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starts off promisingly but then proceeds to flop
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distinguished actor
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on their parents ' anguish
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pays off and is effective if you stick with it
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is n't particularly funny
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, joyous romp of a film .
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a stunning technical achievement
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squander jennifer love hewitt
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it is ok for a movie to be something of a sitcom apparatus , if the lines work , the humor has point and
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new ways of describing badness
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invigorating , surreal , and resonant with a rainbow
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shanghai ghetto , much stranger than any fiction , brings this unknown slice of history affectingly to life .
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believe a movie can be mindless without being the peak of all things insipid
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to offend
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was hard for me
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extremely funny
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are familiar with , and makes you care about music you may not have heard before .
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good news
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the discomfort and embarrassment of being a bumbling american in europe
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of piffle
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liability
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coy but exhilarating , with really solid performances by ving rhames and wesley snipes .
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oversexed , at times
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worth seeing
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grumbling
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tedious norwegian offering which somehow snagged an oscar nomination
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the writing is tight and truthful , full of funny situations and honest observations
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borrows from other movies
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sardonic jolt
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which becomes something about how lame it is to try and evade your responsibilities
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ca n't recommend it enough
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by the sick sense of humor
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vivid performances
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evokes a palpable sense
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law to be discerned here that producers would be well to heed
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that this film 's cast is uniformly superb
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whatever complaints i might have
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the script was reportedly rewritten a dozen times -- either 11 times too many or else too few
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reef
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though overall an overwhelmingly positive portrayal
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informative , intriguing , observant , often touching
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take longer to heal : the welt on johnny knoxville 's stomach from a riot-control projectile or my own tortured psyche
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, i love it ... hell , i dunno .
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imagine o. henry 's the gift of the magi relocated to the scuzzy underbelly of nyc 's drug scene .
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there 's some good material in their story about a retail clerk wanting more out of life , but the movie too often spins its wheels with familiar situations and repetitive scenes .
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a gripping documentary that reveals how deep the antagonism lies in war-torn jerusalem .
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so marvelously compelling is present brown as a catalyst for the struggle of black manhood in restrictive and chaotic america ... sketchy but nevertheless gripping portrait of jim brown , a celebrated wonder in the spotlight
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featherweight romantic comedy has a few nice twists in a standard plot and the charisma of hugh grant and sandra bullock .
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lot funnier
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self-indulgent and
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the filmmaking in invincible
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their luster
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cool visual backmasking
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slapped together .
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dupe
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was that movie nothing more than a tepid exercise in trotting out a formula that worked five years ago but has since lost its fizz
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in addition to the overcooked , ham-fisted direction , which has all the actors reaching for the back row
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incessant whining
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timid parsing
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change tables
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finely
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would make an excellent companion piece to the similarly themed ` the french lieutenant 's woman
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, the world 's political situation seems little different , and ( director phillip ) noyce brings out the allegory with remarkable skill .
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sustains interest
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chopsocky
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interview with the assassin is structured less as a documentary and more as a found relic , and as such the film has a difficult time shaking its blair witch project real-time roots
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spirited away is a triumph of imagination
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twitchy acting
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doubtful this listless feature will win him any new viewers
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demonstrated a knack for mixing action and idiosyncratic humor in his charming 2000 debut shanghai noon
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enough gun battles and
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fun
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know as an evil , monstrous lunatic
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sadly imitative of innumerable
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most compelling performance
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then triple x marks the spot .
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mr. koshashvili is a director to watch .
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's in the action scenes that things fall apart
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a wildly inventive mixture of comedy and melodrama
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a movie about the power of poetry and passion
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ill-timed
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swill
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, the film is n't nearly as downbeat as it sounds , but strikes a tone that 's alternately melancholic , hopeful and strangely funny .
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a conventional , but well-crafted film about a historic legal battle in ireland over a man 's right to raise his own children .
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the passion , creativity , and fearlessness of one
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caffeinated , sloppy
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he slaps together his own brand of liberalism
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shenanigans and
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bogs
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by the time the plot grinds itself out in increasingly incoherent fashion , you might be wishing for a watch that makes time go faster rather than the other way around .
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no amount of burning , blasting , stabbing , and shooting can hide a weak script .
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scuttled
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, the final effect is like having two guys yelling in your face for two hours .
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most sincere and artful
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resolutely unamusing , how thoroughly unrewarding all of this
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is infectious .
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appreciated
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excellent performances from jacqueline bisset and martha plimpton grace this deeply touching melodrama .
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the rare movie that 's as crisp and to the point as the novel on which it 's based
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symbolically , warm water under a red bridge is a celebration of feminine energy , a tribute to the power of women to heal .