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After first meeting at a summer camp as teenagers, Emma (Natalie Portman) and Adam (Ashton Kutcher) run into each other a few times as young adults but never keep in touch. Emma becomes a doctor in Los Angeles, Adam a production assistant for a musical television show. Adam's father Alvin (Kevin Kline), the well-known star of a former hit television comedy series, has begun a romance with Adam's ex-girlfriend, Vanessa (Ophelia Lovibond). Adam finds out, gets drunk and calls the women in his phone seeking a hookup. The next morning, he wakes on a sofa wearing nothing but a small towel. It turns out that he texted Emma and then came to the apartment she shares with some other residents—Patrice (Greta Gerwig), Shira (Mindy Kaling), and Guy (Guy Branum). Once there, he took off all his clothes and then passed out. Emma leads Adam to her bedroom to retrieve his missing pants and they end up having sex.
The two have sex again at Adam’s house and before she leaves Adam agrees to her proposal for a casual relationship (as she puts it, using each other for sex and nothing else). Adam warns Emma about falling in love with him, but she dismisses the idea and sets ground rules to keep what they’re doing from becoming too serious. At first things go well, but Adam becomes jealous when Sam (Ben Lawson)—another resident—seeks her attention. Adam brings Emma a gift (a mix CD) and she rebuffs him, saying they should stop for a while and hook up with other people. But after being apart for two weeks Emma returns to Adam and they continue being sex friends only.
Adam's birthday comes along a few months later. He goes out for dinner with Alvin and Vanessa, who announce their plan to have a baby together. Emma berates the other couple while defending Adam. He persuades her to go out together on Valentine's Day. Things fall apart when she becomes too uncomfortable during the date. An angry Emma advises Adam that he should find someone else who won’t hurt him. Adam tells Emma that he loves her—something she's not at all receptive to hearing—they have a fight, ending their arrangement.
Six weeks later, a script Adam wrote is being filmed. He gets a regular writing job on the show with the help of Lucy (Lake Bell), the show's assistant director, who is clearly attracted to Adam. Meanwhile, Emma is depressed over not being with Adam. The situation is compounded and complicated by her younger sister Katie's (Olivia Thirlby) wedding the next day and her widowed mother (Talia Balsam) arriving for the event with a male companion (Brian Dierker) of her own. Emma feels she is being strong for her mom by not letting herself get too close to anyone so she won't become upset by seeing Emma get hurt if a relationship ends poorly. Emma's mom tells her to stop.
When Emma confesses that she can't stop thinking about Adam, Katie insists that she call him to put things right. A nervous Emma phones Adam and tells him that she misses him. He responds that they were never really together. Realizing that she needs to speak with him in person, Emma leaves Santa Barbara where the wedding is taking place and drives to Adam's house. Her plans are ruined – and she has to hide to avoid being seen—when he arrives home with Lucy. Emma assumes Adam has a new girlfriend and tearfully drives away. Vanessa calls Adam before he and Lucy can have sex—Alvin has overdosed on a cough syrup-based drink called "Purple drank". Meeting Adam outside the hospital, Vanessa says that she is ending her relationship with Alvin and leaves for a party. Adam goes in to visit Alvin who surprisingly gives him some tender advice about falling in love.
Shira tells Emma about Adam's dad being admitted to the hospital. As Adam leaves the building he calls Emma and tells her that she must be present if she is going to say that she misses him. Emma gets out of her car as the call ends and Adam is stunned to suddenly find her there. She tells Adam that she is sorry she hurt him and confesses that she really loves and cares about him and they reconcile. After eating breakfast together the next morning—something that never happened before—they arrive in Santa Barbara just before Katie's wedding is starting. As they enter a room and pause Emma asks Adam what will happen next, and with a smile on his lips he silently intertwines her hand with his—for the first time they are holding hands together as a couple.
The end credits show an epilogue in which Alvin and Lucy are in a relationship, and are in a restaurant waiting for Adam to arrive to tell him. Adam’s roommate (Jake Johnson) and Patrice are in a relationship and are shown meeting his two dads. Vanessa had told Adam that old people scare her and she is ridden with anxiety when she is trapped in an elevator full of senior citizens. Adam and Emma are seen kissing in the park. Sam and Shira are in a relationship, but he wants his freedom and isn't pleased when she reveals that she’s already been seeing other men. Katie is having a baby and Emma is the delivering doctor. Guy lures a nervous-looking Sam into a hospital room. At last, Adam and Emma are shown peacefully sleeping together.
|
[
[
"Purple Drank",
"\"Purple drank\""
]
] |
[
{
"content": "What does Alvin OD on?",
"role": "user"
}
] | 38,200
|
[
" After first meeting at a summer camp as teenagers, Emma (Natalie Portman) and Adam (Ashton Kutcher) run into each other a few times as young adults but never keep in touch. Emma becomes a doctor in Los Angeles, Adam a production assistant for a musical television show. Adam's father Alvin (Kevin Kline), the well-known star of a former hit television comedy series, has begun a romance with Adam's ex-girlfriend, Vanessa (Ophelia Lovibond). Adam finds out, gets drunk and calls the women in his phone seeking a hookup. The next morning, he wakes on a sofa wearing nothing but a small towel. It turns out that he texted Emma and then came to the apartment she shares with some other residents—Patrice (Greta Gerwig), Shira (Mindy Kaling), and Guy (Guy Branum). Once there, he took off all his clothes and then passed out. Emma leads Adam to her bedroom to retrieve his missing pants and they end up having sex.\nThe two have sex again at Adam’s house and before she leaves Adam agrees to her proposal for a casual relationship (as she puts it, using each other for sex and nothing else). Adam warns Emma about falling in love with him, but she dismisses the idea and sets ground rules to keep what they’re doing from becoming too serious. At first things go well, but Adam becomes jealous when Sam (Ben Lawson)—another resident—seeks her attention. Adam brings Emma a gift (a mix CD) and she rebuffs him, saying they should stop for a while and hook up with other people. But after being apart for two weeks Emma returns to Adam and they continue being sex friends only.\nAdam's birthday comes along a few months later. He goes out for dinner with Alvin and Vanessa, who announce their plan to have a baby together. Emma berates the other couple while defending Adam. He persuades her to go out together on Valentine's Day. Things fall apart when she becomes too uncomfortable during the date. An angry Emma advises Adam that he should find someone else who won’t hurt him. Adam tells Emma that he loves her—something she's not at all receptive to hearing—they have a fight, ending their arrangement.\nSix weeks later, a script Adam wrote is being filmed. He gets a regular writing job on the show with the help of Lucy (Lake Bell), the show's assistant director, who is clearly attracted to Adam. Meanwhile, Emma is depressed over not being with Adam. The situation is compounded and complicated by her younger sister Katie's (Olivia Thirlby) wedding the next day and her widowed mother (Talia Balsam) arriving for the event with a male companion (Brian Dierker) of her own. Emma feels she is being strong for her mom by not letting herself get too close to anyone so she won't become upset by seeing Emma get hurt if a relationship ends poorly. Emma's mom tells her to stop.\nWhen Emma confesses that she can't stop thinking about Adam, Katie insists that she call him to put things right. A nervous Emma phones Adam and tells him that she misses him. He responds that they were never really together. Realizing that she needs to speak with him in person, Emma leaves Santa Barbara where the wedding is taking place and drives to Adam's house. Her plans are ruined – and she has to hide to avoid being seen—when he arrives home with Lucy. Emma assumes Adam has a new girlfriend and tearfully drives away. Vanessa calls Adam before he and Lucy can have sex—Alvin has overdosed on a cough syrup-based drink called \"Purple drank\". Meeting Adam outside the hospital, Vanessa says that she is ending her relationship with Alvin and leaves for a party. Adam goes in to visit Alvin who surprisingly gives him some tender advice about falling in love.\nShira tells Emma about Adam's dad being admitted to the hospital. As Adam leaves the building he calls Emma and tells her that she must be present if she is going to say that she misses him. Emma gets out of her car as the call ends and Adam is stunned to suddenly find her there. She tells Adam that she is sorry she hurt him and confesses that she really loves and cares about him and they reconcile. After eating breakfast together the next morning—something that never happened before—they arrive in Santa Barbara just before Katie's wedding is starting. As they enter a room and pause Emma asks Adam what will happen next, and with a smile on his lips he silently intertwines her hand with his—for the first time they are holding hands together as a couple.\nThe end credits show an epilogue in which Alvin and Lucy are in a relationship, and are in a restaurant waiting for Adam to arrive to tell him. Adam’s roommate (Jake Johnson) and Patrice are in a relationship and are shown meeting his two dads. Vanessa had told Adam that old people scare her and she is ridden with anxiety when she is trapped in an elevator full of senior citizens. Adam and Emma are seen kissing in the park. Sam and Shira are in a relationship, but he wants his freedom and isn't pleased when she reveals that she’s already been seeing other men. Katie is having a baby and Emma is the delivering doctor. Guy lures a nervous-looking Sam into a hospital room. At last, Adam and Emma are shown peacefully sleeping together.",
" After first meeting at a summer camp as teenagers, Emma (Natalie Portman) and Adam (Ashton Kutcher) run into each other a few times as young adults but never keep in touch. Emma becomes a doctor in Los Angeles, Adam a production assistant for a musical television show. Adam's father Alvin (Kevin Kline), the well-known star of a former hit television comedy series, has begun a romance with Adam's ex-girlfriend, Vanessa (Ophelia Lovibond). Adam finds out, gets drunk and calls the women in his phone seeking a hookup. The next morning, he wakes on a sofa wearing nothing but a small towel. It turns out that he texted Emma and then came to the apartment she shares with some other residents—Patrice (Greta Gerwig), Shira (Mindy Kaling), and Guy (Guy Branum). Once there, he took off all his clothes and then passed out. Emma leads Adam to her bedroom to retrieve his missing pants and they end up having sex.\nThe two have sex again at Adam’s house and before she leaves Adam agrees to her proposal for a casual relationship (as she puts it, using each other for sex and nothing else). Adam warns Emma about falling in love with him, but she dismisses the idea and sets ground rules to keep what they’re doing from becoming too serious. At first things go well, but Adam becomes jealous when Sam (Ben Lawson)—another resident—seeks her attention. Adam brings Emma a gift (a mix CD) and she rebuffs him, saying they should stop for a while and hook up with other people. But after being apart for two weeks Emma returns to Adam and they continue being sex friends only.\nAdam's birthday comes along a few months later. He goes out for dinner with Alvin and Vanessa, who announce their plan to have a baby together. Emma berates the other couple while defending Adam. He persuades her to go out together on Valentine's Day. Things fall apart when she becomes too uncomfortable during the date. An angry Emma advises Adam that he should find someone else who won’t hurt him. Adam tells Emma that he loves her—something she's not at all receptive to hearing—they have a fight, ending their arrangement.\nSix weeks later, a script Adam wrote is being filmed. He gets a regular writing job on the show with the help of Lucy (Lake Bell), the show's assistant director, who is clearly attracted to Adam. Meanwhile, Emma is depressed over not being with Adam. The situation is compounded and complicated by her younger sister Katie's (Olivia Thirlby) wedding the next day and her widowed mother (Talia Balsam) arriving for the event with a male companion (Brian Dierker) of her own. Emma feels she is being strong for her mom by not letting herself get too close to anyone so she won't become upset by seeing Emma get hurt if a relationship ends poorly. Emma's mom tells her to stop.\nWhen Emma confesses that she can't stop thinking about Adam, Katie insists that she call him to put things right. A nervous Emma phones Adam and tells him that she misses him. He responds that they were never really together. Realizing that she needs to speak with him in person, Emma leaves Santa Barbara where the wedding is taking place and drives to Adam's house. Her plans are ruined – and she has to hide to avoid being seen—when he arrives home with Lucy. Emma assumes Adam has a new girlfriend and tearfully drives away. Vanessa calls Adam before he and Lucy can have sex—Alvin has overdosed on a cough syrup-based drink called \"Purple drank\". Meeting Adam outside the hospital, Vanessa says that she is ending her relationship with Alvin and leaves for a party. Adam goes in to visit Alvin who surprisingly gives him some tender advice about falling in love.\nShira tells Emma about Adam's dad being admitted to the hospital. As Adam leaves the building he calls Emma and tells her that she must be present if she is going to say that she misses him. Emma gets out of her car as the call ends and Adam is stunned to suddenly find her there. She tells Adam that she is sorry she hurt him and confesses that she really loves and cares about him and they reconcile. After eating breakfast together the next morning—something that never happened before—they arrive in Santa Barbara just before Katie's wedding is starting. As they enter a room and pause Emma asks Adam what will happen next, and with a smile on his lips he silently intertwines her hand with his—for the first time they are holding hands together as a couple.\nThe end credits show an epilogue in which Alvin and Lucy are in a relationship, and are in a restaurant waiting for Adam to arrive to tell him. Adam’s roommate (Jake Johnson) and Patrice are in a relationship and are shown meeting his two dads. Vanessa had told Adam that old people scare her and she is ridden with anxiety when she is trapped in an elevator full of senior citizens. Adam and Emma are seen kissing in the park. Sam and Shira are in a relationship, but he wants his freedom and isn't pleased when she reveals that she’s already been seeing other men. Katie is having a baby and Emma is the delivering doctor. Guy lures a nervous-looking Sam into a hospital room. At last, Adam and Emma are shown peacefully sleeping together.",
" After first meeting at a summer camp as teenagers, Emma (Natalie Portman) and Adam (Ashton Kutcher) run into each other a few times as young adults but never keep in touch. Emma becomes a doctor in Los Angeles, Adam a production assistant for a musical television show. Adam's father Alvin (Kevin Kline), the well-known star of a former hit television comedy series, has begun a romance with Adam's ex-girlfriend, Vanessa (Ophelia Lovibond). Adam finds out, gets drunk and calls the women in his phone seeking a hookup. The next morning, he wakes on a sofa wearing nothing but a small towel. It turns out that he texted Emma and then came to the apartment she shares with some other residents—Patrice (Greta Gerwig), Shira (Mindy Kaling), and Guy (Guy Branum). Once there, he took off all his clothes and then passed out. Emma leads Adam to her bedroom to retrieve his missing pants and they end up having sex.\nThe two have sex again at Adam’s house and before she leaves Adam agrees to her proposal for a casual relationship (as she puts it, using each other for sex and nothing else). Adam warns Emma about falling in love with him, but she dismisses the idea and sets ground rules to keep what they’re doing from becoming too serious. At first things go well, but Adam becomes jealous when Sam (Ben Lawson)—another resident—seeks her attention. Adam brings Emma a gift (a mix CD) and she rebuffs him, saying they should stop for a while and hook up with other people. But after being apart for two weeks Emma returns to Adam and they continue being sex friends only.\nAdam's birthday comes along a few months later. He goes out for dinner with Alvin and Vanessa, who announce their plan to have a baby together. Emma berates the other couple while defending Adam. He persuades her to go out together on Valentine's Day. Things fall apart when she becomes too uncomfortable during the date. An angry Emma advises Adam that he should find someone else who won’t hurt him. Adam tells Emma that he loves her—something she's not at all receptive to hearing—they have a fight, ending their arrangement.\nSix weeks later, a script Adam wrote is being filmed. He gets a regular writing job on the show with the help of Lucy (Lake Bell), the show's assistant director, who is clearly attracted to Adam. Meanwhile, Emma is depressed over not being with Adam. The situation is compounded and complicated by her younger sister Katie's (Olivia Thirlby) wedding the next day and her widowed mother (Talia Balsam) arriving for the event with a male companion (Brian Dierker) of her own. Emma feels she is being strong for her mom by not letting herself get too close to anyone so she won't become upset by seeing Emma get hurt if a relationship ends poorly. Emma's mom tells her to stop.\nWhen Emma confesses that she can't stop thinking about Adam, Katie insists that she call him to put things right. A nervous Emma phones Adam and tells him that she misses him. He responds that they were never really together. Realizing that she needs to speak with him in person, Emma leaves Santa Barbara where the wedding is taking place and drives to Adam's house. Her plans are ruined – and she has to hide to avoid being seen—when he arrives home with Lucy. Emma assumes Adam has a new girlfriend and tearfully drives away. Vanessa calls Adam before he and Lucy can have sex—Alvin has overdosed on a cough syrup-based drink called \"Purple drank\". Meeting Adam outside the hospital, Vanessa says that she is ending her relationship with Alvin and leaves for a party. Adam goes in to visit Alvin who surprisingly gives him some tender advice about falling in love.\nShira tells Emma about Adam's dad being admitted to the hospital. As Adam leaves the building he calls Emma and tells her that she must be present if she is going to say that she misses him. Emma gets out of her car as the call ends and Adam is stunned to suddenly find her there. She tells Adam that she is sorry she hurt him and confesses that she really loves and cares about him and they reconcile. After eating breakfast together the next morning—something that never happened before—they arrive in Santa Barbara just before Katie's wedding is starting. As they enter a room and pause Emma asks Adam what will happen next, and with a smile on his lips he silently intertwines her hand with his—for the first time they are holding hands together as a couple.\nThe end credits show an epilogue in which Alvin and Lucy are in a relationship, and are in a restaurant waiting for Adam to arrive to tell him. Adam’s roommate (Jake Johnson) and Patrice are in a relationship and are shown meeting his two dads. Vanessa had told Adam that old people scare her and she is ridden with anxiety when she is trapped in an elevator full of senior citizens. Adam and Emma are seen kissing in the park. Sam and Shira are in a relationship, but he wants his freedom and isn't pleased when she reveals that she’s already been seeing other men. Katie is having a baby and Emma is the delivering doctor. Guy lures a nervous-looking Sam into a hospital room. At last, Adam and Emma are shown peacefully sleeping together.",
" After first meeting at a summer camp as teenagers, Emma (Natalie Portman) and Adam (Ashton Kutcher) run into each other a few times as young adults but never keep in touch. Emma becomes a doctor in Los Angeles, Adam a production assistant for a musical television show. Adam's father Alvin (Kevin Kline), the well-known star of a former hit television comedy series, has begun a romance with Adam's ex-girlfriend, Vanessa (Ophelia Lovibond). Adam finds out, gets drunk and calls the women in his phone seeking a hookup. The next morning, he wakes on a sofa wearing nothing but a small towel. It turns out that he texted Emma and then came to the apartment she shares with some other residents—Patrice (Greta Gerwig), Shira (Mindy Kaling), and Guy (Guy Branum). Once there, he took off all his clothes and then passed out. Emma leads Adam to her bedroom to retrieve his missing pants and they end up having sex.\nThe two have sex again at Adam’s house and before she leaves Adam agrees to her proposal for a casual relationship (as she puts it, using each other for sex and nothing else). Adam warns Emma about falling in love with him, but she dismisses the idea and sets ground rules to keep what they’re doing from becoming too serious. At first things go well, but Adam becomes jealous when Sam (Ben Lawson)—another resident—seeks her attention. Adam brings Emma a gift (a mix CD) and she rebuffs him, saying they should stop for a while and hook up with other people. But after being apart for two weeks Emma returns to Adam and they continue being sex friends only.\nAdam's birthday comes along a few months later. He goes out for dinner with Alvin and Vanessa, who announce their plan to have a baby together. Emma berates the other couple while defending Adam. He persuades her to go out together on Valentine's Day. Things fall apart when she becomes too uncomfortable during the date. An angry Emma advises Adam that he should find someone else who won’t hurt him. Adam tells Emma that he loves her—something she's not at all receptive to hearing—they have a fight, ending their arrangement.\nSix weeks later, a script Adam wrote is being filmed. He gets a regular writing job on the show with the help of Lucy (Lake Bell), the show's assistant director, who is clearly attracted to Adam. Meanwhile, Emma is depressed over not being with Adam. The situation is compounded and complicated by her younger sister Katie's (Olivia Thirlby) wedding the next day and her widowed mother (Talia Balsam) arriving for the event with a male companion (Brian Dierker) of her own. Emma feels she is being strong for her mom by not letting herself get too close to anyone so she won't become upset by seeing Emma get hurt if a relationship ends poorly. Emma's mom tells her to stop.\nWhen Emma confesses that she can't stop thinking about Adam, Katie insists that she call him to put things right. A nervous Emma phones Adam and tells him that she misses him. He responds that they were never really together. Realizing that she needs to speak with him in person, Emma leaves Santa Barbara where the wedding is taking place and drives to Adam's house. Her plans are ruined – and she has to hide to avoid being seen—when he arrives home with Lucy. Emma assumes Adam has a new girlfriend and tearfully drives away. Vanessa calls Adam before he and Lucy can have sex—Alvin has overdosed on a cough syrup-based drink called \"Purple drank\". Meeting Adam outside the hospital, Vanessa says that she is ending her relationship with Alvin and leaves for a party. Adam goes in to visit Alvin who surprisingly gives him some tender advice about falling in love.\nShira tells Emma about Adam's dad being admitted to the hospital. As Adam leaves the building he calls Emma and tells her that she must be present if she is going to say that she misses him. Emma gets out of her car as the call ends and Adam is stunned to suddenly find her there. She tells Adam that she is sorry she hurt him and confesses that she really loves and cares about him and they reconcile. After eating breakfast together the next morning—something that never happened before—they arrive in Santa Barbara just before Katie's wedding is starting. As they enter a room and pause Emma asks Adam what will happen next, and with a smile on his lips he silently intertwines her hand with his—for the first time they are holding hands together as a couple.\nThe end credits show an epilogue in which Alvin and Lucy are in a relationship, and are in a restaurant waiting for Adam to arrive to tell him. Adam’s roommate (Jake Johnson) and Patrice are in a relationship and are shown meeting his two dads. Vanessa had told Adam that old people scare her and she is ridden with anxiety when she is trapped in an elevator full of senior citizens. Adam and Emma are seen kissing in the park. Sam and Shira are in a relationship, but he wants his freedom and isn't pleased when she reveals that she’s already been seeing other men. Katie is having a baby and Emma is the delivering doctor. Guy lures a nervous-looking Sam into a hospital room. At last, Adam and Emma are shown peacefully sleeping together.",
" After first meeting at a summer camp as teenagers, Emma (Natalie Portman) and Adam (Ashton Kutcher) run into each other a few times as young adults but never keep in touch. Emma becomes a doctor in Los Angeles, Adam a production assistant for a musical television show. Adam's father Alvin (Kevin Kline), the well-known star of a former hit television comedy series, has begun a romance with Adam's ex-girlfriend, Vanessa (Ophelia Lovibond). Adam finds out, gets drunk and calls the women in his phone seeking a hookup. The next morning, he wakes on a sofa wearing nothing but a small towel. It turns out that he texted Emma and then came to the apartment she shares with some other residents—Patrice (Greta Gerwig), Shira (Mindy Kaling), and Guy (Guy Branum). Once there, he took off all his clothes and then passed out. Emma leads Adam to her bedroom to retrieve his missing pants and they end up having sex.\nThe two have sex again at Adam’s house and before she leaves Adam agrees to her proposal for a casual relationship (as she puts it, using each other for sex and nothing else). Adam warns Emma about falling in love with him, but she dismisses the idea and sets ground rules to keep what they’re doing from becoming too serious. At first things go well, but Adam becomes jealous when Sam (Ben Lawson)—another resident—seeks her attention. Adam brings Emma a gift (a mix CD) and she rebuffs him, saying they should stop for a while and hook up with other people. But after being apart for two weeks Emma returns to Adam and they continue being sex friends only.\nAdam's birthday comes along a few months later. He goes out for dinner with Alvin and Vanessa, who announce their plan to have a baby together. Emma berates the other couple while defending Adam. He persuades her to go out together on Valentine's Day. Things fall apart when she becomes too uncomfortable during the date. An angry Emma advises Adam that he should find someone else who won’t hurt him. Adam tells Emma that he loves her—something she's not at all receptive to hearing—they have a fight, ending their arrangement.\nSix weeks later, a script Adam wrote is being filmed. He gets a regular writing job on the show with the help of Lucy (Lake Bell), the show's assistant director, who is clearly attracted to Adam. Meanwhile, Emma is depressed over not being with Adam. The situation is compounded and complicated by her younger sister Katie's (Olivia Thirlby) wedding the next day and her widowed mother (Talia Balsam) arriving for the event with a male companion (Brian Dierker) of her own. Emma feels she is being strong for her mom by not letting herself get too close to anyone so she won't become upset by seeing Emma get hurt if a relationship ends poorly. Emma's mom tells her to stop.\nWhen Emma confesses that she can't stop thinking about Adam, Katie insists that she call him to put things right. A nervous Emma phones Adam and tells him that she misses him. He responds that they were never really together. Realizing that she needs to speak with him in person, Emma leaves Santa Barbara where the wedding is taking place and drives to Adam's house. Her plans are ruined – and she has to hide to avoid being seen—when he arrives home with Lucy. Emma assumes Adam has a new girlfriend and tearfully drives away. Vanessa calls Adam before he and Lucy can have sex—Alvin has overdosed on a cough syrup-based drink called \"Purple drank\". Meeting Adam outside the hospital, Vanessa says that she is ending her relationship with Alvin and leaves for a party. Adam goes in to visit Alvin who surprisingly gives him some tender advice about falling in love.\nShira tells Emma about Adam's dad being admitted to the hospital. As Adam leaves the building he calls Emma and tells her that she must be present if she is going to say that she misses him. Emma gets out of her car as the call ends and Adam is stunned to suddenly find her there. She tells Adam that she is sorry she hurt him and confesses that she really loves and cares about him and they reconcile. After eating breakfast together the next morning—something that never happened before—they arrive in Santa Barbara just before Katie's wedding is starting. As they enter a room and pause Emma asks Adam what will happen next, and with a smile on his lips he silently intertwines her hand with his—for the first time they are holding hands together as a couple.\nThe end credits show an epilogue in which Alvin and Lucy are in a relationship, and are in a restaurant waiting for Adam to arrive to tell him. Adam’s roommate (Jake Johnson) and Patrice are in a relationship and are shown meeting his two dads. Vanessa had told Adam that old people scare her and she is ridden with anxiety when she is trapped in an elevator full of senior citizens. Adam and Emma are seen kissing in the park. Sam and Shira are in a relationship, but he wants his freedom and isn't pleased when she reveals that she’s already been seeing other men. Katie is having a baby and Emma is the delivering doctor. Guy lures a nervous-looking Sam into a hospital room. At last, Adam and Emma are shown peacefully sleeping together.",
" After first meeting at a summer camp as teenagers, Emma (Natalie Portman) and Adam (Ashton Kutcher) run into each other a few times as young adults but never keep in touch. Emma becomes a doctor in Los Angeles, Adam a production assistant for a musical television show. Adam's father Alvin (Kevin Kline), the well-known star of a former hit television comedy series, has begun a romance with Adam's ex-girlfriend, Vanessa (Ophelia Lovibond). Adam finds out, gets drunk and calls the women in his phone seeking a hookup. The next morning, he wakes on a sofa wearing nothing but a small towel. It turns out that he texted Emma and then came to the apartment she shares with some other residents—Patrice (Greta Gerwig), Shira (Mindy Kaling), and Guy (Guy Branum). Once there, he took off all his clothes and then passed out. Emma leads Adam to her bedroom to retrieve his missing pants and they end up having sex.\nThe two have sex again at Adam’s house and before she leaves Adam agrees to her proposal for a casual relationship (as she puts it, using each other for sex and nothing else). Adam warns Emma about falling in love with him, but she dismisses the idea and sets ground rules to keep what they’re doing from becoming too serious. At first things go well, but Adam becomes jealous when Sam (Ben Lawson)—another resident—seeks her attention. Adam brings Emma a gift (a mix CD) and she rebuffs him, saying they should stop for a while and hook up with other people. But after being apart for two weeks Emma returns to Adam and they continue being sex friends only.\nAdam's birthday comes along a few months later. He goes out for dinner with Alvin and Vanessa, who announce their plan to have a baby together. Emma berates the other couple while defending Adam. He persuades her to go out together on Valentine's Day. Things fall apart when she becomes too uncomfortable during the date. An angry Emma advises Adam that he should find someone else who won’t hurt him. Adam tells Emma that he loves her—something she's not at all receptive to hearing—they have a fight, ending their arrangement.\nSix weeks later, a script Adam wrote is being filmed. He gets a regular writing job on the show with the help of Lucy (Lake Bell), the show's assistant director, who is clearly attracted to Adam. Meanwhile, Emma is depressed over not being with Adam. The situation is compounded and complicated by her younger sister Katie's (Olivia Thirlby) wedding the next day and her widowed mother (Talia Balsam) arriving for the event with a male companion (Brian Dierker) of her own. Emma feels she is being strong for her mom by not letting herself get too close to anyone so she won't become upset by seeing Emma get hurt if a relationship ends poorly. Emma's mom tells her to stop.\nWhen Emma confesses that she can't stop thinking about Adam, Katie insists that she call him to put things right. A nervous Emma phones Adam and tells him that she misses him. He responds that they were never really together. Realizing that she needs to speak with him in person, Emma leaves Santa Barbara where the wedding is taking place and drives to Adam's house. Her plans are ruined – and she has to hide to avoid being seen—when he arrives home with Lucy. Emma assumes Adam has a new girlfriend and tearfully drives away. Vanessa calls Adam before he and Lucy can have sex—Alvin has overdosed on a cough syrup-based drink called \"Purple drank\". Meeting Adam outside the hospital, Vanessa says that she is ending her relationship with Alvin and leaves for a party. Adam goes in to visit Alvin who surprisingly gives him some tender advice about falling in love.\nShira tells Emma about Adam's dad being admitted to the hospital. As Adam leaves the building he calls Emma and tells her that she must be present if she is going to say that she misses him. Emma gets out of her car as the call ends and Adam is stunned to suddenly find her there. She tells Adam that she is sorry she hurt him and confesses that she really loves and cares about him and they reconcile. After eating breakfast together the next morning—something that never happened before—they arrive in Santa Barbara just before Katie's wedding is starting. As they enter a room and pause Emma asks Adam what will happen next, and with a smile on his lips he silently intertwines her hand with his—for the first time they are holding hands together as a couple.\nThe end credits show an epilogue in which Alvin and Lucy are in a relationship, and are in a restaurant waiting for Adam to arrive to tell him. Adam’s roommate (Jake Johnson) and Patrice are in a relationship and are shown meeting his two dads. Vanessa had told Adam that old people scare her and she is ridden with anxiety when she is trapped in an elevator full of senior citizens. Adam and Emma are seen kissing in the park. Sam and Shira are in a relationship, but he wants his freedom and isn't pleased when she reveals that she’s already been seeing other men. Katie is having a baby and Emma is the delivering doctor. Guy lures a nervous-looking Sam into a hospital room. At last, Adam and Emma are shown peacefully sleeping together."
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After first meeting at a summer camp as teenagers, Emma (Natalie Portman) and Adam (Ashton Kutcher) run into each other a few times as young adults but never keep in touch. Emma becomes a doctor in Los Angeles, Adam a production assistant for a musical television show. Adam's father Alvin (Kevin Kline), the well-known star of a former hit television comedy series, has begun a romance with Adam's ex-girlfriend, Vanessa (Ophelia Lovibond). Adam finds out, gets drunk and calls the women in his phone seeking a hookup. The next morning, he wakes on a sofa wearing nothing but a small towel. It turns out that he texted Emma and then came to the apartment she shares with some other residents—Patrice (Greta Gerwig), Shira (Mindy Kaling), and Guy (Guy Branum). Once there, he took off all his clothes and then passed out. Emma leads Adam to her bedroom to retrieve his missing pants and they end up having sex.
The two have sex again at Adam’s house and before she leaves Adam agrees to her proposal for a casual relationship (as she puts it, using each other for sex and nothing else). Adam warns Emma about falling in love with him, but she dismisses the idea and sets ground rules to keep what they’re doing from becoming too serious. At first things go well, but Adam becomes jealous when Sam (Ben Lawson)—another resident—seeks her attention. Adam brings Emma a gift (a mix CD) and she rebuffs him, saying they should stop for a while and hook up with other people. But after being apart for two weeks Emma returns to Adam and they continue being sex friends only.
Adam's birthday comes along a few months later. He goes out for dinner with Alvin and Vanessa, who announce their plan to have a baby together. Emma berates the other couple while defending Adam. He persuades her to go out together on Valentine's Day. Things fall apart when she becomes too uncomfortable during the date. An angry Emma advises Adam that he should find someone else who won’t hurt him. Adam tells Emma that he loves her—something she's not at all receptive to hearing—they have a fight, ending their arrangement.
Six weeks later, a script Adam wrote is being filmed. He gets a regular writing job on the show with the help of Lucy (Lake Bell), the show's assistant director, who is clearly attracted to Adam. Meanwhile, Emma is depressed over not being with Adam. The situation is compounded and complicated by her younger sister Katie's (Olivia Thirlby) wedding the next day and her widowed mother (Talia Balsam) arriving for the event with a male companion (Brian Dierker) of her own. Emma feels she is being strong for her mom by not letting herself get too close to anyone so she won't become upset by seeing Emma get hurt if a relationship ends poorly. Emma's mom tells her to stop.
When Emma confesses that she can't stop thinking about Adam, Katie insists that she call him to put things right. A nervous Emma phones Adam and tells him that she misses him. He responds that they were never really together. Realizing that she needs to speak with him in person, Emma leaves Santa Barbara where the wedding is taking place and drives to Adam's house. Her plans are ruined – and she has to hide to avoid being seen—when he arrives home with Lucy. Emma assumes Adam has a new girlfriend and tearfully drives away. Vanessa calls Adam before he and Lucy can have sex—Alvin has overdosed on a cough syrup-based drink called "Purple drank". Meeting Adam outside the hospital, Vanessa says that she is ending her relationship with Alvin and leaves for a party. Adam goes in to visit Alvin who surprisingly gives him some tender advice about falling in love.
Shira tells Emma about Adam's dad being admitted to the hospital. As Adam leaves the building he calls Emma and tells her that she must be present if she is going to say that she misses him. Emma gets out of her car as the call ends and Adam is stunned to suddenly find her there. She tells Adam that she is sorry she hurt him and confesses that she really loves and cares about him and they reconcile. After eating breakfast together the next morning—something that never happened before—they arrive in Santa Barbara just before Katie's wedding is starting. As they enter a room and pause Emma asks Adam what will happen next, and with a smile on his lips he silently intertwines her hand with his—for the first time they are holding hands together as a couple.
The end credits show an epilogue in which Alvin and Lucy are in a relationship, and are in a restaurant waiting for Adam to arrive to tell him. Adam’s roommate (Jake Johnson) and Patrice are in a relationship and are shown meeting his two dads. Vanessa had told Adam that old people scare her and she is ridden with anxiety when she is trapped in an elevator full of senior citizens. Adam and Emma are seen kissing in the park. Sam and Shira are in a relationship, but he wants his freedom and isn't pleased when she reveals that she’s already been seeing other men. Katie is having a baby and Emma is the delivering doctor. Guy lures a nervous-looking Sam into a hospital room. At last, Adam and Emma are shown peacefully sleeping together.
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"content": "Where is the wedding located?",
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" After first meeting at a summer camp as teenagers, Emma (Natalie Portman) and Adam (Ashton Kutcher) run into each other a few times as young adults but never keep in touch. Emma becomes a doctor in Los Angeles, Adam a production assistant for a musical television show. Adam's father Alvin (Kevin Kline), the well-known star of a former hit television comedy series, has begun a romance with Adam's ex-girlfriend, Vanessa (Ophelia Lovibond). Adam finds out, gets drunk and calls the women in his phone seeking a hookup. The next morning, he wakes on a sofa wearing nothing but a small towel. It turns out that he texted Emma and then came to the apartment she shares with some other residents—Patrice (Greta Gerwig), Shira (Mindy Kaling), and Guy (Guy Branum). Once there, he took off all his clothes and then passed out. Emma leads Adam to her bedroom to retrieve his missing pants and they end up having sex.\nThe two have sex again at Adam’s house and before she leaves Adam agrees to her proposal for a casual relationship (as she puts it, using each other for sex and nothing else). Adam warns Emma about falling in love with him, but she dismisses the idea and sets ground rules to keep what they’re doing from becoming too serious. At first things go well, but Adam becomes jealous when Sam (Ben Lawson)—another resident—seeks her attention. Adam brings Emma a gift (a mix CD) and she rebuffs him, saying they should stop for a while and hook up with other people. But after being apart for two weeks Emma returns to Adam and they continue being sex friends only.\nAdam's birthday comes along a few months later. He goes out for dinner with Alvin and Vanessa, who announce their plan to have a baby together. Emma berates the other couple while defending Adam. He persuades her to go out together on Valentine's Day. Things fall apart when she becomes too uncomfortable during the date. An angry Emma advises Adam that he should find someone else who won’t hurt him. Adam tells Emma that he loves her—something she's not at all receptive to hearing—they have a fight, ending their arrangement.\nSix weeks later, a script Adam wrote is being filmed. He gets a regular writing job on the show with the help of Lucy (Lake Bell), the show's assistant director, who is clearly attracted to Adam. Meanwhile, Emma is depressed over not being with Adam. The situation is compounded and complicated by her younger sister Katie's (Olivia Thirlby) wedding the next day and her widowed mother (Talia Balsam) arriving for the event with a male companion (Brian Dierker) of her own. Emma feels she is being strong for her mom by not letting herself get too close to anyone so she won't become upset by seeing Emma get hurt if a relationship ends poorly. Emma's mom tells her to stop.\nWhen Emma confesses that she can't stop thinking about Adam, Katie insists that she call him to put things right. A nervous Emma phones Adam and tells him that she misses him. He responds that they were never really together. Realizing that she needs to speak with him in person, Emma leaves Santa Barbara where the wedding is taking place and drives to Adam's house. Her plans are ruined – and she has to hide to avoid being seen—when he arrives home with Lucy. Emma assumes Adam has a new girlfriend and tearfully drives away. Vanessa calls Adam before he and Lucy can have sex—Alvin has overdosed on a cough syrup-based drink called \"Purple drank\". Meeting Adam outside the hospital, Vanessa says that she is ending her relationship with Alvin and leaves for a party. Adam goes in to visit Alvin who surprisingly gives him some tender advice about falling in love.\nShira tells Emma about Adam's dad being admitted to the hospital. As Adam leaves the building he calls Emma and tells her that she must be present if she is going to say that she misses him. Emma gets out of her car as the call ends and Adam is stunned to suddenly find her there. She tells Adam that she is sorry she hurt him and confesses that she really loves and cares about him and they reconcile. After eating breakfast together the next morning—something that never happened before—they arrive in Santa Barbara just before Katie's wedding is starting. As they enter a room and pause Emma asks Adam what will happen next, and with a smile on his lips he silently intertwines her hand with his—for the first time they are holding hands together as a couple.\nThe end credits show an epilogue in which Alvin and Lucy are in a relationship, and are in a restaurant waiting for Adam to arrive to tell him. Adam’s roommate (Jake Johnson) and Patrice are in a relationship and are shown meeting his two dads. Vanessa had told Adam that old people scare her and she is ridden with anxiety when she is trapped in an elevator full of senior citizens. Adam and Emma are seen kissing in the park. Sam and Shira are in a relationship, but he wants his freedom and isn't pleased when she reveals that she’s already been seeing other men. Katie is having a baby and Emma is the delivering doctor. Guy lures a nervous-looking Sam into a hospital room. At last, Adam and Emma are shown peacefully sleeping together.",
" After first meeting at a summer camp as teenagers, Emma (Natalie Portman) and Adam (Ashton Kutcher) run into each other a few times as young adults but never keep in touch. Emma becomes a doctor in Los Angeles, Adam a production assistant for a musical television show. Adam's father Alvin (Kevin Kline), the well-known star of a former hit television comedy series, has begun a romance with Adam's ex-girlfriend, Vanessa (Ophelia Lovibond). Adam finds out, gets drunk and calls the women in his phone seeking a hookup. The next morning, he wakes on a sofa wearing nothing but a small towel. It turns out that he texted Emma and then came to the apartment she shares with some other residents—Patrice (Greta Gerwig), Shira (Mindy Kaling), and Guy (Guy Branum). Once there, he took off all his clothes and then passed out. Emma leads Adam to her bedroom to retrieve his missing pants and they end up having sex.\nThe two have sex again at Adam’s house and before she leaves Adam agrees to her proposal for a casual relationship (as she puts it, using each other for sex and nothing else). Adam warns Emma about falling in love with him, but she dismisses the idea and sets ground rules to keep what they’re doing from becoming too serious. At first things go well, but Adam becomes jealous when Sam (Ben Lawson)—another resident—seeks her attention. Adam brings Emma a gift (a mix CD) and she rebuffs him, saying they should stop for a while and hook up with other people. But after being apart for two weeks Emma returns to Adam and they continue being sex friends only.\nAdam's birthday comes along a few months later. He goes out for dinner with Alvin and Vanessa, who announce their plan to have a baby together. Emma berates the other couple while defending Adam. He persuades her to go out together on Valentine's Day. Things fall apart when she becomes too uncomfortable during the date. An angry Emma advises Adam that he should find someone else who won’t hurt him. Adam tells Emma that he loves her—something she's not at all receptive to hearing—they have a fight, ending their arrangement.\nSix weeks later, a script Adam wrote is being filmed. He gets a regular writing job on the show with the help of Lucy (Lake Bell), the show's assistant director, who is clearly attracted to Adam. Meanwhile, Emma is depressed over not being with Adam. The situation is compounded and complicated by her younger sister Katie's (Olivia Thirlby) wedding the next day and her widowed mother (Talia Balsam) arriving for the event with a male companion (Brian Dierker) of her own. Emma feels she is being strong for her mom by not letting herself get too close to anyone so she won't become upset by seeing Emma get hurt if a relationship ends poorly. Emma's mom tells her to stop.\nWhen Emma confesses that she can't stop thinking about Adam, Katie insists that she call him to put things right. A nervous Emma phones Adam and tells him that she misses him. He responds that they were never really together. Realizing that she needs to speak with him in person, Emma leaves Santa Barbara where the wedding is taking place and drives to Adam's house. Her plans are ruined – and she has to hide to avoid being seen—when he arrives home with Lucy. Emma assumes Adam has a new girlfriend and tearfully drives away. Vanessa calls Adam before he and Lucy can have sex—Alvin has overdosed on a cough syrup-based drink called \"Purple drank\". Meeting Adam outside the hospital, Vanessa says that she is ending her relationship with Alvin and leaves for a party. Adam goes in to visit Alvin who surprisingly gives him some tender advice about falling in love.\nShira tells Emma about Adam's dad being admitted to the hospital. As Adam leaves the building he calls Emma and tells her that she must be present if she is going to say that she misses him. Emma gets out of her car as the call ends and Adam is stunned to suddenly find her there. She tells Adam that she is sorry she hurt him and confesses that she really loves and cares about him and they reconcile. After eating breakfast together the next morning—something that never happened before—they arrive in Santa Barbara just before Katie's wedding is starting. As they enter a room and pause Emma asks Adam what will happen next, and with a smile on his lips he silently intertwines her hand with his—for the first time they are holding hands together as a couple.\nThe end credits show an epilogue in which Alvin and Lucy are in a relationship, and are in a restaurant waiting for Adam to arrive to tell him. Adam’s roommate (Jake Johnson) and Patrice are in a relationship and are shown meeting his two dads. Vanessa had told Adam that old people scare her and she is ridden with anxiety when she is trapped in an elevator full of senior citizens. Adam and Emma are seen kissing in the park. Sam and Shira are in a relationship, but he wants his freedom and isn't pleased when she reveals that she’s already been seeing other men. Katie is having a baby and Emma is the delivering doctor. Guy lures a nervous-looking Sam into a hospital room. At last, Adam and Emma are shown peacefully sleeping together.",
" After first meeting at a summer camp as teenagers, Emma (Natalie Portman) and Adam (Ashton Kutcher) run into each other a few times as young adults but never keep in touch. Emma becomes a doctor in Los Angeles, Adam a production assistant for a musical television show. Adam's father Alvin (Kevin Kline), the well-known star of a former hit television comedy series, has begun a romance with Adam's ex-girlfriend, Vanessa (Ophelia Lovibond). Adam finds out, gets drunk and calls the women in his phone seeking a hookup. The next morning, he wakes on a sofa wearing nothing but a small towel. It turns out that he texted Emma and then came to the apartment she shares with some other residents—Patrice (Greta Gerwig), Shira (Mindy Kaling), and Guy (Guy Branum). Once there, he took off all his clothes and then passed out. Emma leads Adam to her bedroom to retrieve his missing pants and they end up having sex.\nThe two have sex again at Adam’s house and before she leaves Adam agrees to her proposal for a casual relationship (as she puts it, using each other for sex and nothing else). Adam warns Emma about falling in love with him, but she dismisses the idea and sets ground rules to keep what they’re doing from becoming too serious. At first things go well, but Adam becomes jealous when Sam (Ben Lawson)—another resident—seeks her attention. Adam brings Emma a gift (a mix CD) and she rebuffs him, saying they should stop for a while and hook up with other people. But after being apart for two weeks Emma returns to Adam and they continue being sex friends only.\nAdam's birthday comes along a few months later. He goes out for dinner with Alvin and Vanessa, who announce their plan to have a baby together. Emma berates the other couple while defending Adam. He persuades her to go out together on Valentine's Day. Things fall apart when she becomes too uncomfortable during the date. An angry Emma advises Adam that he should find someone else who won’t hurt him. Adam tells Emma that he loves her—something she's not at all receptive to hearing—they have a fight, ending their arrangement.\nSix weeks later, a script Adam wrote is being filmed. He gets a regular writing job on the show with the help of Lucy (Lake Bell), the show's assistant director, who is clearly attracted to Adam. Meanwhile, Emma is depressed over not being with Adam. The situation is compounded and complicated by her younger sister Katie's (Olivia Thirlby) wedding the next day and her widowed mother (Talia Balsam) arriving for the event with a male companion (Brian Dierker) of her own. Emma feels she is being strong for her mom by not letting herself get too close to anyone so she won't become upset by seeing Emma get hurt if a relationship ends poorly. Emma's mom tells her to stop.\nWhen Emma confesses that she can't stop thinking about Adam, Katie insists that she call him to put things right. A nervous Emma phones Adam and tells him that she misses him. He responds that they were never really together. Realizing that she needs to speak with him in person, Emma leaves Santa Barbara where the wedding is taking place and drives to Adam's house. Her plans are ruined – and she has to hide to avoid being seen—when he arrives home with Lucy. Emma assumes Adam has a new girlfriend and tearfully drives away. Vanessa calls Adam before he and Lucy can have sex—Alvin has overdosed on a cough syrup-based drink called \"Purple drank\". Meeting Adam outside the hospital, Vanessa says that she is ending her relationship with Alvin and leaves for a party. Adam goes in to visit Alvin who surprisingly gives him some tender advice about falling in love.\nShira tells Emma about Adam's dad being admitted to the hospital. As Adam leaves the building he calls Emma and tells her that she must be present if she is going to say that she misses him. Emma gets out of her car as the call ends and Adam is stunned to suddenly find her there. She tells Adam that she is sorry she hurt him and confesses that she really loves and cares about him and they reconcile. After eating breakfast together the next morning—something that never happened before—they arrive in Santa Barbara just before Katie's wedding is starting. As they enter a room and pause Emma asks Adam what will happen next, and with a smile on his lips he silently intertwines her hand with his—for the first time they are holding hands together as a couple.\nThe end credits show an epilogue in which Alvin and Lucy are in a relationship, and are in a restaurant waiting for Adam to arrive to tell him. Adam’s roommate (Jake Johnson) and Patrice are in a relationship and are shown meeting his two dads. Vanessa had told Adam that old people scare her and she is ridden with anxiety when she is trapped in an elevator full of senior citizens. Adam and Emma are seen kissing in the park. Sam and Shira are in a relationship, but he wants his freedom and isn't pleased when she reveals that she’s already been seeing other men. Katie is having a baby and Emma is the delivering doctor. Guy lures a nervous-looking Sam into a hospital room. At last, Adam and Emma are shown peacefully sleeping together.",
" After first meeting at a summer camp as teenagers, Emma (Natalie Portman) and Adam (Ashton Kutcher) run into each other a few times as young adults but never keep in touch. Emma becomes a doctor in Los Angeles, Adam a production assistant for a musical television show. Adam's father Alvin (Kevin Kline), the well-known star of a former hit television comedy series, has begun a romance with Adam's ex-girlfriend, Vanessa (Ophelia Lovibond). Adam finds out, gets drunk and calls the women in his phone seeking a hookup. The next morning, he wakes on a sofa wearing nothing but a small towel. It turns out that he texted Emma and then came to the apartment she shares with some other residents—Patrice (Greta Gerwig), Shira (Mindy Kaling), and Guy (Guy Branum). Once there, he took off all his clothes and then passed out. Emma leads Adam to her bedroom to retrieve his missing pants and they end up having sex.\nThe two have sex again at Adam’s house and before she leaves Adam agrees to her proposal for a casual relationship (as she puts it, using each other for sex and nothing else). Adam warns Emma about falling in love with him, but she dismisses the idea and sets ground rules to keep what they’re doing from becoming too serious. At first things go well, but Adam becomes jealous when Sam (Ben Lawson)—another resident—seeks her attention. Adam brings Emma a gift (a mix CD) and she rebuffs him, saying they should stop for a while and hook up with other people. But after being apart for two weeks Emma returns to Adam and they continue being sex friends only.\nAdam's birthday comes along a few months later. He goes out for dinner with Alvin and Vanessa, who announce their plan to have a baby together. Emma berates the other couple while defending Adam. He persuades her to go out together on Valentine's Day. Things fall apart when she becomes too uncomfortable during the date. An angry Emma advises Adam that he should find someone else who won’t hurt him. Adam tells Emma that he loves her—something she's not at all receptive to hearing—they have a fight, ending their arrangement.\nSix weeks later, a script Adam wrote is being filmed. He gets a regular writing job on the show with the help of Lucy (Lake Bell), the show's assistant director, who is clearly attracted to Adam. Meanwhile, Emma is depressed over not being with Adam. The situation is compounded and complicated by her younger sister Katie's (Olivia Thirlby) wedding the next day and her widowed mother (Talia Balsam) arriving for the event with a male companion (Brian Dierker) of her own. Emma feels she is being strong for her mom by not letting herself get too close to anyone so she won't become upset by seeing Emma get hurt if a relationship ends poorly. Emma's mom tells her to stop.\nWhen Emma confesses that she can't stop thinking about Adam, Katie insists that she call him to put things right. A nervous Emma phones Adam and tells him that she misses him. He responds that they were never really together. Realizing that she needs to speak with him in person, Emma leaves Santa Barbara where the wedding is taking place and drives to Adam's house. Her plans are ruined – and she has to hide to avoid being seen—when he arrives home with Lucy. Emma assumes Adam has a new girlfriend and tearfully drives away. Vanessa calls Adam before he and Lucy can have sex—Alvin has overdosed on a cough syrup-based drink called \"Purple drank\". Meeting Adam outside the hospital, Vanessa says that she is ending her relationship with Alvin and leaves for a party. Adam goes in to visit Alvin who surprisingly gives him some tender advice about falling in love.\nShira tells Emma about Adam's dad being admitted to the hospital. As Adam leaves the building he calls Emma and tells her that she must be present if she is going to say that she misses him. Emma gets out of her car as the call ends and Adam is stunned to suddenly find her there. She tells Adam that she is sorry she hurt him and confesses that she really loves and cares about him and they reconcile. After eating breakfast together the next morning—something that never happened before—they arrive in Santa Barbara just before Katie's wedding is starting. As they enter a room and pause Emma asks Adam what will happen next, and with a smile on his lips he silently intertwines her hand with his—for the first time they are holding hands together as a couple.\nThe end credits show an epilogue in which Alvin and Lucy are in a relationship, and are in a restaurant waiting for Adam to arrive to tell him. Adam’s roommate (Jake Johnson) and Patrice are in a relationship and are shown meeting his two dads. Vanessa had told Adam that old people scare her and she is ridden with anxiety when she is trapped in an elevator full of senior citizens. Adam and Emma are seen kissing in the park. Sam and Shira are in a relationship, but he wants his freedom and isn't pleased when she reveals that she’s already been seeing other men. Katie is having a baby and Emma is the delivering doctor. Guy lures a nervous-looking Sam into a hospital room. At last, Adam and Emma are shown peacefully sleeping together.",
" After first meeting at a summer camp as teenagers, Emma (Natalie Portman) and Adam (Ashton Kutcher) run into each other a few times as young adults but never keep in touch. Emma becomes a doctor in Los Angeles, Adam a production assistant for a musical television show. Adam's father Alvin (Kevin Kline), the well-known star of a former hit television comedy series, has begun a romance with Adam's ex-girlfriend, Vanessa (Ophelia Lovibond). Adam finds out, gets drunk and calls the women in his phone seeking a hookup. The next morning, he wakes on a sofa wearing nothing but a small towel. It turns out that he texted Emma and then came to the apartment she shares with some other residents—Patrice (Greta Gerwig), Shira (Mindy Kaling), and Guy (Guy Branum). Once there, he took off all his clothes and then passed out. Emma leads Adam to her bedroom to retrieve his missing pants and they end up having sex.\nThe two have sex again at Adam’s house and before she leaves Adam agrees to her proposal for a casual relationship (as she puts it, using each other for sex and nothing else). Adam warns Emma about falling in love with him, but she dismisses the idea and sets ground rules to keep what they’re doing from becoming too serious. At first things go well, but Adam becomes jealous when Sam (Ben Lawson)—another resident—seeks her attention. Adam brings Emma a gift (a mix CD) and she rebuffs him, saying they should stop for a while and hook up with other people. But after being apart for two weeks Emma returns to Adam and they continue being sex friends only.\nAdam's birthday comes along a few months later. He goes out for dinner with Alvin and Vanessa, who announce their plan to have a baby together. Emma berates the other couple while defending Adam. He persuades her to go out together on Valentine's Day. Things fall apart when she becomes too uncomfortable during the date. An angry Emma advises Adam that he should find someone else who won’t hurt him. Adam tells Emma that he loves her—something she's not at all receptive to hearing—they have a fight, ending their arrangement.\nSix weeks later, a script Adam wrote is being filmed. He gets a regular writing job on the show with the help of Lucy (Lake Bell), the show's assistant director, who is clearly attracted to Adam. Meanwhile, Emma is depressed over not being with Adam. The situation is compounded and complicated by her younger sister Katie's (Olivia Thirlby) wedding the next day and her widowed mother (Talia Balsam) arriving for the event with a male companion (Brian Dierker) of her own. Emma feels she is being strong for her mom by not letting herself get too close to anyone so she won't become upset by seeing Emma get hurt if a relationship ends poorly. Emma's mom tells her to stop.\nWhen Emma confesses that she can't stop thinking about Adam, Katie insists that she call him to put things right. A nervous Emma phones Adam and tells him that she misses him. He responds that they were never really together. Realizing that she needs to speak with him in person, Emma leaves Santa Barbara where the wedding is taking place and drives to Adam's house. Her plans are ruined – and she has to hide to avoid being seen—when he arrives home with Lucy. Emma assumes Adam has a new girlfriend and tearfully drives away. Vanessa calls Adam before he and Lucy can have sex—Alvin has overdosed on a cough syrup-based drink called \"Purple drank\". Meeting Adam outside the hospital, Vanessa says that she is ending her relationship with Alvin and leaves for a party. Adam goes in to visit Alvin who surprisingly gives him some tender advice about falling in love.\nShira tells Emma about Adam's dad being admitted to the hospital. As Adam leaves the building he calls Emma and tells her that she must be present if she is going to say that she misses him. Emma gets out of her car as the call ends and Adam is stunned to suddenly find her there. She tells Adam that she is sorry she hurt him and confesses that she really loves and cares about him and they reconcile. After eating breakfast together the next morning—something that never happened before—they arrive in Santa Barbara just before Katie's wedding is starting. As they enter a room and pause Emma asks Adam what will happen next, and with a smile on his lips he silently intertwines her hand with his—for the first time they are holding hands together as a couple.\nThe end credits show an epilogue in which Alvin and Lucy are in a relationship, and are in a restaurant waiting for Adam to arrive to tell him. Adam’s roommate (Jake Johnson) and Patrice are in a relationship and are shown meeting his two dads. Vanessa had told Adam that old people scare her and she is ridden with anxiety when she is trapped in an elevator full of senior citizens. Adam and Emma are seen kissing in the park. Sam and Shira are in a relationship, but he wants his freedom and isn't pleased when she reveals that she’s already been seeing other men. Katie is having a baby and Emma is the delivering doctor. Guy lures a nervous-looking Sam into a hospital room. At last, Adam and Emma are shown peacefully sleeping together.",
" After first meeting at a summer camp as teenagers, Emma (Natalie Portman) and Adam (Ashton Kutcher) run into each other a few times as young adults but never keep in touch. Emma becomes a doctor in Los Angeles, Adam a production assistant for a musical television show. Adam's father Alvin (Kevin Kline), the well-known star of a former hit television comedy series, has begun a romance with Adam's ex-girlfriend, Vanessa (Ophelia Lovibond). Adam finds out, gets drunk and calls the women in his phone seeking a hookup. The next morning, he wakes on a sofa wearing nothing but a small towel. It turns out that he texted Emma and then came to the apartment she shares with some other residents—Patrice (Greta Gerwig), Shira (Mindy Kaling), and Guy (Guy Branum). Once there, he took off all his clothes and then passed out. Emma leads Adam to her bedroom to retrieve his missing pants and they end up having sex.\nThe two have sex again at Adam’s house and before she leaves Adam agrees to her proposal for a casual relationship (as she puts it, using each other for sex and nothing else). Adam warns Emma about falling in love with him, but she dismisses the idea and sets ground rules to keep what they’re doing from becoming too serious. At first things go well, but Adam becomes jealous when Sam (Ben Lawson)—another resident—seeks her attention. Adam brings Emma a gift (a mix CD) and she rebuffs him, saying they should stop for a while and hook up with other people. But after being apart for two weeks Emma returns to Adam and they continue being sex friends only.\nAdam's birthday comes along a few months later. He goes out for dinner with Alvin and Vanessa, who announce their plan to have a baby together. Emma berates the other couple while defending Adam. He persuades her to go out together on Valentine's Day. Things fall apart when she becomes too uncomfortable during the date. An angry Emma advises Adam that he should find someone else who won’t hurt him. Adam tells Emma that he loves her—something she's not at all receptive to hearing—they have a fight, ending their arrangement.\nSix weeks later, a script Adam wrote is being filmed. He gets a regular writing job on the show with the help of Lucy (Lake Bell), the show's assistant director, who is clearly attracted to Adam. Meanwhile, Emma is depressed over not being with Adam. The situation is compounded and complicated by her younger sister Katie's (Olivia Thirlby) wedding the next day and her widowed mother (Talia Balsam) arriving for the event with a male companion (Brian Dierker) of her own. Emma feels she is being strong for her mom by not letting herself get too close to anyone so she won't become upset by seeing Emma get hurt if a relationship ends poorly. Emma's mom tells her to stop.\nWhen Emma confesses that she can't stop thinking about Adam, Katie insists that she call him to put things right. A nervous Emma phones Adam and tells him that she misses him. He responds that they were never really together. Realizing that she needs to speak with him in person, Emma leaves Santa Barbara where the wedding is taking place and drives to Adam's house. Her plans are ruined – and she has to hide to avoid being seen—when he arrives home with Lucy. Emma assumes Adam has a new girlfriend and tearfully drives away. Vanessa calls Adam before he and Lucy can have sex—Alvin has overdosed on a cough syrup-based drink called \"Purple drank\". Meeting Adam outside the hospital, Vanessa says that she is ending her relationship with Alvin and leaves for a party. Adam goes in to visit Alvin who surprisingly gives him some tender advice about falling in love.\nShira tells Emma about Adam's dad being admitted to the hospital. As Adam leaves the building he calls Emma and tells her that she must be present if she is going to say that she misses him. Emma gets out of her car as the call ends and Adam is stunned to suddenly find her there. She tells Adam that she is sorry she hurt him and confesses that she really loves and cares about him and they reconcile. After eating breakfast together the next morning—something that never happened before—they arrive in Santa Barbara just before Katie's wedding is starting. As they enter a room and pause Emma asks Adam what will happen next, and with a smile on his lips he silently intertwines her hand with his—for the first time they are holding hands together as a couple.\nThe end credits show an epilogue in which Alvin and Lucy are in a relationship, and are in a restaurant waiting for Adam to arrive to tell him. Adam’s roommate (Jake Johnson) and Patrice are in a relationship and are shown meeting his two dads. Vanessa had told Adam that old people scare her and she is ridden with anxiety when she is trapped in an elevator full of senior citizens. Adam and Emma are seen kissing in the park. Sam and Shira are in a relationship, but he wants his freedom and isn't pleased when she reveals that she’s already been seeing other men. Katie is having a baby and Emma is the delivering doctor. Guy lures a nervous-looking Sam into a hospital room. At last, Adam and Emma are shown peacefully sleeping together."
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After first meeting at a summer camp as teenagers, Emma (Natalie Portman) and Adam (Ashton Kutcher) run into each other a few times as young adults but never keep in touch. Emma becomes a doctor in Los Angeles, Adam a production assistant for a musical television show. Adam's father Alvin (Kevin Kline), the well-known star of a former hit television comedy series, has begun a romance with Adam's ex-girlfriend, Vanessa (Ophelia Lovibond). Adam finds out, gets drunk and calls the women in his phone seeking a hookup. The next morning, he wakes on a sofa wearing nothing but a small towel. It turns out that he texted Emma and then came to the apartment she shares with some other residents—Patrice (Greta Gerwig), Shira (Mindy Kaling), and Guy (Guy Branum). Once there, he took off all his clothes and then passed out. Emma leads Adam to her bedroom to retrieve his missing pants and they end up having sex.
The two have sex again at Adam’s house and before she leaves Adam agrees to her proposal for a casual relationship (as she puts it, using each other for sex and nothing else). Adam warns Emma about falling in love with him, but she dismisses the idea and sets ground rules to keep what they’re doing from becoming too serious. At first things go well, but Adam becomes jealous when Sam (Ben Lawson)—another resident—seeks her attention. Adam brings Emma a gift (a mix CD) and she rebuffs him, saying they should stop for a while and hook up with other people. But after being apart for two weeks Emma returns to Adam and they continue being sex friends only.
Adam's birthday comes along a few months later. He goes out for dinner with Alvin and Vanessa, who announce their plan to have a baby together. Emma berates the other couple while defending Adam. He persuades her to go out together on Valentine's Day. Things fall apart when she becomes too uncomfortable during the date. An angry Emma advises Adam that he should find someone else who won’t hurt him. Adam tells Emma that he loves her—something she's not at all receptive to hearing—they have a fight, ending their arrangement.
Six weeks later, a script Adam wrote is being filmed. He gets a regular writing job on the show with the help of Lucy (Lake Bell), the show's assistant director, who is clearly attracted to Adam. Meanwhile, Emma is depressed over not being with Adam. The situation is compounded and complicated by her younger sister Katie's (Olivia Thirlby) wedding the next day and her widowed mother (Talia Balsam) arriving for the event with a male companion (Brian Dierker) of her own. Emma feels she is being strong for her mom by not letting herself get too close to anyone so she won't become upset by seeing Emma get hurt if a relationship ends poorly. Emma's mom tells her to stop.
When Emma confesses that she can't stop thinking about Adam, Katie insists that she call him to put things right. A nervous Emma phones Adam and tells him that she misses him. He responds that they were never really together. Realizing that she needs to speak with him in person, Emma leaves Santa Barbara where the wedding is taking place and drives to Adam's house. Her plans are ruined – and she has to hide to avoid being seen—when he arrives home with Lucy. Emma assumes Adam has a new girlfriend and tearfully drives away. Vanessa calls Adam before he and Lucy can have sex—Alvin has overdosed on a cough syrup-based drink called "Purple drank". Meeting Adam outside the hospital, Vanessa says that she is ending her relationship with Alvin and leaves for a party. Adam goes in to visit Alvin who surprisingly gives him some tender advice about falling in love.
Shira tells Emma about Adam's dad being admitted to the hospital. As Adam leaves the building he calls Emma and tells her that she must be present if she is going to say that she misses him. Emma gets out of her car as the call ends and Adam is stunned to suddenly find her there. She tells Adam that she is sorry she hurt him and confesses that she really loves and cares about him and they reconcile. After eating breakfast together the next morning—something that never happened before—they arrive in Santa Barbara just before Katie's wedding is starting. As they enter a room and pause Emma asks Adam what will happen next, and with a smile on his lips he silently intertwines her hand with his—for the first time they are holding hands together as a couple.
The end credits show an epilogue in which Alvin and Lucy are in a relationship, and are in a restaurant waiting for Adam to arrive to tell him. Adam’s roommate (Jake Johnson) and Patrice are in a relationship and are shown meeting his two dads. Vanessa had told Adam that old people scare her and she is ridden with anxiety when she is trapped in an elevator full of senior citizens. Adam and Emma are seen kissing in the park. Sam and Shira are in a relationship, but he wants his freedom and isn't pleased when she reveals that she’s already been seeing other men. Katie is having a baby and Emma is the delivering doctor. Guy lures a nervous-looking Sam into a hospital room. At last, Adam and Emma are shown peacefully sleeping together.
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"They are sex friends and then they are in a relationship",
"Couple "
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{
"content": "What is the relationship between Emma and Adam?",
"role": "user"
}
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[
" After first meeting at a summer camp as teenagers, Emma (Natalie Portman) and Adam (Ashton Kutcher) run into each other a few times as young adults but never keep in touch. Emma becomes a doctor in Los Angeles, Adam a production assistant for a musical television show. Adam's father Alvin (Kevin Kline), the well-known star of a former hit television comedy series, has begun a romance with Adam's ex-girlfriend, Vanessa (Ophelia Lovibond). Adam finds out, gets drunk and calls the women in his phone seeking a hookup. The next morning, he wakes on a sofa wearing nothing but a small towel. It turns out that he texted Emma and then came to the apartment she shares with some other residents—Patrice (Greta Gerwig), Shira (Mindy Kaling), and Guy (Guy Branum). Once there, he took off all his clothes and then passed out. Emma leads Adam to her bedroom to retrieve his missing pants and they end up having sex.\nThe two have sex again at Adam’s house and before she leaves Adam agrees to her proposal for a casual relationship (as she puts it, using each other for sex and nothing else). Adam warns Emma about falling in love with him, but she dismisses the idea and sets ground rules to keep what they’re doing from becoming too serious. At first things go well, but Adam becomes jealous when Sam (Ben Lawson)—another resident—seeks her attention. Adam brings Emma a gift (a mix CD) and she rebuffs him, saying they should stop for a while and hook up with other people. But after being apart for two weeks Emma returns to Adam and they continue being sex friends only.\nAdam's birthday comes along a few months later. He goes out for dinner with Alvin and Vanessa, who announce their plan to have a baby together. Emma berates the other couple while defending Adam. He persuades her to go out together on Valentine's Day. Things fall apart when she becomes too uncomfortable during the date. An angry Emma advises Adam that he should find someone else who won’t hurt him. Adam tells Emma that he loves her—something she's not at all receptive to hearing—they have a fight, ending their arrangement.\nSix weeks later, a script Adam wrote is being filmed. He gets a regular writing job on the show with the help of Lucy (Lake Bell), the show's assistant director, who is clearly attracted to Adam. Meanwhile, Emma is depressed over not being with Adam. The situation is compounded and complicated by her younger sister Katie's (Olivia Thirlby) wedding the next day and her widowed mother (Talia Balsam) arriving for the event with a male companion (Brian Dierker) of her own. Emma feels she is being strong for her mom by not letting herself get too close to anyone so she won't become upset by seeing Emma get hurt if a relationship ends poorly. Emma's mom tells her to stop.\nWhen Emma confesses that she can't stop thinking about Adam, Katie insists that she call him to put things right. A nervous Emma phones Adam and tells him that she misses him. He responds that they were never really together. Realizing that she needs to speak with him in person, Emma leaves Santa Barbara where the wedding is taking place and drives to Adam's house. Her plans are ruined – and she has to hide to avoid being seen—when he arrives home with Lucy. Emma assumes Adam has a new girlfriend and tearfully drives away. Vanessa calls Adam before he and Lucy can have sex—Alvin has overdosed on a cough syrup-based drink called \"Purple drank\". Meeting Adam outside the hospital, Vanessa says that she is ending her relationship with Alvin and leaves for a party. Adam goes in to visit Alvin who surprisingly gives him some tender advice about falling in love.\nShira tells Emma about Adam's dad being admitted to the hospital. As Adam leaves the building he calls Emma and tells her that she must be present if she is going to say that she misses him. Emma gets out of her car as the call ends and Adam is stunned to suddenly find her there. She tells Adam that she is sorry she hurt him and confesses that she really loves and cares about him and they reconcile. After eating breakfast together the next morning—something that never happened before—they arrive in Santa Barbara just before Katie's wedding is starting. As they enter a room and pause Emma asks Adam what will happen next, and with a smile on his lips he silently intertwines her hand with his—for the first time they are holding hands together as a couple.\nThe end credits show an epilogue in which Alvin and Lucy are in a relationship, and are in a restaurant waiting for Adam to arrive to tell him. Adam’s roommate (Jake Johnson) and Patrice are in a relationship and are shown meeting his two dads. Vanessa had told Adam that old people scare her and she is ridden with anxiety when she is trapped in an elevator full of senior citizens. Adam and Emma are seen kissing in the park. Sam and Shira are in a relationship, but he wants his freedom and isn't pleased when she reveals that she’s already been seeing other men. Katie is having a baby and Emma is the delivering doctor. Guy lures a nervous-looking Sam into a hospital room. At last, Adam and Emma are shown peacefully sleeping together.",
" After first meeting at a summer camp as teenagers, Emma (Natalie Portman) and Adam (Ashton Kutcher) run into each other a few times as young adults but never keep in touch. Emma becomes a doctor in Los Angeles, Adam a production assistant for a musical television show. Adam's father Alvin (Kevin Kline), the well-known star of a former hit television comedy series, has begun a romance with Adam's ex-girlfriend, Vanessa (Ophelia Lovibond). Adam finds out, gets drunk and calls the women in his phone seeking a hookup. The next morning, he wakes on a sofa wearing nothing but a small towel. It turns out that he texted Emma and then came to the apartment she shares with some other residents—Patrice (Greta Gerwig), Shira (Mindy Kaling), and Guy (Guy Branum). Once there, he took off all his clothes and then passed out. Emma leads Adam to her bedroom to retrieve his missing pants and they end up having sex.\nThe two have sex again at Adam’s house and before she leaves Adam agrees to her proposal for a casual relationship (as she puts it, using each other for sex and nothing else). Adam warns Emma about falling in love with him, but she dismisses the idea and sets ground rules to keep what they’re doing from becoming too serious. At first things go well, but Adam becomes jealous when Sam (Ben Lawson)—another resident—seeks her attention. Adam brings Emma a gift (a mix CD) and she rebuffs him, saying they should stop for a while and hook up with other people. But after being apart for two weeks Emma returns to Adam and they continue being sex friends only.\nAdam's birthday comes along a few months later. He goes out for dinner with Alvin and Vanessa, who announce their plan to have a baby together. Emma berates the other couple while defending Adam. He persuades her to go out together on Valentine's Day. Things fall apart when she becomes too uncomfortable during the date. An angry Emma advises Adam that he should find someone else who won’t hurt him. Adam tells Emma that he loves her—something she's not at all receptive to hearing—they have a fight, ending their arrangement.\nSix weeks later, a script Adam wrote is being filmed. He gets a regular writing job on the show with the help of Lucy (Lake Bell), the show's assistant director, who is clearly attracted to Adam. Meanwhile, Emma is depressed over not being with Adam. The situation is compounded and complicated by her younger sister Katie's (Olivia Thirlby) wedding the next day and her widowed mother (Talia Balsam) arriving for the event with a male companion (Brian Dierker) of her own. Emma feels she is being strong for her mom by not letting herself get too close to anyone so she won't become upset by seeing Emma get hurt if a relationship ends poorly. Emma's mom tells her to stop.\nWhen Emma confesses that she can't stop thinking about Adam, Katie insists that she call him to put things right. A nervous Emma phones Adam and tells him that she misses him. He responds that they were never really together. Realizing that she needs to speak with him in person, Emma leaves Santa Barbara where the wedding is taking place and drives to Adam's house. Her plans are ruined – and she has to hide to avoid being seen—when he arrives home with Lucy. Emma assumes Adam has a new girlfriend and tearfully drives away. Vanessa calls Adam before he and Lucy can have sex—Alvin has overdosed on a cough syrup-based drink called \"Purple drank\". Meeting Adam outside the hospital, Vanessa says that she is ending her relationship with Alvin and leaves for a party. Adam goes in to visit Alvin who surprisingly gives him some tender advice about falling in love.\nShira tells Emma about Adam's dad being admitted to the hospital. As Adam leaves the building he calls Emma and tells her that she must be present if she is going to say that she misses him. Emma gets out of her car as the call ends and Adam is stunned to suddenly find her there. She tells Adam that she is sorry she hurt him and confesses that she really loves and cares about him and they reconcile. After eating breakfast together the next morning—something that never happened before—they arrive in Santa Barbara just before Katie's wedding is starting. As they enter a room and pause Emma asks Adam what will happen next, and with a smile on his lips he silently intertwines her hand with his—for the first time they are holding hands together as a couple.\nThe end credits show an epilogue in which Alvin and Lucy are in a relationship, and are in a restaurant waiting for Adam to arrive to tell him. Adam’s roommate (Jake Johnson) and Patrice are in a relationship and are shown meeting his two dads. Vanessa had told Adam that old people scare her and she is ridden with anxiety when she is trapped in an elevator full of senior citizens. Adam and Emma are seen kissing in the park. Sam and Shira are in a relationship, but he wants his freedom and isn't pleased when she reveals that she’s already been seeing other men. Katie is having a baby and Emma is the delivering doctor. Guy lures a nervous-looking Sam into a hospital room. At last, Adam and Emma are shown peacefully sleeping together.",
" After first meeting at a summer camp as teenagers, Emma (Natalie Portman) and Adam (Ashton Kutcher) run into each other a few times as young adults but never keep in touch. Emma becomes a doctor in Los Angeles, Adam a production assistant for a musical television show. Adam's father Alvin (Kevin Kline), the well-known star of a former hit television comedy series, has begun a romance with Adam's ex-girlfriend, Vanessa (Ophelia Lovibond). Adam finds out, gets drunk and calls the women in his phone seeking a hookup. The next morning, he wakes on a sofa wearing nothing but a small towel. It turns out that he texted Emma and then came to the apartment she shares with some other residents—Patrice (Greta Gerwig), Shira (Mindy Kaling), and Guy (Guy Branum). Once there, he took off all his clothes and then passed out. Emma leads Adam to her bedroom to retrieve his missing pants and they end up having sex.\nThe two have sex again at Adam’s house and before she leaves Adam agrees to her proposal for a casual relationship (as she puts it, using each other for sex and nothing else). Adam warns Emma about falling in love with him, but she dismisses the idea and sets ground rules to keep what they’re doing from becoming too serious. At first things go well, but Adam becomes jealous when Sam (Ben Lawson)—another resident—seeks her attention. Adam brings Emma a gift (a mix CD) and she rebuffs him, saying they should stop for a while and hook up with other people. But after being apart for two weeks Emma returns to Adam and they continue being sex friends only.\nAdam's birthday comes along a few months later. He goes out for dinner with Alvin and Vanessa, who announce their plan to have a baby together. Emma berates the other couple while defending Adam. He persuades her to go out together on Valentine's Day. Things fall apart when she becomes too uncomfortable during the date. An angry Emma advises Adam that he should find someone else who won’t hurt him. Adam tells Emma that he loves her—something she's not at all receptive to hearing—they have a fight, ending their arrangement.\nSix weeks later, a script Adam wrote is being filmed. He gets a regular writing job on the show with the help of Lucy (Lake Bell), the show's assistant director, who is clearly attracted to Adam. Meanwhile, Emma is depressed over not being with Adam. The situation is compounded and complicated by her younger sister Katie's (Olivia Thirlby) wedding the next day and her widowed mother (Talia Balsam) arriving for the event with a male companion (Brian Dierker) of her own. Emma feels she is being strong for her mom by not letting herself get too close to anyone so she won't become upset by seeing Emma get hurt if a relationship ends poorly. Emma's mom tells her to stop.\nWhen Emma confesses that she can't stop thinking about Adam, Katie insists that she call him to put things right. A nervous Emma phones Adam and tells him that she misses him. He responds that they were never really together. Realizing that she needs to speak with him in person, Emma leaves Santa Barbara where the wedding is taking place and drives to Adam's house. Her plans are ruined – and she has to hide to avoid being seen—when he arrives home with Lucy. Emma assumes Adam has a new girlfriend and tearfully drives away. Vanessa calls Adam before he and Lucy can have sex—Alvin has overdosed on a cough syrup-based drink called \"Purple drank\". Meeting Adam outside the hospital, Vanessa says that she is ending her relationship with Alvin and leaves for a party. Adam goes in to visit Alvin who surprisingly gives him some tender advice about falling in love.\nShira tells Emma about Adam's dad being admitted to the hospital. As Adam leaves the building he calls Emma and tells her that she must be present if she is going to say that she misses him. Emma gets out of her car as the call ends and Adam is stunned to suddenly find her there. She tells Adam that she is sorry she hurt him and confesses that she really loves and cares about him and they reconcile. After eating breakfast together the next morning—something that never happened before—they arrive in Santa Barbara just before Katie's wedding is starting. As they enter a room and pause Emma asks Adam what will happen next, and with a smile on his lips he silently intertwines her hand with his—for the first time they are holding hands together as a couple.\nThe end credits show an epilogue in which Alvin and Lucy are in a relationship, and are in a restaurant waiting for Adam to arrive to tell him. Adam’s roommate (Jake Johnson) and Patrice are in a relationship and are shown meeting his two dads. Vanessa had told Adam that old people scare her and she is ridden with anxiety when she is trapped in an elevator full of senior citizens. Adam and Emma are seen kissing in the park. Sam and Shira are in a relationship, but he wants his freedom and isn't pleased when she reveals that she’s already been seeing other men. Katie is having a baby and Emma is the delivering doctor. Guy lures a nervous-looking Sam into a hospital room. At last, Adam and Emma are shown peacefully sleeping together.",
" After first meeting at a summer camp as teenagers, Emma (Natalie Portman) and Adam (Ashton Kutcher) run into each other a few times as young adults but never keep in touch. Emma becomes a doctor in Los Angeles, Adam a production assistant for a musical television show. Adam's father Alvin (Kevin Kline), the well-known star of a former hit television comedy series, has begun a romance with Adam's ex-girlfriend, Vanessa (Ophelia Lovibond). Adam finds out, gets drunk and calls the women in his phone seeking a hookup. The next morning, he wakes on a sofa wearing nothing but a small towel. It turns out that he texted Emma and then came to the apartment she shares with some other residents—Patrice (Greta Gerwig), Shira (Mindy Kaling), and Guy (Guy Branum). Once there, he took off all his clothes and then passed out. Emma leads Adam to her bedroom to retrieve his missing pants and they end up having sex.\nThe two have sex again at Adam’s house and before she leaves Adam agrees to her proposal for a casual relationship (as she puts it, using each other for sex and nothing else). Adam warns Emma about falling in love with him, but she dismisses the idea and sets ground rules to keep what they’re doing from becoming too serious. At first things go well, but Adam becomes jealous when Sam (Ben Lawson)—another resident—seeks her attention. Adam brings Emma a gift (a mix CD) and she rebuffs him, saying they should stop for a while and hook up with other people. But after being apart for two weeks Emma returns to Adam and they continue being sex friends only.\nAdam's birthday comes along a few months later. He goes out for dinner with Alvin and Vanessa, who announce their plan to have a baby together. Emma berates the other couple while defending Adam. He persuades her to go out together on Valentine's Day. Things fall apart when she becomes too uncomfortable during the date. An angry Emma advises Adam that he should find someone else who won’t hurt him. Adam tells Emma that he loves her—something she's not at all receptive to hearing—they have a fight, ending their arrangement.\nSix weeks later, a script Adam wrote is being filmed. He gets a regular writing job on the show with the help of Lucy (Lake Bell), the show's assistant director, who is clearly attracted to Adam. Meanwhile, Emma is depressed over not being with Adam. The situation is compounded and complicated by her younger sister Katie's (Olivia Thirlby) wedding the next day and her widowed mother (Talia Balsam) arriving for the event with a male companion (Brian Dierker) of her own. Emma feels she is being strong for her mom by not letting herself get too close to anyone so she won't become upset by seeing Emma get hurt if a relationship ends poorly. Emma's mom tells her to stop.\nWhen Emma confesses that she can't stop thinking about Adam, Katie insists that she call him to put things right. A nervous Emma phones Adam and tells him that she misses him. He responds that they were never really together. Realizing that she needs to speak with him in person, Emma leaves Santa Barbara where the wedding is taking place and drives to Adam's house. Her plans are ruined – and she has to hide to avoid being seen—when he arrives home with Lucy. Emma assumes Adam has a new girlfriend and tearfully drives away. Vanessa calls Adam before he and Lucy can have sex—Alvin has overdosed on a cough syrup-based drink called \"Purple drank\". Meeting Adam outside the hospital, Vanessa says that she is ending her relationship with Alvin and leaves for a party. Adam goes in to visit Alvin who surprisingly gives him some tender advice about falling in love.\nShira tells Emma about Adam's dad being admitted to the hospital. As Adam leaves the building he calls Emma and tells her that she must be present if she is going to say that she misses him. Emma gets out of her car as the call ends and Adam is stunned to suddenly find her there. She tells Adam that she is sorry she hurt him and confesses that she really loves and cares about him and they reconcile. After eating breakfast together the next morning—something that never happened before—they arrive in Santa Barbara just before Katie's wedding is starting. As they enter a room and pause Emma asks Adam what will happen next, and with a smile on his lips he silently intertwines her hand with his—for the first time they are holding hands together as a couple.\nThe end credits show an epilogue in which Alvin and Lucy are in a relationship, and are in a restaurant waiting for Adam to arrive to tell him. Adam’s roommate (Jake Johnson) and Patrice are in a relationship and are shown meeting his two dads. Vanessa had told Adam that old people scare her and she is ridden with anxiety when she is trapped in an elevator full of senior citizens. Adam and Emma are seen kissing in the park. Sam and Shira are in a relationship, but he wants his freedom and isn't pleased when she reveals that she’s already been seeing other men. Katie is having a baby and Emma is the delivering doctor. Guy lures a nervous-looking Sam into a hospital room. At last, Adam and Emma are shown peacefully sleeping together.",
" After first meeting at a summer camp as teenagers, Emma (Natalie Portman) and Adam (Ashton Kutcher) run into each other a few times as young adults but never keep in touch. Emma becomes a doctor in Los Angeles, Adam a production assistant for a musical television show. Adam's father Alvin (Kevin Kline), the well-known star of a former hit television comedy series, has begun a romance with Adam's ex-girlfriend, Vanessa (Ophelia Lovibond). Adam finds out, gets drunk and calls the women in his phone seeking a hookup. The next morning, he wakes on a sofa wearing nothing but a small towel. It turns out that he texted Emma and then came to the apartment she shares with some other residents—Patrice (Greta Gerwig), Shira (Mindy Kaling), and Guy (Guy Branum). Once there, he took off all his clothes and then passed out. Emma leads Adam to her bedroom to retrieve his missing pants and they end up having sex.\nThe two have sex again at Adam’s house and before she leaves Adam agrees to her proposal for a casual relationship (as she puts it, using each other for sex and nothing else). Adam warns Emma about falling in love with him, but she dismisses the idea and sets ground rules to keep what they’re doing from becoming too serious. At first things go well, but Adam becomes jealous when Sam (Ben Lawson)—another resident—seeks her attention. Adam brings Emma a gift (a mix CD) and she rebuffs him, saying they should stop for a while and hook up with other people. But after being apart for two weeks Emma returns to Adam and they continue being sex friends only.\nAdam's birthday comes along a few months later. He goes out for dinner with Alvin and Vanessa, who announce their plan to have a baby together. Emma berates the other couple while defending Adam. He persuades her to go out together on Valentine's Day. Things fall apart when she becomes too uncomfortable during the date. An angry Emma advises Adam that he should find someone else who won’t hurt him. Adam tells Emma that he loves her—something she's not at all receptive to hearing—they have a fight, ending their arrangement.\nSix weeks later, a script Adam wrote is being filmed. He gets a regular writing job on the show with the help of Lucy (Lake Bell), the show's assistant director, who is clearly attracted to Adam. Meanwhile, Emma is depressed over not being with Adam. The situation is compounded and complicated by her younger sister Katie's (Olivia Thirlby) wedding the next day and her widowed mother (Talia Balsam) arriving for the event with a male companion (Brian Dierker) of her own. Emma feels she is being strong for her mom by not letting herself get too close to anyone so she won't become upset by seeing Emma get hurt if a relationship ends poorly. Emma's mom tells her to stop.\nWhen Emma confesses that she can't stop thinking about Adam, Katie insists that she call him to put things right. A nervous Emma phones Adam and tells him that she misses him. He responds that they were never really together. Realizing that she needs to speak with him in person, Emma leaves Santa Barbara where the wedding is taking place and drives to Adam's house. Her plans are ruined – and she has to hide to avoid being seen—when he arrives home with Lucy. Emma assumes Adam has a new girlfriend and tearfully drives away. Vanessa calls Adam before he and Lucy can have sex—Alvin has overdosed on a cough syrup-based drink called \"Purple drank\". Meeting Adam outside the hospital, Vanessa says that she is ending her relationship with Alvin and leaves for a party. Adam goes in to visit Alvin who surprisingly gives him some tender advice about falling in love.\nShira tells Emma about Adam's dad being admitted to the hospital. As Adam leaves the building he calls Emma and tells her that she must be present if she is going to say that she misses him. Emma gets out of her car as the call ends and Adam is stunned to suddenly find her there. She tells Adam that she is sorry she hurt him and confesses that she really loves and cares about him and they reconcile. After eating breakfast together the next morning—something that never happened before—they arrive in Santa Barbara just before Katie's wedding is starting. As they enter a room and pause Emma asks Adam what will happen next, and with a smile on his lips he silently intertwines her hand with his—for the first time they are holding hands together as a couple.\nThe end credits show an epilogue in which Alvin and Lucy are in a relationship, and are in a restaurant waiting for Adam to arrive to tell him. Adam’s roommate (Jake Johnson) and Patrice are in a relationship and are shown meeting his two dads. Vanessa had told Adam that old people scare her and she is ridden with anxiety when she is trapped in an elevator full of senior citizens. Adam and Emma are seen kissing in the park. Sam and Shira are in a relationship, but he wants his freedom and isn't pleased when she reveals that she’s already been seeing other men. Katie is having a baby and Emma is the delivering doctor. Guy lures a nervous-looking Sam into a hospital room. At last, Adam and Emma are shown peacefully sleeping together.",
" After first meeting at a summer camp as teenagers, Emma (Natalie Portman) and Adam (Ashton Kutcher) run into each other a few times as young adults but never keep in touch. Emma becomes a doctor in Los Angeles, Adam a production assistant for a musical television show. Adam's father Alvin (Kevin Kline), the well-known star of a former hit television comedy series, has begun a romance with Adam's ex-girlfriend, Vanessa (Ophelia Lovibond). Adam finds out, gets drunk and calls the women in his phone seeking a hookup. The next morning, he wakes on a sofa wearing nothing but a small towel. It turns out that he texted Emma and then came to the apartment she shares with some other residents—Patrice (Greta Gerwig), Shira (Mindy Kaling), and Guy (Guy Branum). Once there, he took off all his clothes and then passed out. Emma leads Adam to her bedroom to retrieve his missing pants and they end up having sex.\nThe two have sex again at Adam’s house and before she leaves Adam agrees to her proposal for a casual relationship (as she puts it, using each other for sex and nothing else). Adam warns Emma about falling in love with him, but she dismisses the idea and sets ground rules to keep what they’re doing from becoming too serious. At first things go well, but Adam becomes jealous when Sam (Ben Lawson)—another resident—seeks her attention. Adam brings Emma a gift (a mix CD) and she rebuffs him, saying they should stop for a while and hook up with other people. But after being apart for two weeks Emma returns to Adam and they continue being sex friends only.\nAdam's birthday comes along a few months later. He goes out for dinner with Alvin and Vanessa, who announce their plan to have a baby together. Emma berates the other couple while defending Adam. He persuades her to go out together on Valentine's Day. Things fall apart when she becomes too uncomfortable during the date. An angry Emma advises Adam that he should find someone else who won’t hurt him. Adam tells Emma that he loves her—something she's not at all receptive to hearing—they have a fight, ending their arrangement.\nSix weeks later, a script Adam wrote is being filmed. He gets a regular writing job on the show with the help of Lucy (Lake Bell), the show's assistant director, who is clearly attracted to Adam. Meanwhile, Emma is depressed over not being with Adam. The situation is compounded and complicated by her younger sister Katie's (Olivia Thirlby) wedding the next day and her widowed mother (Talia Balsam) arriving for the event with a male companion (Brian Dierker) of her own. Emma feels she is being strong for her mom by not letting herself get too close to anyone so she won't become upset by seeing Emma get hurt if a relationship ends poorly. Emma's mom tells her to stop.\nWhen Emma confesses that she can't stop thinking about Adam, Katie insists that she call him to put things right. A nervous Emma phones Adam and tells him that she misses him. He responds that they were never really together. Realizing that she needs to speak with him in person, Emma leaves Santa Barbara where the wedding is taking place and drives to Adam's house. Her plans are ruined – and she has to hide to avoid being seen—when he arrives home with Lucy. Emma assumes Adam has a new girlfriend and tearfully drives away. Vanessa calls Adam before he and Lucy can have sex—Alvin has overdosed on a cough syrup-based drink called \"Purple drank\". Meeting Adam outside the hospital, Vanessa says that she is ending her relationship with Alvin and leaves for a party. Adam goes in to visit Alvin who surprisingly gives him some tender advice about falling in love.\nShira tells Emma about Adam's dad being admitted to the hospital. As Adam leaves the building he calls Emma and tells her that she must be present if she is going to say that she misses him. Emma gets out of her car as the call ends and Adam is stunned to suddenly find her there. She tells Adam that she is sorry she hurt him and confesses that she really loves and cares about him and they reconcile. After eating breakfast together the next morning—something that never happened before—they arrive in Santa Barbara just before Katie's wedding is starting. As they enter a room and pause Emma asks Adam what will happen next, and with a smile on his lips he silently intertwines her hand with his—for the first time they are holding hands together as a couple.\nThe end credits show an epilogue in which Alvin and Lucy are in a relationship, and are in a restaurant waiting for Adam to arrive to tell him. Adam’s roommate (Jake Johnson) and Patrice are in a relationship and are shown meeting his two dads. Vanessa had told Adam that old people scare her and she is ridden with anxiety when she is trapped in an elevator full of senior citizens. Adam and Emma are seen kissing in the park. Sam and Shira are in a relationship, but he wants his freedom and isn't pleased when she reveals that she’s already been seeing other men. Katie is having a baby and Emma is the delivering doctor. Guy lures a nervous-looking Sam into a hospital room. At last, Adam and Emma are shown peacefully sleeping together."
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After first meeting at a summer camp as teenagers, Emma (Natalie Portman) and Adam (Ashton Kutcher) run into each other a few times as young adults but never keep in touch. Emma becomes a doctor in Los Angeles, Adam a production assistant for a musical television show. Adam's father Alvin (Kevin Kline), the well-known star of a former hit television comedy series, has begun a romance with Adam's ex-girlfriend, Vanessa (Ophelia Lovibond). Adam finds out, gets drunk and calls the women in his phone seeking a hookup. The next morning, he wakes on a sofa wearing nothing but a small towel. It turns out that he texted Emma and then came to the apartment she shares with some other residents—Patrice (Greta Gerwig), Shira (Mindy Kaling), and Guy (Guy Branum). Once there, he took off all his clothes and then passed out. Emma leads Adam to her bedroom to retrieve his missing pants and they end up having sex.
The two have sex again at Adam’s house and before she leaves Adam agrees to her proposal for a casual relationship (as she puts it, using each other for sex and nothing else). Adam warns Emma about falling in love with him, but she dismisses the idea and sets ground rules to keep what they’re doing from becoming too serious. At first things go well, but Adam becomes jealous when Sam (Ben Lawson)—another resident—seeks her attention. Adam brings Emma a gift (a mix CD) and she rebuffs him, saying they should stop for a while and hook up with other people. But after being apart for two weeks Emma returns to Adam and they continue being sex friends only.
Adam's birthday comes along a few months later. He goes out for dinner with Alvin and Vanessa, who announce their plan to have a baby together. Emma berates the other couple while defending Adam. He persuades her to go out together on Valentine's Day. Things fall apart when she becomes too uncomfortable during the date. An angry Emma advises Adam that he should find someone else who won’t hurt him. Adam tells Emma that he loves her—something she's not at all receptive to hearing—they have a fight, ending their arrangement.
Six weeks later, a script Adam wrote is being filmed. He gets a regular writing job on the show with the help of Lucy (Lake Bell), the show's assistant director, who is clearly attracted to Adam. Meanwhile, Emma is depressed over not being with Adam. The situation is compounded and complicated by her younger sister Katie's (Olivia Thirlby) wedding the next day and her widowed mother (Talia Balsam) arriving for the event with a male companion (Brian Dierker) of her own. Emma feels she is being strong for her mom by not letting herself get too close to anyone so she won't become upset by seeing Emma get hurt if a relationship ends poorly. Emma's mom tells her to stop.
When Emma confesses that she can't stop thinking about Adam, Katie insists that she call him to put things right. A nervous Emma phones Adam and tells him that she misses him. He responds that they were never really together. Realizing that she needs to speak with him in person, Emma leaves Santa Barbara where the wedding is taking place and drives to Adam's house. Her plans are ruined – and she has to hide to avoid being seen—when he arrives home with Lucy. Emma assumes Adam has a new girlfriend and tearfully drives away. Vanessa calls Adam before he and Lucy can have sex—Alvin has overdosed on a cough syrup-based drink called "Purple drank". Meeting Adam outside the hospital, Vanessa says that she is ending her relationship with Alvin and leaves for a party. Adam goes in to visit Alvin who surprisingly gives him some tender advice about falling in love.
Shira tells Emma about Adam's dad being admitted to the hospital. As Adam leaves the building he calls Emma and tells her that she must be present if she is going to say that she misses him. Emma gets out of her car as the call ends and Adam is stunned to suddenly find her there. She tells Adam that she is sorry she hurt him and confesses that she really loves and cares about him and they reconcile. After eating breakfast together the next morning—something that never happened before—they arrive in Santa Barbara just before Katie's wedding is starting. As they enter a room and pause Emma asks Adam what will happen next, and with a smile on his lips he silently intertwines her hand with his—for the first time they are holding hands together as a couple.
The end credits show an epilogue in which Alvin and Lucy are in a relationship, and are in a restaurant waiting for Adam to arrive to tell him. Adam’s roommate (Jake Johnson) and Patrice are in a relationship and are shown meeting his two dads. Vanessa had told Adam that old people scare her and she is ridden with anxiety when she is trapped in an elevator full of senior citizens. Adam and Emma are seen kissing in the park. Sam and Shira are in a relationship, but he wants his freedom and isn't pleased when she reveals that she’s already been seeing other men. Katie is having a baby and Emma is the delivering doctor. Guy lures a nervous-looking Sam into a hospital room. At last, Adam and Emma are shown peacefully sleeping together.
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"content": "Who is Alvin dating at the end?",
"role": "user"
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[
" After first meeting at a summer camp as teenagers, Emma (Natalie Portman) and Adam (Ashton Kutcher) run into each other a few times as young adults but never keep in touch. Emma becomes a doctor in Los Angeles, Adam a production assistant for a musical television show. Adam's father Alvin (Kevin Kline), the well-known star of a former hit television comedy series, has begun a romance with Adam's ex-girlfriend, Vanessa (Ophelia Lovibond). Adam finds out, gets drunk and calls the women in his phone seeking a hookup. The next morning, he wakes on a sofa wearing nothing but a small towel. It turns out that he texted Emma and then came to the apartment she shares with some other residents—Patrice (Greta Gerwig), Shira (Mindy Kaling), and Guy (Guy Branum). Once there, he took off all his clothes and then passed out. Emma leads Adam to her bedroom to retrieve his missing pants and they end up having sex.\nThe two have sex again at Adam’s house and before she leaves Adam agrees to her proposal for a casual relationship (as she puts it, using each other for sex and nothing else). Adam warns Emma about falling in love with him, but she dismisses the idea and sets ground rules to keep what they’re doing from becoming too serious. At first things go well, but Adam becomes jealous when Sam (Ben Lawson)—another resident—seeks her attention. Adam brings Emma a gift (a mix CD) and she rebuffs him, saying they should stop for a while and hook up with other people. But after being apart for two weeks Emma returns to Adam and they continue being sex friends only.\nAdam's birthday comes along a few months later. He goes out for dinner with Alvin and Vanessa, who announce their plan to have a baby together. Emma berates the other couple while defending Adam. He persuades her to go out together on Valentine's Day. Things fall apart when she becomes too uncomfortable during the date. An angry Emma advises Adam that he should find someone else who won’t hurt him. Adam tells Emma that he loves her—something she's not at all receptive to hearing—they have a fight, ending their arrangement.\nSix weeks later, a script Adam wrote is being filmed. He gets a regular writing job on the show with the help of Lucy (Lake Bell), the show's assistant director, who is clearly attracted to Adam. Meanwhile, Emma is depressed over not being with Adam. The situation is compounded and complicated by her younger sister Katie's (Olivia Thirlby) wedding the next day and her widowed mother (Talia Balsam) arriving for the event with a male companion (Brian Dierker) of her own. Emma feels she is being strong for her mom by not letting herself get too close to anyone so she won't become upset by seeing Emma get hurt if a relationship ends poorly. Emma's mom tells her to stop.\nWhen Emma confesses that she can't stop thinking about Adam, Katie insists that she call him to put things right. A nervous Emma phones Adam and tells him that she misses him. He responds that they were never really together. Realizing that she needs to speak with him in person, Emma leaves Santa Barbara where the wedding is taking place and drives to Adam's house. Her plans are ruined – and she has to hide to avoid being seen—when he arrives home with Lucy. Emma assumes Adam has a new girlfriend and tearfully drives away. Vanessa calls Adam before he and Lucy can have sex—Alvin has overdosed on a cough syrup-based drink called \"Purple drank\". Meeting Adam outside the hospital, Vanessa says that she is ending her relationship with Alvin and leaves for a party. Adam goes in to visit Alvin who surprisingly gives him some tender advice about falling in love.\nShira tells Emma about Adam's dad being admitted to the hospital. As Adam leaves the building he calls Emma and tells her that she must be present if she is going to say that she misses him. Emma gets out of her car as the call ends and Adam is stunned to suddenly find her there. She tells Adam that she is sorry she hurt him and confesses that she really loves and cares about him and they reconcile. After eating breakfast together the next morning—something that never happened before—they arrive in Santa Barbara just before Katie's wedding is starting. As they enter a room and pause Emma asks Adam what will happen next, and with a smile on his lips he silently intertwines her hand with his—for the first time they are holding hands together as a couple.\nThe end credits show an epilogue in which Alvin and Lucy are in a relationship, and are in a restaurant waiting for Adam to arrive to tell him. Adam’s roommate (Jake Johnson) and Patrice are in a relationship and are shown meeting his two dads. Vanessa had told Adam that old people scare her and she is ridden with anxiety when she is trapped in an elevator full of senior citizens. Adam and Emma are seen kissing in the park. Sam and Shira are in a relationship, but he wants his freedom and isn't pleased when she reveals that she’s already been seeing other men. Katie is having a baby and Emma is the delivering doctor. Guy lures a nervous-looking Sam into a hospital room. At last, Adam and Emma are shown peacefully sleeping together.",
" After first meeting at a summer camp as teenagers, Emma (Natalie Portman) and Adam (Ashton Kutcher) run into each other a few times as young adults but never keep in touch. Emma becomes a doctor in Los Angeles, Adam a production assistant for a musical television show. Adam's father Alvin (Kevin Kline), the well-known star of a former hit television comedy series, has begun a romance with Adam's ex-girlfriend, Vanessa (Ophelia Lovibond). Adam finds out, gets drunk and calls the women in his phone seeking a hookup. The next morning, he wakes on a sofa wearing nothing but a small towel. It turns out that he texted Emma and then came to the apartment she shares with some other residents—Patrice (Greta Gerwig), Shira (Mindy Kaling), and Guy (Guy Branum). Once there, he took off all his clothes and then passed out. Emma leads Adam to her bedroom to retrieve his missing pants and they end up having sex.\nThe two have sex again at Adam’s house and before she leaves Adam agrees to her proposal for a casual relationship (as she puts it, using each other for sex and nothing else). Adam warns Emma about falling in love with him, but she dismisses the idea and sets ground rules to keep what they’re doing from becoming too serious. At first things go well, but Adam becomes jealous when Sam (Ben Lawson)—another resident—seeks her attention. Adam brings Emma a gift (a mix CD) and she rebuffs him, saying they should stop for a while and hook up with other people. But after being apart for two weeks Emma returns to Adam and they continue being sex friends only.\nAdam's birthday comes along a few months later. He goes out for dinner with Alvin and Vanessa, who announce their plan to have a baby together. Emma berates the other couple while defending Adam. He persuades her to go out together on Valentine's Day. Things fall apart when she becomes too uncomfortable during the date. An angry Emma advises Adam that he should find someone else who won’t hurt him. Adam tells Emma that he loves her—something she's not at all receptive to hearing—they have a fight, ending their arrangement.\nSix weeks later, a script Adam wrote is being filmed. He gets a regular writing job on the show with the help of Lucy (Lake Bell), the show's assistant director, who is clearly attracted to Adam. Meanwhile, Emma is depressed over not being with Adam. The situation is compounded and complicated by her younger sister Katie's (Olivia Thirlby) wedding the next day and her widowed mother (Talia Balsam) arriving for the event with a male companion (Brian Dierker) of her own. Emma feels she is being strong for her mom by not letting herself get too close to anyone so she won't become upset by seeing Emma get hurt if a relationship ends poorly. Emma's mom tells her to stop.\nWhen Emma confesses that she can't stop thinking about Adam, Katie insists that she call him to put things right. A nervous Emma phones Adam and tells him that she misses him. He responds that they were never really together. Realizing that she needs to speak with him in person, Emma leaves Santa Barbara where the wedding is taking place and drives to Adam's house. Her plans are ruined – and she has to hide to avoid being seen—when he arrives home with Lucy. Emma assumes Adam has a new girlfriend and tearfully drives away. Vanessa calls Adam before he and Lucy can have sex—Alvin has overdosed on a cough syrup-based drink called \"Purple drank\". Meeting Adam outside the hospital, Vanessa says that she is ending her relationship with Alvin and leaves for a party. Adam goes in to visit Alvin who surprisingly gives him some tender advice about falling in love.\nShira tells Emma about Adam's dad being admitted to the hospital. As Adam leaves the building he calls Emma and tells her that she must be present if she is going to say that she misses him. Emma gets out of her car as the call ends and Adam is stunned to suddenly find her there. She tells Adam that she is sorry she hurt him and confesses that she really loves and cares about him and they reconcile. After eating breakfast together the next morning—something that never happened before—they arrive in Santa Barbara just before Katie's wedding is starting. As they enter a room and pause Emma asks Adam what will happen next, and with a smile on his lips he silently intertwines her hand with his—for the first time they are holding hands together as a couple.\nThe end credits show an epilogue in which Alvin and Lucy are in a relationship, and are in a restaurant waiting for Adam to arrive to tell him. Adam’s roommate (Jake Johnson) and Patrice are in a relationship and are shown meeting his two dads. Vanessa had told Adam that old people scare her and she is ridden with anxiety when she is trapped in an elevator full of senior citizens. Adam and Emma are seen kissing in the park. Sam and Shira are in a relationship, but he wants his freedom and isn't pleased when she reveals that she’s already been seeing other men. Katie is having a baby and Emma is the delivering doctor. Guy lures a nervous-looking Sam into a hospital room. At last, Adam and Emma are shown peacefully sleeping together.",
" After first meeting at a summer camp as teenagers, Emma (Natalie Portman) and Adam (Ashton Kutcher) run into each other a few times as young adults but never keep in touch. Emma becomes a doctor in Los Angeles, Adam a production assistant for a musical television show. Adam's father Alvin (Kevin Kline), the well-known star of a former hit television comedy series, has begun a romance with Adam's ex-girlfriend, Vanessa (Ophelia Lovibond). Adam finds out, gets drunk and calls the women in his phone seeking a hookup. The next morning, he wakes on a sofa wearing nothing but a small towel. It turns out that he texted Emma and then came to the apartment she shares with some other residents—Patrice (Greta Gerwig), Shira (Mindy Kaling), and Guy (Guy Branum). Once there, he took off all his clothes and then passed out. Emma leads Adam to her bedroom to retrieve his missing pants and they end up having sex.\nThe two have sex again at Adam’s house and before she leaves Adam agrees to her proposal for a casual relationship (as she puts it, using each other for sex and nothing else). Adam warns Emma about falling in love with him, but she dismisses the idea and sets ground rules to keep what they’re doing from becoming too serious. At first things go well, but Adam becomes jealous when Sam (Ben Lawson)—another resident—seeks her attention. Adam brings Emma a gift (a mix CD) and she rebuffs him, saying they should stop for a while and hook up with other people. But after being apart for two weeks Emma returns to Adam and they continue being sex friends only.\nAdam's birthday comes along a few months later. He goes out for dinner with Alvin and Vanessa, who announce their plan to have a baby together. Emma berates the other couple while defending Adam. He persuades her to go out together on Valentine's Day. Things fall apart when she becomes too uncomfortable during the date. An angry Emma advises Adam that he should find someone else who won’t hurt him. Adam tells Emma that he loves her—something she's not at all receptive to hearing—they have a fight, ending their arrangement.\nSix weeks later, a script Adam wrote is being filmed. He gets a regular writing job on the show with the help of Lucy (Lake Bell), the show's assistant director, who is clearly attracted to Adam. Meanwhile, Emma is depressed over not being with Adam. The situation is compounded and complicated by her younger sister Katie's (Olivia Thirlby) wedding the next day and her widowed mother (Talia Balsam) arriving for the event with a male companion (Brian Dierker) of her own. Emma feels she is being strong for her mom by not letting herself get too close to anyone so she won't become upset by seeing Emma get hurt if a relationship ends poorly. Emma's mom tells her to stop.\nWhen Emma confesses that she can't stop thinking about Adam, Katie insists that she call him to put things right. A nervous Emma phones Adam and tells him that she misses him. He responds that they were never really together. Realizing that she needs to speak with him in person, Emma leaves Santa Barbara where the wedding is taking place and drives to Adam's house. Her plans are ruined – and she has to hide to avoid being seen—when he arrives home with Lucy. Emma assumes Adam has a new girlfriend and tearfully drives away. Vanessa calls Adam before he and Lucy can have sex—Alvin has overdosed on a cough syrup-based drink called \"Purple drank\". Meeting Adam outside the hospital, Vanessa says that she is ending her relationship with Alvin and leaves for a party. Adam goes in to visit Alvin who surprisingly gives him some tender advice about falling in love.\nShira tells Emma about Adam's dad being admitted to the hospital. As Adam leaves the building he calls Emma and tells her that she must be present if she is going to say that she misses him. Emma gets out of her car as the call ends and Adam is stunned to suddenly find her there. She tells Adam that she is sorry she hurt him and confesses that she really loves and cares about him and they reconcile. After eating breakfast together the next morning—something that never happened before—they arrive in Santa Barbara just before Katie's wedding is starting. As they enter a room and pause Emma asks Adam what will happen next, and with a smile on his lips he silently intertwines her hand with his—for the first time they are holding hands together as a couple.\nThe end credits show an epilogue in which Alvin and Lucy are in a relationship, and are in a restaurant waiting for Adam to arrive to tell him. Adam’s roommate (Jake Johnson) and Patrice are in a relationship and are shown meeting his two dads. Vanessa had told Adam that old people scare her and she is ridden with anxiety when she is trapped in an elevator full of senior citizens. Adam and Emma are seen kissing in the park. Sam and Shira are in a relationship, but he wants his freedom and isn't pleased when she reveals that she’s already been seeing other men. Katie is having a baby and Emma is the delivering doctor. Guy lures a nervous-looking Sam into a hospital room. At last, Adam and Emma are shown peacefully sleeping together.",
" After first meeting at a summer camp as teenagers, Emma (Natalie Portman) and Adam (Ashton Kutcher) run into each other a few times as young adults but never keep in touch. Emma becomes a doctor in Los Angeles, Adam a production assistant for a musical television show. Adam's father Alvin (Kevin Kline), the well-known star of a former hit television comedy series, has begun a romance with Adam's ex-girlfriend, Vanessa (Ophelia Lovibond). Adam finds out, gets drunk and calls the women in his phone seeking a hookup. The next morning, he wakes on a sofa wearing nothing but a small towel. It turns out that he texted Emma and then came to the apartment she shares with some other residents—Patrice (Greta Gerwig), Shira (Mindy Kaling), and Guy (Guy Branum). Once there, he took off all his clothes and then passed out. Emma leads Adam to her bedroom to retrieve his missing pants and they end up having sex.\nThe two have sex again at Adam’s house and before she leaves Adam agrees to her proposal for a casual relationship (as she puts it, using each other for sex and nothing else). Adam warns Emma about falling in love with him, but she dismisses the idea and sets ground rules to keep what they’re doing from becoming too serious. At first things go well, but Adam becomes jealous when Sam (Ben Lawson)—another resident—seeks her attention. Adam brings Emma a gift (a mix CD) and she rebuffs him, saying they should stop for a while and hook up with other people. But after being apart for two weeks Emma returns to Adam and they continue being sex friends only.\nAdam's birthday comes along a few months later. He goes out for dinner with Alvin and Vanessa, who announce their plan to have a baby together. Emma berates the other couple while defending Adam. He persuades her to go out together on Valentine's Day. Things fall apart when she becomes too uncomfortable during the date. An angry Emma advises Adam that he should find someone else who won’t hurt him. Adam tells Emma that he loves her—something she's not at all receptive to hearing—they have a fight, ending their arrangement.\nSix weeks later, a script Adam wrote is being filmed. He gets a regular writing job on the show with the help of Lucy (Lake Bell), the show's assistant director, who is clearly attracted to Adam. Meanwhile, Emma is depressed over not being with Adam. The situation is compounded and complicated by her younger sister Katie's (Olivia Thirlby) wedding the next day and her widowed mother (Talia Balsam) arriving for the event with a male companion (Brian Dierker) of her own. Emma feels she is being strong for her mom by not letting herself get too close to anyone so she won't become upset by seeing Emma get hurt if a relationship ends poorly. Emma's mom tells her to stop.\nWhen Emma confesses that she can't stop thinking about Adam, Katie insists that she call him to put things right. A nervous Emma phones Adam and tells him that she misses him. He responds that they were never really together. Realizing that she needs to speak with him in person, Emma leaves Santa Barbara where the wedding is taking place and drives to Adam's house. Her plans are ruined – and she has to hide to avoid being seen—when he arrives home with Lucy. Emma assumes Adam has a new girlfriend and tearfully drives away. Vanessa calls Adam before he and Lucy can have sex—Alvin has overdosed on a cough syrup-based drink called \"Purple drank\". Meeting Adam outside the hospital, Vanessa says that she is ending her relationship with Alvin and leaves for a party. Adam goes in to visit Alvin who surprisingly gives him some tender advice about falling in love.\nShira tells Emma about Adam's dad being admitted to the hospital. As Adam leaves the building he calls Emma and tells her that she must be present if she is going to say that she misses him. Emma gets out of her car as the call ends and Adam is stunned to suddenly find her there. She tells Adam that she is sorry she hurt him and confesses that she really loves and cares about him and they reconcile. After eating breakfast together the next morning—something that never happened before—they arrive in Santa Barbara just before Katie's wedding is starting. As they enter a room and pause Emma asks Adam what will happen next, and with a smile on his lips he silently intertwines her hand with his—for the first time they are holding hands together as a couple.\nThe end credits show an epilogue in which Alvin and Lucy are in a relationship, and are in a restaurant waiting for Adam to arrive to tell him. Adam’s roommate (Jake Johnson) and Patrice are in a relationship and are shown meeting his two dads. Vanessa had told Adam that old people scare her and she is ridden with anxiety when she is trapped in an elevator full of senior citizens. Adam and Emma are seen kissing in the park. Sam and Shira are in a relationship, but he wants his freedom and isn't pleased when she reveals that she’s already been seeing other men. Katie is having a baby and Emma is the delivering doctor. Guy lures a nervous-looking Sam into a hospital room. At last, Adam and Emma are shown peacefully sleeping together.",
" After first meeting at a summer camp as teenagers, Emma (Natalie Portman) and Adam (Ashton Kutcher) run into each other a few times as young adults but never keep in touch. Emma becomes a doctor in Los Angeles, Adam a production assistant for a musical television show. Adam's father Alvin (Kevin Kline), the well-known star of a former hit television comedy series, has begun a romance with Adam's ex-girlfriend, Vanessa (Ophelia Lovibond). Adam finds out, gets drunk and calls the women in his phone seeking a hookup. The next morning, he wakes on a sofa wearing nothing but a small towel. It turns out that he texted Emma and then came to the apartment she shares with some other residents—Patrice (Greta Gerwig), Shira (Mindy Kaling), and Guy (Guy Branum). Once there, he took off all his clothes and then passed out. Emma leads Adam to her bedroom to retrieve his missing pants and they end up having sex.\nThe two have sex again at Adam’s house and before she leaves Adam agrees to her proposal for a casual relationship (as she puts it, using each other for sex and nothing else). Adam warns Emma about falling in love with him, but she dismisses the idea and sets ground rules to keep what they’re doing from becoming too serious. At first things go well, but Adam becomes jealous when Sam (Ben Lawson)—another resident—seeks her attention. Adam brings Emma a gift (a mix CD) and she rebuffs him, saying they should stop for a while and hook up with other people. But after being apart for two weeks Emma returns to Adam and they continue being sex friends only.\nAdam's birthday comes along a few months later. He goes out for dinner with Alvin and Vanessa, who announce their plan to have a baby together. Emma berates the other couple while defending Adam. He persuades her to go out together on Valentine's Day. Things fall apart when she becomes too uncomfortable during the date. An angry Emma advises Adam that he should find someone else who won’t hurt him. Adam tells Emma that he loves her—something she's not at all receptive to hearing—they have a fight, ending their arrangement.\nSix weeks later, a script Adam wrote is being filmed. He gets a regular writing job on the show with the help of Lucy (Lake Bell), the show's assistant director, who is clearly attracted to Adam. Meanwhile, Emma is depressed over not being with Adam. The situation is compounded and complicated by her younger sister Katie's (Olivia Thirlby) wedding the next day and her widowed mother (Talia Balsam) arriving for the event with a male companion (Brian Dierker) of her own. Emma feels she is being strong for her mom by not letting herself get too close to anyone so she won't become upset by seeing Emma get hurt if a relationship ends poorly. Emma's mom tells her to stop.\nWhen Emma confesses that she can't stop thinking about Adam, Katie insists that she call him to put things right. A nervous Emma phones Adam and tells him that she misses him. He responds that they were never really together. Realizing that she needs to speak with him in person, Emma leaves Santa Barbara where the wedding is taking place and drives to Adam's house. Her plans are ruined – and she has to hide to avoid being seen—when he arrives home with Lucy. Emma assumes Adam has a new girlfriend and tearfully drives away. Vanessa calls Adam before he and Lucy can have sex—Alvin has overdosed on a cough syrup-based drink called \"Purple drank\". Meeting Adam outside the hospital, Vanessa says that she is ending her relationship with Alvin and leaves for a party. Adam goes in to visit Alvin who surprisingly gives him some tender advice about falling in love.\nShira tells Emma about Adam's dad being admitted to the hospital. As Adam leaves the building he calls Emma and tells her that she must be present if she is going to say that she misses him. Emma gets out of her car as the call ends and Adam is stunned to suddenly find her there. She tells Adam that she is sorry she hurt him and confesses that she really loves and cares about him and they reconcile. After eating breakfast together the next morning—something that never happened before—they arrive in Santa Barbara just before Katie's wedding is starting. As they enter a room and pause Emma asks Adam what will happen next, and with a smile on his lips he silently intertwines her hand with his—for the first time they are holding hands together as a couple.\nThe end credits show an epilogue in which Alvin and Lucy are in a relationship, and are in a restaurant waiting for Adam to arrive to tell him. Adam’s roommate (Jake Johnson) and Patrice are in a relationship and are shown meeting his two dads. Vanessa had told Adam that old people scare her and she is ridden with anxiety when she is trapped in an elevator full of senior citizens. Adam and Emma are seen kissing in the park. Sam and Shira are in a relationship, but he wants his freedom and isn't pleased when she reveals that she’s already been seeing other men. Katie is having a baby and Emma is the delivering doctor. Guy lures a nervous-looking Sam into a hospital room. At last, Adam and Emma are shown peacefully sleeping together.",
" After first meeting at a summer camp as teenagers, Emma (Natalie Portman) and Adam (Ashton Kutcher) run into each other a few times as young adults but never keep in touch. Emma becomes a doctor in Los Angeles, Adam a production assistant for a musical television show. Adam's father Alvin (Kevin Kline), the well-known star of a former hit television comedy series, has begun a romance with Adam's ex-girlfriend, Vanessa (Ophelia Lovibond). Adam finds out, gets drunk and calls the women in his phone seeking a hookup. The next morning, he wakes on a sofa wearing nothing but a small towel. It turns out that he texted Emma and then came to the apartment she shares with some other residents—Patrice (Greta Gerwig), Shira (Mindy Kaling), and Guy (Guy Branum). Once there, he took off all his clothes and then passed out. Emma leads Adam to her bedroom to retrieve his missing pants and they end up having sex.\nThe two have sex again at Adam’s house and before she leaves Adam agrees to her proposal for a casual relationship (as she puts it, using each other for sex and nothing else). Adam warns Emma about falling in love with him, but she dismisses the idea and sets ground rules to keep what they’re doing from becoming too serious. At first things go well, but Adam becomes jealous when Sam (Ben Lawson)—another resident—seeks her attention. Adam brings Emma a gift (a mix CD) and she rebuffs him, saying they should stop for a while and hook up with other people. But after being apart for two weeks Emma returns to Adam and they continue being sex friends only.\nAdam's birthday comes along a few months later. He goes out for dinner with Alvin and Vanessa, who announce their plan to have a baby together. Emma berates the other couple while defending Adam. He persuades her to go out together on Valentine's Day. Things fall apart when she becomes too uncomfortable during the date. An angry Emma advises Adam that he should find someone else who won’t hurt him. Adam tells Emma that he loves her—something she's not at all receptive to hearing—they have a fight, ending their arrangement.\nSix weeks later, a script Adam wrote is being filmed. He gets a regular writing job on the show with the help of Lucy (Lake Bell), the show's assistant director, who is clearly attracted to Adam. Meanwhile, Emma is depressed over not being with Adam. The situation is compounded and complicated by her younger sister Katie's (Olivia Thirlby) wedding the next day and her widowed mother (Talia Balsam) arriving for the event with a male companion (Brian Dierker) of her own. Emma feels she is being strong for her mom by not letting herself get too close to anyone so she won't become upset by seeing Emma get hurt if a relationship ends poorly. Emma's mom tells her to stop.\nWhen Emma confesses that she can't stop thinking about Adam, Katie insists that she call him to put things right. A nervous Emma phones Adam and tells him that she misses him. He responds that they were never really together. Realizing that she needs to speak with him in person, Emma leaves Santa Barbara where the wedding is taking place and drives to Adam's house. Her plans are ruined – and she has to hide to avoid being seen—when he arrives home with Lucy. Emma assumes Adam has a new girlfriend and tearfully drives away. Vanessa calls Adam before he and Lucy can have sex—Alvin has overdosed on a cough syrup-based drink called \"Purple drank\". Meeting Adam outside the hospital, Vanessa says that she is ending her relationship with Alvin and leaves for a party. Adam goes in to visit Alvin who surprisingly gives him some tender advice about falling in love.\nShira tells Emma about Adam's dad being admitted to the hospital. As Adam leaves the building he calls Emma and tells her that she must be present if she is going to say that she misses him. Emma gets out of her car as the call ends and Adam is stunned to suddenly find her there. She tells Adam that she is sorry she hurt him and confesses that she really loves and cares about him and they reconcile. After eating breakfast together the next morning—something that never happened before—they arrive in Santa Barbara just before Katie's wedding is starting. As they enter a room and pause Emma asks Adam what will happen next, and with a smile on his lips he silently intertwines her hand with his—for the first time they are holding hands together as a couple.\nThe end credits show an epilogue in which Alvin and Lucy are in a relationship, and are in a restaurant waiting for Adam to arrive to tell him. Adam’s roommate (Jake Johnson) and Patrice are in a relationship and are shown meeting his two dads. Vanessa had told Adam that old people scare her and she is ridden with anxiety when she is trapped in an elevator full of senior citizens. Adam and Emma are seen kissing in the park. Sam and Shira are in a relationship, but he wants his freedom and isn't pleased when she reveals that she’s already been seeing other men. Katie is having a baby and Emma is the delivering doctor. Guy lures a nervous-looking Sam into a hospital room. At last, Adam and Emma are shown peacefully sleeping together."
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After first meeting at a summer camp as teenagers, Emma (Natalie Portman) and Adam (Ashton Kutcher) run into each other a few times as young adults but never keep in touch. Emma becomes a doctor in Los Angeles, Adam a production assistant for a musical television show. Adam's father Alvin (Kevin Kline), the well-known star of a former hit television comedy series, has begun a romance with Adam's ex-girlfriend, Vanessa (Ophelia Lovibond). Adam finds out, gets drunk and calls the women in his phone seeking a hookup. The next morning, he wakes on a sofa wearing nothing but a small towel. It turns out that he texted Emma and then came to the apartment she shares with some other residents—Patrice (Greta Gerwig), Shira (Mindy Kaling), and Guy (Guy Branum). Once there, he took off all his clothes and then passed out. Emma leads Adam to her bedroom to retrieve his missing pants and they end up having sex.
The two have sex again at Adam’s house and before she leaves Adam agrees to her proposal for a casual relationship (as she puts it, using each other for sex and nothing else). Adam warns Emma about falling in love with him, but she dismisses the idea and sets ground rules to keep what they’re doing from becoming too serious. At first things go well, but Adam becomes jealous when Sam (Ben Lawson)—another resident—seeks her attention. Adam brings Emma a gift (a mix CD) and she rebuffs him, saying they should stop for a while and hook up with other people. But after being apart for two weeks Emma returns to Adam and they continue being sex friends only.
Adam's birthday comes along a few months later. He goes out for dinner with Alvin and Vanessa, who announce their plan to have a baby together. Emma berates the other couple while defending Adam. He persuades her to go out together on Valentine's Day. Things fall apart when she becomes too uncomfortable during the date. An angry Emma advises Adam that he should find someone else who won’t hurt him. Adam tells Emma that he loves her—something she's not at all receptive to hearing—they have a fight, ending their arrangement.
Six weeks later, a script Adam wrote is being filmed. He gets a regular writing job on the show with the help of Lucy (Lake Bell), the show's assistant director, who is clearly attracted to Adam. Meanwhile, Emma is depressed over not being with Adam. The situation is compounded and complicated by her younger sister Katie's (Olivia Thirlby) wedding the next day and her widowed mother (Talia Balsam) arriving for the event with a male companion (Brian Dierker) of her own. Emma feels she is being strong for her mom by not letting herself get too close to anyone so she won't become upset by seeing Emma get hurt if a relationship ends poorly. Emma's mom tells her to stop.
When Emma confesses that she can't stop thinking about Adam, Katie insists that she call him to put things right. A nervous Emma phones Adam and tells him that she misses him. He responds that they were never really together. Realizing that she needs to speak with him in person, Emma leaves Santa Barbara where the wedding is taking place and drives to Adam's house. Her plans are ruined – and she has to hide to avoid being seen—when he arrives home with Lucy. Emma assumes Adam has a new girlfriend and tearfully drives away. Vanessa calls Adam before he and Lucy can have sex—Alvin has overdosed on a cough syrup-based drink called "Purple drank". Meeting Adam outside the hospital, Vanessa says that she is ending her relationship with Alvin and leaves for a party. Adam goes in to visit Alvin who surprisingly gives him some tender advice about falling in love.
Shira tells Emma about Adam's dad being admitted to the hospital. As Adam leaves the building he calls Emma and tells her that she must be present if she is going to say that she misses him. Emma gets out of her car as the call ends and Adam is stunned to suddenly find her there. She tells Adam that she is sorry she hurt him and confesses that she really loves and cares about him and they reconcile. After eating breakfast together the next morning—something that never happened before—they arrive in Santa Barbara just before Katie's wedding is starting. As they enter a room and pause Emma asks Adam what will happen next, and with a smile on his lips he silently intertwines her hand with his—for the first time they are holding hands together as a couple.
The end credits show an epilogue in which Alvin and Lucy are in a relationship, and are in a restaurant waiting for Adam to arrive to tell him. Adam’s roommate (Jake Johnson) and Patrice are in a relationship and are shown meeting his two dads. Vanessa had told Adam that old people scare her and she is ridden with anxiety when she is trapped in an elevator full of senior citizens. Adam and Emma are seen kissing in the park. Sam and Shira are in a relationship, but he wants his freedom and isn't pleased when she reveals that she’s already been seeing other men. Katie is having a baby and Emma is the delivering doctor. Guy lures a nervous-looking Sam into a hospital room. At last, Adam and Emma are shown peacefully sleeping together.
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"That she really loves Adam",
"she can't stop thinking about Adam"
]
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[
{
"content": "What does Emma confess?",
"role": "user"
}
] | 38,204
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[
" After first meeting at a summer camp as teenagers, Emma (Natalie Portman) and Adam (Ashton Kutcher) run into each other a few times as young adults but never keep in touch. Emma becomes a doctor in Los Angeles, Adam a production assistant for a musical television show. Adam's father Alvin (Kevin Kline), the well-known star of a former hit television comedy series, has begun a romance with Adam's ex-girlfriend, Vanessa (Ophelia Lovibond). Adam finds out, gets drunk and calls the women in his phone seeking a hookup. The next morning, he wakes on a sofa wearing nothing but a small towel. It turns out that he texted Emma and then came to the apartment she shares with some other residents—Patrice (Greta Gerwig), Shira (Mindy Kaling), and Guy (Guy Branum). Once there, he took off all his clothes and then passed out. Emma leads Adam to her bedroom to retrieve his missing pants and they end up having sex.\nThe two have sex again at Adam’s house and before she leaves Adam agrees to her proposal for a casual relationship (as she puts it, using each other for sex and nothing else). Adam warns Emma about falling in love with him, but she dismisses the idea and sets ground rules to keep what they’re doing from becoming too serious. At first things go well, but Adam becomes jealous when Sam (Ben Lawson)—another resident—seeks her attention. Adam brings Emma a gift (a mix CD) and she rebuffs him, saying they should stop for a while and hook up with other people. But after being apart for two weeks Emma returns to Adam and they continue being sex friends only.\nAdam's birthday comes along a few months later. He goes out for dinner with Alvin and Vanessa, who announce their plan to have a baby together. Emma berates the other couple while defending Adam. He persuades her to go out together on Valentine's Day. Things fall apart when she becomes too uncomfortable during the date. An angry Emma advises Adam that he should find someone else who won’t hurt him. Adam tells Emma that he loves her—something she's not at all receptive to hearing—they have a fight, ending their arrangement.\nSix weeks later, a script Adam wrote is being filmed. He gets a regular writing job on the show with the help of Lucy (Lake Bell), the show's assistant director, who is clearly attracted to Adam. Meanwhile, Emma is depressed over not being with Adam. The situation is compounded and complicated by her younger sister Katie's (Olivia Thirlby) wedding the next day and her widowed mother (Talia Balsam) arriving for the event with a male companion (Brian Dierker) of her own. Emma feels she is being strong for her mom by not letting herself get too close to anyone so she won't become upset by seeing Emma get hurt if a relationship ends poorly. Emma's mom tells her to stop.\nWhen Emma confesses that she can't stop thinking about Adam, Katie insists that she call him to put things right. A nervous Emma phones Adam and tells him that she misses him. He responds that they were never really together. Realizing that she needs to speak with him in person, Emma leaves Santa Barbara where the wedding is taking place and drives to Adam's house. Her plans are ruined – and she has to hide to avoid being seen—when he arrives home with Lucy. Emma assumes Adam has a new girlfriend and tearfully drives away. Vanessa calls Adam before he and Lucy can have sex—Alvin has overdosed on a cough syrup-based drink called \"Purple drank\". Meeting Adam outside the hospital, Vanessa says that she is ending her relationship with Alvin and leaves for a party. Adam goes in to visit Alvin who surprisingly gives him some tender advice about falling in love.\nShira tells Emma about Adam's dad being admitted to the hospital. As Adam leaves the building he calls Emma and tells her that she must be present if she is going to say that she misses him. Emma gets out of her car as the call ends and Adam is stunned to suddenly find her there. She tells Adam that she is sorry she hurt him and confesses that she really loves and cares about him and they reconcile. After eating breakfast together the next morning—something that never happened before—they arrive in Santa Barbara just before Katie's wedding is starting. As they enter a room and pause Emma asks Adam what will happen next, and with a smile on his lips he silently intertwines her hand with his—for the first time they are holding hands together as a couple.\nThe end credits show an epilogue in which Alvin and Lucy are in a relationship, and are in a restaurant waiting for Adam to arrive to tell him. Adam’s roommate (Jake Johnson) and Patrice are in a relationship and are shown meeting his two dads. Vanessa had told Adam that old people scare her and she is ridden with anxiety when she is trapped in an elevator full of senior citizens. Adam and Emma are seen kissing in the park. Sam and Shira are in a relationship, but he wants his freedom and isn't pleased when she reveals that she’s already been seeing other men. Katie is having a baby and Emma is the delivering doctor. Guy lures a nervous-looking Sam into a hospital room. At last, Adam and Emma are shown peacefully sleeping together.",
" After first meeting at a summer camp as teenagers, Emma (Natalie Portman) and Adam (Ashton Kutcher) run into each other a few times as young adults but never keep in touch. Emma becomes a doctor in Los Angeles, Adam a production assistant for a musical television show. Adam's father Alvin (Kevin Kline), the well-known star of a former hit television comedy series, has begun a romance with Adam's ex-girlfriend, Vanessa (Ophelia Lovibond). Adam finds out, gets drunk and calls the women in his phone seeking a hookup. The next morning, he wakes on a sofa wearing nothing but a small towel. It turns out that he texted Emma and then came to the apartment she shares with some other residents—Patrice (Greta Gerwig), Shira (Mindy Kaling), and Guy (Guy Branum). Once there, he took off all his clothes and then passed out. Emma leads Adam to her bedroom to retrieve his missing pants and they end up having sex.\nThe two have sex again at Adam’s house and before she leaves Adam agrees to her proposal for a casual relationship (as she puts it, using each other for sex and nothing else). Adam warns Emma about falling in love with him, but she dismisses the idea and sets ground rules to keep what they’re doing from becoming too serious. At first things go well, but Adam becomes jealous when Sam (Ben Lawson)—another resident—seeks her attention. Adam brings Emma a gift (a mix CD) and she rebuffs him, saying they should stop for a while and hook up with other people. But after being apart for two weeks Emma returns to Adam and they continue being sex friends only.\nAdam's birthday comes along a few months later. He goes out for dinner with Alvin and Vanessa, who announce their plan to have a baby together. Emma berates the other couple while defending Adam. He persuades her to go out together on Valentine's Day. Things fall apart when she becomes too uncomfortable during the date. An angry Emma advises Adam that he should find someone else who won’t hurt him. Adam tells Emma that he loves her—something she's not at all receptive to hearing—they have a fight, ending their arrangement.\nSix weeks later, a script Adam wrote is being filmed. He gets a regular writing job on the show with the help of Lucy (Lake Bell), the show's assistant director, who is clearly attracted to Adam. Meanwhile, Emma is depressed over not being with Adam. The situation is compounded and complicated by her younger sister Katie's (Olivia Thirlby) wedding the next day and her widowed mother (Talia Balsam) arriving for the event with a male companion (Brian Dierker) of her own. Emma feels she is being strong for her mom by not letting herself get too close to anyone so she won't become upset by seeing Emma get hurt if a relationship ends poorly. Emma's mom tells her to stop.\nWhen Emma confesses that she can't stop thinking about Adam, Katie insists that she call him to put things right. A nervous Emma phones Adam and tells him that she misses him. He responds that they were never really together. Realizing that she needs to speak with him in person, Emma leaves Santa Barbara where the wedding is taking place and drives to Adam's house. Her plans are ruined – and she has to hide to avoid being seen—when he arrives home with Lucy. Emma assumes Adam has a new girlfriend and tearfully drives away. Vanessa calls Adam before he and Lucy can have sex—Alvin has overdosed on a cough syrup-based drink called \"Purple drank\". Meeting Adam outside the hospital, Vanessa says that she is ending her relationship with Alvin and leaves for a party. Adam goes in to visit Alvin who surprisingly gives him some tender advice about falling in love.\nShira tells Emma about Adam's dad being admitted to the hospital. As Adam leaves the building he calls Emma and tells her that she must be present if she is going to say that she misses him. Emma gets out of her car as the call ends and Adam is stunned to suddenly find her there. She tells Adam that she is sorry she hurt him and confesses that she really loves and cares about him and they reconcile. After eating breakfast together the next morning—something that never happened before—they arrive in Santa Barbara just before Katie's wedding is starting. As they enter a room and pause Emma asks Adam what will happen next, and with a smile on his lips he silently intertwines her hand with his—for the first time they are holding hands together as a couple.\nThe end credits show an epilogue in which Alvin and Lucy are in a relationship, and are in a restaurant waiting for Adam to arrive to tell him. Adam’s roommate (Jake Johnson) and Patrice are in a relationship and are shown meeting his two dads. Vanessa had told Adam that old people scare her and she is ridden with anxiety when she is trapped in an elevator full of senior citizens. Adam and Emma are seen kissing in the park. Sam and Shira are in a relationship, but he wants his freedom and isn't pleased when she reveals that she’s already been seeing other men. Katie is having a baby and Emma is the delivering doctor. Guy lures a nervous-looking Sam into a hospital room. At last, Adam and Emma are shown peacefully sleeping together.",
" After first meeting at a summer camp as teenagers, Emma (Natalie Portman) and Adam (Ashton Kutcher) run into each other a few times as young adults but never keep in touch. Emma becomes a doctor in Los Angeles, Adam a production assistant for a musical television show. Adam's father Alvin (Kevin Kline), the well-known star of a former hit television comedy series, has begun a romance with Adam's ex-girlfriend, Vanessa (Ophelia Lovibond). Adam finds out, gets drunk and calls the women in his phone seeking a hookup. The next morning, he wakes on a sofa wearing nothing but a small towel. It turns out that he texted Emma and then came to the apartment she shares with some other residents—Patrice (Greta Gerwig), Shira (Mindy Kaling), and Guy (Guy Branum). Once there, he took off all his clothes and then passed out. Emma leads Adam to her bedroom to retrieve his missing pants and they end up having sex.\nThe two have sex again at Adam’s house and before she leaves Adam agrees to her proposal for a casual relationship (as she puts it, using each other for sex and nothing else). Adam warns Emma about falling in love with him, but she dismisses the idea and sets ground rules to keep what they’re doing from becoming too serious. At first things go well, but Adam becomes jealous when Sam (Ben Lawson)—another resident—seeks her attention. Adam brings Emma a gift (a mix CD) and she rebuffs him, saying they should stop for a while and hook up with other people. But after being apart for two weeks Emma returns to Adam and they continue being sex friends only.\nAdam's birthday comes along a few months later. He goes out for dinner with Alvin and Vanessa, who announce their plan to have a baby together. Emma berates the other couple while defending Adam. He persuades her to go out together on Valentine's Day. Things fall apart when she becomes too uncomfortable during the date. An angry Emma advises Adam that he should find someone else who won’t hurt him. Adam tells Emma that he loves her—something she's not at all receptive to hearing—they have a fight, ending their arrangement.\nSix weeks later, a script Adam wrote is being filmed. He gets a regular writing job on the show with the help of Lucy (Lake Bell), the show's assistant director, who is clearly attracted to Adam. Meanwhile, Emma is depressed over not being with Adam. The situation is compounded and complicated by her younger sister Katie's (Olivia Thirlby) wedding the next day and her widowed mother (Talia Balsam) arriving for the event with a male companion (Brian Dierker) of her own. Emma feels she is being strong for her mom by not letting herself get too close to anyone so she won't become upset by seeing Emma get hurt if a relationship ends poorly. Emma's mom tells her to stop.\nWhen Emma confesses that she can't stop thinking about Adam, Katie insists that she call him to put things right. A nervous Emma phones Adam and tells him that she misses him. He responds that they were never really together. Realizing that she needs to speak with him in person, Emma leaves Santa Barbara where the wedding is taking place and drives to Adam's house. Her plans are ruined – and she has to hide to avoid being seen—when he arrives home with Lucy. Emma assumes Adam has a new girlfriend and tearfully drives away. Vanessa calls Adam before he and Lucy can have sex—Alvin has overdosed on a cough syrup-based drink called \"Purple drank\". Meeting Adam outside the hospital, Vanessa says that she is ending her relationship with Alvin and leaves for a party. Adam goes in to visit Alvin who surprisingly gives him some tender advice about falling in love.\nShira tells Emma about Adam's dad being admitted to the hospital. As Adam leaves the building he calls Emma and tells her that she must be present if she is going to say that she misses him. Emma gets out of her car as the call ends and Adam is stunned to suddenly find her there. She tells Adam that she is sorry she hurt him and confesses that she really loves and cares about him and they reconcile. After eating breakfast together the next morning—something that never happened before—they arrive in Santa Barbara just before Katie's wedding is starting. As they enter a room and pause Emma asks Adam what will happen next, and with a smile on his lips he silently intertwines her hand with his—for the first time they are holding hands together as a couple.\nThe end credits show an epilogue in which Alvin and Lucy are in a relationship, and are in a restaurant waiting for Adam to arrive to tell him. Adam’s roommate (Jake Johnson) and Patrice are in a relationship and are shown meeting his two dads. Vanessa had told Adam that old people scare her and she is ridden with anxiety when she is trapped in an elevator full of senior citizens. Adam and Emma are seen kissing in the park. Sam and Shira are in a relationship, but he wants his freedom and isn't pleased when she reveals that she’s already been seeing other men. Katie is having a baby and Emma is the delivering doctor. Guy lures a nervous-looking Sam into a hospital room. At last, Adam and Emma are shown peacefully sleeping together.",
" After first meeting at a summer camp as teenagers, Emma (Natalie Portman) and Adam (Ashton Kutcher) run into each other a few times as young adults but never keep in touch. Emma becomes a doctor in Los Angeles, Adam a production assistant for a musical television show. Adam's father Alvin (Kevin Kline), the well-known star of a former hit television comedy series, has begun a romance with Adam's ex-girlfriend, Vanessa (Ophelia Lovibond). Adam finds out, gets drunk and calls the women in his phone seeking a hookup. The next morning, he wakes on a sofa wearing nothing but a small towel. It turns out that he texted Emma and then came to the apartment she shares with some other residents—Patrice (Greta Gerwig), Shira (Mindy Kaling), and Guy (Guy Branum). Once there, he took off all his clothes and then passed out. Emma leads Adam to her bedroom to retrieve his missing pants and they end up having sex.\nThe two have sex again at Adam’s house and before she leaves Adam agrees to her proposal for a casual relationship (as she puts it, using each other for sex and nothing else). Adam warns Emma about falling in love with him, but she dismisses the idea and sets ground rules to keep what they’re doing from becoming too serious. At first things go well, but Adam becomes jealous when Sam (Ben Lawson)—another resident—seeks her attention. Adam brings Emma a gift (a mix CD) and she rebuffs him, saying they should stop for a while and hook up with other people. But after being apart for two weeks Emma returns to Adam and they continue being sex friends only.\nAdam's birthday comes along a few months later. He goes out for dinner with Alvin and Vanessa, who announce their plan to have a baby together. Emma berates the other couple while defending Adam. He persuades her to go out together on Valentine's Day. Things fall apart when she becomes too uncomfortable during the date. An angry Emma advises Adam that he should find someone else who won’t hurt him. Adam tells Emma that he loves her—something she's not at all receptive to hearing—they have a fight, ending their arrangement.\nSix weeks later, a script Adam wrote is being filmed. He gets a regular writing job on the show with the help of Lucy (Lake Bell), the show's assistant director, who is clearly attracted to Adam. Meanwhile, Emma is depressed over not being with Adam. The situation is compounded and complicated by her younger sister Katie's (Olivia Thirlby) wedding the next day and her widowed mother (Talia Balsam) arriving for the event with a male companion (Brian Dierker) of her own. Emma feels she is being strong for her mom by not letting herself get too close to anyone so she won't become upset by seeing Emma get hurt if a relationship ends poorly. Emma's mom tells her to stop.\nWhen Emma confesses that she can't stop thinking about Adam, Katie insists that she call him to put things right. A nervous Emma phones Adam and tells him that she misses him. He responds that they were never really together. Realizing that she needs to speak with him in person, Emma leaves Santa Barbara where the wedding is taking place and drives to Adam's house. Her plans are ruined – and she has to hide to avoid being seen—when he arrives home with Lucy. Emma assumes Adam has a new girlfriend and tearfully drives away. Vanessa calls Adam before he and Lucy can have sex—Alvin has overdosed on a cough syrup-based drink called \"Purple drank\". Meeting Adam outside the hospital, Vanessa says that she is ending her relationship with Alvin and leaves for a party. Adam goes in to visit Alvin who surprisingly gives him some tender advice about falling in love.\nShira tells Emma about Adam's dad being admitted to the hospital. As Adam leaves the building he calls Emma and tells her that she must be present if she is going to say that she misses him. Emma gets out of her car as the call ends and Adam is stunned to suddenly find her there. She tells Adam that she is sorry she hurt him and confesses that she really loves and cares about him and they reconcile. After eating breakfast together the next morning—something that never happened before—they arrive in Santa Barbara just before Katie's wedding is starting. As they enter a room and pause Emma asks Adam what will happen next, and with a smile on his lips he silently intertwines her hand with his—for the first time they are holding hands together as a couple.\nThe end credits show an epilogue in which Alvin and Lucy are in a relationship, and are in a restaurant waiting for Adam to arrive to tell him. Adam’s roommate (Jake Johnson) and Patrice are in a relationship and are shown meeting his two dads. Vanessa had told Adam that old people scare her and she is ridden with anxiety when she is trapped in an elevator full of senior citizens. Adam and Emma are seen kissing in the park. Sam and Shira are in a relationship, but he wants his freedom and isn't pleased when she reveals that she’s already been seeing other men. Katie is having a baby and Emma is the delivering doctor. Guy lures a nervous-looking Sam into a hospital room. At last, Adam and Emma are shown peacefully sleeping together.",
" After first meeting at a summer camp as teenagers, Emma (Natalie Portman) and Adam (Ashton Kutcher) run into each other a few times as young adults but never keep in touch. Emma becomes a doctor in Los Angeles, Adam a production assistant for a musical television show. Adam's father Alvin (Kevin Kline), the well-known star of a former hit television comedy series, has begun a romance with Adam's ex-girlfriend, Vanessa (Ophelia Lovibond). Adam finds out, gets drunk and calls the women in his phone seeking a hookup. The next morning, he wakes on a sofa wearing nothing but a small towel. It turns out that he texted Emma and then came to the apartment she shares with some other residents—Patrice (Greta Gerwig), Shira (Mindy Kaling), and Guy (Guy Branum). Once there, he took off all his clothes and then passed out. Emma leads Adam to her bedroom to retrieve his missing pants and they end up having sex.\nThe two have sex again at Adam’s house and before she leaves Adam agrees to her proposal for a casual relationship (as she puts it, using each other for sex and nothing else). Adam warns Emma about falling in love with him, but she dismisses the idea and sets ground rules to keep what they’re doing from becoming too serious. At first things go well, but Adam becomes jealous when Sam (Ben Lawson)—another resident—seeks her attention. Adam brings Emma a gift (a mix CD) and she rebuffs him, saying they should stop for a while and hook up with other people. But after being apart for two weeks Emma returns to Adam and they continue being sex friends only.\nAdam's birthday comes along a few months later. He goes out for dinner with Alvin and Vanessa, who announce their plan to have a baby together. Emma berates the other couple while defending Adam. He persuades her to go out together on Valentine's Day. Things fall apart when she becomes too uncomfortable during the date. An angry Emma advises Adam that he should find someone else who won’t hurt him. Adam tells Emma that he loves her—something she's not at all receptive to hearing—they have a fight, ending their arrangement.\nSix weeks later, a script Adam wrote is being filmed. He gets a regular writing job on the show with the help of Lucy (Lake Bell), the show's assistant director, who is clearly attracted to Adam. Meanwhile, Emma is depressed over not being with Adam. The situation is compounded and complicated by her younger sister Katie's (Olivia Thirlby) wedding the next day and her widowed mother (Talia Balsam) arriving for the event with a male companion (Brian Dierker) of her own. Emma feels she is being strong for her mom by not letting herself get too close to anyone so she won't become upset by seeing Emma get hurt if a relationship ends poorly. Emma's mom tells her to stop.\nWhen Emma confesses that she can't stop thinking about Adam, Katie insists that she call him to put things right. A nervous Emma phones Adam and tells him that she misses him. He responds that they were never really together. Realizing that she needs to speak with him in person, Emma leaves Santa Barbara where the wedding is taking place and drives to Adam's house. Her plans are ruined – and she has to hide to avoid being seen—when he arrives home with Lucy. Emma assumes Adam has a new girlfriend and tearfully drives away. Vanessa calls Adam before he and Lucy can have sex—Alvin has overdosed on a cough syrup-based drink called \"Purple drank\". Meeting Adam outside the hospital, Vanessa says that she is ending her relationship with Alvin and leaves for a party. Adam goes in to visit Alvin who surprisingly gives him some tender advice about falling in love.\nShira tells Emma about Adam's dad being admitted to the hospital. As Adam leaves the building he calls Emma and tells her that she must be present if she is going to say that she misses him. Emma gets out of her car as the call ends and Adam is stunned to suddenly find her there. She tells Adam that she is sorry she hurt him and confesses that she really loves and cares about him and they reconcile. After eating breakfast together the next morning—something that never happened before—they arrive in Santa Barbara just before Katie's wedding is starting. As they enter a room and pause Emma asks Adam what will happen next, and with a smile on his lips he silently intertwines her hand with his—for the first time they are holding hands together as a couple.\nThe end credits show an epilogue in which Alvin and Lucy are in a relationship, and are in a restaurant waiting for Adam to arrive to tell him. Adam’s roommate (Jake Johnson) and Patrice are in a relationship and are shown meeting his two dads. Vanessa had told Adam that old people scare her and she is ridden with anxiety when she is trapped in an elevator full of senior citizens. Adam and Emma are seen kissing in the park. Sam and Shira are in a relationship, but he wants his freedom and isn't pleased when she reveals that she’s already been seeing other men. Katie is having a baby and Emma is the delivering doctor. Guy lures a nervous-looking Sam into a hospital room. At last, Adam and Emma are shown peacefully sleeping together.",
" After first meeting at a summer camp as teenagers, Emma (Natalie Portman) and Adam (Ashton Kutcher) run into each other a few times as young adults but never keep in touch. Emma becomes a doctor in Los Angeles, Adam a production assistant for a musical television show. Adam's father Alvin (Kevin Kline), the well-known star of a former hit television comedy series, has begun a romance with Adam's ex-girlfriend, Vanessa (Ophelia Lovibond). Adam finds out, gets drunk and calls the women in his phone seeking a hookup. The next morning, he wakes on a sofa wearing nothing but a small towel. It turns out that he texted Emma and then came to the apartment she shares with some other residents—Patrice (Greta Gerwig), Shira (Mindy Kaling), and Guy (Guy Branum). Once there, he took off all his clothes and then passed out. Emma leads Adam to her bedroom to retrieve his missing pants and they end up having sex.\nThe two have sex again at Adam’s house and before she leaves Adam agrees to her proposal for a casual relationship (as she puts it, using each other for sex and nothing else). Adam warns Emma about falling in love with him, but she dismisses the idea and sets ground rules to keep what they’re doing from becoming too serious. At first things go well, but Adam becomes jealous when Sam (Ben Lawson)—another resident—seeks her attention. Adam brings Emma a gift (a mix CD) and she rebuffs him, saying they should stop for a while and hook up with other people. But after being apart for two weeks Emma returns to Adam and they continue being sex friends only.\nAdam's birthday comes along a few months later. He goes out for dinner with Alvin and Vanessa, who announce their plan to have a baby together. Emma berates the other couple while defending Adam. He persuades her to go out together on Valentine's Day. Things fall apart when she becomes too uncomfortable during the date. An angry Emma advises Adam that he should find someone else who won’t hurt him. Adam tells Emma that he loves her—something she's not at all receptive to hearing—they have a fight, ending their arrangement.\nSix weeks later, a script Adam wrote is being filmed. He gets a regular writing job on the show with the help of Lucy (Lake Bell), the show's assistant director, who is clearly attracted to Adam. Meanwhile, Emma is depressed over not being with Adam. The situation is compounded and complicated by her younger sister Katie's (Olivia Thirlby) wedding the next day and her widowed mother (Talia Balsam) arriving for the event with a male companion (Brian Dierker) of her own. Emma feels she is being strong for her mom by not letting herself get too close to anyone so she won't become upset by seeing Emma get hurt if a relationship ends poorly. Emma's mom tells her to stop.\nWhen Emma confesses that she can't stop thinking about Adam, Katie insists that she call him to put things right. A nervous Emma phones Adam and tells him that she misses him. He responds that they were never really together. Realizing that she needs to speak with him in person, Emma leaves Santa Barbara where the wedding is taking place and drives to Adam's house. Her plans are ruined – and she has to hide to avoid being seen—when he arrives home with Lucy. Emma assumes Adam has a new girlfriend and tearfully drives away. Vanessa calls Adam before he and Lucy can have sex—Alvin has overdosed on a cough syrup-based drink called \"Purple drank\". Meeting Adam outside the hospital, Vanessa says that she is ending her relationship with Alvin and leaves for a party. Adam goes in to visit Alvin who surprisingly gives him some tender advice about falling in love.\nShira tells Emma about Adam's dad being admitted to the hospital. As Adam leaves the building he calls Emma and tells her that she must be present if she is going to say that she misses him. Emma gets out of her car as the call ends and Adam is stunned to suddenly find her there. She tells Adam that she is sorry she hurt him and confesses that she really loves and cares about him and they reconcile. After eating breakfast together the next morning—something that never happened before—they arrive in Santa Barbara just before Katie's wedding is starting. As they enter a room and pause Emma asks Adam what will happen next, and with a smile on his lips he silently intertwines her hand with his—for the first time they are holding hands together as a couple.\nThe end credits show an epilogue in which Alvin and Lucy are in a relationship, and are in a restaurant waiting for Adam to arrive to tell him. Adam’s roommate (Jake Johnson) and Patrice are in a relationship and are shown meeting his two dads. Vanessa had told Adam that old people scare her and she is ridden with anxiety when she is trapped in an elevator full of senior citizens. Adam and Emma are seen kissing in the park. Sam and Shira are in a relationship, but he wants his freedom and isn't pleased when she reveals that she’s already been seeing other men. Katie is having a baby and Emma is the delivering doctor. Guy lures a nervous-looking Sam into a hospital room. At last, Adam and Emma are shown peacefully sleeping together."
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train
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For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
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"Benefit Street.",
"Benefit Street. "
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[
{
"content": "Where is the abandoned house located?",
"role": "user"
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" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal."
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train
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For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
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[
[
"Mysterious deaths of its inhabitants.",
"The foul smell, weeds in the yard, whitish fungi in the cellar"
]
] |
[
{
"content": "What is so mysterious about the house?",
"role": "user"
}
] | 38,206
|
[
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal."
] |
[
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761
] |
[
38207,
38208,
38209,
38210,
38205
] |
train
|
For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
|
[
[
"A strange yellowish vapour.",
"yellowish vapor"
]
] |
[
{
"content": "What is discovered in the basement?",
"role": "user"
}
] | 38,207
|
[
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal."
] |
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0.9999997019767761,
0.9999997019767761
] |
[
38208,
38209,
38210,
38206,
38205
] |
train
|
For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
|
[
[
"French.",
"French"
]
] |
[
{
"content": "What language does Whipple's nephew start babbling in?",
"role": "user"
}
] | 38,208
|
[
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal."
] |
[
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761
] |
[
38207,
38209,
38210,
38206,
38205
] |
train
|
For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
|
[
[
"A monster",
"a monster"
]
] |
[
{
"content": "What does his uncle transform into?",
"role": "user"
}
] | 38,209
|
[
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal."
] |
[
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0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761
] |
[
38207,
38208,
38210,
38206,
38205
] |
train
|
For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
|
[
[
"To destroy supernatural beings.",
"There is a monster"
]
] |
[
{
"content": "Why do they arm themselves in the cellar?",
"role": "user"
}
] | 38,210
|
[
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal."
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train
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For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
|
[
[
"A gas mask, digging tools, and sulfuric acid.",
"barrels of acid, gas mask, digging tools"
]
] |
[
{
"content": "What is ordered to the cellar according to the plan?",
"role": "user"
}
] | 38,211
|
[
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal."
] |
[
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761
] |
[
38207,
38208,
38209,
38210,
38206,
38205
] |
train
|
For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
|
[
[
"A monster's elbow.",
"The elbow of a gigantic monster."
]
] |
[
{
"content": "What was found in the hole?",
"role": "user"
}
] | 38,212
|
[
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal."
] |
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0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761
] |
[
38207,
38208,
38209,
38210,
38206,
38205
] |
train
|
For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
|
[
[
"Six",
"four"
]
] |
[
{
"content": "How many barrels were emptied?",
"role": "user"
}
] | 38,213
|
[
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal."
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For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
|
[
[
"It is rented to another family.",
"Rented."
]
] |
[
{
"content": "What happens to the house at the end?",
"role": "user"
}
] | 38,214
|
[
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal."
] |
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0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761
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[
38207,
38208,
38209,
38210,
38206,
38205
] |
train
|
For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
|
[
[
"The mysterious sicknesses and deaths of many who had previously lived in the house.",
"The mysterious sickness and death of people who have lived in the house. "
]
] |
[
{
"content": "What was Dr. Whipple keeping records of?",
"role": "user"
}
] | 38,215
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[
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal."
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0.9999997019767761,
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[
38207,
38208,
38209,
38210,
38206,
38205
] |
train
|
For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
|
[
[
"Flamethrowers and a Crookes Tube.",
"Military flamethrowers."
]
] |
[
{
"content": "What form of protection did the protagonist and Dr. Whipple use while spending the night in the house?",
"role": "user"
}
] | 38,216
|
[
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal."
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For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
|
[
[
"French",
"french"
]
] |
[
{
"content": "What language was Dr. Whipple speaking in his sleep?",
"role": "user"
}
] | 38,217
|
[
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal."
] |
[
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761
] |
[
38207,
38208,
38209,
38210,
38206,
38205
] |
train
|
For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
|
[
[
"A monster with \"blackened, decaying features\" and dripping claws. ",
"A monster "
]
] |
[
{
"content": "The protagonist's Uncle transformed into what?",
"role": "user"
}
] | 38,218
|
[
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal."
] |
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0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761
] |
[
38207,
38208,
38209,
38210,
38206,
38205
] |
train
|
For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
|
[
[
"Benefit Street.",
"Benefit Street."
]
] |
[
{
"content": "Where was the old abandoned house located?",
"role": "user"
}
] | 38,219
|
[
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal."
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For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
|
[
[
"He found the monster's elbow.",
"Digging."
]
] |
[
{
"content": "How did the protagonist know there was a monster in the hole that was dug in the cellar?",
"role": "user"
}
] | 38,220
|
[
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal."
] |
[
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761
] |
[
38207,
38208,
38209,
38210,
38206,
38205
] |
train
|
For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
|
[
[
"A horrific scream.",
"A scream"
]
] |
[
{
"content": "What awakened the protagonist while he was sleeping?",
"role": "user"
}
] | 38,221
|
[
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal."
] |
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0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761
] |
[
38207,
38208,
38209,
38210,
38206,
38205
] |
train
|
For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
|
[
[
"They died in the house.",
"They died in the shunned house."
]
] |
[
{
"content": "What happened to the members of the Harris family?",
"role": "user"
}
] | 38,222
|
[
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal."
] |
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For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
|
[
[
"The strange fungus had turned to ash.",
"Fungus"
]
] |
[
{
"content": "After the protagonist awakened from fainting, what did he discover?",
"role": "user"
}
] | 38,223
|
[
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal."
] |
[
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761
] |
[
38207,
38208,
38209,
38210,
38206,
38205
] |
train
|
For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
|
[
[
"The house is rented to another family and appears to be normal.",
"it became normal"
]
] |
[
{
"content": "What happened to the house after the monster dies?",
"role": "user"
}
] | 38,224
|
[
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal."
] |
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0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761
] |
[
38207,
38208,
38209,
38210,
38206,
38205
] |
train
|
For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
|
[
[
"Babbling in French. ",
"Babbling in French."
]
] |
[
{
"content": "Tossing and turning as he naps what else does Dr. Elihu Whipple start doing? ",
"role": "user"
}
] | 38,225
|
[
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal."
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For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
|
[
[
"Lying in a open pit. ",
"lying in an open pit with faces staring down"
]
] |
[
{
"content": "What strange visions did Dr. Elihu Whipple experience while napping? ",
"role": "user"
}
] | 38,226
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[
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal."
] |
[
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761
] |
[
38207,
38208,
38209,
38210,
38206,
38205
] |
train
|
For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
|
[
[
"The Harris family members' faces. ",
"Harris Family."
]
] |
[
{
"content": "Whose were some of the faces that Dr. Elihu Whipple nap visions see? ",
"role": "user"
}
] | 38,227
|
[
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal."
] |
[
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761
] |
[
38207,
38208,
38209,
38210,
38206,
38205
] |
train
|
For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
|
[
[
"The elbow of a gigantic monster. ",
"A gigantic monster."
]
] |
[
{
"content": "What did Dr. Elihu Whipple's Nephew find in the shunned house? ",
"role": "user"
}
] | 38,228
|
[
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal."
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For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
|
[
[
"Dr. Elihu Whipple. ",
"Dr. Elihu Whipple."
]
] |
[
{
"content": "Who was the protagonist's uncle? ",
"role": "user"
}
] | 38,229
|
[
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal."
] |
[
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761
] |
[
38207,
38208,
38209,
38210,
38206,
38205
] |
train
|
For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
|
[
[
"Over one hundred years. ",
"100 hundred years."
]
] |
[
{
"content": "How far back do Dr. Elihu Whipple records go? ",
"role": "user"
}
] | 38,230
|
[
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal."
] |
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0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761
] |
[
38207,
38208,
38209,
38210,
38206,
38205
] |
train
|
For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
|
[
[
"He faints. ",
"He faints. "
]
] |
[
{
"content": "What happens to the protafonist once he empties the fourth barrel? ",
"role": "user"
}
] | 38,231
|
[
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal."
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For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
|
[
[
"On Benefit Street. ",
"benefit st"
]
] |
[
{
"content": "Where specifically was this old abandoned house? ",
"role": "user"
}
] | 38,232
|
[
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal."
] |
[
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761
] |
[
38207,
38208,
38209,
38210,
38206,
38205
] |
train
|
For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
|
[
[
"Their mysterious illnesses and deaths.",
"Extensive records"
]
] |
[
{
"content": "Dr. Elihu Whipple kept what kind of records of people who have lived in this abandoned house? ",
"role": "user"
}
] | 38,233
|
[
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.",
" For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.\nAfter the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.\nWhen Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.\nWhen the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish \"corpse-light\" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with \"blackened, decaying features\" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.\nThe protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.\nWhen he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal."
] |
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0.9999997019767761,
0.9999997019767761,
0.9999997019767761,
0.9999997019767761
] |
[
38207,
38208,
38209,
38210,
38206,
38205
] |
train
|
Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).
Winn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.
The police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.
Keegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.
At the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.
|
[
[
"One of her oldest friends, Winn Hockings",
"one of her oldest Friends,"
]
] |
[
{
"content": "Who sponsored the party that Claire Gregory attended?",
"role": "user"
}
] | 38,234
|
[
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son."
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Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).
Winn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.
The police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.
Keegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.
At the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.
|
[
[
"Because Winn did not ask to borrow money for his new art studio",
"BECAUSE WINN DID NOT BORROW MONEY FROM HIM FOR HIS STUDIO"
]
] |
[
{
"content": "Why was Joey Venza angry?",
"role": "user"
}
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[
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son."
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Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).
Winn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.
The police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.
Keegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.
At the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.
|
[
[
"Stabs him to death.",
"He stabs him,"
]
] |
[
{
"content": "How did Venza kill Winn?",
"role": "user"
}
] | 38,236
|
[
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son."
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Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).
Winn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.
The police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.
Keegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.
At the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.
|
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"Claire",
"Claire"
]
] |
[
{
"content": "Who witnessed the murder of Winn?",
"role": "user"
}
] | 38,237
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[
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son."
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Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).
Winn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.
The police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.
Keegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.
At the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.
|
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"She jumped into the elevator to escape him.",
"She gets in an elevator"
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[
{
"content": "How did Claire avoid being caught by Venza?",
"role": "user"
}
] | 38,238
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[
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son."
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Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).
Winn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.
The police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.
Keegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.
At the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.
|
[
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"Mike Keegan",
"Keegan"
]
] |
[
{
"content": "Who is the detective assigned to protect Claire?",
"role": "user"
}
] | 38,239
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[
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son."
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0.9999998807907104
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[
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train
|
Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).
Winn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.
The police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.
Keegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.
At the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.
|
[
[
"Ellie",
"Ellie"
]
] |
[
{
"content": "Who is Detective Keegan married to?",
"role": "user"
}
] | 38,240
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[
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son."
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Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).
Winn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.
The police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.
Keegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.
At the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.
|
[
[
"Because of his involvement with the case.",
"Because of his involvement in the case"
]
] |
[
{
"content": "Why do Detective Keegan and his wife, Ellie, separate?",
"role": "user"
}
] | 38,241
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[
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son."
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Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).
Winn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.
The police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.
Keegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.
At the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.
|
[
[
"He falls in love with her.",
"They fall in love"
]
] |
[
{
"content": "What does Detective Keegan do to cross the line with Claire?",
"role": "user"
}
] | 38,242
|
[
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son."
] |
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0.9999998807907104,
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train
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Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).
Winn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.
The police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.
Keegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.
At the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.
|
[
[
"He kidnaps his son.",
"Takes his son hostage"
]
] |
[
{
"content": "How does Venza draw out Keegan?",
"role": "user"
}
] | 38,243
|
[
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son."
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Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).
Winn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.
The police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.
Keegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.
At the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.
|
[
[
"Because Winn didn't come to Venza to borrow the money to open his art gallery.",
"He had not asked him to borrow money. "
]
] |
[
{
"content": "Why is Joey Venza angry with Winn?",
"role": "user"
}
] | 38,244
|
[
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son."
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Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).
Winn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.
The police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.
Keegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.
At the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.
|
[
[
"Clair had just gotten off the elevator when it happens.",
"CLAIRE"
]
] |
[
{
"content": "Who witnesses Venza stab and kill Winn?",
"role": "user"
}
] | 38,245
|
[
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son."
] |
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Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).
Winn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.
The police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.
Keegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.
At the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.
|
[
[
"Detective Mike Keegan",
"KEEGAN"
]
] |
[
{
"content": "Although he's married, who instantly falls for Clair?",
"role": "user"
}
] | 38,246
|
[
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son."
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Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).
Winn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.
The police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.
Keegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.
At the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.
|
[
[
"He loves her and Venza continues to threaten and make attempts on her life",
"They are in love"
]
] |
[
{
"content": "What's the reason that Keegan is so determined to protect Clair?",
"role": "user"
}
] | 38,247
|
[
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son."
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Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).
Winn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.
The police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.
Keegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.
At the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.
|
[
[
"Ellie and Keegan get separated",
"They separate"
]
] |
[
{
"content": "What happens to Keegan's marriage because of his involvement in the case?",
"role": "user"
}
] | 38,248
|
[
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son."
] |
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train
|
Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).
Winn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.
The police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.
Keegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.
At the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.
|
[
[
"He can't abandon Ellie and their son",
"Abandon his family"
]
] |
[
{
"content": "Although Keegan and Clair have admitted their feelings to one another, what can't Keegan make himself do?",
"role": "user"
}
] | 38,249
|
[
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son."
] |
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0.9999998807907104,
0.9999998807907104,
0.9999998807907104
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[
38236,
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38238,
38239,
38235,
38234
] |
train
|
Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).
Winn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.
The police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.
Keegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.
At the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.
|
[
[
"She is the only person who can positively say that he is the murder and she can point him out in court",
"She can identify him."
]
] |
[
{
"content": "Why is Venza so determined to get to Clair?",
"role": "user"
}
] | 38,250
|
[
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son."
] |
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0.9999998807907104,
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0.9999998807907104,
0.9999998807907104,
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[
38236,
38237,
38238,
38239,
38235,
38234
] |
train
|
Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).
Winn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.
The police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.
Keegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.
At the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.
|
[
[
"he kidnaps Keegan's son",
"he takes Keegan's son hostage"
]
] |
[
{
"content": "How does Venzo get Keegan to come out?",
"role": "user"
}
] | 38,251
|
[
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son."
] |
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train
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Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).
Winn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.
The police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.
Keegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.
At the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.
|
[
[
"Ellie",
"Ellie"
]
] |
[
{
"content": "Who kills Venzo?",
"role": "user"
}
] | 38,252
|
[
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son."
] |
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train
|
Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).
Winn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.
The police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.
Keegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.
At the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.
|
[
[
"Keegan goes back home to his wife and son, and Clair heads to Europe to force herself to get over Keegan.",
"Keegan goes back to his wife and Clair goes to Europe."
]
] |
[
{
"content": "What happens to Keegan and Clair at the end of the story?",
"role": "user"
}
] | 38,253
|
[
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son."
] |
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[
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38238,
38239,
38235,
38234
] |
train
|
Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).
Winn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.
The police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.
Keegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.
At the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.
|
[
[
"Winn Hockings",
"Winn Hockings"
]
] |
[
{
"content": "Who sponsored the art show and party attended by Claire Gregory?",
"role": "user"
}
] | 38,254
|
[
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son."
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Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).
Winn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.
The police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.
Keegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.
At the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.
|
[
[
"Her boyfriend, Neil Steinhart",
"HER BOYFIREND, NEIL"
]
] |
[
{
"content": "Who accompanies Claire to the party and art show?",
"role": "user"
}
] | 38,255
|
[
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son."
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train
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Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).
Winn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.
The police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.
Keegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.
At the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.
|
[
[
"NYPD Detective Mike Keegan",
"MIKE KEEGAN"
]
] |
[
{
"content": "Who is a party being held for in another part of town?",
"role": "user"
}
] | 38,256
|
[
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son."
] |
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[
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38238,
38239,
38235,
38234
] |
train
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Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).
Winn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.
The police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.
Keegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.
At the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.
|
[
[
"Because Winn did not come to Joey to borrow money for the studio.",
"Winn didn't borrow money from him"
]
] |
[
{
"content": "Why Winn's former partner, Joey Venza, upset?",
"role": "user"
}
] | 38,257
|
[
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son."
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Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).
Winn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.
The police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.
Keegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.
At the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.
|
[
[
"Stab Winn to death.",
"He stabs Winn to death"
]
] |
[
{
"content": "After an argument, what does Joey do?",
"role": "user"
}
] | 38,258
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[
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son."
] |
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train
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Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).
Winn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.
The police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.
Keegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.
At the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.
|
[
[
"Claire",
"Claire"
]
] |
[
{
"content": "Who witnesses the killing?",
"role": "user"
}
] | 38,259
|
[
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son."
] |
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[
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38238,
38239,
38235,
38234
] |
train
|
Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).
Winn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.
The police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.
Keegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.
At the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.
|
[
[
"His involvement in the case.",
"He got to involved in his work."
]
] |
[
{
"content": "Why do Keegan and his wife Ellen separate?",
"role": "user"
}
] | 38,260
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[
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son."
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Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).
Winn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.
The police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.
Keegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.
At the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.
|
[
[
"Because Keegan feels he cannot abandon his family.",
"Keegan is married"
]
] |
[
{
"content": "Why can't Claire and Keegan be together?",
"role": "user"
}
] | 38,261
|
[
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son."
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Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).
Winn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.
The police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.
Keegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.
At the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.
|
[
[
"By kidnapping his son.",
"taking his son hostage"
]
] |
[
{
"content": "How does Venza draw out Keegan?",
"role": "user"
}
] | 38,262
|
[
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son."
] |
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Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).
Winn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.
The police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.
Keegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.
At the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.
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"content": "Who kills Venza?",
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" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son.",
" Socialite Claire Gregory (Mimi Rogers) attends a party and art show sponsored by one of her oldest friends, Winn Hockings (Mark Moses). Accompanying her is her straitlaced boyfriend, Neil Steinhart (John Rubinstein). In another part of town, there is another party, this one for newly appointed NYPD detective Mike Keegan (Tom Berenger).\nWinn is accosted by a former partner, Joey Venza (Andreas Katsulas), who is angry because Winn had not come to him to borrow money for his new art studio. After a short argument, he stabs Winn to death. Claire witnesses the killing as she steps out of the elevator; she screams and is spotted by Venza. He pursues her, but she manages to get back into the elevator just in time.\nThe police are called in and the new detective Keegan is there. He is a married man, but immediately falls for Claire. Along with fellow cops, he is assigned to protect Claire until she can make a positive ID of Venza (once he is arrested) and testify in court.\nKeegan is determined to protect Claire and goes to extremes to do so. Venza makes numerous threats and attempts on her life, nearly succeeding at one point. Keegan and his wife Ellie (Lorraine Bracco) separate over his involvement in the case. He and Claire acknowledge their love but Keegan cannot bring himself to simply abandon his family.\nAt the end, Venza, who draws out Keegan by taking his son hostage, is shot by Ellie and killed. Claire breaks up with her staid boyfriend and intends to go to Europe to get over Keegan, who returns to his wife and son."
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After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.
On 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.
When she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.
As the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.
As more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out "you have burned a saint". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.
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" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven."
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After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.
On 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.
When she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.
As the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.
As more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out "you have burned a saint". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.
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"content": "What was Joan of Arc put on trial for?",
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" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven."
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After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.
On 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.
When she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.
As the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.
As more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out "you have burned a saint". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.
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"Drive the English from France."
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"content": "What did Joan think her mission was?",
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" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven."
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train
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After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.
On 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.
When she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.
As the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.
As more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out "you have burned a saint". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.
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[
[
"The letter is from King Charles VII of France.",
"King Charles VII of France"
]
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[
{
"content": "Who is the letter from the a priest reads to an illiterate Joan?",
"role": "user"
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] | 38,267
|
[
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven."
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train
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After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.
On 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.
When she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.
As the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.
As more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out "you have burned a saint". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.
|
[
[
"She is taken to a torture chamber. ",
"to the torture chamber"
]
] |
[
{
"content": "Where is Joan taken after the letter from King Charles VII is presented?",
"role": "user"
}
] | 38,268
|
[
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven."
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train
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After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.
On 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.
When she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.
As the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.
As more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out "you have burned a saint". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.
|
[
[
"Joan faints.",
"she recants her confession"
]
] |
[
{
"content": "What happens to Joan when she realizes where she is heading?",
"role": "user"
}
] | 38,269
|
[
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven."
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After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.
On 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.
When she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.
As the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.
As more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out "you have burned a saint". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.
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"The threat of buring at the stake.",
"she's threatened to be burned at the stake"
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[
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"content": "What causes Joan to break down and sign a confession?",
"role": "user"
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[
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven."
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train
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After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.
On 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.
When she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.
As the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.
As more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out "you have burned a saint". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.
|
[
[
"He decides to put her to death anyway.",
"Life imprisonment"
]
] |
[
{
"content": "After Joan signs the confession what does the judge decide?",
"role": "user"
}
] | 38,271
|
[
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven."
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train
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After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.
On 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.
When she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.
As the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.
As more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out "you have burned a saint". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.
|
[
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"She realizes that she has been unfaithful to God. ",
"That she has been unfaithful to God."
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"content": "What does Joan realize as the jailor shaves her head?",
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" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven."
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After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.
On 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.
When she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.
As the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.
As more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out "you have burned a saint". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.
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"The crowd thinks that she is a saint.",
"her true faith and calling"
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"content": "What do the crowd around the fire think about Jane as they watch her burn at the stake?",
"role": "user"
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[
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven."
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After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.
On 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.
When she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.
As the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.
As more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out "you have burned a saint". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.
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"Near Compiegne",
"near Compiegne"
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"content": "Where is Joan of Arc captured?",
"role": "user"
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" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven."
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After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.
On 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.
When she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.
As the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.
As more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out "you have burned a saint". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.
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"The Hundred Years' War",
"Hundred Years' War"
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"content": "Which war does Joan of Arc lead many battles in?",
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" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven."
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After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.
On 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.
When she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.
As the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.
As more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out "you have burned a saint". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.
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"The judges",
"Her judges."
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"content": "Who tries to get Joan of Arc to disclaim her beliefs?",
"role": "user"
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" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven."
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After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.
On 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.
When she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.
As the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.
As more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out "you have burned a saint". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.
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"To drive the English from France",
"The drive the English from France."
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"content": "What has God sent Joan of Arc to do?",
"role": "user"
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" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven."
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After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.
On 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.
When she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.
As the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.
As more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out "you have burned a saint". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.
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"King Charles VII of France",
"King Charles VII."
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[
{
"content": "Who is the false letter supposed to be from?",
"role": "user"
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[
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven."
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After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.
On 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.
When she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.
As the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.
As more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out "you have burned a saint". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.
|
[
[
"To the torture chamber",
"To view the torture chamber."
]
] |
[
{
"content": "Where is Joan taken after the false letter fails?",
"role": "user"
}
] | 38,279
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[
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven."
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train
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After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.
On 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.
When she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.
As the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.
As more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out "you have burned a saint". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.
|
[
[
"Being threatened with burned at the stake",
"she is threatened with burning at the stake"
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[
{
"content": "What causes Joan to sign a confession?",
"role": "user"
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] | 38,280
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" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven."
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After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.
On 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.
When she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.
As the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.
As more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out "you have burned a saint". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.
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"She realizes she has been unfaithful to God and recants her confession to the judge."
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"content": "What does Joan do while her head is being shaved?",
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" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven."
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After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.
On 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.
When she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.
As the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.
As more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out "you have burned a saint". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.
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"A man watching her burn",
"A man."
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[
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"content": "Who cries out that Joan is a saint?",
"role": "user"
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] | 38,282
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[
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven."
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train
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After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.
On 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.
When she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.
As the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.
As more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out "you have burned a saint". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.
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[
[
"To heaven",
"Heaven."
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[
{
"content": "Where does Joan's soul go?",
"role": "user"
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[
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven."
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train
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After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.
On 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.
When she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.
As the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.
As more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out "you have burned a saint". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.
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"the English",
"The English."
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{
"content": "Who did Joan lead numerous military battles against?",
"role": "user"
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[
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven."
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train
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After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.
On 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.
When she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.
As the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.
As more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out "you have burned a saint". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.
|
[
[
"the Hundred Year War",
"Hundred Years' War"
]
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[
{
"content": "During what war did Joan lead battles?",
"role": "user"
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[
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven."
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After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.
On 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.
When she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.
As the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.
As more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out "you have burned a saint". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.
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"content": "Near what city is Joan captured?",
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" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven."
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After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.
On 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.
When she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.
As the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.
As more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out "you have burned a saint". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.
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"Rouen, Normandy",
"Rouen, Normandy"
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[
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"content": "Where is Joan brought to stand trial?",
"role": "user"
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" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven."
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train
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After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.
On 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.
When she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.
As the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.
As more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out "you have burned a saint". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.
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"content": "Who interogates Joan?",
"role": "user"
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" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven."
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After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.
On 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.
When she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.
As the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.
As more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out "you have burned a saint". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.
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" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven."
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After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.
On 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.
When she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.
As the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.
As more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out "you have burned a saint". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.
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"content": "Who does Joan believe gave her the mission to drive the English from France?",
"role": "user"
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" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven."
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After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.
On 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.
When she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.
As the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.
As more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out "you have burned a saint". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.
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"The torture chamber."
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[
{
"content": "The sight of what does not intimidate Joan?",
"role": "user"
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[
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven."
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train
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After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.
On 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.
When she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.
As the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.
As more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out "you have burned a saint". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.
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"content": "The judge condemns Joan to what?",
"role": "user"
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" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven."
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38268,
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train
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After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.
On 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.
When she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.
As the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.
As more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out "you have burned a saint". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.
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[
{
"content": "Joan is permitted a final what?",
"role": "user"
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[
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven.",
" After having led numerous military battles against the English during the Hundred Years' War, Joan of Arc is captured near Compiegne and eventually brought to Rouen, Normandy to stand trial for heresy by French clergymen loyal to the English.\nOn 30 May 1431 Joan is interrogated by the French clerical court. Her judges try to make her say something that will discredit her claim or shake her belief that she has been given a mission by God to drive the English from France, but she remains steadfast. One or two of them, believing that she is indeed a saint, support her. The authorities then resort to deception. A priest reads a false letter to the illiterate prisoner supposedly from King Charles VII of France, telling her to trust in the bearer. When that too fails, Joan is taken to view the torture chamber, but the sight, though it causes her to faint, does not intimidate her.\nWhen she is threatened with burning at the stake, she finally breaks and allows a priest to guide her hand in signing a confession. However, the judge then condemns her to life imprisonment.\nAs the jailer shaves her head, she realises she has been unfaithful to God. She demands that the judges return and she recants her confession.\nAs more and more around her begin to recognise her true faith and calling she is permitted a final communion mass. She is then dressed in sack-cloth and taken to the place of execution. She helps the executioner tie her bonds. The crowds gather and the fire is lit. As the flames rise the women weep and a man cries out \"you have burned a saint\". The troops prepare for a riot. As the flames consume Joan the troops and crowd clash and people are killed. Joan is consumed by the flames but they protect her soul as it rises to heaven."
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The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.
On January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.
Tom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.
Summer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.
On day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.
Twelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.
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" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn."
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The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.
On January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.
Tom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.
Summer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.
On day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.
Twelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.
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"role": "user"
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" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn."
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The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.
On January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.
Tom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.
Summer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.
On day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.
Twelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.
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"That Tom likes Summer.",
"Tom likes Summer"
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"content": "What secret does McKenzie revealafter the Karaoke night?",
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" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn."
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train
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The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.
On January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.
Tom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.
Summer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.
On day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.
Twelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.
|
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"Tom steps in when a man flirts with Summer.",
"A man flirts with Summer "
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{
"content": "What causes Tom and Summer to have their first argument?",
"role": "user"
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" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn."
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The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.
On January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.
Tom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.
Summer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.
On day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.
Twelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.
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"Summer breaks up with Tom after seeing the film The Graduate.",
"They break up"
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"content": "What happens on day 290 of their relationship?",
"role": "user"
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" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn."
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The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.
On January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.
Tom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.
Summer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.
On day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.
Twelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.
|
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"His younger sister Rachel.",
"His sister Rachel"
]
] |
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{
"content": "Who helps Tom calm down following the break-up?",
"role": "user"
}
] | 38,299
|
[
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn.",
" The film is presented in a nonlinear narrative, jumping between various days within the 500 days of Tom and Summer's relationship. This is a linear summary of the plot.\nOn January 8, Tom Hansen meets Summer Finn, his boss's new assistant. Tom is trained as an architect but works as a writer at a greeting card company in Los Angeles. Following a karaoke night, Tom's friend and co-worker McKenzie reveals that Tom likes Summer. During the next few months Summer and Tom grow closer, despite Summer's telling him that she does not believe in true love and does not want a boyfriend.\nTom shows Summer his favorite spot in the city, which overlooks a number of buildings he likes, although the view is spoiled by parking lots. After several months of dating, Tom gets into a fight with a man who flirts with Summer, and Tom and Summer have their first argument. On day 290, Summer and Tom end their relationship after they see The Graduate, a film Summer is visibly moved by, but Tom is unaffected by. Tom does not take the breakup well, and his friends call his younger sister, Rachel, to calm him down.\nSummer quits her job at the greeting card company. Tom's boss moves him to the consolations department, as his depression is not suitable for happier events. Months later, Summer and Tom attend their co-worker Millie's wedding, where they dance together and Summer catches the bouquet. They sit next to each other on the trip home, and Summer invites Tom to a party at her apartment. He attends the party expecting to rekindle their relationship; instead, he barely gets to talk to Summer and spends most of the night alone drinking, until he spots her wearing an engagement ring. Tom leaves, close to tears. He enters a deep depression, only leaving his apartment for alcohol and junk food. After a few days, he returns to work with a hangover, and after an emotional outburst, quits his job. He rededicates himself to architecture, making a list of firms, assembling a portfolio, and attending interviews.\nOn day 488, Summer sees Tom at his favorite spot in the city, and they talk. Tom expresses his confusion about her actions. Summer explains that Tom was right that true love exists, and that she discovered someone else she had all the feelings for, which she had never been sure about with Tom. Summer holds Tom's hand. She says she is glad to see he is doing well. As she leaves, Tom tells her he really hopes she is happy.\nTwelve days later, on Wednesday, May 23, Tom attends a job interview and meets a beautiful girl who is also applying for the same job. He finds that she shares his favorite spot and dislike for the parking lots. Just before the interview, he makes a date to have coffee with her afterwards. She tells him her name is Autumn."
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[
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train
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