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The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.
On January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.
Tom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.
Summer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.
On day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.
Twelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.
|
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"Tom gets moved to the consolation department instead of greeting cards.",
"Consolations"
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"content": "Where does Tom get moved in the greeting card company?",
"role": "user"
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" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn."
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The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.
On January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.
Tom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.
Summer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.
On day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.
Twelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.
|
[
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"That Summer is engaged to another man.",
"That she is engaged"
]
] |
[
{
"content": "What does Tom find out at the party Summer invites him to?",
"role": "user"
}
] | 38,301
|
[
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn."
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The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.
On January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.
Tom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.
Summer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.
On day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.
Twelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.
|
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"Tom confronts Summer about her actions and Summer explains she found love with someone else.",
"Summer sees Tom at his favorite spot and explains that she has found love. "
]
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"content": "What happens on day 488 of their relationship?",
"role": "user"
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[
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn."
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The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.
On January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.
Tom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.
Summer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.
On day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.
Twelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.
|
[
[
"Tom goes to an inerview for an architecture firm and meets a girl named Autumn.",
"Tom attends a job interview and meets Autumn"
]
] |
[
{
"content": "What happens on May 23 (the 500th day of Summer)?",
"role": "user"
}
] | 38,303
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[
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn."
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38295,
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train
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The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.
On January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.
Tom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.
Summer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.
On day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.
Twelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.
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[
[
"A greeting card company",
"A greeting card company"
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[
{
"content": "Where does Tom work?",
"role": "user"
}
] | 38,304
|
[
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn."
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train
|
The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.
On January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.
Tom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.
Summer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.
On day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.
Twelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.
|
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"Los Angeles ",
"Los Angeles"
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"content": "What city is mentioned as the focal point?",
"role": "user"
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] | 38,305
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" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn."
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The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.
On January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.
Tom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.
Summer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.
On day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.
Twelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.
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"McKenzie",
"McKenzie "
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[
{
"content": "Who reveals that Tom likes Summer?",
"role": "user"
}
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[
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn."
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train
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The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.
On January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.
Tom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.
Summer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.
On day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.
Twelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.
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"content": "What did Summer and Tom watch and then break up?",
"role": "user"
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[
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn."
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train
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The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.
On January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.
Tom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.
Summer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.
On day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.
Twelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.
|
[
[
"Parking lots",
"parking lots"
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[
{
"content": "What spoils the view at Toms favorite spot in the city?",
"role": "user"
}
] | 38,308
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[
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn."
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train
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The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.
On January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.
Tom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.
Summer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.
On day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.
Twelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.
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"content": "Who catches a bouquet at a coworkers wedding?",
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[
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn."
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train
|
The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.
On January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.
Tom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.
Summer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.
On day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.
Twelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.
|
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"Architecture ",
"Focusing on his architecure"
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"content": "When Tom quits, what job does he try next?",
"role": "user"
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] | 38,310
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" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn."
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The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.
On January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.
Tom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.
Summer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.
On day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.
Twelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.
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"Day 488",
"Day 488"
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[
{
"content": "What day does Summer see Tom at his favorite spot in the city?",
"role": "user"
}
] | 38,311
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" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn."
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train
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The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.
On January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.
Tom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.
Summer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.
On day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.
Twelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.
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[
[
"Autumn",
"Autumn "
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"content": "What is the girls name that Tom meets at the end of the story?",
"role": "user"
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[
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn."
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38297,
38298,
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train
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The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.
On January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.
Tom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.
Summer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.
On day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.
Twelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.
|
[
[
"Tom's sister",
"His sister"
]
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[
{
"content": "Who does Tom's friend call when he is upset about his breakup?",
"role": "user"
}
] | 38,313
|
[
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn."
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train
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The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.
On January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.
Tom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.
Summer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.
On day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.
Twelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.
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[
[
"Summer says true love is not something she believes in.",
"Summer doesn't believe in love"
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"content": "What sign of trouble is apparent early in Tom and Summer's relationship?",
"role": "user"
}
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[
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn."
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train
|
The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.
On January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.
Tom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.
Summer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.
On day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.
Twelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.
|
[
[
"Summer was deeply affected by it, while Tom was not.",
"He was unaffected by it and she was very moved by it "
]
] |
[
{
"content": "What causes Tom and Summer to disagree about \"The Graduate\"?",
"role": "user"
}
] | 38,315
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" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn."
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The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.
On January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.
Tom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.
Summer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.
On day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.
Twelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.
|
[
[
"A greeting card company",
"A greeting card company "
]
] |
[
{
"content": "At what type of business do Tom and Summer work?",
"role": "user"
}
] | 38,316
|
[
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn."
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38295,
38294
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train
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The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.
On January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.
Tom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.
Summer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.
On day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.
Twelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.
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"content": "For what profession is Tom trained?",
"role": "user"
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" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn."
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train
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The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.
On January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.
Tom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.
Summer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.
On day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.
Twelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.
|
[
[
"He sees that she is wearing an engagement ring.",
"Seeing Summer's engagement ring."
]
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{
"content": "What makes Tom become upset when he attends the party at Summer's apartment?",
"role": "user"
}
] | 38,318
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[
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn."
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train
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The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.
On January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.
Tom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.
Summer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.
On day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.
Twelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.
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[
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"The man was flirting with Summer.",
"The man Fflirting with Summer"
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[
{
"content": "What causes Tom to get into a fight with another man?",
"role": "user"
}
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[
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn."
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train
|
The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.
On January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.
Tom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.
Summer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.
On day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.
Twelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.
|
[
[
"Autumn",
"Autumn "
]
] |
[
{
"content": "What is the name of the woman Tom asks out at the end of the story?",
"role": "user"
}
] | 38,320
|
[
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn."
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The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.
On January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.
Tom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.
Summer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.
On day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.
Twelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.
|
[
[
"Tom was too depressed after his break-up counterpart with Summer to write happier cards.",
"He is depressed so he isn't doing well at his job"
]
] |
[
{
"content": "What leads Tom's boss to move him to the consolations department at the company?",
"role": "user"
}
] | 38,321
|
[
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn."
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The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.
On January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.
Tom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.
Summer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.
On day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.
Twelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.
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"content": "In what city does the story take place?",
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" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn."
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train
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The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.
On January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.
Tom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.
Summer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.
On day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.
Twelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.
|
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"Parking lots",
"the parking lots "
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{
"content": "What do Tom and the new woman he meets both dislike?",
"role": "user"
}
] | 38,323
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[
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn."
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In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.
Upon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.
The team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, "liberate tuteme ex inferis" (lit. "save yourself from hell"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.
Miller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.
Cooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.
The gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.
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[
{
"content": "What hallucination lures Peters to her death?",
"role": "user"
}
] | 38,324
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" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close."
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In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.
Upon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.
The team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, "liberate tuteme ex inferis" (lit. "save yourself from hell"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.
Miller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.
Cooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.
The gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.
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"content": "How long does it take for a rescue party to board the Event Horizon at the end of the story?",
"role": "user"
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" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close."
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In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.
Upon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.
The team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, "liberate tuteme ex inferis" (lit. "save yourself from hell"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.
Miller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.
Cooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.
The gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.
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[
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"content": "What was the Event Horizon built to test?",
"role": "user"
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" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close."
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In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.
Upon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.
The team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, "liberate tuteme ex inferis" (lit. "save yourself from hell"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.
Miller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.
Cooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.
The gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.
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"content": "Who attempts suicide after being pulled into the portal?",
"role": "user"
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" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close."
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In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.
Upon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.
The team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, "liberate tuteme ex inferis" (lit. "save yourself from hell"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.
Miller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.
Cooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.
The gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.
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"content": "Where was the Event Horizon voyaging to when it disappeared?",
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" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close."
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In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.
Upon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.
The team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, "liberate tuteme ex inferis" (lit. "save yourself from hell"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.
Miller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.
Cooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.
The gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.
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"content": "What does the crew find upon boarding the Event Horizon at the begining of the story?",
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" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close."
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In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.
Upon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.
The team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, "liberate tuteme ex inferis" (lit. "save yourself from hell"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.
Miller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.
Cooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.
The gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.
|
[
[
"His eyes are gouged",
"He has gouged out his own eyes."
]
] |
[
{
"content": "What is wrong with the captain's face when the crew sees him at the end of the video log?",
"role": "user"
}
] | 38,330
|
[
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close."
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In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.
Upon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.
The team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, "liberate tuteme ex inferis" (lit. "save yourself from hell"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.
Miller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.
Cooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.
The gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.
|
[
[
"They believe it is linked to an unknown universe.",
"The gravity drive opened into a previously unknown dimension, which turned the ship into a sentient being that torments its occupants."
]
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[
{
"content": "What do Miller and D. J. bellieve to be true of the portal after they view the video log?",
"role": "user"
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" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close."
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In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.
Upon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.
The team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, "liberate tuteme ex inferis" (lit. "save yourself from hell"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.
Miller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.
Cooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.
The gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.
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" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close."
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In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.
Upon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.
The team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, "liberate tuteme ex inferis" (lit. "save yourself from hell"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.
Miller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.
Cooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.
The gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.
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"content": "Where does Weir believe the Event Horizon portal lures people?",
"role": "user"
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" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close."
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In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.
Upon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.
The team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, "liberate tuteme ex inferis" (lit. "save yourself from hell"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.
Miller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.
Cooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.
The gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.
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"content": "What is the Event Horizon?",
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" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close."
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In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.
Upon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.
The team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, "liberate tuteme ex inferis" (lit. "save yourself from hell"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.
Miller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.
Cooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.
The gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.
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"content": "Who designed the Event Horizon?",
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" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close."
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In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.
Upon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.
The team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, "liberate tuteme ex inferis" (lit. "save yourself from hell"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.
Miller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.
Cooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.
The gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.
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"content": "What did the crew find evidence of on the starship?",
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" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close."
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In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.
Upon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.
The team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, "liberate tuteme ex inferis" (lit. "save yourself from hell"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.
Miller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.
Cooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.
The gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.
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[
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"It was damaged by a shock wave. ",
"Weir destroys it with an explosive device."
]
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[
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"content": "How was the Lewis and Clark damaged?",
"role": "user"
}
] | 38,337
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" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close."
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In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.
Upon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.
The team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, "liberate tuteme ex inferis" (lit. "save yourself from hell"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.
Miller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.
Cooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.
The gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.
|
[
[
"The video showed the Event Horizon's crew going insane and mutilating each other. ",
"The Event Horizon's captain speaking Latin with his eyes gouged out."
]
] |
[
{
"content": "What was on the video log of the Event Horizon?",
"role": "user"
}
] | 38,338
|
[
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close."
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In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.
Upon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.
The team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, "liberate tuteme ex inferis" (lit. "save yourself from hell"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.
Miller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.
Cooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.
The gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.
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"The ship's forward section is used. ",
"half of the Event Horizon"
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"content": "What is used as a lifeboat?",
"role": "user"
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" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close."
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In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.
Upon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.
The team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, "liberate tuteme ex inferis" (lit. "save yourself from hell"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.
Miller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.
Cooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.
The gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.
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"content": "Who sacrificed himself to save the others?",
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" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close."
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In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.
Upon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.
The team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, "liberate tuteme ex inferis" (lit. "save yourself from hell"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.
Miller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.
Cooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.
The gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.
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"content": "Who does Starck see as a rescuer?",
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" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close."
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In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.
Upon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.
The team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, "liberate tuteme ex inferis" (lit. "save yourself from hell"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.
Miller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.
Cooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.
The gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.
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"content": "Who overpowers Miller?",
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" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close."
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In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.
Upon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.
The team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, "liberate tuteme ex inferis" (lit. "save yourself from hell"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.
Miller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.
Cooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.
The gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.
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[
[
"His theory is that this horrible dimension lures people back into hell after being tormented.",
"That the Event Horizon is now a sentiment being that torments anyone on it."
]
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{
"content": "What is Weir's theory? ",
"role": "user"
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" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close."
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In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.
Upon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.
The team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, "liberate tuteme ex inferis" (lit. "save yourself from hell"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.
Miller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.
Cooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.
The gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.
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"content": "What is the name of the starship that vanished on its way to Proxima Centauri?",
"role": "user"
}
] | 38,344
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" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close."
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In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.
Upon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.
The team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, "liberate tuteme ex inferis" (lit. "save yourself from hell"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.
Miller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.
Cooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.
The gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.
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[
[
"That the crew went crazy and killed each other",
"The crew went insane and mutilated each other."
]
] |
[
{
"content": "What does the video log of the vanished ship show?",
"role": "user"
}
] | 38,345
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[
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close."
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In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.
Upon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.
The team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, "liberate tuteme ex inferis" (lit. "save yourself from hell"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.
Miller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.
Cooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.
The gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.
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"A portal opened to an unknown universe and turned the ship into its own sentient evil being",
"influence from an unknown dimension turned the ship into a hellish tormenting sentient being "
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"content": "What does Miller and D.J presume to have happened that caused the havoc on the vanished ship?",
"role": "user"
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" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close."
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In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.
Upon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.
The team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, "liberate tuteme ex inferis" (lit. "save yourself from hell"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.
Miller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.
Cooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.
The gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.
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"content": "Why does Weir blow up the Lewis and Clark?",
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" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close."
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In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.
Upon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.
The team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, "liberate tuteme ex inferis" (lit. "save yourself from hell"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.
Miller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.
Cooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.
The gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.
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"They play on the crews regrets and fears",
"hellish"
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"content": "What kind of emotions do the hallucinations play upon for the crew?",
"role": "user"
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" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close."
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In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.
Upon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.
The team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, "liberate tuteme ex inferis" (lit. "save yourself from hell"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.
Miller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.
Cooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.
The gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.
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"content": "Who does Starck recognize as a rescuer in disguise?",
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" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close."
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In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.
Upon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.
The team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, "liberate tuteme ex inferis" (lit. "save yourself from hell"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.
Miller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.
Cooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.
The gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.
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"content": "What three surviving people do the rescuers find?",
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" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close."
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In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.
Upon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.
The team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, "liberate tuteme ex inferis" (lit. "save yourself from hell"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.
Miller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.
Cooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.
The gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.
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"content": "Who is Peters hallucinating that leads to her death?",
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" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close."
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In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.
Upon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.
The team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, "liberate tuteme ex inferis" (lit. "save yourself from hell"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.
Miller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.
Cooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.
The gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.
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"content": "Who restrains Starck after the rescue crew arrives?",
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" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close."
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In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.
Upon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.
The team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, "liberate tuteme ex inferis" (lit. "save yourself from hell"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.
Miller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.
Cooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.
The gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.
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"content": "When the crew first boards the vanished ship, who is almost sucked into a portal?",
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" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close.",
" In 2047, a distress signal is received from the Event Horizon, a starship that disappeared during its maiden voyage to Proxima Centauri seven years before. The rescue vessel Lewis and Clark is dispatched on a rescue mission. On board are Captain Miller and his crew â Lieutenant Starck, Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Trauma Doctor D.J., and Rescue Technician Cooper. They are joined by the Event Horizon's designer, Dr. William Weir. The Doctor briefs the crew, telling them that the Event Horizon was built to test an experimental gravity drive. The drive generates an artificial black hole and uses it to bridge two points in spacetime, reducing travel time over astronomical distances.\nUpon boarding the Event Horizon, the crew finds evidence of a massacre. As they search for survivors, the ship's gravity drive automatically activates. Justin is briefly pulled into the resulting portal. As he is pulled out, he is in a catatonic state, terrified by what he saw on the other side. After he attempts suicide, the crew places him in stasis. At the same time, the activation causes a shock wave that damages the Lewis and Clark, forcing the entire crew to board the Event Horizon.\nThe team begin to experience hallucinations corresponding to their fears and regrets: Miller sees Corrick, a subordinate he was forced to abandon to his death; Peters sees her son with his legs covered in bloody lesions; and Weir sees his late wife, with missing eyes, urging him to join her. They soon discover a video log of the Event Horizon's crew as they went insane and mutilated each other. The video log ends with a shot of the Event Horizon's captain, who has apparently gouged out his own eyes, holding them up to the camera and saying in Latin, \"liberate tuteme ex inferis\" (lit. \"save yourself from hell\"). Miller and D.J. deduce that the ship's gravity drive opened a gateway into a dimension outside the known universe. Weir theorizes that this hellish dimension turned the Event Horizon into a sentient being, which torments its occupants and lures them back to hell.\nMiller decides to destroy the Event Horizon. Weir, now possessed by the evil presence, uses an explosive device to destroy the Lewis and Clark. The explosion kills Smith and blasts Cooper off into space. Peters is lured to her death by a hallucination of her son. Weir kills D.J. by vivisecting him and corners Starck on the bridge. Miller confronts Weir, who overpowers him and initiates a 10-minute countdown, after which the Event Horizon will return to the other dimension.\nCooper, having used his space suit's oxygen supply to propel himself back to the ship, appears at the bridge window. Without thinking, Weir shoots at him, breaking the window, and is blown out into space by the ensuing decompression. Miller, Starck, and Cooper survive and manage to seal off the ship's bridge. With their own ship destroyed, Miller plans to split the Event Horizon in two and use the forward section of the ship as a lifeboat. He is attacked by manifestations of Corrick and a resurrected Weir. Miller fights them off and detonates the explosives, sacrificing himself.\nThe gravity drive activates, pulling the ship's rear section into a black hole. Starck and Cooper enter stasis, beside a comatose Justin, and wait to be rescued. Seventy-two days later, the Event Horizon is boarded by a rescue party, who discover the remaining crew still in stasis. A newly awakened Starck sees Weir posing as one of the rescuers, then wakes up screaming and is comforted by Cooper. As Cooper restrains the terrified Starck and one of the rescuers calls for a sedative, the doors ominously close."
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Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once "walked with a zombie."
Betsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of "Ti-Misery" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.
That night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.
On her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.
That night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.
Later, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.
Betsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).
There, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.
Outside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for "ritual tests". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.
Paul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.
The next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.
Using an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.
|
[
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"Paul Holland"
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[
{
"content": "Whose spouse has Betty been hired to care for?",
"role": "user"
}
] | 38,354
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[
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy."
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Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once "walked with a zombie."
Betsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of "Ti-Misery" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.
That night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.
On her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.
That night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.
Later, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.
Betsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).
There, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.
Outside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for "ritual tests". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.
Paul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.
The next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.
Using an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.
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" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy."
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Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once "walked with a zombie."
Betsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of "Ti-Misery" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.
That night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.
On her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.
That night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.
Later, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.
Betsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).
There, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.
Outside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for "ritual tests". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.
Paul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.
The next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.
Using an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.
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" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy."
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Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once "walked with a zombie."
Betsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of "Ti-Misery" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.
That night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.
On her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.
That night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.
Later, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.
Betsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).
There, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.
Outside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for "ritual tests". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.
Paul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.
The next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.
Using an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.
|
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"She can never be cured",
"That she can never be cured. "
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"content": "What does Mrs. Rand tell Betsy about Jessica's condition?",
"role": "user"
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" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy."
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Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once "walked with a zombie."
Betsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of "Ti-Misery" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.
That night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.
On her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.
That night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.
Later, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.
Betsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).
There, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.
Outside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for "ritual tests". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.
Paul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.
The next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.
Using an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.
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"content": "Who do the local's stab in the arm?",
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" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy."
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Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once "walked with a zombie."
Betsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of "Ti-Misery" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.
That night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.
On her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.
That night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.
Later, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.
Betsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).
There, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.
Outside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for "ritual tests". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.
Paul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.
The next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.
Using an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.
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"content": "What do the locals believe about Jessica?",
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" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy."
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Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once "walked with a zombie."
Betsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of "Ti-Misery" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.
That night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.
On her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.
That night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.
Later, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.
Betsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).
There, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.
Outside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for "ritual tests". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.
Paul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.
The next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.
Using an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.
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" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy."
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Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once "walked with a zombie."
Betsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of "Ti-Misery" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.
That night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.
On her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.
That night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.
Later, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.
Betsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).
There, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.
Outside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for "ritual tests". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.
Paul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.
The next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.
Using an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.
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"content": "Who did Mrs. Rand believe Jessica was going to run away with?",
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" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy."
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Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once "walked with a zombie."
Betsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of "Ti-Misery" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.
That night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.
On her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.
That night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.
Later, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.
Betsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).
There, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.
Outside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for "ritual tests". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.
Paul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.
The next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.
Using an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.
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[
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{
"content": "What does Betsy do for a living?",
"role": "user"
}
] | 38,362
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[
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy."
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Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once "walked with a zombie."
Betsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of "Ti-Misery" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.
That night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.
On her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.
That night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.
Later, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.
Betsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).
There, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.
Outside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for "ritual tests". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.
Paul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.
The next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.
Using an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.
|
[
[
"A sugar plantation owner who hires Betsy to care for Jessica, his wife.",
"Sugar plantation owner. "
]
] |
[
{
"content": "Who is Paul?",
"role": "user"
}
] | 38,363
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[
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy."
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Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once "walked with a zombie."
Betsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of "Ti-Misery" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.
That night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.
On her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.
That night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.
Later, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.
Betsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).
There, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.
Outside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for "ritual tests". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.
Paul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.
The next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.
Using an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.
|
[
[
"Her spine was irreversibly damaged by an illness. ",
"That she is paralyzed and uncurable."
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[
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"content": "What does Betsy learn about Jessica?",
"role": "user"
}
] | 38,364
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[
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy."
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Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once "walked with a zombie."
Betsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of "Ti-Misery" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.
That night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.
On her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.
That night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.
Later, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.
Betsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).
There, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.
Outside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for "ritual tests". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.
Paul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.
The next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.
Using an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.
|
[
[
"Paul's half brother who loves Jessica.",
"Jessica's former fiance"
]
] |
[
{
"content": "Who is Wesley?",
"role": "user"
}
] | 38,365
|
[
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy."
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Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once "walked with a zombie."
Betsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of "Ti-Misery" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.
That night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.
On her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.
That night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.
Later, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.
Betsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).
There, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.
Outside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for "ritual tests". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.
Paul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.
The next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.
Using an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.
|
[
[
"She loves Paul and wants to please him.",
"For a cure."
]
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[
{
"content": "Why does Betsy take Jessica to a voodoo priest?",
"role": "user"
}
] | 38,366
|
[
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy."
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Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once "walked with a zombie."
Betsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of "Ti-Misery" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.
That night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.
On her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.
That night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.
Later, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.
Betsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).
There, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.
Outside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for "ritual tests". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.
Paul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.
The next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.
Using an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.
|
[
[
"Wesley and Paul's doctor mother.",
"Ms. Rand"
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[
{
"content": "Who is discovered to be the voodoo priest?",
"role": "user"
}
] | 38,367
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[
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy."
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Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once "walked with a zombie."
Betsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of "Ti-Misery" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.
That night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.
On her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.
That night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.
Later, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.
Betsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).
There, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.
Outside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for "ritual tests". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.
Paul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.
The next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.
Using an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.
|
[
[
"She doesn't bleed.",
"she does not bleed"
]
] |
[
{
"content": "What happens when Jessica is stabbed in the arm?",
"role": "user"
}
] | 38,368
|
[
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy."
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Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once "walked with a zombie."
Betsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of "Ti-Misery" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.
That night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.
On her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.
That night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.
Later, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.
Betsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).
There, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.
Outside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for "ritual tests". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.
Paul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.
The next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.
Using an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.
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[
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"A zombie.",
"a zombie"
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[
{
"content": "What do locals suspect Jessica is?",
"role": "user"
}
] | 38,369
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[
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy."
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Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once "walked with a zombie."
Betsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of "Ti-Misery" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.
That night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.
On her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.
That night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.
Later, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.
Betsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).
There, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.
Outside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for "ritual tests". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.
Paul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.
The next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.
Using an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.
|
[
[
"Freeing Jessica from being a zombie",
"Jessica."
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[
{
"content": "What drives Wesley more than anything?",
"role": "user"
}
] | 38,370
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[
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy."
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Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once "walked with a zombie."
Betsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of "Ti-Misery" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.
That night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.
On her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.
That night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.
Later, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.
Betsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).
There, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.
Outside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for "ritual tests". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.
Paul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.
The next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.
Using an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.
|
[
[
"Wesley and Jessica's.",
"Jessica and Wesley"
]
] |
[
{
"content": "Whose bodies are discovered in the sea?",
"role": "user"
}
] | 38,371
|
[
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy."
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Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once "walked with a zombie."
Betsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of "Ti-Misery" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.
That night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.
On her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.
That night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.
Later, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.
Betsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).
There, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.
Outside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for "ritual tests". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.
Paul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.
The next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.
Using an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.
|
[
[
"Betsy came from Canada.",
"Canada."
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[
{
"content": "What coun try did Betsy Connell come from?",
"role": "user"
}
] | 38,372
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[
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy."
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Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once "walked with a zombie."
Betsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of "Ti-Misery" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.
That night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.
On her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.
That night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.
Later, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.
Betsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).
There, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.
Outside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for "ritual tests". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.
Paul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.
The next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.
Using an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.
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[
[
"It was located on the Caribbean island of Saint Sebastian.",
"Saint Sebastian."
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[
{
"content": "Where was the sugar plantation owned by Paul Holland?",
"role": "user"
}
] | 38,373
|
[
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy."
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Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once "walked with a zombie."
Betsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of "Ti-Misery" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.
That night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.
On her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.
That night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.
Later, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.
Betsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).
There, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.
Outside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for "ritual tests". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.
Paul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.
The next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.
Using an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.
|
[
[
"An illness which damaged her spinal cord.",
"Spinal cord injury."
]
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[
{
"content": "What type of illness left Jessica Holland impaired?",
"role": "user"
}
] | 38,374
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[
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy."
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Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once "walked with a zombie."
Betsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of "Ti-Misery" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.
That night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.
On her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.
That night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.
Later, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.
Betsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).
There, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.
Outside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for "ritual tests". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.
Paul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.
The next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.
Using an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.
|
[
[
"She tried to cure Jessica Holland's illness.",
"she vows to cure Jessica"
]
] |
[
{
"content": "After developing an attraction to Paul Holland, what diud Betsy do in order to impress him?",
"role": "user"
}
] | 38,375
|
[
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy."
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Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once "walked with a zombie."
Betsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of "Ti-Misery" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.
That night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.
On her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.
That night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.
Later, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.
Betsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).
There, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.
Outside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for "ritual tests". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.
Paul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.
The next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.
Using an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.
|
[
[
"She was stabbed in the arm with a sword and didn't bleed from the wound.",
"She didn't bleed."
]
] |
[
{
"content": "What made the supersticious locals think that Betsy was really a zombie?",
"role": "user"
}
] | 38,376
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[
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy."
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Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once "walked with a zombie."
Betsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of "Ti-Misery" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.
That night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.
On her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.
That night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.
Later, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.
Betsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).
There, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.
Outside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for "ritual tests". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.
Paul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.
The next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.
Using an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.
|
[
[
"The voodoo priest was actually Mrs. Rand, the mother of Paul Holland and his half-brother, Wesley.",
"Carre-Four"
]
] |
[
{
"content": "Who was the voodoo priest that Besty took Jessica to for healing?",
"role": "user"
}
] | 38,377
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[
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy."
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Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once "walked with a zombie."
Betsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of "Ti-Misery" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.
That night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.
On her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.
That night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.
Later, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.
Betsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).
There, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.
Outside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for "ritual tests". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.
Paul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.
The next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.
Using an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.
|
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"He took control of her in order to draw her too him.",
"take control of Jessica"
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[
{
"content": "What did the Sabreur do using an effigy of Jessica?",
"role": "user"
}
] | 38,378
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[
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy."
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Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once "walked with a zombie."
Betsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of "Ti-Misery" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.
That night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.
On her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.
That night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.
Later, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.
Betsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).
There, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.
Outside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for "ritual tests". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.
Paul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.
The next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.
Using an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.
|
[
[
"He took an arrow from the statue of Tri-Misery and stabbed Jessica with it.",
"An arrow from the statue of St. Sebastian."
]
] |
[
{
"content": "What did Wesley use to stab Jessica with after the Sabreur stuck a pin into Jessica's effigy?",
"role": "user"
}
] | 38,379
|
[
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy."
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Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once "walked with a zombie."
Betsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of "Ti-Misery" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.
That night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.
On her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.
That night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.
Later, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.
Betsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).
There, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.
Outside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for "ritual tests". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.
Paul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.
The next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.
Using an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.
|
[
[
"The natives later discovered the bodies of both Jerssica and Wesley floatin in the surf.",
"Natives found their bodies floating in the sea."
]
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[
{
"content": "What happened after Wesley carried Jessica's body into the sea?",
"role": "user"
}
] | 38,380
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[
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy.",
" Betsy Connell (Frances Dee), a Canadian nurse, relates in a voiceover how she once \"walked with a zombie.\"\nBetsy is hired to care for the wife of Paul Holland (Tom Conway), a sugar plantation owner on the Caribbean island of Saint Sebastian. Saint Sebastian is inhabited by a small white community and descendants of African slaves. Betsy is told the story of how the Hollands brought slaves to the island, and that the statue of \"Ti-Misery\" (Saint Sebastian pierced by arrows) in the courtyard is the figurehead from a slave ship.\nThat night at dinner, Betsy meets Paul's half-brother and employee, Wesley Rand (James Ellison). While getting ready for bed, Betsy hears crying. When she investigates, a woman in a white robe walks towards her, her eyes staring. Betsy screams, waking the rest of the household. Paul takes charge of Jessica Holland, the woman Betsy is to care for. The next morning, Dr. Maxwell tells Betsy that Jessica's spinal cord was irreparably damaged by a serious illness, leaving her totally without the willpower to do anything for herself.\nOn her day off, Betsy encounters Wesley in town. While he drinks himself into a stupor, a calypso singer (Sir Lancelot) sings about how Jessica was going to run away with Wesley, but Paul would not let them go. Then she was struck down by the fever. Betsy meets Mrs. Rand (Edith Barrett), Paul and Wesley's doctor mother.\nThat night, at dinner, Paul tries to persuade Wesley to reduce his drinking (at Betsy's suggestion), but he accuses Paul of trying to impress Betsy and of driving Jessica insane in the first place.\nLater, Betsy is drawn to the sound of Paul playing the piano. He apologizes for bringing her to the island and admits that he may have been the cause of his wife's condition. Betsy has been falling in love with her moody employer. She determines to make him happy by curing Jessica.\nBetsy gets Paul to agree to try a potentially fatal treatment of insulin shock on Jessica, but it has no effect. Housemaid Alma (Theresa Harris) then tells her that a Voodoo priest cured a woman of a similar condition. Betsy takes her patient without permission through cane fields past a crossroads guarded by the towering figure of the eerie Carre-Four (a reference to the loa Maitre Carrefours) to the houmfort (a place where Voodoo worshipers gather).\nThere, they watch a man (the Sabreur) wield a saber during a ritual. People are given advice through a shack door by a Voodoo priest. Betsy is summoned inside, where she is shocked to find that the priest is none other than Mrs. Rand. Mrs. Rand explains that she uses Voodoo to convince the natives to accept conventional medical practices and tells Betsy that Jessica can never be cured.\nOutside, the locals stab Jessica in the arm with the sword as a test. When she does not bleed, they are convinced she is a zombie. Betsy takes her back to the house, but the natives demand that Jessica be returned to them for \"ritual tests\". Later, Carre-Four approaches the residence, but Mrs. Rand orders him to leave.\nPaul suggests that Betsy return to Canada, as he is fearful of demeaning and abusing her as he did Jessica. She is convinced that he is not really like that.\nThe next day, Doctor Maxwell reports that the unrest has sparked an official inquiry into Jessica's illness. Mrs. Rand shocks everyone by claiming that Jessica is a zombie. Although she had never taken Voodoo seriously, Mrs Rand reveals that when she discovered that Jessica was planning to run away with Wesley and break up her family, she felt herself possessed by a Voodoo god. She then put a curse on Jessica. Paul, Maxwell and Betsy dismiss her story, but Wesley becomes obsessed with freeing Jessica from her zombie state. He asks Betsy if she would consider euthanasia, but she refuses.\nUsing an effigy of Jessica, the Sabreur takes control of her and draws her to him. Paul and Betsy stop her the first time, but they are not around when he tries again. Wesley opens the gate, letting Jessica out. Then he pulls an arrow out of the statue of Ti-Misery and follows. As the Sabreur stabs the doll with a pin, Wesley thrusts the arrow into Jessica. He then carries her body into the sea, pursued slowly by Carre-Four. Later, the natives discover the bodies of Jessica and Wesley floating in the surf. Paul comforts Betsy."
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A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.
One night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.
One day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and "turn [him] into Real" - to everyone.
The fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.
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[
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"content": "What is the rabbit sewn from?",
"role": "user"
}
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[
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit."
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train
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A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.
One night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.
One day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and "turn [him] into Real" - to everyone.
The fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.
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[
[
"Christmas present",
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[
{
"content": "For what occasion is the rabbit given?",
"role": "user"
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[
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit."
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[
38383,
38384,
38385,
38386,
38381
] |
train
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A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.
One night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.
One day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and "turn [him] into Real" - to everyone.
The fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.
|
[
[
"Skin Horse",
"the Skin Horse"
]
] |
[
{
"content": "What is the wisest toy in the nursery?",
"role": "user"
}
] | 38,383
|
[
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit."
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1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
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[
38384,
38385,
38386,
38382,
38381
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train
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A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.
One night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.
One day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and "turn [him] into Real" - to everyone.
The fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.
|
[
[
"Skin Horse",
"the Skin Horse"
]
] |
[
{
"content": "What is the oldest toy in the nursey?",
"role": "user"
}
] | 38,384
|
[
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit."
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1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
1.0000005960464478
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[
38383,
38385,
38386,
38382,
38381
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train
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A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.
One night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.
One day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and "turn [him] into Real" - to everyone.
The fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.
|
[
[
"the boy's uncle",
"The boy's uncle"
]
] |
[
{
"content": "Who previously owned the Skin Horse?",
"role": "user"
}
] | 38,385
|
[
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit."
] |
[
1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
1.0000005960464478
] |
[
38383,
38384,
38386,
38382,
38381
] |
train
|
A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.
One night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.
One day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and "turn [him] into Real" - to everyone.
The fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.
|
[
[
"Skin Horse",
"The boys uncle"
]
] |
[
{
"content": "Who tells the rabbit about toys becoming real?",
"role": "user"
}
] | 38,386
|
[
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit."
] |
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1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
1.0000005960464478
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[
38383,
38384,
38385,
38382,
38381
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train
|
A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.
One night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.
One day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and "turn [him] into Real" - to everyone.
The fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.
|
[
[
"from the love of children",
"through love from children"
]
] |
[
{
"content": "How do toys become real?",
"role": "user"
}
] | 38,387
|
[
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit."
] |
[
1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
1.0000005960464478
] |
[
38383,
38384,
38385,
38386,
38382,
38381
] |
train
|
A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.
One night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.
One day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and "turn [him] into Real" - to everyone.
The fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.
|
[
[
"have picnics",
"enjoying picnics"
]
] |
[
{
"content": "What do the rabbit and boy do together in the spring?",
"role": "user"
}
] | 38,388
|
[
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit."
] |
[
1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
1.0000005960464478
] |
[
38383,
38384,
38385,
38386,
38382,
38381
] |
train
|
A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.
One night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.
One day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and "turn [him] into Real" - to everyone.
The fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.
|
[
[
"Scarlet Fever",
"scarlet fever"
]
] |
[
{
"content": "What illness does the boy catch?",
"role": "user"
}
] | 38,389
|
[
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit."
] |
[
1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
1.0000005960464478
] |
[
38383,
38384,
38385,
38386,
38382,
38381
] |
train
|
A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.
One night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.
One day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and "turn [him] into Real" - to everyone.
The fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.
|
[
[
"a fairy",
"A fairy"
]
] |
[
{
"content": "Who changes the rabbit into a real rabbit?",
"role": "user"
}
] | 38,390
|
[
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit."
] |
[
1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
1.0000005960464478
] |
[
38383,
38384,
38385,
38386,
38382,
38381
] |
train
|
A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.
One night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.
One day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and "turn [him] into Real" - to everyone.
The fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.
|
[
[
"The Skin Horse",
"Skin Horse"
]
] |
[
{
"content": "Who tells the rabbit about toys becoming real?",
"role": "user"
}
] | 38,391
|
[
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit."
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1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
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[
38383,
38384,
38385,
38386,
38382,
38381
] |
train
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A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.
One night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.
One day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and "turn [him] into Real" - to everyone.
The fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.
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[
[
"the rabbit",
"the rabbit"
]
] |
[
{
"content": "What toy does Nana give the boy to sleep with when he lost his favorite toy?",
"role": "user"
}
] | 38,392
|
[
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit."
] |
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1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
1.0000005960464478
] |
[
38383,
38384,
38385,
38386,
38382,
38381
] |
train
|
A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.
One night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.
One day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and "turn [him] into Real" - to everyone.
The fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.
|
[
[
"scarlet fever",
"Scarlet fever"
]
] |
[
{
"content": "What sickness does the boy contract?",
"role": "user"
}
] | 38,393
|
[
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit."
] |
[
1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
1.0000005960464478
] |
[
38383,
38384,
38385,
38386,
38382,
38381
] |
train
|
A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.
One night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.
One day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and "turn [him] into Real" - to everyone.
The fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.
|
[
[
"the seaside",
"To the sea side"
]
] |
[
{
"content": "Where is the boy taken so his room can be disinfected?",
"role": "user"
}
] | 38,394
|
[
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit."
] |
[
1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
1.0000005960464478
] |
[
38383,
38384,
38385,
38386,
38382,
38381
] |
train
|
A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.
One night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.
One day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and "turn [him] into Real" - to everyone.
The fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.
|
[
[
"a flower",
"a flower"
]
] |
[
{
"content": "What grows out of the rabbit's tear that dropped on the ground?",
"role": "user"
}
] | 38,395
|
[
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit."
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38384,
38385,
38386,
38382,
38381
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train
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A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.
One night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.
One day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and "turn [him] into Real" - to everyone.
The fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.
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[
[
"a kiss",
"a kiss"
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[
{
"content": "What does the fairy give the rabbit that causes him to become real?",
"role": "user"
}
] | 38,396
|
[
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit."
] |
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1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
1.0000005960464478
] |
[
38383,
38384,
38385,
38386,
38382,
38381
] |
train
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A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.
One night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.
One day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and "turn [him] into Real" - to everyone.
The fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.
|
[
[
"to the forest",
"into the forest"
]
] |
[
{
"content": "Where does the fairy take the rabbit?",
"role": "user"
}
] | 38,397
|
[
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit."
] |
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1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
1.0000005960464478
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38384,
38385,
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38382,
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train
|
A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.
One night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.
One day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and "turn [him] into Real" - to everyone.
The fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.
|
[
[
"to look at the boy",
"to see the boy"
]
] |
[
{
"content": "Where does the real rabbit go the next spring?",
"role": "user"
}
] | 38,398
|
[
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit."
] |
[
1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
1.0000005960464478
] |
[
38383,
38384,
38385,
38386,
38382,
38381
] |
train
|
A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.
One night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.
One day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and "turn [him] into Real" - to everyone.
The fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.
|
[
[
"the boy's uncle",
"the boy's uncle"
]
] |
[
{
"content": "Who was the original owner of the Skin Horse?",
"role": "user"
}
] | 38,399
|
[
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit.",
" A stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and they snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming Real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight.\nOne night, the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favourite toy, enjoying picnics with him in the spring; and the boy regards the rabbit as 'REAL'. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do and say that he is not real.\nOne day, the boy becomes sick with scarlet fever, and the rabbit sits with him as he recovers. The doctor orders that the boy should be taken to the seaside and that his room should be disinfectedâall his books and toys burnt, including the velveteen rabbit. The rabbit is bundled into a sack and left out in the garden overnight, where he sadly reflects on his life with his boy. The toy rabbit cries, a real tear drops onto the ground, and a marvellous flower appears. A fairy steps out of the flower and comforts the velveteen rabbit, introducing herself as the Nursery Magic Fairy. She says that, because he is old and shabby and Real, she will take him away with her and \"turn [him] into Real\" - to everyone.\nThe fairy takes the rabbit to the forest, where she meets the other rabbits and gives the velveteen rabbit a kiss. The velveteen rabbit changes into a real rabbit and joins the other rabbits in the forest. The next spring, the rabbit returns to look at the boy, and the boy sees a resemblance to his old velveteen rabbit."
] |
[
1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
1.0000005960464478,
1.0000005960464478
] |
[
38383,
38384,
38385,
38386,
38382,
38381
] |
train
|
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