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Micheal Bateman | Anyway, Surf Bar sucks now. It's terrible. |
Micheal Bateman | Went to a birthday party there for Malcolm Forbes. Oh, my God, please. |
Micheal Bateman | This is nicer than your other apartment. |
Micheal Bateman | Oh, it's not that nice. |
Micheal Bateman | Where did you two meet ? Oh, God. We met at... |
Micheal Bateman | oh, God, at the Kentucky Derby in '85, or '86. |
Micheal Bateman | You were hanging out with that bimbo Allison Poole. Hot number. |
Micheal Bateman | What do you mean ? She was a hot number. |
Micheal Bateman | If you had a platinum card, she'd give you a blowjob. This girl worked in a tanning salon. |
Micheal Bateman | What do you do ? |
Micheal Bateman | She's my... cousin. |
Micheal Bateman | Uh-huh. She's from... France. |
Micheal Bateman | Where's your phone ? I've gotta call Harley. |
Micheal Bateman | Where do you summer, South Hampton ? |
Micheal Bateman | - No. - Oh, God, it's his machine. |
Micheal Bateman | It's 3:00 in the morning. He's a goddamn drug dealer. These are his peak hours. |
Micheal Bateman | Don't tell him you're here. Why would I ? |
Micheal Bateman | This tastes weird. |
Micheal Bateman | Harley, it's me. I need your services. Translate that howeveryou want. |
Micheal Bateman | - I'm at-- - Paul Allen's. |
Micheal Bateman | Who ? Paul Allen's. |
Micheal Bateman | I want the number, idiot. Anyway, I'm at Paul Norman's and I'll try you again later. |
Micheal Bateman | And if I don't see you at Canal Bar tomorrow night I'm gonna sic my hairdresser on you. |
Micheal Bateman | Did you know that guy who disappeared ? |
Micheal Bateman | Didn't he work at Pierce & Pierce ? Was he a friend of yours ? |
Micheal Bateman | No. |
Micheal Bateman | Do you have any coke ? Or Halcyon ? |
Micheal Bateman | I would take a Halcyon. Listen. |
Micheal Bateman | I would just like to see... |
Micheal Bateman | the two of you... get it on. |
Micheal Bateman | What's wrong with that ? |
Micheal Bateman | It's totally disease free. |
Micheal Bateman | Patrick, you're a lunatic. Come on. |
Micheal Bateman | Don't you find Christie attractive ? |
Micheal Bateman | Let's not get lewd. I'm in no mood for a lewd conversation. |
Micheal Bateman | Come on. |
Micheal Bateman | I think it'd be a turn-on. Does he do this all the time ? |
Micheal Bateman | Christie, you're not drinking your wine. |
Micheal Bateman | Are you telling me you've never gotten it on with a girl? |
Micheal Bateman | No. I'm not a lesbian. |
Micheal Bateman | Why would you think I would be into that ? |
Micheal Bateman | Well, you went to Sarah Lawrence for one thing. |
Melopoly | Those are Sarah Lawrence guys, Patrick. You're making me feel weird. |
Melopoly | Did you know... |
Melopoly | that Whitney Houston's debut LP... |
Melopoly | called simply Whitney Houston... |
Melopoly | had four number-one singles on it ? |
Melopoly | Did you know that, Christie ? |
Melopoly | You actually listen to Whitney Houston ? |
Melopoly | You own a Whitney Houston CD ? |
Melopoly | More than one ? |
Melopoly | It's hard to choose a favorite among so many great tracks. |
Melopoly | But the "Greatest Love Of All" is one of the best, most powerful songs... |
Melopoly | ever written... |
Melopoly | about self-preservation... |
Melopoly | and dignity. |
Melopoly | It's universal message crosses all boundaries... |
Melopoly | and instills one... |
Melopoly | with the hope that it's not too late... |
Melopoly | to better ourselves. |
Melopoly | Since, Elizabeth, |
Melopoly | it's impossible in this world we live in to empathize with others, |
Melopoly | we can always empathize with ourselves. |
Melopoly | It's an important message. Crucial, really. |
Melopoly | And it's beautifully stated on the album. |
Melopoly | - Not the face ! |
Melopoly | You bitch, not the fucking face, you piece of bitch trash ! |
Melopoly | I want a firm commitment. |
Melopoly | I think, um, Evelyn, that, uh, we've lost touch. |
Melopoly | Why ? What's wrong ? |
Melopoly | My need to engage in homicidal behavior... |
Melopoly | on a massive scale cannot be corrected, |
Melopoly | but I have no other way to fulfill my needs. |
Melopoly | We need to talk. Talk about what, Patrick ? |
Melopoly | It's over, Evelyn. |
Melopoly | It's all over. |
Melopoly | Touchy, touchy. I'm sorry I brought up the wedding. |
Melopoly | Let's just avoid the issue, all right ? Now, are we having coffee ? |
Melopoly | I'm fucking serious. It's fucking over, us. This is no joke. |
Melopoly | Uh, I don't think we should see each other anymore. |
Melopoly | But your friends are my friends and my friends are your friends. |
Melopoly | I really don't think it would work. You have a little something-- |
Melopoly | I know that your friends are my friends, and, uh-- and I've thought about that. |
Melopoly | You can have 'em. |
Melopoly | You're really serious, aren't you ? Yes, lam. |
Melopoly | - What about the past ? Our past ? - We never really shared one. |
Melopoly | You're inhuman. No. |
Melopoly | I'm in touch with humanity. |
Melopoly | Evelyn, I'm, uh, sorry. I just, uh-- |
Melopoly | You're not terribly important to me. |
Melopoly | Oh, no ! |
Melopoly | No. No, Patrick. |
Melopoly | I know my behavior can be... erratic sometimes. |
Melopoly | What do you want me to do ? What is it that you want ? |
Melopoly | If you really wanna do something for me, then stop making this scene right now. |
Melopoly | Oh, God, I can't believe this. |
Melopoly | I'm leaving. I've assessed the situation, and I'm going. |
Melopoly | Where are you going ? I'm just leaving. |
Melopoly | But where ? |
Melopoly | I have to return some videotapes. |