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The menace in this story consists of dust from the tail of a comet. It consists of a colloid, analogous to smoke, that incorporates an unknown transuranic element. That element has a great affinity for metal surfaces and it weakens their surface tension, thereby enabling rapidly moving parts to cold weld themselves into solid rigidity.In the town of Mayfield high-school senior Ken Maddox is among the people fascinated by a giant comet whose path is just grazing Earth’s orbit. For the next four months Earth will float within the comet’s tail and on the first night of that sojourn Ken’s car and others begin to have problems with overheating. The next day almost all of the cars in Mayfield and other cities across the country have overheated and then refused to start. Soon all machinery is seizing up, its moving parts cold welded to each other. Because the effect is happening all over the world, people begin blaming the comet.
As the disaster becomes progressively more serious, Ken and his friends in the high school’s science club prepare to study samples of the fused metal at the local college, where Ken’s father teaches chemistry, and to try to get a sample of what the comet is putting into Earth’s atmosphere. While they work, Mayfield is cut off from the outside world and the mayor and the sheriff impose rationing against the anticipated shortages.
After a short stint in a wood-cutting crew bringing in fuel for the coming winter, Ken is called to assist in the work at the college. Along with his friends and the other scientists, he helps with experiments aimed at identifying the cause of the cold-welding phenomenon. A spectroscopic look through a telescope, compared to spectrograms of the affected metals confirms that the comet is the source of the trouble. At the same time Ken and his friends make contact with several ham radio operators around the country, intending to share information.
Little by little, as civilization crumbles around them, the Mayfield science team learns about the comet dust and how to protect machinery from it. One by one, the radio contacts cease as violence sweeps over the metropolitan areas, but aided by a clue from Berkeley just before it was destroyed Ken’s father devises a compound that will decontaminate metal surfaces. A failed attack by marauders attempting to rob the town and a flu epidemic decimate the population, but Ken has an idea that using ultrasound will coagulate the comet dust so that it will fall out of the atmosphere. Egged on by a pair of fanatics, a mob burns the college, but not before the knowledge of the ultrasonic coagulators has been shared. With people in more and more areas building coagulators and decontaminating metal parts, people around the world begin the slow and painful process of rebuilding civilization. | [
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"A mob mobilized by fanatics. ",
"A mob."
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"content": "Who burns down the college?",
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" The menace in this story consists of dust from the tail of a comet. It consists of a colloid, analogous to smoke, that incorporates an unknown transuranic element. That element has a great affinity for metal surfaces and it weakens their surface tension, thereby enabling rapidly moving parts to cold weld themselv... | [
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The menace in this story consists of dust from the tail of a comet. It consists of a colloid, analogous to smoke, that incorporates an unknown transuranic element. That element has a great affinity for metal surfaces and it weakens their surface tension, thereby enabling rapidly moving parts to cold weld themselves into solid rigidity.In the town of Mayfield high-school senior Ken Maddox is among the people fascinated by a giant comet whose path is just grazing Earth’s orbit. For the next four months Earth will float within the comet’s tail and on the first night of that sojourn Ken’s car and others begin to have problems with overheating. The next day almost all of the cars in Mayfield and other cities across the country have overheated and then refused to start. Soon all machinery is seizing up, its moving parts cold welded to each other. Because the effect is happening all over the world, people begin blaming the comet.
As the disaster becomes progressively more serious, Ken and his friends in the high school’s science club prepare to study samples of the fused metal at the local college, where Ken’s father teaches chemistry, and to try to get a sample of what the comet is putting into Earth’s atmosphere. While they work, Mayfield is cut off from the outside world and the mayor and the sheriff impose rationing against the anticipated shortages.
After a short stint in a wood-cutting crew bringing in fuel for the coming winter, Ken is called to assist in the work at the college. Along with his friends and the other scientists, he helps with experiments aimed at identifying the cause of the cold-welding phenomenon. A spectroscopic look through a telescope, compared to spectrograms of the affected metals confirms that the comet is the source of the trouble. At the same time Ken and his friends make contact with several ham radio operators around the country, intending to share information.
Little by little, as civilization crumbles around them, the Mayfield science team learns about the comet dust and how to protect machinery from it. One by one, the radio contacts cease as violence sweeps over the metropolitan areas, but aided by a clue from Berkeley just before it was destroyed Ken’s father devises a compound that will decontaminate metal surfaces. A failed attack by marauders attempting to rob the town and a flu epidemic decimate the population, but Ken has an idea that using ultrasound will coagulate the comet dust so that it will fall out of the atmosphere. Egged on by a pair of fanatics, a mob burns the college, but not before the knowledge of the ultrasonic coagulators has been shared. With people in more and more areas building coagulators and decontaminating metal parts, people around the world begin the slow and painful process of rebuilding civilization. | [
[
"A flu epidemic. ",
"A flu epidemic."
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{
"content": "What wipes out a significant amount of Mayfield's population?",
"role": "user"
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] | 31,601 | [
" The menace in this story consists of dust from the tail of a comet. It consists of a colloid, analogous to smoke, that incorporates an unknown transuranic element. That element has a great affinity for metal surfaces and it weakens their surface tension, thereby enabling rapidly moving parts to cold weld themselv... | [
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The menace in this story consists of dust from the tail of a comet. It consists of a colloid, analogous to smoke, that incorporates an unknown transuranic element. That element has a great affinity for metal surfaces and it weakens their surface tension, thereby enabling rapidly moving parts to cold weld themselves into solid rigidity.In the town of Mayfield high-school senior Ken Maddox is among the people fascinated by a giant comet whose path is just grazing Earth’s orbit. For the next four months Earth will float within the comet’s tail and on the first night of that sojourn Ken’s car and others begin to have problems with overheating. The next day almost all of the cars in Mayfield and other cities across the country have overheated and then refused to start. Soon all machinery is seizing up, its moving parts cold welded to each other. Because the effect is happening all over the world, people begin blaming the comet.
As the disaster becomes progressively more serious, Ken and his friends in the high school’s science club prepare to study samples of the fused metal at the local college, where Ken’s father teaches chemistry, and to try to get a sample of what the comet is putting into Earth’s atmosphere. While they work, Mayfield is cut off from the outside world and the mayor and the sheriff impose rationing against the anticipated shortages.
After a short stint in a wood-cutting crew bringing in fuel for the coming winter, Ken is called to assist in the work at the college. Along with his friends and the other scientists, he helps with experiments aimed at identifying the cause of the cold-welding phenomenon. A spectroscopic look through a telescope, compared to spectrograms of the affected metals confirms that the comet is the source of the trouble. At the same time Ken and his friends make contact with several ham radio operators around the country, intending to share information.
Little by little, as civilization crumbles around them, the Mayfield science team learns about the comet dust and how to protect machinery from it. One by one, the radio contacts cease as violence sweeps over the metropolitan areas, but aided by a clue from Berkeley just before it was destroyed Ken’s father devises a compound that will decontaminate metal surfaces. A failed attack by marauders attempting to rob the town and a flu epidemic decimate the population, but Ken has an idea that using ultrasound will coagulate the comet dust so that it will fall out of the atmosphere. Egged on by a pair of fanatics, a mob burns the college, but not before the knowledge of the ultrasonic coagulators has been shared. With people in more and more areas building coagulators and decontaminating metal parts, people around the world begin the slow and painful process of rebuilding civilization. | [
[
"Ken's father.",
"Ken's father."
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"content": "Who creates a compound that will dis-contaminate the metal surfaces?",
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] | 31,602 | [
" The menace in this story consists of dust from the tail of a comet. It consists of a colloid, analogous to smoke, that incorporates an unknown transuranic element. That element has a great affinity for metal surfaces and it weakens their surface tension, thereby enabling rapidly moving parts to cold weld themselv... | [
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The menace in this story consists of dust from the tail of a comet. It consists of a colloid, analogous to smoke, that incorporates an unknown transuranic element. That element has a great affinity for metal surfaces and it weakens their surface tension, thereby enabling rapidly moving parts to cold weld themselves into solid rigidity.In the town of Mayfield high-school senior Ken Maddox is among the people fascinated by a giant comet whose path is just grazing Earth’s orbit. For the next four months Earth will float within the comet’s tail and on the first night of that sojourn Ken’s car and others begin to have problems with overheating. The next day almost all of the cars in Mayfield and other cities across the country have overheated and then refused to start. Soon all machinery is seizing up, its moving parts cold welded to each other. Because the effect is happening all over the world, people begin blaming the comet.
As the disaster becomes progressively more serious, Ken and his friends in the high school’s science club prepare to study samples of the fused metal at the local college, where Ken’s father teaches chemistry, and to try to get a sample of what the comet is putting into Earth’s atmosphere. While they work, Mayfield is cut off from the outside world and the mayor and the sheriff impose rationing against the anticipated shortages.
After a short stint in a wood-cutting crew bringing in fuel for the coming winter, Ken is called to assist in the work at the college. Along with his friends and the other scientists, he helps with experiments aimed at identifying the cause of the cold-welding phenomenon. A spectroscopic look through a telescope, compared to spectrograms of the affected metals confirms that the comet is the source of the trouble. At the same time Ken and his friends make contact with several ham radio operators around the country, intending to share information.
Little by little, as civilization crumbles around them, the Mayfield science team learns about the comet dust and how to protect machinery from it. One by one, the radio contacts cease as violence sweeps over the metropolitan areas, but aided by a clue from Berkeley just before it was destroyed Ken’s father devises a compound that will decontaminate metal surfaces. A failed attack by marauders attempting to rob the town and a flu epidemic decimate the population, but Ken has an idea that using ultrasound will coagulate the comet dust so that it will fall out of the atmosphere. Egged on by a pair of fanatics, a mob burns the college, but not before the knowledge of the ultrasonic coagulators has been shared. With people in more and more areas building coagulators and decontaminating metal parts, people around the world begin the slow and painful process of rebuilding civilization. | [
[
"The comet's tail reacts with the metals, causing the medals to cold weld themselves together.",
"Its moving parts are cold welded together"
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"content": "What causes all of the machinery on Earth to seize up and stop working?",
"role": "user"
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] | 31,603 | [
" The menace in this story consists of dust from the tail of a comet. It consists of a colloid, analogous to smoke, that incorporates an unknown transuranic element. That element has a great affinity for metal surfaces and it weakens their surface tension, thereby enabling rapidly moving parts to cold weld themselv... | [
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The menace in this story consists of dust from the tail of a comet. It consists of a colloid, analogous to smoke, that incorporates an unknown transuranic element. That element has a great affinity for metal surfaces and it weakens their surface tension, thereby enabling rapidly moving parts to cold weld themselves into solid rigidity.In the town of Mayfield high-school senior Ken Maddox is among the people fascinated by a giant comet whose path is just grazing Earth’s orbit. For the next four months Earth will float within the comet’s tail and on the first night of that sojourn Ken’s car and others begin to have problems with overheating. The next day almost all of the cars in Mayfield and other cities across the country have overheated and then refused to start. Soon all machinery is seizing up, its moving parts cold welded to each other. Because the effect is happening all over the world, people begin blaming the comet.
As the disaster becomes progressively more serious, Ken and his friends in the high school’s science club prepare to study samples of the fused metal at the local college, where Ken’s father teaches chemistry, and to try to get a sample of what the comet is putting into Earth’s atmosphere. While they work, Mayfield is cut off from the outside world and the mayor and the sheriff impose rationing against the anticipated shortages.
After a short stint in a wood-cutting crew bringing in fuel for the coming winter, Ken is called to assist in the work at the college. Along with his friends and the other scientists, he helps with experiments aimed at identifying the cause of the cold-welding phenomenon. A spectroscopic look through a telescope, compared to spectrograms of the affected metals confirms that the comet is the source of the trouble. At the same time Ken and his friends make contact with several ham radio operators around the country, intending to share information.
Little by little, as civilization crumbles around them, the Mayfield science team learns about the comet dust and how to protect machinery from it. One by one, the radio contacts cease as violence sweeps over the metropolitan areas, but aided by a clue from Berkeley just before it was destroyed Ken’s father devises a compound that will decontaminate metal surfaces. A failed attack by marauders attempting to rob the town and a flu epidemic decimate the population, but Ken has an idea that using ultrasound will coagulate the comet dust so that it will fall out of the atmosphere. Egged on by a pair of fanatics, a mob burns the college, but not before the knowledge of the ultrasonic coagulators has been shared. With people in more and more areas building coagulators and decontaminating metal parts, people around the world begin the slow and painful process of rebuilding civilization. | [
[
"They head to the local college to investigate the fused metal.",
"They figure out the cause and then a solution."
]
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"content": "What do Ken and his friends do when faced with the problem of machinery seizing up?",
"role": "user"
}
] | 31,604 | [
" The menace in this story consists of dust from the tail of a comet. It consists of a colloid, analogous to smoke, that incorporates an unknown transuranic element. That element has a great affinity for metal surfaces and it weakens their surface tension, thereby enabling rapidly moving parts to cold weld themselv... | [
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The menace in this story consists of dust from the tail of a comet. It consists of a colloid, analogous to smoke, that incorporates an unknown transuranic element. That element has a great affinity for metal surfaces and it weakens their surface tension, thereby enabling rapidly moving parts to cold weld themselves into solid rigidity.In the town of Mayfield high-school senior Ken Maddox is among the people fascinated by a giant comet whose path is just grazing Earth’s orbit. For the next four months Earth will float within the comet’s tail and on the first night of that sojourn Ken’s car and others begin to have problems with overheating. The next day almost all of the cars in Mayfield and other cities across the country have overheated and then refused to start. Soon all machinery is seizing up, its moving parts cold welded to each other. Because the effect is happening all over the world, people begin blaming the comet.
As the disaster becomes progressively more serious, Ken and his friends in the high school’s science club prepare to study samples of the fused metal at the local college, where Ken’s father teaches chemistry, and to try to get a sample of what the comet is putting into Earth’s atmosphere. While they work, Mayfield is cut off from the outside world and the mayor and the sheriff impose rationing against the anticipated shortages.
After a short stint in a wood-cutting crew bringing in fuel for the coming winter, Ken is called to assist in the work at the college. Along with his friends and the other scientists, he helps with experiments aimed at identifying the cause of the cold-welding phenomenon. A spectroscopic look through a telescope, compared to spectrograms of the affected metals confirms that the comet is the source of the trouble. At the same time Ken and his friends make contact with several ham radio operators around the country, intending to share information.
Little by little, as civilization crumbles around them, the Mayfield science team learns about the comet dust and how to protect machinery from it. One by one, the radio contacts cease as violence sweeps over the metropolitan areas, but aided by a clue from Berkeley just before it was destroyed Ken’s father devises a compound that will decontaminate metal surfaces. A failed attack by marauders attempting to rob the town and a flu epidemic decimate the population, but Ken has an idea that using ultrasound will coagulate the comet dust so that it will fall out of the atmosphere. Egged on by a pair of fanatics, a mob burns the college, but not before the knowledge of the ultrasonic coagulators has been shared. With people in more and more areas building coagulators and decontaminating metal parts, people around the world begin the slow and painful process of rebuilding civilization. | [
[
"Anything that explains the phenomenon they are experiencing.",
"The cause of the cold welding phenomenon"
]
] | [
{
"content": "What are Ken and the scientists looking for in their studies?",
"role": "user"
}
] | 31,605 | [
" The menace in this story consists of dust from the tail of a comet. It consists of a colloid, analogous to smoke, that incorporates an unknown transuranic element. That element has a great affinity for metal surfaces and it weakens their surface tension, thereby enabling rapidly moving parts to cold weld themselv... | [
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The menace in this story consists of dust from the tail of a comet. It consists of a colloid, analogous to smoke, that incorporates an unknown transuranic element. That element has a great affinity for metal surfaces and it weakens their surface tension, thereby enabling rapidly moving parts to cold weld themselves into solid rigidity.In the town of Mayfield high-school senior Ken Maddox is among the people fascinated by a giant comet whose path is just grazing Earth’s orbit. For the next four months Earth will float within the comet’s tail and on the first night of that sojourn Ken’s car and others begin to have problems with overheating. The next day almost all of the cars in Mayfield and other cities across the country have overheated and then refused to start. Soon all machinery is seizing up, its moving parts cold welded to each other. Because the effect is happening all over the world, people begin blaming the comet.
As the disaster becomes progressively more serious, Ken and his friends in the high school’s science club prepare to study samples of the fused metal at the local college, where Ken’s father teaches chemistry, and to try to get a sample of what the comet is putting into Earth’s atmosphere. While they work, Mayfield is cut off from the outside world and the mayor and the sheriff impose rationing against the anticipated shortages.
After a short stint in a wood-cutting crew bringing in fuel for the coming winter, Ken is called to assist in the work at the college. Along with his friends and the other scientists, he helps with experiments aimed at identifying the cause of the cold-welding phenomenon. A spectroscopic look through a telescope, compared to spectrograms of the affected metals confirms that the comet is the source of the trouble. At the same time Ken and his friends make contact with several ham radio operators around the country, intending to share information.
Little by little, as civilization crumbles around them, the Mayfield science team learns about the comet dust and how to protect machinery from it. One by one, the radio contacts cease as violence sweeps over the metropolitan areas, but aided by a clue from Berkeley just before it was destroyed Ken’s father devises a compound that will decontaminate metal surfaces. A failed attack by marauders attempting to rob the town and a flu epidemic decimate the population, but Ken has an idea that using ultrasound will coagulate the comet dust so that it will fall out of the atmosphere. Egged on by a pair of fanatics, a mob burns the college, but not before the knowledge of the ultrasonic coagulators has been shared. With people in more and more areas building coagulators and decontaminating metal parts, people around the world begin the slow and painful process of rebuilding civilization. | [
[
"That the comet is indeed the cuplrit in the cold welding of all of the machinery.",
"The comet is the source of the trouble."
]
] | [
{
"content": "What does a spectroscopic look through a telescope reveal?",
"role": "user"
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] | 31,606 | [
" The menace in this story consists of dust from the tail of a comet. It consists of a colloid, analogous to smoke, that incorporates an unknown transuranic element. That element has a great affinity for metal surfaces and it weakens their surface tension, thereby enabling rapidly moving parts to cold weld themselv... | [
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The menace in this story consists of dust from the tail of a comet. It consists of a colloid, analogous to smoke, that incorporates an unknown transuranic element. That element has a great affinity for metal surfaces and it weakens their surface tension, thereby enabling rapidly moving parts to cold weld themselves into solid rigidity.In the town of Mayfield high-school senior Ken Maddox is among the people fascinated by a giant comet whose path is just grazing Earth’s orbit. For the next four months Earth will float within the comet’s tail and on the first night of that sojourn Ken’s car and others begin to have problems with overheating. The next day almost all of the cars in Mayfield and other cities across the country have overheated and then refused to start. Soon all machinery is seizing up, its moving parts cold welded to each other. Because the effect is happening all over the world, people begin blaming the comet.
As the disaster becomes progressively more serious, Ken and his friends in the high school’s science club prepare to study samples of the fused metal at the local college, where Ken’s father teaches chemistry, and to try to get a sample of what the comet is putting into Earth’s atmosphere. While they work, Mayfield is cut off from the outside world and the mayor and the sheriff impose rationing against the anticipated shortages.
After a short stint in a wood-cutting crew bringing in fuel for the coming winter, Ken is called to assist in the work at the college. Along with his friends and the other scientists, he helps with experiments aimed at identifying the cause of the cold-welding phenomenon. A spectroscopic look through a telescope, compared to spectrograms of the affected metals confirms that the comet is the source of the trouble. At the same time Ken and his friends make contact with several ham radio operators around the country, intending to share information.
Little by little, as civilization crumbles around them, the Mayfield science team learns about the comet dust and how to protect machinery from it. One by one, the radio contacts cease as violence sweeps over the metropolitan areas, but aided by a clue from Berkeley just before it was destroyed Ken’s father devises a compound that will decontaminate metal surfaces. A failed attack by marauders attempting to rob the town and a flu epidemic decimate the population, but Ken has an idea that using ultrasound will coagulate the comet dust so that it will fall out of the atmosphere. Egged on by a pair of fanatics, a mob burns the college, but not before the knowledge of the ultrasonic coagulators has been shared. With people in more and more areas building coagulators and decontaminating metal parts, people around the world begin the slow and painful process of rebuilding civilization. | [
[
"Ken's father devises a compound that will decontaminate metal surfaces.",
"Ken realizes he can use ultrasound to cause the comet dust to coagulate and fall out of the atmosphere."
]
] | [
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"content": "How does Ken and crew figure outto stop the spread of the comets tail from affecting machinery?",
"role": "user"
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" The menace in this story consists of dust from the tail of a comet. It consists of a colloid, analogous to smoke, that incorporates an unknown transuranic element. That element has a great affinity for metal surfaces and it weakens their surface tension, thereby enabling rapidly moving parts to cold weld themselv... | [
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The menace in this story consists of dust from the tail of a comet. It consists of a colloid, analogous to smoke, that incorporates an unknown transuranic element. That element has a great affinity for metal surfaces and it weakens their surface tension, thereby enabling rapidly moving parts to cold weld themselves into solid rigidity.In the town of Mayfield high-school senior Ken Maddox is among the people fascinated by a giant comet whose path is just grazing Earth’s orbit. For the next four months Earth will float within the comet’s tail and on the first night of that sojourn Ken’s car and others begin to have problems with overheating. The next day almost all of the cars in Mayfield and other cities across the country have overheated and then refused to start. Soon all machinery is seizing up, its moving parts cold welded to each other. Because the effect is happening all over the world, people begin blaming the comet.
As the disaster becomes progressively more serious, Ken and his friends in the high school’s science club prepare to study samples of the fused metal at the local college, where Ken’s father teaches chemistry, and to try to get a sample of what the comet is putting into Earth’s atmosphere. While they work, Mayfield is cut off from the outside world and the mayor and the sheriff impose rationing against the anticipated shortages.
After a short stint in a wood-cutting crew bringing in fuel for the coming winter, Ken is called to assist in the work at the college. Along with his friends and the other scientists, he helps with experiments aimed at identifying the cause of the cold-welding phenomenon. A spectroscopic look through a telescope, compared to spectrograms of the affected metals confirms that the comet is the source of the trouble. At the same time Ken and his friends make contact with several ham radio operators around the country, intending to share information.
Little by little, as civilization crumbles around them, the Mayfield science team learns about the comet dust and how to protect machinery from it. One by one, the radio contacts cease as violence sweeps over the metropolitan areas, but aided by a clue from Berkeley just before it was destroyed Ken’s father devises a compound that will decontaminate metal surfaces. A failed attack by marauders attempting to rob the town and a flu epidemic decimate the population, but Ken has an idea that using ultrasound will coagulate the comet dust so that it will fall out of the atmosphere. Egged on by a pair of fanatics, a mob burns the college, but not before the knowledge of the ultrasonic coagulators has been shared. With people in more and more areas building coagulators and decontaminating metal parts, people around the world begin the slow and painful process of rebuilding civilization. | [
[
"An attack by marauders and a bout of the flu.",
"cut off from rest of world"
]
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{
"content": "What decimates the population of Ken's town?",
"role": "user"
}
] | 31,608 | [
" The menace in this story consists of dust from the tail of a comet. It consists of a colloid, analogous to smoke, that incorporates an unknown transuranic element. That element has a great affinity for metal surfaces and it weakens their surface tension, thereby enabling rapidly moving parts to cold weld themselv... | [
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The menace in this story consists of dust from the tail of a comet. It consists of a colloid, analogous to smoke, that incorporates an unknown transuranic element. That element has a great affinity for metal surfaces and it weakens their surface tension, thereby enabling rapidly moving parts to cold weld themselves into solid rigidity.In the town of Mayfield high-school senior Ken Maddox is among the people fascinated by a giant comet whose path is just grazing Earth’s orbit. For the next four months Earth will float within the comet’s tail and on the first night of that sojourn Ken’s car and others begin to have problems with overheating. The next day almost all of the cars in Mayfield and other cities across the country have overheated and then refused to start. Soon all machinery is seizing up, its moving parts cold welded to each other. Because the effect is happening all over the world, people begin blaming the comet.
As the disaster becomes progressively more serious, Ken and his friends in the high school’s science club prepare to study samples of the fused metal at the local college, where Ken’s father teaches chemistry, and to try to get a sample of what the comet is putting into Earth’s atmosphere. While they work, Mayfield is cut off from the outside world and the mayor and the sheriff impose rationing against the anticipated shortages.
After a short stint in a wood-cutting crew bringing in fuel for the coming winter, Ken is called to assist in the work at the college. Along with his friends and the other scientists, he helps with experiments aimed at identifying the cause of the cold-welding phenomenon. A spectroscopic look through a telescope, compared to spectrograms of the affected metals confirms that the comet is the source of the trouble. At the same time Ken and his friends make contact with several ham radio operators around the country, intending to share information.
Little by little, as civilization crumbles around them, the Mayfield science team learns about the comet dust and how to protect machinery from it. One by one, the radio contacts cease as violence sweeps over the metropolitan areas, but aided by a clue from Berkeley just before it was destroyed Ken’s father devises a compound that will decontaminate metal surfaces. A failed attack by marauders attempting to rob the town and a flu epidemic decimate the population, but Ken has an idea that using ultrasound will coagulate the comet dust so that it will fall out of the atmosphere. Egged on by a pair of fanatics, a mob burns the college, but not before the knowledge of the ultrasonic coagulators has been shared. With people in more and more areas building coagulators and decontaminating metal parts, people around the world begin the slow and painful process of rebuilding civilization. | [
[
"Ken proposes sing an ultrasound to coagulate the comet dust to fall out of the atmosphere.",
"an ultrasound"
]
] | [
{
"content": "What is Ken's solution to the comet's tail dust to fall out of the atmosphere?",
"role": "user"
}
] | 31,609 | [
" The menace in this story consists of dust from the tail of a comet. It consists of a colloid, analogous to smoke, that incorporates an unknown transuranic element. That element has a great affinity for metal surfaces and it weakens their surface tension, thereby enabling rapidly moving parts to cold weld themselv... | [
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31583
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The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 "and a guinea" (so the previous owner can say that he haggled with the multi-millionaire businessman).
Strange things are happening in the hotel. First, Racksole notices the headwaiter, Jules, winking at his daughter's friend, Reginald Dimmock, while they consume their expensive steak. He dismisses the headwaiter. The next day Miss Spencer, the pretty, efficient hotel clerk who has been employed there for years, disappears. It appears that she just took her things and left, no one knows when or where. And Prince Eugen, a prince regnant of Posen, who was to come to the hotel and meet his youthful uncle Prince Aribert (he and the nephew are of the same age), never turns up. Then the body of Dimmock, who was an equerry to the princes, come ahead to prepare for their visit, is found. He was obviously poisoned. And soon after, Dimmock's body disappears.
The same evening the hotel is having a ball in the Gold Room, hosted by a Mr and Mrs Sampson Levi. There is a special secret window though which one can observe the room and the guests. Racksole looks out of it and sees among the guests the dismissed headwaiter, Jules. Racksole runs out to confront him and throw him out, but can't find him. He comes back to the secret window to find Jules, staring intensely into the ball room. Racksole orders him out of the hotel for the second time.
Prince Aribert, who met Nella in Paris while he was travelling incognito under the name of Count Steenbock, confides the whole story to her. He tells her that Prince Eugen never arrived, and no one knows where he is. He was last seen at Ostend. His Majesty the Emperor sent a telegram to Aribert, requesting the whereabouts of Eugen. Aribert, who does not know whether there might be a secret love affair, or an abduction, is facing a dilemma. At last he decides to go to Berlin and state the facts to the Emperor. Nella promises him help and support in London.
After the departure of Aribert, an old lady signs into the hotel under the name of 'Baroness Zerlinski'. Some chance remarks about hotel rooms convinced Nella, who was substituting for the hotel clerk, that it was, in fact Miss Spencer in disguise. When she finds out that Miss Spencer suddenly checks out and departs for Ostend, Nella too goes to Ostend, leaving a short message for her father as to her whereabouts.
In Ostend, Nella follows Miss Spencer into a house, and tries to find out what's going on, threatening the latter with a revolver. Miss Spencer says that she was under orders of Jules, the headwaiter, whose real name is Tom Jackson and who is, she claims, her husband. She says that Jackson/Jules quarrelled with Dimmock and that he had some "money business" with Prince Eugen. She admits that the Prince was a captive in that same house, and she looked after him. He was abducted to prevent him arriving to London, for it would have "upset the scheme". Then Miss Spencer fakes a faint, and Nella, who comes nearer to see if she can help her, is overpowered. Nella loses consciousness. | [
[
"To get Nella what she wants because her order of Steak and Beer was refused.",
"Nella's food order of steak and Bass beer is refused."
]
] | [
{
"content": "Why does Theodore Racksole purchase the Grand Babylon Hotel?",
"role": "user"
}
] | 31,610 | [
" The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 \"and a ... | [
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0.9999997615814209
] | [
31612,
31613,
31614,
31615,
31611
] | train |
The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 "and a guinea" (so the previous owner can say that he haggled with the multi-millionaire businessman).
Strange things are happening in the hotel. First, Racksole notices the headwaiter, Jules, winking at his daughter's friend, Reginald Dimmock, while they consume their expensive steak. He dismisses the headwaiter. The next day Miss Spencer, the pretty, efficient hotel clerk who has been employed there for years, disappears. It appears that she just took her things and left, no one knows when or where. And Prince Eugen, a prince regnant of Posen, who was to come to the hotel and meet his youthful uncle Prince Aribert (he and the nephew are of the same age), never turns up. Then the body of Dimmock, who was an equerry to the princes, come ahead to prepare for their visit, is found. He was obviously poisoned. And soon after, Dimmock's body disappears.
The same evening the hotel is having a ball in the Gold Room, hosted by a Mr and Mrs Sampson Levi. There is a special secret window though which one can observe the room and the guests. Racksole looks out of it and sees among the guests the dismissed headwaiter, Jules. Racksole runs out to confront him and throw him out, but can't find him. He comes back to the secret window to find Jules, staring intensely into the ball room. Racksole orders him out of the hotel for the second time.
Prince Aribert, who met Nella in Paris while he was travelling incognito under the name of Count Steenbock, confides the whole story to her. He tells her that Prince Eugen never arrived, and no one knows where he is. He was last seen at Ostend. His Majesty the Emperor sent a telegram to Aribert, requesting the whereabouts of Eugen. Aribert, who does not know whether there might be a secret love affair, or an abduction, is facing a dilemma. At last he decides to go to Berlin and state the facts to the Emperor. Nella promises him help and support in London.
After the departure of Aribert, an old lady signs into the hotel under the name of 'Baroness Zerlinski'. Some chance remarks about hotel rooms convinced Nella, who was substituting for the hotel clerk, that it was, in fact Miss Spencer in disguise. When she finds out that Miss Spencer suddenly checks out and departs for Ostend, Nella too goes to Ostend, leaving a short message for her father as to her whereabouts.
In Ostend, Nella follows Miss Spencer into a house, and tries to find out what's going on, threatening the latter with a revolver. Miss Spencer says that she was under orders of Jules, the headwaiter, whose real name is Tom Jackson and who is, she claims, her husband. She says that Jackson/Jules quarrelled with Dimmock and that he had some "money business" with Prince Eugen. She admits that the Prince was a captive in that same house, and she looked after him. He was abducted to prevent him arriving to London, for it would have "upset the scheme". Then Miss Spencer fakes a faint, and Nella, who comes nearer to see if she can help her, is overpowered. Nella loses consciousness. | [
[
"Racksole witnesses the head waiter, Jules, winking at Reginald Dimmick.",
"He winks at her. "
]
] | [
{
"content": "What does Racksole witness the head waiter, Jules, doing to Reginald Dimmick?",
"role": "user"
}
] | 31,611 | [
" The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 \"and a ... | [
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0.9999997615814209,
0.9999997615814209
] | [
31612,
31613,
31614,
31615,
31610
] | train |
The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 "and a guinea" (so the previous owner can say that he haggled with the multi-millionaire businessman).
Strange things are happening in the hotel. First, Racksole notices the headwaiter, Jules, winking at his daughter's friend, Reginald Dimmock, while they consume their expensive steak. He dismisses the headwaiter. The next day Miss Spencer, the pretty, efficient hotel clerk who has been employed there for years, disappears. It appears that she just took her things and left, no one knows when or where. And Prince Eugen, a prince regnant of Posen, who was to come to the hotel and meet his youthful uncle Prince Aribert (he and the nephew are of the same age), never turns up. Then the body of Dimmock, who was an equerry to the princes, come ahead to prepare for their visit, is found. He was obviously poisoned. And soon after, Dimmock's body disappears.
The same evening the hotel is having a ball in the Gold Room, hosted by a Mr and Mrs Sampson Levi. There is a special secret window though which one can observe the room and the guests. Racksole looks out of it and sees among the guests the dismissed headwaiter, Jules. Racksole runs out to confront him and throw him out, but can't find him. He comes back to the secret window to find Jules, staring intensely into the ball room. Racksole orders him out of the hotel for the second time.
Prince Aribert, who met Nella in Paris while he was travelling incognito under the name of Count Steenbock, confides the whole story to her. He tells her that Prince Eugen never arrived, and no one knows where he is. He was last seen at Ostend. His Majesty the Emperor sent a telegram to Aribert, requesting the whereabouts of Eugen. Aribert, who does not know whether there might be a secret love affair, or an abduction, is facing a dilemma. At last he decides to go to Berlin and state the facts to the Emperor. Nella promises him help and support in London.
After the departure of Aribert, an old lady signs into the hotel under the name of 'Baroness Zerlinski'. Some chance remarks about hotel rooms convinced Nella, who was substituting for the hotel clerk, that it was, in fact Miss Spencer in disguise. When she finds out that Miss Spencer suddenly checks out and departs for Ostend, Nella too goes to Ostend, leaving a short message for her father as to her whereabouts.
In Ostend, Nella follows Miss Spencer into a house, and tries to find out what's going on, threatening the latter with a revolver. Miss Spencer says that she was under orders of Jules, the headwaiter, whose real name is Tom Jackson and who is, she claims, her husband. She says that Jackson/Jules quarrelled with Dimmock and that he had some "money business" with Prince Eugen. She admits that the Prince was a captive in that same house, and she looked after him. He was abducted to prevent him arriving to London, for it would have "upset the scheme". Then Miss Spencer fakes a faint, and Nella, who comes nearer to see if she can help her, is overpowered. Nella loses consciousness. | [
[
"Racksole Dismisses Jules.",
"He orders Jules out of the hotel. "
]
] | [
{
"content": "What does Racksole do to Jules for as soon as he sees what happen between Jules and Dimmick?",
"role": "user"
}
] | 31,612 | [
" The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 \"and a ... | [
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0.9999997615814209,
0.9999997615814209,
0.9999997615814209
] | [
31613,
31614,
31615,
31611,
31610
] | train |
The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 "and a guinea" (so the previous owner can say that he haggled with the multi-millionaire businessman).
Strange things are happening in the hotel. First, Racksole notices the headwaiter, Jules, winking at his daughter's friend, Reginald Dimmock, while they consume their expensive steak. He dismisses the headwaiter. The next day Miss Spencer, the pretty, efficient hotel clerk who has been employed there for years, disappears. It appears that she just took her things and left, no one knows when or where. And Prince Eugen, a prince regnant of Posen, who was to come to the hotel and meet his youthful uncle Prince Aribert (he and the nephew are of the same age), never turns up. Then the body of Dimmock, who was an equerry to the princes, come ahead to prepare for their visit, is found. He was obviously poisoned. And soon after, Dimmock's body disappears.
The same evening the hotel is having a ball in the Gold Room, hosted by a Mr and Mrs Sampson Levi. There is a special secret window though which one can observe the room and the guests. Racksole looks out of it and sees among the guests the dismissed headwaiter, Jules. Racksole runs out to confront him and throw him out, but can't find him. He comes back to the secret window to find Jules, staring intensely into the ball room. Racksole orders him out of the hotel for the second time.
Prince Aribert, who met Nella in Paris while he was travelling incognito under the name of Count Steenbock, confides the whole story to her. He tells her that Prince Eugen never arrived, and no one knows where he is. He was last seen at Ostend. His Majesty the Emperor sent a telegram to Aribert, requesting the whereabouts of Eugen. Aribert, who does not know whether there might be a secret love affair, or an abduction, is facing a dilemma. At last he decides to go to Berlin and state the facts to the Emperor. Nella promises him help and support in London.
After the departure of Aribert, an old lady signs into the hotel under the name of 'Baroness Zerlinski'. Some chance remarks about hotel rooms convinced Nella, who was substituting for the hotel clerk, that it was, in fact Miss Spencer in disguise. When she finds out that Miss Spencer suddenly checks out and departs for Ostend, Nella too goes to Ostend, leaving a short message for her father as to her whereabouts.
In Ostend, Nella follows Miss Spencer into a house, and tries to find out what's going on, threatening the latter with a revolver. Miss Spencer says that she was under orders of Jules, the headwaiter, whose real name is Tom Jackson and who is, she claims, her husband. She says that Jackson/Jules quarrelled with Dimmock and that he had some "money business" with Prince Eugen. She admits that the Prince was a captive in that same house, and she looked after him. He was abducted to prevent him arriving to London, for it would have "upset the scheme". Then Miss Spencer fakes a faint, and Nella, who comes nearer to see if she can help her, is overpowered. Nella loses consciousness. | [
[
"Miss Spencer Disappears.",
"She took her things and left."
]
] | [
{
"content": "What happens to Miss Spencer right after Jules is dismissed?",
"role": "user"
}
] | 31,613 | [
" The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 \"and a ... | [
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0.9999997615814209,
0.9999997615814209,
0.9999997615814209,
0.9999997615814209
] | [
31612,
31614,
31615,
31611,
31610
] | train |
The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 "and a guinea" (so the previous owner can say that he haggled with the multi-millionaire businessman).
Strange things are happening in the hotel. First, Racksole notices the headwaiter, Jules, winking at his daughter's friend, Reginald Dimmock, while they consume their expensive steak. He dismisses the headwaiter. The next day Miss Spencer, the pretty, efficient hotel clerk who has been employed there for years, disappears. It appears that she just took her things and left, no one knows when or where. And Prince Eugen, a prince regnant of Posen, who was to come to the hotel and meet his youthful uncle Prince Aribert (he and the nephew are of the same age), never turns up. Then the body of Dimmock, who was an equerry to the princes, come ahead to prepare for their visit, is found. He was obviously poisoned. And soon after, Dimmock's body disappears.
The same evening the hotel is having a ball in the Gold Room, hosted by a Mr and Mrs Sampson Levi. There is a special secret window though which one can observe the room and the guests. Racksole looks out of it and sees among the guests the dismissed headwaiter, Jules. Racksole runs out to confront him and throw him out, but can't find him. He comes back to the secret window to find Jules, staring intensely into the ball room. Racksole orders him out of the hotel for the second time.
Prince Aribert, who met Nella in Paris while he was travelling incognito under the name of Count Steenbock, confides the whole story to her. He tells her that Prince Eugen never arrived, and no one knows where he is. He was last seen at Ostend. His Majesty the Emperor sent a telegram to Aribert, requesting the whereabouts of Eugen. Aribert, who does not know whether there might be a secret love affair, or an abduction, is facing a dilemma. At last he decides to go to Berlin and state the facts to the Emperor. Nella promises him help and support in London.
After the departure of Aribert, an old lady signs into the hotel under the name of 'Baroness Zerlinski'. Some chance remarks about hotel rooms convinced Nella, who was substituting for the hotel clerk, that it was, in fact Miss Spencer in disguise. When she finds out that Miss Spencer suddenly checks out and departs for Ostend, Nella too goes to Ostend, leaving a short message for her father as to her whereabouts.
In Ostend, Nella follows Miss Spencer into a house, and tries to find out what's going on, threatening the latter with a revolver. Miss Spencer says that she was under orders of Jules, the headwaiter, whose real name is Tom Jackson and who is, she claims, her husband. She says that Jackson/Jules quarrelled with Dimmock and that he had some "money business" with Prince Eugen. She admits that the Prince was a captive in that same house, and she looked after him. He was abducted to prevent him arriving to London, for it would have "upset the scheme". Then Miss Spencer fakes a faint, and Nella, who comes nearer to see if she can help her, is overpowered. Nella loses consciousness. | [
[
"Prince Eugen is missing.",
"he has been abducted"
]
] | [
{
"content": "What is wrong with Prince Eugen?",
"role": "user"
}
] | 31,614 | [
" The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 \"and a ... | [
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0.9999997615814209,
0.9999997615814209,
0.9999997615814209,
0.9999997615814209
] | [
31612,
31613,
31615,
31611,
31610
] | train |
The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 "and a guinea" (so the previous owner can say that he haggled with the multi-millionaire businessman).
Strange things are happening in the hotel. First, Racksole notices the headwaiter, Jules, winking at his daughter's friend, Reginald Dimmock, while they consume their expensive steak. He dismisses the headwaiter. The next day Miss Spencer, the pretty, efficient hotel clerk who has been employed there for years, disappears. It appears that she just took her things and left, no one knows when or where. And Prince Eugen, a prince regnant of Posen, who was to come to the hotel and meet his youthful uncle Prince Aribert (he and the nephew are of the same age), never turns up. Then the body of Dimmock, who was an equerry to the princes, come ahead to prepare for their visit, is found. He was obviously poisoned. And soon after, Dimmock's body disappears.
The same evening the hotel is having a ball in the Gold Room, hosted by a Mr and Mrs Sampson Levi. There is a special secret window though which one can observe the room and the guests. Racksole looks out of it and sees among the guests the dismissed headwaiter, Jules. Racksole runs out to confront him and throw him out, but can't find him. He comes back to the secret window to find Jules, staring intensely into the ball room. Racksole orders him out of the hotel for the second time.
Prince Aribert, who met Nella in Paris while he was travelling incognito under the name of Count Steenbock, confides the whole story to her. He tells her that Prince Eugen never arrived, and no one knows where he is. He was last seen at Ostend. His Majesty the Emperor sent a telegram to Aribert, requesting the whereabouts of Eugen. Aribert, who does not know whether there might be a secret love affair, or an abduction, is facing a dilemma. At last he decides to go to Berlin and state the facts to the Emperor. Nella promises him help and support in London.
After the departure of Aribert, an old lady signs into the hotel under the name of 'Baroness Zerlinski'. Some chance remarks about hotel rooms convinced Nella, who was substituting for the hotel clerk, that it was, in fact Miss Spencer in disguise. When she finds out that Miss Spencer suddenly checks out and departs for Ostend, Nella too goes to Ostend, leaving a short message for her father as to her whereabouts.
In Ostend, Nella follows Miss Spencer into a house, and tries to find out what's going on, threatening the latter with a revolver. Miss Spencer says that she was under orders of Jules, the headwaiter, whose real name is Tom Jackson and who is, she claims, her husband. She says that Jackson/Jules quarrelled with Dimmock and that he had some "money business" with Prince Eugen. She admits that the Prince was a captive in that same house, and she looked after him. He was abducted to prevent him arriving to London, for it would have "upset the scheme". Then Miss Spencer fakes a faint, and Nella, who comes nearer to see if she can help her, is overpowered. Nella loses consciousness. | [
[
"Dimmick's Body turns up and he appears to have been poisened.",
"his body is found"
]
] | [
{
"content": "What happens to Dimmick, after it is established that Prince Eugen never arrived to the Great Babylon Hotel?",
"role": "user"
}
] | 31,615 | [
" The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 \"and a ... | [
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0.9999997615814209,
0.9999997615814209,
0.9999997615814209,
0.9999997615814209,
0.9999997615814209
] | [
31612,
31613,
31614,
31611,
31610
] | train |
The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 "and a guinea" (so the previous owner can say that he haggled with the multi-millionaire businessman).
Strange things are happening in the hotel. First, Racksole notices the headwaiter, Jules, winking at his daughter's friend, Reginald Dimmock, while they consume their expensive steak. He dismisses the headwaiter. The next day Miss Spencer, the pretty, efficient hotel clerk who has been employed there for years, disappears. It appears that she just took her things and left, no one knows when or where. And Prince Eugen, a prince regnant of Posen, who was to come to the hotel and meet his youthful uncle Prince Aribert (he and the nephew are of the same age), never turns up. Then the body of Dimmock, who was an equerry to the princes, come ahead to prepare for their visit, is found. He was obviously poisoned. And soon after, Dimmock's body disappears.
The same evening the hotel is having a ball in the Gold Room, hosted by a Mr and Mrs Sampson Levi. There is a special secret window though which one can observe the room and the guests. Racksole looks out of it and sees among the guests the dismissed headwaiter, Jules. Racksole runs out to confront him and throw him out, but can't find him. He comes back to the secret window to find Jules, staring intensely into the ball room. Racksole orders him out of the hotel for the second time.
Prince Aribert, who met Nella in Paris while he was travelling incognito under the name of Count Steenbock, confides the whole story to her. He tells her that Prince Eugen never arrived, and no one knows where he is. He was last seen at Ostend. His Majesty the Emperor sent a telegram to Aribert, requesting the whereabouts of Eugen. Aribert, who does not know whether there might be a secret love affair, or an abduction, is facing a dilemma. At last he decides to go to Berlin and state the facts to the Emperor. Nella promises him help and support in London.
After the departure of Aribert, an old lady signs into the hotel under the name of 'Baroness Zerlinski'. Some chance remarks about hotel rooms convinced Nella, who was substituting for the hotel clerk, that it was, in fact Miss Spencer in disguise. When she finds out that Miss Spencer suddenly checks out and departs for Ostend, Nella too goes to Ostend, leaving a short message for her father as to her whereabouts.
In Ostend, Nella follows Miss Spencer into a house, and tries to find out what's going on, threatening the latter with a revolver. Miss Spencer says that she was under orders of Jules, the headwaiter, whose real name is Tom Jackson and who is, she claims, her husband. She says that Jackson/Jules quarrelled with Dimmock and that he had some "money business" with Prince Eugen. She admits that the Prince was a captive in that same house, and she looked after him. He was abducted to prevent him arriving to London, for it would have "upset the scheme". Then Miss Spencer fakes a faint, and Nella, who comes nearer to see if she can help her, is overpowered. Nella loses consciousness. | [
[
"A secret window.",
"The secret window. "
]
] | [
{
"content": "What secret object can be used to monitor the guests in the ballroom?",
"role": "user"
}
] | 31,616 | [
" The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 \"and a ... | [
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0.9999997615814209,
0.9999997615814209,
0.9999997615814209,
0.9999997615814209,
0.9999997615814209
] | [
31612,
31613,
31614,
31615,
31611,
31610
] | train |
The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 "and a guinea" (so the previous owner can say that he haggled with the multi-millionaire businessman).
Strange things are happening in the hotel. First, Racksole notices the headwaiter, Jules, winking at his daughter's friend, Reginald Dimmock, while they consume their expensive steak. He dismisses the headwaiter. The next day Miss Spencer, the pretty, efficient hotel clerk who has been employed there for years, disappears. It appears that she just took her things and left, no one knows when or where. And Prince Eugen, a prince regnant of Posen, who was to come to the hotel and meet his youthful uncle Prince Aribert (he and the nephew are of the same age), never turns up. Then the body of Dimmock, who was an equerry to the princes, come ahead to prepare for their visit, is found. He was obviously poisoned. And soon after, Dimmock's body disappears.
The same evening the hotel is having a ball in the Gold Room, hosted by a Mr and Mrs Sampson Levi. There is a special secret window though which one can observe the room and the guests. Racksole looks out of it and sees among the guests the dismissed headwaiter, Jules. Racksole runs out to confront him and throw him out, but can't find him. He comes back to the secret window to find Jules, staring intensely into the ball room. Racksole orders him out of the hotel for the second time.
Prince Aribert, who met Nella in Paris while he was travelling incognito under the name of Count Steenbock, confides the whole story to her. He tells her that Prince Eugen never arrived, and no one knows where he is. He was last seen at Ostend. His Majesty the Emperor sent a telegram to Aribert, requesting the whereabouts of Eugen. Aribert, who does not know whether there might be a secret love affair, or an abduction, is facing a dilemma. At last he decides to go to Berlin and state the facts to the Emperor. Nella promises him help and support in London.
After the departure of Aribert, an old lady signs into the hotel under the name of 'Baroness Zerlinski'. Some chance remarks about hotel rooms convinced Nella, who was substituting for the hotel clerk, that it was, in fact Miss Spencer in disguise. When she finds out that Miss Spencer suddenly checks out and departs for Ostend, Nella too goes to Ostend, leaving a short message for her father as to her whereabouts.
In Ostend, Nella follows Miss Spencer into a house, and tries to find out what's going on, threatening the latter with a revolver. Miss Spencer says that she was under orders of Jules, the headwaiter, whose real name is Tom Jackson and who is, she claims, her husband. She says that Jackson/Jules quarrelled with Dimmock and that he had some "money business" with Prince Eugen. She admits that the Prince was a captive in that same house, and she looked after him. He was abducted to prevent him arriving to London, for it would have "upset the scheme". Then Miss Spencer fakes a faint, and Nella, who comes nearer to see if she can help her, is overpowered. Nella loses consciousness. | [
[
"Jules the waiter.",
"Jules"
]
] | [
{
"content": "Who does Racksole catch looking through the window?",
"role": "user"
}
] | 31,617 | [
" The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 \"and a ... | [
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0.9999997615814209,
0.9999997615814209
] | [
31612,
31613,
31614,
31615,
31611,
31610
] | train |
The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 "and a guinea" (so the previous owner can say that he haggled with the multi-millionaire businessman).
Strange things are happening in the hotel. First, Racksole notices the headwaiter, Jules, winking at his daughter's friend, Reginald Dimmock, while they consume their expensive steak. He dismisses the headwaiter. The next day Miss Spencer, the pretty, efficient hotel clerk who has been employed there for years, disappears. It appears that she just took her things and left, no one knows when or where. And Prince Eugen, a prince regnant of Posen, who was to come to the hotel and meet his youthful uncle Prince Aribert (he and the nephew are of the same age), never turns up. Then the body of Dimmock, who was an equerry to the princes, come ahead to prepare for their visit, is found. He was obviously poisoned. And soon after, Dimmock's body disappears.
The same evening the hotel is having a ball in the Gold Room, hosted by a Mr and Mrs Sampson Levi. There is a special secret window though which one can observe the room and the guests. Racksole looks out of it and sees among the guests the dismissed headwaiter, Jules. Racksole runs out to confront him and throw him out, but can't find him. He comes back to the secret window to find Jules, staring intensely into the ball room. Racksole orders him out of the hotel for the second time.
Prince Aribert, who met Nella in Paris while he was travelling incognito under the name of Count Steenbock, confides the whole story to her. He tells her that Prince Eugen never arrived, and no one knows where he is. He was last seen at Ostend. His Majesty the Emperor sent a telegram to Aribert, requesting the whereabouts of Eugen. Aribert, who does not know whether there might be a secret love affair, or an abduction, is facing a dilemma. At last he decides to go to Berlin and state the facts to the Emperor. Nella promises him help and support in London.
After the departure of Aribert, an old lady signs into the hotel under the name of 'Baroness Zerlinski'. Some chance remarks about hotel rooms convinced Nella, who was substituting for the hotel clerk, that it was, in fact Miss Spencer in disguise. When she finds out that Miss Spencer suddenly checks out and departs for Ostend, Nella too goes to Ostend, leaving a short message for her father as to her whereabouts.
In Ostend, Nella follows Miss Spencer into a house, and tries to find out what's going on, threatening the latter with a revolver. Miss Spencer says that she was under orders of Jules, the headwaiter, whose real name is Tom Jackson and who is, she claims, her husband. She says that Jackson/Jules quarrelled with Dimmock and that he had some "money business" with Prince Eugen. She admits that the Prince was a captive in that same house, and she looked after him. He was abducted to prevent him arriving to London, for it would have "upset the scheme". Then Miss Spencer fakes a faint, and Nella, who comes nearer to see if she can help her, is overpowered. Nella loses consciousness. | [
[
"Miss Spencer tries to check into the hotel under a false name, while Nella has been told the hold story by Prince Aribert.",
"Miss Spencer checked into the hotel in disguise then suddenly checked out."
]
] | [
{
"content": "What happens to make Nella follow Miss Spencer?",
"role": "user"
}
] | 31,618 | [
" The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 \"and a ... | [
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0.9999997615814209,
0.9999997615814209
] | [
31612,
31613,
31614,
31615,
31611,
31610
] | train |
The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 "and a guinea" (so the previous owner can say that he haggled with the multi-millionaire businessman).
Strange things are happening in the hotel. First, Racksole notices the headwaiter, Jules, winking at his daughter's friend, Reginald Dimmock, while they consume their expensive steak. He dismisses the headwaiter. The next day Miss Spencer, the pretty, efficient hotel clerk who has been employed there for years, disappears. It appears that she just took her things and left, no one knows when or where. And Prince Eugen, a prince regnant of Posen, who was to come to the hotel and meet his youthful uncle Prince Aribert (he and the nephew are of the same age), never turns up. Then the body of Dimmock, who was an equerry to the princes, come ahead to prepare for their visit, is found. He was obviously poisoned. And soon after, Dimmock's body disappears.
The same evening the hotel is having a ball in the Gold Room, hosted by a Mr and Mrs Sampson Levi. There is a special secret window though which one can observe the room and the guests. Racksole looks out of it and sees among the guests the dismissed headwaiter, Jules. Racksole runs out to confront him and throw him out, but can't find him. He comes back to the secret window to find Jules, staring intensely into the ball room. Racksole orders him out of the hotel for the second time.
Prince Aribert, who met Nella in Paris while he was travelling incognito under the name of Count Steenbock, confides the whole story to her. He tells her that Prince Eugen never arrived, and no one knows where he is. He was last seen at Ostend. His Majesty the Emperor sent a telegram to Aribert, requesting the whereabouts of Eugen. Aribert, who does not know whether there might be a secret love affair, or an abduction, is facing a dilemma. At last he decides to go to Berlin and state the facts to the Emperor. Nella promises him help and support in London.
After the departure of Aribert, an old lady signs into the hotel under the name of 'Baroness Zerlinski'. Some chance remarks about hotel rooms convinced Nella, who was substituting for the hotel clerk, that it was, in fact Miss Spencer in disguise. When she finds out that Miss Spencer suddenly checks out and departs for Ostend, Nella too goes to Ostend, leaving a short message for her father as to her whereabouts.
In Ostend, Nella follows Miss Spencer into a house, and tries to find out what's going on, threatening the latter with a revolver. Miss Spencer says that she was under orders of Jules, the headwaiter, whose real name is Tom Jackson and who is, she claims, her husband. She says that Jackson/Jules quarrelled with Dimmock and that he had some "money business" with Prince Eugen. She admits that the Prince was a captive in that same house, and she looked after him. He was abducted to prevent him arriving to London, for it would have "upset the scheme". Then Miss Spencer fakes a faint, and Nella, who comes nearer to see if she can help her, is overpowered. Nella loses consciousness. | [
[
"Nella learns the truth about Jules, and Miss Spencer, she is also overpowered by Miss Spencer.",
"She is overpowered and loses consciousness."
]
] | [
{
"content": "What happens to Nella as a result of following Miss Spencer to the house in Ostend?",
"role": "user"
}
] | 31,619 | [
" The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 \"and a ... | [
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0.9999997615814209,
0.9999997615814209
] | [
31612,
31613,
31614,
31615,
31611,
31610
] | train |
The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 "and a guinea" (so the previous owner can say that he haggled with the multi-millionaire businessman).
Strange things are happening in the hotel. First, Racksole notices the headwaiter, Jules, winking at his daughter's friend, Reginald Dimmock, while they consume their expensive steak. He dismisses the headwaiter. The next day Miss Spencer, the pretty, efficient hotel clerk who has been employed there for years, disappears. It appears that she just took her things and left, no one knows when or where. And Prince Eugen, a prince regnant of Posen, who was to come to the hotel and meet his youthful uncle Prince Aribert (he and the nephew are of the same age), never turns up. Then the body of Dimmock, who was an equerry to the princes, come ahead to prepare for their visit, is found. He was obviously poisoned. And soon after, Dimmock's body disappears.
The same evening the hotel is having a ball in the Gold Room, hosted by a Mr and Mrs Sampson Levi. There is a special secret window though which one can observe the room and the guests. Racksole looks out of it and sees among the guests the dismissed headwaiter, Jules. Racksole runs out to confront him and throw him out, but can't find him. He comes back to the secret window to find Jules, staring intensely into the ball room. Racksole orders him out of the hotel for the second time.
Prince Aribert, who met Nella in Paris while he was travelling incognito under the name of Count Steenbock, confides the whole story to her. He tells her that Prince Eugen never arrived, and no one knows where he is. He was last seen at Ostend. His Majesty the Emperor sent a telegram to Aribert, requesting the whereabouts of Eugen. Aribert, who does not know whether there might be a secret love affair, or an abduction, is facing a dilemma. At last he decides to go to Berlin and state the facts to the Emperor. Nella promises him help and support in London.
After the departure of Aribert, an old lady signs into the hotel under the name of 'Baroness Zerlinski'. Some chance remarks about hotel rooms convinced Nella, who was substituting for the hotel clerk, that it was, in fact Miss Spencer in disguise. When she finds out that Miss Spencer suddenly checks out and departs for Ostend, Nella too goes to Ostend, leaving a short message for her father as to her whereabouts.
In Ostend, Nella follows Miss Spencer into a house, and tries to find out what's going on, threatening the latter with a revolver. Miss Spencer says that she was under orders of Jules, the headwaiter, whose real name is Tom Jackson and who is, she claims, her husband. She says that Jackson/Jules quarrelled with Dimmock and that he had some "money business" with Prince Eugen. She admits that the Prince was a captive in that same house, and she looked after him. He was abducted to prevent him arriving to London, for it would have "upset the scheme". Then Miss Spencer fakes a faint, and Nella, who comes nearer to see if she can help her, is overpowered. Nella loses consciousness. | [
[
"400,000 pounds and a guinea",
"E400,000"
]
] | [
{
"content": "How much does Racksole spend to buy the hotel? ",
"role": "user"
}
] | 31,620 | [
" The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 \"and a ... | [
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0.9999997615814209,
0.9999997615814209,
0.9999997615814209
] | [
31612,
31613,
31614,
31615,
31611,
31610
] | train |
The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 "and a guinea" (so the previous owner can say that he haggled with the multi-millionaire businessman).
Strange things are happening in the hotel. First, Racksole notices the headwaiter, Jules, winking at his daughter's friend, Reginald Dimmock, while they consume their expensive steak. He dismisses the headwaiter. The next day Miss Spencer, the pretty, efficient hotel clerk who has been employed there for years, disappears. It appears that she just took her things and left, no one knows when or where. And Prince Eugen, a prince regnant of Posen, who was to come to the hotel and meet his youthful uncle Prince Aribert (he and the nephew are of the same age), never turns up. Then the body of Dimmock, who was an equerry to the princes, come ahead to prepare for their visit, is found. He was obviously poisoned. And soon after, Dimmock's body disappears.
The same evening the hotel is having a ball in the Gold Room, hosted by a Mr and Mrs Sampson Levi. There is a special secret window though which one can observe the room and the guests. Racksole looks out of it and sees among the guests the dismissed headwaiter, Jules. Racksole runs out to confront him and throw him out, but can't find him. He comes back to the secret window to find Jules, staring intensely into the ball room. Racksole orders him out of the hotel for the second time.
Prince Aribert, who met Nella in Paris while he was travelling incognito under the name of Count Steenbock, confides the whole story to her. He tells her that Prince Eugen never arrived, and no one knows where he is. He was last seen at Ostend. His Majesty the Emperor sent a telegram to Aribert, requesting the whereabouts of Eugen. Aribert, who does not know whether there might be a secret love affair, or an abduction, is facing a dilemma. At last he decides to go to Berlin and state the facts to the Emperor. Nella promises him help and support in London.
After the departure of Aribert, an old lady signs into the hotel under the name of 'Baroness Zerlinski'. Some chance remarks about hotel rooms convinced Nella, who was substituting for the hotel clerk, that it was, in fact Miss Spencer in disguise. When she finds out that Miss Spencer suddenly checks out and departs for Ostend, Nella too goes to Ostend, leaving a short message for her father as to her whereabouts.
In Ostend, Nella follows Miss Spencer into a house, and tries to find out what's going on, threatening the latter with a revolver. Miss Spencer says that she was under orders of Jules, the headwaiter, whose real name is Tom Jackson and who is, she claims, her husband. She says that Jackson/Jules quarrelled with Dimmock and that he had some "money business" with Prince Eugen. She admits that the Prince was a captive in that same house, and she looked after him. He was abducted to prevent him arriving to London, for it would have "upset the scheme". Then Miss Spencer fakes a faint, and Nella, who comes nearer to see if she can help her, is overpowered. Nella loses consciousness. | [
[
"Prince Aribert",
"Prince Aribert"
]
] | [
{
"content": "Who travelled under the fake name of Count Steenbock?",
"role": "user"
}
] | 31,621 | [
" The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 \"and a ... | [
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0.9999997615814209,
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0.9999997615814209,
0.9999997615814209,
0.9999997615814209
] | [
31612,
31613,
31614,
31615,
31611,
31610
] | train |
The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 "and a guinea" (so the previous owner can say that he haggled with the multi-millionaire businessman).
Strange things are happening in the hotel. First, Racksole notices the headwaiter, Jules, winking at his daughter's friend, Reginald Dimmock, while they consume their expensive steak. He dismisses the headwaiter. The next day Miss Spencer, the pretty, efficient hotel clerk who has been employed there for years, disappears. It appears that she just took her things and left, no one knows when or where. And Prince Eugen, a prince regnant of Posen, who was to come to the hotel and meet his youthful uncle Prince Aribert (he and the nephew are of the same age), never turns up. Then the body of Dimmock, who was an equerry to the princes, come ahead to prepare for their visit, is found. He was obviously poisoned. And soon after, Dimmock's body disappears.
The same evening the hotel is having a ball in the Gold Room, hosted by a Mr and Mrs Sampson Levi. There is a special secret window though which one can observe the room and the guests. Racksole looks out of it and sees among the guests the dismissed headwaiter, Jules. Racksole runs out to confront him and throw him out, but can't find him. He comes back to the secret window to find Jules, staring intensely into the ball room. Racksole orders him out of the hotel for the second time.
Prince Aribert, who met Nella in Paris while he was travelling incognito under the name of Count Steenbock, confides the whole story to her. He tells her that Prince Eugen never arrived, and no one knows where he is. He was last seen at Ostend. His Majesty the Emperor sent a telegram to Aribert, requesting the whereabouts of Eugen. Aribert, who does not know whether there might be a secret love affair, or an abduction, is facing a dilemma. At last he decides to go to Berlin and state the facts to the Emperor. Nella promises him help and support in London.
After the departure of Aribert, an old lady signs into the hotel under the name of 'Baroness Zerlinski'. Some chance remarks about hotel rooms convinced Nella, who was substituting for the hotel clerk, that it was, in fact Miss Spencer in disguise. When she finds out that Miss Spencer suddenly checks out and departs for Ostend, Nella too goes to Ostend, leaving a short message for her father as to her whereabouts.
In Ostend, Nella follows Miss Spencer into a house, and tries to find out what's going on, threatening the latter with a revolver. Miss Spencer says that she was under orders of Jules, the headwaiter, whose real name is Tom Jackson and who is, she claims, her husband. She says that Jackson/Jules quarrelled with Dimmock and that he had some "money business" with Prince Eugen. She admits that the Prince was a captive in that same house, and she looked after him. He was abducted to prevent him arriving to London, for it would have "upset the scheme". Then Miss Spencer fakes a faint, and Nella, who comes nearer to see if she can help her, is overpowered. Nella loses consciousness. | [
[
"His daughter was unable to get her order at the restaurant.",
"his daughter's order is refused"
]
] | [
{
"content": "What incident causes Racksole to buy the hotel?",
"role": "user"
}
] | 31,622 | [
" The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 \"and a ... | [
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0.9999997615814209,
0.9999997615814209,
0.9999997615814209
] | [
31612,
31613,
31614,
31615,
31611,
31610
] | train |
The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 "and a guinea" (so the previous owner can say that he haggled with the multi-millionaire businessman).
Strange things are happening in the hotel. First, Racksole notices the headwaiter, Jules, winking at his daughter's friend, Reginald Dimmock, while they consume their expensive steak. He dismisses the headwaiter. The next day Miss Spencer, the pretty, efficient hotel clerk who has been employed there for years, disappears. It appears that she just took her things and left, no one knows when or where. And Prince Eugen, a prince regnant of Posen, who was to come to the hotel and meet his youthful uncle Prince Aribert (he and the nephew are of the same age), never turns up. Then the body of Dimmock, who was an equerry to the princes, come ahead to prepare for their visit, is found. He was obviously poisoned. And soon after, Dimmock's body disappears.
The same evening the hotel is having a ball in the Gold Room, hosted by a Mr and Mrs Sampson Levi. There is a special secret window though which one can observe the room and the guests. Racksole looks out of it and sees among the guests the dismissed headwaiter, Jules. Racksole runs out to confront him and throw him out, but can't find him. He comes back to the secret window to find Jules, staring intensely into the ball room. Racksole orders him out of the hotel for the second time.
Prince Aribert, who met Nella in Paris while he was travelling incognito under the name of Count Steenbock, confides the whole story to her. He tells her that Prince Eugen never arrived, and no one knows where he is. He was last seen at Ostend. His Majesty the Emperor sent a telegram to Aribert, requesting the whereabouts of Eugen. Aribert, who does not know whether there might be a secret love affair, or an abduction, is facing a dilemma. At last he decides to go to Berlin and state the facts to the Emperor. Nella promises him help and support in London.
After the departure of Aribert, an old lady signs into the hotel under the name of 'Baroness Zerlinski'. Some chance remarks about hotel rooms convinced Nella, who was substituting for the hotel clerk, that it was, in fact Miss Spencer in disguise. When she finds out that Miss Spencer suddenly checks out and departs for Ostend, Nella too goes to Ostend, leaving a short message for her father as to her whereabouts.
In Ostend, Nella follows Miss Spencer into a house, and tries to find out what's going on, threatening the latter with a revolver. Miss Spencer says that she was under orders of Jules, the headwaiter, whose real name is Tom Jackson and who is, she claims, her husband. She says that Jackson/Jules quarrelled with Dimmock and that he had some "money business" with Prince Eugen. She admits that the Prince was a captive in that same house, and she looked after him. He was abducted to prevent him arriving to London, for it would have "upset the scheme". Then Miss Spencer fakes a faint, and Nella, who comes nearer to see if she can help her, is overpowered. Nella loses consciousness. | [
[
"Jules",
"Jules"
]
] | [
{
"content": "What was the false name of the headwaiter who was fired? ",
"role": "user"
}
] | 31,623 | [
" The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 \"and a ... | [
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0.9999997615814209,
0.9999997615814209,
0.9999997615814209,
0.9999997615814209,
0.9999997615814209
] | [
31612,
31613,
31614,
31615,
31611,
31610
] | train |
The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 "and a guinea" (so the previous owner can say that he haggled with the multi-millionaire businessman).
Strange things are happening in the hotel. First, Racksole notices the headwaiter, Jules, winking at his daughter's friend, Reginald Dimmock, while they consume their expensive steak. He dismisses the headwaiter. The next day Miss Spencer, the pretty, efficient hotel clerk who has been employed there for years, disappears. It appears that she just took her things and left, no one knows when or where. And Prince Eugen, a prince regnant of Posen, who was to come to the hotel and meet his youthful uncle Prince Aribert (he and the nephew are of the same age), never turns up. Then the body of Dimmock, who was an equerry to the princes, come ahead to prepare for their visit, is found. He was obviously poisoned. And soon after, Dimmock's body disappears.
The same evening the hotel is having a ball in the Gold Room, hosted by a Mr and Mrs Sampson Levi. There is a special secret window though which one can observe the room and the guests. Racksole looks out of it and sees among the guests the dismissed headwaiter, Jules. Racksole runs out to confront him and throw him out, but can't find him. He comes back to the secret window to find Jules, staring intensely into the ball room. Racksole orders him out of the hotel for the second time.
Prince Aribert, who met Nella in Paris while he was travelling incognito under the name of Count Steenbock, confides the whole story to her. He tells her that Prince Eugen never arrived, and no one knows where he is. He was last seen at Ostend. His Majesty the Emperor sent a telegram to Aribert, requesting the whereabouts of Eugen. Aribert, who does not know whether there might be a secret love affair, or an abduction, is facing a dilemma. At last he decides to go to Berlin and state the facts to the Emperor. Nella promises him help and support in London.
After the departure of Aribert, an old lady signs into the hotel under the name of 'Baroness Zerlinski'. Some chance remarks about hotel rooms convinced Nella, who was substituting for the hotel clerk, that it was, in fact Miss Spencer in disguise. When she finds out that Miss Spencer suddenly checks out and departs for Ostend, Nella too goes to Ostend, leaving a short message for her father as to her whereabouts.
In Ostend, Nella follows Miss Spencer into a house, and tries to find out what's going on, threatening the latter with a revolver. Miss Spencer says that she was under orders of Jules, the headwaiter, whose real name is Tom Jackson and who is, she claims, her husband. She says that Jackson/Jules quarrelled with Dimmock and that he had some "money business" with Prince Eugen. She admits that the Prince was a captive in that same house, and she looked after him. He was abducted to prevent him arriving to London, for it would have "upset the scheme". Then Miss Spencer fakes a faint, and Nella, who comes nearer to see if she can help her, is overpowered. Nella loses consciousness. | [
[
"Nella",
"Nella"
]
] | [
{
"content": "Who promises to support Aribert?",
"role": "user"
}
] | 31,624 | [
" The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 \"and a ... | [
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0.9999997615814209,
0.9999997615814209,
0.9999997615814209,
0.9999997615814209,
0.9999997615814209
] | [
31612,
31613,
31614,
31615,
31611,
31610
] | train |
The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 "and a guinea" (so the previous owner can say that he haggled with the multi-millionaire businessman).
Strange things are happening in the hotel. First, Racksole notices the headwaiter, Jules, winking at his daughter's friend, Reginald Dimmock, while they consume their expensive steak. He dismisses the headwaiter. The next day Miss Spencer, the pretty, efficient hotel clerk who has been employed there for years, disappears. It appears that she just took her things and left, no one knows when or where. And Prince Eugen, a prince regnant of Posen, who was to come to the hotel and meet his youthful uncle Prince Aribert (he and the nephew are of the same age), never turns up. Then the body of Dimmock, who was an equerry to the princes, come ahead to prepare for their visit, is found. He was obviously poisoned. And soon after, Dimmock's body disappears.
The same evening the hotel is having a ball in the Gold Room, hosted by a Mr and Mrs Sampson Levi. There is a special secret window though which one can observe the room and the guests. Racksole looks out of it and sees among the guests the dismissed headwaiter, Jules. Racksole runs out to confront him and throw him out, but can't find him. He comes back to the secret window to find Jules, staring intensely into the ball room. Racksole orders him out of the hotel for the second time.
Prince Aribert, who met Nella in Paris while he was travelling incognito under the name of Count Steenbock, confides the whole story to her. He tells her that Prince Eugen never arrived, and no one knows where he is. He was last seen at Ostend. His Majesty the Emperor sent a telegram to Aribert, requesting the whereabouts of Eugen. Aribert, who does not know whether there might be a secret love affair, or an abduction, is facing a dilemma. At last he decides to go to Berlin and state the facts to the Emperor. Nella promises him help and support in London.
After the departure of Aribert, an old lady signs into the hotel under the name of 'Baroness Zerlinski'. Some chance remarks about hotel rooms convinced Nella, who was substituting for the hotel clerk, that it was, in fact Miss Spencer in disguise. When she finds out that Miss Spencer suddenly checks out and departs for Ostend, Nella too goes to Ostend, leaving a short message for her father as to her whereabouts.
In Ostend, Nella follows Miss Spencer into a house, and tries to find out what's going on, threatening the latter with a revolver. Miss Spencer says that she was under orders of Jules, the headwaiter, whose real name is Tom Jackson and who is, she claims, her husband. She says that Jackson/Jules quarrelled with Dimmock and that he had some "money business" with Prince Eugen. She admits that the Prince was a captive in that same house, and she looked after him. He was abducted to prevent him arriving to London, for it would have "upset the scheme". Then Miss Spencer fakes a faint, and Nella, who comes nearer to see if she can help her, is overpowered. Nella loses consciousness. | [
[
"Grand Babylon Hotel",
"Grand Babylon Hotel."
]
] | [
{
"content": "What is the name of the hotel the characters stay at?",
"role": "user"
}
] | 31,625 | [
" The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 \"and a ... | [
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0.9999997615814209,
0.9999997615814209,
0.9999997615814209,
0.9999997615814209,
0.9999997615814209
] | [
31612,
31613,
31614,
31615,
31611,
31610
] | train |
The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 "and a guinea" (so the previous owner can say that he haggled with the multi-millionaire businessman).
Strange things are happening in the hotel. First, Racksole notices the headwaiter, Jules, winking at his daughter's friend, Reginald Dimmock, while they consume their expensive steak. He dismisses the headwaiter. The next day Miss Spencer, the pretty, efficient hotel clerk who has been employed there for years, disappears. It appears that she just took her things and left, no one knows when or where. And Prince Eugen, a prince regnant of Posen, who was to come to the hotel and meet his youthful uncle Prince Aribert (he and the nephew are of the same age), never turns up. Then the body of Dimmock, who was an equerry to the princes, come ahead to prepare for their visit, is found. He was obviously poisoned. And soon after, Dimmock's body disappears.
The same evening the hotel is having a ball in the Gold Room, hosted by a Mr and Mrs Sampson Levi. There is a special secret window though which one can observe the room and the guests. Racksole looks out of it and sees among the guests the dismissed headwaiter, Jules. Racksole runs out to confront him and throw him out, but can't find him. He comes back to the secret window to find Jules, staring intensely into the ball room. Racksole orders him out of the hotel for the second time.
Prince Aribert, who met Nella in Paris while he was travelling incognito under the name of Count Steenbock, confides the whole story to her. He tells her that Prince Eugen never arrived, and no one knows where he is. He was last seen at Ostend. His Majesty the Emperor sent a telegram to Aribert, requesting the whereabouts of Eugen. Aribert, who does not know whether there might be a secret love affair, or an abduction, is facing a dilemma. At last he decides to go to Berlin and state the facts to the Emperor. Nella promises him help and support in London.
After the departure of Aribert, an old lady signs into the hotel under the name of 'Baroness Zerlinski'. Some chance remarks about hotel rooms convinced Nella, who was substituting for the hotel clerk, that it was, in fact Miss Spencer in disguise. When she finds out that Miss Spencer suddenly checks out and departs for Ostend, Nella too goes to Ostend, leaving a short message for her father as to her whereabouts.
In Ostend, Nella follows Miss Spencer into a house, and tries to find out what's going on, threatening the latter with a revolver. Miss Spencer says that she was under orders of Jules, the headwaiter, whose real name is Tom Jackson and who is, she claims, her husband. She says that Jackson/Jules quarrelled with Dimmock and that he had some "money business" with Prince Eugen. She admits that the Prince was a captive in that same house, and she looked after him. He was abducted to prevent him arriving to London, for it would have "upset the scheme". Then Miss Spencer fakes a faint, and Nella, who comes nearer to see if she can help her, is overpowered. Nella loses consciousness. | [
[
"Ostend.",
"Into a house in Ostend. "
]
] | [
{
"content": "Where does Nella go while following Miss Spencer?",
"role": "user"
}
] | 31,626 | [
" The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 \"and a ... | [
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0.9999997615814209,
0.9999997615814209,
0.9999997615814209,
0.9999997615814209,
0.9999997615814209
] | [
31612,
31613,
31614,
31615,
31611,
31610
] | train |
The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 "and a guinea" (so the previous owner can say that he haggled with the multi-millionaire businessman).
Strange things are happening in the hotel. First, Racksole notices the headwaiter, Jules, winking at his daughter's friend, Reginald Dimmock, while they consume their expensive steak. He dismisses the headwaiter. The next day Miss Spencer, the pretty, efficient hotel clerk who has been employed there for years, disappears. It appears that she just took her things and left, no one knows when or where. And Prince Eugen, a prince regnant of Posen, who was to come to the hotel and meet his youthful uncle Prince Aribert (he and the nephew are of the same age), never turns up. Then the body of Dimmock, who was an equerry to the princes, come ahead to prepare for their visit, is found. He was obviously poisoned. And soon after, Dimmock's body disappears.
The same evening the hotel is having a ball in the Gold Room, hosted by a Mr and Mrs Sampson Levi. There is a special secret window though which one can observe the room and the guests. Racksole looks out of it and sees among the guests the dismissed headwaiter, Jules. Racksole runs out to confront him and throw him out, but can't find him. He comes back to the secret window to find Jules, staring intensely into the ball room. Racksole orders him out of the hotel for the second time.
Prince Aribert, who met Nella in Paris while he was travelling incognito under the name of Count Steenbock, confides the whole story to her. He tells her that Prince Eugen never arrived, and no one knows where he is. He was last seen at Ostend. His Majesty the Emperor sent a telegram to Aribert, requesting the whereabouts of Eugen. Aribert, who does not know whether there might be a secret love affair, or an abduction, is facing a dilemma. At last he decides to go to Berlin and state the facts to the Emperor. Nella promises him help and support in London.
After the departure of Aribert, an old lady signs into the hotel under the name of 'Baroness Zerlinski'. Some chance remarks about hotel rooms convinced Nella, who was substituting for the hotel clerk, that it was, in fact Miss Spencer in disguise. When she finds out that Miss Spencer suddenly checks out and departs for Ostend, Nella too goes to Ostend, leaving a short message for her father as to her whereabouts.
In Ostend, Nella follows Miss Spencer into a house, and tries to find out what's going on, threatening the latter with a revolver. Miss Spencer says that she was under orders of Jules, the headwaiter, whose real name is Tom Jackson and who is, she claims, her husband. She says that Jackson/Jules quarrelled with Dimmock and that he had some "money business" with Prince Eugen. She admits that the Prince was a captive in that same house, and she looked after him. He was abducted to prevent him arriving to London, for it would have "upset the scheme". Then Miss Spencer fakes a faint, and Nella, who comes nearer to see if she can help her, is overpowered. Nella loses consciousness. | [
[
"The Prince Eugen",
"Prince Eugen"
]
] | [
{
"content": "Who was a captive in the house where Miss Spencer leads Nella?",
"role": "user"
}
] | 31,627 | [
" The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 \"and a ... | [
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0.9999997615814209,
0.9999997615814209,
0.9999997615814209,
0.9999997615814209,
0.9999997615814209
] | [
31612,
31613,
31614,
31615,
31611,
31610
] | train |
The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 "and a guinea" (so the previous owner can say that he haggled with the multi-millionaire businessman).
Strange things are happening in the hotel. First, Racksole notices the headwaiter, Jules, winking at his daughter's friend, Reginald Dimmock, while they consume their expensive steak. He dismisses the headwaiter. The next day Miss Spencer, the pretty, efficient hotel clerk who has been employed there for years, disappears. It appears that she just took her things and left, no one knows when or where. And Prince Eugen, a prince regnant of Posen, who was to come to the hotel and meet his youthful uncle Prince Aribert (he and the nephew are of the same age), never turns up. Then the body of Dimmock, who was an equerry to the princes, come ahead to prepare for their visit, is found. He was obviously poisoned. And soon after, Dimmock's body disappears.
The same evening the hotel is having a ball in the Gold Room, hosted by a Mr and Mrs Sampson Levi. There is a special secret window though which one can observe the room and the guests. Racksole looks out of it and sees among the guests the dismissed headwaiter, Jules. Racksole runs out to confront him and throw him out, but can't find him. He comes back to the secret window to find Jules, staring intensely into the ball room. Racksole orders him out of the hotel for the second time.
Prince Aribert, who met Nella in Paris while he was travelling incognito under the name of Count Steenbock, confides the whole story to her. He tells her that Prince Eugen never arrived, and no one knows where he is. He was last seen at Ostend. His Majesty the Emperor sent a telegram to Aribert, requesting the whereabouts of Eugen. Aribert, who does not know whether there might be a secret love affair, or an abduction, is facing a dilemma. At last he decides to go to Berlin and state the facts to the Emperor. Nella promises him help and support in London.
After the departure of Aribert, an old lady signs into the hotel under the name of 'Baroness Zerlinski'. Some chance remarks about hotel rooms convinced Nella, who was substituting for the hotel clerk, that it was, in fact Miss Spencer in disguise. When she finds out that Miss Spencer suddenly checks out and departs for Ostend, Nella too goes to Ostend, leaving a short message for her father as to her whereabouts.
In Ostend, Nella follows Miss Spencer into a house, and tries to find out what's going on, threatening the latter with a revolver. Miss Spencer says that she was under orders of Jules, the headwaiter, whose real name is Tom Jackson and who is, she claims, her husband. She says that Jackson/Jules quarrelled with Dimmock and that he had some "money business" with Prince Eugen. She admits that the Prince was a captive in that same house, and she looked after him. He was abducted to prevent him arriving to London, for it would have "upset the scheme". Then Miss Spencer fakes a faint, and Nella, who comes nearer to see if she can help her, is overpowered. Nella loses consciousness. | [
[
"Aribert",
"Aribert. "
]
] | [
{
"content": "To whom does the Emporer send a telegram asking about Prince Eugen? ",
"role": "user"
}
] | 31,628 | [
" The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 \"and a ... | [
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0.9999997615814209,
0.9999997615814209,
0.9999997615814209,
0.9999997615814209,
0.9999997615814209
] | [
31612,
31613,
31614,
31615,
31611,
31610
] | train |
The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 "and a guinea" (so the previous owner can say that he haggled with the multi-millionaire businessman).
Strange things are happening in the hotel. First, Racksole notices the headwaiter, Jules, winking at his daughter's friend, Reginald Dimmock, while they consume their expensive steak. He dismisses the headwaiter. The next day Miss Spencer, the pretty, efficient hotel clerk who has been employed there for years, disappears. It appears that she just took her things and left, no one knows when or where. And Prince Eugen, a prince regnant of Posen, who was to come to the hotel and meet his youthful uncle Prince Aribert (he and the nephew are of the same age), never turns up. Then the body of Dimmock, who was an equerry to the princes, come ahead to prepare for their visit, is found. He was obviously poisoned. And soon after, Dimmock's body disappears.
The same evening the hotel is having a ball in the Gold Room, hosted by a Mr and Mrs Sampson Levi. There is a special secret window though which one can observe the room and the guests. Racksole looks out of it and sees among the guests the dismissed headwaiter, Jules. Racksole runs out to confront him and throw him out, but can't find him. He comes back to the secret window to find Jules, staring intensely into the ball room. Racksole orders him out of the hotel for the second time.
Prince Aribert, who met Nella in Paris while he was travelling incognito under the name of Count Steenbock, confides the whole story to her. He tells her that Prince Eugen never arrived, and no one knows where he is. He was last seen at Ostend. His Majesty the Emperor sent a telegram to Aribert, requesting the whereabouts of Eugen. Aribert, who does not know whether there might be a secret love affair, or an abduction, is facing a dilemma. At last he decides to go to Berlin and state the facts to the Emperor. Nella promises him help and support in London.
After the departure of Aribert, an old lady signs into the hotel under the name of 'Baroness Zerlinski'. Some chance remarks about hotel rooms convinced Nella, who was substituting for the hotel clerk, that it was, in fact Miss Spencer in disguise. When she finds out that Miss Spencer suddenly checks out and departs for Ostend, Nella too goes to Ostend, leaving a short message for her father as to her whereabouts.
In Ostend, Nella follows Miss Spencer into a house, and tries to find out what's going on, threatening the latter with a revolver. Miss Spencer says that she was under orders of Jules, the headwaiter, whose real name is Tom Jackson and who is, she claims, her husband. She says that Jackson/Jules quarrelled with Dimmock and that he had some "money business" with Prince Eugen. She admits that the Prince was a captive in that same house, and she looked after him. He was abducted to prevent him arriving to London, for it would have "upset the scheme". Then Miss Spencer fakes a faint, and Nella, who comes nearer to see if she can help her, is overpowered. Nella loses consciousness. | [
[
"Reginald Dimmock",
"Dimmock. "
]
] | [
{
"content": "Who was poisoned and then disappeared?",
"role": "user"
}
] | 31,629 | [
" The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 \"and a ... | [
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0.9999997615814209,
0.9999997615814209,
0.9999997615814209,
0.9999997615814209,
0.9999997615814209
] | [
31612,
31613,
31614,
31615,
31611,
31610
] | train |
The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 "and a guinea" (so the previous owner can say that he haggled with the multi-millionaire businessman).
Strange things are happening in the hotel. First, Racksole notices the headwaiter, Jules, winking at his daughter's friend, Reginald Dimmock, while they consume their expensive steak. He dismisses the headwaiter. The next day Miss Spencer, the pretty, efficient hotel clerk who has been employed there for years, disappears. It appears that she just took her things and left, no one knows when or where. And Prince Eugen, a prince regnant of Posen, who was to come to the hotel and meet his youthful uncle Prince Aribert (he and the nephew are of the same age), never turns up. Then the body of Dimmock, who was an equerry to the princes, come ahead to prepare for their visit, is found. He was obviously poisoned. And soon after, Dimmock's body disappears.
The same evening the hotel is having a ball in the Gold Room, hosted by a Mr and Mrs Sampson Levi. There is a special secret window though which one can observe the room and the guests. Racksole looks out of it and sees among the guests the dismissed headwaiter, Jules. Racksole runs out to confront him and throw him out, but can't find him. He comes back to the secret window to find Jules, staring intensely into the ball room. Racksole orders him out of the hotel for the second time.
Prince Aribert, who met Nella in Paris while he was travelling incognito under the name of Count Steenbock, confides the whole story to her. He tells her that Prince Eugen never arrived, and no one knows where he is. He was last seen at Ostend. His Majesty the Emperor sent a telegram to Aribert, requesting the whereabouts of Eugen. Aribert, who does not know whether there might be a secret love affair, or an abduction, is facing a dilemma. At last he decides to go to Berlin and state the facts to the Emperor. Nella promises him help and support in London.
After the departure of Aribert, an old lady signs into the hotel under the name of 'Baroness Zerlinski'. Some chance remarks about hotel rooms convinced Nella, who was substituting for the hotel clerk, that it was, in fact Miss Spencer in disguise. When she finds out that Miss Spencer suddenly checks out and departs for Ostend, Nella too goes to Ostend, leaving a short message for her father as to her whereabouts.
In Ostend, Nella follows Miss Spencer into a house, and tries to find out what's going on, threatening the latter with a revolver. Miss Spencer says that she was under orders of Jules, the headwaiter, whose real name is Tom Jackson and who is, she claims, her husband. She says that Jackson/Jules quarrelled with Dimmock and that he had some "money business" with Prince Eugen. She admits that the Prince was a captive in that same house, and she looked after him. He was abducted to prevent him arriving to London, for it would have "upset the scheme". Then Miss Spencer fakes a faint, and Nella, who comes nearer to see if she can help her, is overpowered. Nella loses consciousness. | [
[
"The Grand Babylon Hotel.",
"The Grand Babylon Hotel"
]
] | [
{
"content": "At what exclusive hotel are Theodore and his daughter staying?",
"role": "user"
}
] | 31,630 | [
" The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 \"and a ... | [
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0.9999997615814209,
0.9999997615814209,
0.9999997615814209,
0.9999997615814209,
0.9999997615814209
] | [
31612,
31613,
31614,
31615,
31611,
31610
] | train |
The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 "and a guinea" (so the previous owner can say that he haggled with the multi-millionaire businessman).
Strange things are happening in the hotel. First, Racksole notices the headwaiter, Jules, winking at his daughter's friend, Reginald Dimmock, while they consume their expensive steak. He dismisses the headwaiter. The next day Miss Spencer, the pretty, efficient hotel clerk who has been employed there for years, disappears. It appears that she just took her things and left, no one knows when or where. And Prince Eugen, a prince regnant of Posen, who was to come to the hotel and meet his youthful uncle Prince Aribert (he and the nephew are of the same age), never turns up. Then the body of Dimmock, who was an equerry to the princes, come ahead to prepare for their visit, is found. He was obviously poisoned. And soon after, Dimmock's body disappears.
The same evening the hotel is having a ball in the Gold Room, hosted by a Mr and Mrs Sampson Levi. There is a special secret window though which one can observe the room and the guests. Racksole looks out of it and sees among the guests the dismissed headwaiter, Jules. Racksole runs out to confront him and throw him out, but can't find him. He comes back to the secret window to find Jules, staring intensely into the ball room. Racksole orders him out of the hotel for the second time.
Prince Aribert, who met Nella in Paris while he was travelling incognito under the name of Count Steenbock, confides the whole story to her. He tells her that Prince Eugen never arrived, and no one knows where he is. He was last seen at Ostend. His Majesty the Emperor sent a telegram to Aribert, requesting the whereabouts of Eugen. Aribert, who does not know whether there might be a secret love affair, or an abduction, is facing a dilemma. At last he decides to go to Berlin and state the facts to the Emperor. Nella promises him help and support in London.
After the departure of Aribert, an old lady signs into the hotel under the name of 'Baroness Zerlinski'. Some chance remarks about hotel rooms convinced Nella, who was substituting for the hotel clerk, that it was, in fact Miss Spencer in disguise. When she finds out that Miss Spencer suddenly checks out and departs for Ostend, Nella too goes to Ostend, leaving a short message for her father as to her whereabouts.
In Ostend, Nella follows Miss Spencer into a house, and tries to find out what's going on, threatening the latter with a revolver. Miss Spencer says that she was under orders of Jules, the headwaiter, whose real name is Tom Jackson and who is, she claims, her husband. She says that Jackson/Jules quarrelled with Dimmock and that he had some "money business" with Prince Eugen. She admits that the Prince was a captive in that same house, and she looked after him. He was abducted to prevent him arriving to London, for it would have "upset the scheme". Then Miss Spencer fakes a faint, and Nella, who comes nearer to see if she can help her, is overpowered. Nella loses consciousness. | [
[
"A guinea.",
"a guinea"
]
] | [
{
"content": "What does Theodore throw on top of his purchase price to make the hotel seller feel good?",
"role": "user"
}
] | 31,631 | [
" The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 \"and a ... | [
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0.9999997615814209,
0.9999997615814209,
0.9999997615814209,
0.9999997615814209,
0.9999997615814209
] | [
31612,
31613,
31614,
31615,
31611,
31610
] | train |
The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 "and a guinea" (so the previous owner can say that he haggled with the multi-millionaire businessman).
Strange things are happening in the hotel. First, Racksole notices the headwaiter, Jules, winking at his daughter's friend, Reginald Dimmock, while they consume their expensive steak. He dismisses the headwaiter. The next day Miss Spencer, the pretty, efficient hotel clerk who has been employed there for years, disappears. It appears that she just took her things and left, no one knows when or where. And Prince Eugen, a prince regnant of Posen, who was to come to the hotel and meet his youthful uncle Prince Aribert (he and the nephew are of the same age), never turns up. Then the body of Dimmock, who was an equerry to the princes, come ahead to prepare for their visit, is found. He was obviously poisoned. And soon after, Dimmock's body disappears.
The same evening the hotel is having a ball in the Gold Room, hosted by a Mr and Mrs Sampson Levi. There is a special secret window though which one can observe the room and the guests. Racksole looks out of it and sees among the guests the dismissed headwaiter, Jules. Racksole runs out to confront him and throw him out, but can't find him. He comes back to the secret window to find Jules, staring intensely into the ball room. Racksole orders him out of the hotel for the second time.
Prince Aribert, who met Nella in Paris while he was travelling incognito under the name of Count Steenbock, confides the whole story to her. He tells her that Prince Eugen never arrived, and no one knows where he is. He was last seen at Ostend. His Majesty the Emperor sent a telegram to Aribert, requesting the whereabouts of Eugen. Aribert, who does not know whether there might be a secret love affair, or an abduction, is facing a dilemma. At last he decides to go to Berlin and state the facts to the Emperor. Nella promises him help and support in London.
After the departure of Aribert, an old lady signs into the hotel under the name of 'Baroness Zerlinski'. Some chance remarks about hotel rooms convinced Nella, who was substituting for the hotel clerk, that it was, in fact Miss Spencer in disguise. When she finds out that Miss Spencer suddenly checks out and departs for Ostend, Nella too goes to Ostend, leaving a short message for her father as to her whereabouts.
In Ostend, Nella follows Miss Spencer into a house, and tries to find out what's going on, threatening the latter with a revolver. Miss Spencer says that she was under orders of Jules, the headwaiter, whose real name is Tom Jackson and who is, she claims, her husband. She says that Jackson/Jules quarrelled with Dimmock and that he had some "money business" with Prince Eugen. She admits that the Prince was a captive in that same house, and she looked after him. He was abducted to prevent him arriving to London, for it would have "upset the scheme". Then Miss Spencer fakes a faint, and Nella, who comes nearer to see if she can help her, is overpowered. Nella loses consciousness. | [
[
"His dughter is refused dinner.",
"his daughter's request is refused"
]
] | [
{
"content": "What prompts Theodore to purchase the hotel?",
"role": "user"
}
] | 31,632 | [
" The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 \"and a ... | [
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31612,
31613,
31614,
31615,
31611,
31610
] | train |
The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 "and a guinea" (so the previous owner can say that he haggled with the multi-millionaire businessman).
Strange things are happening in the hotel. First, Racksole notices the headwaiter, Jules, winking at his daughter's friend, Reginald Dimmock, while they consume their expensive steak. He dismisses the headwaiter. The next day Miss Spencer, the pretty, efficient hotel clerk who has been employed there for years, disappears. It appears that she just took her things and left, no one knows when or where. And Prince Eugen, a prince regnant of Posen, who was to come to the hotel and meet his youthful uncle Prince Aribert (he and the nephew are of the same age), never turns up. Then the body of Dimmock, who was an equerry to the princes, come ahead to prepare for their visit, is found. He was obviously poisoned. And soon after, Dimmock's body disappears.
The same evening the hotel is having a ball in the Gold Room, hosted by a Mr and Mrs Sampson Levi. There is a special secret window though which one can observe the room and the guests. Racksole looks out of it and sees among the guests the dismissed headwaiter, Jules. Racksole runs out to confront him and throw him out, but can't find him. He comes back to the secret window to find Jules, staring intensely into the ball room. Racksole orders him out of the hotel for the second time.
Prince Aribert, who met Nella in Paris while he was travelling incognito under the name of Count Steenbock, confides the whole story to her. He tells her that Prince Eugen never arrived, and no one knows where he is. He was last seen at Ostend. His Majesty the Emperor sent a telegram to Aribert, requesting the whereabouts of Eugen. Aribert, who does not know whether there might be a secret love affair, or an abduction, is facing a dilemma. At last he decides to go to Berlin and state the facts to the Emperor. Nella promises him help and support in London.
After the departure of Aribert, an old lady signs into the hotel under the name of 'Baroness Zerlinski'. Some chance remarks about hotel rooms convinced Nella, who was substituting for the hotel clerk, that it was, in fact Miss Spencer in disguise. When she finds out that Miss Spencer suddenly checks out and departs for Ostend, Nella too goes to Ostend, leaving a short message for her father as to her whereabouts.
In Ostend, Nella follows Miss Spencer into a house, and tries to find out what's going on, threatening the latter with a revolver. Miss Spencer says that she was under orders of Jules, the headwaiter, whose real name is Tom Jackson and who is, she claims, her husband. She says that Jackson/Jules quarrelled with Dimmock and that he had some "money business" with Prince Eugen. She admits that the Prince was a captive in that same house, and she looked after him. He was abducted to prevent him arriving to London, for it would have "upset the scheme". Then Miss Spencer fakes a faint, and Nella, who comes nearer to see if she can help her, is overpowered. Nella loses consciousness. | [
[
"Poison.",
"Poison."
]
] | [
{
"content": "How is Dimmok killed?",
"role": "user"
}
] | 31,633 | [
" The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 \"and a ... | [
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31612,
31613,
31614,
31615,
31611,
31610
] | train |
The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 "and a guinea" (so the previous owner can say that he haggled with the multi-millionaire businessman).
Strange things are happening in the hotel. First, Racksole notices the headwaiter, Jules, winking at his daughter's friend, Reginald Dimmock, while they consume their expensive steak. He dismisses the headwaiter. The next day Miss Spencer, the pretty, efficient hotel clerk who has been employed there for years, disappears. It appears that she just took her things and left, no one knows when or where. And Prince Eugen, a prince regnant of Posen, who was to come to the hotel and meet his youthful uncle Prince Aribert (he and the nephew are of the same age), never turns up. Then the body of Dimmock, who was an equerry to the princes, come ahead to prepare for their visit, is found. He was obviously poisoned. And soon after, Dimmock's body disappears.
The same evening the hotel is having a ball in the Gold Room, hosted by a Mr and Mrs Sampson Levi. There is a special secret window though which one can observe the room and the guests. Racksole looks out of it and sees among the guests the dismissed headwaiter, Jules. Racksole runs out to confront him and throw him out, but can't find him. He comes back to the secret window to find Jules, staring intensely into the ball room. Racksole orders him out of the hotel for the second time.
Prince Aribert, who met Nella in Paris while he was travelling incognito under the name of Count Steenbock, confides the whole story to her. He tells her that Prince Eugen never arrived, and no one knows where he is. He was last seen at Ostend. His Majesty the Emperor sent a telegram to Aribert, requesting the whereabouts of Eugen. Aribert, who does not know whether there might be a secret love affair, or an abduction, is facing a dilemma. At last he decides to go to Berlin and state the facts to the Emperor. Nella promises him help and support in London.
After the departure of Aribert, an old lady signs into the hotel under the name of 'Baroness Zerlinski'. Some chance remarks about hotel rooms convinced Nella, who was substituting for the hotel clerk, that it was, in fact Miss Spencer in disguise. When she finds out that Miss Spencer suddenly checks out and departs for Ostend, Nella too goes to Ostend, leaving a short message for her father as to her whereabouts.
In Ostend, Nella follows Miss Spencer into a house, and tries to find out what's going on, threatening the latter with a revolver. Miss Spencer says that she was under orders of Jules, the headwaiter, whose real name is Tom Jackson and who is, she claims, her husband. She says that Jackson/Jules quarrelled with Dimmock and that he had some "money business" with Prince Eugen. She admits that the Prince was a captive in that same house, and she looked after him. He was abducted to prevent him arriving to London, for it would have "upset the scheme". Then Miss Spencer fakes a faint, and Nella, who comes nearer to see if she can help her, is overpowered. Nella loses consciousness. | [
[
"Mr. and Mrs. Sampson Levi.",
"Mr. and Mrs. Sampson Levi"
]
] | [
{
"content": "Who hosts the ball in the Gold Room at the hotel?",
"role": "user"
}
] | 31,634 | [
" The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 \"and a ... | [
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31612,
31613,
31614,
31615,
31611,
31610
] | train |
The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 "and a guinea" (so the previous owner can say that he haggled with the multi-millionaire businessman).
Strange things are happening in the hotel. First, Racksole notices the headwaiter, Jules, winking at his daughter's friend, Reginald Dimmock, while they consume their expensive steak. He dismisses the headwaiter. The next day Miss Spencer, the pretty, efficient hotel clerk who has been employed there for years, disappears. It appears that she just took her things and left, no one knows when or where. And Prince Eugen, a prince regnant of Posen, who was to come to the hotel and meet his youthful uncle Prince Aribert (he and the nephew are of the same age), never turns up. Then the body of Dimmock, who was an equerry to the princes, come ahead to prepare for their visit, is found. He was obviously poisoned. And soon after, Dimmock's body disappears.
The same evening the hotel is having a ball in the Gold Room, hosted by a Mr and Mrs Sampson Levi. There is a special secret window though which one can observe the room and the guests. Racksole looks out of it and sees among the guests the dismissed headwaiter, Jules. Racksole runs out to confront him and throw him out, but can't find him. He comes back to the secret window to find Jules, staring intensely into the ball room. Racksole orders him out of the hotel for the second time.
Prince Aribert, who met Nella in Paris while he was travelling incognito under the name of Count Steenbock, confides the whole story to her. He tells her that Prince Eugen never arrived, and no one knows where he is. He was last seen at Ostend. His Majesty the Emperor sent a telegram to Aribert, requesting the whereabouts of Eugen. Aribert, who does not know whether there might be a secret love affair, or an abduction, is facing a dilemma. At last he decides to go to Berlin and state the facts to the Emperor. Nella promises him help and support in London.
After the departure of Aribert, an old lady signs into the hotel under the name of 'Baroness Zerlinski'. Some chance remarks about hotel rooms convinced Nella, who was substituting for the hotel clerk, that it was, in fact Miss Spencer in disguise. When she finds out that Miss Spencer suddenly checks out and departs for Ostend, Nella too goes to Ostend, leaving a short message for her father as to her whereabouts.
In Ostend, Nella follows Miss Spencer into a house, and tries to find out what's going on, threatening the latter with a revolver. Miss Spencer says that she was under orders of Jules, the headwaiter, whose real name is Tom Jackson and who is, she claims, her husband. She says that Jackson/Jules quarrelled with Dimmock and that he had some "money business" with Prince Eugen. She admits that the Prince was a captive in that same house, and she looked after him. He was abducted to prevent him arriving to London, for it would have "upset the scheme". Then Miss Spencer fakes a faint, and Nella, who comes nearer to see if she can help her, is overpowered. Nella loses consciousness. | [
[
"Jules.",
"Jules"
]
] | [
{
"content": "Who does Racksole observe at the ball?",
"role": "user"
}
] | 31,635 | [
" The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 \"and a ... | [
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] | [
31612,
31613,
31614,
31615,
31611,
31610
] | train |
The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 "and a guinea" (so the previous owner can say that he haggled with the multi-millionaire businessman).
Strange things are happening in the hotel. First, Racksole notices the headwaiter, Jules, winking at his daughter's friend, Reginald Dimmock, while they consume their expensive steak. He dismisses the headwaiter. The next day Miss Spencer, the pretty, efficient hotel clerk who has been employed there for years, disappears. It appears that she just took her things and left, no one knows when or where. And Prince Eugen, a prince regnant of Posen, who was to come to the hotel and meet his youthful uncle Prince Aribert (he and the nephew are of the same age), never turns up. Then the body of Dimmock, who was an equerry to the princes, come ahead to prepare for their visit, is found. He was obviously poisoned. And soon after, Dimmock's body disappears.
The same evening the hotel is having a ball in the Gold Room, hosted by a Mr and Mrs Sampson Levi. There is a special secret window though which one can observe the room and the guests. Racksole looks out of it and sees among the guests the dismissed headwaiter, Jules. Racksole runs out to confront him and throw him out, but can't find him. He comes back to the secret window to find Jules, staring intensely into the ball room. Racksole orders him out of the hotel for the second time.
Prince Aribert, who met Nella in Paris while he was travelling incognito under the name of Count Steenbock, confides the whole story to her. He tells her that Prince Eugen never arrived, and no one knows where he is. He was last seen at Ostend. His Majesty the Emperor sent a telegram to Aribert, requesting the whereabouts of Eugen. Aribert, who does not know whether there might be a secret love affair, or an abduction, is facing a dilemma. At last he decides to go to Berlin and state the facts to the Emperor. Nella promises him help and support in London.
After the departure of Aribert, an old lady signs into the hotel under the name of 'Baroness Zerlinski'. Some chance remarks about hotel rooms convinced Nella, who was substituting for the hotel clerk, that it was, in fact Miss Spencer in disguise. When she finds out that Miss Spencer suddenly checks out and departs for Ostend, Nella too goes to Ostend, leaving a short message for her father as to her whereabouts.
In Ostend, Nella follows Miss Spencer into a house, and tries to find out what's going on, threatening the latter with a revolver. Miss Spencer says that she was under orders of Jules, the headwaiter, whose real name is Tom Jackson and who is, she claims, her husband. She says that Jackson/Jules quarrelled with Dimmock and that he had some "money business" with Prince Eugen. She admits that the Prince was a captive in that same house, and she looked after him. He was abducted to prevent him arriving to London, for it would have "upset the scheme". Then Miss Spencer fakes a faint, and Nella, who comes nearer to see if she can help her, is overpowered. Nella loses consciousness. | [
[
"Ostend.",
"Ostend"
]
] | [
{
"content": "Where was Prince Eugen last seen?",
"role": "user"
}
] | 31,636 | [
" The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 \"and a ... | [
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0.9999997615814209,
0.9999997615814209
] | [
31612,
31613,
31614,
31615,
31611,
31610
] | train |
The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 "and a guinea" (so the previous owner can say that he haggled with the multi-millionaire businessman).
Strange things are happening in the hotel. First, Racksole notices the headwaiter, Jules, winking at his daughter's friend, Reginald Dimmock, while they consume their expensive steak. He dismisses the headwaiter. The next day Miss Spencer, the pretty, efficient hotel clerk who has been employed there for years, disappears. It appears that she just took her things and left, no one knows when or where. And Prince Eugen, a prince regnant of Posen, who was to come to the hotel and meet his youthful uncle Prince Aribert (he and the nephew are of the same age), never turns up. Then the body of Dimmock, who was an equerry to the princes, come ahead to prepare for their visit, is found. He was obviously poisoned. And soon after, Dimmock's body disappears.
The same evening the hotel is having a ball in the Gold Room, hosted by a Mr and Mrs Sampson Levi. There is a special secret window though which one can observe the room and the guests. Racksole looks out of it and sees among the guests the dismissed headwaiter, Jules. Racksole runs out to confront him and throw him out, but can't find him. He comes back to the secret window to find Jules, staring intensely into the ball room. Racksole orders him out of the hotel for the second time.
Prince Aribert, who met Nella in Paris while he was travelling incognito under the name of Count Steenbock, confides the whole story to her. He tells her that Prince Eugen never arrived, and no one knows where he is. He was last seen at Ostend. His Majesty the Emperor sent a telegram to Aribert, requesting the whereabouts of Eugen. Aribert, who does not know whether there might be a secret love affair, or an abduction, is facing a dilemma. At last he decides to go to Berlin and state the facts to the Emperor. Nella promises him help and support in London.
After the departure of Aribert, an old lady signs into the hotel under the name of 'Baroness Zerlinski'. Some chance remarks about hotel rooms convinced Nella, who was substituting for the hotel clerk, that it was, in fact Miss Spencer in disguise. When she finds out that Miss Spencer suddenly checks out and departs for Ostend, Nella too goes to Ostend, leaving a short message for her father as to her whereabouts.
In Ostend, Nella follows Miss Spencer into a house, and tries to find out what's going on, threatening the latter with a revolver. Miss Spencer says that she was under orders of Jules, the headwaiter, whose real name is Tom Jackson and who is, she claims, her husband. She says that Jackson/Jules quarrelled with Dimmock and that he had some "money business" with Prince Eugen. She admits that the Prince was a captive in that same house, and she looked after him. He was abducted to prevent him arriving to London, for it would have "upset the scheme". Then Miss Spencer fakes a faint, and Nella, who comes nearer to see if she can help her, is overpowered. Nella loses consciousness. | [
[
"Miss Spencer.",
"Miss Spencer, the hotel clerk"
]
] | [
{
"content": "Who does Nella suspect Baroness Zerlinski to really be?",
"role": "user"
}
] | 31,637 | [
" The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 \"and a ... | [
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] | [
31612,
31613,
31614,
31615,
31611,
31610
] | train |
The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 "and a guinea" (so the previous owner can say that he haggled with the multi-millionaire businessman).
Strange things are happening in the hotel. First, Racksole notices the headwaiter, Jules, winking at his daughter's friend, Reginald Dimmock, while they consume their expensive steak. He dismisses the headwaiter. The next day Miss Spencer, the pretty, efficient hotel clerk who has been employed there for years, disappears. It appears that she just took her things and left, no one knows when or where. And Prince Eugen, a prince regnant of Posen, who was to come to the hotel and meet his youthful uncle Prince Aribert (he and the nephew are of the same age), never turns up. Then the body of Dimmock, who was an equerry to the princes, come ahead to prepare for their visit, is found. He was obviously poisoned. And soon after, Dimmock's body disappears.
The same evening the hotel is having a ball in the Gold Room, hosted by a Mr and Mrs Sampson Levi. There is a special secret window though which one can observe the room and the guests. Racksole looks out of it and sees among the guests the dismissed headwaiter, Jules. Racksole runs out to confront him and throw him out, but can't find him. He comes back to the secret window to find Jules, staring intensely into the ball room. Racksole orders him out of the hotel for the second time.
Prince Aribert, who met Nella in Paris while he was travelling incognito under the name of Count Steenbock, confides the whole story to her. He tells her that Prince Eugen never arrived, and no one knows where he is. He was last seen at Ostend. His Majesty the Emperor sent a telegram to Aribert, requesting the whereabouts of Eugen. Aribert, who does not know whether there might be a secret love affair, or an abduction, is facing a dilemma. At last he decides to go to Berlin and state the facts to the Emperor. Nella promises him help and support in London.
After the departure of Aribert, an old lady signs into the hotel under the name of 'Baroness Zerlinski'. Some chance remarks about hotel rooms convinced Nella, who was substituting for the hotel clerk, that it was, in fact Miss Spencer in disguise. When she finds out that Miss Spencer suddenly checks out and departs for Ostend, Nella too goes to Ostend, leaving a short message for her father as to her whereabouts.
In Ostend, Nella follows Miss Spencer into a house, and tries to find out what's going on, threatening the latter with a revolver. Miss Spencer says that she was under orders of Jules, the headwaiter, whose real name is Tom Jackson and who is, she claims, her husband. She says that Jackson/Jules quarrelled with Dimmock and that he had some "money business" with Prince Eugen. She admits that the Prince was a captive in that same house, and she looked after him. He was abducted to prevent him arriving to London, for it would have "upset the scheme". Then Miss Spencer fakes a faint, and Nella, who comes nearer to see if she can help her, is overpowered. Nella loses consciousness. | [
[
"Tom Jackson.",
"Tom Jackson"
]
] | [
{
"content": "What is Jules' real name?",
"role": "user"
}
] | 31,638 | [
" The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 \"and a ... | [
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0.9999997615814209,
0.9999997615814209,
0.9999997615814209,
0.9999997615814209
] | [
31612,
31613,
31614,
31615,
31611,
31610
] | train |
The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 "and a guinea" (so the previous owner can say that he haggled with the multi-millionaire businessman).
Strange things are happening in the hotel. First, Racksole notices the headwaiter, Jules, winking at his daughter's friend, Reginald Dimmock, while they consume their expensive steak. He dismisses the headwaiter. The next day Miss Spencer, the pretty, efficient hotel clerk who has been employed there for years, disappears. It appears that she just took her things and left, no one knows when or where. And Prince Eugen, a prince regnant of Posen, who was to come to the hotel and meet his youthful uncle Prince Aribert (he and the nephew are of the same age), never turns up. Then the body of Dimmock, who was an equerry to the princes, come ahead to prepare for their visit, is found. He was obviously poisoned. And soon after, Dimmock's body disappears.
The same evening the hotel is having a ball in the Gold Room, hosted by a Mr and Mrs Sampson Levi. There is a special secret window though which one can observe the room and the guests. Racksole looks out of it and sees among the guests the dismissed headwaiter, Jules. Racksole runs out to confront him and throw him out, but can't find him. He comes back to the secret window to find Jules, staring intensely into the ball room. Racksole orders him out of the hotel for the second time.
Prince Aribert, who met Nella in Paris while he was travelling incognito under the name of Count Steenbock, confides the whole story to her. He tells her that Prince Eugen never arrived, and no one knows where he is. He was last seen at Ostend. His Majesty the Emperor sent a telegram to Aribert, requesting the whereabouts of Eugen. Aribert, who does not know whether there might be a secret love affair, or an abduction, is facing a dilemma. At last he decides to go to Berlin and state the facts to the Emperor. Nella promises him help and support in London.
After the departure of Aribert, an old lady signs into the hotel under the name of 'Baroness Zerlinski'. Some chance remarks about hotel rooms convinced Nella, who was substituting for the hotel clerk, that it was, in fact Miss Spencer in disguise. When she finds out that Miss Spencer suddenly checks out and departs for Ostend, Nella too goes to Ostend, leaving a short message for her father as to her whereabouts.
In Ostend, Nella follows Miss Spencer into a house, and tries to find out what's going on, threatening the latter with a revolver. Miss Spencer says that she was under orders of Jules, the headwaiter, whose real name is Tom Jackson and who is, she claims, her husband. She says that Jackson/Jules quarrelled with Dimmock and that he had some "money business" with Prince Eugen. She admits that the Prince was a captive in that same house, and she looked after him. He was abducted to prevent him arriving to London, for it would have "upset the scheme". Then Miss Spencer fakes a faint, and Nella, who comes nearer to see if she can help her, is overpowered. Nella loses consciousness. | [
[
"London.",
"Ostend"
]
] | [
{
"content": "In what city would Prince Eugen have prevented Jackson's scheme?",
"role": "user"
}
] | 31,639 | [
" The protagonists are an American millionaire, Theodore Racksole, and his daughter Nella (Helen). While staying at the supremely exclusive Grand Babylon Hotel, Nella asks for a steak and Bass beer for dinner, but the order is refused. To get her what she wants Racksole buys the entire hotel, for ÂŁ400,000 \"and a ... | [
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31612,
31613,
31614,
31615,
31611,
31610
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Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Williams (George Dickerson) and becomes reacquainted with the detective's daughter, Sandy (Laura Dern). She tells him details about the ear case and a suspicious woman, Dorothy Vallens (Isabella Rossellini), who may be connected to the case. Increasingly curious, Jeffrey enters Dorothy's apartment by posing as an exterminator, and while Dorothy is distracted by a man dressed in a yellow suit at her door (whom Jeffrey later refers to as the Yellow Man), Jeffrey steals her spare key.
Jeffrey and Sandy attend Dorothy's nightclub act, in which she sings "Blue Velvet", and leave early so Jeffrey can sneak into her apartment to snoop. He hurriedly hides in a closet when she returns home. However, Dorothy, wielding a knife, discovers him and threatens to kill him. Believing his curiosity is merely sexual and aroused by his voyeurism, Dorothy makes Jeffrey undress at knifepoint and begins to fellate him before their encounter is interrupted by a knock at the door. Dorothy hides Jeffrey in the closet. From there he witnesses the visitor, Frank Booth (Dennis Hopper), inflict his bizarre sexual proclivities—which include inhaling an unidentified gas (possibly amyl nitrite), dry humping, and sadomasochism—upon Dorothy. Frank is an extremely foul-mouthed, violent sociopath whose orgasmic climax is a fit of both pleasure and rage. He continually refers to her as "Mommy" and to himself as both the "Daddy" and the "Baby", who "want to fuck." Frank has kidnapped Dorothy's husband and son to force her to perform sexual favors; to "Do it for van Gogh." When Frank leaves, a sad and desperate Dorothy tries to seduce Jeffrey again and demands that he hit her, but when he refuses, she tells him to leave. When Jeffrey moves to leave, she asks him to stay, though he leaves anyway.
Jeffrey relays his experience to Sandy, asking her why there are people like Frank. Sandy in turn tells him of a wonderful dream she had about robins that she interprets as a sign of hope for humanity. Jeffrey and Sandy find themselves attracted to each other, though Sandy has a boyfriend.
Jeffrey again visits Dorothy's apartment and she tells him that although she knows nothing about him, she has been yearning for him. Jeffrey attends another of Dorothy's performances at the club, where she sings the same song. At the club, Jeffrey spots Frank in the audience fondling a piece of blue velvet fabric he cut from Dorothy's robe. Jeffrey follows Frank and spends the next few days spying on him. Shortly afterwards, two men that Jeffrey calls the Well-Dressed Man and the Yellow Man exit an industrial building that Frank frequently visits. Jeffrey concludes the men are criminal associates of Frank, and tells his new findings to Sandy. The two briefly kiss, though she feels uncomfortable about going any further. Jeffrey immediately visits Dorothy again, and the two have sex. However, when he refuses to hit her, she pressures him, becoming more emotional. In a blind rage he knocks her backwards and is instantly horrified, but Dorothy derives pleasure from it.
Afterwards, Frank catches Dorothy and Jeffrey together and forces them both to accompany him to the apartment of Ben (Dean Stockwell), his suave, effeminate partner in crime who is holding Dorothy's son. Ben lip-syncs a performance of Roy Orbison's "In Dreams", sending Frank into maudlin sadness, then rage. Frank takes Jeffrey to a lumber yard and when he molests Dorothy, Jeffrey stands up to Frank by punching him. Frank's cronies drag Jeffrey out of the car and Frank kisses Jeffrey's face, intimidates him, and then savagely beats him to the overture of "In Dreams". Jeffrey wakes the next day at the same place and walks home, overcome with guilt and despair. He goes to the police station, where he notices that Sandy's father's partner is the Yellow Man—an officer named Lieutenant Detective Tom Gordon (Fred Pickler). Later, at Sandy's home, her father is amazed by Jeffrey's story, but warns Jeffrey to stop his amateur sleuthing lest he endanger himself and the investigation. Jeffrey and Sandy go to a dance together and profess their love, only to be confronted by Sandy's boyfriend. A confrontation is averted when the group finds Dorothy—naked, battered, and distressed—on Jeffrey's front lawn. Barely conscious, Dorothy reveals her intimacy with Jeffrey, causing Sandy to become upset and to slap Jeffrey, although she later forgives him.
Jeffrey insists on returning to Dorothy's apartment and tells Sandy to immediately send the police there, including her father. At Dorothy's apartment, Jeffrey finds Dorothy's husband (Don Vallens), who is dead from a gunshot to the head and identifiable by his missing ear, as well as the Yellow Man (Gordon), who bears a gruesome head wound and appears to have suffered a crude lobotomy. When Jeffrey tries to leave, he sees the Well-Dressed Man coming up the stairs and recognizes him as Frank in disguise. Jeffrey talks to Detective Williams over the Yellow Man's police radio, but lies about his location inside the apartment. Frank enters the apartment and brags about hearing Jeffrey's location over his own police radio. While Frank searches for him in the wrong room, Jeffrey retrieves the Yellow Man's gun and hides in the same closet in which he hid during his first visit to the apartment. Frank fires sporadically, knocking over the dead Yellow Man, who had still been standing up, and when he opens the closet door, Jeffrey fatally shoots him in the head. Detective Williams, gun drawn, enters with Sandy a moment later. Jeffrey and Sandy now go ahead with their relationship and note the unusual appearance of robins in their town. A montage sequence ends the film, which shows Dorothy and her son reunited. | [
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"His father suffered a near fatal stroke."
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"content": "Why did Jeffrey Beaumont return home from college?",
"role": "user"
}
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" Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Willia... | [
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31643,
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Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Williams (George Dickerson) and becomes reacquainted with the detective's daughter, Sandy (Laura Dern). She tells him details about the ear case and a suspicious woman, Dorothy Vallens (Isabella Rossellini), who may be connected to the case. Increasingly curious, Jeffrey enters Dorothy's apartment by posing as an exterminator, and while Dorothy is distracted by a man dressed in a yellow suit at her door (whom Jeffrey later refers to as the Yellow Man), Jeffrey steals her spare key.
Jeffrey and Sandy attend Dorothy's nightclub act, in which she sings "Blue Velvet", and leave early so Jeffrey can sneak into her apartment to snoop. He hurriedly hides in a closet when she returns home. However, Dorothy, wielding a knife, discovers him and threatens to kill him. Believing his curiosity is merely sexual and aroused by his voyeurism, Dorothy makes Jeffrey undress at knifepoint and begins to fellate him before their encounter is interrupted by a knock at the door. Dorothy hides Jeffrey in the closet. From there he witnesses the visitor, Frank Booth (Dennis Hopper), inflict his bizarre sexual proclivities—which include inhaling an unidentified gas (possibly amyl nitrite), dry humping, and sadomasochism—upon Dorothy. Frank is an extremely foul-mouthed, violent sociopath whose orgasmic climax is a fit of both pleasure and rage. He continually refers to her as "Mommy" and to himself as both the "Daddy" and the "Baby", who "want to fuck." Frank has kidnapped Dorothy's husband and son to force her to perform sexual favors; to "Do it for van Gogh." When Frank leaves, a sad and desperate Dorothy tries to seduce Jeffrey again and demands that he hit her, but when he refuses, she tells him to leave. When Jeffrey moves to leave, she asks him to stay, though he leaves anyway.
Jeffrey relays his experience to Sandy, asking her why there are people like Frank. Sandy in turn tells him of a wonderful dream she had about robins that she interprets as a sign of hope for humanity. Jeffrey and Sandy find themselves attracted to each other, though Sandy has a boyfriend.
Jeffrey again visits Dorothy's apartment and she tells him that although she knows nothing about him, she has been yearning for him. Jeffrey attends another of Dorothy's performances at the club, where she sings the same song. At the club, Jeffrey spots Frank in the audience fondling a piece of blue velvet fabric he cut from Dorothy's robe. Jeffrey follows Frank and spends the next few days spying on him. Shortly afterwards, two men that Jeffrey calls the Well-Dressed Man and the Yellow Man exit an industrial building that Frank frequently visits. Jeffrey concludes the men are criminal associates of Frank, and tells his new findings to Sandy. The two briefly kiss, though she feels uncomfortable about going any further. Jeffrey immediately visits Dorothy again, and the two have sex. However, when he refuses to hit her, she pressures him, becoming more emotional. In a blind rage he knocks her backwards and is instantly horrified, but Dorothy derives pleasure from it.
Afterwards, Frank catches Dorothy and Jeffrey together and forces them both to accompany him to the apartment of Ben (Dean Stockwell), his suave, effeminate partner in crime who is holding Dorothy's son. Ben lip-syncs a performance of Roy Orbison's "In Dreams", sending Frank into maudlin sadness, then rage. Frank takes Jeffrey to a lumber yard and when he molests Dorothy, Jeffrey stands up to Frank by punching him. Frank's cronies drag Jeffrey out of the car and Frank kisses Jeffrey's face, intimidates him, and then savagely beats him to the overture of "In Dreams". Jeffrey wakes the next day at the same place and walks home, overcome with guilt and despair. He goes to the police station, where he notices that Sandy's father's partner is the Yellow Man—an officer named Lieutenant Detective Tom Gordon (Fred Pickler). Later, at Sandy's home, her father is amazed by Jeffrey's story, but warns Jeffrey to stop his amateur sleuthing lest he endanger himself and the investigation. Jeffrey and Sandy go to a dance together and profess their love, only to be confronted by Sandy's boyfriend. A confrontation is averted when the group finds Dorothy—naked, battered, and distressed—on Jeffrey's front lawn. Barely conscious, Dorothy reveals her intimacy with Jeffrey, causing Sandy to become upset and to slap Jeffrey, although she later forgives him.
Jeffrey insists on returning to Dorothy's apartment and tells Sandy to immediately send the police there, including her father. At Dorothy's apartment, Jeffrey finds Dorothy's husband (Don Vallens), who is dead from a gunshot to the head and identifiable by his missing ear, as well as the Yellow Man (Gordon), who bears a gruesome head wound and appears to have suffered a crude lobotomy. When Jeffrey tries to leave, he sees the Well-Dressed Man coming up the stairs and recognizes him as Frank in disguise. Jeffrey talks to Detective Williams over the Yellow Man's police radio, but lies about his location inside the apartment. Frank enters the apartment and brags about hearing Jeffrey's location over his own police radio. While Frank searches for him in the wrong room, Jeffrey retrieves the Yellow Man's gun and hides in the same closet in which he hid during his first visit to the apartment. Frank fires sporadically, knocking over the dead Yellow Man, who had still been standing up, and when he opens the closet door, Jeffrey fatally shoots him in the head. Detective Williams, gun drawn, enters with Sandy a moment later. Jeffrey and Sandy now go ahead with their relationship and note the unusual appearance of robins in their town. A montage sequence ends the film, which shows Dorothy and her son reunited. | [
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"Lumberton, North Carolina",
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{
"content": "Where is Jeffrey's home town located?",
"role": "user"
}
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" Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Willia... | [
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31642,
31643,
31644,
31645,
31640
] | train |
Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Williams (George Dickerson) and becomes reacquainted with the detective's daughter, Sandy (Laura Dern). She tells him details about the ear case and a suspicious woman, Dorothy Vallens (Isabella Rossellini), who may be connected to the case. Increasingly curious, Jeffrey enters Dorothy's apartment by posing as an exterminator, and while Dorothy is distracted by a man dressed in a yellow suit at her door (whom Jeffrey later refers to as the Yellow Man), Jeffrey steals her spare key.
Jeffrey and Sandy attend Dorothy's nightclub act, in which she sings "Blue Velvet", and leave early so Jeffrey can sneak into her apartment to snoop. He hurriedly hides in a closet when she returns home. However, Dorothy, wielding a knife, discovers him and threatens to kill him. Believing his curiosity is merely sexual and aroused by his voyeurism, Dorothy makes Jeffrey undress at knifepoint and begins to fellate him before their encounter is interrupted by a knock at the door. Dorothy hides Jeffrey in the closet. From there he witnesses the visitor, Frank Booth (Dennis Hopper), inflict his bizarre sexual proclivities—which include inhaling an unidentified gas (possibly amyl nitrite), dry humping, and sadomasochism—upon Dorothy. Frank is an extremely foul-mouthed, violent sociopath whose orgasmic climax is a fit of both pleasure and rage. He continually refers to her as "Mommy" and to himself as both the "Daddy" and the "Baby", who "want to fuck." Frank has kidnapped Dorothy's husband and son to force her to perform sexual favors; to "Do it for van Gogh." When Frank leaves, a sad and desperate Dorothy tries to seduce Jeffrey again and demands that he hit her, but when he refuses, she tells him to leave. When Jeffrey moves to leave, she asks him to stay, though he leaves anyway.
Jeffrey relays his experience to Sandy, asking her why there are people like Frank. Sandy in turn tells him of a wonderful dream she had about robins that she interprets as a sign of hope for humanity. Jeffrey and Sandy find themselves attracted to each other, though Sandy has a boyfriend.
Jeffrey again visits Dorothy's apartment and she tells him that although she knows nothing about him, she has been yearning for him. Jeffrey attends another of Dorothy's performances at the club, where she sings the same song. At the club, Jeffrey spots Frank in the audience fondling a piece of blue velvet fabric he cut from Dorothy's robe. Jeffrey follows Frank and spends the next few days spying on him. Shortly afterwards, two men that Jeffrey calls the Well-Dressed Man and the Yellow Man exit an industrial building that Frank frequently visits. Jeffrey concludes the men are criminal associates of Frank, and tells his new findings to Sandy. The two briefly kiss, though she feels uncomfortable about going any further. Jeffrey immediately visits Dorothy again, and the two have sex. However, when he refuses to hit her, she pressures him, becoming more emotional. In a blind rage he knocks her backwards and is instantly horrified, but Dorothy derives pleasure from it.
Afterwards, Frank catches Dorothy and Jeffrey together and forces them both to accompany him to the apartment of Ben (Dean Stockwell), his suave, effeminate partner in crime who is holding Dorothy's son. Ben lip-syncs a performance of Roy Orbison's "In Dreams", sending Frank into maudlin sadness, then rage. Frank takes Jeffrey to a lumber yard and when he molests Dorothy, Jeffrey stands up to Frank by punching him. Frank's cronies drag Jeffrey out of the car and Frank kisses Jeffrey's face, intimidates him, and then savagely beats him to the overture of "In Dreams". Jeffrey wakes the next day at the same place and walks home, overcome with guilt and despair. He goes to the police station, where he notices that Sandy's father's partner is the Yellow Man—an officer named Lieutenant Detective Tom Gordon (Fred Pickler). Later, at Sandy's home, her father is amazed by Jeffrey's story, but warns Jeffrey to stop his amateur sleuthing lest he endanger himself and the investigation. Jeffrey and Sandy go to a dance together and profess their love, only to be confronted by Sandy's boyfriend. A confrontation is averted when the group finds Dorothy—naked, battered, and distressed—on Jeffrey's front lawn. Barely conscious, Dorothy reveals her intimacy with Jeffrey, causing Sandy to become upset and to slap Jeffrey, although she later forgives him.
Jeffrey insists on returning to Dorothy's apartment and tells Sandy to immediately send the police there, including her father. At Dorothy's apartment, Jeffrey finds Dorothy's husband (Don Vallens), who is dead from a gunshot to the head and identifiable by his missing ear, as well as the Yellow Man (Gordon), who bears a gruesome head wound and appears to have suffered a crude lobotomy. When Jeffrey tries to leave, he sees the Well-Dressed Man coming up the stairs and recognizes him as Frank in disguise. Jeffrey talks to Detective Williams over the Yellow Man's police radio, but lies about his location inside the apartment. Frank enters the apartment and brags about hearing Jeffrey's location over his own police radio. While Frank searches for him in the wrong room, Jeffrey retrieves the Yellow Man's gun and hides in the same closet in which he hid during his first visit to the apartment. Frank fires sporadically, knocking over the dead Yellow Man, who had still been standing up, and when he opens the closet door, Jeffrey fatally shoots him in the head. Detective Williams, gun drawn, enters with Sandy a moment later. Jeffrey and Sandy now go ahead with their relationship and note the unusual appearance of robins in their town. A montage sequence ends the film, which shows Dorothy and her son reunited. | [
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"content": "Who does Jeffrey pose as, in order to get into Dorothy's apartment?",
"role": "user"
}
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" Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Willia... | [
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31644,
31645,
31641,
31640
] | train |
Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Williams (George Dickerson) and becomes reacquainted with the detective's daughter, Sandy (Laura Dern). She tells him details about the ear case and a suspicious woman, Dorothy Vallens (Isabella Rossellini), who may be connected to the case. Increasingly curious, Jeffrey enters Dorothy's apartment by posing as an exterminator, and while Dorothy is distracted by a man dressed in a yellow suit at her door (whom Jeffrey later refers to as the Yellow Man), Jeffrey steals her spare key.
Jeffrey and Sandy attend Dorothy's nightclub act, in which she sings "Blue Velvet", and leave early so Jeffrey can sneak into her apartment to snoop. He hurriedly hides in a closet when she returns home. However, Dorothy, wielding a knife, discovers him and threatens to kill him. Believing his curiosity is merely sexual and aroused by his voyeurism, Dorothy makes Jeffrey undress at knifepoint and begins to fellate him before their encounter is interrupted by a knock at the door. Dorothy hides Jeffrey in the closet. From there he witnesses the visitor, Frank Booth (Dennis Hopper), inflict his bizarre sexual proclivities—which include inhaling an unidentified gas (possibly amyl nitrite), dry humping, and sadomasochism—upon Dorothy. Frank is an extremely foul-mouthed, violent sociopath whose orgasmic climax is a fit of both pleasure and rage. He continually refers to her as "Mommy" and to himself as both the "Daddy" and the "Baby", who "want to fuck." Frank has kidnapped Dorothy's husband and son to force her to perform sexual favors; to "Do it for van Gogh." When Frank leaves, a sad and desperate Dorothy tries to seduce Jeffrey again and demands that he hit her, but when he refuses, she tells him to leave. When Jeffrey moves to leave, she asks him to stay, though he leaves anyway.
Jeffrey relays his experience to Sandy, asking her why there are people like Frank. Sandy in turn tells him of a wonderful dream she had about robins that she interprets as a sign of hope for humanity. Jeffrey and Sandy find themselves attracted to each other, though Sandy has a boyfriend.
Jeffrey again visits Dorothy's apartment and she tells him that although she knows nothing about him, she has been yearning for him. Jeffrey attends another of Dorothy's performances at the club, where she sings the same song. At the club, Jeffrey spots Frank in the audience fondling a piece of blue velvet fabric he cut from Dorothy's robe. Jeffrey follows Frank and spends the next few days spying on him. Shortly afterwards, two men that Jeffrey calls the Well-Dressed Man and the Yellow Man exit an industrial building that Frank frequently visits. Jeffrey concludes the men are criminal associates of Frank, and tells his new findings to Sandy. The two briefly kiss, though she feels uncomfortable about going any further. Jeffrey immediately visits Dorothy again, and the two have sex. However, when he refuses to hit her, she pressures him, becoming more emotional. In a blind rage he knocks her backwards and is instantly horrified, but Dorothy derives pleasure from it.
Afterwards, Frank catches Dorothy and Jeffrey together and forces them both to accompany him to the apartment of Ben (Dean Stockwell), his suave, effeminate partner in crime who is holding Dorothy's son. Ben lip-syncs a performance of Roy Orbison's "In Dreams", sending Frank into maudlin sadness, then rage. Frank takes Jeffrey to a lumber yard and when he molests Dorothy, Jeffrey stands up to Frank by punching him. Frank's cronies drag Jeffrey out of the car and Frank kisses Jeffrey's face, intimidates him, and then savagely beats him to the overture of "In Dreams". Jeffrey wakes the next day at the same place and walks home, overcome with guilt and despair. He goes to the police station, where he notices that Sandy's father's partner is the Yellow Man—an officer named Lieutenant Detective Tom Gordon (Fred Pickler). Later, at Sandy's home, her father is amazed by Jeffrey's story, but warns Jeffrey to stop his amateur sleuthing lest he endanger himself and the investigation. Jeffrey and Sandy go to a dance together and profess their love, only to be confronted by Sandy's boyfriend. A confrontation is averted when the group finds Dorothy—naked, battered, and distressed—on Jeffrey's front lawn. Barely conscious, Dorothy reveals her intimacy with Jeffrey, causing Sandy to become upset and to slap Jeffrey, although she later forgives him.
Jeffrey insists on returning to Dorothy's apartment and tells Sandy to immediately send the police there, including her father. At Dorothy's apartment, Jeffrey finds Dorothy's husband (Don Vallens), who is dead from a gunshot to the head and identifiable by his missing ear, as well as the Yellow Man (Gordon), who bears a gruesome head wound and appears to have suffered a crude lobotomy. When Jeffrey tries to leave, he sees the Well-Dressed Man coming up the stairs and recognizes him as Frank in disguise. Jeffrey talks to Detective Williams over the Yellow Man's police radio, but lies about his location inside the apartment. Frank enters the apartment and brags about hearing Jeffrey's location over his own police radio. While Frank searches for him in the wrong room, Jeffrey retrieves the Yellow Man's gun and hides in the same closet in which he hid during his first visit to the apartment. Frank fires sporadically, knocking over the dead Yellow Man, who had still been standing up, and when he opens the closet door, Jeffrey fatally shoots him in the head. Detective Williams, gun drawn, enters with Sandy a moment later. Jeffrey and Sandy now go ahead with their relationship and note the unusual appearance of robins in their town. A montage sequence ends the film, which shows Dorothy and her son reunited. | [
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"content": "Which two people did Frank kidnap?",
"role": "user"
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" Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Willia... | [
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31644,
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Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Williams (George Dickerson) and becomes reacquainted with the detective's daughter, Sandy (Laura Dern). She tells him details about the ear case and a suspicious woman, Dorothy Vallens (Isabella Rossellini), who may be connected to the case. Increasingly curious, Jeffrey enters Dorothy's apartment by posing as an exterminator, and while Dorothy is distracted by a man dressed in a yellow suit at her door (whom Jeffrey later refers to as the Yellow Man), Jeffrey steals her spare key.
Jeffrey and Sandy attend Dorothy's nightclub act, in which she sings "Blue Velvet", and leave early so Jeffrey can sneak into her apartment to snoop. He hurriedly hides in a closet when she returns home. However, Dorothy, wielding a knife, discovers him and threatens to kill him. Believing his curiosity is merely sexual and aroused by his voyeurism, Dorothy makes Jeffrey undress at knifepoint and begins to fellate him before their encounter is interrupted by a knock at the door. Dorothy hides Jeffrey in the closet. From there he witnesses the visitor, Frank Booth (Dennis Hopper), inflict his bizarre sexual proclivities—which include inhaling an unidentified gas (possibly amyl nitrite), dry humping, and sadomasochism—upon Dorothy. Frank is an extremely foul-mouthed, violent sociopath whose orgasmic climax is a fit of both pleasure and rage. He continually refers to her as "Mommy" and to himself as both the "Daddy" and the "Baby", who "want to fuck." Frank has kidnapped Dorothy's husband and son to force her to perform sexual favors; to "Do it for van Gogh." When Frank leaves, a sad and desperate Dorothy tries to seduce Jeffrey again and demands that he hit her, but when he refuses, she tells him to leave. When Jeffrey moves to leave, she asks him to stay, though he leaves anyway.
Jeffrey relays his experience to Sandy, asking her why there are people like Frank. Sandy in turn tells him of a wonderful dream she had about robins that she interprets as a sign of hope for humanity. Jeffrey and Sandy find themselves attracted to each other, though Sandy has a boyfriend.
Jeffrey again visits Dorothy's apartment and she tells him that although she knows nothing about him, she has been yearning for him. Jeffrey attends another of Dorothy's performances at the club, where she sings the same song. At the club, Jeffrey spots Frank in the audience fondling a piece of blue velvet fabric he cut from Dorothy's robe. Jeffrey follows Frank and spends the next few days spying on him. Shortly afterwards, two men that Jeffrey calls the Well-Dressed Man and the Yellow Man exit an industrial building that Frank frequently visits. Jeffrey concludes the men are criminal associates of Frank, and tells his new findings to Sandy. The two briefly kiss, though she feels uncomfortable about going any further. Jeffrey immediately visits Dorothy again, and the two have sex. However, when he refuses to hit her, she pressures him, becoming more emotional. In a blind rage he knocks her backwards and is instantly horrified, but Dorothy derives pleasure from it.
Afterwards, Frank catches Dorothy and Jeffrey together and forces them both to accompany him to the apartment of Ben (Dean Stockwell), his suave, effeminate partner in crime who is holding Dorothy's son. Ben lip-syncs a performance of Roy Orbison's "In Dreams", sending Frank into maudlin sadness, then rage. Frank takes Jeffrey to a lumber yard and when he molests Dorothy, Jeffrey stands up to Frank by punching him. Frank's cronies drag Jeffrey out of the car and Frank kisses Jeffrey's face, intimidates him, and then savagely beats him to the overture of "In Dreams". Jeffrey wakes the next day at the same place and walks home, overcome with guilt and despair. He goes to the police station, where he notices that Sandy's father's partner is the Yellow Man—an officer named Lieutenant Detective Tom Gordon (Fred Pickler). Later, at Sandy's home, her father is amazed by Jeffrey's story, but warns Jeffrey to stop his amateur sleuthing lest he endanger himself and the investigation. Jeffrey and Sandy go to a dance together and profess their love, only to be confronted by Sandy's boyfriend. A confrontation is averted when the group finds Dorothy—naked, battered, and distressed—on Jeffrey's front lawn. Barely conscious, Dorothy reveals her intimacy with Jeffrey, causing Sandy to become upset and to slap Jeffrey, although she later forgives him.
Jeffrey insists on returning to Dorothy's apartment and tells Sandy to immediately send the police there, including her father. At Dorothy's apartment, Jeffrey finds Dorothy's husband (Don Vallens), who is dead from a gunshot to the head and identifiable by his missing ear, as well as the Yellow Man (Gordon), who bears a gruesome head wound and appears to have suffered a crude lobotomy. When Jeffrey tries to leave, he sees the Well-Dressed Man coming up the stairs and recognizes him as Frank in disguise. Jeffrey talks to Detective Williams over the Yellow Man's police radio, but lies about his location inside the apartment. Frank enters the apartment and brags about hearing Jeffrey's location over his own police radio. While Frank searches for him in the wrong room, Jeffrey retrieves the Yellow Man's gun and hides in the same closet in which he hid during his first visit to the apartment. Frank fires sporadically, knocking over the dead Yellow Man, who had still been standing up, and when he opens the closet door, Jeffrey fatally shoots him in the head. Detective Williams, gun drawn, enters with Sandy a moment later. Jeffrey and Sandy now go ahead with their relationship and note the unusual appearance of robins in their town. A montage sequence ends the film, which shows Dorothy and her son reunited. | [
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{
"content": "Who molested Dorothy?",
"role": "user"
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" Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Willia... | [
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31643,
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31641,
31640
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Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Williams (George Dickerson) and becomes reacquainted with the detective's daughter, Sandy (Laura Dern). She tells him details about the ear case and a suspicious woman, Dorothy Vallens (Isabella Rossellini), who may be connected to the case. Increasingly curious, Jeffrey enters Dorothy's apartment by posing as an exterminator, and while Dorothy is distracted by a man dressed in a yellow suit at her door (whom Jeffrey later refers to as the Yellow Man), Jeffrey steals her spare key.
Jeffrey and Sandy attend Dorothy's nightclub act, in which she sings "Blue Velvet", and leave early so Jeffrey can sneak into her apartment to snoop. He hurriedly hides in a closet when she returns home. However, Dorothy, wielding a knife, discovers him and threatens to kill him. Believing his curiosity is merely sexual and aroused by his voyeurism, Dorothy makes Jeffrey undress at knifepoint and begins to fellate him before their encounter is interrupted by a knock at the door. Dorothy hides Jeffrey in the closet. From there he witnesses the visitor, Frank Booth (Dennis Hopper), inflict his bizarre sexual proclivities—which include inhaling an unidentified gas (possibly amyl nitrite), dry humping, and sadomasochism—upon Dorothy. Frank is an extremely foul-mouthed, violent sociopath whose orgasmic climax is a fit of both pleasure and rage. He continually refers to her as "Mommy" and to himself as both the "Daddy" and the "Baby", who "want to fuck." Frank has kidnapped Dorothy's husband and son to force her to perform sexual favors; to "Do it for van Gogh." When Frank leaves, a sad and desperate Dorothy tries to seduce Jeffrey again and demands that he hit her, but when he refuses, she tells him to leave. When Jeffrey moves to leave, she asks him to stay, though he leaves anyway.
Jeffrey relays his experience to Sandy, asking her why there are people like Frank. Sandy in turn tells him of a wonderful dream she had about robins that she interprets as a sign of hope for humanity. Jeffrey and Sandy find themselves attracted to each other, though Sandy has a boyfriend.
Jeffrey again visits Dorothy's apartment and she tells him that although she knows nothing about him, she has been yearning for him. Jeffrey attends another of Dorothy's performances at the club, where she sings the same song. At the club, Jeffrey spots Frank in the audience fondling a piece of blue velvet fabric he cut from Dorothy's robe. Jeffrey follows Frank and spends the next few days spying on him. Shortly afterwards, two men that Jeffrey calls the Well-Dressed Man and the Yellow Man exit an industrial building that Frank frequently visits. Jeffrey concludes the men are criminal associates of Frank, and tells his new findings to Sandy. The two briefly kiss, though she feels uncomfortable about going any further. Jeffrey immediately visits Dorothy again, and the two have sex. However, when he refuses to hit her, she pressures him, becoming more emotional. In a blind rage he knocks her backwards and is instantly horrified, but Dorothy derives pleasure from it.
Afterwards, Frank catches Dorothy and Jeffrey together and forces them both to accompany him to the apartment of Ben (Dean Stockwell), his suave, effeminate partner in crime who is holding Dorothy's son. Ben lip-syncs a performance of Roy Orbison's "In Dreams", sending Frank into maudlin sadness, then rage. Frank takes Jeffrey to a lumber yard and when he molests Dorothy, Jeffrey stands up to Frank by punching him. Frank's cronies drag Jeffrey out of the car and Frank kisses Jeffrey's face, intimidates him, and then savagely beats him to the overture of "In Dreams". Jeffrey wakes the next day at the same place and walks home, overcome with guilt and despair. He goes to the police station, where he notices that Sandy's father's partner is the Yellow Man—an officer named Lieutenant Detective Tom Gordon (Fred Pickler). Later, at Sandy's home, her father is amazed by Jeffrey's story, but warns Jeffrey to stop his amateur sleuthing lest he endanger himself and the investigation. Jeffrey and Sandy go to a dance together and profess their love, only to be confronted by Sandy's boyfriend. A confrontation is averted when the group finds Dorothy—naked, battered, and distressed—on Jeffrey's front lawn. Barely conscious, Dorothy reveals her intimacy with Jeffrey, causing Sandy to become upset and to slap Jeffrey, although she later forgives him.
Jeffrey insists on returning to Dorothy's apartment and tells Sandy to immediately send the police there, including her father. At Dorothy's apartment, Jeffrey finds Dorothy's husband (Don Vallens), who is dead from a gunshot to the head and identifiable by his missing ear, as well as the Yellow Man (Gordon), who bears a gruesome head wound and appears to have suffered a crude lobotomy. When Jeffrey tries to leave, he sees the Well-Dressed Man coming up the stairs and recognizes him as Frank in disguise. Jeffrey talks to Detective Williams over the Yellow Man's police radio, but lies about his location inside the apartment. Frank enters the apartment and brags about hearing Jeffrey's location over his own police radio. While Frank searches for him in the wrong room, Jeffrey retrieves the Yellow Man's gun and hides in the same closet in which he hid during his first visit to the apartment. Frank fires sporadically, knocking over the dead Yellow Man, who had still been standing up, and when he opens the closet door, Jeffrey fatally shoots him in the head. Detective Williams, gun drawn, enters with Sandy a moment later. Jeffrey and Sandy now go ahead with their relationship and note the unusual appearance of robins in their town. A montage sequence ends the film, which shows Dorothy and her son reunited. | [
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"content": "How did Jeffrey kill Frank?",
"role": "user"
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" Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Willia... | [
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Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Williams (George Dickerson) and becomes reacquainted with the detective's daughter, Sandy (Laura Dern). She tells him details about the ear case and a suspicious woman, Dorothy Vallens (Isabella Rossellini), who may be connected to the case. Increasingly curious, Jeffrey enters Dorothy's apartment by posing as an exterminator, and while Dorothy is distracted by a man dressed in a yellow suit at her door (whom Jeffrey later refers to as the Yellow Man), Jeffrey steals her spare key.
Jeffrey and Sandy attend Dorothy's nightclub act, in which she sings "Blue Velvet", and leave early so Jeffrey can sneak into her apartment to snoop. He hurriedly hides in a closet when she returns home. However, Dorothy, wielding a knife, discovers him and threatens to kill him. Believing his curiosity is merely sexual and aroused by his voyeurism, Dorothy makes Jeffrey undress at knifepoint and begins to fellate him before their encounter is interrupted by a knock at the door. Dorothy hides Jeffrey in the closet. From there he witnesses the visitor, Frank Booth (Dennis Hopper), inflict his bizarre sexual proclivities—which include inhaling an unidentified gas (possibly amyl nitrite), dry humping, and sadomasochism—upon Dorothy. Frank is an extremely foul-mouthed, violent sociopath whose orgasmic climax is a fit of both pleasure and rage. He continually refers to her as "Mommy" and to himself as both the "Daddy" and the "Baby", who "want to fuck." Frank has kidnapped Dorothy's husband and son to force her to perform sexual favors; to "Do it for van Gogh." When Frank leaves, a sad and desperate Dorothy tries to seduce Jeffrey again and demands that he hit her, but when he refuses, she tells him to leave. When Jeffrey moves to leave, she asks him to stay, though he leaves anyway.
Jeffrey relays his experience to Sandy, asking her why there are people like Frank. Sandy in turn tells him of a wonderful dream she had about robins that she interprets as a sign of hope for humanity. Jeffrey and Sandy find themselves attracted to each other, though Sandy has a boyfriend.
Jeffrey again visits Dorothy's apartment and she tells him that although she knows nothing about him, she has been yearning for him. Jeffrey attends another of Dorothy's performances at the club, where she sings the same song. At the club, Jeffrey spots Frank in the audience fondling a piece of blue velvet fabric he cut from Dorothy's robe. Jeffrey follows Frank and spends the next few days spying on him. Shortly afterwards, two men that Jeffrey calls the Well-Dressed Man and the Yellow Man exit an industrial building that Frank frequently visits. Jeffrey concludes the men are criminal associates of Frank, and tells his new findings to Sandy. The two briefly kiss, though she feels uncomfortable about going any further. Jeffrey immediately visits Dorothy again, and the two have sex. However, when he refuses to hit her, she pressures him, becoming more emotional. In a blind rage he knocks her backwards and is instantly horrified, but Dorothy derives pleasure from it.
Afterwards, Frank catches Dorothy and Jeffrey together and forces them both to accompany him to the apartment of Ben (Dean Stockwell), his suave, effeminate partner in crime who is holding Dorothy's son. Ben lip-syncs a performance of Roy Orbison's "In Dreams", sending Frank into maudlin sadness, then rage. Frank takes Jeffrey to a lumber yard and when he molests Dorothy, Jeffrey stands up to Frank by punching him. Frank's cronies drag Jeffrey out of the car and Frank kisses Jeffrey's face, intimidates him, and then savagely beats him to the overture of "In Dreams". Jeffrey wakes the next day at the same place and walks home, overcome with guilt and despair. He goes to the police station, where he notices that Sandy's father's partner is the Yellow Man—an officer named Lieutenant Detective Tom Gordon (Fred Pickler). Later, at Sandy's home, her father is amazed by Jeffrey's story, but warns Jeffrey to stop his amateur sleuthing lest he endanger himself and the investigation. Jeffrey and Sandy go to a dance together and profess their love, only to be confronted by Sandy's boyfriend. A confrontation is averted when the group finds Dorothy—naked, battered, and distressed—on Jeffrey's front lawn. Barely conscious, Dorothy reveals her intimacy with Jeffrey, causing Sandy to become upset and to slap Jeffrey, although she later forgives him.
Jeffrey insists on returning to Dorothy's apartment and tells Sandy to immediately send the police there, including her father. At Dorothy's apartment, Jeffrey finds Dorothy's husband (Don Vallens), who is dead from a gunshot to the head and identifiable by his missing ear, as well as the Yellow Man (Gordon), who bears a gruesome head wound and appears to have suffered a crude lobotomy. When Jeffrey tries to leave, he sees the Well-Dressed Man coming up the stairs and recognizes him as Frank in disguise. Jeffrey talks to Detective Williams over the Yellow Man's police radio, but lies about his location inside the apartment. Frank enters the apartment and brags about hearing Jeffrey's location over his own police radio. While Frank searches for him in the wrong room, Jeffrey retrieves the Yellow Man's gun and hides in the same closet in which he hid during his first visit to the apartment. Frank fires sporadically, knocking over the dead Yellow Man, who had still been standing up, and when he opens the closet door, Jeffrey fatally shoots him in the head. Detective Williams, gun drawn, enters with Sandy a moment later. Jeffrey and Sandy now go ahead with their relationship and note the unusual appearance of robins in their town. A montage sequence ends the film, which shows Dorothy and her son reunited. | [
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" Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Willia... | [
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31643,
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Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Williams (George Dickerson) and becomes reacquainted with the detective's daughter, Sandy (Laura Dern). She tells him details about the ear case and a suspicious woman, Dorothy Vallens (Isabella Rossellini), who may be connected to the case. Increasingly curious, Jeffrey enters Dorothy's apartment by posing as an exterminator, and while Dorothy is distracted by a man dressed in a yellow suit at her door (whom Jeffrey later refers to as the Yellow Man), Jeffrey steals her spare key.
Jeffrey and Sandy attend Dorothy's nightclub act, in which she sings "Blue Velvet", and leave early so Jeffrey can sneak into her apartment to snoop. He hurriedly hides in a closet when she returns home. However, Dorothy, wielding a knife, discovers him and threatens to kill him. Believing his curiosity is merely sexual and aroused by his voyeurism, Dorothy makes Jeffrey undress at knifepoint and begins to fellate him before their encounter is interrupted by a knock at the door. Dorothy hides Jeffrey in the closet. From there he witnesses the visitor, Frank Booth (Dennis Hopper), inflict his bizarre sexual proclivities—which include inhaling an unidentified gas (possibly amyl nitrite), dry humping, and sadomasochism—upon Dorothy. Frank is an extremely foul-mouthed, violent sociopath whose orgasmic climax is a fit of both pleasure and rage. He continually refers to her as "Mommy" and to himself as both the "Daddy" and the "Baby", who "want to fuck." Frank has kidnapped Dorothy's husband and son to force her to perform sexual favors; to "Do it for van Gogh." When Frank leaves, a sad and desperate Dorothy tries to seduce Jeffrey again and demands that he hit her, but when he refuses, she tells him to leave. When Jeffrey moves to leave, she asks him to stay, though he leaves anyway.
Jeffrey relays his experience to Sandy, asking her why there are people like Frank. Sandy in turn tells him of a wonderful dream she had about robins that she interprets as a sign of hope for humanity. Jeffrey and Sandy find themselves attracted to each other, though Sandy has a boyfriend.
Jeffrey again visits Dorothy's apartment and she tells him that although she knows nothing about him, she has been yearning for him. Jeffrey attends another of Dorothy's performances at the club, where she sings the same song. At the club, Jeffrey spots Frank in the audience fondling a piece of blue velvet fabric he cut from Dorothy's robe. Jeffrey follows Frank and spends the next few days spying on him. Shortly afterwards, two men that Jeffrey calls the Well-Dressed Man and the Yellow Man exit an industrial building that Frank frequently visits. Jeffrey concludes the men are criminal associates of Frank, and tells his new findings to Sandy. The two briefly kiss, though she feels uncomfortable about going any further. Jeffrey immediately visits Dorothy again, and the two have sex. However, when he refuses to hit her, she pressures him, becoming more emotional. In a blind rage he knocks her backwards and is instantly horrified, but Dorothy derives pleasure from it.
Afterwards, Frank catches Dorothy and Jeffrey together and forces them both to accompany him to the apartment of Ben (Dean Stockwell), his suave, effeminate partner in crime who is holding Dorothy's son. Ben lip-syncs a performance of Roy Orbison's "In Dreams", sending Frank into maudlin sadness, then rage. Frank takes Jeffrey to a lumber yard and when he molests Dorothy, Jeffrey stands up to Frank by punching him. Frank's cronies drag Jeffrey out of the car and Frank kisses Jeffrey's face, intimidates him, and then savagely beats him to the overture of "In Dreams". Jeffrey wakes the next day at the same place and walks home, overcome with guilt and despair. He goes to the police station, where he notices that Sandy's father's partner is the Yellow Man—an officer named Lieutenant Detective Tom Gordon (Fred Pickler). Later, at Sandy's home, her father is amazed by Jeffrey's story, but warns Jeffrey to stop his amateur sleuthing lest he endanger himself and the investigation. Jeffrey and Sandy go to a dance together and profess their love, only to be confronted by Sandy's boyfriend. A confrontation is averted when the group finds Dorothy—naked, battered, and distressed—on Jeffrey's front lawn. Barely conscious, Dorothy reveals her intimacy with Jeffrey, causing Sandy to become upset and to slap Jeffrey, although she later forgives him.
Jeffrey insists on returning to Dorothy's apartment and tells Sandy to immediately send the police there, including her father. At Dorothy's apartment, Jeffrey finds Dorothy's husband (Don Vallens), who is dead from a gunshot to the head and identifiable by his missing ear, as well as the Yellow Man (Gordon), who bears a gruesome head wound and appears to have suffered a crude lobotomy. When Jeffrey tries to leave, he sees the Well-Dressed Man coming up the stairs and recognizes him as Frank in disguise. Jeffrey talks to Detective Williams over the Yellow Man's police radio, but lies about his location inside the apartment. Frank enters the apartment and brags about hearing Jeffrey's location over his own police radio. While Frank searches for him in the wrong room, Jeffrey retrieves the Yellow Man's gun and hides in the same closet in which he hid during his first visit to the apartment. Frank fires sporadically, knocking over the dead Yellow Man, who had still been standing up, and when he opens the closet door, Jeffrey fatally shoots him in the head. Detective Williams, gun drawn, enters with Sandy a moment later. Jeffrey and Sandy now go ahead with their relationship and note the unusual appearance of robins in their town. A montage sequence ends the film, which shows Dorothy and her son reunited. | [
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" Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Willia... | [
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31640
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Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Williams (George Dickerson) and becomes reacquainted with the detective's daughter, Sandy (Laura Dern). She tells him details about the ear case and a suspicious woman, Dorothy Vallens (Isabella Rossellini), who may be connected to the case. Increasingly curious, Jeffrey enters Dorothy's apartment by posing as an exterminator, and while Dorothy is distracted by a man dressed in a yellow suit at her door (whom Jeffrey later refers to as the Yellow Man), Jeffrey steals her spare key.
Jeffrey and Sandy attend Dorothy's nightclub act, in which she sings "Blue Velvet", and leave early so Jeffrey can sneak into her apartment to snoop. He hurriedly hides in a closet when she returns home. However, Dorothy, wielding a knife, discovers him and threatens to kill him. Believing his curiosity is merely sexual and aroused by his voyeurism, Dorothy makes Jeffrey undress at knifepoint and begins to fellate him before their encounter is interrupted by a knock at the door. Dorothy hides Jeffrey in the closet. From there he witnesses the visitor, Frank Booth (Dennis Hopper), inflict his bizarre sexual proclivities—which include inhaling an unidentified gas (possibly amyl nitrite), dry humping, and sadomasochism—upon Dorothy. Frank is an extremely foul-mouthed, violent sociopath whose orgasmic climax is a fit of both pleasure and rage. He continually refers to her as "Mommy" and to himself as both the "Daddy" and the "Baby", who "want to fuck." Frank has kidnapped Dorothy's husband and son to force her to perform sexual favors; to "Do it for van Gogh." When Frank leaves, a sad and desperate Dorothy tries to seduce Jeffrey again and demands that he hit her, but when he refuses, she tells him to leave. When Jeffrey moves to leave, she asks him to stay, though he leaves anyway.
Jeffrey relays his experience to Sandy, asking her why there are people like Frank. Sandy in turn tells him of a wonderful dream she had about robins that she interprets as a sign of hope for humanity. Jeffrey and Sandy find themselves attracted to each other, though Sandy has a boyfriend.
Jeffrey again visits Dorothy's apartment and she tells him that although she knows nothing about him, she has been yearning for him. Jeffrey attends another of Dorothy's performances at the club, where she sings the same song. At the club, Jeffrey spots Frank in the audience fondling a piece of blue velvet fabric he cut from Dorothy's robe. Jeffrey follows Frank and spends the next few days spying on him. Shortly afterwards, two men that Jeffrey calls the Well-Dressed Man and the Yellow Man exit an industrial building that Frank frequently visits. Jeffrey concludes the men are criminal associates of Frank, and tells his new findings to Sandy. The two briefly kiss, though she feels uncomfortable about going any further. Jeffrey immediately visits Dorothy again, and the two have sex. However, when he refuses to hit her, she pressures him, becoming more emotional. In a blind rage he knocks her backwards and is instantly horrified, but Dorothy derives pleasure from it.
Afterwards, Frank catches Dorothy and Jeffrey together and forces them both to accompany him to the apartment of Ben (Dean Stockwell), his suave, effeminate partner in crime who is holding Dorothy's son. Ben lip-syncs a performance of Roy Orbison's "In Dreams", sending Frank into maudlin sadness, then rage. Frank takes Jeffrey to a lumber yard and when he molests Dorothy, Jeffrey stands up to Frank by punching him. Frank's cronies drag Jeffrey out of the car and Frank kisses Jeffrey's face, intimidates him, and then savagely beats him to the overture of "In Dreams". Jeffrey wakes the next day at the same place and walks home, overcome with guilt and despair. He goes to the police station, where he notices that Sandy's father's partner is the Yellow Man—an officer named Lieutenant Detective Tom Gordon (Fred Pickler). Later, at Sandy's home, her father is amazed by Jeffrey's story, but warns Jeffrey to stop his amateur sleuthing lest he endanger himself and the investigation. Jeffrey and Sandy go to a dance together and profess their love, only to be confronted by Sandy's boyfriend. A confrontation is averted when the group finds Dorothy—naked, battered, and distressed—on Jeffrey's front lawn. Barely conscious, Dorothy reveals her intimacy with Jeffrey, causing Sandy to become upset and to slap Jeffrey, although she later forgives him.
Jeffrey insists on returning to Dorothy's apartment and tells Sandy to immediately send the police there, including her father. At Dorothy's apartment, Jeffrey finds Dorothy's husband (Don Vallens), who is dead from a gunshot to the head and identifiable by his missing ear, as well as the Yellow Man (Gordon), who bears a gruesome head wound and appears to have suffered a crude lobotomy. When Jeffrey tries to leave, he sees the Well-Dressed Man coming up the stairs and recognizes him as Frank in disguise. Jeffrey talks to Detective Williams over the Yellow Man's police radio, but lies about his location inside the apartment. Frank enters the apartment and brags about hearing Jeffrey's location over his own police radio. While Frank searches for him in the wrong room, Jeffrey retrieves the Yellow Man's gun and hides in the same closet in which he hid during his first visit to the apartment. Frank fires sporadically, knocking over the dead Yellow Man, who had still been standing up, and when he opens the closet door, Jeffrey fatally shoots him in the head. Detective Williams, gun drawn, enters with Sandy a moment later. Jeffrey and Sandy now go ahead with their relationship and note the unusual appearance of robins in their town. A montage sequence ends the film, which shows Dorothy and her son reunited. | [
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" Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Willia... | [
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31643,
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31640
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Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Williams (George Dickerson) and becomes reacquainted with the detective's daughter, Sandy (Laura Dern). She tells him details about the ear case and a suspicious woman, Dorothy Vallens (Isabella Rossellini), who may be connected to the case. Increasingly curious, Jeffrey enters Dorothy's apartment by posing as an exterminator, and while Dorothy is distracted by a man dressed in a yellow suit at her door (whom Jeffrey later refers to as the Yellow Man), Jeffrey steals her spare key.
Jeffrey and Sandy attend Dorothy's nightclub act, in which she sings "Blue Velvet", and leave early so Jeffrey can sneak into her apartment to snoop. He hurriedly hides in a closet when she returns home. However, Dorothy, wielding a knife, discovers him and threatens to kill him. Believing his curiosity is merely sexual and aroused by his voyeurism, Dorothy makes Jeffrey undress at knifepoint and begins to fellate him before their encounter is interrupted by a knock at the door. Dorothy hides Jeffrey in the closet. From there he witnesses the visitor, Frank Booth (Dennis Hopper), inflict his bizarre sexual proclivities—which include inhaling an unidentified gas (possibly amyl nitrite), dry humping, and sadomasochism—upon Dorothy. Frank is an extremely foul-mouthed, violent sociopath whose orgasmic climax is a fit of both pleasure and rage. He continually refers to her as "Mommy" and to himself as both the "Daddy" and the "Baby", who "want to fuck." Frank has kidnapped Dorothy's husband and son to force her to perform sexual favors; to "Do it for van Gogh." When Frank leaves, a sad and desperate Dorothy tries to seduce Jeffrey again and demands that he hit her, but when he refuses, she tells him to leave. When Jeffrey moves to leave, she asks him to stay, though he leaves anyway.
Jeffrey relays his experience to Sandy, asking her why there are people like Frank. Sandy in turn tells him of a wonderful dream she had about robins that she interprets as a sign of hope for humanity. Jeffrey and Sandy find themselves attracted to each other, though Sandy has a boyfriend.
Jeffrey again visits Dorothy's apartment and she tells him that although she knows nothing about him, she has been yearning for him. Jeffrey attends another of Dorothy's performances at the club, where she sings the same song. At the club, Jeffrey spots Frank in the audience fondling a piece of blue velvet fabric he cut from Dorothy's robe. Jeffrey follows Frank and spends the next few days spying on him. Shortly afterwards, two men that Jeffrey calls the Well-Dressed Man and the Yellow Man exit an industrial building that Frank frequently visits. Jeffrey concludes the men are criminal associates of Frank, and tells his new findings to Sandy. The two briefly kiss, though she feels uncomfortable about going any further. Jeffrey immediately visits Dorothy again, and the two have sex. However, when he refuses to hit her, she pressures him, becoming more emotional. In a blind rage he knocks her backwards and is instantly horrified, but Dorothy derives pleasure from it.
Afterwards, Frank catches Dorothy and Jeffrey together and forces them both to accompany him to the apartment of Ben (Dean Stockwell), his suave, effeminate partner in crime who is holding Dorothy's son. Ben lip-syncs a performance of Roy Orbison's "In Dreams", sending Frank into maudlin sadness, then rage. Frank takes Jeffrey to a lumber yard and when he molests Dorothy, Jeffrey stands up to Frank by punching him. Frank's cronies drag Jeffrey out of the car and Frank kisses Jeffrey's face, intimidates him, and then savagely beats him to the overture of "In Dreams". Jeffrey wakes the next day at the same place and walks home, overcome with guilt and despair. He goes to the police station, where he notices that Sandy's father's partner is the Yellow Man—an officer named Lieutenant Detective Tom Gordon (Fred Pickler). Later, at Sandy's home, her father is amazed by Jeffrey's story, but warns Jeffrey to stop his amateur sleuthing lest he endanger himself and the investigation. Jeffrey and Sandy go to a dance together and profess their love, only to be confronted by Sandy's boyfriend. A confrontation is averted when the group finds Dorothy—naked, battered, and distressed—on Jeffrey's front lawn. Barely conscious, Dorothy reveals her intimacy with Jeffrey, causing Sandy to become upset and to slap Jeffrey, although she later forgives him.
Jeffrey insists on returning to Dorothy's apartment and tells Sandy to immediately send the police there, including her father. At Dorothy's apartment, Jeffrey finds Dorothy's husband (Don Vallens), who is dead from a gunshot to the head and identifiable by his missing ear, as well as the Yellow Man (Gordon), who bears a gruesome head wound and appears to have suffered a crude lobotomy. When Jeffrey tries to leave, he sees the Well-Dressed Man coming up the stairs and recognizes him as Frank in disguise. Jeffrey talks to Detective Williams over the Yellow Man's police radio, but lies about his location inside the apartment. Frank enters the apartment and brags about hearing Jeffrey's location over his own police radio. While Frank searches for him in the wrong room, Jeffrey retrieves the Yellow Man's gun and hides in the same closet in which he hid during his first visit to the apartment. Frank fires sporadically, knocking over the dead Yellow Man, who had still been standing up, and when he opens the closet door, Jeffrey fatally shoots him in the head. Detective Williams, gun drawn, enters with Sandy a moment later. Jeffrey and Sandy now go ahead with their relationship and note the unusual appearance of robins in their town. A montage sequence ends the film, which shows Dorothy and her son reunited. | [
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" Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Willia... | [
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31643,
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31645,
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31640
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Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Williams (George Dickerson) and becomes reacquainted with the detective's daughter, Sandy (Laura Dern). She tells him details about the ear case and a suspicious woman, Dorothy Vallens (Isabella Rossellini), who may be connected to the case. Increasingly curious, Jeffrey enters Dorothy's apartment by posing as an exterminator, and while Dorothy is distracted by a man dressed in a yellow suit at her door (whom Jeffrey later refers to as the Yellow Man), Jeffrey steals her spare key.
Jeffrey and Sandy attend Dorothy's nightclub act, in which she sings "Blue Velvet", and leave early so Jeffrey can sneak into her apartment to snoop. He hurriedly hides in a closet when she returns home. However, Dorothy, wielding a knife, discovers him and threatens to kill him. Believing his curiosity is merely sexual and aroused by his voyeurism, Dorothy makes Jeffrey undress at knifepoint and begins to fellate him before their encounter is interrupted by a knock at the door. Dorothy hides Jeffrey in the closet. From there he witnesses the visitor, Frank Booth (Dennis Hopper), inflict his bizarre sexual proclivities—which include inhaling an unidentified gas (possibly amyl nitrite), dry humping, and sadomasochism—upon Dorothy. Frank is an extremely foul-mouthed, violent sociopath whose orgasmic climax is a fit of both pleasure and rage. He continually refers to her as "Mommy" and to himself as both the "Daddy" and the "Baby", who "want to fuck." Frank has kidnapped Dorothy's husband and son to force her to perform sexual favors; to "Do it for van Gogh." When Frank leaves, a sad and desperate Dorothy tries to seduce Jeffrey again and demands that he hit her, but when he refuses, she tells him to leave. When Jeffrey moves to leave, she asks him to stay, though he leaves anyway.
Jeffrey relays his experience to Sandy, asking her why there are people like Frank. Sandy in turn tells him of a wonderful dream she had about robins that she interprets as a sign of hope for humanity. Jeffrey and Sandy find themselves attracted to each other, though Sandy has a boyfriend.
Jeffrey again visits Dorothy's apartment and she tells him that although she knows nothing about him, she has been yearning for him. Jeffrey attends another of Dorothy's performances at the club, where she sings the same song. At the club, Jeffrey spots Frank in the audience fondling a piece of blue velvet fabric he cut from Dorothy's robe. Jeffrey follows Frank and spends the next few days spying on him. Shortly afterwards, two men that Jeffrey calls the Well-Dressed Man and the Yellow Man exit an industrial building that Frank frequently visits. Jeffrey concludes the men are criminal associates of Frank, and tells his new findings to Sandy. The two briefly kiss, though she feels uncomfortable about going any further. Jeffrey immediately visits Dorothy again, and the two have sex. However, when he refuses to hit her, she pressures him, becoming more emotional. In a blind rage he knocks her backwards and is instantly horrified, but Dorothy derives pleasure from it.
Afterwards, Frank catches Dorothy and Jeffrey together and forces them both to accompany him to the apartment of Ben (Dean Stockwell), his suave, effeminate partner in crime who is holding Dorothy's son. Ben lip-syncs a performance of Roy Orbison's "In Dreams", sending Frank into maudlin sadness, then rage. Frank takes Jeffrey to a lumber yard and when he molests Dorothy, Jeffrey stands up to Frank by punching him. Frank's cronies drag Jeffrey out of the car and Frank kisses Jeffrey's face, intimidates him, and then savagely beats him to the overture of "In Dreams". Jeffrey wakes the next day at the same place and walks home, overcome with guilt and despair. He goes to the police station, where he notices that Sandy's father's partner is the Yellow Man—an officer named Lieutenant Detective Tom Gordon (Fred Pickler). Later, at Sandy's home, her father is amazed by Jeffrey's story, but warns Jeffrey to stop his amateur sleuthing lest he endanger himself and the investigation. Jeffrey and Sandy go to a dance together and profess their love, only to be confronted by Sandy's boyfriend. A confrontation is averted when the group finds Dorothy—naked, battered, and distressed—on Jeffrey's front lawn. Barely conscious, Dorothy reveals her intimacy with Jeffrey, causing Sandy to become upset and to slap Jeffrey, although she later forgives him.
Jeffrey insists on returning to Dorothy's apartment and tells Sandy to immediately send the police there, including her father. At Dorothy's apartment, Jeffrey finds Dorothy's husband (Don Vallens), who is dead from a gunshot to the head and identifiable by his missing ear, as well as the Yellow Man (Gordon), who bears a gruesome head wound and appears to have suffered a crude lobotomy. When Jeffrey tries to leave, he sees the Well-Dressed Man coming up the stairs and recognizes him as Frank in disguise. Jeffrey talks to Detective Williams over the Yellow Man's police radio, but lies about his location inside the apartment. Frank enters the apartment and brags about hearing Jeffrey's location over his own police radio. While Frank searches for him in the wrong room, Jeffrey retrieves the Yellow Man's gun and hides in the same closet in which he hid during his first visit to the apartment. Frank fires sporadically, knocking over the dead Yellow Man, who had still been standing up, and when he opens the closet door, Jeffrey fatally shoots him in the head. Detective Williams, gun drawn, enters with Sandy a moment later. Jeffrey and Sandy now go ahead with their relationship and note the unusual appearance of robins in their town. A montage sequence ends the film, which shows Dorothy and her son reunited. | [
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"Isabella Rossellini",
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{
"content": "Who plays the role of Dorothy Valens?",
"role": "user"
}
] | 31,650 | [
" Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Willia... | [
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Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Williams (George Dickerson) and becomes reacquainted with the detective's daughter, Sandy (Laura Dern). She tells him details about the ear case and a suspicious woman, Dorothy Vallens (Isabella Rossellini), who may be connected to the case. Increasingly curious, Jeffrey enters Dorothy's apartment by posing as an exterminator, and while Dorothy is distracted by a man dressed in a yellow suit at her door (whom Jeffrey later refers to as the Yellow Man), Jeffrey steals her spare key.
Jeffrey and Sandy attend Dorothy's nightclub act, in which she sings "Blue Velvet", and leave early so Jeffrey can sneak into her apartment to snoop. He hurriedly hides in a closet when she returns home. However, Dorothy, wielding a knife, discovers him and threatens to kill him. Believing his curiosity is merely sexual and aroused by his voyeurism, Dorothy makes Jeffrey undress at knifepoint and begins to fellate him before their encounter is interrupted by a knock at the door. Dorothy hides Jeffrey in the closet. From there he witnesses the visitor, Frank Booth (Dennis Hopper), inflict his bizarre sexual proclivities—which include inhaling an unidentified gas (possibly amyl nitrite), dry humping, and sadomasochism—upon Dorothy. Frank is an extremely foul-mouthed, violent sociopath whose orgasmic climax is a fit of both pleasure and rage. He continually refers to her as "Mommy" and to himself as both the "Daddy" and the "Baby", who "want to fuck." Frank has kidnapped Dorothy's husband and son to force her to perform sexual favors; to "Do it for van Gogh." When Frank leaves, a sad and desperate Dorothy tries to seduce Jeffrey again and demands that he hit her, but when he refuses, she tells him to leave. When Jeffrey moves to leave, she asks him to stay, though he leaves anyway.
Jeffrey relays his experience to Sandy, asking her why there are people like Frank. Sandy in turn tells him of a wonderful dream she had about robins that she interprets as a sign of hope for humanity. Jeffrey and Sandy find themselves attracted to each other, though Sandy has a boyfriend.
Jeffrey again visits Dorothy's apartment and she tells him that although she knows nothing about him, she has been yearning for him. Jeffrey attends another of Dorothy's performances at the club, where she sings the same song. At the club, Jeffrey spots Frank in the audience fondling a piece of blue velvet fabric he cut from Dorothy's robe. Jeffrey follows Frank and spends the next few days spying on him. Shortly afterwards, two men that Jeffrey calls the Well-Dressed Man and the Yellow Man exit an industrial building that Frank frequently visits. Jeffrey concludes the men are criminal associates of Frank, and tells his new findings to Sandy. The two briefly kiss, though she feels uncomfortable about going any further. Jeffrey immediately visits Dorothy again, and the two have sex. However, when he refuses to hit her, she pressures him, becoming more emotional. In a blind rage he knocks her backwards and is instantly horrified, but Dorothy derives pleasure from it.
Afterwards, Frank catches Dorothy and Jeffrey together and forces them both to accompany him to the apartment of Ben (Dean Stockwell), his suave, effeminate partner in crime who is holding Dorothy's son. Ben lip-syncs a performance of Roy Orbison's "In Dreams", sending Frank into maudlin sadness, then rage. Frank takes Jeffrey to a lumber yard and when he molests Dorothy, Jeffrey stands up to Frank by punching him. Frank's cronies drag Jeffrey out of the car and Frank kisses Jeffrey's face, intimidates him, and then savagely beats him to the overture of "In Dreams". Jeffrey wakes the next day at the same place and walks home, overcome with guilt and despair. He goes to the police station, where he notices that Sandy's father's partner is the Yellow Man—an officer named Lieutenant Detective Tom Gordon (Fred Pickler). Later, at Sandy's home, her father is amazed by Jeffrey's story, but warns Jeffrey to stop his amateur sleuthing lest he endanger himself and the investigation. Jeffrey and Sandy go to a dance together and profess their love, only to be confronted by Sandy's boyfriend. A confrontation is averted when the group finds Dorothy—naked, battered, and distressed—on Jeffrey's front lawn. Barely conscious, Dorothy reveals her intimacy with Jeffrey, causing Sandy to become upset and to slap Jeffrey, although she later forgives him.
Jeffrey insists on returning to Dorothy's apartment and tells Sandy to immediately send the police there, including her father. At Dorothy's apartment, Jeffrey finds Dorothy's husband (Don Vallens), who is dead from a gunshot to the head and identifiable by his missing ear, as well as the Yellow Man (Gordon), who bears a gruesome head wound and appears to have suffered a crude lobotomy. When Jeffrey tries to leave, he sees the Well-Dressed Man coming up the stairs and recognizes him as Frank in disguise. Jeffrey talks to Detective Williams over the Yellow Man's police radio, but lies about his location inside the apartment. Frank enters the apartment and brags about hearing Jeffrey's location over his own police radio. While Frank searches for him in the wrong room, Jeffrey retrieves the Yellow Man's gun and hides in the same closet in which he hid during his first visit to the apartment. Frank fires sporadically, knocking over the dead Yellow Man, who had still been standing up, and when he opens the closet door, Jeffrey fatally shoots him in the head. Detective Williams, gun drawn, enters with Sandy a moment later. Jeffrey and Sandy now go ahead with their relationship and note the unusual appearance of robins in their town. A montage sequence ends the film, which shows Dorothy and her son reunited. | [
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"Dorothy's husband.",
"Frank."
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"content": "Who is referred to as \"Van Goh\" in this story?",
"role": "user"
}
] | 31,651 | [
" Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Willia... | [
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31642,
31643,
31644,
31645,
31641,
31640
] | train |
Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Williams (George Dickerson) and becomes reacquainted with the detective's daughter, Sandy (Laura Dern). She tells him details about the ear case and a suspicious woman, Dorothy Vallens (Isabella Rossellini), who may be connected to the case. Increasingly curious, Jeffrey enters Dorothy's apartment by posing as an exterminator, and while Dorothy is distracted by a man dressed in a yellow suit at her door (whom Jeffrey later refers to as the Yellow Man), Jeffrey steals her spare key.
Jeffrey and Sandy attend Dorothy's nightclub act, in which she sings "Blue Velvet", and leave early so Jeffrey can sneak into her apartment to snoop. He hurriedly hides in a closet when she returns home. However, Dorothy, wielding a knife, discovers him and threatens to kill him. Believing his curiosity is merely sexual and aroused by his voyeurism, Dorothy makes Jeffrey undress at knifepoint and begins to fellate him before their encounter is interrupted by a knock at the door. Dorothy hides Jeffrey in the closet. From there he witnesses the visitor, Frank Booth (Dennis Hopper), inflict his bizarre sexual proclivities—which include inhaling an unidentified gas (possibly amyl nitrite), dry humping, and sadomasochism—upon Dorothy. Frank is an extremely foul-mouthed, violent sociopath whose orgasmic climax is a fit of both pleasure and rage. He continually refers to her as "Mommy" and to himself as both the "Daddy" and the "Baby", who "want to fuck." Frank has kidnapped Dorothy's husband and son to force her to perform sexual favors; to "Do it for van Gogh." When Frank leaves, a sad and desperate Dorothy tries to seduce Jeffrey again and demands that he hit her, but when he refuses, she tells him to leave. When Jeffrey moves to leave, she asks him to stay, though he leaves anyway.
Jeffrey relays his experience to Sandy, asking her why there are people like Frank. Sandy in turn tells him of a wonderful dream she had about robins that she interprets as a sign of hope for humanity. Jeffrey and Sandy find themselves attracted to each other, though Sandy has a boyfriend.
Jeffrey again visits Dorothy's apartment and she tells him that although she knows nothing about him, she has been yearning for him. Jeffrey attends another of Dorothy's performances at the club, where she sings the same song. At the club, Jeffrey spots Frank in the audience fondling a piece of blue velvet fabric he cut from Dorothy's robe. Jeffrey follows Frank and spends the next few days spying on him. Shortly afterwards, two men that Jeffrey calls the Well-Dressed Man and the Yellow Man exit an industrial building that Frank frequently visits. Jeffrey concludes the men are criminal associates of Frank, and tells his new findings to Sandy. The two briefly kiss, though she feels uncomfortable about going any further. Jeffrey immediately visits Dorothy again, and the two have sex. However, when he refuses to hit her, she pressures him, becoming more emotional. In a blind rage he knocks her backwards and is instantly horrified, but Dorothy derives pleasure from it.
Afterwards, Frank catches Dorothy and Jeffrey together and forces them both to accompany him to the apartment of Ben (Dean Stockwell), his suave, effeminate partner in crime who is holding Dorothy's son. Ben lip-syncs a performance of Roy Orbison's "In Dreams", sending Frank into maudlin sadness, then rage. Frank takes Jeffrey to a lumber yard and when he molests Dorothy, Jeffrey stands up to Frank by punching him. Frank's cronies drag Jeffrey out of the car and Frank kisses Jeffrey's face, intimidates him, and then savagely beats him to the overture of "In Dreams". Jeffrey wakes the next day at the same place and walks home, overcome with guilt and despair. He goes to the police station, where he notices that Sandy's father's partner is the Yellow Man—an officer named Lieutenant Detective Tom Gordon (Fred Pickler). Later, at Sandy's home, her father is amazed by Jeffrey's story, but warns Jeffrey to stop his amateur sleuthing lest he endanger himself and the investigation. Jeffrey and Sandy go to a dance together and profess their love, only to be confronted by Sandy's boyfriend. A confrontation is averted when the group finds Dorothy—naked, battered, and distressed—on Jeffrey's front lawn. Barely conscious, Dorothy reveals her intimacy with Jeffrey, causing Sandy to become upset and to slap Jeffrey, although she later forgives him.
Jeffrey insists on returning to Dorothy's apartment and tells Sandy to immediately send the police there, including her father. At Dorothy's apartment, Jeffrey finds Dorothy's husband (Don Vallens), who is dead from a gunshot to the head and identifiable by his missing ear, as well as the Yellow Man (Gordon), who bears a gruesome head wound and appears to have suffered a crude lobotomy. When Jeffrey tries to leave, he sees the Well-Dressed Man coming up the stairs and recognizes him as Frank in disguise. Jeffrey talks to Detective Williams over the Yellow Man's police radio, but lies about his location inside the apartment. Frank enters the apartment and brags about hearing Jeffrey's location over his own police radio. While Frank searches for him in the wrong room, Jeffrey retrieves the Yellow Man's gun and hides in the same closet in which he hid during his first visit to the apartment. Frank fires sporadically, knocking over the dead Yellow Man, who had still been standing up, and when he opens the closet door, Jeffrey fatally shoots him in the head. Detective Williams, gun drawn, enters with Sandy a moment later. Jeffrey and Sandy now go ahead with their relationship and note the unusual appearance of robins in their town. A montage sequence ends the film, which shows Dorothy and her son reunited. | [
[
"The \"Yellow Man\" was her father's partner.",
"A police detective named Tom Gordon."
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{
"content": "What relationship did the \"Yellow Man\" have to Sandy?",
"role": "user"
}
] | 31,652 | [
" Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Willia... | [
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31643,
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31640
] | train |
Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Williams (George Dickerson) and becomes reacquainted with the detective's daughter, Sandy (Laura Dern). She tells him details about the ear case and a suspicious woman, Dorothy Vallens (Isabella Rossellini), who may be connected to the case. Increasingly curious, Jeffrey enters Dorothy's apartment by posing as an exterminator, and while Dorothy is distracted by a man dressed in a yellow suit at her door (whom Jeffrey later refers to as the Yellow Man), Jeffrey steals her spare key.
Jeffrey and Sandy attend Dorothy's nightclub act, in which she sings "Blue Velvet", and leave early so Jeffrey can sneak into her apartment to snoop. He hurriedly hides in a closet when she returns home. However, Dorothy, wielding a knife, discovers him and threatens to kill him. Believing his curiosity is merely sexual and aroused by his voyeurism, Dorothy makes Jeffrey undress at knifepoint and begins to fellate him before their encounter is interrupted by a knock at the door. Dorothy hides Jeffrey in the closet. From there he witnesses the visitor, Frank Booth (Dennis Hopper), inflict his bizarre sexual proclivities—which include inhaling an unidentified gas (possibly amyl nitrite), dry humping, and sadomasochism—upon Dorothy. Frank is an extremely foul-mouthed, violent sociopath whose orgasmic climax is a fit of both pleasure and rage. He continually refers to her as "Mommy" and to himself as both the "Daddy" and the "Baby", who "want to fuck." Frank has kidnapped Dorothy's husband and son to force her to perform sexual favors; to "Do it for van Gogh." When Frank leaves, a sad and desperate Dorothy tries to seduce Jeffrey again and demands that he hit her, but when he refuses, she tells him to leave. When Jeffrey moves to leave, she asks him to stay, though he leaves anyway.
Jeffrey relays his experience to Sandy, asking her why there are people like Frank. Sandy in turn tells him of a wonderful dream she had about robins that she interprets as a sign of hope for humanity. Jeffrey and Sandy find themselves attracted to each other, though Sandy has a boyfriend.
Jeffrey again visits Dorothy's apartment and she tells him that although she knows nothing about him, she has been yearning for him. Jeffrey attends another of Dorothy's performances at the club, where she sings the same song. At the club, Jeffrey spots Frank in the audience fondling a piece of blue velvet fabric he cut from Dorothy's robe. Jeffrey follows Frank and spends the next few days spying on him. Shortly afterwards, two men that Jeffrey calls the Well-Dressed Man and the Yellow Man exit an industrial building that Frank frequently visits. Jeffrey concludes the men are criminal associates of Frank, and tells his new findings to Sandy. The two briefly kiss, though she feels uncomfortable about going any further. Jeffrey immediately visits Dorothy again, and the two have sex. However, when he refuses to hit her, she pressures him, becoming more emotional. In a blind rage he knocks her backwards and is instantly horrified, but Dorothy derives pleasure from it.
Afterwards, Frank catches Dorothy and Jeffrey together and forces them both to accompany him to the apartment of Ben (Dean Stockwell), his suave, effeminate partner in crime who is holding Dorothy's son. Ben lip-syncs a performance of Roy Orbison's "In Dreams", sending Frank into maudlin sadness, then rage. Frank takes Jeffrey to a lumber yard and when he molests Dorothy, Jeffrey stands up to Frank by punching him. Frank's cronies drag Jeffrey out of the car and Frank kisses Jeffrey's face, intimidates him, and then savagely beats him to the overture of "In Dreams". Jeffrey wakes the next day at the same place and walks home, overcome with guilt and despair. He goes to the police station, where he notices that Sandy's father's partner is the Yellow Man—an officer named Lieutenant Detective Tom Gordon (Fred Pickler). Later, at Sandy's home, her father is amazed by Jeffrey's story, but warns Jeffrey to stop his amateur sleuthing lest he endanger himself and the investigation. Jeffrey and Sandy go to a dance together and profess their love, only to be confronted by Sandy's boyfriend. A confrontation is averted when the group finds Dorothy—naked, battered, and distressed—on Jeffrey's front lawn. Barely conscious, Dorothy reveals her intimacy with Jeffrey, causing Sandy to become upset and to slap Jeffrey, although she later forgives him.
Jeffrey insists on returning to Dorothy's apartment and tells Sandy to immediately send the police there, including her father. At Dorothy's apartment, Jeffrey finds Dorothy's husband (Don Vallens), who is dead from a gunshot to the head and identifiable by his missing ear, as well as the Yellow Man (Gordon), who bears a gruesome head wound and appears to have suffered a crude lobotomy. When Jeffrey tries to leave, he sees the Well-Dressed Man coming up the stairs and recognizes him as Frank in disguise. Jeffrey talks to Detective Williams over the Yellow Man's police radio, but lies about his location inside the apartment. Frank enters the apartment and brags about hearing Jeffrey's location over his own police radio. While Frank searches for him in the wrong room, Jeffrey retrieves the Yellow Man's gun and hides in the same closet in which he hid during his first visit to the apartment. Frank fires sporadically, knocking over the dead Yellow Man, who had still been standing up, and when he opens the closet door, Jeffrey fatally shoots him in the head. Detective Williams, gun drawn, enters with Sandy a moment later. Jeffrey and Sandy now go ahead with their relationship and note the unusual appearance of robins in their town. A montage sequence ends the film, which shows Dorothy and her son reunited. | [
[
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{
"content": "Who was the \"Well Dressed Man\"?",
"role": "user"
}
] | 31,653 | [
" Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Willia... | [
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31643,
31644,
31645,
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31640
] | train |
Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Williams (George Dickerson) and becomes reacquainted with the detective's daughter, Sandy (Laura Dern). She tells him details about the ear case and a suspicious woman, Dorothy Vallens (Isabella Rossellini), who may be connected to the case. Increasingly curious, Jeffrey enters Dorothy's apartment by posing as an exterminator, and while Dorothy is distracted by a man dressed in a yellow suit at her door (whom Jeffrey later refers to as the Yellow Man), Jeffrey steals her spare key.
Jeffrey and Sandy attend Dorothy's nightclub act, in which she sings "Blue Velvet", and leave early so Jeffrey can sneak into her apartment to snoop. He hurriedly hides in a closet when she returns home. However, Dorothy, wielding a knife, discovers him and threatens to kill him. Believing his curiosity is merely sexual and aroused by his voyeurism, Dorothy makes Jeffrey undress at knifepoint and begins to fellate him before their encounter is interrupted by a knock at the door. Dorothy hides Jeffrey in the closet. From there he witnesses the visitor, Frank Booth (Dennis Hopper), inflict his bizarre sexual proclivities—which include inhaling an unidentified gas (possibly amyl nitrite), dry humping, and sadomasochism—upon Dorothy. Frank is an extremely foul-mouthed, violent sociopath whose orgasmic climax is a fit of both pleasure and rage. He continually refers to her as "Mommy" and to himself as both the "Daddy" and the "Baby", who "want to fuck." Frank has kidnapped Dorothy's husband and son to force her to perform sexual favors; to "Do it for van Gogh." When Frank leaves, a sad and desperate Dorothy tries to seduce Jeffrey again and demands that he hit her, but when he refuses, she tells him to leave. When Jeffrey moves to leave, she asks him to stay, though he leaves anyway.
Jeffrey relays his experience to Sandy, asking her why there are people like Frank. Sandy in turn tells him of a wonderful dream she had about robins that she interprets as a sign of hope for humanity. Jeffrey and Sandy find themselves attracted to each other, though Sandy has a boyfriend.
Jeffrey again visits Dorothy's apartment and she tells him that although she knows nothing about him, she has been yearning for him. Jeffrey attends another of Dorothy's performances at the club, where she sings the same song. At the club, Jeffrey spots Frank in the audience fondling a piece of blue velvet fabric he cut from Dorothy's robe. Jeffrey follows Frank and spends the next few days spying on him. Shortly afterwards, two men that Jeffrey calls the Well-Dressed Man and the Yellow Man exit an industrial building that Frank frequently visits. Jeffrey concludes the men are criminal associates of Frank, and tells his new findings to Sandy. The two briefly kiss, though she feels uncomfortable about going any further. Jeffrey immediately visits Dorothy again, and the two have sex. However, when he refuses to hit her, she pressures him, becoming more emotional. In a blind rage he knocks her backwards and is instantly horrified, but Dorothy derives pleasure from it.
Afterwards, Frank catches Dorothy and Jeffrey together and forces them both to accompany him to the apartment of Ben (Dean Stockwell), his suave, effeminate partner in crime who is holding Dorothy's son. Ben lip-syncs a performance of Roy Orbison's "In Dreams", sending Frank into maudlin sadness, then rage. Frank takes Jeffrey to a lumber yard and when he molests Dorothy, Jeffrey stands up to Frank by punching him. Frank's cronies drag Jeffrey out of the car and Frank kisses Jeffrey's face, intimidates him, and then savagely beats him to the overture of "In Dreams". Jeffrey wakes the next day at the same place and walks home, overcome with guilt and despair. He goes to the police station, where he notices that Sandy's father's partner is the Yellow Man—an officer named Lieutenant Detective Tom Gordon (Fred Pickler). Later, at Sandy's home, her father is amazed by Jeffrey's story, but warns Jeffrey to stop his amateur sleuthing lest he endanger himself and the investigation. Jeffrey and Sandy go to a dance together and profess their love, only to be confronted by Sandy's boyfriend. A confrontation is averted when the group finds Dorothy—naked, battered, and distressed—on Jeffrey's front lawn. Barely conscious, Dorothy reveals her intimacy with Jeffrey, causing Sandy to become upset and to slap Jeffrey, although she later forgives him.
Jeffrey insists on returning to Dorothy's apartment and tells Sandy to immediately send the police there, including her father. At Dorothy's apartment, Jeffrey finds Dorothy's husband (Don Vallens), who is dead from a gunshot to the head and identifiable by his missing ear, as well as the Yellow Man (Gordon), who bears a gruesome head wound and appears to have suffered a crude lobotomy. When Jeffrey tries to leave, he sees the Well-Dressed Man coming up the stairs and recognizes him as Frank in disguise. Jeffrey talks to Detective Williams over the Yellow Man's police radio, but lies about his location inside the apartment. Frank enters the apartment and brags about hearing Jeffrey's location over his own police radio. While Frank searches for him in the wrong room, Jeffrey retrieves the Yellow Man's gun and hides in the same closet in which he hid during his first visit to the apartment. Frank fires sporadically, knocking over the dead Yellow Man, who had still been standing up, and when he opens the closet door, Jeffrey fatally shoots him in the head. Detective Williams, gun drawn, enters with Sandy a moment later. Jeffrey and Sandy now go ahead with their relationship and note the unusual appearance of robins in their town. A montage sequence ends the film, which shows Dorothy and her son reunited. | [
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"Dorothy and Sandy",
"Dorothy and Sandy."
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{
"content": "Who were the two women that Jeffrey was intimately involved with?",
"role": "user"
}
] | 31,654 | [
" Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Willia... | [
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Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Williams (George Dickerson) and becomes reacquainted with the detective's daughter, Sandy (Laura Dern). She tells him details about the ear case and a suspicious woman, Dorothy Vallens (Isabella Rossellini), who may be connected to the case. Increasingly curious, Jeffrey enters Dorothy's apartment by posing as an exterminator, and while Dorothy is distracted by a man dressed in a yellow suit at her door (whom Jeffrey later refers to as the Yellow Man), Jeffrey steals her spare key.
Jeffrey and Sandy attend Dorothy's nightclub act, in which she sings "Blue Velvet", and leave early so Jeffrey can sneak into her apartment to snoop. He hurriedly hides in a closet when she returns home. However, Dorothy, wielding a knife, discovers him and threatens to kill him. Believing his curiosity is merely sexual and aroused by his voyeurism, Dorothy makes Jeffrey undress at knifepoint and begins to fellate him before their encounter is interrupted by a knock at the door. Dorothy hides Jeffrey in the closet. From there he witnesses the visitor, Frank Booth (Dennis Hopper), inflict his bizarre sexual proclivities—which include inhaling an unidentified gas (possibly amyl nitrite), dry humping, and sadomasochism—upon Dorothy. Frank is an extremely foul-mouthed, violent sociopath whose orgasmic climax is a fit of both pleasure and rage. He continually refers to her as "Mommy" and to himself as both the "Daddy" and the "Baby", who "want to fuck." Frank has kidnapped Dorothy's husband and son to force her to perform sexual favors; to "Do it for van Gogh." When Frank leaves, a sad and desperate Dorothy tries to seduce Jeffrey again and demands that he hit her, but when he refuses, she tells him to leave. When Jeffrey moves to leave, she asks him to stay, though he leaves anyway.
Jeffrey relays his experience to Sandy, asking her why there are people like Frank. Sandy in turn tells him of a wonderful dream she had about robins that she interprets as a sign of hope for humanity. Jeffrey and Sandy find themselves attracted to each other, though Sandy has a boyfriend.
Jeffrey again visits Dorothy's apartment and she tells him that although she knows nothing about him, she has been yearning for him. Jeffrey attends another of Dorothy's performances at the club, where she sings the same song. At the club, Jeffrey spots Frank in the audience fondling a piece of blue velvet fabric he cut from Dorothy's robe. Jeffrey follows Frank and spends the next few days spying on him. Shortly afterwards, two men that Jeffrey calls the Well-Dressed Man and the Yellow Man exit an industrial building that Frank frequently visits. Jeffrey concludes the men are criminal associates of Frank, and tells his new findings to Sandy. The two briefly kiss, though she feels uncomfortable about going any further. Jeffrey immediately visits Dorothy again, and the two have sex. However, when he refuses to hit her, she pressures him, becoming more emotional. In a blind rage he knocks her backwards and is instantly horrified, but Dorothy derives pleasure from it.
Afterwards, Frank catches Dorothy and Jeffrey together and forces them both to accompany him to the apartment of Ben (Dean Stockwell), his suave, effeminate partner in crime who is holding Dorothy's son. Ben lip-syncs a performance of Roy Orbison's "In Dreams", sending Frank into maudlin sadness, then rage. Frank takes Jeffrey to a lumber yard and when he molests Dorothy, Jeffrey stands up to Frank by punching him. Frank's cronies drag Jeffrey out of the car and Frank kisses Jeffrey's face, intimidates him, and then savagely beats him to the overture of "In Dreams". Jeffrey wakes the next day at the same place and walks home, overcome with guilt and despair. He goes to the police station, where he notices that Sandy's father's partner is the Yellow Man—an officer named Lieutenant Detective Tom Gordon (Fred Pickler). Later, at Sandy's home, her father is amazed by Jeffrey's story, but warns Jeffrey to stop his amateur sleuthing lest he endanger himself and the investigation. Jeffrey and Sandy go to a dance together and profess their love, only to be confronted by Sandy's boyfriend. A confrontation is averted when the group finds Dorothy—naked, battered, and distressed—on Jeffrey's front lawn. Barely conscious, Dorothy reveals her intimacy with Jeffrey, causing Sandy to become upset and to slap Jeffrey, although she later forgives him.
Jeffrey insists on returning to Dorothy's apartment and tells Sandy to immediately send the police there, including her father. At Dorothy's apartment, Jeffrey finds Dorothy's husband (Don Vallens), who is dead from a gunshot to the head and identifiable by his missing ear, as well as the Yellow Man (Gordon), who bears a gruesome head wound and appears to have suffered a crude lobotomy. When Jeffrey tries to leave, he sees the Well-Dressed Man coming up the stairs and recognizes him as Frank in disguise. Jeffrey talks to Detective Williams over the Yellow Man's police radio, but lies about his location inside the apartment. Frank enters the apartment and brags about hearing Jeffrey's location over his own police radio. While Frank searches for him in the wrong room, Jeffrey retrieves the Yellow Man's gun and hides in the same closet in which he hid during his first visit to the apartment. Frank fires sporadically, knocking over the dead Yellow Man, who had still been standing up, and when he opens the closet door, Jeffrey fatally shoots him in the head. Detective Williams, gun drawn, enters with Sandy a moment later. Jeffrey and Sandy now go ahead with their relationship and note the unusual appearance of robins in their town. A montage sequence ends the film, which shows Dorothy and her son reunited. | [
[
"Lieutenant Detective Tom Gordon.",
"Lieutenant Detective Tom Gordon"
]
] | [
{
"content": "What was the name of the \"Yellow Man\"?",
"role": "user"
}
] | 31,655 | [
" Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Willia... | [
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Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Williams (George Dickerson) and becomes reacquainted with the detective's daughter, Sandy (Laura Dern). She tells him details about the ear case and a suspicious woman, Dorothy Vallens (Isabella Rossellini), who may be connected to the case. Increasingly curious, Jeffrey enters Dorothy's apartment by posing as an exterminator, and while Dorothy is distracted by a man dressed in a yellow suit at her door (whom Jeffrey later refers to as the Yellow Man), Jeffrey steals her spare key.
Jeffrey and Sandy attend Dorothy's nightclub act, in which she sings "Blue Velvet", and leave early so Jeffrey can sneak into her apartment to snoop. He hurriedly hides in a closet when she returns home. However, Dorothy, wielding a knife, discovers him and threatens to kill him. Believing his curiosity is merely sexual and aroused by his voyeurism, Dorothy makes Jeffrey undress at knifepoint and begins to fellate him before their encounter is interrupted by a knock at the door. Dorothy hides Jeffrey in the closet. From there he witnesses the visitor, Frank Booth (Dennis Hopper), inflict his bizarre sexual proclivities—which include inhaling an unidentified gas (possibly amyl nitrite), dry humping, and sadomasochism—upon Dorothy. Frank is an extremely foul-mouthed, violent sociopath whose orgasmic climax is a fit of both pleasure and rage. He continually refers to her as "Mommy" and to himself as both the "Daddy" and the "Baby", who "want to fuck." Frank has kidnapped Dorothy's husband and son to force her to perform sexual favors; to "Do it for van Gogh." When Frank leaves, a sad and desperate Dorothy tries to seduce Jeffrey again and demands that he hit her, but when he refuses, she tells him to leave. When Jeffrey moves to leave, she asks him to stay, though he leaves anyway.
Jeffrey relays his experience to Sandy, asking her why there are people like Frank. Sandy in turn tells him of a wonderful dream she had about robins that she interprets as a sign of hope for humanity. Jeffrey and Sandy find themselves attracted to each other, though Sandy has a boyfriend.
Jeffrey again visits Dorothy's apartment and she tells him that although she knows nothing about him, she has been yearning for him. Jeffrey attends another of Dorothy's performances at the club, where she sings the same song. At the club, Jeffrey spots Frank in the audience fondling a piece of blue velvet fabric he cut from Dorothy's robe. Jeffrey follows Frank and spends the next few days spying on him. Shortly afterwards, two men that Jeffrey calls the Well-Dressed Man and the Yellow Man exit an industrial building that Frank frequently visits. Jeffrey concludes the men are criminal associates of Frank, and tells his new findings to Sandy. The two briefly kiss, though she feels uncomfortable about going any further. Jeffrey immediately visits Dorothy again, and the two have sex. However, when he refuses to hit her, she pressures him, becoming more emotional. In a blind rage he knocks her backwards and is instantly horrified, but Dorothy derives pleasure from it.
Afterwards, Frank catches Dorothy and Jeffrey together and forces them both to accompany him to the apartment of Ben (Dean Stockwell), his suave, effeminate partner in crime who is holding Dorothy's son. Ben lip-syncs a performance of Roy Orbison's "In Dreams", sending Frank into maudlin sadness, then rage. Frank takes Jeffrey to a lumber yard and when he molests Dorothy, Jeffrey stands up to Frank by punching him. Frank's cronies drag Jeffrey out of the car and Frank kisses Jeffrey's face, intimidates him, and then savagely beats him to the overture of "In Dreams". Jeffrey wakes the next day at the same place and walks home, overcome with guilt and despair. He goes to the police station, where he notices that Sandy's father's partner is the Yellow Man—an officer named Lieutenant Detective Tom Gordon (Fred Pickler). Later, at Sandy's home, her father is amazed by Jeffrey's story, but warns Jeffrey to stop his amateur sleuthing lest he endanger himself and the investigation. Jeffrey and Sandy go to a dance together and profess their love, only to be confronted by Sandy's boyfriend. A confrontation is averted when the group finds Dorothy—naked, battered, and distressed—on Jeffrey's front lawn. Barely conscious, Dorothy reveals her intimacy with Jeffrey, causing Sandy to become upset and to slap Jeffrey, although she later forgives him.
Jeffrey insists on returning to Dorothy's apartment and tells Sandy to immediately send the police there, including her father. At Dorothy's apartment, Jeffrey finds Dorothy's husband (Don Vallens), who is dead from a gunshot to the head and identifiable by his missing ear, as well as the Yellow Man (Gordon), who bears a gruesome head wound and appears to have suffered a crude lobotomy. When Jeffrey tries to leave, he sees the Well-Dressed Man coming up the stairs and recognizes him as Frank in disguise. Jeffrey talks to Detective Williams over the Yellow Man's police radio, but lies about his location inside the apartment. Frank enters the apartment and brags about hearing Jeffrey's location over his own police radio. While Frank searches for him in the wrong room, Jeffrey retrieves the Yellow Man's gun and hides in the same closet in which he hid during his first visit to the apartment. Frank fires sporadically, knocking over the dead Yellow Man, who had still been standing up, and when he opens the closet door, Jeffrey fatally shoots him in the head. Detective Williams, gun drawn, enters with Sandy a moment later. Jeffrey and Sandy now go ahead with their relationship and note the unusual appearance of robins in their town. A montage sequence ends the film, which shows Dorothy and her son reunited. | [
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"A piece of blue velvet from her robe.",
"a knife"
]
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{
"content": "What item did Frank hold in his hand in the night club while watching Dorothy perform?",
"role": "user"
}
] | 31,656 | [
" Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Willia... | [
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31643,
31644,
31645,
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31640
] | train |
Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Williams (George Dickerson) and becomes reacquainted with the detective's daughter, Sandy (Laura Dern). She tells him details about the ear case and a suspicious woman, Dorothy Vallens (Isabella Rossellini), who may be connected to the case. Increasingly curious, Jeffrey enters Dorothy's apartment by posing as an exterminator, and while Dorothy is distracted by a man dressed in a yellow suit at her door (whom Jeffrey later refers to as the Yellow Man), Jeffrey steals her spare key.
Jeffrey and Sandy attend Dorothy's nightclub act, in which she sings "Blue Velvet", and leave early so Jeffrey can sneak into her apartment to snoop. He hurriedly hides in a closet when she returns home. However, Dorothy, wielding a knife, discovers him and threatens to kill him. Believing his curiosity is merely sexual and aroused by his voyeurism, Dorothy makes Jeffrey undress at knifepoint and begins to fellate him before their encounter is interrupted by a knock at the door. Dorothy hides Jeffrey in the closet. From there he witnesses the visitor, Frank Booth (Dennis Hopper), inflict his bizarre sexual proclivities—which include inhaling an unidentified gas (possibly amyl nitrite), dry humping, and sadomasochism—upon Dorothy. Frank is an extremely foul-mouthed, violent sociopath whose orgasmic climax is a fit of both pleasure and rage. He continually refers to her as "Mommy" and to himself as both the "Daddy" and the "Baby", who "want to fuck." Frank has kidnapped Dorothy's husband and son to force her to perform sexual favors; to "Do it for van Gogh." When Frank leaves, a sad and desperate Dorothy tries to seduce Jeffrey again and demands that he hit her, but when he refuses, she tells him to leave. When Jeffrey moves to leave, she asks him to stay, though he leaves anyway.
Jeffrey relays his experience to Sandy, asking her why there are people like Frank. Sandy in turn tells him of a wonderful dream she had about robins that she interprets as a sign of hope for humanity. Jeffrey and Sandy find themselves attracted to each other, though Sandy has a boyfriend.
Jeffrey again visits Dorothy's apartment and she tells him that although she knows nothing about him, she has been yearning for him. Jeffrey attends another of Dorothy's performances at the club, where she sings the same song. At the club, Jeffrey spots Frank in the audience fondling a piece of blue velvet fabric he cut from Dorothy's robe. Jeffrey follows Frank and spends the next few days spying on him. Shortly afterwards, two men that Jeffrey calls the Well-Dressed Man and the Yellow Man exit an industrial building that Frank frequently visits. Jeffrey concludes the men are criminal associates of Frank, and tells his new findings to Sandy. The two briefly kiss, though she feels uncomfortable about going any further. Jeffrey immediately visits Dorothy again, and the two have sex. However, when he refuses to hit her, she pressures him, becoming more emotional. In a blind rage he knocks her backwards and is instantly horrified, but Dorothy derives pleasure from it.
Afterwards, Frank catches Dorothy and Jeffrey together and forces them both to accompany him to the apartment of Ben (Dean Stockwell), his suave, effeminate partner in crime who is holding Dorothy's son. Ben lip-syncs a performance of Roy Orbison's "In Dreams", sending Frank into maudlin sadness, then rage. Frank takes Jeffrey to a lumber yard and when he molests Dorothy, Jeffrey stands up to Frank by punching him. Frank's cronies drag Jeffrey out of the car and Frank kisses Jeffrey's face, intimidates him, and then savagely beats him to the overture of "In Dreams". Jeffrey wakes the next day at the same place and walks home, overcome with guilt and despair. He goes to the police station, where he notices that Sandy's father's partner is the Yellow Man—an officer named Lieutenant Detective Tom Gordon (Fred Pickler). Later, at Sandy's home, her father is amazed by Jeffrey's story, but warns Jeffrey to stop his amateur sleuthing lest he endanger himself and the investigation. Jeffrey and Sandy go to a dance together and profess their love, only to be confronted by Sandy's boyfriend. A confrontation is averted when the group finds Dorothy—naked, battered, and distressed—on Jeffrey's front lawn. Barely conscious, Dorothy reveals her intimacy with Jeffrey, causing Sandy to become upset and to slap Jeffrey, although she later forgives him.
Jeffrey insists on returning to Dorothy's apartment and tells Sandy to immediately send the police there, including her father. At Dorothy's apartment, Jeffrey finds Dorothy's husband (Don Vallens), who is dead from a gunshot to the head and identifiable by his missing ear, as well as the Yellow Man (Gordon), who bears a gruesome head wound and appears to have suffered a crude lobotomy. When Jeffrey tries to leave, he sees the Well-Dressed Man coming up the stairs and recognizes him as Frank in disguise. Jeffrey talks to Detective Williams over the Yellow Man's police radio, but lies about his location inside the apartment. Frank enters the apartment and brags about hearing Jeffrey's location over his own police radio. While Frank searches for him in the wrong room, Jeffrey retrieves the Yellow Man's gun and hides in the same closet in which he hid during his first visit to the apartment. Frank fires sporadically, knocking over the dead Yellow Man, who had still been standing up, and when he opens the closet door, Jeffrey fatally shoots him in the head. Detective Williams, gun drawn, enters with Sandy a moment later. Jeffrey and Sandy now go ahead with their relationship and note the unusual appearance of robins in their town. A montage sequence ends the film, which shows Dorothy and her son reunited. | [
[
"Sandy had a dream in which she believed they were a sign of hope for humanity.",
"It's a dream about the characters hope for humanity."
]
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{
"content": "What was the significance of the robins?",
"role": "user"
}
] | 31,657 | [
" Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Willia... | [
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31643,
31644,
31645,
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31640
] | train |
Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Williams (George Dickerson) and becomes reacquainted with the detective's daughter, Sandy (Laura Dern). She tells him details about the ear case and a suspicious woman, Dorothy Vallens (Isabella Rossellini), who may be connected to the case. Increasingly curious, Jeffrey enters Dorothy's apartment by posing as an exterminator, and while Dorothy is distracted by a man dressed in a yellow suit at her door (whom Jeffrey later refers to as the Yellow Man), Jeffrey steals her spare key.
Jeffrey and Sandy attend Dorothy's nightclub act, in which she sings "Blue Velvet", and leave early so Jeffrey can sneak into her apartment to snoop. He hurriedly hides in a closet when she returns home. However, Dorothy, wielding a knife, discovers him and threatens to kill him. Believing his curiosity is merely sexual and aroused by his voyeurism, Dorothy makes Jeffrey undress at knifepoint and begins to fellate him before their encounter is interrupted by a knock at the door. Dorothy hides Jeffrey in the closet. From there he witnesses the visitor, Frank Booth (Dennis Hopper), inflict his bizarre sexual proclivities—which include inhaling an unidentified gas (possibly amyl nitrite), dry humping, and sadomasochism—upon Dorothy. Frank is an extremely foul-mouthed, violent sociopath whose orgasmic climax is a fit of both pleasure and rage. He continually refers to her as "Mommy" and to himself as both the "Daddy" and the "Baby", who "want to fuck." Frank has kidnapped Dorothy's husband and son to force her to perform sexual favors; to "Do it for van Gogh." When Frank leaves, a sad and desperate Dorothy tries to seduce Jeffrey again and demands that he hit her, but when he refuses, she tells him to leave. When Jeffrey moves to leave, she asks him to stay, though he leaves anyway.
Jeffrey relays his experience to Sandy, asking her why there are people like Frank. Sandy in turn tells him of a wonderful dream she had about robins that she interprets as a sign of hope for humanity. Jeffrey and Sandy find themselves attracted to each other, though Sandy has a boyfriend.
Jeffrey again visits Dorothy's apartment and she tells him that although she knows nothing about him, she has been yearning for him. Jeffrey attends another of Dorothy's performances at the club, where she sings the same song. At the club, Jeffrey spots Frank in the audience fondling a piece of blue velvet fabric he cut from Dorothy's robe. Jeffrey follows Frank and spends the next few days spying on him. Shortly afterwards, two men that Jeffrey calls the Well-Dressed Man and the Yellow Man exit an industrial building that Frank frequently visits. Jeffrey concludes the men are criminal associates of Frank, and tells his new findings to Sandy. The two briefly kiss, though she feels uncomfortable about going any further. Jeffrey immediately visits Dorothy again, and the two have sex. However, when he refuses to hit her, she pressures him, becoming more emotional. In a blind rage he knocks her backwards and is instantly horrified, but Dorothy derives pleasure from it.
Afterwards, Frank catches Dorothy and Jeffrey together and forces them both to accompany him to the apartment of Ben (Dean Stockwell), his suave, effeminate partner in crime who is holding Dorothy's son. Ben lip-syncs a performance of Roy Orbison's "In Dreams", sending Frank into maudlin sadness, then rage. Frank takes Jeffrey to a lumber yard and when he molests Dorothy, Jeffrey stands up to Frank by punching him. Frank's cronies drag Jeffrey out of the car and Frank kisses Jeffrey's face, intimidates him, and then savagely beats him to the overture of "In Dreams". Jeffrey wakes the next day at the same place and walks home, overcome with guilt and despair. He goes to the police station, where he notices that Sandy's father's partner is the Yellow Man—an officer named Lieutenant Detective Tom Gordon (Fred Pickler). Later, at Sandy's home, her father is amazed by Jeffrey's story, but warns Jeffrey to stop his amateur sleuthing lest he endanger himself and the investigation. Jeffrey and Sandy go to a dance together and profess their love, only to be confronted by Sandy's boyfriend. A confrontation is averted when the group finds Dorothy—naked, battered, and distressed—on Jeffrey's front lawn. Barely conscious, Dorothy reveals her intimacy with Jeffrey, causing Sandy to become upset and to slap Jeffrey, although she later forgives him.
Jeffrey insists on returning to Dorothy's apartment and tells Sandy to immediately send the police there, including her father. At Dorothy's apartment, Jeffrey finds Dorothy's husband (Don Vallens), who is dead from a gunshot to the head and identifiable by his missing ear, as well as the Yellow Man (Gordon), who bears a gruesome head wound and appears to have suffered a crude lobotomy. When Jeffrey tries to leave, he sees the Well-Dressed Man coming up the stairs and recognizes him as Frank in disguise. Jeffrey talks to Detective Williams over the Yellow Man's police radio, but lies about his location inside the apartment. Frank enters the apartment and brags about hearing Jeffrey's location over his own police radio. While Frank searches for him in the wrong room, Jeffrey retrieves the Yellow Man's gun and hides in the same closet in which he hid during his first visit to the apartment. Frank fires sporadically, knocking over the dead Yellow Man, who had still been standing up, and when he opens the closet door, Jeffrey fatally shoots him in the head. Detective Williams, gun drawn, enters with Sandy a moment later. Jeffrey and Sandy now go ahead with their relationship and note the unusual appearance of robins in their town. A montage sequence ends the film, which shows Dorothy and her son reunited. | [
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"He posed as an exterminator"
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"content": "How did Jeffrey initially enter Dorothy's apartment to steal her spare key?",
"role": "user"
}
] | 31,658 | [
" Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Willia... | [
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Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Williams (George Dickerson) and becomes reacquainted with the detective's daughter, Sandy (Laura Dern). She tells him details about the ear case and a suspicious woman, Dorothy Vallens (Isabella Rossellini), who may be connected to the case. Increasingly curious, Jeffrey enters Dorothy's apartment by posing as an exterminator, and while Dorothy is distracted by a man dressed in a yellow suit at her door (whom Jeffrey later refers to as the Yellow Man), Jeffrey steals her spare key.
Jeffrey and Sandy attend Dorothy's nightclub act, in which she sings "Blue Velvet", and leave early so Jeffrey can sneak into her apartment to snoop. He hurriedly hides in a closet when she returns home. However, Dorothy, wielding a knife, discovers him and threatens to kill him. Believing his curiosity is merely sexual and aroused by his voyeurism, Dorothy makes Jeffrey undress at knifepoint and begins to fellate him before their encounter is interrupted by a knock at the door. Dorothy hides Jeffrey in the closet. From there he witnesses the visitor, Frank Booth (Dennis Hopper), inflict his bizarre sexual proclivities—which include inhaling an unidentified gas (possibly amyl nitrite), dry humping, and sadomasochism—upon Dorothy. Frank is an extremely foul-mouthed, violent sociopath whose orgasmic climax is a fit of both pleasure and rage. He continually refers to her as "Mommy" and to himself as both the "Daddy" and the "Baby", who "want to fuck." Frank has kidnapped Dorothy's husband and son to force her to perform sexual favors; to "Do it for van Gogh." When Frank leaves, a sad and desperate Dorothy tries to seduce Jeffrey again and demands that he hit her, but when he refuses, she tells him to leave. When Jeffrey moves to leave, she asks him to stay, though he leaves anyway.
Jeffrey relays his experience to Sandy, asking her why there are people like Frank. Sandy in turn tells him of a wonderful dream she had about robins that she interprets as a sign of hope for humanity. Jeffrey and Sandy find themselves attracted to each other, though Sandy has a boyfriend.
Jeffrey again visits Dorothy's apartment and she tells him that although she knows nothing about him, she has been yearning for him. Jeffrey attends another of Dorothy's performances at the club, where she sings the same song. At the club, Jeffrey spots Frank in the audience fondling a piece of blue velvet fabric he cut from Dorothy's robe. Jeffrey follows Frank and spends the next few days spying on him. Shortly afterwards, two men that Jeffrey calls the Well-Dressed Man and the Yellow Man exit an industrial building that Frank frequently visits. Jeffrey concludes the men are criminal associates of Frank, and tells his new findings to Sandy. The two briefly kiss, though she feels uncomfortable about going any further. Jeffrey immediately visits Dorothy again, and the two have sex. However, when he refuses to hit her, she pressures him, becoming more emotional. In a blind rage he knocks her backwards and is instantly horrified, but Dorothy derives pleasure from it.
Afterwards, Frank catches Dorothy and Jeffrey together and forces them both to accompany him to the apartment of Ben (Dean Stockwell), his suave, effeminate partner in crime who is holding Dorothy's son. Ben lip-syncs a performance of Roy Orbison's "In Dreams", sending Frank into maudlin sadness, then rage. Frank takes Jeffrey to a lumber yard and when he molests Dorothy, Jeffrey stands up to Frank by punching him. Frank's cronies drag Jeffrey out of the car and Frank kisses Jeffrey's face, intimidates him, and then savagely beats him to the overture of "In Dreams". Jeffrey wakes the next day at the same place and walks home, overcome with guilt and despair. He goes to the police station, where he notices that Sandy's father's partner is the Yellow Man—an officer named Lieutenant Detective Tom Gordon (Fred Pickler). Later, at Sandy's home, her father is amazed by Jeffrey's story, but warns Jeffrey to stop his amateur sleuthing lest he endanger himself and the investigation. Jeffrey and Sandy go to a dance together and profess their love, only to be confronted by Sandy's boyfriend. A confrontation is averted when the group finds Dorothy—naked, battered, and distressed—on Jeffrey's front lawn. Barely conscious, Dorothy reveals her intimacy with Jeffrey, causing Sandy to become upset and to slap Jeffrey, although she later forgives him.
Jeffrey insists on returning to Dorothy's apartment and tells Sandy to immediately send the police there, including her father. At Dorothy's apartment, Jeffrey finds Dorothy's husband (Don Vallens), who is dead from a gunshot to the head and identifiable by his missing ear, as well as the Yellow Man (Gordon), who bears a gruesome head wound and appears to have suffered a crude lobotomy. When Jeffrey tries to leave, he sees the Well-Dressed Man coming up the stairs and recognizes him as Frank in disguise. Jeffrey talks to Detective Williams over the Yellow Man's police radio, but lies about his location inside the apartment. Frank enters the apartment and brags about hearing Jeffrey's location over his own police radio. While Frank searches for him in the wrong room, Jeffrey retrieves the Yellow Man's gun and hides in the same closet in which he hid during his first visit to the apartment. Frank fires sporadically, knocking over the dead Yellow Man, who had still been standing up, and when he opens the closet door, Jeffrey fatally shoots him in the head. Detective Williams, gun drawn, enters with Sandy a moment later. Jeffrey and Sandy now go ahead with their relationship and note the unusual appearance of robins in their town. A montage sequence ends the film, which shows Dorothy and her son reunited. | [
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{
"content": "Where is Jeffrey Beaumont's hometown?",
"role": "user"
}
] | 31,659 | [
" Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Willia... | [
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31643,
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31640
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Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Williams (George Dickerson) and becomes reacquainted with the detective's daughter, Sandy (Laura Dern). She tells him details about the ear case and a suspicious woman, Dorothy Vallens (Isabella Rossellini), who may be connected to the case. Increasingly curious, Jeffrey enters Dorothy's apartment by posing as an exterminator, and while Dorothy is distracted by a man dressed in a yellow suit at her door (whom Jeffrey later refers to as the Yellow Man), Jeffrey steals her spare key.
Jeffrey and Sandy attend Dorothy's nightclub act, in which she sings "Blue Velvet", and leave early so Jeffrey can sneak into her apartment to snoop. He hurriedly hides in a closet when she returns home. However, Dorothy, wielding a knife, discovers him and threatens to kill him. Believing his curiosity is merely sexual and aroused by his voyeurism, Dorothy makes Jeffrey undress at knifepoint and begins to fellate him before their encounter is interrupted by a knock at the door. Dorothy hides Jeffrey in the closet. From there he witnesses the visitor, Frank Booth (Dennis Hopper), inflict his bizarre sexual proclivities—which include inhaling an unidentified gas (possibly amyl nitrite), dry humping, and sadomasochism—upon Dorothy. Frank is an extremely foul-mouthed, violent sociopath whose orgasmic climax is a fit of both pleasure and rage. He continually refers to her as "Mommy" and to himself as both the "Daddy" and the "Baby", who "want to fuck." Frank has kidnapped Dorothy's husband and son to force her to perform sexual favors; to "Do it for van Gogh." When Frank leaves, a sad and desperate Dorothy tries to seduce Jeffrey again and demands that he hit her, but when he refuses, she tells him to leave. When Jeffrey moves to leave, she asks him to stay, though he leaves anyway.
Jeffrey relays his experience to Sandy, asking her why there are people like Frank. Sandy in turn tells him of a wonderful dream she had about robins that she interprets as a sign of hope for humanity. Jeffrey and Sandy find themselves attracted to each other, though Sandy has a boyfriend.
Jeffrey again visits Dorothy's apartment and she tells him that although she knows nothing about him, she has been yearning for him. Jeffrey attends another of Dorothy's performances at the club, where she sings the same song. At the club, Jeffrey spots Frank in the audience fondling a piece of blue velvet fabric he cut from Dorothy's robe. Jeffrey follows Frank and spends the next few days spying on him. Shortly afterwards, two men that Jeffrey calls the Well-Dressed Man and the Yellow Man exit an industrial building that Frank frequently visits. Jeffrey concludes the men are criminal associates of Frank, and tells his new findings to Sandy. The two briefly kiss, though she feels uncomfortable about going any further. Jeffrey immediately visits Dorothy again, and the two have sex. However, when he refuses to hit her, she pressures him, becoming more emotional. In a blind rage he knocks her backwards and is instantly horrified, but Dorothy derives pleasure from it.
Afterwards, Frank catches Dorothy and Jeffrey together and forces them both to accompany him to the apartment of Ben (Dean Stockwell), his suave, effeminate partner in crime who is holding Dorothy's son. Ben lip-syncs a performance of Roy Orbison's "In Dreams", sending Frank into maudlin sadness, then rage. Frank takes Jeffrey to a lumber yard and when he molests Dorothy, Jeffrey stands up to Frank by punching him. Frank's cronies drag Jeffrey out of the car and Frank kisses Jeffrey's face, intimidates him, and then savagely beats him to the overture of "In Dreams". Jeffrey wakes the next day at the same place and walks home, overcome with guilt and despair. He goes to the police station, where he notices that Sandy's father's partner is the Yellow Man—an officer named Lieutenant Detective Tom Gordon (Fred Pickler). Later, at Sandy's home, her father is amazed by Jeffrey's story, but warns Jeffrey to stop his amateur sleuthing lest he endanger himself and the investigation. Jeffrey and Sandy go to a dance together and profess their love, only to be confronted by Sandy's boyfriend. A confrontation is averted when the group finds Dorothy—naked, battered, and distressed—on Jeffrey's front lawn. Barely conscious, Dorothy reveals her intimacy with Jeffrey, causing Sandy to become upset and to slap Jeffrey, although she later forgives him.
Jeffrey insists on returning to Dorothy's apartment and tells Sandy to immediately send the police there, including her father. At Dorothy's apartment, Jeffrey finds Dorothy's husband (Don Vallens), who is dead from a gunshot to the head and identifiable by his missing ear, as well as the Yellow Man (Gordon), who bears a gruesome head wound and appears to have suffered a crude lobotomy. When Jeffrey tries to leave, he sees the Well-Dressed Man coming up the stairs and recognizes him as Frank in disguise. Jeffrey talks to Detective Williams over the Yellow Man's police radio, but lies about his location inside the apartment. Frank enters the apartment and brags about hearing Jeffrey's location over his own police radio. While Frank searches for him in the wrong room, Jeffrey retrieves the Yellow Man's gun and hides in the same closet in which he hid during his first visit to the apartment. Frank fires sporadically, knocking over the dead Yellow Man, who had still been standing up, and when he opens the closet door, Jeffrey fatally shoots him in the head. Detective Williams, gun drawn, enters with Sandy a moment later. Jeffrey and Sandy now go ahead with their relationship and note the unusual appearance of robins in their town. A montage sequence ends the film, which shows Dorothy and her son reunited. | [
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" Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Willia... | [
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Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Williams (George Dickerson) and becomes reacquainted with the detective's daughter, Sandy (Laura Dern). She tells him details about the ear case and a suspicious woman, Dorothy Vallens (Isabella Rossellini), who may be connected to the case. Increasingly curious, Jeffrey enters Dorothy's apartment by posing as an exterminator, and while Dorothy is distracted by a man dressed in a yellow suit at her door (whom Jeffrey later refers to as the Yellow Man), Jeffrey steals her spare key.
Jeffrey and Sandy attend Dorothy's nightclub act, in which she sings "Blue Velvet", and leave early so Jeffrey can sneak into her apartment to snoop. He hurriedly hides in a closet when she returns home. However, Dorothy, wielding a knife, discovers him and threatens to kill him. Believing his curiosity is merely sexual and aroused by his voyeurism, Dorothy makes Jeffrey undress at knifepoint and begins to fellate him before their encounter is interrupted by a knock at the door. Dorothy hides Jeffrey in the closet. From there he witnesses the visitor, Frank Booth (Dennis Hopper), inflict his bizarre sexual proclivities—which include inhaling an unidentified gas (possibly amyl nitrite), dry humping, and sadomasochism—upon Dorothy. Frank is an extremely foul-mouthed, violent sociopath whose orgasmic climax is a fit of both pleasure and rage. He continually refers to her as "Mommy" and to himself as both the "Daddy" and the "Baby", who "want to fuck." Frank has kidnapped Dorothy's husband and son to force her to perform sexual favors; to "Do it for van Gogh." When Frank leaves, a sad and desperate Dorothy tries to seduce Jeffrey again and demands that he hit her, but when he refuses, she tells him to leave. When Jeffrey moves to leave, she asks him to stay, though he leaves anyway.
Jeffrey relays his experience to Sandy, asking her why there are people like Frank. Sandy in turn tells him of a wonderful dream she had about robins that she interprets as a sign of hope for humanity. Jeffrey and Sandy find themselves attracted to each other, though Sandy has a boyfriend.
Jeffrey again visits Dorothy's apartment and she tells him that although she knows nothing about him, she has been yearning for him. Jeffrey attends another of Dorothy's performances at the club, where she sings the same song. At the club, Jeffrey spots Frank in the audience fondling a piece of blue velvet fabric he cut from Dorothy's robe. Jeffrey follows Frank and spends the next few days spying on him. Shortly afterwards, two men that Jeffrey calls the Well-Dressed Man and the Yellow Man exit an industrial building that Frank frequently visits. Jeffrey concludes the men are criminal associates of Frank, and tells his new findings to Sandy. The two briefly kiss, though she feels uncomfortable about going any further. Jeffrey immediately visits Dorothy again, and the two have sex. However, when he refuses to hit her, she pressures him, becoming more emotional. In a blind rage he knocks her backwards and is instantly horrified, but Dorothy derives pleasure from it.
Afterwards, Frank catches Dorothy and Jeffrey together and forces them both to accompany him to the apartment of Ben (Dean Stockwell), his suave, effeminate partner in crime who is holding Dorothy's son. Ben lip-syncs a performance of Roy Orbison's "In Dreams", sending Frank into maudlin sadness, then rage. Frank takes Jeffrey to a lumber yard and when he molests Dorothy, Jeffrey stands up to Frank by punching him. Frank's cronies drag Jeffrey out of the car and Frank kisses Jeffrey's face, intimidates him, and then savagely beats him to the overture of "In Dreams". Jeffrey wakes the next day at the same place and walks home, overcome with guilt and despair. He goes to the police station, where he notices that Sandy's father's partner is the Yellow Man—an officer named Lieutenant Detective Tom Gordon (Fred Pickler). Later, at Sandy's home, her father is amazed by Jeffrey's story, but warns Jeffrey to stop his amateur sleuthing lest he endanger himself and the investigation. Jeffrey and Sandy go to a dance together and profess their love, only to be confronted by Sandy's boyfriend. A confrontation is averted when the group finds Dorothy—naked, battered, and distressed—on Jeffrey's front lawn. Barely conscious, Dorothy reveals her intimacy with Jeffrey, causing Sandy to become upset and to slap Jeffrey, although she later forgives him.
Jeffrey insists on returning to Dorothy's apartment and tells Sandy to immediately send the police there, including her father. At Dorothy's apartment, Jeffrey finds Dorothy's husband (Don Vallens), who is dead from a gunshot to the head and identifiable by his missing ear, as well as the Yellow Man (Gordon), who bears a gruesome head wound and appears to have suffered a crude lobotomy. When Jeffrey tries to leave, he sees the Well-Dressed Man coming up the stairs and recognizes him as Frank in disguise. Jeffrey talks to Detective Williams over the Yellow Man's police radio, but lies about his location inside the apartment. Frank enters the apartment and brags about hearing Jeffrey's location over his own police radio. While Frank searches for him in the wrong room, Jeffrey retrieves the Yellow Man's gun and hides in the same closet in which he hid during his first visit to the apartment. Frank fires sporadically, knocking over the dead Yellow Man, who had still been standing up, and when he opens the closet door, Jeffrey fatally shoots him in the head. Detective Williams, gun drawn, enters with Sandy a moment later. Jeffrey and Sandy now go ahead with their relationship and note the unusual appearance of robins in their town. A montage sequence ends the film, which shows Dorothy and her son reunited. | [
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" Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Willia... | [
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Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Williams (George Dickerson) and becomes reacquainted with the detective's daughter, Sandy (Laura Dern). She tells him details about the ear case and a suspicious woman, Dorothy Vallens (Isabella Rossellini), who may be connected to the case. Increasingly curious, Jeffrey enters Dorothy's apartment by posing as an exterminator, and while Dorothy is distracted by a man dressed in a yellow suit at her door (whom Jeffrey later refers to as the Yellow Man), Jeffrey steals her spare key.
Jeffrey and Sandy attend Dorothy's nightclub act, in which she sings "Blue Velvet", and leave early so Jeffrey can sneak into her apartment to snoop. He hurriedly hides in a closet when she returns home. However, Dorothy, wielding a knife, discovers him and threatens to kill him. Believing his curiosity is merely sexual and aroused by his voyeurism, Dorothy makes Jeffrey undress at knifepoint and begins to fellate him before their encounter is interrupted by a knock at the door. Dorothy hides Jeffrey in the closet. From there he witnesses the visitor, Frank Booth (Dennis Hopper), inflict his bizarre sexual proclivities—which include inhaling an unidentified gas (possibly amyl nitrite), dry humping, and sadomasochism—upon Dorothy. Frank is an extremely foul-mouthed, violent sociopath whose orgasmic climax is a fit of both pleasure and rage. He continually refers to her as "Mommy" and to himself as both the "Daddy" and the "Baby", who "want to fuck." Frank has kidnapped Dorothy's husband and son to force her to perform sexual favors; to "Do it for van Gogh." When Frank leaves, a sad and desperate Dorothy tries to seduce Jeffrey again and demands that he hit her, but when he refuses, she tells him to leave. When Jeffrey moves to leave, she asks him to stay, though he leaves anyway.
Jeffrey relays his experience to Sandy, asking her why there are people like Frank. Sandy in turn tells him of a wonderful dream she had about robins that she interprets as a sign of hope for humanity. Jeffrey and Sandy find themselves attracted to each other, though Sandy has a boyfriend.
Jeffrey again visits Dorothy's apartment and she tells him that although she knows nothing about him, she has been yearning for him. Jeffrey attends another of Dorothy's performances at the club, where she sings the same song. At the club, Jeffrey spots Frank in the audience fondling a piece of blue velvet fabric he cut from Dorothy's robe. Jeffrey follows Frank and spends the next few days spying on him. Shortly afterwards, two men that Jeffrey calls the Well-Dressed Man and the Yellow Man exit an industrial building that Frank frequently visits. Jeffrey concludes the men are criminal associates of Frank, and tells his new findings to Sandy. The two briefly kiss, though she feels uncomfortable about going any further. Jeffrey immediately visits Dorothy again, and the two have sex. However, when he refuses to hit her, she pressures him, becoming more emotional. In a blind rage he knocks her backwards and is instantly horrified, but Dorothy derives pleasure from it.
Afterwards, Frank catches Dorothy and Jeffrey together and forces them both to accompany him to the apartment of Ben (Dean Stockwell), his suave, effeminate partner in crime who is holding Dorothy's son. Ben lip-syncs a performance of Roy Orbison's "In Dreams", sending Frank into maudlin sadness, then rage. Frank takes Jeffrey to a lumber yard and when he molests Dorothy, Jeffrey stands up to Frank by punching him. Frank's cronies drag Jeffrey out of the car and Frank kisses Jeffrey's face, intimidates him, and then savagely beats him to the overture of "In Dreams". Jeffrey wakes the next day at the same place and walks home, overcome with guilt and despair. He goes to the police station, where he notices that Sandy's father's partner is the Yellow Man—an officer named Lieutenant Detective Tom Gordon (Fred Pickler). Later, at Sandy's home, her father is amazed by Jeffrey's story, but warns Jeffrey to stop his amateur sleuthing lest he endanger himself and the investigation. Jeffrey and Sandy go to a dance together and profess their love, only to be confronted by Sandy's boyfriend. A confrontation is averted when the group finds Dorothy—naked, battered, and distressed—on Jeffrey's front lawn. Barely conscious, Dorothy reveals her intimacy with Jeffrey, causing Sandy to become upset and to slap Jeffrey, although she later forgives him.
Jeffrey insists on returning to Dorothy's apartment and tells Sandy to immediately send the police there, including her father. At Dorothy's apartment, Jeffrey finds Dorothy's husband (Don Vallens), who is dead from a gunshot to the head and identifiable by his missing ear, as well as the Yellow Man (Gordon), who bears a gruesome head wound and appears to have suffered a crude lobotomy. When Jeffrey tries to leave, he sees the Well-Dressed Man coming up the stairs and recognizes him as Frank in disguise. Jeffrey talks to Detective Williams over the Yellow Man's police radio, but lies about his location inside the apartment. Frank enters the apartment and brags about hearing Jeffrey's location over his own police radio. While Frank searches for him in the wrong room, Jeffrey retrieves the Yellow Man's gun and hides in the same closet in which he hid during his first visit to the apartment. Frank fires sporadically, knocking over the dead Yellow Man, who had still been standing up, and when he opens the closet door, Jeffrey fatally shoots him in the head. Detective Williams, gun drawn, enters with Sandy a moment later. Jeffrey and Sandy now go ahead with their relationship and note the unusual appearance of robins in their town. A montage sequence ends the film, which shows Dorothy and her son reunited. | [
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" Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Willia... | [
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Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Williams (George Dickerson) and becomes reacquainted with the detective's daughter, Sandy (Laura Dern). She tells him details about the ear case and a suspicious woman, Dorothy Vallens (Isabella Rossellini), who may be connected to the case. Increasingly curious, Jeffrey enters Dorothy's apartment by posing as an exterminator, and while Dorothy is distracted by a man dressed in a yellow suit at her door (whom Jeffrey later refers to as the Yellow Man), Jeffrey steals her spare key.
Jeffrey and Sandy attend Dorothy's nightclub act, in which she sings "Blue Velvet", and leave early so Jeffrey can sneak into her apartment to snoop. He hurriedly hides in a closet when she returns home. However, Dorothy, wielding a knife, discovers him and threatens to kill him. Believing his curiosity is merely sexual and aroused by his voyeurism, Dorothy makes Jeffrey undress at knifepoint and begins to fellate him before their encounter is interrupted by a knock at the door. Dorothy hides Jeffrey in the closet. From there he witnesses the visitor, Frank Booth (Dennis Hopper), inflict his bizarre sexual proclivities—which include inhaling an unidentified gas (possibly amyl nitrite), dry humping, and sadomasochism—upon Dorothy. Frank is an extremely foul-mouthed, violent sociopath whose orgasmic climax is a fit of both pleasure and rage. He continually refers to her as "Mommy" and to himself as both the "Daddy" and the "Baby", who "want to fuck." Frank has kidnapped Dorothy's husband and son to force her to perform sexual favors; to "Do it for van Gogh." When Frank leaves, a sad and desperate Dorothy tries to seduce Jeffrey again and demands that he hit her, but when he refuses, she tells him to leave. When Jeffrey moves to leave, she asks him to stay, though he leaves anyway.
Jeffrey relays his experience to Sandy, asking her why there are people like Frank. Sandy in turn tells him of a wonderful dream she had about robins that she interprets as a sign of hope for humanity. Jeffrey and Sandy find themselves attracted to each other, though Sandy has a boyfriend.
Jeffrey again visits Dorothy's apartment and she tells him that although she knows nothing about him, she has been yearning for him. Jeffrey attends another of Dorothy's performances at the club, where she sings the same song. At the club, Jeffrey spots Frank in the audience fondling a piece of blue velvet fabric he cut from Dorothy's robe. Jeffrey follows Frank and spends the next few days spying on him. Shortly afterwards, two men that Jeffrey calls the Well-Dressed Man and the Yellow Man exit an industrial building that Frank frequently visits. Jeffrey concludes the men are criminal associates of Frank, and tells his new findings to Sandy. The two briefly kiss, though she feels uncomfortable about going any further. Jeffrey immediately visits Dorothy again, and the two have sex. However, when he refuses to hit her, she pressures him, becoming more emotional. In a blind rage he knocks her backwards and is instantly horrified, but Dorothy derives pleasure from it.
Afterwards, Frank catches Dorothy and Jeffrey together and forces them both to accompany him to the apartment of Ben (Dean Stockwell), his suave, effeminate partner in crime who is holding Dorothy's son. Ben lip-syncs a performance of Roy Orbison's "In Dreams", sending Frank into maudlin sadness, then rage. Frank takes Jeffrey to a lumber yard and when he molests Dorothy, Jeffrey stands up to Frank by punching him. Frank's cronies drag Jeffrey out of the car and Frank kisses Jeffrey's face, intimidates him, and then savagely beats him to the overture of "In Dreams". Jeffrey wakes the next day at the same place and walks home, overcome with guilt and despair. He goes to the police station, where he notices that Sandy's father's partner is the Yellow Man—an officer named Lieutenant Detective Tom Gordon (Fred Pickler). Later, at Sandy's home, her father is amazed by Jeffrey's story, but warns Jeffrey to stop his amateur sleuthing lest he endanger himself and the investigation. Jeffrey and Sandy go to a dance together and profess their love, only to be confronted by Sandy's boyfriend. A confrontation is averted when the group finds Dorothy—naked, battered, and distressed—on Jeffrey's front lawn. Barely conscious, Dorothy reveals her intimacy with Jeffrey, causing Sandy to become upset and to slap Jeffrey, although she later forgives him.
Jeffrey insists on returning to Dorothy's apartment and tells Sandy to immediately send the police there, including her father. At Dorothy's apartment, Jeffrey finds Dorothy's husband (Don Vallens), who is dead from a gunshot to the head and identifiable by his missing ear, as well as the Yellow Man (Gordon), who bears a gruesome head wound and appears to have suffered a crude lobotomy. When Jeffrey tries to leave, he sees the Well-Dressed Man coming up the stairs and recognizes him as Frank in disguise. Jeffrey talks to Detective Williams over the Yellow Man's police radio, but lies about his location inside the apartment. Frank enters the apartment and brags about hearing Jeffrey's location over his own police radio. While Frank searches for him in the wrong room, Jeffrey retrieves the Yellow Man's gun and hides in the same closet in which he hid during his first visit to the apartment. Frank fires sporadically, knocking over the dead Yellow Man, who had still been standing up, and when he opens the closet door, Jeffrey fatally shoots him in the head. Detective Williams, gun drawn, enters with Sandy a moment later. Jeffrey and Sandy now go ahead with their relationship and note the unusual appearance of robins in their town. A montage sequence ends the film, which shows Dorothy and her son reunited. | [
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" Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Willia... | [
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Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Williams (George Dickerson) and becomes reacquainted with the detective's daughter, Sandy (Laura Dern). She tells him details about the ear case and a suspicious woman, Dorothy Vallens (Isabella Rossellini), who may be connected to the case. Increasingly curious, Jeffrey enters Dorothy's apartment by posing as an exterminator, and while Dorothy is distracted by a man dressed in a yellow suit at her door (whom Jeffrey later refers to as the Yellow Man), Jeffrey steals her spare key.
Jeffrey and Sandy attend Dorothy's nightclub act, in which she sings "Blue Velvet", and leave early so Jeffrey can sneak into her apartment to snoop. He hurriedly hides in a closet when she returns home. However, Dorothy, wielding a knife, discovers him and threatens to kill him. Believing his curiosity is merely sexual and aroused by his voyeurism, Dorothy makes Jeffrey undress at knifepoint and begins to fellate him before their encounter is interrupted by a knock at the door. Dorothy hides Jeffrey in the closet. From there he witnesses the visitor, Frank Booth (Dennis Hopper), inflict his bizarre sexual proclivities—which include inhaling an unidentified gas (possibly amyl nitrite), dry humping, and sadomasochism—upon Dorothy. Frank is an extremely foul-mouthed, violent sociopath whose orgasmic climax is a fit of both pleasure and rage. He continually refers to her as "Mommy" and to himself as both the "Daddy" and the "Baby", who "want to fuck." Frank has kidnapped Dorothy's husband and son to force her to perform sexual favors; to "Do it for van Gogh." When Frank leaves, a sad and desperate Dorothy tries to seduce Jeffrey again and demands that he hit her, but when he refuses, she tells him to leave. When Jeffrey moves to leave, she asks him to stay, though he leaves anyway.
Jeffrey relays his experience to Sandy, asking her why there are people like Frank. Sandy in turn tells him of a wonderful dream she had about robins that she interprets as a sign of hope for humanity. Jeffrey and Sandy find themselves attracted to each other, though Sandy has a boyfriend.
Jeffrey again visits Dorothy's apartment and she tells him that although she knows nothing about him, she has been yearning for him. Jeffrey attends another of Dorothy's performances at the club, where she sings the same song. At the club, Jeffrey spots Frank in the audience fondling a piece of blue velvet fabric he cut from Dorothy's robe. Jeffrey follows Frank and spends the next few days spying on him. Shortly afterwards, two men that Jeffrey calls the Well-Dressed Man and the Yellow Man exit an industrial building that Frank frequently visits. Jeffrey concludes the men are criminal associates of Frank, and tells his new findings to Sandy. The two briefly kiss, though she feels uncomfortable about going any further. Jeffrey immediately visits Dorothy again, and the two have sex. However, when he refuses to hit her, she pressures him, becoming more emotional. In a blind rage he knocks her backwards and is instantly horrified, but Dorothy derives pleasure from it.
Afterwards, Frank catches Dorothy and Jeffrey together and forces them both to accompany him to the apartment of Ben (Dean Stockwell), his suave, effeminate partner in crime who is holding Dorothy's son. Ben lip-syncs a performance of Roy Orbison's "In Dreams", sending Frank into maudlin sadness, then rage. Frank takes Jeffrey to a lumber yard and when he molests Dorothy, Jeffrey stands up to Frank by punching him. Frank's cronies drag Jeffrey out of the car and Frank kisses Jeffrey's face, intimidates him, and then savagely beats him to the overture of "In Dreams". Jeffrey wakes the next day at the same place and walks home, overcome with guilt and despair. He goes to the police station, where he notices that Sandy's father's partner is the Yellow Man—an officer named Lieutenant Detective Tom Gordon (Fred Pickler). Later, at Sandy's home, her father is amazed by Jeffrey's story, but warns Jeffrey to stop his amateur sleuthing lest he endanger himself and the investigation. Jeffrey and Sandy go to a dance together and profess their love, only to be confronted by Sandy's boyfriend. A confrontation is averted when the group finds Dorothy—naked, battered, and distressed—on Jeffrey's front lawn. Barely conscious, Dorothy reveals her intimacy with Jeffrey, causing Sandy to become upset and to slap Jeffrey, although she later forgives him.
Jeffrey insists on returning to Dorothy's apartment and tells Sandy to immediately send the police there, including her father. At Dorothy's apartment, Jeffrey finds Dorothy's husband (Don Vallens), who is dead from a gunshot to the head and identifiable by his missing ear, as well as the Yellow Man (Gordon), who bears a gruesome head wound and appears to have suffered a crude lobotomy. When Jeffrey tries to leave, he sees the Well-Dressed Man coming up the stairs and recognizes him as Frank in disguise. Jeffrey talks to Detective Williams over the Yellow Man's police radio, but lies about his location inside the apartment. Frank enters the apartment and brags about hearing Jeffrey's location over his own police radio. While Frank searches for him in the wrong room, Jeffrey retrieves the Yellow Man's gun and hides in the same closet in which he hid during his first visit to the apartment. Frank fires sporadically, knocking over the dead Yellow Man, who had still been standing up, and when he opens the closet door, Jeffrey fatally shoots him in the head. Detective Williams, gun drawn, enters with Sandy a moment later. Jeffrey and Sandy now go ahead with their relationship and note the unusual appearance of robins in their town. A montage sequence ends the film, which shows Dorothy and her son reunited. | [
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" Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Willia... | [
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Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Williams (George Dickerson) and becomes reacquainted with the detective's daughter, Sandy (Laura Dern). She tells him details about the ear case and a suspicious woman, Dorothy Vallens (Isabella Rossellini), who may be connected to the case. Increasingly curious, Jeffrey enters Dorothy's apartment by posing as an exterminator, and while Dorothy is distracted by a man dressed in a yellow suit at her door (whom Jeffrey later refers to as the Yellow Man), Jeffrey steals her spare key.
Jeffrey and Sandy attend Dorothy's nightclub act, in which she sings "Blue Velvet", and leave early so Jeffrey can sneak into her apartment to snoop. He hurriedly hides in a closet when she returns home. However, Dorothy, wielding a knife, discovers him and threatens to kill him. Believing his curiosity is merely sexual and aroused by his voyeurism, Dorothy makes Jeffrey undress at knifepoint and begins to fellate him before their encounter is interrupted by a knock at the door. Dorothy hides Jeffrey in the closet. From there he witnesses the visitor, Frank Booth (Dennis Hopper), inflict his bizarre sexual proclivities—which include inhaling an unidentified gas (possibly amyl nitrite), dry humping, and sadomasochism—upon Dorothy. Frank is an extremely foul-mouthed, violent sociopath whose orgasmic climax is a fit of both pleasure and rage. He continually refers to her as "Mommy" and to himself as both the "Daddy" and the "Baby", who "want to fuck." Frank has kidnapped Dorothy's husband and son to force her to perform sexual favors; to "Do it for van Gogh." When Frank leaves, a sad and desperate Dorothy tries to seduce Jeffrey again and demands that he hit her, but when he refuses, she tells him to leave. When Jeffrey moves to leave, she asks him to stay, though he leaves anyway.
Jeffrey relays his experience to Sandy, asking her why there are people like Frank. Sandy in turn tells him of a wonderful dream she had about robins that she interprets as a sign of hope for humanity. Jeffrey and Sandy find themselves attracted to each other, though Sandy has a boyfriend.
Jeffrey again visits Dorothy's apartment and she tells him that although she knows nothing about him, she has been yearning for him. Jeffrey attends another of Dorothy's performances at the club, where she sings the same song. At the club, Jeffrey spots Frank in the audience fondling a piece of blue velvet fabric he cut from Dorothy's robe. Jeffrey follows Frank and spends the next few days spying on him. Shortly afterwards, two men that Jeffrey calls the Well-Dressed Man and the Yellow Man exit an industrial building that Frank frequently visits. Jeffrey concludes the men are criminal associates of Frank, and tells his new findings to Sandy. The two briefly kiss, though she feels uncomfortable about going any further. Jeffrey immediately visits Dorothy again, and the two have sex. However, when he refuses to hit her, she pressures him, becoming more emotional. In a blind rage he knocks her backwards and is instantly horrified, but Dorothy derives pleasure from it.
Afterwards, Frank catches Dorothy and Jeffrey together and forces them both to accompany him to the apartment of Ben (Dean Stockwell), his suave, effeminate partner in crime who is holding Dorothy's son. Ben lip-syncs a performance of Roy Orbison's "In Dreams", sending Frank into maudlin sadness, then rage. Frank takes Jeffrey to a lumber yard and when he molests Dorothy, Jeffrey stands up to Frank by punching him. Frank's cronies drag Jeffrey out of the car and Frank kisses Jeffrey's face, intimidates him, and then savagely beats him to the overture of "In Dreams". Jeffrey wakes the next day at the same place and walks home, overcome with guilt and despair. He goes to the police station, where he notices that Sandy's father's partner is the Yellow Man—an officer named Lieutenant Detective Tom Gordon (Fred Pickler). Later, at Sandy's home, her father is amazed by Jeffrey's story, but warns Jeffrey to stop his amateur sleuthing lest he endanger himself and the investigation. Jeffrey and Sandy go to a dance together and profess their love, only to be confronted by Sandy's boyfriend. A confrontation is averted when the group finds Dorothy—naked, battered, and distressed—on Jeffrey's front lawn. Barely conscious, Dorothy reveals her intimacy with Jeffrey, causing Sandy to become upset and to slap Jeffrey, although she later forgives him.
Jeffrey insists on returning to Dorothy's apartment and tells Sandy to immediately send the police there, including her father. At Dorothy's apartment, Jeffrey finds Dorothy's husband (Don Vallens), who is dead from a gunshot to the head and identifiable by his missing ear, as well as the Yellow Man (Gordon), who bears a gruesome head wound and appears to have suffered a crude lobotomy. When Jeffrey tries to leave, he sees the Well-Dressed Man coming up the stairs and recognizes him as Frank in disguise. Jeffrey talks to Detective Williams over the Yellow Man's police radio, but lies about his location inside the apartment. Frank enters the apartment and brags about hearing Jeffrey's location over his own police radio. While Frank searches for him in the wrong room, Jeffrey retrieves the Yellow Man's gun and hides in the same closet in which he hid during his first visit to the apartment. Frank fires sporadically, knocking over the dead Yellow Man, who had still been standing up, and when he opens the closet door, Jeffrey fatally shoots him in the head. Detective Williams, gun drawn, enters with Sandy a moment later. Jeffrey and Sandy now go ahead with their relationship and note the unusual appearance of robins in their town. A montage sequence ends the film, which shows Dorothy and her son reunited. | [
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" Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Willia... | [
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Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Williams (George Dickerson) and becomes reacquainted with the detective's daughter, Sandy (Laura Dern). She tells him details about the ear case and a suspicious woman, Dorothy Vallens (Isabella Rossellini), who may be connected to the case. Increasingly curious, Jeffrey enters Dorothy's apartment by posing as an exterminator, and while Dorothy is distracted by a man dressed in a yellow suit at her door (whom Jeffrey later refers to as the Yellow Man), Jeffrey steals her spare key.
Jeffrey and Sandy attend Dorothy's nightclub act, in which she sings "Blue Velvet", and leave early so Jeffrey can sneak into her apartment to snoop. He hurriedly hides in a closet when she returns home. However, Dorothy, wielding a knife, discovers him and threatens to kill him. Believing his curiosity is merely sexual and aroused by his voyeurism, Dorothy makes Jeffrey undress at knifepoint and begins to fellate him before their encounter is interrupted by a knock at the door. Dorothy hides Jeffrey in the closet. From there he witnesses the visitor, Frank Booth (Dennis Hopper), inflict his bizarre sexual proclivities—which include inhaling an unidentified gas (possibly amyl nitrite), dry humping, and sadomasochism—upon Dorothy. Frank is an extremely foul-mouthed, violent sociopath whose orgasmic climax is a fit of both pleasure and rage. He continually refers to her as "Mommy" and to himself as both the "Daddy" and the "Baby", who "want to fuck." Frank has kidnapped Dorothy's husband and son to force her to perform sexual favors; to "Do it for van Gogh." When Frank leaves, a sad and desperate Dorothy tries to seduce Jeffrey again and demands that he hit her, but when he refuses, she tells him to leave. When Jeffrey moves to leave, she asks him to stay, though he leaves anyway.
Jeffrey relays his experience to Sandy, asking her why there are people like Frank. Sandy in turn tells him of a wonderful dream she had about robins that she interprets as a sign of hope for humanity. Jeffrey and Sandy find themselves attracted to each other, though Sandy has a boyfriend.
Jeffrey again visits Dorothy's apartment and she tells him that although she knows nothing about him, she has been yearning for him. Jeffrey attends another of Dorothy's performances at the club, where she sings the same song. At the club, Jeffrey spots Frank in the audience fondling a piece of blue velvet fabric he cut from Dorothy's robe. Jeffrey follows Frank and spends the next few days spying on him. Shortly afterwards, two men that Jeffrey calls the Well-Dressed Man and the Yellow Man exit an industrial building that Frank frequently visits. Jeffrey concludes the men are criminal associates of Frank, and tells his new findings to Sandy. The two briefly kiss, though she feels uncomfortable about going any further. Jeffrey immediately visits Dorothy again, and the two have sex. However, when he refuses to hit her, she pressures him, becoming more emotional. In a blind rage he knocks her backwards and is instantly horrified, but Dorothy derives pleasure from it.
Afterwards, Frank catches Dorothy and Jeffrey together and forces them both to accompany him to the apartment of Ben (Dean Stockwell), his suave, effeminate partner in crime who is holding Dorothy's son. Ben lip-syncs a performance of Roy Orbison's "In Dreams", sending Frank into maudlin sadness, then rage. Frank takes Jeffrey to a lumber yard and when he molests Dorothy, Jeffrey stands up to Frank by punching him. Frank's cronies drag Jeffrey out of the car and Frank kisses Jeffrey's face, intimidates him, and then savagely beats him to the overture of "In Dreams". Jeffrey wakes the next day at the same place and walks home, overcome with guilt and despair. He goes to the police station, where he notices that Sandy's father's partner is the Yellow Man—an officer named Lieutenant Detective Tom Gordon (Fred Pickler). Later, at Sandy's home, her father is amazed by Jeffrey's story, but warns Jeffrey to stop his amateur sleuthing lest he endanger himself and the investigation. Jeffrey and Sandy go to a dance together and profess their love, only to be confronted by Sandy's boyfriend. A confrontation is averted when the group finds Dorothy—naked, battered, and distressed—on Jeffrey's front lawn. Barely conscious, Dorothy reveals her intimacy with Jeffrey, causing Sandy to become upset and to slap Jeffrey, although she later forgives him.
Jeffrey insists on returning to Dorothy's apartment and tells Sandy to immediately send the police there, including her father. At Dorothy's apartment, Jeffrey finds Dorothy's husband (Don Vallens), who is dead from a gunshot to the head and identifiable by his missing ear, as well as the Yellow Man (Gordon), who bears a gruesome head wound and appears to have suffered a crude lobotomy. When Jeffrey tries to leave, he sees the Well-Dressed Man coming up the stairs and recognizes him as Frank in disguise. Jeffrey talks to Detective Williams over the Yellow Man's police radio, but lies about his location inside the apartment. Frank enters the apartment and brags about hearing Jeffrey's location over his own police radio. While Frank searches for him in the wrong room, Jeffrey retrieves the Yellow Man's gun and hides in the same closet in which he hid during his first visit to the apartment. Frank fires sporadically, knocking over the dead Yellow Man, who had still been standing up, and when he opens the closet door, Jeffrey fatally shoots him in the head. Detective Williams, gun drawn, enters with Sandy a moment later. Jeffrey and Sandy now go ahead with their relationship and note the unusual appearance of robins in their town. A montage sequence ends the film, which shows Dorothy and her son reunited. | [
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" Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Willia... | [
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Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Williams (George Dickerson) and becomes reacquainted with the detective's daughter, Sandy (Laura Dern). She tells him details about the ear case and a suspicious woman, Dorothy Vallens (Isabella Rossellini), who may be connected to the case. Increasingly curious, Jeffrey enters Dorothy's apartment by posing as an exterminator, and while Dorothy is distracted by a man dressed in a yellow suit at her door (whom Jeffrey later refers to as the Yellow Man), Jeffrey steals her spare key.
Jeffrey and Sandy attend Dorothy's nightclub act, in which she sings "Blue Velvet", and leave early so Jeffrey can sneak into her apartment to snoop. He hurriedly hides in a closet when she returns home. However, Dorothy, wielding a knife, discovers him and threatens to kill him. Believing his curiosity is merely sexual and aroused by his voyeurism, Dorothy makes Jeffrey undress at knifepoint and begins to fellate him before their encounter is interrupted by a knock at the door. Dorothy hides Jeffrey in the closet. From there he witnesses the visitor, Frank Booth (Dennis Hopper), inflict his bizarre sexual proclivities—which include inhaling an unidentified gas (possibly amyl nitrite), dry humping, and sadomasochism—upon Dorothy. Frank is an extremely foul-mouthed, violent sociopath whose orgasmic climax is a fit of both pleasure and rage. He continually refers to her as "Mommy" and to himself as both the "Daddy" and the "Baby", who "want to fuck." Frank has kidnapped Dorothy's husband and son to force her to perform sexual favors; to "Do it for van Gogh." When Frank leaves, a sad and desperate Dorothy tries to seduce Jeffrey again and demands that he hit her, but when he refuses, she tells him to leave. When Jeffrey moves to leave, she asks him to stay, though he leaves anyway.
Jeffrey relays his experience to Sandy, asking her why there are people like Frank. Sandy in turn tells him of a wonderful dream she had about robins that she interprets as a sign of hope for humanity. Jeffrey and Sandy find themselves attracted to each other, though Sandy has a boyfriend.
Jeffrey again visits Dorothy's apartment and she tells him that although she knows nothing about him, she has been yearning for him. Jeffrey attends another of Dorothy's performances at the club, where she sings the same song. At the club, Jeffrey spots Frank in the audience fondling a piece of blue velvet fabric he cut from Dorothy's robe. Jeffrey follows Frank and spends the next few days spying on him. Shortly afterwards, two men that Jeffrey calls the Well-Dressed Man and the Yellow Man exit an industrial building that Frank frequently visits. Jeffrey concludes the men are criminal associates of Frank, and tells his new findings to Sandy. The two briefly kiss, though she feels uncomfortable about going any further. Jeffrey immediately visits Dorothy again, and the two have sex. However, when he refuses to hit her, she pressures him, becoming more emotional. In a blind rage he knocks her backwards and is instantly horrified, but Dorothy derives pleasure from it.
Afterwards, Frank catches Dorothy and Jeffrey together and forces them both to accompany him to the apartment of Ben (Dean Stockwell), his suave, effeminate partner in crime who is holding Dorothy's son. Ben lip-syncs a performance of Roy Orbison's "In Dreams", sending Frank into maudlin sadness, then rage. Frank takes Jeffrey to a lumber yard and when he molests Dorothy, Jeffrey stands up to Frank by punching him. Frank's cronies drag Jeffrey out of the car and Frank kisses Jeffrey's face, intimidates him, and then savagely beats him to the overture of "In Dreams". Jeffrey wakes the next day at the same place and walks home, overcome with guilt and despair. He goes to the police station, where he notices that Sandy's father's partner is the Yellow Man—an officer named Lieutenant Detective Tom Gordon (Fred Pickler). Later, at Sandy's home, her father is amazed by Jeffrey's story, but warns Jeffrey to stop his amateur sleuthing lest he endanger himself and the investigation. Jeffrey and Sandy go to a dance together and profess their love, only to be confronted by Sandy's boyfriend. A confrontation is averted when the group finds Dorothy—naked, battered, and distressed—on Jeffrey's front lawn. Barely conscious, Dorothy reveals her intimacy with Jeffrey, causing Sandy to become upset and to slap Jeffrey, although she later forgives him.
Jeffrey insists on returning to Dorothy's apartment and tells Sandy to immediately send the police there, including her father. At Dorothy's apartment, Jeffrey finds Dorothy's husband (Don Vallens), who is dead from a gunshot to the head and identifiable by his missing ear, as well as the Yellow Man (Gordon), who bears a gruesome head wound and appears to have suffered a crude lobotomy. When Jeffrey tries to leave, he sees the Well-Dressed Man coming up the stairs and recognizes him as Frank in disguise. Jeffrey talks to Detective Williams over the Yellow Man's police radio, but lies about his location inside the apartment. Frank enters the apartment and brags about hearing Jeffrey's location over his own police radio. While Frank searches for him in the wrong room, Jeffrey retrieves the Yellow Man's gun and hides in the same closet in which he hid during his first visit to the apartment. Frank fires sporadically, knocking over the dead Yellow Man, who had still been standing up, and when he opens the closet door, Jeffrey fatally shoots him in the head. Detective Williams, gun drawn, enters with Sandy a moment later. Jeffrey and Sandy now go ahead with their relationship and note the unusual appearance of robins in their town. A montage sequence ends the film, which shows Dorothy and her son reunited. | [
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" Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Willia... | [
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Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Williams (George Dickerson) and becomes reacquainted with the detective's daughter, Sandy (Laura Dern). She tells him details about the ear case and a suspicious woman, Dorothy Vallens (Isabella Rossellini), who may be connected to the case. Increasingly curious, Jeffrey enters Dorothy's apartment by posing as an exterminator, and while Dorothy is distracted by a man dressed in a yellow suit at her door (whom Jeffrey later refers to as the Yellow Man), Jeffrey steals her spare key.
Jeffrey and Sandy attend Dorothy's nightclub act, in which she sings "Blue Velvet", and leave early so Jeffrey can sneak into her apartment to snoop. He hurriedly hides in a closet when she returns home. However, Dorothy, wielding a knife, discovers him and threatens to kill him. Believing his curiosity is merely sexual and aroused by his voyeurism, Dorothy makes Jeffrey undress at knifepoint and begins to fellate him before their encounter is interrupted by a knock at the door. Dorothy hides Jeffrey in the closet. From there he witnesses the visitor, Frank Booth (Dennis Hopper), inflict his bizarre sexual proclivities—which include inhaling an unidentified gas (possibly amyl nitrite), dry humping, and sadomasochism—upon Dorothy. Frank is an extremely foul-mouthed, violent sociopath whose orgasmic climax is a fit of both pleasure and rage. He continually refers to her as "Mommy" and to himself as both the "Daddy" and the "Baby", who "want to fuck." Frank has kidnapped Dorothy's husband and son to force her to perform sexual favors; to "Do it for van Gogh." When Frank leaves, a sad and desperate Dorothy tries to seduce Jeffrey again and demands that he hit her, but when he refuses, she tells him to leave. When Jeffrey moves to leave, she asks him to stay, though he leaves anyway.
Jeffrey relays his experience to Sandy, asking her why there are people like Frank. Sandy in turn tells him of a wonderful dream she had about robins that she interprets as a sign of hope for humanity. Jeffrey and Sandy find themselves attracted to each other, though Sandy has a boyfriend.
Jeffrey again visits Dorothy's apartment and she tells him that although she knows nothing about him, she has been yearning for him. Jeffrey attends another of Dorothy's performances at the club, where she sings the same song. At the club, Jeffrey spots Frank in the audience fondling a piece of blue velvet fabric he cut from Dorothy's robe. Jeffrey follows Frank and spends the next few days spying on him. Shortly afterwards, two men that Jeffrey calls the Well-Dressed Man and the Yellow Man exit an industrial building that Frank frequently visits. Jeffrey concludes the men are criminal associates of Frank, and tells his new findings to Sandy. The two briefly kiss, though she feels uncomfortable about going any further. Jeffrey immediately visits Dorothy again, and the two have sex. However, when he refuses to hit her, she pressures him, becoming more emotional. In a blind rage he knocks her backwards and is instantly horrified, but Dorothy derives pleasure from it.
Afterwards, Frank catches Dorothy and Jeffrey together and forces them both to accompany him to the apartment of Ben (Dean Stockwell), his suave, effeminate partner in crime who is holding Dorothy's son. Ben lip-syncs a performance of Roy Orbison's "In Dreams", sending Frank into maudlin sadness, then rage. Frank takes Jeffrey to a lumber yard and when he molests Dorothy, Jeffrey stands up to Frank by punching him. Frank's cronies drag Jeffrey out of the car and Frank kisses Jeffrey's face, intimidates him, and then savagely beats him to the overture of "In Dreams". Jeffrey wakes the next day at the same place and walks home, overcome with guilt and despair. He goes to the police station, where he notices that Sandy's father's partner is the Yellow Man—an officer named Lieutenant Detective Tom Gordon (Fred Pickler). Later, at Sandy's home, her father is amazed by Jeffrey's story, but warns Jeffrey to stop his amateur sleuthing lest he endanger himself and the investigation. Jeffrey and Sandy go to a dance together and profess their love, only to be confronted by Sandy's boyfriend. A confrontation is averted when the group finds Dorothy—naked, battered, and distressed—on Jeffrey's front lawn. Barely conscious, Dorothy reveals her intimacy with Jeffrey, causing Sandy to become upset and to slap Jeffrey, although she later forgives him.
Jeffrey insists on returning to Dorothy's apartment and tells Sandy to immediately send the police there, including her father. At Dorothy's apartment, Jeffrey finds Dorothy's husband (Don Vallens), who is dead from a gunshot to the head and identifiable by his missing ear, as well as the Yellow Man (Gordon), who bears a gruesome head wound and appears to have suffered a crude lobotomy. When Jeffrey tries to leave, he sees the Well-Dressed Man coming up the stairs and recognizes him as Frank in disguise. Jeffrey talks to Detective Williams over the Yellow Man's police radio, but lies about his location inside the apartment. Frank enters the apartment and brags about hearing Jeffrey's location over his own police radio. While Frank searches for him in the wrong room, Jeffrey retrieves the Yellow Man's gun and hides in the same closet in which he hid during his first visit to the apartment. Frank fires sporadically, knocking over the dead Yellow Man, who had still been standing up, and when he opens the closet door, Jeffrey fatally shoots him in the head. Detective Williams, gun drawn, enters with Sandy a moment later. Jeffrey and Sandy now go ahead with their relationship and note the unusual appearance of robins in their town. A montage sequence ends the film, which shows Dorothy and her son reunited. | [
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" Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Willia... | [
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The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, whereas Renée takes a much more pragmatic approach; but their friendship is preserved through their correspondence, which continues for a dozen years from 1823 through 1835.
Louise is expected to sacrifice herself for her two brothers and take the veil, but the young girl refuses to submit to such a fate. Her dying grandmother intercedes on her behalf and bequeaths her her fortune, thereby rescuing her from the enclosed life of a Carmelite nun and leaving her financially independent. Free to assist her brothers financially without having to sacrifice her own ambitions, Louise settles in Paris and throws herself into a life of Italian operas, masqued balls and romantic intrigues. She falls in love with an unbecoming but noble Spaniard, Felipe Hénarez, Baron de Macumer. Banished from Spain, he lives incognito in Paris where he is forced to support himself by teaching Spanish. When he regains his fortune and noble standing, he woos Louise with a romantic fervour that finally wins her over. The pair are married in March 1825. They live a life of carefree happiness, but Louise's jealousy embitters him and leads to his physical break-down. He dies in 1829, leaving a grieving widow of twenty-four.
Renée de Maucombe's attitude to love and life are in marked contrast to those of Louise. When she leaves the convent at Blois Renée moves to Provence, where she marries an older man of little wealth or standing whom she can hardly be said to love. She bears Louis de L'Estorade three children, and over the course of the next decade she devotes herself body and soul to the happiness of her family. Gradually she grows to love her husband in her own way, and with her encouragement he makes a career for himself in local politics, which culminates in his becoming a peer of France and a grand officer of the Legion of Honour. During this time Renée is quite scathing in her criticisms of Louise, whom she sees as a selfish and self-indulgent coquette. True happiness for a woman lies in motherhood and devotion to her family.
Meanwhile, four years after the death of Felipe, Louise falls in love again. This time the object of her love is a poor poet and playwright Marie Gaston, who is several years younger than she is. As though taking a leaf out of Renée's book, Louise sells her Parisian property, moves to a chalet in Ville d'Avray (a small village near Paris) and lives a life of seclusion with her new husband. But Renée is not fooled by this masquerade. Louise, she warns, is still living a life devoted to selfishness and self-indulgence, while true happiness lies only in self-sacrifice to one's husband and children - Louise remains childless.
After a few years of apparent bliss, Louise detects a change in her husband. He becomes solicitous about the financial success of his plays, and a large sum of money goes missing. Suspecting him of having an expensive mistress, Louise makes enquiries and comes to the shocking conclusion that he has another family in Paris – an Englishwoman known by the name Madame Gaston, and two children, who look remarkably like Marie. Louise confides her feelings of despair to Renée and announces her determination to commit suicide rather than to submit to such a fate. Renée's husband makes enquiries and discovers the truth of the situation. Madame Gaston is the widow of Marie's brother. The death of her husband has left her financially destitute and Marie has taken it upon himself to assist her and his two nephews, but he is ashamed to ask his wife for money. Reneé writes to Louise to inform her of the truth and rushes to the chalet, but she is too late. Louise has contracted consumption by lying out in the dew overnight and she dies a few days later. | [
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" The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, where... | [
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The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, whereas Renée takes a much more pragmatic approach; but their friendship is preserved through their correspondence, which continues for a dozen years from 1823 through 1835.
Louise is expected to sacrifice herself for her two brothers and take the veil, but the young girl refuses to submit to such a fate. Her dying grandmother intercedes on her behalf and bequeaths her her fortune, thereby rescuing her from the enclosed life of a Carmelite nun and leaving her financially independent. Free to assist her brothers financially without having to sacrifice her own ambitions, Louise settles in Paris and throws herself into a life of Italian operas, masqued balls and romantic intrigues. She falls in love with an unbecoming but noble Spaniard, Felipe Hénarez, Baron de Macumer. Banished from Spain, he lives incognito in Paris where he is forced to support himself by teaching Spanish. When he regains his fortune and noble standing, he woos Louise with a romantic fervour that finally wins her over. The pair are married in March 1825. They live a life of carefree happiness, but Louise's jealousy embitters him and leads to his physical break-down. He dies in 1829, leaving a grieving widow of twenty-four.
Renée de Maucombe's attitude to love and life are in marked contrast to those of Louise. When she leaves the convent at Blois Renée moves to Provence, where she marries an older man of little wealth or standing whom she can hardly be said to love. She bears Louis de L'Estorade three children, and over the course of the next decade she devotes herself body and soul to the happiness of her family. Gradually she grows to love her husband in her own way, and with her encouragement he makes a career for himself in local politics, which culminates in his becoming a peer of France and a grand officer of the Legion of Honour. During this time Renée is quite scathing in her criticisms of Louise, whom she sees as a selfish and self-indulgent coquette. True happiness for a woman lies in motherhood and devotion to her family.
Meanwhile, four years after the death of Felipe, Louise falls in love again. This time the object of her love is a poor poet and playwright Marie Gaston, who is several years younger than she is. As though taking a leaf out of Renée's book, Louise sells her Parisian property, moves to a chalet in Ville d'Avray (a small village near Paris) and lives a life of seclusion with her new husband. But Renée is not fooled by this masquerade. Louise, she warns, is still living a life devoted to selfishness and self-indulgence, while true happiness lies only in self-sacrifice to one's husband and children - Louise remains childless.
After a few years of apparent bliss, Louise detects a change in her husband. He becomes solicitous about the financial success of his plays, and a large sum of money goes missing. Suspecting him of having an expensive mistress, Louise makes enquiries and comes to the shocking conclusion that he has another family in Paris – an Englishwoman known by the name Madame Gaston, and two children, who look remarkably like Marie. Louise confides her feelings of despair to Renée and announces her determination to commit suicide rather than to submit to such a fate. Renée's husband makes enquiries and discovers the truth of the situation. Madame Gaston is the widow of Marie's brother. The death of her husband has left her financially destitute and Marie has taken it upon himself to assist her and his two nephews, but he is ashamed to ask his wife for money. Reneé writes to Louise to inform her of the truth and rushes to the chalet, but she is too late. Louise has contracted consumption by lying out in the dew overnight and she dies a few days later. | [
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" The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, where... | [
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The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, whereas Renée takes a much more pragmatic approach; but their friendship is preserved through their correspondence, which continues for a dozen years from 1823 through 1835.
Louise is expected to sacrifice herself for her two brothers and take the veil, but the young girl refuses to submit to such a fate. Her dying grandmother intercedes on her behalf and bequeaths her her fortune, thereby rescuing her from the enclosed life of a Carmelite nun and leaving her financially independent. Free to assist her brothers financially without having to sacrifice her own ambitions, Louise settles in Paris and throws herself into a life of Italian operas, masqued balls and romantic intrigues. She falls in love with an unbecoming but noble Spaniard, Felipe Hénarez, Baron de Macumer. Banished from Spain, he lives incognito in Paris where he is forced to support himself by teaching Spanish. When he regains his fortune and noble standing, he woos Louise with a romantic fervour that finally wins her over. The pair are married in March 1825. They live a life of carefree happiness, but Louise's jealousy embitters him and leads to his physical break-down. He dies in 1829, leaving a grieving widow of twenty-four.
Renée de Maucombe's attitude to love and life are in marked contrast to those of Louise. When she leaves the convent at Blois Renée moves to Provence, where she marries an older man of little wealth or standing whom she can hardly be said to love. She bears Louis de L'Estorade three children, and over the course of the next decade she devotes herself body and soul to the happiness of her family. Gradually she grows to love her husband in her own way, and with her encouragement he makes a career for himself in local politics, which culminates in his becoming a peer of France and a grand officer of the Legion of Honour. During this time Renée is quite scathing in her criticisms of Louise, whom she sees as a selfish and self-indulgent coquette. True happiness for a woman lies in motherhood and devotion to her family.
Meanwhile, four years after the death of Felipe, Louise falls in love again. This time the object of her love is a poor poet and playwright Marie Gaston, who is several years younger than she is. As though taking a leaf out of Renée's book, Louise sells her Parisian property, moves to a chalet in Ville d'Avray (a small village near Paris) and lives a life of seclusion with her new husband. But Renée is not fooled by this masquerade. Louise, she warns, is still living a life devoted to selfishness and self-indulgence, while true happiness lies only in self-sacrifice to one's husband and children - Louise remains childless.
After a few years of apparent bliss, Louise detects a change in her husband. He becomes solicitous about the financial success of his plays, and a large sum of money goes missing. Suspecting him of having an expensive mistress, Louise makes enquiries and comes to the shocking conclusion that he has another family in Paris – an Englishwoman known by the name Madame Gaston, and two children, who look remarkably like Marie. Louise confides her feelings of despair to Renée and announces her determination to commit suicide rather than to submit to such a fate. Renée's husband makes enquiries and discovers the truth of the situation. Madame Gaston is the widow of Marie's brother. The death of her husband has left her financially destitute and Marie has taken it upon himself to assist her and his two nephews, but he is ashamed to ask his wife for money. Reneé writes to Louise to inform her of the truth and rushes to the chalet, but she is too late. Louise has contracted consumption by lying out in the dew overnight and she dies a few days later. | [
[
"She does not love him.",
"She doesn't love him."
]
] | [
{
"content": "How does Renee intially feel romantically towards the older gentleman?",
"role": "user"
}
] | 31,671 | [
" The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, where... | [
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The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, whereas Renée takes a much more pragmatic approach; but their friendship is preserved through their correspondence, which continues for a dozen years from 1823 through 1835.
Louise is expected to sacrifice herself for her two brothers and take the veil, but the young girl refuses to submit to such a fate. Her dying grandmother intercedes on her behalf and bequeaths her her fortune, thereby rescuing her from the enclosed life of a Carmelite nun and leaving her financially independent. Free to assist her brothers financially without having to sacrifice her own ambitions, Louise settles in Paris and throws herself into a life of Italian operas, masqued balls and romantic intrigues. She falls in love with an unbecoming but noble Spaniard, Felipe Hénarez, Baron de Macumer. Banished from Spain, he lives incognito in Paris where he is forced to support himself by teaching Spanish. When he regains his fortune and noble standing, he woos Louise with a romantic fervour that finally wins her over. The pair are married in March 1825. They live a life of carefree happiness, but Louise's jealousy embitters him and leads to his physical break-down. He dies in 1829, leaving a grieving widow of twenty-four.
Renée de Maucombe's attitude to love and life are in marked contrast to those of Louise. When she leaves the convent at Blois Renée moves to Provence, where she marries an older man of little wealth or standing whom she can hardly be said to love. She bears Louis de L'Estorade three children, and over the course of the next decade she devotes herself body and soul to the happiness of her family. Gradually she grows to love her husband in her own way, and with her encouragement he makes a career for himself in local politics, which culminates in his becoming a peer of France and a grand officer of the Legion of Honour. During this time Renée is quite scathing in her criticisms of Louise, whom she sees as a selfish and self-indulgent coquette. True happiness for a woman lies in motherhood and devotion to her family.
Meanwhile, four years after the death of Felipe, Louise falls in love again. This time the object of her love is a poor poet and playwright Marie Gaston, who is several years younger than she is. As though taking a leaf out of Renée's book, Louise sells her Parisian property, moves to a chalet in Ville d'Avray (a small village near Paris) and lives a life of seclusion with her new husband. But Renée is not fooled by this masquerade. Louise, she warns, is still living a life devoted to selfishness and self-indulgence, while true happiness lies only in self-sacrifice to one's husband and children - Louise remains childless.
After a few years of apparent bliss, Louise detects a change in her husband. He becomes solicitous about the financial success of his plays, and a large sum of money goes missing. Suspecting him of having an expensive mistress, Louise makes enquiries and comes to the shocking conclusion that he has another family in Paris – an Englishwoman known by the name Madame Gaston, and two children, who look remarkably like Marie. Louise confides her feelings of despair to Renée and announces her determination to commit suicide rather than to submit to such a fate. Renée's husband makes enquiries and discovers the truth of the situation. Madame Gaston is the widow of Marie's brother. The death of her husband has left her financially destitute and Marie has taken it upon himself to assist her and his two nephews, but he is ashamed to ask his wife for money. Reneé writes to Louise to inform her of the truth and rushes to the chalet, but she is too late. Louise has contracted consumption by lying out in the dew overnight and she dies a few days later. | [
[
"Spanish language.",
"Spanish."
]
] | [
{
"content": "What does Felipe teach at one point?",
"role": "user"
}
] | 31,672 | [
" The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, where... | [
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The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, whereas Renée takes a much more pragmatic approach; but their friendship is preserved through their correspondence, which continues for a dozen years from 1823 through 1835.
Louise is expected to sacrifice herself for her two brothers and take the veil, but the young girl refuses to submit to such a fate. Her dying grandmother intercedes on her behalf and bequeaths her her fortune, thereby rescuing her from the enclosed life of a Carmelite nun and leaving her financially independent. Free to assist her brothers financially without having to sacrifice her own ambitions, Louise settles in Paris and throws herself into a life of Italian operas, masqued balls and romantic intrigues. She falls in love with an unbecoming but noble Spaniard, Felipe Hénarez, Baron de Macumer. Banished from Spain, he lives incognito in Paris where he is forced to support himself by teaching Spanish. When he regains his fortune and noble standing, he woos Louise with a romantic fervour that finally wins her over. The pair are married in March 1825. They live a life of carefree happiness, but Louise's jealousy embitters him and leads to his physical break-down. He dies in 1829, leaving a grieving widow of twenty-four.
Renée de Maucombe's attitude to love and life are in marked contrast to those of Louise. When she leaves the convent at Blois Renée moves to Provence, where she marries an older man of little wealth or standing whom she can hardly be said to love. She bears Louis de L'Estorade three children, and over the course of the next decade she devotes herself body and soul to the happiness of her family. Gradually she grows to love her husband in her own way, and with her encouragement he makes a career for himself in local politics, which culminates in his becoming a peer of France and a grand officer of the Legion of Honour. During this time Renée is quite scathing in her criticisms of Louise, whom she sees as a selfish and self-indulgent coquette. True happiness for a woman lies in motherhood and devotion to her family.
Meanwhile, four years after the death of Felipe, Louise falls in love again. This time the object of her love is a poor poet and playwright Marie Gaston, who is several years younger than she is. As though taking a leaf out of Renée's book, Louise sells her Parisian property, moves to a chalet in Ville d'Avray (a small village near Paris) and lives a life of seclusion with her new husband. But Renée is not fooled by this masquerade. Louise, she warns, is still living a life devoted to selfishness and self-indulgence, while true happiness lies only in self-sacrifice to one's husband and children - Louise remains childless.
After a few years of apparent bliss, Louise detects a change in her husband. He becomes solicitous about the financial success of his plays, and a large sum of money goes missing. Suspecting him of having an expensive mistress, Louise makes enquiries and comes to the shocking conclusion that he has another family in Paris – an Englishwoman known by the name Madame Gaston, and two children, who look remarkably like Marie. Louise confides her feelings of despair to Renée and announces her determination to commit suicide rather than to submit to such a fate. Renée's husband makes enquiries and discovers the truth of the situation. Madame Gaston is the widow of Marie's brother. The death of her husband has left her financially destitute and Marie has taken it upon himself to assist her and his two nephews, but he is ashamed to ask his wife for money. Reneé writes to Louise to inform her of the truth and rushes to the chalet, but she is too late. Louise has contracted consumption by lying out in the dew overnight and she dies a few days later. | [
[
"None.",
"Zero."
]
] | [
{
"content": "How many children does Louise have?",
"role": "user"
}
] | 31,673 | [
" The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, where... | [
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The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, whereas Renée takes a much more pragmatic approach; but their friendship is preserved through their correspondence, which continues for a dozen years from 1823 through 1835.
Louise is expected to sacrifice herself for her two brothers and take the veil, but the young girl refuses to submit to such a fate. Her dying grandmother intercedes on her behalf and bequeaths her her fortune, thereby rescuing her from the enclosed life of a Carmelite nun and leaving her financially independent. Free to assist her brothers financially without having to sacrifice her own ambitions, Louise settles in Paris and throws herself into a life of Italian operas, masqued balls and romantic intrigues. She falls in love with an unbecoming but noble Spaniard, Felipe Hénarez, Baron de Macumer. Banished from Spain, he lives incognito in Paris where he is forced to support himself by teaching Spanish. When he regains his fortune and noble standing, he woos Louise with a romantic fervour that finally wins her over. The pair are married in March 1825. They live a life of carefree happiness, but Louise's jealousy embitters him and leads to his physical break-down. He dies in 1829, leaving a grieving widow of twenty-four.
Renée de Maucombe's attitude to love and life are in marked contrast to those of Louise. When she leaves the convent at Blois Renée moves to Provence, where she marries an older man of little wealth or standing whom she can hardly be said to love. She bears Louis de L'Estorade three children, and over the course of the next decade she devotes herself body and soul to the happiness of her family. Gradually she grows to love her husband in her own way, and with her encouragement he makes a career for himself in local politics, which culminates in his becoming a peer of France and a grand officer of the Legion of Honour. During this time Renée is quite scathing in her criticisms of Louise, whom she sees as a selfish and self-indulgent coquette. True happiness for a woman lies in motherhood and devotion to her family.
Meanwhile, four years after the death of Felipe, Louise falls in love again. This time the object of her love is a poor poet and playwright Marie Gaston, who is several years younger than she is. As though taking a leaf out of Renée's book, Louise sells her Parisian property, moves to a chalet in Ville d'Avray (a small village near Paris) and lives a life of seclusion with her new husband. But Renée is not fooled by this masquerade. Louise, she warns, is still living a life devoted to selfishness and self-indulgence, while true happiness lies only in self-sacrifice to one's husband and children - Louise remains childless.
After a few years of apparent bliss, Louise detects a change in her husband. He becomes solicitous about the financial success of his plays, and a large sum of money goes missing. Suspecting him of having an expensive mistress, Louise makes enquiries and comes to the shocking conclusion that he has another family in Paris – an Englishwoman known by the name Madame Gaston, and two children, who look remarkably like Marie. Louise confides her feelings of despair to Renée and announces her determination to commit suicide rather than to submit to such a fate. Renée's husband makes enquiries and discovers the truth of the situation. Madame Gaston is the widow of Marie's brother. The death of her husband has left her financially destitute and Marie has taken it upon himself to assist her and his two nephews, but he is ashamed to ask his wife for money. Reneé writes to Louise to inform her of the truth and rushes to the chalet, but she is too late. Louise has contracted consumption by lying out in the dew overnight and she dies a few days later. | [
[
"Her brothers.",
"her brothers"
]
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{
"content": "Who is Louise able to help out financially?",
"role": "user"
}
] | 31,674 | [
" The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, where... | [
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1.0000003576278687
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31672,
31673,
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31669
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The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, whereas Renée takes a much more pragmatic approach; but their friendship is preserved through their correspondence, which continues for a dozen years from 1823 through 1835.
Louise is expected to sacrifice herself for her two brothers and take the veil, but the young girl refuses to submit to such a fate. Her dying grandmother intercedes on her behalf and bequeaths her her fortune, thereby rescuing her from the enclosed life of a Carmelite nun and leaving her financially independent. Free to assist her brothers financially without having to sacrifice her own ambitions, Louise settles in Paris and throws herself into a life of Italian operas, masqued balls and romantic intrigues. She falls in love with an unbecoming but noble Spaniard, Felipe Hénarez, Baron de Macumer. Banished from Spain, he lives incognito in Paris where he is forced to support himself by teaching Spanish. When he regains his fortune and noble standing, he woos Louise with a romantic fervour that finally wins her over. The pair are married in March 1825. They live a life of carefree happiness, but Louise's jealousy embitters him and leads to his physical break-down. He dies in 1829, leaving a grieving widow of twenty-four.
Renée de Maucombe's attitude to love and life are in marked contrast to those of Louise. When she leaves the convent at Blois Renée moves to Provence, where she marries an older man of little wealth or standing whom she can hardly be said to love. She bears Louis de L'Estorade three children, and over the course of the next decade she devotes herself body and soul to the happiness of her family. Gradually she grows to love her husband in her own way, and with her encouragement he makes a career for himself in local politics, which culminates in his becoming a peer of France and a grand officer of the Legion of Honour. During this time Renée is quite scathing in her criticisms of Louise, whom she sees as a selfish and self-indulgent coquette. True happiness for a woman lies in motherhood and devotion to her family.
Meanwhile, four years after the death of Felipe, Louise falls in love again. This time the object of her love is a poor poet and playwright Marie Gaston, who is several years younger than she is. As though taking a leaf out of Renée's book, Louise sells her Parisian property, moves to a chalet in Ville d'Avray (a small village near Paris) and lives a life of seclusion with her new husband. But Renée is not fooled by this masquerade. Louise, she warns, is still living a life devoted to selfishness and self-indulgence, while true happiness lies only in self-sacrifice to one's husband and children - Louise remains childless.
After a few years of apparent bliss, Louise detects a change in her husband. He becomes solicitous about the financial success of his plays, and a large sum of money goes missing. Suspecting him of having an expensive mistress, Louise makes enquiries and comes to the shocking conclusion that he has another family in Paris – an Englishwoman known by the name Madame Gaston, and two children, who look remarkably like Marie. Louise confides her feelings of despair to Renée and announces her determination to commit suicide rather than to submit to such a fate. Renée's husband makes enquiries and discovers the truth of the situation. Madame Gaston is the widow of Marie's brother. The death of her husband has left her financially destitute and Marie has taken it upon himself to assist her and his two nephews, but he is ashamed to ask his wife for money. Reneé writes to Louise to inform her of the truth and rushes to the chalet, but she is too late. Louise has contracted consumption by lying out in the dew overnight and she dies a few days later. | [
[
"To Ville d'Avray.",
"to a chalet in Ville d'Avray"
]
] | [
{
"content": "Where does Louise move to after selling her property in Paris?",
"role": "user"
}
] | 31,675 | [
" The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, where... | [
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1.0000003576278687,
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1.0000003576278687
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31672,
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31674,
31670,
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The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, whereas Renée takes a much more pragmatic approach; but their friendship is preserved through their correspondence, which continues for a dozen years from 1823 through 1835.
Louise is expected to sacrifice herself for her two brothers and take the veil, but the young girl refuses to submit to such a fate. Her dying grandmother intercedes on her behalf and bequeaths her her fortune, thereby rescuing her from the enclosed life of a Carmelite nun and leaving her financially independent. Free to assist her brothers financially without having to sacrifice her own ambitions, Louise settles in Paris and throws herself into a life of Italian operas, masqued balls and romantic intrigues. She falls in love with an unbecoming but noble Spaniard, Felipe Hénarez, Baron de Macumer. Banished from Spain, he lives incognito in Paris where he is forced to support himself by teaching Spanish. When he regains his fortune and noble standing, he woos Louise with a romantic fervour that finally wins her over. The pair are married in March 1825. They live a life of carefree happiness, but Louise's jealousy embitters him and leads to his physical break-down. He dies in 1829, leaving a grieving widow of twenty-four.
Renée de Maucombe's attitude to love and life are in marked contrast to those of Louise. When she leaves the convent at Blois Renée moves to Provence, where she marries an older man of little wealth or standing whom she can hardly be said to love. She bears Louis de L'Estorade three children, and over the course of the next decade she devotes herself body and soul to the happiness of her family. Gradually she grows to love her husband in her own way, and with her encouragement he makes a career for himself in local politics, which culminates in his becoming a peer of France and a grand officer of the Legion of Honour. During this time Renée is quite scathing in her criticisms of Louise, whom she sees as a selfish and self-indulgent coquette. True happiness for a woman lies in motherhood and devotion to her family.
Meanwhile, four years after the death of Felipe, Louise falls in love again. This time the object of her love is a poor poet and playwright Marie Gaston, who is several years younger than she is. As though taking a leaf out of Renée's book, Louise sells her Parisian property, moves to a chalet in Ville d'Avray (a small village near Paris) and lives a life of seclusion with her new husband. But Renée is not fooled by this masquerade. Louise, she warns, is still living a life devoted to selfishness and self-indulgence, while true happiness lies only in self-sacrifice to one's husband and children - Louise remains childless.
After a few years of apparent bliss, Louise detects a change in her husband. He becomes solicitous about the financial success of his plays, and a large sum of money goes missing. Suspecting him of having an expensive mistress, Louise makes enquiries and comes to the shocking conclusion that he has another family in Paris – an Englishwoman known by the name Madame Gaston, and two children, who look remarkably like Marie. Louise confides her feelings of despair to Renée and announces her determination to commit suicide rather than to submit to such a fate. Renée's husband makes enquiries and discovers the truth of the situation. Madame Gaston is the widow of Marie's brother. The death of her husband has left her financially destitute and Marie has taken it upon himself to assist her and his two nephews, but he is ashamed to ask his wife for money. Reneé writes to Louise to inform her of the truth and rushes to the chalet, but she is too late. Louise has contracted consumption by lying out in the dew overnight and she dies a few days later. | [
[
"Marie writes poems and plays.",
"A poet and playwright"
]
] | [
{
"content": "What does Marie do for a living?",
"role": "user"
}
] | 31,676 | [
" The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, where... | [
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1.0000003576278687,
1.0000003576278687,
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1.0000003576278687,
1.0000003576278687
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31671,
31672,
31673,
31674,
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31669
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The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, whereas Renée takes a much more pragmatic approach; but their friendship is preserved through their correspondence, which continues for a dozen years from 1823 through 1835.
Louise is expected to sacrifice herself for her two brothers and take the veil, but the young girl refuses to submit to such a fate. Her dying grandmother intercedes on her behalf and bequeaths her her fortune, thereby rescuing her from the enclosed life of a Carmelite nun and leaving her financially independent. Free to assist her brothers financially without having to sacrifice her own ambitions, Louise settles in Paris and throws herself into a life of Italian operas, masqued balls and romantic intrigues. She falls in love with an unbecoming but noble Spaniard, Felipe Hénarez, Baron de Macumer. Banished from Spain, he lives incognito in Paris where he is forced to support himself by teaching Spanish. When he regains his fortune and noble standing, he woos Louise with a romantic fervour that finally wins her over. The pair are married in March 1825. They live a life of carefree happiness, but Louise's jealousy embitters him and leads to his physical break-down. He dies in 1829, leaving a grieving widow of twenty-four.
Renée de Maucombe's attitude to love and life are in marked contrast to those of Louise. When she leaves the convent at Blois Renée moves to Provence, where she marries an older man of little wealth or standing whom she can hardly be said to love. She bears Louis de L'Estorade three children, and over the course of the next decade she devotes herself body and soul to the happiness of her family. Gradually she grows to love her husband in her own way, and with her encouragement he makes a career for himself in local politics, which culminates in his becoming a peer of France and a grand officer of the Legion of Honour. During this time Renée is quite scathing in her criticisms of Louise, whom she sees as a selfish and self-indulgent coquette. True happiness for a woman lies in motherhood and devotion to her family.
Meanwhile, four years after the death of Felipe, Louise falls in love again. This time the object of her love is a poor poet and playwright Marie Gaston, who is several years younger than she is. As though taking a leaf out of Renée's book, Louise sells her Parisian property, moves to a chalet in Ville d'Avray (a small village near Paris) and lives a life of seclusion with her new husband. But Renée is not fooled by this masquerade. Louise, she warns, is still living a life devoted to selfishness and self-indulgence, while true happiness lies only in self-sacrifice to one's husband and children - Louise remains childless.
After a few years of apparent bliss, Louise detects a change in her husband. He becomes solicitous about the financial success of his plays, and a large sum of money goes missing. Suspecting him of having an expensive mistress, Louise makes enquiries and comes to the shocking conclusion that he has another family in Paris – an Englishwoman known by the name Madame Gaston, and two children, who look remarkably like Marie. Louise confides her feelings of despair to Renée and announces her determination to commit suicide rather than to submit to such a fate. Renée's husband makes enquiries and discovers the truth of the situation. Madame Gaston is the widow of Marie's brother. The death of her husband has left her financially destitute and Marie has taken it upon himself to assist her and his two nephews, but he is ashamed to ask his wife for money. Reneé writes to Louise to inform her of the truth and rushes to the chalet, but she is too late. Louise has contracted consumption by lying out in the dew overnight and she dies a few days later. | [
[
"At the Carmelite convent of Blois.",
"Convent"
]
] | [
{
"content": "Where did Renee and Louise become close friends?",
"role": "user"
}
] | 31,677 | [
" The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, where... | [
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The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, whereas Renée takes a much more pragmatic approach; but their friendship is preserved through their correspondence, which continues for a dozen years from 1823 through 1835.
Louise is expected to sacrifice herself for her two brothers and take the veil, but the young girl refuses to submit to such a fate. Her dying grandmother intercedes on her behalf and bequeaths her her fortune, thereby rescuing her from the enclosed life of a Carmelite nun and leaving her financially independent. Free to assist her brothers financially without having to sacrifice her own ambitions, Louise settles in Paris and throws herself into a life of Italian operas, masqued balls and romantic intrigues. She falls in love with an unbecoming but noble Spaniard, Felipe Hénarez, Baron de Macumer. Banished from Spain, he lives incognito in Paris where he is forced to support himself by teaching Spanish. When he regains his fortune and noble standing, he woos Louise with a romantic fervour that finally wins her over. The pair are married in March 1825. They live a life of carefree happiness, but Louise's jealousy embitters him and leads to his physical break-down. He dies in 1829, leaving a grieving widow of twenty-four.
Renée de Maucombe's attitude to love and life are in marked contrast to those of Louise. When she leaves the convent at Blois Renée moves to Provence, where she marries an older man of little wealth or standing whom she can hardly be said to love. She bears Louis de L'Estorade three children, and over the course of the next decade she devotes herself body and soul to the happiness of her family. Gradually she grows to love her husband in her own way, and with her encouragement he makes a career for himself in local politics, which culminates in his becoming a peer of France and a grand officer of the Legion of Honour. During this time Renée is quite scathing in her criticisms of Louise, whom she sees as a selfish and self-indulgent coquette. True happiness for a woman lies in motherhood and devotion to her family.
Meanwhile, four years after the death of Felipe, Louise falls in love again. This time the object of her love is a poor poet and playwright Marie Gaston, who is several years younger than she is. As though taking a leaf out of Renée's book, Louise sells her Parisian property, moves to a chalet in Ville d'Avray (a small village near Paris) and lives a life of seclusion with her new husband. But Renée is not fooled by this masquerade. Louise, she warns, is still living a life devoted to selfishness and self-indulgence, while true happiness lies only in self-sacrifice to one's husband and children - Louise remains childless.
After a few years of apparent bliss, Louise detects a change in her husband. He becomes solicitous about the financial success of his plays, and a large sum of money goes missing. Suspecting him of having an expensive mistress, Louise makes enquiries and comes to the shocking conclusion that he has another family in Paris – an Englishwoman known by the name Madame Gaston, and two children, who look remarkably like Marie. Louise confides her feelings of despair to Renée and announces her determination to commit suicide rather than to submit to such a fate. Renée's husband makes enquiries and discovers the truth of the situation. Madame Gaston is the widow of Marie's brother. The death of her husband has left her financially destitute and Marie has taken it upon himself to assist her and his two nephews, but he is ashamed to ask his wife for money. Reneé writes to Louise to inform her of the truth and rushes to the chalet, but she is too late. Louise has contracted consumption by lying out in the dew overnight and she dies a few days later. | [
[
"Marie Gaston.",
"Her husband."
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{
"content": "Who does Louise find out has another family in Paris?",
"role": "user"
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] | 31,678 | [
" The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, where... | [
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The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, whereas Renée takes a much more pragmatic approach; but their friendship is preserved through their correspondence, which continues for a dozen years from 1823 through 1835.
Louise is expected to sacrifice herself for her two brothers and take the veil, but the young girl refuses to submit to such a fate. Her dying grandmother intercedes on her behalf and bequeaths her her fortune, thereby rescuing her from the enclosed life of a Carmelite nun and leaving her financially independent. Free to assist her brothers financially without having to sacrifice her own ambitions, Louise settles in Paris and throws herself into a life of Italian operas, masqued balls and romantic intrigues. She falls in love with an unbecoming but noble Spaniard, Felipe Hénarez, Baron de Macumer. Banished from Spain, he lives incognito in Paris where he is forced to support himself by teaching Spanish. When he regains his fortune and noble standing, he woos Louise with a romantic fervour that finally wins her over. The pair are married in March 1825. They live a life of carefree happiness, but Louise's jealousy embitters him and leads to his physical break-down. He dies in 1829, leaving a grieving widow of twenty-four.
Renée de Maucombe's attitude to love and life are in marked contrast to those of Louise. When she leaves the convent at Blois Renée moves to Provence, where she marries an older man of little wealth or standing whom she can hardly be said to love. She bears Louis de L'Estorade three children, and over the course of the next decade she devotes herself body and soul to the happiness of her family. Gradually she grows to love her husband in her own way, and with her encouragement he makes a career for himself in local politics, which culminates in his becoming a peer of France and a grand officer of the Legion of Honour. During this time Renée is quite scathing in her criticisms of Louise, whom she sees as a selfish and self-indulgent coquette. True happiness for a woman lies in motherhood and devotion to her family.
Meanwhile, four years after the death of Felipe, Louise falls in love again. This time the object of her love is a poor poet and playwright Marie Gaston, who is several years younger than she is. As though taking a leaf out of Renée's book, Louise sells her Parisian property, moves to a chalet in Ville d'Avray (a small village near Paris) and lives a life of seclusion with her new husband. But Renée is not fooled by this masquerade. Louise, she warns, is still living a life devoted to selfishness and self-indulgence, while true happiness lies only in self-sacrifice to one's husband and children - Louise remains childless.
After a few years of apparent bliss, Louise detects a change in her husband. He becomes solicitous about the financial success of his plays, and a large sum of money goes missing. Suspecting him of having an expensive mistress, Louise makes enquiries and comes to the shocking conclusion that he has another family in Paris – an Englishwoman known by the name Madame Gaston, and two children, who look remarkably like Marie. Louise confides her feelings of despair to Renée and announces her determination to commit suicide rather than to submit to such a fate. Renée's husband makes enquiries and discovers the truth of the situation. Madame Gaston is the widow of Marie's brother. The death of her husband has left her financially destitute and Marie has taken it upon himself to assist her and his two nephews, but he is ashamed to ask his wife for money. Reneé writes to Louise to inform her of the truth and rushes to the chalet, but she is too late. Louise has contracted consumption by lying out in the dew overnight and she dies a few days later. | [
[
"A convent",
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{
"content": "Where do Renee and Louise meet?",
"role": "user"
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" The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, where... | [
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The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, whereas Renée takes a much more pragmatic approach; but their friendship is preserved through their correspondence, which continues for a dozen years from 1823 through 1835.
Louise is expected to sacrifice herself for her two brothers and take the veil, but the young girl refuses to submit to such a fate. Her dying grandmother intercedes on her behalf and bequeaths her her fortune, thereby rescuing her from the enclosed life of a Carmelite nun and leaving her financially independent. Free to assist her brothers financially without having to sacrifice her own ambitions, Louise settles in Paris and throws herself into a life of Italian operas, masqued balls and romantic intrigues. She falls in love with an unbecoming but noble Spaniard, Felipe Hénarez, Baron de Macumer. Banished from Spain, he lives incognito in Paris where he is forced to support himself by teaching Spanish. When he regains his fortune and noble standing, he woos Louise with a romantic fervour that finally wins her over. The pair are married in March 1825. They live a life of carefree happiness, but Louise's jealousy embitters him and leads to his physical break-down. He dies in 1829, leaving a grieving widow of twenty-four.
Renée de Maucombe's attitude to love and life are in marked contrast to those of Louise. When she leaves the convent at Blois Renée moves to Provence, where she marries an older man of little wealth or standing whom she can hardly be said to love. She bears Louis de L'Estorade three children, and over the course of the next decade she devotes herself body and soul to the happiness of her family. Gradually she grows to love her husband in her own way, and with her encouragement he makes a career for himself in local politics, which culminates in his becoming a peer of France and a grand officer of the Legion of Honour. During this time Renée is quite scathing in her criticisms of Louise, whom she sees as a selfish and self-indulgent coquette. True happiness for a woman lies in motherhood and devotion to her family.
Meanwhile, four years after the death of Felipe, Louise falls in love again. This time the object of her love is a poor poet and playwright Marie Gaston, who is several years younger than she is. As though taking a leaf out of Renée's book, Louise sells her Parisian property, moves to a chalet in Ville d'Avray (a small village near Paris) and lives a life of seclusion with her new husband. But Renée is not fooled by this masquerade. Louise, she warns, is still living a life devoted to selfishness and self-indulgence, while true happiness lies only in self-sacrifice to one's husband and children - Louise remains childless.
After a few years of apparent bliss, Louise detects a change in her husband. He becomes solicitous about the financial success of his plays, and a large sum of money goes missing. Suspecting him of having an expensive mistress, Louise makes enquiries and comes to the shocking conclusion that he has another family in Paris – an Englishwoman known by the name Madame Gaston, and two children, who look remarkably like Marie. Louise confides her feelings of despair to Renée and announces her determination to commit suicide rather than to submit to such a fate. Renée's husband makes enquiries and discovers the truth of the situation. Madame Gaston is the widow of Marie's brother. The death of her husband has left her financially destitute and Marie has taken it upon himself to assist her and his two nephews, but he is ashamed to ask his wife for money. Reneé writes to Louise to inform her of the truth and rushes to the chalet, but she is too late. Louise has contracted consumption by lying out in the dew overnight and she dies a few days later. | [
[
"Renee",
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{
"content": "Which of the main characters has children?",
"role": "user"
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" The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, where... | [
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The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, whereas Renée takes a much more pragmatic approach; but their friendship is preserved through their correspondence, which continues for a dozen years from 1823 through 1835.
Louise is expected to sacrifice herself for her two brothers and take the veil, but the young girl refuses to submit to such a fate. Her dying grandmother intercedes on her behalf and bequeaths her her fortune, thereby rescuing her from the enclosed life of a Carmelite nun and leaving her financially independent. Free to assist her brothers financially without having to sacrifice her own ambitions, Louise settles in Paris and throws herself into a life of Italian operas, masqued balls and romantic intrigues. She falls in love with an unbecoming but noble Spaniard, Felipe Hénarez, Baron de Macumer. Banished from Spain, he lives incognito in Paris where he is forced to support himself by teaching Spanish. When he regains his fortune and noble standing, he woos Louise with a romantic fervour that finally wins her over. The pair are married in March 1825. They live a life of carefree happiness, but Louise's jealousy embitters him and leads to his physical break-down. He dies in 1829, leaving a grieving widow of twenty-four.
Renée de Maucombe's attitude to love and life are in marked contrast to those of Louise. When she leaves the convent at Blois Renée moves to Provence, where she marries an older man of little wealth or standing whom she can hardly be said to love. She bears Louis de L'Estorade three children, and over the course of the next decade she devotes herself body and soul to the happiness of her family. Gradually she grows to love her husband in her own way, and with her encouragement he makes a career for himself in local politics, which culminates in his becoming a peer of France and a grand officer of the Legion of Honour. During this time Renée is quite scathing in her criticisms of Louise, whom she sees as a selfish and self-indulgent coquette. True happiness for a woman lies in motherhood and devotion to her family.
Meanwhile, four years after the death of Felipe, Louise falls in love again. This time the object of her love is a poor poet and playwright Marie Gaston, who is several years younger than she is. As though taking a leaf out of Renée's book, Louise sells her Parisian property, moves to a chalet in Ville d'Avray (a small village near Paris) and lives a life of seclusion with her new husband. But Renée is not fooled by this masquerade. Louise, she warns, is still living a life devoted to selfishness and self-indulgence, while true happiness lies only in self-sacrifice to one's husband and children - Louise remains childless.
After a few years of apparent bliss, Louise detects a change in her husband. He becomes solicitous about the financial success of his plays, and a large sum of money goes missing. Suspecting him of having an expensive mistress, Louise makes enquiries and comes to the shocking conclusion that he has another family in Paris – an Englishwoman known by the name Madame Gaston, and two children, who look remarkably like Marie. Louise confides her feelings of despair to Renée and announces her determination to commit suicide rather than to submit to such a fate. Renée's husband makes enquiries and discovers the truth of the situation. Madame Gaston is the widow of Marie's brother. The death of her husband has left her financially destitute and Marie has taken it upon himself to assist her and his two nephews, but he is ashamed to ask his wife for money. Reneé writes to Louise to inform her of the truth and rushes to the chalet, but she is too late. Louise has contracted consumption by lying out in the dew overnight and she dies a few days later. | [
[
"Felipe Henarez",
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{
"content": "What is the name of Louise's first husband?",
"role": "user"
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" The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, where... | [
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31672,
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The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, whereas Renée takes a much more pragmatic approach; but their friendship is preserved through their correspondence, which continues for a dozen years from 1823 through 1835.
Louise is expected to sacrifice herself for her two brothers and take the veil, but the young girl refuses to submit to such a fate. Her dying grandmother intercedes on her behalf and bequeaths her her fortune, thereby rescuing her from the enclosed life of a Carmelite nun and leaving her financially independent. Free to assist her brothers financially without having to sacrifice her own ambitions, Louise settles in Paris and throws herself into a life of Italian operas, masqued balls and romantic intrigues. She falls in love with an unbecoming but noble Spaniard, Felipe Hénarez, Baron de Macumer. Banished from Spain, he lives incognito in Paris where he is forced to support himself by teaching Spanish. When he regains his fortune and noble standing, he woos Louise with a romantic fervour that finally wins her over. The pair are married in March 1825. They live a life of carefree happiness, but Louise's jealousy embitters him and leads to his physical break-down. He dies in 1829, leaving a grieving widow of twenty-four.
Renée de Maucombe's attitude to love and life are in marked contrast to those of Louise. When she leaves the convent at Blois Renée moves to Provence, where she marries an older man of little wealth or standing whom she can hardly be said to love. She bears Louis de L'Estorade three children, and over the course of the next decade she devotes herself body and soul to the happiness of her family. Gradually she grows to love her husband in her own way, and with her encouragement he makes a career for himself in local politics, which culminates in his becoming a peer of France and a grand officer of the Legion of Honour. During this time Renée is quite scathing in her criticisms of Louise, whom she sees as a selfish and self-indulgent coquette. True happiness for a woman lies in motherhood and devotion to her family.
Meanwhile, four years after the death of Felipe, Louise falls in love again. This time the object of her love is a poor poet and playwright Marie Gaston, who is several years younger than she is. As though taking a leaf out of Renée's book, Louise sells her Parisian property, moves to a chalet in Ville d'Avray (a small village near Paris) and lives a life of seclusion with her new husband. But Renée is not fooled by this masquerade. Louise, she warns, is still living a life devoted to selfishness and self-indulgence, while true happiness lies only in self-sacrifice to one's husband and children - Louise remains childless.
After a few years of apparent bliss, Louise detects a change in her husband. He becomes solicitous about the financial success of his plays, and a large sum of money goes missing. Suspecting him of having an expensive mistress, Louise makes enquiries and comes to the shocking conclusion that he has another family in Paris – an Englishwoman known by the name Madame Gaston, and two children, who look remarkably like Marie. Louise confides her feelings of despair to Renée and announces her determination to commit suicide rather than to submit to such a fate. Renée's husband makes enquiries and discovers the truth of the situation. Madame Gaston is the widow of Marie's brother. The death of her husband has left her financially destitute and Marie has taken it upon himself to assist her and his two nephews, but he is ashamed to ask his wife for money. Reneé writes to Louise to inform her of the truth and rushes to the chalet, but she is too late. Louise has contracted consumption by lying out in the dew overnight and she dies a few days later. | [
[
"Baron de Macumer",
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]
] | [
{
"content": "What rank does Felipe have?",
"role": "user"
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" The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, where... | [
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The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, whereas Renée takes a much more pragmatic approach; but their friendship is preserved through their correspondence, which continues for a dozen years from 1823 through 1835.
Louise is expected to sacrifice herself for her two brothers and take the veil, but the young girl refuses to submit to such a fate. Her dying grandmother intercedes on her behalf and bequeaths her her fortune, thereby rescuing her from the enclosed life of a Carmelite nun and leaving her financially independent. Free to assist her brothers financially without having to sacrifice her own ambitions, Louise settles in Paris and throws herself into a life of Italian operas, masqued balls and romantic intrigues. She falls in love with an unbecoming but noble Spaniard, Felipe Hénarez, Baron de Macumer. Banished from Spain, he lives incognito in Paris where he is forced to support himself by teaching Spanish. When he regains his fortune and noble standing, he woos Louise with a romantic fervour that finally wins her over. The pair are married in March 1825. They live a life of carefree happiness, but Louise's jealousy embitters him and leads to his physical break-down. He dies in 1829, leaving a grieving widow of twenty-four.
Renée de Maucombe's attitude to love and life are in marked contrast to those of Louise. When she leaves the convent at Blois Renée moves to Provence, where she marries an older man of little wealth or standing whom she can hardly be said to love. She bears Louis de L'Estorade three children, and over the course of the next decade she devotes herself body and soul to the happiness of her family. Gradually she grows to love her husband in her own way, and with her encouragement he makes a career for himself in local politics, which culminates in his becoming a peer of France and a grand officer of the Legion of Honour. During this time Renée is quite scathing in her criticisms of Louise, whom she sees as a selfish and self-indulgent coquette. True happiness for a woman lies in motherhood and devotion to her family.
Meanwhile, four years after the death of Felipe, Louise falls in love again. This time the object of her love is a poor poet and playwright Marie Gaston, who is several years younger than she is. As though taking a leaf out of Renée's book, Louise sells her Parisian property, moves to a chalet in Ville d'Avray (a small village near Paris) and lives a life of seclusion with her new husband. But Renée is not fooled by this masquerade. Louise, she warns, is still living a life devoted to selfishness and self-indulgence, while true happiness lies only in self-sacrifice to one's husband and children - Louise remains childless.
After a few years of apparent bliss, Louise detects a change in her husband. He becomes solicitous about the financial success of his plays, and a large sum of money goes missing. Suspecting him of having an expensive mistress, Louise makes enquiries and comes to the shocking conclusion that he has another family in Paris – an Englishwoman known by the name Madame Gaston, and two children, who look remarkably like Marie. Louise confides her feelings of despair to Renée and announces her determination to commit suicide rather than to submit to such a fate. Renée's husband makes enquiries and discovers the truth of the situation. Madame Gaston is the widow of Marie's brother. The death of her husband has left her financially destitute and Marie has taken it upon himself to assist her and his two nephews, but he is ashamed to ask his wife for money. Reneé writes to Louise to inform her of the truth and rushes to the chalet, but she is too late. Louise has contracted consumption by lying out in the dew overnight and she dies a few days later. | [
[
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{
"content": "How many children does Renee have?",
"role": "user"
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" The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, where... | [
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1.0000003576278687
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The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, whereas Renée takes a much more pragmatic approach; but their friendship is preserved through their correspondence, which continues for a dozen years from 1823 through 1835.
Louise is expected to sacrifice herself for her two brothers and take the veil, but the young girl refuses to submit to such a fate. Her dying grandmother intercedes on her behalf and bequeaths her her fortune, thereby rescuing her from the enclosed life of a Carmelite nun and leaving her financially independent. Free to assist her brothers financially without having to sacrifice her own ambitions, Louise settles in Paris and throws herself into a life of Italian operas, masqued balls and romantic intrigues. She falls in love with an unbecoming but noble Spaniard, Felipe Hénarez, Baron de Macumer. Banished from Spain, he lives incognito in Paris where he is forced to support himself by teaching Spanish. When he regains his fortune and noble standing, he woos Louise with a romantic fervour that finally wins her over. The pair are married in March 1825. They live a life of carefree happiness, but Louise's jealousy embitters him and leads to his physical break-down. He dies in 1829, leaving a grieving widow of twenty-four.
Renée de Maucombe's attitude to love and life are in marked contrast to those of Louise. When she leaves the convent at Blois Renée moves to Provence, where she marries an older man of little wealth or standing whom she can hardly be said to love. She bears Louis de L'Estorade three children, and over the course of the next decade she devotes herself body and soul to the happiness of her family. Gradually she grows to love her husband in her own way, and with her encouragement he makes a career for himself in local politics, which culminates in his becoming a peer of France and a grand officer of the Legion of Honour. During this time Renée is quite scathing in her criticisms of Louise, whom she sees as a selfish and self-indulgent coquette. True happiness for a woman lies in motherhood and devotion to her family.
Meanwhile, four years after the death of Felipe, Louise falls in love again. This time the object of her love is a poor poet and playwright Marie Gaston, who is several years younger than she is. As though taking a leaf out of Renée's book, Louise sells her Parisian property, moves to a chalet in Ville d'Avray (a small village near Paris) and lives a life of seclusion with her new husband. But Renée is not fooled by this masquerade. Louise, she warns, is still living a life devoted to selfishness and self-indulgence, while true happiness lies only in self-sacrifice to one's husband and children - Louise remains childless.
After a few years of apparent bliss, Louise detects a change in her husband. He becomes solicitous about the financial success of his plays, and a large sum of money goes missing. Suspecting him of having an expensive mistress, Louise makes enquiries and comes to the shocking conclusion that he has another family in Paris – an Englishwoman known by the name Madame Gaston, and two children, who look remarkably like Marie. Louise confides her feelings of despair to Renée and announces her determination to commit suicide rather than to submit to such a fate. Renée's husband makes enquiries and discovers the truth of the situation. Madame Gaston is the widow of Marie's brother. The death of her husband has left her financially destitute and Marie has taken it upon himself to assist her and his two nephews, but he is ashamed to ask his wife for money. Reneé writes to Louise to inform her of the truth and rushes to the chalet, but she is too late. Louise has contracted consumption by lying out in the dew overnight and she dies a few days later. | [
[
"Twenty-four",
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{
"content": "How old is Louise when her first husband dies?",
"role": "user"
}
] | 31,684 | [
" The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, where... | [
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The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, whereas Renée takes a much more pragmatic approach; but their friendship is preserved through their correspondence, which continues for a dozen years from 1823 through 1835.
Louise is expected to sacrifice herself for her two brothers and take the veil, but the young girl refuses to submit to such a fate. Her dying grandmother intercedes on her behalf and bequeaths her her fortune, thereby rescuing her from the enclosed life of a Carmelite nun and leaving her financially independent. Free to assist her brothers financially without having to sacrifice her own ambitions, Louise settles in Paris and throws herself into a life of Italian operas, masqued balls and romantic intrigues. She falls in love with an unbecoming but noble Spaniard, Felipe Hénarez, Baron de Macumer. Banished from Spain, he lives incognito in Paris where he is forced to support himself by teaching Spanish. When he regains his fortune and noble standing, he woos Louise with a romantic fervour that finally wins her over. The pair are married in March 1825. They live a life of carefree happiness, but Louise's jealousy embitters him and leads to his physical break-down. He dies in 1829, leaving a grieving widow of twenty-four.
Renée de Maucombe's attitude to love and life are in marked contrast to those of Louise. When she leaves the convent at Blois Renée moves to Provence, where she marries an older man of little wealth or standing whom she can hardly be said to love. She bears Louis de L'Estorade three children, and over the course of the next decade she devotes herself body and soul to the happiness of her family. Gradually she grows to love her husband in her own way, and with her encouragement he makes a career for himself in local politics, which culminates in his becoming a peer of France and a grand officer of the Legion of Honour. During this time Renée is quite scathing in her criticisms of Louise, whom she sees as a selfish and self-indulgent coquette. True happiness for a woman lies in motherhood and devotion to her family.
Meanwhile, four years after the death of Felipe, Louise falls in love again. This time the object of her love is a poor poet and playwright Marie Gaston, who is several years younger than she is. As though taking a leaf out of Renée's book, Louise sells her Parisian property, moves to a chalet in Ville d'Avray (a small village near Paris) and lives a life of seclusion with her new husband. But Renée is not fooled by this masquerade. Louise, she warns, is still living a life devoted to selfishness and self-indulgence, while true happiness lies only in self-sacrifice to one's husband and children - Louise remains childless.
After a few years of apparent bliss, Louise detects a change in her husband. He becomes solicitous about the financial success of his plays, and a large sum of money goes missing. Suspecting him of having an expensive mistress, Louise makes enquiries and comes to the shocking conclusion that he has another family in Paris – an Englishwoman known by the name Madame Gaston, and two children, who look remarkably like Marie. Louise confides her feelings of despair to Renée and announces her determination to commit suicide rather than to submit to such a fate. Renée's husband makes enquiries and discovers the truth of the situation. Madame Gaston is the widow of Marie's brother. The death of her husband has left her financially destitute and Marie has taken it upon himself to assist her and his two nephews, but he is ashamed to ask his wife for money. Reneé writes to Louise to inform her of the truth and rushes to the chalet, but she is too late. Louise has contracted consumption by lying out in the dew overnight and she dies a few days later. | [
[
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"role": "user"
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" The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, where... | [
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The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, whereas Renée takes a much more pragmatic approach; but their friendship is preserved through their correspondence, which continues for a dozen years from 1823 through 1835.
Louise is expected to sacrifice herself for her two brothers and take the veil, but the young girl refuses to submit to such a fate. Her dying grandmother intercedes on her behalf and bequeaths her her fortune, thereby rescuing her from the enclosed life of a Carmelite nun and leaving her financially independent. Free to assist her brothers financially without having to sacrifice her own ambitions, Louise settles in Paris and throws herself into a life of Italian operas, masqued balls and romantic intrigues. She falls in love with an unbecoming but noble Spaniard, Felipe Hénarez, Baron de Macumer. Banished from Spain, he lives incognito in Paris where he is forced to support himself by teaching Spanish. When he regains his fortune and noble standing, he woos Louise with a romantic fervour that finally wins her over. The pair are married in March 1825. They live a life of carefree happiness, but Louise's jealousy embitters him and leads to his physical break-down. He dies in 1829, leaving a grieving widow of twenty-four.
Renée de Maucombe's attitude to love and life are in marked contrast to those of Louise. When she leaves the convent at Blois Renée moves to Provence, where she marries an older man of little wealth or standing whom she can hardly be said to love. She bears Louis de L'Estorade three children, and over the course of the next decade she devotes herself body and soul to the happiness of her family. Gradually she grows to love her husband in her own way, and with her encouragement he makes a career for himself in local politics, which culminates in his becoming a peer of France and a grand officer of the Legion of Honour. During this time Renée is quite scathing in her criticisms of Louise, whom she sees as a selfish and self-indulgent coquette. True happiness for a woman lies in motherhood and devotion to her family.
Meanwhile, four years after the death of Felipe, Louise falls in love again. This time the object of her love is a poor poet and playwright Marie Gaston, who is several years younger than she is. As though taking a leaf out of Renée's book, Louise sells her Parisian property, moves to a chalet in Ville d'Avray (a small village near Paris) and lives a life of seclusion with her new husband. But Renée is not fooled by this masquerade. Louise, she warns, is still living a life devoted to selfishness and self-indulgence, while true happiness lies only in self-sacrifice to one's husband and children - Louise remains childless.
After a few years of apparent bliss, Louise detects a change in her husband. He becomes solicitous about the financial success of his plays, and a large sum of money goes missing. Suspecting him of having an expensive mistress, Louise makes enquiries and comes to the shocking conclusion that he has another family in Paris – an Englishwoman known by the name Madame Gaston, and two children, who look remarkably like Marie. Louise confides her feelings of despair to Renée and announces her determination to commit suicide rather than to submit to such a fate. Renée's husband makes enquiries and discovers the truth of the situation. Madame Gaston is the widow of Marie's brother. The death of her husband has left her financially destitute and Marie has taken it upon himself to assist her and his two nephews, but he is ashamed to ask his wife for money. Reneé writes to Louise to inform her of the truth and rushes to the chalet, but she is too late. Louise has contracted consumption by lying out in the dew overnight and she dies a few days later. | [
[
"Marie Gaston",
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"content": "Who is Louise's second husband?",
"role": "user"
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" The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, where... | [
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The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, whereas Renée takes a much more pragmatic approach; but their friendship is preserved through their correspondence, which continues for a dozen years from 1823 through 1835.
Louise is expected to sacrifice herself for her two brothers and take the veil, but the young girl refuses to submit to such a fate. Her dying grandmother intercedes on her behalf and bequeaths her her fortune, thereby rescuing her from the enclosed life of a Carmelite nun and leaving her financially independent. Free to assist her brothers financially without having to sacrifice her own ambitions, Louise settles in Paris and throws herself into a life of Italian operas, masqued balls and romantic intrigues. She falls in love with an unbecoming but noble Spaniard, Felipe Hénarez, Baron de Macumer. Banished from Spain, he lives incognito in Paris where he is forced to support himself by teaching Spanish. When he regains his fortune and noble standing, he woos Louise with a romantic fervour that finally wins her over. The pair are married in March 1825. They live a life of carefree happiness, but Louise's jealousy embitters him and leads to his physical break-down. He dies in 1829, leaving a grieving widow of twenty-four.
Renée de Maucombe's attitude to love and life are in marked contrast to those of Louise. When she leaves the convent at Blois Renée moves to Provence, where she marries an older man of little wealth or standing whom she can hardly be said to love. She bears Louis de L'Estorade three children, and over the course of the next decade she devotes herself body and soul to the happiness of her family. Gradually she grows to love her husband in her own way, and with her encouragement he makes a career for himself in local politics, which culminates in his becoming a peer of France and a grand officer of the Legion of Honour. During this time Renée is quite scathing in her criticisms of Louise, whom she sees as a selfish and self-indulgent coquette. True happiness for a woman lies in motherhood and devotion to her family.
Meanwhile, four years after the death of Felipe, Louise falls in love again. This time the object of her love is a poor poet and playwright Marie Gaston, who is several years younger than she is. As though taking a leaf out of Renée's book, Louise sells her Parisian property, moves to a chalet in Ville d'Avray (a small village near Paris) and lives a life of seclusion with her new husband. But Renée is not fooled by this masquerade. Louise, she warns, is still living a life devoted to selfishness and self-indulgence, while true happiness lies only in self-sacrifice to one's husband and children - Louise remains childless.
After a few years of apparent bliss, Louise detects a change in her husband. He becomes solicitous about the financial success of his plays, and a large sum of money goes missing. Suspecting him of having an expensive mistress, Louise makes enquiries and comes to the shocking conclusion that he has another family in Paris – an Englishwoman known by the name Madame Gaston, and two children, who look remarkably like Marie. Louise confides her feelings of despair to Renée and announces her determination to commit suicide rather than to submit to such a fate. Renée's husband makes enquiries and discovers the truth of the situation. Madame Gaston is the widow of Marie's brother. The death of her husband has left her financially destitute and Marie has taken it upon himself to assist her and his two nephews, but he is ashamed to ask his wife for money. Reneé writes to Louise to inform her of the truth and rushes to the chalet, but she is too late. Louise has contracted consumption by lying out in the dew overnight and she dies a few days later. | [
[
"Louise thinks that Marie has a second family in Paris.",
"Consumption "
]
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{
"content": "Why does Louise commit suicide?",
"role": "user"
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" The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, where... | [
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1.0000003576278687
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The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, whereas Renée takes a much more pragmatic approach; but their friendship is preserved through their correspondence, which continues for a dozen years from 1823 through 1835.
Louise is expected to sacrifice herself for her two brothers and take the veil, but the young girl refuses to submit to such a fate. Her dying grandmother intercedes on her behalf and bequeaths her her fortune, thereby rescuing her from the enclosed life of a Carmelite nun and leaving her financially independent. Free to assist her brothers financially without having to sacrifice her own ambitions, Louise settles in Paris and throws herself into a life of Italian operas, masqued balls and romantic intrigues. She falls in love with an unbecoming but noble Spaniard, Felipe Hénarez, Baron de Macumer. Banished from Spain, he lives incognito in Paris where he is forced to support himself by teaching Spanish. When he regains his fortune and noble standing, he woos Louise with a romantic fervour that finally wins her over. The pair are married in March 1825. They live a life of carefree happiness, but Louise's jealousy embitters him and leads to his physical break-down. He dies in 1829, leaving a grieving widow of twenty-four.
Renée de Maucombe's attitude to love and life are in marked contrast to those of Louise. When she leaves the convent at Blois Renée moves to Provence, where she marries an older man of little wealth or standing whom she can hardly be said to love. She bears Louis de L'Estorade three children, and over the course of the next decade she devotes herself body and soul to the happiness of her family. Gradually she grows to love her husband in her own way, and with her encouragement he makes a career for himself in local politics, which culminates in his becoming a peer of France and a grand officer of the Legion of Honour. During this time Renée is quite scathing in her criticisms of Louise, whom she sees as a selfish and self-indulgent coquette. True happiness for a woman lies in motherhood and devotion to her family.
Meanwhile, four years after the death of Felipe, Louise falls in love again. This time the object of her love is a poor poet and playwright Marie Gaston, who is several years younger than she is. As though taking a leaf out of Renée's book, Louise sells her Parisian property, moves to a chalet in Ville d'Avray (a small village near Paris) and lives a life of seclusion with her new husband. But Renée is not fooled by this masquerade. Louise, she warns, is still living a life devoted to selfishness and self-indulgence, while true happiness lies only in self-sacrifice to one's husband and children - Louise remains childless.
After a few years of apparent bliss, Louise detects a change in her husband. He becomes solicitous about the financial success of his plays, and a large sum of money goes missing. Suspecting him of having an expensive mistress, Louise makes enquiries and comes to the shocking conclusion that he has another family in Paris – an Englishwoman known by the name Madame Gaston, and two children, who look remarkably like Marie. Louise confides her feelings of despair to Renée and announces her determination to commit suicide rather than to submit to such a fate. Renée's husband makes enquiries and discovers the truth of the situation. Madame Gaston is the widow of Marie's brother. The death of her husband has left her financially destitute and Marie has taken it upon himself to assist her and his two nephews, but he is ashamed to ask his wife for money. Reneé writes to Louise to inform her of the truth and rushes to the chalet, but she is too late. Louise has contracted consumption by lying out in the dew overnight and she dies a few days later. | [
[
"The widow of Marie's brother.",
"His dead brother's family"
]
] | [
{
"content": "Who is Marie really supporting in Paris?",
"role": "user"
}
] | 31,688 | [
" The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, where... | [
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1.0000003576278687
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31672,
31673,
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The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, whereas Renée takes a much more pragmatic approach; but their friendship is preserved through their correspondence, which continues for a dozen years from 1823 through 1835.
Louise is expected to sacrifice herself for her two brothers and take the veil, but the young girl refuses to submit to such a fate. Her dying grandmother intercedes on her behalf and bequeaths her her fortune, thereby rescuing her from the enclosed life of a Carmelite nun and leaving her financially independent. Free to assist her brothers financially without having to sacrifice her own ambitions, Louise settles in Paris and throws herself into a life of Italian operas, masqued balls and romantic intrigues. She falls in love with an unbecoming but noble Spaniard, Felipe Hénarez, Baron de Macumer. Banished from Spain, he lives incognito in Paris where he is forced to support himself by teaching Spanish. When he regains his fortune and noble standing, he woos Louise with a romantic fervour that finally wins her over. The pair are married in March 1825. They live a life of carefree happiness, but Louise's jealousy embitters him and leads to his physical break-down. He dies in 1829, leaving a grieving widow of twenty-four.
Renée de Maucombe's attitude to love and life are in marked contrast to those of Louise. When she leaves the convent at Blois Renée moves to Provence, where she marries an older man of little wealth or standing whom she can hardly be said to love. She bears Louis de L'Estorade three children, and over the course of the next decade she devotes herself body and soul to the happiness of her family. Gradually she grows to love her husband in her own way, and with her encouragement he makes a career for himself in local politics, which culminates in his becoming a peer of France and a grand officer of the Legion of Honour. During this time Renée is quite scathing in her criticisms of Louise, whom she sees as a selfish and self-indulgent coquette. True happiness for a woman lies in motherhood and devotion to her family.
Meanwhile, four years after the death of Felipe, Louise falls in love again. This time the object of her love is a poor poet and playwright Marie Gaston, who is several years younger than she is. As though taking a leaf out of Renée's book, Louise sells her Parisian property, moves to a chalet in Ville d'Avray (a small village near Paris) and lives a life of seclusion with her new husband. But Renée is not fooled by this masquerade. Louise, she warns, is still living a life devoted to selfishness and self-indulgence, while true happiness lies only in self-sacrifice to one's husband and children - Louise remains childless.
After a few years of apparent bliss, Louise detects a change in her husband. He becomes solicitous about the financial success of his plays, and a large sum of money goes missing. Suspecting him of having an expensive mistress, Louise makes enquiries and comes to the shocking conclusion that he has another family in Paris – an Englishwoman known by the name Madame Gaston, and two children, who look remarkably like Marie. Louise confides her feelings of despair to Renée and announces her determination to commit suicide rather than to submit to such a fate. Renée's husband makes enquiries and discovers the truth of the situation. Madame Gaston is the widow of Marie's brother. The death of her husband has left her financially destitute and Marie has taken it upon himself to assist her and his two nephews, but he is ashamed to ask his wife for money. Reneé writes to Louise to inform her of the truth and rushes to the chalet, but she is too late. Louise has contracted consumption by lying out in the dew overnight and she dies a few days later. | [
[
"Louise and Renee",
"Louise and Renee"
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{
"content": "Who became friends at a convent?",
"role": "user"
}
] | 31,689 | [
" The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, where... | [
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The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, whereas Renée takes a much more pragmatic approach; but their friendship is preserved through their correspondence, which continues for a dozen years from 1823 through 1835.
Louise is expected to sacrifice herself for her two brothers and take the veil, but the young girl refuses to submit to such a fate. Her dying grandmother intercedes on her behalf and bequeaths her her fortune, thereby rescuing her from the enclosed life of a Carmelite nun and leaving her financially independent. Free to assist her brothers financially without having to sacrifice her own ambitions, Louise settles in Paris and throws herself into a life of Italian operas, masqued balls and romantic intrigues. She falls in love with an unbecoming but noble Spaniard, Felipe Hénarez, Baron de Macumer. Banished from Spain, he lives incognito in Paris where he is forced to support himself by teaching Spanish. When he regains his fortune and noble standing, he woos Louise with a romantic fervour that finally wins her over. The pair are married in March 1825. They live a life of carefree happiness, but Louise's jealousy embitters him and leads to his physical break-down. He dies in 1829, leaving a grieving widow of twenty-four.
Renée de Maucombe's attitude to love and life are in marked contrast to those of Louise. When she leaves the convent at Blois Renée moves to Provence, where she marries an older man of little wealth or standing whom she can hardly be said to love. She bears Louis de L'Estorade three children, and over the course of the next decade she devotes herself body and soul to the happiness of her family. Gradually she grows to love her husband in her own way, and with her encouragement he makes a career for himself in local politics, which culminates in his becoming a peer of France and a grand officer of the Legion of Honour. During this time Renée is quite scathing in her criticisms of Louise, whom she sees as a selfish and self-indulgent coquette. True happiness for a woman lies in motherhood and devotion to her family.
Meanwhile, four years after the death of Felipe, Louise falls in love again. This time the object of her love is a poor poet and playwright Marie Gaston, who is several years younger than she is. As though taking a leaf out of Renée's book, Louise sells her Parisian property, moves to a chalet in Ville d'Avray (a small village near Paris) and lives a life of seclusion with her new husband. But Renée is not fooled by this masquerade. Louise, she warns, is still living a life devoted to selfishness and self-indulgence, while true happiness lies only in self-sacrifice to one's husband and children - Louise remains childless.
After a few years of apparent bliss, Louise detects a change in her husband. He becomes solicitous about the financial success of his plays, and a large sum of money goes missing. Suspecting him of having an expensive mistress, Louise makes enquiries and comes to the shocking conclusion that he has another family in Paris – an Englishwoman known by the name Madame Gaston, and two children, who look remarkably like Marie. Louise confides her feelings of despair to Renée and announces her determination to commit suicide rather than to submit to such a fate. Renée's husband makes enquiries and discovers the truth of the situation. Madame Gaston is the widow of Marie's brother. The death of her husband has left her financially destitute and Marie has taken it upon himself to assist her and his two nephews, but he is ashamed to ask his wife for money. Reneé writes to Louise to inform her of the truth and rushes to the chalet, but she is too late. Louise has contracted consumption by lying out in the dew overnight and she dies a few days later. | [
[
"By corresponding to each other",
"Through their correspondence"
]
] | [
{
"content": "How do the two women keep their friendship close?",
"role": "user"
}
] | 31,690 | [
" The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, where... | [
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1.0000003576278687
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The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, whereas Renée takes a much more pragmatic approach; but their friendship is preserved through their correspondence, which continues for a dozen years from 1823 through 1835.
Louise is expected to sacrifice herself for her two brothers and take the veil, but the young girl refuses to submit to such a fate. Her dying grandmother intercedes on her behalf and bequeaths her her fortune, thereby rescuing her from the enclosed life of a Carmelite nun and leaving her financially independent. Free to assist her brothers financially without having to sacrifice her own ambitions, Louise settles in Paris and throws herself into a life of Italian operas, masqued balls and romantic intrigues. She falls in love with an unbecoming but noble Spaniard, Felipe Hénarez, Baron de Macumer. Banished from Spain, he lives incognito in Paris where he is forced to support himself by teaching Spanish. When he regains his fortune and noble standing, he woos Louise with a romantic fervour that finally wins her over. The pair are married in March 1825. They live a life of carefree happiness, but Louise's jealousy embitters him and leads to his physical break-down. He dies in 1829, leaving a grieving widow of twenty-four.
Renée de Maucombe's attitude to love and life are in marked contrast to those of Louise. When she leaves the convent at Blois Renée moves to Provence, where she marries an older man of little wealth or standing whom she can hardly be said to love. She bears Louis de L'Estorade three children, and over the course of the next decade she devotes herself body and soul to the happiness of her family. Gradually she grows to love her husband in her own way, and with her encouragement he makes a career for himself in local politics, which culminates in his becoming a peer of France and a grand officer of the Legion of Honour. During this time Renée is quite scathing in her criticisms of Louise, whom she sees as a selfish and self-indulgent coquette. True happiness for a woman lies in motherhood and devotion to her family.
Meanwhile, four years after the death of Felipe, Louise falls in love again. This time the object of her love is a poor poet and playwright Marie Gaston, who is several years younger than she is. As though taking a leaf out of Renée's book, Louise sells her Parisian property, moves to a chalet in Ville d'Avray (a small village near Paris) and lives a life of seclusion with her new husband. But Renée is not fooled by this masquerade. Louise, she warns, is still living a life devoted to selfishness and self-indulgence, while true happiness lies only in self-sacrifice to one's husband and children - Louise remains childless.
After a few years of apparent bliss, Louise detects a change in her husband. He becomes solicitous about the financial success of his plays, and a large sum of money goes missing. Suspecting him of having an expensive mistress, Louise makes enquiries and comes to the shocking conclusion that he has another family in Paris – an Englishwoman known by the name Madame Gaston, and two children, who look remarkably like Marie. Louise confides her feelings of despair to Renée and announces her determination to commit suicide rather than to submit to such a fate. Renée's husband makes enquiries and discovers the truth of the situation. Madame Gaston is the widow of Marie's brother. The death of her husband has left her financially destitute and Marie has taken it upon himself to assist her and his two nephews, but he is ashamed to ask his wife for money. Reneé writes to Louise to inform her of the truth and rushes to the chalet, but she is too late. Louise has contracted consumption by lying out in the dew overnight and she dies a few days later. | [
[
"Take the veil",
"become a Carmelite nun"
]
] | [
{
"content": "What does Louise refuse to do for her family?",
"role": "user"
}
] | 31,691 | [
" The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, where... | [
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1.0000003576278687
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31671,
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The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, whereas Renée takes a much more pragmatic approach; but their friendship is preserved through their correspondence, which continues for a dozen years from 1823 through 1835.
Louise is expected to sacrifice herself for her two brothers and take the veil, but the young girl refuses to submit to such a fate. Her dying grandmother intercedes on her behalf and bequeaths her her fortune, thereby rescuing her from the enclosed life of a Carmelite nun and leaving her financially independent. Free to assist her brothers financially without having to sacrifice her own ambitions, Louise settles in Paris and throws herself into a life of Italian operas, masqued balls and romantic intrigues. She falls in love with an unbecoming but noble Spaniard, Felipe Hénarez, Baron de Macumer. Banished from Spain, he lives incognito in Paris where he is forced to support himself by teaching Spanish. When he regains his fortune and noble standing, he woos Louise with a romantic fervour that finally wins her over. The pair are married in March 1825. They live a life of carefree happiness, but Louise's jealousy embitters him and leads to his physical break-down. He dies in 1829, leaving a grieving widow of twenty-four.
Renée de Maucombe's attitude to love and life are in marked contrast to those of Louise. When she leaves the convent at Blois Renée moves to Provence, where she marries an older man of little wealth or standing whom she can hardly be said to love. She bears Louis de L'Estorade three children, and over the course of the next decade she devotes herself body and soul to the happiness of her family. Gradually she grows to love her husband in her own way, and with her encouragement he makes a career for himself in local politics, which culminates in his becoming a peer of France and a grand officer of the Legion of Honour. During this time Renée is quite scathing in her criticisms of Louise, whom she sees as a selfish and self-indulgent coquette. True happiness for a woman lies in motherhood and devotion to her family.
Meanwhile, four years after the death of Felipe, Louise falls in love again. This time the object of her love is a poor poet and playwright Marie Gaston, who is several years younger than she is. As though taking a leaf out of Renée's book, Louise sells her Parisian property, moves to a chalet in Ville d'Avray (a small village near Paris) and lives a life of seclusion with her new husband. But Renée is not fooled by this masquerade. Louise, she warns, is still living a life devoted to selfishness and self-indulgence, while true happiness lies only in self-sacrifice to one's husband and children - Louise remains childless.
After a few years of apparent bliss, Louise detects a change in her husband. He becomes solicitous about the financial success of his plays, and a large sum of money goes missing. Suspecting him of having an expensive mistress, Louise makes enquiries and comes to the shocking conclusion that he has another family in Paris – an Englishwoman known by the name Madame Gaston, and two children, who look remarkably like Marie. Louise confides her feelings of despair to Renée and announces her determination to commit suicide rather than to submit to such a fate. Renée's husband makes enquiries and discovers the truth of the situation. Madame Gaston is the widow of Marie's brother. The death of her husband has left her financially destitute and Marie has taken it upon himself to assist her and his two nephews, but he is ashamed to ask his wife for money. Reneé writes to Louise to inform her of the truth and rushes to the chalet, but she is too late. Louise has contracted consumption by lying out in the dew overnight and she dies a few days later. | [
[
"Her dying grandmother",
"Her dying Grandmother"
]
] | [
{
"content": "Who gives Louise a fortune?",
"role": "user"
}
] | 31,692 | [
" The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, where... | [
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The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, whereas Renée takes a much more pragmatic approach; but their friendship is preserved through their correspondence, which continues for a dozen years from 1823 through 1835.
Louise is expected to sacrifice herself for her two brothers and take the veil, but the young girl refuses to submit to such a fate. Her dying grandmother intercedes on her behalf and bequeaths her her fortune, thereby rescuing her from the enclosed life of a Carmelite nun and leaving her financially independent. Free to assist her brothers financially without having to sacrifice her own ambitions, Louise settles in Paris and throws herself into a life of Italian operas, masqued balls and romantic intrigues. She falls in love with an unbecoming but noble Spaniard, Felipe Hénarez, Baron de Macumer. Banished from Spain, he lives incognito in Paris where he is forced to support himself by teaching Spanish. When he regains his fortune and noble standing, he woos Louise with a romantic fervour that finally wins her over. The pair are married in March 1825. They live a life of carefree happiness, but Louise's jealousy embitters him and leads to his physical break-down. He dies in 1829, leaving a grieving widow of twenty-four.
Renée de Maucombe's attitude to love and life are in marked contrast to those of Louise. When she leaves the convent at Blois Renée moves to Provence, where she marries an older man of little wealth or standing whom she can hardly be said to love. She bears Louis de L'Estorade three children, and over the course of the next decade she devotes herself body and soul to the happiness of her family. Gradually she grows to love her husband in her own way, and with her encouragement he makes a career for himself in local politics, which culminates in his becoming a peer of France and a grand officer of the Legion of Honour. During this time Renée is quite scathing in her criticisms of Louise, whom she sees as a selfish and self-indulgent coquette. True happiness for a woman lies in motherhood and devotion to her family.
Meanwhile, four years after the death of Felipe, Louise falls in love again. This time the object of her love is a poor poet and playwright Marie Gaston, who is several years younger than she is. As though taking a leaf out of Renée's book, Louise sells her Parisian property, moves to a chalet in Ville d'Avray (a small village near Paris) and lives a life of seclusion with her new husband. But Renée is not fooled by this masquerade. Louise, she warns, is still living a life devoted to selfishness and self-indulgence, while true happiness lies only in self-sacrifice to one's husband and children - Louise remains childless.
After a few years of apparent bliss, Louise detects a change in her husband. He becomes solicitous about the financial success of his plays, and a large sum of money goes missing. Suspecting him of having an expensive mistress, Louise makes enquiries and comes to the shocking conclusion that he has another family in Paris – an Englishwoman known by the name Madame Gaston, and two children, who look remarkably like Marie. Louise confides her feelings of despair to Renée and announces her determination to commit suicide rather than to submit to such a fate. Renée's husband makes enquiries and discovers the truth of the situation. Madame Gaston is the widow of Marie's brother. The death of her husband has left her financially destitute and Marie has taken it upon himself to assist her and his two nephews, but he is ashamed to ask his wife for money. Reneé writes to Louise to inform her of the truth and rushes to the chalet, but she is too late. Louise has contracted consumption by lying out in the dew overnight and she dies a few days later. | [
[
"Marries an older man",
"Moves to Provence and marries."
]
] | [
{
"content": "What does Renee do once she leaves the convent?",
"role": "user"
}
] | 31,693 | [
" The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, where... | [
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31672,
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The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, whereas Renée takes a much more pragmatic approach; but their friendship is preserved through their correspondence, which continues for a dozen years from 1823 through 1835.
Louise is expected to sacrifice herself for her two brothers and take the veil, but the young girl refuses to submit to such a fate. Her dying grandmother intercedes on her behalf and bequeaths her her fortune, thereby rescuing her from the enclosed life of a Carmelite nun and leaving her financially independent. Free to assist her brothers financially without having to sacrifice her own ambitions, Louise settles in Paris and throws herself into a life of Italian operas, masqued balls and romantic intrigues. She falls in love with an unbecoming but noble Spaniard, Felipe Hénarez, Baron de Macumer. Banished from Spain, he lives incognito in Paris where he is forced to support himself by teaching Spanish. When he regains his fortune and noble standing, he woos Louise with a romantic fervour that finally wins her over. The pair are married in March 1825. They live a life of carefree happiness, but Louise's jealousy embitters him and leads to his physical break-down. He dies in 1829, leaving a grieving widow of twenty-four.
Renée de Maucombe's attitude to love and life are in marked contrast to those of Louise. When she leaves the convent at Blois Renée moves to Provence, where she marries an older man of little wealth or standing whom she can hardly be said to love. She bears Louis de L'Estorade three children, and over the course of the next decade she devotes herself body and soul to the happiness of her family. Gradually she grows to love her husband in her own way, and with her encouragement he makes a career for himself in local politics, which culminates in his becoming a peer of France and a grand officer of the Legion of Honour. During this time Renée is quite scathing in her criticisms of Louise, whom she sees as a selfish and self-indulgent coquette. True happiness for a woman lies in motherhood and devotion to her family.
Meanwhile, four years after the death of Felipe, Louise falls in love again. This time the object of her love is a poor poet and playwright Marie Gaston, who is several years younger than she is. As though taking a leaf out of Renée's book, Louise sells her Parisian property, moves to a chalet in Ville d'Avray (a small village near Paris) and lives a life of seclusion with her new husband. But Renée is not fooled by this masquerade. Louise, she warns, is still living a life devoted to selfishness and self-indulgence, while true happiness lies only in self-sacrifice to one's husband and children - Louise remains childless.
After a few years of apparent bliss, Louise detects a change in her husband. He becomes solicitous about the financial success of his plays, and a large sum of money goes missing. Suspecting him of having an expensive mistress, Louise makes enquiries and comes to the shocking conclusion that he has another family in Paris – an Englishwoman known by the name Madame Gaston, and two children, who look remarkably like Marie. Louise confides her feelings of despair to Renée and announces her determination to commit suicide rather than to submit to such a fate. Renée's husband makes enquiries and discovers the truth of the situation. Madame Gaston is the widow of Marie's brother. The death of her husband has left her financially destitute and Marie has taken it upon himself to assist her and his two nephews, but he is ashamed to ask his wife for money. Reneé writes to Louise to inform her of the truth and rushes to the chalet, but she is too late. Louise has contracted consumption by lying out in the dew overnight and she dies a few days later. | [
[
"She feels that Louise is selfish and self-indulent.",
"As a selfish and self-indulgent flirt."
]
] | [
{
"content": "How does Renee see Louise?",
"role": "user"
}
] | 31,694 | [
" The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, where... | [
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1.0000003576278687,
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1.0000003576278687
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31671,
31672,
31673,
31674,
31670,
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] | train |
The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, whereas Renée takes a much more pragmatic approach; but their friendship is preserved through their correspondence, which continues for a dozen years from 1823 through 1835.
Louise is expected to sacrifice herself for her two brothers and take the veil, but the young girl refuses to submit to such a fate. Her dying grandmother intercedes on her behalf and bequeaths her her fortune, thereby rescuing her from the enclosed life of a Carmelite nun and leaving her financially independent. Free to assist her brothers financially without having to sacrifice her own ambitions, Louise settles in Paris and throws herself into a life of Italian operas, masqued balls and romantic intrigues. She falls in love with an unbecoming but noble Spaniard, Felipe Hénarez, Baron de Macumer. Banished from Spain, he lives incognito in Paris where he is forced to support himself by teaching Spanish. When he regains his fortune and noble standing, he woos Louise with a romantic fervour that finally wins her over. The pair are married in March 1825. They live a life of carefree happiness, but Louise's jealousy embitters him and leads to his physical break-down. He dies in 1829, leaving a grieving widow of twenty-four.
Renée de Maucombe's attitude to love and life are in marked contrast to those of Louise. When she leaves the convent at Blois Renée moves to Provence, where she marries an older man of little wealth or standing whom she can hardly be said to love. She bears Louis de L'Estorade three children, and over the course of the next decade she devotes herself body and soul to the happiness of her family. Gradually she grows to love her husband in her own way, and with her encouragement he makes a career for himself in local politics, which culminates in his becoming a peer of France and a grand officer of the Legion of Honour. During this time Renée is quite scathing in her criticisms of Louise, whom she sees as a selfish and self-indulgent coquette. True happiness for a woman lies in motherhood and devotion to her family.
Meanwhile, four years after the death of Felipe, Louise falls in love again. This time the object of her love is a poor poet and playwright Marie Gaston, who is several years younger than she is. As though taking a leaf out of Renée's book, Louise sells her Parisian property, moves to a chalet in Ville d'Avray (a small village near Paris) and lives a life of seclusion with her new husband. But Renée is not fooled by this masquerade. Louise, she warns, is still living a life devoted to selfishness and self-indulgence, while true happiness lies only in self-sacrifice to one's husband and children - Louise remains childless.
After a few years of apparent bliss, Louise detects a change in her husband. He becomes solicitous about the financial success of his plays, and a large sum of money goes missing. Suspecting him of having an expensive mistress, Louise makes enquiries and comes to the shocking conclusion that he has another family in Paris – an Englishwoman known by the name Madame Gaston, and two children, who look remarkably like Marie. Louise confides her feelings of despair to Renée and announces her determination to commit suicide rather than to submit to such a fate. Renée's husband makes enquiries and discovers the truth of the situation. Madame Gaston is the widow of Marie's brother. The death of her husband has left her financially destitute and Marie has taken it upon himself to assist her and his two nephews, but he is ashamed to ask his wife for money. Reneé writes to Louise to inform her of the truth and rushes to the chalet, but she is too late. Louise has contracted consumption by lying out in the dew overnight and she dies a few days later. | [
[
"She never gives birth or has a child",
"Have children"
]
] | [
{
"content": "What does Louise never do that Renee believes to be wrong?",
"role": "user"
}
] | 31,695 | [
" The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, where... | [
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1.0000003576278687,
1.0000003576278687,
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1.0000003576278687,
1.0000003576278687
] | [
31671,
31672,
31673,
31674,
31670,
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The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, whereas Renée takes a much more pragmatic approach; but their friendship is preserved through their correspondence, which continues for a dozen years from 1823 through 1835.
Louise is expected to sacrifice herself for her two brothers and take the veil, but the young girl refuses to submit to such a fate. Her dying grandmother intercedes on her behalf and bequeaths her her fortune, thereby rescuing her from the enclosed life of a Carmelite nun and leaving her financially independent. Free to assist her brothers financially without having to sacrifice her own ambitions, Louise settles in Paris and throws herself into a life of Italian operas, masqued balls and romantic intrigues. She falls in love with an unbecoming but noble Spaniard, Felipe Hénarez, Baron de Macumer. Banished from Spain, he lives incognito in Paris where he is forced to support himself by teaching Spanish. When he regains his fortune and noble standing, he woos Louise with a romantic fervour that finally wins her over. The pair are married in March 1825. They live a life of carefree happiness, but Louise's jealousy embitters him and leads to his physical break-down. He dies in 1829, leaving a grieving widow of twenty-four.
Renée de Maucombe's attitude to love and life are in marked contrast to those of Louise. When she leaves the convent at Blois Renée moves to Provence, where she marries an older man of little wealth or standing whom she can hardly be said to love. She bears Louis de L'Estorade three children, and over the course of the next decade she devotes herself body and soul to the happiness of her family. Gradually she grows to love her husband in her own way, and with her encouragement he makes a career for himself in local politics, which culminates in his becoming a peer of France and a grand officer of the Legion of Honour. During this time Renée is quite scathing in her criticisms of Louise, whom she sees as a selfish and self-indulgent coquette. True happiness for a woman lies in motherhood and devotion to her family.
Meanwhile, four years after the death of Felipe, Louise falls in love again. This time the object of her love is a poor poet and playwright Marie Gaston, who is several years younger than she is. As though taking a leaf out of Renée's book, Louise sells her Parisian property, moves to a chalet in Ville d'Avray (a small village near Paris) and lives a life of seclusion with her new husband. But Renée is not fooled by this masquerade. Louise, she warns, is still living a life devoted to selfishness and self-indulgence, while true happiness lies only in self-sacrifice to one's husband and children - Louise remains childless.
After a few years of apparent bliss, Louise detects a change in her husband. He becomes solicitous about the financial success of his plays, and a large sum of money goes missing. Suspecting him of having an expensive mistress, Louise makes enquiries and comes to the shocking conclusion that he has another family in Paris – an Englishwoman known by the name Madame Gaston, and two children, who look remarkably like Marie. Louise confides her feelings of despair to Renée and announces her determination to commit suicide rather than to submit to such a fate. Renée's husband makes enquiries and discovers the truth of the situation. Madame Gaston is the widow of Marie's brother. The death of her husband has left her financially destitute and Marie has taken it upon himself to assist her and his two nephews, but he is ashamed to ask his wife for money. Reneé writes to Louise to inform her of the truth and rushes to the chalet, but she is too late. Louise has contracted consumption by lying out in the dew overnight and she dies a few days later. | [
[
"Renee",
"Renee."
]
] | [
{
"content": "Who does Louise confess her feelings to after discovering Madam Gaston?",
"role": "user"
}
] | 31,696 | [
" The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, where... | [
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1.0000003576278687,
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1.0000003576278687,
1.0000003576278687
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31671,
31672,
31673,
31674,
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31669
] | train |
The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, whereas Renée takes a much more pragmatic approach; but their friendship is preserved through their correspondence, which continues for a dozen years from 1823 through 1835.
Louise is expected to sacrifice herself for her two brothers and take the veil, but the young girl refuses to submit to such a fate. Her dying grandmother intercedes on her behalf and bequeaths her her fortune, thereby rescuing her from the enclosed life of a Carmelite nun and leaving her financially independent. Free to assist her brothers financially without having to sacrifice her own ambitions, Louise settles in Paris and throws herself into a life of Italian operas, masqued balls and romantic intrigues. She falls in love with an unbecoming but noble Spaniard, Felipe Hénarez, Baron de Macumer. Banished from Spain, he lives incognito in Paris where he is forced to support himself by teaching Spanish. When he regains his fortune and noble standing, he woos Louise with a romantic fervour that finally wins her over. The pair are married in March 1825. They live a life of carefree happiness, but Louise's jealousy embitters him and leads to his physical break-down. He dies in 1829, leaving a grieving widow of twenty-four.
Renée de Maucombe's attitude to love and life are in marked contrast to those of Louise. When she leaves the convent at Blois Renée moves to Provence, where she marries an older man of little wealth or standing whom she can hardly be said to love. She bears Louis de L'Estorade three children, and over the course of the next decade she devotes herself body and soul to the happiness of her family. Gradually she grows to love her husband in her own way, and with her encouragement he makes a career for himself in local politics, which culminates in his becoming a peer of France and a grand officer of the Legion of Honour. During this time Renée is quite scathing in her criticisms of Louise, whom she sees as a selfish and self-indulgent coquette. True happiness for a woman lies in motherhood and devotion to her family.
Meanwhile, four years after the death of Felipe, Louise falls in love again. This time the object of her love is a poor poet and playwright Marie Gaston, who is several years younger than she is. As though taking a leaf out of Renée's book, Louise sells her Parisian property, moves to a chalet in Ville d'Avray (a small village near Paris) and lives a life of seclusion with her new husband. But Renée is not fooled by this masquerade. Louise, she warns, is still living a life devoted to selfishness and self-indulgence, while true happiness lies only in self-sacrifice to one's husband and children - Louise remains childless.
After a few years of apparent bliss, Louise detects a change in her husband. He becomes solicitous about the financial success of his plays, and a large sum of money goes missing. Suspecting him of having an expensive mistress, Louise makes enquiries and comes to the shocking conclusion that he has another family in Paris – an Englishwoman known by the name Madame Gaston, and two children, who look remarkably like Marie. Louise confides her feelings of despair to Renée and announces her determination to commit suicide rather than to submit to such a fate. Renée's husband makes enquiries and discovers the truth of the situation. Madame Gaston is the widow of Marie's brother. The death of her husband has left her financially destitute and Marie has taken it upon himself to assist her and his two nephews, but he is ashamed to ask his wife for money. Reneé writes to Louise to inform her of the truth and rushes to the chalet, but she is too late. Louise has contracted consumption by lying out in the dew overnight and she dies a few days later. | [
[
"She dies by contracting consumption.",
"From consumption"
]
] | [
{
"content": "How does Louise die?",
"role": "user"
}
] | 31,697 | [
" The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, where... | [
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1.0000003576278687,
1.0000003576278687,
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1.0000003576278687,
1.0000003576278687
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31671,
31672,
31673,
31674,
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The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, whereas Renée takes a much more pragmatic approach; but their friendship is preserved through their correspondence, which continues for a dozen years from 1823 through 1835.
Louise is expected to sacrifice herself for her two brothers and take the veil, but the young girl refuses to submit to such a fate. Her dying grandmother intercedes on her behalf and bequeaths her her fortune, thereby rescuing her from the enclosed life of a Carmelite nun and leaving her financially independent. Free to assist her brothers financially without having to sacrifice her own ambitions, Louise settles in Paris and throws herself into a life of Italian operas, masqued balls and romantic intrigues. She falls in love with an unbecoming but noble Spaniard, Felipe Hénarez, Baron de Macumer. Banished from Spain, he lives incognito in Paris where he is forced to support himself by teaching Spanish. When he regains his fortune and noble standing, he woos Louise with a romantic fervour that finally wins her over. The pair are married in March 1825. They live a life of carefree happiness, but Louise's jealousy embitters him and leads to his physical break-down. He dies in 1829, leaving a grieving widow of twenty-four.
Renée de Maucombe's attitude to love and life are in marked contrast to those of Louise. When she leaves the convent at Blois Renée moves to Provence, where she marries an older man of little wealth or standing whom she can hardly be said to love. She bears Louis de L'Estorade three children, and over the course of the next decade she devotes herself body and soul to the happiness of her family. Gradually she grows to love her husband in her own way, and with her encouragement he makes a career for himself in local politics, which culminates in his becoming a peer of France and a grand officer of the Legion of Honour. During this time Renée is quite scathing in her criticisms of Louise, whom she sees as a selfish and self-indulgent coquette. True happiness for a woman lies in motherhood and devotion to her family.
Meanwhile, four years after the death of Felipe, Louise falls in love again. This time the object of her love is a poor poet and playwright Marie Gaston, who is several years younger than she is. As though taking a leaf out of Renée's book, Louise sells her Parisian property, moves to a chalet in Ville d'Avray (a small village near Paris) and lives a life of seclusion with her new husband. But Renée is not fooled by this masquerade. Louise, she warns, is still living a life devoted to selfishness and self-indulgence, while true happiness lies only in self-sacrifice to one's husband and children - Louise remains childless.
After a few years of apparent bliss, Louise detects a change in her husband. He becomes solicitous about the financial success of his plays, and a large sum of money goes missing. Suspecting him of having an expensive mistress, Louise makes enquiries and comes to the shocking conclusion that he has another family in Paris – an Englishwoman known by the name Madame Gaston, and two children, who look remarkably like Marie. Louise confides her feelings of despair to Renée and announces her determination to commit suicide rather than to submit to such a fate. Renée's husband makes enquiries and discovers the truth of the situation. Madame Gaston is the widow of Marie's brother. The death of her husband has left her financially destitute and Marie has taken it upon himself to assist her and his two nephews, but he is ashamed to ask his wife for money. Reneé writes to Louise to inform her of the truth and rushes to the chalet, but she is too late. Louise has contracted consumption by lying out in the dew overnight and she dies a few days later. | [
[
"Madam Gaston's deceased husband was Marie's brother",
"Because she is his brother's widow, and he wants to support her and his nephews."
]
] | [
{
"content": "Why does Marie Gaston give money to Madam Gaston?",
"role": "user"
}
] | 31,698 | [
" The story concerns two young French women, Louise de Chaulieu (1805–1835) and Renée de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, where... | [
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1.0000003576278687,
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1.0000003576278687
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31672,
31673,
31674,
31670,
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Arbaces, King of Iberia, has been abroad, fighting in the wars, for many years; he returns home in triumph, bringing with him Tigranes, the defeated king of Armenia. He intends to marry his sister Panthea to Tigranes. Meanwhile, he learns that his mother, Arane, who hates him, has plotted his assassination. The regent Gobrius has foiled the plot. Tigranes' fiancee Spaconia accompanies him into exile, hoping to avert Arbaces' plans for the marriage alliance. Tigranes promises her he will remain faithful.
On his return Arbaces finds that he now has a powerful sexual attraction to his beautiful sister, the princess Panthea, whom he hasn't seen since childhood. Much of the play depicts his increasingly desperate struggle against his incestuous passion. Arbaces blames the protector Gobrius for his predicament; the minister had written Arbaces many letters during the king's years abroad, praising Panthea's beauty and her love for him. Panthea is also attracted to Arbaces, but her virtue restains them both. The king becomes so desperate that he decides to murder Gobrius, rape Panthea, and then commit suicide. Meanwhile, Tigranes too falls in love with Panthea, even though this means he breaks his faith with Spaconia. Tigranes exercises the self-discipline and rationality that Arbaces struggles to achieve, and rededicates himself to Spaconia.
Arbaces' dilemma is resolved when it is revealed that the situation is a complex hoax, staged by Arane and Gobrius to give an heir to the childless old king who was Arbaces' predecessor. Arane's plots against her supposed son were intended to restore the rightful succession. Arbaces is in fact Gobrius's son, and so Panthea is not actually his sister. Gobrius had plotted that his son would become the legitimate king, by marriage with Panthea; Arbaces does marry the princess, but steps down from the kingship.
Arbaces is presented as a mixed character, brave and formidable in battle, but boastful and somewhat vulgar. His character is explained by the trick of his birth: he cannot behave with the nobility of a king, because he isn't one by "blood." The comic relief in the play is provided by the cowardly Bessus and his cronies; their subplot turns on the customs of honorable duelling â and their comical violation. (Bessus was a well-known comic creation; Queen Henrietta Maria refers to Bessus in a 25 February 1643 letter to her husband, Charles I.)
A King and No King has a strong degree of commonality with the same authors' Thierry and Theodoret. The former might be regarded as the tragicomic version, and the latter the tragic, of the same story. | [
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" Arbaces, King of Iberia, has been abroad, fighting in the wars, for many years; he returns home in triumph, bringing with him Tigranes, the defeated king of Armenia. He intends to marry his sister Panthea to Tigranes. Meanwhile, he learns that his mother, Arane, who hates him, has plotted his assassination. The r... | [
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