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When their father dies, Doctor Thomas Thorne and his younger, ne'er-do-well brother Henry are left to fend for themselves. Doctor Thorne begins to establish a medical practice, while Henry seduces Mary Scatcherd, the sister of stonemason Roger Scatcherd. When Scatcherd finds out that Mary has become pregnant, he seeks out Henry and kills him in a fight.
While her brother is in prison, Mary gives birth to a girl. A former suitor offers to marry her and emigrate to the United States to start a new life but refuses to take the baby. Doctor Thorne persuades her to accept the generous offer, promising to raise his niece. He names her Mary Thorne but wishing neither to have her illegitimacy made public nor to have her associate with the uncouth Roger Scatcherd, he keeps her birth secret. He tells Scatcherd that the baby had died.
After his release, Scatcherd rises quickly in the world as a railway project undertaker. In time, his skills make him extremely rich. When he completes a seemingly-impossible important project on time, he is made a baronet for his efforts. Throughout his career, he entrusts his financial affairs to Doctor Thorne. When Thorne becomes the family doctor to the Greshams, he persuades Scatcherd to lend ever growing sums to the head of the family, the local squire, who has troubles managing his finance. Eventually, much of the Gresham estate is put up as collateral.
Meanwhile, Mary grows up with the Gresham children and becomes a great favourite with the whole family. As a result, Thorne feels obliged to tell his friend the squire the secret concerning her birth.
Mary falls in love with Frank Gresham, the only son and heir of the squire of Greshamsbury and nephew of the Earl and Countess de Courcy, and he with her. His parents desperately need him to marry wealth, to rescue them from the financial distress resulting from the squire's expensive and fruitless campaigns for a seat in Parliament. As Mary is penniless and of low birth, such a marriage is frowned upon by his mother Lady Arabella and the de Courcys.
His snobbish mother and maternal aunt bearing the aristocratic de Courcy family name wish him to marry a thirty-year-old eccentric but intelligent and kind-hearted, heiress, Martha Dunstable. He reluctantly visits Courcy Castle and they become friends. He foolishly and playfully proposes. She demurs, knowing that he does not love her and he tells her about his love for Mary.
Sir Roger is a chronic drunkard and Doctor Thorne tries in vain to get him to curtail his drinking. In his will, he stipulates that the bulk of his estate go to his odious, dissolute only son Louis Philippe but he leaves Doctor Thorne in control of the inheritance until the heir reaches the age of twenty-five. Should Louis die before then, Scatcherd stipulates that the estate go to his sister Mary's eldest child. Thorne is forced to divulge Mary's history but Scatcherd leaves the will unchanged.
Sir Roger eventually dies of drink and Sir Louis inherits his vast wealth. The son proves just as much an alcoholic as the father and his weaker constitution quickly brings him to the same end, before he reaches twenty-five. After consulting with many lawyers, Doctor Thorne confirms that his niece Mary is the heiress, richer than even Miss Dunstable.
Unaware of these proceedings, the still resolute Frank finally persuades his doting father to consent to his marriage to Mary. When all is revealed, everyone is elated, even Frank's mother and Countess de Courcy and their wedding becomes a much talked of event after the marriage of Mr Oriel and Beatrice Gresham, Frank's younger sister and Mary's best friend. | [
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" When their father dies, Doctor Thomas Thorne and his younger, ne'er-do-well brother Henry are left to fend for themselves. Doctor Thorne begins to establish a medical practice, while Henry seduces Mary Scatcherd, the sister of stonemason Roger Scatcherd. When Scatcherd finds out that Mary has become pregnant, he ... | [
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When their father dies, Doctor Thomas Thorne and his younger, ne'er-do-well brother Henry are left to fend for themselves. Doctor Thorne begins to establish a medical practice, while Henry seduces Mary Scatcherd, the sister of stonemason Roger Scatcherd. When Scatcherd finds out that Mary has become pregnant, he seeks out Henry and kills him in a fight.
While her brother is in prison, Mary gives birth to a girl. A former suitor offers to marry her and emigrate to the United States to start a new life but refuses to take the baby. Doctor Thorne persuades her to accept the generous offer, promising to raise his niece. He names her Mary Thorne but wishing neither to have her illegitimacy made public nor to have her associate with the uncouth Roger Scatcherd, he keeps her birth secret. He tells Scatcherd that the baby had died.
After his release, Scatcherd rises quickly in the world as a railway project undertaker. In time, his skills make him extremely rich. When he completes a seemingly-impossible important project on time, he is made a baronet for his efforts. Throughout his career, he entrusts his financial affairs to Doctor Thorne. When Thorne becomes the family doctor to the Greshams, he persuades Scatcherd to lend ever growing sums to the head of the family, the local squire, who has troubles managing his finance. Eventually, much of the Gresham estate is put up as collateral.
Meanwhile, Mary grows up with the Gresham children and becomes a great favourite with the whole family. As a result, Thorne feels obliged to tell his friend the squire the secret concerning her birth.
Mary falls in love with Frank Gresham, the only son and heir of the squire of Greshamsbury and nephew of the Earl and Countess de Courcy, and he with her. His parents desperately need him to marry wealth, to rescue them from the financial distress resulting from the squire's expensive and fruitless campaigns for a seat in Parliament. As Mary is penniless and of low birth, such a marriage is frowned upon by his mother Lady Arabella and the de Courcys.
His snobbish mother and maternal aunt bearing the aristocratic de Courcy family name wish him to marry a thirty-year-old eccentric but intelligent and kind-hearted, heiress, Martha Dunstable. He reluctantly visits Courcy Castle and they become friends. He foolishly and playfully proposes. She demurs, knowing that he does not love her and he tells her about his love for Mary.
Sir Roger is a chronic drunkard and Doctor Thorne tries in vain to get him to curtail his drinking. In his will, he stipulates that the bulk of his estate go to his odious, dissolute only son Louis Philippe but he leaves Doctor Thorne in control of the inheritance until the heir reaches the age of twenty-five. Should Louis die before then, Scatcherd stipulates that the estate go to his sister Mary's eldest child. Thorne is forced to divulge Mary's history but Scatcherd leaves the will unchanged.
Sir Roger eventually dies of drink and Sir Louis inherits his vast wealth. The son proves just as much an alcoholic as the father and his weaker constitution quickly brings him to the same end, before he reaches twenty-five. After consulting with many lawyers, Doctor Thorne confirms that his niece Mary is the heiress, richer than even Miss Dunstable.
Unaware of these proceedings, the still resolute Frank finally persuades his doting father to consent to his marriage to Mary. When all is revealed, everyone is elated, even Frank's mother and Countess de Courcy and their wedding becomes a much talked of event after the marriage of Mr Oriel and Beatrice Gresham, Frank's younger sister and Mary's best friend. | [
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When their father dies, Doctor Thomas Thorne and his younger, ne'er-do-well brother Henry are left to fend for themselves. Doctor Thorne begins to establish a medical practice, while Henry seduces Mary Scatcherd, the sister of stonemason Roger Scatcherd. When Scatcherd finds out that Mary has become pregnant, he seeks out Henry and kills him in a fight.
While her brother is in prison, Mary gives birth to a girl. A former suitor offers to marry her and emigrate to the United States to start a new life but refuses to take the baby. Doctor Thorne persuades her to accept the generous offer, promising to raise his niece. He names her Mary Thorne but wishing neither to have her illegitimacy made public nor to have her associate with the uncouth Roger Scatcherd, he keeps her birth secret. He tells Scatcherd that the baby had died.
After his release, Scatcherd rises quickly in the world as a railway project undertaker. In time, his skills make him extremely rich. When he completes a seemingly-impossible important project on time, he is made a baronet for his efforts. Throughout his career, he entrusts his financial affairs to Doctor Thorne. When Thorne becomes the family doctor to the Greshams, he persuades Scatcherd to lend ever growing sums to the head of the family, the local squire, who has troubles managing his finance. Eventually, much of the Gresham estate is put up as collateral.
Meanwhile, Mary grows up with the Gresham children and becomes a great favourite with the whole family. As a result, Thorne feels obliged to tell his friend the squire the secret concerning her birth.
Mary falls in love with Frank Gresham, the only son and heir of the squire of Greshamsbury and nephew of the Earl and Countess de Courcy, and he with her. His parents desperately need him to marry wealth, to rescue them from the financial distress resulting from the squire's expensive and fruitless campaigns for a seat in Parliament. As Mary is penniless and of low birth, such a marriage is frowned upon by his mother Lady Arabella and the de Courcys.
His snobbish mother and maternal aunt bearing the aristocratic de Courcy family name wish him to marry a thirty-year-old eccentric but intelligent and kind-hearted, heiress, Martha Dunstable. He reluctantly visits Courcy Castle and they become friends. He foolishly and playfully proposes. She demurs, knowing that he does not love her and he tells her about his love for Mary.
Sir Roger is a chronic drunkard and Doctor Thorne tries in vain to get him to curtail his drinking. In his will, he stipulates that the bulk of his estate go to his odious, dissolute only son Louis Philippe but he leaves Doctor Thorne in control of the inheritance until the heir reaches the age of twenty-five. Should Louis die before then, Scatcherd stipulates that the estate go to his sister Mary's eldest child. Thorne is forced to divulge Mary's history but Scatcherd leaves the will unchanged.
Sir Roger eventually dies of drink and Sir Louis inherits his vast wealth. The son proves just as much an alcoholic as the father and his weaker constitution quickly brings him to the same end, before he reaches twenty-five. After consulting with many lawyers, Doctor Thorne confirms that his niece Mary is the heiress, richer than even Miss Dunstable.
Unaware of these proceedings, the still resolute Frank finally persuades his doting father to consent to his marriage to Mary. When all is revealed, everyone is elated, even Frank's mother and Countess de Courcy and their wedding becomes a much talked of event after the marriage of Mr Oriel and Beatrice Gresham, Frank's younger sister and Mary's best friend. | [
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When their father dies, Doctor Thomas Thorne and his younger, ne'er-do-well brother Henry are left to fend for themselves. Doctor Thorne begins to establish a medical practice, while Henry seduces Mary Scatcherd, the sister of stonemason Roger Scatcherd. When Scatcherd finds out that Mary has become pregnant, he seeks out Henry and kills him in a fight.
While her brother is in prison, Mary gives birth to a girl. A former suitor offers to marry her and emigrate to the United States to start a new life but refuses to take the baby. Doctor Thorne persuades her to accept the generous offer, promising to raise his niece. He names her Mary Thorne but wishing neither to have her illegitimacy made public nor to have her associate with the uncouth Roger Scatcherd, he keeps her birth secret. He tells Scatcherd that the baby had died.
After his release, Scatcherd rises quickly in the world as a railway project undertaker. In time, his skills make him extremely rich. When he completes a seemingly-impossible important project on time, he is made a baronet for his efforts. Throughout his career, he entrusts his financial affairs to Doctor Thorne. When Thorne becomes the family doctor to the Greshams, he persuades Scatcherd to lend ever growing sums to the head of the family, the local squire, who has troubles managing his finance. Eventually, much of the Gresham estate is put up as collateral.
Meanwhile, Mary grows up with the Gresham children and becomes a great favourite with the whole family. As a result, Thorne feels obliged to tell his friend the squire the secret concerning her birth.
Mary falls in love with Frank Gresham, the only son and heir of the squire of Greshamsbury and nephew of the Earl and Countess de Courcy, and he with her. His parents desperately need him to marry wealth, to rescue them from the financial distress resulting from the squire's expensive and fruitless campaigns for a seat in Parliament. As Mary is penniless and of low birth, such a marriage is frowned upon by his mother Lady Arabella and the de Courcys.
His snobbish mother and maternal aunt bearing the aristocratic de Courcy family name wish him to marry a thirty-year-old eccentric but intelligent and kind-hearted, heiress, Martha Dunstable. He reluctantly visits Courcy Castle and they become friends. He foolishly and playfully proposes. She demurs, knowing that he does not love her and he tells her about his love for Mary.
Sir Roger is a chronic drunkard and Doctor Thorne tries in vain to get him to curtail his drinking. In his will, he stipulates that the bulk of his estate go to his odious, dissolute only son Louis Philippe but he leaves Doctor Thorne in control of the inheritance until the heir reaches the age of twenty-five. Should Louis die before then, Scatcherd stipulates that the estate go to his sister Mary's eldest child. Thorne is forced to divulge Mary's history but Scatcherd leaves the will unchanged.
Sir Roger eventually dies of drink and Sir Louis inherits his vast wealth. The son proves just as much an alcoholic as the father and his weaker constitution quickly brings him to the same end, before he reaches twenty-five. After consulting with many lawyers, Doctor Thorne confirms that his niece Mary is the heiress, richer than even Miss Dunstable.
Unaware of these proceedings, the still resolute Frank finally persuades his doting father to consent to his marriage to Mary. When all is revealed, everyone is elated, even Frank's mother and Countess de Courcy and their wedding becomes a much talked of event after the marriage of Mr Oriel and Beatrice Gresham, Frank's younger sister and Mary's best friend. | [
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When their father dies, Doctor Thomas Thorne and his younger, ne'er-do-well brother Henry are left to fend for themselves. Doctor Thorne begins to establish a medical practice, while Henry seduces Mary Scatcherd, the sister of stonemason Roger Scatcherd. When Scatcherd finds out that Mary has become pregnant, he seeks out Henry and kills him in a fight.
While her brother is in prison, Mary gives birth to a girl. A former suitor offers to marry her and emigrate to the United States to start a new life but refuses to take the baby. Doctor Thorne persuades her to accept the generous offer, promising to raise his niece. He names her Mary Thorne but wishing neither to have her illegitimacy made public nor to have her associate with the uncouth Roger Scatcherd, he keeps her birth secret. He tells Scatcherd that the baby had died.
After his release, Scatcherd rises quickly in the world as a railway project undertaker. In time, his skills make him extremely rich. When he completes a seemingly-impossible important project on time, he is made a baronet for his efforts. Throughout his career, he entrusts his financial affairs to Doctor Thorne. When Thorne becomes the family doctor to the Greshams, he persuades Scatcherd to lend ever growing sums to the head of the family, the local squire, who has troubles managing his finance. Eventually, much of the Gresham estate is put up as collateral.
Meanwhile, Mary grows up with the Gresham children and becomes a great favourite with the whole family. As a result, Thorne feels obliged to tell his friend the squire the secret concerning her birth.
Mary falls in love with Frank Gresham, the only son and heir of the squire of Greshamsbury and nephew of the Earl and Countess de Courcy, and he with her. His parents desperately need him to marry wealth, to rescue them from the financial distress resulting from the squire's expensive and fruitless campaigns for a seat in Parliament. As Mary is penniless and of low birth, such a marriage is frowned upon by his mother Lady Arabella and the de Courcys.
His snobbish mother and maternal aunt bearing the aristocratic de Courcy family name wish him to marry a thirty-year-old eccentric but intelligent and kind-hearted, heiress, Martha Dunstable. He reluctantly visits Courcy Castle and they become friends. He foolishly and playfully proposes. She demurs, knowing that he does not love her and he tells her about his love for Mary.
Sir Roger is a chronic drunkard and Doctor Thorne tries in vain to get him to curtail his drinking. In his will, he stipulates that the bulk of his estate go to his odious, dissolute only son Louis Philippe but he leaves Doctor Thorne in control of the inheritance until the heir reaches the age of twenty-five. Should Louis die before then, Scatcherd stipulates that the estate go to his sister Mary's eldest child. Thorne is forced to divulge Mary's history but Scatcherd leaves the will unchanged.
Sir Roger eventually dies of drink and Sir Louis inherits his vast wealth. The son proves just as much an alcoholic as the father and his weaker constitution quickly brings him to the same end, before he reaches twenty-five. After consulting with many lawyers, Doctor Thorne confirms that his niece Mary is the heiress, richer than even Miss Dunstable.
Unaware of these proceedings, the still resolute Frank finally persuades his doting father to consent to his marriage to Mary. When all is revealed, everyone is elated, even Frank's mother and Countess de Courcy and their wedding becomes a much talked of event after the marriage of Mr Oriel and Beatrice Gresham, Frank's younger sister and Mary's best friend. | [
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When their father dies, Doctor Thomas Thorne and his younger, ne'er-do-well brother Henry are left to fend for themselves. Doctor Thorne begins to establish a medical practice, while Henry seduces Mary Scatcherd, the sister of stonemason Roger Scatcherd. When Scatcherd finds out that Mary has become pregnant, he seeks out Henry and kills him in a fight.
While her brother is in prison, Mary gives birth to a girl. A former suitor offers to marry her and emigrate to the United States to start a new life but refuses to take the baby. Doctor Thorne persuades her to accept the generous offer, promising to raise his niece. He names her Mary Thorne but wishing neither to have her illegitimacy made public nor to have her associate with the uncouth Roger Scatcherd, he keeps her birth secret. He tells Scatcherd that the baby had died.
After his release, Scatcherd rises quickly in the world as a railway project undertaker. In time, his skills make him extremely rich. When he completes a seemingly-impossible important project on time, he is made a baronet for his efforts. Throughout his career, he entrusts his financial affairs to Doctor Thorne. When Thorne becomes the family doctor to the Greshams, he persuades Scatcherd to lend ever growing sums to the head of the family, the local squire, who has troubles managing his finance. Eventually, much of the Gresham estate is put up as collateral.
Meanwhile, Mary grows up with the Gresham children and becomes a great favourite with the whole family. As a result, Thorne feels obliged to tell his friend the squire the secret concerning her birth.
Mary falls in love with Frank Gresham, the only son and heir of the squire of Greshamsbury and nephew of the Earl and Countess de Courcy, and he with her. His parents desperately need him to marry wealth, to rescue them from the financial distress resulting from the squire's expensive and fruitless campaigns for a seat in Parliament. As Mary is penniless and of low birth, such a marriage is frowned upon by his mother Lady Arabella and the de Courcys.
His snobbish mother and maternal aunt bearing the aristocratic de Courcy family name wish him to marry a thirty-year-old eccentric but intelligent and kind-hearted, heiress, Martha Dunstable. He reluctantly visits Courcy Castle and they become friends. He foolishly and playfully proposes. She demurs, knowing that he does not love her and he tells her about his love for Mary.
Sir Roger is a chronic drunkard and Doctor Thorne tries in vain to get him to curtail his drinking. In his will, he stipulates that the bulk of his estate go to his odious, dissolute only son Louis Philippe but he leaves Doctor Thorne in control of the inheritance until the heir reaches the age of twenty-five. Should Louis die before then, Scatcherd stipulates that the estate go to his sister Mary's eldest child. Thorne is forced to divulge Mary's history but Scatcherd leaves the will unchanged.
Sir Roger eventually dies of drink and Sir Louis inherits his vast wealth. The son proves just as much an alcoholic as the father and his weaker constitution quickly brings him to the same end, before he reaches twenty-five. After consulting with many lawyers, Doctor Thorne confirms that his niece Mary is the heiress, richer than even Miss Dunstable.
Unaware of these proceedings, the still resolute Frank finally persuades his doting father to consent to his marriage to Mary. When all is revealed, everyone is elated, even Frank's mother and Countess de Courcy and their wedding becomes a much talked of event after the marriage of Mr Oriel and Beatrice Gresham, Frank's younger sister and Mary's best friend. | [
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When their father dies, Doctor Thomas Thorne and his younger, ne'er-do-well brother Henry are left to fend for themselves. Doctor Thorne begins to establish a medical practice, while Henry seduces Mary Scatcherd, the sister of stonemason Roger Scatcherd. When Scatcherd finds out that Mary has become pregnant, he seeks out Henry and kills him in a fight.
While her brother is in prison, Mary gives birth to a girl. A former suitor offers to marry her and emigrate to the United States to start a new life but refuses to take the baby. Doctor Thorne persuades her to accept the generous offer, promising to raise his niece. He names her Mary Thorne but wishing neither to have her illegitimacy made public nor to have her associate with the uncouth Roger Scatcherd, he keeps her birth secret. He tells Scatcherd that the baby had died.
After his release, Scatcherd rises quickly in the world as a railway project undertaker. In time, his skills make him extremely rich. When he completes a seemingly-impossible important project on time, he is made a baronet for his efforts. Throughout his career, he entrusts his financial affairs to Doctor Thorne. When Thorne becomes the family doctor to the Greshams, he persuades Scatcherd to lend ever growing sums to the head of the family, the local squire, who has troubles managing his finance. Eventually, much of the Gresham estate is put up as collateral.
Meanwhile, Mary grows up with the Gresham children and becomes a great favourite with the whole family. As a result, Thorne feels obliged to tell his friend the squire the secret concerning her birth.
Mary falls in love with Frank Gresham, the only son and heir of the squire of Greshamsbury and nephew of the Earl and Countess de Courcy, and he with her. His parents desperately need him to marry wealth, to rescue them from the financial distress resulting from the squire's expensive and fruitless campaigns for a seat in Parliament. As Mary is penniless and of low birth, such a marriage is frowned upon by his mother Lady Arabella and the de Courcys.
His snobbish mother and maternal aunt bearing the aristocratic de Courcy family name wish him to marry a thirty-year-old eccentric but intelligent and kind-hearted, heiress, Martha Dunstable. He reluctantly visits Courcy Castle and they become friends. He foolishly and playfully proposes. She demurs, knowing that he does not love her and he tells her about his love for Mary.
Sir Roger is a chronic drunkard and Doctor Thorne tries in vain to get him to curtail his drinking. In his will, he stipulates that the bulk of his estate go to his odious, dissolute only son Louis Philippe but he leaves Doctor Thorne in control of the inheritance until the heir reaches the age of twenty-five. Should Louis die before then, Scatcherd stipulates that the estate go to his sister Mary's eldest child. Thorne is forced to divulge Mary's history but Scatcherd leaves the will unchanged.
Sir Roger eventually dies of drink and Sir Louis inherits his vast wealth. The son proves just as much an alcoholic as the father and his weaker constitution quickly brings him to the same end, before he reaches twenty-five. After consulting with many lawyers, Doctor Thorne confirms that his niece Mary is the heiress, richer than even Miss Dunstable.
Unaware of these proceedings, the still resolute Frank finally persuades his doting father to consent to his marriage to Mary. When all is revealed, everyone is elated, even Frank's mother and Countess de Courcy and their wedding becomes a much talked of event after the marriage of Mr Oriel and Beatrice Gresham, Frank's younger sister and Mary's best friend. | [
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" When their father dies, Doctor Thomas Thorne and his younger, ne'er-do-well brother Henry are left to fend for themselves. Doctor Thorne begins to establish a medical practice, while Henry seduces Mary Scatcherd, the sister of stonemason Roger Scatcherd. When Scatcherd finds out that Mary has become pregnant, he ... | [
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When their father dies, Doctor Thomas Thorne and his younger, ne'er-do-well brother Henry are left to fend for themselves. Doctor Thorne begins to establish a medical practice, while Henry seduces Mary Scatcherd, the sister of stonemason Roger Scatcherd. When Scatcherd finds out that Mary has become pregnant, he seeks out Henry and kills him in a fight.
While her brother is in prison, Mary gives birth to a girl. A former suitor offers to marry her and emigrate to the United States to start a new life but refuses to take the baby. Doctor Thorne persuades her to accept the generous offer, promising to raise his niece. He names her Mary Thorne but wishing neither to have her illegitimacy made public nor to have her associate with the uncouth Roger Scatcherd, he keeps her birth secret. He tells Scatcherd that the baby had died.
After his release, Scatcherd rises quickly in the world as a railway project undertaker. In time, his skills make him extremely rich. When he completes a seemingly-impossible important project on time, he is made a baronet for his efforts. Throughout his career, he entrusts his financial affairs to Doctor Thorne. When Thorne becomes the family doctor to the Greshams, he persuades Scatcherd to lend ever growing sums to the head of the family, the local squire, who has troubles managing his finance. Eventually, much of the Gresham estate is put up as collateral.
Meanwhile, Mary grows up with the Gresham children and becomes a great favourite with the whole family. As a result, Thorne feels obliged to tell his friend the squire the secret concerning her birth.
Mary falls in love with Frank Gresham, the only son and heir of the squire of Greshamsbury and nephew of the Earl and Countess de Courcy, and he with her. His parents desperately need him to marry wealth, to rescue them from the financial distress resulting from the squire's expensive and fruitless campaigns for a seat in Parliament. As Mary is penniless and of low birth, such a marriage is frowned upon by his mother Lady Arabella and the de Courcys.
His snobbish mother and maternal aunt bearing the aristocratic de Courcy family name wish him to marry a thirty-year-old eccentric but intelligent and kind-hearted, heiress, Martha Dunstable. He reluctantly visits Courcy Castle and they become friends. He foolishly and playfully proposes. She demurs, knowing that he does not love her and he tells her about his love for Mary.
Sir Roger is a chronic drunkard and Doctor Thorne tries in vain to get him to curtail his drinking. In his will, he stipulates that the bulk of his estate go to his odious, dissolute only son Louis Philippe but he leaves Doctor Thorne in control of the inheritance until the heir reaches the age of twenty-five. Should Louis die before then, Scatcherd stipulates that the estate go to his sister Mary's eldest child. Thorne is forced to divulge Mary's history but Scatcherd leaves the will unchanged.
Sir Roger eventually dies of drink and Sir Louis inherits his vast wealth. The son proves just as much an alcoholic as the father and his weaker constitution quickly brings him to the same end, before he reaches twenty-five. After consulting with many lawyers, Doctor Thorne confirms that his niece Mary is the heiress, richer than even Miss Dunstable.
Unaware of these proceedings, the still resolute Frank finally persuades his doting father to consent to his marriage to Mary. When all is revealed, everyone is elated, even Frank's mother and Countess de Courcy and their wedding becomes a much talked of event after the marriage of Mr Oriel and Beatrice Gresham, Frank's younger sister and Mary's best friend. | [
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" When their father dies, Doctor Thomas Thorne and his younger, ne'er-do-well brother Henry are left to fend for themselves. Doctor Thorne begins to establish a medical practice, while Henry seduces Mary Scatcherd, the sister of stonemason Roger Scatcherd. When Scatcherd finds out that Mary has become pregnant, he ... | [
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When their father dies, Doctor Thomas Thorne and his younger, ne'er-do-well brother Henry are left to fend for themselves. Doctor Thorne begins to establish a medical practice, while Henry seduces Mary Scatcherd, the sister of stonemason Roger Scatcherd. When Scatcherd finds out that Mary has become pregnant, he seeks out Henry and kills him in a fight.
While her brother is in prison, Mary gives birth to a girl. A former suitor offers to marry her and emigrate to the United States to start a new life but refuses to take the baby. Doctor Thorne persuades her to accept the generous offer, promising to raise his niece. He names her Mary Thorne but wishing neither to have her illegitimacy made public nor to have her associate with the uncouth Roger Scatcherd, he keeps her birth secret. He tells Scatcherd that the baby had died.
After his release, Scatcherd rises quickly in the world as a railway project undertaker. In time, his skills make him extremely rich. When he completes a seemingly-impossible important project on time, he is made a baronet for his efforts. Throughout his career, he entrusts his financial affairs to Doctor Thorne. When Thorne becomes the family doctor to the Greshams, he persuades Scatcherd to lend ever growing sums to the head of the family, the local squire, who has troubles managing his finance. Eventually, much of the Gresham estate is put up as collateral.
Meanwhile, Mary grows up with the Gresham children and becomes a great favourite with the whole family. As a result, Thorne feels obliged to tell his friend the squire the secret concerning her birth.
Mary falls in love with Frank Gresham, the only son and heir of the squire of Greshamsbury and nephew of the Earl and Countess de Courcy, and he with her. His parents desperately need him to marry wealth, to rescue them from the financial distress resulting from the squire's expensive and fruitless campaigns for a seat in Parliament. As Mary is penniless and of low birth, such a marriage is frowned upon by his mother Lady Arabella and the de Courcys.
His snobbish mother and maternal aunt bearing the aristocratic de Courcy family name wish him to marry a thirty-year-old eccentric but intelligent and kind-hearted, heiress, Martha Dunstable. He reluctantly visits Courcy Castle and they become friends. He foolishly and playfully proposes. She demurs, knowing that he does not love her and he tells her about his love for Mary.
Sir Roger is a chronic drunkard and Doctor Thorne tries in vain to get him to curtail his drinking. In his will, he stipulates that the bulk of his estate go to his odious, dissolute only son Louis Philippe but he leaves Doctor Thorne in control of the inheritance until the heir reaches the age of twenty-five. Should Louis die before then, Scatcherd stipulates that the estate go to his sister Mary's eldest child. Thorne is forced to divulge Mary's history but Scatcherd leaves the will unchanged.
Sir Roger eventually dies of drink and Sir Louis inherits his vast wealth. The son proves just as much an alcoholic as the father and his weaker constitution quickly brings him to the same end, before he reaches twenty-five. After consulting with many lawyers, Doctor Thorne confirms that his niece Mary is the heiress, richer than even Miss Dunstable.
Unaware of these proceedings, the still resolute Frank finally persuades his doting father to consent to his marriage to Mary. When all is revealed, everyone is elated, even Frank's mother and Countess de Courcy and their wedding becomes a much talked of event after the marriage of Mr Oriel and Beatrice Gresham, Frank's younger sister and Mary's best friend. | [
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" When their father dies, Doctor Thomas Thorne and his younger, ne'er-do-well brother Henry are left to fend for themselves. Doctor Thorne begins to establish a medical practice, while Henry seduces Mary Scatcherd, the sister of stonemason Roger Scatcherd. When Scatcherd finds out that Mary has become pregnant, he ... | [
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When their father dies, Doctor Thomas Thorne and his younger, ne'er-do-well brother Henry are left to fend for themselves. Doctor Thorne begins to establish a medical practice, while Henry seduces Mary Scatcherd, the sister of stonemason Roger Scatcherd. When Scatcherd finds out that Mary has become pregnant, he seeks out Henry and kills him in a fight.
While her brother is in prison, Mary gives birth to a girl. A former suitor offers to marry her and emigrate to the United States to start a new life but refuses to take the baby. Doctor Thorne persuades her to accept the generous offer, promising to raise his niece. He names her Mary Thorne but wishing neither to have her illegitimacy made public nor to have her associate with the uncouth Roger Scatcherd, he keeps her birth secret. He tells Scatcherd that the baby had died.
After his release, Scatcherd rises quickly in the world as a railway project undertaker. In time, his skills make him extremely rich. When he completes a seemingly-impossible important project on time, he is made a baronet for his efforts. Throughout his career, he entrusts his financial affairs to Doctor Thorne. When Thorne becomes the family doctor to the Greshams, he persuades Scatcherd to lend ever growing sums to the head of the family, the local squire, who has troubles managing his finance. Eventually, much of the Gresham estate is put up as collateral.
Meanwhile, Mary grows up with the Gresham children and becomes a great favourite with the whole family. As a result, Thorne feels obliged to tell his friend the squire the secret concerning her birth.
Mary falls in love with Frank Gresham, the only son and heir of the squire of Greshamsbury and nephew of the Earl and Countess de Courcy, and he with her. His parents desperately need him to marry wealth, to rescue them from the financial distress resulting from the squire's expensive and fruitless campaigns for a seat in Parliament. As Mary is penniless and of low birth, such a marriage is frowned upon by his mother Lady Arabella and the de Courcys.
His snobbish mother and maternal aunt bearing the aristocratic de Courcy family name wish him to marry a thirty-year-old eccentric but intelligent and kind-hearted, heiress, Martha Dunstable. He reluctantly visits Courcy Castle and they become friends. He foolishly and playfully proposes. She demurs, knowing that he does not love her and he tells her about his love for Mary.
Sir Roger is a chronic drunkard and Doctor Thorne tries in vain to get him to curtail his drinking. In his will, he stipulates that the bulk of his estate go to his odious, dissolute only son Louis Philippe but he leaves Doctor Thorne in control of the inheritance until the heir reaches the age of twenty-five. Should Louis die before then, Scatcherd stipulates that the estate go to his sister Mary's eldest child. Thorne is forced to divulge Mary's history but Scatcherd leaves the will unchanged.
Sir Roger eventually dies of drink and Sir Louis inherits his vast wealth. The son proves just as much an alcoholic as the father and his weaker constitution quickly brings him to the same end, before he reaches twenty-five. After consulting with many lawyers, Doctor Thorne confirms that his niece Mary is the heiress, richer than even Miss Dunstable.
Unaware of these proceedings, the still resolute Frank finally persuades his doting father to consent to his marriage to Mary. When all is revealed, everyone is elated, even Frank's mother and Countess de Courcy and their wedding becomes a much talked of event after the marriage of Mr Oriel and Beatrice Gresham, Frank's younger sister and Mary's best friend. | [
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" When their father dies, Doctor Thomas Thorne and his younger, ne'er-do-well brother Henry are left to fend for themselves. Doctor Thorne begins to establish a medical practice, while Henry seduces Mary Scatcherd, the sister of stonemason Roger Scatcherd. When Scatcherd finds out that Mary has become pregnant, he ... | [
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When their father dies, Doctor Thomas Thorne and his younger, ne'er-do-well brother Henry are left to fend for themselves. Doctor Thorne begins to establish a medical practice, while Henry seduces Mary Scatcherd, the sister of stonemason Roger Scatcherd. When Scatcherd finds out that Mary has become pregnant, he seeks out Henry and kills him in a fight.
While her brother is in prison, Mary gives birth to a girl. A former suitor offers to marry her and emigrate to the United States to start a new life but refuses to take the baby. Doctor Thorne persuades her to accept the generous offer, promising to raise his niece. He names her Mary Thorne but wishing neither to have her illegitimacy made public nor to have her associate with the uncouth Roger Scatcherd, he keeps her birth secret. He tells Scatcherd that the baby had died.
After his release, Scatcherd rises quickly in the world as a railway project undertaker. In time, his skills make him extremely rich. When he completes a seemingly-impossible important project on time, he is made a baronet for his efforts. Throughout his career, he entrusts his financial affairs to Doctor Thorne. When Thorne becomes the family doctor to the Greshams, he persuades Scatcherd to lend ever growing sums to the head of the family, the local squire, who has troubles managing his finance. Eventually, much of the Gresham estate is put up as collateral.
Meanwhile, Mary grows up with the Gresham children and becomes a great favourite with the whole family. As a result, Thorne feels obliged to tell his friend the squire the secret concerning her birth.
Mary falls in love with Frank Gresham, the only son and heir of the squire of Greshamsbury and nephew of the Earl and Countess de Courcy, and he with her. His parents desperately need him to marry wealth, to rescue them from the financial distress resulting from the squire's expensive and fruitless campaigns for a seat in Parliament. As Mary is penniless and of low birth, such a marriage is frowned upon by his mother Lady Arabella and the de Courcys.
His snobbish mother and maternal aunt bearing the aristocratic de Courcy family name wish him to marry a thirty-year-old eccentric but intelligent and kind-hearted, heiress, Martha Dunstable. He reluctantly visits Courcy Castle and they become friends. He foolishly and playfully proposes. She demurs, knowing that he does not love her and he tells her about his love for Mary.
Sir Roger is a chronic drunkard and Doctor Thorne tries in vain to get him to curtail his drinking. In his will, he stipulates that the bulk of his estate go to his odious, dissolute only son Louis Philippe but he leaves Doctor Thorne in control of the inheritance until the heir reaches the age of twenty-five. Should Louis die before then, Scatcherd stipulates that the estate go to his sister Mary's eldest child. Thorne is forced to divulge Mary's history but Scatcherd leaves the will unchanged.
Sir Roger eventually dies of drink and Sir Louis inherits his vast wealth. The son proves just as much an alcoholic as the father and his weaker constitution quickly brings him to the same end, before he reaches twenty-five. After consulting with many lawyers, Doctor Thorne confirms that his niece Mary is the heiress, richer than even Miss Dunstable.
Unaware of these proceedings, the still resolute Frank finally persuades his doting father to consent to his marriage to Mary. When all is revealed, everyone is elated, even Frank's mother and Countess de Courcy and their wedding becomes a much talked of event after the marriage of Mr Oriel and Beatrice Gresham, Frank's younger sister and Mary's best friend. | [
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When their father dies, Doctor Thomas Thorne and his younger, ne'er-do-well brother Henry are left to fend for themselves. Doctor Thorne begins to establish a medical practice, while Henry seduces Mary Scatcherd, the sister of stonemason Roger Scatcherd. When Scatcherd finds out that Mary has become pregnant, he seeks out Henry and kills him in a fight.
While her brother is in prison, Mary gives birth to a girl. A former suitor offers to marry her and emigrate to the United States to start a new life but refuses to take the baby. Doctor Thorne persuades her to accept the generous offer, promising to raise his niece. He names her Mary Thorne but wishing neither to have her illegitimacy made public nor to have her associate with the uncouth Roger Scatcherd, he keeps her birth secret. He tells Scatcherd that the baby had died.
After his release, Scatcherd rises quickly in the world as a railway project undertaker. In time, his skills make him extremely rich. When he completes a seemingly-impossible important project on time, he is made a baronet for his efforts. Throughout his career, he entrusts his financial affairs to Doctor Thorne. When Thorne becomes the family doctor to the Greshams, he persuades Scatcherd to lend ever growing sums to the head of the family, the local squire, who has troubles managing his finance. Eventually, much of the Gresham estate is put up as collateral.
Meanwhile, Mary grows up with the Gresham children and becomes a great favourite with the whole family. As a result, Thorne feels obliged to tell his friend the squire the secret concerning her birth.
Mary falls in love with Frank Gresham, the only son and heir of the squire of Greshamsbury and nephew of the Earl and Countess de Courcy, and he with her. His parents desperately need him to marry wealth, to rescue them from the financial distress resulting from the squire's expensive and fruitless campaigns for a seat in Parliament. As Mary is penniless and of low birth, such a marriage is frowned upon by his mother Lady Arabella and the de Courcys.
His snobbish mother and maternal aunt bearing the aristocratic de Courcy family name wish him to marry a thirty-year-old eccentric but intelligent and kind-hearted, heiress, Martha Dunstable. He reluctantly visits Courcy Castle and they become friends. He foolishly and playfully proposes. She demurs, knowing that he does not love her and he tells her about his love for Mary.
Sir Roger is a chronic drunkard and Doctor Thorne tries in vain to get him to curtail his drinking. In his will, he stipulates that the bulk of his estate go to his odious, dissolute only son Louis Philippe but he leaves Doctor Thorne in control of the inheritance until the heir reaches the age of twenty-five. Should Louis die before then, Scatcherd stipulates that the estate go to his sister Mary's eldest child. Thorne is forced to divulge Mary's history but Scatcherd leaves the will unchanged.
Sir Roger eventually dies of drink and Sir Louis inherits his vast wealth. The son proves just as much an alcoholic as the father and his weaker constitution quickly brings him to the same end, before he reaches twenty-five. After consulting with many lawyers, Doctor Thorne confirms that his niece Mary is the heiress, richer than even Miss Dunstable.
Unaware of these proceedings, the still resolute Frank finally persuades his doting father to consent to his marriage to Mary. When all is revealed, everyone is elated, even Frank's mother and Countess de Courcy and their wedding becomes a much talked of event after the marriage of Mr Oriel and Beatrice Gresham, Frank's younger sister and Mary's best friend. | [
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When their father dies, Doctor Thomas Thorne and his younger, ne'er-do-well brother Henry are left to fend for themselves. Doctor Thorne begins to establish a medical practice, while Henry seduces Mary Scatcherd, the sister of stonemason Roger Scatcherd. When Scatcherd finds out that Mary has become pregnant, he seeks out Henry and kills him in a fight.
While her brother is in prison, Mary gives birth to a girl. A former suitor offers to marry her and emigrate to the United States to start a new life but refuses to take the baby. Doctor Thorne persuades her to accept the generous offer, promising to raise his niece. He names her Mary Thorne but wishing neither to have her illegitimacy made public nor to have her associate with the uncouth Roger Scatcherd, he keeps her birth secret. He tells Scatcherd that the baby had died.
After his release, Scatcherd rises quickly in the world as a railway project undertaker. In time, his skills make him extremely rich. When he completes a seemingly-impossible important project on time, he is made a baronet for his efforts. Throughout his career, he entrusts his financial affairs to Doctor Thorne. When Thorne becomes the family doctor to the Greshams, he persuades Scatcherd to lend ever growing sums to the head of the family, the local squire, who has troubles managing his finance. Eventually, much of the Gresham estate is put up as collateral.
Meanwhile, Mary grows up with the Gresham children and becomes a great favourite with the whole family. As a result, Thorne feels obliged to tell his friend the squire the secret concerning her birth.
Mary falls in love with Frank Gresham, the only son and heir of the squire of Greshamsbury and nephew of the Earl and Countess de Courcy, and he with her. His parents desperately need him to marry wealth, to rescue them from the financial distress resulting from the squire's expensive and fruitless campaigns for a seat in Parliament. As Mary is penniless and of low birth, such a marriage is frowned upon by his mother Lady Arabella and the de Courcys.
His snobbish mother and maternal aunt bearing the aristocratic de Courcy family name wish him to marry a thirty-year-old eccentric but intelligent and kind-hearted, heiress, Martha Dunstable. He reluctantly visits Courcy Castle and they become friends. He foolishly and playfully proposes. She demurs, knowing that he does not love her and he tells her about his love for Mary.
Sir Roger is a chronic drunkard and Doctor Thorne tries in vain to get him to curtail his drinking. In his will, he stipulates that the bulk of his estate go to his odious, dissolute only son Louis Philippe but he leaves Doctor Thorne in control of the inheritance until the heir reaches the age of twenty-five. Should Louis die before then, Scatcherd stipulates that the estate go to his sister Mary's eldest child. Thorne is forced to divulge Mary's history but Scatcherd leaves the will unchanged.
Sir Roger eventually dies of drink and Sir Louis inherits his vast wealth. The son proves just as much an alcoholic as the father and his weaker constitution quickly brings him to the same end, before he reaches twenty-five. After consulting with many lawyers, Doctor Thorne confirms that his niece Mary is the heiress, richer than even Miss Dunstable.
Unaware of these proceedings, the still resolute Frank finally persuades his doting father to consent to his marriage to Mary. When all is revealed, everyone is elated, even Frank's mother and Countess de Courcy and their wedding becomes a much talked of event after the marriage of Mr Oriel and Beatrice Gresham, Frank's younger sister and Mary's best friend. | [
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" When their father dies, Doctor Thomas Thorne and his younger, ne'er-do-well brother Henry are left to fend for themselves. Doctor Thorne begins to establish a medical practice, while Henry seduces Mary Scatcherd, the sister of stonemason Roger Scatcherd. When Scatcherd finds out that Mary has become pregnant, he ... | [
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When their father dies, Doctor Thomas Thorne and his younger, ne'er-do-well brother Henry are left to fend for themselves. Doctor Thorne begins to establish a medical practice, while Henry seduces Mary Scatcherd, the sister of stonemason Roger Scatcherd. When Scatcherd finds out that Mary has become pregnant, he seeks out Henry and kills him in a fight.
While her brother is in prison, Mary gives birth to a girl. A former suitor offers to marry her and emigrate to the United States to start a new life but refuses to take the baby. Doctor Thorne persuades her to accept the generous offer, promising to raise his niece. He names her Mary Thorne but wishing neither to have her illegitimacy made public nor to have her associate with the uncouth Roger Scatcherd, he keeps her birth secret. He tells Scatcherd that the baby had died.
After his release, Scatcherd rises quickly in the world as a railway project undertaker. In time, his skills make him extremely rich. When he completes a seemingly-impossible important project on time, he is made a baronet for his efforts. Throughout his career, he entrusts his financial affairs to Doctor Thorne. When Thorne becomes the family doctor to the Greshams, he persuades Scatcherd to lend ever growing sums to the head of the family, the local squire, who has troubles managing his finance. Eventually, much of the Gresham estate is put up as collateral.
Meanwhile, Mary grows up with the Gresham children and becomes a great favourite with the whole family. As a result, Thorne feels obliged to tell his friend the squire the secret concerning her birth.
Mary falls in love with Frank Gresham, the only son and heir of the squire of Greshamsbury and nephew of the Earl and Countess de Courcy, and he with her. His parents desperately need him to marry wealth, to rescue them from the financial distress resulting from the squire's expensive and fruitless campaigns for a seat in Parliament. As Mary is penniless and of low birth, such a marriage is frowned upon by his mother Lady Arabella and the de Courcys.
His snobbish mother and maternal aunt bearing the aristocratic de Courcy family name wish him to marry a thirty-year-old eccentric but intelligent and kind-hearted, heiress, Martha Dunstable. He reluctantly visits Courcy Castle and they become friends. He foolishly and playfully proposes. She demurs, knowing that he does not love her and he tells her about his love for Mary.
Sir Roger is a chronic drunkard and Doctor Thorne tries in vain to get him to curtail his drinking. In his will, he stipulates that the bulk of his estate go to his odious, dissolute only son Louis Philippe but he leaves Doctor Thorne in control of the inheritance until the heir reaches the age of twenty-five. Should Louis die before then, Scatcherd stipulates that the estate go to his sister Mary's eldest child. Thorne is forced to divulge Mary's history but Scatcherd leaves the will unchanged.
Sir Roger eventually dies of drink and Sir Louis inherits his vast wealth. The son proves just as much an alcoholic as the father and his weaker constitution quickly brings him to the same end, before he reaches twenty-five. After consulting with many lawyers, Doctor Thorne confirms that his niece Mary is the heiress, richer than even Miss Dunstable.
Unaware of these proceedings, the still resolute Frank finally persuades his doting father to consent to his marriage to Mary. When all is revealed, everyone is elated, even Frank's mother and Countess de Courcy and their wedding becomes a much talked of event after the marriage of Mr Oriel and Beatrice Gresham, Frank's younger sister and Mary's best friend. | [
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31791,
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31793,
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31789
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When their father dies, Doctor Thomas Thorne and his younger, ne'er-do-well brother Henry are left to fend for themselves. Doctor Thorne begins to establish a medical practice, while Henry seduces Mary Scatcherd, the sister of stonemason Roger Scatcherd. When Scatcherd finds out that Mary has become pregnant, he seeks out Henry and kills him in a fight.
While her brother is in prison, Mary gives birth to a girl. A former suitor offers to marry her and emigrate to the United States to start a new life but refuses to take the baby. Doctor Thorne persuades her to accept the generous offer, promising to raise his niece. He names her Mary Thorne but wishing neither to have her illegitimacy made public nor to have her associate with the uncouth Roger Scatcherd, he keeps her birth secret. He tells Scatcherd that the baby had died.
After his release, Scatcherd rises quickly in the world as a railway project undertaker. In time, his skills make him extremely rich. When he completes a seemingly-impossible important project on time, he is made a baronet for his efforts. Throughout his career, he entrusts his financial affairs to Doctor Thorne. When Thorne becomes the family doctor to the Greshams, he persuades Scatcherd to lend ever growing sums to the head of the family, the local squire, who has troubles managing his finance. Eventually, much of the Gresham estate is put up as collateral.
Meanwhile, Mary grows up with the Gresham children and becomes a great favourite with the whole family. As a result, Thorne feels obliged to tell his friend the squire the secret concerning her birth.
Mary falls in love with Frank Gresham, the only son and heir of the squire of Greshamsbury and nephew of the Earl and Countess de Courcy, and he with her. His parents desperately need him to marry wealth, to rescue them from the financial distress resulting from the squire's expensive and fruitless campaigns for a seat in Parliament. As Mary is penniless and of low birth, such a marriage is frowned upon by his mother Lady Arabella and the de Courcys.
His snobbish mother and maternal aunt bearing the aristocratic de Courcy family name wish him to marry a thirty-year-old eccentric but intelligent and kind-hearted, heiress, Martha Dunstable. He reluctantly visits Courcy Castle and they become friends. He foolishly and playfully proposes. She demurs, knowing that he does not love her and he tells her about his love for Mary.
Sir Roger is a chronic drunkard and Doctor Thorne tries in vain to get him to curtail his drinking. In his will, he stipulates that the bulk of his estate go to his odious, dissolute only son Louis Philippe but he leaves Doctor Thorne in control of the inheritance until the heir reaches the age of twenty-five. Should Louis die before then, Scatcherd stipulates that the estate go to his sister Mary's eldest child. Thorne is forced to divulge Mary's history but Scatcherd leaves the will unchanged.
Sir Roger eventually dies of drink and Sir Louis inherits his vast wealth. The son proves just as much an alcoholic as the father and his weaker constitution quickly brings him to the same end, before he reaches twenty-five. After consulting with many lawyers, Doctor Thorne confirms that his niece Mary is the heiress, richer than even Miss Dunstable.
Unaware of these proceedings, the still resolute Frank finally persuades his doting father to consent to his marriage to Mary. When all is revealed, everyone is elated, even Frank's mother and Countess de Courcy and their wedding becomes a much talked of event after the marriage of Mr Oriel and Beatrice Gresham, Frank's younger sister and Mary's best friend. | [
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" When their father dies, Doctor Thomas Thorne and his younger, ne'er-do-well brother Henry are left to fend for themselves. Doctor Thorne begins to establish a medical practice, while Henry seduces Mary Scatcherd, the sister of stonemason Roger Scatcherd. When Scatcherd finds out that Mary has become pregnant, he ... | [
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When their father dies, Doctor Thomas Thorne and his younger, ne'er-do-well brother Henry are left to fend for themselves. Doctor Thorne begins to establish a medical practice, while Henry seduces Mary Scatcherd, the sister of stonemason Roger Scatcherd. When Scatcherd finds out that Mary has become pregnant, he seeks out Henry and kills him in a fight.
While her brother is in prison, Mary gives birth to a girl. A former suitor offers to marry her and emigrate to the United States to start a new life but refuses to take the baby. Doctor Thorne persuades her to accept the generous offer, promising to raise his niece. He names her Mary Thorne but wishing neither to have her illegitimacy made public nor to have her associate with the uncouth Roger Scatcherd, he keeps her birth secret. He tells Scatcherd that the baby had died.
After his release, Scatcherd rises quickly in the world as a railway project undertaker. In time, his skills make him extremely rich. When he completes a seemingly-impossible important project on time, he is made a baronet for his efforts. Throughout his career, he entrusts his financial affairs to Doctor Thorne. When Thorne becomes the family doctor to the Greshams, he persuades Scatcherd to lend ever growing sums to the head of the family, the local squire, who has troubles managing his finance. Eventually, much of the Gresham estate is put up as collateral.
Meanwhile, Mary grows up with the Gresham children and becomes a great favourite with the whole family. As a result, Thorne feels obliged to tell his friend the squire the secret concerning her birth.
Mary falls in love with Frank Gresham, the only son and heir of the squire of Greshamsbury and nephew of the Earl and Countess de Courcy, and he with her. His parents desperately need him to marry wealth, to rescue them from the financial distress resulting from the squire's expensive and fruitless campaigns for a seat in Parliament. As Mary is penniless and of low birth, such a marriage is frowned upon by his mother Lady Arabella and the de Courcys.
His snobbish mother and maternal aunt bearing the aristocratic de Courcy family name wish him to marry a thirty-year-old eccentric but intelligent and kind-hearted, heiress, Martha Dunstable. He reluctantly visits Courcy Castle and they become friends. He foolishly and playfully proposes. She demurs, knowing that he does not love her and he tells her about his love for Mary.
Sir Roger is a chronic drunkard and Doctor Thorne tries in vain to get him to curtail his drinking. In his will, he stipulates that the bulk of his estate go to his odious, dissolute only son Louis Philippe but he leaves Doctor Thorne in control of the inheritance until the heir reaches the age of twenty-five. Should Louis die before then, Scatcherd stipulates that the estate go to his sister Mary's eldest child. Thorne is forced to divulge Mary's history but Scatcherd leaves the will unchanged.
Sir Roger eventually dies of drink and Sir Louis inherits his vast wealth. The son proves just as much an alcoholic as the father and his weaker constitution quickly brings him to the same end, before he reaches twenty-five. After consulting with many lawyers, Doctor Thorne confirms that his niece Mary is the heiress, richer than even Miss Dunstable.
Unaware of these proceedings, the still resolute Frank finally persuades his doting father to consent to his marriage to Mary. When all is revealed, everyone is elated, even Frank's mother and Countess de Courcy and their wedding becomes a much talked of event after the marriage of Mr Oriel and Beatrice Gresham, Frank's younger sister and Mary's best friend. | [
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"content": "When will Louis Scatcherd acquire his inheritance?",
"role": "user"
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" When their father dies, Doctor Thomas Thorne and his younger, ne'er-do-well brother Henry are left to fend for themselves. Doctor Thorne begins to establish a medical practice, while Henry seduces Mary Scatcherd, the sister of stonemason Roger Scatcherd. When Scatcherd finds out that Mary has become pregnant, he ... | [
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When their father dies, Doctor Thomas Thorne and his younger, ne'er-do-well brother Henry are left to fend for themselves. Doctor Thorne begins to establish a medical practice, while Henry seduces Mary Scatcherd, the sister of stonemason Roger Scatcherd. When Scatcherd finds out that Mary has become pregnant, he seeks out Henry and kills him in a fight.
While her brother is in prison, Mary gives birth to a girl. A former suitor offers to marry her and emigrate to the United States to start a new life but refuses to take the baby. Doctor Thorne persuades her to accept the generous offer, promising to raise his niece. He names her Mary Thorne but wishing neither to have her illegitimacy made public nor to have her associate with the uncouth Roger Scatcherd, he keeps her birth secret. He tells Scatcherd that the baby had died.
After his release, Scatcherd rises quickly in the world as a railway project undertaker. In time, his skills make him extremely rich. When he completes a seemingly-impossible important project on time, he is made a baronet for his efforts. Throughout his career, he entrusts his financial affairs to Doctor Thorne. When Thorne becomes the family doctor to the Greshams, he persuades Scatcherd to lend ever growing sums to the head of the family, the local squire, who has troubles managing his finance. Eventually, much of the Gresham estate is put up as collateral.
Meanwhile, Mary grows up with the Gresham children and becomes a great favourite with the whole family. As a result, Thorne feels obliged to tell his friend the squire the secret concerning her birth.
Mary falls in love with Frank Gresham, the only son and heir of the squire of Greshamsbury and nephew of the Earl and Countess de Courcy, and he with her. His parents desperately need him to marry wealth, to rescue them from the financial distress resulting from the squire's expensive and fruitless campaigns for a seat in Parliament. As Mary is penniless and of low birth, such a marriage is frowned upon by his mother Lady Arabella and the de Courcys.
His snobbish mother and maternal aunt bearing the aristocratic de Courcy family name wish him to marry a thirty-year-old eccentric but intelligent and kind-hearted, heiress, Martha Dunstable. He reluctantly visits Courcy Castle and they become friends. He foolishly and playfully proposes. She demurs, knowing that he does not love her and he tells her about his love for Mary.
Sir Roger is a chronic drunkard and Doctor Thorne tries in vain to get him to curtail his drinking. In his will, he stipulates that the bulk of his estate go to his odious, dissolute only son Louis Philippe but he leaves Doctor Thorne in control of the inheritance until the heir reaches the age of twenty-five. Should Louis die before then, Scatcherd stipulates that the estate go to his sister Mary's eldest child. Thorne is forced to divulge Mary's history but Scatcherd leaves the will unchanged.
Sir Roger eventually dies of drink and Sir Louis inherits his vast wealth. The son proves just as much an alcoholic as the father and his weaker constitution quickly brings him to the same end, before he reaches twenty-five. After consulting with many lawyers, Doctor Thorne confirms that his niece Mary is the heiress, richer than even Miss Dunstable.
Unaware of these proceedings, the still resolute Frank finally persuades his doting father to consent to his marriage to Mary. When all is revealed, everyone is elated, even Frank's mother and Countess de Courcy and their wedding becomes a much talked of event after the marriage of Mr Oriel and Beatrice Gresham, Frank's younger sister and Mary's best friend. | [
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{
"content": "What causes Roger Scatcherd's death?",
"role": "user"
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] | 31,816 | [
" When their father dies, Doctor Thomas Thorne and his younger, ne'er-do-well brother Henry are left to fend for themselves. Doctor Thorne begins to establish a medical practice, while Henry seduces Mary Scatcherd, the sister of stonemason Roger Scatcherd. When Scatcherd finds out that Mary has become pregnant, he ... | [
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31791,
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31793,
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When their father dies, Doctor Thomas Thorne and his younger, ne'er-do-well brother Henry are left to fend for themselves. Doctor Thorne begins to establish a medical practice, while Henry seduces Mary Scatcherd, the sister of stonemason Roger Scatcherd. When Scatcherd finds out that Mary has become pregnant, he seeks out Henry and kills him in a fight.
While her brother is in prison, Mary gives birth to a girl. A former suitor offers to marry her and emigrate to the United States to start a new life but refuses to take the baby. Doctor Thorne persuades her to accept the generous offer, promising to raise his niece. He names her Mary Thorne but wishing neither to have her illegitimacy made public nor to have her associate with the uncouth Roger Scatcherd, he keeps her birth secret. He tells Scatcherd that the baby had died.
After his release, Scatcherd rises quickly in the world as a railway project undertaker. In time, his skills make him extremely rich. When he completes a seemingly-impossible important project on time, he is made a baronet for his efforts. Throughout his career, he entrusts his financial affairs to Doctor Thorne. When Thorne becomes the family doctor to the Greshams, he persuades Scatcherd to lend ever growing sums to the head of the family, the local squire, who has troubles managing his finance. Eventually, much of the Gresham estate is put up as collateral.
Meanwhile, Mary grows up with the Gresham children and becomes a great favourite with the whole family. As a result, Thorne feels obliged to tell his friend the squire the secret concerning her birth.
Mary falls in love with Frank Gresham, the only son and heir of the squire of Greshamsbury and nephew of the Earl and Countess de Courcy, and he with her. His parents desperately need him to marry wealth, to rescue them from the financial distress resulting from the squire's expensive and fruitless campaigns for a seat in Parliament. As Mary is penniless and of low birth, such a marriage is frowned upon by his mother Lady Arabella and the de Courcys.
His snobbish mother and maternal aunt bearing the aristocratic de Courcy family name wish him to marry a thirty-year-old eccentric but intelligent and kind-hearted, heiress, Martha Dunstable. He reluctantly visits Courcy Castle and they become friends. He foolishly and playfully proposes. She demurs, knowing that he does not love her and he tells her about his love for Mary.
Sir Roger is a chronic drunkard and Doctor Thorne tries in vain to get him to curtail his drinking. In his will, he stipulates that the bulk of his estate go to his odious, dissolute only son Louis Philippe but he leaves Doctor Thorne in control of the inheritance until the heir reaches the age of twenty-five. Should Louis die before then, Scatcherd stipulates that the estate go to his sister Mary's eldest child. Thorne is forced to divulge Mary's history but Scatcherd leaves the will unchanged.
Sir Roger eventually dies of drink and Sir Louis inherits his vast wealth. The son proves just as much an alcoholic as the father and his weaker constitution quickly brings him to the same end, before he reaches twenty-five. After consulting with many lawyers, Doctor Thorne confirms that his niece Mary is the heiress, richer than even Miss Dunstable.
Unaware of these proceedings, the still resolute Frank finally persuades his doting father to consent to his marriage to Mary. When all is revealed, everyone is elated, even Frank's mother and Countess de Courcy and their wedding becomes a much talked of event after the marriage of Mr Oriel and Beatrice Gresham, Frank's younger sister and Mary's best friend. | [
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{
"content": "Who inherits Roger Scatcherd's fortune?",
"role": "user"
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" When their father dies, Doctor Thomas Thorne and his younger, ne'er-do-well brother Henry are left to fend for themselves. Doctor Thorne begins to establish a medical practice, while Henry seduces Mary Scatcherd, the sister of stonemason Roger Scatcherd. When Scatcherd finds out that Mary has become pregnant, he ... | [
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31791,
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31789
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When their father dies, Doctor Thomas Thorne and his younger, ne'er-do-well brother Henry are left to fend for themselves. Doctor Thorne begins to establish a medical practice, while Henry seduces Mary Scatcherd, the sister of stonemason Roger Scatcherd. When Scatcherd finds out that Mary has become pregnant, he seeks out Henry and kills him in a fight.
While her brother is in prison, Mary gives birth to a girl. A former suitor offers to marry her and emigrate to the United States to start a new life but refuses to take the baby. Doctor Thorne persuades her to accept the generous offer, promising to raise his niece. He names her Mary Thorne but wishing neither to have her illegitimacy made public nor to have her associate with the uncouth Roger Scatcherd, he keeps her birth secret. He tells Scatcherd that the baby had died.
After his release, Scatcherd rises quickly in the world as a railway project undertaker. In time, his skills make him extremely rich. When he completes a seemingly-impossible important project on time, he is made a baronet for his efforts. Throughout his career, he entrusts his financial affairs to Doctor Thorne. When Thorne becomes the family doctor to the Greshams, he persuades Scatcherd to lend ever growing sums to the head of the family, the local squire, who has troubles managing his finance. Eventually, much of the Gresham estate is put up as collateral.
Meanwhile, Mary grows up with the Gresham children and becomes a great favourite with the whole family. As a result, Thorne feels obliged to tell his friend the squire the secret concerning her birth.
Mary falls in love with Frank Gresham, the only son and heir of the squire of Greshamsbury and nephew of the Earl and Countess de Courcy, and he with her. His parents desperately need him to marry wealth, to rescue them from the financial distress resulting from the squire's expensive and fruitless campaigns for a seat in Parliament. As Mary is penniless and of low birth, such a marriage is frowned upon by his mother Lady Arabella and the de Courcys.
His snobbish mother and maternal aunt bearing the aristocratic de Courcy family name wish him to marry a thirty-year-old eccentric but intelligent and kind-hearted, heiress, Martha Dunstable. He reluctantly visits Courcy Castle and they become friends. He foolishly and playfully proposes. She demurs, knowing that he does not love her and he tells her about his love for Mary.
Sir Roger is a chronic drunkard and Doctor Thorne tries in vain to get him to curtail his drinking. In his will, he stipulates that the bulk of his estate go to his odious, dissolute only son Louis Philippe but he leaves Doctor Thorne in control of the inheritance until the heir reaches the age of twenty-five. Should Louis die before then, Scatcherd stipulates that the estate go to his sister Mary's eldest child. Thorne is forced to divulge Mary's history but Scatcherd leaves the will unchanged.
Sir Roger eventually dies of drink and Sir Louis inherits his vast wealth. The son proves just as much an alcoholic as the father and his weaker constitution quickly brings him to the same end, before he reaches twenty-five. After consulting with many lawyers, Doctor Thorne confirms that his niece Mary is the heiress, richer than even Miss Dunstable.
Unaware of these proceedings, the still resolute Frank finally persuades his doting father to consent to his marriage to Mary. When all is revealed, everyone is elated, even Frank's mother and Countess de Courcy and their wedding becomes a much talked of event after the marriage of Mr Oriel and Beatrice Gresham, Frank's younger sister and Mary's best friend. | [
[
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{
"content": "Which of Mary's friends marries Mr. Oriel?",
"role": "user"
}
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" When their father dies, Doctor Thomas Thorne and his younger, ne'er-do-well brother Henry are left to fend for themselves. Doctor Thorne begins to establish a medical practice, while Henry seduces Mary Scatcherd, the sister of stonemason Roger Scatcherd. When Scatcherd finds out that Mary has become pregnant, he ... | [
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The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple was settled. While Dimple becomes snobbish in England, Maria betakes herself to books that "improve her taste": "The contrast was so striking betwixt the good sense of her books, and the flimsiness of her love-letters, that she discovered that she had unthinkingly engaged her hand without her heart."
In the second scene, Maria bemoans the "helpless situation of [her] sex": "Reputation is the life of a woman - and the only safe asylum a woman of delicacy can find, is in the arms of a man of honor." Even though Maria reveals to her father a lack of love towards Dimple, old Van Rough still wants her to marry Dimple, stressing that “money makes the mare go”. For him his daughter’s feelings are nonsense and money is the most important thing she should look out for. In a time when women usually were detained from enlightening their opinions by means of literature (biographies were acceptable, but no novels, since they were thought to produce a wrong world view), her father concludes that her sadness comes from “these vile books”. Not wanting to disappoint her father, Maria consents.
In Act II, Charlotte discovers that her brother, the good and honorable Colonel Manly, is in town. Manly fought in the Revolutionary War and is dressed in a soldier’s coat, which seems totally unfashionable to the city’s high society. Without knowing from each other’s affair, Letitia and Charlotte, secretly reveal to the audience that they are also courted by Dimple. Snobbish Jessamy meets simple Jonathan, who has never been to such a big town and almost kissed a “harlot” without realizing it. Jessamy convinces “almost married” Jonathan to pursue some maids in the city. Jessamy introduces Jonathan to Jenny, and after the former takes his leave, Manly’s manservant tries to kiss the girl. Jenny refuses angrily, since she thinks Jonathan much too unfashionable for her.
In Act III, Dimple says he loves Charlotte for her lively character, but needs Letitia's money. He also wants Maria to decline the match. Then Dimple, the villain, meets Manly and finds out that the Colonel is Charlotte’s brother – just in time to prevent himself from telling Manly about his detestable attitude towards women. Dimple has an extensive monologue where he declares his love for European culture, despite living in America.
In Act IV, Maria tells Charlotte that Dimple insults and disgusts her and that she met a lovely man full of honor (Manly) this morning. Charlotte, being interested in Dimple, unsuccessfully “endeavour[s] to excite her to discharge him.” Manly and Dimple enter and the family relations are revealed to all characters. Van Rough meanwhile finds out about Dimple having lost seventeen-thousand pounds due to gambling and decides not to have his daughter been married to such a fool. In that moment he more or less accidentally overhears a conversation between Manly and Maria revealing their love and affections to each other.
In Act V, Jessamy fails to teach high society’s rules of laughing to Jonathan, who just laughs too naturally. Dimple meets Letitia, telling her that he loves just her and that Charlotte is nothing else than a “trifling, gay, flighty coquette”. Charlotte enters and Letitia pretends to leave. She observes the following happenings. After Letitia seemed to be gone, Dimple tells Charlotte that he is in love with her and that Letitia is an “ugly creature!” When Dimple forcefully tries to kiss her, Charlotte screams and Manly comes in to help her quarrelling Dimple. Old Van Rough prevents the men from stabbing each other and Letitia enters to reveal the happenings to everyone. After Dimple is gone dishonored, Van Rough agrees to Manly’s marriage proposal and Maria ends up with Manly. | [
[
"he becomes snobbish",
"He is dishonored"
]
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{
"content": "How does Billy change while he's in England?",
"role": "user"
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] | 31,819 | [
" The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple ... | [
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1,
1,
1,
1
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31821,
31822,
31823,
31824,
31820
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The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple was settled. While Dimple becomes snobbish in England, Maria betakes herself to books that "improve her taste": "The contrast was so striking betwixt the good sense of her books, and the flimsiness of her love-letters, that she discovered that she had unthinkingly engaged her hand without her heart."
In the second scene, Maria bemoans the "helpless situation of [her] sex": "Reputation is the life of a woman - and the only safe asylum a woman of delicacy can find, is in the arms of a man of honor." Even though Maria reveals to her father a lack of love towards Dimple, old Van Rough still wants her to marry Dimple, stressing that “money makes the mare go”. For him his daughter’s feelings are nonsense and money is the most important thing she should look out for. In a time when women usually were detained from enlightening their opinions by means of literature (biographies were acceptable, but no novels, since they were thought to produce a wrong world view), her father concludes that her sadness comes from “these vile books”. Not wanting to disappoint her father, Maria consents.
In Act II, Charlotte discovers that her brother, the good and honorable Colonel Manly, is in town. Manly fought in the Revolutionary War and is dressed in a soldier’s coat, which seems totally unfashionable to the city’s high society. Without knowing from each other’s affair, Letitia and Charlotte, secretly reveal to the audience that they are also courted by Dimple. Snobbish Jessamy meets simple Jonathan, who has never been to such a big town and almost kissed a “harlot” without realizing it. Jessamy convinces “almost married” Jonathan to pursue some maids in the city. Jessamy introduces Jonathan to Jenny, and after the former takes his leave, Manly’s manservant tries to kiss the girl. Jenny refuses angrily, since she thinks Jonathan much too unfashionable for her.
In Act III, Dimple says he loves Charlotte for her lively character, but needs Letitia's money. He also wants Maria to decline the match. Then Dimple, the villain, meets Manly and finds out that the Colonel is Charlotte’s brother – just in time to prevent himself from telling Manly about his detestable attitude towards women. Dimple has an extensive monologue where he declares his love for European culture, despite living in America.
In Act IV, Maria tells Charlotte that Dimple insults and disgusts her and that she met a lovely man full of honor (Manly) this morning. Charlotte, being interested in Dimple, unsuccessfully “endeavour[s] to excite her to discharge him.” Manly and Dimple enter and the family relations are revealed to all characters. Van Rough meanwhile finds out about Dimple having lost seventeen-thousand pounds due to gambling and decides not to have his daughter been married to such a fool. In that moment he more or less accidentally overhears a conversation between Manly and Maria revealing their love and affections to each other.
In Act V, Jessamy fails to teach high society’s rules of laughing to Jonathan, who just laughs too naturally. Dimple meets Letitia, telling her that he loves just her and that Charlotte is nothing else than a “trifling, gay, flighty coquette”. Charlotte enters and Letitia pretends to leave. She observes the following happenings. After Letitia seemed to be gone, Dimple tells Charlotte that he is in love with her and that Letitia is an “ugly creature!” When Dimple forcefully tries to kiss her, Charlotte screams and Manly comes in to help her quarrelling Dimple. Old Van Rough prevents the men from stabbing each other and Letitia enters to reveal the happenings to everyone. After Dimple is gone dishonored, Van Rough agrees to Manly’s marriage proposal and Maria ends up with Manly. | [
[
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{
"content": "Why does Maria's father want her to marry Billy?",
"role": "user"
}
] | 31,820 | [
" The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple ... | [
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1,
1,
1,
1,
1
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31821,
31822,
31823,
31824,
31819
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The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple was settled. While Dimple becomes snobbish in England, Maria betakes herself to books that "improve her taste": "The contrast was so striking betwixt the good sense of her books, and the flimsiness of her love-letters, that she discovered that she had unthinkingly engaged her hand without her heart."
In the second scene, Maria bemoans the "helpless situation of [her] sex": "Reputation is the life of a woman - and the only safe asylum a woman of delicacy can find, is in the arms of a man of honor." Even though Maria reveals to her father a lack of love towards Dimple, old Van Rough still wants her to marry Dimple, stressing that “money makes the mare go”. For him his daughter’s feelings are nonsense and money is the most important thing she should look out for. In a time when women usually were detained from enlightening their opinions by means of literature (biographies were acceptable, but no novels, since they were thought to produce a wrong world view), her father concludes that her sadness comes from “these vile books”. Not wanting to disappoint her father, Maria consents.
In Act II, Charlotte discovers that her brother, the good and honorable Colonel Manly, is in town. Manly fought in the Revolutionary War and is dressed in a soldier’s coat, which seems totally unfashionable to the city’s high society. Without knowing from each other’s affair, Letitia and Charlotte, secretly reveal to the audience that they are also courted by Dimple. Snobbish Jessamy meets simple Jonathan, who has never been to such a big town and almost kissed a “harlot” without realizing it. Jessamy convinces “almost married” Jonathan to pursue some maids in the city. Jessamy introduces Jonathan to Jenny, and after the former takes his leave, Manly’s manservant tries to kiss the girl. Jenny refuses angrily, since she thinks Jonathan much too unfashionable for her.
In Act III, Dimple says he loves Charlotte for her lively character, but needs Letitia's money. He also wants Maria to decline the match. Then Dimple, the villain, meets Manly and finds out that the Colonel is Charlotte’s brother – just in time to prevent himself from telling Manly about his detestable attitude towards women. Dimple has an extensive monologue where he declares his love for European culture, despite living in America.
In Act IV, Maria tells Charlotte that Dimple insults and disgusts her and that she met a lovely man full of honor (Manly) this morning. Charlotte, being interested in Dimple, unsuccessfully “endeavour[s] to excite her to discharge him.” Manly and Dimple enter and the family relations are revealed to all characters. Van Rough meanwhile finds out about Dimple having lost seventeen-thousand pounds due to gambling and decides not to have his daughter been married to such a fool. In that moment he more or less accidentally overhears a conversation between Manly and Maria revealing their love and affections to each other.
In Act V, Jessamy fails to teach high society’s rules of laughing to Jonathan, who just laughs too naturally. Dimple meets Letitia, telling her that he loves just her and that Charlotte is nothing else than a “trifling, gay, flighty coquette”. Charlotte enters and Letitia pretends to leave. She observes the following happenings. After Letitia seemed to be gone, Dimple tells Charlotte that he is in love with her and that Letitia is an “ugly creature!” When Dimple forcefully tries to kiss her, Charlotte screams and Manly comes in to help her quarrelling Dimple. Old Van Rough prevents the men from stabbing each other and Letitia enters to reveal the happenings to everyone. After Dimple is gone dishonored, Van Rough agrees to Manly’s marriage proposal and Maria ends up with Manly. | [
[
"books",
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] | [
{
"content": "What does Van Rough blame for his daughter's unhappiness?",
"role": "user"
}
] | 31,821 | [
" The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple ... | [
1,
1,
1,
1,
1,
1
] | [
31822,
31823,
31824,
31820,
31819
] | train |
The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple was settled. While Dimple becomes snobbish in England, Maria betakes herself to books that "improve her taste": "The contrast was so striking betwixt the good sense of her books, and the flimsiness of her love-letters, that she discovered that she had unthinkingly engaged her hand without her heart."
In the second scene, Maria bemoans the "helpless situation of [her] sex": "Reputation is the life of a woman - and the only safe asylum a woman of delicacy can find, is in the arms of a man of honor." Even though Maria reveals to her father a lack of love towards Dimple, old Van Rough still wants her to marry Dimple, stressing that “money makes the mare go”. For him his daughter’s feelings are nonsense and money is the most important thing she should look out for. In a time when women usually were detained from enlightening their opinions by means of literature (biographies were acceptable, but no novels, since they were thought to produce a wrong world view), her father concludes that her sadness comes from “these vile books”. Not wanting to disappoint her father, Maria consents.
In Act II, Charlotte discovers that her brother, the good and honorable Colonel Manly, is in town. Manly fought in the Revolutionary War and is dressed in a soldier’s coat, which seems totally unfashionable to the city’s high society. Without knowing from each other’s affair, Letitia and Charlotte, secretly reveal to the audience that they are also courted by Dimple. Snobbish Jessamy meets simple Jonathan, who has never been to such a big town and almost kissed a “harlot” without realizing it. Jessamy convinces “almost married” Jonathan to pursue some maids in the city. Jessamy introduces Jonathan to Jenny, and after the former takes his leave, Manly’s manservant tries to kiss the girl. Jenny refuses angrily, since she thinks Jonathan much too unfashionable for her.
In Act III, Dimple says he loves Charlotte for her lively character, but needs Letitia's money. He also wants Maria to decline the match. Then Dimple, the villain, meets Manly and finds out that the Colonel is Charlotte’s brother – just in time to prevent himself from telling Manly about his detestable attitude towards women. Dimple has an extensive monologue where he declares his love for European culture, despite living in America.
In Act IV, Maria tells Charlotte that Dimple insults and disgusts her and that she met a lovely man full of honor (Manly) this morning. Charlotte, being interested in Dimple, unsuccessfully “endeavour[s] to excite her to discharge him.” Manly and Dimple enter and the family relations are revealed to all characters. Van Rough meanwhile finds out about Dimple having lost seventeen-thousand pounds due to gambling and decides not to have his daughter been married to such a fool. In that moment he more or less accidentally overhears a conversation between Manly and Maria revealing their love and affections to each other.
In Act V, Jessamy fails to teach high society’s rules of laughing to Jonathan, who just laughs too naturally. Dimple meets Letitia, telling her that he loves just her and that Charlotte is nothing else than a “trifling, gay, flighty coquette”. Charlotte enters and Letitia pretends to leave. She observes the following happenings. After Letitia seemed to be gone, Dimple tells Charlotte that he is in love with her and that Letitia is an “ugly creature!” When Dimple forcefully tries to kiss her, Charlotte screams and Manly comes in to help her quarrelling Dimple. Old Van Rough prevents the men from stabbing each other and Letitia enters to reveal the happenings to everyone. After Dimple is gone dishonored, Van Rough agrees to Manly’s marriage proposal and Maria ends up with Manly. | [
[
"Jonathan",
"Jonathan"
]
] | [
{
"content": "Who is the manservant to Charlotte's brother?",
"role": "user"
}
] | 31,822 | [
" The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple ... | [
1,
1,
1,
1,
1,
1
] | [
31821,
31823,
31824,
31820,
31819
] | train |
The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple was settled. While Dimple becomes snobbish in England, Maria betakes herself to books that "improve her taste": "The contrast was so striking betwixt the good sense of her books, and the flimsiness of her love-letters, that she discovered that she had unthinkingly engaged her hand without her heart."
In the second scene, Maria bemoans the "helpless situation of [her] sex": "Reputation is the life of a woman - and the only safe asylum a woman of delicacy can find, is in the arms of a man of honor." Even though Maria reveals to her father a lack of love towards Dimple, old Van Rough still wants her to marry Dimple, stressing that “money makes the mare go”. For him his daughter’s feelings are nonsense and money is the most important thing she should look out for. In a time when women usually were detained from enlightening their opinions by means of literature (biographies were acceptable, but no novels, since they were thought to produce a wrong world view), her father concludes that her sadness comes from “these vile books”. Not wanting to disappoint her father, Maria consents.
In Act II, Charlotte discovers that her brother, the good and honorable Colonel Manly, is in town. Manly fought in the Revolutionary War and is dressed in a soldier’s coat, which seems totally unfashionable to the city’s high society. Without knowing from each other’s affair, Letitia and Charlotte, secretly reveal to the audience that they are also courted by Dimple. Snobbish Jessamy meets simple Jonathan, who has never been to such a big town and almost kissed a “harlot” without realizing it. Jessamy convinces “almost married” Jonathan to pursue some maids in the city. Jessamy introduces Jonathan to Jenny, and after the former takes his leave, Manly’s manservant tries to kiss the girl. Jenny refuses angrily, since she thinks Jonathan much too unfashionable for her.
In Act III, Dimple says he loves Charlotte for her lively character, but needs Letitia's money. He also wants Maria to decline the match. Then Dimple, the villain, meets Manly and finds out that the Colonel is Charlotte’s brother – just in time to prevent himself from telling Manly about his detestable attitude towards women. Dimple has an extensive monologue where he declares his love for European culture, despite living in America.
In Act IV, Maria tells Charlotte that Dimple insults and disgusts her and that she met a lovely man full of honor (Manly) this morning. Charlotte, being interested in Dimple, unsuccessfully “endeavour[s] to excite her to discharge him.” Manly and Dimple enter and the family relations are revealed to all characters. Van Rough meanwhile finds out about Dimple having lost seventeen-thousand pounds due to gambling and decides not to have his daughter been married to such a fool. In that moment he more or less accidentally overhears a conversation between Manly and Maria revealing their love and affections to each other.
In Act V, Jessamy fails to teach high society’s rules of laughing to Jonathan, who just laughs too naturally. Dimple meets Letitia, telling her that he loves just her and that Charlotte is nothing else than a “trifling, gay, flighty coquette”. Charlotte enters and Letitia pretends to leave. She observes the following happenings. After Letitia seemed to be gone, Dimple tells Charlotte that he is in love with her and that Letitia is an “ugly creature!” When Dimple forcefully tries to kiss her, Charlotte screams and Manly comes in to help her quarrelling Dimple. Old Van Rough prevents the men from stabbing each other and Letitia enters to reveal the happenings to everyone. After Dimple is gone dishonored, Van Rough agrees to Manly’s marriage proposal and Maria ends up with Manly. | [
[
"how to laugh",
"The rules of laughing."
]
] | [
{
"content": "Which aspect of high society did the Colonel's manservant fail to learn?",
"role": "user"
}
] | 31,823 | [
" The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple ... | [
1,
1,
1,
1,
1,
1
] | [
31821,
31822,
31824,
31820,
31819
] | train |
The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple was settled. While Dimple becomes snobbish in England, Maria betakes herself to books that "improve her taste": "The contrast was so striking betwixt the good sense of her books, and the flimsiness of her love-letters, that she discovered that she had unthinkingly engaged her hand without her heart."
In the second scene, Maria bemoans the "helpless situation of [her] sex": "Reputation is the life of a woman - and the only safe asylum a woman of delicacy can find, is in the arms of a man of honor." Even though Maria reveals to her father a lack of love towards Dimple, old Van Rough still wants her to marry Dimple, stressing that “money makes the mare go”. For him his daughter’s feelings are nonsense and money is the most important thing she should look out for. In a time when women usually were detained from enlightening their opinions by means of literature (biographies were acceptable, but no novels, since they were thought to produce a wrong world view), her father concludes that her sadness comes from “these vile books”. Not wanting to disappoint her father, Maria consents.
In Act II, Charlotte discovers that her brother, the good and honorable Colonel Manly, is in town. Manly fought in the Revolutionary War and is dressed in a soldier’s coat, which seems totally unfashionable to the city’s high society. Without knowing from each other’s affair, Letitia and Charlotte, secretly reveal to the audience that they are also courted by Dimple. Snobbish Jessamy meets simple Jonathan, who has never been to such a big town and almost kissed a “harlot” without realizing it. Jessamy convinces “almost married” Jonathan to pursue some maids in the city. Jessamy introduces Jonathan to Jenny, and after the former takes his leave, Manly’s manservant tries to kiss the girl. Jenny refuses angrily, since she thinks Jonathan much too unfashionable for her.
In Act III, Dimple says he loves Charlotte for her lively character, but needs Letitia's money. He also wants Maria to decline the match. Then Dimple, the villain, meets Manly and finds out that the Colonel is Charlotte’s brother – just in time to prevent himself from telling Manly about his detestable attitude towards women. Dimple has an extensive monologue where he declares his love for European culture, despite living in America.
In Act IV, Maria tells Charlotte that Dimple insults and disgusts her and that she met a lovely man full of honor (Manly) this morning. Charlotte, being interested in Dimple, unsuccessfully “endeavour[s] to excite her to discharge him.” Manly and Dimple enter and the family relations are revealed to all characters. Van Rough meanwhile finds out about Dimple having lost seventeen-thousand pounds due to gambling and decides not to have his daughter been married to such a fool. In that moment he more or less accidentally overhears a conversation between Manly and Maria revealing their love and affections to each other.
In Act V, Jessamy fails to teach high society’s rules of laughing to Jonathan, who just laughs too naturally. Dimple meets Letitia, telling her that he loves just her and that Charlotte is nothing else than a “trifling, gay, flighty coquette”. Charlotte enters and Letitia pretends to leave. She observes the following happenings. After Letitia seemed to be gone, Dimple tells Charlotte that he is in love with her and that Letitia is an “ugly creature!” When Dimple forcefully tries to kiss her, Charlotte screams and Manly comes in to help her quarrelling Dimple. Old Van Rough prevents the men from stabbing each other and Letitia enters to reveal the happenings to everyone. After Dimple is gone dishonored, Van Rough agrees to Manly’s marriage proposal and Maria ends up with Manly. | [
[
"he found out Billy lost money gambling",
"Her other suitor was a fool who lost a lot of money gambling."
]
] | [
{
"content": "What made Van Rough change his mind about Maria marrying Billy?",
"role": "user"
}
] | 31,824 | [
" The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple ... | [
1,
1,
1,
1,
1,
1
] | [
31821,
31822,
31823,
31820,
31819
] | train |
The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple was settled. While Dimple becomes snobbish in England, Maria betakes herself to books that "improve her taste": "The contrast was so striking betwixt the good sense of her books, and the flimsiness of her love-letters, that she discovered that she had unthinkingly engaged her hand without her heart."
In the second scene, Maria bemoans the "helpless situation of [her] sex": "Reputation is the life of a woman - and the only safe asylum a woman of delicacy can find, is in the arms of a man of honor." Even though Maria reveals to her father a lack of love towards Dimple, old Van Rough still wants her to marry Dimple, stressing that “money makes the mare go”. For him his daughter’s feelings are nonsense and money is the most important thing she should look out for. In a time when women usually were detained from enlightening their opinions by means of literature (biographies were acceptable, but no novels, since they were thought to produce a wrong world view), her father concludes that her sadness comes from “these vile books”. Not wanting to disappoint her father, Maria consents.
In Act II, Charlotte discovers that her brother, the good and honorable Colonel Manly, is in town. Manly fought in the Revolutionary War and is dressed in a soldier’s coat, which seems totally unfashionable to the city’s high society. Without knowing from each other’s affair, Letitia and Charlotte, secretly reveal to the audience that they are also courted by Dimple. Snobbish Jessamy meets simple Jonathan, who has never been to such a big town and almost kissed a “harlot” without realizing it. Jessamy convinces “almost married” Jonathan to pursue some maids in the city. Jessamy introduces Jonathan to Jenny, and after the former takes his leave, Manly’s manservant tries to kiss the girl. Jenny refuses angrily, since she thinks Jonathan much too unfashionable for her.
In Act III, Dimple says he loves Charlotte for her lively character, but needs Letitia's money. He also wants Maria to decline the match. Then Dimple, the villain, meets Manly and finds out that the Colonel is Charlotte’s brother – just in time to prevent himself from telling Manly about his detestable attitude towards women. Dimple has an extensive monologue where he declares his love for European culture, despite living in America.
In Act IV, Maria tells Charlotte that Dimple insults and disgusts her and that she met a lovely man full of honor (Manly) this morning. Charlotte, being interested in Dimple, unsuccessfully “endeavour[s] to excite her to discharge him.” Manly and Dimple enter and the family relations are revealed to all characters. Van Rough meanwhile finds out about Dimple having lost seventeen-thousand pounds due to gambling and decides not to have his daughter been married to such a fool. In that moment he more or less accidentally overhears a conversation between Manly and Maria revealing their love and affections to each other.
In Act V, Jessamy fails to teach high society’s rules of laughing to Jonathan, who just laughs too naturally. Dimple meets Letitia, telling her that he loves just her and that Charlotte is nothing else than a “trifling, gay, flighty coquette”. Charlotte enters and Letitia pretends to leave. She observes the following happenings. After Letitia seemed to be gone, Dimple tells Charlotte that he is in love with her and that Letitia is an “ugly creature!” When Dimple forcefully tries to kiss her, Charlotte screams and Manly comes in to help her quarrelling Dimple. Old Van Rough prevents the men from stabbing each other and Letitia enters to reveal the happenings to everyone. After Dimple is gone dishonored, Van Rough agrees to Manly’s marriage proposal and Maria ends up with Manly. | [
[
"because she wants to marry him",
"Charlotte is interested in Dimple."
]
] | [
{
"content": "Why does Charlotte encourage Maria to not marry Dimple?",
"role": "user"
}
] | 31,825 | [
" The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple ... | [
1,
1,
1,
1,
1,
1
] | [
31821,
31822,
31823,
31824,
31820,
31819
] | train |
The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple was settled. While Dimple becomes snobbish in England, Maria betakes herself to books that "improve her taste": "The contrast was so striking betwixt the good sense of her books, and the flimsiness of her love-letters, that she discovered that she had unthinkingly engaged her hand without her heart."
In the second scene, Maria bemoans the "helpless situation of [her] sex": "Reputation is the life of a woman - and the only safe asylum a woman of delicacy can find, is in the arms of a man of honor." Even though Maria reveals to her father a lack of love towards Dimple, old Van Rough still wants her to marry Dimple, stressing that “money makes the mare go”. For him his daughter’s feelings are nonsense and money is the most important thing she should look out for. In a time when women usually were detained from enlightening their opinions by means of literature (biographies were acceptable, but no novels, since they were thought to produce a wrong world view), her father concludes that her sadness comes from “these vile books”. Not wanting to disappoint her father, Maria consents.
In Act II, Charlotte discovers that her brother, the good and honorable Colonel Manly, is in town. Manly fought in the Revolutionary War and is dressed in a soldier’s coat, which seems totally unfashionable to the city’s high society. Without knowing from each other’s affair, Letitia and Charlotte, secretly reveal to the audience that they are also courted by Dimple. Snobbish Jessamy meets simple Jonathan, who has never been to such a big town and almost kissed a “harlot” without realizing it. Jessamy convinces “almost married” Jonathan to pursue some maids in the city. Jessamy introduces Jonathan to Jenny, and after the former takes his leave, Manly’s manservant tries to kiss the girl. Jenny refuses angrily, since she thinks Jonathan much too unfashionable for her.
In Act III, Dimple says he loves Charlotte for her lively character, but needs Letitia's money. He also wants Maria to decline the match. Then Dimple, the villain, meets Manly and finds out that the Colonel is Charlotte’s brother – just in time to prevent himself from telling Manly about his detestable attitude towards women. Dimple has an extensive monologue where he declares his love for European culture, despite living in America.
In Act IV, Maria tells Charlotte that Dimple insults and disgusts her and that she met a lovely man full of honor (Manly) this morning. Charlotte, being interested in Dimple, unsuccessfully “endeavour[s] to excite her to discharge him.” Manly and Dimple enter and the family relations are revealed to all characters. Van Rough meanwhile finds out about Dimple having lost seventeen-thousand pounds due to gambling and decides not to have his daughter been married to such a fool. In that moment he more or less accidentally overhears a conversation between Manly and Maria revealing their love and affections to each other.
In Act V, Jessamy fails to teach high society’s rules of laughing to Jonathan, who just laughs too naturally. Dimple meets Letitia, telling her that he loves just her and that Charlotte is nothing else than a “trifling, gay, flighty coquette”. Charlotte enters and Letitia pretends to leave. She observes the following happenings. After Letitia seemed to be gone, Dimple tells Charlotte that he is in love with her and that Letitia is an “ugly creature!” When Dimple forcefully tries to kiss her, Charlotte screams and Manly comes in to help her quarrelling Dimple. Old Van Rough prevents the men from stabbing each other and Letitia enters to reveal the happenings to everyone. After Dimple is gone dishonored, Van Rough agrees to Manly’s marriage proposal and Maria ends up with Manly. | [
[
"She pretended to leave the room, but stayed to listen to his conversation with Charlotte",
"Letitia hears him courting another woman"
]
] | [
{
"content": "How did Letitia learn the truth about Billy?",
"role": "user"
}
] | 31,826 | [
" The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple ... | [
1,
1,
1,
1,
1,
1
] | [
31821,
31822,
31823,
31824,
31820,
31819
] | train |
The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple was settled. While Dimple becomes snobbish in England, Maria betakes herself to books that "improve her taste": "The contrast was so striking betwixt the good sense of her books, and the flimsiness of her love-letters, that she discovered that she had unthinkingly engaged her hand without her heart."
In the second scene, Maria bemoans the "helpless situation of [her] sex": "Reputation is the life of a woman - and the only safe asylum a woman of delicacy can find, is in the arms of a man of honor." Even though Maria reveals to her father a lack of love towards Dimple, old Van Rough still wants her to marry Dimple, stressing that “money makes the mare go”. For him his daughter’s feelings are nonsense and money is the most important thing she should look out for. In a time when women usually were detained from enlightening their opinions by means of literature (biographies were acceptable, but no novels, since they were thought to produce a wrong world view), her father concludes that her sadness comes from “these vile books”. Not wanting to disappoint her father, Maria consents.
In Act II, Charlotte discovers that her brother, the good and honorable Colonel Manly, is in town. Manly fought in the Revolutionary War and is dressed in a soldier’s coat, which seems totally unfashionable to the city’s high society. Without knowing from each other’s affair, Letitia and Charlotte, secretly reveal to the audience that they are also courted by Dimple. Snobbish Jessamy meets simple Jonathan, who has never been to such a big town and almost kissed a “harlot” without realizing it. Jessamy convinces “almost married” Jonathan to pursue some maids in the city. Jessamy introduces Jonathan to Jenny, and after the former takes his leave, Manly’s manservant tries to kiss the girl. Jenny refuses angrily, since she thinks Jonathan much too unfashionable for her.
In Act III, Dimple says he loves Charlotte for her lively character, but needs Letitia's money. He also wants Maria to decline the match. Then Dimple, the villain, meets Manly and finds out that the Colonel is Charlotte’s brother – just in time to prevent himself from telling Manly about his detestable attitude towards women. Dimple has an extensive monologue where he declares his love for European culture, despite living in America.
In Act IV, Maria tells Charlotte that Dimple insults and disgusts her and that she met a lovely man full of honor (Manly) this morning. Charlotte, being interested in Dimple, unsuccessfully “endeavour[s] to excite her to discharge him.” Manly and Dimple enter and the family relations are revealed to all characters. Van Rough meanwhile finds out about Dimple having lost seventeen-thousand pounds due to gambling and decides not to have his daughter been married to such a fool. In that moment he more or less accidentally overhears a conversation between Manly and Maria revealing their love and affections to each other.
In Act V, Jessamy fails to teach high society’s rules of laughing to Jonathan, who just laughs too naturally. Dimple meets Letitia, telling her that he loves just her and that Charlotte is nothing else than a “trifling, gay, flighty coquette”. Charlotte enters and Letitia pretends to leave. She observes the following happenings. After Letitia seemed to be gone, Dimple tells Charlotte that he is in love with her and that Letitia is an “ugly creature!” When Dimple forcefully tries to kiss her, Charlotte screams and Manly comes in to help her quarrelling Dimple. Old Van Rough prevents the men from stabbing each other and Letitia enters to reveal the happenings to everyone. After Dimple is gone dishonored, Van Rough agrees to Manly’s marriage proposal and Maria ends up with Manly. | [
[
"Dimple tried to force Charlotte to kiss him",
"the Colonel was helping Charlotte fight off Billy Dimple "
]
] | [
{
"content": "Why did Dimple and the Colonel get into a physical fight?",
"role": "user"
}
] | 31,827 | [
" The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple ... | [
1,
1,
1,
1,
1,
1
] | [
31821,
31822,
31823,
31824,
31820,
31819
] | train |
The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple was settled. While Dimple becomes snobbish in England, Maria betakes herself to books that "improve her taste": "The contrast was so striking betwixt the good sense of her books, and the flimsiness of her love-letters, that she discovered that she had unthinkingly engaged her hand without her heart."
In the second scene, Maria bemoans the "helpless situation of [her] sex": "Reputation is the life of a woman - and the only safe asylum a woman of delicacy can find, is in the arms of a man of honor." Even though Maria reveals to her father a lack of love towards Dimple, old Van Rough still wants her to marry Dimple, stressing that “money makes the mare go”. For him his daughter’s feelings are nonsense and money is the most important thing she should look out for. In a time when women usually were detained from enlightening their opinions by means of literature (biographies were acceptable, but no novels, since they were thought to produce a wrong world view), her father concludes that her sadness comes from “these vile books”. Not wanting to disappoint her father, Maria consents.
In Act II, Charlotte discovers that her brother, the good and honorable Colonel Manly, is in town. Manly fought in the Revolutionary War and is dressed in a soldier’s coat, which seems totally unfashionable to the city’s high society. Without knowing from each other’s affair, Letitia and Charlotte, secretly reveal to the audience that they are also courted by Dimple. Snobbish Jessamy meets simple Jonathan, who has never been to such a big town and almost kissed a “harlot” without realizing it. Jessamy convinces “almost married” Jonathan to pursue some maids in the city. Jessamy introduces Jonathan to Jenny, and after the former takes his leave, Manly’s manservant tries to kiss the girl. Jenny refuses angrily, since she thinks Jonathan much too unfashionable for her.
In Act III, Dimple says he loves Charlotte for her lively character, but needs Letitia's money. He also wants Maria to decline the match. Then Dimple, the villain, meets Manly and finds out that the Colonel is Charlotte’s brother – just in time to prevent himself from telling Manly about his detestable attitude towards women. Dimple has an extensive monologue where he declares his love for European culture, despite living in America.
In Act IV, Maria tells Charlotte that Dimple insults and disgusts her and that she met a lovely man full of honor (Manly) this morning. Charlotte, being interested in Dimple, unsuccessfully “endeavour[s] to excite her to discharge him.” Manly and Dimple enter and the family relations are revealed to all characters. Van Rough meanwhile finds out about Dimple having lost seventeen-thousand pounds due to gambling and decides not to have his daughter been married to such a fool. In that moment he more or less accidentally overhears a conversation between Manly and Maria revealing their love and affections to each other.
In Act V, Jessamy fails to teach high society’s rules of laughing to Jonathan, who just laughs too naturally. Dimple meets Letitia, telling her that he loves just her and that Charlotte is nothing else than a “trifling, gay, flighty coquette”. Charlotte enters and Letitia pretends to leave. She observes the following happenings. After Letitia seemed to be gone, Dimple tells Charlotte that he is in love with her and that Letitia is an “ugly creature!” When Dimple forcefully tries to kiss her, Charlotte screams and Manly comes in to help her quarrelling Dimple. Old Van Rough prevents the men from stabbing each other and Letitia enters to reveal the happenings to everyone. After Dimple is gone dishonored, Van Rough agrees to Manly’s marriage proposal and Maria ends up with Manly. | [
[
"Colonel Manly",
"Manly"
]
] | [
{
"content": "Which man did Van Rough's daughter marry?",
"role": "user"
}
] | 31,828 | [
" The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple ... | [
1,
1,
1,
1,
1,
1
] | [
31821,
31822,
31823,
31824,
31820,
31819
] | train |
The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple was settled. While Dimple becomes snobbish in England, Maria betakes herself to books that "improve her taste": "The contrast was so striking betwixt the good sense of her books, and the flimsiness of her love-letters, that she discovered that she had unthinkingly engaged her hand without her heart."
In the second scene, Maria bemoans the "helpless situation of [her] sex": "Reputation is the life of a woman - and the only safe asylum a woman of delicacy can find, is in the arms of a man of honor." Even though Maria reveals to her father a lack of love towards Dimple, old Van Rough still wants her to marry Dimple, stressing that “money makes the mare go”. For him his daughter’s feelings are nonsense and money is the most important thing she should look out for. In a time when women usually were detained from enlightening their opinions by means of literature (biographies were acceptable, but no novels, since they were thought to produce a wrong world view), her father concludes that her sadness comes from “these vile books”. Not wanting to disappoint her father, Maria consents.
In Act II, Charlotte discovers that her brother, the good and honorable Colonel Manly, is in town. Manly fought in the Revolutionary War and is dressed in a soldier’s coat, which seems totally unfashionable to the city’s high society. Without knowing from each other’s affair, Letitia and Charlotte, secretly reveal to the audience that they are also courted by Dimple. Snobbish Jessamy meets simple Jonathan, who has never been to such a big town and almost kissed a “harlot” without realizing it. Jessamy convinces “almost married” Jonathan to pursue some maids in the city. Jessamy introduces Jonathan to Jenny, and after the former takes his leave, Manly’s manservant tries to kiss the girl. Jenny refuses angrily, since she thinks Jonathan much too unfashionable for her.
In Act III, Dimple says he loves Charlotte for her lively character, but needs Letitia's money. He also wants Maria to decline the match. Then Dimple, the villain, meets Manly and finds out that the Colonel is Charlotte’s brother – just in time to prevent himself from telling Manly about his detestable attitude towards women. Dimple has an extensive monologue where he declares his love for European culture, despite living in America.
In Act IV, Maria tells Charlotte that Dimple insults and disgusts her and that she met a lovely man full of honor (Manly) this morning. Charlotte, being interested in Dimple, unsuccessfully “endeavour[s] to excite her to discharge him.” Manly and Dimple enter and the family relations are revealed to all characters. Van Rough meanwhile finds out about Dimple having lost seventeen-thousand pounds due to gambling and decides not to have his daughter been married to such a fool. In that moment he more or less accidentally overhears a conversation between Manly and Maria revealing their love and affections to each other.
In Act V, Jessamy fails to teach high society’s rules of laughing to Jonathan, who just laughs too naturally. Dimple meets Letitia, telling her that he loves just her and that Charlotte is nothing else than a “trifling, gay, flighty coquette”. Charlotte enters and Letitia pretends to leave. She observes the following happenings. After Letitia seemed to be gone, Dimple tells Charlotte that he is in love with her and that Letitia is an “ugly creature!” When Dimple forcefully tries to kiss her, Charlotte screams and Manly comes in to help her quarrelling Dimple. Old Van Rough prevents the men from stabbing each other and Letitia enters to reveal the happenings to everyone. After Dimple is gone dishonored, Van Rough agrees to Manly’s marriage proposal and Maria ends up with Manly. | [
[
"Maria",
"Maria"
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{
"content": "Which character starts reading literature that will improve her taste?",
"role": "user"
}
] | 31,829 | [
" The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple ... | [
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31821,
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31823,
31824,
31820,
31819
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The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple was settled. While Dimple becomes snobbish in England, Maria betakes herself to books that "improve her taste": "The contrast was so striking betwixt the good sense of her books, and the flimsiness of her love-letters, that she discovered that she had unthinkingly engaged her hand without her heart."
In the second scene, Maria bemoans the "helpless situation of [her] sex": "Reputation is the life of a woman - and the only safe asylum a woman of delicacy can find, is in the arms of a man of honor." Even though Maria reveals to her father a lack of love towards Dimple, old Van Rough still wants her to marry Dimple, stressing that “money makes the mare go”. For him his daughter’s feelings are nonsense and money is the most important thing she should look out for. In a time when women usually were detained from enlightening their opinions by means of literature (biographies were acceptable, but no novels, since they were thought to produce a wrong world view), her father concludes that her sadness comes from “these vile books”. Not wanting to disappoint her father, Maria consents.
In Act II, Charlotte discovers that her brother, the good and honorable Colonel Manly, is in town. Manly fought in the Revolutionary War and is dressed in a soldier’s coat, which seems totally unfashionable to the city’s high society. Without knowing from each other’s affair, Letitia and Charlotte, secretly reveal to the audience that they are also courted by Dimple. Snobbish Jessamy meets simple Jonathan, who has never been to such a big town and almost kissed a “harlot” without realizing it. Jessamy convinces “almost married” Jonathan to pursue some maids in the city. Jessamy introduces Jonathan to Jenny, and after the former takes his leave, Manly’s manservant tries to kiss the girl. Jenny refuses angrily, since she thinks Jonathan much too unfashionable for her.
In Act III, Dimple says he loves Charlotte for her lively character, but needs Letitia's money. He also wants Maria to decline the match. Then Dimple, the villain, meets Manly and finds out that the Colonel is Charlotte’s brother – just in time to prevent himself from telling Manly about his detestable attitude towards women. Dimple has an extensive monologue where he declares his love for European culture, despite living in America.
In Act IV, Maria tells Charlotte that Dimple insults and disgusts her and that she met a lovely man full of honor (Manly) this morning. Charlotte, being interested in Dimple, unsuccessfully “endeavour[s] to excite her to discharge him.” Manly and Dimple enter and the family relations are revealed to all characters. Van Rough meanwhile finds out about Dimple having lost seventeen-thousand pounds due to gambling and decides not to have his daughter been married to such a fool. In that moment he more or less accidentally overhears a conversation between Manly and Maria revealing their love and affections to each other.
In Act V, Jessamy fails to teach high society’s rules of laughing to Jonathan, who just laughs too naturally. Dimple meets Letitia, telling her that he loves just her and that Charlotte is nothing else than a “trifling, gay, flighty coquette”. Charlotte enters and Letitia pretends to leave. She observes the following happenings. After Letitia seemed to be gone, Dimple tells Charlotte that he is in love with her and that Letitia is an “ugly creature!” When Dimple forcefully tries to kiss her, Charlotte screams and Manly comes in to help her quarrelling Dimple. Old Van Rough prevents the men from stabbing each other and Letitia enters to reveal the happenings to everyone. After Dimple is gone dishonored, Van Rough agrees to Manly’s marriage proposal and Maria ends up with Manly. | [
[
"Maria",
"MAria"
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{
"content": "Who reveals that they have a lack of love for Dimple?",
"role": "user"
}
] | 31,830 | [
" The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple ... | [
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31821,
31822,
31823,
31824,
31820,
31819
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The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple was settled. While Dimple becomes snobbish in England, Maria betakes herself to books that "improve her taste": "The contrast was so striking betwixt the good sense of her books, and the flimsiness of her love-letters, that she discovered that she had unthinkingly engaged her hand without her heart."
In the second scene, Maria bemoans the "helpless situation of [her] sex": "Reputation is the life of a woman - and the only safe asylum a woman of delicacy can find, is in the arms of a man of honor." Even though Maria reveals to her father a lack of love towards Dimple, old Van Rough still wants her to marry Dimple, stressing that “money makes the mare go”. For him his daughter’s feelings are nonsense and money is the most important thing she should look out for. In a time when women usually were detained from enlightening their opinions by means of literature (biographies were acceptable, but no novels, since they were thought to produce a wrong world view), her father concludes that her sadness comes from “these vile books”. Not wanting to disappoint her father, Maria consents.
In Act II, Charlotte discovers that her brother, the good and honorable Colonel Manly, is in town. Manly fought in the Revolutionary War and is dressed in a soldier’s coat, which seems totally unfashionable to the city’s high society. Without knowing from each other’s affair, Letitia and Charlotte, secretly reveal to the audience that they are also courted by Dimple. Snobbish Jessamy meets simple Jonathan, who has never been to such a big town and almost kissed a “harlot” without realizing it. Jessamy convinces “almost married” Jonathan to pursue some maids in the city. Jessamy introduces Jonathan to Jenny, and after the former takes his leave, Manly’s manservant tries to kiss the girl. Jenny refuses angrily, since she thinks Jonathan much too unfashionable for her.
In Act III, Dimple says he loves Charlotte for her lively character, but needs Letitia's money. He also wants Maria to decline the match. Then Dimple, the villain, meets Manly and finds out that the Colonel is Charlotte’s brother – just in time to prevent himself from telling Manly about his detestable attitude towards women. Dimple has an extensive monologue where he declares his love for European culture, despite living in America.
In Act IV, Maria tells Charlotte that Dimple insults and disgusts her and that she met a lovely man full of honor (Manly) this morning. Charlotte, being interested in Dimple, unsuccessfully “endeavour[s] to excite her to discharge him.” Manly and Dimple enter and the family relations are revealed to all characters. Van Rough meanwhile finds out about Dimple having lost seventeen-thousand pounds due to gambling and decides not to have his daughter been married to such a fool. In that moment he more or less accidentally overhears a conversation between Manly and Maria revealing their love and affections to each other.
In Act V, Jessamy fails to teach high society’s rules of laughing to Jonathan, who just laughs too naturally. Dimple meets Letitia, telling her that he loves just her and that Charlotte is nothing else than a “trifling, gay, flighty coquette”. Charlotte enters and Letitia pretends to leave. She observes the following happenings. After Letitia seemed to be gone, Dimple tells Charlotte that he is in love with her and that Letitia is an “ugly creature!” When Dimple forcefully tries to kiss her, Charlotte screams and Manly comes in to help her quarrelling Dimple. Old Van Rough prevents the men from stabbing each other and Letitia enters to reveal the happenings to everyone. After Dimple is gone dishonored, Van Rough agrees to Manly’s marriage proposal and Maria ends up with Manly. | [
[
"Money",
"Money."
]
] | [
{
"content": "What is the most important thing to Old Van Rough?",
"role": "user"
}
] | 31,831 | [
" The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple ... | [
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1
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31821,
31822,
31823,
31824,
31820,
31819
] | train |
The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple was settled. While Dimple becomes snobbish in England, Maria betakes herself to books that "improve her taste": "The contrast was so striking betwixt the good sense of her books, and the flimsiness of her love-letters, that she discovered that she had unthinkingly engaged her hand without her heart."
In the second scene, Maria bemoans the "helpless situation of [her] sex": "Reputation is the life of a woman - and the only safe asylum a woman of delicacy can find, is in the arms of a man of honor." Even though Maria reveals to her father a lack of love towards Dimple, old Van Rough still wants her to marry Dimple, stressing that “money makes the mare go”. For him his daughter’s feelings are nonsense and money is the most important thing she should look out for. In a time when women usually were detained from enlightening their opinions by means of literature (biographies were acceptable, but no novels, since they were thought to produce a wrong world view), her father concludes that her sadness comes from “these vile books”. Not wanting to disappoint her father, Maria consents.
In Act II, Charlotte discovers that her brother, the good and honorable Colonel Manly, is in town. Manly fought in the Revolutionary War and is dressed in a soldier’s coat, which seems totally unfashionable to the city’s high society. Without knowing from each other’s affair, Letitia and Charlotte, secretly reveal to the audience that they are also courted by Dimple. Snobbish Jessamy meets simple Jonathan, who has never been to such a big town and almost kissed a “harlot” without realizing it. Jessamy convinces “almost married” Jonathan to pursue some maids in the city. Jessamy introduces Jonathan to Jenny, and after the former takes his leave, Manly’s manservant tries to kiss the girl. Jenny refuses angrily, since she thinks Jonathan much too unfashionable for her.
In Act III, Dimple says he loves Charlotte for her lively character, but needs Letitia's money. He also wants Maria to decline the match. Then Dimple, the villain, meets Manly and finds out that the Colonel is Charlotte’s brother – just in time to prevent himself from telling Manly about his detestable attitude towards women. Dimple has an extensive monologue where he declares his love for European culture, despite living in America.
In Act IV, Maria tells Charlotte that Dimple insults and disgusts her and that she met a lovely man full of honor (Manly) this morning. Charlotte, being interested in Dimple, unsuccessfully “endeavour[s] to excite her to discharge him.” Manly and Dimple enter and the family relations are revealed to all characters. Van Rough meanwhile finds out about Dimple having lost seventeen-thousand pounds due to gambling and decides not to have his daughter been married to such a fool. In that moment he more or less accidentally overhears a conversation between Manly and Maria revealing their love and affections to each other.
In Act V, Jessamy fails to teach high society’s rules of laughing to Jonathan, who just laughs too naturally. Dimple meets Letitia, telling her that he loves just her and that Charlotte is nothing else than a “trifling, gay, flighty coquette”. Charlotte enters and Letitia pretends to leave. She observes the following happenings. After Letitia seemed to be gone, Dimple tells Charlotte that he is in love with her and that Letitia is an “ugly creature!” When Dimple forcefully tries to kiss her, Charlotte screams and Manly comes in to help her quarrelling Dimple. Old Van Rough prevents the men from stabbing each other and Letitia enters to reveal the happenings to everyone. After Dimple is gone dishonored, Van Rough agrees to Manly’s marriage proposal and Maria ends up with Manly. | [
[
"The Revolutionary War",
"The Revolutionary War."
]
] | [
{
"content": "What war did Manly fight in?",
"role": "user"
}
] | 31,832 | [
" The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple ... | [
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1
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31821,
31822,
31823,
31824,
31820,
31819
] | train |
The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple was settled. While Dimple becomes snobbish in England, Maria betakes herself to books that "improve her taste": "The contrast was so striking betwixt the good sense of her books, and the flimsiness of her love-letters, that she discovered that she had unthinkingly engaged her hand without her heart."
In the second scene, Maria bemoans the "helpless situation of [her] sex": "Reputation is the life of a woman - and the only safe asylum a woman of delicacy can find, is in the arms of a man of honor." Even though Maria reveals to her father a lack of love towards Dimple, old Van Rough still wants her to marry Dimple, stressing that “money makes the mare go”. For him his daughter’s feelings are nonsense and money is the most important thing she should look out for. In a time when women usually were detained from enlightening their opinions by means of literature (biographies were acceptable, but no novels, since they were thought to produce a wrong world view), her father concludes that her sadness comes from “these vile books”. Not wanting to disappoint her father, Maria consents.
In Act II, Charlotte discovers that her brother, the good and honorable Colonel Manly, is in town. Manly fought in the Revolutionary War and is dressed in a soldier’s coat, which seems totally unfashionable to the city’s high society. Without knowing from each other’s affair, Letitia and Charlotte, secretly reveal to the audience that they are also courted by Dimple. Snobbish Jessamy meets simple Jonathan, who has never been to such a big town and almost kissed a “harlot” without realizing it. Jessamy convinces “almost married” Jonathan to pursue some maids in the city. Jessamy introduces Jonathan to Jenny, and after the former takes his leave, Manly’s manservant tries to kiss the girl. Jenny refuses angrily, since she thinks Jonathan much too unfashionable for her.
In Act III, Dimple says he loves Charlotte for her lively character, but needs Letitia's money. He also wants Maria to decline the match. Then Dimple, the villain, meets Manly and finds out that the Colonel is Charlotte’s brother – just in time to prevent himself from telling Manly about his detestable attitude towards women. Dimple has an extensive monologue where he declares his love for European culture, despite living in America.
In Act IV, Maria tells Charlotte that Dimple insults and disgusts her and that she met a lovely man full of honor (Manly) this morning. Charlotte, being interested in Dimple, unsuccessfully “endeavour[s] to excite her to discharge him.” Manly and Dimple enter and the family relations are revealed to all characters. Van Rough meanwhile finds out about Dimple having lost seventeen-thousand pounds due to gambling and decides not to have his daughter been married to such a fool. In that moment he more or less accidentally overhears a conversation between Manly and Maria revealing their love and affections to each other.
In Act V, Jessamy fails to teach high society’s rules of laughing to Jonathan, who just laughs too naturally. Dimple meets Letitia, telling her that he loves just her and that Charlotte is nothing else than a “trifling, gay, flighty coquette”. Charlotte enters and Letitia pretends to leave. She observes the following happenings. After Letitia seemed to be gone, Dimple tells Charlotte that he is in love with her and that Letitia is an “ugly creature!” When Dimple forcefully tries to kiss her, Charlotte screams and Manly comes in to help her quarrelling Dimple. Old Van Rough prevents the men from stabbing each other and Letitia enters to reveal the happenings to everyone. After Dimple is gone dishonored, Van Rough agrees to Manly’s marriage proposal and Maria ends up with Manly. | [
[
"European culture",
"European"
]
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{
"content": "What culture does Dimple declare his love for?",
"role": "user"
}
] | 31,833 | [
" The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple ... | [
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1
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31821,
31822,
31823,
31824,
31820,
31819
] | train |
The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple was settled. While Dimple becomes snobbish in England, Maria betakes herself to books that "improve her taste": "The contrast was so striking betwixt the good sense of her books, and the flimsiness of her love-letters, that she discovered that she had unthinkingly engaged her hand without her heart."
In the second scene, Maria bemoans the "helpless situation of [her] sex": "Reputation is the life of a woman - and the only safe asylum a woman of delicacy can find, is in the arms of a man of honor." Even though Maria reveals to her father a lack of love towards Dimple, old Van Rough still wants her to marry Dimple, stressing that “money makes the mare go”. For him his daughter’s feelings are nonsense and money is the most important thing she should look out for. In a time when women usually were detained from enlightening their opinions by means of literature (biographies were acceptable, but no novels, since they were thought to produce a wrong world view), her father concludes that her sadness comes from “these vile books”. Not wanting to disappoint her father, Maria consents.
In Act II, Charlotte discovers that her brother, the good and honorable Colonel Manly, is in town. Manly fought in the Revolutionary War and is dressed in a soldier’s coat, which seems totally unfashionable to the city’s high society. Without knowing from each other’s affair, Letitia and Charlotte, secretly reveal to the audience that they are also courted by Dimple. Snobbish Jessamy meets simple Jonathan, who has never been to such a big town and almost kissed a “harlot” without realizing it. Jessamy convinces “almost married” Jonathan to pursue some maids in the city. Jessamy introduces Jonathan to Jenny, and after the former takes his leave, Manly’s manservant tries to kiss the girl. Jenny refuses angrily, since she thinks Jonathan much too unfashionable for her.
In Act III, Dimple says he loves Charlotte for her lively character, but needs Letitia's money. He also wants Maria to decline the match. Then Dimple, the villain, meets Manly and finds out that the Colonel is Charlotte’s brother – just in time to prevent himself from telling Manly about his detestable attitude towards women. Dimple has an extensive monologue where he declares his love for European culture, despite living in America.
In Act IV, Maria tells Charlotte that Dimple insults and disgusts her and that she met a lovely man full of honor (Manly) this morning. Charlotte, being interested in Dimple, unsuccessfully “endeavour[s] to excite her to discharge him.” Manly and Dimple enter and the family relations are revealed to all characters. Van Rough meanwhile finds out about Dimple having lost seventeen-thousand pounds due to gambling and decides not to have his daughter been married to such a fool. In that moment he more or less accidentally overhears a conversation between Manly and Maria revealing their love and affections to each other.
In Act V, Jessamy fails to teach high society’s rules of laughing to Jonathan, who just laughs too naturally. Dimple meets Letitia, telling her that he loves just her and that Charlotte is nothing else than a “trifling, gay, flighty coquette”. Charlotte enters and Letitia pretends to leave. She observes the following happenings. After Letitia seemed to be gone, Dimple tells Charlotte that he is in love with her and that Letitia is an “ugly creature!” When Dimple forcefully tries to kiss her, Charlotte screams and Manly comes in to help her quarrelling Dimple. Old Van Rough prevents the men from stabbing each other and Letitia enters to reveal the happenings to everyone. After Dimple is gone dishonored, Van Rough agrees to Manly’s marriage proposal and Maria ends up with Manly. | [
[
"Charlotte",
"Charlotte."
]
] | [
{
"content": "Who does Maria tell that Dimple disgusts her?",
"role": "user"
}
] | 31,834 | [
" The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple ... | [
1,
1,
1,
1,
1,
1
] | [
31821,
31822,
31823,
31824,
31820,
31819
] | train |
The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple was settled. While Dimple becomes snobbish in England, Maria betakes herself to books that "improve her taste": "The contrast was so striking betwixt the good sense of her books, and the flimsiness of her love-letters, that she discovered that she had unthinkingly engaged her hand without her heart."
In the second scene, Maria bemoans the "helpless situation of [her] sex": "Reputation is the life of a woman - and the only safe asylum a woman of delicacy can find, is in the arms of a man of honor." Even though Maria reveals to her father a lack of love towards Dimple, old Van Rough still wants her to marry Dimple, stressing that “money makes the mare go”. For him his daughter’s feelings are nonsense and money is the most important thing she should look out for. In a time when women usually were detained from enlightening their opinions by means of literature (biographies were acceptable, but no novels, since they were thought to produce a wrong world view), her father concludes that her sadness comes from “these vile books”. Not wanting to disappoint her father, Maria consents.
In Act II, Charlotte discovers that her brother, the good and honorable Colonel Manly, is in town. Manly fought in the Revolutionary War and is dressed in a soldier’s coat, which seems totally unfashionable to the city’s high society. Without knowing from each other’s affair, Letitia and Charlotte, secretly reveal to the audience that they are also courted by Dimple. Snobbish Jessamy meets simple Jonathan, who has never been to such a big town and almost kissed a “harlot” without realizing it. Jessamy convinces “almost married” Jonathan to pursue some maids in the city. Jessamy introduces Jonathan to Jenny, and after the former takes his leave, Manly’s manservant tries to kiss the girl. Jenny refuses angrily, since she thinks Jonathan much too unfashionable for her.
In Act III, Dimple says he loves Charlotte for her lively character, but needs Letitia's money. He also wants Maria to decline the match. Then Dimple, the villain, meets Manly and finds out that the Colonel is Charlotte’s brother – just in time to prevent himself from telling Manly about his detestable attitude towards women. Dimple has an extensive monologue where he declares his love for European culture, despite living in America.
In Act IV, Maria tells Charlotte that Dimple insults and disgusts her and that she met a lovely man full of honor (Manly) this morning. Charlotte, being interested in Dimple, unsuccessfully “endeavour[s] to excite her to discharge him.” Manly and Dimple enter and the family relations are revealed to all characters. Van Rough meanwhile finds out about Dimple having lost seventeen-thousand pounds due to gambling and decides not to have his daughter been married to such a fool. In that moment he more or less accidentally overhears a conversation between Manly and Maria revealing their love and affections to each other.
In Act V, Jessamy fails to teach high society’s rules of laughing to Jonathan, who just laughs too naturally. Dimple meets Letitia, telling her that he loves just her and that Charlotte is nothing else than a “trifling, gay, flighty coquette”. Charlotte enters and Letitia pretends to leave. She observes the following happenings. After Letitia seemed to be gone, Dimple tells Charlotte that he is in love with her and that Letitia is an “ugly creature!” When Dimple forcefully tries to kiss her, Charlotte screams and Manly comes in to help her quarrelling Dimple. Old Van Rough prevents the men from stabbing each other and Letitia enters to reveal the happenings to everyone. After Dimple is gone dishonored, Van Rough agrees to Manly’s marriage proposal and Maria ends up with Manly. | [
[
"Dimple",
"Dimple."
]
] | [
{
"content": "Which character lost seventeen-thousand pounds gambling?",
"role": "user"
}
] | 31,835 | [
" The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple ... | [
1,
1,
1,
1,
1,
1
] | [
31821,
31822,
31823,
31824,
31820,
31819
] | train |
The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple was settled. While Dimple becomes snobbish in England, Maria betakes herself to books that "improve her taste": "The contrast was so striking betwixt the good sense of her books, and the flimsiness of her love-letters, that she discovered that she had unthinkingly engaged her hand without her heart."
In the second scene, Maria bemoans the "helpless situation of [her] sex": "Reputation is the life of a woman - and the only safe asylum a woman of delicacy can find, is in the arms of a man of honor." Even though Maria reveals to her father a lack of love towards Dimple, old Van Rough still wants her to marry Dimple, stressing that “money makes the mare go”. For him his daughter’s feelings are nonsense and money is the most important thing she should look out for. In a time when women usually were detained from enlightening their opinions by means of literature (biographies were acceptable, but no novels, since they were thought to produce a wrong world view), her father concludes that her sadness comes from “these vile books”. Not wanting to disappoint her father, Maria consents.
In Act II, Charlotte discovers that her brother, the good and honorable Colonel Manly, is in town. Manly fought in the Revolutionary War and is dressed in a soldier’s coat, which seems totally unfashionable to the city’s high society. Without knowing from each other’s affair, Letitia and Charlotte, secretly reveal to the audience that they are also courted by Dimple. Snobbish Jessamy meets simple Jonathan, who has never been to such a big town and almost kissed a “harlot” without realizing it. Jessamy convinces “almost married” Jonathan to pursue some maids in the city. Jessamy introduces Jonathan to Jenny, and after the former takes his leave, Manly’s manservant tries to kiss the girl. Jenny refuses angrily, since she thinks Jonathan much too unfashionable for her.
In Act III, Dimple says he loves Charlotte for her lively character, but needs Letitia's money. He also wants Maria to decline the match. Then Dimple, the villain, meets Manly and finds out that the Colonel is Charlotte’s brother – just in time to prevent himself from telling Manly about his detestable attitude towards women. Dimple has an extensive monologue where he declares his love for European culture, despite living in America.
In Act IV, Maria tells Charlotte that Dimple insults and disgusts her and that she met a lovely man full of honor (Manly) this morning. Charlotte, being interested in Dimple, unsuccessfully “endeavour[s] to excite her to discharge him.” Manly and Dimple enter and the family relations are revealed to all characters. Van Rough meanwhile finds out about Dimple having lost seventeen-thousand pounds due to gambling and decides not to have his daughter been married to such a fool. In that moment he more or less accidentally overhears a conversation between Manly and Maria revealing their love and affections to each other.
In Act V, Jessamy fails to teach high society’s rules of laughing to Jonathan, who just laughs too naturally. Dimple meets Letitia, telling her that he loves just her and that Charlotte is nothing else than a “trifling, gay, flighty coquette”. Charlotte enters and Letitia pretends to leave. She observes the following happenings. After Letitia seemed to be gone, Dimple tells Charlotte that he is in love with her and that Letitia is an “ugly creature!” When Dimple forcefully tries to kiss her, Charlotte screams and Manly comes in to help her quarrelling Dimple. Old Van Rough prevents the men from stabbing each other and Letitia enters to reveal the happenings to everyone. After Dimple is gone dishonored, Van Rough agrees to Manly’s marriage proposal and Maria ends up with Manly. | [
[
"Letitia",
"Letitia"
]
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{
"content": "Which character pretends to leave when Chalotte enters in the final part of the story?",
"role": "user"
}
] | 31,836 | [
" The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple ... | [
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31821,
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31823,
31824,
31820,
31819
] | train |
The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple was settled. While Dimple becomes snobbish in England, Maria betakes herself to books that "improve her taste": "The contrast was so striking betwixt the good sense of her books, and the flimsiness of her love-letters, that she discovered that she had unthinkingly engaged her hand without her heart."
In the second scene, Maria bemoans the "helpless situation of [her] sex": "Reputation is the life of a woman - and the only safe asylum a woman of delicacy can find, is in the arms of a man of honor." Even though Maria reveals to her father a lack of love towards Dimple, old Van Rough still wants her to marry Dimple, stressing that “money makes the mare go”. For him his daughter’s feelings are nonsense and money is the most important thing she should look out for. In a time when women usually were detained from enlightening their opinions by means of literature (biographies were acceptable, but no novels, since they were thought to produce a wrong world view), her father concludes that her sadness comes from “these vile books”. Not wanting to disappoint her father, Maria consents.
In Act II, Charlotte discovers that her brother, the good and honorable Colonel Manly, is in town. Manly fought in the Revolutionary War and is dressed in a soldier’s coat, which seems totally unfashionable to the city’s high society. Without knowing from each other’s affair, Letitia and Charlotte, secretly reveal to the audience that they are also courted by Dimple. Snobbish Jessamy meets simple Jonathan, who has never been to such a big town and almost kissed a “harlot” without realizing it. Jessamy convinces “almost married” Jonathan to pursue some maids in the city. Jessamy introduces Jonathan to Jenny, and after the former takes his leave, Manly’s manservant tries to kiss the girl. Jenny refuses angrily, since she thinks Jonathan much too unfashionable for her.
In Act III, Dimple says he loves Charlotte for her lively character, but needs Letitia's money. He also wants Maria to decline the match. Then Dimple, the villain, meets Manly and finds out that the Colonel is Charlotte’s brother – just in time to prevent himself from telling Manly about his detestable attitude towards women. Dimple has an extensive monologue where he declares his love for European culture, despite living in America.
In Act IV, Maria tells Charlotte that Dimple insults and disgusts her and that she met a lovely man full of honor (Manly) this morning. Charlotte, being interested in Dimple, unsuccessfully “endeavour[s] to excite her to discharge him.” Manly and Dimple enter and the family relations are revealed to all characters. Van Rough meanwhile finds out about Dimple having lost seventeen-thousand pounds due to gambling and decides not to have his daughter been married to such a fool. In that moment he more or less accidentally overhears a conversation between Manly and Maria revealing their love and affections to each other.
In Act V, Jessamy fails to teach high society’s rules of laughing to Jonathan, who just laughs too naturally. Dimple meets Letitia, telling her that he loves just her and that Charlotte is nothing else than a “trifling, gay, flighty coquette”. Charlotte enters and Letitia pretends to leave. She observes the following happenings. After Letitia seemed to be gone, Dimple tells Charlotte that he is in love with her and that Letitia is an “ugly creature!” When Dimple forcefully tries to kiss her, Charlotte screams and Manly comes in to help her quarrelling Dimple. Old Van Rough prevents the men from stabbing each other and Letitia enters to reveal the happenings to everyone. After Dimple is gone dishonored, Van Rough agrees to Manly’s marriage proposal and Maria ends up with Manly. | [
[
"Letitia",
"Letitia"
]
] | [
{
"content": "Who does Dimple describe as \"an ugly creature\"?",
"role": "user"
}
] | 31,837 | [
" The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple ... | [
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1
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31821,
31822,
31823,
31824,
31820,
31819
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The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple was settled. While Dimple becomes snobbish in England, Maria betakes herself to books that "improve her taste": "The contrast was so striking betwixt the good sense of her books, and the flimsiness of her love-letters, that she discovered that she had unthinkingly engaged her hand without her heart."
In the second scene, Maria bemoans the "helpless situation of [her] sex": "Reputation is the life of a woman - and the only safe asylum a woman of delicacy can find, is in the arms of a man of honor." Even though Maria reveals to her father a lack of love towards Dimple, old Van Rough still wants her to marry Dimple, stressing that “money makes the mare go”. For him his daughter’s feelings are nonsense and money is the most important thing she should look out for. In a time when women usually were detained from enlightening their opinions by means of literature (biographies were acceptable, but no novels, since they were thought to produce a wrong world view), her father concludes that her sadness comes from “these vile books”. Not wanting to disappoint her father, Maria consents.
In Act II, Charlotte discovers that her brother, the good and honorable Colonel Manly, is in town. Manly fought in the Revolutionary War and is dressed in a soldier’s coat, which seems totally unfashionable to the city’s high society. Without knowing from each other’s affair, Letitia and Charlotte, secretly reveal to the audience that they are also courted by Dimple. Snobbish Jessamy meets simple Jonathan, who has never been to such a big town and almost kissed a “harlot” without realizing it. Jessamy convinces “almost married” Jonathan to pursue some maids in the city. Jessamy introduces Jonathan to Jenny, and after the former takes his leave, Manly’s manservant tries to kiss the girl. Jenny refuses angrily, since she thinks Jonathan much too unfashionable for her.
In Act III, Dimple says he loves Charlotte for her lively character, but needs Letitia's money. He also wants Maria to decline the match. Then Dimple, the villain, meets Manly and finds out that the Colonel is Charlotte’s brother – just in time to prevent himself from telling Manly about his detestable attitude towards women. Dimple has an extensive monologue where he declares his love for European culture, despite living in America.
In Act IV, Maria tells Charlotte that Dimple insults and disgusts her and that she met a lovely man full of honor (Manly) this morning. Charlotte, being interested in Dimple, unsuccessfully “endeavour[s] to excite her to discharge him.” Manly and Dimple enter and the family relations are revealed to all characters. Van Rough meanwhile finds out about Dimple having lost seventeen-thousand pounds due to gambling and decides not to have his daughter been married to such a fool. In that moment he more or less accidentally overhears a conversation between Manly and Maria revealing their love and affections to each other.
In Act V, Jessamy fails to teach high society’s rules of laughing to Jonathan, who just laughs too naturally. Dimple meets Letitia, telling her that he loves just her and that Charlotte is nothing else than a “trifling, gay, flighty coquette”. Charlotte enters and Letitia pretends to leave. She observes the following happenings. After Letitia seemed to be gone, Dimple tells Charlotte that he is in love with her and that Letitia is an “ugly creature!” When Dimple forcefully tries to kiss her, Charlotte screams and Manly comes in to help her quarrelling Dimple. Old Van Rough prevents the men from stabbing each other and Letitia enters to reveal the happenings to everyone. After Dimple is gone dishonored, Van Rough agrees to Manly’s marriage proposal and Maria ends up with Manly. | [
[
"Old Van Rough",
"Van Rough."
]
] | [
{
"content": "Who prevents Dimple and Manly from stabbing each other?",
"role": "user"
}
] | 31,838 | [
" The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple ... | [
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1,
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1
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31821,
31822,
31823,
31824,
31820,
31819
] | train |
The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple was settled. While Dimple becomes snobbish in England, Maria betakes herself to books that "improve her taste": "The contrast was so striking betwixt the good sense of her books, and the flimsiness of her love-letters, that she discovered that she had unthinkingly engaged her hand without her heart."
In the second scene, Maria bemoans the "helpless situation of [her] sex": "Reputation is the life of a woman - and the only safe asylum a woman of delicacy can find, is in the arms of a man of honor." Even though Maria reveals to her father a lack of love towards Dimple, old Van Rough still wants her to marry Dimple, stressing that “money makes the mare go”. For him his daughter’s feelings are nonsense and money is the most important thing she should look out for. In a time when women usually were detained from enlightening their opinions by means of literature (biographies were acceptable, but no novels, since they were thought to produce a wrong world view), her father concludes that her sadness comes from “these vile books”. Not wanting to disappoint her father, Maria consents.
In Act II, Charlotte discovers that her brother, the good and honorable Colonel Manly, is in town. Manly fought in the Revolutionary War and is dressed in a soldier’s coat, which seems totally unfashionable to the city’s high society. Without knowing from each other’s affair, Letitia and Charlotte, secretly reveal to the audience that they are also courted by Dimple. Snobbish Jessamy meets simple Jonathan, who has never been to such a big town and almost kissed a “harlot” without realizing it. Jessamy convinces “almost married” Jonathan to pursue some maids in the city. Jessamy introduces Jonathan to Jenny, and after the former takes his leave, Manly’s manservant tries to kiss the girl. Jenny refuses angrily, since she thinks Jonathan much too unfashionable for her.
In Act III, Dimple says he loves Charlotte for her lively character, but needs Letitia's money. He also wants Maria to decline the match. Then Dimple, the villain, meets Manly and finds out that the Colonel is Charlotte’s brother – just in time to prevent himself from telling Manly about his detestable attitude towards women. Dimple has an extensive monologue where he declares his love for European culture, despite living in America.
In Act IV, Maria tells Charlotte that Dimple insults and disgusts her and that she met a lovely man full of honor (Manly) this morning. Charlotte, being interested in Dimple, unsuccessfully “endeavour[s] to excite her to discharge him.” Manly and Dimple enter and the family relations are revealed to all characters. Van Rough meanwhile finds out about Dimple having lost seventeen-thousand pounds due to gambling and decides not to have his daughter been married to such a fool. In that moment he more or less accidentally overhears a conversation between Manly and Maria revealing their love and affections to each other.
In Act V, Jessamy fails to teach high society’s rules of laughing to Jonathan, who just laughs too naturally. Dimple meets Letitia, telling her that he loves just her and that Charlotte is nothing else than a “trifling, gay, flighty coquette”. Charlotte enters and Letitia pretends to leave. She observes the following happenings. After Letitia seemed to be gone, Dimple tells Charlotte that he is in love with her and that Letitia is an “ugly creature!” When Dimple forcefully tries to kiss her, Charlotte screams and Manly comes in to help her quarrelling Dimple. Old Van Rough prevents the men from stabbing each other and Letitia enters to reveal the happenings to everyone. After Dimple is gone dishonored, Van Rough agrees to Manly’s marriage proposal and Maria ends up with Manly. | [
[
"Maria's father",
"Maria's father."
]
] | [
{
"content": "Who was Van Rough?",
"role": "user"
}
] | 31,839 | [
" The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple ... | [
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1,
1,
1,
1
] | [
31821,
31822,
31823,
31824,
31820,
31819
] | train |
The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple was settled. While Dimple becomes snobbish in England, Maria betakes herself to books that "improve her taste": "The contrast was so striking betwixt the good sense of her books, and the flimsiness of her love-letters, that she discovered that she had unthinkingly engaged her hand without her heart."
In the second scene, Maria bemoans the "helpless situation of [her] sex": "Reputation is the life of a woman - and the only safe asylum a woman of delicacy can find, is in the arms of a man of honor." Even though Maria reveals to her father a lack of love towards Dimple, old Van Rough still wants her to marry Dimple, stressing that “money makes the mare go”. For him his daughter’s feelings are nonsense and money is the most important thing she should look out for. In a time when women usually were detained from enlightening their opinions by means of literature (biographies were acceptable, but no novels, since they were thought to produce a wrong world view), her father concludes that her sadness comes from “these vile books”. Not wanting to disappoint her father, Maria consents.
In Act II, Charlotte discovers that her brother, the good and honorable Colonel Manly, is in town. Manly fought in the Revolutionary War and is dressed in a soldier’s coat, which seems totally unfashionable to the city’s high society. Without knowing from each other’s affair, Letitia and Charlotte, secretly reveal to the audience that they are also courted by Dimple. Snobbish Jessamy meets simple Jonathan, who has never been to such a big town and almost kissed a “harlot” without realizing it. Jessamy convinces “almost married” Jonathan to pursue some maids in the city. Jessamy introduces Jonathan to Jenny, and after the former takes his leave, Manly’s manservant tries to kiss the girl. Jenny refuses angrily, since she thinks Jonathan much too unfashionable for her.
In Act III, Dimple says he loves Charlotte for her lively character, but needs Letitia's money. He also wants Maria to decline the match. Then Dimple, the villain, meets Manly and finds out that the Colonel is Charlotte’s brother – just in time to prevent himself from telling Manly about his detestable attitude towards women. Dimple has an extensive monologue where he declares his love for European culture, despite living in America.
In Act IV, Maria tells Charlotte that Dimple insults and disgusts her and that she met a lovely man full of honor (Manly) this morning. Charlotte, being interested in Dimple, unsuccessfully “endeavour[s] to excite her to discharge him.” Manly and Dimple enter and the family relations are revealed to all characters. Van Rough meanwhile finds out about Dimple having lost seventeen-thousand pounds due to gambling and decides not to have his daughter been married to such a fool. In that moment he more or less accidentally overhears a conversation between Manly and Maria revealing their love and affections to each other.
In Act V, Jessamy fails to teach high society’s rules of laughing to Jonathan, who just laughs too naturally. Dimple meets Letitia, telling her that he loves just her and that Charlotte is nothing else than a “trifling, gay, flighty coquette”. Charlotte enters and Letitia pretends to leave. She observes the following happenings. After Letitia seemed to be gone, Dimple tells Charlotte that he is in love with her and that Letitia is an “ugly creature!” When Dimple forcefully tries to kiss her, Charlotte screams and Manly comes in to help her quarrelling Dimple. Old Van Rough prevents the men from stabbing each other and Letitia enters to reveal the happenings to everyone. After Dimple is gone dishonored, Van Rough agrees to Manly’s marriage proposal and Maria ends up with Manly. | [
[
"Billy Diimple",
"Dimple"
]
] | [
{
"content": "Who did Van Rough arranged to marry Maria?",
"role": "user"
}
] | 31,840 | [
" The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple ... | [
1,
1,
1,
1,
1,
1
] | [
31821,
31822,
31823,
31824,
31820,
31819
] | train |
The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple was settled. While Dimple becomes snobbish in England, Maria betakes herself to books that "improve her taste": "The contrast was so striking betwixt the good sense of her books, and the flimsiness of her love-letters, that she discovered that she had unthinkingly engaged her hand without her heart."
In the second scene, Maria bemoans the "helpless situation of [her] sex": "Reputation is the life of a woman - and the only safe asylum a woman of delicacy can find, is in the arms of a man of honor." Even though Maria reveals to her father a lack of love towards Dimple, old Van Rough still wants her to marry Dimple, stressing that “money makes the mare go”. For him his daughter’s feelings are nonsense and money is the most important thing she should look out for. In a time when women usually were detained from enlightening their opinions by means of literature (biographies were acceptable, but no novels, since they were thought to produce a wrong world view), her father concludes that her sadness comes from “these vile books”. Not wanting to disappoint her father, Maria consents.
In Act II, Charlotte discovers that her brother, the good and honorable Colonel Manly, is in town. Manly fought in the Revolutionary War and is dressed in a soldier’s coat, which seems totally unfashionable to the city’s high society. Without knowing from each other’s affair, Letitia and Charlotte, secretly reveal to the audience that they are also courted by Dimple. Snobbish Jessamy meets simple Jonathan, who has never been to such a big town and almost kissed a “harlot” without realizing it. Jessamy convinces “almost married” Jonathan to pursue some maids in the city. Jessamy introduces Jonathan to Jenny, and after the former takes his leave, Manly’s manservant tries to kiss the girl. Jenny refuses angrily, since she thinks Jonathan much too unfashionable for her.
In Act III, Dimple says he loves Charlotte for her lively character, but needs Letitia's money. He also wants Maria to decline the match. Then Dimple, the villain, meets Manly and finds out that the Colonel is Charlotte’s brother – just in time to prevent himself from telling Manly about his detestable attitude towards women. Dimple has an extensive monologue where he declares his love for European culture, despite living in America.
In Act IV, Maria tells Charlotte that Dimple insults and disgusts her and that she met a lovely man full of honor (Manly) this morning. Charlotte, being interested in Dimple, unsuccessfully “endeavour[s] to excite her to discharge him.” Manly and Dimple enter and the family relations are revealed to all characters. Van Rough meanwhile finds out about Dimple having lost seventeen-thousand pounds due to gambling and decides not to have his daughter been married to such a fool. In that moment he more or less accidentally overhears a conversation between Manly and Maria revealing their love and affections to each other.
In Act V, Jessamy fails to teach high society’s rules of laughing to Jonathan, who just laughs too naturally. Dimple meets Letitia, telling her that he loves just her and that Charlotte is nothing else than a “trifling, gay, flighty coquette”. Charlotte enters and Letitia pretends to leave. She observes the following happenings. After Letitia seemed to be gone, Dimple tells Charlotte that he is in love with her and that Letitia is an “ugly creature!” When Dimple forcefully tries to kiss her, Charlotte screams and Manly comes in to help her quarrelling Dimple. Old Van Rough prevents the men from stabbing each other and Letitia enters to reveal the happenings to everyone. After Dimple is gone dishonored, Van Rough agrees to Manly’s marriage proposal and Maria ends up with Manly. | [
[
" Because Maria did not love Dimple",
"He disgusts her."
]
] | [
{
"content": "Why was Maria reluctant to marry Dimple?",
"role": "user"
}
] | 31,841 | [
" The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple ... | [
1,
1,
1,
1,
1,
1
] | [
31821,
31822,
31823,
31824,
31820,
31819
] | train |
The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple was settled. While Dimple becomes snobbish in England, Maria betakes herself to books that "improve her taste": "The contrast was so striking betwixt the good sense of her books, and the flimsiness of her love-letters, that she discovered that she had unthinkingly engaged her hand without her heart."
In the second scene, Maria bemoans the "helpless situation of [her] sex": "Reputation is the life of a woman - and the only safe asylum a woman of delicacy can find, is in the arms of a man of honor." Even though Maria reveals to her father a lack of love towards Dimple, old Van Rough still wants her to marry Dimple, stressing that “money makes the mare go”. For him his daughter’s feelings are nonsense and money is the most important thing she should look out for. In a time when women usually were detained from enlightening their opinions by means of literature (biographies were acceptable, but no novels, since they were thought to produce a wrong world view), her father concludes that her sadness comes from “these vile books”. Not wanting to disappoint her father, Maria consents.
In Act II, Charlotte discovers that her brother, the good and honorable Colonel Manly, is in town. Manly fought in the Revolutionary War and is dressed in a soldier’s coat, which seems totally unfashionable to the city’s high society. Without knowing from each other’s affair, Letitia and Charlotte, secretly reveal to the audience that they are also courted by Dimple. Snobbish Jessamy meets simple Jonathan, who has never been to such a big town and almost kissed a “harlot” without realizing it. Jessamy convinces “almost married” Jonathan to pursue some maids in the city. Jessamy introduces Jonathan to Jenny, and after the former takes his leave, Manly’s manservant tries to kiss the girl. Jenny refuses angrily, since she thinks Jonathan much too unfashionable for her.
In Act III, Dimple says he loves Charlotte for her lively character, but needs Letitia's money. He also wants Maria to decline the match. Then Dimple, the villain, meets Manly and finds out that the Colonel is Charlotte’s brother – just in time to prevent himself from telling Manly about his detestable attitude towards women. Dimple has an extensive monologue where he declares his love for European culture, despite living in America.
In Act IV, Maria tells Charlotte that Dimple insults and disgusts her and that she met a lovely man full of honor (Manly) this morning. Charlotte, being interested in Dimple, unsuccessfully “endeavour[s] to excite her to discharge him.” Manly and Dimple enter and the family relations are revealed to all characters. Van Rough meanwhile finds out about Dimple having lost seventeen-thousand pounds due to gambling and decides not to have his daughter been married to such a fool. In that moment he more or less accidentally overhears a conversation between Manly and Maria revealing their love and affections to each other.
In Act V, Jessamy fails to teach high society’s rules of laughing to Jonathan, who just laughs too naturally. Dimple meets Letitia, telling her that he loves just her and that Charlotte is nothing else than a “trifling, gay, flighty coquette”. Charlotte enters and Letitia pretends to leave. She observes the following happenings. After Letitia seemed to be gone, Dimple tells Charlotte that he is in love with her and that Letitia is an “ugly creature!” When Dimple forcefully tries to kiss her, Charlotte screams and Manly comes in to help her quarrelling Dimple. Old Van Rough prevents the men from stabbing each other and Letitia enters to reveal the happenings to everyone. After Dimple is gone dishonored, Van Rough agrees to Manly’s marriage proposal and Maria ends up with Manly. | [
[
"Because Dimple has money",
"he beleived she should only look out for money"
]
] | [
{
"content": "Why Van Rough want Maria to marry Dimple?",
"role": "user"
}
] | 31,842 | [
" The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple ... | [
1,
1,
1,
1,
1,
1
] | [
31821,
31822,
31823,
31824,
31820,
31819
] | train |
The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple was settled. While Dimple becomes snobbish in England, Maria betakes herself to books that "improve her taste": "The contrast was so striking betwixt the good sense of her books, and the flimsiness of her love-letters, that she discovered that she had unthinkingly engaged her hand without her heart."
In the second scene, Maria bemoans the "helpless situation of [her] sex": "Reputation is the life of a woman - and the only safe asylum a woman of delicacy can find, is in the arms of a man of honor." Even though Maria reveals to her father a lack of love towards Dimple, old Van Rough still wants her to marry Dimple, stressing that “money makes the mare go”. For him his daughter’s feelings are nonsense and money is the most important thing she should look out for. In a time when women usually were detained from enlightening their opinions by means of literature (biographies were acceptable, but no novels, since they were thought to produce a wrong world view), her father concludes that her sadness comes from “these vile books”. Not wanting to disappoint her father, Maria consents.
In Act II, Charlotte discovers that her brother, the good and honorable Colonel Manly, is in town. Manly fought in the Revolutionary War and is dressed in a soldier’s coat, which seems totally unfashionable to the city’s high society. Without knowing from each other’s affair, Letitia and Charlotte, secretly reveal to the audience that they are also courted by Dimple. Snobbish Jessamy meets simple Jonathan, who has never been to such a big town and almost kissed a “harlot” without realizing it. Jessamy convinces “almost married” Jonathan to pursue some maids in the city. Jessamy introduces Jonathan to Jenny, and after the former takes his leave, Manly’s manservant tries to kiss the girl. Jenny refuses angrily, since she thinks Jonathan much too unfashionable for her.
In Act III, Dimple says he loves Charlotte for her lively character, but needs Letitia's money. He also wants Maria to decline the match. Then Dimple, the villain, meets Manly and finds out that the Colonel is Charlotte’s brother – just in time to prevent himself from telling Manly about his detestable attitude towards women. Dimple has an extensive monologue where he declares his love for European culture, despite living in America.
In Act IV, Maria tells Charlotte that Dimple insults and disgusts her and that she met a lovely man full of honor (Manly) this morning. Charlotte, being interested in Dimple, unsuccessfully “endeavour[s] to excite her to discharge him.” Manly and Dimple enter and the family relations are revealed to all characters. Van Rough meanwhile finds out about Dimple having lost seventeen-thousand pounds due to gambling and decides not to have his daughter been married to such a fool. In that moment he more or less accidentally overhears a conversation between Manly and Maria revealing their love and affections to each other.
In Act V, Jessamy fails to teach high society’s rules of laughing to Jonathan, who just laughs too naturally. Dimple meets Letitia, telling her that he loves just her and that Charlotte is nothing else than a “trifling, gay, flighty coquette”. Charlotte enters and Letitia pretends to leave. She observes the following happenings. After Letitia seemed to be gone, Dimple tells Charlotte that he is in love with her and that Letitia is an “ugly creature!” When Dimple forcefully tries to kiss her, Charlotte screams and Manly comes in to help her quarrelling Dimple. Old Van Rough prevents the men from stabbing each other and Letitia enters to reveal the happenings to everyone. After Dimple is gone dishonored, Van Rough agrees to Manly’s marriage proposal and Maria ends up with Manly. | [
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The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple was settled. While Dimple becomes snobbish in England, Maria betakes herself to books that "improve her taste": "The contrast was so striking betwixt the good sense of her books, and the flimsiness of her love-letters, that she discovered that she had unthinkingly engaged her hand without her heart."
In the second scene, Maria bemoans the "helpless situation of [her] sex": "Reputation is the life of a woman - and the only safe asylum a woman of delicacy can find, is in the arms of a man of honor." Even though Maria reveals to her father a lack of love towards Dimple, old Van Rough still wants her to marry Dimple, stressing that “money makes the mare go”. For him his daughter’s feelings are nonsense and money is the most important thing she should look out for. In a time when women usually were detained from enlightening their opinions by means of literature (biographies were acceptable, but no novels, since they were thought to produce a wrong world view), her father concludes that her sadness comes from “these vile books”. Not wanting to disappoint her father, Maria consents.
In Act II, Charlotte discovers that her brother, the good and honorable Colonel Manly, is in town. Manly fought in the Revolutionary War and is dressed in a soldier’s coat, which seems totally unfashionable to the city’s high society. Without knowing from each other’s affair, Letitia and Charlotte, secretly reveal to the audience that they are also courted by Dimple. Snobbish Jessamy meets simple Jonathan, who has never been to such a big town and almost kissed a “harlot” without realizing it. Jessamy convinces “almost married” Jonathan to pursue some maids in the city. Jessamy introduces Jonathan to Jenny, and after the former takes his leave, Manly’s manservant tries to kiss the girl. Jenny refuses angrily, since she thinks Jonathan much too unfashionable for her.
In Act III, Dimple says he loves Charlotte for her lively character, but needs Letitia's money. He also wants Maria to decline the match. Then Dimple, the villain, meets Manly and finds out that the Colonel is Charlotte’s brother – just in time to prevent himself from telling Manly about his detestable attitude towards women. Dimple has an extensive monologue where he declares his love for European culture, despite living in America.
In Act IV, Maria tells Charlotte that Dimple insults and disgusts her and that she met a lovely man full of honor (Manly) this morning. Charlotte, being interested in Dimple, unsuccessfully “endeavour[s] to excite her to discharge him.” Manly and Dimple enter and the family relations are revealed to all characters. Van Rough meanwhile finds out about Dimple having lost seventeen-thousand pounds due to gambling and decides not to have his daughter been married to such a fool. In that moment he more or less accidentally overhears a conversation between Manly and Maria revealing their love and affections to each other.
In Act V, Jessamy fails to teach high society’s rules of laughing to Jonathan, who just laughs too naturally. Dimple meets Letitia, telling her that he loves just her and that Charlotte is nothing else than a “trifling, gay, flighty coquette”. Charlotte enters and Letitia pretends to leave. She observes the following happenings. After Letitia seemed to be gone, Dimple tells Charlotte that he is in love with her and that Letitia is an “ugly creature!” When Dimple forcefully tries to kiss her, Charlotte screams and Manly comes in to help her quarrelling Dimple. Old Van Rough prevents the men from stabbing each other and Letitia enters to reveal the happenings to everyone. After Dimple is gone dishonored, Van Rough agrees to Manly’s marriage proposal and Maria ends up with Manly. | [
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The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple was settled. While Dimple becomes snobbish in England, Maria betakes herself to books that "improve her taste": "The contrast was so striking betwixt the good sense of her books, and the flimsiness of her love-letters, that she discovered that she had unthinkingly engaged her hand without her heart."
In the second scene, Maria bemoans the "helpless situation of [her] sex": "Reputation is the life of a woman - and the only safe asylum a woman of delicacy can find, is in the arms of a man of honor." Even though Maria reveals to her father a lack of love towards Dimple, old Van Rough still wants her to marry Dimple, stressing that “money makes the mare go”. For him his daughter’s feelings are nonsense and money is the most important thing she should look out for. In a time when women usually were detained from enlightening their opinions by means of literature (biographies were acceptable, but no novels, since they were thought to produce a wrong world view), her father concludes that her sadness comes from “these vile books”. Not wanting to disappoint her father, Maria consents.
In Act II, Charlotte discovers that her brother, the good and honorable Colonel Manly, is in town. Manly fought in the Revolutionary War and is dressed in a soldier’s coat, which seems totally unfashionable to the city’s high society. Without knowing from each other’s affair, Letitia and Charlotte, secretly reveal to the audience that they are also courted by Dimple. Snobbish Jessamy meets simple Jonathan, who has never been to such a big town and almost kissed a “harlot” without realizing it. Jessamy convinces “almost married” Jonathan to pursue some maids in the city. Jessamy introduces Jonathan to Jenny, and after the former takes his leave, Manly’s manservant tries to kiss the girl. Jenny refuses angrily, since she thinks Jonathan much too unfashionable for her.
In Act III, Dimple says he loves Charlotte for her lively character, but needs Letitia's money. He also wants Maria to decline the match. Then Dimple, the villain, meets Manly and finds out that the Colonel is Charlotte’s brother – just in time to prevent himself from telling Manly about his detestable attitude towards women. Dimple has an extensive monologue where he declares his love for European culture, despite living in America.
In Act IV, Maria tells Charlotte that Dimple insults and disgusts her and that she met a lovely man full of honor (Manly) this morning. Charlotte, being interested in Dimple, unsuccessfully “endeavour[s] to excite her to discharge him.” Manly and Dimple enter and the family relations are revealed to all characters. Van Rough meanwhile finds out about Dimple having lost seventeen-thousand pounds due to gambling and decides not to have his daughter been married to such a fool. In that moment he more or less accidentally overhears a conversation between Manly and Maria revealing their love and affections to each other.
In Act V, Jessamy fails to teach high society’s rules of laughing to Jonathan, who just laughs too naturally. Dimple meets Letitia, telling her that he loves just her and that Charlotte is nothing else than a “trifling, gay, flighty coquette”. Charlotte enters and Letitia pretends to leave. She observes the following happenings. After Letitia seemed to be gone, Dimple tells Charlotte that he is in love with her and that Letitia is an “ugly creature!” When Dimple forcefully tries to kiss her, Charlotte screams and Manly comes in to help her quarrelling Dimple. Old Van Rough prevents the men from stabbing each other and Letitia enters to reveal the happenings to everyone. After Dimple is gone dishonored, Van Rough agrees to Manly’s marriage proposal and Maria ends up with Manly. | [
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" The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple ... | [
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The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple was settled. While Dimple becomes snobbish in England, Maria betakes herself to books that "improve her taste": "The contrast was so striking betwixt the good sense of her books, and the flimsiness of her love-letters, that she discovered that she had unthinkingly engaged her hand without her heart."
In the second scene, Maria bemoans the "helpless situation of [her] sex": "Reputation is the life of a woman - and the only safe asylum a woman of delicacy can find, is in the arms of a man of honor." Even though Maria reveals to her father a lack of love towards Dimple, old Van Rough still wants her to marry Dimple, stressing that “money makes the mare go”. For him his daughter’s feelings are nonsense and money is the most important thing she should look out for. In a time when women usually were detained from enlightening their opinions by means of literature (biographies were acceptable, but no novels, since they were thought to produce a wrong world view), her father concludes that her sadness comes from “these vile books”. Not wanting to disappoint her father, Maria consents.
In Act II, Charlotte discovers that her brother, the good and honorable Colonel Manly, is in town. Manly fought in the Revolutionary War and is dressed in a soldier’s coat, which seems totally unfashionable to the city’s high society. Without knowing from each other’s affair, Letitia and Charlotte, secretly reveal to the audience that they are also courted by Dimple. Snobbish Jessamy meets simple Jonathan, who has never been to such a big town and almost kissed a “harlot” without realizing it. Jessamy convinces “almost married” Jonathan to pursue some maids in the city. Jessamy introduces Jonathan to Jenny, and after the former takes his leave, Manly’s manservant tries to kiss the girl. Jenny refuses angrily, since she thinks Jonathan much too unfashionable for her.
In Act III, Dimple says he loves Charlotte for her lively character, but needs Letitia's money. He also wants Maria to decline the match. Then Dimple, the villain, meets Manly and finds out that the Colonel is Charlotte’s brother – just in time to prevent himself from telling Manly about his detestable attitude towards women. Dimple has an extensive monologue where he declares his love for European culture, despite living in America.
In Act IV, Maria tells Charlotte that Dimple insults and disgusts her and that she met a lovely man full of honor (Manly) this morning. Charlotte, being interested in Dimple, unsuccessfully “endeavour[s] to excite her to discharge him.” Manly and Dimple enter and the family relations are revealed to all characters. Van Rough meanwhile finds out about Dimple having lost seventeen-thousand pounds due to gambling and decides not to have his daughter been married to such a fool. In that moment he more or less accidentally overhears a conversation between Manly and Maria revealing their love and affections to each other.
In Act V, Jessamy fails to teach high society’s rules of laughing to Jonathan, who just laughs too naturally. Dimple meets Letitia, telling her that he loves just her and that Charlotte is nothing else than a “trifling, gay, flighty coquette”. Charlotte enters and Letitia pretends to leave. She observes the following happenings. After Letitia seemed to be gone, Dimple tells Charlotte that he is in love with her and that Letitia is an “ugly creature!” When Dimple forcefully tries to kiss her, Charlotte screams and Manly comes in to help her quarrelling Dimple. Old Van Rough prevents the men from stabbing each other and Letitia enters to reveal the happenings to everyone. After Dimple is gone dishonored, Van Rough agrees to Manly’s marriage proposal and Maria ends up with Manly. | [
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" The play begins with the coquettish Charlotte and Letitia talking about the forthcoming marriage and Maria’s distress due to her father’s marriage plans for her. Billy Dimple's father was Van Rough's business partner. Before the death of Dimple’s father, a marriage between Van Rough’s Daughter, Maria, and Dimple ... | [
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Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the chairman of the English department in which Grady is a professor. Grady's third wife, Emily, has just left him, and he has failed to repeat the grand success of his first novel, published years earlier. He continues to labor on a second novel, but the more he tries to finish it the less able he finds himself to invent a satisfactory ending. The book runs to over two and a half thousand pages and is still far from finished. He spends his free time smoking marijuana.
Grady's students include James Leer (Tobey Maguire) and Hannah Green (Katie Holmes). Hannah and James are friends and both very good writers. Hannah, who rents a room in Grady's large house, is attracted to Grady, but he does not reciprocate. James is enigmatic, quiet, dark and enjoys writing fiction more than he first lets on.
During a party at the Gaskells' house, Sara reveals to Grady that she is pregnant with his child. Grady finds James standing outside holding what he claims to be a replica gun, won by his mother at a fairground during her schooldays. However, the gun turns out to be very real, as James shoots the Gaskells' dog when he finds it attacking Grady. James also steals a very valuable piece of Marilyn Monroe memorabilia from the house. Grady is unable to tell Sara of this incident as she is pressuring him to choose between her and Emily. As a result, Grady is forced to keep the dead dog in the trunk of his car for most of the weekend. He also allows James to follow him around, fearing that he may be depressed or even suicidal. Gradually, he realizes that much of what James tells him about himself and his life is untrue, and is seemingly designed to elicit Grady's sympathy.
Meanwhile, Grady's editor, Terry Crabtree (Robert Downey Jr.), has flown into town on the pretense of attending the university's annual WordFest, a literary event for aspiring authors. In reality, Terry is there to see if Grady has written anything worth publishing, as both men's careers depend on Grady's upcoming book. Terry arrives with a transvestite whom he met on the flight, called Antonia "Tony" Sloviak (Michael Cavadias). The pair apparently become intimate in a bedroom at the Gaskells' party, but, immediately afterwards, Terry meets James and becomes infatuated with him, and Tony is unceremoniously sent home. After a night on the town, Terry and James semi-consciously flirt throughout the night, which eventually leads up to the two spending an intimate night together in one of Grady's spare rooms.
Tired and confused, Grady phones Walter and reveals to him that he is in love with Sara. Meanwhile, Walter has also made the connection between the disappearance of Marilyn Monroe memorabilia and James. The following morning the Pittsburgh Police arrive with Sara to escort James to the Chancellor's office to discuss the ramifications of his actions. The memorabilia is still in Grady's car, which has conspicuously gone missing. The car had been given to him by a friend as payment for a loan, and, over the weekend, Grady has come to suspect that the car was stolen. Over the course of his travel around town, a man claiming to be the car's real owner repeatedly accosted Grady. He eventually tracks the car down, but in a dispute over its ownership the majority of his manuscript blows out of the car and is lost. The car's owner gives him a ride to the university with his wife, Oola, in the passenger seat, with the stolen memorabilia.
Grady finally sees that making things right involves having to make difficult choices. Grady tells Oola the story behind the memorabilia and allows her to leave with it. Worried that Grady's choice comes at the expense of damaging James's future, Terry convinces Walter not to press charges by agreeing to publish his book, "a critical exploration of the union of Joe DiMaggio and Marilyn Monroe and its function in American mythopoetics", tentatively titled The Last American Marriage.
The film ends with Grady recounting the eventual fate of the main characters â Hannah graduates and becomes a magazine editor; James was not expelled, but drops out and moves to New York to rework his novel for publication; and Terry Crabtree "goes right on being Crabtree." Grady finishes typing his new book (now using a computer rather than a typewriter), which is an account of the events of the film, then watches Sara and their child arriving home before turning back to the computer and clicking "Save." | [
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Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the chairman of the English department in which Grady is a professor. Grady's third wife, Emily, has just left him, and he has failed to repeat the grand success of his first novel, published years earlier. He continues to labor on a second novel, but the more he tries to finish it the less able he finds himself to invent a satisfactory ending. The book runs to over two and a half thousand pages and is still far from finished. He spends his free time smoking marijuana.
Grady's students include James Leer (Tobey Maguire) and Hannah Green (Katie Holmes). Hannah and James are friends and both very good writers. Hannah, who rents a room in Grady's large house, is attracted to Grady, but he does not reciprocate. James is enigmatic, quiet, dark and enjoys writing fiction more than he first lets on.
During a party at the Gaskells' house, Sara reveals to Grady that she is pregnant with his child. Grady finds James standing outside holding what he claims to be a replica gun, won by his mother at a fairground during her schooldays. However, the gun turns out to be very real, as James shoots the Gaskells' dog when he finds it attacking Grady. James also steals a very valuable piece of Marilyn Monroe memorabilia from the house. Grady is unable to tell Sara of this incident as she is pressuring him to choose between her and Emily. As a result, Grady is forced to keep the dead dog in the trunk of his car for most of the weekend. He also allows James to follow him around, fearing that he may be depressed or even suicidal. Gradually, he realizes that much of what James tells him about himself and his life is untrue, and is seemingly designed to elicit Grady's sympathy.
Meanwhile, Grady's editor, Terry Crabtree (Robert Downey Jr.), has flown into town on the pretense of attending the university's annual WordFest, a literary event for aspiring authors. In reality, Terry is there to see if Grady has written anything worth publishing, as both men's careers depend on Grady's upcoming book. Terry arrives with a transvestite whom he met on the flight, called Antonia "Tony" Sloviak (Michael Cavadias). The pair apparently become intimate in a bedroom at the Gaskells' party, but, immediately afterwards, Terry meets James and becomes infatuated with him, and Tony is unceremoniously sent home. After a night on the town, Terry and James semi-consciously flirt throughout the night, which eventually leads up to the two spending an intimate night together in one of Grady's spare rooms.
Tired and confused, Grady phones Walter and reveals to him that he is in love with Sara. Meanwhile, Walter has also made the connection between the disappearance of Marilyn Monroe memorabilia and James. The following morning the Pittsburgh Police arrive with Sara to escort James to the Chancellor's office to discuss the ramifications of his actions. The memorabilia is still in Grady's car, which has conspicuously gone missing. The car had been given to him by a friend as payment for a loan, and, over the weekend, Grady has come to suspect that the car was stolen. Over the course of his travel around town, a man claiming to be the car's real owner repeatedly accosted Grady. He eventually tracks the car down, but in a dispute over its ownership the majority of his manuscript blows out of the car and is lost. The car's owner gives him a ride to the university with his wife, Oola, in the passenger seat, with the stolen memorabilia.
Grady finally sees that making things right involves having to make difficult choices. Grady tells Oola the story behind the memorabilia and allows her to leave with it. Worried that Grady's choice comes at the expense of damaging James's future, Terry convinces Walter not to press charges by agreeing to publish his book, "a critical exploration of the union of Joe DiMaggio and Marilyn Monroe and its function in American mythopoetics", tentatively titled The Last American Marriage.
The film ends with Grady recounting the eventual fate of the main characters â Hannah graduates and becomes a magazine editor; James was not expelled, but drops out and moves to New York to rework his novel for publication; and Terry Crabtree "goes right on being Crabtree." Grady finishes typing his new book (now using a computer rather than a typewriter), which is an account of the events of the film, then watches Sara and their child arriving home before turning back to the computer and clicking "Save." | [
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Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the chairman of the English department in which Grady is a professor. Grady's third wife, Emily, has just left him, and he has failed to repeat the grand success of his first novel, published years earlier. He continues to labor on a second novel, but the more he tries to finish it the less able he finds himself to invent a satisfactory ending. The book runs to over two and a half thousand pages and is still far from finished. He spends his free time smoking marijuana.
Grady's students include James Leer (Tobey Maguire) and Hannah Green (Katie Holmes). Hannah and James are friends and both very good writers. Hannah, who rents a room in Grady's large house, is attracted to Grady, but he does not reciprocate. James is enigmatic, quiet, dark and enjoys writing fiction more than he first lets on.
During a party at the Gaskells' house, Sara reveals to Grady that she is pregnant with his child. Grady finds James standing outside holding what he claims to be a replica gun, won by his mother at a fairground during her schooldays. However, the gun turns out to be very real, as James shoots the Gaskells' dog when he finds it attacking Grady. James also steals a very valuable piece of Marilyn Monroe memorabilia from the house. Grady is unable to tell Sara of this incident as she is pressuring him to choose between her and Emily. As a result, Grady is forced to keep the dead dog in the trunk of his car for most of the weekend. He also allows James to follow him around, fearing that he may be depressed or even suicidal. Gradually, he realizes that much of what James tells him about himself and his life is untrue, and is seemingly designed to elicit Grady's sympathy.
Meanwhile, Grady's editor, Terry Crabtree (Robert Downey Jr.), has flown into town on the pretense of attending the university's annual WordFest, a literary event for aspiring authors. In reality, Terry is there to see if Grady has written anything worth publishing, as both men's careers depend on Grady's upcoming book. Terry arrives with a transvestite whom he met on the flight, called Antonia "Tony" Sloviak (Michael Cavadias). The pair apparently become intimate in a bedroom at the Gaskells' party, but, immediately afterwards, Terry meets James and becomes infatuated with him, and Tony is unceremoniously sent home. After a night on the town, Terry and James semi-consciously flirt throughout the night, which eventually leads up to the two spending an intimate night together in one of Grady's spare rooms.
Tired and confused, Grady phones Walter and reveals to him that he is in love with Sara. Meanwhile, Walter has also made the connection between the disappearance of Marilyn Monroe memorabilia and James. The following morning the Pittsburgh Police arrive with Sara to escort James to the Chancellor's office to discuss the ramifications of his actions. The memorabilia is still in Grady's car, which has conspicuously gone missing. The car had been given to him by a friend as payment for a loan, and, over the weekend, Grady has come to suspect that the car was stolen. Over the course of his travel around town, a man claiming to be the car's real owner repeatedly accosted Grady. He eventually tracks the car down, but in a dispute over its ownership the majority of his manuscript blows out of the car and is lost. The car's owner gives him a ride to the university with his wife, Oola, in the passenger seat, with the stolen memorabilia.
Grady finally sees that making things right involves having to make difficult choices. Grady tells Oola the story behind the memorabilia and allows her to leave with it. Worried that Grady's choice comes at the expense of damaging James's future, Terry convinces Walter not to press charges by agreeing to publish his book, "a critical exploration of the union of Joe DiMaggio and Marilyn Monroe and its function in American mythopoetics", tentatively titled The Last American Marriage.
The film ends with Grady recounting the eventual fate of the main characters â Hannah graduates and becomes a magazine editor; James was not expelled, but drops out and moves to New York to rework his novel for publication; and Terry Crabtree "goes right on being Crabtree." Grady finishes typing his new book (now using a computer rather than a typewriter), which is an account of the events of the film, then watches Sara and their child arriving home before turning back to the computer and clicking "Save." | [
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"content": "Where was Jame when he shot a dog?",
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" Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the... | [
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Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the chairman of the English department in which Grady is a professor. Grady's third wife, Emily, has just left him, and he has failed to repeat the grand success of his first novel, published years earlier. He continues to labor on a second novel, but the more he tries to finish it the less able he finds himself to invent a satisfactory ending. The book runs to over two and a half thousand pages and is still far from finished. He spends his free time smoking marijuana.
Grady's students include James Leer (Tobey Maguire) and Hannah Green (Katie Holmes). Hannah and James are friends and both very good writers. Hannah, who rents a room in Grady's large house, is attracted to Grady, but he does not reciprocate. James is enigmatic, quiet, dark and enjoys writing fiction more than he first lets on.
During a party at the Gaskells' house, Sara reveals to Grady that she is pregnant with his child. Grady finds James standing outside holding what he claims to be a replica gun, won by his mother at a fairground during her schooldays. However, the gun turns out to be very real, as James shoots the Gaskells' dog when he finds it attacking Grady. James also steals a very valuable piece of Marilyn Monroe memorabilia from the house. Grady is unable to tell Sara of this incident as she is pressuring him to choose between her and Emily. As a result, Grady is forced to keep the dead dog in the trunk of his car for most of the weekend. He also allows James to follow him around, fearing that he may be depressed or even suicidal. Gradually, he realizes that much of what James tells him about himself and his life is untrue, and is seemingly designed to elicit Grady's sympathy.
Meanwhile, Grady's editor, Terry Crabtree (Robert Downey Jr.), has flown into town on the pretense of attending the university's annual WordFest, a literary event for aspiring authors. In reality, Terry is there to see if Grady has written anything worth publishing, as both men's careers depend on Grady's upcoming book. Terry arrives with a transvestite whom he met on the flight, called Antonia "Tony" Sloviak (Michael Cavadias). The pair apparently become intimate in a bedroom at the Gaskells' party, but, immediately afterwards, Terry meets James and becomes infatuated with him, and Tony is unceremoniously sent home. After a night on the town, Terry and James semi-consciously flirt throughout the night, which eventually leads up to the two spending an intimate night together in one of Grady's spare rooms.
Tired and confused, Grady phones Walter and reveals to him that he is in love with Sara. Meanwhile, Walter has also made the connection between the disappearance of Marilyn Monroe memorabilia and James. The following morning the Pittsburgh Police arrive with Sara to escort James to the Chancellor's office to discuss the ramifications of his actions. The memorabilia is still in Grady's car, which has conspicuously gone missing. The car had been given to him by a friend as payment for a loan, and, over the weekend, Grady has come to suspect that the car was stolen. Over the course of his travel around town, a man claiming to be the car's real owner repeatedly accosted Grady. He eventually tracks the car down, but in a dispute over its ownership the majority of his manuscript blows out of the car and is lost. The car's owner gives him a ride to the university with his wife, Oola, in the passenger seat, with the stolen memorabilia.
Grady finally sees that making things right involves having to make difficult choices. Grady tells Oola the story behind the memorabilia and allows her to leave with it. Worried that Grady's choice comes at the expense of damaging James's future, Terry convinces Walter not to press charges by agreeing to publish his book, "a critical exploration of the union of Joe DiMaggio and Marilyn Monroe and its function in American mythopoetics", tentatively titled The Last American Marriage.
The film ends with Grady recounting the eventual fate of the main characters â Hannah graduates and becomes a magazine editor; James was not expelled, but drops out and moves to New York to rework his novel for publication; and Terry Crabtree "goes right on being Crabtree." Grady finishes typing his new book (now using a computer rather than a typewriter), which is an account of the events of the film, then watches Sara and their child arriving home before turning back to the computer and clicking "Save." | [
[
"Emily and Sara",
"Sara and Emily"
]
] | [
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"content": "Which two women is Professor Tripp being asked to choose between?",
"role": "user"
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] | 31,850 | [
" Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the... | [
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Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the chairman of the English department in which Grady is a professor. Grady's third wife, Emily, has just left him, and he has failed to repeat the grand success of his first novel, published years earlier. He continues to labor on a second novel, but the more he tries to finish it the less able he finds himself to invent a satisfactory ending. The book runs to over two and a half thousand pages and is still far from finished. He spends his free time smoking marijuana.
Grady's students include James Leer (Tobey Maguire) and Hannah Green (Katie Holmes). Hannah and James are friends and both very good writers. Hannah, who rents a room in Grady's large house, is attracted to Grady, but he does not reciprocate. James is enigmatic, quiet, dark and enjoys writing fiction more than he first lets on.
During a party at the Gaskells' house, Sara reveals to Grady that she is pregnant with his child. Grady finds James standing outside holding what he claims to be a replica gun, won by his mother at a fairground during her schooldays. However, the gun turns out to be very real, as James shoots the Gaskells' dog when he finds it attacking Grady. James also steals a very valuable piece of Marilyn Monroe memorabilia from the house. Grady is unable to tell Sara of this incident as she is pressuring him to choose between her and Emily. As a result, Grady is forced to keep the dead dog in the trunk of his car for most of the weekend. He also allows James to follow him around, fearing that he may be depressed or even suicidal. Gradually, he realizes that much of what James tells him about himself and his life is untrue, and is seemingly designed to elicit Grady's sympathy.
Meanwhile, Grady's editor, Terry Crabtree (Robert Downey Jr.), has flown into town on the pretense of attending the university's annual WordFest, a literary event for aspiring authors. In reality, Terry is there to see if Grady has written anything worth publishing, as both men's careers depend on Grady's upcoming book. Terry arrives with a transvestite whom he met on the flight, called Antonia "Tony" Sloviak (Michael Cavadias). The pair apparently become intimate in a bedroom at the Gaskells' party, but, immediately afterwards, Terry meets James and becomes infatuated with him, and Tony is unceremoniously sent home. After a night on the town, Terry and James semi-consciously flirt throughout the night, which eventually leads up to the two spending an intimate night together in one of Grady's spare rooms.
Tired and confused, Grady phones Walter and reveals to him that he is in love with Sara. Meanwhile, Walter has also made the connection between the disappearance of Marilyn Monroe memorabilia and James. The following morning the Pittsburgh Police arrive with Sara to escort James to the Chancellor's office to discuss the ramifications of his actions. The memorabilia is still in Grady's car, which has conspicuously gone missing. The car had been given to him by a friend as payment for a loan, and, over the weekend, Grady has come to suspect that the car was stolen. Over the course of his travel around town, a man claiming to be the car's real owner repeatedly accosted Grady. He eventually tracks the car down, but in a dispute over its ownership the majority of his manuscript blows out of the car and is lost. The car's owner gives him a ride to the university with his wife, Oola, in the passenger seat, with the stolen memorabilia.
Grady finally sees that making things right involves having to make difficult choices. Grady tells Oola the story behind the memorabilia and allows her to leave with it. Worried that Grady's choice comes at the expense of damaging James's future, Terry convinces Walter not to press charges by agreeing to publish his book, "a critical exploration of the union of Joe DiMaggio and Marilyn Monroe and its function in American mythopoetics", tentatively titled The Last American Marriage.
The film ends with Grady recounting the eventual fate of the main characters â Hannah graduates and becomes a magazine editor; James was not expelled, but drops out and moves to New York to rework his novel for publication; and Terry Crabtree "goes right on being Crabtree." Grady finishes typing his new book (now using a computer rather than a typewriter), which is an account of the events of the film, then watches Sara and their child arriving home before turning back to the computer and clicking "Save." | [
[
"to hide it from the Gaskells",
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{
"content": "Why did Grady put a dead animal in his car?",
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] | 31,851 | [
" Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the... | [
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Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the chairman of the English department in which Grady is a professor. Grady's third wife, Emily, has just left him, and he has failed to repeat the grand success of his first novel, published years earlier. He continues to labor on a second novel, but the more he tries to finish it the less able he finds himself to invent a satisfactory ending. The book runs to over two and a half thousand pages and is still far from finished. He spends his free time smoking marijuana.
Grady's students include James Leer (Tobey Maguire) and Hannah Green (Katie Holmes). Hannah and James are friends and both very good writers. Hannah, who rents a room in Grady's large house, is attracted to Grady, but he does not reciprocate. James is enigmatic, quiet, dark and enjoys writing fiction more than he first lets on.
During a party at the Gaskells' house, Sara reveals to Grady that she is pregnant with his child. Grady finds James standing outside holding what he claims to be a replica gun, won by his mother at a fairground during her schooldays. However, the gun turns out to be very real, as James shoots the Gaskells' dog when he finds it attacking Grady. James also steals a very valuable piece of Marilyn Monroe memorabilia from the house. Grady is unable to tell Sara of this incident as she is pressuring him to choose between her and Emily. As a result, Grady is forced to keep the dead dog in the trunk of his car for most of the weekend. He also allows James to follow him around, fearing that he may be depressed or even suicidal. Gradually, he realizes that much of what James tells him about himself and his life is untrue, and is seemingly designed to elicit Grady's sympathy.
Meanwhile, Grady's editor, Terry Crabtree (Robert Downey Jr.), has flown into town on the pretense of attending the university's annual WordFest, a literary event for aspiring authors. In reality, Terry is there to see if Grady has written anything worth publishing, as both men's careers depend on Grady's upcoming book. Terry arrives with a transvestite whom he met on the flight, called Antonia "Tony" Sloviak (Michael Cavadias). The pair apparently become intimate in a bedroom at the Gaskells' party, but, immediately afterwards, Terry meets James and becomes infatuated with him, and Tony is unceremoniously sent home. After a night on the town, Terry and James semi-consciously flirt throughout the night, which eventually leads up to the two spending an intimate night together in one of Grady's spare rooms.
Tired and confused, Grady phones Walter and reveals to him that he is in love with Sara. Meanwhile, Walter has also made the connection between the disappearance of Marilyn Monroe memorabilia and James. The following morning the Pittsburgh Police arrive with Sara to escort James to the Chancellor's office to discuss the ramifications of his actions. The memorabilia is still in Grady's car, which has conspicuously gone missing. The car had been given to him by a friend as payment for a loan, and, over the weekend, Grady has come to suspect that the car was stolen. Over the course of his travel around town, a man claiming to be the car's real owner repeatedly accosted Grady. He eventually tracks the car down, but in a dispute over its ownership the majority of his manuscript blows out of the car and is lost. The car's owner gives him a ride to the university with his wife, Oola, in the passenger seat, with the stolen memorabilia.
Grady finally sees that making things right involves having to make difficult choices. Grady tells Oola the story behind the memorabilia and allows her to leave with it. Worried that Grady's choice comes at the expense of damaging James's future, Terry convinces Walter not to press charges by agreeing to publish his book, "a critical exploration of the union of Joe DiMaggio and Marilyn Monroe and its function in American mythopoetics", tentatively titled The Last American Marriage.
The film ends with Grady recounting the eventual fate of the main characters â Hannah graduates and becomes a magazine editor; James was not expelled, but drops out and moves to New York to rework his novel for publication; and Terry Crabtree "goes right on being Crabtree." Grady finishes typing his new book (now using a computer rather than a typewriter), which is an account of the events of the film, then watches Sara and their child arriving home before turning back to the computer and clicking "Save." | [
[
"Terry meets James",
"Terry meets someone else "
]
] | [
{
"content": "Why is Antonia sent home after arriving at the party?",
"role": "user"
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] | 31,852 | [
" Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the... | [
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Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the chairman of the English department in which Grady is a professor. Grady's third wife, Emily, has just left him, and he has failed to repeat the grand success of his first novel, published years earlier. He continues to labor on a second novel, but the more he tries to finish it the less able he finds himself to invent a satisfactory ending. The book runs to over two and a half thousand pages and is still far from finished. He spends his free time smoking marijuana.
Grady's students include James Leer (Tobey Maguire) and Hannah Green (Katie Holmes). Hannah and James are friends and both very good writers. Hannah, who rents a room in Grady's large house, is attracted to Grady, but he does not reciprocate. James is enigmatic, quiet, dark and enjoys writing fiction more than he first lets on.
During a party at the Gaskells' house, Sara reveals to Grady that she is pregnant with his child. Grady finds James standing outside holding what he claims to be a replica gun, won by his mother at a fairground during her schooldays. However, the gun turns out to be very real, as James shoots the Gaskells' dog when he finds it attacking Grady. James also steals a very valuable piece of Marilyn Monroe memorabilia from the house. Grady is unable to tell Sara of this incident as she is pressuring him to choose between her and Emily. As a result, Grady is forced to keep the dead dog in the trunk of his car for most of the weekend. He also allows James to follow him around, fearing that he may be depressed or even suicidal. Gradually, he realizes that much of what James tells him about himself and his life is untrue, and is seemingly designed to elicit Grady's sympathy.
Meanwhile, Grady's editor, Terry Crabtree (Robert Downey Jr.), has flown into town on the pretense of attending the university's annual WordFest, a literary event for aspiring authors. In reality, Terry is there to see if Grady has written anything worth publishing, as both men's careers depend on Grady's upcoming book. Terry arrives with a transvestite whom he met on the flight, called Antonia "Tony" Sloviak (Michael Cavadias). The pair apparently become intimate in a bedroom at the Gaskells' party, but, immediately afterwards, Terry meets James and becomes infatuated with him, and Tony is unceremoniously sent home. After a night on the town, Terry and James semi-consciously flirt throughout the night, which eventually leads up to the two spending an intimate night together in one of Grady's spare rooms.
Tired and confused, Grady phones Walter and reveals to him that he is in love with Sara. Meanwhile, Walter has also made the connection between the disappearance of Marilyn Monroe memorabilia and James. The following morning the Pittsburgh Police arrive with Sara to escort James to the Chancellor's office to discuss the ramifications of his actions. The memorabilia is still in Grady's car, which has conspicuously gone missing. The car had been given to him by a friend as payment for a loan, and, over the weekend, Grady has come to suspect that the car was stolen. Over the course of his travel around town, a man claiming to be the car's real owner repeatedly accosted Grady. He eventually tracks the car down, but in a dispute over its ownership the majority of his manuscript blows out of the car and is lost. The car's owner gives him a ride to the university with his wife, Oola, in the passenger seat, with the stolen memorabilia.
Grady finally sees that making things right involves having to make difficult choices. Grady tells Oola the story behind the memorabilia and allows her to leave with it. Worried that Grady's choice comes at the expense of damaging James's future, Terry convinces Walter not to press charges by agreeing to publish his book, "a critical exploration of the union of Joe DiMaggio and Marilyn Monroe and its function in American mythopoetics", tentatively titled The Last American Marriage.
The film ends with Grady recounting the eventual fate of the main characters â Hannah graduates and becomes a magazine editor; James was not expelled, but drops out and moves to New York to rework his novel for publication; and Terry Crabtree "goes right on being Crabtree." Grady finishes typing his new book (now using a computer rather than a typewriter), which is an account of the events of the film, then watches Sara and their child arriving home before turning back to the computer and clicking "Save." | [
[
"Pittsburgh",
"WordFest"
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{
"content": "Where were Grady's editor and the transvestite going when they met?",
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] | 31,853 | [
" Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the... | [
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Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the chairman of the English department in which Grady is a professor. Grady's third wife, Emily, has just left him, and he has failed to repeat the grand success of his first novel, published years earlier. He continues to labor on a second novel, but the more he tries to finish it the less able he finds himself to invent a satisfactory ending. The book runs to over two and a half thousand pages and is still far from finished. He spends his free time smoking marijuana.
Grady's students include James Leer (Tobey Maguire) and Hannah Green (Katie Holmes). Hannah and James are friends and both very good writers. Hannah, who rents a room in Grady's large house, is attracted to Grady, but he does not reciprocate. James is enigmatic, quiet, dark and enjoys writing fiction more than he first lets on.
During a party at the Gaskells' house, Sara reveals to Grady that she is pregnant with his child. Grady finds James standing outside holding what he claims to be a replica gun, won by his mother at a fairground during her schooldays. However, the gun turns out to be very real, as James shoots the Gaskells' dog when he finds it attacking Grady. James also steals a very valuable piece of Marilyn Monroe memorabilia from the house. Grady is unable to tell Sara of this incident as she is pressuring him to choose between her and Emily. As a result, Grady is forced to keep the dead dog in the trunk of his car for most of the weekend. He also allows James to follow him around, fearing that he may be depressed or even suicidal. Gradually, he realizes that much of what James tells him about himself and his life is untrue, and is seemingly designed to elicit Grady's sympathy.
Meanwhile, Grady's editor, Terry Crabtree (Robert Downey Jr.), has flown into town on the pretense of attending the university's annual WordFest, a literary event for aspiring authors. In reality, Terry is there to see if Grady has written anything worth publishing, as both men's careers depend on Grady's upcoming book. Terry arrives with a transvestite whom he met on the flight, called Antonia "Tony" Sloviak (Michael Cavadias). The pair apparently become intimate in a bedroom at the Gaskells' party, but, immediately afterwards, Terry meets James and becomes infatuated with him, and Tony is unceremoniously sent home. After a night on the town, Terry and James semi-consciously flirt throughout the night, which eventually leads up to the two spending an intimate night together in one of Grady's spare rooms.
Tired and confused, Grady phones Walter and reveals to him that he is in love with Sara. Meanwhile, Walter has also made the connection between the disappearance of Marilyn Monroe memorabilia and James. The following morning the Pittsburgh Police arrive with Sara to escort James to the Chancellor's office to discuss the ramifications of his actions. The memorabilia is still in Grady's car, which has conspicuously gone missing. The car had been given to him by a friend as payment for a loan, and, over the weekend, Grady has come to suspect that the car was stolen. Over the course of his travel around town, a man claiming to be the car's real owner repeatedly accosted Grady. He eventually tracks the car down, but in a dispute over its ownership the majority of his manuscript blows out of the car and is lost. The car's owner gives him a ride to the university with his wife, Oola, in the passenger seat, with the stolen memorabilia.
Grady finally sees that making things right involves having to make difficult choices. Grady tells Oola the story behind the memorabilia and allows her to leave with it. Worried that Grady's choice comes at the expense of damaging James's future, Terry convinces Walter not to press charges by agreeing to publish his book, "a critical exploration of the union of Joe DiMaggio and Marilyn Monroe and its function in American mythopoetics", tentatively titled The Last American Marriage.
The film ends with Grady recounting the eventual fate of the main characters â Hannah graduates and becomes a magazine editor; James was not expelled, but drops out and moves to New York to rework his novel for publication; and Terry Crabtree "goes right on being Crabtree." Grady finishes typing his new book (now using a computer rather than a typewriter), which is an account of the events of the film, then watches Sara and their child arriving home before turning back to the computer and clicking "Save." | [
[
"by agreeing to publish Walter's work",
"by agreeing to publish Walter's book."
]
] | [
{
"content": "How does Terry keep James from being arrested?",
"role": "user"
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] | 31,854 | [
" Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the... | [
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Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the chairman of the English department in which Grady is a professor. Grady's third wife, Emily, has just left him, and he has failed to repeat the grand success of his first novel, published years earlier. He continues to labor on a second novel, but the more he tries to finish it the less able he finds himself to invent a satisfactory ending. The book runs to over two and a half thousand pages and is still far from finished. He spends his free time smoking marijuana.
Grady's students include James Leer (Tobey Maguire) and Hannah Green (Katie Holmes). Hannah and James are friends and both very good writers. Hannah, who rents a room in Grady's large house, is attracted to Grady, but he does not reciprocate. James is enigmatic, quiet, dark and enjoys writing fiction more than he first lets on.
During a party at the Gaskells' house, Sara reveals to Grady that she is pregnant with his child. Grady finds James standing outside holding what he claims to be a replica gun, won by his mother at a fairground during her schooldays. However, the gun turns out to be very real, as James shoots the Gaskells' dog when he finds it attacking Grady. James also steals a very valuable piece of Marilyn Monroe memorabilia from the house. Grady is unable to tell Sara of this incident as she is pressuring him to choose between her and Emily. As a result, Grady is forced to keep the dead dog in the trunk of his car for most of the weekend. He also allows James to follow him around, fearing that he may be depressed or even suicidal. Gradually, he realizes that much of what James tells him about himself and his life is untrue, and is seemingly designed to elicit Grady's sympathy.
Meanwhile, Grady's editor, Terry Crabtree (Robert Downey Jr.), has flown into town on the pretense of attending the university's annual WordFest, a literary event for aspiring authors. In reality, Terry is there to see if Grady has written anything worth publishing, as both men's careers depend on Grady's upcoming book. Terry arrives with a transvestite whom he met on the flight, called Antonia "Tony" Sloviak (Michael Cavadias). The pair apparently become intimate in a bedroom at the Gaskells' party, but, immediately afterwards, Terry meets James and becomes infatuated with him, and Tony is unceremoniously sent home. After a night on the town, Terry and James semi-consciously flirt throughout the night, which eventually leads up to the two spending an intimate night together in one of Grady's spare rooms.
Tired and confused, Grady phones Walter and reveals to him that he is in love with Sara. Meanwhile, Walter has also made the connection between the disappearance of Marilyn Monroe memorabilia and James. The following morning the Pittsburgh Police arrive with Sara to escort James to the Chancellor's office to discuss the ramifications of his actions. The memorabilia is still in Grady's car, which has conspicuously gone missing. The car had been given to him by a friend as payment for a loan, and, over the weekend, Grady has come to suspect that the car was stolen. Over the course of his travel around town, a man claiming to be the car's real owner repeatedly accosted Grady. He eventually tracks the car down, but in a dispute over its ownership the majority of his manuscript blows out of the car and is lost. The car's owner gives him a ride to the university with his wife, Oola, in the passenger seat, with the stolen memorabilia.
Grady finally sees that making things right involves having to make difficult choices. Grady tells Oola the story behind the memorabilia and allows her to leave with it. Worried that Grady's choice comes at the expense of damaging James's future, Terry convinces Walter not to press charges by agreeing to publish his book, "a critical exploration of the union of Joe DiMaggio and Marilyn Monroe and its function in American mythopoetics", tentatively titled The Last American Marriage.
The film ends with Grady recounting the eventual fate of the main characters â Hannah graduates and becomes a magazine editor; James was not expelled, but drops out and moves to New York to rework his novel for publication; and Terry Crabtree "goes right on being Crabtree." Grady finishes typing his new book (now using a computer rather than a typewriter), which is an account of the events of the film, then watches Sara and their child arriving home before turning back to the computer and clicking "Save." | [
[
"most of it blew out of the car window",
"Blows out of car"
]
] | [
{
"content": "What happened to Grady's incomplete manuscript?",
"role": "user"
}
] | 31,855 | [
" Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the... | [
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31847
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Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the chairman of the English department in which Grady is a professor. Grady's third wife, Emily, has just left him, and he has failed to repeat the grand success of his first novel, published years earlier. He continues to labor on a second novel, but the more he tries to finish it the less able he finds himself to invent a satisfactory ending. The book runs to over two and a half thousand pages and is still far from finished. He spends his free time smoking marijuana.
Grady's students include James Leer (Tobey Maguire) and Hannah Green (Katie Holmes). Hannah and James are friends and both very good writers. Hannah, who rents a room in Grady's large house, is attracted to Grady, but he does not reciprocate. James is enigmatic, quiet, dark and enjoys writing fiction more than he first lets on.
During a party at the Gaskells' house, Sara reveals to Grady that she is pregnant with his child. Grady finds James standing outside holding what he claims to be a replica gun, won by his mother at a fairground during her schooldays. However, the gun turns out to be very real, as James shoots the Gaskells' dog when he finds it attacking Grady. James also steals a very valuable piece of Marilyn Monroe memorabilia from the house. Grady is unable to tell Sara of this incident as she is pressuring him to choose between her and Emily. As a result, Grady is forced to keep the dead dog in the trunk of his car for most of the weekend. He also allows James to follow him around, fearing that he may be depressed or even suicidal. Gradually, he realizes that much of what James tells him about himself and his life is untrue, and is seemingly designed to elicit Grady's sympathy.
Meanwhile, Grady's editor, Terry Crabtree (Robert Downey Jr.), has flown into town on the pretense of attending the university's annual WordFest, a literary event for aspiring authors. In reality, Terry is there to see if Grady has written anything worth publishing, as both men's careers depend on Grady's upcoming book. Terry arrives with a transvestite whom he met on the flight, called Antonia "Tony" Sloviak (Michael Cavadias). The pair apparently become intimate in a bedroom at the Gaskells' party, but, immediately afterwards, Terry meets James and becomes infatuated with him, and Tony is unceremoniously sent home. After a night on the town, Terry and James semi-consciously flirt throughout the night, which eventually leads up to the two spending an intimate night together in one of Grady's spare rooms.
Tired and confused, Grady phones Walter and reveals to him that he is in love with Sara. Meanwhile, Walter has also made the connection between the disappearance of Marilyn Monroe memorabilia and James. The following morning the Pittsburgh Police arrive with Sara to escort James to the Chancellor's office to discuss the ramifications of his actions. The memorabilia is still in Grady's car, which has conspicuously gone missing. The car had been given to him by a friend as payment for a loan, and, over the weekend, Grady has come to suspect that the car was stolen. Over the course of his travel around town, a man claiming to be the car's real owner repeatedly accosted Grady. He eventually tracks the car down, but in a dispute over its ownership the majority of his manuscript blows out of the car and is lost. The car's owner gives him a ride to the university with his wife, Oola, in the passenger seat, with the stolen memorabilia.
Grady finally sees that making things right involves having to make difficult choices. Grady tells Oola the story behind the memorabilia and allows her to leave with it. Worried that Grady's choice comes at the expense of damaging James's future, Terry convinces Walter not to press charges by agreeing to publish his book, "a critical exploration of the union of Joe DiMaggio and Marilyn Monroe and its function in American mythopoetics", tentatively titled The Last American Marriage.
The film ends with Grady recounting the eventual fate of the main characters â Hannah graduates and becomes a magazine editor; James was not expelled, but drops out and moves to New York to rework his novel for publication; and Terry Crabtree "goes right on being Crabtree." Grady finishes typing his new book (now using a computer rather than a typewriter), which is an account of the events of the film, then watches Sara and their child arriving home before turning back to the computer and clicking "Save." | [
[
"the wife of the owner of the car Gary was driving",
"the real owner of the car's wife"
]
] | [
{
"content": "Who is Oola?",
"role": "user"
}
] | 31,856 | [
" Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the... | [
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31849,
31850,
31851,
31852,
31848,
31847
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Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the chairman of the English department in which Grady is a professor. Grady's third wife, Emily, has just left him, and he has failed to repeat the grand success of his first novel, published years earlier. He continues to labor on a second novel, but the more he tries to finish it the less able he finds himself to invent a satisfactory ending. The book runs to over two and a half thousand pages and is still far from finished. He spends his free time smoking marijuana.
Grady's students include James Leer (Tobey Maguire) and Hannah Green (Katie Holmes). Hannah and James are friends and both very good writers. Hannah, who rents a room in Grady's large house, is attracted to Grady, but he does not reciprocate. James is enigmatic, quiet, dark and enjoys writing fiction more than he first lets on.
During a party at the Gaskells' house, Sara reveals to Grady that she is pregnant with his child. Grady finds James standing outside holding what he claims to be a replica gun, won by his mother at a fairground during her schooldays. However, the gun turns out to be very real, as James shoots the Gaskells' dog when he finds it attacking Grady. James also steals a very valuable piece of Marilyn Monroe memorabilia from the house. Grady is unable to tell Sara of this incident as she is pressuring him to choose between her and Emily. As a result, Grady is forced to keep the dead dog in the trunk of his car for most of the weekend. He also allows James to follow him around, fearing that he may be depressed or even suicidal. Gradually, he realizes that much of what James tells him about himself and his life is untrue, and is seemingly designed to elicit Grady's sympathy.
Meanwhile, Grady's editor, Terry Crabtree (Robert Downey Jr.), has flown into town on the pretense of attending the university's annual WordFest, a literary event for aspiring authors. In reality, Terry is there to see if Grady has written anything worth publishing, as both men's careers depend on Grady's upcoming book. Terry arrives with a transvestite whom he met on the flight, called Antonia "Tony" Sloviak (Michael Cavadias). The pair apparently become intimate in a bedroom at the Gaskells' party, but, immediately afterwards, Terry meets James and becomes infatuated with him, and Tony is unceremoniously sent home. After a night on the town, Terry and James semi-consciously flirt throughout the night, which eventually leads up to the two spending an intimate night together in one of Grady's spare rooms.
Tired and confused, Grady phones Walter and reveals to him that he is in love with Sara. Meanwhile, Walter has also made the connection between the disappearance of Marilyn Monroe memorabilia and James. The following morning the Pittsburgh Police arrive with Sara to escort James to the Chancellor's office to discuss the ramifications of his actions. The memorabilia is still in Grady's car, which has conspicuously gone missing. The car had been given to him by a friend as payment for a loan, and, over the weekend, Grady has come to suspect that the car was stolen. Over the course of his travel around town, a man claiming to be the car's real owner repeatedly accosted Grady. He eventually tracks the car down, but in a dispute over its ownership the majority of his manuscript blows out of the car and is lost. The car's owner gives him a ride to the university with his wife, Oola, in the passenger seat, with the stolen memorabilia.
Grady finally sees that making things right involves having to make difficult choices. Grady tells Oola the story behind the memorabilia and allows her to leave with it. Worried that Grady's choice comes at the expense of damaging James's future, Terry convinces Walter not to press charges by agreeing to publish his book, "a critical exploration of the union of Joe DiMaggio and Marilyn Monroe and its function in American mythopoetics", tentatively titled The Last American Marriage.
The film ends with Grady recounting the eventual fate of the main characters â Hannah graduates and becomes a magazine editor; James was not expelled, but drops out and moves to New York to rework his novel for publication; and Terry Crabtree "goes right on being Crabtree." Grady finishes typing his new book (now using a computer rather than a typewriter), which is an account of the events of the film, then watches Sara and their child arriving home before turning back to the computer and clicking "Save." | [
[
"Chancellor of the University",
"chancellor"
]
] | [
{
"content": "What is Sara's job?",
"role": "user"
}
] | 31,857 | [
" Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the... | [
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31850,
31851,
31852,
31848,
31847
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Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the chairman of the English department in which Grady is a professor. Grady's third wife, Emily, has just left him, and he has failed to repeat the grand success of his first novel, published years earlier. He continues to labor on a second novel, but the more he tries to finish it the less able he finds himself to invent a satisfactory ending. The book runs to over two and a half thousand pages and is still far from finished. He spends his free time smoking marijuana.
Grady's students include James Leer (Tobey Maguire) and Hannah Green (Katie Holmes). Hannah and James are friends and both very good writers. Hannah, who rents a room in Grady's large house, is attracted to Grady, but he does not reciprocate. James is enigmatic, quiet, dark and enjoys writing fiction more than he first lets on.
During a party at the Gaskells' house, Sara reveals to Grady that she is pregnant with his child. Grady finds James standing outside holding what he claims to be a replica gun, won by his mother at a fairground during her schooldays. However, the gun turns out to be very real, as James shoots the Gaskells' dog when he finds it attacking Grady. James also steals a very valuable piece of Marilyn Monroe memorabilia from the house. Grady is unable to tell Sara of this incident as she is pressuring him to choose between her and Emily. As a result, Grady is forced to keep the dead dog in the trunk of his car for most of the weekend. He also allows James to follow him around, fearing that he may be depressed or even suicidal. Gradually, he realizes that much of what James tells him about himself and his life is untrue, and is seemingly designed to elicit Grady's sympathy.
Meanwhile, Grady's editor, Terry Crabtree (Robert Downey Jr.), has flown into town on the pretense of attending the university's annual WordFest, a literary event for aspiring authors. In reality, Terry is there to see if Grady has written anything worth publishing, as both men's careers depend on Grady's upcoming book. Terry arrives with a transvestite whom he met on the flight, called Antonia "Tony" Sloviak (Michael Cavadias). The pair apparently become intimate in a bedroom at the Gaskells' party, but, immediately afterwards, Terry meets James and becomes infatuated with him, and Tony is unceremoniously sent home. After a night on the town, Terry and James semi-consciously flirt throughout the night, which eventually leads up to the two spending an intimate night together in one of Grady's spare rooms.
Tired and confused, Grady phones Walter and reveals to him that he is in love with Sara. Meanwhile, Walter has also made the connection between the disappearance of Marilyn Monroe memorabilia and James. The following morning the Pittsburgh Police arrive with Sara to escort James to the Chancellor's office to discuss the ramifications of his actions. The memorabilia is still in Grady's car, which has conspicuously gone missing. The car had been given to him by a friend as payment for a loan, and, over the weekend, Grady has come to suspect that the car was stolen. Over the course of his travel around town, a man claiming to be the car's real owner repeatedly accosted Grady. He eventually tracks the car down, but in a dispute over its ownership the majority of his manuscript blows out of the car and is lost. The car's owner gives him a ride to the university with his wife, Oola, in the passenger seat, with the stolen memorabilia.
Grady finally sees that making things right involves having to make difficult choices. Grady tells Oola the story behind the memorabilia and allows her to leave with it. Worried that Grady's choice comes at the expense of damaging James's future, Terry convinces Walter not to press charges by agreeing to publish his book, "a critical exploration of the union of Joe DiMaggio and Marilyn Monroe and its function in American mythopoetics", tentatively titled The Last American Marriage.
The film ends with Grady recounting the eventual fate of the main characters â Hannah graduates and becomes a magazine editor; James was not expelled, but drops out and moves to New York to rework his novel for publication; and Terry Crabtree "goes right on being Crabtree." Grady finishes typing his new book (now using a computer rather than a typewriter), which is an account of the events of the film, then watches Sara and their child arriving home before turning back to the computer and clicking "Save." | [
[
"Marilyn Monroe",
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]
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{
"content": "What celebrity's memorabilia did James steal from the Gaskell's home? ",
"role": "user"
}
] | 31,858 | [
" Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the... | [
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31849,
31850,
31851,
31852,
31848,
31847
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Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the chairman of the English department in which Grady is a professor. Grady's third wife, Emily, has just left him, and he has failed to repeat the grand success of his first novel, published years earlier. He continues to labor on a second novel, but the more he tries to finish it the less able he finds himself to invent a satisfactory ending. The book runs to over two and a half thousand pages and is still far from finished. He spends his free time smoking marijuana.
Grady's students include James Leer (Tobey Maguire) and Hannah Green (Katie Holmes). Hannah and James are friends and both very good writers. Hannah, who rents a room in Grady's large house, is attracted to Grady, but he does not reciprocate. James is enigmatic, quiet, dark and enjoys writing fiction more than he first lets on.
During a party at the Gaskells' house, Sara reveals to Grady that she is pregnant with his child. Grady finds James standing outside holding what he claims to be a replica gun, won by his mother at a fairground during her schooldays. However, the gun turns out to be very real, as James shoots the Gaskells' dog when he finds it attacking Grady. James also steals a very valuable piece of Marilyn Monroe memorabilia from the house. Grady is unable to tell Sara of this incident as she is pressuring him to choose between her and Emily. As a result, Grady is forced to keep the dead dog in the trunk of his car for most of the weekend. He also allows James to follow him around, fearing that he may be depressed or even suicidal. Gradually, he realizes that much of what James tells him about himself and his life is untrue, and is seemingly designed to elicit Grady's sympathy.
Meanwhile, Grady's editor, Terry Crabtree (Robert Downey Jr.), has flown into town on the pretense of attending the university's annual WordFest, a literary event for aspiring authors. In reality, Terry is there to see if Grady has written anything worth publishing, as both men's careers depend on Grady's upcoming book. Terry arrives with a transvestite whom he met on the flight, called Antonia "Tony" Sloviak (Michael Cavadias). The pair apparently become intimate in a bedroom at the Gaskells' party, but, immediately afterwards, Terry meets James and becomes infatuated with him, and Tony is unceremoniously sent home. After a night on the town, Terry and James semi-consciously flirt throughout the night, which eventually leads up to the two spending an intimate night together in one of Grady's spare rooms.
Tired and confused, Grady phones Walter and reveals to him that he is in love with Sara. Meanwhile, Walter has also made the connection between the disappearance of Marilyn Monroe memorabilia and James. The following morning the Pittsburgh Police arrive with Sara to escort James to the Chancellor's office to discuss the ramifications of his actions. The memorabilia is still in Grady's car, which has conspicuously gone missing. The car had been given to him by a friend as payment for a loan, and, over the weekend, Grady has come to suspect that the car was stolen. Over the course of his travel around town, a man claiming to be the car's real owner repeatedly accosted Grady. He eventually tracks the car down, but in a dispute over its ownership the majority of his manuscript blows out of the car and is lost. The car's owner gives him a ride to the university with his wife, Oola, in the passenger seat, with the stolen memorabilia.
Grady finally sees that making things right involves having to make difficult choices. Grady tells Oola the story behind the memorabilia and allows her to leave with it. Worried that Grady's choice comes at the expense of damaging James's future, Terry convinces Walter not to press charges by agreeing to publish his book, "a critical exploration of the union of Joe DiMaggio and Marilyn Monroe and its function in American mythopoetics", tentatively titled The Last American Marriage.
The film ends with Grady recounting the eventual fate of the main characters â Hannah graduates and becomes a magazine editor; James was not expelled, but drops out and moves to New York to rework his novel for publication; and Terry Crabtree "goes right on being Crabtree." Grady finishes typing his new book (now using a computer rather than a typewriter), which is an account of the events of the film, then watches Sara and their child arriving home before turning back to the computer and clicking "Save." | [
[
"Tony and James",
"James Leer and Antonia \"Tony\" Sloviak."
]
] | [
{
"content": "Which two characters have intimate relationships with Terry?",
"role": "user"
}
] | 31,859 | [
" Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the... | [
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31849,
31850,
31851,
31852,
31848,
31847
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Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the chairman of the English department in which Grady is a professor. Grady's third wife, Emily, has just left him, and he has failed to repeat the grand success of his first novel, published years earlier. He continues to labor on a second novel, but the more he tries to finish it the less able he finds himself to invent a satisfactory ending. The book runs to over two and a half thousand pages and is still far from finished. He spends his free time smoking marijuana.
Grady's students include James Leer (Tobey Maguire) and Hannah Green (Katie Holmes). Hannah and James are friends and both very good writers. Hannah, who rents a room in Grady's large house, is attracted to Grady, but he does not reciprocate. James is enigmatic, quiet, dark and enjoys writing fiction more than he first lets on.
During a party at the Gaskells' house, Sara reveals to Grady that she is pregnant with his child. Grady finds James standing outside holding what he claims to be a replica gun, won by his mother at a fairground during her schooldays. However, the gun turns out to be very real, as James shoots the Gaskells' dog when he finds it attacking Grady. James also steals a very valuable piece of Marilyn Monroe memorabilia from the house. Grady is unable to tell Sara of this incident as she is pressuring him to choose between her and Emily. As a result, Grady is forced to keep the dead dog in the trunk of his car for most of the weekend. He also allows James to follow him around, fearing that he may be depressed or even suicidal. Gradually, he realizes that much of what James tells him about himself and his life is untrue, and is seemingly designed to elicit Grady's sympathy.
Meanwhile, Grady's editor, Terry Crabtree (Robert Downey Jr.), has flown into town on the pretense of attending the university's annual WordFest, a literary event for aspiring authors. In reality, Terry is there to see if Grady has written anything worth publishing, as both men's careers depend on Grady's upcoming book. Terry arrives with a transvestite whom he met on the flight, called Antonia "Tony" Sloviak (Michael Cavadias). The pair apparently become intimate in a bedroom at the Gaskells' party, but, immediately afterwards, Terry meets James and becomes infatuated with him, and Tony is unceremoniously sent home. After a night on the town, Terry and James semi-consciously flirt throughout the night, which eventually leads up to the two spending an intimate night together in one of Grady's spare rooms.
Tired and confused, Grady phones Walter and reveals to him that he is in love with Sara. Meanwhile, Walter has also made the connection between the disappearance of Marilyn Monroe memorabilia and James. The following morning the Pittsburgh Police arrive with Sara to escort James to the Chancellor's office to discuss the ramifications of his actions. The memorabilia is still in Grady's car, which has conspicuously gone missing. The car had been given to him by a friend as payment for a loan, and, over the weekend, Grady has come to suspect that the car was stolen. Over the course of his travel around town, a man claiming to be the car's real owner repeatedly accosted Grady. He eventually tracks the car down, but in a dispute over its ownership the majority of his manuscript blows out of the car and is lost. The car's owner gives him a ride to the university with his wife, Oola, in the passenger seat, with the stolen memorabilia.
Grady finally sees that making things right involves having to make difficult choices. Grady tells Oola the story behind the memorabilia and allows her to leave with it. Worried that Grady's choice comes at the expense of damaging James's future, Terry convinces Walter not to press charges by agreeing to publish his book, "a critical exploration of the union of Joe DiMaggio and Marilyn Monroe and its function in American mythopoetics", tentatively titled The Last American Marriage.
The film ends with Grady recounting the eventual fate of the main characters â Hannah graduates and becomes a magazine editor; James was not expelled, but drops out and moves to New York to rework his novel for publication; and Terry Crabtree "goes right on being Crabtree." Grady finishes typing his new book (now using a computer rather than a typewriter), which is an account of the events of the film, then watches Sara and their child arriving home before turning back to the computer and clicking "Save." | [
[
"To keep Walter from pressing charges against James",
"So that Walter won't press charges against James."
]
] | [
{
"content": "Why does Terry offer to publish Walter?",
"role": "user"
}
] | 31,860 | [
" Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the... | [
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31850,
31851,
31852,
31848,
31847
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Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the chairman of the English department in which Grady is a professor. Grady's third wife, Emily, has just left him, and he has failed to repeat the grand success of his first novel, published years earlier. He continues to labor on a second novel, but the more he tries to finish it the less able he finds himself to invent a satisfactory ending. The book runs to over two and a half thousand pages and is still far from finished. He spends his free time smoking marijuana.
Grady's students include James Leer (Tobey Maguire) and Hannah Green (Katie Holmes). Hannah and James are friends and both very good writers. Hannah, who rents a room in Grady's large house, is attracted to Grady, but he does not reciprocate. James is enigmatic, quiet, dark and enjoys writing fiction more than he first lets on.
During a party at the Gaskells' house, Sara reveals to Grady that she is pregnant with his child. Grady finds James standing outside holding what he claims to be a replica gun, won by his mother at a fairground during her schooldays. However, the gun turns out to be very real, as James shoots the Gaskells' dog when he finds it attacking Grady. James also steals a very valuable piece of Marilyn Monroe memorabilia from the house. Grady is unable to tell Sara of this incident as she is pressuring him to choose between her and Emily. As a result, Grady is forced to keep the dead dog in the trunk of his car for most of the weekend. He also allows James to follow him around, fearing that he may be depressed or even suicidal. Gradually, he realizes that much of what James tells him about himself and his life is untrue, and is seemingly designed to elicit Grady's sympathy.
Meanwhile, Grady's editor, Terry Crabtree (Robert Downey Jr.), has flown into town on the pretense of attending the university's annual WordFest, a literary event for aspiring authors. In reality, Terry is there to see if Grady has written anything worth publishing, as both men's careers depend on Grady's upcoming book. Terry arrives with a transvestite whom he met on the flight, called Antonia "Tony" Sloviak (Michael Cavadias). The pair apparently become intimate in a bedroom at the Gaskells' party, but, immediately afterwards, Terry meets James and becomes infatuated with him, and Tony is unceremoniously sent home. After a night on the town, Terry and James semi-consciously flirt throughout the night, which eventually leads up to the two spending an intimate night together in one of Grady's spare rooms.
Tired and confused, Grady phones Walter and reveals to him that he is in love with Sara. Meanwhile, Walter has also made the connection between the disappearance of Marilyn Monroe memorabilia and James. The following morning the Pittsburgh Police arrive with Sara to escort James to the Chancellor's office to discuss the ramifications of his actions. The memorabilia is still in Grady's car, which has conspicuously gone missing. The car had been given to him by a friend as payment for a loan, and, over the weekend, Grady has come to suspect that the car was stolen. Over the course of his travel around town, a man claiming to be the car's real owner repeatedly accosted Grady. He eventually tracks the car down, but in a dispute over its ownership the majority of his manuscript blows out of the car and is lost. The car's owner gives him a ride to the university with his wife, Oola, in the passenger seat, with the stolen memorabilia.
Grady finally sees that making things right involves having to make difficult choices. Grady tells Oola the story behind the memorabilia and allows her to leave with it. Worried that Grady's choice comes at the expense of damaging James's future, Terry convinces Walter not to press charges by agreeing to publish his book, "a critical exploration of the union of Joe DiMaggio and Marilyn Monroe and its function in American mythopoetics", tentatively titled The Last American Marriage.
The film ends with Grady recounting the eventual fate of the main characters â Hannah graduates and becomes a magazine editor; James was not expelled, but drops out and moves to New York to rework his novel for publication; and Terry Crabtree "goes right on being Crabtree." Grady finishes typing his new book (now using a computer rather than a typewriter), which is an account of the events of the film, then watches Sara and their child arriving home before turning back to the computer and clicking "Save." | [
[
"Over 2500 pages. ",
"2500 pages "
]
] | [
{
"content": "About how long is Grady's second novel before it is lost?",
"role": "user"
}
] | 31,861 | [
" Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the... | [
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0.9999997019767761
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31849,
31850,
31851,
31852,
31848,
31847
] | train |
Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the chairman of the English department in which Grady is a professor. Grady's third wife, Emily, has just left him, and he has failed to repeat the grand success of his first novel, published years earlier. He continues to labor on a second novel, but the more he tries to finish it the less able he finds himself to invent a satisfactory ending. The book runs to over two and a half thousand pages and is still far from finished. He spends his free time smoking marijuana.
Grady's students include James Leer (Tobey Maguire) and Hannah Green (Katie Holmes). Hannah and James are friends and both very good writers. Hannah, who rents a room in Grady's large house, is attracted to Grady, but he does not reciprocate. James is enigmatic, quiet, dark and enjoys writing fiction more than he first lets on.
During a party at the Gaskells' house, Sara reveals to Grady that she is pregnant with his child. Grady finds James standing outside holding what he claims to be a replica gun, won by his mother at a fairground during her schooldays. However, the gun turns out to be very real, as James shoots the Gaskells' dog when he finds it attacking Grady. James also steals a very valuable piece of Marilyn Monroe memorabilia from the house. Grady is unable to tell Sara of this incident as she is pressuring him to choose between her and Emily. As a result, Grady is forced to keep the dead dog in the trunk of his car for most of the weekend. He also allows James to follow him around, fearing that he may be depressed or even suicidal. Gradually, he realizes that much of what James tells him about himself and his life is untrue, and is seemingly designed to elicit Grady's sympathy.
Meanwhile, Grady's editor, Terry Crabtree (Robert Downey Jr.), has flown into town on the pretense of attending the university's annual WordFest, a literary event for aspiring authors. In reality, Terry is there to see if Grady has written anything worth publishing, as both men's careers depend on Grady's upcoming book. Terry arrives with a transvestite whom he met on the flight, called Antonia "Tony" Sloviak (Michael Cavadias). The pair apparently become intimate in a bedroom at the Gaskells' party, but, immediately afterwards, Terry meets James and becomes infatuated with him, and Tony is unceremoniously sent home. After a night on the town, Terry and James semi-consciously flirt throughout the night, which eventually leads up to the two spending an intimate night together in one of Grady's spare rooms.
Tired and confused, Grady phones Walter and reveals to him that he is in love with Sara. Meanwhile, Walter has also made the connection between the disappearance of Marilyn Monroe memorabilia and James. The following morning the Pittsburgh Police arrive with Sara to escort James to the Chancellor's office to discuss the ramifications of his actions. The memorabilia is still in Grady's car, which has conspicuously gone missing. The car had been given to him by a friend as payment for a loan, and, over the weekend, Grady has come to suspect that the car was stolen. Over the course of his travel around town, a man claiming to be the car's real owner repeatedly accosted Grady. He eventually tracks the car down, but in a dispute over its ownership the majority of his manuscript blows out of the car and is lost. The car's owner gives him a ride to the university with his wife, Oola, in the passenger seat, with the stolen memorabilia.
Grady finally sees that making things right involves having to make difficult choices. Grady tells Oola the story behind the memorabilia and allows her to leave with it. Worried that Grady's choice comes at the expense of damaging James's future, Terry convinces Walter not to press charges by agreeing to publish his book, "a critical exploration of the union of Joe DiMaggio and Marilyn Monroe and its function in American mythopoetics", tentatively titled The Last American Marriage.
The film ends with Grady recounting the eventual fate of the main characters â Hannah graduates and becomes a magazine editor; James was not expelled, but drops out and moves to New York to rework his novel for publication; and Terry Crabtree "goes right on being Crabtree." Grady finishes typing his new book (now using a computer rather than a typewriter), which is an account of the events of the film, then watches Sara and their child arriving home before turning back to the computer and clicking "Save." | [
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Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the chairman of the English department in which Grady is a professor. Grady's third wife, Emily, has just left him, and he has failed to repeat the grand success of his first novel, published years earlier. He continues to labor on a second novel, but the more he tries to finish it the less able he finds himself to invent a satisfactory ending. The book runs to over two and a half thousand pages and is still far from finished. He spends his free time smoking marijuana.
Grady's students include James Leer (Tobey Maguire) and Hannah Green (Katie Holmes). Hannah and James are friends and both very good writers. Hannah, who rents a room in Grady's large house, is attracted to Grady, but he does not reciprocate. James is enigmatic, quiet, dark and enjoys writing fiction more than he first lets on.
During a party at the Gaskells' house, Sara reveals to Grady that she is pregnant with his child. Grady finds James standing outside holding what he claims to be a replica gun, won by his mother at a fairground during her schooldays. However, the gun turns out to be very real, as James shoots the Gaskells' dog when he finds it attacking Grady. James also steals a very valuable piece of Marilyn Monroe memorabilia from the house. Grady is unable to tell Sara of this incident as she is pressuring him to choose between her and Emily. As a result, Grady is forced to keep the dead dog in the trunk of his car for most of the weekend. He also allows James to follow him around, fearing that he may be depressed or even suicidal. Gradually, he realizes that much of what James tells him about himself and his life is untrue, and is seemingly designed to elicit Grady's sympathy.
Meanwhile, Grady's editor, Terry Crabtree (Robert Downey Jr.), has flown into town on the pretense of attending the university's annual WordFest, a literary event for aspiring authors. In reality, Terry is there to see if Grady has written anything worth publishing, as both men's careers depend on Grady's upcoming book. Terry arrives with a transvestite whom he met on the flight, called Antonia "Tony" Sloviak (Michael Cavadias). The pair apparently become intimate in a bedroom at the Gaskells' party, but, immediately afterwards, Terry meets James and becomes infatuated with him, and Tony is unceremoniously sent home. After a night on the town, Terry and James semi-consciously flirt throughout the night, which eventually leads up to the two spending an intimate night together in one of Grady's spare rooms.
Tired and confused, Grady phones Walter and reveals to him that he is in love with Sara. Meanwhile, Walter has also made the connection between the disappearance of Marilyn Monroe memorabilia and James. The following morning the Pittsburgh Police arrive with Sara to escort James to the Chancellor's office to discuss the ramifications of his actions. The memorabilia is still in Grady's car, which has conspicuously gone missing. The car had been given to him by a friend as payment for a loan, and, over the weekend, Grady has come to suspect that the car was stolen. Over the course of his travel around town, a man claiming to be the car's real owner repeatedly accosted Grady. He eventually tracks the car down, but in a dispute over its ownership the majority of his manuscript blows out of the car and is lost. The car's owner gives him a ride to the university with his wife, Oola, in the passenger seat, with the stolen memorabilia.
Grady finally sees that making things right involves having to make difficult choices. Grady tells Oola the story behind the memorabilia and allows her to leave with it. Worried that Grady's choice comes at the expense of damaging James's future, Terry convinces Walter not to press charges by agreeing to publish his book, "a critical exploration of the union of Joe DiMaggio and Marilyn Monroe and its function in American mythopoetics", tentatively titled The Last American Marriage.
The film ends with Grady recounting the eventual fate of the main characters â Hannah graduates and becomes a magazine editor; James was not expelled, but drops out and moves to New York to rework his novel for publication; and Terry Crabtree "goes right on being Crabtree." Grady finishes typing his new book (now using a computer rather than a typewriter), which is an account of the events of the film, then watches Sara and their child arriving home before turning back to the computer and clicking "Save." | [
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Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the chairman of the English department in which Grady is a professor. Grady's third wife, Emily, has just left him, and he has failed to repeat the grand success of his first novel, published years earlier. He continues to labor on a second novel, but the more he tries to finish it the less able he finds himself to invent a satisfactory ending. The book runs to over two and a half thousand pages and is still far from finished. He spends his free time smoking marijuana.
Grady's students include James Leer (Tobey Maguire) and Hannah Green (Katie Holmes). Hannah and James are friends and both very good writers. Hannah, who rents a room in Grady's large house, is attracted to Grady, but he does not reciprocate. James is enigmatic, quiet, dark and enjoys writing fiction more than he first lets on.
During a party at the Gaskells' house, Sara reveals to Grady that she is pregnant with his child. Grady finds James standing outside holding what he claims to be a replica gun, won by his mother at a fairground during her schooldays. However, the gun turns out to be very real, as James shoots the Gaskells' dog when he finds it attacking Grady. James also steals a very valuable piece of Marilyn Monroe memorabilia from the house. Grady is unable to tell Sara of this incident as she is pressuring him to choose between her and Emily. As a result, Grady is forced to keep the dead dog in the trunk of his car for most of the weekend. He also allows James to follow him around, fearing that he may be depressed or even suicidal. Gradually, he realizes that much of what James tells him about himself and his life is untrue, and is seemingly designed to elicit Grady's sympathy.
Meanwhile, Grady's editor, Terry Crabtree (Robert Downey Jr.), has flown into town on the pretense of attending the university's annual WordFest, a literary event for aspiring authors. In reality, Terry is there to see if Grady has written anything worth publishing, as both men's careers depend on Grady's upcoming book. Terry arrives with a transvestite whom he met on the flight, called Antonia "Tony" Sloviak (Michael Cavadias). The pair apparently become intimate in a bedroom at the Gaskells' party, but, immediately afterwards, Terry meets James and becomes infatuated with him, and Tony is unceremoniously sent home. After a night on the town, Terry and James semi-consciously flirt throughout the night, which eventually leads up to the two spending an intimate night together in one of Grady's spare rooms.
Tired and confused, Grady phones Walter and reveals to him that he is in love with Sara. Meanwhile, Walter has also made the connection between the disappearance of Marilyn Monroe memorabilia and James. The following morning the Pittsburgh Police arrive with Sara to escort James to the Chancellor's office to discuss the ramifications of his actions. The memorabilia is still in Grady's car, which has conspicuously gone missing. The car had been given to him by a friend as payment for a loan, and, over the weekend, Grady has come to suspect that the car was stolen. Over the course of his travel around town, a man claiming to be the car's real owner repeatedly accosted Grady. He eventually tracks the car down, but in a dispute over its ownership the majority of his manuscript blows out of the car and is lost. The car's owner gives him a ride to the university with his wife, Oola, in the passenger seat, with the stolen memorabilia.
Grady finally sees that making things right involves having to make difficult choices. Grady tells Oola the story behind the memorabilia and allows her to leave with it. Worried that Grady's choice comes at the expense of damaging James's future, Terry convinces Walter not to press charges by agreeing to publish his book, "a critical exploration of the union of Joe DiMaggio and Marilyn Monroe and its function in American mythopoetics", tentatively titled The Last American Marriage.
The film ends with Grady recounting the eventual fate of the main characters â Hannah graduates and becomes a magazine editor; James was not expelled, but drops out and moves to New York to rework his novel for publication; and Terry Crabtree "goes right on being Crabtree." Grady finishes typing his new book (now using a computer rather than a typewriter), which is an account of the events of the film, then watches Sara and their child arriving home before turning back to the computer and clicking "Save." | [
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Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the chairman of the English department in which Grady is a professor. Grady's third wife, Emily, has just left him, and he has failed to repeat the grand success of his first novel, published years earlier. He continues to labor on a second novel, but the more he tries to finish it the less able he finds himself to invent a satisfactory ending. The book runs to over two and a half thousand pages and is still far from finished. He spends his free time smoking marijuana.
Grady's students include James Leer (Tobey Maguire) and Hannah Green (Katie Holmes). Hannah and James are friends and both very good writers. Hannah, who rents a room in Grady's large house, is attracted to Grady, but he does not reciprocate. James is enigmatic, quiet, dark and enjoys writing fiction more than he first lets on.
During a party at the Gaskells' house, Sara reveals to Grady that she is pregnant with his child. Grady finds James standing outside holding what he claims to be a replica gun, won by his mother at a fairground during her schooldays. However, the gun turns out to be very real, as James shoots the Gaskells' dog when he finds it attacking Grady. James also steals a very valuable piece of Marilyn Monroe memorabilia from the house. Grady is unable to tell Sara of this incident as she is pressuring him to choose between her and Emily. As a result, Grady is forced to keep the dead dog in the trunk of his car for most of the weekend. He also allows James to follow him around, fearing that he may be depressed or even suicidal. Gradually, he realizes that much of what James tells him about himself and his life is untrue, and is seemingly designed to elicit Grady's sympathy.
Meanwhile, Grady's editor, Terry Crabtree (Robert Downey Jr.), has flown into town on the pretense of attending the university's annual WordFest, a literary event for aspiring authors. In reality, Terry is there to see if Grady has written anything worth publishing, as both men's careers depend on Grady's upcoming book. Terry arrives with a transvestite whom he met on the flight, called Antonia "Tony" Sloviak (Michael Cavadias). The pair apparently become intimate in a bedroom at the Gaskells' party, but, immediately afterwards, Terry meets James and becomes infatuated with him, and Tony is unceremoniously sent home. After a night on the town, Terry and James semi-consciously flirt throughout the night, which eventually leads up to the two spending an intimate night together in one of Grady's spare rooms.
Tired and confused, Grady phones Walter and reveals to him that he is in love with Sara. Meanwhile, Walter has also made the connection between the disappearance of Marilyn Monroe memorabilia and James. The following morning the Pittsburgh Police arrive with Sara to escort James to the Chancellor's office to discuss the ramifications of his actions. The memorabilia is still in Grady's car, which has conspicuously gone missing. The car had been given to him by a friend as payment for a loan, and, over the weekend, Grady has come to suspect that the car was stolen. Over the course of his travel around town, a man claiming to be the car's real owner repeatedly accosted Grady. He eventually tracks the car down, but in a dispute over its ownership the majority of his manuscript blows out of the car and is lost. The car's owner gives him a ride to the university with his wife, Oola, in the passenger seat, with the stolen memorabilia.
Grady finally sees that making things right involves having to make difficult choices. Grady tells Oola the story behind the memorabilia and allows her to leave with it. Worried that Grady's choice comes at the expense of damaging James's future, Terry convinces Walter not to press charges by agreeing to publish his book, "a critical exploration of the union of Joe DiMaggio and Marilyn Monroe and its function in American mythopoetics", tentatively titled The Last American Marriage.
The film ends with Grady recounting the eventual fate of the main characters â Hannah graduates and becomes a magazine editor; James was not expelled, but drops out and moves to New York to rework his novel for publication; and Terry Crabtree "goes right on being Crabtree." Grady finishes typing his new book (now using a computer rather than a typewriter), which is an account of the events of the film, then watches Sara and their child arriving home before turning back to the computer and clicking "Save." | [
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Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the chairman of the English department in which Grady is a professor. Grady's third wife, Emily, has just left him, and he has failed to repeat the grand success of his first novel, published years earlier. He continues to labor on a second novel, but the more he tries to finish it the less able he finds himself to invent a satisfactory ending. The book runs to over two and a half thousand pages and is still far from finished. He spends his free time smoking marijuana.
Grady's students include James Leer (Tobey Maguire) and Hannah Green (Katie Holmes). Hannah and James are friends and both very good writers. Hannah, who rents a room in Grady's large house, is attracted to Grady, but he does not reciprocate. James is enigmatic, quiet, dark and enjoys writing fiction more than he first lets on.
During a party at the Gaskells' house, Sara reveals to Grady that she is pregnant with his child. Grady finds James standing outside holding what he claims to be a replica gun, won by his mother at a fairground during her schooldays. However, the gun turns out to be very real, as James shoots the Gaskells' dog when he finds it attacking Grady. James also steals a very valuable piece of Marilyn Monroe memorabilia from the house. Grady is unable to tell Sara of this incident as she is pressuring him to choose between her and Emily. As a result, Grady is forced to keep the dead dog in the trunk of his car for most of the weekend. He also allows James to follow him around, fearing that he may be depressed or even suicidal. Gradually, he realizes that much of what James tells him about himself and his life is untrue, and is seemingly designed to elicit Grady's sympathy.
Meanwhile, Grady's editor, Terry Crabtree (Robert Downey Jr.), has flown into town on the pretense of attending the university's annual WordFest, a literary event for aspiring authors. In reality, Terry is there to see if Grady has written anything worth publishing, as both men's careers depend on Grady's upcoming book. Terry arrives with a transvestite whom he met on the flight, called Antonia "Tony" Sloviak (Michael Cavadias). The pair apparently become intimate in a bedroom at the Gaskells' party, but, immediately afterwards, Terry meets James and becomes infatuated with him, and Tony is unceremoniously sent home. After a night on the town, Terry and James semi-consciously flirt throughout the night, which eventually leads up to the two spending an intimate night together in one of Grady's spare rooms.
Tired and confused, Grady phones Walter and reveals to him that he is in love with Sara. Meanwhile, Walter has also made the connection between the disappearance of Marilyn Monroe memorabilia and James. The following morning the Pittsburgh Police arrive with Sara to escort James to the Chancellor's office to discuss the ramifications of his actions. The memorabilia is still in Grady's car, which has conspicuously gone missing. The car had been given to him by a friend as payment for a loan, and, over the weekend, Grady has come to suspect that the car was stolen. Over the course of his travel around town, a man claiming to be the car's real owner repeatedly accosted Grady. He eventually tracks the car down, but in a dispute over its ownership the majority of his manuscript blows out of the car and is lost. The car's owner gives him a ride to the university with his wife, Oola, in the passenger seat, with the stolen memorabilia.
Grady finally sees that making things right involves having to make difficult choices. Grady tells Oola the story behind the memorabilia and allows her to leave with it. Worried that Grady's choice comes at the expense of damaging James's future, Terry convinces Walter not to press charges by agreeing to publish his book, "a critical exploration of the union of Joe DiMaggio and Marilyn Monroe and its function in American mythopoetics", tentatively titled The Last American Marriage.
The film ends with Grady recounting the eventual fate of the main characters â Hannah graduates and becomes a magazine editor; James was not expelled, but drops out and moves to New York to rework his novel for publication; and Terry Crabtree "goes right on being Crabtree." Grady finishes typing his new book (now using a computer rather than a typewriter), which is an account of the events of the film, then watches Sara and their child arriving home before turning back to the computer and clicking "Save." | [
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Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the chairman of the English department in which Grady is a professor. Grady's third wife, Emily, has just left him, and he has failed to repeat the grand success of his first novel, published years earlier. He continues to labor on a second novel, but the more he tries to finish it the less able he finds himself to invent a satisfactory ending. The book runs to over two and a half thousand pages and is still far from finished. He spends his free time smoking marijuana.
Grady's students include James Leer (Tobey Maguire) and Hannah Green (Katie Holmes). Hannah and James are friends and both very good writers. Hannah, who rents a room in Grady's large house, is attracted to Grady, but he does not reciprocate. James is enigmatic, quiet, dark and enjoys writing fiction more than he first lets on.
During a party at the Gaskells' house, Sara reveals to Grady that she is pregnant with his child. Grady finds James standing outside holding what he claims to be a replica gun, won by his mother at a fairground during her schooldays. However, the gun turns out to be very real, as James shoots the Gaskells' dog when he finds it attacking Grady. James also steals a very valuable piece of Marilyn Monroe memorabilia from the house. Grady is unable to tell Sara of this incident as she is pressuring him to choose between her and Emily. As a result, Grady is forced to keep the dead dog in the trunk of his car for most of the weekend. He also allows James to follow him around, fearing that he may be depressed or even suicidal. Gradually, he realizes that much of what James tells him about himself and his life is untrue, and is seemingly designed to elicit Grady's sympathy.
Meanwhile, Grady's editor, Terry Crabtree (Robert Downey Jr.), has flown into town on the pretense of attending the university's annual WordFest, a literary event for aspiring authors. In reality, Terry is there to see if Grady has written anything worth publishing, as both men's careers depend on Grady's upcoming book. Terry arrives with a transvestite whom he met on the flight, called Antonia "Tony" Sloviak (Michael Cavadias). The pair apparently become intimate in a bedroom at the Gaskells' party, but, immediately afterwards, Terry meets James and becomes infatuated with him, and Tony is unceremoniously sent home. After a night on the town, Terry and James semi-consciously flirt throughout the night, which eventually leads up to the two spending an intimate night together in one of Grady's spare rooms.
Tired and confused, Grady phones Walter and reveals to him that he is in love with Sara. Meanwhile, Walter has also made the connection between the disappearance of Marilyn Monroe memorabilia and James. The following morning the Pittsburgh Police arrive with Sara to escort James to the Chancellor's office to discuss the ramifications of his actions. The memorabilia is still in Grady's car, which has conspicuously gone missing. The car had been given to him by a friend as payment for a loan, and, over the weekend, Grady has come to suspect that the car was stolen. Over the course of his travel around town, a man claiming to be the car's real owner repeatedly accosted Grady. He eventually tracks the car down, but in a dispute over its ownership the majority of his manuscript blows out of the car and is lost. The car's owner gives him a ride to the university with his wife, Oola, in the passenger seat, with the stolen memorabilia.
Grady finally sees that making things right involves having to make difficult choices. Grady tells Oola the story behind the memorabilia and allows her to leave with it. Worried that Grady's choice comes at the expense of damaging James's future, Terry convinces Walter not to press charges by agreeing to publish his book, "a critical exploration of the union of Joe DiMaggio and Marilyn Monroe and its function in American mythopoetics", tentatively titled The Last American Marriage.
The film ends with Grady recounting the eventual fate of the main characters â Hannah graduates and becomes a magazine editor; James was not expelled, but drops out and moves to New York to rework his novel for publication; and Terry Crabtree "goes right on being Crabtree." Grady finishes typing his new book (now using a computer rather than a typewriter), which is an account of the events of the film, then watches Sara and their child arriving home before turning back to the computer and clicking "Save." | [
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Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the chairman of the English department in which Grady is a professor. Grady's third wife, Emily, has just left him, and he has failed to repeat the grand success of his first novel, published years earlier. He continues to labor on a second novel, but the more he tries to finish it the less able he finds himself to invent a satisfactory ending. The book runs to over two and a half thousand pages and is still far from finished. He spends his free time smoking marijuana.
Grady's students include James Leer (Tobey Maguire) and Hannah Green (Katie Holmes). Hannah and James are friends and both very good writers. Hannah, who rents a room in Grady's large house, is attracted to Grady, but he does not reciprocate. James is enigmatic, quiet, dark and enjoys writing fiction more than he first lets on.
During a party at the Gaskells' house, Sara reveals to Grady that she is pregnant with his child. Grady finds James standing outside holding what he claims to be a replica gun, won by his mother at a fairground during her schooldays. However, the gun turns out to be very real, as James shoots the Gaskells' dog when he finds it attacking Grady. James also steals a very valuable piece of Marilyn Monroe memorabilia from the house. Grady is unable to tell Sara of this incident as she is pressuring him to choose between her and Emily. As a result, Grady is forced to keep the dead dog in the trunk of his car for most of the weekend. He also allows James to follow him around, fearing that he may be depressed or even suicidal. Gradually, he realizes that much of what James tells him about himself and his life is untrue, and is seemingly designed to elicit Grady's sympathy.
Meanwhile, Grady's editor, Terry Crabtree (Robert Downey Jr.), has flown into town on the pretense of attending the university's annual WordFest, a literary event for aspiring authors. In reality, Terry is there to see if Grady has written anything worth publishing, as both men's careers depend on Grady's upcoming book. Terry arrives with a transvestite whom he met on the flight, called Antonia "Tony" Sloviak (Michael Cavadias). The pair apparently become intimate in a bedroom at the Gaskells' party, but, immediately afterwards, Terry meets James and becomes infatuated with him, and Tony is unceremoniously sent home. After a night on the town, Terry and James semi-consciously flirt throughout the night, which eventually leads up to the two spending an intimate night together in one of Grady's spare rooms.
Tired and confused, Grady phones Walter and reveals to him that he is in love with Sara. Meanwhile, Walter has also made the connection between the disappearance of Marilyn Monroe memorabilia and James. The following morning the Pittsburgh Police arrive with Sara to escort James to the Chancellor's office to discuss the ramifications of his actions. The memorabilia is still in Grady's car, which has conspicuously gone missing. The car had been given to him by a friend as payment for a loan, and, over the weekend, Grady has come to suspect that the car was stolen. Over the course of his travel around town, a man claiming to be the car's real owner repeatedly accosted Grady. He eventually tracks the car down, but in a dispute over its ownership the majority of his manuscript blows out of the car and is lost. The car's owner gives him a ride to the university with his wife, Oola, in the passenger seat, with the stolen memorabilia.
Grady finally sees that making things right involves having to make difficult choices. Grady tells Oola the story behind the memorabilia and allows her to leave with it. Worried that Grady's choice comes at the expense of damaging James's future, Terry convinces Walter not to press charges by agreeing to publish his book, "a critical exploration of the union of Joe DiMaggio and Marilyn Monroe and its function in American mythopoetics", tentatively titled The Last American Marriage.
The film ends with Grady recounting the eventual fate of the main characters â Hannah graduates and becomes a magazine editor; James was not expelled, but drops out and moves to New York to rework his novel for publication; and Terry Crabtree "goes right on being Crabtree." Grady finishes typing his new book (now using a computer rather than a typewriter), which is an account of the events of the film, then watches Sara and their child arriving home before turning back to the computer and clicking "Save." | [
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" Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the... | [
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Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the chairman of the English department in which Grady is a professor. Grady's third wife, Emily, has just left him, and he has failed to repeat the grand success of his first novel, published years earlier. He continues to labor on a second novel, but the more he tries to finish it the less able he finds himself to invent a satisfactory ending. The book runs to over two and a half thousand pages and is still far from finished. He spends his free time smoking marijuana.
Grady's students include James Leer (Tobey Maguire) and Hannah Green (Katie Holmes). Hannah and James are friends and both very good writers. Hannah, who rents a room in Grady's large house, is attracted to Grady, but he does not reciprocate. James is enigmatic, quiet, dark and enjoys writing fiction more than he first lets on.
During a party at the Gaskells' house, Sara reveals to Grady that she is pregnant with his child. Grady finds James standing outside holding what he claims to be a replica gun, won by his mother at a fairground during her schooldays. However, the gun turns out to be very real, as James shoots the Gaskells' dog when he finds it attacking Grady. James also steals a very valuable piece of Marilyn Monroe memorabilia from the house. Grady is unable to tell Sara of this incident as she is pressuring him to choose between her and Emily. As a result, Grady is forced to keep the dead dog in the trunk of his car for most of the weekend. He also allows James to follow him around, fearing that he may be depressed or even suicidal. Gradually, he realizes that much of what James tells him about himself and his life is untrue, and is seemingly designed to elicit Grady's sympathy.
Meanwhile, Grady's editor, Terry Crabtree (Robert Downey Jr.), has flown into town on the pretense of attending the university's annual WordFest, a literary event for aspiring authors. In reality, Terry is there to see if Grady has written anything worth publishing, as both men's careers depend on Grady's upcoming book. Terry arrives with a transvestite whom he met on the flight, called Antonia "Tony" Sloviak (Michael Cavadias). The pair apparently become intimate in a bedroom at the Gaskells' party, but, immediately afterwards, Terry meets James and becomes infatuated with him, and Tony is unceremoniously sent home. After a night on the town, Terry and James semi-consciously flirt throughout the night, which eventually leads up to the two spending an intimate night together in one of Grady's spare rooms.
Tired and confused, Grady phones Walter and reveals to him that he is in love with Sara. Meanwhile, Walter has also made the connection between the disappearance of Marilyn Monroe memorabilia and James. The following morning the Pittsburgh Police arrive with Sara to escort James to the Chancellor's office to discuss the ramifications of his actions. The memorabilia is still in Grady's car, which has conspicuously gone missing. The car had been given to him by a friend as payment for a loan, and, over the weekend, Grady has come to suspect that the car was stolen. Over the course of his travel around town, a man claiming to be the car's real owner repeatedly accosted Grady. He eventually tracks the car down, but in a dispute over its ownership the majority of his manuscript blows out of the car and is lost. The car's owner gives him a ride to the university with his wife, Oola, in the passenger seat, with the stolen memorabilia.
Grady finally sees that making things right involves having to make difficult choices. Grady tells Oola the story behind the memorabilia and allows her to leave with it. Worried that Grady's choice comes at the expense of damaging James's future, Terry convinces Walter not to press charges by agreeing to publish his book, "a critical exploration of the union of Joe DiMaggio and Marilyn Monroe and its function in American mythopoetics", tentatively titled The Last American Marriage.
The film ends with Grady recounting the eventual fate of the main characters â Hannah graduates and becomes a magazine editor; James was not expelled, but drops out and moves to New York to rework his novel for publication; and Terry Crabtree "goes right on being Crabtree." Grady finishes typing his new book (now using a computer rather than a typewriter), which is an account of the events of the film, then watches Sara and their child arriving home before turning back to the computer and clicking "Save." | [
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"as payment for a loan",
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" Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the... | [
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Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the chairman of the English department in which Grady is a professor. Grady's third wife, Emily, has just left him, and he has failed to repeat the grand success of his first novel, published years earlier. He continues to labor on a second novel, but the more he tries to finish it the less able he finds himself to invent a satisfactory ending. The book runs to over two and a half thousand pages and is still far from finished. He spends his free time smoking marijuana.
Grady's students include James Leer (Tobey Maguire) and Hannah Green (Katie Holmes). Hannah and James are friends and both very good writers. Hannah, who rents a room in Grady's large house, is attracted to Grady, but he does not reciprocate. James is enigmatic, quiet, dark and enjoys writing fiction more than he first lets on.
During a party at the Gaskells' house, Sara reveals to Grady that she is pregnant with his child. Grady finds James standing outside holding what he claims to be a replica gun, won by his mother at a fairground during her schooldays. However, the gun turns out to be very real, as James shoots the Gaskells' dog when he finds it attacking Grady. James also steals a very valuable piece of Marilyn Monroe memorabilia from the house. Grady is unable to tell Sara of this incident as she is pressuring him to choose between her and Emily. As a result, Grady is forced to keep the dead dog in the trunk of his car for most of the weekend. He also allows James to follow him around, fearing that he may be depressed or even suicidal. Gradually, he realizes that much of what James tells him about himself and his life is untrue, and is seemingly designed to elicit Grady's sympathy.
Meanwhile, Grady's editor, Terry Crabtree (Robert Downey Jr.), has flown into town on the pretense of attending the university's annual WordFest, a literary event for aspiring authors. In reality, Terry is there to see if Grady has written anything worth publishing, as both men's careers depend on Grady's upcoming book. Terry arrives with a transvestite whom he met on the flight, called Antonia "Tony" Sloviak (Michael Cavadias). The pair apparently become intimate in a bedroom at the Gaskells' party, but, immediately afterwards, Terry meets James and becomes infatuated with him, and Tony is unceremoniously sent home. After a night on the town, Terry and James semi-consciously flirt throughout the night, which eventually leads up to the two spending an intimate night together in one of Grady's spare rooms.
Tired and confused, Grady phones Walter and reveals to him that he is in love with Sara. Meanwhile, Walter has also made the connection between the disappearance of Marilyn Monroe memorabilia and James. The following morning the Pittsburgh Police arrive with Sara to escort James to the Chancellor's office to discuss the ramifications of his actions. The memorabilia is still in Grady's car, which has conspicuously gone missing. The car had been given to him by a friend as payment for a loan, and, over the weekend, Grady has come to suspect that the car was stolen. Over the course of his travel around town, a man claiming to be the car's real owner repeatedly accosted Grady. He eventually tracks the car down, but in a dispute over its ownership the majority of his manuscript blows out of the car and is lost. The car's owner gives him a ride to the university with his wife, Oola, in the passenger seat, with the stolen memorabilia.
Grady finally sees that making things right involves having to make difficult choices. Grady tells Oola the story behind the memorabilia and allows her to leave with it. Worried that Grady's choice comes at the expense of damaging James's future, Terry convinces Walter not to press charges by agreeing to publish his book, "a critical exploration of the union of Joe DiMaggio and Marilyn Monroe and its function in American mythopoetics", tentatively titled The Last American Marriage.
The film ends with Grady recounting the eventual fate of the main characters â Hannah graduates and becomes a magazine editor; James was not expelled, but drops out and moves to New York to rework his novel for publication; and Terry Crabtree "goes right on being Crabtree." Grady finishes typing his new book (now using a computer rather than a typewriter), which is an account of the events of the film, then watches Sara and their child arriving home before turning back to the computer and clicking "Save." | [
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" Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the... | [
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Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the chairman of the English department in which Grady is a professor. Grady's third wife, Emily, has just left him, and he has failed to repeat the grand success of his first novel, published years earlier. He continues to labor on a second novel, but the more he tries to finish it the less able he finds himself to invent a satisfactory ending. The book runs to over two and a half thousand pages and is still far from finished. He spends his free time smoking marijuana.
Grady's students include James Leer (Tobey Maguire) and Hannah Green (Katie Holmes). Hannah and James are friends and both very good writers. Hannah, who rents a room in Grady's large house, is attracted to Grady, but he does not reciprocate. James is enigmatic, quiet, dark and enjoys writing fiction more than he first lets on.
During a party at the Gaskells' house, Sara reveals to Grady that she is pregnant with his child. Grady finds James standing outside holding what he claims to be a replica gun, won by his mother at a fairground during her schooldays. However, the gun turns out to be very real, as James shoots the Gaskells' dog when he finds it attacking Grady. James also steals a very valuable piece of Marilyn Monroe memorabilia from the house. Grady is unable to tell Sara of this incident as she is pressuring him to choose between her and Emily. As a result, Grady is forced to keep the dead dog in the trunk of his car for most of the weekend. He also allows James to follow him around, fearing that he may be depressed or even suicidal. Gradually, he realizes that much of what James tells him about himself and his life is untrue, and is seemingly designed to elicit Grady's sympathy.
Meanwhile, Grady's editor, Terry Crabtree (Robert Downey Jr.), has flown into town on the pretense of attending the university's annual WordFest, a literary event for aspiring authors. In reality, Terry is there to see if Grady has written anything worth publishing, as both men's careers depend on Grady's upcoming book. Terry arrives with a transvestite whom he met on the flight, called Antonia "Tony" Sloviak (Michael Cavadias). The pair apparently become intimate in a bedroom at the Gaskells' party, but, immediately afterwards, Terry meets James and becomes infatuated with him, and Tony is unceremoniously sent home. After a night on the town, Terry and James semi-consciously flirt throughout the night, which eventually leads up to the two spending an intimate night together in one of Grady's spare rooms.
Tired and confused, Grady phones Walter and reveals to him that he is in love with Sara. Meanwhile, Walter has also made the connection between the disappearance of Marilyn Monroe memorabilia and James. The following morning the Pittsburgh Police arrive with Sara to escort James to the Chancellor's office to discuss the ramifications of his actions. The memorabilia is still in Grady's car, which has conspicuously gone missing. The car had been given to him by a friend as payment for a loan, and, over the weekend, Grady has come to suspect that the car was stolen. Over the course of his travel around town, a man claiming to be the car's real owner repeatedly accosted Grady. He eventually tracks the car down, but in a dispute over its ownership the majority of his manuscript blows out of the car and is lost. The car's owner gives him a ride to the university with his wife, Oola, in the passenger seat, with the stolen memorabilia.
Grady finally sees that making things right involves having to make difficult choices. Grady tells Oola the story behind the memorabilia and allows her to leave with it. Worried that Grady's choice comes at the expense of damaging James's future, Terry convinces Walter not to press charges by agreeing to publish his book, "a critical exploration of the union of Joe DiMaggio and Marilyn Monroe and its function in American mythopoetics", tentatively titled The Last American Marriage.
The film ends with Grady recounting the eventual fate of the main characters â Hannah graduates and becomes a magazine editor; James was not expelled, but drops out and moves to New York to rework his novel for publication; and Terry Crabtree "goes right on being Crabtree." Grady finishes typing his new book (now using a computer rather than a typewriter), which is an account of the events of the film, then watches Sara and their child arriving home before turning back to the computer and clicking "Save." | [
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"by agreeing to publish the book Walter has written",
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" Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the... | [
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Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the chairman of the English department in which Grady is a professor. Grady's third wife, Emily, has just left him, and he has failed to repeat the grand success of his first novel, published years earlier. He continues to labor on a second novel, but the more he tries to finish it the less able he finds himself to invent a satisfactory ending. The book runs to over two and a half thousand pages and is still far from finished. He spends his free time smoking marijuana.
Grady's students include James Leer (Tobey Maguire) and Hannah Green (Katie Holmes). Hannah and James are friends and both very good writers. Hannah, who rents a room in Grady's large house, is attracted to Grady, but he does not reciprocate. James is enigmatic, quiet, dark and enjoys writing fiction more than he first lets on.
During a party at the Gaskells' house, Sara reveals to Grady that she is pregnant with his child. Grady finds James standing outside holding what he claims to be a replica gun, won by his mother at a fairground during her schooldays. However, the gun turns out to be very real, as James shoots the Gaskells' dog when he finds it attacking Grady. James also steals a very valuable piece of Marilyn Monroe memorabilia from the house. Grady is unable to tell Sara of this incident as she is pressuring him to choose between her and Emily. As a result, Grady is forced to keep the dead dog in the trunk of his car for most of the weekend. He also allows James to follow him around, fearing that he may be depressed or even suicidal. Gradually, he realizes that much of what James tells him about himself and his life is untrue, and is seemingly designed to elicit Grady's sympathy.
Meanwhile, Grady's editor, Terry Crabtree (Robert Downey Jr.), has flown into town on the pretense of attending the university's annual WordFest, a literary event for aspiring authors. In reality, Terry is there to see if Grady has written anything worth publishing, as both men's careers depend on Grady's upcoming book. Terry arrives with a transvestite whom he met on the flight, called Antonia "Tony" Sloviak (Michael Cavadias). The pair apparently become intimate in a bedroom at the Gaskells' party, but, immediately afterwards, Terry meets James and becomes infatuated with him, and Tony is unceremoniously sent home. After a night on the town, Terry and James semi-consciously flirt throughout the night, which eventually leads up to the two spending an intimate night together in one of Grady's spare rooms.
Tired and confused, Grady phones Walter and reveals to him that he is in love with Sara. Meanwhile, Walter has also made the connection between the disappearance of Marilyn Monroe memorabilia and James. The following morning the Pittsburgh Police arrive with Sara to escort James to the Chancellor's office to discuss the ramifications of his actions. The memorabilia is still in Grady's car, which has conspicuously gone missing. The car had been given to him by a friend as payment for a loan, and, over the weekend, Grady has come to suspect that the car was stolen. Over the course of his travel around town, a man claiming to be the car's real owner repeatedly accosted Grady. He eventually tracks the car down, but in a dispute over its ownership the majority of his manuscript blows out of the car and is lost. The car's owner gives him a ride to the university with his wife, Oola, in the passenger seat, with the stolen memorabilia.
Grady finally sees that making things right involves having to make difficult choices. Grady tells Oola the story behind the memorabilia and allows her to leave with it. Worried that Grady's choice comes at the expense of damaging James's future, Terry convinces Walter not to press charges by agreeing to publish his book, "a critical exploration of the union of Joe DiMaggio and Marilyn Monroe and its function in American mythopoetics", tentatively titled The Last American Marriage.
The film ends with Grady recounting the eventual fate of the main characters â Hannah graduates and becomes a magazine editor; James was not expelled, but drops out and moves to New York to rework his novel for publication; and Terry Crabtree "goes right on being Crabtree." Grady finishes typing his new book (now using a computer rather than a typewriter), which is an account of the events of the film, then watches Sara and their child arriving home before turning back to the computer and clicking "Save." | [
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"content": "What does James steal from the Gaskells?",
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" Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the... | [
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Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the chairman of the English department in which Grady is a professor. Grady's third wife, Emily, has just left him, and he has failed to repeat the grand success of his first novel, published years earlier. He continues to labor on a second novel, but the more he tries to finish it the less able he finds himself to invent a satisfactory ending. The book runs to over two and a half thousand pages and is still far from finished. He spends his free time smoking marijuana.
Grady's students include James Leer (Tobey Maguire) and Hannah Green (Katie Holmes). Hannah and James are friends and both very good writers. Hannah, who rents a room in Grady's large house, is attracted to Grady, but he does not reciprocate. James is enigmatic, quiet, dark and enjoys writing fiction more than he first lets on.
During a party at the Gaskells' house, Sara reveals to Grady that she is pregnant with his child. Grady finds James standing outside holding what he claims to be a replica gun, won by his mother at a fairground during her schooldays. However, the gun turns out to be very real, as James shoots the Gaskells' dog when he finds it attacking Grady. James also steals a very valuable piece of Marilyn Monroe memorabilia from the house. Grady is unable to tell Sara of this incident as she is pressuring him to choose between her and Emily. As a result, Grady is forced to keep the dead dog in the trunk of his car for most of the weekend. He also allows James to follow him around, fearing that he may be depressed or even suicidal. Gradually, he realizes that much of what James tells him about himself and his life is untrue, and is seemingly designed to elicit Grady's sympathy.
Meanwhile, Grady's editor, Terry Crabtree (Robert Downey Jr.), has flown into town on the pretense of attending the university's annual WordFest, a literary event for aspiring authors. In reality, Terry is there to see if Grady has written anything worth publishing, as both men's careers depend on Grady's upcoming book. Terry arrives with a transvestite whom he met on the flight, called Antonia "Tony" Sloviak (Michael Cavadias). The pair apparently become intimate in a bedroom at the Gaskells' party, but, immediately afterwards, Terry meets James and becomes infatuated with him, and Tony is unceremoniously sent home. After a night on the town, Terry and James semi-consciously flirt throughout the night, which eventually leads up to the two spending an intimate night together in one of Grady's spare rooms.
Tired and confused, Grady phones Walter and reveals to him that he is in love with Sara. Meanwhile, Walter has also made the connection between the disappearance of Marilyn Monroe memorabilia and James. The following morning the Pittsburgh Police arrive with Sara to escort James to the Chancellor's office to discuss the ramifications of his actions. The memorabilia is still in Grady's car, which has conspicuously gone missing. The car had been given to him by a friend as payment for a loan, and, over the weekend, Grady has come to suspect that the car was stolen. Over the course of his travel around town, a man claiming to be the car's real owner repeatedly accosted Grady. He eventually tracks the car down, but in a dispute over its ownership the majority of his manuscript blows out of the car and is lost. The car's owner gives him a ride to the university with his wife, Oola, in the passenger seat, with the stolen memorabilia.
Grady finally sees that making things right involves having to make difficult choices. Grady tells Oola the story behind the memorabilia and allows her to leave with it. Worried that Grady's choice comes at the expense of damaging James's future, Terry convinces Walter not to press charges by agreeing to publish his book, "a critical exploration of the union of Joe DiMaggio and Marilyn Monroe and its function in American mythopoetics", tentatively titled The Last American Marriage.
The film ends with Grady recounting the eventual fate of the main characters â Hannah graduates and becomes a magazine editor; James was not expelled, but drops out and moves to New York to rework his novel for publication; and Terry Crabtree "goes right on being Crabtree." Grady finishes typing his new book (now using a computer rather than a typewriter), which is an account of the events of the film, then watches Sara and their child arriving home before turning back to the computer and clicking "Save." | [
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"she becomes a magazine editor",
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{
"content": "What does Hannah do after graduation?",
"role": "user"
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] | 31,873 | [
" Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the... | [
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Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the chairman of the English department in which Grady is a professor. Grady's third wife, Emily, has just left him, and he has failed to repeat the grand success of his first novel, published years earlier. He continues to labor on a second novel, but the more he tries to finish it the less able he finds himself to invent a satisfactory ending. The book runs to over two and a half thousand pages and is still far from finished. He spends his free time smoking marijuana.
Grady's students include James Leer (Tobey Maguire) and Hannah Green (Katie Holmes). Hannah and James are friends and both very good writers. Hannah, who rents a room in Grady's large house, is attracted to Grady, but he does not reciprocate. James is enigmatic, quiet, dark and enjoys writing fiction more than he first lets on.
During a party at the Gaskells' house, Sara reveals to Grady that she is pregnant with his child. Grady finds James standing outside holding what he claims to be a replica gun, won by his mother at a fairground during her schooldays. However, the gun turns out to be very real, as James shoots the Gaskells' dog when he finds it attacking Grady. James also steals a very valuable piece of Marilyn Monroe memorabilia from the house. Grady is unable to tell Sara of this incident as she is pressuring him to choose between her and Emily. As a result, Grady is forced to keep the dead dog in the trunk of his car for most of the weekend. He also allows James to follow him around, fearing that he may be depressed or even suicidal. Gradually, he realizes that much of what James tells him about himself and his life is untrue, and is seemingly designed to elicit Grady's sympathy.
Meanwhile, Grady's editor, Terry Crabtree (Robert Downey Jr.), has flown into town on the pretense of attending the university's annual WordFest, a literary event for aspiring authors. In reality, Terry is there to see if Grady has written anything worth publishing, as both men's careers depend on Grady's upcoming book. Terry arrives with a transvestite whom he met on the flight, called Antonia "Tony" Sloviak (Michael Cavadias). The pair apparently become intimate in a bedroom at the Gaskells' party, but, immediately afterwards, Terry meets James and becomes infatuated with him, and Tony is unceremoniously sent home. After a night on the town, Terry and James semi-consciously flirt throughout the night, which eventually leads up to the two spending an intimate night together in one of Grady's spare rooms.
Tired and confused, Grady phones Walter and reveals to him that he is in love with Sara. Meanwhile, Walter has also made the connection between the disappearance of Marilyn Monroe memorabilia and James. The following morning the Pittsburgh Police arrive with Sara to escort James to the Chancellor's office to discuss the ramifications of his actions. The memorabilia is still in Grady's car, which has conspicuously gone missing. The car had been given to him by a friend as payment for a loan, and, over the weekend, Grady has come to suspect that the car was stolen. Over the course of his travel around town, a man claiming to be the car's real owner repeatedly accosted Grady. He eventually tracks the car down, but in a dispute over its ownership the majority of his manuscript blows out of the car and is lost. The car's owner gives him a ride to the university with his wife, Oola, in the passenger seat, with the stolen memorabilia.
Grady finally sees that making things right involves having to make difficult choices. Grady tells Oola the story behind the memorabilia and allows her to leave with it. Worried that Grady's choice comes at the expense of damaging James's future, Terry convinces Walter not to press charges by agreeing to publish his book, "a critical exploration of the union of Joe DiMaggio and Marilyn Monroe and its function in American mythopoetics", tentatively titled The Last American Marriage.
The film ends with Grady recounting the eventual fate of the main characters â Hannah graduates and becomes a magazine editor; James was not expelled, but drops out and moves to New York to rework his novel for publication; and Terry Crabtree "goes right on being Crabtree." Grady finishes typing his new book (now using a computer rather than a typewriter), which is an account of the events of the film, then watches Sara and their child arriving home before turning back to the computer and clicking "Save." | [
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Professor Grady Tripp (Michael Douglas) is a novelist who teaches creative writing at an unnamed Pittsburgh university (the movie was shot chiefly in and around Carnegie Mellon). He is having an affair with the university chancellor, Sara Gaskell (Frances McDormand), whose husband, Walter (Richard Thomas), is the chairman of the English department in which Grady is a professor. Grady's third wife, Emily, has just left him, and he has failed to repeat the grand success of his first novel, published years earlier. He continues to labor on a second novel, but the more he tries to finish it the less able he finds himself to invent a satisfactory ending. The book runs to over two and a half thousand pages and is still far from finished. He spends his free time smoking marijuana.
Grady's students include James Leer (Tobey Maguire) and Hannah Green (Katie Holmes). Hannah and James are friends and both very good writers. Hannah, who rents a room in Grady's large house, is attracted to Grady, but he does not reciprocate. James is enigmatic, quiet, dark and enjoys writing fiction more than he first lets on.
During a party at the Gaskells' house, Sara reveals to Grady that she is pregnant with his child. Grady finds James standing outside holding what he claims to be a replica gun, won by his mother at a fairground during her schooldays. However, the gun turns out to be very real, as James shoots the Gaskells' dog when he finds it attacking Grady. James also steals a very valuable piece of Marilyn Monroe memorabilia from the house. Grady is unable to tell Sara of this incident as she is pressuring him to choose between her and Emily. As a result, Grady is forced to keep the dead dog in the trunk of his car for most of the weekend. He also allows James to follow him around, fearing that he may be depressed or even suicidal. Gradually, he realizes that much of what James tells him about himself and his life is untrue, and is seemingly designed to elicit Grady's sympathy.
Meanwhile, Grady's editor, Terry Crabtree (Robert Downey Jr.), has flown into town on the pretense of attending the university's annual WordFest, a literary event for aspiring authors. In reality, Terry is there to see if Grady has written anything worth publishing, as both men's careers depend on Grady's upcoming book. Terry arrives with a transvestite whom he met on the flight, called Antonia "Tony" Sloviak (Michael Cavadias). The pair apparently become intimate in a bedroom at the Gaskells' party, but, immediately afterwards, Terry meets James and becomes infatuated with him, and Tony is unceremoniously sent home. After a night on the town, Terry and James semi-consciously flirt throughout the night, which eventually leads up to the two spending an intimate night together in one of Grady's spare rooms.
Tired and confused, Grady phones Walter and reveals to him that he is in love with Sara. Meanwhile, Walter has also made the connection between the disappearance of Marilyn Monroe memorabilia and James. The following morning the Pittsburgh Police arrive with Sara to escort James to the Chancellor's office to discuss the ramifications of his actions. The memorabilia is still in Grady's car, which has conspicuously gone missing. The car had been given to him by a friend as payment for a loan, and, over the weekend, Grady has come to suspect that the car was stolen. Over the course of his travel around town, a man claiming to be the car's real owner repeatedly accosted Grady. He eventually tracks the car down, but in a dispute over its ownership the majority of his manuscript blows out of the car and is lost. The car's owner gives him a ride to the university with his wife, Oola, in the passenger seat, with the stolen memorabilia.
Grady finally sees that making things right involves having to make difficult choices. Grady tells Oola the story behind the memorabilia and allows her to leave with it. Worried that Grady's choice comes at the expense of damaging James's future, Terry convinces Walter not to press charges by agreeing to publish his book, "a critical exploration of the union of Joe DiMaggio and Marilyn Monroe and its function in American mythopoetics", tentatively titled The Last American Marriage.
The film ends with Grady recounting the eventual fate of the main characters â Hannah graduates and becomes a magazine editor; James was not expelled, but drops out and moves to New York to rework his novel for publication; and Terry Crabtree "goes right on being Crabtree." Grady finishes typing his new book (now using a computer rather than a typewriter), which is an account of the events of the film, then watches Sara and their child arriving home before turning back to the computer and clicking "Save." | [
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Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young woman follows her mother's recommendation and accepts the overtures of a middling suitor, the Prince de Clèves. After the wedding, she meets the dashing Duke de Nemours. The two fall in love, yet do nothing to pursue their affections, limiting their contact to an occasional visit in the now-Princess of Clèves's salon. The duke becomes enmeshed in a scandal at court that leads the Princess to believe he has been unfaithful in his affections. A letter from a spurned mistress to her paramour is discovered in the dressing room at one of the estates—a letter actually written to the Princess' uncle, the Vidame de Chartres, who has also become entangled in a relationship with the Queen. He begs the Duke de Nemours to claim ownership of the letter, which ends up in the Princess' possession. The duke has to produce documents from the Vidame to convince the Princess that his heart has been true. Eventually, the Prince de Clèves discerns that his wife is in love with another man. She confesses as much. He relentlessly quizzes her—indeed tricks her—until she reveals the man's identity. After he sends a servant to spy on the Duke de Nemours, the Prince de Clèves believes that his wife has been unfaithful in more than just her emotions. He becomes ill and dies (either of his illness or of a broken heart). On his deathbed, he blames the Duke de Nemours for his suffering and begs the Princess not to marry him. Now free to pursue her passions, the Princess is torn between her duty and her love. The duke pursues her more openly, but she rejects him, choosing instead to enter a convent for part of each year. After several years, the duke's love for her does finally fade, and she, still relatively young, passes away in obscurity. | [
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" Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young wom... | [
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Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young woman follows her mother's recommendation and accepts the overtures of a middling suitor, the Prince de Clèves. After the wedding, she meets the dashing Duke de Nemours. The two fall in love, yet do nothing to pursue their affections, limiting their contact to an occasional visit in the now-Princess of Clèves's salon. The duke becomes enmeshed in a scandal at court that leads the Princess to believe he has been unfaithful in his affections. A letter from a spurned mistress to her paramour is discovered in the dressing room at one of the estates—a letter actually written to the Princess' uncle, the Vidame de Chartres, who has also become entangled in a relationship with the Queen. He begs the Duke de Nemours to claim ownership of the letter, which ends up in the Princess' possession. The duke has to produce documents from the Vidame to convince the Princess that his heart has been true. Eventually, the Prince de Clèves discerns that his wife is in love with another man. She confesses as much. He relentlessly quizzes her—indeed tricks her—until she reveals the man's identity. After he sends a servant to spy on the Duke de Nemours, the Prince de Clèves believes that his wife has been unfaithful in more than just her emotions. He becomes ill and dies (either of his illness or of a broken heart). On his deathbed, he blames the Duke de Nemours for his suffering and begs the Princess not to marry him. Now free to pursue her passions, the Princess is torn between her duty and her love. The duke pursues her more openly, but she rejects him, choosing instead to enter a convent for part of each year. After several years, the duke's love for her does finally fade, and she, still relatively young, passes away in obscurity. | [
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Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young woman follows her mother's recommendation and accepts the overtures of a middling suitor, the Prince de Clèves. After the wedding, she meets the dashing Duke de Nemours. The two fall in love, yet do nothing to pursue their affections, limiting their contact to an occasional visit in the now-Princess of Clèves's salon. The duke becomes enmeshed in a scandal at court that leads the Princess to believe he has been unfaithful in his affections. A letter from a spurned mistress to her paramour is discovered in the dressing room at one of the estates—a letter actually written to the Princess' uncle, the Vidame de Chartres, who has also become entangled in a relationship with the Queen. He begs the Duke de Nemours to claim ownership of the letter, which ends up in the Princess' possession. The duke has to produce documents from the Vidame to convince the Princess that his heart has been true. Eventually, the Prince de Clèves discerns that his wife is in love with another man. She confesses as much. He relentlessly quizzes her—indeed tricks her—until she reveals the man's identity. After he sends a servant to spy on the Duke de Nemours, the Prince de Clèves believes that his wife has been unfaithful in more than just her emotions. He becomes ill and dies (either of his illness or of a broken heart). On his deathbed, he blames the Duke de Nemours for his suffering and begs the Princess not to marry him. Now free to pursue her passions, the Princess is torn between her duty and her love. The duke pursues her more openly, but she rejects him, choosing instead to enter a convent for part of each year. After several years, the duke's love for her does finally fade, and she, still relatively young, passes away in obscurity. | [
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Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young woman follows her mother's recommendation and accepts the overtures of a middling suitor, the Prince de Clèves. After the wedding, she meets the dashing Duke de Nemours. The two fall in love, yet do nothing to pursue their affections, limiting their contact to an occasional visit in the now-Princess of Clèves's salon. The duke becomes enmeshed in a scandal at court that leads the Princess to believe he has been unfaithful in his affections. A letter from a spurned mistress to her paramour is discovered in the dressing room at one of the estates—a letter actually written to the Princess' uncle, the Vidame de Chartres, who has also become entangled in a relationship with the Queen. He begs the Duke de Nemours to claim ownership of the letter, which ends up in the Princess' possession. The duke has to produce documents from the Vidame to convince the Princess that his heart has been true. Eventually, the Prince de Clèves discerns that his wife is in love with another man. She confesses as much. He relentlessly quizzes her—indeed tricks her—until she reveals the man's identity. After he sends a servant to spy on the Duke de Nemours, the Prince de Clèves believes that his wife has been unfaithful in more than just her emotions. He becomes ill and dies (either of his illness or of a broken heart). On his deathbed, he blames the Duke de Nemours for his suffering and begs the Princess not to marry him. Now free to pursue her passions, the Princess is torn between her duty and her love. The duke pursues her more openly, but she rejects him, choosing instead to enter a convent for part of each year. After several years, the duke's love for her does finally fade, and she, still relatively young, passes away in obscurity. | [
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" Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young wom... | [
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Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young woman follows her mother's recommendation and accepts the overtures of a middling suitor, the Prince de Clèves. After the wedding, she meets the dashing Duke de Nemours. The two fall in love, yet do nothing to pursue their affections, limiting their contact to an occasional visit in the now-Princess of Clèves's salon. The duke becomes enmeshed in a scandal at court that leads the Princess to believe he has been unfaithful in his affections. A letter from a spurned mistress to her paramour is discovered in the dressing room at one of the estates—a letter actually written to the Princess' uncle, the Vidame de Chartres, who has also become entangled in a relationship with the Queen. He begs the Duke de Nemours to claim ownership of the letter, which ends up in the Princess' possession. The duke has to produce documents from the Vidame to convince the Princess that his heart has been true. Eventually, the Prince de Clèves discerns that his wife is in love with another man. She confesses as much. He relentlessly quizzes her—indeed tricks her—until she reveals the man's identity. After he sends a servant to spy on the Duke de Nemours, the Prince de Clèves believes that his wife has been unfaithful in more than just her emotions. He becomes ill and dies (either of his illness or of a broken heart). On his deathbed, he blames the Duke de Nemours for his suffering and begs the Princess not to marry him. Now free to pursue her passions, the Princess is torn between her duty and her love. The duke pursues her more openly, but she rejects him, choosing instead to enter a convent for part of each year. After several years, the duke's love for her does finally fade, and she, still relatively young, passes away in obscurity. | [
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" Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young wom... | [
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Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young woman follows her mother's recommendation and accepts the overtures of a middling suitor, the Prince de Clèves. After the wedding, she meets the dashing Duke de Nemours. The two fall in love, yet do nothing to pursue their affections, limiting their contact to an occasional visit in the now-Princess of Clèves's salon. The duke becomes enmeshed in a scandal at court that leads the Princess to believe he has been unfaithful in his affections. A letter from a spurned mistress to her paramour is discovered in the dressing room at one of the estates—a letter actually written to the Princess' uncle, the Vidame de Chartres, who has also become entangled in a relationship with the Queen. He begs the Duke de Nemours to claim ownership of the letter, which ends up in the Princess' possession. The duke has to produce documents from the Vidame to convince the Princess that his heart has been true. Eventually, the Prince de Clèves discerns that his wife is in love with another man. She confesses as much. He relentlessly quizzes her—indeed tricks her—until she reveals the man's identity. After he sends a servant to spy on the Duke de Nemours, the Prince de Clèves believes that his wife has been unfaithful in more than just her emotions. He becomes ill and dies (either of his illness or of a broken heart). On his deathbed, he blames the Duke de Nemours for his suffering and begs the Princess not to marry him. Now free to pursue her passions, the Princess is torn between her duty and her love. The duke pursues her more openly, but she rejects him, choosing instead to enter a convent for part of each year. After several years, the duke's love for her does finally fade, and she, still relatively young, passes away in obscurity. | [
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Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young woman follows her mother's recommendation and accepts the overtures of a middling suitor, the Prince de Clèves. After the wedding, she meets the dashing Duke de Nemours. The two fall in love, yet do nothing to pursue their affections, limiting their contact to an occasional visit in the now-Princess of Clèves's salon. The duke becomes enmeshed in a scandal at court that leads the Princess to believe he has been unfaithful in his affections. A letter from a spurned mistress to her paramour is discovered in the dressing room at one of the estates—a letter actually written to the Princess' uncle, the Vidame de Chartres, who has also become entangled in a relationship with the Queen. He begs the Duke de Nemours to claim ownership of the letter, which ends up in the Princess' possession. The duke has to produce documents from the Vidame to convince the Princess that his heart has been true. Eventually, the Prince de Clèves discerns that his wife is in love with another man. She confesses as much. He relentlessly quizzes her—indeed tricks her—until she reveals the man's identity. After he sends a servant to spy on the Duke de Nemours, the Prince de Clèves believes that his wife has been unfaithful in more than just her emotions. He becomes ill and dies (either of his illness or of a broken heart). On his deathbed, he blames the Duke de Nemours for his suffering and begs the Princess not to marry him. Now free to pursue her passions, the Princess is torn between her duty and her love. The duke pursues her more openly, but she rejects him, choosing instead to enter a convent for part of each year. After several years, the duke's love for her does finally fade, and she, still relatively young, passes away in obscurity. | [
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"content": "What does the Princes de Cleves do instead of marrying the Duke de Nemours?",
"role": "user"
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] | 31,883 | [
" Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young wom... | [
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Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young woman follows her mother's recommendation and accepts the overtures of a middling suitor, the Prince de Clèves. After the wedding, she meets the dashing Duke de Nemours. The two fall in love, yet do nothing to pursue their affections, limiting their contact to an occasional visit in the now-Princess of Clèves's salon. The duke becomes enmeshed in a scandal at court that leads the Princess to believe he has been unfaithful in his affections. A letter from a spurned mistress to her paramour is discovered in the dressing room at one of the estates—a letter actually written to the Princess' uncle, the Vidame de Chartres, who has also become entangled in a relationship with the Queen. He begs the Duke de Nemours to claim ownership of the letter, which ends up in the Princess' possession. The duke has to produce documents from the Vidame to convince the Princess that his heart has been true. Eventually, the Prince de Clèves discerns that his wife is in love with another man. She confesses as much. He relentlessly quizzes her—indeed tricks her—until she reveals the man's identity. After he sends a servant to spy on the Duke de Nemours, the Prince de Clèves believes that his wife has been unfaithful in more than just her emotions. He becomes ill and dies (either of his illness or of a broken heart). On his deathbed, he blames the Duke de Nemours for his suffering and begs the Princess not to marry him. Now free to pursue her passions, the Princess is torn between her duty and her love. The duke pursues her more openly, but she rejects him, choosing instead to enter a convent for part of each year. After several years, the duke's love for her does finally fade, and she, still relatively young, passes away in obscurity. | [
[
"it fades",
"It fades away"
]
] | [
{
"content": "What happens to the love of the Duke de Nemours for the Princes de Cleves several years after she begins entering the convent?",
"role": "user"
}
] | 31,884 | [
" Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young wom... | [
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Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young woman follows her mother's recommendation and accepts the overtures of a middling suitor, the Prince de Clèves. After the wedding, she meets the dashing Duke de Nemours. The two fall in love, yet do nothing to pursue their affections, limiting their contact to an occasional visit in the now-Princess of Clèves's salon. The duke becomes enmeshed in a scandal at court that leads the Princess to believe he has been unfaithful in his affections. A letter from a spurned mistress to her paramour is discovered in the dressing room at one of the estates—a letter actually written to the Princess' uncle, the Vidame de Chartres, who has also become entangled in a relationship with the Queen. He begs the Duke de Nemours to claim ownership of the letter, which ends up in the Princess' possession. The duke has to produce documents from the Vidame to convince the Princess that his heart has been true. Eventually, the Prince de Clèves discerns that his wife is in love with another man. She confesses as much. He relentlessly quizzes her—indeed tricks her—until she reveals the man's identity. After he sends a servant to spy on the Duke de Nemours, the Prince de Clèves believes that his wife has been unfaithful in more than just her emotions. He becomes ill and dies (either of his illness or of a broken heart). On his deathbed, he blames the Duke de Nemours for his suffering and begs the Princess not to marry him. Now free to pursue her passions, the Princess is torn between her duty and her love. The duke pursues her more openly, but she rejects him, choosing instead to enter a convent for part of each year. After several years, the duke's love for her does finally fade, and she, still relatively young, passes away in obscurity. | [
[
"the Duke de Nemours",
"Duke de Nemours"
]
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{
"content": "Who does the Prince de Cleves blame for his illness and coming death?",
"role": "user"
}
] | 31,885 | [
" Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young wom... | [
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Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young woman follows her mother's recommendation and accepts the overtures of a middling suitor, the Prince de Clèves. After the wedding, she meets the dashing Duke de Nemours. The two fall in love, yet do nothing to pursue their affections, limiting their contact to an occasional visit in the now-Princess of Clèves's salon. The duke becomes enmeshed in a scandal at court that leads the Princess to believe he has been unfaithful in his affections. A letter from a spurned mistress to her paramour is discovered in the dressing room at one of the estates—a letter actually written to the Princess' uncle, the Vidame de Chartres, who has also become entangled in a relationship with the Queen. He begs the Duke de Nemours to claim ownership of the letter, which ends up in the Princess' possession. The duke has to produce documents from the Vidame to convince the Princess that his heart has been true. Eventually, the Prince de Clèves discerns that his wife is in love with another man. She confesses as much. He relentlessly quizzes her—indeed tricks her—until she reveals the man's identity. After he sends a servant to spy on the Duke de Nemours, the Prince de Clèves believes that his wife has been unfaithful in more than just her emotions. He becomes ill and dies (either of his illness or of a broken heart). On his deathbed, he blames the Duke de Nemours for his suffering and begs the Princess not to marry him. Now free to pursue her passions, the Princess is torn between her duty and her love. The duke pursues her more openly, but she rejects him, choosing instead to enter a convent for part of each year. After several years, the duke's love for her does finally fade, and she, still relatively young, passes away in obscurity. | [
[
"to find a husband with money and a social standing",
"to seek a husband"
]
] | [
{
"content": "Why was Mademoiselle de Chartres taken by her mother to the court of Henri II?",
"role": "user"
}
] | 31,886 | [
" Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young wom... | [
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Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young woman follows her mother's recommendation and accepts the overtures of a middling suitor, the Prince de Clèves. After the wedding, she meets the dashing Duke de Nemours. The two fall in love, yet do nothing to pursue their affections, limiting their contact to an occasional visit in the now-Princess of Clèves's salon. The duke becomes enmeshed in a scandal at court that leads the Princess to believe he has been unfaithful in his affections. A letter from a spurned mistress to her paramour is discovered in the dressing room at one of the estates—a letter actually written to the Princess' uncle, the Vidame de Chartres, who has also become entangled in a relationship with the Queen. He begs the Duke de Nemours to claim ownership of the letter, which ends up in the Princess' possession. The duke has to produce documents from the Vidame to convince the Princess that his heart has been true. Eventually, the Prince de Clèves discerns that his wife is in love with another man. She confesses as much. He relentlessly quizzes her—indeed tricks her—until she reveals the man's identity. After he sends a servant to spy on the Duke de Nemours, the Prince de Clèves believes that his wife has been unfaithful in more than just her emotions. He becomes ill and dies (either of his illness or of a broken heart). On his deathbed, he blames the Duke de Nemours for his suffering and begs the Princess not to marry him. Now free to pursue her passions, the Princess is torn between her duty and her love. The duke pursues her more openly, but she rejects him, choosing instead to enter a convent for part of each year. After several years, the duke's love for her does finally fade, and she, still relatively young, passes away in obscurity. | [
[
"he becomes ill ( either from actual illness or a broken heart)",
"A broken heart or his illness"
]
] | [
{
"content": "Why does the Prince de Cleves die?",
"role": "user"
}
] | 31,887 | [
" Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young wom... | [
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Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young woman follows her mother's recommendation and accepts the overtures of a middling suitor, the Prince de Clèves. After the wedding, she meets the dashing Duke de Nemours. The two fall in love, yet do nothing to pursue their affections, limiting their contact to an occasional visit in the now-Princess of Clèves's salon. The duke becomes enmeshed in a scandal at court that leads the Princess to believe he has been unfaithful in his affections. A letter from a spurned mistress to her paramour is discovered in the dressing room at one of the estates—a letter actually written to the Princess' uncle, the Vidame de Chartres, who has also become entangled in a relationship with the Queen. He begs the Duke de Nemours to claim ownership of the letter, which ends up in the Princess' possession. The duke has to produce documents from the Vidame to convince the Princess that his heart has been true. Eventually, the Prince de Clèves discerns that his wife is in love with another man. She confesses as much. He relentlessly quizzes her—indeed tricks her—until she reveals the man's identity. After he sends a servant to spy on the Duke de Nemours, the Prince de Clèves believes that his wife has been unfaithful in more than just her emotions. He becomes ill and dies (either of his illness or of a broken heart). On his deathbed, he blames the Duke de Nemours for his suffering and begs the Princess not to marry him. Now free to pursue her passions, the Princess is torn between her duty and her love. The duke pursues her more openly, but she rejects him, choosing instead to enter a convent for part of each year. After several years, the duke's love for her does finally fade, and she, still relatively young, passes away in obscurity. | [
[
"because of old jealousies and arguments amongst countrymen",
"old jealousies against a relative spark gossip against her"
]
] | [
{
"content": "Why does the best marriage prospects fail for the Princess while at Henri II's court?",
"role": "user"
}
] | 31,888 | [
" Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young wom... | [
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Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young woman follows her mother's recommendation and accepts the overtures of a middling suitor, the Prince de Clèves. After the wedding, she meets the dashing Duke de Nemours. The two fall in love, yet do nothing to pursue their affections, limiting their contact to an occasional visit in the now-Princess of Clèves's salon. The duke becomes enmeshed in a scandal at court that leads the Princess to believe he has been unfaithful in his affections. A letter from a spurned mistress to her paramour is discovered in the dressing room at one of the estates—a letter actually written to the Princess' uncle, the Vidame de Chartres, who has also become entangled in a relationship with the Queen. He begs the Duke de Nemours to claim ownership of the letter, which ends up in the Princess' possession. The duke has to produce documents from the Vidame to convince the Princess that his heart has been true. Eventually, the Prince de Clèves discerns that his wife is in love with another man. She confesses as much. He relentlessly quizzes her—indeed tricks her—until she reveals the man's identity. After he sends a servant to spy on the Duke de Nemours, the Prince de Clèves believes that his wife has been unfaithful in more than just her emotions. He becomes ill and dies (either of his illness or of a broken heart). On his deathbed, he blames the Duke de Nemours for his suffering and begs the Princess not to marry him. Now free to pursue her passions, the Princess is torn between her duty and her love. The duke pursues her more openly, but she rejects him, choosing instead to enter a convent for part of each year. After several years, the duke's love for her does finally fade, and she, still relatively young, passes away in obscurity. | [
[
"she is torn between what everyone expects and love",
"Torn between duty and love, she chooses to enter a convent"
]
] | [
{
"content": "What happens once the Princess is free to pursue her dreams and her heart?",
"role": "user"
}
] | 31,889 | [
" Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young wom... | [
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Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young woman follows her mother's recommendation and accepts the overtures of a middling suitor, the Prince de Clèves. After the wedding, she meets the dashing Duke de Nemours. The two fall in love, yet do nothing to pursue their affections, limiting their contact to an occasional visit in the now-Princess of Clèves's salon. The duke becomes enmeshed in a scandal at court that leads the Princess to believe he has been unfaithful in his affections. A letter from a spurned mistress to her paramour is discovered in the dressing room at one of the estates—a letter actually written to the Princess' uncle, the Vidame de Chartres, who has also become entangled in a relationship with the Queen. He begs the Duke de Nemours to claim ownership of the letter, which ends up in the Princess' possession. The duke has to produce documents from the Vidame to convince the Princess that his heart has been true. Eventually, the Prince de Clèves discerns that his wife is in love with another man. She confesses as much. He relentlessly quizzes her—indeed tricks her—until she reveals the man's identity. After he sends a servant to spy on the Duke de Nemours, the Prince de Clèves believes that his wife has been unfaithful in more than just her emotions. He becomes ill and dies (either of his illness or of a broken heart). On his deathbed, he blames the Duke de Nemours for his suffering and begs the Princess not to marry him. Now free to pursue her passions, the Princess is torn between her duty and her love. The duke pursues her more openly, but she rejects him, choosing instead to enter a convent for part of each year. After several years, the duke's love for her does finally fade, and she, still relatively young, passes away in obscurity. | [
[
"he has a servant to spy on her",
"He gets the Princess to confess."
]
] | [
{
"content": "How does the prince de Cleves find out that the Princess is in love with another man?",
"role": "user"
}
] | 31,890 | [
" Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young wom... | [
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Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young woman follows her mother's recommendation and accepts the overtures of a middling suitor, the Prince de Clèves. After the wedding, she meets the dashing Duke de Nemours. The two fall in love, yet do nothing to pursue their affections, limiting their contact to an occasional visit in the now-Princess of Clèves's salon. The duke becomes enmeshed in a scandal at court that leads the Princess to believe he has been unfaithful in his affections. A letter from a spurned mistress to her paramour is discovered in the dressing room at one of the estates—a letter actually written to the Princess' uncle, the Vidame de Chartres, who has also become entangled in a relationship with the Queen. He begs the Duke de Nemours to claim ownership of the letter, which ends up in the Princess' possession. The duke has to produce documents from the Vidame to convince the Princess that his heart has been true. Eventually, the Prince de Clèves discerns that his wife is in love with another man. She confesses as much. He relentlessly quizzes her—indeed tricks her—until she reveals the man's identity. After he sends a servant to spy on the Duke de Nemours, the Prince de Clèves believes that his wife has been unfaithful in more than just her emotions. He becomes ill and dies (either of his illness or of a broken heart). On his deathbed, he blames the Duke de Nemours for his suffering and begs the Princess not to marry him. Now free to pursue her passions, the Princess is torn between her duty and her love. The duke pursues her more openly, but she rejects him, choosing instead to enter a convent for part of each year. After several years, the duke's love for her does finally fade, and she, still relatively young, passes away in obscurity. | [
[
"after her wedding to the prince de Cleves",
"After her wedding."
]
] | [
{
"content": "When does the Princess meet the Duke De Nemours?",
"role": "user"
}
] | 31,891 | [
" Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young wom... | [
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Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young woman follows her mother's recommendation and accepts the overtures of a middling suitor, the Prince de Clèves. After the wedding, she meets the dashing Duke de Nemours. The two fall in love, yet do nothing to pursue their affections, limiting their contact to an occasional visit in the now-Princess of Clèves's salon. The duke becomes enmeshed in a scandal at court that leads the Princess to believe he has been unfaithful in his affections. A letter from a spurned mistress to her paramour is discovered in the dressing room at one of the estates—a letter actually written to the Princess' uncle, the Vidame de Chartres, who has also become entangled in a relationship with the Queen. He begs the Duke de Nemours to claim ownership of the letter, which ends up in the Princess' possession. The duke has to produce documents from the Vidame to convince the Princess that his heart has been true. Eventually, the Prince de Clèves discerns that his wife is in love with another man. She confesses as much. He relentlessly quizzes her—indeed tricks her—until she reveals the man's identity. After he sends a servant to spy on the Duke de Nemours, the Prince de Clèves believes that his wife has been unfaithful in more than just her emotions. He becomes ill and dies (either of his illness or of a broken heart). On his deathbed, he blames the Duke de Nemours for his suffering and begs the Princess not to marry him. Now free to pursue her passions, the Princess is torn between her duty and her love. The duke pursues her more openly, but she rejects him, choosing instead to enter a convent for part of each year. After several years, the duke's love for her does finally fade, and she, still relatively young, passes away in obscurity. | [
[
"the Vidame de Chartres",
"the Princess's uncle, the Vidame de Chartres"
]
] | [
{
"content": "Who was the letter that was found in the dressing room of the estate written for?",
"role": "user"
}
] | 31,892 | [
" Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young wom... | [
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Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young woman follows her mother's recommendation and accepts the overtures of a middling suitor, the Prince de Clèves. After the wedding, she meets the dashing Duke de Nemours. The two fall in love, yet do nothing to pursue their affections, limiting their contact to an occasional visit in the now-Princess of Clèves's salon. The duke becomes enmeshed in a scandal at court that leads the Princess to believe he has been unfaithful in his affections. A letter from a spurned mistress to her paramour is discovered in the dressing room at one of the estates—a letter actually written to the Princess' uncle, the Vidame de Chartres, who has also become entangled in a relationship with the Queen. He begs the Duke de Nemours to claim ownership of the letter, which ends up in the Princess' possession. The duke has to produce documents from the Vidame to convince the Princess that his heart has been true. Eventually, the Prince de Clèves discerns that his wife is in love with another man. She confesses as much. He relentlessly quizzes her—indeed tricks her—until she reveals the man's identity. After he sends a servant to spy on the Duke de Nemours, the Prince de Clèves believes that his wife has been unfaithful in more than just her emotions. He becomes ill and dies (either of his illness or of a broken heart). On his deathbed, he blames the Duke de Nemours for his suffering and begs the Princess not to marry him. Now free to pursue her passions, the Princess is torn between her duty and her love. The duke pursues her more openly, but she rejects him, choosing instead to enter a convent for part of each year. After several years, the duke's love for her does finally fade, and she, still relatively young, passes away in obscurity. | [
[
"A very sheltered 16 years old",
"sixteen"
]
] | [
{
"content": "How old is Mademoiselle de Chartres when she is taken to the court of Henri II?",
"role": "user"
}
] | 31,893 | [
" Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young wom... | [
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1.000000238418579
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Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young woman follows her mother's recommendation and accepts the overtures of a middling suitor, the Prince de Clèves. After the wedding, she meets the dashing Duke de Nemours. The two fall in love, yet do nothing to pursue their affections, limiting their contact to an occasional visit in the now-Princess of Clèves's salon. The duke becomes enmeshed in a scandal at court that leads the Princess to believe he has been unfaithful in his affections. A letter from a spurned mistress to her paramour is discovered in the dressing room at one of the estates—a letter actually written to the Princess' uncle, the Vidame de Chartres, who has also become entangled in a relationship with the Queen. He begs the Duke de Nemours to claim ownership of the letter, which ends up in the Princess' possession. The duke has to produce documents from the Vidame to convince the Princess that his heart has been true. Eventually, the Prince de Clèves discerns that his wife is in love with another man. She confesses as much. He relentlessly quizzes her—indeed tricks her—until she reveals the man's identity. After he sends a servant to spy on the Duke de Nemours, the Prince de Clèves believes that his wife has been unfaithful in more than just her emotions. He becomes ill and dies (either of his illness or of a broken heart). On his deathbed, he blames the Duke de Nemours for his suffering and begs the Princess not to marry him. Now free to pursue her passions, the Princess is torn between her duty and her love. The duke pursues her more openly, but she rejects him, choosing instead to enter a convent for part of each year. After several years, the duke's love for her does finally fade, and she, still relatively young, passes away in obscurity. | [
[
"She enters a convent for part of every year",
"She rejects the Duke and enters a convent part of each year."
]
] | [
{
"content": "When given the chance to follow her dreams and her heart, after the Prince dies, what does the Princess choose to do?",
"role": "user"
}
] | 31,894 | [
" Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young wom... | [
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Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young woman follows her mother's recommendation and accepts the overtures of a middling suitor, the Prince de Clèves. After the wedding, she meets the dashing Duke de Nemours. The two fall in love, yet do nothing to pursue their affections, limiting their contact to an occasional visit in the now-Princess of Clèves's salon. The duke becomes enmeshed in a scandal at court that leads the Princess to believe he has been unfaithful in his affections. A letter from a spurned mistress to her paramour is discovered in the dressing room at one of the estates—a letter actually written to the Princess' uncle, the Vidame de Chartres, who has also become entangled in a relationship with the Queen. He begs the Duke de Nemours to claim ownership of the letter, which ends up in the Princess' possession. The duke has to produce documents from the Vidame to convince the Princess that his heart has been true. Eventually, the Prince de Clèves discerns that his wife is in love with another man. She confesses as much. He relentlessly quizzes her—indeed tricks her—until she reveals the man's identity. After he sends a servant to spy on the Duke de Nemours, the Prince de Clèves believes that his wife has been unfaithful in more than just her emotions. He becomes ill and dies (either of his illness or of a broken heart). On his deathbed, he blames the Duke de Nemours for his suffering and begs the Princess not to marry him. Now free to pursue her passions, the Princess is torn between her duty and her love. The duke pursues her more openly, but she rejects him, choosing instead to enter a convent for part of each year. After several years, the duke's love for her does finally fade, and she, still relatively young, passes away in obscurity. | [
[
"She passes away",
"she passes away"
]
] | [
{
"content": "What happens to the Princess once the Duke's love fades?",
"role": "user"
}
] | 31,895 | [
" Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young wom... | [
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1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579
] | [
31878,
31879,
31880,
31881,
31877,
31876
] | train |
Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young woman follows her mother's recommendation and accepts the overtures of a middling suitor, the Prince de Clèves. After the wedding, she meets the dashing Duke de Nemours. The two fall in love, yet do nothing to pursue their affections, limiting their contact to an occasional visit in the now-Princess of Clèves's salon. The duke becomes enmeshed in a scandal at court that leads the Princess to believe he has been unfaithful in his affections. A letter from a spurned mistress to her paramour is discovered in the dressing room at one of the estates—a letter actually written to the Princess' uncle, the Vidame de Chartres, who has also become entangled in a relationship with the Queen. He begs the Duke de Nemours to claim ownership of the letter, which ends up in the Princess' possession. The duke has to produce documents from the Vidame to convince the Princess that his heart has been true. Eventually, the Prince de Clèves discerns that his wife is in love with another man. She confesses as much. He relentlessly quizzes her—indeed tricks her—until she reveals the man's identity. After he sends a servant to spy on the Duke de Nemours, the Prince de Clèves believes that his wife has been unfaithful in more than just her emotions. He becomes ill and dies (either of his illness or of a broken heart). On his deathbed, he blames the Duke de Nemours for his suffering and begs the Princess not to marry him. Now free to pursue her passions, the Princess is torn between her duty and her love. The duke pursues her more openly, but she rejects him, choosing instead to enter a convent for part of each year. After several years, the duke's love for her does finally fade, and she, still relatively young, passes away in obscurity. | [
[
"She was sixteen years old.",
"16"
]
] | [
{
"content": "How old was Mademoise de Chartres when her mother took her to court of Henri II?",
"role": "user"
}
] | 31,896 | [
" Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young wom... | [
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579
] | [
31878,
31879,
31880,
31881,
31877,
31876
] | train |
Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young woman follows her mother's recommendation and accepts the overtures of a middling suitor, the Prince de Clèves. After the wedding, she meets the dashing Duke de Nemours. The two fall in love, yet do nothing to pursue their affections, limiting their contact to an occasional visit in the now-Princess of Clèves's salon. The duke becomes enmeshed in a scandal at court that leads the Princess to believe he has been unfaithful in his affections. A letter from a spurned mistress to her paramour is discovered in the dressing room at one of the estates—a letter actually written to the Princess' uncle, the Vidame de Chartres, who has also become entangled in a relationship with the Queen. He begs the Duke de Nemours to claim ownership of the letter, which ends up in the Princess' possession. The duke has to produce documents from the Vidame to convince the Princess that his heart has been true. Eventually, the Prince de Clèves discerns that his wife is in love with another man. She confesses as much. He relentlessly quizzes her—indeed tricks her—until she reveals the man's identity. After he sends a servant to spy on the Duke de Nemours, the Prince de Clèves believes that his wife has been unfaithful in more than just her emotions. He becomes ill and dies (either of his illness or of a broken heart). On his deathbed, he blames the Duke de Nemours for his suffering and begs the Princess not to marry him. Now free to pursue her passions, the Princess is torn between her duty and her love. The duke pursues her more openly, but she rejects him, choosing instead to enter a convent for part of each year. After several years, the duke's love for her does finally fade, and she, still relatively young, passes away in obscurity. | [
[
"Her mother want her to find a rich man to marry.",
"to find a husband of good financial and social stature"
]
] | [
{
"content": "Why did Mademoise de Chartres mother took her to court of Henri II?",
"role": "user"
}
] | 31,897 | [
" Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young wom... | [
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579
] | [
31878,
31879,
31880,
31881,
31877,
31876
] | train |
Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young woman follows her mother's recommendation and accepts the overtures of a middling suitor, the Prince de Clèves. After the wedding, she meets the dashing Duke de Nemours. The two fall in love, yet do nothing to pursue their affections, limiting their contact to an occasional visit in the now-Princess of Clèves's salon. The duke becomes enmeshed in a scandal at court that leads the Princess to believe he has been unfaithful in his affections. A letter from a spurned mistress to her paramour is discovered in the dressing room at one of the estates—a letter actually written to the Princess' uncle, the Vidame de Chartres, who has also become entangled in a relationship with the Queen. He begs the Duke de Nemours to claim ownership of the letter, which ends up in the Princess' possession. The duke has to produce documents from the Vidame to convince the Princess that his heart has been true. Eventually, the Prince de Clèves discerns that his wife is in love with another man. She confesses as much. He relentlessly quizzes her—indeed tricks her—until she reveals the man's identity. After he sends a servant to spy on the Duke de Nemours, the Prince de Clèves believes that his wife has been unfaithful in more than just her emotions. He becomes ill and dies (either of his illness or of a broken heart). On his deathbed, he blames the Duke de Nemours for his suffering and begs the Princess not to marry him. Now free to pursue her passions, the Princess is torn between her duty and her love. The duke pursues her more openly, but she rejects him, choosing instead to enter a convent for part of each year. After several years, the duke's love for her does finally fade, and she, still relatively young, passes away in obscurity. | [
[
"Prince de Cleves",
"Prince de Cleves"
]
] | [
{
"content": "Who did Mademoise de Chartres married?",
"role": "user"
}
] | 31,898 | [
" Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young wom... | [
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579
] | [
31878,
31879,
31880,
31881,
31877,
31876
] | train |
Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young woman follows her mother's recommendation and accepts the overtures of a middling suitor, the Prince de Clèves. After the wedding, she meets the dashing Duke de Nemours. The two fall in love, yet do nothing to pursue their affections, limiting their contact to an occasional visit in the now-Princess of Clèves's salon. The duke becomes enmeshed in a scandal at court that leads the Princess to believe he has been unfaithful in his affections. A letter from a spurned mistress to her paramour is discovered in the dressing room at one of the estates—a letter actually written to the Princess' uncle, the Vidame de Chartres, who has also become entangled in a relationship with the Queen. He begs the Duke de Nemours to claim ownership of the letter, which ends up in the Princess' possession. The duke has to produce documents from the Vidame to convince the Princess that his heart has been true. Eventually, the Prince de Clèves discerns that his wife is in love with another man. She confesses as much. He relentlessly quizzes her—indeed tricks her—until she reveals the man's identity. After he sends a servant to spy on the Duke de Nemours, the Prince de Clèves believes that his wife has been unfaithful in more than just her emotions. He becomes ill and dies (either of his illness or of a broken heart). On his deathbed, he blames the Duke de Nemours for his suffering and begs the Princess not to marry him. Now free to pursue her passions, the Princess is torn between her duty and her love. The duke pursues her more openly, but she rejects him, choosing instead to enter a convent for part of each year. After several years, the duke's love for her does finally fade, and she, still relatively young, passes away in obscurity. | [
[
"Duke de Nemours",
"Duke De Nemours"
]
] | [
{
"content": "Who did Princess Cleve fell in love with?",
"role": "user"
}
] | 31,899 | [
" Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ingénue, the best marriage prospects withdraw. The young wom... | [
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579,
1.000000238418579
] | [
31878,
31879,
31880,
31881,
31877,
31876
] | train |
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