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2,700
Just like Walt used to make! This might've started as a Fox movie but has come home, as it's classic Disney entertainment at its finest. Harrison Ford also returns to form.
positive
2,701
Combining elements of a D-grade erotic thriller and a deconstructed international thriller, Boarding Gate proves duly snazzy and sleazy - kinda skanky in a highfalutin' way.
negative
2,702
A Top Gun for the NASCAR set.
positive
2,703
As in his previous films, McNaughton has an uncanny mastery over reality: this film -- the locations, the people, the emotions -- rings true.
positive
2,704
It crams in all of the best Bugs and Daffy Duck cartoons from the post-war period, plus a dizzying 15-minute compilation of Roadrunner sketches.
positive
2,705
You'll be embarrassed, sad, happy then exhausted.
positive
2,706
Duvall as rough, tough Marine in downer story of family conflict
positive
2,707
Novelist Jack Finney's body snatchers have appeared in some fine movies, but the only disturbing-looking thing here is what they've done to Nicole Kidman's lips.
negative
2,708
Lying brushes more big ideas than commonplace comedies, but hasn't taken those ideas through enough drafts to work out their implications or -- harder still -- make them killingly funny.
negative
2,709
A meaningful engagement with elder care, dementia and mortality, born of the director’s own experiences with his mother and his near-fatal brain haemorrhage.
positive
2,710
It's pretty special stuff as offered up by Donoghue and director Lenny Abrahamson.
positive
2,711
A creepy little thriller that holds your interest. Plus it features 60's star Rita Tushingham in a lead role.
positive
2,712
These days, people are more interested in Kurosawa than he is in being Kurosawa.
negative
2,713
Maria Demopoulos and Jodi Wille's disturbing film is an object lesson in psychological manipulation.
positive
2,714
On the surface, nearly none of it is clever, which is quite disappointing in a movie about espionage and duplicity and triple-crosses.
negative
2,715
Despite being formally unusual, it's always emotionally accessible if not emotionally overwhelming.
positive
2,716
[Woodley] spends much of the second [film] captured by the society's merciless overlord (Kate Winslet) and locked into a psychoactive contraption that subjects her to various traumatic hallucinations. Any movie critic can relate to that.
negative
2,717
If I want to spend 90 minutes with better lighting on the ninja's body than the fighting, give me Lucinda Dickey in Ninja III: The Domination any day of the week.
negative
2,718
It works as a funny and slicker-than-expected parody of the genre.
positive
2,719
Malloy's film works for hardcore fans, but also should function as a taster for novices; there's enough tantalising clips and stories to spark interest in the toughest genre of films ever made.
positive
2,720
This whimsical French comedy about the ramifications of clandestine good deeds and the courage to follow one's own heart is also a celebration of the boundless potential of cinema itself.
positive
2,721
In a way, this failure is a product of its success: so adept is Blamire's backhanded homage that it results in a film every bit as gruelling as its antecedents.
negative
2,722
It's not mankind that's been shrunk, it's Payne's conception.
negative
2,723
Someone should've told the filmmakers of Love Type D that it's neither funny nor cute to do a romantic comedy about a woman who spends most of the movie stalking an ex-boyfriend who dumped her. It's pathetic ... [And it's] an appalling mess of a movie.
negative
2,724
From its slow-burning beginning, The Guardians develops into an epic melodrama. It's a wartime story in which, for a change, the men are relegated to supporting roles.
positive
2,725
Martel achieves a distinctive marriage of realism and spirituality.
positive
2,726
Gloria Swanson deserves to be called iconic in Billy Wilder's priceless 1950 classic.
positive
2,727
The sights are ga-ga, but the storytelling gets fairly turgid.
negative
2,728
...tells a moving tale of a man's love for his sons and the lengths he is willing to go to return his boys home.
positive
2,729
A coy and hollow parody.
negative
2,730
The first twenty minutes are great with Wahlberg stealing the show as a wannabe inventor but when the Transformers arrive onscreen, it all goes downhill.
negative
2,731
An achievement of accomplished filmmaking and superb acting, L.I.E. puts you in the tough spot of unraveling how you feel about what you've viewed.
positive
2,732
Perhaps the most charitable way to look at Split is that is a cry for help by its director. "Stop me before I film again," he seems to be saying.
negative
2,733
Pleasingly adult material powered by elegant, muscular performances. A strong adaptation of a slippery novel.
positive
2,734
Upbeat celebration of outstanding kids who spell to win.
positive
2,735
This is a sprawling complex mystery that, while it's sometimes too tangled for its own good, has an absorbing central story.
positive
2,736
If you want a reminder that misogyny is alive and well, this is the documentary for you. It actually ends on a bright note, but the road there is brutal
positive
2,737
Two of Us delivers a rare and restrained portrait of enduring love, especially between women of a certain age, right up to its devastatingly moving final frame.
positive
2,738
Gemma Arterton grabs hold in this at times uneven but satisfying, escapist story about an author living in the British countryside during WWII--really about nostalgia and (importantly) hope for a better time
positive
2,739
Whatever you may think about Gibson the man, Apocalypto shows he's determined to lay all his art and sweat and blood up there on the screen.
positive
2,740
It's probably too much to ask James to channel Robert Mitchum in "Cape Fear," but a little gleam in the eyes or a baring of fangs would have been welcome.
negative
2,741
It felt a little cold to me...and that's what keeps this movie from being great.
positive
2,742
An exploration of the dynamics of sadness and the liberating qualities of love.
positive
2,743
An earnest (yet flawed) drama that's absolutely worth celebrating for representation's sake - and worth a watch.
positive
2,744
Rather than spend undue attention on these elements, Pellington works his magic by tapping into the talents of his leads. Both MacLaine and Seyfried use their eyes and the act of watching to reveal who these women truly are.
positive
2,745
A must-see for Weird Al fans who haven’t been treated to significant Weird Al-style comedy in a movie since 1989’s UHF. Fans of absurdity and parodies also might enjoy it, but the 2010 Funny or Die short serves up a lot of the same comedic beats.
positive
2,746
[Liman] reminds you that he was put on this earth to make popcorn thrillers. The ingenuity he brings to this disposable project is a sign of why Hollywood blockbusters continue to rule the globe.
positive
2,747
Much better than the first, abysmal, sequel.
positive
2,748
A riveting coming of age story that should have universal applicability.
positive
2,749
Unlike last year's silly 'Wonder Woman,' while both are impossible fantasies that defy credibility, this one is peripatetic entertainment that doesn't distort history or use real people's names...'Raiders of the Lost Ark' on steroids.
positive
2,750
There are flourishes of brilliance, particularly in score, costumes and set design. However, this brilliance is often buried beneath messy, disjointed action sequences and a story that fails to make any sense at all.
positive
2,751
The only attractive feature is an occasional shot of Louis in the ring, showing him fighting; but even these scenes have been handled poorly.
negative
2,752
There is cuteness and chuckle-worthy visual and verbal jokes, but the film-maker weaves in that element that eludes others: heartfelt emotion.
positive
2,753
... a muddled and relentlessly downbeat examination of marriage and mortality that's more pretentious than profound.
negative
2,754
The movie makes sure to never forget that these are all people, stupid, flawed people; the banality of evil is so prevalent here that you'll occasionally laugh just to keep from cry.
positive
2,755
Sometimes it's so goofy you want to slap it for foisting so many dud slapstick gags. And sometimes it's so intentionally goofy you have to laugh.
negative
2,756
Their chemistry is the best [part] of this film that is more foolish than the previous, less credible and less funny. [Full review in Spanish]
positive
2,757
It's to first-time filmmaker John Dullaghan's credit that he offers a portrait of the Southern California poet and novelist that digs beyond Bukowski's hard-drinking, hard-loving persona.
positive
2,758
Woody Allen's Take the Money and Run has some very funny moments, and you'll laugh a lot, but in the last analysis it isn't a very funny movie.
negative
2,759
What a disappointment.
negative
2,760
Finding the right balance among tones and subtexts can be tricky. In this case, despite some flourishes, the film lacks a deeper resonance.
negative
2,761
[The Rock bought] the rights to her tale after seeing a doco about her wrestling family, produced this biopic, and then cast himself as her jacked Jiminy Cricket. It's a fiction, and also one of the best f***ing ideas I've ever heard.
positive
2,762
A fair and balanced exposé as well as a powerful wake-up call for a systemically broken system that's in desperate need of significant repair.
positive
2,763
Maybe they shouldn't have done it as a musical, but other than that I think it is a fabulous film.
positive
2,764
Oscar Isaac upstages impressive visual effects and set design
positive
2,765
With impressive agility, "Wadjda" finds room to maneuver between harsh realism and a more hopeful kind of storytelling.
positive
2,766
I Love You, Stupid is fine and nothing more, but maybe something slightly less.
negative
2,767
Those with warm memories of the BBC television serial in the 1980s will find much in this Brideshead to enjoy.
positive
2,768
This is one well-made thriller, and for a director who wants to work in that genre, this is as strong a first feature as any filmmaker could hope for.
positive
2,769
Despite its obvious currency, it's more yesterday than tomorrow.
negative
2,770
This edition -- clean and tight as Scott would have it -- presents a strong case for Alien as both the greatest horror film and the greatest science-fiction film ever made.
positive
2,771
Not perfect, by any means, but a top night out
positive
2,772
Fearless as a fatwa and subtle as a Second Coming, Religulous is a revelation.
positive
2,773
A top-to-bottom miracle of a film, burly in its philosophy and graceful in its style.
positive
2,774
"The Kingmaker" chills the soul by presenting shantytown residents and school kids who extol the Marcos regime and even endorse its eight-year period of martial law.
positive
2,775
DIG! is part post-grunge version of A Star is Born, part Cain and Abel fable of split fraternal affinities, and part reiteration of the oldest story in rock music: the impossibility of reconciling success with integrity.
positive
2,776
Bathed in an atmosphere of nightmare, dread and otherworldliness that is unlike anything else in American horror cinema.
positive
2,777
The incessant talk that continues from start to finish might just be the movie's strongpoint -- and given how clumsy and contrived it is, that's saying something.
negative
2,778
An old-fashioned, hand-tinted postcard that's as inert as it is pretty.
negative
2,779
After Earth is an underwhelming exercise in science fiction that barely registers as entertainment.
negative
2,780
It's too bad-in the right, Herzogian hands, this could have been one of the great Man vs. Nature epics in cinema. Instead it's a boring, lame Moby Dick spin-off.
negative
2,781
It's Kate Beckinsale who is fantastic and she is able to hold the strong premise long enough to keep my interest in a politically-charged thriller.
positive
2,782
Too slow, both leads seem self-conscious.
negative
2,783
In true Hitchcockian fashion, Everybody Knows is an absorbing film filled with twists and turns and the mesmerizing ambiguity of "who dunnit".
positive
2,784
A rare bird, not because of what it's like but because it makes you ask: why was it made? [Full review in Spanish]
negative
2,785
As both war epic and historical character piece, it feels weirdly insubstantial.
negative
2,786
The film's tonal and situational shapeshifting doesn't go to the surrealist lengths of Luis Buñuel's The Discreet Charm of the Bourgeoisie, but James Vaughan similarly indulges in burlesquing upper-middle-class complacency.
positive
2,787
one of the sloppiest pieces of hackwork to be put out by a major studio recently. In fact, this flaccid comedy's only laughs come from its sheer ineptitude.
negative
2,788
...levitates above its limitations thanks to its three leads.
positive
2,789
Frenetic to a fault, bordering on sensory overload, this is a van ride to be remembered.
positive
2,790
With the studio seemingly more interested in mini-Marvel-esque universe building than basic storytelling, I'll be bracing myself for another underwhelming, rather than amazing, Spider-Man.
negative
2,791
In Theo Anthony's excellent new documentary Rat Film, these parasitic little critters seem to be scuttling about wherever the camera happens to look.
positive
2,792
The Final Girls offers a lovely twist on the horror genre and some good laughs for movie fans of every stripe. Nice to see the more ludicrous elements of retro slasher fare get the mockery they deserve.
positive
2,793
While the first ninety minutes or so are sporadically amusing, if hardly classic, the sag of the last thirty leaves one anxious for it all to end.
negative
2,794
The performances are great, it looks great, the clothes are great. Sometimes that's enough for me.
positive
2,795
A delight for very young children and any parent who'll get the Attorney General joke of "Geneva Convention? I don't care if it's a Star Trek convention!"
positive
2,796
Brandon Cronenberg's slick, strenuously naughty Infinity Pool, letting the characters descend into a moral freefall without any real downside gets tiresome fast.
positive
2,797
It’s tame, like really tame, with a distinct 80s screwball comedy feel. The comedy is cringe-worthy but wholesome, and we laugh with the foibles, not at them.
positive
2,798
A convoluted mess that will likely appeal to neither the young nor the old.
negative
2,799
Hepburn's sparkle and charm prove as irresistible as ever, but it feels like there's so much more to say.
positive