergus MacErc_, and _Lorn_, of the family of the _Dalriads_, the ruling dynasty in the north of Ireland, and from them this new state founded on the western coast of what is now called _Argyle_ got the name of _Dalriada_. =6. Introduction of Christianity.=--These Scots were not pagans like the Picts of Alba, for Ireland had already been Christianized. The new comers brought the new faith to their adopted country, and through them it spread among the Picts, and also among the English of Northumberland. The great apostle of the Scots was _Columba_. He was Abbot of Durrow in Ireland, but was obliged to leave his own country, because he had been engaged in a feud with some of his kinsfolk, in which his side was worsted. He came over to the new colony on the coast of Alba, and _Conal_, who was then King of the Dalriads, welcomed him, and gave him _I_, or _Iona_, an islet about a mile and a half long and a mile broad, lying west of the large island of Mull. Here Columba settled with the twelve monks who had come with him, and here they built for the service of God a little wooden church after their simple fashion, and for their own dwelling a few rude huts of wattle, which in after-times was called a monastery, where they passed their days in prayer and study. But their missionary zeal was as great as their piety, and from their head-quarters on Iona they went cruising about among the adjacent islands, extending their circuit to the _Orkneys_, and even, it is said, as far as _Iceland_. =7. Conversion of the Picts.=--Columba himself undertook the conversion of the Picts. About two years after his arrival at Iona he set out on this important mission, crossed Drumalbyn, sought the court of _Brud_, the Pictish king, converted him, and founded religious communities on the same plan as that on Iona, on lands granted to him by the king or his dependent chiefs. The Church thus set up was perfectly independent of the _Bishop of Rome_ or of any other See, but it inherited all the peculiarities of the Church of the _Irish Scots_. The monks had a way of their own of reckoning the time for keeping Easter and of shaving their heads, trifles which were considered important enough to become the subject of a very long quarrel, and it was not till 716 that they agreed to yield to the Roman custom in both matters. According to their system of Church government, the abbots of the monasteries were the chief dignitaries, and had all the power which in the rest of Christendom was held to belong to bishops, while the bishops were held of no account except for ordaining priests, for which purpose there was one at least attached to each monastery. Columba, who was himself of the royal race, had so much influence among the Dalriads that his authority was called in to settle a dispute about the succession to the throne. The abbots of Iona after him continued supreme in all the ecclesiastical affairs of Alba till the middle of the ninth century, while the well-earned reputation for piety and learning enjoyed by the monks of his foundation was widely spread in continental Europe. About this time _Kentigern_ revived among the Welshmen of Strathclyde the dying Christianity which had been planted there in the time of the Roman occupation. =8. Conversion of the English.=--The English of Northumberland were still heathens, and, as they were ever fighting with and growing greater at the expense of their neighbours, their state bade fair to become the most powerful in Britain. In the beginning of the seventh century their king _Eadwine_ was supreme over all Britain south of the Forth. But though _Eadwine_ was converted by the preaching of _Paullinus_, the first Bishop of York, the new doctrine does not seem to have spread much among his people; for one of his successors, _Oswald_, who in his youth had been an exile at the court of his kinsman the Pictish king, prayed the monks of Iona to send him one of their number to help to make his people Christian. _Conan_, the first missionary who went, was so much disgusted with the manners of the English that he very soon came back to his brethren. Then _Aidan_, another of their number, devoted his life to the task which Conan had found so distasteful. He taught and toiled among them with a zeal that was seconded by Oswald, the king, who himself acted as interpreter, making the sermons of the monk intelligible to his English hearers. From _Lindisfarne_, where the little church of Aidan was founded, like that of Iona, on an islet, Christianity spread to the neighbouring state of _Mercia_, and many monasteries and schools were founded after the Columban model. =9. English Conquests.=--Oswald and his successor _Oswiu_ extended their dominions beyond the Firths, and it is said that they made the Scots and Picts pay tribute to them. The next king, _Ecgfrith_, marched north and crossed the _Tay_ with a mighty host, but he was routed and slain in a great battle at a place called _Nectansmere_, the exact position of which is uncertain. From that time the English seem to have kept more to the country south of the Forth, and the Picts were more independent of them. This is about the only event of moment that we know of in the history of that people, of whom no records remain, except a long list of their kings down to 843, at which date they became united with the Scots under one king. =10. Union of Picts and Scots.=--This union took place under _Kenneth MacAlpin_, who was king of the Scots. That he was king of the Picts also is certain: how he came to be so can only be guessed. It is more probable that it was by inheritance than by conquest, though he and the kings after him kept his original title of King of Scots. Over how much land he reigned, and what degree of power he had over his subjects, is not known. It is thought that among the Celts the king was only the head of the dominant tribe among many other tribes or clans, each of which was bound to follow its own chief, and the king's control over those chiefs seems to have been more in name than in fact. The northern districts seem to have been ruled by powerful chiefs called _Maers_ or _Mormaers_. These chiefs, who it has been supposed were nominally subject to the King of Scots, acted as if they were quite independent of him. They were indeed his most troublesome enemies, and several of the kings lost their lives in battle against them. _Moray_ was the greatest of the Mormaerships. It lay north of the Spey and of the mountains of Argyle, and stretched across the country from the Moray Firth to the opposite ocean. =11. Coming of the Northmen.=--Kenneth was followed in turn by _Donald_, his brother, and _Constantine_, his son. Their reigns were mainly taken up in fighting with the _Northmen_, a heathen people of Teutonic race, who infested the seas and plundered the seaboard. From the eighth century downwards they were the scourge alike of English and Celtic Britain, swooping down on the coasts, harrying the lands, and making off with their booty; or, at other times, seizing and settling on great tracts of country. Three countries of modern Europe--_Denmark_, _Norway_, and _Sweden_ were peopled by the Northmen. But while it was those from _Denmark_ who chiefly harassed and finally conquered the _English_, the _Norwegians_ seem to have looked upon Scotland as their own especial prey, attracted doubtless by the likeness between its many isles and inlets and the jagged outline of the larger Scandinavian peninsula. The long narrow lochs of the western coast, like the fiords of Norway, proved convenient harbours for the ships of these pirates. It is towards the close of the eighth century that we first hear of the descents of the Northmen on the Pictish kingdom. It is told how they ravaged all the coast, destroyed the Pictish capital, and haunted the Irish Sea. Their fury was specially directed against churches and religious communities, and Iona did not escape. Again and again it was wasted by fire and sword, its churches plundered, the brethren slain, till at length the abbot was compelled to seek on the mainland a refuge for himself and the relics of the saintly founder. Under Kenneth MacAlpin the supremacy over the Scottish Church was transferred to the monastery of _Dunkeld_. Under Kenneth's son, _Constantine I._, a fresh spirit was given to these invasions by the formation of the kingdom of _Norway_ by _Harold Harfagra_. The petty chiefs displaced by him, who were called _
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Produced by Charles Bowen, from page scans provided by Google Books (Harvard University) Transcriber's Notes: 1. Page scan source: http://books.google.com/books?id=jvMtAAAAYAAJ (Harvard University) 2. The diphthong oe is represented by [oe]. [Illustration: Agincourt] THE WORKS OF G. P. R. JAMES, ESQ. REVISED AND CORRECTED BY THE AUTHOR. WITH AN INTRODUCTORY PREFACE. "D'autres auteurs l'ont encore plus avili, (le roman,) en y melant les tableaux degoutant du vice; et tandis que le premier avantage des fictions est de rassembler autour de l'homme tout ce qui, dans la nature, peut lui servir de lecon ou de modele, on a imagine qu'on tirerait une utilite quelconque des peintures odieuses de mauvaises m[oe]urs; comme si elles pouvaient jamais laisser le c[oe]ur qui les repousse, dans une situation aussi pure que le c[oe]ur qui les aurait toujours ignorees. Mais un roman tel qu'on peut le concevoir, tel que nous en avons quelques modeles, est une des plus belles productions de l'esprit humain, une des plus influentes sur la morale des individus, qui doit former ensuite les m[oe]urs publiques."--Madame De Stael. _Essai sur les Fictions_. "Poca favilla gran flamma seconda: Forse diretro a me, con miglior voci Si preghera, perche Cirra risponda." Dante. _Paradiso_, Canto I. VOL. XX. AGINCOURT. LONDON: SIMPKIN, MARSHALL, AND CO. STATIONERS' HALL COURT. MDCCCXLIX. AGINCOURT. A Romance. BY G. P. R. JAMES, ESQ. * * * * * LONDON: SIMPKIN, MARSHALL, AND CO. STATIONERS' HALL COURT. MDCCCXLIX. AGINCOURT. * * * CHAPTER I. THE NIGHT RIDE. The night was as black as ink; not a solitary twinkling star looked out through that wide expanse of shadow, which our great Poet has called the "blanket of the dark;" clouds covered the heaven; the moon had not risen to tinge them even with grey, and the sun had too long set to leave one faint streak of purple upon the edge of the western sky. Trees, houses, villages, fields, and gardens, all lay in one profound obscurity, and even the course of the high-road itself required eyes well-accustomed to night-travelling to be able to distinguish it, as it wandered on through a rich part of Hampshire, amidst alternate woods and meadows. Yet at that murky hour, a traveller on horseback rode forward upon his way, at an easy pace, and with a light heart, if one might judge by the snatches of homely ballads that broke from his lips as he trotted on. These might, indeed, afford a fallacious indication of what was going on within the breast, and in his case they did so; for habit is more our master than we know, and often rules our external demeanour, whenever the spirit is called to take council in the deep chambers within, showing upon the surface, without any effort on our part to hide our thoughts, a very different aspect from that of the mind's business at the moment. Thus, then, the traveller who there rode along, saluting the ear of night with scraps of old songs, sung in a low, but melodious voice, was as thoughtful, if not as sad, as it was in his nature to be; but yet, as that nature was a cheerful one and all his habits were gay, no sooner were the eyes of the spirit called to the consideration of deeper things, than custom exercised her sway over the animal part, and he gave voice, as we have said, to the old ballads which had cheered his boyhood and his youth. Whatever were his contemplations, they were interrupted, just as he came to a small stream which crossed the road and then wandered along at its side, by first hearing the quick foot-falls of a horse approaching, and then a loud, but fine voice, exclaiming, "Who goes there?" "A friend to all true men," replied the traveller; "a foe to all false knaves. 'Merry sings the throstle under the thorn.' Which be you, friend of the highway?" "Faith, I hardly know," replied the stranger; "every man is a bit of both, I believe. But if you can tell me my way to Winchester, I will give you thanks." "I want nothing more," answered the first traveller, drawing in his rein. "But Winchester!--Good faith, that is a long way off; and you are going from it, master:" and he endeavoured, as far as the darkness would permit, to gain some knowledge of the stranger's appearance. It seemed that of a young man of good proportions, tall and slim, but with broad shoulders and long arms. He wore no cloak, and his dress fitting tight to his body, as was the fashion of the day, allowed his interlocutor to perceive the unencumbered outline of his figure. "A long way off!" said the second traveller, as his new acquaintance gazed at him; "that is very unlucky; but all my stars are under that black cloud. What is to be done now, I wonder?" "What do you want to do?" inquired the first traveller. "Winchester is distant five and twenty miles or more." "Odds life! I want to find somewhere to lodge me and my horse for a night," replied the other, "at a less distance than twenty-five miles, and yet not quite upon this very spot." "Why not Andover?" asked his companion; "'tis but six miles, and I am going thither." "Humph!" said the stranger, in a tone not quite satisfied; "it must be so, if better cannot be found; and yet, my friend, I would fain find some other lodging. Is there no inn hard by, where carriers bait their beasts and fill their bellies, and country-folks carouse on nights of merry-making? or some old hall or goodly castle, where a truckle bed, or one of straw, a nunchion of bread and cheese, and a draught of ale, is not likely to be refused to a traveller with a good coat on his back and long-toed shoes?" "Oh, ay!" rejoined the first; "of the latter there are many round, but, on my life, it will be difficult to direct you to them. The men of this part have a fondness for crooked ways, and, unless you were the Daedalus who made them, or had some fair dame to guide you by the clue, you might wander about for as many hours as would take you to Winchester." "Then Andover it must be, I suppose," answered the other; "though, to say sooth, I may there have to pay for a frolic, the score of which might better be reckoned with other men than myself." "A frolic!" said his companion; "nothing more, my friend?" "No, on my life!" replied the other; "a scurvy frolic, such as only a fool would commit; but when a man has nothing else to do, he is sure to fall into folly, and I am idle perforce." "Well, I'll believe you," answered the first, after a moment's thought; "I have, thank Heaven, the gift of credulity, and believe all that men tell me. Come, I will turn back with you, and guide you to a place of rest, though I shall be well laughed at for my pains." "Not for an act of generous courtesy, surely," said the stranger, quitting the half-jesting tone in which he had hitherto spoken. "If they laugh at you for that, I care not to lodge with them, and will not put your kindness to the test, for I should look for a cold reception." "Nay, nay, 'tis not for that, they will laugh," rejoined the other, "and perhaps it may jump with my humour to go back, too. If you have committed a folly in a frolic to-night, I have committed one in anger. Come with me, therefore, and, as we go, give me some name by which to call you when we arrive, that I may not have to throw you into my uncle's hall as a keeper with a dead deer; and, moreover, before we go, give me your word that we have no frolics here, for I would not, for much, that any one I brought, should move the old knight's heart with aught but pleasure." "There is my hand, good youth," replied the stranger, following, as the other turned his horse; "and I never break my word, whatever men say of me, though they tell strange tales. As for my name, people call me Hal of Hadnock; it will do as well as another." "For the nonce," added his companion, understanding well that it was assumed; "but it matters not. Let us ride on, and the gate shall soon be opened to you; for I do think they will be glad to see me back again, though I may not perchance stay long. 'The porter rose anon certaine As soon as he heard John call.'" "You seem learned for a countryman," said the traveller, riding on by his side; "but, perchance, I am speaking to a clerk?" "Good faith, no," replied the first wayfarer; "more soldier than clerk, Hal of Hadnock; as old Robert of Langland says, 'I cannot perfectly my Paternoster, as the priest it singeth, but I can rhyme of Robin Hode and Randof Earl of Chester.' I have cheered my boyhood with many a song and my youth with many a ballad. When lying in the field upon the marches of Wales, I have wiled away many a cold night with the-- 'Quens Mountfort, sa dure mort,' or, 'Richard of Alemaigne, while he was king,' and then in the cold blasts of March, I ever found comfort in-- 'Summer is icumen in, Lhude sing cuccu, Groweth sede and bloweth mode, And springeth the wode nu.'" "And good reason, too," said Hal of Hadnock; "I do the same, i'faith; and when wintry winds are blowing, I think ever, that a warmer day may come and all be bright again. Were it not for that, indeed, I might well be cold-hearted." "Fie, never flinch!" cried his gay companion; "there is but one thing on earth should make a bold man coldhearted." "And what may that be?" asked the other; "to lose his dinner?" "No, good life!" exclaimed the first,--"to lose his lady's love." "Ay, is it there the saddle galls?" said Hal of Hadnock. "Faith, not a whit," answered his fellow-traveller; "if it did, I should leave off singing. You are wrong in your guess, Master Hal. I may lose my lady, but not my lady's love, or I am much mistaken; and while that stays with me I will both sing and hope." "'Tis the best comfort," replied Hal of Hadnock, "and generally brings success. But what am I to call you, fair sir?
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Produced by David Widger THE DEAD ARE SILENT By Arthur Schnitzler Copyright, 1907, by Courtland H. Young HE could endure the quiet waiting in the carriage no longer; it was easier to get out and walk up and down. It was now dark; the few scattered lamps in the narrow side street quivered uneasily in the wind. The rain had stopped, the sidewalks were almost dry, but the rough-paved roadway was still moist, and little pools gleamed here and there. "Strange, isn't it?" thought Franz. "Here we are scarcely a hundred paces from the Prater, and yet it might be a street in some little country town. Well, it's safe enough, at any rate. She won't meet any of the friends she dreads so much here." He looked at his watch. "Only just seven, and so dark already! It is an early autumn this year... and then this confounded storm I..." He turned his coat-collar up about his neck and quickened his pacing. The glass in the street lamps rattled lightly. "Half an hour more," he said to himself, "then I can go home. I could almost wish--that that half-hour were over." He stood for a moment on the corner, where he could command a view of both streets. "She'll surely come to-day," his thoughts ran on, while he struggled with his hat, which threatened to blow away. "It's Friday.... Faculty meeting at the University; she needn't hurry home." He heard the clanging of street-car gongs, and the hour chimed from a nearby church tower. The street became more animated. Hurrying figures passed him, clerks of neighboring shops; they hastened onward, fighting against the storm. No one noticed him; a couple of half-grown girls glanced up in idle curiosity as they went by. Suddenly he saw a familiar figure coming toward him. He hastened to meet her.... Could it be she? On foot? She saw him, and quickened her pace. "You are walking?" he asked. "I dismissed the cab in front of the theatre. I think I've had that driver before." A man passed them, turning to look at the lady. Her companion glared at him, and the other passed on hurriedly. The lady looked after him. "Who was it?" she asked, anxiously. "Don't know him. We'll see no one we know here, don't worry. But come now, let's get into the cab." "Is that your carriage?" "Yes." "An open one?" "It was warm and pleasant when I engaged it an hour ago." They walked to the carriage; the lady stepped in. "Driver!" called the man. "Why, where is he?" asked the lady. Franz looked around. "Well, did you ever? I don't see him anywhere." "Oh--" her tone was low and timid. "Wait a moment, child, he must be around here somewhere." The young man opened the door of a little saloon, and discovered his driver at a table with several others. The man rose hastily. "In a minute, sir," he explained, swallowing his glass of wine. "What do you mean by this?" "All right, sir... Be there in a minute." His step was a little unsteady as he hastened to his horses. "Where'll you go, sir?" "Prater--Summer-house." Franz entered the carriage. His companion sat back in a corner, crouching fearsomely under the shadow of the cover. He took both her hands in his. She sat silent. "Won't you say good evening to me?" "Give me a moment to rest, dear. I'm still out of breath." He leaned back in his corner. Neither spoke for some minutes. The carriage turned into the Prater Street, passed the Tegethoff Monument, and a few minutes later was rolling swiftly through the broad, dark Prater Avenue. Emma turned suddenly and flung both arms around her lover's neck. He lifted the veil that still hung about her face, and kissed her. "I have you again--at last!" she exclaimed. "Do you know how long it is since we have seen each other?" he asked. "Since Sunday." "Yes, and that wasn't good for much." "Why not? You were in our house." "Yes--in your house. That's just it. This can't go on. I shall not enter your house again.... What's the matter?" "A carriage passed us." "Dear girl, the people who are driving in the Prater at such an hour, and in such weather, aren't noticing much what other people are doing." "Yes--that's so. But some one might look in here, by chance." "We couldn't be recognized. It's too dark." "Yes--but can't we drive somewhere else?" "Just as you like." He called to the driver, who did not seem to hear. Franz leaned forward and touched the man. "Turn around again. What are you whipping your horses like that for? We're in no hurry, I tell you. Drive--let me see--yes--drive down the avenue that leads to the Reichs Bridge." "The Reichsstrasse?" "Yes. But don't hurry so, there's no need of it." "All right, sir. But it's the wind that makes the horses so crazy." Franz sat back again as the carriage turned in the other direction. "Why didn't I see you yesterday?" "How could I?"... "You were invited to my sister's." "Oh--yes." "Why weren't you there?" "Because I can't be with you--like that--with others around. No, I just can't." She shivered. "Where are we now?" she asked, after a moment. They were passing under the railroad bridge at the entrance to the Reichsstrasse. "On the way to the Danube," replied Franz. "We're driving toward the Reichs Bridge. We'll certainly not meet any of our friends here," he added, with a touch of mockery. "The carriage jolts dreadfully." "We're on cobblestones again." "But he drives so crooked." "Oh, you only think so." He had begun to notice himself that the vehicle was swaying to and fro more than was necessary, even on the rough pavement. But he said nothing, not wishing to alarm her. "There's a great deal I want to say to you today, Emma." "You had better begin then; I must be home at nine o'clock." "A few words may decide everything." "Oh, goodness, what was that!" she screamed. The wheels had caught in a car-track, and the carriage turned partly over as the driver attempted to free it. Franz caught at the man's coat. "Stop that!" he cried. "Why, you're drunk, man!" The driver halted his horses with some difficulty. "Oh, no--sir--" "Let's get out here, Emma, and walk." "Where are we?" "Here's the bridge already. And the wind is not nearly as strong as it was. It will be nicer to walk a little. It's so hard to talk in the carriage." Emma drew down her veil and followed him. "Don't you call this windy?" she exclaimed as she struggled against the gust that met her at the corner. He took her arm, and called to the driver to follow them. They walked on slowly. Neither spoke as they mounted the ascent of the bridge; and they halted where they could hear the flow of the water below them. Heavy darkness surrounded them. The broad stream stretched itself out in gray, indefinite outlines; red lights in the distance, floating above the water, awoke answering gleams from its surface. Trembling stripes of light reached down from the shore they had just left; on the other side of the bridge the river lost itself in the blackness of open fields. Thunder rumbled in the distance; they looked over to where the red lights soared. A train with lighted windows rolled between iron arches that seemed to spring up out of the night for an instant, to sink back into darkness again. The thunder grew fainter and more distant; silence fell again; only the wind moved, in sudden gusts. Franz spoke at last, after a long silence. "We must go away." "Of course," Emma answered, softly. "We must go away," he continued, with more animation. "Go away altogether, I mean--" "Oh, we can't!" "Only because we are cowards, Emma." "And my child?" "He will let you have the boy, I know." "But how shall we go?" Her voice was very low. "You mean--to run away--" "Not at all. You have only to be honest with him; to tell him that you cannot live with him any longer; that you belong to me." "Franz--are you mad?" "I will spare you that trial, if you wish. I will tell him myself." "No, Franz, you will do nothing of the kind." He endeavored to read her face. But the darkness showed him only that her head was turned toward him. He was silent a few moments more. Then he spoke quietly: "You need not fear; I shall not do it." They walked toward the farther shore. "Don't you hear a noise?" she asked. "What is it?" "Something is coming from the other side," he said. A slow rumbling came out of the darkness. A little red light gleamed out at them. They could see that it hung from the axle of a clumsy country cart, but they could not see whether the cart was laden or not and whether there were human beings on it. Two other carts followed the first. They could just see the outlines of a man in peasant garb on the last cart, and could see that he was lighting his pipe. The carts passed them slowly. Soon there was nothing to be heard but the low rolling of the wheels as their own carriage followed them. The bridge dropped gently to the farther shore. They saw the street disappear into blackness between rows of trees. Open fields lay before them to the right and to the left; they gazed out into gloom indistinguishable. There was another long silence before Franz spoke again. "Then it is the last time--" "What?--" Emma's tone was anxious. "The last time we are to be together. Stay with him, if you will. I bid you farewell." "Are you serious?" "Absolutely." "There, now you see, it is you who always spoil the few hours we have together?--not I." "Yes, you're right," said Franz. "Let's drive back to town." She held his arm closer. "No," she insisted, tenderly, "I don't want to go back. I won't be sent away from you." She drew his head down to hers, and kissed him tenderly. "Where would we get to if we drove on down there?" she asked. "That's the road to Prague, dear." "We won't go quite that far," she smiled, "but I'd like to drive on a little, down there." She pointed into the darkness. Franz called to the driver. There was no answer; the carriage rumbled on, slowly. Franz ran after it, and saw that the driver was fast asleep. Franz roused him roughly. "We want to drive on down that street. Do you hear me?" "All right, sir." Emma entered the carriage first, then Franz. The driver whipped his horses, and they galloped madly over the moist earth of the road-bed. The couple inside the cab held each other closely as they swayed with the motion of the vehicle. "Isn't this quite nice?" whispered Emma, her lips on his. In the moment of her words she seemed to feel the cab mounting into the air. She felt herself thrown over violently, readied for some hold, but grasped only the empty air. She seemed to be spinning madly like a top, her eyes closed, suddenly she found herself lying on the ground, a great silence about her, as if she were alone, far away from all the world. Then noises began to come into her consciousness again; hoofs beat the ground near her; a low moaning came from somewhere; but she could see nothing. Terror seized her; she screamed aloud. Her terror grew stronger, for she could not hear her own voice. Suddenly she knew what had happened; the carriage had hit some object, possibly a mile-stone; had upset, and she had been thrown out. Where is Franz? was her next thought. She called his name. And now she could hear her voice, not distinctly yet, but she could hear it. There was no answer to her call. She tried to get up. After some effort she rose to a sitting, posture, and, reaching out, she felt something, a human body, on the ground beside her. She could now begin to see a little through the dimness. Franz lay beside her, motionless. She put out her hand and touched his face; something warm and wet covered it. Her heart seemed to stop beating--Blood?--Oh, what had happened? Franz was wounded and unconscious. Where was the coachman? She called him, but no answer came. She still sat there on the ground. She did not seem to be injured, although she ached all over. "What shall I do?" she thought; "what shall I do? How can it be that I am not injured? Franz!" she called again. A voice answered from somewhere near her. "Where are you, lady? And where is the gentleman? Wait a minute, Miss--I'll light the lamps, so we can see. I don't know what's got into the beasts to-day. It ain't my fault, Miss, sure--they ran into a pile of stones." Emma managed to stand up, although she was bruised all over. The fact that the coachman seemed quite uninjured reassured her somewhat. She heard the man opening the lamp and striking a match. She waited anxiously for the light. She did not dare to touch Franz again. "It's all so much worse when you can't see plainly," she thought. "His eyes may be open now--there won't be anything wrong...." A tiny ray of light came from one side. She saw the carriage, not completely upset, as she had thought, but leaning over toward the ground, as if one wheel were broken. The horses stood quietly. She saw the milestone, then a heap of loose stones, and beyond them a ditch. Then the light touched Franz's feet, crept up over his body to his face, and rested there. The coachman had set the lamp on the ground beside the head of the unconscious man. Emma dropped to her knees, and her heart seemed to stop beating as she looked into the face before her. It was ghastly white; the eyes were half open, only the white showing. A thin stream of blood trickled down from one temple and ran into his collar. The teeth were fastened into the under lip. "No--no--it isn't possible," Emma spoke, as if to herself. The driver knelt also and examined the face of the man. Then he took the head in both his hands and raised it. "What are you doing?" screamed Emma, hoarsely, shrinking back at the sight of the head that seemed to be rising of its own volition. "Please, Miss--I'm afraid--I'm thinking--there's a great misfortune happened--" "No--no--it's not true!" said Emma. "It can't be true!--You are not hurt? Nor am I--" The man let the head he held fall back again into the lap of the trembling Emma. "If only some one would come--if the peasants had only passed fifteen minutes later." "What shall we do?" asked Emma, her lips trembling. "Why, you see, Miss, if the carriage was all right--but it's no good as it is--we've got to wait till some one comes--" he talked on, but Emma did not hear him. Her brain seemed to awake suddenly, and she knew what was to be done. "How far is it to the nearest house?" she asked. "Not much further, Miss--there's Franz-Josef's land right there. We'd see the houses if it was lighter--it won't take five minutes to get there." "Go there, then; I'll stay here--Go and fetch some one." "I think I'd better stay here with you, Miss. Somebody must come; it's the main road." "It'll be too late; we need a doctor at once." The coachman looked down at the quiet face, then he looked at Emma, and shook his head. "You can't tell," she cried. "Yes, Miss--but there'll be no doctor in those houses." "But there'll be somebody to send to the city--" "Oh, yes, Miss--they'll be having a telephone there, anyway! We'll telephone to the Rescue Society." "Yes, yes, that's it. Go at once, run--and bring some men back with you. Why do you wait? Go at once. Hurry!" The man looked down again at the white face in her lap. "There'll be no use here for doctor or Rescue Society, Miss." "Oh, go!--for God's sake go!" "I'm going, Miss--but don't get afraid in the darkness here." He hurried down the street. "'Twasn't my fault," he murmured as he ran. "Such an idea! to drive down this road this time o' night." Emma was left alone with the unconscious man in the gloomy street. "What shall I do now?" she thought "It can't be possible--it can't." The thought circled dizzily in her brain--"It can't be possible." Suddenly she seemed to hear a low breathing. She bent to the pale lips--no--not the faintest breath came from them. The blood had dried on temple and cheek. She gazed at the eyes, the half-closed eyes, and shuddered. Why couldn't she believe it?... It must be true--this was Death! A shiver ran through her--she felt but one thing--"This is a corpse. I am here alone with a corpse!--a corpse that rests on my lap!" With trembling hands she pushed the head away, until it rested on the ground. Then a feeling of horrible alone-ness came over her. Why had she sent the coachman away? What should she do here all alone with this dead man in the darkness? If only some one would come--but what was she to do then if anybody did come? How long would she have to wait here? She looked down at the corpse again. "But I'm not alone with him," she thought, "the light is there." And the light seemed to her to become alive, something sweet and friendly, to which she owed gratitude. There was more life in this little flame than in all the wide night about her. It seemed almost as if this light was a protection for her, a protection against the terrible pale man who lay on the ground beside her. She stared into the light until her eyes wavered and the flame began to dance. Suddenly she felt herself awake--wide awake. She sprang to her feet. Oh, this would not do! It would not do at all--no one must find her here with him. She seemed to be outside of herself, looking at herself standing there on the road, the corpse and the light below her; she saw herself grow into strange, enormous proportions, high up into the darkness. "What am I waiting for?" she asked herself, and her brain reeled. "What am I waiting for? The people who might come? They don't need me. They will come, and they will ask questions--and I--why am I here? They will ask who I am--what shall I answer? I will not answer them--I will not say a word--they cannot compel me to talk." The sound of voices came from the distance. "Already?" she thought, listening in terror. The voices came from the bridge. It could not be the men the driver was bringing with him. But whoever it was would see the light--and they must not see it, for then she would be discovered. She overturned the lantern with her foot, and the light went out. She stood in utter darkness. She could see nothing--not even him. The pile of % stones shone dimly. The voices came nearer. She trembled from head to foot; they must not find her here. That was the only thing of real importance in all the wide world--that no one should find her here. She would be lost if they knew that this--this corpse--was her lover. She clasps her hands convulsively, praying that the people, whoever they were, might pass by on the farther side of the road, and not see her. She listens breathless. Yes, they are there, on the other side--women, two women, or perhaps three. What are they talking about? They have seen the carriage, they speak of it--she can distinguish words. "A carriage upset--" What else do they say? She cannot understand--they walk on--they have passed her--Ah--thanks--thanks to Heaven!--And now? What now? Oh, why isn't she dead, as he is? He is to be envied; there is no more danger, no more fear for him. But so much--so much for her to
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Produced by Tracy Camp and David Widger VICTORY: AN ISLAND TALE By Joseph Conrad Contents NOTE TO THE FIRST EDITION AUTHOR'S NOTE PART ONE CHAPTER ONE CHAPTER TWO CHAPTER THREE CHAPTER FOUR CHAPTER FIVE CHAPTER SIX CHAPTER SEVEN PART TWO CHAPTER ONE CHAPTER TWO CHAPTER THREE CHAPTER FOUR CHAPTER FIVE CHAPTER SIX CHAPTER SEVEN CHAPTER EIGHT PART THREE CHAPTER ONE CHAPTER TWO CHAPTER THREE CHAPTER FOUR CHAPTER FIVE CHAPTER SIX CHAPTER SEVEN CHAPTER EIGHT CHAPTER NINE CHAPTER TEN PART FOUR CHAPTER ONE CHAPTER TWO CHAPTER THREE CHAPTER FOUR CHAPTER FIVE CHAPTER SIX CHAPTER SEVEN CHAPTER EIGHT CHAPTER NINE CHAPTER TEN CHAPTER ELEVEN CHAPTER TWELVE CHAPTER THIRTEEN CHAPTER FOURTEEN NOTE TO THE FIRST EDITION The last word of this novel was written on 29 May 1914. And that last word was the single word of the title. Those were the times of peace. Now that the moment of publication approaches I have been considering the discretion of altering the title-page. The word "Victory" the shining and tragic goal of noble effort, appeared too great, too august, to stand at the head of a mere novel. There was also the possibility of falling under the suspicion of commercial astuteness deceiving the public into the belief that the book had something to do with war. Of that, however, I was not afraid very much. What influenced my decision most were the obscure promptings of that pagan resid
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Produced by Paul Marshall, Greg Bergquist and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) _FREEMAN'S HISTORICAL COURSE FOR SCHOOLS._ HISTORY OF SCOTLAND BY MARGARET MACARTHUR. EDITED BY EDWARD A. FREEMAN, D.C.L. _Edition Adapted for American Students._ [Illustration] NEW YORK HENRY HOLT AND COMPANY 1874 Entered according to Act of Congress, in the Year 1874, by HENRY HOLT, In the Office of the Librarian of Congress, at Washington. [ Transcriber Notes: 1. Obvious misspellings and omissions were corrected. 2. Uncertain misspellings or ancient words were not corrected. 3. "_" indicates italics, "=" indicates bold. ] CONTENTS. PAGE CHAPTER I. THE GAELIC PERIOD 1 CHAPTER II. THE ENGLISH PERIOD 19 CHAPTER III. THE STRUGGLE FOR INDEPENDENCE 35 CHAPTER IV. THE INDEPENDENT KINGDOM 52 CHAPTER V. THE JAMESES 67 CHAPTER VI. THE REFORMATION 96 CHAPTER VII. THE UNION OF THE CROWNS 125 CHAPTER VIII. AFTER THE UNION 167 CHRONOLOGICAL TABLE. THE GAELIC PERIOD. Agricola's Invasion 80 Severus' Invasion 208 Founding of Northumberland by Ida 547 Founding of Dalriada by the Scots about 503 Union of Picts and Scots 843 Commendation to Eadward 924 Battle of Brunanburh 937 Battle of Carham 1018 Cnut's Invasion 1031 Malcolm Canmore King 1057 William's Invasion 1073 Malcolm slain 1093 THE ENGLISH PERIOD, 1097-1286. Eadgar 1097 Alexander I. 1107 David 1124 Battle of the Standard 1138 Malcolm IV 1153 William the Lion 1165 Capture at Alnwick 1174 Treaty of Falaise 1174 Council of Northampton 1176 Treaty with Richard I. 1189 Alexander II. 1214 Border-line fixed 1222 Council at York 1237 Alexander III. 1249 Battle of Largs 1263 Man and the Sudereys annexed 1266 Death of Alexander III. 1286 THE STRUGGLE FOR INDEPENDENCE, to 1314. Queen Margaret 1286 Treaty of Brigham 1290 Margaret dies 1290 Council meets at Norham, 3rd June 1291 Judgment given at Berwick, 11th November 1292 John crowned King 1292 Edward's first Conquest 1296 Rising of Wallace 1297 Surrender at Irvine 1297 Battle of Stirling, 11th September 1297 Battle of Falkirk 1298 Edward's second Conquest 1303 Capture of Wallace 1305 Robert Bruce crowned King, 27th March 1306 Death of Edward 1307 Battle of Bannockburn, 24th June 1314 THE INDEPENDENT KINGDOM, 1314-1424. Parliament at Cambuskenneth 1326 Peace of Northampton 1328 David II. 1329 Edward Balliol's Invasion 1332 Battle of Halidon Hill 1333 Capture of David 1346 His release 1347 Invasion of Edward III. 1356 Robert II. 1370 Raid of Otterburn 1388 Robert III. 1390 Fight on North Inch 1396 Invasion of Henry IV. 1400 Battle of Homildon Hill 1402 Capture of the Earl of Carrick 1405 Robert III. dies 1406 Burning of Reseby 1408 St. Andrews University founded 1408 Battle of Harlaw, 24th July 1411 Albany the Regent dies 1419 THE JAMESES, 1424-1557. James I. crowned King 1424 Parliament at Inverness 1427 Murder of the King 1436 James II. 1436 Murder of the Douglases 1439 Murder of William, Earl of Douglas 1452 Battle of Arkinholm 1454 The King slain at Roxburgh 1460 James III. 1460 Orkney and Shetland annexed 1469 St. Andrews raised to an Archbishopric 1471 Revolt of Lauder Bridge 1482 Battle of Sauchieburn 1488 James IV 1488 Marriage of James to Margaret Tudor 1502 Lordship of the Isles broken up 1504 Battle of Flodden, 9th September 1513 James V. 1513 "Erection" of the King 1524 Fall of Angus 1528 Rout at Solway Moss 1542 Mary 1542 Hertford's first Invasion 1544 Hertford's second Invasion 1545 Burning of George Wishart 1545 Murder of Beaton 1545 Battle of Pinkie 1547 Mary sails for France 1548 First marriage of Mary, 24th April 1558 THE REFORMATION PERIOD, 1557-1603. The "First Covenant" signed 1557 Burning of Walter Mill 1558 Religious riots 1559 Treaty of Berwick 1560 Reformation Statutes passed 1560 Return of the Queen 1561 Battle of Corrichie 1562 Second marriage of Mary, 29th July 1565 Murder of Rizzio 1566 Murder of Darnley, 9th February 1567 Third Marriage of Mary, 15th May 1567 Surrender at Carberry, 15th June 1567 Abdication of Mary 1567 James VI. crowned 1567 Battle of Langside, 13th May 1568 Conference at York begins, October 1568 Murder of Murray the Regent 1570 Taking of Dunbarton, 2nd April 1571 Parliament at Stirling, 4th September 1571 Lennox
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Produced by Charles Aldarondo, Keren Vergon, Beth Trapaga and PG Distributed Proofreaders AN ENGLISH GARNER CRITICAL ESSAYS AND LITERARY FRAGMENTS WITH AN INTRODUCTION BY J. CHURTON COLLINS 1903 PUBLISHERS' NOTE The texts contained in the present volume are reprinted with very slight alterations from the _English Garner_ issued in eight volumes (1877-1890, London, 8vo.) by Professor Arber, whose name is sufficient guarantee for the accurate collation of the texts with the rare originals, the old spelling being in most cases carefully modernised. The contents of the original _Garner_ have been rearranged and now for the first time classified, under the general editorial supervision of Mr. Thomas Seccombe. Certain lacunae have been filled by the interpolation of fresh matter. The Introductions are wholly new and have been written specially for this issue. The references to volumes of the _Garner_ (other than the present volume) are for the most part to the editio princeps, 8 vols. 1877-90. CONTENTS I. Extract from Thomas Wilson's _Art of Rhetoric_, 1554 II. Sir Philip Sidney's _Letter to his brother Robert_, 1580 III. Extract from Francis Meres's _Palladis Tamia_, 1598
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Produced by Richard E. Henrich, Jr. HTML version by Al Haines. THE CHRONICLES OF CLOVIS by "SAKI" (H. H. MUNRO) with an Introduction by A. A. MILNE TO THE LYNX KITTEN, WITH HIS RELUCTANTLY GIVEN CONSENT, THIS BOOK IS AFFECTIONATELY DEDICATED H. H. M. August, 1911 INTRODUCTION There are good things which we want to share with the world and good things which we want to keep to ourselves. The secret of our favourite restaurant, to take a case, is guarded jealously from all but a few intimates; the secret, to take a contrary case, of our infallible remedy for seasickness is thrust upon every traveller we meet, even if he be no more than a casual acquaintance about to cross the Serpentine. So with our books. There are dearly loved books of which we babble to a neighbour at dinner, insisting that she shall share our delight in them; and there are books, equally dear to us, of which we say nothing, fearing lest the praise of others should cheapen the glory of our discovery. The books of "Saki" were, for me at least, in the second class. It was in the WESTMINSTER GAZETTE that I discovered him (I like to remember now) almost as soon as he was discoverable. Let us spare a moment, and a tear, for those golden days in the early nineteen hundreds, when there were five leisurely papers of an evening in which the free-lance might graduate, and he could speak of his Alma Mater, whether the GLOBE or the PALL MALL, with as much pride as, he never doubted, the GLOBE or the PALL MALL would speak one day of him. Myself but lately down from ST. JAMES', I was not too proud to take some slight but pitying interest in men of other colleges. The unusual name of a freshman up at WESTMINSTER attracted my attention; I read what he had to say; and it was only by reciting rapidly with closed eyes the names of our own famous alumni, beginning confidently with Barrie and ending, now very doubtfully, with myself, that I was able to preserve my equanimity. Later one heard that this undergraduate from overseas had gone up at an age more advanced than customary; and just as Cambridge men have been known to complain of the maturity of Oxford Rhodes scholars, so one felt that this WESTMINSTER free-lance in the thirties was no fit competitor for the youth of other colleges. Indeed, it could not compete. Well, I discovered him, but only to the few, the favoured, did I speak of him. It may have been my uncertainty (which still persists) whether he called himself Sayki, Sahki or Sakki which made me thus ungenerous of his name, or it may have been the feeling that the others were not worthy of him; but how refreshing it was when some intellectually blown-up stranger said "Do you ever read Saki?" to reply, with the same pronunciation and even greater condescension: "Saki! He has been my favourite author for years!" A strange exotic creature, this Saki, to us many others who were trying to do it too. For we were so domestic, he so terrifyingly cosmopolitan. While we were being funny, as planned, with collar-studs and hot-water bottles, he was being much funnier with werwolves and tigers. Our little dialogues were between John and Mary; his, and how much better, between Bertie van Tahn and the Baroness. Even the most casual intruder into one of his sketches, as it might be our Tomkins, had to be called Belturbet or de Ropp, and for his hero, weary man-of-the-world at seventeen, nothing less thrilling than Clovis Sangrail would do. In our envy we may have wondered sometimes if it were not much easier to be funny with tigers than with collar-studs; if Saki's careless cruelty, that strange boyish insensitiveness of his, did not give him an unfair start in the pursuit of laughter. It may have been so; but, fortunately, our efforts to be funny in the Saki manner have not survived to prove it. What is Saki's manner, what his magic talisman? Like every artist worth consideration, he had no recipe. If his exotic choice of subject was often his strength, it was often his weakness; if his insensitiveness carried him through, at times, to victory, it brought him, at times, to defeat. I do not think that he has that "mastery of the CONTE"--in this book at least--which some have claimed for him. Such mastery infers a passion for tidiness which was not in the boyish Saki's equipment. He leaves loose ends everywhere. Nor in his dialogue, delightful as it often is, funny as it nearly always is, is he the supreme master; too much does it become monologue judiciously fed, one character giving and the other taking. But in comment, in reference, in description
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Produced by Al Haines CHALLENGE By LOUIS UNTERMEYER NEW YORK THE CENTURY CO. 1914 Copyright, 1914, by THE CENTURY CO. Published, April, 1914 CONTENTS I. SUMMONS SUMMONS PRAYER TO ARMS ON THE BIRTH OF A CHILD HOW MUCH OF GODHOOD THE GREAT CAROUSAL THANKS GOD'S YOUTH IN THE BERKSHIRE HILLS VOICES REVELATION AFFIRMATION DOWNHILL ON A BICYCLE MIDNIGHT--BY THE OPEN WINDOW THE WINE OF NIGHT II. INTERLUDES INVOCATION "FEUERZAUBER" SUNDAY NIGHT AT KENNEBUNKPORT IN A STRANGE CITY FOLK-SONG IN THE STREETS ENVY A BIRTHDAY LEAVING THE HARBOR THE SHELL TO THE PEARL THE YOUNG MYSTIC HEALED THE STIRRUP-CUP SPRING ON BROADWAY IN A CAB SUMMER NIGHT--BROADWAY HAUNTED ISADORA DUNCAN DANCING SONGS AND THE POET THE HERETIC I. BLASPHEMY II. IRONY III. MOCKERY IV. HUMILITY FIFTH AVENUE--SPRING AFTERNOON TRIBUTE III. SONGS OF PROTEST CHALLENGE CALIBAN IN THE COAL-MINES ANY CITY LANDSCAPES TWO FUNERALS SUNDAY STRIKERS IN THE SUBWAY BATTLE-CRIES A VOICE FROM THE SWEAT-SHOPS SOLDIERS PEACE THE DYING DECADENT FUNERAL HYMN PROTESTS For the privilege of reprinting many of the poems included in this volume, the author thanks the editors of _The Century, Harper's, The Forum, The Masses, The Smart Set, The Independent, The American, The Delineator, The New Age, The Poetry Journal_ and other magazines. SUMMONS _To Walter Lippmann_ SUMMONS The eager night and the impetuous winds, The hints and whispers of a thousand lures, And all the swift persuasion of the Spring Surged from the stars and stones, and swept me on... The smell of honeysuckles, keen and clear, Startled and shook me, with the sudden thrill Of some well-known but half-forgotten voice. A slender stream became a naked sprite, Flashed around curious bends, and winked at me Beyond the turns, alert and mischievous. A saffron moon, dangling among the trees, Seemed like a toy balloon caught in the boughs, Flung there in sport by some too-mirthful breeze... And as it hung there, vivid and unreal, The whole world's lethargy was brushed away; The night kept tugging at my torpid mood And tore it into shreds. A warm air blew My wintry slothfulness beyond the stars; And over all indifference there streamed A myriad urges in one rushing wave... Touched with the lavish miracles of earth, I felt the brave persistence of the grass; The far desire of rivulets; the keen, Unconquerable fervor of the thrush; The endless labors of the patient worm; The lichen's strength; the prowess of the ant; The constancy of flowers; the blind belief Of ivy climbing slowly toward the sun; The eternal struggles and eternal deaths-- And yet the groping faith of every root! Out of old graves arose the cry of life; Out of the dying came the deathless call. And, thrilling with a new sweet restlessness, The thing that was my boyhood woke in me-- Dear, foolish fragments made me strong again; Valiant adventures, dreams of those to come, And all the vague, heroic hopes of youth, With fresh abandon, like a fearless laugh, Leaped up to face the heaven's unconcern... And then--veil upon veil was torn aside-- Stars, like a host of merry girls and boys, Danced gaily 'round me, plucking at my hand; The night, scorning its ancient mystery, Leaned down and pressed new courage in my heart; The hermit thrush, throbbing with more than Song, Sang with a happy challenge to the skies; Love, and the faces of a world of children, Swept like a conquering army through my blood-- And Beauty, rising out of all its forms, Beauty, the passion of the universe, Flamed with its joy, a thing too great for tears. And, like a wine, poured itself out for me To drink of, to be warmed with, and to go Refreshed and strengthened to the ceaseless fight; To meet with confidence the cynic years; Battling in wars that never can be won, Seeking the lost cause and the brave defeat! PRAYER God, though this life is but a wraith, Although we know not what we use, Although we grope with little faith, Give me the heart to fight--and lose. Ever insurgent let me be, Make me more daring than devout; From sleek contentment keep me free. And fill me with a buoyant doubt. Open my eyes to visions girt With beauty, and with wonder lit-- But let me always see the dirt, And all that spawn and die in it. Open my ears to music; let Me thrill with Spring's first flutes and drums-- But never let me dare forget The bitter ballads of the slums. From compromise and things half-done, Keep me, with stern and stubborn pride; And when, at last, the fight is won God, keep me still unsatisfied. TO ARMS! Who can be dull or wrapped in unconcern Knowing a world so clamorous and keen; A world of ardent conflict, honest spleen, And healthy, hot desires too swift to turn; Vivid and vulgar--with no heart to learn... See how that drudge, a thing unkempt, unclean, Laughs with the royal laughter of a queen. Even in her the eager fires burn. Who can be listless in these stirring hours When, with athletic courage, we engage To storm, with fierce abandon, sterner powers And meet indifference with a joyful rage; Thrilled with a purpose and the dream that towers Out of this arrogant and blundering age. ON THE BIRTH OF A CHILD (Jerome Epstein--August 8, 1912) Lo--to the battle-ground of Life, Child, you have come, like a conquering shout, Out of a struggle--into strife; Out of a darkness--into doubt. Girt with the fragile armor of Youth, Child, you must ride into endless wars, With the sword of protest, the buckler of truth, And a banner of love to sweep the stars. About you the world's despair will surge; Into defeat you must plunge and grope-- Be to the faltering an urge;
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Produced by David Edwards and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) THE MITTEN SERIES [Illustration: Out stalked the Griffin, smoking his Pipe, and with him all the fashionable Beasts of the neighborhood.] MORE MITTENS: WITH THE DOLL'S WEDDING AND OTHER STORIES. BEING THE THIRD BOOK OF THE SERIES. BY AUNT FANNY, AUTHOR OF THE SIX NIGHTCAP BOOKS, ETC. NEW YORK: D. APPLETON AND COMPANY, 443 & 445 BROADWAY. LONDON: 16 LITTLE BRITAIN. 1863. Entered, according to act of Congress, in the year 1862, by FANNY BARROW, In the Clerk's Office of the District Court of the United States for the Southern District of New York. THIS VOLUME IS AFFECTIONATELY DEDICATED TO "ILKEN ANNIE," WHO LIVES ON STATEN ISLAND. CONTENTS. A LETTER FROM AUNT FANNY, 7 THE DOLL'S WEDDING, 10 WHAT CAME OF GIPSYING, 25 THE CHILD HEROINE, 50 AUNT MARY, 69 LITTLE PETER, 75 THE STORY TOLD TO WILLIE, 102 A LETTER FROM AUNT FANNY. MY DARLING CHILDREN: I wrote these stories, as I have already told you, some years ago, and took a great deal of pains with them. I called them "Life Among the Children;" when, lo and behold! somebody else had written a book with the very same name, but very different stories, and I never knew one word about it. You may believe how sorry I was to take this pretty title when it belonged to another; and I was very thankful that I could get at the printer and have it changed. What do you think of "The Doll's Wedding" for a name? I like it very much, because "Lily," whose dolls were married, is one of my particular pets; and what I have related, took place precisely as you read it. Lily is a funny darling; she had a "doll's regatta" once, and I do believe, in my next book, I will tell you all about it. Meanwhile, if you will only laugh and grow fat as Lily does, and above all, try to be good and lovely as Maggie the Child Heroine is, I will write stories to interest you until my fingers feel as if they were all thumbs; for that is just how they _do_ feel when they are very tired. I wish I knew you all. I believe about three hundred children call me "Aunt Fanny" now, but I have room in my heart for _ever, ever_ so many more. You see I have a patent elastic heart; and when you would think it was so crowded that a small doll could not squeeze in, if you only try, you would find there was plenty of room for _one more_, and that one would be you. I wish good Mr. Somebody would make a telescope on purpose for me, powerful enough to see all the darling children at once. Fancy how perfectly delightful to see every little innocent child in the world with one eye! Oh! that thought has quite upset me, laughing and thinking about it. So many little smiling faces at once--a great deal better than staring at the man in the moon, who has no expression at all worth talking about. When I get it I will invite you all to come and take a peep at yourselves. Good-by! I blow you a hundred kisses; and I hope the breeze is fair, so you will get them all safe and warm from your loving AUNT FANNY. THE DOLL'S WEDDING. One day, Alice came home from school, and opening her drawer, to put away her things, she saw a letter lying on the very top of a pile of pantalets. "Why, who can this be for?" said she, in a tone of delighted surprise. "Is it for me, mamma?" "Yes," said her mother, "and it is sealed up so tight, that I expect it is of the greatest importance; perhaps from the President of the United States, requesting you to come to Washington immediately, to dine with him." "Dear me, how delightful!" exclaimed Alice. "I like getting a letter, it's so very _oldy_, you know--just like grown people; did you pay the postman?" and in her impatience and excitement, she tore the envelope all to pieces. "Now read it, mamma, please," and then she began to jump up and down, and ended by turning a summerset on the bed. Her mother laughed, and said: "If that is the way you are going to behave, when you go to see the President, I think he will be slightly astonished; but let us see, first, if he wrote it," and she read thus:-- "DEAR ALICE-- "My doll is to be married on next Friday, at two o'clock; and I should be very happy to see you, and as many dolls as you can bring. "Yours, truly, LILY. "WEDNESDAY, Oct. 20th, 1858." "Isn't it too nice!" cried Alice, with a joyful little scream. "A wedding!" and she bounced into a rocking-chair, and nearly tipped over backwards. "Dear me! what a _leany_-back chair! I very nearly upset. I'll take Anna with me; but she must have a new dress immediately--and a hoop petticoat; and, oh, mamma! her hands are all to pieces; the cotton is sticking out in every direction; can't you buy her a new pair? these old brown ones will never do to go to a wedding. Oh, dear! I am so glad," she continued, clapping her hands, "I won't have any trouble with her hair, because it is made of china, and I need not put it up in curl-papers, as I did that poor old thing's in the corner, staring at me so crossly, just because I cut her nose off: she can't go to the wedding; she would frighten the bride into fits." And now Alice ran off, and coaxed her sister, who was the very best sister in the whole world, or any where else, to make Anna a dress, grand enough for the occasion; and, thereupon, commenced a great rummaging in the rag-bag, and among their mother's stock of old ribbons; and in a short time Anna was made to look perfectly beautiful. The hoop petticoat gave her an appearance extremely like a balloon; and she had to sit down very carefully, to prevent it from going up in the air, and almost over her head. When Friday came, it rained; and Alice's sister very kindly went to see if the wedding would come off, rain or shine. She came back with the information, that it would not take place if it rained; the ceremony would be postponed to the first fair day--a mode of proceeding rather unusual, but, I think, very sensible; and, I have no doubt, that _real live_ people would be very glad to do the same; for some find it difficult to feel very happy when the rain is pouring down from the great black clouds. Alice waited impatiently until Saturday. At first it was cloudy; but towards twelve o'clock the sun shone bright and warm, and Alice and her doll were soon dressed; the first, all smiles, doing every thing with a hop, skip and jump; while Miss Anna, whose heart, if she had any, was as hard, no doubt, as her china head, kept the same prinking smile on her face, as she was violently twisted and twitched about, and pins run into her in all directions; not to speak of her being thrown so hastily on the bed, while Alice was having her bonnet tied and her gloves put on, that she fell over on the top of her
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Produced by Shaun Pinder, Moti Ben-Ari and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) HAGAR HAGAR BY MARY JOHNSTON [Illustration] BOSTON AND NEW YORK HOUGHTON MIFFLIN COMPANY The Riverside Press Cambridge 1913 COPYRIGHT, 1913, BY MARY JOHNSTON ALL RIGHTS RESERVED _Published October 1913_ CONTENTS I. THE PACKET-BOAT 1 II. GILEAD BALM 8 III. THE DESCENT OF MAN 19 IV. THE CONVICT 30 V. MARIA 45 VI. EGLANTINE 57 VII. MR. LAYDON 70 VIII. HAGAR AND LAYDON 82 IX. ROMEO AND JULIET 92 X. GILEAD BALM 104 XI. THE LETTERS 116 XII. A MEETING 132 XIII. THE NEW SPRINGS 143 XIV. NEW YORK 154 XV. LOOKING FOR THOMASINE 170 XVI. THE MAINES 184 XVII. THE SOCIALIST MEETING 194 XVIII. A TELEGRAM 208 XIX. ALEXANDRIA 221 XX. MEDWAY 231 XXI. AT ROGER MICHAEL'S 244 XXII. HAGAR IN LONDON 257 XXIII. BY THE SEA 266 XXIV. DENNY GAYDE 275 XXV. HAGAR AND DENNY 284 XXVI. GILEAD BALM 300 XXVII. A DIFFERENCE OF OPINION 313 XXVIII. NEW YORK AGAIN 323 XXIX. ROSE DARRAGH 332 XXX. AN OLD ACQUAINTANCE 341 XXXI. JOHN FAY 351 XXXII. RALPH 360 XXXIII. GILEAD BALM 372 XXXIV. BRITTANY 382 HAGAR HAGAR CHAPTER I THE PACKET-BOAT "_Low Braidge!_" The people on deck bent over, some until heads touched knees, others, more exactly calculating, just sufficiently to clear the beams. The canal-boat passed beneath the bridge, and all straightened themselves on their camp-stools. The gentlemen who were smoking put their cigars again between their lips. The two or three ladies resumed book or knitting. The sun was low, and the sycamores and willows fringing the banks cast long shadows across the canal. The northern bank was not so clothed with foliage, and one saw an expanse of bottom land, meadows and cornfields, and beyond, low mountains, purple in the evening light. The boat slipped from a stripe of gold into a stripe of shadow, and from a stripe of shadow into a stripe of gold. The <DW64> and the mule on the towpath were now but a bit of dusk in motion, and now were lit and, so to speak, powdered with gold-dust. Now the rope between boat and towpath showed an arm-thick golden serpent, and now it did not show at all. Now a little cloud of gnats and flies, accompanying the boat, shone in burnished armour and now they put on a mantle of shade. A dark little girl, of twelve years, dark and thin, sitting aft on the deck floor, her long, white-stockinged legs folded decorously under her, her blue gingham skirt spread out, and her Leghorn hat upon her knees, appealed to one of the reading ladies. "Aunt Serena, what is 'evolution'?" Miss Serena Ashendyne laid down her book. "'Evolution,'" she said blankly, "'what is evolution?'" "I heard grandfather say it just now. He said, 'That man Darwin and his evolution'--" "Oh!" said Miss Serena. "He meant a very wicked and irreligious Englishman who wrote a dreadful book." "Was it named 'Evolution'?" "No. I forget just what it is called. 'Beginning'--No! 'Origin of Species.' That was it." "Have we got it in the library at Gilead Balm?" "Heavens! No!" "Why?" "Your grandfather wouldn't let it come into the house. No lady would read it." "Oh!" Miss Serena returned to her novel. She sat very elegantly on the camp-stool, a graceful, long-lined, drooping form in a greenish-grey delaine picked out with tiny daisies. It was made polonaise. Miss Serena, alone of the people at Gilead Balm, kept up with the fashions. At the other end of the long, narrow deck a knot of country gentlemen were telling war stories. All had fought in the war--the war that had been over now for twenty years and more. There were an empty sleeve and a wooden leg in the group and other marks of bullet and sabre. They told good stories, the country gentlemen, and they indulged in mellow laughter. Blue rings of tobacco-smoke rose and mingled and made a haze about that end of the boat. "How the gentlemen are enjoying themselves!" said placidly one of the knitting ladies. The dark little girl continued to ponder the omission from the library. "Aunt Serena--" "Yes, Hagar." "Is it like 'Tom Jones'?" "'Tom Jones'! What do you know about 'Tom Jones'?" "Grandfather was reading it one day and laughing, and after he had done with it I got it down from the top shelf and asked him if I might read it, and he said, 'No, certainly not! it isn't a book for ladies.'" "Your grandfather was quite right. You read entirely too much anyway. Dr. Bude told your mother so." The little girl turned large, alarmed eyes upon her. "I don't read half as much as I used to. I don't read except just a little time in the morning and evening and after supper. It would _kill_ me if I couldn't read--" "Well, well," said Miss Serena, "I suppose we shall continue to spoil you!" She said it in a very sweet voice, and she patted the child's arm and then she went back to "The Wooing O't." She was fond of reading novels herself, though she liked better to do macramé work and to paint porcelain placques. The packet-boat glided on. It was almost the last packet-boat in the state and upon almost its last journey. Presently there would go away forever the long, musical winding of the packet-boat horn. It would never echo any more among the purple hills, but the locomotive would shriek here as it shrieked elsewhere. Beyond the willows and sycamores, across the river whose reaches were seen at intervals, gangs of convicts with keepers and guards and overseers were at work upon the railroad. The boat passing through a lock, the dark little girl stared, fascinated, at one of these convicts, a "trusty," a young white man who was there at the lock-keeper's on some errand and who now stood speaking to the stout old man on the coping of masonry. As the water in the lock fell and the boat was steadily lowered and the stone walls on either hand grew higher and higher, the figure of the convict came to stand far above all on deck. Dressed hideously, in broad stripes of black and white, it stood against the calm evening sky, with a sense of something withdrawn and yet gigantic. The face was only once turned toward the boat with its freight of people who dressed as they pleased. It was not at all a bad face, and it was boyishly young. The boat slipped from the lock and went on down the canal, between green banks. The <DW64> on the towpath was singing and his rich voice floated across-- "For everywhere I went ter pray, I met all hell right on my way." The country gentlemen were laughing again, wrapped in the blue and fragrant smoke. The captain of the packet-boat came up the companionway and passed from group to group like a benevolent patriarch. Down below, supper was cooking; one smelled the coffee. The sun was slipping lower, in the green bottoms the frogs were choiring. Standing in the prow of the boat a <DW64> winded the long packet-boat horn. It echoed and echoed from the purple hills. The dark little girl was still staring at the dwindling lock. The black-and-white figure, striped like a zebra, was there yet, though it had come down out of the sky and had now only the green of the country about and behind it. It grew smaller and smaller until it was no larger than a black-and-white woodpecker--it was gone. She appealed again to Miss Serena. "Aunt Serena, what do you suppose he did?" Miss Serena, who prided herself upon her patience, put down her book for the tenth time. "Of whom are you speaking, Hagar?" "That man back there--the convict." "I didn't notice him. But if he is a convict, he probably did something very wicked." Hagar sighed. "I don't think _anybody_ ought to be made to dress like that. It--it smudged my soul just to look at it." "Convicts," said Miss Serena, "are not usually people of fine feelings. And you ought to take warning by him never to do anything wicked." A silence while the trees and the flowering blackberry bushes went by; then, "Aunt Serena--" "Yes?" "The woman over there with the baby--she says her husband got hurt in an accident--and she's got to get to him--and she hasn't got any money. The stout man gave her something, and I _think_ the captain wouldn't let her pay. Can't I--wouldn't you--can't I--give her just a little?" "The trouble is," said Miss Serena, "that you never know whether or not those people are telling the truth. And we aren't rich, as you know, Hagar. But if you want to, you can go ask your grandfather if he will give you something to give." The dark little girl undoubled her white-stockinged legs, got up, smoothed down her blue gingham dress, and went forward until the tobacco-smoke wrapped her in a fragrant fog. Out of it came, genially, the Colonel's voice, rich as old madeira, shot like shot silk with curious electric tensions and strains and agreements, a voice at once mellifluous and capable of revealments demanding other adjectives, a voice that was the Colonel's and spoke the Colonel from head to heel. It went with his beauty, intact yet at fifty-eight, with the greying amber of his hair, mustache, and imperial; with his eyes, not large but finely shaped and ; with his slightly aquiline nose; with the height and easy swing of his body that was neither too spare nor too full. It went with him from head to foot, and, though it was certainly not a loud voice nor a too-much-used one, it quite usually dominated whatever group for the moment enclosed the Colonel. He was speaking now in a kind of energetic, golden drawl. "So he came up to me and said, 'Dash it, Ashendyne! if gentlemen can't be allowed in this degenerate age to rule their own households and arrange their own duels--'" He became aware of the child standing by him, and put out a well-formed, nervous hand. "Yes, Gipsy? What is it you want now?" Hagar explained sedately. "Her husband hurt and can't get to him to nurse him?" said the Colonel. "Well, well! That's pretty bad! I suppose we must take up a collection. Pass the hat, Gipsy!" Hagar went to each of the country gentlemen, not with the suggested hat, but with her small palm held out, cupped. One by one they dropped into it quarter or dime, and each, as his coin tinkled down, had for the collector of bounty a drawling, caressing, humorous word. She thanked each gentleman as his bit of silver touched her hand and thanked with a sedate little manner of perfection. Manners at Gilead Balm were notoriously of a perfection. Hagar took the money to the woman with the baby and gave it to her shyly, with a red spot in each cheek. She was careful to explain, when the woman began to stammer thanks, that it was from her grandfather and the other gentlemen and that they were anxious to help. She was a very honest little girl, with an honest wish to place credit where it belonged. Back beside Miss Serena she sat and studied the moving green banks. The sun was almost down; there were wonderful golden
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Produced by Chuck Greif, ellinora and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) THE DUNE COUNTRY _BY THE SAME AUTHOR_ THE VOICES OF THE DUNES QUARTO BOARDS $6.00 NET ETCHING: A PRACTICAL TREATISE CROWN QUARTO CLOTH $2.50 NET [Illustration: The Dune Country.] THE DUNE COUNTRY _By_ EARL H. REED AUTHOR OF “THE VOICES OF THE DUNES” “ETCHING: A PRACTICAL TREATISE” WITH SIXTY ILLUSTRATIONS BY THE AUTHOR NEW YORK: JOHN LANE COMPANY LONDON: JOHN LANE, THE BODLEY HEAD TORONTO: S. B. GUNDY, MCMXVI COPYRIGHT, 1916 BY JOHN LANE COMPANY PRESS OF EATON & GETTINGER NEW YORK, U.S.A. _To_ C. C. R. INTRODUCTION The text and illustrations in this book are intended to depict a strange and picturesque country, with some of its interesting wild life, and a few of the unique human characters that inhabit it. The big ranges of sand dunes that skirt the southern and eastern shores of Lake Michigan, and the strip of sparsely settled broken country back of them,
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Produced by Graeme Mackreth and The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) [Illustration: COMMODORE BARRY (After Chappelle)] THE STORY OF COMMODORE JOHN BARRY "Father of the American Navy" BY MARTIN I.J. GRIFFIN Historian of the Society of the Friendly Sons of St. Patrick of Philadelphia "_I serve the country for nothing_"--BARRY "_May a suitable recompense always attend your bravery_"--WASHINGTON PHILADELPHIA 1908 Dedicated TO The Society of the Friendly Sons of St. Patrick for the Relief of Emigrants from Ireland ST. PATRICK'S DAY 1908 MARTIN I.J. GRIFFIN, _Historian of the Society_. COPYRIGHT 1908 THE STORY OF COMMODORE JOHN BARRY "Father of the American Navy" [Copyrighted] CHAPTER I. HIS NAVAL RENOWN--HIS CAREER IN THE COLONIAL MERCANTILE MARINE SERVICE--APPOINTED TO THE "LEXINGTON" BY THE CONTINENTAL MARINE COMMITTEE--HIS FIRST CRUISE. The American Navy by its achievements has won enduring fame and imperishable honor. The careers of many of its heroes have been narrated fully, and oft in fulsome terms. All Americans unite in these tributes of praise where justly due. JOHN BARRY has, aptly and justly, been called "THE FATHER OF THE AMERICAN NAVY." His early, constant and worthy services in defence of our country; his training many of those who became the foremost and most distinguished sons of the sea in our early naval annals makes the title one fitly bestowed. The Congress of his country having directed the erection in the Capital City of the Nation of a monument commemorative of the man and his deeds, this is a fitting time to present a brief record of his career and of his deeds during the Revolutionary War, which won the Independence of our Country, and also in the War with France, which maintained the integrity of the new Nation and the protection of its commerce. In both wars he bore a heroic part. At all times his services were useful and brilliant. "Captain John Barry may justly be considered the Father of our Navy," wrote Mr. Dennie in _The Portfolio_, July 1813, in giving the first biographical sketch of this distinguished naval officer. "The utility of whose services and the splendor of whose exploits entitle him to the foremost rank among our naval heroes." Allen's _Biographical Dictionary_, published in 1809, declared he "was a patriot of integrity and unquestioned bravery." Frost's _Naval Biography_ states: "Few commanders were employed in a greater variety of services or met the enemy under greater disadvantages," and yet he did not fail to acquit himself of his duty in a manner becoming a skillful seaman and a brave warrior. [Illustration: THE BARONY OF FORTH] "His public services were not limited to any customary rule of professional duty, but without regard to labor, danger or excuses, his devotion to his Country kept him constantly engaged in acts of public utility. The regard and admiration of General Washington, which he possessed in an eminent degree, were among the most eminent fruits of his patriotic career." Judson's _Sages and Heroes of the Revolution_ says: "Barry was noble in spirit, humane in discipline, discreet and fearless in battle, urbane in his manners, a splendid officer, a good citizen, a devoted Christian and a true Patriot." Many other quotations might be cited to show the high esteem in which Commodore John Barry was held as well also the importance of his services to our Country. A brief narration of his career will set forth the character and worth of these services as well as afford proof of the valor and fidelity of this most successful naval officer. [Illustration: BALLYSAMPSON] John Barry was born in 1745 in the townland of Ballysampson. He lived his boyhood in the townland of Roostoonstown, both in the parish of Tacumshin, Barony of Forth, Province of Leinster in Ireland. The parish covers three thousand acres. It is situated between two townland-locked gulfs with very narrow openings--Lake Tacumshin and Lady's Island Lake. Possibly these lakes gave young Barry the inspiration for the sea, and upon both he in youth, we may be sure, oft pulled the oar. When and under what circumstances young Barry left his birthplace and departed from Ireland are not known. The best traditionary evidence justifies us in believing that leaving Ireland, while yet young, he went to Spanishtown in the Island of Jamaica and from there, when about fifteen years of age, came to Philadelphia, where he found employment in the commercial fleets of Samuel Meredith and of Willing & Morris, leaders in the mercantile life of the city. [Illustration: TACUMSHIN LOUGH] [Illustration: LADY'S ISLAND LOUGH] Being but a boy, records do not attest his presence or position. But however lowly, we are sure that merit hovered over every action and proved the worth of the young navigator of the seas so fully that on attaining his twenty-first year he was at once entrusted with the sole command of a vessel--the schooner "Barbadoes," sixty tons, which cleared from Philadelphia on October 2, 1766. The schooner he commanded was registered at the Custom House on September 29, 1766. It was built at Liverpool, in the Province of Nova Scotia and was owned by Edward Denny, of Philadelphia. John Barry was registered as its Captain. In this schooner, small in measurement and in tonnage by the standard of our times and yet not surpassed in either by many vessels in the colonial marine trade, John Barry, now a man in years and capabilities, continued until early in 1771 to make voyages to and from Bridgetown, the principal port of Barbadoes. [Illustration: BRIDGETOWN] In May, 1771, he became Captain of the brig "Patty and Polly," sailing from St. Croix to Philadelphia. In August of that year we find him Captain of the schooner "Industry," of forty-five tons, plying to and from Virginia, making trips to New York, voyages to Nevis and to and from Halifax, Nova Scotia until, on October 9, 1772, he became Commander of the "Peggy" sailing to and from St. Eustatia and Montserrat until, on December 19, 1774, a register for the ship the "Black Prince" was issued to John Barry as Master. It was owned by John Nixon, whose grandfather, Richard, a Catholic, of Barry's own county, Wexford, arrived in Philadelphia in 1686. John Nixon read the Declaration of Independence on July 8, 1776. On December 21st Barry sailed to Bristol, where he arrived at the end of January, 1775. Later he proceeded to London, where he arrived June 7th, from whence he returned to Philadelphia, where he arrived October 13th, the very day Congress had resolved to fit out two armed cruisers, one of fourteen guns and one of ten guns, the first act founding a Continental naval force for the United Colonies. The Marine Committee, under the authority of this Resolve of the Continental Congress, purchased two vessels and named one the "Lexington," the other the "Reprisal." To the "Lexington" John Barry was commissioned Captain on December 7, 1775. Captain Wickes was the same day named Commander of the "Reprisal." Barry's vessel the "Black Prince," the finest vessel engaged in the Colonial commerce, was purchased by the Marine Committee, renamed the "Alfred," after Alfred the Great, the founder of the English Navy. To the "Alfred" John Paul Jones was appointed Lieutenant under Captain Salstonstall, on the same day Barry and Wickes were appointed Captains. The "Lexington" and the "Reprisal" were separate and independent commands under direct orders of the Marine Committee and not subject to, nor were they part of, the fleet under Commodore Hopkins. Captain John Barry was thus the first Commander appointed under the direct authority of the Continental Congress. He was appointed to the first Continental armed cruiser--the "Lexington"--named after the first battle place of the Revolution. It was the first vessel fitted out under Continental authority by the Marine Committee and "in the nature of things was more readily equipped" than the "Alfred," says Cooper's _History of the Navy_. This was especially so as Willing & Morris, Captain Barry's late employers, alone had a stock of "round shot for four pounders
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Produced by Dagny THE PURSE By Honore De Balzac Translated by Clara Bell To Sofka "Have you observed, mademoiselle, that the painters and sculptors of the Middle Ages, when they placed two figures in adoration, one on each side of a fair Saint, never failed to give them a family likeness? When you here see your name among those that are dear to me, and under whose auspices I place my works, remember that touching harmony, and you will see in this not so much an act of homage as an expression of the brotherly affection of your devoted servant, "DE BALZAC." THE PURSE For souls to whom effusiveness is easy there is a delicious hour that falls when it is not yet night, but is no longer day; the twilight gleam throws softened lights or tricksy reflections on every object, and favors a dreamy mood which vaguely weds itself to the play of light and shade. The silence which generally prevails at that time makes it particularly dear to artists, who grow contemplative, stand a few paces back from the pictures on which they can no longer work, and pass judgement on them, rapt by the subject whose most recondite meaning then flashes on the inner eye of genius. He who has never stood pensive by a friend's side in such an hour of poetic dreaming can hardly understand its inexpressible soothingness. Favored by the clear-obscure, the material skill employed by art to produce illusion entirely disappears. If the work is a picture, the figures represented seem to speak and walk; the shade is shadow, the light is day; the flesh lives, eyes move, blood flows in their veins, and stuffs have a changing sheen. Imagination helps the realism of every detail, and only sees the beauties of the work. At that hour illusion reigns despotically; perhaps it wakes at nightfall! Is not illusion a sort of night to the mind, which we people with dreams? Illusion then unfolds its wings, it bears the soul aloft to the world of fancies, a world full of voluptuous imaginings, where the artist forgets the real world, yesterday and the morrow, the future--everything down to its miseries, the good and the evil alike. At this magic hour a young painter, a man of talent, who saw in art nothing but Art itself, was perched on a step-ladder which helped him to work at a large high painting, now nearly finished. Criticising himself, honestly admiring himself, floating on the current of his thoughts, he then lost himself in one of those meditative moods which ravish and elevate the soul, soothe it, and comfort it. His reverie had no doubt lasted a long time. Night fell. Whether he meant to come down from his perch, or whether he made some ill-judged movement, believing himself to be on the floor--the event did not allow of his remembering exactly the cause of his accident--he fell, his head struck a footstool, he lost consciousness and lay motionless during a space of time of which he knew not the length. A sweet voice roused him from the stunned condition into which he had sunk. When he opened his eyes the flash of a bright light made him close them again immediately; but through the mist that veiled his senses he heard the whispering of two women, and felt two young, two timid hands on which his head was resting. He soon recovered consciousness, and by the light of an old-fashioned Argand lamp he could make out the most charming girl's face he had ever seen, one of those heads which are often supposed to be a freak of the brush, but which to him suddenly realized the theories of the ideal beauty which every artist creates for himself and whence his art proceeds. The features of the unknown belonged, so to say, to the refined and delicate type of Prudhon's school, but had also the poetic sentiment which Girodet gave to the inventions of his phantasy. The freshness of the temples, the regular arch of the eyebrows, the purity of outline, the virginal innocence so plainly stamped on every feature of her countenance, made the girl a perfect creature. Her figure was slight and graceful, and frail in form. Her dress, though simple and neat, revealed neither wealth nor penury. As he recovered his senses, the painter gave expression to his admiration by a look of surprise, and stammered some confused thanks. He found a handkerchief pressed to his forehead, and above the smell peculiar to a studio, he recognized the strong odor of ether, applied no doubt to revive him from his fainting fit. Finally he saw an old woman, looking like a marquise of the old school, who held the lamp and was advising the young girl. "Monsieur," said the younger woman in reply to one of the questions put by the painter during the few minutes when he was still under the influence of the vagueness that the shock had produced in his ideas, "my mother and I heard the noise of your fall on the floor, and we fancied we heard a groan. The silence following on the crash alarmed us, and we hurried up. Finding the key in the latch, we happily took the liberty of entering, and we found you lying motionless on the ground. My mother went to fetch what was needed to bathe your head and revive you. You have cut your forehead--there. Do you feel it?" "Yes, I do now," he replied. "Oh, it will be nothing," said the old mother. "Happily your head rested against this lay-figure." "I feel infinitely better," replied the painter. "I need nothing further but a hackney cab to take me home. The porter's wife will go for one." He tried to repeat his thanks to the two strangers; but at each sentence the elder lady interrupted him, saying, "Tomorrow, monsieur, pray be careful to put on leeches, or to be bled, and drink a few cups of something healing. A fall may be dangerous." The young girl stole a look at the painter and at the pictures in the studio. Her expression and her glances revealed perfect propriety; her curiosity seemed rather absence of mind, and her eyes seemed to speak the interest which women feel, with the most engaging spontaneity, in everything which causes us suffering. The two strangers seemed to forget the painter's works in the painter's mishap. When he had reassured them as to his condition they left, looking at him with an anxiety that was equally free from insistence and from familiarity, without asking any indiscreet questions, or trying to incite him to any wish to visit them. Their proceedings all bore the hall-mark of natural refinement and good taste. Their noble and simple manners at first made no great impression on the painter, but subsequently, as he recalled all the details of the incident, he was greatly struck by them. When they reached the floor beneath that occupied by the painter's studio, the old lady gently observed, "Adelaide, you left the door open." "That was to come to my assistance," said the painter, with a grateful smile. "You came down just now, mother," replied the young girl, with a blush. "Would you like us to accompany you all the way downstairs?" asked the mother. "The stairs are dark." "No, thank you, indeed, madame; I am much better." "Hold tightly by the rail." The two women remained on the landing to light the young man, listening to the sound of his
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Produced by Al Haines. [Illustration: Cover art] *MAKING OVER MARTHA* BY *JULIE M. LIPPMANN* AUTHOR OF MARTHA BY-THE-DAY, MARTHA AND CUPID NEW YORK GROSSET & DUNLAP PUBLISHERS COPYRIGHT, 1913, BY HENRY HOLT AND COMPANY Published October, 1913 Reprinted November (twice), December, 1913 May, August, October, 1914 October, 1915 *MAKING OVER MARTHA* *CHAPTER I* Martha Slawson sat at her sewing-machine, stitching away for dear life. About her, billowed yards upon yards of white cotton cloth, which, in its uncut length, shifted, as she worked, almost imperceptibly piling up a snowy drift in front of her, drawn from the snowy drift behind. This gradual ebb and flow was all that marked any progress in her labor, and her husband, coming in after some hours of absence and finding her, apparently, precisely where he had left her, was moved to ask what manner of garment she was making. "'Tain't a garment at all, Sam. It's a motta." "A motto?" Sam fairly gasped. Martha put on more speed, then took her feet from the treadle, her hands from the cloth-plate. "I guess you forgot what's goin' to happen, ain't you?" she returned, sitting back in her chair, looking up at him amiably. Sam squared his great shoulders. "Going to happen? Oh, you mean--you mean--Mr. and Mrs. Ronald coming home?" "Sure I do!" "Well, but I don't see----" "I didn't suppose you would see. Men ain't much on _seein'_ where sentiment's concerned. They go it blind, an' that's a fack. I s'pose a _man_ would let a gen'lman an' lady come back from their weddin'-tour (which they been gone'most a year on it), and never think o' givin' 'em a welcome home, any more than to find their house an' grounds kep' up, an' their bills kep' down, an' everything in tip-top order. But, with a woman it's different. _I'm_ goin' to give Miss Claire an' Lord Ronald a reception that _is_ a reception. Somethin' they won't forget in a hurry. I'm goin' to have lantrens in the trees, an' a arch of laurel over the gateposts, an' then, as they come on in, they'll see my motta strung acrost the driveway-- HAIL TO THE CHIEF! in big yella letters, hemmed down on this white. An' the childern, all four of 'em, is to sing it, besides. Don't you remember, they learned it at school down home--I should say, in New York, that time the president come back, an' all the public-school childern sung'm a welcome?" Sam bit his lip. "Yes, but that was a little different. Somehow, I think HAIL TO THE BRIDE might be better, don't you?" "No!" said Martha, with decision. "First place, she ain't exackly a bride by this time. When a lady's been married almost a year, an' traveled 'round the world in the meanwhile, I wouldn't call her a bride. An', besides, it wouldn't be polite to single her out, an' sorta leave _him_ in the cold. Everybody knows bridegrooms don't cut much of a figga, but you needn't rub it in. No, I thought it over careful, an' HAIL TO THE CHIEF is what I decided on. HAIL TO THE CHIEF lets us out on responsibility. It's up to them to prove which it hits, see?" Whether Sam did or didn't, he made no further comment. He went and sat himself down in his own particular chair, took up from the center-table the latest number of _The New England Farmer_, and commenced studying it assiduously. A second later, the machine was in motion again, running with great velocity, impelled by Martha's tireless foot. Mrs. Slawson did not look up, when the eldest of her four children, just home from school, came in, and made straight for her side. "Mother-r-r!" No answer. "Say, mother-r-r!" "For goodness' sake, Cora, let go that R. The way you hang on to it, you'd think you was drownin', an' _it_ was a lifeline. Besides, d'you know what I decided to do? I decided to strike. For the rest o' this week, I ain't answerin' to the name o' 'Mother-r-r.' See? There ain't a minute in the day, when some one o' you childern ain't shoutin' it--you, or Francie, or Sammy, or Sabina--an' it's _got on my nerves_, as Mrs. Sherman says. You can call me 'Martha' or 'Little Sunshine' or anythin' else you got a mind to, but 'Mother-r-r,' not on your life." "Say, moth----!" "Look out, now!" "What you sewin' on?" "The machine." "Pooh, you know I don't mean that. What you making? Anything for me?" "No, ma'am." "Well, what _are_ you, then?" "I'm a perfeck lady, an' I'm makin' a motta that proves it." "Mother-r-r, I think you're real mean. All the girls at school have fancier clo'es 'n I got, an' I think you just might make me some new ones, so there!" "Sure I might!" admitted Mrs. Slawson blandly. Cora's lip went out. "Then, why don't you? You got as much time as any other girl's mother. Ann Upton's mother makes all Ann's dresses 'n' things, an' she's got twice's many as I got. She had a new dress, when school took in, in September, an' she got another new one, 'round about New Year's, and now she's got another new one for summer." Martha stroked down a seam with deliberation. "That's
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Produced by an anonymous Project Gutenberg volunteer THE MOTOR GIRLS SERIES by MARGARET PENROSE Author of the highly successful "Dorothy Dale Series" 12mo. Illustrated. Price per volume, 75 cents, postpaid. Since the enormous success or our "Motor Boys Series," by Clarence Young, we have been asked to get out a similar series for girls. No one is better equipped to furnish these tales than Mrs. Penrose, who, besides being an able writer, is an expert automobilist. THE MOTOR GIRLS ON A TOUR CONTENTS I A SPOILED DINNER. II THE WOODLAND CONFERENCE. III "NO BOYS!" IV THE STRANGE PROMISE. V A LITTLE BROWN WREN VI THE HOLD-UP VII A CHANCE MEETING. VIII JACK AND CLIP IX THE MYSTERIOUS RIDE. X "THEY'RE OFF!" XI THOSE DREADFUL BOYS. XII THE GIRL IN THE DITCH XIII AT THE GROTTO XIV THE PROMISE BOOK LOST XV ROB ROLAND XVI A STRANGE MESSAGE XVII THE ROAD TO BREAKWATER XVIII THE CLUE. XIX PAUL AND HAZEL XX AT THE MAHOGANY SHOP XXI PERPLEXITIES XXII THE CHILDREN'S COURT XXIII THE MOTOR GIRLS ON THE WATCH. XXIV CORA'S RESOLVE. XXV A WILD RUN XXVI
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Produced by Julia Miller and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from scans of public domain material produced by Microsoft for their Live Search Books site.) Transcriber's Note A number of typographical errors and inconsistencies have been maintained in this version of this book. They have been marked with a [TN-#], which refers to a description in the complete list found at the end of the text. Oe ligatures have been expanded. [Illustration: Fig. 1.--Gateway at Labna. [See p. 144.] ANCIENT AMERICA, IN NOTES ON AMERICAN ARCHAEOLOGY. BY JOHN D. BALDWIN, A.M., AUTHOR OF "PRE-HISTORIC NATIONS." _WITH ILLUSTRATIONS._ NEW YORK: HARPER & BROTHERS, PUBLISHERS, FRANKLIN SQUARE. Entered according to Act of Congress, in the year 1871, by JOHN D. BALDWIN, In the Office of the Librarian of Congress, at Washington. PREFACE. The purpose of this volume is to give a summary of what is known of American Antiquities, with some thoughts and suggestions relative to their significance. It aims at nothing more. No similar work, I believe, has been published in English or in any other language. What is known of American Archaeology is recorded in
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E-text prepared by Delphine Lettau THE COUNTESS OF ESCARBAGNAS. (LA COMTESSE D'ESCARBAGNAS.) by MOLIERE Translated into English Prose. With Short Introductions and Explanatory Notes. by Charles Heron Wall 'La Comtesse d'Escarbagnas' was acted before the Court at Saint-Germain-en-Laye, on December 2, 1671, and in the theatre of the Palais Royal on July 8, 1672. It was never printed during Moliere's lifetime, but for the first time only in 1682. It gives us a good picture of the provincial thoughts, manners, and habits of those days. PERSONS REPRESENTED THE COUNT, _son to the_ COUNTESS. THE VISCOUNT, _in love with_ JULIA. MR. THIBAUDIER, _councillor, in love with the_ COUNTESS. MR. HARPIN, _receiver of taxes, also in love with the_ COUNTESS. MR. BOBINET, _tutor to the_ COUNT. JEANNOT, _servant to_ MR. THIBAUDIER. CRIQUET, _servant to the_ COUNTESS. THE COUNTESS OF ESCARBAGNAS. JULIA, _in love with the_ VISCOUNT. ANDREE, _maid to the_ COUNTESS. _The scene is at Angouleme._ SCENE I.--JULIA, THE VISCOUNT. VISC. What! you are here already? JU. Yes, and you ought to be ashamed of yourself, Cleante; it is not right for a lover to be the last to come to the rendezvous. VISC. I should have been here long ago if there were no importunate people in the world. I was stopped on my way by an old bore of rank, who asked me news of the court, merely to be able himself to detail to me the most absurd things that can well be imagined about it. You know that those great newsmongers are the curse of provincial towns, and that they have no greater anxiety than to spread, everywhere abroad all the tittle-tattle they pick up. This one showed me, to begin with, two large sheets of paper full to the very brim with the greatest imaginable amount of rubbish, which, he says, comes from the safest quarters. Then, as if it were a wonderful thing, he read full length and with great mystery all the stupid jokes in the Dutch Gazette, which he takes for gospel.[1] He thinks that France is being brought to ruin by the pen of that writer, whose fine wit, according to him, is sufficient to defeat armies. After that he raved about the ministry, spoke of all its faults, and I thought he would never have done. If one is to believe him, he knows the secrets of the cabinet better than those who compose it. The policy of the state is an open book to him, and no step is taken without his seeing through it. He shows you the secret machinations of all that takes place, whither the wisdom of our neighbours tends, and controls at his will and pleasure all the affairs of Europe. His knowledge of what goes on extends as far as Africa and Asia, and he is informed of all that; is discussed in the privy council of Prester John[2] and the Great Mogul. JU. You make the best excuse you can, and so arrange it that it may pass off well and be easily received. VISC. I assure you, dear Julia, that this is the real reason of my being late. But if I wanted to say anything gallant, I could tell you that the rendezvous to which you bring me here might well excuse the sluggishness of which you complain. To compel me to pay my addresses to the lady of this house is certainly reason enough for me to fear being here the first. I ought not to have to bear the misery of it, except when she whom it amuses is present. I avoid finding myself alone with that ridiculous countess with whom you shackle me. In short, as I come only for your sake, I have every reason to stay away until you are here. JU. Oh! you will never lack the power of giving a bright colour to your faults. However, if you had come half an hour sooner, we should have enjoyed those few moments. For when I came, I found that the countess was out, and I have no doubt that she is gone all over the town to claim for herself the honour of the comedy you gave me under her name. VISC. But, pray, when will you put an end to this, and make me buy less dearly the happiness of seeing you? JU. When our parents agree, which I scarcely dare hope for. You know as well as I do that the dissensions which exist between our two families deprive us of the possibility of seeing each other anywhere else, and that neither my brothers nor my father are likely to approve of our engagement. VISC. Yes; but why not profit better by the opportunity which their enmity gives us, and why oblige me to waste, under a ridiculous deception, the moments I pass near you? JU. It is the better to hide our love; and, besides, to tell you the truth, this deception you speak of is to me a very amusing comedy, and I hardly think that the one you give me to-day will amuse me as much. Our Countess of Escarbagnas, with her perpetual infatuation for "quality," is as good a personage as can be put on the stage. The short journey she has made to Paris has brought her back to Angouleme more crazy than ever. The air of the court has given a new charm to her extravagance, and her folly grows and increases every day. VISC. Yes; but you do not take into consideration that what amuses you drives me to despair; and that one cannot dissimulate long when one is under the sway of love as true as that which I feel for you. It is cruel to think, dear Julia, that this amusement of yours should deprive me of the few moments during which I could speak to you of my love, and last night I wrote on the subject some verses that I cannot help repeating to you, so true is it that the mania of reciting one's verses is inseparable from the title of a poet: "Iris, too long thou keepst on torture's rack One who obeys thy laws, yet whisp'ring chides In that thou bidst me boast a joy I lack, And hush the sorrow that my bosom hides. Must thy dear eyes, to which I yield my arms, From my sad sighs draw wanton pleasure still? Is't not enough to suffer for thy charms That I must grieve at thy capricious will? This double martyrdom a pain affords Too keen to bear at once; thy deeds, thy words, Work on my wasting heart a cruel doom, Love bids it burn; constraint its life doth chill. If pity soften not thy wayward will, Love, feigned and real, will lead me to the tomb." JU. I see that you make yourself out much more ill-used than you need; but it is the way with you poets to tell falsehoods in cold blood, and to pretend that those you love are much more cruel than they are, in order to make them correspond to the fancies you may take into your heads. Yet, I should like you, if you will, to give me those verses in writing. VISC. No, it is enough that I have repeated them to you, and I ought to stop there. A man may be foolish enough to make verses, but that is different from giving them to others. JU. It is in vain for you to affect a false modesty; your wit is well known, and I do not see why you should hide what you write. VISC. Ah! we must tread here with the greatest circumspection. It is a dangerous thing to set up for a wit. There is inherent to it a certain touch of absurdity which is catching, and we should be warned by the example of some of our friends. JU. Nonsense, Cleante; I see that, in spite of all you say, you are longing to give me your verses; and I feel sure that you would be very unhappy if I pretended not to care for them. VISC. I unhappy? Oh! dear no, I am not so much of a poet for you to think that I... but here is the Countess of Escarbagnas; I'll go by this door, so as not to meet her, and will see that everything is got ready for the play I have promised you. SCENE II.--THE COUNTESS, JULIA; ANDREE and CRIQUET _in the background_. COUN. What, Madam, are you alone? Ah! what a shame! All alone! I thought my people had told me that the Viscount was here. JU. It is true that he came, but it was sufficient for him to know that you were not at home; he would not stop after that. COUN. What! did he see you? JU. Yes. COUN. And did he not stop to talk with you? JU. No, Madam; he wished to show you how very much he is struck by your charms. COUN. Still, I shall call him to account for that. However much any one may be in love with me, I wish them to pay to our sex the homage that is due to it. I am not one of those unjust women who approve of the rudeness their lovers display towards other fair ones. JU. You must in no way be surprised at his conduct. The love he has for you shows itself in all his actions, and prevents him from caring for anybody but you. COUN. I know that I can give rise to a strong passion; I have for that enough of beauty, youth, and rank, thank Heaven; but it is no reason why those who love me should not keep within the bounds of propriety towards others. (_Seeing_ CRIQUET.) What are you doing there, little page? is there not an ante-room for you to be in until you are called? It is a strange thing that in the provinces we cannot meet with a servant who knows his place! To whom do you think I am speaking? Why do you not move? Will you go outside, little knave that you are! SCENE III.--THE COUNTESS, JULIA, ANDREE. COUN. Come hither, girl. AND. What do you wish me to do, Ma'am? COUN. To take off my head-dress. Gently, you awkward girl: how roughly you touch my head with your heavy hands! AND. I do it as gently as I can, Ma'am. COUN. No doubt; but what you call gently is very rough treatment for my head. You have almost put my neck out of joint. Now, take also this muff; go and put it with the rest into the closet; don't leave anything about. Well! where is she going to now? What is the stupid girl doing? AND. I am going to take this into the closet, as you told me, Ma'am. COUN. Ah! heavens! (_To_ JULIA) Pray, excuse her rudeness, Madam. (_To_ ANDREE) I told you my closet, great ass; that is the place where I keep my dresses. AND. Please, Ma'am, is a cupboard called a closet at court? COUN. Yes, dunce; it is thus that a place where clothes are kept is called. AND. I will remember it, Ma'am, as well as the word furniture warehouse for your attic. SCENE IV.--THE COUNTESS, JULIA. COUN. What trouble it gives me to have to teach such simpletons. JU. I think them very fortunate to be under your discipline, Madam. COUN. She is my nurse's daughter, whom I have made lady's-maid; the post is quite new to her, as yet
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Produced by Mardi Desjardins & the online Distributed Proofreaders Canada team at http://www.pgdpcanada.net from page images generously made available by the HathiTrust Digital Library (https://www.hathitrust.org) EIGHT GIRLS AND A DOG [Illustration: “‘WELL, YOU _ARE_ A PROPER-LOOKING LOT!’ MRS. LENNOX EXCLAIMED AS THE GIRLS FILED IN.”] S^{T}. NICHOLAS BOOKS EIGHT GIRLS AND A DOG _BY_ CAROLYN WELLS NEW YORK • THE CENTURY CO • MCMIV Copyright, 1902, by THE CENTURY CO. ——— _Published October, 1902_ THE DEVINNE PRESS TO LOUISE FRANCES STEVENS CONTENTS CHAPTER PAGE I PILLOWS AND PITCHERS 3 II ON THE ROAD 22 III THE FUN BEGINS 41 IV THE “WHITECAP” 63 V THE ENCHANTED PRINCESS 82 VI HESTER’S DINNER 99 VII THE INDIAN CALLER 121 VIII FRITTERS AND SALAD 137 IX GENIUS BURNS 151 X THE PLAY’S THE THING 168 XI A SUCCESSFUL PERFORMANCE 187 XII THE BOYS’ ENTERTAINMENT 200 XIII HIDE-AND-SEEK 213 XIV WILLING SERVICE 231 XV HILARIOUS HOSPITALITY 244 XVI A WELCOME INVITATION 256 LIST OF ILLUSTRATIONS PAGE “Well, you _are_ a proper-looking _Frontispiece_ lot!” Mrs. Lennox exclaimed as the girls filed in “Mr. Bond is holding Timmy Loo,” 25 said Helen Marjorie and Millicent ordering 51 things alternately Millicent declared she looked like 61 Tweedledee prepared for his fight with Tweedledum “Who are you?” she said in a low, 93 mysterious whisper “This is the only correct and 113 elegant way to fill a swing-lamp” Timmy Loo 133 The gem of the collection 235 NOTE.—A portion of this book was published in the “St. Nicholas Magazine” under the title of “Hilarity Hall.” EIGHT GIRLS AND A DOG CHAPTER I PILLOWS AND PITCHERS ‟IS there any way to pack pillows in pitchers?” said Marjorie, framing herself in the front doorway, one hand grasping recklessly the handles of three large pitchers, and both arms full of sofa-pillows. The group on the veranda looked up at her doubtfully. “Yes,” said brilliant Nan. “Have your pitchers bigger than your pillows, and the thing is done.” “But the pillows are bigger than the pitchers.” “Then pack the pitchers in the pillows,” said Betty. “Why, of course! Betty, you’re a genius!” And Marjorie disappeared with her burdens, while the girls on the veranda fell to chattering again like half a dozen shirt-waisted magpies. Now I know that a story with eight heroines is an imposition upon even the gentlest of readers; but you see there were eight girls in the Blue Ribbon Cooking Club; and when their president, Marjorie Bond, proposed that they go down to Long Beach and spend a fortnight all by themselves in her father’s cottage, the whole club rose up as one girl and voted aye. Objections were disposed of as fast as they were raised. Permission? The girls were sure that the sixteen parents concerned could be persuaded to see the matter in a favorable light. Expense? That should be divided equally among them all. Trouble? Would be more than compensated by the fun. Luggage? Not so very much required; the house was completely furnished, except with linen and silver, and each girl should take her share. Burglars? That idea caused some apprehension; but when Marjorie said that Uncle Ned and Aunt Molly would be right next door, plans were suggested sufficient to scare any reasonably cautious burglar out of his wits. And so the preliminaries had been arranged, and the date decided upon, and the day had come. It was Thursday morning, and they were to leave on the noon train; and now, although ten o’clock had struck, six sailor-hatted girls were gathered on the Bonds’ veranda, hurriedly making final arrangements and frantically trying to remember what were the most important things they had forgotten. “It’s like a fire,” Jessie Carroll was saying; “you know people always save their old trash and leave their best things to burn up. Now I’m sure I’ve packed just the very things we won’t want and left at home the things we’ll need most. And that reminds me—Nan, can’t I put my best hat in your box? I just _had_ to take my down comfortable, and it was so puffy it wouldn’t leave room for anything else.” “Oh, don’t take your best hat,” cried Betty Miller; “we’re not going down to Long Beach to dress up and be giddy. It’s so late in the season none of the summer boarders will be there, and we’re just going to wear flannel frocks all day, and tramp in the woods and loll in the hammocks and get brown as berries and hungry as hunters and uncivilized as—as Hottentots.” “Yes, Betty; but remember somebody has to cook for these hungry Hottentots,” said Mrs. Bond, smiling. “Aren’t you afraid, girls, that you’ll get tired of cooking? And you’ll find that there’s a great deal of work connected with housekeeping if you do it all yourselves.” “Oh, no, indeed, Mrs. Bond,” said Nan Kellogg. “I just love to cook, and I don’t mind housework a bit. Mamma thinks it will be good training for me.” “Such doings!” exclaimed Grandma Bond, a lovely old lady of the silver-haired, apple-cheeked variety. “Living on chafing-dish foolery for two weeks! You’ll all be ill or starved to death in three days, and you’ll wish yourselves back in your comfortable homes.” “Not we, grandma!” cried Betty. “We have a gas-stove and a range besides our beloved chafing-dish, and we won’t starve. But if Nan makes our Welsh rarebits I’ll not promise that we won’t be ill. Her concoctions are the stuff that dreams are made on. Oh, here’s Helen. What’s your misfortune, my pretty maid?” Helen Morris came up on the veranda and dropped into a big wicker chair and fanned herself with her hat. “Girls, I’m exhausted! You know I said I’d take all the things for afternoon tea, but I had no idea there were so many. Why, I’ve packed a whole barrel and they’re not all in yet. To be sure, it’s mostly tissue-paper and excelsior; but I was so afraid they’d break. And I couldn’t get the tea-cozy in at all, or the Dresden cups; I’d hate to break _them_.” “Yes,” said Betty, sympathetically; “_don’t_ break the tea-cozy, whatever you do, if it’s that pretty yellow satin one. But you’ve no ingenuity, Nell; why don’t you wear it down on your head? Then you’ll look like a drum-major.” “I will if you’ll all obey my orders. Well, this won’t do for me. I must go back and reason with those tea-things. I just ran over a minute because I saw you all here. If I can’t get them into the barrel I’ll have to take a cask besides. Good-by. I’ll meet you at the train. What time do we start?” “Twelve-ten,” replied Hester Laverack. “I’ll go home with you, Helen, and help you pack your china.” “Yes, do,” said Betty; “two heads are better than one in any barrel.” But the two heads were already bobbing down the walk, and didn’t hear Betty’s parting shot. “Nell’s crazy,” remarked Millicent Payne, who always did everything leisurely, yet always had it done on time. “I do hope her barrel will go safely, for her tea-cups and things are lovely.” “Shall we have tea _every_ afternoon?” asked Marguerite Alden, a fragile wisp of a girl who looked as if a real strong ocean breeze would blow her away. “I’m so glad! I don’t care for the tea at all, but the having it with all us girls together will be such fun, only—I do hate to wash up the tea-things.” “Girlies,” said Mrs. Bond, “I think it would be much better all round if you’d hire a neat little maid to wash your dishes for you. You can probably find one down there, and I’m sure you’ll be glad to have help when you discover what dish-washing for eight means.” “I think it would be heaps better, Mrs. Bond,” said Marguerite. “I don’t see how we can have any fun if we have to work all the time.” “Lazy Daisy!” said Betty. “You won’t do any more than your share. But we won’t let the interloper do any of our cooking; I insist on that.” “All right, Betty,” said Marguerite, or Daisy, as the girls called her, though she wished they wouldn’t; “and you may be chief cook.” “No,” said Betty, “I’m not chief cook—Marjorie is that. I’ll be the first assistant. I’ll prepare the vegetables for her, and be a—a peeler.” “Hurrah for Betty the Peeler!” said Marjorie, appearing again in the front door. “And what am I?” “You’re the cook,” said Millicent. “But we’re all cooks.” “Yes, I know; but you’re head cook, chief cook—cook plenipotentiary, or any title you prefer.” “Then I’ll be cook,” said Marjorie, “just plain cook.” “Indeed, you’ll be more than a plain cook,” said her mother, laughing, “if you attempt all the fancy dishes in all those recipe-books I saw you stowing away in your trunk.” “Oh, they weren’t all recipe-books. Some of them were delectable tales to be read aloud at the twilight hour. I could only take light literature, as the box weighs about a ton now. So I was forced to leave out ‘Advice to Young Maidens’ and Carlyle’s ‘French Revolution,’ for I really hadn’t room.” “I hope you took ‘Rollo Learning to Work,’ for I’m sure we’ll need it.” “No, Betty, I didn’t; but I packed ‘First Aid to the Injured’ and ‘Alice in Wonderland’; we can struggle along with those.” “There’s a circulating library down at Long Beach,” said Nan Kellogg; “we can get books there.” “Now look here, my rising young authoress,” said Betty; “you’re not going down there to read all the time, or write, either. So you may as well make up your mind to it, milady, first as last. We’ll have no bookworms or blue-stockings. ‘Cooks, not Books,’ is our motto. Now, Duchess, look over your lists for the last time; I’m going home to lock my trunk, and then I’m going to don my war-paint and feathers.” “I am, too,” said Nan; “and I want to go down to the station an hour before train-time, so as to have ample leisure to come back for what I forget.” “Good idea,” said Marjorie, approvingly. The girls called her “Duchess” because she had a high-and-mighty way of giving orders. Not an unpleasant way—oh, dear, no! Marjorie Bond was the favorite of the whole village of Middleton. Her stately air was due to the fact that she was rather tall for her sixteen years, and carried herself as straight as an arrow. She could have posed admirably for a picture of Pocahontas. Her dark, bright eyes were always dancing, and her saucy gipsy face was always smiling; for Marjorie had a talent for enjoyment, which she cultivated at every opportunity. The girls said she could get fun out of anything, from a scolding to a jug of sour cream. And that latter fact suggests Marjorie’s pet accomplishment, which, though prosaic, afforded much pleasure to herself and her friends. She was a born cook, and by experiment and experience had become a proficient one. Two years ago she had proposed the Cooking Club, and though not very enthusiastic at first, every one of the eight members would tell you now that nothing in Middleton was ever quite so much fun as the Cooking Club. “I’m sure I’ve thought of everything,” said the Duchess, wrinkling her pretty brows over a handful of scribbled lists. “You’re to bring the forks, Nannie, and a pair of blankets and a table-cloth, and don’t forget your napkin-ring, and your jolly Vienna coffee-pot; and, Betty, take your chafing-dish—we’ll need two; Millicent, you’re responsible for the spoons, and Jessie, knives. Lazy Daisy will take a hammock, and I’ll take one, too; and I’ve packed lots of sofa-pillows, and I hope Helen will take her banjo. I’ve lost my most important list, so I may have forgotten something. But I’ve packed towels, hand and dish, and a scrub-brush and a tack-hammer—and isn’t that all we need to keep house?—except this good-for-nothing little bundle, my own, my only Timmy Loo. Will you go with us, honey?” Marjorie picked up the bundle in question, who wagged his absurd moppy, silvery ears and his still more absurd moppy, silvery tail, and accepted the invitation with a few staccato barks of joy. “That means yes, of course,” said Betty; “his French accent is so perfect, even I can understand it. Well, good-by, Timmy; I’ll see you later. Can you take him on the train, Marjorie?” “No; he’ll have to ride in the baggage-car. But I’ve explained it all to him, and he doesn’t mind; and he’ll keep an eye on our trunks and wheels.” Timmy Loo barked again and blinked his eyes acquiescently, and Betty gave him a final pat on his funny little nose and ran away home. “I must go, too,” said Marguerite, rising as she spoke and picking a full-blown rose from the trellis above her head. A careless observer probably would have called Marguerite the prettiest of all the Cooking Club girls. She was small, slender, and graceful, with a rose-leaf complexion and sea-blue eyes, and a glory of golden hair that the girls called her halo. She was visionary and romantic, and her special chum was Nan Kellogg, who was lounging in the hammock with her hands clasped behind her head and her eyes closed. Nan was a dark-haired, olive-skinned Southern girl, with a poetic temperament and a secret ambition to write verse. “Come, girl,” said Marguerite, dropping rose-petals, one by one, on Nan’s nose. “What are you dreaming of?” “Oh,” said Nan, opening her eyes, “I was thinking what gay old times we’re going to have down there. I’m _so_ glad we’re going! Marjorie, you’re _such_ a darling, I shall dedicate my first book of poems to you.” “Do,” said Marjorie; “but don’t write them while we’re down at Long Beach. What shall we do if you go off on a poetic flight when it’s your turn to boil the potatoes?” “Oh, I sha’n’t boil potatoes; they’re too prosaic. Omelet soufflé is the very plainest thing I shall ever cook.” Grandma Bond groaned. “Margy,” she said despairingly, “I _hope_ you packed the medicine-chest I gave you.” “Oh, yes, grandma; and your bundle of old linen and salve for burns, and your arnica-flowers for bruises, and your sticking-plaster for cuts, and your toothache drops, and your Balsam Balm. Oh, the hospital department will give you a vote of thanks, engrossed and framed. Now go on home, Nan and Daisy; I know you’ll miss the train.” “Yes, we must go. Good-by, grandma.” For all the girls insisted on sharing Marjorie’s grandma, and the dear old lady’s heart was big enough for them all. “Good-by, grandma; give us a parting word.” Grandma’s eyes twinkled as she replied: “Well, I advise you to remember that too many broths spoil the cook.” Six merry laughs greeted this speech, and Nan replied: “Indeed they do, and I won’t allow more than three kinds of soup at any one meal. Now I’m off, Marjorie; I’ll meet you at the train—and oh, Duchess, I ’most forgot to ask you. Brother Jack says, can he and Ted come down and spend a day with us?” “No, indeed!” cried Marjorie. “We are not going to allow a boy in sight all the time we are there. Tell them we’re sorry to refuse, but we’re not running a co-educational institution, and only girls need apply.” “I did tell him that, but he begged me to ask you again—” “No,” said Marjorie, laughing but positive; “tell him we turn a deaf ear—I mean sixteen deaf ears—to his entreaties, and harden our eight hearts to his appeal. There is no use, girls; if the boys come down they’ll spoil everything; don’t you think so?” “Yes,” said each girl, but with such varying accents that Mrs. Bond laughed heartily, while Marguerite shook her yellow curls and protested that she didn’t want the boys anyway, even if they _did_ bring candy. Then she and Nan went home, and Jessie Carroll said: “We’ll have plenty of candy, Marjorie, for father will send it down whenever I want him to.” “Oh, Jessie, that will be fine! It will be just like boarding-school when the boxes come from home,” said Hester Laverack, who had returned from Helen and her refractory tea-things. Hester was an English girl who had only been in America about a year, and was not yet quite accustomed to the rollicking ways of the rest of the club. “I think,” she went on slowly, “I may take my camera down, if you like; it’ll be rather good fun to take pictures of us all.” “Yes, indeed; you must take your camera,” said Marjorie. “What larks! We’ll have jolly pictures. And if Helen takes her banjo we can sing songs and have concerts, and—oh, dear, the time won’t be half long enough!” “Send me up a picture of the group when you’ve spoiled your dinner in the cooking, and haven’t anything to eat,” said grandma, slyly. “Now, Grandma Cassandra, you mustn’t talk like that,” said Marjorie; “but you can’t dampen our spirits with your dire prognostications; we have too much confidence in our own capabilities. Skip along, girls; I’m going to get ready now, and we’ll all meet at the station.” The crowd scattered, and Millicent Payne said: “Well, I’m the last little Injun, and I reckon I’ll go too, and then there’ll be none.” Millicent Payne was Marjorie’s dearest friend and chum, and lived next door; at least, she was supposed to, but she almost lived at the Bonds’. Millicent was a delightful girl to know; she was so clever and bright, and took such an interest in anything that interested anybody else—such a kind, whole-hearted interest, that was neither curious nor critical. And she had such funny little tricks of imagination. If, for any reason, her surroundings were not quite what she wished they were, she immediately created for herself an environment that suited her better, and, quite oblivious of facts, lived and moved among her fancies. She was devoted to stories and fairy-tales, and would repeat them in an irresistibly funny manner, becoming at times so imbued with the spirit of fantasy that she seemed a veritable witch or pixy herself. “Run along, Millikens,” called Marjorie. “Come back when you’re ready, and we’ll go down together.” CHAPTER II ON THE ROAD THE clock in the railroad station announced high noon, but of all the party only Marjorie and Millicent were there to hear it. Nan Kellogg had fulfilled her own prophecy by coming down fifteen minutes earlier, and then going back home for her cuckoo-clock, which was one of her pet possessions, and which she decided she couldn’t be parted from for two whole weeks. She came flying back, and entered the station by one door just as Betty Miller came in at the other. “Oh,” said Nan, breathlessly, “I thought of course I’d be the last one here. Where are the other girls? But since they’re not here, won’t you hold the clock, Marjorie, and let me run back home and—” “No,” said Betty, decidedly. “You can_not_ go back for anything else. Follow the example of your clock and stop running for a while.” “Has it stopped? I was afraid it would. Never mind; I can set it going after we get there. But I do want to go back and—” “Nan Kellogg, you’ll be put in chains if you are so insubordinate,” broke in Marjorie. “I am commander of this expedition, and I order you to sit down on that bench and not move until the train comes.” Nan laughed, but sat down obediently, holding her precious clock; and then Helen appeared with her banjo, and Hester with her camera. “Have you checked your wheels, girls?” asked Betty. “Yes, with our trunks,” said Helen. “Mr. Bond is keeping watch over them until the train comes; and he is holding Timmy Loo, who is a most important-looking animal just now, dressed in a new red ribbon and a baggage-tag.” “Oh, he’s delighted with his prospective journey,” said Marjorie. “I told him he had the entire charge of our trunks and wheels, and he feels the responsibility. Oh, here’s Jessie. Now we’re all here but Marguerite. Where is she, Nan?” “Who? Daisy? Oh, she’ll be here in a minute. I think she waited to learn how to make soup.” “She’ll be in it if she doesn’t hurry,” said Nan. “I think I’ll go and poke her up.” “Don’t do it!” cried Betty. “You’ll miss her, and then we won’t have either of you. Here she comes now, grinning like a Chessy cat.” Dainty Marguerite, in her fresh white duck suit and pink shirt-waist, came in, smiling radiantly. [Illustration: “‘MR. BOND IS HOLDING TIMMY LOO.’ SAID HELEN.”] “Girls,” said she, “Aunt Annie was at our house, and she taught me a new soup. It’s wonderful, and I’ll make it for you, if you want it, the first thing.” “Of course we want it the first thing,” said Nan. “Did you suppose we thought it was a dessert?” “Come, girls!” called Mr. Bond, from the platform, as the train that was to have the honor of carrying the party puffed into the station and came noisily to a standstill. “Are you ready? All aboard! Good-by, Margy dear; don’t set the house afire. Who is the Matron of this crowd, anyway? I’d like a word with her.” Marjorie looked at the girls. “I think Marguerite is,” she said. “She’s the youngest and smallest and rattle-patedest. Yes, she shall be our Matron.” “Very well, then, Matron Daisy, I consign these young barbarians to your care, and I put them and my house in your charge, and I shall expect you to render me an account when you come back.” “Don’t scare me, Mr. Bond,” pleaded Marguerite, shaking her yellow curls. “If the responsibility proves too much for me I shall run away and leave them to their fate. But I think I can manage them, and I’ll rule them with a rod of iron.” And then the bell rang, and Mr. Bond jumped off the train just in time; and he waved his hat, and the girls waved their handkerchiefs from the windows, until they were whisked away out of his sight. “Now, my children,” said Marguerite, highly elated at her absurd title of Matron, “you are in my care, and I must look after you. Why, where are Nan and Helen?” Sure enough, only six of the girls were to be seen; but just at that moment the two missing ones were escorted through the now wabbling doorway by an official. They were rather red-faced, and explained that they had seated themselves in the smoking-car by mistake, and the brakeman had kindly brought them back to their friends. “I am shocked,” said Marguerite, severely. “Sit down there at once, and after this follow my directions more closely.” Then the eight girls were quickly paired off, and the general chatter was broken up into dialogues. Mindful of her position as Matron, Marguerite kept a watchful eye on her charges. To be sure, the watchful eye was so bright and merry that as a
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6)*** E-text prepared by Louise Hope, Chris Curnow, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive/Canadian Libraries (http://archive.org/details/toronto) Note: Images of the original pages are available through Internet Archive/Canadian Libraries. See http://archive.org/details/pastonlettersad02gairuoft Project Gutenberg has the other volumes of this work. Volume I: see http://www.gutenberg.org/ebooks/43348 Volume III: see http://www.gutenberg.org/ebooks/41024 Volume IV: see http://www.gutenberg.org/ebooks/41081 Volume V: see http://www.gutenberg.org/ebooks/42239 Volume VI, Part 1 (Letters, Chronological Table): see http://www.gutenberg.org/ebooks/42240 Volume VI, Part 2 (Index): see http://www.gutenberg.org/ebooks/42494 Transcriber's note: The Gairdner edition of the Paston Letters was printed in six volumes. Each volume is a separate e-text; Volume VI is further divided into two e-texts, Letters and Index. Volume I, the General Introduction, will be released after all other volumes, matching the original publication order. Except for footnotes and sidenotes, all brackets are in the original, as are parenthetical question marks and (_sic_) notations. Series of dots representing damaged text are as in the printed original. The year was shown in a sidenote at the top of each page; this has been merged with the sidenote at the beginning of each Letter or Abstract. A carat character is used to denote superscription. The character(s) following the carat is superscripted (example: xxviii^me). Braces { } are used only when the superscripted text is immediately followed by non-superscripted letters or period (full stop). Errata and other transcriber's notes are shown in [[double brackets]]. The notation "corrected by editor" refers to the Errata printed in Volume VI. "(o)" is used to represent the male ordinal. Footnotes have their original numbering, with added page number to make them usable with the full Index. They are grouped at the end of each Letter or Abstract. Typographical errors are listed at the end of each Letter, after the footnotes. In the primary text, errors were only corrected if they are clearly editorial, such as missing italics, or mechanical, such as u-for-n misprints. Italic "d" misprinted as "a" was a recurring problem. The word "invisible" means that there is an appropriately sized blank space, but the letter or punctuation mark itself is missing. The spelling "Jhon" is not an error. Gresham and Tresham are different people. Note that the printed book used z to represent original small letter yogh. This has not been changed for the e-text. This edition, published by arrangement with Messrs. ARCHIBALD CONSTABLE AND COMPANY, LIMITED, is strictly limited to 650 copies for Great Britain and America, of which only 600 sets are for sale, and are numbered 1 to 600. No. 44. [[The number 44 is handwritten.]] * * * * * * * * * THE PASTON LETTERS A.D. 1422-1509 * * * * * * * * * THE PASTON LETTERS A.D. 1422-1509 New Complete Library Edition Edited with Notes and an Introduction By JAMES GAIRDNER of the Public Record Office _VOLUME II_ London Chatto & Windus [Decoration] Exeter James G. Commin 1904 Edinburgh: T. and A. CONSTABLE, Printers to His Majesty THE PASTON LETTERS _Early Documents_ Before entering upon the correspondence of the Paston family, in the reign of Henry VI., we have thought it well to give the reader a brief note of such deeds and charters of an earlier date as appear either to have been preserved in the family, or to have any bearing on its history. The following is a list of those we have been able to meet with either in the originals or in other quarters, such as Blomefield's _History of Norfolk_, where notices are given of several documents, which appear now to have got into unknown hands. The documents seen by Blomefield, and those from the Paston and Dawson-Turner collections, now in the British Museum, were probably all at one time part of the Paston family muniments. The three Harleian charters seem to have been derived from a different source. A Deed is cited by Blomefield (_Hist. Norf._ vi. 480), by which Anselm, Abbot of St. Benet's, Hulme, and the Convent there, gave to Osbern, the priest (said by Blomefield to have been a son of Griffin de Thwait, the founder of the Paston family), the land of St. Benet's of Paston (_terram Sancti Benedicti de Paston_), in fee, for half the farm of one _caruca_, as his ancestors used to pay for the same. Also a Deed of William the Abbot (who lived in King Stephen's reign), granting to Richer de Pastun, son of Osbern, son of Griffin de Thwete, all the land that the Convent held in Pastun, with their men, and other pertinencies. Also a Deed of Covenant between Richer de Paston and Reginald the Abbot, and Convent of St. Benet's, Holme, that when peace should be settled in England, and pleas held in the Court of our Lord the King, the said Richer would, at the request and at the expense of the Abbot, give him every security in Court to release the lands in Pastun. 'Ralph de Paston was son, as I take it' (says Blomefield) 'of this Richer, and appears to have had two sons, Richard and Nicholas. 'Richard, son of Ralph de Paston, by his deed, _sans_ date, granted to Geoffrey, son of Roger de Tweyt, lands in this town (Oxnead), paying 9d. per ann. for his homage and service, 40s. for a fine (_in gersumam_), and paying to him and his heirs on the feasts of St. Andrew, Candlemas, Pentecost, and St. Michael, on each feast, 2s. _ob._ He sealed with one _lis_. Laurence de Reppes, William and John, his brother, William de Bradfield, &c., were witnesses.' --Blomefield, vi. 480-1. 'There was also another branch of this family, of which was Wystan, or Wolstan, de Paston, which I take to be the lineal ancestor of Sir William Paston, the Judge, and the Earls of Yarmouth. This Wolstan lived in the reign of Henry II. and Richard I., and married, as is probable, a daughter of the Glanvilles, as appeared from an impalement of Paston and Glanville in the windows of Paston Hall in Paston. His son and heir styled himself Robert de Wyston and Robert de Paston; who, dying in or about 1242, was buried at Bromholm, and left Edmund de Paston. To this Edmund, son of Robert, son of Wolstan de Paston, Sir Richard de Paston gave the land in Paston which Robert, his father, held of him and Nicholas, his brother, by deed _sans_ date.' --Blomefield, vi. 481. Undated Deed of Nicholaus filius Radulfi Diaconi de Paston, granting to Robert, son of Wistan de Paston, two parcels of land--one of them abutting on the lands of Eudo de Paston. Witnesses--Richard de Trunch; Will. Esprygy; Ralph de Reppes; Roger de Reppes; Richard, s. of Ralph de Baketon; John de Reppes; Roger, s. of Warin de Paston; Hugh, s. of Will. de Paston, &c.--Add. Charter 17,217, B.M. (Paston MSS.). Undated Deed of Richard, son of Ralph de Pastune, granting to Edmund, son of Robert Wistan de Pastune, lands in Pastune, &c.--(_Seal attached, in fine condition._)--Add. Charter 17,218, B.M. (Paston MSS.). Blomefield also mentions (vi. 481) that Nicholas, son of Ralph de Paston, gave lands to Robert, son of Wystan de Paston, by deed _sans date_. Witness, Roger de Repps. Undated Deed Poll, by which Richard, the son of Ralph, Deacon of Paston, grants to Edmund, the son of Robert Wiston of Paston, certain lands at Paston.--Add. Charter 14,810, B.M. (D. Turner's Collection of Deeds relating to Norfolk). Richard, son of Ralph de Paston, according to Blomefield (xi. 24), gave 12_d._ a year rent in Paston to the Priory of Bromholm. This gift is also mentioned by Richard Taylor in his Index Monasticus of the Diocese of Norwich, p. 15, where the purpose of the endowment is said to be 'to keep their books in repair.' Deed, cited by Blomefield (vi. 481), by Richard, son of John, son of Richard de Paston, granting to Richer Alunday and his heirs his native Alan de Tilney, with all his family, &c. (_cum tota sequela_), and 7 acres of land in Paston and Knapton, with messuages, &c., for 4 marks of silver _in gersumam_, and a rent of 22_d._ a year. Undated Deed Poll, whereby William, the son of Robert Barrett, grants to Edmund, the son of Robert Whiston of Paston, certain lands in the Common Field of Paston.--Add. Charter 14,813, B.M. (D. Turner's Coll.). Undated Indenture between Clement Parcerit of Gimmingham, and Cecil, his wife, and Edmund, the son of Robert de Paston, concerning lands in Paston Field.--Add. Charter 14,814, B.M. (D. Turner's Coll.). Undated Deed Poll, by which Richard de Lessingham grants to William, son of Robert de Paston, certain lands in the Common Field of Paston.--Add. Charter 14,812 (D. Turner's Coll.). Ancient Deed of Nich. Chancehose of Baketun granting to Edmund
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Produced by Al Haines [Illustration: Cover art] [Frontispiece: He could picture in the next box Cydonia's golden head at just the same angle and in between the narrow velvet curtains barely separating the pair. _See page 93_.] THE MAN WITH THE DOUBLE HEART BY MURIEL HINE (MRS. SIDNEY COXON) LONDON: JOHN LANE, THE BODLEY HEAD NEW YORK: JOHN LANE COMPANY TORONTO: BELL & COCKBURN : : MCMXIV COPYRIGHT, 1914 BY JOHN LANE COMPANY J. J. Little & Ives Company New York, U. S. A. TO MY MOTHER Some starlit garden grey with dew Some chamber flushed with wine and fire What matters where, so I and you Are worthy our desire? --_W. L. Henley_. THE MAN WITH THE DOUBLE HEART PART I "Flower o' the broom Take away love and our earth is a tomb!" --_R. Browning_. CHAPTER I The hour was close on midday, but the lamps in Cavendish Square shone with a blurred light through the unnatural gloom. The fog, pouring down from Regent's Park above, was wedged tight in Harley Street like a wad of dirty wool, but in the open space fronting Harcourt House it found room to expand and took on spectral shape; dim forms with floating locks that clung to the stunted trees and, shuddering, pressed against the high London buildings which faded away indistinctly into the blackened sky. From thence ragged pennons went busily fluttering South to be caught in the draught of the traffic in noisy Oxford Street, where hoarse and confusing cries were blent with the rumble of wheels in all the pandemonium of man at war with the elements. The air was raw and sooty, difficult to breathe, and McTaggart, already irritable with the nervous tension due to his approaching interview, his throat dry, his eyes smarting as he peered at the wide crossing, started violently as the horn of an unseen motor sounded unpleasantly near at hand. "Confound the man!" he said, in apology to himself and stepped back quickly onto the narrow path as a shapeless monster with eyes of flame swung past, foiled of its prey. "A nice pace to go on a day like this!" And here something struck him sharply in the rear, knocking his hat forward onto the bridge of his nose. "What the...!" he checked his wrath with a sudden shamefaced laugh as he found his unseen adversary to consist of the square railings. Somewhere down Wigmore Street a clock boomed forth the hour. A quarter to twelve. McTaggart counted the strokes and gave a sigh of relief not unmixed with amusement: the secret congratulation of an unpunctual man redeemed by an accident from the error of his ways. Wedging his hat more firmly down on his head, he dared again the black space before him, struck the curb on the opposite side and, one hand against the wall, steered round the corner and up into Harley Street. Under the first lamp he paused and hunted for the number over the nearest door where four brass plates menaced the passer-by with that modern form of torture that few live to escape--the inquisitorial process known as dentistry. Making a rapid calculation, he came to the conclusion that the house he sought must lie at the further end of the street--London's "Bridge of Sighs"--where breathless hope and despair elbow each other ceaselessly in the wake of suffering humanity. The fog was changing colour from a dirty yellow to opal, and the damp pavement was becoming visible as McTaggart moved forward with a quick stride that held an elasticity which it did not owe to elation. He walked with an ease and lightness peculiar in an Englishman who, athletic as he may be, yet treads the earth with a certain conscious air of possessing it: a tall, well-built man, slender and very erect, but without that balanced stiffness, the hall-mark of "drill." A keen observer would guess at once an admixture of blood that betrayed its foreign strain in that supple grace of his; in the olive skin, the light feet, and the glossy black hair that was brushed close and thick to his shapely head. Not French. For the Frenchman moves on a framework of wire, fretting toward action, deadly in attack. But the race that bred Napoleon, subtle and resistant, built upon tempered steel that bends but rarely breaks. Now, as he reached the last block and the house he sought, McTaggart paused for a second, irresolute, on the step. He seemed to gather courage with a quick indrawn breath, and his mouth was set in a hard line as his hand pressed the bell. Then he raised his eyes to the knocker above, and with the slight action his whole face changed. For, instead of being black beneath their dark brows, the man's eyes were blue, an intense, fiery blue; with the clear depths and the temper touch that one sees nowhere else save in the strong type of the hardy mountain race. They were not the blue of Ireland, with her half-veiled, sorrowful mirth; nor the placid blue of England, that mild forget-me-not. They were utterly unmistakable; they brought with them a breath of heather-gloried solitude and the deep and silent lochs. Here was a Scot--a hillsman from the North; no need of his name to cry aloud the fact. And yet... The door was opened, and at once the imprisoned fog finding a new outlet drove into the narrow hall. A tall, bony parlour maid was staring back at him as, mechanically, McTaggart repeated the great man's name. "You have an appointment, sir?" Her manner seemed to imply that her dignity would suffer if this were not the case. Satisfied by his answer, she ushered him into a room where a gas fire burned feebly with an apologetic air, as though painfully conscious of its meretricious logs. Half a dozen people, muffled in coats and furs, were scattered about a long dining table, occupied in reading listlessly the papers, to avoid the temptation of staring at each other. The place smelt of biscuits, of fog and of gas, like an unaired buffet in a railway station. McTaggart, weighed down by a sense of impending doom, picked up a "Punch" and retired to the window, ostensibly to amuse himself, in reality to rehearse for the hundredth time his slender stock of "symptoms." The clock ticked on, and a bleak silence reigned, broken at intervals by the sniff of a small boy, who, accompanied by a parent and a heavy cold in the head, was feasting his soul on a volume of the "Graphic." Something familiar in the cartoon under his eyes drew McTaggart away from his own dreary thoughts. "I mustn't forget to tell him..." he was saying to himself, when he realized that the paper he held was dated five months back! He felt immediately quite unreasonably annoyed. A sudden desire to rise up and go invaded his mind. In his nervous state the excuse seemed amply sufficient. A "Punch" five months old!... it was a covert insult. A doctor who could trade on his patient's credulity--pocketing his three guineas, don't forget that!--and offer them literature but fit to light the fire... A "Punch" Five Months Old!... he gathered up his gloves. But a noiseless step crossed the room, a voice whispered his name. "Mr. McTaggart? This way, please." He found himself following the bony parlour maid, past the aggressive eyes of the still-waiting crowd, out into the hall and down a glass-roofed passage. "Now I'm in for it..." he said silently... "Oh!... _damn_!" He put on his most truculent air. The maid tapped at a door. "Come in," said a sharp voice. McTaggart entered and stood still for a moment, blinking on the threshold, irresolute. For the scene was unexpected. Despite the heavy fog that filtered through the windows with its insidious breath, a hint of Spring was there in the fresh white walls, the rose-covered chintzes and the presence of flowers. The place seemed filled with them. An early bough of blossom, the exquisite tender pink of the almond in bloom, stood against a mirror that screened a recess; and the air was alive with the scent of daffodils, with subtle yellow faces, like curious Chinamen, peering over the edge of a blue Nankin bowl. In the centre of the room a man in a velvet coat was bending over a mass of fresh violets, adding water carefully to the surrounding moss out of a copper jug that he held in his hands. McTaggart stared at him; at the lean, colourless face under its untidy thatch of coarse, gray hair; at the spare figure, the long, steady hands and the loose, unconventional clothes that he wore. He might have been an artist of Rossetti's day in that shabby brown coat and soft faded shirt. But the great specialist--whose name carried weight wherever science and medicine were wont to foregather. Had he made a mistake? It seemed incredible. The doctor gave a parting touch to an overhanging leaf and wheeled round to greet his patient with a smile. "I can't bear to see flowers die from lack of care, and this foggy weather tries
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Produced by Albert Imrie A SHROPSHIRE LAD By A. E. Housman Introduction by William Stanley Braithwaite 1919 INTRODUCTION The method of the poems in _ A Shropshire Lad _ illustrates better than any theory how poetry may assume the attire of reality, and yet in speech of the simplest, become in spirit the sheer quality of loveliness. For, in these unobtrusive pages, there is nothing shunned which makes the spectacle of life parade its dark and painful, its ironic and cynical burdens, as well as those images with happy and exquisite aspects. With a broader and deeper background of experience and environment, which by some divine special privilege belongs to the poetic imagination, it is easier to set apart and contrast these opposing words and sympathies in a poet; but here we find them evoked in a restricted locale- an English county-where the rich, cool tranquil landscape gives a solid texture to the human show. What, I think, impresses one, thrills, like ecstatic, half-smothered strains of music, floating from unperceived instruments, in Mr. Housman's poems, is the encounter his spirit constantly endures with life. It is, this encounter, what you feel in the Greeks, and as in the Greeks, it is a spiritual waging of miraculous forces. There is, too, in Mr. Housman's poems, the singularly Grecian Quality of a clean and fragrant mental and emotional temper, vibrating equally whether the theme dealt with is ruin or defeat, or some great tragic crisis of spirit, or with moods and ardours of pure enjoyment and simplicities of feeling. Scarcely has any modern book of poems shown so sure a touch of genius in this respect: the magic, in a continuous glow saturating the substance of every picture and motive with its own peculiar essence. What has been called the "cynical bitterness" of Mr. Housman's poems, is really nothing more than his ability to etch in sharp tones the actualities of experience. The poet himself is never cynical; his joyousness is all too apparent in the very manner and intensity of expression. The "lads" of Ludlow are so human to him, the hawthorn and broom on the Severn shores are so fragrant with associations, he cannot help but compose under a kind of imaginative wizardry of exultation, even when the immediate subject is grim or grotesque. In many of these brief, tense poems the reader confronts a mask, as it were, with appalling and distorted lineaments; but behind it the poet smiles, perhaps sardonically, but smiles nevertheless. In the real countenance there are no tears or grievances, but a quizzical, humorous expression which shows, when one has torn the subterfuge away, that here is a spirit whom life may menace with its contradictions and fatalities, but never dupe with its circumstance and mystery. All this quite points to, and partly explains, the charm of the poems in _ A Shropshire Lad _. The fastidious care with which each poem is built out of the simplest of technical elements, the precise tone and color of language employed to articulate impulse and mood, and the reproduction of objective substances for a clear visualization of character and scene, all tend by a sure and unfaltering composition, to present a lyric art unique in English poetry of the last twenty-five years. I dare say I have scarcely touched upon the secret of Mr. Housman's book. For some it may radiate from the Shropshire life he so finely etches; for others, in the vivid artistic simplicity and unity of values, through which Shropshire lads and landscapes are presented. It must be, however, in the miraculous fusing of the two. Whatever that secret is, the charm of it never fails after all these years to keep the poems preserved with a freshness and vitality, which are the qualities of enduring genius. WILLIAM STANLEY BRAITHWAITE A SHROPSHIRE LAD I 1887 From Clee to heaven the beacon burns, The shires have seen it plain, From north and south the sign returns And beacons burn again. Look left, look right, the hills are bright, The dales are light between, Because 'tis fifty years to-night That God has saved the Queen. Now, when the flame they watch not towers About the soil they trod, Lads, we'll remember friends of ours Who shared the work with God. To skies that knit their heartstrings right, To fields that bred them brave, The saviours come not home to-night: Themselves they could not save. It dawns in Asia, tombstones show And Shropshire names are read; And the Nile spills his overflow Beside the Severn's dead. We pledge in peace by farm and town The Queen they served in war, And fire the beacons up and down The land they perished for. "God Save the Queen" we living sing, From height to height 'tis heard; And with the rest your voices ring, Lads of the Fifty-third. Oh, God will save her, fear you not: Be you the men you've been, Get you the sons your fathers got, And God will Save the Queen. II Loveliest of trees, the cherry now Is hung with bloom along the bough, And stands about the woodland ride Wearing white for
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Produced by Joshua Hutchinson, KarenD and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by Cornell University Digital Collections) Vol. XXXV. No. 12. THE AMERICAN MISSIONARY. * * * * * “To the Poor the Gospel is Preached.” * * * * * DECEMBER, 1881. _CONTENTS_: EDITORIAL. PARAGRAPHS 353 FINANCIAL—APPEALING FACTS 354 ABSTRACT OF PROCEEDINGS AT THE ANNUAL MEETING 355 GENERAL SURVEY 357 SUMMARY OF TREASURER’S REPORT 367 ADDRESS OF SENATOR GEO. F. HOAR 369 EXTRACTS OF ADDRESSES RELATING TO GENERAL WORK 373 THE FREEDMEN. REPORT OF COMMITTEE ON EDUCATIONAL WORK 382 ADDRESS OF REV. C. T. COLLINS 383 ADDRESS OF REV. J. R. THURSTON 386 CHRISTIAN EDUCATION: PROF. CYRUS NORTHROP 388 HIGHER EDUCATION: PRES. E. A. WARE 390 REPORT OF COMMITTEE ON CHURCH WORK 392 ADDRESS OF PRES. CYRUS HAMLIN 393 AFRICA. REPORT ON FOREIGN WORK 395 ADDRESS OF REV. J. W. HARDING 397 ADDRESS OF REV. GEO. S. DICKERMAN 398 THE UPPER NILE BASIN: COL. H. G. PROUT 398 THE INDIANS. REPORT OF THE COMMITTEE 403 ADDRESS OF GEN. S. C. ARMSTRONG 403 ADDRESS OF CAPT. R. H. PRATT 405 THE CHINESE. REPORT OF THE COMMITTEE 406 THE CHINESE TO EVANGELIZE CHINA: REV. C. H. POPE 408 REPORT OF COMMITTEE ON FINANCE 408 ADDRESS OF REV. GEO. F. STANTON 409 VOTE OF THANKS AND REPLY 410 ECHOES OF THE ANNUAL MEETING 411 RECEIPTS 412 CONSTITUTION 416 * * * * * NEW YORK: Published by the American Missionary Association, ROOMS, 56 READE STREET. * * * * * Price, 50 Cents a Year, in advance. Entered at the Post Office at New York, N.Y., as second-class matter. * * * * * American Missionary Association, 56 READE STREET, N.Y. * * * * * PRESIDENT. HON. WM. B. WASHBURN, Mass. VICE-PRESIDENTS. Hon. E. S. TOBEY, Mass. Hon. F. D. PARISH, Ohio. Hon. E. D. HOLTON, Wis. Hon. WILLIAM CLAFLIN, Mass. Rev. STEPHEN THURSTON, D.D., Me. Rev. SAMUEL HARRIS, D.D., Ct. WM. C. CHAPIN, Esq., R.I. Rev. W. T. EUSTIS, D.D., Mass. Hon. A. C. BARSTOW, R.I. Rev. THATCHER THAYER, D.D., R.I. Rev. RAY PALMER, D.D., N.J. Rev. EDWARD BEECHER, D.D., N.Y. Rev. J. M. STURTEVANT, D.D., Ill. Rev. W. W. PATTON, D.D., D.C. Hon. SEYMOUR STRAIGHT, La. Rev. CYRUS W.
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Produced by David Edwards, Haragos PAil and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) UNIFORM WITH JOHN DOUGH AND THE CHERUB THE LAND OF OZ BY L. FRANK BAUM _Elaborately illustrated--in colors_ _and black-and-white by_ _JOHN R. NEILL_ John Dough and the Cherub _by_ L. Frank Baum AUTHOR OF THE WIZARD OF OZ THE LAND OF OZ THE WOGGLE-BUG BOOK FATHER GOOSE QUEEN ZIXI OF IX THE ENCHANTED ISLAND OF YEW, ETC. [Illustration] ILLUSTRATED BY John R. Neill CHICAGO THE REILLY & BRITTON COMPANY PUBLISHERS [Illustration] COPYRIGHT, 1906, BY L. FRANK BAUM All Rights Reserved [Illustration] To my young friend John Randolph Reilly this book is affectionately dedicated L.F.B [Illustration] [Illustration] LIST OF CHAPTERS THE GREAT ELIXIR 9 THE TWO FLASKS 11 THE GINGERBREAD MAN 27 JOHN DOUGH BEGINS HIS ADVENTURES 41 CHICK, THE CHERUB 59 THE FREAKS OF PHREEX 104 THE LADY EXECUTIONER 121 THE PALACE OF ROMANCE 140 THE SILVER PIG 159 PITTYPAT AND THE MIFKETS 166 THE ISLAND PRINCESS 185 PARA BRUIN, THE RUBBER BEAR 206 BLACK OOBOO 220 UNDER LAND AND WATER 238 THE FAIRY BEAVERS 252 THE FLIGHT OF THE FLAMINGOES 273 SPORT OF PIRATE ISLAND 284 HILAND AND LOLAND 294 KING DOUGH AND HIS COURT 308 [Illustration: BOY OR GIRL?] The Great Elixir Over the door appeared a weather-worn sign that read: "JULES GROGRANDE, BAKER." In one of the windows, painted upon a sheet of cardboard, was another sign: "Home-made Bread by the Best Modern Machinery." There was a third sign in the window beyond the doorway, and this was marked upon a bit of wrapping-paper, and said: "Fresh Gingerbread Every Day." When you opened the door, the top of it struck a brass bell suspended from the ceiling and made it tinkle merrily. Hearing the sound, Madame Leontine Grogrande would come from her little room back of the shop and stand behind the counter and ask you what you would like to purchase. Madame Leontine--or Madame Tina, as the children called her--was quite short and quite fat; and she had a round, pleasant face that was good to look upon. She moved somewhat slowly, for the rheumatism troubled her more or less; but no one minded if Madame was a bit slow in tying up her parcels. For surely no cakes or buns in all the town were so delicious or fresh as those she sold, and she had a way of giving the biggest cakes to the smallest girls and boys who came into her shop, that proved she was fond of children and had a generous heart. People loved to come to the Grogrande Bakery. When one opened the door an exquisite fragrance of newly baked bread and cakes greeted the nostrils; and, if you were not hungry when you entered, you were sure to become so when you examined and smelled the delicious pies and doughnuts and gingerbread and buns with which the shelves and show-cases were stocked. There were trays of French candies, too; and because all the goods were fresh and wholesome the bakery was well patronized and did a thriving business. The reason no one saw Monsieur Jules in the shop was because his time was always occupied in the bakery in the rear--a long, low room filled with ovens and tables covered with pots and pans and dishes (which the skillful baker used for mixing and stirring) and long shelves bearing sugars and spices and baking-powders and sweet-smelling extracts that made his wares taste so sweet and agreeable. [Illustration: AN ARAB DASHED INTO THE ROOM.] The bake-room was three times as big as the shop; but Monsieur Jules needed all the space in the preparation of the great variety of goods required by his patrons, and he prided himself on the fact that his edibles were fresh-made each day. In order to have the bread and rolls ready at breakfast time he was obliged to get up at three o'clock every morning, and so he went to bed about sundown. On a certain forenoon the door of the shop opened so abruptly that the little brass bell made a furious jingling. An Arab dashed into the room,
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The HTML version of this text was produced by Bob Frone for his Opera Books page. Plain text adaption by Andrew Sly. CHAPTERS OF OPERA Being Historical and Critical Observations And Records Concerning the Lyric Drama in New York from Its Earliest Days Down to The Present Time by HENRY EDWARD KREHBIEL Musical Editor of "The New York Tribune"; Author of "How To Listen To Music," "Studies In The Wagnerian Drama," "Music And Manners In The Classical Period," "The Philharmonic Society Of New York," etc., etc. To MARIE--WIFE and DAUGHTER HELEN Who have shared with the Author many of the Experiences described in this book. "Joy shared is Joy doubled." --GOETHE. PREFACE The making of this book was prompted by the fact that with the season 1907-08 the Metropolitan Opera House in New York completed an existence of twenty-five years. Through all this period at public representations I have occupied stall D-15 on the ground floor as reviewer of musical affairs for The New York Tribune newspaper. I have, therefore, been a witness of the vicissitudes through which the institution has passed in a quarter-century, and a chronicler of all significant musical things which were done within its walls. I have seen the failure of the artistic policy to promote which the magnificent theater was built; the revolution accomplished by the stockholders under the leadership of Leopold Damrosch; the progress of a German régime, which did much to develop tastes and create ideals which, till its coming, were little-known quantities in American art and life; the overthrow of that régime in obedience to the command of fashion; the subsequent dawn and development of the liberal and comprehensive policy which marked the climax of the career of Maurice Grau as an operatic director, I have witnessed since then, many of the fruits of wise endeavor and astute management frittered away by managerial incapacity and greed, and fad and fashion come to rule again, where for a brief, but eventful period, serious artistic interest and endeavor had been dominant. The institution will enter upon a new régime with the season 1908-09. The time, therefore, seemed fitting for a review of the twenty-five years that are past. The incidents of this period are fixed; they may be variously viewed, but they cannot be changed. They belong to history, and to a presentation of that history I have devoted most of the pages which follow. I have been actuated in my work by deep seriousness of purpose, and have tried to avoid everything which could not make for intellectual profit, or, at least, amiable and illuminative entertainment. The chapters which precede the more or less detailed history of the Metropolitan Opera House (I-VII) were written for the sake of the light which they shed on existing institutions and conditions, and to illustrate the development of existing taste, appreciation, and interest touching the lyrical drama. To the same end much consideration has been paid to significant doings outside the Metropolitan Opera House since it has been the chief domicile of grand opera in New York. Especial attention has been given for obvious reasons to the two seasons of opera at Mr. Hammerstein's Manhattan Opera House. H. E. KREHBIEL. Blue Hill, Maine, the Summer of 1908. AUTHOR'S NOTE TO THIRD EDITION For the purposes of a new and popular edition of this book, the publishers asked the author to continue his historical narrative, his record of performances, and his critical survey of the operas produced at the two chief operatic institutions of New York, from the beginning of the season 1908-1909 down to the close of the season 1910-1911. This invitation the author felt compelled to decline for several reasons, one of which (quite sufficient in itself), was that he had already undertaken a work of great magnitude which would occupy all his working hours during the period between the close of the last season and the publication of this edition. Thereupon the publishers, who seemed to place a high valuation on the historical element in the book, suggested that the record of performances at least be brought up to date even if the criticism of new operas and the discussion of the other incidents of the season--such as the dissensions between the directors of the Metropolitan Opera House, the rivalry between them and the director of the Manhattan, the quarrels with artists, the successes achieved by some operas and the failure suffered by others--be postponed for the present at least for want of time on the part of the author to carry on the work on the scale of the original edition. It was finally agreed that the author should supply the record for the period intervening between the appearance of the first edition of "Chapters of Opera" and the present publication by revised excerpts from the annual summaries of the activities of the seasons in question published by him in the New York Tribune, of which newspaper he has had the honor of being the musical critic for thirty years past. For the privilege of using this material the author is deeply beholden to the Tribune Association and the editor, Hart Lyman, Esq. The record may be found in the Appendices after the last chapter. H. E. KREHBIEL. Blue Hill, Maine, Summer of 1911. CONTENTS CHAPTER I INTRODUCTION OF OPERA IN NEW YORK The Introduction of Italian Opera in New York English Ballad Operas and Adaptations from French and Italian Works Hallam's Comedians and "The Beggar's Opera" The John Street Theater and Its Early Successors Italian Opera's First Home Manuel Garcia The New Park Theater and Some of Its Rivals Malibran and English Opera The Bowery Theater, Richmond Hill, Niblo's and Castle Gardens CHAPTER II EARLY THEATERS, MANAGERS, AND SINGERS Of the Building of Opera Houses A Study of Influences The First Italian Opera House in New York Early Impresarios and Singers Da Ponte, Montressor, Rivafinoli Signorina Pedrotti and Fornasari Why Do Men Become Opera-Managers? Addison and Italian Opera The Vernacular Triumphant CHAPTER III THE FIRST ITALIAN COMPANY Manuel del Popolo Vicente Garcia "Il Barbiere di Siviglia" Signorina Maria Garcia's Unfortunate Marriage Lorenzo da Ponte His Hebraic Origin and Checkered Career "Don Giovanni" An Appeal in Behalf of Italian Opera CHAPTER IV HOUSES BUILT FOR OPERA More Opera Houses Palmo's and the Astor Place Signora Borghese and the Distressful Vocal Wabble Antognini and Cinti-Damoreau An Orchestral Strike Advent of the Patti Family Don Francesco Marty y Torrens and His Havanese Company Opera Gowns Fifty Years Ago Edward and William Henry Fry Horace Greeley and His Musical Critic James H. Hackett and William Niblo Tragic Consequences of Canine Interference Goethe and a Poodle A Dog-Show and the Astor Place Opera House CHAPTER V MARETZEK, HIS RIVALS AND SINGERS Max Maretzek His Managerial Career Some Anecdotes "Crotchets and Quavers" His Rivals and Some of His Singers Bernard Ullmann Marty Again Bottesini and Arditi Steffanone Bosio Tedesco Salvi Bettini Badiali Marini CHAPTER VI THE NEW YORK ACADEMY OF MUSIC Operatic Warfare Half a Century Ago The Academy of Music and Its Misfortunes A Critic's Opera and His Ideals A Roster of American Singers Grisi and Mario Annie Louise Cary Ole Bull as Manager Piccolomini and Réclame Adelina Patti's Début and an Anniversary Dinner Twenty-five Years Later A Kiss for Maretzek CHAPTER VII MAPLESON AND OTHER IMPRESARIOS Colonel James H. Mapleson A Diplomatic Manager His Persuasiveness How He Borrowed Money from an Irate Creditor Maurice Strakosch Musical Managers Pollini Sofia Scalchi and Annie Louise Cary Again Campanini and His Beautiful Attack Brignoli His Appetite and Superstition CHAPTER VIII THE METROPOLITAN OPERA HOUSE The Academy's Successful Rival Why It Was Built The Demands of Fashion Description of the Theater War between the Metropolitan and the Academy of Music Mapleson and Abbey The Rival Forces Patti and Nilsson Gerster and Sembrich A Costly Victory CHAPTER IX FIRST SEASON AT THE METROPOLITAN The First Season at the Metropolitan Opera House Mr. Abbey's Singers Gounod's "Faust" and Christine Nilsson Marcella Sembrich and Her Versatility Sofia Scalchi Signor Kaschmann Signor Stagno Ambroise Thomas's "Mignon" Madame Fursch-Madi Ponchielli's "La Gioconda" CHAPTER X OPERATIC REVOLUTIONS The Season 1883-1884 at the Academy of Music Lillian Nordica's American Début German Opera Introduced at the Metropolitan Opera House Parlous State of Italian Opera in London and on the Continent Dr. Leopold Damrosch and His Enterprise The German Singers Amalia Materna Marianne Brandt Marie Schroeder-Hanfstängl Anton Schott, the Military Tenor Von Bülow's Characterization: "A Tenor is a Disease" CHAPTER XI GERMAN OPERA AT THE METROPOLITAN First German Season Death Struggles of Italian Opera at the Academy Adelina Patti and Her Art Features of the German Performances "Tannhäuser" Marianne Brandt in Beethoven's Opera "Der Freischütz" "Masaniello" Materna in "Die Walküre" Death of Dr. Damrosch CHAPTER XII END OF ITALIAN OPERA AT THE ACADEMY The Season 1885-1886 End of the Mapleson Régime at the Academy of Music Alma Fohström The American Opera Company German Opera in the Bowery A Tenor Who Wanted to be Manager of the Metropolitan Opera House The Coming of Anton Seidl His Early Career Lilli Lehmann A Broken Contract Unselfish Devotion to Artistic Ideals Max Alvary Emil Fischer CHAPTER XIII WAGNER HOLDS THE METROPOLITAN Second and Third German Seasons The Period 1885-1888 More about Lilli Lehmann Goldmark's "Queen of Sheba" First Performance of Wagner's "Meistersinger" Patti in Concert and Opera A Flash in the Pan at the Academy of Music The Transformed American Opera Company Production of Rubinstein's "Nero" An Imperial Operatic Figure First American Performance of "Tristan und Isolde" Albert Niemann and His Characteristics His Impersonation of Siegmund Anecdotes A Triumph for "Fidelio" CHAPTER XIV WAGNERIAN HIGH TIDE Wagnerian High Tide at the Metropolitan Opera House 1887-1890 Italian Low Water Elsewhere Rising of the Opposition Wagner's "Siegfried" Its Unconventionality "Götterdämmerung" "Der Trompeter von Säkkingen" "Euryanthe" "Ferdinand Cortez" "Der Barbier von Bagdad" Italo Campanini and Verdi's "Otello" Patti and Italian Opera at the Metropolitan Opera House CHAPTER XV END OF THE GERMAN PERIOD End of the German Period 1890-1891 Some Extraordinary Novelties Franchetti's "Asrael" "Der Vasall von Szigeth" A Royal Composer, His Opera and His Distribution of Decorations "Diana von Solange" Financial Salvation through Wagner Italian Opera Redivivus Ill-mannered Box-holders Wagnerian Statistics CHAPTER XVI ITALIAN OPERA AGAIN AT THE METROPOLITAN The Season 1891-1892 Losses of the Stockholders of the Metropolitan Opera House Company Return to Italian Opera Mr. Abbey's Expectations Sickness of Lilli Lehmann The De Reszke Brothers and Lassalle Emma Eames Début of Marie Van Zandt "Cavalleria Rusticana" Fire Damages the Opera House Reorganization of the Owning Company CHAPTER XVII THE ADVENT OF MELBA AND CALVÉ An Interregnum Changes in the Management Rise and Fall of Abbey, Schoeffel, and Grau Death of Henry E. Abbey His Career Season 1893-1894 Nellie Melba Emma Calvé Bourbonism of the Parisians Massenet's "Werther" 1894-1895 A Breakdown on the Stage "Elaine" Sybil Sanderson and "Manon" Shakespearian Operas Verdi's "Falstaff" CHAPTER XVIII UPRISING IN FAVOR OF GERMAN OPERA The Public Clamor for German Opera Oscar Hammerstein and His First Manhattan Opera House Rivalry between Anton Seidl and Walter Damrosch The Latter's Career as Manager Wagner Triumphant German Opera Restored at the Metropolitan "The Scarlet Letter" "Mataswintha" "Hänsel und Gretel" in English Jean de Reszke and His Influence Mapleson for the Last Time "Andrea Chenier" Madame Melba's Disastrous Essay with Wagner "Le Cid" Metropolitan Performances 1893-1897 CHAPTER XIX BEGINNING OF THE GRAU PERIOD Beginning of the Grau Period Death of Maurice Grau His Managerial Career An Interregnum at the Metropolitan Opera House Filled by Damrosch and Ellis Death of Anton Seidl His Funeral Characteristic Traits "La Bohème" 1898-1899 "Ero e Leandro" and Its Composer CHAPTER XX NEW SINGERS AND OPERAS Closing Years of Mr. Grau's Régime Traits in the Manager's Character Débuts of Alvarez, Scotti, Louise Homer, Lucienne Bréval and Other Singers Ternina and "Tosca" Reyer's "Salammbô" Gala Performance for a Prussian Prince "Messaline" Paderewski's "Manru" "Der Wald" Performances in the Grau Period CHAPTER XXI HEINRICH CONRIED AND "PARSIFAL" Beginning of the Administration of Heinrich Conried Season 1903-1904 Mascagni's American Fiasco "Iris" and "Zanetto" Woful Consequences of Depreciating American Conditions Mr. Conried's Theatrical Career His Inheritance from Mr. Grau Signor Caruso The Company Recruited The "Parsifal" Craze CHAPTER XXII END OF CONRIED'S ADMINISTRATION Conried's Administration Concluded 1905-1908 Visits from Humperdinck and Puccini The California Earthquake Madame Sembrich's Generosity to the Suffering Musicians "Madama Butterfly" "Manon Lescaut" "Fedora" Production and Prohibition of "Salome" A Criticism of the Work "Adriana Lecouvreur" A Table of Performances CHAPTER XXIII HAMMERSTEIN AND HIS OPERA HOUSE Oscar Hammerstein Builds a Second Manhattan Opera House How the Manager Put His Doubters to Shame His Earlier Experiences as Impresario Cleofonte Campanini A Zealous Artistic Director and Ambitious Singers A Surprising Record but No Novelties in the First Season Melba and Calvé as Stars The Desertion of Bonci Quarrels about Puccini's "Bohéme" List of Performances CHAPTER XXIV A BRILLIANT SEASON AT THE MANHATTAN Hammerstein's Second Season Amazing Promises but More Amazing Achievements Mary Garden and Maurice Renaud Massenet's "Thaïs," Charpentier's "Louise" Giordano's "Siberia" and Debussy's "Pelléas et Mélisande" Performed for the First Time in America Revival of Offenbach's "Les Contes d'Hoffmann," "Crispino e la Comare" of the Ricci Brothers, and Giordano's "Andrea Chenier" The Tetrazzini Craze Repertory of the Season CHAPTER I INTRODUCTION OF OPERA IN NEW YORK Considering the present state of Italian opera in New York City (I am writing in the year of our Lord 1908), it seems more than a little strange that its entire history should come within the memories of persons still living. It was only two years ago that an ancient factotum at the Metropolitan Opera House died who, for a score of years before he began service at that establishment, had been in various posts at the Academy of Music. Of Mr. Arment a kindly necrologist said that he had seen the Crowd gather in front of the Park Theater in 1825, when the new form of entertainment effected an entrance in the New World. I knew the little old gentleman for a quarter of a century or more, but though he was familiar with my interest in matters historical touching the opera in New York, he never volunteered information of things further back than the consulship of Mapleson at the Academy. Moreover, I was unable to reconcile the story of his recollection of the episode of 1825 with the circumstances of his early life. Yet the tale may have been true, or the opera company that had attracted his boyish attention been one that came within the first decade after Italian opera had its introduction. Concerning another's recollections, I have not the slightest doubt. Within the last year Mrs. Julia Ward Howe, entertaining some of her relatives and friends with an account of social doings in New York in her childhood, recalled the fact that she had been taken as a tiny miss to hear some of the performances of the Garcia Troupe, and, if I mistake not, had had Lorenzo da Ponte, the librettist of Mozart's "Nozze di Figaro" and "Don Giovanni" pointed out to her by her brother. This brother was Samuel Ward, who enjoyed the friendship of the old poet, and published recollections of him not long after his death, in The New York Mirror. For a score of years I have enjoyed the gentle companionship at the opera of two sisters whose mother was an Italian pupil of Da Ponte's, and when, a few years ago, Professor Marchesan, of the University of Treviso, Italy, appealed to me for material to be used in the biography of Da Ponte, which he was writing, I was able, through my gracious and gentle operatic neighbors, to provide him with a number of occasional poems written, in the manner of a century ago, to their mother, in whom Da Ponte had awakened a love for the Italian language and literature. This, together with some of my own labors in uncovering the American history of Mozart's collaborator, has made me feel sometimes as if I, too, had dwelt for a brief space in that Arcadia of which I purpose to gossip in this chapter, and a few others which are to follow it. There may be other memories going back as far as Mrs. Howe's, but I very much doubt if there is another as lively as hers on any question connected with social life in New York fourscore years ago. Italian opera was quite as aristocratic when it made its American bow as it is now, and decidedly more exclusive. It is natural that memories of it should linger in Mrs. Howe's mind for the reason that the family to which she belonged moved in the circles to which the new form of entertainment made appeal. A memory of the incident which must have been even livelier than that of Mrs. Howe's, however, perished in 1906, when Manuel Garcia died in London, in his one hundred and first year, for he could say of the first American season of Italian opera what Æneas said of the siege of Troy, "All of which I saw, and some of which I was." Manuel Garcia was a son of the Manuel del Popolo Vicente Garcia, who brought the institution to our shores; he was a brother of our first prima donna, she who then was only the Signorina Garcia, but within a lustrum afterward was the great Malibran; and he sang in the first performance, on November 29, 1825, and probably in all the performances given between that date and August of the next year, when the elder Garcia departed, leaving the Signorina, as Mme. Malibran, aged but eighteen, to develop her powers in local theaters and as a chorister in Grace Church. Of this and other related things presently. In the sometimes faulty and incomplete records of the American stage to which writers on musical history have hitherto been forced to repair, 1750 is set down as the natal year for English ballad opera in America. It is thought that it was in that year that "The Beggar's Opera" found its way to New York, after having, in all probability, been given by the same company of comedians in Philadelphia in the middle of the year preceding. But it is as little likely that these were the first performances of ballad operas on this side of the Atlantic as that the people of New York were oblivious of the nature of operatic music of the Italian type until Garcia's troupe came with Rossini's "Barber of Seville," in 1825. There are traces of ballad operas in America in the early decades of the eighteenth century, and there can exist no doubt at all that French and Italian operas were given in some form, perhaps, as a rule, in the adapted form which prevailed in the London theaters until far into the nineteenth century, before the year 1800, in the towns and cities of the Eastern seaboard, which were in most active communication with Great Britain, I quote from an article on the history of opera in the United States, written by me for the second edition of "Grove's Dictionary of Music and Musicians": Among French works Rousseau's "Pygmalion" and "Devin du Village," Dalayrac's "Nina" and "L'Amant Statue," Monsigny's "Déserteur," Grétry's "Zémire et Azor," "Fausse Magie" and "Richard Coeur de Lion" and others, were known in Charleston, Baltimore, Philadelphia, and New York in the last decade of the eighteenth century. There were traces, too, of Pergolese's "Serva padrona," and it seems more than likely that an "opera in three acts," the text adapted by Colman, entitled "The Spanish Barber; or, The Futile Precaution," played in Baltimore, Philadelphia, and New York, in 1794, was Paisiello's "Barbiere di Siviglia." From 1820 to about 1845 more than a score of the Italian, French, and German operas, which made up the staple of foreign repertories, were frequently performed by English singers. The earliest of these singers were members of the dramatic companies who introduced theatrical plays in the colonies. They went from London to Philadelphia, New York, Williamsburg (Va.), and Charleston (S. C.), but eventually established their strongest and most enduring foothold in New York. Accepting the 1750 date as the earliest of unmistakable records for a performance of "The Beggar's Opera" in New York, the original home of opera here was the Nassau Street Theater--the first of two known by that name. It was a two-storied house, with high gables. Six wax lights were in front of the stage, and from the ceiling dangled a "barrel hoop," pierced by half a dozen nails on which were spiked as many candles. It is not necessary to take the descriptions of these early playhouses as baldly literal, nor as indicative of something like barbarism. The "barrel hoop" chandelier of the old theater in Nassau street was doubtless only a primitive form of the chandeliers which kept their vogue for nearly a century after the first comedians sang and acted at the Nassau Street Theater. Illuminating gas did not reach New York till 1823, and "a thousand candles" was put forth as an attractive feature at a concert in the American metropolis as late as 1845. "The Beggar's Opera" was only twenty years old when the comedians sent to the colonies by William Hallam, under the management of his brother, Lewis, produced it, yet the historic Covent Garden Theater, in which it first saw the stage lights (candles they were, too), would scarcely stand comparison with the most modest of the metropolitan theaters nowadays. Its audience-room was only fifty-four or fifty-five feet deep; there were no footlights, the stage being illuminated by four hoops of candles, over which a crown hung from the borders. The orchestra held only fifteen or twenty musicians, though it was in this house that Handel produced his operas and oratorios; the boxes "were flat in front and had twisted double branches for candles fastened to the plaster. There were pedestals on each side of the boards, with elaborately-painted figures of Tragedy and Comedy thereon." Hallam's actors went first to Williamsburg, Va., but were persuaded to change their home to New York in the summer of 1753, among other things by the promise that they would find a "very fine 'Playhouse Building'" here. Nevertheless, when Lewis Hallam came he found the fine playhouse unsatisfactory, and may be said to have inaugurated the habit or custom, or whatever it may be called, followed by so many managers since, of beginning his enterprise by erecting a new theater. The old one in Nassau Street was torn down, and a new one built on its site. It was promised that it should be "very fine, large, and commodious," and it was built between June and September, 1753; how fine, large, and commodious it was may, therefore, be imagined. A year later, the German Calvinists, wanting a place of worship, bought the theater, and New York was without a playhouse until a new one on Cruger's Wharf was built by David Douglass, who had married Lewis Hallam's widow, Hallam having died in Jamaica, in 1755. This was abandoned in turn, and Mr. Douglass built a second theater, this time in Chapel Street. It cost $1,625, and can scarcely have been either very roomy or very ornate. Such as it was, however, it was the home of the drama in all its forms, save possibly the ballad opera, until about 1765, and was the center around which a storm raged which culminated in a riot that wrecked it. The successor of this unhappy institution was the John Street Theater, which was opened toward the close of the year 1767. There seems to have been a period of about fifteen years during which the musical drama was absent from the amusement lists, but this house echoed, like its earliest predecessors, to the strains of the ballad opera which "made Gay rich and Rich gay." "The Beggar's Opera" was preceded, however, by "Love in a Village," for which Dr. Arne wrote and compiled the music; and Bickerstaff's "Maid of the Mill" was also in the repertory. In 1774 it was officially recommended that all places of amusement be closed. Then followed the troublous times of the Revolution, and it was not until twelve years afterward--that is, till 1786--that English Opera resumed its sway. "Love in a Village" was revived, and it was followed by "Inkle and Yarico," an arrangement of Shakespeare
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Produced by Demian Katz and the Online Distributed Proofreading Team at http://www.pgdp.net (Images courtesy of the Digital Library@Villanova University (http://digital.library.villanova.edu/)) [Illustration: AS HERC TURNED, HE WAS CERTAIN THAT HE HAD SEEN A FACE VANISH QUICKLY FROM THE CASEMENT. --Page 62. ] THE DREADNOUGHT BOYS ON AERO SERVICE BY CAPTAIN WILBUR LAWTON AUTHOR OF "THE DREADNOUGHT BOYS ON BATTLE PRACTICE," "THE DREADNOUGHT BOYS ABOARD A DESTROYER," "THE DREADNOUGHT BOYS ON A SUBMARINE," ETC. NEW YORK HURST & COMPANY PUBLISHERS Copyright, 1912, BY HURST & COMPANY CONTENTS CHAPTER PAGE I. SOMETHING NEW IN NAVAL LIFE 5 II. "IF HE'S A MAN, HE'LL STAND UP" 17 III. FOR THE TROPHY OF THE FLEET 30 IV. THE AERO SQUAD 39 V. UNCLE SAM'S MEN-BIRDS 50 VI. NED INVENTS SOMETHING 59 VII. A RESCUE BY AEROPLANE 73 VIII. HERC GETS A "TALKING TO" 84 IX. A CONSPIRACY IS RIPENING 93 X. A DREADNOUGHT BOY AT BAY 103 XI. IN THEIR ENEMIES' HANDS 113 XII. "STOP WHERE YOU ARE!" 123 XIII. HARMLESS AS A RATTLESNAKE 136 XIV. FLYING FOR A RECORD 148 XV. A DROP FROM SPACE 156 XVI. THE SETTING OF A TRAP 167 XVII. THE SPRINGING THEREOF 178 XVIII. ON BOARD THE SLOOP 190 XIX. "BY WIRELESS!" 200 XX. NED, CAST AWAY 213 XXI. A STRIKE FOR UNCLE SAM 223 XXII. SOME ADVENTURES BY THE WAY 233 XXIII. "YOU ARE A PRISONER OF THE GOVERNMENT!" 243 XXIV. A DASH FOR FREEDOM 255 XXV. THE MYSTERIOUS SCHOONER--CONCLUSION 267 The Dreadnought Boys on Aero Service CHAPTER I. SOMETHING NEW IN NAVAL LIFE. One breezy day in early June, when a fresh wind off shore was whipping the water into sparkling white caps, excitement and comment fairly hummed about the crowded foredecks of the big Dreadnought _Manhattan_. The formidable looking sea-fighter lay with half a dozen other smaller naval vessels--battleships and cruisers--in the stretch of water known as Hampton Roads, which, sheltered by rising ground, has, from time immemorial, formed an anchorage for our fighting-ships, and is as rich in historical associations as any strip of sea within the jurisdiction of the United States. The cause of all the turmoil, which was agitating every jackie on the vessel, was a notice which had been posted on the ship's bulletin board that morning. It was tacked up in the midst of notices of band concerts, challenges to boxing matches, lost or found articles, and the like. At first it had not attracted much attention. But soon one jackie, and then another, had scanned it till, by means of the thought-wireless, which prevails on a man-of-war, the whole fore part of the ship was now vibrant and buzzing with the intelligence. The notice which had excited so much attention read as follows: "Enlisted Men and Petty Officers: You are instructed to send your volunteer applications for positions in the experimental Aero squad. All applications to be made in writing to Lieutenant De Frees in charge of the experiment station." "Aero service, eh?" grunted more than one grizzled old shell-back, "well, I've served my time in many an old sea-going hooker, but hanged if I'd venture my precious skin on board a sky-clipper." "Aye, aye, mate. Let the youngsters risk their lily-white necks if they want to," formed the burden of the growled responses, "but you and me 'ull smoke Uncle Sam's baccy, and take our pay with a good deck under our feet." But this state of caution did not extend to the younger members of the ship's company. Least of all to Boats
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Produced by The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) NEW IRELAND PAMPHLETS. NUMBER THREE PRICE TWOPENCE THE ISSUE The Case for Sinn Fein BY LECTOR AS PASSED BY CENSOR. NEW IRELAND PUBLISHING COMPANY, Limited 13 FLEET STREET, DUBLIN 1918 THE ISSUE =INDEPENDENCE.= Does Ireland wish to be free? Do we alone among the ancient Nations of Europe desire to remain slaves? That, and that alone, is the question which every Irish elector has now to answer. Let us put everything else out of our minds as irrelevant claptrap. Let nothing distract us from this single issue of Liberty. We must turn a deaf ear to sentimental whining about what this or that man did, his length of service, his "fighting on the floor of the House," and so on. Whatever may have been done in the way of small doles, petty grants, and big talk, the =fact= is that we are not Free and the =issue= is, Do we want to be Free? Why should we be afraid of Freedom? Would any sane adult voluntarily prefer to be a slave, to be completely in the control and power of another? Men do not willingly walk into jail; why, then, should a whole people? The men who are =afraid= of national liberty are unworthy even of personal liberty; they are the victims of that slave mentality which English coercion and corruption have striven to create in Ireland. When Mr. John Dillon, grown tremulous and garrulous and feeble, asked for a national convention this autumn "to definitely forswear an Irish Republic," he was asking Ireland to commit an act of national apostasy and suicide. Would =you= definitely forswear your personal freedom? Will Mr. John Dillon hand his cheque-book and property over to some stranger and indenture himself as a serf or an idiot? When he does, but not till then, we shall believe that the Irish Nation is capable of sentencing itself cheerfully to penal servitude for all eternity. It was not always thus. "I say deliberately," said Mr. John Dillon at Moville in 1904, "that I should never have dedicated my life as I have done to this great struggle, if I did not see at the end of it the crowning and consummation of our work--A FREE AND INDEPENDENT IRELAND." It is sad that, fourteen years later, when the end is in sight, Mr. Dillon should be found a recreant and a traitor to his past creed. The degeneration of such a man is a damning indictment of Westminsterism. Parnell, too save for one short moment when he tried by compromise to fool English Liberalism but was foiled, proclaimed his belief in Irish Independence. This is what Parnell said at Cincinatti on 23rd February, 1880:-- "When we have undermined English misgovernment, we have paved the way for Ireland to take her place among the nations of the earth. And let us not forget that that is the ultimate goal at which all we Irishmen aim. None of us, whether we be in America or in Ireland, or wherever we may be, will be satisfied =until we have destroyed the last link which keeps Ireland bound to England=." Were he alive to-day, when the last link is snapping, on what side would Parnell be? Would he forswear an Irish Republic or would he proclaim once more, as he said in Cork (21st Jan., 1885): "No man has a right to fix the boundary of the march of a Nation. No man has a right to say: Thus far shalt thou go and no farther. And we have never attempted to fix the _ne plus ultra_ to the progress of Ireland's nationhood and we never shall." =IRELAND AND SMALL NATIONS.= At New York 31st August, 1904, John Redmond declared:-- "If it were in my power to-morrow by any honourable means to absolutely emancipate Ireland, I would do it and feel it my duty to do it. (1904, not 1914!) I believe it would be just as possible for Ireland to have a prosperous and free separate existence as a nation as Holland, Belgium, or Switzerland, or other small nationalities. And if it were in the power of any man to bring that result about to-morrow by honourable and brave means, he would be indeed a coward and a traitor to the traditions of his race did he not do so." If Holland and Poland and all the other little lands, why not Ireland? Put that straight question to yourself and you must answer it as John Redmond did in 1904. Are we alone among the nations created to be slaves and helots? Are we so incompetent and incapable as not to be able to manage our own country? Is a people of four millions to be in perpetual bondage and tutelage to a solicitor and a soldier? Did God Almighty cast up this island as a sandbank for Englishmen to walk on? Is it the sole mission of Irish men and women to send beef and butter to John Bull? Look at the other nations and ask yourself, Why not? Why is not Ireland free? Are we too small in area? We are double Switzerland or Denmark, nearly three times Holland or Belgium. Is our population too small--though it was once double? We are as numerous as Serbia, our population is as large as that of Switzerland and nearly double that of Denmark or Norway. Does the difficulty lie in our poverty? Are we too poor to exist as a free people? The revenue raised =per head= in Ireland is double that of any other small nation, seven times that of Switzerland! The total revenue of Ireland is ten times that of Switzerland, three times that of Norway, four times that of Denmark, Serbia or Finland. Yet all these countries have their own armies, consuls, etc.; they run themselves as free nations at far below the cost of servile Ireland. Why? Because there is no other country pocketing their cash. Here are some figures:-- Area Population Revenue (thousands of (Millions) (Millions L) sq. miles) Ireland 32-1/2 4-1/3 30 Belgium 11-1/2 7-1/2 32 Holland 12-1/2 6-1/2 18-3/4 Denmark 15-1/2 2-3/4 7-1/2 Norway 125 2-1/2 10 Switzerland 16 4 3 Rumania 53-1/2 7-1/2 24 Serbia 34 4-1/2 8-1/2 Finland 126 3-1/4 8-1/2 These figures would suggest that Ireland is a strong military and naval power among the small nations. And so we are--only the army and navy we support are not our own; they exist to keep us in slavery, not in freedom. It is about time we started business on our own. =DEPENDENT ON ENGLAND?= The most significant instance of English policy in Ireland is the creation of the widespread delusion that we are economically dependent on England. An elaborate network of fraud and deceit has been built up to hide the truth from our eyes. We are secretly and systematically robbed and we hardly notice it. The ordinary Irish worker pays at least four shillings a week to England, he is hardly aware of the fact, so nicely is it done whenever he buys tobacco or his wife gets tea and sugar, and so on. Though the average income in England is three times what it is in Ireland, the notoriously underfed Irish workers have to pay more than twice the English proportion of indirect taxes on food, etc. We pay England 1/- on every pound of tea, 1-1/2d. on every pound of sugar, 7d. on every oz. of tobacco. There is no fuss about it: it is accepted as part of the laws of nature that tea should be a shilling a pound dearer than it need be. As for direct taxation--well, even the farmers know what the English income-tax is. Where does it all go? To England as taxes, profits, rents, imperial contributions, and trade. As a going concern Ireland is now worth thirty million a year to its owner, John Bull. There are certain expenses of administration--police, Castle, secret service, prisons, tax collectors--and there are, of course, several items of hush-money, dodges necessary to fool the people, such as "education." But the fact is that a bigger and bigger profit is being made every year out of this island. More agricultural materials and products are shipped to England, more Irish brains are selected for running India, etc., more Irishmen are utilised for gun-fodder. Sometimes, after much beseeching by resolutions and deputations, we are graciously presented with a minute fraction of our own goods. Is it not about time that we recognised in English "grants" our own country's transmuted plunder? We are as dependent on England as a factory is on an absentee society lady who is shareholder. In 1663 began the long series of English laws against Irish trade. Charles II. closed the English markets to Irish cattle, meat, leather, butter, etc. Ireland built ships and opened direct trade with Flanders, France, Spain, the American Colonies. The Navigation Act and the Jacobite War once more destroyed our mercantile marine and ruined our industries. Ireland was practically confined by law to the English market. In 1782, 60,000 Volunteers, with arms in their hands, won Free Trade--i.e., the liberty of Ireland to trade direct with the world. In a few years, bad as our own Parliament was, the country prospered exceedingly. The Union once more destroyed our industries and even our tillage and turned Ireland into a cattle-ranch; our mercantile marine was destroyed. All our trade is in the hands of English middlemen and we have to sell and buy at England's price. We are dependent on England, not in the sense that we get anything out of her, but in the sense that we have allowed her to capture our trade and cut us off from the world. We have allowed England to become a parasitic bloodsucker. And because we have done so, we fancy that England is our sole customer. As if the whole world is not clamouring for meat and butter and other foodstuffs! In 1912, when England placed her cattle embargo on Ireland, the prices in the markets of Hamburg and Genoa--after deducting import duty and the extra cost of transit--were more than 11/- per cwt. higher than the price paid in England. Had Irishmen then had enough Sinn Fein spirit, they would soon have discovered who was dependent on whom! There is no possible argument, moral or economic, against Irish freedom. "Is Ireland fit to be an independent sovereign nation?" asks Dr. Cohalan, Bishop of Cork. "Why should it not be, if Belgium is fit to be a sovereign nation, if Serbia is so fit, if Montenegro--whose King is not much more than a strong farmer in this country--is fit, all fit to be independent nations? Then, when putting the question as to Ireland, I would really ask everyone, men and women, in this country to cease speaking slightingly of their own race and their own country. I would like every Irishman and woman, Catholic and Protestant, to answer that question in the affirmative." We are fit to be free, we have a God-given right to be free, we mean to be free. But how are we going to get our freedom? =HOW TO GET THINGS.= Let us see how we ever got anything from England. Parnell is much quoted just now. What was his view? This is what he said at Manchester, 15th July, 1877:-- "For my part I must tell you that I do not believe in a policy of conciliation of English feeling or English prejudices. I believe that you may go on trying to conciliate English prejudice until the day of judgment, and that you will not get the breadth of my nail from them. What did we ever get in the past by trying to conciliate them? Did we get the abolition of tithes by the conciliation of our English taskmasters? No; it was because we adopted different measures. Did O'Connell in his time gain emancipation for Ireland by conciliation? I rather think that O'Connell in his time was not of a very conciliatory disposition, and that at least during a part of his career he was about the best-abused Irishman living." There is no mistaking the view of Charles Stewart Parnell. Two years later he repeated his assertion (Tipperary, 21st Sept., 1879):-- "=It is no use relying upon the Government, it is no use relying upon the Irish members, it is no use relying upon the House of Commons.= You must rely upon your own determination, that determination which has enabled you to survive the famine years and to be present here to-day; and, if you are determined, I tell you, you have the game in your own hands." And at the St. Patrick's Day celebration in London in 1884:-- "I have always endeavoured to teach my countrymen, whether at home or abroad, the lesson of =self-reliance=.... Do not rely upon any English Party; do not rely even upon the great English democracy, however well-disposed they may be to your claims. But rely upon yourselves." Sinn Fein means self-reliance. According to Parnell, then, the Irish people secured nothing through Irish talk at Westminster. Whatever they got, they got by direct action. It is easy to convince ourselves that Parnell is right. We got Free Trade and legislative independence in 1782, without any Irish Party at Westminster, with the help of 60,000 Volunteers. In 1829 Catholic Emancipation was won by O'Connell in Clare, before he ever set foot in Westminster, because he had the Irish people and the Catholic Association behind him. Yet a few months before the English Government had rejected a Catholic Relief Bill with scorn. Here are Peel's words:-- "In the course of the last six months, England, being at peace with the whole world, has had five-sixths of the infantry force of the United Kingdom occupied in maintaining the peace and in police duties in Ireland. I consider the state of things which requires such an application of military force much worse than open rebellion. If this be the state of things at present, let me implore of you to consider what would be the condition of England in the event of war. Can we forget in reviewing the state of Ireland what happened in 1782?" The Prime Minister was evidently unmoved by all the eloquent appeals for justice to Irish Catholics; he moved very rapidly when Irishmen showed signs of =doing= something. The Duke of Wellington, in May, 1829, made a similar confession:-- "If you glance at the history of Ireland during the last ten years, you will find that agitation really means something short of rebellion; that and no other is the exact meaning of the word. It is to place the country in that state in which its government is utterly impracticable except by means of an overawing military force." Not such a far cry after all from the Iron Duke to the Tin Viscount! Tithes were abolished in 1838, again not by a Parliamentary Party, but by the people themselves after a bloody seven years' war. Then came Disestablishment in 1869. How did that come? When in 1868 Gladstone proposed his Church resolution, a hundred Irish members voted--fifty-five for and forty-five against! Obviously Disestablishment was not carried by Irish representation at Westminster. Let Gladstone himself tell us what carried it:-- "Down to the year 1865 and the dissolution of that year, the whole question of the Irish Church was dead. Nobody cared about it, nobody paid attention to it in England. Circumstances occurred which drew attention of the people to the Irish Church. I said myself in 1865, and I believed, that it was out of the range of practical politics." In other words, Fenianism secured Irish Church Disestablishment. Lord Derby, writing from the opposite camp, agreed with Gladstone:-- "A few desperate men, applauded by the whole body of the Irish people for their daring, showed England what Irish feeling really was, made plain to us the depth of a discontent whose existence we had scarcely suspected, and =the rest followed, of course=." Let us hear the same two unimpeachable witnesses concealing the Land Question. "I must make one admission," said Gladstone, "and that is that without the Land League the Act of 1881 would not at this moment be on the Statute Book." "Fixity of tenure," said Lord Derby, "has been the direct result of two causes: Irish outrage and parliamentary obstruction. The Irish know it as well as we. Not all the influence and eloquence of Mr. Gladstone would have prevailed on the English House of Commons to do what has been done in the matter of Irish tenant right, if the answer to all objections had not been ready: How else are we to govern Ireland?" In plain English, every concession wrung from England has been secured simply by making the English Government otherwise impossible in Ireland. =THE FAILURE OF PARLIAMENTARIANISM.= If this be so, what is the use of sending Irishmen over to talk at Westminster? That is the question which we have to face squarely. In the hand of a genius like Parnell, the parliamentary policy secured a temporary success, because, with the help of Joe Biggar, the Fenian, he played the game in his own way--by parliamentary obstruction--and because he secured the co-operation of the anti-parliamentary Nationalists. But even he only looked upon the experiment as a temporary expedient. "Have patience with me," he said to a Fenian in 1877; "give me a trial for three or four years; then if I cannot do anything, I will step aside." He made a very striking declaration in November, 1880, when the freedom of Limerick was conferred on him:-- "I am not one of those who believe in the permanence of an Irish Party in the English Parliament. I feel convinced that sooner or later the influence which every English Government has at its command--the powerful and demoralising influence--sooner or later--will sap the best Party you can return to the House of Commons. I don't think we ought to rely too much on the permanent independence of an Irish Party sitting at a distance from their constituencies and legislating, or attempting to legislate, for Ireland at Westminster. But I think it possible to maintain the independence of our Party by great exertions and by great sacrifices on the part of the constituencies of Ireland--while we are making a short, sharp, and I trust decisive, struggle for the restoration of our legislative independence." There could not be a more striking condemnation of Westminsterism from the lips of Ireland's greatest parliamentary leader. What would he not have said could he have foreseen the Liberal alliance, the pledge-breaking, the jobbing, the L400 a year! "If the young men of Ireland have trusted me," said Parnell at Kilkenny, December, 1890, "it is because they know that I am not a mere Parliamentarian." Ireland, young and old, has since then had good cause to distrust mere Parliamentarianism. The test of any policy is its practical result. What has Westminsterism got for us? For 47 years we have had an Irish Party, for 118 years Ireland has been represented in the English Parliament. We have given the experiment a fair trial; it is high time to take stock. When the Party started in 1871 our population was 5-1/2 millions; since then over 2-1/4 millions have emigrated; there are now only 4-1/3 millions in the country. In 1871 there were 5,620,000 acres in tillage; now there are less than 4,900,000. In 1871 the poor rate was 2s. 6d. per head, now it is over 5s. In 1871 the taxation of Ireland was L1 5s. 7d. per head; to-day it is about L7. Apply any rational test you like, and find if you can any single good we have got by sending Irish talkers to Westminster. The Irish Party, of course, attribute everything to themselves. But this electioneering dodge--never used by Parnell--is getting a trifle thin. Even Mr. Redmond wrote in 1902: "Despite the efforts made by Isaac Butt and other Irish members between 1871 and 1876, nothing was done in the direction of land reform until the Land League came." The Local Government Act of 1898 was drafted secretly by the Government and came as a surprise to the Party; it was even opposed by John Redmond. The Party never asked for Old Age Pensions, and when these were proposed they confined themselves to the remark that if extended to Ireland half-a-crown a week would be enough. Parliament has spent thirty-three years drafting Home Rule Bills; they have all come to nothing. In three weeks Irish Conscription was passed in spite of the Party. Where was Conscription defeated--in Ireland or in Westminster? And if the organised opposition and resistance of the Nation, especially of Labour, made Conscription impossible, does it not teach us that our real power is here at home in Ireland? The Party made vain efforts to secure justice for the Irish teachers. The teachers took the matter into their own hands and won at once; had they been more determined, they would have done better still. In 1847-'48, while Irishmen talked in Parliament, Mitchel proposed to =do= something here in Ireland, to keep our own food here for our own people. Ireland did not realise her true salvation then, and the consequences were terrible. Seventy years later the same gospel is being preached under a new name. Are we going to listen to-day? Why, indeed, argue against Parliamentarianism at all? Its very adherents have abandoned all defence of it. On 3rd December, 1917, Mr. Dillon said in the English House of Commons: "Our position in this House is made futile, we are never listened to." Next day Mr. Devlin declared: "I do not often come to this House, because I do not believe it is worth coming to." These men are merely re-echoing from their own experience the parting words of Michael Davitt as he left the English Parliament (Oct., 1899):-- "I have for four years tried to appeal to the sense of justice in this House of Commons on behalf of Ireland. I leave, convinced that no just cause, no cause of right, will ever find support from this House of Commons unless it is backed up by force." =THE FUTILITY OF TALK.= Let us consider the whole policy in a sane, business-like way. John Bull runs his Other Island purely as a lucrative investment; he makes a good profit by the concern. Ireland is simply an Area for supplying beef and mutton, oats and butter, timber and men. We, Irish men and women, exist merely to be exploited. Well, we know it; what have we done? How have we striven to oust this big profiteer who sweats and coerces us? We were once an independent concern, we managed our own affairs. Then John Bull annexed us; by means of bribes and promises and threats he turned out the Irish directors. Arrangements were made by which 100 Irishmen were admitted to the English Employers' Federation 600 strong. And for 118 years these Irishmen have been talking there, making speeches and petitions and harangues. And we? What have we been doing? Oh, yes, now and then the Irish--that is, John Bull's workingmen--got restive and made things unpleasant. So they got some concessions: Emancipation, Land Acts, etc. But still they always turned again to talk; with 80 Irishmen talking to 600 Englishmen they were told that they would be quite safe. Weren't we "represented" at Westminster? Whenever these, our representatives, definitely proposed anything, they were, of course, beaten; but if the majority against them was less than 200, they always raised a deafening cheer. It is so nice to be beaten by only 150, whereas if we were not "represented" we should be beaten by 230--which would be dreadful. Then we were told that what was said in Parliament reached the world--as if Mr. King had not told more truth about us in Parliament than the whole Irish Party, as if Hansard is not censored, as if Dr. McCartan, Mrs. Sheehy-Skeffington and others have not said more in America than twenty Westminsters could convey--not to mention T. P. O'Connor's performances! To what depths are we reduced, when Westminsterism is excused only as a means of getting into Hansard! Do we really think that a handful of Irishmen by merely talking can persuade eight times their number of Englishmen to take their grip off this country, to cease exploiting us, to give up their fat profits? Is it not, to say the least, more likely that the English majority, far cleverer and more powerful, will succeed in cajoling, bribing and fooling the few Irish flies who walk into the spiders' parlour? =In fact, was not the Act of Union specially designed for this very purpose?= To swallow a powerless Irish minority in an English Parliament, to give them facilities for talking and letting off steam that thereby the Irish people might be beguiled into doing nothing else. By providing a sham outlet for our energies, by diverting our attention into wordy warfare, the English Parliament has succeeded for 118 years in preventing us from seeing the obvious truth that the English Government can only be made unworkable =in Ireland=. The very genius of Parnell has done us harm by intensifying the illusion. He succeeded for a while, where Butt failed, because he adopted unparliamentary methods in Parliament. For a time, by persistent obstruction, Parnell made Government unworkable, even in England. He was beaten in the end; obstruction is no longer possible; we have reverted to the mock debates of Isaac Butt. Things are even much worse; for the whole Party system has made Parliament a fraud and a farce. The House of Commons has lost its independence to a caucus which controls the jobs and the party funds. The latest development, whereby Messrs. Lloyd George and Bonar Law have arranged to wipe out the Opposition, makes the further presence of a few Irish Nationalists a jocose anachronism. The English Coalition would, however, still like the eighty Irishmen to come and hobnob with them. England is far keener on their attendance than Ireland ever was. Those who oppose the Westminster policy are mostly in English prisons; absenteeism is treason felony. English aeroplanes drop leaflets printed (at our expense) by the English Government to denounce the policy of abstention, to show that it is folly. The English foreign propaganda tirelessly advertises the presence of Mr. Dillon and Co. in Westminster as the surest proof of England's kindness to us, and of Irish loyalty to the Empire. The Irish Party think that their attendance is good for Ireland, the English Government is quite certain that it is good for England, everyone agrees that it cannot be good for both. Which, do you think, knows the situation best: the English Government, whose policy of exploiting us has been hitherto so eminently successful, or the Irish Party which has been so often taken in, outwitted, bribed and duped? It is worth pondering over. =THE ALTERNATIVE.= Undoubtedly in most minds the great objection to the Abstention Policy is that it seems a mere negation; it seems to leave a horrible blank. What! No Irish Representatives at Westminster? Are we to allow Carson to represent us? And so on. Let us look at the thing calmly. Why do we want to be "represented" at all? We must first answer that question. For instance, we have no desire to be "represented" in Timbuctoo or in the Moon; but some Irish people find it consoling to feel that they are represented in England. If not, they feel something dreadful will happen: the income-tax will be trebled, we shall all be coerced and conscripted. Well, as things have hitherto been, the Irish Party have never succeeded in staving off a penny of our taxation. Twenty-four years ago an Anglo-Irish Commission found that England was plundering Ireland of two and three-quarter millions a year in excess of the amount of plunder sanctioned by the Union. From that day to this we have never secured the remission of one penny of this plunder; on the contrary, it has been increased tenfold. And all this time we have been strongly "represented" at Westminster. We have been paying heavily for the privilege! As for coercion--did the Party ever prevent it? For years past they might have got the Crimes Act abolished, they didn't or couldn't. Conscription was passed swiftly in spite of our "representatives"--but somehow it did not come off. Now, that is worth thinking on. Conscription, like Coercion Acts and Budgets, danced through our representatives, yet we ourselves beat it. How? By electing our own little parliament in Dublin (we called it the Mansion House Conference, of course, for decency's sake), by voting taxes to it (we called them the Defence Fund), by organising the country so effectively that the English-made law was seen to be impossible and unworkable. What an object-lesson if only we will learn from it. The anti-conscription campaign is Sinn Fein in a nutshell. Even the Party developed a momentary backbone; the members came back to Erin and actually left us "unrepresented" in London--and we hardly noticed the dreadful fact! The Abstention Policy means, therefore, that we give up the sham battle and take up the real struggle in grim earnest. We cease to rely on talk as an effective economic or political defence, we begin to DO something, to rely on ourselves. There is only one way of putting an end to English tyranny in Ireland, and that is, not by scolding at it from the other side of the Irish Sea, but by making it unworkable over here. Do we mean the use of physical force? This is a difficulty which at once arises in discussing the abstention policy. This is chiefly due to the hysterical asseveration of Mr. John Dillon, whose chief electioneering argument--apart from abuse--is that the only alternative to Westminster is Rebellion. It seems rather curious, doesn't it, that we cannot sit tight here in our own country and win independence as Hungary did under Deak. But perhaps Mr. Dillon means that if we were not distracted and bamboozled by the fighting on the floor of the House, we would not so tamely acquiesce in our oppression; and probably Mr. Dillon is right. But, after all, conscription was beaten without rebellion, and Mr. Dillon's adherence (however lukewarm) to the Mansion House Committee showed that he believed it could be beaten without physical force. And when Mr. Dillon signed the No-Rent Manifesto he was, though he knew it not, a staunch upholder of Sinn Fein:-- "Against the passive resistance of an entire population, military power has no weapons.... No power on earth except faint-heartedness on your own part, can defeat you.... The world is watching to see whether all your splendid hopes and noble courage will crumble away at the first threat of a cowardly tyranny.... Stand together in the face of the brutal and cowardly enemies of your race.... Stand passively, firmly, fearlessly by, while the armies of England may be engaged in their hopeless struggle against a spirit which their weapons cannot touch.... The Government will
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Produced by Joyce Wilson and David Widger THE BROKEN CUP By Johann Heinrich Daniel Zschokke Translated by P. G. Copyright, 1891, by The Current Literature Publishing Company Author's Note.--There is extant under this name a short piece by the author of "Little Kate of Heilbronn." That and the tale which here follows originated in an incident which took place at Bern in the year 1802. Henry von Kleist and Ludwig Wieland, the son of the poet, were both friends of the writer, in whose chamber hung an engraving called _La Cruche Cassee_, the persons and contents of which resembled the scene set forth below, under the head of The Tribunal. The drawing, which was full of expression, gave great delight to those who saw it, and led to many conjectures as to its meaning. The three friends agreed, in sport, that they would each one day commit to writing his peculiar interpretation of its design. Wieland promised a satire; Von Kleist threw off a comedy; and the author of the following tale what is here given. MARIETTA. NAPOULE, it is true, is only a very little place on the bay of Cannes; yet it is pretty well known through all Provence. It lies in the shade of lofty evergreen palms, and darker orange trees; but that alone would not make it renowned. Still they say that there are grown the most luscious grapes, the sweetest roses, and the handsomest girls. I don't know but it is so; in the mean time I believe it most readily. Pity that Napoule is so small, and can not produce more luscious grapes, fragrant roses, and handsome maidens; especially, as we might then have some of them transplanted to our own country. As, ever since the foundation of Napoule, all the Napoulese women have been beauties, so the little Marietta was a wonder of wonders, as the chronicles of the place declare. She was called the _little_ Marietta; yet she was not smaller than a girl of seventeen or thereabout ought to be, seeing that her forehead just reached up to the lips of a grown man. The chronicles aforesaid had very good ground for speaking of Marietta. I, had I stood in the shoes of the chronicler, would have done the same. For Marietta, who until lately had lived with her mother Manon at Avignon, when she came back to her birthplace, quite upset the whole village. Verily, not the houses, but the people and their heads; and not the heads of all the people, but of those particularly whose heads and hearts are always in danger when in the neighborhood of two bright eyes. I know very well that such a position is no joke. Mother Manon would have done much better if she had remained at Avignon. But she had been left a small inheritance, by which she received at Napoule an estate consisting of some vine-hills, and a house that lay in the shadow of a rock, between certain olive trees and African acacias. This is a kind of thing which no unprovided widow ever rejects; and, accordingly, in her own estimation, she was as rich and happy as though she were the Countess of Provence or something like it. So much the worse was it for the good people of Napoule. They never suspected their misfortune, not having read in Homer how a single pretty woman had filled all Greece and Lesser Asia with discord and war. HOW THE MISFORTUNE CAME ABOUT. Marietta had scarcely been fourteen days in the house, between the olive trees and the African acacias, before every young man of Napoule knew that she lived there, and that there lived not, in all Provence, a more charming girl than the one in that house. Went she through the village, sweeping lightly along like a dressed-up angel, her frock, with its pale-green bodice, and orange leaves and rosebuds upon the bosom of it, fluttering in the breeze, and flowers and ribbons waving about the straw bonnet, which shaded her beautiful features--yes, then the grave old men spake out, and the young ones were struck dumb. And everywhere, to the right and left, little windows and doors were opened with a "Good morning," or a "Good evening, Marietta," as it might be, while she nodded to the right and left with a pleasant smile. If Marietta walked into church, all hearts (that is, of the young people) forgot Heaven; all eyes turned from the saints, and the worshiping finger wandered idly among the pearls of the rosary. This must certainly have provoked much sorrow, at least, among the more devout. The maidens of Napoule particularly became very pious about this time, for they, most of all, took the matter to heart. And they were not to be blamed for it; for since the advent of Marietta more than one prospective groom had become cold, and more than one worshipper of some beloved one quite inconstant. There were bickerings and reproaches on all sides, many tears, pertinent lectures, and even rejections. The talk was no longer of marriages, but of separations. They began to return their pledges of troth, rings, ribbons, etc. The old persons took
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Produced by Juliet Sutherland, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net BEL AMI The Works of Guy de Maupassant VOLUME VI NATIONAL LIBRARY COMPANY NEW YORK COPYRIGHT, 1909, BY BIGELOW, SMITH & CO. BEL AMI (A LADIES' MAN) I When the cashier had given him the change out of his five francpiece, George Duroy left the restaurant. As he had a good carriage, both naturally and from his military training, he drew himself up, twirled his moustache, and threw upon the lingering customers a rapid and sweeping glance--one of those glances which take in everything within their range like a casting net. The women looked up at him in turn--three little work-girls, a middle-aged music mistress, disheveled, untidy, and wearing a bonnet always dusty and a dress always awry; and two shopkeepers' wives dining with their husbands--all regular customers at this slap-bang establishment. When he was on the pavement outside, he stood still for a moment, asking himself what he should do. It was the 28th of June, and he had just three francs forty centimes in his pocket to carry him to the end of the month. This meant the option of two dinners without lunch or two lunches without dinner. He reflected that as the earlier repasts cost twenty sous apiece, and the latter thirty, he would, if he were content with the lunches, be one franc twenty centimes to the good, which would further represent two snacks of bread and sausage and two bocks of beer on the boulevards. This latter item was his greatest extravagance and his chief pleasure of a night; and he began to descend the Rue Notre-Dame de Lorette. He walked as in the days when he had worn a hussar uniform, his chest thrown out and his legs slightly apart, as if he had just left the saddle, pushing his way through the crowded street, and shouldering folk to avoid having to step aside. He wore his somewhat shabby hat on one side, and brought his heels smartly down on the pavement. He seemed ever ready to defy somebody or something, the passers-by, the houses, the whole city, retaining all the swagger of a dashing cavalry-man in civil life. Although wearing a sixty-franc suit, he was not devoid of a certain somewhat loud elegance. Tall, well-built, fair, with a curly moustache twisted up at the ends, bright blue eyes with small pupils, and reddish-brown hair curling naturally and parted in the middle, he bore a strong resemblance to the dare-devil of popular romances. It was one of those summer evenings on which air seems to be lacking in Paris. The city, hot as an oven, seemed to swelter in the stifling night. The sewers breathed out their poisonous breath through their granite mouths, and the underground kitchens gave forth to the street through their windows the stench of dishwater and stale sauces. The doorkeepers in their shirtsleeves sat astride straw-bottomed chairs within the carriage entrances to the houses, smoking their pipes, and the pedestrians walked with flagging steps, head bare, and hat in hand. When George Duroy reached the boulevards he paused again, undecided as to what he should do. He now thought of going on to the Champs Elysees and the Avenue du Bois de Boulogne to seek a little fresh air under the trees, but another wish also assailed him, a desire for a love affair. What shape would it take? He did not know, but he had been awaiting it for three months, night and day. Occasionally, thanks to his good looks and gallant bearing, he gleaned a few crumbs of love here and there, but he was always hoping for something further and better. With empty pockets and hot blood, he kindled at the contact of the prowlers who murmur at
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Produced by David Widger DON QUIXOTE by Miguel de Cervantes Translated by John Ormsby Volume I. Part 3. CHAPTER VI. OF THE DIVERTING AND IMPORTANT SCRUTINY WHICH THE CURATE AND THE BARBER MADE IN THE LIBRARY OF OUR INGENIOUS GENTLEMAN He was still sleeping; so the curate asked the niece for the keys of the room where the books, the authors of all the mischief, were, and right willingly she gave them. They all went in, the housekeeper with them, and found more than a hundred volumes of big books very well bound, and some other small ones. The moment the housekeeper saw them she turned about and ran out of the room, and came back immediately with a saucer of holy water and a sprinkler, saying, "Here, your worship, senor licentiate, sprinkle this room; don't leave any magician of the many there are in these books to bewitch us in revenge for our design of banishing them from the world." The simplicity of the housekeeper made the licentiate laugh, and he directed the barber to give him the books one by one to see what they were about, as there might be some to be found among them that did not deserve the penalty of fire. "No," said the niece, "there is no reason for showing mercy to any of them; they have every one of them done mischief; better fling them out of the window into the court and make a pile of them and set fire to them; or else carry them into the yard, and there a bonfire can be made without the smoke giving any annoyance." The housekeeper said the same, so eager were they both for the slaughter of those innocents, but the curate would not agree to it without first reading at any rate the titles. The first that Master Nicholas put into his hand was "The four books of Amadis of Gaul." "This seems a mysterious thing," said the curate, "for, as I have heard say, this was the first book of chivalry printed in Spain, and from this all the others derive their birth and origin; so it seems to me that we ought inexorably to condemn it to the flames as the founder of so vile a sect." "Nay, sir," said the barber, "I too, have heard say that this is the best of all the books of this kind that have been written, and so, as something singular in its line, it ought to be pardoned." "True," said the curate; "and for that reason let its life be spared for the present. Let us see that other which is next to it." "It is," said the barber, "the 'Sergas de Esplandian,' the lawful son of Amadis of Gaul." "Then verily," said the curate, "the merit of the father must not be put down to the account of the son. Take it, mistress housekeeper; open the window and fling it into the yard and lay the foundation of the pile for the bonfire we are to make." The housekeeper obeyed with great satisfaction, and the worthy "Esplandian" went flying into the yard to await with all patience the fire that was in store for him. "Proceed," said the curate. "This that comes next," said the barber, "is 'Amadis of Greece,' and, indeed, I believe all those on this side are of the same Amadis lineage." "Then to the yard with the whole of them," said the curate; "for to have the burning of Queen Pintiquiniestra, and the shepherd Darinel and his eclogues, and the bedevilled and involved discourses of his author, I would burn with them the father who begot me if he were going about in the guise of a knight-errant." "I am of the same mind," said the barber. "And so am I," added the niece. "In that case," said the housekeeper, "here, into the yard with them!" They were handed to her, and as there were many of them, she spared herself the staircase, and flung them down out of the window. "Who is that tub there?" said the curate. "This," said the barber, "is 'Don Olivante de Laura.'" "The author of that book," said the curate, "was the same that wrote 'The Garden of Flowers,' and truly there is no deciding which of the two books is the more truthful, or, to put it better, the less lying; all I can say is, send this one into the yard for a swaggering fool." "This that follows is 'Florismarte of Hircania,'" said the barber. "Senor Florismarte here?" said the curate; "then by my faith he must take up his quarters in the yard, in spite of his marvellous birth and visionary adventures, for the stiffness and dryness of his style deserve nothing else; into the yard with him and the other, mistress housekeeper." "With all my heart, senor," said she, and executed the order with great delight. "This," said the barber, "is The Knight Platir.'" "An old book that," said the curate, "but I find no reason for clemency in it; send it after the others without appeal;" which was done. Another book was opened, and they saw it was entitled, "The Knight of the Cross." "For the sake of the holy name this book has," said the curate, "its ignorance might be excused; but then, they say, 'behind the cross there's the devil; to the fire with it." Taking down another book, the barber said, "This is 'The Mirror of Chivalry.'" "I know his worship," said the curate; "that is where Senor Reinaldos of Montalvan figures with his friends and comrades, greater thieves than Cacus, and the Twelve Peers of France with the veracious historian Turpin; however, I am not for condemning them to more than perpetual banishment, because, at any rate, they have some share in the invention of the famous Matteo Boiardo, whence too the Christian poet Ludovico Ariosto wove his web, to whom, if I find him here, and speaking any language but his own, I shall show no respect whatever; but if he speaks his own tongue I will put him upon my head." "Well, I have him in Italian," said the barber, "but I do not understand him." "Nor would it be well that you should understand him," said the curate, "and on that score we might have excused the Captain if he had not brought him into Spain and turned him into Castilian. He robbed him of a great deal of his natural force, and so do all those who try to turn books written in verse into another language, for, with all the pains they take and all the cleverness they show, they never can reach the level of the originals as they were first produced. In short, I say that this book, and all that may be found treating of those French affairs, should be thrown into or deposited in some dry well, until after more consideration it is settled what is to be done with them; excepting always one 'Bernardo del Carpio' that is going about, and another called 'Roncesvalles;' for these, if they come into my hands, shall pass at once into those of the housekeeper, and from hers into the fire without any reprieve." To all this the barber gave his assent, and looked upon it as right and proper, being persuaded that the curate was so staunch to the Faith and loyal to the Truth that he would not for the world say anything opposed to them. Opening another book he saw it was "Palmerin de Oliva," and beside it was another called "Palmerin of England," seeing which the licentiate said, "Let the Olive be made firewood of at once and burned until no ashes even are left; and let that Palm of England be kept and preserved as a thing that stands alone, and let such another case be made for it as that which Alexander found among the spoils of Darius and set aside for the safe keeping of the works of the poet Homer. This book, gossip, is of authority for two reasons, first because it is very good, and secondly because it is said to have been written by a wise and witty king of Portugal. All the adventures at the Castle of Miraguarda are excellent and of admirable contrivance, and the language is polished and clear, studying and observing the style befitting the speaker with propriety and judgment. So then, provided it seems good to you, Master Nicholas, I say let this and 'Amadis of Gaul' be remitted the penalty of fire, and as for all the rest, let them perish without further question or query." "Nay, gossip," said the barber, "for this that I have here is the famous 'Don Belianis.'" "Well," said the curate, "that and the second, third, and fourth parts all stand in need of a little rhubarb to purge their excess of bile, and they must be cleared of all that stuff about the Castle of Fame and other greater affectations, to which end let them be allowed the over-seas term, and, according as they mend, so shall mercy or justice be meted out to them; and in the mean time, gossip, do you keep them in your house and let no one read them." "With all my heart," said the barber; and not caring to tire himself with reading more books of chivalry, he told the housekeeper to take all the big ones and throw them into the yard. It was not said to one dull or deaf, but to one who enjoyed burning them more than weaving the broadest and finest web that could be; and seizing about eight at a time, she flung them out of the window. In carrying so many together she let one fall at the feet of the barber, who took it up, curious to know whose it was, and found it said, "History of the Famous Knight, Tirante el Blanco." "God bless me!" said the curate with a shout, "'Tirante el Blanco' here! Hand it over, gossip, for in it I reckon I have found a treasury of enjoyment and a mine of recreation. Here is Don Kyrieleison of Montalvan, a valiant knight, and his brother Thomas of Montalvan, and the knight Fonseca, with the battle the bold Tirante fought with the mastiff, and the witticisms of the damsel Placerdemivida, and the loves and wiles of the widow Reposada, and the empress in love with the squire Hipolito--in truth, gossip, by right of its style it is the best book in the world. Here knights eat and sleep, and die in their beds, and make their wills before dying, and a great deal more of which there is nothing in all the other books. Nevertheless, I say he who wrote it, for deliberately composing such fooleries, deserves to be sent to the galleys for life. Take it home with you and read it, and you will see that what I have said is true." "As you will," said the barber; "but what are we to do with these little books that are left?" "These must be, not chivalry, but poetry," said the curate; and opening one he saw it was the "Diana" of Jorge de Montemayor, and, supposing all the others to be of the same sort, "these," he said, "do not deserve to be burned like the others, for they neither do nor can do the mischief the books of chivalry have done, being books of entertainment that can hurt no one." "Ah, senor!" said the niece, "your worship had better order these to be burned as well as the others; for it would be no wonder if, after being cured of his chivalry disorder, my uncle, by reading these, took a fancy to turn shepherd and range the woods and fields singing and piping; or, what would be
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Produced by ellinora, Barry Abrahamsen, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) WHEN YOU WERE A BOY ------------------------------------------------------------------------ [Illustration: Frontispiece] ------------------------------------------------------------------------ WHEN YOU WERE A BOY BY EDWIN L. SABIN WITH PICTURES BY FREDERIC DORR STEELE ------------------------------------------- [Illustration: Figure] ------------------------------------------- New York THE BAKER & TAYLOR COMPANY 33-37 EAST 17TH STREET, UNION SQUARE (NORTH) ------------------------------------------------------------------------ Copyright, 1905, by THE BAKER & TAYLOR COMPANY --- Published October, 1905 The Plimpton Press Norwood Mass. U.S.A. ------------------------------------------------------------------------ For permission to republish the following sketches the author is gratefully indebted to the Century Magazine, the Saturday Evening Post, Everybody’s Magazine, and the National Magazine. ------------------------------------------------------------------------ CONTENTS ❦ PAGE I The Match Game 11 II You at School 39 III Chums 65 IV In the Arena 91 V The Circus 111 VI When You Ran Away 135 VII Goin’ Fishin’ 155 VIII In Society 179 IX Middleton’s Hill 195 X Goin’ Swimmin’ 219 XI The Sunday-School Picnic 239 XII The Old Muzzle-Loader 257 XIII A Boy’s Loves 277 XIV Noon 297 ------------------------------------------------------------------------ THE MATCH GAME ------------------------------------------------------------------------ [Illustration: “YOU”] ------------------------------------------------------------------------ WHEN YOU WERE A BOY THE MATCH GAME “OUR” NINE Billy Lunt, c Fat Day, p Hen Schmidt, 1b Bob Leslie, 2b Hod O’Shea, 3b Chub Thornbury, ss Nixie Kemp, lf Tom Kemp, rf “You,” cf. “THEIR” NINE Spunk Carey, c Doc Kennedy, p Screw Major, 1b Ted Watson, 2b Red Conroy, 3b Slim Harding, ss Pete Jones, lf Tug McCormack, rf Ollie Hansen, cf We: 5 9 9 8—31 They: 11 14 9 16—50 FAT DAY was captain and pitcher. He was captain because, if he was _not_, he wouldn’t play, and inasmuch as he owned the ball, this would have been disastrous; and he was pitcher because he was captain. In the North Stars were other pitchers—seven of them! The only member who did not aspire to pitch was Billy Lunt, and as catcher he occupied a place, in “takin’ ’em off the bat,” too delightfully hazardous for him to surrender, and too painful for anybody else to covet. [Illustration: FAT DAY] The organization of the North Stars was effected through verbal contracts somewhat as follows: “Say, we want you to be in our nine.” “All right. Will you lemme pitch?” “Naw; Fat’s pitcher, ’cause he’s captain; but you can play first.” “Pooh! _Fat_ can’t pitch—” “I can, too. I can pitch lots better’n _you_ can, anyhow.” (This from Fat himself.) “W-well, I’ll play first, then. I don’t care.” Thus an adjustment was reached. A proud moment for you was it when _your_ merits as a ball-player were recognized, and you were engaged for center-field. Of course, secretly you nourished the strong conviction that you were cut out for a pitcher. Next to pitcher, you preferred short-stop, and next to short-stop, first base. But these positions, and pretty much everything, in fact, had been preempted; so, after the necessary haggling, you accepted center-field. Speedily the North Star make-up was complete, and disappointed applicants—those too little, too big, too late, or not good enough—were busy sneering about it. [Illustration: BILLY LUNT] The equipment
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Produced by Carla Foust and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) THE JUDICIAL MURDER --OF-- MARY E. SURRATT. DAVID MILLER DEWITT. Baltimore: JOHN MURPHY & CO. 1895. COPYRIGHT, 1894, BY DAVID MILLER DEWITT. "_Oceans of horse-hair, continents of parchment, and learned-sergeant eloquence, were it continued till the learned tongue wore itself small in the indefatigable learned mouth, cannot make the unjust just. The grand question still remains, Was the judgment just? If unjust, it will not and cannot get harbour for itself, or continue to have footing in this Universe, which was made by other than One Unjust. Enforce it by never such statuting, three readings, royal assents; blow it to the four winds with all manner of quilted trumpeters and pursuivants, in the rear of them never so many gibbets and hangmen, it will not stand, it cannot stand. From all souls of men, from all ends of Nature, from the Throne of God above, there are voices bidding it: Away! Away!_" PAST AND PRESENT. CONTENTS. PAGE. PRELIMINARY CHAPTER I. The Reign of Terror, 1 CHAPTER II. The Bureau of Military (In)Justice, 15 PART I. THE MURDER. CHAPTER I. The Opening of the Court. Was She Ironed? 23 CHAPTER II. Animus of the Judges. Insults to Reverdy Johnson and General Edward Johnson, 41 CHAPTER III. Conduct of the Trial, 56 CHAPTER IV. Arguments of the Defense, 70 CHAPTER V. Charge of Judge Bingham, 82 CHAPTER VI. Verdict, Sentence and Petition, 91 CHAPTER VII. The Death Warrant and Execution, 112 CHAPTER VIII. Was it not Murder? The Milligan Case, 126 PART II. THE VINDICATION. CHAPTER I. Setting Aside the Verdict. Discharge of Jefferson Davis, 145 CHAPTER II. Reversal on the Merits. Trial of John H. Surratt, 165 CHAPTER III. The Recommendation to Mercy, 182 CHAPTER IV. Trial of Joseph Holt, 207 CHAPTER V. Andrew Johnson Signs another Death Warrant, 236 CHAPTER VI. Conclusion, 249 PRELIMINARY. CHAPTER I. THE REIGN OF TERROR. The assassination of Abraham Lincoln burst upon the City of Washington like a black thunder-bolt out of a cloudless sky. On Monday, the 3d of April, 1865, Richmond was taken. On the succeeding Sunday (the ninth), General Lee with the main Army of the South surrendered. The rebellion of nearly one-half the nation lay in its death-throes. The desperate struggle for the unity of the Republic was ending in a perfect triumph; and the loyal people gave full rein to their joy. Every night the streets of the city were illuminated. The chief officers of the government, one after another, were serenaded. On the evening of Tuesday, the eleventh, the President addressed his congratulations to an enthusiastic multitude from a window of the White House. On the night of Thursday (the thirteenth) Edwin M. Stanton, the Secretary of War, and Ulysses S. Grant, the victorious General of the Army of the North, were tumultuously greeted with banners and music and cannon at the residence of the Secretary. The next day, Friday the 14th, was the fourth anniversary of the surrender of Fort Sumter to the South, and that national humiliation was to be avenged by the restoration of the flag of the United States to its proper place above the fort by the hand of the same gallant officer who had been compelled to pull it down. In the evening, a torch-light procession perambulated the streets of the Federal Capital. Enthusiastic throngs filled the theatres, where the presence of great officials had been advertised by huge placards, and whose walls were everywhere festooned with the American flag. After four years of agonizing but unabating strain, all patriots felt justified in yielding to the full enjoyment of the glorious relaxation. Suddenly, at its very zenith, the snap of a pistol dislimns and scatters this great jubilee, as though it were, indeed, the insubstantial fabric of a vision. At half past ten that night, from the box of the theatre where the President is seated, a shot is heard; a wild figure, hatless and clutching a gleaming knife, emerges through the smoke; it leaps from the box to the stage, falls upon one knee, recovers itself, utters one shout and waves aloft its bloody weapon; then turns, limps across in front of the audience and disappears like a phantom behind the scenes. Simultaneously, there breaks upon the startled air the shriek of a woman, followed close by confused cries of "Water! Water!" and "The President is shot!" For the first few moments both audience and actors are paralyzed. One man alone jumps from the auditorium to the stage and pursues the flying apparition. But, as soon as the hopeless condition of the President and the escape of the assassin begin to transpire, angry murmurs of "Burn the Theatre!" are heard in the house, and soon swell into a roar in the street where a huge crowd has already assembled. The intermingling throng surges into the building from every quarter, and mounts guard at every exit. Not one of the company of actors is allowed to go out. The people seem to pause for a moment, as if awaiting from Heaven a retribution as sudden and awful as the crime. All their joy is turned to grief in the twinkling of an eye. The rebellion they had too easily believed to be dead could still strike, it seemed, a fatal blow against the very life of the Republic. A panic seizes the multitude in and around the theatre, and from the theatre spreads, "like the Night," over the whole city. And when the frightened citizens hear, as they immediately do, the story of the bloody massacre in the house of the Secretary of State, occurring at the same hour with the murder of the President, the panic swells into a reign of terror. The wildest stories find the quickest and most eager credence. Every member of the Cabinet and the General of the Army have been, or are about to be, killed; the government itself is at a standstill; and the lately discomfited rebels are soon to be in possession of the Capital. Patriotic people, delivering themselves over to a fear of they know not what, cry hoarsely for vengeance on they know not whom. The citizen upon whose past loyalty the slightest suspicion can be cast cowers for safety close to his hearth-stone. The terror-stricken multitude want but a leader cool and unscrupulous enough, to plunge into a promiscuous slaughter, such as stained the new-born revolution in France. A leader, indeed, they soon find, but he is not a Danton. He is a leader only in the sense that he has caught the same madness of terror and suspicion which has seized the people, that he holds high place, and that he has the power and is in a fit humor to pander to the panic. Edwin M. Stanton was forced by the tremendous crisis up to the very top of affairs. Vice-President Johnson, in the harrowing novelty of his position, was for the time being awed into passive docility. The Secretary of State was doubly disabled, if not killed. The General of the Army was absent. The Secretary of War without hesitation grasped the helm thus thrust into his hand, but, alas! he immediately lost his head. His exasperation at the irony of fate, which could so ruthlessly and in a moment wither the triumph of a great cause by so unexpected and overwhelming a calamity, was so profound and intense, his desire for immediate and commensurate vengeance was so uncontrollable and unreasoning, as to distort his perception, unsettle his judgment, and thus cause him to form an estimate of the nature and extent of the impending danger as false and exaggerated as that of the most panic-stricken wretch in the streets. Personally, besides, he was unfitted in many respects for such an emergency. Though an able and, it may be, a great War-Minister, he exerted no control over his temper; he habitually identified a conciliatory and charitable disposition with active disloyalty; and, being unpopular with the people of Washington by reason of the gruffness of his ways and the inconsistencies of his past political career, he had reached the unalterable conviction that the Capital was a nest of sympathizers with the South, and that he was surrounded by enemies of himself and his country. When, therefore, upon the crushing news that the President was slain, followed hard the announcement that another assassin had made a slaughter-house of the residence of the Minister's own colleague, self-possession--the one supreme quality which was indispensable to a leader at such an awful juncture--forsook him and fled. Before the breath was out of the body of the President, the Secretary had rushed to the conclusion, unsupported as yet by a shadow of testimony, that the acts of Booth and of the assailant of Seward (at the moment supposed to be John H. Surratt) were the outcome of a widespread, numerous and powerful conspiracy to kill, not only the President and the Secretary of State, but all the other heads of the Departments, the Vice-President and the General of the Army as well, and thus bring the government to an end; and that the primary moving power of the conspiracy was the defunct rebellion as represented by its titular President and his Cabinet, and its agents in Canada. This belief, embraced with so much precipitation, immediately became more than a belief; it became a fixed idea in his mind. He saw, heard, felt and cherished every thing that favored it. He would see nothing, would hear nothing, and hated every thing, that in the slightest degree militated against it. Upon this theory he began, and upon this theory he prosecuted to the end, every effort for the discovery, arrest, trial and punishment of the murderers. He was seconded by a lieutenant well-fitted for such a purpose--General Lafayette C. Baker, Chief of the Detective Force. In one of the two minority reports presented to the House of Representatives by the Judiciary Committee, on the Impeachment Investigation of 1867, this man and his methods are thus delineated: "The first witness examined was General Lafayette C. Baker, late chief of the detective police, and although examined on oath, time and again, and on various occasions, it is doubtful whether he has in any one thing told the truth, even by accident. In every important statement he is contradicted by witnesses of unquestioned credibility. And there can be no doubt that to his many previous outrages, entitling him to an unenviable immortality, he has added that of wilful and deliberate perjury; and we are glad to know that no one member of the committee deems any statement made by him as worthy of the slightest credit. What a blush of shame will tinge the cheek of the American student in future ages, when he reads that this miserable wretch for years held, as it were, in the hollow of his hand, the liberties of the American people. That, clothed with power by a reckless administration, and with his hordes of unprincipled tools and spies permeating the land everywhere, with uncounted thousands of the people's money placed in his hands for his vile purposes, this creature not only had power to arrest without crime or writ, and imprison without limit, any citizen of the republic, but that he actually did so arrest thousands, all over the land, and filled the prisons of the country with the victims of his malice, or that of his masters." In this man's hands Secretary Stanton placed all the resources of the War Department, in soldiers, detectives, material and money, and commanded him to push ahead and apprehend all persons suspected of complicity in the assumed conspiracy, and to conduct an investigation as to the origin and progress of the crime, upon the theory he had adopted and which, as much as any other, Baker was perfectly willing to accept and then, by his peculiar methods, establish. Forthwith was ushered in the grand carnival of detectives. Far and wide they sped. They had orders from Baker to do two things: I.--To arrest all the "Suspect." II.--By promises, rewards, threats, deceit, force, or any other effectual means, to extort confessions and procure testimony to establish the conspiracy whose existence had been postulated. At two o'clock in the morning of Saturday, the fifteenth, they burst into the house of Mrs. Surratt and displaying the bloody collar of the coat of the dying Lincoln, demanded the whereabouts of Booth and Surratt. It being presently discovered that Booth had escaped on horseback across the Navy Yard Bridge with David Herold ten minutes in his rear, a dash was made upon the livery-stables of Washington, their proprietors taken into custody, and then the whole of lower Maryland was invaded, the soldiers declaring martial law as they progressed. Ford's theatre was taken and held by an armed force, and the proprietor and employees were all swept into prison, including Edward Spangler, a scene-shifter, who had been a menial attendant of Booth's. The superstitious notion prevailed that the inanimate edifice whose walls had suffered such a desecration was in some vague sense an accomplice; the Secretary swore that no dramatic performance should ever take place there again; and the suspicion was sedulously kept alive that the manager and the whole force of the company must have aided their favorite actor, or the crime could not have been so easily perpetrated and the assassin escaped. On the night of the fifteenth (Saturday) a locked room in the Kirkwood House, where Vice President Johnson was stopping, which had been engaged by George A. Atzerodt on the morning of the fourteenth, was broken open, and in the bed were found a bowie-knife and a revolver, and on the wall a coat (subsequently identified as Herold's), in which was found, among other articles, a bank book of Booth's. The room had not been otherwise occupied--Atzerodt, after taking possession of it, having mysteriously disappeared. On the morning of the seventeenth (Monday), at Baltimore, Michael O'Laughlin was arrested as a friend of Booth's, and it was soon thought that he "_resembled extremely_" a certain suspicious stranger who, it was remembered, had been seen prowling about Secretary Stanton's residence on the night of the 13th, when the serenade took place, and there doing such an unusual act as inquiring for, and looking at, General Grant. On the same day at Fort Monroe, Samuel Arnold was arrested, whose letter signed "Sam" had been found on Saturday night among the effects of Booth. On the night of the seventeenth, also, the house of Mrs. Surratt with all its contents was taken possession of by the soldiers, and Mrs. Surratt, her daughter, and all the other inmates were taken into custody. While the ladies were making preparations for their departure to prison, a man disguised as a laborer, with a sleeve of his knit undershirt drawn over his head, a pick-axe on his shoulder, and covered with mud, came to the door with the story that he was to dig a drain for Mrs. Surratt in the morning; and that lady asseverating that she had never seen the man before, he was swept with the rest to headquarters, and there, to the astonishment of everybody, turned out to be the desperate assailant of the Sewards. During these few days Washington was like a city of the dead. The streets were hung with crape. The obsequies, which started on its march across the continent the colossal funeral procession in which the whole people were mourners, were being celebrated with the most solemn pomp. No business was done except at Military Headquarters. Men hardly dared talk of the calamity of the nation. Everywhere soldiers and police were on the alert to seize any supposed or denounced sympathizer with the South. Mysterious and prophetic papers turned up at the White House and the War Department. Women whispered terrible stories of what they knew about the "Great Crime." To be able to give evidence was to be envied as a hero. And still the arch-devil of the plot could not be found! The lower parts of Maryland seethed like a boiling pot, and the prisons of Washington were choking with the "suspect" from that quarter. Lloyd--the drunken landlord of the tavern at Surrattsville, ten miles from Washington, at which Booth and Herold had stopped at midnight of the fatal Friday for carbines and whisky--after two days of stubborn denial was at last frightened into confession; and Doctor Mudd, who had set Booth's leg Saturday morning thirty miles from Washington, was in close confinement. All the intimate friends of the actor in Washington, in Baltimore, in Philadelphia, in New York and even in Montreal were in the clutches of the government. Surratt himself--the pursuit of whom, guided by Weichman, his former college-chum, his room-mate, and the favorite guest of his mother, had been instant and thorough--it was ascertained, had left Canada on the 12th of April and was back again on the 18th. But where was Booth? where Herold? where Atzerodt? On the 20th, the Secretary of War applied the proper stimulus by issuing a proclamation to the following effect: "$50,000 reward will be paid by this department for the apprehension of the murderer of our late beloved President. "$25,000 reward for the apprehension of John H. Surratt, one of Booth's accomplices. "$25,000 reward for the apprehension of Herold, another of Booth's accomplices. "Liberal rewards will be paid for any information that shall conduce to the arrest of either of the above-named criminals or their accomplices. "All persons harboring or secreting the said persons, or either of them, or aiding or assisting in their concealment or escape, will be treated as accomplices in the murder of the President and the attempted assassination of the Secretary of State, and shall be subject to trial before a military commission and the punishment of death." What is noteworthy about this document is that Stanton had already made up his mind as to the guilt of the persons named as accomplices of Booth; that he needed only their arrest, being assured of their consequent conviction; and that he had already determined that their trial and the trial of all persons connected with the great crime, however remotely, should be had before a military tribunal, and that the punishment to follow conviction should be death. At four o'clock in the morning of the very day this proclamation was issued, Atzerodt was apprehended at the house of his cousin in Montgomery County, Md., about twenty-two miles northward of Washington, by a detail of soldiers, to whom, by the way, notwithstanding the arrest preceded the proclamation, $25,000 reward was subsequently paid. With Atzerodt his cousin, Richter, was taken also. O'Laughlin, Payne, Arnold, Atzerodt and Richter, as they were severally arrested, were put into the custody of the Navy Department and confined on board the Monitor _Saugus_, which on the morning of Saturday, when the President died, had been ordered to swing out into the middle of the river opposite the Navy Yard, prepared to receive at any hour, day or night, dead or alive, the arch-assassin. Each of these prisoners was loaded with double irons and kept under a strong guard. On the 23d, Atzerodt, by order of the Secretary of War, was transferred to the Monitor _Montauk_, to separate him from his cousin, and Payne, in addition to his double irons, had a ball and chain fastened to each ankle by the direction of the same officer. On the next day Spangler, who had hitherto been confined in the Old Capitol Prison, was transferred to one of the Monitors and presumably subjected to the same treatment. On the same day the following order was issued: "The Secretary of War requests that the prisoners on board iron-clads belonging to this department for better security against conversation shall have a canvass bag put over the head of each and tied around the neck, with a hole for proper breathing and eating, but not seeing, and that Payne be secured to prevent self-destruction." All of which was accordingly done. And still no Booth! It seems as though the Secretary were mad enough to imagine that he could wring from Providence the arrest of the principal assassin by heaping tortures on his supposed accomplices. At length, in the afternoon of the 26th--Wednesday, the second week after the assassination--Col. Conger arrived with the news of the death of Booth and the capture of Herold on the early morning of that day; bringing with him the diary and other articles found on the person of Booth, which were delivered to Secretary Stanton at his private residence. In the dead of the ensuing night, the body of Booth, sewed up in an old army blanket, arrived, attended by the dog-like Herold; and the living and the dead were immediately transferred to the _Montauk_. Herold was double ironed, balled and chained and hooded. The body of Booth was identified; an autopsy held; the shattered bone of his neck taken out for preservation as a relic (it now hangs from the ceiling of the Medical Museum into which Ford's Theatre was converted, or did before the collapse); and then, with the utmost secrecy and with all the mystery which could be fabricated, under the direction of Col. Baker, the corpse was hurriedly taken from the vessel into a small boat, rowed to the Arsenal grounds, and buried in a grave dug in a large cellar-like apartment on the ground floor of the Old Penitentiary; the door was locked, the key removed and delivered into the hands of Secretary Stanton. No effort was spared to conceal the time, place and circumstances of the burial. False stories were set afloat by Baker in furtherance of such purpose. Stanton seemed to fear an escape or rescue of the dead man's body; and vowed that no rebel or no rebel sympathizer should have a chance to glory over the corpse, or a fragment of the corpse, of the murderer of Lincoln. CHAPTER II. THE BUREAU OF MILITARY (IN)JUSTICE. Mingling with the varied emotions evoked by the capture and death of the chief criminal was a feeling of deepest exasperation that the foul assassin should after all have eluded the ignominious penalty of his crime. Thence arose a savage disposition on the part of the governing powers to wreak this baffled vengeance first, on his inanimate body; secondly, on the lives of his associates held so securely in such close custody; and thirdly, on all those in high places who might be presumed to sympathize with his deeds. It was too horrible to imagine that the ghost of the martyred Lincoln should walk unavenged. So stupendous a calamity must of necessity be the outcome of as stupendous a conspiracy, and must in the very justice of things be followed by as stupendous a retribution. A sacrifice must be offered and the victims must be forthcoming. To employ the parallel subsequently drawn by General Ewing on the trial of the conspirators: On the funeral pyre of Patroclus must be immolated the twelve Trojan captives. They were sure of Payne and of Herold. They held Arnold and O'Laughlin and Atzerodt and Spangler and Doctor Mudd--all the supposed satellites of Booth, save one. John H. Surratt could not be found. Officers in company with Weichman and Holahan, boarders at his mother's house, who in the terror of the moment had given themselves up on the morning of the fifteenth, traced him to Canada, as has already been noticed, but had there lost track of him. They had returned disappointed; and now Weichman and Holahan were in solitary confinement. Notwithstanding the large rewards out for his capture, as to him alone the all-powerful government seemed to be baffled. One consolation there was, however--if they could not find the son, they held the mother as a hostage for him, and they clung to the cruel expectation that by putting her to the torture of a trial and a sentence, they might force the son from his hiding place. In the meanwhile the Bureau of Military Justice, presided over by Judge-Advocate-General Holt, had been unceasingly at work. General Baker with his posse of soldiers and detectives scoured the country far and wide for suspected persons and witnesses, hauled them to Washington and shut them up in the prisons. Then the Bureau of Military Justice took them in hand
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Produced by Tapio Riikonen and David Widger THE CAMP OF WALLENSTEIN By Frederich Schiller Translated by James Churchill. The Camp of Wallenstein is an introduction to the celebrated tragedy of that name; and, by its vivid portraiture of the state of the general's army, gives the best clue to the spell of his gigantic power. The blind belief entertained in the unfailing success of his arms, and in the supernatural agencies by which that success is secured to him; the unrestrained indulgence of every passion, and utter disregard of all law, save that of the camp; a hard oppression of the peasantry and plunder of the country, have all swollen the soldiery with an idea of interminable sway. But as we have translated the whole, we shall leave these reckless marauders to speak for themselves. Of Schiller's opinion concerning the Camp, as a necessary introduction to the tragedy, the following passage taken from the prologue to the first representation, will give a just idea, and may also serve as a motto to the work:-- "Not he it is, who on the tragic scene Will now appear--but in the fearless bands Whom his command alone could sway, and whom His spirit fired, you may his shadow see, Until the bashful Muse shall dare to bring Himself before you in a living form; For power it was that bore his heart astray His Camp, alone, elucidates his crime." THE CAMP OF WALLENSTEIN. DRAMATIS PERSONAE. Sergeant-Major | of a regiment of Recruit. Trumpeter | Terzky's carabineers. Citizen. Artilleryman, Peasant. Sharpshooters. Peasant Boy. Mounted Yagers, of Holk's corps. Capuchin. Dragoons, of Butler's regiment. Regimental Schoolmaster. Arquebusiers, of Tiefenbach's regiment. Sutler-Woman. Cuirassier, of a Walloon regiment. Servant Girl. Cuirassier, of a Lombard regiment. Soldiers' Boys. Croats. Musicians. Hulans. (SCENE.--The Camp before Pilsen, in Bohemia.) SCENE I. Sutlers' tents--in front, a Slop-shop. Soldiers of all colors and uniforms thronging about. Tables all filled. Croats and Hulans cooking at a fire. Sutler-woman serving out wine. Soldier-boys throwing dice on a drum-head. Singing heard from the tent. Enter a Peasant and his Son. SON. Father, I fear it will come to harm, So let us be off from this soldier swarm; But boist'rous mates will ye find in the shoal-- 'Twere better to bolt while our skins are whole. FATHER. How now, boy! the fellows wont eat us, though They may be a little unruly, or so. See, yonder, arriving a stranger train, Fresh comers are they from the Saal and Mayne; Much booty they bring of the rarest sort-- 'Tis ours, if we cleverly drive our sport. A captain, who fell by his comrade's sword, This pair of sure dice to me transferred; To-day I'll just give them a trial to see If their knack's as good as it used to be. You must play the part of a pitiful devil, For these roaring rogues, who so loosely revel, Are easily smoothed, and tricked, and flattered, And, free as it came, their gold is scattered. But we--since by bushels our all is taken, By spoonfuls must ladle it back again; And, if with their swords they slash so highly, We must look sharp, boy, and do them slyly. [Singing and shouting in the tent. Hark, how they shout! God help the day! 'Tis the peasant's hide for their sport must pay. Eight months in our beds and stalls have they Been swarming here, until far around Not a bird or a beast is longer found, And the peasant, to quiet his craving maw, Has nothing now left but his bones to gnaw. Ne'er were we crushed with a heavier hand, When the Saxon was lording it o'er the land: And these are the Emperor's troops, they say! SON. From the kitchen a couple are coming this way, Not much shall we make by such blades as they. FATHER. They're born Bohemian knaves--the two-- Belonging to Terzky's carabineers, Who've lain in these quarters now for years; The worst are they of the worthless crew. Strutting, swaggering, proud and vain, They seem to think they may well disdain With the peasant a glass of his wine to drain But, soft--to the left o' the fire I see Three riflemen, who from the Tyrol should be Emmerick, come, boy, to them will we. Birds of this feather 'tis luck to find, Whose trim's so spruce, and their purse well lined. [They move towards the tent. SCENE II. The above--Sergeant-Major, Trumpeter, Hulan. TRUMPETER. What would the boor? Out, rascal, away! PEASANT. Some victuals and drink, worthy masters, I pray, For not a warm morsel we've tasted to day. TRUMPETER. Ay, guzzle and guttle--'tis always the way. HULAN (with a glass). Not broken your fast! there--drink, ye hound! He leads the peasant to the tent--the others come forward. SERGEANT (to the Trumpeter). Think ye they've done it without good ground? Is it likely they double our pay to-day, Merely that we may be jolly and gay? TRUMPETER. Why, the duchess arrives to-day, we know, And her daughter too-- SERGEANT. Tush! that's mere show-- 'Tis the troops collected from other lands Who here at Pilsen have joined our bands-- We must do the best we can t' allure 'em, With plentiful rations, and thus secure 'em. Where such abundant fare they find, A closer league with us to bind. TRUMPETER. Yes!--there's something in the wind. SERGEANT. The generals and commanders too-- TRUMPETER. A rather ominous sight, 'tis true. SERGEANT. Who're met together so thickly here-- TRUMPETER. Have plenty of work on their hands, that's clear. SERGEANT. The whispering and sending to and fro-- TRUMPETER. Ay! Ay! SERGEANT. The big-wig from Vienna, I trow, Who since yesterday's seen to prowl about In his golden chain of office there-- Something's at the bottom of this, I'll swear. TRUMPETER. A bloodhound is he beyond a doubt, By whom the duke's to be hunted out. SERGEANT. Mark ye well, man!--they doubt us now, And they fear the duke's mysterious brow; He hath clomb too high for them, and fain Would they beat him down from his perch again. TRUMPETER. But we will hold him still on high-- That all would think as you and I! SERGEANT. Our regiment, and the other four Which Terzky leads--the bravest corps Throughout the camp, are the General's own, And have been trained to the trade by himself alone The officers hold their command of him, And are all his own, or for life or limb. SCENE III. Enter Croat with a necklace. Sharpshooter following him. The above. SHARPSHOOTER. Croat, where stole you that necklace, say? Get rid of it man--for thee 'tis unmeet: Come, take these pistols in change, I pray. CROAT. Nay, nay, Master Shooter, you're trying to cheat. SHARPSHOOTER. Then I'll give you this fine blue cap as well, A lottery prize which just I've won: Look at the cut of it--quite the swell! CROAT (twirling the Necklace in the Sun). But this is of pearls and of garnets bright, See, how it plays in the sunny light! SHARPSHOOTER (taking the Necklace). Well, I'll give you to boot, my own canteen-- I'm in love with this bauble's beautiful sheen. [Looks at it. TRUMPETER. See, now!--how cleanly the Croat is done Snacks! Master Shooter,
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E-text prepared by Paul L'Allier, Suzanne Shell, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive/American Libraries (https://archive.org/details/americana) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 48642-h.htm or 48642-h.zip: (http://www.gutenberg.org/files/48642/48642-h/48642-h.htm) or (http://www.gutenberg.org/files/48642/48642-h.zip) Images of the original pages are available through Internet Archive/American Libraries. See https://archive.org/details/servantofpublic00hope A SERVANT OF THE PUBLIC * * * * * * BY THE SAME AUTHOR A MAN OF MARK MR. WITT'S WIDOW FATHER STAFFORD A CHANGE OF AIR HALF A HERO THE PRISONER OF ZENDA THE GOD IN THE CAR THE DOLLY DIALOGUES COMEDIES OF COURTSHIP THE CHRONICLES OF COUNT ANTONIO THE HEART OF PRINCESS OSRA PHROSO SIMON DALE RUPERT OF HENTZAU THE KING'S MIRROR QUISANTE * * * * * * [Illustration: "I SHOULD BE RATHER AFRAID NEVER TO CHANGE TO A PERSON. IT WOULD MAKE HIM MEAN SO TERRIBLY MUCH TO ONE, WOULDN'T IT?" PAGE 62] A SERVANT OF THE PUBLIC by ANTHONY HOPE With Four Illustrations by Harold Percival, A.R.E. Methuen & Co. 36 Essex Street W.C. London First Published in 1905 CONTENTS CHAPTER PAGE I. MUDDOCK AND MEAD 1 II. FIRST IMPRESSIONS 15 III. AN ARRANGEMENT FOR SUNDAY 29 IV. BY WAY OF PRECAUTION 43 V. A DAY IN THE COUNTRY 55 VI. AWAY WITH THE RIBBONS! 70 VII. UNDER THE NOSEGAY 86 VIII. THE LEGITIMATE CLAIMANT 102 IX. RENUNCIATION: A DRAMA 118 X. THE LICENCE OF VIRTUE 133 XI. WHAT IS TRUTH? 149 XII. AT CLOSE QUARTERS 164 XIII. THE HEROINE FAILS 179 XIV. AS MR. FLINT SAID 194 XV. THE MAN UPSTAIRS 210 XVI. MORALITY SMILES 227 XVII. AT SEA AND IN PORT 243 XVIII. THE PLAY AND THE PART 257 XIX. COLLATERAL EFFECTS 270 XX. THE WAYS DIVIDE 286 XXI. WHAT DOES IT MEAN? 301 XXII. OTHER WORLDS 316 XXIII. THE MOST NATURAL THING 332 XXIV. "A GOOD SIGHT" 348 LIST OF ILLUSTRATIONS PAGE "I SHOULD BE RATHER AFRAID NEVER TO CHANGE TO A PERSON. IT W
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Produced by D Alexander and the Online Distributed Proofreading Team at http://www.pgdp.net The International Spy BEING THE SECRET HISTORY OF THE RUSSO-JAPANESE WAR BY ALLEN UPWARD ("_Monsieur A. V._") AUTHOR OF "UNDERGROUND HISTORY," ETC. M. A. DONOHUE & COMPANY CHICAGO NEW YORK COPYRIGHT, 1904, 1905, BY THE PEARSON PUBLISHING CO. COPYRIGHT, 1905, BY G. W. DILLINGHAM COMPANY. _Entered at Stationers' Hall._ The International Spy. Made in U. S. A. CONTENTS CHAPTER PAGE PROLOGUE--THE TWO EMPRESSES 9 I. THE INSTRUCTIONS OF MONSIEUR V---- 17 II. THE PRINCESS Y----'S HINT 24 III. THE HEAD OF THE MANCHURIAN SYNDICATE 36 IV. THE CZAR'S AUTOGRAPH 45 V. A DINNER WITH THE ENEMY 54 VI. DRUGGED AND KIDNAPPED 63 VII. THE RACE FOR SIBERIA 71 VIII. THE CZAR'S MESSAGE 76 IX. THE BETROTHAL OF DELILAH 87 X. THE ANSWER OF THE MIKADO 96 XI. WHO SMOKED THE GREGORIDES BRAND 107 XII. THE SECRET SERVICE OF JAPAN 113 XIII. HIS IMPERIAL HIGHNESS 123 XIV. THE SUBMARINE MINE 130 XV. THE ADVISOR OF NICHOLAS II 139 XVI. A STRANGE CONFESSION 145 XVII. A SUPERNATURAL INCIDENT 159 XVIII. THE MYSTERY OF A WOMAN 169 XIX. THE SPIRIT OF MADAME BLAVATSKY 180 XX. THE DEVIL'S AUCTION 192 XXI. THE FUNERAL 199 XXII. A PERILOUS MOMENT 210 XXIII. A RESURRECTION AND A GHOST 217 XXIV. A SECRET EXECUTION 224 XXV. A CHANGE OF IDENTITY 233 XXVI. TRAPPED 240 XXVII. THE BALTIC FLEET 246 XXVIII. ON THE TRACK 256 XXIX. AN IMPERIAL FANATIC 264 XXX. THE STOLEN SUBMARINE 272 XXXI. THE KIEL CANAL 279 XXXII. THE DOGGER BANK 287 XXXIII. TRAFALGAR DAY 292 XXXIV. THE FAMILY STATUTE 300 EPILOGUE 308 The International Spy PROLOGUE[A] THE TWO EMPRESSES [Footnote A: The author desires to state that this history should be read as a work of imagination simply, and not as authentic.] "Look!" A fair, delicately-molded hand, on which glittered gems worth a raja's loyalty, was extended in the direction of the sea. Half a mile out, where the light ripples melted away into a blue and white haze upon the water, a small black smudge, like the back of a porpoise, seemed to be sliding along the surface. But it was not a porpoise, for out of it there rose a thin, black shaft, scarcely higher than a flag-staff, and from the top of this thin shaft there trickled a faint wreathing line of smoke, just visible against the background of sky and sea. "It is a submarine! What is it doing there?" The exclamation, followed by the question, came from the second, perhaps the fairer, of two women of gracious and beautiful presence, who were pacing, arm linked in arm, along a marble terrace overlooking a famous northern strait. The terrace on which they stood formed part of a stately palace, built by a king of the North who loved to retire in the summer time from his bustling capital, and gather his family around him in this romantic home. From here, as from a watch-tower, could be seen the fleets of empires, the crowded shipping of many a rich port and the humbler craft of the fisherman, passing and repassing all day long between the great inland sea of the North and the broad western ocean. Along this narrow channel had once swept the long ships of the Vikings, setting forth on those terrible raids which devastated half Europe and planted colonies in England and France and far-off Italy. But to-day the scene was a scene of peace. The martial glory of the Dane had departed. The royal castle that stood there as if to guard the strait had become a rendezvous of emperors and queens and princes, who took advantage of its quiet precincts to lay aside the pomp of rule, and perhaps to bind closer those alliances of sovereigns which serve to temper the fierce rivalries of their peoples. The pair who stood gazing, one with curiosity and wonder, the other with an interest of a more painful character, at the sinister object on the horizon, were imperial sisters. Born in
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Produced by Audrey Longhurst, Linda Hamilton and the Online Distributed Proofreading Team at http://www.pgdp.net [Illustration: CLEVER HANS] CLEVER HANS (THE HORSE OF MR. VON OSTEN) _A CONTRIBUTION TO EXPERIMENTAL ANIMAL AND HUMAN PSYCHOLOGY_ BY OSKAR PFUNGST WITH AN INTRODUCTION BY PROF. C. STUMPF, AND ONE ILLUSTRATION AND FIFTEEN FIGURES TRANSLATED FROM THE GERMAN BY CARL L. RAHN _Fellow in Psychology in the University of Chicago_ WITH A PREFATORY NOTE BY JAMES R. ANGELL _Professor of Psychology in the University of Chicago_ [Illustration] NEW YORK HENRY HOLT AND COMPANY 1911 COPYRIGHT, 1911, BY HENRY HOLT AND COMPANY PREFATORY NOTE [BY JAMES R. ANGELL] _The University of Chicago_ It gives me great pleasure to accept the invitation of the publishers to write a word of introduction for Mr. Rahn's excellent translation of "Der Kluge Hans", a book which in the original has been but little known to American readers. The present wave of interest in animal life and behavior renders its appearance peculiarly appropriate. No more remarkable tale of credulity founded on unconscious deceit was ever told, and were it offered as fiction, it would take high rank as a work of imagination. Being in reality a record of sober fact, it verges on the miraculous. After reading Mr. Pfungst's story one can quite understand how sedate and sober Germany was for months thrown into a turmoil of newspaper debate, which for intensity and range of feeling finds its only parallel in a heated political campaign. That the subject of the controversy was the alleged ability of a trained horse to solve complex arithmetical problems may excite gaiety and even derision, until one hears the details. Scientists and scholars of the highest eminence were drawn into the conflict, which has not yet wholly subsided, although the present report must be regarded as quite final in its verdict. As for Hans himself, he has become the prototype of a host of less distinguished imitators representing every level of animal life, and when last heard from he was still entertaining mystified audiences by his accomplishments. But the permanent worth of the book is not to be found in its record of popular excitement, interesting as that is. It is a document of the very first consequence in its revelation of the workings of the animal mind as disclosed in the horse. Animal lovers of all kinds, whether scientists or laymen, will find in it material of greatest value for the correct apprehension of animal behavior. Moreover, it affords an illuminating insight into the technique of experimental psychology in its study both of human and animal consciousness. Finally, it contains a number of highly suggestive observations bearing on certain aspects of telepathy and muscle-reading. All things considered, it may fairly be said that few scientific books appeal to so various a range of interests in so vital a way. Readers who wish to inform themselves of all the personal circumstances in the case may best read the text just as it stands. Those who desire to get at the pith of the matter without reference to its historical settings, may be advised to omit the Introduction by Professor Stumpf of the University of Berlin, together with supplements II, III and IV. CONTENTS PAGE PREFATORY NOTE (By JAMES R. ANGELL) v INTRODUCTION (By C. STUMPF) 1 CHAPTER I. THE PROBLEM OF ANIMAL CONSCIOUSNESS AND "CLEVER HANS" 15 II. EXPERIMENTS AND OBSERVATIONS 30 III. THE AUTHOR'S INTROSPECTIONS 88 IV. LABORATORY TESTS 102 V. EXPLANATION OF THE OBSERVATIONS 141 VI. GENESIS OF THE REACTION OF THE HORSE 212 CONCLUSION 240 SUPPLEMENTS: I. MR. VON OSTEN'S METHOD OF INSTRUCTION (By C. STUMPF) 245 II. THE REPORT OF SEPTEMBER 12th, 1904 253 III. AN ABSTRACT FROM THE RECORDS OF THE SEPTEMBER-COMMISSION 255 IV. THE REPORT OF DECEMBER 9th, 1904 261 TABLE OF REFERENCES 267 INTRODUCTION [BY C. STUMPF] A horse that solves correctly problems in multiplication and division by means of tapping. Persons of unimpeachable honor, who in the master's absence have received responses, and assure us that in the process they have not made even the slightest sign. Thousands of spectators, horse-fanciers, trick-trainers of first rank, and not one of them during the course of many months' observations are able to discover any kind of regular signal. That was the riddle. And its solution was found in the unintentional minimal movements of the horse's questioner. Simple though it may seem, the history of the solution is nevertheless quite complex, and one of the important incidents in it is the appearance of the zooelogist and African traveler, Schillings, upon the scene, and then there is the report of the so-called Hans-Commission of September 12, 1904. And finally there is the scientific investigation, the results of which were published in my report of December 9, 1904. After a cursory inspection during the month of February, I again called upon Mr. von Osten in July, and asked him to explain to Professor Schumann and me just what method he had used in instructing the horse. We hoped in this way to gain a clue to the mechanism of Hans's feats. The most essential parts of the information thus gleaned are summarized in Supplement I. Mr. Schillings came into the courtyard for the first time about the middle of July. He came as skeptical as everyone else. But after he, himself, had received correct responses, he too became convinced, and devoted much of his time to exhibiting the horse, and daily brought new guests. To be perfectly frank, at the time this seemed to us a disturbing factor in the investigation, but now we see that his intervention was a link in the chain of events which finally led to an explanation. For it was through him that the fact was established beyond cavil, that the horse was able to respond to strangers in the master's absence. Heretofore, this had been noted only in isolated cases. Since it could not be assumed that a well-known investigator should take it upon himself to mislead the public by intentionally giving signs, the case necessarily from that time on appeared in the eyes of others in a light quite different from that in which ordinary circus-tricks would appear, to which it bore such a striking external resemblance. No matter how this state of affairs may have arisen in the course of years, no matter how it might eventually be explained,--the quality of the extraordinary would necessarily attach itself to this particular case, as it did. Of course, to many persons in the interested public the result was merely that Schillings, also, was placed in the category of deceivers. On the other hand there were reputable scientists who could not dispose of the matter in that fashion, and these now openly took their stand with Schillings and declared that they believed in the horse's ability to think. Zooelogists especially, saw in von Osten's results evidence of the essential similarity between the human and the animal mind, which doctrine has been coming more and more into favor since the time of Darwin. Educators were disposed to be convinced, on account of the clever systematic method of instruction which had been used and which had not, till then, been applied in the education of a horse. In addition, there were many details which, it seemed, could not be explained in any other way. So far as I myself was concerned, I was ready to change my views with regard to the nature of animal consciousness, as soon as a careful examination would show that nothing else would explain the facts, except the assumption of the presence of conceptual thinking. I had thought out the process hypothetically, i. e., how one might conceive of the rise of number concepts and arithmetical calculation along the peculiar lines which had been followed in Hans's education, and on the basis of the assumption that the beginnings of conceptual thinking are present in animals. Also, I had too much faith in human nature to fear lest nothing peculiarly human should remain after the art of handling numbers should be shown to be common property with the lower forms. But under no circumstances would I have undertaken to make a public statement in favor of any particular view in this extraordinary case, before a thorough investigation, in accordance with scientific principles, had been made. I expressed this sentiment at the time, and recommended the appointment of an investigating commission (in the "Tag" of September 3, 1904). The purpose of this commission was misunderstood, and therefore many were disappointed with the report which it published, (Supplement II). Some had been expecting a positive conclusive explanation; the commission recommended further investigation. Some had asked for a solution of the question whether or not the horse was able to think; the commission maintained neither the one, nor the other. Some had indicated as the main condition of a satisfactory investigation, that both Mr. von Osten and Mr. Schillings be excluded from the tests; this was not done. But the commission--which, by the way, did not give itself this name, since it had been delegated by no one--undoubtedly had the right to formulate its problem as it saw fit, and this was carefully expressed at the beginning of its report as follows: "The undersigned came together for the purpose of investigating the question whether or not there is involved in the feats of the horse of Mr. von Osten anything of the nature of tricks, that is, intentional influence or aid on the part of the questioner." It was this preliminary question, and not whether or not the horse could think, which the commission intended to answer. They proposed to act as a sort of court of honor for the two gentlemen who had been attacked. It is only in this light that even the _raison d'etre_ of this body can be understood; for a scientific commission composed of thirteen men, possessed of varying degrees of scientific preparation, would have been an absurd travesty, and it will readily be seen why the two men, who had been attacked, should not be excluded, since it was they, and primarily Mr. von Osten, upon whom the observations were to be made. To be sure the commission did go one step beyond that which it had proposed to itself, since it added that it believed that unintentional signs of the kind which are at present familiar, were also excluded. This led many to the unwarranted conclusion that the commission had declared that Hans was able to think. Whereas the thing which might have been logically suggested was that instead of the assumption of the presence of independent thinking, the commission may have had in mind unintentional signs of a kind hitherto unknown. I explained this to a reporter of the "Frankfurter Zeitung" (Mr. A. Gold), who had come to me for information, and in his article he made this hypothesis appear as the most probable one.[A] Certain statements of the circus-manager Busch, who speaks of a 'connection' of some sort, go to show that other members of the commission held to the view just stated. [Footnote A: "Frankfurter Zeitung" of September 22, 1904: "Concerning the question whether the horse was given some sort of aid, Professor Stumpf expressed himself freely. He said: 'We were careful to state in our report that the intentional use of the (actual) means of training, on the part of the horse's teacher, is out of the question,... nor are there involved any of the known kinds of unconscious, involuntary aids. Our task was completed after we had ascertained that no tricks or aids of the traditional sort were being employed'." After some remarks on unconscious habituation and self-training on the part of animals, the writer arrives at the conclusion that "the horse of Mr. von Osten has been educated by its master in the most round-about way, in accordance with a method suited for the development of human reasoning powers, hence in all good faith, to give correct responses by means of tapping with the foot. But what the horse really learned by this wearisome process was something quite different, something that was more in accord with his natural capacities,--he learned to discover by purely sensory aids which are so near the threshold that they are imperceptible for us and even for the teacher, when he is expected to tap with his foot and when he is to come to rest."] But how did it come to pass that the commission should deny completely the presence of intentional signals, while, as regards the unintended, it excluded only those which were of the known sort? The report clearly shows that the decision as to the absence of voluntary signals was based not merely upon the fact that no such signals had been detected by the most expert observers, but also upon the character of the two men who exhibited the horse, upon their behavior during the entire period, and upon the method of instruction which Mr. von Osten had employed. In the case of unintentional signs, on the other hand, one had to deal with the fact with which physiologists and experimental psychologists are especially familiar, viz., that our conscious states, without our willing it--indeed, even in spite of us--are accompanied by bodily changes which very often can be detected only by the use of extremely fine graphic methods. The following is a more general instance: every mother, who detects the lie or divines the wish in the eyes of the child, knows that there are characteristic changes of facial expression, which are, nevertheless, very difficult of definition.[B] [Footnote B: "From the productions of the 'thought-readers' we see how slight and seemingly insignificant the unconscious movements may be, which serve as signs for a sensitive re-agent. But in this case no contact is necessary. There would have to be some sort of visible or audible expression on the part of the questioner. No proof for this has as yet been advanced." How any one possessing the power of logical thought could possibly infer from these words of mine (published in the above-mentioned article in the "Tag"), that I denied the possibility of the occurrence of visual signs, is to me incomprehensible. What I did deny, and still deny, is that up to that time any had been proven to occur.] The commission did not even maintain or believe that unintentional signs within the realm of the senses known to us, were to be excluded. Professor Nagel and I would never have subscribed to any such conclusion. The sentence in question, therefore, could only be interpreted as follows: that signals of the kind that are used intentionally in the training of horses, could not have occurred even as unintended signs, for otherwise Mr. Busch would have detected them. And in order to be observed by him it was immaterial whether they were given purposely or not. The same signs, therefore, which as a result of his observations were declared not to be present, could not be assumed to be involved as unintentional. For my part I am ready to confess that at this time I did not expect to find the involuntary signals, if any such were involved, in the form of movements. I had in mind rather some sort of nasal whisper such as had been invoked by the Danish psychologist A. Lehmann, in order to explain certain cases of so-called telepathy. I could not believe that a horse could perceive movements which escaped the sharp eyes of the circus-manager. To be sure, extremely slight movements may still be perceived after objects at rest have become imperceptible. But one would hardly expect this feat on the part of an animal, who was so deficient in keenness of vision, as we have been led, by those of presumably expert knowledge, to believe of the horse,--one would expect it all the less because Mr. von Osten and Mr. Schillings would move hither and thither in most irregular fashion while the horse was going through his tapping, and would therefore make the perception of minute movements all the more difficult. Nor was there anything in the exhibitions given at the same time in a Berlin vaudeville by the mare "Rosa," which might have shattered this belief. For, in the case of this rival of Hans, the movements involved were comparatively coarse. The closing signal consisted in bending forward on the part of the one exhibiting the mare, while up to that point he had stood bolt upright. Most persons were not aware of this, because this change in posture cannot be noticed from the front. I happened to sit to the side and caught the movement every time. It was the same that was noted by Dr. Miessner, another member of the commission, (see page 256), but concerning which he did not give me a more complete account. Later I learned through Professor Th. W. Engelmann that the very same movement was employed not long ago, for giving signals to a dog exhibited at Utrecht. This particular movement is very well adapted to commercial purposes, since the spectator always tries to view the performance from a point as nearly in front of the animal and its master as possible, thus making the detection of the trick all the more difficult. The details of the various experiments made by this commission are given in an excerpt from the records kept by Dr. von Hornbostel, which I showed to a small group of persons a few days after the 12th of September (Supplement III). At that time none of the particulars was published, because the commission wished to wait until some positive statement might be made. The public was merely to be assured that a group of reputable men, from different spheres of life, who could have no purpose in hazarding their reputation, believed that the case was one worthy of careful investigation. I left Berlin on September 17th and did not return until October 3d. In the meantime Mr. Schillings continued the investigation, and was assisted in part by Mr. Oskar Pfungst, one of my co-workers at the Psychological Institute. For the first time a number of tests were now made in which neither the questioner, nor any of those present knew the answer to the problem. Such tests naturally were the first steps toward a positive investigation. The results were such that Mr. Schillings was led to replace his hypothesis of independent conceptual thinking by one of some kind of suggestion. In this he was strengthened somewhat by having noted the fact that in his questions which he put to the horse, he might proceed as far as to ask the impossible. He has always been ready to offer himself in the tests which have been undertaken since then. On October 13, 1904, together with the two gentlemen mentioned in the beginning of my report, I began my more detailed investigation, and finished on November 29. We worked for several hours on the average of four times each week. I take this opportunity of giving expression of the recognition which is due to the two gentlemen. They were ready to go to the courtyard in all kinds of weather, at times they went without me, and they always patiently discussed the order and method of the experiments and the results. Dr. von Hornbostel had the important task of keeping the records, and Mr. Pfungst undertook the conduct of the experiments. It was he, who, soon after the blinder-tests disclosed the necessary presence of visual signs, discovered the nature of these signs. Without him we might have shown the horse to be dependent upon visual stimuli in general, but we never would have been able to gain that mass of detail, which makes the case valuable for human psychology. But I am tempted to praise not merely his patience and skill, but also his courage. For we must not believe that Mr. von Osten's horse was a "perfectly gentle" animal. If he stood untied and happened to be excited by some sudden occurrence, he would make that courtyard an unsafe place, and both Mr. Schillings and Mr. Pfungst suffered from more than one bite. In this connection I would also express my obligations to Count Otto zu Castell-Ruedenhausen, for his frequent intercession on our behalf with the owner of the horse, and for his many evidences of good-will and helpfulness. After the publication of this report (Supplement IV), there was still some further discussion of the case in societies of various kinds and in the press, but no important objections were raised. A hippologist thought that men of his calling should have been consulted, a telepathist believed that telepathists should have been called in. There was also some further talk of suggestion, will-transference, thought-reading and the occult, but no attempt was made to elucidate these vague terms with reference to their application to the case in hand. Others adhered to the old cry of "fraud," for a share of which Mr. Pfungst now fell heir. There were a few who felt it incumbent upon themselves to preserve their 'priority,' and therefore stated with a show of satisfaction that I had finally 'confessed' myself to hold their respective points of view. As if there were anything like "confessions" in science! As if mere affirmations, even though sealed and deposited in treasure vaults, had any value with reference to a case in which every manner of supposition had been advanced in lieu of explanation. Why did they wait so long, if they had convincing proof for their position? And finally there were disappointed Darwinists who expressed fear lest ecclesiastical and reactionary points of view should derive favorable material from the conclusions arrived at in my report. Needless fear. For lovers of truth it must always remain a matter of inconsequence whether anyone is pleased or displeased with the truth, and whether it is enunciated by Aristotle or Haeckel. Mr. von Osten, however, continued to exhibit Hans, and is probably doing so still, but in what frame of mind, I dare not judge. The spectators continue to look on, they are doubly alert to catch movements, and many of them have learned from Mr. Schillings what kind of movements they are to expect. But these "initiated" ones regularly return and declare that there is nothing in the movements and that they simply could not discover any aids given to the horse. Nothing can so well show how difficult the case is, and how great the need of a thorough exposition of the whole matter, than the account given in the following pages of Mr. Pfungst. Its publication has been delayed on account of the additional tests made in the laboratory, but we have reason to suppose that through these additional tests the work has gained in permanent value. Experimental psychologists will perhaps be greatly interested in the graphic registration of the minute involuntary movements which accompany the thought process, and in the artificial association of a given involuntary movement with a given idea. Likewise the tests on sense-perception in horses, which have led to essential changes in hitherto current views, and the critical review of the comprehensive literature on similar achievements of other animals, will be welcomed by many. Before closing these introductory remarks, I would make one more statement concerning Mr. von Osten. The reader will notice that the judgment passed upon him in this treatise is placed at the end, whereas in the report of the commission it came first. This was brought about by the change that was made in the way of stating the problem. Then the question discussed was whether 'tricks' were involved; now the question is: What is the mechanism of the process? The question of the good faith of the master was taken up once more only because the facts that were brought to light by the later experimentation seemingly brought forward new grounds for distrust. But by placing this discussion toward the end of our report we wished to indicate that everything that is said of the present status of facts, is quite independent of the view taken concerning Mr. von Osten. Even assuming that the horse had been purposely trained by him to respond to this kind of signal, the case would still deserve a place in the annals of science. For visual signs, planned and practiced so that they could not only be more readily perceived by the animal than by man, but could be transferred from their inventor to others without any betrayal of the secret,--this would be an extraordinary invention, and Mr. von Osten would then be a fraud, but also a genius of first rank. In truth he probably was neither, but I was brief in my report, for otherwise I would have been obliged to go into more detail than the case warranted. And a judgment passed upon a human personality is quite a different matter from a judgment upon a horse. If it is unscientific to make unqualified statements concerning a horse after the performance of only a few experimental tests, it is certainly an unwarranted thing to pass a moral judgment upon a man upon the basis of meagre material. Anyone who would assume the role of judge should bear in mind that here too we have more than a hundredfold the material which they could bring forward, and among it some which, if taken alone, would be more unfavorable than any that they had. But here all things should be weighed together, and not in isolation. A former instructor of mathematics in a German gymnasium, a passionate horseman and hunter, extremely patient and at the same time highly irrascible, liberal in permitting the use of the horse for days at a time and again tyrannical in the insistence upon foolish conditions, clever in his method of instruction and yet at the same time possessing not even the slightest notion of the most elementary conditions of scientific procedure,--all this, and more, goes to make up the man. He is fanatic in his conviction, he has an eccentric mind which is crammed full of theories from the phrenology of Gall to the belief that the horse is capable of inner speech and thereby enunciates inwardly the number as it proceeds with the tapping. From theories such as these, and on the basis of all sorts of imagined emotional tendencies in the horse, he also managed to formulate an explanation for the failure of the tests in which none of the persons present knew the answer to the problem given the horse, and also for the failure of those tests in which the large blinders were applied. And he would often interfere with or hinder other tests which, according to his point of view, were likely to lead us astray. And yet, when the first tests with the blinders did turn out as unmistakably sheer failures, there was such genuine surprise, such tragi-comic rage directed against the horse, that we finally believed that his views in the matter would be changed beyond a doubt. "The gentlemen must admit," he said at the time, "that after seeing the objective success of my efforts at instruction, I was warranted in my belief in the horse's power of independent thought." Nevertheless, upon the following day he was as ardent an exponent of the belief in the horse's intelligence as he ever had been. And finally, after I could no longer keep from him the results of our investigation, I received a letter from him in which he forbade further experimentation with the horse. The purpose of our inquiries, he said, had been to corroborate his theories. On account of his withdrawal of the horse a few experimental series unfortunately could not be completed, but happily the major portion of our task had been accomplished. THE HORSE OF MR. VON OSTEN CHAPTER I THE PROBLEM OF ANIMAL CONSCIOUSNESS AND "CLEVER HANS" If we would appreciate the interest that has been aroused everywhere by the wonderful horse solving arithmetical problems, we must first consider briefly the present state of the problem of animal consciousness.[C] Animal consciousness cannot be directly gotten at, and the psychologist must therefore seek to appreciate it on the basis of the animal's behavior and with the assistance of conceptions borrowed from human psychology. Hence it is that animal psychology rests upon uncertain foundations with the result that the fundamental principles have been repeatedly questioned and agreement has not yet been attained. The most important of these questions is, "Does the animal possess consciousness, and is it like the human consciousness?" Comparative psychologists divide into three groups on this question. [Footnote C: Since the present treatise is intended for the larger public, this brief resume will probably be welcome to many.] The one group allows consciousness to the lower forms, but emphasizes the assertion that between the animal and the human consciousness there is an impassable gap. The animal may have sensations and memory-images of sensations which may become associated in manifold combinations. Both sensations and memory images are believed to be accompanied by conditions of pleasure and of pain (so-called sensuous feelings), and these in turn, become the mainsprings of desire. The possession of memory gives the power of learning through experience. But with this, the inventory of the content of animal consciousness is exhausted. The ability to form concepts[D] and with
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Produced by V-M Österman, Charles Franks and the Online Distributed Proofreading Team SHORT STORIES AND SELECTIONS FOR USE IN THE SECONDARY SCHOOLS COMPILED AND ANNOTATED, WITH QUESTIONS FOR STUDY BY EMILIE KIP BAKER [Illustration: Walter Scott's Library at Abbotsford] TABLE OF CONTENTS A LEAF IN THE STORM, _by_ Louise de la Ramee, _from_ A Leaf in the Storm and Other Stories CATS, _by_ Maurice Hewlett, _from_ Earthwork out of Tuscany AN ADVENTURE, _by_ Honore de Balzac, _from_ A Passion in the Desert FOR THOSE WHO LOVE MUSIC, _by_ Axel Munthe, _from_ Vagaries OUT OF DOORS, _by_ Richard Jefferies, _from_ Saint Guido THE TABOO, _by_ Herman Melville, _from_ Typee SCHOOL DAYS AT THE CONVENT, _by_ George Sand, _from_ The Story of My Life (adapted) IN BRITTANY, _by_ Louisa Alcott, _from_ Aunt Jo's Scrap Bag THE ADIRONDACKS, _by_ John Burroughs, _from_ Wake Robin AN ASCENT OF KILAUEA, _by_ Lady Brassey, _from_ Around the World in the Yacht Sunbeam THE FETISH, _by_ George Eliot, _from_ The Mill on the Floss SALMON FISHING IN IRELAND, _by_ James A. Froude, _from_ A Fortnight in Kerry ACROSS RUNNING WATER, _by_ Fiona Macleod, _from_ Sea Magic and Running Water THE PINE-TREE SHILLINGS, _by_ Nathaniel Hawthorne, _from_ Grandfather's Chair THE WHITE TRAIL, _by_ Stewart Edward White, _from_ The Silent Places A DISSERTATION ON ROAST PIG, _by_ Charles Lamb, _from_ Essays of Elia THE LAST CLASS, _by_ Alphonse Daudet, _from_ Monday Tales AN ARAB FISHERMAN, _by_ Albert Edwards, _from_ The Barbary Coast THE ARCHERY CONTEST, _by_ Walter Scott, _from_ Ivanhoe BABY SYLVESTER, _by_ Bret Harte, _from_ Bret Harte's Writings THE ADDRESS AT GETTYSBURG, _by_ Abraham Lincoln, _from_ Lincoln's Speeches THE SECOND INAUGURAL ADDRESS, _by_ Abraham Lincoln, _from_ Lincoln's Speeches AN APPRECIATION OF LINCOLN, _by_ John Hay, _from_ Life of Lincoln THE ELEPHANTS THAT STRUCK, _by_ Samuel White Baker, _from_ Eight Years in Ceylon THE LUCK OF ROARING CAMP, _by_ Bret Harte THE STORY OF MUHAMMAD DIN, _by_ Rudyard Kipling, _from_ Plain Tales from the Hills A CHILD, _by_ John Galsworthy, _from_ Commentary TOO DEAR FOR THE WHISTLE, _by_ Benjamin Franklin, _from_ The Autobiography A LODGING FOR THE NIGHT, _by_ Robert Louis Stevenson, _from_ The New Arabian Nights A BAD FIVE MINUTES IN THE ALPS, _by_ Leslie Stephen, _from_ Freethinking and Plainspeaking (adapted) THE GOLD TRAIL, _by_ Stewart Edward White, _from_ Gold TWENTY YEARS OF ARCTIC STRUGGLE, _by_ J. Kennedy McLean, _from_ Heroes of the Farthest North and South (adapted) THE SPEECH IN MANCHESTER, _by_ Henry Ward Beecher, _from_ Addresses and Sermons A GREEN DONKEY DRIVER, _by_ Robert Louis Stevenson, _from_ Travels with a Donkey A NIGHT IN THE PINES, _by_ Robert Louis Stevenson, _from_ Travels with a Donkey LIFE IN OLD NEW YORK, _by_ Washington Irving, _from_ Knickerbocker
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Produced by David Edwards, Demian Katz and the Online Distributed Proofreading Team at http://www.pgdp.net (Images courtesy of the Digital Library@Villanova University (http://digital.library.villanova.edu/)) MOTOR STORIES THRILLING ADVENTURE MOTOR FICTION NO. 10 MAY 1, 1909 FIVE CENTS MOTOR MATT'S HARD LUCK OR THE BALLOON HOUSE PLOT [Illustration: "This way, Dick" yelled Motor Matt as he struck down one of the ruffians.] STREET & SMITH PUBLISHERS NEW YORK MOTOR STORIES THRILLING ADVENTURE MOTOR FICTION _Issued Weekly. By subscription $2.50 per year. Entered according to Act of Congress in the year 1909, in the Office of the Librarian of Congress, Washington, D. C., by_ STREET & SMITH, _79-89 Seventh Avenue, New York, N. Y._ No. 10. NEW YORK, May 1, 1909. Price Five Cents. Motor Matt's Hard Luck OR, THE BALLOON-HOUSE PLOT. By the author of "MOTOR MATT." CONTENTS CHAPTER I. AN OLD FRIEND. CHAPTER II. A TRAP. CHAPTER III. OVERBOARD. CHAPTER IV. RESCUED. CHAPTER V. BUYING THE "HAWK." CHAPTER VI. MATT SCORES AGAINST JAMESON. CHAPTER VII. AT THE BALLOON HOUSE. CHAPTER VIII. THE PLOT OF THE BRADY GANG. CHAPTER IX. CARL IS SURPRISED. CHAPTER X. HELEN BRADY'S CLUE. CHAPTER XI. JERROLD GIVES HIS AID. CHAPTER XII. GRAND HAVEN. CHAPTER XIII. THE LINE ON BRADY. CHAPTER XIV. THE WOODS BY THE RIVER. CHAPTER XV. BRADY A PRISONER. CHAPTER XVI. BACK IN SOUTH CHICAGO. THE RED SPIDER. PIGEON-WHISTLE CONCERTS. CHARACTERS THAT APPEAR IN THIS STORY. =Matt King=, concerning whom there has always been a mystery--a lad of splendid athletic abilities, and never-failing nerve, who has won for himself, among the boys of the Western town, the popular name of "Mile-a-minute Matt." =Carl Pretzel=, a cheerful and rollicking German lad, who is led by a fortunate accident to hook up with Motor Matt in double harness. =Dick Ferral=, a Canadian boy and a favorite of Uncle Jack; has served his time in the King's navy, and bobs up in New Mexico where he falls into plots and counter-plots, and comes near losing his life. =Helen Brady=, Hector Brady's daughter, who helps Motor Matt. =Hector Brady=, a rival inventor who has stolen his ideas from Hamilton Jerrold. His air ship is called the Hawk and is used for criminal purposes. Brady's attempt to secure Motor Matt's services as driver of the Hawk brings about the undoing of the criminal gang. =Hamilton Jerrold=, an honest inventor who has devoted his life to aëronautics, and who has built a successful air ship called the Eagle. =Jameson=, a rich member of the Aëro Club, who thinks of buying the Hawk. =Whipple=, =Pete=, =Grove=, =Harper=, members of Brady's gang who carried out the "balloon-house plot," which nearly resulted in a tragedy, and finally proved the complete undoing of Hector Brady. =Ochiltree=, an ex-convict whose past record nearly got him into trouble. =Harris=, a policeman of South Chicago who aids Motor Matt in his work against the Bradys. =Dennison and Twitchell=, police officers of Grand Haven, Michigan, who take a part in the final capture of Brady. CHAPTER I. AN OLD FRIEND. "Py chimineddy!" muttered Carl Pretzel to himself, starting up on the couch, where he had been snatching forty winks by way of passing the time. "Vat's dot? Der voice has some familiar sounds mit me. Lisden vonce." A loud, jovial voice floated in through the open window, a voice with a swing to it that set Carl's nerves in a flutter. "'In Cawsand bay lying, And a Blue Peter flying, All hands were turned up the anchor to weigh, There came a young lady, As fair as a May-day, And modestly hailing, the damsel did say: "'"I've got a young man there, D'ye hear? Bear a hand there To hoist me aboard or to bring him to me: Which his name's Henry Grady, And I am a lady, Just come down to purwent his a-going to sea."'" The roaring song had come closer and closer. By then it was almost under the open window. Jumping from the couch, Carl ran across the room and looked out. A youth of seventeen or eighteen, wearing a sailor rig and with his hat cocked over one eye, was lurching along with both hands in his pockets. Behind him trailed four or five hoodlums, bunched close together and talking among themselves. "Here's
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Produced by Malcolm Farmer, Lesley Halamek and the Online Distributed Proofreading Team at http://www.pgdp.net PUNCH, OR THE LONDON CHARIVARI. Volume 109, 24th August, 1895. _edited by Sir Francis Burnand_ [Illustration: IN MEDIO TUTISSIMUS! "WHAT! NEVER BEEN ILL SINCE YOU WERE BORN! I SUPPOSE YOU'RE A TEETOTALLER?" "OH NO! BEEN A MODERATE DRUNKARD ALL MY LIFE!"] * * * * * SCRAPS FROM CHAPS. THE IRISH YOLK.--In the name of the Profit--eggs! Irish co-operators have already made giant strides in the production of milk and butter, and now the Irish Co-operative Agency has decided, so says the _Cork Daily Herald_, to "take up the egg-trade." We hope the egg-traders won't be "taken up," too; if so, the trade would be arrested just when it was starting, and where would the profit be then? "It is stated that many Irish eggs now reach the English market dirty, stale, and unsorted," so that wholesale English egg-merchants have preferred to buy Austrian and French ones. Ireland not able to compete with the foreigner! Perish the thought! A little technical education judiciously applied will soon teach the Irish fowl not to lay "shop 'uns." * * * * * Feathers in Scotch Caps. "The railway race to the North, like the race across the Atlantic, has placed beyond challenge that on land as well as on sea Scotch engines break the record."--_North British Daily Mail._ Did not Lord BYRON anticipate this when he wrote (in _Mr. Punch's_ version of his poem on "Dark Lochnagar"):-- Yes, Caledonia, thy engines _are_ scrumptious, Though even in England some good ones are seen; And, if the confession won't render you bumptious, We sigh for your flyers to far Aberdeen! But if Caledonia is inclined to boast about its locomotives, let it ponder its tinkers, and learn humility. The Glasgow "Departmental Committee on Habitual Offenders, Vagrants, &c.," reports that the nomad tinkers of Scotland number 1702, and of these 232 "were apprehended for some crime or other during the year." _They_ don't do 151 miles in 167 minutes, like the locomotives--no, they do a couple of months in Glasgow gaol; and they break the laws instead of breaking records. There are 725 tinker children, who get practically no education. Bonnie Scotland, land of grandeur, where the thousand tinkers wander, you must catch these children, and educate them! The adult tinker may be irreclaimable, but at least the children should have a chance of something better--a choice of being soldier, sailor, tinker, or tailor, as they prefer. If, after all, they elect to tink, tink they must. * * * * * DR. JOHN RHYS, of Jesus College, Oxford, quite rose to the occasion at the New Quay, Eisteddfod, and, in his presidential address, made lengthy quotations in Welsh. "Na chaib a rhaw" must mean "nor cares a rap." By the way, the _South Wales Daily News_, in reporting the proceedings, finishes up by declaring that "the speech was listened to with '_wrapt_' attention." As Mrs. MALAPROP remarked, "The parcel was enraptured in brown paper." * * * * * ROBERT UNDER THE GREENWOOD TREE. [Illustration] Me and a werry old Frend of mine has seized the hoppertoonity that ardly ever okkers to too frends as has little or nothink to do for a hole week, to thurrowly enjoy theirselves for that time, and see weather sutten places in our little world is reelly as butiful and as injoyable as sum peeple tries to make out as they is. Our fust place was Epping Forrest, where we spent a hole day from morning to nite in what my frend called such a gallaxy of buty and wunder as werry likely werry few peeple ever has injoyd as we did. We spent hole miles among the most butiful Forest Trees as was ever seed, every single tree of which was rather more butiful than the last, and not one of which but what was a reel bootiful studdy. It took us jest about two hours to eat our dinner afore we set to work again to pollish off the lovely trees we had not yet seen; and then, when we had pollished off the last of them, we staggered to our werry last carridge, and took the sleep of the Just, and did not wake up till Brekfust come kindly to our assistance, and helped us to sett out and try again to dishcover similar seens of delishus injoyment to those so marwellusly injoyed the day before! The trees as we xamined on the secund day was quite a diffrent class to them on the fust,
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Produced by deaurider and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) THE NORTH-WEST AMAZONS [Illustration: BORO MEDICINE MAN, WITH MY RIFLE] THE NORTH-WEST AMAZONS NOTES OF SOME MONTHS SPENT AMONG CANNIBAL TRIBES BY THOMAS WHIFFEN F.R.G.S., F.R.A.I. CAPTAIN H.P. (14TH HUSSARS) NEW YORK DUFFIELD AND COMPANY 1915 _Printed in Great Britain_ TO THE MEMORY OF THE LATE DR. ALFRED RUSSEL WALLACE, O.M. THESE NOTES ARE DEDICATED PREFACE In presenting to the
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Produced by David Widger CHRISTIANITY UNVEILED Being An Examination of The Principles And Effects of The Christian Religion By Nicolas-Antoine Boulanger Translated From The French By W. M. Johnson. "Slave to no Sect, who takes no private read, But looks through Nature up to Nature's God; "And knows where faith, law, morals, all began, All end in love of God, and love of Man." Pope London Printed & Published By R. Carlile, 56, Fleet Street. 1819 TRANSLATOR'S PREFACE. In this philosophic age, when nature, reason, and the rights of man have resumed their empire; when the genius of a great, generous, and brave people is giving the last blow to superstition and despotism, the publication of a work which has greatly contributed to these glorious events, must be highly acceptable, not only to the literary world, but even to the community at large, who eagerly seek after instruction, the moment they believe it necessary for their happiness. This publication bears a conspicuous rank among those works whose free and independent sentiments have introduced a happy change in the public mind, and concurred with the writings of Rousseau, Mably, Raynal, and Voltaire, in bringing forward the French Revolution: a revolution which will probably prove the harbinger of the complete triumph of reason. Persecutions and wars will then cease for ever throughout the civilized world. In offering this translation to the public, I pay a tribute that every member of society owes to his fellow-citizens, that of endeavouring to acquaint them with their true rights and duties, and, consequently, the means most conducive to their happiness. New York, 1804. LETTER FROM THE AUTHOR TO A FRIEND. I receive, Sir, with gratitude, the remarks which you send me upon my work. If I am sensible to the praises you condescend to give it, I am too fond of truth to be displeased with the frankness with which you propose your objections. I find them sufficiently weighty to merit all my attention. He but ill deserves the title of philosopher, who has not the courage to hear his opinions contradicted. We are not divines; our disputes are of a nature to terminate amicably; they in no way resemble those of the apostles of superstition, who endeavour to overreach each other by captious arguments, and who, at the expence of good faith, contend only to advocate the cause of their vanity and their prejudices. We both desire the happiness of mankind, we both search after truth; this being the case, we cannot disagree. You begin by admitting the necessity of examining religion, and submitting opinions to the decision of reason. You acknowledge that Christianity cannot sustain this trial, and that in the eye of good sense it can never appear to be any thing but a tissue of absurdities, of unconnected fables, senseless dogmas, puerile ceremonies, and notions borrowed from the Chaldeans, Egyptians, Phenicians, Grecians, and Romans. In one word, you confess that this religious system is only, the deformed offspring of almost all ancient superstitions, begotten by oriental fanaticism, and diversely modified by the circumstances and prejudices of those who have since pretended to be the inspired ambassadors of God, and the interpreters of his will. You tremble at the horrors which the intolerant spirit of Christians has caused them to commit, whenever they had power to do it; you feel that a religion founded on a sanguinary deity must be a religion of blood. You lament that phrenzy, which in infancy takes possession of princes and people, and renders them equally the slaves of superstition and her priests; which prevents their acquaintance with their true interests, renders them deaf to reason, and turns them aside from the great objects by which they ought to be occupied. You confess that a religion founded upon enthusiasm or imposture can have no sure principles; that it must prove an eternal source of disputes, and always end in causing troubles, persecutions, and ravages; especially when political power conceives itself indispensibly obliged to enter into its quarrels. In fine, you go so far as to agree that a good Christian who follows literally the conduct prescribed to him as the most perfect by the gospel, knows not in this world any thing of those duties on which true morality is founded; and that if he wants energy he must prove an useless misanthrope, or if his temper be warm a turbulent fanatic. After acknowledging all this, how could it happen that you should pronounce my work a dangerous one! You tell me that a-wise man ought to think only for himself; that to the populace a religion is necessary, be it good or bad; that it is a restraint necessary to gross and ignorant minds, which, without it, would have no longer any motive for abstaining from vice. You look upon a reform of religious prejudices as impossible, because it is the interest of many of those persons who alone can effect it, to continue mankind in that ignorance of which themselves reap the advantage. These, if I mistake not, are the weightiest of your objections. I will endeavour to remove them. Books are generally written for that part of a nation whose circumstances, education, and sentiments, place them above the commission of crimes. This enlightened portion of society, which governs the other
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