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EgehanEralp

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I had the good luck to see it on a big screen, and to find a video to watch again and again.

Ghost Story is full of brilliant lightning and dark atmosphere, which is lightened by the strong presence of the beautiful and good willing ghost.

Theo Shall is excellent and gives an absolutelly believable performance as Anna's sweetheart, the hard-boiled, tough, sailor, who's just a kid in man's body.

It's a good tale and a must-see for Garbo fans.

He captured Garbo's luminescence and the atmospherics of the docks with style.

The scene of Anna's first meeting with her father is truly magnificent, the opening moment of Chris' conversation with Marthy is memorable particularly thanks to his facial expressions and a flawless performance.

Clearly the themes--immigration, wayward fathers, daughters turning to prostitution, and the troubles of finding true love--have strong currents back then, especially with European threads (Garbo, appropriately, plays a Swedish young woman).

All of his great virtues are here: the cramped interiors broken up by gliding, complex, delicious camera movements; a melancholy deployment of light and shade; remarkable, wistful sets by Alexander Trauner, which are so evocative that they, as the title suggests, take on a shaping personality of their own; the quietly mournful music of Maurice Jaubert; a seemingly casual plot about romance, tragedy and fatalism that casts a noose over its characters; extraordinary performances by some of the greatest players of all time, in this case Louis Jouvet and Arletty.

What's fascinating today is this popular little world ,the canal Saint-Martin settings.

All in all: wonderful.

This is an excellent film, and is the sort of treasure that one can only catch through sporadic cinema showings, as it is unavailable on videoDVD.

I love this movie, Jouvet, Arletty, Blier, Carné...

A true classic.

Hotel Du Nord is a gripping drama of guilt in which Marcel Carne portrayed an entertaining tale of ill-fated love which also functions as a revolt against the cruel world.

The best proof I really liked it, I'm writing a review 7 years later.

This, in my view, is one of the best films of the 1990s.

For those of us who've watched them since the first episodes of "Full House," it's really great to see them growing into more mature roles.

this movie is the best movie ever it has a lot of live action It's just great everyone should watch it and the actor are great the location is Rome Italy thats the best place ever the actors are great Mary-Kate Olsen is such a great actress she plays Charlie and thats a great character and Ashley Olsen play Leila and thats a great character to love When in Rome love it.

This is yet another terrific and wonderful movie by the fraternal twins that we all know and love so much!

The story and characters develop at just the right pace to provide some fantastic scares.

What's Good About It: Some inventive and genuinely creepy little effects that will get under the skin of even the most seasoned horror fan.

and my wife and I loved it!

Finally, a thumbs-up for the ending, which is both disturbing and satisfying.

It offers some genuine scares and plenty of tension.

This movie was very good.

It was a pretty good movie that wasn't the scariest movie in the world but it was still scary enough to make it pretty good.

Third, this woman is that tremendously beautiful that I suggest the directors retire all those Cameron Diazes, Eva Mendezes, and how ever the names of these ephemeral bulb-lights are.

This movie is creepy, and is very well done.

Dark Remains is a home run plain and simple.

It's creepy, tense and very very jumpy!

I just watched this movie and have to say, I was very impressed.

Very suspenseful and a great movie to rent with a bunch of friends who love to watch movies curled up on a sofa screaming like little girls!

It is so well written, directed and filmed and I can tell you personally that it was a real joy to work with this cast and crew.

This is easily one of my favorite's.

The film-making is solid and the characters' situation was really compelling.

mermaid is a true story, during the cridits they have the real family on the set, something you don't see often.

This is a great movie.

The film is based on a true story which makes it so touching".

It is clean, wholesome, heartbreaking and heartwarming.

This is just a short comment but I stumbled onto this movie by chance and I loved it.

What an inspiring movie, I laughed, cried and felt love.

" : a welldone and touching script, a good directing and a surprising great acting from a bunch of "no-name" actors, especially from the 4-yr-old Jodelle Ferland, becomes a must seen movie.

A warm, touching movie that has a fantasy-like quality.

Great cast and an overall great movie.

I recommend this to fans of these types of movies.

and i'm so touched with the letter that was wrote back to her..

It is a great movie.

The story is based on true events and that helps the movie.

The print I watched – via Lionsgate’s “Jean Renoir 3-Disc Collector’s Edition” – is, for the most part, a lovingly restored and beautifully-tinted one which had been previously available only on French DVD.

Still, the differences between Nana's suitors are well-drawn, and I particularly liked the relationship between Muffat and Jean Angelo's Vandeuvres -- the tragic understandings that each seems to have of his ultimate fate and their sympathy with each other, particularly in the scene at the bottom of the enormous staircase where Vandeuvres warns Muffat, and we wonder if violence will erupt -- this and other gleanings of the ridiculousness of the idle rich help give the film the depth it has.

It's a precious piece of Melbourne history.

A simple story is made truly extraordinary through the all round magnificent acting (in particular Noni Hazlehurst) and nice use of the small budget.

But it's the stunning delivery by Hazlehurst which brings to life the intelligent, searching script, based on Helen Garner's award-winning novel.

Rating: 79100.

Highly recommended.

Farewell Friend aka Adieu L'AmiHonour Among Thieves isn't perfect but it is a neat and entertaining thriller that sees mismatched demobbed French Algerian War veterans Alain Delon and Charles Bronson trapped in the same basement vault, one to return stolen bonds, the other to clean out the two million in wages sitting there over the Christmas weekend.

This movie is definately one of my favourite movies in it's kind.

Top drawers Delon (who's quite steely) and Bronson (a jovial turn) are solid, and work off each tremendously.

It is also very stylish.

This movie is definately one of my favorite movies in it's kind.

Although I don't remember much about it, I must say that it was a pretty good show.

I assume, then, that you never heard of "Topper".

The nearly unknown Alexandra Staden is captivating as the enigmatic Modesty, and this is crucial for this movie to work.

Staden already conveys Modesty's humor and absolute assurance very well.

I loved it when I first saw it and I love it still.

A terrific find by whoever cast her!

Some things could have been better, but when you cannot forget the awful movie from '66 then is this a magnificent movie.

Totally awesome!

I realize the words "Direct-to-Video" don't inspire confidence, but this film is well worth a look.

It delivered, in a captivating way, a good introduction to the character and her background.

Action fused with a fantastic story.

The best Modesty Blaise movie I have seen so far.

It was a joy to see a version so close to the vision of Peter O'Donnell.

It is one of the greatest adventure comic strips of all time.

Great dialog and well-drawn characters that I cared about (even bad guy Miklos) just like in the novels and comic strips!

It's an innovative and intriguing way of revealing the background of a character, and in doing so much of the story takes place outside the casino at a much earlier time.

They may have a point, but I found her interpretation delightful and very fitting.

Modesty's history as a child is shown and is very true to the original.

But instead I thoroughly enjoyed this production, and I especially enjoyed and appreciated how the producers and director succeeded in telling the Modesty Blaise back story.

I think this thougths will give a greater understanding to the next (I hope) film.

I thought this was a very good film and look forward to sequels with anticipation.

Alexandra Staden as Modesty is stunningly beautiful and an excellent choice.

For the Modesty fan, the movie will be very enjoyable, particularly because it is very faithful in its presentation of the Modesty Blaise "history".

I was expecting this to be the same kind of schlock as the previous Modesty Blaise movie, which is why I left it unwatched for so long, but I was very pleasantly surprised.

Overall, I was very impressed with the writing and character development.

Great cast all together.

Timothy Hutton playing Blossom is superb and immersed himself deeply into his character.

Well directed, well acted and a good story.

This film has a lot of raw potential.

And it is a role he plays well.

It well written well acted and well cast.

I also very much enjoyed the narration, it added to the story a good deal, and had some very memorable quotes that i still use to all the time.

I watched it over and over and it never got boring.

It's a very entertaining small crime film with interesting characters, excellent portrayals, writing that's breezy without being glib, and a good pace.

Very smart, sometimes shocking, I just love it.

A hit at the time but now better categorised as an Australian cult film.

I love this movie like no other.

And some of the funniest songs you'll ever hear, and it's full of great celebrities.

The song on the end credits ( performed by Snacka Fitzgibbon ) is magnificent.

Being about the grossest Aussie shearer ever to set foot outside this great Nation of ours there is something of a culture clash and much fun and games ensue.