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2,600
Underneath the achingly beautiful surface, a sense of opportunities lost and roads not taken often lurks.
positive
2,601
Somewhere in here, there's a pretty decent movie.
negative
2,602
Sweet but not sentimental, sad but not cynical, Two For Joy is a welcome new take on a British realism with disarmingly impressive performances from its young cast.
positive
2,603
The theme seems to be a kind of late-Edwardian Euro whimsy along Wodehousian lines... except that Wodehouse was really funny, and Anderson really isn't.
negative
2,604
This one captured my eye as well as my intrigue for this continuing storyline in ways I had not anticipated
positive
2,605
If you're going to remake a classic movie, The Wolfman is an excellent example of how to do it right.
positive
2,606
While Confession of a Burning Man manages to accurately capture the Burning Man spirit, it falls just short of capturing the entire Burning Man experience.
positive
2,607
Required viewing for anyone who thinks the modern media created the social ills that accost us so frequently today.
positive
2,608
Contemplative study of the basis of man and purpose and it explores that theme with consistency and integrity.
positive
2,609
A masterpiece that merges the Bard's bittersweet wisdom with the wit, style, and idealism of '30s Hollywood musicals.
positive
2,610
No, I don't want no Skrull A Skrull is a guy that can't get no love from Kree Hangin' out the earthbound side Of an Accuser's ride Trying to holler at Fury
positive
2,611
With her declarative snap and ability to go for the jugular, Thompson truly seems like a born talk-show host. Even when she's just riffing, she grounds "Late Night" in something real.
positive
2,612
The heart of Hogan's film is in the right place, and Collette is masterful as an agent of anarchy.
positive
2,613
An important, heart-soaring record of a group of incredibly brave people doing something almost everyone would tell them is impossible.
positive
2,614
Through the years, [it's] become genre classic of its own.
positive
2,615
Aronofsky rewrites the language of film to create a dizzying journey into the abyss. The best film of 2000.
positive
2,616
begins as a fairly intriguing study of alienation, only to end up as a far-fetched "let's get outta here!" thriller. ... Ruby proves to be so adept at last-minute disappearances, you'd think her grandfather was Houdini.
negative
2,617
Diner is a funny, affectionate film... If you're over 30, you may be surprised to remember what a drab era it was and hopeful that men will never again be as dense.
positive
2,618
The Intern is an insubstantial Nancy Meyers comedy kept afloat by Robert De Niro and Anne Hathaway's screen chemistry.
positive
2,619
Surprising, sweet and charming, David Wain proves himself a comic director par excellence.
positive
2,620
Paradise Now stands as evidence of troubled and troubling times.
positive
2,621
In all honesty, what I would have rather watched than this sometimes confusing film was a film strictly about the woman that inspired the Freda character. It seems like it would have been a more inspiring story.
negative
2,622
If you are an extreme sports junkie, Point Break is cocaine. If you are a fan of good writing, it's a placebo.
negative
2,623
Although this stylish and ominously paced vehicle starts with a full itinerary, it never makes a vital connection.
positive
2,624
It may not be the most original comedy ever, but what Role Models lacks in originality of concept, it makes up for in the natural wittiness of its actors.
positive
2,625
The idea of a single-take shot may suggest something static, but Berberich's camera glides through scenes, helping the viewer to not only concentrate on what is being said, but also allowing us time to consider these thoughts at a normal pace.
positive
2,626
A high-end version of one of those direct-to-video kids' movies that play on the Disney Channel all throughout October, all cobwebbed tombstones behind iron cemetery gates and dead leaves crunching underfoot.
positive
2,627
The horror here is derived from an inability to cope, to gain closure, to accept that, despite what mainstream movies tell us, not every loose end in life ties itself up in an immaculate bow.
positive
2,628
This film has plenty of bad attitude for sale, but the black humor only delivers sporadically on the laughs.
negative
2,629
If John Wick is Buster Keaton, [Odenkirk's] Hutch is Harold Lloyd.
positive
2,630
What’s stifling for [its lead] Ana is the mark of a taut drama in which the political becomes personal in unshakeable ways.
positive
2,631
As far as live-action reimaginings of fairy tales are concerned, this is one of the more inventive ones and is unquestionably better than 2011's Red Riding Hood misfire.
positive
2,632
"12 Years a Slave" works on so many levels -- some topical, some timeless -- that it's almost impossible to count them.
positive
2,633
Curious paring of Williams and Altman in a live action adaptation of the famous cartoon. Altman's odd sound techniques are not well suited for the material.
positive
2,634
While this feels like familiar territory for Baumbach, he manages to deliver something that feels at least a little fresh, thanks in part to the capabilities of the extraordinary ensemble.
positive
2,635
The movie has a few perky, funny moments, but Slade is determined to stretch things out until one no longer cares what happens to his star-crossed lovers.
negative
2,636
The complexity might require a second viewing, but there is compensation in the realistic acting by a cast of non-pros and the eye-grabbing, hand-held lensing by Boaz Yehonatan Yacov.
positive
2,637
If this is what Park Chan-wook can bring to the American film world, then hopefully he will stay for a very long time.
positive
2,638
This lavish Spanish production begins to plod after a brisk, lively first half.
negative
2,639
A smart, provocative chiller with a strong perspective.
positive
2,640
he General is the highlight of his career's tragicomic performances, featuring not just the awe-inspiring stunts that were his bread and butter, but also a level of fluidity only he and Chaplin attained at the top of their games.
positive
2,641
There's a better movie to be made that combines the talents of everyone involved but You People isn't it.
negative
2,642
Isn't It Romantic earns its place in the pantheon of romantic comedies. [Full review in Spanish]
positive
2,643
It's certainly not for everyone -- basically, the embodiment of "art house cinema" -- but those into the dark, the quirky and the risqu should find plenty to appreciate.
positive
2,644
Diesel isn't amusing, so he merely comes off as a showy actor in a bad wig.
negative
2,645
The real Mars may be nothing like it appears in this movie, but it sure does make you want to visit anyway.
positive
2,646
One gets the feeling that a lot of the meaning of this film ended up on the cutting room floor.
negative
2,647
It successfully takes on the theme from Gaslight.
positive
2,648
A strong piece of mass market filmmaking.
positive
2,649
Tonya's hardships were depicted with straightforwardness; however, the film's narrative was not so effective, perennially wobbling between the cheaply dramatic and the absurdly comic.
negative
2,650
Casino Royale is right up there with my favourite films, let alone Bond films. Well paced, well shot, well acted and lots of fun and clever nods to past Bond-isms. Top marks.
positive
2,651
A gripping, provocative documentary.
positive
2,652
The zombie film has never been so funny or so cool.
positive
2,653
The theft itself, and the subsequent (overdone) trial scene that functions as its prologue and aftermath, are in many ways secondary to the film’s humane charms. What’s best about The Duke are its witty grace notes.
positive
2,654
Forgettable Tom Hanks comedy made early on.
negative
2,655
Even though its a little predictable, this uncomplicated story captures your atention from the beginning. [Full review in Spanish]
positive
2,656
Robert Downey, Jr.'s effortlessly nuanced performance as Tony Stark is a dark delight that combines pop-culture wit and genuine emotional depth.
positive
2,657
F9 is a stupendously stupid movie. Total nonsense. Bombastic and, forgive the pun, ludicrous. But I'd be lying if I didn't say I had a lot of fun watching it. I now support multi-million-dollar goofball productions.
positive
2,658
They're not too old for this shit.
positive
2,659
While it may not be exactly the movie that die-hard Paranormal Activity fans may be expecting, the fact that Next of Kin plays around with expectations in such a clever way here works in the film's favor.
positive
2,660
What a better cinematic palette we would have if stars wielded their clout like this more often."
positive
2,661
Polemical as it is, Death in Sarajevo is a hotel movie, one that fluidly entertains even as it educates.
positive
2,662
The film's family entertainment value is of a high standard. I still would have hoped that there could have been something more in here.
negative
2,663
A much-needed wake-up call to face the fact that state-sanctioned usury and exorbitant late fees are destroying the prospects of working class citizens of ever achieving anything approaching the American Dream.
positive
2,664
Landais has made a version of "Aspern" that is too often uncertain and unconvincing despite the good work of his female stars.
negative
2,665
A bona fide Third World thriller that deserves to be seen without all the prejudicial baggage and BS that has swirled around the movie for the last few months.
positive
2,666
2018's Halloween is a great addition to the Halloween franchise, and by cutting off all of the previously existing sequels, it's able to not only make Michael Myers a true creature of terror, but also comments, subtly, on the current true crime culture.
positive
2,667
A bold (and lovely) experiment that will almost certainly bore most audiences into their own brightly colored dreams.
negative
2,668
The Christina Applegate renaissance is in serious jeopardy.
negative
2,669
The script, co-written by Seidelman, based on her mother Florence's adventures in a butterfly-balloted suburban retirement community, feels like it was written by Neil Simon on a bad comb-over day.
negative
2,670
Even when Yard occasionally becomes too hammy for words, or the "evil" performances cross into cartoon, the film remains an overwhelmingly infectious experience.
positive
2,671
Parker uses the same overbearing touch in David Gale that he did in Angela's Ashes and Mississippi Burning.
negative
2,672
Doesn't amount to much.
negative
2,673
Give me a Shaun action-figure tie-in over Minions Tic-Tacs or Icees any day.
positive
2,674
A sensitive and cumulatively moving account of private grief in the aftermath of very public atrocity.
positive
2,675
While it lacks Spider-Man's emotional wallop, X2: X-Men United represents the purest translation of comic book action to the big screen.
positive
2,676
The screenplay by Robert A Stemmie and Karl Hartl both plays the game...and acknowledges that [Holmes and Watson] are fictional creations.
positive
2,677
It takes a village to burn itself to the ground, and no one is better at contextualizing such huge events, and structuring the information into a clear and transparent narrative, than documentarian Alex Gibney.
positive
2,678
An unusually pitched portrait of a culinary genius from the Gordon Ramsay school of shouty chefs who needs to learn to, like, chill out. But that high energy never fully translates to the screen.
negative
2,679
A feeble call to arms, and inept entertainment to boot.
negative
2,680
It's marked by fine performances from a great cast, but it's hard to escape the fact that The Debt takes itself very, very seriously, to its own detriment.
positive
2,681
From opening to closing credits, there isn't a single genuine moment.
negative
2,682
In practice Lee doesn't quite handle this vertiginous tone switch.
negative
2,683
The first film in terms of Oscar hopefuls this year that can truly be considered a contender.
positive
2,684
Whether it's a product of the city's laid-back, party-hearty nature or a fault of the filmmaking, Sons makes for a pleasant sit but doesn't really have the substance to deliver the aimed-for tenor of inspirational struggle.
negative
2,685
As the hard-boiled professional fisherman who gives his ample ingenuity to a cause, Mr. Bogart is almost as impressive as he was as Rick, the Casablanca host.
positive
2,686
All is covered with Altman's own winning sense of humour and perspective which is what transforms what might otherwise have been a banal biographic doc into something a little more compelling.
positive
2,687
A magnificent reimagining of the classic Christmas tale filled with beauty and magic, but most importantly, it's a tale that gives strength, power and intelligence to the lead character, a girl, Clara.
positive
2,688
Even at 89 minutes, you can feel the oxygen running out of this movie.
negative
2,689
The brilliance with this one is pretty subtle, which ought to make it a film you want to watch over and over again.
positive
2,690
The ensuing action-adventure may promise more than it ultimately delivers but remains fun for long periods.
positive
2,691
What mitigates this willful narrative vagueness are the performances.
positive
2,692
Alex Tse's script adheres to the basic outline of the original while sprinkling in some fresh touches. Director X nimbly moves the various chess pieces of the plot about while showing a distinctive flair for outlandish action sequences.
positive
2,693
...this is a superb cast that knows how to put the right spin on clever dialogue - even when they're playing thinly drawn characters in a dated and unnecessary story.
negative
2,694
Brie Larson's directorial debut Unicorn Store is a wonderful debut, a film full of great laughs, terrific performances, clever observations, and a huge, rainbow-coloured heart.
positive
2,695
With family comedies so few and far between, it's a pity this one couldn't have been better.
negative
2,696
"Run Lola Run" is the music video you've been dreaming for movies to be.
positive
2,697
For every laudable moment in Never Look Away where the filmmaker finds truth in his characters and their reality, there's another that removes us so far from caring for them that it's hard to find our way back.
positive
2,698
Timely, taut, spellbinding and surprisingly heartwarming. It might be the most important documentary about Israeli-Palestinian relations since Promises.
positive
2,699
Shouldn't therapy, at least in art for or about childhood, be fun? The book was entrancing. The book deserved better. Happily there is still time, before the world ends, for someone else to film it. For now: return to Sendak.
negative