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Annotate according to the Chronotopic Cartography scheme. <topos> can be: Encounter (An unexpected happening, sudden shift, any meeting. Can occur anywhere, but frequently on the road); Road (Paths, travel, journey, options, coming and going, wandering); Castle (Confinement, imprisonment, stasis, discomfort, dark, visible traces of the past); Idyll (Familiarity, comfort, happiness, pleasure, peace, respite, self-contained, unified, stable, homely, known); Idyllic Wilderness (The wild, openness, freedom, untouched, the earth, the natural world, unity); Anti-Idyll Dystopias, post-apocalyptic settings, mechanical, the idyll destroyed, invaded, or made alien. Can be exterior or interior); Threshold (The hall, the corridor, the staircase, the street, docks, stations, liminal spaces, emotionally charged, intense, sublime, excess, a place of contrasts); Parlour (Interior, room, defined, bounded, hosting guests, where the public and private merge, where dialogues happen, a site of political and commercial intrigue); Provincial Town (Community, locality, rustic, petty-bourgeois, specific locales, quaint little houses and rooms of the town, sleepy streets); Public Square (Dynamic, crowd, forum, metropolitan, the internal externalized [the private/intimate becomes public], theatrical [place of the clown, the rogue, the fool]; Distortion (Elsewhere, miraculous, bewitched, dreams, hallucinations); Metanarrative (For sections of text without a concrete sense of space, which could be internal [e.g. commentary, direct address to the reader] or external [e.g. glosses, framing statements, contained texts; authorial/editorial notes, etc.]). <connection> can be Direct; Indirect; Projection; Interrupt; Jump; Metatextual; Paratextual; Intratextual.

πρῶτον οὖν ὁ δῆμος εἰς τὸν οὐρανὸν ἀναβλέψας εὐφήμει τοὺς θεοὺς καὶ χάριν ἠπίστατο μᾶλλον ὑπὲρ τῆς ἡμέρας ταύτης ἢ τῆς τῶν ἐπινικίων· εἶτα ποτὲ μὲν ἐσχίζοντο, καὶ οἱ μὲν ἄνδρες ἐπῄνουν Χαιρέαν, αἱ δὲ γυναῖκες Καλλιρόην, ποτὲ δ' αὖ πάλιν ἀμφοτέρους κοινῇ· καὶ τοῦτο ἐκείνοις ἥδιον ἦν. Καλλιρόην μὲν οὖν ὡς ἂν ἐκ πλοῦ καὶ ἀγωνίας εὐθὺς ἀσπασαμένην τὴν πατρίδα ἀπήγαγον ἐκ τοῦ θεάτρου, Χαιρέαν δὲ κατεῖχε τὸ πλῆθος, ἀκοῦσαι βουλόμενον πάντα τὰ τῆς ἀποδημίας διηγήματα. κἀκεῖνος ἀπὸ τῶν τελευταίων ἤρξατο, λυπεῖν οὐ θέλων [ἐν] τοῖς πρώτοις καὶ σκυθρωποῖς τὸν λαόν. ὁ δὲ δῆμος ἐνεκελεύετο «ἐρωτῶμεν, ἄνωθεν ἄρξαι, πάντα ἡμῖν λέγε, μηδὲν παραλίπῃς.« ὤκνει Χαιρέας, ὡς ἂν ἐπὶ πολλοῖς τῶν οὐ κατὰ γνώμην συμβάντων αἰδούμενος, Ἑρμοκράτης δὲ ἔφη «μηδὲν αἰδεσθῇς, ὦ τέκνον, κἂν λέγῃς τι λυπηρότερον ἢ πικρότερον ἡμῖν· τὸ γὰρ τέλος λαμπρὸν γενόμενον ἐπισκοτεῖ τοῖς προτέροις ἅπασι, τὸ δὲ μὴ ῥηθὲν ὑπόνοιαν ἔχει χαλεπωτέραν ἐξ αὐτῆς τῆς σιωπῆς. πατρίδι λέγεις καὶ γονεῦσιν, ὧν ἰσόρροπος ἡ πρὸς ἀμφοτέρους ὑμᾶς φιλοστοργία. τὰ μὲν οὖν πρῶτα τῶν διηγημάτων ἤδη καὶ ὁ δῆμος ἐπίσταται, καὶ γὰρ τὸν γάμον ὑμῶν αὐτὸς ἔζευξε· τήν τε τῶν ἀντιμνηστευομένων ἐπιβουλὴν εἰς ψευδῆ ζηλοτυπίαν καὶ ὡς ἀκαίρως ἔπληξας τὴν γυναῖκα πᾶντες ἔγνωμεν καὶ ὅτι δόξασα τεθνάναι πολυτελῶς ἐκηδεύθη, σὺ δὲ εἰς φόνου δίκην ὑπαχθεὶς σεαυτοῦ κατεψηφίσω, συναποθανεῖν θέλων τῇ γυναικί. ἀλλ' ὁ δῆμός σε ἀπέλυσεν, ἀκούσιον ἐπιγνοὺς τὸ συμβάν. τὰ δὲ τούτων ἐφεξῆς ἡμῖν ἀπήγγειλαν, ὅτι Θήρων ὁ τυμβωρύχος νυκτὸς τὸν τάφον διασκάψας Καλλιρόην ζῶσαν εὑρὼν μετὰ τῶν ἐνταφίων ἐνέθηκε τῷ πειρατικῷ κέλητι καὶ εἰς Ἰωνίαν ἐπώλησε, σὺ δὲ κατὰ τὴν ζήτησιν τῆς γυναικὸς ἐξελθὼν αὐτὴν μὲν οὐχ εὗρες, ἐν δὲ τῇ θαλάσσῃ τῷ πειρατικῷ πλοίῳ περιπεσὼν τοὺς μὲν ἄλλους λῃστὰς τεθνεῶτας κατέλαβες ὑπὸ δίψους, Θήρωνα δὲ μόνον ἔτι ζῶντα εἰσήγαγες εἰς τὴν ἐκκλησίαν, κἀκεῖνος μὲν βασανισθεὶς ἀνεσκολοπίσθη, τριήρη δὲ ἐξέπεμψεν ἡ πόλις καὶ πρεσβευτὰς ὑπὲρ Καλλιρόης, ἑκούσιος δὲ συνεξέπλευσέ σοι Πολύχαρμος ὁ φίλος.

πρῶτον οὖν ὁ δῆμος εἰς τὸν οὐρανὸν ἀναβλέψας εὐφήμει τοὺς θεοὺς καὶ χάριν ἠπίστατο μᾶλλον ὑπὲρ τῆς ἡμέρας ταύτης ἢ τῆς τῶν ἐπινικίων· εἶτα ποτὲ μὲν ἐσχίζοντο, καὶ οἱ μὲν ἄνδρες ἐπῄνουν Χαιρέαν, αἱ δὲ γυναῖκες Καλλιρόην, ποτὲ δ' αὖ πάλιν ἀμφοτέρους κοινῇ· καὶ τοῦτο ἐκείνοις ἥδιον ἦν. Καλλιρόην μὲν οὖν ὡς ἂν ἐκ πλοῦ καὶ ἀγωνίας εὐθὺς ἀσπασαμένην τὴν πατρίδα ἀπήγαγον ἐκ τοῦ θεάτρου, Χαιρέαν δὲ κατεῖχε τὸ πλῆθος, ἀκοῦσαι βουλόμενον πάντα τὰ τῆς ἀποδημίας διηγήματα. κἀκεῖνος ἀπὸ τῶν τελευταίων ἤρξατο, λυπεῖν οὐ θέλων [ἐν] τοῖς πρώτοις καὶ σκυθρωποῖς τὸν λαόν. ὁ δὲ δῆμος ἐνεκελεύετο «ἐρωτῶμεν, ἄνωθεν ἄρξαι, πάντα ἡμῖν λέγε, μηδὲν παραλίπῃς.« ὤκνει Χαιρέας, ὡς ἂν ἐπὶ πολλοῖς τῶν οὐ κατὰ γνώμην συμβάντων αἰδούμενος, Ἑρμοκράτης δὲ ἔφη «μηδὲν αἰδεσθῇς, ὦ τέκνον, κἂν λέγῃς τι λυπηρότερον ἢ πικρότερον ἡμῖν· τὸ γὰρ τέλος λαμπρὸν γενόμενον ἐπισκοτεῖ τοῖς προτέροις ἅπασι, τὸ δὲ μὴ ῥηθὲν ὑπόνοιαν ἔχει χαλεπωτέραν ἐξ αὐτῆς τῆς σιωπῆς. πατρίδι λέγεις καὶ γονεῦσιν, ὧν ἰσόρροπος ἡ πρὸς ἀμφοτέρους ὑμᾶς φιλοστοργία. τὰ μὲν οὖν πρῶτα τῶν διηγημάτων ἤδη καὶ ὁ δῆμος ἐπίσταται, καὶ γὰρ τὸν γάμον ὑμῶν αὐτὸς ἔζευξε· τήν τε τῶν ἀντιμνηστευομένων ἐπιβουλὴν εἰς ψευδῆ ζηλοτυπίαν καὶ ὡς ἀκαίρως ἔπληξας τὴν γυναῖκα πᾶντες ἔγνωμεν καὶ ὅτι δόξασα τεθνάναι πολυτελῶς ἐκηδεύθη, σὺ δὲ εἰς φόνου δίκην ὑπαχθεὶς σεαυτοῦ κατεψηφίσω, συναποθανεῖν θέλων τῇ γυναικί. ἀλλ' ὁ δῆμός σε ἀπέλυσεν, ἀκούσιον ἐπιγνοὺς τὸ συμβάν. τὰ δὲ τούτων ἐφεξῆς ἡμῖν ἀπήγγειλαν, ὅτι Θήρων ὁ τυμβωρύχος νυκτὸς τὸν τάφον διασκάψας Καλλιρόην ζῶσαν εὑρὼν μετὰ τῶν ἐνταφίων ἐνέθηκε τῷ πειρατικῷ κέλητι καὶ εἰς Ἰωνίαν ἐπώλησε, σὺ δὲ κατὰ τὴν ζήτησιν τῆς γυναικὸς ἐξελθὼν αὐτὴν μὲν οὐχ εὗρες, ἐν δὲ τῇ θαλάσσῃ τῷ πειρατικῷ πλοίῳ περιπεσὼν τοὺς μὲν ἄλλους λῃστὰς τεθνεῶτας κατέλαβες ὑπὸ δίψους, Θήρωνα δὲ μόνον ἔτι ζῶντα εἰσήγαγες εἰς τὴν ἐκκλησίαν, κἀκεῖνος μὲν βασανισθεὶς ἀνεσκολοπίσθη, τριήρη δὲ ἐξέπεμψεν ἡ πόλις καὶ πρεσβευτὰς ὑπὲρ Καλλιρόης, ἑκούσιος δὲ συνεξέπλευσέ σοι Πολύχαρμος ὁ φίλος.

Annotate according to the Chronotopic Cartography scheme. <topos> can be: Encounter (An unexpected happening, sudden shift, any meeting. Can occur anywhere, but frequently on the road); Road (Paths, travel, journey, options, coming and going, wandering); Castle (Confinement, imprisonment, stasis, discomfort, dark, visible traces of the past); Idyll (Familiarity, comfort, happiness, pleasure, peace, respite, self-contained, unified, stable, homely, known); Idyllic Wilderness (The wild, openness, freedom, untouched, the earth, the natural world, unity); Anti-Idyll Dystopias, post-apocalyptic settings, mechanical, the idyll destroyed, invaded, or made alien. Can be exterior or interior); Threshold (The hall, the corridor, the staircase, the street, docks, stations, liminal spaces, emotionally charged, intense, sublime, excess, a place of contrasts); Parlour (Interior, room, defined, bounded, hosting guests, where the public and private merge, where dialogues happen, a site of political and commercial intrigue); Provincial Town (Community, locality, rustic, petty-bourgeois, specific locales, quaint little houses and rooms of the town, sleepy streets); Public Square (Dynamic, crowd, forum, metropolitan, the internal externalized [the private/intimate becomes public], theatrical [place of the clown, the rogue, the fool]; Distortion (Elsewhere, miraculous, bewitched, dreams, hallucinations); Metanarrative (For sections of text without a concrete sense of space, which could be internal [e.g. commentary, direct address to the reader] or external [e.g. glosses, framing statements, contained texts; authorial/editorial notes, etc.]). <connection> can be Direct; Indirect; Projection; Interrupt; Jump; Metatextual; Paratextual; Intratextual.

κἀκεῖνος ἀπὸ τῶν τελευταίων ἤρξατο, λυπεῖν οὐ θέλων [ἐν] τοῖς πρώτοις καὶ σκυθρωποῖς τὸν λαόν. ὁ δὲ δῆμος ἐνεκελεύετο «ἐρωτῶμεν, ἄνωθεν ἄρξαι, πάντα ἡμῖν λέγε, μηδὲν παραλίπῃς.« ὤκνει Χαιρέας, ὡς ἂν ἐπὶ πολλοῖς τῶν οὐ κατὰ γνώμην συμβάντων αἰδούμενος, Ἑρμοκράτης δὲ ἔφη «μηδὲν αἰδεσθῇς, ὦ τέκνον, κἂν λέγῃς τι λυπηρότερον ἢ πικρότερον ἡμῖν· τὸ γὰρ τέλος λαμπρὸν γενόμενον ἐπισκοτεῖ τοῖς προτέροις ἅπασι, τὸ δὲ μὴ ῥηθὲν ὑπόνοιαν ἔχει χαλεπωτέραν ἐξ αὐτῆς τῆς σιωπῆς. πατρίδι λέγεις καὶ γονεῦσιν, ὧν ἰσόρροπος ἡ πρὸς ἀμφοτέρους ὑμᾶς φιλοστοργία. τὰ μὲν οὖν πρῶτα τῶν διηγημάτων ἤδη καὶ ὁ δῆμος ἐπίσταται, καὶ γὰρ τὸν γάμον ὑμῶν αὐτὸς ἔζευξε· τήν τε τῶν ἀντιμνηστευομένων ἐπιβουλὴν εἰς ψευδῆ ζηλοτυπίαν καὶ ὡς ἀκαίρως ἔπληξας τὴν γυναῖκα πᾶντες ἔγνωμεν καὶ ὅτι δόξασα τεθνάναι πολυτελῶς ἐκηδεύθη, σὺ δὲ εἰς φόνου δίκην ὑπαχθεὶς σεαυτοῦ κατεψηφίσω, συναποθανεῖν θέλων τῇ γυναικί. ἀλλ' ὁ δῆμός σε ἀπέλυσεν, ἀκούσιον ἐπιγνοὺς τὸ συμβάν. τὰ δὲ τούτων ἐφεξῆς ἡμῖν ἀπήγγειλαν, ὅτι Θήρων ὁ τυμβωρύχος νυκτὸς τὸν τάφον διασκάψας Καλλιρόην ζῶσαν εὑρὼν μετὰ τῶν ἐνταφίων ἐνέθηκε τῷ πειρατικῷ κέλητι καὶ εἰς Ἰωνίαν ἐπώλησε, σὺ δὲ κατὰ τὴν ζήτησιν τῆς γυναικὸς ἐξελθὼν αὐτὴν μὲν οὐχ εὗρες, ἐν δὲ τῇ θαλάσσῃ τῷ πειρατικῷ πλοίῳ περιπεσὼν τοὺς μὲν ἄλλους λῃστὰς τεθνεῶτας κατέλαβες ὑπὸ δίψους, Θήρωνα δὲ μόνον ἔτι ζῶντα εἰσήγαγες εἰς τὴν ἐκκλησίαν, κἀκεῖνος μὲν βασανισθεὶς ἀνεσκολοπίσθη, τριήρη δὲ ἐξέπεμψεν ἡ πόλις καὶ πρεσβευτὰς ὑπὲρ Καλλιρόης, ἑκούσιος δὲ συνεξέπλευσέ σοι Πολύχαρμος ὁ φίλος. ταῦτα ἴσμεν· σὺ δὲ ἡμῖν διήγησαι τὰ μετὰ τὸν ἔκπλουν συνενεχθέντα τὸν σὸν ἐντεῦθεν.« Ὁ δὲ Χαιρέας ἔνθεν ἑλὼν διηγεῖτο «πλεύσαντες τὸν Ἰόνιον ἀσφαλῶς εἰς χωρίον κατήχθημεν ἀνδρὸς Μιλησίου, Διονυσίου τοὔνομα, πλούτῳ καὶ γένει καὶ δόξῃ πάντων Ἰώνων ὑπερέχοντος. οὗτος δὲ ὁ παρὰ Θήρωνος Καλλιρόην ταλάντου πριάμενος. μὴ φοβηθῆτε· οὐκ ἐδούλευσεν· εὐθὺς γὰρ τὴν ἀργυρώνητον αὑτοῦ δέσποιναν ἀπέδειξε, καὶ ἐρῶν αὐτῆς βιάσασθαι οὐκ ἐτόλμησε τὴν εὐγενῆ, πέμψαι δὲ πάλιν εἰς Συρακούσας οὐχ ὑπέμεινεν ἧς ἤρα.

κἀκεῖνος ἀπὸ τῶν τελευταίων ἤρξατο, λυπεῖν οὐ θέλων [ἐν] τοῖς πρώτοις καὶ σκυθρωποῖς τὸν λαόν. ὁ δὲ δῆμος ἐνεκελεύετο «ἐρωτῶμεν, ἄνωθεν ἄρξαι, πάντα ἡμῖν λέγε, μηδὲν παραλίπῃς.« ὤκνει Χαιρέας, ὡς ἂν ἐπὶ πολλοῖς τῶν οὐ κατὰ γνώμην συμβάντων αἰδούμενος, Ἑρμοκράτης δὲ ἔφη «μηδὲν αἰδεσθῇς, ὦ τέκνον, κἂν λέγῃς τι λυπηρότερον ἢ πικρότερον ἡμῖν· τὸ γὰρ τέλος λαμπρὸν γενόμενον ἐπισκοτεῖ τοῖς προτέροις ἅπασι, τὸ δὲ μὴ ῥηθὲν ὑπόνοιαν ἔχει χαλεπωτέραν ἐξ αὐτῆς τῆς σιωπῆς. πατρίδι λέγεις καὶ γονεῦσιν, ὧν ἰσόρροπος ἡ πρὸς ἀμφοτέρους ὑμᾶς φιλοστοργία. τὰ μὲν οὖν πρῶτα τῶν διηγημάτων ἤδη καὶ ὁ δῆμος ἐπίσταται, καὶ γὰρ τὸν γάμον ὑμῶν αὐτὸς ἔζευξε· τήν τε τῶν ἀντιμνηστευομένων ἐπιβουλὴν εἰς ψευδῆ ζηλοτυπίαν καὶ ὡς ἀκαίρως ἔπληξας τὴν γυναῖκα πᾶντες ἔγνωμεν καὶ ὅτι δόξασα τεθνάναι πολυτελῶς ἐκηδεύθη, σὺ δὲ εἰς φόνου δίκην ὑπαχθεὶς σεαυτοῦ κατεψηφίσω, συναποθανεῖν θέλων τῇ γυναικί. ἀλλ' ὁ δῆμός σε ἀπέλυσεν, ἀκούσιον ἐπιγνοὺς τὸ συμβάν. τὰ δὲ τούτων ἐφεξῆς ἡμῖν ἀπήγγειλαν, ὅτι Θήρων ὁ τυμβωρύχος νυκτὸς τὸν τάφον διασκάψας Καλλιρόην ζῶσαν εὑρὼν μετὰ τῶν ἐνταφίων ἐνέθηκε τῷ πειρατικῷ κέλητι καὶ εἰς Ἰωνίαν ἐπώλησε, σὺ δὲ κατὰ τὴν ζήτησιν τῆς γυναικὸς ἐξελθὼν αὐτὴν μὲν οὐχ εὗρες, ἐν δὲ τῇ θαλάσσῃ τῷ πειρατικῷ πλοίῳ περιπεσὼν τοὺς μὲν ἄλλους λῃστὰς τεθνεῶτας κατέλαβες ὑπὸ δίψους, Θήρωνα δὲ μόνον ἔτι ζῶντα εἰσήγαγες εἰς τὴν ἐκκλησίαν, κἀκεῖνος μὲν βασανισθεὶς ἀνεσκολοπίσθη, τριήρη δὲ ἐξέπεμψεν ἡ πόλις καὶ πρεσβευτὰς ὑπὲρ Καλλιρόης, ἑκούσιος δὲ συνεξέπλευσέ σοι Πολύχαρμος ὁ φίλος. ταῦτα ἴσμεν· σὺ δὲ ἡμῖν διήγησαι τὰ μετὰ τὸν ἔκπλουν συνενεχθέντα τὸν σὸν ἐντεῦθεν.« Ὁ δὲ Χαιρέας ἔνθεν ἑλὼν διηγεῖτο «πλεύσαντες τὸν Ἰόνιον ἀσφαλῶς εἰς χωρίον κατήχθημεν ἀνδρὸς Μιλησίου, Διονυσίου τοὔνομα, πλούτῳ καὶ γένει καὶ δόξῃ πάντων Ἰώνων ὑπερέχοντος. οὗτος δὲ ὁ παρὰ Θήρωνος Καλλιρόην ταλάντου πριάμενος. μὴ φοβηθῆτε· οὐκ ἐδούλευσεν· εὐθὺς γὰρ τὴν ἀργυρώνητον αὑτοῦ δέσποιναν ἀπέδειξε, καὶ ἐρῶν αὐτῆς βιάσασθαι οὐκ ἐτόλμησε τὴν εὐγενῆ, πέμψαι δὲ πάλιν εἰς Συρακούσας οὐχ ὑπέμεινεν ἧς ἤρα.

Annotate according to the Chronotopic Cartography scheme. <topos> can be: Encounter (An unexpected happening, sudden shift, any meeting. Can occur anywhere, but frequently on the road); Road (Paths, travel, journey, options, coming and going, wandering); Castle (Confinement, imprisonment, stasis, discomfort, dark, visible traces of the past); Idyll (Familiarity, comfort, happiness, pleasure, peace, respite, self-contained, unified, stable, homely, known); Idyllic Wilderness (The wild, openness, freedom, untouched, the earth, the natural world, unity); Anti-Idyll Dystopias, post-apocalyptic settings, mechanical, the idyll destroyed, invaded, or made alien. Can be exterior or interior); Threshold (The hall, the corridor, the staircase, the street, docks, stations, liminal spaces, emotionally charged, intense, sublime, excess, a place of contrasts); Parlour (Interior, room, defined, bounded, hosting guests, where the public and private merge, where dialogues happen, a site of political and commercial intrigue); Provincial Town (Community, locality, rustic, petty-bourgeois, specific locales, quaint little houses and rooms of the town, sleepy streets); Public Square (Dynamic, crowd, forum, metropolitan, the internal externalized [the private/intimate becomes public], theatrical [place of the clown, the rogue, the fool]; Distortion (Elsewhere, miraculous, bewitched, dreams, hallucinations); Metanarrative (For sections of text without a concrete sense of space, which could be internal [e.g. commentary, direct address to the reader] or external [e.g. glosses, framing statements, contained texts; authorial/editorial notes, etc.]). <connection> can be Direct; Indirect; Projection; Interrupt; Jump; Metatextual; Paratextual; Intratextual.

πατρίδι λέγεις καὶ γονεῦσιν, ὧν ἰσόρροπος ἡ πρὸς ἀμφοτέρους ὑμᾶς φιλοστοργία. τὰ μὲν οὖν πρῶτα τῶν διηγημάτων ἤδη καὶ ὁ δῆμος ἐπίσταται, καὶ γὰρ τὸν γάμον ὑμῶν αὐτὸς ἔζευξε· τήν τε τῶν ἀντιμνηστευομένων ἐπιβουλὴν εἰς ψευδῆ ζηλοτυπίαν καὶ ὡς ἀκαίρως ἔπληξας τὴν γυναῖκα πᾶντες ἔγνωμεν καὶ ὅτι δόξασα τεθνάναι πολυτελῶς ἐκηδεύθη, σὺ δὲ εἰς φόνου δίκην ὑπαχθεὶς σεαυτοῦ κατεψηφίσω, συναποθανεῖν θέλων τῇ γυναικί. ἀλλ' ὁ δῆμός σε ἀπέλυσεν, ἀκούσιον ἐπιγνοὺς τὸ συμβάν. τὰ δὲ τούτων ἐφεξῆς ἡμῖν ἀπήγγειλαν, ὅτι Θήρων ὁ τυμβωρύχος νυκτὸς τὸν τάφον διασκάψας Καλλιρόην ζῶσαν εὑρὼν μετὰ τῶν ἐνταφίων ἐνέθηκε τῷ πειρατικῷ κέλητι καὶ εἰς Ἰωνίαν ἐπώλησε, σὺ δὲ κατὰ τὴν ζήτησιν τῆς γυναικὸς ἐξελθὼν αὐτὴν μὲν οὐχ εὗρες, ἐν δὲ τῇ θαλάσσῃ τῷ πειρατικῷ πλοίῳ περιπεσὼν τοὺς μὲν ἄλλους λῃστὰς τεθνεῶτας κατέλαβες ὑπὸ δίψους, Θήρωνα δὲ μόνον ἔτι ζῶντα εἰσήγαγες εἰς τὴν ἐκκλησίαν, κἀκεῖνος μὲν βασανισθεὶς ἀνεσκολοπίσθη, τριήρη δὲ ἐξέπεμψεν ἡ πόλις καὶ πρεσβευτὰς ὑπὲρ Καλλιρόης, ἑκούσιος δὲ συνεξέπλευσέ σοι Πολύχαρμος ὁ φίλος. ταῦτα ἴσμεν· σὺ δὲ ἡμῖν διήγησαι τὰ μετὰ τὸν ἔκπλουν συνενεχθέντα τὸν σὸν ἐντεῦθεν.« Ὁ δὲ Χαιρέας ἔνθεν ἑλὼν διηγεῖτο «πλεύσαντες τὸν Ἰόνιον ἀσφαλῶς εἰς χωρίον κατήχθημεν ἀνδρὸς Μιλησίου, Διονυσίου τοὔνομα, πλούτῳ καὶ γένει καὶ δόξῃ πάντων Ἰώνων ὑπερέχοντος. οὗτος δὲ ὁ παρὰ Θήρωνος Καλλιρόην ταλάντου πριάμενος. μὴ φοβηθῆτε· οὐκ ἐδούλευσεν· εὐθὺς γὰρ τὴν ἀργυρώνητον αὑτοῦ δέσποιναν ἀπέδειξε, καὶ ἐρῶν αὐτῆς βιάσασθαι οὐκ ἐτόλμησε τὴν εὐγενῆ, πέμψαι δὲ πάλιν εἰς Συρακούσας οὐχ ὑπέμεινεν ἧς ἤρα.

πατρίδι λέγεις καὶ γονεῦσιν, ὧν ἰσόρροπος ἡ πρὸς ἀμφοτέρους ὑμᾶς φιλοστοργία. τὰ μὲν οὖν πρῶτα τῶν διηγημάτων ἤδη καὶ ὁ δῆμος ἐπίσταται, καὶ γὰρ τὸν γάμον ὑμῶν αὐτὸς ἔζευξε· τήν τε τῶν ἀντιμνηστευομένων ἐπιβουλὴν εἰς ψευδῆ ζηλοτυπίαν καὶ ὡς ἀκαίρως ἔπληξας τὴν γυναῖκα πᾶντες ἔγνωμεν καὶ ὅτι δόξασα τεθνάναι πολυτελῶς ἐκηδεύθη, σὺ δὲ εἰς φόνου δίκην ὑπαχθεὶς σεαυτοῦ κατεψηφίσω, συναποθανεῖν θέλων τῇ γυναικί. ἀλλ' ὁ δῆμός σε ἀπέλυσεν, ἀκούσιον ἐπιγνοὺς τὸ συμβάν. τὰ δὲ τούτων ἐφεξῆς ἡμῖν ἀπήγγειλαν, ὅτι Θήρων ὁ τυμβωρύχος νυκτὸς τὸν τάφον διασκάψας Καλλιρόην ζῶσαν εὑρὼν μετὰ τῶν ἐνταφίων ἐνέθηκε τῷ πειρατικῷ κέλητι καὶ εἰς Ἰωνίαν ἐπώλησε, σὺ δὲ κατὰ τὴν ζήτησιν τῆς γυναικὸς ἐξελθὼν αὐτὴν μὲν οὐχ εὗρες, ἐν δὲ τῇ θαλάσσῃ τῷ πειρατικῷ πλοίῳ περιπεσὼν τοὺς μὲν ἄλλους λῃστὰς τεθνεῶτας κατέλαβες ὑπὸ δίψους, Θήρωνα δὲ μόνον ἔτι ζῶντα εἰσήγαγες εἰς τὴν ἐκκλησίαν, κἀκεῖνος μὲν βασανισθεὶς ἀνεσκολοπίσθη, τριήρη δὲ ἐξέπεμψεν ἡ πόλις καὶ πρεσβευτὰς ὑπὲρ Καλλιρόης, ἑκούσιος δὲ συνεξέπλευσέ σοι Πολύχαρμος ὁ φίλος. ταῦτα ἴσμεν· σὺ δὲ ἡμῖν διήγησαι τὰ μετὰ τὸν ἔκπλουν συνενεχθέντα τὸν σὸν ἐντεῦθεν.« Ὁ δὲ Χαιρέας ἔνθεν ἑλὼν διηγεῖτο «πλεύσαντες τὸν Ἰόνιον ἀσφαλῶς εἰς χωρίον κατήχθημεν ἀνδρὸς Μιλησίου, Διονυσίου τοὔνομα, πλούτῳ καὶ γένει καὶ δόξῃ πάντων Ἰώνων ὑπερέχοντος. οὗτος δὲ ὁ παρὰ Θήρωνος Καλλιρόην ταλάντου πριάμενος. μὴ φοβηθῆτε· οὐκ ἐδούλευσεν· εὐθὺς γὰρ τὴν ἀργυρώνητον αὑτοῦ δέσποιναν ἀπέδειξε, καὶ ἐρῶν αὐτῆς βιάσασθαι οὐκ ἐτόλμησε τὴν εὐγενῆ, πέμψαι δὲ πάλιν εἰς Συρακούσας οὐχ ὑπέμεινεν ἧς ἤρα.

Annotate according to the Chronotopic Cartography scheme. <topos> can be: Encounter (An unexpected happening, sudden shift, any meeting. Can occur anywhere, but frequently on the road); Road (Paths, travel, journey, options, coming and going, wandering); Castle (Confinement, imprisonment, stasis, discomfort, dark, visible traces of the past); Idyll (Familiarity, comfort, happiness, pleasure, peace, respite, self-contained, unified, stable, homely, known); Idyllic Wilderness (The wild, openness, freedom, untouched, the earth, the natural world, unity); Anti-Idyll Dystopias, post-apocalyptic settings, mechanical, the idyll destroyed, invaded, or made alien. Can be exterior or interior); Threshold (The hall, the corridor, the staircase, the street, docks, stations, liminal spaces, emotionally charged, intense, sublime, excess, a place of contrasts); Parlour (Interior, room, defined, bounded, hosting guests, where the public and private merge, where dialogues happen, a site of political and commercial intrigue); Provincial Town (Community, locality, rustic, petty-bourgeois, specific locales, quaint little houses and rooms of the town, sleepy streets); Public Square (Dynamic, crowd, forum, metropolitan, the internal externalized [the private/intimate becomes public], theatrical [place of the clown, the rogue, the fool]; Distortion (Elsewhere, miraculous, bewitched, dreams, hallucinations); Metanarrative (For sections of text without a concrete sense of space, which could be internal [e.g. commentary, direct address to the reader] or external [e.g. glosses, framing statements, contained texts; authorial/editorial notes, etc.]). <connection> can be Direct; Indirect; Projection; Interrupt; Jump; Metatextual; Paratextual; Intratextual.

ἀλλ' ὁ δῆμός σε ἀπέλυσεν, ἀκούσιον ἐπιγνοὺς τὸ συμβάν. τὰ δὲ τούτων ἐφεξῆς ἡμῖν ἀπήγγειλαν, ὅτι Θήρων ὁ τυμβωρύχος νυκτὸς τὸν τάφον διασκάψας Καλλιρόην ζῶσαν εὑρὼν μετὰ τῶν ἐνταφίων ἐνέθηκε τῷ πειρατικῷ κέλητι καὶ εἰς Ἰωνίαν ἐπώλησε, σὺ δὲ κατὰ τὴν ζήτησιν τῆς γυναικὸς ἐξελθὼν αὐτὴν μὲν οὐχ εὗρες, ἐν δὲ τῇ θαλάσσῃ τῷ πειρατικῷ πλοίῳ περιπεσὼν τοὺς μὲν ἄλλους λῃστὰς τεθνεῶτας κατέλαβες ὑπὸ δίψους, Θήρωνα δὲ μόνον ἔτι ζῶντα εἰσήγαγες εἰς τὴν ἐκκλησίαν, κἀκεῖνος μὲν βασανισθεὶς ἀνεσκολοπίσθη, τριήρη δὲ ἐξέπεμψεν ἡ πόλις καὶ πρεσβευτὰς ὑπὲρ Καλλιρόης, ἑκούσιος δὲ συνεξέπλευσέ σοι Πολύχαρμος ὁ φίλος. ταῦτα ἴσμεν· σὺ δὲ ἡμῖν διήγησαι τὰ μετὰ τὸν ἔκπλουν συνενεχθέντα τὸν σὸν ἐντεῦθεν.« Ὁ δὲ Χαιρέας ἔνθεν ἑλὼν διηγεῖτο «πλεύσαντες τὸν Ἰόνιον ἀσφαλῶς εἰς χωρίον κατήχθημεν ἀνδρὸς Μιλησίου, Διονυσίου τοὔνομα, πλούτῳ καὶ γένει καὶ δόξῃ πάντων Ἰώνων ὑπερέχοντος. οὗτος δὲ ὁ παρὰ Θήρωνος Καλλιρόην ταλάντου πριάμενος. μὴ φοβηθῆτε· οὐκ ἐδούλευσεν· εὐθὺς γὰρ τὴν ἀργυρώνητον αὑτοῦ δέσποιναν ἀπέδειξε, καὶ ἐρῶν αὐτῆς βιάσασθαι οὐκ ἐτόλμησε τὴν εὐγενῆ, πέμψαι δὲ πάλιν εἰς Συρακούσας οὐχ ὑπέμεινεν ἧς ἤρα. ἐπεὶ δὲ ᾔσθετο Καλλιρόη κύουσαν ἑαυτὴν ἐξ ἐμοῦ, σῶσαι τὸν πολίτην ὑμῖν θέλουσα, ἀνάγκην ἔσχε Διονυσίῳ γαμηθῆναι, σοφιζομένη τοῦ τέκνου τὴν γονήν, ἵνα ἐκ Διονυσίου δόξῃ γεγεννηκέναι, καὶ τραφῇ τὸ παιδίον ἐπαξίως. τρέφεται γὰρ ὑμῖν, ἄνδρες Συρακόσιοι, πολίτης ἐν Μιλήτῳ πλούσιος ὑπ' ἀνδρὸς ἐνδόξου· καὶ γὰρ ἐκείνου τὸ γένος ἔνδοξον καὶ Ἑλληνικόν. μὴ φθονήσωμεν αὐτῷ μεγάλης κληρονομίας. 8 8 <topos type="public square" framename="assembly"> «Ταῦτα μὲν οὖν ἔμαθον ὕστερον· τότε δὲ καταχθεὶς ἐν τῷ χωρίῳ, μόνον τὴν εἰκόνα Καλλιρόης θεασάμενος ἐν ἱερῷ ἐγὼ μὲν εἶχον ἀγαθὰς ἐλπίδας, νύκτωρ δὲ Φρύγες λῃσταὶ καταδραμόντες ἐπὶ θάλασσαν ἐνέπρησαν μὲν τὴν τριήρη, τοὺς δὲ πλείστους κατέσφαξαν, ἐμὲ δὲ καὶ Πολύχαρμον δήσαντες ἐπώλησαν εἰς Καρίαν». θρῆνον ἐξέρρηξεν ἐπὶ τούτοις τὸ πλῆθος, εἶπε δὲ Χαιρέας «ἐπιτρέψατέ μοι τὰ ἑξῆς σιωπᾶν, σκυθρωπότερα γάρ ἐστι τῶν πρώτων».</topos>

ἀλλ' ὁ δῆμός σε ἀπέλυσεν, ἀκούσιον ἐπιγνοὺς τὸ συμβάν. τὰ δὲ τούτων ἐφεξῆς ἡμῖν ἀπήγγειλαν, ὅτι Θήρων ὁ τυμβωρύχος νυκτὸς τὸν τάφον διασκάψας Καλλιρόην ζῶσαν εὑρὼν μετὰ τῶν ἐνταφίων ἐνέθηκε τῷ πειρατικῷ κέλητι καὶ εἰς Ἰωνίαν ἐπώλησε, σὺ δὲ κατὰ τὴν ζήτησιν τῆς γυναικὸς ἐξελθὼν αὐτὴν μὲν οὐχ εὗρες, ἐν δὲ τῇ θαλάσσῃ τῷ πειρατικῷ πλοίῳ περιπεσὼν τοὺς μὲν ἄλλους λῃστὰς τεθνεῶτας κατέλαβες ὑπὸ δίψους, Θήρωνα δὲ μόνον ἔτι ζῶντα εἰσήγαγες εἰς τὴν ἐκκλησίαν, κἀκεῖνος μὲν βασανισθεὶς ἀνεσκολοπίσθη, τριήρη δὲ ἐξέπεμψεν ἡ πόλις καὶ πρεσβευτὰς ὑπὲρ Καλλιρόης, ἑκούσιος δὲ συνεξέπλευσέ σοι Πολύχαρμος ὁ φίλος. ταῦτα ἴσμεν· σὺ δὲ ἡμῖν διήγησαι τὰ μετὰ τὸν ἔκπλουν συνενεχθέντα τὸν σὸν ἐντεῦθεν.« Ὁ δὲ Χαιρέας ἔνθεν ἑλὼν διηγεῖτο «πλεύσαντες τὸν Ἰόνιον ἀσφαλῶς εἰς χωρίον κατήχθημεν ἀνδρὸς Μιλησίου, Διονυσίου τοὔνομα, πλούτῳ καὶ γένει καὶ δόξῃ πάντων Ἰώνων ὑπερέχοντος. οὗτος δὲ ὁ παρὰ Θήρωνος Καλλιρόην ταλάντου πριάμενος. μὴ φοβηθῆτε· οὐκ ἐδούλευσεν· εὐθὺς γὰρ τὴν ἀργυρώνητον αὑτοῦ δέσποιναν ἀπέδειξε, καὶ ἐρῶν αὐτῆς βιάσασθαι οὐκ ἐτόλμησε τὴν εὐγενῆ, πέμψαι δὲ πάλιν εἰς Συρακούσας οὐχ ὑπέμεινεν ἧς ἤρα. ἐπεὶ δὲ ᾔσθετο Καλλιρόη κύουσαν ἑαυτὴν ἐξ ἐμοῦ, σῶσαι τὸν πολίτην ὑμῖν θέλουσα, ἀνάγκην ἔσχε Διονυσίῳ γαμηθῆναι, σοφιζομένη τοῦ τέκνου τὴν γονήν, ἵνα ἐκ Διονυσίου δόξῃ γεγεννηκέναι, καὶ τραφῇ τὸ παιδίον ἐπαξίως. τρέφεται γὰρ ὑμῖν, ἄνδρες Συρακόσιοι, πολίτης ἐν Μιλήτῳ πλούσιος ὑπ' ἀνδρὸς ἐνδόξου· καὶ γὰρ ἐκείνου τὸ γένος ἔνδοξον καὶ Ἑλληνικόν. μὴ φθονήσωμεν αὐτῷ μεγάλης κληρονομίας. 8 8 «Ταῦτα μὲν οὖν ἔμαθον ὕστερον· τότε δὲ καταχθεὶς ἐν τῷ χωρίῳ, μόνον τὴν εἰκόνα Καλλιρόης θεασάμενος ἐν ἱερῷ ἐγὼ μὲν εἶχον ἀγαθὰς ἐλπίδας, νύκτωρ δὲ Φρύγες λῃσταὶ καταδραμόντες ἐπὶ θάλασσαν ἐνέπρησαν μὲν τὴν τριήρη, τοὺς δὲ πλείστους κατέσφαξαν, ἐμὲ δὲ καὶ Πολύχαρμον δήσαντες ἐπώλησαν εἰς Καρίαν». θρῆνον ἐξέρρηξεν ἐπὶ τούτοις τὸ πλῆθος, εἶπε δὲ Χαιρέας «ἐπιτρέψατέ μοι τὰ ἑξῆς σιωπᾶν, σκυθρωπότερα γάρ ἐστι τῶν πρώτων».

Annotate according to the Chronotopic Cartography scheme. <topos> can be: Encounter (An unexpected happening, sudden shift, any meeting. Can occur anywhere, but frequently on the road); Road (Paths, travel, journey, options, coming and going, wandering); Castle (Confinement, imprisonment, stasis, discomfort, dark, visible traces of the past); Idyll (Familiarity, comfort, happiness, pleasure, peace, respite, self-contained, unified, stable, homely, known); Idyllic Wilderness (The wild, openness, freedom, untouched, the earth, the natural world, unity); Anti-Idyll Dystopias, post-apocalyptic settings, mechanical, the idyll destroyed, invaded, or made alien. Can be exterior or interior); Threshold (The hall, the corridor, the staircase, the street, docks, stations, liminal spaces, emotionally charged, intense, sublime, excess, a place of contrasts); Parlour (Interior, room, defined, bounded, hosting guests, where the public and private merge, where dialogues happen, a site of political and commercial intrigue); Provincial Town (Community, locality, rustic, petty-bourgeois, specific locales, quaint little houses and rooms of the town, sleepy streets); Public Square (Dynamic, crowd, forum, metropolitan, the internal externalized [the private/intimate becomes public], theatrical [place of the clown, the rogue, the fool]; Distortion (Elsewhere, miraculous, bewitched, dreams, hallucinations); Metanarrative (For sections of text without a concrete sense of space, which could be internal [e.g. commentary, direct address to the reader] or external [e.g. glosses, framing statements, contained texts; authorial/editorial notes, etc.]). <connection> can be Direct; Indirect; Projection; Interrupt; Jump; Metatextual; Paratextual; Intratextual.

ταῦτα ἴσμεν· σὺ δὲ ἡμῖν διήγησαι τὰ μετὰ τὸν ἔκπλουν συνενεχθέντα τὸν σὸν ἐντεῦθεν.« Ὁ δὲ Χαιρέας ἔνθεν ἑλὼν διηγεῖτο «πλεύσαντες τὸν Ἰόνιον ἀσφαλῶς εἰς χωρίον κατήχθημεν ἀνδρὸς Μιλησίου, Διονυσίου τοὔνομα, πλούτῳ καὶ γένει καὶ δόξῃ πάντων Ἰώνων ὑπερέχοντος. οὗτος δὲ ὁ παρὰ Θήρωνος Καλλιρόην ταλάντου πριάμενος. μὴ φοβηθῆτε· οὐκ ἐδούλευσεν· εὐθὺς γὰρ τὴν ἀργυρώνητον αὑτοῦ δέσποιναν ἀπέδειξε, καὶ ἐρῶν αὐτῆς βιάσασθαι οὐκ ἐτόλμησε τὴν εὐγενῆ, πέμψαι δὲ πάλιν εἰς Συρακούσας οὐχ ὑπέμεινεν ἧς ἤρα. ἐπεὶ δὲ ᾔσθετο Καλλιρόη κύουσαν ἑαυτὴν ἐξ ἐμοῦ, σῶσαι τὸν πολίτην ὑμῖν θέλουσα, ἀνάγκην ἔσχε Διονυσίῳ γαμηθῆναι, σοφιζομένη τοῦ τέκνου τὴν γονήν, ἵνα ἐκ Διονυσίου δόξῃ γεγεννηκέναι, καὶ τραφῇ τὸ παιδίον ἐπαξίως. τρέφεται γὰρ ὑμῖν, ἄνδρες Συρακόσιοι, πολίτης ἐν Μιλήτῳ πλούσιος ὑπ' ἀνδρὸς ἐνδόξου· καὶ γὰρ ἐκείνου τὸ γένος ἔνδοξον καὶ Ἑλληνικόν. μὴ φθονήσωμεν αὐτῷ μεγάλης κληρονομίας. 8 8 <topos type="public square" framename="assembly"> «Ταῦτα μὲν οὖν ἔμαθον ὕστερον· τότε δὲ καταχθεὶς ἐν τῷ χωρίῳ, μόνον τὴν εἰκόνα Καλλιρόης θεασάμενος ἐν ἱερῷ ἐγὼ μὲν εἶχον ἀγαθὰς ἐλπίδας, νύκτωρ δὲ Φρύγες λῃσταὶ καταδραμόντες ἐπὶ θάλασσαν ἐνέπρησαν μὲν τὴν τριήρη, τοὺς δὲ πλείστους κατέσφαξαν, ἐμὲ δὲ καὶ Πολύχαρμον δήσαντες ἐπώλησαν εἰς Καρίαν».</topos>

ταῦτα ἴσμεν· σὺ δὲ ἡμῖν διήγησαι τὰ μετὰ τὸν ἔκπλουν συνενεχθέντα τὸν σὸν ἐντεῦθεν.« Ὁ δὲ Χαιρέας ἔνθεν ἑλὼν διηγεῖτο «πλεύσαντες τὸν Ἰόνιον ἀσφαλῶς εἰς χωρίον κατήχθημεν ἀνδρὸς Μιλησίου, Διονυσίου τοὔνομα, πλούτῳ καὶ γένει καὶ δόξῃ πάντων Ἰώνων ὑπερέχοντος. οὗτος δὲ ὁ παρὰ Θήρωνος Καλλιρόην ταλάντου πριάμενος. μὴ φοβηθῆτε· οὐκ ἐδούλευσεν· εὐθὺς γὰρ τὴν ἀργυρώνητον αὑτοῦ δέσποιναν ἀπέδειξε, καὶ ἐρῶν αὐτῆς βιάσασθαι οὐκ ἐτόλμησε τὴν εὐγενῆ, πέμψαι δὲ πάλιν εἰς Συρακούσας οὐχ ὑπέμεινεν ἧς ἤρα. ἐπεὶ δὲ ᾔσθετο Καλλιρόη κύουσαν ἑαυτὴν ἐξ ἐμοῦ, σῶσαι τὸν πολίτην ὑμῖν θέλουσα, ἀνάγκην ἔσχε Διονυσίῳ γαμηθῆναι, σοφιζομένη τοῦ τέκνου τὴν γονήν, ἵνα ἐκ Διονυσίου δόξῃ γεγεννηκέναι, καὶ τραφῇ τὸ παιδίον ἐπαξίως. τρέφεται γὰρ ὑμῖν, ἄνδρες Συρακόσιοι, πολίτης ἐν Μιλήτῳ πλούσιος ὑπ' ἀνδρὸς ἐνδόξου· καὶ γὰρ ἐκείνου τὸ γένος ἔνδοξον καὶ Ἑλληνικόν. μὴ φθονήσωμεν αὐτῷ μεγάλης κληρονομίας. 8 8 «Ταῦτα μὲν οὖν ἔμαθον ὕστερον· τότε δὲ καταχθεὶς ἐν τῷ χωρίῳ, μόνον τὴν εἰκόνα Καλλιρόης θεασάμενος ἐν ἱερῷ ἐγὼ μὲν εἶχον ἀγαθὰς ἐλπίδας, νύκτωρ δὲ Φρύγες λῃσταὶ καταδραμόντες ἐπὶ θάλασσαν ἐνέπρησαν μὲν τὴν τριήρη, τοὺς δὲ πλείστους κατέσφαξαν, ἐμὲ δὲ καὶ Πολύχαρμον δήσαντες ἐπώλησαν εἰς Καρίαν».

Annotate according to the Chronotopic Cartography scheme. <topos> can be: Encounter (An unexpected happening, sudden shift, any meeting. Can occur anywhere, but frequently on the road); Road (Paths, travel, journey, options, coming and going, wandering); Castle (Confinement, imprisonment, stasis, discomfort, dark, visible traces of the past); Idyll (Familiarity, comfort, happiness, pleasure, peace, respite, self-contained, unified, stable, homely, known); Idyllic Wilderness (The wild, openness, freedom, untouched, the earth, the natural world, unity); Anti-Idyll Dystopias, post-apocalyptic settings, mechanical, the idyll destroyed, invaded, or made alien. Can be exterior or interior); Threshold (The hall, the corridor, the staircase, the street, docks, stations, liminal spaces, emotionally charged, intense, sublime, excess, a place of contrasts); Parlour (Interior, room, defined, bounded, hosting guests, where the public and private merge, where dialogues happen, a site of political and commercial intrigue); Provincial Town (Community, locality, rustic, petty-bourgeois, specific locales, quaint little houses and rooms of the town, sleepy streets); Public Square (Dynamic, crowd, forum, metropolitan, the internal externalized [the private/intimate becomes public], theatrical [place of the clown, the rogue, the fool]; Distortion (Elsewhere, miraculous, bewitched, dreams, hallucinations); Metanarrative (For sections of text without a concrete sense of space, which could be internal [e.g. commentary, direct address to the reader] or external [e.g. glosses, framing statements, contained texts; authorial/editorial notes, etc.]). <connection> can be Direct; Indirect; Projection; Interrupt; Jump; Metatextual; Paratextual; Intratextual.

μὴ φοβηθῆτε· οὐκ ἐδούλευσεν· εὐθὺς γὰρ τὴν ἀργυρώνητον αὑτοῦ δέσποιναν ἀπέδειξε, καὶ ἐρῶν αὐτῆς βιάσασθαι οὐκ ἐτόλμησε τὴν εὐγενῆ, πέμψαι δὲ πάλιν εἰς Συρακούσας οὐχ ὑπέμεινεν ἧς ἤρα. ἐπεὶ δὲ ᾔσθετο Καλλιρόη κύουσαν ἑαυτὴν ἐξ ἐμοῦ, σῶσαι τὸν πολίτην ὑμῖν θέλουσα, ἀνάγκην ἔσχε Διονυσίῳ γαμηθῆναι, σοφιζομένη τοῦ τέκνου τὴν γονήν, ἵνα ἐκ Διονυσίου δόξῃ γεγεννηκέναι, καὶ τραφῇ τὸ παιδίον ἐπαξίως. τρέφεται γὰρ ὑμῖν, ἄνδρες Συρακόσιοι, πολίτης ἐν Μιλήτῳ πλούσιος ὑπ' ἀνδρὸς ἐνδόξου· καὶ γὰρ ἐκείνου τὸ γένος ἔνδοξον καὶ Ἑλληνικόν. μὴ φθονήσωμεν αὐτῷ μεγάλης κληρονομίας. 8 8 <topos type="public square" framename="assembly"> «Ταῦτα μὲν οὖν ἔμαθον ὕστερον· τότε δὲ καταχθεὶς ἐν τῷ χωρίῳ, μόνον τὴν εἰκόνα Καλλιρόης θεασάμενος ἐν ἱερῷ ἐγὼ μὲν εἶχον ἀγαθὰς ἐλπίδας, νύκτωρ δὲ Φρύγες λῃσταὶ καταδραμόντες ἐπὶ θάλασσαν ἐνέπρησαν μὲν τὴν τριήρη, τοὺς δὲ πλείστους κατέσφαξαν, ἐμὲ δὲ καὶ Πολύχαρμον δήσαντες ἐπώλησαν εἰς Καρίαν». θρῆνον ἐξέρρηξεν ἐπὶ τούτοις τὸ πλῆθος, εἶπε δὲ Χαιρέας «ἐπιτρέψατέ μοι τὰ ἑξῆς σιωπᾶν, σκυθρωπότερα γάρ ἐστι τῶν πρώτων». ὁ δὲ δῆμος ἐξεβόησε «λέγε πάντα». καὶ ὃς ἔλεγεν «ὁ πριάμενος ἡμᾶς, δοῦλος Μιθριδάτου, στρατηγοῦ Καρίας, ἐκέλευσε σκάπτειν ὄντας πεπεδημένους. ἐπεὶ δὲ τὸν δεσμοφύλακα τῶν δεσμωτῶν ἀπέκτεινάν τινες, ἀνασταυρωθῆναι πάντας ἡμᾶς Μιθριδάτης ἐκέλευσε. κἀγὼ μὲν ἀπηγόμην· μέλλων δὲ βασανίζεσθαι Πολύχαρμος εἶπέ μου τοὔνομα καὶ Μιθριδάτης ἐγνώρισε· Διονυσίου γὰρ ξένος γενόμενος ἐν Μιλήτῳ Χαιρέου θαπτομένου παρῆν· πυθομένη γὰρ Καλλιρόη τὰ περὶ τὴν τριήρη καὶ τοὺς λῃστάς, κἀμὲ δόξασα τεθνάναι, τάφον ἔχωσέ μοι πολυτελῆ.</topos>

μὴ φοβηθῆτε· οὐκ ἐδούλευσεν· εὐθὺς γὰρ τὴν ἀργυρώνητον αὑτοῦ δέσποιναν ἀπέδειξε, καὶ ἐρῶν αὐτῆς βιάσασθαι οὐκ ἐτόλμησε τὴν εὐγενῆ, πέμψαι δὲ πάλιν εἰς Συρακούσας οὐχ ὑπέμεινεν ἧς ἤρα. ἐπεὶ δὲ ᾔσθετο Καλλιρόη κύουσαν ἑαυτὴν ἐξ ἐμοῦ, σῶσαι τὸν πολίτην ὑμῖν θέλουσα, ἀνάγκην ἔσχε Διονυσίῳ γαμηθῆναι, σοφιζομένη τοῦ τέκνου τὴν γονήν, ἵνα ἐκ Διονυσίου δόξῃ γεγεννηκέναι, καὶ τραφῇ τὸ παιδίον ἐπαξίως. τρέφεται γὰρ ὑμῖν, ἄνδρες Συρακόσιοι, πολίτης ἐν Μιλήτῳ πλούσιος ὑπ' ἀνδρὸς ἐνδόξου· καὶ γὰρ ἐκείνου τὸ γένος ἔνδοξον καὶ Ἑλληνικόν. μὴ φθονήσωμεν αὐτῷ μεγάλης κληρονομίας. 8 8 «Ταῦτα μὲν οὖν ἔμαθον ὕστερον· τότε δὲ καταχθεὶς ἐν τῷ χωρίῳ, μόνον τὴν εἰκόνα Καλλιρόης θεασάμενος ἐν ἱερῷ ἐγὼ μὲν εἶχον ἀγαθὰς ἐλπίδας, νύκτωρ δὲ Φρύγες λῃσταὶ καταδραμόντες ἐπὶ θάλασσαν ἐνέπρησαν μὲν τὴν τριήρη, τοὺς δὲ πλείστους κατέσφαξαν, ἐμὲ δὲ καὶ Πολύχαρμον δήσαντες ἐπώλησαν εἰς Καρίαν». θρῆνον ἐξέρρηξεν ἐπὶ τούτοις τὸ πλῆθος, εἶπε δὲ Χαιρέας «ἐπιτρέψατέ μοι τὰ ἑξῆς σιωπᾶν, σκυθρωπότερα γάρ ἐστι τῶν πρώτων». ὁ δὲ δῆμος ἐξεβόησε «λέγε πάντα». καὶ ὃς ἔλεγεν «ὁ πριάμενος ἡμᾶς, δοῦλος Μιθριδάτου, στρατηγοῦ Καρίας, ἐκέλευσε σκάπτειν ὄντας πεπεδημένους. ἐπεὶ δὲ τὸν δεσμοφύλακα τῶν δεσμωτῶν ἀπέκτεινάν τινες, ἀνασταυρωθῆναι πάντας ἡμᾶς Μιθριδάτης ἐκέλευσε. κἀγὼ μὲν ἀπηγόμην· μέλλων δὲ βασανίζεσθαι Πολύχαρμος εἶπέ μου τοὔνομα καὶ Μιθριδάτης ἐγνώρισε· Διονυσίου γὰρ ξένος γενόμενος ἐν Μιλήτῳ Χαιρέου θαπτομένου παρῆν· πυθομένη γὰρ Καλλιρόη τὰ περὶ τὴν τριήρη καὶ τοὺς λῃστάς, κἀμὲ δόξασα τεθνάναι, τάφον ἔχωσέ μοι πολυτελῆ.

Annotate according to the Chronotopic Cartography scheme. <topos> can be: Encounter (An unexpected happening, sudden shift, any meeting. Can occur anywhere, but frequently on the road); Road (Paths, travel, journey, options, coming and going, wandering); Castle (Confinement, imprisonment, stasis, discomfort, dark, visible traces of the past); Idyll (Familiarity, comfort, happiness, pleasure, peace, respite, self-contained, unified, stable, homely, known); Idyllic Wilderness (The wild, openness, freedom, untouched, the earth, the natural world, unity); Anti-Idyll Dystopias, post-apocalyptic settings, mechanical, the idyll destroyed, invaded, or made alien. Can be exterior or interior); Threshold (The hall, the corridor, the staircase, the street, docks, stations, liminal spaces, emotionally charged, intense, sublime, excess, a place of contrasts); Parlour (Interior, room, defined, bounded, hosting guests, where the public and private merge, where dialogues happen, a site of political and commercial intrigue); Provincial Town (Community, locality, rustic, petty-bourgeois, specific locales, quaint little houses and rooms of the town, sleepy streets); Public Square (Dynamic, crowd, forum, metropolitan, the internal externalized [the private/intimate becomes public], theatrical [place of the clown, the rogue, the fool]; Distortion (Elsewhere, miraculous, bewitched, dreams, hallucinations); Metanarrative (For sections of text without a concrete sense of space, which could be internal [e.g. commentary, direct address to the reader] or external [e.g. glosses, framing statements, contained texts; authorial/editorial notes, etc.]). <connection> can be Direct; Indirect; Projection; Interrupt; Jump; Metatextual; Paratextual; Intratextual.

τρέφεται γὰρ ὑμῖν, ἄνδρες Συρακόσιοι, πολίτης ἐν Μιλήτῳ πλούσιος ὑπ' ἀνδρὸς ἐνδόξου· καὶ γὰρ ἐκείνου τὸ γένος ἔνδοξον καὶ Ἑλληνικόν. μὴ φθονήσωμεν αὐτῷ μεγάλης κληρονομίας. 8 8 <topos type="public square" framename="assembly"> «Ταῦτα μὲν οὖν ἔμαθον ὕστερον· τότε δὲ καταχθεὶς ἐν τῷ χωρίῳ, μόνον τὴν εἰκόνα Καλλιρόης θεασάμενος ἐν ἱερῷ ἐγὼ μὲν εἶχον ἀγαθὰς ἐλπίδας, νύκτωρ δὲ Φρύγες λῃσταὶ καταδραμόντες ἐπὶ θάλασσαν ἐνέπρησαν μὲν τὴν τριήρη, τοὺς δὲ πλείστους κατέσφαξαν, ἐμὲ δὲ καὶ Πολύχαρμον δήσαντες ἐπώλησαν εἰς Καρίαν». θρῆνον ἐξέρρηξεν ἐπὶ τούτοις τὸ πλῆθος, εἶπε δὲ Χαιρέας «ἐπιτρέψατέ μοι τὰ ἑξῆς σιωπᾶν, σκυθρωπότερα γάρ ἐστι τῶν πρώτων».</topos>

τρέφεται γὰρ ὑμῖν, ἄνδρες Συρακόσιοι, πολίτης ἐν Μιλήτῳ πλούσιος ὑπ' ἀνδρὸς ἐνδόξου· καὶ γὰρ ἐκείνου τὸ γένος ἔνδοξον καὶ Ἑλληνικόν. μὴ φθονήσωμεν αὐτῷ μεγάλης κληρονομίας. 8 8 «Ταῦτα μὲν οὖν ἔμαθον ὕστερον· τότε δὲ καταχθεὶς ἐν τῷ χωρίῳ, μόνον τὴν εἰκόνα Καλλιρόης θεασάμενος ἐν ἱερῷ ἐγὼ μὲν εἶχον ἀγαθὰς ἐλπίδας, νύκτωρ δὲ Φρύγες λῃσταὶ καταδραμόντες ἐπὶ θάλασσαν ἐνέπρησαν μὲν τὴν τριήρη, τοὺς δὲ πλείστους κατέσφαξαν, ἐμὲ δὲ καὶ Πολύχαρμον δήσαντες ἐπώλησαν εἰς Καρίαν». θρῆνον ἐξέρρηξεν ἐπὶ τούτοις τὸ πλῆθος, εἶπε δὲ Χαιρέας «ἐπιτρέψατέ μοι τὰ ἑξῆς σιωπᾶν, σκυθρωπότερα γάρ ἐστι τῶν πρώτων».

Annotate according to the Chronotopic Cartography scheme. <topos> can be: Encounter (An unexpected happening, sudden shift, any meeting. Can occur anywhere, but frequently on the road); Road (Paths, travel, journey, options, coming and going, wandering); Castle (Confinement, imprisonment, stasis, discomfort, dark, visible traces of the past); Idyll (Familiarity, comfort, happiness, pleasure, peace, respite, self-contained, unified, stable, homely, known); Idyllic Wilderness (The wild, openness, freedom, untouched, the earth, the natural world, unity); Anti-Idyll Dystopias, post-apocalyptic settings, mechanical, the idyll destroyed, invaded, or made alien. Can be exterior or interior); Threshold (The hall, the corridor, the staircase, the street, docks, stations, liminal spaces, emotionally charged, intense, sublime, excess, a place of contrasts); Parlour (Interior, room, defined, bounded, hosting guests, where the public and private merge, where dialogues happen, a site of political and commercial intrigue); Provincial Town (Community, locality, rustic, petty-bourgeois, specific locales, quaint little houses and rooms of the town, sleepy streets); Public Square (Dynamic, crowd, forum, metropolitan, the internal externalized [the private/intimate becomes public], theatrical [place of the clown, the rogue, the fool]; Distortion (Elsewhere, miraculous, bewitched, dreams, hallucinations); Metanarrative (For sections of text without a concrete sense of space, which could be internal [e.g. commentary, direct address to the reader] or external [e.g. glosses, framing statements, contained texts; authorial/editorial notes, etc.]). <connection> can be Direct; Indirect; Projection; Interrupt; Jump; Metatextual; Paratextual; Intratextual.

8 8 <topos type="public square" framename="assembly"> «Ταῦτα μὲν οὖν ἔμαθον ὕστερον· τότε δὲ καταχθεὶς ἐν τῷ χωρίῳ, μόνον τὴν εἰκόνα Καλλιρόης θεασάμενος ἐν ἱερῷ ἐγὼ μὲν εἶχον ἀγαθὰς ἐλπίδας, νύκτωρ δὲ Φρύγες λῃσταὶ καταδραμόντες ἐπὶ θάλασσαν ἐνέπρησαν μὲν τὴν τριήρη, τοὺς δὲ πλείστους κατέσφαξαν, ἐμὲ δὲ καὶ Πολύχαρμον δήσαντες ἐπώλησαν εἰς Καρίαν». θρῆνον ἐξέρρηξεν ἐπὶ τούτοις τὸ πλῆθος, εἶπε δὲ Χαιρέας «ἐπιτρέψατέ μοι τὰ ἑξῆς σιωπᾶν, σκυθρωπότερα γάρ ἐστι τῶν πρώτων».</topos>

8 8 «Ταῦτα μὲν οὖν ἔμαθον ὕστερον· τότε δὲ καταχθεὶς ἐν τῷ χωρίῳ, μόνον τὴν εἰκόνα Καλλιρόης θεασάμενος ἐν ἱερῷ ἐγὼ μὲν εἶχον ἀγαθὰς ἐλπίδας, νύκτωρ δὲ Φρύγες λῃσταὶ καταδραμόντες ἐπὶ θάλασσαν ἐνέπρησαν μὲν τὴν τριήρη, τοὺς δὲ πλείστους κατέσφαξαν, ἐμὲ δὲ καὶ Πολύχαρμον δήσαντες ἐπώλησαν εἰς Καρίαν». θρῆνον ἐξέρρηξεν ἐπὶ τούτοις τὸ πλῆθος, εἶπε δὲ Χαιρέας «ἐπιτρέψατέ μοι τὰ ἑξῆς σιωπᾶν, σκυθρωπότερα γάρ ἐστι τῶν πρώτων».

Annotate according to the Chronotopic Cartography scheme. <topos> can be: Encounter (An unexpected happening, sudden shift, any meeting. Can occur anywhere, but frequently on the road); Road (Paths, travel, journey, options, coming and going, wandering); Castle (Confinement, imprisonment, stasis, discomfort, dark, visible traces of the past); Idyll (Familiarity, comfort, happiness, pleasure, peace, respite, self-contained, unified, stable, homely, known); Idyllic Wilderness (The wild, openness, freedom, untouched, the earth, the natural world, unity); Anti-Idyll Dystopias, post-apocalyptic settings, mechanical, the idyll destroyed, invaded, or made alien. Can be exterior or interior); Threshold (The hall, the corridor, the staircase, the street, docks, stations, liminal spaces, emotionally charged, intense, sublime, excess, a place of contrasts); Parlour (Interior, room, defined, bounded, hosting guests, where the public and private merge, where dialogues happen, a site of political and commercial intrigue); Provincial Town (Community, locality, rustic, petty-bourgeois, specific locales, quaint little houses and rooms of the town, sleepy streets); Public Square (Dynamic, crowd, forum, metropolitan, the internal externalized [the private/intimate becomes public], theatrical [place of the clown, the rogue, the fool]; Distortion (Elsewhere, miraculous, bewitched, dreams, hallucinations); Metanarrative (For sections of text without a concrete sense of space, which could be internal [e.g. commentary, direct address to the reader] or external [e.g. glosses, framing statements, contained texts; authorial/editorial notes, etc.]). <connection> can be Direct; Indirect; Projection; Interrupt; Jump; Metatextual; Paratextual; Intratextual.

ὁ δὲ δῆμος ἐξεβόησε «λέγε πάντα». καὶ ὃς ἔλεγεν «ὁ πριάμενος ἡμᾶς, δοῦλος Μιθριδάτου, στρατηγοῦ Καρίας, ἐκέλευσε σκάπτειν ὄντας πεπεδημένους. ἐπεὶ δὲ τὸν δεσμοφύλακα τῶν δεσμωτῶν ἀπέκτεινάν τινες, ἀνασταυρωθῆναι πάντας ἡμᾶς Μιθριδάτης ἐκέλευσε. κἀγὼ μὲν ἀπηγόμην· μέλλων δὲ βασανίζεσθαι Πολύχαρμος εἶπέ μου τοὔνομα καὶ Μιθριδάτης ἐγνώρισε· Διονυσίου γὰρ ξένος γενόμενος ἐν Μιλήτῳ Χαιρέου θαπτομένου παρῆν· πυθομένη γὰρ Καλλιρόη τὰ περὶ τὴν τριήρη καὶ τοὺς λῃστάς, κἀμὲ δόξασα τεθνάναι, τάφον ἔχωσέ μοι πολυτελῆ. ταχέως οὖν ὁ Μιθριδάτης ἐκέλευσε καθαιρεθῆναί με τοῦ σταυροῦ σχεδὸν ἤδη πέρας ἔχοντα, καὶ ἔσχεν ἐν τοῖς φιλτάτοις· ἀποδοῦναι δέ μοι Καλλιρόην ἔσπευδε καὶ ἐποίησέ με γράψαι πρὸς αὐτήν.

ὁ δὲ δῆμος ἐξεβόησε «λέγε πάντα». καὶ ὃς ἔλεγεν «ὁ πριάμενος ἡμᾶς, δοῦλος Μιθριδάτου, στρατηγοῦ Καρίας, ἐκέλευσε σκάπτειν ὄντας πεπεδημένους. ἐπεὶ δὲ τὸν δεσμοφύλακα τῶν δεσμωτῶν ἀπέκτεινάν τινες, ἀνασταυρωθῆναι πάντας ἡμᾶς Μιθριδάτης ἐκέλευσε. κἀγὼ μὲν ἀπηγόμην· μέλλων δὲ βασανίζεσθαι Πολύχαρμος εἶπέ μου τοὔνομα καὶ Μιθριδάτης ἐγνώρισε· Διονυσίου γὰρ ξένος γενόμενος ἐν Μιλήτῳ Χαιρέου θαπτομένου παρῆν· πυθομένη γὰρ Καλλιρόη τὰ περὶ τὴν τριήρη καὶ τοὺς λῃστάς, κἀμὲ δόξασα τεθνάναι, τάφον ἔχωσέ μοι πολυτελῆ. ταχέως οὖν ὁ Μιθριδάτης ἐκέλευσε καθαιρεθῆναί με τοῦ σταυροῦ σχεδὸν ἤδη πέρας ἔχοντα, καὶ ἔσχεν ἐν τοῖς φιλτάτοις· ἀποδοῦναι δέ μοι Καλλιρόην ἔσπευδε καὶ ἐποίησέ με γράψαι πρὸς αὐτήν.

Annotate according to the Chronotopic Cartography scheme. <topos> can be: Encounter (An unexpected happening, sudden shift, any meeting. Can occur anywhere, but frequently on the road); Road (Paths, travel, journey, options, coming and going, wandering); Castle (Confinement, imprisonment, stasis, discomfort, dark, visible traces of the past); Idyll (Familiarity, comfort, happiness, pleasure, peace, respite, self-contained, unified, stable, homely, known); Idyllic Wilderness (The wild, openness, freedom, untouched, the earth, the natural world, unity); Anti-Idyll Dystopias, post-apocalyptic settings, mechanical, the idyll destroyed, invaded, or made alien. Can be exterior or interior); Threshold (The hall, the corridor, the staircase, the street, docks, stations, liminal spaces, emotionally charged, intense, sublime, excess, a place of contrasts); Parlour (Interior, room, defined, bounded, hosting guests, where the public and private merge, where dialogues happen, a site of political and commercial intrigue); Provincial Town (Community, locality, rustic, petty-bourgeois, specific locales, quaint little houses and rooms of the town, sleepy streets); Public Square (Dynamic, crowd, forum, metropolitan, the internal externalized [the private/intimate becomes public], theatrical [place of the clown, the rogue, the fool]; Distortion (Elsewhere, miraculous, bewitched, dreams, hallucinations); Metanarrative (For sections of text without a concrete sense of space, which could be internal [e.g. commentary, direct address to the reader] or external [e.g. glosses, framing statements, contained texts; authorial/editorial notes, etc.]). <connection> can be Direct; Indirect; Projection; Interrupt; Jump; Metatextual; Paratextual; Intratextual.

ἐπεὶ δὲ τὸν δεσμοφύλακα τῶν δεσμωτῶν ἀπέκτεινάν τινες, ἀνασταυρωθῆναι πάντας ἡμᾶς Μιθριδάτης ἐκέλευσε. κἀγὼ μὲν ἀπηγόμην· μέλλων δὲ βασανίζεσθαι Πολύχαρμος εἶπέ μου τοὔνομα καὶ Μιθριδάτης ἐγνώρισε· Διονυσίου γὰρ ξένος γενόμενος ἐν Μιλήτῳ Χαιρέου θαπτομένου παρῆν· πυθομένη γὰρ Καλλιρόη τὰ περὶ τὴν τριήρη καὶ τοὺς λῃστάς, κἀμὲ δόξασα τεθνάναι, τάφον ἔχωσέ μοι πολυτελῆ. ταχέως οὖν ὁ Μιθριδάτης ἐκέλευσε καθαιρεθῆναί με τοῦ σταυροῦ σχεδὸν ἤδη πέρας ἔχοντα, καὶ ἔσχεν ἐν τοῖς φιλτάτοις· ἀποδοῦναι δέ μοι Καλλιρόην ἔσπευδε καὶ ἐποίησέ με γράψαι πρὸς αὐτήν. ἀμελείᾳ δὲ τοῦ διακονουμένου τὴν ἐπιστολὴν ἔλαβεν αὐτὸς Διονύσιος. ἐμὲ δὲ ζῆν οὐκ ἐπίστευεν, ἐπίστευσε δὲ Μιθριδάτην ἐπιβουλεύειν αὐτοῦ τῇ γυναικί, καὶ εὐθὺς αὐτῷ μοιχείαν ἐγκαλῶν ἐπέστειλε βασιλεῖ· βασιλεὺς δὲ ἀνεδέξατο τὴν δίκην καὶ πάντας ἐκάλεσε πρὸς αὑτόν. οὕτως ἀνέβημεν εἰς Βαβυλῶνα. καὶ Καλλιρόην μὲν Διονύσιος ἄγων περίβλεπτον ἐποίησε καὶ κατὰ τὴν Ἀσίαν ὅλην θαυμαζομένην, ἐμὲ δὲ Μιθριδάτης ἐπηγάγετο· γενόμενοι δὲ ἐκεῖ μεγάλην ἐπὶ βασιλέως δίκην εἴπομεν.

ἐπεὶ δὲ τὸν δεσμοφύλακα τῶν δεσμωτῶν ἀπέκτεινάν τινες, ἀνασταυρωθῆναι πάντας ἡμᾶς Μιθριδάτης ἐκέλευσε. κἀγὼ μὲν ἀπηγόμην· μέλλων δὲ βασανίζεσθαι Πολύχαρμος εἶπέ μου τοὔνομα καὶ Μιθριδάτης ἐγνώρισε· Διονυσίου γὰρ ξένος γενόμενος ἐν Μιλήτῳ Χαιρέου θαπτομένου παρῆν· πυθομένη γὰρ Καλλιρόη τὰ περὶ τὴν τριήρη καὶ τοὺς λῃστάς, κἀμὲ δόξασα τεθνάναι, τάφον ἔχωσέ μοι πολυτελῆ. ταχέως οὖν ὁ Μιθριδάτης ἐκέλευσε καθαιρεθῆναί με τοῦ σταυροῦ σχεδὸν ἤδη πέρας ἔχοντα, καὶ ἔσχεν ἐν τοῖς φιλτάτοις· ἀποδοῦναι δέ μοι Καλλιρόην ἔσπευδε καὶ ἐποίησέ με γράψαι πρὸς αὐτήν. ἀμελείᾳ δὲ τοῦ διακονουμένου τὴν ἐπιστολὴν ἔλαβεν αὐτὸς Διονύσιος. ἐμὲ δὲ ζῆν οὐκ ἐπίστευεν, ἐπίστευσε δὲ Μιθριδάτην ἐπιβουλεύειν αὐτοῦ τῇ γυναικί, καὶ εὐθὺς αὐτῷ μοιχείαν ἐγκαλῶν ἐπέστειλε βασιλεῖ· βασιλεὺς δὲ ἀνεδέξατο τὴν δίκην καὶ πάντας ἐκάλεσε πρὸς αὑτόν. οὕτως ἀνέβημεν εἰς Βαβυλῶνα. καὶ Καλλιρόην μὲν Διονύσιος ἄγων περίβλεπτον ἐποίησε καὶ κατὰ τὴν Ἀσίαν ὅλην θαυμαζομένην, ἐμὲ δὲ Μιθριδάτης ἐπηγάγετο· γενόμενοι δὲ ἐκεῖ μεγάλην ἐπὶ βασιλέως δίκην εἴπομεν.

Annotate according to the Chronotopic Cartography scheme. <topos> can be: Encounter (An unexpected happening, sudden shift, any meeting. Can occur anywhere, but frequently on the road); Road (Paths, travel, journey, options, coming and going, wandering); Castle (Confinement, imprisonment, stasis, discomfort, dark, visible traces of the past); Idyll (Familiarity, comfort, happiness, pleasure, peace, respite, self-contained, unified, stable, homely, known); Idyllic Wilderness (The wild, openness, freedom, untouched, the earth, the natural world, unity); Anti-Idyll Dystopias, post-apocalyptic settings, mechanical, the idyll destroyed, invaded, or made alien. Can be exterior or interior); Threshold (The hall, the corridor, the staircase, the street, docks, stations, liminal spaces, emotionally charged, intense, sublime, excess, a place of contrasts); Parlour (Interior, room, defined, bounded, hosting guests, where the public and private merge, where dialogues happen, a site of political and commercial intrigue); Provincial Town (Community, locality, rustic, petty-bourgeois, specific locales, quaint little houses and rooms of the town, sleepy streets); Public Square (Dynamic, crowd, forum, metropolitan, the internal externalized [the private/intimate becomes public], theatrical [place of the clown, the rogue, the fool]; Distortion (Elsewhere, miraculous, bewitched, dreams, hallucinations); Metanarrative (For sections of text without a concrete sense of space, which could be internal [e.g. commentary, direct address to the reader] or external [e.g. glosses, framing statements, contained texts; authorial/editorial notes, etc.]). <connection> can be Direct; Indirect; Projection; Interrupt; Jump; Metatextual; Paratextual; Intratextual.

ταχέως οὖν ὁ Μιθριδάτης ἐκέλευσε καθαιρεθῆναί με τοῦ σταυροῦ σχεδὸν ἤδη πέρας ἔχοντα, καὶ ἔσχεν ἐν τοῖς φιλτάτοις· ἀποδοῦναι δέ μοι Καλλιρόην ἔσπευδε καὶ ἐποίησέ με γράψαι πρὸς αὐτήν. ἀμελείᾳ δὲ τοῦ διακονουμένου τὴν ἐπιστολὴν ἔλαβεν αὐτὸς Διονύσιος. ἐμὲ δὲ ζῆν οὐκ ἐπίστευεν, ἐπίστευσε δὲ Μιθριδάτην ἐπιβουλεύειν αὐτοῦ τῇ γυναικί, καὶ εὐθὺς αὐτῷ μοιχείαν ἐγκαλῶν ἐπέστειλε βασιλεῖ· βασιλεὺς δὲ ἀνεδέξατο τὴν δίκην καὶ πάντας ἐκάλεσε πρὸς αὑτόν. οὕτως ἀνέβημεν εἰς Βαβυλῶνα. καὶ Καλλιρόην μὲν Διονύσιος ἄγων περίβλεπτον ἐποίησε καὶ κατὰ τὴν Ἀσίαν ὅλην θαυμαζομένην, ἐμὲ δὲ Μιθριδάτης ἐπηγάγετο· γενόμενοι δὲ ἐκεῖ μεγάλην ἐπὶ βασιλέως δίκην εἴπομεν. Μιθριδάτην μὲν οὖν εὐθὺς ἀπέλυσεν, ἐμοὶ δὲ καὶ Διονυσίῳ διαδικασίαν περὶ τῆς γυναικὸς ἐπήγγειλε, Καλλιρόην παραθέμενος ἐν τῷ μεταξὺ Στατείρᾳ τῇ βασιλίδι. ποσάκις, ἄνδρες Συρακόσιοι, δοκεῖτε θάνατον ἐβουλευσάμην ἀπεζευγμένος τῆς γυναικός, εἰ μή με Πολύχαρμος ἔσωσεν, ὁ μόνος ἐν πᾶσι φίλος πιστός; καὶ γὰρ βασιλεὺς ἠμελήκει τῆς δίκης, ἔρωτι Καλλιρόης φλεγόμενος. ἀλλ' οὔτε ἔπεισεν οὔτε ὕβρισεν· εὐκαίρως δὲ Αἴγυπτος ἀποστᾶσα βαρὺν ἐκίνησε πόλεμον, ἐμοὶ δὲ μεγάλων ἀγαθῶν αἴτιον. Καλλιρόην μὲν γὰρ ἡ βασιλὶς ἐπήγετο, ψευδῆ δὲ ἀκούσας ἀγγελίαν ἐγὼ φήσαντός τινος ὅτι Διονυσίῳ παρεδόθη, θέλων ἀμύνασθαι βασιλέα, πρὸς τὸν Αἰγύπτιον αὐτομολήσας ἔργα μεγάλα διεπραξάμην.

ταχέως οὖν ὁ Μιθριδάτης ἐκέλευσε καθαιρεθῆναί με τοῦ σταυροῦ σχεδὸν ἤδη πέρας ἔχοντα, καὶ ἔσχεν ἐν τοῖς φιλτάτοις· ἀποδοῦναι δέ μοι Καλλιρόην ἔσπευδε καὶ ἐποίησέ με γράψαι πρὸς αὐτήν. ἀμελείᾳ δὲ τοῦ διακονουμένου τὴν ἐπιστολὴν ἔλαβεν αὐτὸς Διονύσιος. ἐμὲ δὲ ζῆν οὐκ ἐπίστευεν, ἐπίστευσε δὲ Μιθριδάτην ἐπιβουλεύειν αὐτοῦ τῇ γυναικί, καὶ εὐθὺς αὐτῷ μοιχείαν ἐγκαλῶν ἐπέστειλε βασιλεῖ· βασιλεὺς δὲ ἀνεδέξατο τὴν δίκην καὶ πάντας ἐκάλεσε πρὸς αὑτόν. οὕτως ἀνέβημεν εἰς Βαβυλῶνα. καὶ Καλλιρόην μὲν Διονύσιος ἄγων περίβλεπτον ἐποίησε καὶ κατὰ τὴν Ἀσίαν ὅλην θαυμαζομένην, ἐμὲ δὲ Μιθριδάτης ἐπηγάγετο· γενόμενοι δὲ ἐκεῖ μεγάλην ἐπὶ βασιλέως δίκην εἴπομεν. Μιθριδάτην μὲν οὖν εὐθὺς ἀπέλυσεν, ἐμοὶ δὲ καὶ Διονυσίῳ διαδικασίαν περὶ τῆς γυναικὸς ἐπήγγειλε, Καλλιρόην παραθέμενος ἐν τῷ μεταξὺ Στατείρᾳ τῇ βασιλίδι. ποσάκις, ἄνδρες Συρακόσιοι, δοκεῖτε θάνατον ἐβουλευσάμην ἀπεζευγμένος τῆς γυναικός, εἰ μή με Πολύχαρμος ἔσωσεν, ὁ μόνος ἐν πᾶσι φίλος πιστός; καὶ γὰρ βασιλεὺς ἠμελήκει τῆς δίκης, ἔρωτι Καλλιρόης φλεγόμενος. ἀλλ' οὔτε ἔπεισεν οὔτε ὕβρισεν· εὐκαίρως δὲ Αἴγυπτος ἀποστᾶσα βαρὺν ἐκίνησε πόλεμον, ἐμοὶ δὲ μεγάλων ἀγαθῶν αἴτιον. Καλλιρόην μὲν γὰρ ἡ βασιλὶς ἐπήγετο, ψευδῆ δὲ ἀκούσας ἀγγελίαν ἐγὼ φήσαντός τινος ὅτι Διονυσίῳ παρεδόθη, θέλων ἀμύνασθαι βασιλέα, πρὸς τὸν Αἰγύπτιον αὐτομολήσας ἔργα μεγάλα διεπραξάμην.

Annotate according to the Chronotopic Cartography scheme. <topos> can be: Encounter (An unexpected happening, sudden shift, any meeting. Can occur anywhere, but frequently on the road); Road (Paths, travel, journey, options, coming and going, wandering); Castle (Confinement, imprisonment, stasis, discomfort, dark, visible traces of the past); Idyll (Familiarity, comfort, happiness, pleasure, peace, respite, self-contained, unified, stable, homely, known); Idyllic Wilderness (The wild, openness, freedom, untouched, the earth, the natural world, unity); Anti-Idyll Dystopias, post-apocalyptic settings, mechanical, the idyll destroyed, invaded, or made alien. Can be exterior or interior); Threshold (The hall, the corridor, the staircase, the street, docks, stations, liminal spaces, emotionally charged, intense, sublime, excess, a place of contrasts); Parlour (Interior, room, defined, bounded, hosting guests, where the public and private merge, where dialogues happen, a site of political and commercial intrigue); Provincial Town (Community, locality, rustic, petty-bourgeois, specific locales, quaint little houses and rooms of the town, sleepy streets); Public Square (Dynamic, crowd, forum, metropolitan, the internal externalized [the private/intimate becomes public], theatrical [place of the clown, the rogue, the fool]; Distortion (Elsewhere, miraculous, bewitched, dreams, hallucinations); Metanarrative (For sections of text without a concrete sense of space, which could be internal [e.g. commentary, direct address to the reader] or external [e.g. glosses, framing statements, contained texts; authorial/editorial notes, etc.]). <connection> can be Direct; Indirect; Projection; Interrupt; Jump; Metatextual; Paratextual; Intratextual.

ἐμὲ δὲ ζῆν οὐκ ἐπίστευεν, ἐπίστευσε δὲ Μιθριδάτην ἐπιβουλεύειν αὐτοῦ τῇ γυναικί, καὶ εὐθὺς αὐτῷ μοιχείαν ἐγκαλῶν ἐπέστειλε βασιλεῖ· βασιλεὺς δὲ ἀνεδέξατο τὴν δίκην καὶ πάντας ἐκάλεσε πρὸς αὑτόν. οὕτως ἀνέβημεν εἰς Βαβυλῶνα. καὶ Καλλιρόην μὲν Διονύσιος ἄγων περίβλεπτον ἐποίησε καὶ κατὰ τὴν Ἀσίαν ὅλην θαυμαζομένην, ἐμὲ δὲ Μιθριδάτης ἐπηγάγετο· γενόμενοι δὲ ἐκεῖ μεγάλην ἐπὶ βασιλέως δίκην εἴπομεν. Μιθριδάτην μὲν οὖν εὐθὺς ἀπέλυσεν, ἐμοὶ δὲ καὶ Διονυσίῳ διαδικασίαν περὶ τῆς γυναικὸς ἐπήγγειλε, Καλλιρόην παραθέμενος ἐν τῷ μεταξὺ Στατείρᾳ τῇ βασιλίδι. ποσάκις, ἄνδρες Συρακόσιοι, δοκεῖτε θάνατον ἐβουλευσάμην ἀπεζευγμένος τῆς γυναικός, εἰ μή με Πολύχαρμος ἔσωσεν, ὁ μόνος ἐν πᾶσι φίλος πιστός; καὶ γὰρ βασιλεὺς ἠμελήκει τῆς δίκης, ἔρωτι Καλλιρόης φλεγόμενος. ἀλλ' οὔτε ἔπεισεν οὔτε ὕβρισεν· εὐκαίρως δὲ Αἴγυπτος ἀποστᾶσα βαρὺν ἐκίνησε πόλεμον, ἐμοὶ δὲ μεγάλων ἀγαθῶν αἴτιον. Καλλιρόην μὲν γὰρ ἡ βασιλὶς ἐπήγετο, ψευδῆ δὲ ἀκούσας ἀγγελίαν ἐγὼ φήσαντός τινος ὅτι Διονυσίῳ παρεδόθη, θέλων ἀμύνασθαι βασιλέα, πρὸς τὸν Αἰγύπτιον αὐτομολήσας ἔργα μεγάλα διεπραξάμην. καὶ γὰρ Τύρον δυσάλωτον οὖσαν ἐχειρωσάμην αὐτὸς καὶ ναύαρχος ἀποδειχθεὶς κατεναυμάχησα τὸν μέγαν βασιλέα καὶ Ἀράδου κύριος ἐγενόμην, ἔνθα καὶ τὴν βασιλίδα καὶ τὸν πλοῦτον ὃν ἑωράκατε βασιλεὺς ἀπέθετο.

ἐμὲ δὲ ζῆν οὐκ ἐπίστευεν, ἐπίστευσε δὲ Μιθριδάτην ἐπιβουλεύειν αὐτοῦ τῇ γυναικί, καὶ εὐθὺς αὐτῷ μοιχείαν ἐγκαλῶν ἐπέστειλε βασιλεῖ· βασιλεὺς δὲ ἀνεδέξατο τὴν δίκην καὶ πάντας ἐκάλεσε πρὸς αὑτόν. οὕτως ἀνέβημεν εἰς Βαβυλῶνα. καὶ Καλλιρόην μὲν Διονύσιος ἄγων περίβλεπτον ἐποίησε καὶ κατὰ τὴν Ἀσίαν ὅλην θαυμαζομένην, ἐμὲ δὲ Μιθριδάτης ἐπηγάγετο· γενόμενοι δὲ ἐκεῖ μεγάλην ἐπὶ βασιλέως δίκην εἴπομεν. Μιθριδάτην μὲν οὖν εὐθὺς ἀπέλυσεν, ἐμοὶ δὲ καὶ Διονυσίῳ διαδικασίαν περὶ τῆς γυναικὸς ἐπήγγειλε, Καλλιρόην παραθέμενος ἐν τῷ μεταξὺ Στατείρᾳ τῇ βασιλίδι. ποσάκις, ἄνδρες Συρακόσιοι, δοκεῖτε θάνατον ἐβουλευσάμην ἀπεζευγμένος τῆς γυναικός, εἰ μή με Πολύχαρμος ἔσωσεν, ὁ μόνος ἐν πᾶσι φίλος πιστός; καὶ γὰρ βασιλεὺς ἠμελήκει τῆς δίκης, ἔρωτι Καλλιρόης φλεγόμενος. ἀλλ' οὔτε ἔπεισεν οὔτε ὕβρισεν· εὐκαίρως δὲ Αἴγυπτος ἀποστᾶσα βαρὺν ἐκίνησε πόλεμον, ἐμοὶ δὲ μεγάλων ἀγαθῶν αἴτιον. Καλλιρόην μὲν γὰρ ἡ βασιλὶς ἐπήγετο, ψευδῆ δὲ ἀκούσας ἀγγελίαν ἐγὼ φήσαντός τινος ὅτι Διονυσίῳ παρεδόθη, θέλων ἀμύνασθαι βασιλέα, πρὸς τὸν Αἰγύπτιον αὐτομολήσας ἔργα μεγάλα διεπραξάμην. καὶ γὰρ Τύρον δυσάλωτον οὖσαν ἐχειρωσάμην αὐτὸς καὶ ναύαρχος ἀποδειχθεὶς κατεναυμάχησα τὸν μέγαν βασιλέα καὶ Ἀράδου κύριος ἐγενόμην, ἔνθα καὶ τὴν βασιλίδα καὶ τὸν πλοῦτον ὃν ἑωράκατε βασιλεὺς ἀπέθετο.

Annotate according to the Chronotopic Cartography scheme. <topos> can be: Encounter (An unexpected happening, sudden shift, any meeting. Can occur anywhere, but frequently on the road); Road (Paths, travel, journey, options, coming and going, wandering); Castle (Confinement, imprisonment, stasis, discomfort, dark, visible traces of the past); Idyll (Familiarity, comfort, happiness, pleasure, peace, respite, self-contained, unified, stable, homely, known); Idyllic Wilderness (The wild, openness, freedom, untouched, the earth, the natural world, unity); Anti-Idyll Dystopias, post-apocalyptic settings, mechanical, the idyll destroyed, invaded, or made alien. Can be exterior or interior); Threshold (The hall, the corridor, the staircase, the street, docks, stations, liminal spaces, emotionally charged, intense, sublime, excess, a place of contrasts); Parlour (Interior, room, defined, bounded, hosting guests, where the public and private merge, where dialogues happen, a site of political and commercial intrigue); Provincial Town (Community, locality, rustic, petty-bourgeois, specific locales, quaint little houses and rooms of the town, sleepy streets); Public Square (Dynamic, crowd, forum, metropolitan, the internal externalized [the private/intimate becomes public], theatrical [place of the clown, the rogue, the fool]; Distortion (Elsewhere, miraculous, bewitched, dreams, hallucinations); Metanarrative (For sections of text without a concrete sense of space, which could be internal [e.g. commentary, direct address to the reader] or external [e.g. glosses, framing statements, contained texts; authorial/editorial notes, etc.]). <connection> can be Direct; Indirect; Projection; Interrupt; Jump; Metatextual; Paratextual; Intratextual.

καὶ Καλλιρόην μὲν Διονύσιος ἄγων περίβλεπτον ἐποίησε καὶ κατὰ τὴν Ἀσίαν ὅλην θαυμαζομένην, ἐμὲ δὲ Μιθριδάτης ἐπηγάγετο· γενόμενοι δὲ ἐκεῖ μεγάλην ἐπὶ βασιλέως δίκην εἴπομεν. Μιθριδάτην μὲν οὖν εὐθὺς ἀπέλυσεν, ἐμοὶ δὲ καὶ Διονυσίῳ διαδικασίαν περὶ τῆς γυναικὸς ἐπήγγειλε, Καλλιρόην παραθέμενος ἐν τῷ μεταξὺ Στατείρᾳ τῇ βασιλίδι. ποσάκις, ἄνδρες Συρακόσιοι, δοκεῖτε θάνατον ἐβουλευσάμην ἀπεζευγμένος τῆς γυναικός, εἰ μή με Πολύχαρμος ἔσωσεν, ὁ μόνος ἐν πᾶσι φίλος πιστός; καὶ γὰρ βασιλεὺς ἠμελήκει τῆς δίκης, ἔρωτι Καλλιρόης φλεγόμενος.

καὶ Καλλιρόην μὲν Διονύσιος ἄγων περίβλεπτον ἐποίησε καὶ κατὰ τὴν Ἀσίαν ὅλην θαυμαζομένην, ἐμὲ δὲ Μιθριδάτης ἐπηγάγετο· γενόμενοι δὲ ἐκεῖ μεγάλην ἐπὶ βασιλέως δίκην εἴπομεν. Μιθριδάτην μὲν οὖν εὐθὺς ἀπέλυσεν, ἐμοὶ δὲ καὶ Διονυσίῳ διαδικασίαν περὶ τῆς γυναικὸς ἐπήγγειλε, Καλλιρόην παραθέμενος ἐν τῷ μεταξὺ Στατείρᾳ τῇ βασιλίδι. ποσάκις, ἄνδρες Συρακόσιοι, δοκεῖτε θάνατον ἐβουλευσάμην ἀπεζευγμένος τῆς γυναικός, εἰ μή με Πολύχαρμος ἔσωσεν, ὁ μόνος ἐν πᾶσι φίλος πιστός; καὶ γὰρ βασιλεὺς ἠμελήκει τῆς δίκης, ἔρωτι Καλλιρόης φλεγόμενος.

Annotate according to the Chronotopic Cartography scheme. <topos> can be: Encounter (An unexpected happening, sudden shift, any meeting. Can occur anywhere, but frequently on the road); Road (Paths, travel, journey, options, coming and going, wandering); Castle (Confinement, imprisonment, stasis, discomfort, dark, visible traces of the past); Idyll (Familiarity, comfort, happiness, pleasure, peace, respite, self-contained, unified, stable, homely, known); Idyllic Wilderness (The wild, openness, freedom, untouched, the earth, the natural world, unity); Anti-Idyll Dystopias, post-apocalyptic settings, mechanical, the idyll destroyed, invaded, or made alien. Can be exterior or interior); Threshold (The hall, the corridor, the staircase, the street, docks, stations, liminal spaces, emotionally charged, intense, sublime, excess, a place of contrasts); Parlour (Interior, room, defined, bounded, hosting guests, where the public and private merge, where dialogues happen, a site of political and commercial intrigue); Provincial Town (Community, locality, rustic, petty-bourgeois, specific locales, quaint little houses and rooms of the town, sleepy streets); Public Square (Dynamic, crowd, forum, metropolitan, the internal externalized [the private/intimate becomes public], theatrical [place of the clown, the rogue, the fool]; Distortion (Elsewhere, miraculous, bewitched, dreams, hallucinations); Metanarrative (For sections of text without a concrete sense of space, which could be internal [e.g. commentary, direct address to the reader] or external [e.g. glosses, framing statements, contained texts; authorial/editorial notes, etc.]). <connection> can be Direct; Indirect; Projection; Interrupt; Jump; Metatextual; Paratextual; Intratextual.

ποσάκις, ἄνδρες Συρακόσιοι, δοκεῖτε θάνατον ἐβουλευσάμην ἀπεζευγμένος τῆς γυναικός, εἰ μή με Πολύχαρμος ἔσωσεν, ὁ μόνος ἐν πᾶσι φίλος πιστός; καὶ γὰρ βασιλεὺς ἠμελήκει τῆς δίκης, ἔρωτι Καλλιρόης φλεγόμενος. ἀλλ' οὔτε ἔπεισεν οὔτε ὕβρισεν· εὐκαίρως δὲ Αἴγυπτος ἀποστᾶσα βαρὺν ἐκίνησε πόλεμον, ἐμοὶ δὲ μεγάλων ἀγαθῶν αἴτιον. Καλλιρόην μὲν γὰρ ἡ βασιλὶς ἐπήγετο, ψευδῆ δὲ ἀκούσας ἀγγελίαν ἐγὼ φήσαντός τινος ὅτι Διονυσίῳ παρεδόθη, θέλων ἀμύνασθαι βασιλέα, πρὸς τὸν Αἰγύπτιον αὐτομολήσας ἔργα μεγάλα διεπραξάμην. καὶ γὰρ Τύρον δυσάλωτον οὖσαν ἐχειρωσάμην αὐτὸς καὶ ναύαρχος ἀποδειχθεὶς κατεναυμάχησα τὸν μέγαν βασιλέα καὶ Ἀράδου κύριος ἐγενόμην, ἔνθα καὶ τὴν βασιλίδα καὶ τὸν πλοῦτον ὃν ἑωράκατε βασιλεὺς ἀπέθετο. ἐδυνάμην οὖν καὶ τὸν Αἰγύπτιον ἀποδεῖξαι πάσης τῆς Ἀσίας δεσπότην, εἰ μὴ χωρὶς ἐμοῦ μαχόμενος ἀνῃρέθη. τὸ δὲ λοιπὸν φίλον ὑμῖν ἐποίησα τὸν μέγαν βασιλέα, τὴν γυναῖκα δωρησάμενος αὐτῷ καὶ Περσῶν τοῖς ἐντιμοτάτοις μητέρας τε καὶ ἀδελφὰς καὶ γυναῖκας καὶ θυγατέρας πέμψας. αὐτὸς δὲ Ἕλληνας τοὺς ἀρίστους Αἰγυπτίων τε τοὺς θέλοντας ἤγαγον ἐνθάδε. πλεύσεται καὶ ἄλλος στόλος ἐξ Ἰωνίας ὑμέτερος· ἄξει δὲ αὐτὸν ὁ Ἑρμοκράτους ἔκγονος». Εὐχαὶ παρὰ πάντων ἐπὶ τούτοις ἐπηκολούθησαν. καταπαύσας δὲ τὴν βοὴν Χαιρέας εἶπεν «ἐγὼ καὶ Καλλιρόη χάριν ἔχομεν ἐφ' ὑμῶν Πολυχάρμῳ τῷ φίλῳ· καὶ γὰρ εὔνοιαν ἐπεδείξατο καὶ πίστιν ἀληθεστάτην πρὸς ἡμᾶς· κἂν ὑμῖν δοκῇ, δῶμεν αὐτῷ γυναῖκα τὴν ἀδελφὴν τὴν ἐμήν· προῖκα δὲ ἕξει μέρος τῶν λαφύρων».

ποσάκις, ἄνδρες Συρακόσιοι, δοκεῖτε θάνατον ἐβουλευσάμην ἀπεζευγμένος τῆς γυναικός, εἰ μή με Πολύχαρμος ἔσωσεν, ὁ μόνος ἐν πᾶσι φίλος πιστός; καὶ γὰρ βασιλεὺς ἠμελήκει τῆς δίκης, ἔρωτι Καλλιρόης φλεγόμενος. ἀλλ' οὔτε ἔπεισεν οὔτε ὕβρισεν· εὐκαίρως δὲ Αἴγυπτος ἀποστᾶσα βαρὺν ἐκίνησε πόλεμον, ἐμοὶ δὲ μεγάλων ἀγαθῶν αἴτιον. Καλλιρόην μὲν γὰρ ἡ βασιλὶς ἐπήγετο, ψευδῆ δὲ ἀκούσας ἀγγελίαν ἐγὼ φήσαντός τινος ὅτι Διονυσίῳ παρεδόθη, θέλων ἀμύνασθαι βασιλέα, πρὸς τὸν Αἰγύπτιον αὐτομολήσας ἔργα μεγάλα διεπραξάμην. καὶ γὰρ Τύρον δυσάλωτον οὖσαν ἐχειρωσάμην αὐτὸς καὶ ναύαρχος ἀποδειχθεὶς κατεναυμάχησα τὸν μέγαν βασιλέα καὶ Ἀράδου κύριος ἐγενόμην, ἔνθα καὶ τὴν βασιλίδα καὶ τὸν πλοῦτον ὃν ἑωράκατε βασιλεὺς ἀπέθετο. ἐδυνάμην οὖν καὶ τὸν Αἰγύπτιον ἀποδεῖξαι πάσης τῆς Ἀσίας δεσπότην, εἰ μὴ χωρὶς ἐμοῦ μαχόμενος ἀνῃρέθη. τὸ δὲ λοιπὸν φίλον ὑμῖν ἐποίησα τὸν μέγαν βασιλέα, τὴν γυναῖκα δωρησάμενος αὐτῷ καὶ Περσῶν τοῖς ἐντιμοτάτοις μητέρας τε καὶ ἀδελφὰς καὶ γυναῖκας καὶ θυγατέρας πέμψας. αὐτὸς δὲ Ἕλληνας τοὺς ἀρίστους Αἰγυπτίων τε τοὺς θέλοντας ἤγαγον ἐνθάδε. πλεύσεται καὶ ἄλλος στόλος ἐξ Ἰωνίας ὑμέτερος· ἄξει δὲ αὐτὸν ὁ Ἑρμοκράτους ἔκγονος». Εὐχαὶ παρὰ πάντων ἐπὶ τούτοις ἐπηκολούθησαν. καταπαύσας δὲ τὴν βοὴν Χαιρέας εἶπεν «ἐγὼ καὶ Καλλιρόη χάριν ἔχομεν ἐφ' ὑμῶν Πολυχάρμῳ τῷ φίλῳ· καὶ γὰρ εὔνοιαν ἐπεδείξατο καὶ πίστιν ἀληθεστάτην πρὸς ἡμᾶς· κἂν ὑμῖν δοκῇ, δῶμεν αὐτῷ γυναῖκα τὴν ἀδελφὴν τὴν ἐμήν· προῖκα δὲ ἕξει μέρος τῶν λαφύρων».

Annotate according to the Chronotopic Cartography scheme. <topos> can be: Encounter (An unexpected happening, sudden shift, any meeting. Can occur anywhere, but frequently on the road); Road (Paths, travel, journey, options, coming and going, wandering); Castle (Confinement, imprisonment, stasis, discomfort, dark, visible traces of the past); Idyll (Familiarity, comfort, happiness, pleasure, peace, respite, self-contained, unified, stable, homely, known); Idyllic Wilderness (The wild, openness, freedom, untouched, the earth, the natural world, unity); Anti-Idyll Dystopias, post-apocalyptic settings, mechanical, the idyll destroyed, invaded, or made alien. Can be exterior or interior); Threshold (The hall, the corridor, the staircase, the street, docks, stations, liminal spaces, emotionally charged, intense, sublime, excess, a place of contrasts); Parlour (Interior, room, defined, bounded, hosting guests, where the public and private merge, where dialogues happen, a site of political and commercial intrigue); Provincial Town (Community, locality, rustic, petty-bourgeois, specific locales, quaint little houses and rooms of the town, sleepy streets); Public Square (Dynamic, crowd, forum, metropolitan, the internal externalized [the private/intimate becomes public], theatrical [place of the clown, the rogue, the fool]; Distortion (Elsewhere, miraculous, bewitched, dreams, hallucinations); Metanarrative (For sections of text without a concrete sense of space, which could be internal [e.g. commentary, direct address to the reader] or external [e.g. glosses, framing statements, contained texts; authorial/editorial notes, etc.]). <connection> can be Direct; Indirect; Projection; Interrupt; Jump; Metatextual; Paratextual; Intratextual.

Καλλιρόην μὲν γὰρ ἡ βασιλὶς ἐπήγετο, ψευδῆ δὲ ἀκούσας ἀγγελίαν ἐγὼ φήσαντός τινος ὅτι Διονυσίῳ παρεδόθη, θέλων ἀμύνασθαι βασιλέα, πρὸς τὸν Αἰγύπτιον αὐτομολήσας ἔργα μεγάλα διεπραξάμην. καὶ γὰρ Τύρον δυσάλωτον οὖσαν ἐχειρωσάμην αὐτὸς καὶ ναύαρχος ἀποδειχθεὶς κατεναυμάχησα τὸν μέγαν βασιλέα καὶ Ἀράδου κύριος ἐγενόμην, ἔνθα καὶ τὴν βασιλίδα καὶ τὸν πλοῦτον ὃν ἑωράκατε βασιλεὺς ἀπέθετο. ἐδυνάμην οὖν καὶ τὸν Αἰγύπτιον ἀποδεῖξαι πάσης τῆς Ἀσίας δεσπότην, εἰ μὴ χωρὶς ἐμοῦ μαχόμενος ἀνῃρέθη. τὸ δὲ λοιπὸν φίλον ὑμῖν ἐποίησα τὸν μέγαν βασιλέα, τὴν γυναῖκα δωρησάμενος αὐτῷ καὶ Περσῶν τοῖς ἐντιμοτάτοις μητέρας τε καὶ ἀδελφὰς καὶ γυναῖκας καὶ θυγατέρας πέμψας. αὐτὸς δὲ Ἕλληνας τοὺς ἀρίστους Αἰγυπτίων τε τοὺς θέλοντας ἤγαγον ἐνθάδε. πλεύσεται καὶ ἄλλος στόλος ἐξ Ἰωνίας ὑμέτερος· ἄξει δὲ αὐτὸν ὁ Ἑρμοκράτους ἔκγονος». Εὐχαὶ παρὰ πάντων ἐπὶ τούτοις ἐπηκολούθησαν. καταπαύσας δὲ τὴν βοὴν Χαιρέας εἶπεν «ἐγὼ καὶ Καλλιρόη χάριν ἔχομεν ἐφ' ὑμῶν Πολυχάρμῳ τῷ φίλῳ· καὶ γὰρ εὔνοιαν ἐπεδείξατο καὶ πίστιν ἀληθεστάτην πρὸς ἡμᾶς· κἂν ὑμῖν δοκῇ, δῶμεν αὐτῷ γυναῖκα τὴν ἀδελφὴν τὴν ἐμήν· προῖκα δὲ ἕξει μέρος τῶν λαφύρων». ἐπευφήμησεν ὁ δῆμος «ἀγαθῷ ἀνδρὶ Πολυχάρμῳ, φίλῳ πιστῷ, ὁ δῆμός σοι χάριν ἐπίσταται.

Καλλιρόην μὲν γὰρ ἡ βασιλὶς ἐπήγετο, ψευδῆ δὲ ἀκούσας ἀγγελίαν ἐγὼ φήσαντός τινος ὅτι Διονυσίῳ παρεδόθη, θέλων ἀμύνασθαι βασιλέα, πρὸς τὸν Αἰγύπτιον αὐτομολήσας ἔργα μεγάλα διεπραξάμην. καὶ γὰρ Τύρον δυσάλωτον οὖσαν ἐχειρωσάμην αὐτὸς καὶ ναύαρχος ἀποδειχθεὶς κατεναυμάχησα τὸν μέγαν βασιλέα καὶ Ἀράδου κύριος ἐγενόμην, ἔνθα καὶ τὴν βασιλίδα καὶ τὸν πλοῦτον ὃν ἑωράκατε βασιλεὺς ἀπέθετο. ἐδυνάμην οὖν καὶ τὸν Αἰγύπτιον ἀποδεῖξαι πάσης τῆς Ἀσίας δεσπότην, εἰ μὴ χωρὶς ἐμοῦ μαχόμενος ἀνῃρέθη. τὸ δὲ λοιπὸν φίλον ὑμῖν ἐποίησα τὸν μέγαν βασιλέα, τὴν γυναῖκα δωρησάμενος αὐτῷ καὶ Περσῶν τοῖς ἐντιμοτάτοις μητέρας τε καὶ ἀδελφὰς καὶ γυναῖκας καὶ θυγατέρας πέμψας. αὐτὸς δὲ Ἕλληνας τοὺς ἀρίστους Αἰγυπτίων τε τοὺς θέλοντας ἤγαγον ἐνθάδε. πλεύσεται καὶ ἄλλος στόλος ἐξ Ἰωνίας ὑμέτερος· ἄξει δὲ αὐτὸν ὁ Ἑρμοκράτους ἔκγονος». Εὐχαὶ παρὰ πάντων ἐπὶ τούτοις ἐπηκολούθησαν. καταπαύσας δὲ τὴν βοὴν Χαιρέας εἶπεν «ἐγὼ καὶ Καλλιρόη χάριν ἔχομεν ἐφ' ὑμῶν Πολυχάρμῳ τῷ φίλῳ· καὶ γὰρ εὔνοιαν ἐπεδείξατο καὶ πίστιν ἀληθεστάτην πρὸς ἡμᾶς· κἂν ὑμῖν δοκῇ, δῶμεν αὐτῷ γυναῖκα τὴν ἀδελφὴν τὴν ἐμήν· προῖκα δὲ ἕξει μέρος τῶν λαφύρων». ἐπευφήμησεν ὁ δῆμος «ἀγαθῷ ἀνδρὶ Πολυχάρμῳ, φίλῳ πιστῷ, ὁ δῆμός σοι χάριν ἐπίσταται.

Annotate according to the Chronotopic Cartography scheme. <topos> can be: Encounter (An unexpected happening, sudden shift, any meeting. Can occur anywhere, but frequently on the road); Road (Paths, travel, journey, options, coming and going, wandering); Castle (Confinement, imprisonment, stasis, discomfort, dark, visible traces of the past); Idyll (Familiarity, comfort, happiness, pleasure, peace, respite, self-contained, unified, stable, homely, known); Idyllic Wilderness (The wild, openness, freedom, untouched, the earth, the natural world, unity); Anti-Idyll Dystopias, post-apocalyptic settings, mechanical, the idyll destroyed, invaded, or made alien. Can be exterior or interior); Threshold (The hall, the corridor, the staircase, the street, docks, stations, liminal spaces, emotionally charged, intense, sublime, excess, a place of contrasts); Parlour (Interior, room, defined, bounded, hosting guests, where the public and private merge, where dialogues happen, a site of political and commercial intrigue); Provincial Town (Community, locality, rustic, petty-bourgeois, specific locales, quaint little houses and rooms of the town, sleepy streets); Public Square (Dynamic, crowd, forum, metropolitan, the internal externalized [the private/intimate becomes public], theatrical [place of the clown, the rogue, the fool]; Distortion (Elsewhere, miraculous, bewitched, dreams, hallucinations); Metanarrative (For sections of text without a concrete sense of space, which could be internal [e.g. commentary, direct address to the reader] or external [e.g. glosses, framing statements, contained texts; authorial/editorial notes, etc.]). <connection> can be Direct; Indirect; Projection; Interrupt; Jump; Metatextual; Paratextual; Intratextual.

ἐδυνάμην οὖν καὶ τὸν Αἰγύπτιον ἀποδεῖξαι πάσης τῆς Ἀσίας δεσπότην, εἰ μὴ χωρὶς ἐμοῦ μαχόμενος ἀνῃρέθη. τὸ δὲ λοιπὸν φίλον ὑμῖν ἐποίησα τὸν μέγαν βασιλέα, τὴν γυναῖκα δωρησάμενος αὐτῷ καὶ Περσῶν τοῖς ἐντιμοτάτοις μητέρας τε καὶ ἀδελφὰς καὶ γυναῖκας καὶ θυγατέρας πέμψας. αὐτὸς δὲ Ἕλληνας τοὺς ἀρίστους Αἰγυπτίων τε τοὺς θέλοντας ἤγαγον ἐνθάδε. πλεύσεται καὶ ἄλλος στόλος ἐξ Ἰωνίας ὑμέτερος· ἄξει δὲ αὐτὸν ὁ Ἑρμοκράτους ἔκγονος». Εὐχαὶ παρὰ πάντων ἐπὶ τούτοις ἐπηκολούθησαν. καταπαύσας δὲ τὴν βοὴν Χαιρέας εἶπεν «ἐγὼ καὶ Καλλιρόη χάριν ἔχομεν ἐφ' ὑμῶν Πολυχάρμῳ τῷ φίλῳ· καὶ γὰρ εὔνοιαν ἐπεδείξατο καὶ πίστιν ἀληθεστάτην πρὸς ἡμᾶς· κἂν ὑμῖν δοκῇ, δῶμεν αὐτῷ γυναῖκα τὴν ἀδελφὴν τὴν ἐμήν· προῖκα δὲ ἕξει μέρος τῶν λαφύρων». ἐπευφήμησεν ὁ δῆμος «ἀγαθῷ ἀνδρὶ Πολυχάρμῳ, φίλῳ πιστῷ, ὁ δῆμός σοι χάριν ἐπίσταται. τὴν πατρίδα εὐηργέτηκας ἀξίως Ἑρμοκράτους καὶ Χαιρέου». μετὰ ταῦτα πάλιν Χαιρέας εἶπε «καὶ τούσδε τοὺς τριακοσίους, Ἕλληνας ἄνδρας, στρατὸν ἐμὸν ἀνδρεῖον, δέομαι ὑμῶν, πολίτας ποιήσατε».

ἐδυνάμην οὖν καὶ τὸν Αἰγύπτιον ἀποδεῖξαι πάσης τῆς Ἀσίας δεσπότην, εἰ μὴ χωρὶς ἐμοῦ μαχόμενος ἀνῃρέθη. τὸ δὲ λοιπὸν φίλον ὑμῖν ἐποίησα τὸν μέγαν βασιλέα, τὴν γυναῖκα δωρησάμενος αὐτῷ καὶ Περσῶν τοῖς ἐντιμοτάτοις μητέρας τε καὶ ἀδελφὰς καὶ γυναῖκας καὶ θυγατέρας πέμψας. αὐτὸς δὲ Ἕλληνας τοὺς ἀρίστους Αἰγυπτίων τε τοὺς θέλοντας ἤγαγον ἐνθάδε. πλεύσεται καὶ ἄλλος στόλος ἐξ Ἰωνίας ὑμέτερος· ἄξει δὲ αὐτὸν ὁ Ἑρμοκράτους ἔκγονος». Εὐχαὶ παρὰ πάντων ἐπὶ τούτοις ἐπηκολούθησαν. καταπαύσας δὲ τὴν βοὴν Χαιρέας εἶπεν «ἐγὼ καὶ Καλλιρόη χάριν ἔχομεν ἐφ' ὑμῶν Πολυχάρμῳ τῷ φίλῳ· καὶ γὰρ εὔνοιαν ἐπεδείξατο καὶ πίστιν ἀληθεστάτην πρὸς ἡμᾶς· κἂν ὑμῖν δοκῇ, δῶμεν αὐτῷ γυναῖκα τὴν ἀδελφὴν τὴν ἐμήν· προῖκα δὲ ἕξει μέρος τῶν λαφύρων». ἐπευφήμησεν ὁ δῆμος «ἀγαθῷ ἀνδρὶ Πολυχάρμῳ, φίλῳ πιστῷ, ὁ δῆμός σοι χάριν ἐπίσταται. τὴν πατρίδα εὐηργέτηκας ἀξίως Ἑρμοκράτους καὶ Χαιρέου». μετὰ ταῦτα πάλιν Χαιρέας εἶπε «καὶ τούσδε τοὺς τριακοσίους, Ἕλληνας ἄνδρας, στρατὸν ἐμὸν ἀνδρεῖον, δέομαι ὑμῶν, πολίτας ποιήσατε».

Annotate according to the Chronotopic Cartography scheme. <topos> can be: Encounter (An unexpected happening, sudden shift, any meeting. Can occur anywhere, but frequently on the road); Road (Paths, travel, journey, options, coming and going, wandering); Castle (Confinement, imprisonment, stasis, discomfort, dark, visible traces of the past); Idyll (Familiarity, comfort, happiness, pleasure, peace, respite, self-contained, unified, stable, homely, known); Idyllic Wilderness (The wild, openness, freedom, untouched, the earth, the natural world, unity); Anti-Idyll Dystopias, post-apocalyptic settings, mechanical, the idyll destroyed, invaded, or made alien. Can be exterior or interior); Threshold (The hall, the corridor, the staircase, the street, docks, stations, liminal spaces, emotionally charged, intense, sublime, excess, a place of contrasts); Parlour (Interior, room, defined, bounded, hosting guests, where the public and private merge, where dialogues happen, a site of political and commercial intrigue); Provincial Town (Community, locality, rustic, petty-bourgeois, specific locales, quaint little houses and rooms of the town, sleepy streets); Public Square (Dynamic, crowd, forum, metropolitan, the internal externalized [the private/intimate becomes public], theatrical [place of the clown, the rogue, the fool]; Distortion (Elsewhere, miraculous, bewitched, dreams, hallucinations); Metanarrative (For sections of text without a concrete sense of space, which could be internal [e.g. commentary, direct address to the reader] or external [e.g. glosses, framing statements, contained texts; authorial/editorial notes, etc.]). <connection> can be Direct; Indirect; Projection; Interrupt; Jump; Metatextual; Paratextual; Intratextual.

αὐτὸς δὲ Ἕλληνας τοὺς ἀρίστους Αἰγυπτίων τε τοὺς θέλοντας ἤγαγον ἐνθάδε. πλεύσεται καὶ ἄλλος στόλος ἐξ Ἰωνίας ὑμέτερος· ἄξει δὲ αὐτὸν ὁ Ἑρμοκράτους ἔκγονος». Εὐχαὶ παρὰ πάντων ἐπὶ τούτοις ἐπηκολούθησαν. καταπαύσας δὲ τὴν βοὴν Χαιρέας εἶπεν «ἐγὼ καὶ Καλλιρόη χάριν ἔχομεν ἐφ' ὑμῶν Πολυχάρμῳ τῷ φίλῳ· καὶ γὰρ εὔνοιαν ἐπεδείξατο καὶ πίστιν ἀληθεστάτην πρὸς ἡμᾶς· κἂν ὑμῖν δοκῇ, δῶμεν αὐτῷ γυναῖκα τὴν ἀδελφὴν τὴν ἐμήν· προῖκα δὲ ἕξει μέρος τῶν λαφύρων». ἐπευφήμησεν ὁ δῆμος «ἀγαθῷ ἀνδρὶ Πολυχάρμῳ, φίλῳ πιστῷ, ὁ δῆμός σοι χάριν ἐπίσταται.

αὐτὸς δὲ Ἕλληνας τοὺς ἀρίστους Αἰγυπτίων τε τοὺς θέλοντας ἤγαγον ἐνθάδε. πλεύσεται καὶ ἄλλος στόλος ἐξ Ἰωνίας ὑμέτερος· ἄξει δὲ αὐτὸν ὁ Ἑρμοκράτους ἔκγονος». Εὐχαὶ παρὰ πάντων ἐπὶ τούτοις ἐπηκολούθησαν. καταπαύσας δὲ τὴν βοὴν Χαιρέας εἶπεν «ἐγὼ καὶ Καλλιρόη χάριν ἔχομεν ἐφ' ὑμῶν Πολυχάρμῳ τῷ φίλῳ· καὶ γὰρ εὔνοιαν ἐπεδείξατο καὶ πίστιν ἀληθεστάτην πρὸς ἡμᾶς· κἂν ὑμῖν δοκῇ, δῶμεν αὐτῷ γυναῖκα τὴν ἀδελφὴν τὴν ἐμήν· προῖκα δὲ ἕξει μέρος τῶν λαφύρων». ἐπευφήμησεν ὁ δῆμος «ἀγαθῷ ἀνδρὶ Πολυχάρμῳ, φίλῳ πιστῷ, ὁ δῆμός σοι χάριν ἐπίσταται.

Annotate according to the Chronotopic Cartography scheme. <topos> can be: Encounter (An unexpected happening, sudden shift, any meeting. Can occur anywhere, but frequently on the road); Road (Paths, travel, journey, options, coming and going, wandering); Castle (Confinement, imprisonment, stasis, discomfort, dark, visible traces of the past); Idyll (Familiarity, comfort, happiness, pleasure, peace, respite, self-contained, unified, stable, homely, known); Idyllic Wilderness (The wild, openness, freedom, untouched, the earth, the natural world, unity); Anti-Idyll Dystopias, post-apocalyptic settings, mechanical, the idyll destroyed, invaded, or made alien. Can be exterior or interior); Threshold (The hall, the corridor, the staircase, the street, docks, stations, liminal spaces, emotionally charged, intense, sublime, excess, a place of contrasts); Parlour (Interior, room, defined, bounded, hosting guests, where the public and private merge, where dialogues happen, a site of political and commercial intrigue); Provincial Town (Community, locality, rustic, petty-bourgeois, specific locales, quaint little houses and rooms of the town, sleepy streets); Public Square (Dynamic, crowd, forum, metropolitan, the internal externalized [the private/intimate becomes public], theatrical [place of the clown, the rogue, the fool]; Distortion (Elsewhere, miraculous, bewitched, dreams, hallucinations); Metanarrative (For sections of text without a concrete sense of space, which could be internal [e.g. commentary, direct address to the reader] or external [e.g. glosses, framing statements, contained texts; authorial/editorial notes, etc.]). <connection> can be Direct; Indirect; Projection; Interrupt; Jump; Metatextual; Paratextual; Intratextual.

Εὐχαὶ παρὰ πάντων ἐπὶ τούτοις ἐπηκολούθησαν. καταπαύσας δὲ τὴν βοὴν Χαιρέας εἶπεν «ἐγὼ καὶ Καλλιρόη χάριν ἔχομεν ἐφ' ὑμῶν Πολυχάρμῳ τῷ φίλῳ· καὶ γὰρ εὔνοιαν ἐπεδείξατο καὶ πίστιν ἀληθεστάτην πρὸς ἡμᾶς· κἂν ὑμῖν δοκῇ, δῶμεν αὐτῷ γυναῖκα τὴν ἀδελφὴν τὴν ἐμήν· προῖκα δὲ ἕξει μέρος τῶν λαφύρων». ἐπευφήμησεν ὁ δῆμος «ἀγαθῷ ἀνδρὶ Πολυχάρμῳ, φίλῳ πιστῷ, ὁ δῆμός σοι χάριν ἐπίσταται. τὴν πατρίδα εὐηργέτηκας ἀξίως Ἑρμοκράτους καὶ Χαιρέου». μετὰ ταῦτα πάλιν Χαιρέας εἶπε «καὶ τούσδε τοὺς τριακοσίους, Ἕλληνας ἄνδρας, στρατὸν ἐμὸν ἀνδρεῖον, δέομαι ὑμῶν, πολίτας ποιήσατε». πάλιν ὁ δῆμος ἐπεβόησεν «ἄξιοι μεθ' ἡμῶν πολιτεύεσθαι· χειροτονείσθω ταῦτα».

Εὐχαὶ παρὰ πάντων ἐπὶ τούτοις ἐπηκολούθησαν. καταπαύσας δὲ τὴν βοὴν Χαιρέας εἶπεν «ἐγὼ καὶ Καλλιρόη χάριν ἔχομεν ἐφ' ὑμῶν Πολυχάρμῳ τῷ φίλῳ· καὶ γὰρ εὔνοιαν ἐπεδείξατο καὶ πίστιν ἀληθεστάτην πρὸς ἡμᾶς· κἂν ὑμῖν δοκῇ, δῶμεν αὐτῷ γυναῖκα τὴν ἀδελφὴν τὴν ἐμήν· προῖκα δὲ ἕξει μέρος τῶν λαφύρων». ἐπευφήμησεν ὁ δῆμος «ἀγαθῷ ἀνδρὶ Πολυχάρμῳ, φίλῳ πιστῷ, ὁ δῆμός σοι χάριν ἐπίσταται. τὴν πατρίδα εὐηργέτηκας ἀξίως Ἑρμοκράτους καὶ Χαιρέου». μετὰ ταῦτα πάλιν Χαιρέας εἶπε «καὶ τούσδε τοὺς τριακοσίους, Ἕλληνας ἄνδρας, στρατὸν ἐμὸν ἀνδρεῖον, δέομαι ὑμῶν, πολίτας ποιήσατε». πάλιν ὁ δῆμος ἐπεβόησεν «ἄξιοι μεθ' ἡμῶν πολιτεύεσθαι· χειροτονείσθω ταῦτα».

Annotate according to the Chronotopic Cartography scheme. <topos> can be: Encounter (An unexpected happening, sudden shift, any meeting. Can occur anywhere, but frequently on the road); Road (Paths, travel, journey, options, coming and going, wandering); Castle (Confinement, imprisonment, stasis, discomfort, dark, visible traces of the past); Idyll (Familiarity, comfort, happiness, pleasure, peace, respite, self-contained, unified, stable, homely, known); Idyllic Wilderness (The wild, openness, freedom, untouched, the earth, the natural world, unity); Anti-Idyll Dystopias, post-apocalyptic settings, mechanical, the idyll destroyed, invaded, or made alien. Can be exterior or interior); Threshold (The hall, the corridor, the staircase, the street, docks, stations, liminal spaces, emotionally charged, intense, sublime, excess, a place of contrasts); Parlour (Interior, room, defined, bounded, hosting guests, where the public and private merge, where dialogues happen, a site of political and commercial intrigue); Provincial Town (Community, locality, rustic, petty-bourgeois, specific locales, quaint little houses and rooms of the town, sleepy streets); Public Square (Dynamic, crowd, forum, metropolitan, the internal externalized [the private/intimate becomes public], theatrical [place of the clown, the rogue, the fool]; Distortion (Elsewhere, miraculous, bewitched, dreams, hallucinations); Metanarrative (For sections of text without a concrete sense of space, which could be internal [e.g. commentary, direct address to the reader] or external [e.g. glosses, framing statements, contained texts; authorial/editorial notes, etc.]). <connection> can be Direct; Indirect; Projection; Interrupt; Jump; Metatextual; Paratextual; Intratextual.

ἐπευφήμησεν ὁ δῆμος «ἀγαθῷ ἀνδρὶ Πολυχάρμῳ, φίλῳ πιστῷ, ὁ δῆμός σοι χάριν ἐπίσταται. τὴν πατρίδα εὐηργέτηκας ἀξίως Ἑρμοκράτους καὶ Χαιρέου». μετὰ ταῦτα πάλιν Χαιρέας εἶπε «καὶ τούσδε τοὺς τριακοσίους, Ἕλληνας ἄνδρας, στρατὸν ἐμὸν ἀνδρεῖον, δέομαι ὑμῶν, πολίτας ποιήσατε». πάλιν ὁ δῆμος ἐπεβόησεν «ἄξιοι μεθ' ἡμῶν πολιτεύεσθαι· χειροτονείσθω ταῦτα». ψήφισμα ἐγράφη καὶ εὐθὺς ἐκεῖνοι καθίσαντες μέρος ἦσαν τῆς ἐκκλησίας. καὶ Χαιρέας δὲ ἐδωρήσατο τάλαντον ἑκάστῳ, τοῖς δὲ Αἰγυπτίοις ἀπένειμε χώραν Ἑρμοκράτης, ὥστε ἔχειν αὐτοὺς γεωργεῖν.

ἐπευφήμησεν ὁ δῆμος «ἀγαθῷ ἀνδρὶ Πολυχάρμῳ, φίλῳ πιστῷ, ὁ δῆμός σοι χάριν ἐπίσταται. τὴν πατρίδα εὐηργέτηκας ἀξίως Ἑρμοκράτους καὶ Χαιρέου». μετὰ ταῦτα πάλιν Χαιρέας εἶπε «καὶ τούσδε τοὺς τριακοσίους, Ἕλληνας ἄνδρας, στρατὸν ἐμὸν ἀνδρεῖον, δέομαι ὑμῶν, πολίτας ποιήσατε». πάλιν ὁ δῆμος ἐπεβόησεν «ἄξιοι μεθ' ἡμῶν πολιτεύεσθαι· χειροτονείσθω ταῦτα». ψήφισμα ἐγράφη καὶ εὐθὺς ἐκεῖνοι καθίσαντες μέρος ἦσαν τῆς ἐκκλησίας. καὶ Χαιρέας δὲ ἐδωρήσατο τάλαντον ἑκάστῳ, τοῖς δὲ Αἰγυπτίοις ἀπένειμε χώραν Ἑρμοκράτης, ὥστε ἔχειν αὐτοὺς γεωργεῖν.

Annotate according to the Chronotopic Cartography scheme. <topos> can be: Encounter (An unexpected happening, sudden shift, any meeting. Can occur anywhere, but frequently on the road); Road (Paths, travel, journey, options, coming and going, wandering); Castle (Confinement, imprisonment, stasis, discomfort, dark, visible traces of the past); Idyll (Familiarity, comfort, happiness, pleasure, peace, respite, self-contained, unified, stable, homely, known); Idyllic Wilderness (The wild, openness, freedom, untouched, the earth, the natural world, unity); Anti-Idyll Dystopias, post-apocalyptic settings, mechanical, the idyll destroyed, invaded, or made alien. Can be exterior or interior); Threshold (The hall, the corridor, the staircase, the street, docks, stations, liminal spaces, emotionally charged, intense, sublime, excess, a place of contrasts); Parlour (Interior, room, defined, bounded, hosting guests, where the public and private merge, where dialogues happen, a site of political and commercial intrigue); Provincial Town (Community, locality, rustic, petty-bourgeois, specific locales, quaint little houses and rooms of the town, sleepy streets); Public Square (Dynamic, crowd, forum, metropolitan, the internal externalized [the private/intimate becomes public], theatrical [place of the clown, the rogue, the fool]; Distortion (Elsewhere, miraculous, bewitched, dreams, hallucinations); Metanarrative (For sections of text without a concrete sense of space, which could be internal [e.g. commentary, direct address to the reader] or external [e.g. glosses, framing statements, contained texts; authorial/editorial notes, etc.]). <connection> can be Direct; Indirect; Projection; Interrupt; Jump; Metatextual; Paratextual; Intratextual.

μετὰ ταῦτα πάλιν Χαιρέας εἶπε «καὶ τούσδε τοὺς τριακοσίους, Ἕλληνας ἄνδρας, στρατὸν ἐμὸν ἀνδρεῖον, δέομαι ὑμῶν, πολίτας ποιήσατε». πάλιν ὁ δῆμος ἐπεβόησεν «ἄξιοι μεθ' ἡμῶν πολιτεύεσθαι· χειροτονείσθω ταῦτα». ψήφισμα ἐγράφη καὶ εὐθὺς ἐκεῖνοι καθίσαντες μέρος ἦσαν τῆς ἐκκλησίας.

μετὰ ταῦτα πάλιν Χαιρέας εἶπε «καὶ τούσδε τοὺς τριακοσίους, Ἕλληνας ἄνδρας, στρατὸν ἐμὸν ἀνδρεῖον, δέομαι ὑμῶν, πολίτας ποιήσατε». πάλιν ὁ δῆμος ἐπεβόησεν «ἄξιοι μεθ' ἡμῶν πολιτεύεσθαι· χειροτονείσθω ταῦτα». ψήφισμα ἐγράφη καὶ εὐθὺς ἐκεῖνοι καθίσαντες μέρος ἦσαν τῆς ἐκκλησίας.

Annotate according to the Chronotopic Cartography scheme. <topos> can be: Encounter (An unexpected happening, sudden shift, any meeting. Can occur anywhere, but frequently on the road); Road (Paths, travel, journey, options, coming and going, wandering); Castle (Confinement, imprisonment, stasis, discomfort, dark, visible traces of the past); Idyll (Familiarity, comfort, happiness, pleasure, peace, respite, self-contained, unified, stable, homely, known); Idyllic Wilderness (The wild, openness, freedom, untouched, the earth, the natural world, unity); Anti-Idyll Dystopias, post-apocalyptic settings, mechanical, the idyll destroyed, invaded, or made alien. Can be exterior or interior); Threshold (The hall, the corridor, the staircase, the street, docks, stations, liminal spaces, emotionally charged, intense, sublime, excess, a place of contrasts); Parlour (Interior, room, defined, bounded, hosting guests, where the public and private merge, where dialogues happen, a site of political and commercial intrigue); Provincial Town (Community, locality, rustic, petty-bourgeois, specific locales, quaint little houses and rooms of the town, sleepy streets); Public Square (Dynamic, crowd, forum, metropolitan, the internal externalized [the private/intimate becomes public], theatrical [place of the clown, the rogue, the fool]; Distortion (Elsewhere, miraculous, bewitched, dreams, hallucinations); Metanarrative (For sections of text without a concrete sense of space, which could be internal [e.g. commentary, direct address to the reader] or external [e.g. glosses, framing statements, contained texts; authorial/editorial notes, etc.]). <connection> can be Direct; Indirect; Projection; Interrupt; Jump; Metatextual; Paratextual; Intratextual.

ψήφισμα ἐγράφη καὶ εὐθὺς ἐκεῖνοι καθίσαντες μέρος ἦσαν τῆς ἐκκλησίας. καὶ Χαιρέας δὲ ἐδωρήσατο τάλαντον ἑκάστῳ, τοῖς δὲ Αἰγυπτίοις ἀπένειμε χώραν Ἑρμοκράτης, ὥστε ἔχειν αὐτοὺς γεωργεῖν. Ἕως δὲ ἦν τὸ πλῆθος ἐν τῷ θεάτρῳ, <connection source="assembly" target="aphrodite's temple" relation="direct">Καλλιρόη, πρὶν εἰς τὴν οἰκίαν εἰσελθεῖν, εἰς τὸ τῆς Ἀφροδίτης ἱερὸν ἀφίκετο. </connection> <topos type="threshold" framename="aphrodite's temple">λαβομένη δὲ αὐτῆς τῶν ποδῶν καὶ ἐπιθεῖσα τὸ πρόσωπον καὶ λύσασα τὰς κόμας, καταφιλοῦσα «χάρις σο». φησίν, «Ἀφροδίτη· πάλιν γάρ μοι Χαιρέαν ἐν Συρακούσαις ἔδειξας, ὅπου καὶ παρθένος εἶδον αὐτὸν σοῦ θελούσης. οὐ μέμφομαί σοι, δέσποινα, περὶ ὧν πέπονθα· ταῦτα εἵμαρτό μοι. δέομαί σου, μηκέτι με Χαιρέου διαζεύξῃς, ἀλλὰ καὶ βίον μακάριον καὶ θάνατον κοινὸν κατάνευσον ἡμῖν».</topos>

ψήφισμα ἐγράφη καὶ εὐθὺς ἐκεῖνοι καθίσαντες μέρος ἦσαν τῆς ἐκκλησίας. καὶ Χαιρέας δὲ ἐδωρήσατο τάλαντον ἑκάστῳ, τοῖς δὲ Αἰγυπτίοις ἀπένειμε χώραν Ἑρμοκράτης, ὥστε ἔχειν αὐτοὺς γεωργεῖν. Ἕως δὲ ἦν τὸ πλῆθος ἐν τῷ θεάτρῳ, Καλλιρόη, πρὶν εἰς τὴν οἰκίαν εἰσελθεῖν, εἰς τὸ τῆς Ἀφροδίτης ἱερὸν ἀφίκετο. λαβομένη δὲ αὐτῆς τῶν ποδῶν καὶ ἐπιθεῖσα τὸ πρόσωπον καὶ λύσασα τὰς κόμας, καταφιλοῦσα «χάρις σο». φησίν, «Ἀφροδίτη· πάλιν γάρ μοι Χαιρέαν ἐν Συρακούσαις ἔδειξας, ὅπου καὶ παρθένος εἶδον αὐτὸν σοῦ θελούσης. οὐ μέμφομαί σοι, δέσποινα, περὶ ὧν πέπονθα· ταῦτα εἵμαρτό μοι. δέομαί σου, μηκέτι με Χαιρέου διαζεύξῃς, ἀλλὰ καὶ βίον μακάριον καὶ θάνατον κοινὸν κατάνευσον ἡμῖν».

Annotate according to the Chronotopic Cartography scheme. <topos> can be: Encounter (An unexpected happening, sudden shift, any meeting. Can occur anywhere, but frequently on the road); Road (Paths, travel, journey, options, coming and going, wandering); Castle (Confinement, imprisonment, stasis, discomfort, dark, visible traces of the past); Idyll (Familiarity, comfort, happiness, pleasure, peace, respite, self-contained, unified, stable, homely, known); Idyllic Wilderness (The wild, openness, freedom, untouched, the earth, the natural world, unity); Anti-Idyll Dystopias, post-apocalyptic settings, mechanical, the idyll destroyed, invaded, or made alien. Can be exterior or interior); Threshold (The hall, the corridor, the staircase, the street, docks, stations, liminal spaces, emotionally charged, intense, sublime, excess, a place of contrasts); Parlour (Interior, room, defined, bounded, hosting guests, where the public and private merge, where dialogues happen, a site of political and commercial intrigue); Provincial Town (Community, locality, rustic, petty-bourgeois, specific locales, quaint little houses and rooms of the town, sleepy streets); Public Square (Dynamic, crowd, forum, metropolitan, the internal externalized [the private/intimate becomes public], theatrical [place of the clown, the rogue, the fool]; Distortion (Elsewhere, miraculous, bewitched, dreams, hallucinations); Metanarrative (For sections of text without a concrete sense of space, which could be internal [e.g. commentary, direct address to the reader] or external [e.g. glosses, framing statements, contained texts; authorial/editorial notes, etc.]). <connection> can be Direct; Indirect; Projection; Interrupt; Jump; Metatextual; Paratextual; Intratextual.

Ἕως δὲ ἦν τὸ πλῆθος ἐν τῷ θεάτρῳ, <connection source="assembly" target="aphrodite's temple" relation="direct">Καλλιρόη, πρὶν εἰς τὴν οἰκίαν εἰσελθεῖν, εἰς τὸ τῆς Ἀφροδίτης ἱερὸν ἀφίκετο. </connection> <topos type="threshold" framename="aphrodite's temple">λαβομένη δὲ αὐτῆς τῶν ποδῶν καὶ ἐπιθεῖσα τὸ πρόσωπον καὶ λύσασα τὰς κόμας, καταφιλοῦσα «χάρις σο». φησίν, «Ἀφροδίτη· πάλιν γάρ μοι Χαιρέαν ἐν Συρακούσαις ἔδειξας, ὅπου καὶ παρθένος εἶδον αὐτὸν σοῦ θελούσης. οὐ μέμφομαί σοι, δέσποινα, περὶ ὧν πέπονθα· ταῦτα εἵμαρτό μοι. δέομαί σου, μηκέτι με Χαιρέου διαζεύξῃς, ἀλλὰ καὶ βίον μακάριον καὶ θάνατον κοινὸν κατάνευσον ἡμῖν». Τοσάδε περὶ Καλλιρόης συνέγραψα. </topos>

Ἕως δὲ ἦν τὸ πλῆθος ἐν τῷ θεάτρῳ, Καλλιρόη, πρὶν εἰς τὴν οἰκίαν εἰσελθεῖν, εἰς τὸ τῆς Ἀφροδίτης ἱερὸν ἀφίκετο. λαβομένη δὲ αὐτῆς τῶν ποδῶν καὶ ἐπιθεῖσα τὸ πρόσωπον καὶ λύσασα τὰς κόμας, καταφιλοῦσα «χάρις σο». φησίν, «Ἀφροδίτη· πάλιν γάρ μοι Χαιρέαν ἐν Συρακούσαις ἔδειξας, ὅπου καὶ παρθένος εἶδον αὐτὸν σοῦ θελούσης. οὐ μέμφομαί σοι, δέσποινα, περὶ ὧν πέπονθα· ταῦτα εἵμαρτό μοι. δέομαί σου, μηκέτι με Χαιρέου διαζεύξῃς, ἀλλὰ καὶ βίον μακάριον καὶ θάνατον κοινὸν κατάνευσον ἡμῖν». Τοσάδε περὶ Καλλιρόης συνέγραψα.

Annotate according to the Chronotopic Cartography scheme. <topos> can be: Encounter (An unexpected happening, sudden shift, any meeting. Can occur anywhere, but frequently on the road); Road (Paths, travel, journey, options, coming and going, wandering); Castle (Confinement, imprisonment, stasis, discomfort, dark, visible traces of the past); Idyll (Familiarity, comfort, happiness, pleasure, peace, respite, self-contained, unified, stable, homely, known); Idyllic Wilderness (The wild, openness, freedom, untouched, the earth, the natural world, unity); Anti-Idyll Dystopias, post-apocalyptic settings, mechanical, the idyll destroyed, invaded, or made alien. Can be exterior or interior); Threshold (The hall, the corridor, the staircase, the street, docks, stations, liminal spaces, emotionally charged, intense, sublime, excess, a place of contrasts); Parlour (Interior, room, defined, bounded, hosting guests, where the public and private merge, where dialogues happen, a site of political and commercial intrigue); Provincial Town (Community, locality, rustic, petty-bourgeois, specific locales, quaint little houses and rooms of the town, sleepy streets); Public Square (Dynamic, crowd, forum, metropolitan, the internal externalized [the private/intimate becomes public], theatrical [place of the clown, the rogue, the fool]; Distortion (Elsewhere, miraculous, bewitched, dreams, hallucinations); Metanarrative (For sections of text without a concrete sense of space, which could be internal [e.g. commentary, direct address to the reader] or external [e.g. glosses, framing statements, contained texts; authorial/editorial notes, etc.]). <connection> can be Direct; Indirect; Projection; Interrupt; Jump; Metatextual; Paratextual; Intratextual.

φησίν, «Ἀφροδίτη· πάλιν γάρ μοι Χαιρέαν ἐν Συρακούσαις ἔδειξας, ὅπου καὶ παρθένος εἶδον αὐτὸν σοῦ θελούσης. οὐ μέμφομαί σοι, δέσποινα, περὶ ὧν πέπονθα· ταῦτα εἵμαρτό μοι. δέομαί σου, μηκέτι με Χαιρέου διαζεύξῃς, ἀλλὰ καὶ βίον μακάριον καὶ θάνατον κοινὸν κατάνευσον ἡμῖν». Τοσάδε περὶ Καλλιρόης συνέγραψα.

φησίν, «Ἀφροδίτη· πάλιν γάρ μοι Χαιρέαν ἐν Συρακούσαις ἔδειξας, ὅπου καὶ παρθένος εἶδον αὐτὸν σοῦ θελούσης. οὐ μέμφομαί σοι, δέσποινα, περὶ ὧν πέπονθα· ταῦτα εἵμαρτό μοι. δέομαί σου, μηκέτι με Χαιρέου διαζεύξῃς, ἀλλὰ καὶ βίον μακάριον καὶ θάνατον κοινὸν κατάνευσον ἡμῖν». Τοσάδε περὶ Καλλιρόης συνέγραψα.

Annotate according to the Chronotopic Cartography scheme. <topos> can be: Encounter (An unexpected happening, sudden shift, any meeting. Can occur anywhere, but frequently on the road); Road (Paths, travel, journey, options, coming and going, wandering); Castle (Confinement, imprisonment, stasis, discomfort, dark, visible traces of the past); Idyll (Familiarity, comfort, happiness, pleasure, peace, respite, self-contained, unified, stable, homely, known); Idyllic Wilderness (The wild, openness, freedom, untouched, the earth, the natural world, unity); Anti-Idyll Dystopias, post-apocalyptic settings, mechanical, the idyll destroyed, invaded, or made alien. Can be exterior or interior); Threshold (The hall, the corridor, the staircase, the street, docks, stations, liminal spaces, emotionally charged, intense, sublime, excess, a place of contrasts); Parlour (Interior, room, defined, bounded, hosting guests, where the public and private merge, where dialogues happen, a site of political and commercial intrigue); Provincial Town (Community, locality, rustic, petty-bourgeois, specific locales, quaint little houses and rooms of the town, sleepy streets); Public Square (Dynamic, crowd, forum, metropolitan, the internal externalized [the private/intimate becomes public], theatrical [place of the clown, the rogue, the fool]; Distortion (Elsewhere, miraculous, bewitched, dreams, hallucinations); Metanarrative (For sections of text without a concrete sense of space, which could be internal [e.g. commentary, direct address to the reader] or external [e.g. glosses, framing statements, contained texts; authorial/editorial notes, etc.]). <connection> can be Direct; Indirect; Projection; Interrupt; Jump; Metatextual; Paratextual; Intratextual.

δέομαί σου, μηκέτι με Χαιρέου διαζεύξῃς, ἀλλὰ καὶ βίον μακάριον καὶ θάνατον κοινὸν κατάνευσον ἡμῖν». Τοσάδε περὶ Καλλιρόης συνέγραψα.

δέομαί σου, μηκέτι με Χαιρέου διαζεύξῃς, ἀλλὰ καὶ βίον μακάριον καὶ θάνατον κοινὸν κατάνευσον ἡμῖν». Τοσάδε περὶ Καλλιρόης συνέγραψα.