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Indian cricket team in Bangladesh in 2007: India completed the series win with a steady 46-run win, thanks largely in part to Gautam Gambhir's century.The third match was abandoned due to intermittent rain, resulting in a waterlogged pitch – brought on largely in part due to Cyclone Akash which had hit south Bangladesh earlier that day.Leading run scorer of the ODI series and Indian wicket-keeper Mahendra Singh Dhoni took home the player of the series award following a return to form with the bat and 3 dismissals behind the stumps.In the second test match Mohammad Ashraful scored the fastest test fifty in just 27 delivery.

Indian cricket team in Bangladesh in 2007: The Test series ended in a 1–0 win for India; the first Test was affected by rain, helping Bangladesh secure a draw despite two declarations by India and a 149-run lead on first innings, but in the second Test India only lost three wickets in their three-day innings win.Gautam Gambhir's 101 was the first century to be made at the Sher-e-Bangla Mirpur Stadium and went on to help India to make the highest team total scored on the ground.The pitch was washed out due to heavy rain from the previous two days, along with heavy winds from Cyclone Akash taking their toll on the ground conditions.

Isaak Sigal: Isaak Sigal Isaak Sigal (born in Vinnytsia, Ukraine, in 1927) is a Ukrainian scientist in the field of fuel combustion and protection of the atmosphere from industrial pollution.Professor Isaak Yakovlevitch Sigal holds a position of chief of department of the Gas Institute of NASU (National Academy of Science of Ukraine).

1985 NCAA Division I Women's Basketball Tournament: 1985 NCAA Division I Women's Basketball Tournament The 1985 NCAA Division I Women's Basketball Tournament began on March 14 and ended on March 31 and featured 32 teams.The Final Four consisted of Old Dominion, Northeast Louisiana, Western Kentucky, and Georgia, with Old Dominion defeating Georgia, 70–65 in the championship game.

1985 NCAA Division I Women's Basketball Tournament: Old Dominion's Tracy Claxton was named the Most Outstanding Player of the tournament.1985 is the first year ESPN began televising some of the Tournament games.They televised two of the four Regional Finals (East and West Regional), as well as the two national semifinals.

1985 NCAA Division I Women's Basketball Tournament: The Georgia vs Western Kentucky match up was shown live, while the Old Dominion vs. Northeast Louisiana game was shown tape-delayed.The Championship game was broadcast by CBS.Georgia faced Western Kentucky in the semi-final.

1985 NCAA Division I Women's Basketball Tournament: This was a rematch of a game played in December, when Western Kentucky prevailed, 72–67.However, in that game, Katrina McClain had been sidelined with an ankle injury.She was available to play in the final four, and achieved a career high total of 25 points.

1985 NCAA Division I Women's Basketball Tournament: Her teammate, Teresa Edwards, scored 27, and the two helped Georgia win the semi-final 91–78.In the championship game, Georgia took on Old Dominion.The Lady Monarchs weren't hitting their shots, scoring on only 38% of their field goal attempts, but they made up for their misses with rebounds.

1985 NCAA Division I Women's Basketball Tournament: The Old Dominion team had set an NCAA Final Four record (still standing in 2012) with 57 rebounds in the semi-final game, and they repeated that performance in the championship game, pulling down 57 rebounds and limiting Georgia to 30.The game would be close, but Old Dominion prevailed, 70–65, to win the national Championship.In the second half of the semi-final game between Georgia and Western Kentucky, Georgia scored 57 points while Western Kentucky scored 44.

1985 NCAA Division I Women's Basketball Tournament: The combined point total of 101 points in a half, as well as the points scored by a single team in a half are both Final Four records, still standing in 2012.In the other semi-final game, Old Dominion pulled down 57 rebounds against Northeast Louisiana.That number still stands as a Final Four rebounds record, although it was tied two days later by Old Dominion in the championship game against Georgia.

1985 NCAA Division I Women's Basketball Tournament: In a first-round game, Teresa Carmichael of Saint Joseph's University, attempted eleven field goals and hit all eleven.That's the most number of field goal attempt without a miss in Tournament history, though 2012.Thirty-two teams were selected to participate in the 1985 NCAA Tournament.

1985 NCAA Division I Women's Basketball Tournament: Eighteen conferences were eligible for an automatic bid to the 1985 NCAA tournament.Fourteen additional teams were selected to complete the thirty-two invitations.The thirty-two teams came from twenty-one states.

1985 NCAA Division I Women's Basketball Tournament: California and Tennessee had the most teams with four each.Twenty-nine states did not have any teams receiving bids.The 32 teams were seeded, and assigned to four geographic regions, with seeds 1-8 in each region.

1985 NCAA Division I Women's Basketball Tournament: In Round 1, the higher seed was given the opportunity to host the first-round game.In each case, the higher seed accepted the opportunity.The Regionals, named for the general location, were held from March 21 to March 24 at these sites: Each regional winner advanced to the Final Four held March 29 and March 31 in Austin, Texas at the Frank Erwin Center Eleven conferences had more than one bid, or at least one win in NCAA Tournament play: Nine conferences went 0-1: Big East, Big Eight, High Country, MAAC, MAC, Missouri Valley Conference, Mountain West, Northern Pacific, and Pacific Coast

Mode (literature): Mode (literature) In literature and other artistic media, a mode is an unspecific critical term usually designating a broad but identifiable kind of literary method, mood, or manner that is not tied exclusively to a particular form or genre.Examples are the "satiric" mode, the "ironic", the "comic", the "pastoral", and the "didactic".

Mode (literature): In his "Poetics", the ancient Greek philosopher Aristotle uses 'mode' in a more specific sense.Kinds of poetry, he writes, may be differentiated in three ways: according to their "medium" of imitation, according to their "objects" of imitation, and according to their mode or 'manner' of imitation (section I)."For the medium being the same, and the objects the same, the poet may imitate by narration—in which case he can either take another personality as Homer does, or speak in his own person, unchanged—or he may present all his characters as living and moving before us" (section III).

Mode (literature): According to this definition, 'narrative' and 'dramatic' are modes of fiction: Fiction is a form of narrative, one of the four rhetorical modes of discourse.Fiction-writing also has distinct forms of expression, or modes, each with its own purposes and conventions.Agent and author Evan Marshall identifies five fiction-writing modes: action, summary, dialogue, feelings/thoughts, and background.

Mode (literature): Author and writing-instructor Jessica Page Morrell lists six delivery modes for fiction-writing: action, exposition, description, dialogue, summary, and transition.Author Peter Selgin refers to "methods", including action, dialogue, thoughts, summary, scene, and description.Summarization (also referred to as summary, narration, or narrative summary) is the fiction-writing mode whereby story events are condensed.

Mode (literature): The reader is told what happens, rather than having it shown.In the fiction-writing axiom "Show, don't tell" the "tell" is often in the form of summarization.Summarization has important uses: The main advantage of summary is that it takes up less space.

Mode (literature): According to author Orson Scott Card, either action or summarization could be right, either could be wrong.Factors such as rhythm, pace, and tone come into play.The objective is to get the right balance between telling versus showing, action versus summarization.

Mode (literature): Introspection (also referred to as internal dialogue, interior monologue, self-talk) is the fiction-writing mode used to convey a character's thoughts.As explained by Renni Browne and Dave King, "One of the great gifts of literature is that it allows for the expression of unexpressed thoughts ..." According to Nancy Kress, a character's thoughts can greatly enhance a story: deepening characterization, increasing tension, and widening the scope of a story.As outlined by Jack M. Bickham, thought plays a critical role in both scene and sequel.

Sevenmile River (Tenmile River tributary): Sevenmile River (Tenmile River tributary) The Sevenmile River or Seven Mile River is a river in the U.S. states of Massachusetts and Rhode Island.It flows approximately .

Sevenmile River (Tenmile River tributary): The river begins in Plainville, Massachusetts at an unnamed pond along Peck Street, near the town line with North Attleborough.From its source, it flows roughly due south through North Attleborough and Attleborough, then into Pawtucket, Rhode Island where it flows into the Ten Mile River.Below is a list of all crossings over the Sevenmile River.

NGC 4214: NGC 4214 NGC 4214 is a dwarf barred irregular galaxy located around 10 million light-years away in the constellation Canes Venatici.NGC 4214 is a member of the M94 Group.

NGC 4214: NGC 4214 is both larger and brighter than the Small Magellanic Cloud as well as a starburst galaxy, with the largest star-forming regions ("NGC 4214-I" and "NGC 4214-II") in the galaxy's center.Of the two, "NGC 4214-I" contains a super star cluster rich in Wolf-Rayet stars and "NGC 4214-II" is younger (age less than 3 million years), including a number of star clusters and stellar associations.NGC 4214 also has two older super star clusters, both with an age of 200 million years and respective masses of 2.6*10.5 and 1.5*106 solar masses.

Corpus Christianorum: Corpus Christianorum The Corpus Christianorum (CC) is a major publishing undertaking of the Belgian publisher Brepols Publishers devoted to patristic and medieval Latin texts.The principal series are the "Series Graeca" (CCSG), "Series Latina" (CCSL), and the "Continuatio Mediævalis" (CCCM).

Corpus Christianorum: There is also a smaller section, the "Series Apocryphorum" (CCSA), devoted to Apocryphal works, and a collection of autographs, the "Autographa Medii Ævi" (CCAMA).In the series "Conciliorum Oecumenicorum Generaliumque Decreta" (COGD) is published confessional documents from Churches and Ecumenical organisations in the World with start in Nicæa 325 until today.The principal series are seen in some ways as successors to Migne's Patrologiae.

Corpus Christianorum: In 1947 Dom Eligius Dekkers, O.S.B.of the Sint-Pietersabdij in Steenbrugge, drew up a plan for editing afresh early Christian texts.His intention was to produce in a short timespan a "Corpus Christianorum", comprising new editions of the writings of Christian authors from Tertullian through to the Venerable Bede.

Corpus Christianorum: Although some critics thought the project to be impracticable, Dom Eligius found support from the outset in Brepols Publishers from Turnhout.Collaboration started in 1951 with the publication of a highly valued and essential tool, the Clavis Patrum Latinorum, which paved the way for the future success of the series, and later the Clavis Patrum Graecorum.New editions followed from 1953 on and ever since Corpus Christianorum has continued to flourish.

Corpus Christianorum: New series within Corpus Christianorum have been established and new volumes were ever more regularly published.Although in the early years the modus laborandi relied on updating existing editions, this was soon replaced by the preparation of entirely new critical editions.This demanding ambition required increasing supervision and, together with the establishment of new Corpus-related initiatives, it has been necessary to establish new academic partnerships, comprising leading scholars and academic centres, to supervise every single Corpus series.

Terry Miller (running back): Terry Miller (running back) Terry Miller (born January 7, 1956) is a retired an American football running back who played in the National Football League (NFL) with the Buffalo Bills and Seattle Seahawks.Miller was an All-American at Oklahoma State University in 1976 and 1977 and finished second in the 1977 Heisman Trophy voting to winner Earl Campbell.

Cardboard Citizens: Cardboard Citizens Cardboard Citizens is the UK's only homeless people's professional theatre company, and the leading practitioner of Forum Theatre and the Theatre of the Oppressed methodology in the UK.The acclaimed theatre company works with people who have experience of homelessness or those at risk of becoming homeless to create theatre that makes a real and positive difference to society and those living in its margins.

Cardboard Citizens: Cardboard Citizens was founded in 1991 by Adrian Jackson, MBE in the Cardboard City which had sprung up in what was then called the Bullring in Waterloo as a London Bubble project.For the first four years it toured Forum theatre by homeless people to other homeless people throughout the UK, performing in hostels, day centres, arches, the street and conference centres.Cardboard Citizens became an independent entity in 1995 and now regularly tours acclaimed Forum Theatre productions written by playwrights including Kate Tempest ("Glasshouse"), Ali Taylor ("Cathy") and Sarah Woods ("Meta") across the UK to theatres, prisons, hostels and community venues.

Cardboard Citizens: It has also mounted a number of critically acclaimed theatre productions in both site-specific locations and as collaborations with other larger organisations, including the Royal Shakespeare Company and English National Opera.These have included the Evening Standard Theatre Award-winning "Mincemeat", "A Few Man Fridays", "Pericles" and "Timon Of Athens" (both RSC).In 2016 the company staged a Community Ensemble theatrical staging of Ken Loach's "Cathy Come Home" to mark the film's 50th anniversary and the Theatre Company's 25th anniversary.

Cardboard Citizens: This Event Theatre work fits with Cardboard Citizens’ broader mission of using theatre to ask questions of individual, society and nation, why are things the way they are and how could they be better.In December 2017, Cardboard Citizens' Founder, CEO & Artistic Director Adrian Jackson was awarded an MBE for Services to the Arts in the 2018 New Year's Honours list.Anyone with experience of homelessness or who is vulnerable to homelessness can become a Member of Cardboard Citizens and on average Cardboard Citizens reach 1,500 homeless and at-risk people every year.

Cardboard Citizens: The free Membership programme offers access to one to one advice, guidance and information, and enables Members to take part in Cardboard Citizens activities, learn new skills in a secure environment with itsr programmes of performing arts workshops at the Theatre Company's home in Whitechapel, workshops at Crisis Skylight centres and other venues across London.Cardboard Citizens is one of the world's most respected Theatre of the Oppressed training organisations.It offers bespoke and off-the-shelf training in all aspects of Theatre of the Oppressed methodology: Forum Theatre, Jokering, Rainbow of Desires, Legislative Theatre and Writing for Forum.

Cardboard Citizens: ACT NOW is Cardboard Citizens’ innovative performing arts programme for young people aged 16–25-years old who are not in education employment or training (NEET), or have experience of homelessness.The free programme gives young people the opportunity to work with a professional artistic team to learn theatre skills including acting, directing, devising, script writing and more in a relaxed, welcoming and friendly environment.ACT Now offers regular drama and music workshops that aim to build participants’ confidence and social skills, all of which are free and open access.

Cardboard Citizens: Members can also gain Arts Award and PEARL qualifications alongside performance projects.As part of its work with homeless and at-risk communities, Cardboard Citizens offer intensive month-long participatory programmes and training, engaging homeless and vulnerable communities outside London, and training local housing association, social sector staff and local artists in the art of Forum Theatre.The programmes give communities the chance to raise awareness of the issues they face using Forum Theatre to share stories and issues.

Cardboard Citizens: Kate Winslet has been the Ambassador for Cardboard Citizens since 2007.On Cardboard Citizens' website, Winslet is quoted as saying: ""Whether the audience are homeless or not, what has always struck me is the level of engagement or debate that Cardboard Citizens’ work stimulates as well as the profound impact it has on participants and spectators alike.""Actors David Morrissey and Rory Kinnear joined the organisation as Ambassadors in 2017.

Treasure of Nagyszentmiklós: Treasure of Nagyszentmiklós The Treasure of Nagyszentmiklós is an important hoard of 23 early medieval gold vessels, in total weighing 9.945 kg (about 22 lbs), found in 1799 near Nagyszentmiklós, Kingdom of Hungary (, today Sânnicolau Mare, Romania), meaning "Great St Nicholas".After the excavation, the treasure was transferred to Vienna, the dynastic capital of the Habsburg Monarchy.

Treasure of Nagyszentmiklós: Ever since, it has been in the possession of the Kunsthistorisches Museum there, where it is on permanent display.A wide range of views continue to be held as to the dating and the origins of the styles of the pieces, and the context in which they were made, which may well vary between the pieces.Unusually, the inscriptions on some pieces have increased the complexity of the arguments rather than reduced them.

Treasure of Nagyszentmiklós: In 2008 Romanian officials asked the Austrian government for the treasure's repatriation.In the 19th century the treasure was widely regarded in Hungary as originating with precursors of the Hungarian people, and played a notable part as an icon of Hungarian nationalism.In particular the gold cup with a bull's head facing back over the bowl was known as the "Cup of Attila" - Attila the Hun having died in 453.

Treasure of Nagyszentmiklós: Rather illogically, the treasure was also associated with the Magyar Conquest in 896/7.The treasure, consisting of 23 gold vessels and variously dated from the 6th to the 10th century, was found on 3 July 1799 by Neru Vuin, two Bulgarian farmers, in the vicinity of Nagyszentmiklós (Sânnicolau Mare).The figure of the "victorious Prince" dragging a prisoner along by his hair (see figure on the right) and the mythological scene at the back of the golden jar, as well as the design of other ornamental objects, show close affinities with finds at Novi Pazar, Bulgaria and at Sarkel, Russia.

Treasure of Nagyszentmiklós: Stylistically, Central Asian, Persian-Sassanid and Byzantine influences are predominant.On one of the vessels in the hoard there is an inscription written in the Greek alphabet which reads: The language of the inscription is not clearly known.While there is no consensus as to the meaning of the inscription, several translations have been suggested (see the article on the inscription) and there is general agreement that Buyla and Butaul are Turkic names or titles, and that they are associated with the title of "župan".

Treasure of Nagyszentmiklós: There is another inscription in the Greek language.Also, there are several other very short inscriptions in a runiform script which are also likely to be in a Turkic language, but these are very brief and also have not been deciphered.The cultural milieu or milieux in which the objects in the treasure were created, assembled and deposited remains controversial, with the debate often influenced by nationalistic concerns.

Treasure of Nagyszentmiklós: Scholars have connected the treasure with the Avar Khaganate.The newest research shows it is closely related to the Avar culture.According to interpretation of Romanian researcher Paul Lazăr Tonciulescu, this inscription was written by local people (Romanians/Vlachs and Bulgars according to the quite unreliable "Gesta Hungarorum" by the Anonymus chronicler), and objects were the property of a local ruler.

Treasure of Nagyszentmiklós: He further claims the last owner of treasure was Ahtum, who according to Anonymous was the duke of modern Banat with his capital at "Morisena", very close to Sânnicolau Mare.When Ahtum lost his last battle against Magyars, his family buried the treasure.Tonciulescu translated the text: "Jupan Buila [has] all rights, jupan Butaul [has the right of] entering [in] all towns".

Treasure of Nagyszentmiklós: "Jupan" is also used in the Romanian language According to interpretation of the inscription on one of the vessels, this inscription was written by a people whose local leaders had Turkic names and bore Slavic titles (such as the title of župan).As noted above, close affinities have been recognized between the Sânnicolau Mare material and that found at Novi Pazar and in Khazaria.Archaeologists in both Hungary and Bulgaria consider these affinities to support theories of ancient migration between regions.

Treasure of Nagyszentmiklós: Both were allied with Khazars for a period.The treasure gives some idea of the art of the First Bulgarian Empire, Hungarian and Khazar states.According to Professor Nykola Mavrodinov (based on Vilhelm Thomsen), the script on vessel number 21 is in Bulgar, written in Greek letters, surrounding a cross, and reads, "Boyla Zoapan made this vessel.

Treasure of Nagyszentmiklós: Butaul Zoapan intended it for drinking."One school of Hungarian archaeologists maintains that the tenth century gold- and silversmiths working in Hungary were Khazar.When the Magyars migrated to Pannonia in 896, some Khazar tribes, known as the Khavars, came with them to their new homes.

Treasure of Nagyszentmiklós: The Khavars were skilled gold and silversmiths.Khazar art is believed to be modelled on Persian-Sassanide art patterns.The Soviet archaeologist O. H. Bader emphasized the role of the Khazars in the spread of Persian-style silverware towards the north.

Treasure of Nagyszentmiklós: Some of these works may have been re-exported by the Khazars, as middlemen; others were imitations made in Khazar workshops, ruins of which have been found near the ancient Khazar fortress of Sarkel.The Swedish archaeologist T. J. Arne mentions ornamental plates, clasps and buckles of Sassanide and Byzantine inspiration, manufactured in Khazaria or territories under their influence, being found as far afield as Sweden.Thus, the Khazars, Magyars and Bulgars could have been intermediaries in spreading Persian-Sassanide art in Eastern Europe.

Treasure of Nagyszentmiklós: Several elements of the Treasure of Sânnicolau Mare have Central Asian counterparts.One is the scene of the divine Garuda bird lifting up a human body.This motif can be found all over Central Asia, India and Siberia.

Treasure of Nagyszentmiklós: The motif of an animal drinking from the cup also occurs throughout Eurasia from China, through Siberia, to Hungary.The image of the nautilus shell in the set may relate to India, where the animal is native to the Indian Ocean.This relation goes back to the Hephthalites, the white Huns who ruled during the 4th and 5th centuries in Gujarat, Rajasthan.

Treasure of Nagyszentmiklós: However, this scene might also be about the Persian story of Zal and legendary bird of Simorgh.Zal was the father of the greatest Persian/Iranian hero Rostam and the child of a famous hero called Sam Nariman.He was rejected by his father because he was albino and the Simorgh saved him and raised him.

Liverpool Summer Pops: Liverpool Summer Pops The Liverpool Summer Pops is a summer music event in Liverpool.Now being branded as "Liverpool Summer Pops Festival", the event features performances by bands and artists in one venue over consecutive nights, as well as some events in other 'fringe' venues.

Liverpool Summer Pops: The Summer Pops was established in 1993 by the Royal Liverpool Philharmonic Society under the Artistic Direction of conductor Carl Davis.The event was created to give the RLPO somewhere to play in the summers of 1993 - 1995 while the Philharmonic Hall was being refurbished.The event proved popular and was continued, with artists other than the RLPO performing, but by 2001 the costs of running the event had become too much for the RLPS, so Liverpool City Council asked promoter CMP Entertainment to run the event.

Liverpool Summer Pops: The original venue for the Summer Pops was a green and yellow Big Top tent situated on King's Dock in Liverpool.In 2005, the tent was moved to nearby Trafalgar Dock to make way for the construction of an Arena, ACC Liverpool on the King's Dock site.In 2007, the event moved to the pavilion at Aintree racecourse, and in 2008 the Pops moved to the Arena built on its former home on Kings Dock.

Sammy Siegler: Sammy Siegler Sammy Siegler (born March 21, 1973) is an American rock drummer, notable for his many contributions to the New York hardcore scene.He is currently living in Venice, California with his wife, model Siew Longhorn.

Pseudomonas parafulva: Pseudomonas parafulva Pseudomonas parafulva is a Gram-negative bacteria.It is epiphytic and has been demonstrated to antagonise the fungal plant pathogen "Botrytis cinerea".

Timeline of the North Korean nuclear program: Timeline of the North Korean nuclear program This chronology of the North Korean nuclear program has its roots in the 1950s and begins in earnest in 1989 with the end of the Cold War and the collapse of the Soviet Union, the main economic ally of North Korea.The Chronology mainly addresses the conflict between the United States and North Korea, while including the influences of the other members of the six-party talks: China, Russia, South Korea, and Japan.

Timeline of the North Korean nuclear program: The North Korean nuclear program can roughly be divided into four phases.Phase I (1956–80) dealt primarily with training and gaining basic knowledge.Phase II (1980–94) covers the growth and eventual suspension of North Korea's domestic plutonium production program.

Timeline of the North Korean nuclear program: Phase III (1994–2002) covers the period of the "freeze" on North Korea's plutonium program (though North Korea pursued uranium enrichment in secret) and Phase IV (2002–present) covers the current period of renewed nuclear activities.Nuclear weapon warhead designs fall into various categories.Compared to fission weapons, thermonuclear designs are exceedingly complex, and staged weapons in particular are so complex that only five countries (USA, Russia, France, UK, China) have created them in more than 70 years of research.

Timeline of the North Korean nuclear program: The fuels for an H-bomb are also far more difficult to create.Several countries with long-standing nuclear weapons programs, such as India and Pakistan, are suspected of striving towards a hybrid or "boosted" design instead, which is easier.Since both fusion weapons and hybrid designs can at times be referred to as "hydrogen bombs", it cannot be said with certainty at present, what type of weapon North Korea may have been referring to in any given test.

Wabana, Newfoundland and Labrador: Wabana, Newfoundland and Labrador Wabana is a Canadian town and the largest, and only incorporated, community on Bell Island in the province of Newfoundland and Labrador.The town is situated on the northeast end of the island and was incorporated in 1950.

Wabana, Newfoundland and Labrador: Bell Island's soil contains red hematite or iron ore and this resource was the main reason for Wabana's development.Wabana came to prominence during the 1890s when the Butler family from Port de Grave staked mining claims on the north side of the island.These were sold to the Nova Scotia Steel Company and later sold to the Dominion Steel Corporation in the early 1900s.

Wabana, Newfoundland and Labrador: The first mine opened in 1896 and the site of the mines was named Wabana by Thomas Cantly, an official with Nova Scotia Steel Co. - the name being Abenaki for "place where the light shines first."The mines saw Wabana's population swell to 14,000 within a few years, the second largest community in the Dominion of Newfoundland.101 workers lost their lives over the course of Bell Island's iron ore industry.

Wabana, Newfoundland and Labrador: A further 65 sailors on merchant ships were lost on two separate attacks by German U-boats in the fall of 1942 which saw 4 cargo ships for carrying iron ore to the steel mill at Sydney, Nova Scotia sunk.Wabana's population declined following World War II as the underground mines began to face shortfalls in production, being forced to compete with more efficient open pit mines in Labrador and Minnesota.The parent company, Dominion Steel and Coal Corporation (DOSCO), had been in operation since 1930 and was taken over by other conglomerates in the late 1950s.

Wabana, Newfoundland and Labrador: The steel mill and coal mines in Nova Scotia were facing uncertain futures and their shut down was announced in 1965 (although they were subsequently nationalized).The expected announcement of the shut down of the iron ore mines in Wabana came on April 19, 1966.Following their closure, the mines were left to flood and the population of Wabana has since steadily declined.

Wabana, Newfoundland and Labrador: Today, the working population mostly commutes to St. John's on a daily basis, while in the summer a tour of one of the decommissioned mines draws tourism to the island.The island is served by the provincial government ferry system, via the and .The population of Wabana peaked at 8,026 in 1961.

Fontes Christiani: Fontes Christiani Fontes Christiani is a widely cited German bilingual collection of patristic and medieval Latin works with modern German translations.Published initially by Herder, a long-established German theological publisher beginning in 1988, it has been published by the Belgian company Brepols, a major specialized academic publisher in the humanities but now appears to have reverted to Herder.

Fontes Christiani: 100 texts have so far been published (with in 2009 the appearance of a volume of mainly fourth century selected texts devoted to issues of monotheism and tolerance), of which 36 were edited by Herder.The texts which have appeared cover a wide range of authors including on a random selection Irenaeus of Lyons, Tertullian, Origen of Alexandria, Aphrahat, Gregory of Nazianzus, Ambrose, Gregory of Nyssa, Theodore of Mopsuestia, Cassiodorus, John Philopon, Abelard, Rupert of Deutz.These are intended to be appropriate for individual purchasers as well as research libraries.

Shame on You (to Keep My Love from Me): Shame on You (to Keep My Love from Me) "Shame on You (to Keep My Love from Me)" is a song written and performed by Andrea Corr for her debut solo album "Ten Feet High" (2007).It is an anti-war protest song written from the viewpoint of a female whose partner has gone off to war.

Shame on You (to Keep My Love from Me): The song was released as the album's first single in June 2007 to positive reviews from music critics.Andrea Corr never intended to compose a song about conscription and war."Shame on You (to Keep My Love from Me)" began as a love song, but later progressed into an anti-war song after Corr had read the novel "Birdsong" by Sebastian Faulks, which describes a man's life during World War I.

Shame on You (to Keep My Love from Me): The novel influenced her to evaluate how the wars in Afghanistan and Iraq have impacted society.Corr has called these wars an "immense waste" because they destroy the "beautiful things in life".Corr was also deeply moved by photographs of young soldiers that had been killed.

Shame on You (to Keep My Love from Me): She has said that these photographs made her think of the "children [the deceased] won't have and the husband or wife they've left behind or won't marry.""Shame on You (to Keep My Love from Me)" is an up-tempo pop song about how men and women go off to war leaving behind partners that they will never see again.The song was composed by Corr and produced by Nellee Hooper, who had produced hits for artists such as Gwen Stefani and Madonna.

Shame on You (to Keep My Love from Me): The song is written in the common verse-chorus form and features instrumentation from keyboards and guitars."Shame on You (to Keep My Love from Me)" received positive reviews from music critics.IndieLondon described the song as a "slick package" that was "polished, well produced and with a message that's difficult to ignore".

Shame on You (to Keep My Love from Me): "Losing Today"'s David Adair gave the song a strong review, writing that Corr's vocals were "crisp and uplifting".Liverpool's "Daily Post" gave the song a three star rating, commenting that it was "deceptively upbeat" which masked its "heavier message about conscription and war".The video was directed by Dani Jacobs who worked with Andrea on four of the previous Corrs videos.

Shame on You (to Keep My Love from Me): The ideas in the lyrics about war were expanded for the video.The additional imagery features real documentary pictures of children who have been conscripted as child soldiers in various recent conflicts.These are the formats and track listings of major single releases of "Shame on You (to Keep My Love from Me)".

Brabham BT19: Brabham BT19 The Brabham BT19 is a Formula One racing car designed by Ron Tauranac for the British Brabham team.The BT19 competed in the and Formula One World Championships and was used by Australian driver Jack Brabham to win his third World Championship in 1966.

Brabham BT19: The BT19, which Brabham referred to as his "Old Nail", was the first car bearing its driver's name to win a World Championship race.The car was initially conceived in 1965 for a 1.5-litre (92-cubic inch) Coventry Climax engine, but never raced in this form.For the 1966 Formula One season the Fédération Internationale de l'Automobile (FIA) doubled the limit on engine capacity to 3 litres (183 cu in).

Brabham BT19: Australian company Repco developed a new V8 engine for Brabham's use in 1966, but a disagreement between Brabham and Tauranac over the latter's role in the racing team left no time to develop a new car to handle it.Instead, the existing BT19 chassis was modified for the job.Only one BT19 was built.

Brabham BT19: It was bought by Repco in 2004 and put on display in the National Sports Museum in Melbourne, Australia, in 2008.It is often demonstrated at motorsport events.The BT19 was created by Australian designer Ron Tauranac for the Brabham Racing Organisation (BRO) to use in the 1965 season of the Formula One motor racing World Championship.

Brabham BT19: The BT19, and its contemporary the Lotus 39, were built to use the new FWMW flat-16 engine from Coventry Climax.Only one example of the BT19 design was built, and it never raced in its original form.Climax abandoned the FWMW's development before the end of 1965, their existing FWMV V8 engines proving powerful enough to propel Jim Clark's Lotus 33 to seven wins and the drivers' championship.

Brabham BT19: For 1966, the engine capacity limit in Formula One was doubled from 1.5 litres (92 cu in) to 3 litres (183 cu in).It was not feasible to enlarge existing 1.5-litre engines to take full advantage of the higher limit and Climax chose not to develop a new 3-litre motor, leaving many teams without a viable engine for 1966.The new 3-litre engines under development by competing team Ferrari had 12 cylinders.

Brabham BT19: Jack Brabham, owner and lead driver of BRO, took a different approach to the problem of obtaining a suitable engine.He persuaded Australian company Repco to develop a new 3-litre eight-cylinder engine for him, largely based on available components; the engine would produce less power than Ferrari's, but would be lighter, easier to fix and more fuel efficient.Brabham cars were designed and built by Motor Racing Developments Ltd. (MRD), which was jointly owned by Tauranac and Jack Brabham and built cars for customers in several racing series.

Brabham BT19: The Formula One racing team, BRO, was a separate company wholly owned by Jack Brabham.It bought its cars from MRD but Tauranac had little connection with the race team between 1962 and 1965.At the end of the 1965 season Tauranac was losing interest in this arrangement, reasoning that "it was just a matter of a lot of effort for no real interest because I didn't get to go racing very much" and "I might as well get on with my main line business, which was selling production cars."

Brabham BT19: Although Brabham investigated using chassis from other manufacturers, the two men eventually agreed that Tauranac would have a greater interest in the Formula One team, which MRD eventually took over completely from BRO.This agreement was not reached until November 1965.Repco delivered the first example of the new engine to the team's headquarters in the United Kingdom in late 1965, just weeks before the first Formula One race to the new regulations, the non-championship South African Grand Prix on 1 January 1966.

Brabham BT19: Rather than build a new car in the limited time available, BRO pressed chassis number F1-1-1965, the sole and unused BT19, into service.Tauranac built the BT19 around a mild steel spaceframe chassis similar to those used in his previous Brabham designs.The use of a spaceframe was considered a conservative design decision; by 1966, most of Brabham's competitors were using the theoretically lighter and stiffer monocoque design, introduced to Formula One by Lotus during the 1962 season.

Brabham BT19: Tauranac believed that contemporary monocoques were not usefully stiffer than a well-designed spaceframe and were harder to repair and maintain.The latter was a particular concern for Brabham, which was the largest manufacturer of customer single-seater racing cars in the world at the time.The company's reputation rested in part on BRO – effectively the official 'works' team – using the same technology as its customers, for whom ease of repair was a significant consideration.

Brabham BT19: One mildly novel feature was the use of oval-section, rather than round, tubing around the cockpit, where the driver sits.In a spaceframe or monocoque racing car, the cockpit is effectively a hole in the structure, weakening it considerably.For a given cross sectional area, oval tubing is stiffer in one direction than round tubing.

Brabham BT19: Tauranac happened to have a supply of oval tubing and used it to stiffen the cockpit area.The car weighed around 1250 pounds (567 kg), around over the minimum weight limit for the formula, although it was still one of the lightest cars in the 1966 field.The race starting weight of a 1966 Brabham-Repco with driver and fuel was estimated to be around , about less than the more powerful rival Cooper T81-Maseratis.

Brabham BT19: The bodywork of the BT19 is glass-reinforced plastic, finished in Brabham's usual racing colours of green with gold trimming around the nose.Although the science of aerodynamics would not greatly affect Formula One racing until the 1968 season, Tauranac had been making use of the Motor Industry Research Association wind tunnel since 1963 to refine the shape of his cars.Brabham has attributed the car's "swept-down nose and the upswept rear lip of the engine cowl" to Tauranac's "attention to aerodynamic detail".

Brabham BT19: During the 1967 season, the car appeared with small winglets on the nose, to further reduce lift acting at the front of the car.Against the trend set by the Lotus 21 in 1961, the BT19's suspension, which controls the relative motion of the chassis and the wheels, is outboard all round.That is, the bulky springs and dampers are mounted in the space between the wheels and the bodywork, where they interfere with the airflow and increase unwanted aerodynamic drag.

Brabham BT19: Tauranac persisted with this apparently conservative approach based on wind tunnel tests he had carried out in the early 1960s, which indicated that a more complicated inboard design, with the springs and dampers concealed under the bodywork, would provide only a 2% improvement in drag.He judged the extra time needed to set up an inboard design at the racetrack to outweigh this small improvement.At the front the suspension consists of unequal length, non-parallel double wishbones.

Brabham BT19: The front uprights, the solid components upon which the wheels and brakes are mounted, were modified from the Alford & Alder units used on the British Triumph Herald saloon.The rear suspension is formed by a single top link, a reversed lower wishbone and two radius rods locating cast magnesium alloy uprights.Wheels were initially 13 inches (330 mm) in diameter, but soon upgraded to at the rear, and later still 15 in at the front as well.

Brabham BT19: These increases enabled the use of larger, more powerful brakes.Steel disc brakes are used on all four wheels and were of diameter for the smaller wheels and for the larger ones.The car ran on treaded Goodyear tyres throughout its racing career.

Brabham BT19: The BT19 continued Tauranac's reputation for producing cars that handled well.Brabham has since commented that it "was beautifully balanced and I loved its readiness to drift through fast curves."Brabham referred to the car as his "Old Nail"; Ron Tauranac has explained this as being "because it was two years old, great to drive and had no vices."

Brabham BT19: Repco racing engines were designed by the leading motorcycle engine designer, Phil Irving, and built by a small team at a Repco subsidiary, Repco-Brabham engines Pty Ltd, in Maidstone, Australia.Repco's 620 series engine is a normally aspirated unit with eight cylinders in a 'V' configuration.It uses American engine blocks obtained from Oldsmobile's aluminium alloy 215 engine.

Brabham BT19: Oldsmobile's 215 engine, used in the F-85 Cutlass compact car between 1961 and 1963, was abandoned by General Motors after production problems.Repco fitted their own cast iron cylinder liners into the Oldsmobile blocks, which were also stiffened with two Repco magnesium alloy castings and feature Repco-designed cylinder heads with chain-driven single overhead camshafts.The internals of the unit consist of a bespoke Laystall crankshaft, Chevrolet or Daimler connecting rods and specially cast pistons.