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discomfort
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you never want to see another car chase , explosion or gunfight again
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totally overwrought ,
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sunny disposition
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excellent use of music by india 's popular gulzar and jagjit singh
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makes a joke out of car chases for an hour and then gives us half an hour of car chases .
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awfulness
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ably captures the complicated relationships in a marching band .
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lax and limp
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wisdom
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a paint-by-numbers picture
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does a solid job of slowly , steadily building up to the climactic burst of violence
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through this summer that do not involve a dentist drill
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i heard a mysterious voice , and felt myself powerfully drawn toward the light -- the light of the exit sign
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nights feels more like a quickie tv special than a feature film ...
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is a winning comedy that excites the imagination and tickles the funny bone
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is so resolutely
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hilariously , gloriously alive , and
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drawn-out
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true to its title
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glory days
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and often contradictory
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a stereotype
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puts a human face
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every moment crackles with tension , and by the end of the flick , you 're on the edge of your seat
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, then by all means check it out .
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while parker and co-writer catherine di napoli are faithful to melville 's plotline , they and a fully engaged supporting cast ... have made the old boy 's characters more quick-witted than any english lit
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sorvino makes the princess seem smug and cartoonish , and the film only really comes alive when poor hermocrates and leontine pathetically compare notes about their budding amours .
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too thin
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sitting in a downtown caf茅 , overhearing a bunch of typical late-twenty-somethings natter on about nothing , and
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wondering what all that jazz was about `` chicago '' in 2002
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as a tribute
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a brilliant college student -- where 's pauly shore as the rocket scientist ?
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of the conflict that came to define a generation
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richly entertaining and suggestive of any number of metaphorical readings .
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will be moved to the edge of their seats by the dynamic first act
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bump in the night and nobody
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has created a provocative , absorbing drama that reveals the curse of a self-hatred instilled by rigid social mores .
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this painfully unfunny farce traffics in tired stereotypes and encumbers itself with complications ...
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, the movie contains no wit , only labored gags .
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that are quite touching
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i liked about schmidt a lot , but i have a feeling that i would have liked it much more if harry & tonto never existed .
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graceless
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that annoying specimen
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two central performances
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' hanging over the film
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it takes a sudden turn and devolves into a bizarre sort of romantic comedy
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are all in the performances , from foreman 's barking-mad taylor to thewlis 's smoothly sinister freddie and bettany/mcdowell 's hard-eyed gangster .
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affluence
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really , save your disgust and your indifference
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five screenwriters are credited with the clich茅-laden screenplay
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joyous
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gets us too drunk on the party favors to sober us up with the transparent attempts at moralizing .
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then blood work is for you .
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, frida gets the job done .
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the class warfare
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against shimmering cinematography that lends the setting the ethereal beauty of an asian landscape painting
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a transparently hypocritical work that feels as though it 's trying to set the women 's liberation movement back 20 years
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may rate as the most magical and most fun family fare of this or any recent holiday season
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their contrast is neither dramatic nor comic -- it 's just a weird fizzle .
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lacks in eye-popping visuals
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ability to pull together easily accessible stories that resonate with profundity
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an equally miserable film
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its heartfelt concern about north korea 's recent past and south korea 's future
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so pat it makes your teeth hurt
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a delightful entree in the tradition of food movies .
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splash
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of gags that rely on the strength of their own cleverness
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both the scenic splendor
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i saw it as a young boy
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wildly incompetent but brilliantly named half past dead -- or for seagal pessimists :
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you may be captivated , as i was , by its moods , and by its subtly transformed star , and still wonder why paul thomas anderson ever had the inclination to make the most sincere and artful movie in which adam sandler will probably ever appear .
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a chilling tale of one of the great crimes
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starts out
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the situation in a well-balanced fashion
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which was shot two years ago
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becomes something about how lame it is to try and evade your responsibilities
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will keep coming
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you 'd be hard put to find a movie character more unattractive or odorous ( than leon ) .
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proves that director m. night shyamalan can weave an eerie spell and that mel gibson can gasp , shudder and even tremble without losing his machismo .
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where this was lazy but enjoyable , a formula comedy redeemed by its stars , that is even lazier and far less enjoyable .
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a total lack
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a hallmark film in an increasingly important film industry and worth the look
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the company 's astonishing growth
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of afghan tragedies
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languorous slo-mo sequences
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's characteristically startling visual style and an almost palpable sense of intensity .
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is a masterpiece of elegant wit and artifice .
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offers a guilt-free trip into feel-good territory .
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picture-perfect life
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master class .
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junior-high
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finds amusing juxtapositions that justify his exercise .
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rigid and evasive in ways
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billy crystal and robert de niro sleepwalk through vulgarities in a sequel you can refuse .
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a fine-looking film with a bouncy score
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promisingly
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the entire movie is in need of a scented bath .
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weirdo actor crispin glover
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takes its title all too literally .