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told in scattered fashion | 0negative
| 200 |
takes chances that are bold by studio standards | 1positive
| 201 |
believe it or not , jason actually takes a backseat in his own film to special effects | 0negative
| 202 |
only thing to fear about `` fear dot com '' | 0negative
| 203 |
whole mess | 0negative
| 204 |
manages to infuse the rocky path to sibling reconciliation with flashes of warmth and gentle humor | 1positive
| 205 |
working from a surprisingly sensitive script co-written by gianni romoli ... ozpetek avoids most of the pitfalls you 'd expect in such a potentially sudsy set-up . | 1positive
| 206 |
a résumé loaded with credits like `` girl in bar # 3 | 0negative
| 207 |
enjoy the ride | 1positive
| 208 |
very little to add beyond the dark visions already relayed by superb recent predecessors | 0negative
| 209 |
the , yes , snail-like pacing | 0negative
| 210 |
an extremely unpleasant film . | 0negative
| 211 |
if it is n't entirely persuasive , it does give exposure to some talented performers | 1positive
| 212 |
the whole affair , true story or not , feels incredibly hokey ... | 0negative
| 213 |
are all things we 've seen before | 0negative
| 214 |
poignant and leavened | 1positive
| 215 |
breathless anticipation | 1positive
| 216 |
significantly better | 1positive
| 217 |
as predictable as the tides | 0negative
| 218 |
bewilderingly brilliant and entertaining | 1positive
| 219 |
it 's smooth and professional | 1positive
| 220 |
, unassuming , subordinate | 0negative
| 221 |
the horror | 0negative
| 222 |
a technically superb film | 1positive
| 223 |
the positive change in tone here seems to have recharged him . | 1positive
| 224 |
pays earnest homage to turntablists and beat jugglers , old schoolers and current innovators | 1positive
| 225 |
a dim | 0negative
| 226 |
, vicious and absurd | 0negative
| 227 |
because he acts so goofy all the time | 0negative
| 228 |
to a kinetic life so teeming that even cranky adults may rediscover the quivering kid inside | 1positive
| 229 |
's at once laughable and compulsively watchable , | 1positive
| 230 |
merit its 103-minute length | 1positive
| 231 |
the value and respect for the term epic cinema | 1positive
| 232 |
as a dentist 's waiting room | 0negative
| 233 |
showing honest emotions | 1positive
| 234 |
amazingly lame . | 0negative
| 235 |
confessions may not be a straightforward bio | 0negative
| 236 |
seems a disappointingly thin slice of lower-class london life ; despite the title ... amounts to surprisingly little | 0negative
| 237 |
the story is bogus and | 0negative
| 238 |
this comic gem is as delightful as it is derivative . | 1positive
| 239 |
to spare wildlife | 1positive
| 240 |
ugly as the shabby digital photography | 0negative
| 241 |
understand the difference between dumb fun and just plain dumb | 0negative
| 242 |
traditionally structured | 1positive
| 243 |
frida is n't that much different from many a hollywood romance . | 0negative
| 244 |
does point the way for adventurous indian filmmakers toward a crossover into nonethnic markets . | 1positive
| 245 |
are worth the price of admission ... if `` gory mayhem '' is your idea of a good time | 1positive
| 246 |
was produced by jerry bruckheimer and directed by joel schumacher , and reflects the worst of their shallow styles : wildly overproduced , inadequately motivated every step of the way and demographically targeted to please every one ( and no one ) | 0negative
| 247 |
carnage and | 0negative
| 248 |
degraded , handheld blair witch video-cam footage | 0negative
| 249 |
second fiddle | 0negative
| 250 |
about the folly of superficiality that is itself | 0negative
| 251 |
serves as auto-critique , and its clumsiness as its own most damning censure . | 0negative
| 252 |
tedious norwegian offering which somehow snagged an oscar nomination . | 0negative
| 253 |
, esther kahn is unusual but unfortunately also irritating . | 0negative
| 254 |
a stylish exercise | 1positive
| 255 |
halfway through this picture i was beginning to hate it | 0negative
| 256 |
a setup so easy it borders on facile | 0negative
| 257 |
a thoroughly awful movie | 0negative
| 258 |
takes hold and grips hard | 1positive
| 259 |
look smeary and blurry , to the point of distraction | 0negative
| 260 |
the picture 's fascinating byways | 1positive
| 261 |
guns , cheatfully filmed martial arts , disintegrating bloodsucker computer effects and jagged camera moves | 0negative
| 262 |
breezy , distracted rhythms | 0negative
| 263 |
than this mess | 0negative
| 264 |
evanescent , seamless and sumptuous stream | 1positive
| 265 |
slick and manufactured to claim street credibility . | 1positive
| 266 |
take care is nicely performed by a quintet of actresses , | 1positive
| 267 |
valuable messages | 1positive
| 268 |
in no small part thanks to lau | 1positive
| 269 |
two guys who desperately want to be quentin tarantino when they grow up | 0negative
| 270 |
no new plot conceptions | 0negative
| 271 |
essentially a collection of bits -- | 0negative
| 272 |
does n't bode well for the rest of it | 0negative
| 273 |
elevated by it -- the kind of movie | 1positive
| 274 |
usual worst | 0negative
| 275 |
hugh grant , who has a good line in charm | 1positive
| 276 |
arrive early and stay late | 1positive
| 277 |
is a pan-american movie , with moments of genuine insight into the urban heart . | 1positive
| 278 |
i could have used my two hours better watching being john malkovich again . | 0negative
| 279 |
shot in artful , watery tones of blue , green and brown | 1positive
| 280 |
an unorthodox little film noir organized crime story that includes one of the strangest | 1positive
| 281 |
considerable aplomb | 1positive
| 282 |
acted by diane lane and richard gere . | 1positive
| 283 |
scant | 0negative
| 284 |
an admittedly middling film | 1positive
| 285 |
too ludicrous | 0negative
| 286 |
the rock 's fighting skills are more in line with steven seagal | 1positive
| 287 |
rich and full | 1positive
| 288 |
warm water under a red bridge is a celebration of feminine energy , a tribute to the power of women to heal . | 1positive
| 289 |
that uses a sensational , real-life 19th-century crime as a metaphor for | 1positive
| 290 |
, home movie will leave you wanting more , not to mention leaving you with some laughs and a smile on your face . | 1positive
| 291 |
, the film retains ambiguities that make it well worth watching . | 1positive
| 292 |
ultra-cheesy dialogue | 0negative
| 293 |
added depth and resonance | 1positive
| 294 |
the sensational | 1positive
| 295 |
huge-screen format to make an old-fashioned nature film that educates viewers with words and pictures while entertaining them | 1positive
| 296 |
handsome but unfulfilling suspense drama | 0negative
| 297 |
's not very good either . | 0negative
| 298 |
in her most charmless | 0negative
| 299 |